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it never bothers to questions why somebody might devote time to see it
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freelance movies
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authentic snooze .
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unbounded access
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seems suited either to kids or adults .
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match their own creations for sheer venality -- that 's give it the old campus try
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a dim-witted and lazy spin-off of the animal planetary documentary series , crocodile hunter is entertainment opportunism at its most evident .
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more equilibrium or fair portrayal
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is yet worth
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the usual movie rah-rah , cheerfully and predictably gave in low-key style by director michael apted and writer tom stoppard .
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` unfaithful ' swindlers on itself and retreat to comfortable territory .
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the lifetime out of whatever idealism america moviemaking ever had
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has a challenging time shaking its blair witch project real-time origins
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about an uncaring character and someone who would not might be so silly as to get
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never sees derived
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offers us principally fool 's gold
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hits any cliches we 've come to hopes , including the presumption that `` crazy '' people are innocent , childlike and inherently funny
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keep the proceedings as droll for grown-ups as for rugrats
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projects at the screen -- rowdy , violent and wanton
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goes right over the periphery and kill every senses of believability
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the scripts , but enough
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can read the subtitles ( the opera is sung in italian ) and you like ` masterpiece theatre ' type garb
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unbelievably flexible
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cute home alabama '' is what it is -- a handsome , benign dated movie ...
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devise her own film terminology with conspicuous accomplishments
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it possibly paid off and is effectively if you stick with it
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smarts , unashamed interpretation of the oscar wilde play
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presume anyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from done oscar winners susan sarandon , dustin hoffman and holly hunter , though newcomer ellen pompeo pulls off the feat with aplomb
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its unnerving force
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, lan toa never catch whopping fire .
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obscure , sensuality ,
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vanquished by howard 's self-conscious endeavour to discover a ` literary ' filmmaking style to match his subjects
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rip their eyes away from the screen
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's unlikely we 'll see a improved thriller this year
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a sentimental confusion that never
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is put in an impossible spot because his character 's evasions eventually untangle him and the believability of the all screenplay
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simplistic and more than a little grandiose
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of a depressed fifteen-year-old 's suicidal poetic
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it 's better to go in knowing full well what 's going to happen , but willing to let the solemnity of its execution and skill of its cast take you down a familiar road with a few twists .
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arrested little ride
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costumed as a children 's party joker gets powerfully gang-raped
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somewhat succinct
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be interested in acknowledging any of them myself
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a french film with a more down-home smell .
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entertainment opportunism at its most seeming
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stoppage by those standards , ` scratch ' is a pretty decent little documentation .
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shrewd enough to be fondly recall in the endlessly difficult maze of moviegoing
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in this tepid genre delivers
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of pretension about the film , which very merely sets out to distract and ends up provide in good measure
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does n't trying to surprise us with plot twists , but kinda seems to enjoys its own transparent
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an unusually
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a deserving addition to the movie cannon , which , at last count , numbered 52 different versions
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lets her complicate characters be undisciplined , confusing and , through it all , humanitarian
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hits all the verbal branded it should
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get a sense of good intentions derailed by a failure to seek and strikes just the right tone .
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help make great marching bands half the fun of college football games
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after one gets the feeling that the typical hollywood disregard for historical truth and realism is at work here , it 's a matter of finding entertainment in the experiments of zishe and the fiery presence of hanussen .
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is reasonably droll ,
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an incoherent , meandering , and sometimes dry intrigue
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if the film has a problem , its shortness disappointed : you want the story to go on and on
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has just as several scenes that are skinny and hard enough to fit in any modern action movie
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the movie is almost a centerpiece
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peek too deep into the story
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is a movie that puts itself squarely in the servicing of the stalkers who inhabit it .
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spurious and
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arrived away from his film flooded , hopeful and , might weirdly , illuminated .
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is a neatly brainy and newfangled variants on various item derived from far less sophisticated and knowing horror films
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would have been many firmer
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is daft beyond comprehension
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to face frightening belated royalty
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hooey but
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can odor the lubrication on the plot
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twohy knows how to inflate the mundane into the scarifying , and get full mileage out of the rolling of a stray barrel or the unintended explodes of a phonograph record .
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's such a mechanical endeavor ( that ) it never bothers to questions why somebody might devote time to see it .
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watch your dealer ivory productions
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civil disobedience , anti-war movements and the power of forceful votes
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even if you 've seen `` stomp '' ( the stage show ) , you even have to see this !
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be examining the idea of why human beings long for what they do n't have , and how this gets us in trouble
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's hard to imagine somebody managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from done piglet victors susan sarandon , dustin hoffman and holly hunter , though newcomer ellen pompeo pulls off the feat with aplomb .
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there is little question that this is a serious work by an important director who has nothing new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out .
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humanitarian experimentation -- opera , disputing , sobbing and astonishment -- that it exceed the normal divisions between fiction and nonfiction film
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the only agitation arrives when the credits finally roll and you get to let the theater .
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captivates as it shows excess in business and glee , allowed us to find the minimal , human moments , and leave off with a grand whimper .
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the director 's many dodges and turns add up to little more than a screenful of gamesmanship that 's minimal on both wait and payoff .
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to conceive of nobody who has reached puberty actually finding the characters in slackers or their antics hilarious , let alone hilarious
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of clichés , depression and wicked alternative music
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for most of its footage , the new thriller demonstrating that director m. night shyamalan can weave an eerie spelling and that mel gibson can gasp , shudder and so tremble without loses his machismo .
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filling the hot dame , the latest stratagem from this unimaginative comedian
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who drastic
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a period story about a catholic boy who tries to help a jewish friend get into heaven by dispatching the onlookers straight to hell .
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offers no new insight on the matter , nor do its characteristics abundantly springs to life .
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a distinctly smaller effort that will be seen to better advantages on cable , especially considering its barely
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stiff grandeur
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catch the unsafe balance between the extravagant confidence of the exiled aristocracy and the cruel solemnity of the victorious revolutionaries
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sexuality interestingly has little to do with the histories , which become anything about how lame it is to try and evade your obligations and that you should never , ever , leave a big hound only with a toddler .
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trawling an audience
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it can not also be nicknamed hedonistic
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unusually
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because the movie advisedly missing paradox , it has a veritable dramatic impact ;
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guiding a loose , sparsely structured film through the snares of incoherence and redundancy
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