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bilibili_data_72647293_BV1m54y1X79F_p2_BV1m54y1X79F_p2_m4-dialogue_0585562 | [S1] Absolutely. Absolutely. But we know there's a history of protest and resistance and whether it's marches or, or, um, boycotts, you know, that these things really work. And so I think right now we're at a time where people feel afraid and hopeless in some ways and powerless with so many shifts in the political spectrum and in our culture. Um, but what we do have is our voice. [S2] Yeah. [S1] And so we just have to encourage each other to keep speaking up. | 24.44 | 3.190292 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p2_BV1m54y1X79F_p2_m4-dialogue_0585562.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657131 | [S1] about anything else, and because of that, I care more about the world. I care about the kind of world that we're handing over to these poor kids. And I, it's my job and my responsibility to try to affect it as much as I possibly can while my fire is burning. [S2] I was thinking the other day about the first time I, I wrote to you. [S1] Yes. [S2] Was when Ava was seven. And you wrote a song called Stupid Girls. | 28.16 | 3.269803 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657131.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657132 | [S1] And I wrote you know because the most popular TV shows at the time were all a bunch of girls pret- I don't know if they were pretending or they really were stupid. [S2] Yeah. [S1] But it was this cultural thing at that time, like, to be stupid. And I remember thinking, "Did my grandmother really fight for our rights so that they could marginalize women and say that we're too stupid to run for office, we're too stupid to vote?" And when you wrote that song, it was like a siren call for me. And I remember writing, you're like, with tears in my eyes, about my daughter. | 28.48 | 2.919024 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657132.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657133 | [S1] I do remember that. And I didn't have a child, so my perspective was completely different at that point. I wasn't even thinking really for the future. I was thinking for myself as a girl, like, "Is this it?" [S2] Yeah. [S1] I'm the scary one? [S2] Yeah. | 13.04 | 3.174902 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657133.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657134 | [S1] Can I say? You start to discover, and so appreciate, this is gonna make me teary, but when women like you write a song, that's why I write that to you, because my daughter listens more to you- [S2] Mm-hmm. [S1] ... than she does to me. [S2] Mm-hmm. [S1] Well, that's why I decided to, like, do this show too, because I think it's the women that we see who are prominent- [S2] Mm-hmm. [S1] ... in our daughter's lives, that they're gonna be more important in certain ways. | 21.88 | 3.149784 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657134.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657135 | [S1] I'm learning too, that she'll listen to others. And so being surrounded by so many different kinds of women that are all passionate about what they do and unapologetic about who they are. [S2] Yeah. [S1] That's my greatest gift for her. | 12.44 | 3.323362 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657135.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657140 | [S1] Put that shit away, Pink. Nobody wants to see that anymore. You're a mother. Have some respect. [S2] Wow. [S1] And so, um, me being the person that I was, Twittered back. [S2] [LAUGHS] Of course you did. [S1] And said, "Well, sweetheart, next time you get invited, you can bring me a pair of pants." [S2] [LAUGHS] [S1] But the idea that I was so hurt by it, I was so offended, like, "Oh, I'm a mom now, so I'm not allowed to be sexy, and I'm not allowed to be strong, and I'm not allowed to be an acrobat anymore." | 26.12 | 3.277124 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657140.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657142 | [S1] And there was some teacher who tells you you'll never be anything. [S2] Oh, many. I think sometimes teachers and adults give you labels that you're only gonna live up to. And I, I think that actually harms kids more than it helps them. [S1] If you leave kids like me alone with no outlet for their creativity, then bad stuff's gonna start to happen. | 19.6 | 3.128125 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657142.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657143 | [S1] And so that was me. But I found my way and I knew I wanted to be a musician, so I had a goal in mind and I had the stubbornness to go after it. And that's what kept me alive, is that I knew what I was good at and I wanted to do it. [S2] I think this is kind of interesting how long you've been doing this. I think you and I kind of started at the same time and I think- [S1] It's amazing. [S2] What do you think gives you staying power and longevity? | 22.96 | 3.265357 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657143.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657144 | [S1] I'm like a rash. [S2] [LAUGHS] [S1] I'll go away. And also, I like to be uncomfortable. I like to be honest. I like to be vulnerable. I like to show everything that's wrong with me and then laugh about it with the world. [S2] Right. [S1] And I feel like people that were with me then when I was 16 are with me now and I'm 38 and we're all just going through the same stuff. [S2] That's so true. [S1] We're all just struggling together and growing up together. [S2] Yeah. [S1] Sometimes, | 26.64 | 3.354418 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657144.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657145 | [S1] You don't really feel motivated until you have something to prove. Thank God, or I'd have nothing to write about. [S2] I always liked being the underdog and like, you think I can't be dramatic? [S1] Mm-hmm. [S2] Well, okay. Well, you think I can't be funny? [S1] Mm-hmm. [S2] Oh, guess what? [S1] Yeah, watch this. [S2] You think I can't start my own company? Guess what? [S1] Mm-hmm. [S2] This is what I'm gonna do. [S1] My first two albums were, "Well, You Can't Do This," and I said, "Watch me." And then they said, "Well, you can't do this." I said, "Watch me." And then the third record, they were like, "Do whatever you want." And I was like, "Ooh." [S2] Ooh. [S1] I don't wanna do anything. I wanna go back to sleep. [S2] [LAUGHS] | 26.56 | 3.032861 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657145.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657148 | [S1] ... good cop. [S2] Well, see, that's the kinda crazy stuff, is you don't know what kinda parent you are until you're already in it. [S1] I know. [S2] And you're in the soup, and you're like, "This is who we are." [S1] So now with two kids, I just need to, I need to figure out how | 11.84 | 2.871127 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657148.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657150 | [S1] ... those wheels turn and- [S2] That's very sophisticated. [S1] And then I asked her, by the time we got to London, I said, "What was your favorite city?" And she said, "I think it was Berlin." And I said, "Why?" And she said, "Because there was a wall and people were separated and there was a war and people were killed and- | 17.6 | 2.965067 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657150.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657155 | [S1] Oh, I get, I get a lot of flack. And I'm also, because of that, if you have an opinion and you're willing to share it, you're, you are immediately polarizing. I cannot tell you the amount of times I've been told to shut up, sit down, sweetheart, and sing. [S2] Wow. [S1] And I've fought back to that as well. You know, I pay taxes. [S2] Yeah. [S1] I'm engaged in the world. I'm educated about what's going on in the world. I'm a woman. I care. I'm a mother. I have children. | 26.56 | 3.233299 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p3_BV1m54y1X79F_p3_m4-dialogue_0657155.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p7_BV1m54y1X79F_p7_m4-dialogue_0308125 | [S1] It would be so fun. [S2] You know, it is so fun. I had to leave, um, college right towards the end. I was like two, I was like a year from graduating and, um- [S1] Oh, really? [S2] ... and, and ugly Betty came up. I had to take a leave of absence and I did, and six years later, when I was 29 and Betty was done, I came back to school. [S1] No, you didn't. [S2] I did. [S1] Is that great? [S2] And it was amazing. [S1] And so people always say, well, you know, school's wasted on the youth and did, did you feel that way? [S2] Oh, no. | 29.88 | 2.853485 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p7_BV1m54y1X79F_p7_m4-dialogue_0308125.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p7_BV1m54y1X79F_p7_m4-dialogue_0308127 | [S1] ... threatened. You don't forget that and, and you learn to have more empathy for anyone in situations where they're doing their best. [S2] You came from a, a big family, right? [S1] Big family. [S2] Here in LA. [S1] Here in LA, San Fernando Valley. [S2] Okay. [S1] Um, I'm the youngest of six kids and we're all, there's six of us in like seven years, so we're just like bam, bam, bam. [S2] Wow. [S1] My parents are immigrants from Honduras, different levels of college education in Honduras, both middle class in Honduras, and they came here. | 29.88 | 2.906266 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p7_BV1m54y1X79F_p7_m4-dialogue_0308127.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p7_BV1m54y1X79F_p7_m4-dialogue_0308129 | [S1] And, um, and- [S2] You said, are we poor? [S1] Yeah. And she said to me, like, "It just depends who you're asking." If you compare what we have to, say, you know, your cousins who live in a different zip code and go to private schools and, you know, um, then, then maybe. But if you ask the women I work with on a daily basis, | 24.6 | 2.802247 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p7_BV1m54y1X79F_p7_m4-dialogue_0308129.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p7_BV1m54y1X79F_p7_m4-dialogue_0308132 | [S1] Yeah, it was a whirlwind. Premiering in Real Women Have Curves at the Sundance Film Festival, winning an award, a special jury award for acting. Like, I didn't even know what Sundance was. [S2] Wow. [S1] I'd never seen myself on a screen. [S2] Yeah. [S1] But I was headed to college, so it was like, great, this is all wonderful, but like, I'm going to school. [S2] [LAUGHS] [S1] You know? And, | 19.32 | 2.866937 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p7_BV1m54y1X79F_p7_m4-dialogue_0308132.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p7_BV1m54y1X79F_p7_m4-dialogue_0308141 | [S1] Oh my gosh, that's a great question. I think, you know, it's important to find your passion. You don't have to be just one thing in life, right? [S2] Yeah. [S1] You can be a lot of different things. And I was an actor for a long time, and then I decided I wanted to be a producer. I was like, "Okay, well, how do I do that?" Nobody had shown me how to do that. I didn't grow up in, in the movie business. So I was like, "Well, maybe I should just try," you know? And, um, | 24.04 | 3.184521 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p7_BV1m54y1X79F_p7_m4-dialogue_0308141.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p7_BV1m54y1X79F_p7_m4-dialogue_0308145 | [S1] ... women sometimes step up and think, "No, I'm gonna be a leader," because I think sometimes there's a part, innate in, in women that's like, "No, no, no, not me, her." You know? And I feel that way all the time. [S2] Sure. Sure. [S1] I never wanna power grab or anything like that. I'm, I do better as a collective of women. It's, it's my nature. [S2] Totally. [S1] But I think it's been, I think a really interesting time where women have had to step up. [S2] Mm-hmm. [S1] And I got tapped on the knee by one of our friends who said, | 26.24 | 2.962961 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p7_BV1m54y1X79F_p7_m4-dialogue_0308145.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895443 | [S1] I don't know, just call venues and, you know, print out riders and stuff like that. And I was just like, "Man, you know what? I just need to move to Nashville." I really wanted to get into the, um, songwriting, like, circle here. It was the best move I've ever, I've ever made. I rented this house sight unseen, and it, uh, was very interesting, I'll say that. [S2] [LAUGHS] [S1] Um, lots of characters, lots of stories. It just inspired lots of songs. It's a really formidable time in my young adult life. But I love it here. [S2] It's so nice. | 28.4 | 3.070576 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895443.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895447 | [S1] What are we looking for? [S2] Church Street. I, why can't I ever think of where to go when I wanna freaking go there? [S1] Church Street. Well, Pancake Pantry's over there. [S2] Yes. We'll go over to the east side, which is where I live. It's a cute little party town. I got a house there last year and just been working on it, fixing it up. [S1] And you just got married. [S2] Yes. I did. [S1] Congratulations. [S2] Yeah. Two months in, we haven't killed each other yet. [S1] Great. [S2] So, you know, we've made it a long way. [S1] [LAUGHS] [S2] Um. [S1] Do you think the first year is the hardest? Well, you don't. I mean, you haven't gotten to the second year. | 28.84 | 3.118142 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895447.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895451 | [S1] It's really representative of this really pretty time in my life right now. Um, just like the end of my 20s. [S2] Yeah. [S1] You know, getting married, meeting the right person, and him, like, just completely changing and opening up my world. I mean, I always write about real life, but I've never written love songs, ever. And I, 'cause I've always just been like, "Those are cheesy." Like, I do not relate to that. And that sounds so emo. [S2] [LAUGHS] [S1] But, like, I just haven't really related to it. So, um, this album's a lot different. [S2] Wow. [S1] It's kind of Bee Gees-inspired a little bit. [S2] Really? [S1] In some ways, Shoday, a little bit. [S2] Mm-hmm. [S1] Maybe some Neil Young thrown in there. But | 29.8 | 2.971277 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895451.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895456 | [S1] It was, uh, yeah, it was very hard. I'd had the idea, saved for a while, and I even went to write with Katy Perry for her own album, not even for me. And I brought her the idea and I was like, "Look, I have this idea. It's called Ball or Your Arrow. I just think it could be so cool." And I sang, like, this little piece that I had worked out the chorus, basically. And she was like, "Dude, I love that, but it honestly sounds like something that you should say. You should save it for yourself." [S2] Right. [S1] So, I'm really glad she said that, and I was like, "Okay." So, I saved it, and I went back to Nashville and, uh, ended up | 26.96 | 3.064382 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895456.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895457 | [S1] There's like all kinds of country people out there, you know? I mean- [S2] Yeah. [S1] Like, there's not just a certain group of people like that, you know, we need to be singing about or singing too. I mean, it's, it's everybody. And I think about like, you know, the kids that I grew up with or, um, you know, these like little kids in these, uh, you know, small towns that- | 18 | 3.050763 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895457.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895458 | [S1] are just coming to terms with all that and are f- [S2] Mm-hmm. [S1] ... like freaked the hell out because they don't know how to tell their parents or like whatever and- [S2] Well, they've never heard a mainstream person say, "That's okay." [S1] Especially in that genre. I mean, I can probably count on one hand the number of times that I met someone who I knew was gay, like growing up. [S2] We didn't talk about it growing up. [S1] Yeah. Oh, my gosh. [S2] And, and it wasn't like my family was shut down about it, but it was just, nobody talked about it, which is another- [S1] Right. [S2] ... form of being shut down about it. | 27 | 3.009302 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895458.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895460 | [S1] ... Outlaws. [S2] I mean, country music is supposed to be for real people. [S1] Yeah. [S2] And so I just had to feel like I had to kind of just remind everybody about that and be like, "I'm just doing my job as a songwriter by taking these things that really inspire me and injecting them into my songs." And you can like it or you don't like it. You can follow your arrow or not. I don't know. [S1] I think it's so great. And just sort of blew open a bigger conversation about what is country music and what is modern country and- [S2] Exactly. [S1] Although I saw somebody tweeted you something so mean. | 28.04 | 2.913149 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895460.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895465 | [S1] It was in regards to like changing some lyrics. [S2] Okay. [S1] And I was just like, I don't feel comfortable doing that. [S2] Yeah. [S1] First of all, like, I don't find what I'm saying offensive, but, um, anyway, it would just send the wrong message. Like, I'm the follower era girl. [S2] At the end of the day, like somebody said something really smart to me, like, nobody cares more about your career than you. | 20 | 3.192858 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895465.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895466 | [S1] Yeah. [S2] Right? [S1] Totally. [S2] So... [S1] I mean, do you run into that? Like, I mean, now you're at the point where, like, you can probably just do whatever you want, and people are like, "This is her," and... But, I mean, I- I would imagine that, like, coming up in this industry or in that industry, like, you probably ran into that a lot, where they're like, "Hey, do this thing," and you're like, "I mean, I don't really..." | 17 | 2.828758 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895466.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895470 | [S1] ... those people more, you know? [S2] Totally. [S1] In this day and age, like, everything is just so heated and polarized and crazy. [S2] Do you think country music's gonna catch up with what's going on in the world? | 11.32 | 2.845411 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895470.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895471 | [S1] I think it's on its way. [S2] Yeah. [S1] Um, I think there will always be outliers that are conservative or close-minded, and that's... [S2] Yeah. [S1] Seriously, that's so fine. As long as we can, like, include everyone. [S2] Right. [S1] I don't know, but I think it's getting better. [S2] Yeah. [S1] Um, I hope. But then, you know, you look at, like, the chart and you see, like, a very, uh, big lack in, like, female voices, so you're like, "Oh, is it?" [S2] Right. And diversity. [S1] Exactly. [S2] Yeah. There's a whole spectrum of- | 26.24 | 3.076658 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895471.mp3 | [
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bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895474 | [S1] Yeah. That doesn't really like, a- affect my creativity or whatever. I just kinda stay, try to stay in my own lane, but it is there, and it's very much a real thing, so, yeah. [S2] And then you just push forward. That's all you can do. [S1] Yeah. [S2] What would Dolly do? [S1] She'd hold up a rhinestone middle finger and just be like, "I don't care." [S2] Yeah. I'm just gonna keep doing it. [S1] So, mm-hmm. Yep. Not only with social media and this world changing like crazy, | 21.88 | 2.918815 | 24,000 | audio/en/bilibili_data_72647293_BV1m54y1X79F_p8_BV1m54y1X79F_p8_m4-dialogue_0895474.mp3 | [
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bilibili_data_72647293_BV1va411w7av_p7_BV1va411w7av_p7_m4-dialogue_0824015 | [S1] Before moving to DC to cover national politics, Jada spent a year traping the globe writing travel articles for the New York Times that at least five of your friends forwarded to you. She's on the road a lot and always has an eye out for new places to eat. [S2] Basically, everywhere I land, I punch in every recommendation on a Google map. Did you want me to say that whenever I land in an airport, I open up Eater? [S1] Well, only if you really mean it. [S2] [LAUGHS] I mean, it's true. | 29.12 | 2.897426 | 24,000 | audio/en/bilibili_data_72647293_BV1va411w7av_p7_BV1va411w7av_p7_m4-dialogue_0824015.mp3 | [
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bilibili_data_72647293_BV1va411w7av_p7_BV1va411w7av_p7_m4-dialogue_0824017 | [S1] ... turns out to be really delicious. These are our jerk wings. [S2] Peter had been perfecting that 24-hour marinade for years before teaming up with his sister to open Kane. And here on H Street, Peter and Janine offer up a menu full of the foods they grew up eating in Trinidad and Tobago. [S1] These are our pickled vegetables that we pickle in-house, some hot peppers. This is our snap-esque-of-each. | 26.12 | 2.896723 | 24,000 | audio/en/bilibili_data_72647293_BV1va411w7av_p7_BV1va411w7av_p7_m4-dialogue_0824017.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203746 | [S1] It's like a, our pit crew. [S2] I know, we've never had so many people around a single person. [S1] I know. [S2] Well, this is why Lauren has everyone stand on Saturday Night Live. [S1] [LAUGHS] [S2] What about when you stand? 'Cause when I did this show, uh, um, everyone hated us. [S1] [LAUGHS] [S2] Right? Remember? [S1] Well, there was a period. [S2] But, uh, and then afterwards, I felt like a jackass, like waving. 'Cause I'd go home and people'd go, "Oh, | 26.64 | 2.846808 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203746.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203747 | [S1] ... [S2] [LAUGHS] [S1] But- [S2] You were more admired than, than loved. [S1] But, you know, when people talk about, in the old days, when they talk about Sandler and Spade and Farley, right? They go, "Oh, that was the best." And a lot of people say that. [S2] Yeah. [S1] It's my favorite. But I, I remember that was the closest that you came to losing it, the show, right? [S2] [LAUGHS] Yeah. Is that true? [S1] Yeah. [S2] That's shocking. [S1] It was crazy. [S2] Those are all always my favorite sketches. [S1] I know, it was bizarre. | 25.84 | 2.952348 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203747.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203749 | [S1] It doesn't matter when the audience knows whether it's live. The cast knows it's live. And every now and then somebody does something and they go, "Oh, well, that, that clearly wasn't planned." [S2] Yeah. [S1] And, or you would have taken that out if you were... And also, we're, we're honest about laughs, as you know. So if it doesn't work, you don't hear any other sound. | 19.24 | 2.956858 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203749.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203751 | [S1] He did, he said the funniest thing to you. I don't know if it was funny or what it was, but he, uh, I became his friend because, uh, I had to warm up and I didn't know what to say, so I said, "Don Pardo." He doesn't realize he's, he could be replaced by a tape recorder. And then I looked at him, he's all sad, and I'm like, "Oh, I just- [S2] [LAUGHS] [S1] ... the worst thing I could have said." So I kind of became his friend and everything, but, um, his, uh, wife of a long time- [S2] Yeah. [S1] ... had died during the summer, and I said, "Oh, I have to talk to Don." So he was at the, uh, | 27.4 | 3.3654 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203751.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203752 | [S1] How important do you think, 'cause I think it's very important to the show and how, why it's different- [S2] Uh-huh. [S1] ... from all the other sketch shows that you end up now watching 'cause you're bored, is this strict structure from the cold opening to the, to the guest, to the fake commercial, to the music, to the update. [S2] Yeah. [S1] I mean, really strongly, um, structured. [S2] Yeah. [S1] And that structure is the same as it was, right? | 25.44 | 3.190157 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203752.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203753 | [S1] Pretty much. I mean, there's, there's flexibility. We change things almost every week. But the cold opening, the cold opening, which is a, I think a phrase I might have invented, uh, so long ago. [S2] Oh, wow. [S1] Yeah, no, I was, I mean, that, that, that's what I'm going to be remembered for. [S2] [LAUGHS] [S1] But, um, it was, I just thought we could open cold, uh, because almost every channel opposite of us was showing a movie. | 26.16 | 3.018769 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203753.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203754 | [S1] And being somebody who watched movies, you just didn't want to come into a movie 10, 15 minutes late. So if you could start the show and hold them without a commercial for 10 or 15 minutes, then they had to make the decision that we were that bad, that they're going to miss the first 15 minutes of the movie. [S2] So there'd always be a fake commercial. [S1] The fake commercial was, we shot a lot of them before the show began 'cause we knew that could work. Uh, but also, | 28.32 | 3.279108 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203754.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203755 | [S1] commercials were the only thing that had been constant on television for, at every age. So you sort of, uh, you knew them and, you know, they were just part of the landscape then. You know, they, less so now obviously. [S2] I was thinking that the commercial for the, for the razor blade that had three- [S1] Yeah. [S2] ... [LAUGHS] [S1] Triple track. And of course that's, that's what it | 23.92 | 3.298186 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203755.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203757 | [S1] When you had the first, uh, hosts, I always liked watching it 'cause it- [S2] We can get out of the 70s and 80s. [S1] We're gonna move, yeah. [S2] Yeah, yeah, okay, fine. [S1] We'll get to the women. We'll get to the women. [S2] Most of these people are not alive at that. | 15.48 | 2.80533 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203757.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203758 | [S1] ... but, uh, um, that the first hosts you got, now, I don't know, I, at the time, I thought you were, um, um, on purpose, deliberately- [S2] Uh-huh. [S1] ... choosing under-the-radar hosts like Buck Henry or Charles Groten or something like that. But was it just because you couldn't get big hosts? [S2] No, it was more, | 21.92 | 3.19575 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203758.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203759 | [S1] You wanted people who, it was special that they were on television, even special for one part of the audience. [S2] Right. [S1] So with somebody like, um, George Carlin did the first show and he was a stand-up and, uh, Paul Simon did the second one. And, uh, then Lily Tomlin and Richard Pryor, who I've been working with the year before out in LA, | 23.68 | 3.232457 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203759.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203760 | [S1] I knew that hopefully the show would be good by that point. [S2] [LAUGHS] [S1] Um, just didn't know what, what was gonna work. [S2] And was it a conscious choice at that time to make it look more gorilla or maybe- [S1] Yeah. [S2] ... uh, to, to not have prosthetics so that, uh, you know, uh, Nixon had a mustache. [LAUGHS] [S1] Well, that was more, that was, that was accurate that he looked older in a mustache. [S2] [LAUGHS] [S1] More than it was, | 27.44 | 2.980439 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203760.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203761 | [S1] But you wouldn't go to, you wouldn't go to Chevy and go do, try to do an impression of Gerald Ford. [S2] Gerald Ford. [S1] Or- [S2] No, I think that, I think we came, we were, we'd come out of a period where people would spend forever in makeup doing that. [S1] Mm-hmm. Okay. [S2] And ours was more, a little more rock and roll on that. It was just- [S1] Right. [S2] Uh, you could make no effort to look like Gerald Ford. [S1] Yeah. [S2] [LAUGHS] [S1] Did you think at the time, by the way, 'cause it happened in '75, did you, did, did you guys go, "Fuck, we just missed Nixon." Like, this would've been the greatest- [S2] We didn't- | 29.76 | 3.014071 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203761.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203762 | [S1] Okay, let's get to the women. Lauren, let's get to the women. [S2] Yeah, yeah, yeah. [S1] I saw a thing on the, uh, it was the History of Comedy on, uh, CNN. [S2] They do, they're, they're, they're, no one knows comedy the way- [S1] [LAUGHS] | 12.52 | 2.956428 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203762.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203764 | [S1] So, but you've had a lot to do with pushing women on comedy now, uh, with pushing women, uh, forward, uh, uh, do you ever think of that? [S2] Yeah, okay. [S1] I mean- [S2] [LAUGHS] [S1] [LAUGHS] [S2] [LAUGHS] [S1] Tina was certainly a, a, a- [S2] Still is. [S1] ... volcanic. [S2] Yeah, yeah, yeah. But, but- | 19.88 | 2.938998 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203764.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203766 | [S1] The, uh, I always find it the, the rarest type of, uh, um, writer performer because a writer is generally, uh, in my mind, or writers I've met are a little introverted, you know, and- [S2] Some are, yeah. [S1] ... so forth and, and, but they rarely wanna look silly, you know? And so, uh, like, a guy like John Cleese, you know, or, uh, | 25.36 | 3.001314 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203766.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203767 | [S1] Yeah. [S2] I think it's, it's also, there's a, when comedy works, there's a kind of joy to it. [S1] Mm-hmm. [S2] Laughing, 'cause laughing isn't voluntary. [S1] Right. [S2] You know, you don't plan to laugh. [S1] Right. [S2] And, and so there's something spontaneous about it in that moment is when it's working. And with SNL, when you're watching, Dana's a perfect example of it. You'd sort of see him out there | 27.84 | 3.315691 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203767.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203769 | [S1] It was an interesting show, uh, because, um, at dress, she'd held up a picture of Balkan orphans and- [S2] Oh. [S1] It was a, a very slow ballad and, uh, and then we saw the shot just slowly moved in to show the, you know, what was going on. And I thought it was really well intentioned and, um, and laid in the show. | 27.08 | 3.150613 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203769.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203771 | [S1] Uh. [S2] I'll follow that. [S1] And, uh, so everybody got ready to do that. [S2] [LAUGHS] [S1] And I, it was, uh, Tim Robbins was the host, and it was like people going, and I go, "Yeah, well, come on." And then for good nights, we, I just did what we always do, which is put her beside him, and I think he was- [S2] [LAUGHS] | 21.28 | 3.048081 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203771.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203772 | [S1] Uh, but I, I think it was just sort of, uh, uh, I, she was shaking and I felt much more protective of, of her than not. It was like, uh... [S2] Oh, sweet. [S1] It was like, like somebody, like a suicide bomber or something. It was just... [S2] You were watching a... [S1] Yeah. [S2] ... the end of her career. [S1] Yeah, and also some kind of breakdown. [S2] Yeah. [S1] Clearly. But, um... [S2] But since then, | 27.84 | 3.148409 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203772.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203773 | [S1] Now we'll fix it for the West Coast if there's like a technical error. [S2] [LAUGHS] [S1] But now, for the last year and a half, I mean, since the presidential campaign, we've been on live everywhere. So- [S2] Oh, yeah, that's cool. [S1] We're on at 830 and- [S2] You know that? [S1] I didn't know that. [S2] Yeah, you watch the show at 830 to 10, and then, uh- [S1] You can watch it again at 11- [S2] At 1130- [S1] Oh, that's awesome. [S2] ... you pretend you can, uh, predict the jokes. [S1] Yeah. [S2] [LAUGHS] | 25.4 | 3.100465 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203773.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203774 | [S1] No, I mean, no, no, I mean, uh, I mean, when you go to cast SNL. [S2] Yeah. [S1] He doesn't come behind? [S2] Uh, I don't, no, I don't think he was, he, I don't think, I think they were still in Toronto. [S1] What's your favorite hat to wear? So if you could rel- rel- [S2] [LAUGHS] | 15.2 | 2.900981 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203774.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203775 | [S1] [laughs] If you could rel- relive one moment, uh, producing SNL or your favorite day- [S2] Well, what about the hat? [S1] Well, this is, this is leading into it. Not actual hats, Norman. [S2] Not the hat. [S1] Uh, re- reliving, um, your, your favorite day writing, uh, Three Amigos or acting in a- [S2] Can we talk about Three Amigos? [S1] Yeah, you can talk about it. [S2] Okay. 'Cause that, that is- [S1] That sounded like so much fun. [S2] I mean, if you want to talk about hats. [S1] ... | 25.44 | 2.939065 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203775.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203776 | [S1] Yeah, he wrote- [S2] Well, because I wanted, you know, music in it. [S1] Oh. [S2] I thought we could do songs and, and because Randy's one of the funniest people I know, and- [S1] What a great song. [S2] So the three of us would, we'd have lunch, and then we'd, um, write. Uh, and if we got, like, two or three pages a day, it was like a- | 20 | 3.176478 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203776.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203777 | [S1] ... successful day. And Steve sort of led us through it. And Randy and I would want to spend longer on things and see if we're going, "No, I think we're good." We'd come back to this and it was like- [S2] Oh, what fun, 'cause he had experience. [S1] Yeah. [S2] Right. [S1] And, and, uh, we certainly could have done it without him, but also he, he's got a very good sense of the length of things and how this will play and that, you know, and, uh- [S2] And did guys come to you guys after or did they go, "Let's do somethin' else"? | 29.8 | 2.945985 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203777.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203778 | [S1] It was done at Orion, and then Orion got bought by Warner Brothers. [S2] I meant another movie after. [S1] Oh, you mean- [S2] After, after, uh- [S1] Three Amigos. [S2] Three Amigos. Did they come to you guys and go, "Let's do, let's do- [S1] Who's they? [S2] Oh, yeah. [S1] [LAUGHS] [S2] I was hoping you wouldn't ask that. The, uh, president of show business. [S1] [LAUGHS] [S2] Okay, now we can move on to Kyle Mooney. [S1] Yeah. [S2] Uh, | 24.48 | 3.230715 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203778.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203779 | [S1] I had him on a program I had. [S2] Yeah, he's a funny guy. [S1] I found out, yeah. I mean, I finally saw the internet blowing up. But he was, uh, he was very popular. You know this guy? [S2] Chevy Chase? [S1] No. [S2] Kyle Mooney. [S1] Oh. [S2] Oh, yeah. Kyle Mooney. [S1] Yeah. [S2] He played your, uh, your nephew? [S1] And I thought he was gonna come on 'cause I'd watch those good neighbors my son showed to me. [S2] Yeah. [S1] And so I thought he was gonna go on and do what, uh, the lonely island did, you know, that those- [S2] They do. [S1] And they do, they've done a few of them. [S2] They, | 26.72 | 2.892233 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203779.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203780 | [S1] They do. [S2] They've done a few of those. [S1] They do a few. But the thing about SNL, from a, I think, I think from the beginning is that you're much more, uh, tolerant and supportive of young people not being good than you are of older people out there. [S2] [LAUGHS] [S1] So if you're watching, I mean, in the, in the first group, I think | 21.48 | 3.184097 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203780.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203781 | [S1] Were there guys that you considered maybe at the time, um, hacky or something for the show, uh, that now looking back, like, for instance, Elvis Presley. He was alive, but he was sort of at that point- [S2] Not that much of it. He dies in like '77, I think. [S1] But he was still performing. I mean, he was- [S2] Yeah. [S1] But he was a joke. | 21 | 3.138084 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p10_BV1ya4y1J78B_p10_m4-dialogue_0203781.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048812 | [S1] I like that, that film. [S2] Yeah, it was great. [S1] It's a good one. It's one you can watch many, many times. [S2] Yeah, yeah, yeah. [S1] So. [S2] Yeah. [S1] Is this going anywhere? [S2] Yeah. [S1] [LAUGHS] [S2] It's going to my impression of Robert Shaw talking to, uh, um, uh, when he finds out, you know, that something's going wrong with that race, you know? And he, and he, he, he brings Robert Redford into his office and he says this. He says, "You're past Boston, Kelly, aren't you? How | 27.08 | 3.053105 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048812.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048813 | [S1] At Saturday Night Live, uh, uh, what's his name, came, uh, Michael Palin and John Cleese. Anyways, they were describing to me the early days, and they said that, uh, it was Cleese and Palin that went to Cambridge, with Terry Jones and, uh, and Eric Eitel went to- [S2] Oxford? [S1] ... Oxford. So the Oxford guys would be completely cowed by the Cambridge- [S2] Oh, really? [S1] ... Cambridge guys that treated them like they went to fucking community college. [S2] [LAUGHS] [S1] [LAUGHS] You know? Yeah, yeah, that's good. Uh, that'll work well in Cambridge. [S2] [LAUGHS] [S1] Or Oxford. | 29.64 | 3.383122 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048813.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048814 | [S1] ... Oxford. Wouldn't you think, "Oxford? That's how dumb I am. I don't even know the smartest one. I thought it would be Oxford." [S2] Well, Oxford is the Rhodes Scholarship people. [S1] Yeah. [S2] Yeah, they do nice work. [S1] And I remember that Jethro, uh, Boudin, he had also, he was a Rhodes Scholar. [S2] Yeah. [S1] Yeah, 'cause he... | 20.08 | 3.073394 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048814.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048815 | [S1] You remember that, you remember that. [S2] Yeah, he went to... [S1] Is the, is the first episode of a show always the best? Like a pilot? Like, remember in the Beverly Hillbillies? Remember, uh, when Mr. Drysdale told... I mean, Mr. Brewster from OK Oil told Jed he could live anywhere in the world? [S2] Mm-hmm. [S1] And then, uh, so Jed goes, "Okay, uh," like, "Where?" He goes, "Why, Mr. Clamp, with your money, you could afford the Taj Mahal." He goes, "I'll take it." | 26.6 | 3.415484 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048815.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048817 | [S1] I, I do know that when I was a, a kid, uh, I loved that show, uh, for the first three or four seasons, and then it just, like, fell off the, uh, table. And I never knew, was it me growing older and, and getting a little wiser to the lousy comedy, or was it that the comedy actually got lousier? [S2] Yeah. It's hard to know because- [S1] But it was funny. It was really funny for a while. [S2] Yeah, yeah. And I read an interesting thing, the, uh, | 25.04 | 3.420553 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048817.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048818 | [S1] Uh, let me ask you something. [S2] Huh? [S1] Uh, here's a joke that I've told, uh, around friends, and I, I've never known whether, uh, I can tell it- [S2] Yeah. [S1] ... in public. [S2] Okay. [S1] And I've felt like, with that in mind, this is the place to try it. [S2] [LAUGHS] [S1] Uh, I was in India. [S2] Yeah. [S1] And I was talking with the Prime Minister. | 22.08 | 2.944609 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048818.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048822 | [S1] Hey, what's the fastest you've ever gotten a car up to? I know you drive cars. [S2] Yeah. [S1] I should have, I should have inverted those? [S2] No, no, this is good. This is good. Uh, I actually have statistics for this. One was in the United States, one was in Germany. [S1] Germany, where they have the famous Auto-Krat. [S2] Autobahn. [S1] Autobahn. [S2] [LAUGHS] [S1] What's the, what's the quickest you've changed the subject? [S2] [LAUGHS] [S1] Wait, they had an Auto-Krat? I'm just being told in Germany in the 30s. [S2] [LAUGHS] | 29.32 | 2.994543 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048822.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048823 | [S1] No, but, uh, you've been on the Autobahn. That's where there's no speed limit. You can go as fast as you like. [S2] Well, no, in certain parts of the country, there is no speed limit. They do have speed limits. You can't go through a hospital zone at 180. [S1] Oh, right, right. [S2] Yeah. Uh, so the, the, uh, domestic record was set on the far end of the LIE at 140. [S1] 140 miles an hour. How about that? That's him. [S2] Yeah. [S1] And a car. I mean, it's not him. [S2] Uh, in Germany, the Autobahn | 28.68 | 3.112613 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048823.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048824 | [S1] Mostly the car. [S2] It was a, it was a Sunday. [S1] Wait, this is the same. This is the second record. [S2] In, in the European record. [S1] Oh, okay, okay, okay. [S2] We have the American domestic record. [S1] Yeah, yeah. [S2] Now we're back in Europe. [S1] Yeah. [S2] Sunday, uh, me and my wife- [S1] Sunday? [S2] And we- [S1] This recent Sunday? [S2] Yeah. [S1] Okay, now I just want everyone to know that this is nothing- [S2] Three days ago. [S1] There's been no pre-interview. There's been no, we have not discussed this beforehand, before the show. There's been no- | 29.84 | 3.277095 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048824.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048825 | [S1] Uh, so we're, uh, and I want to do this because there's no speed limit. So I move over, I'm in the fast lane on the Autobahn. [S2] Yeah. [S1] Uh, and I, I nose it up to 150. [S2] Whew. [S1] And, and I'd never driven at 150, and I, I feel myself, uh, hey, 150. So, uh, I look into the mirror and there's a, a big Mercedes-Benz, a super sedan. | 25.84 | 3.168501 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048825.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048826 | [S1] Just the biggest, stupidest looking family Mercedes-Benz you can buy. And it's packed with people in the car. And the guy is flashing his lights. I'm doing 150. [S2] Oh, my God. [S1] And the guy with his family behind me is flashing his lights like, "Hey, asshole." [S2] [LAUGHS] [S1] Into the slow lane. [S2] [LAUGHS] [S1] And they go, and I do, and they go blowing by me. And you look and they are all, they're coming from church. | 29.64 | 3.120517 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048826.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048827 | [S1] Oh my God. [S2] And I was so shaken, we had to pull off at the, uh, whatever the rest, uh, stop, uh, word is for German, or, well, you know what I mean. [S1] Yeah, I thought, uh, verboten? [S2] Yeah, yeah. Batzimmer. I don't know. So I was- [S1] Hey, maybe the ones that were coming from church went faster 'cause they had less to lose. [S2] Yeah. Yeah, yeah. We, we talked about that. [S1] [LAUGHS] | 26.12 | 3.09264 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048827.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048829 | [S1] I, uh, uh, was talking to a guy who was a sprinter and told me that, uh, uh, the mile was, uh, the mile was broken by Roger Bannister. [S2] Mm-hmm. [S1] Four minute mile. Same year, 20 people broke it. Next year, 150 joined Bannister. And he said that it was completely mental, that, | 20.64 | 3.138786 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048829.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048830 | [S1] Yeah. And, and the, the American high school record for sub, uh, four minute mile was Jim Thorpe. [S2] Thorpe. Jim Thorpe. [S1] No, it wasn't Jim Thorpe. [S2] Oh, oh. [S1] No, who was it? It was, it was very, the guy was very- [S2] He was a recent guy? [S1] No, no, no. Back in the 70s, 60s. [S2] Jay Bullock? Jim Jay Bullock. [S1] [LAUGHS] [S2] How's that possible? | 20.6 | 3.171179 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048830.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048831 | [S1] Yeah, I don't know, I can't remember his name. [S2] Yeah. [S1] But this was a, a pre-Steve, pre-Fontaine, and he was very, but he'd never did well in a world competition. [S2] Yeah. | 9.24 | 3.115933 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048831.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048832 | [S1] Content with if you had worked as a, as a, like you said, you would not want to be a, a game show host every day for decades upon decades. [S2] No, no. [S1] But what about an actor? [S2] No, couldn't have done that. [S1] So- [S2] I'm, I'm, I'm so limited in what I can do- [S1] Yeah. [S2] ... uh, that if I couldn't have achieved this in a very narrow corridor of pursuit, I, I don't know. [S1] Yeah. [S2] I, I, in, in those days, I was drinking. I probably just drank myself to death. | 29.24 | 3.442627 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048832.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048835 | [S1] Well, you know, uh, no, I knew I wasn't cut out for it. And I had done a, uh, like 13 shows of a variety show with Mary Tyler Moore at CBS. [S2] Yeah. [S1] And it was just a horrible, horrible hard work. And they had a tremendous cast, Mary Tyler Moore and, uh, Betty White and on and on and on, and Jim Hampton and Michael Keaton and, uh, Swoosey Kurtz and, uh, and, uh, Dick, uh, Dick, um, uh, uh, huh? [S2] Van Patten? | 27.6 | 3.347158 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048835.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048836 | [S1] No. [S2] Dick Shawn. [S1] Yeah, yeah. Uh, so it was tremendous. And, uh, I was awful. I was horrible. I was horrible. I was horrible. And I, and I dreaded it. I was lucky to have a job. You go over there and there's Mary Tyler Moore and you see her singing and dancing and they had, uh, uh, music in rehearsal and then every Wednesday was the choreographer, Tony Stevens. This is what a trauma this day was for me. I remember the name of the choreographer. [S2] [LAUGHS] [S1] I don't remember the name of the guy who directed the damn show. [S2] [LAUGHS] | 29.96 | 3.24098 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048836.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048837 | [S1] And we would, we would go to a, uh, a rehearsal room, myself and the, the women and everybody on the cast, and we would, you know, and, and I couldn't stand it. [S2] Yeah. [S1] So when the idea of, uh, going through that again, even, uh, I think would've been a great step up, Saturday Night Live, I just thought, "I, I'm, I'm, I'm sorry." [S2] It's fear of humiliation. [S1] Mm. Yeah. That's right. [S2] And you think that's- [S1] And, and, and, and, and ruining the show, yeah. Humili- [S2] Fair enough. [S1] Humiliation was instant. | 28.88 | 3.058515 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048837.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048838 | [S1] Did you ever get a ride to Concord? [S2] No. [S1] Oh, man, this was a nice ride. [S2] Yeah. [S1] Um, JFK to Heathrow, how much time do you think it would take? [S2] Three hours. [S1] Super Sonic. [S2] Three hours? [S1] Three hours, 18 minutes. [S2] Oh, I thought it was way faster. [S1] Yeah, that's why you guessed three hours. Uh, anyway, so- [S2] Do you have guys that do that, that go 50- I'm in it. [S1] Yeah, well, I knew when I was getting into trouble when I- | 27.96 | 2.812733 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048838.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048840 | [S1] You're an infant. [S2] Here, let's, you read one. [S1] Uh, a lot of people have re- Uh, sorry, I'm a little nervous. I already fucked it up. [S2] No, you didn't. Come on. [S1] A lot of people are excited for self-driving cars, and so am I. Finally, I'll feel what it's like to kill without having any personal responsibility. | 24.48 | 3.073346 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048840.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048841 | [S1] I don't- [S2] I had this conversation earlier today. We were on, uh, one of the freeways. [S1] Yeah. [S2] And I just, uh, posed the question, have we really verified the advantage, what it is- [S1] Yeah. [S2] ... for self-driving cars? Like you're, well, your life would be easier because you don't drive. [S1] I, I know. So I'd be perfect. I'd be the perfect, the perfect person to, uh- [S2] But how, how much- [S1] ... try the self-driving car. [S2] But how much, uh, uh, uh, difference is it from Uber? | 29.72 | 3.181874 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048841.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048842 | [S1] Oh, well, I wouldn't drive it. I'd be, I guess I'd be a self-passenger. [S2] Well, no, no, no. It is self-driving car. The car drives itself. [S1] Oh, right, right. How, what, why is it different than Uber? [S2] No, no, I know why it's- [S1] Well, first of all, the self-driving car- [S2] I'm just, I'm just- | 14.92 | 2.953881 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048842.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048843 | [S1] You know, when I did the, the other day, uh, I had to go into, uh, Dick's. You ever been to Dick's? [S2] Dick's Sporting Goods? Well, first of all, I applaud them for not selling AR-50s. [S1] They used to, and they took them off the shelves. You cannot buy one there. Yeah. Uh, but Dick's, uh, I love it because, uh, th- nobody works at Dick's. The customers help each other. [S2] Right. [S1] And, uh- [S2] Yeah, you're just- | 22.96 | 3.101372 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048843.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048845 | [S1] ... the opposite of obvious. So I go up there, I put my fishing gear down on the, uh, the thing, and the, and the guy says, "Oh, you look like a fisherman," says to me. And I said, "Oh, thank you." I said, "You know, it's easier to look like a fisherman than it actually is to catch fish." [S2] [LAUGHS] [S1] And the, and the guy says, "[LAUGHS] That's right." He says, "Hey, you look like David Letterman." And, and now I'm feeling that we're sharing a moment of good spirit, and I say, "I am." And then he says, "Not that I would know, | 29.96 | 3.418581 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048845.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048846 | [S1] Yeah, the 20th. [S2] Yeah. [S1] Yeah. [S2] Yeah. [S1] Yeah. [S2] I, I, um, I wish I could. I admire people who do it. Uh, like I, uh, Seinfeld and yourself and Leno. There, there are guys, men and women, uh, who, who love doing this, can't wait to do it. And when I was doing it on the road, every afternoon at two o'clock, my stomach would start to hurt because I realized I was just hours away from bombing. [S1] Oh. | 26.96 | 3.461403 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048846.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048847 | [S1] I can't even imagine it. [S2] One year when he was hosting the Emmys and he and I were standing outside of the, uh, Dorothy Mahuna Theater and, uh, uh, he's, he's out there eating and, uh, he's just minutes away from going on stage to introduce a best short for a part-time actor and he's feeding himself. [S1] [LAUGHS] | 22.36 | 2.93582 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048847.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048849 | [S1] for this show. [S2] Oh, no, by the way, we have to go, Dave. [S1] Yes, yes. [S2] We have to go. [S1] Yeah. [S2] But we made a song up to sing. [S1] Oh, God. [S2] Oh, what about this? Male, not for you to sing, though. You can just watch us. Male authors are obsessed. This is what, you know, going back to, to, I don't know, Updike and, uh, and, uh, Hemingway, male authors have been, | 20.16 | 2.972155 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048849.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048850 | [S1] You know. Anyways, male authors do tend to be obsessed with male, with female bodies. Male authors obsessed with female bodies. Going on and on about webbed feet and soft insulated, I'm sorry, that's male otters. [S2] [LAUGHS] [S1] No, Dave, no. [S2] [LAUGHS] [S1] Uh, Dave Letterman, everybody. How could it end like that? [S2] [LAUGHS] | 27.8 | 3.439509 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p4_BV1ya4y1J78B_p4_m4-dialogue_0048850.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006145 | [S1] We were hillbillies from a holler down in- [S2] Oh, you played- [S1] ... Tennessee. [S2] He played your husband. [S1] My husband, yeah. [S2] Oh, I thought you meant he played your real life husband, which could have happened. [S1] I know you've done enough research to know- [S2] I haven't done- [S1] ... you know Nadim and you know Tom and you know Ted. | 19.48 | 3.174198 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006145.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006146 | [S1] But I don't need any research. I've lived- [S2] You have minions who deliver for you. [S1] No, I need no research- [S2] No. [S1] ... to talk to you. [S2] Okay. No, you don't. [S1] Because I grew up with you and, uh, uh, I, I did a jazzercised- [S2] That's not what I did. [S1] Well, I know, but they later called it jazzercised. [S2] Yeah. [S1] They stole your idea and then made a fortune. How do you feel about Richard Simmons? [S2] I did too. | 24.72 | 3.093869 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006146.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006147 | [S1] I li- He was my friend. [S2] Yeah? [S1] Yeah, I'm sad. I don't know where he went. [S2] Well- [S1] I mean, I think he's kind of holed up and hasn't been out for a while. Yeah, makes- [S2] How about that thigh master lady? [S1] Uh, is Suzanne. What do you want to know about her? I don't- [S2] Just her thighs. Like, do you think her thighs were as powerful as yours? [S1] Oh, probably. Well, her tits sure are. [S2] [LAUGHS] | 24.68 | 3.163425 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006147.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006151 | [S1] Um, you were, uh, always, uh, attracted to, uh, powerful and yet, uh, disparate men. Uh, your first husband, uh, Roger Vadim, the, the, the- [S2] Fresh film director. [S1] ... Bernard, uh- [S2] Yeah. [S1] ... Acolyte. And, uh, then, uh, you went from him to to- Tom Hayden, right? And then to, you, you couldn't find two more opposite people than Tom Hayden. | 28.44 | 3.115356 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006151.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006153 | [S1] I'm still a work in progress. I mean, I, I believe in the historical Jesus and I've studied it. And, um- [S2] But do you believe in the hypostatic Jesus? [S1] No. No. [S2] So you're not a Christian. [S1] [SIGHS] [S2] But you believe. You believe in something that you haven't... I mean, I think it shows remarkable humility that you still have not made up your mind. | 23.8 | 2.986706 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006153.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006154 | [S1] It's about Mel. [S2] Mel. [S1] Mel. [S2] Well, whatever, okay. [S1] Not Gibson, though, no. [S2] No. [S1] [LAUGHS] [S2] You had to give all your worldly possessions to Mel. Then Mel could have sex with your wife, it turned out. [S1] [LAUGHS] [S2] Then, drunk with power, Mel would begin to have sex with the men as well, and he was not gay. It was just for the power of the thing. [S1] How long were you in this thing? [S2] Uh, the three years. Three years. [S1] Did he do you? [S2] Uh, no. No, I, I- [S1] [LAUGHS] | 27.4 | 2.836932 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006154.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006156 | [S1] Well, the very first, well, the very first one, I was 12 years old and it was called Green Mansions. Later, a movie was made with Anthony Perkins and Audrey Hepburn. And the reason that that was important, it was the first time, you know, when the, maybe you remember, the first time that you don't, you don't, you're not aware that you're reading, that you become the book. [S2] Yeah. [S1] And that was- [S2] Not the book, that the book speaks for you rather than to you. [S1] You, | 26.16 | 3.260991 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006156.mp3 | [
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bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006157 | [S1] by Jonathan Schell, and I was living in France, and a group of GIs who had, who were resisting the war, they had fought in Vietnam, and they now lived in Paris, and they contacted me, and we became friends, and they told me about the war in Vietnam, and I didn't believe them. [S2] Uh-huh. [S1] And they gave me this book, and I read it in one sitting. [S2] Uh-huh. [S1] And it, like, totally changed me. [S2] Uh-huh. | 27.36 | 3.557017 | 24,000 | audio/en/bilibili_data_72647293_BV1ya4y1J78B_p5_BV1ya4y1J78B_p5_m4-dialogue_1006157.mp3 | [
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