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I was stunned by this film. Afterwards, I didn't even want to see any films for a long time- any other film would be so unsatisfying by comparison. For many, it may be the worst of Antonioni- very slow, without an engaging conventional story line, microscopic examinations of human emotions and interactions- and the worst of Wenders- verbose, confused transcendentalism. It is composed of short distinct episodes linked by Wenders' typical meandering hero's stream of consciousness, so it doesn't produce the temporary oblivion of escapist cinema. But for fans, the worst is the best and the disjointed story line is sketching a single poetic image that stretches across the film. Wenders and Antonioni create a discourse between their segments that seeks out the heart of things. | 1pos
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Animated children's movies should really stick to real fairy tales rather than manufacturing them out of grim novels and grimmer history. Making a fairy tale out of one of the grimmest of twentieth century events and completely destroy any resemblance to well documented history is a crime against history, its victims and the children it grossly misinforms. Rasputin was not a supernatural evil wizard/demon. He was killed before the revolution. He had no part in the murder/assassination of the Romanov's or Anastasia's fate. Where is the Leninist terror? Where is the truth about what happened to Anastasia's family, even if even now no one can be completely sure about Anastasia herself? This movie is being made in an era when the Anastasia/Anna Andersen hoax on which the Bergman movie was based has been exposed via genetic testing. There is no excuse for cluttering children's minds with such nonsense given the cruel brutal facts of history. This is not a classic fairy tale, nor a bible epic, it is just a really contemptible idea for an entertainment vehicle. There is also no reason it could not be translated to a fiction time and place without connection to actual events and then be a successful movie without the baggage. What's next? The happy holocaust survivor a la "Life is Beautiful" complete with singing, dancing camp inmates, and humorous bumbling guards? And perhaps big smiling ovens! How about the adventures of a sweet young thing with a big princess attitude that barely got out of the World Trade Center with her hunky young hero just before a giant flying demon Bin Laden reduces the buildings to rubble with blast of his powerful satanic breath? Rating of 2 is for the unquestionably good looking product and the work of the voice actors that was wasted on it, leaving some room at the bottom for totally unredeemable works. The movies should stick to established fairy tales, and leave making up modern ones to politicians and their spin doctors, for example: We come as liberators, that's why we are building a dozen or two permanent bases in your country! | -1no label
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] |
This is a touching story filled with breakout performances. Jason Ritter hit it out of the park and so did Jesse Eisenberg. Most of the film is set in the 80s, and the style of cinematography brings you right into the East Village 25 years ago. Nearly every character was captivating, including Ritter, Eisenberg and hilarious Sebastian Stan. The plot is rich...even the music was first class. If I had to say one bad thing about the film I would have a hard time. I caught it in NY on Saturday night and anyone who has seen it knows that these films are few and far between. The audience applauded well into the credits. I am bringing my girlfriend back to see it tomorrow or Wednesday. | -1no label
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] |
Wimpy Derek Cowley (the likable Trevor Duke), his scrappy tomboy best friend Samantha "Sam" Marche (an appealingly spunky performance by Kimberly J. Brown), and four of Derek's obnoxious college classmates go to a remote cabin in the woods owned by Derek's stepfather to party hearty. Things go sour when a vicious werewolf shows up and kills everyone except for Derek and Sam. Derek suspects that the werewolf is really his mean, jerky, abusive step dad Mitchel Toblat (excellently played to the sneering hateful hilt by Richard Tyson). Derek, Sam, and Derek's uncle Charle (the solid Christopher Shyer) all join forces to try to figure out a way to stop Toblat before he kills again. Writer/director Lance W. Dreesen offers a fresh and novel spin on the standard werewolf premise by cleverly blending the more horrific elements with a surprisingly potent and touching domestic drama. The main characters are unexpectedly engaging (Sam in particular is simply awesome, thanks mainly to Brown's winningly sparky portrayal of her), the acting overall acceptable, and the story unfolds at a constant steady pace. Popping up in nice cameos are Clint Howard as grubby hick Fulton Chaney and David Naughton as friendly Sheriff Joe Ruben. The nasty, hulking, wisecracking werewolf makes for a ferocious and frightening monster: the savage beast rips off heads, tears people to pieces, rapes women, and even brutally castrates one poor guy (ouch!). Dana Nu's spooky'n'shuddery score, Stephen Crawford's bright, polished cinematography, and the funky special effects are all uniformly up to par. Moreover, we even get plenty of unflinchingly graphic gore, a pleasing amount of tasty female nudity, a wickedly funny sense of pitch-black twisted humor, and even some soft-core sex. A nifty little sleeper. | -1no label
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] |
I thought How The Grinch Stole Christmas was a pretty good movie.It wasn't horrible, nor was it great, but it was enjoyable to watch.I felt as if Jim Carrey got a little annoying at times.They made the Grinch seem like a special education person, when all he needed to be was evil and devious, but yet he turned out kind of retarded.I did think the scenery, when not inside the Grinch's cave, was beautiful, and there was a few parts where I laughed, but most of the time I thought it was just annoying.This movie could've been "SO" much better if they had changed the Grinch's personality, and they had included some more laugh scenes, because most of the humor wasn't funny.I liked How The Grinch Stole Christmas anyway, but it's not anything to get excited about seeing. | 1pos
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This is a terrible film. It is not funny at all and is both boring and irritating. It is supposed to be a frothy romantic comedy, but it has about as much froth as a glass of beer that has been standing in a cupboard for two weeks. Carole Lombard was unable to save it on her own, despite her talents, and she flails around like a lost parakeet who cannot find her perch. The appalling leading man, Preston Foster, is simply offensive and revolting. If you are looking for a complete failure in this genre, this is it. A basic premise of this film is that it is OK for a pompous man to persecute a girl and try to force his attentions on her to satisfy his lusts and his male vanity. This is supposed to be amusing. The man's self regard is nauseating, and the very concept of this film is utterly loathsome. | -1no label
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] |
This has got to be one of the worst movies i've seen in the last 7 years and i have seen a lot movies in these 7 years, as i can't watch TV in China. I was hoping for a good flick with some scary monster and a would have taken the bad acting for granted but the dialog killed me - lame as... Awesome actors, original dialog, spectacular effects and gosh i loved the bad guys dressed in black - that actually cracked me up! Gotta love the blonde doctors with killer bodies - the second blond chick was a particular great actress - SARCASM if that wasn't clear yet. Anyway can't recommend a bigger waste of time - top choice this one | -1no label
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] |
Alright lets break it down. Why is this one of the worst films ever? Because there are so many answers to that question I'm having a headache. Come on...Cracker World? Mr. Honkee? The part with the Arab guy? its just awful, i didn't really care about the whole white racism crap, but when they did that thing with the Arab guy, i wanted to get the names of all the writers. Its really not worth watching 3 seconds of this movie. It isn't even funny-bad which was my first interpretation. I hope the person who directed this movie doesn't commit suicide, but it seems likely, i don't see any other options.Don't EVER watch this movie, if you watch it, u cant say u died with no regrets. | 0neg
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] |
I felt compelled to comment on this film because it's listed as the fourth lowest-rated sci-film of all time on the IMDb. WHAT!?!? Sure, this movie is crappy, but it's HILARIOUS! It's not awful on an Ed Wood level, it's more surreal and uneven. There are some classic moments in the film. The brain surgery is gross and great- and even nuttier when you consider that the film was rated PG! Gor chasing after his dolly before getting battery acid dumped on his face- "Mine! Gimmee!" Zandor Vorkoff's speeches at the beginning of the film- "Before Amir, Kali was but another weak nation struggling to break free from centuries of stagnant feudalism!" Angelo Rossito also has some great lines- "No, Gor! No!" "You want these keys, don't you, my pretties?" It is absolutely wrong that this is the 4th lowest-rated sci-film on the IMDb because it is ENTERTAINING. No matter how bad a film is, if it still manages to be weird, quirky, unsettling, or entertaining, it has merit and doesn't deserve to be dumped on and dismissed. I won't defend most of Al Adamson's films, but this one, along with Dracula VS. FRANKENSTEIN and BLOOD OF GHASTLY HORROR, are entertaining enough to make up for their awfulness. | 1pos
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The Leopard Man is a master class in efficient scripting and filming on a budget. Despite being 70 minutes long, it has a large ensemble of characters from different areas of a small New Mexico town - English and Spanish, rich and poor, entertainers, police, scientists - all involved in some way in a story about an escaped leopard who may be hunting humans. A mood of fear and foreboding is economically created with plays of light, sudden noises, eerie music, and unseen objects moving in the shadows. The animal attacks occur in darkness and behind doors, but are filmed in such a way as to be suggestive of greater violence than if they had been shown explicitly, and this is very effectively scary. A remarkable film. | -1no label
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] |
Actually, considering that this is the *only* show about geniuses to my knowledge, it could certainly use a few on the writing staff... and one or two in the directing, acting, and casting pools wouldn't hurt. Seriously, how could someone take such a cool idea and screw it up so royally, and with such effort? I couldn't even make it through the heavily computer-animated pilot. "Dark Angel" had more believable character dynamics. And why is it that every single genius is an idiot, perpetually annoyed/annoying, and/or a hot chick? Give me a break. The constant "sound library" cheese-music was also a nice touch. I suppose the biggest morons are the folks at Sci-Fi. Seriously, someone's blown a gasket over there... | -1no label
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I pretty much avoid movies I don't think I'll like. And if I do start one I usually quit early. In this case, because of the performers I fast forwarded to see the performances. They were nearly all bad, too. The only redeeming features in the movie are 2 minutes of Jackie Wilson and several minutes of Chuck Berry. But even the Chuck Berry portion with a so called "band" was such a joke, a bunch of white guys pretending to play. And like many films of 50's music, the singing was lip sync'd to a previous recording. It's a shame. I went to high school from '57 to '61 and there was great music. Would love to see/hear some in a movie. | -1no label
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] |
Earnest effort which achieves some success to adapt the classic Odyssey story to a '30's nostalgia period piece. The adventurers this time are escaped convicts, wandering about the Depression afflicted South bungling their way into trouble. The greatest strength of the film is the wonderful music soundtrack, effectively evoking not only the era that this is set in, but the spiritual references that run rampant in the film. Besides its value to the tone of the movie, the music is just plain fun to listen to. What cripples the film is that the characters really aren't that likable. In a comedy, you need that element in order to have fun along with them in their misadventures. Instead, we have a bunch of selfish, arrogant, soulless, mean spirited nobodies who really have no positive points at all. They're not imposing enough to make you hate them either, so it's hard to relate to them at all. They're offered up as clowns, but like people who put clown makeup on and march in parades, they just aren't funny. Like the story that inspired it, the movie takes these guys on an "odyssey," encountering a variety of symbolic (some even mystical) characters. Everybody is stamped with offensive stereotypes, the operative word being "stupid." People are mocked right and left, and consequently, no one is left being particularly interesting or appealing. The movie doesn't like its own characters, and it doesn't let you like them, either. Riverside baptisms, beautiful sirens, stolen cars, fistfights, radio preachers, people being whipped with sticks; all are thrown at you in disjointed fashion. Some evoke a few laughs, others confuse or bore you. I did laugh when a nerdy guy beat the snot out of an especially obnoxious lead character. But there were a lot more pointlessly gratuitous scenes; an example: some '30's Dillinger-type guy strafes cows with a tommy-gun. Comedy? Symbolism? No; just mindless violence, which detracts from the intellectual nature of the original source material this story draws upon. Other adaptations of the Odyssey are much better. Unless you're a George Clooney fan, rent something else. But buy the soundtrack CD; the music is great. | 0neg
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] |
I watched this film alone, in the dark, and it was full moon outside! I didn't do it in purpose, it just happened in this way. So all the elements were there for this film to scare the hell out of me!! Well, it didn't, in fact i wanted to shut off the DVD player after only 8 minutes, but i thought come on give it a chance, unfortunately i did. The acting was awful, the only one with some decent acting was Samaire Armstrong. The plot is not original, if you are a horror fan then it is just the same stuff you have seen many times before. Some scenes didn't make sense at all, and you just get the feeling that the director wanted to make the movie longer! The monster was the biggest disappointment of the movie. The (scary) scenes looked like they belong to a horror movie from the 80s when there was not enough technology, yet some good movies were made back then! I was surprised to see the name of a major production company at the beginning of the movie, i thought couldn't they put some money in this and make it decent?!! I couldn't agree more with the ratings that the movie got, it is also my rating for it, 3 out of 10. | 0neg
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] |
I viewed the movie together with a homophobic friend, my wife and her female friend. So I had views from all kinds of directions. Mainly, the film made me laugh, the sexual tension was not really there and the only noticeable actors were Tudor Chirila and Maria Popistasu. Yes, I do think she played her role well, even if the script was not appropriate. There were good Romanian actors around, they just didn't have complex roles. I applaud Puya's entering the movie business. I don't know why, but I think he's a good guy, I just hope he'll be a good actor. The wife loved the movie, though, and I think there might have been chords being played and to which I had no ear for. If the film tried to present uncommon sexual behaviors and their consequences in todays Romania, then it failed miserably. There were no consequences. Just imagine that the girls are actually a boy and a girl, and the same story becomes just a boring, uninteresting plot. I have no idea why it got all those BAFTA awards. In my book, it should have gotten the "Better luck next time" award. (bafta=good luck in Romanian). | 1pos
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] |
The review is deserved - possibly the BEST western I have ever seen - certainly one of the best movies ever for me; the closure in the final seconds is an act of creative courage that should shine on the director's head for ever - I walked out with my girlfriend of the time (no artistic slouch herself) shaking heads and muttering "they can't really finish it like that, can they?" I knew then that I would seldom see such a bold stroke; Lancaster shows what he is really made of when the glossy facade is dropped. Just been TV screened and I'm blown away once more - 35 years later!! The sheer moral vacuum of Tanner is a depiction of the worst that can happen when location and money allow someone to construct a "reliaty" founded on self-image - kill a man so that no-one will have cause to wonder if I killed my lover's husband to grab her - I don't need to kill someone to take his woman - and a life is a small price to pay to make that clear. The distancing of his henchmen is so vividly and quietly a thing of manhood's measure in Spanish terms that it quivers in the air on the the mesa above the plains and the leaching of colour is a pure masterpiece of mood that takes some seconds to notice happening | -1no label
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] |
Last night, I got bored and decided to watch a movie called 'out kold' which I had once bought with a whole lot of other cheap movies from a videostore. Seemed like a good old action movie, so I took out the chips and coke and was ready for a relaxing evening. Well, the pain started right from the beginning. The main character is a boxer who is the nicest guy I have ever seen. As the good person he has to be nice of course, but he is just a pussy! That totally doesn't fit with a boxer that has 28 KO's and starts working for a pimp to earn some extra money. Even nice guys can still be cool. Well, then came his first fight while he was working for this pimp. Every punch was clearly missed and that became even more annoying because the sound effect weren't synchronised with the punches. Then there is this totally worthless acting of the whole cast, and you have enough reasons to leave this movie for what it is. I gave it a 1 because I have never seen such a bad movie. | 0neg
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] |
This compilation movie of three horror stories is dark and disturbing. The first story concerns a woman's greed for beauty and the bizarre path she takes to get it. The second story centers on a director who gets held captive by a film extra with an agenda. This leads to torture and a strange game of cat and mouse. The final story regards a writer with a twisted past. This part is surreal and at times awkward in storytelling and direction. I enjoyed this film as a fan of the horror genre. The elements of surrealism and paranormal activity were effective in each story. While the movie did have a relatively slow pace, the intensity of each stories climax made for a fulfilling watch. Recommended for fans of Tales from the Darkside, Tales from the Crypt, The Twilight Zone and admirers of Takashi Miike and Chan-wook Park. | -1no label
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] |
Meryl Streep is always an amazing actress but there is no depth to her character nor to anyone else's. She plays a sadistic, bitchy boss who makes impossible demands to a young woman who gets the impossible done out of nothing more than fear. If there is determination to make it (or as Streep's character infers because they are so alike) it is not apparent. There is almost no plot. Even the NY Times had an article stating that no one in the real fashion world would dress like these people. No plot, no character development and no real fashion. It was a big disappointment. It was unclear if Streep's superficial relationship with her children was because she had no life outside of the magazine or because she was indeed that superficial. | -1no label
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] |
I don't much mind the factors that others here have objected to - acting, lighting and so forth. For the most part, these things were executed well enough to carry the film and put its points across. It's just a horror film, after all. What bugged me were the points themselves. Because this is a deeply moralistic film, and its morality is deeply tacky. In fact it's actually fundamentalist Christian morality, and this is a fundamentalist Christian film. Look at the 'sins': * Sutherland's character picked on a kid at school when he was a pre-teen, leading to his accidental death. * Baldwin's character used masculine wiles, persuasion and good looks to shag quite a few women, some of whom he videotaped. Ooh, the swine! How unlucky for him that women are such passive, gormless creatures that they had no complicity in the matter. * Roberts' character's dad came back from Vietnam a junkie, so ashamed to be caught shooting up that he kills himself. Yes, what a terrible sin! Why couldn't he have just become an alcoholic like all the others? * and Bacon's character picked on another schoolkid. How awful! The fact that he was a child himself apparently counts for nought. Children, it seems, are divinely judged by adult criteria. Well, maybe lots of people support this level of moral absolutism. It certainly seems to have gone unremarked in this movie's comments. Does everyone just buy this stuff? At least human laws treat children differently from adults, recognising that their ethical sense is partially-formed. This film has no such qualms, and I find that pretty objectionable. Ditto the notion that women are helpless, fluffy creatures before young men's evil lusts. Or that a Vietnam vet driven to drug addiction is so shameful that suicide is a valid option. Pathetic. | 0neg
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] |
This is a magnificent, and in many ways impressive film. I saw it on TV as a little boy, with my throat almost strangled with tears, and again today on the magnificently restored Criterion DVD. Cranes is the very essence of the War Weepie. Imagine Umbrellas of Cherbourg with no music and no color, or Waterloo Bridge with no class consciousness. Tatiana Samoilova, a cross between Vivien Leigh and Bjork, is deeply affecting as a pretty girl whose fiancé enlists and doesn't write or come back. The fiancé, Boris, dies on the front, and his death scene is indescribably romantic. Very daring too, because so close to "over the top." But that scene will stay with you. Although the Soviets were so defined by WWII, the movie is quite unspecific, and more powerful for it. The pre-war and post-war scenes have a very 1957 feel. There is no attempt at period detail. The whole film becomes more and more stylized, until the Siberian scenes, which feel like a modern opera set (that is a compliment). The cathartic final scene is milked to its last drop - there again, comparable to Cherbourg. The production feels like a big budget (those staircase scenes must have cost a pretty kopek). Go for it. Don't expect a bitter socialist pill (although it is, of course, very sad). The Cranes are Flying is an impressive slice of world cinema, quite advanced considering where and when it was made. | 1pos
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] |
This film is the smartest comedy I have ever seen, a lot of jokes are either a parody of another film, (from star wars to dragon ball to power rangers to kung fu etc..) or somehow related to history of whatever, (Otis creates the elevator), a lot of jokes are also related to the modern world and made fun of because it was B.C. (Like the wheels of the horse wagon spinning) Other jokes are just plain total non-sense but also hilarious (like the famous scene, with the dog running after the roman guy with the little music) In fact in this movies they mix pretty much every kind of humor. I watched this film 6 times already and every single time I watch it I find other subtle jokes. (like the scene where waldo is part of the Egyptian crowd). It is the funniest movie I have every seem, finally a laugh-out-loud comedy, that doesn't include toilet or sex humor. Numerobis is also what makes the movie, everything that comes out of that guys mouth is hilarious. This movie is nearly perfect except a few clichéd thing, like the fact that Asterix gets his power back because he is kissed, that is plain stupid. But overall an excellent movie!! 9.5 out 10 | 1pos
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] |
I think this one goes down as the worst horror film of all time. If not the worst film of all time. And I'm really not kidding. I was mislead into watching this piece of garbage when I spotted the cover at a local Hollywood Video rental store. The cover looked promising, and I was thinking this would be something along the lines of "The Shining" but I was so very wrong. And I later noticed that on the cover, a critic (must've been a dumb one at that) quoted this "The scariest horror film since The Shinning". Yes, "The SHINNING". This film is basically about a couple who move into a cracker jack box hotel room at some cheap seaside hotel, and they begin to see weird stuff and it's somehow related to the hotel's past. The only thing remotely memorable about this film is Angus Scrimm's performance (well known as The Tall Man from "Phantasm"), but other than that, the rest of the film is just complete and utter trash. I will say this film created a sense of claustrophobia, 99% of it took place in that tiny hotel room, but it was just plain awful. Terrible acting, extremely weak script, nothing scary at all, really bad cinematography, etc. I'd say this is even way below you're average B-horror film. Avoid at all costs, unless you want to laugh and make fun of it for the hour and a half. Even then, I don't think sitting through it is even worth the laughter. 1/10. | -1no label
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] |
I thought this movie was LOL funny. It's a fun, not to be taken seriously, movie about one man's twisted views on life, love, and... well, ladies "from the lowly bus station skank, to the high-class débutante... bus station skank." Tim meadows plays a guy (Leon Phelps) who was raised by in a Playboy-style mansion by a Hugh Hefner-esquire father figure, surrounded constantly by beautiful porn models and actresses. When his "father" kicks him out on the street he must learn to fend for himself with nothing but the chauvinistic outlook on life that his youth has taught him... that and an unfathomable, nearly mystical level of charm and dumb luck. And so the hijinx begin! If you haven't seen this movie and you enjoy a light-hearted, semi-mindless, comedy/love story, then I highly recommend renting "the Ladies' Man". | 1pos
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] |
I grew up in the 1940s, and my sister and I went to the movies all the time. I recalled the name Irene Dunne, but I had never seen her in a movie. Well, last night I did in "Roberta" (1935). What a voice, like a nightingale. Her rendition of "Smoke Gets in Your Eyes" was the most beautiful version that I have ever heard. I found myself wishing she would sing for at least another half hour. There were also the exquisite, exciting, beautiful gowns and furs. My own mother was a real beauty in the l940s, and seeing the fashions of that time really made me wish I was a woman during that era rather than a child. Then too, I loved the sets, done predominantly in white and ever so glamorous! As if that wasn't enough of a treat we had the exquisite team of Astaire and Rodgers. Their numbers were breathtaking, two bodies that moved as one, smooth, free-flowing, what grace! I found the storyline boring, but the talent and beauty that filled the screen sure made up for that. | -1no label
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] |
It amazes me how revisionist we movie fans can be. We love to look back on bad horror films and claim, in retrospect, that they deserve points for intentional camp. Where would Roger Corman's career be without this? Where would the SLEEPWAY CAMP franchise be? I should have known better than to watch this, as I found the original badly made/acted and offensive. But the RETURN TO SLEEPAWAY CAMP box had the look of a better than average sequel. And it had been twenty years since the original, twenty years that the writer/director had to mount an effort superior to his overrated debut. Forget all that. RETURN TO SLEEPAWAY CAMP is as bad as cinema gets. It's amateurishly acted, badly scripted, and features some of the most obnoxious characters its ever been my displeasure to view. Sequences appear to have been randomly assembled. Even the death sequences, the bread and butter of the slasher film, are so badly put together that they're laughable. There's also the basic plot (which is about as basic as you can get). Slasher kills. The problem is that the official red herring is such an obnoxious character that we never care whether he did it or not. I was actually hoping someone would just kill him fast and refund my rental money. I realize that I've been overly critical of some films on this site, but this is not one of them. Contrary to anyone's assessment, the SLEEPAWAY CAMP franchise is not the result of high camp. It's the result of bad film-making. | -1no label
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] |
I have seen the recent Region 2 DVD of this movie displayed in the "horror" section in an Oxford Street store and also advertised as a "classic thriller". In reality it is almost solely a vehicle for Arthur Askey, one of the most popular names in British comedy and light entertainment for over four decades. Perhaps his incessantly cheerful, exuberant and essentially good-natured humour comes as a bit of a culture shock to many accustomed to the sour and cynical flavour of much British comedy of the past twenty five years. However there are still those who appreciate his lively and cheery persona and total avoidance of pathos. Askey was an idol of the great Tommy Cooper who frequently borrowed the "self-strangulation" gag that Arthur attempts to entertain the stranded passengers with. There is a striking, rare appearance by the under-rated Linden Travers, who makes an impact as the mysterious Julie. | 1pos
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] |
Good drama/comedy, with two good performances from Hunter & Hurt, but Albert Brooks steals every scene he is in. With a great script, this movie soars and gives everyone a chance to show their acting talent. And although Joan Cusack is not in this much, but she has one if not the funniest scene in the movie. The highlight of the movie for me, was Albert Brooks speech on the devil. Only one draw back is the fact it goes little slow in places. And I only got totally interested in Brooks role, not so much in Hunter's or Hurt's. I give this a 7 out of 10. | 1pos
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] |
My friend and I got together and we were looking for a movie on satellite. Return of the Sith? Nah, too long. Sideways? Nope, too heady. Sorority House Massacre? Charge my card immediately!! Throw this movie in with cheesy, 80s horror flicks. Other films like "Slumber Party" Massacre come to mind. All are pretty much knockoffs of Halloween, the godfather of modern slasher flicks (I don't think Psycho was, for it was of an earlier generation). But it's all there, the bad 80s hair and outfits, actors that can't annunciate, and a killer that doesn't die, even after repeatedly being stabbed, punched, and hit with a shovel. This guy must be made of steel. If the girl having visions about murders in her dream isn't a complete ripoff from Nightmare on Elm Street, nothing is. True, this freakish girl doesn't die in her dreams but everyone around her goes by the wayside. I'm surprised she wasn't subjected to more abuse, as she really was weird and had an eerie resemblance to Kyle McLaughlin. Not to say I expected Shakespeare when I watched this rubbish. Bad acting was expected, some mindless T&A to go with several dead bodies, and that's what I received. The money shot occurs when the murderer is coming after the sorority girls, falls two stories off a ladder, then is able to spontaneously crash through the window minutes later. Even Altman couldn't pull that one off. So ya, this is your basic 80s slasher flick. Not necessarily funny but mildly amusing. Make sure you watch it with a friend and crack jokes through it's entirety. And if somehow this movie scares you, get a cigarette and a shrink. | -1no label
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] |
Not much to say about this film. Why do they make these? And for whom? Typical "horror" film with a non-existent plot and awful acting. And the beginning, although the best part of the film with loads of good looking babes, is exceptionally pointless. A group of teenagers go to a party outside city and are later on chased by satan worshippers. Makes you shake your head in disbelief. Not much of a tension anywhere in the film. And the chemistry between the leading roles doesn't work. I don't even want to tell anything about the rest of the film, because someone might be surprised about the turnaround in the plot. I personally could not watch the whole movie because I started feeling nausea. But this movie can be used as a test. If someone can watch it, he/she could have a future in...Hollywood? | -1no label
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] |
Made only ten years after the actual events, and set in the Bunker under the Reichstag, Pabst's film is wholly gripping. It reeks of sulfurous death awaiting the perpetrators of world war. Haven't seen this in over three decades, but it remains strong in my visual and emotional memory. The characters seem to be waiting to be walled up in their cave. Searing bit of dialog between two Generals: "Does God exist?" "If He did, we wouldn't." Shame this is not more readily available for exhibition or purchase because it would be interesting to view and compare this film with the documentary about Traudl Junge, "Im Toten Winkel" {aka "Blind Spot: Hitler's Secretary") and "Downfall" with Bruno Ganz. | 1pos
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] |
This person is a so-called entertainer who has to resort to profanity, vulgarity, and slander to try and make others believe he has talent. I have often seen comics use a little of each with effect but when all you can say is laced with it, it is a sign of a drug affected warped mind. Makes me wonder where his twisted and fried brain will be in a few more years of abuse. Poor man!!! I admit I could not watch all of it - too stupid for words. The amazing part of this is that somebody actually believes he is a philosopher!!! No wonder self respect and decency are dwindling and perversity is rising. Could it be that the UFC might have been a factor in his deadened brain? | 0neg
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] |
In 1958, Clarksberg was a famous speed trap town. Much revenue was generated by the Sheriff's Department catching speeders. The ones who tried to outrun the Sheriff? Well, that gave the Sheriff a chance to push them off the Clarksberg Curve with his Plymouth cruiser. For example, in the beginning of the movie, a couple of servicemen on leave trying to get back to base on time are pushed off to their deaths, if I recall correctly. Then one day, a stranger drove into town. Possibly the coolest hot rodder in the world. Michael McCord. Even his name is a car name, as in McCord gaskets. In possibly the ultimate hot rod. A black flamed '34 Ford coupe. The colors of death, evil and hellfire. He gets picked up for speeding by the Sheriff on purpose. He checks out the lay of the land. He is the brother of one of the Sheriff's victims. He knows how his brother died. The Clarksberg government is all in favor of the Sheriff. There's only one way to get justice served for the killing of his brother and to fix things so "this ain't a-ever gonna happen again to anyone": recreate the chase and settle the contest hot-rodder style to the death. He goes out to the Curve and practices. The Sheriff knows McCord knows. The race begins... This is a movie to be remembered by anyone who ever tried to master maneuvering on a certain stretch of road. | 1pos
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] |
This is just one of the greatest animated movies of all time. No exaggeration. From the almost poetic opening sequence, accompanied by a great, great score till the very ending this movie will not disappoint. A dark story, darker than in Batman Returns, but also an excellent portrayal of Batman. The characters are nicely drawn (the female character is very attractive looking) and the voices are perfect. The origin of my favorite superhero has been overdone so many times and yet the filmmakers easily succeed to bring new insight and depth to the man that is the bat. I feel like I should write something more about it, there's definitely a lot of stuff I forgot since seeing it, but this was definitely an overlooked movie. 8/10 | -1no label
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] |
I have never seen the first Killjoy film, and I have also never heard a good thing said about it. So I see Killjoy 2 in the local Blockbusters and pick it up and look at the back. Starring Trent Haaga and Debbie Rochon it boasts. Now being the massive Troma fan that I am there is no way I'm not going to rent this film out, how can it possibly be bad with these two init? Oh how wrong I was. Even Trent and Debbie cant save this excuse of a film from being as bad as it truly is. Trent quite frankly stinks as Killjoy although this probably is more the fault of the writers giving him some of the worst one-liners in the history of film. Debbie does put a solid performance in but it isn't enough. The kills are terrible as are the gore effects. For example check out when the guy is supposedly impaled on something or other. And just to top it all off the ending is just amongst the worst I have ever seen in movie history. The film doesn't even work on a so bad it's good level. Avoid like the clap. 2/10 | 0neg
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] |
I really enjoyed this movie, I'm not going to lie. I really enjoyed the terrible, albeit costly and lavishly done special effects and the cheesy, all too predictable romantic yarn thrown in there. I have a lot of experience watching movies of all ages and types, and I don't make the mistake of comparing silent movies to talkies, since the dramatic form of the motion picture simply works better with sound. Therefore, judging this movie on its own merits and within the confines of silent cinema, it's a really solid adventure flick, good for the whole family. It definitely is dated and would seem really silly to most people coming in to it expecting an action film. Still, if you can put up with it, then have fun! | -1no label
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] |
I just bought the DVD and i must say, (after seeing Brazil and Fear an loathing in Las Vegas) Terry does it again. As well of being a fan of the Monty Python movies, Terry Gilliam's genius follows through in this sci fi thriller, whom Bruce Willis plays a wonderful role as James Cole, and as well (perhaps my favorite character) Brad Pitt who played the insanity of Jefferey Goines. A must have for sci fi fans, or movie fan of any type really, because it includes suspense, drama, action, etc. any way the plot, In the future, 1% of the world's population survives a disease intended to wipe out the human race, which is unleashed in the past by "the army of twelve monkeys". James Cole( Bruce Willis) is sent back to 1996 (which is when the virus was unleashed) to find out about the disease, so scientists in his time can find a cure. Before i go further, James Cole lives in an underground society, and the animals rule the world on the surface due to the disease that will kill the humans. anyway when he is sent back in time he is actually sent back to 1990 where he is sent to a mental institution because of his tellings to people of the virus. During his stay he meets Jefferey Goins( Brad Pitt) who is later mostly responsible for wiping out the human race. He also meets his psychiatrist ((Madelein Stowe) who eventually teams up with Bruce to save the world ( as she sees that he is correct in his tellings), he is sent back and forth from his time to the past and eventually sent to 1996 where he then questions his own sanity but later pulls through to reveal a suspenseful end quarter of the movie and later builds up to the somewhat shocking climax, where he tries to stop the man carrying the virus( not actually Brad Pitt) and is instead shot by the police as the killer gets away. | 1pos
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] |
"Quiet! I'll have no laughter in the courtroom," says the deadpan judge, but in fact the scenes in the courtroom deliver the only laughs in this movie, because they deliver the only breaths of fresh, honest air in the script. Cary Grant's comedic flair shines as always, even when he's mugging for Garson Kanin (a director who should have stuck to writing). Too bad his character, the only remotely attractive one, is stuck with a lousy screenplay and two loser wives. Nothing against Gail Patrick, who exudes cool intelligence and can deliver a cynical remark like a brunette Eve Arden. Unfortunately, most of her roles are thankless, and none more so than this one. As Wife No. 2, she's pure plot device, manipulated to the needs of the story. But, as usual with her movies, it is Irene Dunne who makes this almost unwatchable, particularly in close-ups, when her ever-visible tongue threatens to flop out of her usually open mouth. If you get stuck watching this, check out the score and the sound editing. Both are aggressively silly, in an attempt to make up for the lack of comedy throughout the film. A futile attempt. | -1no label
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] |
Anyone not aware of the 1973 original British Lion movie ' The Wicker Man' would,no doubt, have left the cinema with the impression 'Poor' and 'Peurile'. As a devotee of the original I left with the impression Purely Poor. From the grim reality of haggle toothed inbreds drawing the force of law and order into a web of paganistic barbaric ritual on a remote Scottish island, named Summerisle(the original) to a near Amazon-ic colony off the Maine coast of the US, named Summersisle, the remake hardly hits the spot. This is, quite sadly, a case of what 'could' have been a classic remake of a classic being tampered with to cater for a simple minded public. NOTHING MORE AND NOTHING LESS. Gentlemen (or given the reworked context of the film) Ladies involved ... hang your heads in shame. | 0neg
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] |
I really enjoyed BG Seasons 1-3 and really couldn't understand those who didn't like it. But I can't defend this nonsense. Spoilers follow. The first problem is that the characters are now doing inexplicably stupid things on a regular basis: So if Starbuck thinks she knows where Earth is why not send her out in a Raptor? Would the Admiral accept the resignation of his third most experienced officer? Would the Quorum elect their newest member, the non-elected Adama Junior? He has about three weeks political experience under his belt, and is the son of a man they distrust. Would Adama send Gaeta AND Halo along with Starbuck leaving himself short of senior officers? Would Adama put a man into having sex with cylon prisoners in charge of the fleet? I just don't buy any of this. Secondly, while I accept there have been miracles and references to god up to the end of season 3, it's now all totally over the top. I started watching BG because I thought it was Sci Fi, not some biblical epic. I expected the characters to continue to behave reasonably intelligently, and wanted some satisfying explanations regarding some of the odder developments in the series. Baltar was the best character in the show, but he now seems to be totally insane. Not illogical considering what he's been through, but very unsatisfying. All the characters appear to be just puppets dancing to an unknown third party's behest (some godlike entity). This isn't good drama, it's annoying and a writing cop out. OK, so what are the good points? Nice battle at the start of 4.1. Some good dramatic scenes (well acted) when viewed in isolation. A good final scene, a nice cliffhanging curve ball of a development. But this isn't Sci Fi, it's turned into Fantasy. I can't imagine how the writers can recover this one. | 0neg
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] |
Well the film starts good, but after half an hour it becomes boring and stupid, when all the plot is about Karen's( that was the name of the girl right?) pregnancy. The end of the movie it's really corny and the characters really dumb. I don't know who is more stupid, if the girl because she came back with her old boyfriend or the boy for the way he was used for her. Anyway my conclusion is this: definitely not the best eighties comedy, just another movie like many others with nothing special, they could do it better but they ruined it, if only the plot had take another way but they keep that pregnancy stuff and they definitely ruined, so final conclusion: i don't like. | 0neg
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] |
A college prank where one got caught and sent to prison and the other didn't forms the basis for Sneakers, a stylish, but ultimately unsatisfying thriller. Sad because it's a waste of a really talented cast. Gary Hershberger and Jo Marr area a couple of college age computer geeks from the seventies who if they had stayed on the straight and narrow might have wound up being Bill Gates and Bill Jobs. Marr got caught and Hershberger was not by dint of going out for pizza during a break-in. Marr got some serious jail time, but Hershberger became a fugitive. Fast forward to the nineties and Hershberger has now grown up to be Robert Redford and heading a security firm under an alias. Redford employs the diverse talents of David Strathairn, Sidney Poitier, Dan Ackroyd, River Phoenix and on occasion Mary McDonnell. They break into unbreakable places and tell you what you're doing wrong. Redford and his crew get hired or possibly a better word is drafted into working for a couple of slippery agents played by Timothy Busfield and Eddie Jones. Object is to steal a code box with a formula designed by super mathematical genius Donal Logue. In it Logue's designed a gizmo that can break ANY code. Before long Redford and his crew are in conflict with his former college prankster now all grownup and played by Ben Kingsley. Who wouldn't want the Ultimate Codebreaker? Even I'd like to have that. Sneakers is done with a lot of flash and style, but in the end it's all rather silly. A real waste of a good cast. You've got to catch at the very end where on a news broadcast it's said that Republican National Committee has gone broke overnight and Greenpeace is overflowing with money for its good work. Now maybe that's Robert Redford's secret fantasy, but this isn't Never-Never Land. | -1no label
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] |
A young woman who is a successful model, and is also engaged to be married, and who has twice attempted suicide in the past, is chosen by a secretive and distant association of Catholic priests to be the next "sentinel" to the gateway to Hell, which apparently goes through a creepy old, but well maintained Brooklyn apartment building. Its tenants take the stairway up and can reincarnate themselves, but apparently can't escape as long as a sentinel is there to block the way. The previous one(John Carradine) is about dead, so she, by fate or whatever, becomes the next one, and the doomed must get her to kill herself in order for them to be free. Lots of interesting details lie under the surface, her relationship with her father, the stories of the doomed, her fiancé, so one can pass this off as cheap exploitation horror, but given the sets, the great cast, and overall level of bizarreness, this is definitely worth seeing. | 1pos
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] |
This movie treads on very familiar ground -- the confusion of art and reality in the life of actors. It does not have anything particularly novel or interesting to say on this subject and is in fact rather dull. The final scene in particular is interminably tedious. Seeing the audience crying at the "moving" acting they are seeing on the screen made me ask "who do they think they are kidding?" Nevertheless there are some good performances and interesting scenes, particularly from some of the minor characters. Ben Gazzara plays an old and slightly touched actor, who gets a whole posse of policemen clapping his performance when they come to arrest him. Christopher Walken again plays an over-the-top wacko. Remember his character "The Continental" on Saturday Night Live; an aging eurotrash satyr chasing a young woman around the furniture and trying to get her into bed? He does an identical turn in the film, chasing his young (male) prey around an antique table and plying him with champagne. Overall this film was both enchanting and irritating, but mostly irritating. | 0neg
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] |
With a quick glance at the plot, this would not be a film that would typically catch my attention. Normally, I would not be interested in a film that is summarized as a "complex... thriller about computers and cryptography, government and espionage." However, on this particularly boring afternoon, I decided to give it a watch. I was very surprised and quite glad that I had given it the time of day. First and foremost, the cast is wonderfully selected. They were all very real-- even the extras. There is unexpected humor all throughout the film, as well some romance. The score is perfect, and really helped make the movie. It is not all about computers and technology or whatever you would contribute to the description of the movie, but rather it's a pretty good thriller. I jumped quite a few times throughout, and toward the end I was on the edge of my seat and biting my nails. Not only all that, but the themes are somewhat ahead of their time. I could definitely see something like this happening in the future; or maybe it's happening already... Overall, great film and not one to be missed! | -1no label
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] |
This is probably the worst TV-show I have ever seen. I saw two or three of it's episodes and I felt terrible. Sometimes I really like criminal shows - especially "Without a Trace" which was great. But not this one. I saw its episodes dubbed in Bulgarian so I can not tell anything about the acting but I really hated D'Onofrio after I saw his character. He is the main reason for me not to like the show. I mean... Robert Goren knows everything, speaks every language, can do everything... But despite his knowledge about everything Goren was actually so dumb so it hurts to watch him. I guess the screenwriters thought they would show him as a great psychologist but if anyone speaks to me like he speaks to the suspects I would die laughing at his face. Come on, do you really think this is good? We have seen better shows. We can see better psychology even in "Power Rangers". "Law & Order: Criminal Intent" is a trash. If you want a good show watch something else. | -1no label
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'Blade' would be an extremely above-average comic-book, vampire-hunter action/horror if it weren't for two minor flaws. #1 I loved seeing the all-but invincible Blade/Snipes do his slicing and dicing, but the whole "Yes!" fist/punch was literally a letdown. #2 Bad, no make that horrible, CGI even for 1998 standards. This is mainly in the last third, but some sprinkled throughout. Okay, despite those minor infractions, I really enjoyed this movie. All actors did a suburb job and the fact that this now looks like yet another 'Matrix' rip-off is hilarious considering this came out one year prior. So maybe 'The Matrix' copied 'Blade.' At any rate, it's a very movie for multiple genre-loving audiences: Comic Book geeks, action fanatics and horror/vampire lovers. So, we have Blade, half-man/half-vampire, or "day-walker" and his accomplish, Whisler (a la "Batman and Alfred") battling the undead who, apparently almost out number humans. Who knew? In a rare act of humanity (Blade's more of an antihero) our sword ninja/vamp rescues a newly infected (coincidentally) blood specialist/doctor. Meanwhile, trouble brews amongst the vampires as one wants (you guessed it) supreme power and needs Blade somehow to obtain it. It's not the most original concept, if you read what I just wrote, but still highly enjoyable. You will want to see Blade succeed, you will root for him despite his imperfections and mannerisms. And you will know what's coming as this is the typical act 1-2-3 of a comic book introduction movie. Still, watch this without trying to go too deep. Such as Vampire SPF-1000 "suntan lotion"? Really? What about the scalp? Wouldn't that still burn? Just like the money they burn for weapons? Uh, okay, I am going too deep. Once again, sit back and enjoy the techno-charged fun ride. | 1pos
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] |
The Elephant Man is without a doubt the 'finest' movie david lynch has made, in a sense it doesn't provoke with violence or odd things like Lynch's movies often do, but with pure emotions in a touching drama about the man who just wanted to 'live a normal life', whatever that is. You really feel for John Merrick, and unless your heart is made of stone you will get your eyes wet in the powerful end scenes with Barber's Adagio playing...this is how great movies are made, ones that wake you up, and make you think. Should be all-round education for everybody. 8/10 | -1no label
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] |
Here's the problem I have with this film. It basically focuses in on one seemingly unrepentant pedophile priest and explains how he was put into that position and protected by the church. It is all stuff we've heard before and really offered me no new insight into the problem that has been made public before. Really, this entire movie could've been condensed into a 10-15 min segment on 20/20 or Dateline. But instead it is a long, drawn out affair that repeatedly bashes you over the head with the same themes and stories we've all heard before. The victims are constantly being thrown in your face so you can sympathize with them and understand the gravity of wrong doing by this priest and the church. Enough already, we get this. If I had watched this film in a theater, I would've definitely walked out on it after 30 minutes or so. Only reason I sat though it was because my sister and brother-in-law chose to watch it. Don't waste your time unless you've been in the dark about this sort of thing for the last 20 years. | -1no label
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] |
As you can tell by the summary line, I'm no big fan of the Tarantino scripted original, but it shines in the face of this effort. This second sequel, made back to back with the third, attempts to cash in on the profitability of the original movie. In a nutshell, this movie stinks! Really badly. No care or continuity has been taken in the writing. The endless use of pointless P.O.V. shots really grate the viewer (although, I'm sure the crew had a much worse time having to waste their efforts on such shots as an elevator button P.O.V., etc.) The effects are abysmal. But you've probably already seen this movie. You know how bad it is. What I'd like to know is how can we convince the industry not to waste their money on poop like this? | -1no label
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] |
this was apparently Warners last big Budget swashbuckler with Errol Flynn, and Don Juan must have clothed him to a T! so to say! After 1925 there was Anna Q Nilsson, Greta Garbo, Ingrid Bergman Signe Hasso, and Marta Thoren and Mai Zetterling! And so it was very fun to see Viveca Lindfors in such a lavish big budget movie! In glorious Technicolor!!! The movie in itself is just such an old matinée movie that some TV-channels just show in early morning hours. It's just a fun filled 100 minutes, not to be taken serious! It was directed by Vincent Sherman! much later known for Young Philadephians with Paul Newman in 1959! When did they let Erroll slip their contract????? | -1no label
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] |
Look. I'm a fan of Disney movies n' all, but the films are starting to get repetitive and boring. This film suffers from shabby acting, bad animation and a recycled plot line. The film's story centers around Chicken Little claiming the sky is falling, but it turns out that the sky is a bunch of aliens that attacks the town. Sounds kinda unique, right? But the film's plot line is the same as every other Disney movie. Introduce the characters, start the problem, come to a semi-climax, sad moment, the friends reunite and the problem's solved. This plot line, though can be used once in a while if it's done once in a while, gets tiring after a while. I'm sick of it. The voice acting isn't nearly as good as the other Disney films, and that was distracting to me. Like Hoodwinked, the animation is way too cartoony and really makes the film distracting to watch, and this film's animation was just stupid. All in all, this is a flawed film that I really didn't like at all. Want a good Disney show? Watch Toy Story. Or National Treasure. Or Pirates of the Caribbean. There's a ton of good Disney movies out there... pass on this one. | -1no label
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] |
Writer/director John Milius takes a little-known incident from American history and extrapolates wildly in all the right ways. The result is a grand adventure tale that showcases two of its stars in memorable, larger-than-life roles: Sean Connery as the wily Arab sheik with an inexplicable Scottish brogue, and Brian Keith as President Theodore Roosevelt, itching for the chance to put that "big stick" to good use. Aided immeasurably by Billy Williams' glorious widescreen cinematography and a magnificent score by the always reliable Jerry Goldsmith, this early effort seemed the harbinger of a talent to rank with contemporaries Lucas, Coppola and Spielberg. Although Milius served up tantalizing glimpses of his ability in scripts for JEREMIAH JOHNSON and APOCALYPSE NOW, his career seemed to take a downward turn not long after he started directing, ultimately foundering on dreck like CONAN THE BARBARIAN and RED DAWN. Here's hoping that he will again find his way. | 1pos
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] |
I teach Japanese for an online high school and I include cultural activities so that the students can learn about the country as well as the language. And watching "Gung Ho" is one of the requirements. The students can either buy or rent the movie. Stereotypes or not, this helps the students to see that other people view the world and their lives differently than we do. Many of my students have told me that they enjoyed the movie so much, they are going to get a copy for themselves. It is really interesting to see what we value in this culture and what they value in their culture. I just wish I could get a cleaned-up TV version. I'm not really into the crude language the auto workers use all the time. | 1pos
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] |
I'm still trying to decide if this is indeed, the worst film I have ever seen - A very disturbing problem with this film is that real scientists are interviewed, but their footage is edited to make it look as though they support the ideas of the many BSers who populate this film. The BS to signal ratio of the interviews is about ten thousand to one - at the end, the interviewees seem to be saying, "We want you to _think_ !!", but they themselves are too lazy to do simple research about things they assert as fact. If you feel that you are open-minded, and wish to expand your consciousness, please be open-minded enough to read some actual books about quantum theory: "Einstein's Universe", Nigel Calder (a slim volume, not a challenge), "The Cosmic Code", by Heinz Pagels. If you can't bring yourself to read a book, please don't complain to reviewers about being "open-minded". To recap, this film is just unbelievably bad. You know what's a really good film which questions the nature of reality? "Thirteenth Floor", directed by Roland Emmerich, with Craig Bierko, Gretchen Mol, Vincent D'onofrio. Smart, sexy, thought-provoking. | 0neg
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] |
This story was probably one of the most powerful I have ever taken in. John Singleton certainly went above and beyond when putting together this educational masterpiece. Brilliant performances by the whole cast, but Epps and Rapaport turned in the best and most convincing of either young star's career. However, as a college student myself, many of the issues that Singleton touched on were taken to the extreme. In a sense that, while they are issues faced on many college campuses, they aren't presented as big or out in the open as this movie would make one believe. In some instances, it almost seemed ridiculous to think that something of this nature could actually occur. However, aside from the fact that it was a little over dramatic, the film was brilliant and left me stunned, unable to talk, just think. One of the things from this picture I will remember forever, was a quote from Lawrence Fishburn's character, "Knowledge is power, without knowledge, you cannot see your power." Brilliant, just brilliant. | 1pos
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Obviously, this is not the "Piranha" directed by Joe Dante and produced by Roger Corman. It wasn't so obvious, when I bought the DVD for only $2.95, as the DVD cover art matched that of the Corman produced comedy/horror "Piranha", even the DVD menu (no features of course) matched the cover. Half way through watching this odd movie, my girlfriend and I started thinking, where are the PIRANHAS? Once the movie reached the climax we realised that we must have been watching the wrong movie as we had seen the trailer, which had completely different footage, the blurb on the back of the DVD did not match the story we were watching and the credits (actors, producer, director) were also completely different. Instead, we got some jungle melodrama about a a girl and two guys who go searching for diamonds and end up confronting a vicious animal hunter. This tame, exploitation thriller is boring and pointless and is only mildly amusing for old-school, camp value. Strange that a DVD can be manufactured with the wrong film in tact, but I suppose it is an easy mistake to make seeing as though they are both B-grade movies of the same name made in the 70's. Reading other posts made on this film, I noticed that I'm not the only one with the wrong movie on the DVD. How could this be an INTERNATIONAL error? Is there perhaps, some sort of DVD phenomena where unsuccessful films try to get recognition by being put on the wrong DVDs? WHAT IS GOING ON??? | 0neg
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] |
Admittedly I've seen a lot of bad films in my time but this has to be one of the worst films I've ever seen. First of all the plot is really ridiculous and there is no apparent beginning and the ending isn't all that great either. The fact that there is no beginning proves that the director obviously thought it would be a good idea to push the viewer into the middle of the action to get the instant involvement but it only serves to confuse and annoy. Secondly the plot is way too complicated for its own good. The story has a lot of twists and turns and they are obviously there to keep the audience guessing as to what might happen next. However, again I must say that it only succeeds in confusing and annoying the viewer. People really aren't looking for a really deep, complicated storyline in a TV-action movie. Now as for the actors they are generally really bad. Teri Hatcher is completely uninteresting and sucks as a mother. I'd be really sad to have her as my mother. Rob Lowe who is actually a decent actor but he does some of the worst acting throughout his entire career. Trevor Blumas... well Trevor Blumas sucks. Not at a single time is he believable. He sucks throughout the entire movie. All in all a really poor effort 2 out of 10 | -1no label
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] |
On the cusp of being insufferable. Somehow I stayed just slightly interested, but was it because I truly wanted to know what the "secret" was (which, I should say, is pretty damned obvious) or because I hoped Scarlett Johansson would put on a more sexy outfit? This movie is poor and what's more it's a disgrace to all the lonely, alcoholic Southern literature professors out there. Travolta wants his Oscar so bad he is willing to cry drunkenly in the bathroom after urinating blood. Sorry, pal. . .you were more believable is "Staying Alive." Not everyone can pull a Peter Fonda in "Ulee's Gold." If you want the against-type brave anti- hero Oscar you have to, um, actually act. . .not just pout on screen. Stop this director before he/she (name is vague on gender) directs again! | 0neg
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] |
Well, after long anticipation after seeing a few clips on Bravo's The 100 Scariest Movie Moments I had long awaited to see this film. The plot was simple, beautiful model Alison Parker (Cristina Raines) moves into an apartment building that's a gateway to hell. The Sentinel is a down right creepy film, even if it's a bit slow. It's a mix of The Omen and Rosemary's Baby. The acting is fine, and there are some truly disturbing bits such as the awkward orgy scene with the dead father and the chubby woman in the middle of the orgy eating cake and laughing The ending is a weird mix of deformed people and cannibals. It's a very odd, campy but in the end, I truly believe a great film! One of my favorites from the 70's, even if it's nothing greatly original. It's wacky and extremely creepy! Probably one of my all time favorites. 9/10 | 1pos
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] |
As remarkably bad this film is, somehow there is a certain macabre interest in watching a film that is at such a level. Bela Lugosi is always welcome, no matter how bad the movie may be, but the Martin and Lewis ripoff act, Duke Mitchell and Sammy Petrillo, are nothing more than a glaring example of how show business devours its own. One has to sit through this travesty to believe it. Some side trivia: Martin and Lewis took Mitchell and Petrillo to court for stealing their act, but in court Mitchell stated that while Petrillo looking like Lewis was an act of God, Martin got a nose job to look more like Mitchell! And that comment ruined Dean and Jerry's case! Also, in the 1980s, when Lewis appeared on the Today show, they ran a montage of Jerry Lewis clips from The Colgate Comedy Hour, except one clip was of Sammy Petrillo and not Jerry! Lewis pointed out the error to flustered interviewer Bryant Gumbel. Jerry was not offended, though, he found the whole thing funny. "I was never that good looking," he said. Incidentally, Duke Mitchell actually appears in the Martin and Lewis feature "Sailor Beware." | -1no label
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] |
Although I didn't actually see the whole movie, "The Circus" is a hoot nonetheless. Charlie Chaplin plays a guy who joins the circus and before too long gets his own act. You'll die laughing in the scenes where he's attached to the rope. I actually watched it on TV while living with a family in St. Petersburg, Russia, and they laughed their heads off just watching him perform his stunts. That shows why these silent comedies were so great: you can laugh even if you don't know what they're saying. It's truly movies like these that make life worth living, and Chaplin remains possibly the greatest comedian in all history. 10/10. | -1no label
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] |
'Major Payne' is a film about a major who makes life a living Hell for his small group of boys in the marines. This film does not really have a lot to offer, but it provides several hilarious moments that are well-worth a watch. Don't expect it to be a memorable film, however. Just expect to laugh your way through the film and at the expense of other people. The confrontation between Major Payne and the chubby boy were hilarious, and that's really all I remember about the film except for the boys wanting revenge on Major Payne. Again, it is not a great film, and it is probably best watched on a rainy day when you need some laughter. | 0neg
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] |
it's cheesy, it's funny, some parts are badly acted. the eye talks about these teenagers trying to see ghosts by following this thai rule book one of the main characters found. The book mentions that there are 10 ways too see ghosts so the 5 people venture off to see these ghosts then one day after they played about 3-4 of them there friend disappears when playing one of the games. So they go to HK trying to escape these ghosts but yet there still hunted, so they have to finish the last one in order to not see ghosts. The story is disjointed near the end, and in a lot of ways did not make sense for a fact that they never really mentioned how they can stop seeing ghosts. It would of made much more sense if they had rules in the book saying that you must all complete these 10 tasks in order not too see ghosts or something or hinted in some way how not to see ghosts. They also never really resolve the problem since one of the main characters for some reason has the power to stop seeing ghosts bought the book then his grandmother figured out that somebody is putting a spell on them. What was the spell casters motive? why them? is he there just to mess around with kids? you see it's very disjointed but yet i still enjoyed the movies and some of it's ideas it had. it's a cheesy horror movie with some decent ideas into it that should of been thought about a lot harder if it wanted to be taken seriously. but since you see breakdancers in the movie break dancing with a guy who is possessed i don't think this movie was really made to be that much of a serious horror flick. I personally liked the setup a lot more then the execution of the rest of the movie.the beginning started out pretty well with some interesting team ghost seeing but ultimately failed due to disjointed story telling, and decent CG effects. Nothing really scared me much in the movie but i'm still giving it a 7/10 why? because i enjoyed this average horror movie for it's cheesiness and interesting ideas and cool dancing lol. | -1no label
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] |
I caught this movie on TCM during a tribute to the director Le Cava and was stunned and surprised by its trenchant wit and charm. The movie focuses on the obvious fact that adolescents and teenagers and kids in college spend an inordinately high portion of their waking hours thinking about sex. This is a wonderful breath of fresh air and shows that teen sexuality need not be told on screen by the use of a deus ex machina like the pathetic loser Lucas in "Lucas" and, alternatively, by genuinely depraved social deviants as in "American Pie" or "Porky's". Though this movie is about sex it is suitable for family viewing and even by pre teens. There is also to me a bigger message about the danger of censorship in our society. In an era where prudery and censorship are more and more being viewed by politicians as a way to protect ourselves from ourselves it may be useful to consider how much damage was done to our posterity by the Hays code and the Catholic League. Watch this movie! | -1no label
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] |
There are two things that I like about Elvira, and they're both bigger than she is and she keeps them covered up: her wit and her talent. A movie is the best thing to show off how funny she can be or how she commands attention. Looking like a combined clone of Morticia Adams and Anna Nicole Smith, she inherits a distant relative's estate only to discover that she is really the heiress of the occult. The comedy in this movie is the best thing about it, but it could have been a lot more scary and chilling. It's mostly a campy fare with as many bad horror movie references in it such as the rioting mob or the fleeing heroine who trips and stumbles on her heels. My favorite part is when she uses her marvelous endowments to break the chains keeping her locked in the cemetary. The ending is sappingly sweet as if it were written by the Bradys, but the Las Vegas act at the end seems too grandiose for this type of movie. | 1pos
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] |
In this rehash of Roger Corman's "The Wasp Woman", Bobbie Bresee plays Lynn Roman, an attractive but aging actress whose career is all but over. Desperate to recapture her youth and hopefully rejuvenate her career, she injects herself with a serum devised by mad scientist Emil Zeitman (a weak looking John Carradine). This has the unfortunate side effect of turning her into a murderous insect-like monster. "Evil Spawn" is basically for those of us who aren't too demanding, or are able to derive enjoyment out of very low budget and low quality genre entertainment. If you can stick it out, the film will reward you with gratuitous nudity (Pamela Gilbert looks very good sans clothes), an overbearing electronic score, a very silly rubber monster, and crude but amusing makeup effects. The acting is exactly as uninspired as you could imagine, although Dawn Wildsmith as Zeitman's evil assistant and Fox Harris as Lynn's agent are a reasonable amount of fun. Overall, I found it quite agreeable. At least it doesn't waste time in delivering all manner of cheap 'n' cheesy goods. It's over pretty quickly and has a conclusion that's downright hilarious in its ridiculous and clichéd way. It even comes complete with a not exactly subtle message about the dangers of vanity, and is blatantly self-referential, to boot. Be sure to watch for the fleeting Forrest J. Ackerman cameo as a pool guy. 8/10 | -1no label
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] |
I've seen the movie only recently, although it appeared in 2001. I hoped to see an entertaining movie, but let me tell you, Princess Blade is nothing compared to Azumi. The "princess" is not very talkative, as you may have noticed... She reminded me of Jean Claude Van Damme, who only stared to make his point, then beat the crap out of the opponents. During the entire movie, I waited to hear at least a confession about what she liked, why was she fighting, who did she love and trust. I waited in vain. Crappy movie. Crappy dialog. Don't watch it unless you want to be bored out of your minds! It's so bad, that in the end I was wondering how I managed not to scream in frustration 1 and a half hour. Approximately. I give a 4/10. | 0neg
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This, by far, is one of the worst movies I have ever seen. I actually persuaded my date that it would be better than the current movies that were playing (i.e. Sleepers, First Wives Club, etc.). I mean, come on. Hemingway and Pare. That is a pretty good cast. During the movie, I kept telling my date that it would get better and that the plot would soon develop. How wrong I was. This was one of the crappiest movies ever made. I never knew that is possible for the moon to stay full for extended days on end. Save your money. Don't even dignify this movie by renting it. | -1no label
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I have to laugh at all the comments on this board which say this movie's plot or the characters are not "plausible". I live near the town this movie was shot in, (I was an extra for one day, and a "stand in" for two days on this film. It was neat!) and believe me, the characters are not only believable, you can meet versions of them in small towns all through the south. There is a big difference between city and deep country life. Maybe people in very urban areas and countries tend to forget that. Quite honestly, I know several people down here in the boonies who make the folk of "Grady" look downright sophisticated. That criticism shot down, I just have to say it's a really sweet film. It has a lot of atmosphere and some good character development, even in the minor roles. It portrays small, small town America pretty accurately and with a great deal of charm. | -1no label
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I am second guessing myself over my "1" rating because I usually reserve 1 for extremely bad movies but I couldn't give this higher than a 1.5. The actors and actresses were all very unattractive which sucked because there was a lot of sexual situations. The actual acting was horrendous. You were always aware that it's just a movie. You never get lost into it like you do a great movie. The special FX were hit and miss but overall OK for a small budget picture. Not quite enough of it to earn the "strong violence/gore" moniker though. The ending was so predictable that it secured a "1" vote. Had the ending been good it would have gotten a "2". Another thing that bugged me was that the premise of the movie was this group of people stuck in a house (which may or may not be haunted) all the while being recorded and streamed on a website. The group had to solve certain clues so it was like a scavenger hunt. It made no sense because it was just a 2 story house. They acted like it was a huge compound. Another huge plot hole was the fact that every time some action happened it was never picked up on the web cam. If the whole premise of the project was to video these people, it seems like they would go to great lengths to ensure that there would be no "blind spots". Hey don't take my word for it though. Pick up a copy and decide for yourself. Make sure to come back here and review it because it's pretty likely that as soon as I post this, we'll get a few positive ghost reviews by people that worked on it. Sorry guys, I didn't mean to rag your movie but it wasn't any good. | -1no label
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] |
What's this? A Canadian produced zombie flick that I have never heard of before. A mortician works on the body of a recently deceased young man. This allows for an extended flashback that show how the guy got there. Basically, he and friends went to a cemetery on Friday the 13th and raised the dead thanks to his silly chanting. Cut back to the morgue where our dead body comes back to life and kills the mortician and owner (who gets his eyes popped out). The final WTF? shot has the funeral home owner in a straight jacket and screaming, "I'm not crazy!" Amazingly, he has his eyeballs back. Running a scant 58 minutes, this is certainly one oddity in zombie cinema. It feels a lot longer, but put me in some kind of trance where I couldn't stop watching. The film also has one of those "if you see this image, turn away from the screen" gags. It is the image of an old man getting sick in a theater (prophetic?) and when he pops up (only twice) the blood begins to flow. The scenes are pretty damn gory for the time period. There is a great gaffe where a zombie chops off a girl's right hand with a shovel, but - when he pulls the fake hand into the frame to chomp on - it is a left hand. | 0neg
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] |
The Feeding was an interesting werewolf movie using the same effects from the howling with a little more fog to hide the wolf suit and continuity problems. Teenage campers and a forest ranger couple meet the wolf in the woods and fight for their lives. Some funny scenes and some good suspense, but nothing truly scary. Its set up like a B horror movie and it fulfills that niche very well. Most of the camera work was pretty dark, but it did the job. The acting left a lot to be desired, but not as bad as some B movies. Special effects were very rudimentary, but not too poorly done that they detract from the film. It is what it was meant to B. | -1no label
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It is quite a simple not very active but very charming film. There were moments where I can see why Cher won the Academy Award for Best Actress, but there were other times when I wondered why Glenn Close didn't win for Fatal Attraction. Anyway, Oscar and Golden Globe winning, and BAFTA nominated Cher plays Loretta Castorini, a simple woman with a low pay job who has just been asked by Mr. Johnny Cammareri (Danny Aiello) to marry him. He promises her he'll be back in a month, as his mother is sick, so she mean while needs to get as much of his family to attend the wedding as possible. Only problem is, when she finds Johnny's one-handless brother Ronny (Golden Globe nominated Nicolas Cage), they start having a relationship, and there love goes on to that moon scene (where the title comes from). Also starring Oscar nominated Vincent Gardenia as Cosmo Castorini, Oscar, BAFTA and Golden Globe winning Olympia Dukakis as Rose Castorini and John Mahoney as Perry. It ends with no wedding for Johnny and Loretta, but she and Ronny were happy together. It won the Oscar for Best Writing, Screenplay Written Directly for the Screen, and it was nominated for Best Director for Norman Jewison (In the Heat of the Night) and Best Picture, it was nominated the BAFTAs for Best Score for Dick Hyman and Best Original Screenplay, and it was nominated the Golden Globes for Best Motion Picture - Comedy/Musical and Best Screenplay. It was number 96 on 100 Years, 100 Quotes ("Snap out of it!"), it was number 17 on 100 Years, 100 Passions, and it was number 41 on 100 Years, 100 Laughs. Very good! | 1pos
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] |
Skullduggery, skullduggery, ah, how you have hurt so many with your cheesy-ness. Yet, I love this movie, not as much as 'Big Trouble in Little China' or 'Trekkies,' but I love 'Skullduggery' all the same. The entire movie reeks of low budget "student film" and there are more than enough odd characters, stilted dialog and bad acting to make any bad movie fan giddy with delight. Plus they filmed the entire thing in Toronto, one of my favorite cities. This would have been a perfect movie for MST3K. I hope that years and years from now, when all the old msties get together and lament the movies that never got the MST3K treatment, this movie will rank at the top. Mind you I don't recommend that you watch this movie in conjunction with any other 'gamer goes crazy' movie, as the consequences for you can be dire. Yes, I was the one who watched 'Skullduggery' and 'Mazes and Monsters' back to back, and what happened? Well, I collapsed with an infected, inflamed gallbladder. You have been warned. Still if you are looking for a movie to 'MSTify' alone or with friends, you can't beat this movie. | -1no label
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I was on France, around March 05, and I love to go to this Film Festivals. I knew about this Cinémas d'Amérique Latine de Toulouse, but I've never went to it. I decided to go and then I caught Cero y van 4. The film is stunning. It doesn't caused the impact on me like with the Mexican users, because it was french-subtitled but it's still shocking. This film is a satire about urban violence, about kidnapping and crime on the streets in Mexico. It is a crude portrait of the city. Of a Metropolis. Secuestro Express, with a stunning Mia Maestro, which was also a satire of kidnapping, almost, but with a more serious tone has, and I think so, some kinda connection with Cero y van 4. A, sort of, redemption story and that how much is too much? Man on Fire, that was stunningly strong, was also, not a satire, but a crude portrait into the streets of Mexico. Or it is like The Brave One. A film that shocks and hits you in the guts very hard. This is like The Usual Suspects, it has some plot twists and turns, but that makes it even more believable. Verdict: A film that shocks and makes you believe that there's no security on the streets anymore. Stunning dialogue, impressive direction and astonishing performances. Cero y van 4 is a film that you won't forget soon. Leaves you shaking and stunned. | 1pos
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how can you guys say its a great movie??? sorry, but it really sucks.. the plot is very poor of ideas and just to fill it a little the director has back-troubles? Is that really the best this movie can give us? I think it sucks.. you get absolutely nothing from seeing this movie. And I think its sad too, to see Sigourney Weaver in a role like this. She is more talented than this plot will ever be. Come on, go compared it to a real movie and admit that i actually isn't any good... I could say many things that i don't like about this movie. But it wouldn't be the time worth.. | -1no label
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The Plot A troubled teen has the habit of sucking his thumb. His orthodontist puts him under hypnosis and he soon gets rid of the habit. After being diagnosed with ADHD, he begins to take Ritalin. But the Ritalin changes him completely from a quiet nerd that nobody had time for, to a loud-mouthed brat who suddenly became the confident head of the debate team. The film raises the question of whether to medicate your children, which is a very topical issue today. The Pros This film could have been better. It suffers from bad film-making, which causes it to be boring. The only pro is the cast and the acting. The Cons Thumbsucker takes too long to get its point across, which for me ultimately was not much of a point at all. There was not enough conflict and drama to satisfy an audience. The woman next to me slept through the entire film and by the time it finished, I could not help thinking she had the right idea. . Final Word This film is too slow and plain uninteresting. There are so many better films out at the moment for you to see. Leave this off your list. Thumbsucker gets two thumbs down. | -1no label
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Usually, this is a WAY under-rated movie, and that is because it is the kind of movie you will watch for the story and not just the sex. I was floored when I saw it back in the day, and I could not understand why it did not receive the recognition it deserved, but now I think I understand the undercurrent which it churned within the industry was not good. One has the feeling that the film is biographical, and--now that Mr. Butler has a book out by the same name--I guess that is true. Eddie, the main character, and his pal are likable characters with obvious flaws. The women in his life are good and bad, and all are attractive. As in real life, Eddie screws and gets screwed, but in the end I think you will cheer for him. A great movie and it will get you off. | -1no label
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] |
Crackerjack is a funny movie, everyone at the bowlo has seen it and all say the same. The wheel of cheese was a great part of the movie, also the loud speaker "dear Mr so and so you have left you right indicator on". Or when Jack goes home and lays down on the couch and cracks a beer, "bowls is hard work" cracked me up. And when his roommate shows interest by joining the club and calling bingo number. Jack buying all the raffle tickets to win the meat tray. Bloody great movie if you are into lawn bowls as you can relate to it, if your not a lawn bowler forget it i think. The Evans Head Bowlo would rate as the best club in Aus, friendly people, great company.Hi to Evans Head Bowlo Steve | 1pos
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] |
I resisted to see "Mommie Dearest" for years but last night I lost a bet and I was forced to sit through it. Surprise. It didn't provoke what I thought it was going to provoke. Nothing personal really. A bad TV movie, cheap in every department, the production design, the hair and make up, the script, oh my God, the script. I never read Christina Crawford's book, maybe it was this amateurishly bad. Anne Bancroft was first going to play Crawford but fortunately she came to her senses. Dunaway has been paying the price ever since. You don't mess around with Crawford, didn't she know that? Other than the outrageous performance by Faye Dunaway, Diana Scarwid gives her Christina a certain amount of dignity, perhaps more dignity than Christina deserved. The supporting cast seems like a round up of the last resort. Atrocious. So much so that it's not even funny. I bet Joan Crawford is turning in her grave unsure whether to cry or to laugh. | -1no label
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I rarely hate films; in fact the only other film I have been genuinely annoyed at having subjected myself to watching was date movie. Personally I find it hard to distinguish between the two as to which is worse. this is just so terrible. the acting is awful, the script is unfunny and, putting it bluntly, crap, the humour is that of a 9 year old, the plot line is rubbish and the whole movie is such an utterly pitiful attempt at a comedy. IT IS A WASTE OF TIME TO EVEN BOTHER WATCHING THIS. FOR YOUR OWN SAKE, DO NOT EVEN THINK ABOUT IT!!!!! Here are the facts how I see them: 1. I watch a lot of films 2. I am very tolerant of films and rarely dislike them 3. I passionately, from the depths of my heart, hate this movie. 4. However pointless, I hate the producers and writers of this film for making such a Appalling movie, and even more for subjecting it to the public. I will repeat again, DO NOT WATCH THIS MOVIE!!!!!!!!!!! | -1no label
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] |
First of all our friend Mike is absolutely right about Elsa. I definitely recommend it, even if just to watch this goddess. :D Nevertheless I think you (Mike) should try to watch it again. Preferently not during Frightfest. The photography is quite good, and the landscape and historic placement are very good. The script is not really dense. But I think great films are made out of details and photography, and not out of phenomenal scripts. My "8" may be overvalued. I couldn't help. I love Galicia. I'm just disappointed with the fact the film is not spoken in Galego, but rather in English. I would give it "7". The bonus is for encouragement. If you liked this try to watch this short: "I'll see you in my dreams". Até à próxima. | -1no label
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If you are planning to schedule your program for a film festival, do not be misled by what it says in the booklet. This is a complete waste of time and energy. I have watched Bunuel, I have seen Dali, and admired them; but this isn't surrealism, this is not supposed to BE at all. Didn't they ever think about the reputation of human race while taking this picture? After we become extinct by global warming, these will be the remainings of our civilization. What if the aliens sample this as an example of our intellectual capital? With all due respect to the effort put in this, maybe it would be a good idea to terminate all the copies of this film - or whatever it is. | 0neg
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Considering Caro's past work in the movie field, one can really look forward to see his latest film as director : Dante 01. Well I have to say I was for one really eager to do so and as I watched the movie, even as a full open minded viewer, some scenes were feeling just ... incomplete. The thematic is quite fine, a deep space station used as a psychiatric facility is exiting knowing the visual taste of Caro and the cast is well done too, but in the end every way you look at it the movie never fully unfold his potential. The story, as mysterious it can be, fail to be emotional or understandable at any level which is really disappointing considering you can't connect to any character at all - especially not with the main one - having a feeling of emptiness despite the solid material that could have been used in a much better way. The budget isn't large for this movie, that's obvious and still the director pulled some extremely good shots and some solid acting while being uneven at times (considering the budget, I can only guess that some takes as to be done only a few times), still, beyond that there is nothing to properly think of. As said, the story was somewhat promising at the beginning ... and sadly looks still promising at the end, it's a tale with a slow beginning and no real end or ground to rely on - an etheral narration with some pretty visuals and scenes empty of meaning. If I were to make a comparison, I'd pick "The fountain". They look alike in many ways, sharing a radical vision of movie-making and story telling but where the fountain kept me involved in the character development process and opened some thoughts, "Dante 01" just got me lost somewhere loosing the meaning of it's concept - or maybe I never got it in the first place. Overall, the movie itself isn't bad and you can see it without regrets it's still a nice movie but it's nothing more and that is probably the most disappointing thing about it : you don't feel more than looking at an OK film. Now, I do hope Caro will be directing again and with a better budget and more freedom over his uncompromising style, making this one just a trial step for better materials next time. | -1no label
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] |
Casper Van Dien, last seen battling giant bugs in STARSHIP TROOPERS, now gets to take on sharks in the aptly named SHARK ATTACK. Once again it's the humans who are the *real* bad guys, and Van Dien soon finds himself in more trouble than he bargained for. The acting is pretty bad all around, although the mad scientist is amusing and has some good one-liners. The plot is fairly meaningless until the very end, when everything gets impossibly complicated. It's like a Bobbsey Twins mystery gone bad. Complementing the acting and plot portions of the film is second-rate documentary footage that the producers probably sneaked out of the Discovery Channel's "Shark Week" reject bin. If you like BAD movies, you should enjoy this one. If you don't enjoy B movies, try JAWS instead. | -1no label
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] |
The emotional impact of this movie defies words. It is elegant, subtle, beautiful, and tragic all rolled into two hours. This is Will Smith as he matures into his acting ability, the full range of it. Who knew? I saw The Pursuit of Happiness and thought, this must be a fluke for the blockbuster, over-the-top actor, Smith. His performances in both movies portray a whole other dimension to Smith, a refinement of talent, the selectivity of scripts, I'm not sure, but I view him differently now. Seven Pounds is one of those movies that in order to fully enjoy its essence you have to suspend your belief. Don't watch it for the plot, watch it for the fragile condition of the human heart, both literally and metaphorically. It is a story of human guilt, atonement, love, and sacrifice. | 1pos
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] |
"The Aristocats" is classic Disney at it's best. It's not considered as the ultimate Disney classic along side the more well-known Disney-films, but it's a well-made and fun film that certainly deserves to be a Disney classic. "Aristocats" is certainly a sure kids-pleaser, cause it has all the components for a fun kids film. I'll liked it very much as a kid. I'm not sure if this film is a sure pleaser to the adults, who could watch Disney classics for the nostalgia sake, but I still enjoy this film as an young adult. Storywise, "Aristocats" may not be so complex or innovative, but it doesn't matter. This film was made on that period where the filmmakers followed the motto that the characters were the story and wise versa, which "Aristocats" certainly shows. The characters make the film; they're all likable, fun, have great lines and have a great interaction with each other. The voice actors are also a part for making the characters so compelling (Eva Gabor as Duchess, Phil Harris as Thomas O'Malley and etc). A misconception could have been the dogs Napoleon and Lafayette, since they're showstoppers and haven't so much to do with the actual story, but fortunately they're fun and amusing characters and the scenes with them are pure gold. "Aristocats" is both entertaining and cute, but it's also a very funny cartoon. The animation style and look fits perfectly for the film's French surroundings (especially the city of Paris looks greats). The character animation and design is great. And the songs are really catchy too. My favorite is "Scale and Arpeggios", but the title song is a cute song, along with "Thomas O'Malley Cat" and the memorable show-stopper "Everybody Want's To Be A Cat". And the score by George Burns is a perfect fit for the film funny and emotional situations. Overall, "Aristocats" is in my opinion the best Disney cartoon from the 70's and it's a film that deserves to both be seen and remembered. So what you're waiting for? Do your self a favor and share this Disney classic with your kids. It deserves to be in their memories. | 1pos
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] |
The movie itself was pretty dull, and most the acting was a little cheesy. I did think that the girl who played the lead character, Molly, was great! She gave this movie the only real depth it carried. I hope she will continue to pursue her career, and that others will see what an incredible talent she really is. As for the plot, you could drive a semi through the wholes in this movie. It was so completely unbelievable that it was hard to watch. None of the characters were written with any depth and only a truly talented actor could bring any believability to it. I think that the majority of people in this film should give up hope of ever doing anything besides cheesy C rated movies or maybe porn. Everyone except the lead actress whom I mentioned before. | -1no label
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] |
Not only is this film entertaining, with excellent comedic acting, but also interesting politically. It was made at the end of the Soviet Union, but makes fun of the soviet mentality through and through. The story is set during the early days of the soviet union, and it questions the rationale behind the revolution both in cultural and practical terms. Of course, by the late 80s and early 90s, the bizarre strictures of soviet society are already relaxed, but the ideology and mentality is still alive and well and ready for some well-deserved deconstruction. Happily, all this deep philosophical commentary is wrapped in a funny and entertaining package! Jur | 1pos
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] |
I really wanted to like this movie, especially when I saw that Patrick Stewart was in the cast as the voice of the raven since I'm a long-time Patrick Stewart fan. I realize I'm a snob when it comes to "The Snow Queen." This was one of my all-time favorite children's stories. I also realize that anytime you read a story and create your own image of things, a movie will have a hard time living up to your creation. That being said, I really enjoyed "The Chronicles of Narnia: The Lion, the Witch & the Wardrobe" but, alas, I cannot say the same for this movie. The CG effects were cool but distractingly obvious. It was sort of like watching somebody's first attempt at a video production using CG. Gerda's mother was played by an actress (Juliet Stevenson) I had seen before but couldn't remember where. To give a gauge as to how emotionally engaging the movie was, I spent most of the movie trying to figure out where I had seen her before. I would say that, for young children not familiar with the original story, this would be a good 'pop it in the VCR for an hour so I can get some cleaning done' movie. But if it wins any awards, I'd be shocked. | -1no label
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] |
What a real treat and quite unexpected. This is what a real thriller movie is all about. I rushed into the video shop, grabbed a movie without reading the entire blurb on the back and hoped for the best. I was totally surprised and delighted. I really enjoyed the actors and their characters. I thought they all gave a great performance and made their characters realistic. The plot was well thought out,well written and directed. It kept you interested from start to finish and never got boring for a single minute. I highly recommend this movie for those that like thrillers, especially thrillers that are well paced and ones that keep your attention. Definitely a 10 out of 10 from me. | 1pos
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] |
This was a very faithful presentation of Lewis's life in the mid-50's. The dialogue on theology and the banter with his follow colleagues was exceptionally good. Michael White's book, "C.S. Lewis: Creator of Narnia" deals with this time frame in a very parallel way. Joss Ackland's acting was superb in catching the unemotional Lewis. The movie took great pains to be presented in an accurate English setting. The development of a strong bond between "Jack" (his preferred name) Lewis and Douglas Gresham, Joy's son from her previous marriage, was enjoyable to watch. The movie did avoid the distasteful element of "Warnie" Lewis's (Jack's older brother) drinking problem, but it would not have moved the story on, so it is best left out. | 1pos
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] |
This movie is the worst thing ever created by humans. You think manos is the worst movie ever? It doesn't even come close to this garbage. I dont even know where to begin. The "russian" commander and the rebel chic are the worst "actors" ever to appear in a movie. They make the sister in troll 2 look like Meryl Streep. The goofy faces the chic makes while she's in kung fu training have to be seen to be believed. Then there is the oompa music during the prison break, the totally out of place love scene, the stupid song that plays during the out of place love scene, the fake castro, the fact that everybody has either a headband and/or a bandanna on some part of their body, the goofiest rape scene ever filmed, and the worst acting ever put on film. This movie deserves to be more well known among bad movie fans. Definitely the worst movie ever made. | 0neg
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] |
The only good thing about this movie is, that I now have a movie on the worst ever list. Rest Stop being on the end of the spectrum where I can compare all terrible movies to. Really, this movie is the worst plot, worst directed, throughout the whole movie all I wanted to do is pull out my hair and kick the writer's and anybody who made this movie possible's ass. I am a deployed soldier, and when I spend my precious downtime watching movies like this. These people should feel terrible, they had to of watch this before it came out, and must have been to freaking lazy to redo , after they noticed it freaking sucked. I am so amazed that this great country of ours is letting them make another. Honestly, this is the first time I have ever commented on a movie, I had to let the world know, not to waste their time. Delete this movie from the face of this planet. It makes us humans look retarded. | 0neg
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] |
I hadn't even heard of this movie until I stumbled across it on late night TV and found it more than adequately funny. As a Sicilian, I got over any real sensitivity on the mobster subject long ago. The beautiful thing about Martin is that he can be absurd in almost any role he plays and still be likable and funny because of that very absurdity. This allows him to doing characterized spoofs of even evangelists with relative impunity. The magic formula is that just about everything he does in a role would supposedly make one dislike him, but one doesn't. I am not exactly sure what failed to make this movie more of a box-office success, or why it got so little attention. I would think that there would have been enough Martin fans to give it a good flying send-off and kept it there. Possibly it was due in part to the fact that by the time the movie was made, the movie-going audience demographics had started to change considerably. Adults were becoming more likely to rely on TV and video-tapes for their viewing fare, unless they thought a movie had the scope and grandiosity to benefit from the very large screen. The movie houses depended more and more on the teeny-boppers who relied on them as social outlets or at least just another place away from home(ugh!). And most teeny-boppers lacked many of the points of reference that would make the whole New York/wise guy/FBI/not really bad guy shtick really funny. Then of course it was also the beginning of end-less violence and computer generated special effects which youth saw and popularized as an extension of their video games. Considering the more recent offerings such as Bewitched, this movie is on a different plateau altogether. If you are in your forties now and have been exposed to the Sopranos, by all means see this movie if you missed it originally. Chances are it will make you laugh, hard. And is that not what a good comedy is supposed to do? | -1no label
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] |
We finally get to see Earth on the original Trek show, but wait! This is Earth in the 1960s! Wow, those black holes can really do a number on our starships in the 23rd century: one rubber band effect later and Enterprise is being chased by a sixties Air Force pilot aiming to nuke a UFO (nice stock footage). This was the first time travel story from Trek in which we visit Earth of the past (the others were "City on the Edge of Forever" and "Assignment:Earth"). In the latter episode, the journey was made on purpose, following up on the accidental visitation here. This one threads a fine line between comedy and sf adventure. Especially amusing is the female-oriented computer that Kirk is stuck with here and the Air Force pilot's introduction to Spock. And the amusement continues with Kirk's slapstick fight with 3 military officers and their ineffective interrogation. Kirk is at ease here and cool as a captain can be. On the other side of the coin, we have the pilot (guest star Perry, in fine form), a sixties military version of Kirk, being told he can never go home to his family due to what he knows of the future - well, why did Kirk give him a guided tour of the ship? We know why: Kirk is instantly fascinated by this archaic (to him) version of what will eventually become Starfleet in about 200 years. The pilot is pretty much what Kirk would be if he'd grown up in the 20th century. Likewise, the pilot is fascinated by this glimpse into the future, especially in meeting Spock; he's not repelled as we might expect, overcoming any phobia with the grace that great training and an open mind brings. It's all a playful, colorful adventure - which completely falls apart in the final act when they start transporting/beaming people into themselves - but hey, whatever gets you home. | -1no label
| [
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] |
"Triloquist" centers around a sister and brother who are taken in by their abusive uncle after the death of their mother, a famous veltriloquist. When they kill their uncle, they go on some kind of killing spree with their doll. Sound exciting, but the story is rather dull. The weakest part is the cast, they are extremely annoying and really get on your nerves. Their characters are badly written, the story is supposed to be scary and funny at the same time, but the result is neither. It simply does not work on any level. This is certainly not a horror or comedy. 75 minutes is even too long for this boring tale. Don't bother, I cannot think of one reason why you should watch this... | -1no label
| [
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] |
This is a beautifully animated series format derived from the characters of the philosophically oriented movie 'Ghost in the Shell'. The animation is closer to the original concepts for the manga and adds amazingly gorgeous music to produce a show that is an instant draw. The characters draw some of the aspects familiar in the movie... Motoko's commitment to her job, Batou's casual-tough guy attitude, etc... though it adds some surprisingly refreshing characters like the blue child-like mini tanks Section 9 rides around in so much. The same philosophical elements of the movie -consciousness in a cyber-oriented world- are present, but definitely take a back seat to plots focused on political wranglings, terrorism, and general lawlessness. The series seems to be more "all in a days work" themed than the cerebral current of the first film. Overall I highly recommend this series to all fans, though hope they watch the movies as well. | -1no label
| [
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] |
OMG! The only reason I'm giving this movie a 2 instead of a 1 is because Tom Hanks is funny as an Elvis-in-the-box. Apart from that, how did this halfway decent cast sign on to do such a lame movie?? Maybe it seemed like a good idea at the time... There are no laughs to mention, the stereotypes are pathetic, the cast is wasted, the direction is amateurish. Now that I think about it, most of the blame probably lies with the director, Joel Zwick. He brings out nothing but flat performances from all involved. Don't waste your time like I did; but then, I enjoy a good train wreck. Geez, now the system is telling me I need more lines-- here ya go: This movie should be called Return to Sender. Okay, now THAT was funnier than anything in the movie... | 0neg
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] |
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