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"Sabata" or "Ehi amico... c'è Sabata, hai chiuso!" is a comic book affair with ridiculously over the top action and banal dialogue. This is a very childish film and also extraordinarily camp. I misconstrued the first look between the effeminate Villain and his fat banker accomplice as a look of homosexual satisfaction! Lee Van Cleef is as magnetic as ever and steals every scene. He has a Mexican comic sidekick that is not very funny and a Wayne Sleep look-alike that bounces on hidden trampolines through out most of the film. William Berger is truly awful as Banjo the murderous musician. His performance, if you can call it that, is so bad that it makes you cringe. His smirk is that of an old woman without her dentures in. You keep hoping through out the picture that Sabata will shoot that ridiculous actor in the face. There is some very imaginative gunplay in this film that most certainly livens up the infantile proceedings. "Sabata" is really a cheap James Bond picture set in the west and I am sure Frank Kramer or should I say Gianfranco Parolini had that in mind while developing the project. My favourite moment is when Lee Van Cleef confuses a would-be assassin by posing behind a gilt picture frame. The production design by Carlo Simi is very good especially the interiors and the saloon in particular. The music is also good fun especially the go-go title theme. That said this is a stupid little film that has its moments but if it weren't for Lee Van Cleef it would signify nothing. | -1no label
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Logan Lerman & Dean Collins III of Jack & Bobby Fame provide a nice touch of familiarity as friends in this even if not maybe as close as they may be on Jack & Bobby but the expressions of young students taking their stand for a good cause is very well expressed in this movie.Logan Lerman may be seemingly typecast in roles of being "different" as thusly seen from here as is seen in this as well as in Jack and Bobby.The Movie also opens up with a very nice tune coined as a lost 45 "And I'm Wondering where the lions are?"A song which I'd Always heard on the speaker @ my old Job of ChristmasTreeShops and got it played on my local radio show of The Lost45s hosted by Barry Scott but the last time of which I suggested this with this movie as it's dedication but the dedication was left out.Environmentalist demonstration is well expressed in this movie too for the protection of the ground owls as seen in this movie too.What a hoot too this movie is.Hoot,Sogive a hoot in the tradition of the Woodsey Owl Commercials of the 1970s too. Truthfully, Stephen "Steve" G. Baer a.k.a."Ste". | 1pos
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] |
If this film were to be rated on a scale of 1 to 10, one would need to create a new rating system, as this one should not even qualify. The film's plot, (if you can call it that) revolves around Charlie (Stephen Baldwin), an ex- special operatives agent who is being targeted by the brother of a man he killed while he was still working for the US gov't. If this sounds like an interesting scenario, please don't be fooled, as this film will not deliver that which its action-themed story suggests. Comedian Chris Rock once said that when one sees an actor doing a bad film that it makes one want to send the actor $50, given that the actor must be desperate for money to be doing such poor quality work. After watching this film, you may want to send Stephen Baldwin $100. It appears that Baldwin did not put any effort into his role in the film. In the film, Baldwin is forced to run all over the city of Los Angeles in order to protect his "honeycomb" (wife) from being murdered by the brother of a man he previously killed. However, throughout the picture it appears that Baldwin can barely pull off maintaining a light jog. His laid back performance succeeds in subtracting from any suspense that the film might have intended to portray. If you are the type of person who enjoys watching very bad films and laughing at their shortcomings, than this film is for you. However, if you are looking for a well made action thriller, it would be best to look somewhere else rather than renting this film. | 0neg
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] |
In XVth century church group of nuns committed a religion blasphemy. All women preformed satanic rituals and wild orgies with strangers, who later vanished in a mysterious circumstances. Of course it had an effect. One of the nuns gave birth to a child, which was immediately burn. People who lived nearby church had enough and decided to crucify wicked nuns. A few centuries later group of archeologists started to do the research nearby ruins of church. This fact made locals very suspicious and unfriendly, because of superstition of murdered nun's revenge. It's question of time when sinner's ghosts came back to get their death toll. Fulci always goes from one extreme to another. Once his movies were full of suspense ["Murder to the Tune of the Seven Black Notes "] or gore ["Zombie Flesh Eaters"]. Demonia is a try to mix these two. But, it's failed. Fulci tries all of his suspense tricks such as eye close-up, sudden zooms and creating orinirique atmosphere. But it makes this film worse. Close-up looks really poor and zooms are very annoying. Oh, we can't forget about music. Sometimes it honestly can build atmosphere but it's only one scene. In other ones, especially in ruins where we hear drunk organist's symphony it's driving insane. Gore also lets down. There are only two scenes, of which one is typical for Lucio (eyes scratched out by a cat)but second one - tearing man apart - really satisfied me. The biggest flop is main character and strictly speaking acting. Her looks brought me a lot of fun. For example, in scene where Paul (leader of archeologists) says to her that they must leave her look is wonderful! It's similar to kid's look when they are forbidden to eat sweets/play computer games/whatever. But all of these are nothing when we compare it to the ending! I have seen many bad movies, but it's first really PA-THE-TIC ending in my life. There is nothing better than view of burning nun in company of soap opera's music! As for me, it's probably top bottom of Lucio Fulci's movies and it's a little pity, because the plot is quite good. | -1no label
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] |
A prostitute and a young girl on the run, that's the basic set-up here. But who exactly are they running from and why? Well, these two things are explained rather quickly for us before details are revealed that start to make the whole thing more intriguing, complex and a little bit different from the gamut of British crime movies that we've seen since the turn of the century. I don't want to, even accidentally, reveal any more about the plot or details that add to the well-paced story so I will just compliment the acting, look of the movie and soundtrack before leaving you with some random thoughts on the essence of the film. Every part of this film oozes quality, the two main female leads are excellent and the males are more than just stereotypical tricks/pimps/gangsters/etc. The movie looks suitably "everyday" and yet not ugly despite the subject matter. And the soundtrack is superb, with a definite highlight being the use of "Moonlight Sonata" in a scene that will forever meld itself audio/visually in my memory thanks to the expert execution. Finally, I'd just like to add my general thoughts on the essence of the film and how it rises above it's individual scenes of bleakness and pain to become something rather . . . . hopeful. The whole movie comes together in a way that shows, to sound cheesy, that there is even light in the darkest of dark places. Even a muddy puddle will quench the thirst of the most desperate human. I don't want to sound pretentious or to seem as if I saw something that wasn't really there but that previous sentence just popped into my head immediately after viewing this film. And I hope you see what I did. See this if you like: Mona Lisa, Dead Man's Shoes, Nil By Mouth. | -1no label
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] |
With just enough realism and surrealism, Coppola plays this documentary the way a documentary should be played - an individual with a vision and his attempt to push the limits of the envelope in post-WWII industrial America. The period costumes and music are excellent and accurate, the bittersweet punchline at the end is well done and just understated enough. The camera work is vivid in brilliant Technicolor as opposed to the black and white sometimes reserved for this time period. Frederic Forrest, Christian Slater and Joan Allen are all adequate and the gentle acting of Martin Landau complements Bridges frenzied portrayal. But the focus is always Jeff Bridges who carries Tucker's manic, obsessive, genius with amazing ease. Definitely one of my favorites. | -1no label
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] |
A young woman (Jean Simmons) is convinced by her scheming and dangerous aunt (Sonia Dresdel) and uncle (Barry Jones) that she's losing her mind and in very delicate condition that requires their supervision which turns out to be more like manipulation, as they try to keep her as far away from outside human contact as possible. The only other person she sees is the estate caretaker, a lascivious character played by Maxwell Reed, whose caught the wayward eye of the middle-aged aunt. All of this, the aunt and the caretaker, the butterfly expert uncle who has a serious underside to him, and the susceptible niece in the middle, would have made for a darker and more sinister film. As it is, a frame-up for a murder sends Trevor Howard (a fired government secret service agent who took a job at the estate cataloging butterflies) and Simmons across the countryside escaping police, catching headlines of "Police Net Closing In" over her front page photo, hopping on buses, and winding up in Liverpool, where they meet some wonderfully cast characters, and finally face down the greedy and murderous aunt and uncle. | 1pos
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] |
As a word of explanation, Disney's "The Kid" has absolutely nothing in common with the Charlie Chaplin 1921 classic of the same name. What we do have is a pleasant enough, though unbelievable, feel good family comedy as only the folks at Disney can provide. Bruce Willis, in a change of pace, plays a self-centered stuffed shirt of an "Image Consultant". He degrades, not only his clients, but those close to him as well. You know that he is going to have to change before the final credits. Into his life comes a chapter from his past in the form of Willis' character as a nerdy 8 year old played with cutesy pie conviction by Spencer Breslin (Disney always finds these kids somewhere). This forces Willis to come to grips with his past and well..you know the rest. Appearing as Willis' love interest is Emily Mortimer and Lily Tomlin as his Executive Assistant. Both have little enough to do as most of the movie involves the inter-action between the Willis and Breslin characters. "The Kid", though not the greatest of Disney movies is one nonetheless that you can sit down and watch with your family and come away from with a warm feeling. | 1pos
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] |
Again earth is in severe danger and needs to be rescued - so far, so good. Again the rogue scientist is up against the establishment... well you know the rest. All this could make up a good movie, but as all normal, unlikely disasters have already been put on screen, a new event needed to occur... Put short: I would fire the scientific adviser (if there was any at all) - science fiction usually does not need to care much to obey existing science but when a story is being formed around known scientific processes, errors in logic hurt the educated viewers ears and eyes. Some of the flaws (taken from the German version, maybe some are just translation problems?): No methane has ever burned without oxygen - certainly not in 80 miles altitude with a partial oxygen pressure in the range of that of a normal (not a high) vacuum on earth... No ozone layer ever has saved earth from any coronal mass ejection, nor could it ever do that, nor does it have ANYTHING to do with the effects described in the movie (it "saves" earth from EM UV radiation, nothing else)... No magnetic (->Van Allen) belt is located below the altitude the MAV ever obtained... and so on. The list of obvious factual errors is endless, very disturbing for any sci-fi fan who has an interest in real science, rendering the "PhD" guys in the movie to clowns. | -1no label
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] |
This has a kind of Japanese Sci Fi craziness to it and a wanna be Star Trek plot. Creative, silly, constantly surprising, if better known it would be a major cult movie perhaps it will be one now that it is getting a DVD release. This is a pretty large scale production with at least a thousand extras in one scene and some huge location work. The costumes are typically over colorful and practically pop off the screen. Add to all this a number of outlandish alien dance numbers, purple hair,live snakes, a splash of full frontal female nudity, and of course the evil Ronk--who looks like James Cameron did in 1985 and you have a must see. Almost every other scene has some totally crazy left turn moment or element you won't see coming. Also a bonus the strangeo music and goofy sound FX that go right along with the over the top acting and strange blocking. Actors will suddenly sit down on the floor in the middle of a scene while talking for no reason. Don't pass let this film pass you by. | -1no label
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] |
In Tweety's S.O.S, Sylvester goes from picking garbage cans to being a stowaway on a cruise ship that happens to carry a certain canary bird-and Granny, his owner. Uh-Oh! Once again, Tweety and Granny provide many obstacles to the cat's attempts to get the bird. Sylvester also gets seasick quite a few times, too. And the second time the red-nosed feline goes to the place on the ship that has something that cures his ailments, Tweety replaces it with nitroglycerin. So now Sylvester can blow fire! I'll stop here and say this is another excellent cartoon directed by Friz Freling starring the popular cat-and-bird duo. Tweety's S.O.S is most highly recommended. | 1pos
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] |
I have not had the opportunity to laugh out loud like this in a very long time! Three men play three women with lust in there hearts and stars in there eyes in an homage to sketch comedy, B-movies, bad wigs, tasteless humor, and everything else that was not nailed down. Intentionally silly plot twists and over-the-top acting make what could have been a very bland "Hollywood production" into a laugh-fest that will keep you smiling everytime you see a can of Cheez Wiz. There were several shameful laughs at everything from incontinence to abortions to rape to suicide. This movie is a wake-up call for anyone that actually thought that "To Wong Foo..." was funny and not patronizing to men in drag. So put some sass in a glass, loosen your corsette, and see this flick with somebody that doesn't think your laugh is stupid! | -1no label
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] |
If you're like me and drool like an over-hormonal teenager when that unlikely sex-symbol James Nesbitt smiles his cheeky-charming smile then you MUST go and see this film. Even if you don't, I'd highly recommend it. As with the director's previous Brit-hit `The Full Monty' this provides plenty of laughs, many colourful characters and some poignant moments. They also managed to fit a love-interest into a prison movie (hard to do and not particularly convincing but fun to watch nonetheless). Perhaps not as belly-laughingly funny as the Full Monty, but still loads of laugh-out-loud moments and an all-round enjoyable film. | -1no label
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] |
I did not know what to expect when I rented this DVD I was intrigued by the write up on the cover. Well I thought that the story in general was very appropriate after what has happened in Asia and the war in Irac. I think that people are very much unaware of what is going on in these countries and it is too easy to sit and watch CNN and SKY and say what a shame and then switch off and go on with their lives (Me Included). I thought that the movie was very real and the fact that there was a love story made it even more real because I'm sure that there are many real aid workers who have experienced the same things. It makes fore more excitement with all the different countries and situations. Showing us that it is not only a problem isolated to one country or one race of people. This movie made me sit up and think about the situations of the World and my own Country. I say thank you to the the actors (Angelina Jolie; Clive Owen),directors,writers,crew and all the folks involved in the making of this movie. Well Done. I believe all the persons who had something bad to say about this movie, need to take another good look and check to see if they actually have a heart beating in their chest. They are probably last or NEVER in line to give a donation to a good cause. I thank you all for listening. | -1no label
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] |
I admit I've only seen about three of Shakespeare's plays (Romeo & Juliet, Macbeth, & of course Hamlet) one I liked, the other I found so-so (Macbeth), and Hamlet I just found a masterpiece. I'm pleased to tell you that this adaptation is every bit as good as the intense and dramatic play. The acting is extremely strong (With a cast that features Kenneth Branagh, Robin Williams, and Billy Crystal how can you lose?) and the change in time period (Looks like somewhere between the 17 and 1800's) plays off beautifully as the characters move about and say their infamous lines straight from the script itself that any fan of the Shakespearean play will get chills from. If you're into this popular drama I highly urge you to watch this powerful 1996 adaptation from Shakespearean admirer Kenneth Branagh. | 1pos
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] |
I saw this film when I was just a teenager and I loved it. The characters are believable and the story is interesting. Jessie, although only 13, isn't treated like a baby, even when she messes up. The teenage boy isn't a disrespectful, selfish dummy only out for one thing and he's still sexy and cool. Now that the movie has come out on DVD and I have a daughter of my own in her early teens, I can't wait to watch it with her. As a family movie, it will give parents and kids the opportunity to talk about why it's important to be honest and that being okay with who you are is always a better idea. Highly recommended. | -1no label
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] |
The point of this film was not as much to be "great art" as it was to educate people about the Holocaust. In that sense, I think that many posters here are unfairly blasting it, holding it up to some high artistic standard. Believe it or not, there are many in this world, especially younger people, who have not clue one about the atrocities committed against the Jewish people. This film would be an excellent introduction (along with other films such as Diary of Anne Frank) for young people into this very real and recent historical nightmare. To read comments here about how bad the German accents were and how the Germans deserve better than this, lead me to suspect the sincerity of those posting them. | -1no label
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] |
One of last years "8 Films to Die For" is a New York Lensed tale of a zombie/28 Days Later tale of biological horror set in New Yorks Lower East Side as some disease spread by rat bite and later people bite turns people in hungry beasts. Clearly filmed in New York in real locations this film feels like New York. It lives and breaths the locations it was filmed in ways that big budgeted films never do. The street scenes were apparently filmed on the sly and the result is a real sense of the City where things are really happening. This is New York for real. The film starts off with a great deal of character building (hey real characters in a horror movie-what a novel idea) that perhaps goes on a bit too long. Still it sets everyone up so nicely that when then infected begin to assault the people we've come to know we are more than horrified, we are saddened by their fates. I don't know when it was the last time I was choked up at a horror film. To be honest there maybe a bit too much of these building scenes since the film seems to slow down too much around the half hour mark. Things turn up a few notches once the infection spreads and Manhattan is sealed off. How will our heroes survive? Once things begin to heat up the film becomes a series of sequences that play very real as the infected begin to beat and bash their way into the buildings and apartments. There are many stunning images that seem to have raised the bar of films like this for their stark sense of realism and in your face nature. Most of the second half of the film is dynamite as everyone tries to figure out whats going on and how to survive. I really liked this film a great deal. Granted its not perfect, the film does take too long to start up and its sometimes too close to the action, as if the cinematographer didn't realize how some of the up close fast moving images would look on a big screen, but it certainly is worth seeing. 6.5 to 7 out of 10. | -1no label
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] |
Jeff Chandler's performance as Luke Darcy is a classic. He's a megalomaniac, but in some ways you're drawn to him. You know he's a bad guy, yet you're struck by his intelligence and charisma. The line "I'm giving you your dream, and don't worry about me, I've got Kansas." is a classic and it tells you he's got to be stopped. I wish this movie was on DVD, along with his other fine films Broken Arrow, and Pillars Of The Sky. As noted, He might've been able to tackle roles as a character actor had it not been for a tragic mistake during back surgery at the young age of 42. I have always been a fan of Jeff Chandler, and wish more of his films were on DVD. | -1no label
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] |
The book is fantastic, this film is not. There is no reason this film could not have embraced a futuristic technological vision of the book. Hell, total recall was released a few years later and that did a good job of it, even a clockwork orange released in the 70s did a good job of trying to make a futuristic world. The bleak German expressionistic colours, the black and white footage from the vision screens, there is no reason for this approach for when the film was made in 1984. The main character is in a white collar writing job yet he dresses like he works with oil and grease in a garage. This film decides to take a mock-communistic approach to set design, atmosphere and theme, yet the novel did not necessarily dictate a communist, worship-the-humble-worker theme itself. This book seriously needs to be adapted in a modern context as this book is more relevant today than ever before. I could not watch more than 20 minutes of this crap. The soundtrack is annoying, the lack of foresight is annoying, this film seems to have been made to deny a sense of realism or believability when that is exactly what is required to hammer the novel's messages to the viewer. | 0neg
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] |
Any man should recognize himself in one of the four male characters in this picture. The way these men try (!) to open up to each other demonstrates the difficulties men always had and will have to deal with emotions, friendship, loyalty and relationships. With some (hilarious) subtle jokes, intertwined in strong dialogs and acting, these topics are clearly not men's favorite. Yet, this picture demonstrates that men are eager to to be sensing creatures, even if nature did not make them that way. Women should see this movie instead of any Oprah-like show about understanding the opposite sex. At least one woman has these insights and she wrote this wonderful story! | -1no label
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] |
Trudy Lintz (Rene Russo) was one very fortunate lady many years ago. She was the wife of a wealthy doctor and had lots of extracurricular money. Her passion was animals and she devoted herself to providing a sanctuary for the furry ones on her property grounds. Trudy also raised two chimps in her home to be more like children. They dressed in clothes and had many amenities. One day, she learns of an abandoned baby gorilla. Knowing nothing about the large apes, she relies on her husband's medical abilities and expert advice to save the gorilla's life. Once out of danger, Trudy decides she will raise the gorilla, also, as one of her children. This works well for years and Buddy, the gorilla, is truly a remarkably intelligent addition to her home. But, Buddy is also a gorilla and his strength and curiosity become quite enormous. Will Trudy be able to keep Buddy under control? For those who love animals, Buddy is a must-see movie. Based on a true story, Trudy and her ape develop a relationship that is unique in the annals of animal history and lore. Of course, Buddy is not a real gorilla but a mechanical one, in the film, but he is very close to seeming totally real. Russo gives a nice performance as a lady ahead of her time and the supporting players are also quite nice. The costumes are exemplary, as befitting the earlier era of the story, and the settings and production values outstanding. But, most importantly, animals are here in abundance, not only Buddy, but the adorable chimps, the ducks, the rabbits, and so forth. For those who want to watch a film and be transported to animal heaven, here on earth, this is a great movie choice. All animal lovers, and even those who just want to watch a great family film, will go "ape" over Buddy. | 1pos
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] |
As others have said.....This movie stays with you....I was 10.. probably younger..when I saw it....and I can still recall the feeling in my stomach and aching in my heart. I don't remember much of the details of the movie......just the overall feeling I came away with....the pain...of something terribly wrong, injustice... I don't believe that it could have been "workmanlike" in any way since I remember the feelings so strongly.....A "Workmanlike" made film could not have made that happen to me...I would really like to see it again as an adult....I hope I can find it on DVD. It's revealing to me that someone else.. as a child.. after so many years.. could have come away from the film with the same, exact feelings. Thanks! | -1no label
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] |
First of all, I can't stand the show Pokemon,and I am sorry to say, this film was no improvement whatsoever. First of all, there is this pointless cartoon, that made me go to sleep. Then when the main actually started, what we eventually got was... Awful animation, honestly if you want excellent Japanese animes, see a Studio Ghibli like Princess Mononoke, Cat Returns or Spirited Away instead. They are vastly superior to this. An utterly predictable and boring plot that did absolutely nothing for the film. The pace was inexcusably slow, the film dragged so much, it really did. The voice acting was pretty atrocious to say the least.The only voice actor I liked was the voice actor of MewTwo, but compared to other villains, he is pretty lousy. I will admit though, Mew is really cute. Team rocket i found very annoying, and the ending I didn't like either. All in all, a boring and dull film, that is one of the worst animations I've seen.Sorry, but this is a 1/10. Bethany Cox | -1no label
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] |
Ahhhhh, "Phantasm"! Quite a scary flick...I was first exposed to this little horror about 15 years ago by my Pop. I doubt that I will ever give a "horror" movie a 10, but this is as close as I have ever gotten. Tall Man is absolutely frightening and the "ball" is as fearsome an accessory as ever has appeared on screen. 10 times the fear factor of any hockey mask, hatchet or claw! You could argue for days about why this film is scary; the acting is mediocre at best, the scenes can be confusing and the resolution isn't exactly spectacular--however, this movie gets under your skin! Although never heavy-handed, it forces your head back and twists it's way deep into your psyche, sure to rear it's ugly mug after the lights go out. The inexplicable appeal is probably somewhere to be found within the setting (funeral home), spooky music (gruesome sound-effects) and style. It's subtle eerie-ness is totally unnerving and the fact that your imagination is given just enough information to be dangerous doesn't help. I spent weeks of my childhood, alone in bed, writhing beneath the blade of it's cold imagery. This is one that stays with you...whether you want it to or not. It's actually better on a second or third viewing, but I wouldn't recommend watching it very often. 9/10 for provoking my imagination in a way no other "horror" film ever has... | -1no label
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] |
This is a story about Shin-ae, who moves to Milyang from Seoul with her young son Jun to start over after the accidental death of her husband. Her husband was born here, and she is opening up a piano school, but also has ambitions to own some land with the insurance money she received from the death. If that is what the film was about, it probably would have been like a Hollywood film, with her falling for some local guy and being happy with her son in their new home. But, this is not Hollywood. Her son gets kidnapped and murdered, ostensibly because it is known she has cash from the settlement. The grief process, attempts at moving on, attempts to clear her conscience of guilt, are all done admirably, and the lead actress is superb. The only caveat, and it has to be stated, is that this is a depressing film. You have to know that going in. You want Shin-ae to go through her grief and find some measure of happiness. Again, this is not Hollywood, it is Korea and in Korean cinema, especially drama, they pull no punches. Life is what happens to you. Great acting, but sometimes a tough film to watch, due to the goings on. If you stay, you'll be rewarded. Do that. | 1pos
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One of my all-time favourites. A nice idea in the spirit of "The Car" or "Christine" with great action (mostly of well-show car chases in Tucson, Arizona). The characters were well constructed and (on the whole) well implemented by the actors, with Nick Cassavetes stealing the show as nutter, Packard Walsh. It also launched the careers of Charlie Sheen and Sherilyn Fenn (Fenn's fans will be happy to see "more" of her in this one). The rock soundtrack is superb and a real collectors' item nowadays. The original video cover was nice in that it was a holographic cover. Subsequent sell-thrus resorted to a standard litho-printed cover. For a night in with a pizza and a few mates round, this is a great film. | -1no label
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] |
I am a huge Godzilla fan and have seen all of the movies. This was an utter disappointment and I don't think that I will be alone after the release of the movie. The special effects are all over the map from being respectable in one or two scenes to being just downright laughable in a lot of the others. If Toho had just carefully watched how the creators of the new Gamera films had taken care of business, this would have been/could have been a great movie. Godzilla's history is abandoned. That isn't a bad thing, but there really isn't an explanation of where this Godzilla comes from either (actually it is almost treated as an enigma) The effects make you wish for seeing wires as they will leave you shaking you head in amazement. If you think I'm making this up or am being too harsh, just wait until you see the movie, then go rent some of the movies that were made from 1991-1995 and tell me that they were honestly far more advanced. It is the year 2000 for crying out loud - I expected more. I think that they detracted from my enjoyment of the film. If you're disappointed in this movie, see the new Gamera series which is far more powerful than this film. If you want to see good Godzilla, rent them from your local video store. You'll be glad you did. | -1no label
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] |
Eight teen convicts are brought to the abandoned Blackwell Hotel to clean it out as community service. They soon discover that it's the residence of a hulking psychopath (Kane) who has a thing for pulling out and collecting eyeballs. It doesn't help that the guard watching over them (Steven Vidler) has had a previous run-in with the beast four years earlier. A guilty pleasure of mine are slasher films. Most of them are poorly directed and acted but they still hold some appeal and entertainment value. See No Evil is a good example of this. It features atrocious writing and acting but the death scenes are pretty good and the movie proves to be entertaining. The premise sounds like a mixture between Friday the 13th, Saw 2 and Halloween: Resurrection. I really liked the idea but it didn't work out too well. It was really just a bunch of clichés and everything was predictable. Screenwriter Dan Madigan just focused on the death scenes and nothing else apparently. The death scenes themselves are pretty good and gruesome. Director Gregory Dark did a good job with them and he came up with some creative kills. The acting is pretty bland and unremarkable. This is because all of the characters are one dimensional and we don't know much about them. It was hard to feel for these people because they were pretty unlikable. Kane is surprisingly mediocre. I was expecting his on screen presence to be scarier but he didn't do that good of a job. A second rate Jason Voorhees, if you will. The rest of the actors are relatively unknown and this film will probably neither help nor hurt their careers. While the death scenes are gory, they aren't necessary scary. There's really no suspense just some gory death scenes. Because of this, the movie doesn't hold much of a repeat value. Also, if you don't like slasher films then don't waste your time with this one. It will do little to change your opinion. In the end, See No Evil is a decent slasher film but it is generic and forgettable so it's not exactly worth watching. Rating 6/10 | 0neg
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] |
"What Do You Say To A Naked Lady?" is a fascinating look at the sexual-social attitude changes in the United States during the transitional late 1960s. Mr. Funt, the power behind the popular entertainment programs "Candid Microphone" and "Candid Camera", may not have meant it to be, but this film brilliantly documents the generation gap between the 1950s post-WW II parents/grandparents and their 1960s flower child progeny. Dated to the extreme, it is a film of its time. (When a woman tries to sleep with a gay men, he's tells her he can't because he's 'queer'. A white grandfather type tells of his opposition to his son marrying a Mexican girl. The children, however, are wonderful and not 'too dark'.) If you are interested in where we were and how far the attitudes of the typical American have changed, this documentary is a must see. | -1no label
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] |
Wow! That James Purefoy looks exactly like Thomas Jane! That's the most profound thought I took with me after having seen the rather underwhelming George And The Dragon. For a fantasy comedy, the story was very dull and the effects unspectacular. The problem wasn't the acting. James Purefoy makes a good knight, and his various side-kicks are not bad characters. I even thought Patrick Swayze in this role was a pretty good idea, too. Flat-chested Piper Perabo also had some nice potential. I even liked the kid. But the story and everything that happens, and the *way* it happens, was just "eh". Not interesting. Compared to another recent fantasy comedy, Ella Enchanted, which was actually funny, this movie comes up terribly short. I'm sorry for the decent actors who were in this yawn-inducing trudgery. 4 out of 10. | 0neg
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] |
To be fair there are funny moments, namely that we watch this in the knowledge that Sid is Cherie Blair's Dad and that Askwith and Co would have frozen their parts off as it was filmed in the winter (a fact that Askwith acknowledges in the voice over). It's like some surreal time frame now, everyone smokes fags, Askwith is unintentionally racist with "Blackbird" (their listing's not mine!) but still has time for some interracial bonding later, proving that lust conquers all. Probably quite risqué back then. Also it's weird to watch this and realise none of the ladies are surgically enhanced! Thats quite refreshing and earn's it a an extra point. | -1no label
| [
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] |
...This would be the worst film i'd ever seen. Hmmm, OK maybe tied with Boogeyman then. Awful, truly awful. I had low expectations and it failed to meet them! I honestly cant think of one good thing. so here are the worst points... 1. THE ACTING 2. THE PLOT 3. THE CGI (Xbox 360 has better graphics....seriously) 4. THE PLOT 5. THE DIALOGUE and finally.... 6. THE PLOT There are so many unanswered questions, Did they make a 2:32 hour long movie then realize they hadn't put Lex Luthor and Superman in a scene together and were forced to settle for the 3 minute bit or did they actually think no-one would notice that the main hero and villain have less screen time together than Superman's son and the henchman he kills?!! Was half the budget spent on persuading Kevin Spacey to do it? When Superman goes to hospital, why don't the doctors ask "What the F*** do you want us to do?! He's a F***ing alien! We don't know jack about his anatomy!"? What happened in the 5 years Superman was away to cause technology to advance 28 years? Where the people who wrote good reviews watching the same movie? and finally, Why? Just, Why? BTW, for those of you wondering how come Superman could lift an entire continent of krypyonite, i think i've figured it out... ...since superman is unaffected by the kryptonite till he sees something green in the rocks, it is clearly all in his head. therefore the continent thing is just him suppressing his fear of shiny green rock.... either that or the writers are slack-jawed half-wits who didn't think that was a fairly obvious mistake. | 0neg
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] |
This richly dense action-thriller has Denzel Washington as his typical but well cast character in this well thought out script that uses the idea of time and space in a superb manner. In one of the best genre thriller of its type, this consistent execution, high-quality production provides an intellectual and mostly satisfying experience. Except for a "Stargate" (from the movie and television series) like structure that unnecessarily detracts from the scene and the obvious impossibility or at least gigantic leap of science two-thirds way through the movie, such lapses are minor compared to the intensity and small deja vu clues that actually enhance the movie till the end. Sometimes predictable, but nevertheless, it's in the execution that matters here. A solid eight out of ten. | -1no label
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] |
Wow, this is a wonderfully-filmed movie that especially looked good since it was one of the first DVDs I purchased a decade ago. Rich colors and good period detail of 19th century England made it visually attractive. However, the picture was too grainy. I hope someone has re-issued this and given it the transfer it deserves. Beware that it takes quite awhile before the actual holdup takes place. This is almost a two-hour film and they build up slowly to famous heist. However, I didn't find any of it boring. This is rated PG but there are quite of bit of sexual innuendos early on by Connery as he woos Lesley-Ane Down. Other than that, it's a pretty tame film. Donald Sutherland adds a touch a touch of humor here and there as he and Connery pull off the suspenseful heist....and it is suspenseful. Connery trying to maneuver on top of the train was a highlight, as was the "whooshing" sound of the train each time it passed under a bridge. The stereo in here is very good for a film almost 30 years old. | -1no label
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] |
i went to watch this film with my family who were expecting a neatly conclusive story like ''mr.& mrs.iyer''.and they returned home thoroughly disappointed.so,this is a warning to all ''conclusive story lovers'' to stay away.15 park avenue does not seek to answer questions or provide moral solutions on how to treat the mentally challenged.rather its intention is loud and clear.it questions every human being's,sane or not,sense of reality.in fact for me it even arouses doubts about my taken-for-granted sense of sanity.the security,bondage,satisfaction that i find in my present,is it really what i am or does it really create an illusion that all of us desperately and sometimes ignorantly cling on to just to falsely console the neglected 'meethi' which exists in all of us in some way or the other? so,why does anjali so maniacally makes it a point to show off her strength of mind when she is really harrowed by the realization that she is becoming a monster?aren't we all who think we are ''normal'' ,really monstrous and helplessly vulnerable about it deep down inside? is it not better to be happy even insanely,than to create the impression of 'normalcy' while suppressing one's fragility? meethi bravely,madly,sincerely does that.and society labels her as ''schizophrenic''.the ending did confound me at first,but then you realise that meethi bravery and sincere belief took her where she wanted to go.she found what she was searching for,not caring what society had to comment upon her search. and it is the seemingly 'real' people - anjali,the psychiatrist,and jojo- who never reach anywhere.my family thinks that i am schizophrenic too in trying to make sense of a film that is largely 'insane' to the rest of the world.anyone else willing to believe in my sense of reality...........? | 1pos
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] |
Every once in a while -- perhaps more frequently than that -- you watch a movie and marvel at the the notion that someone would spend the time and resources to transform a stunningly incompetent script into a feature film. This particular film is so lacking in plot and character development that it is almost a marvel to behold. The motivations of the characters are laughably non-existent. And there is a pervading blandness to the whole affair that would send even the most undemanding young viewers into deep coma. I can't imagine why I took the time to slog through this unfortunate excuse for entertainment, although I did get a little bit of exercise from constantly shaking my head and wondering how much worse a "family film" could get. How Kate Bosworth and Jeff Fahey got involved is a question best answered by their respective agents. By the way, the packaging on this DVD suggests, perhaps, that this is a "boy and his dog" movie. It is not. The dog is a random addition that is every bit as disconnected to the "story" as I was. Avoid this at all costs, and add 90 precious minutes to your life. | -1no label
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] |
Usually one or two light but clever independent comedies are released during the year. Sidewalks of New York is one of those. These are the films that provide alternatives to the often overproduced Hollywood films. I love these films even when they are imperfect. From the beginning of the film I got the feeling I was watching a Woody Allen film. That feeling faded as the deepness and the dialogue are much inferior to Allen's ingenious work, but Burns can be congratulated on having made a Woody-light film. Even those are rare to come by. The dialogue is still good and witty. This is a smart relationship film and it entertains all the way. There are many interesting characters in Sidewalks, but the standout scene-stealer is Dennis Farina. Extreme sexists are always funny, and Farina fits the role perfectly. My biggest concern with the casting is that Ed Burns directs himself as the lead character, and in retrospect I realize that he is the only male character in the film who isn't ridiculed. Questionable. A couple of sidenotes. Sidewalks was postponed after September 11th. I have no idea why people wouldn't want to see this film because of what happened. Also, notice that the trailer for the film contains a scene where Heather Graham asks Burns if he wants to go out to dinner. This scene is absolutely not in the film, and the film takes another twist. Strange how movie trailers are getting more and more manipulative. Rating: 7/10 | -1no label
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] |
A question immediately arises in this extremely idiosyncratic film: Who are the crazy people? The answer become less clear as the film goes on. Renee Zellweger loses the whiney note in her voice and, while her voice is still high, she is incredibly effective as the shell-shocked Betty. In fact, she is so effective I almost wanted her to be just a little more crazy because her created reality was so believable. This is the first time Ms Zellweger has been called upon to carry a film and she is more than equal to the task. Chris Rock though as foul-mouthed as usual is fairly subdued as Wesley. He is able to sublimate his manic energy and it only occasionally surfaces and always when it is needed most. There are some interesting allusions: the first time you see Betty she is dressed almost exactly like Dorothy Gale from the `Wizard of Oz' then later in the film she is compared to Dorothy when she says she has never been out of Kansas before. At one point the song that Doris Day was best known for, Que Sera Sera' is on the soundtrack and then later Charlie (Morgan Freeman) describes her as having a whole Doris Day thing going on.' This is an extremely quirky film with good performances by everyone including the supporting cast. It has a surprising ending that, as contrary as it sounds, is actually fairly predictable. If for no other reason see this film just to listen to the master of the human voice: Morgan Freeman. | 1pos
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] |
I had been very curious to see the original six-hour miniseries that Steven Soderbergh's latest movie was based on, and now that I have, I am happy to say that one is not better than the other. They are both intelligent, involving and extremely entertaining. The only real advantage that the miniseries has over the movie is that it is three and a half hours longer, so we get to know the characters more in depth. There isn't a false note to be had in this production, one that you should definitely make time for when PBS re-broadcasts this miniseries sometime in 2001. You won't regret it. | 1pos
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] |
Not to be a party-pooper amongst these comments, but I just saw Panj é asr, and I am not too impressed. In fact, I fell asleep somewhere in the desert, when the main characters of the movie were burning up their last belongings to provide heat for an already dead child. The movie points out the catastrophe of Afghanistan, the despair of the situation and its impact on the people. Unjust, tragic and undeserved. The movie portrays this well at times, and it is especially when western helicopters fly above that we get a feel of the contrast of our societies. This is the good part of the movie; it tries to tell us something. The bad part is its style. It has a documentary approach which works at first, but drags on so long, and so slow, that it turns tedious. There is never any background music, and conversation mainly only in the beginning of the movie. It is good to sleep while you're watching this movie, because you'll wake up and see that almost nothing has happened, so you can safely eat some popcorn and continue sleeping. If there had been an improved script to this movie, which dared to throw some serious blame along with some serious and though-provoking theme music, this movie would have been magical and revolutionary. Sadly, it's not. Two out of ten. | -1no label
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] |
My Super Ex Girlfriend turned out to be a pleasant surprise for me, I was really expecting a horrible movie that would probably be stupid and predictable, and you know what? It was! But this movie did have so many wonderful laughs and a fun plot that anyone could get a kick out of. I know that this was a very cheesy movie, but Uma and Anna were just so cool and Steve was such a great addition along with a great cast that looked like they had so much fun and that's what made the movie really work. Jenny Johnson(scary, that's my best friend's actual name) is not your typical average librarian looking woman, when Matt, your average male, asks her out, he's in for more than he expected, he's asked G-Girl out on a date, the super hero of the world! But when he finds out what a jealous and crazy girl she really is and decides that it may be a good idea that they spend some time apart, but Jenny won't have it since he's fallen for another girl, Hannah, and she will make his life a living hell, I mean, let's face it, he couldn't have chosen a better girl to break up with. The effect were corny, but you seriously move past them quickly, the story and cast made the story really work and I loved Uma in this movie, it was such a step up from Prime. My Super Ex Girlfriend is a fun movie that you shouldn't really take seriously, it's just a cute romantic comedy that I think if I could get a laugh out of it, anyone could. 7/10 | 1pos
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] |
I feel really bad for reviewing this movie because I wish that I had only watched it as a concept production. The Covenant looked like it could have been a really original piece, but sadly they lose the great idea in the translation to the screen. The story follows four (five) teens that are the descendants of the families that started the town of Ipswitch a survivors of the Salem witch trials. They also happen to be a part of the secret sect called "The Covenant". Their power must be used sparingly as it drains their life-force in small amounts and is highly addictive. In theory this would make a pretty good action sci-fi movie
or at least an interesting teeny flick. But there were just too many glaring downfalls that don't allow this movie to reach its plot's full potential. That acting wasn't good, the sound track was mediocre and we found a lot of unnecessary sync issues. For sure the biggest issue is the poor editing job. The movie has little to no coherent flow and makes one fight to keep a mental timeline or any feel of pacing. The movie has it's moments, but overall was a little disappointing. A witchy 4/10 | 0neg
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] |
I love horror movies. I love gore movies. I love movies that make you jump in your seat and make your heart flutter and make you cringe with fear. This movie couldn't possibly be considered anything but a waste of time. It wasn't scary. It had gore - I'll give it that...but it was more dead-bloated-woman-being-mutilated gore than Freddy Kruger or Scream gore. As a matter of fact, I took offense to many parts of the movie. I think it is possible to make a movie about a serial killer that mutilates and humiliates women without doing so on screen. This movie went way beyond the norm and showed graphics and images that most do not want to see. Even those who enjoy horror. I think the only people that enjoyed this move are the kind of people that would actually take pleasure in committing the crimes that occurred in the movie. Do not waste your time. | -1no label
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] |
Caveat: I have always hated Martin Short. I find him annoying, semi-retarded, and blame him for the Phoebe-Cates-career-killing "Drop Dead Fred", even if he was not even in that film. However, Short was quite amusing in this one. "Innerspace" has Dennis Quaid shrunk down to be injected into a rabbit. Whoops! He's stolen by the villain from "UHF" and injected into Martin Short instead, who then must save Quaid with the help of Quaid's girlfriend, the pseudo-lesbian Meg Ryan. Short's quirkiness worked for this film. I mean, goodness, he has a little man inside of him. And he works well with director Joe Dante, a Steven Spielberg protégé influenced by Bugs Bunny... his comedy is best reflected in "Gremlins" and "Gremlins 2". How he got to be a master of horror is beyond me (though one would assume from "The Howling"). The shots inside the body were interesting (like the "Body Wars" ride at Disney World), and Quaid was a great pilot for the adventure. I could have used less Meg Ryan, who seemed to be very unnecessary to the plot and her allegiance was unclear. So um, yeah... it was a fun romp... watch it. | -1no label
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CAMP BLOOD Aspect ratio: 1.33:1 (Nu-View 3-D) Sound format: Mono Whilst hiking in woodland near the deserted Camp Blackwood - site of an unsolved murder ten years earlier - four young city-dwellers are targeted by a masked psychopath who kills their guide (Courtney Harris) and stalks them through the woods with murderous intent... Low-rent time-waster, filmed on camcorder utilizing the Nu-View field sequential 3-D format. There's a plot, at least, but the script adheres closely to an established blueprint (with obvious nods to the likes of "Friday the 13th", "The Burning" and "The Texas Chain Saw Massacre") without adding anything even remotely new or interesting to the formula. Director Brad Sykes - also responsible for similar 3-D efforts like THE ZOMBIE CHRONICLES (2001) and BLOODY TEASE (2002) - cites the early works of George A. Romero and Sam Raimi as key influences on his career, but while those filmmakers challenged the mainstream with their no-budget efforts, Sykes uses video technology merely to imitate his cinematic heroes, resulting in a home movie with delusions of grandeur. Aside from the 3-D format, there is NOTHING here to warrant anyone's attention. Followed by CAMP BLOOD 2 (2000). | 0neg
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] |
As a Spanish tourist in Los Angeles and a fanatic movie lover I committed a terrible mistake. I went to see "The Women" The remake of one of my all time favorites. I've seen the original many many times, in fact I own it. My rushing to see the remake was based on Diane English, the woman responsible for "Murphy Brown" My though was: how bad can it be? She must know what she's doing. Well, I don't know what to say. I don't understand what happened. The Botoxed women is a rather depressing affair. Meg Ryan or whoever played Mary - she looked a bit like a grotesque version of Meg Ryan...another actress perhaps wearing a Meg Ryan mask - she doesn't bring to the character nothing of what Norma Shearer did in 1939. The new one is a tired, unconvincing prototype of what has become a farce within a farce. The "friends" Annette Bening, Debra Messing, Jada Pinket Smith are as disconnected as anything I've ever seen and if this wasn't enough: Eva Mendes as Crystal, the character created by Joan Crawford in one of her best and funniest performances. Eva Mendes's casting is really the poster sign for how wrong, how ill conceived this commercial attempt turned up. I didn't give it a 1 out respect for Candice Bergen and Cloris Leachman | 0neg
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Three young college women, Simona (Iva Krajnc), Alja (Tanja Potocnik), and Zana (Pia Zemljic), go on an adventure canoing down the River Kolpa, dividing their Slovenia from neighboring Croatia, in this 2002 Slovenian film by Maya Weiss. What could have been an Eastern European version of the well-known and exciting 1972 "Deliverance" turned out, for me, to be utterly uninspiring with flat character portrayals that denied sympathetic identification with the characters. Alja and Zana are not convincing as students at all, though Alja expresses a desire to be a writer, and both use what seemed to me to be excessive bad language. Alja is bored with her boyfriend and seems to just be drifting along in life. Zana, even less scholarly, is a self-absorbed adventure seeker with an attraction to other women. I had some sympathy with relatively innocent Simona, conservative and starry eyed. The very idea of these three traveling together just doesn't work for me. The disdain that Zana and Alja show toward Simona makes no sense - why would they choose her as a travel companion to start with as surely they must know her demeanor and attitudes? The three begin a carefree journey down the river on two canoes, undeterred by a news story of a woman's disappearance along the river. Things become more somber with the mysterious appearance, sometimes real and sometimes possibly hallucinatory, of a rabidly conservative fisherman politician (Jonas Znidarsic). I did enjoy the scenes along the river and of small villages the trio visit. It may be because of a lack of cultural understanding, but the film didn't move me otherwise. I was surprised to see that the film has won some awards. | 0neg
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] |
Tenko is the single most memorable series I have ever watched on television. Layered, engaging, challenging, compelling, it has stayed with me for years and I often think about the characters as real people...wondering how their lives continued, wondering what I would do in their company. In these times of war and prison camps, again, and as history is rewritten, forgotten, or ignored, I wish that Tenko would be replayed for a new generation to experience. The characters are unique and nuanced, the story lines complex and resolutions often unexpected yet always genuine. The actors seem to embody their roles. It is gripping and addicting. The followup documentary reuniting some of the survivors is an exquisitely touching finale, though wouldn't it be lovely to continue the series, chronicling the gap between then and now. | -1no label
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] |
I've just seen this film in a lovely air-conditioned cinema here in Bangkok. And since the temperature outside is hovering somewhere around 37C with very high humidity, my 100Bt was not wasted. Failing that, I haven't seen such a piece of extremely well-made junk in a long time. This is the kind of film that provides a test of taste, as it were. Anyone who claims to like or love it goes immediately onto the same list of tasteless phonies who still go around talking about the superiority of British television. At least the gormless old broad in the wheelchair was good for a few guffaws. Pseudo-profundity and fat lips, while characteristic of much French cinema, really do not a good movie make. I'd rather watch Independence Day 10 times in a row than sit through this stinker one more time. | 0neg
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] |
I must admit when I saw the preview for "Inglorious Basterds" I gave myself big expectations. THIS FILM DID NOT Disappoint. Rarely when I watch a movie with such high-expectations do I have those expectations met or exceeded; this film did that and more. Even more rarely do I clap at the end of a movie, this I and everyone else in the theater did. I have to say I am a little biased towards Quentin, I grew up with "Pulp Fiction." I watched it when I was 12 and it is still my favorite and most influential film. However, since then Quentin has not really lived up to his billing. His style was getting a little predictable instead of familiar, the quality honestly wasn't there (I never watched Jackie Brown, and then there's Grindhouse). That is until "Inglorious Basterds." What Quentin did was exactly what was needed for the war genre, a spaghetti western feel that could only be done by Tarantino or Sergio Leone, but seeing how Leone is dead, Tarantino's the self appointed guy on this masterpiece. So let's look at the movie which I won't give away. The writing was spot on, a beautiful transition between using not one but four different languages in this movie. Not to mention this movie was set up in the classic Tarantino mold, great scenes of rich meaningful dialog and sudden shocking action. The acting was superb!! Christopher Waltz deserves an Oscar, seriously. I don't say that often, but honestly the man should get one for this movie, he spoke every language in this movie, and delivered with such amazing touch and poise. He stole the show in a movie that everybody was amazingly impressive. I have no problem building this movie up, because this movie is the best film I've seen all year, and probably all of next year. Quite frankly the more I think about it, this movie may crack my top films of all time, and is Quentin's best movie since "Pulp Fiction." Take it from me, watch this film. I loved it doesn't do this movie enough justice. I watched it yesterday and I'm still blown away. Thank you Quentin from the bottom of my heart for you making this movie. You're back on top again buddy. I can't say enough for "Inglorious Basterds!" | 1pos
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] |
I do not have much to say than this is a great finish to the story. Most people have said that there is not enough plot and its just eye candy.But think about it, everything was explained in FFVII you cannot add more plot to such a grand story it would ruin it. They did the best that they could do and I think that this should be taken more as A Final FMV.. the last fight. Graphics - 10/10, Absolutely amazing Story 8.5/10 - don't think they could of expanded it that much more. And the stuff they could put in there was clever enough I thought. Characters 9/10 - Well most of them have already been explained during the game but still could not fit it all into 90 mins. Sound - 10/10, since i am a metal fan I loved the fight music.. and piano just reaches right in there..It is a great ST and I was not disappointed. Tilt/Replay 10/10 - Enjoyable every time. Overall- 9/10 (FF Fan View 10/10) I personally think this is what was needed, a fight to end it all.. the plot was already in place. The action was necessary as much as people complained. I loved every second of this movie. It was a pleasure to visit the world of FFVII just one last time. Just remember this.. most movies that have been made form a game have been directed by movie directors i think this is pretty great for a team of game directors.. Don't think I've seen a better game to movie.. Thankyou Square, I think you did it right! | 1pos
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] |
"My Cousin Vinny" is a real gem, a perfect, funny, smart comedy, a very rare kind that I can watch and enjoy over and over again no matter how many times I've seen it and from what scene I watch it. This is one of my three all time favorite English language comedies along with "Dirty Rotten Scoundrels" and "A Fish Called Wanda". When I think of it, all three share the same concept - playing the differences between the cultures, mentalities, ways of living, talking, doing things, even cooking - Europeans versus Americans, particularly British and Americans or New Yorkers versus Southerners in My Cousin Vinny. They also have in common a flawless, witty script with all pieces falling into right place, all guns firing, all characters developed and interesting. As with Scoundrels and Wanda, performances in "My Cousin Vinny" are simply terrific. Joe Pesci as a lawyer with no legal experience from Brooklyn whose first case just happened to be defending two "youtes" in a first degree murder trial, and Marissa Tomei in the dresses that are so magnificently out of place in the muddy Wahzoo City, Alabama but so deliciously fit her like a glove, make one of the best screen couples ever but I like the supporting characters and small cameos, too. Everyone shines in this delightful comedy. I remember three witnesses for prosecution - grits loving Sam Tipton (Maury Chaykin), the guy with seven bushes (Raynor Scheine), and sweet Mrs. Riley who just may need a thicker pair of glasses. Austin Pendleton as a stuttering public attorney was hilarious. Fred Gwynne, sadly in his last performance as Judge Chamberlain Halle, made his every scene (each of which he shared with Pesci) the double delight. Ten years after the film was released, Film critic and historian Mick LaSalle wrote in his article, "Half of what made Joe Pesci funny in this comedy was the stream of reactions of Gwynne, as the Southern Judge, a Great Dane to Joe Pesci's yapping terrier." The film made me root for Vinny, wishing him victory in his first case, and he won gloriously with the help of a lovely, lovely expert in the general automobile knowledge in this lovely, lovely comedy. | -1no label
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] |
This movie has a few minor flaws that keep it from being what i consider a classic. The first time i saw this movie, i missed the opening scene where sean penn meets with his contact before going undercover, so i didnt know noonan was a cop until he confessed it. For me this made the movie much more interesting. I think something is lost by knowing the characters secret from the beginning. I also liked the irish-italian mafia subplot, but did not like the fact that it was the driving force behind all the key events in the film. In my opinion it would have been better left in the background. However, I admit I cant think of a better vehicle for the story. Maybe I would have liked it better if Terry wasnt a cop at all, but then it would have been a whole different movie. State of Grace as it is is a very good movie. I found the nighttime and early morning scenes when terry is first back in the kitchen absolutely intoxicationg. The Rooftop scene with Oldman, and Terry seeing Kathleen for the first time really communicated the feeling of Terry being home after a long time, and truly being HOME. Sean Penn and Robin Wright did a great job of portraying characters torn apart inside by conflicting feelings and loyalties. In contrast Gary Oldmans character is also torn up in side, but he has no conflict, he is happy going right over the edge. Worth seeing for any gangster film fan if for no other reason than because it is one of the few that deals with the Irish Mob. Also worth watching at least once for anyone who has experienced conflicted loyalties or rediscovered a lost love. | -1no label
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] |
This film had f**k all to do with Death Note whatsoever. It felt like they just slotted a few of the characters and a few references into a completely unrelated script. If they'd have treated the movie separately it might have been better but as it stands it's just a blatant excuse to cash in on the good will generated by the first 2 Death Note movies which I thought were excellent.... It's a shame because I like the director, Hideo Nakata, I thought the Ring movies were great, even the US remakes were alright and the direction here is not the problem. The problem is branding the whole thing to rope in an established audience to generate some cash.... Come on, please don't treat your punters with such disrespect.... Now, I have nothing more to say on the subject, thank you move along....... | -1no label
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] |
On one sight,we have masterpieces like Poltergeist,Salem's lot and The Texas chainsaw massacre(1974).On the other sight we have craps like Lifeforce,Funhouse and the remake of Invaders from Mars.With this thing,I wanna say that when there's an opportunity to see a Tobe Hooper's film,it's very possible that we can see a masterpiece or a crap.Toolbox murders(2004)is not a masterpiece and it's not a bad film...it's a good horror film which kept me very fun.A very little quantity of people will remember the original film,The Toolbox murders,made in 1978,which,by my point of view,is a very mediocre and clichéd film.This remake is a lot better than the original movie(surprise!)because it's funner and more ingenious.In Toolbox murders(2004),the tired formula of the masked killer has a thanked twist which explains the motives of the killer and the nature of its surroundings.Angela Bettis showed she's a brilliant actress on a masterpiece called May.She does a good work in Toolbox murders(2004),but her talent is beyond her role on this movie.This film has some fails(the edition is a little weak and the script feels forced on some occasions)but it kept me very fun and it never bored me. | -1no label
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] |
This is a very famous Ninja movie but it isn't a nice movie. If you want to see some ninjas and some figures, want to know some things about Ninjas see this movie. This movie only for ninja fans and who wants to make nostalgia. First 20 minutes and last 20 minutes of the movie are best. You can just see Ninja figures and fight in this scenes. Between these are below the average, nearly bad as a movie. Acting is bad. Sho (black ninja) is the best actor in this movie. Frank Nero is a good actor and charismatic but he cannot fight good. Scenario is also not good. Its so simple. Franko Nero comes near to his best , old friend from army and war. He also protects him from mafia but he is having sex ( go to bed ) with his wife and his friend knows this but don't say anything to Nero negative. Is this possible in life ? What a friendship ! Finally this movie started a genre ; Ninja movies. Also there is the ninja master Sho Kasugi but some fighting scenes are not realistic and not fast even with shoo. This film is below the average even it is a classic. | 0neg
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] |
An overlooked masterpiece. Not only did Gillian Armstrong's direction serve the material superbly, but Judy Davis's Sybilla was one of the boldest film debuts I've ever seen. The gasps heard all over the theater when Sam Neill is first seen (from Sybilla's POV in the tree) also made an indelible impression. Perhaps most impressive is the screenplay, which greatly improves on what turned out to be a good novel so dated that it is all the more amazing that anyone ever thought to make it into a film. The musical score was also a delight. Most confusing to me is that it has taken so long for it to be released on home video. A major addition to any thinking film-goer's home library. | -1no label
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] |
No, it's not the horror movie...This one is actually a love story. The Ring is a silent film from 1927 that stars two boxers and the woman that comes between them. She loves the boxer known as "One Round" Jack. She loves him until the champion comes along, that is. Even though she marries One Round, she starts overtly flirting with the champion until the climactic final boxing fight between One Round and the champion. She comes back to One Round's corner, just when things look their bleakest, and he miraculously finds the inner strength to win the fight and win his wife love back. This film was very early in Hitch's career, but the limitations of the time must not have made him make a lasting film. Although there are special film tricks, and some comedy relief, this film just does not hold up to any of his later work. It must have been extremely risqué for the time period though, with the shameless adulterous wife. That may have been the draw back in 1927. While looking through all of these old films, it is amazing how I think that they could be redone on today's screen and really come off. Maybe I should be the one.... Skip this movie unless you are planning on watching all of Hitchcock's films. You could fall asleep in the middle. | 0neg
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] |
Director Edward Montagne does in a little more than one hour what other, more expensive and hyped films fail to do. Mr. Montagne shows us a police story written by Phillip H. Reisman Jr. that while, is not one of the best of the genre, it keeps the viewer involved in all that's going on. This is clearly a B type movie. In fact, the best thing going for "The Tattooed Stranger" is the opportunity to take a peek at the way New York looked in those years. The crystal clear cinematography by William O. Steiner, either has been kept that way through the years, or has been lovingly restored. There are great views of New York in the opening sequence. Later we are taken to Brooklyn to the Dumbo section and later on the film travels to the Bronx and the Gun Hill Road area with its many monument stores in the area. John Miles and Walter Kinsella made a great detective team. Patricia Barry is perfect as the plant expert from the Museum of Natural History. Jack Lord, who went to bigger things in his career, is seen in a non speaking role. It was great fun to watch a city, as it was, because it doesn't exist any more. | 1pos
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] |
I hated it. The movie made wandered away from the book so much, it was almost painful to see it. First of all Dr. Mortimer was a young man and his age was the key in the opening sequence of the novel. By making him an old large man destroyed the very beginning of the story. Then, the main characters - In one scene Holmes is using violence to get his way, which he NEVER did unless the situation was life-threatening. If we was beating people up to get answers then he would be a pretty dumb detective. Besides that, this Holmes is arrogant and a big snob. I am not so fond of the original character, but he was better than this. And Watson is so undeveloped. He is like a enclosure to Holmes, just sitting there and doing nothing, while Holmes is babbling on and on (he never babbled, he was a man of silent action). And the plot was changes so much, I don't know where to start pointing out the wrongs. I will only say, that Barrymore was flashing the lights for the runaway murderer who just happened to be his wife's brother. Why did he do it - the spouses were feeding him, while his was hiding before moving to South America (he never had the chance). | -1no label
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] |
Well, well....Roeg touched a bit of a nerve there, didn't he? He was a genius while he was cataloguing his various characters' descents into psychosis for a couple of decades, but as soon as he has the bad taste to suggest that redemption (or even some good advice) might be found in the bad old Catholic church, the hipper-than-thou alternative movie crowd gets extra vicious. Worse still, Theresa Russell's character - faced with experiences that nothing in her avowedly rationalist outlook has an explanation for, is unwillingly forced to deal with those experiences on another level - that of the spiritual. You know, the realm of the ignorant and superstitious, the sort of thing that the art-house cinephiles are supposed to be above. Oh, the horror... So she finds her marriage - the idea that it might be a uniquely important commitment - affirmed by what seems uncomfortably like divine intervention. People who find this idea prima facie offensive could maybe ask themselves why they instinctively jump into attack mode at being challenged to take seriously the idea of a spiritual dimension to their lives. But they probably won't. Sure, this film has some problems, notably Talia Shire's delirious hamwork as the overwrought nun, 1950s-style attire and all. And the dialogue between Marie Davenport and the young priest in their last scene is straight out of the Spellbound School of Glib Interpretations (though Hitchcock's movie escaped similar charges due to the source of wisdom having impeccably secular credentials as a Freudian psychoanalyst). But, sadly, Nicolas Roeg appears to have copped a critical mauling as much for even asking the question as for the possible answers this film presents. | 1pos
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] |
Standard Operating Procedure is a very disturbing documentary. The music and the images allow us to understand the prison and to see what went on in the prison. The clear context of the crimes against humanity that is so off putting and mainly off camera is contrasted with inviting film work that draws us into this story. There are very interesting images and techniques that are used that must be seen again for the simplicity and elegance of them. It is therefore a bit unsettling. Questions are asked and answered, but in doing so other questions arise. We find ourselves again asking for more information and questioning the truthfulness of everyone interviewed. Where are the commanders that ordered this to happen? Where are the political leaders that legitimated these behaviors? They are in the background. They seem to have run away to hide from the story and from history. Without pictures would we have been unable to see the abuses reported? Are we yet, with pictures, unable to see the real abuses? The aberrant seems to be the Standard Operating Procedure. We find ourselves questioning our own beliefs and wrestling with our own culpability. | -1no label
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] |
Director Lo Wei was known to read the racing papers and take naps on the set - tells us something about his "approach to film-making, huh? The reviews I've read fall into two categories: 1) this is a film so bad it is funny, or 2) this is a film so bad it is boring. So let's get to the point we all agree on - this film is really bad. I vote for category 2). The story is almost incomprehensibly complex, and it is further shredded and twisted by the remarkably poor camera work and editing. Yet Lo Wei was so in love with it that he slows the pacing so we can all have a long look at it, whether we want to or not. Maybe Lo Wei was upset the day (or two) this film was made - he just wanted to make everybody suffer, cast, crew and audiences alike. Spare yourself the agony. | 0neg
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] |
Robert Standish's novel is about a triangular romantic situation on a Ceylonese tea plantation... So the events of the Ceylon backgrounds and pictorial beauty are rewarding points to William Dieterle's film... The story is about a rich powerful planter (Peter Finch), who brings a charming and tender beauty (Elizabeth Taylor), into the jungle as his bride... The plantation, of course, is endangered by some kind of wild life... For this reason Taylor elegant as never in dazzling costumes finds herself in a strange atmosphere... The echo determination of a ghost, the bad temper of a husband obsessed by the memory of his autocratic father, a highly dangerous disease, and the fury of wild animals... In her confusion, boredom and annoyance Elizabeth Taylor looks to a friendly face, a pretentious foreman (Dana Andrews), who admires her beauty but tries to conquer her love... With echoes of "Jane Eyre," the mysterious Yorkshire mansion with a brooding master, and "Rebecca," the innocent young second wife hunted by the image of the glamorous first wife, "Elephant Walk" is a menace melodrama with a wide view of a huge tropical bungalow, exotic dances with rage excessively colorful, stampeding big bull elephants, amazing mansion set on fire, all in the company of an exquisite creature with an unquestioned beauty and talent... The movie gave Liz a change of scenery, and allowed her more creative energy and self-respect than most of her other willful debutante-rebels
The wife here has a sharp tongue and a strong will, and so Taylor plays her movie star heroine with more spirit than she was given credit for
| 1pos
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] |
What is so taboo about love?! People seem to have major problems with the transgenered. The title of this movie didn't catch my eye. It was a grainy shot about 4 minutes into the movie is what made me stop channel surfing. I could not believe how freaking amazing this film was. It touches on so many levels of human emotion that it did not once fail to move me in some way. It is by far one of the best independent films I have ever seen. I did not view these characters as either gender, just human. I would recommend it to anyone who loves movies. Especially independent films. Praise to all fearless filmmakers! | 1pos
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] |
I saw this movie over twenty years ago, back when CBS showed late night movies instead of Letterman et al. I thought it was the worst, most poorly produced and thought-out movie ever. Nothing I have seen since has caused me to change my mind. It does not even fall into the "so bad it's good" category. My roommate and I were ridiculing almost every aspect of this disaster. One example: the drug at issue, "Blue Sunshine," supposedly made the victim's hair fall out. The "falling out" consisted of the victim's entire head of hair coming off, all at once, in one piece -- obviously a wig being pulled off. The movie did not so much come to a logical end as, suddenly, the camera pulls back and announces that the movie is over. I remember that the closing credits announced that the film had been produced by "The Blue Sunshine Corporation," leading me to suspect that it was a tax loss project designed to be bad, a la the plot of The Producers. If so, it succeeded. | -1no label
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] |
I saw NAKED FEAR on Showtime last night; and, think that it owes a lot to its predecessors; both on film and in print. My first introduction to anything of this ilk, is the exceptionally well-written "Open Season" a paperback released in the 1970s upon which a film starring Peter Fonda was made. Unfortunately, that film is out of print; and, I've never seen it; but, the book was excellent. I did see 1932's "The Most Dangerous Game," which may be the original telling of this tale of human as prey and predator. I also rated that film 9 out of 10 stars, here on IMDb; and, feel that NAKED FEAR is a very modern adaptation of the story. Sub-par variations on this theme include 2000's "Hunting Season," which I rated only 3 stars; and, 1961's "Bloodlust," starring the Brady Bunch's Robert Reed as the handsome protagonist. I rated that one three stars as well; but, I think I may bump that up to four. NAKED FEAR exceeded my expectations in almost every element of the film. The characters were believable, sympathetic, multi-faceted. The action was fast paced. The dialog was fine. The score kept things moving along. The cinematography was gorgeous. The plot was plausible; and, gripping -- I was enthralled right from the opening scene. My only objection is the ending. Why did Christine Vasquez turn this into a wannabe "I Spit on your grave?!?" Couldn't she have just left it with Diana Kelper recovering in the hospital? Why did she have to go on a killing spree. It just doesn't make sense. | -1no label
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] |
"The Last Minute" is an abysmal film. I have seen some rather hideous films in my life, but frankly this one qualifies as one of the all time worst, particularly in light of the immense talent of writer & director Stephen Norrington, an otherwise fine cast, and some incredibly gifted technical people such as the editor and the cinematographer. Mind you, the production values are top-notch as are the performances by a terrific cast. Nevertheless, this pretentious as well as cynical commentary on fame and its fleeting quality for some unfortunate folks ranks at the bottom of the barrel. I sat through this ambitious film in its entirety because some very dear, close friends of mine loaned me the DVD and I made a commitment to them to watch it. Furthermore, I have enjoyed Norrington's other films: "Blade," "The League of Extraordinary Gentlemen," and "Death Machine." "Blade" was a masterpiece, and I truly loved "The League of Extraordinary Gentlemen." Even "Death Machine" surpassed this depressing drivel. I can understand why this film did not receive a general mainstream release in the United States. Generally, I love all things British, but this dreadful film proved to be an exception to the rule. I don't even want to recount the plot or its place in the context of film history as I usually do in my other IMDb reviews. Yuck! Yuck! Yuck! I look forward to future Norrington films, and I envy anybody who can find anything remotely redeeming about this balderdash. | -1no label
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] |
Sometimes all that it requires to take your mind off of everything is a simple-minded, bone-headed 80's slasher, especially if it's one that stars a young, hunky and still unknown Brad Pitt as the high school jerk and Roddy McDowall as the dirty-minded principal. The plot is textbook 80's guff, meaning no purposeful twists or any attempts at building up tension whatsoever, but still it guarantees a good 90 minutes of dopey fun and chuckles. As Brian returns to the schoolyard after a period in a mental asylum to treat his Violent Schizophrenia Syndrome, bodies start piling up as well and naturally he becomes the prime suspect. Of course, in this type of film, it takes an awfully very long time before any of the dim-witted characters realizes something's wrong and "Cutting Class" is no exception. Someone actually has to stumble over a corpse accidentally before realizing several others persons are missing as well. The script really tries hard to uphold the mystery and to keep the real killer's identity secret, but it doesn't matter all that much since we're just watching the film for the murders anyway. They aren't special, unfortunately, just a neat throat-slitting, an icky flagpole-killing and someone's crushed head on the copying machine. There's also the fairly original running gag of the killer's first victim surviving the assault and fruitlessly struggling for help for the rest of the film. The main attraction here is obviously and almost exclusively Brad Pitt, and he certainly doesn't disappoint as the cocky school-rebel. At a certain point in the film, one of his teachers tells him he has little chance to a great future, ha ha ha! | -1no label
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] |
This film is so bad, it made me want to vomit. Poorly produced, a complete laugh free zone. Why in the name of god would you spoof a movie which to a degree is a spoof (and a damn funny one at that) as it stands? The sets are laughable, the effects so bad that they aren't even laughable, and the acting farcical. It is a complete mystery why you would even consider watching this lump of garbage. National Lampoon once made Animal House, which people still consider to be completely and utterly hilarious. Now they've been relegated to making TV movies like this lump of ****. Name your expletive, and it could be accurately used to describe this film. | 0neg
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] |
This movie alternated between captivating wine drama and formulaic romance. The wine drama part was held together by the Bill Pullman and Freddy Rodriguez, both excellent. It had beautiful scenery, a love triangle with a pretty girl, an immigrant story, and maybe half a dozen colorful side characters. All ingredients of a good movie. But then the master craftsmen in charge of this masterpiece added the final ingredient -- namely the entire catalog of Hollywood romantic-adventure-drama-comedy cliché's. Something like Coyote Ugly, but in wine country. That's it in a nutshell. With a few bottles it becomes fun movie, but not quite film festival worthy. Don't know what they were thinking at Sundance, I'm giving it a 4 (BYOB). | -1no label
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] |
New Year's Day. The day after consuming a few too many vodka martinis and Cosmopolitans mixed with a bunch of bubbly at midnight, my wife and I discovered the local cable company is offering up the digital specialty channels for free for the month of January. We had a choice - do we make use of the freebie channels or do we start watching the eight seasons of X-Files on DVD that we received from our daughter for Christmas? We elected for the digital freebie since the DVDs are going nowhere and we need something like ten twelve-hour days to watch all the X-Files beginning to end. The Drive-In channel was offering a horror classic three movie marathon: Asylum (1972), House of the Damned (1996) and The Pit and the Pendulum (1961). Asylum is well-reviewed here and the Pit and the Pendulum was on too late for us to watch which meant we could really only be properly critical for House of the Damned. To be honest, we tried to be serious about the movie since its stars have reasonably good acting credentials - Greg Evigan (William Shatner's over-written Tekwars) and Alexandra Paul (the only Baywatch babe who could act although she has the body of a ten-year-old boy). Unfortunately, we soon dissolved to giggles, under the influence of a little hair-of-the-dog, as we each shouted out the names of movies from which this dog borrowed its scenes: Poltergeist, The Shining, Hell House, House On Haunted Hill, Ghost Busters! The acting, especially by Evigan's real-life daughter, wasn't too bad considering the silly script they had to work with. The CGI, for 1996, was hilarious - at its worst point in the final scene when it should have been the most horrific it was so bad my wife and I dissolved in laughter. Overall: Acting 4/5, Script 2/5, SFX 0/5 | 0neg
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] |
This Second part of Alex Jones' Science Fiction trilogy is just as boring and miss informative as the previous one. As a Science Fiction film (this film: 911: The Road to Tyranny (2002)), it is boring and no fun. As a documentary it is untrustworthy: because Alex Jones doesn't really have any sources for his wild claims. As a source he as always almost only uses him self. He says he uses old and reel clips from the media. The problem is that you can see that he has manipulated with them: Alex Jones uses clips from one context and clips into another: just as Joseph Goebbels did in Germany during the 30ties, as propaganda-minister. Secondly: every person who are right in the head knows that not all TV-reports are 100% accurate: all the first TV-reports from major events are always based on rumours, which always are exaggerated, and all his so-called "evidence" is based on this. But the so-called facts and all the theories are so laughable that it possible can't be a documentary: it must be Science Fiction (very bad Science Fiction) it is as good as Ed Wood's "Plan 9 from Outer space". As a Science Fiction film it is tedious and boring. As a documentary it is based faked evidence, and can not be trusted. Don't watch it, you won't be learning anything. Grade: 1 out 10. It is simply just awful! | -1no label
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] |
As a lesbian, I am always on the lookout for films relating to gays & lesbians. However, with this kind of crap out there--it would be enough to discourage any audience. I kept waiting for something to happen--anything!--a story to develop, or just for it to make some kind of sense. Neither occurred. It was just meaningless scenes, unconnected in any way with anything. The film failed to conveyed any kind of story or depth to the character. After an hour or more of this nonsense, I simply turned it off. Don't waste your time on this absurdity. 1 Star - and it doesn't even deserve that. | 0neg
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] |
DreamKeeper is one of the movies that will accompany you forever. It contains today and yesterday and helps the understanding of the true history of the American Indian. The situation of many Indians today living in reservations and being in a cycle of vandalism, alcohol and drug problems does not go unmentioned. But there is hope for many because the roots of them and the old stories are still there. So you melt into wonderful pictures and stories given from the grandfather to his grandson being on their way to a meeting of all nations. The intertwining of the genres(road movie, drama, tales) is very well made and John Fusco did another great job with the creation of the script. The actors have been well chosen and you feel that they are not just acting in a movie they are truly concerned and giving you their story. Behind all is a message not only for the Indians to again respect more their ancestry and live it but to the 'white people' as well. The commitment of all the people who made this movie possible is very much appreciated. | -1no label
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] |
I wouldn't give this movie a rating, it's not worthy. I watched it only because I'm a Pfieffer fan. I love her and would watch anything she made. Even in this dud, she didn't disappoint. Every scene with her in it, kept the viewer watching...waiting...for something to happen but nothing ever did. It had some good story lines but they ended abruptly as soon as it started. Some of the other characters had potential but nothing became of it. Pfieffer was 29 when she made this film and at her most lovely. The wardrobe and set was surprisingly good. I can watch mostly anything and rarely come across a movie I can't find something to like about it, but this was a dud. I don't understand. The worst thing about it all, it had a big cliff hanger at the end. It had an ending scene that woke you up and say wow, this film is finally going some place, then the credits roll. Good grief. I agree with the review that said .99 would have bought 3 cans of cat food and watching my cat eat would have been more exciting. Well said. Actually, that comment was more entertaining than the film because it sums it up so well. I too wasted .99 cents on this dud.dud.dud. | 0neg
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] |
James L. Brooks is a man with a gift for developing interesting characters but with a weakness for squeezing them into cliched and/or manipulative circumstances. When obsessive compulsive Jack Nicholson pays for Helen Hunt's seriously ill son's medical expenses just so she won't have to stop being his waitress, the movie flows along with a lot of invention and energy. But then the movie becomes another one of those dangerous romantic fantasies where an unlikable guy is "cured" of his xenophobia by the love of a good woman. At the beginning the racist, sexist, and homophobic jokes made by Nicholson are played for laughs, which is fine for the movie's purposes, but then Brooks expects us to feel threatened by the exact same type of comments and then warmhearted when he tries to change his ways. Who cares about a bigoted old man's happiness? The movie goes a lot into Hunt's devotion to her son but does she really think Nicholson would make a good father figure? Hunt and Nicholson falling in love is an easy out because then Brooks doesn't really have to deal with the more difficult (and more interesting) ideas brought up in the first half. So is the movie actually good? Well, sure. It's quirkier than most romantic comedies (if you want to call it that) but it's disappointing intellectually in the end. Soooooooo, *** out of **** | -1no label
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] |
Savage Guns (video title) is a dirt cheap, bottom of the barrel spaghetti western in which the survivor of a massacre hunts the bandits who killed his brother and left him for dead, catching up with them in a town controlled by their crooked boss. Despite plenty of violence, this manages to be both dull and colorless with bad characterizations and almost no imagination or humor. Lead actor Robert Woods lives up to his name with a wooden and uncharismatic performance that fails to generate any warmth or sympathy whatsoever. In other words, the viewer never really roots for him despite the fact that he's the protagonist. The worst scene (in my opinion) is the annoying dance hall scene where a woman sings in a heavy and terribly unsexy German accent. It was the worst scene in Blazing Saddles and the worst one here! | 0neg
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] |
I saw the original on TV years ago when I was a kid. The movie had to be edited down for TV viewing, because some of it was too graphic. The film was dark, noir and a bit Avant garde. Caine's acting was creepy and strangely sadistic and evil. Yet it was a bit hard to accept Caine as a tough guy. Stallone rebounds in this thoughtful remake. He's a different kind of actor than Caine, perhaps not as eloquent, but definitely more convincingly tough. Sly's Carter has a heart, soft spot so to speak. Caine's Carter was a sadistic pig with barely any redeeming quality. Both versions work in their own way, however. But I'm glad Sly chose this project. See both versions for yourself and decide. | -1no label
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] |
How much do you know about intercourse? Well, Woody Allen's wacky masterpiece "Everything You Always Wanted to Know About Sex * But Were Afraid to Ask" tells all. Whether it's the nerdy court jester (Allen) who wants to do it with the queen, Dr. Doug Ross (Gene Wilder) having an affair with a sheep, the most unusual game show, a man's experiences in transvestitism, the attack of the giant breast, or the epic tale of an ejaculation, the whole movie is a laugh riot. As you might imagine, there are some great lines, particularly in the medieval sequence. One thing that I've always wondered about is what in Woody Allen's life prompted to make so many movies like this. Granted, he grew up during the sexually repressed '50s, so when sex became an acceptable topic in movies, he was ready to show it. But still, how does he come up with these sorts of things? Oh well. The point is that this is one hilarious movie. | -1no label
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] |
I love film. I am not a sucker for cheap, TV Disney movies. I was pleasantly surprised. I am a 14-year old boy, and I didn't like this movie. I loved it! The acting by young Lindsay Lohan as the emotionally disconnected tomboy dealing with loss was really good. I also find most of these types of movies to be shallow, to only speak to a young audience and to patronize (all copies of Get a Clue should be destroyed.) This movie is more than that. The moment I saw the opening scene I realized that I could picture the dialogue being spoken in real life by real adults. It was more honest than most other movies, and it had humor and heart that most movies of this budget and genre don't. Some of the attempts at humor fell flat, but a lot of it was actually...funny. When Eve (Tyra Banks) is turned from a doll to a human being, she thinks she's the best at everything. She is then reminded, however, that the goal is to try your best, not to be the best, and that you can still be a role model and not be perfect. Eve also brings a little wisdom with her when she shows the people around her that life is about happiness and sweetness and simplicity, and that when adults get caught up in petty disagreements and entangled in their "demanding" lives, they are only doing it to themselves. Life is too short not to be happy and not to sweat the small stuff and to savor the moment. This is just what I took out of this movie. Everyone has their own interpretation depending on where they are in their lives, and I think this was the right time to see this movie. Don't skip this one! 7/10 | -1no label
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] |
I don't watch a lot of TV, except for The Office, Weeds, Entourage and E!'s Soup. I think I hold this show in good company. I love the scathing review of pop culture that this show gives. Soup also helps me stay on top of what people in the office are referring to when talking about a Sanjaya or Heidi Montag (sp?). The best part is that Soup shows clips of the highlights of these shows, which are usually the funniest or most controversial moments (c'mon, most people get hooked into watching American Idol because of the freak show that are the auditions), which is why most people claim to watch. And that means, I don't have to suffer through the other 98% of these mind numbing talk shows or "reality" shows, for one nugget of "funny" or "shock." The only reason why Soup doesn't get a 10 in my opinion are sometime the sketches are not that funny, and on an even rarer occasion, the commentary isn't always up to par. But they can't all be home runs either, if so, Soup wouldn't be on E!. Joel's quick wit and Soup's writing team (which includes McHale) make for a great show. I happen to enjoy the laughing and comments from the crew who are off-camera. Even when they're being blatantly obvious by giving occasional courtesy laughs, it's hilarious because it IS forced. They're obviously being ironic. And that's part of what makes this show funny. | 1pos
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] |
How on earth this film isn't more widely regarded is beyond me. I picked it up for £1, and I'm not exaggerating when I say it's the best pound I've ever spent on a film. The thing that usually lets films about the club scene down is either the music or the actual scenes filmed in clubland. Here, the music and club scenes are completely credible,using some big tunes of the time, and filmed in real clubs, with people actually looking like they want to be there. The performances from the actors are of a high standard all round, although Jason Donovan in particular for me stands out (he was playing Frank N Furter in The Rocky Horror Show in London at roughly the time this must have been filming, so his drag phase was in full flow!), and of course Tim Curry who's eloquent drug land boss is convincing. Simply put, if you're a fan of British film you have to see this, it matters not a jot if you're into clubbing as the film is strong enough as a story anyway. Highly recommended. | 1pos
| [
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] |
You get an hour and a half of braindead i have to save the world action all the way, one liners and a woman somewhere in the equation. This time he plays a guy who help people in the witness protection program. to quote the cover of the movie. He erases their past to save their future. Woppi, this have to be cool :) I bet younger people will like it though but it is a little over the top for my taste. And the one liners are really something else, and i don't mean that in a good way. After killing a crocodile he manage to say. "you're luggage" If you are in the right mood you may enjoy the movie. And as far as braindead action go, this is not very bad. But almost before the movie starts you know exactly what is going to happen. But if you like these kind of movies, you will probably enjoy this one. I rate this movie 4 | 0neg
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] |
Easily my favorite movie with Woody that he did not direct, 'Play it Again, Sam' is a hysterically funny homage to Bogart, divorce, adultery, dating, an overactive imagination, meeting women in museums, and calling your office with all the telephone numbers you can be reached at..this is some great stuff and Woody's social awkwardness and pratfalls and neuroses will have you laughing throughout. One of my favorite scenes is Woody trying to meet an attractive woman at a museum. She turns out to be a little more unhappy than he is but is also very funny in her darkness. The very best is Woody getting set up on a blind date with Jennifer Salt. His nervousness will stay in your mind long after the movie is over. | -1no label
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] |
Suffice to say the other review here is spot on. This is possibly one of the funniest films ever made. (for all the wrong reasons) I am in fact, at time of writing, watching Hawk the Slayer on BBC1! Nice to know we pay the ever rising license fee for a good reason. Sorry however to the the other reviewer but I have to correct you about the repeating crossbow. It did actually exist (another side affect of the BBC....bloody learning zone) Other than that, very accurate. A collection of wooden sets and gold sprayed tin foil. Also this film wins the award for the most polystyrene looking hammer....ever! I seriously recommend this movie purely because you will laugh/cringe so much, even though you most likely won't last all the way through. P.s. does anyone else think the sound track is like a porno/western? | -1no label
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] |
The director seems like a good, solid man. His parents struggle with the same issues we all cope with. They strayed from each other. They loved each other. They misunderstood each other. And the poor audience has to sit through ninety minutes of what is possibly the trials and tribulations of one of the most boring families ever to come out of Long Island. There are few interesting choices in this documentary--the music is banal, the filming uninspired, and the story is the same story that has played out on every Birch Street in every town in America. I don't mean to sound too harsh--seldom has a sweeter, more well-intentioned documentary been made. The director is the kind of man with whom you'd want to be friends. You just wish he had struggled as much presenting the material as his parents did keeping their marriage alive. | 0neg
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] |
This is by far the most repulsive and atrocious version of The Scarlet Pimpernel ever to be devised. As a Pimpernel fan, I was sincerely offended by what they did to the characters--but this atrocity is not worth watching, even if you aren't familiar with the story. Percy Blakeney, for example, would never stab people in the back just to get down a hallway. Chauvelin would never have a string of women in his bed. Marguerite never had an affair with Chauvelin, nor Armand with Minette, whoever the heck she is. Chauvelin would not randomly shoot Tony in the head. Chauvelin's name is not, nor has it ever been, Paul. They have completely eradicated any reference to the Pimpernel's disguises, replacing them instead with James Bond-esque gadgets and gizmos. As to the film itself... The makeup is horrifying. The women look like clowns. Elizabeth McGovern's beauty mark wanders around her face at random. The poor, pitiable actors have no script to work with, so it's not really their fault that their characters are as thin as wet tissue paper. The dialogue... oh, the dialogue. The dialogue is unbearable. And whoever is responsible for all those little captions at the bottom of the screen should be forced to watch this movie as penance. (I counted 13 location captions in the first half-hour before I gave up. As if we can't figure out that the body of water between England and France is the English Channel.) The film--if I can bring myself to call it that, since it's really just videotape with a filter--is absolutely without redeeming value. Do not waste your time and brain cells on this rancid drivel--instead, go watch the 1982 Anthony Andrews/Jane Seymour version, or the 1934 Leslie Howard film, or indeed ANYTHING but this one. | 0neg
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I've bought certain films on disc even though the second rate presentation wasn't an option. A certain company I won't identify here has put out several pan and scan dvds ("Clean and Sober", "Star 80", and this one, to name just three!) of films I don't think anyone wants to see in this compromised format. Some discs give the viewer a choice of 16x9 or full screen and others are just in their theatrical release 1.66:1 ratio. That off my chest, I'll say "Deathtrap" was a spooky and oddly enough, amusing picture. My only complaints are the tinny score (what IS that f____g instrument that is usually dragged out for films set in 18th century France?) and Dyan Cannon screaming at regular intervals. Couldn't her character have been an asthmatic who grabbed for an inhaler when she was stressed? Minor complaints, both. The benefits of discs include being able to fast forward to get beyond those things which you don't like. I never saw a staged version of "Deathtrap", so having these folks in the roles sets a great impression of their careers at the time. Before Broadway tickets cost an arm and a leg, the theatre was more affordable to average people. Now, anyone paying less than a king's ransom to get live entertainment probably isn't going to a hit show on the great hyped way. Michael Caine and Christopher Reeve were both large, virile specimens in the early 80s and that's integral to how we'll react to their profession and overall image here. They're definitely not bookish men who can't fight or will back down from an obstacle. The two are equally great as their criminal stubbornness becomes their ultimate "deathtrap". | 1pos
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For those who expect documentaries to be objective creatures, let me give you a little lesson in American film-making. Documentaries rely heavily on casting. You pick and choose characters you think will enhance the drama and entertainment value of your film. After you have shot a ton of footage, you splice it together to make a film with ups and downs, turning points, climaxes, etc. If you have trouble with existing footage, you either shoot some more that makes sense, find some stock footage, or be clever with your narration. The allegation that the filmmakers used footage of locales not part of the movie (favelas next to beautiful beaches) does not detract from the value of the film as a dramatic piece and the particular image is one that resonates enough to justify its not-quite-truthful inclusion. At any rate, you use the footage you can. So they didn't happen to have police violence footage for that particular neighborhood. Does this mean not include it and just talk about it or maybe put in some cartoon animation so the audience isn't "duped"? Um, no. As for the hopeful ending, why not? Yes, Americans made it. Yes, Americans are optimistic bastards. But why end on a down note? Just because it's set in a foreign country and foreign films by and large end on a down note? Let foreigners portray the dismal outlook of life. Let us Americans think there may be a happy ending looming in the future. There just may be one. | 1pos
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Shadow of the Colossus is one of those games where you can just watch someone else play and have a good time. The person playing will have a good time as well. As 'Wander', you ride to a forbidden land (with warnings that it is forbidden) and try to save a pretty, dead, brunette girl who is your love. Now, before you all go and say 'Awwwww' I have to say that the story is dark and very gritty. When he gets the hint that he has to defeat 16 giants (the smallest being about the size of a van) to do this, he sets off on this great adventure to slay the beasts. Seriously, Peter Jackson, we need you to make a movie of this. Itd be awesome. Slaying these beasts is no cakewalk either... they're all distinct and it takes a fair amount of brainpower to figure them out. Climbing them and slaying them is a whole different story than finding them. It takes about 30 minutes sometimes to roam the landscape to find the next Colossi. So, constant action is a nono here. It's not for everyone, but a true gamer would really appreciate it. | -1no label
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This appalling piece of tripe was (conveniently) loosely based on a true story that involved two family members of mine (played by Jack Thompson and Jacqueline Mackenzie). This film is offensive; besides the fact that it wasn't a particular good film anyway, it does not in any way capture what it was like to lose such a close family member and completely omits those who were really affected by the true-life tragedy. As for the director; he managed to cash in on a family's misfortune for the price of a Porsche. If I could have given this a zero I would have. Avoid this film at all costs. | 0neg
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In the Muslim country of Khalid (fictional), its benevolent leader/dictator,Reed Hadley as Amir, is dying of cancer. Amir dies and a desperate plot unfolds. His body is wrapped in aluminum foil and taken in a clandestine operation (the population does not know of his death) consisting of his doctor (Nigserian) and Mohammed, out of the country to perform a risky brain transplant. The surgery is being performed by the disgraced Dr. Kent Taylor, who believes there is no chance of failure and has two assistants. One of them is about 3 feet high (Master Blaster did indeed run Barter Town) and the other is a mutilated & traumatized 7 foot giant named Gor. What could possibly go wrong?? Did I forget to mention Amir's deathbed American, blonde-Barbie wife, Tracy or that Dr. Kent has a dungeon with female slave test subjects & delusions of grandeur? How about a brain transplant that didn't take? There is a lot of double-dealing throughout this and people are killed, but I'm not going to lie to you anymore : MISSION ACCOMPLISHED. The ends justify the means. If you can accept that then you will not have to waste 80 minutes. I hope that is warning enough. Don't say I didn't warn you. If you must watch, then don't watch alone and have plenty of medicine standing by. -Celluloid Rehab | 0neg
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] |
It was made in Philly, my hometown, and having Gabriel Byrne plus Tim Roth probably assured some decent acting, but as luck had it, Pam figured out the mistaken diagnosis before the film was 15 minutes old. Thus as I watched the rest of the film develop, I kept thinking in the back of my mind, 'does the Police Health & Welfare Plan rule out second opinions?' Man is told he is going to die soon from an illness, and he doesn't see if the doctor could be mistaken. I read the other reviews where some praise and some damn the film's open end style. In this case I think the writer(s) may simply have run out of inspiration or ideas. Do we want Emmett to go back to his girlfriend, or get involved with his co-worker? Who knows? We will let the viewers decide. What does it mean when Roth can't pull the trigger? Is this some sort of comment on his whole sexual life, or is he granting life in place of the one he took previously? The pose seems almost out of Michaelangelo's Creation on the ceiling at the Sistine. Is failed detective Roth giving the spark of life to the man he just wounded? The questions keep piling up. The serial rapist drives an SUV; so does Emmett? Coincidence? I have played solve the crime board games that were more enlightened than this series of questions. Pam, and another reviewer, commented on the phone conversation between Emmett and Roth. I'd driven past this intersection on April 4th of this year. The camera actually dresses up the area, and while there is a union hiring hall nearby, and the area is less than a mile from police headquarters, the site of two white men standing on that corner meant that it was either just after daylight or an optical illusion. In fact, I found the views of neighborhoods during foot chases eliminated any of the demographics of Philadelphia. The only Black people we see seem to be policemen. | -1no label
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] |
Like the previous reviewer, I watched this film on television the other night and am eternally grateful that I didn't spend any hard earned cash going to the pictures to see it. What a disappointment. When I read the plot synopsis in the newspaper, I was expecting something vaguely along the lines of "Carve her name with pride". A stirring tribute to the men and women of the SOE who put their lives on the line in Wartime Occupied France. What I actually got in return was a jumbled mess resembling an advert for expensive perfume, full of meaningless close ups and mumbled dialogue. Cate Blanchett's character (supposedley a hard bitten Secret Agent)looked as if she'd just stepped off a photo shoot for "Cosmopolitan", and exuded all the sexual allure of a maths lesson.It was over an hour before I saw a German. Pretentious arty farty rubbish.Sensitive girlies who think Sebastian Faulks "is like really, really good" will love this film. I hated it. I'm off to get me some real WW2 action - "Guns of Navarone" anybody? | -1no label
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] |
As a Mystery Science Theatre 3000 fan, I can withstand ANY motion picture that can be foisted upon me, but there is absolutely no reason for this. Rated "Super Action" in the Blockbuster Video section and given the dreaded "Restricted Viewing Sticker" I'm assuming these are the only methods that film maker (HA!) Robert Napton could use to get at least 4.50 from one unsuspecting person. Shame on you Robert Napton! Shame on you for exploiting these poor Mexican actors who you probably promised hopes for making it big in American cinema. You are a disgrace! There isn't one moment in this movie that holds the slightest bit of action. Did you use snot on these people? Oh, look, they're having a rave in a field! Like all 6 of them. And isn't that an Asian guy in the background? Why is it always daytime? Why did it take 1/2 of the movie to show anything.. and more importantly why did we watch the other 1/2? PS: You owe me 4.50. | 0neg
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] |
I watched this movie at eight o'clock in the morning after being awake for two days. The front of the box hardly looked promising, but when I read the summary on the back, (She's into her boyfriend, Bob. Just like he's into Satan!) I realized that I had to give this movie a chance. Honestly, it must be one of the worst movies I've ever seen (and I am a fan of Plan 9 From Outer Space). There is plot but hardly a point. The scene when Bob asks "Orange you forgetting something?" made the whole movie worthwhile as well as a few other choice words I'll leave you to discover. I would honestly recommending watching it while you are a little overtired because it provides some laughs and a lot of confusion. Be prepared to giggle and scratch your head at the dialogue and scenarios. I agree with the chap above and gave it a ten. It's cinema at it's worst and that's something to be proud of. | -1no label
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] |
Gary Cooper, Susan Hayward, and Richard Widmark are on a trip through the wilds of Mexico in search of gold. Hayward's husband was injured in a cave-in at the mine, and she has offered the party a share of the wealth if they will help her injured husband. It sounds simple enough, but there's only one small problem--a band of Apaches that are on the hunt for white scalps. However, the lure of the prospects of wealth spur the group on to the mine, and they reach the mine, save the husband, but now face the dangers posed by the Apaches. Each character offers some sense of presence to the film; Cooper is able to portray the silent, strength of character person, while Widmark adds a philosophical, yet cynical, view of life in his role as Fiske, a gambler. Cameron Mitchell and a Mexican guide are along, with each hoping for the gold, and the good life it will bring. And, each person has to face the danger posed in the "Garden of Evil." Susan Hayward manages to keep the group together, but only till they reach the mine. After that, it becomes a tale of who will survive. | -1no label
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] |
I cannot wait to see the goofs start on this horrible, horrible movie... The biggest goof had to be paying the writers who came up with this drivel and called it a story. Aggghhhhh Judging from the speed of the swarm crossing Indiana and Illinois, those locusts had to be doing Mach 4 or so... fast little buggers! I was also impressed with the careful military handling of VX.. providing everyone with full face respirators who handled it. Sheesh people, VX is a nerve gas, and is SKIN ABSORBED too... the gas masks wouldn't have made a seconds worth of difference. I also choked on my drink when a certain person died from being bitten a couple times.. sheesh, I survived bike accidents with more wounds than he had! I want my my time back! | -1no label
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