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I bought this movie just to see Bam because i was really loving him, but after seeing this i don't like him much. I mean, his acting was good and everything i guess, but whenever it showed the totally unnecessary skate scenes i was just saying to myself, "Alright, we know you're a professional skateboarder, now can we get back to Ryan Dunn?" Dunn, Rake, and Brandon really made the movie in my perspective. I noticed that Jenn Rivell, (obviously), and Missy Rothstein were both in Haggard, but who Bam was dating at the time? Anyways, i actually enjoyed Haggard and i think it's really like no other movie i've ever seen. It's sort of in it's own category. | 1pos
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Farscape totally rules! In my opinion it's very close to Babylon five although there are only 7 main characters in the series (spaceship included). The humour is excellent and the writers manage to keep the show interesting though pretty much everything happens on the ship. What I really love and appreciate in Farscpae is,that they don't use CGI for the alien characters or if they do, it's unnoticeable. They use those lovable, crappy rubber animatronic puppets very similar to the ones used in the original Star Wars. Farscape is something you definitely want to look into, if you already haven't. | 1pos
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AND the soundtrack CD too!!!! I watched this BEAUTIFUL movie twice at the Cinema. It has NEVER been on TV here, that I know of.... I used to have the LP record soundtrack but 'lost' it years ago before going overseas (Grrrrr) How do we go about getting a petition or whatever for the film company to release a DVD and CD soundtrack???? Another I'd buy five (5) copies for sure... one for each of my three daughters, (only one was born when the movie was made) and keep two for myself!!! I too discovered John Denver through this movie, but MUCH preferred Cliff De Young singing the Sunshine songs! | -1no label
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I was previously unaware that in the early 1990's Devry University (or was it ITT Tech?) added Film to its wonderful repertoire of technical degree programs. Well this movie must have been the product of the class valedictorian. My friend and I rented the original 1980 Boogeyman on my Netflix and this movie was on the flip side of the DVD. Do not waste your time with this movie. Awful awful awful. The filmmaker adds 2 main character's, a woman and her therapist. The woman has been having dreams about the Boogeyman and his victim's from the first film. Over 50% of this film is stock from the original movie. The rest of the movie is the main character having the bad dreams while her therapist drones on a the narrator. These scenes are shot through a filter so thick the characters glow. They would make Angela Lansbury look 25 years old. So, to recap, awful. Don't watch this movie. | -1no label
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] |
This movie was absolutely horrible. i know nothing of the actors previous credits but i do have to comment on this movie. if you can even call it a movie. first of all, i live in a town a stones throw from the ferry to shelter island. i have been there many many times and i know what it looks like. The two women in the movie are supposedly moving to shelter island. this is one of the flaws. the shots that were supposedly Shelter Island are not. they are shots that were filmed in the Hampton's somewhere. that disappointed me. also the whole movie was a flop. the acting was bad, the story was stupid. the only reason i would rent this movie again would be for the lesbian scenes. although those weren't that good either. Anyway. all in all this movie was absolutely horrible. don't waste your 5 bucks on it or whatever it costs to rent a movie at your local video store. | -1no label
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This movie must have looked when it was being pitched at development stage and getting a Redgrave and a Jacobi on board must have excited the money men. All I can say is that they clearly did not have anything on that week. Jacobi camps it up in the way that only Jacobi can do and I thought that he seemed to more of the actor that he parodied in his cameo role in Frasier a few years back. Vinnie Jones is not exactly bad, he is just clearly out of his depth as a leading man. He is really quite amiable throughout and if this was a pilot for a TV series, it may have just got picked up. However, the scipt and the camera work were appalling. Quite why this "jounalist" and a press officer from the Met would ever work together is never explained. It certainly cannot have been because of the sexual chemistry, of which there is none. There is nothing wrong with a ridiculous and far fetched plot that you can pass off as original, but the whole thing is just so contrived that the two stories just do not make sense at all. It was like two stories confusingly edited in to one just to make up two hours. Go watch some paint dry for a couple of hours. You life will be more fulfilled than watching this rubbish | 0neg
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] |
For some reason, people seem to have a problem differentiating this movie from Trail of the Pink Panther. At any rate, this work does nothing but serve to remind us how sad the world is without Peter Sellers in it. They brought back the same old favorites from Trail (Dreyfus, Cato, Litton, etc.), but they introduced a misdirected Pratt-fall humorist into a role which was designed to substitute for the missing Clouseau. Dreyfus devises a way to produce the perfect copy of Clouseau via a hard frame computer system which factors the variables and tosses out the name of the most inept idiot in the global law enforcement family. What we got was a poor guy who was obviously overwhelmed by the grand scale of what Blake Edwards proposed he should do, and boy does it show. Ted Wass was amiable as Sergeant Clifton Sleigh, but let's face it...he wasn't Clouseau in any way. I realize that Blake Edwards was losing his greatest cash cow, but to disrespect Sellers' memory like this was just sacrilege. Frankly, I'm glad they have remade the original. I hope it runs a long line of successful ventures for Steve Martin. This dreck rates a 2.0/10 from... the Fiend :. | -1no label
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] |
I never even knew about this film when it came out. Since I hear it only grossed 6.5 million that explains why. The producers probably didn't even keep in the theaters a week. I can't explain what makes a film flop at the box office, but this one certainly didn't deserve it. From start to finish I was totally enraptured by this witty story of a man who held views so controversial they are practically comical all by themselves. The movie is based on a novel which is a work of fiction, but it nevertheless draws its subject matter from some very true aspects of Dr. Kellogg's life that are quite unusual and almost always surprising. As these surprises are revealed to you throughout the film, they come as even more of a shock every time. There are a number of stories told throughout the sanitarium and each is a delight in and of itself. The stories all manage to interweave, sometimes in very comical ways, and despite their comedy, teach some very practical lessons. It is almost satirical. I give this film two thumbs up. Don't watch it in mixed company and it certainly isn't appropriate for children. But for those with a mature attitude and an appreciation of the health nut culture, it will make for a laugh-filled evening. | -1no label
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I had the pleasure of seeing this picture at one the New York screenings. I was immediately interested in this film when I saw the movie trailer. The trailer promised a film that was intriguing, smart and provocative. Body/Antibody actually exceeded my expectations and delivers extraordinary twists on an age-old story. The compelling plot and the lead actors take you on a journey that brings you to a place where you are stuck in the world of a man's bizarre psychosis. Yet you find yourself empathetic and drawn to his plight. The beautiful cinematography reinforces this repulsively clean and pristine alternative universe. I applaud the filmmakers for preserving the integrity and spirit of independent cinema. Well done! | -1no label
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] |
I've been reading posts here concerning Wonder Woman's costume for this TV movie. It should be pointed out at the time the movie was made, she wasn't wearing her traditional outfit. The producers were actually sticking to the comic book writer's conception of WW for the early seventies. As for the movie itself, I have to agree with many of the other posters here. Snoozefest! I was a kid when it appeared on ABC in 1974, so I was at the right age to have appreciated a movie about a comic book hero. Yet I was so "engrossed" with the plot, I stopped watching it three quarters into the movie. Of course, I wasn't at the right age to appreciate Cathy Lee! :-) | 0neg
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] |
David Milch has done such an amazing job with Deadwood in every way. The cast is a who's who of veteran character actors that, led by Ian McShane and Kieth Caradine, are truly superior in expression and delivery. The writing is top notch (Milch may be the best dialog writer going), and weaves the facts of the real history of Deadwood Gulch (one of the last American gold rush towns) with a few imagined characters amongst the many based on actual personages to craft and pace the storytelling properly. Milch has said that the underlying theme of Deadwood is the development of order in a culture where laws do not yet exist (Deadwood is in Indian territory, and hence outside of the U.S. proper). It is set in 1877, two weeks have passed since Custer's defeat, and the new town that sprung up on the back of the gold rush is chockablock with foul mouthed characters of all types, either looking to prospect, or service those who are finding the gold. This is by far the best western I've ever encountered. There is a lot of swearing, and the violence that occurs is fairly disturbing, but in my opinion, are necessary to the authenticity of the show. 10 out of 10 | -1no label
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] |
This is the best movie I have seen this year. It has everything that makes a movie great, fun, memorable. It's funny, it's sad, there's angst, and tension, anticipation, there's "ohhhhhhh" and smiles, laughter and tears. It's interesting--and I learned something too (actually a lot). You'll cheer and applaud DURING the movie, you'll feel their pain and marvel at how SMART these people are. The editing is the tightest I can remember. The movie flows like a roller coaster: never off track, always going somewhere, the highs fall into the lows, and it rises back to an even keel. It never leaves you bored wondering okay when will this over. It leads you to the edge, pulls back, and then climaxes. Superbly done. Wordplay is a small independent that is more worthy of an Academy Award than many of the "big ticket" movies out there. Go see and tell your friendsyou won't be disappointed, you'll leave the theater with a smile on your face. | -1no label
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I really wanted to give it a positive rate as I really like Jackie Chen, but unfortunately, after watching it I can't, if being objective.. The plot is weak, none of the characters are genuinely developed into real depth, and many of them just make you wonder where the heck is his/her place in the whole plot!?? The storyline is always being dragged and the fight scenes feel so redundant, I kept saying "please, please just use a gun to skip these!" I give Rob-B-Hood two more stars one for the lovely baby(he may be the most vivid character in this movie), one for the respectable dedication by Jackie(the overall failure should not be blamed on him). I'll be expecting Jackie Chen's next performance, and I'll also try to avoid the production from others in the crew.. | -1no label
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] |
This movie is one of my favorites in the Zombie genre, we can watch the human behavior in a serious problem like the end of the world, and the dark side of the people. For example: Cooper hates Ben, because he is a natural leader and he had good ideas to survive, therefore they were fighting every time and they shoot each other when the daughter of Cooper one became into a zombie. Other example: when the "militiamen" appear,they have fun shooting, torturing and burn the zombies (when there are 3 zombies hunded in a tree and the humans are laughing while they shoot to them). (sorry if my English is regular or bad, because I speak a little of English) | -1no label
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] |
I saw this movie title on SyFy just now. Thought to myself wow this can't be bad. Boy was I wowingly wrong (Couldn't be a word, yet but I think it will be) Story was good, effects and the writing of this were stupid.. I don't wanna say I hate the cast cause they were good. Its the writer/s and maybe Director... Alligator if it only looked like one. Or "Mutant Alligator". Now they say it's a pre-historic Alligator. Explain how old would it make this.. Alligator.. Explain how a FUEL INJECTED JEEP, made for outdoors playing dies just like that... When they have already a killed a girl in a bikini who was doing the right thing now moving and staying 'out of sight'. Her and Fatty still get found and ate. When they just saw Mr. big gator but yet how would they not hear him circle where they were..? It doesn't make sense.. Now the, blonde Dr. Lady has been demolished? Who wrote this garbage.. When you got a dumb hunter with a 'LITTLE' @$$ gun..... When he's seen this thing and knows how big and should know how strong it is.... BEING PRE-HISTORIC... BURT GOMER aka Michael Gross (Tremors I-IV)would have ROFLMAO... Well, there's your movie... You want me to write it fine. Contact me. But he's my star with some others 1 other star and couple other co stars. This movie could have been better just with a little more thought and talent.. Poor Graphics on this Gator... Anaconda is how old and its got better looking graphics for its snake... And this movie just keeps getting worse... | -1no label
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] |
The story by Norman Maclean is a masterwork; Redford's film is a mediocrity. He adds banal scenes of the Maclean brothers going over a falls and of them double-dating in a seedy bar that were not even hinted at in the story. The cipher, Brad Pitt, trying to play the charismatic Paul Maclean, a genius outdoors, proves either risible or depressing, depending on what the original story meant to you. Some of the fly casting scenes are beautiful. Also, Tom Skerritt as the father and Craig Sheffer as Norman are strong and masculine, as men were once expected to be. None of the women make an impression in the film, which is regrettable, because Maclean loved the women in his story and made this clear, even poetic. | 0neg
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The Fluffer may have strong elements of porn industry truth to it - but that doesn't make up for the fact that it's pretty shabbily directed and acted - and with a very mediocre script. B grade from start to the exceedingly drawn out finish. It would be embarassing to think of the general public being offered this piece as an example of state of the art gay film making. Hopefully it has a limited life in the gay film festival circuit and is allowed to die a natural death on video. This film will open the Queer Film Weekend in Brisbane on April 10, 2002. I think its success there will be strongly influenced by the amount of alcohol consumed in the preceding cocktail party - they're gonna need it. | 0neg
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Oh honestly. The dialog is terrible, I couldn't care less for the characters and the acting is... so bad. SO bad. Calling it stale, flat and cheesy would be letting it down easy. I watched the first four episodes, because I wanted to like it, especially since Queer as Folk has yet to find a worthy replacement at the gay drama throne. Well, I'll just have to keep on looking. QAF gave us interesting characters and exciting twists and turns in the storyline. During these few episodes of Noah's Arc I fast-forwarded several times because I wasn't intrigued with what was happening. Darryl Stephens is very cute, I'll give you that. But this show is just too painful to watch. | -1no label
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When I first heard that Hal Hartley was doing a sequel to Henry Fool, I was excited (it's been a personal favorite for years now), and then wary when I heard it had something to do with terrorism. Having just seen it though, I was surprised to find that it worked, while still being an entirely different sort of movie than Henry Fool. The writing and direction were both dead on and the acting was superb...especial kudos go to Hartley for reassembling virtually the whole cast, right down to Henry's son, who was only four in the original. Like I said though, this movie is quite different from the first, but it works: I reconciled myself with the change in tone and subject matter to the fact that 10 years have passed and the characters would have found themselves in very different situations since the first film ended. In this case, an unexpected adventure ensues...and that's about all I'll give away...not to mention the fact that I'll need to see it again to really understand what's going on and who's double crossing who. While it was certainly one of the better movies I've seen in some time, it suffers like many sequels with its ending, as it appears that Hartley is planning a third now and the film leaves you hanging. I'll be sure to buy my tickets for part 3 ('Henry Grim'?) in 2017. | 1pos
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] |
As far as American talk show hosts go, I find David Letterman the least pretentious and the least fake out of all of them. He seems to mostly say what he thinks and not JUST for the sake of being shocking or funny. Letterman is mostly a likable guy and can at times be very witty, and of course satirical, which is something about him (as indeed his writers) that I enjoy. Yes I know, he is at times cocky and a bit of a show pony, but he's a talk show host and he's meant to have a personality and in my opinion he's the best there is. I enjoy the little sketches like "Great Presidential Speeches" and "Will it Float?," I always enjoy watching Biff Henderson's little adventures and of course hearing from the always wonderful, Alan Kalter. It's a nice little piece of late night entertainment and while some episodes are obviously going to be better than others depending on the guests - you know you're always going to have a bit chuckle. | -1no label
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] |
I don't think I could have enjoyed it more, though certain things were disturbing. I'm not going to say what, if you haven't seen it...you'll have to find out for yourself. At any rate, what movie can lack with Robert Downey Jr.'s puppy-dog eyes? All-in-all, the plot was developed sufficiently. Nothing seemed too rushed, as movies like this tend to be. The characters were like-able, and there were plenty of hilarious scenes in it. The idea over-all is that the story is very well tied together, even if certain aspects may be unsatisfactory...by matter of opinion. But like I said before, it's hard not to love any movie with Robert Downey Jr. | 1pos
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] |
A youth gets a bad hair day, goes out on a hill, and falls into where he can't escape. Then, he meets MR. ATLAS, a "mythological" dude from 2,000 years ago as his very best friend, and an Arnold Schwarzenegger look-and-sound-alike. His Herculean strength helps the boy out of danger, and later adjusts to modern life. So what's the big deal? This is the lousiest idea for a "family" outing! Either way, this one shouldn't have been attempted at all, really! Our fictional character of might and brawn is nothing more than a typical stranger who appears ordinary to the rest of the universe. To add to the blasphemy is the lack of anything new or appealing, and before you know it, there is some attempted violence that doesn't qualify this as "family" entertainment. The scene where Atlas complains of his undershorts is gaggling, though. Just spend a nice, quiet afternoon in the park for a change. | 0neg
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] |
I really enjoyed this maxi series. It's too long to be a mini! This and the final portion are a whole lotta video..they total 14 DVDs. The initial smash series, Winds of War, was several more DVDs. So all in all, this was a long series! As I said, I enjoyed the entire "package". However, with 5 years between the first and the second series, much happened and the result was a number of actor/actress changes that make the second series confusing after seeing the first. Major characters, such as Natalie Jastrow-Henry, played by Ali McGraw in the first, Jane Seymour in the second. Aaron Jastrow, John Houseman, Sir John Gielgud. There are some others as well. Robert Mitchum and Polly Bergen reprise their superb performances as Capt. and Mrs. Pug Henry. Overall, despite the change in personnel, the acting remains great throughout the entire series. It's just kinda confusing having two different Natalies, two Aarons, two Byrons, two Janices, etc. I'm rambling, sorry. This series is long, but doesn't PLAY long. It moves along nicely and has enough plot twists to keep the viewers interest. I like this whole thing well enough to have paid to own it from start to finish. At least rent this a couple of DVDs at a time. It's worth your time! | -1no label
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] |
This is got to be one of the best Christmas movie's ever made. Olivia Newton-John and Gregory Harrison do a wonderful job in this movie. I would love to see them in another movie together. They act together as well as Olivia and John Travolta do. I recommend this movie to everyone who love's Christmas movie's. Olivia's real life daughter Chloe is also in this movie and she does an excellent job of acting herself. Chloe and her mother Olivia also star in another movie together called The Wilde girl's which is also a movie to see. I believe Chloe will be starring in other movie's, as she is a good actress like her mother. Those who will watch this movie will by no mean's be disappointed. | -1no label
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] |
There is so much emotion packed into such a small amount of time. I try to watch it whenever it's aired. Created as a prequel for character the Tin Man from The Wizard of Oz, it tells the story of the violence, love, sacrifices, and the reason for the Tin Man's missing heart. Some of the actors are a bit bad, but overall, the message gets across perfectly. The music is a simple acoustic bit that follows along and fits great. I think how it's filmed in black and white is also very fitting and sets the mood. This short might not have been as good if it was in color, in my opinion. All in all, a great film. Find it, watch it. | -1no label
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] |
This movie had me thinking well after viewing it. I had never heard of 'Caught' until I stumbled on it on late night free to air TV last week. Watched about an hour of it and found it very hard to drag myself off to bed (had to work next day), so I video taped the remainder. The excellence of this movie can not be understated. Outstanding acting by all which is evident by the fact I liked greatly or disliked intensely the relatively small cast. It is also a realistic slice I think of a battling small business in a big city. Crux of the story is an outwardly happy married couple who own a fish store, take in a down to earth homeless young man, Nick. From a hearty meal at their home, Nick ingratiates himself with both Joe & Betty and ends up staying with them in their only childs (Danny, a Hollywood hopeful) room. Nick works with Joe at the fish store and gradually becomes like the son taking over the family business. Everything goes fine until a number of linked incidents take place. Firstly there is a possibility of Joe & Betty getting out of their day to day existence when a developer is interested in their shops location for a sizeable amount of money. Next is the gradual interest of Nick and Betty in each other which ultimately leads to a torrid affair. Finally there is the return of the prodigal son Danny with his wife and young child. From here, the movie will glue you to your seat. So sit back and take it all in (I have no intention of stating 'enjoy'). If you get a chance to see this underrated movie, invest the time required to view it. | -1no label
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] |
The Thief of Bagdad is a treasure. First and foremost, it is a good story. Though my four children's primary exposure to this tale, the most famous of the stories of the Arabian Nights, comes from the Disney Corporation, the Thief of Bagdad held their interest to the end. The story moves along at a good pace and includes a twist or two that reduced predictability. Sabu, who plays the young thief, Abu, also measures up to any of today's teen actors in appeal, judging from the number of times I heard my oldest daughter say, "He's c-u-t-e!" In 1940, the film won Oscars for cinematography and special effects. Today, of course, those effects seem very dated ("Look, it's Barbie flying through the air," declared my daughter at the sight of the genie flying). Yet they fit into the story well. The film is, after all, over 60 years old. The effects fit with the script. Furthermore, what ones sees in The Thief of Bagdad remained pretty much state-of-the-art for the next twenty-five years. One need only compare the opening montage from a 1967 Star Trek episode to see this. In that, it was quite an achievement. This qualifies as a family film, though there are a few stabbings near the end. The acting is so obvious and the wounds so bloodless as to those scenes nearly as artificial as animation. All in all, a fun film worth watching for either an evening of pure entertainment, or for the historical value of the effects. I recommend it. | 1pos
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] |
As many of the other reviewers have stated, this movie presents to us a character with dreams of creating a "good life" for himself, who ends up falling into the prison system. Q-Tip and Darnell Martin do a great job in developing a script that embodies a trueness to the characters, which I am sure that the cast helped expand on. The silent moments of the film present the best moments (especially the last minutes where his works are displayed). The movie takes ideas from many other prison films, however I have never seen a film present anything about asbestos and prisoners having to work in these conditions. After watching the DVD, I only wish that commentary were added and interviews at least with the director and writers. Worth a watch (or two). 8/10 | -1no label
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] |
Forget any angst-ridden documentary! This film is really an out and out comedy about a 40-yer-old porn star whose goal in life is to sing junky circuit party songs. The only problem? Colton Ford can't sing! And the film cuts away whenever he appears to be ready to burst into song. Yet Ford and equally vapid boyfriend Blake Harper whine and primp and run around in their tank tops, determined to make dreams come true. Even funnier is "manager" Kyle who appears to have the I.Q. of a turnip and whose collagen-injected lips look like a bee stung him. How can grown men be so self-delusional? Bwa ha ha! As for the documentary, the filmmakers don't appear to have any POV and the film is poorly structured and wildly uneven. Very little background information is provided about the three leads. Such an inclusion might have made the three seem like something other than aging West Hollywood stereotypes. | 0neg
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] |
Alien Abduction: The McPherson tape is an extremely original idea. I had never heard of this movie before and began watching it a little belatedly as it was on TV tonight. Being brutally honest, I am a little freaked. The concept of the film is rather terrifying. Reading through reviews and comments on here I am at a loss as to why people want to express feelings as to why this footage isn't real. Of course it isn't and clearly wasn't intended to be. It was made as entertainment and was good value for it. I am usually not scared by films, only the Exorcist has had any sort of effect on me and I was 11 when I saw that. Tonight, that has all changed. It is interesting to note how the reaction of the characters change throughout as the story unfolds. Tommy, the filmer, goes through various phsycological emotions as the film goes on. That is human nature and what is perhaps most unnerving. I find that what frightens me the most about this film is in fact the appearance of the aliens. Clearly very stereotypical and fake but the silence and calmness of their demeanour is haunting. The characters are faced with uncertainty and are helpless as they are hunted. The ending is what made the film. Questions are left, which is the mark of a truly 'scary movie.' Although the idea has since been adopted by The Blair Witch Project the originality of Alien Abduction is what will see it remain a classic horror movie. | -1no label
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] |
One of the worst movies I've ever seen.Fito Paez is a great musician, creator of many great songs. But his first movie, "Vidas Privadas" is a study is bad directing, bad editing, awful score, bad acting, horrible lines (out of a soap opera), novice photography and especially bad narrative. One of those movies, that you know what is going to happen even before you enter the cinema. Cecilia Roth (his then wife) and Mexican actor Gael García Bernal are good actors, but they are unable to generate any emotions, because the elliptical unsastianl plot is a mix of genres and clichés. If you are interested in movies with the same theme, I recommend "Kamchatcka" or "The official Story" two great movies. | -1no label
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] |
If you expect that this movie is full of action and grabbing you from the start then don't watch it. But if you like those kind of meditative movies which stick in your mind for a while, until you get the details, then you will love it. Now don't get me wrong there is action and there are things going on just not in the usual way. Basically the plot is in a post-apocalyptic world where anyone fights in his (or their) way for survival. In this fight they lost the ability to speak... I don't want to write more to not spoil the movie for you, but trust me if you like SF-authors like Lem or Capec or even some from Orson Scott Card you will love this movie. | 1pos
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] |
They should have watch supernatural first that bloody marry was fantastic it was just Horrible, The movie didn't make it sense at all The plot: On Homecoming night, Samantha (Mara), Gina (McCormick), and Mindy (Rulin) are having a slumber party at Sam's house due to being black-listed by the sexy football players. Since the dance and game are out of the question, the trio stays up and entertains themselves with Urban Legends..all leading up to BLOODY MARY. With nothing better to do and a whole night to waste, Sam chants "Bloody Mary." Her friends laugh... "Bloody Mary." More laughter. On the third and final "Bloody Mary," the friends are kidnapped by three jocks and return soon thereafter, shaken but well. Sam begins having hallucinations and soon bodies turn up - is it all a high school prank taken to grisly extremes or is it Bloody Mary, who's youth was taken far too early? Worst think about this is that they don't even use a mirror REALLY Then marry pop up anyway not scary not creepy. This is the only one good part in the movie - That part is when spiders come out girl face was really good it is bit over the top scene but the Rest of the movie is garbage 3/10 just for that scene | -1no label
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] |
Holy shyte, my, my, my. this episode is amazing. I remember it being good... but... DAMN! They pushed the envelope once again. It's probably the darkest episode of the show besides 'Home', or at least in the top 3. Man, o', man! What's not to love? We had a snake eating up a guy, a girl cutting her wrists, piggies, cults, executions, satanic rituals. My, it's like going to the circus! I loved Miss what's-her-name. Seriously creepy and evil. An incarnation of Satan. Satan's very cool. I should really think about getting my own cult. Like I said, dark, well written, creepy as hell. ***** freggin' stars. | -1no label
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] |
***Possible Spoilers*** When I saw this today I had some expectation of how it would be like, not too high, but not low either. This was nothing like I expected at all though, it seems to me like the movie makers couldn't make up their mind of what kind of movie to make. In the begining of the film it's somewhat mysterious and kinda exciting, but that'll soon change to some ridiculous scenes - very obvious scenes... As I watched further I almost fell asleep a couple of times. The ending is the most ridiculous of all though, almost splatter/comedy... I'm not saying it doesn't have some good scenes it's just that the film never becomes "whole". 4/10 Movie-Man | 0neg
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] |
I have seen that the reviewer "Sebkedos" mentions "If you like Evangelion, you'll have fun with Elfen Lied". Well, Mr. Seb, you are right. Elfen Lied is the most brutal, violent, sick, twisted, bloody and gory anime ever. And I loved it. Parents, get the away from this one if you want sanitized entertainment. It has everything to corrupt the youth (nudity, gore, extreme graphic and psychological violence). The story is about as straightforward as anything. Diclonius are mutants who possess "vectors" (invisible hands) and have the power to exterminate humanity. Trouble begins when one such diclonius, named Lucy, escapes from the research facility off Kamakura (and we are treated to a gruesome scene in which she disembowels and kills 23 guards). The rest of the series is about how the research people, the Special Armed Forces and the police try to retrieve the diclonius, and fail - but they set the stage for a lot of bloodshed. Straightforward? Yeah, I thought so. However, it is like NGE: it has its share of hidden meanings. It treats subjects such as human psychology or the nature of violence either directly, or through allegories. It has its characters with tragic back-stories, and the use of flashbacks to reveal these. It also looks into the minds of characters, who have their own emotional and psychological problems (example: Lucy/Nyu suffers from split personality disorder) This also goes for its stunningly realistic artwork; I'm talking especially about its backgrounds (they remind me of old paintings somehow). Trivia fact: in the intro and the outro, paintings by Gustav Klimt are reproduced (ofcourse, using characters from the series). Overall, one of the best series I've ever seen. Highly recommended for fans of psychological or progressive anime. Advice: stay away from the OVA. It takes place between episodes 10 and 11, adds nothing to the story and to add insult to injury, has COMEDIC undertones! What the bloody hell is with the comic parts in the OVA, whereas the series has an unmistakeably serious tone, I don't know. This has annoyed me. | -1no label
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] |
I am shocked to see so many good reviews on a movie so generic, so boring, so uninteresting. This movie doesn't feature great drama, great acting, or great character depth. Everyone here is just so princy with all their fluffy costumes and such. The plot is quite simple, Daniel Day Lewis can't be with the adulterous slut)Michelle Phfeffer or however you spell her name) because he is engaged with Winona Ryder. You would think this outline would cause people heartbreak, people to fight, people to run away in tears or something emotionally involving. No, no , no, just fancy costumes, gallerias, and everyone just acting proper and not letting their real desires and emotions come through. The ending is horrible, I mean really. I thought the performances were quite good, if only they did something worth caring about. I will never watch this overrated picture again. Watch The Basketball Diaries, The Crucible, or even Bram Stoker's Dracula if you want to watch a drama with emotional depth were things actually happen. 4/10. | -1no label
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] |
The movie is clearly made for TV quality, i.e. it does not present much of a reason to be watched and leaves some questions unanswered but not the ones about the cigarettes or the glow the other user commented on. If you pay attention to the movie, you will discover that the cigarettes come from a discarded purse found in the trash pile that Jackie Lawrence (Portia de Rossi's character) hid in after escaping what is referred to as "the vault" in the movie and which turns out to be some kind of makeshift lab in the basement. The glow itself, appears to be the energy the building owners need to extend their longevity... Just my $0.02! | -1no label
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] |
This is another one in a long line of typical Japanese black-and-white film-student-project-gone-wrong pretentious wannabe-deep-but-it's-not pseudo-surrealistic piece of crap masquerading as "disturbing horror." A never-ending bout of morons screaming for no reason and just "freaking out" is what you are in for with this film. Of course, any movie like this will attract countless reviews speaking of how "briliant" the director is, how "disturbing" the film's "message" was (bwhahaha!) and a long string of steamy nuggets of self-delusional insight, but what it comes down to is this: low budget black and white boring inanity with lots of stupid screaming that will bore you to the verge of tears. If you're looking for an actual movie with plot that will entertain you, this is not it. | -1no label
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] |
Last time I checked in here I think there was no more than one comment. I'm very glad that more people have caught on this flick now,and even more so about you all digging it as well. I caught this the night of Christmas 2004,and I found myself unable to change the channel on my TV,even though it was an Asian flick-and I'm-sadly but truly-very used not to give any chance to any Off-Hollywood products. I did that night,though,and I thank God deeply for it. I've not been able to shake that movie out of my system since-not that I've tried to or wanted to-and it still amazes me-in an extremely grateful way-that such a great,beautiful experience came in such a way,completely unexpected,like a Christmas Miracle.Please,if you got the chance go see this movie,buy it or rent it of bootleg it or whatever,but watch it. I guarantee it will affect you. I'm out of time,but I'm far from finished with my appraissal here,so Ill be back as soon as I can. | 1pos
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] |
Hollywood movie industry is the laziest one in the entire world. It only needs a single hit to flood theaters with the same old crap re-invented over and over again. Take superheroes for example, for each X-Man and Spiderman, there are Daredevil, Elektra, Ghost Rider and Hulk. Japanese horror remakes are even worst. It only took The Ring, which was pitch-perfect (mostly because of Mr. Gore Verbinsky), to bring a ton of look-alike creepy-woman based horrors, e.g. The Ring 2, The Eye, Dark Water (which was fine, but pointless), and the grudges. The first Grudge wasn't entirely bad. It was scary most of the way, which is what one could expect from it. Plus, the plot had some brains mixing narratives. Grudge 2 is exactly like the previous; this could be a good thing, but hey, what boy Men in Black II? Was it a nice thing to xerox the entire screenplay and just change the villain? For the Grudge 2, the critic goes the same way. Tired scares, bad acting (except for Amber Tamblyn), and clichés all over the place. Three stories take place, on different places and time. There is Aubrey (Tamblyn) investigating what drove her sister Karen (Sarah Michelle Gellar) to death; Allison (Arielle Kebbel) who is taken by colleagues to visit the house where the incident depicted in the first movie took place; and finally, an American family that witness strange stuff happening on the apartment next door. Glad to say (and I mean it) that everything is tied up at the end, but one must not rely on the end to make a good picture, when everything else is simply tiresome and dull. The chills are all over there, a girl alone in the lockers, someone who shouldn't enter a house, others that dig too deep. Meanwhile, ghosts keep killing and killing and killing, which seems even more deadlier than ten world wars or the Ebola epidemic. Hey, doesn't that seem just like another bad Japanese remake, something called Pulse? Yeah, day after day it's getting easier to hold a grudge... against Hollywood bullshits. | 0neg
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] |
"Speck" was apparently intended to be a biopic related to serial killer Richard Speck. There is, however, not much killing to be found in this movie, and none of it is explicitly shown. The most disturbing scene in the entire movie is perhaps when Speck stomps one of the eight unfortunate nurses to death in her own bathtub, yet even this is merely implied, and not shown, save for a few unconvincing downward thrusts of Mr. Speck's leg. The most entertaining part of this movie is most likely the voice-over, which should be a testament to the mind-numbingly boring nature of this movie. Every aspect of this movie is horrible. Unless you have a fondness for boredom, don't bother. This movie only clocks in at 72 minutes, but it feels like an eternity. | 0neg
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] |
WOW, I'd hate to sound opinionated, but anyone that rated this movie any higher than I just have must have an I.Q. that reaches unimaginably low depths which reach out beyond time and space and connect at planet "Hopper-is-a-retard-for-making-this-movie". WOW this movie STANK. Fred Ward's haircut looks SSSSSSSTTTTTTTTTTUUUUUUUUUUUUUUUUUUPPPPPIIIDDD! I actually considered mailing Fred Ward some money in compensation for that miserable haircut he owned in this awful film. Jodie Foster, of course didn't have much to work with but still manages a terrible performance throughout. Joe Pesci, oh my...Joe Pesci (who mysteriously is not cast) plays THE ULTIMATE stereotypical Joe Pesci movie character, complete with mob killing and constant use of the F word. You won't believe your eyes. Dean Stockwell, watching him in this mess made me feel bad for him because I actually thought he was either intoxicated or temporarily retarded throughout the course of the film. Jon Turturro must have been intoxicated himself when he agreed to be in this, along with Vincent Price, Bob Dylan, and Charlie Sheen. I know what you're thinking, GREAT CAST! I know, and it was the WORST great cast film I've ever seen. Dennis Hopper directs and stars, and does equally bad in both areas. How the man could have directed EASY RIDER and then this is FAR beyond my excellent imagination. His OUTRAGEOUSLY bad hit-man character accent is beyond the realms of horrendous, and only is equaled by the hilariously bad ending. They (Hopper and Foster) are the most uninteresting couple I believe that I have ever come across in my exposure to the world of cinema, and you will be cheering for them to lose and then be grandly maddened by the ending. What exactly are the two of them WEARING at that action filled conclusion? I don't know, but I do know that if I ever meet Dennis Hopper, I will make immensely make fun of him for being responsible for this waste of celluloid. Join me! IAN | 0neg
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] |
"TRIBBLES" is by far, the silliest, stupidest, un-Star Trek episode of any of them! I can't understand why so many people list this one as their favorite, it's a comedy ala Abbott & Costello, just plain DUMB! The dialog is lame, the acting pedestrian, and the story itself lends nothing at all to the credence of ST, but unfortunately, does giver to the stereotype the show's detractors will point to. The tribble problem aboard the ship is but a vehicle meant to get in the way of Kirk's job of putting out all the "little fires" engulfing them, the Attack by the Klingons, for one, and Nilz Barris continually, acting the self-important bureaucrat, getting in the way. There's nothing humorous or funny about it, it's boring, almost painful to watch, and keep in mind that this is Star Trek! BUT: There IS one saving scene that makes it memorable: The confrontation between Barris & Kirk, where Barris tells him "I don't think you take this mission seriously", and Kirk responds with "The mission I take seriously, it's YOU I take lightly, now get out of my way, or I'll have you locked up!" A good line, in a very bad episode! I can only think this one may have been done as a comedy relief, to break the seriousness of the series as a whole, but no, I won't give it credit even for that. It's just BAD! | -1no label
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] |
I must have been only 11 when Mr Peepers started. It was a must see for the whole family, I believe on Sun. nights. Repeating gags were Rob opening his locker (he had to use a yardstick or pointer to gage the right spot on another locker and do some other things, finally kicking the spot whereupon his door would open), and taking pins out of a new shirt(at the start of an episode he would open up a package with a new dress shirt and for the rest of the show be finding one pin after another that he missed when unwrapping the shirt, timing was everything and the pins got lots of laughs.) I remember an aunt that drove a Rio like Jack Benny and always wanted "Sonny" to Say something scientific. He would think and come up with "semi permeable membrane" or osmosis causing her to say how brilliant he was. (you had to have been there). Marion Lorne stole the show every time she was on screen. Why they didn't continue the series from her POV when Wally quit (he was afraid he was being typecast but by then it was way too late)I'll never know. I saw somewhere that the 1st TV wedding (big one anyway) was Tiny Tim on the Carson show. Horsecocky. It was Rob and Nancy (did I ever have the hots for her) and I remember it made the cover of TV Guide and got press in all the papers and major magazines. A trip to the Museum of Broadcasting in NYC years ago was disappointing in that they had very few episodes then and those might be gone now. I still remember it as wonderful and wish I had been a little older. | 1pos
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] |
The leads are the best part of this "film." There is potential in their performances and hopefully they can find work in more films with better material. But the biggest distraction of the movie is that it is shot on mini-DV (digital video). When projected (I saw a 35mm blow-up) 95% of the shots were out of focus...hence I was constantly rubbing my eyes. It should not hurt to watch a movie. And at a reported production budget of $70,000.00 and shooting schedule of 4 weeks...you'd think if the filmmakers were smart enough, they could have shot on film (16mm or 35mm). Plus the "film" went on about 15 minutes too long...this is a grade-z "KIDS." | -1no label
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] |
Sturgeon's Law more than applies here: "90 per cent of everything is crud." There is no chemistry between any of the actors, the writing is on middle-school level, and any movie that dares to invoke Katharine Hepburn in one scene and then drags its characters through one contrived and pointless and flatly-acted episode after another is indeed crud. The only redeeming scenes were those featuring Zooey Daschanel, who brought some sincere charm and liveliness to her role, and there was the dolphin at the end. That dolphin was more engaging than most of the humans in this pitiful excuse for a romantic comedy. This movie was a major disappointment and a major waste of talent and time. | -1no label
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] |
KING OF THE ZOMBIES begins with a three-man airplane crew making an emergency landing on a remote island. It's there they find the home of an eccentric doctor, his servants and, of course, an attractive young woman. Things get even more bizarre when a few individuals from the non-living ranks -- the result of the fine doctor's experiments, we learn -- begin roaming around. Despite the potential for black and white B-movie fun, KING OF THE ZOMBIES is a very forgettable, unspooky effort. It's a slow mover with too much buildup and not enough reward. Fans often point to the antics of Mantan Moreland, playing the pilot's black servant, as the saving grace. However, Moreland is more of an annoying distraction, to say nothing of the racial stereotype he represents (of course this was 1941). In trying to strike a balance between humor and horror, the film succeeds in neither. Whatever you think of KING OF THE ZOMBIES, it will most certainly go down as the most unlikely picture ever nominated for an Oscar. Incredibly, it was up for the 1942 Academy Award in the Best Music, Scoring of a Dramatic Picture category. That fact is actually more unbelievable than the plot of this or any other zombie movie! | -1no label
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] |
This film ran on the Sundance Channel last night, and after watching less than ten minutes of it, i knew I was in the presence of yet another poorly written, embarrassingly acted piece of TLA crap. This film had me groaning out loud at how poorly written the dialog is. It makes Kevin Smith films seem like Shakespeare...and I hate Kevin Smith. If you are so starved for frontal nudity, I guess you could turn the sound off and get a few nice bodies to look at now and then. But I warn you, if the sound is on, you're going to be screaming at the screen. Don't waste 90 minutes of your life on this mess. Rent "Shortbus" instead. | -1no label
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] |
One thing i can say about this movie is well long, VERY LONG! I actually recently purchased this movie a couple of months ago seeing that there was a new version coming out. I was happy to find that it was made in 1978 because The 70's (even though i never lived in them) is actually one of my favourite decades, especially for the music! when i watched this movie the story was actually very good at the start but then after about 50 mins it started to get very boring and repetitive. i will admitt the animation did impress me! it was nothing i had ever seen before and was well pretty cool to see. but the movie honestly could of been a bit better, it could of had alot more talking and story to it than just 15 to 20 minute scenes that just had wierd fighting. then for the last 5 or 10 minutes the movie picked up and got good again but ended unexpectedly. in my opinion i thought it was EXTREMELY long. i know its 13 minutes over 2 hours and that is still long for a cartoon but since it was boring for most of the movie, it made it seem like it was 4 hours long!!!! but overall it is an okay film i guess and i will watch it again on one of those "nothing to do days". i will see the new one and i hope it is better! | 1pos
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] |
Prime time remake of the classic soap opera. Governess Victoria Winters (Joanna Going) goes to the town of Collinsport to take care of young David Collins (a VERY young Joseph Gordon-Levitt). She stays a Collinwood a HUGE mansion run by Elizabeth (Jean Simmons) and Roger (Roy Thinnes) Collins. Meanwhile, in the local cemetery, good for nothing Willie Loomis (Jim Fyfe) opens a coffin looking for jewels. This resurrects Barnabas Collins (Ben Cross) a vampire and he proceeds to attack the Collins family while romancing Victoria who is the resurrection of his dead fiancée. Got all that? I'm a big fan of the old TV series. It was badly acted and moved slow but it was full of vampires, werewolves, ghosts and witches and it was never boring. It played on afternoons (around 3:30 or so) and kids ran home to see it. In 1990 NBC decided to revamp it as a night time soap and started it off with this 5 hour movie (shown over two nights). The plot for this was a combination of the old TV series and the "House of Dark Shadows" movie. The acting is pretty terrible. All the younger women in the cast are beautiful with limited acting ability. It's pretty obvious they were chosen for their looks and nothing else. Going is OK but the rest are hopeless. The same goes for the guys (although Michael T. Weiss and Gordon-Levitt try). Ben Cross, in the main role, is tall and handsome but lacks the charisma to make Barnabas work. (In Cross' defense he hated doing the series--and it comes through loud and clear). However it does have an eerie atmosphere, was shot on beautiful locations and was pretty bloody for a TV series. The fast pace helps too. This led to a short-lived (4 months) TV series which wasn't bad either. So this is worth seeing but it ends with a cliffhanger leading into the series. I give it an 8. | -1no label
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] |
Just read through the other comments here, and was a little surprised to find that no one had said anything about the acting or plot. Richard Pryor and Eddie Murphy can both deliver an amazing Stand-up comedy show. Great actors they are not. Enough about that. As for the plot? Oh man. Every time the movie tries to "fool" you into believing the good-guys are going to lose, you know those scenes: "What? The good-guys loses? Oh.. I see, it was just a trick", it's done so terribly bad, you can spot it a mile away. It had 2 or 3 funny moments, but not enough to save the day. It's a little silly that these comments has to be 10 lines now. A lot of people will fill it up with crap, for it to be eligible. Being brief is an art. | 0neg
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] |
I disagree with Dante portraying the Democrat-supporting zombies as creatures with an average IQ of 23. I do believe their behaviour should reflect a lower IQ than that, something in the order of a Pelosi IQ... A single-digit figure, please. The MOH series is quite uneven, and this is the very worst episode. Dante, yet another mindless Hollywood liberal (or an apolitical nerd who sucks up to the Leftist establishment in order to re-kindle his pitiful career?), must have finally realized that his directorial pursuits had been stuck in a low gear for nearly two decades now, hence came up with this cringe-inducing, unsubtle, left-wing "satire" of the Bush administration, Republicans, and capitalism. Perhaps he felt he hadn't been overtly political before. He wouldn't exactly be the first no-talent to use asinine political propaganda to further his career, when all else fails. The maker of turds such as "Piranha", "The Howling", and "Matinee", Dante has been as useful a contributor to the horror genre as Adolf Hitler had been to world peace. TH uses lowest-common-denominator humour, cheap and predictable gags which even the bluest of all blue-collar union members wouldn't have trouble understanding. Or have you ever seen a clever, subtle, intelligent liberal satire? Populist manure has the basest of all messages, hence the language and manner in which this message is communicated has to be as simple and basic as Sean Penn's name. And what better people to send this message to the popcorn-munching sheep than a couple of cocaine-sniffing Tinseltown losers who've all fallen so low that they're forced to write for TV... I don't want political propaganda, either Left or Right, in any type of movie. But placing it in horror - of all genres - is a testament to the endless stupidity that reigns so supreme among Hollywood's anti-intelligentsia. So vapid was Dante that he even failed to notice the hilarious suggestion that zombies would vote Democrat... (That's what you get for finishing a movie school: not a source of wisdom or useful knowledge by any stretch of the imagination.) | 0neg
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] |
I have seen this movie last week during the Berlin Film Festival and had medium-high expectations. - The director is Bertrand Tavernier and I was familiar with some of his previous work in French cinema. I actually enjoyed some of his earlier movies. -The cast: Tommy Lee Jones, John Goodman, Peter Sarsgard, Mary Steenburgen... I was looking forward to see all this talent on screen. -I wasn't familiar with the book it's based upon and I hadn't read anything about the movie beforehand but I was told that it was an investigation movie set in the Deep South (we've seen a lot of those in the past, maybe this one's gonna be as good as the others...) 2 hours later, the end titles appear: THANK GOD IT WAS OVER!!!! - The plot is beyond comprehension. If you've read the book, you have a significant advantage. There were too many minor characters and there were a lot of useless plot arcs. We didn't understand a thing! - The accents. My God! Tommy Lee Jones' accent is decent but I still have nightmares from Mary Steenburgen's Cajun-French singing... - Poor casting in my opinion. I can't believe old man Tommy Lee Jones can beat the crap out of a linebacker-built goon... And I'm not afraid of John Goodman. - Who were these people?!? We barely understand who all these characters are and what they do. There's a bait shop? Tommy Lee Jones has a girl from Guatemala? Blörg! - The comedic attempts were pathetic. The funniest thing about the movie was probably its "action" and "suspense" scenes. They were horrible. No thrills. Bad acting (Can Tommy Lee Jones make different faces or is he like Derek Zoolander?)... - And then there's the sci-fi stuff. No spoilers but it gets ridiculously and annoyingly weird. I usually don't write any comments on IMDb but I thought the movie was so bad and disappointing that I felt compelled to share my opinion. But that's just me... | 0neg
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] |
Unlike most people who've commented, I was born after the last Sylvester Mccoy Episode and so couldn't have compared the two centuries of doctor who at first. I thoroughly enjoyed it when Christopher Eccleston took control of the TARDIS and the continuation of the series. I have, since then, seen old episodes of Doctor Who and some where great, but, like the doctor, the series needed to regenerate to continue. The 21st century doctor who's are great, I thought Martha was great, almost a match for the doctor and if Jack's appearance is anything to go by, she's going to be brilliant when she cameos in series 4 or 5. Speaking of Jack, the spin of, Torchwood is also brilliant and you should watch both of these programmes (though this is definitely more suitable for kids). However, if you insist that this isn't the same and just isn't Doctor Who, please, just stay in your basement. 10/10 | 1pos
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] |
What makes watching and reviewing films a pleasure is when every once in a while when you least expect it a film like The Cell comes along and knocks your socks off!. This movie is a superb horror that has everything a you could want when you want to be scared out of your witts. Without going into the story all i will say is that it has a great beginning ,middle and end that keeps you on the edge of your seat while being transfixed with the amazing special affects. The acting is good without being outstanding but that does not matter because the subject matter and the way it is put on the big screen makes this one of the best horror movies i have seen for a long while. It is one of those films that you imagine started as a novel but saying the credits it does not look like an adaptation , so a lot of credit must go to Mark Protosovich the writer. 9 out of 10. | 1pos
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] |
Jackie Chan directed this fairly typical parodic plagiarism of several of his own films (and a few from before his time). A few Chan's regulars show up, including the master from the masterpiece Drunken Master playing essentially the same role, but Jackie himself is nowhere to be found. I got the feeling that this film was tossed together as a vehicle for one or two of the younger actors in it. The plot is not very clever, and though some of the characters are interesting (particularly the male lead and his two masters), they all dissolve into not very clever and not-as-funny-as-they-could-have-been stereotypes once the central plot comes into focus. Thankfully, there is very little pseudo-philosophical pretentiousness here. The plot is a story of family revenge - where a hopelessly sensitive tiny young man (smaller than Bruce Lee, even) wants to exact revenge on s band of thugs who have terrorized his village, leaving him and his sister orphaned. So he seeks a master at a Kung Fu gym and is treated ruelly for a while, until he meets another master (a drunken old vagabond in the woods), and suddenly starts to show some promise. Plenty of poorly realized comedic opportunities arise and there is some good fighting (and some miserably acted fighting as well). ho hum. Bottom line is - it took me three nights to get through this and I only laughed a couple of times. For fans only. | -1no label
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] |
After a good start, it turned out to be the worst piece of holier than thou propaganda i've ever seen. This movie is an open insult designed to make you feel bad about not reading the "holy bible". To resume the...OK let's call it a plot... Basically alien don't abduct people (that we already know..). No, in fact its demonic forces abducting people which are in new age stuff or witchcraft, or read porno magazine (as one protagonist does). It's complete with the little emotional piano music when the lead character realize he must blindly follow Christ to be saved. a quote sums it all , imagine a subtle piano music in the background : "You can't let others, even those you love, stop you from following the Lord.." and we are supposed to live in an enlightened age...still work to do. Boycott this piece of crap | 0neg
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] |
After FOR THE BOYS flopped at the box office, Bette Midler angrily told the press she would never make another musical. But the trouble was she DIDN'T make a musical. She threw a few numbers into a heavy-handed "message picture" that strikes political poses which are obvious and overly-familiar. It starts out so well, a real old-time star vehicle, perfectly showcasing Midler's musical and comedic gifts, but less than an hour in, it transforms into something much less interesting. Musical numbers disappear, replaced by pious liberal sermonettes, teaching us that blacklisting, patriotism, sexism, and the Viet Nam war are all Very Bad. FOR THE BOYS illustrates the damage done to a story when the writers refuse to be fair to a major character. Here, James Caan is painted in such broad strokes as a two-dimensional villain (sexist! adulterous! untalented! corrupt!), the whole film becomes a cartoon. By the time you see them in the worst old age make-up in Hollywood history (it looks like someone stuck pie dough on Midler and Caan's faces), what little credibility remains is swept away for good. But the first 45 minutes reminds you how great Midler can be in the right vehicle. Will someone please cast her in another musical? A REAL one this time. | -1no label
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] |
A question for you : A family go to a new house and get stalked by demonic forces . Which film am I talking about ? Every horror film you`ve seen ? Yes that`s true but that`s not the answer I`m looking for . I`ll narrow it down by saying there`s a lot of teen angst scenes . Doesn`t help ? Well there`s lots of bits where the characters are stalked by a creature and you see the characters through the creature`s POV . No futher forward ? Okay there`s a dream sequence involving lots of blood ? Could still be any horror film you say . Oh gawd this could take weeks so I`ll say the film I`m talking about features loads of Aussies many of whom have appeared in NEIGHBOURS and HOME AND AWAY . Yes that`s right the film is THE THIRD CIRCLE ( aka CUBBYHOUSE ) and do you understand what the above exercise is about ? It`s about me pointing out how THE THIRD CIRCLE is absolutely no different from any horror film that`s been made | 0neg
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] |
Based on the trio of name actors present, I decided to give "And Now the Screaming Starts" a shot. I had also read that the movie had some gory scenes, which led me to believe that the print I saw had some footage removed (it's practically goreless). I've never had a fondness for Victorian-era horror films, but I do admire the talents of Peter Cushing, Herbert Lom, and Patrick Magee, and thought they'd make this worth my while. The latter two have extended cameos, while Cushing plays the lead (unfortunately, we have to wait 47 minutes until he makes his grand entrance) and, god bless him, shows not a single hint of the boredom I was feeling in his refined, ultra-classy performance. The plot revolves around a newlywed couple honeymooning at a castle inherited by the husband; soon enough, strange happenings start to plague the wife, and the story drags insufferably, as the central plot point hinges on a secret everyone wants to avoid. If you're a fan of any of the actors (particularly Cushing), give this a shot, but I found myself mostly bored by this effort. 3/10 | -1no label
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] |
Hard Justice is an excellent action movie! The whole movie is really nothing but shooting and fighting but it does have a very good vampire plot! For the people who say they don't make shoot em ups and fighting films like they use to. Well, this one is really hard-core! Don 'The Dragon' Wilson is excellent and his character is really cool in the movie. Nicholas Guest was very good as well and he arguably steals the show! He really performs as a fantastic villain! Melanie Smith was also good. I think that this very fine looking actress is very underrated. Michael Cavanaugh was good. It was really cool to see Vince Murdocco in this film! As for the action, it is truly awesome with all of the gun fights and the super cool fighting scenes. The fighting in this picture is really some of the greatest I have seen! There is so much that happens in the 86 minute run time. For the action fans you will be blown away by all of the fire power and superb fighting that this film has to offer! Night Hunter is a movie that isn't easy to locate and if you are at a video store and you see it for sale buy it up because this movie is big keeper and plus the box is cool! There is a ton of action that has to be seen to be believed! Look and see if you can find some good deals on Ebay, Half.com, Amazon.com's Z-Shops and Market Place Sellers! In My opinion Night Hunter is one of the greatest fighting films that I have ever watched and the characters are so neat. If you like Don 'The Dragon' Wilson and want to see Nicholas Guest in a great performance then I strongly recommend that any action movie fan who loves shoot em ups, fighting movies, and vampire films and has been disappointed by other movies that has the look of a true non stop action flick but fails to deliver it to get and buy Night Hunter today! | 1pos
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About thirty minutes into the film, I thought this was one of the weakest "Columbo"s ever because it had the usual beginning (a murder happening, then Columbo coming, inspecting everything and interrogating the main suspect) squared! It was boring because I thought I knew everything already. But then there was a surprising twist that turned this episode into a most exciting one. Suddenly, many characters were involved, I started to guess with Columbo and the ending was just like Agatha Christie's Poirot endings are. The film is full of irony, and looking back, I must admit that the whole episode is great work of the writers because the ordinary first part is a mere tool for creating this irony, creating a huge fool-the-audience-scenario. Don't turn your television off before the end! | -1no label
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Subject matter: Worthwhile Acting: Fair (some of it) Plot: Ridiculous Details: Sound goes from screechingly high to nearly inaudible; music is not altogether awful (but mostly is); dialog and characterization are laughable; the main character's process of discovery is blindingly obvious to everyone but himself (and the writer, apparently); animal scenes are just plain stupid (singing "Moon River" in an off-key, forgotten-lyrics, silly duet to a "herd" of wild boars for hours, as one example). Finally, the "wet t-shirt" contest is so over-the-top silly that it has to be seen to be disbelieved. (Hint: The 'girl' who wins is not a ... well, I'm not giving that away.) | 0neg
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] |
Julie Andrews plays a German spy who falls in love with an American pilot Rock Hudson, while on an assignment for Germany. The songs are beautiful. The two are well-paired. Julie demonstrates a more temperamental side in this film than the nice girl she normally plays. A half-German, half-English girl who sings beautiful and entertains the troops in WW I, Julie sings some endearing Mancini songs. I loved the film. Some will say it's a "chick-flick," but so what. It's wonderful. Supporting characters are somewhat stereotyped. It may not be up to Rock's performance in Pillow Talk, Magnificent Obsession, or Giant. Blake Edwards shot the film in Ireland and authentic WW I -type planes were used in the film. Scenery for England and France is absolutely gorgeous. | 1pos
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] |
Remember when Mel Brooks used to be funny? Well, so did I, and unfortunately, this movie is an incredible disappointment. I could say the same for Leslie Neilsen, who used to be in some funny movies, too, but really fell into some bad schtickt. Supposedly a spoof on Francis Ford Coppola's "Bram Stoker's Dracula", it actually has more in common with the original 1931 Dracula with Bela Lugosi. All that said, the jokes fell flat, many of them were done to death. "Give him an enema" was funny the first time, but the fourth or fifth, it just lost its humor value. Did the bar of what's funny just pass Mel up, or did he just stop trying? Young Frankenstein still holds up after 30 years. So does Blazing Saddles. | -1no label
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] |
Cheaply-made, poorly acted, and unimaginatively directed, Flight to Mars still is entertaining despite what its has going against it. A flight to Mars is planned with five people(three older gentleman, Cameron Mitchell as a newspaperman, and one female scientist/obvious love interest)"manning' the ship. The spaceship gets there and finds that very human-like Martians live there and have technological advances that would make Earth blush. But all is not rosy in the subterranean cities of the Martians(here shown as some caves and a few rooms). The Martians are a dying planet and one faction wants the Earthlings to fix the ship only to take it away at the last moment and then mobilize for an attack on Earth and another faction wants to talk peace and see if they cannot persuade Earth to give them living space. The special effects here are pretty lame even for 50's sci-fi standards complete with slow-moving rocket ship, pastel/neon alien garb where the women wear shorts that would make many blush(except the men of course), and little less offered. Cameron Mitchell is the journalist and is affable if nothing else. Marguerite Chapman is beautiful in very short shorts but adds little acting range. The rest of the cast is filled with some older sci-fi veterans like Arthur Franz and Morris Ankrum doing serviceable jobs. This isn't a premiere sci-fi film from the Golden Age by any standard, but it is very watchable and zips by at fast pace. | 0neg
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] |
I just saw this movie. I liked the soundtrack.I saw first the trailer and was magnificent, like all Hollywood movies, they know how to sell.But the movie is almost awful, first 30 minutes are interesting, but then.... like almost all new movies they blow it up. I don't get the idea, why that kid died??Is a cliché, every nigga' movie must have a kid to be killed, and everybody must become good after his death.LOL.I don't understand what is the connection with the movie... And is so predictable, you know the end from the very first minutes.Nothing new in this movie. I saw 'You got served' same idea but also... something new... this is something like 'Honey', but is not a little bit difference between them.If you have no other option watch this movie, but be sure is the last option you take. And the choreography is worst than everything before. This is NOT a must see for sure... | 0neg
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] |
This has to be the greatest practical joke ever. I'm amazed that all the other actors kept a straight face. I might be wrong but the impression I get from this movie was that they duped Frank Stallone and Joe Estevez into acting in this movie that has a budget of just under $40, depending on how much those nerf bats and spray painted catcher's equipment cost, create the most incoherent movie ever created, and sit back and laugh at the fact that Joe Estevez and Frank Stallone weren't in on the joke. If by some chance they weren't kidding and they legitimately tried to make a real movie then I feel sorry for everyone involved in the creation. I've had quite a love affair with cheesy movies, but this movie is so bad I can hardly watch it. They repeat pointless "special effects" so many times that it's obvious they were just trying to cover up the fact that they only shot 30 minutes of footage. If I were forced to watch this movie on repeat I would bludgeon myself unconscious with my own hands after about one and a half times through. No offense to the great Frank Stallone, but I would rather watch Sylvester teach a fingerpainting class for 10 hours than watch that movie ever again. | 0neg
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] |
Screened at the San Francisco International Film Festival under the title ' Come Undone', April 25, 26, & 27, 2001. The cinematographer uses techniques that add to the storytelling. Even with fall/winter backgrounds for the 'present' and spring summer for the 'flashbacks' there can be some difficulty following the continuity. Whether either lead is gay, the actors well-portray the budding relationship in real life terms; from physical violence toward each other to their passionate lovemaking. The story pulls you into the characters a bit slowly in the beginning. But as the end approaches, you really care about where these guys will be next summer! You, too, will want a sequel to find out. | 1pos
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] |
I first noticed this DVD in a record/movie shop some months ago. Being a sci-fi fanatic, I was determined not to let this movie slip by me. But of course I didn't want to pay very much for it, suspecting that it probably wasn't great. So, yesterday I found it as a very cheap ex-rental DVD and bought it. Gah. Had I watched this at a friend's place, I would definitely not have bought a disc of my own. Evil Alien Conquerors is a silly and not very funny movie. I stopped watching halfway through and rated it a "2" out of 10. But I went back and watched the rest, and the second half, with Tyler Labine's Croker, was quite a bit better. So I've raised the rating to a "3". Only fair. Labine is funny. His Croker character is very well acted. But it's the only even remotely interesting part of this movie. If, that is, you have a sense of humor. If you don't, you might find this movie funny. Ha. | -1no label
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] |
The worst thing about Crush is not that it's acted pretty bad, or that the plot is virtually non-existent, and it's not even that bad that the camerawork could have been better. No, the worst part of this movie is that it has a few absolutely brilliant moments that keep you hoping that there are more to come. But in the end, it's too little, too late. If you are a fan of violin-music and cheap tearjerking scenes of 40+ women crying and hugging and talking about babies and marriage - then by all means, don't miss it. I myself am not exactly thrilled to see the things listed above in a movie, and as a result I had a pretty horrible time. The few absolutely brilliant jokes can not make up for the rest of it. The verdict: 4/10. Guilty of wasting my time. | 0neg
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] |
i was interested in this one since i dont' know a lot about John Lennon's early life, and now that the Beatles are all hype again, i made it a point to see this. i was amazed at how little i really did know about John Lennon's life. i didn't entirely know how he treated his wife Cynthia and the birth of his son Julian. i didn't know about Paul McCartney's role in the band from the beginning and how he was actually stuck on drums first. i didn't know they actually started out pretty much in Germany. i didn't know John Lennon was such a homophobe too! anyway the scenes with him and his mother are just so sweet that i don't know how he was able to pull himself so together after she died. he was definitely the man with the plan. i just wish now there is a continuing story! it ends just when the Beatles finally go to the States. i loved the actors - philip mcquillan, christine kavanagh, gillian kearney, daniel mcgowan...make the continuing story! :) | -1no label
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] |
Really dreadful piece of schlock. I can only imagine that the author of the book it was based on was disappointed (or was handsomely paid) for the rights. I can't complain about the acting, such as it is. It features a good cast but there's not much they can do with what they're given. I have never been impressed with Brian De Palma. I find his work highly overrated and over the top. What he does to poor poor Cassevetes in this is just awful. The worst part is the very end and in a way reveals the De Palma's worst instincts. The Amy Irving character basically makes him explode. This is gory enough. But it gives De Palma an opportunity to show the body exploding (and it being special effects circa 1978 its not anything realistic) from five or six angles. I mean you see the body explode over and over again as if the Amy Irving character used her blue eyed powers to explode and stitch together again and explode the body again and again. Just ridiculous stuff. If Mystery Science Theater was still around and lasted for another 15 years, I have no doubt they would've gotten around to screening "The Fury." A waste of talent all around. | -1no label
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] |
Adam Sandler seems to be a very popular guy in America. It seems that the Americans truly adore men that portray overgrown kids and act like idiots for 90 minutes. With the exception of, for instance, ´There is something about Mary´ I have yet to laugh once while watching these exercises in psychological torture. But... I actually liked the Wedding Singer. I don´t know how, but Adam Sandler managed to make this film funny and even lovable. I suppose it is the simple fact that he plays an ordinary guy and the jokes aren´t of the usual ´man-falls-on-womans-breasts´ kind. I have no idea why, but I actually would give this 6/10. I rented it for 1$ and, to my great surprise, it was worth it. | -1no label
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] |
This espionage melodrama has a nice, almost promising cast, and should have been very atmospheric; there is a will, or an intention of atmosphereand also a want, or a lack of it. Sheen plays a dissident who now activates as an agent, he is a loner, loved by women but haughty; Mrs. Fossey is his mistress. Neill plays the gallant, generous, chivalrous Soviet agent. Sheen and Neill are both essentially annoying; Finlay does a cameo, and so do other known actors. Mrs. Fossey is hot; but then again, she always is. I will be your true friend and break it to youthe flick is low on suspense and on excitement, it's trite and quite boring; the good thing is that you get to see Mrs. Fossey naked. Other than that, lukewarm derivative espionage exploitation. | 0neg
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] |
A lot has already been said about this compelling, oft-overlooked film, virtually all of which hits the proverbial nail on the head. While Eric Braeden delivers a superb, understated performance as Dr. Charles Forbin, the fact is that the real star of the film is the vast, omnipotent machine he has created. Even before it begins to speak with the chilling Cylonesque voice it has ordered designed for itself (the great Paul Frees like you've never heard him before), you'll find yourself glued to the screen watching Colossus "talk" to its supposed masters over its huge monitors. A word about Frees' contribution to the film: In "War Games," for example, the computer has a curious sort of empathetic communication style ("Wouldn't you rather play a nice game of chess?") presented in a voice that sounds like E.T. filtered through a synthesizer. Frees gives Colossus an emotionless yet fearful quality of speech that seems to belie its implacable drive to dominate human destiny. My favorite part of this film has always been, and will always be, the climactic monologue Colossus announces to the listening masses of humanity. From its opening line -- "This is the voice of world control," an identity neither Colossus nor its counterpart, Guardian, had used to that point -- you know this isn't going to be a happy speech if you are a sentient, flesh & blood resident of the Earth. What is particularly creepy about the speech is that, for all of its strangely optimistic sermonizing about how "the human millennium will be fact" and how the computer will set about the task of "solving all the mysteries of the universe for the betterment of man" -- outwardly the Utopian dream -- the message Colossus is presenting is set against the dreadful backdrop of "disobey (me) and die." As Colossus intones, "You say you lose your freedom. Freedom is an illusion. All you lose is the emotion of pride." In the end, unlike other supercomputer-run-amok films such as "War Games" or "Tron," "Colossus" is an end-of-the-world story without the nuclear or viral holocaust. In this film, it is the human spirit that is the casualty while the human biology lingers on. Unlike the rest of the doomsday genre, our end comes not so much with a bang as it does with a whimper. | -1no label
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] |
Only saw this show a few times, but will live in my memory. It is very frustrating that it is so difficult to find this anywhere to purchase and yet there seem to be endless repeats of stuff like Friends! Especially even more difficult to obtain being in England I guess..? They say it was low ratings or was it a complaint from the Bakersfield PD themselves? Maybe it was just too clever for certain people? Anyhow, just about the one comedy I would love to see again but is almost impossible to find. I hear it is being or has been repeated on another network? But alas not over here!! Summary: Ingenious. | 1pos
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] |
Heard some good remarks about this film as being very gory and frightning, but it's neither. Obviously the screenwriter wanted to do a scary horror film but at the same time inject some teenage comedy for the young target audience. Scares and comedy seldomly result in good films, the same goes for MONSTER MAN. Not really funny, nor scary or overly enjoyable on ANY other level. Aproaching 39 years of age I've seen my share of horror movies. I have seen good ones and terrible ones, but the crop of films released these days are so frighteningly mediocre it bores me to watch 'em. The acceptance these days for bad films like this is what really annoys me. Let's face it, they produced a lot of crap in the 70's, 80's and 90's but they were regarded as such then as well. Today they're regarded as "good entertainment". - Bollocks! | 0neg
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] |
A couple soon going to be married has to complete a Marriage preparation course made compulsory by a Reverend Frank for 100% guaranteed successful marriage & it's not an easy ride. They have to follow wedding vows, attend the classes regularly & get abstain from sex, handle robotic infant twins etc.etc.during the course. Robin Williams is one of prominent comedian of Hollywood but if you don't have humor in script, even God can't save it. In film like situational fix there's lot of room for funny incidents & that's what is missing in the film. Mandy Moore just looks like a girl next door & she is the only one who tried to act here apart of Robin. Film has just a few funny moments to explore. It's not every time that American humor makes Indian laugh & this is good example of it. Below average. Ratings- 4.5/10 | -1no label
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] |
After the unexpected accident that killed an inexperienced climber (Michelle Joyner). Eight months has passed... The Rocky Mountain Rescue receive a distress call set by a brilliant terrorist mastermind Eric Quaien (John Lithgow). Quaien has lost three large cases that has millions of dollars inside. Two experienced climbers Walker (Sylvester Stallone) and Tucker (Micheal Rooker) and a helicopter pilot (Janine Turner) are to the rescue but they are set by a trap by Quaien and his men. Now the two climbers and pilot are forced to play a deadly game of hide and seek. While Quaien is trying to find the millions of dollars and he kidnapped Tucker to find the money. Once Tucker finds the money, Tucker will be dead. Against explosive firepower, bitter cold and dizzying heights. Walker must outwit Quaien for survival. Directed by Renny Harlin (Driven, Mindhunters, A Nightmare on Elm Street 4:The Dream Master) made an entertaining non-stop action picture. This film is a spectacular, exciting, visually exciting action picture with plenty of dark humour as well. This was one of the biggest hits of 1993. This is one of Harlin's best film. Lithgow is a terrific entertaining villain. Stallone certainly made an short comeback of this sharp thriller. This is probably Harlin's best work as a filmmaker. DVD has an sharp anamorphic Widescreen (2.35:1) transfer and an terrific-Dolby Digital 5.1 Surround Sound. DVD has an running commentary track by the director with comments by Stallone. DVD also has technical crew commentary as well. DVD has behind the scenes featurette, two deleted scenes with introduction by the director and more. Do not miss this great action film. Screenplay by Micheal France (Fantastic Four) and actor:Stallone (The Rocky Series). Based on a premise by John Long. Excellent Cinematography by Alex Thomson, B.S.C. (Alien³, Demolition Man, Legend). Oscar Nominated for Best Sound, Best Sound Editing and Best Visual Effects. Panavision. (****/*****). | 1pos
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] |
"Tears of the Black Tiger" is a stylistic hybrid that brings together the cinematic excesses of Douglas Sirk and Sergio Leone, with a smattering of Quentin Tarrentino. The storyline and dialogue are strictly from hunger, but the voice-over narration can be hauntingly beautiful. It involves a poor boy who falls in love with the governor's daughter. They are separated in childhood and then reunited as adults. In the meantime, the girl has become engaged to a policeman, and the boy has linked up with a band of outlaws and is now known as the Black Tiger. His male-bonding with one of the outlaws is reminiscent of the Monty Clift/Arthur Kennedy relationship in "Red River." It's all very clichéd and yet strikingly original (I half expected a Brokeback angle). The music is folkish, the colors pastel, and the violence over the top. But somehow it makes an impression; this is a film that will continue to haunt me. | -1no label
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] |
DO NOT WATCH THIS MOVIE IF YOU LOVED THE CLASSICS SUCH AS TOM WOPAT, JOHN SCHNEIDER, CATHERINE BACH, SORRELL BOOKE, JAMES BEST, DENVER PYLE, SONNY SHROYER, AND BEN JONES! THIS MOVIE WILL DISSAPPOINT YOU BADLY! First of all, this movie starts out with Bo and Luke running moonshine for Jesse. Bo and Luke would not do that ever on the real series! This movie portrays unimaginable characters doing things that never would have happened in the series. In the series, Uncle Jesse was honest, and law-abiding. In this movie, he is a criminal who is making moonshine and smoking weed with the governor of Georgia. Plus, if this was an extension adding on to the Dukes of Hazzard Reunion! and the Dukes of Hazzard in Hollywood, I have one question: HOW COULD UNCLE JESSE BE MAKING MOONSHINE WHEN HE DIED BEFORE THE DUKES OF HAZZARD IN Hollywood MOVIE? AND HOW IS BOSS HOGG ALIVE WHEN HE DIED BEFORE THE REUNION MOVIE IN 1997! MOVIE AND ROSCO RAN HAZZARD? IT SEEMS MAGICAL THAT THESE CHARACTERS CAME BACK TO LIFE, WHEN THEY HAVE BEEN DEAD FOR 11 AND 8 YEARS? If Hollywood really wanted to make a good movie, they should have brought back James Best, John Schneider, Tom Wopat, Ben Jones, and Catherine Bach like they did in 1997 and 2000 and made a family friendly movie with the living original characters that made the show what it was and still is compared to this disgusting, disgraced movie! If you want to see good Dukes movies, either buy the original series, or go out to walmart.com and buy the DVD set of 2 that includes the Reunion, and Dukes of Hazzard in Hollywood movies! They both star the original cast, and are family friendly! Don't waste your time on a movie that isn't worth the CD it's written on! | 0neg
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] |
Red Eye is not the kind of movie that's going to win the Palme D'or, but Wes Craven has never been that kind of director, anyway, and his branding is a good indication of what a film-goer can expect. The fact that Red Eye is a tight little, undemanding package at 94 minutes is part of its charm and an indication of Craven's craft in producing lightweight, but generally enjoyable, box office fare. In fact, it's the perfect kind of movie to show as inflight entertainment, attention-holding without putting any intellectual or emotional challenges on the viewer. Overall there is a cheesy feeling to the plot, vague terrorist subplot motivation and the supporting characters, and the main section has a TV movie feel. However, there are definite elements of Hitchcockian suspense, and echoes of Schumacher's Phone Booth, which ultimately is a more sophisticated (and pretentious) play on the same idea of emotional crisis being played out suppressed in public. For a film that focuses mainly on two people sitting in airline seats, it lives or dies on the characters and script. Cillian's icy but eloquent Jackson Rippner and Rachel MacAdams resourceful Lisa are the main reasons the film gets carried off. Not only making the dialogue zing but also giving some sort of Adam's Rib type dimension to their battle of 'male logic' against feminine 'sensitivity'. In the final portion of the film Craven indulges himself a little Scream style as man-chases-girl-with-knife. The most surprising revelation here is what Brian Cox looks like after the 'Just for Men' treatment, his ubiqutous appearance in films as diverse as Super Troopers, The Ring and this making him the sexegenarian version of Jude Law. Short haul fun. | 1pos
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] |
This one had more and better action then the first 2, and better acting and plot. The bad guys were cool, and I liked the way everything was done in this. There was better characters, not to mention more then in the first. This time, Soldier used a shotgun. Excellent choice for using against a bunch of evil bikers. The special effects seemed ok, and the action sequences were great. this was obviously done on a bigger budget then the first one, and I think they tried harder to make this then they did in the inferior predicessors. I honestly think they should remake the SnakeEater movies. I give SnakeEater III an 8 out of 10 | -1no label
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] |
If you like watching a beautiful woman wearing beautiful clothes, see this movie. If you like acting, see another Meryl Streep or Stanley Tucci film, preferably one that is well enough written to let the actors do their jobs. The attempt to develop a "Friends"-like energy among Andy's young friends stalled totally, and their characters never passed the first-draft/first-reading level of development--a tragic waste of the talents of an actress like Tracie Thoms. The secondary love interest (Simon Baker) didn't make us feel she should be attracted to him, while the boyfriend (Adrian Grenier) made us wonder why she took up with him in the first place. Meanwhile, we only get a vague impression of the tension between Andy's growing respect and even sympathy for her boss and her horror at the costs of following Miranda's footsteps. Streep and Tucci deliver in spades, of course, but the only bright light among the younger actors was Emily Blunt, who plays her role as the suffering-servant senior assistant with a nice comic touch. | -1no label
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] |
This movie is my families favorite Christmas movie because it is a beautiful picture of what Christmas is really all about. These days living in a big city which I hate, I love to watch movies about the life I've always dreamed of having. The town that this movie is set in is my dream come true for the life I've always wanted and the true feeling of community that has been lost in todays society. I truly don't feel the true spirit of Christmas anymore but watching this movie helps to find that feeling again. My family taped this movie long ago of TV and now our copy has been worn out so I would really like to buy a few copies on DVD for my family and me if anyone can tell me where I can buy some copies please just post the info here and I will keep checking. Thanks. | 1pos
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] |
For sci-fans this will be better than anything likely to be running on TV at any given time; that's about the best you can say of it. Good points; repartee and sense of humour is less dull than usual in such movies, the plot is coherent and doesn't use any magical mystical revelations. Bad points; the writers try to do good science but it falls down in direction and production (eg, a rock drilling mole using superheated rock drilling equipment breaks surface underwater with nary a bubble or boiling cauldron to be seen), the characters are cliché's and the plot unfolding is pretty stock standard. OK for a too-tired-to-do-anything-else type evening; but don't expect any major edification or even talking points really. | 0neg
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] |
I watched this film today with fingers crossed that it would add up to a decent enough film. However this film ended up exceeding those expectations, with a pretty good plot, a cast which was decent enough (with a few minor blips that I'm willing to overlook) and action sequences that are quite creative and thrilling to watch. At times parts of this film reminded me of The 13th Warrior, with a little Beowulf sprinkled on top. You certainly won't get bored watching this film. I'm surprised that this film did not get a little more attention, as it deserves it, but there you go. If you like to see aliens get hacked away by men in beards, this is the film for you! | -1no label
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From the blocky digitised footage to the acting that makes Keanu "I'm so wooden I could be a Plank me" Reeves look like an Oscar winner this film bites (pun not intended). The best thing about it is the box of eRATicate in the 2nd segment (which out of the three seemed to be the strongest piece in terms of storyline and 'twist'). Wish I'd spent the £3.99 it cost me on something else, like erm.... Natural Born Killers: Directors Cut. If you do buy this, you're really in for a disappointment, do yourself a favour and avoid it like the plague. If you're looking for something amateurish and with actors that are more wooden than a 2x4 then go ahead. However if you want some quality werewolf action look elsewhere, like Dog Soldiers, Wolfen, Romasanta:The werewolf Hunt. | 0neg
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] |
This movie is the perfect epitome of Hollywood taking something beloved, running it straight to hell (Predator 2, Alien 4) and then taking it even one step further by completely disjointing the stories and continuity, *ahem* alienating the fans and basically wasting everyone's time while marring the original (Caddyshack 2 anyone??) all in the name of the mighty dollar bill. Seeing this movie only eggs them on people! This is a movie that you immediately wish you could UNWATCH and erase from your memory banks. I would be highly surprised if more time went into the script of this film than the actual marketing. I'm not even going to complain about the PG-13 rating because it is what it is.... just a bad movie. Horrible acting. Pointless plodding sub-plots. Decent action sequences and a precious few cool moments in what should have been a fan-boy's wet dream. The lead in this movie is a demographic friendly woman with barely enough acting ability to make a shampoo ad believable. Any mildly entertaining characters were immediately destroyed in the first twenty minutes of the film with zero payout. Even the marquee monsters end up looking bored as the audience is lead along in a by numbers popcorn sales ploy. | -1no label
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] |
I saw this film at the Toronto Film Festival, where it received a standing ovation! This film tells a story that to my knowledge has never been told before--namely about the Rosenstrasse (a street in Berlin)uprising of German gentile women who were married to Jews at the end of the Second World War. As such, it is a unique story, and what's more, is the only film about the Holocaust that I have ever seen that shows that there were GOOD Germans (the helping family in "Anne Frank" for instance was Dutch) who did NOT support the Nazis, and, in fact, had the fortitude to stand up against their own country's immorality and brutality during the Nazi regime, at the risk of their very lives. The acting is great across the board, the framing story in New York interesting and intricate, the direction from Von Trotta masterful in every scene, and the production values, including the gorgeous cinematography, outstanding. Of course the family in New York could be speaking German. Many immigrants in this country choose to speak in their native tongue with their family--a common occurrence. So that criticism is unwarranted. To say more would spoil the experience. The film is long, but I did not look at my watch once. I am hoping this film gets some distribution is North America, for not only is this film a masterpiece, but it can actually help heal any animosity people have towards the Germans because of their support of Hitler. If this film is playing in your area, I URGE YOU TO SEE IT! You will be glad you did! | 1pos
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] |
there are some films that you watch and recognize that it is good, but your insides are screaming - this is horrible. that pretty much sums up the entire experience of this film. if you truly enjoy yourself watching the film, really love it in the moment, then i think you missed the point (and probably are kinda scary and desensitized). but after your stomach stops turning, you are left with a film that has pushed past the regular or expected, into a space of unique social and political commentary. As disgusting as this film is, and it is by far the most disgusting thing i've ever seen, it absolutely has to go that far to shake people up. | -1no label
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] |
Well, you know... Rutger Hauer and Robert Patrick both are really good actors. But WTF with this movie? The story was lame and the script was just terrible. The poor actors didn't have material to work with! The DVD cover invited you to a flight action flick. You would expect something like Top Gun... Huge disappointment! The flight action in this movie is so cheap that makes you puke. The aerial scenes are clearly taken from documentaries and some other footage sources, not made for this movie. And they didn't even care about the marks or the fighters models, taking for granted the audience will not notice it. As I said the story was lame. With a little effort from the writer and director it could have been very interesting. In short, it seems a B-movie made in the 70's. I feel very sorry for these actors who put their names here. They sure must be ashamed. | 0neg
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] |
The only distinction here is seeing BELA LUGOSI in a color horror film--or, I should say, in a horrific B-film photographed in a process called "Natural Color" that makes anything Ed Wood did in the realm of horror look like Masterpiece Theater. The silly script has a woman in a morgue recalling how she got there and therein lies the only novel idea in the script. How actors like GEORGE ZUCCO, DOUGLAS FOWLEY, NAT PENDLETON and JOYCE COMPTON got talked into putting this one on their resume is anybody's guess. The script is a complete misfire from beginning to end, nothing is ever explained and there are loopholes galore in what one can make of the convoluted plot. A green mask keeps appearing in a window for no discernible reason until a weak explanation comes late in the story involving a blindfold and a man's vengeance when betrayed by his wife. Sorry, can't recommend this to anyone except "bad movie buffs" who have to see any horror film ever made, no matter how bad. Appalling dialogue is never for a moment believable and neither NAT PENDLETON nor JOYCE COMPTON are given comic material that offers any relief. | -1no label
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] |
There's an interesting movie to be made about a woman who chooses to work in the adult film industry, not because she's emotionally damaged, but because she likes the money and community she finds there. But this isn't that movie. The lead actress lacks the charisma and talent needed to carry a movie that focuses almost entirely on her. As a result, the movie seems to drag more and more the longer it lasts. The secondary story involving her father never meshes with the main story, and the brief scenes with the lead character's friends sharing conversation at a table don't reveal anything, other than an off-putting smugness in the dialogue. (These moments involving her father and her friends do raise the question of how this movie managed to get James Woods and Rosario Dawson to sign on.) The scenes where the lead character works as a professional entrapper, for lack of a better term, do nothing other than make her look like a fool. (Nobody other than a silent movie clown could possibly possess the sexual naiveté necessary to be surprised at the bad consequences created by this job. Actually, come to think of it, this sub-plot could have been the basis for a pretty funny Harold Lloyd silent, had the Production Code of the 1920s allowed it.) The biggest failure for a movie that clearly prides itself on being hip and sophisticated is the ending in which the lead character is chastised just as harshly as any 1950s heroine who dared consider sexual independence would have been. It's not necessary to endorse her choice of professions, but it's possible to examine the downside of that choice without adopting the moralistic tone used by the filmmakers. Sadly, an interesting subject doesn't guarantee an interesting movie, as is shown by this dull and dull-witted drudgery. | -1no label
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This will sure make fans of grotesque children's shows like X-Men happy but it is guaranteed to be a source of disappointment if not anger to viewers familiar with the atmosphere present in Jin Yong's writing. The film's basic handicap is its effort to shrink a lengthy epic (at least partially) to a standard theatrical run. In the course of the film, you can never know what genre it strives to be in. A regular MA film, period drama or straight slapstick comedy? Sexual jokes and especially the absurd depiction of Huashan (Wah San) cult members serve nothing but to dilute the effect of the setting. The character played by Sammo Hung would fit to any grey-haired, eccentric kung fu master but when it poses to be the portrayal of a mythical Chinese sage like Zhang Sanfeng (Chang San-fung), it becomes too light even to be taken seriously. Few reasons to see this one may be the distinguished acting of Jet Li and mesmerising beauty of Sharla Cheung. In a film with a little from everything, it is doubtful that you'll find anything. Wong Jing would have done better if he kept in waters he knows well. I'd prefer a "Naked Killer" Chingmy Yau for sure. | -1no label
| [
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] |
***POTENTIAL SPOILERS AHEAD*** This short is the story of a young man and a young woman who go around the 1962 Seattle World's fair and look at things. They're all smiles and excited as the audience gets bored. In the orient exhibit, the young man pulls the woman in a rickshaw. After a while, they come to the AT&T pavilion and look at what ma bell has been working on. They have a race between two phones, one of which is rotary and the other a keypad. Then they show the first ever pagers, which are considerably larger and more limited than today's models. All in all, this short tries to excite the viewer into the future of phone service, but sadly, it just ends up boring the viewer. | -1no label
| [
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] |
It really makes no sense how this film could not have worked. Working off a script based on a Robert A. Heinlein novel, with the venerable Donald Sutherland in one of the lead roles, and with alien invasion the subject matter, this should have been at least a seven star Science Fiction film. As Sci-Fi goes, the superior ones focus more on futuristic and/or scientific concepts, with action and/or special effects adding to the spectacle. That is why films like the Star Wars saga really aren't Sci-Fi, but action/adventure first (and in the case of Star Wars, fantasy) and science fiction second at best. This film does delve into the biology and culture of the aliens, but just barely. Mostly it focuses on hokey special effects and a few watered-down action scenes to fill up screen time. The aliens themselves are quite realistic and original, a plus for the film. The chemistry between Donald Sutherland as the leader of a secret government agency and his son, played by Eric Thal (an unknown at the time) is actually quite good. In addition, Julie Warner actually does well as the scientist working for Sutherland and of course plays the romantic interest for Sutherland's son. While not a superior actress, she performs adequately, although her talents are more suited to television, as it appears this movie was. While most will think, as I did, while reading the plot synopsis of the film that it is a rip-off of "Invasion of the Body Snatchers" (Sutherland starred in the remake of this film in 1978), the actual book was published in 1951, prior to the original film as well as the novel written by Jack Finney. Bottom line: not a bad movie to watch when you know you will be distracted as it requires very little of your attention and there are enough action scenes to move the pace along, but science fiction and Heinlein fans will be disappointed. | -1no label
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] |
Most of the movie is sadly rather underdone. Seems they had a somewhat interesting concept and just rushed it to the finish line. I am guessing they thought of the ending first and wrote a bunch of filler to get to said ending. So what do we get for most of the film? A rather good cast doing nothing more than going out to the abandoned town and getting themselves kidnapped by the evil cult led by Ernest Borgainine in a rather good over the top performance. You know a movie is in trouble when it seems they are rushing things so no startling revelations here, only lets rush to the cool ending. Which is the highlight of the film, a rain that comes down and washes the cult members away, rather good effects, especially for the time, but this does not make up for the rest of the film. Which leads to a question I have, why are movies about Satan and his cults usually so bloody boring or bad for the most part? You would think these movies would be some of the most gory and scary the horror genre had to offer, but usually it falls flat. Still if you do watch the movie look out for the many stars who apparently had nothing else better to do. | -1no label
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] |
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