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The whole shorthand for supposedly being more aware in this weird time is that you are "Blue". The Blue State mentality. This is supposed to get us off the hook for what is/was happening during the last few years in our country (The USA). It doesn't get anyone off the hook but it makes us feel better, as though we aren't benefiting in any way from living here and getting all the good stuff that a US citizen gets just by being a US citizen. But I'm so sick of bitching about this. It doesn't do any good. I haven't taken much action lately and I wonder how many people have. Maybe I'm just down because my job was "outsourced" last month and now I'm looking for work in the shrinking tech support field where most of the jobs are quickly going to India and other places overseas. I'm thinking that soon it's not going to pay off to be a citizen here with the screwed up infrastructure and the shrinking job market and the obsession with war. These days it seems like anyone who speaks out gets jumped and questioned about there "patriotism". Anyway, back to this review: USA The Movie is an obscure DVD that makes me realize that some people have taken action, whether it's through politics, protesting or arts or media. The filmmaker is obviously passionate, knowledgeable, willing to go outside the norm, frustrated, unique, astute etc. I looked through the whole site that's linked to the DVD and got lost in all the articles, essays etc.that are there. The DVD does that too, has references to different times, views and historical points. Sometimes someone does something out there. | 1pos
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There is this private campground in Plymouth, Massachusetts, that's been around since 1959. My grandparents were among its founders, my parents had a site starting in 1965, and my two brothers have sites there now. (This doesn't have anything directly to do with the movie; bear with me.) I spent summers at Blueberry Hill from when I was five years old to when I was eighteen, and it is to people like me to whom this film speaks: the ones for whom a group camp in the woods was, as my fiancée tells of me, "the good and happy place." If you've never experienced the lifestyle, Indian Summer will probably be lost on you; don't bother. It's not quick-paced, it doesn't have rapid cuts, the plots aren't in the least bit convoluted, it has no explosions, such dramatic tension as exists is mild, there aren't any A-list actors, there are no rapid-fire quips just to show off how clever the scriptwriters are (other than, perhaps, Kimberley Williams' killer line about how her fiancé shouldn't "overwind his toys." That is not the least degree what this movie is about, any more than The Godfather is a slasher flick just because it has a lot of on screen gore. But Indian Summer is Godfather's polar opposite. If you have experienced the lifestyle, see this movie. Don't read any more, just do it. For me, this is a 9/10 film. | 1pos
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] |
This film's trailer interested me enough to warrant renting the DVD. However, the resulting movie is absolutely dire! Admittedly, this is not the worst film ever made, or the worst film this year, but it came damn close! The main issue is the film not knowing what it wants to be: comedy, adult drama, thriller, teen-porn? The story is interesting, as it deals with the pitfalls of mail-order brides, but the film is a mess. What starts out as a mildly interesting "comedy" (a word I use in the loosest possible terms), then goes totally in reverse, and degenerates into a very dark and distasteful misogynistic thriller. Nicole Kidman should know better, and Ben Chaplin is wasted! As are Matthieu Kassovitz and Vincent Cassel, whom I can only presume did this for the money. This is a bad film in pretty much every single aspect. It's not funny, it's almost so sexist that you could almost forgive Benny Hill for everything he did, and the dramatic elements are just downright nasty. A film to be avoided, unless you absolutely have to see Kidman or Chaplin in every one of their films! | 0neg
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] |
Even after all these years, Magical Mystery Tour still ranks as one of the worst I've ever sat through. OK, it had the Beatles in it (but you already knew that). OK, the soundtrack is fantastic (but you already knew that). And Magical Mystery Tour is 1967 wildly creative (but you probably already knew that). I won't gush on about how groundbreaking the Beatles were time after time (again, you already knew that). I love their music and other movies. Magical Mystery Tour is unfathomably awful. It has the look and feel of a home movie, and like most home movies, it's pointless, except perhaps as an example of pure self indulgence by a bunch of rich spoiled musicians. It's bad - really bad, but it isn't fun bad like Plan 9 from Outer Space. I saw Magical Mystery Tour in college at a bar, where they put a pitcher of cheap draft in front of you and then started the 16mm projector. I'm not sure during which part I downed the beer, but it didn't help. The full Beatles group never released a less than stellar LP (or if they did, I've never heard of it), although "Two Virgins" by John Lennon and Yoko Ono is arguably the vinyl equivalent to this drek. | -1no label
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] |
Personally I've watched it because of Lea Thompson's appearance and I didn't really expect to enjoy the movie as such, but surprisingly I kept watching it until the end. Let's face it - it just one of the saga-like stories and isn't particularly original or entertaining, but strangely it just keeps you by the TV. My opinion about Will of Their Own would be much better if there wouldn't be one point that I just don't get. There is lovely and really touchy scene in which Lea Thompson's character is running on the street holding baby in her arms, the snow is falling, she is cold, scared, and has no place to stay, she doesn't know what to do next. And then about 10-12 years later, when things are better for her, she just leaves the same kid without any warning to take up the career she was dreaming about. I just don't get it - I don't see how is it possible that she would do such thing, it was the opposite action to all that she done so far in her life when all that she was doing was aimed on that child survival. After this character flip I just couldn't enjoy rest of the movie. | 0neg
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] |
That was one of the worst movies I've ever seen. Why would someone make a movie about getting away with murder!?! Mr. Allen again plays the only type of character that he's able, the sexually stunted man who can't get the girl. Get a clue, Allen, there's a reason that's the only character that you can successfully portray. Stir clear of this movie! It's a waste of time, unless you want to know how to successfully murder someone. I feel sorry for the actors who say 'yes' to Woody Allen. Look at his cast, and tell me how many of those people are still working. My respect for all of the actors, who work for him, immediately goes down, because they chose to participate in the film. | 0neg
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] |
I found this movie by happy accident when looking for another title at Video Vault. What a fortunate find, an excellent Middle Ages romp made by multi-Oscar master filmmaker Frank Lloyd. Dealing with a fictional encounter between Louis XI of France and a rouge Villain, these two roles are wonderfully played by Ronald Colman and Basil Rathbone --- possibly the best roles these two great actors ever did. With Paris surrounded by the army of the Dukes of Burgundy and slowly being starved into submission, the king's plans are falling short of success --- with battle-shy generals and no back-up plan. Into this mess comes the rogue Villain with a different approach...... There isn't a dull minute in this fine production and the reproduction of French architecture, costumes, et cetera, is beyond perfect. It isn't easy to see this movie; it's a Paramount Picture released on VHS long ago by Universal/MCA. That means you can find it eventually, either at a specialty video store or by tenacious search on eBay. | -1no label
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] |
This was just another marvelous film of the Berlin Festival. But unlike "Yes", by Sally Potter, which I had seen some days before, where after leaving the cinema I felt a strong desire of wishing to embrace the whole world and was just happy to be alive, this time quite the opposite thing happened: there was something that dragged me down, and the air suddenly felt cold and hard to breathe. It was as if, all of a sudden, there was nothing left, all hope, all future had been taken away to a dead place. Nina's life seemed to be dismal and locked, but then, one lovely day, there appears that kind of luminosity that opens up the horizon and makes her believe in the fulfillment of her dreams. There was nobody at her side but suddenly she finds a companion, just out of nothing, someone who was able to share the most hidden feelings of her life. That person was Toni, a vagabond girl who does not seem to have any roots, just like herself. But the film's title is "Ghosts", and ghosts appear and disappear as they wish, there is no way to retain them
Ghosts also represent the hidden fantasies of people, strange ideas that occupy your mind and are only perceived by yourself, hiding away from all other people. Françoise, a French woman, is a victim of such ghosts. She once lost her child daughter in Berlin, who apparently had been robbed from her in a supermarket, in just one moment of inattentiveness. Now time has passed, and Françoise is back in Berlin, still looking for the missing child. Nina could be that child, after all she has got that same scar at her ankle and the heart-shaped birthmark between her shoulder blades which seems to prove her true identity. And Nina adopts that idea, after all she is not only in desperate need of a companion, she also longs for a mother. But in the end she is empty-handed, Toni has disappeared with a man, and her supposed mum turns out to be a sick woman. "Marie is dead," concludes Françoise's husband, and the statement could not be more disillusioning. Nina is just a "niña", a girl without name, there is no hope for any divine fulfillment. There is no Marie in this world to accompany our lonely lives. Therefore, in the end, we see Nina all alone, about to walk along the road that has opened up before her, into a future that seems joyless and uncertain. | 1pos
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] |
This film is an interesting take on the killer scarecrow genre - amazingly it manages to rise to become greater than the sum of its parts. Average montage scenes, 30-somethings playing teenagers, and some excellent facial expressions combine to become one of the "new-wave" of modern classics. As a viewer, I came away from the film with the same sense of "shock and awe" as when I first saw The Godfather in 1969. Tiffany Gardner's startling portrayal of the morally bankrupt Judy was deserving of her Grammy nomination, which was well documentedly stolen by Ricky Martin and restless hips. Unfortunately, the none of the sequels could live up to the expectation of the original (unlike the Godfather series which got better with each installment, and should culminate in 2012 with Godfather 4: Eat My Rage. | 1pos
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] |
Okay guys, we know why we watch film like "The Invisible Maniac" (just look at the cover, man!). T and A all over the place (with a lot more T than A). But...shouldn't there be a story to go with it? "C'mon," I can hear you say - "this is just girls gettin' naked! Who needs a story??!" Well, if this were called "The NAKED Maniacs", I wouldn't have a problem. But since these guys are cribbing from "The Invisible Man", they need to have a bit of story hereabouts, you know, to keep your mind busy. However, all they can muster up is how this crazy doctor creates an invisibility serum and, when he cracks, uses it to spy on naked women and ends up killing a lot of teenagers. And when you see the smarmy-looking teenagers he goes after, you'll be grateful. One star, for the T and A, but there's a little too much gore for you skin fans, so proceed with caution. TIDBIT - yes, it's THAT Savannah. | 0neg
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] |
Anger Management (2003) Top 30 - Best Comedies of All Time Sandler and Nicholson shine in this tremendous comedy of epic proportions. Let me start by saying that this film is solid at most times and has very frequently,scenes of great humour. The acting is good, the lines are good, the characters are good and the story is insane. This is a good film. It's good because of the casting mainly. Nicholson is the greatest non-comedian comedian in the world; if you know what I mean; his exuberant energy and insanity shine in every of his films. Sandler as always (playing the same character) is perfect for the roles he is assigned to. Furthermore, with the exception of the two leading roles, my favourite character had to be Chuck, played by John Torturro with such edge and explosiveness that it is a superb addition to the film. No need to analyse the film further, only to note that this is a very funny film that can be watched over and over again. What more do you want? Stick the DVD on and laugh for 100 minutes. It's great entertainment... 8/10 | -1no label
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] |
The name of Nick Stahl, the young cast and the attractive cover of the VHS made me buy and watch this flick, expecting to see a good teen slash movie. What a crap! The full of clichés screenplay, the dialogs and the performances are awful, dreadful, very bad, terrible, horrendous summarizing, a complete waste of time. There is no horror, black humor, only an absolutely boring story, with shameful plot points. The film begins with six characters, indeed three couples, together like a group of friends, but indeed very nasty persons that seems to be enemies, playing a ridiculous senseless game called "Taboo", and with each one of them writing yes or no for certain taboo issues. That is it: no previous development of the characters, the viewer does not know who they are, their motives and relationship. Then, there is an ellipsis to one year later, and the same group is gathered together in a New Years Eve party, insulting each other in a very sordid way. But the plot and the twists are so ridiculous, predictable, mediocre and unbelievable that do not deserve any additional line in my review. One advice only: do not waste your time or money on this garbage, you will certainly regret. My vote is one (awful). Title (Brazil): "Taboo Jogando Com o Assassino" ("Taboo Playing With the Killer") | 0neg
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] |
The opening scenes gave hope... but those hopes were soon diminished. The explosion at the gas station made you believe that this would be packed with the action expected to carry such a lame script. It also appeared that there were multiple crews working on the set because there was a clear difference in the film quality between scenes. Some were very clear and framed well while others were 'over cranked' and too soft. Shooting night for day is so obvious and such a bad idea that it distracted from the scene many times. A.J. Buckley is the only reason to sit through this disaster. He was awesome! Sorbos stunt double for the horse riding scene was so obviously shorter and fatter with a terrible wig on that it made me laugh. The final scene was nice...lot's of really good explosions and good action but that wasn't enough to make you not regret wasting a coupon on this rental. | -1no label
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] |
This movie is Great! It touched my stone cold heart. I couldn't relate about the racial discrimination that Antwone has experienced because I'm living in my own country. I guess it is really hard to be discriminated. We watched this film in our sociology class in New Era University,and I didn't knew that It was a true story, I thought it was just created by an intellectual who want to bring a fresh air in the industry. It is very good. The part that shocked me was when Nadine abused Antwone (who was just six) sexually. If I were on his shoes, I could have jumped a ten-story high building. I salute him for he being so strong! The scene that touched me here is when Antwone finally saw his mother Eva face to face. He did not bitched her or whatever,instead he told her about the achievements that he got within the long years that they have been separated. (I think I'll do that when I get the chance of tracing my roots.) | 1pos
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] |
''The Sentinel'' is one of the best horror movies already made in the movie's Industry! I think it is very scary as very few movies actually are. Alison Parker is a model with some fame. She dates a lawyer called Michael Lerman, and has as a best friend, another model called Jennifer. Everything was great in her life, until she decides to live alone for some time and rents a beautiful and old apartment. The problem are her neighbors, who are very, VERY strange. Suddenly Alison starts to have health problems and faints with frequency; She also remembers some painful facts about her past that makes her have nightmares or illusions. But everything has a reason, and it has to do with the new house she is living... I personally find ''The Sentinel'' a very creepy movie, and along with ''The Exorcist'' they are two of the scariest movies I already watched. When we discover that Alison's house is only occupied by the priest and herself my blood froze! It's also horrible to see that she needs to become blind in the end of the movie in order to be the new sentinel to keep the monsters away from our world. | 1pos
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] |
One question: Why? First off, the premise is not funny or engaging at all. They use taped interviews, and take the audio to animate ite with animals speaking the parts. First off, the interviews aren't funny or entertaining to begin with, and even if they were, I am sure they would be a lot more entertaining being viewed as they are originally, without being turned into cartoons. How does that add any hilarity to it? I turned on CBS's Monday night sitcom line-up, (which has become a regular way for me to relax after stressful Monday workdays) and found this on. Of course, the sitcom line-up would be reruns anyway, being summer, but seeing those episodes over again would have been more entertaining. I tried to give "CC" a chance. I really did. When it started, I figured, well, maybe it will be funny. Nope. And then it kept going. It was a long half hour. And I can almost see if there was a purpose, if the interviews were shown in their entirety, and had points to them. But no, it was just one-line clips, cut and pasted together really quick. It was like a horrible dreadful version of Cartoon Network's "Robot Chicken." I wasn't a fan of CBS' now-cancelled sitcom "The Class." WHile that was on, it was one half-hour of the line-up I would struggle through. But if it came down to me deciding a whole season of that or three more episodes of "Creatures"....let's just say I'd take the "Class." Considering it's been a couple hours since it aired, and I come on here to see I am the first to comment...I guess that's a good sign that nobody watched it, and that it won't last much longer. Cartoon roadkill. | 0neg
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] |
A truly scary film. Happening across curmudgeon James Kunstler's rants led me to recently-formed web logs like Life After the Oil Crash (LATOC), Energy Bulletin, and The Oil Drum, and the data behind the theory of Hubbert's Peak. Like this film, LATOC and Kunstler paint a grim picture of die-off or die-back. I hope they're premature, but in mid-2005 rising gasoline prices, rising oil prices, Chevron's Will You Join Us campaign, BP becoming Beyond Petroleum and even T Boone Pickens lend credence to the idea that we are at or near a peak of oil production. After copious research of limited data, oil investment banker Matt Simmons has suggested that the Saudis may no longer be able to increase production in their immense, but aging fields. In the face of increased demand (primarily from the US and China), the Saudis have not responded with higher production, despite previous assurances. Stated world production from 2000 and 2004 indicates that light, sweet crude has indeed peaked. which means that refining will become more costly. The film seems aimed at baby boomers, but younger people, our children, also need to understand the implications of an energy-depleted future. | 1pos
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] |
I have not seen a Van Damme flick for a while, pleasantly surprised, he still has it, looking older, but tougher, kind of like Sly, becomes more rugged with age. This is a good flick and has prompted me to take a look at all the Van Damme movies I have missed over the last ten years. I would like to see a good director put Van Damme on the big screen with a good plot. Van Damme still has the moves to amaze the audiences, the last movie viewed with Van Damme was Legionnaire, that was a good flick as well. In addition, I looked in to Van Damme's early fighting history, I too my amazement I realized he is the real deal, very accomplished martial artist in his younger years. | 1pos
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] |
I didn't have high expectations of this "straight to DVD" release, filmed in Vancouver and featuring the Hansons, but no other talent from the original, impeccable "Slap Shot". I rented it, made my way through it and shook my head at the lack of wit, the lack of atmosphere (the original made you feel you were living in a down-at-heel steeltown) and the homophobia/sexism. The "F" word is bandied about liberally, but it wasn't an organic part of the script, just an add-on to gain an R rating. The Hansons are clearly trying to keep their careers going, despite being rather long in the tooth. Don't talk to me about Baldwin's performance, either. This feels like a TV movie with some swearing and T&A glued on. | -1no label
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] |
Meek and mild Edward G. Robinson (as Wilbert Winkle) decides to quit his bank job and do what he wants, open a "fix-it" repair shop behind his house. Mr. Robinson is married, but childless; he has befriended local orphanage resident Ted Donaldson (as Barry). Young Donaldson is an eager workshop assistant, and sees Robinson as a father figure. Robinson's nagging wife Ruth Warwick (as Amy) is unhappy with Robinson's job choice, and conspires to return matters to her idea of normalcy. Their lives are further disrupted when Robinson is drafted. The war also disrupts what might have been an interesting story, as Robinson's character struggles against a domineering, unsympathetic wife. Possibly, filmmakers are showing how war can save marriages and positively redirect lives. Robinson and Donaldson are a likable team. Robert Mitchum has an inauspicious bit part. The ending "trick" played by Ms. Warwick and Donaldson is predictably staged. | 0neg
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] |
The story for the first-aired television installment of "Columbo" is simple: one-half of successful mystery-writing team does away with the other, frames an unseen Mafia group, is blackmailed by an admirer, does away with the admirer, and is tricked up by the stalwart Columbo. With that said, this is still one of the most entertaining in the show's history, benefiting tremendously by the work of the late Jack Cassidy and star Peter Falk. Besides the notability of being directed by a young Steven Spielberg, the episode also has a air of the macabre because of the future of two of its stars: Cassidy and Barbara Colby. The two share several scenes together and it is poignant that both would die tragically within a decade of this filming, Cassidy in an apartment fire and Colby at the hands of assailants, yet to be found after over three decades. Now, both demises are true-life MYSTERIES! | 1pos
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] |
This is a really really bad movie. However It's good to laugh at the horrible ideas and "special" effects. The plot centers around an EU space agency that discovers a 10th planet that orbits directly opposite the Earth. They send a maned mission (they have been to Mars and have yet to discover this planet? Is anybody stupid enough to fall for this?) to the planet and can you believe it, it's the mirror image of the planet they came from. Most everything is predictable from that point. Honestly from the title of the movie you can guess just about everything. The only surprising thing here is a maned space program run by Eurpoeans :) There really can be no excuse for the plot concept or execution. So it's good for a laugh or maybe if you are in an altered state of consciousness. | 0neg
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] |
From the writer of "What Ever Happened to Baby Jane?" and "Hush .. Hush, Sweet Charlotte," this tail-end of the sixties horror cycle has some eerie and campy fun. Micheál Macliammóir does a Victor Buono-type bit, but too often the movie totters dangerously close to a bad musical ... there's a particularly awful children's recital about halfway through. Debbie taps, tangos and tricks up a lá Harlow, while Winters' religious fanatic has a lesbian edge to her. Agnes Moorehead checks in as an evangelist. Weaver has nothing to do - and even has to pay a gigolo to dance with Debbie. | 1pos
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] |
This movie is just about as good as the first Jackass, but with slightly more disgusting skits. I wouldn't say this was as good as the first, but it came very close. Jackass fans will not be disappointed, but if you didn't like the first movie, you will hate this one. There are scenes that will be seen as Jackass classics (the elderly suits with "additions", the "cab ride", and many others), and those that you will wish you never watched (eating crap, drinking semen, etc...) Overall this movie was a good watch, and I am glad I got to see it. I'm sure this movie will not have the best rating due to critics that rate it (I sat in the press section and most of the older viewers seemed disgusted), but don't let that stop you from enjoying it. | 1pos
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] |
I vaugely recall seeing this when I was 3 years old, then my parents accidentally taped over all but a few seconds of it with some other cartoon. Then I was about 8 or 9 years old when I rediscovered it and since I was then able to comprehend things better, I thought it was a good movie then. Fast forward to Just a few weeks ago (June 2006) when I re-re discovered it thanks to some internet articles/video clips and it's just not the same movie. I'm sure it's still good with the kids, but to us 20-30 somethings it's definitely got "Cult Status" written all over it. It's a shame that the original production went through a painful process; if Fox gave it enough time it would probably be more recognized in the public eye today. Maybe if they were to remake it with a totally different story and an all star voice cast it could be, but that's for Fox to decide. I'm rambling here, I know. I Still think it's a great film, but it could be better than great. | 1pos
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] |
Although at one point I thought this was going to turn into The Graduate, I have to say that The Mother does an excellent job of explaining the sexual desires of an older woman. I'm so glad this is a British film because Hollywood never would have done it, and even if they had, they would have ruined it by not taking the time to develop the characters. The story is revealed slowly and realistically. The acting is superb, the characters are believably flawed, and the dialogue is sensitive. I tried many times to predict what was going to happen, and I was always wrong, so I was very intrigued by the story. I highly recommend this movie. And I must confess, I'll forever look at my mom in a different light! | 1pos
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] |
Average viewers looking for any sense of internal coherence in a film should probably give this one a pass. It generates the same feeling as staring at a curious array of individual images that seem to have some relationship one to another, but never coalesce into a totality. While this isolative approach to creating a kind of cinematic montage may appeal to a few students or critics steeped in the inside language of contemporary filmmaking, it is flatly irritating and condescending to us commoners who just fell off the haywagon. An overt avoidance of accessibility may be the intentional hallmark of auteurs like Kar-wai Wong and Tarantino, but to me it comes across as Andy Warhol warmed over. The only redeeming characteristic I find is in the production values, and them there just ain't going to cut it all by themselfs. This is one of those productions in which you watch and listen and wait anxiously and in vain for some clever development of an idea or thought to sustain all the remarkable and beautiful individual scenes. Sorry. The calligraphic credits unexpectedly begin to roll just as your interest begins to stir. I get the same big yawn and let-down reading what I guess are very knowledgeable and thorough comments about this film that never lead to anything truly comprehensible. Ideas and images without some external context are not my idea of fun. Call me a philistine roaming the streets of Hong Kong looking for a bowl of chop suey. | 0neg
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] |
Two orphaned boys, Mike (Michael Baldwin) and Jody (Bill Thornbury) notice some strange things happening at Morningside Mortuary. Bodies are disappearing from coffins; a lady in lavender has sex with men in the graveyard and then stabs them to death; little midgets in brown cloaks (making sounds like lions) are roaming about and there's a flying silver orb with spikes that embeds itself in people's heads! And then there's the Tall Man (Angus Scrimm) overseeing it all...Soon Mike, Jody and their friend Reggie (Reggie Bannister) are fighting for their lives... The story is pretty thin (and REALLY out of whack at the end), the acting dismal, there's no characterizations or depth and some of the special effects are horrible but...this is STILL a classic horror film. It takes a while to get going (nothing much happens in the first half hour), but when it does there's scarcely a letup. Action leaps into high gear, there's some fairly graphic gore (including the now infamous flying sphere killing), there are plenty of scenes guaranteed to make you jump and the music score is very spooky...right up there with "Halloween". Also some of the special effects are impressive (considering there was no budget). Also Michael Baldwin was a VERY attractive man and there's gratuitous male and female nudity. What's even more surprising is Don Coscarelli wrote, produced, directed AND edited this at the age of 24! He's never matched it since and all the sequels really suck...but this stands alone as a classic. A must-see for all horror fans. Also Scrimm is EXCELLENT (and damn scary) as the Tall Man. Trivia: This was awarded an X rating FOUR TIMES because of the sphere killing...Coscarelli went all the way to the head of the ratings board who overturned it and gave it an R--a rare occurrence that the ratings board kept in a gore scene! | -1no label
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] |
A fondly-remembered melodrama thanks chiefly to Ronald Colman's fine Oscar-winning central performance about an oft-treated theme: the nature of acting and how it can overtake one's perception of reality. In this case, we have a well-known thespian tackling Shakespeare's "Othello", so that the film's last third delves effectively into the thriller genre with press agent Edmond O'Brien (who happens to really be besotted with Colman's co-star and ex-wife Signe Hasso) 'investigating' the actor's possible involvement in the Desdemona-like strangling of a celebrity-seeking waitress (a very slim Shelley Winters). The theatrical/New York atmosphere of the immediate post-war era is vividly captured by the husband-and-wife screen writing team of Garson Kanin and Ruth Gordon and legendary "actor's director" George Cukor (all of whom were recognized by the Academy with nominations); incidentally, the film nabbed a second Oscar for Miklos Rozsa's eclectic score. Colman, forever the suave leading man blessed besides with a velvety voice, does well enough by Shakespeare gaining conviction the farther his character slips into obsessive jealousy, a murderous rage and, eventually, paranoia; however, he is not let down by a supporting cast which also includes director Ray Collins, reporter Millard Mitchell, detective Joe Sawyer and coroner Whit Bissell. Though the mid-section is a bit strained, the film makes up for any deficiencies with a remarkably-handled Expressionist denouement. | 1pos
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] |
I am so glad DAVE started playing these as i had only seen the US version and clips on youtube until then. It is one of the most hilarious shows on TV and far superior to the US version; don't get me wrong, i do like the American one but got bored of the same performers each time, it became real repetitive. The skill of the improvisation is amazing in the British version especially in the dreaded hoe-down. What i like most about this version is the versatility of the performers, you had Brits, Americans, Canadians, Australians and maybe more that i can't even think of. Each of the performers had their own individual talents; Josie Lawrence and Mike McShane naturals at 'song styles' whilst Ryan Stiles and Colin Mochrie worked great together in 'scene to music' or 'sound effects'. My favourtite player is Tony Slattery as he always has me in stitches but everyone is brilliant including Josie, Mike, Ryan, Colin, Steve Frost, Paul Merton, Jim Sweeney, Niall Ashdown and many more. My other favourite player is Greg Proops, he has such wit and the banter between him and Clive Anderson is very funny. I love Clive as the host, he his so sharp witted (unlike Drew Carey who makes me want to switch off the TV every time he speaks) There is a huge selection of games too,some of my favourites being 'film and theatre styles', 'Party quirks', 'bartender' and 'superhereos'. There are some dodgy ones though (i'm not keen on 'moving people' or 'helping hands' much) but the games and players are always different so you never get bored. I hope it keeps playing on the DAVE channel so others who missed it first time round can see it now. | -1no label
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] |
So im not a big fan of Boll's work but then again not many are. I enjoyed his movie Postal (maybe im the only one). Boll apparently bought the rights to use Far Cry long ago even before the game itself was even finsished. People who have enjoyed killing mercs and infiltrating secret research labs located on a tropical island should be warned, that this is not Far Cry... This is something Mr Boll have schemed together along with his legion of schmucks.. Feeling loneley on the set Mr Boll invites three of his countrymen to play with. These players go by the names of Til Schweiger, Udo Kier and Ralf Moeller. Three names that actually have made them selfs pretty big in the movie biz. So the tale goes like this, Jack Carver played by Til Schweiger (yes Carver is German all hail the bratwurst eating dudes!!) However I find that Tils acting in this movie is pretty badass.. People have complained about how he's not really staying true to the whole Carver agenda but we only saw carver in a first person perspective so we don't really know what he looked like when he was kicking a**.. However, the storyline in this film is beyond demented. We see the evil mad scientist Dr. Krieger played by Udo Kier, making Genetically-Mutated-soldiers or GMS as they are called. Performing his top-secret research on an island that reminds me of "SPOILER" Vancouver for some reason. Thats right no palm trees here. Instead we got some nice rich lumberjack-woods. We haven't even gone FAR before I started to CRY (mehehe) I cannot go on any more.. If you wanna stay true to Bolls shenanigans then go and see this movie you will not be disappointed it delivers the true Boll experience, meaning most of it will suck. There are some things worth mentioning that would imply that Boll did a good work on some areas of the film such as some nice boat and fighting scenes. Until the whole cromed/albino GMS squad enters the scene and everything just makes me laugh.. The movie Far Cry reeks of scheisse (that's poop for you simpletons) from a fa,r if you wanna take a wiff go ahead.. BTW Carver gets a very annoying sidekick who makes you wanna shoot him the first three minutes he's on screen. | 0neg
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] |
Great show! About time a reality TV show comes along that closes generation gaps. Contestants range in ages, some seem old enough to have watched the movie when it first came out. And others, looked so young that perhaps parents or teachers handed down the movie hoping it would touch their lives the way it once touch them. Grease has truly become an American icon. Grease is a fun and entertaining movie in which the young and old can relate to. "You're The One That We Want" is sure to gain even more Grease followers. The only thing I wish there had been more of is character history, then again it is kind of nice to leave some of it to the nostalgic imagination of the 50's. Cant wait to watch the next show...and then on Broadway!!! | 1pos
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] |
I am at a loss to find the words to express how bad I thought this film was. The initial precept was promising, but in all respects afterwards it was totally awful. Let's run through the main points. Plot - good initial idea but truly terrible development. There were many points when I thought "no, nobody would do something that stupid". The ending was amazingly anticlimactic. Characterisation - all of the characters were either completely bland or grotesque caricatures. I keep trying to think of one that wasn't - possibly the mother, but that's it. Music - intrusive, inappropriate and generally terrible. Direction - totally amateurish. Cinematography - doubt they've heard of it. Camera angles / stability / zoom levels often really bad. I am totally bemused at how this film has scored so highly. It's the worst movie I've seen at the cinema for years, if not ever. | 0neg
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] |
I bought Radioactive dreams because of Micheal Dudikof. I have liked American Ninja since I was a child and I wanted to see the lead actor in another role. In RD, Dudikof plays a Fool, bottom line. I was a little irritated by the annoying 80s music and singing, but I enjoyed being able to look back at the 80s art of B level crap. You don't see things like this anymore, this is unmistakable 80s and think that it is not a good movie, but a lot of movies aren't good movies. it is as many people say, if you go into it with the right mindset, a movie such as this can actually be entertaining. Basically, Two brothers are locked in a bomb shelter all their lives because a nuclear explosion occurred. The two brothers finally come outside into the world as teens / young men. What the want is to get with women but then they find themselves on a mission to save the world. There are many characters in this film, not great characters, but unique, one such as a gang of scary mutant biker chicks. | -1no label
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] |
I'm not a fan of this brand of comedy - stereotyped characters over-acting their way through a cops and robbers farce. But there are enough likable characters to sustain interest. Michelle Pfeiffer is adorable, but the person really carrying the film is Dean Stockwell, who steals every scene as the head mobster (named Tony, no less). Stockwell's performance is the reason I'm writing this review (and the only reason I'd recommend it), in fact. You'll be tickled by his screen time. He's plays the mob boss perfectly, with comedic touches in the right places, managing to avoid becoming an overbearing cliche. In fact, Stockwell's a complete delight to watch - a master of the 'double take,' and a real 'looker' in those classy suits and fedoras. Meesa Says: A good film to watch while folding laundry or eating leftovers. | 1pos
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] |
This is an incredible film. Not only is it a near perfect visualization of something quite complex, the Faulkner literary style, but it shows Robert Duvall to be the genius that he is. His style is so understated that you might not realize that he is one of the two or three greatest actors alive, but this film will nail that reality home for you. "Tomorrow" is a heartbreaking story set in the deep south a generation after the Civil War, and the tiny sad tale of a man and a woman and their child. It is a tale of profound love felt by people who cannot eloquently express themselves in words due to their social circumstances, but speak volumes with their actions. And so does the film. Shot in a very modernist style, there are long pauses, long glances, uncomfortable silences, all just like real life. And the effect, in this case, is brilliant. I am proud to say that I have, in my life, known a few people like the people in this film, and I can tell you that the portrayals are precisely right. The costumes are flawless in their detail. (Duvall's shirt is held shut with a safety pin, a tiny detail that my grandmother noticed immediately as the way men used to do it when the button fell off - she saw it hundreds of times as a girl in the 20's.) I could go on and on, but if you have any interest in Faulkner, or the South, or post Civil War culture, or the human condition in its most effecting moments, you really owe it to yourself to see this little gem of a movie. You absolutely will not be sorry. | -1no label
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] |
After seeing the low-budget shittier versions of the "Universal Soldier" franchise, I hoped and prayed that Van Damme reprised his role as Luc Devoreaux in a second Unisol movie. Well, it seemed this prayer was answered, but not the way I hoped. Universial Soldier 2 is just intense as poetry reading at your local library. No, even that would be more intriguing . The fight sequences are top-notch, Bruce Lee quality, which is the only redeeming factor in this entire pathetic excuse for a motion picture. That and having former WCW tough-guy legend "Goldberg" playing the villain. However, placing Goldberg as Seth's sidekick lieutenant would've been better. We offended me the most was the setting of the movie itself. It's like some film school students slapped it together. The plot holes are that bigger than Kanye West's ego is what really did this movie in. For example: Luc's daughter, Hillary looks like she's at least 11-13 years old and the first movie was filmed only seven years ago. How is that possible? Tell me that! The part in which Luc's partner was killed off and turned into a Unisol is just re-goddamn diculous! You mean to tell me that there was an experimental Unisol exposed naked in the basement of the research complex at the beginning of the movie. C'mon. The director could've spent more time with this movie like the first one and sewn all the plot holes shut. But oooh nooo! Speaking of the plot, IT SUCKS! Compared to the first movie, Universal Soldier 2's plot watered down and worthless. Where's the gritty thrills in which a Unisol goes berserk an re-enacts his last memories in a supermarket rampage thinking its Desert Storm or something ? This was the dawn of the Millennium, you would attracted more of an audience if this had taken place in a dystopia/Orwellian type of future cesspit. Corny is the correct adjective to describe this sad, sad, sad sequel. From what I seen: Double Impact, Under Siege 2, Robocop 3, and hell, even the cheap-ass/no class Terminator knock-off "Class of 1999" is more entertaining than this! | 0neg
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] |
GASP! at the amazing bad acting. FLINCH! at the horrible in-jokiness of it all (Leonard from the village of Vinci?!?). Yes, it's Sword & Sorcery as you never wanted to see it. It's probably Warner's worst movie (beating out Naked Souls), and possibly his worse performance, but he's just not given much to work with here. Sarah Douglas is suitably evil (can't go wrong there), but even she seems overwhelmed by the sheer hokiness of it all. The rest of the cast seems to be out-of-work SCA members. There's just nothing, nothing good about this. | -1no label
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] |
Terrific little film that stars Mary Astor as a go-getter who works her way up as a struggling paper company, but when the owner has to sell for health reasons, she comes up with a scheme for the employees to buy the company with a jerk salesman (Robert Ames) as the "front" even though she is the brains. Of course he becomes a big success and she becomes his executive secretary, basically still running everything and teaching him class. She loves the dope, but he never catches on as he fools around with a string of bimbos. She is chased by a married but separated man, Ricardo Cortez, who isn't free. But when a society gal catches Ames, everything goes to hell. Astor is just wonderful as the too-smart woman who almost makes a huge mistake after she loses her man. Ames is good as the jerk (but what does she see in him?), and Cortez is good but doesn't have much to do. Kitty Kelly is good as the sidekick, Dolores. Charles Sellon is the original owner, Cather Dale Owen is the society babe, and Edna Murphy is funny as Daisy. Worth a look. | 1pos
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] |
Listen, I don't care what anybody says, as Cypher is nothing less than a 5 star movie. Cypher is not, I repeat not, a B movie. Cypher is an absolute masterpiece. Suffice it to say, I am a connoisseur of the world's finest spy films and this film is nothing less than top flight. I cannot overemphasis how phenomenal this movie is. Cypher is one of the best spy movies ever conceived and ever made. The technology in this movie is over the horizon of spacetime. In fact, I must admit that Cypher completely surprised the hell out of me. In fact, I've recommended this movie to my colleagues more than any other movie. Other critics, of whom some downplayed the movie, have no idea as to what the hell they're talking about. Don't listen to the haters. And actually, for the most part, reviews of Cypher have been largely positive. And it should be noted that Cyher is not only a good movie, but it is also a fantastic movie. Cypher is the kind of movie that's so advanced and so magnificently crafted, that it's over the heads of most critics and all the cynics. There is nothing wrong with or cheap about Cypher whatsoever. Again, the cinematography, the backdrops, the technology, the storyline, and the acting are all 100% world-class top notch. Naturally, I won't give anything away. This is not a spoiler. And though it is the contention of some critics that Cypher should have been in movie theaters, I believe quite the opposite. Cypher is a movie that seems to have been just right for DVD release only and not in a bad way. Cypher has got to be the greatest underground spy flick ever to hit the shelves. Blade Runner, 1984, Brave New World, Total Recall, Logan's Run, Jason Bourne and Impostor and Deja Vu... look out! Cypher equally earns the distinction of being placed in the AONN Multimedia Research, 5 Star Eternal Spy Movie Hall of Fame. Cypher is counterespionage at it's absolute best. Hands down and hats off. Nothing is what it seems and truth is stranger than fiction. The future is now. | 1pos
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] |
I have had this on VHS and now on DVD for a long time, I love it and have re-watched it a few times. I must say that Jane Seymour was preferable to Ali MacGraw as was Hart Bochner to Jan Michael-Vincent. I have both Winds of War and War and Remembrance so I can say that I prefer Hart and Jane as I have seen both series. If you are going to watch this series do watch Winds of War first. The scenes in the concentration camps are horrifying and terrible, but this adds to the excellence of the program because you want to be able to emphasize with what is happening to these innocent victims and feel their pain, anguish, confusion and bewilderment. | -1no label
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the movie is simply horrible (2/10). Although actors are trying their best (well sometimes that isn't much) special effects are ...let me put it this way it would be better if there weren't any. The script is based on Sapkowski's prose, so it should be the biggest advantage of this movie. Sadly it's the opposite. There is nothing left of the original atmosphere. And it's all very chaotic. Maybe they just had too much material to show in 2h time. Anyway if you would like to see this film I would recommend you to look for the TV series (same title, same actors, even the plot stays the same) that was made in the same time the movie did. It is so much better (9/10) and the story there actually make sense:) | 0neg
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] |
If you haven't seen this obscure little charmer, you should seek it out. It is the story of a bumbling, wartime Sad Sack (Fred MacMurray) who is listed 4-F each time he attempts to join any branch of the military. He finds a magic lamp which of course contains a genie (Gene Sheldon), but the genie is even more bumbling than MacMurray is, sending him across time to serve in all the wrong times and places than the one he wants. It is cute, cheerful, and pure fluff, and you can't help but like it. The plots is much like a Disney film, particularly since the two stars (MacMurray and Sheldon) both made numerous Disney films in the 50's and 60's, although not together. Needless to say, it all ends well for everyone, and the viewer goes away feeling pretty good. | 1pos
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] |
Oh man. This movie is so bad, it makes me laugh. Here's why... Frodo and Sam seem to be the only characters who do ANYTHING in the film. The animation's so bad. Seriously, Gollum looks like a mutated frog. Hardly anyone else but Gandalf, Frodo, Sam, Gollum and the creepy Minstrel has more than five lines. The orcs (who aren't even the least bit scary) sing the dopiest song in the film. Legolas and Gimli aren't even mentioned, let alone in it. And Faramir gets a ten second cameo, only 'cause he's Eowyn's boyfriend. You don't even see the two have a moment to know that. And if you've never read the book, or seen the new movies, you wouldn't even know who that guy was. It was just bad. The only good parts? Eowyn gets to kick the Witch King's butt. Sam's little dream of Rosie is just cute. And the Eagles rock. But seriously, if you want to see a good animated adaption of J.R.R. Tolkien's works, get Ralph Bashki's "Lord of the Rings". But if you want to see this wad of crap, it does make a good comedy. | -1no label
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] |
I can't see how a film of this quality only gets an average of 5.7 from IMDb voters. It's a classic Australian production that resembles recent efforts such as LOVE AND OTHER CATASTROPHES, THE SUGAR FACTORY, OCCASIONAL COARSE LANGUAGE, RUSSIAN DOLL, SAMPLE PEOPLE, THE SECRET LIFE OF US, LA SPAGNOLA, STRANGE PLANET, FRESH AIR, DUST OFF THE WINGS, DOING TIME FOR PATSY CLINE, etc..., as a 19-year-old uni student (Newton, in perhaps his best role yet, on par with CHANGI at least) with a bored, over-religious mother gets the shock of his life when she decides to enrol in the same course as him - and before you go thinking ANOTHER GOOFY MOVIE, it's not, there's some real substance here. Sure, it's a simplistic view of life in general and arts students in particular (but then they are rather simplistic under all that philosophical mumbo-jumbo aren't they?), and maybe the study of Sinead Cusack's character is a little muddled at times, but the film is bright, funny, and has some important messages. The principle cast is terrific: Cusack and Newton are wonderful, and Rose Byrne (see her also in THE GODDESS OF 1967) is so underrated it's not funny. She's a beautiful, fresh, confident actor who deserves every accolade she receives. I gave MY MOTHER FRANK 8/10. | 1pos
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] |
Miriam Hopkins is "The Lady with Red Hair" in this 1940 biopic of Mrs. Leslie Carter which also stars Claude Rains as David Belasco, Richard Ainley as Lou Payne, and a fine cast of supporting players, including Laura Hope Crews and Victor Jory. Miriam Hopkins and Claude Rains give wonderful performances. Hopkins was a beautiful actress who really makes us feel for Mrs. Carter. Rains is great as the flamboyant, egotistical producer/writer/actor/impresario David Belasco, one of the great names in theater. Though Mrs. Carter's second husband, Lou Payne, served as adviser on this film, it's a poor representation of the real events of Mrs. Carter's life. True, there was a much publicized and bitter divorce, and she was undoubtedly viewed as a scandalous character for that and for becoming an actress. However, she had custody of her son Dudley, so there was no custody battle. Once she broke with Belasco, she did not go back to him and, in fact, started working in vaudeville and actually made some films toward the end of her life. She did indeed marry Lou, and he became her leading man in many productions. The driving force for Mrs. Carter in the beginning of this film is regaining custody of her son, but she finally realizes that in her time away from him, he is thoroughly bonded with his father. In the film also (and I'm not sure if it was true in real life) she traveled with her mother and lived in a theatrical boarding house, which gives the film some added interesting atmosphere. Not a bad movie, probably not a depiction of the greatness of either Carter or Belasco. One of Mrs. Carter's most famous moments was in The Heart of Maryland, where she wore a wig with six-foot tresses. Off-stage, fans blew her hair as she hung 35 feet above the stage clutching the center of a bell to keep it from ringing. Quite a visual. | 1pos
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] |
I have remembered this movie being on TV when I was a child and have never forgotten it. We had the soundtrack that I played often, really enjoyed all the music. In High School we did Brigadoon and I played Tommy. (I was a far cry from Robert Goulet in appearance or voice, but I was the only one in my class who could sing!) As luck would have it a few months ago I connected with someone on the internet who had made a copy of the movie using a movie camera of the TV screen and provided me with a DVD copy. It is not the best recording, but since this is probably the only version I will ever be able to enjoy, it is priceless. Actually, the sound is terrific, the video certainly not DVD quality but passable for someone who had enjoyed it as a child. Great fun to watch and brings back many fond memories. | -1no label
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] |
This enjoyable minor noir boasts a top cast, and many memorable scenes. The big distraction is the complete disregard for authentic accents. The Spanish characters in the film are played by a Frenchman (Boyer), a Belgian (Francen), a Greek (Paxinou) and a Hungarian (Lorre)! And to top it all off Bacall is supposed to be an English aristocrat! Despite these absurdities, the performances are all very good - especially those of Paxinou and Lorre. But the scene in which Boyer, Paxinou and Lorre meet, and talk in wildly different accents, is a real hoot! And I guess, seeing as how they were alone, that they should actually have been speaking in Spanish anyway! It seems pretty weird that the Brothers Warner couldn't find any Spanish speaking actors in Los Angeles! Of course Hollywood has often had an "any old accent will do" policy - my other favorite is Greta Garbo (Swedish) as Mata Hari (Dutch), who falls in love with a Russian soldier played by a Mexican (Ramon Novarro). Maybe they should have got Novarro for "Confidential Agent" - he would have been great in Boyer's role or at least in Francen's (which would have saved greatly on the dark make-up budget). | 1pos
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] |
It's been a while since I watched the amusingly titled "Woman is the Future of Man" at the Quad. More than a year and 2 Hong Sang-Soo films later it remains among my favorite films. While it's always refreshing and welcome to see films depart from the pyrotechnics of the Hollywood school of film-making, some films' subtlety and quietness are rather oppressive (Tsai Ming-Liang immediately comes to mind). I think I have a longer attention span than the average film-goer, however, I have to admit that I can't sit through all kinds of slow films. Some are worth the challenge, others end up embodying the stereotype of the inaccessible art film. Hong's film would've looked like art house snobbery in action if not for the fact that it's made in a very straightforward manner focusing mainly on the most basic of emotions (and the complicated situations emanating from them). The style of film-making is so cinema verite, so unobtrusive, it's a joy to go beyond being a member of the audience and feel like an actual passerby. The best, most memorable celluloid stories stay in your mind as films but "Woman" is a story so well-told it feels more like snippets from somebody's life told by a close friend. Hong Sang-soo's "Woman is the Future of Man" is yet another great addition to the impressive national cinema of South Korea and one that pushes me to continue exploring more of this body of work. It's raw, naked jealousy, regret, love, lust, and longing. It's a bittersweet reminder for anyone who's ever experienced romantic love and its many variations and deviations. This is it how it happens and somehow Mr. Hong has captured it through the magic of cinema. | -1no label
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] |
I remember watching "Lost Missile" (actually throwing a fit until my brother and several cousins at whose home I was an overnight guest agreed to watch it with me - I was, from time to time, the Eric Cartman of the 1960s - sorry, guys) and being somewhat embarrassed when the sustained wave of million-degree heat emerged as a plot device - even as a second-grader I knew that a mere missile just couldn't carry the energy around for that much heat or devastation over more than the duration and limited radius of a nuclear detonation. My inflicting that turkey on loving relatives was a self-punishing crime. The film's production values were very good. The acting isn't bad (apart from the Shatnerism of the actor who played governor's aide that someone else here mentioned). But the idea of a missile Easy-Baking the surface of the Earth by means of the heat of its exhaust... no. How'd the people at "Mystery Science Theater 3000" miss "The Lost Missile," anyway? It's a great classic of unintentional comedy - watch it if you want something to drink beer to some weekend. | 0neg
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] |
I am a MAJOR fan of the horror genre! I LOVE horror/slasher/gore flicks of all kinds. Some of my favorites are the really "good" bad horror flicks. But this movies has NOTHING to warrant it's viewing!! I'm not going to spend a lot of time talking about everything that's wrong with it. The script is horrid. The acting is horrid. The FX are not even worth discussing. The "set" is an absolute JOKE!! The sad thing is I think there MAY be some real potential in a couple of the actors, but this vehicle left them NOTHING to work with!!! Suffice it to say I saw it for "free" & feel I was robbed!! The time you'd WASTE watching this would be better spent flossing your cat. | 0neg
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] |
After Tim Burton's "Ed Wood" resurfaced that dubious genius, some peninsular scandalmongers decided to find the local equivalent to Ed and declared Tanio Boccia (who directs here as Amerigo Anton), Italy's worst filmmaker ever. That's not to be taken without a grain of salt. More than anything else, Boccia/Anton was one of those directors who accepted everything, did not argue with producers, took his projects as just another job and never thought of identifying with them. The results are under everybody's eyes, but it has to be admitted that he would have never thought of a future, let alone international, survival of his modest output thanks to TV, videotapes or DVDs. In the case of "Il trionfo di Maciste", the boyish Kirk Morris (alias Adriano Bellini, a Venetian who also starred in Riccardo Freda's "Maciste all'inferno") is to be admired in the muscular chariots scene at the middle of the film, where he offers such a picture of sweat, fatigue and effort as to become a minor cult classic for voyeurs. Although I'm not a gay person, I can easily picture the enjoyment of this share of the audience before such a sequence. For the rest, a minor and quite slow output without the visual glamor of the best productions. | -1no label
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] |
First of all, let me say that, in my opinion, the music is totally wrong for the film. It sounds like it's straight out of a love scene from of a James Bond film, and with good reason - it was actually composed by John Barry, famous for the JB theme. The acting is certainly up to adequate standards, and the cast is as sterling as they come. In order for this to take on 'classic' status, I would recommend that it be re-edited with an alternative soundtrack. It's all too easy to lose one's concentration watching this film, although admittedly the subject matter is dreamy. Surely this ripe for a remake, perhaps with Tim Burton at the helm? | -1no label
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] |
Guys, the next time you look in the mirror and don't like what you see, try telling yourself that at least you're not Rondo Hatton. Hatton suffered with the congenital disease acromegaly, which, as Webster's puts it, is "chronic hyperpituitarism marked by progressive enlargement of hands, feet and face." He lived to the age of 52, being felled by a heart attack shortly after making his last film, "The Brute Man," in 1946. This is an extremely well-made little B picture, featuring fine acting by all, a compact story and some real suspense. In it, Hatton plays a former college BMOC who became disfigured after a lab accident and who, years later, begins a murder spree against all his former pals and teachers that he blames for his current condition. He also befriends a pretty, blind piano teacher, who naturally doesn't recoil automatically from the big lug's unique physiognomy. These scenes, with big Rondo and the blind woman, will likely cause most viewers to recall Frankenstein and the blind hermit in "Bride of Frankenstein" (1935), just as his later sacrifices on her behalf are reminiscent of Chaplin's for his blind flower girl in "City Lights" (1931). No, "The Brute Man" is not nearly in the same league as those two immortal classics, but still remains a fine entertainment nevertheless. "Frankenstein" makeup man Jack Pierce contributed his great talents to this film, too, making Hatton (I would imagine) even more of a sight than he was ordinarily. It's hard to feel much sympathy for Rondo's "Creeper" character, cold-blooded psycho that he has become, but somehow, we DO still feel some, to the actor's great credit. Oh, by the way, this DVD looks just terrific; an absolutely first-rate transfer from the fine folks at Image Entertainment. | -1no label
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] |
A film, first and foremost, should be good storytelling. It should be entertaining - and entertaining doesn't necessarily mean "laughs", and it doesn't necessarily mean "light". It basically means you're not bored while watching it. As brilliant as 2001 may be, it is a difficult film to watch, especially for the current (video-game-playing/iPod fumbling) generation. Its slow pace and the sometimes intolerable amount of time it takes for an actor to perform a single action (e.g. the attempt to rescue the crew member floating in space) will stretch your patience. On the other hand, the cinematography is brilliant, the film cleverly directed, the ending thought-provoking and the score...the score is chilling, especially as the crew in the transporter approaches the artifact on the moon. Boy, I had goose bumps, big time. This doesn't happen often when I watch films, and is a testament to Kubrick's directing skills. It IS considered a classic, and many people consider it the best science-fiction film of all time. That alone is a good reason to watch it if you haven't done so yet. However, just because everybody else thinks it's a brilliant film doesn't mean you have to force yourself to like it. You either will (like it) or you won't. Perhaps the slow pace isn't such a bad thing, after all. Directing your attention to something rather static and slow-paced for 2 1/2 hours might teach you a lesson. It will certainly be a different experience to all these fast-moving, fast-paced images we are subjected to these days (whether commercials, music videos or video games). I myself think it's a "memorable" film. But not one I'm eager to watch again anytime soon (unless I'm in a particular mood for slow-paced films). Hence, 7 stars out of 10 from me. | 1pos
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I love westerns and I love Jeff Bridges. After seeing A Door in the Floor again I remain mystified as to why he doesn't have a shelf full of Oscars. That said, Bad Company is not a terrible movie but it surely isn't great. It is a stretch to call it uneven because it is evenly ordinary. It lacks the lyric quality of McCabe and Mrs. Miller or the iconic quality of The Searchers. As a matter of fact, it is not really comparable to any of the great westerns because it is inherently small and my bottom line is that to the extent that it is worth watching, it is because it was a sincere effort but that is the best I can do and it is faint praise indeed. I don't think that it is a neglected masterpiece but think it is neglected precisely because it is not a masterpiece. | -1no label
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Watching TRUTH ABOUT LOVE (is this a double entendre about the star?) is like plugging in white noise or manufactured water sounds to help you sleep - you put it in the DVD slot because there is nothing else left on the store shelves and you are in need of distraction after a hectic day. And it works for that for that purpose: being a British romantic comedy it is a bit more. The story is a rather simple one about a wife Alice (Jennifer Love Hewitt) married to an increasingly distant husband Sam (Jimi Mistry) who has put their love life on hold due to the burdens of his busy law practice. His partner Archie (Dougray Scott) is fond of both Sam and Alice, but has a longtime attraction to Alice that goes beyond friendship. Alice pals with her sister Felicity (Kate Miles), a free love advocate, who encourages Alice to have affairs. On Valentine's Day, after a drinking binge with her sister, Alice mails a card to Sam signed 'Anonymous' as a test to see if Sam responds, testing his fidelity. At the same time Archie mails a radish seed packet to Alice on which he has inscribed a suggestive love not. Both have ex post facto regrets. Sam in fact is spending time with a lover Katya (Branka Katic) and is indeed cheating on Alice. Alice arranges assignations with Sam via email and phone calls and plans to meet Sam in disguise as 'Anonymous' to test his fidelity. The entire cast of characters gets caught up in the silly charade and the ending proves that real love must be based on truth - and how that results in the various pairings is the surprise (of sorts) of the fluffy script. British comedies work because of the quality of writing and the tight quality of acting. Perhaps had director John Hay elected to cast a British actress as Alice instead of pasting a phony accent on Jennifer Love Hewitt the result may have been improved. But in the end this story by Peter Bloore bounces between mildly humorous and pathetic in its messages. One terrible distraction is a musical score that is consistently so loud that it covers all the dialogue and is intrusive. There are some nice scenes of London and a few moments of passable humor, but in the end this little film is truly best utilized as background music/white noise. Grady Harp | 0neg
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] |
But the opposite, sorry bud, i completely understand how you can be dragged into a film because you relate to the subject ( and you have). This film is terrible, the main character would give any charlie brown subtitler a run for his money he just constantly mumbles which is always a laugh, most scenes just feel awkward with characters more often than not gazing across to another with a look of...its your line now, then i will react. Best British comedy? Please buddy, have a strong word with your bad bad self...at the end of the day ...the sun goes down...and this film is Awful. I mean well done to the people involved...they have made a film...and maybe motorbike enthusiasts may be into it but people that still live here on earth with an actual sense of humour will struggle with this more than smiling at the Christmas present they're nan bought them...was that overly harsh? i do apologise... | 1pos
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] |
Before seeing this movie, I would've said that I loved everything Kathy Bates has done. Now it's everything-minus-one. James Woods is pathetic...not his character, his acting. Someone should've told him that "poor" is not synonymous with dirty, nor ignorant, nor cliche. Ditto for Randy Quaid's stereotyping. The only redeeming feature is Henry Thomas, who isn't a strong enough actor to carry this sodden mess. If you enjoy the country, you'll enjoy the scenery. That's the best I can give it. I'm a serious fan of both independent and quirky films, but this is simply terrible. | 0neg
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] |
I like the idea behind the plot, but the execution is terrible! To give an example: The main character hurts his foot badly in one scene at the beach -- and right afterwards he runs energetically up the stairs. The script is flawed and non-engaging... The "bad guys" are awful actors, especially the boss. You never get to see him but you can hear his mean evil voice, like this was some kind of Batman movie. =SPOILER= And what about this code? All you hear is some old rabbi mumbling about how important it is, you never get to actually see any of it. Ridiculous. And this secret agency never thought of the idea that the CD may have been copied and distributed? Enough said. | -1no label
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] |
I would compare this film with a painful root canal I once had...but I wouldn't want to insult my dentist. I base my opinion on the following...the film contains: - bad acting (and to wit; bad casting) - bad writing - bad camera work - bad directing - bad editing and BAD accents. I noticed Catherine Charlton was listed as the dialogue coach. she also worked with Angelina Jolie on a number of films. this explains a lot. if forced to say something nice, I'd have to say that there are nice horsies in the film. yay for nice horsies! the director of this film, Reverge Anselm, also wrote and directed the execrable "Stateside". I'd appreciate it if he would never be involved in making a film ever again. | -1no label
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] |
Even casting aside memories of the infamous summer of 2005, (during which the Internet Movie Database's Film General message board was overrun for months by the director's friends relentlessly hawking this documentary - and getting extremely unpleasant when challenged about their behaviour, trolling the board - in a monumentally misguided attempt at viral marketing that ensured everyone who encountered them waited for it to arrive on television rather than pay to see it) this film is impossible to like. Much of that stems from the unlikable Brian Herzlinger, a man with no personality to speak of. He's a poor enough actor to betray the fact that at times he's clearly reading scripted material or improvising imaginary see-I-got-you-back phone conversations with an ex girlfriend who cheated on him. And that's not even his most pathetic moment. Every attempt is made to enliven the concept but because it simply doesn't lend itself to a feature length film these attempts are doomed to failure, even if they weren't so hopelessly amateurish and inappropriate. They frequently employ six degrees of separation graphics as if they expect the audience to care that some guy's friend is a friend of some other guy's agent who knows someone who once worked with Barrymore. This kind of information is often presented in dramatic freeze frames as if to underline how important it is. Presumably resulting from a dearth of imagination and creativity we're left with seemingly never-ending footage of Herzlinger approaching teenage girls outside malls and telling them what the film's about. "Oh, cool" they respond unenthusiastically - and this footage made the final cut! Next we see him unsuccessfully stopping people in the street and asking them to take part in "A survey about Drew Barrymore." It continues like this until the final scene, which I won't spoil. Things get mildly interesting (and decidedly awkward) for a few minutes and then - thankfully - it's over. | -1no label
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It was so terrible. It wasn't fun to watch at all. Even the scene where the girl is using a vibrator, even that's not fun to watch in this movie. I say again, the scene where a girl is masturbating with a vibrator is not even fun to watch. Or maybe if that was the only part of the movie that you watched, just girl on couch using a vibrator. Maybe they should have just released that one scene in theaters, maybe then the movie would be enjoyable on a certain level. My advice, fast forward to that point, watch it, rewind the movie, watch it again, rewind, repeat. Maybe you could enjoy yourself for 2 hours that way. This movie ranks alongside I spit on your grave and Doom generation in the category of worst movies that I have ever seen. | 0neg
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Maybe it's the dubbing, or maybe it's the endless scenes of people crying, moaning or otherwise carrying on, but I found Europa '51 to be one of the most overwrought (and therefore annoying) films I've ever seen. The film starts out promisingly if familiarly, as mom Ingrid Bergman is too busy to spend time with her spoiled brat of a son (Sandro Franchina). Whilst mummy and daddy (bland Alexander Knox) entertain their guests at a dinner party, the youngster tries to kill himself, setting in motion a life changing series of events that find Bergman spending time showering compassion on the poor and needy. Spurred on by Communist newspaper editor Andrea (Ettore Giannini), she soon spends more time with the downtrodden than she does with her husband, who soon locks her up in an insane asylum for her troubles. Bergman plays the saint role to the hilt, echoing her 1948 role as Joan of Arc, and Rossellini does a fantastic job of lighting and filming her to best effect. Unfortunately, the script pounds its point home with ham-fisted subtlety, as Andrea and Mom take turns declaiming Marxist and Christian platitudes. By the final tear soaked scene, I had had more than my fill of these tiresome characters. A real step down for Rossellini as he stepped away from neo-realism and further embraced the mythical and mystical themes of 1950's Flowers of St. Francis. | 0neg
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] |
With all the big name talent in this film, I found myself snoozing. This is why film is so subjective, and why it concerns me as a writer that this project got made. I felt nothing for any of the characters, and I wasn't interested in where it was going. Bad things to create in a viewer. What did Tilda Swinton see in this to help produce it? The quirky idea of a 17-year-old who sucks his thumb doesn't hold up over the course of a feature film. Even the "quirky" supporting players came off corny. Keanu Reeves channeling his "Bill and Ted's Excellent Adventure" character as a dentist. I respect that the filmmakers got this made, so maybe there's hope for other films with good stories to reach the light of day. Money back, please! | -1no label
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] |
Having recently caught this strange film on Independent Film Channel,it certainly warrants a viewing, if only for the curiosity of Jose Mojica Marins. Primarily,he uses two scenarios: a round-table of psychiatrists discussing drug addiction,and alternate scenes of the addicts in question, who are given LSD as part of the experiment. The poverty and demoralization (particularly of women in Brazil) is explored, and the scenes are stark, turning gradually to crude, horrific and even at times humorous. There is one scene in particular where a young woman is interviewing for a job as a maid and she envisions her prospective employer, who is obese and wolfing a plate of pasta)as a hideous looking Pekingnese dog. Overall a creative and strange commentary on the drug cultures of the late 1960's and 70's.8/10. | -1no label
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] |
I'm a fan of Columbo, especially on a rainy Saturday, and it was fun to see Oskar Werner after Fahrenheit 451, but this episode was very lacking. The original plot and plot twists were obvious and could be guessed way in advance, even years before the modern detective shows of today. But it was amusing to see the crazy couch patterns and "modern" electronics equipment and, of course, the mandatory suburbanite humor poking fun at modern art for sale. The high-tech home is a Jetson's or Disney version of Tomorrowland, and fun to think of writers inventing those "way-out gizmos". If its sunny outside, go play, as there are much better Columbo episodes. Still, we should be thankful for Cable TV that these episodes are being broadcast. | 0neg
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] |
I kinda liked this film--maybe it was the cast more than anything. The script was a bit lame @ x's. the author's son makes some comments that indicate that the book was deeper or something--but when a book is sold to Hollywood--the author gives up ownership, so to speak. this film came out in 1950 & 57 years later the son still sounds sore. Meanwhile, the book is like totally unavailable so a modern viewer of the film would be hard pressed to make comparisons. Anyhow, I thought that Farley Granger did an excellent job ( despite his negative views on the film). Also excellent were Paul Stewart, Mala Powes and Robert Keith. Joan Evans was given nothing to do & Dana Andrews was good--but the character was not written well. | -1no label
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] |
This is one of the most awfully and painfully boring movie I have ever watched. Let me explain, the story is rather interesting with many plots. The problem is the SCENES. OH MY GOD they are making every scene feel like an eternity. A simple and unimportant scene can be 5 MINUTES longer than needed. they are really dragging the audience' patience here. I slept through many parts of the movie simply because it is so dull. I have to say that the background music is very annoying too. By today's standard of course. maybe it wasn't at the time the movie was made but it only make sense to review it by today's standard because people live and watch movie in the present. If you enjoy those artistic movie where the scenery and slow pace are important too then I think this movie will be very enjoyable to you. Otherwise, avoid this movie like the plaque. | -1no label
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] |
"Uzumaki" takes place in a small Japanese rural town,where people are going mad.They go nuts over vortexes and spirals.The crisis is getting worse,because people are turning into snails and vortexes appear everywhere."Uzumaki" has to be one of the most bizarre and original horror movies I have seen.The plot is really clever and the gore scenes are really funny as the film doesn't takes itself too seriously."Uzumaki" is wonderfully photographed and the use of colors is top-notch.The characters are likeable and there is enough shocking surprises to satisfy fans of Japanese horror.Despite of some hilarious scenes,the overall tone of this film is pretty dark."Uzumaki" is not as good as "Ringu","Ju-on" or "Audition",but if you like Japanese horror movies you won't be disappointed.7 out of 10. | 1pos
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] |
This film was hilarious. It provided a somewhat comical view of the British club scene, which, if you really look at it, is a funny thing. The characters in this flick were so realistic to those of us who watched here at my place that it was like watching a movie about ourselves. There were a few pivotal scenes which really made this movie work: the getting ready scenes; the "Get me a real doctor" scene; the white background scene showing each character in a total state of being wrecked, ending with the infamous line "what was i saying?" and the comedown-sunup scenes. I have lived these moments myself and found myself laughing hysterically at my own ridiculous behaviour. I can't give this movie a 10 because it doesn't measure up to Groove, which I thought was out of this world, but it certainly has its moments. The mise-en-scene and the camera work is superb, the special effects are well worth mentioning, and the acting is fantastic. After waiting a long time to see this film, I am glad to say that I was not disappointed. I hope to see more from the writer/director in the future. | 1pos
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] |
I decided to watch The History Boys after firstly seeing a trailer depicting a seemingly innocent story of the quest to academic excellence and secondly hearing that it was an excellent adaptation. What my girlfriend and I discovered was a sickening portrayal of homosexual promiscuity made even worse by the strong suggestion that child molestation was 'just a bit of fun' with the offending character portrayed as a misunderstood man. There is no justification whatsoever for the writer promoting this kind of behaviour and the film completely ignores the misery and suffering that the paedophile's victim endures throughout. I strongly advise anyone looking for thoughtful and insightful cinema to look elsewhere The History Boys is like Trojan horse, on the outside seemingly fun and innocent tale of adolescence and academic but underneath is a dangerous and sickening endorsement of child molestation spearheaded by the writers vile sodomite agenda. | -1no label
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] |
I saw the movie! How could you make so many mistakes in it? In 1464 Dracula was already in prison, his first son name was Mihnea, in 1456 Iancu Huniade died and the sultan that imprisoned the boys was Murat II!!and this are only the biggest mistakes. They are so many! so please, help me make the novel that i write, a movie! The truth story of Dracula. Please, I AM BEGGING YOU ALL. this IS MY Address. iris_2_you@yahoo.com!!!!help Dracula to go to the light by helping me tell the truth! god bless you all of you that will help me! you will see that my novel is great! Please, don't break my heart by ignoring this message! Maybe one day i will see my movie on a big white screen. And that will be for Vlad | -1no label
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] |
In this one, Daffy plays himself as an actor tired of comedy roles so he pitches J.L. a script called "The Scarlet Pumpernickel" by Daffy Dumas Duck. The duck's the title character hoping to rescue the fair Melissa from the evil Porky Pig. The pig tries to get Sylvester to marry her to keep her from Daffy. Also involved is Elmer (done for the first time by Mel Blanc instead of Arthur Q. Bryan) and the Mama Bear from Chuck Jones' Three Bears cartoons. Nice humorous touches throughout with Daffy, especially, in fine form. I noticed Sylvester doesn't have any whiskers here. Essential viewing for any Jones fan or anyone who loves animated spoofs of old movies. | -1no label
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] |
I saw it at Cinema MK2 Hautefeuille just one night after its first public projection in Paris. A very pretty film about three 15 years old teenagers, all of them just at about the same psychologically stages. Many of the scenes let us to come back to our adolescence age & our first feelings about sexual relations. it is possible to imagine that the director would like to reduce the first strong sensual feelings of the girls to lesbianism, but even in that case she doesn't corrupt the likelihood of the story. You can sometimes find the film a little slow but it is what creates this intimate atmosphere. I fund the young actresses of talent, special mention with Floriane and Marie, very convincing. There are many small details but this film also enabled me to discover what synchronized swimming is: impressing! | 1pos
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] |
This has got to be one of the most boring movies ever. Even Peter Sellers' routines get embarrassingly tawdry and pitiful with the slow, difficult pace of this film. His faux-Indian accent is likewise embarrassing, somebody needs to put this film out of its misery. The jokes and funny stuff are not that funny, they may have been better suited for the early Lucy shows. This is "must miss" stuff for sure. It doesn't come anywhere close to Sellers' perfect work in other films of the period. The drunk waiter routine is likewise very filled with tedium after the 10th visit to this situation. I watched it on TCM and I can't believe this film was the prime-time attraction at 8PM on a Friday night. | -1no label
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] |
Just the name of Dr. Bones in the title gave me a shutter, but not in the direction of being scared but of the movie being a complete waste of time. Believe me, if you watch this sad example of a movie, it is a total waste of time. Some of the worst makeup on actors/actresses and I use that term jokingly. The worst effect of someone being electrocuted that I have ever seen. A plot of dead zombies and living zombies which are controlled because of music? I guess the movie was about the dead, and there is no doubt that even the living in the movie were just as dead as this movie is. Skip it and watch another bad movie, "Plan Nine from Outer Space." At least in Plan Nine it is funny! | -1no label
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] |
At first it seems the topical romance movie where a girl meets a boy and fall in love, but the point is that this movie has a feeling others don't have.The first time i saw it i couldn't see it complete because i had to leave.But while i was walking along i thought i must see it again but i didn't have any opportunity by then.One year went by until i saw this movie in a not-free channel and i saw it and i recorded it too.I saw it once,twice...until 200 times and not kidding.I did know all the dialogues by hart and i don't know why but i saw it everyday and never got bored.And i have to say that I'm not used to see a movie more than twice.The act is very good.Gerard Depardieu is a talented actor and katherine heigl too.I would like her to be in a good movie because i think she can do it.On balance,it's a movie i can't take out of my mind. | 1pos
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] |
This is known as not only one of the badly made futuristic science-fiction action adventures, but as one of the biggest box office flops, I had to see why. Basically, it is the year 3000, and Earth has become overrun by the alien race from the planet Psychlo, making the humans an endangered species. The aliens, led by the powerful Terl (Razzie winning and nominated John Travolta), are stripping the Earth of all its natural resources, and the humans seem the only species capable of helping, in slavery. Jonnie Goodboy Tyler (Razzie winning Barry Pepper) is the only human that seems to want to do something to change the world back to what is supposedly used to be and that everyone left has forgotten. Terl, as human security chief, with deputy Ker (Razzie nominated Forest Whitaker) try to keep an eye on the human slaves, but it is obvious Terl wants to get off the planet with any scheme he can come up with. Tyler and fellow humans manage to go beneath the Earth to find the truth behind the rise of the Psychlos, and he leads his fellow men to fight for their freedom. Also starring Kim Coates as Carlo, Richard Tyson as Robert the Fox, Sabine Karsenti as Chrissie, Michael Byrne as Parson Staffer, Sean Hewitt as Heywood and Razzie winning Kelly Preston as Chirk. The acting ability isn't good enough, and the special effects and make-up look a little cheap, a big waste of millions, I got into it a tiny, but I certainly wouldn't see it again, it is awful. It won the Razzies for Worst Director for Roger Christian, Worst Picture, Worst Screen Couple for Travolta with anyone sharing the screen with him, Worst Screenplay, Worst 'Drama' of Our First 25 Years and Worst Film of the Decade. Pretty poor! | -1no label
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] |
...I can't believe there are actually people here who recommend this movie... This is such a slow POS going absolutely nowhere. Oh yeah OK it goes somewhere, but you see that coming from miles away. Acting: Really really bad, maybe the bartender was kind of OK. Editing: BAD! I suppose the editor was told "we need at least 90 minutes", cause half of all the scenes could have gone in the bin. Music: don't get me started on that, the lousiest score I've ever heard. Who is that singing in the last scene for crying out loud?? Directing: oh my, IMNSHO David Lynch sucks, but someone trying to copy him sucks even harder. Skip this one. | 0neg
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] |
When a group of dumb kids (including an unlikable. racist bitch) stay at an old house, it awakens four murderous Toltec spirits. Can Lash La Rue save the day? Will you be able to watch until the end due to the horrible comedy on display. "The Dark Power" is the kind of really bad horror/comedy hybrid Troma used to release regularly. Thing is, they didn't. release this. That doesn't excuse the whole thing, as it has a dreadful synthesizer score (including bad attempts at Native American music and even worse "comedy" music), bad make up effects (basically Halloween masks), and atrocious acting (Ok, the fat guy was alright, though everyone else is terrible, and La Rue, a Western movie vet, seems embarrassed to be there-not that I blame him really.) The worst thing though, is the comedy aspects. Sure, dumb teens is one thing, but when the movie keeps talking about the Toltec spirits as if they are the ultimate evil, only for them to turn out to be horribly annoying, bumbling fools, all hope is dashed. Combining horror and comedy takes at least some skill. There is no skill on display here, as it all is just stupid, and not "so dumb it's fun" either. I mean "smoking pot and listening to bad Punk Rock aren't I dumb" dumb. Not even a decent ripped off face and a chick in little clothing can save this disaster. Terrible movie, and not even worth a rental. | 0neg
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] |
Wartime Europe provides the backdrop to this tale of three star-crossed Hungarians blessed and cursed by the attractions of the superlative-defying Ilona. While male suitors László and Andras are the plot's most obvious victims, Ilona herself falls prey to her own powers, and the musical piece they inspire. In these IMDb days it is so difficult to come to a film completely cold, and I always feel a little sorry for audiences who do not get to experience films like Gloomy Sunday completely unencumbered. The blurb for the film tells you it is in one sense a menage-a-trois story, but that is already giving away too much for my taste. There are truly surprising and dramatic moments in this film: László dares to tell a joke that could cost him his life, Ilona makes an ill-fated decision to seduce Andras, and a moment of wonderful pathos climaxes the film as László is about to board a train. This is the film's cathartic climax, the resolution of the wartime tale being told in flashback. The actual 'resolution' of the film that takes place in the present time is just a shade formulaic and overcooks an otherwise superbly balanced and nuanced film. Excellent performances, a seductive musical theme, and extra plaudits for employment of a too-often neglected technique these days - leaving off-screen action to the viewers' imagination. Two suicide attempts and a character's ageing by 50 years are all conveyed through clever editing rather than expensive stunts, CGI or prosthetics. Maybe it was a budgetary rather than aesthetic decision to do so, but bravo nonetheless. Gloomy Sunday is a quality film with images and sounds that will remain with you long afterwards. Tragic but uplifting, my estimation of it grows with each subsequent viewing. | -1no label
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] |
Claire Denis's movies seem to fall into one of two categories: the violent and bloody or the quiet and intimate. "L'Intrus" definitely falls into the first category, but it's not so awful as "Trouble Every Day" or "J'ai pas sommeil." Now, ever since I saw "Chocolat," I've made it a point to see every new movie Denis makes. And I have always been disappointed. "L'Intrus" was no exception. She has yet to make a movie as personal and as moving as her first one. You get a lot of the Denis regulars: an older but still magnificent Béatrice Dalle who seems to be in the movie only to show off her full lips, the gap between her teeth, her ample cleavage, and a couple of nice coats; the black guy from "Trouble Every Day" and "J'ai pas sommeil," Grégoire Colin, and that Lithuanian or Russian girl. Michel Subor's character was interesting enough, but the camera lingered on him at such length that I got annoyed by that curly forelock of hair hanging over his forehead and was relieved when, somewhere in Korea, I think, he finally got it cut. There was certainly some action--gruesome murders, a man's search for a son--and there may even have been a plot, but one viewing wasn't enough to figure it out, and two viewings are, I fear, out of the question. For one thing, the score was jarring and obtrusive (as in "Beau Travail"). For another, the seasons changed too abruptly, leaving you even more confused about what was going on. Oh, there were a few pretty shots, and if you liked "Friday Evening" with its shots of the folds in heavy drapes and bedsheets, you might appreciate the aesthetics of "L'Intrus." Otherwise, steer clear. I saw this movie in French and it's possible I missed something crucial. But the dialogue in a Denis movie rarely amounts to more than five pages, double spaced and with ample margins. In "Chocolat" the silence is sublime; in "L'Intrus," it's just dull. | 0neg
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] |
I am still affected by this film. I worked at the theater that had shown it and was surrounded by the controversy. It got the first NC-17 rating ever (Which is pretty much a kiss of death, like the film "Showgirls."). The reason for the rating? An erotic picture of a woman and an octopus!(True story!). Anyway, this was a pretty intense film, and the triangle(Henry, June, and Annis)was pretty interesting, too. The one who stole the film though is Kevin Spacey(Early in his career)as Osbourne, the writer that's obsessed with naked female contortionists. I liked the feel of 1930's Paris and the cinematography. Watch out for a cameo by Gary Oldman as Pop (He was married to Uma Thurman at the time.). | -1no label
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] |
Shocking! In 1965 I saw Jury Gagarin alive. He was sincere, unpretentious and kindly, he was at ease and looked like well-educated and intellectual person. In this movie I saw a clown! The actor looks like dummy with affected gestures and mimicry. They made a cartoon! The real Gagarin was someone else! Don't believe in this movie! I saw this movie after the movies like "Taming of Fire" and "Apollo 13" and after reading books "Rockets and People" by Chertok and "Korolev: Myths and Facts" by Golovanov. I was shocked by tiresome scenario, poor acting and producing, and a lots of inexactitudes of "Space Race". The movie is the tedious rendering of well-known in Russia historical facts. A lots of interesting known facts of the space projects was not demonstrated. Some facts and details were perverted. For example, in 1945 Korolev was already not a prisoner (liberated in 1944), and in 1940 he was already not in Kolyma prison gold mine, but in special prison design bureau. Korolev was the designer in prison design bureau and he was not buried the dead prisoners. But in the movie Korolev worked as grave digger after 1940 (because jailer have shoulder straps on uniform). IMHO, the authors of movie have no profound knowledge about this part of the history and they can't to make interesting movies. | 0neg
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] |
I saw Soylent Green back in 1973 when it was first released and maybe another eight times over the years on T.V. or video. It was always one of my favorite sci-fi and/or Charlton Heston films. Recently, the Egyptian theater in L.A. had a twelve film Charlton Heston retrospective. I flew in from out of state to see six of the films over a two day period. Soylent Green looked great on the large Egyptian screen with a perfect new print. From its opening montage to the going home scene to the great ending the film was fantastic. Charlton Heston as a cop who lives in a dog eat dog world with few natural resources left and no understanding as to how the world used to be and Eddie Robinson as a man who remembers the past are both great. Their chemistry together is wonderful. The film also looks so much better in a great 35mm print. Fleisher really knows how to fill the screen,and the cinematoraphy, writing, music used, and everything about it works. The film is also very powerful in its bleak and very possible view of the future. Just think how the world population grew, the rain forest that disappeared, resources used up, green house effect getting worse since 1973. I just wonder why this film has not played in theaters all these years. Its reputation should be better. Speaking of reputations, often people speak as if Charlton Heston is not a great actor. Seeing him in El-Cid, Soylent Green, The Warlord, The Omega Man, Will Penny, and Major Dundee back to back I am convinced he is one of our best actors. Of course he made about a dozen other great films and for those that care you know what they are. | 1pos
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] |
Supreme Sanction is a movie about a female assassin who works for the U.S. government. She has to kill a known TV reporter, but spares his life when she sees that he has a little daughter. Because she hasn't killed him, she becomes the next target of her employers. The script isn't good although I've seen worse B-movies. A hit-man with remorse, the government killing innocent people in the name of fighting terror,... What's next? Aliens rescuing the victim??? No, Supreme Sanction will never win any award because of the script. And the acting isn't any better I'm afraid. A few better known actors (Michael Madsen and Kristy Swanson), who clearly had a lot of bills to pay and therefor accepted to play in this movie, together with some other actors who probably don't even know what a camera really looks like don't do any good to the movie either. So why should you watch this movie? Well, if you haven't got anything better to do but to watch some action flick and you are tired of the 10,531st rerun of Mc Gyver or the A-team, than this might be the movie you want to see. Otherwise you better leave it alone. I give it a 3/10. | 0neg
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] |
Futurama is one of the greatest cartoons ever. It was smart, witty, and humorous. I don't see how people could easily lose sight of it's beauty. All the characters were set up in just 2 episodes and it was extremely easy to follow throughout the season. The storyline was consistent and the humor wasn't rude enough to offend, but it was rude enough to make you laugh. Simply put, Futurama had it's charm and I think it should have lasted one or two more seasons before it got cancelled. Otherwise it WOULD have wound up like the Simpsons. In my opinion, it is the greatest show to be put on television. If you haven't bought the DVD sets yet, look into them and see for yourself how great the show is if you haven't already. I guarantee you will be pleasantly surprised :D | -1no label
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] |
There are so many positive reviews on Return to Me that my opinion is not necessary to encourage you to watch this movie. However, I feel the need to express my admiration for this unique movie. Bonnie Hunt has proved that she is not only an exceptional actress but also a marvelous director and script writer. This movie has everything and is full of humanity, tenderness, sense of humor ... Don't miss it, don't wait any longer. And, regarding the poor reviews don't pay any attention. Some viewers forget that this type of movies have to be watched with your heart, not only with your eyes. If some viewers prefer Notting Hill or You've got Mail that's their mistake. For me, Return to Me is a true gem, an unforgettable movie. | 1pos
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] |
if i could rate it a zero i would , coming from someone who likes shock/exploitation films of the time and Waters overall i must say this is useless. It does nothing , serves nothing , an idiot with a camera and a urge to prove his cleverness by rebeling against social standards is all this comes off as. Its entirely amateur , both in principle and execution , it doesn't have a point , its digusting for the sake of disgusting ,obscene with the wit of a neanderthal , its useless. Someone said Waters was probably "chuckling" over all the bad press and disgust others gave with this film , but why? If i made a short film depicting a man in a bathroom taking a sh*t for ten minutes straight surely it would receive the same accomidations but why would i be proud or "chuckle" at that? Would it be because i am so unintelligent that i have to resort to this so i can say "HA! Take that censors and mainstream! Im so rebellious ill do whatever i want and film it!" No. Waters shouldn't be proud of this mess , fans of waters shouldn't watch it , its useless , that is , without any use. Its doesn't even fit under the criteria of art for arts sake. To like or defend this movie is to defend something that was designed purposely as being anti-culture to be pushed for the mainstream audience , in modern terms this film is the Hot Topic of films. Useless and Obsolete. A Poser film that demands it be acknowledged as rebellion . | 0neg
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] |
The issues of Kashmir have never been easy to solve since Nehru took the issue to UN. It has become much more complex in a world where terrorism has become the easiest way to wage wars. Trying to make a movie around this requires competence. If you are looking a movie around this theme, please stay away from Fiza, even if it is aired for free on telly. After watching this movie, Khalid Mohammed will remain in my memory as one of the worst movie makers in Indian cinema. Immature and confused storyline along with his absolute misdirection only complicated the story-telling. It takes great ineptness to even mess the things like Johny Lever's comedy in a movie. Trust me, you can only get embarrassed watching it. The only reason I didn't rate it awful is for a quote on Indian flag. -Kiran | -1no label
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] |
This movie is a collectible for fans of classic films ,epecially German classic cinema. Since Kino on Video hasn't decide to release it in this country yet or time warner, they own the distribution rights of most of the classics of the U.F.A. library, you got to have a multi zone player and a converter that will detect all regions on your ntsc TV . This can be costly but its well worth it to play th euro version. If the American distribution is ever releases with subtitles, English, i'll be obligated to replace the German version as an American citizen. The story is changed form the original opera. Many of the songs were eliminated.It was turned into a light Viennese comedy with some music. In Germany ,in the 30's and 40', light Viennese comedies were popular on the cinema,like"The porch conscert",,1935,directed by Douglass Sirk.Well, Hitler was failing when this movie was being produce. So the expenses of the production probably and the lack of singing talent for many of the actors ,except Johanne Heesters, might of compelled the filmmakers to cut back. Now its a light Vienese comedy with some music. Whats really doesn't make any sense is that ,Marte Harrel, dyes her hair red to disguise herself to her husband , played by Heesters,. In reality your still going to recognize the same person. Why are the director of the ball living in the same place as Heesters and Harrell? Was it a duplex? Well its good any way. | -1no label
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] |
I've seen Suddenly a couple of times now and found it quite gripping. A rail worker receives a message telling him that the President is to pass through Suddenly at 5 pm. A bunch of crooks find out about this and terrorise a family, whose home overlooks the station, giving the terrorists the perfect vantage point to assassinate the President. After all this, the President's train goes through non-stop and the crooks get their comeuppance. The cast in Suddenly includes Ol Blue Eyes himself, Frank Sinatra and is joined by Sterling Hayden (The Asphalt Jungle) and Nancy Gates (World Without End, The Atomic City). Suddenly is a must see for all old movie fans. Very gripping. Rating: 3 and a half stars out of 5. | -1no label
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] |
You like a movie , O.K. ....but then you got to explain to other people why ? As somebody already said it , no carcrashes , special effects , free and unnecessary nudities. A family movie , But it's also about life ,family relationships ,a purpose in life , spiced with comic moments and also with the dilemma : How you deal with genuine geniuses ? . As parent , friend , neighbour or simple aquintance . We all passed trough those moments in life . What are we gonna become ? Artist ? Lawyer ? Butcher ? Athlete ? Scientist ? Electrician ? Pilot ? Vet ? Carpenter ? Taxi-driver ? Did we make the right decision ? Watching this movie I thought about Mozart's childhood or maybe the waste of childhood , sacrifice of childhood he had . He was no ordinary fellow , but then again Nicola Tesla was a genius as well and who knows how his childhood was like ? But to return to the movie , Vitus loves life and his parents , even if is hard for him to express that , he is a wunderkind after all, even when he names his educator at kindergarten Obelix he does not do that out of being rude. Even if my fellow compatriot (Teo Gheorghiu) is playing a role , so it's obeying to a script it looks more like this movie is inspired by a real character , a (mini)biography of Teo Gheorghiu . In the real life he is like that..... Good performances by Bruno Ganz and of course Teo Gheorghiu. Bravo! . | -1no label
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] |
i really in enjoyed watching this movie. like most of the people that watched it. i wasn't sure that i was getting. Whoopi Goldberg is a very funny comedian and she has done a lot of funny movies; i.e. sister act. however this was not really comedy. it is a drama with comedic moments. so if your looking for a laugh riot then keep looking. this movie is about a black family moving up from a nice neighborhood in the city to an upper middle class neighborhood. i would say more but it think it would spoil the movie. this movie does not just deal with race relations between whites and blacks, but also about relations with in the black community. i do think that it is worth a chance. if your not really interested in see another movie about race relations then this movie isn't for you | 1pos
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] |
Based on a 1945 play by Harry Brown, this dreary movie moves between standard banter between men in a somewhat stressful situation (the bombed out rubble of a house in Italy) who are ordered out but are reluctant to leave a pinned down member of the platoon, and dream sequences that are painful, and populated by Rita Hayworth look-a-likes. While an excellent example of the continuing development of the persona of Lee Marvin, and containing one of last performances of Bonar Colleano, who would be killed in an auto accident a few years later, it is really a vehicle for several Hollywood character actors whose faces but not names come readily to mind (Arthur Franz, Richard Kiley (pre LaMancha), Barney Phillips and James Griffith). Not available on DVD or VHS, it surfaces occasionally on TV in connection with Lee Marvin retrospectives. That is the only reason to see this film. | -1no label
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] |
Think "stage play". This is worth seeing once for the performances of Lionel Atwill and Dwight Frye. COmpare the Melvyn DOuglas in "Ghost Story" with the Melvyn DOuglas of this film. Are there vampires at loose in this 'Bavarian' village, or is there a more natural, albeit equally sinister, explanation? Dwight Frye is Herman, a red herring, who is cast as an especially moronic character. It's fun to look at his different facial expressions in what is really a stock character. NOt much happens for a long time, but then we discover that Atwill's pipe smoking doctor is the real murderer. There is too much 'comic relief' but that is par for the course for this era. Fay Wray looks really good. | 0neg
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] |
I am writing this review having watched it several months ago....the trailer looked promising enough for me to buy this lame excuse for a movie. It is a complete joke....and literally a spit in the face of real classics of the early generation of horror like Texas Chainsaw Massacre (1974) which they even had the gall to compare itself to on the back of the cover art. The producer who played Brandon should go flip burgers and serve up greasy hamburgers....hell he might not even be good at that either! The lighting was bad bad bad and a big annoyance through out the film you couldn't even see the actor's faces sometimes. I don't even remember the rest of the cast members which is sad really, bad they never do anything to impress you to make them memorable. That's all the time I will waste on this review PLEASE stay as far away as you can from this pile of junk even if you get it for 25 cents don't do it buy s piece of gum at least IT would keep you entertained! If you want good quality low budget fun, far better than this... then check out a Jeff Hayes film....because it takes talent to make it in horror and the kid has it! I gave this 1 star just for the cover art....thats the only thing worth liking abut this so called "film" -Rick Blalock | 0neg
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] |
just wanted to add that i really like the video, and i think its no more weird than any television talk show or game show or news show or presidential election show: it mixes up a lot (in our heads i mean), but the confusion comes from the matter, not from the artist. it's full of speculations and confusing plot points, as part of what it is about. in fact it was the only movie i ever saw, that was able to both analyze and illustrate the TV strategies of war reporting since operation desert storm (which it is exactly about) and the beginning new world order. that's maybe what seems technically overwrought? seems to me, other artists like godard or kitano work the same way, merging so many images, synthezising so many parts of life, in the end you're overwhelmed. because we are not used to watch movies that way. because there is little chance to see stuff like this in cinemas. thx for your attention. ;) | -1no label
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] |
I knew it would be a bad movie when I rented it but I hoped for a good bad movie. Oh well, had fun making fun of the endless sand trudging, eating camel dung (well, actually eggplant) and weird grimacing acting from I think it was about five actors. The DVD needs a director's commentary so that I can find out what he was thinking...or if he was at all. I can't believe they actually went to England, Austrialia and wherever to film this...could have been done ANYWHERE. Would have been better if they had managed to get her naked. The best line of the movie? "He waiting for his upgrades." "Yup, still waiting". Now that WAS FUNNY! If anyone had more than 3 pages of dialog (beyond the narrator....SHUT UP ALREADY) then I'll watch it again. | 0neg
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