text
stringlengths 494
2.57k
| label
class label 2
classes | attention_mask
sequence |
|---|---|---|
"Beverly Hills Cop II" is the entertaining sequel to the 1984 smash hit. Of course, this sequel can't top the original, but it's still pretty good. Eddie Murphy returns as Axel Foley and returns to Beverly Hills to help avenge the attack of a friend. This movie isn't as fresh as the original movie, but I found myself laughing alot throughout. Plus, the action scenes are well done. Judge Reinhold, John Ashton, Ronny Cox, and Paul Reiser all reprise their roles from the first film along with Murphy. "Beverly Hills Cop II" is a movie that's loud and noisy at times, but it's funny and entertaining. And it's much better than the disappointing third movie in the series, "Beverly Hills Cop III". *** (out of four) | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I can only say that this movie is the result of horrendous research. Even though Dylan, Jason and Korey claim that they have spent 3 years researching 9/11, they still got a lot of facts wrong: 1. AA Flight 77 that hit the Pentagon is a Boing 757 (they got that right) - but it does not have a Pratt&Whitney as claimed in Loose Change - it has a Rolls Royce engine. 2. The voice morphing technology they claim the government uses for faking the phone calls is not ready for LIVE conversations. The technology is only able to morph recorded voices. It's evident that the conversations that the passengers had with their loved ones were live conversations. 3. Most of the calls were carried out on air-phones and not cell phones 4. The movie claims that $167 billion in gold was stolen from the basement beneath WTC 7. This is more than 50% of the gold in the entire world at that point. Do you have any idea of the logistics that would be needed to transport that amount of gold? 5. It claims that Osama Bin Laden is not wearing rings where in fact numerous photos show Bin Laden wearing rings. And there is probably a lot more. But that's not all - the "documentary" uses every trick in the book called "how to manipulate the viewer": 1. They leave out the thousands of facts that speak against the conspiracy 2. They leave out the many expert reports that support the official 9/11 report 3. They take quotes from witness testimonies out of context 4. They leave out testimonies from thousands of witnesses that don't support the claims made in Loose Change 5. They make a lot of assumptions and conjecture that fit their purpose 6. They never substantiate their claims. They just throw their claims at you as if they were facts. The worst part of the "documentary" is the "fake phone calls" part. It really, really aggravates me to hear them mocking the victims of 9/11 - and then they have the audacity to dedicate the movie to them afterward. That pisses me off a great deal. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This review contains what might be a spoiler if you never read the book or saw the cover of the video box. So if you want to approach the movie not knowing anything about it, except that I like it a lot, stop here... The production values are not first rate, but the acting between the leads is, and they give the romance between them more life than Shute does in his novel (although I generally prefer the novel). My very faint objections to the film as opposed to the book is that the film dumbs-down some of the relationships with secondary characters, and between the lead characters in a scene toward the end of the film, to provide for some not at all realistic dramatic tension and as a general plot device. All this is handled much better in the book, with the result that I find the end of the book quite a bit more touching than the end of the movie. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
There are spoilers but trust me, I'm doing you a favor. My friends and I like to watch crappy movies every so often. Inspired by Mystery Science Theater and our knack for on the spot jokes; We set out to find movies worth watching that are in fact...not worth watching. However trouble comes into paradise when these movies can only be found if you buy them. And I am a firm believer in not giving one cent to such a group of talentless scumbags. So, as another reviewer has said, films like this are a reason why downloading movies for free should be legalized. I prefer the idea of; instead of straight to VIDEO you have straight to INTERNET. That way the ass-bags who made this travesty won't ever turn a profit. Which unfortunately you know they do. They hire a bunch of actors who can't act, special effects from a high school classroom, rubber snakes you can get at the dollar store, constant vomiting of green jell-o, and the two main characters who seem to switch between being border jumping Mexicans who only speak Spanish, to Arabs to being 100% fluent in English, random nudity, a guy being shot like 10 times including one to the side of the head and living and the most retarded ending in the history of film, book, cave drawings and hustler magazine. The fact that I actually predicted that the jell-o puking snake girl would actually TRANSFORM into a snake about half way through terrifies me... Anyways, the movie is great to make fun of, but you have to make sure there's at least 4 of you and you're all spitting out jokes in rapid fire, because if there's even 1 second of watching this movie where you're not laughing your ass off, you will feel physically ill. I kid you not. My friends and I were eating chicken wings and now I can't even look at such a thing anymore without being reminded of this piece of Sh!t. This film is one above Alien Vs. Hunter which is by far the second worst movie ever made. And I've seen lots of bad movies. Incidentally, it's the same production company as this film and that bald guy is in both as well. just thought you might like to know that little fun fact. -100 out 0f 10. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
SEPARATE LIES is such an elegant, intelligent and thought provoking film and I could have watched Tom Wilkinson forever on the screen. The locations in the English countryside, the marvelous London locations, the interiors, smart wardrobes and of course, the writing and dialog made SEPARATE LIES a thrilling adventure. With that said, and perhaps this is just an American viewpoint, as the British are so much more sophisticated in handling sexual escapades, I found it hard to watch Tom Wilkinson just stand by, as his wife goes merrily on her way in a sexual journey that really brings her very little joy, creates much despair for her husband, with the cad that is Rupert Everett. Yes, I saw the failings of Wilkinson's character-his aim for perfection, the desire for everything in its place-but in Emily Watson, she should have looked deeper into his true character and solid goodness, to realize what she has thrown away. Tom Wilkinson makes SEPARATE LIES into a powerful film by watching him experience all the pain, embarrassment, and despair on the screen as his wife goes off with another man. And he himself makes the journey in SEPARATE LIES by understanding his faults, embracing his wife, despite all that has gone on, and leading her back to London. Bravo, Tom! | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
With over-used ideas such as the legends of King Arthur, filmmakers often have their work cut out for them unless they are willing to go the extra mile to be creative. The producers of Merlin are no exception, as they have failed miserably in that aspect. The performances are laughable to say the least. Sam Neill's wiseguy persona seemed out of place for the typically cold and reclusive Merlin. And just when things couldn't get any worse than Helena Bonham Carter's speaking with an annoying lisp, enter Martin Short. As Frik, he delivers line after line of irritating one-line inanities. The producers probably thought it was funny to employ racist jokes, but I sure didn't. What does dressing up in traditional Chinese garb, slanting your eyes and blurting out "Farro mee! Farro mee!" ("Follow me, follow me") in a mock Chinese accent have to do with sword and sorcery in medieval Britain? Absolutely nothing. With a script so trite and meaningless, it's surprising that they didn't even bother to go all out and have the Rockettes perform with Darth Vader in front of Macy's Camelot. Hallmark has done here to the legend of Merlin what they also did to the Bible in the horrible 1999 NBC mini-series "Noah's Ark". They turned it into a laughable Las Vegas nightclub act. Unlike its brilliant cinematic counterpart "Excalibur", Merlin plays like an awful made-for-TV movie because it happens to be just that- an awful made-for-TV movie. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I saw this movie for one reason--Bela Lugosi. He was not the star of the film, but Ricardo Cortez--a man, who like Lugosi, was in a very lean time in his career--being forced to appear in lesser and lesser films. Both of the men were a long way from their glory days but both dealt with it in a very, very different way. Cortez would soon quit Hollywood and establish a very successful career on Wall Street. Lugosi, conversely, left Universal after this film and began appearing in even crappier films for smaller studios--the so-called "Poverty Row" studios such as Monogram. This film is an oddity because it's both a crime movie AND musical! Cortez investigates various scams that go through the mail. Eventually his path took him to Lugosi and a pretty young singer that works for him (Patricia Ellis). None of it was particularly great--and I found myself dozing off again and again. If you are looking for a horror film or a movie that is going to offer some thrills, try another movie. The film isn't terrible...just not all that great, either. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Woolf's novel, Orlando is witty, clever, funny and has a remarkable evenness of tone and writing skill - certainly for her. It is a work of an artist in possession of their craft. This film version of that book has none of those qualities and while it is excellently designed and shot on a modest budget it lacks intelligence, wit and purpose: it is a pop music video. It is all surface and eye candy an Winton's performance incarnates that gloss. While she has a fine face, she is overtly wooden. But worse than that it has a smug and ever so cool media studies artiness as it breaks the frame to address the viewer. The film version is like a tier 3 university course called Feminist Poetics and Male Narratives...the mediocrity of its cinema realization is much to clear. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I really enjoyed watching this documentary. More than anything, the readers were phenomenal. The readers brought those ex-slaves' voices to life. I must make it a point to see the readers' future projects :) This documentary allowed me to truly feel the horrors of slavery: people being stripped of their identity, heritage, dignity, and self-respect. Watching this documentary didn't make me angry or hateful, although the descriptions of the violence were hard to swallow (hey, it happened. No need to deny that the US slavery was violent and emotionally damaging to the slaves and some of their descendants). This documentary is not for the faint-hearted. Read a slave narrative if you want to know about slavery from the perspective of someone who was a slave. Reading about graphic violence may be better for some than hearing it in a documentary. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
To be honest, I had to go see this movie backwards, didn't expect that much, but hey, I was not deceived, I had a good time. I would say this movie is way a fresh breeze, despite some facts that they tried to modernize Nancy Drew, but this made me remember these youth movies of the 60-70s from Europe and Quebec, where they manage to have children getting interacting with adults. In this case, a 16 year-old teenager tries to do justice by trying to solve a mystery concerning the death of an actress who died 25 years ago. Anyway, as her dad had business in Hollywood, why not rent a home with a mystery behind doors ? Well, at least Emma Roberts does a great job here. Kinda like the chubby kid, who at first is naively brought to support his sister's pranks to Nancy, but at the end, found Nancy quite cool enough to stick with her, even with her matters... Rest of the supporting cast is great, and was happy to see Rachael Leigh Cook in a different role this time: a single mother (she did it in Family Rescue, but this time, she plays a mature woman...) Anyway, don't dump this, it is fun ! | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
It's unclear who led Girlfriends' formation, whether Kelsey Grammar rounded up a bunch of African-American heavyweights to build a show, or whether the heavyweights leveraged Grammar's success to get their show aired. Either way, Girlfriends operates at the peak of Hollywood production, with a VERY richly talented team of actors, writers, producers, etc. The result seems much like Frasier, blending stereotype, caricature, and "comedy of manners" humor with delicately woven stories of challenges contemporary audiences will see as "real" and relevant. That's a tightrope walk. The humor is an established art, in accomplished hands; but the right compromise between humor and realism is far less certain, even for such a skilled group. Though I might personally prefer to tweak the compromise a bit more toward realism, that would make it a different show. I really like Frasier -- familiar eccentricities/caricatures and all. But I find Martin Lawrence, Tyler Perry, and Eddie Murphy far too silly/campy/ghetto. I did, however, notice that they continue to make more money and garner more fame than certain others. The very-accomplished-but-not-as-famous crew behind Girlfriends surely notices that too. Creators for HBO & Showtime craft shows to build on the networks' reputation for more weighty/intense/realistic programming. (e.g. Soul Food) Girlfriends' creators must likewise craft the show for the very different market positioning at UPN. I expect the Girlfriends we see is a very deliberately crafted balance, adjusted to maximize ratings/earnings in a UPN context. The same could be said of Frasier; and I find both shows entertaining. Male character construction in Girlfriends is an interesting side note. William is given more development & air time than any male on Sex & the City or L-Word, serving as a foil not just in interaction but in his parallel story lines. In making the story about the girlfriends, the writers have wonderfully shown no urge to regurgitate the standard set of negative black male stereotypes. Even more than with Sex & the City, Girlfriends mostly explores the leads' "issues" by contrasting with normality in its male actors. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
In the vein of Survive (or Alive, if you saw it in the 70s like I did), The Canyon traps human beings in unforgiving terrain only to push the limits of survival. There are a couple of really shocking scenes here, one involving a rattle snake and another very disturbing one involving an amputation, but if the kids close their eyes for a few minutes there isn't anything else that would make this anything but a PG film. Some of it isn't very plausible, in fact the entire idea of the heroine suddenly becoming Grizzly Adams and fighting off wolves with her bare hands, creating a stretcher out of thin air, cauterizing a wound with a red hot knife, and keeping her beauty and sense of humor through it all, is actually pretty ridiculous if you think about it, but it doesn't matter that much: this is a disaster movie of sorts, so don't think about it. It'll keep you going, keep you interested and engaged, and from time to time it will make you cringe. But, be warned, the ending is the anti-climax of all anti-climaxes. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Remember H.G. Wells' "The Invisible Man"? Well here's another movie like it, only more extreme. "Hollow Man" is like no one story about invisibility as a weapon of choice. Kevin Bacon plays Sebastian Caine, a scientific genius who goes out into the world of invisibility and making it useful for military purposes. At first making the serum was the easy part, making the person come back was not. Most of the first tries ended up unstable. Until one night, when he perfected the formula. And who else, but Caine would be the lab rat. The gorilla was the first and almost died, so when he came to, it was a close one. So when the did Caine, he decided to use it for fun. Then when he got tired of being not seen, the team tried their best to bring him back to the world of the flesh. However, the visibility formula happens to not work the way it should, and Caine would delve into madness. So he ends up being one mad invisible killer. It would be best to just get out of town instead of taking the lives of people that are close to you. I would care less about the ones who did you wrong. Great movie, plenty of fun. 3 out of 5 stars! | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Bristling with intellectual playfulness, this worthy homage to one of America's favorite systematic stumpers, the daily New York Times' crossword puzzle, first starts out as a witty documentary on the history of this fixation but eventually evolves into so much more. Beginning with an analysis and introduction into the rarely discussed guilty pleasure, Wordplay evolves it's purpose as the film moves along, initiating the viewer into the lives of these often brilliant and eccentric people who revolve around the cerebral workout NY Times puzzle editor Will Shortz helped cultivate, which climaxes yearly with it's championship competition. Obviously this tiny niche of a documentary may fall flat with people who are television junkies, anti-intellectual or the opposite of inquisitive, as the introduction into this bizarre but honorable subculture does tend to alienate with the history and preparation of these puzzles which can be all too apathetic to your average viewer. Just let the film's character's set root however, and an entirely human element comes into the staunch equation, much like the words that render themselves visible only when filling in others around it for these dictionary junkies. With the chronicling of several potential crossword champs culminating in last year's competition, Wordplay has taken something intrinsically elitist and rendered it universal with the frenzied competition leaving viewers in suspense until the final pencil is dropped, much like the recent spelling bee fad, but to me even more impressive given the insane amount of knowledge needed to seriously compete. Celebreties from all walks of life also help diversify, demystify, and clarify why this underrated tradition will continue to be the true coffee for the soul. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Harvey Weinstein famously used to buy up foreign films and then would refuse to distribute them to American theaters, thus reducing competition in the arthouses for the films he actually decided to release. Tears of the Black Tiger was one of those films. Now Magnolia Films got it away from him and has it available. It's a Thai Western, with some of the weirdest and wildest production design to be seen. Unfortunately, it doesn't live up to that amazing trailer that played the art-house circuit back in January. While it certainly is a lot of fun in parts, the pacing is poor and the story gets so bogged down in romantic melodrama that at times it's downright boring. Still, those fun parts make it worth sitting through. When the Sergio Leone-esquire violence begins, it's always entertaining. And it has a couple of the best movie deaths ever. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Loved it when I first saw it. I recently (about a month or so ago) got it on DVD. Now I just have to get The Monster Squad on DVD. LOL. This movie is one of my favorites from the 80's. Why? Well for one thing the story and plot were really well done. I remember that every time it came on cable I had to watch it. It doesn't matter how many times I've watched it. It brings back what the 80's movies were all about. There isn't many movies of today that can compare to (a lot of) the 80's movies that were made in that time. I wish a lot of 80's movies were available on DVD. Sadly they aren't so I have to watch them on VHS. A few of them are kinda worn out. Explorers will always be a favorite of mine. Kids today should watch this movie. The special effects aren't overplayed and they fit with the movie just enough for the story. I don't care what anybody says this movie sparks the imaginations in kids and let's them believe that anything is possible when it comes to dreams! | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Hoot is a nice young person's film about a group of middle school kids that try and keep a pancake house chain from bulldozing a plot of land that is home to some endangered burrowing owls. The acting is pretty good and the fresh faces are nice to see. Many well known comedians are in this film and keep the humor going almost nonstop. It is a film for the young crowd, perhaps 5 to 11 years of age. I thought it was a nice change of pace from the adult films that pervade the screen these days. There is no realism here or accuracy about life in general for adults or kids. It's just a bunch of fun with a constant message about saving the beautiful places in this country from becoming over developed. If you can remember back to the day when you weren't fight for a buck you may remember that money isn't everything. Not many people over 12 are going to enjoy it unless they really have a soft spot for the old after school special series. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I have to say that I know the documentaries of Mister Örnek and so I knew that I will get a very well made piece of movie documentary. I was not disappointed. As a history nerd - I did saw hundreds of documentary and liked the different approach of this work. The Director and his 17 Consultants (historians, Veteran families) tried to access the reality of the gallipoli through the letters of solders from both sides. So, the history is followed by British, Australian and Turkish soldiers. Narrated is this docu by Jeremy Irons and Sam Neill - both boost the intensity and emotionality of this documentary by their great voices. I saw this film in a cinema in italy in Dolby Surround. I did buy the DVD last year and will wait again 3-7 years for the next work of this talented director and his very good documentaries. Summary: Well made. Intense. History with emotions - wrapped in a war documentary with great narrators | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
There are some good parts to this movie but overall it is very boring and slow. It's a somewhat interesting story about life in a very small west Texas town. 4 graduating Seniors, over half the senior class, are coming to terms of whether or not they want to keep their boyhood pledge of leaving once they graduate. It's main quality is the "Human Element". Some of the writing acting and directing is done quite well but overall the movie just lacks something. If you like movies about people you will like it but it's a bit slow for the Rambo and/or Chris Tucker crowd. The scenery is quite nice, horses, mountains, desert vistas and Oak Trees. The background characters and props are done well and not overdrawn. The cinematography is excellent and the direction is quite good if you like a minimalist approach. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
A real contender for the worst movie ever made. Neck and neck with "Plan 9 from Outer Space." The big difference being Plan 9 was made for $500. Pretty much everybody associated with this movie could arguably deserve to be shot. Too bad about losing Morgan Freeman! A real contender for the worst movie ever made. Neck and neck with "Plan 9 from Outer Space." The big difference being Plan 9 was made for $500. Pretty much everybody associated with this movie could arguably deserve to be shot. Too bad about losing Morgan Freeman! How do films like this get made? Should the geriatric hamster who checks the scripts be replaced? Possibly with a grade 2 class somewhere in Alaska? Well that's OK. So long as millions got spent. too bad about it being a vomit sandwich. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I've seen enough of Laurence Olivier's work for the cinema to understand why, previous generations, considered him the greatest actor that ever lived. I was introduced to him in "The Boys From Brazil" so I didn't quite get it. Then in "Marathon Man" he was chilling. Only recently I've seen "Wuthering Heights" "Rebecca" "Hamlet" "Henry V" and "The Entertainer". He was unquestionably great. "The Prince and the Showgirl" presents an interesting picture of that famous "test of time" thing. The greatest actor that ever lived is, this time, not only acting with Marilyn Monroe but he's also directing her. Apparently they didn't get along. Olivier was, naturally, fed up with her lateness and her moods. He wasn't a model of diplomacy. He complained that her teeth looked yellow on the screen. That alone put her out of business for a couple of days. But now in 2005 we look at the film, forgetting all those amusing bit of nonsense and what do we see? The greatest living actor, acting, yes, acting up a storm. Doing justice to Rattingan's words and rhythms in the most respectful theatrical tradition. His performance, amusing as it is, seems completely embedded in 1957. Marilyn Monroe on the other hand travels with the times and her performance is as fresh and natural today as his is stuffy and calculated. She is glorious. Isn't funny, how time does what it does? I call it justice. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Someone must have told Gwyneth Paltrow and Jonathon Schaech they're starring in a serious drama because they're no fun at all in this try-hard attempt at camp. On the plus side, Jessica Lange gets it right because she's as camp as a row of pink tents playing the MIL from Hell with a weird fixation on her cute-but-dim offspring. Hardly a scene goes by without her lighting up or hitting the bottle and her Blanche Devereaux accent is anything but subtle. Judging by the evidence on hand Jonathan Darby couldn't direct traffic but he certainly knows how to write genuine shockers: "Get up! You think you're an alley cat, dropping its litter by the side of the road?!" Jessica makes the most of the over-ripe dialogue so it's worth a look, but if you want to see it in a good movie check out Wild at Heart, with a deservedly Oscar-nominated Dianne Ladd as the ultimate evil, martini-swigging southern matriarch. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I saw this in theaters and absolutely adored it. Geoffery Rush gave the best performance as a super villain that I have ever seen since Gene Hackman as Lex Luther. Kel Mitchel and Paul Rubens were a match maid in heaven. This film also introduced me to William H. Macy, who is now one of my favorite actors. Hank was great as the Blue Raja, and I especially loved that the character wasn't really British. The scene with him and telling his mom that he was a superhero almost brought tears to my eyes. I loved the fact that The Bowler talked to the ball. Some of the funniest stuff involved Stiller and his character Mr. Furious's false rage, and the fact that his threats and one-liners were all gibberish, and that they never made any sense. I could barely stop myself from applauding when he said "fraculater, Freinken-puss," was said. But one of the things I most enjoyed was that Captain Amazing actually dies in the movie. I HIGHLY recommend this film for any occasion, and I give it my own personal two-thumbs-up. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I have never heard about this movie, but the Brazilian cover of the VHS announced that the exhibition of this flick was forbidden in many countries due to the violent scenes and that it was a horror movie. I became curious and decided to watch it and what I found? A trash of the worst quality! I could never imagine such a terrible plot, with a (may I call him of this name?) horrible director and with the worst cast that you can imagine. There is no horror in the story, but only some free violence especially against Justine (Romina Power). The best quality of this actress is her partially naked beautiful body, exhibited along most part of this flick. How could Jack Palance win a Best Supporting Actor Oscar having such a movie in his filmography? Do not waste your time with such a horrible movie! My vote is three. Title (Brazil): "Marquis de Sade: Justine" | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This movie is hilarious, not in good way. The fights are awfully bad done, while sometimes they will try to shock you by breaking some bones, and even this happens only two or three times, definitely not enough to call it a shockmovie. A gunfight means a hero can walk into an open field with 10 people shooting at him with uzi's, pick up a gun, start shooting back and not get hurt. The story empty, guy waking up, lost his memory, starts fighting cos that's what he's good at. Five years later memories come back, takes revenge blablabla. Not worth your buck, not really worth your time unless you're drunk and bored. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Heart of Darkness, a short novel written by Joseph Conrad about greed, corruption, and traveling through Africa was, to say the least, a tedious read. The Narrator follows Marlow, a seaman who travels into the deep of Africa to rescue Kurtz, somewhat of a prodigy Ivory trader who supposedly went crazy, this conclusion arose when the Ivory stopped coming into the main port. The basis of the story is Conrad writing lavishly of the surroundings, he sets the scene wonderfully, but possibly a bit to extensively. The story seemed more like a water color painting, as apposed to the slow creeping mild action story that Conrad might have intended to pan out. It sometimes happens that after you read a book, maybe watching the feature film might help correspond some thoughts with those in the book, or vise versa. Not so with Heart of Darkness, even with the supporting role of masterpiece actor John Malkovich the movie only confused me more, there seemed to be no real main characters in the film, no one stood out to the others, non of the extensive symbolism was explained. It was rather bland and drudging to say the least. In all do respect to the Author, The Heart of Darkness is a true short novel masterpiece, it touches on some very severe subjects, the lies of Marlow, and the greed of Kurtz. It is not a book to be taken lightly, and will put you in a rather somber mood. A book like this I feel might be to heavy for a lot of people. I would however recommend this book to those who crave a sad pseudo action story without a textbook happy ending. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I saw monster last year, and tonight I just saw this documentary. Wow. There is so much more to this woman. Charlize Theron did a good job portraying Aileen, for a glamorous Hollywood actress of flawless beauty--of course it took pounds of added weight and makeup. But the real Aileen isn't as grotesque as Charlize looks in the movie--really. There is a certain charm about the real life woman that I saw in this doc. And a lot more anger. In this doc, we see the woman laugh and joke, she is quite playful at times. But then you look at her eyes change when she talks about her life and you can the whites and it is frightening. And sad. And raw, emotionally powerful. The real life woman she loved betrayed her. And another thing, Charlize has a deep voice, while the real Aileen has a high pitched shrilly voice. The real Aileen seems a lot crazier, a lot angrier. Like that girl in Freeway, a movie I just saw last night. Especially in the scene where she gets picked up and robs the john, and she says, "Cause I'm pissd off and the world owes me." Definitely the same kind of crazed anger and hate. Raw. That's all I have to say. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Could not understand why Jeremy Irons felt it necessary to exhibit a most disconcerting accent, spoken through clenched teeth,and from the back of his throat. In fact it rather spoiled the film for me, and distracted from what was probably a fine performance by him (very irritating). No other actor or actress seemed to have such a pronounced accent and whilst I have always rated Jeremy Irons as a fine actor, I would not class this film as being one of his best. The film however has whetted my appetite, as have some of the other comments made re this film, which I have found very interesting,and intend to now read the book. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This had to be the best of any Inuyasha movie released in English thus far. Even if you haven't been a geek sworn in to the series, you'll understand the basic storyline, very much unlike the previous two. This is not for the lovebirds in the audience, it's more for the series' main genre, the action (battle of the brothers to be precise). The movie's OC villain, Takemaru, was surprisingly deep and had an exceptional storyline laced with Izayoi, Inuyasha's mother. The father of Inuyasha and Sesshomaru, however, was probably the highlight of this feature, he himself was worth seeing the entire movie for. However, there were one or two things that troubled me about this story. There were many out-of-character moments that just irked me, but that's to be expected by the people who write the movies, and are not too familiar with the original manga. Though, I'm happy to say that this movie's animation is much more consistent and mirrors both the manga and anime stylings very well. The music is amazing, I was happy to see some of the old stuff from the first season mixed in there. "Four Seasons" at the end was also a very nice treat. All and all, I would say that this is one that needs to be seen by any fan, avid or not. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I felt compelled to write about this movie after i joined IMDb because i thought it was the worst script writing i have seen in a while. The acting/direction/other-areas of the movie are fantastic. I love brad Pitt with George Clooney. It works. The witty banter was still there too from the first movie. My question is how in the world did they let this script out of the drafting process? I thought that not only did the plot develop like a slug racing to the end of the sidewalk, but that twist? (can i call it that) was so incredibly stupid that i wanted to go demand a refund from the ticket booth. I have never felt so played and used from a movie in my entire life. Here i was expecting something similar to the first movie (good chemistry, good acting, good direction, amazing plot) only to find that they had taking my 8 dollars and made a mockery out of it. The part that gets me still is that this movie has now grossed more than 125 million dollars. In summary, I felt that this movie insulted my intelligence. I still feel like the only part the writers concentrated on was that little bit with Julia Roberts acting like Julia Roberts. This movie made me sad and angry. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Vonnegut's words are best experienced on paper. The tales he weaves are gossemar, silken strands of words and expressions that are not easily translated into a world of Marilyn Manson or Jerry Bruckheimer explosions. His words have been treated well once before, in the remarkable Slaughterhouse-5. Mother night is probably one of the three novels Vonnegut has written I could take to a desert island, along with Slaughterhouse-5 and Bluebeard. The film version deserves a 10, but the books are so permanently part of my interior landscape that I just can't do it...some of the scenes left out of the film are part of my memory... | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
The Bill was essentially a cultural fountain from which a beautiful rainbow-haze of socio-introspection emerged, inspiring such famed derivatives as Cop Land, The Departed, The Godfather 3, and most recently of course, The Wire. With multi-faceted characters and story lines that have been described as '4-dimensional Shakespeare', The Bill grabbed you by the collars from episode one and just would not let you go. The show covered, anticipated, and even occasionally caused all the major global events between 1984 and 2010. The most famously prescient moment being episode 19 of series 5, which aired on the eve of the second Gulf War. Detective Jim Carver's misguided - and ultimately career ending - drugs raid on Craig 'Fun Boy' Richardson's flat in the Jasmine Allen Estate in early 2003, was widely viewed as a predictive allegory for the coalition's failure to find weapons of mass destruction following the invasion of Iraq several months later. However, it was the work the Bill did to try and highlight some of the lesser-known problems experienced by police officers that won it the most praise. This was sympathetic drama covering such sensitive areas as helmet-phobia, under-uniform cross-dressing, in-van homosexuality, lost truncheons, casual drunken bestiality (regretted), siren aversion syndrome (SAS), groin chaffing caused by chasing suspects while wearing an overly starched uniform and many, many more issues that still trouble, disturb, haunt and excite officers to this day. The last word should go to one of The Bill's most famous fans, Nelson Mandela: "
it is no exaggeration to say that I would not have made it through the dark void of loneliness that summed up my last years of incarceration on Robben Island if it wasn't for the heart-warming, casual buffoonery of Reg Hollis." | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
If you haven't seen this movie than you need to. It rocks and you have to watch it. It is so funny and will make you laugh your guts out!! so you have to watch it and i saw it about a billion and a half times and still think it is funny. so you have to. yes i have memorized the whole movie and could quote it to you from start to finish. you must see this move. it is also cute because it is half a chick flick. if you don't watch it then you are really missing out.this movie even has cute guys in it and that is always a bonus. so in summary watch the movie now and trust me you will not be making a mistake. did i mention the music is good too. So you should like it if you enjoy music. This is a movie that they rated correctly and it will work for anyone. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Stage Beauty is a truly beautifully- crafted movie which recreates the spirit of Restoration England wonderfully. From the characters who inhabit the theatre world of the day to the laissez faire attitude of the court of Charles II, we gain a privileged view into an age of bawdy good humour. The lead parts are played in great style by the enormously accomplished Billy Crudup and Claire Danes who create a sense of true chemistry between them. Crudup's acting is deserving of an Oscar, although sadly it seems unlikely that the Academy will take too much notice of a relatively small budget film and will, as usual, hand out awards for Hollywood blockbusters. The supporting cast are also excellent with Rupert Everett being born to play the tolerant, witty and womanising King. The tight direction of the film is a credit to Richard Eyres and the pace never flags for a moment. There has obviously been much historical research gone into the background of the story which has paid off handsomely. The score keeps pace with the action and the story gallops along to its breathtaking conclusion. We should urge everyone we know to go to see Stage Beauty at least twice and to harangue the Academy into awarding this gem of a movie a clutch of Oscars! | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This movie stars Emily Watson, of Breaking the Waves fame. This movie about one man's obsession takes place at a resort where a chess tournament is being held. A chess master arrives and shortly after falls madly in love (at first sight) with a woman, played by Emily Watson. She falls for this oddball of a man, who is obsessed with chess. This is all at the dismay of her mother, who is far more interested in seeing her with another young gentleman; a proper gentleman. Her mother feels that this is just a passing fancy for the young woman, as she has a tendency to take in odd animals and such. What ensues is mostly a journey through the man's psyche. It tells the story of how his past is closely tied with his present. Emily Watson is amazing in this, as well as the actor who plays the main character. It is definitely slow, but is well worth the watching. The ending was even satisfying. :) | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Well, I confess I did not read the book. And, as a person who retched at every one of Margaret O'Brian's performances, avoided that movie. Sooo, I watched the 1994 version basically ignorant of who and what should have been. The colors and historic feel of the film are wonderful. I am still pondering, however, the fact that Amy had quite a growth spurt and the rest of the family stayed physically the same. Wynona Rider never changed physically or emotionally. And let's be honest, Claire Daines stunk (stank?). She was a Concord Madonna if there ever was one, born to be martyred. Boring! What an insipid nonentity! And here's a question; why didn't the father TALK? He was just furniture who hung around. How that man could have produced children is a miracle. Oh well, I've seen worse movies. This one reminds me of Coke that has been shaken in the can and lost its fizzle. Flat. Colorful, but flat. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
One can't help thinking director Foley is a director without much in the way of confidence himself . A sure sign of someone knowing they lack confidence in day to day life is for them to disguise this by putting up a loud front thereby hiding whatever inadequacies they feel they may have . Perhaps the director feels the world may have something against him because he once directed the long forgotten Madonna star vehicle WHO'S THAT GIRL ? Possibly I don't know , but he directs CONFIDENCE in an entirely fast paced way , rather like " MTV Meets The Coen Brothers " which may give audience members a potential headache Despite the directing which comes across as garish and shallow we're left with a movie that is let down by the script and one can't help thinking the screenplay is what caused the director to look for Scorsese's CASINO for inspiration . No one can dispute the dialogue is foul mouthed , perhaps too much so but are the characters , situations and dialogue quirky or is everything unconvincing ? Considering I only gave this movie four out of ten it's not too difficult to understand what I thought of it . One of the worst movies that has starred Hoffman | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
It is hard to imagine two actors of such class and experience as Michael Caine and Michael Gambon getting involved in such an embarrassingly inept film. The responsibility for this ill-judged production has to be down to the writer, Neil Jordan and director, Conor McPherson. I doubt I've seen such a bad film with such good credits in a long time. The comedian, Dylan Moran, who made his mark as the irritable and incompetent bookshop owner in the TV sitcom, Blackbooks, turns in much the same routine here, except with such excess and lack of comedic control as to leave one squirming. It is easy to see how the story could have been made to work, for the situation is an interesting one and loaded with comic potential. A classical actor (Caine) tries to rip off the mob (Gambon and co) with the aide of a bumbling wannabe colleague (Moran), with predictable results. It could have and should have been good. Sadly, it was not to be. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Well, here we have a zombie movie that perhaps isn't even being much of a zombie movie. The entire movie is set in a zombie-plagued near future but yet the movie does very little with this concept. Instead it focuses on a zombie hunter who is trying to get revenge and his money back from a group of other bounty hunters. What good is money anyway when almost the entire world has gone to hell and towns are mostly desolate. And why pay money to people for killing zombies in the first place. As if people would not go on to kill this dangerous threatening monsters when they are not getting paid. Needless to say that the story for "The Quick and the Undead" is far from a tight one. It of course also isn't being filled with the most logical and interesting moments, characters or dialog. Still it's not a completely horrible movie. It certainly ain't as bad as some people try to make you believe it is. It's a rather good looking one, or rather said the movie at least doesn't have a cheap look over it. It's effects may be a bit overused but nevertheless they are quite good looking, as are the make-up effects as well. Still the movie was not what I hoped of it. Its title might suggest that the movie is set in the wild, wild west, during the days of the cowboys but its title is just a misleading one, no doubt picked to cash in on it. I fell for it, expecting this movie to be a combination of a western and a gory zombie-horror-flick. For the fans of the zombie movies this movie will mostly be a disappointment to watch. It of course adds nothing new to the genre but it also doesn't has enough of the genre itself in it to be considered a good one to watch. Not totally unwatchable but also far from a recommendable one. 4/10 | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Susie Q. is one of those rare, and sweet movies that give you a warm feeling. It's bittersweet, but wholesome, and it's characters are fun, and captivating. At first, I thought the movie would be the cliché cuddly movie that would bore me after five minutes, but was I wrong. It made me tear up at times, and it's plot was enticing, making me root for the good guys. I loved the movie, and still remember it today, 9 years later!! I recommend it highly to ANYONE, and the movie is family oriented, so you won't have to worry about unsuitable content. Truly, if Disney would show more movies that are up to par as Susie Q., it would be the most popular family oriented channel in the world. Now if only Disney would show it just ONE more time!^_^ Go Susie Q.!! | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I suspect this board will soon be full of comments from over-emotional people praising "Dear John" as a "pearl" and a "rollercoaster ride" and all the other vacuous words this film's target audience typically employs. I am most definitely not this film's target audience, but I do not dislike romantic dramas either, as long as they are well made, so here is my objective take on the flick. It is not good. It's not a bad movie either. But the plot meanders, development stagnates where it should've been moving forward (right around the middle, to be precise), and as for the ending...it almost felt as if they had run out of ideas so they suddenly said, "Hey, let's just film a last scene real quick, put some sentimental string soundtrack over it, and end it that way." Even Amanda Seyfried's beauty could not save this. Channing Tatum too gave a good performance, but you can only do so much with a flawed script. Speaking of the music, it is unbearably predictably and kitchy. From the smokey voiced, irritatingly high-pitched female folk singer schtick (surely chosen to appeal to the majority of college-age girls that will go see this movie) to the overused "shimmering strings and piano" combo, it only annoys anyone paying more attention to the film as a whole rather than to his own "feelings." The film has a good beginning and the major conflict that launches us into the second act were all promising. So was part of the second act itself, as the story unfolded. Then the film just dropped the ball. Beyond that, I'd have to give spoilers. "Dear John" is not a bad movie, but it doesn't work as it should either. If you want to see a truly moving film about prolonged love waiting to be reunited, go watch "Notebook," which was truly superb. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This film is so bad, you can't imagine. The acting is terrible, even worse than in third class soap operas. An it is a shame that this movie was the most successful in the past 20 years in Switzerland. The interactions between the soldiers didn't make any sense at all. The story could have been taken out from a bravo photo-story, the dialogues were as wooden as Treebeard and the plot holes were bigger than the black hole in the middle of our galaxy. But nowadays it doesn't need much to satisfy the audience. The actors were handsome for example the former Miss Switzerland and the main character was even hung (woah!!) and there certainly was much abuse of drugs. That's real cool man! Particularly for 12 and 13 year old teens. But the media created an atmosphere in witch you was not allowed to reject the film because they manipulated the peer group dynamics by telling implicitly that you are a nerd if you don't go along with the other `sheep' and say.yes that is exactly what it was like when I was in the army/ that's exactly what I'm going to do when I must go to the army.. to every cheesy action that had to do with drugs and coolness. And don't think I like the army. I was there and I hated it but this film is worse than cleaning up the sticky toilet with a teeth brush (which I was forced to do because I offended an lieutenant) It is not necessary for every film to be sophisticated. Sometimes you only want to be entertained for a few hours and forget about problems and I think its not a bad thing. But this kind of films influence teenagers to much by showing them a cool lifestyle which in fact is only stupid and turns them into brainless ignorant and egocentric idiots. But since I now that my opinion isn't very popular I will be quiet now and recommend you to avoid this terrible flick at any costs and for that to save your wits! 2/10 (sorry for my bad English) | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Ugh, what a gut-wrenching movie this is. Peter Bogdanovich avoids the maudlin histrionics that could have marred this story about a young man suffering from a fatal disease that leaves him horribly deformed. Eric Stoltz is remarkable as the young man, Rocky Dennis, and it's entirely thanks to him, and to his charm as an actor, that we fall in love with Rocky and are heart-broken to see him die at the end. Cher is equally as good as his mom, who sees nothing ugly in her son and feels nothing but ferocious love for him. I will always remember a wonderful scene in this movie, in which Rocky is trying to explain colors to a blind girl (played by a lovely and young Laura Dern) and does so by giving her items to touch -- a hot potato for red, cotton for white, ice for blue. Grade: A | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I get it the Diehl character is s'posed to be a microcosm of America itself - seeing Arab terrorists under every rock, only to find out at the end that it's his own actions all along that got him into that siege state and truly if he practices good-will to all men everything will be rainbows and lollipops. Sorry Wim you have made amazing movies in the past that stay neutral of the politics and for good reason, polemics are your weak point and they weaken this a well-made, amazingly filmed movie with absurd characters, dialog and plotting. Better luck on your next flick. Another thing that yanked my crank was the belabored point of the homeless section of LA being there for reasons of hunger, these people don't get enough to eat. Truly these folks aren't eating regally but the real hunger these folks is a spiritual hunger, an emotional hunger, a mental hunger. They need self-respect, self-worth, dignity which you can't give a man. Yeah those folks are hungry and if they need it it is available. Less the center for hunger in America, I would say it's more the center for alcoholism, drug-abuse, mental suffering and economic devastation. Dealing with hunger although a noble endeavor is band-aiding a more profoundly systematic societal and age-old human problem of homelessness. Bill Diehl was good though and Michelle Williams was cute as the young yet (cliched) old soul. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Two funeral directors in a Welsh village? English humour as opposed to that other stuff from over the Atlantic? How could I resist. My wife and I saw it on March the 6th for our belated Valentines day celebration and both of us enjoyed some good belly laughs. We were going to see another movie later but decided not to because we wanted the experience of THIS movie to stay with us for the evening. The mortuary scene in the last 20 minutes of the film is worth the wait. It raises issues rarely talked about in the community, but I know three funeral directors, and the humour is right on the money Highly recommended and congratulations to the writers. Without you all the actors, directors and the others havn't a job on any Monday. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I have seen this movie many times. At least a Dozen. But unfortunatly not recently. However, Etched in my memory never to leave me is a scene in which Mickey Rooney, -"Killer Mears" knows that he is to be executed and it's getting close to the moment of truth, He dances, and cries, and laughs, he vacillates from hesteria to euphoria and runs the gambit of ever emotion. Never have I seen such a brilliant performance by any actor living or dead, past or present. It was then I know for sure that Mickey Rooney, yes, "Andy Hardy" was and is a actor of great genius. However I kept it, my opinion to myself for years thinking, surely I must be alone in this viewpoint. About 15 years or so after I saw this film for the last time on television, I chanced to read the old Q & A section of the Los Angeles Times. The question was posed to Lawrence Olivier, and the question was: "Mr. Olivier You are considered one of the greatest actors of all time, whom then do YOU consider to be among the greatest actors?" His answer was, "Peter Finch and Mickey Rooney" I was stunned, but not surprised. I immediatly flashed back to his "Killer Mears" And I felt very good for having seen this great ability in him, and now having my view supported by another whos work I admired.. Later of course there was "Bill" and many other great moments with Mikey Rooney. This film, "The Last Mile" should be seen by all acting students. I Frankly cannot remember a great deal about the film after all these years but Mr. Rooney in it, will never leave me. If anyone out there remembers this film the same as I do? I would be interested in hearing from you. For this picture etched in my heart alone I gave it a 10 just on the face of his performance. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Mel Gibson obviously has some major demons but maybe that is what makes him such a masterful storyteller.Apocalypto is his latest and IMO his greatest film, this film plays out like the bastard freak brother of the Fugitive, it is wildly entertaining and violently sick, it also is an allegory of todays society.The images in this film are breathtaking, shot with the genesis digital cameras this is the best looking digital film out to date, the cinematography is superb, the costumes,make up and art direction are top notch.The acting is a real surprise since Gibson casted actors with no experience at all, yet they are convincing.What Mel Gibson has directed here is like an ultra violent yet very entertaining action/adventure chase film, the best one in years, this is a must see, and for people worrying about subtitles, do not worry, they are simple and brisk. I give this film my highest mark, its one of the best films of 2006. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This is one of those movies that is just simply enjoyable to watch. I chuckled much of the way through it. I laughed out loud at the antics of Botts when trying to get away from the practicing of our hero. But I precede myself. The hero played by David Niven, who I am an admitted fan of, is a high strung, nervous, major up tight concert pianist and very famous. He is being run by his manager, who in turn runs the butler and every one else who supposedly takes care of David Niven. One day a funny little man comes to see Mr. Niven. The former owner of The Cleopatra Arms, an apartment building played by Victor Moore who is absolutely adorable in the part. Moore takes David Niven to see the building he owns and introduces him to the tenants there. One of the tenants is a model named Polly played by Jane Wyman. As a rule I am not a big fan of Miss Wymans, but in this movie she is quite fetching. Mr. Niven takes one look at her in shorts, is immediately smitten with her and his life begins to change. I do not remember seeing David Niven and Jane Wyman in any other movie together, but in this one they make a very appealing couple. The funniest scene takes place when Jane Wyman, Victor Moore and David Niven are striving to drive the one bad tenant, Potts, out of the Cleopatra Arms by having Niven come and do his 6-8 hour piano practicing in the room next to Potts who works nights and makes everyones life miserable by yelling at them to keep quiet so he can sleep days. Broderick Crawford plays Botts. Crawford usually played such serious roles and rarely had a chance to show his comic flair, but in this movie he gets his chance and he does a very good job. All in all I think this is a very charming movie. I really enjoyed it. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This movie is very hard to rate. Is it a plain, old bad movie or is it a good bad movie? I've decided it's just a plain, old bad movie. Yet whenever I stumbled upon this movie (usually on Lifetime) I get drawn in. Think train wreck and you understand what I mean. Regardless of Christina's "allegations" this movie certainly bends and twists facts and sometimes even creates brand new characters who never existed to help fill in the blanks. The E! True Hollywood Story would be more factual than this, so this movie falls into the realm of sheer fantasy. Faye Dunaway. What can be said? She needs to be done away with. The rest of the cast, especially young and old Christina were played by two very bad actresses who must have been striving to be nominated for the Academy Award with the amount of gusto they put into their portrayals of "She who must not be named." I give this movie one weak handed bitch slap out of five. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I have to hold my hand up and say that I was one of the first (and probably the last!!!) to see this film. Where do I start, it's a complete mess. The main attraction of course was the soundtrack. Which goes without saying is brilliant - it's what Himesh does best. But as they say, don't give up your day job - HR definitely shouldn't. HR's acting is plain and simply awful. Even if the film had a plot, the thing that baffles you most is why this man is up on screen and what the hell is doing there. Two words of advice to HR - give up acting and secondly, use chapstick. HR has no screen presence, no acting skills and the female lead looks just a little too young for him. As for Malika Sherawat - just the same old Bollywood vamp crap. You can package the product as much as you want, but if there's no substance it won't hold. Don't waste your money... | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Too bad this didn't get picked up. The plot was pretty interesting, and they set up a lot of potential story lines from the first episode. It didn't seem like they felt at all bound by the Aquaman mythos from the comics, but that's fine with me. The guy playing Aquaman was so-so, but his gal-pal Eva was smokin' hot. She would have quickly become a real 'it' girl -- hopefully she still will. Heck, even the evil monsters were drop-dead gorgeous. I wish we could have seen where this show was headed. They put it up on iTunes, though, so maybe if there's enough outcry for it, they'll reconsider. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
The TV guide described this as " Fast and furious " , well I`d describe this film as diahorrea because it`s fast and furious faeces . I wasn`t expecting it to be up to much but I was shocked as to what a poor film RANGERS is ****** POSSIBLE SPOILERS ******* But don`t worry you won`t want to see this movie The film starts with an airborne shot of a hercules C-130 then it cuts to the interior of the plane - Which in no way resembles a C-130 , It resembles a gym changing room ! - where we`re introduced to the characters in some of the most painful exposition I`ve seen of having the leader discuss what the mission is and why they`re all wearing Syrian army uniforms. Cut to some stock footage of men skydiving from a plane at dawn and then landing into the sea where they inflate a couple of rubber dingys underwater then cut to them resurfacing where it`s pitch black ! Some team of special forces if it takes them all day to inflate a couple of dingys . And wouldn`t the delta force or navy SEALS be doing this sort of stuff ? I`m just kind of curious why this film is called RANGERS ? So they carry on with their mission which confused me because if they`re posing as Syrians then that can only mean the action is taking place in Syria or the Lebanon ,neither country being at war so why`s this taking place in the middle of a war zone ? It gets worse though because one of the team says : " This jobs easier than that twenty buck hoe I had in Las Vegas " Yup there`s nothing more endearing to an audience than knowing one of the heroes has to pay for sex . In fact would a prostitute in Vegas be charging as little as twenty bucks ? Shows you how bad a film like RANGERS is when you find yourself asking questions like that . Enough . I could spend several pages writing about this piece of garbage but it`s not worth it . It`s a cheap straight to video film composed of stock footage and a bunch of non actors giving the impression they`re making the story up as they go along . I won`t finish on the old cliche that I wasted ninety minutes of my life on this crap because I only wasted thirty minutes of my life on it as I turned it off when the guy got blown out of the window | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Remember that friend in college who always insisted you rent the weirdest movie possible? This is the movie he would have made if he'd had the chance. I wish I could tell you exactly what Sea of Dust was about. It pretends to be the story of a doctor who gets sucked into weird goings on in the "Black Forest." He goes there to help, but ends up being caught between two young women, both of whom he seems to have a thing for. But that's just scratching the surface. This is the kind of movie where things just randomly happen...and not nice thing. People are constantly being whipped and stabbed. There's a pair of creepy little girls who appear to have walked out of The Shining. Tom Savini is some kind of imaginary religious figure who decides he doesn't want to be imaginary anymore. He's got a plan to take over the world by sharing Jesus suffering. On some level, this is a movie about sex. It's one without nudity, which was a disappointment, but there's no mistaking the intent. On another whole level, it's a stoner's paradise. Unexpected stuff happens so often that it stops being unexpected. By the time the doctor travels through his girlfriend's birth canal to be reborn, you'll just chalk it up to the crazy nature of the flick. On the down side, the film is pretty wordy. Some of the points are hammered home over and over. If you're watching it with a bunch of stoned friends, this might prove an asset. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I'm watching this right now, and it's decent. Better than State Property, but not quite as good as belly. If you're into this kind of cheap fun, go for it, but see belly first. Senseless violence and pervasive racism against everybody. and juelz santana. And fly fur coats. It's filmed in Harlem, and there's no shortage of convenience stores, sleazy law officers, and uptown projects. It makes you miss New York. fade-outs and Papa John's and NYPD. The movie's a highly fictionalized biography, and the central event is the murder of his daughter. Michael williams (omar from the wire) shows up. He's a little too good for this movie, but he gives it a little bit of cred. These are all relative comments; keep in mind that this is an extremely low-budget, badly-written, badly-mixed, badly-shot neo-blaxploitation flick. Music is good, too - Cam'ron and Juelz and Al Green. See it. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
When I first started watching this anime I never thought that something about making bread could actually be interesting, but thankfully I was mistaken. From the moment I started watching it, anime just pulled into the world of bread making, I was hooked. The biggest advantage of this anime is it's humor, which is very intelligent and very funny, with some recurring gags. But the animation, soundtrack and character development are below average, while these disadvantages aren't seen so much in the first episodes, because of the great job on this anime, it really starts to show in the last 20 episodes, when the reactions and recurring gags just grow old, and aren't as funny as before. As far as I'm concerned, if this anime had ended with episode 52 I would have given it a 9, but the last episodes just leave a bitter aftertaste, which sadly can't be washed away by the awesome 50 episodes. 7/10 | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I'm tempted to just write "This movie sucks" and then go see the original again, but that wouldn't be very helpful to you guys. Here's why this movie sucks. To sum up the movie, I steal from oshram-3 (One of the other comments) "The plot of Taxi follows Detective Washburn (Jimmy Fallon, making his debut as a movie lead) and bike-messenger-turned-cab-driver Belle (Queen Latifah) as they inadvertently get tangled up with one another and have to figure out who is ripping off a series of Manhattan banks and try to catch them. Rounding out the cast (no pun intended) are Jennifer Esposito (you might remember her from Spin City) as Washburn's lieutenant, Marta, and supermodel Gisele Bundchen as the head hot chick." Luc Besson's action-comedy Taxi(1998) was a great movie, mostly due to decent acting, funny characters and social/cultural references. In this American remake, all that is gone. The characters in themselves are severely less intricate than in Besson's original, and maybe the best of them all is gone. I am, of course, talking about the utterly insane police captain. Then again, of course the Americans would leave him out, since he's a parody of every single angry police chief in American movies. All that's left is Queen Latifah driving a taxi, and a cop that's just pathetic, and doesn't have that likable quality Frédéric Diefenthal had in the french version. Also, the political correctness really shines through the gaps in this film. Every single strong character is a woman. The only guy in the entire core group of the movie is the awkward cop/disguise artist. The movie has been carefully constructed so it doesn't lash out at any particular groups in society, and by doing that, you lose the edge. I see this movie as a blatant attempt to salvage careers and make some money on the fact that Americans don't like subtitles. It's also a classic example of what happens when you let lawyers and politically correct groups scare you out of doing things right. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
The Women is a cute movie about women at all ages (but mostly 30+) and their issues in life. Not just men and infidelity, but also about relationships with friends & family, making time to connect with others, problems with image, compromising your values, accomplishments in life, and finding what will really make you happy. It's also about being true to yourself. A lot of times, people will give you advice but not really follow it themselves. Sometimes they have created a delusion for themselves, and should you really follow in that same path or react based on your feelings now? I really liked this movie. Granted, it was trying a bit to be like Sex & the City at times, but that probably helped me like it. The difference here is it's kind of like the discoveries after the stage in life that the Sex & the City stars were in -- here, most are married or past the point of trying to find a man. Now, they are trying to find happiness in their marriages and lives. Obviously it's not an Oscar contender, but it is entertaining and serves its purpose. And for the men out there, there were an equal share of men and women in the movie theater (most were with their wives/girlfriends), and the men were in fact laughing. :) | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This movie has made me upset! When I think of Cat in the hat. Im thinking of cat in the hat books. You know, the one from a few years back that parents read to thier children. Well, I though that this movie would be a lot like that! But much to my suprise was nothing like the books! Insted it is more like young adult humor movie. In one part cat is talking to a gardening tool (hoe) cat talks to it like it is his hoe (agin adult humor). the naming of his car I all so though was a little untastful for a kids movie. under the rating you'll find: mild cude humor and some double-entendres. I think in short this means adult humor. I wish I could return this movie! wal-mart said they wouldn't because the movie has been opened. If you are thinking about buying this I suggest that maybe rent before you buy. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
this movie was about as flat as an opened 2 liter bottle of, um, nuka-cola. i mean, i didn't expect much going in and i was unpleasantly unsurprised. the characters in the movie weren't too endearing and a lot of the dialog (all 6 or so lines of it) sounded pretty forced. the main character seemed to have this big hamlet thing going on throughout the movie and i totally didn't buy into it. also, you know how plot twists are supposed to make you think "wow, i totally didn't expect that!" and be shocked? well, in this movie when that stuff happened i just shook my head--most of the time they didn't have any diegetic justification for their plot twists--and rolled my eyes. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Becky's comment to Grandpa Tomson's question of "Why is all this happening" pretty much sums up my feelings about this gosh-awful flick, which rips off so many other decent movies it's hard to keep track. The cover had me fooled--perusing through the rental store, I thought I'd stumbled upon a zombie flick I hadn't seen yet (always a good thing), but it's NOT a zombie flick at all--zombies EAT people and traditionally don't talk, and that didn't happen here, so it can't be a zombie flick. Rather, it seemed to want to be a version of the far-superior "The Fog" (1980--not to be confused with its abominable wanna-be 2005 version). I'm a big one for an engaging plot and characters I can understand--this had neither. Even the guilt trip that Becky had as a result of her parents dying the ONE night she goes out in how long, made no sense. And about understanding it--I couldn't follow the line of logic, if it even HAD one. OK, the ghosts come back every 13 years--why?? Oh, wait, that one guy killed his dad 13 weeks after the little girl drowned, which was 13 months after someone else died...???? And the "death sequence" got totally messed up--OK, the dead couple dragged the young couple off the beach, then the young couple took the car-crash couple?? Does the newly dead person get to take another live person right away, or do they have to wait 13 years, or WHAT??? By the time the cop died, I stopped caring and just wanted to see how it played out. I should have listened to my DVD players, which started skipping about 1.5 hours into the flick. I finally got it to play to the end. Boy, that was a relief (insert sarcasm) here. The awards should all go to whoever designs the video covers--THAT was scarier than the entire film. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
there are things grown people should not be subjected to.Hannah montana concerts,spice girl reunions, and lipstick jungle.This was TV at its absolute worst pandering to every fantasy, delusion and fond dream of either young single women or middle aged married ones who are sure they were meant for better things if they had just not married that bum and had those three kids.The acting,plot,premise and storyline all add to a cacaphony of bad bad TV.I'm sure Brooks shields is nice to her mother and the other two ladies have good qualities as people and actors but they weren't in that dopey soap opera I should've known as Brook shields was in the only movie I can remember walking out of It was a black and white thing called "Pretty baby " Look for it if all the copies haven't been destroyed | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
On second viewing of this movie, I like it even more than the first time. It is full of nuances and a perception of life as being quite ordinary and often fearful but what lifts this movie to a height rarely realized is its focus on the little incidences in our lives to which we normally only offer the briefest of attention spans. Here the movie spins into the celebration of these incidences, the meeting of a tow truck driver and client, the jogger hearing a baby's cry from the bushes. The dialogue, acting, casting and direction are superb. No two by fours, no grand revelations. What I did observe was how true the characters were to their basic natures and how enhanced their lives became when these were celebrated. Kudos to all involved in this, we need more "Grand Canyons" in our lives. 9 out of 10. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I had to watch this in school. And to sum it up... Talentless actors, talentless script, and a talentless director. This movie is such a waste of your time. Don't even watch the movie. Don't bother. You will be so disappointed. My teacher said it was supposed to be good. How wrong she was. She even slept through it a little. The movie's actors were just bad. The best actor in there was the old man and that's not saying much. It's has horrible plot with awful characters. So unrealistic and I can honestly said it had no point. The script was unemotional and confusing. There was points in the movie when I furrowed my brows and said, "What?". Also there were just too many loose ties and plot holes. It was just absolutely horrendous. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Its about time for a Marvel movie to be great. Blade was good but X-Men is a great film. It hits all the right notes and doesn't descend into camp and self parody. Hugh Jackman is amazing as Wolverine, I didn't for an instant doubt him as Logan. His scenes with Rogue (Anna Pacquin, also excellent) were believable and often touching. Although the rest of the cast didn't have much to do I have high hopes for the inevitable sequel. The whole cast does an excellent job (even if they don't have as much to do) but Jackman, Pacquin and Ian McLennen bring real heart to what is simply one of the best superhero films ever made. Its really hard to contain myself when I'm talking to friends who haven't seen it yet who ask me how it was. I can't wait to see it again. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
i think that over the past year or so Disney has made a lot of really mature and enjoyable Disney movies and this was no exception. at first i didn't think this movie would be very good. everyone was talking about the fact that it was a simple life rip off and i didn't really know if i should side with that or not, but after seeing it i have found its nothing at all like the t.v. show. the acting from both girls were great and though i was just a little disappointed with the ending it didn't change my mind at all that this was a very respectable movie, and it definitely stood out as being "original" in "disney channel original movie". very well done to aly and amanda, i love the song "On The Ride" as well | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Jimmy Cagney races by your eyes constantly in this story of a stage-producer who is vigorously struggling against the upcoming "talking" movies. This story of love, deceit, women and dancing is presented in such a manner that as a viewer you are never treated to a dull moment. The direction of the mass scenes in the rehearsal rooms was enormously well done. The story never really got lost in this frantic pace. Some parts of the material presented here have become a little dated but that doesn't matter because when you look at this in a 1933 time-frame it is fabulous to watch this next to a lot of the other drags of movies that were released during that time. Jimmy Cagney is a sight for sore eyes in this film, never loosing his composure as the ever-working producer of previews made for the movie theaters as intros. In this way he tries to save his ass from going out of business, he was a broadway producer before he started this. Joan Blondell is fabulous as the neglected love-interest, Nan, she gives such a spirited performance that is so unusual for movies of that time, so cool to watch a woman who is portrayed as a strong woman for a change. The only problem I had with the film were the enormous productions at the end. These were magnificent in itself, beautifully choreographed and wonderfully produced, but they just didn't seem to fit in the story. The only link they have to the main story is that Cagney had to put on 3 previews in 3 days to get a contract and that's what he did. I had a hard time believing that this was what the girls had been rehearsing during the entire movie and that these sets could fit in a movie theater. In this way the "Sitting On A Backyard Fence" was much more appropriate to the story. The productions at the end seemed to drag this frantically paced story to a halt and that was not a good thing. I was tired after seeing the first Musical sequence and then I realized there were another two coming up. These sequences got a lot a chuckles from the audience as well. All in all a great film with a sour ending. 9/10 | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Wow, I had no idea that was there until I read it on this message board... So, yeah, thanks; it was really funny! I think they could have done without Sarah Michelle Gellar, or at least they could have cast someone else in her place,... maybe a female comedian instead. But Jack Black was hilarious, as usual. They couldn't have found anyone to do his part as well as he did! It's really funny to see how they fit it all into the actual scene from the movie and make it look so real. I just wish I'd seen it on the movie awards... Not sure how I missed that, exactly. Anyways, it's kind of hard to find at first but its worth the extra remote clicking. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Having seen the uncut version, I thought this film was beautifully made. It captured my attention from beginning to end; the tension was wonderfully conveyed. Nasaan Ka Man portrays the typical Filipino family with accuracy in its presentation of secrets and lies. Even the religious culture, the human tendency to keep up appearances and maintain a pure reputation is shown with stark vividness in Gloria Diaz's character. There is not a little scene in this film that does not have a purpose- the cinematography is excellent and the writing brilliant. Although the plot is great, I personally found that the twist at the end, the revelation to do with Jericho's character was not as much of a shock as it should be. But then maybe that's just me, because otherwise, Nasaan Ka Man is a very cleverly made film. The casting was good to begin with, but Deither and Claudine's acting were the icing on the cake. Not one to miss if you're looking for a Filipino film that will surprise and surpass expectations. Thumbs up to the director. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I'm an action movie buff, so I feel an argue to just go out and rent everything with Arnold Schwartzenegger in it. If you're like me, you've seen "Conan the Barbarian", think that cheesy is kind of OK as long as a lot of stuff blows up. That's the only way you'll get through "Raw Deal". Also, you might have to fast forward through some parts. Poorly acted, with a sub-intellectual plot, and cardboard characters, the film's dialogue is so bad it's actually funny at times. For example, say this slowly with a serious Austrian accent: "You should not drink... and bake." Does the film itself seriously? No, but sometimes campy doesn't make "bad" good. Sometimes "bad" just stays B-A-D. Skip this and rent "Payback", which has a similar tone but is done well. Who should see this film: -- Serious action buffs only, and then only on a rainy day, and then only if you've gotten through Conan & Predator, and then only if you're getting it free on TV. Like most viewers, I'll give "Raw Deal" a 4 out of 10. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I watched this movie a couple months ago when it first showed up on the shelves of Blockbuster. It is officially the only movie that I've wanted to undo watching. Let me start off by saying that I like "B" Movies. I consider "Ice Pirates" One of the best comedies EVER. I'll also note that I'm a writer and that I've met the director/writer of this cinematic marvel. Evaluating the acting: If I was going to pick a bright spot I'd have to point out that Dion Day had an admirable acting debut with his role in this. For those who don't know, Dion is a boxer not an actor so we'll forgive him his lame death sequence. Why doesn't he fire the shotgun he's holding once? Budget? To highlight the bad acting would take pages so I'll stick to The egotistical lead, Ryn Baskin. Ryn (Which seems like a name chosen from a comic book because it sounded cool) has maximum face time in this movie, probably because he was a producer. His looks are completely fine, but his delivery evokes memories of SNL ripping on soap-operas. I suppose he could only do so much with what was written for him, but part of the blame is definitely his. Special Effects: Not my specialty, but for a low-budget flick I suppose the makeup and gun play was acceptable. It didn't bother me, but it also didn't impress. Writing/Directing: Oscar for best screenplay is not something I can foresee Gerald Nott ever winning. Not only is the plot rudimentary, but the dialog is flat and stilted. I understand stylized hokee-ness, but this was just bad writing. The thing that bothered me most was the theft. Nott stole scenes, shots, and Viggo's facial hair from a slew of other movies. The scene where Russel Crow is walking through the wheat field in Gladiator, Entire sequences from The Good, The Bad and The Ugly, that sort of thing just doesn't cut it with me. I'll choose not to comment on the shooting because I don't know what it takes to establish a good shot etc... Conclusion: Don't rent this movie, don't even pirate it. It's far too bad to waste any time on. The good reviews may be entirely bogus, after meeting Gerry It seems more then likely that he is posting them himself. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
With a suspenseful mood and tone of the film-Bad Guy shows us how brilliant Korean thrillers can be. At first, seeing that this film is on Sundance's ASIA EXTREME-I could've sworn it would be horror rather than a disturbing drama. I was wrong yet now glad that I did not turn down watching this film. Now to get to the plot: A very young woman is desperate for money, trying to recover from the aftermath of a random harassment by a stranger (known here as the 'bad guy') she is forced into prostitution by him mysteriously and watches, without being seen, her life face horrible changes. Throughout the film, all members of the audience despise this 'bad guy'-however, nearing the end of the film be is given a "I'm not that BAD of a GUY once you get to know me" feels. The quote is cliché yet expressed in an original manner, representing many of the director's prolific talents. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
...and you can look at that statement in different ways, by the way. First of all, it's a mess because of all the gruesome and extremely violent scenes. Your wildest imagination doesn't even come close to some of the explicitly shown scenes here. Entire parts of this movie are just plain sick, disgusting, offensive, brutal and they bring you close to puking your guts out. Now, I love horror movies and I am very 'pro-violence', but I do think that it has to lead somewhere !! Is that too much to ask ? Cradle of Fear is just a series of utterly sick and twisted thoughts. The "movie" contains out of four separate chapters connected by a wraparound story. This results in endless showing of torture, murder and sickness only to find out that the victims have something in common. Not very informative, if you ask me. And yet - it has to be said - the basic plot idea surely HAS potential. It's about a cannibalistic hypnotist who made a deal with the devil himself to avenge himself and cause misery and death to everyone who was involved in his trial. Personally, I think that is an interesting topic, so they should have focused on that a little more instead of wanting to create the most disgusting movie ever. Secondly, the whole production of this movie was a mess. They didn't have much of a budget and they spent it all on fake blood and guts...Tons of it !! The acting performances are a joke and some of the worst I've ever seen. Any other special effects besides the make-up looks very amateurish ( Like that attempt to a realistic car crash, for example ). There's no tension or atmosphere to detect anywhere...not even an attempt to build up one. Cradle of Fear is a failure and a missed opportunity to say the least. With the presence of death-metal icon Danni Filth ( from the band Cradle of filth..get the link ? ) this movie is obviously only meant for the eyes of twisted teenagers who try to be controversial. Troubled girls and boys who take pleasure in worrying their parents by watching crap like this. And then people keep complaining that the amount of suicides and juvenile delinquency is increasing...Bah. I can imagine that this movie can cause a lot of damage when you're easily influenced or dispose of an unstable mind. For every self-respecting horror fan, this movie is an insult. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Here is a very, very tense thriller about a New Orleans cop (Clint Eastwood) finding a serial killer.....and vice-versa. This is a very dark (literally) film with a big film-noir look and feel. Neo-noir, I guess, is what they call post-1950 gritty crime films like these. Eastwood's character in "Tightrope" is a complex one. On one hand, he's a wonderfully loving father of two sweet girls (one played by his actual daughter, and played well), and yet he is a weak man when it comes to prostitutes. But, whatever side he shows - light or dark - he's interesting, as always. So is the female star of this movie, Genevieve Bujold, a woman with a very intriguing face and just a trace of her French accent. Dan Heyada contributes strongly in a low- key performance. Yes, this film is a bit too much on the seedy side for my normal tastes, definitely sordid, but very well done. It's a story that grabs you early and locks you in all the way. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
It was such a treat when this show was on because it was such a fresh, innovative, and original show. This makes every show I've ever watched look plain boring. The moment the first episode aired I was entranced and I became attached to all the characters so easy (which usually never happens because I always hate a few characters). It is a pity this show won't have a third season, because it has to be one of the best shows I have ever seen and that isn't exaggerating my feelings for the show at all. Nothing can ever replace Pushing Daisies, because what could ABC possibly find to replace this show? This is easily the best show on television. I came for Kristin Chenoweth and I stayed because I fell in love with the entire show. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
What can I say about Kramer vs. Kramer? On the surface it's rather simple but underneath it deals with emotions greater than life itself. It delivers many fantastic moments, it makes you laugh, it makes you cry. You sympathize with the characters and you care about them. Many films fail at this, Kramer vs. Kramer is a success. I think everyone would agree the acting is superb. Once you watch Kramer vs. Kramer, for some time the acting in most other films starts to feel plastic and unemotional. The actors seem to get along well with their roles and the characters really live on the screen. There's some beautiful chemistry between them. I think the best performance in the film comes from the young Justin Henry. He's different from any other child actor I've ever seen. He's amazingly natural. Also, there's some kind of neurotic beauty in Meryl Streep. And Dustin Hoffman delivers one of the best performances of his career! The story is very well written. It's simple but complicated at the same time. The concept is the simple part, the feelings associated is the complicated part of it. If you haven't seen this film yet, you're definitely missing out! See it now! | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This movie was most definitely the worst film I've seen in the year of 2006. Not only is the story line jumbled and poorly maintained, but the technical work is disappointing. It held way too many characters to keep track of and way too many sub plots that lose your interest and attention throughout the wasted 2 hours. I suppose you can't expect much from a director who has spent most of her time on music videos. I would say hold your breath and save your money. Stupid shots in petty attempts to be creative, cliché' dialogue and terrible acting, and the only thing that put this film up in the box office was a good preview. Don't get me wrong, there were some amusing and moderately entertaining scenes, but they were outweighed by the handfuls of junk surrounding them. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
The most notable feature of this film is the chemistry between the actors, the sense of camaraderie in their dialogue and dances. This typical rising-star musical has an overworked plot, even for 1944, but because of the actors it's still fun to watch. Hayworth isn't even that much of a dancer, but she has a lot of 'inexperienced' charm that fits her character. Kelly plays his usual caring authoritarian role while Silvers provides plenty of self-deprecation and laughs. The movie can also be very serious at times. Not a must-see, but recommended if you like the actors. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
It was a painful experience, the whole story is actually there so I won't go into that but the acting was horrible there is this part in the very beginning when the scientist brother goes to work he actually wears a white coat at home before leaving to work, I thought working with biohazard material meant that you should wear sterilized clothes in a controlled environment and the lab itself looks like a school lab there is this monitor on top a file cabinet that has nothing to do with the whole scene its just there to make the place look technical and a scientist is actually having breakfast in the lab and next to him is a biohazard labeled jar and his boss walks in on him and doesn't even tell him anything about it...not to mentioned bad acting very bad can't get any worst than that my advice don't watch and I thought nothing could be worse than house of the dead apparently Uwi Boll's movies look like classical Shakespeare compared to this! | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Being a big fan of the romantic comedy genre, and therefore having seen a large number of these films, it is rare that one strikes me as totally unique. For that matter, it is equally rare that I am gasping for breath through the laughter during several scenes. The love story is a little thin on the ground, but I'd say that's probably for the best, as this romantic comedy has the emphasis firmly on "comedy", and in any case it stretches the bounds of credibility just a little more than I like most rom com's to do. The four scientists provided some of the funniest moments not just in this film, but in any film I've seen in a long while. I hesitated for the briefest of moments before finally choosing a "10" over a "9" as a rating, as I believe that far too many people use it indiscriminately, and therefore the maximum rating loses some of its impact. I'm also a big Meg Ryan fan, which helps, but this is one of the few films I've seen in which I'd say she is comprehensively overshadowed. She and Tim Robbins are cast as the leads, but for me play second fiddle to the antics of the bumbling intellectuals. A genuine laugh-out-loud type film. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This is a very strange little short film that initially didn't impress me. From a purely aesthetic point of view, the animation here certainly ain't pretty--though after a while you notice that the simple and silly drawings do possess a certain odd charm. That's probably because with the script as screwy as this one, the animation works. The film shows an older couple sitting at the table playing Scrabble. At the same time they are fixated on this game or other bizarre pursuits (such as the husband's compulsion to saw things--even the chair and table)! And all of this stuff occurs as the television warns of pending atomic annihilation--Armageddon is definitely here! Naturally, the neighbors are screaming and running amok--during which time the couple obliviously continues with this idiotic game. Heck, even their cat knows the end is coming as the couple begin bickering about who may or may not have cheated--leading to a very surreal ending indeed!! The film deserves kudos for both being unique as well as very funny. While it did not win the Oscar, it was nominated for Best Animated Short--which it richly deserved. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Zhang Yimou directs this film about a forbidden love that is kept secret for fear of public retaliation. The cloth-making subplot allows for some very bright, beautiful colors; and the lead actor and actress are pretty good. The first hour of this film was enjoyable and engaging as a realistic drama. Unfortunately, the final half hour takes a decisive turn to the ridiculous. It's beyond comprehension why the filmmakers felt the need to insert a poorly-acted, psycho child into this storyline, and no reason is given for his completely outrageous behavior. The first 10 minutes of "Halloween" and the entire "Children of the Corn" series come to mind. It is at this point where Ju Dou completely loses its touch with reality, as if Wes Craven took over the final few days of shooting. Only in the world of B-grade horror can a child laugh hysterically after dragging a cripple to drown in a vat of clothing dye, or beat his father over the head with a two-by-four for no apparent reason whatsoever. It is not an understatement to say that this movie has one of the most absurd, out-of-place endings in the history of cinema. In fact, every single scene with the child made this film unwatchable to the point of inducing anger. One of Yimou's worst. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Well, Bunuel certainly made a strong exit, here. This is probably one of his most beguiling movies, one that is foundationally built on characters that are contradictions of themselves. Mathieu is sleezy and exploitative... and yet he really does love, or thinks he loves, Conchita, and makes an exuberant fool out of himself doing so. Conchita is likewise attracted to Mathieu... except it's not clear if she's just using him and leading him along, or if she honestly just wants assurance that his feelings are pure. In other words, Mathieu is the loving abuser and Conchita is literally the emphasis on the prude/slut dichotomy. AAAnd so you get to watch them, for two hours, nearly destroy each other in basically one of the best dysfunctional relationships ever put on screen. Lots has been said about the two actresses playing Conchita. It gets to become pretty obvious after a while, but at first it is wonderfully surreal, the sort of subtle gesture that Bunuel is an expert at doing. However, I think it was more daring having only one person, then, play Mathieu--and especially narrate it. Mathieu's duplicitous nature is such that he is the token untrustworthy narrator, and yet it's quite clear throughout the movie that he's talking nothing but the absolute truth. This adds another layer of questions to the proceedings: is it possible that objectivity and subjectivity have finally merged? Is Conchita's double-nature only what he sees in her, or does she actually change face? And then, of course, there's the sack. It's always nice when something is pointed out on-screen that leads to mystery, but that mystery is never stated. It seems, in the end, that the sack is really the only object that gives meaning to the narrative. --PolarisDiB | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
In some ways, Goldie Hawn would seem like the only cast member who should be involved with the zany "Death Becomes Her", given that Meryl Streep is best known for serious roles and Bruce Willis is best known for action movies (not to mention that director Robert Zemeckis is best known for the likes of "Forrest Gump"). But believe you me, everyone does a great job! Portraying two women vying for a man - and going to literally any length to succeed - this is one movie sure to blow your mind. Of course, the best part is what happens to Hawn and Streep. How anyone came up with that I'll never figure out! And then they fight! Ha! Overall, this is just a really cool flick. Whether we interpret it as a jab at Hollywood (and movie stars' obsessions with their looks) or as plain old wacky fun, it's still something else. Also starring are Isabella Rosselini as the woman who gives people the potion, and Sydney Pollack as a physician who gets a really, REALLY big surprise. I guess that you could say that Meryl Streep's character was "neck-in-neck" with certain other parties, and that Goldie Hawn's character had a hole in more places than her head! | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Although it doesn't seem very promising for a long stretch, Renoir's French Cancan ends up being an effortlessly charming film. The story is cliché: a laundry girl, Nini (Françoise Arnoul), is discovered by a night club owner, Danglard (Jean Gabin). Danglard steals her from her baker boyfriend and drops his current girlfriend, both of whom come back for their former lovers. Nini has to choose whether to go back to her humble life with the baker, go on with the show with her employer, oh, or become a princess, as a prince falls in love with her at one point, too. I'm glad the film didn't go for the most obvious choice, as a lesser film certainly would have. The film ends with the opening of Danglard's new night club, the Moulin Rouge, and a couple of gorgeous song and dance numbers. The first of them, "Complainte de la Butte," which also provides the base of most of the film's musical score, is simply one of the most gorgeous songs ever written, and Renoir himself wrote it. If you're a fan of Baz Luhrmann's 2001 film Moulin Rouge!, you'll recognize the tune, as it comes up near the beginning of that film, sung by Rufus Wainwright. Although it isn't very prominent in that film, everyone I know who owns the soundtrack loves it. In addition to having one of the most lovely songs ever written, French Cancan also boasts one of the cutest leading ladies ever to grace the screen. It's hard not to fall head-over-heels in love with that girl. 8/10. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
The Haunted World of Edward D. Wood, Jr. isn't a particularly good documentary. Aesthetically, it's lackluster and cheap looking, the people in it go off on tangents which make it very unfocused and in-cohesive, but this adds to it's charm. I say this because it's a documentary about an oddball that made oddball pictures and surrounded himself with fellow oddballs and, as such, there's really no other way to document the life and career of the man and his crew of misfits. There are some glimpses of insight into both the genius and the ineptness of Wood, and the portrayal of both qualities is a credit to the genuineness of the documentary. Overall, it's worth a watch for the Wood fan and those of cinema in general, but don't expect brilliance here. Expect a documentary made after Wood's own heart. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I'm somewhat prejudiced, since I'm in the film, as the piano player with the Cale Band, but even allowing for that, I still think it's magnificent. If they allowed me to vote even higher than ten, I would. JJ Cale has been an enigma to most of his fans, a mystery, for years. This documentary changes that. The crew from Kick Films really captured the real JJ Cale, not an easy task. I have been playing with Cale off and on since 1957 and the JJ Cale I know is the one you'll see in this film. The DVD has now been released in the USA, on 13 June, 2006 and has been available as a region two DVD in England, Germany and Australia since late 2005. This Documentary is not to be missed! | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I must admit I've always liked this one. There are many reasons, but the chief one is the cast, which is brilliant in all parts. Playing a hero, especially a naïve goody-two-shoes one, is probably the most difficult job in show business (just ask anyone who's played Batman) but he solves it very well, and sometimes annoyingly so (when he remains faithful to the beautiful, but dull, Rowena (also well-payed by Anthony, who does the best she can with Rowena). From a post modern, jaded opinion, the more interesting characters are the three villains; the egocentric Front de Beuf (Rhys Davies), the amoral Maurice the Bracy (Stuart Wilson) and the cunning Brian de Bois Guilbert (Sam Neill). Also, the wise Rebecca (Olivia Hussey), the bitter Isaac (James Mason) and the stubborn Cedric (Michael Hordern) are good, and even Wamba and Robin Hood. In fact, while the book/film is called "Ivanhoe", the interesting parts are the dynamics between Brian Guilbert and Rebecca, or between James Mason and John Rhys-Davies (classic!). Summing up: The film portrays Medieval England as both civilized and savage, and the castles and costumes are plausible rather than costly. The film has an epic battle scene, as well as really good jousting, intelligent conversation and interesting character development. It's definitely worth watching. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
After a summer full of retreads and disappointments, Nurse Betty is a breath of fresh air. The film is like no other I have ever seen. Director Neil LaBute proves that he can direct more then disturbing pictures of men and women and how they approach sex (his previous two films were the brillant In the Company of Men, and the almost brillant Your Friends and Neighbors). Renee Zellweger gives the best performance of her career as Betty, a waitress who, when she witnessing the brutal death of her asshole husband (LaBute mainstay Aaron Eckhart), and gets lost in a fantasy world. Morgan Freeman and Chris Rock play the hitmen who killed her husband and are now on her trial. The trick to the film is that Freeman and Zellweger are really parallel characters. While Zellweger falls in love with the image of the handsome and polite Dr. Dave Ravell on a soap opera, Freeman idealizes Betty. Nurse Betty is a brillant film, full of life, humor, love and graphic violence. My Grade: 10/10. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This feeble attempt at veering your typically bland Japanese horror movie more towards a creepy cult hit did not have the ammunition needed to keep the viewer involved throughout. Translated to vortex, Uzumaki is about just that- an irrational and overabundant tribute to the strange downward spiral into nothingness that has seemingly captivated a whole small town into dementia obsessed lunatics. While this certainly makes for a pleasurable b-movie on the surface, the traditionally tiresome acting, direction, and script will have all but Asian horror buffs shaking their heads in dismay. What could have roughly translated into Japanese equivalent of an early David Lynch piece, instead wares out it's spiraled gimmickry before it even has a chance to explain itself- which of course it does not. Aside from a few clever techniques employed, the movie rarely connects the dizzying thematics with the dull script, ultimately coming across as a cheap exploitation into the cult genre, substituting hollow imagery for genuine substance. When the movie had ended there was hardly anything that was gained from any of the interactions, save a tiny few scenes or images that rose above the one note film. I do applaud the makers for at least trying to take the genre into more supernatural, metaphysical realms and understand the rough losses lost-in-translation, but with zero substance to back any of it's freakishness up this will likely be relegated to obscure fanboy's bong-ridden basements. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
About the only accurate thing in the movie is the title. Yes, it does feature an F-117 Nighthawk. Well, sort of. Anything other than close-ups of the actors is either stock footage from other movies or government films. Virtually all of the F-117 is identical to what you'd see on a History Channel special (any of which, by the way, is more worthwhile to watch than this). One of the most laughable scenes is the one in which the Good-Guy-Hero-Extrodinaire flies virtually every variation of the F-16! First, he climbs into the cockpit of an F-15. As he takes off (without removing the wheel chocks, of course!) its your generic F-16. But...my God! By mid-flight, its been magically transformed into a two-seater F-16B trainer! But wait! Now the gray F-16 has altered its paint scheme to become a bluish tiger-stripped Red Flag adversarial training jet! So many other screw ups and laugh-out-louds that others pointed out, like the Presidential Motorcade consisting of his limo and one other sedan (whatever) as well as the "War Room" consisting of 9 chairs, a table, and a 20" Sony. As far as the actors go, Ice-T has moved on to bigger and better things, like Law & Order: SVU (an excellent franchise to be a part of). 1/2 out of ***** for plot, storyline, accuracy, and everything else important in a movie. ****1/2 out of ***** for camp value. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I can't remember the last time that a movie squandered as much goodwill in such a short space of time as this one does. The first half is genuinely terrific, as six lairy, sexed-up twenty-somethings flirt, take drugs and confabulate on a yacht anchored off the coast of an unnamed Spanish island. Its like Hollyoaks as directed by Larry Clark, and it is totally gripping. But as soon as the titular incident occurs (and the titular incident really does occur; just in case anyone else suspected that the title was merely a jocular come-on) the plot suddenly helter skelters straight into a brick wall; turning into the kind of dated, tiresome trash that isn't only shockingly predictable, but also entirely unaware of its own predictability. The film's twists are broadly apparent a full ten minutes before they occur on screen, which makes for an experience that isn't only boring, but also deeply and repeatedly annoying. This is one of those thrillers in which every cast member gets a turn playing the volatile psychopath, purely because the script can't get around the fact that the previous character to go loopy has just been safely locked in a cupboard. It never once stops being faultlessly directed - debutant Oliver Blackburn coaxes some really outstanding performances from his young cast, and there are a couple of devilish moments of genuine suspense and black comedy - but these jiffys are like a tiny number of slowly deflating rubber dinghies sinking into a gigantic ocean of generic pish. People merely looking for explicit sex will be very well served, but the violence and gore is surprisingly tame for something that's being marketed as a plasma-stained killfest. A very brief, but nevertheless apt and effective homage to Phillip Noyce's Dead Calm aside (a film so infinitely superior that I feel guilty for even having mentioned it here) this is just a shoddy, witless bore of a film. And it all started so well. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Had placed this on my TIVO for a rainy day due to the cast, some really hard working people in the industry, and when I finally watched I was NOT disappointed. This movie has some Altman-like flavor (he's mentioned in the end credits as a "thanks" person) utilizing seemingly independent unrelated plot lines that intertwine as the film draws to its climax. Macy is pure, clean, and honest as a man who can't seem to escape his "destiny", Sutherland plays and portrays as few can, Neve adds splash to a deliberately toned down environment, add Tracy Ullman, Barbara Bain (remember Mission Impossible on TV?), not to mention the steady John Ritter and you have all the ingredients for a good FILM. The script is uncluttered, the dialog is free from cliché and thoughtful (especially between Macy and David Dorfman). Suspend belief and enjoy, this is truly time well spent. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This operatic action movie abounds with nods to various directors: Woo, Coppola, Godard, Tarantino, Penn, they're all there. From O's "Resevoir Dogs"-like killing suit to Tok's pinning an opponent's hand to a bar with an icepick to O and Chin's "Bonnie-and-Clyde"-like moment in a field, the movie is an homage to cinephiles everywhere. While it's billed as a film about two hitmen--one vying for recognition, the other for anonymity--it also peers into the lives of the supporting characters. The film takes interesting turns (no spoilers whatsoever here). If you find some of the camerawork a bit florid, keep in mind that that's the MO of Tok: flashy, show-offy, but gets the job done. The film is fast, meditative, and just plain cool. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
To anyone not familiar with c.S. Forrester's book this film should be interesting. It is colorful, well acted and depicts high adventure, but to those of us who know the original stories it is appalling. I could hardly sit through it. For some reason screen-writers seem compelled to rewrite the stories they are working on. Of course, the spoken word is different from the written word, and there are some episodes that would be difficult to film. But, why do the screen-writers rewrite the story instead of just adapting it? In this case the writers out-did themselves. Just a few examples: There was no mutiny on the Renown. The officers did take over the ship after the half-insane Captain was driven completely mad when he fell through a hatchway -for reasons implied but never given. There was no court martial. The court of inquiry was conducted in an almost congratulatory atmosphere. Captain Pellew does not appear appear in this part of the Hornblower saga, nor does Col. Ortega's wife. Hornblower, himself, was never in the brig either on the ship or on shore. There are plenty of such manipulations of Forrester's story. On a purely technical basis, I think the film's repeated use of the flash-back device hurts the continuity of the story. Why, oh why did screen-writers have to mess up a good story? | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I remember loving this show when I was a kid. I thought the helicopter was the coolest thing I've seen. It was ultra high-tech for it's time. It could repel enemy fire, do all sorts of acrobatics in the air, and take down nearly anything in it's way. Now I go back and watch it today and am surprised how lousy this show really is. The casts members are hardly compelling, there are a lot of cheesy moments, and the fight scenes are incredibly fake looking. And nearly every ending has the same helicopter fighting crap with the obvious reuse of grainy low quality stock footage. Lot of the footages appear to date from the Vietnam War era. Airwolf has basically the same theme as Knight Rider, except the crime-fighting vehicle of choice is a helicopter instead of a car. After watching a few episodes, I found myself utterly bored. I do, however, love the theme music. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
David Lincoln(David Warner)sells his soul to the devil and murders the ancestor of Mark(Zach Galligan)at the beginning by putting his head in the fireplace as it was burning wood. Mark, Sarah(Deborah Foreman), China(Michelle Johnson) & Tony(Dana Ashbrook)decide to got to a Midnight showing of a Waxworks..this is a "museum" whose proprietor is Lincoln who hasn't aged a bit. Each museum exhibit is actually a gateway into another time where the classic monsters of horror await those who enter and are gullible to believe that these creatures can harm them. You have the worst Dracula in the history of cinema in Miles O'Keeffe, horrible werewolf costume representing John Rhys-Davies, J Kenneth Campbell as the Marquis de Sade turned into a cartoon, and the Mummy. Other creatures such as an alien, zombies, and Frankenstein's monster never get their full due because director Hickox can not slow the movie down enough to provide us with any kind of substance to hold a hat on. I swear this film is held together by plywood and string. Poor Patrick Macnee must do with a character called Sir Wilfred who has been planning an attack on Lincoln for sometime. The film is episodic showing what each character faces as they enter(..or are thrown into)each exhibit. There's plenty of gore and the lovely Deborah Foreman is probably enough to give this film a go. Obviously lovers of the classic Universal horrors might find some worth in this drivel, but I have a feeling they will find the make-up work of these creatures as laughable to the point of disrespect. The whole film ends with Wilfred's unit of "soldiers" doing battle with the monsters once they are released from their "cages" after the museum is provided with enough souls by those who venture into the other world. It's a mess of bodies and violence that can become unbearable. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This movie stinks!!! What is all the hype about? It deserved no awards, no festival fanfare, no attention whatsoever. It's so boring, pretentious and incompetent it doesn't even deserve to be released! 13 Seconds is just another shot on video, no budget loser put in a nice, shiny box to fool you into thinking there might be some production value or creativity behind it. But... nothing happens in this film (certainly nothing interesting or remotely scary). The special effects are laughable and few and far between. The acting is terrible (especially the hillbilly fat guy with the funny hair cut) and to top it off, everyone is so badly DUBBED in post it looks like a kung-fu movie from the '70s whenever anybody opens their big, ugly mouth (and they sound like their dialogue was rerecorded in an empty warehouse for all the echo on it). Do we really need another rotten horror movie about a rock-n-roll band? Did we learn nothing from the 1980s and films like Hard Rock Zombies or Black Roses? Watching this movie for even "13 seconds" is a waste of time. Shame on Lion's Gate for releasing this timid, wet fart of a horror movie! I give it a "1" only because the rating system doesn't go any lower... Avoid 13 Seconds like the plague! | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I gave this film 3 out of 10 - one star for the three attractive male leads. What does that tell you about it's appeal? The story was, to put it mildly, odd. There were moments in the film that made me feel extremely uncomfortable. The writing was awful. Half way through it felt like the writer was trying to devise a new lingo in hopes of having it catch on. I don't know, maybe there are people out there that talk that way, but I certainly haven't run into any. I would advise avoidance of this film at all costs, even if your tempted to check it out just for the pretty packaging. Trust me, it's not worth the rental. Go rent "The Broken Hearts Club". | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
"Bingo" is exactly the word! This film hits all the right spots and its not all about Joan Crawford, who simply sparkles. I fell totally in love with her character! It is not by accident that IMDb lists 107 films by Director Jack Conway between 1912 and 1948. This was his 72nd film according to that chronology and his expertise shows. I found it thoroughly engrossing and continuously entertaining. I laughed aloud often -- some really great gags and a fine early sit-com. I don't know much about the writer Charles E. Scoggins, but co-writer Sivia Thalberg is credited with 15 films and is the sister of Irving Thalberg. That ought to tell you this film deserves close attention. Don't allow yourself to think of it as "cornball" and just engross yourself in it. You won't be disappointed. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Dark comedy? Gallows humor? How does one make a comedy out of murder? It can be risky business as the viewer is required to let go of their moral values and laugh at the antics of a man who kills people. So, the story has be rock solid with a good dash of suspended reality in order to make it work. So, Pierce Brosnan, the Irishman's answer to 007 is now cast as a chain-smoking, sex-addicted alcoholic who kills people for a living and is having a life crisis. He meets a struggling businessman, Greg Kinnear, and after a rocky beginning, he learns that he needs a friend. But, Greg's happily married to Hope Davis and Brosnan sees in him the basic things he doesn't have, love, home and a life. Add character actor, Philip Baker Hall as the hit-man's manager and we're off to the races. Brosnan is wonderfully crass and crude as the anti-hero and Kinnear delightful as his counterpart, the very human businessman. Hope Davis adds a sparkle as Kinnear's very conventional wife who is fascinated with this derelict who drifts into their lives. The ending is delightful and with some surprise to it. You should leave the theater feeling, at least, partly good-- if you're able to suspend being aghast at killing people. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.