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This has to be one of the worst movies of all time. The graphics were horrendous, the acting was b-movie and the effects were just plain Nintendo 64 qualified. You would think that they would put a little more effort into it. Of course, it is a Scifi channel movie so you have to expect it to be low rate, but this one takes the cake. Hell, I'm still laughing. So, as a shake-your-head in disbelief movie, this one does well. Although it appears to have some 'known' actors and actresses in this, it is difficult for me to believe that they did not realize that the quality of this movie was worth their time and effort. The graphics might have been good in the '60's or even early '70's but come on, this is 2009! I wont give spoilers out, let's just say that if you have played "Jurassic Park" on the Nintendo 64 you will be very familiar with what you see in this film It is definitely not worth the 2 hours it took to sit through the thing | 0neg
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Based on a comic strip, this movie was colorful and believable as one. Pam Grier as a fashion photographer getting mixed up in romance and intrigue sounds like a great idea but this movie never pulls it off. All I can recommend is the off the wall supporting cast. Not by casting unusual actors but the parts these actors play. With the exception of Eartha Kitt and Scatman Crothers playing what one would expect, the others play characters that they would not be known for in later years. Take Ted Lange: remembered for the happy go-lucky Issac on "The Love Boat", here he is the stereotypical pimp with the clothes and dialogue to match. Yaphet Kotto, is the comic sidekick; I don't think I have ever seen him smile as much as he did in this movie. Carl Weathers as the silent killer is also a little strange. Jim Backus gets prominent billing and he is in the movie for just two minutes! Well, it's a fast 90 minutes and there are worse things to watch. | -1no label
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Walking With Dinosaurs is an amazing Documentary, educational for both the Ignorant of Dinosaurs and Dinosaur-Lovers (like myself) alike. I admit, I was very young when I saw this on Discovery, but I was obsessed with it immediately. (Spoliers!!!!!) The series contains 6 episodes, going from the Late Triassic when dinosaurs were just first evolving to the Late Cretaceous, at the end of Reign of the dinosaurs. When I first saw this film, it was like I really had traveled back in time. The majesty of the Diplodocus, the adventures of Opthalmosaurus, and the caring mother version of T-Rex all astounded my family and me. It is an amazing film, and I believe that BBC managed to do just what they set out to do. Awesome job! | 1pos
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] |
The plot of this film is just so preposterous it makes "Airplane!" look like a slice of gritty realism. Nervous flyers on a plane in a terrible storm with evil European terrorists (no clue as to what their cause was, other than "being evil"), deadly nerve gases, dead cabin crew, drugged ice cubes, gun fights, a missile attack, and an ordinary Joe who has to land the plane (he has a dead wife, and an impossibly cute little son, of course). As the action lurched from this implausible random plot twist to that piece of clunky, cliche-ridden dialogue, I found myself being charmed by the sheer awfulness of it all. My favourite part is when a terrorist starts babbling in Czech, and Jennifer Beals offers to try and interpret since she learned a few words of Polish from her Grandmother as a child. Seconds later she is in full swing: "He says that there is a deadly nerve gas in the hold, and he will press the detonator killing everyone within a 5 mile radius"....Whatever did her grandmother talk about all the time that she picked up that vocabulary? | -1no label
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] |
For producers and screenwriters, trying to make a historically accurate film, especially one dealing with a faraway and complex period, is a thankless and often pointless task. History, having no clear beginning and no clear end, is almost impossible to squeeze into the conventional story structures demanded of cinema-going audiences - at least as they are perceived by film financiers. And the result is always a mass of over-simplifications, compressions, chronological mayhem and mis-characterization. Even if the end result is a good story, which in this case it sadly is not, the value of the piece as 'history' is as good as useless. This is the case with 'To Kill a King'. As an aide to history it is without value, because the events and conflicts it portrays were almost certainly nothing like the film-makers would have us believe. And as pure entertainment it's unpardonably slow. It gets ties up in arcane issues that we have no special reason to be concerned about any more, and rarely flames into life. Some of the performances are lively (Everett as King Charles is the high point), but most are one-dimensional, include that of both Fairfaxes (Dougray Scott and Olivia Williams). Overall, unless Civil War costumes fascinate you, this film offers little return on the cost of a cinema ticket. | -1no label
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] |
Brett Piper again makes a very good film that is trashed by the so called film "experts." it is low budget, but fun, and the leading lady is very sexy. I wish i could see more of Irene Joseph. Good viewing fun. I bought the DVD and enjoyed it. The special effects are stop motion animation, and much better than the computer generated crap they call effects today. I always enjoy Brett Piper movies, and if you liked this I recommend Bite Me, Screaming Dead and anything else he has done. I look forward to seeing more of his work and well as more of Ms. Joseph. I simply cannot see why this woman hasn't been in more movies, as her acting is excellent. | 1pos
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Saw it tonight; my take: Casting: About the best I have seen of Ferrell since Minority Report. I was actually amazed that they made him look a lot like a young Don Johnson. Barry Henley for Castillo though
. God he sucked. The Lt I loved was 1/2 Ninja and 100% cold bad ass good guy of few words. And when he spoke, you would have thought God was talking. Sadly, this Castillo was in too tight a shirt and was about to choke half the time. How did he get cast for that part? Mann MUST have lost a bet. Elizabeth Rodriguez as Gina had the best scene in the whole movie, when she shot the Nazi. And it lasted 10 seconds and she was the baddest character in the show. Too bad it was only 10 seconds... my hopes raised but got dashed. The movie never got back to that high point. Foxx
err
I still cant get past his Living Color days to take him seriously. And there was next to no chemistry between him and Ferrell. I kept expecting him to tell a joke. Setting: It was said before, the was not Miami Vice, this was "-anywhere- Vice" The movie could have been set in LA, NYC or heck, Cairo! Presentation: Where was the great epic gun fight we came to love in Heat? It was too dark and I had not a clue what was going on. I mean Switek is in the middle of the bad guys and they barely even notice him when the shooting starts. Then in the middle he just sort of vanishes?? What gives?? Bad editing and bad filming. And where was Sonny's Brenn 10?!?!? All and all I blame the Mann. I give it 2 out of 10 stars. Mostly because I have so loved MM in the past that this destruction of a beloved memory by bad acting, bad casting, and non existent direction really hurts. Mann had a sure fire block buster and he will doubtless make some money but as for me I want my $10 back. Mann, how could you ruin Miami Vice like that? | -1no label
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] |
Being a chess player myself, I really enjoyed this movie, probably more so than the average person. One of the funniest moments in the movie is when the grandmaster, who had murdered his Russian rival, is confronted (again) by Columbo during a chess simul (an event where a strong player plays matches against several players at once). He becomes so distracted that he gets checkmated by one of his opponents. But the really funny part of this is that you can actually see that the position on the board is the famous "Fool's Mate". Although not even a mediocre player would fall into this trap - much less a grandmaster, even when being annoyed - it really is a fitting position for the movie, for undoubtedly, any chess player who commits murder for fear of losing a chess match is a fool indeed! | -1no label
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BEGIN SPOILER: Fitfully funny and memorable for Mr. Chong's literal roach-smoking scene: Chong coolly mashes a stray kitchen cockroach into his pipe's bowl, lights up, coughs and hacks violently for a seeming eternity,then with perfect aplomb and not skipping a beat, re-loads the bowl properly, re-lights, re-tokes. END SPOILER. Alas, I began to lose faith less than half-way through the proceedings. It occurred to me that the lackadaisical duo are way obnoxious and less than relatable. I have come to appreciate the relative sophistication of contemporary stoners, Harold and Kumar. I simply prefer brighter company. Yet, the movie is probably a perfect fit for baked frat bros or those viewers who are so feeble-minded as to be outwitted by a stoner when they-- the former are sober. Notable guest appearance by Paul Reubens spouting obscenities in pre-Pee-wee form. | 0neg
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] |
This movie was exactly what I expected, not great, but also not that bad either. In my opinion PG13 movies aren't scary enough so that's why I already knew I was going to be bored throughout the entire film. Sure there were scary things going on in the hotel room, but nothing we all haven't already seen. I guess I didn't like it because I thought there were too many twists and turns happening; it got old and repetitive. I also didn't understand if all the things Cusack was experiencing in the room was real or not. There is no explanation for any of the events that occurred. The movie just drags on and when it finally does come to an end you want it to keep going because you are still waiting around for someone to tell you what the whole movie was about. What I did like was the special effects. Other than that there wasn't much enjoyment from it. Maybe its just me but I thought this was below average. | 0neg
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] |
Aim For The Top! Gunbuster is one of those anime series which has classic written all over it. I totally loved this series, and to this day, it remains my favorite anime. And while it was not Gainax's first animated product, it was their first OVA series. Mainly starting out as a parody of the 1970's sports drama Aim For The Ace (Ace O Nerae!), Gunbuster picks up steam as a serious drama toward the ending of episode 2, when Noriko Takaya is forced to relive the death of her father, who was killed in mankind's initial encounter with the insect race Humanity is at war with. It is because of her father's death that Noriko wants to become a combat pilot. But her lack of confidence proves to get in the way at times and she falters. Her friend, Kazumi Amano, even has doubts about Noriko being chosen as a pilot. However, Noriko's coach, Koichiro Ota, has faith in her. And he has made it his personal mission to see that she succeeds at becoming a pilot, for he was a survivor of the battle in which Noriko's father was killed. Other characters include Jung-Freud, a Russian combat pilot assigned to serve with the squadron Noriko and Kazumi belong to, Smith Toren, a love interest for Noriko who is killed in their first sortie together, and Kimiko Higuchi, Noriko's childhood friend. Kimiko's involvement is also of interest, as while Noriko is off in space, Kimiko remains behind on Earth to live a normal life. And because of the acts of time dilation, Kimiko ages normally on Earth while Noriko is relatively the same age as when she left school. By the end of the series, Noriko is roughly 18 years old while Kimiko is in her mid-fifties. All in all, this is an excellent anime series to watch if you are a fan of giant robot mecha and of Gainax animation. If you like Hideaki Anno's other shows, or are a fan of Haruhiko Mikimoto's artwork, then give this show a chance. It will grow on you. | 1pos
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] |
Seeing as the vote average was pretty low, and the fact that the clerk in the video store thought it was "just OK", I didn't have much expectations when renting this film. But contrary to the above, I enjoyed it a lot. This is a charming movie. It didn't need to grow on me, I enjoyed it from the beginning. Mel Brooks gives a great performance as the lead character, I think somewhat different from his usual persona in his movies. There's not a lot of knockout jokes or something like that, but there are some rather hilarious scenes, and overall this is a very enjoyable and very easy to watch film. Very recommended. | 1pos
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] |
I found the Movie very interesting. I really enjoyed the film the actors were great. It was entertainment. Benny the uncle was wonderful He was real at his character. The ending took a wonderful twist. I would recommend you seeing it. Eddie Mores girlfriend reminded me a little of sandra bullock she was sharp as a nail. I also like the little girls acting in the movie she was very convincing. Benny reminded me of a friend of mine who really lives his life growing up in Brooklyn. I loved the scene where he tasted the sauce in the pot because thats how most people cook lol. I actually watched the movie 2 times and learned more the second time. | 1pos
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] |
"I fight! I love! I conquer like a Barbarian!" Sound like something Yul Brynner might say? Nope, it's just the Duke, wearing a scraggly Fu Manchu mustache and seemingly painful eye appliances for that Oriental look. Yes, pilgrim, get out of town when the Conqueror rides across the steppes of.....Utah? This film is so ludicrous that you will howl with laughter. And the Duke isn't the only object of derision. Susan Hayward of the flaming hair and milky skin as the princess who is the object of his desire couldn't be more wrong in that role. You expect her to whip out a cigarette and give forth with some snappy dialogue. Dialogue???.....did people ever really speak that way? Somehow I think not. I'm surprised MST3K never did this film but maybe it's funnier without added comment. I cannot imagine what the director Dick Powell was thinking? This was a man who made some wise decisions in his long career; unfortunately this was not one of them. Maybe the answer lies in the fact that Howard Hughes who was not noted for his wise decisions was the head of RKO at the time. The down side of this film is the fact that the majority of those involved were all stricken with cancer possibly as a result of filming in an atomic/hydrogen bomb testing ground. Whose decision was that? | -1no label
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I liked Shaolin Soccer, it was full of laughs and Stephen Chow has done it again with Kung Fu Hustle. It's not in the same vein as Shaolin Soccer and it is not a belly full of laughs, but it certainly emphasised his love of action movies especially Martial Art movies. The film pays homage to all those Hong Kong Martial Arts Serials, Bruce Lee and the action genre in general. I would even say that Kung Fu Hustle is a more refined Shoalin Soccer in terms of storyline, action sequences and acting. The setting is great with some nice scenes of old Hong Kong and the way people used to live. The fight scenes were pretty good, especially at the start with the three masters fighting the Axe Gang. Okay, the story was predictable but that didn't take away the enjoyment one bit. Overall, it is a highly recommended movie to watch and I can't wait for his next film. | -1no label
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] |
On a desolate planet, two factions are at war with each other, but there is another menace out there tunneling beneath the ground. An 'autonomous mobile sword', or screamer, is an incredibly quick weapon named for its high-pitched shrieking, and which cuts its victims into pieces. It turns out, these weapons seem to be evolving on their own, and become capable of taking on new forms. Based on a Philip K. Dick novel (his works have also inspired the films "Blade Runner" and "Total Recall"), this is better than your run-of-the-mill, filmed-in-Canada B-movie. Slowly, deliberately paced, dialog heavy, subtle, and atmospheric, it's rewarding for those who stick with it. It looks quite impressive - special effects are excellent, rarely ever getting overtly cheesy - and the indoor / outdoor sets and location work are phenomenal. The snowy, windswept landscape is photographed quite well. Overall, it's quite a nice film to look at. Co-scripted by Dan O'Bannon of "Alien" fame, that gives it some extra punch, as he always tends to do quite well in the realm of science-fiction. The acting is good - Peter Weller is a stalwart, and refreshingly, not one-note, hero, and is supported capably by Roy Dupuis ("The Rocket"), Andy Lauer, and the lovely Jennifer Rubin ("A Nightmare on Elm Street 3: Dream Warriors", "Bad Dreams"). Some of the characters are abrasive, although that thankfully never became too much of a distraction. The story twists are actually not ones that really surprised me, but I appreciated the story-telling in general. "Screamers" *is* a nice little surprise, worth looking into for science-fiction buffs who have yet to see it. It's bleak, chilly, interesting, and reasonably entertaining stuff. I recommend it. 7/10 | -1no label
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] |
I did not have too much interest in watching The Flock.Andrew Lau co-directed the masterpiece trilogy of Infernal Affairs but he had been fired from The Flock and he had been replaced by an emergency director called Niels Mueller.I had the feeling that Lau had made a good film but it had not satisfied the study,so they fired him and hired another director.This usually does not work well (let's remember The Invasion).But The Flock resulted to be better than what I expected.It's not a great film but it's an interesting and entertaining thriller.The character development is very well done and I could know the characters very well.Also,the relationship between the two main characters is natural and credible.Richard Gere and Claire Danes bring competent performances.Now,let's go to the negative points.One element which really bothered me (there was a moment in which it irritated me) was the excess of edition tricks to give the movie more "attitude" and style.That tricks feel out of place and their presence is arbitrary.Plus,I think the film should have been more ambitious.In spite of that,I recommend The Flock as a good thriller.It's not memorable at all,but it's entertaining. | 1pos
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] |
To some extent Ralph Nelson's "The Wrath of God" spoofs westerns, but like Nelson's "Lilies of the Field," under the comedy is, I think, a deeply felt belief in divine grace. Both movies focus on unlikely human materials having a vocation they fail to recognize and consciously resist. Herein, Robert Mitchum plays a con man masquerading as a priest and a Catholic martyr in the tradition of Thomas à Becket or Thomas More mistaken by many as a hedonist. In her last screen performance Rita Hayworth has preternaturally red hair (fire-engine red, not a color of any natural human hair), few lines, and is required to look devout (which she manages to do). As her flamboyantly traumatized and traumatizing son, Frank Langella gets to chew up the scenery, which he does with great relish (before "Dracula," after his memorable film debut in "Diary of a Mad Housewife" and Mel Brooks's adaptation of "The Twelve Chairs"). Ken Hutchinson does fine as the token normal guy who is embroiled in others' plots, including the romantic subplot that involves him with a mute Indian maiden (Paula Pritchett). In a Sidney Greenstreet-kind of role as a corpulent and corrupt gun-runner Victor Buono is suitably droll. Still, it is Mitchum's movie, and he is as compelling when he takes his priestly role seriously as when he plays the usual disengaged but competent existentialist who expects nothin' from nobody. <bt><br> A motley gang of foreign mercenaries getting involved in the confusions of the long-running Mexican revolution and taking a side against their financial interest recurred in a number of late-1960s and early-70s movies, including "The Wild Bunch", "The Professionals", and "A Fistful of Dynamite." The latter two use considerable humor within the genre of expatriates taking sides (which in Mexican settings of different eras includes "Vera Cruz", "Old Gringo", and "Bring Me the Head, of Alfredo García"). | -1no label
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] |
I was dumb enough to rent this movie just because it said that on the cover and I wish I had paid more attention and realized they didn't say where this quote came from. They obviously just put it on there and its completely false. There was nothing shocking, nothing exciting, and nothing entertaining in this movie. It was one of the absolute worst movies I have ever seen as there was no character development, bad acting, bad dialogue, and it moved very slowly. Do not support this movie. You will be very disappointed. For the record, I enjoy B-horror movies. This wasn't even good in that B movie, funny kind of way. Awful all around. | -1no label
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] |
The story at the outset is interesting: slavery in the (late) 20th century from west Africa to the Arab Middle East. The problem with it is that it intentionally castigates two of director Richard Fleisher's favorite enemies: Arabs and Germans. To make us believe that very Arab-looking men would be free to roam around and easily catch Blacks in West Africa is as believable as Whites hunting for slaves in "Roots". Obviously both trades are/were run by locals and involve(d) much more sophisticated networks. While Arab countries are complicit in today's child and sex slave trade, Israel is one of the worst violators according to Amnesty International. So why only point out Arabs and then choose a German as the only European buyer? It's obvious bias and hatred of those people by a Jewish director. The acting is above average, especially by Peter Ustinov (Suleiman) and Kabir Bedi (Malik). Michael Caine (Dr. Linderby) is good as always. | 0neg
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] |
"The Hunter" appeared in theaters in the summer of 1980, just a few months before Steve McQueen's premature passing. Some reviewers have savaged the movie as his worst, and many folks love to slam it. However, the worst thing I can identify is its ordinariness, that it does not measure up to the talents of its stars. For that reason, it seems like a sadly mediocre end to McQueen's career. McQueen had taken a long hiatus from movies in the 1970s (unless you count the bizarre "An Enemy of the People") but returned with two 1980 releases, "The Hunter" and the western film "Tom Horn". I never have really liked "Tom Horn" (too darn much blood and gore) but "The Hunter" is much better. It's a story of a modern bounty hunter (McQueen), his pregnant girlfriend (Kathryn Harrold), and McQueen's efforts to bring the bad guys in. There's lots of action (much of it cartoonish) and a subplot about Harrold's pregnancy and a frantic hospital scene at the end of the movie. The two stars give good if not great performances, but they're let down by a bland script, which looks like an expanded 1970s cop-show story. Sadly, McQueen complained about a persistent cough during filming, and was diagnosed with terminal cancer in late 1979, at the age of 49. It seems like yesterday that this film premiered in theaters, but surprisingly it's been 28 years. McQueen's return to films wasn't earth-shaking, however he showed flashes of what could have been a successful career revival. I think it's a glimpse of what might have been, rather than a look at a tired, faded star. In that respect, the movie is rather sad, because McQueen never made another movie. | -1no label
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] |
Delicatessen has joined a body of work unparalleled in modern film. Both its most notable counterparts ("City Of Lost Children", and more recentantly the vivacious "Amelie") are brilliant and vibrant peices of cinema, however personally i feel that Delicatessen takes the cake. Dominique Pinon (A Jeunet regular) plays the hapless wanderer Joseph, who turns up at a rather ominous butcher shop looking for work. It is a dank, rather terrifying unspecified region of France, in a future when food is scarce and vegetarians reside below the surface like rats. What ensues is both darkly comical and touching. Jeunet's cinematic style is striking to say the least - the camera zooms around the recesses of the apartment block and surrounding alleyways like a hyperactive insect. Characters are bursting with life, oozing charm and wit - most notably the sinister butcher, or the Frog-man. The film is painted with deft strokes, resulting in a seamless cinematic treat, drizzled with masterful comic timing and a lot of heart. | -1no label
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] |
Nikki Finn is the kind of girl I would marry. Never boring, always thinking positively, good with animals. Okay, as one reviewer wrote, a bit too much peroxide, lipstick, and eyebrows (Only Madonna could get away with that). But that's why I love Nikki Finn, she's not your ordinary girl. She makes things happen, always exciting to be around, and always honest. Sure, she steals, but she doesn't rob or murder (unless you're out to do her in). She knows which rules can be broken and which ones should be obeyed. She knows what to take and what can't be stolen. If you need a favor from her, she's in 100%. Bottom line: She knows how to enjoy life. Nikki is always loving (which is why she has a way with wild animals), and completely dedicated to those she loves, and who love her. Who's That Girl? She's the girl for me. | 1pos
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] |
Anywhere But Here is not exactly anything new, but the excellent performances by both of the main actresses made it worth watching. Sarandon and Portman are a mother and daughter who move from rural Wisconsin to sunny Beverly Hills, California, in search of a better life. The main conflict comes from the fact that Natalie would much rather have stayed in Wisconsin with all of her friends and family, and she felt that she was forced to go to California with her overbearing mother. (spoilers) While it's true that the film as a whole is disappointingly predictable, Susan Sarandon and especially Natalie Portman give performances that are so good that they almost make the material seem new. Anywhere But Here doesn't cover any new ground, but it does have the rare quality of being able to take overused subject matter and make it fairly interesting again. Also seen in this movie is the most heartbreaking facial expression seen in years, seen on Natalie Portman's face when her mother drops her off on the side of the road and she watches the car fade into the distance. Particularly noteworthy is the ironic subplot about Natalie's mother pressing her to become an actress, as well as a very convincing performance from Shawn Hatosy as one of Natalie's very close cousins from back home. His death is a tragic cliché almost always seen in movies like this one, but the rest of the film makes up for numerous weaknesses like this. Not great, but Anywhere But Here is definitely worth a look. | 1pos
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] |
HOW TO LOSE A GUY IN 10 DAYS - Kate Hudson, Matthew McConaughey (PG-13) "How to lose..." is a story about a how to journalist (Hudson) who plans a story on how to blah blah blah. McConaughey soon becomes her little experiment, but little does she know that he has a bet to make her fall in love with him in 10 days. In the end, of course, they end up falling in love. This movie was so painfully boring that I wanted to slam my head in the seat in front of me! The only thing that saved this film from being a complete catostrophe is Kate Hudson. She once again proves that she is great actress. Too bad McConaughey screws up the film for her. All I have to say is this movie was horrible. Save your self some money and time and just rent it when it come out on dvd! ** out of ***** (2 stars for Hudson's acting) | -1no label
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] |
Al Pacino was once an actor capable of making a role work without resorting to constant use of profanity. In other words when he could act, he didn't have to talk like some street junkie. McConaughey must have been impressed by Pacino because he became a promoter of the "F" word also. This might be the kind of society that they actually live in, but most of us have the common decency to watch what we say in mixed company. I don't recall the exact words that a professor used in explaining the constant use of profanity, but it was something like this. "It shows a lack of intelligence, poor language skills and disrespect for all those that have to listen." Maybe it is time that Al takes some acting courses again to sharpen his talent. Oh yes, the movie... Probably the worse thing that McConaughey has played in. Hopefully his next role will be in the company of more talented people. Rene Russo as always was hot. | 0neg
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] |
The premise and subject about making a criminal realize what his victims went through by capturing his family hostage sounds promising and interesting. But this is the only interesting part which was also dealt 20 years ago with quite finesse by director Ravi Tandon in his film "Jawab'(1985) too. The problem here is Ace Director Rajkumar Santoshi found himself in some sort of confusion as to whether to make it a fast paced action-thriller (viz. Khakee) or an emotions-rich heavy duty drama (Viz. Damini) and this confusion is quite evident in the final outcome. If we ignore two of his-Pukar (2000) and Lajja(2001), this brilliant director has always given us fairly engrossing films with high entertainment value. Therefore this film comes as a surprise, as to what made this script sensitive director going for half-baked characterization of both of his protagonists-Amitabh Bachchan and Aryeman. As the film is getting over, audience didn't know whom to hate and whom to sympathize with and this factor is the major limiting force in the complete narration. Therefore what starts as a war between a common man and an underworld don ends on a strange note of self-realization and regret by the Don about what went wrong with his own family. The revelation of Don's son as a real baddie does not come as a surprise element in the climax which if compared to similar situation in 'Khakee" worked so effectively with Aishwarya's character. That is not all, there is more to it. The whole dramatization of life of an Underworld Don, operating from abroad looks quite illogical. His openly landing up at Mumbai from where he is suppose to be absconding as well as running after his enemies and shooting them himself does not look believable. Pitching a mediocre, newcomer actor like Aryeman opposite Mr. Bachchan is again not a good idea. But nonetheless film has some plus points. Ashok Mehta's fine camera-work, two good fight sequences (co-ordinator Abbas Ali Moughal), some light well-acted scenes of Akshay Kumar in the Ist half, Santoshi's fast-paced slick treatment and of course Mr. Bachchan as usual trying hard to put some life into his lifeless character. But all these put together does not make this viewing an exciting experience for you and your Family! | 0neg
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] |
Frank Whaley plays Jim Dodge (Frank Whaley), a thoroughly annoying smart-mouthed wise-ass waste-of-space with a dead end job as a night janitor in a supermarket. Jennifer Connelly plays Josie McClellan (Jennifer Connelly), a poor little rich girl desperate to get away from her millionaire daddy (who beats her). When Josie chickens out of shoplifting at the last minute, she is locked in the shop for the night and meets Jim (as he roller-skates down an aisle in his boxers and a wedding veil!). Together they do a bit of collective soul-searching, swap sob stories and decide to run away together. However, their plans are interrupted somewhat when a couple of gun wielding thieves break into the store... Despite being written by top teen-movie maker John Hughes and featuring a pretty decent cast (John Candy has a cameo and the two leads are both capable actors), Career Opportunities (AKA One Wild Night), is a rather weak comedy with irritating characters and very few laughs. I, like most males who have reviewed this movie on IMDb, do agree, however, that it is worth viewing if you are a fan of Jennifer Connelly and her very impressive curves. The delectable JC looks stunning in a tight white vest and standout scenes include her rollerskating through the shop, and rocking slowly back and forth on a supermarket horse ride (a moment guaranteed to raise the blood pressure of all heterosexual men). But of course, Ms. Connelly looking damn fine doesn't make this a great piece of film-making (just great eye-candy), and ultimately this is a rather desperate 'comedy' that comes nowhere near to the matching the quality of Hughes' 80s output. | -1no label
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] |
Ever once in a while I run into a movie that is so embarrassingly bad I wonder why movies exist. This is one of them. This is a terrible attempt to parody The Godfather with annoying cartoon sounds, and bad dialogue. Eddie Deezen is just plain annoying as Tony, an annoying twit who upon his father, Don (William Hickey)'s request, takes over the family business. Tony, as I said, is an annoying little twit. This makes the whole movie a complete mess. The movie is terribly daffy. It's too cartoonish. The main point I'm trying to make is that you can't make a parody of an acclaimed drama like The Godfather with so much cartoonishness. It doesn't work that way. Believe it or not, you have to take a parody of a dramatic movie seriously. If you don't take it seriously, it will feel too much like a parody. The thing about doing a parody is that you can't seem too much like you're doing a parody. You have to make it seem like you're taking the movie at least a little bit seriously. It also feels like they're just mocking Woody Allen, and that's what makes this movie absolutely terrible. | 0neg
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] |
Seeing that this got a theatrical release nowhere around the globe, it only serves as a reminder of were the careers of those talent-free ladies Denise Richards and Milla Jovovich went. It also is a particular grating kind of movie, the kind that think they are smart, funny and original while being poor in every aspect. Full blame can go to Brian Burns, who wrote and directed this potboiler. His script takes a quite unoriginal situation and goes exactly nowhere with it. The situations develop completely without any inner logic, besides that of a desperate scriptwriter. Characters are thinner than cardboard cutouts, behave stupid and without any real motivation. Nowhere is this more obvious than in the inclusion of Mrs. Richards. We don't believe her relationship with David Krumholtz's character for one minute and the way she is brought back into play after the one-hour mark is particularly pitiful. Why would anyone fall for a egocentric, self-obsessed, arrogant b**ch like this in the first place, much less a second time? Especially after having supposedly found his..erm...true love? And if any of these things aren't enough to completely sink this movie, than the central couple is. The coupling of Krumholtz and Jovovich is only slightly more believable or developed than the Richards-one, but it is to no avail. There is no chemistry, no spark, nothing that we might loosely accept as a credible couple. Worse, these two central characters are particularly annoying and irritating, doing annoying and irritating things the viewer finally has no interest in, whatsoever. Overall, a very poor showing. Even die-hard rom-com fans might want to pass on this one, as there are dozens of movie made with more skill or more charm. | 0neg
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] |
Much is written about The Grim Reaper. Immediately banned in a lot of countries, been heavily cut, hard to find an uncut version. Well, indeed, it's hard to find an uncut one, mostly they clock in at 88 minutes, my version was the double disc from Schriek Show. Clocking in at 91 minutes, even that it is written on the cover that it's 88 minutes, a mistake. So what can you expect from this much acclaimed flick. A good start, then a slow and a bit boring in between and it's only the last 15 minutes that makes it worth watching. It isn't gory at all, and the blood flows not very often. as said before, only the beginning on the beach is worth watching and of course the two scene's that have been removed from most versions who are in tact on the double disc, it's the removal of the fetus and the eating of his own intestines. It was never frightening and some effects are really poorly done as the head in the bucket and the death of the blind girl, when they zoom in on her you still can see her breath. Anyway, as the forums are saying, a must have if you are collecting video nasties or much spoken flicks. You've been warned. | -1no label
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] |
I thought I read somewhere that this was the last Monogram production, but whether that's true or not it doesn't matter, because if it wasn't, then it should have been. It's a deadly dull affair starring John Carradine with some gray in his hair to make himself appear like an older scientist who is experimenting with the aid of his young apprentice (Robert Shayne) in bringing the dead back to life. Every time their subjects are revived, they seem to have a whitish face like marble as they are lying strapped to the laboratory table (big deal). Carradine manages to restore his faithful dog to life after it's dead, and the mutt gains an unusual ability to walk through walls in a ghostlike fashion (wooooooooohhhh). That's about all she wrote. For an ultra-cheap Monogram quickie, this thing at least actually utilizes a more fancy-schmancy lab setup than is usually allotted. The funniest running joke in the movie is that the "older" doctor Carradine constantly refers to his "young" assistant Shayne as "m'boy" when, in fact, Carradine was actually 40 and Shayne was 45 when they made this! | 0neg
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] |
Bibleman is truly a sorry/awful way for any Christian parent to teach their children any sort of values. Veggies Tales has stories with characters(cute veggies), and lots of other Christian animated videos. Got this for my son for Christmas(2006)this year, because I thought it would be more mature for his age(9). Boy was I wrong. He went back to the Veggie Tales, & The Pond, after only 15 minutes of watching BIBLEMAN. It was such a waste of money, and the time. I had to force my son into watching BIBLEMAN. I tried everything, to try to get him to watch it longer. He politely asked me to please put in the VEGGIE TALE video so he could watch that one. | -1no label
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There's been a whole lot made about Carlos Mencia's (Mr. Holness, excuse me) theft of other comics' material. Heck, even before Joe Rogan had a blowup with him on stage I knew that Carlos Mensteala was swiping material from Cosby and Kinison and a host of others. To compound the crime of his theft, he retold these comic geniuses jokes BADLY. And that is a crime he continues to perpetuate on this show. I'm sure the series writers have to share some of the blame - it's got to be hard to write jokes day in and day out... but that's why people get paid so darned much to do it! These series writers need to go back to their day jobs of flipping burgers or whatever it was they were doing before they decided to embark upon a career of intellectual theft. Not to say that he steals all of his material. You can tell when he has devised a joke on his own when what you are watching transcends the merely awful and goes straight into the territory of horrifyingly bad. Because he likes to call people b***h on his show, ten year olds call him a genius. They're gonna grow up one of these days, Carlos, and when they do, you're gonna dry up and blow away. | 0neg
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] |
One of my very favourite films and further proof, if needed, that Fritz Lang did not leave his best work behind in Germany when he fled the Nazis for Hollywood in the early 30's. I could eulogise all day about the cinematography, but that would do a disservice to a strong narrative which seems to give a mild contemporary nod to the recently slain Bonnie and Clyde and some terrific acting especially by the two leads. There are so many shots to savour, I'll name just a few which caused me an admiring intake of breath;- for example the scene early in the film with a reflected image of the at that point still optimistic newly-weds sitting by the frog-pond, the expressionist use of shadows seemingly radiating out from Fonda's cell as he paces it in frustration and what may have been the first cinematic use of the three possible "Hold the front page" headlines in the press depending on the outcome of Fonda's trial plus of course the rightly famous eerie smoky set-piece where Fonda panics and shoots his friend the prison priest. Even simple framing shots (one of Sydney to camera looking into the runaway couple's car from Fonda's viewpoint, for example) are delivered with style and finesse, there's no question there's mastery at work here. The acting by Sydney and Fonda is great, passionate, completely in character and utterly convincing in conveying the depth of their relationship, crucial considering the incredible demands Fonda's character makes of the law-abiding Sydney. Who got the Oscars in their stead this year, I wonder? The bitter-sweet ending (the couple find release only in death) is absolutely right as is so much of this bravura Fritz Lang feature. Students of film noir can learn much from this dark and compelling work, all delivered in 86 engrossing minutes. | -1no label
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] |
This is the French and Belgians doing what they do best. It's quirky, visually inventive, exhilarating and emotionally challenging storytelling. Director Jaco van Dormael takes us into the world of Georges, a Down's Syndrome sufferer and his quest for a meaningful relationship with someone, just anyone. This is not done in a patronising way but with a great sense of fun and also honesty. Georges' interplay with corporate management guru, Harry is dazzlingly handled - shifting from comedy to tragedy back to comedy again with breathtaking ease. The Eighth Day puts similar Hollywood fare like Barry Levinson's Oscar winning Rain Man or Robert Zemeckis's Forrest Gump well and truly in the shade. At times, it evokes the humour of Milos Forman's One Flew Over the Cuckoo's Nest with shades of Dennis Potter thrown in for good measure. As the emotionally blunted and desperately lonely yuppie, Harry, Daniel Auteuil turns in yet another sublime performance. But it is matched by the brilliant Pascal Duquenne as Georges. It's a movie with uniformly strong performances and so many, memorable set pieces - the shoe shop scene, car showroom scene, George's dance to Genesis's 'Jesus He Knows Me,' the conference scene, the fireworks scene. If you haven't seen it, there's only one thing to do. Just rent it or attend a screening at a retro cinema near you and see what you've been missing. Better still, buy this movie. Sheer genius..... | 1pos
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] |
Four teenage girlfriends drive to Fort Laurdale for spring break.Unfortunately they get a flat tire in Medley,Georgia and one of the girls witnesses a brutal murder deep in the woods.The local sheriff is behind the crime and the nightmare begins..."Shallow Grave" is a pleasant low-budget surprise.The cast is likable enough,the direction is steady and the violence is particularly nasty and misogynistic.Especially the second murder is pretty grim.The murderous sheriff isn't one-dimensional character-in a couple of scenes it seems that he feels remorse for what he's done.The subplot involving the two boys they meet in the diner goes nowhere,but the stalking scenes in the woods are tense and exciting.7 out of 10. | 1pos
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In my mind, this remains one of the very best depictions of Superman on TV, as well as one of the most faithful to a particular comics period. This series paid homage to both the Superman films of the '70s/'80s and the Superman comics series "reboot" of 1986-onward ("Man of Steel," "Superman Vol 2," "Action Comics," "Adventures of Superman," etc). The opening score and titles were stirring, based on the John Williams score from the films, updated for a Saturday morning action series. Marv Wolfman, one of the main contributors to the comics reboot (writer of "Adventures of Superman") was a perfect choice to be involved in this animated series. Overall, the series had a more mature feel while continuing to be very kid-friendly. Superman was presented as believable, strong, and iconic. His recurring nemesis was Lex Luthor in his megalomaniac/CEO incarnation. The Daily Planet characters Lois, Jimmy, and Perry were portrayed well. One of my favorite appearances was by Wonder Woman, and the story revolved around her home island of Themyscira ("Paradise Island"). Both her design and that of her mother Hippolyte were in keeping with the similarly rebooted Wonder Woman comic book series of the era, and it seemed like an equally well-done animated series could have been developed for her if handled the same. The one thing that is hard to believe is that this has not been released on DVD/Blu-ray! It deserves to be. | 1pos
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] |
I found this one to be more chaotic than the average Stooges short (as strange as that may sound). There were several funny bits, especially the running gags ("Calling Dr. Howard, Dr. Fine, Dr. Howard!", the glass door breaking, the Stooges running into the supply room and coming back out with... well, you know), but also quite of bit of it was taken up with things that just didn't make any sense to me. I have to assume that these were generally take-offs of scenes from the film "Men In White", but since I don't know much about that movie I can't say for sure. Maybe if someone could explain these I'd appreciate this short more. | 1pos
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] |
We've seen it many times before. From "Miami Vice" to "Lethal Weapon", and furthermore in "Rush Hour", the cultural and personality clash of mismatched allies unwittingly working together has long become an established formula. The newest unlikely pairing comes in the guise of Eugene Levy and Samuel L. Jackson, two individuals who stand at the furthest polar opposites from each other, both relying on their stereotypical persona of the tough guy and the bumbling nerd to illustrate this contrast. A routine business trip from Wisconsin to Detroit turns into an unexpected case of mistaken identity for Andy Fiddler (Levy), a dental supply salesman, while heading to a convention. Upon his arrival, he coincidentally crosses paths with Derrick Vann (Jackson), a federal agent who just happens to be dealing with the death of his partner and a stash of stolen firearms. From then on, Derrick uses Andy in his scheme to recover the weapons and expose the leader of the operation (Luke Goss). Andy, who is believed to be a participant in the whole criminal dealings, has no other choice but to cooperate with Derrick and solve the case in time to make it to his convention the next morning. "The Man" employs the usual rules of buddy movies, as we see the two leads initially teaming up with reluctance only to inevitably become accustomed to each other in the end. Both discover that they can learn from one another, with Andy teaching Derrick to be more trusting and more appreciative of family values, while Derrick teaches Andy to be more assertive. Levy and Jackson's combination is effective to a certain degree, due in great part to the clear distinction between positivity and negativity which emanate from both characters, the two elements nonetheless blending together to create highly compatible opposites. Unfortunately, this exuded chemistry cannot sustain the rest of the material which all too often resorts to extensive flatulence sequences, resulting in two heavyweight actors floating on nothing more than hot air in a film that practically has no other substance and that lingers unpleasantly, long after it has passed. | -1no label
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] |
Have a good laugh on the Polonia Brothers. As is all of their films, this is a micro budgeted stink fest. This is probably the best I have seen from them though. I admit there is a guilty pleasure for me to watch these films made in PA by these brothers as it makes me feel like anyone can make a movie for $12. Compared to their other flicks, this one is a treat. If you can stand watching really really really bad movies and laugh at them, u might enjoy this. If you like their other stuff this one will look a lot better than most of their movies. No puppets and the fish look pretty decent. Of course it is full of bad acting and plot holes, but hey-it's the Polonia Brothers! Oh and of course there is a casio synth soundtrack so as not to disappoint. | -1no label
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] |
When it comes to Serbian (Yugoslavian) horror movies, only masterpieces can be found. They all have unique stories, great actors, excellent camera, good pace and very odd twists in stories. "Davitelj" have cult status in Serbia. It is a story about real people in real situations. Scariest thing is fact that serial killer can be your neighbor, or you can be killed 'cose you wearing pants and dislike flowers! When you watching "Davitelj" you laugh, then you scream, and so on. And you scream very loud. And laugh too. The movie that you will watch again and again and again,... And you'll be infected by very good soundtrack. | -1no label
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] |
A comedy before it's time - it's all about sustainable resources! This is a brave little film, having neither big names nor obvious genre. The three principals are the latterday highwaymen Dylan and Jez, pulling scams on individuals and corporations alike to make a living. Their plans are big - they need a vast sum in order to move from their (ivory) tower to townhouse and hire - in typically unconventional fashion - a secretary to help them organise their income. Kate Beckinsdale's Georgie is far too lovely a PA to allow things to continue between the friends as smoothly as it had and soon they are on the back foot with only the fresh object of their contention to bail them out. Stuart Townsend and Dan Futterman (especially the latter) are good value and engage with the nuttiness of their ruses to the extent that you just go along with it all. I like Beckinsdale in this - acting fresh fair and occasionally feisty is nothing to be ashamed-and-run-off-to-Hollywood about. Perfect for a Bank Holiday weekend. 4/10 | -1no label
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] |
Please allow me to present to you: dumb and redundant Alien/ The Thing clone number 5.276
All the elements that fill you up with irritation and annoyance are cheerfully presented. The scientist of a lab gets bitten by alien tissue and undergoes a transformation. Guess what
soon he's loose in the facility and on a killing spree. The children of a random, unimportant victim (the night guard) perpetrate the science lab and avenge their father! Oh, how interesting and fascinating
NOT! The cast is filled with lousy amateur-actors and the special effects are atrocious! This film was made in 1993 and the `horrible' creatures featuring here still look like typical 80's cheese. And can you dig the presentation of the makers of this? It's like the 10 millionth rip-off of `The Thing' but monsters seem explode out of chests like they invented it! Because it's so dumb, the film quickly becomes unintentionally funny. You can't hide chuckling when you see another stupid character running straight into the creature's mouth or.
simply hearing the entire screenplay, which is as dumb as they come. Example: `We believe this tissue is alien' `Alien? You mean from another planet?' `Yes, doctor' Oh my God! Is it possible to write a line more stupid like this? The characters are perfect stereotypes and endlessly boring. The typical `fat & fun scientist guy'-type is there (these are usually killed violently) and the cute blond girl turns out to be a Princeton math-queen. Her boyfriend seems to have escaped the of the `Revenge of the Nerds'-cast. The rebellious teenage daughter didn't look too that much like a rebel, neither. Movies like this are a waste of good money (both yours as the producers') and they're destined to go straight to the lowest shelf in unpopular video stores. It is there where idiotic people like me pick it up
It could be worse, though. I used to be in contact with someone who regarded this as the `greatest horror movie ever made'
Now this kid has got serious issues. Hunt down a copy and burn it
just for the fun of it. | -1no label
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] |
Albert Pyun's Cyborg (1989) stars Jean-Claude Van Damme as Gibson, who is a lonely avenger in the post-apocalyptic future world in which sadistic hooligans kill and torture people in Mad Max tradition. Damme's character is after the bad guy who killed his family and the film follows his quest to capture and vengeance the ugly baddie and his thugs. What follows is the usual Damme action with plenty of kicks and hits. This film is technically occasionally interesting, but for most of the time just stupid and unintentionally trashy. The editing in the action scenes is irritatingly restless and pointless as the film tries to show many things with these fast edits, but manages, in fact, to show only less by these too plenty edits. The cinematography is occasionally almost great, and the long segment at the abandoned storehouse offers a great opportunity to use camera with space and thankfully Pyun can use his camera and make his films look professional and interesting, and that storehouse segment is definitely among the more interesting in this film. Otherwise, the acting is the usual Damme level and the baddies are very irritating as they yell and scream without any point like some drunken indians. As an action scifi, this is grade B, but fortunately directed with skill so it is pleasant thing to watch, if one can stand the stupidities and hollowness of this film. There's plenty of violence in forms of kicking, hitting, punching, slashing, snapping and so on so this is no less violent than your average Seagal/Damme/Norris vehicle which always tend to share these same no brains elements but also sometimes something cinematically noteworthy and interesting. Cyborg gets 4/10 from me and I would've given it much more if it had at least some point and less stupidities in it. | -1no label
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] |
Maxwell Bright hates women, but he hates himself even more. He destroys his business, his credit rating, his home and his friendships. Even his body falls apart, seemingly under the great cosmic weight of his hatred. And yet: this movie isn't about loathing; it's about forgiving. Yes, Maxwell is repulsive. But he holds a paradigmatic, redemptive trump card: somebody loves him. If Mai Ling can forgive him, honor him, love him -- then so can we. And ultimately, so can Maxwell himself -- which is precisely what sets him free. I enjoyed the naked shakiness of this movie. Performances by Patrick Warburton, Marie Matiko and Eric Roberts were especially textured and compelling. See this movie. It will test your powers of forgiveness, and you'll be better for it. | -1no label
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] |
Seems like some of the previous reviewers has seen another movie than what i saw earlier tonight... Actually, this movie is the reason why i registered at IMDb. Sure Bobbie Phillips can "fight" and for that i give this movie a 2, but the rest of this movie is just pure crap... The acting is bad, the plot is bad, the camera angles are bad, and the effects are bad. Sure the actors are in physical good shape, but they cannot act! Sometimes i enjoy watching bad movies for the laugh, but this movie had no charm and after i saw this movie i was filled with regrets for seeing it. Sure, if you would like to see mediocre fighting without anything else then this movie is for you. If not then stay away from this film! PS: Sorry for any spelling mistakes... i am just tired as a cause of this movie! | 0neg
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] |
I came to this film with great anticipation. The 26th film in Sjostrom's career, a career spanning 25 years (1912-1937)and 54 films, including such late silent classics as THE SCARLET LETTER, HE WHO GETS SLAPPED and his classic, THE WIND. I was bitterly disappointed. I found the film episodic, pointless, boring and brutal with no point of view. Yes, there are beautiful backdrops of mountain valleys and fjords, but against this is played out a human drama that just doesn't hold together for me. The plot involves an escaped, falsely convicted thief, who stole out of hunger for his family and who comes to work for a wealthy widow. They fall in love and she makes him steward, to the anger of her brother-in-law, who wants her (and her property) for himself. When the false identity and thievery are discovered the couple flee to the mountains and live the rest of their lives in caves and hovels, seemingly happy but dealing with melodramatic moments (a friend comes to live with them and lusts for the wife, they are discovered by vigilantes so she throws their child off a cliff (duh?????) and runs away with her husband, to be discovered sixteen years later, bitter and at each other's throats, facing a week long blizzard in another hovel.) Had they not run off but remained within society to face the conflicts inherent midway in the film, it might have been a better script, tighter and with a coherent plot line. What we have here is two films or one short film with an extended epilogue. Nothing about the production was above crudity (elaborate vistas do not cinematography make!). Coming as it did halfway in his career, it does not show any promise for a man who would later achieve great artistry. It is interesting that Sjostrom himself plays the lead and his real life wife, the love interest (although having two characters refer to her as exceptionally beautiful when she's as homely as a pig with one ear - is a bit hard to swallow). | -1no label
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] |
SPOILER ALERT!!!! I don't go into 'high tech' movies expecting them to be 100% accurate on all things computer related. But somehow, even the average 'I have a computer' user is supposed to believe that: 1) A computer professional with a top secret, special data 2) is going to keep the primary copy of said data on a 1.44 floppy 3) and make absolutely NO BACKUP of this special secret data Even high school students back up their homework for goodness sake. Also this is the worst represntation of a computer nerd ever. Even though she is super cute we are supposed to believe that she has no friends, neighbors, extended family, or coworkers who can identify her. Even the unabomber had a family that could turn him in. END SPOILER These aren't just minor mistakes that had no bearing on the movie - These are the major plot points that fueled the storyline. The characterization was awful, the plot wholly unbeleivable, and if you haven't seen this, don't bother. | 0neg
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] |
I will stat of with the plot Alice, having survived the previous instalment of the Nightmare series, finds the deadly dreams of Freddy Krueger starting once again. This time, the taunting murderer is striking through the sleeping mind of Alice's unborn child. His intention is to be "born again" into the real world. The only one who can stop Freddy is his dead mother, but can Alice free her spirit in time to save her own son? This movie did start of really well as we see Alice dreaming of being Amanda Kruger who get stuck in room and get raped by 100 Manics then she being rushed to hospital but then she not longer the pregnant lady but then she Amanda giving birth to Freddy again. Alice and Dan are the only two people to return from the 4th movie and then have gotten some new Friends its' no long before Freddy start to kill again, I did like the first dead it okay, not as good as the other deaths or dreams. Freddy himself didn't seem to be Scary in this movie at all, the nightmare were just boring really they were not scary or creepy at all. Acting in movies was okay for a 5th movie in the series but overall I think this movie was really Dull. (Still not worst movie of the series, Freddy Dead is the worst) 4/10 | 0neg
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] |
Despite John Travolta's statements in interviews that this was his favorite role of his career, "Be Cool" proves to be a disappointing sequel to 1995's witty and clever "Get Shorty." Travolta delivers a pleasant enough performance in this mildly entertaining film, but ultimately the movie falls flat due to an underdeveloped plot, unlikeable characters, and a surprising lack of chemistry between leads Travolta and Uma Thurman. Although there are some laughs, this unfunny dialog example (which appeared frequently in the trailers) kind of says it all: Thurman: Do you dance? Travolta: Hey, I'm from Brooklyn. The film suggests that everyone in the entertainment business is a gangster or aspires to be one, likening it to organized crime. In "Get Shorty," the premise of a gangster "going legitimate" by getting into movies was a clever fish-out-of water idea, but in "Be Cool," it seems the biz has entirely gone crooked since then. The film is interestingly casted and the absolute highlight is a "monolgue" delivered by The Rock, whose character is an aspiring actor as well as a goon, where he reenacts a scene between Gabrielle Union and Kirsten Dunst from "Bring It On." Vince Vaughan's character thinks he's black and he's often seen dressed as a pimp-- this was quite funny in the first scene that introduces him and gets tired and embarrassing almost immediately afterward. Overall, "Be Cool" may be worth a rental for John Travolta die-hards (of which I am one), but you may want to keep your finger close to the fast forward button to get through it without feeling that you wasted too much time. Fans of "Get Shorty" may actually wish to avoid this, as the sequel is devoid of most things that made that one a winner. I rate this movie an admittedly harsh 4/10. | 0neg
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] |
I believe the writers of this film started off knowing that they wanted some boob shots and a "sex scene" at a cheerleader camp and then wrote a "horror" plot around it. We rented it just because we saw that Leif Garrett was one of the stars -- and he's just as believable as a horny high schooler as the fact that you will never guess who the killer is! The cheerleaders spend more time swimming and laying out in the sun than practicing their cheers (although Garrett's rap was bad enough that I only needed to hear him practice it once) and the main character Alison wonders around into creepy shacks in the woods looking for soda. Of course, like most horror films, the characters are stupid, but the sheer idiocy these "cheerleaders" display will make you laugh out loud. The gore is silly unless getting your wrists slashed by pom-poms frightens you. Finally, undoubtedly, the hysterical pep-rally-like "sex scene" is what makes this movie worth seeing. If you're looking for a scare, pass this one up, but check it out if you and your friends are looking for a funny slasher flick that is nothing but pure cheese. | -1no label
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] |
I recently saw this movie in a bargain bin at a store and became excited when I read the back cover. It appeared to have everything that I love in a film - comedy, action, Bob Goldthwait, and was made in my favorite era (the late 80's). I eagerly popped it in the DVD player when I got home and it starting off fairly promising with a suspenseful burglar scene and cool 80's soundtrack music. But then the plot just droops off into a depressingly boring cesspool of garbage. About 20 min into it you're left thinking "this isn't going to get any better is it?" The movie is hardly funny at all despite tricking you into thinking that with a large array of comedic actors in the cast. The film has more of a gritty cop drama type feel with a dark club-like nature. I like that, but this movie shouldn't be played out that way. So basically it's stuck in the middle without a genre. The main highlights of the film are its cool 80's pop/rock soundtrack, slight Miami Vice-like feel, and Bob Goldthwait in some scenes. Although, I'm a big fan of Goldthwait and this film doesn't showcase his hilariousness nearly as well as others. Whoopi Goldberg has a strange character that leaves you thinking "Huh?" in almost every scene. Her character isn't likable at all much less funny or anything else. | -1no label
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] |
Much inequity in this world that takes away any chance of survival for millions of worthy brethren, much selfishness that brings only misery and loneliness!, Appearance and how much desire to feel superior to others when it will show us we are all equal! At this very moment, thousands of human beings roam the streets in search of a few coins incessant to bring home food minimum. Hundreds of people walk long miles to get the scarce water that allows them to survive. Millions of workers are unemployed, from one side to another, with the gray hope that someone offered a decent job. When I remember the old movies, my memory goes back Umberto D, vainly trying to stop the eviction. I remember Ali and his sister Zahra, in permanent anxiety about the tennis shoes worn they share.And behold, with its immense sensitivity to the common people and humanistic lyricism that flowed constantly, also the master Akira Kurosawa was busy making a film where, for a rookie detective, your weapon becomes endowment constant goal, when it was stolen on a bus. Have a long way to go then, but life will put his hand to a noble and brilliant detective Satori. Not for nothing, Satori means light, flash lighting. The detective becomes for the rookie a lesson from professional full and dignified, that he may change his life forever. And for us, is an eloquent reflection of the integrity is preserved even in the toughest conditions. It postwar period. Japan abounds in poverty and the poorest often go into prostitution, arms smuggling and anything else that allows them to survive. It is in this environment, where the two officers began searching for the man who has just committed a crime and, perhaps, the colt has withdrawn from Murakami. Kurosawa gets each character has its own life, the delight in their weaknesses and their abundance, their strengths and weaknesses, as Terque and his wisdom ... thus creating a human picture that might produce this flash to be erased suddenly, but may never get that and more we are the same. How significant would be the big film studios, this movie promote dignified man. And every school should enable young people to access these messages. It's just a matter of method... and love for humanity. And these two are doing now needed more than ever. | -1no label
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] |
I was pleased to find this gem of a film and appreciated its subtle, quirky and "watch"able (no pun intended) take on OCD and how the choices we make affect our lives. It reminded me of Hal Hartley's films- most notably "Trust" - tho these characters, at least Emily, are not quite so dysfunctional and there seemed to be a slightly more positive vibe (or rather less bleak outlook) to this film than Hartley's. Or maybe they seem similar cuz of the synth music ;) which was perhaps my only major criticism of this film which had good acting, camera-work and editing. Being an indie film shouldn't preclude you from having cohesive musical themes for characters or situations across the movie tho. Some of the music felt out of place. But that's my own personal pet peeve. Overall the movie certainly struck a chord for me at the parallels between Emily and Nick and their kinds of stealing and internal drives. And despite wanting a romantic ending for them - the way things turned out *felt right* as their motivations and ultimately their integrity were wholly incompatible and Nick deserved his fate. The parallels of Nick being a criminal like her father left had me wondering about the real truth about her father's life and her happy memories of him as it was obvious the OCD came from her mother's side. There were a few loose ends to this script as the Austin reviewer said but they weren't enough to sway me away from liking it. I also liked Michael Nouri's small role as the amusing & warm psychiatrist- a nice casting touch. I say watch out for Thomas Trail he's up for a promising career! I will certainly look out for more of his films. | -1no label
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] |
I rented this in hopes of seeing, at the least, a film with some memorable lines or fun moments, and hoped that possibly I was stumbling across an underrated, obscure gem. I didn't even get any memorable lines or fun moments. It seems that what the film is trying to do is show a feminist view of sex, but the viewpoint doesn't go very deep or really seem that intriguing. It hardly even makes sense. The characters don't do much to support this attempt at deepness, and the acting is lousy all around. One of the main girls is trying her best to be an Angelina Jolie type, but she has zero charisma or screen presence. I think the best acting in the film was from a minor female character in a bar that one of the male characters was trying to pick up, and she had about three lines. Seriously, the acting is that noticeably bad. Thora Birch must be trying to earn indie cred by appearing in this right around the time her career was taking off, and she does have one of the better moments towards the beginning involving playing a Russian roulette-type game with an almost completely loaded gun, but the fact that the gun is loaded is the only fascinating part about this scene because her acting isn't particularly stellar. Dominique Swain doesn't even shine at all, and she has definitely saved some films I've seen in the past. The pot smoking seemed like a gimmick tacked onto the film. It's a shame. This movie looks good on paper, but suffers from weakness factoring in from all aspects that go into the making of it. | -1no label
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] |
So... I was pretty excited about this movie.. then bad reviews kept me from seeing this movie in theaters. And again, when it came out on DVD. I waited for a month to give it a try. I finally picked it up for free using a coupon and now I regret wasting the gas to pick it up. I was expecting the worst and the movie was worse than even that. The screenplay and the dialogue was so bad that I couldn't help but laugh at it. It was so cheesy that I couldn't even bare it in fast forward. Here are the worst of the worst parts. Chris Klein tried to put on a serious face to play a bad ass cop only to have it come off as if my 5 year old nephew is pretending to be mad at me.... There was a huge scene where Chun-Li, the heroine, is sobbing and whimpering before she leaves for Thailand (a temporary visit). She goes "I'm leaving everything I know... etc." WHAT THE HELL. Would "the bride" whimper and cry to her friends before she goes off to KILL BILL??? Did I mention the bad screenplay??? For spending her entire life in Hong Kong, Chun Li could not speak Chinese to save her life. The funniest part was when Chun Li's dad was being dragged away by Bison's Crew. Chun Li's mom comes running out hysterical only to get slapped down to the ground. It looked like a Marlon Wayans hysterical run from "Scary Movie". The script begs the question.. which idiot producer read the script and green lighted the film? And how desperate were the actors to take the role? I mean I've seen bad.. but this is just nonsensical. | -1no label
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] |
i quite enjoyed this film. the only problem i had with it was that i wanted to see more of gina mckee's character explored - i think all the characters were spread a little thin and it could have been better if there was more focus to fewer characters. mckee was the highlight of the film (she often is) and her storyline was especially good. overall i thought the family dynamics were great - in a horrifying way. the parents were terribly distressing. i found the brother storyline slightly confusing and unnecessary. i would like to have known more about him or nothing at all. anyway, i thought it was a decent film, worth seeing by all means. | -1no label
| [
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] |
Filled with several plot-twists and unconventional classical music, 'Stuff Stephanie in the Incinerator' focuses on three main characters, all of whom seem to be wealthy and have a flair for the theatrics. Their hobby, is thinking up different characters and scenarios, then living them out. What the film-makers succeeded in here, is not letting the viewer know if what they are watching is real...or fantasy. But sadly, that's about all they got right. To me, the essential ingredient in any good (or even bad) film is the writing. And in this case...it was terrible. I don't mind bad acting, no-budget production, lousy editing or any of that stuff. But if the story doesn't grab me (and this didn't), it's all a complete waste of time. I definitely don't recommend it. | -1no label
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] |
The movie is more about Pony than Grey Owl. It's also about aboriginals, Canada, the English, Grey Owl's aunts and the North Bay Nugget. Excellent story. This is an excellent movie, more like a book, that raises interesting questions about cultural identity and values. The key scene is Grey Owl admitting his imposture to Pony and her reaction. A few observations on the user ratings. Note that the user ratings are bi-polar clustering at 5 and 7; it's not for everyone, but has a strong following. This movie is underrated and overlooked but will be noticed for years to come. Also, few women have watched the movie but they rate it more highly than men. Has it been marketed properly? | 1pos
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] |
I had no idea who Bruce Haack was before seeing this film. I had just seen the MOOG doc, which was alright, the only problem was Moog led a very content life, and the doc was well... content. Haack's story is filled with all the marketable tragedy people buy into these days, but it carries a great deal of heart with it. Though the film doesn't go into the tragic stuff so much, one can sense that Bruce accepted the price of making music his way. There are so many elements that make up his legacy IE. invention of the Peopleodian, where Bruce could actually play music by touching people. It must have been challenging to document Haack's 'scatter-brained' output, which pretty much fell into every musical category imaginable (even rap music), but the director cut the piece together very coherently and managed to capture the spirit. And the cast... what a group of characters Bruce surrounded himself with, but what do you expect from a telepathic guru, tripping with kids, fighting against the music industry. I recommend this film to anyone interested in music history, it's that mainstream, but that important. | 1pos
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] |
but I want to say I cannot agree more with Moira. What a wonderful film. I was thinking about it just this morning, wanting to give advice to some dopey sod who'd lost money on his debit card through fraud, and wanted to say 'Keep thy money in thine pocket' and realised I was talking like James Mason. Even tho he didn't say those words, I still think he would! I've never forgotten 'Are ye carrying?' in his reconciliation with his son, Hywel Bennet: 'Always have money in thine pocket!' Good advice. Not enough kids have fathers with such unforgiving but well-meant attitudes any more. Or any father at all. It would be a good thing for us to reinstate 'thee', 'thy' and 'thine' in our language to show we care. It is only the same as 'tutoyer' in French or 'du' in German. Addendum: I just realised that a lot of my remarks were about James Mason in The Family Way! I think it's because I mixed up Susan George with Hayley Mills. Well, easy mistake. I stand by the comments tho'. And Spring and Port Wine is so very similar to The Family Way. When you took a girlfriend to the pictures in those days, you really had something to say and talk about afterwards, something that affected your knowledge of the world and your personal development. Theatrical experiences are almost real, and they are important in helping young people to grow up. It doesn't happen now, I think, that teenagers can just go to the pics like we did. | 1pos
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] |
I am very impressed with the acting in Comanche Moon. Before I started watching this, I wasn't expecting it to be as good as Lonesome Dove. I couldn't believe how well the actors were chosen to represent all the characters. It blew my mind how well they played each role! This was in my opinion almost as good as Lonesome Dove. Its hard to compare any film to Lonesome Dove. If you don't make that comparison, I would give this a thumbs up. It was very entertaining! I don't post many comments on this site, but I just felt I had to get my opinion out there. Amazing! I don't want to go off naming every actor who was brilliant, because I would probably have to list every single one. My favorite was Steve Zahn. He hit the nail on the head playing Captain Gus. His mannerisms were perfect. | 1pos
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] |
Francesca Annis, Michael Kitchen AND Robson Green!! Wow, what a trio...OK, so this is no Anna Karenina, but it is a good love story, very well-written and well-acted by all. Even a few 'laugh-out-loud' moments mixed in with some pretty serious observations on fidelity, age bias, and parental aging/Alzheimer's issues. Quirky guitar music added to the story as well. While I have been a fan of Ms. Annis' since 'Lillie' (in the '70s) and Mr. Kitchen's since 'The Buccaneers' and 'Enchanted April', I have only recently discovered Mr. Green ('Me and Mrs. Jones', 'Touching Evil', etc.), making me ask the question - why had I not seen 'Reckless' until recently??!! Admittedly more of a 'chick flick' than something a man will sit through, it is perfect for a rainy afternoon's lazy viewing. | 1pos
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] |
I saw this movie on TV late one night years ago, but it was a disturbing experience that has stayed with me to this day. The premise may seem a bit unoriginal - due to an earthquake, a hidden underground store of a toxic nerve agent in the hills above a small town is breached, and a microscopic amount of the substance finds its way into their food supply. The inhabitants of the town begin to lose their ability to exercise restraint over every whim and base desire that floats through all of our minds from time to time, and that normally we know we simply must not act upon. The pace of the movie is slow, but for me that only added to the creeping unease as the townspeople's behaviour slowly starts to unravel. There are several surreal and very unsettling scenes that have remained etched in my memory all this time. It raises interesting questions about what we could all be capable of if we gave in to our most feral instincts. Did I enjoy it? I'm not sure 'enjoy' is the right word. Did it make me think? Definitely. I'm still thinking about it. Scary stuff. | 1pos
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] |
Despite having Charlie Lau helping Mathew Broderick's character in his hitting, the high school baseball scenes were completely unrealistic and look like a bad Pony League game. I cannot see a high school coach treat a varsity level game in this manner. Make the umpires look like real umpires, too. Another thing, high school baseball is only seven innings and they are playing in the ninth inning. Come on, a little research here. A simple detail like this really ruins movies with sporting scenes that are filled with these kinds of errors. Being involved with sports, some mistakes like this type of thing can lose any credibility. Movies need to make sporting events to look realistic, especially down to the officials. I see too often referees and umpires in out-of-date uniforms (I mean vintage 1940s) and doing things most trained officials would never do. | -1no label
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] |
Vigilante thriller its not, like the synopsis reads and the front of the video case might suggest with the imagery
though the scene does occur. "Boardwalk" is a well-intended (despite the racial flare and direct moralizing) and at times moving feature thanks hugely by the exceptional performances of seasoned actors Lee Strasberg and Ruth Gordon. The two were simply charming whenever together. Watching the once happy elderly couple, now battling family issues/ health problems (which is the main drama driving the story where there are numerously scattered human interest subplots), but also the changing neighbourhood of Coney Island as young jive talking hoons run wild (which populates mainly the beginning and ending but still feels secondary) is engagingly passionate in its ups and downs. The heartache only grows, where it comes away with a swelteringly damaging climax and the closing shot is particularly haunting in its forced predicament. The suspense is only minor, but it's always compelling. The evocative script is thoughtfully laid out in its exploration of the effects / shake down these central characters find themselves in, as they're stripped to the bone and demoralized, living in a community filled with fear, but still they won't back down and succumb to the turmoil (be it the gangs or their dwindling business). Its love, survival and violence rolled into one. Amongst the sombre air, is still quite a sunny vibe of hope led by the acting. In support roles are agreeable turns by Janet Leigh, Joe Silver, Eddie Barth, Merwin Goldsmith and Kim Delgado. The authentic location work helps cement a realistic edge, while the pacing is rather measured and rather low-scale in its escalating confrontations and violence (which is tamely staged, but gut wrenching since you're thrown right into the acts). | -1no label
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] |
Good movie, except, and this is a big except. When Anthony Hopkins is acquitted, you then seen him at a window, in the jail?, retrieving his personal belongings. One item is the gun. I'm sure when he went to jail and he had the gun on him, they said, "Oh, OK Mr. Crawford, we'll just hold this for you until you get out." Nobody thought him bringing a gun to jail and the jailers handling it like it was his wallet was a problem? An then, they give it back to him? Excuuuussssseeeee me! What happened? And this is big in the movie. If the gun is not back in his drawer, then Ryan Gosling never retrieves it and Hopkins gets away, scott free. It was a nice plot twist about the switching of the guns, but to have it miraculously returned by the prison when he leaves, basically made the movie a bit unbelievable. | -1no label
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] |
I cannot for the life of me understand why the rating here for this movie is so low. This was one of the most beautiful films I have seen this year. It really struck a chord with me. I had been anticipating this film for several months and I thought to myself, there's no way it can possibly live up to the expectations I had for it...seeing as how I built it up in my head as much as I did. Well needless to say, not only did it meet my expectations but it far surpassed them. Jordana Brewster and Cameron Diaz were excellent in every way. Their acting superb by far. They were both in their element and completely natural for the roles. The locales were absolutely gorgeous. Every shot filmed was perfectly captured and fit the mood and atmosphere beautifully. I found this film very touching and took it very close to heart. I would even contemplate saying this could be one of my all time favorites. At the very least, certainly I could see it again and again. I swear I couldn't find one fault in this film. It's hard to say that about any film. I would highly recommend this one. It's touching, it's meaningful, and it says a lot about human nature and family. 10 out of 10. Well done by all. | 1pos
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] |
Typical 90's comedy, situational comedy similar to our modern day "My Family". Thatcher being the height of most political jokes, Bill (Belinda Lang) blames Thatcher for anything she can. "Bloody Thatcher" possibly shared with most of us. David the typical teenager, cutting up brains with bread knives, Jenny, the moody older teenage child, only interested in boys and more boys. Bill and Ben working as much as they can to keep their family afloat struggling within the economical climate of the early 90's. Granted the first two series were not as successful as the latter however, series 3 onwards is where it all kicks off with more laughs that i care to count. overall this show didn't get the best viewing times and they ought to have held on a bit longer. clearly they couldn't have carried on after Gary Olsen died but i think they should get rid of "catherine Tate" "the office" "little Britain" and bring back the classics! | 1pos
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] |
A doctor who is trying to complete the medical dream of transplantation is experimenting secretly on corpses from the hospital with varying success. His final best chance comes when he lovingly wraps his girlfriend's head in his jacket as he rescues it from a burning vehicle. I was looking for cheese and with this premise I believed I found it. It has everything everything that bad movie hunters look for - chest and brain surgery with the surgeons leaving with pristine white scrubs, unique camera angles (I always love watching the rear passenger wheels of cars), cheesy clarinet stripper music, and one of the longest death scenes in movie history. But unfortunately these so-bad-they-are-good moments can't overcome the too-bad-they-stink stretches. Jan in the Pan annoyed me, with her droning monologues in a hoarse whisper, the somewhat less than evil laughter, and the fact she was kept alive with some Columbian home brew coffee and 2 DD batteries. I couldn't even entertain myself with Dr Bill's horrid overacting and moral self righteousness. Usually such ham makes these movies a must see in my opinion, in this case I was bored with it. The best part of the movie in my opinion was the 1960's version of "body shopping" and I even found myself nodding off during that. Don't spend money on this one - there are better bad movies out there to entertain your sick sense of humor. | 0neg
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] |
The most agile fat guy in martial arts does it again. An early Sammo film that has him imitating his character's hero, Bruce Lee, Sammo is amazingly Lee like in his actions and fighting. The way he slips into Bruce's style and then back to his own, more familiar kung fu is a joy to watch and shows how accomplished and adaptable he is at his art. Throw in a bit of slapstick humour so beloved of this type of flick and this a movie that has it all - comedy (some unintentional, like the fake black guy), action and some incredible fight scenes. A great beer and buddies movie that is worth an hour and a half of anyone's time. | 1pos
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] |
There are no spoilers here... Because there is no plot to spoil. Madchen Amick is living proof a face can make a living acting-- no talent required. The only bright spot are a few really good one-liners delivered very nicely by Alice Krige, but then again, she IS Alice Krige. Her soft dreamy voice gives the only hint at just how seductively dangerous these odd creatures can be. She is believably creepy in this otherwise unbelievable plot. How they got her to agree to this project remains a mystery. The screenplay writers must have been medicated when they submitted this script. It has major continuity problems, superficial stereotypical characters, horror formula writing, and simply falls short of making any sense what-so-ever. The creatures, while they have neat skills like going "dim", the question of where they come from and what they are is never so much explored. Don't waste any time on this one. | 0neg
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] |
This movie is an unbelievable drag... first of all it has a very trashy look that is obvious from the opening of the movie. The acting is rather unrealistic, the characters couldn't make you care less and the plot evolves unbelievably slow. There are dialogs in this movie that take forever and make no point. When a Detective talks to the Surgeon I though the movie switched to slow motion or someone dropped downers in my drink. Besides these endless sequences with barely anything happening or people talking you get ridiculous over-acting. Watch out for the gay couple in the human meat bar or the epileptic stabbing of the surgeons young colleague. There's plenty of scenes that are beyond ridiculous and many don't push the plot at all. So what do you get? A surgeon working in a beauty clinic gets obsessed with female meat, starts taking home fat and body parts and cooking them and obviously soon starts killing for fresh meat. Thats about it... he goes on a trip to Hongkong to search for human meat traders, ends up in a discotheque where he meets a girl who soon reveals she wants to be eaten. All this happens in a totally random fashion.. and after that Mr. Surgeon drives home and the plot continues. Most of the movie is not really repulsive except for the fact that the cinematography is pretty ugly and tasteless throughout the movie. By the end you get a load of gore that looks unbelievably fake (best joke when heads fall out his closet and he beats a guy with one of the heads which is obviously just one of these plastic heads with a wig on. Its hard to say if "Last supper" was supposed to be funny or is unintentionally funny because the crass overacting and the over the top sound FX that remind me of one of those horror-sample CDs are laughable. I have seen many Asian movies and know they can be pretty slow but this one takes it to the top and makes you wonder why the heck a dozen of scenes are stretched to the max. This movie is as entertaining was watching paint dry and horror fans should fast forward to the end to save 90 minutes of their precious lifetime. | -1no label
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] |
LAKE MUNGO might sound like a teen flick or some camping murder spree so let me tell you clearly that this clever film is not another one of those. LAKE MUNGO is a tiny budget ghost thriller with about 4 major sequences I personally found terrifying. Actually frightening. Yes. The premise is this: a nice ordinary family in a rural town are heartbroken when their 15 year old daughter drowns at a family picnic. About a month later they realize her spirit is in her room at home and as a ghost she wanders through the house at night. The film is actually about the mind bending emotions the family experience in missing their beloved daughter but not wanting her as a ghost. And then the genuinely scary stuff starts. It is not a violent movie, nor is it a Blair Witch wannabee, it is a melancholy ghost movie with a terrific emotional dilemma and absolutely hair raising fright scenes. They film is made to resemble a 60 Minutes investigation... and uses home movies, call phone camera scenes and séances mixed with psychological settings and tape-recording confessions. I had no idea what was going to happen next and the revelations both visually and in the plot twists are astonishing. LAKE MUNGO has already been bought for a US remake but this little indie original from Australia is the real deal: a genuinely scary ghost film like THE SIXTH SENSE or the 1961 film THE INNOCENTS. I actually yelped several times in fright. And yelping is not my regular reaction. LAKE MUNGO in its present version might turn up in a horror fest near you and if you see it mis-labeled you will find it is the surprise of the event. EEK ! Remember the original 1980 film THE CHANGELING with George C Scott? Well it is as spooky as that. | -1no label
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] |
I agree totally with another of the reviewers here who was pleased "For The Birds" won the Oscar in 2002 for "Best Animated Short," not this sick material, which is pretentious at best and appealing to anyone, of course, who has no belief in heaven or hell. The animation was good, but so are a lot of animated shorts. And, by the way, I love dark humor but this just was unappealing from the start. As for the story here: a guy walking around and surrounded by nothing but grey (symbolism here) is told by a TV set (which appears every few hundred yards away) that he is in either heaven, hell, or purgatory. Each time he puts a gun to his head and shoots himself after hearing the news. I guess that would be funny in two of the three instances. | 0neg
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] |
I saw this movie five times and never get tired of it. This features traces of the "giallo" genre, but also with a vivid Italian countryside setting, where ignorance and superstition are deadlier than any serial killer. Featuring excellent location (reminiscent sometimes of Fellini, sometimes of the Taviani brothers), good characterisation and some of the finest genre actors (including the great Tomas Milian and Ida Lupino in an unforgettable role), this is NOT euro-trash, just a masterpiece that should be discovered generation after generation (It recently recieved great acclaim at the Paris Cinematheque at a double-feature tribute to Lucio Fulci) | 1pos
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] |
It almost made me puke and I woke up the next morning needing an aspirin. I am glad to have learned the following 1) tequila can cure anything, 2) that body shots can perform miracles, 3)Joey Lawrence is still alive, and 4) that dreams really can come true in America because apparently anyone will give anybody a bunch a money to make anything no matter how crappy it is. I wish I could have found this somewhat funny but the acting was so bad and the story so weak that I just couldn't. What's sad is that in some ways this comes off as some sort of after school special regarding the evils of tequila use or something. Shame on you Joey Lawrence. | -1no label
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] |
With the sudden eruption of great Mexican films in the last few years, we are now being cheated upon thinking all Mexican films are worthy of a good review. This film, is not at all entertaining. With poor acting from most of the cast, a weak plot obviously drawn from Robin Hood, this movie proves to moviegoers that marketing can go much farther than the quality of a product. This movie starts off with the birth of Tigre, not wanted by his father who accuses his mother that the child isn't his, is tossed out of the window. With no idea how he grew up we see him arriving to his aunt's, a prostitute, house where he was sent to live. A very stupid conversation over a bottle of tequila convinces him of joining the army, where his best friend is killed in battle by his own captain. After defending a woman and killing the man who was beating her, a local journalist takes it upon his own to publish the story, with his own literary add-ons, and even invents Tigre's basis for his future in crime. Tigre accepting just to get revenge on the man who killed his friend who is now the police captain. He forms a posse o beautiful woman with whom he starts to steal from the rich to give to the poor. This is basically the whole story. Stupid situations, stupid problems with stupid solutions. Steer clear from this mexican movie and just wait to see what Alfonso Cuaron or Alejandro Gonzalez has in store for us in the future. One good tip is to stay away from films where most of the cast belongs to Mexican soap operas and unjustifiable nudity just to try to cash in at the box office. | -1no label
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] |
This film was made thirteen years before I was born but I still think it is the wittiest, dottiest, most harmless piece of fun ever made. It simply could not go wrong with the cast of superb British character actors it boasts. Where to start? Alastair Sim-peerless; Margaret Rutherford-ditto;the wonderfully alkward, innocent Gossage, played to perfection by the imperious Joyce Grenfell. The caddish Victor Hyde-Brown (a Guy Middleton special) and the rest of the staff sum up post-war middle-class England to a tee. The humour is sometimes obvious, but it is of that special "Ealing" variety and is never offensive. I have watched this film more times than I care to remember and still laugh like a drain at the antics every time. The storming of the dorms occupied by the girls school, the magnificently-planned but ultimately doomed twin tours of the school and the chaotic ending involving the arrival of a third school to add to the anarchy, are priceless. It's an old cliché I know, but they really do not make them like that anymore. How I wish they did. If you haven't seen it, please do, you won't be disappointed. | 1pos
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] |
A wistful tale of a bookie past his prime and too nice to play the debt collector. Peter Falk gives an amazing performance as a small time Boston bookie who's far too reluctant to enforce the tough tactics of his mob boss. The movie starts slow but rewards with a touching tale aided by an inspiring cast. Lauren Holly is convincing as a self-sacrificing waitress wife of her gambler cum alcoholic husband and shows she's no barbie doll. Excellent acting also by Tim Hutton as Holly's irresponsible husband and Tyne Daly as Falk's wife. The dull spot is Freddie Prinze Jr's (who should remain in comedy) one-dimensional role. He was unable to portray well his role as an arrogant self-serving and cowardly young punk. Vig (or Money Kings) is a story about how the simple way of life can never be the status quo. This is a story about commitment, responsibility, sacrifice and doing what is right. Great movie and a touching tale. | -1no label
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] |
One of the more enjoyable 'fun' films I've seen in a while, Excess Baggage left me with a smile on my face. Del Toro seemed a little uncomfortable on screen, and it's always hard to see Harry Connick, Jr. trying to play a bad guy, but Silverstone was wonderfully bratty without overdoing it and Christopher Walken served up yet another delightful performance as the 'problem solver.' The scene in the garage/warehouse with all of the exotic stolen cars, the bad guys, and good ol' Ray (Walken) with a gun was simply priceless. Don't look for anything 'heavy' here. Just kick back, relax, and have some fun, and enjoy the film for what it is. | -1no label
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] |
Actually, this is a lie, Shrek 3-D was actually the first 3d animated movie. I bought it on DVD about 3 years ago. Didn't Bug's Life also do that? I think it was at Disneyworld in that tree, so I'm saying before they go and use that as there logo. Also, Shrek 3d was a motion simulator at Universal Studios. They should still consider it as a movie, because it appeared in a "theater" and you could buy it for DVD. The movie was cute, at least the little flyes were. I liked IQ. I agree with animaster, they did a god job out of making a movie out of something that is just a out-and-back adventure. I recommend it to families and kids. | 0neg
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] |
Greetings again from the darkness. How rare it is for a film to examine the lost soul of men in pain. Adam Sandler stars as Charlie, a man who lost his family in the 9/11 tragedy, and has since lost his career, his reason to live and arguably, his sanity. Don Cheadle co-stars as Sandler's former Dental School roommate who appears to have the perfect life (that Sandler apparently had prior to 9/11). Of course the parallels in these men's lives are obvious, but it is actually refreshing to see men's feelings on display in a movie ... feelings other than lust and revenge, that is. Watching how they actually help each other by just being there is painful and heartfelt. Writer/Director Mike Binder ("The Upside of Anger", and Sandler's accountant in this film) really brings a different look and feel to the film. Some of the scenes don't work as well as others, but overall it is well written and solidly directed. Sandler and Cheadle are both excellent. Sandler's character reminds a bit of his fine performance in "Punch Drunk Love", but here he brings much more depth. Cheadle is always fine and does a nice job of expressing the burden he carries ... just by watching him work a jigsaw puzzle. Support work is excellent by Jada Pinkett Smith (as Cheadle's wife), Liv Tyler (as a very patient psychiatrist), Saffron Burrows (in an oddly appealing role), Donald Sutherland as an irritated judge and Melinda Dillon and Robert Klein as Sandler's in-laws. The film really touches on how the tragic events of that day affected one man so deeply that he is basically ruined. In addition to the interesting story and some great shots of NYC, you have to love any film that features vocals from Chrissy Hynde, Bruce Springsteen and Roger Daltrey ... as well as Eddie Vedder impersonating Daltrey. Not exactly a chipper upbeat film, but it is a quality film with an unusual story. | 1pos
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] |
I dug this movie. It looks great, it takes chances, and it surprises you every now and then. The DVD has an alternate ending that is really trippy, too. I found the lead actress, Angel Boris, to be very appealing, beautiful in a racy, modern way. The actor who plays EZ was also excellent. He has a great drawl in his speaking voice, kind of a combination of Willie Nelson, Billy Bob Thorton and Wilford Brimley. There's a song in the soundtrack that he wrote and sings as well--talented guy. I also enjoyed the ski and snowboarding photography, and would have liked to see even more of it. I admire projects like this that don't fall into lockstep with every other predictable romance flicks. | -1no label
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] |
I've waited to see this movie for a long time and at last I could manage to see it in Istanbul Film Festival. Maybe because I expected too much from this film and that's why i was slightly disappointed. I was not the best movie from Korea but still it is really worth watching. The subject was nice and the film makes you keep watching without getting bored though it is long. But there are gaps in the movie and you jump from one point to another. However, the acting of Jeon Do-Yeon is incredibly beautiful. It was was one of the best performances in the early cinema history and I think this movie wouldn't be that nice if she was not in the leading role. | 1pos
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] |
I wish the series had not ended so soon. Although the acting may not be the greatest in the world, it does end on a positive note and does teach morals and values to the viewers. Hilary Swank did a good job of portraying a High School student who had lost her parents, etc. Miyagi was great as in the previous 3!! If you are not into the happy ending, this movie, like the previous 3 in the series is not for you. This day in which we live you can not see enough about the bad guys getting what they deserve and the good guys coming out on top. The Bible teaches that good will always triumph over evil. That is exactly what happens in this one. It is a great family movie. Please see it if you have not already. | 1pos
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] |
The story of Romasanta is interesting because it is based on true historical events. The movie interpretion however doesn't quite capture the excitement of the Wolfman killings. Pacing of the story is poorly synchronized: everything happens way too slow in the first half of the movie. And suddenly all the way from the capture of Romasanta the pace quickens considerably and the movie is over before my curiosity on the Romasanta character is completely satisfied: Who was he? Why did he do these things? This movie doesn't answer or even ask these questions well enough. Quite contrary, just when I became intrigued by Romasanta, he is swept away and the movie ends. To be truthful, I think in the end it gives quite a neutral and rather dull view on Manuel Romasanta. But on defensive side I must say that the cinematography, settings and props look all wonderful. Short summary: Romasanta is magnificently set movie with pure Gothic feeling, but it unfortunately lacks somewhat in the script and pacing. You can watch it once or twice without any serious pain, but the lost possibilities do bother me. If I weren't so curious about the real Romasanta, this movie might have seen even worse in my eyes. This could have been truly great historical werewolf/horror movie. Now it manages to be only barely average. I'm a little bit disappointed in the results considering the raw potential of the plot. Oh well, nice try. | -1no label
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] |
I watched this movie, or part of it, in hope that it would be fun to laugh at how bad it was, but it soon became clear that this was just plain silly. For one you have the worst acting EVER! The lead "actress" Birgitte Nielsen is terrible, uninspired and hardly even attractive. And she certainly do not look like the female warrior who could easily kick some veteran warrior kings butt, but she does. And whats with the feminist attitude, it's plain hypocrisy. For one her family was killed by a women, then she joins some warrior school or something so she can learn how to fight men. She then joins up with a fat servant and his child king, whose city was destroyed by Gedren. Those two characters are just plain stupid and destroys the little of atmosphere that the movie managed to create. After this i could not take any more of Nielsen painful acting, and the stupid clichés and lack of some real action. Schwarzenegger as Kalidor was the only part of this movie which actually made it remotely watchable. I liked the Conan movie, but this is pure crap! | 0neg
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] |
this is by far THE WORST movie i have ever seen ... it is so bad ... the bear is completely horrendous ... the acting is worse than an elementary school play ... i almost vomited at the dialogue .... oh my god it was so bad i even called the company who made it and told them how bad it was ...the only 2 hours of my life i truly regret ... no one should ever watch this pile of trash.. was this a horror or a real bad comedy ... what was the story ... a bear cub gets killed and its mother takes revenge on the teens who killed it ..... who wrote that ... a bunch of monkeys on meth .... i and my wife have never and will never see such an empty abismul movie again .... time to give the raspberry of the century award to this waste of time. i have no more to say .... bring on grizzly rage 2 .... NOT ... lmao | -1no label
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] |
The most famous thing about "Stage Fright" is without a doubt its final plot twist; having seen the film twice now, I can say that the twist almost holds up, but there is one scene, or more accurately one line, that cheats (Todd and Dietrich meet in her dressing room, alone, and she says the word "accident"). Two other characteristics of this movie are its brilliant camera work (especially at the start, when Todd goes into the house where the dead body is), and its well-written dialogue. Unfortunately, there is less of the former and more of the latter - the movie is overly talky. Jane Wyman appears to be bland at the start, but as the film goes on and she has to assume all these different identities, she gets better. Richard Todd is effective in his key scenes (the close-ups of his eyes at the finale). Michael Wilding is likable as the detective and Alastair Sim is delightfully dry as Wyman's father (at one point she says "I'll make her talk. It will be one woman to another". Sim's response: "Yes. An impressive situation at any time"). The one performance I didn't like was Marlene Dietrich's - it was old-fashioned even by 1950 standards. But maybe that's what Hitchcock had in mind. (**1/2) | -1no label
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] |
As a physics student, I've become aware of many idiot professors, and other so-called experts, in the field. As I continue with my studies, I learn more and more about real physics experiments going on, and about the people who are doing things right. Then, my friends tell me of this "physics movie" they want to see. Knowing nothing of it, I'm excited, hoping that the information will be presented well. I've done REAL quantum mechanics; this wasn't it. This movie starts with the basic assumption that anything that occurs to a subatomic particle can, and will, occur to you, if you just open your eyes. Let's think about that, for just a moment. Our bodies are composed of somewhere around 10^30 such subatomic particles. That is a million billion billion billion particles! The more "mysterious" quantum effects of just two particles can have a 50% probability of cancelling each other out completely. As you add more and more particles into the mix, it becomes almost impossible to have a large net quantum result. To tell us to believe that this is a valid assumption, with no rationality behind it...it's just stupid. My friend, also in physics, and I counted 3 facts during the course of this movie. But they were presented in the most misleading manner I've EVER SEEN. I cannot say as much for the neural portion of the movie, as I have not had any kind of medical training. It seemed as though it might have had a slight bit more truth to it, remembering my days in biology, but I cannot say. At least this film had a redeeming quality: the dancing peptides (or whatever they actually were) scene. Not to ruin the invaluable plot that drives this movie, but the main character goes to a wedding, where she sees all different types of personalities "driven" by their peptides*, and then the film cuts to the dance floor, where we are spliced between people dancing, sometimes surrounded by CG peptides, and a fully CG scene, filled with dancing peptides. The film, at that point, was trying to tell us how we're "addicted to emotions," so we're treated to the full song of that smash hit, "Addicted to Love." This scene was redeeming, because anyone who could go through THAT scene, and still take this movie seriously...well, you are the ones that need to "open your eyes." | 0neg
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] |
Disappointing to say the least. Where is the old Robin, I sure miss him, and I sure as hell am not the only one. Clichéd wedding movie with Robin as a crazy pastor who takes soon-to-be married couples through grueling challenges to see if they are worthy enough to be married in his church. Basically, an unfunny script is all the writers could muster, as the only funny bits are but two and both of them are shown in the trailers. John Krasinski is horrible in this movie, which is a shame (after seeing this movie, I almost immediately played The Office on my Tivo to forget his embarrassing and crappy performance). Mandy Moore is still Mandy Moore: Beautiful and talentless when working with lazy scripts. And Robin, poor Robin; stop appearing in these types of movies! We love you, but we hate it when you waste your talent on crap such as this. In the end, don't bother with this bland and unfunny movie, a 3/10, avoid! | -1no label
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] |
This movie was shown on Australian TV in the mid-'60s and never been seen here since. True, this is not an out-and-out romp like Mae's earlier films but it does have a more subtle comic line about a movie star in small-town America. The scene where Mae is lying down in the hay is surprisingly explicit: she reaches out her arms to Randolph Scott and says: "I love it." She was actually talking about the country life or something but in the context it was pretty strong stuff for 1935. I'm sure this is the movie where she is chauffeur-driven in a fantastic Rolls-Royce town car with "rattan"-work around the rear of the car, rather like Norma Desmond's in Sunset Boulevard. The car would be worth a fortune today. Also featured was the wonderful Elizabeth Patterson as the cynical granny of the house, a characterisation she made her own, and reprised it as late as 1957 in Pal Joey. It's a bit more subtle than Mae's earlier films but it has a certain maturity and a low-key humour as a gentle poke at country folks. The young Randolph Scott is quite a hunk in this too. I quite enjoyed it. | -1no label
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Oh say it ain't so, Gary Oldman! Having been a fairly big fan of Mr. Oldman (even having enjoyed his performance as Zorg in THE FIFTH ELEMENT), I've come to expect a certain level of entertainment from his film choices. Not so here. Gary Oldman (HARRY POTTER films) stars as Paul, an Englishman on holiday in Spain's backwoods with his wife and another couple when they run afoul of the locals who are hiding a young girl away in what seems to be sickening conditions (they find her tied by the ankle in a dilapidated home drinking from a dog bowl). "Saving" the girl, they bring her back to their distant cabin and learn that some yocal-locals are looking for her ...and their carrying rifles. Hiding her away, the English vacationers quickly learn that the nearby township will do whatever necessary to retrieve her ...including raping or shooting anyone who gets in their way. Probably the biggest issue with this film is that it has no purpose, and flings about in uncertainty up to and beyond its horrible ending. It is never explained why the girl is tied up in the first place (she does act like an animal and the audience is left wondering if she were some sort of mentally handicapped kid or a hybrid human-canine, or even a werewolf ...but none of these are ever explored in any depth). The acting is so over-the-top that I often wondered if the scenes were supposed to be taken seriously or were designed for laughs. Regardless as to intentions, THE BACKWOODS should remain on the extreme "back shelf" of all DVD rental stores ...if stocked at all! | -1no label
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I understand that Roger Corman loves to do things on the cheap, but this is just sad. I purchased this flick from the dollar bin at my local video store not a month after watching the original Carnosaur. I was blown away; It was the same damn movie, with just some Corbin Bernesen spliced in! It reminded me of all of those 80s ninja movies that took old Kung Fu movies and spliced in a bunch of white ninjas running doing cartwheels with the word "ninja" written on their headbands (if you haven't seen them, check out "Ninja Terminator", "The Thundering Ninja", "Black Dragon" and "Ninja Warriors"). Thanks Roger Corman; you just made me waste a dollar. | 0neg
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It really sheds some bright light on predators in the school system. Great Movie. I first watched this movie when I was like 12. I have always liked movies like this. Lifetime Movies are the best thing ever. The scene where Nicole and Gary are in the locker room I think is well done. You can really feel the emotion from the two actors. I wish this movie was played more often. Movies like this don't come around often. Nicole Tom gives a great performance, and GARY Cole does great also. Where has Nicole Tom been? I haven't seen her in ages. I also love her brother and Older sister(the young and the restless). I definitely recommend this movies to viewers of all ages. 10 stars | -1no label
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I am Puerto Rican and this is one of the worst documentary of I've ever seen of any type. You can see that the people on it are clueless. They don't know much about Puerto Rico and its culture. They claim to be Puerto Rican because they are from Puerto Rican descendants, but they probably know less than others who are not from there. You can see while they are talking that they are contradicting themselves. If you would like to see a real, and I mean a real, genuine documentary from Puerto Rico, then you must see "Mi Puerto Rico". That's a serious, real documentary. Not like this piece of junk. Rosie Perez based this documentary on herself. I thought it was suppose to be about Puerto Ricans. They keep repeating I didn't know. Well, that's about the only thing they got right on this so called documentary. I hate to see such a piece of garbage being done using the name of the Island. It brings down the standards. | 0neg
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] |
I love how people complain about the slasher part of this movie and their complaints are exactly what this movie was making fun of. These comments such as why didn't they run, why didn't they kill him, why don't they group together are all addressed in the documentary part of the film. This movie was genius because it shows you how the slashing will happen beforehand and the victims are victims because they are too stupid act properly against the killer's foreshadowing. That's the movie, that's what makes it funny. Although it's a slasher flick, it's not a serious slasher flick, at all. Watch it again and you'll see why it's an awesome movie. It makes fun of the genre in a way that has never been done before. It doesn't steal from the Scream series. The Scream series made fun of the horror film in general, this movie pretended the killers in those films were real and makes fun of how stupid victims can be and how predictable the sequences are in a slasher situation. | -1no label
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] |
Ahead of the upcoming release of what will hopefully be the definitive film version of the Lord Of The Rings trilogy, Warner Bros has released the original 3 Tolkien films: The Hobbit, The Lord Of The Rings, and The Return Of The King. <p>The Hobbit was simple but quite good; The LOTR (made by an entirely different set of film-makers) seriously flawed but ambitious; but this, the little-seen finale, is simply atrocious. Intended to wrap up the story-lines of the incomplete Ralph Bakshi version of The LOTR, it fails because for some unfathomable reason it omits a HUGE chunk of the storyline following the point where Bakshi's film quit. i.e. The LOTR film finished about halfway through the trilogy, but this starts at about the three-quarters mark of the story! Thus, it makes no sense whatsoever most of the time. Those who've read the books will know what's going on, but those who haven't -- even those who've seen the first 2 movies -- won't have a clue!! <p>As if the incomprehensible jumping-on point wasn't bad enough, we're also subjected to some truly horrendous songs, bad dialogue, poor pacing, very basic animation, etc. Truly a waste of time -- don't let that time be YOURS!! The other 2 films are worth a look (as average as they are), but this will only frustrate and depress you. I'd rather have lunch with Sauron than sit through this again!!! | -1no label
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