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Hello together, i was very shocked about the film, because i saw in Bangkok the same like in the film. It makes me very sad. I saw the film a few days ago but now i am thinking about pla, most girls have nothing to change - they must work in bar because they are the money-maker for her family. Up-to-date: But now there are different statements about pla. Is she dead or alive!? Some people say, she is alive and now outside of thailand, other say she get killed by people of this business and other one told me she get dead by car-accident. Can someone who really know whats up with her tell me the please. Thank you very much, catpillar-1 | -1no label
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A so common horror story about a luxury building at Brooklyn which hides the gates to hell. It is reminiscent of Polanski's "The Tenant" (released a year before "The sentinel"), but is too far from the movie of the polish filmmaker in any aspect possible. "The tenant" was so disturbing, whereas "The sentinel" is not at all. What it's more surprising from this film is the cast: it is full of great names of American cinema (Burguess, Gardner, Wallach), veteran actors acting for food (I guess). Verdict: barely entertaining. *My rate: 4/10 | 0neg
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] |
i know, i know, i know that a movie astronomically lame as this is more for fodder along the lines of the torture scene from A Clockwork Orange, but lord help me i couldn't turn away (or the channel). I generally don't believe in the concept of guilty pleasure because i don't think pleasure should ever be the source of guilt (at least in the realm of film). But if ever there was a reason. I didn't enjoy the film, that's what makes it all the more wrong. What can I complain about in this film that i didn't already know would be terrible to begin with. The wretched lecher in me however could turn away from the sheer nubile aura of visceral pleasure. A terrible movie made all the more terrible for my having watched it. This my friend is ground zero for the darkness of every human heart (or perhaps just mine) turn away at all costs and let us pray quickly for a lindsay lohan pornography to at last re-invigorate us with a sense of decency and respectability. two out of ten, only because i cannot deny...... and god wept.... | -1no label
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I was excited to see this movie when I first heard about it. I love all the Disney fairy tales and while the sequels usually are awful this one was done perfectly! They give personality to each character that was lacking in the first movie. The prince actually wasn't a smiling idiot, the step-sisters were the evil-step sisters but had more spunk, and the evil step-mother was just as wicked and ambitious for her daughters as the first. Even Cinderella herself showed a courageous side that you didn't get to see before. It seemed to be a darker story compared to most Disney movies and it turned out well. I enjoyed the ending and understood exactly why they kept it that way. This is definitely an awesome movie to pick up! | -1no label
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I was rather disappointed. The first Tetsuo made me an INSTANT Tsukamoto fan, from the first 5 mins of the film. It was fresh, innovative, and just.....different. I rather enjoy having a movie be in your face and push all those "make you squirm" buttons. Tetsuo did just that where for me, few movies can. For those of us who enjoy getting a breath of fresh air, those that appreciate those offbeat styles used that make indie films so worthwhile, Testuo II will likely be a disspointment. If your looking for that visceral "HYPER-KINETIC" feel of the first movie, skip this one, as thats all been stripped away. Tetsuo II is for some odd reason, just a typical Hollywood style action flick. I was rather confused. However, it's still worthwhile in my opinion for any die-hard Tsukamoto fan. | 0neg
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] |
It's amazing that from a good, though not wonderful, film made back in the early Nineties, a whole franchise can grow. 'Stargate; SG1' is, without a doubt, a worthy addition to the science fiction genre and has the right to stand shoulder-to-shoulder with 'Star Trek' as the kings of sci-fi. Following on from the 1994 feature film 'Stargate', this series sees Stargate command (a military/science organisation) figuring out that the stargate system can be used to travel to various planets across the galaxy and beyond and the military sets up a number of teams to explore. SG1 is one such team, headed by military veteran Colonel Jack O'Neill, and includes archaeologist Doctor Daniel Jackson, military scientist Captain Samantha Carter and alien Teal'c, who has betrayed his overlord leaders in the hopes of one day freeing his people. Earth quickly makes an enemy of the Goa'uld, a parasitic race who use humans as hosts and think themselves equal to gods. The top-notch cast have much to be congratulated for in bringing this show to life. Richard Dean Anderson is perfect as the cynical and sarcastic O'Neill, who can shift from boyish to deadly in the blink of an eye. Michael Shanks, as Daniel, brings heart and an will of steel to the character, who has grown from wide-eyed innocence to darker and more hard-bitten as the show has progressed. Amanda Tapping, as Carter, has perfected the balance between depicting her character's femininity without comprising the fact she is a strong, intelligent military scientist. Christopher Judge is excellent as the aloof Teal'c, who is able to depict the character's emotions with subtlety. And Don S Davis is perfect as the esteemed General Hammond who leads with a good balance of fairness and firmness. Almost all the episodes are are involving and portrayed with intelligence, reflecting on moral dilemmas as well as the friction between military interests and civilian beliefs (often shown through arguments between O'Neill and Jackson). Guest characters are solidly depicted and story arcs are handled in a manner that doesn't bore viewers. SG1 also excels in humour, from O'Neill's wisecracks to episodes that are just wacky and odd! SG1 has everything from action to drama to romance to suspense to the heartbreaking scenes of death. It isn't just an excellent sci-fi show but is an excellent show, overall. | 1pos
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This movie has something for everyone, comedy romance back in a time when Disney knew how to make a family film. The Love bug is the story of a man who meets an extraordinary car and how said car changes his life. This movie has a bit of everything, comedy, appeal to kids, romance, racing, Disney villains who are as likable as they are bad. One of the essential to watch Disney movies in my humble opinion. The background music really went to support the film. The footage wasn't always best shots but hey it was the 60s and I think it helps keep the feel of that era looking like that. Overall this movie is the reason that people know who Herbie is today and the reason he has become as iconic as many of their cartoon characters. | -1no label
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This is another Masala flick and a third-rate product from Mani Ratnam. Doesn't help that it was a plagiarized film, about the only thing that Bollywood's really good at. Unfortunately, saw this right after enjoying Syriana on a widescreen Multiplex. Needless to say, Yuva looked trashy when pitted against an impressive Hollywood original. Lesson learned. In any case, the movie's musical score by Rahman (who else) gets on your nerves. Maybe thats part of the reason for the dislike. And why on earth is it set in Bengal when none of the characters except Prosenjit Banerjee looks or sounds like a Bengali? What were they thinking?? Maybe Om Puri's parts were filmed earlier and at least attempted a Bengali accent, while the others simply had no clue their characters are Bengali!!! Hilarious. Ratnam, couldn't you have come up with ANYTHING original??? Take a look around. Last time we checked, there are still a few directors honest to their trade who do not copy so brazenly. Seems like Ratnam too lost his way like Maheh Bhatt, etc. Obviously these guys have to pay the bills, put food on the table, like everyone else. Gotta dish out junk just to plain survive. As for the movie, predictable plot. Bad guy (aka ultra-violent freak) tries hard but in the end the good guy wins. What more can one say?? Literally there are HUNDREDS of simple (and complex) stories that could become good plots, things happening to everyday folks in their everyday lives. If only the Bollywood bozos would open their eyes, ears, noses, other sensory organs and pay attention..... PS: Giving it a 2 out of pity for the film-maker's family. Ratnam, you need to make movies "Dil Se".... | -1no label
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My 11th grade Student's Against Drunk Driving awareness video shot with a five-year-old betamax camera and edited between two vcr's was better quality than this. It is so unbelievably, astonishingly bad that I can't believe it was broadcast on any form of television. You will not believe your eyes. The quality of the story, the acting, the dialogue, the sound and the music are inferior to any 70s porn movie ever made, only without the nudity to keep it interesting. You show me any movie, including any wedding videos or barmitzvahs, and I will bet you any amount of money that R.O.T.O.R. is worse. It is the worst thing ever committed to film. Excuse me while I pluck out my eyes. | -1no label
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The idea was awesome, the actors were incredible, the story could of been very scary, but the writing was poor and there was no depth. I couldn't really get into this movie. I couldn't feel for the characters, there were a lot of cliffhangers, and the movie just ends very weirdly. Was it a happy ending? I don't know. Was it a sad ending? Again, I don't know. You leave the theater feeling unsatisfied. The movie had so much to give, but couldn't. Just because you can edit, doesn't mean you should, right? I wouldn't really recommend this movie because you just can't say that you left the movie feeling like it was completed. You'll just be confused. Trust me, you will probably thank me if you don't watch this movie. 3/10 | 0neg
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Oh my... bad clothing, worse synth music and the worst: David Hasselhoff. The 80's are back with vengeance in Witchery, an American-Italian co-production, helmed by infamous Joe 'D'Amato on the production side and short-careered director (thank heavens for small miracles) Fabrizio Laurenti directing . Marketed as a kind of sequel to Sam Raimi's Evil Dead series in Italy (that was dubbed "La Casa" in there), Witchery delivers some modest gore groceries and bad acting. A mix of ghost story, possessions and witchcraft, the film bounces clueless from scene to another without letting some seriously wooden actors and hilarious day and night mix-ups slow it's progress to expectable ending, topped with some serious WTF surprise climax. (I just love the look on her face...) Surprisingly Laurenti manages to gather some suspense and air of malice in few - very few - scenes; unluckily for him, these few glimpses of mild movie magic go down quickly and effectively. The plus sides are experienced, when the gore hits the fan. This department is quite effective and entertaining in that classic latex and red paint style of the 80's Italo-gore, when things were made 100% hand-made and as shockingly and vivid as modest budgets could allow. I could only watch with sadistic glee and few laughters all the over-the-top ways that obnoxious characters (and actors) got mangled and misused, one by one. I only felt sorry for Linda Blair, who apparently haven't been let to try any other than that good old possessed girl / woman role ever in his career, or so it looks like when checking out his filmography. Well, folks - not much more to tell, and even less to tell home about. Don't expect too much when spending some rainy afternoon with this, and probably you'll experience at least some mild fun. It also helps if your rotten little heart pounds in the beat of 80's euro gore horror. And speaking of hearts - every movie that has David Hasselhoff getting skewered by a sizeable metal object and bleeding heavily around the room and corridors, MUST have it's one on the right place. This is my truth - what is yours? | 0neg
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] |
Somewhere on IMDb there is a discussion about the greatest director of all times (Spielberg, Copolla and others are named there). The greatest argument was around Spielberg and whether he is or isn't a great director. The problem with Spielberg is that while he is a master technician, most of his films lack depth.Saving Ryan is really outstanding from a technical point of view, but its message is dull and while its very entertaining, it doesn't make you think about anything. AN is the best movie I ever saw because it combines great shooting with a deep philosophical perspective on so many things, starting from war in general, the clash of civilizations, the condition of soldier in wartimes (is a soldier a hero or an assassin? Brando says he is neither, the french lady says he is both ...) and many others. The problem with some people is that they try to argue about whether these points are true or false. But a great movie, and a great piece of art in general is supposed to spark arguments, not to solve them ... Maybe Coppola is right, or maybe he isn't, nobody holds the truth anyway. You can watch this movie for its outer beauty, amazing scenes, great acting and memorable quotes and you will be entirely satisfied. But what really make this movie a masterpiece is its inner quality. You can't help but make a comparison with the recent Fahrenheit documentary.Both Copolla and Moore tackle similar issues, but while Copolla presents matters from an outside , objective point of view, Moore takes a very partisan position that really compromises the whole point of a documentary ... It is really a shame that a film like Fahrenheit 9/11 won a prestigious award like Cannes. But anyway, if you want to start to understand a little of the Vietnam war, the Iraq war, the second World War and any war in general, you should definitely see this movie, and not the other one ... | 1pos
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] |
I do not know if this movies problems are more the fault of Direction or Script. As you will see in many reviews the editing style is way overdone. It is absolutely distracting and without substance, which could be considered a good thing if you look at some of the quotes from the movie. I do not write many reviews here, but felt this movie was so awful that it deserved comment. Movies like this erode at Movie making as an Art form. Movies like this one show more and more clearly that the current Reality focus in cinema is revealing the quality of the characters behind them. People hone there craft, there 5 senses, and there business sense - overlooking there own inner life. However I do not put blame on them, it is more and more the unfortunate condition of this age - qualified by films like this one. But by proxy these Manufacturers I would dare not call Artists vomit there lack of inner life or regard onto the screen - diffusing it to everyone. A story of bounty hunters, guns guns and more guns, heavy handed flaunting of sex - for the oh so popular actress (did they write the lap dance scene after they signed her?), over saturated, over exaggerated, one liners, non-linear plots. All different and yet all the same. Annoying overwhelming music to push the emotion down your throat. A story? a development of character? or just withheld, missing information, revealed at the end to create the *effect* of a story - as if one took place. It altogether lacks anything remotely resembling subtlety. It is a caricature of stereotypes and genre. Where are the films with Awareness? What about subtlety of sound and music that you are not even aware is there? What about the depth of a look? What about editing with a point about mind and consciousness? yes even in action films this can happen. Sure they have honed a craft; but what use is it without soul or wisdom? of insight into the human condition? Can the people who commented and said that this is an apogee of art, or compare this to Picasso and others - I say put this next to Gandhi or the Godfather, even the original trilogy of star wars or the lord of the rings; then look me in the face and say it again. It is a good crew, but they need some help with depth and story. I hope they get it because I like the crews previous work. better luck next time. | 0neg
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] |
This may be one that goes to television viewing when one has nothing to do in the evening. The story is, as described by others, a story within a story which interchanges time to time - an actress back into the world of acting after a few year's hiatus (due to tragedies). The Movie on a supposed female serial killer from early 20th Century USA is acted out by Liz Hurley and her co star. They still have feelings and an eventual affair ensues. Oh, I forget - the co-star has his wife on the set as well. :-) There's also a reporter on their tails with blackmail material and lets not forget the cold blooded agent/mum of Liz. After 20 minutes it will become apparent that Liz eventually "merges" into her role so well (Method acting)that mysterious serial killings will occur on the set. Ending is very predictable and quite cheesy too, I mean (Big Spoiler Ahead) ... we are made to believe the spirit of the dead serial killer possessed Liz all the time, a spirit that travels from the US to the sets in Romania? :-) It may be worth glancing at if you like to watch good IL pouty lipped Liz. Apart from that, get a decent movie or a book. Cheers | -1no label
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] |
This is one of the best military films ever made. And it is great because of its focus on values. It's a great human interest story that turns on a commitment to honor, loyalty, love, and determination. Gooding and DeNiro are superb in the lead roles. It's wonderful to see the Master Chief's racism evolve toward respect and love through Carl Brashear's determination, drive,and yes, sense of honor. The title indicates the source of their bond. I never noticed until this last time watching it how brilliant Carl Lumbly's portrayal of Carl's father, Mac Brashear, was. In a way, it's a cornerstone of the film in that it's Carl's memory of his father that helps carry him through hard times. I am selective about what films I purchase. This is one of those rare ones that I want on my shelf. It will be seen many times in the future, I'm sure. | 1pos
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] |
This is a spectacular production! I have seen the show live twice in Chicago and my only problem with the production was the fact that I was able to perceive only fragments of what was going on. The stage consisted of three giant catwalks and the platform and as the action moves from one part of the stage to the next sometime you loose track of what is going on no matter where you are located. As always, this is a thought-provoking sensory overload, skillfully captured in high definition with 15 cameras! The footage was Masterfully edited, one of the best concert DVDs of all times in my opinion! I only hope and wish that they will release this on Blu-Ray of HD-DVD so that we can re-live this extravaganza over and over again. | 1pos
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] |
This movie was extremely boring. I only laughed a few times. I decided to rent it when I noticed William Shatner's name on the cover. It's all about this little kid who gets picked on all the time by his classmates. When wandering the streets looking for old ladies to assist, he meets a prostitute. She takes him to a club called the Playground, where he befriends several pimps. When mayor Tony Gold (Shatner) decides to take over the pimp business, Lil' Pimp must lay down for his homies. The animation isn't very good in this. It looks like it was made with Macromedia, which I'm sure it was. It doesn't suck, it's just the sort of choppy flash animation that people have gotten used to over recent years. The humor in this is not very good, I didn't think any of it was funny. | 0neg
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] |
This film is one of my all time favourites , it reminds me a great deal of trading places, in as much as it has very funny,quotable scenes, but also a solid story that strings along the jokes. Michael Keaton just bounces off the walls as Billy Blaze, it is still to this day ,one of his most memorable turns. Henry Winkler obviously wanted to play against his persona as the Fonz, and manages inject great pathos into his character , without ever being overly sentimental. Shelley Long is a master of light comedy , she may not instantly be an actress one would consider to play a lady of the night, but realism would have worked against this film ,as it really is a flight of fantasy. Its a true feelgood comedy, well written, well acted and very likable, in other words ,far superior to cynical, race to out-gross , slew of humorous films we are subjected to now. | -1no label
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] |
"The Prince of Egypt" is a surprisingly near perfect movie. The beautifully animated has a great story and storytelling, beautiful songs and a great voice cast. Animated movies has been taken to a new level with this movie. This is one of the very first animated movies made for an adult mainstream audience. Still the movie has some misplaced humor and 'Disney' like characters, to make this movie appealing for children as well but really this is more a movie for adults than for children. The movie has a serious undertone and some powerful moments, with the burning bush and the splitting of the red sea as the ultimate highlights of the movie. The characters in the movie are well developed, which is perhaps also thanks to the impressive voice cast that consists out of; Val Kilmer, Ralph Fiennes, Michelle Pfeiffer, Sandra Bullock, Jeff Goldblum, Danny Glover, Patrick Stewart, Helen Mirren, Steve Martin, Martin Short, Ofra Haza. voices that stood out to me were Val Kilmer, Jeff Goldblum and Patrick Stewart. But it of course is also due to the nicely done character animation and storytelling that the characters work out really well and are highly realistic and humane. The character's movement and interacting is done really good and with eye for detail. Another wonderful about his movie is the music composed by Hans Zimmer and friends and songs and lyrics by Stephen Schwartz. It sounds weird, songs for a serious movie but it works extremely well for the movie and the storytelling and on top of that the songs are all from a very high level of prestige. With this movie DreamWorks showed for the first time that they are a worthy competitor for Disney. The movie and its storytelling are really powerful and impressive and help to make this movie an unforgettable watching experience. It's a great movie for all ages but mainly adults. 9/10 | -1no label
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] |
I'm not even going to comment on what piece of trash this film is since that has already been established. However, watching this with my friends we all laughed out loud when the lead girl made a Shelley Hack reference while on the phone. We sat there trying to figure out why the writer would throw her into the mix. We can only assume he had a Charlie's Angels fixation at one time. Based on that reference, we assumed this film must have been made around her Charlie's Angels run in 1979 or 1980, but from what I've read here it was made around 1987. You sure couldn't tell that from the poor production values. It seems as though it was made by a college student for a film class. And while by no means would I expect a low-budget trash fest like this to be politically correct, the rednecks in this film sure did like to direct derogatory gay remarks to each other. Even so I'd still only rank this as the 2nd worst horror film ever made, second only to "Nail Gun Massacre." | 0neg
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] |
Pros: Nothing Cons: Everything Plot summary: A female reporter runs into a hitchhiker that tells her stories about the deaths of people that were killed by zombies. Review: Never in my life have I come across a movie as bad The Zombie Chronicles. Filmed on a budget of what looks to be about 20 bucks, TZC is a completely horrible horror movie that relies on lame, forgetable actors whom couldn't act to save their lives and gore that's more gross than frightening. How does a movie like this even get made? Simply put, avoid TZC like a sexually-transmitted disease. My last 2 cents: Humorously enough, this movie was made by a movie company called Brain Damage Films. They're brains must have really been damaged to come up with a craptacular movie like this. My rating: 1 out of 10(If it were up to me, this movie would get the rating of negative bajillion) | 0neg
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] |
If I could go back, even as an adult and relive the days of my Summer's spent at camp...I would be there so fast. The Camps I went to weren't even this great. They were in Texas where the mosquitoes actually carry people off but we had horses and fishing. The movie cinematography was astounding, the characters funny and believable especially Perkins, Pollack and Arkin. Sam Raimi's character and sub-antics were priceless. So who ever thought this movie was lame...I have deep pity for because they can't suspend their disbelief long enough to imagine camp life again as an adult or they never went as kids. The whole point was that these people had an opportunity to regress and become juvenile again and so they did at every opportunity. I wish I could. It was funny, intelligent, beautifully scripted, brilliantly cast and the artistry takes me back so I want to watch it over and over just for the scenery even. Sorta like Dances with Wolves and LadyHawk...good movies but the wilderness becomes a character as much as the actors. Rent it, see it, buy it and watch it over and over and over...never gets old. ;0) | 1pos
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When I was a child, I was lucky enough to have my father show me the hilarious family movie "Santa Clause". So naturally, when the new one came out I just had to see it. Seeing as the second one wasn't THAT bad, I figured this one would be okay. Well, I was wrong. Santa Clause 3 not only turns the series into a little-kid Christmas tale movie, but shows how unafraid Tim Allen is of ruining his reputation for money. Not very cute, not very funny, and not very fun for anyone but your three year-old. I only pray that Martin Short and the rest of the brilliant actors can get their careers back in order after this film. I recommend this film for no one and hope that your kid doesn't beg you to rent it. | -1no label
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] |
Hello dude, salute from the Glorious Germen's cine club. This movie is like a dream come true, or a nightmare come true, its phenomenal and very very very españolada. You can see in this master piece the vision of Alex about de Armageddon (a very bad movie, don't see it), this vision its a latin vision, whit no heros, no muscle guy beating Satan, no, this movie it's about a priest who discover the day and the place where the evil will come, and whit the help of a fat heavy metal and a false exorciser tv showman KILL A BABY, a baby named Satan. This movie have a very goods gags, like the priest killing her friend family by error, and others. This movie it's excellent. Good bye and good killing. | -1no label
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] |
It's been claimed that Fangoria magazine's Scream Greats Vol. 2 killed the series, but that is absolute nonsense. What ended it was not anger at and rejection of this installment by Fangoria readers and horror fans in general, but instead the company's own disinterest in continuing it. My pride in this is not just the fact that it features me and my then fledgling (one month old) Church of Satanic Liberation. Rather it is a valuable expose of factions on both ends of the spectrum - including mine, warts and all. That and the film clips are priceless. In its initial release, the truly disturbing parts of this production were the obvious psychopaths claiming to have been witness to child sacrifice; acts which NEVER took place. According to an FBI report several years later, the whole "Satanic child abuse" hysteria was groundless, including reports by women claiming they'd been raised to be "breeders for Satan". There are indeed comedic aspects. I believe the Warrens and Lady Rhea steal the show here, surpassing even my all too obvious drug induced (Comtrex and beer) ramblings. Why? They took their nonsense and themselves seriously. That was a trap I never allowed myself to fall into. Overall, Scream Greats Vol. 2 is an interesting, important, and comical look into a major social issue of its time. Watch it with an open mind. | -1no label
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] |
This Classic movie is one of the best ever made.Not only does it have excitement but it also is very entertaining.I like the movie because it is similar to Bonnie and Clyde.I have several DVD's In my collection and hope one day to add this DVD also.Bobbie Jo and the outlaws is one of my favorite classics.As all movies in this era this movie was well directed and casted with some of the best actors and actresses of this s time period.Bobbie Jo and the out laws has a great plot and is a fast action movie.I recommend that any one who loves classic movies to watch this movie if you ever get a chance.You will enjoy this movie if you like gangster movies.Thank you for your time and please do watch this movie,I think you will enjoy it,I know I enjoy watching it.Thank you. | -1no label
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] |
Despite the overwhelming cult following for this sad "documentary," I must admit to having cordially loathed the film which struck our party as far more a distressing exploitation piece than usefully informative. That said, after seeing the magnificent stage musical drawn from it, one can appreciate what the film might have been in surer hands. One suspects that those many of us who actively suffered through the film may have had any campy delights its crueler fans enjoyed destroyed by the uncomfortable suspicion that too many of us - or those we know - are only a misstep or two away from the deplorable plight of the two mad women depicted who live in and contribute to a squalor they seem incapable of controlling or escaping. The film leaves the viewer desperately wondering how any person could have slid to this level of degradation and, unlike the musical, offers no cautionary clues or explanations, only a horror show unredeemed by humor or insight. This soul crushing flatness of the film makes the achievement of the stage version (hopefully to be filmed ultimately for cable) all the more remarkable. Act II is faithful in almost every detail to the film under discussion but strangely, setting the sad inmates' plight to music, raises the human tragedy to art. Even more important, this act is preceded by a fine Act I where we meet the women before their decent into mutually enabled madness, and are offered hints how their isolated purgatory came about. In short, everything which the FILM is lacking. To the filmmakers' credit (or their successors), the excellent Criterion DVD release includes out-takes and bonus material that partially redeem the main film - behind the scenes photographs, interviews and commentary - filling in some of the blank spots the original editing consciously decided to omit in its drive for unadulterated horror and depression. They can't make the amateurish film itself satisfying, but they can at least make it a bit more comprehensible. Ultimately though, it is only the remarkable stage piece inspired by and drawn from it by book writer Doug Wright, composer Scott Frankel and lyricist Michael Korie which raises the rating of the original GREY GARDENS above a single (generous) star. | 0neg
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] |
This movie, which I just discovered at the video store, has apparently sit around for a couple of years without a distributor. It's easy to see why. The story of two friends living in New York searching for their pal from high school who is now living homeless under the boardwalk at Coney Island, has flashes of being a very good film, but ultimately is weighted down by the story focusing on Stan and Daniel, rather than on their homeless friend Richie. Cryer is as usual very good and the film has a nice stark look to it, with the ghostly images of Coney Island. However, writer Cryer and director Richard Schenkman are too busy dealing with the fairly uninteresting lives of Stan and Daniel rather than focusing on Richie. One flashback in a music store, where Richie has a crush on an employee stands out and really shows the viewer where this film could have gone. But in the end, not much. Two many drawn out scenes of annoyance, such as inside the Skeeball building. RATING 4 out of 10. | 0neg
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] |
We had to go to an appointment, so we turned on the DVR to record the ending. After it was over, I looked at my husband and said, "Do you have a clue?". He shook his head no. I said, "So you made me watch the end of this movie and I have no clue what just happened". He didn't "make" me, but you know. The movie body itself was quite good. There was a lot of suspense. It kept you wondering. Then came the ending. The ending was... well it just ENDED. You weren't let in on what happened or why. Right up until the credits I kept thinking something would happen to explain it, but it never did. So I came here expecting someone figured it out and I just wasn't paying attention. Nope. Here four years later, I'm just as clueless as tom sawyer was. I still have no clue what went on. I'm just glad I didn't waste any $$ to buy it because I sure would have been mad. OHHHHH! I get it! The end of the movie is what disappeared! ROFL | 0neg
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] |
This first part of the BRD Trilogy has more passion and plot density than Lola, but less of the magic of Veronica Voss. The political musings have point to them: we see the shortages after the war, how the blackmarketers were able to control so much of the day-to-day life (delicious moment when Fassbinder, playing a grifter, tries to sell a complete set of Kleist to Schygulla, who remarks that burning books don't provide much warmth: she really wants firewood). There's some clumsiness in the first hour. The scene in Maria's room with the black soldier, interrupted by Hermann's appearance should go quicker. The train scene when Maria meets Karl Oswald falls flat when she insults the GI--I cringed, it was so bad. But as the story develops and the years go by, I was drawn more and more into this glossy, cold world. | 1pos
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] |
The old communist Sergiu Nicolaescu, nowadays senator in a communist leftover party , who used to swallow every dime the poor, state owned movie industry Romania at the time had allocated for movies(usually one or two per year)has made patriotic/historical/war movies for all his communist party sponsored career. His movies were pretty much all "entertainment" Romanians had in a time when the dictator Ceausescu cut the only TV program to just two hours a day, between 20 and 22 o'clock(and this in black and white). As a result, this communist front liner made more than 20 communist propaganda filled, with unbelievable and pathetic characters(usually members of the communist party, or involved in the communist struggle against the "rotten capitalism"), dialog and stories(always patriotic) accompanied by an incredibly bad sound (Romanian Mono they called it). The movies this big communist era leftover makes today are of even worse quality than his earlier communist ideology infested flicks. | -1no label
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] |
Oh, come on, learn to have a little fun. When I was a kid, oh, this movie was Oscar-worthy to me. I thought it was absolutely hysterical. One of the best movies I had seen. Now, it's a little stupid, but come on. If you enjoyed "Excellent Adventure", you should most likely have fun with "Bogus Journey". This was the movie before "Dude, where's my car?". Only this one is actually funny. Like I said, it's just a good time. It shouldn't be taken seriously and if you enjoyed the first one, you should like "Bogus Journey". It's just a funny movie with some memorable characters. For your enjoyment only, watch it, let go, and remember that it's a silly comedy. That's all. 7/10 | 1pos
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] |
I saw this movie at a screening at a local AMC theater - they were at the time considering whether or not to pick up the movie and show it at some places in their chain and randomly invited people to come and see it. I was selected and brought a friend of mine. I didn't have any idea what to expect so went in with an open mind. The premise of the movie was interesting and showed promise, but the characters were all complete clichés and had no depth. I blame the writing of the script because the actors did a decent job with what they were given to work with. The way the story carried out was just slow, slow, slow! All of the conflict felt manufactured and not real. The plot development just didn't work in my opinion. There was just no reason for me to actually care about anyone involved in the movie. The main plot involving the girl and her "rebelleous side" could have been lifted out of a bad "Svaed By The Bell" episode it was so shallow. The subplot involving the mom and her new boyfriend, for example, felt completely fake and contrived. I feel bad writing such a bad review of this movie but the fact is it just isn't good. I respect the fact that the writer really put a lot into making this movie (she was at the theater and we got to talk to her afterwards) and made it this far, but it just isn't worth seeing. I have seen many independent films that I wish would have been promoted by AMC at arthouses that never made it and they were thinking of giving THIS film a shot at the big time? Give me a break! Check the user ratings - currently 4.5/10. That says it all IMO. * 1/2 out of **** | -1no label
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] |
If you like to comment on films where the script arrive halfway the movie then this is the one. A setting and acting as in a Porn movie but nothing is happening only some groping and touching of the third kind. Which actually becomes very boring after 45 minutes of touchy feely but no action. A few of the actors I've seen in real x rated movies and there their acting then was a lot better. All the special effects are done by the great "Rondo" Whom performs all the magic whit his mind. A cult movie is written on the box. Does that mean that this film is not to be watched at all??? Get drunk with some friends and watch this movie on new years eve ore thanks giving. | 0neg
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] |
When I saw this movie on TV some decennials ago, I found it quite funny, because Gene Wilder was "in" at that time. We youngsters longed for more comedies with him after having seen him in the outrageous (is it still seen this way today?) "Young Frankenstein". The movie has its wonderful and romantic moments, sometimes even funny ones. Just enjoy it as a light-weight spoof, as a slapstick-comedy, and if you're a tongue-out-of-your-mouth-sticker, this is definitely the number one movie for you, for it is THE running gag of the show (if you like it or not). Yes, there are many clichés repeated over and over, like for instance Fritz Feld doing his standard hotel receptionist number, but there are so many little fun jewels hidden everywhere. Take for instance the scene when Gene/Rudy, in his exaggerated Hollywood craze thinks he sees Greta Garbo dancing in the hotel garden, falling/jumping on "her" dancing partner, only to detect Garbo is a transvestite. Cheep joke? From today's view perhaps, but not at its time. There were lots of comedies like this one which generate hardly more than a moan today (even the Mel Brooks series). If you can ever get hand on a VHS tape of this movie, grab it and watch it. Simply watch it. Be romanced. Be funny. Forget the cruel world and your cineast attitude. Leave your brain at home. Just watch (and enjoy) that movie! | -1no label
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] |
Yes, I am one of those users who see a bad film and go out and complain about it, never saying GOOD things about the films we LIKE... so I decided to rectify. The Wizard of Speed and Time is a great movie. It puts a big, fat Libertarian smile on this Libertarian face of mine. It makes me want to go out and be a filmmaker. It makes me want to go out and land a helicopter on "That Big Green Plastic Rock". It makes me want to follow my dreams and follow my heart., (thanks to a good amount of brainwashing, courtesy of the green man himself, the wonderful Mike Jittlov) So see the movie, "You'll see dancing, romancing, financing, fencing, crowd scenes.. chase scenes... this is the motion picture with EVERYTHING.... it's even got the kitchen sink! It's the kind of movie YOU would make, if you didn't have anything better to do!" **grin** Thanks | -1no label
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] |
I have walked out of very few movies before they end, but I couldn't finish this piece of garbage. This was the biggest load of racism trying to pass as legitimate film since "Birth of a Nation". The characters were little more than cardboard cutouts. I don't see how any actor would want their name associated with this film. Lee must have better things to do that put out garbage like this. I know that I and anyone with a brain have better things to do.... like watching paint dry. I wish that someone would make a film about interracial relationships that dealt with the topic realistically. There is a lot more depth to this subject the shallow ranting of a bitter director like Lee. | 0neg
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] |
In my opinion, this was a great movie in a comedy aspect, but it also touches on your emotions as parts of the movie are, or can be, very sad. I left this movie very glad that I saw it, and I would see it again. I saw The Full Monty, and I loved it, and I thought this was a great follow-up movie, but I didn't take them into aspects of each other, as I never do any movie, it should be judged upon your own opinion of comedy and movie standards, not upon past movies by the same director. Overall, this is a very good movie, and I'd recommend it to anyone. Also, watch it till the end of the credits, you won't be disappointed, but maybe sad emotionally. | -1no label
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] |
I'm glad I did not buy or rent this movie, I picked it up at the library where you don't really have to buy stuff at expect fines. I seen this movie at the Library like 2 or 3 years ago and didn't really want to pick it up, then I picked it up this year because I read the entire description that meant like Indigo children have powers and I just thought that it will make it a wonderful and inspirational movie, but when I first turned it on, I felt like I fell asleep in a nightmare of demon spirits until when I got to the part where they were in the house and a little girl was in the car. If I bought this movie, I would've thrown it away feeling so sorry that I bought it, avoid this at cost and look for better inspirational movie like Matilda even though it might be a little overrated and silly but still worth watching. But for this movie, 0.0 it is probably the most least favorite movie I ever seen, no likeness at all. | -1no label
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] |
I have been eagerly anticipating the opening of this film for several months. Being a huge Jim Carrey fan, I easily saw how he could morph himself into Seuss' Grinch and make the character his own. I was not disappointed. This movie was pure magic. Carrey is a master at his trade and no one could have played this role to perfection as he did. There was plenty to enjoy for both adults and children alike and this movie is sure to become a timeless classic for all to enjoy in the years to come. I already have visions of my young daughter sitting down year after year to watch this remake on video, and I undoubtedly will watch with her and laugh as I did the first time I saw it. Clearly, this movie has Jim Carrey written all over it, and I do not believe that it would have come together without him. However, the supporting cast was charming and entertaining in their own right, most notably the adorable Taylor Momsen who was the perfect foil for Carrey's antics. The set design, musical score and costumes all lent their hands to a magical, fabulous finished product and I believe all involved can be proud. It is not an easy feat to turn a 22 minute cartoon classic into a full length live action film, but Howard has succeeded with flying colours. For those critics who disagree, perhaps it is your hearts that are 2 sizes too small. | 1pos
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] |
I saw this movie in December of 1968 when it was first released in the US. I was in High School, had just turned 16. This movie was rated "X" (noone admitted under the age of 16). I remember it being somewhat disjointed. When I think about it, I can't help comparing it (loosly) to the "Austin Powers" type of film, except much racier! By todays standards quite tame. It seems so campy now, but what a cast!! I'm glad it's on DVD now; I'll watch it again. I started being a movie buff when I was very young. My uncle owned the "63rd Street Drive-In Theatre" in Kansas City, Mo. from the late 50's to 1998. So I'm quite well-versed in cinema history. | -1no label
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] |
As people have different taste in everything, humor doesn't differ. To me, this is one of the funniest British shows ever. It is in the top with Fawlty Towers, Bottom and The Fast Show (YES, Bottom is still funny). Sure, it's tacky and rude, but isn't that a reflection of the world today. I can understand if some snobs don't like it because vomit and nakedness is a part of the show, but don't say that it's made by people who don't understand humor. I'm Swedish and see a couple of Vicky Pollards on our streets every day. And I don't care if they're "repeating the same jokes every show". As long as it's funny that's fine by me. You can't be innovative with every single part of the show. So, all in all, this is really the dogs b****cks!! | -1no label
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] |
Manmohan Desai made some entertaining though illogical films like AAA, PARVARISH and NASEEB but he made some craps like COOLIE and MARD and then GJS This movie is one of the worst movies ever made by him the dial became famous Mard ko dard nahin hota but the film is so bad you cringe The British are made carricatures and the film looks so weird The scene in the British hotel is damn stupid The film has many stupidities like Amrita assaulting Amitabh and then the entire scene plus towards the climax the film becomes even worse There are more gems like the horse statue getting life, The masks of Amitabh haha and more Direction by Manmohan Desai is bad Music is okay Amitabh does his part with style, nothing different from COOLIE, LAAWARIS type roles Amrita Singh is okay Satyen Kapuu is okay Prem Chopra is as usual, Nirupa Roy is again her usual self Dara Singh is also as usual | 0neg
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] |
i saw this film recently, and it was the first time a movie has made me cry for so so long. i cried because rocky was so brave, because he never let anything get him down, despite being ridiculed by people simply because of his looks. i warmed to his unique personality immediately, and the way he showed Diane what colours were melted my heart; everybody should have a friend as considerate as him. Mask teaches an important lesson about life: it doesn't matter what a person looks like, its what is inside that counts. i only wish that rocky could have lived longer, to achieve everything he wanted to. the fact that the story is actually true makes this film all the more poignant and profoundly moving. i would urge people who haven't seen it already: rent it out, or buy it. it will soften even the hardest of hearts. | -1no label
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] |
If you liked Lock, Stock and Two Smoking Barrels, the chances are you'll like this, too. Although I guess a few of the British in-jokes (like calling two London characters Dixon and Winterburn, after Arsenal soccer players) may be lost on some, this is still cracking entertainment, which veritably pumps with vitality. Carlyle, Miller and Tyler are all excellent, bringing depth to their characters, and the interplay between the two protagonists is always well-judged. In fact Scott's direction is very assured, considering that this is his first feature film, and proves that he has his father's talent for putting us at ease in unfamiliar surroundings. Hell, I've convinced myself. I'm gonna see it again! | 1pos
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] |
Great concept, perfect characterizations and voices, but a complete waste of time. A real shame since had it aimed higher, it would probably not have been the bomb it was (is); way too dependent upon scatological humor, for starters. I'm amazed by comments from "educated" reviewers referring to the "good science" behind this piece of puerile trash. Unlike "Finding Nemo," where (with a bit of suspension of disbelief) attention to detail was staggering and the science was as good as the context would allow, "Osmosis Jones" was utter nonsense; don't kid yourself about the science. Humor aimed at eight-year-olds but subject matter suitable more for some unsophisticated teens. | 0neg
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] |
Director and FX man John Carl Buechler doesn't have to do much in order to terrify me; the sight of his name in the credits alone is enough to strike fear into my heart. His lamentable straight-to-video output in the 80s sat on the bottom shelf of the horror section at my local rental shop; twenty years later, and his DVDs occupy the same space. It seems that the more things change, the more they stay the same. You can rely on old JCB to serve up dreck, whatever the format and regardless of advances in movie-making technology. In this contemptible offering, a bunch of friends travel to a remote town where they discover the secret treasure hoard of Jeremiah Stone, AKA the forty-nineran evil, claim-jumping, cannibalistic miner who caused havoc in the mid-1800s. Before his death, Jeremiah cursed anyone who should find his gold, and it's not long before the pick-axe wielding killer is back, bumping off the hapless treasure seekers. With its dreadful script, unimpressive make-up effects and Scooby-Doo style villain, 'The Curse of the Forty-Niner' is par for the course for Buechler. Only genre stalwarts Keren Black, Richard Lynch and John Phillip Law lend this movie any credibility whatsoever, with the rest of the cast giving performances ranging from bad to awful (although I'll forgive Alexandra Ford, who is a complete hottie). Even fans of bad schlock horror will be disappointed since most of the women keep their clothes on, and a lot of the deaths occur off-screen (which is probably not such a bad thing since the on-screen deaths are pathetic). 'The Curse of the Forty-Niner' is another in a long list of duds for John Carl. | 0neg
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] |
The Man is one of what I like to call 'MWLP': Movies with little plot. The movie's plot is rather thin: Jackson is a cop whose partner was just killed by a gun-smuggling ring. He sets up a buy with a dealer, but a case of coincidence leads Levy to intercept the goods. Now that the dealers think Levy is the buyer, Jackson has no choice but to work with Levy to bust the ring. Like I said, the plot if mediocre. But the movie itself is good. Jackson walks the walks, and Levy talks, talks, and talks! The cursing, swearing, tough-as-nails cop paired with a dental supply salesman who really just wants to get the job over with and go on with his life: preferably before Jackson shoots him in the keyster (again!). But in the end, Jackson must swallow his pride as Levy takes matters into his own hands and sets up a trade to get Jackson into the heart of the operation. Not bad for a dental supply salesman! Over all...if you want an engaging, twisting, turning and suspenseful...look elsewhere. You want laughs, and one of the most outrageous cop pairings since Chris Tucker and Jackie Chan, see this movie. | -1no label
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] |
It was inevitable that we weren't going to like this Gaelicised take on the zombie movie. You just can't take Irish people being pursued by the living dead seriously. There's some pretty poor acting in here and the whole situation pushes suspension of disbelief a little too far. There are a couple of good moments, but anyone could throw a couple of decent jolts into such a genre film it lends itself to them... I can't understand how anyone can bugger up such a simple format. They're zombies, the script writes itself... Alas, there was no respect here. No understanding of what to do with them. Poo. | -1no label
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] |
As is probably obvious by the lurid title, Massimo Dallamano returns to the same teenagers in peril themes he explored two years earlier in his giallo What Have You Done to Solange. Only this time around the focus is more on the police procedure than the blood and sleaze that is associated with the giallo. What remains the same though is the classy visual style and the mystery aspect. The discovery of a young girl hanged in a run-down attic leads the police to an underground prostitution ring. The story lacks the myriad red herrings of the giallo but it retained suspense and mystery well enough to keep me glued on the screen. Dallamano however throws a black-clad killer in the mix and punctuates this police proceedural with a couple of very well done gore scenes (hand decapitation, machete in the head, screwdriver in the belly; take your pick). As a testament to Dallamano's style, the killer is always shot close-up with wide-angle lenses that adds a reality distortion of sorts. Add to that a sterling score by Cipriani that is equal parts suspenseful and subtle and some well handled action scenes and car chases in the poliziottescho mold (although it lacks the rampant energy of one, so I wouldn't classify it as such) and here you have a movie that is definitely worth the time of ANY fan of 70's Italian crime cinema. I shouldn't forget to mention that the copy I saw had surprisingly good dubbing too. | -1no label
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] |
Featuring a few of Hammer's all-stars, this highly effective slice of British horror revolves around a house and the fates of it's previous tenants, whose stories are all told to a Scotland yard detective, in search of a missing actor. Story number one, which is probably the least impressive of the four, deals with a writer and his wife who've just moved in the house and plan to stay just for a short time so that he may write one of his horror novels. He creates a demented character named Dominic, who's a very creepy looking strangler, and soon finds himself going mad as he starts to seeing this beastly looking man everywhere he goes. After his wife convinces him to seek psychiatric help, a sub-plot is introduced which frankly, didn't really work for me. I won't spoil it for you. The next story (the best in my opinion) stars the wonderful Peter Cushing as Philip Grayson, a man who's moved into the home for his retirement years and soon makes his way to a nearby wax museum(that deals in the macabre) where he's very startled to find a wax figure that looks exactly like a woman from his past. Soon thereafter, an old friend(who also has a history with this woman) is in town for business and drops by to see him. The two men are in for a rude awakening as they soon discover that there was more to this woman than meets the eye. Story three stars one of my very favorites...Christopher Lee, who plays John Reid. After moving into the home with his peculiar daughter Jane, the nanny that he hires becomes awfully suspicious as to the way Reid suppresses his daughter. Well come to find out...if she knew what Lee did, she would have certainly understood. The final story is a rather light-hearted vampire tale that stars John Pertwee and Ingrid Pitt. After buying a cloak from a mysterious merchant, actor Paul Henderson finds himself turning into the very creature that he's portrayed several times in his career. Overall, the pacing and direction were very good, as was the most of the performances. There were nice Gothic touches here and there and an effective score to complement the ambiance. This one's a keeper, and comes highly recommended. | 1pos
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] |
I guess this counts as a spoiler of sorts... All I really have to say about this movie is that the whole dreadful thing takes place inside a small changing room on an Italian beach. While that may seem a novel concept, the effect is really painful to watch. Every time one of the characters would step outside of the beach house I would find myself desperately clinging to the futile hope that the camera would follow them. It's ironic that this "comedy" (featuring a very young Jodie Foster) did a better job of unintentionally instilling claustrophobia in its audience than Panic Room did intentionally. As far as a plot description goes, who cares? Even if the plots weren't as disjointed, underdeveloped and completely ill-conceived as they were (perhaps something was lost in translation??), the fact that they all took place in this one horribly cramped, confined, positively stifling setting, is enough to justify destroying every copy of this movie ever made, so as not to harm any innocent bystanders. | -1no label
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] |
Let me begin by saying that there are precious few movies that can actually scare the crap out of you, and this is one of them. The tension that this movie generates is overwhelming at times, and if you watch it with someone who's never seen it before, be sure to keep your eye on them. You'll probably notice a look of disbelief on their unsuspecting face. Anyone who doesn't like being scared will end up being unable to finish this movie. People who have a taste for the brutally bizarre will probably hit play again after the credits roll. In light of all this, I must also say that in some respects, TCM's bark is much worse than it's bite. Being banned in so many countries for so long, and having a title that includes the phrase 'Chainsaw Massacre', has seemingly led many people to believe that there is an undue amount of gore in it. However, there simply isn't. Gore is not where the scares are in this one. The scares come from the absolutely brutal and bizarre scenarios that befall poor Sally Hardesty. In closing, I'd also like to go out on a limb and make the following grandiose statement: TCM is the greatest horror film of all time! Not bad for Tobe Hoopers' first effort. | -1no label
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] |
Does anyone remember "About Last Night" with Rob Lowe and Demi Moore. Two people meet fall into a relationship and move in together. Then the couple has a fight and proceed to follow the advice of their friends instead of their hearts and winds up more deeply in love and understanding of one another but separated. Rob Lowe meets Demi Moore at a company softball game. Vince Vaughn meets Jennifer Aniston at a pro baseball game. They fight and break up and follow the advice of their friends. Rob Lowe listens to his buddy in the bar Jim Belushi (and at work). Vince listens to his buddy at the bar Jon Favreau, Vince has a brother giving him ill-advice at work. Demi Moore listens to Elizabeth Perkins. Jennifer listens to Joey Lauren Adams. Doing a nice comedic turn as usual. Neither are getting good advice and screw up the relationship badly, till it is almost unrepairable. This was like an extended episode of the TV show "Men Behaving Badly" mixed in with an episode of Oprah on proof that Men Don't Listen! STAY AWAY........STAY AWAY....... unless you think Jennifer got a nice tush and you want to see it. At least Rob Lowe and Demi Moore had on screen chemistry. You want to see them make it. I laughed at all the wrong moments in the Break Up. Rob Lowe and Demi Moore ride off into the sunset at the end of their movie. She rides her bike and he runs after her. ****SPOILER ALERT**** At least the Break Up didn't cop out at the ending. They don't get back together. They run into each sometime later. They only give you a hint that they have feelings for each other without laying it on too thick. | -1no label
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] |
This movie is bad...really bad. At first it starts telling about how we all were doomed cause we ran out of gas. People went crazy and started loot and kill each other cause of the lack of electricity and oil. OK, interesting start, then we follow a group of people, lead by a smart professor. They are hanging out at a abandon hospital trying to create a new life. But suddenly our poor professor is missing and lunatic barbarians with blood stains and huge me lee weapons(all sorts) start showing up everywhere. A newcomer in the group knows about these lunatics and she tell stories about them from back home...they are freakin cannibals! Oh no! They always come at night(they must have night vision!) and only take one each time(if they take two one of the corpses might decay). But then they enter the hospital and start murdering...they don't just kill one anymore apparently. Here i turned off the movie and threw it out in the garbage where it belongs...i vote it 2 | -1no label
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] |
"Screams of a Winter Night" was made with student actors attending Northwestern State University in Natchitoches,Louisiana,a college that has since been abandoned,the neglected campus becoming a popular teen hang-out.It consists three genuinely spooky stories told by a young campers in an old cabin.The first one is about 'The Moss Point Man',a Yeti-like creature encountered by a local girl and her boyfriend deep in the woods.The second one is about a mute psychopath in an allegedly haunted hotel with the climax somewhat reminding me "The Blair Witch Project".The third story is about a sexually repressed girl turning psycho after an attempted rape.The strange,howling wind is becoming stronger and stronger...Creepy low-budget gem from late 70's without gore and nudity.It has some great scares and surprising twists.8 out of 10. | -1no label
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] |
Okay, he's making a movie about "gangsters" in Kansas City which features a bar where free-form jazz is played, so he decides a nice way to make the movie (what a surprise) is to give the actors free reign to improvise their lines! It may SOUND like a good idea - Altman sure thinks it does, he uses it to make most of his movies - but this is no excuse for offering us a muddled, terribly acted half-baked film that essentially has about three scenes that are stretched out. The plot of this is one of the worst you're likely to see. I remember, at the time i was watching it, i felt there were such major problems with the motivations within the story that completely undid its narrative structure. It pains me enough to recollect the movie, let alone think of it in that much detail. What Altman doesn't seem to realise is that improvisation seems to make most actors nervous. When they're saying a line they know they've made up during rehersals, they seem not to believe in it. It may have worked for Brando in Last Tango in Paris - but Brando was a titan. These actors, and most name actors Altman shows the true colours of, are not. The first major mistake was giving Harry Belafonte improvisation priveleges. God, is he obnoxious in this. He's the bad guy, but he's not obnoxious in a way that makes you think "oh, isn't he good" or maybe "isn't this fun." You just think Belafonte is an arrogant guy. Jason-Leigh's accent and acting are particularly hammy. Miranda Richardson is the only one who escapes unscathed. She's pretty good. 1/10. Films this bad are rare. Can't recommend enough that you avoid this like the plague. | -1no label
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] |
Somehow they summed up the 60's, ten years that radically changed our country, in four hours. And what a painful four hours it was. They trivilized the major events and happenings and they "claimed" it was about two families yet you barely saw the african-american family. If I were NBC I would be ashamed and embarrassed for airing such trash. What was amusing was this happy-go-lucky family you saw in the very beginning was tortured in so many ways, but managed to attend every major 60's event through the country. And the second family was such a non-factor. They devoted maybe five or six scenes total to this family. That poor son... Please NBC, do not make any movies about any other eras....leave that to PBS and the History Channel | -1no label
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] |
"Heartland" is a wonderful depiction of what it was really like to live on the frontier. The hard work and individual strength that were needed to survive the hardships of the climate and the lack of medical care are blended with the camaraderie and the interdependence of the settlers. The drama was especially meaningful because the story is based on the diaries of real people whose descendants still live there. It was also nice to see the west inhabited by real people. No one was glamorous or looked as if they had just spent a session with the makeup or costume department. Conchatta Ferrell is just wonderful. She is an example of the strong, persevering people who came to Wyoming in the early 20th century and let no hardship stand in their way of a new life in a new land. | 1pos
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] |
Hm well. I'm a big fan of Mankell. I've read most of his books and seen the movies. I haven't read "Innan Frosten" thou but I cant believe its as bad as this movie. It was utterly crap. No depth, no characters, no plot, no dialog and the actors, my God, are they really pros? That Sällström girl, shes not in my book, but some regard her as quite an actress but this?! Please give me a break. The directors willingness to shoot her mostly from behind dressed in her tight jeans, I am sad to say, saved this movie from getting a 2 from me. Now I just have to read the book so I can determine if its as bad as the movie. People, save yourself from wasting a good hour and a half, do something else, sew, make pottery I don't care, just leave this be. | -1no label
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] |
Man this thing stinks bad! I don't think I've ever seen a worse piece of garbage in my life. I love B grade horror films, but this stinker takes it to a new low. Acting stinks. Script stinks. Effects stink. I don't think this film has one good thing about it. Maybe the relief of seeing the closing credits is about it! And to top it off...they made a part two! Pass this thing up if you see it on the rental shelf. My friend didn't, and we really paid dearly for it! Time wasted that I'll never get back. I do believe tweezing my own nose hairs would be more fun. Well thats it. Be warned! THIS THING SUCKS!!! 1 out of 10 rating. | -1no label
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] |
I'm a baseball fan, have been one for over 40 years. This film had me looking forward to it, not because I'm a Red Sox or Yankees lover/hater, but because I really like baseball. This film was a huge disappointment, and it was so in the same way that baseball itself has disappointed as well. When I go to major league games (or try to watch them on tv), they are so filled with extraneous stuff, with fluff, with "People magazine" personality filler that it's hard for me to see the baseball in baseball. I mean the strategy, the moves, the subtleties, etc. I get my ears blown out in Minneapolis, my eyes assaulted by a constant-action huge center-field TV in Montreal. And this movie: It was mostly about the BoSox executives, owner, general manager. WHO CARES?? Not I. The clips of actual BoSox baseball from the great 2003 season were quick and fleeting, afterthoughts, really. In short, there was almost nothing about baseball in "Still, We Believe...." And that was disappointing. | -1no label
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] |
A world-weary prima ballerina, desperate for love. A noble cat thief, desperate for money. A dying clerk, out on a last fling. His industrialist boss, passionate & brutal. A pretty young stenographer, willing to do almost anything to get ahead. A hotel bell captain, anxious to hear about his pregnant wife. And a cynical, war-scarred doctor. Destiny awaits them all in one of Europe's most renowned establishments - Berlin's GRAND HOTEL. This is considered to be the first `all star' movie. It was certainly MGM's most opulent film up to that time. The studio loaded it with an A List of star performers: Greta Garbo, uttering her trademark phrase, `I want to be alone.' Radiant in love, one can only imagine the despair that awaits her after the film ends. John Barrymore, suave, sophisticated & ultimately tragic. Lionel Barrymore, in a performance that will stay in your memory, slowly dying. Wallace Beery in a heavy role, all bullying bluff & bluster. Joan Crawford, tough as nails & good as gold. Lewis Stone, Jean Hersholt, Rafaela Ottiano & Ferdinand Gottschalk all lend sterling support. There was concern that putting so much talent into one film, instead of spreading the stars out over 4 or 5 films, would lose the studio money. Not to worry. It was a great success, financially & critically. Watch how the plot weaves the threads of the characters' lives into a finished tapestry. One of the great movies. Tremendously satisfying. | -1no label
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] |
We must live in a really sick and deranged world if this tripe ranks at 7,9 out of 10!! ...and then we wonder how on Earth something like the Columbine High School Massacre could happen? Well, that's one of the answers - teach a kid that violence is fun and decapitations of cutesy cartoon characters are actually quite cool and wait for the results. Mentally challenged animals with their limbs chopped off, impaled ad nausea, their heads rolling around garnished with blood splattering all over - wheew, isn't that just great? Bloody mess and violence galore without any substance - that's what this show is all about. I guess all the fans who enjoy watching this crap are also into snuff flicks and consider the complete collections of the Al Qaeda hostage beheadings in full length a must. | -1no label
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] |
Dean parks the car in a diner and waits in the car while Sam brings some fast food and pie. Suddenly he realizes that Sam vanished and finds the staff murdered. Without any lead, he meets Bobby and calls Ash; later, Ash calls Dean and when they arrive in the Roadhouse, they find the place burned to the ground, Ash and other hunters dead and Ellen missing. Meanwhile, Sam awakes in the ghost town Cold Oak, South Dakota, with Andy and Ava and they meet two other strangers, Jake and Lily. The Yellow-Eyed Demon visits Sam in his dream and explains that only one member of the group will survive and become a soldier in his army of demons. "All Hell Breaks Loose: Part 1" is another engaging episode of "Supernatural". Now it seems that the war of the Yellow-Eyed Demon and his army of demons is set in motion with the contest of the gifted children in the haunted town. The conclusion is absolutely unexpected and probably Dean will make a deal to save his brother. My vote is nine. Title (Brazil): "Demônios a Solta Parte 1" ("Demons Break Loose Part 1") | -1no label
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] |
It's interesting to read all of the comments and how each reviewer has found something unique that calls to them. Some reviewers have focused on the boys or the father or the mother. Different scenes have been noted, almost none by more than one reviewer. What this tells me is that the writer/director has crafted a story in which all of the scenes contribute to the whole. This was my experience watching the movie. It was believable, well shot, great backgrounds, all in all a treat for anyone who loves movies and can handle some pretty raw dialog/situations.....and nothing gets blown up. I would recommend this only for adults or a very mature teenager. The language and situations are tough but as I said, very believable. I identified with much of what the teens in this movie are going through and my sympathies definitely sided with them against their self-involved and self-indulgent parents. This is the best role I've ever seen Jeff Daniels in and having known men in my life like his character I think he was spot-on with his portrayal. There were no weak characterizations with any of the actors, for that matter. | -1no label
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I will repeat - what a stupid scenario. Is there anything new inside? I don't know who have wrote this. But i believe this guy have watch all Hollywood -children -family -teens movies ever made... all scenes and dilouges u can see in everywhere. Why do u people making this movies? children's like an adults? they like money gold cars... and they are positives? they have lucky... and emotions of course... without it can be done. o the young Actors - wow :-). I do like when is camera concentrated on their nice faces? what a crap... there is 90% better children movies that this one! This is not creative or funny movie. This is simply nothing. D. | 0neg
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Once again seeing this kind of movies turns me more and more into English humor, not too often seen on screen since the days of Monty Python and Man About The House. Too bad. Brenda Blethyn (Who I first saw in Saving Grace early in the year, another must see by the way.) just excels, as Alfred Molina does. The rest of the cast, while virtually unknown to me, turns on great performances too. The film starts slowly and gradually gains in pace and amusement - midway I had tears in my eyes from laughing. All in all, a funny English movie, a thousand times better than the supposedly 'funny' garbage that comes from Hollywood. | 1pos
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] |
The talented cast act this excellent screen rendition of Eugene O'Neill's play (it's adapted from three of his one-act plays)about crew sailors aboard a freighter steamer called Glencairn carrying charge containing war-smuggling,TNT, explosives from US to England, at the beginning WWII. The crew talk and contend each other but also save each other from bombing and risks. At the ending terminates with epilogue saying :'Some men like Ole and the Driscolls come a and go and the others live and die and the Yanks and Smittys leave their memories- but for the others the long voyage never ends'. This dramatic film is a classic Ford displaying his usual themes as strong factor in many films, as emotionalism, partnership, friendship and unlovable camaraderie between the sailors. However looks over-melodramatic during the reading letters from Smittys.The sailors show a nostalgic longing for things past and old values and own home: Sweden,Ireland, England. Straightforward acting by John Wayne as a Swedish sailor named Ole , he was to star habitually for Ford after the director rose his career from B Western in Poverty Row productions, with his greatest hit, 'Stagecoach'. There's magnificent secondary cast playing the seamen, as Thomas Mitchell as a sympathetic sailor, Ian Hunter as the drunk and unbalanced Smittys, Barry Fitzgerald as the humorous cooker,Mildred Natwick as a swindler prostitute, Rafaela Ottiano as a tropical woman, Jack Pennick, a Ford's usual, among others. Descriptive, evocative black-and-white cinematography by Gregg Toland(Citizen Kane) plenty of lights and dark, reflecting loneliness, suspicion,frightening from crew and the smoky, greasy, sweaty atmosphere from merchant ship. The picture belongs period when John Ford(1895-1973) made a rich variety of stories and his reputation rightly rests on his work in the 1940s, as ¨Grapes of wrath,How green was my valley,Fugitive,They were expendable, My darling Clementine¨and the Cavalry trilogy: ¨Fort Apache, She wore a yellow ribbon, Rio Grande¨. Rating : Awesome, above average, a major triumph for Ford and Wayne.It's a must see from John Ford enthusiastic and John Wayne fans. | -1no label
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] |
Raj Kapoor is supposed to be the ultimate showman of Bollywood. He does some justice to this image by choosing spectacular locales along with some great music and photography. However, there is nothing new this movie offers. It's an unconvincing love story set right at the foot of Himalayas, between a rich guy and a poor girl. How they meet, get separated and finally get united in the end forms the core of the story. Most of the Indians would remember this movie as the first one, at least the first blockbuster, where the heroine openly bares her breasts. (Such exposure is not very common in Indian movies.) Apart from that dubious distinction, there is not much else. The music is a blast and worth listening to. Give the movie itself a skip. | -1no label
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] |
Awful is really all one needs to know. First think of all the things that could be bad about a movie. And then try to make a movie that is bad in all of these ways. You will have made "Vacationland." The state of Maine should feel insulted: it's much too nice a place to serve as the backdrop for such trite, mindless, boring schlock. I'm a romantic, and I always want movies about two people finding each other to succeed, and I tried hard to find the good in this one. It was tough; very tough. I couldn't find a glimmer of emotional connection among any of the characters in this exercise in humdrum dreariness. Except maybe in one or two of the bad guys. Maine IS a good vacationland; this movie is not. | 0neg
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] |
Spend your time any other way, even housework is better than this movie. The jokes aren't funny, the fun rhymes that are Dr. Seus aren't there. A very lousy way to waste an evening. My kids 4-16 laughed a little at the beginning the younger ones got bored with it and left to play Barbies and the older ones left to play ps2 and surf the net. My wife left and did dishes. So I finished it alone. It was the worst "kids" movie I have seen. If you want to watch a fun kids movie watch Shrek 2, that movie is fun for kids and their parents. AVOID THIS MOVIE. It isn't funny, isn't cute, the cat's makeup is about the only good thing in it and you can see that on the disc label. | 0neg
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] |
Oh my goodness. Movies like this, that are more pervasive than rare in Hollywood these days, are the reason why "The Cosby Show" was seen as so 'unbelievable' in the 80s. This film is so FULL of negative, degrading and pitiful stereotypes that I am SURPRISED that John Singleton was responsible for it. The oft-maligned film (at least here on IMDB) "Higher Learning," was FAR superior to this crap. At least there was SOME intelligent dialogue and POSITIVE images. This entire film was like an average black person's nightmare and racists' wet dream. I have a friend who is trying to stake his claim in Hollywood right now, but I'm OH so GLAD that he hasn't sold his soul to appear in utter crap like this. Hollywood makes no more Eve's Bayou's, but plenty of Booty Calls, Undercover Brothers and bile such as this flick. The unfortunate truth is that THESE are the films that sell these days. So as long as people believe and attempt to justify these modern day minstrel shows, decent black cinema won't have a chance. For those of you who find irony in this in the wake of Halle Berry and Denzel Washington's (much deserved) Oscar wins this year, remember what they won them for: A corrupt, evil, immoral black cop, and an ignorant, poor, single black mother. You know- Just like REAL life. Or is it? I say 'no', but then again.. who am I? Just (yet another) disappointed black film goer. | -1no label
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] |
David Hess virtually replays his "Last House on the Left" role in this very bad Italian exploitation movie. He plays a perverted greaseball named Alex who spends his free time raping and strangling women. At the garage where he works, some snotty rich kids pull in to get their car worked on and Alex finds himself drawn to the attractive Lisa (Annie Belle), so he decides to follow them to a party, dragging along his retarded co-worker Ricky (Giavanni Lombardo Radice who frequently uses the Anglacized name John Morghen). Well at the party, it doesn't take long for Alex's bad side to come out as he proceeds to terrorize the people there. Some of the men are beaten, all of the women are stripped naked at one point or another and Alex tries to coerce Ricky into joining in on the fun. During one rape scene, the female "victim" seems like she could care less about it. There is ample opportunity for the party guests to turn the tables on their attackers, but it takes them forever to do so. It's very annoying to watch, but then there's one of those out-of-left-field endings that's supposed to justify why everyone acts brain dead throughout the entire movie. Sorry but I didn't buy it! I have no clue why this movie has a favorable score and reviews! It's just plain inept! Mostly terrible acting, cringe-worthy dialogue, completely unimaginative directing, almost no plot to speak of and that final twist I mentioned is so contrived and unlikely you'll want to smash the DVD when it's over with. The pluses are the photography is decent, the main theme song is sort of creepy, a couple of the actors were tolerable (namely Christian Borromeo and Lorraine De Selle, the rest of the cast either overacted or acted with all the enthusiasm of a tree stump) and it piles on full nudity and sexual scenes. There is really not much in the way of gore, but a lot of violence or sexually violent scenarios that might make it uncomfortable for some people to watch. I just found is ridiculous and amateurish; too badly made to really be effective or offensive. | -1no label
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] |
This Documentary (Now available free on Video.Google.Com) is a fantastic demonstration of the power of ordinary people to overcome injustice. Everyone must see this. Chavez was elected in a landslide vote in 1998. His platform was to divert the fantastic oil wealth from the 20% middle class to the 80% poor. He banned foreign drift net fishing in Venezuelan waters. He sent 10,000 Cuban doctors to the slums to treat the sick for free. He wiped out illiteracy and set up new free Universities. But it was his 30% tax on oil company profits that got him in trouble with the Bush administration. In 2002, while Irish film makers Kim Bartley and Donnacha O'Briain were interviewing Chavez inside the Presidential Palace about his social programs, a CIA backed coup was launched. With the cameras rolling, Chavez was captured and flown out of the country. It was announced on national TV that he had 'resigned'. But the poor of Venezuela didn't believe the media. They went to the Palace in their millions and demanded that Chavez be returned. In the face of such overwhelming numbers, the military turned on the coup leaders and the plotters fled to the US. Chavez was rescued by military helicopter and returned to jubilation. | 1pos
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] |
People tend to complain about the number of films being made about mentally disabled people. I don't see this as a valid criticism, no more than complaints of too many films about any sort of people. Jaco van Dormael does a wonderful job with the script and direction. Daniel Auteuil and Pascal Duquenne work perfectly together, with Duquenne basically playing himself. The film covers a surprisingly large ground of events, and isn't simply content to go over what was seen in "Rain Man". The ending is rather depressing, but it doesn't ruin the wonderful story that has come before. 7.8 out of 10 | 1pos
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] |
The Mother is one of those films that you know is good, maybe even great, but it is like eating vegetables or doing math homework is to a kid - too much work and a whole lot of pain to get invested in. The story is potentially distasteful in many ways: the death of a character within the first half hour, the December-May romance, the idea of a man cheating on his wife and then cheating on his lover with her mother, the collection of weak and rather unpleasant thirty-something characters, the apparent indifference of the adults to the children in their lives. This movie was made in the 2002 or 2003, but is a throw back to a collection of British (usually made-for-TV) movies from the late 1980's - it has a moral severity that never lets up, which produces an enveloping throbbing angst. The Mother is flawless, but that is in part the problem; if a film dealing with so many sensitive issues has some flaws - inconsistencies of script, some lesser actors - it takes the edge off, but if such a film is so pitch perfect, the experience of watching it is raw and painful. Even the technical qualities - lighting, editing, etc. - make the viewer ache; the London in this movie is bright and open, filled with harsh, cutting light. If you are tough as nails, or are one of those super-sensitive people who likes to torture themselves with gut-wrenching sad movies or novels, then you will enjoy The Mother. Anyone in between, give it a miss, or be prepared to squirm. And be warned: as tough as the movie is from beginning to near-end, the worst is to come. Toward the end of the movie, the mother asks her daughter what she can do to make up for it (for having slept with her boyfriend), and the daughter calmly says that she has thought about it and would like to hit her. The mother agrees to this, they both stand up, and - instead of a well primed slap - the daughter clenches her fist and delivers a boxer's blow. Argh!!! | 1pos
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] |
In Cold Mountain, North Colorado, near to the period of the American Civil War, the Reverend Monroe (Donald Sutherland) arrives in the small town with his daughter, the shy Ada Monroe (Nicole Kidman), due to health reasons. Ada meets the also shy Inman (Jude Law), and they fall in love with each other. With the beginning of the war, Inman becomes a soldier, and his great support to stay alive is the wish to see Ada in Cold Mountain again. Meanwhile, Ada meets Ruby Thewes (Renée Zellweger), a survivor of the war, who helps her in the farm and becomes her best friend. The story alternates present and past situations, disclosing a beautiful romance. I liked this film a lot. Having names such as Philip Seymour Hoffman, Natalie Portman and Giovanni Ribisi in the supporting cast, a magnificent direction of Anthony Minghella and seven indications to the Oscar, this movie does not disappoint. My remark is that there are some very important scenes deleted in the story and presented in the DVD. At least one of them, which show what happens with Sara, her baby and the three dead bodies in her farm, should not be deleted as it was. My vote is nine. Title (Brazil): 'Cold Mountain' | 1pos
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] |
Roger Moore's turn as Rufus Excalibur ffolkes is one of his best performances. He made the film in between Bonds (Moonraker & For Your Eyes Only) and wow - what a film! Anthony Perkins is great as the creepy terrorist Lou Kramer and he is very odd indeed - a great role for him! The whole North Sea idea is cool and I just cannot comment enough on how great this film is. You even get James Mason as a salty British Captain who assists in stopping the hijackers of an oil rig! Great cast - great effects - great everything! I highly recommend this film as it changed my life when I saw it as a boy! And that's why I wanted to work on an oil rig - cuz of ffolkes!!! A++++++++++++++++++++++++ | -1no label
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"Blood and Concrete" is a lame little low budget comedy about a small time hoodlum (Zane) who hooks up with a neurotic babe (Beals) and then learns they have something more in common than mutual admiration...specifically a drug called "Libido". Playing out like something contrived by a bunch of drunken college students, this flick invents wacky characters and then has them pop up as necessary to sustain it as it dogs its way through its meager plot. Although the film does have a few funny moments and a hint of a creative edge, it is a sub-B flick which wears out early on and most will not find it worth the time. | -1no label
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] |
Glossy MGM soaper has many things to recommend it, not the least of which is a surprisingly grounded, natural Lana Turner (looking great, even in ordinary jammies) playing a successful movie actress who, along with a top screenwriter and director, help producer-on-the-skids Kirk Douglas stage a comeback. Not especially revealing about Hollywood, which at this stage wasn't quite ready to unmask itself, but still engaging and intriguing. Douglas is well-cast (he spits out his lines with a terse jaw--nothing new--but he's right for this part and is commendable). Turner is a revelation and deserved at the very least an Oscar nomination for her work. Sharp dialogue and gleaming photography are the other major assets. Gets less attention than something like "All About Eve", but it's actually more entertaining. *** from **** | -1no label
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] |
I've seen bad movies, and I thought I saw the worst in "Air Marshall," and couldn't imagine a movie worse. Boy was I wrong. "Pacific Heights" is totally absurd and frustrating. I stopped this movie after the police paid a visit. I tell you, if this is California law, I never want to move to California. I've watched enough People's Court to know nothing in this movie makes sense. Yes, it was against the law for him to shut off power and heat; that much is true. The officer said, "Whether he has a lease or not, he's still a tenant." Absurd. If there is no lease, he is trespassing. He has a right to change the locks? Who owns the building? The tenant? He doesn't own the place. He's renting the apartment. The landlord has a right to enter the apartment in case of an emergency or to do repairs or any number of reasons since he owns the building. Changing the locks is illegal. Drake has a right to start eviction proceedings. No rent has been paid. Keaton admits there was a problem with the money. Go to Small Claims Court. You don't have to mess with attorneys. There's landlord/tenant court, go through evictions. And the potential tenants' comments about refusing to authorize a credit check is enough to make my skin crawl. "It's not necessary, " he says, "My credit is good." I'd say, "Well, then there's nothing for you to worry about." I've seen enough episodes of "Cops" that you don't know who you'll meet, and I don't think anyone truly believes that no one ever lies. This movie really insults my intelligence. This is the biggest piece of crap I've ever seen. Avoid this movie at all costs. | -1no label
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] |
It was supposed to be a horror, thriller but disappointingly the only horror that occurred was the money I spent for the cinema ticket. The film was so boring with extremely terrible acting, the only good actress was Michelle Rodriguez and the film was watch able because of her but what is the use of having a good actress in a rubbish film? The story is a hundred years old about a few friends on holiday & something is after them. Films like that have been tackled a zillion times in Hollywood, what was the point in turning it into a zillion & one now? The most stupid thing in the film is that every time they kill one dog then two dogs appear out of nowhere maybe there is a Killer Dog factory around the place somewhere. It is not mentioned clearly that why these dogs are killing people without a reason probably because they see whipped cream & a cherry on top above people's heads. My personal advice would be to avoid this film because it will save your money & time. While I was watching it in the cinemas a few people just left the hall half way through the film and they didn't come back! Worth a miss. | -1no label
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] |
I'll have to admit that I'm at a disadvantage here; when I learn more about a film from other reviewers than from watching it myself, then that's a problem. Although the plot of "The Man Who Knew Too Much" seems generally straightforward, the movie allows too many cryptic elements to get in the way of what could have been a satisfying mystery. By the time we get to the scene where a witchy looking woman establishes the secrecy of "the first degree of the seven fold ray", I didn't know whether to laugh or rewind to see if I missed something. In retrospect, the cryptic note retrieved by Mr. Lawrence (Leslie Banks) from the handle of a shaving brush was a craftily written message, leading to a dentist named Barbor, and eventually to the Albert Hall, a place, not a person as indicated by "A. Hall". But for all the intrigue, it's never made clear why the assassination target was being eliminated. Okay, so Louis Bernard was killed because he knew of a plot to assassinate a diplomat named Ropa, but why was Ropa a target? Come to think of it, why was the note even written and secured in the shaving brush? Did Bernard have to refer to it every now and then to remind himself what was going to happen? With it's disjointed scenes, "The Man Who Knew Too Much" is hard to follow and a bit disorienting, however I'll give Alfred Hitchcock credit for this early effort. For perspective, I'll have to watch some of his other work of the same era, though this movie certainly can't hold a candle to his later works like "Psycho" or "North by Northwest". | 0neg
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] |
This episode of "Family Dog" remains about the funniest film I have ever seen. Not only did I thoroughly enjoy it, but so did my whole family. It's now nearly 20 years since it was made, but my two daughters can still recite the entire dialog, and we still "crack-up" when we think about it!!! The expressions on the faces, the antics, the characters, the situations, are truly inspired. I was not aware, although not surprised, that there was a whole series of episodes "spinning-off" from this original, and I wouldn't mind seeing those. Sometimes, however, the follow-ons can be a little disappointing when compared with the original, especially when the original is so brilliant. | -1no label
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] |
This picture is nowhere near as rancid as "Space Mutiny", which will cause psychological damage without the superb MST3K treatment, but "The Apocalypse" can have effects with apocalyptic results on the human psyche. I was actually able to tolerate the entire movie. It's something I would not want to watch again unless I wanted to give myself an excuse to commit suicide. I even actually own the movie on LaserDisc! But, it's a great deal, considering that it was given to me, or would that be a curse? The acting is just terrible, with parts either overdone, or simply bland. The props is what you'd expect from a low budget production, with stuff that looks like it was assembled with packing materials and done in a warehouse, looking worse than a high school production of "The Technicolor Dreamcoat". The video monitor displays were obviously VHS videotape, since one of the special effect for those displays was just simply visual searching back and forth throughout the scenes, with parts of the video sequences showing dropouts, probably because the tape was being worn out through excessive use during production. The music will make you want to plug your ears in pain as it makes the Macarena sound like a masterpiece. The visual effects? What visual effects? I've seen better visuals on a "Three Stooges" skit. It amazes me how the company that was responsible for the production actually had enough money left over to distribute this garbage, even on LaserDisc of all things. A DVD version is also a waste of material. The videotape version would be best, since you probably will be able to celebrate when the VCR decides to eat it. This is a production where the source material deserves to be locked in a vault and left to rot, fade, and be eaten by fungus and mold. - Reinhart | -1no label
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] |
Scare Tactics was entertaining for the first two minutes of each show when Shannen Doherty was on. The rest of the show was purely for people who had brain damage from too much drinking and/or drugs. The kind of nasty stunts and scares that were pulled on the supposedly innocent victims was usually moronic or else just crude. At the end of each show Shannen Doherty would be back for the re-cap. I saw a few shows all the way to the end, but it was hard to believe that anyone who was of normal intelligence could believe the silly situations that were contrived. A couple of times, they pulled some crude stunts like women who were bleeding from private areas or people that had heart attacks. Those "scare tactics" were only believable because they were so crude. Once Stephen Baldwin became the host, the show aimed totally towards the dumb factor. At that point they were raiding Special Ed programs in order to find victims for their pranks. | -1no label
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] |
The movie forever strong will never be nominated for an Oscar, it will never be nominated for best acting, for best motion picture. But this movie does have things that other movies don't. In a nation with so much scandal, so many problems, movies being poured out with little thought to the morals of society, at least this movie promotes good. What is wrong with standing behind something that promotes happiness? We should support movies that tell our American teens that there is more to life than sex drugs and alcohol. As for this Haka debate as previously stated, the Hakka is not exclusive to the New Zealand All Blacks, various Utah high school football teams and colleges perform this ritual before games. Including Hawaii, BYU, etc. | 1pos
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] |
After watching the Winds of War, I looked forward to War and Remembrance. I found the sequel far more depressing and less entertaining than the original. Perhaps that was its intent but it is difficult for the average viewer to sit through so many hours of endless anguish. Not for the faint hearted. That having been said, the acting is excellent and far superior to the original. I could not see the wise cracking Ali McGraw playing the holocaust scenes in the camps. Jane Seymour was superb and it is probably the finest thing she has ever done. John Gielgud demonstrates why he was one of the foremost actors of his century. Mitchum was effective in serious scenes involving war and politics but unconvincing and without passion in his scenes with the very desirable Victoria Tennant. I thought the portrayal of Hitler, as in the original was a characterture and clownish and difficult to take seriously. Hardy Krueger was more realistic as Rommel and a pleasant contrast to all the stereotypical German villains. While I recognize it is difficult to accurately portray military events of WWII in the 1980's, some obvious inaccuracies were evident to any WWII veterans or history buffs. A scene of Roosevelt aboard the cruiser Baltimore was obviously filmed on a battleship. As a former submariner, I found the interior submarine scenes accurate and realistic. However, the exterior scenes showing depth charges repeatedly exploding within feet of the submarine would have been unsurvivable. The final surface engagement between Bryan's submarine and a Japanese destroyer was totally ludicrous. No attempt was made to fire any torpedoes at the approaching destroyer and choosing to exchange broadsides under those circumstances would have been suicidal. The submarine did more damage with one shot from its deck gun than the destroyer was able to do with far more firepower. As the submarine blithely sailed away from the burning destroyer, it strains credulity as it ignores the considerable talent and élan demonstrated by the Japanese navy throughout the war. The death of Bryan's former skipper was an accurate portrayal of an actual incident as was the machine gunning of Japanese survivors which did occur during the war. War and Remembrance might be an informative narrative for a history student unfamiliar with that era, but it is not for the squeamish seeking television entertainment. | -1no label
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] |
An extraordinarily vibrant and engaging Neo-Realist film in truly magnificent color (Ferraniacolor!). Pontecorvo's first feature is an emotionally powerful film, driven by his usual, but earnest political and sociological motivations. Yves Montand's fisherman Squarciù is an obstinate and sometimes inflexible soul, yet the passion of his convictions and his love and concerns for his family, redeem him in the end. LA GRANDE STRADA AZZURRA - THE WIDE BLUE ROAD, is soon to be released on DVD by Milestone Films and Video, thanks especially to Jonathan Demme and Dustin Hoffman who absolutely love this film and helped to finance its restoration for theatrical American release. | -1no label
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] |
Okay, I'll admit that I had a pretty good idea of what to expect before I actually sat down to watch this flick. But this film didn't even pretend to have a plot. It was just sex scene after sex scene, which can get boring pretty fast. Now then, if you are just dying to see soft porn (with no storyline, just the sex), this is certainly a good choice, for it is plastered with wall-to-wall nudity and sexuality. But as for the story...what story? This is a movie that should be watched only with your brain turned off, much like the writers had their brains turned off when they scripted this disaster. | -1no label
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] |
When I went to see this documentary on Communist bloc musicals, I was expecting something totally demented, along the lines of a Communist "Cop Rock." Some scenes did deliver, including a rousing clip from a Soviet film called "Tractor Drivers." You'd think that moviemakers given the task of making ideologically correct musicals that sing, dance and espouse the Party line face insurmountable odds. And yet, one of the surprises of "East Side Story" is that some of the films presented actually looked promising. One was a mid-1950s East German effort called "My Wife Wants to Sing," in which, as the title implies, an unhappy hausfrau seeks to launch a singing career over the objections of her traditionally-minded husband. Another genuinely interesting-looking movie, also from East Germany, was called "Midnight Revue." In this film-within-a-film, the producers spoof their own creative plight with the story of a group of filmmakers under Party orders to make a musical. (The on-screen filmmakers themselves get to do a musical number about avoiding "too hot" subjects very reminiscent in tone of the 1957 movie "Silk Stockings.") The documentary is marred by somewhat insipid narration, but it's still a lot of fun to watch. (Look for the closing dedication to the person who made it all possible.) | 1pos
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] |
A disturbing film, this, climaxing, as it does, with an intensely intimate reunion between a naked man and his young son, but in its confused structure it contains a poetically imagined visual exploration of the innocence of an idealised amnesiac. The plot follows two threads, the weaker of which is the gradual revelation of Graham/Pablo's condition. Wound through this, though, is a beautiful description of his condition, and his meandering path towards a partial awakening, driven by his affair with Irene. The affair is the strong thread, while the specifics of the plot are carried by a seemingly tacked on collection of characters: Graham's best friend, who can reveal the cause of his condition in a clunking flashback, his manipulative boss and his comic book mad scientist psychologist: all of whom have an interest in keeping him lost and dependent. The failure of the film lies in the conflict between the two threads. One is visual, meandering and sublime, while the other is structured like an inept thriller, all expository dialogue and unresolved patterns of symbolism. Nevertheless, I enjoyed Novo. It keeps flirting with the abyss of taboo and shying away into something beautiful, as in the quarry, with the double bassist and the two women, when a setup for a scene of cheap pornography becomes a segment of peace and rejuvenation. I still don't get the tooth, though. Odd, clunky and a narrative failure, but with an almost redeeming beauty. | 0neg
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and that's saying something! Story about some obnoxious teenager (John Stockwell) who finds a little "box" from a flying saucer that creates time/space distortions...or something. Bad beyond belief dialogue, a virtually incomprehensible plot (I assume that's from pre-release cutting...the film is barely 90 minutes), and lazy acting. Some of the special effects are cool (for 1985). I saw it primarily because of John Stockwell. A very handsome man, he was very good in other 80s flicks ("Losin' It", "Top Gun" and especially "Christine") but he's lousy in this. He looks depressed and like he doesn't care. Fisher's wisecracks are a blessing. A total waste of time. ALMOST bad/good. | -1no label
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One of the first films produced (but not directed) by Roger Corman is marginally okay tale of convict (John Ireland, who directed) who escapes from prison and then kidnaps Dorothy Malone and uses her and her sports car as a cover for entry into a race that will get him across the border and to freedom. Its an over ripe tale with lots of footage of race cars and a soapy romance between the two principles. I had always wanted to see the film because a picture of Ireland and Malone that appeared in a biography of Corman that has been on my self for years. Little did I know that the film was, outside of the race footage, little more than exciting than the still. Its not a bad film if you don't pay 100% attention to it, but as background noise, which is what it became, but as something to actually sit and watch from first frame to the last it's a bit of a trial. For Corman complete-ists only. | -1no label
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I loved the original, I watch it every year. but the second is a piece of garbage and it never should have been made. The second could have worked if there was a different location. The son was not an original or didn't even act like one of Eddie's kids. Third was too smart for Eddie which downplayed his father role. None of the other kids where in it. It just could of been a lot better. I don't know why they even tried to make this movie. There was no continuncy from the first movie. I will pretend that this one doesn't even exist. It is sad that the actors didn't even see that they where made fools of. A really bad movie. I just think that i wasted an hour or more on a bad movie and i really love all of the national lampoon films. | 0neg
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What boob at MGM thought it would be a good idea to place the studly Clark Gable in the role of a Salvation Army worker?? Ironically enough, another handsome future star, Cary Grant, also played a Salvation Army guy just two years later in the highly overrated SHE DONE HIM WRONG. I guess in hindsight it's pretty easy to see the folly of these roles, but I still wonder WHO thought that Salvation Army guys are "HOT" and who could look at these dashing men and see them as realistic representations of the parts they played. A long time ago, I used to work for a sister organization of the Salvation Army (the Volunteers of America) and I NEVER saw any studly guys working there (and that includes me, unfortunately). Maybe I should have gotten a job with the Salvation Army instead! So, for the extremely curious, this is a good film to look out for, but for everyone else, it's poor writing, sloppy dialog and annoying moralizing make for a very slow film. | 0neg
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] |
When i saw the preview for this on TV i was thinking, "ok its gonna be a good werewolf movie" but it was not. it was not scary at all! acting was good, plot was horrible, the military bid was just plain stupid. I think the SCI-FI channel could of done better than this piece of crap. The movie made it sound like Arron was going to turn into a werewolf, instead he turned psycho and bit some doctor's throat out. If you have read some of my other reviews on other movies, there all positive, but this one is not simply because the story was terrible. One out of 10 max. Im sure you all were expecting some werewolf flick, but i bet you didn't expect this. Beyond Loch Nes was way better than this movie, heck, any movie thats on the sci-fi channel is better than this movie. | 0neg
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] |
Julia Roberts obviously makes a concerted effort to shake off her cotton wool Pretty Woman persona with this spurious spousal abuse thriller, but it's hard to imagine she'd end up putting in a performance as powerful and convincing (and oscar winning) as she did in Erin Brokovich based on the back of this rubbish. And make no bones about it, it's nothing more than a Julia Roberts vehicle, but unfortunately, her performance is not the most lacklustre thing about it. The plot has all the markings of a late night made-for-cable, and don't be under the impression that it will offer any insight into the dark world of domestic abuse because non of the characters are sketched out enough for you to really care. Ultimately disappointing and unsatisfying, without Roberts' name above the title, I'm sure it would have totally flopped, deservedly. | 0neg
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] |
... So some people might argue that this can't possible be the worst movie ever made, and no it's not. I have seen movies with weaker plots, worse acting and so on. So why do I hate this movie über alles? Well, it's basically about a man, who gets kidnapped for many years, and when he comes out, he tries to find out who did it and why, to get revenge. The problem I have with this movie has nothing to do with gore or horror, but ***MAJOR SPOILERS STOP READING IF YOU DON'T WANT TO KNOW*** our main character basically gets tricked into having sex with his own daughter, and he wants to cut out his own tongue so his enemy won't tell her, because she didn't know. It is so humiliating as he crawls on his knees like a dog in total submission. And why did he deserve this? Because many years ago, he saw a brother and a sister have a tender moment - in the wrong way. He went on and told some people, and as a result she commits suicide. And viola, it's the brother who put our main character through all this just for that. I have wondered: Maybe I hate this movie so much because I think his punishment is way too harsh. Maybe because I feel this movie doesn't condemn incest, but somehow confuses it with love. Maybe it's because I expected something else. ***END OF SPOILERS*** Believe me, nobody deserves what happens to our main character in the end, and I'm very serious; you know how some movies just go under your skin and stay there? Well, I felt goddamn dirty after watching this movie, and I REALLY wish I'd never seen it. It stayed with me for days, and some might ask: well, isn't that the purpose of a good movie? The ability to affect us in such ways? Yes, it can be, but this movie not only made me sick, it made me feel violated. | 0neg
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] |
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