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The Choirboys is flat-out one of my all-time favorite movies!!! I have read the list of reviews here, and the positive ones are more insightful than most of the negative reviews, which consist mainly of "moronic," "insulting," "an outrage," ... blah, blah, blah (or more precisely "wah, wah, wah"). Don't listen to them -- this is an EXCELLENT movie. Mind you, it won't win any academy awards, but the cast is a who's who of Hollywood superstars. But, of course, they weren't stars when this movie was made -- they were really just breaking into the business, for the most part. Heck, James Woods alone is worth the price of admission!! And do keep in mind that this movie was made 30 years ago -- the cinematography and over-all feel is kind of dark, although there are some hilarious scenes! And I do not apologize for any part of this movie -- of all "police comedies" it is by far the most "real," in that I can imagine very easily a department EXACTLY like the one depicted. (In fact, I MISS the days when cops were REAL PEOPLE -- and not a bunch of ex-Marine Drill Instructors akin to Robocops (no offense to The Marines -- but you know what I mean, don't you?). Choir Practice, in the movie, is, of course, the weekly drinking fest where the boys (and girls) blow off steam. And typical of 70's movies, there is more than one story going on at the same time -- and a good deal of time is spent developing the array of characters, all with stories of their own. I like this movie -- and if you like Dirty Harry and think he is AWESOME for KICKING ASS, if you think this world has gotten WAY TO PC for comfort, if you like to party and make no excuses for it -- then you will like this movie, too! | -1no label
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I recently purchassed the very underrated Dreamcast and went off into town to find some games to use them on. I bought Soul Calibur (A classic) and then i stepped across the domain of Resident Evil Code Veronica. I have Resident Evil 1 & 2, and have played Res Evil 3 numerous occasions, and i have been impressed with all of them, especially no.1 which has to go down in history has a classic. But none of them 3 come anywhere near to the dreamcast attempt of Brilliant Gory Gameplay. If its just for the sake of buying a dreamcast for this game it is worth every moment of your time and effort, ive never been so enthralled over a computer game in the way this has enthralled me. Anyway, the story carrys on from the 2nd story in which Claire Redfield searches for her Brother (Chris - from the 1st story), who is presumed missing under the conspiracy of the dreaded umbrella corporation. Little is known about this corporation except the fact that you though you destroyed them 3 times in the previous storys. So aiding Claire, with the assistant of super brat Steve, u must unlock the truth of the real location of your brother. The 2nd CD enables you to control Chris, thats if you manage to get that far without running out of the room in fear. The control are very slick and the movement of the characters are magnificently realistic, when the character notices danger, he/she faces the direction it is coming from. PURE GENIUS!! Overall i gave this game 10/10 because it is simply the game of the year, game of the decade and the best game in the world full stop!!. Please purchase this game as soon as possible. | 1pos
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] |
Drama's and movies are for entertainment primarily I believe. In that sense, this drama is a top ten feature. The acting is superb. The budget for this making is clearly very low yet the (only indoor) scenery is absolutely acceptable. One may feel cramped occasionally due to the strict indoor shots. But the storyline is intriguing and captivated me. Added to that, the Roman empire has a certain magic flair. 'I Claudius' is a single-season-13-episode drama of the rise and fall of many Roman Emperors, according to Claudius' memory. Claudius is the last Roman Emperor but whether this is a victory for this (good) man is debatable. See for yourself to find out. Also, 'I Claudius' is the one and only drama ever broad-casted in every single nation in the world. The bad side is the historical accuracy: almost none. It's missing too many relevant and interesting aspects of the political culture in those days. If the intention of this drama was to educate me then I wouldn't have been very pleased. But education wasn't the purpose of the director at all so no problem as far as I am concerned. I'll give it 9 stars. I motivate it like this: Entertainment Value counts triple. 10 for Entertainment, 5 for accuracy. 10*3 + 5 = 35. 35/4 = 8.75. No eight-three-quarter star exist so I round it up to 9 stars. | -1no label
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] |
The acting made you feel like you were watching a kindergarten play. The story is full of holes and gaps and skips around so you have no idea as to what just happened. Half the scenes are pointless. There is not an inkling of character development. The score/soundtrack consists of about three songs one in particular is played in about 70% of the scenes. I'm glad I only rented the movie yet I still feel cheated. Avoid this movie at all costs unless you want to see some decent actors give horrible performances. It seems like the bulk of the budget was spent on putting a few name brand actors in this less than bad film. This movie is equivalent to visiting a strip club, it tries to get you excited and interested but just as you think something is going to happen your thrown into some unrelated scene and left trying to figure out how you arrived there. | 0neg
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] |
This was just horrible the plot was just OK, but the rest of the was was bad . I mean come on puppet and then they even tried to make the movie digital and that made it even worse! Normally I would like low-budget movie but this was just a waste of time and almost made me want to return the set that it came on. I have about ten low-budget movie set with like 6-8 movies on them and I would have to say this is the worse movie out of all of them. Also the wording is off and they use a fake plastic machetes that doesn't even look like a real one, they could of used one that looked even a little close to a real one so save your time and money and don't watch this horrorible movie. | 0neg
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Mulva is awful. Possibly the worst movie ever made, and not in a good way. The girl on the DVD box is sexy--too bad she ain't in the movie! The girl in the movie is, IMO, a disgusting troll whom no amount of intoxication could make attractive. The whole thing stinks and looks like it cost 50 cents to throw together in a couple hours--the fact that it probably cost more and took longer does a further disservice to the reputation of cast and crew. Filthy McNasty (included on the double-feature DVD) is also pure crap. These no-talent, backyard films from Tempe, SubRosa and EI Cinema are the reason most people hate SOV. Anyone who regards this garbage as anything even remotely entertaining is delusional or being paid off to say so. | -1no label
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] |
Every once in a while, a movie on the video store shelf catches your eye. Not because it looks like it is going to be a quality film, but because it looks like it will be utter trash. This is a film of that type. For an hour and a half, one has to put up with atrocious acting, home video camera quality visuals, lame special effects, and a plot that never really seem to show up. To make the movie worse the viewer has to sit through about ten minutes of previews for action figures and the soundtrack for both this film and another one of equal bad quality. So, if you are looking for a useless cheesy movie about some guy who wants to take the world over with head exploding rap music (no I did not make that up) then rent this movie right away. If not, find something good. | -1no label
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] |
I rented this knowing it was going to Christian propaganda, and that it would offer some fun MST3k style. What I didn't know was just how jaw-droppingly crude and inept the writing would be. Corbin Burnsen must have been way behind on house payments to agree to have done this movie. To go from a star of the highest rated show on TV ("L.A. Law") to this drek was a fall indeed. Even Mr. T seems to be slumming. Neither has to stretch, as the characters they have here are almost identical to Arnie Becker and B.A., respectively. The courtroom procedure in this movie is sillier than in "Ally McBeal," and that's saying a lot. What is particularly amusing is the presentation of the One World Ruler. Whether it's books or films in this gender, he's pretty easy to spot - he's the only character whose name has a pronounced vowel at the end. But the people who take the stuff seriously must be slow on the uptake, so the producers also dress him in sinister suits, give him a decadent haircut, and give an office where he keeps a big picture of himself hanging behind the desk. He's really, *really* evil, get it? Ruling the world must leave one with more slack time than say, running your average restaurant, because he's on ready call to be a witness at the trial of the title. Oh, there are prequels and sequels. Probably with other washed up actors, in addition to actors so obscure even they don't know their own names. I think I'll pass. | -1no label
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] |
I think one of the most disappointing things in this film is the role of John McLaren.It's the same actor(Paul Hubschmid, who is sometimes billed as Paul Christian) from "The Beast from 20,000 Fathoms". For one thing, it's not even his voice in the dubbing! He seems emotionless 95% of the time. Other character development is only so-so.I did get a kick out of all the old machinery. The plot was OK but not original. The movie seemed to just plod along without much in the way of action. The cinematography was very good(from Italy's Mario Bava).I expected much more from this movie but the fact that I only paid $5.00 for it makes it a little better for me to tolerate. I wish this movie was as good as I anticipated. | -1no label
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] |
This is a very difficult movie, and it's almost impossible to get a handle on what's going on. At first it seems to be a rather pedestrian movie about a guy (Trelkovsky) who needs an apartment and rather crassly invites himself into one when the current tenant (a woman) commits suicide. Then the twists and turns start. Are the neighbors trying to kill him? And why are the dead tenant's clothes turning up in the apartment? One wonders, finally, if Trelkovksy _is_ the prior tenant. SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER One of the tricks Polanski pulls on us is to lie to us. We assume when we see things from the point of view of a character that we see things as the character does and that there may be distortions of reality. We assume when the camera is showing us things from its omniscient point of view that we see actuality - but Polanski has the camera lie to us. | 1pos
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] |
First of three Aztec Mummies film is the only one that to the best of my knowledge was never completely dubbed into English. The film was chopped up and used in pieces by people like Jerry Warren in other films (he combined it with another Mexican horror comedy with Lon Chaney to make Face of the Screaming Werewolf. And it showed up in Attack of the Mayan Mummy and elsewhere.) The longest of the three films, a good chunk of this film makes up the two later films which use this as a basis of flash backs. The plot of this film has a scientist conducting a past life regression experiment which causes his subject to travel back and discover hidden chambers in an Aztec pyramid. The group, as well as a sinister figure known as the Bat, hope to use the information to discover hidden treasure. Instead they discover a living mummy who has other plans. Long and long winded this film has way too little action to sustain its 80 minute running time (worse the mummy doesn't even show up until an hour has passed). Probably the least of the three films, its easy to see why this film was cut apart, it's the only way to fashion a non-sleep inducing film. Watching the film late last night I found myself fighting to stay awake. It was a tough haul and I found that I ended up scanning to the point where the mummy showed up. Given the choice I'd take a pass and watch the second two films. | 0neg
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] |
As a nice anecdote to one of the above comments: In was in Mumbai about two weeks before the release of this movie, I was approached -being white- to dub some of the lines of this movie in a recording studio. While I speak German as well, i was kindly asked to do all dubbing scenes in English, otherwise it would be too confusing for the Indian audience... So therefore, all Germans in this movie actually speak English! funny enough i did multiple characters, so if you would want to actually spoil some time by watching the movie again, listen carefully; all non-Indian characters are only done by 4 voices! . . . . | 0neg
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] |
This one is tough to watch -- as an earlier reviewer says. That is amazing considering the terrible films that came out right after WWII -- particularly the "liberation" of Dachau. It is clear that, as of the middle of the war, we knew exactly what was happening to the Jews. The sequence that shows a "transport" is vivid, almost as if based upon an actual newsreel (the Nazis liked to record their atrocities). Knox as the Nazi is brilliant. He charts the course of a Nazi career. That charting is particularly telling when contrasted with the reactions of other Germans, at first laughing at Hitler, then incredulous, and finally helpless. That contrast, however, permits us to believe in the "conversion" of one young Nazi officer to an anti-Nazi stance. That did happen, as witness the several attempts against Hitler, most notably the Staffenberg plot which occurred as this film was coming out. A strong film, effectively using flashbacks, accurately predicting the Nuremburg trails and others that would occur once the war ended. | 1pos
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] |
This is a neat little crime drama which packs a lot into its 65 minute running time. It has all the right ingredients - a mystery corpse, a weary middle-aged cop Corrigan (Walter Kinsella) and his rookie sidekick Tobin (John Miles), a shadowy killer on the loose and even love interest for the Tobin in the shape of a female botanist Mary (Patricia Wright) who helps solve the crime. There's also a terrific shoot-out finale which takes place in a stone cutters yard. Watch out for a terrific goof near the start of this movie where Lt. Corrigan refers to the dead woman as 'Tatooed Tilly' BEFORE the coroner reveals that she had a tattoo (confusing huh?). Also later when Tobin is chasing the killer across the back yards he is suddenly shown going in the wrong direction at one point - no wonder he didn't catch him! | 1pos
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] |
An occasionally surrealistic thriller that will push most people's buttons., the 4th Man is sure to offend anyone with a taste for the politically correct. The story's protagonist is a bisexual alcoholic Catholic writer, Gerard (Krabbe), with a seriously twisted sense of imagination. Verhoeven offers up Gerard has an example of everything wrong with the modern man. He's shiftless, delusional, unable to control his urges, afraid to commit to meaningful relationships, and utterly apathetic about life in general. As the character himself states at one point, he is a professional liar, unable to recall the truth. The movie opens with Gerard dreaming of spiders consuming Christ, and then waking to begin the long march to his own destruction. He chases off one man (a boyfriend presumably), then chases another at a train station. Later, at a lecture, he meets a woman who seems to want to help him, or perhaps she has more nefarious plans.. She quickly captures Gerard in her web, enticing him with sex and money, having plenty of both. She's also got secrets, like three dead husbands. Is she lonely, and genuinely looking for someone to nurture - or is she a deadly black widow, luring Gerard to his death? Will Garard be the 4th man she kills? The woman is Christine (Soutendijk), and Verhoeven does his best to keep you guessing what she's up to. This is an interesting movie, with a lot of sex and intrigue. It's similar to Verhoeven's<em>Basic instinct</em>, but has a lot more depth, and is certainly more shocking. There's a lot of very strong gay content, which may make some viewers squirm. Highly recommended for fans of intelligent psychological thrillers, or anyone looking for something entirely new. | 1pos
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] |
The Unknown is a fabulous film; I didn't like the comments on the main page for this film so I thought I'd write some about this film itself, instead of a biography of Lon and Browning. The Unknown is fresh and horrifying almost 80 years later -- the only audiences who'll be thrown will the the ones who have gotten so used to "realistic" cinema that they don't appreciate a story whose very reason for being contains nothing conclusive. This is only a surface melodrama, for, like Lon's other great triumphs in film, this film presents a story in which the pains and tribulations of Lon's character are only too predictable.... broken by moments of complete shock. It is a story of desperation and a man who believes he is righteous in his vengeance. The scene where Lon's eyes well up with tears of joy in anticipation of seeing Joan Crawford's boyfriend torn to pieces is priceless. As usual, Lon appeals to our best sadistic instincts while also eliciting genuine sympathy for his impossible love. This movie is a dark fairy tale that it is impossible to resist unless you have grown too old in heart to appreciate the dark pools that contain true human magic. edited to add spoilers warning | -1no label
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] |
This film is about a lot of things- I think the primary motif and theme is the male body- the three brothers wear slim fitting, 60's or 70's style suits and accessories, and are often shown in little more than a pair of boxers or light cotton pajamas. They run in slow motion; they place themselves physically close to one another even when they are in conflict; and Jason Schwartzman's love scene with "Rita" is visually PG (no nudity, no obvious humping) - but when he licks his fingers and puts them "somewhere" down below the camera frame, he participates in one of the more sensual sex scenes I have seen. Moreover, the brothers save the three Indian boys from the river and must grasp onto them physically, bodily - this contact is essential. The father of the one dead boy also washes and oils his son's corpse. The film is about heterosexual, intimate, male-male contact- how men can become close to one another physically, emotionally, and spiritually without any suspicions of homosexual undercurrent. This male-male friendship - maybe bro-love? - is the rock upon which the shifting visual sands of the movie comes to rest. Women disrupt, but bring joy - brotherhood is difficult, it is not a choice, but it is somehow far deeper than romantic love. The film is beautiful - pure, sensual, deadpan, intentionally eccentric Wes Anderson - but betraying, as always, an emotional impulse towards the "family romance" - the inimitable love between family members that respect one another. | -1no label
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] |
Cinderella was one of the first movies I ever saw, and to me it is timeless. It is a lovely looking film, with gorgeous animation. My favourite animation scene was the dress scene- I just love those mice. The songs are also lovely, not as good as Snow White's, but they are a delight to sing, and are reminiscent of Tchaikovsky. A dream is a Wish and So this is love? are standouts. The characters are also a delight. Cinderella is idealistic and strong, and the mice provided great comic relief. The stepsisters were also well done, as well as Lucifer. But I loved the stepmother the best, she was really evil, in comparison to a great character in the name of the Fairy Godmother. It is true, the movie drags slightly, with the antics of the mice, but they were genuinely funny, so I don't care. I don't think it is overrated, underrated don't you mean? It rarely plays on television, but the really bad sequel does on Cinemagic on a regular basis. if you want a great Cinderella adaptation, try the wonderful Ever After, or the lavish Slipper and the Rose, which isn't as good. But whatever you do, avoid the sequel, which I have the mistake of owning, because you'll thank me. 9/10. Bethany Cox | 1pos
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] |
I can see little girls enjoying this show, but calling this a family show is ridiculous. I'm amazed how well remembered it is after all these years. It's an extremely unfunny and stupid show about widowed father of three living with his dead wife's brother and his stupid friend from school, and others as the seasons go on. All of the plot lines generally have a really dumb lesson. In the middle of each episode somebody is mad at somebody else and each episode they make up and it ends on a light unfunny joke. As for the actors, I didn't like them either. Bob Saget was painfully unfunny as the dad with the mom responsibilities. Dave Coulier is a one note joke 30 something year old that does cartoon voices and acts like a kid, and he's horrid. John Stamos was the most tolerable character but he was so clichéd it was hard to watch him. The oldest girl, DJ, on the show was a genuinely bad actress and showed no emotion ever. The middle girl Stephanie was too clichéd as the annoying little sister. The youngest girl Michelle showed what bad actresses the Olsen twins were. You can always tell when they are switching them off. The plot lines to too many story lines were so unrealistically stupid it's cringe worthy. This is a "family" show that tried to replace any good substance with cuteness and love, and though those are needed for a show about a family they overdid it way too much. This will be remembered as my least favorite sit-com from the 80's and 90's. My rating: Terrible show. TVG 30 mins. | 0neg
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This is one of the few remakes that actually surpasses the original. Jeff Goldblum plays Seth Brundle, a scientist who created two teleportation pods (or telepods) in his apartment. He then meets a journalist whom he shows his experiment to in action. They end up falling in love and he goes through the teleportation successfully--sort of. Unbeknownst to him, a common house fly got into the machine with him, causing their DNA to get spliced together. He then begins the slow transformation into what he calls 'Brundlefly'. His body parts (ears, fingernails, teeth) begin to fall off as he mutates into a fly creature. David Cronenberg directed this awesome remake with some great, memorable makeup effects. Definitely one of the best remakes ever made. | -1no label
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] |
Tsui Hark's visual artistry is at its peek in this movie. Unfortunately the terrible acting by Ekin Cheng and especially Cecilia Cheung (I felt the urge to strangle her while watching this, it's that bad :) made it difficult to watch at times. This movie is a real breakthrough in the visual department. When I first saw this, my jaw dropped repeatedly and I thought to myself that I've never seen anything remotely like it but this is how it should be done in order to do full justice to the mythical world of Chinese historical kung-fu novels! Without a doubt this is one of the best-looking Chinese historical kung-fu epic ever made. But alas, Tsui Hark hasn't improved much in the writing department, and the story and dialog are rather juvenile (his apparent obsession with the silly and overly-long depiction of the evil guys didn't help either). To make it worse, this movie is very badly cast. They decided to use the "hot" popular Hong Kong idols as lead characters, but unfortunately both Ekin Cheng and especially Cecilia Cheung are totally unsuited for historical kung-fu dramas because they lack the nobility and mystique that such characters are supposed to embody. Adam Cheng Siu-Chow and Brigitte Lin in the 1983 version are infinitely better. I wish that someday Zhang Yi-Mou and Tsui Hark can join forces and produce a movie that has the visual artistry of Tsui but with the maturity and story-telling poetry of Zhang... | 1pos
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] |
While the songs and dance numbers, in general, aren't as strong as many would have them be, the film's storyline and message are still there and ring out loudly above the simple 70s-style musical numbers. Keeping in mind that this film was made after the Hollywood Musical had nearly died out (with few exceptions being rock musicals), the audiences that went to see it new didn't appreciate the fact that it was a brave attempt at something that hadn't been done to date. Audiences that see it today will tend to judge it against the films and musicals of today and, perhaps, the huge all-star casts of musicals gone past. But to do that to this film, or any for that matter, is an injustice to the film itself. There are some good musical moments in the film. The first is that of Bobby Van. Mr. Van took his role of Harry Lovett just after closing a 2 year Tony nominated (for best actor) run of the Broadway revival, "No, No, Nanette." He is a song-and-dance-man from way back and, honestly, the only one in the cast that was truly talented and experienced for musicals. He never misses a step in his "Question Me An Answer" and rightly so ... he was totally at home as Harry. Other pleasant numbers are done by Olivia Hussey when she welcomes the new visitors and while the lyrics are weak, James Shigeta shows his strong voice in the "Family" song, as well as a nicely done staging of the full piece. View the film for what it is ... a fantasy about a place where you never grow old, hidden in the ice and snow covered mountains of Tibet, found by a group of unsuspecting modern-day people wrapped up in the strife of any modern culture. Take this and compare it to reality and you get a film that falls short of a goal. But ... take this film for the message of love and peace and tranquility and brotherly love and you get a warm and refreshing message and a positive one at that. To some this film may seem corny to others a welcomed release from the hectic pace of reality. To the first, try to not judge and just enjoy the message. To the second, you have discovered the secret of Shangri-La! | 1pos
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] |
This is the best version of Gypsy that has been filmed.Bette Midler is simply superb as Mama Rose.She has the voice,the gestures,the look,and most of all,a supreme acting ability to carry the role off and to make her character come alive.Her singing is,simply put:MAGNIFICENT! She especially shines in two numbers-"Everything's Coming Up Roses" and "Rose's Turn". The other actors are also fine,particularly Christine Ebersoll as Tessie.Also good is Peter Riegert;his portrayal of Herbie is acted with great style and believability.The direction of this movie is very,very good.There isn't a false note or gaffe in the entire production.This film is a vast improvement over the Roz Russell version filmed in 1962.Since viewing it again,I can state that the three greatest Mama Roses are:Ethel Merman,Bette Midler,and Angela Lansbury. See this movie.You'll be glad that you did. | 1pos
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] |
This movie is very, very funny. It may not be for everyone, but I loved it. The great thing is the premise: it stars three drag queens whose male identity is never acknowledged, so in effect they are women in the movie. The main character, Evie, is an over-the-hill has-been, who starred in really bad "B" movies, like "Asteroid," and marginal TV show appearances; then there's her roommate who Evie treats as her maid, who longs for a baby but has a sordid past; and finally, there's the ingenue of the bunch, an overweight mid-western wanna-be actress who dreams of being discovered in Schwabb's Drugstore "just like Tina Turner." There are just so many funny lines; there are a few times the movie almost goes too far, but it's just so over the top that you don't really get offended. It's kind of like a John Waters movie, but the toilet humor isn't as gross! | -1no label
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] |
The person who wrote the summary and rave review for this film is either an idiot or an avid fan of shitty movies. From the beginning, this just spoke of cheap-ass ripoff of "The Descent", a far superior film that definitely does NOT start off slow. From the very first moments of "The Cavern", I was amazed at how bad it was, how uninspired and unoriginal it was, how badly written, badly acted and badly directed it was. This is without a doubt one of the worst movies I've ever seen in my life, and that's saying a lot, considering I recently suffered through "Pulse". I can't believe this piece of garbage actually won awards, which just goes to show the quality of marijuana and other illegal drugs is much better in Australia and other countries than in the U.S. The scenes where the group is running from the "creature" are badly directed, especially the retarded "upside-down-camera", intended to show disorientation, but only coming off as a cheap effect which a first-year film student would be suitably berated for by their teacher. Sadly, this "director" will probably go on to make other movies, more than likely of the same low quality as this "film", since I'm sure he hasn't learned from his mistakes, which on this picture were excessive. If I had my way, the entire cast and crew would be sent up the river for life without parole. This film is a crime against humanity. | 0neg
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] |
I thought King Solomon's Mines was beautifully done. My only reservation was Alison Doody. Her acting was superb but her makeup and hair was not of the period, and always seemed to make her look out of place next to the other actors. I thought Patrick Swayze was an excellent choice for Alan Quatermain. It was nice seeing a seasoned, rugged looking actor in this role after sitting through movie after movie with the fair haired, fair skinned actors like Val Kilmer, Brad Pitt, etc. He was an excellent choice and I enjoyed every minute of this movie. This version cannot be compared with the 1950's version with Stewart Grainger. It was a big screen movie and not a made for TV movie. I thought both Quatermains were believable but the two medias have to be kept separated. I am looking forward to seeing this once more, and I hope Patrick Swayze will again look to these type of roles. | 1pos
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] |
I was telling a friend of mine about the time my grandfather actually picked this horrible piece of crap for us to see one night at the theater. He never picked another one again! It was that bad! Anyway, my friend then told me that her father did some of the writing for this garbage. I thought she was kidding. It turns out, she was serious. She had never actually seen it, and she said that it put a quick halt to her father's writing career. I told her not to waste her time. But, if she did actually break down and watch it, she would see within the fist minute why this ended her father's days as a writer. I mean, even for the 1980's, this crap is bad beyond description. I mean, Joe Frazier as Terrible Tucker? And why in the world would two cops care one bit about a house full of ghosts? And the movie poster? A ghost with his tongue hanging out? What is that about? Nothing about this makes any sense. Well, I told my friend that this crap not only ended her father's writing career, it ended the careers of everybody involved. Or, at least none of them ever fully recovered from being in this garbage of a movie. Let's just say that I will forever ridicule my friend for revealing to me that her father was a writer for this movie! That alone should tell just how bad this is! | 0neg
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] |
Let's not fool ourselves, okay? We all know that this film was made because of the success of the "Grumpy Old Men" movies. Unlike those, however, this travesty has zero humor and very little heart. Gloria DeHaven is the sole shining light to be seen. It breaks my heart that she was finally given the chance to show off her skills to a new generation of moviegoers, only to end up in a piece of dreck such as this. There was a touching scene which featured her being stood up by someone she was falling in love with. Her fine performance was the only quality acting going on in "Out To Sea". Everyone else is just going through the motions. 2/10 | 0neg
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] |
Alexander Desplat, the splendid composer of "Birth" starts us off in a such away that I though I was in for a real treat. Then Nicole Kidman, with her astonishingly beautiful, intense, intelligent face. Elegant fades to black, scrumptious cinematography. Then what? As soon as 10 year old boy makes his appearance telling her, them and us who he is, the film stops and dwells on that point without knowing where to go. Round and round and round again. Among the writers of "Birth" is listed the great Jean-Claude Carriere with amazing titles to his credit. I don't believe for a minute that he had anything to do with the appalling structure of this mess. The most frustrating feature of this film is that it promises a memorable journey within the first ten minutes and then ignores it, ignore us it cheated us. I really want to blame someone for this, who shall I call? | -1no label
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] |
Having watched this film strictly on the strength of reviewers' ratings I was most pleasantly surprised. Although clearly low-budget, it bears the signs of clever ingenuity. For example, when Julia wakes in the strange house and looks out the window I found myself thinking that her sense of isolation would be enhanced with an exterior shot focused on her face and then moving backwards to include the house and its isolated location. And lo and behold! the next scene was exactly that last shot of the house standing lonely on the cliff at the water's edge. There are other examples of how a clever director can elevate his film to the level of a very enjoyable thriller. Savvy viewers will surely spot them but should rest assured they will not be disappointed. As to the performances, George Macready is his usual creepy self, barely maintaining his composure while suggesting a capacity for unadulterated violence. Nina Foch was surprisingly good as the no-nonsense working girl who's not about to submit without a fight. But Dame May Witty, oh boy, she even had me doubting my own eyes and believing she could get away with her evil schemes. This a real diamond in the rough and not to be missed. | 1pos
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] |
I don't think Aaja Nachle was meant to be a groundbreaking movie with the coolest screenplay. On a whole its even somewhat uninspired and not entirely original but its a good movie nonetheless. In the context of Bollywood however, it's actually is pretty original. Which was the last big-scale female-fronted Bollywood movie there was? Frankly, I can't think of anything in the past two decades. Nothing from of the large scale, Yash Raj fame. To the critics who think this movie wasn't even worth a watch, I think you've got the point wrong. Well sure it is a bit too polished- a bit too commercial and "safe" but what choice do the producers have? I don't think the Indian film industry is ready for something more experimental and adventurous. There had to be some trade off. Even then, some of that commercialised coat melted with Madhuri's charm. Yes, I think Madhuri played her "magic" well in this movie. She sunk her teeth into the role and exuberanted her charm so well, I think she alone added a lot more colour to the movie. She almost overshadows the second and third lead in the film- Konkona Sen and Kunal Kamar. Both of them played their roles well and did a commendable job at that. To sum it up, I think most critics of this movie expected too much from the comeback of the lady who's been hailed as Bollywood's greatest actress. As it is, she shone brightly in a movie that's decent. Its storyline may be somewhat predictable from the onset but its still an untapped genre in Bollywood. I'd say, sit back, relax, don't think too much and watch it for what its worth. I'd give it 7.5/10 | -1no label
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] |
I love action movies. Die Hard, Lethal Wepon, you name it. I would have said exactly the same thing as the previous reviewer. The shootouts were a joke. Why would anyone take the time away from watching their prisoner to drag dead bodies into a helicopter, destroy it and try to get a helicopter to fly away in? He should have just left in the first place. There must have been 10 million shots fired in this movie. They were all expert marksmen yet no one was ever hit by a bullet. Not only was Eric shooting at the president who was shielding the bad guy, but he flew Tarzan style across the pool with a gun in one hand shooting as he swung. No aim. How dumb..dumb..dumb. The actors seemed embarrassed to be in this movie. They should be. | -1no label
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] |
I believe this to be the worse movie I've seen in a long time! I can't speak for others out there who enjoy low budget movies but I do NOT. If you don't crack up when someone says something totally pointless or if you just don't like worthless humor then you'd do best in staying away from this movie. In this movie you'll see situations when they "want" you to laugh. But you simply won't. You'll only end up getting annoyed. I Rate this move 1 of 10. Awful is the word! Don't waste your time, money or anything at all on this piece of "film". It is not worth it. You'll only get disappointed and angry that you wasted those 2hours on this. Why would you want to waste anything on this movie when there are so many other, MUCH better, movies out there? | -1no label
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] |
I saw this movie at Ohio University. I couldn't believe how horrible it was. It was dreadful. Put it this way: it's no different than watching a bunch of high school boys get drunk and make fart jokes. Not funny, not scary, not good. Waste of time! Don't even bother with this mindless adolescent trash. If you really have a desire to watch high school students act like children, then just go to the mall. It's unbelievable that the producers of this movie didn't realize how horrible this is, unless they were children. This sets a poor example for young boys, and most importantly, it is a slap in the face to filmmakers who actually take their work seriously. For a better satire, go watch Monty Python, Mel Brooks, or David Zucker. "Coons" isn't satire, or parody. It's like being in the center of a really bad party. This is not a movie! | -1no label
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] |
Not a perfect movie, and some of the other critical comments are valid (except for the brainless kiddies who were expecting laser guns and Wookies chasing bad guys). However, after giving it some thought I rated it pretty high. Robin Williams was in many ways the perfect choice for the lead, and did a fine job. I am a big Asimov fan and have always rated the I, ROBOT series as top-grade SF. I haven't read the series in 20 years, but I think this is sticks close to the books, and certainly in general thought and purpose. I believe Isaac would have liked this. Some of the criticism stemmed from condensing so much into slightly over 2 hours. Would it have worked better as a miniseries? Yes, and I wished it could have been done that way; unfortunately the money just isn't there in the multi-part series films so they're seldom done, except when the "owner" (such as Stephen King) has enough clout to insist. Hollywood is a business driven strictly by cost-to-return ratio and almost NEVER by art, except in rare cases where someone with enough money or power can insist -- and the big return is in short crappy films requiring little thought and having lots of action and sex to keep the average viewer (roughly equivalent to a crow or a hamster) interested until the two-hour limit of his attention span. This being said, BICENTENNIAL MAN is the best we can get from Hollywood on a piece like this. Is it a disservice to Asimov's writing? Yes -- but movies always are. I was grateful that it was as good as it was -- which was extremely good -- and not the usual worthless hack job. Keep in mind the limitations of the Hollywood system (and the deteriorated intellectual state of modern filmgoers) and I think you'll agree that this was an exceptionally fine effort. Most people will like this movie a lot. Sci Fi, and especially Asimov fans, will be very pleased at the careful attention to the Master's finest creation. | -1no label
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] |
I just rented the movie and I hadn't heard about it before. It's nice to see some quite realistic yet action-packed shootout. Notice that you can actually see the bullets making holes in walls (you don't even see that in most Hollywood movies since they seem to think bullets will just bounce off brick-walls...). Some quite good acting and a complex yet sense-making plot (if you can't understand it, watch it again or wait until you've finished high-school..). You see a quite capable SWAT-team slowly getting decimated all the while hunting a psychotic killer who seems to be constantly hiring new thugs for support too. Most of the background story unfolds only in the end but it makes sense and the tension generated stays fresh throughout. Good work. | -1no label
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] |
This is a bit of a puzzle for a lot of the artsy Lynch crowd. They tend to try to write this off as some kind of meaningless, crude, side project of Lynch's. Like this is Lynch passing gas between his real pieces of film art. Well it may be a fart, but its one of those intriguing farts that you catch of a whiff of and are embarrassed to admit you enjoy. Dumbland distilled down beyond this is art. What can you do with aspects of modern life but laugh at it. If you took it seriously you would go nuts. You hook into it, smell it, taste it, feel its agonies, its unreasoning stupidities, and then express it in any medium you choose. Thats called art, and art isn't dumb. But it is Dumbland. | 1pos
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i have seen "touch me in the morning" and "trailer town", and this is personally my favorite; it's Andrew's "Amacord"; it's his "Pink Flamingos"... watching it expecting anything at all is not advised. you must dive into this movie blindfolded, and remain blindfolded for 80 minutes. i'm going to jump to my own conclusion and say there's no message, nor a theme one may glean from this film. however, i can say it is honestly unlike anything i've seen. it always takes me a few scenes to re-acclimate to his home video style. but it isn't as if Andrews is trying to make a polished indie - he holds a consistent aesthetic between technique and content, subject and style. he makes you cringe unlike any cringe you've experienced from any other movie (no gore nor sex can top what he achieves). Andrews will obviously never reach "the masses" with this style, and most of those he reaches will dismiss it as "shock for shock's sake". however, he is making movies unlike anyone ever has before; he takes his audience on a no-class induced hallucination through motel room and trailers, unveiling a world utterly no one is accustomed to. now there's something to be said for that. he's taken "verite" to a whole new level, and all the founding fathers of cinema would, after a series of gag reflexes, applaud him enthusiastically (except Orson Welles, cause he lacked a sense of humor....), but that's just one man's opinion. | -1no label
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] |
Wow,I never knew a film could be THIS BAD!!!!!Considering how high of a budget this movie had,it really had no explanation whatsoever for being as bad as it was.The special effects could've been done better by a toddler,the definition of "scary" in this film doesn't even come near the fright factor it needed to,and the ending and twists were completely unprofessional and mediocre.Basically,I felt I lost over half my brain cells when I was through watching this movie.This is the kind of filth that gives "horror",which if it could even fall under that category,a bad name.I wouldn't even recommend this movie for a good laugh at how horrible it is!!!!!Avoid at all costs,I WARN YOU!!!There was nothing special or good about this film AT ALL!!!! | -1no label
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] |
... and that's why I'd recommend you skip it, even if you're an early sound film buff, as I am. Neither the script nor the acting are particularly bad for an early talkie, it's just that everything and everyone in this paint-by-numbers film about the boxing world is so completely conventional and forgettable. Bad films I'd recommend from the early sound era would be "Golden Dawn" or "Lights of New York" because they are so horrid in places that they wind up being fun for the early talkie fan. There are, however, a few interesting facts involving this early talkie film: 1. There is no parade in this film, although a good portion of the action does take place at night. The film was renamed "Night Parade" to capitalize on the success of some other films of the time that had the word "Parade" in the title. 2. Aileen Pringle, who plays Paula Vernoff, the bad girl that tries to lure the boxer down the wrong path, actually had a pretty good range as an actress, although she shows none of that here. She had some good roles in the silent era, but approaching 40, she got increasingly smaller parts as the 1930's wore on. 3. Famed dancer Ann Pennington actually shows up as herself and dances one number. The film is well-preserved enough that we get a good look at her talents and those famous knees of hers. This is a rare thing to have on film. 4. Male lead Hugh Trevor, who plays wayward boxer Bobby Martin, died in 1933 at only the age of 30 due to complications after an appendectomy. This is one thing I notice over and over in these old films - relatively young people dying of infections and car accidents that they most likely would have survived had they lived today. It really puts the passage of time in perspective. 5. Finally, for this to be such an old and a mediocre film it really is in excellent shape. The sound and video are largely unscathed from the passage of time, which is rare for the RKO film library in general. | -1no label
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] |
I love the Satan Pit!!! David Tennant is such a great actor and so is Billie Piper!!! Who else loves Will Thorp to pieces??? He is so cute, isn't he? I hated the bits where he got possessed by the devil and where he got told to "go to hell", as Rose so bluntly put it. Mind you, he was quite funny when he said, "Rose, do us a favour, will you? Shut up!". Mr Jefferson was so brave, wasn't he? Dying to save the others. I felt really sorry for Toby (Will Thorp) when he came out of the possession for the 2nd time because he was so scared. I was like "Oh my god if I was Rose I'd be so scared for him". And when she hugged him I was like "grrrrrr, he's mine! hands off!" but I thought that was really sweet. And the doctor....well, I thought he was gonna say to Ida "tell Rose I love her" but he didn't. Oh well. | 1pos
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] |
15 years ago, Power Rangers was one of the shows that swept the nations, especially that of the youth. When I was a 3-year-old kid living in the Philippines, I would watch this show every Friday on ABS-CBN (Channel 2 over there). When the movie came out in 1995, it was all shock and awe to me when I watched it with my dad and 2 uncles. My grandparents even sent me a "Balikbayan" box full of Power Rangers stuff (including the easy-to-build Megazord figure and the stuffed toys of the Rangers). I even played the video games, and loved only one of them ("MMPR: Fighting Edition"), which was REALLY sad. Anyway, it was the show that set a stepping stone on my interest on robot series (especially anime mech series like "Gundam") Now that I'm 18, I'd like to think this show is pretty cheesy to me now. To prove this, I took a trip down memory lane by buying a 2-set DVD collection with "MMPR: The Movie" and "Turbo: A Power Rangers Movie" and watched both of them. I was like, "Ugh. How awful. Just another junk in the attic for me." For all of you people of my generation, this is NOT a show that you'd want to watch over and over again. I'm not saying to leave it behind for the rest of your life, but occasionally is not a bad thing now, is it? Instead of "Power Rangers", I'd recommend something like "Mobile Fighter G Gundam" (HIGHLY RECOMMENDED), "Ninja Senshi Tobikage" (aka Ninja Robots), or even the ORIGINAL Sentai shows that were the basis of "Power Rangers." | 0neg
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] |
Do a title search on Randolph Scott and TRAIL STREET is the one film missing from the list you've seen. One of 4 films Scott made at RKO during his prime (1947) the others are always easy to get. Liberal, Kansas is just southwest of Dodge City and is a powder-keg about to explode between the trail-riders who drive the longhorns into Trail Street, the town's main street, and the sod-busters who feed our bellies. It'll take a strong man like Bat Masterson to step between the two groups and bring the town to order. More I won't say, except that Scott movies usually have just one pretty girl and this one has three. RANDOLPH SCOTT always played men you could look up to for their sense of honor, courage, level-headedness and willingness to do the right thing. Fifty years ago parents could send their kids to a Scott movie with confidence they'd learn positive values. ROBERT RYAN co-stars in this film, playing a good guy for a change. In real life, RYAN was one of the many WORLD WAR II HEROS who starred in America's movies. How sad what we get these days. George Clooney teaches our young that we ought sympathize with suicide bombers, while Steven Spielberg teaches there is no moral difference between the Olympic athletes murdered in 1972 in Munich and the Palestinian terrorists who killed them. Hollywood 2005 derives their moral compass from too much cocaine and too much commitment to the wacky left. I wonder how all this plays out in Liberal, Kansas. Liberal, after all, was not a dirty word 150 years ago when the city was named. | 1pos
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] |
I wish I could slap every 16 year old in this show with a full sized trout! How could any 16 year old be such a low life bag of slime and better yet how could the parents be so mind numbingly easy going toward them! IT MAKES NO SENSE! Couple of words for Mtv. Take the show off the god damn air! Don't give those 16 year old desperate wannabe celebrities the satisfaction of getting on TV! Actually, no forget what I said. Let it stay on. I would be fine seeing these Paris Hilton clones get bad reputations and better yet, publicity in their High Schools. I hate these god damn 16 year olds on it! They make me (as the title says) SICK! PHYSICALLY SICK! 1/10 | -1no label
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] |
Even the first 10 minutes of this movie were horrific. It's hard to believe that anybody other than John Cusack would have put money into this. With a string of anti-military/anti-war movies already being destroyed at the box office, it's almost inconceivable that a studio of any kind would want itself associated with this script. At first, it may have seemed like some kind of politically motivated derivative of Grosse Point Blank with Akroyd and Cusack(s) all over again. But only about 90 seconds into the movie, it becomes obvious that this is a talentless attempt at DR STRANGELOVE. I liked so many of Cusacks movies that I thought I would risk seeing the DVD of this one. I have to say that I don't know if Cusack is sane enough for me to even watch another feature starring him again unless somebody else can vouch for it. Cusack seems to be so irreparably damaged by his hatred for George Bush and the Iraq war that he is willing to commit career suicide. Tom Cruise was never close to being this far gone. Not even close. | 0neg
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] |
I give this movie 7 out of 10 because the villains were interesting in their roles and the unknown batwoman creates an interesting "guess who" game. The movie, however, needs more Robin in it. He appeared in the movie in the beginning and sporadically throughout the rest. I always thought the new animated series did little justice to the neat new Robin character, let alone Knightwing. This movie just continues that bad tradition. The movie spends too much time on Bruce Wayne and his romance which wouldn't be so bad in one movie if the romance wasn't so unbelievable. It is still a good movie if you are a Batman fan and I would recommend watching it. | 1pos
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] |
I bought the Pet and I really don't think it was remotely worth the money. The acting is not very good (the actors are very stiff and seem to be reading verbatim from cue cards, the quality of filming and cinematography is pretty poor, and the plot literally does not make sense (why do they need to train women to be human animals if they just want someone's kidneys? why would someone hang around people who sell body parts from pets if you have a pet, wouldn't you be just a little concerned about your own pets safety?). After watching the movie, I understand exactly why it wasn't distributed; Blue Velvet was more disturbing in terms of content so I know it wasn't the excessively boring nudity and crawling in the movie that made it untouchable. It was really just the poor quality of the movie itself. Personally I wouldn't have bothered with the movie if I knew all this beforehand, so buyer be warned! | -1no label
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] |
Any good review of this film was done by someone that had a stake in the movie. This waste of time is supposed to be an amusing spoof on low budget zombie movies. The rationale given by the makers of this crap fest was "that's why the make-up is so bad, it's funny!" NO IT'S NOT! It's just plain dumb! The DVD cover said "better than Shaun of the dead." NO IT'S NOT! Not even close! Shaun was a spoof and a well done one. Hide and Creep actually justifies censorship and book burning (in this case,script burning if it had a script). I actually got my money back from Hollywood video for this waste of 4 bucks. I would've enjoyed flushing the money down the toilet more than spending it on Hide and Creep...an utterly talentless, stupid and unfunny imposition on my time. | -1no label
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] |
I caught this film in New York and it left me creeped out. It may not be for everyone, but if you like cinematic films with a Hitchcockian flavor, old Polanski thrillers, Greenaway, or Lynch type of stuff, you'll probably appreciate it. It's not a gore or exploitation film, but takes its time and sucks you in, little by little, into the world of the deranged young tailor. It's more about psychological deterioration, like the feeling you get when you haven't slept for many days and you start seeing things, imagining horrors, or getting paranoid. The final ballroom scene fascinated me with the outrageous dancers and leering old tailors. I would recommend it to anyone interested in bizarre or different films. | -1no label
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] |
This film is remarkable in how unremarkable it is. This is the true story of one woman and one man and their quest for happiness amid the dull, rote life of a housewife and "man of the house". It could be any couple, any family, in any town... but that's what makes the story so moving. It touches each of us in some way and reminds us of someone we know and love, or of ourselves. I laughed, I cried, I couldn't stop thinking about it... and what more could you ask for from a film, really? Especially a documentary. This is an excellent film and one that I highly recommended to anyone who enjoys documentaries, stories about families like yours, stories about love, life, parenting, loss, expectations, soul searching, yearning, wandering through life and finding your way, or not. | 1pos
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] |
A Loretta Young vehicle. She plays Letty, a single mother with an obstreperous son, Mickey (Jackie Kelk). Letty has some sort of job wearing dresses at nightclubsit's a little obscure, but the point is, she gets to look pretty. Mickey gets knocked over by a milk truck driven by dairy magnate Malcolm Trevor (Cary Grant), and Letty, Mickey, and a shady lawyer try to get damages, but somebody's taken film of Mickey running and jumping, so they throw the case out of court and Mickey gets taken away, first by matrons, and then by the soft-hearted Trevor. Mickey rather likes the posh life, and the affection of Trevor and his wife Alyce (Marion Burns). Then the scheming Letty tries to get her son back by fascinating Trevoreasily donebut the noble response of the wife, first in not making a fuss, and then saving Mickey from drowning in the swimming pool, changes her mind. She dumps Trevor, though he's ready to divorce his wife for her, and walks away, teary-eyed. Big unselfish act, probably her first. The movie ends rather abruptly, after Letty's friend remembers some incident or other from the boy's infancy, saying something about how cute he was. Letty gazes tearfully into the middle distance. "Yeah," she says. That's the end. The bad girl goes good. Young does a decent enough job with this melodrama. The kid Kelk is knobby-kneed, big-eared, and a ham. Grant is mostly a stick figureany upright actor would do. Good thing it's only an hour long. | -1no label
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] |
I just don't want to see this WWII settled stories and concept of enemy movies anymore. Filmed a thousand times its just outdated and basically no longer funny or inventive. Even the gags are always the same, sorry. To be fair: in this movie the characters are nice - anyway. Surely it is worth to watch it (maybe just once). It's simple shallow entertainment with mainly war related indicated gags which kids presumably cannot understand. I've no idea whether children will enjoy it, apart from the cute little birds. Technical it is a pleasure thoroughly: well designed lively figures with rims and weakness and some fine flight scenes. | -1no label
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] |
To be totally honest I wasn't expecting much at all going into 9 Souls even after reading heap upon heap of praise plied upon it but to say I was surprised would be a major understatement, in short I was totally blown away. The basic plot is as simple as they come, nine prison inmates ranging from a drug pusher all the way up to multiple murderer's escape from prison and go in search of a secret stash presumed to be forged money hidden by a tenth inmate who cracked and was dragged away by guards shortly before their escape but it's the direction that director Toshiaki Toyoda takes this simple story that is so brilliant and original perfectly blending drama, comedy and violence creating a truly one of kind movie that deserve's to be seen not only fans of Asian cinema but cinema in general. Superbly acted, emotional, funny, violent and at times very surreal this is a movie has it all. | 1pos
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I believe that war films should try to convey the terror of war, avoid idealism and respect some rudimentary military principles. Zvezda barely does the first. Zvezda being a Russian war film, I was expecting patriotism, sentimentality, beautiful poetic pictures, a lush score, Slavic cheekbones and cruel Germans. What I didn't need was the naive love non-affair, the unrealistically silly war scenes and the abuse of the syrupy soundtrack in a film which avoided carefully all historical or political references (Stalinism, Nazism, Holocaust) only to end on a passing but nonetheless insulting to our sense of history endnote about "liberating Poland". A missed opportunity as a film but not as propaganda apparently. | 0neg
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Rififi is a great film that is overlooked. It's a crime drama where a man gets out of jail and plans another job. It's an over used story but this one is different from the others. They round up the usual suspects for the job. This film takes a look at how the family gets torn apart as time goes on. The actual heist scene is one of the best I have ever seen. Instead of a suspenseful soundtrack the director decided to go with silence, around thirty minutes of silence. This fits the mood perfectly and is often copied these days. Of course things get out of hand and people die and it ends in a great ending that builds up in suspense. So if you're looking for a great film noir that not a lot of people talk about this is a great pick up. | 1pos
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What, exactly, makes Petulia such a great movie? Is it the ravishing Julie Christie, who never seemed more appropriately out-of-place? The kismet-touched production, which was somehow at Haight-Ashbury at the right time? Maybe it's the editing, the fractured juxtaposition of images that both disorients and clarifies, making it more than the sum of its parts? The images by Nicholas Roeg, the fluent guidance of Richard Lester? What about the pitch-perfect supporting cast Shirley Knight, Joseph Cotten, Richard Chamberlain (!), even Austin Pendleton, Howard Hesseman, and Rene Aberjonois (the last two mysteriously uncredited on the IMDb)? Certainly, the haunting John Barry theme doesn't hurt. And the great George C. Scott, so far removed from the pyrotechnics of a General Turgidson or Patton, anchors it all with the kind of unshowy performance that most so-called great actors never get around to giving. It's all these, and more. Most of all, for me it's the profound and true sadness it evokes, its humor which does anything but lighten or elevate the spiritual emptiness to which Petulia testifies. 40 years later, few movies have captured the spirit of contemporary life so well. It's terribly pertinent. And yet, Petulia is (like the character herself!) a paradox so very much of its time, as well, that it seems caught between two worlds. Time is rarely this kind to a movie, but this one is anything but a relic, much less an exercise in nostalgia. Life is full of regret, both for things we've done, and things we've not done. The older I get, the more I love Petulia. | -1no label
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] |
...you know the rest. If you want a good zombie movie, DON'T RENT THIS MOVIE. If you want a documentary-esquire look at "hood life" you're at the wrong place as well. If you're looking for a laughable piece of film, this is a real winner! The acting is as flat as a piece of paper. The best example of this is definitely the officer investigating the drive-by. I can tell that he did the voice for the 911 operator as well by the flat tone of his voice. If I could hear a cardboard box talk, it'd probably sound like this guy. Oh yea, and the "zombies" did their best snake impression which is on par with their FANTASTIC acting overall (note sarcasm...HOW DID THIS NOT WIN AN Oscar FOR BEST MAKE-UP) The Quiroz......did not do any sort of directing. I felt like I was watching an improvisational period piece (the period is more like 1990's LA) The direction is however one-uped by the worst script I think to ever grace a movie. I haven't heard such lovely lines, like the epic one word beginning to the movie "F**k!", since Ice Grill which was another "urban" thriller. This only works of course in conjunction with the also-epic hip-hop soundtrack! All 3 or so songs of it! All in all, what the hell did you expect from a movie entitled "Hood of the Living Dead"? I rented this movie with full intention to laugh at its every scene, and boy it delivered and MORE! I would definitely recommend this to anyone who wants to get together with a bunch of guys and laugh at a low budget horror (yea right...) movie for the night. A memorable experience for sure! | 0neg
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] |
I enjoyed Ramin Bahrani's Man Push Cart, and this film is equally good. This slice of life is almost a documentary about how life on the edges is lived. Alejandro Polanco and Isamar Gonzales do an excellent job as a 12-year-old brother and a 16-year-old sister who live in a small room over an auto shop. There are no parents; they are on their own surviving. Ali supplements his income by stealing auto parts, selling bootleg DVDs and selling candy on the subway. Izzie supplements her income working a food truck by selling herself. They are trying to make money to but their own truck. One is tempted to express outrage at the fact that these two children are left to fend on their own, and certainly one can be very upset that Izzie sells her body to willing truckers, but the fact is that this exists today in the world's richest country, not some underdeveloped land. Save the outrage and do something. | 1pos
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] |
I'm NOT a Woody fan, but his comedy about male/female relationships makes you laugh. The subject is just as current in our post-modern, dated-you-yesterday ... dating-someone-else-today world. Too bad there's the eventual bedding of Ms. Keaton which just doesn't ring true. I recommend watching a Bogart film before (or with) this comedy to appreciate Lacy's portrayal of Bogart. He's credible! There's seamless choreography in some scenes involving Woody's imagined interplay with Bogart while "real" characters converse with Woody. My favorite line is "I fought those guys. My face hit his fist and my nose broke his knee." My favorite visual is the Jennifer date that ends with the door closed on him as he talks. | -1no label
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] |
What were they trying to do with this show? It's Canadians talking about the American media. I don't know if anyone realized, but no one in Canada cares about American media, nor do we care for cheap rip-offs of the Daily Show. Elvira just isn't a good host. She had a pretty funny stand up routine, but that certainly isn't qualification for hosting a satirical show. Also, all of her "crew" can barely act, and none of their material is actually funny. They just spew out information, then add something like "Then I went home and drank soda while watching Survivor." It just isn't funny. In fact, it's really sad that this is probably going to be the end of all their careers. Before I end this, I would like to add one thing. The Daily Show is not in a genre. You can't copy it. It is its own show, like Reno 911, and anyone trying to spoof the spoof show will get burned, as proved here. Please god, stop this show and any other show that tries this again. K.T. | -1no label
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] |
Franco films can be divided into 4 categories- the "earlies" (often black and white and inventive), the "naughties" (late 1960s/early 1970s often involving Soledad Miranda), the "nudies" (of various periods, but using full frontal female nudity as plot drive)and "the rest". This is part of the "rest". It is not really a cannibal movie at all. It is certainly no gorefest. The few women in the picture dont even lose their loin cloths and there is little full frontal stuff at all. The picture quality on the German DVD I watched is poor. The film peters out (insofar as it ever catches fire). As a Franco fan, I would tell others not to bother. Do something else with your time...read a book....get a copy of "Women in Cellblock 9"...anything really... | 0neg
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] |
This movie made me very very angry, and not because of what it implies. But because so many people are actually swallowing this hogwash hook line and sinker. How can anyone possibly believe this crap when i would take you 15 minutes and an internet connection to find out that more or less every single claim is simply not true. The people behind this mess simply don't have a clue. They seem to have made no actual research of their own. They have just put together a number of other peoples "research" without even the slightest attempt to even check if the facts are correct. If they had, they would have known that Flight 77 had Rolls Royce engines and the wreckage shown in the film DOES match the engines of Flight 77. Or maybe they do know and are just lying about it. And this is certainly not the only time the film makes false claims about evidence presented on screen. They also fail to mention that not a single structural engineer supports the idea that there were bombs in the buildings. Other things such as the gold under the WTC and the faked phonecalls are just ridiculous and makes me wonder what they were smoking while making this film. And as usual with these stupid conspiracy theories, they fail to present any coherent theory of what really happened, they simply line up a number of lies and imagined anomalies in the official version and claim that this is evidence the government did it. But I wont go into detail about all the errors and lies in this film, other websites that have done that already. The stupid message aside, even the technical aspects are not that impressive, the graphics are pretty ugly, the music dull and even the speaker voice gets pretty annoying after a while. | -1no label
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] |
This is a well made informative film in the vein of PBS Frontline. The problem is, Frontline already did this piece and managed to bring L. Paul Bremer in to tell his side of the story. More troubling is the fact that the director of the film, Charles Ferguson--a former think tank wonk, was a war supporter until the occupation went south. What did he think would happen? The invasion of Poland went really well too until it was messed up by those pesky Nazis.And that is what this film feels like--an apology for occupation rather than a deconstruction of the act of war itself. Ferguson seems to suggest that the war could have been run better--as if any war can be better. | 0neg
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] |
I saw this movie at the Sundance Film Festival, and it move me to tears, not only during the screening, but for days afterwards. The film was deep and beautiful, and I enjoyed every moment of it. This is a poignant piece of a father's struggle to find what love means to him, a search which he completes not through his dog-like love of women, but for his son, a true and more mature love. Anyone who dislikes this film is simply too ignorant to comprehend its scope and depth. I thought it was well written, well directed, well produced, and the acting was top notch. I give it two thumbs way up. | -1no label
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] |
This often maligned movie is a must for fans of Blake Edwards, Julie Andrews, Henry Mancini, or Hollywood musicals. Other writers have commented on the shifts in tone, the confusion of plot, etc., but the film has many things to recommend it. The score is one of Henry Mancini's best (and he has written many wonderful ones), several songs are sung to perfection by Andrews, Julie's performance is nuanced and she is decked out in some beautiful clothes, (she is at her absolutely loveliest here), the on-location shots are breath-taking, and there are some funny Inspector Clouseau-type sight gags to boot. Rock Hudson basically phoned in his performance, but he is passably good. A real curiosity item in that it was the last major film Julie did for about 10 years and, in many ways, is a precursor to Victor/Victoria. It is lovely to look at and listen to. When will it be available on DVD??? When it is, I for one would like both versions--the longer and shorter, director's cut. Since it was lampooned in S.O.B., they would make a great two-pack! | 1pos
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] |
Am not from America, I usually watch this show on AXN channel, I don't know why this respected channel air such sucking program in prime time slot. Creation of Hollywood's Money Bank Jerry Bruckheimer, this time he is spending a big load of cash in the small screen. In each episode a bunch of peoples having two team members travels from on country to another for a great sum of money; where the camera crews shoot their travels. I don't know who the hell gave this stupid idea for the show. It has nothing to watch for, in all episodes we see people ran like beggars, some times shouting, crying, beeping, jerky camera works..huh it's harmful to both eyes and ears. The most disgusting part in the race is the viewers finally knows each of the team members can't enjoy their race/traveling experience. Even though, to add up the ratings the producers came up with the ideas of including Gays in one shows, sucking American reality show. It's nothing to watch for, better switch to another channels. The Amazing Race = The Disgusting Show. | 0neg
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] |
Purchased a DVD with three (3) films and this film was one of them, so I decided to see just what this film was all about. Earle Edgerton,(Tom), Judith Resnick (Laura) and Martin Barlorski (Dan) all made just this film or maybe two after this production. The star of the film was Burt Young,(Gimpy),"Nicky's Game",'05 who is a great character actor and is presently making great films. The background has scenes from Coney Island, Brookly, N.Y. and even Nathan's Hot Dog Stand is shown with Gloria Spivak,(Dumpy Gal) who made only this one picture and faded out from stardom. All I can really say it was a Big Joke to watch, horrible horror film and it made absolutely no sense at all. Oh, I forgot to say if you like lots of Teddy Bears to hug, there are plenty in this picture. | -1no label
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Every time I watch Larry King Live, he rolls out the most softball questions for his guests. He rarely gets any useful information because he doesn't ask the hard questions. This comes from his start on radio. King established himself on the radio and basically has not changed one bit of the format for television except for his talking head being visible. He becomes like a puppy for his guests & the only time he really gets useful information from them is whee they volunteer it or a caller to the show actually asks a hard question. Larry is a nice, fatherly type of interviewer. This means he should not have a prime time show on a major news network if you consider CNN one. I don't because of the history of CNN. Copying (ie. Cable) New Network was started by Ted Turner as an alternative to network news in that it could broadcast news 24/7. When it first started, the only TV competition was from NBC,ABC, & CBS. Because of this, CNN Copied the format of their competition & achieved respectable ratings. This worked fine for CNN until they got competing networks which were innovative & provided better/ fresher news coverage. In response to the heating up of competition, CNN went into denial & panned its competitors who were eating their lunch & ratings because CNN wanted to resist change. This didn't work very long & their ratings began to plummet. Now the Copying News Network is trying to re mold itself by re-inventing itself by copying the leading news network format. Unfortunately, this show represents a big piece of the problem. It is 21 years old & showing it's age very badly. Sorry to say, King needs to be moved out of Prime Time or scrapped altogether. | 0neg
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] |
I was actually rather surprised that this film was as enjoyable as it was. After reading several scathing reviews I was very worried going into this film. Overall I had a good time watching it. Now I should preface this with the fact that I am a huge fan of the Terminator films/franchise. I think that overall the look was amazing, the action and CG were great and the acting was mostly good. I think the film suffered from not enough character development and I think that McG was on the right track, but needed a tighter script and story to work with. You can tell in the film that he is a fan of the first films... I definitely got a kick out of all the throw backs to the films. Not just the obvious ones like the music choices or one liners, but also subtle things like single handed shotgun cocking or single handed pipe blows, or the choice of settings and shots. I have to say that Anton Yelchin as Kyle Reese did a fantastic job. He was probably my biggest worry in the film as Michael Biehn's, Kyle Reese is probably my favorite character in anything ever, so basically he had big shoes to fill. Well I didn't think it possible, but he actually made me love that character even more. So mad props to him. Again I think this was a very valiant effort by McG, he needs to work out a couple kinks for the next films, which I really he gets the green light on. Basically there are a few of loopholes and inconsistencies which could bring you down if you linger too long on them, but if you are able to get past that it is definitely worth watching. But those are in all the films, even the second has some. (I'm not saying it's better than, so don't stone me!) In short I had a lot of fun at Terminator Salvation. | -1no label
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] |
Not the best movie I've ever seen but it's not the ABSOLUTE worst either. If some actual time had been put into developing the plot, working on the foreshadowing instead of dropping obvious things in places they obviously didn't belong in, if some of the ideas had been dropped to develop the better ones, than it could have been so much more. However, doesn't happen. The whole issue of the Governor is really just unnecessary. Sure he is the reason she had an abortion and there is an attempt at saying "she's the one because of it" but that could have been time better spent on the character of Mowatt himself. He's no Hannibal (although they try really hard don't they!) because as horrible as Hannibal Lechter is, you come to care about him a bit. She's no Clarice (again, very uncanny resemblances in the performances) and throwing in some psychic abilities, religious capabilities, doesn't change the fact that it is. I also found myself seeing a bit of Brutal Howell but again, not enough to matter. I didn't even care all that much when the guy dies in the beginning, even though they tell us we should. They don't show us. They don't show us anything except an eclectic mess of ideas and they tell you the important parts. I could see the writer developing his talent and over time doing something great but this one isn't it. That said, I didn't pay to watch it. I caught it late night on a movie channel and it's not so terrible that you wouldn't want to watch it if there wasn't anything else on but it would be a cold day before I'd pay any money to own it. It would insult the real movies in my case... | -1no label
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] |
For the most part this film is populated by some wonderful character actors. Agatha Christie's original storyline is beyond reproach. With building blocks like that to work with it's a wonder that director Alan Birkinshaw wasn't able to deliver something a little closer to the quality that thousands of Agatha Christie fans have come to expect. "Ten Little Indians" failed at nearly every level, from a poor script, to inept blocking and unimaginative camera angles, to cheap dime store sets and props, to trying to sensationalize Christie's wit by replacing it with crude graphic violence. There have been other film adaptations of "Ten Little Indians" all of them head and shoulders above this one. On three prior occasions I've tried to sit through this film but without success. Today, just after having seen "And Then There Were None" (an excellent adaptation of "Ten Little Indians") Birkinshaw's version came on and I determined to sit through it all the way. My reward for that ordeal was to have the right to pan it publicly. | -1no label
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] |
Viewers will find it easy to criticize this low-budget, no-name effort found only on the dusty backshelves of a few video stores. It suffers from the flat dialog, so-so acting, haphazard scripting, and awkward pacing so often found in these Grade-Z productions. And yet there's something about the merger of nightmare and reality in "Night Wars" which gives it an odd, almost haunting quality which softens the edges of all its many faults. Or, putting it another way, considering the vast resources spent on "Pearl Harbor" versus the scant resources spent on this movie, which one is really the more satisfying achievement? Aside from that blurring between waking and dreaming, the most distinctive feature here comes in the form of two torture scenes occurring in Vietnamese POW camps. In the first scene, Cameron Smith has a red-hot metal rod pressed against his bare chest while he's tied between two posts, and in the second, Brian O'Connor -- tied between two trees -- has strips of barb-wire tightened around his naked torso. Unlike many Hollywood movies in which the hero suffers stoically, these two men scream with open-mouthed agony. (You can even count the fillings in Cameron Smith's teeth.) And unlike many Hollywood heroes, these two men don't have perfectly-chiseled physiques. (O'Connor especially shows signs of middle-aged flab.) The result is unnerving because the torture seems to be inflicted on real men rather than movie actors. Top-billed Dan Haggerty has little to do in his part and Steve Horton overdoes the wild-eyed look as the sadistic villain, but Jill Foor invokes suitable sympathy as Brian O'Connor's bewildered wife. As for the two tormented ex-POWs, O'Connor is earnest and almost even appealing and Cameron Smith has the born-to-be-tortured look which is just right for this part. | -1no label
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The French film "Extension Du Domaine De La Lutte" directed by iconoclast film maker Philippe Harel is based on the book of the same name written by a controversial writer Michel Houellebecq.He has also worked on this film's scenario.According to British cinema magazine Sight and Sound,it is also known as "Whatever".This film has been hailed as a breath of fresh air for French cinema due to its not so common theme of sexual politics and its implications on two stupid information technology workers.The film is marred by its much too evident voice over which introduces us to the main character.This makes us viewers feel as if we are watching a book that is bring read. The basic premise of problems related to loneliness due to chronic sexual drought is fine but the film goes out of hand once the hero starts recounting the misery faced by him and his friend.Instead of sticking to its main topic the film veers in other directions leading to its downfall.Beware:some women viewers might find not only the film but even its two heroes as moronic misogynists. | 0neg
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] |
Bad. Bad. Bad. Those three lines sum up this crappy little film that can only attract idiot children and their parents to the cinema. and its... #1 Movie in America! What is this country thinking? Mike Myers looking more like Micheal Jackson. Some Chineese lady that falls asleep within 3 minutes. A lame plot with dirty jokes. It's grotesuque and awful. When Green-Eggs and Ham comes out in 2005 I'll be so happy! (not) Eddie Murphy and Tracy Morgan will probably play two hipsters trying to find the lost Green-Eggs and Ham. They'll try to chase Sam-I-Am and that mean guy who are running away with it. (I hope they don't ruin the classic book.) Don't waste time and money by seeing this. | 0neg
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] |
SPOILERS..........SPOILERS ............... EVERYWHERE. A western as nightmare, peopled by strange characters obsessed with their ancestors, Pursued explores the deep hatred created by family feuds and infidelity. It mixes genres, styles and methods using flashbacks, noir lighting and melo-drama within the Western framework. Mitchum's character is raised from a child by Judith Anderson after a night of murder and mayhem at his shotgun shack, leaving him an orphan. He grows up in a single parent family with a brother and sister but there is no brotherly love and sisterly love becomes lust. He knows he doesn't fit in and that there's a dire secret from his past leading him to paranoia. ***SPOILERS BEGIN***** Mitchum's paranoia is reinforced when his pony is shot out from under him by Dean Jagger, a sinister figure who is the ultimate bad penny. There's a touch of quasi-incest when a deeply disturbed Teresa Wright and an equally deranged Robert Mitchum pledge their love only to have it turned on its head when Mitchum shoots her brother in self defense after he returns from active duty, having lost the toss of a coin, an earlier version of the draft ballot. The plot is thick with devices, tricks and clues. When Wright's love turns to hate she devises a revenge so steeped in wickedness and deceit, it's stomach-turning. Mitchum has done nothing to deserve his run of bad luck and bad treatment. He was orphaned by a vengeful brother-in-law, rejected by his adoptive brother who attempts to kill him, goes willingly to a war he has no interest in, and when he does the unthinkable and kills his brother, his "beloved" rejects him outright with a scathing gesture. It all culminates in a final dreadful scene where Mitchum is prime for a lynching. | -1no label
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] |
overrated, poorly written, badly acted. did the academy even watch this? i guess not. the political content guaranteed it an Oscar nomination -- indo -pak border -- a little boy , terrorism. anything with the word "terrorist" gets attention in this post 9-11 world. its like holocaust movies that are guaranteed an Oscar nomination irrespective of their merits. and please cinematography does not mean shooting landscapes which are pretty in the first place. you have to be a rotten shooter to screw up making the desert pretty. at least this didn't win the Oscar. they got that right at least. would have been a travesty. | 0neg
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] |
I love Japanese movies--having seen at least 100-200. So it's obvious I am not afraid of Japanese films. However, sometimes there are Japanese concepts for film that just don't translate well to Westerners. They might be hits at home, but abroad they just don't seem, well,...normal. It's like the live fish my wife ate on a business meeting or odd PS2 games such as dating simulators or Katamari Damacy--things that are accepted there that confuse non-Japanese. This is probably the way others view things Americans take for granted, such as American football, fried Snicker bars and Paris Hilton! Well the king of strange Japanese films that just don't seem right to Americans might just be ATAMA-YAMA. Now the style of animation isn't the issue--it's different but nice enough. No, it's the story concept itself and the rather bizarre ending. That's what make this a truly unusual film and it goes like this: There was a stingy man who, for no apparent reason, had a tree growing out of his head. It was little at first and he simply cut it away, but again and again it grew back--so he just decided to let it go. And, after a while, people began living on his head under the shade of the tree. Oddly, while they were under the tree, they were tiny but when they left, they were full sized again. Then, after finally getting sick of it all and yanking out the tree, the man drown himself(!?) in the hole in the top of the head where the tree was! The end. See! I told you this was very, very odd--but not in a good way like TAMPOPO or HAPPINESS OF THE KATAKURIS--just odd. O-D-D....odd! And unless you have a very high tolerance for this sort of thing, I doubt if you'll feel bad to know that this Oscar-nominated film did not win. Frankly, that makes me happy, as I really DON'T want this film to spur on such similar films. The only reason it earns a 4 is due to nice, but not spectacular animation. This film made my brain hurt....I hope that isn't a sign that I have a tree! | 0neg
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] |
As Floyd' s probation has expired he's going to leave Hamburg the next day to see the world. So there's only one night left for him to say farewell to his best friends Ricco and Walter. The movie depicts the funny and sad adventures of the trio during that last night involving an argument with some die-hard Elvis fans, the most nerve-racking table-football match in film history and way too much alcohol. The whole thing is so beautiful in a bittersweet way that you wish the film would go on forever. You want to see more about Ricco's family, about the barflies at Horst's and especially about Telsa, the girl next door (who is played incredibly cute and vulnerable by Julia Hummer in her film debut). But if a film is too short it's always a compliment, not a fault. Sebastian Schipper in *his* debut as a director really knew what he was doing, although (or because?) he sometimes doesn't play by the established rules. For example he uses refreshingly little dialogue for a german film and he even lets it go on for a few more minutes after the last words have been said, telling the end just with images. And those images are brilliant since the director of photography was Frank Griebe ("Lola rennt"). IMO the movie gets 9 out of 10. | -1no label
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I remembered this show from when i was a kid. i couldn't remember too much about it, just a few minor things about the characters. for some reason i remembered it being really intense. also it was on really really early in the morning up in PA. I finally, after looking around the web for a long time, found an episode. the first episode no-less. Criminey! This show was so horrible. it was obviously just made to show kids playing lazer tag and having a great time. the show opens with bhodi li telling his mommy "my names not Christopher, I'm bhodi li-PHOTON WARRIOR!!!!!" we then are forced to watch kids playing lazer tag to the song "foot loose". and not just a quick little bit, but the whole song. ahhhhhhhhh my brain hurts just thinking about it. oh yeah, and as if i couldn't get worse, you cant even see the laser beams from their guns. its like they're just running around to the entire "foot loose" song. later on, after bhodi goes up into space or where-ever, they have a crappy laser gun fight to the Phil Collins song "su-su-sudio." ah, trust me, you don't want to know the rest. what can i say......THE LIGHT SHINES!!!!!!!!!!! | 0neg
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Besides the comments on the technical merits of the production, or lack thereof, the acting is absolutely horrible. What is really scary about this movie is that I actually OWN a copy of it, of course, it was in a bargain bin and had been renamed as "Dark Harvest 2", and after having seen it, I can understand why it was in the bargain bin - they should have paid me for taking it out of their inventory. The majority of the movie, if you want to call it that, is spent by a frantic father running around a corn field maze looking for his daughters because he has a premonition that something is going to happen to them. I suspect that the camera that the girls were playing with at the beginning of the film was probably one of the production cameras for this fiasco. In the maze, he runs into the ghost of some children, which are poorly done, and the movie goes horribly south from there. I can see why they renamed this movie, otherwise, they would never have gotten rid of them. Absolutely one of the worst movies I have ever had to sit through, and it wasn't worth the $2 I spent on it. | 0neg
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] |
Adela is a rebellious teenager with the attitude that she is right and everyone else is wrong. She needs to be the center of attention and she'll act stupid to make it so. With her attitude she gets sent to charm school. There she meets the typical characters in today's cinema; the nerd, the clumsy one, the stepford housewife and the sexual minority. Things happen and in the end Adela "learns her lesson" so to speak. The plot tries to carry a deeper meaning to the state Adela is in, but utterly fails to deliver (at least I didn't buy it). So what you are left with is superficial interaction within the same stereotypes you've seen in a million movies before. Plus the director seems to have a breast fixation, Adela flashes her boobies a few times too many, at least I can't see that they are relevant to the story. So the film is OK, but if you are like me and don't like to watch a teenager pissing people off and making a behavioral U-turn in an instant, which I found very unbelievable, think twice before watching. | 0neg
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] |
This is bad movie. There is no denying it as much as I'd like to. Tommy Lee Jones is about as good as he possible can be with the script they gave him, and he had a couple of decent action sequences that felt really out of place due to their acceptable quality. Somewhere along the line someone figured that all of the shortcomings of script could be counteracted if they were to hire every single workhorse actor in the business, unfortunately even truly, deeply talented actors like Goodman, Beatty, Sarsgaard, Gammon, Steenburgen, MacDonald, Pruitt Taylor Vince, and lest we forget Mr. Jones himself can't fix the wooden dialogue, and plot progression that went absolutely nowhere. In fact at one point I looked up, sure that the movie had been running for the past 2 hours only to find that I was 51 minutes into it. Perhaps the most painful point of the movie was the subplot about the ghost confederate soldiers that seem to be of little to no help to the story. Other than slightly detracting from the confusing business at the end with the picture. *if you haven't seen this movie disregard this past statement which may seem tantalizing and know that it is not, you will not understand it any better after having watched the movie. The most interesting thing about this movie may be that it is actually a sequel to the movie "Heaven's Prisoners" starring Alec Baldwin in the same role carried by Tommy Lee Jones in this movie. I may have to watch it now, first to see if it is as bad as In the Electric Mist, and second because I can't seem to (no matter how hard I try) break my man crush on Alec Baldwin. | 0neg
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] |
This movie absolutely deserves a 4. The premise is great any anti American activity results in death. The movie sticks to that for a little while. The major downsides were that Uncle Sam doesn't really appear until forty minutes into the movie, and like an hour in he just starts killing everybody. The best part of the movie was at the end when they fire the cannon at Uncle Sam and you can see the string pulling him back through the house. God that was soo funny. I couldn't stop laughing at that. The acting was kinda bad, but expected. The best character is the blind kid in the wheelchair. Bottom line if u like cheesy movies especially horror see this. | -1no label
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Many of the reviews and comments I have read about this movie say that this is a rather stale film and performance by Clara Bow. Although the story-line was rather typical of Clara's later silents, I still find it somewhat heart-stirring and incredibly fun. Clara plays a happy-go-lucky Hawaiian girl who will stop at nothing to win the man she loves...never mind that this man is married! Clara's lack of modesty was shocking in the day, but I believe it lends to the sweetness and general fun of the movie. Though definitely not a brilliant story-line (quite typical, actually), this movie is a nice showcase of Clara's ability to make the audience laugh. | 1pos
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"Highlander: The Source" is to "Highlander: Endgame" what "Highlander II" is to "Highlander". I really liked "Endgame", I thought it was a good way to continue the story set by the TV Series and Adrian Paul proved a more than worthy successor to Christopher Lambert. However, "The Source", which has been in the vaults of Lionsgate since late 2006 is a bitter disappointment. The first cut of the film has been released on DVD in Russia. I ordered a copy from XploitedCinema.com (a great website, BTW) and watched it last night. Initial fears were realised when it was revealed that the film was set "In The Near Future", which stirred up bad memories of "Highlander II". The premise of the movie and the motivation of the characters is poorly explained and the execution is rushed, which is very disorientating for the viewer. However, I will try to sum up the plot as succinctly as I can. A group of Immortals, led by Methos (Peter Wingfield) are trying to locate and verify the existence of The Source, which is believed to be the origins of the Immortals. Methos is reluctant to involve his former good friend, Duncan MacLeod (Adrian Paul), but is forced to when Duncan encounters The Guardian, the Immortal Anti-Christ, while searching for his ex-wife, Anna, who is somehow drawn to The Source. The Source, good. The Guardian, bad. Got it? Speaking of The Guardian being bad, it's really hard to fear a villain when they talk in a funny voice and act like a complete tool. The Director, Brett Leonard, overuses trendy editing techniques that modern filmmakers are so eager to apply, giving it a "music video" style, essentially making the direction seem trite and cheap. The sad thing is that this film has/had potential. While I'm glad to hear that it is currently being re-edited before a general release, I fear that without some re-filming, which I believe is not happening, certain flaws can never be rectified. Overall, "Highlander: The Source" is a great disappointment, especially to a fan of the Movies and the TV Series. | -1no label
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] |
Abysmal with a capital "A". This has got to be one of, if not THE, unfunniest show on TV right now. I'm about as anti-bush as it gets, but this show doesn't even get a chuckle out of me. What you think of Bush as a president has absolutely NOTHING to do with whether or not you'll like this piece of crap show. The "jokes" are not funny at all. For example, in a scene when lil bush has his underwear on his head: "Welcome to camp al-qa-eeda!". There is NOTHING funny about that. Is it even supposed to be joke? The commercials that were shown in the weeks leading up to the show, hyping it up, were funnier than the show itself, and that's just sad. Hopefully this does not even get considered for a second season. It shouldn't even have had a first. | 0neg
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] |
Whilst far from perfect, this is a very good anthology of horror stories. There is very little gore, but the stories build up a good atmosphere, and the acting is always of at least an acceptable level, and in the cases of Robin Bailey,Jean Anderson and Dora Bryan, it is actually quite excellent. In the middle story involving people moving into a house, I actually felt quite creeped out, something that hasn't happened for years to me. I would love to know the story as to how three short English tales ended up juxtaposed with the wrap around story of thieves stealing the tapes from a store, but whatever, it doesn't detract from the stories themselves. The copy I have seen has washed out colours which somehow added to the bleakness, and this is shot on film it would appear, doesn't look cheap and nasty at all. If you are a fan of brit horror, you must see this it's definitely a bit of a lost gem as far as I'm concerned. | -1no label
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] |
Like Steven Seagal I also am a big Van Damme fan and have followed most of his movies since the start of his acting career. In this flick Van Damme assumes the role of Jack Robideaux whom is a cop that just moved to New Mexico from New Orleans to work as part of the Border Patrol. Haunted by memories of his past, it is up to Jack to put an end to a group of Ex-Navy Seals from smuggling illegal drugs into the U.S. that killed his daughter. Overall I found this film to be very good, Van Damme is in very good shape for 48 years old and can really move. The action scenes are very intense and the movie even throws a couple of plot twists in to keep you guessing. Unfortunately Van Damme does not have the same intensity as he did say 10 years ago, regardless The Shepherd: Border Control is the 3rd straight solid film that Van Damme has made possibly opening the door for a larger project. I definitely recommend this movie to a Van Damme fan or fan of action movies in general; The Shepherd: Border Control is a great movie, not as good as Until Death but better than the Hard Corps. Be sure to give this one a try, you will not be disappointed. | 1pos
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] |
Amazing movie that, in theory, should be boring but is delivered with subtlety and incredible acting that I have long despaired of ever finding. Instead of relying on clichés and overly dramatized moments the plot unfolds through a series of incredibly realistic moments. The lead characters are not perfect, and so relating to them as people you could know is easy. The movie is not trying to pull laughs, or push an ideal onto the audience but simply showing us the possibility of true love in any circumstance. I am now restless waiting for the weekend so I can see the sequel. A moving, thought provoking, funny look at love that I think should be an absolute romantic classic up there with Casablanca and Breakfast at Tiffany's. Will soften even the hardiest heart. | 1pos
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] |
I loved Korean director Ki-duk Kim's The Isle, and this film is just as good. It may not be to everyone's taste as it is a dark film about obsession. Han-ki (Jae-hyeon Jo) is a hood. We never really know how important he is, but he does run a brothel. He becomes obsessed with a beautiful college student, Sun-hwa (Won Seo), who rejects and disses him. He can't rise to her level, so he will bring her down to his. He sets her up and forces her to borrow from a loan shark to get out of trouble. When she can't pay, she is brought into the brothel. He watches her humiliation from behind a two-way mirror. Many weeks/months/years later, after Han-Ki goes to jail, one of his men offers to let her go. She realizes she cannot return to her former life. She stays. The ending took a couple of twists and turns and ended up in a totally unexpected place. Brilliant! | -1no label
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] |
I agree that this film achieved its goals perfectly. I saw it on Showtime late at night as a teenager, and again in college. I thought it was funny. And there are boobs everywhere! It seems like in the late 70s and 80s there were loads of this type of film made, from R-rated films like "Porkys" to soft-core "Au Pair Girls"; it's a shame they seem to have fallen by the wayside in terms of popularity. The thing that made HOTS great was that, like the previous two films, it's a hell of a lot of fun. HOTS is like a girl-power version of "Animal House", with the girls forming a sorority of sorts and engaging in campus bedlam. On a side note, whoever designed the "Hooters" girls outfits must certainly have seen this film. | 1pos
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] |
Daniel Bernhardt stars as Alex Cardo, a thief who learns how to fight after he is sent to prison, seems he is in prison due to him trying to steal a sacred sword, however now trained in the arts of martial, he sets up to redeem himself in the kumite. Donald Gibb shows up to reprise his role, even though he's play a different character. Bloodsport II opens like an Indianna Jones movie with Bernhardt whipping some asses and trying to make off with the sword, however it isn't until the prison sequence where we get the endless training and ponderous Asian philosophy, to then we get the endless stream of fight sequences. These fight sequences are pretty good but due to the lack of any interest in the characters, the fancy footwork is the only saving grace of this exhausted sequel. Still it's an alright movie for martial arts fan though. * * out of 4-(Fair) | -1no label
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] |
What do you want from a Jet Li movie? By the time of Kiss Of The Dragon being released, many of his fans had been vociferous about how his film's were losing realism in the fight scenes. Here, teaming up with Luc Besson & Robert Mark Kamen in the writing room, Li himself set about readdressing the balance for American produced martial artistry. The result is of course a preposterous plot that should duly have been expected, but without doubt for action fans this is a real high kicker that delivers thrill after thrill as Li beats up Paris. The plot simply sees Li as Chinese intelligence agent Liu Siu-jian who is sent to Paris to aid in the apprehension of a Chinese drug lord. Things go belly up when corrupt cops led by Insp. Richard {Tchéky Karyo} wipe out the target and frame Liu Siu-jian for the murder. But he ain't going to take it on the chin. So with the help of prostitute witness Jessica Kamen (Bridget Fonda), he sets about clearing his name whilst perhaps helping Jessica get her life back on track too. Cue the odd couple forming a tender relationship as they shift from one death defying encounter to another. The action on offer here is excellently put together, there's minimal CGI and even less wire work involved. This is stunts and martial artistry produced by a master craftsman. From a unique use of a snooker ball to an exhilarating smack down with a class of martial arts students, and on to a tag team scrap with the blonde twins, this has enough biff and bam to fill the Louvre itself. Li is on fire, not only one of the toughest guys on the planet, but also one of the coolest. While Fonda is hugely touching in a stereotypical role and Karyo continues to be one of the best psycho actors in the new millennium. Flaws and plot holes here? Of course. Does it matter in a buttock kicking action movie? Course not. 7.5/10 | -1no label
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] |
A boring wreck of a film, and a terrible waste of the talents of some usually excellent actors. Where can I start? Poorly shot on digital video, with a nearly nonexistent plot, lousy script, poor directorial choices that include jumpy editing and an annoying, extremely repetitious performance by Norman Reedus, who seems to be more interested in chewing his nails or smoking a cigarette than croaking another line of bad dialogue. More embarrassing is a very strange and unnecessary cameo by Sean Young, who really is going to the bottom of the barrel for a paycheck. I really felt sorry for Kathleen Robertson and Michael T. Weiss, good actors in a terrible movie, they deserve better, I just hope they were paid well at least! I saw this film at a special screening in Hollywood, and most of the cast and crew were in the audience and it received quite a tepid response, I guess they suffered a great deal watching it and didn't have enough energy to fake enthusiasm. I would advise you to avoid this movie, but it's so bad, I don't think anyone will put it out. | -1no label
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] |
For a while it seemed like this show was on 24/7. Then apparently there was a second season or some other kind of continuation of this horrible show about the two most vapid and conceited people who have ever been filmed. All the other comments have captured the essence of these two selfish, haggish, airheads perfectly. Not much less can be said about them besides what everyone else has said. I doubt these two ladies have souls, and more than likely they made some kind of Faustian Bargain in order to get their lizardly snouts on a television series. May the fates protect the human race from any more exposure to the Ghastly Girls! | 0neg
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] |
I've became addicted to Guy Maddin films lately. I'd heard many negative things about "Twilight of the Ice Nymphs", how it had nearly destroyed his career as a filmmaker, but I decided to give it a go anyways, if only because it was available on a DVD with both "The Heart of the World" and "Archangel". I'd love to say this film is underrated, but to be honest I can see why it attracted all the bad hype. Its uncompromising to be sure and often looks terrific, but is overall really boring. Mainly, Maddin's typically droll sense of humor seems to be present, but it doesn't work at all. Where the offbeat lines in "Careful" and "The Saddest Music in the World" were hilarious in how left-field they were, the dialog here is merely off putting. Also, the film's plot is completely impossible to keep track of. Maddin's other films, as bizarre as they are, usually have some kind of linear story. I had no idea what was going on in this one. To add insult to injury, the acting here is pretty dire. Nigel Whitmey (uncredited due to disputes with Maddin) is really wooden in the lead role and doesn't know how to approach the tongue-in-cheek material at all. R.H. Thomson is far too bombastic and over-the-top in his part as well, while Pascale Bussieres and Alice Krige are completely forgettable. The only saving spot of the film is the feud between Shelly Duvall and Frank Gorshin. Their sequences are generally really entertaining and prevented this film from being a complete loss. Even so, its easily the weakest Maddin film I've seen yet. (4/10) | -1no label
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] |
This film is like a dirge. UNTIL it gets to musical numbers which are like MIND F*CK, but gentler, like a mind caress. MIND FOREPLAY. The depressing vibe given from the speed & desperateness of the characters can be pretty Kill-Yourself-Awesome UNTIL you get to the musical numbers. It's a great film. Optimistic. Weird. Manic-depressive(Bipolar). That's it! THIS MOVIE IS BIPOLAR. anyway see it. IT'S A MUSICAL!!! WITH DEPTH!!!! If you like the existential dross like The Stranger, or Waiting for Godot, Then your probably get a real kick out of this one. I had to get the DVD through Amazon.com for like 12$. OH & the songs rock. well they rock but they aren't rock, there like calypso, jazz, Broadway, but by Grace Chung, & I can't find the soundtrack NOWHERE< but i wanna the songs are great, & the dances are so fun. | 1pos
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] |
In a farcical key, Gaudí Afternoons can be taken as a mediocre exercise. Marcia Gay Harden and Judy Davis pivoted a good cast (Juliette Lewis' new-age freaky character has been incredibly taken from reality, I know an American young lady who squawks like her!!) but GA does not show much beyond its overtoned plot. Even though movie-making is all about make believe, there were certain noticeable screenplay inconsistencies. Two samples: you pay 14 euro to enter the chapel where Cassandra and Frankie met, NEVER at 7 am, and you cannot leave a terrace without paying the bill (they'll charge you on the spot if they don't know you) or get off a taxi THAT quickly (you Americans always tip cabbies even though they don't expect to, but the sequences portrayed in the movie were ridiculous). Don't believe me, reader: come over and see for yourself. If you've never been here before you might not care about all this, but good movies should be believable disregarding of your origin. Nobody knows about GA here, and I will make sure that does not change in the future. | 0neg
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Okay, so this was made way back in 1993. Directed loosely by Robert Iscove and written loosely by John Miglis, it's supposed to be based on a true story. Hard to believe anyone could be so stupid and blind to the truth. For certainly it was obvious from the beginning that this dame was after all she could get. Tim Matheson, looking somewhat older than I remember him, played the empty headed man who was looking for romance in his somewhat dull and empty life. Well, it came to him in the likes of Tracy Pollan, a somewhat vacant looking girl with kinky sex as her means of conquering her guys. Come on, phone sex, even in the 90s was old hat. Can't believe someone would fall for that old line. But Mr. Matheson seemed to buy it. And it cost him plenty. The hardest scene to take was when he finally threw the dame out of his apartment, putting all her junk in the hallway (IN FRONT OF HIS APARTMENT) and then had the stupidity not to change the locks. That's when I had enough of this trite movie. It made me want to wish the dame had tried it on me so I could have the satisfaction of telling her to take a hike. I give this chestnut a 1 out of 100. That's how bad I thought it was. I guess you can't blame the actors. But they were awful. Did they actually try to play this with a straight face? | 0neg
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What a dreadful disappointment Bubblegum Crisis turned out to be. The episode I inflicted on myself featured a lacklustre plot about a vengeful motorist in a Batmobile, and I only managed half of it before falling asleep (literally, not figuratively). On the plus side, the animation is superb, I won't contest that. Both the beauty and action scenes are handled with genuine style and panache. And while we're praising, there was a half decent effort to convincingly portray a disturbed individual slipping into insanity. But all that is ruined, utterly and completely by the genre silliness. The whole concept of the "gal group kicking ass" is childish, but it doesn't have to be and childishly handled. What is a simpering bimbo doing in the group? You'd evict her in a second. The essentially juvenile fantasy fulfillment grrl action jarred badly with the pretentions towards serious drama with the Batmobile driver. It was just a big old mess. I'll mention That Film again. Akira showed that you don't have to stick to the genre plot devices or risible charicatures to produce an anime film. I fell in love with Akira (yes, I know, pronounced AHkih'rah, not Ah-KEEra) and found the subtitled version far superior, and I've been waiting ever since for something of equal maturity. Monoke Hime came close, very close, but Bubblegum Crisis is just embarrasing. Avoid, avoid, avoid. | -1no label
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