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the premise of hunting humans is good.the mind and thoughts of a serial killer and whats happens when the serial killer is suddenly threatened and challenged by a second serial killer.the internal dialogue of our star killer is hilarious(in a sick sick way).the plot is pretty original.but the acting,camera work,and sound are a lil high schoolish ,and the end gets corny beyond belief. i knew you knew that i knew that you knew that i knew that you were knowing that i used to know what you forgot to know that you would do that; is the way it starts to play out.id recommend seeing it but not expecting too much.you might enjoy it that way.4 is a honest review..this would be good material for a larger budget re imagining. | -1no label
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When the American movie industry tries to critically look at their own government they make damn sure it looks good even when it's bad. The film does 1 thing right it demonstrates perfectly what is wrong with the American politics. The motto seems to be to f**k with whoever it takes to get things done!!! Mix an American Congressmen, a CIA agent, a Jew and an Arab... just to f**k the Ruskies. Thanks to US for giving us Osama Bin Laden. The disappointment of the film comes in the face of muddling up the issues: using imagery of Afghan children with no arms and the stories of soviet atrocities and then making a blatant attempt to suggest a link between those and the reasoning behind the American help. Every sensible person knows why the $1,000,000,000 was raised... not the dying Afghani children that's for sure. As usual the serious issues are covered into facade of bullshit dialogue. "Here is to you, you M***r F*****s" Hoffmam chants at the end, all that's missing is the American flag in the background and the stupid military solutes. The films can not help but leave the aftertaste of the feeling of American pride and glee on how we (the Americans) have saved the world... once again. Not even the last 5 minutes of the film can save it, where an attempt is being made to stop praising yourself and wake up to the fact that its just another American F**k up. The acting and editing was good though. | 0neg
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] |
I originally saw the film when it came out and only saw it again recently. Scenes from the film have stayed with me and I wasn't disappointed when it ran on TV. John Payne, The Boss, was a good Hollywood portrayal of a crime boss. The bad guys are really bad and the good guys are few. Crooked politics, payoffs, rub-outs, double-crosses, brawls, you name it and it's used. Payne was a popular actor in the 40's but I didn't appreciate him at the time. Based on this film I will try to see some of his others. If you liked Asphalt Jungle you probably would also like The Boss. | -1no label
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] |
Verily, this Ranketh Low and Wretched. Not even fun for gamers - makes the old Mazes & Monsters (an early Tom Hanks made for TV bomb) seem like Lord of the Rings by comparison. Orcs could put on a more enjoyable production. Senseless plot. Confused gamer crashes into a tree after playing a role-playing game. Host of the game loses his job and is harassed by the police and news-media as a direct result. Confused? I sure was. Normally, people driving home late at night and having an accident would not lead authorities to attack the people/friends where the person was driving from unless there were Drugs & Alcohol involved and some sort of witnessed connection. Zero evidence of foul play, folks. Zero evidence of Logic, too. When actual murders begin, police become clueless and merely ask a couple of questions of the already destroyed Game Host. Whatever "action" occurs is just too murky even to make out. It's that badly shot. To sum it all up - Terrible Dialog, Abysmal Line Delivery, Truly HORRIBLE lighting and filming, and Zero Acting ability from all involved. And a hopelessly amateur plot to top it all off. What a complete mess! | -1no label
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] |
1st watched 12/30/2001 - 4 out of 10(Dir-Joseph Kane): Uninspired early John Wayne western portraying him at his early acting stages where he seems to just be doing the lines without putting any feeling into them. This story could have brought out much emotion(Wayne's character's father being murdered and him returning as a lawyer to do in the killer) but it's pretty much kept at bay so that we're presented with a flat and typical gun-shooting contest. Wayne is a handsome young stud here but not much else and the screenplay comes across like it was written on the way over to the set without much patchwork done to it. I'm sure Wayne's tall good looks and smile kept his contract going until he was able to actually do some real acting later in his career so for this I'm grateful(I guess). | -1no label
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OK, let's face it... this movie stinks out loud. HOWEVER, there is one recommendation: You must check out the MYSTERY SCIENCE THEATER 3000 episode that tackles this terrible film!! MST3K thrives on poking fun at the worst movies ever made, the worse they are-the funnier the show is. For those who don't know what MST3K is, it's a TV show that ran in the 90's. It had a simple idea, a mad scientist forces a guy to watch horrible, mind-numbingly bad movies to see which one will make the young man crack. In an effort to keep his sanity, the guy,Joel(and later Mike)is imprisoned on a satellite. So he builds some robots who watch along with him. The three of them completely rip on these movies.The films are shown in their entirety, sometimes along with old shorts and newsreels as well.If you haven't had the pleasure of this show, look it up and treat yourself. TIME WALKER(know as BEING FROM ANOTHER PLANET,for the MST3k episode) is one of their best. | -1no label
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For those that were interested in knowing how exactly humanity came to be encased in big red pods that make me crave pomegranate, there is the duo of the "Second Renaissance" shorts. I'm not exactly sure why they are split into two parts, especially since they're credited as one on the DVD (and are these shorts viewed on any other format but the DVD?), but they're informative even if they have a few gaps. What really makes this first part stand out, from the second part and the rest of the animations as well, is the parallels it shows between robot uprising and civil rights. Graphic homages to slavery, fascism, concentration camps, and mass graves are mixed with verbal references to the Million Man March and humanity's God-complex. In fact, "God" is never really referenced by these shorts, instead replaced by "Man's own image". As far as the shorts go in the collection, "The Second Renaissance: Part I" is by far the most effective in bringing out emotion. It's a sorrowful and disturbing view of the potential of humanity to become "the architect of its own destruction." Some may be turned off by some of the concepts this short rips directly out of previously established science fiction literature, but then again, that's basically what most of the Matrix series has done, and it's been a driving force behind its success. --PolarisDiB | 1pos
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] |
I have to confess I fell into the cynical trap of believing that Australians couldn't make drama unless it meant a lot of crying, and I am an Australian. Sad, isn't it? While this movie does involve crying, its not dramatic crying, its honest emotion shining through. Also, this film is a whodunnit. I knew what the final outcome was going to be when I started watching this, so I tried to guess who it was that was going to do it. I missed by a mile. I was stunned when I found out the director, Murali Thulluri was only around 21 when he made this film. I would love to shake his hand. He knows how to make a movie. I hope he has more coming. All of the characters we meet before the main title credit (about 12 minutes in) is an anti hero. All of them troubled in their own way and all of them as selfish as the next one. Even when they are sympathetic. The saddest scene in the movie, and there are some that are difficult to watch) is the final scene where We're formally introduced to the real main character and we're told of their nephew. That scene made me cry. My faith in Australian drama has been restored. We're masters at comedy, but I was getting bored with comedy. Murali, if you happen to check this out, you touched my soul and for that I can only thank you. | 1pos
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] |
The title of this comment is how I describe Ace Ventura: Pet Detective. Why? It proves that low-brow humor isn't dead, and you don't have to be ashamed of laughing at it. Like "Home Alone," four years earlier it was slammed by the critics,and admired by the fans. Unlike "Home Alone," none of the critics ever changed their minds. When I first saw it, I thought it may have had a few good laughs, but instead, the laughs never stopped. The scene where Ace catches a bullet in his teeth was a bit overblown, but then so was the rest of the movie, and it worked, so I'm not complaining. On the other hand, the sequel wasn't so hot, and the Saturday Morning Cartoon Spin-Off based on this comedy classic suffers from the same problems as most Saturday Morning Cartoons based on successful movies...endless repetition of notable catch-phrases. Every so often, Citadel Press publishes a series of books compiling notable films of each decade. If the publish a "Films of the Nineties" book, they would be foolish to exclude "Ace Ventura: Pet Detective." | -1no label
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] |
The choice to make this SNL skit into a movie was far better thought out than other recent ones. The humor involved in the character is not annoyance humor, and is also character driven enough to be stretched out for an hour or two. Oddly enough the sexual content seemed like it could be avoided, but that may have been because the constraints of live television schooled me to not expect it. I suppose I was thinking more "Leisure Suit Larry" risqué than the producers were... Definitely not a PG-13 movie, which will probably hurt it from ever reaching the heights of its more successful predecessors, but still better premise and writing than its more dismal ones. I liked it, but I doubt it will be a smash hit... (which is sad, as Tim Meadows tends not to do characters that annoy me with quite the frequency other SNL alumni tend to) | 1pos
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] |
OK, I know that my rating is very hard(it deserve a 3/10), but it's just to lower down the global rating, coz this movie deserve a 3/10. When I watched it, I didn't know it was an Araki film and didn't guess till I watched the poster. I don't care if he decided to do a comedy, but this one is so lame, boring and vulgar that I'm shocked.Some people seems to argue about the fact that this film is pro or anti drug, but that's not the point. It's a just a silly comedy and that would be OK for me if it was not so slow and bad directed. It look like the work(?) of a young filmmaker trying to be shocking (but not too much) to be noticed, but it isn't a film from the heart for sure. Few jokes works but that's not enough to make a 90 min film. So I better enjoy "Trainspotting" or such dumb (but fun) comedy as "Hey dude where's my car" or "Harold & Kumar" which at least provides laughs and don't make you fast forward after half an hour.Last thing, the story is more about a stupid girl than a stoner, if someone know where she can find pot with so much effects and that last so long just tell me where.At least be honest and do a real film about drug and not a retarded teen movie, so long Mr Araki! | -1no label
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] |
OK, so the hardest part of watching this is to not assign human emotions to this little wild critters and to get over our human desire to save every creature. After all, they live in the wild and they have their own ways and we need to just let them be and enjoy them. The meerkats are adorable...the funniest little faces and bodies and they way they stand on their hind feet and look around is just a scream, but of course it has purpose. The closeups give me the shivers because I can see the fleas flitting around their little bodies and there for a while one of them had ticks, which are normally group groomed off. Listen, take the time to watch this. Anyone would enjoy it, or they don't have a heart. The meerkats are adorable and lovable, except for the fleas. | -1no label
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] |
I still love this movie! I remember falling in love with Rex (I was 13!) and thinking that he was it for me!! I had the biggest crush on him for years! I guess deep down in, I still do! He's still sexy. I bought the movie just a couple of years ago, and now from time to time, watch it and fall in love again!! He has been in a few different shows, even a soap opera, but nothing he has done will match what he did for me in Sooner or Later! I can't imagine the 13-year old girls of today not watching this movie, and not feeling like I did when I saw it for the first time. I know that when you watch it several things are definitely 70's, but still..he's Rex and he's eternally hot! | -1no label
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] |
"They Drive By Night" is difficult to find (as are many pre World War II British titles) but well worth the effort. What starts out as a standard crime drama takes a startling turn into horror in the final reel. Ernest Thesiger (best known as Dr.Pretorius in 1935's "Bride of Frankenstein") adds the most interesting element to the film and to share any more would ruin the fun. Emlyn Williams as ex-con Shorty Matthews carries the film. Pity this poor fellow...he has the worst luck in the world. Upon release from prison, his intention is to return to the arms of his girlfriend. Unfortunately, someone has murdered her that very day. Naturally, police think he is the killer. Shorty takes to the road, hitchhiking rides with truck drivers, hoping to stay free long enough for the police to find the real killer. One of the uncredited stars of this film has to be rain! The constant pouring rain accentuates Shorty's troubles as he tries to clear his name and (excuse the pun) adds buckets of atmosphere to the movie. Don't confuse the British "They Drive by Night" with the later US version starring Humphrey Bogart. The only thing they have in common is the presence of truck drivers. | -1no label
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When I first watched this movie, I felt like it is just one of those movies that I would give a 6 score. But I found myself watching this movie again and again. As conversations or question of immortality arises, I found myself quoting or referencing the movie. Because the movie is so watchable after so many viewings, I think this is a classic movie. It is about two woman trying to steal a man and fighting over their differences and jealousy. These woman wants to pursue immortality while another man wants to choose mortality and live a full life. It is the question of superficiality and immortality that struck me deep. The other issue is the desire to find that fountain of youth at the same time. The issues are as old as time. How do you feel when someone comes to you and say "You are old!". That was one of the phrases when a young man complains to Meryl Streep. These are some of the things you will ponder. Bruce Willis really surprise me this one as he no longer plays the tough man image. While Goldie Hawn and Meryl Streep play great opposite roles as the two jealous fighting women who fight over differences and yet have to live together inspite of it. Yes, I have people I really detest and must live with them. Therefore, a lot of issues in this movie really hits me deep. | -1no label
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] |
Wow! Only a movie this ludicrously awful could inspire the similar "Showgirls." I mean where to begin? The indescibably horrid theme song? Pia Zadora's non-expressions throughout the movie? The fact that despite being set in Los Angeles, aka "land of the casting couch" EVERY single man (and woman!) is fawning all over themselves to sleep with Pia Zadora, by any contrived means necessary? Or what about the fact that every person in the movie is totally unsympathetic because they're either mind-numbingly stupid (Pia) or obvious despicable sleazeball (everyone else)? And given that this flick was written by actual "screenwriters (sorta), it shows a shocking lack of understanding of the movie-making industry (who the Hell would admire and kiss up to a SCREENWRITER?) But it's (unintentionally) funny as hell though. The "breakdown" scene alone will have you giggling, and after seeing the climatic "I'm not the only one who had to **** her way to the top" scene at the "Awards" (all done in the usual bargain-basement acting level we expect from such quality thespians as Pia), I sincerely hope that our dear Pia actually reused that speech when she "won" her Golden Globe. It's fitting and that would totally make my day. Anyway, if you're a fan of bad, tashy camp, give this otherwise tacky movie a try. | 0neg
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] |
I thought this movie was fun to watch while at the same time provided plenty of healthy messages for kids/teens without overloading them or taking away from the movie. If you are looking for the best acting you have ever seen and a serious drama, this may not be your movie. But, if you are looking for an entertaining film, based on a true story with plenty of sound messages and great role models for your children; then this is the movie for you. The characters are believable as well as likable and you find yourself rooting for them throughout the movie. Double Teamed shows that with hard work, a sound family support system and belief in yourself and others it is possible to accomplish your dreams whatever they may be. | -1no label
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It's just stories, some we wish happen to us, some we wish never happen to us, all about unfulfilled desire. The locations and nude bodies are beautiful, but after the second story all I could think was 'it takes more than just beauty to create a real film'. Then of course the film unfolds. The stories are moving except Sophie Marceau fails to communicate her story in this film. Malkovich plays the story for both of them though. The voiceover fails to link the stories but helps Malkovich to provoke some thought. I'd say it is worth seeing and the best of Antonioni I have seen. Given his age - remarkable! | 1pos
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] |
... or should it be 'Thelma and Lewis'?!? Basically this movie is mindless fun - something that may have you chuckling once or twice and rolling your eyes a few times, as well.... Nobody is on their best behavior in this light and slightly campy film. You've all read the plot summary - Rich brat kidnaps herself but gets more than she bargained for when her car is stolen from the garage and romance ensues. The cast is very good in all their places.... Silverstone plays a spoiled rich brat that wants desperately - DESPERATELY - for her father's love and attention. But daddy is too busy with his business life and dealings - some of which are not on the most 'up and up'... While he's no Mafia Don, it's hinted that he's not the cleanest business man in the world.... Walken is daddy's 'enforcer', who seems to help in some of the shadier deals that daddy makes. But, Walken has a decent relationship with Silverstone, and seems to be more fatherly in his relations with her... Del Toro plays a high end car thief who steals beautiful machines on order.... You want a Ferarri? OK, we'll get you a Ferarri...! Del Toro is a bit annoying with his slow dialect and dumb founded look. Harry Connick Jr. plays Del Toro's 'agent' in the car rip off ring. He does a great job in this role, that I think is one of his first. Overall, the movie is fun.... sure, it's not the greatest comedy (romantic or otherwise) on the face of the planet, but it's decent fare - a decent way to burn a few hours.... If you're a Sliverstone fan, you'll probably like this one.... If you're a Del Toro fan - well, he's just himself - with a bad speech pattern. Walken is his typical bad guy self, and shines. Overall, I'd give it a B.... | -1no label
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] |
This movie and its subsequent TV series followup has become the iconic stand-in for what is great about America. Fame is famous for its music and performances. There are several standouts including Irene Cara, Paul McCrae, Anne Meara*, and the superb Gene Anthony Ray. The latter who plays a walk-on dancer with no academic or other than "street" credentials is an amazing personality and is worth watching for what is essentially a portrayal of himself. A wonderment to behold, as one king was apt to say. The plot follows an interesting format - chronological at times, genre at other times, personalities in some cases ... but, it all really ends in a kind of mush. Where Parker succeeds is in pushing this movie into periodic overdrive - with the extremely poignant and sometimes beautiful and outright campy music score that matches the performers step for step. The climax of the film is a climax for all times. And this climatic complete cast of many many talented musicians and dancers and music is thankfully repeated throughout the credits. These are one set of credits that are well worth sitting through ... an achievement for the ages. The music by Christopher Gore is a gift to behold. | 1pos
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] |
I readily admit that I watch a lot of really bad movies. But there are very few that I can think of that are quite as bad as When Women Had Tails. It's a stinker of epic proportions. What should have been a sexy comedy about a group of cavemen discovering a woman for the first time is instead a dull, lifeless affair without a single laugh to be had. The comedy is extremely weak. I suppose if you think bashing someone in the head is funny, you might find a laugh or two. The guys in this movie make the Three Stooges look like high art. And there's just not enough of a plot to hold the thing together. It seems to drag on and on and on. Well, you may be asking yourself, "If it's as bad as you say, why haven't you rated it lower than a 3/10?" Good question! And I've got two answers. First, the movie is not without its curiosity value. I do find a bit of interest in an Italian spoof of movies like One Million Years B.C. with Raquel Welch. I'll give When Women Had Tails a point for its historic "value". The other two points are for the mere presence of Senta Berger. I know it's not much of an explanation or reasoning for a rating, but what are you going to do? It's the best I can come up with. | 0neg
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] |
The second of the Why We Fight Series concentrates on Hitler's grab of the Sudetanland and beyond as he makes a chump out of Neville Chamberlain and embarks on his conquest of Europe. Clearly meant as propaganda in its day this series over the test of time has become an informative documentary as well with most of the "Allied bias" turning out to be historical fact. The Fuhrer hoists himself on his own petard with smug pronouncements before his people and the world as he says one thing and does another as his army moves East. The Czechs and Austrians quickly capitulate but the Poles put up an heroic struggle against overwhelming odds. The disparity between Hitler's military might and Chamberlain waving the Munich treaty like a white flag, declaring "Peace in our time" to this day has durable propaganda qualities. Here in its original context it resonates even more powerfully as the darkness of World War ll sets in on Europe leaving the American viewer with two options, freedom or slavery. In 1943 there was no evading this simple truth and The Nazis Strike makes its point effectively. | 1pos
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] |
Futurama is one of my all time favorite cartoon series. Never gets old. This show is so smart and funny. Why FOX ever canceled this show is beyond me. Instead they have crappy programs like that lie detector game show and other lame junk. Adult Swim was dumb for no longer having Futurama in its nightly line up. It is the only reason I watched it. As far as it being on Comedy Central, at least it is still on the air. As much as I love The Simpsons I can actually say I like Futurama more. Looking at all the nominations and wins the series received while on the air with FOX just proves how dumb FOX was to cancel the show. WHAT WERE THEY THINKING? They brought back Family Guy. Why doesn't FOX and Matt Groening bring back Futurama? | -1no label
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] |
Jo bole so nihaal is a movie full of Punjabi (Indian) culture! Though I must admit, Punjabi's aren't as dumbed down as shown in this movie (I myself am one :-) A cop looking out for a bad-guy who's framed him, Sunny Deol (Nihaal Singh) goes all guns to get 'Romeo' the villain. In fact, he goes across the globe to the US, and does things 'his way' there! The plot contains too many loopholes to worry about it, and the humour - though funny at times - is not well executed. To be fair, if you like irrational action, then this movie is for you. There's loads of beating people up, god-like heroism, and a little excess of patriotism & religious fervor. I'd suggest going out for a nice dinner date, rather than spending on this flick -- unless you know you have the appetite for it! | -1no label
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] |
This has to be one of the best series ever released in North America! I used to love watching this series when I was in about Grade 3. It came out right on the heels of the original 'Star Wars' which I was addicted to, and this one hooked me. The 5 G-Force members are supervised by Intergalactic Federation Security Chief Anderson, and directed by 7-Zark-7, a robot who inhabits an underwater defense center appropriately called 'Center Neptune'. Their ship, the Phoenix, is based here. They routinely find themselves up against invading forces from an alien world called Spectra, which wants to enslave Earth & other Federation planets. Spectra is ruled by a dark figure named Zoltar and his boss, the Great Spirit. These two are somewhat similar to the central villains in the first Star Wars trilogy - Darth Vader and Emperor Palpatine, although it is doubtful that either of these legendary movie villains would have tolerated the many failures that Zoltar endured. The Spectran leadership is constantly attacking various Earth resources that they plan to steal, as well as to force Earth into submission. This is usually done in the form of huge death machines in the shape of animals or birds ('Panic of the Peacock', 'Beast with a Sweet Tooth', 'Attack of the Alien Wasp'), but sometimes G-Force found themselves up against pirates ('Ace from Outer Space') or mercenaries ('A Swarm of Robot Ants') though Spectra was usually involved in some way. The only annoying thing I can honestly say about the series was that G-Force constantly emerged victorious. Although on several occasions their ship was damaged ('Raid on Riga', 'Giant from Planet Zyr'), or in one case, completely destroyed ('Raid of the Space Octopus'), they consistently sent the Spectrans back in defeat. A little variety might have made the series more interesting though it's easy to understand why the writers made it this way. It was, after all, intended for the younger set. This entire series needs to be released on DVD. It can't come soon enough! | -1no label
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] |
Quite a production from the director telling the story of The Qin Emperor's ambitious plan to unite all kingdoms of China. Some great characters, sets, costumes and scenes. However, I was not blown away by the film in terms of the actors ability (which was good I enjoyed the Marquis the most) or its look (although the massing of troops was extremely impressive, if it was real man that is a lot of extras!). I have seen Li Gong in other movies and she is always great. Good period piece I think, but not one to judge the true historical accuracy of it. Good film and found the 2 1/2 + hours not a problem. Rating 7 out of 10. | 1pos
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] |
Unrelieved stuffiness, written by Julian Mitchell from his play, chronicling the true-life account of homosexual prep-school lad Guy Bennett in 1930s London who later became a spy for the Russians. Director Marek Kanievska chooses to sequence the film colorlessly in flashback, with aloof Rupert Everett posturing and pursing his modulated lips in continual pensiveness (he has one expression to express every emotion). The British play was very popular, for reasons which are not evident here. The burnished cinematography by Peter Biziou and fine supporting performances from Colin Firth (in his debut) and Cary Elwes do help, yet I found this picture extremely cold and rather indifferently-made. * from **** | -1no label
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] |
"Unfairly maligned" "A hit" A gem" Who writes this stuff? This film was a real waste unless you are a punk rock fan. It is notable because it was the film that ignited the whole "video nastie" brouhaha in Britain. It was initially banned in Britain and Germany and then released with cuts in 1999 and re-released uncut in 2002. It is now in the public domain so you can see it for free. Don't bother. The actual horror portion doesn't some until 40 minutes into the film. 40 minutes of punk rock to see someone use a drill to kill some homeless guy. He only picks on homeless guys. Why in the world didn't he go after that punk rock band that was keeping him up all night? The only thing worthwhile in the entire film was Carol (Carolyn Marz) and Pamela (Baybi Day) having fun in the shower. Too bad I have two more Abel Ferrara movies in my queue. | -1no label
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] |
I agree and disagree with all 9 reviews (to this point) on this flick to differing extents. This was by no means a classic movie. It barely would be considered a good movie. But I did watch it and I don't regret my decision to do so. Possible spoiler.... The crazy twist ending does leave a little to be desired. A mental patient who 'died' and a weird mental patient outwitting the crazy rapist doctor? I know you have to be crazy to rape your patients, but the nutty patients outwitting the doctor? I had issues believing that. For the record, I liked the post credits little ending. | -1no label
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] |
OK, don't get me wrong here, this is an awful movie. Awful story. Awful acting. Yet AWFULLY entertaining! Yeah? See what I did there? It's aliens, sharks, a thermos full of orange goo and Parker Lewis. How can you lose on this one? I don't know what it was about this movie, but, for as awful as it was, it was strangely entertaining. It made zero sense, but was fun to watch. Think SciFi Channel on a Saturday afternoon. It's that kind of entertaining. Keep in mind before watching it though, that it's going to suck. If you can shut your brain off for a minute and enjoy the (repeating) bits of stock footage, you might just get a few (unintentional) laughs out of it. | -1no label
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] |
One of the least funny "comedies" I've ever seen. I can't believe the IMDb rating for this is so close to that of the original "Captain Kidd" (1945). I like Charles Laughton but this is just beneath him. If you want to see him in a truly funny, witty comedy, check out "Ruggles Of Red Gap" (1935). Fran Warren's singing is just about the only highlight here. I was quite annoyed when one of her songs was interrupted for more stupid gags. Her romantic subplot and "characterization" (haha) is practically non-existent, but at least her musical numbers (as forgettable as the songs are) provide a respite from the rest of the idiocy. I'm not big on Abbott and Costello, but I assume this is near the end of their career, and they've done better work? They'd never be so famous if "Meet Captain Kidd" was typical for them, right? Recommended if you enjoy obvious physical "humour", childish slapstick, lame running gags (more like, tired limping gags), just plain bad writing, amateurish directing/editing, and what seems like a constant background noise of pirates yelling along with a clunky musical score which seems to desperately implore, "laugh here! please? are we having fun yet?" I almost feel sorry for this movie. But I feel sorrier for myself and anyone else who tries to get through it. I've read that Warner's done some grand restoration which they're planning to release on DVD. Although I normally hate to see films deteriorate like this one has, not taken care of over the years ...this is SUCH a bad movie, I can't help feeling it's not worth the time and expense! So many better movies deserve rescuing more than this piece of crap. But I suppose A&C are bankable names and even their weakest (to put it kindly) stuff will sell... which is all Warner Bros. cares about. I hope my review encourages some people to save their money. Arrggh, mateys! Hide your loot from those cutthroats who would rob you! And remember, my "clever" pirate reference just now, is more hilarious than all the jokes in "Meet Captain Kidd", put together. Yes, it's THAT BAD. | -1no label
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] |
I watched this movie and totally enjoyed the premise. I have not seen to many movies about pregnant women fighting off the would be baby snatcher. But I was left hanging at the end. No way she could have survived this onslaught to her body without immediate medical help. So flash to what is happening between her and the old guy in car. He picks her up and the story is told to him. He advises her and gives her some guidance as to rationale of both sides involved etc. We never know who he is or where he is taking her. Could the reality of the film be that he is a spiritual envoy taking her soul somewhere because she in actuality died? This is just a thought because otherwise how the heck did she get out of that situation alive. I really deplore movies that have no ending explanation. | -1no label
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] |
A notorious big budget flop when released. This Robert Altman inspired comedy has some terrific moments and an occasionally inspired cast. Although it goes on to long an loses its focus completely, there are enough funny moments that will keep a curious viewer watching until the end. If you are a fan of character actors and actresses, this will be a treat for you; you will recognize so many terrific little known performers throughout this movie (you may not know their names, but you know their faces), heck even the kid from A Christmas Story turns up in a small part. Rent if from Netflix, if you read this, I bet you will enjoy it. | 1pos
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] |
This is an important historical film since it was the the first all-talking feature film. The film was made for a mere 23,000 dollars. It grossed over a million dollars upon its release. This film all so helped define the gangster melodramas that were to become the bread and butter of the Warner's studio in the 1930's. The popularity of this film ended the silent era more so than its more famous part-talkie predecessor, the Jazz Singer. The film deserves its place in history and not as a mere footnote. The only actor who might be remember today that is in it was Eugene Palette. | 1pos
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] |
Holy Christ. sorry, but i have to get it off my chest. i just finished watching this movie, and felt i needed to REGISTER on this site just to write a review just to express my hatred for this movie. there are countless errors in this movie, and the production values......ugh all i am saying is i could fund a better quality movie with whats in my wallet right now. harsh? no, not at all. it looks like they filmed this thing on a video phone. and the plot..... first off we find our so called 'heroes' in a dojo with their trainer 'white Dragon' but they don't know he is white dragon, they are being informed of white dragon foiling robbers and such. this sparked my attention because later in the movie they saw white dragon on a Japanese comic, they were wondering who he was, even though they were informed of him in the first FIVE MINUTES of the movie. another thing that annoyed me is their costumes. their ninjas right? wrong. they wear black suits, colored maskes, CLOWN WIGS and roller blades. yeah, VERY stealthy. now we come to THE worst scene in the entire movie, if not in film history. we find white dragon fighting Cobra Khan in a balloon factory. and by balloon factory i mean a bunch of clowns in a room blowing up balloons. well here we are, the fight between cobra khan and white dragon, well they do anything but fight. the mighty white dragon is just bouncing on balloons and telling each other that 'nah nah cant get meh' and the ever dreadful 'neener neener!' I could swear at one point i heard my television crying in sorrow. the long and short of it is i wanted to stab my eyes out with a rusty knife. Yeah, not a very good movie. | -1no label
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] |
Since September of last year, I have been borrowing four to six films each week from the Harold Washington Library, which boasts an impressive DVD collection. (The HWL truly is a circulating library: three-quarters of its films are out at any given time!) Recently, I was thrilled to find The Short Films of David Lynch. Yesterday, knowing little about the animated series, I picked up Dumbland. I'm here to report that, for David Lynch fans, watching the eight episodes is half an hour well-spent. The most remarkable feature of these brief pieces are their soundtracks. Each episode has its own rhythm. Respiratory and digestive systems provide percussion. Outrageous voices accent pauses' ends. Physical violence supplies the beats. Chirping birds and buzzing sockets brush along the edges. Many other elements fill out the orchestra. The pacing of the crude animation often keeps in sync with the sound, but the soundtrack itself struck me as Lynch's primary interest in creating and disseminating this work. In a way, these eight shorts are unique Lynchian rhythms. That said, the situations are odd, ugly, profound, dumb and funny as hell. And there's enough space within them to reflect on how absurd we humans can be. I can't say that I'll watch the collection again, but for anyone who revelled in the movements that is the suite Inland Empire, Dumbland is worth half an hour of your time. | 1pos
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] |
I really enjoyed Blackadder. I thought it was funny, interesting and at the same time meaningful - about soldiers being sent to their deaths by incompetent fools, which was commonplace in those days. The episode plots also had their relevance in war, and there were also some good settings, even though there were certain anachronisms. I would say that Blackadder Goes Forth is the best out of all four Blackadder series, and I think it deserves its rating of 9.0/10 on average. A very enjoyable view indeed. Blackadder should be seen by everyone, as it is a comedy of many colours. There are certain characters that I don't like (e.g Captain Darling), but I especially like stupid Baldrick and Blackadder himself. This is the best war/comedy ever made by far. Better than Dad's Army. *****/***** | -1no label
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] |
hello boys and girls... this isn't your regular movie review, because this is going to be the cold. hard. truth. are you serious? this movie sucked so many balls i couldn't keep them out of my mouth! they might as well have sprayed me in the eye with monkey semen. you'd need one seriously large douche to pump out all the vaginal fluid from this movie. the plot was very lacking. the actors were terrible. i rewound the dance number several times and had to pause it even more because i was choking on my own spit. do boys, everyone! peace R&H besties4lyf | 0neg
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] |
I do not find this show at all funny. I actually think it is much worse than any of the other terrible Disney channel sit-coms right now. Charlotte Arnold is an interesting choice to play Sadie, because she can't act. The jokes on this show are terribly unfunny, and it makes it even worse when the only cast member that has a little bit (and I mean little bit) of acting talent is Justin Bradley as Sadie's brother Hal. Jasmine Richards and Michael D'Ascenzo portray Sadie's friends. There both really stupid and just terrible actors. Two words that can really describe this show is terribly corny. It's corny humor that only little girls find funny because their brains have not developed yet. Now I've explained my hatred for the acting and the horrible humor, what's next? The whole premise of the show is a stupid idea. She changed again (not so sciencey an Ben-loving) and suddenly nobody recognizes her? It's moronic. In summation, I hate this show, however little girls who do not have a concept of funny will enjoy it, so I guess that's what they're going for over quality. Although i can say as much as, the first season is clearly better than the second. BOTTOM LINE: JUST DON'T WATCH ANY OF IT. My rating: Awful show. TV G. 30 mins. | 0neg
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] |
This is one to avoid.The premise sounds interesting and as a film it owes much of its plot theme to David Finchers infinitely superior Se7en.Its an uncomfortable film to watch for all the wrong reasons.The characters are badly realised and the cop on the trail has to be the worst cop ever for the some of the situations he gets himself into.This is a film that will appeal to people when they read the back of the DVD in the rental store but upon putting the disc in your machine you'll realise why you hadn't heard of it before you came across it in the store.Its,save the odd moment,pretty rubbish stuff really and deserves its place in the bargain bin.Watch it you must be don't say i didn't warn you.4/10 | -1no label
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] |
I really thought they did an *excellent* job, there was nothing wrong with it at all, I don't know how the first commenter could have said it was terrible, it moved me to tears (I guess it moved about everyone to tears) but I try not to cry in a movie because it's embarrassing but this one got me. It was SOOO good! I hope they release it on DVD because I will definitely buy a copy! I feel like it renewed my faith and gave me a hope that I can't explain, it made me want to strive to be a better person, they went through so much and we kind of take that for granted, I guess. Compared to that, I feel like our own trials are nothing. Well, not nothing, but they hardly match what they had to go through. I loved it. Who played Emma?! | 1pos
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] |
Let's go straight to the point: this is The Movie I would take with me on a desert island (with dvd player). It's just perfect. If a reason for you to see a movie is that you love the actors, you like to see them free to involve in the space and feelings, this movie is for you. See the scene when Myrtle (Rowlands) come on stage drunk and Maurice(Cassavetes) has to improvise because she doesn't follow the script anymore. If you're sensitive to the camera's movements, you'll be fascinated by the way the camera moves on stage, the particular flow, that give you the impression camera follow the actors as if it was lead by the theatrical principle of "private space"... amazing. And the story is just a brilliant mix of tale and realistic drama. Cassavetes is again arguing with Hollywood and the majors' politics, but this time, he do it through Broadway, making one of the most exciting movie about theater. Well, this movie is a bliss. | 1pos
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] |
"Dracula: Dead and Loving It" is a sad reminder of a great career bottoming out. Mel Brooks could do no wrong with his first 5 movies. Then the decline began. "The Producers" is a comedy classic. "The 12 Chairs" is a little seen gem. "Blazing Saddles" and "Young Frankenstein" created a superb one-two punch in 1974. And "Silent Movie" is wonderfully inventive. Then came "High Anxiety", Brooks' tribute to Hitchcock. It has its moments but fell short of expectations. "History of the World Part I" also has its moments but parts are greater then the whole. "Spaceballs" was made ten years later then it should have been. "Life Stinks" offers a good theme about being homeless, but his comic moments seem out of place. "Robin Hood: Men in Tights" was a near disaster. Now we come to this film. It is easily the worst film Brooks has made and it is no wonder (at this date) he has not made a film since. Maybe Brooks lost his touch. Or his brand of humor just doesn't belong in this day and age. Whatever the reason we are subjected to 90 minutes of tired jokes and a weary looking Leslie Nielsen in the title role. There was potential here but it all went wrong. And Brooks even blew the title. "Dead and Loving It"??? He could have come up with an apt title that also descibes this film. "Dracula Sucks". | -1no label
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] |
Even for someone who loves old movies as much as Tim Allen's character, the oh-so-not-threatening hit man Critical Jim, I have to emphatically pan this movie. Obviously trying to mimic the classics in film style / plot formation (Critical Jim actually breaks it down for you every 15 minute, in case you forget), the main difference between the painfully predictable plot of ...Cletis Tout and, say, Breakfast At Tiffany's is that at least in Breakfast..., the acting is decent, costumes are memorable, and you actually care what happens to the characters. The only benefit I derived from seeing this movie was the air conditioned theater during a heat wave, and I'm not sure that having 2 hours sucked out of my life was worth it. | -1no label
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] |
This is an excellent little film about the loneliness of the single man. Phillipe Harel as Notre Heros is a bit like an amalgam of Robert de Niro in Taxi Driver, Inspector Clouseau (in his stoicism) and Chauncey Gardiner in Being There (also Peter Sellers). He is single yet doesn't have a clue how to attract the opposite sex - in fact, he really makes no effort at all! He has a stoicism and fatalism that defies any hope of ever achieving coupledom - his friend Jose Garcia as Tisserand is in the same plight yet at least makes a brave effort to transcend his extended virginhood (he's 28 and admits he's never had sex). Very good outdoor shots of Paris and Rouen, where the two software people travel on business. They try various nightclubs and places but all to no avail. My theory is that they're trying the wrong places - they go to more-or-less 'youth' nightclubs; they should try the type that has older people, more their own age. Harel increasingly becomes isolated and does a little de Niro effort, as in Taxi Driver, urging his friend/colleague to go and stab some bloke who's pulled a nice-looking girl in the nightclub. Worth watching. | 1pos
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] |
This incredibly original film by Louis Malle has the ability to challenge the viewer into contemplation of the way they go about living their lives. Virtually the entire film consists of a seemingly recreated real life dinner conversation between two friends, and yet somehow there's not moment that fails to keep the interest of the viewer. The film deals with questions of the nature of life and the nature of the world we live in, but beyond that it captures a moment of true intimacy between the two friends in a world where people rarely really talk to each other. Some dismiss 'Dinner' as heady and intellectual, clearly its not a film everyone would enjoy. Still for those who realize what they're getting into (yes the whole film really is two people talking over dinner) the conversation can be truly absorbing. 'My dinner with Andre' is one of those rare films that really can impact the way a person thinks about their life. | -1no label
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] |
This story is about a teen orphan who goes to live with his aunt and uncle. They have a blow-hard boarder, Pat O'Brien, living with them and the boy idolizes and believes in this man--even though practically everything he tells them is pure bull. O'Brien gives the boy a job working in a warehouse answering the phone. The boy doesn't realize that the warehouse is stuffed with illegal alcohol and after the police get a tip, they raid the place and jail the boy. However, the boy foolishly believes in O'Brien and keeps his mouth shut and is subsequently sent to reform school. Here, the kid finds out that reform school is not a very nice place (big surprise) and much of the rest of the film is an indictment against the juvenile justice system. Despite all this, the boy remains convinced that O'Brien is his friend--even though at any point O'Brien COULD have gone to the police and told him the truth and had the boy released. Eventually the boy escapes because he's trying to get medical help for his buddy, Shorty. The press find out about the boy as well as the truth about his incarceration. O'Brien finally admits the truth and the boy is released--but it's too late for poor Shorty. Despite being dead, Shorty returns for an amazingly sappy and stupid conclusion, as we hear his voice saying goodbye to his friend in the final frames (gag me)! This general theme of kids unfairly treated in jail was repeated many times in the 1930s--some times with the Dead End Kids and some times without. And, considering how lousy the acting and dialog is in this movie, you might be best served to watch one of these other films. Plus, the boy, at times, just seems too dumb to be real! Also, while Bette Davis is in the movie, she's largely given an unremarkable and bland role. Several years would pass before the quality of the material given her would improve. Poor Bette! | -1no label
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] |
I'm a sucker for flying films. If the flick is about airplanes or pilots or other aircrew, I'll probably have seen it before I'm finished watching movies. Honestly, if it's got an airplane in it at all, whether or not it is really an integral part of the movie, I'll watch it. So there I am, in line at the theatre those many years ago, ready to see this new film about one of the most dramatic events of the Second World War: the return to base of the first US Army Air Force bomber crew to complete a 25-mission tour. This was a true event in a war where a new crew's life expectancy was six missions. The cast sounds first class - it is, they're great - and well, there are airplanes! So the movie has begun and there are those typical faces that haunt you from photographs of the real war - young, energetic, so hopeful of their future - you know the type. The producers have done a great job showing that this was a war of mostly boys and very young men who, if they survive to grow up, will grow up much too quickly. And those airplanes! Yes, I know that there were only five real ones and that most were not the correct model, but let's face it; when there are so few left of the thousands built, you take what you can get and be happy for it. It is very good to see even those five flying together again. But then there is the dialogue. I'm afraid I found it a little turgid at times and the attitudes (and language) somewhat anachronistic. I have war vets in my family and none of them admit to speaking like that! Well, they could be lying... In any case, it is a movie adaptation and one should make allowances. The big disappointment for me, however, was that they took a very dramatic, historical story and trivialized it with some very shallow characterizations and fictitious situations pertaining to the famous last flight. Okay, again, I understand that it is a feature movie and not a documentary recreation, but really, wasn't the true story dramatic enough? Ultimately, it a silly movie that stands as a mundane bit of film making, and not a particularly good war film at that. Enjoy this movie if you like, but if you want the real drama (not to mention the real story) of the last flight of the Memphis Belle, have a look at William Wyler's superb, riveting documentary. | -1no label
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] |
I gave this movie a 3 out of 10, and I thought I was being charitable. I'm normally one who likes con movies. I only have 2 rules. The movie should have a twist that I don't see coming 80 miles away (either the con itself or how the con was pulled off) and that the twist should make sense (you should be able to watch it a 2nd time with a completely different perspective). This one succeeded in the first but only because it failed in the second. Why throw in a twist without an explanation? May be it was because I hadn't seen "9 Queens," but I really wish they had explained why the twist had occurred by throwing in some more background at the end or something instead of just abruptly ending it with me feeling like I stepped out during the part of the movie that would have a) let me see this coming at all and b) me care enough that it did any more than just the feeling that I had been taken for a confused ride. | -1no label
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] |
Although there is melodrama at the center or rather at the bottom of this film, the story is told beautifully and subtly and the acting is superb. Yaara, studying at Princeton, returns to her native Israel for the funeral of her oldest and dearest friend, Talia. Because Yaara practically lived with her friend's parents after the death of her own mother, she has lost her adoptive sister. And because Yaara, blind from birth, has been guided and guarded by Talia, her friend's suicide is as unbearable as it is inexplicable. Inevitably, the blind girl is the one who determines to solve the mystery of this death. Though without sight, she has insight. Though she cannot see, she is able to find what is out of sight than the "normal" people around her. The film thus becomes an absorbing mystery as Yaara scours for clues in memories of her relationship with Talia, in her adoptive family's house, in tapes, diaries, and people in Talia's past and present. Told from Yara's point of view, the film is also seen from her point of view, as she visualizes what she hears, believes, and imagines. The solution to the mystery is rather conventional, but the search is conducted with such subtle care and the answer rendered so beautifully and without fanfare, that the pat moment is easily forgiven. The truths emerge gradually yet inexorably, clarifying not only Talia's life, but also her relationship with Yaara. Tali Sharon, as Yaara, uses her mobile face and voice effectively, and is utterly believable as both the adult and teenage girl. We accept fully her ability by the film's end to find her place in the world more confidently. Noteworthy is the precision by which places and actions are repeated with small but significant variations that never become tedious, the dead-on acting by the minor characters, and the interesting decision to represent Talia only as a teenager. I will quibble with Yaara's final declaration as stands with Gadi, Talia's last boyfriend, at a cliff's edge, but that trip to the edge is so fascinating that the image will remain in sight longer than her words will be recalled. | 1pos
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] |
It is hard to believe that Jodhaa Akbar, the most awaited movie of the recent times, has been so poorly choreographed by non other than our Oscar nominated director, Ashutosh Gowariker. It looks like a work of some bollywood neophyte who is too obsessed with the concept of epic romanticism. Though the story is plagued with historical flaws and misconceptions, thats not the point which should be bragged too much. Its the script and screenplay which went uncalculated. This 'untold' saga of love looks like it has been told a zillion of times in all other mediocre bollywood love flicks. The impact of other characters in the movie is totally missing unlike Lagaan or Swades. The movie doesn't take you to that golden era (remember Mughal-e-Azam). I am not expecting an epic political thriller like Elizabeth I, II(which too were given by our comptariot) but both maturity and tenderness is totally missing. And handling this usual love tale for 3.5hrs...thn dude, i've got to take a break!!! may be two;). In short, its a demo of a half hearted job! I would have given it 5 pts but as it comes from an Oscar nominee, i am compelled to give it 4 pts!!! | -1no label
| [
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] |
This mini series, which is based on the brilliant novel of Bulgakov, is NOTHING like the plot summery! The summery is just a disgrace for the plot! Woland (Satan) and his entourage are not shown as evil beings whose main purpose is to come between the Artists and Margaritas love. On the contrary, their main goal is to put some sense into corrupted human minds. In any case, the book himself is a wonderful book which gives you something to think about. And the series presents the book with wonderful actors and a plot which is one-in-one to the book (except, of course, for the little things that are not according to the book. But what can you do? No movie is exactly what the book says). I give it 10! 10 for the book, and 10 for the series! | -1no label
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] |
True, there are some goofs, for the one who wants to find them. They're not important, though. The primary feature of this film is watching veteran expert actors do their craft. Kristin Scott Thomas is beautiful and plays well the part of a strong woman, but one who has been hurt. Same for Harrison Ford, who, for the ladies, is just as beau as Kristin is belle for us guys. Their hurt at the hands of their adulterous spouses brings them together in an awkward manner, but one in which they find support in each other. How they evoke their hurt feelings and their humanity within on th screen is why these are such sought performers. The viewer cannot help but feel what they feel, nor can one help wanting to cheer them when they're together. Yes, there are several action scenes involving angry corrupt cops, but they only spice it up a little, and are not a significant part of the movie. For the lover of music, Dave Grusin provides a superb Jazz based background, featuring trumpeter Terrence Blanchard. Like the actors, Grusin shows why he is one of the most sought musical consultants in the movie business. Blanchard shows why he's one the premiere trumpeters on the scene. Not a movie for the lovers of guts, blood, and gore. But for those who want to see a lot of what makes us feel inside, watch a beautiful English actress with big expressive blue eyes who can act, like Harrison Ford, to the endless soothing accompaniment courtesy of Dave Grusin and Terrence Blanchard, this is a move to watch with someone you love. Preferably in bed. I thought it deserved at least an 8. | 1pos
| [
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] |
I loved this movie from beginning to end. In the beginning i thought it was gonna be just another mindless violence movie which would be fine by me cause i like those a lot, but the point is that it caught me by surprise with a great plot about national security and actually good drama too between the stars. Natasha Henstridge does her first "real" acting in this movie as the girlfriend and is great. Andre Braugher is as good as he always is. Lou diamond phillips fresh off of Bats joins this movie as the FBI agent and does a great job. The guy who plays harry takes the show though, i don't even remember his name and i'm too lazy to go look here for it, but point being he is a really good actor and i'll look for him in the future. I recommend this movie to anyone who likes action movies with substance or just good movies. Enjoy. | -1no label
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] |
I love the episode where Jim becomes the Greenman. It is great! When Jim tosses that little person through the window, the look on his face is priceless. Then when he starts to address the Priest in his wife's behalf only to find out that she has become the Pee-Woman? Great writing and great casting along with great acting makes this a must see. I am attempting to find a certain photo from that episode. I'd like to use it as my avatar on a message board because I think the Greenman is hilarious. Does anyone know where I can download a photo of Jim as the Greenman? Can anyone point me in the right direction to find such a photo? | 0neg
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] |
T. Rama Rao made some extremely beautiful films in the 1980s, but he seems to be a filmmaker who cannot mature with the changing times, styles and fashions. He's like stuck with the same old-fashioned film-making style. Actors are not bad, not good either. Anil Kapoor generally acts convincingly his two roles of a father and his son, but the flawed script often makes him look funny and pathetic. Rekha is good, but then - she's always good, and here she's nothing more than such. She makes the best of what she is given, but she always does that. In conclusion, nothing great at all. Raveena is OK, which means ordinary, not bad, not good, nothing. This film is melodramatic, occasionally stupid. Maybe it's a delayed film? Well, even then it still would be below standard. The script is terrible, the film is overdone, and the story goes nowhere. It feels like a film made in the early 1990s, but the script makes it look even older, the style is like from the 1950s. Don't recommend, unless you're a big fan one of the starring actors. | 0neg
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] |
I first read the book, The Indian in the Cupboard with my Reading Class when I was in sixth grade, and I enjoyed it. But then we decided to watch this movie, I really became excited because I thought that the movie was really going to be like the book. But when I saw it, I almost fell asleep, I thought that it was really boring! I thought that it was nothing like the book, I thought that it was totally boring, that you will want to fall asleep when you watch it. First off, the mistakes that they made with the movie. The movie was updated, instead of taking place in England, like it does in the book, it takes place in the United States, you can tell that it is New York because you can see the World Trade Center towers in one scene! Another big mistake was changing were Omri had gotten the characters from. He got some in the book by buying them at the store, in this movie, he got them by swapping them with some of his other toys at an Indian exhibit in school. You can go ahead and watch it if you please, but I sort of would not highly recommend it to you, because of the tedious arrangements they made with the plot. But if you want to watch it, go on and watch it, I am not going to stop you from doing it, though I did not like this movie. 4/10 | -1no label
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] |
Oh, it's not so terrible. It's got real actors, and if the shooting were so incompetent, how could it look like a TV show? About half the characters are also homeless, which is nice although it's not exactly a social-realist or intimate portrayal. Of course, when the man-eating CHUD toxies show up they are guys in stupid rubber costumes, and they remain guys in stupid rubber costumes no matter how tight you cut the shots. And none of the actors were written one single bit of character development. At the end when the bad guy drives his flaming truck into the manhole after his men have pumped the sewers full of deadly gas, you're like, great - New York is gonna blow up. But no, apparently nobody, er, thought of this, so Nothing Happens. And before you know it, we're at the stupid ending to end all stupid endings. OK it's terrible. | -1no label
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] |
Confusing, that is what this cartoon was. I feel sorry for the children that had to watch this. This cartoon was too confusing. I didn't understand the jokes, I didn't know any of the celebrities. I think the woman that turned out to be a man in the end was a parody of a movie directed by the director of Plan 9 From Outer Space, and I knew the three stooges. That's it. This cartoon gave me a headache because I tried hard to understand what people were talking about. It was just random people every few seconds. Half the movie was just people doing the cha cha and one guy saying he doesn't know how to do the modern dances, so he moves to Washington so he won't be made fun of. Anywho, I do recommend this cartoon for historians. That might just be it. This cartoon was too confusing for children, and also not recommended for them either. It had people smoking. | -1no label
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] |
This TV series is about a foolish and unconventional English gentleman who gets up to all sorts of merry mishaps. I remember watching Mr Bean with my family back in 1990, when I was still a child. My family laughed so hard at every episode, and the contents of which still come up in our daily conversations twenty years later. The memorable scenes which are still in my head include Mr Bean attempting to get out of his car park, shooting out the lights, counting sheep, and him in the swimming pool. We bought all the Mr Bean videos on VHS, no mater how expensive they were. It was worth it because we watched them over and over again! It is so rare to see a very funny TV series that is suitable for all ages. | 1pos
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] |
It is sad that some find this film worth watching. I am Russian, and I am disgusted. There is nothing in this film that deserves praise, except cinematography. However, I am not one of those who find beauty in death or perversion. I think this film is poorly designed and directed. There is nothing more irritating and even enraging than shameless speculation in art (if you can call this garbage art). Balabanov wanted to shock the viewers by pervasive evil, and he succeeded in creating a hopelessly dark film. But the biggest shock is Balabanov's primitive directorial work. I would never advise any of my friends to watch it. Huge disappointment! | 0neg
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] |
Which is basically what teenage Katy says to her father over and over and over again. AFter lying (again), not only to her family but the rodeo management, Flicka is seriously injured, and Katy is in bed with a fever. The dad doesn't want Flicka to suffer, so he heads off to put her down. Katy comes down the steps, tears streaming down her face. "Finally!" I thought, "She is going to redeem herself and say she's sorry for the incredible mess she's gotten everyone into." But, nooooo, she says 'it's okay, Daddy, you can kill both of us'. OH MY GOODNESS!! My super-favorite part, though, was at the end, when the DAD apologizes to Katy. What?!! Way to go Hollywood, for emasculating another Father and making him appear totally incompetent. | -1no label
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] |
My colleagues at work often question my taste in film: they cannot understand why I waste my time championing low budget horror when I could be watching the latest blockbuster to wow the masses at the local multiplex. After watching Aquanoids, I'm beginning to wonder why I bother myself. Set on a small island off the Californian coast, Aquanoids stars Laura Nativo as Vanessa, a beautiful diver who, after being attacked by a hideous fish-man, attempts to warn the locals of the danger that lurks in the surrounding waters. This upsets the nasty officials of the island, who are afraid that Vanessa will scare away tourists and upset plans for the building of a shopping complex. A shoddy mish-mash of themes and ideas stolen from the likes of Jaws, Humanoids From The Deep, and The Creature From The Black Lagoon, Aquanoids is absolutely awful in almost every way imaginable: the direction is clumsy and amateurish; the script is childish, poorly written, and highly unoriginal; the editing shows no hint of restraint, utilising every gimmicky fade, wipe and split-screen effect possible; the monster make-up and gore is cheap and laughable; the special effects are unconvincing; and the acting is uniformly awful. Even some welcome female nudity cannot stop this one from being a total waste of time. Whilst watching this lamentable mess, I noticed that one character had the surname McClure, whilst another was named Brucepossible references to actor Doug McClure (from Humanoids From The Deep) and Bruce the Shark (from Jaws). There is also a scene where several characters discuss their favourite watery monster movies, mentioning Deep Star Six, Leviathan, Tentacles, Alligator 2 and Roger Corman in the process. This leads me to believe that the makers of Aquanoids are genuine fans of horror and B-movies. If this is the case, then those involved should hang their heads in shame for giving us this abysmal addition to the genre. | -1no label
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] |
A very moving and thought provoking film that raises issues of mental health, terminal illness and euthanasia. Sound a bit too heavy? It is a little, but this is all treated in a realistically straight forward way within a story of the changes that take place to the family who have to deal with these things. This is a positive story of facing up to life and responsibility that isn't overwhelm by the subject matter. Afterlife is beautifully shot and crafted film set in modern times and dealing with modern issues. It is a character driven, enthralling film with a strong cast and some very good performances. Unfortunate it is not the sort of film that always performs well at the box office, so catch it while you can. | 1pos
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] |
WARNING:I advise anyone who has not seen the film yet to not read this comment. If you plan on watching this movie DON'T! I warn you... this movie is TERRIBLY boring and basically horrifying, not in the Horror movie kind of way, to watch. I mistook this Piranha movie for another Piranha movie and when I had noticed I made a mistake I decided to watch this one anyway. I wish I wouldn't have. This movie is so horrendous and so intolerable in every piece of material that I couldn't bare to let anyone say this movie was halfway decent. For one thing, this movie should be called A Boring Talk About Wilderness instead of Piranha. They only show piranhas ONCE! At the same time, the way this film sounds so poorly heard, I got sleepy only 20 minutes into the thing. At the end my mouth was hung wide open and I stared gloomily at the blank TV screen. It is a VERY poorly directed and badly filmed piece of junk that I was afraid I brain dysfunction after watching it... | 0neg
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] |
Samuel Fuller brings his customary playful and stylish direction to this seedy, pulpy story and manages to create one of the undiscovered gems of 1950s cinema. Richard Widmark plays a petty thief tough guy (a role he perfected over the course of many movies), who snatches a young lady's (Jean Peters) wallet on a New York subway and with it a piece of much-wanted microfilm. This is 1953, so of course the microfilm is property of Commie spies who will stop at nothing to get it back. When the girl shows up at Widmark's waterfront shack, sent by an abusive boyfriend to reclaim the film, Widmark senses the opportunity to shake her and her "comrades" down for big money. The plot thickens, people start dying, and Widmark and Peters fall in love. Fuller handles the love story clumsily, but more from a sense of indifference than bad writing or direction. It's as if he included a love story under duress, and so made it intentionally unbelievable, as love stories so frequently were and still are in Hollywood films. Peters gives a remarkable performance as a tough New Yawk cookie, part gangster moll and part damsel in distress. When violence occurs against her, we genuinely care about her well being, and it's typical of Fuller's renegade, ahead-of-his-time style that a happy ending is not necessarily a foregone conclusion. But the ultimate success of "Pickup on South Street" rests squarely on the world-weary shoulders of Thelma Ritter, who plays Moe, a feisty lady who makes money any way she can, whether that be selling neckties or acting as a police informant. Ritter gives the performance of her career; in a breathtaking monologue, she conveys without ever directly addressing it the entire sad trajectory of her character's life, and the hopelessness she feels waking up every morning to a world of struggle, crime and hardship. It's as if every character Ritter ever played converges for one brief instant to give vent to all of the emotions they weren't given a chance to vent in those other movies. The scene is the highlight of Fuller's film, and a highlight of 50s cinema, period. Grade: A+ | 1pos
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] |
Touch of Zen is one of those movies that are on a class and genre of their own and probably never in the movie history will find their match. King Hu certainly lived up to his name, when crafting this piece of art that deserves even more respect and admiration than it has already had. Blending different genres seamlessly together and paving the way for many movies to come, everything here is well balanced and thought over. The story that begins as a ghost story starts slowly but rewardingly layering up, developing and getting more dimensions, moving into Wu Xia styled action and politics drama, then leaping into the territory of Seven samurais -style tactical warfare depiction, finally getting some deeply mystical aspects in the end. Settings and photography are stunningly beautiful, and all the visuals are breath-taking timeless. Looks like time simply cannot touch this movie, and that's why I compare this one to the works of Sergio Leone. Definitely one of the best movies I have ever seen. Now, if only my wish come true and we had some day better than watchable DVD release of this true classic, preferably fully restored from original film. One can only hope... This is my truth. What is yours? | -1no label
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] |
The Spikes Gang was made back in the days when Ron Howard was your prototypical golly gee whiz teenager, just a number of months after American Graffiti, and in the same year which Howard's TV sitcom Happy Days premiered. So there he was, still right smack dab right there in the midst of being the golly gee whiz teen-aged lad. He was what he was, and that's exactly what he was. Howard stayed with his acting career for awhile after this, through the 70s, but he never really broke out of that mold. If he had stuck with acting a little longer perhaps he might have been able to broaden his range. Or, on the other hand, maybe it's for the best that he didn't, since he actually did go on to have a remarkable career behind the camera. The point being is that there is a bit of a surprise here, a difference between this and other Ron Howard acting vehicles, because here Ron Howard actually plays slightly against type, not entirely the innocent lad we usually see. This story has an edge, a serious steely edge, sometimes subtle, sometimes not, but definitely always there, and Les (Ron Howard's character) and his two buddies learn some things about life the hard way, harder in fact than one might have expected in a Ron Howard movie in those days. Another edge this film dances on is a precarious edge, at times the film dangles towards being a comedy of sorts, an amusing coming-of-age story, but at other times towards a deadly-serious drama. Robert Fleischer was an experienced and accomplished director. He knew what he was doing, and he did it well. Lee Marvin is very good in this movie, as he usually was in most all of his performances. That alone is enough to commend it. And that's not all there is. I would compare this movie to The Shootist. While certainly the stories and the themes they paint are very different, and the the dynamics of the characters are very different, the two films nevertheless operate on about the same plane, and some similarities do exist. Ron Howard learning hard truths about life from Lee Marvin. Ron Howard learning hard truths about life from John Wayne. The Shootist is noted for being John Wayne's last movie. The Spikes Gang has no such hook, and so it fell into obscurity. But my guess is that someone who likes one film one would like the other, and I like them both. I recommend The Spikes Gang. | -1no label
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] |
This is a movie which manages to portray the consequences of modern day war on people's lives with a degree of realism that I have yet to see in most other films of the genre - one possible exception being Kubrick's Apocalypse Now. The most tangible aspect of this realism is found in the fact that no character in the movie can claim to be a 'hero'. The concept of a 'war hero' I consider to be a dangerous pitfall, which many movies of the genre are only too happy to fall into. Probably because it makes the horrors of war slightly more meaningful - and thus bearable - if they are construed as 'obstacles', which the 'hero' must overcome in order to achieve his ultimate aim. In 'Savior', there are only victims. The movie explains this by describing war as a state of society where the ones most likely to survive are those who have let go of all values. Notice how neither Guy nor Vera - the main characters - ever fully manage to reach this state of total cynicism even though they both try. This is why a quest to regain their humanity is sure to end up victimising both of them. In summary, the main achievement of 'Savior' is in making tangible the viewpoint of Thomas Hobbes, who said that war must generally be avoided, because in war, human life is 'brutish, nasty and short'. Natasa Ninkovic deserves praise for her frighteningly believable performance as Vera. | -1no label
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] |
I saw the film tonight at a free preview screening, and despite the fact that I didn't pay a dime to see this film I still felt ripped off. Ladies and gentlemen, time is money and if you see this film you are leaving a Benjamin on your seat. The acting is torpid at best; Kiefer Sutherland phones in his worst impersonation of Jack Bauer, and Michael Douglas looks like he realizes he made a bad choice leaving Catherine Zeta-Jones for the duration it took to shoot this turkey. Eva Longoria is a non-entity; she looks like she's reading her lines off a teleprompter. And if you can't spot the "mole" within the first 20 minutes, then you just landed on this planet from a world without TV and recycled story lines. If you truly want to see a good secret service thriller, rent In the Line of Fire. If you see and buy into this one, you'll start to fear for the president's safety because the Secret Service looks and acts like the grown-up versions of the kinds from 90210. No matter what your feelings about W, let's hope this "art" does not imitate life. | 0neg
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] |
A great movie about high adventure on the seas, with ships being wrecked, pirating, and two beautiful women vieing for the love of two handsome and bold sailors. John Wayne and Robert Preston plays two brothers in love with two cousins Paulette Goddard and Susan Hayward. Action packed, even a scene of them going deep into the depths of the ocean. Scenes well done. Ray Miland plays a fop who is after Paulette Goddard who only has eyes for John Wayne. Susan Hayward plays a small part as the sweetheart of Robert Preston. Color is great, costumes very in tune with the period. This is another one of my favorites. One of John Wayne's best films. | -1no label
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] |
I cannot believe that anyone could have payed money to see this movie. The repulsive acting from everyone (including Mme. Rene) was unbelievably horrible. First of all, the movie was rated PG but really should have been rated NC-17 because of the wardrobe malfunctions in the scene where Isabelle Lorca is sitting with her mother and stepfather in the dining room table and storms off. Maybe these producers didn't even have enough money to buy their characters bras, but then couldn't she have gotten a non-see-through shirt? It was absolutely disgusting. The whole movie, the obvious horse changes, the obvious terrible stunt changes, and the strange song made the movie impossible to watch. After seeing this sucker, my friends and I decided to make fun of it, which is really the only purpose that this movie could have possibly been made for. Also the actors looked like they had been chosen off the street. Lucas Mitchell and Stephanie Ward were positively the most ugly people who could have been in this movie. Talk about a small budget. I feel so bad for Mikey Rooney because he was in this terrible (I don't know if you could even call it a movie) movie. DO NOT SEE THIS MOVIE unless you have a garbage can near you to throw up in. | -1no label
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] |
It's less visceral than the only other Tsai film I've seen ("Vive L'amour"), but the idea of doorways (holes) into others' emotions and existences is vividly portrayed here, as Tsai sets up long shot after long shot, usually with long takes, suggesting a sense of alienation in Taipei. The musical interludes, inspired by Grace Chang, are perplexing but welcome mile-markers that add new dimensions to the slowly evolving relationship between the young man upstairs and the woman downstairs. It's not necessarily an easy film to watch (although it's not heavy-handed by any means), so I'd warn any casual viewers who are looking for some "indie" entertainment (like Tarantino or Guy Ritchie). But if you'd like to know something about isolation among city-dwellers in Taiwan, and something more universal about city alienation and romantic yearning, then watch this film immediately. | -1no label
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IN & OUT, in my opinion, is a very hilarious movie. I thought that Cameron (Matt Dillon) was wrong to say that Howard (Kevin Kline) was gay. The part I liked most was Howard's bachelor party. This was because they were cracking jokes about a lot of things, including Barbra Streisand films. I also thought that Emily (Joan Cusack) looked very beautiful in her wedding dress and that Howard looked good in his tuxedo. My favorite quote of IN & OUT is, "Is everybody gay? Is this 'THE TWILIGHT ZONE'?" That was absolutely hilarious! The one character I couldn't stand was Sonya (Shalom Harlow). This was because she was VERY conceited and snobby. In conclusion, I recommend this movie to all you Kevin Kline fans who have not seen it. Be prepared to laugh HARD and have a good time when you see it. | 1pos
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] |
I saw this movie with my family and it was great! This film is more than just a documentary (that offers not more than cold facts) with long mono/-duologue's and lots of charts...The complete "power" of this movie comes from the impressive pictures being filmed under water, in the air or the Arctic.With watching this movie you can learn more about our planet than with just reading a book, it shows that WE are embedded in the circular flow of life. This movie is not only for "environmental fanatics" although people that want to look a good movie with a message should watch it. This movie taught me that we are not only living on the earth...we live with and through the earth and all plants and animals grow and die with us. | 1pos
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Friends warned me that this one wasn't worth seeing. But I thought I'd show 'em. Especially after watching the first 20 minutes or so, I was preparing my "you don't know what you're talking about" speech. I so much wanted to find the value in this film that was right there below the surface, where only the smart people care to look. But there just isn't anything there. This film tries to be thought-provoking and enlightening, but in my final analysis it is just as bad as any brain-dead teenage moron-o-fest. Retarded people are people just like you and me? Yeah, yeah, yeah ... I know that and I don't need a ridiculously earnest film to tell me so. And if you're going to make a ridiculously earnest film about the "Noble" Retarded Man (who I am sure is JUST as noble as the Noble American Indian and the Noble Black Guy) then at least hire real handicapped people to show up on screen. All I saw were a bunch of actors trying lamely to walk and move about like they imagined retarded people should be. That alone is offensive enough. My final thought: I just watched "Death To Smoochy" and "Pumpkin" back-to-back and after doing so I can't decide which was the bigger waste of time. Does that tell you how bad of a movie this was? I'm not your friend, but I'm warning you: "This one isn't worth seeing." | -1no label
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] |
This is not only a dreadful movie, it is confusing, and has the feel of several movies stitched together sloppily. I watched it at 1.5 speed and still the pain did not end quickly enough. What was real? What was dream-state? I still don't know; worse, I don't care. I don't know and cannot imagine why Chow Yun-fat made this movie (he does not appear until more than 50 minutes into it) because he was successful already...he should have done commercials and sold floor wash or denture cleaners, done anything except this movie. If someone offers to give you this movie, decline politely. | -1no label
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] |
I understand the purpose of the director to tell stories that aren't stories, but the way he tried to show time passing by (the couple of joggers, who first appear jogging together, than jogging with a stroller (sic!), than the man alone...) and to link the "adventures" of the characters (the final scene, with the maid climbing a mountain seeing the big black guy on another cliff, and then seeing the boat with her former employer and saying "Oh, a boat!") were awful. At the same time, I liked the way he portrayed the middle-high class, even in an excessive way. I think it is a lousy movie. If you want to watch it, do it as a film school student, trying to see technical aspects and issues. It will help a lot. | 0neg
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] |
Dahmer, a young confused man. Dahmer, a confusing movie. Granted, I had a few beers while watching the movie, but that doesn't explain why I got so bored by this flick. Its flashbacks are nothing but confusing and annoying, and there's no real storyline with a beginning and an end, the only thing that made sense in the movie was the explaining text in the beginning and at the very end of the movie. The inbetween stuff, which would be the movie, is just boring images and a waste of time. We never see actual murders, everything is just a bunch of insinuations. Sometimes you even just get a feeling that Dahmer's dreaming the entire thing, but you know he isn't, since it's based on a true story and this actually happened, at least most of it. But what happened? It's not easy to tell. I do not encourage people to waste time on this movie. I didn't like it one bit and I felt cheated when it suddenly ended. */***** | 0neg
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] |
Mildly entertaining but only for Hopkins on screens. Rest of movie was dreck. Subplot with the corporate law firm was a complete waste of time. I didn't understand why Crawford fired the pistol through the window. What was the purpose of that and didn't this provide ballistic evidence when those bullets were retrieved? Now the big holes... Crawford had to check the make of the Nunally's sidearm well in advance to purchase an identical pistol. Is it possible that Nunally might have noticed a difference between his personal sidearm (nicks, scratches, general feel) and the "identical" replacement weapon? Why didn't Nunally (or anyone else) think it unusual that the murder weapon was the exact same pistol that he himself carried? How did Crawford know that his wife would not have divulged her identity to Nunally at some point in their liaison? Assuming that the only ballistic evidence was in the wife's head, how could Crawford know in advance of the shooting that it would not simply pass thru, at such close range, or that the bullet could not be surgically removed or that his wife would not have died from the shooting? Any would provide ballistic evidence that Nunally's pistol was the murder weapon. The big, big hole. How did Crawford know that Nunally would be the officer arriving on the scene? Is he the only homicide detective in town? It all falls apart if anyone else shows up. Raised by Gosling, but unanswered in the plot, why did Crawford remove his wife from life support when he could have simply left the country for good as a free man. | -1no label
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] |
Manic wasn't a good film but it wasn't a horrible film either. There are many problems with this movie. If there's a few problems with a movie I can usually overlook them but Manic had far too many to just dismiss them. They bothered me the entire movie, especially since they were used to manipulate the audience and advance the plot. Why would a psychiatric ward be co-ed, especially when some of the teenagers are seventeen and some are thirteen? And Joseph Gordon Levitt's character had access to the women's rooms without any problem? That seems kind of ridiculous. If he's a sociopath what's to stop him or anyone else from raping the girls? I also noticed that there were adults in the yard with the teenagers. I don't think that would be allowed. In all likelihood the minors would have absolutely no access to anyone of the opposite sex or anyone over the age of 18 who was also a patient. This movie was self-indulgent tripe. It's too bad because I like Joseph-Levitt as an actor but all the characters were completely one-dimensional. Anarchy guy, Wigger guy, Goth girl. It was completely ignorant of teenagers and mental illness. What the hell did this have to do with being manic or mania or bipolar disorder? Joseph-Levitt was a sociopath. It was just more ultra-cool, hand-held, uber-indie tripe. Indie films used to be good before all this self-indulgent crap started coming out like Garden State. Manic kind of comes across as a corporate public relations bulletin for teens. This is what we think you are. It couldn't have been any more wrong. | -1no label
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] |
A quite usual trashy Italo-Western, stupid storyline full of clichés and lack of logic, some mediocre actors, dirty settings, lots of punch-fights and people shoot dead on a massive scale. This has nothing to do with Django. - At least not in my German translated version, this German DVD-release is called "Adios Companeros" and has Macho Callaghan fighting against Butch Cassidy and Ironhead because their gang killed his one (he's the only survivor). Then you have Butch Cassidy and Ironhead fighting each other because they quarreled and the gang split. And you have Ironhead fighting against everyone because he's just the biggest and most greedy asshole anyway. Yeah, that's it, no more cleverness in the storyline, hehe. A small role by Klaus Kinski as Reverend Cotton is remarkable (that's why I bought this DVD). In one scene he attempts to separate two men fighting by hitting them and screaming "I said love!" and in another scene he wins a competition in throwing horseshoes and goes nuts for a second - FANTASTICFANTASTICFANTASTIC!!! It's also remarkable that JOE d'AMATO aka Aristide Massaccesi did the cinematography - I love this master of incompetent exploitation-thrash, so it was an "aahhh" for me. | 0neg
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] |
this film was pretty bad i have to say.It was so corny from start to finish it made me and the missus cringe.I would give the acting a 5 out of ten,Afterall they could only do so much with a script like that! plot was none existent and as a werewolf movie fan was disappointed.want a good werewolf stroke comedy then dog-soldiers ticks the boxes that this film did not.Every move was so predictable it was pathetic,i mean a joke cracking werewolf come on!!!! the only good part of the film was the eye candy,and this is where so many low budget movies fall short,trying to cover up the shitty acting,bad plot and overall poor movie up by this. anyway watch this flick with comedy in mind and you might not be as disappointed as me.....good luck. | -1no label
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] |
This movie is well written and there are some quite entertaining jokes from the main characters Brodie and T.S. such as their argument over where in mall a cookie stand is. The story "flows" well and the characters are interesting and likable but I reckon that the characters of Jay and Silent Bob are the highlight of the movie. Their attempts to dismantle the stage by "exploiting its weakness" are genius. There is some sex type content, not very much however and its quite mild (I think) but I think it could have done without it, however that's just me I like my intercourse scenes absent and visible mammary glands blurred. If you are anything like my brother however (who is the total opposite in that area), you will enjoy these bits. Overall a very funny movie with some great jokes and well devised humour. | -1no label
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] |
This is one of the most hateful and cruel movies I've seen in a long time. Sadly I was duped into sticking with it, since Donald Sutherland's presence misleadingly gave it some credibility. [That's the last time that'll happen.] Lesley Ann Warren's character was annoyingly whiny and as stupid as they come. There were smarter characters than hers who were killed in the film. Thats just one of many things in this movie that made me ask, "Where is the justice?" Why is late-night cable so filled with sadistic garbage filled with pathological mayhem? Most of these films seem to have a particular problem with women, and seem to focus on them being terrorized and murdered. This film could have been every bit as suspenseful without being sick and twisted in the process. All it ends up doing is turning the viewer's stomach with its sickness, and insulting the viewer's intelligence. The cast is misleadingly good. My guess is that they BAGGED Sutherland first, and used him to lure the others like lemmings into this. I'm kicking myself for wasting time, giving this piece of garbage a chance. | 0neg
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] |
I first saw this movie when I was about 10 years old. My mom bought it at our local Kmart because it was on sale for $5 on VHS. She thought that it would be a nice Christmas movie for me and my brothers to watch. This movie, however, scared the hell out of me. You may be asking yourself, how could a movie about Santa Clause scare anyone? The plot of the movie revolves around Satan sending one his minions, Pitch, to earth in an attempt to kill Santa and ruin Christmas. That's right, Satan sends a demon up from hell to kill Santa Clause. Pitch stalks Santa throughout Christmas eve in an attempt to trap him on earth when the sun rises on Christmas day, for if Santa doesn't make it back to his home in space, he turns to powder. Don't get me wrong, the movie is funny and fairly entertaining, however, the image of demons and devils dancing in the depths of hell (which occurs at the beginning of the movie) is just downright creepy. | 0neg
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] |
On the surface Red Sun appears to be a fairly standard shoot-em-up with the attendant 'who's the real nasty?' sub-plot thrown in for a bit of mystery. But the careful observer will discover many more layers of this particular onion pitting cultures (and genders) against each other with a few surprising results and plenty of thought-provoking situations designed to keep this one on the shelf as a 'keeper'. Bronson fans (like me) will note this is the second of his 'samurai connection'westerns...Magnificent Seven being the first...though the debate will probably never be resolved as to which was the better performance. True, some of the dialogue in this movie borders on juvenile, but overall I rate the movie very high. | -1no label
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] |
I was expecting more from this film. It started off dark with the potential to be creepy. I kept waiting for a climax or a twist but nothing. Shue acted well but an actor can only do so much. This film was doomed from the moment the ink hit the paper. A young woman has her first baby after moving from the city to a large home with her husband. He works all the time and she is left alone with the baby. She starts to slowly go mad. Although you keep hoping that something eerie or sinister will happen, it falls flat. The ending was terrible but I was so glad when it was over. It was an absolute yawnfest! Don't waste your time this movie SUCKED! | -1no label
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This Columbo is unique in that we don't really know the exact outcome until the very end. Our favorite dark horse detective suspects a pair of identical twin brothers of killing their rich uncle; each points the finger at his brother. In a mystery series in which the crime is shown at the beginning of the drama, this twist could reasonably be used only once or twice, and this was Columbo's time. Other than that wrinkle, this episode fits in well with others of the series. It has a lighter tone than some, with a very funny performance by Jeanette Nolan as the fastidious and loyal housekeeper who takes an instant dislike to Columbo. | 1pos
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] |
It does touch a few interesting points.. But! - It fails to show evidence of all the 'exclusive' studies shown. Who are the 'friends' and 'small groups of scientists' that gathered this data? - What's up with all the Al Gore biography going on there? Like how he liked playing with the cows on the ranch or that his kid got hit by a car.. too bad but.. what does that have to do with the ozone layer? I've seen MUCH better stuff, in much less time, on Discovery Channel.. I really don't understand why this has such a high score on IMDb. Unless you've been living under a rock, this 'documentary' shouldn't be any news to you... all this is old news... And all Al Gore is trying to do is get some popularity points. P.S. i'm not American so don't even try saying that i'm a bush fan :p | 0neg
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] |
The film is a real light one - but I found it very funny. You get to see a bunch of well - known German actors that tell a story that is foreseeable, but the good thing of the film isn't the story, it's how it's told. The quality of the actors that take part in this movie was only possible because they are friends in real life and didn't see the movie as a commercial product in the first place. They did it for fun, and so get to see an uncomplicated movie played by actors you usually wouldn't see in such a movie - and in such a concentration. Gangsters that threaten gangsters, policeman chase all the gangsters, some want money, some want vengeance, some just want to have fun. The acting is very convincing, and the behavior of the characters is sometimes funny, sometimes tragic. Furthermore, the type of the characters is very different and sometimes quite extreme. I like the movie very much. It may not be perfect, but after all I always like to watch the film when it's shown in TV every few years. | -1no label
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] |
I must admit that at the beginning, I was sort of reticent about watching this movie. I thought it was this stupid, little, romantic film about a French woman who meets in the train an American and decides to visit Vienna with him. I was not actually enchanted about this kind of script, since it continued to make me believe that it is just a movie. Still, I watched it! And I was amazed..."Before Sunrise" is one of the few films who dare to talk in a rather philosophical way, wondering about the fact that in the moment of our birth, we are sentenced to death, or that it is a middling idea that fact that a couple should rest together for eternity, or that, we, humans, can afford sometimes to live in fairy-tales. The ending was wonderfully chosen (we do not know if they will meet again in six months, at six o'clock, in Vienna's station) -in our optimism, we sincerely hope so. The actors acted in a very good manner, so, that, I began to believe that I, myself could live a love-story just like this. | 1pos
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] |
This movie was appalling. I expected a better looking car than the one in it, and where on earth was Hasselhoff? What is a knight rider movie without the star? It's like making return of the Jedi without Luke sky walker or simply having the emperor as the baddie and leaving out Darth Vader - it tears a story apart. It should not have "loosley" followed the original series, it should have followed closely and been a better more advanced version, given the time of its release. Apart from some of the music, (which was slow mundane and boring); nevertheless, the movie seemed more like a mid-eighties film rather than a mid-ninety's production. Shame on whoever directed it - and the ridiculous unnecessary innuendo at the end: Hannah's hologram says to Jake in the car, referring to the virtual world. "Three minutes before you flat line in there" Then Jake Mcqueen (why try and make it better by changing the name? - what the heck happened to Michael Knight?) says "Three minutes... That should be enough!" - what is this soft core erotica or something? Last but not least, the arch villain dies of a heart attack, they don't even finish the fight. His machine pumps blood around the body and attempts to keep him alive long enough to design a heart machine that will make him live forever. He dies by his own devices - I get what the director may have been trying to convey, but could it have been any less dramatic and boring, I don't believe that is possible. | -1no label
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] |
I thought the children in the show did a very good job. I especially enjoyed the performance of the Emma character. Well done! The stunts were pretty good for a low budget show. I was able to follow the movie and enjoy it without having to look at my watch every 5 minutes.I enjoyed the scenes with the tooth fairy and the burning of her. The ghostly apparitions of the children's souls being released was also good. Another good point of the movie is that it kept moving along. There wasn't a lot of slow scenes. The adult leads were also believable and therefore helped to keep the show entertaining. All in all an enjoyable night of movie watching. | 1pos
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] |
Face it-- "Cinderella" has been worn out since the day it was conceived. And since, the world has never forgotten this disgustingly sentimental heap of molly-wash. Julie Andrews gives a non-memorable performance in the title role-- where is the interest with which she has played every other part before and since? Other performers have absolutely no redeeming value whatsoever, where Andrews shows promise. But the reality is, the musical score by the normally-excellent Rodgers and Hammerstein is nothing more than a collection of garbage-riddled ditties wallowing in their own pathos. The only acceptable tune in the whole lot is the "Stepsisters' Lament," which occasionally borders on funny. Sadly, the entire telecast is an exercise in sugar-encrusted romantic tripe that makes James Cameron's "Titanic" look excellent. | -1no label
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] |
The most terrifying part of Untraceable is not the scenes of suspense or gruesome torture; but the image this film left me withthis could be the next step in societies demand for "reality" entertainment. Jennifer Marsh (played by Diane Lane) is a cybercrime FBI agent who fights online criminals most of who are stealing credit card numbers to buy a watch off eBay or downloading music illegally. She receives an anonymous tip about a new website that streams live features of victims being brutally tortured to death as the more people visit the site. Her job suddenly intensifies, and a heightened beat-the-clock investigation begins as the body count rises. Even with all the FBI computers, there is one small problem
the killer is (hint it's in the title)
untraceable. I will admit it, I was engrossed. Director Gregory Hoblit (Fallen, Fracture) knows how to build suspense with a quiet, taut pacing, but unfortunately he lets it quickly spiral out of control as it shows every torture in gruesome detail, similar to the Saw and Hostel movies. A big disappointment is that there is no "twist" as you see who the killer is fairly early on, and the motivation for the killer's actions is rather weak. Even as I write this review there are a myriad of "how did?"s, "why did?"s, and "that is not possible!"s Another aspect that bothered me, was the fact that this story felt hypocritical. It seemed almost to be a message of how horrible our ravenous appetite for "torture porn" is. Yet, its' portrayal of the general public who logged on to this site, as no better than the killer committing this inhuman crime, was pointless as you witness everything they did, making you feel no different than them. I was sad Diane Lane was wasted on this film as she delivers a strong, intelligent performance despite the mediocre material, and Billy Burke (playing a detective on the case with her) holds his own well with her as their scenes are laced with attraction. Untraceable shocks you with people's pitiless, inhumane reactions to the vile torture of another human being and leaves you feeling dirty, appalled, disgusted, and no better than the people who logged on. | -1no label
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] |
The year is 2071. Earth is now but a wasteland and civilization has expanded to the further reaches of the galaxy. Unfortunately, that means there are also some of the galaxy's most feared criminals. Here's where our heroes come in. Who are our heroes, you ask? A cool as ice bounty hunter, his stoic, but paternal ex-cop partner, a sexy, sensitive con-woman and an odd little hacker named...Edward Wong Hau Peppilu Trilovsky III (A name she--yes, she--has given herself)...oh, and not to forget a little welsh corgi named Ein. This ragtag group of intergalactic misfits are off on an adventure to collect the reward of infamous criminals, with both hilarity and tragedy strewn along the way. This is the premise of one of the best anime ever created, in a nutshell. Though it doesn't have the serious, dark overtones that typically fill the anime/manga universe, it is certainly is worth a watch. The dialogue is wonderfully witty, the dark overtones are reduced to undertones, and it has one of the best dubs ever recorded. Mary McGlynn, director and voice actress for various anime (Wolf's Rain and Naruto, to name other titles) has selected fantastic anime dubs a good name. The acting really emotes, especially Steve Blum's 'cool cat' performance of Spike. *...sigh...* Oh and the music...oh GOD, the symphony that is the music!!! CB's music is composed by the legendary Yoko Kanno, who also composed several other big titles. Her emotional pieces are a treat for the ears (check out Wolf's Rain to prove my point) and CB is no exception. The music is as diverse as the multicultural characters that appear in CB. From whizz-bang jazz of the 'Bond' fare to whistling western flutes to acoustic guitar strains to even mid-70's 'blaxploitation' funk, it's all in here...and makes every moment believable. Overall, the series is not the brooding anime/manga fare, as I have stated before, but a 007-esque romp that could be made into a smashing movie...which, coincidentally is due out 2011...and I PRAY it holds up to the fantastic masterpiece that is Cowboy Bebop. | -1no label
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] |
This movie blew my mind. Seriously. I was watching it and about every 5 minutes Paul Walker would say something that would make my head feel like I was about to have an aneurysm. Do not watch this if you have any congenital heart defects. Or you will die. Or have diarrhea. Paul Walker is such a bad actor. Did you see that movie with Steve Zahn and that semi-truck? That semi-truck was the best actor in that movie and if he had been in this movie he would have been the best actor in this movie too. Only watch this movie if you have an IQ under 60. If you watch this movie with an IQ over 60, you will watch the credits with an IQ under 60. I can't do math anymore. | -1no label
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] |
I think this is almost all I need to say. I feel obliged to explain my actions though. I've basically never seen such an armature production, and I mean that in all senses of the word. Although he physical camera work, boom MIC operation and other technical aspects of this film are laughable, unfortunately its not the only areas. Unlike some classic independent films that have been saved by their scripts great characterization and plot, this unfortunately has an awful script, awful acting and worst of all, awful annoying characters. It's a crime that for the every independent film that gets, distribution like Haiku Tunnel, there's a 101 other indie films that died silent deaths. I don't know who the Kornbluth brothers know at Sony, but that can be my only explanation as to how this amateur family production ever got distribution. I'm quite bemused as to why they picked this up. The ONLY part of this film that holds out any intrigue is its title. However, the reason for that is even a let down. I hope this review will save a few people that may be intrigued by this films title from going to watch it. I've seen a lot of films in my time, and I'm very forgiving when in the cinema, but this was too much. I'll never forget 'tunnel', for marking an important point in my life experience of cinema. Shame it's such a low point. | 0neg
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] |
Undoubtedly, Angelopoulos is one of the great artists in European cinema. He seeks to capture the whole history of his nation and of his people on a cinematic canvas with a lyrical and painterly approach. Undoubtedly, Angelopoulos's films are also a shock to anyone accustomed to the pace of modern American cinema. It feels like he's re-inventing cinema. There are graceful panning and tracking shots over beautifully realised tableaux. Shots that run for several minutes. There are no close-ups. It often feels like Angelopoulos has eschewed narrative, and is telling a story with just two tools: images and music. The Weeping Meadow begins as a group of refugees tell the story of their expulsion from Odessa to Thessaloniki in 1919, by the shore of a river. It ends with a mother grieving over the body of her son by the same river, probably in 1949. In between there's little real narrative, just haunting shots of villages and cities, and groups of people running back and forth, and music. Often it feels like sepia historic photographs have been brought subtly to life. The film is a breathtaking antidote to much of what passes for international cinema today. It also became, for me, harder and harder to take, as it became increasingly obvious that the characters are not really characters in a drama, but metaphors in a great historical process. By the end, for me, it felt dis-satisfyingly schematic, and yet there are images that will haunt you for years, and a feeling that Angelopoulos has found a way to distill the fraught years of European history from the First World War to the Cold War into an extraordinary cinematic vision. The music of Eleni Karaindrou is very beautiful, and will resonate long after the film has finished. In many ways, the music really is the soul of this film. The cinematography of Andreas Sinanos is elegant and beautifully lit. | -1no label
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] |
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