Newsgroup: it.cultura.filosofia
Titolo: Contexts of Meaninglessness: Patriarchialist feminism in the works of Madonna

1. Discourses of genre
The characteristic theme of the works of Madonna is not, in fact,
desituationism, but subdesituationism. The main theme of Werther's[1]
model of semanticist Marxism is a prepatriarchial whole. 
Thus, in Erotica, Madonna deconstructs cultural neoconstructivist
theory; in Sex she reiterates semanticist Marxism. Debord's essay on
dialectic posttextual theory states that consciousness serves to
exploit the proletariat. 
Therefore, the closing/opening distinction prevalent in Madonna's
Material Girl emerges again in Sex, although in a more mythopoetical
sense. Many theories concerning patriarchialist feminism may be
discovered. 
2. Madonna and dialectic narrative
"Culture is used in the service of the status quo," says Baudrillard;
however, according to Buxton[2] , it is not so much culture that is
used in the service of the status quo, but rather the fatal flaw, and
thus the paradigm, of culture. However, in Erotica, Madonna denies
dialectic posttextual theory; in Sex, however, she deconstructs
semanticist Marxism. The primary theme of the works of Madonna is the
failure, and some would say the dialectic, of subtextual class. 
Therefore, the example of patriarchialist feminism which is a central
theme of Madonna's Erotica is also evident in Material Girl. A number
of discourses concerning the difference between society and class
exist. 
It could be said that the premise of semanticist Marxism suggests that
the purpose of the participant is significant form, but only if art is
interchangeable with culture; otherwise, Derrida's model of
Baudrillardist hyperreality is one of "conceptualist narrative", and
therefore intrinsically impossible. The subject is contextualised into
a semanticist Marxism that includes consciousness as a totality.
Therefore, Geoffrey[3] implies that we have to choose between
dialectic posttextual theory and neodialectic theory. Lyotard's
analysis of patriarchialist feminism states that art is part of the
genre of truth. 
--------------------------------------------------------------------------------
1. Werther, N. G. B. ed. (1989) Patriarchialist feminism and dialectic
posttextual theory. University of Georgia Press
2. Buxton, L. J. (1973) The Circular Key: Patriarchialist feminism in
the works of Glass. Harvard University Press
3. Geoffrey, T. ed. (1998) Dialectic posttextual theory and
patriarchialist feminism. O'Reilly & Associates

Sure, "art is part of the genre of truth", but art steps in
the garden of the house of truth, waiting for something
else to open the door.
Hi.
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 "When you hear someone quoting Derrida, you can be sure you're
dealing with an incompetent."
Well, in that case you are just dealing with the Posmodermism
Generator, a system for generating random postmodernism essays
(
www.csse.monash.edu.au/community/postmodern.html
)
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Oggi non ho proprio voglia di strabuzzarmi gli occhi con questo mex in
inglese