Newsgroup: it.arti.fumetti
Titolo: Kurt Busiek

Qualcuno potrebbe dirmi tutti i fumeti di Busiek che sono stati tradotti
nella nostra lingua?
Visto quanto mi piace Astro City vorrei leggere anche altro. :)
--
See Ya, Dark.
I sogni non muoiono mai, anche senza stelle
...e poi un'altra cometa prima o poi passerą.

 Visto quanto mi piace Astro City vorrei leggere anche altro. :)
Dunque...
- Marvels (su Marvel Magazine o nel volume che raccoglie la mini)
- Avengers (tutti i mesi su Thor & i Vendicatori, ex Iron Man e i
vendicatori...)
- la mini Velocity (Top Cow) che fu pubblicata dalla Star mi pare su
Cyberforce.
- Thunderbolts: pubblicato su un fracco di testate (a mente ricordo solo UR
Deluxe, Cap. America...)
di più,ninzò...
--
Giulio
"Spirit of Chow Yun Fat be with me!"
Tommy Monaghan

 di più,ninzò...
Grazie, molto gentile. :)
--
See Ya, Dark.
I sogni non muoiono mai, anche senza stelle
...e poi un'altra cometa prima o poi passerà.

Deluxe, Cap. America...)
Albo dei Super Eroi, alternato a Ka-Zar...
Ed ovviamente non li vedremo mai sulla Marvel Collection attuale, che
in teoria dovrebbe essere una testata "for fan" ma non pubblica le
cose richieste dai fan...
Buon cammino!
il_pellegrino
-- 
"Paga essere ovvi, specialmente se hai la reputazione di essere
sottile."
                    Isaac Asimov

 > vendicatori...)
Dimenticavo Avengers Forever, apparso sui primi 12 numeri di Thor, mi
pare...
e rammento una storiella breve dei Green Lantern Corps pubblicata un
decennio fa su un numero di Justice League Play Press...


 decennio fa su un numero di Justice League Play Press...
Ri-Grazie, domani faccio l'aggiunta. :)


 decennio fa su un numero di Justice League Play Press...
E' anche uscito Godstorm su Marvel 100% Untold tales of spiderman (25 numeri
+ 2 speciali)su Wiz e 3 numeri speciali di Amazing Fantasy .
B.

 --
Sai che Kurt Busiek scrive nel newsgroup rec.arts.comics.marvel.universe ?
E non e' l'unico "pro" statunitense.
A presto.
Daniele Tomasi - 
http://spider-cameron.tripod.com
 - uno story-board per il
soggetto scritto da James Cameron per il film "Spider-Man"

 A presto.
Buona a sapersi, magari ci faccio un salto come lurker (come poster mi bastano
IAF e Iaf).
--
See Ya, Dark.
Ciò che si trova qui si trova anche altrove,
ma ciò che qui non si trova non c'è in nessun luogo.

> I read a Kirby interview where he said that he had no control over the
choice of inker.>>
That was a long time ago.  These days, even on a work-for-hire book, the editor
will usually be open to the penciler's choice of inker, unless the editor
thinks the inker does a bad job or won't get it done on time.  Happy pencilers
stick around longer, so given a choice between two good inkers, it makes sense
to pick the one the penciler wants to work with.
kdb
Vote in the POWER COMPANY Poll!
http://www.dccomics.com/features/powerco/poll.html
________________
Subject:          Re: Does the penciller choose the inker?
Date:              Tue, 13 Aug 2002 21:50:15 GMT
From:             
rmr...@verizon.net
 (Robin Riggs)
Organization: Soulmate Productions
Newsgroups: rec.arts.comics.marvel.universe
References:   1 , 2
Kurt has pretty much covered it with his reply. It all comes down to
what the editor wants. I'll give you a few more specific examples.
When Liam Sharp was hired to work on the Hulk he asked for me to be the
inker. Bobbie Chase was the editor and said that it was okay with her
but Cam Smith hadn't decided if he wanted to leave the book. Liam and
Cam had worked well together before so Liam would have obviously have
been happy with that too. Cam decided that he wanted to move on to other
things so I landed the job. When Liam left and Angel Medina came on to
the book Bobbie told me who the new penciller would be and asked me if I
wanted to continue on the book and I did.
When I worked on Green Arrow I did pretty much a full year on the book
without being the 'regular' inker. Campanella was the regular on that
book and although he was taking some time to do other projects Darren
Vincenzo kept the book open for him and each month it was up to him
whether he did the book. That led to me not knowing from month how much
work I had and some pretty tight deadlines at times too but it was
because of the editor's loyalty to his regular inker which was nice to
see.
I came on to Supergirl when Cam had already left. The original plan was
to have a few different inkers try out on fill in issues over Leonard
and then decide on who to go with. I met Leonard at the Mid Ohio Con and
he was impressed by my work over Alan Davis and wanted me to try out
over his pencils. He did a pin up of Comet for me to ink for the Secret
Files book before I returned to England. Mike McAvennie really liked how
we worked together but told me the plan was to try other inkers over the
next few issues. However Leonard and Mike talked it over and I started
on the next issue and carried on for four and a half years.
Then there are some artists who work with very few inkers over the
course of their career. For the first five years of his career Alan
Davis inked almost everything himself. Then he spent five years or so
working with Paul Neary. Over the past decade he's done hardly anything
that hasn't been inked by Mark Farmer. These teamings are so wonderful
that editors very rarely even question it. So for the foreseeable future
99 times out of 100 when you see an Alan Davis job it's going to be
inked by Mark. On the other 1% it'll probably be inked by me but only if
it's okay with the editor. :)
--Robin.