Newsgroup: it.arti.musica.strumenti.chitarra
Titolo: suoni smashing pumpkins?

Qualcuno conosce Gish degli Smashing Pumpkins? Le chitarre in quell'album
come suonavano? Che ampli e effetti usavano? Non riesco a riprodurre bene
quel suono. Prendete I Am One per esempio oppure Snail. Boh, datemi una
manina. Prazie.
--
Io sono il sindaco del mondo,
e lei deve portarmi rispetto.

 ha scritto nel messaggio
news:r0E48.11361$6e5.3...@twister2.libero.it...


 ciao
Sì diciamo che come orientamento è corretto ma da Siamese Dream in poi ha
usato anche una barca di effetti digitali almeno nei dischi, perchè dal vivo
è molto più "umano" come suoni. In ogni caso credo sia un grandissimo, uno
dei miei Guitar Heroes che non morirà mai a dispetto dello scioglimento
delle Zucche....
Despite all my rage....
Ciao
Stefano

 ciao
Le chitarre le conosco... le Fender perň sono modificate con pickup vari.
Non so, i distorsori non mi sembrano dei fuzz... non sono cosě pesanti in
Gish... boh, non so proprio.

Qualcuno conosce Gish degli Smashing Pumpkins? Le chitarre in quell'album
come suonavano? Che ampli e effetti usavano? Non riesco a riprodurre bene
quel suono. Prendete I Am One per esempio oppure Snail. Boh, datemi una
manina. Prazie.
http://www.angelfire.com/pa3/guitargear/
James Iha of Smashing Pumpkins
Here is a list of James Iha's gear from the last Smashing Pumpkins tour.
Guitars
Gibson Les Paul Customs
Gibson Les Paul SG Custom
Gibson SG Standard
Gibson SG Special
Gretsch Silver Jet
Gretsch Duo Jet
Fender Telecaster Deluxe
Fernandes TE-2 with Sustainer
Fender Tele-Sonic
Epiphone Sheraton
Fender Electric XII
Taylor 855
Taylor 815 CE
Amplifiers
Marshall JMP-1 Preamp
Marshall VS265R Combo
MESA/Boogie Strategy 500 Power Amp
Marshall 4x12 Cabinets
Effects and Accessories
Lexicon MPX-G2 Processor
tc electronics Fireworx
Alesis 3630 Compressor
Boss AW-2 Auto Wah
Digitech WH-2 Whammy
Dunlop 535 Crybaby Wah
Rocktron All Access
Uptown Pedal Pusher
EMB Audio Splitter
Digital Music Corp GCX Ground Control
DR Strings .009-.046
Dunlop 1.00mm Tortex Picks
Korg DTR-1 Tuner
Billy Corgan of Smashing Pumpkins
here is a list of Billy's gear from the final Smashing Pumpkins tour.
Guitars
Gibson ES-335
Gibson SG Special
Gibson Les Paul Special
Fernandes Decade Custom (with Sustainer)
Taylor 855 12 String Acoustic
Taylor 810 6 String Acoustic
Amplifiers
(3) Marshall VS120R Combos
Diezel VH-4 Heads
Matchless Preamp
MESA/Boogie Strategy 500 Power Amps
Crate GX-15R Combos
Marshall 4x12 Cabinets
Effects and Accessories
Eventide Orville
Lexicon MPX-G2
Digitech Valve FX
Alesis 3630 Compressor/Gate
Boss CH-1 Super Chorus
Boss DM-2 Delay
Rocktron All Access Controller
Digital Music Corp Ground Control
Uptown Pedal Pusher
Rockman MIDI Octopus
Korg DTR-1 Tuner
DR .009-.046 Strings
Dunlop 1.00mm Tortex Picks



<CUT>
ma questa è l'ultima... il suono è molto diverso da Gish.

 lo so ma è il meglio che posso fare :-(...mi spiace non ho trovato altro
Denghiù eniuei, non riuscivo a trovare nulla di nulla, hai già fatto fin
troppo! Anche questo mi sarà utile.

 tutto per te :-))
...CHE UOMO!!!!

 wrote in message
news:FyH48.12103$6e5.4...@twister2.libero.it...


 Dunlop 1.00mm Tortex Picks
mi spiscia dal ridere e un po' mi incazza vedere uno che usa tutto sto ben
di dio per ottenere i suoni che ha... mi sembra uno che si fa progettare un
cannone laser a energia solare per dare la caccia alle zanzare!

 cannone laser a energia solare per dare la caccia alle zanzare!
Ok... bravo

 cannone laser a energia solare per dare la caccia alle zanzare!
scusami veramente, io non ce l'ho con te, però quando la gente si fa questa
uscite da ignorante proprio mi girano le palle... ok finito.... saluta billy
che finisce la sua ennesima tournee mondiale dal tuo salottino dove hai
montato tutto il tuo rack e suoni la tua chitarrina e probabilmente ce la
suonerai per sempre
(sempre + polemico)
Diablo

 wrote in message
news:pkQ48.29557$hi.7...@news1.tin.it...


 devo sapere che cosa usano in una canzone :)
ho cercato si 
www.altavista.com
 le seguenti cose
- gish gear
- james iha gear
e sono saltati fuori i siti che vedi...
--
?? >-...Ho avuto tutto il tempo di imparare a sparare con la sinistra!
Bang, Bang !!
Tuco >- Quando si spara si spara non si parla!
Il Buono il Brutto il Cattivo
Felicitazioni
Sig.Fatmind_1999

cannone laser a energia solare per dare la caccia alle zanzare!
A me piacciono un sacco i suoni di corgan e il suo modo malato di fare
gli assoli.
--
Andrea Del Miglio - delman(at)
delman.it
Home page: 
http://www.delman.it
DSS Fingerprint: 88B0 6F9D 8256 4BF6 9156  978B 7FF6 5428 7E2C 067D
*Real hackers don't die, their TTL expires.*


cazzo c'hai raggione, dove ho messo quel contatore di pennate che mi dice se
un chitarrista è una pippa o meno???? O_O
;))))))))))))))))))))))))))
Tiaplo

 devo sapere che cosa usano in una canzone :)
http://www.underworld.net/radiohead/guitar/gear.htm
Radiohead gear
By Oliver Labone
Section 1: Guitars
The boys have gone through quite a few different guitars since they started
out, but there are some makes and models which are particularly popular and
have been used consistently for many years.
Thom: Without doubt, Thom's favourite guitars are Fender Telecasters. He has
used Teles widely from the Pablo Honey period right up until the present.
Thom's most used Teles are Telecaster Deluxes and Customs. These Tele models
came out in the '70's and are instantly recognisable by the fact that they
have a much larger pickguard than normal Teles and that they have one or
more humbucker pickups. The Telecaster Deluxe has the larger pickguard and
two humbucker pickups with a hard-tail or tremolo bridge; it also features a
'70's style Stratocaster neck and enlarged headstock with the bold Fender
logo. The Telecaster Custom is much the same as the Deluxe except it has
only one humbucker and has a normal Tele 3-saddle bridge and bridge single
coil pickup; it also has the traditional small Tele headstock but with the
bold '70's Fender logo. At last count Thom had two Deluxes and one Custom.
Live, these guitars can be seen on My Iron Lung and other songs.
Thom uses other Teles as well. During the Pablo Honey period Thom had a
Thinline- Tele which he customised to suit his needs. It originally had
standard Tele neck and bridge single coil pickups and, strangely for a
Thinline-Tele, a normal Tele pickguard. He then had it customised with the
pickguard and standard neck pickup being removed and being replaced with a
black single coil in the neck and a black uncovered humbucker in the middle;
the standard Tele bridge and bridge pickup were left in place. This guitar
can be easily recognised by the Japanese naval flag sticker behind the
bridge. He also had a standard Tele during this period which can be seen in
the photo on the inside of the Pablo Honey booklet.
One of Thom's favourite Teles now is a highly customised blond Tele with a
black pickguard. It has been modified so that it has two humbuckers, a
hard-tail bridge, and a Stratocaster neck and headstock; it also features
the jack input on the control panel rather than on the curve of the body.
This Tele can be seen live most frequently when the band play The Bends.
A guitar that Thom began to use quite frequently on the OK Computer tour was
his Fender Jazzmaster. The Jazzmaster was a sixties surf music guitar and
came into fashion again (along with the Jaguar) with the alternative music
scene. Thom's Jazzmaster is a reissue made in Japan (Jazzmasters have just
now started to be produced in the USA again) and is black with a white
pickguard. Thom uses it live on Airbag, Lucky, and Street Spirit among other
songs.
A guitar that Thom used to use quite often was his Gibson SG Standard. This
guitar was used during the Pablo Honey period but has not been seen for
quite sometime. Either it has fallen out of favour with Thom or it was one
of the instruments which was stolen on one of the boy's US tours. It can be
seen on old band footage in songs such as Stop Whispering.
A guitar which Thom purchased during the OK Computer tour and one which has
become quite a favourite is a Rickenbacker 330. Thom reportedly liked Ed's
Rickys so much that he went out and bought one himself. He uses it in the
Studio and occasionally live.
Acoustic guitars are a big part of Radiohead's sound and are always played
live and in the studio by Thom. During the Pablo Honey tour period Thom's
main acoustic was an electro-acoustic Takaminie. Nowadays his two main
acoustics are two black electros, K. Yairi Dy-88's. He also occasionally
uses an old Gibson Hummingbird fitted with a Fishman pickup. Thom's
acoustics can be seen on a wide range of songs live including Paranoid
Android, Fake Plastic Trees, and Karma Police.
Ed: If Thom can be associated with his Teles then Ed can be associated with
his Rickenbackers. Ed is one of the best advocates for Rickys in modern
'90's music and owns quite a few. After the band got their first advance
from their record company, Ed brought two Rickys, one blond 360 (possibly a
twelve-string) and one red 360. These were used extensively in the Pablo
Honey and Bends periods. Ed now uses three newer Rickys on stage and in the
studio, Two fireglo 360's and one jetglo 360/12 (a twelve-string version of
the 360). These Rickys can be seen on many live songs including Karma
Police, Bones, and The Bends.
On stage Ed also uses two Fender American Standard Stratocasters. These
Strats are pretty standard apart from the fact that they have gold
lace-sensor pickups and the standard white pickguards have been changed to
clear plastic ones. Ed uses the strats because "they are really solid for
effects stuff". He extensively uses the Strats non-synchronised tremolo
bridge along with an E-bow (see effects section) on songs such as My Iron
Lung and Subterranean Homesick Alien.
One guitar that is one of Ed's favourites is a home-made hybrid known as
'plank'. This guitar was made for Ed by one of the bands guitar techs, Peter
Clements, and is a composite of several other guitars. It has a Rickenbacker
body with humbuckers fitted and has a Gibson neck. Ed really loves this
guitar and uses it frequently. It can be seen live on You and the new track
Follow Me Around.
Another semi-acoustic guitar that Ed occasionally uses is a 1967 Gibson
ES-355. This guitar design has been around since the late '50's and is
closely related to the more popular ES-335.
Ed has just recently purchased another guitar for recording on the new
album. It is an American Standard Tele in olympic white with a rosewood
fretboard; it has not been modified and has all standard features.
Jonny: Without Jonny and the wide variety of sounds he brings to Radiohead's
music, the band would sound very different. Although Jonny says that "the
reverence given to guitars annoys me", he does have several models which he
particularly favours. Like Thom, Jonny's favourite guitars are Telecasters,
which are very heavily modified. Although Jonny has owned quite a few Teles,
the ones he uses live now are two customised Telecaster Plus's which can
only be distinguished from each other by the different stickers on the
pickguards. The Telecaster Plus was a model introduced by Fender in the
early part of the '90's and continued to be produced until around 1995. They
are very similar to an American Standard Tele, the most noticeable
difference being the pickup configuration. The Tele Plus features one
lace-sensor pickup in the neck position and two lace-sensors mounted on a
metal plate in the bridge position which are wired together to create a
humbucker. The pickups on Jonny's Tele Plus are a blue lace-sensor in the
neck and red lace-sensors in the bridge; red lace-sensors have a very high
output, as much if not more than a humbucker. The standard Tele bridge which
normally contains the neck pickup is replaced by a small hard-tail bridge.
The control panel has also been extensively modified on the two models and
features extra controls such as a coil-splitter. His Teles also feature a
device known as a cut-off switch which, as the name suggests, cuts the
signal from the pickups to the amp; this device gives the guitar a stuttered
effect. These Teles are Jonny's work-horses and can be seen on almost any
recent Radiohead footage.
Jonny had other Teles before these two, some standard and some modified.
Jonny, along with the others, lost several instruments when they were stolen
on a US tour. Two of Jonny's favourite Teles were lost in this theft, much
to his disappointment.
Besides his Teles, the only other guitar that Jonny uses on stage is a
Fender Starcaster. The Starcaster is a rather obscure model which was
produced by Fender for a short time in the mid to late '70's to compete with
the Gibson arch-top range. Examples of these Fender arch-tops are quite hard
to find and Jonny's model is probably quite rare. The guitar itself is
basically an arch-top similar to a Fender Coronado but with an off-set waist
and horns of a different length to each other; it has two humbuckers and a
hard-tail bridge, along with five tone and volume controls. This guitar is
used by Jonny most notably on Subterranean Homesick Alien.
Colin: Colin's set-up is quite straight forward and fairly typical for a
rock bass player. Colin, almost without fail, always uses Fender Precision
Basses in the studio and on stage. Colin has a wide collection of P-basses
but all are fairly standard in their features. The only other basses Colin
occasionally uses are Music Man Stingrays which can be seen during the Pablo
Honey period.
Section 2: Amplification
All the boys have used pretty much the same amp set-ups since they began and
they seem to be happy with the sounds they are achieving. Most members use
more than one amp to get different types of specific sounds.
Thom: Thom uses one main amp which seems to suit all of his needs and that
is a Fender Twin Reverb. Twins are quite a powerful combo running 85 watts
through two 12" speakers. They are known for there very clean signal, even
at high volume levels. Thom uses the Twin for all his guitar work and uses a
distortion box when he needs it dirty. Sometimes a second Twin is placed on
stage as a back-up amp. Thom's Twins normally sit on the drum riser in front
of Phil's drums.
Thom has just purchased a Marshall Bluesbreaker combo and is using it at the
moment in the recording of the new album. The Bluesbreaker is a 40 watt
combo which was produced by Marshall in the '60's and was reissued in the
'90's.
Ed: Ed uses two to three amps in his onstage rig. Like Jonny, Ed uses a Vox
AC-30 Top-Boost combo loaded with blue-back alnico speakers. AC-30's were
introduced in the '60's and were a big part of the British music invasion.
In the '90's, due to popular demand, the AC-30 was reissued. Ed loves the
sound of the reissue AC-30 but says he would also love to hear a vintage
1960's Vox.
As well as the Vox, Ed uses one to two Mesa-Boogie combos. Normally a
Dual-Rectifier Tremoverb, which he really loves and uses widely, especially
for more overdriven numbers.
Jonny: Jonny uses two amps in his onstage rig. The first is a Vox AC-30,
identical to Ed's. Jonny is also a big fan of the classic Vox sound and has
been using AC-30's for quite a long time.
In conjunction with the AC-30, Jonny also uses a Fender Deluxe '85, a Fender
model from the1980's (this can be told because of the red control knobs, a
feature of Fender '80's amps). The Deluxe is a transistor amp and is a
particular favourite of Jonny's which he purchased even before the band got
their advance from Parlophone.
Colin: Like many bass players, Colin doesn't use just one amp but combines a
variety of power amps and pre-amps in a rack system to get a very unique
sound. Because of these amps being in a rack it is hard to tell exactly what
each make and model is. One amp Colin does use frequently is a
Gallen-Krueger 800 head. As far as speaker cabinets go, Colin normally uses
two Ampeg 4x12 cabinets in a stack, or alternatively an Ampeg 8x10 cabinet.
Section 3: Effects
Radiohead obviously use a wide range of effects to create the many different
sounds that appear on their records. By combining different combinations of
effects and interplaying with each other they are able to create an amazing
soundscape. Effects are harder to determine than other pieces of gear as
they are not nearly as visible, but I have tried to be as accurate as
possible.
Thom: Thom is pretty much a rhythm player and, as such does, not use that
many effects. He usually leaves the effects work to Ed and Jonny and
maintains a steady rhythm that pulls all the different parts together. Among
the effects Thom does use are a Pro-Co Turbo Rat Distortion pedal which he
uses for many of the heavier songs ie: My Iron Lung; and a Boss DD-5 Digital
Delay pedal. Thom also runs his guitars through a Marshall JMP-1 pre-amp to
access other tones.
Ed: Ed is an essential part to the Radiohead sound production process and
uses his effects to create some amazing sounds (it was Ed who came up with
the sound at the beginning of Lucky). Ed combines an assortment of effects
pedals with his Korg multi-effects rack to get some interesting textures.
Among Ed's pedals are a Digitech Whammy-Wah, a Marshall Shredmaster
Distortion, a Companion Distortion, a Jim Dunlop tremolo, a Lovetone
Meatball envelope filter, Electro-Harmonix Small Stone and Electric
Mistress, Roland Space-Echos, a Boss DD-5 Digital Delay and Boss
rack-mounted delays, MXR Phaser, and an AMS digital delay (it is this unit
that achieves the effect at the end of Karma police). Ed also has a Korg A-2
multi-effects unit which is contained in a rack and was used widely on The
Bends. A distinctive sound which Ed makes is created by using an E-bow (a
device which when held over the strings makes them vibrate and oscillate)
together with the tremolo bar on his Strat to get a droning effect which is
heard very clearly on My Iron Lung.
Jonny: Out of all the members of the band, Jonny is probably the one who
creates the sounds that are most distinctly Radiohead. On stage he dodges
between guitars, keyboards and samplers to create a unique sound. Like Ed,
Jonny has two flight cases packed with pedals as well as equipment mounted
in racks. Jonny is quite secretive about the effects he uses and the order
in which they are connected as he does not want to let out too many trade
secrets. Suffice to say he has a very large pedal collection including:
Marshall shredmaster and Pro-Co Rat distortion, Boss SD-1 Super Overdrive,
pitch-shifting, Small Stone phaser, tremolo (home made), flanger, Roland
Space Echo and Boss DD-5 digital delay, a Boss LS-1 line selector (used for
switching between different amps and patches), and a rack-mounted Mutronics
Mutator (this is the unit which gives the Paranoid Android end solo its
distinctive sound) among others. The effect used on My Iron Lung to get that
distinctive sound on the solo notes is a pitch-shifting effect found on the
Digitech Whammy-Wah (a favourite pedal of both Ed and Jonny's).
Colin: Colin does not use a huge range of effects on his bass, but one
particularly noteworthy pedal is a '60's Japanese fuzz pedal which the boys
picked up while on tour in the states. It is this pedal which creates the
distorted bass at the end of Exit Music (for a film). As well as this are a
Companion distortion pedal, a Novation Bass Station synth, DBX 160
compressor, and an Alembic tube pre-amp.
Section 4: Miscellaneous
This section is basically to catalogue all the other pieces of Radiohead's
gear which do not fit into any of the other sections. It contains some
instruments and other odds and ends which I thought may be of interest.
Drums: Phil has only used two makes of drums in his time with Radiohead.
During the Pablo Honey era he used DW drums along with K cymbals; the kick
drum of this kit had the distinctive Radiohead 'r' which the group no longer
use. Phil now has a deal with Premier drums and uses them on all studio and
live performances, along with these, he uses Zildjian cymbals.
Keyboards: Radiohead use quite a few different makes of keyboards to further
texture and layer their sound. On stage, their main keyboard is a Fender
Rhodes Suitcase Piano, a model which was designed in the '60's; the example
Radiohead have was probably manufactured in the '70's. The amp circuit for
the Rhodes is inside the piano itself and is run through a 4x12 cabinet that
sits underneath the piano. The Rhodes piano is used live on such numbers as
Karma Police, with Jonny playing, and Subterranean Homesick Alien, with Thom
playing.
As well as the Rhodes on stage, Jonny also has a couple of midi based
keyboards which contain a wide range of effects, including the choir voices
used on Exit Music (for a film).
Jonny also uses an Emu vintage keys synthesiser module which is played
through a Fatar controller. A Hammond XB-2 is also frequently used; Jonny's
one is digital unlike most Hammonds.
Finally, in the studio, Jonny has a Moog Rogue keyboard (a model produced by
Moog for a short period in the early '80's) which can be manipulated for a
varying degree of sounds. It can be seen being used by Jonny in the studio
section of the 'Meeting People is Easy' video.
Samplers: Jonny has two identical samplers on stage which are produced by
Akai. These contain the samples for songs such as No Surprises.
Strings: The majority of the boys use Elite .10's. Colin uses Elite Stadium
Series strings on his basses.
Picks: The boys use Jim Dunlop nylon .60mm picks.
Strap Locks: All the boys have one form or another of Strap locks on their
guitars. Thom has Jim Dunlop Strap-loks on some of his guitars and Schaller
Strap-locks on others. Ed has Schaller Strap-locks on all his guitars. Jonny
has Schaller Strap-locks on all his guitars. Colin mainly uses Jim Dunlop
Strap-loks on his basses.
I hope this article has been helpful to those of you with questions about
Radiohead's gear. If you have any further questions or any additions to this
article, please E-mail me on: 
r...@designworks.co.nz

 uscite da ignorante proprio mi girano le palle... ok finito.... saluta
billy
io sono solo contro la gente che colleziona stronzate seguendo le mode...
billy corgan ha 2 suoni, uno brutto e uno bruttissimo, sentito dal vivo.
Ora, mi spieghi perchè per ottenere quei due suoni ha dovuto spendere 40.000
dollari quando poteva prendere un valvestate e tre pedalini?

 gli assoli.
quello che volevo dire, mi spieghi che se ne fa di un orville nello stesso
rack con un MPX2 e un Valve FX? Che farà mai per avere bisogno di tutta sta
roba?

 dollari quando poteva prendere un valvestate e tre pedalini?
Lo sappiamo che sei l'unico che sa tirare fuori suoni splendidi da strumenti
scarsi... non tutti sono cosě bravi.


vedo che sei una persona di un'apertura mentale incredibile, basta criticare
le scelte dei tuoi idoli e cominci a rispondere come alle medie...

 dollari quando poteva prendere un valvestate e tre pedalini?
dal vivo è una cosa, ma lo STUDIO e la RICERCA del suono si fanno anche
attraverso l'effettistica (non ti sto dicendo cose che non sai , lo so), chi
si può permettere di farlo cerca sempre di tirare fuori da certe macchine
solo le cose per cui sono state progettate, per esempio c'è chi compra dei
reverberi della T.C. solo per avere un BEL riverbero, insomma, dato lo
stampo prettamente sperimentale del genere degli smashing pumpkins, non
trovi giusto che usi molto materiale per RICERCARE?
Diablo


sono d'accordo, ma quello che hai tirato fuori tu mi sembra fosse il suo
live rig.


a parte che non l'ho scritto io ma cmq non ci credo che dal vivo ha due
suoni (non l'ho mai visto tutto un concerto, purtroppo)....
Diablo

suoni (non l'ho mai visto tutto un concerto, purtroppo)....
Io si: nel 98 mi pare di ricordare, su una piattaforma galleggiante,
nel porto di genova. Indimentaicabile serata....


 ha scritto nel messaggio
news:0PX48.30124$Rv3.1...@news2.tin.it...

Io l'ho sentito dal vivo, uno dei più bei concerti della mia vita, ma non
sono i suoni che mi hanno impressionato.

 ha scritto nel messaggio
news:7iV48.15572$761.5...@twister1.libero.it...

Non sono sicuramente i miei idoli. James Iha mi fa abbastanza schifo
onestamente, i suoni dell'ultimo album non mi appassionavano, ma mi sembra
proprio che tu esageri


allora, io ho solo detto che per avere i suoni che ha lui bastano un ampli e
un multifx Korg, mi squarta dal ridere vedere la gente che colleziona
effetti per avere sempre lo stesso suono!
Io per esempio ricerco molto con i suoni, e gią con una macchina sola
programmandola si possono fare cose incredibili.

 programmandola si possono fare cose incredibili.
Beh... forse alla base di tutto c'è un malinteso. A me i suoni che piacevano
un sacco erano quelli di Gish, Siamese Dream e Mellon Collie, l'ultimo album
non mi piace granchè, hanno un suono molto... valvestate? Boh, spero per
loro di no. Secondo me è qua che sbagli, ha una miriade di suoni, live ne ho
sentiti milioni (mai di persona, sarà questo che mi frega?) e si è evoluto
tantissimo da un album all'altro, e molto anche all'interno degli stessi
(sempre a eccezione di Machina che invece è anche molto più uguale a sè
stesso). Boh. Adore è una cosa a parte, mi fa schifo in ogni sua più piccola
sfumatura, non sono riuscito a trovare qualcosa che si salvi.

| mi spiscia dal ridere e un po' mi incazza vedere uno che usa tutto sto ben
| di dio per ottenere i suoni che ha... mi sembra uno che si fa progettare
un
| cannone laser a energia solare per dare la caccia alle zanzare!
|
Ma tu sai solo gettare merda sui gusti degli altri?
Ma tientele per te queste cose no? Ti crei delle antipatie per niente. A me
ad esempio Vai non piace ma non rompo il cazzo a tutti quelli che se ne
vengono fuori con un post riguardante Vai......

| allora, io ho solo detto che per avere i suoni che ha lui bastano un ampli
e
| un multifx Korg, mi squarta dal ridere vedere la gente che colleziona
| effetti per avere sempre lo stesso suono!
|
| Io per esempio ricerco molto con i suoni, e gią con una macchina sola
| programmandola si possono fare cose incredibili.
E io insisto a dirti che a mio parere tu non arrivi nemmeno al calzino di
Iha e Corgan a farti i suoni perchč in confronto a loro non hai una giornata
di esperienza sui palchi. Con un Pod riesci a fare qualsiasi cosa, chiunque
dopo due settimane di uso intenso e ragionato ne sarebbe in grado, ma dal
vivo quei suoni semplicemente NON SUONANO!!!
Poi dovresti sapere che questa gente ha fior di ingegneri che sta dietro
alla progettazione dei loro setup e non č detto che tu sia meglio di gente
che magari si č fatta 10 anni alla Berkeley e 10 anni di tour con gli
AC/DC.....

 Iha e Corgan
la cosa non mi sconvolge.