Newsgroup: it.arti.musica.metal
Titolo: [REQ] Terrorizer

Chi mi dice qualcosa di questo gruppo (side-project?) in cui ha militato il
grande Pete Sandoval?
ciauz!
Mordred
--
"Let the metal flow"
       Chuck Schuldiner

grande Pete Sandoval?
Se non sbaglio hanno fatto un solo album, World Downfall del 1989.
Ovviamente e' death metal vecchio stampo... forse ascoltato ora non
farebbe molta impressione, ma credo che per l'anno in cui e' uscito
possa considerarsi abbastanza seminale :-)
ah, la line up faceva abbastanza paura: Jesse Pintado alla chitarra,
David Vincent al basso e Pete Sandoval alla batteria!!!
NP: Mammoth Volume - Instead of Circles
-- 
Mr Satan 
bac...@libero.it
 ICQ UIN 52262260
Supremo Generale dell'esercito di IAMMlandia
Slam Dunk Fans Club: 
http://digilander.iol.it/slamdunk
Collaboratore di Stargazer - 
www.stargazer.it
"Come! Mighty warrior! Come to help your t..y..your..OH GOD! OH GOD NO!"

Se non sbaglio hanno fatto un solo album, World Downfall del 1989.
Esiste anche uno split album con i Nausea, che tra l'altro avevano lo
stesso cantante, Oscar Garcia, ed erano da lui definiti la versione
"piu' punk" dei Terrorizer!
NP; Zeke - Live Wire


 "piu' punk" dei Terrorizer!
Sě, ma fondamentalmente erano entrambi gruppi grind-core!
--
MoonFish 2.1
   999
 ~:Born to Bleed:~
www.lupinaria.org/moonfish


C'era pure David Vincent al basso
Killer

 Ovviamente e' death metal vecchio stampo... forse ascoltato ora non
[]
Ma assolutamente no!!!! Fanno grind, 16 pezzi di velocissimo e molto pulito
(dal punto di vista sonoro) grind
Killer


An anthropologist considering grindcore as the resurrection of
hardcore from its decay into moral orthodoxy polarized through novelty
will trace the emergence of absolutism in rhythm in death-of-hardcore
grinding music, and conclude, of the two major paths, percussive grind
like Carcass or Napalm Death and structuralist ripping grind like
Repulsion or Terrorizer, that the second form took its rigid
geometrical projection from the apocalyptic sense of superpower
entrenchment and paranoia inverted against an external enemy in the
form of aggressive, heuristic free-narrative ambient grindcore.
Deconstructively empowered this music attacks with warlike rhythm and
a stream of structures like scrolling computer code that assemble a
vision of terror and paranoia in three layers or fewer.
Most who enjoy this work however will suggest it is the uniqueness and
context-significant shaping of the riffs alone, from the one chord
rhythm or open string interplay to the chromatic motion patterns spun
in tremelo rhythm at high speed, that founds this music in the
legendary history of grindcore but it is vital to remember these
rhythms and tones spawned as variants from each incarnation put
together a direct and fragmentary meme to each song which constructs
in the listener's mind a wave of certain motion, not unlike the
dogmatic but insistent topics of universal human experience ("Fear of
Napalm": "nowhere else/left to hide/people screaming/burn to ash/fear
of dying/guess who lost") which adorn the music in rigid gutpuking
alternating with pure timbre in organic guttural shrieks
indecipherable to language. 
Enlightened in its sense of motion, direct in its communication to the
listener, and while sparse in its construction expressive in
recombinations of a handful of elements, expressing the basic
structure of grindcore as micro-meme transmission through the energy
of motion and darkly nihilistic chromatic tone, the songwriting on
this album reflects an offhand zenlike response to stimulus through
conditioning of layers of thought clarifying the perceptive
interpretative process. Fluid in motion and in counterpoint-response
networking advanced enough in technique to have an intuitive internal
language, the compositional voice of these short pieces articulates
through reflections of integration and decomposition within artificial
structures conforming to natural shapes of directional change. 
Rhythmic shifts, when tempo alters for a breakbeat of blast or
oppositional interjection to structures, express fundamental structure
in these often two-riff songs whose rarer alterations take great
significance in their precise counterpoint to dominant riffs. Crucial
for its time and now in expressing the development of this completely
alienated genre, the music of Terrorizer is rigorous yet artistic
expression aimed at rewarding both body and mind of the listener.
</>
-- 
beast '84
STAY ROTTEN!!

(dal punto di vista sonoro) grind
Chiedo scusa, evidentemente ricordo male io (mi sembrava death... boh,
li ho ascoltati un sacco di tempo fa'!!!) :-)


 tremenda, da avere assolutamente.
[CUT]
Grazie delle info, a te e a tutti gli altri!!
Domanda 2: Si trova ancora in giro, vero?


 Domanda 2: Si trova ancora in giro, vero?
Nei negozi (almeno dalle mie parti) la vedo dura....prova con qualche
catalogo di vendita per corrispondenza, non necessariamente specializzato in
metal e hard rock (tipo -Sweet Music-, -Top Ten-) puo' anche capitarti la
classica botta di culo di trovarlo a prezzi veramente ridicoli.
--
Alessio "The Sentinel"

 Domanda 2: Si trova ancora in giro, vero?
Ce l'hanno praticamente tutti i mailorder seri, nei negozi non l'ho
mai visto ma credo che si possa ordinare facilmente.
