Newsgroup: it.arti.musica.rock
Titolo: Voglio venirvi incontro

E vi segnalo che sta per iniziare su una radio statunitense (HBO) lo 
DAVE STEWART SHOW. Molti di voi, ignoranti del cazzo, non sapranno 
nemmeno chi sia Dave Stewart, ma non importa. E' stata registrata nei 
giorni scorsi la puntata con gli U2 ospiti e verrà trasmessa il 24 
novembre. Gli u2 hanno parlato della loro raccolta, U218, e del nuovo 
singolo che, quasi sicuramente, si chiamerà "Window In The Sky". Ci 
saranno ospiti eccezionali in questo show, tra cui Eric Clapton.

 ha scritto nel messaggio 
news:MPG.1f99c2d6f...@news.linuxfan.it...
E vi segnalo che sta per iniziare su una radio statunitense (HBO) lo
DAVE STEWART SHOW. Molti di voi, ignoranti del cazzo, non sapranno
nemmeno chi sia Dave Stewart,
quale dave stewart, fenomeno? ne esiste più di uno legato alla musica 

 ne esiste più di uno legato alla musica 
Ti confondi con Rod.

 Ti confondi con Rod.
E con Al.
-- 
"E' tipico dei cretini cercare di risollevarsi dalla propria situazione
chiamando fessi gli altri." - sentichiparlacci, 01.10.2006 

Ti confondi con Rod.
LOL!!!
http://en.wikipedia.org/wiki/Dave_Stewart
-- 
MarKco (ICQ #228664405 - MSN 
ilsecondo...@hotmail.it
)
 
http://sole-luna.splinder.com
Triste e' l'uomo
che ama le cose
solo quando si allontanano.
(Baolian, libro dei pensieri Baol, I, vv. 1240-1242)


***e il tastierista di Hatfield & The North + National Health (ovvero due
delle più grandi band Canterbury) come si chiamava?
UCTS <°(((((><
--------------------------------
Inviato via 
http://arianna.libero.it/usenet/

 nemmeno chi sia Dave Stewart, ma non importa.
Come siamo caduti in basso...
Prati, chi è questo minkione?

Prati, chi è questo minkione?
Non sono Prati e non lo so; fatto sta che, grazie a te, continuo a leggerlo.

 quale dave stewart, fenomeno?
Eurythmics.
Ah, quello.....era meglio l'altro Dave Stewart!
Ma forse sei ignorante soprattutto tu! :-)
bye
 gepppppppp

 Ah, quello.....era meglio l'altro Dave Stewart!
Decisamente. Questo qui è pura merda.

 saranno ospiti eccezionali in questo show, tra cui Eric Clapton.
Me lo ricordo da quando suonava nei National Health ed era giovanissimo.
E' un prodotto della mia adorata scuola di Canterbury, cazoz!

 
http://en.wikipedia.org/wiki/Dave_Stewart
Mettete una pezza a quello scempio. Il Dave degli Eurithmycs e' lo stesso
dei National Health. A quanto mi risulta.

 DAVE STEWART SHOW.
preferisco hot club di SKY: c'è tua moglie. 

 dei National Health. A quanto mi risulta.
(Ed è molto probabilmente lo stesso che suonava per Steve Hillage, visto che
anche lui gravitava attorno a Canterbury, ma vediamo il sito ufficiale di
quella scena che dice al riguardo:
Dave Stewart deserves the most consideration. And although he has moved away
from this musical genre in the last two decades, to launch a successful
career in pop music with his partner Barbara Gaskin, his essential
contribution to the music of Hatfield and the North and National Health is
still fondly remembered.
David Lloyd Stewart was born in Waterloo (London) in 1950. Developing an
interest for rock and pop in his early teens, he soon took up the guitar,
until that fateful day when he made the acquaintance of Steve Hillage and
Mont Campbell, two other pupils at the City Of London School. When Hillage
and Campbell decided to form a band together, Stewart, who also wanted to be
involved, decided - given Hillage's precocious talents on the guitar - to
switch to organ. Thus with the recruitment of drummer Clive Brooks, Uriel
was founded. At that point, one of Stewart's major influences was The Nice,
the organ trio led by Keith Emerson, so he added a light classical touch to
Uriel's mainly blues-oriented repertoire. When Hillage left following a
summer residency at the Ryde Castle Hotel on the Isle of Wight, the band
became a trio and renamed itself Egg.
With Campbell developing writing skills, Egg eventually dropped cover
versions in favour of an entirely original repertoire. Although writing
credits on both the band's albums on Deram - Egg (1970) and The Polite Force
(1970) - were collective, Stewart later admitted that "95% of Egg's music
[had been] written by Mont Campbell". In fact, the first outlet for his own
compositions was provided by a parallel venture named The Ottawa Music
Company, a large rock orchestra he formed with then-flatmate Chris Cutler
(later of Henry Cow). This was a sort of "rock composers' orchestra" which
was active around 1971, and at various times involved the members of Egg,
Khan and Henry Cow, and others. Pieces by various members of the orchestra,
plus covers of Robert Wyatt and Frank Zappa material, were performed, but in
total only a handful of gigs took place. It would be a couple more years
before Stewart would be able to put his writing skills to good use, with
Hatfield and the North.
Egg eventually came to an end in the Spring of 1972, at which point they had
been dropped by Decca and Mont Campbell had lost faith in the band. For a
while, Stewart and Brooks thought they might continue with another bass
player (the name of Hugh Hopper was considered), but Stewart later confessed
he didn't feel confident enough to become the main writer in a group. Having
guested on the debut album by Steve Hillage's new band Khan, he accepted
Hillage's offer to join Khan, and toured with them until the guitarist went
off to tour France with Kevin Ayers, then Gong. The following months (late
1972-early 1973) were very hard for Stewart, who after recording a demo with
the ex-Khan rhythm section was involved in a series of "menial" non-musical
jobs, until an unexpected telephone call from one Pip Pyle came to rescue
him.
It was by then February 1973, and Dave Sinclair had just left Hatfield and
the North, who were now looking for a keyboard player. Following a quick
audition, Stewart was offered the gig, and accepted. With a pedigree of Phil
Miller (ex-Matching Mole), Richard Sinclair (ex-Caravan) and Pip Pyle
(ex-Gong), the band was quickly signed to the emerging Virgin label and
recorded two albums - Hatfield and the North (1974) and The Rotters Club
(1975) - and a single - "Let's Eat (Real Soon)" (1974) - and toured Europe
extensively. Although the composing duties were shared equally by band
members, Stewart was the most prolific writer, providing Hatfield with
complex epics such as "(Son Of) There's No Place Like Homerton" or "Mumps".
While a member of Hatfield, Dave also took part in other musical ventures.
One was the embryo of a later fertile musical relationship with fellow
keyboard player Alan Gowen. Already acquainted with Phil Miller, Gowen wrote
special arrangements for two double-quartet gigs by Hatfield and his own
band Gilgamesh, which took place in November 1973 in Leeds and London. This
was the precursor to National Health. Stewart was also offered the
opportunity of reforming Egg for a final album (containing mainly material
dating from 1971 and previously unrecorded), The Civil Surface (1974),
released on Virgin's subsidiary label Caroline. Also in 1974, he guested on
Steve Hillage's debut solo album, Fish Rising (1975) - which included some
leftovers from the pair's Khan days - and at Robert Wyatt's legendary Drury
Lane comeback concert.
After Hatfield and the North split up in early June 1975, Stewart joined
Gong for a brief spell, staying with the band in France for a tour later
that month until Patrice Lemoine was recruited as new keyboard player.
"Steve Hillage and I were school mates, and when he joined Gong, Hatfield
and the North would often play concerts on the same bill. These gigs were
great fun, and sometimes we'd all jam together during the encore... After
Hatfield split, I did a few gigs with Gong, and spent a bit of time with
them in France, but it was just a temporary thing - highly enjoyable
though".
Then, having kept in touch with Alan Gowen and helped produce Gilgamesh's
debut album, he and Gowen decided to form a new band together, National
Health (named after Dave's glasses!). The original plan was to have nine
musicians - two guitarists, two keyboard players, one bass player, one
drummer and three vocalists - but, though the first line-up included seven
musicians, it was progressively trimmed down to just four. Similarly, the
band's musical direction changed over the years. Under Stewart's influence,
it became more melodic and got away from the neo-classical, ultra-complex
pieces written by Mont Campbell (the former bass player of Egg, who shared
the composition work with Stewart and Gowen until his departure in
mid-1976), and the improvisational leanings of jazz-influenced Alan Gowen,
who also left in early 1977 (although he appeared on the first album in a
full member role, albeit with a guest credit). While a member of National
Health, Stewart found time to appear on Hugh Hopper's solo album,
Hoppertunity Box.
By mid-1978, however, and the sessions for Of Queues And Cures, Stewart had
started to lose faith in National Health. This was due both to the hard
financial situation of the band, and conflicting views with the other
members on its musical direction. So in November 1978, he left and soon
joined up with Bill Bruford. Stewart had already collaborated with Bruford
(the original drummer in National Health, and also, of course, the former
drummer with Yes and King Crimson) on his debut solo album, Feels Good To
Me, and the other two main contributors to that album - Allan Holdsworth
(guitar) and Jeff Berlin (bass) - were invited to join the new band.
Although Stewart helped a lot with the arrangements, and wrote or co-wrote
several pieces, he was however frustrated with not being the leader and main
writer, and worked on his own projects as a sideline.
One of these projects was a collaboration with Hatfield/National Health's
roadie and live sound engineer Rick Biddulph, also a bass player and
vocalist. This resulted in the formation of a parallel band, Rapid Eye
Movement, with Pip Pyle on drums and Jakko Jakszyk on guitar and vocals. It
was mainly active for a series of concerts in 1980-81 after Bruford (the
band) had more or less ground to a halt following the second of two summer
American tours. At that point, National Health had also split up.
R.E.M. (not to be confused, of course, with the American band of the same
name) would be Stewart's last band venture, as during that period he started
working on solo material which eventually led to his partnership with
Barbara Gaskin. The starting point was a cover of Jimmy Ruffin's hit "What
Becomes Of The Brokenhearted", which he toyed around with and eventually
recorded, in an instrumental form, during spare time at a friend's studio.
Several singers (including Robert Wyatt and Julie Tippetts) were approached
and declined, until Colin Blunstone (Zombies, Alan Parsons Project and solo
artist) could be convinced to perform on it for no money. Although Stewart
failed to attract any label attention with the song, he was offered a
distribution deal by Rough Trade and created his own label, Broken Records.
The single was thus released and was an instant success (reaching #13 in the
British charts), thanks notably to the support of Radio One who started
playing it several times a day. This resulted in an appearance on 'Top Of
The Tops' in March 1981 and considerable sales.
For the follow-up, Stewart asked his longtime friend Barbara Gaskin (one of
Hatfield's 'Northettes') to sing, in her typically English way, on a cover
version of "It's My Party" which, with its eccentric and unusual
arrangement, was another big hit, both in Great Britain (#1 in September
1981) and Germany (#1 in November 1981). During that period, Stewart took
part in the reformation of National Health to pay homage to the late Alan
Gowen, playing three concerts and recording an album - D.S. Al Coda - of his
unreleased material. And towards the end of 1981, work started on
Stewart-Gaskin's first album.
Unfortunately, the duo took six months to produce Disappear, and by the time
they approached record companies looking for a contract (August 1982), they
were no longer interested. Thus Stewart-Gaskin remained independent,
releasing their works on Broken Records via license contracts with British,
American, Japanese and German labels. Up From The Dark (1985), released by
Rykodisc in the US, mixed excerpts from the never-released Disappear and
tracks from various singles released inbetween ("Busy Doing Nothing",
"Leipzig" and "I'm In A Different World"). Broken Records - The Singles, a
collection of singles' A and B sides, was released by Midi in Japan.
Finally, As Far As Dreams Can Go, also on Midi, provided listeners with the
remainder of the Disappear tracks, plus two extra songs (a cover of "The
Locomotion", featuring Jimmy Hastings' sampled sax, and "Make Me Promises").
Between 1987 and 1989, the first Stewart-Gaskin album conceived as such, The
Big Idea (1989), was recorded, and in 1991, Spin followed.
There has been very little live activity in the Stewart-Gaskin camp so far,
apart from a few London gigs (the latest of which took place in October
1996), a 12-date American tour in October 1991 (with guitarist Andy Reynolds
supporting the duo) as well as dates in Japan. Stewart has kept busy helping
friends on their recording projects. This includes production credits for
Jakko Jakszyk, Peter Blegvad, Nigel Planer (he of "Neil's Heavy Concept
Album" fame), a guest appearances on an album by The Ghoulies (a.k.a.
Charlie Summers) and regular collaborations with Phil Miller (on tracks from
his Cutting Both Ways and Split Seconds albums, and the National Health
Complete anthology). More recently, Stewart has contributed his keyboard and
production skills to much of Pip Pyle's solo album, Seven-Year Itch (1998),
alongside many of his former Hatfield and Health colleagues.
The new album by Stewart-Gaskin, on which work has been underway since 1991
(!), is slated for release sometime in the not-too-distant future. In
September 2001, the duo made a one-off return to the stage on the occasion
of a special concert in Japan.)
Lo ammetto, l'ho leggiucchiato rapidissimamente, ma non mi pare ci sia un
riferimento agli Eurythmics

 still fondly remembered.
E questo è l'altro Dave Stewart:
http://en.wikipedia.org/wiki/David_A._Stewart
. Sono due persone diverse (non
tre, come caldeggiato da wikipedia).

 tre, come caldeggiato da wikipedia).
Questo Dave Stewart qua, tra l'altro (e Wikipedia non mi sembra farvi cenno)
ha avuto, sě, contatti con certo prog (o meglio, con certo folk-prog), ma la
band con la quale ha avuto a che fare era ben lungi dalla scena Canterbury:
gli Amazing Blondel (per i quali ha fatto da roadie, si dice, senza mai
entrare a far parte della line up ufficiale)

 preferisco hot club di SKY: c'č tua moglie.
Seghe anche lě, immagino. Ma non lo sai che si diventa ciechi, monellillino?
-- 
L'angolo della tecnicacci: "In ogni caso io piu' lo vedo e piu' leggo la 
definizione e piu' mi rendo conto che il termine carillon č assolutamente 
adatta. Non l'ho aperto, ma sono sicuro funzioni in questo modo, poiche' non 
č certo la punta che produce quel suono." - 05.10.2006 

 Seghe anche lì, immagino. Ma non lo sai che si diventa ciechi, monellillino?
Il nostro maialillino su it.jesi.sport.fantacalcio ha detto di scaricare 
  50 film porno al giorno


E ti risulta parecchio male, credimi!!!!
Ciao,
Mario 

 ha scritto nel messaggio 
news:yaky09n92g09$.15mqej3r5is8.dlg@40tude.net...

Perché tutti gli ignoranti prima o poi ce li dobbiamo trovare tra i 
coglioni?
-- 
"Du temps que la Nature en sa verve puissante
Concevait chaque jour des enfants monstrueux,
J'eusse aimé vivre auprès d'une jeune géante
Comme aux pieds d'une reine un chat voluptueux
J'eusse aimé voir son corps fleurir avec son ame
Et grandir librement dans ses terribles jeux;
Deviner si son coeur couve une sombre flamme
Aux humides brouillards qui nagent dans ses yeux;
Parcourir à loisir ses magnifiques formes;
Ramper sur le versant de ses genoux énormes,
Et parfois en été, quand les soleils malsains,
Lasse, la font s'étendre à travers la campagne,
Dormir nonchallament à l'ombre de ses seins,
Comme un hameau paisible au pied d'une montagne."
Charles Baudelaire

 ne esiste più di uno legato alla musica
Ti confondi con Rod.
immagino che tu conosca Hatfield & the North e National Health

 dei National Health. A quanto mi risulta.
ti risulta male 

 ha scritto nel messaggio 
news:1160756067.5...@f16g2000cwb.googlegroups.com...
BestNick ha scritto:


Prati, chi č questo minkione?
che ne so? 

  scaricare 50 film porno al giorno
ti faccio saltellare anche fuori isc, qui ormai mi basta un pareggio. 

 dei National Health. A quanto mi risulta.
che bestemmia...
S 

 dei National Health. A quanto mi risulta.
era anche lo stesso che correva in Formula 1 tanto tempo fa.

saranno ospiti eccezionali in questo show, tra cui Eric Clapton.
Gli "iutu" cmq fanno cagare palle da demolizione.
--
Alessio "The Sentinel"