Newsgroup: it.arti.musica.metal
Titolo: Nuovo 'Ryche: "Dedicated to chaos"

(blabbermouth)
Seattle progressive rockers QUEENSRŸCHE have set "Dedicated To Chaos" as 
the title of their twelfth studio album, tentatively due mid-summer via 
Loud & Proud Records, a Roadrunner Records imprint focusing on 
established artists. The band is currently planning a tour in support of 
the new opus, which was recorded in the group's hometown and produced by 
Kelly Gray.
"Modern life moves fast," singer Geoff Tate stated about the album. 
"Plug into the rhythm of the now with our twelfth studio album, 
'Dedicated To Chaos'. The clash and slash of musical experimentation 
anchored by the pulse of digital code." He did issue one suggestion to 
listeners as well, saying, "Enjoy — headphones are a must."
When asked about the progress of the recording sessions for the new 
QUEENSRŸCHE CD, Tate said in a recent interview, "We've been working on 
it steadily. We're kind of in the final stages of it now. And I'm 
looking forward to getting that done. It's a really long record, with 
really interesting, different music. I'm really excited for people to 
hear it because it's another kind of step in a different direction for 
us . . . We've been experimenting a lot with different musical 
brushstrokes [laughs], kind of pushing the envelope a little bit on 
everybody's performance and pushing them outside of comfortable ground 
and trying to do some different stuff. Which is kind of what got us into 
making records in the first place — the experimental side of painting 
the audio picture. And everybody still shares that way of thinking, 
which is pretty phenomenal when you think of a bunch of guys hanging out 
together for 30 years [laughs] — that we'd still have something to say."
In a 2010 interview with Attention Deficit Delirium, QUEENSRŸCHE drummer 
Scott Rockenfield revealed that the band's upcoming CD is taking the 
quintet in some new directions.
"I add a lot of film score elements or sound effects [into my drum 
work], especially on the new thing we’re working on right now," 
Rockenfield said. "Geoff and I have really spent a lot of time together 
redesigning the QUEENSRŸCHE thing, which you're going to love. It's huge 
rock but with a great dance vibe to it, real modern dance. It's kind of 
like 'Rage' ['For Order'] through a time tunnel, bringing it into the 
now. There are a lot of electronic elements to it. It's a big rock thing 
that is going to have a lot of color to it — it's good and really intense."
Regarding whether the new QUEENSRŸCHE album is a conceptual effort, Tate 
said, "In a sense, it is. It's a very contemporary record.
He continued, "'Empire' was a record of the time. Rock music was really 
the music of the times in 1990. Unfortunately, rock music isn't the 
music of the times anymore — it's very underground.
"What we're doing with this record is we're taking the 'Empire' song 
structure, in a sense, where it's very strong songs, very melodic, but 
we kind of restructured the rhythm section, and Scott's done an amazing 
job on restructuring that — him and Eddie [Jackson, bass] have just 
really gone to town, and they've made it very contemporary-sounding.
"These days, in comparison to the old days, people used to sit in their 
houses and listen to music right in the front room on their stereo 
system. People don't do that anymore. They plug in and they're mobile 
and they're moving and they're doing stuff and the music, they're 
listening to it as they're doing stuff. This music has that feel. It's 
very contemporary in the sense that it's very rhythmatic. The rhythm 
structure kind of reflects the way modern life is — we're all busy, 
we're all doing stuff. And Scott being the incredible drummer that he 
is, the various time signatures, the feel of the record, it's now — it's 
very, very now."
-- 
<<Spinoza saw that if a falling stone could reason, it would think
“I want to fall at the rate of thirty-two feet per second per second”>>
                                      (P. K. Dick)

 really gone to town, and they've made it very contemporary-sounding.
Questa merda l'ho già sentita per la presentazione di Q2K.
Bella merda, ma davvero colossale
Celebrimbor
-- 
"We have assumed control"
Neil Peart 1976
Celebrimbor #145 
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 slash
Ah... rocchettino commerciale, gibson, assolini, canzoncine, sissicerto!
Daniele
-- 
 my website: 
www.purrone.net
 - my rock photos: 
www.stargazer.it
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http://www.flickr.com/photos/daniele1974/
 
 il mio blog sulla Svezia: 
http://unitalianoinsvezia.com

 Questa merda l'ho già sentita per la presentazione di Q2K.
Io ho l'impressione che cercheranno di fare un mix fra Empire ed un Rage
For Order del 2011... magari senza riuscirci, chiaro! :-D


 For Order del 2011... magari senza riuscirci, chiaro! :-D
Seee..rage for order...come se la triestina vincesse lo scudetto...
Senza De Garmo è impossibile. E' vero che al'epoca Wilton è riuscito a
creare capolavori come I dream in infra red e Chemical youth...ma gli
acidi erano migliori nell'86


 For Order del 2011... magari senza riuscirci, chiaro! :-D
La mia paura è che invece non abbiano (poiché già in là con gli anni) 
conoscenze e cultura musicale aggiornata su quel che significa parlare 
di 'elettronica' oggi. Temo inserti 'vintage', non so se mi spiego (per 
chi l'ha sentito, penso a "The age of Ads" di S. Stevens, dove comunque 
certi suoni retrò hanno una loro funzione).
All'epoca di RFO potevano esser considerati degli innovatori, ma forse 
erano pienamente coinvolti e aggiornati su ciò che stava succedendo alla 
musica allora.
Oggi potrebbero invece pensare di voler fare i fighi con qualche inserto 
o con qualche sample, ma là fuori ci sono ragazzini che dal computer ci 
tirano fuori meraviglie. Il rischio di non centrare l'obiettivo è alto.
Avrei consigliato loro una collaborazione con Four Tet, Burial o Fuck 
Buttons. Comunque son curioso lo stesso.
G.


 tirano fuori meraviglie. Il rischio di non centrare l'obiettivo alto.
non mi aspetto certamente qualcosa di minimante avvicinabile a RFO per
qualità, ma magari qualche buon brano possono tirarlo ancora fuori.
L'impressione è che stiano cavando sangue dalle rape, ma penso che
nemmeno un De Garmo possa cambiare più le cose.
--
Eirinn

 nemmeno un De Garmo 
A me ormai De Garmo sembra proprio il Sacro Graal del Rychedom... ma
cosa ha fatto uscire di valido da quando è uscito dalla band ad oggi?


 A me ormai De Garmo sembra proprio il Sacro Graal del Rychedom
Un po' è vero, un po' è anche vero che non ha inciso quasi nulla.
Ha però collaborato alla stesura e all'arrangiamento di uno dei dischi 
più belli degli ultimi anni, "Catch without arms" dei Dredg.


 cosa ha fatto uscire di valido da quando è uscito dalla band ad oggi?
E' proprio il motivo per cui non vedo ho speranza nemmeno con un suo
eventuale rientro.
Tribe ne è la dimostrazione. C'era una sua collaborazione, ma non è
che sia stato 'sto gran discone
--
Eirinn