Newsgroup: it.arti.musica.rock
Titolo: Un amico mi ha masterizzato...


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5) Red House Painters - Red House Painters
The first of the group's two eponymously titled 1993 efforts is a
sprawling, remarkable set distinguished by Mark Kozelek's continuing
maturation as a songwriter; far removed from the uniform darkness of
Down Colorful Hill, Red House Painters offers an expansion of both
emotional and musical possibilities. Working outward from the cutting
"Mistress" -- included as both a Spartan piano ballad and as a gauzy
rock number -- the record moves through a shifting, impressionistic
backdrop of textures and sounds; from the luminous folk-pop of "Grace
Cathedral Park" to the epic dissonance of the gut-wrenching
"Strawberry Hill," the songs resonate with depth and poignancy, and
rank as Kozelek's most fully realized collection of compositions.
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6) The Elected - Sun, Sun, Sun
Even when on sabbatical from his "other" band Rilo Kiley, guitarist
Blake Sennett keeps a great distance from stagnation. In a record
driven by elongated performances and an unending interstate (and
recorded in various locales along the journey), this Sennett-fronted
foursome mirrors its highly commended debut Me First with another mix
of razor-sharp and patently droll songs&#151;this round with more of
an emphasis on beach-blanket pop than bell-bottomed country. The
nomadic Sennett boosts the usual orchestration with lap steel,
accordion and saxophone, but it is his own guitar, piano and falsetto
vocals that transport wistful tunes like the anxious "Not Going Home"
and the Doubting Thomas love song "It Was Love" (backed by Rilo
vocalist Jenny Lewis) into bare, intimate anthems. The melancholy
melodies of late compatriot Elliott Smith are recalled in the title
song, as well as the record's most reflective track, "Fireflies in a
Steel Mill." "Should we turn our tails and flee," Sennett asks, "Or
just sit tight and breathe deep?" Chances are he'd choose the former,
as the latter seems downright impossible. --Scott Holter

 Cosa gli masterizzereste in cambio?
La Decade di Neil Young.

 Cosa gli masterizzereste in cambio?
1) In Gowan Ring - Hazel Steps through a Weathered Home
2) Retsin - Sweet Luck of Amaryllis
3) Lalli - Tempo di vento
4) Willard Grant Cospiracy - Regard the End
5) Monster Movie - All Lost (il più slowdive-oriented dei progetti
post-Slowdive, forse)
6) The Optic Nerve - Forever and a Day
np: The Replacements - Let It Be
PS: Se volete inserirmi tra i contatti MSN, adesso potete (andando a
vedere la mia mail sopra)

 n.p. Replacements
Visto che adoro Lalli, Westerberg e pure Regard The end che mi dici di
tutta quest'altra roba a me totalmente sconosciuta?
1) In Gowan Ring - Hazel Steps through a Weathered Home
2) Retsin - Sweet Luck of Amaryllis
5) Monster Movie - All Lost (qua in realtà qualche parolina l'hai già
spesa...)
6) The Optic Nerve - Forever and a Day
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 6) The Optic Nerve - Forever and a Day
I Byrds col pepe nel culo, Dylan che si mette a suonare rock'n'roll in una
garage band. Rock americano tradizionale dei migliori. (Il disco è del 93,
ma sembra fatto nei '60). Veramente bello (e consigliatissimo a Uzzo, per
dire).
np: Monster Movie - All Lost

 Cosa gli masterizzereste in cambio?
1 edith frost, wonder wonder
2 chad vangaalen infiniheart
3 stefano pilia, the season
4 crooked fingers, bring on the snakes o red devil dawn
5 art of fighting, second storey
6 shapes and sizes, shapes and sizes
mik

> 6) The Optic Nerve - Forever and a Day
west coast pop art experimental band, eddai. :)
mik (part one)

 5 art of fighting, second storey
non male, anche loro perň non č che abbiano fatto clamorosi
passi avanti rispetto al disco precedente.
sempre belle le grafiche:
http://www.artoffighting.com/songspage.htm

 passi avanti rispetto al disco precedente.
anzi, uno indietro.

 sempre belle le grafiche:
http://www.artoffighting.com/songspage.htm
forse sono io, ma quelle 5 mazze da golf piantate per terra non mi
mandano in estasi :-))

 anzi, uno indietro.
imho uno avanti, almeno in 4 brani.
mik