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README.md
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@@ -392,7 +392,9 @@ To find out more about loading and preparing audio datasets, head over to [hf.co
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### Other Known Limitations
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For the notes music theory concept, there are 9,936 distinct note configurations. However, our dataset contains 9,
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## Additional Information
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### Other Known Limitations
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For the notes music theory concept, there are 9,936 distinct note configurations. However, our dataset contains 9,848 non-silent samples. The 88 silent samples at extreme registers are unvoiceable with our soundfont. With a more complete soundfont, all 9,936 configurations are realizable to audio.
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The silent samples are the following audio files: 0_0_C_10_Music_Box.wav, 0_0_C_56_Trumpet.wav, 0_0_C_68_Oboe.wav, 1_0_C#_10_Music_Box.wav, 1_0_C#_56_Trumpet.wav, 1_0_C#_68_Oboe.wav, 2_0_D_10_Music_Box.wav, 2_0_D_56_Trumpet.wav, 2_0_D_68_Oboe.wav, 3_0_D#_10_Music_Box.wav, 3_0_D#_56_Trumpet.wav, 3_0_D#_68_Oboe.wav, 4_0_E_10_Music_Box.wav, 4_0_E_56_Trumpet.wav, 4_0_E_68_Oboe.wav, 5_0_F_10_Music_Box.wav, 5_0_F_56_Trumpet.wav, 5_0_F_68_Oboe.wav, 6_0_F#_10_Music_Box.wav, 6_0_F#_56_Trumpet.wav, 6_0_F#_68_Oboe.wav, 7_0_G_10_Music_Box.wav, 7_0_G_56_Trumpet.wav, 7_0_G_68_Oboe.wav, 8_0_G#_10_Music_Box.wav, 8_0_G#_56_Trumpet.wav, 8_0_G#_68_Oboe.wav, 9_0_A_10_Music_Box.wav, 9_0_A_56_Trumpet.wav, 9_0_A_68_Oboe.wav, 10_0_A#_10_Music_Box.wav, 10_0_A#_56_Trumpet.wav, 10_0_A#_68_Oboe.wav, 11_0_B_10_Music_Box.wav, 11_0_B_56_Trumpet.wav, 11_0_B_68_Oboe.wav, 12_0_C_68_Oboe.wav, 13_0_C#_68_Oboe.wav, 14_0_D_68_Oboe.wav, 15_0_D#_68_Oboe.wav, 16_0_E_68_Oboe.wav, 17_0_F_68_Oboe.wav, 18_0_F#_68_Oboe.wav, 19_0_G_68_Oboe.wav, 20_0_G#_68_Oboe.wav, 21_0_A_68_Oboe.wav, 22_0_A#_68_Oboe.wav, 23_0_B_68_Oboe.wav, 24_0_C_68_Oboe.wav, 25_0_C#_68_Oboe.wav, 26_0_D_68_Oboe.wav, 27_0_D#_68_Oboe.wav, 28_0_E_68_Oboe.wav, 29_0_F_68_Oboe.wav, 30_0_F#_68_Oboe.wav, 31_0_G_68_Oboe.wav, 32_0_G#_68_Oboe.wav, 33_0_A_68_Oboe.wav, 34_0_A#_68_Oboe.wav, 35_0_B_68_Oboe.wav, 80_2_G#_67_Baritone_Sax.wav, 81_2_A_67_Baritone_Sax.wav, 82_2_A#_67_Baritone_Sax.wav, 83_2_B_67_Baritone_Sax.wav, 84_2_C_67_Baritone_Sax.wav, 85_2_C#_67_Baritone_Sax.wav, 86_2_D_67_Baritone_Sax.wav, 87_2_D#_67_Baritone_Sax.wav, 88_2_E_67_Baritone_Sax.wav, 89_2_F_67_Baritone_Sax.wav, 90_2_F#_67_Baritone_Sax.wav, 91_2_G_67_Baritone_Sax.wav, 92_2_G#_67_Baritone_Sax.wav, 93_2_A_67_Baritone_Sax.wav, 94_2_A#_67_Baritone_Sax.wav, 95_2_B_67_Baritone_Sax.wav, 96_2_C_67_Baritone_Sax.wav, 97_2_C#_67_Baritone_Sax.wav, 98_2_D_67_Baritone_Sax.wav, 99_2_D#_67_Baritone_Sax.wav, 100_2_E_67_Baritone_Sax.wav, 101_2_F_67_Baritone_Sax.wav, 102_2_F#_67_Baritone_Sax.wav, 103_2_G_67_Baritone_Sax.wav, 104_2_G#_67_Baritone_Sax.wav, 105_2_A_67_Baritone_Sax.wav, 106_2_A#_67_Baritone_Sax.wav, and 107_2_B_67_Baritone_Sax.wav.
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## Additional Information
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