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1.
BLACK
TITLES FADE IN:
SUPERIMPOSE:
AT 600 KM ABOVE PLANET EARTH THE TEMPERATURE FLUCTUATES
BETWEEN +258 AND -148 DEGREES FAHRENHEIT.
THERE IS NOTHING TO CARRY SOUND. NO AIR PRESSURE. NO
OXYGEN.
LIFE IN SPACE IS IMPOSSIBLE.
TITLES FADE OUT.
OVER BLACK
SUPERIMPOSE:
GRAVITY
FADE IN:
1 EXT. OUTER SPACE - DAY 1
A section of the Earth as CAMERA TRACKS. The EXPLORER space
shuttle becomes visible. The fuselage roof of the shuttle
is open, creating an exterior hangar where the Hubble
telescope is docked.
MISSION CONTROL (V.O.)
(over radio)
Um, please verify that the P-one
ATA removal on replacement cap part
one and two are complete.
EXPLORER CAPTAIN (V.O.)
(over radio)
DMA M-one, M-two, M-three and M-
four are complete.
MISSION CONTROL (V.O.)
(over radio)
Okay. Copy that, Explorer. Dr.
Stone, Houston. Medical is
concerned about your ECG readings.
2.
RYAN (V.O.)
(over radio)
I’m fine, Houston.
MISSION CONTROL (V.O.)
(over radio)
Well, Medical doesn't agree, Doc.
Are you feeling nauseous?
RYAN (V.O.)
(over radio)
Not any more than usual, Houston.
Diagnostics are green. Link to
communications card ready for data
reception. If this works, when we
touch down tomorrow, I’m buying all
you guys a round of drinks.
MISSION CONTROL (V.O.)
(over radio)
That’s a date, Doctor. Just
remember, Houston’s partial to
margaritas.
RYAN (V.O.)
(over radio)
Booting comms card now. Please
confirm link.
MISSION CONTROL (V.O.)
(over radio)
That’s a negative, we’re not seeing
any data.
RYAN (V.O.)
(over radio)
Standby, Houston, I’m gonna reboot
the comms card.
MISSION CONTROL (V.O.)
(over radio)
Standing by.
ANOTHER ANGLE
MATT (V.O.)
(over radio)
Houston, I have a bad feeling about
this mission.
MISSION CONTROL (V.O.)
(over radio)
Please expand.
3.
MATT (V.O.)
(over radio)
Okay, let me tell you a story. It
was ninety-six. MORE)
I’d been up here for forty-two days. Every time I passed
over Texas, I looked down knowing that Mrs. Kowalski was
looking up, thinking of me. Six weeks I’m blowing kisses at
that woman. Then we land at Edwards and I find out that
she’s run off with this lawyer. So, I packed my car, and I
headed to --
MISSION CONTROL (V.O.)
(over radio;
interrupting)
Tijuana. You’ve told this story,
Kowalski. As Houston recalls, she,
uh, took off in your seventy- four
GTO. Engineering requests fuel
status on the jetpack prototype.
MATT KOWALSKI, a veteran astronaut commander on his last
space mission, spacewalks behind the shuttle. He wears a
propulsion backpack.
MATT (V.O.)
(over radio)
Five hours off the reservation and
I show thirty percent drain. Give
my compliments to Engineering.
Except for a slight malfunction in
the nulling of the roll axis, this
jetpack is one prime piece of
thrust.
MISSION CONTROL (V.O.)
(over radio)
Engineering says thank you.
CAMERA TILTS UP WITH Matt.
MATT (V.O.)
(over radio)
Tell ‘em I still prefer my sixty-
seven Corvette, though. Speaking of
which, did I ever tell you --
MISSION CONTROL (V.O.)
(over radio)
We know the Corvette story, Matt.
MATT (V.O.)
(over radio)
4.
Even Engineering? MATT
(V. O.)
(CONT'D)
MISSION CONTROL (V.O.)
(over radio)
Especially Engineering.
Matt starts to play a country western song over the radio
speakers. He moves, circling around the space shuttle.
Over radio, Hank Williams, Jr. sings “Angels Are Hard To
Find.”
MISSION CONTROL (V.O.)
(over radio)
We’re going to miss you, Matt.
RYAN (V.O.)
(over radio)
Comms card reboot in progress.
ANOTHER ANGLE
DR. SHARIFF DASARI becomes visible, tethered to the
shuttle, as he makes repairs to it.
MISSION CONTROL (V.O.)
(over radio)
Thank you, Doctor.
(to Shariff)
Shariff, what’s your status?
SHARIFF (V.O.)
(over radio)
Nearly there. Replacing battery
module A-one and C.
MISSION CONTROL (V.O.)
(over radio)
Uh, could you be a little more
specific? Indeterminate estimates
make Houston anxious.
SHARIFF (V.O.)
(over radio)
Oh, no, no, Houston. Don’t be
anxious. Anxiety’s not good for the
heart. System is ready to
reactivate.
MISSION CONTROL (V.O.)
(over radio)
5.
Hubbletelescope engaged. Upgrade
fully functional.
Matt approaches Shariff from b.g.
We hear people in Mission Control chatter and cheer, V.O.
MISSION CONTROL (V.O.)
(over radio)
That applause you hear is for you,
Shariff. Congratulations. Kick
back, take the rest of the day off.
Shariff starts dancing.
SHARIFF (V.O.)
(over radio)
Whoo-hoo-hoo!
(chuckles; singing in
Hindi)
Mera juta hai jaapaani, my patloon
inglistaani saar pe laal topi rusi
--
(low)
-- phir bhi dil hai hindustani
MISSION CONTROL (V.O.)
(over radio)
Matt, do you have a visual on just
what Mission Specialist Shariff is
doing up there?
Matt moves around Shariff.
MATT (V.O.)
(over radio)
He appears to be doing some form of
the Macarena.
(off Shariff’s laugh)
But that would be just a best-
guess scenario on my part.
CAMERA TILTS DOWN and DOLLIES IN ON DR. RYAN STONE, a
medical engineer on her first mission. She is on a crane-
like robotic arm attached to the shuttle. She is focused on
a communication card panel on the Hubble.
MISSION CONTROL (V.O.)
(over radio)
6.
Dr. Stone, Houston. Medical now
have you with a temperature drop to
thirty-five-point-nine and a heart-
rate rise to seventy. How are you
feeling?
RYAN (V.O.)
(over radio)
Houston, I’m fine. It’s just
keeping your lunch down in zero-G
is harder than it looks.
MISSION CONTROL (V.O.)
(over radio)
Uh, Dr. Stone, Medical is asking if
you want to return to Explorer.
RYAN (V.O.)
(over radio)
Negative. We’ve been here a week,
Houston. Let’s just finish this.
(clears throat)
Card is up.
MISSION CONTROL (V.O.)
(over radio)
Uh, no, that’s a negative. I’m
afraid we’re getting nothing on
this end, Doctor.
RYAN (V.O.)
(over radio)
Try again.
MISSION CONTROL (V.O.)
(over radio)
No, still nothing.
RYAN (V.O.)
(over radio)
Houston, can you please turn that
music off.
MISSION CONTROL (V.O.)
(over radio)
Kowalski.
MATT (V.O.)
(over radio)
Not a problem.
Matt turns the music off.
7.
RYAN (V.O.)
(over radio)
Thank you, Kowalski. Now, Houston?
MISSION CONTROL (V.O.)
(over radio)
That’s a negative.
RYAN (V.O.)
(over radio)
Could Houston be misinterpreting
the data?
MISSION CONTROL (V.O.)
(over radio)
Well, we’re not receiving any data.
Engineering is recommending a vis-
check for component damage.
Ryan takes a card out and examines it.
RYAN (V.O.)
(over radio)
Let me see what’s going on. What
have we got?
(to Mission Control)
Visual examination doesn’t reveal
any damaged components. The problem
must be originating from the comms
panel.
MISSION CONTROL (V.O.)
(over radio)
Yeah, that seems to be the case.
Engineering admits that you warned
us that this could happen. That’s
as close to an apology as you’re
going to get from them. We should
have listened to you, Doc.
RYAN (V.O.)
(over radio)
Get working.
MISSION CONTROL (V.O.)
(over radio)
Well, looks like we’re going to
have to improvise.
Matt moves INTO FRAME.
RYAN (V.O.)
(over radio)
8.
I’m on it.
MISSION CONTROL (V.O.)
(over radio)
How long do you think it’ll take
you?
RYAN (V.O.)
(over radio)
One hour.
MISSION CONTROL (V.O.)
(over radio)
Outstanding. MORE)
Installing your system in the Hubbleis the purpose of this
mission and so we appreciate your patience, Doctor.
Kowalski, we-we know you don’t care about things like this,
but, uh, for your information, this delay is not gonna be
long enough for you to break Anatoly Solovyev’s
spacewalking record. It seems like you’re gonna be left, uh
--
CAMERA TILTS DOWN and TRACKS WITH Matt as he moves past
Shariff.
MATT (V.O.)
(over radio)
Seventy-five minutes shy? Never
crossed my mind.
MISSION CONTROL (V.O.)
(over radio)
Matt... it’s been a privilege.
MATT (V.O.)
(over radio)
Right back at you, Houston.
MISSION CONTROL (V.O.)
(over radio)
Enjoy your last walk.
MATT (V.O.)
(over radio)
Am I a go to assist Dr. Stone in
removing the panel?
RYAN (V.O.)
(over radio)
Assistance appreciated.
9.
CAMERA PANS AROUND WITH Matt as he joins Ryan at the crane-
like robotic arm.
MISSION CONTROL (V.O.)
(over radio)
Permission granted.
MATT
Thank you, Houston.
(to Ryan)
Mind if I join the fun?
RYAN
Certainly. MISSION CONTR OL
(VO.)
(CONT 'D)
MATT
How you feeling?
RYAN
(pants, chuckling)
Like a Chihuahua that’s being
tumble-dried.
MATT
(chuckles softly)
Well, it’s been a rough week. If it
makes you feel any better, I
coughed up everything but my
kidneys on my first ride.
RYAN
Shit.
Ryan drops a bolt, which floats as Matt reaches out to grab
it. Matt moves to Ryan and gives the bolt to her. They work
together on removing the panel.
RYAN (CONT’D)
Sorry. I’m used to a basement lab
in a hospital where things fall to
the floor.
(chuckles softly)
Thank you.
MATT
Well, you’re the genius up here. I
only drive the bus.
RYAN
10.
Yeah, well, call me a genius if I
can get this board initialized in
the next hour.
MISSION CONTROL (V.O.)
(over radio)
Explorer, this is Houston.
EXPLORER CAPTAIN (V.O.)
(over radio)
Go ahead, Houston.
MISSION CONTROL (V.O.)
(over radio)
Uh, NORAD reports a Russian
satellite has incurred a missile
strike.
Matt continues to breathe heavily into the radio.
MISSION CONTROL (V.O.)
(over radio)
The impact has created a cloud of
debris orbiting at twenty thousand
miles per hour. Current debris
orbit does not overlap with your
trajectory. We’ll keep you posted
on any developments.
EXPLORER CAPTAIN (V.O.)
(over radio)
Copy that, Houston.
RYAN
Should we -- Should we be worried?
MATT
No, let’s let the boys down there
worry for us.
RYAN
Explorer, engage arm and pivot to
cargo bay.
EXPLORER CAPTAIN (V.O.)
(over radio)
Stand by for arm maneuver.
The robotic arm begins to move very slowly, pulling Ryan
and Matt along.
MATT
11.
So, doc, now that you work for
NASA, how do you like us?
SHARIFF
Kind of like winning the lottery,
huh?
Shariff chuckles.
RYAN
(inhaling sharply)
I was just happy that they didn’t
cut the funding to my research.
MATT
How long was your training?
RYAN
Oh, six months.
SHARIFF
Including holidays?
RYAN
Mm-hm.
Ryan moves. Matt unclips a cable.
MATT
So, what is this scanning system?
SHARIFF
Oh, nothing Matt. It’s just a new
set of eyes to scan the edge of the
universe.
Matt holds the cable.
RYAN
It’s designed for hospital use, but
this one’s a prototype.
EXPLORER CAPTAIN (V.O.)
(over radio)
Stand by for locking.
Matt and Ryan begin to remove another panel.
MATT
Listen, they don’t bankroll
prototypes. Even for your pretty
blue eyes.
12.
RYAN
Well, my eyes are brown.
MATT
Right now, your eyes are bloodshot.
She chuckles.
SHARIFF
Kowalski! Is this great, or what?
Woo-hoo-hoo!
Matt and Ryan turn to see Shariff jump and float away from
the shuttle. His safety tether tenses and snaps him back.
Matt glances upward.
MATT
And to think he went to Harvard.
You gotta admit one thing: Can’t
beat the view.
(beat)
So, what do you like about being up
here?
RYAN
The silence. I could get used to
it.
MATT
Terrific.
RYAN
Houston, from first inspection,
comms panel appears to be dead. Am
I a go to cut link to auxiliary?
MISSION CONTROL (V.O.)
(over radio)
You’re the expert, doctor. It’s
your call.
MATT
Houston, I have a bad feeling about
this mission.
MISSION CONTROL (V.O.)
(over radio)
Please elaborate.
MATT
It’s the same feeling I had about
Mardi Gras in 1987.
13.
MISSION CONTROL (V.O.)
(over radio)
That is affirmative. Surprisingly,
Control hasn’t heard the Mardi Gras
story. Please proceed.
Matt and Ryan work the panel.
MATT
Well, it’s day one, and I’m bumping
my way down Bourbon Street looking
for a sister of a friend of mine.
Streets are full of people. I’m
thinking there’s no way I’m gonna
find this girl.
RYAN
Proceeding to override.
MATT
Then all of the sudden, I look up,
and there she is, and I’m about to
yell out, and I see she’s holding
hands with some short, hairy guy in
board shorts and a Margaritaville
shirt. And then I realize that this
guy is not a guy. That my girl is
holding hands with a --
MISSION CONTROL (V.O.)
(over radio)
ISS, this is Houston.
RUSSIAN SPACE STATION CAPTAIN
(V.O.)
(over radio)
Houston.
MISSION CONTROL (V.O.)
(over radio)
Explorer, this is Houston.
EXPLORER CAPTAIN (V.O.)
(over radio)
Go ahead, Houston.
MISSION CONTROL (V.O.)
Mission abort. Repeat. Mission
abort. Initiate emergency
disconnect from Hubble. Begin
reentry procedure. ISS, initiate
emergency evacuation.
14.
EXPLORER CAPTAIN (V.O.)
(over radio)
Copy all, Houston, and in work.
(to Matt)
Matt, immediate return to Explorer.
Repeat, immediate return to
Explorer.
MATT
Copy. Explorer, prep airlock.
EXPLORER CAPTAIN (V.O.)
(over radio)
Airlock engaged, ready to receive.
MATT
Houston, elaborate.
MISSION CONTROL (V.O.)
(over radio)
Debris from the missile strike has
caused a chain reaction, hitting
other satellites and creating new
debris. Traveling faster than a
high-speed bullet up towards your
altitude. All copy.
MATT
Copy all.
(to Ryan)
Put a bow on it, Dr. Stone.
RYAN
I can’t. The board is still
initializing.
MATT
I’m not gonna ask you again.
RYAN
One second.
MATT
Not one second. Now. Shut it down.
That’s an order.
Ryan finishes working.
RYAN
Okay, I’m sorry. I’m sorry. I’m
done. I’m done.
EXPLORER CAPTAIN (V.O.)
15.
(over radio)
Kowalski, initiate emergency
disconnect from the Hubble.
Ryan and Matt close the panel.
MATT
All right, Shariff, let’s do this.
Matt and Shariff move to the base of the Hubble.
SHARIFF
Roger, Matt.
MATT
Houston, update.
MISSION CONTROL (V.O.)
(over radio)
Well, we have a full-on chain
reaction. It’s been confirmed that
it’s the unintentional side effect
of the Russians striking one of
their own satellites.
SHARIFF
They shot down their own satellite?
Matt pulls down a lever. Then moves upward.
MATT
Right of disposal. Most likely a
spy sat gone bad. Now it’s
shrapnel.
(to Explorer Captain)
Explorer, ready to disengage HST.
EXPLORER CAPTAIN (V.O.)
(over radio)
Locks releasing in three... two...
one.
The locks holding the Hubble in place release. Matt pushes
it up.
MISSION CONTROL (V.O.)
(over radio)
Explorer, new data coming through.
MATT
What's the blowback, Houston?
MISSION CONTROL (V.O.)
16.
(over radio)
It’s not good. Most of our systems
are gone. Debris chain reaction is
out of control and rapidly
expanding.
Ryan is on the robotic arm.
MISSION CONTROL (V.O.)
(over radio)
Multiple satellites are down, and
they keep on falling.
Matt flies to the right.
MATT
Define ‘multiple satellites.’
MISSION CONTROL (V.O.)
(over radio)
Most of them are gone.
Telecommunication systems are dead.
Expect a communication blackout at
any moment.
RYAN
Kowalski, visual of debris at nine
o’clock.
Fragments of debris fly past.
MATT
Half of North America just lost
their Facebook.
MISSION CONTROL (V.O.)
(over radio)
Explorer, repeat, expect a
communication blackout at any
moment.
EXPLORER CAPTAIN (V.O.)
(over radio)
Copy that, Houston.
A large piece of debris from a BSE satellite flies past
Shariff.
MATT
Explorer, this is Kowalski,
confirming visual contact with
debris. Debris is from a BSE sat.
17.
The debris flies.
SHARIFF
Heads up!
MATT
To repeat, I have --
RYAN
Dr. Stone requesting faster
transport.
MATT
WE have to go. We have to go, go,
go!
Matt flies left.
MISSION CONTROL (V.O.)
(over radio)
Kennedy reports meteorological
conditions no-go for re-entry.
EXPLORER CAPTAIN (V.O.)
(over radio)
Houston, Explorer. Copy.
RYAN
Explorer, Dr. Stone requesting
faster transport to bay area.
Explorer, do you copy?
MATT
Explorer, permission to retrieve
Dr. Stone.
Matt flies towards Ryan.
EXPLORER CAPTAIN (V.O.)
(over radio)
You’re a go, Kowalski.
(to Mission Control)
Houston, this is Explorer, copy.
MATT
All right.
EXPLORER CAPTAIN (V.O.)
(over radio)
We've lost Houston. We’ve lost
Houston.
Matt tries to help Ryan detach herself.
18.
MATT
Unstrap. Look, we need to get the
hell out of here.
RYAN
All right.
SHARIFF
Need some help there, Matt?
MATT
No, don’t wait for us.
A piece of debris smashes into Shariff, killing him.
RYAN
It’s stuck!
MATT
Man down! Man down!
Flying debris punctures holes in the shuttle, which starts
to veer out of control.
EXPLORER CAPTAIN (V.O.)
(over radio)
Houston, this is Explorer, copy.
Houston, this is Explorer, copy.
Kowalski, repor--
Ryan, still attached to the robotic arm, spins around with
the shuttle.
MATT
Explorer’s been hit!
(to Explorer Captain)
Explorer, do you read? Explorer,
over! Explorer!
The robotic arm breaks off from the shuttle with Ryan still
attached to it. She continues to spin around.
MATT (CONT’D)
Astronaut is off structure! Dr.
Stone is off structure!
(to Ryan)
Dr. Stone, detach! You must detach!
If you don’t detach, that arm’s
gonna carry you too far!
RYAN
(crying out)
No! No! I can--
19.
MATT
Listen to my voice! You need to
focus!
RYAN
I can’t! I can’t!
MATT
I’m losing visual of you. In a few
seconds, I won’t be able to track
you. You need to detach! I can’t
see you anymore! Do it now!
RYAN
Okay, I’m trying! I’m trying! I’m
trying!
Ryan detaches herself and flies off.
MATT
Houston, I’ve lost visual of Dr.
Stone. Houston, I’ve lost visual of
Dr. Stone.
2 EXT. OUTER SPACE - 600 KM ABOVE EARTH - DAY 2
Ryan spins out of control as she careens.
MATT (V.O.)
(over radio)
Dr. Stone, do you copy? Repeat, do
you copy?
She flies PAST CAMERA and continues in the b.g.
RYAN
Yes, yes, yes. I copy! I’m
detached!
MATT (V.O.)
(over radio)
Give me your position.
RYAN
I don’t know! I don’t know! I’m
spinning! I can’t -- I can’t -- !
MATT (V.O.)
(over radio)
Report your position.
RYAN
20.
GPS is down. I ca-- It’s down, I
can’t --
She spins and flips.
MATT (V.O.)
(over radio)
Give me a visual.
RYAN
I told you, nothing. I see nothing!
MATT (V.O.)
(over radio)
Do you have a visual of Explorer?
RYAN
No. No.
MATT (V.O.)
(over radio)
Do you have a visual of ISS?
RYAN
No.
MATT (V.O.)
(over radio)
You need to focus. Anything, use
the sun and the Earth, give me
coordinates.
RYAN
It’s so fast. I can’t breathe! I
can’t breathe!
MATT (V.O.)
(over radio)
Give me coordinates! Dr. Stone, do
you copy? Repeat, do you copy? Give
me your position! Report your
position. Give me a visual! Do you
have a visual of Explorer? Do you
have a visual of ISS? I need you to
focus. Anything. Use the sun and
the Earth, give me coordinates.
Give me coordinates.
She continues spinning.
DISSOLVE TO:
21.
3 INT. HELMET - DAY 3
Ryan glances about as she tries to calm down. The Explorer
shuttle, a glowing light, is far off in the distance.
RYAN
Kowalski? Kowalski, do you copy?
Kowals-- I have-have a vis--
Kowalski, I have a visual. I have-
have a visual of Explorer. With
north at -- twelve o’clock and the
shuttle is at the center of the
dial. I can see -- I can see the
Chinese station. No -- No, it’s the
International Space Station. ISS is
at -- ISS is at seven o'clock.
CAMERA RACKS FOCUS ON the inside of the helmet, which
illuminates gauges and meters of the vital statistics of
Ryan’s space suit, which read:
CWL TEMP 15C WARN RADIATION LOW OXYGEN 10::percent:: LIFE
SUPPORT BATTERY 42::percent::
RYAN
Lieutenant Kowalski, do you copy?
CAMERA PULLS BACK OUT of her helmet.
DISSOLVE TO:
4 EXT. OUTER SPACE - 600 KM ABOVE EARTH - DAY 4
Ryan continues to flip and spin around.
RYAN
Explorer, do you -- do you copy?
Houston, do you copy? Houston, this
is Mission Specialist Ryan Stone. I
am off structure and I am drifting.
Do you copy? Anyone...? Anybody...?
Do you copy? Please copy. Please.
MATT (V.O.)
(over radio)
Dr. Stone, do you copy?
RYAN
Yeah, Lieutenant Kowalski, yes.
Yes, Lieutenant Kowalski, I’m here,
I’m here!
22.
MATT (V.O.)
(over radio)
Repeat, do you copy?
Ryan shines her flashlight, using it like a beacon.
RYAN
Yes, yes, I copy, I’m here! I’m
here.
MATT (V.O.)
(over radio)
Flash your light.
RYAN
My light -- my light?
MATT (V.O.)
(over radio)
Flash it so I can see you.
RYAN
Uh, okay. Uh... I... Okay, okay.
Here, here! I’m here!
MATT (V.O.)
(over radio)
Ah, there you are. Hang on tight.
Report your status.
RYAN
I’m fine, I’m fine. I’m all right.
MATT (V.O.)
(over radio)
Your status. Give me your readings.
Ryan looks at the gauge on her wrist, which indicates her
suit status.
RYAN
I... Uh, three -- three -- three
point six PSI.
MATT (V.O.)
(over radio)
Your O2, give me your O2.
RYAN
23.
Uh, oxygen is going down. It’s
going down fast. It’s going down
fast. Nine -- No, eight-eight
percent. Eight three point nine
percent.
MATT (V.O.)
(over radio)
Okay, you’re breathing too fast.
You’re burning oxygen, and we don’t
want to do that. We want to relax.
Copy?
RYAN
Okay, so -- Okay, sorry. Yes, copy,
copy.
MATT (V.O.)
(over radio)
All right. Nearly there.
RYAN
Please hurry.
Matt approaches from far off in the b.g. He speeds toward
her.
MATT
You can holster that torch, Dr.
Stone.
RYAN
Sorry. Sorry.
Matt collides with her and grabs onto her. Ryan reacts,
panicked. They tumble together, facing each other.
MATT
Gotcha. All right, now I’m gonna
tether you to me.
RYAN
Uh-huh.
MATT
I know, you never realized how
devastatingly good-looking I am.
But I need you to stop staring and
help me with the tether.
RYAN
Mm-hmm.
24.
MATT
Okay?
RYAN
Okay, okay. Uh, I got it.
Matt attaches the tether to Ryan’s suit. They continue
tumbling together.
MATT
All right, here we go. All right.
Now, to clear you from the jets...
RYAN
Uh-huh.
MATT
I’m gonna give you a little push.
RYAN
No, no, no, no. No, no, no.
MATT
Not a push.
RYAN
No, no.
MATT
A nudge.
RYAN
No, no, no, no, no, no, no, no, no!
Damn it, no!
Matt pushes Ryan away from him. As she drifts again, she
panics. Matt turns and uses the thrusters to accelerate.
MATT
See? Where you go, I go. Better.
Let’s get outta here.
Matt pulls Ryan behind him via the tether.
RYAN
Goddamn it.
MATT
I know what you mean.
RYAN
Damn it.
25.
They move towards the Explorer in the distance.
MATT
You’re burning oxygen. We’re going
back to the shuttle. How’s that for
a plan? Copy?
RYAN
Fuck!
MATT
Right. Copy that. Houston, in the
blind. This is Kowalski. Dr. Stone
and I are gonna make our way back
to base. Can you get the Explorer
to prepare the airlock for arrival?
Copy? Houston, this is...
5 EXT. OUTER SPACE - 650 KM ABOVE EARTH - DAY 5
Matt flies, pulling Ryan behind him.
MATT
... Kowalski. How do you copy?
Houston, in the blind. This is
Kowalski.
RYAN
They can’t hear us.
MATT
We don’t know that. That’s why we
keep talking. If somebody is
listening, they might just save
your life. Set your watch for
ninety minutes.
RYAN
Why ninety?
MATT
Well, Houston clocked that...
Ryan sets her watch.
MATT
... debris at fifty thousand miles
an hour. If you factor in our
current orbit, then I figure we got
about ninety minutes before we get
our asses kicked again.
26.
Text on the wrist display next to the watch reads:
SUIT PRESS 35PSI 01:30 00 OXYGEN ALERT 6::percent::
BATTERY 18::percent:: SPC02 4.1 min
She reaches and grabs hold of the tether.
RYAN
O2 down to six percent.
MATT
Okay. Pretty scary shit being
untethered up here, isn’t it?
RYAN
Yeah, pretty scary shit.
MATT
Well, you did all right.
Matt thrusts forward again, pulling her in a jerking
motion.
6 INT. HELMET - RYAN’S POV THROUGH THE HELMET TO MATT - DAY 6
RYAN
Well, you weren’t so bad yourself.
MATT
Houston, in the blind. This is
Kowalski. Our current location is
approximately... nine hundred
meters out from the Explorer. Dr.
Stone and I would like to retrieve
the body of Mission Specialist
Shariff and return it to the
shuttle. Am I a go to retrieve?
Roger that.
Matt flies back and forth as he tries to correct their
course, searching for Shariff. The tether jerks Ryan back
and forth.
RYAN
Where is he? Where is he?
Matt ignites the thrusters and speeds in b.g. toward the
panel Shariff is attached to. Matt grabs onto the panel,
stopping his trajectory. Ryan flies past him toward
Shariff’s corpse.
27.
RYAN
Oh, my God. Oh, my God.
7 EXT. OUTER SPACE - 650 KM ABOVE EARTH - DAY 7
Ryan flies f.g. and crashes into Shariff’s corpse, causing
it to careen out of control, pulling the panel with it.
Matt, still holding onto the panel, disconnects Shariff’s
tether from it and attaches it to himself.
MATT
Grab him! Grab him!
RYAN
I’m trying, I’m trying!
Matt lets go of the panel, which exits, as Shariff’s corpse
and Ryan pull him with them.
MATT
You’re pullin’ me away.
RYAN
Got h-- I got him!
Ryan grabs hold of Shariff’s corpse and holds on.
MATT
Clutch him like he’s your
Valentine.
RYAN
I got -- I got him. Okay. I got
him.
MATT
I can’t engage my thrust with you
two yo-yoin’ around.
Ryan looks down at the face of the corpse and reacts.
Shariff’s corpse. The helmet is destroyed and there is a
hole through his face, caused by the debris. Ryan is
horrified.
Near Shariff’s corpse there is a photo floating, attached
to a small tether. The photo depicts Shariff with his wife
and son.
MATT
Jesus Christ.
28.
Matt leads Ryan and Shariff’s corpse toward the wreckage of
the Explorer, which has suffered devastating damage.
MATT
Here’s hopin’ you have a hell of an
insurance policy, Houston. The
damages to Explorer are
catastrophic. Will commence search
for survivors.
RYAN
O2 down to five percent.
8 EXT. OUTER SPACE - EXPLORER- DAY 8
Matt, Ryan, and Shariff’s corpse are flying toward Explorer
at a high velocity.
MATT
All right, here we go. Careful of
the edges!
They slam into the shuttle and scatter. Ryan flies and is
pulled by the tether to Matt, who grabs onto the broken
cockpit window frame.
Matt pulls Ryan toward him.
MATT
Here. Here!
CAMERA PUSHES PAST THEM THROUGH the window frame, INTO the
cockpit, which is in disarray. Several objects are floating
about. The beam of Matt’s flashlight shines onto a floating
toy.
Ryan moves to enter, but suddenly bumps into the corpse of
one of the astronauts. Matt peers in through a hole on the
other side of the cockpit.
MATT
Houston, in the blind. To confirm.
Mission Specialist Dr. Stone and
Mission Commander Matthew Kowalski
are the sole survivors of the STS-
one-five- seven.
Ryan joins Matt, now tethered to the shuttle. Shariff’s
corpse floats in the b.g.
RYAN
29.
I apologize for not complying. I
should’ve stopped working as soon
as you instructed me to.
MATT
We were gonna get hit no matter
what. There was nothing you could
do to change that. Hey.
RYAN
Yes?
MATT
All right, we have to make our way
to the Space Station. Over there.
Matt points to the space station way off in the distance.
MATT
It’s a bit of a hike, but we need
to use their escape pod, the Soyuz,
to get back to Earth. Agreed? Dr.
Stone, agreed?
Matt and Ryan facing each other.
RYAN
Agreed.
MATT
All right. After you.
Matt pushes Ryan, and she spins away. Matt pushes off the
shuttle and thrusts, pulling Ryan with him.
RYAN
Oh, God. Oh, God. Oh, God.
MATT
Houston, in the blind. This is
Kowalski.
CAMERA PULLS BACK to reveal Shariff’s corpse, now tethered
to the shuttle.
MATT
Dr. Stone and I have determined to
proceed to ISS and use one of their
Soyuz for re-entry. ISS, if you
hear us... we could sure use a
rescue mission.
30.
9 EXT. OUTER SPACE - 550 KM ABOVE EARTH - DAY 9
Matt floats, pulling Ryan behind him. The sun crests over
the edge of the Earth.
Hank Williams, Jr. sings “Angels Are Hard To Find” under
the following scenes.
RYAN
O2 down to two percent.
MATT
We’re getting there. Beautiful,
don’t you think?
RYAN
What?
MATT
The sunrise.
Matt slowly floats, pulling Ryan behind him.
MATT
That’s what I’m gonna miss the
most. So where’s home, Dr. Stone?
Ryan, where’s home?
RYAN
Home?
MATT
Mm-hm. Down there. Mother Earth.
Where do you pitch you tent?
RYAN
Lake Zurich.
MATT
Where the hell is that?
RYAN
Illinois.
Matt floats, pulling Ryan behind him.
MATT
Illinois. Central Time Zone.
(sighs)
That would make it roughly... eight
PM. What are the good people of
Lake Zurich doing at eight o’clock?
31.
RYAN
I don’t know. I’m not gonna make
it. I’m slowing you down.
MATT
What would you be doing? Come on,
Ryan. It’s eight o’clock. You've
just left the hospital after an
eighteen-hour shift. Driving home.
RYAN
The radio. I listen to the radio.
MATT
There we go. Let me guess. NPR?
Classical? Top forty?
RYAN
Anything. I don’t care, as long as
they don’t talk. I just drive.
MATT
And where are you driving to?
RYAN
I just drive.
MATT
What do you miss down there? Is
there a Mr. Stone?
RYAN
No.
MATT
Nobody special?
Ryan slowly floats. The reflection of the Earth appears on
her helmet.
MATT
Somebody down there looking up,
thinking about you? Ryan?
RYAN
I had a daughter.
Matt glances at the mirror affixed to his wrist. The mirror
on his wrist depicts the reflection of Ryan.
RYAN
32.
She was four. She was at school
playing tag. Slipped, hit her head,
and that was it. Stupidest thing. I
was driving when I got the call,
so... ever since then, that’s what
I do. I wake up, I go to work, and
I just drive.
Matt floats in the b.g. toward the far-off space station.
Ryan is pulled with him.
RYAN
O2 down to one percent.
MATT
Well, I’ve got good news and bad
news. The good news is, we’re about
five minutes from the ISS and I
know where the Russians stash their
vodka. And that is good, because
I’m runnin’ on fumes here. The bad
news is, I’m gonna be about ten
minutes short of breakin’ Anatoly’s
record, and I --
An alarm sounds, indicating Ryan’s oxygen level is low.
Matt looks at his wrist mirror.
RYAN
Uh...
MATT
What?
RYAN
Uh... I’m redlining. My O2 tank
pressure is low.
MATT
Your tank is out of oxygen but you
still have it in your suit.
RYAN
Got it.
10 INT. HELMET - RYAN’S POV OF MATT AND THE INTERNATIONAL 10
SPACE STATION - DAY
MATT
So you have to sip, not gulp.
33.
She looks down to her arms as she checks her oxygen
monitor. The monitor reads: oxygen low.
MATT
Wine, not beer.
She glances up to Matt.
MATT
Sip, Ryan.
(to Mission Control)
Houston, in the blind, we have a
visual of the ISS. The station must
have been evacuated because the
first Soyuz is...
11 EXT. OUTER SPACE - DAY 11
Matt and Ryan float in the f.g., as Ryan exits.
MATT
... missing. The second Soyuz
exhibits surface damage, and its
chute has been deployed. Any use as
an escape pod for re-entry is
impossible.
Matt floats toward the space station, pulling Ryan with
him.
RYAN
Shouldn’t we be turning? We’re
drifting again.
MATT
Not yet. I wasn’t kidding about
those fumes. This can has one or
two good thrusts left... if we’re
lucky. Steady. Aim. Fire!
Matt triggers his thruster, hurtling them at a high speed.
12 INT. HELMET - RYAN’S POV - DAY 12
Past Matt to the space station. Ryan’s arms enter f.g. and
grab hold of the tether.
RYAN
Brake! Brake! You have to brake!
MATT
34.
I can’t, the can’s empty.
13 EXT. OUTER SPACE - SPACE STATION - DAY 13
MATT
We’re gonna hit hard! Grab a hold
of anything you can!
14 INT. HELMET - RYAN’S POV TO THE SPACE STATION - DAY 14
She flies toward the space station.
15 EXT. OUTER SPACE - SPACE STATION - DAY 15
Matt flies and smashes into it. Ryan is pulled behind him.
RYAN
It’s -- what do I do? What do I
do?!
She flies into f.g. as CAMERA TILTS UP and FLIPS AROUND to
TRACK WITH her as grabs hold of a railing.
MATT
Ryan!
Matt flies past, pulling Ryan with him. Ryan bumps into a
solar panel and their tether snaps. Ryan falls.
RYAN
The tether broke, I’m detached! I’m
detached!
MATT
Grab a hold! Grab anything!
Ryan falls. She becomes entangled in some of the Soyuz’s
parachute rigging. The rigging pulls her up. She reaches
out her hand.
MATT
Ryan! Give me five!
RYAN
I’ve got you.
16 INT. HELMET - RYAN’S POV - MATT - DAY 16
35.
He flies toward her, unsuccessfully grabs for her hand.
RYAN
I’ve got you. Right here, right
here. Okay, get it.
Ryan grabs hold of the tether attached to him.
MATT
Shit! Shit.
RYAN
No. No, no, no, no, no, no, no, no.
17 EXT. OUTER SPACE - SPACE STATION - DAY 17
Ryan is pulled by the tether.
RYAN
Got ya.
Matt holds firmly onto the tether as he is yanked. Ryan
holds firmly onto the tether. Ryan’s left leg is entangled
in the parachute rigging.
RYAN
Got ya. You just... hold on and I’m
gonna start pulling you in. I’m
gonna star--
MATT
Hey, Doc.
RYAN
Just hold on. Hang on. I am gonna
pull you in. I’m gonna pull you in.
MATT
Ryan, listen. You have to let me
go.
RYAN
No.
MATT
The ropes are too loose. I’m
pulling you with me.
RYAN
No.
Matt takes hold of the tether clip.
36.
RYAN
No, no, no.
MATT
You have to let me go, or we both
die.
RYAN
I’m not letting you go!
Ryan is pulled and Matt yanks her back.
RYAN
We’re fine!
MATT
No. Ryan, let go.
RYAN
No. No. You’re not going anywhere.
You’re not going anywhere.
Matt starts to unclip the tether.
MATT
It’s not up to you.
RYAN
No, no, no, no, no... no... Please
don’t do this.
Matt unclips the tether.
RYAN
Please, please, please, please
don’t do this. Please don’t do
this. No, no, no. Please don’t,
Matt. Please don’t do this.
Matt lets go of the tether and floats off.
MATT
You’re gonna make it, Ryan.
RYAN
No!
Ryan floats toward the space station. Matt floats away.
RYAN
I had you. I had you! I had you.
37.
Ryan smacks into a part of the space station and flips
over. She grabs hold of a metal railing. We see Matt far
away now in the b.g. Ryan’s C02 alarm goes off, indicating
that she’s out of oxygen.
MATT
Ryan, do you hear me? Do you copy?
RYAN
My CO2alarm went off. My CO2 alarm
went off.
MATT
Look, you need to board the
station. Do you see the airlock?
Ryan turns, holding tightly onto the metal railing.
MATT
Hey, Ryan, you copy? Look for the
airlock. It’s above you, next to
the Zarya module. You see it?
RYAN
Yes. Yes, I see it. I see it.
MATT
All right, good. That’s where you
want to go. Now you’re getting
lightheaded, right?
RYAN
Yeah. Yes.
MATT
That’s because you’re breathing
CO2. You’re losing consciousness.
You need to board the station.
RYAN
Okay.
Holding on tight to the space station’s railing, Ryan turns
her body upside down and moves toward the station.
MATT
That second Soyuz is too damaged
for re-entry, but it’s perfectly
fine for a little Sunday drive.
Ryan climbs upward.
RYAN
38.
Sunday drive?
MATT
Look to the west. You see that dot
in the distance?
CAMERA PANS TO a tiny dot in the distance, which is the
Chinese station.
MATT
That’s a Chinese station.
RYAN
Yes.
MATT
You’re gonna take the Soyuz, and
you’re gonna cruise over there.
Chinese lifeboat is a Shenzhou.
RYAN
I’ve never flown a Shenzhou.
CAMERA DOLLIES AROUND Ryan.
MATT
It doesn’t matter. Its re-entry
protocol is identical to the Soyuz.
RYAN
Okay.
MATT
You never flown the Soyuz either?
RYAN
Only a simulator.
MATT
Well, then you know.
RYAN
But I crashed it.
MATT
It’s a simulator, that’s what it’s
designed for.
RYAN
Every time. I crashed it every
time.
39.
CAMERA TRACKS WITH Ryan to reveal Matt, a tiny speck in
b.g.
MATT
You point the damn thing at Earth.
It’s not rocket science. And by
this time tomorrow, you’re gonna be
back in Lake Zurich with a hell of
a story to tell. You copy? Ryan,
you copy?
RYAN
I’m gonna take the Soyuz and come
get you.
MATT
No, you’re not.
RYAN
I’m coming to get you.
MATT
No, I’ve got too much of a head
start on you.
RYAN
(wavering)
I’m coming to get you.
MATT
I’m afraid that ship...
(chuckling)
Already sailed. Ryan, you’re gonna
have to learn to let go.
RYAN
But I --
MATT
I want to hear you say you’re gonna
make it. Come on, Ryan, say it.
RYAN
I’m gonna make it.
MATT
All right. Keep going. What kind of
name is Ryan for a girl?
RYAN
Dad wanted a boy.
MATT
40.
Are you close to the airlock?
RYAN
Not yet.
MATT
Keep going. So now that we have
some distance between us... you’re
attracted to me, right?
RYAN
What?
MATT
Well, people say I have beautiful
blue eyes.
RYAN
You have beautiful -- You have
beautiful blue eyes.
MATT
I have brown eyes. Hey, you want to
know the good news?
RYAN
What?
MATT
I’m gonna break Anatoly’s record,
and I think mine’s gonna stand for
a long, long time.
RYAN
Oh, no. I’m coming to get you.
Matt, a tiny speck in b.g.
MATT
Oh, my God.
RYAN
What? What?
MATT
Wow. Hey, Ryan?
RYAN
Yeah?
MATT
You should see the sun on the
Ganges.
41.
(exhales sharply)
It’s amazing.
CAMERA PANS TO Ryan. She moves her arm. Hank Williams Jr.’s
“Angels Are Hard To Find” continues.
18 INT. HELMET - RYAN’S POV - DAY 18
Matt is a tiny speck. With great effort, Ryan climbs to the
airlock and opens its handle.
19 EXT. OUTER SPACE - SPACE STATION - DAY 19
Ryan opens the airlock door and is blown by the air
pressure as she tightly grips the door handle. She manages
to climb inside the airlock.
20 INT. SPACE STATION - AIRLOCK MODULE - DAY 20
Ryan closes the airlock door. She turns the handle of a
valve. The oxygen levels of the module re-pressurizes.
As oxygen fills the cabin, Ryan takes off her helmet and
breathes deeply.
She removes her suit.
21 INT. SPACE STATION - DAY 21
Ryan enters and glances about.
An electrical panel with exposed wiring emits sparks and
flames.
Ryan enters the communications room.
RYAN
Where are you? Where are you?
Comms. Comms. There you are.
She stops and turns toward the radio panel, placing a radio
headset on her head.
RYAN
(into radio)
42.
Okay. Matt, this is Ryan, copy.
Matt, this is Ryan, copy. Matt, I
made it, I’m here, I’m on the
station. Do you copy? Come on,
Matt, talk to me. Tell me where you
are, give me your position. Where
are you? Give me a visual. Just
tell me what you see. Oh, come on.
You’ve been yammering since we left
Cape Canaveral, and now you decide
to shut up? Talk to me. Just say
something, say anything! I don’t
care! Hey, tell me about, uh, Mardi
Gras. Tell me about the hairy guy.
Huh? Tell me what happened. What
happened to the, uh, hairy guy?
Ryan’s reflection is on the window as she gazes through it.
RYAN
(into radio)
Please talk to me.
(whispering)
Please.
(to mission control)
Houston, in the blind... this is
Mission Specialist Ryan Stone
reporting from the ISS. All
communications with Mission
Commander Matthew Kowalski have
been lost. Radio transmission
absent. Visuals nonexistent. To
confirm, I, Ryan Stone, am the sole
survivor of STS-one-five- seven.
An alarm sounds, prompting her to float and examine a
laptop affixed to the wall.
RYAN
What now?
On the laptop monitor, which displays a message and a graph
of the station, which indicates which sections are on fire.
The alert reads: “FIRE.”
On the map, the labels of which read: “Kibo Lab, jcm,
Overhead, Port, UC Lab, Node 2, Deck.”
Ryan approaches a ball of fire. She grabs a fire
extinguisher off the wall and uses it on the fire.
43.
The spray from the fire extinguisher blasts her against the
wall, momentarily knocking her unconscious, then she
regains consciousness.
The fire is quickly expanding. Ryan takes the fire
extinguisher again, plants her feet and stabilizes herself.
She sprays the fire extinguisher.
The fireball rapidly expands, knocking Ryan into a new
passageway. The fireball expands throughout the station
behind her. She dives down, through a hatch. She struggles
to open the hatch to the second Soyuz. The fireball is
expanding into the compartment.
Ryan climbs down into the second Soyuz, still carrying the
fire extinguisher and locks the hatch above her.
She climbs further down into another section of the Soyuz.
She closes the second hatch above her.
The Soyuz shakes, due to the station outside exploding and
crumbling.
22 INT. SOYUZ - DAY 22
Ryan slides down through a hatch into the command center of
the Soyuz.
RYAN
Okay. Okay. Where is it, where is
it? Where is the power? Here you
are. Okay, great, just like
training. Um... Uh, undocking,
undocking.
She reaches for a nearby instruction manual, which is
marked in red. She straps herself into the seat and
examines it.
RYAN
(clearing throat)
Undocking. Red. Okay. Okay, where
is it? Where is it? Come on. Okay.
Okay. Okay, I remember this, I
remember this.
She reaches up and presses several buttons on the control
console. The monitor now displays a countdown which reads:
“00:04.30.”
The Soyuz is jolted and shakes terribly.
44.
Ryan flips through the pages of the instructions.
RYAN
Oh, you don’t have four minutes.
We’re going manual. Come on. Okay.
Okay. Active-Activate, undock.
(Russian)
Rezerveyi rassik
She reaches up toward another control panel and presses a
button.
23 EXT. STATION - OUTER SPACE - DAY 23
The Soyuz is released from the station and floats away from
it. The Earth is far off in the b.g.
24 INT. SOYUZ - DAY 24
The periscope displaying the station from outside. As it
floats away, the parachute, which has been deployed, is
tangled around a section of the station.
Ryan breathes heavily. She is seated and watches the
periscope in front of her. She checks her watch for the
amount of time until the debris will hit again. It reads
“00:07:25.”
RYAN
Seven minutes to get out of here.
Ryan pulls out the joysticks to activate the manual control
steering.
RYAN
(whispering)
All right, okay.
25 EXT. OUTER SPACE - DAY 25
The station thrusts away, the parachute still caught. It
pulls taut and stops the Soyuz with a jolt.
26 INT. SOYUZ - DAY 26
Ryan is shaken about as the station is jolted. She glances
about, confused.
RYAN
45.
What? What-what? What-what?
27 EXT. STATION - OUTER SPACE - DAY 27
The parachute tenses and pulls the Soyuz toward the station
at a high speed.
28 INT. SOYUZ - DAY 28
Ryan, upside down, gazes at the periscope. She sees that
the Soyuz is on a trajectory to crash into the station.
RYAN
No, no, no, no, no, no, no, no, no!
She uses the manual controls to activate the thrusters.
29 EXT. OUTER SPACE - DAY 29
The thrusters emit a quick blast changing the Soyuz’s
direction slightly. The parachute ropes become taut.
The Soyuz flies away from the station, but the parachute
snaps the Soyuz back toward it.
30 INT. SOYUZ - DAY 30
Ryan glances about.
31 EXT. STATION - OUTER SPACE 31
The Soyuz flies over the station. The parachute catches
again. The ropes pull taut.
32 INT. SOYUZ - DAY 32
Ryan is shaken about as the Soyuz is jolted to a stop. She
takes control of the manual steering.
33 EXT. STATION - OUTER SPACE 33
The Soyuz is pulled back toward the station.
34 INT. SOYUZ - DAY 34
46.
Ryan looks through the periscope.
RYAN
Stop! Stop! Stop! Stop! Stop!
35 EXT. STATION - OUTER SPACE 35
The thruster jets are manually activated, stopping its
approach and gently pushing it away at a steady rate.
36 INT. SOYUZ - DAY 36
Through the periscope, we see Soyuz is slowly floating away
from the station.
RYAN
Come on, come on, come on, come on,
come on. Come on.
(whispering)
Come on, come on, come on, come on.
Ryan uses the manual steering to steady the Soyuz.
RYAN
(whispering)
That’s right, that’s right. Come
on, come on, come on.
(low)
That’s right, that’s right, that’s
right, that’s right, that’s right.
Ahhh. Come on.
37 EXT. STATION - OUTER SPACE - DAY 37
The Soyuz flies away from the station at a slower velocity
than before. The parachute pulls taut, and the Soyuz jolts
to a stop, but the soft thrusters keep it from being pulled
back toward it.
38 INT. SOYUZ - DAY 38
Through the periscope, we see that Soyuz has steadied, but
is still tethered to the station via the parachute, which
is entangled in one of the station’s solar panels.
RYAN
(whispers)
F--
(breathes heavily)
47.
Great.
Ryan glances about.
39 EXT. STATION - OUTER SPACE - DAY 39
The Soyuz hovers near the station. Ryan, wearing a space
suit, steps out of the hatch, tethered to the inside of the
Soyuz cabin. Her watch timer goes off, indicating that the
debris should be coming back. She glances about, but does
not see any debris.
RYAN
Clear skies with a chance of
satellite debris.
She climbs down the side of the Soyuz to where the
parachute ropes are bolted to the vessel. She attaches
herself to an open panel and glances about.
RYAN
(whispering)
Okay, we detach this, and we go
home. Piece of cake.
Satisfied that no debris is coming, she produces a tool and
starts to detach the parachute ropes. She doesn’t see the
debris coming toward her.
RYAN
Okay.
(low; indistinct)
Okay, what do we have? Okay, all
right.
Ryan drops one of her tools, which starts to float away.
She turns to grab it and sees the debris hurtling toward
her as it starts to tear through the satellites.
RYAN
Shit.
As she quickly tries to detach the parachute ropes, she
flips upside-down and tries to ignore the debris cutting
through the station behind her.
RYAN
Okay. Okay, come on. Come on, come
on. All right. Okay, okay, okay.
Okay.
48.
She removes one of the ropes as a section of the station
explodes behind her. The remaining part of the station
flies under the Soyuz.
She holds onto the Soyuz as the station spins out of
control, pulling the Soyuz with it. She struggles to hold
on as the Soyuz flies through new debris.
She removes the final rope and holds tight to the Soyuz,
which flies away from the station. The wing of the Soyuz
plows through a satellite.
The Soyuz floats, seemingly out of harm’s way. Ryan climbs
toward the Soyuz hatch. She glances back at the crumbling
station before exiting.
RYAN
I hate space.
40 INT. SOYUZ - DAY 40
A control panel displays several alerts and alarms. Ryan’s
helmet floats.
Ryan closes the hatch after having just come through it.
She straps into the command seat and switches off the
alarms.
RYAN
(to the control panel)
Shut up.
(beat)
Okay.
She looks at her watch. She resets her watch timer to
01:30. She starts the timer.
Ryan reacts to the temperature which is now below freezing.
She places an instruction manual in her lap and uses the
steering joysticks to reposition the Soyuz.
RYAN
All right. That’s good.
Ryan looks through the periscope, displaying the western
horizon.
RYAN
Okay. Let’s stabilize you.
41 EXT. OUTER SPACE - DAY 41
49.
The Soyuz floats and steadies into a stabilized position.
42 INT. SOYUZ - DAY 42
The periscope displays the far-off Chinese station on the
western horizon. The Soyuz stabilizes in a position to head
directly toward it.
RYAN
Okay. Let’s go visit the Chinese
station.
(to Mission Control)
Houston, in the blind, Tiangong is
approximately one hundred
kilometers to the west, and I am
off its course by about thirteen
degrees. I will correct trajectory.
She clears her throat.
43 EXT. OUTER SPACE - HIGH ANGLE - DAY 43
The Soyuz floats.
44 INT. SOYUZ - DAY 44
The periscope displays the Chinese station in the distance.
RYAN
(whispering)
Okay. Okay.
LOW ANGLE - RYAN
reaches up and flips some switches.
RYAN
Okay.
(to Mission Control)
I will engage S-Ka-Dae in five...
four... three...
Ryan presses the thruster ignition button on the control
panel.
RYAN
Two... one.
45 EXT. OUTER SPACE - DAY 45
50.
The Soyuz continues to float.
46 INT. SOYUZ - DAY 46
Ryan reacts, confused.
RYAN
What’s happening, what’s happening?
Come on, come on.
Ryan reaches up toward the control panel again.
LOW ANGLE - RYAN
presses the thruster ignition button again.
RYAN
One.
47 EXT. OUTER SPACE - DAY 47
The Soyuz continues to float.
48 INT. SOYUZ - DAY 48
Ryan repeatedly presses the ignition button, but nothing
happens. She starts to panic.
RYAN
Come on, come on, come on.
She taps on the fuel gauge, frozen in place due to the
temperature. The needle is tapped loose and drops down to
zero, indicating that there is no fuel.
RYAN
You gotta be kidding me. You gotta
be kidding me!
Ryan angrily hits and kicks the control panel.
RYAN
No! Don’t you fu--
49 EXT. SOYUZ (OUTER SPACE) 49
Ryan calms down. The Chinese station is far off in the b.g.
51.
RYAN (V.O.)
Houston, in the blind. Houston, in
the blind, this is Dr. Ryan Stone.
I’m calling from the Soyuz TMA-one-
four-M. I’m currently out of fuel
and adrift, do you copy? Houston.
This is Dr. Ryan Stone. MORE)
Do you copy? Houston. This is Ryan Stone. Do you copy?
The sun sets behind the edge of the Earth.
50 INT. SOYUZ - DAY 50
The edge of the window, which starts to gather frost and
freeze over.
RYAN (O.S.)
(into radio; wavering
voice, sniffs)
Houston, this is Missish -- Mission
Specialist Ryan Stone, do you copy?
ANINGAAQ (V.O.)
(over radio)
(Indistinct)
THE TOP OF A CONTROL PANEL
A card depicting a Russian religious character is affixed
to it.
RYAN (O.S.)
(into radio)
Houston, Houston, please confirm
identity.
ANINGAAQ (V.O.)
(over radio)
(Indistinct)
RYAN (O.S.)
(into radio)
Houston, you’re coming in over an
A.M. frequency. Copy.
RYAN’S HELMET AND A FIRE EXTINGUISHER
Both floating in the air.
RYAN (O.S.) (CONT’D)
(into radio)
52.
Do you copy?
(pants)
Is this the Chinese station? Is
this Tiangong? Copy. RYAN
(V. O.)
(CONT'D)
ANINGAAQ (V.O.)
(over radio)
(Inuit)
RYAN (O.S.)
(into radio)
Mayday, can you copy?
RYAN
leaning toward the control panel, reacting as a
transmission finally comes through the radio.
RYAN (CONT’D)
(into radio)
Mayday, mayday, mayday.
ANINGAAQ (V.O.)
(over radio)
(Inuit)
RYAN
(into radio; panting)
Ma-- Yes, yes. Mayday, mayday.
Mayday, mayday. An--
(whispering)
Anin--Aningaaq, is that -- ? Is
that your -- ? Is that your name?
Aningaaq is your -- is your name?
Is that your name?
ANINGAAQ (V.O.)
(over radio; in Tagalog)
Mayday!
RYAN
(into radio)
No, no, no. No, my name is not
‘Mayday.’ I’m Stone. Dr. Ryan
Stone, I need help. I am --
She reacts as she hears dogs over the radio.
RYAN (CONT’D)
53.
Wh-- Those are dogs. They’re
calling from Earth. They’re calling
from Earth.
Ryan sits back in her seat and moves her fingers, trying to
keep them warm.
RYAN (CONT’D)
(into radio)
Aningaaq, make your dogs bark again
for me, would you please? Your
dogs. Dogs, you know. Woof, woof.
Dogs.
Aningaaq makes barking sounds, howls. Ryan makes howling
sounds along with him.
RYAN (CONT’D)
(into radio)
Woof, woof. Whoo, whoo!
Ryan starts crying.
RYAN (CONT’D)
(into radio; crying)
Oh, I’m gonna die, Aningaaq. I
know, we’re all gonna die.
Everybody knows that. But I’m gonna
die today. Funny, that. You know,
to know...
Aningaaq starts to sing.
RYAN (CONT’D)
(into radio, crying)
But the thing is, it’s that I’m
still scared. I’m really scared.
Nobody will mourn for me, no one
will pray for my soul. Will you
mourn for me? Will you say a prayer
for me? Or is it too late?
A tear falls from her eye, freezes, and floats. CAMERA RACK
FOCUSES ON IT.
RYAN (CONT’D)
(into radio)
I mean, I’d say one for myself, but
I’ve never prayed in my life, so...
Nobody ever taught me how. Nobody
ever taught me how.
54.
CAMERA RACK FOCUSES BACK ON Ryan as she hears a baby over
the radio. She reacts and cries, as she hears Aningaaq
singing.
RYAN (CONT’D)
(into radio)
A baby. There’s a baby with you,
huh? Is that a lullaby you’re
singing? MORE)
(whispering)
That’s so sweet. I used to sing to
my baby. I hope I see her soon.
She leans over and presses a button on the control panel.
CAMERA PANS WITH her as she reaches up and switches off the
lights. She turns some dials, decreasing the oxygen in the
cabin’s atmosphere, preparing to kill herself.
The monitor, displaying the atmosphere levels and vital
statistics of the cabin. The oxygen meter drops rapidly as
an alert sounds. Text under the meter reads: “O2.”
Ryan, now sitting back in the seat. She closes her eyes.
RYAN (CONT’D)
(into radio)
That’s nice, Aningaaq. Keep
singing, just like that.
(exhales sharply)
Sing me to sleep, and I’ll sleep.
Keep singing. And sing, and sing.
The beam of a flashlight shines on her through the O.S.
porthole. She sees Matt, peering through the porthole. He
starts to open the hatch. Ryan, covering her face and
reacting.
RYAN (CONT’D)
No, no, no, don’t!
Matt opens the hatch, sucking out all the air and sound. He
crawls in and closes the hatch behind him. Ryan, cowering
behind her hands, but still alive. Matt sitting next to
her. He leans over and turns a dial to re- pressurize the
cabin. He takes off his helmet as air and sound are
returned.
MATT
(grunts)
Check your watch. Thirteen hours
and eleven minutes. Call Anatoly
and tell him he’s been bumped.
55.
Ryan reacts.
MATT (CONT’D)
It’s a little gloomy in here, isn’t
it?
Matt switches the lights back on.
RYAN
How did you -- ?
MATT
Trust me, it’s a hell of a story.
RYAN
But how did -- ?
Hank Williams, Jr. sings “Angels Are Hard To Find” over
radio.
MATT
(grunts)
That’s better. I found a little
extra -- a little extra battery
power. It helps that I didn’t have
you around to distract me. I have
to say, I’m glad to see ya. I
didn’t think you were gonna make
it.
(pants)
Did you find the vodka?
RYAN
(panting)
You -- You never told me where --
where it was, so...
MATT
Oh, well...
Matt reaches under his seat and produces a small bottle of
vodka. Matt sips from the bottle.
MATT (CONT’D)
To Anatoly.
(in Russian)
Na zdorovje
(sips; grunts)
Huh? No?
RYAN
No.
56.
MATT
All right. Let’s get out of here.
The Chinese station’s about a
hundred miles. Just a little Sunday
drive.
RYAN
We can’t.
MATT
Sure we can.
Matt presses several buttons.
RYAN
There’s no fuel, I tried
everything.
MATT
Well, there’s always something we
can do.
RYAN
I tried everything.
MATT
Did you try the soft landing jets?
RYAN
They’re for landing. So...
MATT
Well, landing is launching. It’s
the same thing. Didn’t you learn
about that in training?
RYAN
I never got to land the simulator.
I told you that.
MATT
But you know about it.
RYAN
And I crashed it...
(emphasizing)
... every time. But this --
MATT
Listen, do you want to go back, or
do you want to stay here?
57.
CAMERA SLOWLY DOLLIES AROUND IN FRONT of them as Matt
switches off the lights.
MATT (CONT’D)
I get it, it’s nice up here. You
can just shut down all the systems,
turn out all the lights... and just
close your eyes and tune out
everybody. There’s nobody up here
that can hurt you. It’s safe. I
mean, what’s the point of going on?
What’s the point of living? Your
kid died. Doesn’t get any rougher
than that. But still, it’s a matter
of what you do now. MORE)
If you decide to go, then you gotta just get on with it.
Sit back, enjoy the ride. You gotta plant both your feet on
the ground and start livin’ life.
RYAN
How did you get here?
MATT
I’m telling you, it’s a hell of a
story. Hey, Ryan?
RYAN
What?
MATT
It’s time to go home.
PULL BACK to reveal that Matt is not there. Ryan was
imagining him. An alert sounds. She leans and turns the
dials to repressurize the cabin. The oxygen meter starts to
rise. The meter reads “O2.”
Ryan presses a button, turning off the alert. She breathes
deeply, then leans and switches the lights back on, then
presses more buttons on the control panel. She reaches for
a landing instructions manual, which is marked green.
RYAN
Landing...
(inhales sharply)
Landing -- Landing is launching.
(whispers to herself)
I said... Oh. Okay, landing,
landing. Landing is green.
Ryan flips through the pages and stops on a graph.
58.
RYAN (CONT’D)
Okay. Okay, landing. All right.
Okay. Soft landing jets trigger
automatically at three meters
before landing, so...
Ryan rotates her wrist, trying to stay warm.
RYAN (CONT’D)
(as if to Matt)
Oh, you’re a clever son of a bitch,
Matt.
(to herself)
I need to -- I need to get rid of
the B.O...
HIGH ANGLE - RYAN
flips through the instructions.
RYAN (CONT’D)
... and the engine module.
(sniffs)
Right. Okay.
ANOTHER ANGLE
Ryan peruses the instructions and reaches to the control
panel.
RYAN (CONT’D)
Okay.
Ryan flips open the cover to a button.
HIGH ANGLE - RYAN
holding her hand to the button.
RYAN (CONT’D)
Okay. Tri-module separation.
Ryan presses the button.
RYAN (CONT’D)
Go.
51 EXT. OUTER SPACE - DAY 51
59.
The three modules of the Soyuz -- the control cabin, the
airlock, and the engines -- separate. The control cabin
floats with Ryan inside as the other sections exit either
side.
52 INT. SOYUZ - HIGH ANGLE - DAY 52
Ryan flips through the instruction manual.
RYAN
Okay.
(to Mission Control)
Houston, here’s the tricky part.
Soyuz has to think we are three
meters off the Earth.
ANOTHER ANGLE
Ryan stops on a graphic in the instructions, displaying
what to do next.
RYAN
All right. Okay.
(as if to Matt)
Hey, Matt?
Ryan reaches toward the control panel.
RYAN
(as if to Matt)
Since I had to listen to endless
hours of your storytelling this
week, I need for you to do me a
favor.
Ryan presses another button.
HIGH ANGLE - RYAN
continues pressing buttons according to what the
instructions tell her.
RYAN
(as if to Matt)
You are gonna see a little girl
with brown hair, very messy, lots
of knots. She doesn’t like to brush
it. That’s okay. Her name is Sarah.
Can you please tell her that Mama
found her red shoe? She was so
worried about that shoe, Matt. But
it was just right under the bed.
60.
Ryan presses more buttons. The monitor changes to display
new graphics in Russian.
RYAN
(as if to Matt)
Give her a...
HIGH ANGLE - RYAN
continues pressing buttons whilst perusing the
instructions.
RYAN
(as if to Matt)
... big hug and a big kiss for me,
and tell her that Mama misses her.
You tell her that she is my...
(voice wavers)
... angel. And she makes me so
proud. So, so proud.
ANOTHER ANGLE
Ryan presses several buttons. She manually sets the current
altitude at 3 meters. A counter on the monitor changes to
read: “000 003.0”
RYAN
(as if to Matt)
And you...
HIGH ANGLE - RYAN
continues to press buttons.
RYAN
(as if to Matt)
... tell her that I’m not quitting.
You tell her that I love her, Matt.
You tell her that I love her...
(voice wavers)
... so much.
Ryan looks up.
RYAN
(as if to Matt)
Can you do that for me? Roger that.
(to herself)
Here we go.
Ryan looks back at the control panel in front of her. She
presses a button.
61.
53 EXT. OUTER SPACE - DAY 53
The soft landing jets ignite at the back of the Soyuz
control cabin, hurtling it toward the Chinese station in
the distance.
54 INT. SOYUZ - LOW ANGLE - DAY 54
Ryan reaches up and grabs her space helmet and pulls it
down.
ANOTHER ANGLE
Ryan puts on her space helmet and unbuckles the seat belt.
She leans to gaze through the porthole.
55 EXT. SOYUZ - OUTER SPACE - DAY 55
The Soyuz cabin hurtles toward the Chinese station. Ryan
gazes through the porthole.
56 INT. SOYUZ - DAY 56
The Chinese station can be seen through the porthole, and
it appears to be dropping toward the Earth.
RYAN
You’re losing altitude, Tiangong.
You keep dropping and you’re gonna
kiss the atmosphere. But not
without me, because you’re my last
ride.
Ryan disarms the emergency exit latch for the hatch.
RYAN
Okay.
Ryan moves back and reaches up to grab the fire
extinguisher floating above her.
RYAN
Wait.
She cradles it to her and moves back toward the hatch.
The Soyuz is quickly approaching the Chinese station.
RYAN
62.
Five... four... three...
Ryan holds the exit latch.
RYAN
No more just driving. Let’s go
home.
Ryan pulls the latch.
57 EXT. OUTER SPACE - DAY 57
The hatch bursts open, and Ryan is hurtled out of the
Soyuz.
HIGH ANGLE - THE CHINESE STATION AND THE SOYUZ
Ryan hurtles forward and twirls about with the Chinese
station below her. She struggles to locate its position as
she spins, using the fire extinguisher to stabilize her
position.
RYAN
Steady. Okay, come on, come on.
Come on. Steady, steady. Come on.
Come on. Where are you? Where are
you?
Ryan flips back to see the Chinese station below her.
RYAN
Forty-five, ninety, one-eighty.
One-eighty.
Ryan uses the spray of the fire extinguisher to act as a
thrust back toward the station.
RYAN
Come on. Okay, okay. Okay. All
right.
She thrusts down toward a satellite wing. She can’t grab
hold of anything and floats, hovering over the station. She
tries to use the fire extinguisher to move back down, but
it is empty. She tosses it away and continues floating,
just above the station.
RYAN
(crying out)
Damn it.
63.
Ryan reaches out and grabs the end of the station. She
hangs on.
RYAN
Down, down, down. Down, down, down,
down, down. Down.
Ryan struggles to climb up the length of the station. She
finally reaches the hatch.
RYAN
Come to Mama. Come to Ma--
She cries out.
As she holds on to the rail surrounding the hatch, the next
debris strike starts. Debris hurtles past her as she opens
the hatch and crawls down inside. The station hurtles
toward the Earth through the shower of debris.
58 INT. CHINESE STATION - AIRLOCK - RYAN’S POV THROUGH HELMET 58
- DAY
to the control panel as Ryan removes the helmet.
Chinese space station voice continues over speaker in
Mandarin over following dialogue.
She turns and struggles to open an airlock, moving through
the compartment.
RYAN
Okay. Shit! Okay. Come on.
Shenzhou, come on. Shenzhou.
Shenzhou. Fuck! Okay, this way.
Shenzhou. Where are you? Come on,
where are you? What’s this?
She glances down at a hatch.
59 EXT. CHINESE SPACE STATION - DAY 59
The space station traveling toward Earth as the station
starts to break apart.
60 INT. CHINESE SPACE STATION - DAY 60
Ryan, floating, tossing her helmet. Ryan closes the airlock
hatch behind her. And floats down a compartment, into the
control cabin.
64.
61 INT. SHENZHOU CONTROL CABIN - DAY 61
Ryan, upside down, closing the hatch and locking it. She
sits in a seat and buckles her seat belt.
RYAN
I --
She glances at the cabin window.
62 EXT. CHINESE SPACE STATION - DAY 62
The space station traveling and continuing to break apart.
63 INT. SHENZHOU CONTROL CABIN - DAY 63
RYAN
In the Soyuz, the power button
is... here.
Ryan is using the control panel.
RYAN
Ah. Okay, uh, undocking, undocking.
Um --
(sucks airs through
teeth)
Uh, eeni, meeni -- Okay, that
doesn't sound good. Miny... moe.
Female Chinese Shenzhou voice over speakers in Mandarin.
RYAN
Ah.
(in Spanish)
No hablo chino.
(sucks air through teeth)
Miny... moe.
Ryan presses buttons on the control panel.
The panel reads: “00:00:52.0”
RYAN
Okay. Okay, good.
64 EXT. CHINESE SPACE STATION - DAY 64
The space station traveling through space.
65.
65 INT. SHENZHOU CONTROL CABIN - DAY 65
The control panel reads: “00:00:44.0”
RYAN
(into radio)
Houston. Houston, in the blind.
This is Mission Specialist Ryan
Stone reporting from the Shenzhou.
I’m about to undock from Tiangong... And I have a bad
feeling about this mission. (chuckles) Reminds me of a
story, Houston --
Ryan cries out. CAMERA PANS TO the cabin window, then back
to Ryan.
RYAN
Never-Never mind the story,
Houston. Never mind the story. It's
getting hot in here. Okay. All
right. Okay. All right, the way I
see it, there’s only two possible
outcomes. Either I make it down
there in one piece and I have one
hell of a story to tell, or I burn
up in the next ten minutes. Either
way, whichever way... no harm, no
foul! Because either way... it’ll
be one hell of a ride. I’m ready.
Ryan reaches out and grabs her helmet, putting it on.
66 EXT. CHINESE SPACE STATION - DAY 66
The space station, burning up and breaking apart as the
Shenzhou control cabin splits off from the rest of the
station and hurtles off.
67 INT. SHENZHOU CONTROL CABIN - DAY 67
Ryan, as the cabin spins.
68 EXT. SHENZHOU CONTROL CABIN - DAY 68
The cabin hurtling toward Earth.
69 INT. SHENZHOU CONTROL CABIN - DAY 69
66.
The smoking control panel.
Ryan reaches for the control panel and presses a button.
70 EXT. SHENZHOU CONTROL CABIN - DAY 70
The cabin splits off from the rest of the vessel and
continues on. The burning cabin traveling among burning
debris. It falls toward Earth, entering the atmosphere.
The burning debris plummeting into Earth’s atmosphere.
71 INT. SHENZHOU CONTROL CABIN - DAY 71
The control panel sparking.
72 EXT. EARTH’S OUTER ATMOSPHERE - DAY 72
And cabin and burning debris, leaving a smoking trail as
they travel.
The cabin is breaking apart.
73 INT. SHENZHOU CONTROL CABIN - DAY 73
The cabin window as daylight flashes through it.
74 EXT. EARTH’S ATMOSPHERE - DAY 74
The pod, plummeting, falls through the clouds as a
parachute emerges from the pod, slowing the pod’s
trajectory.
75 INT. SHENZHOU CONTROL CABIN - DAY 75
MISSION CONTROL (V.O.)
Shenzhou, in the blind, this is
Houston. Indicate FM frequency.
The control panel is burning.
MISSION CONTROL (V.O.)
Our radars detect you on a reentry
trajectory. If you copy, please
confirm identity.
67.
76 EXT. EARTH’S ATMOSPHERE - DAY 76
The pod falling through the clouds.
77 EXT. LAKE - DAY 77
The pod, falling and drops into a lake.
78 INT. SHENZHOU CONTROL CABIN - DAY 78
Ryan removes her helmet as smoke fills the cabin.
MISSION CONTROL (V.O.)
This is Houston.
Other radio voices.
RADIO WOMAN #2 (V.O.)
It’s freezing, it’s boring as hell.
RADIO (V.O.)
-- is: No money down!
Ryan unstraps herself and rises, staggering to the hatch
door. She unlocks the hatch.
MISSION CONTROL (V.O.)
Please confirm iden--
Other radio voices.
MALE RADIO DJ (V.O.)
-- messages, we’ll be right --
MISSION CONTROL (V.O.)
This is Houston, please confirm
identity.
MALE WEATHERMAN (V.O.)
Skies over the Midwest are
completely clear --
MISSION CONTROL (V.O.)
We’ve deployed a rescue mission to
retrieve you. Rescue mission is on
the way.
79 EXT. LAKE - DAY 79
68.
The door to the pod shoots off.
80 INT. SHENZHOU CONTROL CABIN - DAY 80
Ryan stands at the hatch as water pours inside the cabin,
forcing her against the cabin wall.
MISSION CONTROL (V.O.)
Shenzhou, in the blind, this is
Houston. We’ve deployed a rescue
mission to retrieve you. Our radars
--
The cabin fills with water.
81 EXT. LAKE - DAY 81
The pod sinking below the surface of the lake.
82 INT. SHENZHOU CONTROL CABIN - DAY 82
Ryan struggling to stay above the water as it continues to
rise.
83 EXT. LAKE - UNDERWATER - DAY 83
The pod, sinking down.
84 INT. CABIN - UNDERWATER - DAY 84
Ryan, dropping below the surface of the water. She swims
into a cloud of air bubbles.
85 EXT. LAKE - UNDERWATER - DAY 85
Ryan swimming. Her spacesuit weighs her down and she
struggles to remove it.
A frog swims past.
Ryan removes her spacesuit and swims up.
86 EXT. LAKE - DAY 86
Ryan surfaces. She floats on her back.
69.
The CAMERA TILTS UP TO the sky. Burning debris from the
space station soars through. TILT BACK DOWN TO Ryan
swimming.
She crawls onto the shore and lies down, exhausted.
RYAN
(chuckles)
Thank you. No.
She struggles to her feet. She unsteadily walks off.
FADE OUT.
OVER BLACK
END CREDITS.
THE END
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