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Create Wes Roth - Luma AI Stuns the ENTIRE Industry Transcript.txt
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Wes Roth - Luma AI Stuns the ENTIRE Industry Transcript.txt
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1 |
+
0:00
|
2 |
+
so you've seen the insane text to video
|
3 |
+
0:02
|
4 |
+
AI models coming out open AI Sora was
|
5 |
+
0:05
|
6 |
+
probably the best looking one yet but
|
7 |
+
0:07
|
8 |
+
not available to the public another next
|
9 |
+
0:09
|
10 |
+
gen model that made its appearance was
|
11 |
+
0:11
|
12 |
+
called cing but we had to have a Chinese
|
13 |
+
0:14
|
14 |
+
mobile number to use it so I think a lot
|
15 |
+
0:17
|
16 |
+
of us assume that we're not going to see
|
17 |
+
0:19
|
18 |
+
the top-of-the-line AI video models
|
19 |
+
0:21
|
20 |
+
anytime soon at least ones that we can
|
21 |
+
0:23
|
22 |
+
get a Hands-On ones we can
|
23 |
+
0:26
|
24 |
+
use but Lumi makes an appearance and
|
25 |
+
0:30
|
26 |
+
it's good really good but most
|
27 |
+
0:33
|
28 |
+
importantly it's available to use now
|
29 |
+
0:36
|
30 |
+
well it looks like everyone on the
|
31 |
+
0:37
|
32 |
+
planet is trying it out right now so the
|
33 |
+
0:39
|
34 |
+
demand is SK High it took me oh about 3
|
35 |
+
0:43
|
36 |
+
hours to generate this one prompt so
|
37 |
+
0:46
|
38 |
+
expect to give it a day or two before it
|
39 |
+
0:47
|
40 |
+
can start generating stuff on the fly
|
41 |
+
0:50
|
42 |
+
but let me show you some stuff it can do
|
43 |
+
0:52
|
44 |
+
some of this stuff will be somewhat not
|
45 |
+
0:54
|
46 |
+
safe for work if you know what I mean
|
47 |
+
0:57
|
48 |
+
and the last one will be straight up
|
49 |
+
1:00
|
50 |
+
scary like horror movie scary it's
|
51 |
+
1:03
|
52 |
+
called the tales from the other side
|
53 |
+
1:06
|
54 |
+
I'll leave that one for last in case
|
55 |
+
1:07
|
56 |
+
you're watching this alone at night in
|
57 |
+
1:11
|
58 |
+
the dark because I'm going to say it now
|
59 |
+
1:14
|
60 |
+
ai generated horror fakes have the
|
61 |
+
1:16
|
62 |
+
potential to be the scariest things
|
63 |
+
1:18
|
64 |
+
we've ever seen here's another YouTube
|
65 |
+
1:21
|
66 |
+
Creator in the AI space his channel is
|
67 |
+
1:24
|
68 |
+
theoretically media and he got Early
|
69 |
+
1:26
|
70 |
+
Access to this I'll leave a link to his
|
71 |
+
1:29
|
72 |
+
video down below but he was able to do
|
73 |
+
1:31
|
74 |
+
some image to video so for example
|
75 |
+
1:34
|
76 |
+
creating an image in mid journey and
|
77 |
+
1:36
|
78 |
+
then animating that with Luma Ai and he
|
79 |
+
1:39
|
80 |
+
was also able to create some scenes from
|
81 |
+
1:41
|
82 |
+
his own prompts so this I think is a
|
83 |
+
1:44
|
84 |
+
really good non cherry-picked example of
|
85 |
+
1:48
|
86 |
+
what Luma AI can do here it is if you
|
87 |
+
Early Access Showcase
|
88 |
+
1:52
|
89 |
+
ever played Hitman this is your chance
|
90 |
+
1:54
|
91 |
+
to recreate that as your very own movie
|
92 |
+
1:56
|
93 |
+
Very Dynamic very action-packed the
|
94 |
+
1:59
|
95 |
+
second version from that same prompt um
|
96 |
+
2:01
|
97 |
+
you know obviously per prompt you get
|
98 |
+
2:03
|
99 |
+
two generations uh yielded this as a
|
100 |
+
2:05
|
101 |
+
result and yes while there is some
|
102 |
+
2:08
|
103 |
+
decoherence and so each time it
|
104 |
+
2:10
|
105 |
+
generates two different ones so I got to
|
106 |
+
2:12
|
107 |
+
say that first one is very very good I
|
108 |
+
2:15
|
109 |
+
mean the fingers right the hands are a
|
110 |
+
2:18
|
111 |
+
nightmare but I mean it does look like
|
112 |
+
2:20
|
113 |
+
he's looking down the sights of the gun
|
114 |
+
2:21
|
115 |
+
that he's shooting in the prompt they St
|
116 |
+
2:23
|
117 |
+
that the Assassin should be bald which
|
118 |
+
2:26
|
119 |
+
it nailed I got to say it's pretty good
|
120 |
+
2:28
|
121 |
+
there it is he's shooting the gun
|
122 |
+
2:30
|
123 |
+
leaning around the corners I love it
|
124 |
+
2:32
|
125 |
+
next is Pirates of the Caribbean or
|
126 |
+
2:35
|
127 |
+
something like it right so some sort of
|
128 |
+
2:37
|
129 |
+
a adventure on a pirate
|
130 |
+
2:41
|
131 |
+
ship pretty cool and this is possibly
|
132 |
+
2:44
|
133 |
+
one of my favorites so this is uh an
|
134 |
+
2:46
|
135 |
+
image that he made so he made a static
|
136 |
+
2:48
|
137 |
+
image I'm not sure if it was mid Journey
|
138 |
+
2:50
|
139 |
+
but taking that image and adding it into
|
140 |
+
2:52
|
141 |
+
Luma Ai and the dream machine is what
|
142 |
+
2:55
|
143 |
+
this thing is called so Luma AI is the
|
144 |
+
2:56
|
145 |
+
company this is the dream machine this
|
146 |
+
2:58
|
147 |
+
is what it does so you can you can see
|
148 |
+
3:00
|
149 |
+
here it animates the movements she's
|
150 |
+
3:02
|
151 |
+
looking kind of keeping eyes on the
|
152 |
+
3:05
|
153 |
+
camera and one thing that's very
|
154 |
+
3:06
|
155 |
+
interesting is that you're able to add
|
156 |
+
3:08
|
157 |
+
certain prompts to make it for example
|
158 |
+
3:11
|
159 |
+
for her to change positions so here's
|
160 |
+
3:13
|
161 |
+
one with her hands
|
162 |
+
3:15
|
163 |
+
folded that's what that looks like so
|
164 |
+
3:18
|
165 |
+
her folding her hands across her body
|
166 |
+
3:21
|
167 |
+
again the arms and everything else looks
|
168 |
+
3:24
|
169 |
+
insane and not very good but I got to
|
170 |
+
3:27
|
171 |
+
say the fact that you can say what the
|
172 |
+
3:29
|
173 |
+
position should be what the movement
|
174 |
+
3:30
|
175 |
+
should be and that gets animated from a
|
176 |
+
3:32
|
177 |
+
static image that's pretty exciting
|
178 |
+
3:34
|
179 |
+
right so I'll put the links down below
|
180 |
+
Dream Machine Features
|
181 |
+
3:36
|
182 |
+
so you can try this for yourself and in
|
183 |
+
3:38
|
184 |
+
a minute I'll show you the best of luma
|
185 |
+
3:41
|
186 |
+
Labs like the best Generations that it
|
187 |
+
3:44
|
188 |
+
can make so you can see what it's
|
189 |
+
3:46
|
190 |
+
capable of at if you're picking the best
|
191 |
+
3:48
|
192 |
+
examples so of course as you're
|
193 |
+
3:49
|
194 |
+
generating various examples various
|
195 |
+
3:51
|
196 |
+
samples some of them will be good some
|
197 |
+
3:54
|
198 |
+
of them will be bad so often times
|
199 |
+
3:55
|
200 |
+
picking the best shot will come down to
|
201 |
+
3:58
|
202 |
+
generating 100 shots with maybe slightly
|
203 |
+
4:00
|
204 |
+
different prompts and then picking out
|
205 |
+
4:02
|
206 |
+
the best ones that's similar to how we
|
207 |
+
4:05
|
208 |
+
often times approach mid journey and
|
209 |
+
4:06
|
210 |
+
these other things like magnific
|
211 |
+
4:08
|
212 |
+
upscaler you do multiple variations with
|
213 |
+
4:10
|
214 |
+
different parameters different settings
|
215 |
+
4:12
|
216 |
+
different prompts to hopefully capture
|
217 |
+
4:14
|
218 |
+
that perfect thing which is not too
|
219 |
+
4:16
|
220 |
+
dissimilar to how for example some
|
221 |
+
4:18
|
222 |
+
photographers approach photo shoots
|
223 |
+
4:20
|
224 |
+
right sometimes if you've ever seen a
|
225 |
+
4:22
|
226 |
+
professional photo shoot the
|
227 |
+
4:23
|
228 |
+
photographer will point the camera hold
|
229 |
+
4:24
|
230 |
+
down the button you hear that rapid
|
231 |
+
4:26
|
232 |
+
machine fire click that super fast
|
233 |
+
4:28
|
234 |
+
clicking of the camera as it's taking
|
235 |
+
4:30
|
236 |
+
dozens and dozens of shots and then
|
237 |
+
4:32
|
238 |
+
afterwards they go through it one by one
|
239 |
+
4:34
|
240 |
+
picking out the best ones some of the
|
241 |
+
4:36
|
242 |
+
newest phone cameras also do the same
|
243 |
+
4:38
|
244 |
+
thing right they take a little clip and
|
245 |
+
4:40
|
246 |
+
you can pick out the best the perfect
|
247 |
+
4:42
|
248 |
+
sort of still moment within that shot
|
249 |
+
4:43
|
250 |
+
and the reason that's important to
|
251 |
+
4:45
|
252 |
+
understand is because if you're trying
|
253 |
+
4:46
|
254 |
+
to produce something that's like
|
255 |
+
4:47
|
256 |
+
cinematic something that's like movie
|
257 |
+
4:49
|
258 |
+
quality yeah you might have to produce
|
259 |
+
4:52
|
260 |
+
hundreds of shots thousands perhaps have
|
261 |
+
4:54
|
262 |
+
some sort of a filtering process maybe
|
263 |
+
4:56
|
264 |
+
even do a little touch-ups here and
|
265 |
+
4:58
|
266 |
+
there but then once you put it together
|
267 |
+
5:00
|
268 |
+
the results can be stunning so let's
|
269 |
+
5:01
|
270 |
+
take a look at this and in a second I'll
|
271 |
+
5:03
|
272 |
+
show you what's possible if you're
|
273 |
+
5:04
|
274 |
+
willing to go through and find the best
|
275 |
+
5:06
|
276 |
+
shots so Luma labs and this is their
|
277 |
+
5:09
|
278 |
+
dream machine which is an AI model that
|
279 |
+
5:11
|
280 |
+
makes high quality realistic videos fast
|
281 |
+
5:13
|
282 |
+
from text and images So currently it's
|
283 |
+
5:15
|
284 |
+
taking they say 120 seconds to generate
|
285 |
+
5:17
|
286 |
+
One Clip but right now there's a huge CU
|
287 |
+
5:20
|
288 |
+
for how there a huge cue so it's taking
|
289 |
+
5:22
|
290 |
+
hours but you can see when it's in Q so
|
291 |
+
5:25
|
292 |
+
before it starts processing and they're
|
293 |
+
5:26
|
294 |
+
saying that it's a highly scalable and
|
295 |
+
5:28
|
296 |
+
efficient Transformer model train Direct
|
297 |
+
5:29
|
298 |
+
on videos making capable of generating
|
299 |
+
5:31
|
300 |
+
physically accurate consistent and
|
301 |
+
5:33
|
302 |
+
eventful shots and it sounds like they
|
303 |
+
5:35
|
304 |
+
will have more and more abilities to
|
305 |
+
5:38
|
306 |
+
customize the thing that you're trying
|
307 |
+
5:39
|
308 |
+
to capture as this thing gets rolled out
|
309 |
+
5:41
|
310 |
+
to more users they're going to be adding
|
311 |
+
5:42
|
312 |
+
these functionalities and it sounds like
|
313 |
+
5:44
|
314 |
+
there's a bit of a trade-off between how
|
315 |
+
5:46
|
316 |
+
eventful a shot will be versus
|
317 |
+
5:47
|
318 |
+
consistency versus how custom you want
|
319 |
+
5:49
|
320 |
+
it to be so if you want a long shot with
|
321 |
+
5:52
|
322 |
+
very specific things in it then it might
|
323 |
+
5:54
|
324 |
+
approach a point where the character on
|
325 |
+
5:56
|
326 |
+
the shot is not really doing anything
|
327 |
+
5:57
|
328 |
+
just standing still whereas if you let
|
329 |
+
5:58
|
330 |
+
it be a little bit creative I can go and
|
331 |
+
6:00
|
332 |
+
generate something with a lot of action
|
333 |
+
6:02
|
334 |
+
so there's a little bit of a trade-off
|
335 |
+
6:03
|
336 |
+
happening there we talked about this it
|
337 |
+
6:05
|
338 |
+
can create high quality video from both
|
339 |
+
6:08
|
340 |
+
text and images so you can upload your
|
341 |
+
6:10
|
342 |
+
favorite image and then have that be
|
343 |
+
6:12
|
344 |
+
brought to life so things incredibly
|
345 |
+
6:14
|
346 |
+
fast 120 frames in 120 seconds and here
|
347 |
+
6:18
|
348 |
+
they're talking about consistent
|
349 |
+
6:20
|
350 |
+
characters and this is something that I
|
351 |
+
6:21
|
352 |
+
did notice about the videos the
|
353 |
+
6:23
|
354 |
+
characters stay consistent dealing with
|
355 |
+
6:26
|
356 |
+
some of the previous text to video
|
357 |
+
6:28
|
358 |
+
models throughout the shop the character
|
359 |
+
6:30
|
360 |
+
can morph into something completely
|
361 |
+
6:33
|
362 |
+
different here whatever else you can say
|
363 |
+
6:35
|
364 |
+
I got to say they stay pretty consistent
|
365 |
+
6:37
|
366 |
+
there's still some glitches with the
|
367 |
+
6:38
|
368 |
+
fingers and hands but the character
|
369 |
+
6:40
|
370 |
+
doesn't like fundamentally flip and turn
|
371 |
+
6:43
|
372 |
+
into something completely different they
|
373 |
+
6:45
|
374 |
+
can also do a lot of the different
|
375 |
+
6:46
|
376 |
+
camera movements Zoom pan rotate Etc
|
377 |
+
6:50
|
378 |
+
that's going to be able to create a lot
|
379 |
+
6:52
|
380 |
+
of really stunning cinematic shots and
|
381 |
+
6:54
|
382 |
+
some like dramatic close-ups Etc the
|
383 |
+
6:57
|
384 |
+
fact that they can go from underwater to
|
385 |
+
6:58
|
386 |
+
above water with this little bear here
|
387 |
+
7:01
|
388 |
+
is uh pretty cool I got to say and I got
|
389 |
+
7:03
|
390 |
+
to give them credit for doing this so
|
391 |
+
7:05
|
392 |
+
they spell out their current limitations
|
393 |
+
7:07
|
394 |
+
right so they're saying what are we bad
|
395 |
+
7:09
|
396 |
+
at what is this model currently what
|
397 |
+
7:10
|
398 |
+
doesn't it do pretty well so morphing so
|
399 |
+
7:13
|
400 |
+
if a car has to morph into a different
|
401 |
+
7:15
|
402 |
+
color or a different car they're not
|
403 |
+
7:16
|
404 |
+
doing that too well quite yet movement
|
405 |
+
7:18
|
406 |
+
so this dog gliding along the the ground
|
407 |
+
7:21
|
408 |
+
so maybe if there's some sort of a
|
409 |
+
7:22
|
410 |
+
background foreground type of thing
|
411 |
+
7:23
|
412 |
+
maybe it's not that good text is
|
413 |
+
7:25
|
414 |
+
notoriously difficult to do for these
|
415 |
+
7:27
|
416 |
+
both image models and video models
|
417 |
+
7:30
|
418 |
+
and then Janis which I don't know what
|
419 |
+
7:32
|
420 |
+
that is I looked it up Janus it could be
|
421 |
+
7:35
|
422 |
+
referring to a god with two faces so
|
423 |
+
7:37
|
424 |
+
some sort of a two-faced deity so here
|
425 |
+
7:40
|
426 |
+
as you can see here's a polar bear maybe
|
427 |
+
7:42
|
428 |
+
the prompt was for it to have two front
|
429 |
+
7:44
|
430 |
+
ends two faces and basically I think
|
431 |
+
7:47
|
432 |
+
what you got to think of is like what
|
433 |
+
7:48
|
434 |
+
these models are trained on so if they
|
435 |
+
7:50
|
436 |
+
see tons of hours of footage of polar
|
437 |
+
7:52
|
438 |
+
bears they can reproduce a polar bear
|
439 |
+
7:55
|
440 |
+
how many hours of footage of two-headed
|
441 |
+
7:57
|
442 |
+
polar bears are there in the wild
|
443 |
+
7:58
|
444 |
+
probably not as many but the big message
|
445 |
+
8:01
|
446 |
+
here I think is that when Sora came out
|
447 |
+
8:04
|
448 |
+
there wasn't anything quite like it we
|
449 |
+
8:06
|
450 |
+
had pabs we had Runway ml they were good
|
451 |
+
8:10
|
452 |
+
but they weren't still a inspiring they
|
453 |
+
8:13
|
454 |
+
were they had that AI generated look so
|
455 |
+
8:15
|
456 |
+
you could make some cool things with it
|
457 |
+
8:17
|
458 |
+
some of the best stuff that I saw with
|
459 |
+
8:19
|
460 |
+
it lean more towards like mystical and
|
461 |
+
8:21
|
462 |
+
horror because just how weird the video
|
463 |
+
8:25
|
464 |
+
looked here I think we're definitely at
|
465 |
+
8:26
|
466 |
+
a point where a lot more thing SC be
|
467 |
+
8:29
|
468 |
+
done do you want something that's a
|
469 |
+
8:30
|
470 |
+
little bit more romantic do you want a
|
471 |
+
8:32
|
472 |
+
cinematic shot do you want an action
|
473 |
+
8:34
|
474 |
+
shot do you want like this whatever this
|
475 |
+
8:36
|
476 |
+
bear and Swine things are over here some
|
477 |
+
8:39
|
478 |
+
sort of a leather clawed badasses that
|
479 |
+
8:42
|
480 |
+
are walking away from an explosion like
|
481 |
+
8:44
|
482 |
+
you want to do that you can do that and
|
483 |
+
8:47
|
484 |
+
now we saw this sort of next step in in
|
485 |
+
8:49
|
486 |
+
these AI video models not just from Sora
|
487 |
+
8:52
|
488 |
+
which we couldn't get a hands- on
|
489 |
+
8:54
|
490 |
+
although people in the Hollywood have
|
491 |
+
8:55
|
492 |
+
been apparently have early access to it
|
493 |
+
8:57
|
494 |
+
and then we had cing which you had to
|
495 |
+
8:59
|
496 |
+
have a Chinese mobile number to use and
|
497 |
+
9:01
|
498 |
+
now finally this which now everyone can
|
499 |
+
9:05
|
500 |
+
use now you're limited to a certain
|
501 |
+
9:06
|
502 |
+
amount of generations here's the pricing
|
503 |
+
9:08
|
504 |
+
by the way so you get 3 free Generations
|
505 |
+
9:10
|
506 |
+
per month so each generation is two
|
507 |
+
9:13
|
508 |
+
different shots so two samples and you
|
509 |
+
9:15
|
510 |
+
can upgrade to have 120 Generations at
|
511 |
+
9:17
|
512 |
+
30 per month 400 at 100 bucks a month
|
513 |
+
9:20
|
514 |
+
and 2,000 Generations if you're willing
|
515 |
+
9:22
|
516 |
+
to Shell out 500 per month which again
|
517 |
+
9:25
|
518 |
+
if you're using this to create some sort
|
519 |
+
9:26
|
520 |
+
of features movies you're probably going
|
521 |
+
9:29
|
522 |
+
to need need that but with that said let
|
523 |
+
9:30
|
524 |
+
me show you some of the best of things
|
525 |
+
9:33
|
526 |
+
that people have created using this Luma
|
527 |
+
9:36
|
528 |
+
Labs dream machine if this was
|
529 |
+
9:37
|
530 |
+
interesting please make sure you're
|
531 |
+
9:39
|
532 |
+
subscribed because we're going to be
|
533 |
+
9:40
|
534 |
+
covering this in depth as soon as the
|
535 |
+
9:42
|
536 |
+
traffic demand dies down a little bit
|
537 |
+
9:44
|
538 |
+
and it's possible to generate these
|
539 |
+
9:46
|
540 |
+
videos we're going to be doing a deep
|
541 |
+
9:48
|
542 |
+
dive and seeing what's possible with
|
543 |
+
9:50
|
544 |
+
something like this seeing is it
|
545 |
+
9:52
|
546 |
+
possible to create our very own movie or
|
547 |
+
9:55
|
548 |
+
cartoon or anime of some sort so stay
|
549 |
+
9:58
|
550 |
+
tuned lots more than coming make sure
|
551 |
+
10:00
|
552 |
+
you're subscribed and enjoy
|
553 |
+
Demos and Showcases
|
554 |
+
10:04
|
555 |
+
[Music]
|
556 |
+
10:34
|
557 |
+
at this point life seemed to be a
|
558 |
+
10:37
|
559 |
+
NeverEnding
|
560 |
+
10:39
|
561 |
+
Circle again and
|
562 |
+
10:42
|
563 |
+
again I did the same
|
564 |
+
10:50
|
565 |
+
routine like that auto taxi that flies
|
566 |
+
10:53
|
567 |
+
round and round all changed when I met
|
568 |
+
10:57
|
569 |
+
her Yuki the shrin keeper she was trying
|
570 |
+
11:01
|
571 |
+
to stop the robot sent to destroy the
|
572 |
+
11:04
|
573 |
+
Tor I felt the urge to help her and
|
574 |
+
11:07
|
575 |
+
deactivated the
|
576 |
+
11:08
|
577 |
+
bot she thanked me and showed around the
|
578 |
+
11:11
|
579 |
+
shrine's
|
580 |
+
11:12
|
581 |
+
garden I knew the corporation would send
|
582 |
+
11:15
|
583 |
+
more Bots but at that moment nothing
|
584 |
+
11:18
|
585 |
+
else mattered only the shrine only Yuki
|
586 |
+
11:33
|
587 |
+
[Music]
|
588 |
+
11:41
|
589 |
+
[Applause]
|
590 |
+
11:44
|
591 |
+
[Music]
|
592 |
+
11:58
|
593 |
+
[Music]
|
594 |
+
12:12
|
595 |
+
[Music]
|
596 |
+
12:17
|
597 |
+
me
|
598 |
+
12:18
|
599 |
+
[Music]
|
600 |
+
13:10
|
601 |
+
[Music]
|
602 |
+
13:19
|
603 |
+
close your
|
604 |
+
13:23
|
605 |
+
eyes count
|
606 |
+
13:32
|
607 |
+
think of
|
608 |
+
13:36
|
609 |
+
home and
|
610 |
+
13:41
|
611 |
+
[Music]
|
612 |
+
13:44
|
613 |
+
open you're
|
614 |
+
13:46
|
615 |
+
never
|
616 |
+
13:48
|
617 |
+
[Music]
|
618 |
+
13:49
|
619 |
+
never coming home again
|
620 |
+
13:59
|
621 |
+
it's passed
|
622 |
+
14:02
|
623 |
+
[Music]
|
624 |
+
14:04
|
625 |
+
away it's gone
|
626 |
+
14:10
|
627 |
+
away it's
|
628 |
+
14:13
|
629 |
+
pass
|
630 |
+
14:16
|
631 |
+
[Music]
|
632 |
+
14:18
|
633 |
+
away it's
|
634 |
+
14:19
|
635 |
+
[Music]
|
636 |
+
14:27
|
637 |
+
gone hey my name is Abel and let me tell
|
638 |
+
14:32
|
639 |
+
you the story of
|
640 |
+
14:36
|
641 |
+
[Music]
|
642 |
+
14:44
|
643 |
+
f on the other side the other side you
|
644 |
+
14:51
|
645 |
+
never know
|
646 |
+
15:04
|
647 |
+
desperate wondering soul will come my
|
648 |
+
15:07
|
649 |
+
friend
|
650 |
+
15:13
|
651 |
+
for
|
652 |
+
15:18
|
653 |
+
the you never
|
654 |
+
15:26
|
655 |
+
[Music]
|
656 |
+
15:33
|
657 |
+
[Music]
|
658 |
+
|