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ESTELLE | Nothing. Please. I'll tell you the truth - the whole thing sounds pretty stupid to me. | JERRY | NBC is letting me use their private jet? And I can go anywhere I want? That's fantastic! Thanks. Great. Okay, bye. |
KRAMER | Oh hey! | JERRY | Hey - how was the beach? |
KRAMER | Oh, you missed it, buddy - lot of femininas - some major femininas | JERRY | I had a little meeting today at NBC. What are you doing? |
KRAMER | You know, I went swimming and I can't get this water out of my ear. | JERRY | So do you remember five years ago, we did that pilot, "Jerry"? Well, the new guy at NBC wants to do it. They're putting it on the air! They're giving us a 13-episode commitment. George and I are moving to California! |
KRAMER | You're moving to California? | JERRY | Yeah, only for a while. |
KRAMER | Yeah, but Jerry, what happens if the show's a hit? You could be out there for years! You might never come back. | JERRY | No, I'll be back. |
KRAMER | Jerry. It's L.A. Nobody leaves. She's a seductress, she's a siren, she's a virgin, she's a whore. | JERRY | And my agent said as a bonus, I can use their private jet, so we'll all go somewhere - the four of us, one big fling before George and I go to California. |
ELAINE | So we can go anywhere we want? | JERRY | Anywhere. |
ELAINE | Why are they doing this? | JERRY | I think they want to make it up to us cause they let this thing sit on their shelf for five years. |
ELAINE | Oh - I got it - how about Russia? | JERRY | Russia, it's so bleak. |
ELAINE | It's not bleak - it's springtime. | JERRY | It's still bleak. |
ELAINE | You can't be bleak in spring. | JERRY | You can be bleak in spring. |
ELAINE | All right! You know what, just forget it! | JERRY | Alright - come on - come on now, people. Let's face it, we're not all going to agree on anything. Why don't we all just go to Paris? |
KRAMER | Oh yeah - oui oui. | JERRY | So that's it - it's settled, we're going to Paris. |
ELAINE | Hey. NBC limo is downstairs - beep beep beep. {NBC tune} I'm just going to call Jill one more time before we go. | JERRY | Wait, you can't make a call like that on your way out. You can't rush that conversation. |
ELAINE | Well, I can't call from the limo. Can I call from the plane? | JERRY | First you make a cell-phone walk-and-talk, then she loses a call-waiting face-off, now you're talking about a plane call? |
NEWMAN | Hello, Jerry. | JERRY | Hello, Newman. What gives? |
NEWMAN | I was speaking earlier with Kramer and he mentioned something about a private jet to Paris? | JERRY | Yeah, that's right. |
NEWMAN | Well, I hear it's quite beautiful there this time of year, and of course you know I'm one-quarter French. | JERRY | Really. |
NEWMAN | Oh yes, in fact I still have family there. This probably won't interest you, but I have a cousin there who's suffering very badly. She's lost all use of her muscles. She can only communicate by blinking. I would so love to see her - bring a ray of sunshine into her tragic life. But alas, I can't afford it, for I am, as you know, but a simple postal worker. | JERRY | That's a shame. |
NEWMAN | Take me! Take me! | JERRY | Oh, forget it. Pull yourself together. You're making me sick. Be a man! |
CAPTAIN | Ah, Jerry? | JERRY | Yeah. |
CAPTAIN | I'm Captain Maddox this is my co-pilot, Kurt Adams. Ready to go to Paris? | JERRY | All set. We'll just grab the bags. |
CAPTAIN | Don't worry about that. We'll take care of them for you. | JERRY | Just keeps on getting better and better. |
GEORGE | I'm sorry - I have to say, I'm a little disappointed, I thought it would be a lot nicer. | JERRY | You're complaining about a private jet? |
GEORGE | You think this is the plane that Ted Danson gets? | JERRY | Ted Danson is not even on the network anymore. |
GEORGE | This is a real piece of junk. I don't even feel safe on this thing. I have a good mind to write a letter toMr. Kimbrough. | JERRY | You're not writing any letters! |
GEORGE | Kramer, what are you doing? | JERRY | Still got water in your ear? |
ELAINE | What is that noise? What is that noise? | JERRY | Kramer, what the hell did you do? |
ELAINE | What's going on? | JERRY | Kramer! |
GEORGE | Just when I was doing great. I told you God wouldn't let me be successful. | JERRY | Is this it? Is this how it ends? It can't- it can't end like this. |
GEORGE | Jerry? Jerry can you hear me? | JERRY | Yeah. |
GEORGE | There's something I have to tell you. | JERRY | What? What is it? |
GEORGE | The contest - I cheated. | JERRY | Why? |
GEORGE | Because I'm a cheater! I had to tell you. | JERRY | Great - I won. |
ELAINE | Jerry, I gotta tell you something too. | JERRY | Yeah, Elaine I got something I want to say to you. |
ELAINE | No no - me first. | JERRY | Alright. |
ELAINE | We're straightening out? | JERRY | We're straightening out! |
CAPTAIN | Well, again, sorry about that little mishap. But once you get everything checked out there shouldn't be anymore problems. | JERRY | Where are we? |
CAPTAIN | Latham, Massachusetts. Why don't you take a cab into town, get yourself something to eat. I got your beeper number - I'll beep you as soon as we're ready. | JERRY | Okay. |
ELAINE | Okay. | JERRY | We'll see you later. |
ELAINE | Well, what are we going to do about Paris? I mean are we actually going to get back on this plane? | JERRY | I say we go back to New York, and take a regular flight. |
GEORGE | First class doesn't make it anymore. Now you get on the phone with Kimbrough, tell him what happened and tell him to get another plane down here, but this time, the good one - the Ted Danson plane. | JERRY | Alright, I'll feel him out. |
STRANGER | Nice day. | JERRY | Another one? |
VOGEL | Don't shoot. | JERRY | Well, there goes the money for the lipo. |
ROBBER | I want your wallet. Come on. Come on, come on. | JERRY | That's a shame. Alright, I'm gonna call NBC. |
VOGEL | Officer, he's stealing my car! Officer, I was carjacked. I was held up at gunpoint! He took my wallet, everything! | JERRY | Okay, thanks anyway. They can't get another plane. |
ELAINE | Forget it. | JERRY | No, no, no. We're not getting on there. Come on, let's go get something to eat in Sticksville. |
OFFICER | You're under arrest. | JERRY | Under arrest? What for? |
DEPUTY | Well, they just passed it last year. It's modeled after the French law. I heard about it after Princess Diana was killed and all those photographers were just standing around. | JERRY | Oh, yeah. |
ELAINE | I guess we could've called for help. | JERRY | But then we would have missed the whole thing. |
GEORGE | Yeah, he's right. | JERRY | I forgot about the video. |
ELAINE | What is that? | JERRY | Plane's ready. |
KRAMER | This is excellent huh? Don't worry I didn't use too much milk, cause I know we gotta make it last. | JERRY | You know I've had to reduce my milk level. My whole life I've always filled to at least three quarters - sometimes, to the top of the cereal. Now, to conserve, I can't even see the milk anymore. It's a big adjustment. |
KRAMER | I bet. | JERRY | It's one of the hardest things I've ever had to do. |
ELAINE | Good morning, Jackie. | JERRY | Good morning. |
CHILES | Do you think it's funny? | JERRY | No. |
CHILES | Here. | JERRY | This one? |
CHILES | That's right. | JERRY | Do I have to? |
GEORGE | Jerry, did you hear that? | JERRY | Yeah. |
CHOATE | Oh no. | JERRY | Gimme that rye. |
CHOATE | Stop it. | JERRY | I want that rye lady. |
CHOATE | Help - someone help. | JERRY | Shut up, you old bag! |
BAILIFF | Call Marla Penny. | JERRY | The virgin! |
HOYT | Call Donald Sanger to the stand. | JERRY | Who the hell is that? |
CHILES | Bubble Boy? | JERRY | That's right, the Bubble Boy. |
CHILES | What's a Bubble Boy? | JERRY | He's a boy who lives in a bubble. |
GUARD | At the time, I was employed as a security guard in the parking lot at the Garden Valley Shopping Mall. | JERRY | Why would I do it unless I was in mortal danger? I know it's against the law. |
GUARD | I don't know. | JERRY | Because I could get uromycitisis poisoning and die - that's why. |
BAILIFF | Call Yev Kassem. | JERRY | Who? |
HOYT | The state calls Mr. Babu Bhatt to the stand. | JERRY | How did they find Babu? |
RIVERA | And so we wait. | JERRY | Do they make you wear uniforms in prison? |
ELAINE | I think so. | JERRY | It's not that bright orange one is it? |
CHILES | Hello? Damn. They're ready. | JERRY | Hey Elaine, what was it you were about to say to me on the plane when it was going down? |
KRAMER | I think it's going to be okay - that girl just smiled at me. | JERRY | Maybe because she knows you're going to jail. |
SIDRA | Come on, Jackie. Let's go. | JERRY | What? |
CHILES | Oh, and by the way, they're real, and they're spectacular. | JERRY | Well, it's only a year. That's not so bad. We'll be out in a year, and then we'll be back |
ELAINE | If I call Jill from prison, do you think that would make up for the other ones? | JERRY | Sure. |
ELAINE | Cause you only get one call. The prison call is like the king of calls. | JERRY | I think that would be a very nice gesture. |
KRAMER | I got it - it's out! How about that, huh? Oh, boy, what a relief. | JERRY | See now, to me, that button is in the worst possible spot. |
GEORGE | Really? | JERRY | Oh yeah. The second button is the key button. It literally makes or breaks the shirt. Look at it, it's too high, it's in no-man's land. |
GEORGE | Haven't we had this conversation before? | JERRY | You think? |
GEORGE | I think we have. | JERRY | Yeah, maybe we have. |
PRISONER 1 | I am. | JERRY | I'll talk slower. I'm kidding - I love Cellblock D. My friend George is in Cellblock D. What are you in for,sir? |
PRISONER 2 | Murder one. | JERRY | Murder one? Oooooo, watch out everybody. Better be nice to you. I'm only kidding sir - lighten up. How about you, what are you in for? |
PRISONER 3 | Grand theft auto. | JERRY | Grand theft auto - don't steal any of my jokes. |
PRISONER 3 | You suck - I'm gonna cut you. | JERRY | Hey, I don't come down to where you work, and knock the license plate out of your hand. |
GUARD | Alright, Seinfeld, that's it. Let's go. Come on. | JERRY | Alright, hey, you've been great! See you in the cafeteria. |