recursal/Fanatic-Fandom huggingface dataset:
Blessed

## Summary

**Blessed** refers to a state in which the character in question is provided a boon by another being.

The character who is giving the blessing does not necessarily need to be a higher tier than the character who has been blessed. It's also important to note that in many cases a granted blessing is dependent upon the one who gave the blessing to maintain or continue to approve of the blessing, and they could decide to revoke it if they wanted to.

## Types

Blessings can take many forms. Here are just some examples:

* **Movement** - A character may be blessed with movement beyond what they would normally be able to accomplish on their own, such as Flight or walking on surfaces like water, clouds, or lava.

* **Protection** - A character may be blessed with protections such as Resistance to certain types of attacks and abilities or it may be harder than usual to successfully strike at the character due to Probability Manipulation or other means.

* **Enhancement** - A character may be blessed with increased offensive abilities such as empowering their attacks with Elemental Manipulation, granting the character Durability Negation, making attacks more likely to land with Probability Manipulation, allowing strikes to hit otherwise incorporeal enemies, or granting an attack imbued with Conceptual Manipulation properties.

* **Resurrection** - A character may be blessed with the ability to come back to life after being killed via automatic Resurrection or by granting them control of their reincarnation process or via some artifact imbued with Soul Manipulation properties.

* **Power** - A character may be blessed with access to a much larger pool of power/mana/chi/energy/etc. than they would have on their own, or granted the ability to use magic that would otherwise be impossible or draw negative attention from higher beings.

## Users

* Wonder Woman Captain Marvel (DC Comics)
* Saber (Fate/stay night)
* Ike (Fire Emblem)
* Many characters from Re:Zero, particularly Reinhard van Astrea
Breaking the Fourth Wall

## Summary

**The Fourth Wall** is a literary term that originates from stage plays. Typically, a stage would be rectangular, so there would be 3 walls, one in the back, and 2 on the sides. The "fourth wall" would be the edge of the stage that faces the audience. Obviously, there was no actual wall there. The term Fourth Wall refers to the barrier between the audience of a work of fiction and the fictional universe itself. In most works of fiction, the fourth wall is intact, that is, the characters do not acknowledge the existence of an audience or that they themselves are part of a fictional work. However, some fictions employ the literary technique of **Breaking the Fourth Wall**. This includes talking to the audience, affecting the "real world", rewriting speech bubbles, acknowledging that they are part of a fictional world, and even leaving the fictional work itself and entering the "real world" (represented, obviously, by a fictionalized version of the real world).

## Users

* Ajimu Najimi (Medaka Box)
* Mister Mxyzptlk (DC Comics)
* Cosmic Armor Superman (DC Comics)
* Deadpool (Marvel Comics)
* Gintoki Sakata and more (Gintama)
* Lobo (DC Comics)
* She-Hulk (Marvel Comics)
* Sonic the Hedgehog (Archie Comics)
* Patrick Star (Spongebob Squarepants)
* Nui Harime (Kill la Kill)
* Mine (Akame ga Kill!)
Weapon Creation

## Summary

The power to **manifest and utilize weapons**, whether this is from thin air, energy, or other materials in one's surroundings. A user may create a single weapon, or sets of them, potentially even creating and firing waves of weapons as projectiles.

The means differ depending on the character; some may create the weapons out of thin air, through magic or some other means, while others may fashion the weapons out of energy or matter, or even parts of their own body through shapeshifting.

## Users

* Lantern Corps members (DC Comics)
* Shirou Emiya and Archer (Fate/stay night)
* Hela, Doctor Strange, and Iron Man (Marvel Cinematic Universe)
* Venom and other Symbiotes (Marvel Comics)
* Most monsters (Undertale)
Electricity Manipulation

## Summary

The ability to **manipulate electricity**, the energy produced by the movement of charged particles that makes up for one half of the force of electromagnetism. This power has many applications, such as controlling electrical fields, conjuring bolts of lightning to electrocute opponents, powering electrical devices, causing thunderstorms, and drawing upon electricity itself for power.

While a versatile and powerful ability, electricity is not without its shortcomings and can be insulated by non-conductive materials such as rubber.

## Users

* Cole MacGrath (InFAMOUS)
* Laxus Dreyar (Fairy Tail)
* Electro (Marvel Comics)
* Kakashi Hatake, Sasuke Uchiha, and others (Naruto)
* Enel (One Piece)
* Pikachu and other Electric Pokémon
* Misaka Mikoto (To Aru Majutsu No Index)

## Note

In real life, electricity with high amplitudes can atrophy nerves (causing paralysis) and also interfere with the functions of organs such as the heart and brain, and would likely ignore the durability of characters made out materials with enough conductivity due to this fact. However, as electricity hardly ever acts this way in fiction, this doesn't apply to electrical attacks that don't have a stated amplitude or have demonstrated these powers.
Stealth Mastery

## Summary

**Stealth Mastery** is ability to make use of stealth, generally for the purpose of spying on and/or assassinating targets. Users are highly skilled at stealth and have incredibly extensive knowledge and skill in many types and ways of stealth tactics, enabling him to easily slip in and out of areas undetected. Their abilities in all manners of stealth are so refined that they can typically remain hidden, unseen, and unheard to strike at enemies once a time before getting spotted, followed, or traced. Stealth can usually be accomplished through pure skill, specialized equipment, and/or the usage of other powers, such as Invisibility, adapting to blend into one's surroundings, dampening one's presence entirely, or suppressing the sounds one would make.

## Possible Uses

* Moving throughout even the most guarded of areas and act in true discretion
* Engaging in unconventional guerilla and covert combat
* Completely slipping by the senses of others
* Expertly camouflaging oneself in order to blend into the environment
* Successfully adopting the role of others or entirely new personas
* Masking one's own identity during an interaction
* Accurately inserting oneself into a social environment that is unlike their own
* Remaining acutely vigilant of the environment
* Concealing one's presence
* Carefully robbing, stealing, and looting while evading detection
* Adapting to the surrounding area

## Users

* Members of the Bat Family (DC Comics)
* Spider-Man (Marvel Comics)
* Agent 47 (Hitman)
* Many characters from Assassin's Creed
* Spy (Team Fortress)
Zero-Dimensionality

## Summary

**Zero-dimensionality** or zero-dimensional existence is the power to be a singular point, whose nature is something infinitely small in any direction. They are virtually impossible to destroy physically, yet they exist.

## Possible Uses

By virtue of being infinitely small a singular point is nearly undetectable, impossible to interact with and can not be split into smaller parts. Because of this, it cannot be destroyed physically in a conventional sense.

Depending on the context, such as whether or not the object is an isolated singular point or a single point on a dimensional plane, the object may or may not be completely invulnerable to the physical strength of a being with more than 0 dimensions. However each case must be viewed carefully.

## Limitations

Should the object exist on a higher dimensional plane, destruction of that plane will also result in destruction of the object.

Destruction of any zero-dimensional object is trivial for a beyond-dimensional entity due to such a entity existing outside the concept of dimensions entirely.

## Users

* Monarch of Pointland (Flatland)
* Black Hole (Battle for Dream Island)
Genius Intelligence

## Summary

A **genius** is an individual with an exceptional capacity for knowledge and intelligence. Geniuses can appear in a variety of forms and with a variety of specialties, and their exceptional intelligence is not necessarily universal, potentially only applying to certain subjects and fields that they excel in. These can be any number of things, such as scientific fields, military tactics, martial arts, and/or investigation. There are many levels of genius, as well, detailed on the intelligence page; a regular genius, on the level of those that exist in the real world, is generally limited to a few areas of expertise, while fictional individuals of greater intellects may be masters of many, if not all fields of science and even strategy as well.

## Examples

**Geniuses:** L and Light Yagami (Death Note), Solid Snake (Metal Gear), Shikamaru Nara and Kakashi Hatake (Naruto), Colress (Pokémon), Kurama and Yū Kaitō (Yu Yu Hakusho)

**Extraordinary Geniuses:** Kisuke Urahara and Sosuke Aizen (Bleach), Batman (DC Comics), Bulma, Doctor Gero, and Android 21 (Dragon Ball), Spider-Man, Bruce Banner, Iron Man, and Thanos (Marvel Comics), Night of Wallachia and Dust of Osiris (Melty Blood), Ozymandias (DC Comics|Watchmen)

**Supergeniuses:** Brainiac (DC Comics), The Doctor (Doctor Who), Doctor Doom and Mister Fantastic (Marvel Comics), Dexter (Dexter’s Laboratory), Washu Hakubi (Tenchi Muyo!), The Emperor of Mankind (Warhammer 40,000)
Power Absorption

## Summary

**Power Absorption** is a combination of Power Mimicry and Nullification, not just copying the abilities of others, but stealing them for one's own use, stripping the original bearer of their powers while gaining access to more. This may not be accomplished through literal absorption, but it can be, among a number of other potential means. The user's copied abilities may be inferior to the original's, or maybe retained only for a short period of time, but others can actually improve upon these powers.

It would be a No Limits Fallacy to assume someone with this ability can copy *anything*; even if they can copy the functions of the ability, they may not be able to copy its full destructive power.

## Users

* Kevin Levin (Ben 10)
* Yhwach (Bleach)
* Majin Buu (Dragon Ball)
* Kirby (Kirby)
* Rogue (Marvel Comics)
* All For One (My Hero Academia)
* Blackbeard (One Piece)
* SCP-682 (SCP Foundation)
Gravity Manipulation

## Summary

The ability to **manipulate gravity**, one of the four fundamental forces that shape our universe.

Through the manipulation of gravity, users can emulate telekinesis and flight, can attract and repulse objects, can create local gravity fields to immobilize and even crush enemies. Sufficiently powerful users can potentially distort time and space and create black holes.

Please note that surviving or moving in increased gravity will not grant resistance to gravity manipulation, unless there is extra context demonstrating that it is not just a Lifting Strength feat.

## Examples

As with all example lists, this is not comprehensive.

* Teridax and Mata Nui (Bionicle)
* Enrico Pucci with C-Moon (JoJo's Bizarre Adventure)
* Silver Surfer (Marvel Comics)|Silver Surfer (Marvel Comics)
* Rinnegan Users (Naruto)
* Blackbeard and Fujitora (One Piece)
* Hao Asakura (Shaman King)
* Suika Ibuki (Touhou Project)
* Papyrus and Sans (Undertale)
* Han Dae-Wi, Park Mu-Jin, and The King of Nox (The God of High School)
Automatic Translation

## Summary

**Automatic Translation** is the ability to understand and utilize verbal or non-verbal communication without any prior knowledge of the language.

Some characters with this ability are limited in some way, such as only translating verbal communication or text. While others can translate virtually any form of communication automatically.

The ability to listen to and talk with animals may also fall under automatic translation. Unlike Animal Manipulation, this would only extend so far as being able to communicate with animals or other typically nonverbal beings as though they could talk, rather than controlling them outright. However, it should not be assumed that those who showcase this ability have the capacity to speak any language, or vice versa.

## Users

* Characters from High School DxD
* Characters from Arifureta Shokugyou de Sekai Saikyou
* Characters from The Rising of the Shield Hero
Fujino Asagami

## Summary

**Fujino Asagami** (浅上藤乃, *Asagami Fujino*) is the main antagonist of the third chapter of *Kara no Kyōkai*, "Remaining Sense of Pain." She is a classmate and friend of Azaka Kokutou, both of whom attend Reien Girl's Academy. After brutally killing the gang that raped her, she slowly realizes the fondness of killing people, including the innocents. Hearing about this, Shiki resolved to stop her. She can bend the space with her mystic eyes and then obtain clairvoyance, allowing her to bend objects without seeing them.

## Powers and Stats

**Tier:** **Unknown**

**Powers and Abilities:**

* Abilities
* Resistances

**Attack Potency:** **Unknown**, ignores conventional durability with the Mystic Eyes of Distortion ()

**Speed:** **High Hypersonic** with **Irrelevant** reactions and combat speed ()

**Lifting Strength:** **Unknown**

**Striking Strength:** **Unknown**

**Durability:** **Unknown**

**Stamina:** **Below Average** during Episode 3 (Her appendicitis wore her out as she utilized her abilities), **Average** after her fight with Shiki

**Range:** Over 500 meters with her Mystic Eyes (Affected the entirety of a bridge of this length)

**Standard Equipment:** Blind stick

**Intelligence:** **Average** (She is noted to be a model student, being kind to classmates, never causing trouble, and frequently achieving the highest scores, except for Literature, as she "lacked expressiveness")

**Weaknesses:** Fujino can't use her powers if her sense of tactile is nullified. She had a terminal case of appendicitis, and she would have died without Shiki's treatment. After the clash with Shiki, her eyesight became extremely poor to the point where she had to rely on a blind stick. She can't bend conceptual things, magic, and other objects she thinks are "unbendable."

**Notable Attacks/Techniques:**
Standard Equipment

## Summary

**Standard Equipment** refers to a set of items that a character can be expected to have on hand at any time. When listing a character's Standard Equipment please consider the following guidelines:

* Equipment listed as standard should be equipment the character has access to in a majority of their canon appearances. This is not to be confused with **Optional Equipment**, which can encompass anything that the character has owned or made use of for an extended period of time, regardless of whether or not it's usually on their person.

* If a character lacks a canonical set of equipment, their profile should make note of this. Examples of such characters would be player customizable RPG characters such as Chosen Undead, profiles detailing a type of being as opposed to an individual character like that of the Adeptus Astartes. Such characters should have their items all listed as optional, and people who wish to use them in versus threads should preferably specify what items shall be made available to them.

* For important/relevant things that a character doesn't have equipped, but instead creates or summons, indicate after the initial list that the character "Can Create/Summon:", and insert then a list of the things in question.
Toon Force

## Summary

**Toon Force**, also named **Cartoon Physics**, is an ability that refers to characters manipulating reality or bypassing physical laws of nature in order to achieve impossible feats for comedic effects. The users bend reality in such a way to make situations "Comedic" and "Funny." It should not be confused with Reality Warping, which can affect reality in more serious ways.

Similarly to Reality Warping or Magic, Toon force has uncountable applications and virtually no users is able to employ all of them. As such other abilities archieved through this power should be listed on the page to specify the scope of the character's use of Toon Force.

## Possible Uses

* Breaking the Fourth Wall (Varying from talking to the audience to affecting the "real world")
* Dimensional Storage (Making things appear out of nowhere)
* Reality Warping
* Body Control (Characters can frequently stretch, bend or otherwise manipulate their bodies in unnatural ways)

## Limitations

* The users might be incapable of using this ability to kill or permanently harm their opponents.
* The users might be limited to what counts as "funny".

## Users

* Pinkie Pie (My Little Pony)
* Nui Harime (Kill la Kill)
* Ed (Ed, Edd and Eddy)
* Mickey Mouse (Disney)
* Popeye (Popeye)
* The Mask (The Mask)

## Note

While **Toon Force** may be prevalent in a given verse, it does not mean that all its users share the same abilities. Just like any other system of power such as Magic, unless these characters have these powers directly as a result of a certain status they share, they should only be given abilities that they have demonstrated themselves with these abilities.
Elasticity

## Summary

**Elasticity** is the ability to stretch, elongate, flex, and twist, and otherwise manipulate one's body into impossible shapes for various purposes. The limits and applications of this ability vary from user to user, and it may sometimes grant them additional properties akin to other elastic substances. Particularly skilled users can emulate Shapeshifting by molding their bodies into the forms of others.

## Users

* Mister Fantastic (Marvel Comics)
* Monkey D. Luffy (One Piece)
* Franmalth (Fairy Tail)
* Piccolo and Majin Buu (Dragon Ball)
* Ben Tennyson (Original)|Various Aliens]] (Ben 10)
* Martian Manhunter, Plastic Man, Elongated Man, and Madame Rouge (DC Comics)
* Elastigirl (The Incredibles)
Azaka Kokutou

## Summary

**Azaka Kokutou** (黒桐鮮花, *Kokutō Azaka*) is a character from *Kara no Kyoukai*. She is Mikiya Kokutou's younger sister and the apprentice of Touko Aozaki.

## Powers and Stats

**Tier:** **Low 2-C**

**Name:** Azaka Kokutou

**Origin:** Kara no Kyoukai

**Gender:** Female

**Age:** Teenager

**Classification:** Human, Psychic, Magus disciple

**Powers and Abilities:**

* Abilities
* Resistances

**Attack Potency:** **Universe level+** ()

**Speed:** **High Hypersonic** with **Irrelevant** reactions and combat speed ()

**Lifting Strength:** **Unknown**

**Striking Strength:** Likely **Universe level+** ()

**Durability:** Likely **Universe level+** ()

**Stamina:** **Athletic** (Wasn't that winded while having to extensively use her powers on a swarm of faeries, even when taking damage from them)

**Range:** Several Meters with Spontaneous Combustion

**Standard Equipment:** Salamander Skin Gloves

**Intelligence:** Slightly **Above Average** (Despite only having a high-school education, she is an intelligent investigator who was able to discern the nature of Misaya Ouji before Shiki could. She's also a somewhat experienced magus. Proficient with her abilities, being able to take dozens of faeries at once)

**Weaknesses:** None notable.

**Notable Attacks/Techniques:**
Hacking

## Summary

In fiction (and real life) hacking is the process of breaking into computers, robots, advanced artificial intelligences and/or software and taking control of the system. The process can be achieved through wireless connections or wired lines or through the addition of equipment (corrupted USB add-ons, nanomachines etc). Some fictions even extend the definitions into hacking things like reality or the human mind. In the latter case that would be a form of mind attack and the former is a form of reality warping. Hacking can also be described as a robot mind attack. Since robots are immune to conventional mind attacks hacking would be the next best thing.

## Users

* Alita (Battle Angel Alita)
* Many characters from Doctor Who
* Major Kusanagi and others (Ghost In The Shell)
* Misaka Mikoto and Kazari Uiharu (To Aru Majutsu No Index)
* Nymph (Sora No Otoshimono)
* Hōka Inumuta (Kill la Kill)
* Hackmon and his evolutions (Digimon Universe: Appli Monsters)
Artoria Pendragon Alter (Saber)

* Armored
* Armorless

## Summary

**Saber Alter** (セイバー・オルタ *Seibā Oruta*) is the Saber-class Servant of Sakura Matou during the Fifth Holy Grail War, in the *Heaven's Feel* route. She is an "altered" Saber, tainted by the mud of All the World's Evil.

## Powers and Stats

**Name:** Saber Alter, Black Saber, Artoria Pendragon, King Arthur, King of Knights, Dark-Tainted Tyrant

**Origin:** Fate/stay night

**Age:** 35 Chronologically; Physically 15 due to Avalon.

**Gender:** Female

**Classification:** Blackened Saber-class Servant, Human, Dragon, King

**Powers and Abilities:**

* Abilities
* Resistances

**Resistance** to:

* **Optional Equipment:**
* **Can Create/Summon:**
Large Size

## Summary

Some characters have considerably higher measurements than ordinary ones, which causes some of their combat capabilities, especially strength, speed (although agility and maneuverability might be limited), and durability to increase. We call this having a **Large Size**.

This should not be confused with Size Manipulation, as while manipulating one's size does grant one a larger or smaller size, someone with large size cannot, by default, actually control their size.

For a comprehensive list of character/object sizes up to a universal size, see this video.

## Types

Large sizes are classified in the following manner:

**Type 0 (Supersize):** Characters far larger than an ordinary human. These are "giants", if you will. The size for this level begins at 2.72 meters tall, based on the tallest known human in history.

**Type 1 (Building-sized):** Characters at least 13-14 meters tall, or the size of building.

**Type 2 (Skyscraper-sized):** Characters whose size is comparable to that of high-rise buildings, starting from 100 meters. Starting from this level, the characters are usually able to generate shock waves.

**Type 3 (Mountain-sized):** Characters no less than a kilometer (1000 meters) in size. Starting from this level, characters are usually able to generate earthquakes.

**Type 4 (Global):** Characters so huge that it would be easily viewable from the surface of the planet when viewed from space. These characters are usually able to generate global catastrophes and high-end natural disasters. Characters here have a size that is millions of km².

**Type 5 (Planetary):** Characters comparable in size to planets. At this level, characters usually have a gravitational pull at the planetary level.

**Type 6 (Stellar):** Characters comparable in size to stars.

**Type 7 (Galactic):** Characters comparable in size to galaxies.

**Type 8 (Universal):** Characters the size of or larger than a universe or even a significant part of it (such as the observable universe). Characters that fully correspond to this level are not very common, but also include those who are one with the universe/universal space-time continuum.

**Type 9 (Multiversal):** Characters as large as, or larger than, a collection of several universal space-time continuums. Note that as with all of these types, this is only referring to size. Having 4-dimensional power or above does not qualify as having multiversal size, but such characters can contend with them.

**Type 10 (Higher-Order):** Characters larger than a conventional multiverse, having size equivalent to higher dimensions and infinities.

**Type 11 (Inaccessible):** Characters whose size is comparable to beyond dimensional beings and structures.

## See also

* Large Size Calculations
* Higher-Dimensional Physiology
* Beyond-Dimensional Physiology
Shirou Emiya (Heaven's Feel)

* Casual
* School Uniform
* Archer's arm
* Epilogue

## Powers and Stats

**Name:** Shirou Emiya

**Origin:** Fate/stay night

**Gender:** Male

**Age:** 17 during *Fate/stay night*, 19 during the Epilogue

**Classification:** Human, Mage, Master, Puppet (Epilogue)

**Powers and Abilities:**

* Abilities
* Resistances
* With Equipment/Projections

**Stamina:** **Superhuman** ()

**Range:**

**Standard Equipment:** None notable

* **Optional Equipment:** A wooden shinai.
* **Can Create/Summon:**

## References

1. ↑ *Fate/stay night*; *Heaven's Feel* Route; Day 15; *Escape start-To the forest/Epilogue*
Superhuman Physical Characteristics

## Introduction

**The levels of strength, speed or stamina that significantly exceed those of a regular person.** Examples include ability to move faster than the eye can see (the human limit is about 10 m/s at short distances), or even at supersonic speed, without any expense to self and without any gimmicks.

## Requirements

* **Speed:** Faster than **12.42 m/s** (Faster than Olympic 100 m sprinters)
* **Lifting Strength:** Over **545.2 kg** (More than Olympic weightlifters, world-class professional powerlifters and strongmen)
* **Striking Strength:** At least **Street level** (Attacks carry the force of over thousands of joules)
* **Durability:** At least **Street level** (Able to survive large amounts of blunt force trauma, but can still be killed by things such as knives, bullets, etc.)

#### Notes

Even if some of the parameters fall below the minimum value, the character can still be regarded as superhuman, if they have statistical advantage over ordinary people in multiple characteristics.

## References

1. ↑ https://news.mit.edu/2014/in-the-blink-of-an-eye-0116 (Archived)
2. ↑ https://www.healthline.com/health/human-eye-fps (Archived)
3. ↑ https://ed.ted.com/lessons/if-superpowers-were-real-super-speed-joy-lin (Archived)
4. ↑ http://www.meathathletics.ie/devathletes/pdf/Biomechanics%20of%20Sprints.pdf (pdf pg 8) (Archived)
5. ↑ https://www.youtube.com/watch?v=nlcFkVfmCDQ
6. ↑ https://www.scientificamerican.com/article/bone-resilience-depends-o/ (Archived)
7. ↑ https://www.hopkinsmedicine.org/health/conditions-and-diseases/fractures (Archived)
8. ↑ https://www.ncbi.nlm.nih.gov/books/NBK470338/ (Archived)
9. ↑ https://www.innerbody.com/image/skelfov.html (Archived)
10. ↑ https://link.springer.com/article/10.1007/s00414-015-1254-7 (Archived)
11. ↑ https://www.wikihow.com/Attend-to-a-Stab-Wound (Archived)
12. ↑ https://www.sciencedirect.com/science/article/abs/pii/S0379073898001893?via%3Dihub (Archived)
13. ↑ https://pubmed.ncbi.nlm.nih.gov/30646040/ (Archived)
14. ↑ https://medlineplus.gov/ency/article/000043.htm (Archived)
Body Control

## Summary

**Body Control** - different abilities that let you control your own body in a fairly wide range.

## Types

* **Control of basic functions** - allows you to control the basic functions of the body. Including: control body temperature, change the tone of voice, to enhance the senses, increasing the efficiency and strength of muscles, heal damage and even in some regeneration.
* **Advanced control** - allows you to not only manage the vital functions of the body and increase its capabilities but also to do what is impossible for an ordinary person. For example, to fully control the hair (to lengthen them to increase strength, turned into a needle, etc.), manipulate the blood (and other body fluids), lengthening nails or bones (including changing the shape of the bones). At this level of ownership of the body can also, to some extent change its shape.
* **Control of the body** - allowing to control the individual parts of the body (including organs), how to improve their functioning, and adding them to new opportunities. For example, you can easily turn their swords in hand, or to extend them for a few (tens, hundreds) meters. In addition, in some cases, it can be controlled even separated from the body parts, which gives ample opportunity for attack (or to recover from the destruction of the main body).
* **Control of cells** - allows you to control the body at the cellular level. This gives not only protection from diseases and poisons, but also opportunities to adapt or even reactive evolution. In addition, this level of body also allows to regenerate almost from a some of biomass and almost unlimited change it (the body) form.
* **Control of microparticles** - allows you to control the atoms and molecules of your own body. This gives a wide range of possibilities: from the almost unlimited regeneration and the highest level of adaptability to the unlimited changes in the shape and limited intangibility. Besides the characters, controlling molecules and atoms of the body almost invulnerable to enemy biological manipulation (as any impact will be immediately canceled).
Shapeshifting

## Summary

**Shapeshifting** is the power to transform and reshape the form of one's body. Users are often called shapeshifters or metamorphs. The users can change their forms, transforming and reshaping their genetic and cellular structures. They can impersonate others or enhance their bodies for combat. Users with particularly flexible abilities can manipulate their forms at will, combining abilities, traits, etc., being able to form limbs into weapons and such.

For limited shapeshifting, see the Transformation page instead.

## Possible Uses

* **Partial change of appearance** - Allows the user to copy features of other people, or simply change their age (i.e. to become outwardly younger or older). Usually limited to complexion and features of the organism (e.g. a thin person cannot gain the mass required to impersonate a healthy person).
* **Complete change of appearance** - Allows the user to completely transform into another person, even change their biological age (not simply appearing old or a child-like, but actually getting younger or older). In this case, not only the facial features are impersonated, but the body is as well. For example, an ordinary high school student impersonating a bodybuilder would obtain real muscles.
* **Partial transformation** - Allows the user to change their body parts or organs, making them not human. For example, the user can transform their hands into swords or transform their skin into steel.
* **Complete transformation** - Allows the user to completely transform into the other (non-human) being. For example, transforming into beasts.
* **Partial conversion** - Allows the user to partially convert their body. For example, size-reductions or in some way altering the structure of tissues (making them stronger, or more elastic).
* **Full conversion** - Allows the user to completely transform their body, changing its shape, structure and material composition. For example, the user can turn into a creature of sand or stone. In advanced cases, user can convert the body into energy, which provides protection from physical impacts, as well as a certain degree of intangibility.
* **Ideal transformation** - Unlimited and absolute change to the physical form. A character with this ability can easily turn into a human, or into a rock, or into a wind, or even into in celestial objects.

## Users

* Chelsea (Akame ga Kill!)
* Mystique (Marvel Comics)
* Martian Manhunter (DC Comics)
Statistics Amplification

## Summary

**Statistics Amplification** is when a character raises their parameters in the middle of a fight, and this is not related to their base form or some sort of "hidden power" that has been hidden or held back.

These boosts are usually temporary and are specific to one or a number of statistics.

This is also not to be confused with a change in form or state, and is thus not typically associated with any new abilities in particular. Instead, this ability serves as a means of overcoming the opponent through a sudden increase in combat effectiveness.

This ability is very common in video games, but is still prevalent within other works.

## Users

* Son Goku (Dragon Ball)
* Sage Yulyana (Bravely Default)
* Kirei Kotomine (Fate/stay night)
* Issei Hyoudou (High School DXD)
* Lexaeus (Kingdom Hearts)
* Saints of Athena (Saint Seiya)
* Byakuren Hijiri (Touhou Project)
Weapon Mastery

## Summary

**Weapon Mastery** refers to the ability to use one or more types of weaponry with greater skill than the average person. This classification can be used for any kind of weapon, such as a sword, spear, knife, or gun. However, the degree of one's skill with any particular weapon should be specified in the Intelligence section of the profile page rather than in the Powers and Abilities section.

## Users

* Akame ga Kill! characters
* Most Adventurers from Dungeons and Dragons
* Warhammer 40,000 characters
* John Wick characters
Sky Matatani (Dragon Ball Super: Breaker's Rage)

## Summary

**Sky Matatani** is the protagonist of *Dragon Ball Super: Breaker's Rage*.

A former victim of bullying who found solace in his friendship with a character named Purple. He had a kind and caring nature, particularly towards planets. However, his association with Purple resulted in his expulsion from the army and alienated him from the Saiyans as a whole. Sky's wife chose to stand by him, and they both relocated to a new planet. Unfortunately, the inhabitants of this planet, being Saiyans, were hostile and aggressive, leading to the tragic death of Sky's wife. Sky and Purple managed to escape and eventually found refuge on Earth.

## Powers and Stats

**Tier:** **1-A**

**Name:** Sky Matatani

**Origin:** Dragon Ball Super: Breaker's Rage

**Age:** 52

**Powers and Abilities:** **Superhuman Physical Characteristics**, **Acrobatics**, **Saiyan Physiology**, **Enhanced Metabolism** (Type 1; Can exist and fight outside of space and time where there's no air), **Martial Arts**, **Ki Manipulation** (Normal and god ki), **Toon Force** (By clapping, Sky can do pretty much anything he can think of, such as teleporting across dimensions or creating objects), **Instinctive Reactions** (Via Ultra Instinct), **Fusionism** (Via the Fusion dance), **Non-Physical Interaction** and **Conceptual Manipulation** (Can beat up Yudokuna who exists only as a concept), All the ablities of the the TARDIS (Has a TARDIS and uses it to time travel), **Ice Manipulation** with the Sword of Ice

**Attack Potency:** **Outerverse level** (Fought and defeated Yudokuna, who can destroy and recreate all of creation including the subspace which has no concepts of space and time)

**Speed:** **Irrelevant** (Fought Yudokuna outside of all of creation, beyond realms such as the aforementioned subspace which has no concept of space and time)

**Lifting Strength:** **Irrelevant**

**Striking Strength:** **Outerverse level**

**Durability:** **Outerverse level**

**Stamina:** At least **Superhuman**

**Range:** **Standard Melee Range**, **Irrelevant** with Ki blasts, his other abilities, and equipment

**Standard Equipment:** TARDIS

* **Optional Equipment:** Sword of Ice
* **Can Create/Summon:** :)

**Intelligence:** **Above Average**

**Weaknesses:** Immense Voutyrophobia (Fear of Butter, completely breaks down and loses all his abilities at the sight of butter due to sheer fear)

**Notable Attacks/Techniques:** Final Kamehameha
Mathematics Manipulation

## Types

* **Abstract manipulation of mathematics**: The ability to manipulate mathematics in its abstract form. This means that things like the way reasoning is performed, the mathematical notation, inference rules and which assumptions and models are used when doing math can be changed, but the phenomenons of reality described through the math are unaffected.
* **Applied manipulation of mathematics**: The ability to manipulate real phenomenons by changing the mathematical rules through which they are described.

## Possible Uses

* **Physics Manipulation**: Most laws of physics are described by mathematical equations. Through the change of what those equations mean or change of the equations themselves the described phenomena would have to change accordingly, assuming that the description of them stays true even if changed or in other words if the equations aren't just changed on paper, but in reality.

* **Quantity Manipulation**: The study of how much there is of something usually is viewed as subject of mathematics. By manipulating the subject itself the results of measuring the quantity of something can be changed, effectively making it so that there is more of something or less.

* **Operation Manipulation:** By changing the way mathematical operations work real phenomena described through them may have different results. For example by changing the laws so that 1+1=3, it could be made so that if one apple is taken and another one put to it, the resulting amount of apples is three apples. Another application of this is to forcefully apply mathematical operations to reality, for example building the sum of two things making them fuse together.

* **Dimensional Manipulation**: Since dimensions are a mathematical concept, a user of this ability might be capable of changing the attributes of dimensions and the concept of them in itself. One possible application would for example changing 5 dimensional things to 3 dimensional and vice versa.

* **Logic Manipulation**: Since mathematics builds upon, includes and extends logic, changing mathematics can have an effect on the underlying logical concepts. For example by creating a mathematical contradiction and through the principle of "ex falso sequitur quodlibet" the validity and usefulness of logic could be undermined.

* **Spatial Manipulation**: Since concepts like distance and properties of space are in abstract form part of the mathematical studies changing the mathematics describing those could also have effect on the real properties of space.

* **Manipulation of form**: The user might be capable of changing the form, volume, area and similar of things, as those are also mathematical properties of objects.

* **Probability Manipulation**: As the probability for something to happen is usually expressed as mathematical value, a user might be capable of influencing probability by changing that value.

## Limitations

* Users might only have certain parts of those abilities.

## Users

* Othinus and other magic gods (To Aru Majutsu No Index)
* The Downstreamers (Manifold)
* God-Man (Tom the Dancing Bug)
* TARDIS (Doctor Who)
Resurrection

## Summary

**Resurrection** is the ability to revive oneself or others after they have died. Often, characters can do one or the other, not both, but others can perform both. The limits of this ability vary from fiction to fiction and from character to character; some may be only able to resurrect those who have recently died, while others may be capable of bringing those who have been dead for quite some time back to life, even if nothing remains. The mechanisms vary as well.

When in the hands of a character who uses resurrection on themselves, giving them some degree of Immortality, this ability often co-exists with Regeneration, though the process can take some time. This ability is not to be confused with Necromancy, the ability to raise the dead as undead beings, but it also covers **Reincarnation**, characters who, upon death, eventually reincarnate the bodies of others - not as a mechanic of the verse, but through their own powers.

In many cases, self-resurrection may take too long to be combat applicable, but it still exists. The ability has similar limitations to regeneration, and one should not assume that, because a character has never failed to resurrect, that they can resurrect regardless of how they've been killed.

The degree of the ability should preferably be specified with the same system used for Regeneration. As such, it should preferably be specified if a character has displayed the ability to resurrect up to a Mid level of damage, for example.

## Users

* Shenron and Porunga (Dragon Ball)
* Berserker (Fate/stay night)
* White Mage of Light and other White Magic users (Final Fantasy)
* Jason Voorhees (Friday the 13th)
* Meliodas (Nanatsu no Taizai)
* Ange Ushiromiya, Beatrice, and others (Umineko no Naku Koro ni)
Chapter VIII, Part III: Of Hearts, Words, and Deeds

**Chapter VIII, Part III: Of Hearts, Words, and Deeds** is a chapter in *Triangle Strategy*.

## Story

Exharme asks for House Wolffort's cooperation in exposing Sorsley's illicit salt trade dealings. In no position to refuse, Serenoa and his allies agree. Meanwhile, Roland is able to escape the Glenbrook gaols and regroup with House Wolffort. Benedict uses Roland's royal ring to fake his death and give the prince some measure of protection.
Additional Limbs

## Summary

**Additional Limbs** (also called **Extra Limbs**) is the ability to possess or generate additional sets of limbs such as arms and legs.

## Possible Uses

* **Martial Arts**: The user may possess a higher degree of certain forms of combat, due to the use of multiple arms and/or legs.
* **Weapon Mastery**: With the addition of more arms, the user might be able to utilize more than one or two weapons such as swords and/or firearms.
* **Danmaku**: Certain users may be able to launch multi- to omni-directional attacks via Energy Blasts or firearms thanks to the use of their extra limbs.
* **Pressure Points**: Using additional sets of arms, the user can strike most if not all of the weak points located on the opponent's body.
* **Regenerative limbs**: If a user happens to lose a limb, they can regenerate or grow a new one in place of the previous.

## Limitations

* Users may not be able to retract these limbs.
* May be limited to certain limbs such as the arms and legs.
* It might be trickier to control multiple limbs simultaneously.

## Users

* Nico Robin (One Piece)
* Lucy (Elfen Lied)
* Most Fusions from Steven Universe (Verse)|Steven Universe
* Four Arms (Ben 10)
* Doctor Octopus, Ai Apaec (Marvel Comics)
* Miss Martian, Martian Manhunter (DC Comics)
* Goro, Sheeva, Kintaro, Kollector (Mortal Kombat)
* Asura (Asura's Wrath)
* Machamp, Hoopa (Pokémon)
Rin Tohsaka

* Casual
* School Uniform
* UBW Epilogue
* HF Epilogue

## Summary

**Rin Tohsaka** (遠坂 凛 *Tōsaka Rin*) is the master of Archer during the Fifth Holy Grail War and the successor to the Tohsaka family magecraft. When she was a child, her father was chosen as one of the Masters of the Fourth Holy Grail War and departed to fight in it, ultimately dying. With her mother left in a debilitated state, Rin was left in the care of her father's student, Kirei Kotomine, who completed her magical training.

With her father's legacy in mind, Rin spends the next ten years preparing for the Fifth Holy Grail War, planning on summoning the most powerful Servant, Saber. However, she is instead stuck with Archer after a minor mistake in the summoning. She has no wish for herself, only seeking victory.

## Powers and Stats

**Tier:** **8-A** with Magecraft, **Low 2-C** with Jewels, **1-A** with the Jeweled Sword Zelretch

**Name:** Rin Tohsaka, Poppins of July, Red Devil, The Consultant, Red Evil, Kischur's Nightmare (shared with Luvia)

**Origin:** Fate/stay night

**Gender:** Female

**Age:** 17 during *Fate/stay night*, 19 during *Unlimited Blade Works* and *Heavens Feel*'s Epilogues, around 20 during *The Adventures of Lord El-Melloi II*, around 22 during *Fate/strange Fake*

**Classification:** Human, Magus, Master

**Powers and Abilities:**

* Abilities
* Resistances
* With Equipment

**Resistance** to:

**Attack Potency:** **Multi-City Block level+** with Magecraft (), **Universe level+** with Jewels (), **Outerverse level** with the Jeweled Sword Zelretch ()

**Speed:** **[Superhuman]** () with **Irrelevant** Reactions and Combat Speed (), **Irrelevant** with the Jeweled Sword Zelretch ()

**Lifting Strength:** At least **Athletic Human** ()

**Striking Strength:** **Multi-City Block level+** with Reinforcement ()

**Durability:** **Multi-City Block level+** with Reinforcement (), possibly up to **Outerverse level** with the Jeweled Sword Zelretch ()

* **Optional Equipment:**
* **Can Create/Summon:**
Matter Manipulation

## Overview

**Matter Manipulation** is the ability to manipulate the particles that make up matter and the bonds between them. Converting matter into energy can also be listed as matter manipulation, but an appropriate explanation regarding the scope of applications the ability has should be given.

## The Scale

### Molecular Manipulation

The ability to manipulate molecules and their bonds. Said bonds include ionic (Electrons are transferred), covalent (Electrons are shared equally), polar covalent (Electrons are shared unequally), diatomic (Molecules consisting of only two atoms), and hydrogen bonds. Applications at this level include effects such as changing the nature of materials (i.e., the way carbon chains are bonded to turn one hydrocarbon into another), or tear opponents apart by severing the molecular bonds that make up their bodies. However, they are not able to change existing elements, as this is tied more to the nature of atoms, rather than molecules.

**Examples:**

* Ryoko (Tenchi Muyo!)

### Atomic Manipulation

The ability to manipulate individual atoms, ions, and isotopes. At this level, users can change the nature of atoms and their properties, allowing them to transmute one thing into another, destroy atoms to obliterate targets, and completely rearrange atomic structures to create virtually anything. The user may also be able to manipulate the radioactive decay within certain atoms and isotopes as well.

**Examples:**

* Ben Tennyson via Atomix and Atomic X (Ben 10)
* Darkseid (DC Comics)
* Saints, Gods, and Specters (Saint Seiya)
* Ultra Sonic (Archie Sonic Continuity)

### Sub-Atomic Manipulation

The ability to manipulate the protons and neutrons within atoms themselves. The manipulation of electrons however, is Macro-Quantum, as nothing makes them up and they are of importance in principles such as Pauli Exclusion and the Uncertainty Principle, and are the size of quarks.

**Examples:**

* Many Force Users (Star Wars)

### Macro-Quantum Manipulation

The ability to manipulate quarks, bosons (Gluons, Photons, Higgs Bosons, etc.), and leptons (Electrons, Muons, Positrons, Tau Particles, and Neutrinos). This also endows the ability to tinker with other properties at this level, such as electron arrangement and spin.

**Examples:**

* Doctor Manhattan (Watchmen)
* Mephistopheles Yoma (Saint Seiya)

### Quantum Manipulation

The ability to manipulate 1D quantum strings and foam, allowing the user to manipulate the very fundamental space-time packets that form our universe. The potential applications of this level are nearly unlimited, such as the aforementioned manipulation of space-time, the manipulation of matter and energy fields, and some users can even manipulate higher dimensions with it.
Acrobatics

**Acrobatics** is defined as the technique of performing maneuvers of balance, dexterity, agility, and coordination. In fiction, the levels of acrobatics can vary between simply performing extraordinary human movements to defiance of the laws of gravity and movement.

## Possible Uses

* **Hypermobility:** The user is capable of performing extremely agile movements with their body that could cause pain or even notable injuries to the vast majority of other people under the same conditions, including surviving falls by simply maneuvering.

* **All-Terrain Mobility:** The user does not suffer any negative effects by moving in different types of terrains: closed spaces, slippery surfaces, collapsing structures. The user could hardly lose balance and speed in such terrains.

* **Self-Momentum:** The character controls their own movements, being capable of accelerating and decelerating quickly with no issues, by physical means, such as pushing against a surface or grabbing an object mid-air, in order to change one's direction.

* **Surface Running:** By stepping on any solid (or even liquid) surface and continuing to move, the user is capable of moving on walls, ceilings, and other irregular surfaces. Unlike Surface Scaling, a user needs to keep their speed in order to keep moving across the surface, falling back once they lose momentum.

## Users

* Assassins from Assassin's Creed
* Spider-Man and Daredevil (Marvel)
* Ladybug (Miraculous: Tales of Ladybug & Cat Noir)
* Many shinobi from Naruto
* Monkey D. Luffy (One Piece)
* The Prince from Prince of Persia
* Lady Butterfly (Sekiro: Shadows Die Twice)
* Talion (Shadow of Mordor)