Pirates of the Caribbean: Dead Man's Chest

## Pirates of the Caribbean:

Dead Man's Chest

***Pirates of the Caribbean: Dead Man's Chest*** is a 2006 American fantasy swashbuckler film directed by Gore Verbinski, written by Ted Elliott and Terry Rossio, and produced by Jerry Bruckheimer. The sequel to *Pirates of the Caribbean: The Curse of the Black Pearl* (2003), it is the second installment in the *Pirates of the Caribbean* film series. Set one year after the events of *The Curse of the Black Pearl*, the film recounts Captain Jack Sparrow owing a debt to Davy Jones (Bill Nighy), the ghastly captain of the *Flying Dutchman*, and is marked for death and pursued by the Kraken. Meanwhile, the wedding of Will Turner (Orlando Bloom) and Elizabeth Swann (Keira Knightley) is interrupted by Lord Cutler Beckett (Tom Hollander), who wants Turner to acquire Jack's magic compass in a bid to find the Dead Man's Chest.

Two sequels to *Pirates of the Caribbean: The Curse of the Black Pearl* were conceived in 2004, with Elliott and Rossio developing a story arc that would span both films. Filming took place from February to September 2005 in Palos Verdes, Saint Vincent and the Grenadines, Dominica, and The Bahamas, as well as on sets constructed at Walt Disney Studios. It was shot back-to-back with the third film of the series, *At World's End* (2007).

*Dead Man's Chest* was released in the United States on July 7, 2006, and received mixed reviews, with praise for its visual effects and Depp and Nighy's performances, but criticism for its running time and plot. The film broke several records at the time, including the opening-weekend record in the United States with $136 million, the fastest film to gross over $1 billion at the worldwide box office (63 days), became the highest-grossing film of 2006, and was the highest-grossing film produced by Disney until it was surpassed by *Toy Story 3* in 2010. The film received four nominations at the 79th Academy Awards (winning Best Visual Effects).

## Development

Following the success of *Pirates of the Caribbean: The Curse of the Black Pearl* (2003), the cast and crew signed on for two more sequels to be shot back-to-back, a practical decision on Disney's part to allow more time with the same cast and crew. Writer Ted Elliott and Terry Rossio decided not to make the sequels new adventures featuring the same characters, as with the *Indiana Jones* and *James Bond* series, but to retroactively turn *The Curse of the Black Pearl* into the first of a trilogy. They wanted to explore the reality of what would happen after Will Turner and Elizabeth Swann's embrace at the end of the first film, and initially considered the Fountain of Youth as the plot device. They settled on introducing Davy Jones, the *Flying Dutchman* and the Kraken. They also introduced the historical East India Trading Company, who for them represented a counterpoint to the themes of personal freedom represented by pirates.

Planning began in June 2004, and production was much larger than *The Curse of the Black Pearl*, which was only shot on location in St. Vincent. This time, the sequels would require fully working ships, with a working *Black Pearl* built over the body of an oil tanker in Bayou La Batre, Alabama. By November, the script was still unfinished as the writers did not want director Gore Verbinski and producer Jerry Bruckheimer to compromise what they had written, so Verbinski worked with James Byrkit to storyboard major sequences without need of a script, while Elliott and Rossio wrote a "preparatory" script for the crew to use before they finished the script they were happy with. By January 2005, with rising costs and no script, Disney executives threatened to cancel the film, but changed their minds. The writers would accompany the crew on location, feeling that the lateness of their rewrites would improve the spontaneity of the cast's performances.

##### Filming

Principal photography began on February 28, 2005, in Palos Verdes, beginning with Elizabeth's ruined wedding day. For Cutler Beckett's introduction, Rossio and Elliott had him arrive on shore in a boat while sitting on a horse staind in the boat; the duo had originally planned to use this introduction for Don Rafael Montero in *The Mask of Zorro* (1998), but the scene was cut for being deemed too expensive. Similarly, the *Pirates* crew wanted to cut the idea for budget reasons, in addition to feel that it would be unbelievable, or as the film's historian dismissed, suicidal. However, Verbinski promised Rossio and Elliott to use the idea and the scene was filmed one day after weeks of planning and training. The crew spent the first shooting days at Walt Disney Studios in Los Angeles, including the interiors of the *Black Pearl* and the *Edinburgh Trader* which Elizabeth stows away on, before moving to St. Vincent to shoot the scenes in Port Royal and Tortuga. Sets from the previous film were reused, having survived three hurricanes, although the main pier had to be rebuilt as it had collapsed in November. The crew had four tall ships at their disposal to populate the backgrounds, which were painted differently on each side for economy. One of the ships used was the replica of HMS *Bounty* used in the 1962 film adaptation of *Mutiny on the Bounty*.

On April 18, 2005, the crew began shooting at Dominica, a location Verbinski had selected as he felt it fitted the sense of remoteness he was looking for. However, this was also a problem; the Dominican government were completely unprepared for the scale of a Hollywood production, as while the 500-strong crew occupying around 90% of the roads on the island they had trouble moving around on the underdeveloped surfaces. The weather also alternated between torrential rainstorms and hot temperatures, the latter of which was made worse for the cast who had to wear period clothing. At Dominica, the sequences involving Pelegosto (Cannibal Island) and the forest segment of the battle on Isla Cruces were shot. Verbinski preferred to use practical props for the giant wheel and bone cage sequences, feeling long close-up shots would help further suspend the audience's disbelief. Dominica was also used for Tia Dalma's shack. Filming on the island concluded on May 26, 2005.

The crew moved to a small island in the Bahamas called White Cay for the beginning and end of the Isla Cruces battle, before production took a break until August, where in Los Angeles the interiors of the *Flying Dutchman* were shot. On September 18, 2005, the crew moved to Grand Bahama Island to shoot ship exteriors, including the working *Black Pearl* and *Flying Dutchman*. Filming there was a tumultuous period, starting with the fact that the tank had not actually been finished. The hurricane season caused many pauses in shooting, and Hurricane Wilma damaged many of the accessways and pumps, though no one was hurt nor were any of the ships destroyed. Principal photography was completed on September 10, 2005.

The look of the *Flying Dutchman* was partially inspired by old Dutch "fluyts"—17th-century vessels which resembled galleons—and more specifically, the *Vasa*, a massive Swedish warship which sank in Stockholm's harbor upon its maiden voyage in 1628 (the ship was salvaged in 1961 and housed in a special museum in the Swedish capital). With its high, heavily ornamented stern, the ship provided a rich foundation for Rick Heinrichs' wilder and more fantastical designs.

One of the stuntmen, Johnny Depp's stunt double Tony Angelotti, was injured on set while filming a "human yo-yo" stunt in July 2005. He was rushed to hospital, suffering internal bleeding after "nicking" a branch off his femoral artery. He lost six units of blood, had an ACL reconstruction and spent a year in recovery, before having to have the surgery all over again when a plate in his pelvis broke. He also suffered from PTSD. Despite this, he did continue filming for the following sequel, *At World's End*, albeit doing "lighter stunts" like sword choreography or working as a stunt coordinator. However, in 2007, Tony Angelotti did sue Disney and Jerry Bruckheimer for the injury.

##### Post Production

The *Flying Dutchman*'s crew members were originally conceived by writers Ted Elliott and Terry Rossio as ghosts, but Gore Verbinski disliked this and designed them as physical creatures. Their hierarchy is reflected by how mutated they were: newcomers had low level infections which resemble rosacea, while veterans had full-blown undersea creature attributes. Verbinski wanted to keep them realistic, rejecting a character with a turtle shell, and the animators watched various David Attenborough documentaries to study the movement of sea anemones and mussels. All of the crew are computer-generated, with the exception of Stellan Skarsgård, who played "Bootstrap" Bill Turner. Initially his prosthetics would be augmented with CGI but that was abandoned. Skarsgård spent four hours in the make-up chair and was dubbed "Bouillabaisse" on set.

Davy Jones had originally been designed with chin growths, before the designers made the move to full-blown tentacles; the skin of the character incorporates the texture of a coffee-stained Styrofoam cup among other elements. To portray Jones on set, Bill Nighy wore a motion capture tracksuit that meant the animators at Industrial Light & Magic did not have to reshoot the scene in the studio without him or on the motion capture stage. Nighy wore make-up around his eyes and mouth to splice into the computer-generated shots, but the images of his eyes and mouth were not used. Nighy only wore a prosthetic once, with blue-colored tentacles for when Will Turner (Orlando Bloom) steals the key to the Dead Man's Chest from under his "beard" as he sleeps. To create the CGI version of the character, the model was closely based on a full-body scan of Nighy, with Jones reflecting his high cheekbones. Animators studied every frame of Nighy's performance: the actor himself had blessed them by making his performance more quirky than expected, providing endless fun for them. His performance also meant new controls had to be stored. Finally, Jones' tentacles are mostly a simulation, though at times they were hand-animated when they act as limbs for the character.

The Kraken was difficult to animate as it had no real-life reference, until animation director Hal Hickel instructed the crew to watch *King Kong vs. Godzilla* which featured a live octopus crawling over miniatures. On the set, two pipes filled with 30,000 pounds (14,000 kg) of cement were used to crash and split the *Edinburgh Trader*: Completing the illusion are miniature masts and falling stuntmen shot on a bluescreen stage. The scene where the Kraken spits at Jack Sparrow does not use computer-generated spit: it was real slime thrown at Johnny Depp.

##### Marketing

The first trailer was attached to *The Chronicles of Narnia: The Lion, the Witch and the Wardrobe*. Disney produced a comic book adaption in their Junior Graphic Novels: *Pirates of the Caribbean: Dead Man's Chest* (2007). Disney sponsored a racing yacht in the 2005 event of the Volvo Ocean Race. The boat, aptly named *Black Pearl*, raced under the team name "Pirates of the Caribbean" for the United States. The boat itself was a Volvo Open 70 class yacht designed by Farr Yacht Design.

## Release

*Pirates of the Caribbean: Dead Man's Chest* premiered at Disneyland in California on June 24, 2006. It was the first Disney film to use the computer-generated Walt Disney Pictures logo from 2006 to 2022, which took a year for the studio to design. Wētā FX and yU+co were responsible for the logo's final animated rendering and Mark Mancina was hired to score a new composition and arrangement of "When You Wish Upon a Star". The new fanfare was co-arranged and orchestrated by David Metzger. The main people responsible for the logo's rendering are Cyrese Parrish and Cameron Smith.

*Dead Man's Chest* earned $423,315,812 in North America and $642,863,913 in other territories, for a worldwide total of $1,066,179,725. Worldwide, it ranks as the 15th highest-grossing film distributed by Disney, the highest-grossing film of 2006, and the highest-grossing film in the *Pirates of the Caribbean* series. It was the third film in history to reach the $1 billion mark worldwide, and it reached the mark in record time (63 days), a record that has since been surpassed by many films, of which the first was *Avatar* (in January 2010).

In North America, the film broke many records including the largest opening- and single-day gross ($55.8 million), the biggest opening-weekend gross ($135.6 million), the least time to reach $100, $200 and $300 million and the highest ten-day gross. However, most of them were broken by *Spider-Man 3* in May 2007 and *The Dark Knight* in July 2008. The film was in first place at the box office for three consecutive weekends. By late August 2006, it would go on to break *Finding Nemo*'s record for becoming Disney's highest-grossing film at the time. It closed in theaters on December 7, 2006, with a $423.3 million haul. Thus, in North America, it is the seventeenth-highest-grossing film, although, adjusted for inflation, the film ranks forty-eight. It is also the highest-grossing 2006 film, the highest-grossing *Pirates of the Caribbean* film, and the seventh-highest-grossing Disney film. The film sold an estimated 64,628,400 tickets in the US.

Outside North America, it is the twenty-first-highest-grossing film, the third-highest-grossing *Pirates* film, the eighth-highest-grossing Disney film and the highest-grossing film of 2006. It set opening-weekend records in Russia and the CIS, Ukraine, Finland, Malaysia, Singapore, Greece and Italy. It was on top of the box office outside North America for 9 consecutive weekends and 10 in total. It was the highest-grossing film of 2006 in Australia, Bulgaria, Germany, Japan, the Netherlands, New Zealand, Spain, Sweden and Thailand.

##### Critical Response

On Rotten Tomatoes, the film has an approval rating of 53% based on 229 reviews, with an average rating of 6.00/10. The site's critical consensus reads, "Gone is Depp's unpredictability and much of the humor and originality of the first movie." At Metacritic, which assigns a weighted average rating to reviews, the film received an average score of 53 out of 100, based on 37 critics, indicating "mixed to average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.

Michael Booth of *The Denver Post* gave the film three-and-a-half stars out of four, calling it "two hours and 20 minutes of escapism that once again makes the movies safe for guilt-free fun." Drew McWeeny compared the film to *The Empire Strikes Back*, and also acclaimed its darkness in its depiction of the crew of the *Flying Dutchman* and its cliffhanger. The completely computer-generated Davy Jones turned out to be so realistic that some reviewers mistakenly identified Nighy as wearing prosthetic makeup.

A. O. Scott of *The New York Times* said, "You put down your money – still less than $10 in most cities – and in return you get two and a half hours of spirited swashbuckling, and Gore Verbinski has an appropriate sense of mischief, as a well as a gift, nearly equaling those of Peter Jackson and Steven Spielberg, for integrating CGI seamlessly into his cinematic compositions." *Empire* gave the film three out of five stars, stating, "Depp is once again an unmitigated joy as Captain Sparrow, delivering another eye-darting, word-slurring turn with some wonderful slapstick flourishes. Indeed, Rossio and Elliot smartly exploit these in some wonderful action set-pieces." "We don't get the predictable 'all friends together on the same quest' structure, and there's a surfeit of surprises, crosses and double-crosses and cheeky character beats which stay true to the original's anti-heroic sense of fun. After all, Jack Sparrow is a pirate, a bad guy in a hero's hat, a man driven by self-gain over concern for the greater good, who will run away from a fight and cheat his 'friends' without a second's thought."

Paul Arendt of the BBC compared it to *The Matrix Reloaded*, as a complex film that merely led onto the next film. Richard George felt a "better construct of *Dead Man's Chest* and *At World's End* would have been to take 90 minutes of *Chest*, mix it with all of *End* and then cut that film in two." Alex Billington felt the third film "almost makes the second film in the series obsolete or dulls it down enough that we can accept it in our trilogy DVD collections without ever watching it." Mark Kermode of *The Observer* accused the film of "lumpen direction, lousy writing and pouting performances", but wrote that "the worst thing about *Dead Man's Chest* is its interminable length [...] The entire *Pirates of the Caribbean* franchise may be a horrible indicator of the decline of narrative cinema."

##### Awards

At the 79th Academy Awards, visual effects supervisors John Knoll, Hal Hickel, Charles Gibson, and Allen Hall won an Academy Award for Best Visual Effects which was also the first time since 1994's *Forrest Gump* that Industrial Light & Magic had received that particular Academy Award. The film was also nominated for Best Art Direction, Sound Editing, and Sound Mixing.

The film also won a BAFTA and Satellite award for Best Visual Effects, and six awards from the Visual Effects Society.

Other awards won by the film include Choice Movie: Action, Choice Movie Actor: Action for Johnny Depp at the Favorite Movie, Movie Drama, Male Actor for Depp and On-Screen Couple for Depp and Keira Knightley at the 33rd People's Choice Awards; Best Movie and Performance for Depp at the 2007 MTV Movie Awards and Best Special Effects at the Saturn Awards, and Favorite Movie at the 2007 Kids' Choice Awards.