Batman Returns

*"Merry Christmas, Alfred. Good will toward men... and women."*
—Batman
***Batman Returns*** is a 1992 American superhero film, directed and produced by Tim Burton, based upon the Batman character appearing in comics published by DC Comics. It is the second installment of Warner Bros.' initial *Batman* film series, with Michael Keaton reprising the title role of Bruce Wayne/Batman. The film introduces the characters of Max Shreck (Christopher Walken), a business tycoon who teams up with the Penguin (Danny DeVito) to take over Gotham City, as well as the character of Catwoman (Michelle Pfeiffer).

Burton originally did not want to direct another Batman film because of his mixed emotions toward the previous film in 1989. Warner Bros. developed a script with writer Sam Hamm which had the Penguin and Catwoman going after hidden treasure. Burton agreed to return after he granted him more creative control and replaced Hamm with Daniel Waters. Wesley Strick did an uncredited rewrite, removing the characters of Harvey Dent and Robin and rewriting the climax. Annette Bening was originally cast as Catwoman but was replaced with Pfeiffer following her pregnancy. Filming for *Batman Returns* started in June 1991 at Warner Bros. Studios in Burbank, California.

*Batman Returns* was released on June 19, 1992. The film was nominated for Academy Awards for Best Visual Effects and Best Makeup, as well as two BAFTA awards. *Batman Returns*'s budget was an estimated $80 million, grossing $266,822,354 worldwide but Warner Bros. was disappointed as it was still substantially less than the first film. Burton was asked to restrict himself to the role of producer for the third film *Batman Forever*, which led to Keaton vacating the role of Batman in favor of Val Kilmer.

## Plot

Tucker and Esther Cobblepot, an aristocratic couple, throw their deformed infant child in a river, feeling that Gotham City's high society would not approve after witnessing their son kill their pet cat. However, a flock of penguins living in an abandoned zoo's arctic exhibit connected to the sewers rescue and raise him. 33 years later, the child becomes The Penguin (Danny DeVito) and the leader of the Red Triangle Circus Gang, who appear in Gotham City during the annual Christmas tree-lighting ceremony and cause a riot. As the police and Batman (Michael Keaton) deal with the riot, one of the guests at the ceremony, a prominent businessman named Max Shreck (Christopher Walken), is kidnapped and taken to the Penguin, who desires to become a citizen of Gotham and blackmails Shreck into helping him by threatening to expose evidence of his corporate crimes.

Meanwhile, Shreck's secretary, Selina Kyle (Michelle Pfeiffer), accidentally finds out that the power plant which her employer wants to build will actually drain Gotham of its electricity. When Shreck confronts her after returning from his visit with Penguin, he pushes her out of a window but a series of curtain break her fall somewhat and a clutter of alley cats revive her by licking her wounds. Selina returns home, suffers a mental breakdown, and designs a black vinyl catsuit to become the costumed vigilante Catwoman.

The Penguin sends one of his costumed henchmen to kidnap the mayor's baby while he "saves" him, becoming a hero to the people of Gotham. However, Batman is suspicious of his true motives. After some time in the Hall of Records, the Penguin discovers that his parents are dead and his name is Oswald Cobblepot, though he has secretly been taking notes on the first-born sons that live in Gotham City. Meanwhile, Batman's alter-ego, billionaire Bruce Wayne, is dealing with Shreck's persistence in having his new power plant built. As both Bruce and the current mayor will not approve of the power plant, Shreck decides to pull strings and make Penguin the new mayor. To do this, Penguin has the Red Triangle Gang create a riot, causing the citizens to lose all faith in the mayor. During the riot, Catwoman vandalizes Max's Department Store to gain revenge on him. When Batman and the Penguin confront each other, she intervenes just as the store blows up and she slips away. The Penguin escapes as Catwoman fights Batman and gets pushed off a rooftop, but she is saved when she lands in a dump-truck filled with kitty litter.

The Penguin and Catwoman meet and collaborate on a plan to kill Batman out of mutual hatred for the Caped Crusader, but Selina finds herself developing a romantic relationship with Bruce Wayne as the two of them start to spend time together. That night, Penguin and his gang kidnapp the actress chosen to turn on the Gotham City Christmas tree lights as the "Ice Princess", and frame Batman by leaving one of his weapons on the scene. After a fight with Catwoman, Batman finds the Ice Princess on a rooftop where the Penguin releases a swarm of flying bats and makes her fall to her death, further incriminating Batman. As Penguin and Catwoman celebrate their victory, Penguin tries to makes advances towards her, which she rejects. Angered, Penguin ends their alliance and causes her to fall into a greenhouse. Batman escapes to the Batmobile and discovers that Penguin's henchmen have broken into it and installed a remote control device. The Penguin takes it on a devastating rampage, but Batman regains control over it and escapes death. He also manages to record part of the Penguin's taunts, which are being transmitted to the screen on his dashboard.

The next day, the Penguin and Shreck are using Batman's rampage to push for an impeachment of the mayor. Batman however turns the situation around by jamming the signal and broadcasting the Penguin's contemptuous outburst. Enraged, the Penguin takes his notes from the Hall of Records and orders the Red Triangle Gang to kidnap all the first-born sons of Gotham so that he can throw them to their deaths in the sewer like his own parents did to him, and he personally kidnaps Max Shreck as revenge for being manipulated. Batman saves all the children, forcing the Penguin to execute an alternate plan to destroy the entire city with his army of rocket-armed penguin commandos. However, Batman foils the plan by luring the penguins back to the Penguin's sewer base before confronting Penguin directly and knocking him into the sewer water from a great height.

Catwoman appears and again tries to kill Shreck, but Batman stops her and reveals himself as Bruce Wayne, and she does the same as Selina. Shreck then shoots Batman, before shooting Selina four times. She survives all the shots, counting out how many out of her nine lives she has left, and once Shreck runs out of bullets, puts an electrical taser between their lips while grabbing an electrical cable. As Batman regains consciousness, a tremendous explosion is caused that kills Shreck but leaves no trace of Selina. As the dust settles, the Penguin rises from the water and tries one more time to kill Batman, but collapses dead . The emperor penguins hold a funeral procession for their former master and drag his corpse into the sewer water, his resting place.

Afterwards, Alfred (Michael Gough) drives Bruce home, but Bruce spots a shadow of Catwoman in the alley and has the car stopped so he can check. All he finds is a black cat trying to keep warm, and so Bruce takes her home with him as he exchanges Christmas wishes with Alfred. As they leave, the Bat-Signal lights up in the night sky as Catwoman watches from afar.

## Cast

* Michael Keaton as Bruce Wayne / Batman
* Danny DeVito as Oswald Cobblepot / Penguin
* Michelle Pfeiffer as Selina Kyle / Catwoman
* Christopher Walken as Max Shreck
* Michael Murphy as Mayor of Gotham City
* Pat Hingle as Commissioner James Gordon
* Vincent Schiavelli as The Organ Grinder
* Michael Gough as Alfred Pennyworth
* Anna Katarina as The Poodle Lady
* Andrew Bryniarski as Chip Shreck
* Cristi Conaway as The Ice Princess
* Rick Zumwalt as The Tattooed Strongman
* Paul Reubens as Penguin's Father

## Production

### Development

After the success of *Batman*, Warner Bros. was hoping for a sequel to start filming in May 1990 at Pinewood Studios. They spent $250,000 storing the sets from the first film. Tim Burton had mixed emotions about directing another film in the franchise after his experiences with the previous film. "I will return if the sequel offers something new and exciting", he said in 1989. "Otherwise it's a most-dumbfounded idea." Burton decided to direct *Edward Scissorhands* for 20th Century Fox. Meanwhile, Sam Hamm from the previous film delivered the first two drafts of the script, while Bob Kane was brought back as a creative consultant. Hamm's script had Penguin and Catwoman going after hidden treasure.

Burton was impressed with Daniel Waters' work on *Heathers*; Burton originally brought Waters aboard on a sequel to *Beetlejuice*. Warner Bros. then granted Burton a large amount of creative control, demoting producers Jon Peters and Peter Guber to executive producers. Dissatisfied with the Hamm script, Burton commissioned a rewrite from Waters. Waters "came up with a social satire that had an evil mogul backing a bid for the Mayor's office by the Penguin", Waters reported. "I wanted to show that the true villains of our world don't necessarily wear costumes." The subplot of Penguin running for Mayor came from the 1960s TV series episodes "Hizzoner the Penguin" and "Dizzoner the Penguin". Waters wrote a total of five drafts.

On the characterization of Catwoman, Waters explained "Sam Hamm went back to the way comic books in general treat women, like fetishy sexual fantasy. I wanted to start off just at the lowest point in society, a very beaten down secretary." Harvey Dent appeared in early drafts of the script, but was deleted. His disfiguring appearance of Two-Face would have appeared in the climax when Catwoman kisses him with a taser to the face, which was replaced with Max Shreck. Waters quoted, "Sam Hamm definitely planned that. I flirted with it, having Harvey start to come back and have one scene of him where he flips a coin and it's the good side of the coin, deciding not to do anything, so you had to wait for the next movie." In early scripts Max Shreck was the "golden boy" of the Cobblepot family, whereas Penguin was the deformed outsider. It turned out that Shreck would be the Penguin's long-lost brother.

### Pre-production

Burton hired Wesley Strick to do an uncredited rewrite. Strick recalled, "When I was hired to write *Batman Returns* (*Batman II* at the time), the big problem of the script was Penguin's lack of a 'master plan'." Warner Bros. presented Strick with warming, or freezing Gotham City, a plot point they would later use in *Batman & Robin*. Strick gained inspiration from a Moses parallel that had Penguin killing the firstborn sons of Gotham. A similar notion was used when the Penguin's parents threw him into a river as a baby. Robin appeared in the script, but was deleted because Waters felt the film had too many characters. Waters called Robin "the most worthless character in the world, especially with [Batman as] the loner of loners." Robin started out as a juvenile gang leader, who becomes an ally to Batman. Robin was later changed to a black teenage garage mechanic. Waters explained, "He's wearing this old-fashioned garage mechanic uniform and it has an 'R' on it. He drives the Batmobile, which I notice they used in the third film!" Marlon Wayans was cast, and signed for a sequel. The actor had attended a wardrobe fitting, but it was decided to save the character for a third installment.

Michael Keaton returned after a significant increase in his salary at $10 million. Annette Bening was cast as Catwoman after Burton saw her performance in *The Grifters*, but she dropped out due to pregnancy. Raquel Welch, Jennifer Jason Leigh, Madonna, Ellen Barkin, Cher, Bridget Fonda, Lorraine Bracco, Jennifer Beals and Susan Sarandon were then in competition for the role. Sean Young, who was originally chosen for Vicki Vale in the previous film, believed the role should have gone to her. Young visited production offices dressed in a homemade Catwoman costume, demanding an audition. Burton was unfamiliar with Michelle Pfeiffer's work, but was convinced to cast her after one meeting. Pfeiffer received a $3 million salary, $2 million more than Bening, and a percentage of the box office. The actress undertook kickboxing lessons for the role. Kathy Long served as Pfeiffer's body double. On Danny DeVito's casting, Waters explained, "I kind of knew that DeVito was going to play The Penguin. We didn't really officially cast it, but for a short nasty little guy, it's a short list. I ended up writing the character for Danny DeVito."

### Filming

In early 1991, two of Hollywood's largest sound stages (Stage 16 at Warner Bros. and Stage 12 at Universal Studios) were being prepared for the filming of *Batman Returns*. Filming started in June 1991. Stage 16 held Gotham Plaza, based on Rockefeller Center. Universal's Stage 12 housed Penguin's underground lair. A half-a-million gallon tank filled with water was used. Burton wanted to make sure that the penguins felt comfortable. Eight other locations on the Warner Bros. lot were used, over 50% of their property was occupied by Gotham City sets.

Animal rights groups started protesting the film after finding out that penguins would have rockets strapped on their backs. Richard Hill, the curator of the penguins, explained that Warner Bros. was very helpful in making sure the penguins were comfortable. "On the flight over the plane was refrigerated down to 45 degrees", recalls Hill. "In Hollywood, they were given a refrigerated trailer, their own swimming pool, half-a-ton of ice each day, and they had fresh fish delivered daily straight from the docks. Even though it was 100 degrees outside, the entire set was refrigerated down to 35 degrees."

Warner Bros. devoted a large amount of secrecy for *Batman Returns*. The art department was required to keep their office blinds pulled down. Cast and crew had to have photo ID badges with the movie's fake working title *Dictel* to go anywhere near the sets. Kevin Costner was refused a chance to visit the set. An entertainment magazine leaked the first photos of Danny DeVito as the Penguin; in response Warner Bros. employed a private investigator to track down the accomplice. $65 million was spent during the production of *Batman Returns*, while $15 million was used for marketing, coming to a total cost of $80 million. The final shot of Catwoman looking at the Bat-Signal was completed during post-production and was not part of the shooting script. After *Batman Returns* was completed Warner Bros. felt it was best for Catwoman to survive, saving more characterizations in a future installment. Pfeiffer was unavailable and a body double was chosen.

### Design and effects

Bo Welch, Burton's collaborator on *Beetlejuice* and *Edward Scissorhands*, replaced Anton Furst as production designer, since Furst was unable to return for the sequel due to contractual obligations. Welch blended "Fascist architecture with World's fair architecture" for Gotham City. He also studied Russian architecture and German Expressionism. An iron maiden was used for Bruce Wayne's entry into the Batcave. Stan Winston, who worked with Burton on *Edward Scissorhands*, designed Danny DeVito's prosthetic makeup, which took two hours to apply. DeVito had to put a combination of mouthwash and red/green food coloring in his mouth "to create a grotesque texture of some weird ooze."

More than 60 Catsuits were designed in the six-month shoot at $1,000 each. The Batsuit was updated, which was made out of a thinner, slightly more flexible foam rubber material than the suit from *Batman*. DeVito was uncomfortable with his costume, but this made it easy for him to get into character. J. P. Morgan's wardrobe was used for inspiration on Max Shreck's costume design.

The bats were entirely composed of computer-generated imagery since it was decided directing real bats on set would be problematic. The Penguin's "bird army" was a combination of CGI, robotic creatures, men in suits and even real penguins. Robotic penguin puppets were commissioned by Stan Winston. In total 30 African penguins and 12 king penguins were used. A miniature effect was used for the exteriors of the Cobblepot Mansion in the opening scene and for Wayne Manor. The same method was used for the Bat Ski-boat and the exterior shots of the Gotham Zoo.

### Music

*Main article: Batman Returns (soundtrack)*
Danny Elfman had great enthusiasm for returning because "I didn't have to prove myself from the first film. I remember Jon Peters was very skeptical at first to hire me." Elfman's work schedule was 12 hours a day, 7 days a week. "When completing this movie I realized it was something of a film score and an opera. It was 95 minutes long, twice the amount of the average of film score." Burton allowed Elfman to be more artistic with the sequel score, such as the "scraping" on violins for the cat themes. Under the pressure of finishing the score, however, the relationship between the two strained, which - along with further "creative differences" on *The Nightmare Before Christmas* - led Burton to use Howard Shore to score his next film *Ed Wood*. The musician co-orchestrated "Face to Face", which was written and performed by Siouxsie and the Banshees. The song can be heard in one scene during the film and during the end credits.

## Release

### Box office

*Batman Returns* was released in America on June 19, 1992, earning $45.69 million in 2,644 theaters on its opening weekend. This was the highest opening weekend in 1992 and the highest opening weekend of any film up to that point. The film went on to gross $162.83 million in North America, and $104 million in foreign countries, coming to a worldwide total of $266.83 million. *Batman Returns* was the third highest grossing film in America of 1992, and sixth highest in worldwide totals. The film was declared a financial success, but Warner Bros. felt the film should have been more successful.

### Critical reception

*Batman Returns* has received a favourable critical reception. Based on 70 reviews collected by Rotten Tomatoes, 80% of critics enjoyed the film, with an average rating of 6.7/10. Much of the critics gave praise toward Tim Burton's visual style, accompanied by production designer Bo Welch, as well as the casting of Michelle Pfeiffer, Danny DeVito and Christopher Walken in supporting roles to complement Keaton's portrayal of Batman, though the consistently dark and violent tone received mixed reviews.

Janet Maslin in *The New York Times* thought that "Mr. Burton creates a wicked world of misfits, all of them rendered with the mixture of horror, sympathy and playfulness that has become this director's hallmark." She described Michael Keaton as showing "appropriate earnestness", Danny DeVito as "conveying verve", Christopher Walken as "wonderfully debonair", Michelle Pfeiffer as "captivating... fierce, seductive", Bo Welch's production design as "dazzling", Stefan Czapsky's cinematography as "crisp", and Daniel Waters's screenplay as "sharp."

Peter Travers in *Rolling Stone* wrote: "Burton uses the summer's most explosively entertaining movie to lead us back into the liberating darkness of dreams." He praised the performances: "Pfeiffer gives this feminist avenger a tough core of intelligence and wit; she's a classic dazzler... Michael Keaton's manic-depressive hero remains a remarkably rich creation. And Danny DeVito's mutant Penguin—a balloon-bellied *Richard III* with a kingdom of sewer freaks—is as hilariously warped as Jack Nicholson's Joker and even quicker with the quips."

Desson Howe in *The Washington Post* wrote: "Director Burton not only re-creates his one-of-a-kind atmosphere, he one-ups it, even two-ups it. He's best at evoking the psycho-murky worlds in which his characters reside. The Penguin holds court in a penguin-crowded, *Phantom of the Opera*-like sewer home. Keaton hides in a castlelike mansion, which perfectly mirrors its owner's inner remoteness. Comic strip purists will probably never be happy with a *Batman* movie. But *Returns* comes closer than ever to Bob Kane's dark, original strip, which began in 1939." He described Walken as "engaging", DeVito as "exquisite" and Pfeiffer as "deliciously purry."

Todd McCarthy in *Variety* wrote that "the real accomplishment of the film lies in the amazing physical realization of an imaginative universe. Where Burton's ideas end and those of his collaborators begin is impossible to know, but the result is a seamless, utterly consistent universe full of nasty notions about societal deterioration, greed and other base impulses." He praised the contributions of Stan Winston, Danny Elfman, Bo Welch and cinematographer Stefan Czapsky, and in terms of performances, opined that "the deck is stacked entirely in favor of the villains", calling DeVito "fascinating" and Pfeiffer "very tasty."

Conversely, Roger Ebert of the *Chicago Sun-Times* gave the film two stars, writing: "I give the movie a negative review, and yet I don't think it's a bad movie; it's more misguided, made with great creativity, but denying us what we more or less deserve from a *Batman* story. No matter how hard you try, superheroes and film noir don't go together; the very essence of noir is that there are no more heroes." He compared the Penguin negatively with the Joker of the first film, writing that "the Penguin is a curiously meager and depressing creature; I pitied him, but did not fear him or find him funny. The genius of Danny DeVito is all but swallowed up in the paraphernalia of the role." Jonathan Rosenbaum called DeVito "a pale substitute for Jack Nicholson from the first film" and felt that "there's no suspense in *Batman Returns* whatsoever". Batman comic book writer/artist Matt Wagner was quoted as saying: "I hated how *Batman Returns* made Batman little more than just another costumed creep, little better than the villains he's pursuing. Additionally, Burton is so blatantly not an action director. That aspect of both his films just sucked." Ty Burr in *Entertainment Weekly* gave the film a B-; he wrote that "Burton still hasn't figured out how to tell a coherent story: He's more interested in fashioning pretty beads than in putting them on a string.... Yet for all the wintry weirdness, there's more going on under the surface of this movie than in the original. No wonder some people felt burned by *Batman Returns*: Tim Burton just may have created the first blockbuster art film."

A "parental backlash" criticized *Batman Returns* with violence and sexual references that were unsuitable for children. McDonald's shut down their Happy Meal promotion for the film. Burton responded, "I like *Batman Returns* better than the first one. There was this big backlash that it was too dark, but I found this movie much less dark."

### Accolades

**American Film Institute recognition:**

* AFI's 100 Years...100 Heroes and Villains:
	+ Catwoman (Selina Kyle)—Nominated Villain
	+ The Penguin (Oswald Cobblepot)—Nominated Villain

### Legacy

*Batman Returns* was the last film in the *Batman* film series that featured Tim Burton and Michael Keaton as director and leading actor, respectively. With the following film, *Batman Forever*, Warner Bros. decided to go in a "lighter" direction to be more mainstream in the process of a family film. Burton was asked to restrict himself to the role of producer and approved of Joel Schumacher as director. With Warner Bros. moving on development for *Batman Forever* in June 1993, a *Catwoman* spin-off was announced. Michelle Pfeiffer was to reprise her role, with the character not to appear in *Forever* because of "her own little movie".

Burton became attached as director, while producer Denise Di Novi and writer Daniel Waters also returned to the *Catwoman* spin-off with Burton. In January 1994, Burton was unsure of his plans to direct *Catwoman* or an adaptation of *The Fall of the House of Usher*. On June 6, 1995, Waters turned in his *Catwoman* script to Warner Bros., the same day *Batman Forever* was released. Burton was still being courted to direct. Waters joked, "turning it in the day *Batman Forever* opened may not have been my best logistical move, in that it's the celebration of the fun-for-the-whole-family Batman. *Catwoman* is definitely not a fun-for-the-whole-family script." The film labored in development hell for years, with Pfeiffer getting replaced by Ashley Judd. The film ended up becoming the critically panned *Catwoman* (2004) starring Halle Berry.

Template:Batman in popular media
Template:1989–1997 Batman film series
Template:DC Comics films
Template:Catwoman