Leap

***Leap!*** is a 2017 3D computer-animated musical adventure comedy film and the twenty-third Paramount Animation film co-directed by Éric Summer and Éric Warin and written by Summer, Carol Noble and Laurent Zeitoun. A co-production between Canadian and French companies, the film follows a poor orphan girl who dreams of becoming a ballerina and gets a chance to audition for the celebrated school of the Opera de Paris .

## Plotedit | edit source

In the 1880s, eleven-year-old Félicie (Elle Fanning), a poor orphan girl who dreams of becoming a ballerina, but lacks formal training, runs away from her orphanage in rural Brittany with her best friend, Victor (Dane DeHaan), a young inventor. Together they go to beautiful Paris, but they soon become separated, and Victor becomes an office boy in Gustave Eiffel's workshop. Félicie finds her way to the Paris Opera, where the guard catches her trespassing. She is rescued by a mysterious cleaner with a limp, Odette (Carly Rae Jepsen), who agrees to let Félicie stay with her until she gets on her feet. Odette works for both the Opera and for the cruel and imperious Régine Le Haut (Julie Khaner), a wealthy restaurant owner. While helping Odette clean, Félicie spies Regine's daughter, Camille (Maddie Ziegler), practicing ballet. Camille sees Félicie, insults her, and throws Félicie's treasured music box out of the window, breaking it. As Félicie takes it to Victor for repair, she intercepts the postman who brings a letter from the Opera admitting Camille to the celebrated school of the Paris Opera Ballet; in her anger, she hides the letter and decides to assume Camille's identity to get into the school and pursue her dream, while also getting back at Camille.

Odette agrees to mentor Félicie, who later learns that Odette was a former prima ballerina. Félicie finds her training very difficult, but with Camille's letter of acceptance, she manages to take her place at the ballet school. Mérante (Terrence Scammell), the school's exacting choreographer, announces that one of the girls from the class will be chosen to dance the role of Clara in *The Nutcracker*. He dismisses the worst dancer in class each day. Félicie improves each day and narrowly avoids elimination, but a couple of days before the final elimination, her lie is discovered. Mérante decides to admit Camille into the class, while also letting Félicie stay; although Félicie's infraction was serious, Mérante knows that she is Odette's protege, and he has a soft spot for Odette. The night before the final elimination, Félicie neglects training to go out on a date with Rudi, a handsome boy from the school, which disappoints Odette. Victor, who has a crush on Félicie, sees Félicie with Rudi. Victor is jealous, and he and Félicie argue. The next day, Félicie is late to the audition and unable to perform well, and so the part of Clara goes to Camille.

Félicie returns to her orphanage, having lost her spirit. She has a dream about being an infant in the arms of her late mother, a ballerina, who gave her the music box. She decides to return to Paris to help Odette and apologize to Victor. While cleaning the stage, Félicie encounters Camille, and they engage in a dance battle that is witnessed by all the students, Odette and Mérante. Félicie does a grand jeté over a flight of stairs, while Camille cannot. Mérante approaches the two girls and asks them why they dance, to which Camille admits that she dances only because her mother tells her to, while Félicie speaks stirringly of dance as her inheritance and passion. Camille admits that Félicie should dance Clara. Near Eiffel's workshop, where the Statue of Liberty is being constructed, Félicie invites Victor to the performance. A furiously deranged Régine arrives, chases Félicie up to the crown of the statue and pushes her off, but Victor saves her with aid from Camille. They arrive at the Opera just in time for Félicie to don Odette's special pointe shoes; Félicie kisses Victor on the cheek, and she performs in *The Nutcracker*.

## Castedit | edit source

* Elle Fanning as Félicie Milliner, an orphan girl with dreams of becoming a ballerina
* Dane DeHaan (Nat Wolff in the American version) as Victor, an aspiring young inventor and Félicie's best friend
* Maddie Ziegler as Camille Le Haut, Félicie's arrogant rival at the ballet school
* Carly Rae Jepsen as Odette, a mysterious caretaker and former prima ballerina who helps Félicie
* Terrence Scammell as Mérante, a demanding ballet instructor
	+ (Additionally voices the Janitor in the American version)
* Julie Khaner (Kate McKinnon in the American version) as Régine Le Haut, Camille's rich, sneering mother
	+ (McKinnon also voiced the Mother Superior and Félicie's mother in the American version)
* Tamir Kapelian as Rudolph, a charismatic boy dancer, and Mathurin, a musician and work friend of Victor
* Mel Brooks (American version only) as M. Luteau, the supervisor of the orphanage
* Bronwen Mantel as the Mother Superior, the head of the orphanage where Félicie and Victor lived
* Soshana Sperling as Nora, a ballet student
* Elena Dunkleman as Dora, Nora's friend, and Rosita Mauri, prima ballerina
* Jamie Watson as the Janitor
	+ (Also voices M. Luteau in the international version)
* Joe Sheridan as Auguste Emmanuel Vacourbeil, director of the Paris Opera

There is also a French language version of the film, with the voices of Camille Cottin as Félicie and Malik Bentalha as Victor, that premiered in France on December 14, 2016.

## Productionedit | edit source

The film was produced at L'Atelier Animation in Montreal, Quebec, Canada. The filmmakers used key frame animation of Aurélie Dupont and Jérémie Bélingard, two star dancers of the Paris Opera Ballet, to translate realistic dance choreography to the animated film. Dupont became the *de facto* choreographer of the film's dance sequences.

## Receptionedit | edit source

### Box officeedit | edit source

Template:As of, *Ballerina* had grossed approximately US$106 million worldwide. It opened in France on 14 December 2016 with over half a million admissions, earning €2.2 million (c. US$2.4 million) over the course of the weekend. Its French gross eventually reached $14.5 million. In Canada, it earned more than C$1.5 million during the first 13 days of its theatrical run, $1.1 million of which was made in Quebec. It ultimately grossed a total of $3.6 million (~US$2.8 million) in Canada. It was released on 25 August 2017 in the United States, earning $4.7 million over its opening weekend. Template:As of it had grossed more than $21.8 million in the US, the film's highest-grossing territory.

### Critical responseedit | edit source

On review aggregator website Rotten Tomatoes, the original version of the film holds an approval rating of 73% based on 30 reviews, with an average rating of 5.7/10. On French entertainment information website AlloCiné, the film has an average grade of 3.5/5, based on 17 critics. On Rotten Tomatoes, the US version of the film, entitled *Leap!*, has an approval rating rating of 37% based on 49 reviews, with an average rating of 4.8/10. The site's critical consensus reads, "From its bland story to its unremarkable animation, *Leap!* does little to distinguish itself from a long list of like-minded – and superior – family-friendly alternatives." On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score 48 out of 100, based on 18 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.

Melissa Stewart of *Insights* magazine of Australia called the film "a heart-warming adventure. ... With the animation capturing the elegance of ballet, it is hard not to be mesmerised by the pirouettes and grand jetés. ... [Félicie's] journey will resonate with for anyone who has experienced the sting of failure and trying to figure out how to bounce back. All of this occurs while humour is trickled throughout the movie making it enjoyable for kids and parents alike. ... [T]he themes of fighting for your passion and dreams is timeless." Mike McCahill of *The Guardian* wrote: "It's attentively, attractively designed – with a real eye for the light hitting the buildings of a city under construction – but a shade more *Black Swan* in its DNA might have made the happy ending less inevitable and its pep less repetitive."