Darren Brun

**Darren Brun** is a the sixth son of the Dwarven King Rupert Brun and Queen-Consort Ami Ceryn. He ascended to the throne by disposing of all his elder siblings, and later sired ten bastard heirs with multiple unknown women of varying social classes.

1. Darren is the sixth son of the dwarven king, who disgraced, framed, or assassinated all his siblings, and nearly became king when his father died of heartbreak and old age. His one younger brother, Doran, was always like a lackey to him, until he exposed him for his crimes and killed him in single combat as revenge for his brothers. The sixth son was very popular and well known, if a bit divisive, and the youngest had hardly made a name for himself. After he was crowned, with many doubting his aptitude, he proved himself to have the best traits of all his brothers
2. 1. Nobility/Honor. 2. Generosity. 3. Mercy. 4. Just. 5. Might. 6. Ruthlessness/Cunning 7. Wisdom/Insight
3. Darren ruled for 20 years and had many bastard heirs that were the worst of him, but none succeeded him, and Doran would not be brought down by them, except when all 10 of them stabbed him in his sleep, then ensued a long and bloody fight for the throne, with the third child, a daughter, emerging victorious, she married a commoner, made a statue of the father she helped kill, and made many liberal changes. Doran gained the throne at age 40, until he was 45, and Darren's children were in their late teens and early 20s. His reign was known as the Five Year Peace, as he brought much needed stability, restoring the status quo rather than making great changes. Darren's daughter, his only girl, known as the Kingdom's Daughter, ruled from age 22 until she was 50, then giving the throne to her son, she died from gout at age 63, she had one child, a son who she treasured and never let leave her side. He had the common touch, and did all the things right that she had done wrong, while learning her strengths. He ruled until only a year after his mother's death, and struggled without her, and it is said could not live without her company or guidance, as he was not very independent. There were rumors he was impotent or fancied other men, but the next ruler emerged from the common people, claiming to be the granddaughter of Darren's fourth child, a son, with dubious claims that history grew to forget their suspicions and now only remembers that she was legitimate, and thus believing that the line continued, though we may never know, she bore a striking resemblance to her father, and had the personality of her grandsire.

## Lineage

1. King Rupert Brun + Queen-Consort Ami Ceryn
	1. g
	2. g
	3. g
	4. g
	5. g
	6. Darren Brun + Unknown Women
		1. g
		2. g
		3. Queen Talia Brun + Samuel the Smith: Samuel the Smith was killed in a duel he foolishly refused to decline. He had poor martial prowess with hardly any training, but wished to prove himself worthy of being the husband of the Queen. He was in his early 30's when he died, and should have known better by then, but his insecurities ran deep from the public disparages he received upon stepping into the limelight. But the two were madly in love, and she wanted to show that she meant to change things. Their young love didn't last, and he did his best not to draw her disdain from standing around being useless, as his skills lay only in crafts, mild manners, and a sturdy character and hefty build. The commoners admired him, but the nobles found him uncouth and uncultured. Their marriage stirred things up, but many quickly grew accustomed to it as he did his best to not cause trouble, and though a bit plain, was fair enough of face, he often sang at the anvil, and his voice had a calming effect on the Queen, that even if they did not particularly care for each other, they were used to the familiarity of each others' presence.
			1. King Lyle Brun + Lady Clarissa: Lyle was a King with little agency, relying completely upon the support and guidance of his mother the Queen Regent. His mother arranged a marriage for him, without much consulting on his part, but Lyle cared only for the approval of his mother, ever the child, and found her pretty enough, with entertaining stories she'd read. Clarissa was an ambitious woman, who beat out many others to marry the King, and vied for control over him, which put her into conflict with her mother-in-law, who mildly tried a few times to get rid of her, she was still waiting for them to produce and heir, and no one could get between her and her son, as she was such a commanding authority and completely persuasive and manipulative. After Lyle's death, Clarissa became queen, though as she was only the Queen-Consort, her claim was quite weak. Clarissa soon married one of Lyle's youngest uncles, while he had a lesser claim than his elder siblings, his other siblings were mostly older and in lesser health, or less popular than him, and he was married to the former queen. He soon showed he was unfit for the crown and drew the ire of many nobles and the jealousy of his remaining siblings, who did their best to besmirch him. Clarissa was relatively unharmed by this, as she had political experience and some amount of charm and family connections. Nevertheless their only issue was a small child when Titus's granddaughter of questionable legitimacy rallied the common people, intimidated and impressed the nobles, and declared herself the rightful heir. A brief and bloody civil war ensued, and she narrowly won, killing many of her remaining family members and marrying a minor lord, thus raising them to a greater house, she took great care of her older half-sister and despot mother.
		4. Prince Titus Brun + Lady Helene
			1. Luther Brun
				1. Miranda + Lord Connor
		5. f
		6. f
		7. f
		8. f
		9. f
		10. f
	7. Robert Brun + Rumored Lover (Minor Lord)

## Involvement

### Origin

He comes across the Legion of the Dead, traveling with them for a week until Natia joins, the two soon meet a grey warden and join up, hoping to gain and restore their honor, respectively.

### Battle at Ostagar

He fights on the front lines and survives, as he recovers in Lothering, he reunites with his fellow wardens.

### Orzammar

He returns to his home, and wrangles the election from his brother, whom he exposes for his treachery, and executes. He leads Natia, Shale, and Oghren, killing Branks, destroying the anvil, and becoming King. He restores his and Mary's son's birthright, naming him after Duncan.￼

## Personality

His personality gradually became healthier when he left Orzammar, and relapsed slightly when he returned. He exploits others to get ahead, has random, severe episodes of rage, feels empty inside, does not show his inner vulnerability or emotional distress. He is jealous of others' success and is constantly comparing himself to his brothers and ancestors. He exaggerates his stories to impress people, and feels pressure to be the best and most successful of anyone around him. He feels like he needs to present a curated image to the world around him, and feels like his true self is unseen and unimportant. He is exhausted by simultaneously balancing his image and ensuring he does not upstage Trian. He appears confident and competent in everything, seeming charming and polished. Secretly he is lonely, and feels misunderstood, and feels like he he trapped by a golden cage he was forced by everyone to create. Being the middle child, he feels like he is not allowed to blossom like Trian, nor be given lower expectations like Bhelen, he feels like he must always be ready to step in for Trian and hold him in check, and take care of his weak younger brother. Since he tries so hard at everything in his life, he gets frustrated when he has to put up with inefficiency and incompetence, often lashing out at those who do not show him proper respect, which he feels he is not only entitled to, but has earned, and that if people do not treat him like royalty, that he is nothing. He feels stuck in Trian's shadow, like he can never be good enough to be the heir, but is tempted by the popularity he has, but doing so would bring on the wrath of those around him who raised him to be the perfect child. He wants the spotlight, and that he can never reach success as he will never be King. He detests laziness and disorganization, and thus is repulsed by commoners and especially the casteless. He cannot relate to their inaction nor can he comprehend the complete lack of options that they are bound by, as his privilege blinds him. He feels comfortable around Bhelen as his lower status makes him feel proud and competent, but finds Trian exciting because he challenges him to be better. He is insecure and discontent, but only shares that with Gorim, whom he has sworn to secrecy. He craves the status of Trian, after he became King, it took him a long time to be comfortable with the fact that he could not go any higher, and forever remained threatened by Natia's popularity. He never gets past focusing on showing style, humor, and confidence, and feels that he has to be accomplished to be worthy of love. Being a Grey Warden helped give him a sense of self-worth and community, and forced him to give up some amount of status, image, and competition, though he still struggles with not being the leader. He still struggles for the approval of his peers. He faltered at the idea of giving up on his goals, but made new ones when he visited Orzammar and resolved to get revenge on Bhelen. He does surprisingly well as King as he does whatever it takes to get the people to love and respect him, doing the socially acceptable things for his image. After spending a year on the surface, he starts caring about the international image and wealth of Orzammar, and so drags them into the future to reclaim some of their former glory, hoping to go down in history, and thinking that being a King of a dump makes him a lowly King, and his sense of status is tied to Orzammar.

## Relationships

### Companions

* Morrigan
* Alistair
* Oghren
* Zevran
* Leliana
* Shale
* Sten
* Wynne

He sleeps soundly with Zev, who always lets him sleep in. Zev helps him relax from being always "on". Zev and Gorim are the only two people he believes truly do not judge him, and in turn he is unusually patient and forgiving with them. He slowly becomes more vulnerable and lets him in, and Zevran feels emotional intimacy for the first time, and proves his unconditional loyalty. Zevran feels honored to be able to see the real him, and accepts him for how closed off he is in public. Zevran's massages and sex help him feel more in tune with his body. He is good at being a team with Zevran as he takes on the support role that Gorim did, and they both have a similar dark sense of humor. Hearing Zevran's stories of low status gave him insight into his privilege and helped him realize that he was not special because of his birthright, and that anyone can have inherent value. He feels heard with Zev, and truly seen, as Zevran does not tie his worth to his achievements and actions, but rather in how he treats him.

### Origin

* Gorim
* Endrin
* Trian
* Bhelen

### Potentials

* Lyna
* Natia
* Elissa
* Solona
* Alim
* Kallian
* Daylen

## Songs

* Agony, Chris Pine, Billy Magnussen
* You're Going Down, Sick Puppies
* Blood // Water, grandson
* STAY, The Kid LAROI, Justin Bieber
* I Did Something Bad, Taylor Swift
* The King, Conan Gray
* Break Your Heart, Taio Cruz, Ludacris
* Glory And Gore, Lorde
* Burning Up (Fire), BTS
* Bury It, CHVRCHES, Hayley Williams
* Seven Nation Army, The White Stripes
* Bitch Better Have My Money, Rihanna

## Etymology

* 9:30, Dragon, Endrin is framed by his brother and exiled
	+ A week later, he runs into Natia Brosca and the Legion of the Dead, the Legion helps them find Grey Wardens, who recruit them and bring them to Ostagar.
	+ He survives his joining and the battle.
	+ He and Natia return to Orzammar, along with Shale, to recruit the Dwarves against the Blight, meanwhile he steals the throne from his brother, and reclaims the Anvil of the Void. He also meets his son and names him Gorim.

### Care to answer some questions?

#### What does it take to become an assassin?

(*only appears once - unlocks "Can you teach others to be an assassin?", below*)

1. So you have to be a murderer.  (-5)
2. It doesn't take any special skill?
3. You did quite well, no doubt.  (+2)
	1. That sounds like it could be useful. ***(end)***
	2. I'd prefer a straight up battle. ***(end)***
	3. You always use poison, then? ***(end)***

#### Why did you want to leave the Crows, exactly?

1. So... you're simply bored?  (-4)
2. You didn't choose to join the Crows?  (-1)
3. But what would you rather do?  (+2)
	1. And that system works?
	2. That sounds awful.  (+2)
	3. So you had a hard life. Big deal.  (-5)
		1. So what is it you fancy, exactly?
			1. No, but you needn't bother. (SEEMS to CUT OFF romance with human noble female warden, needs further testing)
			2. Not at all.  (+2) (initiates romance)
			3. But I'm a man.
				1. No, just don't do it again.  (-3)
				2. I should hope so!  (-10)
				3. No, I just... was surprised.  (+2) (initiates romance)
			4. Err... yes, actually.  (-10)
		2. You sound like you've been spoiled.  (-7)
		3. Why didn't you just leave, then?  (-2)
		4. I think I understand.  (+2)
			1. You think that will change?  (-3)
			2. And when you get the first chance to betray me?  (-2)
			3. Won't the Crows eventually find you?
			4. I'm happy to have you along.  (+4)

#### Tell me a little about Antiva.

*(only appears once)*

1. And it has assassins.
2. Don't you want to go back?
3. You don't like Ferelden?
	1. I was born in Highever, in the north. *(Human Noble only)*
	2. I am from Denerim. *(City Elf only)*
	3. My people have no cities. *(Dalish only)*
	4. I am from Orzammar, of course. *(Dwarf only)*
	5. I'm not from any glittering gem, no.
	6. Of Course. My mother was better than any gem.  (+2)
	7. Why? you want to compare? Don't be an idiot.  (-5)
		1. Now that is odd.
		2. Is that some kind of euphemism?
		3. This I have to hear.
			1. You sound like you've been away from home forever.
			2. That's a little bizarre. There's leather everywhere.
			3. Really? You smell a cesspool and think of home?
				1. I asked you about Antiva. Not your leather fetish.  (-9)
					1. All right. Sorry.  (+1) ***(end)***
					2. Be sensitive at your own peril.  (-4) ***(end)***
					3. There's no need to get upset. ***(end)***
				2. Your home is still there, Zevran.
				3. The job being killing me, right?  (-2)
				4. No Antivan boots for you.  (-2)
					1. Is that supposed to be flattery? (*male*) / (*female*) Now you're flattering me.
					2. "Handsome?" (*male*) / (*female*) 'Beautiful,' is it?
						1. Of course I object! (*male*) / (*female*) You should not.  (-8) ***(end)***
						2. You're wasting your time, that's all. (*male*) / (*female*) Don't bother. I'm onto you.  (-1) ***(end)***
						3. Not at all. It was just unexpected. (*male*) / (*female*) No, by all means.  (+4) ***(end)***
					3. Everyone makes mistakes.  (+2) ***(end)***
					4. You need to make the most of where you are.  (+4) ***(end)***
					5. Don't make me change my mind.  (-3) ***(end)***

#### Do you actually enjoy being an assassin?

(*available after first three conversations have taken place including "Can you teach others to be an assassin?"*)

1. You've never killed an innocent?
	1. That sounds like an excuse.  (-2)
	2. That's a very practical attitude.
	3. That's despicable! You're a murderer.  (-5)
	4. I suppose that's true  (-2)
2. I disagree completely.  (-7)
	1. That's different. I'm not an assassin.
	2. The darkspawn are monsters.
	3. Of course they have.
3. No, you're probably right.
	1. I take no pleasure in killing.  (-2)
	2. I enjoy violence, myself.  (+3)
	3. That's a bit sick  (-4)
	4. I know what you mean  (+3)
		1. Handsome elf like you? I can think of a few things.  (+3) (initiates romance)
		2. Why not? You can do whatever you like.  (+3)
		3. Don't you have any other skills?  (+1)
		4. No, I suppose not.

#### What is your opinion of the Dalish?

*(appears after visiting the Dalish Camp)*

*If the player sided with the werewolves and slaughtered the Dalish:*

1. The werewolves deserved their revenge.
2. I wouldn't have thought you'd have a problem with murder.  (-1)
3. I wasn't asking just about the one clan.  (-3)
	1. Do you feel that way because they're elven?  (-1)
	2. You're right. I apologize.  (+1)
	3. It was a simple question. ***(end)***

*After the above, or if the Dalish clan still lives:*

1. Zevran, that's horrible!  (+2)
2. Was the woodcutter your father?  (-1)
3. So you're an assassin and the son of a whore.  (-4)
	1. I am so sorry for you, Zevran.  (+2)
	2. What does this have to do with the Dalish? *(goes to "But how do you feel about the Dalish?" section)*
	3. And yet you're oddly cheerful about it all.
		1. You can say that again.  (+1)
			1. But how do you feel about the Dalish in general? ***(end)***
			2. Has there been no joy in your life at all?  (+1) ***(end)***
			3. But you don't think of yourself as Dalish. ***(end)***
			4. *(Dalish)* I know the sort of gloves you speak of. ***(end)***
		2. I am nothing like you.  (-10)
		3. You'd compare my life to yours?  (-4)
			1. I am no murderer.
			2. I am dwarven, and noble. *(Dwarf Noble only)*  (-3)
			3. I am human, and noble. *(Human Noble only)*  (-6)
			4. I don't believe in fate.
			5. You may have a point.  (-3)

#### Do you stare at everyone like that?

(Appears to require +26 and romance NOT active)

1. Not really, no.
2. Oh, I had no idea you were...
	1. I just can't trust you, Zevran.  (-10)
	2. Yes, I'd prefer you stopped  (-5)
	3. A gentleman? That's too bad. (If 2 was selected) You make me many things. Never uncomfortable.  (+4) (initiates romance)
	4. No, I really don't mind.  (+2) (initiates romance)
3. It does actually.  (-10)
4. I rather like it.  (+4) (initiates romance)

#### So tell me about your adventures.

(*after "Do you actually enjoy being an assassin?", appears only once*)

(requires at least **+26(warm)** status)

1. *(non-Elf)* One can never tell with you elves.  (-5)
2. You certainly talk like you've had adventures.
	1. The Crows were willing to anger the Circle of Magi?
	2. On your second mission?
	3. Meddling in politics how?
		1. After killing her anyhow.
		2. You used her? That's horrible!  (-5)
		3. And she didn't try to kill you?
			1. Were you upset?
			2. So you didn't actually kill her.  (+2)
				1. Except for the mage.
				2. You got lucky.
				3. These sort of things happen to you often?
					1. So you **never** mix business with pleasure? *(Ends conversation if romance is active with  (+2), otherwise:)*
						1. Already done!  (+6) (initiates romance)
						2. Oh, I wasn't talking about me...  (+2)
						3. Don't even think about it.  (-3)
						4. I think that can be arranged.  (+4) (initiates romance)
					2. That seems a little cold  (-3)
					3. A wise lesson to learn  (+4)
					4. You are a terrible person  (-10)
			3. That's terrible!
3. I meant your time as a Crow.
	1. Something more glamorous.
	2. Was it really so terrible?  (+2)
	3. Less whining, more action.  (-3)
4. If you don't want to talk, that's fine.
	1. How about a slap in the face? (**(cut off romance)** *if not already active*)
		1. You're a cad, you know that?  (-3)
		2. I was serious.  (-5)
		3. Yes.
	2. You...want to kiss me? (*if Romance is inactive*)
		1. Please don't do that. (-6) **(cut off romance)**
		2. In your dreams, Zevran.  (-3)
		3. If you're lucky.  (-1)
	3. If you're lucky.  (+2)
	4. No.
5. One can never tell with you elves.  (-5) *(as 1 above)*

#### So tell me more about your adventures.

*After the previous conversation, another branch opens up:*

1. If you like, certainly.  (+2)
2. That sounds like fun!  (+3)
3. Err... no, not that.
	1. I doubt it.
	2. You killed a prince?
		1. Is this sort of thing common in Antiva?
			1. What did you do?
			2. Seems like an odd way to run the country.  (-1)
				1. You got robbed? By urchins?
				2. Not very glorious, if you ask me.
				3. You're very lucky indeed.  (+1)
			3. That's hardly noteworthy.  (-5)
		2. Why not simply arrest him?
		3. So this was a very big deal?
	3. Don't be absurd.

#### So tell me more about your adventures.

(*if <71 (Adore) while Romance is active or before his encounter with Taliesen; or at <76 (Friendly) if Romance is not active*)

1. Why not? What's the problem?
2. It's all right. I understand.  (+2)
3. Don't be a tease. Out with it.  (-3)

#### Care to tell me about that last mission now?

(*requires having already spoken about his last mission; also 71+ Approval if Romance is active or personal quest completed and 76+ otherwise*)

1. Is this a story or a confession?  (-5)
2. What happened?
3. It failed? Or something else?
	1. You were **more** cocky and arrogant?  (+2)
	2. And how have you changed?
	3. And then what?
		1. Uh-oh.
		2. I sense a tragic ending.
		3. And you fell in love.
			1. That was utterly cruel.
			2. But that wasn't true.
			3. And you killed her?
				1. I'm so sorry.  (+2)
				2. You've said it yourself: Death happens.  (-3)
				3. You had no way of knowing that.
					1. One day it will.
					2. Why would he do that?
					3. So you felt guilty?
					4. I don't know what to say.
						1. That is awful, Zevran. I'm so sorry.  (+2)
						2. Do you still want to die?
						3. Why did you tell me this?
							1. You owe me nothing.  (+2) ***(end)***
							2. You bet your ass you do. ***(end)***
							3. I'm glad to have you with me.  (+4) ***(end)***
							4. I think I'm getting nauseous...  (-10) ***(end)***

### Can you teach others to be an assassin?

*(requires "What does it take to become an assassin?")* **After the "What does it take to become an assassin" conversation from above has taken place, this option becomes available:**

1. You don't think this is important?
2. And what if I ordered you to do it?  (-5) ***(end)***
3. Very well. I'll respect your word.  (+2) ***(end)***

## Zevran-prompted conversations

#### **Zevran:** "I've a question, if I may."

**When Zevran's approval is 26+ (Warm), approaching him for a conversation leads to this exchange instead of the usual options:**

1. You may not.  (-8) (return to normal conversation branch)
2. Is this really a good time?  (-2)
	1. I have something else to ask. ***(end)***
	2. No, ignore me. Let's get going. ***(end)***
	3. Fine. Go ahead and ask.
		1. *(Jump to "Go ahead.")*
3. Go ahead.
	1. Does your oath expire then?  (-2)
	2. Why would I do anything with you?
	3. Is this after I ravish you in celebration? (initiates romance) **If zevran's romance is not** CUT OFF **then you get  (+8)**
		1. I could always use a friend.  (+4)
			1. *If romance is active*
				1. No. Definitely not.  (-8) (ends romance) **(cut off romance)** ***(end)***
				2. We'll have to see, won't we?  (-2) ***(end)***
				3. I'd like that.  (+2) ***(end)***
			2. *If romance is not active* ***(end)***
		2. There's always a use or two for a handsome elf. (initiates romance) **If zevran's romance is not** CUT OFF **then you get  (+8) *(end)***
		3. I will always need a servant, trust me.  (-16) ***(end)***
		4. Not at all. You could go, if you wanted.  (+4)
			1. Why wouldn't you go, if you had the chance?
				1. *If romance is active*
					1. No. Definitely not.  (-8) (ends romance) **(cut off romance)** ***(end)***
					2. As a friend, perhaps. No more.  (-8) (ends romance) **(cut off romance)** ***(end)***
					3. We'll have to see, won't we?  (-2) ***(end)***
					4. I'd like that.  (+2) ***(end)***
				2. *If romance is not active*
					1. I truly doubt it.  (-4) **(cut off romance)** ***(end)***
					2. I could use a friend, perhaps. **(cut off romance)** ***(end)***
					3. I suppose that's true.  (+1) ***(end)***
					4. I'm already quite fond of you.  (+2) (initiates romance) ***(end)***
			2. There's always a use or two for a handsome elf. (initiates romance) **If zevran's romance is not** CUT OFF **then you get  (+8) *(end)***
			3. I could always use a friend.  (+4)
				1. *If romance is active*
					1. No. Definitely not.  (-8) (ends romance) **(cut off romance)** ***(end)***
					2. We'll have to see, won't we?  (-2) ***(end)***
					3. I'd like that.  (+2) ***(end)***
				2. *If romance is not active* ***(end)***
			4. I don't really care where you go.  (-8) (ends romance) ***(end)***
		5. I'll not hold you to any oath. Leave whenever you like.  (+2)
			1. Why wouldn't you go, if you had the chance?
				1. *If romance is active*
					1. No. Definitely not.  (-8) (ends romance) **(cut off romance)** ***(end)***
					2. As a friend, perhaps. No more.  (-8) (ends romance) **(cut off romance)** ***(end)***
					3. We'll have to see, won't we?  (-2) ***(end)***
					4. I'd like that.  (+2) ***(end)***
				2. *If romance is not active*
					1. I truly doubt it.  (-4) **(cut off romance)** ***(end)***
					2. I could use a friend, perhaps. **(cut off romance)** ***(end)***
					3. I suppose that's true.  (+1) ***(end)***
					4. I'm already quite fond of you.  (+2) (initiates romance) ***(end)***
			2. There's always a use or two for a handsome elf. (initiates romance) **If zevran's romance is not** CUT OFF **then you get  (+8) *(end)***
			3. I could always use a friend.  (+4)
				1. *If romance is active*
					1. No. Definitely not.  (-8) (ends romance) **(cut off romance)** ***(end)***
					2. We'll have to see, won't we?  (-2) ***(end)***
					3. I'd like that.  (+2) ***(end)***
				2. *If romance is not active* ***(end)***
			4. I don't really care where you go.  (-8) (ends romance) ***(end)***
	4. You could go, if you wanted.  (+4)
		1. Why wouldn't you go, if you had the chance?
			1. *If romance is active*
				1. No. Definitely not.  (-8) (ends romance) **(cut off romance)** ***(end)***
				2. As a friend, perhaps. No more.  (-8) (ends romance) **(cut off romance)** ***(end)***
				3. We'll have to see, won't we?  (-2) ***(end)***
				4. I'd like that.  (+2) ***(end)***
			2. *If romance is not active*
				1. I truly doubt it.  (-4) **(cut off romance)** ***(end)***
				2. I could use a friend, perhaps. **(cut off romance)** ***(end)***
				3. I suppose that's true.  (+1) ***(end)***
				4. I'm already quite fond of you.  (+2) (initiates romance) ***(end)***
		2. There's always a use or two for a handsome elf. (initiates romance) **If zevran's romance is not** CUT OFF **then you get  (+8) *(end)***
		3. I could always use a friend.  (+4)
			1. *If romance is active*
				1. No. Definitely not.  (-8) (ends romance) **(cut off romance)** ***(end)***
				2. We'll have to see, won't we?  (-2) ***(end)***
				3. I'd like that.  (+2) ***(end)***
			2. *If romance is not active* ***(end)***
		4. I don't really care where you go.  (-8) (ends romance) ***(end)***

#### **Zevran:** "I did not thank you. It occurs to me now...and I the benefactor. So... thank you.

*(Encounter with Taliesen must be completed, minimum +76(friendly) approval status needed. This conversation does not appear if already in romance.)*

1. We are friends, Zevran. I was glad to do it.  (+2)
2. It's about damned time.  (+1)
3. You're welcome.  (+1)
4. There's no need.  (+2)
	1. **(male)** We are comrades-in-arms./**(female)** I consider you a friend, as well.  (+2)
		1. I think that's an excellent plan.
		2. You don't need to die either, you know.
		3. You never know what's going to happen.
		4. I don't need any help.
	2. We're not really friends, Zevran.  (-15) ***(end)***
	3. I did what I had to. That's it.  (-20) ***(end)***
	4. I think of you as more than a friend.  (+4) (initiates romance) ***(end)***

#### **Zevran:** "Tsk. You look so tired, my dear. It is all this constant walking and fighting. I think I know what you need."

*(Romance is active, 71+/Adore)*

1. Oh? This I have to hear.
2. A horse?
3. A good night’s rest, maybe.
4. Well I doubt you can give it to me.  (-1)
	1. That sounds good to me.  (+14) **(to E)**
	2. You must be joking.  (-15) **(to B)**
	3. Are you suggesting what I think you are? **(to A)**

**(A)**

1. That sounds good to me.  (+14) **(to E)**
2. You must be joking.  (-15) **(to B)**
3. Zevran, I… don’t know about this… **(to D)**
4. Are you sure about this? **(to D)**

**(B)**

1. Zevran, I… don’t know about this… **(to D)**
2. How about the fact that you're an assassin?  (-5) **(to C)**
3. A great many reasons, actually.  (-10) (ends romance) ***(end)***
4. There is someone else.  (-10) (ends romance) ***(end)***
5. I suppose not...  (+10) **(to E)**

**(C)**

1. I still don't trust you.  (-10) (ends romance) ***(end)***
2. It doesn't matter.  (-10) (ends romance) ***(end)***
3. There is someone else.  (-10) (ends romance) ***(end)***
4. Zevran, I… don’t know about this… **(to D)**
5. You're right.  (+12) **(to E)**

**(D)**

1. No. This is not going to happen. Ever.  (-10) (ends romance) ***(end)***
2. We’re not exactly alone… *(romance remains active)* ***(end)***
3. There is someone else.  (-10) (ends romance) ***(end)***
4. Not here, not now.  (-5) *(romance remains active)* ***(end)***
5. No, I’m definitely of a mind.  (+7) *(love-making cutscene)*

**(E)**

1. I'll leave that up to you.  (+1) *(love-making cutscene)*
2. It won't. Ever. Trust me.  (-20) (ends romance) ***(end)***
3. Let's not go there, shall we?  (-15) *(romance remains active)* ***(end)***
4. I'm sure I'll think of something.  (+1) *(love-making cutscene)*

### Do you stare at everyone like that?

*(at 26+, if Romance has not been cut off, but the Warden hasn't flirted with Zevran and treats him like a friend)*

1. Not really, no.
	1. I just can't trust you, Zevran.  (-13)
	2. Yes, I'd prefer you stopped.  (-5)
	3. A gentleman? That's too bad.  (+4) (initiates romance)
	4. No, I really don't mind.  (+2) (initiates romance)
2. Oh, I had no idea you were... *(male only)*
	1. I just can't trust you, Zevran.  (-10)
	2. Yes, I'd prefer you stopped.  (-5)
	3. A gentleman? That's too bad.  (+4) (initiates romance)
	4. You make me many things. Never uncomfortable  (+4) *(Human Noble or Mage only) (begins romance)*
	5. No, I really don't mind.  (+2) (initiates romance)
3. It does, actually.  (-10)
4. I rather like it.  (+4) (initiates romance)

## Given preferred gifts

### **Antivan Leather Boots**

Giving the gift produces  (+15) from Zevran (with diminishing returns)

**Zevran: "I don't know how you knew I was missing my homeland, but this does the trick nicely. Thank you."**

1. You're quite welcome.  (+2)
2. What are you waiting for? Try them on.  (+2)
3. Yes, yes, no need to get teary-eyed.  (+2)

### **Dalish Gloves**

Giving the gift produces  (+10) from Zevran (with diminishing returns).

"Gloves? You're giving me gloves? What for?"
1. They're Dalish gloves. Like your mother's.
2. I thought you might like them?
3. If you don't want it, give it back.  (-1)
4. Now that's gratitude for you.
	1. It was nothing.
	2. You're welcome.
	3. It was not cheap.  (-2)

## Romantic Conversations

### You seem different now.

**This option appears only after having Zevran refuse to join you in your tent, which he will do if he has given you his earring**

1. Yes, I want to know what’s changed.
2. If you don’t want to talk, that’s fine.
3. Do you want your earring back? Is that it?  (-3)
4. Are you having second thoughts about us?
	1. Are you saying you’re in love with me?
	2. That’s all it is to me, Zevran.  (-15) (ends romance)
		1. I’m sorry you feel this way. ***(end)***
		2. This doesn’t mean we can’t be friends, I hope. ***(end)***
		3. We don’t need to end this, Zevran. ***(end)***
	3. Don’t go there. Seriously.  (-20) (ends romance)
		1. I’m sorry you feel this way. ***(end)***
		2. This doesn’t mean we can’t be friends, I hope. ***(end)***
		3. We don’t need to end this, Zevran. ***(end)***
	4. I know what you mean.  (+2)
		1. I am no wiser than you in that area, Zevran.
			1. I don't know. But I know how I feel about you.  (+5)**(end)**
			2. I hope so.  (+2) ***(end)***
			3. No. I don't think so.  (-18) (ends romance)
				1. I’m sorry you feel this way. ***(end)***
				2. This doesn’t mean we can’t be friends, I hope. ***(end)***
				3. We don’t need to end this, Zevran. ***(end)***
			4. I do. And I feel the same way.  (+3)
			5. I don’t feel the same way, I’m sorry.  (-15) (ends romance)
				1. I’m sorry you feel this way. ***(end)***
				2. This doesn’t mean we can’t be friends, I hope. ***(end)***
				3. We don’t need to end this, Zevran. ***(end)***
			6. Maybe it would be better for you if we stopped.  (-2)
				1. I don't know. But I know how I feel about you.  (+5) ***(end)***
				2. I hope so.  (+3) ***(end)***
				3. No. I don't think so.  (-18) (ends romance)
					1. I’m sorry you feel this way. ***(end)***
					2. This doesn’t mean we can’t be friends, I hope. ***(end)***
					3. We don’t need to end this, Zevran. ***(end)***

### You must have quite a history. With women, I mean.

If the Warden is male, this question may appear as "Have you always been...?" and the conversation will be about his history with men. (tested with male Dalish warden, max coercion)

1. I asked, didn't I?  (+2)
2. That many, I take it?
3. Perhaps you're right. I'd rather not know.  (-5) ***(end)***
	1. Should it?  (+1)
	2. You're joking.
	3. You enjoy other men?
		1. What reasons are those?
		2. I'm not all right with that, Zevran.  (-15) (ends romance) ***(end)***
		3. You're not with the Crows anymore.
		4. I think I understand.  (+2)
			1. Yes, it's good we know now.  (-13) (ends romance)
			2. It doesn't bother me, Zevran.  (+2)
			3. You sound like you've been through a lot.  (+2)
			4. We all have a past, don't we?  (+2)

* I want you to leave.
* We need to end this.-20 - -46 Approval
* Never mind.

### ***Easy Lover***

#### **Exploit**

(Romance must be active.) *This is really NOT necessary as even without it, each subsequent "trip to the tent" garners  (+1), and that is generally not considered an exploit. However, if your first invitation does not result in the cutscene, it leaves an opportunity for unlimited approval in the follow-up conversation.* (You can still complete the romance after maxing out your approval.)

First, use these answers to unlock the second conversation:
* I want to discuss something personal.
	+ Care to join me in my tent?
		- I was only joking, really. Just forget it.
			* Fine. Get in my tent. No more questions.
				+ That's… not what I had in mind.  (+4) ***(end)***

**Now speak to him again and use the following answers. This is repeatable as long as the cutscene is not achieved, with no limit -  (+7) every time.**
* I want to discuss something personal.
	+ Care to join me in my tent?
		- Enough with the coy bit. Get in the tent.
			* That's… not what I had in mind.  (+7) ***(end)***

#### **Now the complete conversation, for those unconcerned with the exploit.**

*(The options marked with <== will garner the most positive approval; the cutscene yields  (+11) on top of what is shown below.)*

* I want to discuss something personal. <==
* Care to join me in my tent? <==

1. **That is my specialty, or so I'm told**
	* I bet you're good at a lot of things. *(to 2)*
	* I just want to talk to you… in private *(to 3)* <==
	* Hm. I'd forgotten about that part. *(to 5)*
	* I was only joking, really. Just forget it. *(to 8)*
2. **…if we are both speaking of the same thing.**
	* I suspect we are. **(cutscene)**
	* Does this coy thing work for you much? **(cutscene)**
	* All right. The moment has passed. Forget it.  (-2) ***(end)***
	* No. We're not.  (-1) ***(end)***
3. **The Midsummer Dance?**
	* You'll find out. Just get in the tent. No questions.  (+3) *(to 9)* <==
	* It wouldn't be private if we talked about it here. *(to 4)*
	* Let's just foget about it. *(to 8)*
4. **If it is a simple talk, perhaps we can have it in the morning?**
	* Be coy then. In your own tent.  (-5) ***(end)***
	* Fine. Get in my tent. No more questions.  (+3) *(to 9)*
	* I don't just want to talk.  (-2) *(to 2)*
5. **How lucky you are to have eluded me so**
	* Except that it was my idea to start with. *(to 6)*
	* Let's just forget about it.  (-1) *(to 8)*
	* If you'd like to take another shot at it, feel free.  (-3) *(to 7)*
6. **Whatever could it mean?**
	* All right. The moment has passed. Forget it.  (-1) ***(end)***
	* You never know when to let it go, do you? ***(end)***
	* You'll find out. Just get in the tent. No questions.  (+2) *(to 9)*
	* I want to get to know you. Intimately.  (+2) **(cutscene)**
7. **…providing a few rules of engagement are agreed upon.**
	* Which rules of engagement might those be? *(to 9)*
	* I set the rules, here. Get in my tent. No questions.  (+5) *(to 9)*
	* I think we can… work something out. **(cutscene)**
	* Let's just forget about it.  (+2) *(to 8)*
8. **Ask and you shall receive.**
	* You never know when to let it go, do you?  (-2) ***(end)***
	* No. I said forget it, and I meant it.  (-8) ***(end)***
	* Fine. Get in my tent. No more questions. *(to 9)*
	* I want to get to know you. Intimately. **(cutscene)**
9. **You may be forced to resort to other measures**
	* All right. The moment has passed. Forget it.  (+3) ***(end)***
	* That's… not what I had in mind.  (+4) ***(end)***
	* I'll see what I can do. / I think that can be managed. **(cutscene)**
	* I say it's about damned time.  (+7) **(cutscene)** <==

**If the first invitation back to your tent ended without the cutscene, this follow-up conversation is unlocked, including an exploit (see above):**

* I want to discuss something personal.
* Care to join me in my tent?

1. I'm sure we could figure something out. **(cutscene)**
2. Enough with the coy bit. Get in the tent.
	1. All right. The moment has passed. Forget it.  (+7) ***(end)*** *(repeatable)*
	2. That's… not what I had in mind.  (+7) ***(end)*** *(repeatable)*
	3. I'll see what I can do. / I think that can be managed. **(cutscene)**
	4. I say it's about damned time.  (+7) **(cutscene)**
3. Fine, if you don't **want** to. ***(end)***
4. Never mind, then. ***(end)***

### Pillow Talk

**After cutscene:**

1. * You're practically a public menace. *(to 3)* <==
	* Here I thought I seduced you. *(to 3)*
	* Too bad it wasn't more enjoyable, then.  (-12) *(to 3)*
	* We should probably talk…  (-8) *(to 2)*
2. **What is on your mind?**
	* How do I know this isn't part of your plan?  (-3) *(to 4)*
	* This doesn't change anything, you know that right? *(to 6)*
	* I need to know what this means *(to 6)*
	* This can't happen again.  (-15) (ends romance) ***(end)***
3. **What now?**
	* How do I know this isn't part of your plan?  (-3) *(to 4)*
	* I was about to ask you the same thing. *(to 6)* <==
	* Now we go on as before. *(to 6)*
	* Was this a one-time thing? *(to 6)*
	* This can't happen again.  (-15) (ends romance) ***(end)***
4. **Poisons… killing you as we speak**
	* I am serious  (-2) *(to 5)*
	* Is that a denial? I can't tell.  (-7) *(to 5)*
	* I'm sorry. I shouldn't have brought that up. *(to 5)*
5. **And cast rather well, I might add.**
	* You're right. I guess it is too late. *(to 6)*
	* I can't accept that. This can't happen again.  (-15) (ends romance) ***(end)***
	* So what does this mean, then? *(to 6)*
	* Does this change anything? *(to 6)*
6. **I shall ask nothing more of you than you are willing to give.**
	* So… easy come, easy go? ***(end)***
	* And what about love?  (-5) ***(end)***
	* That sounds fine by me.  (+2) ***(end)*** <==
	* I think it's best to end this here.  (-15) ***(end)***

After the cutscene is achieved, you can invite Zevran back to your tent as many times as you wish, though there is a kiss and a remark, but no additional cutscene.  (+1) every time.

### **Antivan Poetry:**

Initiated by Zevran. Starts when the Warden queues a conversation with him. *Conversation triggers at 71+ (Adore). It starts differently if there is another Romance partner* also *at 71+ (Adore) to incorporate into Zevran's jealousy conversation. In that case, the Warden has to choose Zevran before seeing this.*

* **Zevran: "You wish to talk? Ah, good! I have a question for you. How well-versed are you in poetry? Antivan poetry specifically."**

1. I know nothing of poetry.
2. This is your question?  (-1)
3. I know a good poem when I hear it.  (+2)
4. I don't really have the time for this.  (-10) *(He drops it and you can ask normal questions.)*
	1. Oh dear..
	2. What is that? Sex poetry?
	3. This was told to you by a target?
	4. That is cringe-worthy at best.
		1. And why are you telling it to me?
			1. You think I'm handsome, do you? *(Male Warden)*
			2. You think I'm lovely, do you? *(Female Warden)*
			3. I don't feel unhappy.
			4. These aren't the best of times, you know.
			5. I appreciate the effort.  (+2)
			6. Don't bother.  (-5) ***(end)***
				1. I think I do the same, actually.  (+2) ***(end)***
				2. I'll keep that in mind. ***(end)***
				3. "Served you well?" Don't be an idiot.  (-10) ***(end)***
				4. Thanks for the patronizing suggestion.  (-3) ***(end)***
		2. So you thought to seduce me with it?
			1. It might.
			2. Don't bet on it.  (-2)
			3. Not interested. At all.  (-10) (if unconsummated, ends romance)
				1. You think I'm handsome, do you? *(Male Warden)*
				2. You think I'm lovely, do you? *(Female Warden)*
				3. I don't feel unhappy.
				4. These aren't the best of times, you know.
				5. I appreciate the effort.  (+2)
				6. Don't bother.  (-5) ***(end)***
					1. I think I do the same, actually.  (+2) ***(end)***
					2. I'll keep that in mind. ***(end)***
					3. "Served you well?" Don't be an idiot.  (-10) ***(end)***
					4. Thanks for the patronizing suggestion.  (-3) ***(end)***
		3. You killed her anyway?  (+2)
			1. I am... utterly speechless. And appalled.  (-7)
			2. Well if it was **hours**...
			3. It's good to know you have standards.  (-2)
			4. You are a saint amongst men, Zevran.  (+2)
				1. You think I'm handsome, do you? *(Male Warden)*
				2. You think I'm lovely, do you? *(Female Warden)*
				3. I don't feel unhappy.
				4. These aren't the best of times, you know.
				5. I appreciate the effort.  (+2)
				6. Don't bother.  (-5) ***(end)***
					1. I think I do the same, actually.  (+2) ***(end)***
					2. I'll keep that in mind. ***(end)***
					3. "Served you well?" Don't be an idiot.  (-10) ***(end)***
					4. Thanks for the patronizing suggestion.  (-3) ***(end)***

## Back Alley - Taliesen fight

***Note:** Tested with Friendly approval rating - no romance. This is the conversation you have at 26+ Warm. It is different with various approval ratings -- 25 neutral/blank and below, in a romance between 26+ interested and 70 Care, and in a romance at 71+ Adore. There is a major bug in this conversation for wardens in a romance with Zevran; if it ends with a public kiss, the romance will never update to love.*

**You can return with me, Zevran. I know why you did this, and I don't blame you. It's not too late. Come back and we'll make up a story. Anyone can make a mistake.**

***Note:** Neither option affects approval.*

1. Of course I'd need to be dead, first.
2. Zevran doesn't need the Crows any longer.
3. Zevran belongs with me now. (with romance and 71+ Adore)
4. Fine. I'll kill you all, if you prefer.
5. Don't listen to him, Zevran!

***After the fight***

1. So what does this mean? -> ***The decision***
2. That's a good thing, right?  (+2) -> ***The decision***
3. So long as nobody tells them, as well.
	1. Only if I'm forced to.
		1. You need to stay here, and uphold your oath.  (-20) ***(end)***
		2. You need to leave. And never come back. (Zevran leaves)
		3. You need to go. Find your own life... or else. (Zevran leaves)
		4. It's simply a "just in case" thing.  (-15)
	2. Why would I?  (-3) -> ***The decision***
	3. Don't be ridiculous. -> ***The decision***

***The decision***

1. (Persuade) Don't you want to stay for the treasure?  (+2)
2. You made an oath. I think you should keep it.  (-10)
	1. (Intimidate) I suggest you reconsider your travel plans.  (-20)
	2. (Persuade) Don't you want to stay for the treasure?  (+2)
	3. I ask that you stay as a friend.  (+4)
	4. Very well. If you want to go, then go. (Zevran leaves)
3. I wish you would stay. I need your help.
	1. (Persuade) Don't you want to stay for the treasure?  (+2)
	2. I ask that you stay as a friend.  (+4)
	3. Don't let me keep you. Go, if you like. (Zevran leaves)
4. I doubt I'll need your help. Go, if you like. (Zevran leaves)

***The decision (with romance and 71+ Adore)***

1. I would be glad to have you stay.
2. You'd better not leave! I would be sorely put out.
3. If you want to go, you should go.
	1. Of course, I want you to stay.
	2. Go then. I want you to go.(Zevran leaves)
	3. I want you to do what's best for you.
		1. If that's what you want, then yes.
		2. It would be hard to kiss you if you left. (you kiss and Zevran's status never updates to love)
		3. No, maybe you should go after all.(Zevran leaves)
	4. No, I don't need your help. (Zevran leaves)
4. I doubt I'll need your help. Go, if you like. (Zevran leaves)

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