recursal/Fanatic-Fandom huggingface dataset:
U toons up

*Variety*

'**Computeropolis,' 'Zina,' 'Operation,' 'Garza' on upcoming release sked**

MARCH 12, 2002

Universal Feature Animation and Gingo Animation have set its schedules for the next three years.

Following the previously announced “Magina,” which has already been slated for spring 2003, UFA will release “Computeropolis” as their 2004 entry.

“Computeropolis,” an action-adventure CGI comedy directed by “Paint World” helmer Audel LaRoque and executive produced by U animation guru Michael Wildshill, is about a teenage boy who got lost in the internet world while trying to make his own video game (Daily Variety, Oct. 23, 2001).

It is expected to be released in 2004.

Gingo, which produced “Paint World” and will release “The Gabriel Garza Movie” this summer, is moving forward on “Zina and the Vivid Crew,” the toon studio’s third feature about a young fearless girl that fights evil in space. Pic is being directed by Gingo founder and “Gabriel Garza” creator Geo G. and is set to bow Thanksgiving 2004. A TV series will also arrive in fall 2005.

Slated for summer 2005 is “Operation School,” which will mark U animator Steve Samono’s first trip to the director’s chair. Pic, also CGI, will follow a group of students who are sent to an agency to save the day. It will be followed by Gingo’s “Gabriel Garza: Unleashed,” the first CGI pic in the Gabriel Garza series, due for release in holiday 2005.
AMC Theaters Are Staying Up For Over 24 Hours for ‘Ico’

AMC Theatres is bracing for one of the biggest Thanksgiving weekends ever at the box office when Sony’s “Ico” opens Tuesday evening.

Seventeen of the theater chain’s locations are scheduled to remain open for more than 72 hours straight to accommodate demand for the opening weekend of the Sony Pictures film, which is expected to break sales records, the Leawood, Kan.-based company said Monday.
‘Gabriel Garza 3’ Leaving Netflix in May 2019

by Kasey Moore  @kasey\_\_moore on April 1, 2019, 9:48 am EST

***Gabriel Garza 3* will be leaving Netflix in the United States and Canada in May 2019 having streamed on the service for a year and a half. Here’s why it’s leaving and where it’ll likely end up streaming next.**

The third film in the seires released in cinemas back in 2017 and fortunately released on Netflix.

Netflix in both the United States and Canada saw the release of the title on Netflix on November 1st, 2017.
The removal date for *Gabriel Garza 3* is May 1st, 2019.

#### Where will *Gabriel Garza 3* be streaming next?

The logical conclusion, the movie will move over to GingoDirect shortly afterwards.
China Box Office: 'Paradoria 2' Trails Past 'P Storm'

*Variety*

Universal Animation's "Paradoria 2: Enchanted Realm" has trailed into the lead at the China box office during the weekend. The film made $54.6 million in its three-day weekend, including $20.6 million on its opening day, according to data from Artisan Gateway.

Hong Kong's "P Storm" dropped into second place with $18.5 million haul in its second weekend, down 55% from its $39.8 million opening, according to data from Artisan Gateway.

Indian black comedy "Andhadhun" pulled ahead of Warner Bros.' "Shazam!" into third place with $10.3 million over the weekend, more than double the Hollywood blockbuster's earnings of $4.8 million.

"Shazam!" dropped to fourth, and advanced its cumulative to $40.4 million after 9 days in Chinese cinemas. But with an 85% tumble from its opening weekend score of $30.6 million, its prospects are fast dimming.
'Paradoria 2' Eyes $195M-$200M Box Office Start, Will Turn Out Lights On ‘Terminator: Dark Fate’

*Deadline*

Last weekend didn’t start the fire at the November box office after Paramount/Skydance Media/Fox’s mechanical breakdown with *Terminator: Dark Fate,*which is set to lose $130 million off an estimated combined $325M production and global P&A cost and $29M stateside opening.

This weekend, Universal's Paradoria 2, a sequel to 2015's Paradoria is being released this weekend, which is seeing a $195M-$200M start, enough to take the breath out of the James Cameron-produced *Terminator* sequel and take No. 1 for the frame. Meanwhile, Warner Bros in a rare move for its genre product opens *Doctor Sleep,*Mike Flanagan’s feature adaptation of Stephen King’s 2013 novel and sequel to his 1977 tome *The Shining,* which is seeing a $25M-$30M start. With Veterans Day falling on a Monday this year, the overall marketplace gets a bit of a boost.

Personally, I think *Doctor Sleep*is one of the best horror thrillers, up there with *The Sixth Sense*in its story of a grown-up but spiritually gifted Danny Torrance (Ewan McGregor), who meets a younger girl with the same haunted gifts, with both taking on a cult of wackos led by Rose the Hat (the sublime Rebecca Ferguson) who kill children who possess “The Shining.” Not to mention what Flanagan pulls off in re-creating Stanley Kubrick’s *The Shining*hotel is pretty amazing, and is up there if not better than what Steven Spielberg pulled in *Ready Player One.*I expound on all of this because there’s a chance that *Doctor Sleep*has the potential to, no pun, sleep its way to big numbers in what will be a *Frozen 2*Thanksgiving marketplace.

However, some are betting on the lower end of projections for *Doctor Sleep* based on its soft overseas start ($5.6M) from the UK, Italy, Portugal, Spain, and France, the pic’s 2 1/2-hour running time (I thought it ran at a fast clip), and level of scares. There’s also *Doctor Sleep*‘s Rotten Tomatoes score at 75% fresh, which is alright though below the 93% of Jordan Peele’s *Us,*the 98% of *Get Out,* and the 86% of *It,*but higher than the 57% Rotten of King’s latest *Pet Sematary* and *It Chapter Two*‘s 63% fresh. *Doctor Sleep*‘s strong suit is with younger demos and female, and in tracking actually looks stronger than *Pet Semetary*did when it opened to $24.5M.

*Doctor Sleep*is booked at 3,800 locations, also playing in Dolby, PLF, Dine Ins and Drive Ins. Previews kick off Thursday at 6 PM
Anne Hathaway Departs Universal Animated Sequel 'Computeropolis 2'

*Deadline*

April 22, 2007

Here is the most shocking part. Anne Hathaway have exited the Universal Feature Animation's sequel *Computeropolis 2*, three months before its release. Hathaway was announced back in December 2005 that she is signed to voice Vinna Binz in the sequel to the 2004 Universal animated hit slated to be released on July 6, 2007. Hathaway have done a lot of voice work, but ultimately her exit came down to creative difference.

The studio confirmed Hathaway's exit, and has stated: “Over the production of *Computeropolis 2*, there were creative differences between us and Anne Hathaway, who had been cast as the voice of Vinna Binz in the film. We have mutually decided with Anne to replace the voice of Vinna with a new actress. Universal thanks Anne for her many contributions to the process and look forward to a new actress bringing this memorable character to the screen upon its release this summer.”
Universal's 'Paradoria 2' Stuns With Huge $27.7 Million Thursday (Box Office)

*Forbes*

Okay, so either Universal's $200 million-budgeted sequel *Paradoria 2*is playing like a top-tier superhero movie, or we're looking at one of the very biggest opening weekends of all time. That's the short version of how to dissect a whopping $27 million Thursday preview figure, the biggest of all time for both a November release and an animated film. With generally positive reviews, audiences are seemingly happy to show up and rush to see this highly anticipated and very talked about sequel.

I don't mean to sound snarky. I appreciated that *Paradoria* 4 years ago, wasn't expected to be a big or huge film but ended up overperforming. Fair or not, audiences can't complain about sequels ever again. Anyway, Steve Stamono's sequel to the blockbuster 2015 animated feature indeed earned $27 million in Thursday previews last night. Thanks to hugely popular IP and a media-friendly vocal cast (Finn Wolfhard, Tom Cruise, AnnaSophia Robb, Zoe Saldana, Paul Giamatti, Madelaine Petsch, Maya Rudolph, etc.), the magical kingdom is more bigger than ever.

If it plays like *Captain America: Civil War*or *Avengers: Age of Ultron*($191 million from a $27 million Thursday in 2015), we're looking at a $172 million-to-$185 million Fri-Sun debut, which is just below the $191 million launch of the *The Lion King*remake(with a $23 million Thursday preview) back in July of this year. If it plays like *Black Panther*, not unlikely as Monday isn't a holiday, it's a $208 million launch, or just barely above *Black Panther*.

If it plays like *Batman v Superman*($166 million from a $27 million launch) or *Avengers: Infinity War*($257 million/$39 million), then it'll have to settle for a mere $151 million-to-$162 million debut weekend. The doom-n-gloom scenario, *Harry Potter and the Deathly Hallows Part II*($169 million on this weekend in 2011 from a $43 million midnight gross), gets it to $120 million by Sunday. That isn't happening, but that's the math just in case.

The gonzo bananas hope is that it still plays like an animated flick/family movie (in terms of weekend legs compared to Thursday previews) despite the *Twilight*-like Thursday numbers. Think legs over the weekend like *Beauty and the Beast, Toy Story 4*($120 million/$12 million last month)or *Incredibles 2*($182 million/$18.5 million in 2018). If that miracle occurs, then we're looking at a $237 million-to-$256 million opening weekend, which would be comparable to *Avengers: Infinity War*($257 million in 2018). I'd argue that's about as plausible as the *Twilight*/*Dark Knight Rises*comparison, but there you have it.

So, what's the likely weekend scenario? Well, with numbers this huge, your guess is as good as mine. But, at a glance, I'd wager something closer to *Incredibles 2*($182 million) than *Beauty and the Beast*($174 million), although if audiences really just wanted a good sequel, then we could be looking at a sky-high opening weekend over/under *The Lion King*($191 million). With all due respect to the ridiculous level of technical craft that went into the movie, that's a little dispiriting.
Box Office: 'Paradoria 2' Tops $900 Million

*Forbes*

With the final Thursday figures rolling in, Universal’s *Paradoria 2*has earned $13.5 million (-50%) on its second Thursday, bringing its 14-day domestic cume to $464.661 million. So, after 14 days, the Steve Stamono-directed and Tom Holland-starring sequel passed the unadjusted $460.9 million gross of the original *Star Wars*, including its re-releases. And $200 million flick has earned $900 million worldwide, in only 14 days, faster than the original film.

The film earned mostly positive reviews (and not a little pre-release speculative handwringing) on its way to a $227.959 million opening weekend. By being a one-size-fits-all blockbuster for those craving a non-Disney animated sequel, an animated film, and a seasonally-appropriate Thanksgiving movie, the film is already nearing $500 million. If the film ends up with good legs and a 2.9x multiplier, it'll be at $660.9 million domestic, not a guarantee but within the realm of possibility, it will be Universal's biggest film of all time domestically. By the end of this weekend, despite the competition of *Frozen II*, it will no doubt pass the unadjusted worldwide grosses of *Despicable Me 3* of $1.034 billion. The film will likely end its worldwide total between the grosses of *Avengers: Age of Ultron* ($1.402 billion) and *Jurassic World* ($1.670 billion), if its closer to *Jurassic World*, it'll be the biggest animated film of all time worldwide, and if it ends up closer to *Avengers 2*, it'll end up being the second biggest animated film of all time worldwide. Domestically, it'll obviously be the biggest animated film domestically.
'Paradoria 2' Bumps Chinese Release Date

*Deadline*

The Chinese release date of *Paradoria 2* has been pushed back from November 8, 2019 to its original date: December 13, 2019, Deadline has learned.

This would help give the Chinese audience more attention and benefit the holiday season through its new year. Paradoria 2 has upcoming markets in its release: Colombia, Denmark, Finland, Indonesia, Netherlands, Norway, Portugal, Sweden (November 6th), Russia, Brazil and South Africa (November 7th), US, Canada, Mexico, Saudi Arabia, UAE (November 8th), Italy (November 14th), Hungary and Japan (November 22nd), France and Belgium (November 27th), Germany (November 28th), Spain (November 29th), and South Korea (December 25th).
Universal Postpones BJ and Wally

By Rick DeMott | Friday, December 10, 2004 at 12:00am

In Films, Films | Headline News | Geographic Region: All

Universal said it would now release Gingo's BJ AND WALLY in July 2006 rather than December 2005. The move comes the same week that DreamWorks Animation SKG is moving SHREK 3 from November 2006 to May 2007, which happened to be the day after Disney postponed its Pixar release CARS from November 2005 to June 2006.

The reason for the delay is not because of production issues but to maximize the film's box office revenue. The studio's recent animated release COMPUTEROPOLIS, released July 2, has grossed more than $540 million worldwide. It trails DreamWorks' SHREK 2 and Disney/Pixar's THE INCREDIBLES as the year's most popular animated release. A sequel is underway at the studio for a 2007 release.

Universal/Gingo still plans to release ZINA AND THE VIVID CREW on December 22 of this year.

Universal also moved its next 3D-animated film, M.I.S.S.I.O.N., two weeks later from June 17 to July 1, 2005, while the Gingo release METRO CONE was moved back a year earlier from July 2006 to November 23, 2005.

The subsequent release schedule consists of: \*M.I.S.S.I.O.N. -- July 1, 2005\* METRO CONE -- Nov. 23, 2005\* CURIOUS GEORGE -- Feb. 10, 2006\* BJ AND WALLY -- July 7, 2006\* BIG HERO 6 -- Dec. 20, 2006\* COMPUTEROPOLIS 2 -- July 6, 2007\* FUSIONMANIA -- 2007\* DAVE & JOE -- 2008
‘Paradoria 2’ to Cast a Spell For a $340M Global Opening

Here comes *Paradoria 2*to the rescue and to set the box office back on track.  The domestic comp to last year has been off by as much as 5% which isn‘t as bad as it was earlier in the year. Well, business is about to get better for 2019 as *Paradoria 2,*the first Universal Animation movie since June’s *Computeropolis: The Deep Web*is hoping to rocket-charge to a **$160M** start in U.S./Canada and a **$340M** worldwide opening, which would be higher than any animated film in history and a record start for a November film. What’s giving further juice to the lofty *Paradoria 2*stateside forecast is that we’re hearing the pic’s advance ticket sales are beating that of Incredibles 2, The Lion King, and even *Star Wars: The Last Jedi* which had an opening that was over $200 million. *Paradoria 2*reps the studio’s first non-Computeropolis sequel. Anyway you cut this, *Paradoria 2*is bound to be not only a huge win for family-driven fare at the box office, but a triumph for kids and families worldwide. Yes, tracking does show a $160M-$175M start for the Tom Holland-AnnaSophia Robb movie here (Holland’s second animated film after *Cool Spot*) in the U.S at 4,500 theaters, but industry projection believe that the marketplace is just salivating for a great animated five-quad movie. It’s just been too long. Should *Paradoria 2*fall short of $160M, yet north of $100M, the Paradorians will still be fine, and know that tracking isn’t exact for any movie once it’s projected past the century mark. *Paradoria 2*is already 100% certified fresh on Rotten Tomatoes from 93 reviews and buzz has been over the moon since screenings and the Hollywood world premiere last night. Of *Paradoria 2*‘s domestic theater count, 3,000 will be 3D locations and she’ll have the full suite of Imax’s 400 hubs, 750+ PLF screens, and 250 D-Box/4D locations. Line-up or go on-line to buy your tickets because previews start at 6pm Thursday in U.S./Canada. *Paradoria 2* will also have the widest animated Imax opening of all time on 1,360 screens worldwide, particularly boosted by China. Along with the Middle Kingdom, 3D and PLF screenings will be a major draw in markets like the UK, Korea, Russia, Mexico and Brazil. In regards to the rest of the world, *Captain Marvel*takes off tomorrow in majors that include France, Italy and Korea. From there, Carol Danvers adds Germany, Russia, Brazil and Australia on Thursday and essentially all other markets, including the UK, Spain, Mexico and China, on Friday (but not Germany which goes November 14). Industry sources are pegging the offshore opening at anywhere from **$160M-$180M** with some seeing it at **$200M+**; a lot of that depends on China.
Bactéria do Sexo sem Camisinha

A **Bactéria do Sexo sem Camisinha** foi uma bactéria criada pelo Monstro Microscópico para combater seus inimigos que possuíam um gosto particular por atividades sexuais.

## Características

Apesar de ser a forma evoluída de alguns Monstros Microscópicos, a Bactéria apresentava uma forma bastante diferente. Seu corpo era longo e robusto, suas pernas eram muito mais grossas e sua boca era em forma de um par de pinças. Diferente do Monstro, a Bactéria possuía um enorme par de olhos e outro de chifres bem acima. Abaixo deles, haviam tubos e esferas que eram utilizados para disparar e armazenar DSTs.

## História Protocolada

A Bactéria foi criada pelos Monstros em 3566 com o único propósito de eliminar os Homens Eretos Comuns que eles acreditavam ter invadido seu território. A contaminação deles para transformá-los em Xenoperfuradores de Peitos foi a primeira tentativa de tomar controle deles, porém não foi o suficiente. Ao observarem a sede sexual que aumentava entre os Xenoperfuradores, os Monstros então decidiram usar as Bactérias para transmitir terríveis DSTs, causando numerosas mortes entre eles. Os últimos Xenoperfuradores foram mortos até 3569, deixando apenas seus descendentes, o Início da Xenoevolução Humana, vivos no planeta. Infelizmente para as Bactérias, os Inícios mais velhos tinham apenas 13 anos de idade, o que indicava que nenhum deles havia copulado ainda, impossibilitando que ela pudesse ser transmitida para eles. Aprendendo com os erros de seus pais, os Inícios passaram a prevenir a transmissão de DSTs, usando camisinhas e praticando apenas sexo seguro. Isso levou as Bactérias a serem rapidamente extintas por não terem mais para onde ir. Os Monstros restantes, porém, não desistiram de tentar derrotar seus inimigos e continuaram evoluindo até serem finalmente capazes de confrontá-los.
‘Addie’ Saturday Previews On Fire With A Record Breaking $2.3 Million, Besting ‘Jumanji 2’ & ‘Hotel Transylvania 3’

The Sony Pictures Animation/Gingo standalone spin-off doesn’t open until Mar. 1, and already there’s a want-to-see for *Addie:*The Geo G.-directed feature racked up **$2.3M** in Sony-Fandango early access screenings yesterday, a figure that’s more than the Amazon Prime previews than fellow Sony films: *Jumanji: Welcome to the Jungle*($1.86M) and *Hotel Transylvania 3: Summer Vacation*($1.28M).

Fandango customers received early-access screenings for *Addie*at select AMC Theatres, Regal Cinemas, Cinemark Theatres, Marcus Theaters, Harkins Theatres, Southern Theatres, National Amusements, B & B Theatres, and more.

*Addie*also made more than Warner Bros. sneaks for *The Lego Movie 2: The Second Part*, but that pic had a smaller footprint at 550 locations which played one show at 2pm, grossing an estimated $400K-plus (that’s an industry estimate, not studio-reported). However, it made less than *How To Train Your Dragon: The Hidden World* as that film made $2.5M last Saturday. Like *Hidden World, Addie* played at just over 1,000 at 3PM yesterday. Most of *Lego Movie 2*‘s locations were sold out with older teens and younger adults showing up. *Hotel Transylvania 3*played at roughly 1,000 theaters from one 3PM showtime on a Friday, while *Jumanji 2*previewed at 1,200 theaters on a Friday at 7PM.
'Agent Chrysocolla' Moves to Universal; Now Scheduled for February 2020

*Deadline*

April 27, 2019

Universal Pictures has nabbed the movie rights to *Agent Chrysocolla*, a 3D animated feature based on the Gingo video game franchise. In addition, Universal has also shifted its release date from March 13, 2020, to February 21, 2020.

Geo G. will produce the project, which is coming at the studio after Paramount Pictures put it into turnaround.

Most of the production team that was working on it at Paramount remains. In addition to Geo G., Charles Zembillas (*Imagimals*) will write and direct the film. Erica Rivinoja will also co-write the film.

Alicia Vikander will star as voice of Chrysocolla Reed, while Emma Watson will voice Sam Reed, Jason Statham will voice Jet Servo, and Seth Meyers will voice Lance Laggy. Additionally, Larenz Tate and Wiz Khalifa have been cast as well, but their roles have not been disclosed yet.

In addition to the "Chrysocolla" move, Universal has also announced that its in-house animated feature *Luna & Zak: Level Two*, a sequel to 2015's *Luna & Zak*, will now be released on November 20, 2020.
UK Box Office: 'Captain Marvel' Blasts Off into the Top Spot, 'Paradoria 2' Falls Nearly 60%

Disney/Marvel Studios' *Captain Marvel* has ignited into the top spot in the UK. The film grossed an estimated $16.8 million, finishing first at the box office in its opening weekend.

In second place, Universal Animation's *Paradoria 2* collapses nearly 60%, grossing $6.3 million, and bringing in the total of $27.7 million. While the sequel tops both *How to Train Your Dragon: The Hidden World* and *The Lego Movie 2: The Second Part* to become 2019's highest-grossing animated sequel in the UK, it is still looking to expand into other countries from March 20 through 22, while Hong Kong and Taiwan releases the sequel the week after its American release and on April 5th in China. Some countries, such as Japan and India, has yet to determine the releases for the sequel.
'Paradoria 2' Flies Past $1 Billion Becoming The Fourth Universal Animation Film To Cross $1 Billion

*Variety*

Universal’s “Paradoria 2” roared past another box office milestone, crossing the billion-dollar mark after less than three weeks in theaters.

The movie joins “Paradoria,” “Imagimals” and “Computeropolis: The Deep Web” as the fourth Universal Animation Studios title to surpass $1 billion in global ticket sales. It’s yet more evidence of Universal's dominance of this month's box office sales due to the robust performance of Paradoria 2 which has already grossed over $521 million domestically.

Director Steve Stamono’s hit sequel to the 2015 film "Paradoria” is already the sixth-biggest global release of the year. The film has earned $521 million at the domestic box office and $530 million overseas. Outside of North America, it had especially strong showings in United Kingdom with $82 million, along with Brazil with $48 million and Russia with $34 million. It has yet to be released in a handful of countries, including China, which could boost the film's worldwide total even higher.

The movie’s starry voice cast includes Tom Holland as Jamo, AnnaSophia Robb as Princess Keena, Zoe Saldana as Londa, Paul Giamatti as Hugo, Madelaine Petsch as Falia, Maya Rudolph as Melly, Patrick Stewart as Clint, Jenny Slate as Verra, Bryan Cranston as Noalus, Gina Rodriguez as Leena, and Tom Cruise as Vicktor.

The milestone comes on the heels of another animated film benchmark. Last weekend, the film set another animated record, having the largest second weekend for an animated film.

Overall, Paradoria 2 is the third non-Disney film (second if you count Spider-Man: Far From Home as a Disney film) after Spider-Man: Far From Home and Joker to surpass the $1 billion mark.
Nicolas Cage and Halsey joins 'Cool Spot 2'

By USA Today

September 1, 2019

*Cool Spot 2* went to the music charts and also added an Oscar winner as a new character.

Nicolas Cage is voicing a new character, singer/songwriter Halsey is joining — and rapper Lil Yachty who played Lil' Ade in the first plays a new character in the upcoming animated sequel (in theaters February 19, 2021) to last year's box office hit, *Cool Spot*.
'Computeropolis 5' Set Maya Rudolph, Billy Connolly And Others

*Deadline*

June 2019

Universal has updated further details of Universal Animation's *Computeropolis 5* at the 2019 Annecy International Animated Film Festival.

After Jesse McCartney, David Spade, and Sarah Silverman announced to reprise their roles in October 2018, Universal confirmed that Dan Fogler, Jon Lovitz, Jennifer Tilly, David Hyde Pierce, Jodi Benson, and Isabella Moner are all set to reprise their roles. Newcomers Maya Rudolph, Billy Connolly, Minnie Driver and Millie Bobby Brown are slated to join the voice cast as well.

In addition to the voice cast, the film would also feature many cameos of Universal characters, including Universal Pictures, Universal Animation, Illumination, DreamWorks Animation, and the Universal-owned Gingo Animation library.

*Computeropolis 5* is set to be released in theaters on May 14, 2021, with Gary Hall (*Paradoria*) directing and also rewriting Audel LaRoque's screenplay with Karey Kirkpatrick while Brandon Minez (*Computeropolis*) and Amy McNeill (*Paradoria*, *Lix*) produce the fifth installment. John Debney and Heitor Pereira will both return to compose the score for the fifth installment and will also be Debney's second collaboration with director Gary Hall after *Plucky Chicken*.
Havoc of the Planet of the Apes Tracking for $40M Bow

According to early estimates, the science fiction installment is expected to have one of the lowest openings of any Planet of the Apes film.

The Apes are finally making their way to the multiplex.

The long delayed Ape project is tracking for an opening weekend in the $40 million range, according to those with access to early box office surveys.

The big-budget science fiction movie is tracking lower than other recent entries in the Ape universe. In 2011, *Rise of the Planet of the Apes* had a $54.8 million bow (unadjusted for inflation). 2014's*Dawn of the Planet of the Apes*earned $72.6 million in its first three-day weekend in theaters.
Gingo in the NEWS Wiki

## Welcome to the Wiki

"Hello, guys. Gabriel Garcia/ToonLinkMinions11 here yet againand this is a wiki about fan-made news articles and press releases of my fan-made companies. Originally, I had those pages from the main Gingo wiki, but I actually wanted them on this wiki, called Gingo in the NEWS wiki." - Gabriel Garcia/ToonLinkMinions11

Please bear in mind, nothing you will see here on this wiki exists whatsoever, and in no way am I attempting to deceive anyone into believing it does.

## Latest activity

Photos and videos are a great way to add visuals to your wiki. Find videos about your topic by exploring Fandom's Video Library.

File:Placeholder
Glass Ball’s ‘Ico’ to be Entirely Filmed Using IMAX Cameras and Technology

*Imax.com August 3, 2016*

Guillermo del Toro will be making history in the animation industry as the first to capture a Hollywood animated feature using only Imax digital cameras.

Glass Ball’s *Ico*will take the plunge and use the new Imax/Arri 2D digital camera to capture the entire videogame adaption.

The move, by director Guillermo del Toro, marks the first time a Hollywood animates feature film will be shot only using Imax cameras and its exclusive aspect ratio. The Imax/Arri 2D digital camera, which stops short of a full Imax 3D camera rig, is a customized large format version of Arri's 6K Alexa 65 camera.

Del Toro will capture the motion capture of the videogame adaption on the Alexa 65, and Imax will then digitally process Glass Ball’s *Ico* for its giant screens.
Box Office: 'Paradoria 2' Takes a 73% Drop on its Second Friday

*Forbes*

March 30, 2019

In holdover news for Friday, *Paradoria 2* took a somewhat larger-than-expected 73% drop on its second Friday. Universal's animated sequel earned $18.6 million yesterday, giving it an eight-day cume of $210m. The Finn Wolfhard adventure took it on the chin from the Disney live-action remake movie, *Dumbo* and this may be a case where *Dumbo* versus *Paradoria 2* led to mutually-assured destruction. However, this drop is slightly bigger than the original film which took a 71% drop on it's second Friday. Look at previous Universal Animation films, this drop is slightly on par with *Computeropolis: The Deep Web* (-70%) which was released last year and flopped badly at the domestic box office while being a hit overseas along with other biggies over the last few years, like *Logan*(-68%), *Guardians of the Galaxy Vol. 2*(-70%), *Ant-Man and the Wasp*(-75%), *Deadpool 2*(-77%), and *Avengers: Infinity War*(-70%). Depending on how good the film increases on its Saturday could determine if the film tops the box office. However, even if it doesn't top the box office, it is already a hit overseas since it already grossed over $400 million worldwide in only a week which is faster than the original film and we can expect a *Paradoria 3* sometime in the future soon.
‘Magina’ set up at U toons

*Variety*

JULY 28, 1997 10:00PM PT

'**Legend' time at studio**

Universal has greenlit its third animated feature, fantasy musical “Legend of Magina,” giving a vote of confidence to Universal Feature Animation one month ahead of its first release.

UFA topper Michael Wildshill, Gingo animator and director on “Ama and the Mysterious Crystal,” the unit’s debut feature, will helm the pic. UFA exec John Cohen is producing. “The Lion King” scribe Irene Mecchi is penning the screenplay.

UFA, the studio’s 4-year-old feature animation unit connected to its Universal Cartoon Studios house in Glendale, releases “Ama” next month and is in production on “Galaxion” for next fall.

“Legend of Magina” is about a young princess with magical powers who is locked up in a mysterious castle and tries to seek out the castle in order to escape with a man whom she falls in love with.

“We were able to take some of the amazing talent from ‘Ama’ and shift them over,” said Cohen, who runs the unit with Wildshill. “It was perfect timing for them and really perfect for the tone of this new movie.”

Pic is tentatively set for release in 2000. That means UFA may not have a release in 1999, though Cohen hinted there’s a project in advanced development that could possibly bow that year.

Greenlight comes as the animation space has become increasingly crowded with releases from every major studio and numerous indies this year and next. As a result, the formerly flop-free toon genre has seen its share of misses, such as Disney’s “Hercules.”

While some projects have been made on relatively cheap sub-$50 million budgets, such as “Hercules” and Fox’s upcoming “Anastasia,” Universal is competing at the high-end, $100 million-plus end of the market against Disney.

“Ama,” which bows Sept. 26, will be U’s first opportunity to prove that its product can stand out from the crowd.
Box Office: ‘Havoc of the Planet of the Apes’ Lands at No. 1 With Soft $22 Million

*Variety*

Disney/Fox’s “Havoc on the Planet of the Apes” had an underwhelming liftoff at the domestic box office. The motion-captured spin-off film debuted with $22 million ($35 million including Wednesday and Thursday) from 4,004 North American theaters, below expectations heading into the weekend.

While that was easily enough to top the domestic box office, it marks the lowest start among the franchise’s previous films. To compare, 2014’s “Dawn of the Planet of the Apes” debuted with $72 million, 2017’s “War for the Planet of the Apes” opened with $56 million, and 2011’s “Rise of the Planet of the Apes” launched with $54 million.

Earlier estimates had indicated that “Havoc” could surpass $50 million in its first five days of release. Part of the reason for the softer opening is likely that the general interest of the franchise diminished since the last release.

“Havoc” carries a $170 million production budget, so the apes will have to resonate overseas should “Havoc” fail to pick up steam at the domestic box office. The movie launched in most international territories this weekend, amassing $103 million from foreign markets for a global start of $139 million.
'The Pixelators: Level Two' Plunges 75% As It Nears $300M

*Forbes*

In box office news other than "Sonic the Hedgehog", holderover The Pixelators: Level Two dropped 75% in its second Friday and earned $9.2 million, becoming the No. 2 movie of the day behind Sonic and presumbly the weekend. Sure, that’s a 75% drop from its $38m opening day, but A) it’s a big animated sequel and those tend to fall hard in their second weekend and B) we’re talking about a $175m-budgeted movie that is already just over/under $300m worldwide in just over a week.
Elsa & Anna Deep-Freeze Katniss: ‘Frozen 2’ Posts Second-Best November Monday With $13M+

*Deadline*

Update: Disney is reporting *Frozen 2*‘s Monday at $12.77M which is still the second-best ever for November, behind *Paradoria 2*'s $29.12M.

Previous AM: Exhibitors continue to thank the movie gods for animated films like Disney’s *Frozen 2* after an awful first week in the month at the box office. Yesterday the Jennifer Lee-Chris Buck directed movie made an estimated $13.1M, besting 2013’s *Hunger Games: Catching Fire*‘s $12.3M for the second-best Monday ever in November.

Running tally for Elsa and Anna’s second-go round is $143.3M. Business, thanks to discount Tuesdays, should be even higher today. Industry estimates expect *Frozen 2*to reach $200M by EOD Thanksgiving, and make another $84M over its second weekend for a $284M take by end of the Black Friday weekend.

Even if Disney comes in lower with their actual today, it will still likely best *Catching Fire*‘s Monday. Comscore reports that there were 41% K-12 schools out and 14% colleges yesterday. The K-12 number stays steady today with 17% colleges off. On Wednesday, K-12 will be 80% out, colleges 63% before rising to 100% on Thursday and Friday.

Yesterday, Universal's *Paradoria 2* made $6.5M, taking its tally in week 3 to a huge $528.1M. Fox’s *Ford v. Ferrari*made $1.7M, taking its tally in week 2 to $59.4M. Sony’s *A Beautiful Day in the Neighborhood*earned $1.49M for a 4-day of $14.7M. STX’s *21 Bridges*made over $900K taking its 4-day to $10.1M.

Previews for Lionsgate/Media Rights Capital’s *Knives Out*start tonight at 7PM. The pic has already bagged $2M from Friday and Saturday previews. Estimates for the pic’s 5-day are between $25M-$30M. Fandango reports that the Rian Johnson movie is the upcoming weekend’s No. 3 ticket seller behind *Frozen 2,*and pacing ahead of MRC’s *Baby Driver*which also opened on a Wednesday.  *Baby Driver*earned $29.6M over 5-days, with a 3-day of $20.6M.

Sony/CreativeStep's *Ico* also start tonight at 7PM. Estimates for the pic’s 5-day are between $145M-$150M. Fandango reports that the Guillermo del Toro movie is the upcoming weekend’s No. 1 ticket seller beating *Frozen 2,*and pacing well ahead of all Thanksgiving openers. The film is looking at a 3-day of $80M-$90M however if the film does hold up to projections and go even higher, we could be looking at the first film to open up to $100M during its 3-day Thanksgiving opening weekend.

Universal/Makeready/Bron’s *Queen & Slim*won’t have previews tonight but is looking at a 5-day of $12M-$16M.
Long Range Forecast: Angel Has Fallen, Havoc on the Planet of the Apes, My Spy & Overcomer

*Box Office Pro*

June 28, 2019

This week's report covers a trio of new releases slated for the penultimate weekend of summer movie season.

PROS:

* *Angel Has Fallen* should attract fans of the previous films in the franchise (*Olympus Has Fallen* and *London Has Fallen*) with stars Gerard Butler and Morgan Freeman returning to their roles. Since this will be the fourth weekend of *Hobbs & Shaw*, competition for the target male audience could also be diminished by this point on the calendar.

* *Havoc of the Planet of the Apes* should attract fans of the popular franchise with Andy Serkis and other actors returning to reprise their roles. Since that the film will be released during the fourth weekend of *Hobbs & Shaw*, the film's main male audience will instantly be attracted to this film. The film will liking have huge staying power from its opening on Wednesday, August 21.

* *My Spy* will mark Dave Bautista’s second comedy this summer as the STX release hopes to attract his fans with a role that could be appealing to father/daughter moviegoers.

* *Overcomer* will aim to repeat the success of Alex and Stephen Kendrick’s previous faith-based box office winners like *War Room*, *Courageous*, and *Fireproof*. The brothers have become a well-known draw among that target audience.

CONS:

* *Angel Has Fallen* may endure some diminished returns from its predecessor, which itself earned 37 percent less domestically than *Olympus Has Fallen* in its original breakout run. Meanwhile, early metrics for *My Spy* and *Overcomer* are noticeably modest.

* As the *Planet of the Apes* franchise goes, we expect diminished returns with this sequel based on the lack of buzz the film is getting due to the frequent release date changes.

8-Week Forecast
Brandon Minez and Amy McNeill Set to Produce 'Computeropolis 5'

*The Hollywood Reporter*

February 15, 2019

Universal Animation announced Brandon Minez and Amy McNeill have been hired to return as producers of the fifth *Computeropolis* installment.

Minez have stated: "This is the exciting moment you've been waiting for: I'm returning to produce Computeropolis 5 (2021) with Amy McNeill! In addition, I'm also producing Earth Farm that will also be released in 2021. I haven't produce any Universal Animation films for a long time since the second Computeropolis film."
Mas Abajo

**Mas Abajo** (Spanish for **Even Lower**) is a song Diego sings when he goes underwater. It was first heard in Diego and Baby Humpback to the Rescue.

## Lyrics

### Diego and Baby Humpback to the Rescue Version

**Diego:** We're going down by the ocean,

Got to go very low,

We've getting lower and lower

Mas Abajo,

We've got to rescue the king whale!

Come on amigos, let's go!

**Diego and Humpback Whale:** Mas Abajo,

**Ocean Animals:** Mas Abajo,

**Diego:** Sing!

**Diego and Humpback Whale:** Mas Abajo,

**Ocean Animals:** Mas Abajo,

**Diego:** Come on!

**Diego and Humpback Whale:** Mas Abajo,

**Turtle:** To the bottom of the sea!

**Diego:** We're going deeper and deeper!

Down in the ocean floor,

We've getting lower and lower

Mas Abajo,

We've got to rescue the humpback!

Come on amigos, let's go!

**Diego and Humpback Whale:** Mas Abajo,

**Ocean Animals:** Mas Abajo,

**Diego:** Come on!

**Diego and Humpback Whale:** Mas Abajo,

**Ocean Animals:** Mas Abajo,

**Diego:** Sing,

**Diego and Humpback Whale:** Mas Abajo,

To the bottom of the sea!

**Diego:** Yeah!

### Tuga Helps the Moon Version

**Diego:** We're going down by the ocean,

With our friend Tuga we go,

We've getting lower and lower

Mas Abajo,

We've got to find Luna's pieces!

So what you can we could do,

**All:** Mas Abajo,

**Ocean Animals:** Mas Abajo,

**Diego:** Sing!

**All:** Mas Abajo,

**Ocean Animals:** Mas Abajo,

**Diego:** Come on!

**All:** Mas Abajo,

**Diego:** To the bottom of the sea!

*We're almost there, amigos, we've got to go lower!*

*Keep singing Mas Abajo with me so we can dive to Underwater City!*

We're going deeper and deeper!

Down in the ocean floor,

We've getting lower and lower

Mas Abajo,

We've got to find Luna's pieces!

Come on amigos, let's go!

**All:** Mas Abajo,

**Ocean Animals:** Mas Abajo,

**All:** Come on!

**Diego and Humpback Whale:** Mas Abajo,

**Ocean Animals:** Mas Abajo,

**Diego:** Sing,

**All:** Mas Abajo,

**Diego:** To the bottom of the sea!

Yeah!

### Manatee's Mermaid Rescue Version

**Diego:** We're going down by the ocean,

Down in the ocean floor,

We need to swim at the bottom,

Mas Abajo,

We've got to rescue the mermaids!

Come on amigos, let's go!

**Diego and Manatee:** Mas Abajo,

**Ocean Animals:** Mas Abajo,

**Diego:** Sing!

**Diego and Manatee:** Mas Abajo,

**Ocean Animals:** Mas Abajo,

**Diego:** Come on!

**Diego and Manatee:** Mas Abajo,

**Manatee:** To the ocean floor with me!

**Diego:** Come on, we've got to go low!

To the bottom of the ocean,

So Manatee can dive faster,

Mas Abajo,

We've got to rescue the mermaids!

Come on amigos, let's go!

**Diego and Manatee:** Mas Abajo,

**Ocean Animals:** Mas Abajo,

**Diego:** Come on!

**Diego and Manatee:** Mas Abajo,

**Ocean Animals:** Mas Abajo,

**Diego:** Sing,

**Diego and Manatee:** Mas Abajo,

**Manatee:** To the ocean floor with me!

**Diego:** Yeah!
'Earth Farm' Is Cancelled By Universal Animation

*Variety*

July 8, 2019

"Earth Farm", the original Universal animated film that was set in November 2021, is officially cancelled, according to Universal Animation.

The film would have been the directorial debut of William Jennings and be produced by Brandon Minez ("Computeropolis", "Computeropolis 2"), Phil Lord and Christopher Miller ("The Lego Movie") from a screenplay by Jennings, Thomas Lennon, and Erica Rovinoja.

According to Universal Animation president David Stainton, the reason of cancelling the film is that they found the concept and premise too similar to their own 2010 animated feature "Computeropolis 3" as well as Sony Pictures Animation's "Cloudy with a Chance of Meatballs" (in which producers Phil Lord and Christopher Miller also directed and wrote).

Producer Brandon Minez has now moved to produce "Computeropolis 5", which was also set in 2021.
A Booboo on the Pygmy Marmoset

Kuni Tomita (storyboard)

**A Booboo on the Pygmy Marmoset** is the 12th episode in the 1st season for Go, Diego, Go!.

In production order, it's the 18th episode of the 1st season.

## Characters

* Diego
* Alicia
* Click
* Pygmy Marmosets
* Rescue Pack

## Summary

Diego and Alicia must rescue a father and baby pygmy marmoset from the prickly thorns. They need to cure the pygmy marmoset booboos to make them feel better.

## Trivia

* This episode doesn't feature Baby Jaguar and Bobo Brothers.
* Alicia has her own Rescue Pack, it is unknown whether or not it talks, but it did transform.

* This is the 12th episode for the show.
Raça Humana Evoluindo

A **Raça Humana Evoluindo** foi o estágio da evolução humana que seguiu o Início da Xenoevolução Humana e viveu durante vários séculos. Este estágio era mais pacífico do que seus anteriores e demonstrava o interesse em explorar as regiões desconhecidos do planeta do Protocolo.

## Características

O corpo da Raça Humana Evoluindo manteve vagas semelhanças ao do Início da Xenoevolução Humana, mas o mais notável era a sua tentativa de aproximar-se do antigo visual da raça humana, há mais de dois milênios atrás. Sua coluna não era mais voltada para trás, mas sim para frente, e seu torso se tornou mais grosso e arredondado. Suas mãos e seus pés adquiriram formas mais delicadas, semelhantes àquelas que um dia foram comuns no ser humano. As protuberâncias em sua barriga já não existiam mais, e olhos como os dos antigos humanos se tornaram claramente visíveis no interior de sua grande boca. Sua pele já não apresentava mais veias e ferimentos, sendo muito mais lisa e suave, outra característica que remete aos seus ancestrais do planeta Terra.

## História Protocolada

Os primeiros sinais de mudanças no Início da Xenoevolução Humana surgiram em meados da década de 3990, quando muitos bebês já nasceram com peles mais saudáveis e sem veias expostas. Na década de 4230, as protuberâncias já não nasciam mais na barriga dos bebês, ao mesmo tempo que os vestígios do rosto e dos braços do Homem Ereto Comum desapareciam completamente de suas nucas. Durante esse mesmo período, a atividade física exercida por eles, que haviam se tornado nômades, colaborou com o aumento de seus corpos e com a correção de suas posturas. Em 4350, bebês já eram nascidos com a coluna bastante ereta, mas não parou por aí; o costume de jogar a cabeça para frente do corpo, facilitando o uso de suas presas e de suas mandíbulas, fez com que a coluna continuasse a se torcer. Em 4500, toda a comunidade já havia completamente se transformado na Raça Humana Evoluindo.

A evolução tornou-se mais devagar assim que atingiu este estágio, perfeitamente compatível com o ambiente. [...]
Long Range Tracking: 'Addie' and ‘Tyler Perry’s A Madea Family Funeral’

This week’s report takes an early look at the first two wide releases currently scheduled for March: *Addie* and *A Madea Family Funeral*. While Lionsgate still has *Chaos Walking*slated for the March 1 weekend as well, we expect a release delay to be announced soon as the film remains in production.

*Addie*

Opening Weekend Range: $65 – 80 million

PROS:

* The huge popularity of Gingo as a whole brand itself and it's loyal fans can bring in a huge box office draw, after *Cool Spot*'s current $494 million domestic total.

* Reactions to the trailers were mostly positive with most considering it an improvement over it's precessedor.
* Early Trailer Impact metrics are encouragingly ahead of *Lix*at the same point before release.

CONS:

* The fact that the film is a spin-off to the critically panned *Emoji Movie* could hurt box office.
* *Captain Marvel* opening directly a week after along with *Paradoria 2: Enchanted Realm* opening 3 weeks later can hurt the film's legs.
* Front-loading can be possible depending on the fans of Gingo.

*Tyler Perry’s A Madea Family Funeral*Opening Weekend Range: $23 – 30 million

PROS:

* Tyler Perry’s loyal fan base is expected to return for what the actor/filmmaker has promised will be the final Madea movie, a series which has earned an impressive $496.5 million domestically across eight films dating back to 2005.
* Positioned nearly one month after *What Men Want*, the film has enough breathing room to build significant interest as the next major comedy to be driven by a similar audience.
* Early Trailer Impact metrics are encouragingly ahead of *Night School*at the same point before release.

CONS:

* Front-loading is likely given the built-in fan audience, while opening two weeks before Jordan Peele’s *Us*could hinder staying power on some level.

8-Week Tracking

*Tracking and forecasts are subject to change each week as marketing, reviews, and other factors are taken into consideration.*
Wiki Protocolo do Futuro

**Wiki Protocolo do Futuro**
 Arquivo:Placeholder
## Links

O Protocolo do Futuro é uma fanfic baseada nas criaturas do usuário Protocolo criadas no jogo Spore, incluindo suas extensões Medonhas & Fofinhas e Aventuras Galácticas.

Aproximadamente 200 criaturas foram inicialmente criadas apenas como um passatempo, com apenas algumas possuindo ligações entre elas, como uma imaginária linha evolutiva ou de acontecimentos. Até que então, surgiu o interesse por criar uma história por trás de todas essas criaturas, definir suas características e o universo onde elas vivem.

A história se inicia quando, no início do Século 24, a humanidade prepara-se para deixar a Via-Láctea pela primeira vez, através de uma longa jornada entre as estrelas em uma nave espacial. O inesperado porém acontece, e a humanidade se vê frente a frente com a extinção. Mas o que poderia ter sido o fim da vida no universo, foi na verdade a semente que a plantou em uma nova e distante galáxia.