Day 2602: The Finale

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script for this Broadcast is available. *Day 2602: The Finale - Script*

**Day 2602: "The Finale"** is a Broadcast in *Not For Broadcast*. It is the final playable Broadcast of the game, and since the previous broadcast, the program's format has changed from a news broadcast to a talk show called *The Nightly Show*.

## Pre-Broadcast

*There are four possible major variations that the broadcast can take, referred to as Paths, determined by the status of Alan James and Jeremy Donaldson as follows:*

 Yes
 Yes
 Yes

Boseman calls Alex Winston over the Intercom, mulling solemnly over the fate of Channel One due to Advance's editorial interference (Path A), requesting that Alex pay particular attention during the night's broadcast despite the government drivel they've been airing due to it being important (Path B), noting that all has gone wrong since Advance was elected but asking for the two of them to make it through the broadcast one last time (Path C), or suggesting Alex not focus on the problems they're facing as he drinks a glass of alcohol (Path D). He informs them of the problems with the Broadcast Room's equipment, and before hanging up, reminds them that they now have free reign of the Sound Effect Buttons.

The previous show on One gives the summary of programming for the rest of the evening:

* UP NEXT - The Nightly Show
* 6:30pm - The Scritch - Tonight's episode in Scritchford Square expects depressed people not communicating properly and ending up in all kinds of NoCo situations.
* 7:30pm - The Automated - The network television premiere of last spring's smash hit movie from Laurence Blunderclatch and the late Helena Canterbury-Boatshoe.
* 10:15pm - Julia Salisbury's Team Talk - Tonight's subject is of Gorders and the evils of their creative accounting.
* 11pm - Lil'C'S Lil' Chats - The former singer will be asking Adrian Atkinson-Blimey what he's been up to since the cancellation of "Incisors", with it apparently being mainly jigsaws and arson.
* 12am - Territory Weather, Fertility And Birth Report
* 12:20am - Territorial Anthem - The Llanfliynnoggoth Valley Male Voice Choir's debut of their first professional performance of the New Territorial Anthem.

Behind the scenes, Megan, Robyn, and Not Patrick are seated on the Couch of Chat, being applied makeup to as Colin asks if he's receiving a gift for his birthday. He expresses disappointment as Not Patrick answers that not even a cake was made for him, with Robyn then questioning how old he is. Colin prepares to answer but gets interrupted when Jenny announces that the broadcast is starting soon, instructing them to give big smiles. After she finishes, Colin explains that he's actually gained a year, having celebrated his 44th birthday the prior year when it's instead during the current year. He rushes off the set of the Studio and Megan expresses surprise after finding out that he's actually 44, chuckling as Jenny proceeds to count down to the start of the broadcast.

## Segment 1

Megan Wolfe starts the broadcast by greeting the viewers, mentioning that she's joined by both Robyn and Not Patrick, asking how they are. Robyn answers that they have so much going on during the night, and that she's excited, before Not Patrick remarks he'd say he's a twelve. Megan questions if he's referring to being on the excitement scale, to which Not Patrick goes along with, cheerfully claiming they have so much SoCo stuff coming up. Robyn agrees with him as the trio proceeds to inform the viewers of the night's content, with how celebrity chef Jordan Rankly will be making an appearance to 'cook up a storm,' the winners of the big 'Visions of the Future' competition being announced, a 'very special guest' joining for a game of Wheel of Truth, and Megan even showing the viewers how to make their own Leaders' Day gifts. Megan finishes the opening by announcing that all of which she previously mentioned, and so much more, is available during The Nightly Show.

### Title Sequence

(...)

In the studio, whilst the title sequence is being shown, Jenny announces a 30-second break, requesting for Jordan Rankly. Megan fans herself with her notecards as Robyn and Not Patrick both walk off.

Jenny introduces Jordan to Not Patrick, and shows him where he'll be set up for his segment. Colin hovers behind them, much to the confusion of Jordan, who asks Jenny who the prick is. Jenny begins to answer before Colin requests for him to 'say it.' Raising a hand, Jordan tells Colin to fuck off, and he backs off and mutters gratitude as Jordan nods at him in acknowledgement.

Jordan then walks up to Not Patrick, asking him if he's nervous, because he looks nervous. Uneasily, Not Patrick answers that he is a little, and Jordan eases his concerns, telling for him not to be as it's just a little bit of pastry. Jenny then proceeds to count down to the end of the break.

#### Disrupt's 1st Transmission

As the title sequence is being shown, Disrupt will attempt to hack into the broadcast.

##### Path B

The Corporate Disrupt logo fades in as Gordon Goodman faces the camera, wearing a suit and shown seated at a desk in an office. He greets the viewers, saying that he hears from people everyday who wonder 'does nobody care anymore?' He reassures that freedom for the viewers is Disrupt's number one priority, and that they won't rest until 'this sick experiment' is brought to an end, one way or another. The Corporate Disrupt logo fades in as the transmission ends.

##### Path C

The Disrupt logo fades in as Alan James defiantly faces the camera from a distance, with his hands on his hips. He passionately declares that the fight is not over, and Disrupt has grieved their losses and hardened their hearts. Alan states that they have lived with death and now no longer fear it, as there is no price too great for liberty. He notes that while he himself can be silenced, the viewer's thoughts cannot, as Disrupt gains hearts and minds daily. Alan compares Disrupt to being as irresistible as truth, citing it as the source of the increase in membership. He announces that Disrupt is back, and only getting started. The Disrupt logo fades in as the transmission ends.

##### Path D

The Disrupt logo fades in as Alan James faces the camera, with his hands in his pockets. He calmly tells the viewers that Disrupt are not just soldiers, and made up of all types of people because they are the viewers. Alan says that they will look for the truth, and unlike Channel One, will show it to them. He warns the viewers that they will hear some frightening things about the government, noting they are chilling and true, and they have the evidence to prove it. Alan states for the viewers to understand that there is something wrong with the food. The Disrupt logo fades in as the transmission ends.

### Pet Corner

Megan tells the viewers Not Patrick is to be put 'through his paces' by Chef Jordan Rankly in a minute, but that Robyn will first be going to give them an update on the Nightly Show pets in Pet Corner.

#### Title Sequence

The Pet Corner title sequence starts with a white background surrounded by leaves. Green text saying "Pet Corner" appears in the centre of the screen, in time with a chorus' pronunciation of the title.

Back in the Studio, Robyn stands behind a desk covered in turf, with an open hamster cage and a shoebox placed atop it. She tells Megan that the first pet is their hamster, Lord Cheeks. Robyn states he's a Squat Winter Grey, with a scientific name of 'Adipem Stultus', and lives with them in his cage. Gesturing towards her mouth, she says that hamsters like hoarding, and have special pouches in their cheeks for storing food, noting that Lord Cheeks loves carrots, apples, and chewing tobacco.

Robyn explains that hamsters are nocturnal, and notes she'll do her best not to wake him up. She leans over the desk and looks in the cage for Lord Cheeks, pausing before telling the viewers the door to the cage has been left open and that it looks like Lord Cheeks has gone for 'a little wander'. Robyn says that she's sure he'll be around somewhere, meanwhile Not Patrick and Jordan Rankly, set up in their own part of the Studio, jump back in surprise and look under their table.

She tells the viewers that in the meantime, they'll say hello to the Nightly Show's tortoise, of which Robyn states after last month's viewer vote is now called Slow Barbara. Opening the shoebox, she instructs the viewers not to panic, as even though it is December, 'Babs' doesn't actually hibernate. Robyn tilts the shoebox towards the cameras, and notes how, with Slow Barbara's lack of movement, she appears to be sleeping. Robyn pokes Slow Barbara a few times to no response, and quickly drops the shoebox. She tells Megan that those were both of the Nightly Show's pets, both alive and well, directing the broadcast back to her.

After her segment ends, Robyn glances around under the desk, grabbing a trashcan and dumping the shoebox's contents, Slow Barbara included, into it. Setting the trashcan down, she hurriedly runs off, before several studio crew begin disassembling the Pet Corner set and preparing the set of 'Visions Of The Future'.

### Into The Kitchen

Megan thanks Robyn, stating that they'll check in on the pets, or some very similar ones, at the same time tomorrow. She then tells the viewers that she hopes they're hungry, because if not, they're about to be. Megan explains that Not Patrick is with Chef Jordan Rankly, and they'll be showing how to 'knock up' a delicious apple pie, stating that it's time to go 'Into The Kitchen'.

#### Title Sequence

The Into The Kitchen title sequence starts with a black background surrounded by fire. Red shaking text saying "Into The Kitchen" appear in the centre of the screen, in time with a voiceover's pronunciation of the title.

Back in the Studio, Not Patrick and Jordan Rankly both stand behind a table displaying the Nightly Show logo on it. Atop the table are various cooking utensils and a basket of apples. Not Patrick tells the viewers that he's joined by the Chef, welcoming him to the Nightly Show Kitchen. He asks Jordan how it compares to the kitchens he's used to, and Jordan replies that he loves the colours, adding that it's vibrant, it's fresh, and that it's a shame about all the arseholes.

Looking smug, Not Patrick states that Jordan owns six restaurants, has been awarded nine Ballon Massifs across his career, and has worked alongside the best chefs in the world. Placing his hands on the table, he says that Jordan has got him tonight, asking if he's worried. Jordan stares at him, putting his hand atop his chin. He repeats the question asked to him, before gesturing towards Not Patrick and asking if he's worried. Not Patrick doesn't reply, and Jordan once more asks if he is fucking worried, to which Not Patrick hurriedly agrees that he is.

After a pause, Not Patrick asks the Chef what they're making. Turning to face the camera, Jordan rubs his hands together and explains the scenario: that they've got a hungry family over for Leaders' Day, so they're going to make a delicious apple pie. Not Patrick replies that it sounds lovely, as the Chef states that the baked dessert has sweetness, the acidity of the fruit, and the richness of the pastry. Not Patrick expresses excitement, asking where they start.

Jordan tells him that they're going to start by making their filling. Gesturing towards the basket, the Chef says they've got about a kilogram of fresh cooking apples, grabbing one and exclaiming that they're fucking beautiful. Jordan places the apple back into the basket, and instructs Not Patrick to slice them up perfectly. He pulls out a pan and a cutting board with pre-sliced apples, demonstrating as he tells Not Patrick to then put his sliced apples straight into the pan.

Not Patrick grabs a knife and begins to slice an apple. He states that Jordan's new show, 'Demon Kitchen Heart-Eater', starts on Friday at Channel One, instructing him to talk about it. Jordan explains that, in the show, teams of young chefs come into his kitchen, and he destroys them one by one emotionally, adding that if there's time, he teaches them basic knife skills. He turns towards Not Patrick, briefly putting his head in his hands before exclaiming 'Fuck me, Patrick!' and demanding to know what he's doing. Not Patrick requests clarification, and the Chef moves closer to him, asking if such is how he cuts. Gesturing wildly, Jordan expresses disappointment, crying out that his cutting technique will result in him losing a fucking finger.

Not Patrick replies for him not to worry, as he's 'got spares'. He grabs his sliced apples and drops them into the pan, asking Jordan if they're supposed to set the sliced apples aside whilst they make the pastry. Jordan gives a confirmation, setting the pan under the table as he then pulls out a clear mixing bowl filled with pre-made dough. He instructs Not Patrick to add sugar and butter, and mix them together before adding a whole egg, holding one up to the viewers as an example. Not Patrick tries to follow along with his instructions, pulling out a mixing bowl of his own. He pours sugar and butter into the bowl, before dropping a whole egg into it and grabbing a mixing spoon.

Jordan watches as Not Patrick drops the whole egg into the bowl, calling him a fucking donkey and demanding to know what he's doing. Leaning towards Not Patrick, egg still in hand, the Chef asks if his brains are the size of the fucking egg he's holding. Not Patrick uneasily answers that they're not, and after a pause, Jordan concedes defeat, placing the egg back on the table. He instructs Not Patrick to mix his bowl with a wooden spoon and work in the flour, glancing briefly at Not Patrick as he begins mixing. Jordan says to work the mixture into a nice ball of dough such as the one pre-made in his bowl, presenting it to the viewers. Not Patrick continues mixing his bowl, asking Jordan what the 'notoriously fierce Jordan Rankly' does to unwind.

Jordan puts his head in his hands in response to Not Patrick's mediocre attempt at mixing. Exclaiming 'shit the bed', he defeatedly asks what his mixture is. Not Patrick begins to reply that it's a bit lumpy, but gets interrupted by Jordan, who grabs his mixing bowl and exclaims that it could fucking pass for a sack of spuds. He demands that Not Patrick touches it, calling him pathetic as he hands the bowl back, instructing Not Patrick to put it into chill.

Jordan states that they're now going to be mixing their filling, noting they'll need the apples they made earlier, sugar, and cinnamon. He pulls out his pan of apples and begins to add the ingredients as Not Patrick follows along with his own pan. He mentions Jordan owns six restaurants across five territories, asking the Chef which of all is his favourite. Jordan puts his head in his hands again, before questioning if Not Patrick is mixing his pan or fucking it. Not Patrick requests clarification, confused, and Jordan elaborates, rhetorically asking if he's going to light a candle and take the pan out to dinner, before demanding Not Patrick to fucking mix the pan for fuck's sake.

Jordan continues, pulling out a pie pan and instructing Not Patrick to roll out two-thirds of the dough into the dish. He admires his pie pan, rubbing his hands together as Not Patrick sets aside his pan of ingredients and instead pours all of the dough from his mixing bowl into a separate pie pan. He asks Jordan if the filling goes next, and Jordan replies that he's absolutely right, commenting that it's lovely. Jordan begins to add his dough to the pie pan as Not Patrick retrieves his pan of ingredients and pours it out into his own pie pan. Jordan then takes a rolled-out piece of dough from under the table as an example, telling for Not Patrick to roll the remaining dough into a round and put it on the top of the dish. Due to the lack of remaining dough, Not Patrick does not heed his instructions.

Jordan places his pie pan under the table, pulling out a different pan with a smoother top layer of dough. He dips his hand into a bowl of water and brushes the rim of the top of his pie pan, saying for Not Patrick to similarly do such. He continues, instructing to press gently around the rim, cut five slashes across the top for steam, and then brush it with a beaten egg. As he does so, Not Patrick follows along, similarly dipping his hand into a bowl of water before instead just dumping the entire bowl into the pie pan. He then grabs a knife, jabbing at the pie pan's contents before grabbing an egg, cracking it, and adding it into the pan, shell included. He asks Jordan for his thoughts, but Jordan remains silent, putting his head in his hands.

Jordan is vehemently opposed to Not Patrick's creation, expressing shock before beckoning him closer. He approaches Not Patrick, who presents his dish to the Chef, pointing at it and calling it a disgrace. Not Patrick doesn't meet his gaze as Jordan continues, exclaiming that he'd rather jam his eyeballs up his fucking arse than have to look at it, using two fingers and repeatedly thrusting them upwards for emphasis. Not Patrick acknowledges his comments, briefly turning and smiling at the camera as Jordan states that he'd rather use his tongue to tie his shoes after a fucking shit-kicking contest. Jordan asks if Not Patrick understands, clasping his hands together, but doesn't receive an answer, and inches closer to him.

Not Patrick begins to state that the pie then goes into the oven for 45 minutes, but Jordan demands for him to put his fucking head in the oven while he's at it, calling him useless. He backs off and claps his hands, beckoning Not Patrick closer again. Jordan says that he's the worst fucking thing to happen to food since cyanide, asking if he knows that. He strongly urges that Not Patrick gets the fuck out of there and 'fuck off', gesturing with his hands for emphasis. Not Patrick tells the viewers that, while he does such, it's time to go to Megan and Robyn who'll be announcing the winners of the 'Visions Of The Future' competition.

#### Disrupt's 2nd Transmission

As Not Patrick is adding his pie's filling, Disrupt will attempt to hack into the broadcast. This will only occur during Path C.

The Disrupt logo fades in as Alan James defiantly faces the camera from a distance. He questions why the viewers are watching the show, and whether they remember how it feels to be informed and connected to what has happened in the world. Alan asks if they remember Jeremy Donaldson, declaring that he does, as well as remembering how Jeremy died protecting the show. He states that as he watches the programme, he realises Jeremy was right, and that Jeremy would wonder why he'd even bothered if could see the show now. The Disrupt logo fades in as the transmission ends.

### Visions Of The Future

#### Title Sequence

The Visions Of The Future title sequence starts with a blue background with text in the centre of the screen saying "Visions Of The Future". A rainbow extends across the screen, in time with a voiceover's pronunciation of the title.

Back in the Studio, Megan and Robyn both stand in front of several display boards covered in artwork, three concealed by paper marked with stars and a question mark. Megan remarks that Not Patrick's 'pie' looks delicious, and explains that if the viewers want to follow along at home, then to make sure they write into the Studio with a stamped, addressed envelope, and they'll be sent a fact sheet.

She instructs Robyn to look at all the amazing entries to the Visions Of The Future competition. Robyn gives a confirmation, telling the viewers they were challenged to show their predictions of the future, and that the Nightly Show hosts were just inundated with entries, mentioning from wacky inventions to global problem-solving, each submitted entry was amazing and they had the best time looking through each one. Megan agrees, exclaiming that it was so tough narrowing the entries down, and as such, there are some amazing runners-up. She requests a drum roll, and both her and Robyn make a mock-drum roll noise as she reveals the third-place winner of the competition.

Megan removes one of the concealing paper sheets to reveal a drawing covered in various streaks of paint on a white paper. She states that the entry is from Hamish, whose three and from Llanwelly, adding that his piece is called 'Still Life and The Future Of God'. Megan says that the piece really blew the Nightly Show hosts away, pointing at the drawing and encouraging for the viewers to look at the line-work as she comments that she can really feel every passionate stroke of the brush. Robyn points to several strokes on the paper that combine to vaguely resemble a face, stating that if the viewers look there, they'll see, what she thought at first was a smiley face or a cat, what she thinks is a beautifully rendered representation of the seeming futility of death through the eyes of the living.

Megan agrees, mentioning that she thinks it's really interesting how Hamish chose to leave a lot of the paper blank, commenting that if the viewers are familiar with Hamish and his work, he loves focusing on the negative space rather than the image itself. Robyn says that it is absolutely stunning, remarking that it's such a talent from one so young. She requests a drum roll, and Megan make a mock-drum roll noise for her as she reveals the second-place winner of the competition.

Robyn removes one of the concealing paper sheets to reveal a professionally-drawn image covered in writing along the margins. She states that the entry is from Keith, whose forty-one and from Dunglees. Robyn comments that they were aiming the competition towards the show's younger viewers, but accepts his submission regardless, adding that his entry is called 'Ravaged Earth'. Megan states that, in Keith's rather detailed notes of his idea of the future, 'society will resort to a brutal system of weekly battles to the death where only the victor may breed' as a result of being deprived of basic resources. She adds that Keith writes, at the bottom of the piece, 'either that, or about the same, but maybe a bit worse.'

Robyn says that she really loves Keith's attention to detail, noting they can see a sort of gladiatorial arena, as well as what she can only assume is Keith himself pulling off an opponent's head and shouting 'Come back to me Linda!' She laughs, remarking that if he maybe spent more time outdoors and less time entering children's competitions, she might not have left. Megan comments that the entry is a special one, stating that it's finally time to reveal the competition's winner.

She explains all of the runners-up will receive a day out at an inflatable Happy Land on an industrial estate just off the A-40, apologizing to Keith, and that the competition's winner will win the chance to spend a day at the Department of Change to see how the Team is making the New Future a reality every day. Megan requests a drum roll as she reveals the first-place winner of the competition.

Megan begins to remove the last remaining concealing paper sheet but the edge of it gets stuck, resulting in Robyn helping her to take it off. A drawing of various peoples standing in front of a row of houses is revealed, of which Megan states is from Lola, whose eight years old and from Smugly. She says that the Nightly Show hosts absolutely loved her picture, which is called 'People's Parade'.

The two of them explain that the artwork has folks walking together to celebrate the diversity of society, with people carrying different flags, celebrating their religion and their bodies, as well as what Robyn mentions is either a game of Sportsboard or some over-zealous littering, commenting that it's hard to tell. Megan adds that she loves the robots shown 'having a little bit of a dance' and getting involved in the party, pointing at one and noting it seems to have gone a bit haywire, which she explains she can only assume is an ominous sign of things to come.

Robyn instructs the viewers to keep sending in their artwork if the competition's winners have inspired them, as their submissions could be displayed in the show's gallery. Megan gives congratulations to all the competition's participants, stating that they're going to take a break, but when they come back, they'll be playing Wheel of Truth as well as making some lovely homemade gifts.

#### Disrupt's 3rd Transmission

As the winner of the Visions Of The Future contest is being revealed, Disrupt will attempt to hack into the broadcast.

##### Path B

The Corporate Disrupt logo fades in as Gordon Goodman tells the viewers Disrupt has a proud history of lobbying for real jobs for 'real people', and that they only partner with brands that share those values. He states that they're delighted to announce partnerships with Rymmington-Svist, Stank Beverages, and Empire Tobacco, mentioning that they're brands that made the country 'what it is', brands the viewers can trust, and brands that can help make them great once again. The Corporate Disrupt logo fades in as the transmission ends.

##### Path C

The Disrupt logo fades in as Alan James defiantly faces the camera from a distance, with his hands on his hips. He states that he's spent his whole life searching for truths, and while sometimes he's found them, other times he's not been so lucky. Alan informs the viewers how he used to rant about 'belief juice', and a 'drug in the water', mentioning that he's wrong and admits it. He declares the drug not to be in the water, but in the screen, and in this show. He points towards the aforementioned screen, claiming it to be the viewer's belief juice and explaining that they drink it nightly through their eyes, which makes them stupid and asleep. The Disrupt logo fades in as the transmission ends.

##### Path D

The Disrupt logo fades in as Alan James faces the camera, with his hands in his pockets. He tells the viewers that he wants to talk about Peter Clement. Alan admits he didn't like Peter Clement much, thinking his 'Man of the People' act was simply an act. Alan states that, in the six years since Peter's death, he's started to wonder if Peter was the only thing keeping the 'breaks' on Advance. He additionally wonders if Julia Salisbury realises that about Peter when she reflects on his passing. Alan notes that, comparably worse, Julia Salisbury might've instead known about it all along, and states that then 'it's not reflection. It's motive'. The Disrupt logo fades in as the transmission ends.

## Break 1

Jenny announces a one-minute break, telling the studio crew to lose the set. Megan asks what happens to the displayed art, and Jenny answers that they mostly just chuck them out as they've got so many of them. She walks off as Megan carefully removes 'People's Parade' from the board, looking at it affectionately before walking off as well.

As Megan does this, Robyn and Not Patrick sit down on the Couch of Chat as Sarah asks them how they're going to be getting home. Robyn tells her that she usually walks, as her flat isn't far from the Studio, and Not Patrick mentions, as he takes off his apron, that he's on the bus. Sarah tells the two that neither of them will be leaving how they normally do for the night, stating that she'll get cars arranged for both of them. Robyn and Not Patrick look at her uneasily as she instructs them to find her when they're done, and that she'll take them out through the loading bay.

During the break, Boseman calls Alex again, mentioning that the Vision Mixer is continuing to deteriorate, and as such, they'll likely face additional mechanical difficulties in the upcoming segment. He informs Alex that he's going to be away for a moment due to being handed a videotape claimed to need his urgent attention (Path A), stresses how important it is that the two of them keep the night's show going (Path B), remarks that nothing matters other than the broadcast finishing due to having handed his notice of resignation in the morning (Path C), or tells for Alex to do what they want as nothing they put out matters anymore (Path D).

Back in the Studio, Colin complains to Sarah about how the noise outside of the building is playing havoc with the sound. She replies that it's bad outside, and that the Community Cohesion Officers are being stretched again. Colin disregards her statement, adding on that he's had to use a high-pass filter. Sarah pauses briefly in astonishment, then exclaiming to him that it's a revolution. Turning to her, Colin remarks if she can ask the revolters to keep it down a bit, and walks off.

Meanwhile, Jordan Rankly, Megan, Robyn, and Not Patrick are seated on the Couch of Chat. Jordan sighs as he looks at the script he's holding, calling out for Jenny who appears from behind a potted plant between the two couches. He asks her where Glyn is, and whether or not they can get him out there, as he's not sure about his 'grandma' line. Jenny tells him that Glyn is busy writing with their other guest at the moment, and he explains that he just wouldn't say 'grandma'. Robyn suggests 'Grandmother' as something more fitting, and Jordan Rankly agrees, mentioning that 'Grandmother's arsehole' is much better.

Sarah then hurriedly walks up to Jenny, whispering something into her ear. Jenny turns to face everyone seated on the couches and asks if she can have their attention, saying that Sarah just needs a word. Sarah states that there has apparently been some sort of disturbance near the Studio. She reassures that it's likely nothing to worry about, but mentions that she's asked for extra security anyways, who is already on their way. Jenny thanks her, announcing that there are 10 seconds before the end of the break and instructing them to get into their positions and pose. Sarah and Jenny both walk off as Megan tells Robyn that, this time, she's said the statement that is the cause for the group's acknowledgement. Robyn gives a confirmation, and Jenny instructs them to be laughing as she then proceeds to count down to the end of the break.

## Segment 2

Everyone seated on the Couch of Chat erupts into laughter, facing Robyn as she nods. Megan welcomes the viewers back, apologizing and explaining that they were saying how they can't wait to taste Not Patrick's 'pie'. Robyn remarks that she thinks she could wait as Not Patrick then pulls the aforementioned 'pie' out from behind the couch. The group expresses disgust at Not Patrick's crude imitation of a pie, and Megan says it looks amazing, asking Jordan how Not Patrick did.

Clasping his hands together, Jordan exclaims that the 'pie' has more crust than his grandmother's arsehole. Not Patrick thanks him for his comment, instructing the others to dig in to his 'pie'. Megan and Robyn both take forks and grab very small pieces. They both find the 'pie' revolting, Megan noting that it's 'really something'. Inhaling sharply, she tells him that he'd better get ready for the show's next feature, and everyone but Megan walks off-screen.

Covering her mouth briefly, Megan explains that they play a game of 'Wheel of Truth' every night with their celebrity guests. She says she knows what the viewers are thinking, and how only one celebrity guest is present, telling them that they're well observed. She rhetorically asks whether she should bring the surprise guest out, before introducing said surprise guest as best-selling author, lawyer, thinker, and 'only the bloomin' Team Leader', Julia Salisbury.

A voiceover says Julia Salisbury's name as she approaches Megan. The two exchange greetings and compliment each other's attire. Megan remarks for her to not get too comfortable, stating that it's time to head over to Robyn and Not Patrick as they play Wheel Of Truth.

### Wheel Of Truth

#### Title Sequence

The Wheel Of Truth title sequence starts with a gold-colored background that pans between several people making celebratory gestures. A wheel separated into 8-parts of alternating blue and orange colors begins to spin, and white text saying "Wheel Of Truth" appears in the centre of the screen, in time with a chorus' pronunciation of the title.

Back in the Studio, Robyn and Patrick are seated at a podium to the left of the Wheel of Truth. Julia and Jordan are similarly seated in, albeit smaller, podiums to the right of the Wheel. Robyn introduces it as the part of the show where celebrities are pitted against each other to see if they can be broken. Not Patrick agrees, elaborating that the celebrities are going to spin the wheel to pick a round, and they really have no idea what's in store as it could be anything from Box of Flies to 'Slap My Face'.

Robyn instructs Jordan to go first and give the Wheel a spin. He does so, and the Wheel Of Truth jingle plays as the Nightly Show hosts make sounds of anticipation. Once it stops spinning, Robyn pulls a disk off from the top of it, exclaiming that the round is 'Fact or Fib'. A voiceover repeats the name of the round.

She asks Jordan if it's true that he's been known to order takeaway for a dinner party and pass it off as his own cooking. He puts his head in his hands before wheezing and answering that it only happened one time. Julia remarks that if the pie Not Patrick made was anything to go by, he did the dinner party guests a favour. They all laugh, and Not Patrick tells Julia not so fast, before introducing her own Fact or Fib question. A voiceover repeats the name of the round once again.

Not Patrick mentions they've heard Julia has a very interesting way of saving time during the laundry. Julia expresses disbelief, pointing off-screen before repeatedly refusing to answer. Not Patrick encourages her, instructing her to tell them about it. Julia relents, requesting for them not to judge her. She begins to answer but hesitates, turning to Jordan and exclaiming that she's going to lose her job over it. Jordan grabs her by the shoulder, reassuring her that they're all friends and encouraging her to continue.

Julia states that she only has one bra. Robyn and Not Patrick both look at each other in amusement as Julia continues, saying she washes it one day a week, but on that day, she can't wear it. Everyone bursts into laughter, and Robyn remarks for Julia to raise her taxes as they're clearly not paying her enough. Grabbing her by the shoulder again, Jordan offers for Julia to come to his dressing room after the show, saying that they'll get her sorted out.

Robyn turns to Not Patrick, asking whether he's blushing and if all the talk about bras is embarrassing him. He laughs uneasily and adamantly denies it, but Julia exclaims that he is blushing. Everyone laughs again, and after a pause, Not Patrick gestures at Julia, telling her to 'spin the bloody wheel'. Julia spins the Wheel, wondering what the round is going to be, and the Wheel Of Truth jingle plays as the Nightly Show hosts make sounds of anticipation. Once it stops spinning, Not Patrick pulls a disk off from the top of it, exclaiming that it's 'Guess That Face'. A voiceover repeats the name of the round.

Not Patrick explains to the contestants that he's going to show them a picture, pausing as he states they simply have to 'Guess That Face'. Robyn and a voiceover say the name of the round in unison with him. Not Patrick asks if Julia is ready, and she nods. He reveals a portrait of a young girl from inside of his and Robyn's podium, showing it to the contestants. Not Patrick asks Julia who the young girl is, and upon him showing the portrait to Robyn, pointing at it and laughing, Robyn asks if the young girl is Julia. Julia expresses embarrassment, explaining to Not Patrick and Robyn that it was a very difficult time for her, 'fashion-wise'.

Jordan exclaims that the younger Julia's hairdo is fucking hilarious. Robyn tells Jordan not to say such, saying that she thinks it's sweet. Mocking a commentator's voice, Jordan turns to Julia and declares that the mullet is as popular now as it has ever been. Not Patrick instructs Jordan not to get too ahead of himself, lowering the portrait of a younger Julia back underneath the podium. He pulls out a second portrait of a young child with a bowl cut, showing it to everyone else and asking Jordan who it is and if it looks familiar at all.

Julia remarks that she's glad she was getting fashion advice from someone 'who managed to make seven look like 85', and Jordan demands to know where the Nightly Show hosts got the monstrosity of a picture from, exclaiming that the picture of him makes it look like he's haunting the fucking place. They all laugh, and Not Patrick lowers the portrait back under the podium. Robyn tells everyone that they've got to move on, instructing Jordan to spin the Wheel again. Jordan spins the Wheel, and the Wheel Of Truth jingle plays as the Nightly Show hosts make sounds of anticipation. Once it stops spinning, Not Patrick begins to remove a disk, but stops and laughs as Robyn tells him that it's her turn to remove one. He apologises, explaining that he loves the game so much. Robyn then pulls a disk off from the top of the Wheel, resting a hand on Not Patrick's shoulder and remarking that he's in for a treat, as the round is 'Fact or Fish'. Not Patrick expresses amazement at what round it is, as a voiceover repeats the name of the round.

Robyn instructs the contestants to look under their podiums, saying that they'll find a fish smoothie. Julia and Jordan both reach into their podiums, pulling out small shot glasses filled with white liquid. They both inspect the glasses and gag in reaction to the smell. As they do so, Robyn continues, explaining that she's going to ask them both a question, and all they need to do is answer it honestly otherwise they'll have to drink the fish smoothie.

The two contestants uneasily agree, and Robyn asks them which of the two hosts, between her and Not Patrick, are the more talented one. Julia and Jordan turn to face each other, nodding. In mutual agreement, they raise their shot glasses and clink them together, chugging the fish smoothies. Almost immediately, the two spit their drinks out. Robyn expresses frustration at their cop-out, and Not Patrick asks the contestants how the fish smoothies are. Julia doesn't answer, hovering behind Jordan as he leans against his podium and exclaims that they're fucking putrid. He tells the Nightly Show hosts that he needs his mouth, asking if they know how much his taste buds are worth.

Not Patrick tells them that they've got enough time for one more spin, encouraging Julia to quickly spin the Wheel. She spins the Wheel, and the Wheel Of Truth jingle plays as the Nightly Show hosts make sounds of anticipation. Once it stops spinning, Not Patrick first looks at Robyn, checking if it's his turn to grab a disk. He then pulls a disk off from the top of the Wheel, but doesn't say the name of the round, instead instructing Julia to look in a box under her podium.

Julia leans down, before quickly shouting that there's a rat, and both her and Jordan jump back in a mixture of fear and surprise. Robyn turns to look at something off-screen, and after a short pause, she and Not Patrick begin to laugh. As Julia directs her attention back underneath her podium, glancing at it uneasily, Robyn remarks that she thinks Lord Cheeks is trying to get in on the game. Not Patrick asks Julia what she has in the box, asking whether or not its cheese. Robyn laughs at Not Patrick's joke, telling him that it was a good one.

Pulling out several juggling balls, Julia smiles, asking what she's supposed to do with them. Not Patrick instructs her to juggle, but Julia explains that she has absolutely no idea what she's doing. Robyn encourages her, and a chant for Julia to 'do it' is started by her, Not Patrick, and Jordan. She begins to juggle the balls, much to the surprise of herself and everyone else. Once she finishes, the Nightly Show hosts clap for her, and Robyn says it was so impressive and unexpected. Directing her attention towards the viewers, Robyn tells them that that was their game of Wheel of Truth, asking Not Patrick whether it was fun or not. Not Patrick agrees, and the two contestants nod as he adds that it's time to head over to Megan in, said in unison with Robyn, 'Crafty Corner'.

As the title sequence begins to play, Julia moves Jordan out of her way and rushes out of the Wheel of Truth set, towards the set of 'Crafty Corner'.

#### Disrupt's 4th Transmission

As Julia Salisbury is having her turn during 'Fact or Fib', Disrupt will attempt to hack into the broadcast.

##### Path B

The Corporate Disrupt logo fades in as Gordon Goodman says that, at Disrupt, they understand the viewer's frustrations. He claims that they built the nation, rhetorically asking if they did it to wait in line while outsiders fill up their hospitals, and to lose a job to someone who doesn't even speak their language. He tells the viewers no, adding that Disrupt doesn't think so either. The Corporate Disrupt logo fades in as the transmission ends.

##### Path D

The Disrupt logo fades in as Alan James faces the camera, with his hands in his pockets. He tells the viewers that they once fought 'and died' for the right to an informed choice, and had journalists they could trust, allowing them to make decisions for the greater good. Alan states they took it for granted, and that all they have now is bread and circuses. He warns the viewers to 'eat your sandwiches, and enjoy your clowns', while they still can. The Disrupt logo fades in as the transmission ends.

### Crafty Corner

#### Title Sequence

The Crafty Corner title sequence starts with a yellow background of a desk surrounded by various craft supplies. Purple text saying "Crafty Corner" appear in the centre of the screen, in time with a chorus' pronunciation of the title.

Back in the Studio, Megan greets the viewers, stating that she's today going to be assisted by Julia in 'Crafty Corner'. She gestures for Julia to come over, and Julia gives a wave towards the camera as she arrives. Megan remarks that she doesn't know how Julia is keeping her dinner down, mentioning that she can still smell the fish. Julia replies that she's had worse, and that she used to eat at Peter Clement's house.

Megan tells Julia that she hopes she's got her 'artsy hat' on, explaining that they're going to be making their little studio, which she describes as something close to her heart. She gestures to a diorama of the Nightly Show studio, asking if it isn't adorable and noting that it has paper cut-outs of the Nightly Show hosts sat on a model sofa next to the Wheel Of Truth. Julia is stunned and says to Megan that it's gorgeous. Megan requests for a camera to zoom in on the diorama, and then tells Julia about how she always leaves her holiday shopping to the last minute. Julia agrees, stating that she does the same every year. Megan replies that the studio dioramas fortunately make amazing gifts, and suggests they 'get cracking' on one, much to the agreement of Julia.

Megan explains that they're going to start with a shoebox, placing it on the desk in front of her. As she does so, Julia looks around, grabbing a pair of scissors from underneath the desk. Megan instructs her to take the scissors and cut the front panel of the shoebox, and as Julia begins cutting, asks if she's big on celebrating in her household. Julia replies that she is, and her family shows their love through food, with big dinners and loads of drink. Megan agrees that such is the best bit about any holiday, 'all that food!'

Julia asks if she should completely cut off the front panel of the shoebox, and Megan tells her that she is absolutely right, elaborating that viewers at home should be careful with scissors, and supervised, if they are a child. Julia finally separates the front panel of the shoebox, placing it off-screen. Pulling out another shoebox with a white-painted interior, Megan explains that it was painted with poster paint to match the color of the curtains in the studio, and that the shoebox Julia is working on is going to look something like it, though with whichever backdrop is liked.

Megan continues, stating they're going to begin constructing pieces of set to put in the studio, such as a little desk. She pulls out a piece of card she says she got from a cereal box packet, and offers it to Julia, instructing her to cut along the drawn lines. Julia thanks her, and as she begins cutting, Megan asks Julia what she thinks the best part of any Leaders' Day dinner is. Julia replies that she doesn't even have to think about it, and loves the Three-Potato Pie. Megan hesitates, mentioning that she doesn't know that food, and Julia explains that it's the one with chips covered in mash, and all wrapped up in a jacket potato. She pauses, looking around and asking if it's just her who does that.

Megan replies that she doesn't know, but the Three-Potato Pie sounds starchy. As Julia finishes cutting, Megan instructs her to fold the card, and presents a pre-made example to the viewers of what the completed desk should look like. She places the model desk in the white-painted shoebox, saying that sticky tape is added to the back so that it sticks down. Megan then explains they next need a sofa, and that it's going to be made out of a paper cup.

Julia fumbles around under the 'Crafty Corner' desk, knocking objects over, but reappears with a paper cup in hand. Megan instructs her to cut along the middle of the cup, then around the bottom, and again, around the top. Presenting several model sofas, she explains that the finished product is going to look something like them, and that she's stuck some felt down to make the sofas nice and comfortable. Julia remarks that they can't have their tiny Megan having an uncomfortable sofa, and Megan agrees as Julia continues, saying that the aforementioned tiny Megan will be on the phone to her tiny agent and getting someone tiny fired. Julia smiles as Megan uneasily agrees once more, pausing before telling Julia that only one thing is missing and asking her what it is. Julia questions if it's 'a higher calibre of guests', and Megan replies that her answer was nearly correct, as the sets are just missing people.

She explains that all she's done to make her little people is stick a cocktail stick into a bottle cap. She places an example into the white-painted shoebox, stating all that is needed left is a face. Megan takes a small cut-out picture of herself and attaches it to the cocktail stick with sticky tape. As she does so, she knocks over the felt seating on the model sofas, and then reattaches them. Megan mentions that she feels a bit lonely, and brings over two cocktail stick-figures of Robyn and Not Patrick, placing them next to her figure. Taking her own figure, Julia says that she'll just make herself comfortable in the spot Megan is in, removing Megan's own cocktail stick-figure and placing it in the corner of the shoebox.

Megan tells the viewers that the figures are all made and cut out of favourite newspapers and magazines, and that they can have any guests they like. Moving the two model studios off to the side, she asks Julia if there's anyone else she'd like in a studio. Julia answers affirmatively, taking her own cocktail stick-figure and placing it in the Wheel Of Truth diorama of the Nightly Show studio featuring a lone figure of Megan. She demands for Megan to put her figure away, and places both her own figure down as well as a cocktail stick-figure of Ronnie from HeatRash, remarking that he's going to be teaching her choreography, and she'll be teaching him foreign policy.

Megan says that the model studios can be decorated however one wants. Walking towards additional sets, she gestures towards one and suggests that if the viewers are nostalgic for the old look of their studio, they've got a studio designed in blue. She continues, additionally suggesting a bit of 'retro red', and begins to mention the example set's design of Sheila Quickstep being interviewed, but pauses, as the other figure in the scene is of Jeremy Donaldson. She hesitates, turning Jeremy Donaldson's figure around to face the wall and mentioning that it's not supposed to be there.

Julia tells Megan that they're out of time. Before the ad break starts, she explains that when they come back, she'll be on the Couch of Chat talking to some of the viewers, and that she just cannot wait.

## Break 2

Jenny announces that they're out, and Julia asks Megan what happened leading up to the break. As Megan takes the Jeremy Donaldson figure in hand, she replies that she doesn't know, and that she just 'blanked'. Patting her on the back, Julia remarks that at least one of them is in control and begins to re-arrange the props from the set replicas. Megan stares blankly at the figure of Jeremy Donaldson, holding it as she walks off.

While this is occurring, Colin sits down on the Couch of Chat, next to Not Patrick's 'pie'. He sighs, before noticing it and exclaiming that Not Patrick did remember to give him a gift. Grabbing it, Colin grins and runs off-screen as Sarah and Jenny walk past him. Jenny asks Sarah if they should be worried about the event occurring outside due to having the Prime Minister with them. Sarah replies that it's good Julia Salisbury is there, as she's the reason for the extra security. Jenny questions if they're going to need said extra security, and she answers it's possible, due to 'them' being back. Jenny explains that her statement isn't very reassuring, and Sarah says that she knows, remarking that it's a good thing she's not her mum.

During the break, Boseman calls Alex, telling them he's seen what was on the footage and that it needs to be broadcast (Path A), warning them that something important is about to happen and for them to keep the show going no matter what happens (Path B), beginning to inform them about something before knocks are heard at his office door and the call is cut amidst sounds similar to that of an angry mob (Path C), or questioning why the two of them even bother with their jobs anymore (Path D).

### Path A

Back in the Studio, Megan and Jenny are both seated on the Couch of Chat, glancing at Julia off-screen and commenting on how she looks 'too fucking comfy'. Jenny stands up, walking off as she mentions that the broadcast signal is active and that they should get set up.

Robyn and Not Patrick both walk on-screen and sit on the couch across from Megan. The two of them bicker over Not Patrick taking Robyn's parking space, with Robyn mentioning that it's 'bollocks' because he has the nicer dressing room, while Not Patrick in return says that she always gets the pastries first and doesn't see him bitching about it.

Julia approaches and sits down next to Megan, saying that the broadcast has been nice and asking if she agrees. Megan smiles at her as Jenny announces that there are ten seconds remaining in the break. Robyn and Not Patrick proceed to bicker over the proper pronunciation of the aforementioned 'pain au chocolat' pastries, before quickly turning to face the camera as Jenny then proceeds to count down to the end of the break.

### Path B

Back in the Studio, Julia Salisbury and Sarah are both seated on the Couch of Chat, with Colin hovering behind them. He briefly interacts with Julia's microphone pack as she asks Sarah whether they're concerned with the resurgence of Disrupt. Sarah answers that they're not strong enough to be a threat, with public opinion never truly being with them, even at their peak.

Off-screen, Jenny tells someone not to worry, and that she'll 'deal with it'. She approaches the Couch of Chat, followed by Megan, Not Patrick, and Robyn. Jenny warns Sarah that a couple crew members mentioned seeing men in balaclavas near the loading bay. Sarah says that she'll check it out, and Robyn decides to come with her. Jenny remarks for her to make sure that they're not all about to get blown up, and Sarah replies that she thinks such is unlikely. Both her and Robyn walk off as Not Patrick whispers to Jenny that he'll go make sure everything's ready.

Julia remarks to Megan and Jenny that she hopes when she takes over as the new regular host, things will become a little less chaotic. Megan asks her for clarification, and Julia questions if Boseman didn't tell her that she'd be there every night. Megan answers that she missed that meeting due to being at an appointment, and Julia tells her not to worry as it's not like she's being fired, and she'll be changed to some position like Culture Correspondent. Megan's mouth gapes as Julia pleads for her not to be upset, claiming it to be nothing personal and supposedly just good for the ratings.

Megan gives an acknowledgement to Julia's statement, and Jenny announces that there are ten seconds remaining in the break. Megan turns to face Jenny, who answers that she's 'on it', walking off as she then proceeds to count down to the end of the break.

### Path C

Back in the Studio, Julia Salisbury is seated on the Couch of Chat while Sarah stands behind it. She warns Julia that the resurgence of Disrupt is bad, and while they don't have as many forces as they once did, they're still much more than expected. She adds on that they're also better organized, noting it's like someone experienced is running things. Julia says that they were stopped before, and can be stopped again, nodding towards Sarah and thanking her.

Sarah tells Julia that there's one more thing she needs to say, as Megan and Jenny enter. Megan sits down on the Couch of Chat as she states there's apparently chatter amongst Disrupt's forces regarding Julia's presence, and that while she's requested backup, her and the rest of the security forces are stretched pretty thin. Julia remarks that she receives death threats like other people receive post, and that she's learned to take it all with a pinch of salt. Sarah acknowledges her statement and walks off, receiving thanks from Julia.

Jenny comments that the conversation sounded deeply worrying. Julia says she'll get used to it, as she herself has, to which Jenny replies that she hopes she won't have to. Julia turns her head, questioning if Boseman didn't tell them something. Megan immediately asks for clarification, and Julia mentions that she's sure Boseman will tell them when the time is right, telling her to forget she said anything, Jenny remarks that she literally didn't say anything, walking off and announcing that there are ten seconds remaining in the break.

Julia whispers to Megan that she doesn't think Jenny likes her very much, and Megan replies that it's just how she shows love. They both turn and face the cameras as Jenny then proceeds to count down to the end of the break.

### Path D

Back in the Studio, Julia, Megan, Robyn, and Not Patrick are seated on the Couch of Chat, with Colin standing behind them. After being questioned by Robyn, Colin explains that he's quadruple-jointed. Megan tells him that such a thing doesn't exist, but he refutes her claim, mentioning that contortionism runs in his family, and that the Sprongs are 'huge' in circuses and casino heists. He walks off, adding on that they're obviously also huge in brothels.

Sarah and Jenny then approach the Couch of Chat. Sarah asks if everybody is okay, and Megan replies that they would be if she stopped asking them questions like that. She continues, warning that they're expecting troublemakers, though nothing serious, and elaborates that they might hear some noises though it's nothing to be concerned about. In a cheerful tone, Jenny instructs nobody to freak out when the shooting starts, remarking that the show must go on. She then says "Tits and teeth!" but pauses, looking at the ground and apologizing to Julia.

Julia laughs, thanking her and replying "Tits and teeth, armed and ready." Jenny walks off, announcing that there are ten seconds remaining in the break and requesting for someone to kill her. Megan remarks that she's the best in the business, and everyone turns to face the cameras as Jenny proceeds to count down to the end of the break.

## Segment 3

#### Footage Not Played

If Alex has a positive relationship with Boseman, he tells them over the intercom that he trusts they had their reasons for not playing the footage, and that if he didn't like them so much, they'd be out the door in a heartbeat. He notes what's done is done, and they now have to live with Alex's decision, hoping that the two of them can.

If Alex has a negative relationship with Boseman, he's instead outraged, telling them to consider this their last broadcast. He states that, after the night's broadcast is through, they're no longer welcome at the Channel One building, and can be damn sure they'll never work on television again.

Back in the Studio, (...)

#### Footage Played

In the Studio, as the footage is being shown, Helen begins to sing the first verse of the National Anthem. The music suddenly stops, and she looks around, asking what happened. Megan and Julia both call out to Jenny, who walks to the centre of the Couch of Chat. Standing behind a potted plant, Jenny explains that they're not being broadcast, as Alex is putting something else out. Julia requests to see what's being shown. As a crew member takes Helen's microphone off-set, she sits next to Not Patrick on the Couch of Chat, and everyone begins to watch the footage off-screen.

The footage depicts Julia Salisbury and Thomas Wellington in the Prime Ministerial office at Advance HQ. Thomas tells her that there's no point in trying to hide 'it', as it's a challenging situation. Julia questions how it has happened, as she was assured the test was 99% safe. Thomas replies that, 'sadly', the results fell into the difficult 1%. (...)

Back in the Studio, (...)

### Path B

(...)

As Julia makes her insistent demands, Boseman mockingly asks her what she said, noting that the intercom seems to be broken. As he says this, he pours liquid over the intercom, and it shorts out, cutting him off.

#### Footage Played

In the Studio, as the footage is being shown, Julia begins to apologise to regular viewers of the Nightly Show who she suggests may have been upset by what they've witnessed. She claims that, 'clearly', Jeremy Donaldson's time on the run has affected him in ways that could be considered upsetting. As she continues to speak, the light on her camera turns off, and she hesitates, asking what's happened. Megan answers that Alex played the footage, and it's being broadcast now. Julia turns off-screen, telling the studio crew to get her a monitor and let her see the footage. A crew member wheels in a TV as she sits down on the Couch of Chat to watch.

The footage depicts Julia Salisbury and Peter Clement in the Prime Ministerial office at Advance HQ, amidst an argument. Peter calls Julia a duplicitous bitch, saying that something isn't fucking good enough. Julia pleads for him to understand, but he refutes her, telling her that she is the one who has to understand, and that the fourteen million deaths on their hands is 'unthinkable'.

Julia answers that Peter's response is exactly why she didn't tell him, and he acknowledges it's because she'd know he'd try to fucking stop her. She calls him a 'bloody liability', asking whether he can't see that, and that neither drunk nor sober he cannot be trusted. Peter states that he's the fucking Co-Prime Minister, and supposed to be Julia's friend. Julia replies that he'll maybe see she had his best interests at heart, saying that it isn't on him and calling him a lucky bastard as he gets to sleep at night. Peter, in response, exclaims that he hasn't slept for weeks.

Julia questions what Peter would've done if she had told him what they were planning. He answers that he'd have stopped her, and would have gone on the fucking news and exposed her if he had to, but that he would've stopped her regardless and she can be fucking sure of that. Julia notes that as a result of his hypothetical actions, the whole country would've fucking starved, and while he agonized over his morals, them, with all their good work, would be gone and wiped out.

Peter questions her mentions of 'good work', exclaiming that it's been three weeks and the fucking fires are still being put out. Julia suggests they talk about it tomorrow, but Peter replies that tomorrow, he's going to be on every news channel in the world, telling people 'what a fucking monster' Julia is. She denies his claims, stating that tomorrow he'll come back to the office and do his fucking job, just like she has to.

After a pause, Peter exclaims 'Jesus Horatio Facefucker Christ', dejectedly saying that he doesn't even know who she is anymore, and walks off. With Peter gone, Julia picks up the phone on her desk, telling for someone to get 'Adrien at the services'. Once her call is transferred, she apologizes to Adrien for bothering them so late at night, mentioning that 'that thing [they] discussed' needs to be put into action. Julia answers that she's sure, and how Adrien was right about Peter being a liability. She requests for Adrien to 'make it quick', as she doesn't want Peter to suffer, and tells them to let her know when it's done, with no paperwork and nothing for anyone to trace back. She thanks Adrien, wishing them a good night too, and hangs up. Julia begins to cry, but regains her composure. Dusting herself off, she walks away, and the footage ends.

Back in the Studio, the room is silent. After a pause, Megan turns to Julia and asks if she has any comments for the viewers at home, noting that they surely have lots of questions. Julia hesitates, answering that it isn't what it seems to be. Megan refutes her answer, saying it seems to show her ordering 'the cold-blooded murder of Peter Clement'. Jenny suggests that Julia may need a bit of Betterment herself.

Julia orders Jenny not to judge her after the 'stunt' they pulled tonight, reminding that she works for her. Jenny denies her statement, walking to the center of the room. Julia rises from her seat to meet her. Jenny gives Julia her access pass, stating that she quits. She informs her that there are about two minutes left in the broadcast, and hands Julia her stopwatch. Jenny turns around, telling the security officers that they can take her away, as she's done. An officer zip-ties her hands, and the two walk off.

While Jenny is being apprehended, Julia tosses the access pass behind her, turning around and putting a hand on her head. Megan stands up, and asks if Julia has anything to say. She deliriously replies that everyone who works for the show is 'done', and that the programme is cancelled, 'effective immediately'. Julia states that they're all fired, but retracts her statement, instead ordering that they all be arrested. Megan turns around to face the officers, telling them that she isn't the criminal there. She notes they all saw the footage, and as such, know who should really be arrested. The two officers turn to glance at each other.

Julia shouts that she is the Prime Minister, and will 'always do what it takes to keep-', but gets cut off by Megan. She states that Julia isn't above the law, and nobody is. Julia pauses, looking around the room. She orders the officers behind Megan to 'do [their] bloody job'. Begrudgingly, they do, and as one officer walks off further down the room, one approaches Megan.

As Megan is apprehended, she tells Julia that there will be elections. She turns to face one of the cameras, asking the viewers whether they'll demand it, and that there'll be a new government, a new start, and new journalists. Megan suggests their replacements might be better than they were, and that it might all be better next time.

She tells the officer arresting her that she can be taken away now, and she's slowly walked out. As Megan leaves, she warns Julia that 50 seconds are left in the broadcast, and that she can't leave any dead air as 'that's a crime too'. Not Patrick is similarly escorted out of the Studio in cuffs, and Sarah leaves too, following the other officers.

Julia looks around, glancing at Jenny's stopwatch. She notes that 45 seconds are left, asking what can be said in 45 seconds, in a soundbite, or a headline. Julia wonders how the shades of grey can be conveyed when there's only enough air-time for 'crass blacks and whites'. She asks that, even if she could, would the viewers watch? Julia questions if they'd change the channel and look for something more exciting, and less boring than the news. She claims that, if that really is what the viewers would do, is it all really her fault, or could it instead, in some profound, incredibly complex way, also be their fault. Before the broadcast ends, Julia states that she will make tomorrow better.

### Path D

(...)

As Alan pleads to Alex, Boseman remarks over the intercom that he's glad he's not the one making Alex's choice.

## Break 3

### Path A

#### Salisbury Triumphant

Jenny announces that they're out, as Julia says the show was great and that she'll see everyone on Monday. She then tells Helen that they must talk, informing that she's having an event at her mansion and inviting her to come and perform. Helen agrees, and they both walk off-screen. Colin moves the microphone off the set as Jenny walks behind the Couch of Chat.

The Nightly Show team remains silent, and after a long pause, Robyn asks the rest of them what happens now, Not Patrick additionally asking if they even still have jobs. Megan asks Jenny if she knew about Julia Salisbury taking over as host, wondering how she could be an anchor as she's never even been a reporter. Jenny replies that it's news to her, as Not Patrick pats her on the leg and mentions they'll maybe make Megan a Culture Correspondent.

Everyone glares at him, and Robyn informs him that it's too soon, suggesting they go for a drink. The two of them leave, with Megan and Jenny alone in the room. Jenny says for Megan to put her chin up, as tomorrow is another day. Megan places a pillow on her lap, venting that she backed Julia all the way, that Boseman is supposed to be her friend, that they're going to demote her, and that they want to get rid of her. Jenny notes that all of such seems to be true, pausing and smiling as she tells Megan 'and yet, you persist'.

#### Sterility Exposed

Jenny announces that they're out, walking behind the Couch of Chat to stand by Megan. Not Patrick puts his head in his hands, and the Nightly Show team remains silent. After a long pause, Robyn asks what happens now, and Not Patrick replies that he guesses they all get fired. Jenny tells them that Boseman wants to see them all on the fifteenth floor, and Robyn replies that 'that's that then'.

Megan warns them not to rule Boseman out yet, claiming he plays his cards close to his chest and still hasn't forgiven Advance for putting the network into public ownership. Jenny agrees, reminding them that Boseman is the one who put Jeremy Donaldson in the news anchor position in the first place. Upon mention of Jeremy's name, Robyn asks if he would've been proud of them for the events of the night. Jenny replies with a damn straight, and after a pause, Megan adds that he would have fucking loved it.

### Path B

#### Donaldson Foiled

Julia walks away from the Couch of Chat, demanding Megan and Jenny come to her. She turns to face them as they approach, and Jenny pleads to not be arrested, citing that she needs the job. Julia tells them that she understands why they pulled 'this childish stunt', mentioning she can't say she wouldn't have done the same 'for a friend'. Megan replies that it won't happen again, and she agrees that it won't. After a long pause, satisfied by their lack of a response, Julia instructs them to get back to work.

#### Clement's Fate

The lights in the Studio come back on as Julia Salisbury stands alone, silent. She looks around, sighing in defeat, and glances at Jenny's stopwatch, proclaiming 'We're out of time.'

### Path C

In both variations of Path C, no footage is shown during the break, as the camera feeds are immediately cut at the end of Segment 3, either by Alan James' bomb vest or by Advance's Emergency Response Unit.

### Path D

#### Disrupt Unmasked

Jenny announces that they're out, and Julia rises from the Couch of Chat, exclaiming that all of them and the channel are 'done'. Alan interrupts her, saying they're both done instead, as both Advance and Disrupt have been exposed. Jenny walks up behind Jeremy, stating to Julia that her security team will escort her out when she's ready and, turning to Alan, suggests calling him a taxi. Alan questions where he would go, and Jenny replies that he can go wherever he wants. After a pause, Jeremy looks up at Julia, asking if he's under arrest. She smirks, noting that she thinks he knows he's made doing such impossible. She walks off, and so do Alan and the other Disrupt fighters.

As Alan walks away, he tells Jeremy that his bosses won't be pleased with him. Jeremy comments that Alan's bosses were just child sex traffickers and wannabe dictators, the natural enemies of the reporter. After both parties leave, Jenny suggests that they go and see Boseman. Megan adds that they'll do it together, and Jeremy agrees, remarking that they should burn the set afterwards.

## Adverts

There are three selections of adverts for this broadcast, one of which can change depending on choices made:

* Advance: Thank You - Advance: Stay Alert
* Advance: Daily Report
* Advancements

## Trivia

* Lord Cheeks' scientific name, 'Adipem Stultus', is Latin for 'fat fool'.
* The 'Still Life and The Future of God' art piece seen during 'Visions of the Future' was made by NotGames Creative Director Alex Paterson.
* The fish smoothies seen during the 'Wheel of Truth' consisted of a mixture of marshmallow fluff, water, and food colouring.
* The 'Julia is the Best' song heard during Path A was sung by by Millie Racklyeft, the daughter of Julia Salisbury's actor Claire Racklyeft.

## References

1. ↑ https://twitter.com/notgamesuk/status/1578445120931856398
2. ↑ https://clips.twitch.tv/AcceptableClearAdminRiPepperonis-s6grO2q3v6c181nU
3. ↑ https://clips.twitch.tv/PlacidSleepyHeronPeoplesChamp-F6m1hm-pH6mKau3M