Andhadhun

Andhadhun (transl. Blindly) is a 2018 Indian Hindi-language black comedy crime thriller film co-written and directed by Sriram Raghavan, produced by Matchbox Pictures, and distributed by Viacom18 Motion Pictures. The film stars Tabu, Ayushmann Khurrana, and Radhika Apte, and tells the story of a blind piano player who unwittingly becomes embroiled in the murder of a former film actor.

The script of Andhadhun was written by Raghavan, Arijit Biswas, Pooja Ladha Surti, Yogesh Chandekar and Hemanth M Rao. The film was edited by Surti, and K. U. Mohanan was its director of photography. Amit Trivedi composed songs for the film and Jaideep Sahni wrote the lyrics. Raftaar and Girish Nakod co-wrote the title song as guest composers.

In 2013, Rao suggested to Raghavan that he watch L'Accordeur (The Piano Tuner), a 2010 French short film about a blind pianist. Raghavan liked the film and decided to base a script on it. Khurrana was cast in the lead role after he contacted Raghavan and expressed an interest in working with him. The film was shot in Pune in 44 days spread over more than a year; principal photography began in June 2017 and ended on 17 July 2018.

Andhadhun was released by Viacom18 Motion Pictures theatrically in India on 5 October 2018 to critical acclaim. Critics highlighted the writing, and Khurrana and Tabu's performances. It won four awards, including Best Director and Best Screenplay, at the Screen Awards ceremony and five Filmfare Awards, including Best Film (Critics) and Best Actor (Critics) for Khurrana. It also won three National Film Awards: Best Feature Film in Hindi, Best Actor for Khurrana, and Best Screenplay. The film was produced on a budget of ₹32 crore (US$4.5 million) and has grossed over ₹456 crore (US$64 million) at the worldwide box office.

## Plot

Aakash is a great pianist, who fakes being blind to improve his piano skills. While crossing the street, he is knocked over by Sophie. Sophie takes care of Aakash and soon they begin an intimate romantic relationship. Sophie is impressed by Aakash's talent and gets him an engagement at her father's diner. At the diner, a retired actor, Pramod Sinha, notices Aakash and invites him to perform for his wedding anniversary. Akash arrives at the Sinhas' flat and Pramod's wife Simi opens the door. Simi, convinced that Aakash is blind, lets him play the piano. Aakash sees Pramod's dead body nearby but feigns ignorance and continues to play; he also sees Manohar, Simi's affair interest, hiding in the bathroom. Simi and Manohar clean the body and stuff it into a suitcase while Aakash plays.

Aakash tries to report the murder to the police, but discovers that Manohar is a police inspector. Meanwhile, Simi overhears her elderly neighbour, Mrs. D'Sa, talking to a police officer about Pramod's murder. Simi later kills Mrs. D'Sa by pushing her off the ledge of their apartment. Aakash sees the murder but is forced to continue feigning ignorance. Later when Simi brings poisonous offerings for him after her husband's last rites and pulls out a gun, Aakash admits to faking his blindness as an experiment to help his piano playing. He says he will leave for London and will keep Simi's secret, but she drugs him.

A neighbour's child, suspicious of Aakash's blindness, records a video of Aakash fully able to see and shows Sophie. As Sophie arrives, Simi arranges things to look like she and Aakash are having sex. Furious and heartbroken, Sophie leaves Aakash. When he wakes up, he realizes he has been blinded from the drug Simi gave him. Manohar comes to Aakash's home to kill him. Aakash barely escapes, but he faints after hitting a telephone pole.

Aakash wakes up in an illegal organ harvesting clinic. Dr. Swami and his assistants Murli and Sakhu decide to spare Aakash when Aakash reveals he has information that will make them millions. They kidnap Simi, stage a suicide scene, and blackmail Manohar. However, Murli and Sakhu double-cross Aakash, tie him up with Simi, and plan to take the money themselves. Manohar shoots Murli but is trapped in an elevator and accidentally shoots and kills himself. The money is revealed to be counterfeit. Simi helps Aakash free himself and he removes Simi's blindfold. He tries to escape, while Simi frees herself and attacks him. Dr. Swami enters; after a brief fight, he and Aakash knock Simi out, tie her up in the boot of a car, and drive away. Dr. Swami reveals that Simi has a rare blood type and that her organs would sell for millions; he also plans to use her corneas to restore Aakash's sight.

When Simi awakes in the car boot and begins making noise, Dr. Swami stops the car to kill her, but she overpowers him and seizes the wheel. Aakash, thinking Dr. Swami is still driving, tries to persuade him to release Simi. She drops Aakash off and tries to run him over. A nearby farmer who is trying to kill a hare misses, causing the hare to jump and hit the windshield. Simi loses control of the car and is killed.

Two years later at a gig in Kraków, Sophie finds Aakash, who still appears to be blind. After Akash tells her the whole story, Sophie tells Akash he should have accepted Dr. Swami's offer to restore his sight as well as part of the reward money of ten million dollars. Silently, Aakash leaves and uses his cane to knock a can out of his path.

## Cast

* Tabu as Simi Sinha

* Ayushmann Khurrana as Akash Sarraf

* Radhika Apte as Sophie, Akash's girlfriend

* Anil Dhawan as Pramod Sinha, a former film actor & Simi's husband

* Zakir Hussain as Dr. Swami

* Ashwini Kalsekar as Rasika Jawanda, Manohar's wife

* Manav Vij as Inspector Manohar Jawanda, Rasika's husband

* Chaya Kadam as Sakhu Kaur, Murli's wife

* Pawan Singh as Murli Kant, an auto-rickshaw driver & Sakhu's husband

* Mohini Kewalramani as Mrs. D'Sa

* Gopal K Singh as Sub-Inspector Paresh

* Rashmi Agdekar as Daani Sinha, Pramod & Simi's daughter

* Kabir Sajid Sheikh as Bandu, Akash's neighbor

* Rudrangshu Chakrabarti as Murli

* Pratik Nandkumar More as Surya

* Mahesh Rale as P. Kamdar

* Abhishek Shukla as Animal Hunter

* Jaydutt Vyas as Alurkar

## Production

### Development

Director-writer Sriram Raghavan saw *L'Accordeur* (*The Piano Tuner*), a 2010 French short film about a blind pianist, in 2013 at the recommendation of his friend, filmmaker Hemanth M Rao. Raghavan said although his film is different, the French film was its "basic germ". He wanted Rao to write a script based on the short but Rao was directing a film of his own. Raghavan then worked on *Badlapur* (2015) and had the "gist of the story". After reading about *Kaabil*, which is also about a blind man, he was about to start writing but stopped, thinking having two films about blind people would be "crazy". Raghavan later resumed the script, taking a different approach.

The idea of a blind pianist performing while a body is being dumped and a crime scene cleaned up fascinated Raghavan, who had written a similar scene for his previous film, *Agent Vinod* (2012), in which a blind girl plays the piano while surrounded by mayhem. Raghavan wrote the script with Arijit Biswas, Yogesh Chandekar, Rao and Pooja Ladha Surti. He gave the story idea to Varun Dhawan while they were working on *Badlapur* but Dhawan became busy with other films and the script was left unfinished. Raghavan discussed the scenes with the writers, who reacted as viewers.

Raghavan and Biswas were unhappy while translating the dialogue from English to Hindi because they thought in English. Raghavan told Biswas to write the dramatic dialogue in Bengali, which was "at least the Indian idiom". Surti wrote another version of the dialogue because her Hindi was better than that of the others. Raghavan cited the television series *Fargo* and the film of the same name as an inspiration, calling them "realistic and yet ... bizarre". One of his friends was in a situation similar to one in the film; he then realised old Hindi films use "piano songs" and decided make the blind pianist the main character.

### Casting and Filming

Ayushmann Khurrana heard about the film from casting director Mukesh Chhabra and contacted Raghavan, expressing interest in working on it.[6][11] Raghavan conducted screen tests of the scene in which the protagonist wakes up blind: "There were two pieces – when you are acting blind and when you are actually blind, and we tried both. I wanted to see what the difference in his body language would be." Khurrana, who played the piano in the film,[6] met several blind students and observed "how [a blind pianist] plays, conducts and moves his hands". Khurrana studied piano for four hours daily under Akshay Verma, a pianist based in Los Angeles, and did not use a body double in the film. He called it the "most challenging role" of his career.

Raghavan told Khurrana not to watch films with a blind protagonist and took him to the National School of the Blind. He said, "Since no two persons are the same, I picked up the nuances, learnt how to hold the stick and climb the stairs". Khurrana made omelettes and walked on the street blindfolded.[14][11] He was given a pair of special lenses that impaired his vision by around 80 percent. His body language changed because he could no longer see properly. After wearing the black glasses, his vision was affected by 90 percent and he shot the entire film like that. Raghavan called Radhika Apte, who agreed to play Khurrana's love interest. Several scenes were improvised. Tabu Hashmi was Raghavan's first choice for Simi. He did not brief her about scenes and they "kept developing [the character] as it went". Anil Dhawan played a former actor, a version of himself.

Raghavan said he wanted to make a "fun sort of thriller" to follow Badlapur. According to him, Andhadhun is not a whodunit; " ... The audience knows all along what's happening and why. It's the characters who don't." The film was shot in Pune; filming took 44 days over more than a year because none of the actors were available for a long shooting schedule. Principal photography began in June 2017 and ended on 17 July 2018. Raghavan and the film's director of photography K. U. Mohanan decided to "restrict everything to Akash's point of view" so the audience could see what Akash sees. There were no close-ups in the piano-playing scene, which was extensively rehearsed with several assistants to fit its timing into the four-minute piano piece. It was not rehearsed with the actors; Raghavan told them to "just do the scene" and gave them a time frame; "We didn't want it to look practiced; we needed that uncertainty". The film's first shot was rehearsed with Khurrana for three months.Raghavan called Andhadhun "a fun film in the macabre sense of the word", with moments of "wickedness and brutality".

Raghavan wanted the film to have an open ending and considered several options. The producers Viacom 18 were apprehensive about audience acceptance of an open ending but Raghavan persuaded them. Its working title was Shoot the Piano Player, which was changed because the producers felt an English title would "alienate people". The title is a play on the word andhadhund, which means reckless or relentless, and "a play on blind tune and trance". The film was edited by Pooja Ladha Surti, and Snigdha karmahe, Pankaj pol and Anita Donald were its production designers. It was produced by Viacom18 Motion Pictures and Matchbox Pictures.

## Soundtrack

The title track of the soundtrack of *Andhadhun* was composed by Raftaar and Girish Nakod, and Amit Trivedi composed the remainder of it. The album's lyrics were written by Jaideep Sahni, Raftaar and Nakod. It was released on 21 September 2018 on the label Zee Music Company. Vocals were provided by Trivedi, Raftaar, Ayushmann Khurrana, Arijit Singh, Abhijeet Srivastava, Aakansha Sharma, Shadab Faridi and Altamash Faridi. The background score was composed by Daniel B. George.

The album received a mainly positive response from critics. Devansh Sharma of Firstpost called it "sweet, edgy, peppy and meditative in equal parts", and said, "Overall, the music of Andhadhun is an example of what the piano is capable of in depicting varied seasons and moods". According to Gaurang Chauhan of Times Now, the album "has the old world charm to it, the one we have been missing from today's time". Devarsi Ghosh of Scroll.in also praised the album, saying; "Where Trivedi really shines – and seems to have sweated on – are the two piano pieces titled Andhadhun Theme 01 and Andhadhun Theme 02". She said the pieces "evoke pleasantness one minute, dread in the next, and several other moods in between".

Garvita Sharma of The Times of India wrote that it "may not be the best album by Amit Trivedi" but "it's still a standout for it goes hand-in-glove" with the film's theme. Joginder Tuteja of Bollywood Hungama wrote that the album begins well but he found the "overdose of songs" causes it to lose "the sheen that it gathered at the beginning". Umesh Punwani of Koimoi said, "With the entire symphonic approach, Amit Trivedi has proved why he's the best choirmaster Bollywood has ever had".

## Release

*Andhadhun* was scheduled for release on 31 August 2018 but its release was postponed until 5 October; the producers announced the delay in a trailer. Raghavan originally wanted the film's trailer to only contain sounds because it is the story of a blind man but the studio was "shocked" at his suggestion. After several discussions, they agreed on a trailer. Raghavan "didn't want to give away too many things about the film" in the trailer and the studio eventually accepted his view. The trailer was released on 2 September 2018.

The film was released on 800 screens across India, and is available on Netflix. It was screened at the 2019 Indian Film Festival of Los Angeles where Tabu was honoured. *Andhadhun* was released in China as *Piano Player* on 3 April 2019. On 28 August 2019, the film was released in South Korea in over 90 screens.

## Reception

### Critical Response

*Andhadhun* was critically acclaimed. Raja Sen called it a "rare treat" and a film that is "so compelling that it may universally be considered irresistible". Saibal Chatterjee of NDTV wrote, "Watch *Andhadhun* with your ears, eyes and minds open. You will come away with your senses heightened." Rajeev Masand called it a film with "many pleasures ... chief among them is the thrill of being constantly surprised". He praised Khurrana's and Tabu's performances, calling them "in solid form" and "towering". Renuka Vyavahare of *The Times of India* also gave the film a positive review, calling it an "engaging thriller that keeps you on your toes and leaves you guessing all the way". Sreehari Nair of Rediff.com wrote, "This must be the only blood thriller in the history of Indian movies that ends up giving you a high ... a pure high!" Ankur Pathak of HuffPost cited it as "the best film of 2018 so far" and "a film worth watching and then rewatching".

Shubhra Gupta of *The Indian Express* called *Andhadhun* "racy, pacy and appropriately pulpy" but said it becomes a "tad heavy-handed and dull" after a while. Shibaji Roychoudhury of Times Now said the second half was predictable and "falls flat" but called the film "thrilling, full of compelling performances and exceptional sound design that will keep you at the edge of your seat". Sushant Mehta of India Today wrote, "Raghavan's ability to shock an entire cinema hall including the most immovable, emotionless fan coupled with his ability to make the audience laugh during these moments where your heart is in your mouth defines his unique brand of cinema".

Anupama Chopra wrote, "The surroundings – high-rises, leafy streets and old houses in Pune – seem perfectly normal but what's happening inside is deliciously twisted. There's murder, betrayal, sex and a mountain of lies. In short, you can't look away." Udita Jhunjhunwala of *Mint* praised Khurrana's acting, calling it a "taut performance that balances vulnerability with craftiness", and said Tabu "runs away with the show". Nandini Ramnath of Scroll.in wrote that the film has a "strong flavour of the Coen brothers at their peak, but also enough nods to Raghavan's longstanding interest in the dynamics of the perfect crime and the hustlers and flimflam artists who populate pulp detective stories". She said although the film's runtime was a stretch, it "slides into place as smoothly as one of Akash's piano pieces". Shaheen Irani of *Deccan Chronicle* wrote, "Sriram has done a fab job in keeping dark humour intact with several quirky and surprise elements that will make you cover your face too".

Shilajit Mitra of *The New Indian Express* said in a review that "Raghavan creates a world interchangeably familiar and pulpy" in which he "strings together ingenious set-pieces and populates them with wryly-written characters". Troy Ribeiro of Indo-Asian News Service called the film a "taut, skillful and surgically effective murder mystery" and said; "For most of its length, *Andhadhun* functions so efficiently that we put the cause and its effects on hold and go with the action". Manjusha Radhakrishnan of *Gulf News* described the film as an "unapologetic celebration of vitriol, darkness and mean-spiritedness". Namrata Joshi wrote, "While seemingly giving things away, Raghavan is actually always a step ahead of the viewers in the cat-and-mouse game".

Poulomi Das of Arre also gave *Andhadhun* a positive review, saying; "The film is all about clever writing, top-notch execution, and hard-hitting social commentary – but it is also a triumph of casting, and an ode to actors". Shilpa Jamkhandikar of Reuters said "*Andhadhun* ticks all the right boxes" that should be "savoured." Kumar Shyam of *The National* wrote, "Drawing the viewers into multiple situations of right and wrong, black and white and then shades of grey, the climax also ends on a similar note with a deliberate climax, typical Hitchcockian, between salvation and revelation". Stutee Ghosh of The Quint said, "*Andhadhun* deserves praise and full attention ... Make sure to not miss anything, not the opening scene nor the end credits". Anita Iyer of *Khaleej Times* called the film a "crisply-edited, fast-paced narrative that keeps you on the edge of the seat throughout". J. Hurtado of Screen Anarchy said; "*Andhadhun* shows that this veteran director knows how to make this kind of twisty genre gem better than almost anyone in India". He included it in his list of 14 Favorite Indian Films of 2018.

### Box Office

*Andhadhun* was produced on a budget of ₹32 crore (US$4.5 million) and earned ₹2.5 crore (US$350,000) on its first day of release. The film's box office take increased with positive word of mouth and it grossed ₹5.1 crore (US$720,000) on its second day. It earned ₹15 crore (US$2.1 million) in its first weekend and grossed ₹41.1 crore (US$5.8 million) in ten days. The film became profitable before its theatrical release through the sale of its satellite television rights, which were sold to Colors. At the end of its six-week theatrical run, *Andhadhun* had earned ₹101 crore (US$14 million) at the box office, mainly from Mumbai. The film also did well internationally, earning ₹10.4 crore (US$1.5 million).

Prior to its release in China, *Andhadhun* had grossed ₹106 crore (US$15 million) worldwide, including ₹95.63 crore (US$13 million) in India and ₹10.37 crore (US$1.5 million) overseas. In China, the film surpassed its Indian lifetime collection within six days. *Andhadhun* has grossed ₹335 crore (US$47 million) in China, for a worldwide total of ₹456.89 crore (US$64 million).

## Remake

Actor Thyagarajan Sivanandam has bought the rights of the film's Tamil remake. His son Prashanth Thyagarajan will be playing Khurrana's role while Simran will reprise Tabu's role. Telugu remake will be directed by Merlapaka Gandhi, featuring Nithiin Reddy and Tamannaah in the lead roles.