The Color of Friendship

**The Color of Friendship** is a 2000 Disney Channel Original Movie directed by Kevin Hooks. It is based on actual events about the friendship between two girls; one from the United States and the other from apartheid South Africa, who learn about tolerance and friendship. The film was released on February 5, 2000.

## Plot

In 1977, Piper Dellums is a black girl who lives in Washington, D.C. with her father, Congressman Ron Dellums, an outspoken opponent of the South African apartheid system and the oppression of black South Africans, her mother Roscoe Dellums,  and two younger twin brothers, Brandon and Erik. Piper, who has been taking an interest in the different nations of Africa, begs her parents to host an African exchange student.

Meanwhile, in South Africa, Mahree Bok is a white South African who lives in a manor house with her parents and little brother Rian. They comfortably benefit from the system of apartheid without questioning its morality; Mahree's father, Pieter Bok, is a South African policeman who cannot hide his joy when Stephen Biko (a black South African man fighting against apartheid) has just been captured. They also have a black maid, Flora, whom Mahree, in her racial blindness, considers her best friend, not realizing that Flora is not satisfied with her life under apartheid. However, Mahree's observation is not entirely wrong, as Flora is a kindly woman who is indeed friendly with the Bok children, believing that gentleness and persuasion work better than agitation. Flora tells Mahree that when she was a little girl she would observe the weaver bird, which has many different styles of plumage, and its communal nest-building, which is used as a metaphor for the possibility of racial harmony that Mahree does not understand at the time. Mahree also asks her parents for permission to study in America, which is granted by her father, who believes she will either get homesick or realize that America is not a paradise.

Upon meeting each other, both Mahree and Piper have misconstrued notions about each other's countries: Mahree does not think that there are black politicians, only knowing the patriarch of her host family is "Congressman Dellums", and although Piper is expecting a South African exchange student, she does not realize there are white residents. Mahree reacts with horror bordering on panic when confronted with this new situation and locks herself in Piper's bedroom when she is brought to the Dellums' home. Eventually, Piper picks the lock on the door to bring Mahree some fries and a chocolate shake. Mahree is standoffish, and Piper, upset by her attitude, tells Mahree how disappointed she is in her. Stunned by this, Mahree sees how rude she's been, and agrees to stay and try to make this work. Roscoe tries to play peacemaker, chalking up Mahree's reaction to misunderstanding and culture shock, while telling Ron and Piper they have been judgmental as well.

During Mahree's stay, she and the Dellums family grow close. Mahree sees people of different races getting along and realizes how much she and Piper have in common. The two become good friends and Mahree also begins to see her host family as individuals and learns to live among them day to day. Gradually, she develops a better understanding of what life under apartheid must be like for black South Africans.

When Stephen Biko dies under suspicious circumstances in the custody of South African police, there are mass protests around the world, including at the South African embassy in Washington, D.C. In the wake of these protests, South African embassy diplomats arrive at the Dellums’s' house and take Mahree to the embassy, intending to send her back to South Africa. In response, Ron goes to the South African embassy. After he threatens to tell the press that the embassy kidnapped Mahree from her host family, the embassy releases Mahree. Mahree returns to the Dellums' without fully understanding what happened to her and why, and during her discussion with Piper she makes a cold offhand comment about Biko's death. Outraged, Piper shouts at her for being blind to the racial struggle happening in South Africa. Hurt, Mahree runs outside but Ron follows her. He tells Mahree that the United States had a long, hard history of trying to overcome problems, which is what South Africa is doing now, and she finally fully grasps what the liberation fighters in South Africa stand for. She and Piper reconcile.

An epilogue-like scene at the end of the movie shows Mahree with the Dellums’s at an African pride event back in America. Ron Dellums delivers a speech that includes the weaver-bird story, as told to him by "a new friend from South Africa."

Mahree leaves the United States, now a very different person. When she returns home, the first person she greets is Flora. Secretly, Mahree shows her an ANC flag sewn inside her coat, signifying her decision to side with the black liberation movement. Flora is touched and pleased. Mahree then releases the weaverbird.

## Cast and Characters

* Shadia Simmons as Piper Dellums
* Lindsey Haun as Mahree Bok
* Carl Lumbly as Congressman Ron Dellums
* Penny Johnson as Roscoe Dellums
* Anthony Burnett as Brandy Dellums
* Travis Davis as Erik Dellums
* Melanie Nicholls-King as Flora
* Susan Danford as Merle Bok
* Stephen Jennings as Pieter Bok
* Michael Kanev as Rian Bok
* Ahmad Stoner as Daniel
* Ryan Cooley as Billy
* Erik Dellums as Oliver

## Production

The Color of Friendship was written by Paris Qualles and directed by Kevin Hooks. The film is based on two separate instances in which the Dellums family hosted a white South African teenage girl as an exchange student. Both instances were combined into a single story for the film. Filming took place in Canada, and was underway in Toronto during September 1999. The film's production designer was Arthur W. Herriot.

## Release

The Color of Friendship premiered on Disney Channel on February 5, 2000, during Black History Month. The film was released on VHS on January 8, 2002.

## Reception

Lynne Heffley of Los Angeles Times praised the cast and called the film "surprisingly compelling", and stated that while it is "frequently predictable", it "delves unexpectedly deeper, too." David Kronke of Los Angeles Daily News noted that the film did an "admirably handy job" of educating children about apartheid, and called it a "thoughtful, entertaining family film that tackles its issues matter-of-factly and directly". Ramin Zahed of Variety praised the cast and noted the "smart usage of '70s songs" as well as Herriot's "picture-perfect production design."

Scott Hetrick of the Sun-Sentinel called the film "entertaining and enlightening," stating that it had a "terrific story that is wonderfully told and thoroughly fulfilling." The Seattle Times wrote that the film "breaks the nauseatingly simple 'after-school special' mould of most child-friendly tele-flicks" and that it "is certainly one of the better films you'll see on the channel". Paul Schultz of New York Daily News wrote that the film "grapples with apartheid head on, yet incorporates it into an engrossing, and touching, family story." Schultz further wrote that the "changes of heart" between Mahree and the Dellums family are "most affecting" and that the "story and the human dynamics here are so inherently dramatic that the heartfelt script seems to write itself. The performances are wonderful, and when politics arise it seems natural."

In June 2011, Stephan Lee of Entertainment Weekly wrote that the film "rocked!" In 2012, Complex ranked the film at number 10 on the magazine's list of the 25 best Disney Channel Original Movies (DCOMs). In May 2016, Aubrey Page of Collider ranked each DCOM released up to that point, placing The Color of Friendship at number 15. Page stated, "It's totally fair that The Color of Friendship is one of the most lauded instalments in the Disney franchise," writing that the film features a "comparatively unflinching look at race relations" and that it "scores extra points for refusing to shy away from the more difficult sides of racism, making sure to drive home the harsh realities of racially-motivated violence." That month, Ariana Bacle of Entertainment Weekly wrote that Disney Channel "took a risk by unapologetically making a completely necessary albeit heavy statement about prejudice with one of their kid-focused films, and it was well worth it."