recursal/Fanatic-Fandom huggingface dataset:
James Kennedy - New World Order

'New World Order' is an experimental electronic piece of noise music composed & produced by James Kennedy and is the 4th track on his 2012 solo album '9.i.P.'

'New World Order' is an abrasive noise piece similar to Japanese noise artist 'Merzbow'. Kennedy is a fan of noise music & cites Japanese band Melt Banana as a big influence. The piece was created by putting various large sounds (Pianos with all the keys pressed simultaneously for example) through chains of distortion and then layering them on top of themselves to create the 'hell like' end result we hear on the track. There are screams & all sorts of nightmarish sounds added and further distorted using digital processing. Whilst the piece isn't technically 'white noise', the end result is somewhat similar.

Aside from Kennedy's enjoyment of noise music (as noticed in much of the earlier Kyshera work also), the piece was part of '9.i.P.'s continued experiment in to seeing whether genuine listening experiences & emotional responses in the listener could be generated by music which has no pitch, rhythm, harmony or structure.
Gas Velenoso

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## Gas Velenoso

### Turni d'attesa utilizzo

2

**Gas Velenoso** (**Poison Gas** in lingua inglese) è un attacco di tipo Erba introdotto in Dynamons.

## Effetti

Il gas velenoso ricopre l'arena di una nube narcotica che causa danni al Dynamon avversario.

## Dynamons che utilizzano la mossa

* Aviatos
* Crocynos
* Earthadera
* Eraseon
* Evren
* Flowingo
* Gomingo
* Jeempy
* Jempking
* Jubipod
* Leafrog
* Pumpking
* Quacko
* Sharkonyx
* Sneg
* Snig
* Spikeolyx
* Tuffnut
* Vertoad
* Visi
* Znarlyx

Colpo Di Coda •
Foglie Proiettile •
Frustata di Liane •
Fuoco Solare •
**Gas Velenoso** •
Liane Avvolgenti •
Pianta Carnivora •
Pioggia di Rocce •
Pioggia di Spore •
Raggio Arcobaleno •
Scudoroccia •
Spaccalberi •
Spaccarocce
James Kennedy - The Joes

'The Joes' is an Acoustic Pop Rock song & is the 2nd song on the 2013 James Kennedy album 'The National Health Service'. The words, music & production are by James Kennedy.

'The Joes' is a fun, upbeat & simple acoustic Pop Rock song with sparse instrumentation including acoustic guitar, electronic drum loop, strings & vocals. The song features intricate acoustic Guitar riffing & a funky, syncopated feel. Lyrically, the song is a comment on the modern age of social media where everybody can expect to be taken seriously as an expert in anything they choose because they can make it seem that way online. The song takes a comical, tongue in cheek approach to the subject by using examples of wannabe pilots crashing planes because they haven't actually spent the years in training and of a football game where the audience sees itself as of equal skill to the players, so they inundate the pitch and ruin the game for everyone including themselves. Kennedy's point in the chorus is that 'its a hard time' to be an expert in something when actual talent & graft has been oversaturated with relentless amateur content in all areas of life.

LYRICS

You’re a thousand miles high
Chauffeured through the sky
But Joey wants to fly the Plane
‘cos he says he’s real good at computer games

And as you crashed
He was singing a song he wrote
About the movie that he made
Based on the book he wrote just yesterday

It’s a hard time to be new
It’s a hard time to be real
It’s a hard time to be you
When it’s just a good time for the Joes

And as the crowd invades the field
All promoting paper shields
In the stadium that hosts no games
Just the roar of a million names

And so they say
The spectator sees more of the game
So sit back, enjoy the scene
And clear the way for the players to play

It’s a hard time to be new
It’s a hard time to be real
It’s a hard time to be you
When it’s just a good time for the Joes
Kyshera - Break This

'Break This' is an Alternative Rock song & the 6th song on the 2015 Kyshera album 'Circle'. The words, music & production are by James Kennedy.

At this point in the album, the central character has fully realised that fame, success & wealth has brought a lot in to his life that has made him more unhappy than he was when he had nothing because it has come at the expense of actual relationships & intimacy. He blames himself but also his fans for accomodating his isolation from real life and he plans to 'Break This'. The song is the central character talking to his fans, albeit in his head. His plan is to commit suicide but to do so on stage so that his fans can see the true 'nightmare behind the dream' of fame & success and share with him that reality. The suicide attempt doesn't happen until the following song on the album, 'Endgame', but 'Break This' is mostly about someone wanting to destroy everything in order to start again and take down with them all those they thought were their ally but were in fact aiding their ruin.

The song was a single from the album and one of Kyshera's most popular songs at live shows. The song features spacey Synths, syncopated riffs, crowd chants & several main hooks. 'Break This' was one of the singles from the album and accompanying video, made by Scott Carey was shot at the Ebbw Vale Institute.

LYRICS

So you’ll have the song
But not the singer no more
I should be dead and gone
To live forever in your heart

Ain’t that how the story’s meant to end

I gave you all of me
And you took it so greedily
But you always loved me most
In broken pieces, so now…

Before I disappear,
I am only here
To break this,

And I’m taking all of you with me
All the way down
If you wanna know how it feels
Well you’re gonna found out

Guilty, my destiny
Just as guilty as you

So this is how it feels
The story was always real for me
‘Cos all good things must come to an end
But the bad are meant to last forever
So move on and leave the pieces behind

‘Cos before I disappear,
I am only here
To break this,

And I’m taking all of you with me
All the way down
If you wanna know how it feels
Well you’re gonna found out

Guilty, my destiny
Guilty of humanity
Just as Guilty,
Just as Guilty, as you

Break this x3

What if I’m as guilty as you?
I’m just, I’m just, I’m just, I’m just as guilty as you

So I’m taking all of you with me
All the way down
So if you wanna know how it feels
Well you’re gonna found out

Guilty, my destiny
Guilty of humanity
Just as Guilty,
Just as Guilty, as you

Break this x3
Anello del Fuoco Rabbioso

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## Anello del Fuoco Rabbioso

### Turni d'attesa utilizzo

2

**Anello del Fuoco Rabbioso** (**Rage Fire Ring** in lingua inglese) è una mossa di supporto di tipo Fuoco introdotto in Dynamons World.

## Effetti

L'anello del fuoco rabbioso aumenta la difesa del Dynamon che la utilizza e gli conferisce lo stato di Collera.

## Dynamons che utilizzano la mossa

* Embaryx
* Horzaryx
* Jubiferyx
* Lionydys
* Moltanyx
* Robocanyx

Calpestio Equino •
Cortina di Fumo •
Fornace •
Infiammata •
Pietrefocaie •
Respiro di Fuoco •
Rocce di Magma •
Spirale di Fuoco •
Tempesta Pirica •
Torre di Fuoco •
Vulcano
Peeta Cadbury (Earth-1)

**Peeta Cadbury**, also known as **Candyman**, is a supervillain active in Paradise City and an enemy of Glutgut.

## Powers and Abilities

Cadbury's body is made of a combination of sucrose and a rubber-like substance known only as Dip. This makes him highly malleable and elastic, while the superhumanly high sugar concentration in his blood gives him unlimited energy and superspeed. His candy blood can also mind control people when consumed, and at higher doses turn them into candy monsters subservient to him.

## Personality

He's quirky at best and outright crazy at worst, but hides behind a faux serious and affable persona. His smile and soft voice can get creepy at times, as he manages to mantain a seemingly calm demeanor even when furious. Although ambitious and cruel, he has his limits; never using his powers on children, for example.

## Trivia

* The villain's clothing resemble Willy Wonka from British children's novel Charlie And The Chocolate Factory, especially the 1971 movie adaptation starring Gene Wilder.
* His real identity, Peeta Cadbury, is a reference to the multinational British chocolate factory Cadbury.
* The character concept was entirely created by player Bunnies, who plays Glutgut. His candy theme matches the hero's compulsion for eating.
James Kennedy - Live

'Live' is an Acoustic Pop song & is the 4th song on the 2013 James Kennedy album 'The National Health Service'. The words, music & production are by James Kennedy.

'Live' is a simple Acoustic ballad with sparse instrumentation including Acoustic Guitar, Piano, strings, Bass & vocals. The heartfelt song is gentle in nature & is a personal & honest expression by Kennedy of his awareness that he frequently takes for granted those closest to him whilst being so focused on his work. Whilst constantly looking 'forward', he is aware that he often neglects the present & doesn't take stock of the past. He realises that ultimately what he is 'striving' towards is already there 'right behind' him, if only he'd slow down enough to appreciate it.

LYRICS

Every day that passes by on this ride
Believe there’s a yearning always there, deep inside
When I wake up, when I wake up and I’m somewhere
When I wake up, when I wake up and you’re not there

I run and I climb
With the weight of the world bearing down on me
Always striving to get to who is always
Right behind me

I live like today is always tomorrows yesterday
But how many years will pass you by, living this way
When I wake up, when I wake up and I’m somewhere
When I wake up, when I wake up and you’re not there

I run and I climb
With the weight of the world bearing down on me
Always striving to get to who is always
Right behind me

When I fall you catch me
But like a springboard
I’m back to chasing your shadow

Will I wake up, will I wake up and see the now
Will I wake up, will I wake up and turn around

I run and I climb
With the weight of the world bearing down on me
Always striving to get to who is always
Right behind me

‘Cos everyday that passes by…
James Kennedy - Sleeping Horses

'Sleeping Horses' is an Acoustic Pop Rock song & is the 7th song on the 2013 James Kennedy album 'The National Health Service'. The words, music & production are by James Kennedy.

'Sleeping Horses' is an emotional, acoustically orientated ballad with sparse instrumentation consisting of acoustic guitar, Piano, strings and vocals. The songs lyrics have been interpreted in many different ways but Kennedy describes the song as being about a person who is a relentless self sacrificer. The song tells the story of a girl who puts her 'dreams on hold' to carry 'Sleeping Horses' rather than just waking them up. The story ends with the girl eventually drowning whilst carrying Horses through a river. The moralistic tale was inspired by several people in Kennedy's life who he'd witnessed leading needlessly self-sacrificing lives to their own severe detriment.

LYRICS

She will be her own worst enemy
While a saint to you and me
She lives to give
Never acting to receive
And her words you can always believe

She gets deeper while she carries Sleeping Horses
She would never burden the causing hand with their causes
With her dreams on hold and feelings swallowed with a smile
She would never dream of waking up the sleeping horses

She could be anything she wants to be
But she’s weak to a help appeal

She gets deeper while she carries Sleeping Horses
She would never burden the causing hand with their causes
With her dreams on hold and feelings swallowed with a smile
She would never dream of waking up the sleeping horses

There’s no glory in being the Martyr
Your glory is in being just the way you are

Her open heart, the bystanders all agreed
Was her Achilles Heel

She gets deeper while she carries Sleeping Horses
She would never burden the causing hand with their causes
With her dreams on hold and feelings swallowed with a smile
She would never dream of waking up the sleeping horses
Kyshera - Paradigm

'Paradigm' is an Alternative Rock song & the 2nd song on the 2010 Kyshera album 'Paradigm'. The words, music & production are by James Kennedy.

The song is mostly in 6/8 timing and Drop D tuning, although sections of the song (such as the intro) feature a wild variety of interchanging time signatures. In a compositional style that marked some of James's other songs around the same period, Paradigm features a lot of musical sections in a series (as opposed to verse / chorus) and the song has no repeats until half way through.

Lyrically, the song is Kennedy claiming that all forms of power function in the same way as organised criminal gangs. In the chorus Kennedy claims that every 'military, industry, corporation' etc are 'self advancing organisms' and that the 'entangled interests' of these various power hubs is 'how the world is run, no less'.

LYRICS

If you want to understand
The real politics of man
From the Empire to the San
Humanity is ruled by gangs

How many differences
Can you see when you scratch the surface
In the rule of crime & the rule of law
Just see your rulers as a gang, nothing more

And pay your protection to Tax man in return
For token gestures that service the lie
Dont cause no tension or Police man footsoldier
Show who’s defence they really provide

And if you choose, its from the few trustable
To nurture the rule, from whom they’re corruptable

Every Military & institution
Industry & Corporation
Secret society & justice system
Is a self advancing organism

If you want to understand
The emancipation of man
Learn by your oppressors hand
That power lies with the strongest gang

Black market crackdown is market monopoly
Illegality serves its maker
Turf expansion in Foreign policy
There’s no question that violence cannot answer

Like Selfish genes, build a body
Bodies build Fraternities
And the maneouvers of entangled interests
Is how the world is run no less

Every society in every nation
Monarchy & Religion
Democracy & Revolution
Is a self advancing organism
Kyshera - Demon

'Demon' is an Alternative Rock song & the 3rd song on the 2015 Kyshera album 'Circle'. The words, music & production are by James Kennedy.

In 'Demon' we meet a new character in the story of 'Circle', literally the inner demon of the central character, who is constantly pulling him back to his vices even though he has just professed on the previous 2 songs to be aware of how destructive & empty they are making his life. The Demon lures him once again into reckless abandon & self righteous excess, proclaiming at the end of the song that 'I always win'. The song makes reference to 'crashing Angels' which ties in with the following song on the album 'Gone' and also the melody from the chorus of 'Inertia' which will demonstrate later in the album how each of these lapses in to the will of his inner demon led him 'in steps so little' to hijacking his own life.

Musically, the song is a mid tempo heavy Alt Rock song with gang vocals on the chorus and a double time middle 8 Riff section.

LYRICS

Scream out if you don’t give a fuck
I don’t give a fuck
Stand out if you’re alive and dangerous
Inertia

I’m not the one you choose
I’m the one that you can’t resist
And you are free
When I’ve got you under my grip

Raise a Glass
As your Angels crash

Take your desires
And live with no limits
You are an animal
And I, I am your Demon

x2

Don’t try to fight it
Be the best Sinner you can be
I am all your vices
And what would life be without me

Raise a Glass
As your Angels crash

Take your desires
And live with no limits
You are an animal
And I, I am your Demon

x3
James Kennedy - Meanings Of Life

'Meanings Of Life' is an Alternative Pop Rock song & the 1st song on the 2017 James Kennedy album 'Home'. The words, music & production are by James Kennedy.

'Meanings Of Life' kicks off the album 'Home' with an anthemic, cinematic feel - big stadium-esque drums, claps & brooding chords. Kennedy layered his voice over 40 times across many harmonies in order to build up the vocal sound used throughout. The short song has a 'questioning', building atmosphere from it which climaxes in the final section. Lyrically, the song is about Kennedy's search for 'meaning' in his life during his emotional 'meltdown' in 2016 in a world where everything has already been done, said, experienced & achieved. As the songs says 'What about us? What do we do? What do we mean?' to which the conclusion Kennedy later came to was that we just 'do it all again'. We do it all again for the fun of doing it, for the sense of purpose it gives us to our lives and the experiences it gives us along the way - which is why the song is entitled the 'MeaningS of Life' plural because there isn't ONE eternal meaning from which we all derive our lives meaning but endless, personal meanings which we derive from whatever we personally hold to be interesting, fun or important. In 1 minute & 44 seconds the song encapsulates at the start of the album, Kennedy's feelings of depression & lack of self worth to his 'coming out the other side' with new clarity & gentler sense of perspective.

LYRICS

When everything’s been said
And everything’s been seen
And after all is done
In every wildest dream
When every truth’s been told
And every lesson learned
And every answer found
And every victory earned

What about us?
What about me?
What do we do?
What do we mean?

We do it all again
We do it all again
We do it all again
We do it all again
SONGS

Every song written & released by James Kennedy. Up to date as of 2018.

**A**

* Ants

**B**

* Behind These Lies
* Break This
* Burning Witches

**C**

* Coalition
* Coma

**D**

* Dark Suits
* Demon

**E**

* Element
* Endgame
* The End
* Entertainer

**F**

* Fiction
* Follow The Leader
* Forbidden
* Frequency 1
* Frequency 2
* Full Circle

**G**

* The Game
* Germ
* Gone
* Good Days, Bad Days

**H**

* Helen
* Home
* Hometown
* House Of Mirrors

**I**

* If
* Inertia
* Insomnia
* Interlude

**J**

* The Joes
* Just a Man

**K**

* Keeping On
* Kill The Messenger
* Know Your Enemy

**L**

* The Labyrinth
* The Last Dance
* Live
* Lust

**M**

* Made In China
* Mannequins
* Meanings Of Life
* Messiah Mask
* Misfits
* Moments Silence

**N**

* Napoleon
* Neurons
* New World Order

**P**

* Paradigm
* Planck
* Planet Earth

**R**

* Reckless

**S**

* The Servant
* Sex & Drugs & Rock'n'Roll
* Shelf Life
* Sleeping Horses
* Spectra
* Sugar
* Superstar

**T**

* Terrorists
* Three (3)
* Time

**U**

* Unconditional
* Under

**V**

* Vote With a Bullet

**W**

* Water Babies
* Wicker Man
* Willing Prey
* The Wrong Size

## **OFFICIAL PAGES**

James Kennedy Official site : www.jameskennedystuff.com

Twitter : @JamesKennedyUK

Facebook : www.facebook.com/jameskennedyuk

Instagram : @JamesKennedyUK

YouTube : www.youtube.com/user/jameskennedystuff
James Kennedy - Insomnia

'Insomnia' is an acoustic Alternative Rock song by James Kennedy which was released as a free track in 2016 on Youtube & Soundcloud.

Kennedy had been having sleeping problems for many years, which he used alcohol to cure every night. When he tried to stop drinking, he found that he couldn't sleep at all and a self destructive cycle was formed. When Kennedy hit his 2016 meltdown and took a year to reassess his life (culminating in his emotional & Top 50 Best Selling 2017 album 'Home'), he continued to experiment with his sleep and one sleepless night, instead of laying there frustrated he decided to write a song about it. The words & music to 'Insomnia' were written that night and Kennedy recorded the song live in just 'one take' the following morning, capturing the genuine feeling of the song. The songs relatable description of Insomnia has made it a favourite among fans and the song is a regular at Kennedys solo shows.

LYRICS

Here we go again, it's 4am
And I'm punching on the pillows
I can't pretend, reach for my phone again
And just wait for tomorrow

I wish I felt so alive in the daytime
But the rats only come out at night
To scurry around my mind

Insomnia, Insomnia
My recurring nightmare
Insomnia, got me prisoner
In my own head

Have I forgotten to sleep?
Or am I sick?
Or is this just a dream?
Another smoke, another drink
Another anything
I just gotta get through this

And I'm so tired of being tired
I'm going crazy
I'm too tired to even sleep
Can someone save me from

Insomnia, Insomnia
My recurring nightmare
Insomnia, got me prisoner
In my own head

I claw at my eyes
I wish I could hide from you
I'm on fire & I'm cramped
And I wish that the silence would shut the fuck up
I crash & I burn, I toss & I turn
I beg & I yearn
For just one nights sleep

But Insomnia, Insomnia
You fucking nightmare
Insomnia, you give me nausia
When I think of you
Insomnia, Insomnia
I love you too.
James Kennedy - Reckless

'Reckless' is a Pop Rock song & the 7th song on the 2017 James Kennedy album 'Home'. The words, music & production are by James Kennedy.

'Reckless' is a funky, upbeat Pop Rock song with some Reggae, Blues, Rock & Gospel influences. The recording features Drums, distorted Bass, clean & distorted Guitars, Hammond organs, Brass, Gospel backing vocals and lead vocals, all performed by Kennedy except the backing vocals performed by Cat Southall. The song is about the undeniable but unspoken sexual tension or chemistry that can happen between 2 strangers meeting for the 1st time. The song is verbalising what both sides are actually thinking and suggesting that they just be 'Reckless'. As every other song on 'Home' is an honest expression of events in Kennedys actual life, it is unclear as to whether 'Reckless' is based on a particular event or person.

LYRICS

Nice to meet ya, but I can’t ignore this chemistry
I can read ya and baby there’s no need to be
A teaser, we could skip from A to B
So I can teach ya, some things you’ve never seen

I’m only saying what’s on our minds
Can’t blame a man for trying
Life can get crazy so why waste time
Playing and denying

I know what you want, you know what I want
Just seize the moment when 2 right’s can’t be wrong
Girl lets move along, what we waiting on?
We ain’t fooling no one when 2, 2 right’s can’t be wrong

I wanna please ya, you’ll be the star of the show
I’ll unleash ya and no one will ever know
How I feast ya, sensory overload
Girl I need ya, so come on let’s hit the road

My cards are all on the table now
So how you gonna play it
We can run but we can’t hide now
So I’m just gonna say it

I know what you want, you know what I want
Just seize the moment when 2 right’s can’t be wrong
Girl lets move along, what we waiting on?
We ain’t fooling no one when 2, 2 right’s can’t be wrong

We can make this night one we won’t forget
Surrender to desire
And just maybe we might do it some time again
If you’re lucky

I know what you want, you know what I want
Just seize the moment when 2 right’s can’t be wrong
Girl lets move along, what we waiting on?
We ain’t fooling no one when 2, 2 right’s can’t be wrong

x2
THE NATIONAL HEALTH SERVICE

'The National Health Service' is the 2nd Solo album by KYSHERA frontman James Kennedy. It was released on May 1st 2013 through Konic Records as a 'digital only' release.

## History

After a very experimental musical period with his previous solo release, the electronic '9.i.P.' and the previous 2 KYSHERA albums, Kennedy found himself enjoying simpler, more traditional songwriting once again and also had a collection of songs that he'd written which didn't fit the KYSHERA sound. He chose to release them as the short & simple side album 'The National Health Service'. Heavily acoustically orientated, the album also sees Kennedy exploring less topical themes with his lyrics and instead shows the beginnings of his expression of more personal themes - something to be pursued further on the subsequent solo & KYSHERA releases. The album was recorded, mixed & mastered by Kennedy at his home studio on a home PC and all of the instruments are performed by Kennedy. Singles from the album include 'Good Days, Bad Days', 'Planet Earth' & 'Live'. Kennedy has hinted at a remastered, re-release of the album on CD at some point in the future.

## Tracklisting

1. Wicker Man - 4:13
2. The Joe's - 3:58
3. Good Days, Bad Days - 3:49
4. Live - 3:44
5. Interlude - 1:17
6. Follow The Leader - 3:44
7. Sleeping Horses - 3:52
8. The Labyrinth - 4:19
9. Planet Earth - 4:07
10. The Last Dance - 5:05

## **OFFICIAL PAGES**

James Kennedy Official site : www.jameskennedystuff.com

Twitter : @JamesKennedyUK

Facebook : www.facebook.com/jameskennedyuk

Instagram : @JamesKennedyUK

YouTube : www.youtube.com/user/jameskennedystuff
James Kennedy - Keeping On

'Keeping On' is a Pop Rock song & the 4th song on the 2017 James Kennedy album 'Home'. The words, music & production are by James Kennedy.

'Keeping On' is an upbeat mid-tempo Pop Rock song with a traditional song structure & an arrangement consisting of Drums, Bass, acoustic, clean & distorted Guitars, electric Piano & Vocals, all performed by Kennedy. Lyrically, the song touches on several themes, the main one being to chase your dreams regardless of whether you succeed or not. Kennedy says in the song that too much focus is given to the lucky 1% of achievers in society & not enough to the bulk of society which makes up most of the fabric of our lives. In the song Kennedy says that "Heroes walk among us & we don't know" and that the "World ain't running on cameos" implying that the temporary 'stars' that come on to our collective consciousness now & again aren't holding society together like the everyday people and that not enough focus is given to those among us who save lives, work, entertain, protect & keep society ticking over. This is further enforced in the line "We are the sky between the stars" implying that the canvas that the 'stars' shine within is actually the majority of humanity, the stars are mere specs which come & go. Kennedy encourages the listener in the song to chase their passions, interests & dreams and that just by doing they will be giving themselves a life full of more stories, variety, fun & lessons - even if they don't succeed in their goal, the goal (the 'destination') is only there to keep them 'keeping on' along the journey. In the 1st verse Kennedy implies that the opposite of this, giving in to fear & failure, leads to other kinds of negative traits and a life of regret, bitterness & unspent potential (i.e. in the line "the devil makes work for idle hands"). All in all the song is a positive, motivational song about living your best life and not comparing yourselves to the media presented version of what constitutes success. As the song says, the only "failure" is in denying yourself the "life you get from trying".

LYRICS

They say the Devil makes work for idle hands
And fear scares the life out of the best laid plans

But failure ain’t failing
It’s depriving yourself of the life you get from trying
This is a call to distraction

Maybe one day we will get there
Maybe we won’t and we won’t care
Maybe the road leads to nowhere
But a lifetime’s guaranteed
The destination you only need
To keep you keeping on

Hero’s walk among us and we don’t know everyday
‘Cos the world ain’t running on cameo’s, no way

And a game needs more than just winners
You learn better lessons from good losers
We are the sky between the stars

Maybe one day we will get there
Maybe we won’t and we won’t care
Maybe the road leads to nowhere
But a lifetime’s guaranteed
The destination you only need
To keep you keeping on

x2
Cooper Armstrong (Earth-1)

**Cooper Armstrong**, also known as **Stretch,** is a superhero operating in Paradise City and a member of the Hypermen. He's played by Roll20 user **Zach P.** during the Hypermen: Rebirth campaign.

## Powers and Abilities

Cooper's body is extremelty flexible and malleable, allowing him to stretch it to absurd lenghts and shapeshift to a certain degree. Thanks to his rubbery body, he's also bulletproof, as any ammunition used against him will simply bounce back.

 Personality

Cooper is a bit shy, but friendly. He loves his mother and his brother (even after the latter inexplicably joined a life of crime), and is loyal to his teammates. He does, however, have a strange, edgy sense of humor, shapeshifting into bizarre, disturbing forms just to rile people up. He's a talented chemist, and the go-to Hyperman whenever someone needs to identify a chemical component or develop a super-serum or special tissue.

## Biography

### Early Life

Cooper Armstrong, a 23 year old college student, never had an easy life. He was ridiculed for weight, had an abusive father, and constantly harassed by some jock he used to know in high school. The only people in his life that mattered were his mother and older brother. His mother taught him right from wrong and that a real man shows mercy. His older brother, Dillon, taught him that no matter the challenge to always bounce back and to fight back against any who'd try to put him down.

### Becoming a Hero

After the Kaalax'taan invasion, Dillon began acting strangely. Sneaking out late at night, Cooper followed his brother to the warehouse district, keeping a safe distance. It was there that he learned a dark secret about his brother. Dillon was one of the Tech Men, a secret criminal organization that wished take over the world using advanced technology, and they were currently loading several drums of unknown content. Just as they were about to leave, Dillon saw Cooper and panicked. Shouting at the others to drive, Dillon kicked the barrel towards Cooper as they burned rubber. The drum hit the wall next him and exploded on impact, dousing Cooper in a blue chemical. Otherwise unharmed, he had to bail as soon as he heard the police sirens. As he ran off, his legs stretched over 20ft and found himself on the roof of a building. Before he could continue running, he felt a hand on his shoulder and was face to face with the hero Paladin. Paladin told him that there were others like him, training under his tutelage and seeing what Cooper can do so far, knows that he has potential. That day Cooper was brought into the fold, and the hero Stretch was born.

## Trivia

* Stretch and his arch-nemesis the Tech Men were inspired by Hasbro Studios animation Stretch Armstrong And The Flex Fighters.

## See Also

* Paladin
* Hyperia
* Crimson Dawn
9.i.P.

'Nine i.P.' is an experimental electronic side project album by KYSHERA frontman James Kennedy, released on March 19th 2012 through Konic Records. The album is completely instrumental, except for the track 'House Of Mirrors' which although doesn't technically have a vocal line, is constructed entirely of sounds made with Kennedys voice. Kennedy has left the meaning of the albums title open to interpretation.

## History

'9.i.P.' was a passion project of Kennedys which began in early 2011. His love of experimental music, electronica & musique concrete had no appropriate outlet in his work with Alt Rock band KYSHERA (although it can be heard in many places on the 'Made in China' album), so Kennedy released '9.i.P.' as a side project in between the release of the bands 1st and 2nd albums. Throughout the album, Kennedy endeavoured to use electronics to explore the extremes of what is sonically possible with timbre, rhythm & arrangement and created a collection of extremely experimental (though not always pleasant), highbrow pieces of work. Produced at his home studio, the album was written & produced over a 6 month period & released as a 'digital only' release on the day that KYSHERA were flying to Canada. Kennedy has released an essay on his official website (https://www.jameskennedystuff.com/nine-i-p ) with a track by track explanantion of all of the techniques used throughout '9.i.P.' such as speech rhythms, micro tones, musique concrete, poly tempos, noise, binaural beats and experiments with timbre to see if emotional responses can still be triggered with sound even when the music is stripped of all rhythm, melody, structure, words or discernable sounds. Kennedy himself has said that he finds the album difficult to listen to now.

## Tracklisting

1. Water Babies - 2:38
2. Spectra - 4:41
3. Planck - 5:39
4. New World Order - 2:10
5. Dark Suits - 7:14
6. 3 - 4:05
7. Time - 3:31
8. House Of Mirrors - 5:00
9. Under - 5:45

## **OFFICIAL PAGES**

James Kennedy Official site : www.jameskennedystuff.com

Twitter : @JamesKennedyUK

Facebook : www.facebook.com/jameskennedyuk

Instagram : @JamesKennedyUK

YouTube : www.youtube.com/user/jameskennedystuff
PARADIGM

'Paradigm' is the debut album by UK Alternative Rock band KYSHERA. Released on July 12th 2010, the album was recorded by the band at the home of their Singer and the albums producer, James Kennedy.

## History

The whole album was recorded & mixed within 3 weeks over the Christmas period of 2009. A studio was set up in a junk room at Kennedy's home & bassist Matt Warr recalls it being absolutely freezing with Snow falling through the roof & having to wear gloves during takes in front of an electric heater. The whole album was recorded & produced on a home PC and 'zero' budget, something which Kennedy has admitted to being evident in the sound of the albums production. Despite the budgetary & technical confinements of the albums creation, Paradigm is a very ambitious album with a completely Orchestral track (Frequency 1) being an experiment in 'tonal colour' with Kennedy building up large walls of tones which contrast with the next creating different sensations despite their being no rhythm, melody or tonal centre; or the fast paced 'Fiction' which is a non-stop sequence of never repeated sections at break neck speed & opens with a high brow Classical technique called 'Serialism' but played in a Punk style. The album begins with the bizarre & repetitive 'If' which was placed at the start of the record as an ironic statement about bands predictably putting their lead single first on their albums. Lyrically, the album set the tone for much of KYSHERA's following work in that it is exclusively political in nature and subjects covered include corruption ('Paradigm', 'The Servant'), the media ('Kill The Messenger'), consumerism & celebrity ('Lust', 'Fiction'), war ('Moments Silence') & protest ('Coalition'). The cover artwork was sketched out by Kennedy and created by local artist Lorna Stevenson.

At this stage the band had no management, label, PR or booking agent so all reviews for the album (Rock Sound, Classic Rock etc) were acquired by the band directly. KYSHERA did 2 launch shows for the album - one at The Globe in Cardiff, which can be seen in full on Youtube and the 2nd at Water Rats in London. A tour followed with dates across the UK and KYSHERA also did dates in Toronto, Canada as part of NXNE 2011.

You can hear Kennedy playing the entire album & talking through each track & the making of the album on YouTube at : https://www.youtube.com/watch?v=3oZ\_S9XmpCI

## Tracklisting

1. If - 3:07
2. Paradigm - 5:27
3. Willing Prey - 3:21
4. Lust - 3:17
5. Element - 2:55
6. Fiction - 2:19
7. Kill The Messenger - 4:15
8. Moments Silence - 3:48
9. The Servant - 3:24
10. Frequency 1 - 1:32
11. Frequency 2 - 2:39
12. Coalition - 4:06

## **OFFICIAL PAGES**

James Kennedy Official site : www.jameskennedystuff.com

Twitter : @JamesKennedyUK

Facebook : www.facebook.com/jameskennedyuk

Instagram : @JamesKennedyUK

YouTube : www.youtube.com/user/jameskennedystuff
Morso Diamantato

L'articolo in questione è solo un abbozzo: inizia a completarlo subito utilizzando il comando **Modifica**.

## Morso Diamantato

### Turni d'attesa utilizzo

1

**Morso Diamantato** (**Diamond Bite** in lingua inglese) è attacco di tipo Diamante introdotto in Dynamons World.

## Effetti

Analogamente alla mossa di tipo Normale Morso, il morso diamantato infligge danni al Dynamon avversario. Inoltre, permette al Dynamon che la utilizza una guarigione del 15%.

## Dynamons che utilizzano la mossa

* Hydragon (Forma Diamantata)
* Rabbityx
* Rhinodys
* Surfant (Forma Diamantata)
* Tydonyx
* Tyxado
* Tyxadys

Diamanrivitalizzante •
Graffio Diamantato •
**Morso Diamantato** •
Nebbia Di Diamanti •
Pioggia Di Diamanti •
Raffica Di Diamanti •
Raggio Diamantato •
Rinoforza

Morso •
Morso Avvelenato •
Morso d'Anguilla •
**Morso Diamantato** •
Morso Dorato
Kyshera - Neurons

'Neurons' is an Alternative Rock song by KYSHERA which was released in 2014 as a B-Side although it was recorded several years earlier.

The exact date of the origin of 'Neurons' is not known as yet but it is stated as being from the period when the band recorded their album 'Paradigm' which dates it at around 2009 / 2010. The song is heavily electronic & features a continuous 6/8 drum rhythm throughout which makes heavy syncopated use of a Cowbell. The song is based around 3 chords throughout & it is the ever changing instrumental arrangement which keeps the listeners attention. The song also features the highest recorded note that Kennedy has yet to sing (an A5). Lyrically, Kennedy sings (almost unintelligible) lyrics about something which is never revealed but described cryptically throughout - which is possibly the 1st demonstration of Kennedys use of lyrics to create surreal atmospheres as later displayed on songs such as 'The Labyrinth' and 'The Last Dance' from 'The National Health Service' album). The song was fully recorded but never received a final mix or master and was subsequently posted on Youtube & Soundcloud as a free track in 2014.

LYRICS

It breeds in cattle
Like a fire in a Hospital
It dreams in illness
And multiplies like a Colony
A symbol of the question
We can't afford to ask ourselves
A digital reflection
Of our unconscious reality

It feeds on virus
And prays like a deity
And it's born into cages
With the inside out
And dissipates like religion
Through the veins of everything
B-SIDES

As of 2018 James Kennedy & Kyshera have only released 4 B-Sides :

1. Vote With a Bullet - KYSHERA 2013

2. Know Your Enemy - KYSHERA  2013

3. Neurons - KYSHERA 2014

4. Insomnia - SOLO 2016

And Kennedy also released a Metal Mashup track of Justin Biebers song 'One Time' in 2011.

All of the above songs can be heard at : https://soundcloud.com/kyshera/sets/kyshera-non-album-free-tracks

## **OFFICIAL PAGES**

James Kennedy Official site : www.jameskennedystuff.com

Twitter : @JamesKennedyUK

Facebook : www.facebook.com/jameskennedyuk

Instagram : @JamesKennedyUK

YouTube : www.youtube.com/user/jameskennedystuff
Kyshera - Burning Witches

'Burning Witches' is an Alternative Rock song & the 11th song on the 2012 Kyshera album 'Made In China'. The words, music & production are by James Kennedy.

'Burning Witches' is one of the more bizarre tracks on 'Made In China'. The song changes Guitar Tuning several times throughout and the tuning of the Guitar & Bass is done as part of the performance in the song. There are many different sections in 'Burning Witches' including a Polyrhythmic 'verse' where everything is in 7/8 except the drums which are in 4/4, a spacey choral section made up of layers of Kennedy's voice (and featuring his lowest recorded note so far), a warped circus Harpsichord section, noise laden heavy riffs, multiple time signature, tempo & key changes, layers of sound effects & many different instruments including Synths, Pianos, Harpsichords, Music Boxes, distorted Guitars, multi-layered Choral vocals, feedback, reversed drums and much more. The song ends on the exact chord needed to begin the next song, 'Ants' thus completing the album long format of there being no silence anywhere on 'Made In China'.

Lyrically, the song is about the psychology of all forms of prejudice and how it also manifests itself in our institutions as well as individuals.

LYRICS

We are defined by our insecurities
From the grassroots to the spire
We need to personify our fears
Like school yard bullies and they’re cronies.

If we didn’t hate our egos would deflate
‘Cos if there’s no one small, then there’s no one who’s taller.
Packs of frenzied, bruised dogs
Laugh at the burning insects
In this reality TV colosseum
Called society.

Prejudice is therapy for you.

Our fears are exploited
By politicians and the market
We accept their bigotry
‘Cos we need our scapegoats like we need our Gods.

Somethings not a threat if it has no power
But is easier to beat the already enchained
When our shield becomes unstable
We tempt the arrows to someone who’s more vulnerable.

Political correctness wont change a thing
As long as everyone keeps sinking
‘Cos once they’ve found a reflex, they can tune in
And do what the f\*\*k they like while the rats scramble over eachother.
But if only we would persecute power
We’d have error correction machinery
We’d have no demagogues to temp us
In our colony
James Kennedy - Just a Man

'Just a Man' is a Pop Rock song & the 5th song on the 2017 James Kennedy album 'Home'. The words, music & production are by James Kennedy.

'Just a Man' is an incredibly emotional & intimate ballad / confession / apology song with very sparse instrumentation consisting of clean electric Guitar, Hammond organ & lead vocal, all performed by Kennedy. The song is very bare with minimal musical accompaniment to the main vocal which Kennedy sang all the way through in one take and the version that made it on to the album is actually the take from the original demo that Kennedy made. The song was written and recorded during Kennedy's lowest point in 2016 and is almost an apology song to his ex-partner and all those close to him for his feeling of failing at what society projects as being 'a man'. In the song Kennedy references being a 'failure' and 'letting you down' and asks whether he is still worthy of love for 'just' being 'a man'. Whilst being a very honest & personal expression of Kennedy's vulnerability & weaknesses, the song has also resonated with many men who also feel the pressure of conforming to the 'superman' version of what they feel is expected of them by society. The song also includes the only Guitar solo by Kennedy on the album, a delicate, Blues infused melodic interlude from the gravely, heartfelt vocals which carry most of the song throughout.

The accompanying video is an un-edited & uncut close up of Kennedy's face as he sings the song - with no lighting, makeup, effects or post production because Kennedy wanted the video to be as bare & real as the song and the sentiments within it. It seems as though Kennedy is about to cry in the solo but he has said that he very rarely cries and that this is also reflective of how men are well practiced at holding back their feelings & their tears. The song was the 3rd single from the album and has been known to provoke tears at live shows.

LYRICS

Oh baby, I’m a mess
And i just can’t pretend anymore
Oh baby, I’m sorry
‘Cos I’m just not what you’ve been waiting for

I really tried to climb so high
But I’ve let you down
And this is all thats left

So can you still love me if I’m just a man
Do you still want me now you know that’s all I am
I know I didn’t alwways get it right
But I never did you wrong
I’m just a man but I’m all yours

Oh baby, I’m broken
I’m just as scared as you and I don’t know the answers
But oh baby, you know I love you
And I always did the best I could

I know that life can be so unfair
And the battle’s never won
But I wanna fight it with you

So can you still love me if I’m just a man
Do you still want me now you know that’s all I am
I know I didn’t always get it right
But I never did you wrong
I’m just a man but I’m all yours

There’s a relief that comes from failure
And just watching it all crash down
Now I’m naked among the ruins
And all that’s left is all I really need

Can you still love me if I’m just a man
Do you still want me now you know that’s all I am
‘Cos I wont always get it right
But I will never do you wrong
I’m just a man, I’m just a man
I’m just a man but I’m all yours
James Kennedy - Home

'Home' is a Pop Rock song & the 10th song on the 2017 James Kennedy album 'Home'. The words, music & production are by James Kennedy.

'Home' is the final song on the album of the same name and is a mid-tempo Pop Rock song including Drums, Bass, Rhodes organ, acoustic, clean & distorted Guitars, digital effects, String ensemble & vocals, all performed by Kennedy. The song features a downbeat verse in A Minor and shifts to a more positive feeling chorus in C Major - this reflects the lyrical sentiments in the respective sections. During the making of the album, Kennedy transitioned from feeling incredibly depressed to 'coming out the other side' with a clearer sense of what is most important in life. Some songs on the album ('Just a Man' & 'Entertainer' for example) were written during Kennedy's initial depression and other songs (such as 'Unconditional' & 'Hometown') were written during his more positive later period, however, 'Home' is the only song which encompasses both sides of that journey. In the verses, Kennedy is expressing his depressive thoughts & describes them as sinking under 'waves of fear & doubt' and crawling through a 'darkened tunnel', however, in the choruses Kennedy is finding the strength to face the 'wilderness' with his head held high 'as me, myself and I'. Despite Kennedy's honest descriptions of his depression in the song, 'Home' is ultimately a positive song about overcoming obstacles internal or external, even if you have to do the walk alone. The song has resonated with many people and is one of the most popular songs on the album.

LYRICS

I’ve lived inside the darkened tunnel
Crawling t’ward the light
That never got closer
I’ve sunk in waves of fear and doubt
With the pressure forcing me down
And I have surrendered

And I have hit the floor
With nowhere left to fall
And that’s where I was reborn

So I am letting go of all these chains
And I’ll walk in to the wilderness
With my head held high as me, myself and I
Even as the arrows rain
I know that I will overcome
If I’m alright with me, myself and I

I’ve kept hope in vicious circles
Empty promises and closed minds
And I never learned
I’ve taken burdens, blows and blame
And given years in vain
Never to be enough

So who needs enemies
When we do their deeds
Better to ourselves

So I am letting go of all these chains
And I’ll walk in to the wilderness
With my head held high as me, myself and I
Even as the arrows rain
I know that I will overcome
If I’m alright with me, myself and I

So I am letting go of all these chains
And I’ll walk in to the wilderness
With my head held high as me, myself and I
Even as the arrows rain down
I know that I will overcome
‘Cos I’m alright with me, myself
‘Cos I’m alright with me, myself
‘Cos I’m alright with me, myself and I
Kyshera - Moments Silence

'Moments Silence' is an Alternative Rock song & the 8th song on the 2010 Kyshera album 'Paradigm'. The words, music & production are by James Kennedy.

'Moments Silence' is an acoustic anti-war song featuring just acoustic guitar, vocals & harmonies. Through the lyrics Kennedy is expressing what he sees as the hypocrisy of Remembrance Day when we have not heeded the lesson we should have learned from the mistakes & sacrifices of the past. Paying respects to those fallen in previous wars whilst their grandchildren are simultaneously out fighting in current wars is expressed as being *disrespectful* to the fallen rather than a display of respect. The song provoked a backlash on the bands social media pages from people thinking that the song was distasteful but Kennedy has said that he still stands behind the songs sentiment & that it is in no way meant to disrespect the fallen or their families.

LYRICS

In this moments silence
As the war is raging
Are we remembering
Or just forgetting something more

As the ones for whom they died
Follow in their footsteps
If they could have seen us now
Would they have turned their aims around instead

Paper flowers for sentiments, as feeble
Anthems short as our memory
Coffins buried with our broken promise
That the lives they gave us were not in vain
‘Cos never again…

In this moments silence
When we should be raging
How many times must we
See the drama before we see the truth

That the heroes for the flag
As martyrs for religion
Are just sacrificial lambs
For another mans prize

Paper flowers for sentiments, as feeble
Anthems short as our memory
Coffins buried with our broken promise
That the lives they gave us were not in vain
‘Cos never again…