Anthrax (American band)

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**Anthrax** is an American heavy metal band from New York City, formed in 1981 by rhythm guitarist Scott Ian and bassist Dan Lilker. The group is considered one of the leaders of the thrash metal scene from the 1980s and is part of the "Big Four" of the genre, along with Metallica, Megadeth and Slayer. They were also one of the first thrash metal bands (along with Overkill and Nuclear Assault) to emerge from the East Coast. The band has released 11 studio albums, several other albums, and 26 singles, including collaborating on a single with American hip hop group Public Enemy. According to Nielsen SoundScan, Anthrax sold 2.5 million records in the United States from 1991 to 2004, with worldwide sales of 10 million. Four of the band's studio albums have also achieved gold certifications by the RIAA, including their third full-length record *Among the Living* (1987), which cemented Anthrax's reputation as one of the most successful thrash metal bands.

Anthrax's lineup has changed numerous times over their career, leaving Ian as the only constant member of the band. The band has had a revolving cast of singers and lead guitarists, including Neil Turbin, John Bush, Dan Spitz and Rob Caggiano. Since 2013, the band has consisted of Ian, drummer Charlie Benante, bassist Frank Bello, vocalist Joey Belladonna and lead guitarist Jonathan Donais. Ian and Benante (who replaced one-time drummer Greg D'Angelo in 1983) are the only two members to appear on every album, while Bello has been a member of Anthrax since 1984, replacing original bassist Dan Lilker. After two stints in Anthrax, from 1984 to 1992 and again from 2005 to 2007, Belladonna returned to the band in 2010.

## History

### Formation (1981–1982)

 File:0701 Anthrax Logo LR.jpeg
Anthrax was formed in Queens, New York City, on July 18, 1981, by guitarists Scott Ian and Dan Lilker, with Ian's friend Dave Weiss on drums. The band was named after the disease of the same name which Ian saw in a biology textbook, chosen because it sounded "sufficiently evil". Lilker originally intended for Scott Setari to play bass in the band, during their early phases as a cover band. Anthrax's initial line-up was completed by singer John Connelly, and bassist Paul Kahn. Kahn was briefly replaced by bassist Kenny Kushner before Lilker took over on bass and the band brought in lead guitarist Greg Walls. Weiss was then replaced early on by drummer Greg D'Angelo, who was recommended to the band by Greg Walls. Scott Ian's younger brother Jason Rosenfeld had been a temporary vocalist until Ian's former schoolmate Neil Turbin joined the band in late August 1982. Turbin joined the band partly because of guitarist Greg Walls, who Turbin later said was "the best guitarist Anthrax ever had." The band recorded its first demo tape during this time.

### Neil Turbin era and debut album (1982–1984)

 File:Anthrax1983.jpg
The band's first performance with Neil Turbin was at Great Gildersleeves, a New York club, in September 1982. This line-up played regularly in the New York–New Jersey area over the next several months. Anthrax was also on the same bill as the up-and-coming Metallica for several shows in the spring of 1983. Guitarist Walls left Anthrax that summer because of friction with Ian, and drummer D'Angelo left a month later. Turbin said he was seriously considering leaving because of the loss of Walls and D'Angelo, but he stuck it out for another year. Walls was replaced by Bob Berry, who was recommended to Turbin by Rhett Forrester of Riot. Berry was in turn soon replaced by Dan Spitz, who was previously a member of the New Jersey thrash band Overkill.

Drummer Charlie Benante replaced D'Angelo in September 1983 after a several-month courtship by Ian. By this time, Ian and Lilker had befriended New Jersey record store owner Jon Zazula, to whom they had given their demo tapes to critique. Zazula's new record label Megaforce Records had recently released Metallica's debut album *Kill 'Em All* to great success. In late 1983, Zazula agreed to sign Anthrax and the band recorded the "Soldiers of Metal" single, which was produced by Ross the Boss of Manowar. The B-side was the song "Howling Furies" which was taken from a previous demo with Greg D'Angelo on drums (his only Anthrax recording).

Anthrax released their debut album *Fistful of Metal* in January 1984. Former guitarist Walls said he was shocked that the album was released without giving credit to Walls as the primary songwriter on "Panic" and "Metal Thrashing Mad", as well as smaller songwriting contributions throughout the album. Tensions were building between Lilker and the rest of the band for various reasons, eventually leading to the band firing Lilker. He would soon form the band Nuclear Assault with former Anthrax roadie / vocalist John Connelly. Lilker was replaced by Benante's nephew and roadie Frank Bello. The band then went on a successful US tour opening for Raven and others to support *Fistful of Metal*.

In August 1984, Turbin and Anthrax went their separate ways after long-standing personal issues. In his book *Eddie Trunk's Essential Hard Rock and Heavy Metal*, music journalist Eddie Trunk admits pressuring Jon Zazula, Scott Ian and Anthrax into firing Turbin because of his personal taste in vocals. Singer Matt Fallon was briefly hired in late 1984, but he and the band soon parted ways. The remaining members decided to play live shows as a four-piece billed as "The Diseased" with Scott Ian on vocals, performing hardcore punk covers until a permanent singer could be found.

### Initial Joey Belladonna era (1984–1992)

 File:Anthrax, Joey Belladonna at Wacken Open Air 2013.jpg
In 1985, Joey Belladonna was chosen as the new vocalist. The *Armed and Dangerous* EP marked Belladonna's recording debut with Anthrax. The 1992 reissue of the EP included the two songs from the "Soldiers of Metal" single that had Neil Turbin performing on them.

Anthrax's second album *Spreading the Disease* was released in October 1985. It was well-received as both a technical leap forward from *Fistful of Metal* and as a more original effort, and remains one of the band's most highly regarded albums. With leftover studio time from these sessions, Ian, Benante and former bandmate Dan Lilker collaborated with vocalist Billy Milano to form the side project Stormtroopers of Death, and recorded the album *Speak English or Die* in three days. It was released in August 1985 and is now considered a pioneering crossover thrash release, featuring one of the earliest examples of a blast beat on record. Afterwards, the project was put on hold as Ian and Benante turned their focus back on Anthrax.

The US tour to support *Spreading the Disease* opening for Black Sabbath was cancelled after four dates due to Sabbath singer Glenn Hughes' voice problems. In April 1986, Anthrax attempted its first tour of Europe beginning in Bochum, Germany supported by Overkill and Agent Steel. The tour included a show near Chernobyl, Ukraine immediately after the Chernobyl disaster. Later that year, Anthrax toured Europe with Metallica. The tour began on September 10 at St David's Hall and ended on September 26 in Solnahallen, Sweden. The Swedish show was Anthrax's last performance before the bus accident the following day, which killed Metallica bassist Cliff Burton.

The band's third studio album *Among the Living* was released in March 1987, and is often considered by both the band and critics to be a major breakthrough for Anthrax. Produced by Eddie Kramer, it showcased the band's humorous, experimental side and began a lyrical trend focusing on movies, politics, comic books and Stephen King novels. The album was dedicated to Cliff Burton's memory. Propelled by the singles "Indians" and "I Am the Law", the success of *Among the Living* not only turned Anthrax into a household name (along with the remaining "big four" of thrash metal–Metallica, Megadeth and Slayer), but eventually earned them one of their first certified-gold records by the RIAA. "I Am the Law", which was released as the album's second single, was backed with a rap-metal hybrid "I'm the Man" as its b-side. Anthrax further indulged its appreciation for rap by appearing on the title track of U.T.F.O.'s album, *Lethal*, and their worship for the genre was also attributed to Ian wearing a t-shirt of Public Enemy both on stage and for publicity photo shoots; in response, Public Enemy name-checked Anthrax in the lyrics to their 1988 single "Bring the Noise". Anthrax toured for over a year to promote *Among the Living*, touring Europe again with Metallica, the United States with Metal Church, Testament, D.R.I., Exodus and Celtic Frost, and supporting Kiss on their *Crazy Nights* tour.

Anthrax released their fourth album *State of Euphoria* in September 1988, produced by Mark Dodson. While the album was not quite as well-received as *Among the Living*, owing to its "rushed" finish, *State of Euphoria* was certified gold about five months after its release, and one of the singles "Antisocial", originally by French heavy-metal band Trust, became an MTV staple as part of the rotation on *Headbangers Ball*. By 1989, Anthrax was starting to play at arenas as a headlining or opening act, first supporting Ozzy Osbourne on his *No Rest for the Wicked* tour in North America, and then headlining European tours with Living Colour, Suicidal Tendencies and King's X, and the U.S. Headbangers Ball Tour with Exodus and Helloween. Also in 1989, MTV sponsored a contest in which the winner had her home trashed by the band. This would later inspire Anthrax's 1992 appearance on the television series *Married... with Children*, in which the Bundys win a similar TV contest.

Anthrax returned to the studio at the end of 1989 to work on their fifth album, again with Dodson. Released in August 1990, *Persistence of Time* was written and recorded during a period of turmoil for Anthrax, as Ian had recently been divorced from his first wife, and the middle of the recording session was interrupted by a fire that caused the band to lose more than $100,000 worth of gear and their rehearsal studio. The band members also claimed it was during this period that there were talks of potentially working with a different singer, a situation that Belladonna was unaware of at the time. Considered by fans to be their serious effort, *Persistence of Time* was darker, more technical and more progressive than the band's previous work, striking a chord with metal fans wary of Anthrax's "silly" side. The most successful single from the album was a cover of Joe Jackson's "Got the Time", which Jackson said he enjoyed. *Persistence of Time* was certified gold by the RIAA in early 1991, and the band toured for nearly two years to promote the album, opening for Iron Maiden on their *No Prayer for the Dying* tour in Europe and North America, and appearing on the Clash of the Titans tour with Megadeth, Slayer and opening act Alice in Chains.

In 1991, Anthrax collaborated with Public Enemy on a version of "Bring the Noise". This was a hit, and a successful tour with Public Enemy followed. "Bring the Noise" has been a live staple for Anthrax since they first played it in concert in 1989. The compilation *Attack of the Killer B's* was released in 1991, and featured three tracks from their 1989 EP *Penikufesin*, a new version of "I'm the Man" and a cover of "Bring the Noise" on which Ian did some vocals. In early 1992, shortly after their appearance in *Married... with Children*, Belladonna was fired from Anthrax over creative and stylistic differences.

### Initial John Bush era (1992–2005)

 File:Anthrax, Scott Ian at Wacken Open Air 2013.jpg
After firing Belladonna, the remaining members of Anthrax auditioned several vocalists including Mark Osegueda of Death Angel and Spike Xavier of Mind Over Four. However, Armored Saint vocalist John Bush was the standout favorite and had in fact been floated as a potential replacement for Belladonna a few years earlier, due to questions about his reliability stemming from drug and alcohol abuse. The band left Island Records to sign with Elektra, releasing *Sound of White Noise* in 1993. Produced by Dave Jerden (then-known for his work with Jane's Addiction and Alice in Chains), the album marked a change from Anthrax's earlier work, with a dark sound influenced by alternative rock, and it received mostly positive reviews. Critic Dave Connolley of AllMusic wrote that Bush "has a lower-register voice than Belladonna, and the result is menacing, premeditated, and sinister." The song "Only" was released as the album's first single. In the liner notes for *Return of the Killer A's*, Ian said that James Hetfield told him it was a "perfect song". In keeping with the band's eye for unlikely collaborations, classical composer Angelo Badalamenti provided music for "Black Lodge" (a nod to *Twin Peaks*). This album demonstrated that Anthrax had fully shed its cartoonish persona in favor of mature, thoughtful songwriting, which began with *Persistence of Time*. The success of *Sound of White Noise* dissolved any fan worries that the band would not recover from their split with Belladonna; it was certified gold by the RIAA nearly two months after its release, and gave Anthrax their highest chart position to date at number seven on the *Billboard* 200. The album also saw Anthrax continuing to headline arenas and theaters or amphitheaters, taking several bands such as Suicidal Tendencies, White Zombie, Quicksand, Fight and Clawfinger out as supporting acts.

After *Sound of White Noise* longtime guitarist Dan Spitz left the band to become a watchmaker, leaving Anthrax a quartet temporarily. In 1995, Anthrax released their seventh studio album *Stomp 442*, on which Charlie Benante played most of the lead-guitar parts. Benante was assisted by Paul Crook, who later became the band's touring lead guitarist for several years, and Dimebag Darrell of Pantera. Because Elektra did not promote the album it was less commercially successful than its predecessor, and Anthrax severed its ties with the label.

The band signed with independent label Ignition Records, releasing *Volume 8: The Threat Is Real* in 1998. As on *Stomp 442*, Benante performed lead guitar parts along with Crook and Darrell. The album also features Pantera vocalist Phil Anselmo making a guest vocal appearance. After the album's release the label went bankrupt, disrupting its distribution. Anthrax then signed with Beyond Records, who released the greatest-hits album *Return of the Killer A's* (1999), after which Beyond went out of business as well. During this period a two-vocalist tour with Belladonna and Bush was planned, but Belladonna decided not to participate at the last minute; however, on the mentioned *Return of the Killer A's* compilation, a cover of The Temptations song "Ball of Confusion" was recorded with the then-current lineup of the band (Ian/Benante/Bello/Bush/Crook), in addition to former vocalist Belladonna and former bassist Lilker. This is the only song to feature both Belladonna and Bush on co-vocals.

Despite hardships and legal entanglements over album rights, Anthrax continued. In 2001, Rob Caggiano joined the band on lead guitar. During the 2001 anthrax attacks in the United States the band changed its website, providing information about the disease after people began searching "anthrax.com" on internet search engines. Amid a potential PR nightmare, Anthrax issued a press release on October 10, 2001, joking that the band's name would be changed to "something more friendly, like 'Basket Full of Puppies'." Anthrax dispelled any name-change rumors derived from the press release at the November 2001 New York Steel 9/11 benefit concert, when they took the stage in boiler suits with a different word on each one which ultimately read "We're not changing our name". Bello has stated they did so after receiving support from members of the NYPD and FDNY, who believed that changing the name of the band would send the wrong message. A picture of the band in the suits is on the inner tray card of *We've Come for You All*.

In 2003, the band signed to Sanctuary Records and released their ninth studio album *We've Come for You All*, praised by metal journalists as a return to form. The band then spent the summer of 2003 on tour with Motörhead.

In early 2004, Anthrax released *The Greater of Two Evils*, a "live in the studio" re-recording of the earlier work with the band's then-current lineup. Bassist Frank Bello announced shortly afterwards that he was leaving the band to join Helmet, and was replaced by Fates Warning and Armored Saint member Joey Vera.

### Reunions with Belladonna and Bush (2005–2010)

In April 2005, Anthrax announced that the "classic" lineup of Scott Ian, Charlie Benante, Dan Spitz, Joey Belladonna and Frank Bello would reform. At some shows on the following tour, they played *Among the Living* in its entirety. Although the lineup was expected to record a new album after the tour, in January 2007 Ian said that Belladonna had not agreed to a reunion. John Bush also said he wasn't ready to re-commit to Anthrax and said he had been asked to return but had declined. Asked if he wanted to rejoin the band when Belladonna left, Bush said that he "just didn't feel right to do that."

 File:Anthrax-sonisphere-2009006.jpg
In December 2007, it was announced that the band's new vocalist would be Dan Nelson, formerly of Devilsize, and Rob Caggiano would return as lead guitarist. In May 2008, Anthrax played its first show in 19 months at Double Door in Chicago.

In his monthly Food Coma column posted in December 2008, Scott Ian wrote that he had "been in the studio working on the new Anthrax album", promising to be "giving birth to a really pissed off, loud, fast and heavy child." He later wrote that the album was being mixed by Dave Fortman, who had worked with Evanescence and Slipknot.

In early 2009, Anthrax began a brief tour opening for Iron Maiden in South America. In July, band manager Izvor Zivkovic confirmed the departure of Dan Nelson due to illness. Nelson denied this, saying that he was fired. All subsequent performances were canceled except the August UK Sonisphere Festival, which featured John Bush on vocals. Fan response after his performance led to a "Bring Back Bush" campaign, which was endorsed by Ian.

Soon afterwards, Benante said that Bush had rejoined the band. In February 2010, Anthrax performed five shows as part of Soundwave in Australia. After the Australian shows, Bush said the band intended to re-record the vocals of several tracks from the upcoming album.

### *Worship Music* and *For All Kings* (2010–2017)

 File:Anthrax at Wacken Open Air 2013 05.jpg
In late 2009, Anthrax confirmed their participation in several "Big Four" concerts with Metallica, Megadeth and Slayer as part of the 2010 Sonisphere Festival dates in Europe. John Bush decided that he did not want to commit to the band full-time, and left Anthrax for the second time. Joey Belladonna returned to the band in early 2010 for the Sonisphere dates as well as committing to record a new studio album with the band. In June 2010 Anthrax, Metallica, Megadeth and Slayer performed on the same bill for the first time ever at seven Sonisphere shows. The Sofia, Bulgaria show was broadcast in cinemas and later released on DVD and Blu-ray. The bands would also play a few shows in the U.S. the following year, including a concert at Yankee Stadium in September 2011.

In April 2011, Anthrax headlined in the Philippines for the first time at the annual Pulp Summer Slam with Death Angel and Hellyeah. The band also headlined the Jägermeister side stage at the Mayhem Festival of 2012, co-headlined by Slayer and Slipknot, and toured with Testament and Death Angel. In June Anthrax released the single "Fight 'Em 'Til You Can't" from the then-upcoming new album on their website as a free download to thank fans for their patience in waiting several years for new material. *Worship Music* was released on September 12, 2011 and debuted at #12 on the Billboard Top 200 album charts, their highest chart position since *Sound of White Noise* in 1993.

In January 2013, Anthrax announced that lead guitarist Rob Caggiano had left the band to join Volbeat. It was announced shortly afterwards that Jonathan Donais of Shadows Fall had been hired as the band's touring lead guitarist. Donais was confirmed as an official member in August of that year. In March, Anthrax released the *Anthems* EP featuring cover versions of 1970s rock songs as well as two new versions of the song "Crawl" from *Worship Music*. According to Ian, the band began working on its next studio album in late 2013. They released a live DVD, *Chile on Hell* in 2014 which featured the band's 2013 performance at the Teatro Caupolican in Santiago, Chile. In early 2015, the band confirmed that they had recorded new material and embarked on a tour with Volbeat.

 File:Anthrax Rockavaria 2016 (12 von 12).jpg
Since Belladonna's return to Anthrax the band has been nominated for three Grammys, in 2012, 2013, and 2014.

The band began 2016 with a short US tour with Lamb of God and released their eleventh studio album *For All Kings* on February 26, 2016. The album debuted on the *Billboard* 200 charts at number 9, surpassing the number 12 debut of *Worship Music*. In March, they opened for Iron Maiden on the Latin American leg of their The Book of Souls World Tour. Anthrax spent the summer playing festivals in Europe before embarking on a fall US and Canadian tour with Slayer and Death Angel. The band continued to tour within the next two years, embarking on The Killthrax Tour with Killswitch Engage twice (in 2017 and 2018), and along with Lamb of God, Behemoth, Testament, Napalm Death and Obituary, they supported Slayer on their final world tour from May to December 2018.

On February 1, 2017, the band embarked on the 70,000 Tons of Metal cruise. They played two sets and became the first of the "Big Four" to attend the open seas festival. During the theater set, they played a cover of Stormtroopers of Death's "March of the S.O.D." and debuted the song "Blood Eagle Wings".

### Upcoming twelfth studio album (2017–present)

Anthrax released the live album and DVD *Kings Among Scotland* in 2018 which was recorded during their Glasgow, Scotland show on the *For All Kings* tour.

In a March 2017 interview, drummer Charlie Benante hinted that Anthrax would begin working on their twelfth studio album that summer. He also revealed that there are a few unreleased tracks from the *For All Kings* sessions that could serve as a genesis for the follow-up album, stating, "I think there are two or three that we could dust off and use as a starting point." When asked in May 2018 if they were working on the album, guitarist Scott Ian stated, "Very, very, very preliminary stages. There's a couple of really great riffs. Charlie's sent around some really great ideas. But we haven't actually started working on anything. We've just been too busy touring." A month later, bassist Frank Bello claimed that Anthrax had intended to be back in the studio by mid-2018, but because they agreed to open for Slayer on their farewell tour, they were not expected to start writing their new album until at 2019 at the earliest.

The band's recording of "Antisocial" was prominently featured in the 2017 movie *It* but was not included on its official soundtrack release.

Anthrax – alongside Testament, Corrosion of Conformity, Armored Saint, DevilDriver, John 5, Doro and Metal Church – participated in Megadeth's first-ever cruise called "Megacruise", which took place in October 2019.

In a November 2020 interview with *Full Metal Jackie*, Ian stated that Anthrax would "certainly be ready to make a record next year", but added that its release date could be pushed back to 2022: "In my brain, I don't wanna put a record out until I can play shows."

## Ex-members controversies

In 2012, Anthrax and former vocalist Dan Nelson reached an undisclosed settlement after the vocalist was fired during a 2009 tour.

In October 2014, ex-vocalist Neil Turbin slammed guitarist Scott Ian for "fabricating lies" about his split with the band in 1984 to "draw attention" to Ian's autobiography.

In October 2015, former guitarist Dan Spitz took issue with a 2004 Guitar.com article (since offline) which suggested that the band's drummer, Charlie Benante, was responsible for laying down lead guitar on many of the group's classic songs.

In a 2016 interview with Metal Voice  and again in a video that he uploaded to YouTube in December of 2020, former guitarist Greg Walls claimed that he had contributed to the writing of the songs on the band's first album, *Fistful of Metal*, specifically claiming to have written all the music to "Metal Thrashing Mad" and the majority of "Panic" but that the band had copywritten the songs without his credit. In the same videos, Walls also claimed that he told Scott to drop the name "Rosenfeld" and simply go by "Scott Ian".

## Musical style, influences, and legacy

Anthrax is one of the bands responsible for the emergence of speed metal and thrash metal. It exhibited a typical thrash metal sound on its early albums and was known for humor and comic book references in the lyrics, distinguishing the band from its contemporaries. According to *Rolling Stone*, Anthrax was one of the few heavy metal bands to receive critical praise and redefine the genre during the 1980s. Original guitarists Scott Ian and Dan Spitz' styles were described as "aggressive and head pounding", with power chords and "chugging" pedal points providing the sonic drive. Author Thomas Harrison wrote that Anthrax played metal at a faster tempo because of its punk influences. In 1989, Brad Tolinski of *Guitar World* magazine noted that, "If Exodus is a speed metal equivalent of the Rolling Stones, then New York-based Anthrax must surely be the genre's Beatles." The band's sixth album, 1993's *Sound of White Noise* (its first with singer John Bush), incorporated grunge and alternative metal influences in a darker vein. Critics consider the band's studio releases from the Bush era as having a more alternative metal and groove metal sound. The album *Worship Music* marked a return to thrash metal and the return of singer Joey Belladonna. Although the songs are credited to the whole band, since *Spreading the Disease* the music has been written almost entirely by Charlie Benante and the lyrics by Scott Ian, although John Bush made some lyrical contributions during his tenure in the band.

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Anthrax was influenced by classic rock artists on its *Anthems* EP, which includes covers of 1970s bands Rush, Cheap Trick, AC/DC, Kiss, Queen, Thin Lizzy, Boston and Journey. The band has also been influenced by punk bands such as D.R.I., Suicidal Tendencies, Bad Brains, the Ramones, the Sex Pistols, the Dead Kennedys, Black Flag, Agnostic Front, the Misfits, the Exploited and Discharge, and heavy metal bands like Black Sabbath, Judas Priest, Accept, Anvil, Iron Maiden, Motörhead, UFO and Saxon. Anthrax is a member of the "big four" of thrash metal with Metallica, Megadeth and Slayer, and often credited as one of the first bands of the genre to emerge from the East Coast, along with Overkill and Nuclear Assault. The band has been credited for laying the groundwork for rap metal and nu metal. According to Nielsen SoundScan, Anthrax sold 2.5 million records in the United States from 1991 to 2004, and 10 million worldwide.

Anthrax has influenced multiple bands such as Cannibal Corpse, Pantera, Sepultura, Testament, Death Angel, Korn, Limp Bizkit, 311, Papa Roach, Killswitch Engage, Sevendust, Terror and Insane Clown Posse.

Anthrax has been known to reference or draw influences from numerous sources in popular culture. "I Am the Law" is about the comic book character Judge Dredd. The title track to the album *Among the Living* is based on the Stephen King novel *The Stand*, in particular the character of villain Randall Flagg, while "A Skeleton in the Closet" is based on King's novella Apt Pupil and "Efilnikufesin (N.F.L.)" pays tribute to actor and original *Saturday Night Live* cast member John Belushi. The song "The Constant" is based on an episode of *Lost*.

The band, for a period of time, used a caricature of a bald man's face as a mascot; he was colloquially christened the "Not Man". The face itself comes from a rubber kids toy called "Magic Monster".

## Band members

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* Scott Ian – rhythm guitar, backing vocals (1981–present), lead guitar (1981), lead vocals (1981)
* Charlie Benante – drums (1983–present)
* Frank Bello – bass, backing vocals (1984–2004, 2005–present)
* Joey Belladonna – lead vocals (1984–1992, 2005–2007, 2010–present)
* Jon Donais – lead guitar (2013–present)

### Gallery

Anthrax-Rock im Park 2014 by 2eight DSC8086.jpgScott IanCharlie Benante.jpgCharlie BenanteAnthrax-Rock im Park 2014 by 2eight DSC8041.jpgFrank BelloAnthrax-Rock im Park 2014 by 2eight DSC8196.jpgJoey BelladonnaAnthrax-Rock im Park 2014 by 2eight DSC8103.jpgJon Donais
## Discography

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* *Fistful of Metal* (1984)
* *Spreading the Disease* (1985)
* *Among the Living* (1987)
* *State of Euphoria* (1988)
* *Persistence of Time* (1990)
* *Sound of White Noise* (1993)
* *Stomp 442* (1995)
* *Volume 8: The Threat Is Real* (1998)
* *We've Come for You All* (2003)
* *Worship Music* (2011)
* *For All Kings* (2016)

## Awards and accolades

**California Music Awards**
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**Classic Rock Roll of Honour Awards**
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**Grammy Awards**
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**Kerrang! Awards**
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**Loudwire Music Awards**
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 Frank Bello | Best Bassist | Nominated

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**Metal Hammer Golden Gods Awards**
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 2016 | Inspiration Award | Won

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**Metal Storm Awards**
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**Revolver Music Awards** (formerly known as Revolver Golden Gods Awards)
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## References

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23. ↑ 23.0 23.1 23.2 23.3 **Script error: No such module "citation/CS1".**
24. ↑ **Script error: No such module "citation/CS1".**
25. ↑ Scott Ian and Jon Weiderhorn (2014). *I'm the Man: The Story of that Guy from Anthrax*. Da Capo Press, p. 177
26. ↑ Ian and Weiderhorn (2014), p. 177
27. ↑ **Script error: No such module "citation/CS1".**
28. ↑ **Script error: No such module "citation/CS1".**
29. ↑ **Script error: No such module "citation/CS1".**
30. ↑ **Script error: No such module "citation/CS1".**
31. ↑ **Script error: No such module "citation/CS1".**
32. ↑ **Script error: No such module "citation/CS1".**
33. ↑ **Script error: No such module "citation/CS1".**
34. ↑ **Script error: No such module "citation/CS1".**
35. ↑ **Script error: No such module "citation/CS1".**
36. ↑ **Script error: No such module "citation/CS1".**
37. ↑ **Script error: No such module "citation/CS1".**
38. ↑ **Script error: No such module "citation/CS1".**
39. ↑ **Script error: No such module "citation/CS1".**
40. ↑ **Script error: No such module "citation/CS1".**
41. ↑ **Script error: No such module "citation/CS1".**
42. ↑ **Script error: No such module "citation/CS1".**
43. ↑ **Script error: No such module "citation/CS1".**
44. ↑ **Script error: No such module "citation/CS1".**
45. ↑ **Script error: No such module "citation/CS1".**
46. ↑ **Script error: No such module "citation/CS1".**
47. ↑ **Script error: No such module "citation/CS1".**
48. ↑ **Script error: No such module "citation/CS1".**
49. ↑ **Script error: No such module "citation/CS1".**
50. ↑ **Script error: No such module "citation/CS1".**
51. ↑ **Script error: No such module "citation/CS1".**
52. ↑ **Script error: No such module "citation/CS1".**
53. ↑ **Script error: No such module "citation/CS1".**
54. ↑ **Script error: No such module "citation/CS1".**
55. ↑ **Script error: No such module "citation/CS1".**
56. ↑ **Script error: No such module "citation/CS1".**
57. ↑ **Script error: No such module "citation/CS1".**
58. ↑ **Script error: No such module "citation/CS1".**
59. ↑ **Script error: No such module "citation/CS1".**
60. ↑ 60.0 60.1 **Script error: No such module "citation/CS1".**
61. ↑ **Script error: No such module "citation/CS1".**
62. ↑ **Script error: No such module "citation/CS1".**
63. ↑ **Script error: No such module "citation/CS1".**
64. ↑ **Script error: No such module "citation/CS1".**
65. ↑ **Script error: No such module "citation/CS1".**
66. ↑ **Script error: No such module "citation/CS1".**
67. ↑ **Script error: No such module "citation/CS1".**
68. ↑ **Script error: No such module "citation/CS1".**
69. ↑ **Script error: No such module "citation/CS1".**
70. ↑ **Script error: No such module "citation/CS1".**
71. ↑ **Script error: No such module "citation/CS1".**
72. ↑ **Script error: No such module "citation/CS1".**
73. ↑ **Script error: No such module "citation/CS1".**
74. ↑ **Script error: No such module "citation/CS1".**
75. ↑ **Script error: No such module "citation/CS1".**
76. ↑ **Script error: No such module "citation/CS1".**
77. ↑ **Script error: No such module "citation/CS1".**
78. ↑ **Script error: No such module "citation/CS1".**
79. ↑ **Script error: No such module "citation/CS1".**
80. ↑ **Script error: No such module "citation/CS1".**
81. ↑ **Script error: No such module "citation/CS1".**
82. ↑ **Script error: No such module "citation/CS1".**
83. ↑ **Script error: No such module "citation/CS1".**
84. ↑ **Script error: No such module "citation/CS1".**
85. ↑ **Script error: No such module "citation/CS1".**
86. ↑ **Script error: No such module "citation/CS1".**
87. ↑ **Script error: No such module "citation/CS1".**
88. ↑ 88.0 88.1 **Script error: No such module "citation/CS1".**
89. ↑ **Script error: No such module "citation/CS1".**
90. ↑ **Script error: No such module "citation/CS1".**
91. ↑ **Script error: No such module "citation/CS1".**
92. ↑ **Script error: No such module "Citation/CS1".**
93. ↑ **Script error: No such module "citation/CS1".**
94. ↑ **Script error: No such module "citation/CS1".**
95. ↑ **Script error: No such module "Citation/CS1".**
96. ↑ **Script error: No such module "citation/CS1".**
97. ↑ **Script error: No such module "citation/CS1".**
98. ↑ **Script error: No such module "citation/CS1".**
99. ↑ **Script error: No such module "citation/CS1".**
100. ↑ **Script error: No such module "citation/CS1".**
101. ↑ **Script error: No such module "Citation/CS1".**
102. ↑ **Script error: No such module "citation/CS1".**
103. ↑ **Script error: No such module "citation/CS1".**
104. ↑ **Script error: No such module "citation/CS1".**
105. ↑ **Script error: No such module "citation/CS1".**
106. ↑ **Script error: No such module "citation/CS1".**
107. ↑ **Script error: No such module "citation/CS1".**
108. ↑ **Script error: No such module "citation/CS1".**
109. ↑ **Script error: No such module "citation/CS1".**
110. ↑ **Script error: No such module "citation/CS1".**
111. ↑ **Script error: No such module "citation/CS1".**
112. ↑ **Script error: No such module "citation/CS1".**
113. ↑ **Script error: No such module "citation/CS1".**
114. ↑ **Script error: No such module "citation/CS1".**
115. ↑ **Script error: No such module "citation/CS1".**
116. ↑ **Script error: No such module "citation/CS1".**
117. ↑ **Script error: No such module "citation/CS1".**
118. ↑ **Script error: No such module "citation/CS1".**
119. ↑ **Script error: No such module "citation/CS1".**
120. ↑ **Script error: No such module "citation/CS1".**
121. ↑ **Script error: No such module "citation/CS1".**
122. ↑ **Script error: No such module "citation/CS1".**
123. ↑ **Script error: No such module "citation/CS1".**
124. ↑ **Script error: No such module "citation/CS1".**
125. ↑ **Script error: No such module "citation/CS1".**
126. ↑ **Script error: No such module "citation/CS1".**
127. ↑ **Script error: No such module "citation/CS1".**
128. ↑ **Script error: No such module "citation/CS1".**
129. ↑ **Script error: No such module "citation/CS1".**

## External links

**Script error: No such module "Side box".**

* **Script error: No such module "Official website".****Script error: No such module "Check for unknown parameters".**
* Anthrax at AllMusic

Template:Anthrax
**Script error: No such module "Authority control".****Script error: No such module "Check for unknown parameters".**