Apocalyptic and post-apocalyptic fiction

Genre of fictionTemplate:SHORTDESC:Genre of fiction

**Apocalyptic and post-apocalyptic fiction** is a subgenre of science fiction, science fantasy, dystopia or horror in which the Earth's (or another planet's) civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; astronomical, such as an impact event; destructive, such as nuclear holocaust or resource depletion; medical, such as a pandemic, whether natural or human-caused; end time, such as the Last Judgment, Second Coming or Ragnarök; or more imaginative, such as a zombie apocalypse, cybernetic revolt, technological singularity, dysgenics or alien invasion.

The story may involve attempts to prevent an apocalypse event, deal with the impact and consequences of the event itself, or it may be post-apocalyptic, set after the event. The time may be directly after the catastrophe, focusing on the psychology of survivors, the way to keep the human race alive and together as one, or considerably later, often including that the existence of pre-catastrophe civilization has been mythologized. Post-apocalyptic stories often take place in a non-technological future world or a world where only scattered elements of society and technology remain.

Various ancient societies, including the Babylonian and Judaic, produced apocalyptic literature and mythology which dealt with the end of the world and of human society, such as the *Epic of Gilgamesh*, written c. 2000–1500 BC. Recognizable modern apocalyptic novels had existed since at least the first third of the 19th century, when Mary Shelley's *The Last Man* (1826) was published. However, this form of literature gained widespread popularity after World War II, when the possibility of global annihilation by nuclear weapons entered the public consciousness.

## Themes

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The apocalypse event may be climatic, such as runaway climate change; natural, such as an impact event; man-made, such as nuclear holocaust; medical, such as a plague or virus, whether natural or man-made; or imaginative, such as zombie apocalypse or alien invasion. The story may involve attempts to prevent an apocalypse event, deal with the impact and consequences of the event itself, or may be post-apocalyptic, and be set after the event. The time frame may be immediately after the catastrophe, focusing on the travails or psychology of survivors, the way to maintain the human race alive and together as one, or considerably later, often including the theme that the existence of pre-catastrophe civilization has been forgotten (or mythologized). Post-apocalyptic stories often take place in a non-technological future world, or a world where only scattered elements of society and technology remain.

Other themes may be cybernetic revolt, divine judgment, dysgenics, ecological collapse, pandemic, resource depletion, supernatural phenomena, technological singularity, or some other general disaster.

The relics of a technological past "protruding into a more primitive... landscape", a theme known as the "ruined Earth", have been described as "among the most potent of sf's icons".

## Ancient predecessors

The scriptural story of Noah and his ark describes the end of the corrupted original civilization and its replacement with a remade world. Noah is assigned the task to build the ark and save the lifeforms so as to reestablish a new post-flood world.

The Biblical story of the destruction of Sodom and Gomorrah also has post-apocalyptic elements. The daughters of Lot, who mistakenly believe that the destruction had engulfed the whole world and that they and their father were the only surviving human beings, conclude that in such a situation it would be justified - and indeed vitally needed - to have sex with their father in order to ensure the survival of humanity. Such situations and dilemmas occur in modern post-apocalyptic fiction.

Numerous other societies, including the Babylonians, had produced apocalyptic literature and mythology which dealt with the end of the world and of human society, many of which also included stories that refer back to the Biblical Noah or describe a similar flood. The *Epic of Gilgamesh*, written ca. 2000–1500 BC, details a myth where the angry gods send floods to punish humanity, but the ancient hero Utnapishtim and his family are saved through the intervention of the god Ea.

A similar story to the Genesis flood narrative is found in the 71st Chapter of the Quran. However, unlike the Biblical story, the Quranic account explicitly claims that the deluge was only sent to the tribe of the Prophet Nūḥ (نُوح) ("Noah" in Arabic), and therefore, the deluge did not engulf the entire world. While the Islamic narrative of Noah is not a true post-apocalyptic tale (as only Noah's tribe was affected and not the entire human race), it can nevertheless be read with post-apocalyptic themes since Noah builds the ark and escapes the destruction of his tribe along with a handful of the believers and the animals of his tribe.Template:Primary source inline

Even in the Hindu Dharmasastra, the apocalyptic deluge plays a prominent part. According to the Matsya Purana, the Matsya avatar of Lord Vishnu, informed the King Manu of an all-destructive deluge which would be coming very soon.The King was advised to build a huge boat (ark) which housed his family, nine types of seeds, pairs of all animals and the Saptarishis to repopulate Earth, after the deluge would end and the oceans and seas would recede. At the time of the deluge, Vishnu appeared as a horned fish and Shesha appeared as a rope, with which Vaivasvata Manu fastened the boat to the horn of the fish.Template:Primary source inline Variants of this story also appear in Buddhist and Jain scriptures.Template:Citation needed

The 1st centuries AD saw the recording of the Book of Revelation (from which the word apocalypse originated, meaning "revelation of secrets"), which is filled with prophecies of destruction, as well as luminous visions. In the first chapter of Revelation, the writer St. John the Divine explains his divine errand: "Write the things which thou hast seen, the things which are, and the things which shall be hereafter" (Rev. 1:19). He takes it as his mission to convey—to reveal—to God's kingdom His promise that justice will prevail and that the suffering will be vindicated (Leigh). The apocalyptist provides a beatific vision of Judgement Day, revealing God's promise for redemption from suffering and strife. *Revelation* describes a new Heaven and a new Earth, and its intended Christian audience is often enchanted and inspired, rather than terrified by visions of Judgment Day. These Christians believed themselves chosen for God's salvation, and so such apocalyptic sensibilities inspired optimism and nostalgia for the end times.

## In society

Such works often feature the loss of a global perspective as protagonists are on their own, often with little or no knowledge of the outside world. Furthermore, they often explore a world without modern technology whose rapid progress may overwhelm people as human brains are not adapted to contemporary society, but evolved to deal with issues that have become largely irrelevant, such as immediate physical threats. Such works depict worlds of less complexity, direct contact, and primitive needs, threats and behavior. According to Professor Barry Brummett, it is often the concept of change as much as the concept of destruction that causes public interest in apocalyptic themes.

Such fiction is studied by social sciences and may provide insights into a culture's fearsas well as things like the role imagined for public administration.

Since the late 20th century, a surge of popular post-apocalyptic films can be observed.
Christopher Schmidt notes that, while the world "goes to waste" for future generations, we distract ourselves from disaster by passively watching it as entertainment. Some have commented on this trend, saying that "it is easier to imagine the end of the world than it is to imagine the end of capitalism".

## Pre-1900 works

Lord Byron's 1816 poem "Darkness", included in *The Prisoner of Chillon* collection, on the apocalyptic end of the world and one man's survival, was one of the earliest English-language works in this genre. The sun was blotted out, leading to darkness and cold which kills off mankind through famine and ice-age conditions. The poem was influential in the emergence of "the last man" theme which appeared in the works of several poets, such as "The Last Man" by Thomas Campbell (1824) and "The Last Man" (1826) by Thomas Hood, as well as "The Last Man" by Thomas Lovell Beddoes. The year 1816 was known as the Year Without a Summer because Mount Tambora had erupted in the Dutch East Indies in 1815 that emitted sulphur into the atmosphere which lowered the temperature and altered weather patterns throughout the world. This was the source for Byron's poem.

Mary Shelley's novel, *The Last Man* (1826), is a continuation of the apocalyptic theme in fiction. The story follows a group of people as they struggle to survive in a plague-infected world. The story centers on a male protagonist as he struggles to keep his family safe but is inevitably left as the last man alive. However, Shelley's novel is predated by Jean-Baptiste Cousin de Grainville's French epic prose poem *Le Dernier Homme* (English: *The Last Man* (1805)) and this work is also sometimes considered the first modern work to depict the end of the world. Published after his death in 1805, de Grainville's work follows the character of Omegarus, the titular "last man," in what is essentially a retelling of the Book of Revelation, combined with themes of the story of Adam and Eve. Unlike most apocalyptic tales, de Grainville's novel approaches the end of the world not as a cautionary tale, or a tale of survival, but as both an inevitable, as well as necessary, step for the spiritual resurrection of mankind.

Edgar Allan Poe's short story "The Conversation of Eiros and Charmion" (1839) follows the conversation between two souls in the afterlife as they discuss the destruction of the world. The destruction was brought about by a comet that removed nitrogen from Earth's atmosphere; this left only oxygen and resulted in a worldwide inferno. Similarly, Giacomo Leopardi's short dialogue "Dialogue between a Goblin and a Gnome" (1824) features a world without the presence of the human beings, most likely because they "violate[d] the laws of nature, and [went] contrary to their welfare".

Richard Jefferies' novel *After London* (1885) can best be described as genuine post-apocalyptic fiction. After a sudden and unspecified catastrophe has depopulated England, the countryside reverts to nature and the few survivors return to a quasi-medieval way of life. The first chapters consist solely of a description of nature reclaiming England: fields becoming overrun by forest, domesticated animals running wild, roads and towns becoming overgrown, London reverting to lake and poisonous swampland. The rest of the story is a straightforward adventure/quest set many years later in the wild landscape and society, but the opening chapters set an example for many later science fiction stories.

H.G. Wells wrote several novels that have a post-apocalyptic theme. *The Time Machine* (1895) has the unnamed protagonist traveling to the year 802,701 A.D. after civilization has collapsed and humanity has split into two distinct species, the elfin Eloi and the brutal Morlocks. Later in the story, the time traveler moves forward to a dying Earth beneath a swollen red sun. *The War of the Worlds* (1898) depicts an invasion of Earth by inhabitants of the planet Mars. The aliens systematically destroy Victorian England with advanced weaponry mounted on nearly indestructible vehicles. Due to the infamous radio adaptation of the novel by Orson Welles on his show, *The Mercury Theatre on the Air*, the novel has become one of the best known early apocalyptic works. It has subsequently been reproduced or adapted several times in comic books, film, music, radio programming, television programming, and video games.

## Post-1900 works

### Aliens

*Childhood's End* is a 1953 science fiction novel by the British author Arthur C. Clarke, in which aliens come to Earth, human children develop fantastic powers and the planet is destroyed.

Argentine comic writer Héctor Germán Oesterheld's comic series *El Eternauta* (1957 to 1959), an alien race only mentioned by the protagonists as *Ellos* ("Them") invades the Earth starting with a deadly snowfall and then using other alien races to defeat the remaining humans.

In Alice Sheldon's Nebula-winning novelette "The Screwfly Solution" (1977), aliens are wiping out humanity with an airborne agent that changes men's sexual impulse to a violent impulse.

Douglas Adams's *Hitchhiker's Guide* series (1979–2009) is a humorous take on alien invasion stories. Multiple Earths are repeatedly "demolished" by the bureaucratic Vogons to make way for a hyperspace bypass, to the chagrin of the protagonist Arthur Dent.

In Gene Wolfe's *The Urth of the New Sun* (1987), aliens (or highly evolved humans) introduce a white hole into the sun to counteract the dimming effect of a black hole, and the resulting global warming causes a sea-level rise that kills most of the population (though this may be redemptive, like Noah's Flood, rather than a disaster).

In Greg Bear's *The Forge of God* (1987), Earth is destroyed in an alien attack. Just prior to this, a different group of aliens is able to save samples of the biosphere and a small number of people, resettling them on Mars. Some of these form the crew of a ship to hunt down the homeworld of the killers, as described in the sequel, *Anvil of Stars* (1992).

Al Sarrantonio's *Moonbane* (1989) concerns the origin of werewolves (which he attributes to the Moon, which is why they are so attracted to it), and an invasion after an explosion on Luna sends meteoric fragments containing latent lycanthropes to Earth, who thrive in our planet's oxygen-rich atmosphere. *Moonbane*'s tone is reminiscent of H. G. Wells' *War of the Worlds* (1897).

Charles R. Pellegrino and George Zebrowski's novel *The Killing Star* (1995) describes a devastating attack on a late-21st-century Earth by an alien civilization. Using relativistic missiles, they are determined to destroy the human race in a preemptive strike, as they are considered, after watching several episodes of *Star Trek: The Next Generation* which shows human domination in space, a future threat.

In the video game *Chrono Trigger* (1995), the giant alien creature Lavos collides with the earth in prehistoric times, subsequently hibernating beneath the earth. As millions of years pass, the monster feeds on the energy of the earth, eventually surfacing in 1999 to wreak complete destruction of the human race, atmosphere, and general life on the planet in the form of a rain of destruction fired from its outer shell, known as the 'Day of Lavos'.

In the video game *Half-Life* (1998), hostile alien creatures arrive on Earth through a portal after a scientific experiment goes wrong. In its sequel, *Half-Life 2* (2004), it is revealed to the player the creatures encountered in the first game are merely the slaves of a much more powerful alien race, the Combine, who have taken over the Earth to drain its resources after subduing the entirety of Earth's governments and military forces in only seven hours.

In the 2000 Don Bluth animated film *Titan A.E.*, Earth has been destroyed by the Drej, due to a human experimental discovery called Project Titan, which made them fear “what humanity will become”.

The 2011 TV series *Falling Skies*, by Robert Rodat and Steven Spielberg, follows a human resistance force fighting to survive after extraterrestrial aliens attempt to take over Earth by disabling most of the world's technology and destroying its armed forces in a surprise attack. It is implied that the attacking aliens are in reality former victims of an attack on their own planet and are now the slaves of an unseen controller race.

The television series *Defiance* (2013–2015) is set in an Earth devastated by the "Pale Wars", a war with seven alien races referred to as the "Votan", followed by the "Arkfalls", which terraforms Earth to an almost unrecognizable state. Unlike most apocalyptic works, in this one Earth is not inhospitable, and humanity is not on the verge of extinction.

*The World's End* is a 2013 British-American comic science fiction film directed by Edgar Wright, written by Wright and Simon Pegg, and starring Pegg, Nick Frost, Paddy Considine, Martin Freeman, Eddie Marsan and Rosamund Pike. The film follows a group of friends who discover an alien invasion during a pub crawl in their hometown.

In the 2018 horror film *A Quiet Place* and the 2021 sequel *A Quiet Place Part II*, society has collapsed in the wake of lethal attacks by (apparently) extraterrestrial creatures who, having no eyesight, hunt humans and other creatures with their highly sensitive hearing; the scattered survivors live most of their lives in near-silence as a result.

### Astronomical

*The Purple Cloud* (1901) by M. P. Shiel is a novel in which most of humanity has been killed by a poisonous cloud.

In Philip Wylie and Edwin Balmer's novel *When Worlds Collide* (1933), Earth is destroyed by the rogue planet Bronson Alpha. A selected few escape on a spaceship. In the sequel, *After Worlds Collide* (1934), the survivors start a new life on the planet's companion Bronson Beta, which has taken over the orbit formerly occupied by Earth.

The horror manga *Hellstar Remina*, by Junji Ito, presents a similar premise where an extrasolar, and in reality extradimensional, rogue planet sets a collision course for Earth, destroying several solar systems on the way there, and destroying Pluto, Jupiter, Saturn and Mars as well. It is eventually discovered that the planet is in reality a massive lifeform that feeds on other planets, and is not only alive, but also home to an extremely deadly ecosystem which kills both an expedition force and a group of affluent survivors that escapes to the planet's surface to avoid death on Earth. A nuclear response fails, and the planet devours Earth, leading to the extinction of mankind aside from a group of characters surviving in a durable, airtight shelter that is left floating in empty space with supplies and air for a year.

In J. T. McIntosh's novel *One in Three Hundred* (1954), scientists have discovered how to pinpoint the exact minute, hour, and day the Sun will go "nova" – and when it does, it will boil away Earth's seas, beginning with the hemisphere that faces the sun, and as Earth continues to rotate, it will take only 24 hours before all life is eradicated. Super-hurricanes and tornadoes are predicted. Buildings will be blown away. A race is on to build thousands of spaceships for the sole purpose of transferring evacuees on a one-way trip to Mars. When the Sun begins to go nova, everything is on schedule, but most of the spaceships turn out to be defective, and fail en route to Mars.

Brian Aldiss' novel *Hothouse* (1961) occurs in a distant future where the sun is much hotter and stronger, and the human population has been reduced to a fifth of what it had been.

J. G. Ballard's novel *The Drowned World* (1962) occurs after a rise in solar radiation that causes worldwide flooding and accelerated mutation of plants and animals.

Jerry Pournelle and Larry Niven's novel, *Lucifer's Hammer* (1977), is about a cataclysmic comet hitting Earth and various groups of people struggling to survive the aftermath in southern California.

Hollywood—which previously had explored the idea of the Earth and its population being potentially endangered by a collision with another heavenly body with the *When Worlds Collide* (1951), a film treatment of the aforementioned 1933 novel – revisited the theme in the late 1990s with a trio of similarly themed projects. *Asteroid* (1997) is a NBC-TV miniseries about the U.S. government trying to prevent an asteroid from colliding with the Earth. The following year saw dueling big-budget summer blockbuster movies *Deep Impact* (1998) and *Armageddon* (1998), both of which involved efforts to save the Earth from, respectively, a rogue comet and an asteroid, by landing crews upon them to detonate nuclear weapons there in hopes of destroying them.

Characters in the six-part ITV television drama serial *The Last Train* (1999) awaken from a cryogenic sleep after an asteroid the size of Birmingham strikes Africa, causing a worldwide apocalypse.

K. A. Applegate's 2001–2003 book series, *Remnants*, details the end of the world by asteroid collision. The first book, *The Mayflower Project* (2001), describes Earth in a sort of hysteria as 80 people are chosen by NASA to board a spacecraft that will go to an unknown destination away from the destroyed Earth. The later books deal with the few survivors waking up from a 500-year hibernation and succumbing to both strange mutations and the will of a strange alien computer/spaceship that they land on. Eventually they return to Earth to find a couple colonies of survivors struggling on a harsh planet completely different from the Earth the Remnants knew.

*Melancholia* (2011), the middle entry of filmmaker Lars von Trier's "depression trilogy", ends with humanity completely wiped out by a collision with a rogue planet. The depressed protagonist reverses roles with her relatives as the crisis unfolds, as she turns out to be the only family member capable of calmly accepting the imminent impact event.

In id Software's video game *Rage* (2011), Earth is heavily damaged, and humanity nearly wiped out, by the direct collision of the real asteroid 99942 Apophis with the Earth in the year 2029.

Marly Youmans' epic poem *Thaliad* (2012) tells the story of a group of children after an unspecified apocalypse from the sky, perhaps connected with solar flares or meteor impact, resulting in people and animals having been burned and the skies having filled with ash. The children survive only because they were together on a school visit to a cave.

In the obscure 2013 Australian film *These Final Hours*, a massive asteroid hits the Atlantic Ocean dooming all life. The film follows James, who decides to head to the 'party-to-end-all-parties' and there spend the last 12 hours before the global firestorm reaches Western Australia.

### Cosy catastrophe

The "cosy catastrophe" is not an intentional style of post-apocalyptic science fiction, but rather a criticism of certain apocalyptic works that were not considered as believably harsh enough for the critic's stated preferences. Stories subject to this criticism generally involve some sort of catastrophe wherein civilization comes to an end with mass deaths, but the main characters survive relatively unscathed and are freed from the constraints of vulgar civilization in their hideaway, perhaps finding a kind of quiet happiness in the changed world. The term was coined by Brian Aldiss in *Billion Year Spree: The History of Science Fiction* (1973). Aldiss was directing his remarks mainly at English author John Wyndham, especially his novel *The Day of the Triffids* (1951), whose protagonists did not suffer enough associated hardship from the collapse of society for Aldiss's taste, as well as other British books in the era following the Second World War. The genre has been defended though as being a valid take on more low-key catastrophes of an ecological sort, and other books have been questioned if they qualify at all - Margaret Atwood defended *The Day of the Trifflids* as not as "cosy" as alleged, for example.

### Environmental disaster

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In Alfred Walter Stewart's 1923 novel *Nordenholt's Million*, an engineered strain of bacteria denitrifies almost all plants, causing a collapse of food supply. The plutocrat of the title establishes a haven in central Scotland for a chosen group of survivors, while deliberately wrecking all alternative refuges.

In Alfred Bester's story "Adam and No Eve" (1941), an inventor takes off in a rocket whose propulsion uses a dangerous catalyst. From outer space he sees that the entire world has been destroyed by fire in a runaway reaction caused by the catalyst. Fatally injured in a crash landing, he crawls to the sea so that the bacteria in his body can initiate new life on Earth.

In John Christopher's novel *The Death of Grass* (1956), a mutated virus kills cereal crops and other grasses throughout Eurasia, causing famine.

Kurt Vonnegut 's novel *Cat's Cradle* (1963) ends with all the bodies of water turning into "ice-nine", a fictional phase of ice that forms at room temperature.

In J. G. Ballard's novel *The Burning World* (1964, expanded into *The Drought* in 1965), pollution in the oceans creates a surface layer that resists evaporation, bringing about a worldwide drought.

John Brunner's novel *The Sheep Look Up* (1972) describes an environmentally-degraded world rapidly collapsing into social chaos, revolution, and anarchy.

Richard Cowper's three-volume novel *The White Bird of Kinship* (1978–82) envisions a future in which anthropogenic global warming has led to a catastrophic rise in sea level. Most of it takes place two millennia later.

Ursula K. Le Guin's novel *Always Coming Home* (1985) takes place long after worldwide disasters—apparently largely environmental though nuclear war may also be involved—have drastically reduced the population. It paints an admiring picture of a primitive society that will not repeat the mistakes of civilization. It won the Janet Heidinger Kafka Prize and was a runner-up for a National Book Award.

Palladium Books' *Rifts* roleplaying game (1990) features an apocalypse caused by various natural disasters including the eruption of the Yellowstone supervolcano which releases a large amount of magical energy that is amplified by deaths of millions occurring during a solstice, at midnight, during a planetary alignment, creating the titular rifts that bring forth various beings and monstrosities from throughout the Megaverse.

In Octavia Butler's 1993 novel *Parable of the Sower*, climate change and corporatism are the human-caused reasons for societal collapse.

In the film *The Day After Tomorrow* (2004), based on Whitley Strieber's speculative non-fiction novel *The Coming Global Superstorm* (1999), extreme weather events caused by climate change invoke mass destruction across the planet, and eventually result in a new ice age.

The video game *The Long Dark* (2017) depicts survival in the wilderness of northern Canada during winter after a geomagnetic disaster has disabled all modern technology.

### Failure of modern technology

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In E. M. Forster's novelette "The Machine Stops" (1909), humanity has been forced underground due to inhospitable conditions on Earth's surface, and is entirely dependent on "the machine," a god-like mechanical entity which has supplanted almost all free will by providing for humankind's every whim. The machine deteriorates and eventually stops, ending the lives of all those dependent upon it, though one of the dying alludes to a group of humans dwelling on the surface who will carry the torch of humanity into the future.

In René Barjavel's novel *Ravage* (1943), written and published during the German occupation of France, a future France is devastated by the sudden failure of electricity, causing chaos, disease, and famine, with a small band of survivors desperately struggling for survival.

Fred Saberhagen goes one better than Barjavelin with the *Empire of the East* series which starts, in the 1968 book *The Broken Lands*, sometime after the "Change" (with sincere nods from Boyett and Stirling), in which a defense designed to temporarily make nukes inoperative, permanently changes some of the laws of science for magic.

Steve Boyett's novel *Ariel* (1983, sub-titled "A Book of the Change") also has all technology—including electricity, gunpowder, and some physics principles—ceasing to function, while magic becomes real. He also contributed to the 1986 Borderland series, which investigates a return of the Realm of Faery to the world.

*The Quiet Earth*, a 1985 New Zealand movie notable for its visually stunning ending, follows a scientist's descent into madness after he wakes up to a world where every single member of the kingdom Animalia has seemingly disappeared. After recovering and finding other people, he realizes his experiments with energy transfers through the Earth's magnetic field are to blame, and that unless he shuts down the experiment, it will destroy the planet.

S. M. Stirling also takes a swipe at the inconstant-physical-constants field with the *Emberverse* series. *Dies the Fire* (2004), *The Protector's War* (2005), and *A Meeting at Corvallis* (2006), depict the world's descent into feudalism after a sudden mysterious "change" alters physical laws so that electricity, gunpowder, and most forms of high-energy-density technology no longer work. Civilization collapses, and two competing groups struggle to re-create medieval technologies and skills, as well as master magic. Like Boyett's novel, Stirling's features Society for Creative Anachronism members as favorably disposed survivors, and a hang glider attack against a building.

*Afterworld* (first aired in 2007) is a computer-animated American science fiction television series where a network of satellites firing persistent electronic pulses, combined with a strange nanotechnology, has not only destroyed most electronic technology on the planet, but also caused the deaths of 99% of humanity, and is now causing strange mutations to occur in lower forms of life.

NBC's *Revolution* (2012–2014) also revolved around a "change" after which the principles of electricity and physics are inoperable. However, the focus of the story was how a group of protagonists tried to get the power back on while opposing the efforts of a tyrannical militia leader to understand it first (so that he can take absolute power).

The web series *H+: The Digital Series* (2012-2013) depicts in part, the aftermath of a world in which a computer virus that infected a popular brain-computer interface killed one-third of the population, leading to a breakdown in order and the lack or shortage of electricity and other modern conveniences.

*All Systems Down* (2018) is an American novel which describes a cyber war that cripples Western infrastructure, resulting in the collapse of society.

Robert Harris's novel *The Second Sleep* (2019) is set in a fundamentalist agrarian society several centuries after the collapse of global civilisation, which is inferred to be the result of a sudden breakdown of the internet, possibly as the result of cyberwarfare.

#### Technological singularity

The topic of Technological Singularity, also known as “Singularity,” was first coined in 1993. Since then, the idea of the term has been used to produce countless major motion pictures and earn Hollywood producers millions of dollars at the box office. The "Singularity" (also known as the technological singularity) refers to a future moment in human history when science and science fiction, religion philosophy, and hope and fear converge. The mathematician and science fiction writer Vernor Vinge coined the term to denote a juncture when artificial intelligence (AI) equals, and then in an intelligence explosion, far exceeds man intelligence.”  In laymen’s terms, technological singularity is the theoretical future moment when artificial intelligence surpasses human intelligence and becomes aware, autonomous, and potentially threatening to humans.

* ''The Matrix'' (1999) The plot involves Neo (Keanu Reeves), a mild-mannered software author by day, a feared hacker by night. He's recruited by a cell of cyber-rebels, led by the profound Morpheus (Laurence Fishburne) and the leather-clad warrior Trinity (Carrie-Anne Moss). They've made a fundamental discovery about the world: It doesn't exist. It's actually a form of Virtual Reality, designed to lull us into lives of blind obedience to the "system." We obediently go to our crummy jobs every day, little realizing, as Morpheus tells Neo, that "Matrix is the wool that has been pulled over your eyes--that you are a slave." The rebels want to crack the framework that holds the Matrix in place and free mankind. Morpheus believes Neo is the Messianic "One" who can lead this rebellion, which requires mind power as much as physical strength. Arrayed against them are the Agents, who look like Blues Brothers. The movie's battles take place in Virtual Reality; the heroes' minds are plugged into the combat. (You can still get killed, though: "The body cannot live without the mind")…The Agents function primarily as opponents in a high-stakes computer game. The movie offers no clear explanation of why the Matrix-making program went to all that trouble. Of course, for a program, running is its own reward--but an intelligent program might bring terrifying logic to its decisions.
* ''The Terminator'' (1985) James Cameron directs this science-fiction thriller about a futuristic killing machine called the Terminator (Arnold Schwarzenegger), which is sent back to the year 1984 to assassinate a young woman named Sarah Connor (Linda Hamilton). The cyborg comes from the year 2029, following a nuclear war that has devastated the better part of civilization. Computer defense mechanisms have turned on their creators, starting another war, in an effort to eliminate the human race altogether. Man's valiant rebel leader is John Connor, Sarah's son. John is destined to help the human race win this war, and the Terminator is the only thing standing in the way. Sent back to the present, the cyborg must kill Sarah before John is born. It systematically eliminates every Sarah Connor in the city of Los Angeles. But Sarah escapes with the man sent to protect her, Kyle Reese (Michael Biehn) before the Terminator can get to her. What follows is a massive chase that will eventually end in victory for mankind. Co-writer William Wisher Jr. has a cameo as a police officer.
* *Transcendence* (2014) "Transcendence," about a dying computer genius (Johnny Depp) who uploads himself in computerized form and achieves a problematic digital afterlife, is real science fiction. It explores its ideas with sincerity, curiosity, and terrifying beauty (its director is Wally Pfister, longtime cinematographer for Christopher Nolan)… Caster is wounded in the 9/11 style, multi-pronged attack, taking a radiation-laced bullet and dying a few weeks later…What we've got here isn't just a "Frankenstein"-like parable of scientific hubris run amok, but also the story of a grieving spouse who's reluctant to let go of her mate and tries to prolong his life artificially. The film's script, credited to Jack Paglen, takes its sweet time confirming whether the being uploaded into the neural network Will Caster or merely a digital copy, and if a copy, what sort.
* *Her* (2013) The futuristic premise sets the stage for an unusual love story: one in which Theo, still highly damaged and sensitive over the breakup of his marriage ("I miss you," a friend tells him in a voice mail message; "Not the sad, mopey you. The old, fun you"), falls in love with the artificially intelligent operating system of his computer. The movie shows this product advertised and, presumably, bought in remarkable quantity, but focuses on Theo's interaction with his OS, which he gives a female voice. The female voice (portrayed beautifully by Scarlett Johansson) gives herself the name "Samantha" and soon Samantha is reorganizing Theo's files, making him laugh, and developing something like a human consciousness.
* ''Autómata'' (2014) “Automata” opens with onscreen text explaining the future 30 years from now. Solar storms have turned the Earth into a radioactive desert, killing 98% of the population in the process. As a result, the ROC company created “primitive robots to help build the walls and mechanical clouds that protect the humans.” There are millions of robots, all of which are controlled by two protocols: they cannot harm any form of life and they can neither repair themselves nor alter another robot in any fashion. “These rules are unalterable,” the screen says in boldface. Of course, this is not a true statement.

### Fossil fuel supply scarcities

Template:Unreferenced section
The film *Mad Max* (1979), directed by George Miller, presents a world in which oil resources have been nearly exhausted. This has resulted in constant energy shortages and a breakdown of law and order. The police do battle with criminal motorcycle gangs, with the result being the complete breakdown of modern society and nuclear war as depicted in *Mad Max 2* (1981). The opening narration of *Mad Max 2* implies that the fuel shortage was caused not just by peak oil, but also by oil reserves being destroyed during a large scale conflict in the Middle East. The remnants of society survive either through scavenging, or in one notable case, as depicted in the third sequel *Mad Max Beyond Thunderdome* (1985), by using methane derived from pig feces.

James Howard Kunstler's novel *World Made By Hand* (2008) imagines life in upstate New York after a declining world oil supply has wreaked havoc on the US economy, and people and society are forced to adjust to daily life without cheap oil.

Canadian novelist Douglas Coupland's book *Player One* (2010) deals with four individuals taking refuge in a Toronto airport bar while a series of cataclysmic events occurs outside.

Alex Scarrow's novel *Last Light* and its sequel *Afterlight* narrate the fall of British civilization after a war in the Middle East eradicates the majority of the Earth's oil supply.

The backstory of the video game series *Fallout* revolves around the so-called "Resource Wars", beginning circa 2050, when oil supplies become depleted, leading to a disastrous series of wars that include Europe going to war with the Middle East before disintegrating into warring nation-states after all available oil is used up, the United Nations collapsing, the U.S annexing Mexico and Canada, and finally total nuclear war between the U.S and China in 2077 after over 25 years of war.

### Pandemic

#### Comics

*Crossed* by Garth Ennis is set in a post-apocalyptic world in which a bodily fluid-borne virus has destroyed civilization. Carriers of the virus develop a cross-shaped rash on their faces and act without inhibitions, raping, killing and torturing the few remaining uninfected humans.

*Y: The Last Man* by Brian K. Vaughan and Pia Guerra deals with the lives of Yorick Brown and his monkey Ampersand, after a plague wipes out all but three male life forms on the Earth, leaving the whole planet to be controlled by women.

*The Walking Dead* is a comic book series from IC and was written by Robert Kirkman, Tony Moore, and Charlie Adlard. It was started in 2003 and concluded in 2019. The story follows a group of survivors in a post-apocalyptic landscape. The apocalypse in this series was brought about by zombies, and it is strongly suspected that the zombies are victims of a virus. *The Walking Dead* television series is based on the comic books. They have also spawned a motion comic.

Kamandi is an American comic book character, created by artist Jack Kirby and published by DC Comics. In the eponymous series, Kamandi is a teenage boy on a post-apocalyptic Earth that the textual narrative describes as "Earth A.D. (After Disaster)". The Earth has been ravaged by a mysterious calamity called the Great Disaster. The precise nature of the Great Disaster is never revealed in the original series, although it "had something to do with radiation" (in the series' letter column, Jack Kirby and his then-assistant Steve Sherman repeatedly asserted that the Great Disaster was not a nuclear war, a fact confirmed in issue #35). The Disaster wiped out human civilization and a substantial portion of the human population. A few isolated pockets of humanity survived in underground bunkers, while others quickly reverted to pre-technological savagery.

*Xenozoic Tales* (also known as *Cadillacs & Dinosaurs*) is an alternative comic book by Mark Schultz set in a post-apocalyptic future starring mechanic Jack Tenrec and scientist Hannah Dundee. Earth has been ravaged by pollution and natural disasters and humanity survived by building vast underground cities. Some 600 years later, mankind emerged to find that the world had been reclaimed by previously extinct lifeforms (most spectacularly, dinosaurs). In the new 'Xenozoic' era, technology is extremely limited and those with mechanical skills command a great deal of respect and influence.

Killraven (Jonathan Raven) is a fictional character appearing in American comic books published by Marvel Comics. Created by co-plotters Roy Thomas and Neal Adams, scriptwriter Gerry Conway, the Martians from H. G. Wells' *The War of the Worlds* return in 2001 for another attempt at conquering the planet (later retconned as extrasolar aliens using Mars as a staging area). After humanity's enslavement, men not used as breeders or collaborators are trained and forced to battle gladiator-style for the Martians' amusement; women are used as breeders to supply infants, which are eaten by the Martians as a delicacy. Jonathan Raven, dubbed Killraven as his gladiatorial nom de guerre, escapes with the help of the gladiatorial "keeper", but without his brother, Deathraven. Killraven joins the Freemen, a group of freedom fighters against Martian oppression.

Deathlok is a Marvel comic book character created by Rich Buckler and Doug Moench. Colonel Luther Manning is an American soldier who was fatally injured and reanimated in a post-apocalyptic future (originally given the date of 1990) as the experimental cyborg Deathlok the Demolisher. He verbally communicates with his symbiotic computer, to which he refers as the abbreviated "'Puter". He battles the evil corporate and military regimes that have taken over the United States, while simultaneously struggling not to lose his humanity.

Hercules, as portrayed in the DC comic book series titled *Hercules Unbound*, featured the adventures of Hercules in a post-apocalyptic future. It made use of characters and concepts, such as the Atomic Knights and the intelligent animals from Jack Kirby's *Kamandi, the Last Boy on Earth* series as an attempt to tie in some of the future series.

*Judge Dredd* is set in a future Earth damaged by World War III, a nuclear war instigated by corrupt U.S. President "Bad" Bob Booth in 2070. The majority of the world was left an irradiated wasteland filled with hostile mutant lifeforms, with the surviving population being centralized in the so-called Mega-Cities, massive urban sprawls covering entire states created to deal with overpopulation during the 21st century. Further massive conflicts during the comics' present, such as the "Apocalypse War" against East-Meg (the government of the former Soviet territories) and the "Day Of Chaos" has caused even more destruction.

*Axa* is set on a post-apocalyptic Earth in the year 2080. Axa is a woman who, having grown sick of the regimented and stifling society inside a domed city, flees into the untamed wilderness. The strip mixed elements of science fiction and sword-swinging barbarian tales (the lead character herself bears more than a casual similarity to Red Sonja).

*Meltdown Man* (SAS Sergeant Nick Stone) finds himself flung into the far-future by a nuclear blast, where the last remaining humans are led by a merciless tyrant called Leeshar and rule over the eugenically - modified animal castes known as 'Yujees'. Accompanied by catwoman Liana, bullman T-Bone and loyal wolfman Gruff, Stone is intent on ending Leeshar's dark reign by leading the slave-like Yujees in rebellion.

*Mighty Samson* was set in the area around New York City, now known as "N'Yark", in an Earth devastated by a nuclear war. The series featured Samson, a barbarian adventurer, and was created by writer Otto Binder and artist Frank Thorne.

*Druuna* is an erotic science fiction and fantasy comic book character created by Italian cartoonist Paolo Eleuteri Serpieri. Most of Druuna's adventures revolve around a post-apocalyptic future, and the plot is often a vehicle for varied scenes of hardcore pornography and softcore sexual imagery.

#### Films and television

Director George A. Romero's *Night of the Living Dead* (1968), and its five sequels, including *Dawn of the Dead* (1978) and *Day of the Dead* (1985), popularized the concept of a zombie apocalypse, focusing on the breakdown of American society in a world where the dead are re-animating as mindless, undead cannibals due to some unknown disease, implied to be extraterrestrial in origin, and anyone bitten but not eaten will soon become a zombie as well.

The BBC television series *Survivors* (1975–1977) and its 2008 remake series focus on a group of British survivors in the aftermath of a genetically engineered virus that has killed over 90% of the world's population. The first series of both versions examine the immediate after-effects of a pandemic outbreak of the flu, while the subsequent series concentrate on the survivors' attempts to build communities and make contacts with other groups.

The Japanese film *Virus* (1980) illustrates the global effects of the deadly *MM88*, a fictional virus that potentiates the effects of any other disease. It also features a doomsday device when it's discovered that the nuclear arsenal could be triggered by an earthquake in a chain reaction.

*12 Monkeys* (1995) is a science fiction film which depicts the remains of human civilization after an uncontrollable pandemic wipes out 99% of the human population. It is a semi-remake of *La Jetée* (1962), and both films focus on the theme of fate by introducing the ability to travel through time and make contact with pre-apocalyptic society. *12 Monkeys* is also a SyFy television series that premiered in 2015.

*The Tribe* (1999 - 2003) is a television series that deals with a mysterious virus that kills the adult population, leaving the children of the world to fend for themselves. The kids are divided into different tribes and war against each other for their survival. The show focuses on the tribe called the Mallrats, who take shelter in the city's mall to protect themselves from the dangers outside. However the virus mutates and begins to infect all the children, so the Mallrats are forced to search for the rumoured virus antidote hidden in government buildings.

The film *28 Days Later* (2002) and its sequel *28 Weeks Later* (2007) revolves around a virus in Britain that turns anyone infected into a mindlessly violent psychotic, though still alive and not undead, in a variation of the classic zombie theme. This also makes the infected more dangerous, as they can run very quickly and as their bodies are not decaying. The plot centers on groups of both uninfected survivors and a handful of virus carriers who are immune to the effects of the disease.

In the comedy film *Zombieland* (2009), a disease mutates most Americans (the rest of the world is not mentioned) and turns them into animal-like creatures hungry for human flesh. The story is about a group of people who stick together and to try survive against the zombies. Another comedy film, *Warm Bodies* (2013), adds a romantic twist to its story, as a zombie falls in love with an uninfected woman and protects her from his fellow zombies.

The AMC television series *The Walking Dead*, based on the comic book series of the same name, premiered in 2010. It centers around a group of people in the state of Georgia who struggle to survive and adapt in a post-apocalyptic world filled with zombies (here called "walkers") and opposing groups of survivors who are often more dangerous than the walkers themselves. The popularity of the series has led to a spin-off franchise comprising an aftershow (*Talking Dead*), a companion television series (*Fear the Walking Dead*, a prequel with different characters from the source material), video games (e.g., *The Walking Dead: The Game (Season One)*, *The Walking Dead: Season Two* and *The Walking Dead: Season Three*) webisodes (including *The Talking Dead* webisodes and the *Fear the Walking Dead* web series), and numerous parodies and spoofs.

*World War Z* (2013) is an apocalyptic action horror film based on the 2006 novel of the same name by Max Brooks. The film focuses on a former United Nations investigator who must travel the world to find a way to stop a zombie pandemic.

*The Last Ship* (2014) is an American action-drama television series, based on the 1988 novel of the same name by William Brinkley. After a global viral pandemic wipes out over 80% of the world's population, the crew (consisting of 218 people) of a lone unaffected U.S. Navy Arleigh Burke-class guided-missile destroyer, the fictional *USS Nathan James (DDG-151)*, must try to find a cure, stop the virus, and save humanity.

*Train to Busan* (2016) is an apocalyptic zombie film, based around a South Korean train from Seoul to Busan, hence the name. The virus was created from a chemical accident, and, when it infects any animal, gives the animal heightened senses and makes humans very violent. While they do get disoriented from darkness, they are very deadly. The story follows Seo Seok-woo (Gong Yoo) and his daughter, Su-an (Kim Su-an), as they find their way through a ravaged South Korea.

*The Rain (TV series)* (2018) is a Danish post-apocalyptic web-television series. After a rain-borne virus is released over the region of Scandinavia, causing a pandemic. Simone Andersen (played by Alba August) and Rasmus Andersen, along with their mother and father, must make it to an underground bunker. Things soon go awry when the father must leave to find a cure and the children are forced out of the bunker due to lack of food in search for their father.

The Last Man on Earth (2015) is a post apocalyptic American comedy TV series over 4 seasons starring Will Forte. It plays the premise for laughs. The original character is essentially a loser and then various other survivors find him and change the dynamic with hilarious and moving consequences.

#### Novels and short stories

Mary Shelley's *The Last Man*, published in 1826, is set in the end of the 21st century. It chronicles a group of friends, based on Lord Byron, Percy Bysshe Shelley and others, moving through Europe as a plague kills most of the world's population. *The Scarlet Plague* by Jack London, published in 1912, is set in San Francisco in the year 2073, 60 years after a plague has largely depopulated the planet. Written in 1949 by George R. Stewart, *Earth Abides* is the story of a man who finds most of civilization has been destroyed by a disease. Slowly, a small community forms around him as he struggles to start a new civilization and to preserve knowledge and learning.

*Empty World* is a 1977 novel by John Christopher about an adolescent boy who survives a plague which has killed most of the world's population. Originally published in 1978, Stephen King's *The Stand* follows the odyssey of a small number of survivors of a world-ending influenza pandemic, later revealed to be the man-made superflu "Captain Trips". It was eventually adapted for a 1994 miniseries of the same title starring Gary Sinise and Molly Ringwald. The novel was semi-inspired by King's earlier short story "Night Surf". Also published in 1977, Graham Masterton's novel titled *Plague*, tells the story of a mutated (and incurable as well as fatal) version of Yersinia pestis sweeping across the United States. Gore Vidal's 1978 novel *Kalki* also involves an apocalyptic event caused by a man-made pandemic.

The 1982 novel *The White Plague* by Frank Herbert has molecular biologist John Roe O'Neill exploring vengeance on a global scale when his wife is killed in an IRA car bombing. He creates a pandemic that kills only women. Written in 1984, the novel *Emergence* by David R. Palmer is set in a world where a man-made plague destroys the vast majority of the world's population. The novel was nominated for several awards and won the 1985 Compton Crook Award.

José Saramago's 1995 novel *Blindness* tells the story of a city or country in which a mass epidemic of blindness destroys the social fabric. It was adapted into the film *Blindness* in 2008. Published in 2003 by Margaret Atwood, *Oryx and Crake* is set after a genetically modified virus wipes out the entire population except for the protagonist and a small group of humans that were also genetically modified. A series of flashbacks depicting a world dominated by biocorporations explains the events leading up to the apocalypse. This novel was also shortlisted for the Man Booker Prize. A sequel, *The Year of the Flood*, was published in 2007, followed by *MaddAddam* in 2013, the trilogy's conclusion.

Richard Matheson's 1954 novel *I Am Legend* deals with the life of Robert Neville, the only unaffected survivor of a global pandemic that has turned the world's population into vampire zombie-like creatures. The novel has been adapted to film three times: *The Last Man on Earth* (1964), *The Omega Man* (1971), and *I Am Legend* (2007). Jeff Carlson wrote a trilogy of novels beginning with his 2007 debut, *Plague Year*, a present-day thriller about a worldwide nanotech contagion that devours all warm-blooded life below 10,000 feet (3,000 m) in elevation. Its two sequels, *Plague War* and *Plague Zone*, deal with a cure that allows return to an environment that suffered ecological collapse due to massive increases in insects and reptiles.

*World War Z: An Oral History of the Zombie War* (2006) is an apocalyptic horror novel by Max Brooks. The book is a collection of individual accounts of desperate struggle during and after a devastating global conflict against a zombie plague, narrated by an agent of the United Nations Postwar Commission. It also describes the social, political, religious, and environmental changes that result from the plague.

Emily St. John Mandel's *Station Eleven* (2014) takes place in the Great Lakes region after a fictional swine flu pandemic, known as the "Georgia Flu", has devastated the world, killing most of the population. The novel won the Arthur C. Clarke Award in May 2015. The award committee highlighted the novel's focus on the survival of human culture after an apocalypse, as opposed to the survival of humanity itself.

James Dashner's *The Maze Runner* trilogy (2009–11) takes place after sun flares have scorched the earth. As a result, the governments of the world released a virus to kill off some of the world's population to save resources. The virus turned out to be highly contagious, and it made you lose control of your mind until you were an animal inside your head. This led to it being nicknamed, "The Flare". The series was made into movies by 20th Century Fox, with *The Maze Runner* released in 2014, *The Scorch Trials* in 2015 and the third in the series, *The Death Cure* in 2018.

#### Video games

*Abomination: The Nemesis Project* (1999) takes place in 1999 after the United States has been almost wiped out by a deadly plague. The disease started on the East Coast, and communication with the West Coast ceased within 72 hours. The last few groups of survivors stopped broadcasting after six days, and the overwhelming majority of the country's population has been wiped out. The player leads a team of eight genetically altered supersoldiers to defeat an infestation of a global genetic plague which slowly turns into a superorganism.

The *Left 4 Dead* series (first released in 2008) is set in the days after a pandemic outbreak of a viral strain transforms the majority of the population into zombie-like feral creatures. The games follow the adventures of four survivors attempting to reach safe houses and military rescue while fending off the attacking hordes.

*Metro 2033* (2010) is set in the ruins of Moscow following a nuclear war, where the survivors are forced to live in underground metro tunnels. Players control Artyom, a man who must save his home station from the dangers lurking within the Metro. Artyom's story was continued in the sequels *Metro: Last Light* (2013) and *Metro Exodus* (2019).

*Zero Escape: Virtue's Last Reward* (2012) takes place years after an artificial virus, called Radical-6, was released, exterminating almost all of humanity. The sequel *Zero Escape: Zero Time Dilemma* (2016) details the events that lead to the virus being released.

*Plague Inc.* (2012) focuses not on the survival of humanity after or during an apocalypse, but rather on controlling the disease or creature responsible for the destruction of humanity.

*The Last of Us* (2013) revolves around the premise of a mutated Cordyceps fungus spreading to humans, resulting in the deterioration of society within the United States. DLC *The Last of Us: Left Behind* (2014) takes place months before Ellie meets Joel. The sequel *The Last of Us Part II* (2020) continues the story of Joel and Ellie 5 years after the first game.

*Call of Duty: Ghosts* (2013) is set in a near future that follows the nuclear destruction of the Middle East. The oil-producing nations of South America form the "Federation of the Americas" in response to the ensuing global economic crisis and quickly grow into a global superpower, swiftly invading and conquering Central America, the Caribbean, and Mexico.

*Judgment: Apocalypse Survival Simulation* (2016) is set during an ongoing Apocalypse, after a Hellgate opens on Earth and a host of demons enter the world. The player controls a group of survivors that found a base to fight back and find a way to repel the invasion.

*They Are Billions* (2018) is also an example of a post-apocalyptic future, in which players must establish, manage and defend colonies amidst a zombie apocalypse.

*Tom Clancy's The Division* (2016) takes place in a pandemic-ravaged New York City that's become overrun by escaped prisoners, gang-members and a faction of 'Cleaners' that are determined to end the epidemic by incinerating anything that might possibly be infected.

*DOOM Eternal* (2020) is set in the year 2163 and the story follows the Doom Slayer once again, on a mission to end Hell's consumption of Earth and foil the alien Maykrs' plans to exterminate humanity.

*The Walking Dead (video game series)* (2012-2019) deals with the mysterious disease prevalent in all currently living people to become a walker or zombie either by being bitten by one or dying with the brain intact. Hostile survivors roam the remaining living world too and the protagonist, Clementine has to deal with them and friends accordingly.

### War

 File:Science and Invention Feb 1922 pg912 - War of the Future.jpg
#### Film and television

H.G. Wells adapted his novel *The Shape of Things to Come* (1933) into the movie *Things to Come* (1936). In the movie, England is reduced to rubble by a prolonged conventional, chemical, and biological war. Survivors are depicted living under the rule of a local warlord who raids his neighbors in an attempt to get his fleet of rotting fighter planes in the air again. At the same time, surviving engineers create a technological utopia.

The film *Panic in Year Zero!* (1962) tells the story of a Southern California family's fight to survive the violence and chaos that ensue in the aftermath of a nuclear war.

*La Jetée* (1962) deals with a time traveler sent back in time to help the people of the post-apocalyptic future rebuild civilization after nuclear war destroys most of the world. It was partially remade in 1996 in the film *12 Monkeys*.

In 1965 the BBC produced *The War Game*, but it was considered too graphic and disturbing to broadcast at the time; it was only in 1985 that it was shown. It portrays a nuclear attack on Great Britain and its after-effects, particularly the efforts of the Civil Defence system.

*Planet of the Apes* (1968) and its first sequel, *Beneath the Planet of the Apes* (1970) are 40th century-set post-apocalyptic entries in its original five-film series while *Battle for the Planet of the Apes* (1973) is a turn of the 21st century turn of the third millennium post apocalyptic last entry of this series. The other two films between "Beneath..." and "Battle..." were pre-apocalyptic *Escape from the Planet of the Apes* (1971, pre-nuclear bomb Los Angeles of 'present day') and *Conquest of the Planet of the Apes* (1972, also pre-nuclear but this time circa 1991 and with a violent ape revolution).

*Genesis II* (1973) television film, created by Gene Roddenberry. Dylan Hunt, a NASA scientist, begins a multi-day suspended animation test right before an earthquake buries the underground laboratory. Discovered in 2133 still alive he is awakened by the organization PAX (descendants of NASA scientists) who promote peace in the world. This television pilot, if picked up, would have followed Dylan and a PAX team as they reach out to the remains of humanity in a post-apocalyptic world by means of a long forgotten underground sub-shuttle rapid transit system that spanned the world right before the Great Conflict. A second pilot, *Strange New World*, also failed to be picked up as a television series.

The ABC made-for-TV movie *The Day After* (1983) deals with a nuclear war between NATO and the Warsaw Pact, focusing on a group of people in the U.S. heartland states of Kansas and Missouri attempting to survive during and after the nuclear exchange.

*Testament* is a 1983 drama film based on a three-page story "The Last Testament" by Carol Amen which tells the story of how one small suburban town near the San Francisco Bay Area slowly falls apart after a nuclear war destroys outside civilization.

The 1984 BBC television film *Threads* depicts life before, during, and after the detonation of a Soviet nuclear bomb over Sheffield, England.

The Terminator film franchise (first introduced in 1984) depicts an artificial intelligence called Skynet becoming self-aware in 1997 and trying to exterminate humanity by instigating nuclear war between the United States and Russia, which results in the death of three billion people. Many of the survivors eventually band together to destroy Skynet and its army of robots (called "terminators"). The series follows resistance leader John Connor and his mother, Sarah Connor, and their adventures before and after the nuclear strike (called "Judgment Day" in the film series).

CBS produced the TV series *Jericho* in 2006–2008, which focused on the survival of the town after 23 American cities were destroyed by nuclear weapons.

The Cartoon Network series *Adventure Time* (which began airing in 2010) takes place a thousand years in a future after a nuclear war (referred to as "The Great Mushroom War") where once existent but eventually forgotten magic is recreated and humans are nearly wiped out with all kinds of creatures that had taken their place.

Tom Hanks' 2011 web series *Electric City* is a story based on a post-apocalyptic world. In this world, a group of matriarchs (the "Knitting Society") impose an altruistic but oppressive society to counter the aftermath of a brutal war that brings down modern civilization. However, in time, even this new "utopian" order is ultimately called into question by the inhabitants of the new society.

The CW Channel's *The 100* (which began airing in 2014) is a television series based on a post-apocalyptic world. After a nuclear war, Earth was uninhabitable and the only survivors were those on space stations which eventually came together to form the Ark; 97 years later on an undeterminable year the Ark is dying and 100 prisoners under the age of 18 are sent to see if Earth is now survivable. There they are faced with the challenges Earth brings and those who survived the nuclear war.

The movie *Zardoz* is a surreal take on the genre, revolving around a post-apocalyptic future England where a warrior caste called Exterminators worship a giant, floating stone head known as Zardoz, which gives them weapons and ammunition.

The movie *The Book of Eli* released in 2010. Starring Denzel Washington and Gary Oldman, a story of a lone wanderer trying to deliver a book through the wastelands after a nuclear apocalypse. Everyone has to wear sunglasses/goggles due to solar radiation and cannibalism is prevalent (identified by shaky hands). Oldman runs a town with access to water and supplies and tries to take the last copy of the Christian Bible, in braille, from Washington seeking its power. At the time he does not realize the Bible is in braille.

#### Novels and short stories

Paul Brians' *Nuclear Holocausts: Atomic War in Fiction* (1987) is a study that examines atomic war in short stories, novels, and films between 1895 and 1984. Since this measure of destruction was no longer imaginary, some of these new works, such as Nevil Shute's *On the Beach* (1957), which was subsequently twice adapted for film (in 1959 and 2000), Mordecai Roshwald's *Level 7* (1959), Pat Frank's *Alas, Babylon* (1959), and Robert McCammon's *Swan Song* (1987), shun the imaginary science and technology that are the identifying traits of general science fiction. Others include more fantastic elements, such as mutants, alien invaders, or exotic future weapons such as James Axler's *Deathlands* (1986).

In Stephen Vincent Benét's story "By the Waters of Babylon" (1937, originally titled "The Place of the Gods"), a young man explores the ruins of a city in the northeastern United States, possibly New York, generations after a war in which future weapons caused "The Great Burning".

According to some theorists, the atomic bombing of Hiroshima and Nagasaki in 1945 has influenced Japanese popular culture to include many apocalyptic themes. Much of Japan's manga and anime are filled with apocalyptic imagery. The 1954 film *Gojira* (1954, romanized as *Godzilla*) depicted the title monster as an analogy for nuclear weapons, something Japan had experienced first-hand.

Judith Merril's first novel *Shadow on the Hearth* (1950) is one of the earliest post-World War II novels to deal with a post-nuclear-holocaust world. The novel recounts the ordeals of a young suburban housewife and mother of two children as she struggles to survive in a world forever changed by the horrors of a nuclear attack. Several of Ray Bradbury's short stories of *The Martian Chronicles* take place before, during, and after a nuclear war on Earth. The people flee Earth and settle on Mars but have constant conflicts with the native Martians. Several of these stories have been adapted to other media.

Andre Norton’s *Star Man's Son* (1952, also known as *Daybreak 2250*), is an early post-nuclear-war novel that follows a young man, Fors, in search of lost knowledge. Fors begins his Arthurian quest through a radiation-ravaged landscape with the aid of a telepathic mutant cat. He encounters mutated creatures called "the beast things", which are possibly mutated rats or a degenerate form of humans.

Wilson Tucker's novel *The Long Loud Silence* (1952) posits a post-nuclear holocaust America in which the eastern half of the country has been largely destroyed and its surviving inhabitants infected with a plague and barred from crossing the Mississippi River to try to find refuge in the unscathed western part of the country.

A nuclear war occurs at the end of Bradbury's dystopian futuristic novel *Fahrenheit 451* (1953), with the outcasts who had fled an unidentified American city to escape a despotic government which burned books in order control the public by limiting knowledge left alive to re-establish society.

John Wyndham's 1955 novel *The Chrysalids* (United States title: *Re-Birth*), set in a small community untold centuries after a nuclear holocaust (not expressly told, but strongly hinted at with genetic mutations, glowing ruins, landscape baked to glass), tells the story of David, part of a small group of teens who share a limited form of telepathy that allows them to communicate with others who have the same talent. However, the fundamentalist society they live in, regards the slightest difference from the norm as a blasphemy and affront to God. The group attempt to remain hidden, then failing that, survive during a war between mutants and the fundamentalists while waiting for members of a distant advanced telepathic human civilization to rescue them.

In Walter M. Miller Jr.'s *A Canticle for Leibowitz* (1959) a recrudescent Catholic Church, pseudo-medieval society, and rediscovery of the knowledge of the pre-holocaust world are central themes.

Edgar Pangborn's *Tales of a Darkening World: The Davy Series*, written mostly in the 1960s and 1970s, takes place after a nuclear war. The best-known story is the novel *Davy*.

Poul Anderson's *Maurai* series (1959–1983) also takes place after a nuclear war, and his Hugo and Prometheus award-winning story "No Truce With Kings" takes place after a cataclysmic war. Both show the interactions among various kinds of societies that have developed in the centuries of recovery.

Robert Heinlein's 1964 novel *Farnham's Freehold* follows the story of a group of people that have survived a nuclear explosion. The group survives the attack in a fallout shelter but are taken to a future in which Africans rule.

"Damnation Alley" is a 1967 science fiction novella by Roger Zelazny, which he expanded into a novel in 1969. A film adaptation of the novel was released in 1977.

Harlan Ellison's novella "A Boy and His Dog" (1969) takes place in a world desolated by the nuclear warfare in World War IV. It was adapted into a 1975 film of the same name as well as a companion graphic novel titled *Vic and Blood*. In turn, the 1975 film adaptation influenced the *Mad Max* films, particularly *The Road Warrior* (1981).

Alexander Key's novel *The Incredible Tide* (1970) is set years after the Third World War. The weapons used were not nuclear, but ultra-magnetic that tore and submerged the continents. The story was adapted in the anime *Future Boy Conan* (1978).

Russell Hoban's *Riddley Walker* (1980), set in the English county of Kent around two thousand years after a nuclear war, also has religious or mystical themes and is written in a fictional future version of English.

In Hayao Miyazaki's manga (1982–1994) and anime film *Nausicaä of the Valley of the Wind* (1984), human civilization is destroyed after a war known as the "Seven Days of Fire", which results in the Earth's surface becoming polluted and the seas turning poisonous.

William W. Johnstone wrote a series of books between 1983 and 2003 (35 books all containing the word "Ashes" in the title) about the aftermath of worldwide nuclear and biological war.

David Brin's novel *The Postman* (1985) takes place in an America where some are trying to rebuild civilization after the "Doomwar". It was adapted into the film *The Postman* (1997).

Orson Scott Card's post-apocalyptic anthology *The Folk of the Fringe* (1989) deals with American Mormons after a nuclear war.

Jeanne DuPrau's children's novel *The City of Ember* (2003) was the first of four books in a post-apocalyptic series for young adults. A film adaption, *City of Ember* (2008), stars Bill Murray and Saoirse Ronan.

#### Video games

In the computer game *Wasteland* (1988) and its sequels, nuclear war occurred in 1998 leaving a wasteland in its wake. The game centers around a player-controlled party of Desert Rangers.

*Fallout*, an ongoing series of post-apocalyptic role-playing games first published in 1997, depicts a world after a series of resource wars that culminates in a massive nuclear exchange between the U.S and China in 2077. The games revolve around "vaults," underground bunkers for long-term survival (in reality social experiments created by the ruling elite of the pre-war United States), and exploring the outside wasteland, in locations such as California, Las Vegas, Washington D.C., New England, and West Virginia. *Fallout* draws heavily from retro 1950s sci-fi, and the setting combines elements of mid-20th century technology, such as vacuum tubes and monochrome screens, with highly advanced artificial intelligences and energy weapons.

 File:Fallout Cosplayer Villa Carrara.jpg
In *Metro 2033* (2010), a nuclear war occurs in late 2013. Russia was targeted with atomic bombs, causing severe radiation across Moscow, forcing the rest of the people to live underground in the metro stations away from the deadly effects of radiation. Many animals and humans left behind mutated into creatures known as the Dark Ones, who were left outside for the next 20 years. The game is played from the perspective of Artyom, a 20-year-old male survivor and one of the many children brought into the metro right before the bombs dropped. The story takes place in post-apocalyptic Moscow, mostly inside the metro system, but some missions have the player go to the surface which is severely irradiated and a gas mask must be worn at all times due to the toxic air. A sequel, *Metro: Last Light* was released in 2013. A sequel to *Metro: Last Light*; *Metro: Exodus* was produced in 2019.

Nuclear apocalypse followed by a demon invasion is a recurring staple of the Shin Megami Tensei series.

The *Danganronpa* series is revealed to be set in a world where society has collapsed as a result of "The Biggest, Most Awful, Most Tragic Event in Human History" which involves constant chaos, violence, and death for the sake of spreading of despair.

In *DOOM Eternal* Sometime after the events on Mars, Earth has been overrun by demonic forces, wiping out most of the planet's population, under the now-corrupted Union Aerospace Corporation. What remains of humanity has either fled Earth or have joined the Armored Response Coalition, a resistance movement formed to stop the invasion, which has gone into hiding after suffering heavy losses. The Doom Slayer, having previously been betrayed and teleported away by Dr. Samuel Hayden, returns with a satellite fortress controlled by the AI VEGA to quell the demonic invasion by killing the Hell Priests.

### Other

#### Anime and manga

*Violence Jack* (1973 debut), a manga and anime series by Go Nagai, is set in a post-apocalyptic world with corruption and psychotic gangs. It is credited with creating the post-apocalyptic manga and anime genre, depicting its post-apocalyptic world as a desert wasteland with biker gangs, anarchic violence, ruined buildings, innocent civilians, tribal chiefs and small abandoned villages. This was similar to, and may have influenced, the desert wasteland settings of later post-apocalyptic franchises such as the film series *Mad Max* (1979 debut) and the manga/anime series *Fist of the North Star* (*Hokuto no Ken*, 1983 debut). Goichi Suda (Suda 51), who cited *Violence Jack* as an influence on his video game series *No More Heroes* (2007 debut), stated: “All of the desert-setting titles are actually inspired by *Violence Jack*. That came way before *Hokuto no Ken*, so that's the real origin of everything.”

Katsuhiro Otomo's cyberpunk manga and anime series *Akira* (1982 debut) is set in a post-apocalyptic Neo-Tokyo. Buronson's *Fist of the North Star* (1983 debut) is a story about Kenshiro, the successor of the deadly ancient martial art, Hokuto Shinken, in a world destroyed by nuclear war.

Hayao Miyazaki's manga series *Nausicaä of the Valley of the Wind* (1982 debut), later adapted into a 1984 anime film by Studio Ghibli, depicts a post-apocalyptic future where industrial civilization was wiped out in the "Seven Days of Fire" 1,000 years before the main events. A "Toxic Jungle" threatens the last of humanity. Nausicaä is the princess of The Valley of the Wind who, rather than destroying the Toxic Jungle, decides to study the flora and fauna in the hopes of co-existing with the forest.

The manga and anime series *Dragon Ball Z* (1989 debut) and *Dragon Ball Super* (2015 debut), sequels to Akira Toriyama's *Dragon Ball*, contain parallel timelines generated by time-travel to the past from an apocalyptic and post-apocalyptic future. Cybernetic humans caused the mass extinction of roughly two-thirds of Earth's human population, and years later, two higher dimensional beings killed all (but two) of the remaining population - along with an unknown amount of beings from other inhabited planets in that universe.

*Battle Angel Alita* (1990 debut) is a cyberpunk manga about an amnesiac female cyborg, *Alita*. It was later adapted into the James Cameron film *Alita: Battle Angel* (2019).

The anime and manga *X* by Clamp features a supernatural apocalypse. In it there is a battle over the end of the world between the "Dragons of Heaven" who wish to save humanity, and the "Dragons of Earth" who wish to wipe out humanity. The central character, Kamui Shirō, has to choose which side to fight for. The manga began in 1992 and has been on hiatus since 2003. It has been adapted as an anime film in 1996 and an anime television series between 2001 and 2002.

In *Neon Genesis Evangelion* (1995 debut), the story takes place on an earth shattered by the *Second Impact* (referring to the "giant-impact hypothesis 4.5 billion years ago, Theia as the *first impact*) in Antarctica, in which the security agency *NERV* tries to secure Neo Tokyo from a *Third Impact*, while holding back the real story of the Second Impact from the public and even the protagonists. The Second Impact had led to mass extinctions and wars, as well as significant changes to the planet's climate and population.

*Uchuu no Stellvia* (2003 debut) describes an earth after being hit by a big electromagnetic wave from a supernova of a nearby star, where mankind needs to rescue the earth 189 years after this impact from a second wave of matter coming towards the solar system. The anime shows a globalized society who have put together to fight this "enemy".

In *Black Bullet* (2011 debut), the earth was devastated by an alien race, spreading a virus that transforms humans into some kind of insect. Only the major cities holding back behind big walls of some fictitious material and are under constant threat to be invaded when these walls fail.

*Attack on Titan* (2009 debut) showcases a similar story, but this time the society have fallen back into a medieval state, with humanity having taken refuge behind three massive stone walls that protect them from the *Titans*, massive naked humanoid creatures, who feed on humans. The main plot revolves around the mysterious origin of the Titans, and uncovering the forgotten history of humanity.

In *Kino's Journey* The Story sets on Kino, a girl of 15 years who forms a link with a talking motorbike named Hermes. Together, the duo explores different places and different nations all the while, appreciating the young beauty of life. Their journey through the post-apocalyptic world and various ruins will teach them something useful about life and its unknown depths.

#### Films and literature

In Ayn Rand's novella *Anthem* (1938), society has entered a near-medieval state after a new government forbids any kind of individual thought, even forbidding the words "I" and "me".

In Arthur C. Clarke's short story "The Nine Billion Names of God" (1953), the universe ends when Tibetan monks (making use of a specially-written computer program) finish writing all of the nine billion possible names of God. The story won a retrospective Hugo Award.

*The Day the Earth Caught Fire* (1961) is a film by Val Guest about an Earth thrown out of its orbit around the sun by excessive nuclear testing. It paints a picture of a society ready to believe that humans could destroy the planet, hoping that science could fix what it has broken but resigned to the possibility of irreversible doom.

The film *Soylent Green* (1973), loosely based upon Harry Harrison's science fiction novel *Make Room! Make Room!* (1966), is set in the dystopian future of 2022, in an overpopulated, heavily polluted world, where the masses of mostly homeless and destitute people have been herded into the overcrowded cities and barely survive on government-issued food rations made from the processed corpses of the dead.

Ernst Jünger's novel Eumeswil's (1977) key theme is the figure of the Anarch, the inwardly-free individual who lives quietly and dispassionately within but not of society and the post apocalyptic world.

John Crowley's novel *Engine Summer* (1979) takes place perhaps a thousand years after "the Storm" (not described) destroyed industrial civilization. Surviving cultures seem to be influenced by the 1960s and 1970s counterculture.

The Christian-themed *Left Behind* series of 16 novels published between 1995 and 2007, and four film adaptations produced between 2000 and 2014, posits a world in which the righteous believers have suddenly been raptured, en masse, up to Heaven, leaving behind an increasingly troubled and chaotic world in which the Antichrist, foretold in the Book of Revelation, arises to despotically rule over those unfortunate enough to have been "left behind". He is opposed by newly born-again Christians as the end of times (Tribulation) approaches.

Cormac McCarthy's *The Road* (2006) takes place several years after an unspecified cataclysm that forces a father and son to perpetually search for survival. It was adapted into a film in 2009.

Robert Reed's short story "Pallbearer" (2010) deals with most of the developed world's population dying after a mass vaccination program in which the vaccines were purposefully tainted. The survivors are those who were not vaccinated, often for religious reasons, and their descendants. Most of the developing world does not receive the vaccine, and decades later, large numbers of its refugees are arriving to America's shores. The protagonist survives the disaster as a young boy and has a chance encounter with an elderly scientist and her fanatical younger family members.

James Wesley Rawles' novel *Survivors: A Novel of the Coming Collapse* (2011) addresses a contemporaneous global economic crash, and focuses on the struggles of a large cast of characters who struggle to survive after what is termed "The Crunch." It covers both the lead up to the economic crash, as well as several years after the crash.

This Is The End (2013) centers on fictionalized versions of its cast in the wake of a global biblical apocalypse. It is a feature-length film adaptation of the short film *Jay and Seth versus the Apocalypse* (2007), also written by Seth Rogen and Evan Goldberg, with the short's director, Jason Stone, serving as an executive producer.

*Escape From New York* and its sequel *Escape From L.A.*, as well as supplementary materials published as comic books, is set in a fragmenting United States with rampant crime, pollution, and overpopulation. New York City has been walled off and turned into a gigantic maximum security prison after a 400% rise in crime by 1988. The same happens to Los Angeles in 2000 when a massive earthquake floods the San Fernando Valley, isolating L.A off the west coast.

Robert Jordan's *The Wheel of Time* is set in a fictional post-apocalyptic world, with a medieval society. In the world, a system of magic, known as the One Power, is divided into a male half (saidin) and a female half (saidar). 3,000 years before the series, the world was a high tech utopia. When humanity tried to find a magic that both men and women could use, they encountered the Dark One, a Satan-like being able to corrupt human nature and the natural world. A war between the "Light" and the "Shadow" (the Dark One and his followers) ends with the Dark One being imprisoned with saidin. He corrupts it from within his prison, however, driving male users of the Power insane. They use their power to destroy civilization and geography in what is known as the "Breaking of the World". The era before the Breaking is later remembered as the "Age of Legends", since much knowledge was lost, and many common feats of that time seemed miraculous to the characters of the series.

#### Games

* In the *Gamma World* (1978) tabletop roleplaying game, the reason for apocalypse varies depending on the edition, going from nuclear war to alien invasion to technology gone rampant to the merging of realities caused by the Large Hadron Collider.
* In the *Twilight: 2000* (1984) tabletop roleplaying game, the setting is five years after World War III began, a conventional war followed by a limited nuclear exchange.
* In Ubisoft's videogame *I Am Alive* (2012), America has gone through a massive cataclysm known as "the Event" that destroys most cities and areas. Due to the damage of the aftermath, many people are forced to go without resources, causing citizens to become agitated, violent, and bitter, turning them into savage hunters.
* In the *Lisa: The Painful* videogame (2014), the world has been turned into a desert wasteland by a mysterious event called the "White Flash".
* In the *Nomad Gods* (1977) boardgame, the board depicts an area called the Plaines of Prax, that have been blasted by titanic battles between two gods making it uninhabitable.

#### Music

Many rock, heavy metal, and punk bands have post-apocalyptic themes and imagery in their lyrics. Numbered among the bands whose music includes these themes are: Arcade Fire, Blue Öyster Cult, Bob Dylan, Marilyn Manson, Metallica, Nine Inch Nails, Nuclear Assault, Radiohead, R.E.M., Slayer, Sodom, System of a Down, The Clash, The Cure, The Doors, The Misfits, The Smashing Pumpkins, and David Usher. Their work includes various apocalyptic songs across genres. For example, Muse's album *The 2nd Law* (2012) was inspired by post-apocalyptic life in *World War Z*, and the event is referred to specifically in the song "Apocalypse Please" (2003).

Post-Apocalyptic scenarios were a common theme in the music of Jefferson Airplane and Jefferson Starship, most notably the song "Wooden Ships" and the album *Blows Against the Empire*.

The music video for the song "Mankind Man"(1995) by the Barstool Prophets depicts various adults being dragged into a kangaroo court by several youths, before being tried and condemned, in a seemingly dystopian, post-apocalyptic world. Likewise, the music video for The Sisters of Mercy song "This Corrosion" takes place in a post-apocalyptic setting.

## See also

* American militia movement
* Apocalypticism
* Biopunk
* Cyberpunk
* Dark Ages
* Dictatorship
* Dying Earth genre
* Dystopia
* Category:End of the universe in fiction
* Global catastrophic risk
* List of apocalyptic films
* List of apocalyptic and post-apocalyptic fiction
* List of nuclear holocaust fiction
* Manorialism
* Nuclear weapons in popular culture
* Speculative evolution: Usually, if humans were to become extinct completely in a work of media, any hypothetical animal that could one day inhabit Earth in the distant future would be considered such.
* Survivalism
* Survivalism in fiction
* World War III in popular culture

## References

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2. ↑ Themes : Ruined Earth : SFE : Science Fiction Encyclopedia.
3. ↑ Zimbaro, Valerie P. (1996). *Encyclopedia of Apocalyptic Literature*. US: ABC-CLIO. p. 9. ISBN 0-87436-823-5.
4. ↑ Template:Cite quran
5. ↑ Template:Cite quran
6. ↑ Template:Cite quran
7. ↑ Matsya Purana, Ch.I, 10–33
8. ↑ Matsya Purana, Ch.II, 1–19
9. ↑ Zamora, Lois Parkinson (1993). *Writing the Apocalypse: Historical Vision in Contemporary U.S. and Latin American Fiction*. Cambridge. ISBN 0-521-42691-X.
10. ↑ 10.0 10.1 Hicks, H. (2016). *The Post-Apocalyptic Novel in the Twenty-First Century: Modernity beyond Salvage*. Palgrave Macmillan US. ISBN 978-1-137-54584-8. https://books.google.com/books?id=9ivuCwAAQBAJ.
11. ↑ 11.0 11.1 Why Are So Many Movies And Shows Set In The Post-Apocalypse?.
12. ↑ 12.0 12.1 12.2 <templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>Harris, Paul (8 August 2009). "Hollywood searches for escapism after the apocalypse". *The Guardian*. Archived from the original on 4 March 2017. Retrieved 3 March 2017.
13. ↑ 13.0 13.1 The Neverending Apocalypse (24 January 2014).
14. ↑ IS GOVERNMENT (UN)DEAD?: WHAT APOCALYPTIC FICTION TELLS US ABOUT OUR VIEW OF PUBLIC ADMINISTRATION (en-gb).
15. ↑ Kyle, Richard G. (2012) (in en). *Apocalyptic Fever: End-Time Prophecies in Modern America*. Wipf and Stock Publishers. ISBN 9781621894100. https://books.google.com/books?id=p1dJAwAAQBAJ&pg=PA185.
16. ↑ Why are Dystopian Films on the Rise Again?. JSTOR Daily (19 November 2014).
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19. ↑ Allen, Kieran (2014) (in en). *Marx and the Alternative to Capitalism*. Lulu Press, Inc.. ISBN 9781312382626. https://books.google.com/books?id=khVdCAAAQBAJ&pg=PT94.
20. ↑ Hassler-Forest, Dan (2012) (in en). *Capitalist Superheroes: Caped Crusaders in the Neoliberal Age*. John Hunt Publishing. ISBN 9781780991795. https://books.google.com/books?id=xFMEjZW-XTEC&pg=PA207.
21. ↑ The Last Man. University Press of New England.
22. ↑ Morton D. Paley (Autumn 1989). Mary Shelley's *The Last Man*: Apocalypse Without Millennium. *Keats-Shelley Review, #4*.
23. ↑ Leopardi, Giacomo (1882). *Essays and dialogues*. Trübner & Co., Ludgate Hill. p. 29. https://books.google.com/books?id=KfwFAAAAQAAJ. Retrieved 7 April 2021.
24. ↑ The sixth and final volume was written by Eoin Colfer
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26. ↑ <templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>Kaufman, Sophie Monks (2021). "Is Melancholia the greatest film about depression ever made?". *www.bbc.com*. Retrieved 25 July 2021.
27. ↑ Aldiss, Brian W. (1973). *Billion Year Spree: The History of Science Fiction*. Weidenfeld & Nicolson. p. 293. ISBN 978-0-297-76555-4.
28. ↑ <templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>Barnett, David (25 November 2009). "The discreet charms of 'cosy catastrophe' fiction". *The Guardian*. Retrieved 6 July 2016.
29. ↑ <templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>Atwood, Margaret (8 September 2015). "The Forgotten Sci-Fi Classic That Reads Like a Prequel to E.T." *Slate Magazine*. Retrieved 25 October 2019.
30. ↑ a. Wallach, W. (2016). [Review of THE SINGULARITY: WILL WE SURVIVE OUR TECHNOLOGY, by D. Wolens]. Jurimetrics, 56(3), 297–304.
31. ↑ Green, M. (2019). The Replicant Singularity in Blade Runner 2049. Film International (16516826), 17(1), 33–39.
32. ↑ Ebert, R. (1999, March 31). The Matrix Movie Review & Film Summary (1999): Roger Ebert. movie review & film summary (1999) | Roger Ebert. Retrieved October 18, 2021, from https://www.rogerebert.com/reviews/the-matrix-1999.
33. ↑ Van Der Put, V., & Huijs, M. (2012, January 12). The Terminator. The Terminator Files. Retrieved October 18, 2021, from http://www.terminatorfiles.com/saga/t1/.
34. ↑ Seitz, M. Z. (2014, April 17). Transcendence Movie Review & Film Summary (2014): Roger Ebert. movie review & film summary (2014) | Roger Ebert. Retrieved October 18, 2021, from https://www.rogerebert.com/reviews/transcendence-2014.
35. ↑ Kenny, G. (2013, December 18). Her Movie Review & Film Summary (2013): Roger Ebert. movie review & film summary (2013) | Roger Ebert. Retrieved October 18, 2021, from https://www.rogerebert.com/reviews/her-2013.
36. ↑ Henderson, O. (2014, October 10). Autómata Movie Review & Film Summary (2014): Roger Ebert. Autómata movie review & film summary (2014) | Roger Ebert. Retrieved October 18, 2021, from https://www.rogerebert.com/reviews/aut%C3%B3mata-2014.
37. ↑ *The Stand (TV Mini-Series 1994)* at IMDb
38. ↑ Guardian book club: Oryx and Crake Template:Webarchive, *The Guardian*, April 11, 2007.
39. ↑ 39.0 39.1 Arthur C. Clarke Award (1 May 2015). 2015 Winner. Arthur C. Clarke Award.
40. ↑ Moriarty, Colin (13 May 2013). "Metro: Last Light Review." *IGN*. Retrieved 13 December 2019.
41. ↑ Murakami, T. (2005). *Little Boy: The Arts of Japan's Exploding Subculture*. Yale University Press. ISBN 0-300-10285-2. https://archive.org/details/littleboyartsofj0000unse.
42. ↑ LQ Jones on A Boy and His Dog: The RT Interview (February 6, 2008).
43. ↑ Fallout 3 vs. Reality: Photo Comparison.
44. ↑ Metro: Last Light review (2013-05-13).
45. ↑ Violence Jack. *THEM Anime Reviews*.
46. ↑ Avis sur la série Violence Jack (1986) (fr) (June 30, 2011). "Violence Jack a certainement du influencer beaucoup d'œuvres (le manga papier étant tout de même de 1973), comme Mad Max ou encore Hokuto no Ken. Les motards, la violence, les décors détruits, le désert, les innocents, les ignobles chefs de "tribus", les petits villages abandonnés... tous les codes y sont."
47. ↑ 47.0 47.1 <templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>Romano, Sal (9 April 2018). "Interview: Travis Strikes Again: No More Heroes' Suda 51 at PAX East 2018". *Gematsu*. Retrieved 22 May 2020.
48. ↑ 40 anni di Devilman (it-IT) (28 September 2012). "Eppure senza le sue opere una grossa fetta dell’immaginario popolare non sarebbe la stessa, dai robottoni (che si apprestano a invadere anche i cinema grazie a Guillermo del Toro e al suo Pacific Rim) alle maghette (i Mahō shōjo) delle quali Cutie Honey è antesignana; senza dimenticare le influenze, o quanto meno l’anticipazione di certe tematiche, come l’ambientazione post-olocausto di Violence Jack (1973), che precede di diversi anni film come Mad Max (1979) o fumetti come Ken il Guerriero (1983)."
49. ↑ Hughes, David (2003). *Comic Book Movies*. Virgin Books. p. 27. ISBN 0-7535-0767-6.
50. ↑ Studio Ghibli Retrospective: Nausicaä of the Valley of the Wind - Movie Mezzanine (2013-11-04).
51. ↑ X (1996).
52. ↑ X.
53. ↑ 23 Post Apocalyptic Anime You Need To Watch (en-US).
54. ↑ Template:Cite journal
55. ↑ Olivier D (8 March 2012). Barstool Prophets - Mankind Man.
56. ↑ BatayaRulZ (30 April 2012). The Sisters Of Mercy - This Corrosion HQ.

## Further reading

* Wagar, W. Warren (1982). *Terminal Visions: The Literature of Last Things*. Bloomington: Indiana University Press. ISBN 0-253-35847-7.

## External links

Template:Wikisource portal

* Sub-Genre [sic Spotlight: Post-Apocalyptic Science Fiction]. An overview of the subgenre at Internet Review of Science Fiction.
* Quiet Earth – A website dedicated to post apocalyptic media
* A Sense of an Ending: Take Shelter's Inconclusive Apocalypse – An article on contemporary apocalypse cinema at Alternate Takes

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