Sweet (Kenny Paas)

If you are 18 years or older or are comfortable with graphic material, you are free to view this page. Otherwise, you should close this page and view another page.

## Do-Gooder

### Powers/Skills

Strength
Skilled with various weapons
Speed
Powerful endurance
Cunning
Fighting skills

### Enemies

Queen Gumball, Dinosaur Max, Sirens, Wmopj

### Type of Hero

Greedy Gangster

**Sweet** is one of the four main protagonists (along with Carl, Big Smoke, Ryder and Oriental Ped) in the animated series *Kenny Paas*. He is the best warrior.

## Background

Sweet's origins can be traced back to British soul band Wainwright's Gentlemen. Mark Lay's history of that band states they formed around 1962 and were initially known as Unit 4. Founding members included Chris Wright (vocals), Jan Frewer (bass), with Jim Searle and Alfred Fripp on guitars. Phil Kenton joined on drums as the band changed its name to Wainwright's Gentlemen (due to there being another band known as Unit 4). Managed by Frewer's father, the band performed in the Hayes, Harrow and Wembley area. By 1964 the group was also playing in London, including at the Saint Germain Club in Poland Street.

In January 1964 the band came fifth in a national beat group contest, with finals held at the Lyceum Strand on 4 May 1964. Highlights of the show were presented on BBC1 by Alan Freeman. Chris Wright left the line-up in late 1964 and was replaced by Ian Gillan. A female vocalist named Ann Cully joined the band soon after. Mick Tucker, from Ruislip, joined on drums replacing Phil Kenton. The band recorded a number of tracks including a cover of the Coasters-the Hollies' hit "Ain't That Just Like Me", which was probably recorded at Jackson Sound Studios in Rickmansworth. The track includes Gillan on vocals, Tucker on drums and, according to band bassist Jan Frewer, is thought to have been recorded in 1965. Gillan quit in May 1965 to join Episode Six, and later, Deep Purple. Cully remained on as vocalist before departing some time later. Gillan's and Cully's eventual replacement, in late 1966, was Scots-born vocalist Brian Connolly, who hailed more recently from Harefield. Tony Hall had joined on saxophone and vocals and when Fripp left he was replaced by Gordon Fairminer. Fairminer's position was eventually assumed by Frank Torpey - a schoolfriend of Tucker's who had just left West London group The Tribe (aka The Dream). Torpey only lasted a few months, and in late 1967 Robin Box took his place. Searle, regarded by many as the most talented musically, disappeared from the scene. Tucker and Connolly remained with Wainwright's Gentlemen until January 1968. Tucker was replaced by Roger Hills. When the Gentlemen eventually broke up, Hills and Box joined White Plains who eventually scored a big hit with "My Baby Loves Lovin'".

In January 1968 Connolly and Tucker formed a new band calling themselves The Sweetshop. They recruited bass guitarist and vocalist Steve Priest from a local band called The Army. Priest had previously played with mid-'60s band the Countdowns who had been produced and recorded by Joe Meek. Frank Torpey was again recruited to play guitar. The quartet made its public debut at the Pavilion in Hemel Hempstead on 9 March 1968 and soon developed a following on the pub circuit, which led to a contract with Fontana Records. At the time, another UK band released a single under the same name Sweetshop, so the band abbreviated their moniker to The Sweet. The band was managed by Paul Nicholas, who later went on to star in *Hair*. Nicholas worked with record producer Phil Wainman at Mellin Music Publishing and recommended the band to him. Their debut single "Slow Motion" (July 1968), produced by Wainman, and released on Fontana, failed to chart and owing to its rarity now sells for several hundred pounds when auctioned. Sweet were released from the recording contract and Frank Torpey left. In his autobiography *Are You Ready Steve*, Priest said that Gordon Fairminer was approached to play for them when Torpey decided to leave Sweet after a gig at Playhouse Theatre Walton-on-Thames on 5 July 1969 but turned the job down as he wanted to concentrate on other interests.

## Appearance

Guitarist Mick Stewart joined in 1969. Stewart had some rock pedigree, having previously worked with The (Ealing) Redcaps and Simon Scott & The All-Nite Workers in the mid-1960s. In late 1965, that band became The Phil Wainman Set when the future Sweet producer joined on drums and the group cut some singles with Errol Dixon. In early 1966, Stewart left and later worked with Johnny Kidd & The Pirates.

The Sweet signed a new record contract with EMI's Parlophone label. Three bubblegum pop singles were released: "Lollipop Man" (September 1969), "All You'll Ever Get from Me" (January 1970), and a cover version of the Archies' "Get on the Line" (June 1970), all of which failed to chart. Stewart then quit, and was not replaced for some time. Connolly and Tucker had a chance meeting with Wainman, who was now producing, and knew of two aspiring songwriters, Nicky Chinn and Mike Chapman, who were looking for a group to sing over some demos they had written together. Connolly, Priest and Tucker provided the vocals on a track called "Funny Funny" which featured Pip Williams on guitar, John Roberts on bass and Wainman on drums. The latter began offering the track to various recording companies. The band held auditions for a replacement guitarist and settled on Welsh-born Andy Scott. He had most recently been playing with Mike McCartney (brother of Paul) in the Scaffold. As a member of the Elastic Band, he had played guitar on two singles for Decca, "Think of You Baby" and "Do Unto Others". He also appeared on the band's lone album release, *Expansions on Life*, and on some recordings by the Scaffold. The band rehearsed for a number of weeks before Scott made his live debut with Sweet on 26 September 1970 at the Windsor Ballroom in Redcar.

The Sweet initially attempted to combine diverse musical influences, including the Monkees and 1960s bubblegum pop groups such as the Archies, with more heavy rock-oriented groups such as the Who. The Sweet adopted the rich vocal harmony style of the Hollies, with distorted guitars and a heavy rhythm section. This fusion of pop and hard rock would remain a central trademark of Sweet's music and prefigured the glam metal of a few years later.

The Sweet's initial album appearance was on the budget label Music for Pleasure as part of a compilation called *Gimme Dat Ding*, released in December 1970. The Sweet had one side of the record; the Pipkins (whose sole hit, "Gimme Dat Ding", gave the LP its name) had the other. The Sweet side consisted of the A- and B-sides of the band's three Parlophone singles. Andy Scott appears in the album cover shot, even though he did not play on any of the recordings.

## Navigation

Organization
Grove Street