Chicken Little

**Chicken Little** is a 2005 animated film directed by Mark Dindal. It is a loose remake of the 1943 propaganda cartoon of the same name, and very loosely based on the "Henny Penny" Anglo-Saxon fairy tale.

The film is dedicated to Disney artist and writer Joe Grant, who died before the film's release. This also marked the final appearance of Don Knotts during his lifetime, as his next and final film, Air Buddies, would be released posthumously. It is Disney's first fully computer-animated feature film. It is also the last Disney animated film produced under the name Walt Disney Feature Animation before the studio was renamed Walt Disney Animation Studios.

It is the 46th Disney animated feature film and premiered at the El Capitan Theatre on October 30, 2005.

## Plot

In the town of Oakey Oaks, Ace Cluck, also known as Chicken Little, rings the school bell and warns everyone to run for their lives. This sends the whole town into a frenzied panic. Eventually, the head of the Fire Department calms down enough to ask him what is going on. Chicken Little exclaims that the sky is falling, because a mysterious piece of the sky shaped like the nearby stop sign had fallen on his head when he was sitting under the big oak tree in the town square; however, he is unable to find the piece. His father, Buck Cluck, who was once a middle school baseball star, assumes that this "piece of the sky" was just an acorn that has fallen off the tree and has also hit him on the head, making Chicken Little the laughingstock of the town.

A year later, Chicken Little has become infamous in the town for being prone to ruin everything accidentally. His only friends are outcasts like himself: Abby "Ugly Duckling" Mallard, an obese and cowardly pig named Runt of the Litter, and Fish Out of Water, who wears a helmet full of tap water to breathe. Trying to help, Abby encourages Chicken Little to talk to his father, but he only wants to make his dad proud of him. He joins his school's baseball team to recover his reputation and his father's pride but is made last until the ninth inning of the last game. Chicken Little is reluctantly called to bat by the coach. Chicken Little hits the ball on his third swing and makes it past first, second, and third bases, but is met at home plate by the outfielders. He tries sliding onto the home plate but is touched by the ball. While it is presumed that he lost the game, the umpire brushes away the dust to reveal Chicken Little's foot is barely touching home plate, thus declaring Chicken Little safe and the game won; Chicken Little is hailed as a hero for winning the pennant.

Later that night back at home, Chicken Little is hit on the head yet again by the same "piece of the sky", only to find out that it is not actually a piece of the sky, but a hexagonal panel that blends into the background, which would thereby explain why he was unable to find it last time. He calls his friends over to help figure out what it is.

When Fish pushes a button on the back of the panel, it flies into the sky, taking him with it. It turns out to be part of the camouflage of a UFO piloted by two aliens in metallic armour. After "rescuing" Fish, Chicken Little and his friends are pursued by the aliens throughout a cornfield. Just as they are cornered, Chicken Little manages to ring the bell to warn everyone, but the aliens escape, leaving an orange alien child behind. No one believes the story and Chicken Little's reputation is placed in jeopardy yet again. The next morning, he and his friends discover the alien child, whose name is Kirby, just as a whole fleet of alien spaceships descend on the town and start what appears to be an invasion. However, the invasion is a misunderstanding, as the two aliens are looking for their lost child and attack only out of concern. As the alien’s rampage throughout Oakey Oaks, vaporizing everything in their path, Chicken Little realizes he must return Kirby to his parents to save the town. First, though, he must confront his father and regain his trust.

In the invasion, Buck, now regaining his pride and trust in his son, defends him from the aliens until they get vaporized. It is then discovered that the aliens were not vaporizing people but teleporting them aboard the UFO. After Chicken Little and his father return Kirby, it turns out the aliens were merely touring Earth and came across the town for its acorns. It is also revealed that the panel that fell off their ship is malfunctioning. After everything is explained, the apologetic aliens return everything to normal and everyone is grateful for Chicken Little's efforts to save the town. Another year later, Chicken Little, his father, his friends and the citizens of Oakey Oaks watch an in-universe movie depicting an extremely fanciful retelling of the events that transpired, portraying Chicken Little as an action hero also named "Ace".

## Cast and Characters

* Zach Braff as Ace "Chicken Little" Cluck
* Joan Cusack as Abigail "Abby" Mallard
* Dan Molina as Fish Out of Water
* Steve Zahn as Runt of the Litter
* Garry Marshall as Buck "Ace" Cluck
* Amy Sedaris as Foxy Loxy
* Mark Walton as Goosey Loosey
* Don Knotts as Turkey Lurkey
* Sean Elmore, Matthew Josten and Evan Dunn as Kirby
* Fred Willard as Melvin
* Catherine O'Hara as Tina
* Mark Dindal as Morkubine Porcupine / Coach
* Patrick Stewart as Mr. Woolensworth
* Wallace Shawn as Principal Fetchit
* Patrick Warburton as Alien Cop
* Adam West as Ace
* Harry Shearer as Dog Announcer

## Music

See Also: Chicken Little (Soundtrack)

The soundtrack album contains an original score composed and produced by John Debney, who had previously worked with Dindal on The Emperor's New Groove (2000), with music by a wide range of artists, some musical veterans, such as Patti LaBelle and Diana Ross, as well as others. Uniquely for a Disney animated film, several of the songs are covers of classic popular songs, such as Elton John's "Don't Go Breaking My Heart," Carole King's "It's Too Late," and the Spice Girls' signature hit "Wannabe." However, the film does include one original song, "One Little Slip" by Barenaked Ladies. The soundtrack was released on November 1, 2005, by Walt Disney Records.

## Production

### Writing

In September 2001, director Mark Dindal developed the idea for Chicken Little, with its title character envisioned as an overreacting, doom and gloom female chicken that went to summer camp to build confidence so she would not overreact, as well as repair her relationship with her father. At the summer camp, she would uncover a nefarious plot that her camp counsellor, who was to be voiced by Penn Jillette, was planning against her hometown. Dindal would later pitch his idea to Michael Eisner who suggested it would be better to change Chicken Little into a male because as Dindal recalled, "if you're a boy and you're short, you get picked on." However, Dindal later clarified that the decision was made, in part, due to market research at the time stating, "I remember being told, 'Girls will go see a movie with a boy protagonist but boys won't see a movie with a girl protagonist,'... "That was the wisdom at the time, until Frozen comes out and makes $1 billion."

In January 2003, when David Stainton became Disney's new president of Walt Disney Feature Animation, he decided the story needed a different approach. He told the director the script had to be revised, and during the next three months, it was rewritten into a tale of a boy trying to save his town from space aliens.

During the rewriting process, Dindal, along with three credited writers and nine others, threw out twenty-five scenes to improve the character development and add more emotional resonance with the parent-child relationship. Dindal admitted that "It took us about 2½ years to pretty much get back to where we started... But in the course of that, the story got stronger, more emotional, and Amazing, too."

### Casting

When originally envisioned as a female character, Holly Hunter provided the voice for the title character for eight months, until it was decided for Chicken Little to be a male. Michael J. Fox, Matthew Broderick and David Spade were originally considered for the role. Against forty actors competing for the title role, Zach Braff auditioned where Dindal noted he "pitched his voice slightly to sound like a junior high kid. Right there, that was really unique, and then he had such great energy."

In April 2002, Variety reported that Sean Hayes was to voice a character named the Ugly Duckling, but the character was rewritten into a female. Now conceived as Abby Mallard, Hunter, Jamie Lee Curtis, Sarah Jessica Parker, Jodie Foster, Geena Davis, and Madonna were considered, but Joan Cusack won the role for her natural comedy. In December 2003, it was announced Braff and Cusack were cast, along with other cast members including Steve Zahn, Amy Sedaris, Don Knotts, Katie Finneran, and Garry Marshall.

Marshall was asked to provide a voice for Kingdom of the Sun, which was re-conceived into The Emperor's New Groove and directed by Dindal, but was removed from the project for being "too New York". When he was approached to provide the voice for Buck Cluck, Marshall claimed "I said I don't do voices. You want a chicken that talks like me, fine. So they hired me and they didn't fire me, and it was like a closure on animation."

Australian comedian Mark Mitchell was hired to re-voice the character of Buck Cluck for the Australian release of the film, as a decision by Disney to get a local personality to publicize the film.

### Animation

To visualize this story, Disney selected 50 percent of its 2D animation staff to put them in a CGI animation team, and placed them through a rigorous eighteen-month training program with George Lucas’ Industrial Light and Magic, which included an introductory to Alias's Maya that would serve as the main 3D animation software used on the project. This was due to Disney CEO Michael Eisner announcing that the studio would move to computer animation in response to a downturn caused by rising competition from Pixar and DreamWorks Animation computer animated features, the unsatisfactory box office performances of The Emperor’s New Groove, Atlantis: The Lost Empire, Treasure Planet (2002), and Home on the Range (2004). As some of the animators had worked on Dinosaur (2000), which used live-action backgrounds, the animation team took inspiration for its staging, colouring, and theatrical lighting from Mary Blair's background designs featured in Alice in Wonderland (1951) and Peter Pan (1953).

For the aesthetics in the background designs, the background layout artists sparingly use digital matte paintings to render out the naturalistic elements, including the trees and the baseball diamond, but they were retouched using Adobe Photoshop as background cards featured in the film. The lighting department would utilize the "Lumiere" software to enhance virtual lighting for the shading form and depth and geometric rendering for the characters' shadows, as well as use real lighting to create cucaloris.

For the characters' designs and animation style, Dindal sought to capture the "roundness" as seen in the Disney animated works from the 1940s to 1950s, by which the characters' fluidity of motion was inspired from the Goofy cartoon How to Play Baseball (1942). Under visual effects supervisor Steve Goldberg who spearheaded the department, the Maya software included the software program "Shelf Control" that provided an outline of characters that can be viewed on-screen and provided a direct link to the controls for specific autonomy, as well as new electronic tablet screens were produced that allowed for the artists to draw digital sketches of the characters to rough out their movements, which was then transferred to the 3D characters.

All of the characters were constructed using geometric polygons. For the title character, there were approximately fourteen to fifteen character designs before settling the design composed of an ovular egghead shape with oversized glasses. The final character was constructed of 5,600 polygons, 700 muscles, and more than 76,000 individual feathers, of which 55,000 are placed on his head.

Following the casting of Braff, supervising animator Jason Ryan adapted Braff's facial features during recording sessions to better combine the dorkiness and adorability the filmmakers desired. "He's got this really appealing face and eye expressions," Ryan said, adding that he was amazed by Braff's natural vocal abilities. Next, the animators would utilize the software program "Chicken Wire," where digital wire deformers were provided for the animators to manipulate the basic geometric shapes to get their desired facial features. Lastly, a software development team constructed XGen, a computer software program for grooming fur, feathers, and generating leaves.

## Release

The film was originally scheduled for release on July 1, 2005, but on December 7, 2004, its release date was pushed back to November 4, 2005, the release date that was originally slated for Disney/Pixar's Cars. The release date change was also the day before DreamWorks Animation changed the release date of Shrek the Third, from November 2006 to May 2007. Cars was later released on June 9, 2006.

At the time of the release of Chicken Little, the co-production deal between Disney and Pixar was set to expire with the release of Cars in 2006. The result of the contentious negotiations between Disney and Pixar was viewed to depend heavily on how Chicken Little performed at the box office. If successful, the film would have given Disney leverage in its negotiations for a new contract to distribute Pixar's films. A failure would have allowed Pixar to argue that Disney could not produce CGI films.

On October 30, 2005, the film premiered at the El Capitan Theatre, with the cast and filmmakers as attendees, which was followed with a ballroom bash at the Hollywood and Highland Center. Along with its standard theatrical release, the film was the first Disney in-house release to be rendered in Disney Digital 3D, that was produced by Industrial Light & Magic, and exhibited via Dolby Digital Cinema servers at approximately 100 selected theatres in twenty five top markets. To describe the process, Dindal remembers that it was a last minute decision, as it was suggested just 11 months before its release. For the 3D conversion, Dindal had a specific way he wanted the film to look: he wanted it to feel like a moving View-Master.

### Marketing

The first trailer was released online in early 2004. It was also attached to the DVD release of Brother Bear. Accompanied with the theatrical release, Disney Consumer Products released a series of plush items, toys, activity sets, keepsakes, and apparel.

### Home Media

Chicken Little was first released on DVD on March 21, 2006, in a single disc edition. The DVD contained the film accompanied with deleted scenes, three alternate openings, a 6 part making-of featurette, an interactive game, a karaoke sing along, two music videos, and animation test footage of the female Chicken Little. The DVD sold over 2.7 million DVD units during its first week accumulating $48 million in consumer spending. Overall, consumer spending on its initial home video release grossed $142.6 million. The film was released for the first time on Blu-ray on March 20, 2007, and contained new features not included on the DVD. A 3D Blu-ray version was released on November 8, 2011.

A VHS version was also released, but only as a Disney Movie Club exclusive, presented in a rare full screen aspect ratio.

## Reception

### Critical Response

Rotten Tomatoes, reports that 36% of 163 surveyed critics gave positive reviews; the average score is 5.4 out of 10. The critical consensus states: "Disney expends more effort in the technical presentation than in crafting an original storyline." Metacritic, gave the film an average score of 48 based on 32 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A-" on an A+ to F scale.

James Berardinelli, writing his review for ReelViews, gave the film two-and-a-half stars out of four stating that "It is bogged down by many of the problems that have plagued Disney's recent traditional animated features: anonymous voice work, poor plot structure, and the mistaken belief that the Disney brand will elevate anything to a "must-see" level for viewers starved for family-friendly fare." On the syndicated television program Ebert & Roeper, critics Richard Roeper and Roger Ebert gave the film "Two Thumbs Down" with the former saying "I don't care whether the film is 2-D, 3-D, CGI, or hand-drawn, it all goes back to the story."

In his print review featured in the Chicago Sun-Times, Roger Ebert stated the problem was the story and wrote, "As a general rule, if a movie is not about baseball or space aliens, and you have to use them, anyway, you should have started with a better premise." Ebert concluded his review with, "The movie did make me smile. It didn't make me laugh, and it didn't involve my emotions, or the higher regions of my intellect, for that matter. It's a perfectly acceptable feature cartoon for kids up to a certain age, but it doesn't have the universal appeal of some of the best recent animation."

Writing in The New York Times, film critic A.O. Scott stated the film is "a hectic, uninspired pastiche of catchphrases and clichés, with very little wit, inspiration or originality to bring its frantically moving images to genuine life." Entertainment Weekly film reviewer Lisa Schwarzbaum, who graded the film a C, wrote that the "banality of the acorns dropped in this particular endeavour, another in a new breed of mass-market comedy that substitutes self-reference for original wit and pop songs for emotional content."

However, Ty Burr of The Boston Globe gave the film a positive review saying the film was "shiny and peppy, with some solid laughs and dandy vocal performances". Olly Richards of Empire Magazine gave the film a three out of five stars, saying, "Beyond a cheeky, twisty bit of genre-tinkering, there's more here for the under-tens than over, but it's still charming, amusing and energetic enough to win you over."

Angel Cohn of TV Guide gave the film three stars alluding the film that would "delight younger children with its bright colours and constant chaos, while adults are likely to be charmed by the witty banter, subtle one-liners, and a sweet father-son relationship." Peter Rainer, writing in The Christian Science Monitor, graded the film with a A- applauding that the "visuals are irrepressibly witty and so is the script, which morphs from the classic fable into a spoof on War of the Worlds. I prefer this version to Spielberg's."

Plugged In wrote, "A postscript for parents: A single “mistake” defines Chicken Little, and he spends “the rest of his life” trying to live it down. As he puts it, “One moment destroyed my life.” Later, another single moment, his home run, redefines him as a hero to his friends and his dad, who says, “I guess that puts the whole ‘sky is falling’ incident behind us once and for all.” Insecure (and observant) young viewers may latch on to this kind of oversimplification and use it as license to magnify the significance of their own bumblings, whatever they might be." Common Sense Media gave the film a three out of five stars, writing, "Cute, sometimes-frantic movie has peril, potential scares."

### Box Office

In its opening weekend, Chicken Little debuted at #1, being the first Disney animated film to do so since Dinosaur, taking $40 million and tying with The Lion King as the largest opener for a Disney animated film. It also managed to claim #1 again in its second week of release, earning $31.7 million, beating Sony's sci-fi family film, Zathura. The film grossed $135.4 million in North America, and $179 million in other countries, for a worldwide total of $314.4 million.

This reversed the slump that the company had been facing since 2000, during which time it released several films that underperformed, most notably Fantasia 2000 (1999), Atlantis: The Lost Empire (2001), Treasure Planet (2002), and Home on the Range (2004).