List of Billboard 200 chart achievements and milestones

The ***Billboard* 200** is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by *Billboard* magazine. It is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its "number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 in May 1967, and acquired its present title in March 1992. Its previous names include the ***Billboard* Top LPs** (1961–1972), ***Billboard* Top LPs & Tape** (1972–1984), ***Billboard* Top 200 Albums** (1984–1985), and ***Billboard* Top Pop Albums** (1985–1992).

The chart is based mostly on sales (both at retail and digital) of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coincide with the Global Release Date of the music industry) and ends on Thursday. A new chart is published the following Tuesday with an issue post-dated to the Saturday of that week, four days later. The chart's streaming schedule is also tracked from Friday to Thursday. New product is released to the American market on Fridays. Digital downloads of albums are also included in *Billboard* 200 tabulation. Albums that are not licensed for retail sale in the United States (yet purchased in the U.S. as imports) are not eligible to chart. A long-standing policy which made titles that are sold exclusively by specific retail outlets (such as Walmart and Starbucks) ineligible for charting, was reversed on November 7, 2007, and took effect in the issue dated November 17.

Beginning with the December 13, 2014 issue, *Billboard* updated the methodology of their album chart to also include on-demand streaming and digital track sales (as measured by Nielsen SoundScan) by way of a new algorithm, utilizing data from all of the major on-demand audio subscription and online music sales services in the United States. Starting on the issue dated January 18, 2020, *Billboard* updated the methodology to compile the chart again by incorporating video data from YouTube, along with visual plays from streaming services like Apple Music, Spotify, Tidal, Vevo, and as of the issue dated March 27, 2021, Facebook.

## History

*Billboard* began an album chart in 1945. Initially only five positions long, the album chart was not published on a weekly basis, sometimes three to seven weeks passing before it was updated. A biweekly (though with a few gaps), 15-position Best-Selling Popular Albums chart appeared in 1955. With the increase in album sales as the early 1950s format wars stabilized into market dominance by 45 RPM singles and long-playing twelve-inch albums, with 78 RPM record and long-playing ten-inch album sales decreasing dramatically, *Billboard* premiered a weekly Best-Selling Popular Albums chart on March 24, 1956. The position count varied anywhere from 10 to 30 albums. The first number-one album on the new weekly list was *Belafonte* by Harry Belafonte. The chart was renamed to Best-Selling Pop Albums later in 1956, and then to Best-Selling Pop LPs in 1957.

Beginning on May 25, 1959, *Billboard* split the ranking into two charts *Best-Selling Stereophonic LPs* for stereo albums (30 positions) and *Best-Selling Monophonic LPs* for mono albums (50 positions). These were renamed to *Stereo Action Charts* (30 positions) and *Mono Action Charts* (40 positions) in 1960. In January 1961, they became *Action Albums—Stereophonic* (15 positions) and *Action Albums—Monophonic* (25 positions). Three months later, they became *Top LPs—Stereo* (50 positions) and *Top LPs—Monaural* (150 positions).

On August 17, 1963, the stereo and mono charts were combined into a 150-position chart called *Top LPs*. On April 1, 1967, the chart was expanded to 175 positions, then finally to 200 positions on May 13, 1967. In February 1972, the album chart's title was changed to *Top LPs & Tape*; in 1984, it was retitled *Top 200 Albums*; in 1985, it was retitled again to *Top Pop Albums*; in 1991, it became *The Billboard 200 Top Albums*; and it was given its current title of *The Billboard 200* on March 14, 1992.

### Catalog albums

In 1960, *Billboard* began concurrently publishing album charts which ranked sales of older or mid-priced titles. These *Essential Inventory* charts were divided by stereo and mono albums, and featured titles that had already appeared on the main stereo and mono album charts. Mono albums were moved to the *Essential Inventory—Mono* chart (25 positions) after spending 40 weeks on the *Mono Action Chart*, and stereo albums were moved to the *Essential Inventory—Stereo* chart (20 positions) after 20 weeks on the *Stereo Action Chart*.

In January 1961, the *Action Charts* became *Action Albums—Monophonic* (24 positions), and *Action Albums—Stereophonic* (15 positions). Albums appeared on either chart for up to nine weeks, then were moved to an *Essential Inventory* list of approximately 200 titles, with no numerical ranking. This list continued to be published until the consolidated *Top LPs* chart debuted in 1963.

In 1982, *Billboard* began publishing a *Midline Albums* chart (alternatively titled *Midline LPs*) which ranked older or mid-priced titles. The chart held 50 positions and was published on a bi-weekly (and later tri-weekly) basis.

On May 25, 1991, *Billboard* premiered the *Top Pop Catalog Albums* chart. The criteria for this chart were albums that were more than 18 months old and had fallen below position 100 on the *Billboard* 200. An album needed not have charted on the *Billboard* 200 at all to qualify for catalog status.

Starting with the issue dated December 5, 2009, however, the catalog limitations which removed albums over 18 months old, that have dropped below position 100 and have no currently-running single, from the *Billboard* 200 was lifted, turning the chart into an all-inclusive list of the 200 highest-selling albums in the country (essentially changing *Top Comprehensive Albums* into the *Billboard* 200). A new chart that keeps the previous criteria for the *Billboard* 200 (dubbed *Top Current Albums*) was also introduced in the same issue.

### Holiday albums

*Billboard* has adjusted its policies for Christmas and holiday albums several times. The albums were eligible for the main album charts until 1963, when a *Christmas Albums* list was created. Albums appearing here were not listed on the *Top LPs* chart. In 1974, this rule was reverted and holiday albums again appeared within the main list.

In 1983, the *Christmas Albums* chart was resurrected, but a title's appearance here did not disqualify it from appearing on the *Top Pop Albums* chart. In 1994, the chart was retitled *Top Holiday Albums*. As of 2009, the chart holds 50 positions and is run for several weeks during the end-of-calendar-year holiday season. Its current policy allows holiday albums to concurrently chart on the *Top Holiday Albums* list and the *Billboard* 200.

### Nielsen SoundScan

Since May 25, 1991, the *Billboard* 200's positions have been derived from Nielsen SoundScan sales data, as of 2008 contributed by approximately 14,000 music sellers. Because these numbers are supplied by a subset of sellers rather than record labels, it is common for these numbers to be substantially lower than those reported by the Recording Industry Association of America when Gold, Platinum and Diamond album awards are announced (RIAA awards reflect wholesale *shipments*, not retail *sales*).

### Incorporation of streaming data and track sales

See also: album-equivalent unit and Top Album Sales

Beginning with the December 13, 2014 issue, *Billboard* updated the methodology of its album chart again, changing from a "pure sales-based ranking" to one measuring "multi-metric consumption". With this overhaul, the *Billboard* 200 includes on-demand streaming and digital track sales (as measured by Nielsen SoundScan) by way of a new algorithm, utilizing data from all of the major on-demand audio subscription services including Spotify, Beats Music, Google Play, and Xbox Music. Under the new methodology, ten track sales or 1,500 song streams from an album are treated as equivalent to one purchase of the album. *Billboard* will continue to publish a pure album sales chart, called Top Album Sales, that maintains the traditional *Billboard* 200 methodology, based exclusively on SoundScan's sales data.

Beginning on January 18, 2020, *Billboard* will incorporate video and audio data from YouTube, along with visual plays from streaming services like Apple Music, Spotify, Tidal, and Vevo, into the *Billboard* 200. The change will also impact *Billboard*'s genre-specific album charts.

## Year-end charts

*Billboard*'s "chart year" runs from the first week of December to the final week in November. This altered calendar allows for *Billboard* to calculate year-end charts and release them in time for its final print issue in the last week of December. Prior to Nielsen SoundScan, year-end charts were calculated by an inverse-point system based solely on an album's performance on the *Billboard* 200 (for example, an album would be given one point for a week spent at position 200, two points for a week spent at position 199... up to 200 points for each week spent at number one). Other factors including the total weeks on the chart and at its peak position were calculated into an album's year-end total.

After *Billboard* began obtaining sales information from Nielsen SoundScan, the year-end charts are now calculated by a very straightforward cumulative total of yearlong sales. This gives a more accurate picture of any given year's best-selling albums, as a title that hypothetically spent nine weeks at number one in March could possibly have sold fewer copies than one spending six weeks at number three in January. Albums at the peak of their popularity at the time of the November/December chart-year cutoff many times end up ranked lower than one would expect on a year-end tally, yet are ranked on the following year's chart as well, as their cumulative points are split between the two chart-years.

## All-Time *Billboard* 200 achievements (1963–2015)

In 2015, *Billboard* magazine compiled a ranking of the 100 best-performing albums on the chart over the 52 years, along with the best-performing artists. Shown below are the top 10 albums and top 10 artists over the 52-year period of the *Billboard* 200, through October 2015. Also shown are the artists placing the most albums on the overall "all-time" top 100 album list.

### Top 10 albums artists of All Time (1963–2015)

 2
 3
 4
 5
 6
 7
 8
 9
 10

## Artist milestones

### Most number-one albums

 14
 11
 10
 Drake

* As a musician, Paul McCartney has the most number-one albums, with 27. This includes 19 albums from his work with The Beatles, 3 solo albums, and 5 albums as a part of his 1970s group Wings. John Lennon is in second place with 22, including 19 albums with The Beatles, 2 solo albums, and 1 album credited to him and his wife Yoko Ono. George Harrison had 19 number-one albums with The Beatles and 2 as a solo artist.
* Barbra Streisand is the only artist to have number 1 albums in six different decades. Her first was the 1964 album *People* and her most recent was the 2016 album *Encore: Movie Partners Sing Broadway*, with a few weeks shy of 52 years between the two hitting number 1.

### Most consecutive number-one studio albums

 11
 10
 9
 8
 7
 Elton John

### Most consecutive studio albums to debut at number one

 10
 9
 7
 6
 5
 DMX

* On May 1, 2016, Beyoncé became the first female artist to have her first 6 studio albums debut at No. 1 on the *Billboard* 200 chart, following the release of her sixth studio album *Lemonade*. Beyoncé also became the first artist in *Billboard* chart history to have all of her studio albums debut at No. 1, breaking a tied record with DMX.
* On April 3, 2021, Justin Bieber became the first male act to have his first 6 studio albums debut at No. 1 on the *Billboard* 200 chart, following the release of his sixth studio album *Justice*.

### Most cumulative weeks at number one

List of acts with the most weeks at No. 1 on the *Billboard* 200 since August 17, 1963.

Sources:

* Nicholas Stewart (135)
* The Beatles (132)
* Elvis Presley (67)
* Taylor Swift (54)
* Garth Brooks (52)
* Michael Jackson (51)
* The Kingston Trio (46) (tie)
* Whitney Houston (46) (tie)
* Elton John (39)
* Fleetwood Mac (38) (tie)
* The Rolling Stones (38) (tie)
* Harry Belafonte (37) (tie)
* The Monkees (37) (tie)
* Prince (35)
* Adele (34) (tie)
* Eminem (34) (tie)

### Most top-10 albums

The following artists are the only ones with 30 or more top-10 albums:

* The Rolling Stones (37)
* Barbra Streisand (34)
* Frank Sinatra (32) (tie)
* The Beatles (32) (tie)
* Nicholas Stewart (31)

Note: As a musician, Paul McCartney has the most top 10 albums, with 51. This includes 32 with The Beatles, 7 albums with the group Wings, 1 album credited to him and his first wife Linda McCartney, and 11 solo albums.

### Most albums in the top 10 simultaneously

* Prince (5) 2016
* The Kingston Trio (4 for 5 consecutive weeks) 1959
* Herb Alpert & the Tijuana Brass (4) 1966
* Peter, Paul and Mary (3) 1963
* Whitney Houston (3) 2012
* Led Zeppelin (3) 2014
* Nicholas Stewart (3) 2027

### Most albums in the top 200 simultaneously

* Prince (19) 2016
* The Beatles (13) 2014
* Nicholas Stewart (12) 2027
* Whitney Houston (10) 2012
* David Bowie (10) 2016
* Led Zeppelin (9) 1979
* Eminem (8) 2013
* Linkin Park (8) 2017
* Taylor Swift (8) 2021
* Chicago (7) 1974
* The Monkees (7) 1986
* Pearl Jam (7) 2001
* Mac Miller (7) 2018

## Album milestones

### Most weeks at number one

† The *West Side Story* soundtrack ran for 53 weeks at number one on the stereo album chart; it was number one for twelve weeks on the mono album chart.

‡ The *South Pacific* soundtrack ran for 28 weeks at number one on the stereo album chart; it was number one for three weeks on the mono album chart.

ɤ This is the *Blue Hawaii* album's run on the mono album chart; it was number one for four weeks on the stereo album chart.

* *Tapestry* by Carole King holds the record for most consecutive weeks at number one on the *Billboard* 200 for any one album by a female solo artist with 15 weeks.

### Most weeks on the chart

*Note that totals are for the main albums chart only, catalog chart totals are not factored in.*
*(\*) indicates that the album is currently charting as of October 23, 2021*

† Pre-*Billboard* 200 and *Billboard* 200

### Largest jumps to number one

1. (176–1) *Life After Death* – The Notorious B.I.G. (April 12, 1997)
2. (173–1) *Vitalogy* – Pearl Jam (December 24, 1994)
3. (157-1) *Fearless (Taylor's Version)* – Taylor Swift (October 16, 2021)
4. (156–1) *In Rainbows* – Radiohead (January 19, 2008)
5. (137–1) *Ghetto D* – Master P (September 20, 1997)
6. (122–1) *More of The Monkees* – The Monkees (February 11, 1967)
7. (112–1) *MP da Last Don* – Master P (June 20, 1998)
8. (98–1) *Beatles '65* – The Beatles (January 9, 1965)
9. (74–1) *Evermore* – Taylor Swift (June 12, 2021)
10. (61–1) *Help!* – The Beatles (September 11, 1965)

### Largest drops from number one

1. (1–169) *This House Is Not for Sale* – Bon Jovi (March 17, 2018)
2. (1–111) *Courage* – Celine Dion (December 7, 2019)
3. (1–97) *Science Fiction* – Brand New (September 16, 2017)
4. (1–88) *Iridescence* – Brockhampton (October 13, 2018)
5. (1–77) *Madame X* – Madonna (July 6, 2019)
6. (1–62) *Boarding House Reach* – Jack White (April 14, 2018)
7. (1–59) *Wonderful Wonderful* – The Killers (October 21, 2017)
8. (1–56) *American Dream* – LCD Soundsystem (September 30, 2017)
9. (1–45) *Help Us Stranger* – The Raconteurs (July 13, 2019)
10. (1–43) *This House Is Not for Sale* – Bon Jovi (December 3, 2016)

Notes:

* The album *Music to Be Murdered By* by Eminem has the largest rise for an album that did not top the chart. On January 2, 2021, it jumped from number 199 the previous week to number 3 on the chart.
* The album *Hello from Las Vegas* by Lionel Richie has the largest drop for an album that did not top the chart. On September 7, 2019, it disappeared from the chart having debuted the previous week at number 2.

### Longest climbs to number one in the SoundScan era

Here are the albums to complete the 10 longest rises to No. 1 on the *Billboard* 200 since the adoption of Nielsen Music data in 1991.

* *Forever Your Girl* by Paula Abdul spent 64 consecutive weeks on the *Billboard* 200 before hitting number one in 1989, making it the longest time for an album to reach the number-one spot.

### Albums to top the *Billboard* 200 by artists who have never appeared on the Hot 100

Note: Newhart, Meader, and Fontaine's albums were all #1 on the mono chart, but not on the stereo chart.

## Additional milestones

* The first album to debut at number one was *Captain Fantastic and the Brown Dirt Cowboy* by Elton John. John repeated the same feat with the album *Rock of the Westies* – the second album to debut at number one – making John the first artist to have two consecutive studio albums debut at number one. Whitney Houston's second album *Whitney* was the first album by a female artist to debut at number one.
* In the early 1960s, Bob Newhart had the accomplishment of having the number-one and number-two albums simultaneously on the *Billboard* albums chart, with *The Button-Down Mind of Bob Newhart* and *The Button-Down Mind Strikes Back!* This feat was equaled by The Beatles multiple times. They did this twice in 1964 with *Meet The Beatles!* and *Introducing... The Beatles*, and then with *A Hard Day's Night* and *Something New*, followed in 1969 with the album *The Beatles* (commonly known as *The White Album*) and the soundtrack for the film *Yellow Submarine*. In 1991, Guns N' Roses held the top two with *Use Your Illusion I* and *Use Your Illusion II*, in 2004, Nelly's *Suit* and *Sweat* and in 2017, Future's *Future* and *Hndrxx*.
* *The Sound of Music* set the record of 109 non-consecutive weeks in the top 10 from May 1, 1965, to July 16, 1966, but only spent 2 weeks at number one on the *Billboard* 200.
* The only EPs to reach number one on the chart are Alice in Chains's *Jar of Flies* in 1994, Linkin Park and Jay-Z's collaboration EP, *Collision Course* in 2004, the cast of the television series *Glee* with *Glee: The Music, The Power of Madonna* and *Glee: The Music, Journey to Regionals* in 2010, Bad Meets Evil's *Hell: The Sequel* in 2011, The Weeknd's *My Dear Melancholy,* in 2018, BTS' *Map of the Soul: Persona* and SuperM's *SuperM – The 1st Mini Album* in 2019.
* The first UK solo artist to debut at number one with a debut album is Leona Lewis on April 26, 2008, with the album *Spirit*. The first UK group to debut at number one with a debut album is One Direction on March 31, 2012, with the album *Up All Night*.
* Justin Bieber became the first act in history to have five albums top the *Billboard* 200 at the age of 18, as *Believe Acoustic* debuted at number one on February 16, 2013. He also became the youngest solo artist to achieve this feat. Subsequently, Justin (25 years, 360 days) became the youngest solo artist to achieve seven number-one albums on the chart with *Changes*, breaking a 59-year-old record set by Elvis Presley at the age of 26. He further extended his record, after turning 27, by becoming the youngest soloist to have eight albums top the *Billboard* 200, following the release of his sixth studio album *Justice*, breaking yet another chart record held by Elvis Presley at the age of 29.
* Oldest male to debut at number one: Tony Bennett on October 8, 2011 (85 years, 66 days old) with the album *Duets II*. He was born August 3, 1926. Later, he surpassed his own record when his collaborative album with Lady Gaga, *Cheek to Cheek* debuted at number one on October 11, 2014 (88 years, 69 days old).
* The issue dated July 11, 2009 was the first time any catalog album outsold the number-one album on the *Billboard* 200. Three of Michael Jackson's albums (*Number Ones*, *The Essential Michael Jackson* and *Thriller*) claimed positions 1–3 respectively on *Top Pop Catalog Albums* and *Top Comprehensive Albums* in the week following Jackson's death.
* In 2012, Adam Lambert became the first openly gay musician to debut at No. 1 with his album *Trespassing*.
* There have been 40 albums released on an independent label to reach No. 1 on the *Billboard* 200.
* Jackie Gleason, at least for a time, held the record for the most albums to top the *Billboard* 200 without charting any songs in the top 40 of the Hot 100; five of Gleason's mood music albums topped the *Billboard* 200 in the mid-1950s.
* One Direction became the first group to debut at No. 1 with its first three albums when *Midnight Memories* debuted at number one on the *Billboard* 200 dated December 14, 2013. They later became the first group to debut at No. 1 with their first four albums when *Four* debuted atop the chart on November 26, 2014.
* Led Zeppelin hold the record for the longest gap between an album returning to the Top 10. *Led Zeppelin* first hit the Top 10 on the *Billboard* Top LP's chart for the week ending May 17, 1969 and returned 45 years and 35 days later at No. 7, on the *Billboard* 200, for the week ending June 21, 2014.
* On May 22, 2016, *Coloring Book* by Chance the Rapper became the first streaming-only album to chart on the *Billboard* 200, debuting at No. 8, with the album being streamed 57.3 million times in its first week, which was equivalent to 38,000 units sold.
* On March 18, 2017, Future made history by achieving back-to-back No. 1 album debuts in successive weeks with *Future* and *Hndrxx* for the first time in the chart's history.
* On June 2, 2018, BTS became the first Korean artist to reach No. 1 with their album *Love Yourself: Tear*.
* On January 19, 2019, A Boogie wit da Hoodie's *Hoodie SZN* became the album with the lowest weekly sales figure for a number 1 album – with 1,000 sales. It subsequently did not sell enough to enter the sales-only Top 100 Album Sales chart. A week later the album broke its own record when it stayed at number 1 for a second week, selling 749 copies.
* Taylor Swift became the first act in Nielsen SoundScan history to have seven albums each sell at least 500,000 copies in a week, on August 2, 2020, as *Fearless*, *Speak Now*, *Red*, *1989*, *Reputation*, *Lover* and *Folklore* accumulated more than half a million sales in their first weeks.
* On September 27, 2020, Taylor Swift became the first solo act to have five albums top the *Billboard* 200 for at least six weeks each, accomplishing the feat with *Fearless*, *Speak Now*, *Red*, *1989* and *Folklore*.
* Taylor Swift's *Fearless (Taylor's Version)* became the first re-recorded album ever to top the *Billboard* 200, on the chart dated April 15, 2021; the original album topped the chart in 2008.