Other Side

* ED
* Album

**Other Side** is the ending theme of *ID:INVADED*, sung by MIYAVI. It was originally released on MIYAVI's 2019 album *No Sleep Till Tokyo*.

## Lyrics

### Kanji

都会の雑踏を
かき消すノイズ
耳ふさぐ　フードを
深くかぶる Choice
もう迷わない
もう迷わない
uh oh eh yo

People talk too much
But I just shut it up
俺には　関係ない
I can see you lie
It’s all black and white

So I close my eyes
Going off the edge
To the other side

Where’s
A way out, way out
To the other side
Diving deep into the night
羽広げ
Way out, way out
Leave it all behind

I’ll see you on the other side
I’ll see you on the other side
他に　道はない
俺には　これしかない
もう戻らない
On the other side

どいつもこいつも
自分のこと
あれもこれもそれも
欲しがるよ
欲望尽きない
欲望尽きない
もういいよ

Wanting way too much
Haven’t you had enough
気は済んだかい
吐きそうなくらい
溢れる　世界
So I close my eyes
Going off the edge
To the other side

Where’s
A way out, way out
To the other side
Diving deep into the night
羽広げ
Way out, way out
Leave it all behind

I’ll see you on the other side
I’ll see you on the other side
他に　道はない
俺には　これしかない
もう戻らない
On the other side

I’ll see you on the other side
他に　道はない
俺には　これしかない
もう戻らない
On the other side

Where’s
A way out, way out
To the other side
Diving deep into the night
羽広げ
Way out, way out
Leave it all behind

I’ll see you on the other side
I’ll see you on the other side
他に　道はない
俺には　これしかない
もう戻らない
On the other side

I’ll see you on the other side
他に　道はない
俺には　これしかない
もう戻らない
On the other side

### Romaji

tokai no zattou wo

kakikesu noizu

mimi fusagu fuudo wo

fukaku kaburu Choice

mou mayowanai

mou mayowanai

uh oh eh yo

People talk too much

But I just shut it up

ore ni wa kankeinai

I can see you lie

It's all black and white

So I close my eyes

Going off the edge

To the other side

Where's

A way out way out

To the other side

Diving deep into the night

hane hiroge

Way out way out

Leave it all behind

I'll see you on the other side
I'll see you on the other side

hoka ni michi wa nai

ore ni wa kore shikanai

mou modoranai

On the other side

doitsu mo koitsu mo

jibun no koto

are mo kore mo sore mo

hoshigaru yo

yokubou tsukinai

yokubou tsukinai

mou ii yo

Wanting way too much

Haven't you had enough

ki wa sunda kai

hakisou na kurai

afureru sekai

So I close my eyes

Going off the edge

To the other side

Where's

A way out way out

To the other side

Diving deep into the night

hane hiroge

Way out way out

Leave it all behind

I'll see you on the other side
I'll see you on the other side

hoka ni michi wa nai

ore ni wa kore shikanai

mou modoranai

On the other side

I'll see you on the other side

hoka ni michi wa nai

ore ni wa kore shikanai

mou modoranai

On the other side

Where's

A way out way out

To the other side

Diving deep into the night

hane hiroge

Way out way out

Leave it all behind

I'll see you on the other side
I'll see you on the other side

hoka ni michi wa nai

ore ni wa kore shikanai

mou modoranai

On the other side

I'll see you on the other side

hoka ni michi wa nai

ore ni wa kore shikanai

mou modoranai

On the other side

### English

See you on the other side

Once, it's decided

Moment of life

The noise that masks the hustle and bustle of the streets

I close my ears, pulling my hoodie down

Choice

I won't sway anymore

I won't sway anymore

Uh oh eh yo

People talk too much

But I just shut it up

It doesn't matter to me

I can see you lie

It's all black and white

So I close my eyes

Going off the edge

To the other side

Where's a way out, way out

To the other side

Diving deep into the night

Spread my wings, way out, way out

Leave it all behind

I'll see you on the other side (side)

I'll see you on the other side (side)

There's no other way

This is all I have

I won't go back

On the other side

Everyone worries about themselves

Wanting everything

Desire never stops, Desire never stops

I've had enough

Wanting way too much

Haven't you had enough

Are you done?

Overflowing so much that

It almost makes me throw up

So I close my eyes

Going off the edge

To the other side

Where's a way out, way out

To the other side

Diving deep into the night

Spread my wings, way out, way out

Leave it all behind

I'll see you on the other side (side)

I'll see you on the other side (side)

There's no other way

This is all I have

I won't go back

On the other side

On the other side

I'll see you on the other side (side)

There's no other way

This is all I have

I won't go back

On the other side

Where's a way out, way out

To the other side

Diving deep into the night

Spread my wings, way out, way out

Leave it all behind

I'll see you on the other side (other side)

I'll see you on the other side (other side)

There's no other way

This is all I have

I won't go back

On the other side

I'll see you on the other side (side)

There's no other way

This is all I have

I won't go back

On the other side

## Ending Sequence

The ending starts with a black circle in the centre of a mass of colours and shapes resembling a nebula. It then zooms in to the circle and transitions to a shot of Koharu Hondomachi aiming a pistol over a red nebula. Overlayed on top of her is a road running through a wood. It then cuts to Kazuo Wakashika and Shirou Kokufu. Wakashika is on the right of a red background with the image of an old house overlayed onto him. Kokufu is further back on the left against a white background, his body becoming more obscured the further down. At the bottom, covering his lower half are white flames.

It then transitions to Sarina Togo, who is seen against a black background with a squirming red gaseous shape. Overlayed on top of her from the nose down is a marble-esque filter that starts fairly transparent before quickly growing more opaque the further down her body it gets. Funetaro Momoki then appears against a light brown background with growing, shifting darker stains appearing. Overlayed on top of him are dead tree branches against a blue sky. Most noticeably, the top third of his head (including the rest of the upper-right side of the screen) is completely blacked out. It then returns to the red nebula, this time with Kokuryu Matsuoka, who takes Momoki's position. The entire top half of his head is gone, replaced with a mountain range that extends off-screen, his back completely in the dark.

Masamune Habutae and Sennosuke Shiratake are shown next, both against the nebula and both with images of skyscrapers overlayed onto them. Habutae is bathed in a warm brown filter while Shiratake's is instead white. The bottom of the screen is lined with what appears to be a cloud-like edge. It then cuts to Takuhiko Hayaseura, who is imposed semi-transparently upon clouds and sunset, the right side of the enveloped in darkness. Growing from the back of his head is a large factory undergoing construction. As it transitions to the next part, the same circle from the start of the ED appears, followed by a close up of red handwriting, a red overlay with a close up of a symbol drawn on it.

Silhouettes of Matsuoka and Hondomachi appear against a starry night, with high-altitude pictures of roads imposed onto them. It then once again returns to the red nebula, with Tamotsu Fukuda in front of it this time; overlayed onto his body is a stormy beach. Akihito Narihisago suddenly appears against a white background, overlayed on top of Fukuda briefly before fully transitioning. To Narihisago's right is a white fog consuming a woodland; to his left and overlayed onto him is a much darker sky with dead trees. Behind all this, the nebula clouds can still be seen.

The final image is a high-altitude shot of a fault in the ground, a large wall running through the middle of it, with clouds taking up the top half and left side. Stars can be seen dotted throughout, and the entire image is in a bloody red filter. On the left of the screen is the silhouette of John Walker, onto which has been overlayed a birds-eye shot of a large cathedral.

### Characters in Order of Appearance

* Koharu Hondomachi
* Kazuo Wakashika
* Shirou Kokufu
* Sarina Togo
* Funetaro Momoki
* Kokuryu Matsuoka
* Masamune Habutae
* Sennosuke Shiratake
* Takuhiko Hayaseura
* Tamotsu Fukuda
* Akihito Narihisago
* John Walker

## Trivia

* The visuals for the ending sequence appear to have been inspired by the opening sequence of *True Detective*, an American anthology crime drama.