recursal/Fanatic-Fandom huggingface dataset:
Real World Studios

Real World Studios is a recording studio founded and owned by Peter Gabriel, based in Bath. It was developed in the late 1980s.

## Equipment

### 1988/89

**Mixing consoles**:

* SSL 4080Gs (Control room one)
* SSL 4048E /w Total Recall (Workroom)
* SSL 4040E with G-series electronics (Production room)

**Tape machines & mastering**

* Ampex ATR-100 1/2" mastering deck (Production room)
* Studer A820 2" 24-track (control room one & workroom only)
* Studer A820 1/2" 2-track (control room one)
* Studer A807 1/4" 2-track (control room one)
* Sony PCM-2500 R-DAT recorder
* Sony DCM-1000 R-DAT recorder
* Sony PCM-F1 digital (Workroom only)
* Otari MTR-90 24-track (Production room)
* Mitsubishi 32-track

**Outboard gear**:

* AMS DMX 15-80S digital delays
* AMS RMX-16 digital reverb
* BSS compressors
* BSS noise gates
* Decca compressors
* Dbx compressors
* Drawmer gates
* Ibanez SDR-1000
* Klark Teknik EQ
* Klark Teknik noise gates
* Lexicon 480L reverbs
* Lexicon PCM-42 digital delays
* Lexicon PCM-70 processor
* Massenburg EQ
* Tube-Tech compressors
* Neve Prism Rack
* Quantec Room Simulator
* Rebis EQ
* Roland
* UREI compressors
* Yamaha Rev5
* Yamaha SPX-90 (x3)

**Monitoring**:

* ATC50 near-field monitors
* Neil Grant designer Boxer system (control room one and two)
* Meridian M30
* UREI 813Bs (Production room)
* Yamaha NS-10

**Computers**:

* Mackintosh SE20 or 30 /w MIDI interface

#### References

* Quote from *Musician*, June 1989
* *Keyboard*, October 1989
* *Studio Sound*, January 1990
Ampeg SVT-CL Classic Series amp head

The **Ampeg SVT-CL Classic Series amp head** was an amplifier used by both Daryl Stuermer and Mike Rutherford, paired with an Ampeg cabinet (as of 2021, the Ampeg SVT-610 HLF 6x10 cabinet).

## Mike Rutherford's Ampeg SVT-CL

Mike Rutherford is using two Ampeg SVT Classic Series stacks (including the SVT-CL heads) on the Genesis 2021 reunion tour, *The Last Domino?'.* He had the pair of Ampeg SVT-CL amp heads as early as 2015 when touring as part of Mike + The Mechanics*.*

### Quotes on the Ampeg

> "For the last eight years, I’ve used Ampeg on stage, and no matter where we are, those amps tend to sound the same, so I’ve got some consistency." (*Guitar World*, May 2021)
>
>

### References

* 2015 photo
* 2021 photo of Birmingham concert with Ampeg in view

## Daryl Stuermer's Ampeg SVT-CL amp heads

Daryl Stuermer is currently using the Ampeg SVT Classic series stack setup (SVT-CL heads included) on the Genesis 2021 reunion tour, known as *The Last Domino?* tour. He appears to have switched over (probably in the last minute) to Ampeg from the Mesa/Boogie, which is seen in footage from rehearsals.
Trace Elliot GP11

Mike Rutherford was known to use the **Trace Elliot GP11** preamp with Genesis in the 80s and early 90s, both on tour and in the studio.

He first used the GP11 on the *Genesis* album (1983) and its subsequent tour - known as the *Mama* tour - from 1983 to 1984. Around then, he had four GP11's in the rack, except with the labels taped over.

On the *We Can't Dance* tour, the GP11 preamps were among his offstage amplification.

## References

* Various photos including this one
* Making of Mama album
* *Musician*, June 1992
Bankstatement equipment

Tony Banks used the following equipment on **Bankstatement**:

**Keyboards, synthesizers, samplers & sequencers**

* Atari
* E-Mu Emulator II
* E-Mu Emulator III
* Kurzweil K1000 PX
* New England Digital Synclavier II
* Roland D-50
* Roland MKS-20 Super Jupiter
* Sequential Circuits Prophet-10
* Steinberg Pro 24
* Yamaha DX7

**Drum Machines**

* E-Mu SP-12 drum machine
* Simmons drums

**Effects**:

* Boss CE-300 Super Chorus - last used on the Invisible Touch tour
* Yamaha Rev7
Peter Gabriel 4 (a.k.a. "Security") tour 1982-83

## Peter Gabriel

**Keyboards & Synthesizers**

* Sequential Circuits Prophet-5
* Yamaha CP-70 grand

**Effects**

## Larry Fast

**Synthesizers**:

* Fairlight CMI
* Moog Minimoog Model D
* Moog Memorymoog - switched after Plays Live was recorded
* Sequential Circuits Prophet-5 (rev 3)

**Modular synthesizers**:

* Moog Model 15
* Oberheim

**Effects & misc.**:

* Deltalab DL-2 digital delay with MB4 memory module
* Eventide Harmonizer H910
* Lexicon 224 digital reverb(?)
* MuTron BiPhase
* MXR M-124 Dual 15-band graphic EQ
* Roland SDD-320 Dimension D
* FOH mixer

### References

* Photo
* Larry Fast interview (Italian)

## Tony Levin

* Chapman Stick
* Music Man bass

## David Rhodes

**Guitars**:

* 1966 Gibson ES-355 Cherry Red
* 1962 Fender Stratocaster

**Amplifiers**:

* Roland JC-120 Jazz Chorus
* Mesa/Boogie Mk. IIC+

**Effects**:

* unknown
E-mu Emulator

The **E-mu Emulator** (also known as Emulator I) was a sampler and synthesizer owned by Tony Banks. He used it for on the *Genesis* album for sampling sounds, and he incorporated it into his live setup for the *Mama* tour (1983-1984).

An example of the Emulator was on "Mama", for which Tony sampled a Japanese Koto and played it on the Emulator during the chorus. Another is the Mellotron-like introduction to "It's Gonna Get Better".

In the mid-1980s, he upgraded to the E-mu Emulator II.

## Quotes on the Emulator

> "The main instruments that I've used on the new album are the Prophet 10, the Synclavier, the Emulator, and the Yamaha piano. I've also used the Quadra on 'Mama' and I sampled the sound of a Japanese Koto onto the Emulator which gave the 'plunking' solo on 'Mama'. The Emulator is a great way of cheating! And a lot of fun too, I think we did a trumpet piece as well which I sampled onto it - and I don't play trumpet at all... But I often feel that the use of the Emulator and the Fairlight and things like them could become a bit, well, self conscious in a way, with everyone striving to get a new sound from them and it ends up with it sounding so obviously sampled. Peter (Gabriel) seems to have got round that one and has started a new way of looking at the sampling thing. Really quite exciting." (*Electronics & Music Maker*, November 1983)
>
>

> (On creating the "It's Gonna Get Better" intro) "That was done on the Emulator. I recorded a four-note string phrase. When you play chords with it, you get all these harmonies happening at different speeds. It's something I just stumbled across with the Emulator. I was attempting to record the string note and I got the first four notes instead of just the one. I happened to put the looping on [on the Emulator] after the four notes instead of after the first. And it was an amazing sound. It sounds like a Mellotron as it's a record sound." (*Keyboard*, November 1984)
>
>

## References

* various
* Clips from making of Mama album footage featuring Tony and his Emulator
AMS RMX-16

The **AMS RMX-16** digital reverb was released by Advanced Music Systems in 1981.

This unit contained 9 programs, the most popular and widely used of which was the "Non-linear" setting. This setting was based on the gated reverb effect heard on the drums (played by Phil Collins) on Peter Gabriel's "Intruder", which was stumbled upon by accident when recording The Townhouse Studio 2. The sound itself came from a heavily compressed reverse talkback mic (a STC 4021 Ball & Biscuit), gated with one of the noise gates into the SSL 4000B console. There's been conflicting information as to who was responsible for the gated reverb sound - either Hugh Padgham or Steve Lillywhite. But nonetheless it became really popular in the 1980s and used on several productions.

Peter Gabriel and Phil Collins would have their own AMS RMX-16 units. And Genesis would receive one.
Korg Wavestation

The **Korg Wavestation** was a keyboard synthesizer from 1990 which was used by Phil Collins, Tony Banks and Peter Gabriel.

## Phil Collins' Korg Wavestation

"I think the first [Korg] keyboard I had was the Wavestation. I got that around the time of But Seriously. That would have been the late '80s. After that would've been the 01/W. I was still in Genesis and Tony (Banks) and I both got the Wavestation the same day. It blew me away straight away. The actual sounds that you got when you plugged in provided instant gratification. That's what's really great about all the Korg keyboards. All of my stuff is written on the Wavestation, the 01/W, Trinity and now the Triton and Karma." (Phil Collins Korg interview)

## Tony Banks' Korg Wavestation

Tony Banks has the Korg Wavestation, which he has been using since the early 1990s. The Wavestation appears on the *We Can't Dance* album among others.

## Peter Gabriel's Korg Wavestation

Peter Gabriel had a Korg Wavestation in the early 90s, which he played on the *Us* and *Up* albums.
No Jacket Required tour

## Phil Collins

**Drums**:

* Gretsch White concert tom kit

**Cymbals** (Zildjian A and possibly Sabian):

* 14" New Beat hi-hats
* 14" Splash
* 22" Chinese swish /w rivets
* 16" Crash
* 18" Crash
* 20" (upturned) Chinese

**Keyboards & Synthesizers**

* Sequential Circuits Prophet-5
* Yamaha CP-70
* Yamaha DX7

**Electronics**:

* Roland CR-78 CompuRhythm
* Roland TR-808
* Simmons SDS-V or SDS-7

**Effects**:

* Boss CE-2 Chorus
* T.C. Electronic Stereo Chorus Flanger
* T.C. Electronic Booster+ Line Driver & Distortion

### Sources

* *No Ticket Required* footage
* *Musician*, June 1985

## Daryl Stuermer

**Guitars**:

* Fender Stratocaster (cream-coloured, 1970s model)
* 1982 Kramer Pacer Carrera black with extra pickguard

**Amps**:

* Roland JC-120 (possibly)

**Effects**:

* Boss BF-2 Flanger
* Boss DD-2 Digital Delay
* Boss DS-1 Distortion
* Roland FV-2 volume pedal
* TC Electronics Distortion(?)
* other effects to be identified

### Sources

* 1985 photo of Daryl Stuermer
* Rehearsal photo - pedals seen in background to the right of Phil

## Leland Sklar

**Basses**:

* Fender Precision
* Steinberger L2

**Other**:

* Moog Taurus I pedals

## Peter Robinson

* Korg Poly-800
* Oberheim OB-Xa or OB-8
* Sequential Circuits Prophet-5
* Yamaha DX7 (x3, at least)
* Yamaha CP-70

## Chester Thompson

* Pearl drums
* Paiste cymbals (2002, 602...)
* Simmons drums
Roland G-202

The **Roland G-202** was a guitar synthesizer controller, one of those used by Mike Rutherford. It's identical to its Roland G-505 counterpart, except it had a fixed bridge with two Humbucker pickups.

Mike had used two versions of the G-202: a blue one on the *Mama* tour (1983-84) and a white one with black pickguard on the *Invisible Touch* tour (1985 to 1986).

## References

* 1983 photo
* 1987 photo with white G-202
Roland G-303

The **Roland G-303** was a guitar synthesizer controller for the Roland GR-300.

Daryl Stuermer had played this very guitar on the *Mama* tour with Genesis from 1983 to 1984. Before then it had been modified with a Kahler tremolo system and a clear raised pick guard. He later used it to record the guitar solo on "Easy Lover".

The guitar was auctioned and sold on Reverb in 2020.

## References

* Roland G-808 guitar w/ Roland GR-300 Guitar synth Owned by Daryl Stuermer Of Genesis - note: the guitar shown in the listing is in fact a G-303 rather than a G-808, as the latter has a stripe down the middle of the body in a similar fashion to an Alembic)
* *Guitar Player*, September 1984
Boss CE-3 Chorus

The **Boss CE-3 Chorus** is a chorus pedal, successor to the Boss CE-2 Chorus.

Peter Gabriel is seen with a Boss CE-3 in this picture, on top of the Yamaha CP-70 and next to the Fairlight CMI computer screen. He probably used this unit to process the CP-70 on the *So* album, like how he used the Boss CE-1 Chorus Ensemble previously.

He also had a couple of Boss CE-3's in his touring setup for the *So* tour (a.k.a. *This Way Up*).
Genesis We Can't Dance equipment

## Phil Collins

* Gretsch USA Custom Piano Black Nitron kit
* Sabian cymbals
* E-mu SP-1200

## Tony Banks

* Korg Wavestation
* Roland JD-800
* Ensoniq VFX-SD / SD-1

## Mike Rutherford

**Guitars**

* Fender Stratocaster Plus

**Basses**

* Alembic Series I
* Fender Precision bass
* Steinberger L2 black

**Amplifiers**:

* Groove Tubes Trio

**Effects & pedals**

* Moog Taurus I
* Moog Source
* Roland FV-2 Volume pedal
Moog Taurus I

One of the best known pieces of gear used in Genesis was the **Moog Taurus I** bass pedals.

## Mike Rutherford's Moog Taurus I

Mike began to use the Moog Taurus pedals as early as the *A Trick Of The Tail* tour with Genesis back in 1976. He'd used the Taurus whenever he had to play bass and guitar simultaneously during parts of the setlist. He previously had the Dewtron Mister Bassman. He continued to use the Moog Taurus on many subsequent Genesis tours and albums, its most recent use being the 2007 reunion tour.

### References

* 1976 tour photo with Moog Taurus visible

## Daryl Stuermer's Moog Taurus I

Like Mike Rutherford, Daryl Stuermer also had a set of Moog Taurus pedals at his feet to help cover bass parts, up until the *Invisble Touch* tour.

## Phil Collins' Moog Taurus I

It appears that Phil Collins had a set of Moog Taurus pedals at his Old Croft home in the late 70s and early 1980s. The Taurus pedals can be heard on the demo of "Misunderstanding" (a song later given to Genesis).

While there appears to be no Taurus pedal sounds on the *Face Value*, he had used the Taurus bass pedals on "I Don't Care Anymore" and "Do You Know, Do You Care?" from *Hello, I Must Be Going*

### References

* 1980 photo at Old Croft - Moog Taurus I seen in background
* *Hello, I Must Be Going* album credits - 'bass pedals' mentioned, referring to Moog Taurus
Маски неэффективны и приводят к гипоксии

Эффективность обычных масок была экспериментально показана в работе с живым вирусом: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7580955/

Отсутствие гипоксии у пожилых людей спустя час ношения обычной немедицинской трёхслойной маски показана тут: https://jamanetwork.com/journals/jama/fullarticle/2772655
Simmons SDS-7

The **Simmons SDS-7** electronic drum system was the successor to the Simmons SDS-V.

Phil Collins got hold of an SDS-7 set in 1984. He didn't start using them properly until the *No Jacket Required* tour at least.

The SDS-7 appears on the *Invisible Touch* album, on "Tonight, Tonight, Tonight" for example.

## Quotes on the Simmons SDS-7

> "I've got the new Simmons SDS-7 which I haven't really fooled with. I have used them on the road but not for any fundamental drum thing. Still, you're catching me two weeks into the album so anything can happen." (*Genesis Information*, Winter 1984/85)
>
>

## References

* *Genesis Information* fanzine, Winter 1984/85
* *Drums And Drumming*, Summer 1987
Project V1 V2 Вики

**Добро пожаловать на Project V1 V2 вики!**
Специальная Вики для проекта V1 V2

Эта Вики предназначена в первую очередь для участников проекта V1V2, посвящённого вакцинации от коронавируса SAS-CoV-2.

Основная задача статей этой вики - собрать в наиболее удобном виде ответы наиболее полезные научные статьи, касающиеся вируса и вакцин, ответы на основные вопросы, опровержения "тезисов" антипрививочников. И оформить статьи этой вики в виде списка тезисов, каждый из которых имеет научное обоснование.

* Выделение вируса
* Методичка антипрививочника - частые вопросы про прививки от скептиков
* Адреса проекта
* Полезные ссылки

Список наиболее важных статей:

* Выделение вируса
* Методичка антипрививочника
* Адреса проекта
* Черновики - требующие наполнения
* Ревью - требующие проверки специалистами
* Категории
* Свежие правки
* Инструменты вики
* Управление вики
* Оформление вики
Invisible Tour (1986-1987)

## Phil Collins

**Drums**:

* Gretsch White concert tom kit
	+ 10” rack tom
	+ 12” rack tom
	+ 15” rack tom
	+ 16” floor tom
	+ 18” floor tom
	+ 20” bass drum
* 14x8” Noble and Cooley snare

**Cymbals** (Sabian):

* 14” AA hi-hats
* 22” Chinese
* 20” Chinese
* 16” Crash
* 18” Crash
* 20” Crash

**Electronics**:

* E-mu SP-12
* LinnDrum
* Roland TR-808
* Simmons SDS-V
* Simmons SDS-7

## Tony Banks

**Keyboards & synths**:

* ARP Quadra
* E-mu Emulator II
* New England Digital Synclavier II
* Sequential Circuits Prophet-10
* Roland MKS-20 Super Jupiter
* Yamaha DX7
* Yamaha TX816 rack
* Yamaha CP-70 /w MIDI
* Yamaha QX1 sequencer

**Effects**:

* Boss CE-300 Chorus
* Korg DVP-1
* Lexicon PCM-41
* RAT distortion
* Roland SRV-2000 reverb
* Yamaha REV7 reverb
* Yamaha SPX90

**Miscellaneous**:

* 18-channel Seck 1889
* Akai MD280/S612
* Syco Systems M16 MIDI switching box

### Sources

* *Keyboard*, February 1987 (US)
* *Keyboard*, May 1987 (Japanese)

## Mike Rutherford

**Guitars**:

* Roger Giffin custom - later basis of Steinberger M series
* Steinberger GL2T
* Roland G-505
* Roland G-202
* 1975 Fender Stratocaster sunburst

**Basses**:

* 1962 Fender Jazz
* Roger Giffin custom bass(?)

## Daryl Stuermer

* 1986 Steinberger GL2T/GR
* Steinberger XL2 bass
* Boss pedals
* Moog Taurus I

### Sources

* Reverb.com Daryl Stuermer Official shop
* concert video

## Chester Thompson

**Pearl kit**:

* 18x22” bass drum (x2)
* 6 ½” Carbon fibre snare
* 6”x6” tom
* 8”x8” tom
* 10”x10” tom
* 12”x12” tom
* 14”x14” tom
* 16”x16” tom
* 18”x18” tom

**Cymbals** (Paiste):

* 22” 3000 Rude ride
* 20” 3000 crash
* 18” 3000 crash
* 18” Sound Creation short crash
* 16” Rude crash
* 24” 2002 China
* 14” 602 Heavy hi-hats

**Drumsticks**:

* Regal 1A

**Electronics & drum machines**:

* E-mu SP-12
* Simmons (SDS7) pads with MTM MIDI processor
* Roland TR-707 - writing
* Roland TR-727 - writing

## References (common to all)

* Invisible Touch tour program
* Live photos
Gretsch White concert tom kit

In the 1980s, Phil Collins was known to use a Gretsch white kit, possibly the Monster Plus series, with single-headed concert toms.

Phil had three Gretsch white kits: a studio kit (later ended up in Los Angeles and sold at a charity auction), one in the US (now owned by an ex-drum tech) and another in England. The US kit was received at SIR Studios, New York in January 1982 (or 1983, as that was when Gretsch asked Phil to become an endorsee of theirs).

The Gretsch white kit was mostly used for live work to begin with. He had switched from the Pearl DLX kit to the Gretsch when it came to doing the Robert Plant *Principle Of Moments* tour in August 1983, the Pearl having been rehearsed with.

Phil continued to use the Gretsch kit for the *Mama* (1983-84) and *Invisible Touch* (1986-87) tours with Genesis, plus his solo tour *No Ticket Required* (1985).

On the recording side of things, while the Premier black kit was his preference for recording, Phil took one of the Gretsch kits down for a session with Sting for his solo album in late 1984. And he had also used the Gretsch for the session that produced Band Aid's "Do They Know It's Christmas" around the same time. Eventually he fully migrated to the Gretsch from the Premier for the recording of the *Invisible Touch* album.

## Setup

**Drums**:

* 20" bass drum
* 8" tom
* 10" tom
* 12" tom
* 15" tom
* 16" tom
* 18" tom

## Phil Collins quotes on the Gretsch

> "Recently, Gretsch got in touch with me and asked if I would be one of their endorsees. While I've been very happy with the Pearl [DLX kit], I'm going to change to Gretsch because my first proper kit was Gretsch and they've always had a lovely sound. So now I'll be playing Gretsch, although I'll keep the Pearl kits and they'll be used on different albums depending on what things I do" (*Modern Drummer*, November 1983 - interview took place in Spring 1983)
>
>

## References

* Pearl drummer forums
* *Genesis Information*, Winter 1984/85 (page 5)
* Genesis Farm Recording Studios 1986 on YouTube - kit first seen at 4:35 mark
* Footage of Phil Collins recording drums for "Do They Know It's Christmas"
* No Ticket Required footage
* *Drums And Drumming*, Summer 1987
Peavy Mace VT Series 160-watt amp head

The **Peavey Mace VT Series 160-watt amp head** was part of Mike Rutherford's touring setup in the early 1980s. He tended to use it as a preamp.

This amp was sold in 2001 along with other vintage Genesis gear.

## References

* tour programs for Duke, Abacab and Encore tours
* Genesis 2001 auctions
* *Genesis Information* fanzine, issue 21 - Mike Rutherford interview on pages 3-7, 12-13, 15-16. Basicall the same *Guitar Player* interview that appeared in the January 1981 issue of that magazine, but with a few unused sections of the interview included.
Giffin Stratocaster

In the 1980s, Mike Rutherford had a blue/purple-coloured Stratocaster, custom-built for him by luthier Roger Giffin (who later developed the Steinberger M series prototype). He was known to have played this guitar on the *Three Sides Live* tour in 1982. Daryl Stuermer had also supposedly used this guitar.

## Specs

According to the Genesis 2001 auction itinerary, the guitar consisted of a Gibson Humbucker pickup and Kahler tremolo arm.

Roger Giffin himself recalls the guitar was very "Fender Strat-type" with stock pickups (vaguely suggesting Seymour Duncan), an Alder body and Maple neck with Rosewood fingerboard. "R.L. Giffin" (his signature) is inscribed on the headstock.

## References

* Photo of Mike Rutherford with Giffin Strat
* Roger Giffin
* 2001 Auction inventory
* Genesis In Concert 1982 tour programme (mentions Giffin guitar, referring to this one)
Gretsch USA Custom Grey kit

The **Gretsch USA Custom Grey kit** is Nicholas Collins' drum kit, currently in use for the *The Last Domino?* 2021 tour with Genesis.

## Drums

* 18" x 22" Bass Drum
* 5.5" x 8" concert tom
* 6" x 10" concert tom
* 8" x 12" concert tom
* 12" x 15" concert tom
* 16" x 16" floor tom
* 18" x 18" floor tom
* 6.5" x 14" Broadkaster Snare Drum
* 6" x 13" Hammered Chrome Over Brass Snare

## References=

* Nicholas Collins profile on Gretsch website
Simmons SDS-V

Phil Collins used Simmons SDS-V electronic drums during the mid-1980, accompanied by the SDS-V module.

It was through working with Robert Plant that he encouraged Phil to get into using Simmons ahead of the *Principle Of Moments* tour - probably around Spring 1983. And while doing so, he played the Simmons on the *Genesis* album.

Live, he had the Simmons set up alongside his regular drum set so he could alternate between the kits. The Simmons SDS-V setup had a regular hi-hat added.

The Simmons SDS-V also appears in places on the *No Jacket Required* record.

## Quotes from Phil about the Simmons SDS-V

> "But I've always felt that a drum should look like a drum, should be like a drum, sound like a drum and feel like a drum - that's why I was late getting into [the] Simmons. I only got into them because Robert Plant wanted me to play them, and at the same time we were doing the last Genesis album [*Genesis*, 1983] and using them on that, so I became a big fan [of the Simmons]. But it's real drums I play the best." (*International Musician And Recording World*, March 1985)
>
>

> “I was originally very anti-electric drums. But (Robert) Plant wanted me to use them on tour with him, because (drummer) Barry Barlowe did two tracks on his album with Simmons, so I went put and got a set. In between my buying them and the tour, we recorded our last album (*Genesis*), so they were around, so that’s why I used them on "Second Home By The Sea" and "Silver Rainbow". It just happened to be up for me to be familiar with for the Plant tour, so I used ‘em. It seems that every drummer who uses them has trouble with their wrists because it’s like hitting formica, but I’ve never had any trouble with ‘em.” (*International Musician And Recording World*, February 1984)
>
>

## References

* *International Musician And Recording World*, March 1985
* *Genesis Information* fanzine, Winter 1984/85
We Can't Dance tour (1992-1993)

## Phil Collins

**Drums**:

* Gretsch USA Custom Piano Black Nitron kit:
	+ 20" bass drum
	+ 8" rack tom
	+ 10" rack tom
	+ 12" rack tom
	+ 15" rack tom
	+ 16" floor tom
* Noble & Cooley piccolo snare

**Cymbals** (Sabian):

* 22" Chinese swish
* 14" hi-hats
* 22" dry ride
* 20" Chinese
* 16" crash
* 18" crash
* 20" crash

**Drum heads**:

* Remo Ambassador clear

**Hardware**:

* Ludwig Speed King bass drum pedal
* Slingerland hi-hat pedal

**Sticks**:

* Pro-Mark "Phil Collins" model

**Electronics**:

* E-mu SP1200
* Simmons triggers on all drums & cymbals

**Microphones**:
	+ Beyerdynamic M88
	+ Shure SM57
* Snare:
	+ Shure SM57 (top)
	+ AKG 414 (bottom)
* Hi-hat:
	+ AKG 460
* Toms:
	+ Beyerdynamic M201s (except where mentioned)
	+ Beyerdynamic M420 (floor tom & 15" rack tom)
* Overheads:
	+ Beyerdynamic MC740

Vocals:

* Beyerdynamic M88

## Tony Banks

**Keyboards, Synthesizers, modules & sequencers**:

* Alesis MMT-88 sequencer
* E-mu Emulator III
* E-mu Proteus 2XR
* Ensoniq SD-1
* Korg Wavestation
* Kurzweil
* Roland JD800
* Roland Rhodes piano
* Voce DMI-64
* Yamaha TX7

**Effects**:

* Alesis Pattern step-up
* drone pedal
* Emulator III volume pedal
* MIDITemp Program Increment pedal
* Proteus volume
* Roland reverb
* Roland JD800 volume
* VFX volume
* Yamaha SPX-90
* Yamaha SPX-100's

**Other**:

* Alesis Pattern step-up
* MIDIGate units (x4)
* MIDITemp PM88
* PL1 switcher
* Roland M480 mixer
* Yamaha 1502 monitors
* Yamaha C20 crossovers
* Yamaha Y20 processor
* Yamaha P2700 amplifiers

## Mike Rutherford

**Guitars**:

* Fender Strat Plus (x4)
* Guitar Factory Electro/Acoustic
* Rickenbacker 12 strings

**Basses**:

* Yamaha TRB-4P

**Strings**:

* Ernie Ball (guitars)
* Rotosound (basses)

**Amplification**:

* Dual 75
* Groove Tube Trio
* Marshall 4x12 cabinets (x2)
* Mesa/Boogie 295
* Mesa/Boogie 500
* Mesa/Boogie 4x12 cabinets (x4)
* Trace Elliot RX500 power amps
* Trace Elliot GP11 preamps
* Trace Elliot 4x10 cabinets (x4)
* Quad preamp

**Effects**:

* Lexicon PCM-41 delay
* Rockman rackmount unit
* Roland FV-2 volume pedals
* Roland SDE-3000 delay
* Yamaha SPX-90

**Microphones**

* Electrovoice RE-20 (bass signal)
* Sennheiser MD421 (guitar amps)
* Sennheiser MD441 (guitar amps)

**Other**:

* Beck 6/2 mixer
* Moog Taurus I

## Daryl Stuermer

**Guitars**:

* Fender Eric Clapton Signature Stratocaster
* Steinberger

**Basses**:

* Yamaha TRB-4P

**Amplification**:

* Trace Elliot amp (bass)
* Seymour Duncan
* two custom-built cabinets with one 12" EV speaker each

**Effects**:

* Roland digital delay

## Chester Thompson

* Sonor maple kit
* Sabian HH cymbals

### Sources

* Chester Thompson - Drums For Genesis 1992 Tour
Twiv 815

Это попытка перевести выпуск твив.

Инструкция:

1. Взять кусок по ссылке тайминга ниже (все блоки по 15 минут, первый - 30 минут.)
2. Перевести у себя на компе (обязательно сохраните).
3. Вставьте в соответствующее место в данном документе.
4. Не страшно, если вы перевели только часть блока, но пожалуйста, укажите тайминг после него (следующий таймстамп после последнего слова вашего перевода).
5. В идеале, перевод должен постепенно принять вид повествования с таймингами.

https://www.youtube.com/watch?v=OrIciWwK5E4&t=6112s
Foxtrot tour (1972-1973)

## Phil Collins

* Gretsch drum kit
* Ludwig snare drum
* Paiste cymbals
* gongs
* triangles
* whistles
* finger cymbals

## Tony Banks

**Keyboards**:

* Hammond L-122 organ
* Hohner Pianet N electric piano
* Mellotron Mk. II

**Amplification**:

* Wallace XT 100-watt amps (x2)
* Wallace 50/75 cabinets (x2)
* Leslie tone custom-built 50-watt cabinets (x2)

**Miscellaneous**:

* Epiphone 12-string guitar

## Mike Rutherford

**Basses, Guitars & strings**:

* Rickenbacker 4001 bass
* Rickenbacker 360/12 12-string
* Zemaitis 12-string
* cello

**Amplification**:

* Hiwatt 100-watt amps (x2)
* Hiwatt 150-watt cabinets (x4)

**Other**:

* Dewtron Mister Bassman bass pedals

## Steve Hackett

**Guitars**:

* Gibson Les Paul custom
* Epiphone 12-string
* Hagstrom 12-string
* Yamaha 12-string acoustic

**Amplification**:

* Hiwatt 100-watt
* Hiwatt 4x12 cabinets (x2)

## Peter Gabriel

* Hayman 20" bass drum
* Tempo flute
* Howarth oboe

## P.A. equipment

* WEM festival stacks (x2)
* WEM Vendetta stacks (x4)
* WEM 4x12 B cabinets (x2)
* WEM 4x12 C cabinets (x2)
* WEM 100-watt slave amplifiers (x10)
* WEM Audiomasters (x3)
* WEM Copicat
* Sony cassette playback machine
* Beldon 200ft multicone

## Lights

* 30ft aluminium tubular masts (x4)
* Hartman custom-built lights using 100 watts (x24)
* sealed beam Par 64 lamps
* Hartman custom-built lights using 500 watts (x7)

## Control board (lighting)

* 2K Triac-diac dimmers (x24)
* 1K Triac-diac dimmers (x5)

custom-built by NO WAV Lighting Ltd., Stratford

## References

* The Genesis File – Melody Maker 16th December 1972
Shergold double neck

## Introduction & details

One of Mike Rutherford's most notable pieces of gear was the custom-built **Shergold double neck**. And is probably the best known of the double-neck guitars he had. He had four "halves" of the Shergold - a 4-string bass, two 12-strings and a 6-string guitar with single-coil pickups. Those were all early Modulator models. For the bottom half of the Shergold double neck it was always the bass, while for the top half Mike would alternate between the 6- and 12-strings. There'd be pins that he'd use to attach two halves together like a jigsaw puzzle.

All the Shergold guitars came with a selection of 5 different modules which Mike could change between - including, to name a few, a Module 4 (stereo), Module 2 (phaser) and Module 5 (recording).

Mike Rutherford initially discovered Shergold through trying out their 12-string models and one of their basses, both of which he liked the sound of. Then one thing led to another and he commissioned Shergold to build the double neck with detachable halves, something his previous double necks did not have.

In 1977, the Shergold saw its debut on the *Wind And Wuthering* tour. And had been used on subsequent tours and albums with Genesis until the *Mama* tour in 1983, when it was replaced with the Status double neck.

He would have tended to alternate between the Shergold and other guitars partly because the Shergold's heavy weight would leave a deep rut on his shoulder if worn for too long.

## Quotes on the Shergold double neck

> "I tried a Shergold 12-string in a shop, and I liked it very much, so I said 'Do you make basses?' And they said yes, and I tried that. Very nice sound - it had the sort of treble attack I like, and the bass warmth. I said 'Can you do me a double-neck?' I've always had this idea of a changeable instrument, to give me the scope during a live show to swap over easily, and they came up with that."
>
>

## References

* Shergold website
* Mike Rutherford review on Shergold Marathon bass
* *Beat Instrumental*, August 1977
* various photos
Genesis albums

This page contains links to equipment lists for the following Genesis albums:

* *From Genesis to Revelation* (1969)
* *Nursery Cryme* (1971)
* *Foxtrot* (1972)
* *Selling England By The Pound* (1973)
* *The Lamb Lies Down on Broadway* (1974)
* *A Trick Of The Tail* (1976)
* *Wind And Wuthering* (1976)
* *...And Then There Were Three* (1978)
* *Duke* (1980)
* *Abacab* (1981)
* *Genesis* (1983)
* *Invisible Touch* (1986)
* *We Can't Dance* (1991)
Squier Bullet Stratocaster

The **Squire Bullet Stratocaster** is Mike Rutherford's current guitar of choice, using it on Genesis' *The Last Domino?* tour of 2021-2022.

According to guitar tech Steve Prior, Rutherford had bought two Indonesian-made Squire Bullet Stratocasters at a guitar shop in Cape Town, South Africa on a visit - one with a Sonic Grey limited edition finish, another with Artic White. This was during the Covid-19 lockdown, when Mike had forgotten to bring his Fender Eric Clapton Signature Stratocaster black guitar over. It was for most of the lockdown that he ended up falling in love with the new Bullet Stratocasters and was relearning the old Genesis songs on the guitar.

## Specification

Mike Rutherford's Sonic Grey Squire Bullet Stratocaster is described as follows in *Guitar Player*:

> "a polyurethane-finished poplar body and 25.5 inch scale ‘C’-profile maple neck with a 9.5 inch radius, 21-fret Laurel fingerboard. Three Standard Single-Coil Strat pickups along with a 6-Saddle Vintage-Style Synchronized Tremolo means the guitar stays close to Fender’s original 1954 design."
>
>

The guitar is super lightweight, but Prior had modified the guitar to make it more reliable and fit for touring by adding Gotoh tuners and changing the bridge/saddles. Which meant re-cutting the nut and he also dressed the frets. Fender Noiseless bridge pickups were installed alongside the stock ones in case the guitar gets any interaction with the 70' LCD screen.

## Quotes on the Squier Bullet Series Stratocaster

> (on the beginnings of Mike's relationship with the guitar) "Sitting at home in Cape Town plugged into his Blackstar 3-watt amp, Mike just fell in love with it playing along to his laptop and relearning all the Genesis songs. That was him for almost all of the first lockdown because he wasn’t allowed out of Cape Town. He was stuck there. But he came back saying how much he loved this guitar."
>
>

> "Mike has got so many other wonderful Strats, but he also loves using these Indonesian-made Squier Bullet Stratocasters. He can’t put the Sonic Grey one down. It’s the first guitar he wants to play every day and he uses it for some big songs in the Genesis set including “No Son of Mine” and “Mama.”"
>
>
Duke tour (1980)

**Drums**:

* Premier Soundwave kit
* Ludwig L400 supraphonic snare
* Camco wooden shell snare

**Cymbals**:

* Zildjian Brilliants & Paiste

**Percussion**

* Premier Tambourines
* LP

**Hardware**:

* Ludwig Speed King bass pedal
* Slingerland hi-hat pedal
* Premier

**Drum heads**:

* Remo drum heads

**Miscellaneous**:

* Moog Taurus pedals
* Roland CR-78 CompuRhythm
* Professional Percussion "Phil Collins" sticks

**Keyboards & Synthesizers**:

* ARP 2600
* Hammond T102 organ
* Sequential Circuits Prophet-5
* Roland VP-330 Vocoder Plus
* Yamaha CP-70 electric grand piano

**Effects**:

* MXR Digital Delay
* MXR M-107 Phase 100
* other MXR/Roland & Boss effects
* Boss CE-1 Chorus Ensemble(?)

**Miscellaneous equipment**:

* Custom 12-channel mixing desk
* Crown amplifier
* Quad amplifier
* custom-built speaker cabinets

## Mike Rutherford

**Guitars & basses**

* Alvarez
* 1975 Fender Stratocaster sunburst
* Ibanez Artist 2622
* Ovation
* Roland GS-500 guitar synth controller
* Shergold double neck

**Effects**:

* Boss CE-1 Chorus Ensemble
* Colorsound Tonebender Fuzz (x2)
* MXR MX-117 Flanger
* MXR Digital Delay
* MXR MX-108 10-band Graphic Equalizer
* Roland FV-2 volume pedal (x2)
* Roland fuzz boxes

**Amplification**:

* Ashly preamp
* Crown DC 300A (x2) power amps
* Peavy Mace VT Series 160-watt amp head
* 2x12" custom-built speaker cabinets (x2) - bottom end
* 4x12" custom-built speaker cabinets (x2) - treble
* Sunn speaker cabinets
* custom-built bass cabinets

**Guitar synths**:

* ARP Avatar
* Roland GR-500

**Strings**:

* Rotosound

**Other**:

* "Mike Rutherford" picks
* Moog Taurus I
* Yamaha PM700 12-input/4-output mixer

### Sources

* *Genesis Information* magazine issue 21 October 1981 - Mike Rutherford interview on pages 3-7, 12-13, 15-16. Includes unused interview section from *Guitar Player* issue.
* Duke tour programme

## Daryl Stuermer

**Guitars**:

* Alvarez
* Ovation
* Ibanez Musician MC400DS
* Suntech SA-MRSC Super Stratocaster

**Basses**:

* Gibson (RD Artist?)
* 1979 Shergold Modulator white

**Amplification**:

* Sunn Coliseum (bass) amps
* Sunn speaker cabinets
* Yamaha G100 212

**Effects & pedals**:

* Moog Taurus I bass pedals
* MXR M-113 Digital Delay unit
* other MXR/Roland & Boss effects

**Other**:

* Fender guitar picks

### Sources

* Daryl Stuermer reverb.com shop
* Various photos
* Duke tour programme

## Chester Thompson

**Drums**:

* Pearl kit
* Pearl concert snare
* Pearl/Syndrum snare

**Cymbals**:

* Paiste & Avedis Zildjian

**Hardware**:

* Pearl
* Pearl bass drum pedals

**Drum heads**:

* Remo

**Percussion**:

* ASBA congas
* Ludwig Tambourines
* Slingerland tambourines

**Miscellaneous**:

* Syndrums set
* Professional Percussion "Chester Thompson" sticks
Hayman 20" bass drum

The **Hayman 20" bass drum** was a double-headed bass (or kick) drum used by Peter Gabriel. He played this bass drum live with Genesis in the early 1970s, until *The Lamb Lies Down On Broadway* tour at least.

He kept the bass drum, which was incorporated into Manu Katche's kit setup for the *Us* album and miked with an ElectroVoice RE20.

## References

* *Melody Maker*, 16 December 1972
* Photo from 1972
* *Sound On Sound*, November 1992
Fender Eric Clapton Signature Stratocaster

The **Fender Eric Clapton Signature Stratocaster** (Fender EC Stratocaster for short) is a guitar used by Mike Rutherford and Daryl Stuermer.

## Mike Rutherford's Fender Eric Clapton Stratocaster

From the late 90s onwards, the **Fender Eric Clapton Stratocaster** has remained Mike Rutherford's preference for playing lead lines, and as his main guitar.

His Eric Claption Stratocaster was a late 1980s variant with Pewter finish, which is virtually a stock one.

### Quotes on the Stratocaster

> “I love the Strat because it can play the roles of many guitars. You can access such a diverse range of tones—which makes it extremely attractive as a touring instrument. It’s also a simple case of habit and familiarity. I’ve been playing Strats for decades, and, at this point, I’d feel wrong playing anything else.” (*Guitar Player*, August 2007)
>
>

### References

* *Guitar Player*, August 2007
* Genesis Last Domino concert footage
* Mike Rutherford:Re-Living The Years

## Daryl Stuermer's Fender Eric Clapton Stratocaster

Daryl Stuermer has a **red Fender EC Stratocaster**, which he played on the *We Can't Dance* tour with Genesis in 1992. He also uses it regularly for tours with his own band and with Phil Collins.

### References

* *Guitarist*, January 1993
* Daryl Stuermer: Gear Talk
Ibanez Musician MC400DS

The **Ibanez Musician MC400DS** guitar was used by Daryl Stuermer on the *...And Then There Were Three*, *Duke* and *Abacab* tours.

It was thought to be the MC500DS model (a similar model), but given the body appears to be flat rather than curved around the edges (as typical of the MC500), the Ibanez is now thought to be the MC400.

## References

* Musician MC500 DS (1980) w Smooth Heel & 9ply Neck
* Tour programs
* 1978 photo
Everchanging Nine Dragon Rune

Chu Kuangren opened the rune, immediately retrieving that item. Upon seeing that it was a rune that could forcibly increase its user’s strength, Chu Kuangren’s eyes lit up with surprise.

Gathering the natural qi of the world, converting it into dragon qi, and channeling it into the user’s body, this rune would allow the user’s strength to skyrocket. The best part about this was that there were no side effects at all.

As such, it was several times better compared to the Nine Deaths Blazing Blood Art Technique..
Roland VP-330 Vocoder Plus

The **Roland VP-330 Vocoder Plus** was a vocoder with additional voice and string synthesizer capabilities was used by Phil Collins and Tony Banks.

## Phil Collins' Roland VP-330

Phil Collins was pictured at his home studio with a VP-330 in the background. He used the vocoder on some of his home recordings made in the late 1970s/early 1980s, including "In The Air Tonight".

He later had the Roland SVC-350, which is basically a rackmounted version of the VP-330.

### References

* 1980 press photo of Phil at Old Croft
* Classic Tracks: Phil Collins' In The Air Tonight

## Tony Banks' Roland VP-330

Tony Banks had used the Roland VP330 Vocoder Plus for the recording and touring of *Duke* and *Abacab*, having replaced the Mellotron M400.

Besides work with Genesis, he had also used the vocoder on *The Fugitive* (rather extensively) and on *Bankstatement*.

### Quotes on the vocoder

> "There are certain instruments which I love, such as the Roland Vocoder. I used it on this record and extensively on *The Fugitive*. I've just had mine MIDIed. I like instruments you can use without doing anything at all to them. You need instruments you can work on for hours but also instruments which immediately sound good when you sit down and play them."
>
>

### References

* *Sound On Sound*, September 1989
* tour programs
* Various
Studer A80

The **Studer A80** is an analog 24-track 2" tape recorder, which was used by Peter Gabriel during the *So* sessions throughout 1985.

Peter had two Studer A80's with him during the course of the album: one standard (stock) A80 and one heavily modified by Colin Broad with custom audio cards. The stock A80 was known as the 'A' machine, and the modified A80 was the 'B' machine.

With the 'B' machine, Peter would record demos of the songs with piano, a Prophet and a Linn 9000 drum machine, and he'd play them to the musicians, who are then recorded onto the 'A' machine. And certain tracks from the demo can be transferred onto the A machine.

On some occasions, for some songs the musicians' parts from first takes were recorded on the 'B' machine, and when recording other takes they'd hear both the demo arrangements and their original parts through their headphones while doing another take (which is recorded onto the 'A' machine).

Both machines were synced using an Adams-Smith synchroniser. However, problems arose due to differing sync cards: the 'A' machine Studer had FM cards while the 'B' machine Studer had DC cards. The synchroniser was sending FM signals to both machines, and this meant the 'B' machine was getting the wrong signals, so the two machines weren't interacting properly. Compounding the problem, there was some issues with slight time slippage due to inconsistencies in speed on the two machines, which meant some parts were unsyncable. Eventually the various takes would be synced properly and edited down onto one master, and copied onto a Mitsubishi 32-track.

## References

* Kevin Killen Mixonline interview
* Classic Tracks: Peter Gabriel's "Sledgehammer"
Solid State Logic SL4056E

The **Solid State Logic SL4056E** (also referred to as an SSL 4000E) is a 56-input mixing console currently housed at Genesis' Fisher Lane Farm studios, also known as The Farm. It features a G-series computer and *Total Recall* automation, plus an SSL Integral synchroniser.

The console was installed at The Farm in 1985 - just prior to the recording of *Invisible Touch* - as chosen by the band, given their (particularly Phil's) experience at The Town House with an SSL in previous years.

## References

* *Recording Engineer/Producer*, July 1987
* *Studio Sound*, September 1985 (page 30 of PDF)
* Fisher Lane Farm equipment list
* *Recording Musician*, July 1992
Sequential Circuits Prophet T8

The **Sequential Circuits Prophet T8** was a polyphonic synthesizer released in 1984 with added touch sensitivity.

Tony Banks owned a Prophet T8, and he possibly used it on the *Invisible Touch* album but to a lesser extent compared to other synths he had around him.

Already a user of the Sequential Circuits Prophet-10, he found that the T8 somewhat lacked the drone setting which he had used on "Mama" and other tracks.

## Quotes on the Prophet T8

> "I do own a Prophet T8. I wasn’t that keen on it because it had a piano weighted keyboard and I didn’t find it as friendly as the others for some reason or other and I must have used it on something. I think if we looked on the track sheets we would probably find I used it on something." (The Waiting Room interview)
>
>
Mama tour (1983-1984)

## Phil Collins

**Drums**:

* Gretsch White concert tom kit

**Cymbals**:

* Zildjian & possibly Paiste and Sabian

**Drum machines & electronics**

* LinnDrum
* Roland TR-808
* Simmons SDS-V

## Tony Banks

**Keyboards**:

* ARP Quadra
* E-mu Emulator
* New England Digital Synclavier II
* Sequential Circuits Prophet-10
* Yamaha CP-70 electric piano

## Mike Rutherford

**Guitars**:

* 1975 Fender Stratocaster Sunburst
* Strata double neck

**Effects**:

* Boss pedals (unknown makes)
* Lexicon PCM-41 digital delay
* Moog Taurus I

**Amplification**

* Trace Elliot GP11 preamps (x4)
* Trace Elliot cabinets

## Daryl Stuermer

**Guitars**:

* Strata bass
* Stratocaster Squier
* Alvarez acoustic
* Roland G 808

**Amps**:

* Trace Elliot bass amp
* Trace Elliot cabinets

**Effects**:

* Boss BF-2 Flanger
* Boss SD-1 Super Overdrive
* Boss DS-2 distortion
* Boss CS-1 compressor
* TC Electronics Booster + Distortion
* Roland FV-2 Volume Pedal
* GR 300 synth

**Miscellaneous**:

* Korg WT-12 Chromatic Tuner
* Moog Taurus I pedals
* Roland GR-300 guitar synthesizer /w Roland G-303 guitar

### Sources

* *Guitar Player*, September 1984
* 1983 photo
Phil Collins Both Sides equipment

## Musical equipment

Phil Collins played all instruments on this album, which included the following:

**Drums**:

* Gretsch USA Custom Piano Black Nitron kit
* Noble & Cooley snare

**Cymbals**:

* Sabian

**Sticks**:

* Pro Mark

**Drum heads**:

* Remo

**Drum machines & samplers**

* Akai S1100
* E-mu SP-1200
* Roland TR-808

**Keyboards & synthesizers**:

* E-mu Emulator III
* Korg 01/W
* Korg Wavestation
* Roland D-50
* Steinway acoustic grand piano - The Farm studio equipment
* Yamaha CP-70 grand piano

**Effects**:

* Korg M2(?) guitar processor
* Yamaha REV5 reverb

**Misc.**:

* Cubase software

## Recording and Studio equipment

**Microphones**:

* Beyerdynamic (various, including M88 at least)
* Electrovoice RE20 (bass drum)
* Shure SM57 (snare)
* Neumann U47 (bass drum)

**Miscellaneous**:

* Akai MG14D 12-track
* Sonic Solutions recording & editing system

## References

* *Home And Studio Recording*, 1993
* Album credits - professional "thank yous" section
Bronze Heavenly Hall

It was the most powerful orthodoxy of Jade Emperor Galaxy and they were the ones who destroyed the Gu Clan.

The cultivation base of the Heavenly Hall Ruler was at the level of a Ninth-grade Common Immortal.

There were even rumors that his cultivation base was close to an Earthen Immortal while that was true he was only ar the 3rd grade making it easy for chu kuangran to defeat him.

## Formation

* **Great Nine-Dragon Formation** - The Immortal formation was extremely powerful. Once activated, even a common Immortal helming the formation would gain the power to kill a Ninth Grade Immortal!
Three Sides Live tour (1982)

Also known as the *Genesis Encore* tour and *Genesis In Concert 1982*.

## Phil Collins

**Drums**:

* Pearl DLX kit
* Ludwig Supersentitive Snare
* Camco Wood shell snare

**Cymbals**:

* Avedis Zildjian
* Sabian

**Hardware**:

* Pearl/Premier
* Ludwig Speed King bass drum pedal
* Slingerland Hi-hat pedal

**Drum heads**:

* Remo

**Sticks**:

* Tri-Sti "Phil Collins" model

**Drum machines**:

* Roland CR-78 CompuRhythm
* Roland TR-808

**Other**:

* LP Percussion
* Moog Taurus I
* Premier tambourines

## Tony Banks

**Keyboards & Synthesizers**:

* ARP Quadra
* Sequential Circuits Prophet-5
* Sequential Circuits Prophet-10
* Roland VP-330 Vocoder Plus
* Yamaha CP-70

**Effects**:

* Lexicon PCM-41 digital delay
* MXR/Roland & Boss pedals

**Other**:

* Amcron Power Amplifiers
* Customised 12-channel mixing desk
* Custom-built speaker cabinets

## Mike Rutherford

**Guitars & Basses**

* Alembic Series I bass
* Alvarez 5021 12 string
* Fender Stratocaster
* Giffin Stratocaster
* Ibanez guitars
* Ovation acoustic
* Shergold double neck

**Amplification**

* Amcron power amps
* Ashly preamp
* MXR digital amp(?)
* Trace Elliot speaker cabinets
* Trace Elliot GP11 preamps -
* Peavy Mace VT Series 160-watt amp head
* Yamaha G100 212

**Effects & pedalboard units**:

* Colorsound Tonebender Fuzz(?)
* Lexicon PCM-41 digital delay
* Moog String Filter
* MXR M-129 Pitch Transposer with MXR M-131 Pitch Transposer display
* MXR MX-117 Flanger
* Roland FV-2
* custom distortion boxes?
* other effects to be identified

**Other**:

* ARP Avatar
* "Mike Rutherford" guitar picks
* Moog Taurus I bass pedals
* Rotosound guitar strings
* Yamaha PM700 mixer

### Sources

* Photo
* 1982 photo (incorrectly dated 1985)
* 1982 photo with Mike's rig in view

## Daryl Stuermer

**Guitars**

* Alvarez 12 string
* Ibanez guitars
* Ovation
* Suntech SA-MRSC Super Stratocaster

**Basses**:

* Fender Precision

**Amplification**:

* Sunn Coliseum (bass) power amps
* Sunn cabinets
* Yamaha G100 212

'*Effects* & pedals:

* MXR/Roland & Boss
* MXR M-113 Digital Delay
* Moog Taurus I bass pedals

## References (common to all)

* *Genesis In Concert* 1982 tour programme