Rokugen no Monster

**Rokugen no Monster** (六弦の怪物 ～クロイツェルより～ lit. *Six-stringed Monster*) is the first track of Classicaloid Musik Collection Vol. 2 and the Musik featured in Beyond the Darkness. This Musik is based on the first movement of Beethoven's Violin Sonata No. 9, otherwise known as the Kreutzer Sonata.

## Lyrics

### TV Size

* Japanese
* Romaji
* English

闇夜に星一つ 儚い光だけど

明日への道しるべ

さぁー未来の 扉よ開け～

絶望のチェイル 抜け出して

俺は蘇った

六弦の武器 掻き鳴らせば

世界は慄く 俺はモンスター

そびえる 壁の向こうに

未知なる 道が在るはず

無くてもとにかく 壊しとけ

アイス! ツヴァイ! ドライ!

沸き上がるビートに

命を預けて踊ろう

無敵の魔力が宿るまで

Yamiyo ni hoshi hitotsu hakana hikari dakedo

Asu e no michishirube

Saa mirai no tobira yo hirake

Zetsubou no cheiru nukedashite

Ore wa yomigaetta

Rokugen no buki kakinaraseba

Sekai wa ononoku, ore wa monster

Sobieru kabe no mukou ni

Michi naru michi ga aru hazu

Nakute mo tonikaku kowashitoke

Einz! Zwei! Drei!

Wakiagaru beat ni

Inochi o azukete odorou

Muteki no maryouku ga yadoru made

A lone star in the dark night, a faint light it may be

But it shows the way to tomorrow

Now, open, door to the future

Escape from the jail of despair

I am reborn

Let sing this six-stringed weapon

The world cowers before me, the monster

Beyond the towering wall

There must be unknown roads

Even if they’re not there, I’ll break it

One! Two! Three!

To the roaring beat

I entrust my life's dance

Until my unrivaled power lives on
### Full

* Japanese
* Romaji

闇夜に星一つ 儚い光だけど

明日への道しるべ

壊れた夢一つ 捨てずに抱いていたら

鍵の形になった

さぁー未来の 扉よ開け～

絶望のチェイル 抜け出して

俺は蘇った

六弦の武器 掻き鳴らせば

世界は慄く 俺はモンスター

そびえる 壁の向こうに

未知なる 道が在るはず

無くてもとにかく 壊しとけ

アイス! ツヴァイ! ドライ!

沸き上がるビートに

命を預けて踊ろう

無敵の魔力が宿るまで

闇夜に星一つ 儚い光だけど

明日への道しるべ

光は今この胸

Yamiyo ni hoshi hitotsu hakana hikari dakedo

Asu e no michishirube

Kowareta yume hitotsu sutezu ni daiteitara

Kagi no katachi ni natta

Saa mirai no tobira yo hirake

Zetsubou no cheiru nukedashite

Ore wa yomigaetta

Rokugen no buki kakinaraseba

Sekai wa ononoku, ore wa monster

Sobieru kabe no mukou ni

Michi naru michi ga aru hazu

Nakute mo tonikaku kowashitoke

Einz! Zwei! Drei!

Wakiagaru beat ni

Inochi o azukete odorou

Muteki no maryouku ga yadoru made

Yamiyo ni hoshi hitotsu hakana hikari dakedo

Asu e no michishirube

Hikari wa ima kono mune
## Story

Throughout the episode, Beethoven suffers from a series of dilemmas, ranging from his pursuit of the perfect guitar to past memories of his growing hearing loss resurfacing in the present. This all culminates at the guitar-playing competition he enters, when Bach signals Mitsuru to cut the electricity and lights in the building and triggers Beethoven's memories of him accepting his deafness by giving up his glory as a performer in favor of breaking new ground as a composer. This revelation then activates his Musik, which transforms his baton into an electric guitar and changes everything in the area into a setting reminiscent of the Romantic era, from the auditorium becoming a traditional concert hall to the audience members being clothed in historical wear. Pad-kun reveals that his Kreutzer Sonata was one of the pieces he wrote after he fully transitioned into being a composer, which makes Sousuke finally understand Beethoven's odd behavior throughout the episode.