A24

Template:Merge from

American independent entertainment companyTemplate:SHORTDESC:American independent entertainment company
Template:Other uses

*“A24 Films” redirects here. For the company's filmography, see List of A24 films.*
Template:Pp-sock

* Daniel Katz
* David Fenkel
* John Hodges
* Daniel Katz (Chairman)
* David Fenkel (CEO)
 Products | * Motion pictures
* Film distribution/production
* Television production

**A24** is an American independent entertainment company that specializes in film and television production, as well as film distribution. The company is based in Manhattan.

The company was founded in 2012 by Daniel Katz, David Fenkel, and John Hodges. Prior to A24, all had worked extensively in film and production before leaving their positions to co-found the company, originally **A24 Films**, which specialized in film distribution. Starting off in 2013 with *A Glimpse Inside the Mind of Charles Swan III*, the company's growth started with the release of *Spring Breakers* later that year. In 2014, A24 picked up the U.S. rights to *Ex Machina* and *Room* in 2015, before obtaining worldwide rights to *The Witch* (2015). They entered into deals with Amazon Prime Video and DirecTV Cinema in late 2013, with some films distributed through them, and the name was changed to A24 in 2016. In 2022, A24 distributed the film *Everything Everywhere All at Once*, which won Academy Award for Best Picture and six other awards.

A24's television division has produced numerous programs, including *At Home with Amy Sedaris* (2017–2020), *Beef* (2023), *The Carmichael Show* (2015–2017), *Euphoria* (2019–present), *I'm Sorry* (2017–2019), *Irma Vep* (2022), *Mo* (2022–present), *Mr. Corman* (2021), *Ramy* (2019–present) and *Ziwe* (2021–2022).

The company has also frequently worked with artistically minded writer-directors, including Darren Aronofsky, Ari Aster, Sean Baker, the Daniels, Robert Eggers, Alex Garland, Rose Glass, Joanna Hogg, Yorgos Lanthimos, David Lowery and the Safdie brothers.

A24 has developed a reputation as a powerhouse in independent film with a passionate fanbase. Its projects have also had a major influence on style in contemporary horror and arthouse films, among other areas. A24 is also known for the originality of films it produces, generally shunning the style of films produced or released by the Big Five studios.

## History

### 2012–2013: Founding and early years

A24 was founded on August 20, 2012, by film veterans Daniel Katz, David Fenkel, and John Hodges. Katz formerly led the film finance group at Guggenheim Partners, Fenkel was the president, co-founder and partner at Oscilloscope, and Hodges served as "Head of Production and Development" at Big Beach. The name "A24" was inspired by the Italian A24 motorway Katz was driving on when he decided to found the company.

Guggenheim Partners provided the seed money for A24. The company was started to share "movies from a distinctive point of view". In October 2012, Nicolette Aizenberg joined as head of publicity from 42West where she was senior publicity executive.

The company began its distribution of films in 2013. The company's first theatrical release was Roman Coppola's *A Glimpse Inside the Mind of Charles Swan III*, which had a limited theatrical release. Other 2013 theatrical releases included Sofia Coppola's *The Bling Ring*, Harmony Korine's *Spring Breakers*, James Ponsoldt's *The Spectacular Now*, and Sally Potter's *Ginger & Rosa*.

In September 2013, A24 entered a $40 million deal with DirecTV Cinema, where DirecTV Cinema would offer day-and-date releases 30 days prior to a theatrical release by A24; *Enemy* was the first film to be distributed under the deal. That same year, A24 entered a deal with Amazon Prime, where A24-distributed films would be available on Amazon Instant Video after becoming available on Blu-ray and DVD.

### 2014–2017: Television and later productions

In May 2015, A24 announced that it would start a television division and began producing the USA Network series *Playing House*, as well as working to develop a television series that would later become *Comrade Detective*, produced by Channing Tatum. The company also announced that they would also finance and develop pilots.

In January 2016, Sasha Lloyd joined the company to handle all film, television distribution and business development in the international marketplace. The company, with cooperation from Bank of America, J.P. Morgan & Co. and SunTrust Banks, also raised its line of credit from $50 million to $125 million a month later to build upon its operations. In April, the company acquired all foreign rights to *Swiss Army Man*, distributing the film in all territories, and partnering with distributors who previously acquired rights to the film, a first for the company. In June, the company, along with Oscilloscope and distributor Honora, joined BitTorrent Now to distribute the work of their portfolio across the ad-supported service.

In January 2017, the company acquired the United States and Chinese distribution rights for their first foreign language film: *Menashe*.

### 2018–2019: Management changes and partnerships

On February 28, 2018, A24 launched a podcast titled "The A24 Podcast". Episodes are based around a discussion between two members of the film industry. Guests on the podcast have included Bo Burnham, Sofia Coppola, Paul Schrader, Martin Scorsese, and Alia Shawkat. Despite lacking any pre-defined structure, episodes generally contain discussions around recent works of the two guests, allowing for branching discussions to other areas. The first two guests were Barry Jenkins (director of A24's *Moonlight*) and Greta Gerwig (director of A24's *Lady Bird*), who both discussed what it's like to make a movie about the place they grew up. As of October 18, 2023, 38 episodes have been released.

On March 26, 2018, co-founder John Hodges announced that he was exiting the company. On November 15, 2018, A24 and Apple announced that they had entered into a multi-year partnership where A24 will produce a slate of original films for Apple. This was not a first-look deal, meaning that A24 can continue to produce and acquire films to release outside of the deal, and that it would not affect previous deals that A24 had signed with other companies. It is currently unknown if this slate of films will have a theatrical release or be exclusive to Apple's streaming service: Apple TV+.

On November 13, 2019, A24 entered into a premium cable television broadcast deal with Showtime Networks, covering all film releases through November 1, 2022. The deal excludes films that are already part of the Apple partnership.

### 2020s–present: Academy Awards triumph, further agreements, and expansion

In July 2021, A24 explored a possible buyout for between $2.5 billion to $3 billion. In January 2022, former HBO and Amazon Studios TV executive Nick Hall joined A24 to oversee creative for the company's growing television slate. In April 2022, the company released its membership "AAA24" for subscription; members' benefits include early access to merch drops, exclusive merch for members only, monthly merch discounts for members, and a zine every four months.

In March 2023, A24 became the first independent studio to sweep Best Picture, Best Director, and all four acting categories in a single year at the 95th Academy Awards. That same month, the company bought distribution rights to two older films released before the company's inception, starting with Darren Aronofsky's *Pi* (1998) and Jonathan Demme's *Stop Making Sense* (1984), both of which are remastered versions.

In May 2023, Leonine Studios, a German independent film distributor, partnered with A24 to set up a joint label called "A24 | Leonine Studios", which will distribute films in Austria and Germany. The next month, it was reported that former Disney General Entertainment Chairman Peter Rice signed a deal with A24 as an independent producer, agreeing to co-finance films for global distribution.

In July 2023, amidst the SAG-AFTRA/WGA strikes, A24 was approved to continue filming and promotional activities since they do not have ties to the Alliance of Motion Picture and Television Producers (AMPTP).

In October 2023, *TheWrap*'s Umberto Gonzalez exclusively reported that A24 is planning to expand its "strategy from arthouse films to more commercial films", including "action and big IP projects". According to one production executive from the company, A24 "took a beating on dramas, especially the ones they made," the top agent said. The production exec added that A24 would still acquire dramas, but would move away from making as many of them. "The auteur business is a lousy, high-risk business that does not attract potential buyers ... That's a big problem if you're looking to sell or seek additional investment," another top agent told *TheWrap*. This decision has been met with mixed responses from some journalists; Jordan Ruimy, creator/writer/editor-in-chief of the website *World of Reel*, wrote: "I just hope this isn't a total reversal of A24's indie production sector into full-on commercial movies. Hopefully, the broader strategy of acquiring good movies and platforming them is still intact." That same month, A24 forged an exclusive output deal with "Happinet Phantom Studios" covering the distribution in Japan of A24's upcoming releases; this marks A24's first major international theatrical output deal. The companies will also build A24 brand awareness across the region, and deepen relationships with local talent and audiences off screen beyond film releases.

In association with Prime Video and Fox Entertainment's Bento Box Entertainment, A24 launched its first animated project: the adult musical comedy series *Hazbin Hotel*. The eight-episode first season premiered on January 19, 2024, on Prime Video; it has received a two-season order. However, the first episode was made available to watch, for free, on YouTube on January 18, with the first four episodes subsequently released on Prime Video the following day as scheduled. The series, which had been long in the works, is based on series creator Vivienne Medrano's animated pilot released on YouTube in 2019. *Hazbin Hotel* follows Charlie Morningstar (voiced by Erika Henningsen), the princess of Hell, as she pursues her seemingly impossible goal of rehabilitating demons to peacefully reduce overpopulation in her kingdom. After a yearly extermination imposed by angels, she opens a hotel in the hopes that patrons will be "checking out" into Heaven. At the 2023 New York Comic Con, the cast was unveiled and it was announced that fans would be able to get digital access to the first two episodes at "HazbinHotel.com" before they were released on Prime Video, plus exclusive merchandise only available during that presale; early access episodes are available to stream for a limited time on the A24 App.

## Film library

*Main article: List of A24 films*
A24 produces and distributes about 18 to 20 films annually. It has also served as producer or distributor for several dozen television shows, including *At Home with Amy Sedaris* (2017–2020), *Beef* (2023), *The Carmichael Show* (2015–2017), *Euphoria* (2019–present), *I'm Sorry* (2017–2019), *Irma Vep* (2022), *Mo* (2022–present), *Mr. Corman* (2021), *Ramy* (2019–present), and *Ziwe* (2021–2022).

With a budget of $50 million, the upcoming action thriller *Civil War* (2024), written and directed by Alex Garland, is A24's most expensive in-house production yet. The film is described as "an adrenaline-fueled thrill ride through a near-future fractured America balanced on the razor's edge"; Kirsten Dunst stars in the lead role as a reporter. *Civil War* is scheduled to be released in the United States on April 12, 2024, though was previously scheduled to be released on April 26, 2024.

### Highest-grossing films

*Everything Everywhere All at Once* (2022) is currently A24's highest-grossing film and the first film of the company to cross the $100-million mark worldwide.

## Styles and themes

*Main article: Cinematic styles and themes of A24*
The company produces artistic, psychologically disturbing, and mind-bending horror films often referred to as "elevated horror". Most of these films share a similar approach, including ambiguity, bleak atmosphere, disruptive formulas, outbursts of violence, psychological dilemmas, and realistic character drama; these include *Hereditary* (2018), *It Comes at Night* (2017), *The Killing of a Sacred Deer* (2017), *Men* (2022), *Under the Skin* (2013), and *The Witch* (2015).

File:Ari Aster, 2018 (crop).jpgFile:Robert Eggers - The Witch,Fantastic Fest 2015-1667 (28894993650) (cropped).jpg
Auteur filmmakers Ari Aster—writer-director of *Hereditary* (2018), *Midsommar* (2019), and *Beau Is Afraid* (2023)—and Robert Eggers—writer-director of *The Witch* (2015) and *The Lighthouse* (2019)—are both notable for their contribution to and influence on modern horror, and partial reinvention and redefining of the genre. Their films have dealt with and share a lot of similarities in some way, including folklore or supernatural forces. Even with their strong similarities, there are differences as well; all three of Eggers' films are period pieces while Aster's all take place in modern times. Aster also seems to take conventional horror and put his own modern spin on it to inspire some genuinely uncomfortable fear in viewers while Eggers takes conventional horror and throws it out the window to transport viewers to another world with his dialogue and cinematography. Both have been cited as two of the top horror directors of the 2010s while their films have received widespread critical acclaim and deemed as some of the best horror films of the 2010s.

In 2023, Martin Scorsese described Aster as "one of the most extraordinary new voices in world cinema". Furthermore, in an interview with *The Irish Times* in October 2023, Scorsese revealed that Aster's films helped to inspire the tempo of his own film *Killers of the Flower Moon* (2023), adding that timing is crucial for a film that's three-and-a-half hours long, stating: "I very much like the style and pacing of good horror films like Ari Aster's *Midsommar* or *Beau Is Afraid*. The pacing of those films goes back to the B films of Val Lewton, Jacques Tourneur's *Cat People* or *I Walked with a Zombie*. Just going a little slower, a little quieter." Scorsese again name checked Aster in another interview that same month, this time with Spanish outlet SER, saying: "I think the rhythm of good horror movies, such as those of Ari Aster, *Beau Is Afraid* or *Midsommar*, is here ... It has to do with the fact that they allow me to make the pace calmer."

## Accolades

As of the 95th Academy Awards, A24 has received a total of 49 Academy Award nominations, winning 16 overall.

* In 2016, A24 won Best Actress (Brie Larson for *Room*), Best Documentary Feature Film (*Amy*), and Best Visual Effects (*Ex Machina*).
* In 2017, *Moonlight* won the Academy Award for Best Picture (the first such accolade for the studio), Best Adapted Screenplay (Barry Jenkins and Tarell Alvin McCraney), and Best Supporting Actor (Mahershala Ali).
* In 2021, A24 won the Academy Award for Best Supporting Actress (Yuh-jung Youn for *Minari*); Youn became the first Korean actress to win an Oscar for acting.
* In 2023, A24 experienced its most successful Oscar season when it became the most nominated single studio of that year's ceremony with 18 total nominations between six of their films; *Everything Everywhere All at Once* (11 nominations; the most nominated film that year, including Best Picture), *The Whale* (3 nominations), and *Aftersun*, *Causeway*, *Close* and *Marcel the Shell with Shoes On* (each with 1 nomination). A24 would ultimately become the most awarded studio that year with nine awards in total, as well as sweeping seven of the major awards. *Everything Everywhere All at Once* won seven—Best Picture, Best Director (Daniel Kwan and Daniel Scheinert), Best Actress (Michelle Yeoh), Best Supporting Actor (Ke Huy Quan), Best Supporting Actress (Jamie Lee Curtis), Best Original Screenplay (Daniel Kwan and Daniel Scheinert), and Best Film Editing (Paul Rogers). *The Whale* won two—Best Actor (Brendan Fraser) and Best Makeup and Hairstyling (Adrien Morot, Judy Chin, and Annemarie Bradley).

Additionally, A24 has been nominated and won numerous British Academy Film Awards, Critics' Choice Awards, Golden Globe Awards, Independent Spirit Awards, and Screen Actors Guild Awards.

## Reception

"A24 is a business whose aspirations are unlimited," said one high-level Hollywood executive. "They're not trying to become Focus [Features]. They want to become a big media company."

Filmmaker David Lowery (director of A24's *A Ghost Story* and *The Green Knight*) praised A24, saying: "The great thing about A24 is that they're always up for a challenge. They remain undaunted; they'll take the most difficult, unsaleable aspect of your movie and turn it into its greatest asset." Fellow filmmaker James Ponsoldt (director of A24's *The End of the Tour* and *The Spectacular Now*) also applauded the company, saying: "A24 is remarkable at championing specific cinematic voices because they genuinely adore their films — and that enthusiasm is reflected in the creativity and laser-like precision of their marketing and releases."

Many of the performances in A24 films have received widespread critical acclaim, with many critics and reviewers describing these actor/actress' performances as some of the best of their career. Such performances include: Mahershala Ali's in *Moonlight* (2016), Awkwafina's in *The Farewell* (2019), Toni Collette's in *Hereditary* (2018), Brendan Fraser's in *The Whale* (2022), Mia Goth's in *Pearl* (2022) and *X* (2022), Tom Hardy's in *Locke* (2013), Brie Larson's in *Room* (2015), Robert Pattinson's in *Good Time* (2017) and *The Lighthouse* (2019), Joaquin Phoenix's in *Beau Is Afraid* (2023) and *C'mon C'mon* (2021), Florence Pugh's in *Midsommar* (2019), Saoirse Ronan's in *Lady Bird* (2017), Adam Sandler's in *Uncut Gems* (2019), Anya Taylor-Joy's in *The Witch* (2015), Alicia Vikander's in *Ex Machina* (2014), and Michelle Yeoh's in *Everything Everywhere All at Once* (2022).

## References

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1. ↑ 1.0 1.1 Pride, Ray (August 20, 2012). A24 Open Doors for Film Production, Finance, and Production. Movie City News.
2. ↑ A24. LinkedIn.
3. ↑ 3.0 3.1 3.2 McNary, Dave (August 20, 2012). Katz, Fenkel, Hodges launch A24. *Variety*.
4. ↑ 4.0 4.1 <templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>"The rise and rise of A24, a champion of storytelling on screen". *The Economist*. ISSN 0013-0613. Archived from the original on September 4, 2022. Retrieved September 3, 2022.
5. ↑ 5.0 5.1 5.2 Sperling, Nicole (March 13, 2023). A24 Achieves Art-House Supremacy with Triumphant Oscar Night (en-US). *The New York Times*.
6. ↑ 6.0 6.1 Adalian, Josef (August 25, 2022). The Age of A24 TV is Upon Us. *Vulture*.
7. ↑ McKenna, Eoin (July 15, 2022). Introducing A24's Top Directors. *Don't Die Wondering*.
8. ↑ From Ari Aster to the Daniels: A24's 10 Best Reoccurring Directors. *Collider* (March 16, 2023).
9. ↑ 9.0 9.1 9.2 Flaherty, Taryn (April 6, 2023). How Directors Robert Eggers & Ari Aster Have Influenced Modern Horror. MovieWeb.
10. ↑ Jones, Nate (August 22, 2022). The Cult of A24 (en-US). *Vulture*.
11. ↑ Salem, Merryana (May 25, 2022). How A24 Became the Ultimate Film Cult. Junkee.
12. ↑ Sanders, Sam (August 5, 2022). A24 Knows How to Get People to Watch Its Films (en-US). *Vulture*.
13. ↑ 13.0 13.1 Guerrasio, Jason (March 8, 2023). A24, the studio behind 'Everything Everywhere All at Once', is the 'cool kid' of Hollywood. Insider.
14. ↑ 14.0 14.1 Bradley, Laura (December 18, 2019). This Was the Decade Horror Got "Elevated". *Vanity Fair*.
15. ↑ 15.0 15.1 <templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>Rao, Sonia (August 5, 2019). "How the indie studio behind 'Moonlight', 'Lady Bird' and 'Hereditary' flourished while breaking Hollywood rules". *The Washington Post*. ISSN 0190-8286. Archived from the original on January 26, 2022. Retrieved June 18, 2023.
16. ↑ Lodge, Guy (March 11, 2023). 'A24 finds the zeitgeist and sets the trend': how a small indie producer came to dominate the Oscars (en-GB). *The Guardian*.
17. ↑ 17.0 17.1 Hollywood, Disrupted: Inside the Scrappy Film Company that Made "Moonlight" and "The Witch" (en). *GQ* (May 9, 2017).
18. ↑ 18.0 18.1 Doster, Adam (January 11, 2016). Upstart Distributor A24 is Making Indie Films Exciting Again. *Fast Company*. Mansueto Ventures, LLC.
19. ↑ Kilday, Gregg (October 3, 2012). Nicolette Aizenberg Joins A24 as Head of Publicity. *The Hollywood Reporter*.
20. ↑ Lee, Chris (June 14, 2013). A24: The brains behind 'The Bling Ring' zing. *Los Angeles Times*.
21. ↑ Ehrlich, David (September 30, 2015). The Distributor as Auteur (en-US). *Slate*.
22. ↑ Indelicato, Sophia (August 11, 2022). 10 Movies You Didn't Know Were from A24. *Screen Rant*.
23. ↑ Bolling, Gaius (November 3, 2023). 'The Bling Ring': Why Sofia Coppola's A24 Film Has Aged So Well. MovieWeb.
24. ↑ DirecTV to Help Finance Indie Films. *The Wall Street Journal* (September 29, 2013).
25. ↑ Lewis, Hilary (November 21, 2013). Amazon Prime, A24 Announce Exclusive Multi-Year Streaming Deal. *The Hollywood Reporter*.
26. ↑ Rose, Lacey (May 12, 2015). 'Ex Machina' Studio A24 Launching TV Division with Channing Tatum-Produced Comedy, Asia-Set Action Show (Exclusive). *The Hollywood Reporter*.
27. ↑ Busch, Anita (January 12, 2016). Sasha Lloyd Takes Top International Post at A24. *Deadline Hollywood*.
28. ↑ Lieberman, David (February 23, 2016). A24 Says It Will Boost Film and TV Operations with Raise in Bank Credit Line. *Deadline Hollywood*.
29. ↑ Tartaglione, Nancy (April 5, 2016). A24 to Handle 'Swiss Army Man' Global Release in Company's First World Rights Move; New U.S. Release Date. *Deadline Hollywood*.
30. ↑ McNary, Dave (June 23, 2016). A24, Oscilliscope, Honora Join New BitTorrent Now Program. *Variety*.
31. ↑ Fleming, Mike Jr. (January 31, 2017). A24 Lands Sundance Film 'Menashe'; First Foreign Language Film for 'Moonlight' Distributor. *Deadline Hollywood*.
32. ↑ The @A24 Podcast is here! For the first episode, Greta Gerwig joins @MoonlightMov director Barry Jenkins for a conversation on what it's like to make a movie about the place you grew up — link in bio! #LadyBird. Instagram (February 28, 2018).
33. ↑ All The Way Home with Barry Jenkins & Greta Gerwig. A24 Films (February 28, 2018).
34. ↑ Notes | A24. A24 Films.
35. ↑ The A24 Podcast. Pandora.
36. ↑ The A24 Podcast by A24 on Apple Podcasts. Apple Podcasts.
37. ↑ N'Duka, Amanda (March 26, 2018). A24 Founder John Hodges to Part Ways with the Company. *Deadline Hollywood*.
38. ↑ Lang, Brent (November 15, 2018). Apple Taps A24 to Produce Slate of Films. *Variety*.
39. ↑ Andreeva, Nellie (November 13, 2019). Showtime Networks Inks Output Film Deal with A24. *Deadline Hollywood*.
40. ↑ Donnelly, Matt (July 13, 2021). Indie Film and TV Studio A24 Explored Sale with $3 Billion Asking Price (Exclusive). *Variety*.
41. ↑ Andreeva, Nellie (January 15, 2022). Nick Hall Joins A24 to Oversee Creative for TV. *Deadline Hollywood*.
42. ↑ 42.0 42.1 Keegan, Rebecca (March 14, 2023). How A24 Made Oscars History: "Lovable" Actors, Social Media Savvy and a "Wild West" Season. *The Hollywood Reporter*.
43. ↑ 43.0 43.1 43.2 Fuster, Jeremy (March 12, 2023). Oscars: A24 Becomes First Studio to Win Top 6 Awards in a Single Year. *TheWrap*.
44. ↑ A24 Scores Oscars Sweep, Even as Its Secretive Founders Shun the Spotlight. *Variety* (March 15, 2023).
45. ↑ Rubin, Rebecca (March 1, 2023). A24 Acquires Darren Aronofsky's First Film 'Pi', Sets Imax Re-Release on Pi Day. *Variety*.
46. ↑ Rubin, Rebecca (March 16, 2023). A24 Releasing Remastered Version of Talking Heads Classic Concert Film 'Stop Making Sense'. *Variety*.
47. ↑ D'Alessandro, Anthony (March 16, 2023). A24 Acquires Talking Heads 1984 Concert Film 'Stop Making Sense', Will Restore in 4K for Theatrical Release. *Deadline Hollywood*.
48. ↑ Template:Cite magazine
49. ↑ Barraclough, Leo (May 16, 2023). Leonine, A24 Set Up New Distribution Label in Germany, Austria; 'Wizards!', 'Iron Claw' First Titles to Be Released (Exclusive). *Variety*.
50. ↑ Peter Rice's Next Act After Disney: Producing TV, Films for A24 (Exclusive). *The Hollywood Reporter* (June 1, 2023).
51. ↑ Maddaus, Gene (July 18, 2023). SAG-AFTRA Approves 39 Indie Projects to Shoot During Strike, Including Two A24 Films. *Variety*.
52. ↑ A24 Expands Strategy from Arthouse Gems to More Commercial Films | Exclusive. *TheWrap* (October 11, 2023).
53. ↑ Squires, Bethy (October 11, 2023). A24 Looking to Expand into Action and 'Big IP'. *Vulture*.
54. ↑ Ruimy, Jordan (October 11, 2023). A24 Wants to Expand Strategy from Arthouse Films to "Action and Big IP Projects". *World of Reel*.
55. ↑ Barraclough, Leo (October 30, 2023). A24 Signs Japanese Output Deal with "Happinet Phantom Studios" Ahead of Launch of Alex Garland's 'Civil War' at AFM (Exclusive). *Variety*.
56. ↑ 56.0 56.1 White, Peter (September 28, 2023). 'Hazbin Hotel' Animated Series from A24 & Bento Box Lands at Amazon. *Deadline Hollywood*.
57. ↑ Petski, Denise (December 13, 2023). 'Hazbin Hotel' Trailer: The Princess of Hell is Determined to Rehabilitate Wayward Sinners in Adult Animated Musical Comedy Series. *Deadline Hollywood*.
58. ↑ Herman, Alison (January 18, 2024). A24 Comedy 'Hazbin Hotel' Falters in Jump from YouTube Pilot to Full-Fledged Series: TV Review. *Variety*.
59. ↑ Valentine, Evan (January 18, 2024). 'Hazbin Hotel' is Premiering Early for Free on Amazon. ComicBook.
60. ↑ Milligan, Mercedes (August 8, 2020). A24 Checks in to VivziePop's Hellish 'Hazbin Hotel'. *Animation Magazine*.
61. ↑ Shuman, Sean (June 11, 2023). 'Hazbin Hotel': Can A24 Find Success in the Animation Realm?. MovieWeb.
62. ↑ Andreeva, Nellie (October 15, 2023). 'Hazbin Hotel': Erika Henningsen, Stephanie Beatriz, Alex Brightman & Keith David Lead Voice Cast of Prime Video's Adult Animated Series – NYCC. *Deadline Hollywood*.
63. ↑ Welk, Brian (December 28, 2023). Alex Garland's 'Civil War' Is Not 195 Minutes Long Despite Reports. IndieWire.
64. ↑ Grobar, Matt (January 22, 2022). Alex Garland Reteams with A24 for Action Epic 'Civil War'; Kirsten Dunst, Wagner Moura & More Set to Star. *Deadline Hollywood*.
65. ↑ Civil War. A24 Films.
66. ↑ Grobar, Matt (December 13, 2023). 'Civil War' Trailer & Release Date: America Becomes a Battleground in Alex Garland's A24 Pic Starring Kirsten Dunst, Wagner Moura & Cailee Spaeny. *Deadline Hollywood*.
67. ↑ D'Alessandro, Anthony (January 18, 2024). A24 Shifts Release Date for Alex Garland's 'Civil War' to Earlier in April. *Deadline Hollywood*.
68. ↑ D'Alessandro, Anthony (September 30, 2022). 'Everything Everywhere All at Once' Crosses $70M U.S., $103M Worldwide, Adding to Totals of A24's Highest-Grossing Movie Ever. *Deadline Hollywood*.
69. ↑ 69.0 69.1 Everything Everywhere All at Once (2022). Box Office Mojo.
70. ↑ 70.0 70.1 Uncut Gems (2019). Box Office Mojo.
71. ↑ 71.0 71.1 Lady Bird (2017). Box Office Mojo.
72. ↑ 72.0 72.1 Talk to Me (2022). Box Office Mojo.
73. ↑ 73.0 73.1 Hereditary (2018). Box Office Mojo.
74. ↑ The Iron Claw (2023). Box Office Mojo.
75. ↑ 75.0 75.1 Moonlight (2016). Box Office Mojo.
76. ↑ 76.0 76.1 Midsommar (2019). Box Office Mojo.
77. ↑ 77.0 77.1 Ex Machina (2014). Box Office Mojo.
78. ↑ Priscilla (2023). Box Office Mojo.
79. ↑ The Whale (2022). Box Office Mojo.
80. ↑ The Witch (2015). Box Office Mojo.
81. ↑ Ramella, Brynne (January 15, 2021). How A24 Horror Movies & Arthouse Horror Became Popular in the 2010s. *Screen Rant*.
82. ↑ Tsintziras, Aya (January 25, 2023). Elevated Horror: What Defines the Growing Subgenre. *Game Rant*.
83. ↑ Tilakaratne, Wishka (August 20, 2023). How A24 Has Been a Pioneer in Modern Horror. MovieWeb.
84. ↑ Goyaz, Arthur (November 11, 2022). 10 Recurring Trademarks in A24 Horror Movies. *Screen Rant*.
85. ↑ Ehrlich, David (November 6, 2019). How Ari Aster, Robert Eggers, and Jordan Peele are Using Horror Movies to Fix Hollywood. IndieWire.
86. ↑ Stipidis, Julieann (December 5, 2019). How Ari Aster Embraces Horror Conventions to Create His Own Unique Contributions to the Genre. Bloody Disgusting.
87. ↑ Tobias, Scott (April 22, 2022). Three Films in, Robert Eggers is Already a Singular Director. *The Ringer*.
88. ↑ Embree, J.C. (May 13, 2023). Ari Aster: How He Redefines Horror. *Cultured Vultures*.
89. ↑ Kleinman, Jake (June 8, 2023). How a First-Time Director Redefined the Entire Horror Movie Genre. *Inverse*.
90. ↑ Bachman, Mara (September 8, 2020). Why Folk Horror Movies are More Popular Than Ever in 2020. *Screen Rant*.
91. ↑ Dutta, Debopriyaa (January 15, 2021). How to Know You're Watching an A24 Horror Movie. *Screen Rant*.
92. ↑ Tanenbaum, Ross (October 25, 2021). Best Horror Directors of the 2010s. *Collider*.
93. ↑ Flowers, Maisy (January 5, 2023). Every A24 Horror Movie Ranked from Worst to Best. *Screen Rant*.
94. ↑ Cusson, Katie (April 5, 2023). Best A24 Horror Movies, Ranked. MovieWeb.
95. ↑ Rindner, Jack (May 1, 2023). Martin Scorsese Praises Ari Aster as "One of the Most Extraordinary New Voices in Cinema". *GQ*.
96. ↑ Ruimy, Jordan (October 16, 2023). Martin Scorsese Says "Style and Pacing" on 'Killers of the Flower Moon' Was Inspired by Ari Aster's Films. *World of Reel*.
97. ↑ Bergeson, Samantha (October 16, 2023). Martin Scorsese Says Ari Aster's 'Midsommar' and 'Beau Is Afraid' Inspired 'Killers of the Flower Moon' Pacing. IndieWire.
98. ↑ Taysom, Joe (October 16, 2023). Martin Scorsese reveals how Ari Aster inspired 'Killers of the Flower Moon'. *Far Out*.
99. ↑ 99.0 99.1 Desta, Yohana (February 28, 2017). Is A24, the Indie Upstart with a Fresh Best-Picture Win, the Next Miramax?. *Vanity Fair*.
100. ↑ Melas, Chloe (April 26, 2021). Yuh-jung Youn becomes first Korean to win acting Oscar. CNN.
101. ↑ Vary, Adam B. (January 24, 2023). A24 Tops All Other Single Movie Studios with 18 Oscar Nominations, Taking a Victory Lap 10 Years in the Making. *Variety*.
102. ↑ Pedersen, Erik (March 12, 2023). Oscar Scorecards: Wins by Film & Distributor. *Deadline Hollywood*.
103. ↑ Template:Cite magazine
104. ↑ Sharf, Zack (February 8, 2020). 2020 Spirit Awards Winners List: 'Farewell' Wins Best Film, 'Uncut Gems' Takes Three Prizes. IndieWire.
105. ↑ Woerner, Meredith (February 26, 2023). A24 Sweeps Film Categories at the 2023 SAG Awards as 'Everything Everywhere All at Once' Breaks Record for Most Wins. *Variety*.
106. ↑ Thompson, Anne (June 3, 2023). Peter Rice Didn't Land A24 in New Production Deal — A24 Landed Peter Rice. IndieWire.
107. ↑ The Best Performances in A24 Films, Ranked. MovieWeb (August 22, 2023).
108. ↑ Tisdale, Jerrica (July 22, 2022). Ranking Mahershala Ali's Best Roles So Far. CinemaBlend.
109. ↑ Montgomery, Daniel (July 11, 2019). 'The Farewell' reviews: Awkwafina is 'superb' in a breakthrough dramatic performance with historic Oscar potential. GoldDerby.
110. ↑ Tilakaratne, Wishka (February 25, 2023). Why Toni Collette Deserved an Oscar for Her Performance in 'Hereditary'. MovieWeb.
111. ↑ Sim, Jonathan (December 22, 2022). 'The Whale' Review: Brendan Fraser Gives the Best Performance of the Year. ComingSoon.net.
112. ↑ Johnson, Nicholas (October 8, 2022). Why Pearl and X's Mia Goth is One of the Best Genre Actors Today. MovieWeb.
113. ↑ Stevens, Dana (May 1, 2014). 'Locke' movie review: Tom Hardy is thrilling in this existential road movie. *Slate*.
114. ↑ Bradshaw, Peter (January 15, 2016). 'Room' review – Brie Larson shines in a dark dungeon. *The Guardian*.
115. ↑ Iraniem, Hugo (April 8, 2022). Robert Pattinson's 5 Best Performances (That Aren't Batman). CBR.
116. ↑ Laffly, Tomris (April 10, 2023). 'Beau Is Afraid' Review: Ari Aster's Stunning, Unknowable and Fearless Opus. *TheWrap*.
117. ↑ Bastién, Angelica Jade (November 25, 2021). Joaquin Phoenix Gives a Career-Best Performance in 'C'mon C'mon'. *Vulture*.
118. ↑ Campbell, Christopher (June 19, 2019). 'Midsommar' First Reviews: Florence Pugh Goes Full Toni Collette in Ari Aster's Gory, Surreal, Divisive Second Film. Rotten Tomatoes.
119. ↑ Kohn, Eric (September 1, 2017). Saoirse Ronan Scores Her Greatest Role in Greta Gerwig's Winning Directorial Debut 'Lady Bird' — Review. IndieWire.
120. ↑ Dowd, A.A. (December 11, 2019). Adam Sandler delivers the performance of his career in the audacious stress-machine comedy 'Uncut Gems'. *The A.V. Club*.
121. ↑ Ferrier, Aimee (April 18, 2023). Anya Taylor-Joy's showstopping performance in 'The Witch'. *Far Out*.
122. ↑ Hassenger, Jesse (April 18, 2021). Alicia Vikander deserved her Oscar for 'Ex Machina', not 'The Danish Girl'. *The A.V. Club*.
123. ↑ Ehenulo, Kelechi (October 30, 2022). The Greatest Performance of All Time: Michelle Yeoh in 'Everything Everywhere All at Once'. *Filmhounds Magazine*.

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