Batman Returns

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* Daniel Waters
* Sam Hamm
* Tim Burton
* Denise Di Novi
* Michael Keaton
* Danny DeVito
* Michelle Pfeiffer
* Christopher Walken
* Michael Gough
* Pat Hingle
* Michael Murphy
* Chris Lebenzon
* June 16, 1992 (1992-06-16) (Mann's Chinese Theatre)
* June 19, 1992 (1992-06-19) (United States)
 Running time This template is from Wikipedia

***Batman Returns*** is a 1992 American superhero film, directed and produced by Tim Burton, based on the DC Comics character Batman. It is the second installment of Warner Bros.' initial *Batman* film series, with Michael Keaton reprising the title role of Bruce Wayne/Batman. The film introduces the characters of Max Shreck (Christopher Walken), a corrupt business tycoon who teams up with the Penguin (Danny DeVito) to take over Gotham City, as well as the character of Catwoman (Michelle Pfeiffer).

Burton originally did not want to direct another Batman film. Warner Bros. developed a script with writer Sam Hamm which had the Penguin and Catwoman going after hidden treasure. Burton agreed to return after they granted him more creative control and replaced Hamm with Daniel Waters. Wesley Strick did an uncredited rewrite, removing the characters of Harvey Dent and Robin and rewriting the climax. Annette Bening was originally cast as Catwoman but became pregnant and was replaced with Pfeiffer. Filming for *Batman Returns* started in June 1991 at Warner Bros. Studios in Burbank, California.

*Batman Returns* was released on June 19, 1992. The film was nominated for Academy Awards for Best Visual Effects and Best Makeup, as well as two BAFTA awards. *Batman Returns*'s budget was $80 million and it grossed $266.8 million worldwide, making the film a financial success. The film received generally positive reviews from critics praising the action sequences, the acting, Elfman's score, effects and the film's villains, though the overwhelmingly dark and depressing tone was less well received.

## Plot

On a snowy Christmas night, Tucker and Esther Cobblepot throw their deformed infant child Oswald into Gotham River, fearing he would become a menace to society after attacking their pet cat. His basket floats to an abandoned zoo and is found by a flock of penguins who raise him as one of their own.

33 years later, during the lighting of Gotham City's Christmas tree, a villainous gang of carnival performers stage a riot. While billionaire Bruce Wayne, as Batman, subdues the criminals, corrupt businessman Max Shreck falls through a trapdoor and is brought to the underground lair of Cobblepot himself, who is now the nefarious kingpin known as The Penguin. A former sideshow freak, Cobblepot explains his desire to become a respected citizen of Gotham and blackmails Shreck into helping him.

Meanwhile, Shreck's secretary, Selina Kyle, inadvertently discovers her boss's plan to illegally monopolize Gotham's supply of electricity. To protect his secrets, Shreck pushes her out of his office window. Falling through several canopies, Kyle miraculously survives but lies unconscious in an alley. A group of cats swarm around her and she suddenly regains consciousness. Traumatized, Kyle develops dissociative identity disorder and, after having a mental breakdown and trashing her apartment, she fashions a black vinyl costume and whip, becoming the formidable Catwoman.

Shreck arranges for one of Cobblepot's men to kidnap the Mayor's infant son, allowing Cobblepot to "rescue" him. As a reward, Cobblepot is given access to the Gotham City Archives, where he learns his real name, and that he is the last surviving member of his family. Meanwhile, the Mayor, persuaded by Wayne, refuses to give Shreck a construction permit for his power plant. Cobblepot orders his gang to attack downtown Gotham, ruining the Mayor's reputation and giving Shreck the opportunity to propose Cobblepot as a replacement. Batman confronts Cobblepot, but Catwoman appears while firebombing Shreck's department store, and Cobblepot escapes. After a fight in which Batman knocks her off a building, Catwoman survives by landing in a truck full of kitty litter.

While Kyle enters a romantic relationship with Wayne, as Catwoman, she agrees to help Cobblepot with a plan to ruin Batman's reputation by framing him for the abduction of Gotham's "Ice Princess" beauty queen. While traversing the rooftops to find the Ice Princess, Penguin's goons disassemble the Batmobile and plant a device into the car that will allow Penguin to control it. Distracted by Catwoman, Batman is unable to stop Cobblepot from attacking the Princess using a swarm of captive bats. She falls to her death before Batman tries to save her, making everyone believe that Batman pushed her. When Catwoman rejects Cobblepot's amorous advances, he responds by attacking her with his motorized helicopter umbrella. As the umbrella takes her up into the sky, Catwoman narrowly cheats death again as she falls into a rooftop greenhouse. Fleeing from the police, Batman realizes that Cobblepot is remotely controlling the Batmobile, taking it on a rampage through Gotham. Batman disables the control device, but not before recording the Penguin's mocking insults about how gullible the people of Gotham are.

At a press conference for Cobblepot organized by Shreck, Batman broadcasts the recording, destroying Cobblepot's public image. Enraged, Cobblepot flees to the sewers and orders his gang to kidnap and drown all of the first born sons of Gotham's citizens. At a masquerade ball hosted by Shreck, Wayne and Kyle deduce each other's secret identities. Cobblepot suddenly invades the party, revealing his intention to drown the kidnapped children, including Shreck's son Chip, in sewage water, prompting Shreck to offer himself instead. Batman defeats the kidnappers, prompting Cobblepot to unleash an army of penguin soldiers to destroy Gotham with missiles. Piloting the Batboat through the sewers, Batman redirects the penguins to instead fire on Cobblepot's hideout. Cobblepot attacks Batman in a rage, but ends up falling through the ceiling of his lair and into the toxic water.

Catwoman ambushes Shreck in a vengeful attempt to kill him, but Batman stops her and unmasks himself, as does Catwoman when she rejects Wayne's attempts to reason with her. Shreck then shoots Wayne before shooting Kyle multiple times until he runs out of bullets, leaving her severely injured, but not mortally wounded. Putting a taser to his lips, Kyle kisses Shreck while grabbing hold of an exposed power cable, causing a fiery explosion that kills Shreck. Wayne, who survived, uncovers Shreck's corpse while digging through the rubble in an attempt to find Kyle. Cobblepot, mortally wounded from his fall, then arises and tries one last time to kill Wayne with his umbrella, but fails and succumbs to his injuries. Subsequently, his penguin family carry out a makeshift funeral that culminates with them pushing his corpse into the water.

Afterwards, as Alfred drives Wayne home, Wayne spots a shadow outside resembling Catwoman. He follows it and instead finds a stray black cat deciding to take it home. As he leaves, the Bat-Signal lights up in the night sky as Catwoman watches from afar.

## Cast

* Michael Keaton as Batman/Bruce Wayne
* Danny DeVito as The Penguin/Oswald Cobblepot
* Michelle Pfeiffer as Catwoman/Selina Kyle
* Christopher Walken as Max Shreck
* Michael Gough as Alfred Pennyworth
* Pat Hingle as Commissioner James Gordon
* Michael Murphy as Mayor of Gotham City
* Vincent Schiavelli as The Organ Grinder
* Andrew Bryniarski as Chip Shreck
* Cristi Conaway as The Ice Princess
* Rick Zumwalt as The Tattooed Strongman
* Anna Katarina as The Poodle Lady
* Paul Reubens as Tucker Cobblepot (Penguin's Father)
* Diane Salinger as Esther Cobblepot (Penguin's Mother)

## Production

### Development

After the success of *Batman*, Warner Bros. was hoping for a sequel to start filming in May 1990 at Pinewood Studios. They spent $250,000 storing the sets from the first film. Tim Burton originally did not want to direct another film in the franchise. "I will return if the sequel offers something new and exciting", he said in 1989. "Otherwise it's a most-dumbfounded idea." Burton decided to direct *Edward Scissorhands* for 20th Century Fox. Meanwhile, Sam Hamm from the previous film delivered the first two drafts of the script, while Bob Kane was brought back as a creative consultant. Hamm's script had Penguin and Catwoman going after hidden treasure.

Burton was impressed with Daniel Waters' work on *Heathers*; Burton originally brought Waters aboard on a sequel to *Beetlejuice*. Warner Bros. then granted Burton a large amount of creative control, demoting producers Jon Peters and Peter Guber to executive producers. Dissatisfied with the Hamm script, Burton commissioned a rewrite from Waters. Waters "came up with a social satire that had an evil mogul backing a bid for the Mayor's office by the Penguin", Waters reported. "I wanted to show that the true villains of our world don't necessarily wear costumes." The subplot of Penguin running for Mayor came from the 1960s TV series episodes "Hizzoner the Penguin" and "Dizzoner the Penguin". Waters wrote a total of five drafts.

On the characterization of Catwoman, Waters explained "Sam Hamm went back to the way comic books in general treat women, like fetishy sexual fantasy. I wanted to start off just at the lowest point in society, a very beaten down secretary." Harvey Dent appeared in early drafts of the script, but was deleted. His disfiguring appearance of Two-Face would have appeared in the climax when Catwoman kisses him with a taser to the face, which was replaced with Max Shreck. Waters quoted, "Sam Hamm definitely planned that. I flirted with it, having Harvey start to come back and have one scene of him where he flips a coin and it's the good side of the coin, deciding not to do anything, so you had to wait for the next movie." In early scripts Max Shreck was the "golden boy" of the Cobblepot family, whereas Penguin was the deformed outsider. It turned out that Shreck would be the Penguin's long-lost brother. Max Shreck was also a reference to actor Max Schreck, known for his role as Count Orlok in *Nosferatu*.

### Pre-production

Burton hired Wesley Strick to do an uncredited rewrite. Strick recalled, "When I was hired to write *Batman Returns* (*Batman II* at the time), the big problem of the script was Penguin's lack of a 'master plan'." Warner Bros. presented Strick with warming, or freezing Gotham City, a plot point they would later use in *Batman & Robin*. Strick gained inspiration from a Moses parallel that had Penguin killing the firstborn sons of Gotham. A similar notion was used when the Penguin's parents threw him into a river as a baby. Robin appeared in the script, but was deleted because Waters felt the film had too many characters. Waters called Robin "the most worthless character in the world, especially with [Batman as] the loner of loners." Robin started out as a juvenile gang leader, who becomes an ally to Batman. Robin was later changed to a black teenage garage mechanic. Waters explained, "He's wearing this old-fashioned garage mechanic uniform and it has an 'R' on it. He drives the Batmobile, which I notice they used in the third film!" Marlon Wayans was cast, and signed for a sequel. The actor had attended a wardrobe fitting, but it was decided to save the character for a third installment.

Michael Keaton returned after a significant increase in his salary to $10 million. Annette Bening was cast as Catwoman after Burton saw her performance in *The Grifters*, but she dropped out due to pregnancy. Raquel Welch, Jennifer Jason Leigh, Madonna, Ellen Barkin, Cher, Bridget Fonda, Lorraine Bracco, Jennifer Beals and Susan Sarandon were then in competition for the role. Sean Young, who was originally chosen for Vicki Vale in the previous film, believed the role should have gone to her. Young visited production offices dressed in a homemade Catwoman costume, demanding an audition. Burton was unfamiliar with Michelle Pfeiffer's work, but was convinced to cast her after one meeting. Pfeiffer received a $3 million salary, $2 million more than Bening, and a percentage of the box office. The actress undertook kickboxing lessons for the role. Kathy Long served as Pfeiffer's body double. On Danny DeVito's casting, Waters explained, "I kind of knew that DeVito was going to play The Penguin. We didn't really officially cast it, but for a short nasty little guy, it's a short list. I ended up writing the character for Danny DeVito."

Burgess Meredith (who portrayed Penguin in the 60s TV series Batman) was cast for a little cameo as Tucker Cobblepot, Penguin's father, but illness prevented him from it and that role was taken by Paul Reubens.

### Filming

 File:Batman Returns set.jpg
In early 1991, two of Hollywood's largest sound stages (Stage 16 at Warner Bros. and Stage 12 at Universal Studios) were being prepared for the filming of *Batman Returns*. Filming started in June 1991. Stage 16 held Gotham Plaza, based on Rockefeller Center. Universal's Stage 12 housed Penguin's underground lair. A half-a-million gallon tank filled with water was used. Burton wanted to make sure that the penguins felt comfortable. Eight other locations on the Warner Bros. lot were used; over 50% of their property was occupied by Gotham City sets.

Animal rights groups started protesting the film after finding out that penguins would have rockets strapped on their backs. Richard Hill, the curator of the penguins, explained that Warner Bros. was very helpful in making sure the penguins were comfortable. "On the flight over the plane was refrigerated down to 45 degrees", recalls Hill. "In Hollywood, they were given a refrigerated trailer, their own swimming pool, half-a-ton of ice each day, and they had fresh fish delivered daily straight from the docks. Even though it was 100 degrees outside, the entire set was refrigerated down to 35 degrees." According to the American Humane Association's On-Set Oversight, The six Emperor penguins that act as pallbearers for the Penguin's body at the end of the film, were little people dressed as Emperor penguins.

The streets of Gotham City use the old Brownstone Street and Hennessy Street on the Warners' backlot.

Warner Bros. devoted a large amount of secrecy for *Batman Returns*. The art department was required to keep their office blinds pulled down. Cast and crew had to have photo ID badges with the movie's fake working title *Dictel* to go anywhere near the sets. Kevin Costner was refused a chance to visit the set. An entertainment magazine leaked the first photos of Danny DeVito as the Penguin; in response Warner Bros. employed a private investigator to track down the accomplice. $65 million was spent during the production of *Batman Returns*, while $15 million was used for marketing, coming to a total cost of $80 million. The final shot of Catwoman looking at the Bat-Signal was completed during post-production and was not part of the shooting script. After *Batman Returns* was completed Warner Bros. felt it was best for Catwoman to survive, saving more characterizations in a future installment. Pfeiffer was unavailable and a body double was chosen.

### Design and effects

Bo Welch, Burton's collaborator on *Beetlejuice* and *Edward Scissorhands*, replaced Anton Furst as production designer, since Furst was unable to return for the sequel due to contractual obligations. Welch blended "Fascist architecture with World's fair architecture" for Gotham City. He also studied Russian architecture and German Expressionism. An iron maiden was used for Bruce Wayne's entry into the Batcave. Stan Winston, who worked with Burton on *Edward Scissorhands*, designed Danny DeVito's prosthetic makeup, which took two hours to apply. DeVito had to put a combination of mouthwash and red/green food coloring in his mouth "to create a grotesque texture of some weird ooze."

 File:PfeifferCatwoman.jpg
More than 60 Catsuits were designed in the six-month shoot at $1,000 each. The Batsuit was updated, which was made out of a thinner, slightly more flexible foam rubber material than the suit from *Batman*. DeVito was uncomfortable with his costume, but this made it easy for him to get into character. J. P. Morgan's wardrobe was used for inspiration on Max Shreck's costume design.

The bats were entirely composed of computer-generated imagery since it was decided directing real bats on set would be problematic. The Penguin's "bird army" was a combination of CGI, robotic creatures, men in suits and even real penguins. Robotic penguin puppets were commissioned by Stan Winston. In total 30 African penguins and 12 king penguins were used. A miniature effect was used for the exteriors of the Cobblepot Mansion in the opening scene and for Wayne Manor. The same method was used for the Bat Ski-boat and the exterior shots of the Gotham Zoo.

### Music

Main article: Batman Returns (soundtrack)
Danny Elfman had great enthusiasm for returning because "I didn't have to prove myself from the first film. I remember Jon Peters was very skeptical at first to hire me." Elfman's work schedule was 12 hours a day, 7 days a week. "When completing this movie I realized it was something of a film score and an opera. It was 95 minutes long, twice the amount of the average film score." Burton allowed Elfman to be more artistic with the sequel score, such as the "scraping" on violins for the cat themes. Under the pressure of finishing the score, however, the relationship between the two strained, which — along with further "creative differences" on *The Nightmare Before Christmas* — led Burton to use Howard Shore to score his next film *Ed Wood*. The musician co-orchestrated "Face to Face", which was written and performed by Siouxsie and the Banshees. The song can be heard in one scene during the film and during the end credits.

## Release

### Box office

*Batman Returns* was released in America on June 19, 1992, earning $45.69 million in 2,644 theaters on its opening weekend. This was the highest opening weekend in 1992 and the highest opening weekend of any film up to that point. The film went on to gross $162.83 million in North America, and $104 million in foreign countries, coming to a worldwide total of $266.83 million. *Batman Returns* was the third highest-grossing film in America of 1992, and sixth highest in worldwide totals.

### Critical response

*Batman Returns* was criticized by some for being too dark and violent, but nonetheless received positive reviews. On Rotten Tomatoes the film has an approval rating of 80% based on 71 reviews, with an average rating of 6.7/10. The site's critical consensus reads, "Director Tim Burton's dark, brooding atmosphere, Michael Keaton's work as the tormented hero, and the flawless casting of Danny DeVito as The Penguin and Christopher Walken as, well, Christopher Walken make the sequel better than the first."

Janet Maslin in *The New York Times* thought that "Mr. Burton creates a wicked world of misfits, all of them rendered with the mixture of horror, sympathy and playfulness that has become this director's hallmark." She described Michael Keaton as showing "appropriate earnestness", Danny DeVito as "conveying verve", Christopher Walken as "wonderfully debonair", Michelle Pfeiffer as "captivating... fierce, seductive", Bo Welch's production design as "dazzling", Stefan Czapsky's cinematography as "crisp", and Daniel Waters's screenplay as "sharp."

Peter Travers in *Rolling Stone* wrote: "Burton uses the summer's most explosively entertaining movie to lead us back into the liberating darkness of dreams." He praised the performances: "Pfeiffer gives this feminist avenger a tough core of intelligence and wit; she's a classic dazzler... Michael Keaton's manic-depressive hero remains a remarkably rich creation. And Danny DeVito's mutant Penguin—a balloon-bellied *Richard III* with a kingdom of sewer freaks—is as hilariously warped as Jack Nicholson's Joker and even quicker with the quips."

Desson Howe in *The Washington Post* wrote: "Director Burton not only re-creates his one-of-a-kind atmosphere, he one-ups it, even two-ups it. He's best at evoking the psycho-murky worlds in which his characters reside. The Penguin holds court in a penguin-crowded, *Phantom of the Opera*-like sewer home. Keaton hides in a castlelike mansion, which perfectly mirrors its owner's inner remoteness. Comic strip purists will probably never be happy with a *Batman* movie. But *Returns* comes closer than ever to Bob Kane's dark, original strip, which began in 1939." He described Walken as "engaging", DeVito as "exquisite" and Pfeiffer as "deliciously purry."

Todd McCarthy in *Variety* wrote that "the real accomplishment of the film lies in the amazing physical realization of an imaginative universe. Where Burton's ideas end and those of his collaborators begin is impossible to know, but the result is a seamless, utterly consistent universe full of nasty notions about societal deterioration, greed and other base impulses." He praised the contributions of Stan Winston, Danny Elfman, Bo Welch and cinematographer Stefan Czapsky, and in terms of performances, opined that "the deck is stacked entirely in favor of the villains", calling DeVito "fascinating" and Pfeiffer "very tasty."

Conversely, Roger Ebert of the *Chicago Sun-Times* gave the film two stars out of four, writing: "I give the movie a negative review, and yet I don't think it's a bad movie; it's more misguided, made with great creativity, but denying us what we more or less deserve from a *Batman* story. No matter how hard you try, superheroes and film noir don't go together; the very essence of noir is that there are no more heroes." He compared the Penguin negatively with the Joker of the first film, writing that "the Penguin is a curiously meager and depressing creature; I pitied him, but did not fear him or find him funny. The genius of Danny DeVito is all but swallowed up in the paraphernalia of the role." Jonathan Rosenbaum called DeVito "a pale substitute for Jack Nicholson from the first film" and felt that "there's no suspense in *Batman Returns* whatsoever". Batman comic book writer/artist Matt Wagner was quoted as saying: "I hated how *Batman Returns* made Batman little more than just another costumed creep, little better than the villains he's pursuing. Additionally, Burton is so blatantly not an action director. That aspect of both his films just sucked." Ty Burr in *Entertainment Weekly* gave the film a B-; he wrote that "Burton still hasn't figured out how to tell a coherent story: He's more interested in fashioning pretty beads than in putting them on a string.... Yet for all the wintry weirdness, there's more going on under the surface of this movie than in the original. No wonder some people felt burned by *Batman Returns*: Tim Burton just may have created the first blockbuster art film."

A "parental backlash" criticized *Batman Returns* with violence and sexual references that were inappropriate for children despite being rated PG-13. McDonald's shut down their Happy Meal promotion for the film. Burton responded, "I like *Batman Returns* better than the first one. There was this big backlash that it was too dark, but I found this movie much less dark."

### Accolades

The film is recognized by American Film Institute in these lists:

* 2003: AFI's 100 Years...100 Heroes & Villains:
	+ Catwoman (Selina Kyle) – Nominated Villain
	+ The Penguin (Oswald Cobblepot) – Nominated Villain

It was part of Empire's 500 Greatest Films in 2008 at number 401.

## Legacy

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"After the traumas of *Batman Returns* she has amnesia, and she doesn't really remember why she has all these bullet holes in her body, so she goes to relax in Oasisburg. What Gotham City is to New York, Oasisburg is to Las Vegas-Los Angeles-Palm Springs. [It's a] resort area in the middle of the desert. It's run by superheroes, and the movie has great fun at making fun at the whole male superhero mythos. Then they end up being not very good at all deep down, and she's got to go back to that whole Catwoman thing."
—Daniel Waters on his script for *Catwoman*

*Batman Returns* would be the last film in the Warner Bros. *Batman* film series that featured Burton and Michael Keaton as director and leading actor. With *Batman Forever*, Warner Bros. decided to go in a "lighter" direction to be more mainstream in the process of a family film. Burton had no interest in returning to direct a sequel, but was credited as producer. With Warner Bros. moving on development for *Batman Forever* in June 1993, a *Catwoman* spin-off was announced. Michelle Pfeiffer was to reprise her role, with the character not to appear in *Forever* because of her own spin-off.

Burton became attached as director, while producer Denise Di Novi and writer Daniel Waters also returned. In January 1994, Burton was unsure of his plans to direct *Catwoman* or an adaptation of "The Fall of the House of Usher". On June 6, 1995, Waters turned in his *Catwoman* script to Warner Bros., the same day *Batman Forever* was released. Burton was still being courted to direct. Waters joked, "Turning it in the day *Batman Forever* opened may not have been my best logistical move, in that it's the celebration of the fun-for-the-whole-family Batman. *Catwoman* is definitely not a fun-for-the-whole-family script." In an August 1995 interview, Pfeiffer re-iterated her interest in the spin-off, but explained her priorities would be challenged as a mother and commitments to other projects. The film labored in development hell for years, with Pfeiffer replaced by Ashley Judd. The film ended up becoming the critically panned *Catwoman* (2004), starring Halle Berry.

## References

1. ↑ 1.0 1.1 1.2 Brian D. Johnson (June 22, 1992). "Batman's Return", *Maclean's*. Retrieved August 14, 2008.
2. ↑ "Batman Returns (1992)". Box Office Mojo. Retrieved July 23, 2012.
3. ↑ Alan Jones (November 1989). "Batman in Production", *Cinefantastique*, pp. 75—88. Retrieved August 14, 2008.
4. ↑ 4.0 4.1 4.2 4.3 Tim Burton, Sam Hamm, Denise Di Novi, Daniel Waters, *Shadows of the Bat: The Cinematic Saga of the Dark Knight—The Dark Side of the Knight*, 2005, Warner Home Video
5. ↑ 5.0 5.1 5.2 5.3 5.4 5.5 5.6 5.7 5.8 5.9 Jeffrey Resner (August 1992). "Three Go Mad in Gotham", *Empire*, pp. 39—46. Retrieved August 14, 2008.
6. ↑ 6.0 6.1 6.2 6.3 6.4 6.5 6.6 6.7 Judy Sloane (August 1995). "Daniel Waters on Writing", *Film Review*, pp. 67—69. Retrieved August 14, 2008.
7. ↑ 7.0 7.1 7.2 Hanke, Ken (1999). "Batman on Burton's Terms". *Tim Burton: An Unauthorized Biography of the Filmmaker*. Renaissance Books. pp. 117–122. ISBN 1-58063-162-2.
8. ↑ Daniel Waters, Alex Ross, *Batman Returns: Villains*, 2005, Warner Home Video
9. ↑ 9.0 9.1 Hughes, David (2003). "Batman". *Comic Book Movies*. Virgin Books. pp. 33–46. ISBN 0-7535-0767-6.
10. ↑ Rabin, Nathan (February 25, 1998). "Wayans world". *The A.V. Club*. Retrieved August 14, 2008.
11. ↑ "'Batman 3'". *Entertainment Weekly*. October 1, 1993. Archived from the original on September 21, 2008. Retrieved August 16, 2008. Unknown parameter `|deadurl=` ignored (`|url-status=` suggested) (help)
12. ↑ Broeske, Pat H.; Thompson, Anne (August 9, 1991). "Big-Game Hunting". *Entertainment Weekly*. Retrieved August 14, 2008.
13. ↑ Gerosa, Melina (January 30, 2007). "Odd Woman Out". *Entertainment Weekly*. Retrieved April 17, 2012.
14. ↑ 14.0 14.1 14.2 14.3 14.4 Salisbury, Mark; Tim Burton (2006). "Batman Returns". *Burton on Burton*. Faber and Faber. pp. 102–114. ISBN 0-571-22926-3.
15. ↑ Broeske, Pat H. (June 12, 1992). "Flashes: Kicking, The Habit". *Entertainment Weekly*. Retrieved August 14, 2008.
16. ↑ "Batman Returns". Tcm.com. Retrieved February 22, 2013.
17. ↑ 17.0 17.1 Owain Yolland (August 1992). "Two minutes, Mr Penguin", *Empire*, pp. 89—90. Retrieved August 14, 2008.
18. ↑ "Batman returns filming locations". *Movielocations.com*. Retrieved June 25, 2016.
19. ↑ Daly, Steve (June 19, 1992). "Sets Appeal: Designing *Batman Returns*". *Entertainment Weekly*. Retrieved August 14, 2008.
20. ↑ "When hell burst through the pavement and grew: Anton Furst conjured up Batman's Gotham City. In England he was a creator of dreams. But in Hollywood his dreams ended. Simon Garfield reports". *The Independent*. Retrieved October 1, 2014.
21. ↑ Judy Sloane (August 1995). "Bo Welch Interview", *Film Review*, pp. 66. Retrieved August 14, 2008.
22. ↑ Bo Welch, Tim Burton, *Gotham City Revisited: The Production Design of Batman Returns*, 2005, Warner Home Video
23. ↑ Danny DeVito, Stan Winston, *Making-Up the Penguin*, 2005, Warner Home Video
24. ↑ Tim Fennell (August 1992). "The Catsuit", *Empire*, pp. 47—49. Retrieved August 14, 2008.
25. ↑ Bob Ringwood, Michelle Pfeiffer, *Sleek, Sexy and Sinister: The Costumes of Batman Returns*, 2005, Warner Home Video
26. ↑ Stan Winston, *Assembling the Arctic Army*, 2005, Warner Home Video
27. ↑ Stan Winston, Mike Fink, *Bats, Mattes and Dark Knights: The Visual Effects of Batman Returns*, 2005, Warner Home Video
28. ↑ 28.0 28.1 28.2 Danny Elfman, *Inside the Elfman Studios: The Music of Batman Returns*, 2005, Warner Home Video
29. ↑ Salisbury, Burton, pp.137-144
30. ↑ "Danny Elfman presents his Tim Burton movie scores at Adelaide Festival". *Sydney Morning Herald*. Retrieved October 16, 2014.
31. ↑ 31.0 31.1 "Batman Returns (1992)". *Box Office Mojo*. Retrieved August 14, 2008.
32. ↑ 32.0 32.1 "1992 Yearly Box Office Results". *Box Office Mojo*. Retrieved August 14, 2008.
33. ↑ "1992 Worldwide Grosses". *Box Office Mojo*. Retrieved August 14, 2008.
34. ↑ "Batman Returns". Rotten Tomatoes. Retrieved October 17, 2014.
35. ↑ Janet Maslin (June 19, 1992). "Movie Review—Batman Returns". *The New York Times*. Archived from the original on February 19, 2012. Retrieved November 17, 2009. Unknown parameter `|deadurl=` ignored (`|url-status=` suggested) (help)
36. ↑ Peter Travers (February 7, 2001). "Batman Returns". *Rolling Stone*. Archived from the original on November 4, 2007. Retrieved August 14, 2008. Unknown parameter `|deadurl=` ignored (`|url-status=` suggested) (help)
37. ↑ Howe, Desson (June 19, 1992). "Batman Returns". *The Washington Post*. Retrieved August 14, 2008.
38. ↑ McCarthy, Todd (June 15, 1992). "Batman Returns". *Variety*. Retrieved August 14, 2008.
39. ↑ "Batman". *Roger Ebert*. Archived from the original on August 7, 2008. Retrieved August 14, 2008. Unknown parameter `|deadurl=` ignored (`|url-status=` suggested) (help)
40. ↑ Jonathan Rosenbaum (June 19, 1992). "Batman". *Chicago Reader*. Retrieved August 14, 2008.
41. ↑ Bill "Jett" Ramey (September 30, 2006). "Interview: Matt Wagner". *Batman-on-Film*. Retrieved August 14, 2008.
42. ↑ Burr, Ty (October 23, 1992). "Video Review: Batman Returns". *Entertainment Weekly*. Retrieved April 17, 2012.
43. ↑ Olly Richards (September 1992). "Trouble in Gotham", *Empire*, pp. 21—23. Retrieved August 14, 2008.
44. ↑ 44.0 44.1 "AFI's 100 Years...100 Heroes & Villains Nominees" (PDF). Retrieved August 5, 2016.
45. ↑ "Empire's 500 Greatest Films". *2008*. Retrieved September 10, 2016.
46. ↑ Tim Burton, Michael Keaton, Joel Schumacher, *The Cinematic Saga of the Dark Knight: Reinventing a Hero*, 2005, Warner Home Video
47. ↑ Michael Fleming (June 17, 1993). "Dish". *Variety*. Retrieved August 14, 2008.
48. ↑ Michael Fleming (July 22, 1993). "Another life at WB for *Catwoman* and Burton?". *Variety*. Retrieved August 14, 2008.
49. ↑ Michael Fleming (January 13, 1994). "Seagal on the pulpit may be too much for WB". *Variety*. Retrieved August 14, 2008.
50. ↑ Tim Egan (August 6, 1995). "Michelle Pfeiffer, Sensuous to Sensible". *The New York Times*.
51. ↑ Michael Fleming (April 2, 2001). "WB: Judd purr-fect as *Cat*". *Variety*. Retrieved August 14, 2008.
52. ↑ "Catwoman". *Rotten Tomatoes*. Retrieved August 15, 2008.

## External links

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* Official Warner Bros. page
* Official DC Comics Page
* *Batman Returns* on IMDb
* *Batman Returns* at the TCM Movie Database
* *Batman Returns* at AllMovie
* *Batman Returns* at Box Office Mojo
* *Batman Returns* at Rotten Tomatoes

### Film analysis

* *From Comic To Pfeiffer's Cat* Batman-Online.com's in-depth analysis on Tim Burton's Catwoman's comic origins
* *Possible Comic Influences On Batman Returns* Batman-Online.com's in-depth analysis on possible comic book influences of *Batman Returns'* plotline

Template:Batman in popular media
Template:1989–1997 Batman film series

Template:Tim Burton
Template:Catwoman