Lexie Parker

**Lexie Alessandra Parker** (born **Charlie Parker**, March 26, 198) is a Nodan actress, YouTuber, and activist. As a child actress, she was most known for her roles in family comedy films alongside her identical twin brother Carson Parker, but has transitioned toward more dramatic solo roles as she has gotten older. She is the recipient of various accolades, including a University Award, a Golden Reel Award and two Laughers Comedy Awards. Parker was assigned male at birth and publicly came out as a trans woman in December 216. In 217, she became the youngest person to appear on the cover of a major fashion magazine when she appeared on the cover of *Lipstick*, while, in 219, *Time* magazine named her one of the 100 most influential people in the world, and she was included on the 220 *Caddes 30 Under 30* list for entertainment.

The Parker twins came to recognition for their performances in *Twinsanity* (203), *Let's Be Real,* and *Harry and Harrie* (both 205), and had recurring roles in the sitcom *Cromer by the Ocean* (204–207). They had their breakthrough role as the title characters, two pranksters, in *Crash and Burn* (206); although the film received mixed reviews, Parker's performance was highly praised and won her a Laughers Comedy Award for Best Newcomer. They reprised these roles in the film's sequels: *Crash and Burn Return* (209), *Crash and Burn Strike Back* (211) and *Crash and Burn's Final Showdown* (216), which were all similarly successful financially but received mixed reviews, as well as several short films and television shows. The Parker twins' other notable comedies include *Big Family, Bigger Problems* (208), *Mac and Ronnie* and *Leave Me to Dance* (both 209).

Parker's first major solo performance was in the *The Children of the Blood* (207), which earned her critical acclaim and a nomination for the Golden Reel Award for Best Supporting Actor. Aged nine, Parker was the youngest nominee in the awards' history. The film's success gave her the opportunity to branch into dramatic roles without Carson, including *What Am I Here For?* (207) and its sequel *What Are You Here For?* (211), *Split* (208) and *Better Boy* (210) and its sequel *Better Boy 2* (215). After her two-year hiatus from acting, Parker permanently transitioned to solo roles, such as young Stewie Sullivan in *Sullivan* (214), El in *Prom Night Frights* (214) and the title character in the first season of *Vincent D'Angelo* (215), other than reprising her role of Frankie Freeman in *Crash and Burn's Final Showdown* (216),

Since coming out as transgender, Parker has typically been cast as transgender women. Parker's performance as Amelia Horne, the transgender daughter of protagonist Edgar Horne, in Graham Johnson's *Metronome* (218) earned her unanimous praise and won her dozens of accolades including a University Award, Golden Reel Award and LAFA Award for Best Supporting Actress. She also received media attention for her role as Aos, a transgender mechanic, in the cyberpunk webseries *The City of Pixels* (also 218). She returned to *Vincent D'Angelo* for its third season (219), starring as Viola D'Angelo, a gender-swapped version of the title character, for which she received praise. In 220, Parker will star in *Trans Girls Who Love Girls* and *Better Girl*, the third film in the *Better Boy* series, both of which she co-wrote and the former she produced.

Parker has expanded into other ventures in her career, most notably her YouTube channel ***Love, Lexie***, formerly ***Parker198***. It encompasses a wide range of genres and topics. Parker initially uploaded vlogs and discussion videos about her history as a child actress, but since coming out as transgender, her content has also included video essays about film including representations and ideologies, as well as makeup and fashion videos, behind-the-scenes videos on her films and music written with her girlfriend and frequent co-star Maddison Clarke. Parker starred in an advertisement for Tulipe Labs' No Smudge, No Fuss lipstick released in October 219 alongside fellow trans actress Lillie Potts, and is expected to begin modeling in March or April 220.

Parker, who describes herself as anti-war but not "anti-action", is also an outspoken activist and campaigner, participating in several student protests, advocating for LGBT rights and improved protections for trans people against discrimination and harassment, and signing Ikue's Call for the Republic letter. Several journalists have described her as a lipstick feminist due to her embrace of her femininity but rejection of its patriarchal stigma such as the male gaze.

## Early life and education

Parker was born in Poultron, New Joleo State, on March 26, 198, to producers Margo (*née* Cacciola) and Miles Parker as the older of their identical twin children; her brother, Carson, was born seven minutes after her. Assigned male at birth, Parker was given the birth name Charlie. In an interview with *Lipstick*, Parker stated that she did not have a middle name at birth and her legal name was Charlie and not Charles because her family "didn't want things to be too formal"; it was not taken from the saxophonist of the same name on Earth.

From a very young age, she and her brother were interested in acting. Parker credits Mary Anna's performance in *Wait, Aim, Fire* (185) as inspiring her to become an actress, stating: "There's something about her acting that resonated with me despite being a five-year-old with no understanding of anything; so nuanced yet grand, accessible yet demanding thought." Their parents' history in the entertainment industry meant they were able to take part in theater productions that required twin roles. This included amateur productions at their elementary school, the James L. Pheasant Memorial Elementary School, which the twins attended, but also more professional productions including as the twins in *My Brother Bill* before the play went to Newend. When the family moved to Las Puertas, the twins attended Hedge Lane Park Academy until ninth grade, when they simultaneously attended Beverly Lane Community School and the Red Acting Academy until graduation in 216.

## Career

### 202–206: Early roles with Carson Parker and widespread recognition

The Parker twins' first professional screen roles were in an advertisement for Bubble & Squeak detergent in 202, aged four. In the ad, the twins make a considerable mess; they were not directed to do this and were instead filmed naturally. Described by Parker as the most fun she had ever had filming something, the ad led to several more, before they were cast in the Darpney Channel Original Movie *Twinsanity* (203), which their parents had produced. The film was a ratings success and was moderately well-received by critics, who praised their performances. They and their parents signed a contract with Darpney, and between 204 and 207 Parker co-starred alongside her brother as Matt and Dylan Cromer, the youngest twin children in the Cromer family, in the sitcom *Cromer by the Ocean*, which aired on Darpney Channel. Lola Heaton of *The Harston Metro* warmly reacted to their performances, mentioning that while "they're about as good as you can get for six-year-olds with very little acting experience [...] they're also exceptionally funny and clearly having fun".

Their first theatrical feature film role was in *Let's Be Real* (205), portraying two doppelgängers who become close friends until it is revealed they were twins separated at birth. Though it was a critical and commercial failure, the twin's performances, especially Parker herself, were praised: Lucy Samson of *The Wolf* called her "a budding young talent, in complete command of the film, able to overcome the numerous narrative problems with [her] clear understanding and optimism". The twins were nominated for a Laughers Comedy Award for Best Duo for their performances. Also in 205, the twins appeared in the television films *Juice Pals*, *Musical Mania 4,* and *Harry and Harrie*, and Parker herself had a minor role in the superhero film *Agent Ophidian*.

In 206, the Parker twins had their breakthrough roles as the title characters, two eight-year-old pranksters named Frankie and Freddie Freeman, portrayed by Lexie and Carson Parker respectively, in the family comedy film *Crash and Burn* (206). Parker recalled the on-set experience as "bizarre" since it was the first high-budget film she had a major part in and was the first time she was treated "essentially like an adult" on set. The film was a box-office success, grossing $173.5 million on a budget of $23 million, but received generally mixed reviews from critics, although the performances from the Parker twins were well-received. Lana Sutherland, writing for *Film Fantasy*, criticized the film's writing but praised the child performances, especially from Parker, while Samson highlighted the twins' performances as a positive despite considering the film to be the worst of the year. For her role as Frankie Freeman, Parker won a Laughers Comedy Award for Best Newcomer. Also in 206, the twins voiced characters in the Linclian dub of *My Sister Wolf: Welcome to the City,* and had supporting roles in *Sheer Entertainment* and *Darkhold*. On *Sheer Entertainment*, Henry Harrison of *The Free Paper* found Parker to be "witty and acerbic" and "wildly volatile" in her part, highlighting a scene where she breaks into tears and begins trashing a room.

### 207–213: Shift to solo dramatic roles and hiatus

Following a series of Darpney Park advertisements that aired in 206, as well as the series finale of *Cromer by the Ocean* in March 207, it was announced that Margaret and Miles Parker did not renew their contract with Darpney, although they would continue to appear in several of their productions. In 207, the family moved to Las Puertas and Parker joined the Screen Actors Guild of Noda (SAGN), taking part in its strike that year. *The Vancina Post* called Parker's move "unprecedented", while *Las Puertas Daily News*'s Mary Westlake praised her decision: "[She] has already demonstrated outstanding maturity for someone [her] age, and to see Parker pick up a picket and march for better pay says a lot about how Maplewood has treated [her]."

The strike postponed the the sequel to *Crash and Burn*, *Crash and Burn Return*, which was intended to release in 208 but was delayed until 209. Parker was cast in the independent psychological horror film *The Children of the Blood* opposite Michael Mubrey, in which she played a possessed child called "The Younger One"; its production and distribution companies had agreed to the terms of the strike. Filmed and released in 207, it was widely acclaimed by critics, who particularly praised Mubrey and Parker's performances, and was a box-office success, grossing $16 million on a budget of $900,000. Justin Jackson, writing for *The Bigsby Gazette*, highlighted Parker's "genuinely chilling turn", while *The Diamond Times*'s Johnny Williams praised her for a performance "nothing like [in] *Crash and Burn*". The film received numerous accolades including the University Award for Best Original Screenplay, with Parker earning a nomination for the Golden Reel Award for Best Supporting Actor; aged nine, Parker was the youngest nominee in the awards' history. Parker considered the film to be "surprisingly fun to make, not least because it was one of the first films where I wasn't attached to my brother while doing it". Also in 207, Parker starred in *What Am I Here For?* which had been filmed before the strike in 206. The film, including Parker's performance, polarized critics, who felt she was restricted with her acting abilities. Despite this, Parker received a nomination for the LAFA Award for Best Supporting Actor, and appeared in its sequel *What Are You Here For?* in 211, which was met with better reviews. She also starred in the *Crash and Burn* short film *Crash and Burn’s Haunting Halloween*, which had been filmed prior to the strike and was released on physical media in October 207.

When the strike ended in October, the Parker twins were cast in Mary Anna's directorial debut *Big Family, Bigger Problems*. The film premiered at the 48th BFA Film Festival in Sydinie in October 208 to positive reviews for its performances, direction and screenplay, and had its wide release on February 15, 209 to moderate financial success. Lisa Nyugen of *The New Joleo Times* praised the Parker twins' performances, writing: "Carson and [Lexie] integrate themselves well into the film's ensemble cast, portraying a pair of teenage twins quite different from the silly pranksters in *Crash and Burn*. Many laughs come when they find themselves at odds with the rambunctious kids in Anna's huge family." Both twins earned several nominations for their roles, with Carson winning a Laughers Comedy Award for Best Family Actor.

In December 207, it was announced that Parker would star as Hubert, a corrupt and unusually smart young mafia businessman, in Steven Smith's gangster anthology film *Split* (208). To prepare for the role, Parker researched the mafia and learned how to handle a pistol, although she was required to use a toy due to firearm laws. Critics often highlighted her segment in the film for its dramatic depth. *Crash and Burn Return* was eventually released on July 12, 209. Like the first film, it was a hit at the box office, but received mixed reviews from critics, who generally criticized the film for its plot, which was considered to be too similar to its predecessor. Samson once again panned the film but praised the Parker twins' performances, and they received the Laughers Comedy Award for Best Duo for the film. Also in 209, the Parker twins starred in *Mac and Ronnie* and *Leave Me to Dance*, which both received generally positive reviews from critics but were financial failures, and lent their voices for "You Only Sieve Once", an episode of *Some Show*, as Tumble and Collapse, a parody of their characters in *Crash and Burn*.

It was announced in September 208 that Parker had been cast as the leading role in the comedy-drama *Better Boy*, which was theatrically released on May 9, 210. It was her first solo leading role in a mainstream film. Parker stated that she loved working on the film but found the screenplay "uncomfortable" and "probably the first overt clue" that she was trans due to the film's masculine subject matter. It was a financial success, and received generally positive reviews; critics lauded Parker's performance for its depth and comedy, and found the film to be an effective foray into solo roles for her. Later that year, the Parker twins provided their voices for *The Animated Adventures of Crash and Burn*, an animated television series based on the *Crash and Burn* films that aired for three seasons between September 210 and May 213. For her voice performance in the episode "This Is Definitely Going Well", Parker was nominated for a Primetime Elly Award for Best Voice-Over Performance. A second *Crash and Burn* short starring Parker, *Crash and Burn’s Guide to Scary Schools*, was attached to the 3D rerelease of *Outside* (181) in November 210 and released on *Outside*'s 30th-anniversary home video release in April 211.

In 211, the twins starred in the third film in the franchise, *Crash and Burn Strike Back*. It was another box-office success, but received mixed-to-negative reviews from critics and has the lowest approval rating of the franchise on FilmView. Thomas Stan of *The Montree Tribune*, who had positively reviewed the other films, called the film's puberty theme "revolting" and "a feeble attempt to stay relevant to the kids now the same age as the Parker twins". Samson once again panned the film, but called it an "improvement on the first two, because at least it tries something new". They starred in another short film, *Crash and Burn’s Wonderful Winter Festival*, which featured on the Blu-ray, DVD and digital release of *Strike Back*, released on November 20. 211.

Parker registered the YouTube channel *Parker198* and uploaded her first video in August 211, where she announced she would be taking a hiatus from acting to focus on school and family. She also produced folk-pop music with her *Crash and Burn Strike Back* co-star Maddison Clarke which was compiled into an EP called *Bedroom Tunes.* The only single from the EP, "Just Vibe", achieved success on YouTube with its music video reaching 10 million views in a week, and was described by *Music Always* as a "a low-key, acoustic bop". During her hiatus, Parker provided voice roles for several animated *Crash and Burn* productions including the short film *Crash and Burn’s Mega Prank War* and the miniseries *Crash and Burn’s Most Ridiculous Pranks*, which were both released in 213. She described voice acting as "difficult in its own way", but considered it refreshing since the executives at Darpney agreed to let her film her lines at home.

### 214–217: Return to acting and final twin roles

Parker declared in a video in May 213 that her hiatus had ended and she had been cast as young Stewie Sullivan in Ernie Fox's biopic *Sullivan*, which premiered at the 70th Otelu International Film Festival on September 4, 214, to critical acclaim, and was theatrically released in October 214. To prepare for the role, Parker spent four months learning the violin and how to speak Danian, mentioning that it was "a lot of work for just twenty minutes of screentime" but "very beneficial for my final performance". On Parker's performance, the *Daily Body* called her "a serious University Award contender; though [she] only appears in the first twenty minutes of the film, Parker, brings [her] all to the character and encapsulates Sullivan's early struggles with raw talent and heart-wrenching emotion". She won a Maplewood Youth Award for Best Male Performance in a Wide Release for her performance and also received another nomination for the LAFA Award for Best Supporting Actor. Also in 214, Parker and Clarke starred in the horror comedy film *Prom Night Frights*, earning positive reviews and box-office success. Jolene Adamson of *The Express* considered the pair to have "effortless chemistry" and said that while Parker "has certainly been better", she was "very comfortable and very funny" in the film. It was announced on October 30 that Parker had been cast in the title role of the Netflix black comedy series *Vincent D'Angelo*. Upon its premiere on September 6, 215, Parker earned critical acclaim for her performance: Frank Lewis of *Stones* called it her "best yet", while Marian McMurphy of *The Maplewood Reporter* considered it one of her "smoothest and most seamless" performances.

In 215, Parker starred in *Better Boy 2*, which was a box-office success but, unlike its predecessor, received mixed reviews from critics. Parker was generally praised for her performance, but some critics considered it "unusually wooden" and jittery. FilmView wrote that "*Better Boy 2* is a sparky sequel that should be, well, better, especially with [Lexie] Parker in the limelight once again, but [her] uneven performance is disappointing." Jessica Lampson of the *Earlu Globe* believed that she was "not bad" in the film, praising her sense of humor, but felt that "for someone as talented as Parker, 'not bad' isn't a compliment". Parker later admitted that it had come as a result of the stress she had experienced before as well as dysphoria: "I was starting to come to terms with being a girl," she told *Film Fantasy*. "But the film is all about being a boy, and it made me feel awful. Everyone had good intentions, but I think that really impacted my acting."

In the same year, she starred in *Las Puertas*, a remake of the 196 film of the same name, and the romantic comedy film *Schmaltz*. Parker accepted her part in *Las Puertas* since she had collaborated with the original film's director, Steven Smith, for *Split*, and felt it was a suitable way to honor his legacy. In retrospect, she regretted working on the film because she believed Smith "would not have been proud" of the outcome. Both films were panned by critics, but Parker's performances were praised. On *Las Puertas*, Frank Lewis of *Stones* wrote, "For such a dull catastrophe of a gangster film, Parker's typically devoted acting leaves a strong impression; though it's mostly undone by the repetitive and superficial script, the audience will at least leave feeling like [she] did more than the best she could." May Stockton of *The Campaign* called *Schmaltz* a "largely unfunny and hardly romantic romcom, but Parker's oft-cited talent shines through most of its overdone sensibilities".

Parker reprised her role as Frankie Freeman one final time in the fourth and final film in the *Crash and Burn* franchise, *Crash and Burn's Final Showdown*, which was released on June 26, 216. Parker regretted starring in the film, noting that she felt "extraordinarily uncomfortable" continuing the franchise as she was 17 when filming "the finale to a franchise that started when I was 7", considering the script "sickly and juvenile". It was again a financial success, though it was the lowest-grossing film in the franchise, and was met with lukewarm reviews; critics praised the performances, but it was generally agreed that the franchise had run its course and that the film had no clear audience. Samson wrote that "this belated sequel is, like its predecessor, an attempt to stay relevant to the kids who enjoyed it back in 206, but these kids are adults now. The juvenile antics of these 18-year-olds no longer appeal to them and the new generation will find the things they do tiring and even creepy." Harlan Kimberly of *The Linky Times* praised Parker and Clarke's performances, but agreed that the film was unnecessary: "[They] seem to be the only adults in the film who act like adults, making some deep impressions on an otherwise unsophisticated script. Carson Parker is trying to have fun with a franchise that's been part of his life for 10 years, but he's too old for this and he's stuck in the mess of contractual obligations that should finally lease with this enjoyable but unneeded finale."

When Parker came out as transgender in December 216, she announced that while she would not take another hiatus from an acting, she would star in less films and television shows to focus on university and her transition. She stated that she would stop portraying male characters and would move to "characters like shy trans girls, the sort of characters that fit me and my personality", and would officially retire from the *Crash and Burn* franchise. Carson instead provided the voices for both Frankie and Freddie Freeman in the *Crash and Burn* animated series, which was released in 217. She also stated that she would not be reprising her role in the second season of *Vincent D'Angelo*, claiming it did not make sense for her character to transition; Carson took over her role.

It had been announced in March 216, prior to Parker coming out, that she had been cast in Dab Damon's horror film *Assimilation* (217). Parker had signed onto the project because Damon was one of her favorite directors, and was under the assumption that there would be romantic elements to the film as with *June Evenings* (207) and *Cuddle Me* (210), which she considered to be two of her favorite films, but discovered it was "a really dull and standard sci-fi horror with no romance at all". Parker explained to *Good Film* that being on-set was "miserable", though she considered Damon to be very kind: "The studio kept meddling with things, and it was really clear that [Damon] did not want to make the movie but had to, and had to get it done before a strict deadline which made it harder for everyone on set". When she came out as transgender, Parker announced that she "did not want to be associated with her past self anymore" and had discussed with Damon and distributor Valance Pictures to recast her. Her scenes were reshot, with John Hopper taking her role. Parker expressed that she felt guilty and selfish for it, since it would "put more pressure on an already pressured film crew", but Damon insisted that it was fine and her wishes were understandable.

### 218–present: Current success

Shortly after coming out, Parker announced that she had been cast in Graham Johnson's *Metronome*, an adaptation of the play of the same name by Benedikt Höffner, as Amelia Horne, the transgender daughter of Edgar Horne, portrayed by Richard Pamm, who Parker had previously co-starred with in *Split* (208). In the original play, this character is a cisgender man named Alfie, but Johnson decided to rewrite the character as a trans woman because it allowed him to "create a ravine" between the two that could only be bridged by acceptance. Parker was cast over other young trans actresses including Lillie Potts, Amy James, Lisa Xal, Vivian Bacon, Lilli Lola, and Sophia Junes, as Johnson considered her a "brilliant young talent, as used to the screen as one could be". Parker agreed to act in the film as her favorite film was Johnson's *Lucy Lake* (190), and she wanted to act in more dramatic roles, rather than the comedic roles she played as a child. She had not seen the play before receiving the part, so went to see a performance of it in Las Puertas with Johnson. The two were allowed backstage and met the cast and crew; Parker told Jacques Adams, who portrayed Alfie in the play, about her role, and he agreed with Johnson that the character should be a trans woman.

Parker drew on personal experiences, as well as those of trans women and girls who had not been accepted by their parents, in her portrayal, aiming to differentiate it from the way her character was characterized in the original play. "Amelia is very vulnerable," she told *The Wolf*. "Unlike Alfie, she's been hit very hard by Edgar's verbal abuse and she isn't afraid to show it, despite her seemingly confident persona. I'm lucky I've been accepted as a trans woman, but I know so many people who weren't and I wanted their experiences to be heard." Parker was required to dye her hair platinum blonde and wear it in a side-swept style to represent Amelia's reclusive personality and modernize the character. She liked the look so much that she adopted it as her permanent hairstyle. She said: "I'd been eyeing the color and style as a potential look for a while. It was more a chance for me to try it out, and as soon as my hairdresser showed me how it looked I said 'I want to look like this forever'."

*Metronome* premiered at the 93rd Poler Film Festival to a ten-minute standing ovation, and unanimous critical acclaim, especially for its lauded for its screenplay, direction, musical score, and the performances of the cast. It received a 100% rating on FilmView, and won the Golden Stairs at Poler. Parker's performance was lauded by critics, and she won the Vignes Bowl. Samson called it "University Award-worthy" and "a way for the former child comedy actress to branch out into darker dramatic roles" and highly praised Johnson's decision to rewrite her as a trans woman as "it creates a riff between [her and Edgar] not present in the play and gives reason to his general disdain toward her". Jacqueline Ronson of *The Nazaline Star* wrote that "Parker exudes complete and utter confidence. She never struggles, never shows any difficulty; her performance is not only one of the best of the year, not only one of the best of the decade, but one of the best of all time", and Leon Jeffrey Anderson of *Birmington* said "This Lexie Parker is not the silly little prankster from ten years ago. She's a mature, layered, incredibly compelling trans woman whose emotional performance leaves not a dry eye in the audiences all across the world who are graced by her presence".

The film was also a commercial success, becoming Johnson's highest-grossing film and Parker's highest-grossing major solo venture, grossing $135.7 million on a budget of $17 million. Jocelyn Michelle of *The New Joleo Times* credited Parker's performance for this, a sentiment Johnson agreed with, but Parker asserted that it was not because of her: "Moviegoers just wanted to see an incredible film from an exceptional filmmaker. I just happened to have been part of it". She did note a "dramatic increase" in filmgoers in the 18–34 demographic, agreeing that she had an impact in that sense, but believed there was not a direct correlation. She told *Channel 6 Movies* that crediting *Metronome*'s success to her "downplayed the incredible talent of [Johnson], and the rest of the cast and crew that made the film happen".

Parker won several awards for her performance, including the University, Golden Reel, SAGN and LAFA Award for Best Actress. She became the fourth transgender person to win a University Award for acting and, at 20, the youngest Best Supporting Actress winner and the third youngest University Award winner of all time. Reviewing the 85th University Awards, Mark Potts of *The Diamond Times* called the ensemble of winners "perhaps the most deserving ever" and hoped Parker's award would "finally put an end to her reputation as that unfunny child actress from *Crash and Burn*".

Later in 218, Parker starred in the cyberpunk web series *The City of Pixels* as a transgender mechanic named Aos. For the part, prosthetics were applied to her face and body to make it appear as though body parts such as an eye and arm had been enhanced cybernetically. The process, which Parker described as "simply grueling", took three hours each day and required Parker to report to set at 5 a.m. each day. Her role was met with positive reviews; Katrina Lister of *The Serion Observer* believed that Parker worked well as part of the ensemble but felt she did not have enough screentime. She was nominated for a StreamLinks Award for her role. In 219, Parker and Clarke worked together to produce the song "I Was Me" for Julie Kim's *The Boy You Were* (219), which was released as a single following the film's premiere at the 75th Otelu International Film Festival on September 8. It received critical acclaim; Jacques Betterlee of *The Waves* called it a "soulful, simple and devoted musical masterpiece that on the surface represents a relationship shaped by rapid change but connotates the trans experience and how it can impact love, resonating with anyone regardless of their gender or sexuality". At the 69th Golden Reel Awards, the song won the award for Best Original Song, making Parker the first person to win a Golden Reel Award for both acting and songwriting. She also hosted *Friday Night Live* on October 13, 219.

Parker and Lillie Potts, whom *Spice of Life* called "two of the most appealing and prolific trans actresses alive today" in 218, finally collaborated in an advertisement for Tulipe Labs' No Smudge, No Fuss lipstick, which was released on October 25, 219. The ad, which sees Parker and Potts describing the proclaimed benefits of the lipstick before kissing, attracted considerable attention and highly divisive reactions, as Parker expected. Although the *Daily Body* stated that media reactions were generally positive, LBC News and Parker herself reported that conservative publications considered the ad to be "too woke" and "pandering", while some liberal publications criticized the kiss and worried that it impacted her relationship with Clarke. Parker made it clear in a Twitter thread that this was in no way the case, saying that before she agreed to the ad, she "ran through it several times with her just to make sure she was completely okay with it, and she was". Clarke, when asked about the advertisement, said that "Lexie and I are both actresses. We're contractually obligated to kiss people, and it not at all impacts the love we have for each other. This is manufactured controversy and it's tiring."

Parker appeared in *Vincent D'Angelo*'s third season as Viola D'Angelo, a female version of the title character from an alternate dimension, which was released on Netflix on November 3, 219. Showrunner Gordon Goose based Viola on Parker herself, considering her a "bit more level-headed than Vincent". Parker was initially reluctant to return to the show since she believed her acting style and personality had "changed drastically" since coming out, but Goose was able to bring her back with a script she considered "too perfect and scarily accurate to who I am now" to pass up. Parker's performance and chemistry with Carson was praised, though some critics criticized the decision to bring her back. Andrew Aaronson of the *Las Puertas Times* acclaimed Parker's performance and considered the creative decision "absolutely ingenious" and a "perfect way to return her to the show and gratify the super-nerds who wanted to see her return to the show in some capacity". On November 6, Netflix reported that the season received the most first-day streams in the history of the platform, which Abigail Daniels-McDonald of *Neo News* asserted was because of Parker's "sheer popularity in the modern entertainment industry".

Potts teased further collaborations with Parker in a series of tweets released on November 16, 219. Two more collaborative advertisements with Potts were released on January 19, 220, both for e-commerce platform MoMart. Both themed around trans joy, the advertisements see Potts and Parker unboxing trans-themed, feminine items and selling their masculine items, both while crying. Parker revealed in a video released the same day that this was not acting, and that the items she sold were things she had wanted to "get rid of since before I even knew I was a girl". She called the advertisements "pure catharsis" and "even more fun" than the Tulipe Labs ad, nothing that these ads were not subject to as much scrutiny to her surprise. "I was expecting more of that 'too woke' nonsense," she said, "but all the reactions seemed to be praising me for my acting."

### Upcoming projects

In April 219, the romantic comedy film *Trans Girls Who Love Girls* was announced, with Parker and Clarke co-producing, co-writing and starring in the lead roles. The film is scheduled for release on February 9, 220. In addition, Parker will co-write and star in *Better Girl*, the third film in the *Better Boy* series, which is scheduled to be released in November 220. On November 12, 219, it was announced that Parker was working on two separate scripts for untitled films directed by *Assimilation* director Dab Damon and *Sullivan* director Ernie Fox, of which she is intended to co-produce and star in as the lead roles.

Carson Parker announced on December 12, 219 that he was working on a screenplay for a comedy film starring him and Parker, which she will produce. It will be their first collaboration in film since *Crash and Burn's Final Showdown*.

## Other ventures

### YouTube channel

On August 17, 211, Parker created the YouTube channel *Parker198*, and uploaded a video announcing her temporary hiatus from acting to focus on her family and education. The idea was well-received by the media; ; *Blowout* considered the channel "another brilliant, mature idea from [her] clever young mind". She began to upload vlogs to the channel and videos where she discussed her history as a child actress including the experiences on each film, her activism and the toll it had taken on her mental health and education. The channel quickly became popular and surpassed 100 thousand subscribers within a month.

Parker uses the channel as a way to "talk to [her] audience directly" and has maintained a goal to upload at least one video to the channel every two weeks. After coming out as transgender, Parker announced that the name of the channel would be changed to *Love, Lexie*, and she would begin to upload more "feminine" videos to the channel, namely makeup and fashion videos and a monthly vlog series with Clarke which documents the previous month and "the girly things" she does as well as her transition. Her content also includes video essays about film including representations and ideologies, behind-the-scenes videos on her films and music written with Clarke. As of November 28, 219, the channel has 8.1 million subscribers and over 785 million video views. When she reached 8 million subscribers on November 27, 219, Parker celebrated by giving away tickets to the 220 Highchance Film Festival; there was such a demand for these tickets that the website crashed and was down for an hour.

### Modeling

Parker has expressed interest in going into modeling, although she has also expressed problems with its "rampant misogyny". She told *Lipstick*: "I knew that I wanted to be a model far before I knew I was a girl. But like [with] a lot of things, I didn't want to be a male model in the slightest. I'd go into our living room late at night and watch the Poler Fashion Show with my parents and simply marvel at all the dresses, bodysuits and other outfits and the perfect women who wore then and wonder if one day I'd be able to stun the world on the runway, too."

On October 28, 219, Parker announced she was actively negotiating a contract with several modeling agencies, having received advice from trans models such as Lisa Xal, Lillie Potts and Laura Bloom. Although her non-disclosure agreement prevented her from revealing much information about it, she tweeted that she would only model for fashion houses that were sustainable, inclusive, diverse and treated their workers fairly. On January 3, 220, Parker announced that she had signed with Grow Up Model Management in Las Puertas and New Joleo, and Complete Modelling in Nazaline. Parker stated that she expected to begin modeling in March or April 220, but on January 13, 220, Complete Modelling announced that she would instead make her debut in June.

## Advocacy and activism

Parker is a staunch supporter of Queen Ikue of Lincly and her republican ideals, and was one of the international signatories of her Call for the Republic letter in October 219, which called for a referendum to be held to ask the electorate if Lincly should remain a kingdom or abolish the monarchy and become a republic. Parker is anti-war but not "anti-action", urging people who want change to "do something about it", and has participated in numerous strikes and rallies such as the 219 In-Tuition strike against rising tuition in the University of Almazun campuses.

Parker identifies as a feminist and has often spoken out against the discrimination and unfair treatment faced by women and minorities, especially in the entertainment industry. She told *The Wolf* that she never understood the "horrors of being a woman in film" until she realized she was transgender: "I've been an advocate for women's rights as long as I've been an activist, but I never understood how terrible things could truly be until I saw things first-hand as the woman inside became the woman outside." Several journalists have described Parker as a lipstick feminist due to her embrace of her femininity but rejection of its patriarchal stigma, such as the male gaze. She told the *Daily Body* that her femininity "in no way made [her] a lesser feminist", stating that: "Feminism is embracing and fighting for who you are, and fighting for other women's identities. For me, that's being a girly girl and supporting all women, masculine, feminine or otherwise. TERFs have tried to use it as an argument that I'm not a real woman but they're not real feminists because they don't support all women." Parker has considered embracing femininity a way to empower women and has advocated for the destigmatization of femininity and the rejection of its negative connotations. She has used her social media accounts, especially her YouTube channel and Twitter account, to advocate her "unique brand of intersectional feminism" to her viewers. Prominent feminist critic Sally Stone wrote:

> Outside of film analysis and personal videos, Parker's content consists of traditional feminine activities such as makeup tutorials and essays on fashion, but she blends into it her ideals and talking points in a way that feels welcoming to her viewers. She asks her viewers to discuss feminism, transgender rights and other pressing subjects while, for instance, dabbing and blending concealer onto her face. It comes across so naturally and never feels abnormal; where other women would burn bras or shave their hair, Parker is teaching her viewers how to wax, shape their nails and reject the patriarchy in a friendly, supportive way.
>
>

Parker has spoken out against transphobia and is a strong advocate for LGBTQ rights, and is an active campaigner for improved protections for trans people against discrimination and harassment. In her acceptance speech, she dedicated her University Award for *Metronome* (218) to the "trans people without a voice" and said that she hoped it and the awards received by Julia Barnton and Lucas McKay the previous year for *Katy and Patrick* (217) would persuade trans people, especially those interested going into film, to pursue their dreams.

## Public image and reception

In 218, Mila Porter of *ChicAndSweet* magazine wrote that "despite her activity in the political scene, she is actually soft, reserved woman, something reflected in her acting. And when it comes to interviews, she's always frank and real with her answers because she understands there's little point in lying". Graham Johnson, who directed Parker in *Metronome* (218), considered her "a shy and quiet but always eager and very, very friendly woman". "Lexie's a little difficult to get talking," Johnson said, "but when she does start she never stops. She's a keen listener, though, and allows people to have their turn." A *Spice of Life* writer mentioned her "wide and distinct range" and described her as "eclectically witty and sharp in her comedies and intimate and grounded in her dramatic roles". Kenya Dyer, Parker's co-star in *Split* (208) and *Metronome*, said that she was "incredibly easygoing and very easy to work with, unless you want her to do something she isn't comfortable doing. She won't let you do anything to her hair, to her body, to her face, that can't be reversed quickly. She has her brand and she's adamant she wants to stick to it". Dyer recalled a time on the set of *Metronome* when she broke into tears because of a scene that required her to cut her hair, which was eventually solved with a compromise between Parker and Johnson. "She's not a bad person," Dyer said, "nor is she unreasonable. It's her autism." Parker agreed on this point, mentioning "there was, and has never been, bad blood between Graham and I. He might be the most understanding person I've ever worked with."

In the aftermath of her University Award win for *Metronome* in March 219, *Giddy Magazine* called Parker "Maplewood's most bankable star" and "one of the few actors with genuine, unbridled sympathy that doesn't have to be manufactured"; Parker stated she was flattered by these comments, though she disagreed with the second point since "if you're passionate, you can funnel your emotion into your performances and blow everyone away. Not every actor has that, sure, but most of us wouldn't be actors if it wasn't for the passion of our craft." Her open activism, and its influence on her acting style, has been widely praised. Gabe Fein, writing for *The San Alvisini Guardian*, stated that although Parker has been "restricted by the studio system", particularly in her earlier comedies, "there has always been hints of that mature, smart, socially knowledgeable [Lexie] Parker" in every one of her films. He highlighted her performance in *Sullivan* as an example.

Parker told *Lipstick* that "everyone seems to have this view of me that I'm this smart, precocious, mature woman. I'm not. I was a child actress and all the typical expectations people put on me meant anything that wasn't usual for someone my age was considered incredibly clever, and I was celebrated because of that." On multiple occasions, she has expressed her discomfort with being a celebrity from a young age, mentioning that although she had "not fallen into the pitfalls of drugs and abuse common for child actors", she "never really had a childhood and couldn't go much of anywhere without being recognized". She credited this as another reason she came out, saying that "I wanted not only a childhood, but one where I could embrace being a girl. This new era of me is as close as I'm going to get."

Several of Parker's actions and appearances have received significant media attention much to her disdain, leading the *Daily Body* to nickname her the "Ikue of the entertainment industry" in 217. At the premiere of *Crash and Burn's Final Showdown* on June 23, 216, Parker wore a completely black outfit: a wide-brimmed sunhat, face mask, a V-neck T-shirt, jeans and ballet flats. Media attention was immediate, and it became a trending topic online; Gale Lewis of *Stones* called it "the fit of the summer" and remarked, "The world seemed to agree that [her] outfit was more important than the film the premiere was for". Parker refused to reveal the meaning behind the outfit until she came out as transgender, when she admitted that wearing a suit or anything formal made her dysphoric and the outfit was a compromise because she did not want to reveal her identity. She said that the sunhat was used to hide her hair and the face mask to hide her "rapidly changing" face as she transitioned.

Parker has received criticism and abuse "from all sides of the [political] spectrum" for actions not related to her trans identity. For instance, some journalists have expressed concern that Parker's feminism contrasts with her feminine aesthetic. The *Daily Body* wrote: "While [Parker] has been shamed by conservatives and transphobes for being openly and proudly trans, she has also received criticism from radical feminists that would otherwise support her because she adheres to the standards of feminine beauty". Parker has described this as transmisogynist, and told *Neo News*: "Transphobes, of course, see me a man, but they also most definitely see me as a woman. They criticize me for adhering to the ideals of traditional femininity and criticize me when I don't; they're never satisfied". In August 219, she was criticized on Twitter by "gender critical" feminist Stella Carlyle, who claimed she was "appropriating feminism and using [her] sexist interpretation of being a woman to justify [her] crossdressing fetish". Parker reprimanded Carlyle, asserting that "gatekeeping women's identities and dismissing the complicated nature of being transgender as a fetish reinforces gender roles and asserts that there is a difference between men and women in society, which is actually misogyny".

Parker told *Neo News* that she believes much of the criticism she receives is rooted in "thinly veiled transphobia". Following her announcement that she was actively looking into modeling, she received "vehement" criticism; Parker tweeted on October 30 that she had "had enough with transphobic assholes calling [her] misogynist or saying [she will] never be a woman [...] for doing anything feminine". In an editorial piece released on November 28, 219, Dallas Silverman of *The Poultron Gazette* considered Parker a "consumerfeminist" and said her allegedly consumerist attitudes contrasted with her social activism and feminist attitudes. Parker, in response, released a tweet on November 29 asking if Silverman "genuinely had anything insightful to say, or [was] simply belittling [her] because [she is] an open and proud trans woman". She mentioned later that she wondered if "people [had] run out of things to complain about me because [she had] heard them all and they're really not effective".

In 219, *Time* magazine named her one of the 100 most influential people in the world, and she was included on the 220 *Caddes 30 Under 30* list for entertainment. *New Femme* named 219 the "Year of Lexie Parker" and labeled her the most influential woman in the entertainment business. *The Maplewood Reporter* listed Parker among the 100 most powerful people in entertainment in 217 and 219, while she was appeared on *People*'s Most Beautiful People in 219.

## Personal life

Parker resides in Bushwood, Las Puertas with her two dogs and her girlfriend and *Crash and Burn* co-star Maddison Clarke, whom she has been in a relationship with since 211 after meeting her on the set of *Crash and Burn Strike Back*. The two attend the University of Almazun, Las Puertas (UALP), in which they enrolled in September 216. She is of Maron ancestry through her mother, taking her middle name from her maternal grandmother Alessandra Cacciola, an immunologist who was part of the research and development team for the MHS RRD-87 vaccine. She is fluent in Maron and Warelersh and proficient in Danian. Parker is an atheist but defends the rights of people of faith, mentioning that "I don't think there's a God and never have, but I'll absolutely support anyone who does. The world is full of beautiful people who believe different things and it's important to respect who they are, especially if you want them to respect who you are."

### Relationships and sexuality

In an interview with the *Las Puertas Times* in September 218, Parker said: "I struggled trying to figure out my sexuality more than my gender. Like, as soon as I realized I was a girl that was that, but I didn't really know whether I liked boys, girls, both or neither". On January 27, 213, when presenting as male, she came out on social media as bisexual, receiving support from several celebrities including actors and filmmakers she had worked with such as her twin brother Carson Parker, Michael Mubrey and *Crash and Burn* directors Norman O'Donnel and Georgia Malcolm, as well as prolific queer people in the entertainment industry such as Ernie Fox, Julie Kim, Isabelle York, and Luce Planter.

However, Parker tweeted in 214 that she she was "considerably more interested in women than men" and was not sure if she was "really that bisexual" but was not comfortable with identifying as straight. Until November 216, her Twitter bio read "bisexual, but in the 'i love all women and a few men' way". In January 217, a month Parker came out as transgender, she announced she was a lesbian. She told *Maplewood Life:* "I always doubted I was bi because I wasn't really into men other than the celebrities every straight girl fathoms over in middle school. It made sense why I loved girls considerably more than boys but didn't call myself straight—because I wasn't [...] I was adamant I didn't want to [get married] because I didn't want to wear a tuxedo and be someone's husband. As soon as my egg cracked I was like 'Oh my God, I'm a lesbian, and I want to be someone's bride one day, and I want to be married to a woman'." Clarke also mentioned that she had herself realized she was a lesbian "near enough when Lexie came out to me, which was perfect timing, and we're closer than ever now".

### Gender identity and transition

On December 15, 216, Parker uploaded a video to her social media accounts where she came out as a trans woman and revealed her new name, Lexie, and her new pronouns, she/her, and said she had been on puberty blockers and feminizing hormone therapy since September 215 and underwent facial feminization surgery in November 216. Parker explained that her decision to come out had been influenced by several factors, including her surgery, independence she now had as an adult, the official end of the *Crash and Burn* franchise, and support from loved ones. Princess Ikue of Lincly, Kenya Dyer, Kit Lincoln, Mary Anna, Ray McCalvin and Angelina Moon were among those who expressed support for Parker. Abbi Black of *QueerNews* wrote that Parker's "brave, astute announcement" would inspire young trans and non-binary people around the world and show them that "they had a place in any part of society", while NSAGLT spokesperson Humphrey Waller stated that Parker's "innate talent and impact [made] this announcement all the more powerful and important for the entertainment community and its millions of queer fans". Darpney announced it would update Parker's credits and metadata on Darpney+ and for subsequent physical re-releases of her films, while Netflix announced it would do the same for *Vincent D'Angelo* and her films and shows on the platform. This changes were completed on December 20, 216.

Parker appeared on the cover of the May 217 issue of *Lipstick*, the fourth trans woman to do so. At 19, she became the youngest person to appear on the cover of a major fashion magazine. She wore a red cocktail dress by transgender fashion designers Mario Quaglia and Juniper Weslock, as she wanted to wear something made by trans people that expressed her "newfound freedom" that came with being open about her identity, mentioning that "fashion is incredibly important to me and I'm glad I can show that now". She revealed that: "I asked my parents when I was seven if I was really a girl, and they told me that was up to me to decide. It took me until 215 to come to terms with my identity, but the idea that it was my decision opened many new doors."

## Filmography

According to the review aggregator site FilmView and and the box-office site Box Office Hits, Parker's most critically acclaimed and commercially successful films are *Crash and Burn* (206), *The Children of the Blood* (207), *Split* (208), *Crash and Burn Return* (209), *Better Boy* (210), *What Are You Here For?* (211), *Crash and Burn Strike Back* (211), *Sullivan* (214), *Better Boy 2* (215), *Crash and Burn's Final Showdown* (216), and *Metronome* (218).

## Accolades

*Main article: List of accolades received by Lexie Parker*

Parker won a University Award in the Best Supporting Actress category for *Metronome* (218), becoming the fourth transgender person to win a University Award for acting and, at 20, the youngest Best Supporting Actress winner and the third youngest University Award winner of all time. She has won two Golden Reel Awards: Best Supporting Actress for *Metronome* and Best Original Song for *The Boy You Were* (219) ("I Was Me") alongside Maddison Clarke, and was also nominated for Best Supporting Actor for *The Children of the Blood* (207). She has won two Laughers Comedy Awards: Best Newcomer for *Crash and Burn* (206) and Best Duo with her twin brother Carson for *Crash and Burn Return* (209), and was additionally nominated for Best Duo alongside Carson for *Let's Be Real* (205). Parker won the LAFA Award for Best Supporting Actress for her role in *Metronome*, and has been nominated two more times for Best Supporting Actor for *What Am I Here For?* (207) and *Sullivan* (214), the latter of which also won her a Maplewood Youth Award for Best Male Performance in a Wide Release. Parker won several other awards for her role in *Metronome* including the Golden Stairs at the 93rd Poler Film Festival.

## See also

* List of actors with University Award nominations
* List of Nodan film actresses
* List of Nodan television actresses
* List of LGBTQ University Award winners and nominees
* List of oldest and youngest University Award winners and nominees – Youngest winners for Best Actress in a Supporting Role

## Notes and references

### References

1. ↑ 1.0 1.1 <templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>"About Love, Lexie". YouTube.
2. ↑ 2.0 2.1 2.2 2.3 2.4 Clark, Penny (October 21, 218). "Lexie Parker: From Silly Prankster to Broken Trans Daughter in Just a Decade". *The New Joleo Times*. Retrieved October 21, 219.
3. ↑ "Lexie Parker: Actress (198–)". *Biography.com*. Retrieved November 13, 219.
4. ↑ 4.0 4.1 4.2 Hawkins, Holland (June 26, 211). "The Parker twins talk all things 'Crash and Burn Strike Back'". *Film Buff*. Retrieved November 13, 219.
5. ↑ "Lexie Parker of 'Crash and Burn' and 'Vincent D’Angelo' comes out as a transgender woman". *Lanblaca Today*. December 15, 216. Retrieved October 24, 219.
6. ↑ 6.0 6.1 6.2 6.3 6.4 6.5 6.6 6.7 6.8 MacLeod, Ann (May 7, 217). "Lipstick Cover Star Lexie Parker on the True Beauty of Being a Trans Woman". *Lipstick*. Retrieved November 24, 219.
7. ↑ 7.0 7.1 7.2 7.3 7.4 7.5 7.6 7.7 Johnson, Jared (May 7, 219). "Lexie Parker: Darpney created me, but I made me". *The Nazaline Star*. Retrieved November 13, 219.
8. ↑ 8.0 8.1 8.2 8.3 8.4 8.5 8.6 Stars, Sophie (August 18, 219). "Lexie Parker Reflects On a Life Defined By Film - Exclusive". *goodfilm.com*. Retrieved November 14, 219.
9. ↑ 9.0 9.1 Fitzgerald, Gregory (March 13, 219). "University Awards 219 aftermath: Cooper Eastwood, Mei Li, Chang Jiayu and Lexie Parker reflect on their awards". *Channel 6 Movies*. Retrieved November 14, 219.
10. ↑ 10.0 10.1 Pitcher, Stanley (May 28, 219). "Carson Parker: 'It's difficult being in the shadow of Lexie's limelight". *The Developer*. Retrieved November 24, 219.
11. ↑ "Famous Alumni: The Parker Twins". Red Acting Academy. Retrieved November 14, 219.
12. ↑ 12.0 12.1 12.2 "The Parker Twins' Momentous Careers Began With A Detergent Commercial". *The Biz*. May 18, 215. Retrieved November 16, 219.
13. ↑ 13.0 13.1 13.2 Gallagher, Taylor (March 12, 219). "Lexie Parker Tells Us Her Favourite - and Least Favourite - Roles From Her Extensive Career". *QueerNews*. Retrieved October 27, 219.
14. ↑ 14.0 14.1 "Darpney Channel — Twinsanity". *Whats.on*. Retrieved November 16, 219.
15. ↑ 15.0 15.1 Pop, Carlie (August 18, 217). "Lexie Parker Looks Back On Twinsanity, The First Film She Ever Appeared In". *The Daily Down*. Retrieved November 15, 219.
16. ↑ Jameson, Jessica (July 6, 207). "*Twinsanity* review — new talent from the Parker twins forgives rather standard TV movie sensibilities". *Bullion*. Retrieved November 16, 219.
17. ↑ Kruger, Kyla (July 6, 207). "'Twinsanity' Review: Great for Kids, But Surprisingly Great For Adults Too". *Simurgh Chronicle*. Retrieved November 18, 219.
18. ↑ 18.0 18.1 "*Cromer by the Ocean* cast interview". *Your Name Here*. April 3, 205. Retrieved November 27, 219.
19. ↑ 19.0 19.1 19.2 "Successful Darpney sitcom Cromer by the Ocean to air its last episode in March 207". *LBC News*. December 23, 208. Retrieved November 15, 219.
20. ↑ Heaton, Lola (September 15, 204). "Cromer by the Ocean: Something new or just another kid-friendly sitcom?". *The Harston Metro*. Retrieved December 20, 219.
21. ↑ 21.0 21.1 Williams, Lucia (May 29, 204). "'Cromer by the Ocean' stars land first feature film role". *EntertainmentPortal*. Retrieved December 5, 219.
22. ↑ "*Let's Be Real* (205)". *FilmView*. Rotten Tomatoes. Retrieved January 14, 219.
23. ↑ "*Let's Be Real* (205)". *Box Office Hits*. Retrieved December 5, 219.
24. ↑ Samson, Lucy (June 24, 205) "Let's Be Real review – sugar-rush kiddie comedy offers nothing new except budding young talent". *The Wolf*. Retrieved January 14, 220.
25. ↑ 25.0 25.1 "Laughers Comedy Awards 206: Complete List of Nominees". *Highway*. January 5, 206. Retrieved December 31, 219.
26. ↑ 26.0 26.1 26.2 26.3 Scott, Karolyn (May 16, 216). "The Parker Twins Talk About Their "Very, Very Silly" Darpney Channel Movies". *Teen Lipstick*. Retrieved December 16, 219.
27. ↑ 27.0 27.1 Laurence, Jacob (June 5, 205). "Musical Mania 4' Teaser: TV Movie Finale Sees Ensemble Of Darpney Channel Stars Join The Cast". *Maplewood Life*. Retrieved December 16, 219.
28. ↑ 28.0 28.1 Johnson, Eric (April 17, 205). "Parker Twins to Star in Darpney's Crash and Burn". *TMC News*. Retrieved December 24, 219.
29. ↑ 29.0 29.1 Stanley, Ronan (September 18, 208). "Crash and Burn to Split: How Charlie Parker's outstanding young career has evolved". *The New Independent*. Retrieved December 22, 219.
30. ↑ "*Crash and Burn* (206)". *Box Office Hits*. Retrieved December 5, 219.
31. ↑ "*Crash and Burn* (206)". *FilmView*. Rotten Tomatoes. Retrieved December 31, 219.
32. ↑ Statham, Jessica Q. (June 27, 206). "Critics on Crash and Burn: An instant family classic, or instantly forgettable kiddie trash?". *The Express*. Retrieved December 31, 219.
33. ↑ Sutherland, Lana (June 24, 206). "Crash and Burn review: A genuinely difficult film to critique". *Film Fantasy*. Retrieved November 13, 219.
34. ↑ Samson, Lucy (June 24, 206) "Crash and Burn review – Parker twins make this insufferable and brightly-coloured rubbish bearable". *The Wolf*. Retrieved January 15, 220.
35. ↑ Samson, Lucy (January 8, 207) "The ten best and ten worst films of 206". *The Wolf*. Retrieved January 15, 220.
36. ↑ 36.0 36.1 "Laughers Comedy Awards 207: See the Full List of Winners". *Highway*. February 7, 207. Retrieved December 24, 219.
37. ↑ 37.0 37.1 "*My Sister Wolf: Welcome to the City* (206)". *FilmView*. Rotten Tomatoes. Retrieved December 24, 219.
38. ↑ 38.0 38.1 Donnelly, April (July 14, 206). "Harold McDonald's 'Darkhold' receives October 1 wide release". *EntertainmentPortal*. Retrieved December 24, 219.
39. ↑ 39.0 39.1 39.2 Harrison, Henry (August 18, 206). "Sheer Entertainment, review: 'A big cast that shines despite no real ambition' – Reviews – Films". *The Free Paper*. Retrieved December 25, 219.
40. ↑ "Margo and Miles Parker Have Not Renewed The Parker Twins' Darpney Contract". *The Biz*. March 18, 207. Retrieved November 14, 219.
41. ↑ 41.0 41.1 Westlake, Mary (April 15, 207). "SAGN strike: Crash and Burn star Charlie Parker joins the picket line". *Las Puertas Daily News*. Retrieved November 26, 219.
42. ↑ Wilde, Pete (April 17, 207). "Editorial: Las Puertas' SAGN strike could and should cause a rippling effect in the entertainment industry". *The Vancina Post*. Retrieved November 26, 219.
43. ↑ 43.0 43.1 "Crash And Burn Sequel Announced". *TurnMeDown*. September 12, 206. Retrieved January 1, 220.
44. ↑ 44.0 44.1 44.2 Martin, Marcus (August 20, 207). "Darpney delays 'Crash and Burn Return' to 209 due to the SAGN strike". *EntertainmentPortal*. Retrieved November 15, 219.
45. ↑ 45.0 45.1 "Micro-budget psychological horror 'The Children of the Blood' to be filmed amid SAGN strike". *The Diamond Times*. May 1, 207. Retrieved November 5, 219.
46. ↑ "*The Children of the Blood* (207)". *FilmView*. Rotten Tomatoes. Retrieved December 31, 219.
47. ↑ "The Children of the Blood named multi-University Award contender". *LBC News*. December 31, 207. Retrieved December 31, 219.
48. ↑ "*The Children of the Blood* (207)". *Box Office Hits*. Retrieved December 5, 219.
49. ↑ Jackson, Justin (November 18, 207). "The Children of the Blood review - Low-budget chills succeed thanks to exceptional child performances". *The Bigsby Gazette*. Retrieved November 20, 219.
50. ↑ "Otelu Film Festival review: The Children of the Blood". *The Diamond Times*. September 10, 207. Retrieved November 13, 219.
51. ↑ Francesco, Vivian (February 26, 208). "University Awards: 'The Children of the Blood' Wins Best Original Screenplay". *The Maplewood Reporter*. Retrieved December 31, 219.
52. ↑ 52.0 52.1 Schaal, Abigail; Benson, Maya (December 19, 207). "Golden Reels: List of Nominees". *The Maplewood Reporter*. Retrieved December 31, 219.
53. ↑ 53.0 53.1 Harper, Amy (June 17, 205). "Perry Cruz, Ted Moss, Charlie Parker, Oliver Barber, & Jacob Portsmouth Join Cast of 207 'What Am I Here For'". *Maplewood Life*. Retrieved December 30, 219.
54. ↑ 54.0 54.1 Smith, April (April 18, 207). ""What Am I Here For?" Will Not Be Delayed Despite SAGN Strike". *Overture*. Retrieved December 30, 219.
55. ↑ "*What Am I Here For?* (207)". *FilmView*. Rotten Tomatoes. Retrieved December 29, 219.
56. ↑ 56.0 56.1 Lockheed, Carl (January 9, 208). "LAFA Awards: 'The Buccaneers' Leads Nominations". *The Maplewood Reporter*. Retrieved December 30, 219.
57. ↑ 57.0 57.1 Martin, Marcus (June 30, 209). "'What Am I Here For?' sequel confirmed for 211, entire cast to reprise roles". *EntertainmentPortal*. Retrieved December 31, 219.
58. ↑ "*What Are You Here For?* (211)". *FilmView*. Rotten Tomatoes. Retrieved December 29, 219.
59. ↑ 59.0 59.1 "Crash And Burn's Haunting Halloween Short Film To Release On Physical Media In October 207". *HomeVideoWatch*. August 1, 207. Retrieved December 29, 219.
60. ↑ 60.0 60.1 Freeman, Lucas (April 13, 207). "Mary Anna's Directorial Debut 'Big Family, Bigger Problems' Cast List Released". *Maplewood Life*. Retrieved January 1, 220.
61. ↑ "*Big Family, Bigger Problems* (208)". *FilmView*. Rotten Tomatoes. Retrieved January 3, 220.
62. ↑ "*Big Family, Bigger Problems* (209)". *Box Office Hits*. Retrieved December 5, 219.
63. ↑ Nguyen, Lisa (October 11, 208). "'Big Family, Bigger Problems' Review: Big Cast, Bigger Laughs". *The New Joleo Times*. Retrieved November 28, 219.
64. ↑ 64.0 64.1 "Laughers Comedy Awards 210: See the Full List of Winners". *Highway*. February 14, 210. Retrieved January 3, 220.
65. ↑ 65.0 65.1 Cable, Caroline (December 19, 207). "'Split': Mary Hammerford, Richard Pamm, Charlie Parker, Lucille Weston, Kenya Dyer, Gabby Knowles, Lisa Lincoln, & Mia Mary Join Steven Smith's 'Final Film'". *Maplewood Life*. Retrieved January 1, 220.
66. ↑ Julian, Julio (November 30, 218). "Split, 10 Years Later: Lexie Parker Says She Had To Learn How To Shoot A Toy Gun Like A Real Pistol For Anthology Movie". *Shout!*. Retrieved December 22, 219.
67. ↑ "Split, Steven Smith's final film, receives positive reviews from critics". *The Summary*. December 17, 208. Retrieved December 7, 219.
68. ↑ "*Crash and Burn Return* (209)". *Box Office Hits*. Retrieved December 9, 219.
69. ↑ "*Crash and Burn Return* (209)". *FilmView*. Rotten Tomatoes. Retrieved December 25, 219.
70. ↑ Samson, Lucy (July 11, 209) "Crash and Burn Return review – sickly comedy sequel that's the same film again". *The Wolf*. Retrieved January 15, 220.
71. ↑ "Laughers Comedy Awards 212: See the Full List of Winners". *Highway*. February 5, 212. Retrieved January 3, 220.
72. ↑ 72.0 72.1 Graham, Colin (February 15, 208). "Parker twins to star in family comedy 'Mac and Ronnie', set for March 209 release". *EntertainmentPortal*. Retrieved January 2, 220.
73. ↑ 73.0 73.1 "Comedy film 'Leave Me to Dance' confirmed for 209". *The Catch-Up*. November 10, 207. Retrieved January 2, 220.
74. ↑ "*Mac and Ronnie* (209)". *FilmView*. Rotten Tomatoes. Retrieved January 5, 220.
75. ↑ "*Leave Me to Dance* (209)". *FilmView*. Rotten Tomatoes. Retrieved January 5, 220.
76. ↑ "*Mac and Ronnie* (209)". *Box Office Hits*. Retrieved December 9, 219.
77. ↑ "*Leave Me to Dance* (209)". *Box Office Hits*. Retrieved December 9, 219.
78. ↑ 78.0 78.1 Abigail, Tyler (November 18, 209). "Some Show: "You Only Sieve Once" Review". *WWEN*. Retrieved December 15, 219.
79. ↑ 79.0 79.1 "Charlie Parker-Led Comedy Better Boy Confirmed For May 9, 210". *In the Loop*. October 18, 208. Retrieved December 29, 219.
80. ↑ "*Better Boy* (208)". *Box Office Hits*. Retrieved December 5, 219.
81. ↑ Francesco, Vivian (May 8, 210). "Charlie Parker-Led Comedy-Drama 'Better Boy' Receives Glowing Reviews". *The Maplewood Reporter*. Retrieved January 5, 220.
82. ↑ 82.0 82.1 Sanderson, Tiffany (January 8, 210). "Darpney announces 'Crash and Burn' animated series for Darpney Channel, Charlie and Carson Parker to return". *EntertainmentPortal*. Retrieved December 18, 219.
83. ↑ 83.0 83.1 Richter, Gideon (January 12, 213). "'Animated Adventures Of Crash And Burn' Canceled After Three Seasons On Darpney Channel". *Maplewood Life*. Retrieved December 18, 219.
84. ↑ "212 Nominees/Winners | Television Unversity". University of Television Arts & Sciences. Retrieved December 18, 219.
85. ↑ 85.0 85.1 Steinfeld, Eric (November 18, 210). "'Outside' 3D Re-release Review: As Dazzling as Ever Despite Unimpressive Stereoscopy". *Simurgh Chronicle*. Retrieved December 30, 219.
86. ↑ Mac Darpney Pictures (March 14, 211). "*Outside 3D* Hitting Blu-ray and DVD on April 18". *ComingSoon.net*. Retrieved December 30, 211.
87. ↑ 87.0 87.1 Sanderson, Tiffany (October 30, 209). "Darpney announces 'Crash and Burn Strike Back' for July 211 release". *EntertainmentPortal*. Retrieved January 1, 220.
88. ↑ "*Crash and Burn Strike Back* (211)". *Box Office Hits*. Retrieved December 9, 219.
89. ↑ Kruger, Kacy (July 10, 211). "'Crash and Burn Strike Back': What the Critics Are Saying". *The Maplewood Reporter*. Retrieved November 23, 211.
90. ↑ "*Crash and Burn Strike Back* (211)". *FilmView*. Rotten Tomatoes. Retrieved December 25, 219.
91. ↑ Stan, Thomas (June 9, 211) "Film review: Crash and Burn Strike Back is a feeble attempt to stay relevant". *The Montree Tribune*. Retrieved December 25, 219.
92. ↑ Samson, Lucy (June 8, 211). "Crash and Burn Strike Back review – a confused and gross but at least original third film". *The Wolf*. Retrieved January 15, 220.
93. ↑ 93.0 93.1 "New Crash And Burn Winter Festival Short To Release With Crash And Burn Strike Back On Physical And Digital Release". *HomeVideoWatch*. October 15, 211. Retrieved November 23, 219.
94. ↑ 94.0 94.1 Parker, Lexie (August 17, 211). *Hi!*. Love, Lexie. Retrieved October 21, 219 – via YouTube.
95. ↑ "Bedroom Tunes: Charlie Parker and Maddison Clarke release a folk-pop EP". *Music Always*. November 15, 211. Retrieved January 5, 220.
96. ↑ "Just Vibe review: New single from Charlie Parker and Maddison Clarke". *Music Always*. November 11, 211. Retrieved November 20, 219.
97. ↑ 97.0 97.1 "Brand new 'Crash and Burn' animated short confirmed for 213". *The Catch-Up*. November 16, 212. Retrieved December 19, 219.
98. ↑ 98.0 98.1 Williams, Lucia (April 30, 213). "'Crash and Burn' miniseries to air on Darpney Channel in December 213". *EntertainmentPortal*. Retrieved December 18, 219.
99. ↑ Parker, Lexie (May 11, 213). *big news*. Love, Lexie. Retrieved December 29, 219 – via YouTube.
100. ↑ 100.0 100.1 McElroy, Katerina (May 11, 213). "Charlie Parker Announces He Has Been Cast as Young Stewie Sullivan in 'Sullivan'". *Maplewood Life*. Retrieved December 29, 219.
101. ↑ Nolan, Natalie (September 4, 214). "Ernie Fox's LGBT Biopic Sullivan Receives Widespread Critical Praise". *QueerNews*. Retrieved November 7, 219.
102. ↑ "Critically acclaimed biopic 'Sullivan' receives October release date". *Burgundy Times*. September 5, 217. Retrieved January 4, 220.
103. ↑ March, Richard (October 7, 214). "Charlie Parker says his role in Sullivan is 'subtle, but very, very telling". *Swift Digital*. Retrieved December 24, 219.
104. ↑ Jenkins, Deborah (September 4, 214). "Sullivan: a deep, respectful look at the life of a near-forgotten master". *Daily Body*. Retrieved October 20, 219.
105. ↑ 105.0 105.1 "57th Maplewood Youth Awards: Every Winner Of The Ceremony". *Maplewood Youth Awards*. March 2, 215. Retrieved January 24, 220.
106. ↑ 106.0 106.1 "The winners and nominees of the 215 LAFAs in full". *LBC News*. February 10, 215. Retrieved January 14, 220.
107. ↑ 107.0 107.1 Gardner, Arthur (December 15, 212). "Charlie Parker and Maddison Clarke Attached to Star in Horror Comedy 'Prom Night Frights'". *The Maplewood Reporter*. Retrieved December 27, 219.
108. ↑ "*Prom Night Frights* (214)". *FilmView*. Rotten Tomatoes. Retrieved December 27, 219.
109. ↑ "*Prom Night Frights* (214)". *Box Office Hits*. Retrieved December 27, 219.
110. ↑ Adamson, Jolene (October 12, 214). "Prom Night Frights review: Funnier than it is spooky, but a solid Halloween treat". *The Express*. Retrieved December 27, 219.
111. ↑ 111.0 111.1 Daniels, Dean (October 30, 214). "'Vincent D'Angelo': Charlie Parker To Star In Netflix Series Based On Book Series". *Maplewood Life*. Retrieved December 13, 219.
112. ↑ Lewis, Frank (September 6, 215). "Vincent D'Angelo review: An acerbically witty, surprisingly poignant, expertly performed modern television classic". *Stones*. Retrieved December 12, 219.
113. ↑ McMurphy, Marian (September 6, 215). "'Vincent D'Angelo': Television Review". *The Maplewood Reporter*. Retrieved December 12, 219.
114. ↑ 114.0 114.1 Lake, Lana (February 14, 213). "'Better Boy 2': Charlie Parker To Return For Sequel To Hit Film" *Maplewood Life*. Retrieved January 2, 220.
115. ↑ "*Better Boy 2* (215)". *Box Office Hits*. Retrieved December 14, 219.
116. ↑ 116.0 116.1 "Critics Think Better Boy 2 Should Be Better, Highlighting Charlie Parker as a Problem". *Down Under*. July 12, 215. Retrieved December 14, 219.
117. ↑ "*Better Boy 2* (215)". *FilmView*. Rotten Tomatoes. Retrieved November 14, 219.
118. ↑ Lampson, Jessica (May 17, 215). "'Better Boy 2' review and plot summary". *Earlu Globe*. Retrieved December 7, 219.
119. ↑ Thrips, Olive (July 16, 219). "An afternoon with Lexie Parker: Movies and dinosaurs are cool, transphobia is not". *Film Fantasy*. Retrieved November 30, 219.
120. ↑ 120.0 120.1 Barker, Hunter (November 19, 213). "'Las Puertas' remake cast list announced". *EntertainmentPortal*. Retrieved December 28, 219.
121. ↑ 121.0 121.1 Crabbers, Mike (September 10, 215). "Charlie Parker and Schmaltz: What attached him to the movie". *Popcorn Daily*. Retrieved December 28, 219.
122. ↑ Caliente, Raegan (September 8, 214). "Charlie Parker on the Las Puertas remake: 'I think Steven Smith would be proud of what we did'". *Film Fantasy*. Retrieved December 28, 219.
123. ↑ 123.0 123.1 123.2 Parker, Lexie (July 20, 217). *assimilation*. Love, Lexie. Retrieved November 11, 219 – via YouTube.
124. ↑ Bertram, John (October 31, 215). "'Las Puertas' remake lambasted by critics". *NJO*. Retrieved December 3, 219.
125. ↑ 125.0 125.1 "*Schmaltz* (215)". *FilmView*. Rotten Tomatoes. Retrieved December 21, 219.
126. ↑ Lewis, Frank (October 30, 215). "Las Puertas review: A useless and dull remake that never justifies its existence (at least the acting is good)". *Stones*. Retrieved November 21, 219.
127. ↑ Stockton, May (July 15, 215). "Schmaltz - movie summary and review". *The Campaign*. Retrieved November 25, 219.
128. ↑ 128.0 128.1 Geoffrey, Shannon (January 12, 215). "Darpney Announces 'Crash and Burn's Final Showdown' For June 216 Release". *Maplewood Life*. Retrieved May 20, 219.
129. ↑ "*Crash and Burn's Final Showdown* (216)". *Box Office Hits*. Retrieved November 25, 219.
130. ↑ Chase, Anthony (July 24, 216). "'Chip Off the Block' Grabs $5OM Worldwide Opening; 'Ghostlight' Suffers Harsh Second Weekend Drop But Remains Second — Box Office". *Maplewood Life*. Retrieved April 24, 219.
131. ↑ Donaldson, Dick (June 25, 216). "Critics agree: 'Final Showdown' is an unnecessary and confused conclusion to 'Crash and Burn'". *NFM*. Retrieved November 26, 219.
132. ↑ Samson, Lucy (June 24, 216). "Crash and Burn's Final Showdown review – tonally inconsistent, strange final film puts franchise out of its misery". *The Wolf*. Retrieved January 15, 220.
133. ↑ Kimberly, Harlan (June 25, 216). "Crash and Burn's Final Showdown: Yeah, Let's Hope It Is". *The Linky Times*. Retrieved October 27, 219.
134. ↑ 134.0 134.1 "'Crash and Burn' star Lexie Parker comes out as transgender". *The Diamond Times*. December 15, 216. Retrieved October 10, 218.
135. ↑ Parker, Lexie [@lovelexie198] (December 15, 216). "if it doesn't seem obvious, no more male characters. i'm moving to characters like shy trans girls, the sort of characters that fit me and my personality". Retrieved October 19, 218 – via Twitter.
136. ↑ Iris, Stanley (January 2, 217). "Lexie Parker announces retirement from the 'Crash and Burn' franchise". *EntertainmentPortal*. Retrieved October 10, 218.
137. ↑ 137.0 137.1 Cash, Lupita (March 26, 217). "Carson Parker is 'downhearted' that his sister Lexie is moving to solo roles, but 'it's for the best'". *EntertainmentPortal*. Retrieved October 19, 219.
138. ↑ Jules, Jacob (May 25, 217). "Crash and Burn: The Animated Series (217) review - harmless, if a little jarring, entertainment". *The Grove*. Retrieved October 30, 219.
139. ↑ 139.0 139.1 "Golden Reel-nominated *Vincent D'Angelo* star Lexie Parker tells the world she is transgender". NSAGLT. December 15, 216. Retrieved October 31, 219.
140. ↑ 140.0 140.1 "Carson Parker Cast As Vincent D'Angelo For Netflix Show's Second Season". *In the Loop*. December 20, 216. Retrieved October 31, 219.
141. ↑ Jordan, CarolIne (March 21, 216). "Roberto Grey and Charlie Parker Join 'Assimilation' Cast". *The Maplewood Reporter*. Retrieved November 19, 219.
142. ↑ 142.0 142.1 Ramirez, Romeo (January 18, 217). "Lexie Parker announces her scenes In Dab Damon's 'Assimilation' will be reshot". *Blowout*. Retrieved November 17, 219.
143. ↑ George, James (January 18, 217). "John Hopper will replace Lexie Parker for Dab Damon's 'Assimilation". *EntertainmentPortal*. Retrieved November 17, 219.
144. ↑ Miller, Donald (June 6, 217). "Assimilation review - Dab Damon's foray into horror is far less engaging than his romantic dramas". *The Bigsby Gazette*. Retrieved October 30, 219.
145. ↑ Hall, Tomas (August 27, 219). "How Dab Damon Aims To Recover His Career with 'Ethereal'". *Maplewood Life*. Retrieved November 17, 219.
146. ↑ 146.0 146.1 Geoffrey, Shannon (December 23, 216). "Lexie Parker Announces She Has Been Cast in Graham Johnson's 'Metronome'". *Maplewood Life*. Retrieved November 19, 219.
147. ↑ "Metronome: 5 Differences Between the Play and Movie". *Spice of Life*. November 11, 218. Retrieved November 30, 219.
148. ↑ 148.0 148.1 148.2 148.3 Donovan, Francis (September 30, 218). "Graham Johnson and Lexie Parker on the Importance of Acceptance in 'Metronome'". *MovieTown*. Retrieved November 30, 219.
149. ↑ 149.0 149.1 Rodgers, Bradley; Goldstein, Heather (November 1, 218). "How 'Metronome' Went From a Flat TV Movie to One of the Decade's Greatest Films". *The Maplewood Reporter*. Retrieved November 30, 219.
150. ↑ 150.0 150.1 Powers, Patrick (September 10, 218). "Graham Johnson lists the trans women who were interested in *Metronome* before Lexie Parker was cast". *The Run*. Retrieved December 2, 219,
151. ↑ Crabbers, Mike (August 12, 218). "How Lexie Parker prepared for Graham Johnson's Metronome". *Popcorn Daily*. Retrieved December 8, 219.
152. ↑ 152.0 152.1 152.2 Chastain, Shauna (September 22, 218). "Lexie Parker tells us the real-life experiences that inspired her performance in Metronome". *The Wolf*. Retrieved December 8, 219.
153. ↑ 153.0 153.1 153.2 153.3 Jonathan, Katelyn (September 10, 218). "Lexie Parker on Metronome, embracing her femininity and coming to terms with her identity". *Las Puertas Times*. Retrieved October 17, 219.
154. ↑ Gilligan, Suki (December 11, 218). "The Looks of 'Metronome' With Hairstylist Ashley Lee Barlow and Costume Designer Anthony Park". *NM*. Retrieved December 19, 219.
155. ↑ 155.0 155.1 Parker, Lexie (July 19, 217). *me and my hair*. Love, Lexie. Retrieved October 24, 219 – via YouTube.
156. ↑ "Graham Johnson's 'Metronome' debuts at the Poler Film Festival to a ten-minute standing ovation". *The Diamond Times*. September 4, 219. Retrieved November 6, 219.
157. ↑ "Graham Johnson's psychological drama Metronome receives unanimous critical acclaim following Poler premiere". *LBC News*. September 5, 218. Retrieved November 20, 219.
158. ↑ Simmons, Johnson (September 6, 218). "Metronome Scores November 11 Wide Release". *TheCut*. Retrieved November 20, 219.
159. ↑ Wells, Scott (September 6, 218). "*Metronome*, Graham Johnson's newest film, is a story about finding new purpose in life when faced with trauma". *Clearly*. Retrieved December 3, 219.
160. ↑ "Everything You Need to Know About *Metronome*". *People*. October 26, 218. Retrieved December 3, 219.
161. ↑ 161.0 161.1 Abrams, Ian (November 25, 218). "What Metronome's exceptional reviews and box office receipts mean for representation". *Swift Digital*. Retrieved November 27, 219.
162. ↑ "*Metronome* (218)". *FilmView*. Rotten Tomatoes. Retrieved October 27, 219.
163. ↑ Logan, Noah (September 4, 218). "Metronome debuts with a 100% on FilmView after its Poler premiere". *ReportCinema*. Retrieved November 17, 219.
164. ↑ 164.0 164.1 Batterman, Nicole (September 8, 218). "PFF: 'Metronome' wins top prize among several others." *Blowout*. Retrieved November 6, 219.
165. ↑ Byron Black, Natalie (September 5, 218). "'Metronome' Reviews Are In: The Masterpiece We Hope or a Fumbled Failure?". *The New Joleo Times*. Retrieved December 9, 219.
166. ↑ Quinn, Ivy (September 6, 218). "Critics Are Calling Lexie Parker's Performance in 'Metronome' One of The Best of All Time". *The Maplewood Reporter*. Retrieved December 8, 219.
167. ↑ "Critics on Metronome: "Lexie Parker shines so hard I genuinely forgot she wasn't the main character"". *PactPost*. September 10, 218. Retrieved December 12, 219.
168. ↑ "Critics highlight Lexie Parker's performance in reviews of Graham Johnson's acclaimed psych-drama Metronome". *LBC News*. September 6, 218. Retrieved December 9, 219.
169. ↑ 169.0 169.1 Beckham, Analise (December 5, 218). "'Metronome' Crosses $120M Mark at the Box Office to Become Graham Johnson's Highest Grossing Film". *Maplewood Life*. Retrieved December 5, 219.
170. ↑ 170.0 170.1 "Television review: 85th University Awards". *The Diamond Times*. March 13, 219. Retrieved September 18, 219.
171. ↑ Batterman, Nicole (September 8, 218). "PFF: Lexie Parker takes home the Vignes Bowl for 'Metronome'." *Blowout*. Retrieved November 6, 219.
172. ↑ Samson, Lucy (September 4, 218). "Metronome review – Graham Johnson's greatest film is a tense, powerfully acted psychological drama". *The Wolf*. Retrieved January 15, 220.
173. ↑ Ronson, Jacqueline (September 5, 218). "Metronome review: Graham Johnson's latest masterpiece is perfection of the highest order". *The Nazaline Star*. Retrieved November 13, 219.
174. ↑ Anderson, Leon Jeffrey (September 4, 218). "Metronome movie review: A chilling yet hopeful psychological drama with an unparalleled performance from Lexie Parker". *Birmington*. Retrieved November 19, 219.
175. ↑ "*Metronome* (218)". *Box Office Hits*. Retrieved December 5, 219.
176. ↑ 176.0 176.1 "Lexie Parker Movie Box Office Results". *Box Office Hits*. Retrieved December 25, 219.
177. ↑ Michelle, Jocelyn (December 1, 218). "How Lexie Parker Brought Graham Johnson to a New Generation with 'Metronome'". *The New Joleo Times*. Retrieved November 28, 219.
178. ↑ Davis, Tim (March 13, 219). "Graham Johnson Reflects On Winning FOUR University Awards (EXCLUSIVE)". *Journey*. Retrieved November 28, 219.
179. ↑ 179.0 179.1 Roberts, Ryan (December 15, 218). "Lexie Parker Doesn't Think "Metronome"'s Success Is Because Of Her: "Moviegoers Just Wanted To See An Incredible Film From An Exceptional Filmmaker". *Overture*. Retrieved November 27, 219.
180. ↑ 180.0 180.1 Ransom, Ned (January 10, 219). "Golden Reels: Full List of Winners". *The Maplewood Reporter*. Retrieved January 13, 220.
181. ↑ 181.0 181.1 "The winners and nominees of the 219 LAFAs in full". *LBC News*. February 13, 219. Retrieved January 13, 220.
182. ↑ Carter, Carol (February 19, 219). "SAGN Awards: Winners List". *The Maplewood Reporter*. Retrieved January 13, 220.
183. ↑ 183.0 183.1 Carter, Carol (March 12, 219). "219 University Awards: Complete Winners List". *The Maplewood Reporter*. Retrieved December 12, 219.
184. ↑ 184.0 184.1 184.2 Swift, Maya (March 12, 219). "Lexie Parker Is the University Awards' Youngest and First Trans Best Supporting Actress Winner: "This is for the Trans People Without a Voice"". *The Maplewood Reporter*. Retrieved December 12, 2023.
185. ↑ 185.0 185.1 Tate, Clancy (November 1, 217). "Steven Gilligan, Lexie Parker, Naomi Chapman, and Lena Lee-Green To Star in The City of Pixels". *Neo News*. Retrieved November 12, 219.
186. ↑ 186.0 186.1 "Lexie Parker Talks Prosthetics and Futuristic Clothes In 'City of Pixels'". *Today and Tonight*. November 20, 218. Retrieved December 20, 219.
187. ↑ 187.0 187.1 Bill (November 18, 218). "The City of Pixels - Lexie Parker interview". *Downdown*. Retrieved October 29, 219.
188. ↑ "The City Of Pixels Earns A Warm Reaction From Critics". *Heard*. December 18, 218. Retrieved December 2, 219.
189. ↑ Lister, Katrina (December 14, 218). "The City of Pixels review | TV and film". *The Serion Observer*. Retrieved December 2, 219.
190. ↑ "StreamLinks Awards 219: All Nominees". *StreamLinks*.
191. ↑ Baum, Ralph (September 9, 219). "The Boy You Were: Lexie Parker and Maddison Clarke interview". *The Line*. Retrieved October 28, 219.
192. ↑ Betterlee, Jacques (September 8, 219). "OIFF Review, The Boy You Were is an intricate, must-see romantic drama from the masterful mind of Julie Kim". *The Waves*. Retrieved October 19, 219.
193. ↑ 193.0 193.1 Knowles, Karen (January 8, 220). "Golden Reels: Winners List". *The Maplewood Reporter*. Retrieved January 13, 220.
194. ↑ 194.0 194.1 "Lexie Parker Is Going to Host 'Friday Night Live' and the Internet Is Exploding Over It". *The Biz*. September 26, 219. Retrieved October 18, 219.
195. ↑ 195.0 195.1 Jordan, Gavin (September 26, 219). "The Overhangs, Lexie Parker and a plethora of cats tapped for October 13th's FNL". *This Week*. Retrieved October 18, 219.
196. ↑ "10 Pairs of Actresses We Would Love to See Together". *Spice of Life*. June 14, 218. Retrieved October 26, 219.
197. ↑ Jacobs, Gabriel (October 25, 219). "Lexie Parker and Lillie Potts finally unite for Tulipe Labs' No Smudge, No Fuss lipstick". *Tulipe Labs*. Retrieved October 26, 219.
198. ↑ Adamson, Amy (October 26, 219). "Lexie Parker and Lillie Potts's long awaited collab is a lipstick commercial - and not everyone is happy about it". *The Lowdown*. Retrieved October 26, 219.
199. ↑ 199.0 199.1 Parker, Lexie [@lovelexie198] (October 26, 219). "quick faq thread about the tulipe labs ad! me and lexie potts have looked through lots of your questions and we're gonna answer them now". (Tweet). Retrieved October 26, 218 – via Twitter.
200. ↑ Horowitz, Olivia (October 26, 219). "Lexie Parker and Lillie Potts collaborate for a Tulipe Labs ad, and reactions are divided". *Daily Body*. Retrieved October 30, 219.
201. ↑ 201.0 201.1 "Is Tulipe Lab's new lipstick ad 'too woke'?". *LBC News*. October 26, 219. Retrieved October 30, 219.
202. ↑ Parker, Lexie [@lovelexie198] (October 26, 216). "completely unsurprisingly, right-wing nutjobs have considered the ad to be too woke and pandering. go outside." (Tweet). Retrieved October 30, 218 – via Twitter.
203. ↑ Potter, Lillian (October 26, 219). "Tulipe Lab's new ad is a milestone for representation, but is it too much?". *Open*. Retrieved October 30, 219.
204. ↑ Steinbach, Abigail (October 29, 219). "Maddison Clarke Calls the Lexie Parker/Lillie Potts Controversy 'Manufactured'". *True Blue*. Retrieved October 30, 219.
205. ↑ 205.0 205.1 "Lexie Parker Returns to Vincent D'Angelo in New Trailer". *What's On?*. August 16, 219. Retrieved November 4, 219.
206. ↑ Yang, Yvonne (November 3, 219). "New on Netflix: Vincent D'Angelo season 3, The Love Knight, Dania and Breakneck". *NetFlakes*. Retrieved November 5, 219.
207. ↑ 207.0 207.1 Tatum, Mike (November 8, 219). "Gordon Goose Explains How Lexie Parker's Return to 'Vincent D'Angelo' Came to Be". *The Maplewood Reporter*. Retrieved December 21, 219.
208. ↑ 208.0 208.1 Parker, Lexie (December 2, 219). *viola d'angelo*. Love, Lexie. Retrieved December 21, 219 – via YouTube.
209. ↑ Martin, Matthew (November 3, 219). "The third season of 'Vincent D'Angelo' is the best yet, but still somewhat messy". *Bingeworthy*. Retrieved November 12, 219.
210. ↑ "Television reviews: Vincent D'Angelo and Pathogen". *The Faderburg Gazette*. November 3, 319. Retrieved
211. ↑ "Critics Are Reacting Warmly to Lexie Parker's Return to 'Vincent D'Angelo'". *Down Under*. November 4, 217. Retrieved November 17, 219.
212. ↑ McDonald, Adrian (November 3, 319). "Vincent D'Angelo season 3 review - Lexie Parker is the highlight of an otherwise disappointing season". *The Porta International*. Retrieved November 5, 219.
213. ↑ "Vincent D'Angelo Season 3 (219) - Plot Summary and Review". *PeterHarvey.com*. November 3, 219. Retrieved November 5, 219.
214. ↑ Derby, Lucile (November 5, 219). "Why Vincent D'Angelo Season 3 is Dividing Critics". *Notepad*. Retrieved November 17, 219.
215. ↑ "Review: The third season of Vincent D'Angelo is as brilliantly funny as always - and surprisingly heartfelt". *Las Puertas Times*. November 3, 219. Retrieved November 4, 219.
216. ↑ Francis, Gus (November 6, 219). "Netflix Reports That 'Vincent D'Angelo" Season 3 Has Broken A Streaming Record". *Lifestyle.co.ly*. Retrieved November 10, 219.
217. ↑ Daniels-McDonald, Abigail (November 6, 219) "Is Lexie Parker Behind Vincent D'Angelo's Spike in Streams?". *Neo News*. Retrieved November 7, 219.
218. ↑ Stanley, Simon J. (November 16, 219). "Lillie Potts's Cryptic Tweets Reveal Future Lexie Parker Collaborations". *Photoplay*. Retrieved November 16, 219.
219. ↑ 219.0 219.1 Goodman, Grace (April 7, 219). "Lexie Parker and Maddison Clarke to star in queer rom-com 'Trans Girls Who Love Girls'". *EntertainmentPortal*. Retrieved November 5, 219.
220. ↑ 220.0 220.1 Cash, Lupita (December 31, 218). "Awoe Productions confirms 'Better Girl' for November 220, a 'new take' on the 'Better Boy' series". *EntertainmentPortal*. Retrieved October 30, 219.
221. ↑ 221.0 221.1 221.2 Davis, Anthony B. (November 12, 219). "Lexie Parker To Write and Produce Films For Dab Damon and Ernie Fox". *Maplewood Life*. Retrieved November 12, 219.
222. ↑ 222.0 222.1 Krugermeier, Katherine (December 13, 219). "Lexie & Carson Parker Reteam For Carson-Written Comedy; Lexie To Produce". *Maplewood Life*. Retrieved December 13, 219.
223. ↑ Donnell, Franklin (August 17, 211) "'Crash and Burn' actor Charlie Parker announces a hiatus on his new YouTube channel". *Blowout*. Retrieved October 21, 219.
224. ↑ 224.0 224.1 Tandon, Mark (September 12, 211). "Charlie Parker's YouTube Channel Is The Next Big Thing From The Actor". ForeverOnline.com. Retrieved January 20, 219.
225. ↑ 225.0 225.1 Parker, Lexie (December 15, 216). *hii!*. Love, Lexie. Retrieved October 21, 219 – via YouTube.
226. ↑ 226.0 226.1 "About Love, Lexie". *YouTube*.
227. ↑ 227.0 227.1 227.2 Blacks, Georgina (January 23, 219). "Lexie Parker interview: 'Metronome' star and YouTuber weighs in on the issue of modern transphobia". *The Trans Times*. Retrieved November 9, 219.
228. ↑ "Lexie Parker celebrates 8 million YouTube subscribers with film festival ticket giveaway". *JSAN*. November 27, 219. Retrieved November 28, 219.
229. ↑ "Lexie Parker Apologizes for Highchance Ticket Giveaway Site Crash". *The Biz*. November 27, 219. Retrieved November 28, 219.
230. ↑ "Lexie Parker Says 'There's Still a Ton To Learn' a Year After Coming Out as Trans". *People*. December 15, 217. Retrieved November 11, 219.
231. ↑ Parker, Lexie [@lovelexie198] (July 4, 218). "logically, i wanna be a model. i've ALWAYS wanted to be a model" (Tweet). Retrieved October 19, 219 – via Twitter.
232. ↑ Bamford, Charlie (March 14, 219). "Lexie Parker's University Award dress is the first of many, as the award-winning actress is interesting in going into modeling". *Her's*. Retrieved November 11, 219.
233. ↑ 233.0 233.1 Parker, Billie (April 14, 219). "Where to go after winning a University Award? Modeling, says Lexie Parker". *Sideshow*. Retrieved October 27, 219.
234. ↑ "Lexie Parker Lists the 10 "Eggest" Things She Did Before Realizing She Was Trans". *With the Stars*. September 30, 219. Retrieved November 11, 219.
235. ↑ Parker, Lexie (October 16, 219). *let's chat fashion while i prepare for my day*. Love, Lexie. Retrieved November 11, 219 – via YouTube.
236. ↑ Sanchez, Rory (October 28, 219). "Lexie Parker Announces She Is Negotiating a Contract for Her Modeling Debut". *SPARK!*. Retrieved October 28, 219.
237. ↑ Statham, Alexis (October 28, 219). "Lexie Parker Announces Active Modelling Negotiations". *Hustle*. Retrieved October 31, 219.
238. ↑ Charleston, Verity (October 29, 219). "Lexie Parker and Lillie Potts Are Closer Than You Might Think". *GlowGrow*. Retrieved October 31, 219.
239. ↑ "Lexie Parker is planning to make her modeling debut in 220!". *LGBTeenNews*. October 28, 219. Retrieved October 31, 219.
240. ↑ Parker, Lexie [@lovelexie198] (October 28, 219). "i can't reveal much for nda reasons, but i can say that the fashion houses i plan to model for will have to be sustainable, inclusive, diverse and treat their workers fairly" (Tweet). Retrieved October 28, 219 – via Twitter.
241. ↑ Tate, Taylor (October 28, 219). "Lexie Parker announces she is going into modelling, but only for 'sustainable and inclusive' fashion houses". *EntertainmentPortal*. Retrieved October 31, 219.
242. ↑ Luna, April (January 3, 220). "Lexie Parker Signs with Three Modeling Agencies and Will Begin Modeling in March or April 220". *SPARK!*. Retrieved January 3, 220.
243. ↑ Gold-Lee, Sue (January 13, 220). "Lexie Parker will now make her modelling debut in June". *New Femme*. Retrieved January 14, 220.
244. ↑ 244.0 244.1 Stiller, Amy (September 29, 218). "Lexie Parker Thinks Ikue Will Be Lincly's Best -- And Final -- Monarch". *ee2*. Retrieved November 23, 219.
245. ↑ 245.0 245.1 Horowitz, Olivia (December 15, 216). "Princess Ikue expresses support for Lexie Parker after she comes out as transgender: "Welcome to the queer girl gang, girlie!"" *Daily Body*. Retrieved November 10, 219.
246. ↑ Jackman, Maria (October 3, 219). "Izzy York, Roxanne Delcroix, Jenifer B. Thomas and Ray McCalvin among international signatories of Queen Ikue's Call for the Republic letter". *The Wolf*. Retrieved October 20, 219.
247. ↑ 247.0 247.1 Cunningham, Caleb (November 18, 217). "Lexie Parker feels guilty that she 'wasn't out there protesting for queer people years ago'". *Us*. Retrieved November 7, 219.
248. ↑ Hill, Caroline (October 19, 213). "Charlie Parker: If you want change, do something about it". *The Nazaline Star*. Retrieved October 19, 219.
249. ↑ McDonnelly, James. "Hundreds of UALP students participate in In-Tuition strike". *Daily Turn*. July 18, 219. Retrieved October 29, 219.
250. ↑ Henry, Gordon (July 20, 219). "The familiar faces of the University of Almazun-wide In-Tuition strike". *The Speaker*. Retrieved October 29, 219.
251. ↑ 251.0 251.1 Swift, Estella (March 20, 219). "With a University Award under her belt, Lexie Parker reflects on the patriarchy in the film industry". *The Wolf*. Retrieved October 20, 219.
252. ↑ Stone 219, p. 46.
253. ↑ 253.0 253.1 Green, Olivia (September 10, 219). "Lexie Parker: The male gaze is ruining Maplewood". *The Nazaline Star*. Retrieved November 19, 219.
254. ↑ Stone, Sally (September 14, 218). "Lexie Parker on femininity, transfeminism and the patriarchy". *She/Her*. Retrieved November 1, 219.
255. ↑ Ramone, Julie (February 17, 219). "How Lexie Parker and a number of YouTube creators are redefining femininity". *New Femme*. Retrieved November 3, 219.
256. ↑ Jenson, Adelaide (December 31, 218). "How 'Lipstick Feminists' Are Rejecting The Patriarchy - And Looking Fab While Doing It". *NM*. Retrieved November 3, 219.
257. ↑ Stone 219, p. 47.
258. ↑ 258.0 258.1 258.2 258.3 Horowitz, Olivia (September 19, 217). "Lexie Parker on 'obnoxious' media attention and how being trans 'is just making it worse'". *Daily Body*. Retrieved October 20, 219.
259. ↑ Jonathan, Katelyn (September 10, 218). "Lexie Parker on Metronome, embracing her femininity and coming to terms with her identity". *Las Puertas Times*. Retrieved October 17, 219.
260. ↑ Stone 219, p. 48.
261. ↑ Jenkinson, Jennifer (November 22, 219). "Lexie Parker brands proposed Kirovkarian anti-LGBT laws 'a failure of democracy'". *The Wolf*. Retrieved November 22, 219.
262. ↑ "Lexie Parker: Discrimination Against Trans People 'Must End Now'". *Allied*. July 13, 217. Retrieved November 22, 219.
263. ↑ "Lexie Parker Says the Best Time To Support Trans People Is Now". *People*. February 14, 219. Retrieved November 22, 219.
264. ↑ Havisham, Robert Lee (March 13, 219). "85th University Awards: Who stole the show?". *Us*. Retrieved October 29, 219.
265. ↑ "Lexie Parker dedicates her University Award to 'trans people without a voice' in her acceptance speech". *LBC News*. March 12, 219. Retrieved October 29, 219
266. ↑ 266.0 266.1 Porter, Mila (July 18, 218). "On Lexie Parker". *ChicAndSweet*. Retrieved December 14, 219.
267. ↑ "10 Reasons Why Lexie Parker Is Amazing". *Spice of Life*. February 15, 219. Retrieved December 17, 219.
268. ↑ Collins, Lucina (December 22, 218). "Metronome: Kenya Dyer on Lexie Parker, reuniting with Graham Johnson, and her favorite moments on set". *Las Puertas Times*. Retrieved January 2, 220.
269. ↑ "Lexie Parker: Maplewood's Most Bankable Star Or One-Hit Wonder?". *Giddy Magazine*. March 17, 219. Retrieved December 10, 219.
270. ↑ "Lexie Parker Offers Her Opinion On Our Opinion Piece". *Giddy Magazine*. March 24, 219. Retrieved December 10, 219.
271. ↑ 271.0 271.1 271.2 Ford, Michael (March 26, 219). "Why does the world love Lexie Parker so much? She doesn't even know". *The Daily Duck*. Retrieved December 15, 219.
272. ↑ Christianson, Vivian (March 15, 219). "Opinion: Lexie Parker's University Award win is the most deserved in decades". *To*. Retrieved December 15, 219.
273. ↑ Fein, Gabe (March 25, 216). "On the eve of Charlie Parker's 18th birthday, let us reflect on his impressive career". *The San Alvisini Guardian*. Retrieved December 15, 219.
274. ↑ Reiner, Dave (June 18, 217). "Lexie Parker Tells Marcie About The Freedoms Of Coming Out". *Yeah!*. Retrieved December 1, 219.
275. ↑ Jones, Augustine (February 15, 219). "Lexie Parker: What I'd do differently". *The Observationist*. Retrieved December 1, 219.
276. ↑ 276.0 276.1 Stanley, Simon J. (February 20, 217). "Lexie Parker Opens Up on Coming Out as Trans: 'It's Like the Biggest Weight in the Universe Was Lifted Clean Off My Shoulders'". *Photoplay*. Retrieved October 31, 219.
277. ↑ 277.0 277.1 "ICYMI: Charlie Parker's outfit has broken the internet". *ICYMI*. June 23, 216. Retrieved October 20, 219.
278. ↑ 278.0 278.1 Lewis, Gale (June 25, 216). "Crash and Burn's Final Showdown: So, what's with Charlie Parker's weird outfit?". *Stones*. Retrieved October 24, 219.
279. ↑ "Why #BalletFlats and Charlie Parker are trending online". *LBC News*. June 27, 216. Retrieved October 24, 219.
280. ↑ Dobbie, Crystal (December 18, 216). "Lexie Parker Finally Reveals The Meaning Behind Her Weird 'Crash And Burn' Premiere Outfit". *CutNPaste*. Retrieved October 9, 219.
281. ↑ 281.0 281.1 "Lexie Parker Says It's Difficult Being Trans, But She Wouldn't Change a Thing". *People*. December 15, 218. Retrieved November 9, 219.
282. ↑ 282.0 282.1 "Lexie Parker Speaks Out Against Transphobes and Internet Trolls With a Strongly Worded Tweet". *People*. October 30, 219. Retrieved October 31, 219.
283. ↑ Waksman, Nadine (June 13, 219). "Does Lexie Parker's femininity contradict her feminism?". *IdeaPlace*. Retrieved December 4, 219.
284. ↑ Lane, Karl (September 17, 218). "Lexie Parker: Respectfully, an enigma". *KarlLane.com*. Retrieved December 4, 219.
285. ↑ 285.0 285.1 Stool, Avery (June 20, 219) "Lexie Parker Talks Protests and Prada at the UALP In-Tuition Strike". *Neo News*. Retrieved November 6, 219.
286. ↑ Stanford, Barbara (August 8, 219). "Lexie Parker Has Been Attacked on Social Media Again, This Time By Notorious Gender Critical Stella Carlyle". *QueerNews*. Retrieved November 10, 219.
287. ↑ "Lexie Parker rebukes TERF 'activist' Stella Carlyle for her transphobic Twitter rant". *The Diamond Times*. August 9, 219. Retrieved November 10, 219.
288. ↑ "Lexie Parker's modelling announcement is met with vehement criticism". *LBC News*. October 29, 219. Retrieved October 31, 219.
289. ↑ Parker, Lexie [@lovelexie198] (October 30, 219). "sorry for swearing, but i've had enough with transphobic assholes calling me misogynist or saying i'll never be a woman (too late) for doing anything feminine. fuck off" (Tweet). Retrieved October 30, 219 – via Twitter.
290. ↑ Silverman, Dallas (November 28, 219). "Dallas SIlverman on trans activist Lexie Parker's "feminism". *The Poultron Gazette*. Retrieved November 29, 219.
291. ↑ Kate, Caroline (November 28, 219). "Dallas Silverman Calls Lexie Parker a 'Consumerfeminist' in Poultron Gazette Editorial". *QueerNews*. Retrieved November 29, 219.
292. ↑ Condor, Barth (November 29, 219). "Lexie Parker asks Dallas Silverman if he 'has anything insightful to say' after she's criticised 'for the millionth damn time'". *The Trans Times*. Retrieved November 29, 219.
293. ↑ Parker, Lexie [@lovelexie198] (November 29, 219). "you know, i genuinely wonder if people have run out of things to complain about me because i've heard them all and they're really not effective" (Tweet). Retrieved November 29, 219 – via Twitter.
294. ↑ "Time 100". *Time*. April 13, 219. Retrieved October 19, 219.
295. ↑ Stewart, Sylvia (November 28, 219). "Meet the Caddes 30 Under 30 Class of 220". *Caddes*. Retrieved December 4, 219.
296. ↑ Lawrence, Taylor (October 15, 219). "Maplewood Power List 219". *New Femme*. Retrieved December 23, 219.
297. ↑ Benson, Kenneth (October 21, 217). "The Maplewood Reporter 100: The Most Powerful People in Entertainment 217". *The Maplewood Reporter*. Retrieved December 23, 219.
298. ↑ Benson, Kenneth (October 21, 219). "The Maplewood Reporter 100: The Most Powerful People in Entertainment 219". *The Maplewood Reporter*. Retrieved December 23, 219.
299. ↑ "People's Most Beautiful 219: Angelina Moon". *People*. April 12, 219. Retrieved December 23, 219.
300. ↑ Parker, Lexie (March 31, 217). *dogs*. Love, Lexie. Retrieved November 8, 219 – via YouTube.
301. ↑ "Surprise! Freddie Freeman and Cindy Jacobs are dating IRL". *Current Affairs*. October 3, 211. Retrieved November 8, 219.
302. ↑ Coby (September 3, 216). "Charlie Parker enrols at the University of Almazun, Las Puertas". *The Speaker*. Retrieved November 8, 219.
303. ↑ Kline, Kyle. "Charlie Parker and Maddison Clarke among new students enroling at UALP". *Daily Turn*. September 3, 216. Retrieved November 8, 219.
304. ↑ 304.0 304.1 Daniels, Gregory Grace (July 31, 219). "Lexie Parker would like to 'explore her Maron heritage' in future projects". *Hawk*. Retrieved October 29, 219.
305. ↑ "Lexie Parker: Biography and Articles". *goodfilm.com*. Retrieved October 21, 219.
306. ↑ Moore, Ronald (January 27, 213). "Charlie Parker of the Parker twins comes out on social media as bisexual". *Us*. Retrieved November 7, 219.
307. ↑ 307.0 307.1 Kate, Caroline (January 27, 213). "Charlie Parker Straightforwardly Comes Out as Bisexual". *QueerNews*. Retrieved November 7, 219.
308. ↑ Carmen, Winston (January 27, 213). "Carson Parker support toward twin brother Charlie after coming out as bisexual: 'So proud of you'". *Nodan News Network*. Retrieved November 7, 219.
309. ↑ Johnson, Jacob (January 27, 213). "Michael Mubrey supports his 'Children of the Blood' co-star Charlie Parker after he comes out as bi". *Blowout*. Retrieved November 20, 219.
310. ↑ "'Crash and Burn' directors express support toward Charlie Parker: "Crash has finally steadied himself". *The Diamond Times*. January 28, 213. Retrieved November 7, 219.
311. ↑ "Charlie Parker of the Parker Twins Receives Unwavering Support from Queer People in the Entertainment Industry". *People*. January 28, 213. Retrieved November 21, 219.
312. ↑ Katherine, Alexis (January 27, 213). "Izzy and Dig support Charlie Parker after he comes out as bisexual". *The Waves*. Retrieved November 21, 219.
313. ↑ Parker, Lexie [@lovelexie198] (April 10, 214). "i know i say i'm bi but i'm considerably more interested in women than men, idk if i'm really that bisexual" (Tweet). Retrieved October 19, 219 – via Twitter.
314. ↑ Holiday, Isabella (June 1, 215). "Better Boy 2: Charlie Parker on masculinity and its flaws". *The Waterworks*. Retrieved October 31, 219.
315. ↑ 315.0 315.1 Croft, Annabelle (January 18, 217). "Trans Icon Lexie Parker Comes Out As A Lesbian". *The Tea*. Retrieved October 29, 219.
316. ↑ Newton, Jackie (January 18, 217). "In lesser news, Lexie Parker has come out as a lesbian". *HerStory*. Retrieved October 21, 219.
317. ↑ Harper, Amy (February 9, 217). "Lexie Parker Talks New Trans Films And How Film Shaped Her Identity". *Maplewood Life*. Retrieved October 18, 219.
318. ↑ "Lexie Parker's Girlfriend Maddison Clarke Says 'We're Even Closer Now' Since She Came Out as Transgender". *People*. December 18, 216. Retrieved October 29, 219.
319. ↑ "Prominent comedy actress, YouTuber and activist Lexie Parker comes out as transgender". *LBC News*. December 15, 216. Retrieved November 10, 219.
320. ↑ "Numerous high-profile celebrities express support for Lexie Parker after she comes out as trans". *The Diamond Times*. December 15, 216. Retrieved December 1, 219.
321. ↑ Black, Abbi (December 15, 216). "Actress, YouTuber and Activist Lexie Parker Comes Out as Transgender". *QueerNews*. Retrieved October 28, 219.
322. ↑ Taylor, Kate (December 15, 216). "Darpney to update Lexie Parker's credits on Darpney+, expressing excitement for 'this new era' of her". *EntertainmentPortal*. Retrieved November 11, 219.
323. ↑ Lang, Laura (December 15, 216). "Netflix Understands Why Lexie Parker Won't Return to Vincent D'Angelo, Updates Credits for Her Films and Shows". *The Capitol*. Retrieved November 25, 219.
324. ↑ 324.0 324.1 Gilligan, Suki (April 23, 217). "Lexie Parker Sports a Quaglia-Weslock-Designed Dress On The May 217 Issue Of Lipstick". *NM*. Retrieved October 29, 219.
325. ↑ Watson, Angelica (May 7, 217). "Lexie Parker's Lipstick appearance is a milestone in more ways than one". *Us*. Retrieved December 1, 219.
326. ↑ "Lexie Parker". *FilmView*. Rotten Tomatoes. Retrieved January 13, 220.
327. ↑ "*Agent Ophidian* (205)". *FilmView*. Rotten Tomatoes. Retrieved December 16, 219.
328. ↑ "*Sheer Entertainment* (206)". *FilmView*. Rotten Tomatoes. Retrieved December 25, 219.

#### Works cited

* Stone, Sally (219). *Riot Girlies: How the Feminist Youth is Reclaiming and Embracing Femininity*. Purple Publishing.

## Further reading

* German, Summer (June 3, 219). "Lexie Parker: Through Her Eyes". *Daily Body.*

## External links

* Love, Lexie on YouTube
* Lexie Parker on Twitter
* Lexie Parker's University Award acceptance speech, full script (PDF version)