Matara Sans

Art made by Keizi Uta

## Mythlogy

In the time that space and time had not yet appeared, out of nowhere two gods called Iza 1 and 2 founded the first space and time. Iza 1 was in space and time and said, Iza 1 speaks once, a narrative appears, speaks twice 2 narratives appear, and so on Iza 1 speaks until all within the space contains endless other stories and narratives.Iza 2 is outside of space and time, Iza 2 built everything outside with nihilistic materials, then Iza 2 created "Tenshai temple" and all the gods around Tenshai temple, then Iza 1 and 2 created 4 guardian deities of Tenshai temple to let Iza 1 and 2 rest eternally inside Tenshai temple, of which Matara Sans was one of the four guardian gods of Tenshai temple.

Because the 4 gods complained too much, Iza 1 and 2 gave them to the 4 gods as a gift from the two Izas, Matara Sans was given to Hiei-zan (Land of the gods Matara Sanzu), Matara accepted This gift then and the 4 gods continue to protect the resting Iza 1 and 2.

(The first space and time contain infinite stories and narratives within, and Tenshai temple is the highest reality and no one, reality or everything can not overcome or climb to Tenshai temple, for the Tenshai temple is simply higher than the first space and time where the first space and time is the place where all the fiction stories and concepts and narratives reside).

## Profile

### Appearance

The costume resembles the Matarajin in the Japanese buddhist tendai school.

### Personality

Okina is a bit arrogant in battle, but only arrogant when Okina knows that thing can't defeat Okina. The reason Okina knows is that Okina can sense the source of anything, to know the source of it is strong or weak.

Normally, Okina goes everywhere in the multiverse and calls events in the multiverse "Theatrical Stage", and Okina doesn't do anything but watch those events. Unless someone attacks Okina while watching, Okina immediately started fighting that person. In general, Okina is neutral and does not take sides.

## Powers

### Origin manipulation

As the name suggests, Okina has the power to control, arrange, create, delete, advance and so on, affecting the origin of all things and Okina himself.

### This is my law!

Create rules created by Okina, apply to anything, concept, aspect, series, structure and so on, and Okina also destroys and discards nor is it bound by any rules even if it's a non-conceptual abstraction.

Okina is the one who created the boundary between the Au to prevent outside things from entering, even though that boundary can be crossed by anyone.

Okina is said to be the creator of the 3-route rule, which is the Pacifist route and the Neutral route with the Genocide route.

### Backdoor

With this power, Okina can appear everywhere, including the transcendent seraph realm.

Okina goes everywhere by summoning a large ancient Japanese door, each of which is summoned in a different color, mostly dark.

Okina also uses this power in all situations, such as in battle by allowing he opponent's attacks to enter the door.

Anyone can go through the door, unless the door is closed, only Okina can open it.

### Matara Blaster

Summons a Buddha statue 2 times larger than Okina, the Buddha statue shoots out yellow and red beams, the red ray is destructive as well as larger than the yellow ray, but the yellow can chase the opponent.

### Chain of Fire

Or because it shoots bones like the Sans in classic Au, Okina shoots out flames that can burn everything and nothing, and burn forever until the thing is completely burned.

### Telekinesis

This power allows to control anything from afar with unlimited scale. At the same time, whoever is controlled, that person cannot do any movement or use any power, because that person is bound by the power of Matara Sans.

## Gallery

Art made by EpicFlickArt made by EpicFlickArt made by EpicFlickArt made by AUsPH