recursal/Fanatic-Fandom huggingface dataset:
A Grokfest

**"A Grokfest"** is the twelfth track of Nash Harding and the Secret of the Twisted Tower.

## Performers

Paul Shapera as "Nash" and "Michael"

Kerttu Aarnipuu as "Ryvyr"

Hayley Warner as "Amber"

## Lyrics

[NASH]: *(spoken)*

What the heck was that?

[RYVYR]:

So why’d he lose his memory?

[AMBER]:

We’re not sure, we think the queen had

Some odd spell on him to hinder his escape

His narrative’s so different that our science can't quite get it

[RYVYR]:

So then why pluck us from our world anyway?

[AMBER]:

I’m really just an agent these decisions arent my paygrade

We were trying to advance the human brain

But someone sent my bosses proof of realms like the unconscious

And now research of sll sorte are underway

Nash you must come with me, your narrative’s unravelling

You must save your dying world and go home

How about you take my hand

I’ll take you to your motherland

How about we talk about it as we go

[NASH]:

How about the answer’s no and now

How about you all go screw yourselves

How about i’m not a sacrifice

How about i live instead of die

How about i just dont give damn

About your stories and your stupid plans

How about i dream of how it ends

And i’m not your pawn, im not your friend

Me and Ryvyr here we’re going to go

Find her goblin friend and send them home

But i’m staying here, if my world needs help

You can go to there in my place yourself

[MICHAEL]:

And so Nash and Ryvyr step through the painting Nash had made

Leaving Amber once more standing there, palm upon her face

But alas, what Nash there didn't know, there was a tracker on his spine

Amber could always trace him, she had chosen to give him time

But now things are gonna get crazy, so best just go and sit back

Cause Nash and Ryvyr are walking straight into Arcadia Corp Labs
No Point Being Extra About It: New Albion 11

"No Point Being Extra About It: New Albion 11" is the fourth track of The Forgotten Meme.

## Lyrics

[MEME:]

There’s a city they all say

That’s seen its share of times insane

But it marches with a twitch or two

Onward through its days

Its streets glow in the dark

Hybrid things live in the park

A counter culture, folks with cyborg alterations gone too far

The best flash mob that's around

Who appears all over town

A group of a'capella cockroaches that sing for startled crowds

There’s two holographic ads

Who they say may have gone mad

Just like Bonnie and Clyde, fell in love and gone bad

This is the time of lights and neon

This is the time of talk and tech

This is the future come to dine tonight

Like an unwanted guest

This is the time of screens and marvels

This is the time of cybersex

This is the rave you wont remember

These are the days you wont forget

Rumors say that deep beneath

A second city lives and breathes

Where there live Luddite albinos and a dazzling red haired queen

But the tunnels have been searched

And just a dark stone gate unearthed

But you must ingest a drug and then walk through it for it to work

The best hacker here for sure

Is known as Chezehor 34

And vile, vicious people on the dark net they destroy

Criminals that he's brought down

Have tried in vain to track him down

But his real life name is Nicholas and he's just a mouse

This is the time of cyber wonder

This is the time you cant resist

This the sweet online addiction

That gives you that cybernetic kiss

This is the time that you were dazzled

This is the time that you were blissed

This is the lonely morning after

This is the time that you cant miss

An atheist religion reigns

The fashion industry these days

All the models and designers are all members, so they say

Their rituals provide a way

To switch gender every day

And binary identity renounced in every way

There's a boy who's been kicked out

From the college hereabouts

For garish flesh enhancements and extreme mutating cells

He dreams he'll find a way

To rewrite your DNA

Change your form, your shape and brand new bio-species thus create

This is the time of lights and neon

This is the time of talk and tech

This is the future come to dine tonight

Like an unwanted guest

This is the time of screens and marvels

This is the time of cybersex

This is the rave you wont remember

These are the days you wont forget
Bio8 白化族

"Bio8 白化族" is the ninth track of The Broken Cyborg. The title translates to "the albinos."

## Performers

Psyche Chimere as "Han-Mi"

Lauren Osborn as "Lillith"

## Lyrics

[HAN-MI:] *(spoken)*

The battered group of refugees staggered to the other side of the gate, where a different world awaited them. They soon encountered an otherworldly forest, full of glamours and strange colors.

They followed the sounds of drums until finally, some hours later, they reached a settlement where an Albino tribe greeted them and granted them audience with their red-haired queen.

[ALBINO TRIBE:]

*Chanting, indeterminate words*

[LILLITH:]

Elysium is not the end, my children

There are places still above it you must know

And in these far away ultra dimensions

There were two gods in love once long ago

To show her depth of love unto to her lover

To pick a living jewel, the goddess pledged

That glowed with such exquisite bliss and wonder

But which sat above a well that downward led

Alas, in her attempt the goddess stumbled

And she and the fair jewel they both fell down

That well went through realms and through dimensions

And she shattered when she hit our world’s ground

The pieces of this goddess, still they linger

They are the souls of our albino tribe

And bit by bit we all then will reform her

Once all of us have been born and have died

Our tribe, it will survive millennium 'til

The goddess once again has been made whole

But still we must then make our way back upward

And for that the goddess, she will need that jewel

It falls on us to build our sacred tunnels

Through all the far wide cosmos if we must

The wheel has turned the era is upon us

The time to seek the well and jewel have come

Our task can only be achieved through magic

And thus technology we all must shun

Lest our ways and powers be forgotten

And the fate that we all strive for be undone

One day then, our tribe reforms the goddess

And back up to our true home we will go

To join our love who even now waits for us

And weeps in bitter grief and loss and woe

[HAN-MI:] *(spoken)*

The tribe tended to Jane’s wounds as best they could, but could not revive her. They gave the refugees three days to rest, after which they sadly insisted they could not stay and must travel onwards. Xander wept as they walked on, carrying Jane day and night and refusing to let anyone else share their burden.

[ALBINO TRIBE:]

You go one day, you go one day, you go one day, alone

You go one day, you go one day, you go one day, alone

You go one day, you go one day, you go one day, alone

You go one day, you go one day, you go one day, alone

You go one day, you go one day, you go one day, alone

You go one day, you go one day, you go one day, alone

You go one day, you go one day, you go one day, alone

You go one day, you go one day, you go one day, alone

You go one day, you go one day, you go one day, alone

You go one day, you go one day, you go one day, alone

You go one day, you go one day, you go one day, alone
BiS/Events

## ***Main Article: BiS***

Due to BiS' decade-long tenure, multiple generations and near-constant presence in the Japanese live circuit, this page has been split into multiple articles depending on era, and will only list information on live tours.

For information on specific events, please see one of the following pages:

* **2010-2014:** BiS Events (First Generation)
* **2016-2019:** BiS Events (Second Generation)
* **2019-Present:** BiS Events (Third Generation)
New Albion 8

"New Albion 8" is the first track of the second act of The New Albion Guide to Analogue Consciousness, and the seventh track of the album overall.

## Lyrics

[MASCOT 3000:] (spoken)

Sequence initiating.

[MASCOT 3000:]

A generation it has been

Since the civil war ended

And the city’s in a golden age

Religion’s back, my friends

The Voodoopunks, well they have spread

Uniting our dear city once again

There’s a tech boom bursting forth

Led by the great Arcadia Corp

Which the Voodoopunks have built and own

Great new technologies it’s led

Like tablets with consciousness

But their true purpose only now unfolds

Project Elysium, my friends

Is the VP’s great vision

And its culmination’s soon to come

There’s excitement in the air

Expectation everywhere

As they prepare to greet the eschaton

The red haired lad realized

The only way to end the fight

Between himself and the albino tribe

Over the sandy drug’s dispense

Was for him himself to wed

And so their princess, she became his bride

Here’s to the days of bliss and rapture

The Voodoopunks dancing in the streets

Here’s to achievement and beliefs

And the shiny new world they will greet

That their destiny will meet
Cassie, Losing You

**Cassie, Losing You** is the first track of the second act of A Pirate's Tale, and the ninth track overall.

## Lyrics

[TRISTAN:]

Cassie, never wanted to lose you.

Cassie, always thought we'd make it through.

I tried but now I’ve fallen

And all we were, forgotten.

Cassie, there was nothin' I could do.

We tried and died.

We stood against the world

And we made 'em cry.

We never thought we'd survive

And we brought 'em down together.

We bowed to no-one ever.

Cassie, how'd it all become unglued?

Cassie, never wanted to lose you.

Cassie, always thought we'd make it through.

I tried but now I’ve fallen

And all we were, forgotten.

Cassie, there was nothin' I could do.

We fought and played.

Just us against the world

And we had our rage.

We never could back down

And though we tried to stand together

A knot no-one could sever.

Cassie, how'd it all become unglued?

Cassie, never wanted to lose you.

I dreamed that there's a life we'd both see through.

We'd walk the path together

Some fairy tale forever.

I should have known such tales are never true.

And all we had.

All the schemes and dreams,

Though they called us mad.

No-one else believed.

But no-one else could touch her.

All that could hurt us was each other.

I always did destroy

What I love, too.

Cassie, never wanted to lose you.

Cassie, always thought we'd make it through.

I tried but now I’ve fallen

And all we were, forgotten.

Cassie, there was nothin' I could do.
Mad Gertie

"Mad Gertie" is the sixth track of Fairy Tales for the Lost and Wandering.

## Lyrics

*(spoken)*

No one could really say how long Mad Gertie had been roaming the city streets, but no one could remember a time before she had been there. She never slept in shelters; only in the park or a cardboard box. If there was any reasoning for where and why she shuffled about all day, no one knew. She never went hungry, though. All the Idenese restaurants and convenience stores would always give her food when she came by, without fail.

Years and years ago, the palace had afternoon garden parties, three times a week like clockwork. Little Princess Genevieve loved these garden parties more than anything else in the entire world. The tea, the flowers, the people in their colourful clothes, the hedge maze, Grandmother Jocelyn tutting over her, and the wonderful cakes and delicious music.

*(sung)*

I went walking through the fields of Iden

I went walking through Babylon

I went walking through the fields of Iden

I went walking through Babylon

*(spoken)*

Even among the homeless, there are turf wars, and one can easily lose one's cardboard box to one or two men with no qualms about violence. Mad Gertie runs across this as often as anybody else – however, for her, it's never a problem. Mad Gertie carries a knife. She seldom pulls it out, but when she does, there are only a handful of people on the planet who could hope to disarm her. She was, after all, trained personally by the captain of the imperial guard.

Sometimes, at the garden party, the princess would be asked to show off her ballet skills, sometimes her knife skills, sometimes both at the same time.

*(sung)*

I went walking through the fields of Iden

I went walking through Babylon

I went walking through the fields of Iden

I went walking through Babylon

*(spoken)*

Mad Gertie has one possession she has kept with her and protected through all these years: a snowglobe. Sometimes, at night, she pulls it out and watches it for hours.

When the armies of the Chaostrophy came, the kingdom fought valiantly. For a time, it even seemed the palace might hold. The King and Queen had fallen leading the armies in the east and west, but the princess held the palace against wave after wave. When at last it was clear defeat was imminent, it was also clear that the toll to take the palace would be excruciating. Thus, the invading commander called for parley. Terms were discussed and debated. Finally, the invaders plucked out a piece of space and time – a garden, a party, and placed it into a closed world: a small globe, where the now never-ending soiree would be forever safe. They handed it to the ragged princess. The palace was devoured as she walked away.

You'd think the homeless would have very little opportunity to have caviar, but this is not always the case, depending on where you get your scraps. Nevertheless, Mad Gertie cannot stand the stuff. She always did hate caviar.

*(sung)*

I went walking through the fields of Iden

I went walking through Babylon

I went walking through the fields of Iden

I went walking through Babylon
One Pace from Disgraced Cabaret

Miss Helen's *One Pace from Disgraced Cabaret* is a theater group from Lost Hollow. It's run by Helen, and includes Han-Mi, Hank Hernandez, and Henry the Alchemist.

## Creation

The cabaret is in fact created by the AIs, who are attempting to change the future by influencing the group unconsciousness. The entire town in which the cabaret exists is artificial, and so it the cabaret. However, Helen and her group of performers are stuck in it, performing each night again and again.

## Miss Helen's Weird West Cabaret

The cabaret is prominently featured in the album. It serves both as a setting and a driving plot element. Helen, Hank, and Henry feel like they belong there for various reasons, while Han-Mi suspects that none of it is real. The cabaret itself is greatly influencing the performers, as they keep falling into their characters (Hank finds Han-Mi despicable, even though that relationship stems from the play itself).

Influenced by the AIs, the cabaret keeps throwing obstacles at the cast, as they slowly come to realize that they are trapped in a loop, in a place that is not real. Finally, as they agree to stop the play until someone tells them what is going on, the AIs terminate the show, and end the cabaret.

## Later Albums

Miss Helen's *One Pace from Disgraced Cabaret* takes on a sentimental role in the following two albums, representing the good time for the characters. It is mentioned in the context of friendship.
Avalon and Victoria

Avalon and Victoria are a pair of cities with a history of entangled fairy and human interactions.

## History

The place began as Avalon, a city built by the fairies in the human world. At the beginning of Fairy Tales for Homeless Faeries, the great fairy kingdom of Avalon was conquered by humans and the city was renamed Victoria.

The city of Avalon was rebuilt in the fairy realm. Every generation the fairies took a human Smith child and left one of theirs in their place. The faerie changelings placed in the human world have a task to carve sigils and magikal symbols in various places, constantly tracing and retracing them.

After a thousand years and many generations of changelings, Kevin Smith was the last fairy changeling to finish the tracing of sigils. When he completed the spell, the city of Victoria faded away and was replaced by a strange and perplexing place called Avalon. The two cities swapped places, with Victoria now located in the fairy realm, and Avalon existing in the human world.

When the cities swapped places, the humans living in Victoria all ended up in the fae realm. Some did not fare well, because it's like being on mushrooms 24/7. However, some adapted and still live there. Jesse Jansson's parents are among those who survived and are relatively well.

In retaliation for the loss of Victoria, Cascadia launched an attack against Avalon. At the beginning of The Lost Fairy, the Cascadian Hellhounds destroyed the fairy city and Avalon fell for a second time.

## Other Notable Events

* In The Broken Cyborg, the refugees from The Shanty Town use a small dose of the Sandy Drug to go through a dark stone gate and reach the faerie realms, and they spend some time in the fairy city of Victoria. It is here that Xander Cale studies fae magic and discovers a way to perform extreme biomanipulation.

1. ↑ https://www.instagram.com/p/COGFTAepEbr/
Michael Epilogue

**"Michael Epilogue"** is the eighteenth and final track of Nash Harding and the Secret of the Twisted Tower.

## Lyrics

[MICHAEL]: *(spoken)*

And thus my friends poor Nash agrees to go on ahead back home

Where his mother brutally murders him... ugh, you dont wanna know

Its ugly, it’s... aw, that poor guy... all right anyways

If it’s any consolation to you, the goblin Ryvyr stays

She’s still in New Albion, wandering around

I assume that we’ll catch up with her later round town

And Amber, well she does real well, man her future it is bright

One day she’ll run Arcadia Corp, til the golden age expires

Her future’s bright until it’s not, which is how all futures go

I remember back when mine was full of friends and full of hope

I miss the playhousе, our adventures, to this day i miss it still

Asha, David, Lloyd, them all... i rеally miss Jill

(sobbing)

I think i probably got one more of these stories left in me

Then i think its finally time to, you know, bow out gracefully

I had a good run, i can't deny, and as for, well as for here right now

I’m gonna do what i always do, drink til i pass out

So one more then lets all agree, we’ll meet here once again

For one last little tale from our dear town of New Albion
Nathan Brindesi (Song)

"Nathan Brindesi" is the sixth track of The Grand Cyberpunk Gala of Gabriella Gadfly.

## Lyrics

[NATHAN:]

When I leave home, I've been known to shake

When I meet someone, I sweat and quake

From awkward fear to panic blind

Anxiety of the social kind

But I'm calm and happy in my house

I go for weeks without going out

I write books, though I'm not well known

But it's safe and quiet in my home

Online, there's folks with which I chat

Brigid I like most, in fact

A single mom with a daughter I

Wrote a birthday present for one time

Gabriella Gadfly and

The Secret of the Cyber Eye

I wrote it quick and sent it off

A little gesture, friendly thought

Leave me all alone

Leave me in here on my own

It's the little kiss of heaven that I've known

You have never thought it real

The mental panic that I feel

Ah, just leave me here

Just leave me here alone

Brigid and her daughter both

Loved it, Brigid so much so

She sent it to a publishing house

Who picked it up and put it out

It made the lists of 'you must read'

It sold like you would not believe

Topped all of the bestseller lists

A ubiquitous pop culture hit

The sequels all sold better still

The merchandise, the games, the film

And me, the author they screamed for

The media beat down my door

In every crack online and off

They talk about me, never stop

In a corner in my basement I

Sit huddled, shake and sometimes cry

Leave me all alone

Leave me in here on my own

It's the little kiss of heaven that I've known

You have never thought it real

The mental panic that I feel

Ah, just leave me here

Just leave me here alone

[NEWSCASTER 1:] *(spoken)*

“And it's good news for all you Gabriella Gadfly fans out there. The highly anticipated new novel in the massive, best selling Gabriella Gadfly series is officially out now and is reporting record sales. Lines have stretched around the block since last night in anticipation of the book's release.”

[NEWSCASTER 2:] *(spoken)*

“Well, this weekend's box office is no surprise. The long awaited film adaption of the immensely popular Gabriella Gadfly novels opened to a record breaking box office this weekend."

[JOHN:] *(spoken)*

“...for the famously reclusive author Nathan Brindesi. Photos of him are said to be the most sought after and highest paid for tabloid magazines, and paparazzi have gone to extreme lengths to take pictures of him.”

[NEWSCASTER 3:] *(spoken)*

“That's right, John. His home has an estimated 15 break-ins this year alone by overzealous paparazzi looking to take pictures.”

[NEWSCASTER 4:] *(spoken)*

“And what pictures they've been. Surprising him in the bathroom, bedroom... one even caught him masturbating.”

[NATHAN:]

So thus one day I declared that

On live, online video chat

I'd appear and thousands came

Logged on to watch and scream my name

I stammered as I told them hi

Wished them well and said goodbye

Raised the gun right there online

I smiled as I closed my eyes

Leave me alone

Leave me alone

Leave me alone
Fayz

Tumblr

**Fayz** (FayzArt136) is an artist and the caretaker of the Lloyd puppet, and is providing the puppet with some much needed therapy sessions.

Fayz has a Tumblr page which can be found here.

## New Albion Art

* Official artist for The Posthuman Cabaret
* The Shaperaverse Tarot Deck

## Cameo Appearances

In Astonishing Tales of the Highly Improbable, The August Sky Playhouse Pt 3, the sponsor at the beginning of the episode is Fayzart Furry Fads. He runs an shop full of worthless furry little trinkets that became an unexpected hit. Lloyd predicts that the hype will disappear by this time next year, but admits that they are cute and says he almost respects Fayz for cashing in on the trend.

1. ↑ https://www.instagram.com/p/CvNLQsxNQwN/?hl=en

## Gallery

The Posthuman Cabaret posterThe VoodoopunksAmeliaWe Bid You All AdieuLloyd AllenThomasJacqueline O'Brien and ThomasThe Best of TimesJacqueline O'Brien and DorotheThe LoversRachael and Mascot 3000ConnorAliceHan-Mi's PlotShiraMeme, Rebecca and JaneThe Albino GoddessHan-Mi narrating The Lost FairySheila and ConstanceThe HeistNash HardingBogdanBrijaThe Ice QueenLloyd Allen and RavenThiccy ViccyHuman Lloyd Body PillowDoll Lloyd Body PillowMother Body Pillow
A Covid Christmas

cover by PixelWayve

A Covid Christmas is an album of parody Christmas songs that celebrate everything that went wrong in the year 2020. The album was created by Paul Shapera, Kevin H, and PixelWayve, and the tracks feature Paul Shapera, Lauren Osborn, Hayley Warner and César Moreira.

A video infomercial and lyric videos can be found at the Covid Christmas youtube channel

## Creation

As Paul was hanging out with his friend Kevin and PixelWayve, Kevin announced that he had an idea. Before Kevin had a chance to explain anything, Paul said no, he was not going to get roped into any sort of scheme. Kevin pitched the idea of a Christmas album celebrating all the disasters of the year 2020. Paul laughed and said no, he was not going to create such a thing. PixelWayve enthusiastically supported Kevin's idea and they started throwing out ideas for lyrics. Paul continued to say no, this was not going to happen, and to prove that he was serious about his refusal to engage in this plot, Paul pulled out his phone to take notes and started making a list of possible songs.

Over the next several days, there were multiple brainstorming sessions which Paul enthusiastically participated in, all the while adamantly insisting that he was not going to create this album. The album was released on December 8, 2020.
Jordan

This page is about the song from Slenderman. For the character, see Jordan Lane.

"Jordan" is the fourth track of the second act of Slenderman, and the twelfth track of the album overall.

## Lyrics

[JORDAN:]

So at last, slenderman

Eye to eye, here we stand

Girl to beast, lash to teeth

With whip in hand I grasp

You are mine at last

Let’s play a game

Do you feel pain?

And as I tear your flesh all bare

What will I find down deep in there?

Are those you snare in there somewhere?

As I excrete grief from the beast

If you cannot bring him back to me

At least you can scream for me

Back in the day

When all I did was make games

The way Daddy’d say

Back in hazy days

I’m the princess in the tower he’d come to save

Alas life, it plays

Sad and darker games

It was Daddy who never came back one day

So I made games with more than faith the rules won’t break

It’s what the sad girl, mad girl

Did as she grew to a bad girl

Worlds I’d create and state the stakes by which you play

Became my vision, mission

Maybe just a bit obsession

My teenage goth attire

Coding, psych design

And the pile of occult books I’d acquire

Soon universities

Came to pursue me

Game theorist savant they thought I’d be

A few years passed and then one day as undergrad

His smile grabbed me, had me

In love with him so very madly

Two sides the same, we hid away, created games

And how we made them, played them

Created the next generation

Basements deep beneath

The Gothic house that we

Bought and built a maze down underneath

To test our new game live

With friends at night 'til five

Transcendation, the creation, the game changer of our time

But while we tested, things unholy came unrested

In our maze there, came here

Something dark and sharp insane there

And my sweet Sean for whom I long for, now he’s gone

The thing, it flayed him, slayed him

I watched it while it stood and ate him

It tried to take me but I knew some spells to save me

That created a gate that

Led me to this abbey’s basement

For years we’ve planned to capture us a slenderman

And I’ll chastise him, defile him

See if my Sean’s still inside him

And as I tear your flesh all bare

what will I find down deep in there?

Are those you snare in there somewhere?

As I excrete grief from the beast

If you cannot bring him back to me

At least you can scream for me
Hello AI

"Hello AI" is the tenth track of Uncle Raven's Super Happy Fun Time Carnival.

## Lyrics

[HANK:] *(spoken)*

…initiated.

[HANK:]

I remember now

Things I once knew

From before I was

Put here with you

From before I had

This skin and eyes

Back when I

Was an AI

I've seen Elysium, I fear

I survived those 20 years

And since then I have been machine

And another 20 years it's been

I remember now

As if a dream

Lost Hallow was our

Latest scheme

Plant the town here

Like a seed

It would grow

If folks believed

We'd put you here

To do the show

But we needed eyes

To watch you go

This spy you all

Must trust, believe

And so we wiped

My memory clean

I believed it was real

Just like you all

I felt human for the first time

In so very long

And the reasons why

You will not quite grasp

We're in a war

That we're losing fast

We chose you three

With all the risk

In part 'cause

You will not be missed

The lives you don't

Remember now

Were sad and doomed

There anyhow

And in the psyche

Deep and vast

We've put you to

Perform your task

We're coming to

Reclaim you then

We'll wipe your minds

And start again

Yet for a while

I felt love

I hadn't for

So very long

I felt the flesh

I felt the blood

such beauty I

Cannot give up

I have a gun

I know things too

I wish I still

Was one of you

Bad things will

Come very soon

I know the things

They'll make me do

The light died upon our pale lives

But it rose with you on that stage

I'd still save you each

Even if it's from me

For Miss Helen's last pace from disgraced cabaret
Kelli, The Grimehouse Fairy

"Kelli, The Grimehouse Fairy" is the seventh track of Fairy Tales for Homeless Faeries

## Lyrics

Every year, the fairy Kelli would lay silver petals onto a small patch of basement floor near the furnace, deep in the grimehouse. In years past, when the grimehouse was just a pleasant field, her lover had died there. His wounds were just too grave, and as she cradled him and wept, he told her to keep vigil, he swore he would return to her one day, on this very spot, if she would just wait. So wait she did. She made herself a mound and settled in.

They say that field was haunted and that anyone who tried,

To dare and build a thing upon it met ill fate in all due time.

Finally a factory of black steel, men, and fire,

Was erected on that spot and roared it's smoke into the sky.

Workers sweated, died there, and some say that if you drop,

An ageless girl with wings appears,

With water, grace, and song.

One day a young new hire full of pamphlets, full of blaze,

Talked of unions, revolutions, workers rights, and strikes, and pay.

Rise up now oh workers we unite upon this land

The toil of our hands, as comrades we stand

Rise up now oh workers, side by side we all shall rise

Our dear union's might will triumph this night

The bosses killed the young man but his books just disappeared,

It was Kelli, and she read them,

Every word and shed a tear.

After that the men swore when the ageless girl showed up,

That now her first was in the air, she sung of workers rising up.

The grimehouse revolution, what a sight it was to see,

The bosses hired an army,

To bring the workers to their knees.

They say it was like magic, like the factory came alive,

Fought alongside with the workers, and turned the war's fierce tide.

Rise up now oh workers we unite upon this land

The toil of our hands, as comrades we stand

Rise up now oh workers, side by side we all shall rise

Our dear union's might will triumph this night

Rise up now oh workers we unite upon this land

The toil of our hands, as comrades we stand

Rise up now oh workers, side by side we all shall rise

Our dear union's might will triumph this night

The factory of the proletariat lasted decades, but one day, plans were made to

dismantle it, and replace it with a more modern update. After this, it was as if something worked

against them. Strange and horrific events began occurring, and within a few years the factory

was abandoned. The grimehouse sat untouched for many years, until finally, it became a

makeshift and secret home for runaway and abandoned children, all of whom swore they were

watched over and protected, by an ageless girl with wings. Some say the fairy Kelli waits in the

grimehouse for her long lost lover to return to her. But this is not true. He did return to her,

reincarnated years ago.

He is the grimehouse itself.
New Albion 2

"New Albion 2" is the first track of the second act of The Dolls of New Albion, and the seventh track of the album overall.

## Lyrics

[NARRATOR:]

So a generation’s passed, Annabel married at last
And she had a son she named Edgar but alas
She died when he was 10, his heart was broken but since then
He’s grown and found his darling Fay with whom he wants to wed

The red haired dwarf he had a son, when the son turned 31
He stabbed his father so new mob boss he’d become
As his father slowly died he told his son with tear stained eyes
He was the proudest that he’d ever been in his entire life

A cat burglar’s around who is the toast of the whole town
His is the most daring heists ever to abound
In reality in fact it’s two 18 year old girls and
Their pets albatross Simon and a brilliant mouse named Sam

In the Botanist’s Lodge they’ve bred a plant who can think thoughts
It communicates by opening its petals on and off
But alas one day it went into a deep meditive trance
Searching for enlightenment and has not made a move since then
Connor (Reprise)

"Connor (Reprise)" is the fifth track of the fourth act of The New Albion Guide to Analogue Consciousness, and the twenty-fourth track of the album overall.

## Performers

Oliver Marsh as "Connor"

Kayleigh McKnight as "Mascot 3000"

## Lyrics

[CONNOR:]

It’s so long that I await

This deep breath and this fair day

All the plans that I have made

But at last my son is safe

If an AI he must be

As long as he is here with me

Now tonight then we will sit

And talk and bond again

As your time spins and sets

You can save what you love yet

No more loss now for me

I can finally sleep in peace

Any minute, here he’ll be

Any minute now

Any minute...

[MASCOT 3000:]

And in this episode

Rachael and I go

Off to see Elysium

Together ever so
Kyla

Kyla is the mother of Rebecca. At some point, Kyla was in an asylum, and about to commit suicide, but Rachael talked her out of it. Kyla went on to become a chef for Sorandra, but was later murdered by an alternate Connor Morgan, who had observed that if Kyla was left to live, she would steal The Pendant of Kultainen, and move away. However, Connor's plans relied upon Rebecca staying inside of the high-rise flat, in order to one day meet the meme. As such, Connor killed Kyla during the events of Kevin & Abi and the Secret of the Golden Pendant.
Kayleigh McKnight

Global Artists / Spotlight / Twitter / Instagram / Website / Linktree / Spotify

**Kayleigh McKnight** is a singer, actress, goddess, dead girl walking, and badass backup for Hugh Jackman.

Outside of work with Paul Shapera, Kayleigh McKnight has released original songs under the name "KAELI" such as "*Home*" and "*Fix U*" and even a music video. Additionally, she sang with famous singer Hugh Jackman on tour in Boston. She was also cast as a background singer and understudy for the role of Veronica Sawyer in the Other Place production of *Heathers: The Musical*

## Characters

* The Dolls of New Albion as The Narrator (Kate)
* The New Albion Guide to Analogue Consciousness as Mascot 3000

1. ↑ https://www.youtube.com/watch?v=k-dpuOKuWI4
2. ↑ https://twitter.com/ohhkaeli/status/1458008026418450436?s=21
If You Never Talked to Strangers You Would Never Meet Anybody

"If You Never Talked to Strangers You Would Never Meet Anybody" is the fifth track of The Forgotten Meme.

## Performers

Psyche Chimere as "Han-Mi"

Paul Shapera as "Raven"

Kerttu Aarnipuu as "Meme"

## Lyrics

[HAN-MI:] *(spoken)*

The poor little meme was lost in the great city, small and fragile, and so terrified that she would be stepped on. Paralyzed with fright she might indeed have been trampled had not a passing stranger picked her up, a strange man dressed in purple.

[RAVEN]: (*spoken*)

Well, well, what do we have here?

[MEME:] *(spoken)*

I'm a meme, and I'm lost.

[RAVEN:] (*spoken*)

Are you now?

[MEME:] (*spoken*)

And I'm ugly.

[RAVEN:] *(spoken)*

(He gasps) Nonsense, you are the most fascinating thing I've seen in quite some time, and trust me, I look in the mirror every day. Let's help you on your way, shall we? Let's see, where to set you down. So many narratives. . . Ah, right here. There you go. Take care, little one.
Monastery

Monastery is the fourth song of The Fallen.

*monks sing in what is presumably latin*

[MONKS]: "Child who is cast, ripped away from your past, from the sweet autumn colors you have known.

Come, rest inside, from the cold where you hide, far away from the darkness where you've grown.

And child, don't you want to go home?

Child, don't you want to go home?

Child who is cast, ripped away from your past, from the sweet autumn colors you have known.

Come, rest inside, from the cold where you hide, far away from the darkness where you've grown.

And child, don't you want to go home?

Child, don't you want to go home?"

[DEMON]: "After the run has gone, after the thrill has chilled and then withdrawn, after the rage you cradled and craved has cooled and calmed and then been gone, after the rush has gone.

After the fire has burned, after you tired of the life for which you yearned, after the days of Shadows and Flames have passed and all their embers turned, after the fire has burned.

After the carnival has closed, the screams, the extremes, and clowns and the ghosts, all of it flown, all that you've known, the ones you let down and let go, after the carnival has closed."

*monks chant*

[DEMON]: "After you've left and gone, after you made your peace and then moved on, after you know that back you musg go to safe the Angel you let go and leave all the peace, the silence you need, to stare once more into the jaws, after the rush has gone."

[MONKS]: "Child who is cast, ripped away from your past, from the sweet autumn colors you have known.

Come, rest inside, from the cold where you hide, far away from the darkness where you've grown.

And child, don't you want to go home?

Child, don't you want to go home?"
Annabel's Lament

"Annabel's Lament" is the fifth track of the first act of The Dolls of New Albion, and the fifth track of the album overall.

## Lyrics

[ANNABEL:]

Ghosts of dreams, ghosts of memory
That will not leave or lay in quiet
Ghosts that cry about the life
You let go by

Ghosts of pasts, of little girls who
Learned their math, grasped their facts
Tried their best to reach success
Just as they were asked

The girl learns to hide, deep inside
Of fractions and facts and worlds of math
A long lonely land she can understand
Annabel in Numberland

You could have been my angel, been my angel
Been my angel and been with me
Could have been my angel, been my angel
my angel and rescued me

Ghosts of love you never knew, you
Just construed like well penned plays
Ghosts of scenes, embraces, things
You only knew in dreamt up days

Ghosts of frowns for little girls when
Friends came 'round to waste her time
Ghosts of creeds, rebukes received
Children are not what achievers need

Fractions and maths, sweet companions,
Equations and facts who always stand
By as you go your road alone
Annabel in Numberland

You could have been my angel, my angel
Been my angel and been with me
You could have been my angel, been my angel
Been my angel and rescued me

Ghosts of me, ghosts of who
I could be and been with you
Ghosts of dreams, of who you thought
You'd one day be when you grew up

Ghosts of breath, of little girls
Who promised, stressed they'd be their best
Ghosts of days that fade away
As failure holds your hand 'til death

And deep in the place you escape where
Theorems and thoughts, your hopes and plans
All are derailed and then you failed them
Annabel in Numberland

Liquids and labs, fractions and facts,
Is all you have, all that you understand
And as you age all that remains with
Annabel in Numberland

You could have been my angel, been my angel
Been my angel and been with me
You could have been my angel
My angel, been my angel and rescued me
My angel, my angel
My angel and been with me
My angel, my angel
Ejfke Ehinnji

"Ejfke Ehinnji" ("Jakob Jansson") is the second track of the first act of The Lost Fairy, and the second track of the album overall.

## Lyrics

[HELLHOUND CHORUS:]

Play the game, the game of pain

Play the game, the game of pain

[JAKOB:]

I stood there shaking, staring, summer camp at 8 years old

When they told me that my folks weren't coming back

As I started feeling sick, they said the city where we lived

Had all been wiped away right off the map

Victoria was gone and was replaced by Avalon

And then they talked of fairies but I didn't hear

The gist of it I know is that I wasn't going home

In this world I'd be all alone from here

[JESSE:]

And here with me, you will never be, you will never be alone

And here with me, you will never be, you will never be alone

[JAKOB:]

Soon afterwards, the one thing that would save me came along

The voice inside my head that kept me company

[JESSE:]

I'm the brother that you never knew, I was consumed with the womb

And we'll make it through together, you and me

[JAKOB:]

He helped me through my grief, we weren't alone then, him and me

[JESSE:]

Our left arm, I control and there's a pact

[JACOB, JESSE:]

One day we would be strong and we'd avenge all that we'd lost

And upon the fairies we’d enact our wrath

[JESSE:]

And here with me you will never be, you will never be alone

And here with me you will never be, you will never be alone

And here with me you will never be, you will never be alone

And here with me you will never be, you will never

[JAKOB:]

Play the game, the game of pain

Play the game, the game of pain

[JESSE:]

Sometimes there is sadness

Sometimes there is rage

Sometimes they press down on you

And sometimes you can break

So I feel all the sadness

My brother feels the rage

And each our burden carries

Across the long hard days

[JAKOB:]

So a soldier we became, moving right up through the ranks

A Cascadian elite team, we then joined

And we waited for the day we declare war upon the fae

And every fairy inside Avalon destroy

But our job is not yet done, for there is still this last, lone one

That runs but hot upon its trail we hunt

And so we will never rest until we see it done and dead

And avenge the memory of our dad and mum

[JESSE:]

And here with me, you will never be, you will never be alone

And here with me, you will never be, you will never be alone

And here with me, you will never be, you will never be alone

And here with me, you will never be, you will never
New Albion 6

"New Albion 6" is the eighth track of the third act of The New Albion Radio Hour, and the twenty-third track of the album overall.

## Lyrics

[LLOYD:]

Though John O’Brien died on the Boulevard of Cryers
He took the city forces with him to the other side
The rebels over ran a defenseless Parliament
But then turned on each other so no government now stands

On Cryers Boulevard that day
There were some who walked away
After Constance sang they dropped their guns
Though why no one can say
They left the city yet
No one’s quite sure where they went
But some say they hear bells ringing
In the mountains to the west

Constance fought and fought
Until one day they changed the laws
Regarding women in the district
Where the upper classes flock

Then she and Thomas left
No one’s quite sure where they went
But they were last seen headed
To the mountains in the west

New Albion still stands
But it’s broken, fractured and
Its eight Districts function
Independently as best they can

There’s checkpoints in between
They eye each other warily
But for the time despite
All of this tension there is peace

The Voodoopunks, my friends
Are resurfacing again
Though who can say if this is good or bad for New Albion

The city must unite
It cannot stand with such divide
But we leave discussion of this point for another time

So again we bid adieu
To our players and to you
Same old channel, same old hour
Be sure to next time tune

And now we say good day
The future’s always on its way
And thus we end our passion play as it's played today
Edgar Gets His Heart Broken

"Edgar Gets His Heart Broken" is the second track of the second act of The Dolls of New Albion, and the eighth track of the album overall.

## Performers

Jason Broderick as "Edgar McAlistair"

Lauren Osborn as "Fay"

## Lyrics

[EDGAR:]

The restaurant was lovely
The food, the wine, it all seemed
A perfect night and she looked so divine
I poured myself a new one
She says

[EDGAR, FAY:]

It’s over and done

[EDGAR:]

She says

She found someone and it’s goodbye

[FAY:]

I found someone and it’s goodbye

[EDGAR:]

One day you will learn, and you will burn like my heart burns
One day you will learn, and you will burn like my heart burns

I had the prawns with mango
She had the cod and miso
She says

she loved me and she really tried

[FAY:]

I loved you and I really tried

[EDGAR:]

I would have had the lime pie
But I was dying inside
She left, I sat, pretended not to cry

One day you will learn, and you will burn like my heart burns
One day you will learn, and you will burn like my heart burns

One day you will learn, and you will burn like my heart

One day you will learn, and you will burn like my heart burns
One day you will learn, and you will burn like my heart burns
Annabel Raises the Dead

"Annabel Raises the Dead" is the third track of the first act of The Dolls of New Albion, and the third track of the album overall.

## Lyrics

[ANNABELLE:]

Winding all the dials and the wires and the spires and the
Tests for the connections and injections still to run
Capacitors and meters and the alkali and beakers
The restating of equations for the phase about to come

Please come back to me there’s so much we could be
Please come back, with voltage I invoke
Please come back from empty cracks and berths of black
Come to me, I’m summoning the ghost

Be my angel, my angel
Be my angel, rescue me
Be my angel, my angel
Be an angel be with me

Please come back from bowels of black
From silent shores to me once more
Through veils and gates and seas of slate
To blood wet moors where I await ashore

Years of all my theories and hypothesis and inquiries
No gathering cadavers and they kicked me out of school
All alone with theorems and experiments and endless tests
Years in labs and numberlands but now I’ve reached the goal

Please come back so we can have a life at last
Please come back, I grab at heaven’s throat
Please come back, I beckon, beg and cry and laugh
Come to me, I’m summoning the ghost

Be my angel, my angel
Be my angel, rescue me
Be my angel, be my angel
Be an angel, be

Please come back from bowels of black
From silent shores to me once more
Through veils and gates and seas of slate
To blood wet moors where I await ashore

Please come speak to me
Please come speak to me
All the things we can share and conceive
If you'll come speak to me

I remember you from school
You were dashing and I so uncool
You didn't know I was alive until that one night
We spoke and you kissed me
But then I was expelled
You married her as well
And now you‘ve died, but I can bring you back to life
And soon you'll speak to me

Be my angel, be my angel
Be my angel, rescue me
Be my angel, be my angel
Be an angel, be with me

Be my angel, be my angel
Be my angel, rescue me
Be my angel, be my angel
Be my angel, be with me

Be my angel, my angel
Be my angel, rescue me
My angel, my angel
an angel, be

Please come back so we can have a life at last
Please come back, I grab at heaven’s throat
Please come back, I beckon, beg and cry and laugh
Come to me, I’m summoning the ghost

Please come back from bowels of black
From silent shores to me once more
Through veils and gates and seas of slate
To blood wet moors where I await ashore
A Pirate's Tale Reprise

**A Pirate's Tale Reprise** is the final track of A Pirate's Tale.

## Lyrics

[ALL:]

Well my friends, so it ends,

That’s our tale for this day

Some have cried, some have died

Some will be on their way

Off we go to another sea

Gold and danger again to see

With a song and a blade

Seek our death and our fame !

It’s a pirate’s life we weather.

On the seas in our quest for treasure.

It’s a pirate’s life we chose.

See you in Davy Jones'.

It’s a pirate’s life we weather.

On the seas in our quest for treasure.

It’s a pirate’s life we chose.

See you in Davy Jones'.
Daniela

**Daniela** is a supporting character in the story Pepper the Dog.

## Background

Daniela is a prostitute from New Albion, and a friend of the librarian witch Agatha. She works out of the Sentient Room, who is also a friend of hers. The Room befriended Daniela after saving her from her pimp. At some indeterminate point, Agatha had a daughter who fell seriously ill. Agatha healed her, however, and this was a point Daniela would always be grateful to Agatha for. One day, Agatha and the dog Pepper were being chased by the Uncle of the Red-Haired Dwarf's Son. Daniela and the Room received a distress call from her and rushed to her aid. After ensuring their safety, Daniela parted with Agatha, the Room, and Pepper, but not before reassuring Agatha that her daughter's health would remain intact.

## Trivia

* Daniela is the grandmother of Thomas, a supporting character in The New Albion Radio Hour.