Hajime Hana & The Crazy Cats

**The Crazy Cats** (クレージーキャッツ, *Kurējī kyattsu*, also known as **Hajime Hana and the Crazy Cats**) were a Japanese jazz band and comedy group popular in film and television, particularly between the 1950s and 1970s. Led by Hajime Hana, the band's other main members were Kei Tani, Hitoshi Ueki, Hiroshi Inuzuka, Senri Sakurai, Shin Yasuda, and Ētarō Ishibashi.

## Hajime Hana & The Crazy Cats

### Genres

Jazz
Comic Song

### Members

Hajime Hana (drums)
Hitoshi Ueki (vocals)
Kei Tani (trombone)
Hiroshi Inuzuka (bass)
Senri Sakurai (piano)
Shin Yasuda (tenor sax)
Ētarō Ishibashi (piano)

### Past members

Tetsuaki Hagiwara
Masahiko Shibata
Jiro Inagaki
Masahiro Ishida
Mitsuo Hashimoto
Yoshikazu Kawahara
Haruko Minami
Reiko Tsukuba

### Labels

Music Japan
Music Group

### Callaborated

Shin Watanabe
Yukio Aoshima
Hiroaki Hagiwara
Hiroshi Miyagawa

## Band Origins

The band was originally formed in 1955 at the end of the first jazz boom in Japan under the name The Cuban Cats. Signed to Watanabe Productions, their performances mixed music and comedic bits, in the spirit of Frankie Sakai and the City Slickers, and they soon changed their name to the Crazy Cats. At the end of the 1950s, the main members were Hana, Tani, Ueki, Inuzuka, Yasuda, and Ishibashi. Sakurai joined in 1960, and Ishibashi left in 1971.

The group became nationally famous after appearing on the television show "*Otona No Manga*" starting in 1959. Beginning in 1961, they co-starred on the variety show "Soap Bubble Holiday" ("Shabondama Horidē"), performing in skits written by Yukio Aoshima, who later became governor of Tokyo. Their 1961 song, "*Sudara-Bushi*," sung by Ueki, was a major hit and led to seven consecutive appearances on NHK's *Kohaku Utagassen*. Their popularity also led to a series of films produced at the Toho Studios, the most famous of which was the Musekinin Otoko or Irresponsible Man. The series of films featured Ueki as a salaryman attempting to advance up the corporate ladder.

## Influence

In terms of their music, E. Taylor Atkins has said that "The Crazy Cats are significant for capitalizing and purveying an image of jazz musicians as clownish, slang-slinging ne’er-do-wells. Their audience rewarded the Cats with the longevity of which very few Japanese acts could boast." Mark Anderson has written that their "film series, in particular, had a great impact on 1960s popular culture," and that "they remain emblematic of a group of entertainers made possible by the television era."

## Filmography

* Nippon musekinin jidai (1962), Directed by Kengo Furusawa
* Nippon musekinin yaro (1962), Directed by Kengo Furusawa
* Kureji sakusen: Sentehisshô (1963), Directed by Seiji Hisamatsu
* Kureji sakusen: Kudabare! Musekinin (1963), Directed by Takashi Tsuboshima
* "Crazy Cats" Go to Hong Kong (1963), Directed by Toshio Sugie
* Musekinin yûkyôden (1964), Directed by Toshio Sugie
* Crazy Adventure (1965), Directed by Kengo Furusawa & Eiji Tsuburaya as special effects director
* Kureji da yo: kisôtengai (1966), Directed by Takashi Tsuboshima
* Operation Crazy (1966), Directed by Kengo Furusawa
* Industrial Spy Free for All (1967), Directed by Takashi Tsuboshima
* Kureji ogon sakusen (1967), Directed by Takashi Tsuboshima
* Monsieur Zivaco (1967), Directed by Takashi Tsuboshima
* Kureji Mekishiko dai sakusen (1968), Directed by Takashi Tsuboshima
* Kureji no buchamukure daihakken (1969), Directed by Kengo Furusawa
* Kureji no daibakuhatsu (1969), Directed by Kengo Furusawa & Teruyoshi Nakano as special effects director
* Damasarete moraimasu (1971), Directed by Takashi Tsuboshima

## Series

* Irresponsible Series (1962)
* Japan's Best Series (1963-1971)
* Crazy Strategy Series (1963-1971)
* Historical Drama Work (1964-1970)
* Side Works (1968-1972)