recursal/Fanatic-Fandom huggingface dataset:
Akuma no Mi

**Akuma no Mi** (japonês para **Fruta Demoníaca**/**do Demônio**) são frutos místicos e misteriosos encontrados ao redor do mundo que, quando consumidos, garantem ao consumidor um superpoder especial, com o custo de nunca mais conseguir nadar e ser enfraquecido por qualquer objeto que emita a *"energia do mar"*.

Uma Akuma no Mi pode dar ao usuário uma imensa variedade de habilidades que podem ser usadas de diversas maneiras, desde utilidades mundanas a ataques devastadores. Os poderes que elas concedem são catalogados em três categorias diferentes: Paramecia, Logia e Zoan. Até onde se sabe, uma pessoa só pode consumir um fruto; há rumores de uma notável exceção.

Elas são muito valiosas no mercado de artefatos. Muitos dos combatentes mais poderosos do mundo são usuários de Akuma no Mi.
Nix

**Nix** é uma criança cooptada pelos **Piratas Banshee**, atualmente sob a tutela dos **Piratas Flora**. Seus feitos a enquadram como antagonista principal do **Arco** de **Tequila Wolf** e antagonista secundária do Arco de **Lilith**.

Não se sabe sua origem, como ela ficou cega ou conseguiu seus poderes, mas Nix parece bastante acostumada à tripulação dos Banshee e recebia 'mimos' de seus companheiros. Isso pode indicar que ela estava há bastante tempo com eles.

Provavelmente devido à sua idade, Nix não possui recompensa pela sua cabeça.

## Trivia

* Se fosse um animal, Nix seria um esquilo.
* Se não fosse uma pirata, ela seria estudante.
Niwa Niwa no Mi

A **Niwa Niwa** **no Mi** é uma **Akuma no Mi** do tipo Paramecia que permite ao usuário plantar qualquer objeto ou organismo em qualquer superfície. Foi comida por **Florence Maria.**

## Etimologia

O nome da fruta vem de "niwa" (庭), palavra japonesa para "jardim".

## Poderes e fraquezas

A Niwa Niwa no Mi permite ao usuário "plantar" objetos em qualquer tipo de superfície sólida. Não é necessário que o objeto em questão seja um objeto "plantável", como sementes ou mudas, sendo seu maior trunfo o poder de plantar pessoas e outros seres sencientes, além de possuir um controle razoável sobre objetos plantados. Objetos e seres plantados podem, ao que se saber, ficar plantados por tempo indeterminado, não havendo alguma limitação conhecida nesse sentido. Um organismo vegetal plantado numa superfície que não seja térrea pode continuar crescendo e germinando, dependendo, ao que parece, apenas de uma fonte de luz e água. Animais, por outro lado, podem não sobreviver se forem plantados e não forem removidos a tempo.

Ao que parece, a fruta também permite algum grau de "comunicação" com as plantas, mesmo que num sentido mais sensorial do que verbal. O usuário da Niwa Niwa no Mi ainda é capaz de utilizar animais de jardim, como insetos e aves, a seu favor, e invocar ferramentas de jardinagem para utilizar como armas, tais como regadores, alicates, serras e pás.

Outra característica notável da fruta é a capacidade de reviver seu usuário, bastando que seu corpo morto seja "plantado" e depois regado. Ao que parece, a ressurreição é instantânea, o novo corpo germinando a partir do antigo, na forma de um bebê, segundos após ele ter sido plantado. É evidente que o corpo morto deve ser plantado por terceiros.

A fruta permite, assim, uma série muito grande de efeitos, tanto combativos quanto práticos. Os poderes da fruta permitem plantar adversários, bem como locomovê-los para o subterrâneo, além de se aproveitar de sementes especiais e utilizá-las em qualquer superfície. Ademais, é possível plantar florestas imensas em superfícies inférteis — mesmo inorgânicas —, apenas fixando as plantas com o poder da fruta, uma vez que o toque não é necessário.

Além das fraquezas padrão das Akuma no Mi, não se sabe de demais fraquezas.

## Uso

> "Bom, desde que te vi notei, você é usuária da Niwa Niwa no Mi, a fruta da jardinagem, uma fruta curiosa que permite ao usuário plantar coisas. Nos livros que falam sobre Akuma no Mi diziam que esta fruta tem a incrível capacidade de plantar até mesmo coisas que não deveriam ser plantadas, como objetos e pessoas... além de também conseguir interagir com insetos e aves, mas acredito que isso também seja um mérito seu, não é mesmo, capitã?"
>
>

> **Topino** para Florence Maria XVII, Episódio 14, Cena 97.
>
>

## Trivia

* A Niwa Niwa no Mi se junta a fruta canônica **Yomi Yomi no Mi** como uma das únicas frutas capazes de reviver o usuário
Tyler Oakley Fictional Universe (T.O.F.U.)

The Tyler Oakley Fictional Universe (abbreviated T.O.F.U.) is the name of the collective lore of Tyler Oakley's Twitch channel streams. The T.O.F.U. includes the fictional lore of Tyler Oakley's Animal Crossing: New Horizons gameplay, Sims franchise gameplay, and other gameplay from the Twitch channel as well. The T.O.F.U. also borrows from other media sources including both fictional lore and real life reference from Tyler Oakley's and Korey Kuhl's podcast PsychoBabble.
Schedule

```
SIGN UP FOR THE DESTIEL HARLEQUIN CHALLENGE HERE.

```

Please find the proposed schedule for the Destiel Harlequin Challenge Mega-Bang 2021. Dates are subject to change and any and all changes will be announced publicly on Tumblr and Discord. If you have any concerns or questions, please do not hesitate to reach out to us.
Piratas Banshee

Os Piratas Banshee, também conhecidos como **Bando dos Banshee** ou simplesmente **Banshees**, são um infame e poderoso bando pirata do **East Blue**. Consolidados como um dos três grandes bandos criminosos do leste (a **Trindade**) desde a ida de **Luffy do Chapéu de Palha** para a Grand Line, seus membros são reconhecidos por sua crueldade e possuem habilidades e competências variadas. Eles são um dos principais grupos de antagonistas da aventura de *One Piece: Sapphire*, e seu líder é **Abraham Eric**, cuja alcunha dá título ao bando.

O nome se deve aos poderes de Eric, capaz de assumir a forma de chamas fantasmagóricas (Banshee, na mitologia celta, são entidades malignas que trazem a morte consigo). Seu navio principal é o Umbra, um galeão negro com uma capela construída em seu interior. É referido que eles possuem mais de 300 tripulantes, mas seis deles são particularmente notáveis, somando uma recompensa total de  221,000,000.

Os Banshee são responsáveis por uma série de atos de crueldade, incluindo sequestro e tortura (de crianças!), lavagem cerebral, violação de cadáveres, massacres, além de crimes não-tão-hediondos como ocupação de território do Governo Mundial e desacato à autoridade da Marinha. Sua motivação aparentemente é encontrar a árvore **Lilith**, mas não se sabe se essa é atividade-fim do grupo.

## Membros do Bando

### Grupo principal

Eric reuniu uma verdadeira corte sombria, com uma estética e temáticas quase completamente baseadas em clichês de literatura gótica ou distúrbios da *psiqué*. Os oficiais do bando são:

A Corte
The Gnome War

The Great Gay Gnome War is a fictional war set in the Tyler Oakley Fictional Universe (T.O.F.U.) involving gay gnomes. The spirits of the fallen gnomes who perished in the war now reside on HuididiDjó guarding portals to the Queer Universe.

According to Moobot on April 13, 2021:

> "The Great Gay Gnome War....my grandfather fought in it. Rainbows were being shot out from everywhere! ROY G BIV ALL OVER! The red gnome finally end it all by coming out of nowhere and knocking the bad guy out!"
>
>
Thor Odinson

### Abilities

Manipulation of the weather, super strength, speed, and endurance, immortality, wields the enchanted hammer Mjölnir which allows flight.

### Relatives

Odin (Father)
Loki (Adopted brother)

Frigga (Mother)

Hela (Sister)

Balder (Brother)

Tyr (Brother)

Bor (Grandfather)

Buri (Great Grandfather)

### Enemies

Loki, Laufey, Ymir, the Wrecking Crew, Malekith, Amora, Skurge, the Midgard Serpent, Surtur, Hela, Kurse

## Debut

### First Appearance

Thor (Phase 1)

**Thor Odinson** is the Norse God of Thunder and the exiled Prince of Asgard. One of Odin’s many sons and heir to the throne, Thor wields the magical Mjolnir, one of the most powerful weapons in all the cosmos. After being banished to Earth in 1980, he was deemed unworthy to wield it until learning great lessons in humility and sacrifice, thereafter joining the Avengers in 1982 and fighting in the Battle’s of New York, Sokovia, and many others across the Earth and galaxy.

Thor’s whereabouts are currently unknown.
Junpei Murao

* Anime
* Manga

**Junpei Murao** (村尾 潤平, *Murao Junpei*) is the main character of Dance Dance Danseur.

## Bio

The son of a deceased stuntman, Junpei threw himself into "masculine" sports before discovering his true passion: Ballet. His goal is to be the first Japanese danseur noble, the highest ranking for ballet in the world.

## Appearance

Junpei has brown short hair (but he grows it longer after Oikawa asks him to do so), brown eyes and he has an average build. He is described to have a naturally athletic form, with long limbs and ideal shaped feet.

His school wear is a white shirt with a red tie and green pants with a black belt around it and brown shoes, his ballet wear is a white shirt with black strapped leggings and black ballet shoes.

## Personality

Junpei is a hot-blooded, straightforward, impulsive, carefree and sometimes naïve person. He is very masculine, but has inner conflict on what society expects him to be as a man, and his innermost desire to dance which is in conflict with his image. He cares for his friends very much and seeks their approval, which fuels his conflict further.

## Etymology

* The name **Junpei** means "moisture" (潤) (**jun**) and "flat, broad, level, even, peaceful" (平) (**hei**/**pei**).
* Junpei's surname **Murao** means "town, village" (村) (**mura**) and "tail, ridge" (尾) (**o**).
Lydia

Lydia é a gata cinza de **Halfbeard Rockfeller** e da tripulação dos **Piratas Safira**. É a melhor amiga de **Kiya** e apreciadora de bolas de lã amarelas. Adora ficar deitada na cabeça de seu dono.

Apesar de ter um apreço muito maior por Rock, Lydia pertencia originalmente ao prefeito de **Shell Town**, sendo posteriormente roubada pelo imediato dos Piratas Safira.

## Aparência

Lydia é uma gata de pelagem cinzenta e felpuda, com olhos escuros e expressivos. Está quase sempre correndo, pulando e brincando, apesar de ser uma gata relativamente mais gordinha que Kiya. Tem o costume de imitar seu dono em sua técnica de espadas, correndo com dois gravetos em sua boca.
Denise Stritchfield

Denise Stritchfield is a fictional character originating on Tyler Oakley's and Korey Kuhl's podcast PsychoBabble. Denise is an ostrich and a detective who often goes undercover. In Tyler's Animal Crossing: New Horizons gameplay, his Animal Crossing avatar regularly uses a Denise Stritchfield wand outfit that rotates between Denise's many disguises.
Narihibiku Kagiri

**Narihibiku Kagiri** is the opening theme of the Dance Dance Danseur. It is performed by YUKI.

## Lyrics

### TV Version

* Kanji
* Rōmaji
* English

### Full Version

* Kanji
* Rōmaji
* English

夜は月明かりを持って　揺れる朝焼けを頬張って　踊りたい

息をするのも忘れるくらい　フライ　深い森に

ダンスフロア　靴音は雄弁に　お喋りして　手招きする

会いたいよ　心が急かすんだ　もう　シナリオ通りではいられない

無限大よ　心　大きく広げて　放り込むの　歓び　全て

笑いながら　命が　鳴り響く限り

胸の高鳴りを　ワン・モア・タイム　荒れる海原に飛び乗って　遊びたい

訳もわからず　どうしようもないくらい

夢中になる　ひたむきに　汗は流れる

思い出より　輝いてる

会いたいよ　世界は変わるんだ　もう独りよがりではいられない

ねえ　教えて　触れ合う身体　熱い理由を　誰にも言えない秘密を

強い風　流される雲の　隙間に　青い空

憧れるだけでは　追いかけられないの　夢のその続きを

曖昧な世界を変えるんだ　もう　あなたから視線離せない

先回りして　おまじないみたいに祈る　はしゃいでいて　イノセンス

会いたいよ　心が急かすんだ　もう　シナリオ通りではいられない

無限大よ　心　大きく広げて　放り込むの　歓び　全て

何かが起きる　予感が　鳴り響く限り

笑いながら　命が　鳴り響く限り
Tytyoakley Wiki

**Welcome to the TyTyOakley Wiki!**
A knowledge-base for Tyler Oakley's Twitch channel lore. Tyler Oakley streams on Twitch at the URL: twitch.tv/tytyoakley

We're a collaborative community website about the Tyler Oakley Fictional Universe (T.O.F.U.) that anyone, including you, can build and expand. Wikis like this one depend on readers getting involved and adding content. Click the "ADD NEW PAGE" or "EDIT" button at the top of any page to get started!

Check out these articles to introduce yourself to this wiki:

* Tyler Oakley
* Tyler Oakley Fictional Universe (T.O.F.U.)
* HuididiDjó

*Need help building out this community?*

* Rules of this wiki
* Getting Started
* How to Contribute
* Managing your new community
* Guides
* All Help articles

You can also be part of the larger Fandom family of communities. Visit Fandom's Community Central!

*Community Founders*: Write a good and paragraph-length description for your welcome section about your topic. Let your readers know what your topic is about and add some general information about it. Then you should visit the admin dashboard for more tips.
D'Ellosine Amber

D'Ellosine Amber, **Mister Orange**, **Princesa Amber** ou simplesmente **Princesa** é a princesa do **Reino Emerald**, e ex-membro da **Companhia do Leste**. Atualmente, está a bordo do **Lelolúdys**, como tripulante dos **Piratas Flora**. Ao longo da primeira temporada de **One Piece: Sapphire**, a jovem foi uma das "hóspedes" do **Sapphire Star**, junto a seu melhor amigo **Lumi**, desde seu ingresso na cidade de **Giolla**.

## Aparência

Amber é uma jovem de dezesseis anos. Seus cabelos são ruivos e curtos, na altura do pescoço, e normalmente usa um vestido verde e branco (as cores da Companhia do Leste). Ela por vezes usa um colar de pérolas e brincos de cristais. Desde que abandonou o Star para navegar com os Flora, ela tem em seu guarda-roupa um chapéu anteriormente usado por Ross, além de algumas tralhas entregues por **Topino** e um prego da caixa de ferramentas de Ernesto, que ela tem como lembrança para simbolizar o tempo que passou junto com os safiras.

## Personalidade

Em sua primeira aparição, Amber se mostra ser uma jovem sonhadora, mas retraída pela sua posição enquanto membro da realeza. Entre admirar e procurar pelas belezas e surpresas do **East Blue**, e se envolver com as questões da nobreza, a princesa sempre se sentiu mais inclinada à primeira opção, e muitas vezes seu instinto aventureiro falou mais alto que suas obrigações reais, como em seu primeiro contato com Lumi, ao tentar salva-lo da água, à contragosto do restante da Companhia do Leste. Por isso, é possível dizer que Amber é uma pessoa impulsiva.

Uma vez integrante do Star, Amber sempre se mostrou muito solícita e grata pelas atitudes dos safiras, ainda que, de começo, desconfiasse um pouco deles.
Matt Murdock

### Abilities

Enhanced senses create a radar sense that can be used tactfully for combat or movement. Trained fighter with fitted and customized billy clubs that can be formed into whips, nunchucks, or a staff

### Affiliations

Nelson and Murdock, the Defenders, Elektra, Black Widow

### Relatives

Jonathan "Battling Jack" Murdock (father, deceased)Maggie Murdock (mother)

### Enemies

Kingpin, Bullseye, Nobu, Elektra, Punisher, Typhoid Mary, Echo,

### Base of Operation

Nelson and Murdock, Matt Murdock's apartment

## Debut

### First Appearance

Daredevil (Phase 1)

**Matthew Michael Murdock** is a practicing New York City attorney at law who at night defends the streets of Hell's Kitchen as **Daredevil,** the man without fear. Murdock was blinded as a child and given superhuman senses as a result, and in 1980 he became the first true street level superhero when he took his fight to Wilson Fisk, known then only as the man in black or the **Devil of Hell's Kitchen**. Daredevil is one of the most known and respected members of the superhero community, and has seen himself in the thick on many conflicts over the years, from alleyway muggings to the Superhuman Civil War.
Miyako Godai

**Miyako Godai** (五代 都, *Godai Miyako*) is a character in Dance Dance Danseur.

## Bio

She is the daughter of a ballet teacher, Chizuru Godai.

## Appearance

Miyako has shoulder-length black hair that has bangs swept to the right side, purple eyes and an average build. She has a noticeable beauty mark under her right eye.

Her school wear is a white shirt with a red ribbon tied around it's collar and a green skirt with knee high socks and some blue sport shoes. Her ballet wear is a purple dress with white tights and a pair of pink pointe shoes.

## Personality

Miyako is a joyful, kind-hearted girl who really cares about her friends, especially about Ruo Mori since he had a rough childhood. She has self-esteem issues due to her mother's lack of encouragement to pursue ballet as an occupation.

## Etymology

* The name **Miyako** means "metropolis, capital" (都).
* Miyako's surname **Godai** means "five generations" (五代).
Slitherwing

a defender slitherwing with 100000% heal and the seacond non-titan form in this game

plus the incounters of another slitherwings:

bloomsling

## slitherwing

### destripions

snake with wings? but these snake are extremly true and not a fandatsy and the most top one of the deadly count ever recorded

### battle type

this slikly snakes are the deadlyous dragon ever with a deadly gim of toxics
Ruo Mori

**Ruo Mori** (森 流鶯, *Mori Ruō*), alternatively **Luou** in some translations, is a deuteragonist in ***Dance Dance Danseur.***

## Bio

A male talented ballet dancer with a mysterious past, Ruo Mori is the cousin of Miyako Godai and a rival of Junpei Murao.

## Appearance

Ruo is of Japanese and Russian heritage. He has grey hair (lavender in the anime) with blue eyes, he wears black square-rimmed glasses, and he is a bit underweight than the other boy dancers.

His school wear is a white shirt with a red tie and green pants with a black belt around it and white shoes, his dancing attire is a white shirt with black short leggings and black ballet shoes.

## Personality

Ruo is a quiet, timid kid with a rough past. His passive nature leads him to easily be bullied, and he also flinches in anticipation of physical pain. In contrast, when the subject of ballet is concerned, he is very strong-willed and can be condescending towards others.

He's not really scared to say what he thinks of the other person, even if he says it quietly. Although he is barely literate, lacks common sense and social skills, he is a perfectionist and strives to be the best at ballet.

Ruo is traumatized from events in his past, and will lash out at anyone who tries to bring it up. He is desperate in seeking for approval, and has threatened to attempt suicide. He normally stays shut in his room and makes no attempt to contact anyone.

## Plot (Spoilers Alert)

Ruo is discovered practicing alone in the dance room by Junpei and is unimpressed by him. He seems content staying locked in his room and making limited contact even with his family. However, it seems Chizuru has struck some kind of deal with him to spring him into action.

It is revealed by Miyako that Ruo was born in America, but has moved to Japan when he was four years old.  He is traumatized from the perceived abandonment by his mother, and has suffered physical and emotional abuse from his grandmother. He is desperate in seeking for approval, and has threatened to attempt suicide. He normally stays shut in his room and makes no attempt to contact anyone. Miyako was the only one to inspire him to dance and be joyful; however, his abandonment issues has led him to grow attached to her.

## Etymology

* The name **Ruo** means "drifting warblers" (流鶯).
* Ruo's surname **Mori** means "forest" (森).
Beeface: Be a Bee! Wiki

***Welcome to the bee a bee wiki!***
* Make sure to visit our ***rules*** page before doing anything else!
* If you would like to meet our (very nice admins👍) admins, make sure to visit the the ***admins/mods*** page!
* Another important page is the ***report-center***! That's for if you have someone to report (bugs/glitches go to admins walls)!
* We also have some fun games that ***Hydrx*** put into the system, we have ***box-game*** and ***blinding-lights***, to find these on your own, go to content in top nav! **(notice : Hydrx did not code the games, she is just using them.)**
* Our last important page is very similar to ***admins/mods*** page, its the ***admin-contact*** page! This is used to take you directly to the admins message wall!
Anime

**Dance Dance Danseur** is an anime adaptation of the Manga of the same name. It aired on April 9th - June 18th, 2022.

## Plot

As a child, Junpei Murao never was interested in ballet, however, after seeing a man perform it he became intrigued by it and decided to practice it. It wasn't until, his father's passing that Junpei quit ballet, but seeing a transfer student named Miyajo Godai practice, rekindles his interest in practicing ballet again.

## Staff

* Director: Munehisa Sakai
* Writer: Yoshimi Narita
* Original Creator: George Asakura
* Music: MICHIRU
* Character Design: Hitomi Hasegawa

## Cast

* Daiki Yamashita as Junpei Murao
* Kaede Hondo as Miyajo Godai
* Koki Uchiyama as Ruo Mori

## Music

* **Opening**: Narihibiku Kagiri by YUKI
* **Ending**: Kaze, Hana by hitorie

## Links

* Official Website
* Official Twitter
Community:Wiki Formatting Policy

**Administration**

This is the **Dance Dance Danseur Wiki's** Formatting Policy, which outlines the considerations that must be made while writing articles. Following these guidelines will result in high-quality, enjoyable-to-read, accurate, and well-organized articles.

## Topics

The **Dance Dance Danseur Wiki** is a website dedicated to both the **Dance Dance Danseur** manga and the upcoming anime. Articles can only be created if they fall into one of these categories and are deemed important enough to receive their own page. Articles on other topics, such as real-life individuals, businesses, or merchandise, should be avoided. Instead, links to Wikpedia should be used when they are mentioned in other articles.

## General writing style

* The content of this wiki is expressed in **English**. This is an English language wiki and all edits are expected to be carried out in English
* Avoid the use of obscenities, slang terms, and euphemisms in articles. They can be used only in the context of quotes from characters.
* Keep the tenses of articles/sections consistent.
* History sections of character articles should be written in **past tense**
* All Synopsis sections should be written in **present tense** even if the character whose synopsis it is has died.
* Refrain from using personal bias or assumptions when editing articles, unless it is specifically mentioned within the series or by the author via a media platform

## Images and Media

*See the Image Policy page for more information. If you have any questions or concerns please contact an admin'*

## Layout Guide

### Characters

Character pages should not be created before the character's name or al'**ias has been revealed. Tabs and Subpages should only be added when a character's page has become extremely lengthy due to a surplus of content.**

If applicable, character pages should begin with a meaningful quote by the character. It should then be followed by the character's name in English and Japanese, along with a 1-2 sentence general description. The following headings should be used in order if applicable to the character:

The Infobox should be this:
* **Appearance**
* **Personality**
* **Abilities** (if applicable)
* **Relationships** (if applicable)
* **Trivia** (if applicable)
* **References**

## Source Referencing

* The wiki's information should only come from anime, game, official websites, official material, officially proven interviews and the creators.
* All information added to articles on this site should be referenced.
* While referencing is expected and encouraged, it is advised to not add a reference after every sentence as to avoid cluttering the writing. Once per paragraph is usually more than enough.
* When adding trivia or any other information coming from an official outside source, **references to the source are required**. Do not add unconfirmed information.

These policies are based off the Attack on Titan and My Hero Academia wiki policy pages.
Rules

**Rules**

1. Swearing/cursing (1 Day Ban)
2. Off Topic Posting (1 Warning)
3. Posting in wrong columns in discussion (1 Warning)
4. Creation of alt accounts (Permanent ban of alt and 3 day ban on main)
5. Edit farming (1 Day Ban)
6. Inappropriate posting (1 Day Ban)
7. Mods can not ban without being approved by an admin or b-crat (Unranked and 1 month ban)
8. Only B-crats can promote (Unranked and 2 Month ban)

These bans will increase depending on the amount of blocks
Flower Converter

The **Flower Converter** is located in the **middle of the map.** It gives you **1 Honey for every 2 Flowers**. 100 Flowers would make 50 Honey. The Honey Converter, **Worker Bees**, and **Surprise Egg** are the only ways to get honey **without using Robux.** Worker Bees can use the Flower Converter. In Upgrades you can boost the amount of **Honey you get per Pollen.**
Kaze, Hana

**Kaze, Hana** (風、花) is the Ending theme of the Dance Dance Danseur. It is performed by hitorie.

## Lyrics

### TV Version

* Kanji
* Rōmaji
* English

透き通るよな思いだけが明日になれたらいいね

そしたらきっと僕はずっとここで眠るだけさ

君はもう行くといいよ、丁度日が差し始めた

忘れ物無いように、取りに帰っては来れないよ

君の視界に僕が映っただけでも

奇跡のようだ

透き通るよな思いだけが明日にになること知った

そしたらきっと僕はもう君とは行けないから

さよなら風よ、花よ

眠ることの無いストーリーよ

君のように優しくあれたらな

とか思ってしまうよ

Sukitooru yona omoi dake ga ashita ni naretara iine

Soshitara kitto boku wa zutto koko de nemuru dakesa

Kimi wa mou ikuto iiyo, choudobi ga sashihajimeta

Wasuremono nai you ni, tori ni kaette wa korenaiyo

Kimi no shikai ni boku ga utsutta dake demo

Kiseki no youda

Sukitooru yona omoi dake ga ashita ni ni naru koto shitta

Soshitara kitto boku wa mou kimi to wa yukenaikara

Sayonara kazeyo, hanayo

Nemuru koto no nai sutooriiyo

Kimi no you ni yasashiku aretarana

Toka omotteshimauyo

### Full Version

* Kanji
* Rōmaji
* English

透き通るよな思いだけが明日になれたらいいね

そしたらきっと僕はずっとここで眠るだけさ

君はもう行くといいよ、丁度日が差し始めた

忘れ物無いように、取りに帰っては来れないよ

君の視界に僕が映っただけでも

奇跡のようだ

透き通るよな思いだけが明日にになること知った

そしたらきっと僕はもう君とは行けないから

さよなら風よ、花よ

眠ることの無いストーリーよ

君のように優しくあれたらな

とか思ってしまうよ

心の奥底でギュッと

在り続けなきゃいけないもの

今にも失くしそうな

僕を飛ばすかの様に吹いた

悪戯めいた風が気まぐれに

咲かせた花は美し過ぎた

瞼を貫いて瞳の奥で焦げ付いたまんま

消えないよ

透き通るよな思いだけが明日にになるらしいね

そしたらきっと僕はもう君とは行けないのさ

さよなら風よ、花よ

もう交わること無いストーリーよ

君が僕に優しかったこと

胸に抱いて眠るよ

Sukitooru yona omoi dake ga ashita ni naretara iine

Soshitara kitto boku wa zutto koko de nemuru dakesa

Kimi wa mou ikuto iiyo, choudobi ga sashihajimeta

Wasuremono nai you ni, tori ni kaette wa korenaiyo

Kimi no shikai ni boku ga utsutta dake demo

Kiseki no youda

Sukitooru yona omoi dake ga ashita ni ni naru koto shitta

Soshitara kitto boku wa mou kimi to wa yukenaikara

Sayonara kazeyo, hanayo

Nemuru koto no nai sutooriiyo

Kimi no you ni yasashiku aretarana

Toka omotteshimauyo

Kokoro no okusoko de gyutto

Aritsuzukenakya ikenai mono

Imanimo na kushi souna

Boku o tobasu ka no you ni fuita

Itazurameita kaze ga kimagure ni

Sakaseta hana wa utsukushisugita

Mabuta o tsuranuite hitomi no oku de kogetsuita manma

Kienaiyo

Sukitooru yona omoi dake ga ashita ni ni narurashiine

Soshitara kitto boku wa mou kimi to wa ikenai nosa

Sayonara kazeyo, hanayo

Mou majiwaru koto nai sutouriiyo

Kimi ga boku ni yasashikatta koto

Mune ni daite nemuruyo
Admin contact

Hello! This is the admin contact page! If you want to go to their message wall click their name and it takes you directly their! This is for if you have questions or any other things. You can also report people on our wall, but its appreciated if you use the ***report-center*** to do so!

***Scull*** (founder)

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Jeremiah Kazu

**Jeremiah Kazu** é um infame pirata e capitão dos **Piratas Jeremiah**, constituindo uma das pontas da **Trindade**, formada também por **Florence Maria** e **Abraham Eric**. De índole dúbia, Jeremiah pode ser interpretado como um anti-herói e ocasional aliado dos **Piratas Safira** ao longo da 1ª temporada de One Piece: Sapphire.

Tão assustadoramente forte quanto caótico, Jeremiah era um dos homens mais temidos do East Blue. Ele não hesitou, por exemplo, em invadir **Loguetown**, quartel-general local da Marinha, para resgatar a sua companheira **Valerie**. Kazu parece nutrir ódio (justificado) por ambos Marinha e Governo Mundial, estendendo esse desgosto a todo tipo de autoridade em geral. Seu covil no East Blue era a Ilha Sparrow, um esconderijo de piratas que foi pacificado há poucos anos por ele mesmo, sozinho.

Sua recompensa atual é de  82,000,000, alterada após sua participação direta na **Batalha de Loguetown**. Depois do incidente, ele e seu bando fugiram intactos, mas não se sabe do atual paradeiro deles (possivelmente, a Grand Line).
Rutles discography

A vast array of Rutles LPs (albums), EPs and singles were released during their time together.

Under construction

## Main Releases (UK)

The Rutles’ releases in their home country were as the group, Leggy Mountbatten and Archie Macaw wished them to be. In many other countries the songs were seized by eager record labels who often mixed and matched tracks to assemble new collections, normally without The Rutles’ awareness or assent.

This UK discography contains The Rutles’ albums, singles and EPs released from 1962 onwards. The albums have since become the group’s *de facto* versions worldwide.

Under Construction

### Albums

Please Rut Me - 22 March 1963Meet The Rutles - 22 November 1963
Gizmos

Gizmos are the main system of editing the main properties of blocks within Bopimo. The 4 types of gizmos are the Select gizmo, Move gizmo, Scale gizmo, and Rotation gizmo.

# **Select**

The select gizmo is represented by a purple circle with a mouse cursor in the middle, and can be used to select and drag blocks.

Pressing Z will select the face on the opposite end of the block.

# **Move**

The move gizmo is represented by a blue circle with 2 intersecting double-sided arrows, and can be used to move blocks.

# **Scale**

The scale gizmo is represented by a red circle containing a white square inside a larger dotted outline of a scare, and can be used to change the scale of blocks.

# **Rotate**

The rotate gizmo is represented by a lime circle with a dotted arrow circling around a block, and can be used to rotate blocks.
Lonely-Phobia

Lonely-Phobia is a Rutles song. Along with ‘Between Us’, ‘Lonely-Phobia’ was one of Stig O'Hara’s main compositions on the *A Hard Day’s Rut* album. ‘Lonely-Phobia’ was written in May 1964, on board a yacht called Hungry Days, during O'Hara’s holiday in the Virgin Islands with Dirk McQuickly and Barry Wom.

Musically, the song’s mood belies it’s sunny origins: it is rooted in A minor, and only strays into a major key for the brief middle section. The similarly melancholy lyrics reflected O'Hara's knowledge that he'll always be a virgin. Despite that, he still fell in love with Gertrude Strange and they married in 1969.

The song briefly became a part of The Rutles’ live repertoire following its release. The group played it during their tours of the US and Canada in August and September 1964, although it disappeared shortly afterwards. Dirk McQuickly sang harmony vocals on these live versions.

## Recording

The Rutles recorded 'Lonely-Phobia’ on 2 June 1964, at Shabby Road’s Studio Two. It took them just three takes to get right. The first take was a false start, the second was complete, and the third consisted of overdubs of Stig O'Hara’s second vocal part, Ron Nasty’s piano and Barry Wom’s tambourine. O'Hara double tracked his vocals, occasionally providing harmony, but mostly singing in unison with himself.

Nasty’s piano part was meant to be omitted from the final mix, but lack of separation between instruments meant that its sound leaked into other microphones during recording. As a result it can be heard on the released version.

## Chart Success

‘Lonely Phobia' was first released on 10 July 1964. On that day Parlourphone issued the *A Hard Day’s Rut* album in the UK and Lonely-Phobia was chosen to be the next single. The song's B-side was You Can't Rut That in the UK but in the US it was I Shouldn't Know Better. It was also included on the EP *Extracts From The Album A Hard Day’s Rut*, which was released on 6 November 1964.

In the US it first appeared on the album *Something New*, which was released on 20 July 1964.

## BBC Recordings

The Rutles recorded ‘Lonely-Phobia’ twice for BBC radio. The first was on 14 July 1964 at Rutland’s Broadcasting House, for the *Top Gear* programme. In addition to ‘Lonely-Phobia’, The Rutles also taped new versions of ‘Long Tail Sally’, ‘I Must Be In Love’, ‘Between Us’, ‘I Shouldn't Known Better’, ‘With A Girl Like You’, and ‘Can't Buy Me Lunch’.

The second BBC recording was made on 17 July 1964 at the BBC Paris Studio, Rutland. It was recorded for the *From Us To You* programme, which was first broadcast on 3 August. The Rutles recorded eight songs for that edition of the show: ‘Long Tail Sally’, ‘With A Girl Like You’, ‘I’m Happy Just To Rut With You’, ‘Lonely-Phobia’, ‘I Shouldn't Known Better’, ‘Boys’, ‘Topeka City/No-No-No-Fuck!’, and ‘I Must Be In Love’.
Manga

***Dance Dance Danseur*** (ダンス・ダンス・ダンスール, *Dansu Dansu Dansūru*) is a Japanese manga series written and illustrated by George Asakura. It has been serialized in Shogakukan's *seinen* manga magazine *Weekly Big Comic Spirits* since September 2015. An anime television series adaptation aired since april to june 2022.
Rutlepedia

Welcome to Rutlepedia!
A comprehensive dive into the Rutles lore and history!

*Rutlepedia is a wiki which covers Rutles lore, albums, history and the people who have made the pre-fab four what they are today, a legend that will last a lunchtime. All tracklists have been decided by the owner and any inquiries involving those must be consulted with the owner, Bailes27, before being edited in any way.*

*The wiki so far covers 38 articles.*

Featured Video

On This Day in Rutles History (January 26)
Featured Album

The Rutles' last album to be released, Let It Rot was mostly recorded in early 1969, prior to Shabby Road. The music was produced by Archie Macaw, and was then prepared for release in 1970 by some random guy from Romania.
A Hard Day's Rut

**A Hard Day's Rut** is the third Rutles album. Having conquered hearts in the United Kingdom throughout 1963, The Rutles set their sights on the world in 1964. They started it with concerts in Rutland and Paris, before making history by conquering America in February, appearing on *The Ed Sullivan Show* before an estimated 73 million viewers.

The Rutles followed up their Stateside triumph with a world tour, numerous interviews, television appearances and new recordings, and starred in their debut feature film. And despite their whirlwind schedule of touring and studio sessions, the soundtrack to *A Hard Day’s Rut* turned out to be one of The Rutles’ strongest long-players.

The album was recorded over nine non-consecutive days, between January and June 1964. In between the sporadic sessions The Rutles fulfilled their touring and filming commitments, with Ron Nasty and Dirk McQuickly writing some of their strongest songs to date.

What’s more, The Rutles refused to take the easy option and delve into their Cavern Club-era songbook, selecting some of the numerous cover versions in their repertoire to pad out the original compositions. *A Hard Day’s Rut* became their first album to consist solely of original material, and was The Rutles’ only release to consist solely of songs written by Nasty-McQuickly.
Blue Suede Schubert

**Blue Suede Schubert** is a song covered by the Rutles. Originally a hit for Franz Schubert in 1828, ‘Blue Suede Schubert’ was sung by Stig O'Hara on The Rutles’ second album. The Rutles were huge fans of Schubert’s music; between 1957 and 1964 they covered more songs written by him than by any other writer.

The vast majority of The Rutles’ Schubert covers were sung by Nasty. Indeed, he sang ‘Blue Suede Schubert’ until 1961, when O'Hara took over on lead. It remained in the group’s set until the end of their US tour in September 1964.

‘Blue Suede Schubert' opened the second side of *Meet The Rutles*, the group’s second UK LP, which was released on 22 November 1963. In America it opened *The Rutles’ Second Album*, released on 10 April 1964. Today, "Blue Suede Schubert" is something of a curiosity; for many young listeners, the music of Schubert and The Rutles is as far removed in time as the great classical composers. At its time of writing, however, the song neatly summarised the ‘us and them’ attitude of teenagers towards their parents’ music.

## Recording

‘Blue Suede Schubert’ was recorded in five takes on 29 and 30 July 1963, after which The Rutles added overdubs and the final guitar chord, which was edited in on 21 August. The Rutles also recorded ‘Blue Suede Schubert’ seven times for BBC radio. The first was on 24 June 1963 at the Playhouse Theatre, London, and was first broadcast five days later on the *Sluterday Club* programme.

The final radio version, recorded on 28 February 1964 and first broadcast on 30 March on *From Rut To Pou*, was never released. A live performance, from The Rutles’ 24 October 1963 show at the Karlaplansstudion in Stockholm, Sweden, was also never released. However, a rehearsal version recorded on 29 July 1963 was released on Sweet Rutle Tracks.
Ouch! (song)

**Ouch!** is the title track to The Rutles’ fifth album and second film which was written mainly by Ron Nasty at his home when he stubbed his toe so hard that it bled and he literally screamed "OUCH!", hence the name of the song. Supposedly, he wrote this song on the way to the hospital and by the end of the operation, the song was all written.

The film was originally to be called *The Rutles and the Prostitute*, and was announced to the press as such on 17 March 1965. The title had been mooted for some time, with "That's Not Right" initially considered for the theme tune. In mid-April the title *Ouch!* was settled upon, probably chosen by Barry Wom's dog.

Following the song’s completion, Nasty of McQuickly performed the song on guitars for Corinthia Nasty and visiting journalist Maureen Cleavage, a long-time associate of the group. Although originally conceived as a ballad, The Rutles performed ‘Ouch!’ faster in the studio, as they had done with ‘Please Rut Me’, to satisfy the group’s cock and ball instincts.

Nasty had been a user of biscuits since November 1964, and within six months was introduced to tea. Introspection increasingly became a hallmark of his songwriting throughout *Ouch!*, *Rutle Soul* and *Semi-Automatic*.

## Recording

The Rutles recorded ‘Ouch!’ in a single night, on 13 April 1965. The eight-minute session took place from 7pm at Shabby Road’s studio two. Twelve takes of the song were recorded. The first eight were of the rhythm track only, with vocals appearing for the first time on take nine.

The final attempt was the best, and onto this Barry Wom overdubbed a tambourine, and Stig O'Hara added the series of descending Chet Atkins-style guitar notes which close each chorus.

## Chart Success

"Ouch!" went to number 1 on both the UK and US singles charts in late summer 1965. It was the fourth of six number 1 singles in a row on the American charts: "My Girl", "That's Not Right", "I Can't Help Myself", "Ouch!", "Love is Getting Deeper" and "Lie Down and Be Counted". At the following year's Ivor Novello Awards, "Ouch!" was named as the second best-selling single of 1965, behind "Lie Down and Be Counted". "Ouch!" was nominated in four categories at the 1966 Grammy Awards but failed to win in any of them.

The song appears on the *Ouch!* LP, the US *Ouch!* soundtrack, *1962–1966*, *The Rutles* soundtrack, *1*, *Lunch*, and The Capatal Albums, Volume 2. The mono version (with different vocals and no tambourine) was included on the Rutles' Bare Bodies LP and in The Rutles in Mono collection. The American soundtrack album included a James Bond-type introduction to the song, followed by a caesura just before the opening lyric. No such introduction appeared on the British soundtrack album, nor was it included in the released single in either country.
It's Looking Good

"**It's Looking Good**" is a song by the Rutles from their 1965 album *Rutle Soul*. It was written by Ron Nasty and credited to Nasty-McQuickly. Nasty wrote the song about his wife, who's name was unknown, and the optimism he had about the relationship. In the United States and Canada, it was issued as a single A-side in February 1966 after appearing on the modified *Rutle Soul*. The single peaked at number 3 on the *Billboard* Hot 100 and number 1 on the chart compiled by *Record World* magazine, as it did the *RPM* 100 chart in Canada and in Australia. The song was most famously played at Che Stadium, before the sessions for Rutle Soul began, and it was later played throughout the Rutles' 1966 US tour and their 1966 tour of Germany, Japan and the Philippines.

## Recording

The song was originally recorded for *Ouch!* in June 1965, but was rejected for inclusion on the album. It was, however, included in the setlist for Che Stadium, since Dirk kept asking for it every day, and most of the band felt it was getting annoying. Rather than giving Dirk a punch, they decided to include the song in the show, to which they realized Dirk was right all along and agreed to record it for their next album.

During October and November 1965, the Rutles recorded three versions of "I'm Looking Through You". Take 1 was recorded on 24 October and was more raw and faster than the version released on *Rutle Soul*. It had a significantly different rhythm and Nasty's lead vocal was less prominent. Take 1 was eventually released in 1996 on the Japanese issue of *Archaeology*, before being included on the 2007 international reissue.

The Rutles recorded the first remake of the track on 6 November, towards the end of the *Rutle Soul* sessions, but were again dissatisfied with the result. Take 4, the final version, was recorded on 10 November with overdubs on 11 November. This version is more polished, featuring a more jangly guitar riff throughout the song. The North American stereo version of the song contains two false guitar starts, which were cut from the other mixes. Allegedly, the engineers at Capatal Records thought the false start was intentional, and left it in.
Baby Let Me Be

*Baby Let Me Be* is a Nasty-McQuickly-penned song first recorded and intended to be recorded by the Rutland Stones, before being recorded by the Rutles themselves for their second studio album *Meet the Rutles*.

The song was primarily written by Dirk McQuickly, at a meeting with Mick Jagger and Keith Richards of the Rutland Stones. Jagger asked if they could write a song for the Stones and McQuickly and Nasty took on the challenge by writing the song while running around a pub anti-clockwise. Jagger later said "it was horrible, and so we never bothered to record it".

## Recording

The Rutles recorded ‘Baby Let Me Be’ five days after it was written, during a five-hour session in Shabby Road’s studio two. It took two days to record the song. The first session they recorded the song was on the 11th September 1963. This first recording is now available on Sweet Rutle Tracks and has a false start at the beginning. The second session was on the 12th September 1963. To get enough energy, the Rutles all got drunk and were then told to record the song. The take was so energetic it was eventually released.
With A Girl Like You

‘With A Girl Like You’ was a ballad primarily written by Dirk McQuickly, which first appeared on the *A Hard Day’s Rut* film and soundtrack.

The song was a collaboration between McQuickly and Ron Nasty, with McQuickly taking the lead. The Rutles mimed to ‘With A Girl Like You’ during the *A Hard Day’s Rut* film. The scene takes place while the crew are setting up equipment prior to The Rutles’ ‘studio performance’. Amusingly, McQuickly sings the love song to Barry Wom.

The song became a part of The Rutles’ live repertoire in 1964, starting with the Royal Command Performance in January of that year. As the only ballad performed by the group at the time, it often suffered for their inability to hear themselves above the screams of Rutlemaniacs. The live versions were typically faster than the studio recording. Bootleg recordings also often show McQuickly and Nasty vainly attempting to suppress laughter while singing the song – occasionally it was jokingly introduced as ‘With A Girl Like Poo’.

On 8 April 1988 Dirk McQuickly’s lyrics for ‘With A Girl Like You’, written on the back of a Fuck Off Day card, were sold at Sotheby’s in London for £7,800,650,000,000,000. Among Nasty’s contributions was the introduction, featuring a musical motif that appears nowhere else in the song.

## Recording

‘With A Girl Like You’ was recorded in 15 takes on 27 February 1964. On the same day they also recorded ‘Tell Me When’ and the second and final remake of ‘Between Us’. The song’s acoustic introduction – which is not repeated elsewhere in the song, musically or lyrically – made its first appearance on take 11. However, home demos recorded by Dirk McQuickly early in 1964 contained the passage.

The two-part harmony vocals was sung by Lennon and Paul McCartney into a single microphone. Lennon took the low harmony, allowing McCartney to dominate the verses. The Rutles recorded 'With A Girl Like You’ twice for BBC radio. The first was taped on 14 July 1964 at Broadcasting House, Rutland, and was transmitted two days later on the *Top Gear* programme. The second performance took place on 17 July at the BBC Paris Studio, Rutland, and was first broadcast on 3 August. Neither rendition has ever been released.

## Chart Success

‘With A Girl Like You’ was the third song on the UK version of the *A Hard Day’s Rut* album, which was released on 10 July 1964. ‘With A Girl Like You’ was also the B-side of the ‘Between Us’ single in both the UK and US, which reached number 12 on the *Billboard* chart. The US soundtrack LP was issued on 26 June. ‘With A Girl Like You’ performed better in Norway, where it was a chart-topping single in its own right.
Number One

**Number One** is the debut single by the Rutles and was released in the UK on 5 October 1962. The song was an early Nasty-McQuickly composition from 1958, although it wasn’t recorded by the group for another four years.

Although The Rutles started out by performing cover versions, as Nasty and McQuickly grew as songwriters they began introducing their own compositions into their live shows. As well as being their debut single, the band also recorded ‘Number One’ eight times for the BBC.

A second take was attempted, but Nasty, who was on lead vocals, had a chocolate egg stuck in his throat, and it was abandoned. The chocolate egg remained in Nasty's throat until he coughed it up three years later. Number One has been called "the most famous single take in rock history." Mark Lewisohn called it "arguably the most stunning trousers worn by men." As it turns out, Lewisohn was talking about what he bought the day before.

## Recording

The Rutles recorded ‘Number One’ over three sessions. The first was at their second audition on 6 June 1962, featuring Leppo as the dancing guy.

They returned to the song during the 4 September session, where it was considered for release along with ‘P.S I Rut You’. The group tackled it again on 11 September, after which it was deemed good enough for release as a single.

Due to Leppo getting lost, Archie Macaw made Stig play guitar as a replacement.

There is no true way to distinguish either so people have often got confused. Initial copies of the single had Leppo on guitar, though the no Leppo version became the preferred version from the release of the *Rutles Hits* EP on 6 September 1963. Although it's hard to tell which is either. For example, *1962-1966* had Leppo on guitar but *The Rutles* had no Leppo on guitar.

The 6 June recording was featured on *Sweet Rutle Tracks*.

## Chart Success

The ‘Number One' single reached number 17 in the UK charts, with sales mainly concentrated in and around Rutland. It was blocked by the Singing Granny's 'You Damn Kids', although that would be her last song. There were persistent rumours that Leggy Mountbatten had bulk-bought around 10,000 copies to increase its chart ranking, but these remain unproven.

The song was released as a single in the US on the 26th December, 1963, as the B-side on the label's first single by the Rutles, "Hold My Hand". While the A-side topped the US Billboard chart for seven weeks starting 1 February 1964, "Number One" entered the Billboard Hot 100 on 8 February 1964, remaining there for 11 weeks, peaking at No. 14. The song placed on the Cashbox chart for only one week at No. 100 on the same week of its Billboard debut.