Amnesiac (album)

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***Amnesiac*** is the fifth studio album by the English rock band Radiohead, released on 5 June 2001 by Parlophone Records in the United Kingdom and a day later by Capitol Records in the United States. Recorded during the same sessions for the band's previous album *Kid A* (2000) with producer Nigel Godrich, the album incorporates similar influences of electronic music, 20th century classical music, jazz and krautrock. Singer Thom Yorke described it as "another take on *Kid A*, a form of explanation." Its lyrics and artwork explore themes influenced by memory and reincarnation, with influences from ancient Greek and Egyptian mythology.

Three singles were released from the album: "Pyramid Song", "I Might Be Wrong" and "Knives Out". *Amnesiac* debuted at number one on the UK Albums Chart and number 2 on the US *Billboard* 200 chart and had sold over 900,000 copies worldwide by October 2008. Though many critics considered it inferior to *Kid A*, *Amnesiac* received positive reviews and in 2012 *Rolling Stone* ranked it number 320 in their updated version of *The 500 Greatest Albums of All Time*.

## Recording

 File:Humphrey Lyttelton blowing his horn.jpg
See also: Kid A § Recording
Almost all of *Amnesiac* was recorded during the same sessions as its predecessor, *Kid A*, released eight months earlier in October 2000. The sessions took place in Paris, Copenhagen, and in Radiohead's Oxfordshire studio from January 1999 to mid-2000. Moreso than Radiohead's previous "anthemic" rock albums, the sessions saw influences from electronic music, classical music, jazz and krautrock, using synthesisers, drum machines, ondes Martenot (an early electronic instrument), strings and brass. Drummer Philip Selway said the *Kid A* and *Amnesiac* sessions had "two frames of mind ... a tension between our old approach of all being in a room playing together and the other extreme of manufacturing music in the studio. I think *Amnesiac* comes out stronger in the band-arrangement way." Strings, arranged by Radiohead guitarist Jonny Greenwood, were performed by the Orchestra of St John's and recorded in Dorchester Abbey, a 12th-century church about five miles from Radiohead's studio.

The sessions produced more than twenty finished tracks. Radiohead considered releasing them as a series of EPs or a double album, but struggled to find a track listing that satisfied them. Guitarist Ed O'Brien felt the material was too dense for a double album and that listeners might skip tracks. Singer Thom Yorke said Radiohead split the work into two albums because "they cancel each other out as overall finished things. They come from two different places, I think ... In some weird way I think *Amnesiac* gives another take on *Kid A*, a form of explanation." The band stressed that they saw *Amnesiac* not as a collection of B-sides or "leftovers" from *Kid A* but an album in its own right.

Only one track, "Life in a Glasshouse", was recorded after *Kid A* was released. In late 2000, Greenwood wrote to jazz trumpeter Humphrey Lyttelton to ask the Humphrey Lyttelton Band to play on the song, explaining that Radiohead were "a bit stuck". Greenwood told *MOJO*: "We realised that we couldn't play jazz. You know, we've always been a band of great ambition with limited playing abilities." Lyttelton agreed to help after his daughter showed him Radiohead's 1997 album *OK Computer*.

## Music and lyrics

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"I read that the gnostics believe when we are born we are forced to forget where we have come from in order to deal with the trauma of arriving in this life. I thought this was really fascinating. It's like the river of forgetfulness. [*Amnesiac*] may have been recorded at the same time [as *Kid A*] ... but it comes from a different place I think. It sounds like finding an old chest in someone's attic with all these notes and maps and drawings and descriptions of going to a place you cannot remember."
—Songwriter Thom Yorke

Bassist Colin Greenwood described *Amnesiac* as having "more traditional Radiohead-type songs together with more experimental, non-lyrical based instrumental-type stuff as well." "Packt Like Sardines in a Crushd Tin Box" is an electronic song built from compressed loops and vocals manipulated with pitch-correcting processor Auto-Tune to create a "nasal, depersonalised sound." "Pyramid Song" was inspired by the Charlie Mingus song "Freedom", with lyrics inspired by an exhibition of ancient Egyptian underworld art Yorke attended while the band was recording in Copenhagen and ideas of cyclical time discussed by Stephen Hawking and Buddhism. Selway said the song "ran counter to what had come before in Radiohead in lots of ways ... The constituent parts are all quite simple, but I think the way that they then blend gives real depth to the song."

"Pulk/Pull Revolving Doors" was built on a Roland MC-505 groovebox with loops of found sounds recorded in the *OK Computer* sessions. The band disabled the erase heads on their tape recorders so that the tape head repeatedly recorded over itself, creating a "ghostly" repeating melody." They used Auto-Tune again to process speech into melody. Yorke described "You and Whose Army?" as being "about someone who is elected into power by people and who then blatantly betrays them – just like Blair did." Attempting to capture the "soft, warm, proto-doowop sound" of the 1940s harmony group the Ink Spots, Radiohead muffled microphones with eggboxes and used the ondes Martenot's resonating *palme diffuseur* loudspeaker to treat the vocals.

*MOJO* described "I Might Be Wrong" as a "venomous guitar riff" over a "trance-like metallic beat". Colin Greenwood's bassline was inspired by Chic bassist Bernard Edwards. The lyric "never look back" came from advice given to Yorke by his partner: "Be proud of what you've done. Don't look back and just carry on like nothing's happened. Just let the bad stuff go." According to a studio diary kept by O'Brien, "Knives Out" took 373 days to record, "a ridiculously long gestation period for any song." It was influenced by the guitar work of Johnny Marr of the Smiths.

"Morning Bell/Amnesiac" is an alternative version of "Morning Bell" from *Kid A*. O'Brien said that Radiohead often record and abandon different versions of songs, but that this version was "strong enough to bear hearing again." On Radiohead's official website, Yorke wrote that "Morning Bell/Amnesiac" was included on *Amnesiac* "because it came from such a different place from the other version. Because we only found it again by accident after having forgotten about it. Because it sounds like a recurring dream. It felt right."

"Dollars and Cents" was edited down from an eleven-minute jam inspired by krautrock band Can. Colin Greenwood played a record by jazz musician Alice Coltrane over the recording, inspiring his brother Jonny to write a "Coltrane-style" string arrangement. Yorke said the lyrics were "gibberish but they come out of ideas I've been fighting with for ages about how people are basically just pixels on a screen, unknowingly serving this higher power which is manipulative and destructive, but we're powerless because we can't name it."

 File:Ondes martenot.jpg
"Hunting Bears" is a short instrumental on electric guitar and synthesiser. "Like Spinning Plates" was constructed from components of another song, "I Will", which Radiohead had tried to record in the same sessions. Unsatisfied with the results, which Yorke described as "dodgy Kraftwerk", the band reversed the recording and used it to create a new track. Yorke said: "We'd turned the tape around, and I was in another room, heard the vocal melody coming backwards, and thought, 'That's miles better than the right way round', then spent the rest of the night trying to learn the melody." Yorke sang the lyrics backwards; this recording was in turn reversed, in a technique known as phonetic reversal, creating vocals with lyrics that sound reversed. "I Will" was released in a new arrangement on Radiohead's subsequent album *Hail to the Thief* (2003).

"Life in a Glasshouse" features jazz band the Humphrey Lyttelton Band. After listening to a demo of the song, trumpeter and bandleader Humphrey Lyttelton suggested arranging it in a New Orleans jazz funeral style. He described the song as starting "with me doing a sort of ad-libbed, bluesy, minor key meandering, then it gradually gets so that we're sort of playing real wild, primitive, New Orleans blues stuff." According to Lyttelton, Radiohead "didn't want it to sound like a slick studio production but a slightly exploratory thing of people playing as if they didn't have it all planned out in advance." The lyrics were inspired by a news story Yorke read of a celebrity's wife so harassed by paparazzi that she papered her house windows with their photographs.

## Artwork and packaging

*Amnesiac*'s cover art was created by Yorke and the artist Stanley Donwood, who has worked with Radiohead since *The Bends* (1995). It depicts a red library book with a minimalist drawing of a weeping minotaur of Greek mythology drawn on its cover, with some constellations being seen around the drawing. Donwood said the artwork was inspired by "taking the train to London, getting lost and taking notes". Likening London to the mythological labyrinth, he saw the city as "an imaginary prison, a place where you can walk around and you are the Minotaur of London, we are all the monsters, we are all half human half beast. We are trapped in this maze of this past."

For the "special limited edition" of the album, Donwood designed a hardback CD case in the style of the mislaid library book on the original cover, and said: "We wanted it to be like a book. And someone made these pages in a book and it went into drawer in a desk and was forgotten about in the attic. And the attic was then forgotten. And visually and musically the album is about finding the book and opening the pages." The special edition won a Grammy Award for Best Recording Package in the 44th Grammy Awards.

## Promotion and tour

Unlike having released no singles for *Kid A*, Radiohead released three singles from *Amnesiac* — "Pyramid Song", "I Might Be Wrong" and "Knives Out" — accompanied by music videos. In October 2000, Radiohead began a world tour in support of *Kid A*, playing songs later released on *Amnesiac.* In June 2001, they began the *Amnesiac* tour, incorporating their first North American tour in three years. Recordings from both tours are included on the live EP *I Might Be Wrong: Live Recordings*, released in November 2001.

## Critical reception

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*Amnesiac* debuted at number two on the US *Billboard* 200 with sales of 231,000, surpassing Radiohead's 207,000 first-week sales of their previous album, *Kid A*. It was certified gold by the Recording Industry Association of Japan for shipments of 100,000 copies across Japan.

At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, *Amnesiac* has an average score of 75, five points lower than its sister album *Kid A*, indicating "generally favorable reviews". *Pitchfork* founder Ryan Schreiber wrote that "quality aside, the questionable sequencing of *Amnesiac* does little to hush the argument that the record is merely a thinly veiled b-sides compilation ... Still, *Amnesiac's* highlights were undeniably worth the wait, and easily overcome its occasional patchiness." *Guardian* critic Alex Petridis wrote that "with the benefit of hindsight, *Kid A*'s wilful racket now recalls the clatter of a rattle being thrown from a pram. Tantrum over, Radiohead have returned to their role as the world's most intriguing and innovative major rock band." Robert Hilburn of the *Los Angeles Times* felt that *Amnesiac*, compared to *Kid A*, "is a richer, more engaging record, its austerity and troubled vision enriched by a rousing of the human spirit."

AllMusic critic Stephen Thomas Erlewine wrote that "where *Kid A* had shock on its side ... *Amnesiac* often plays as a hodgepodge", albeit one with some "amazing moments", and that the two "clearly derive from the same source and have the same flaws ... the division only makes the two records seem unfocused, even if the best of both records is quite stunning". Robert Christgau of *The Village Voice* wrote that the album "makes a lot more sense if you're already feeling down in the mouth", assigning it a three-star honorable mention rating.

### Accolades

Several music publications ranked *Amnesiac* one of the best albums of 2001. *Q* placed it among its top 50, *Rolling Stone* ranked it the 10th, *Kludge* the 9th, the *Village Voice* *Pazz and Jop* poll the 6th, the *Los Angeles Times* the 5th, and *Alternative Press* ranked it best. In 2009, *Pitchfork* ranked *Amnesiac* the 34th best album of the 2000s and *Rolling Stone* ranked it the 25th. In 2012, *Rolling Stone* ranked *Amnesiac* 320th in its updated list of the *The 500 Greatest Albums of All Time*. The album was also included in the book *1001 Albums You Must Hear Before You Die*.

*Amnesiac* was nominated for the 2001 Mercury Music Prize, losing to PJ Harvey's *Stories from the City, Stories from the Sea,* for which Yorke provided guest vocals. It was the fourth consecutive Radiohead album nominated for a Grammy Award for Best Alternative Music Album, and the special edition won a Grammy Award for Best Recording Package in the 44th Grammy Awards. "Pyramid Song" was ranked one of the best tracks of the decade by *Rolling Stone,* the *NME* and Pitchfork.

## Reissue

See also: OK Computer § Reissues
In 2007, Radiohead left EMI, parent company of Parlophone, after failed contract negotiations. EMI retained the copyright to Radiohead's back catalogue. After a period of being out of print on vinyl, EMI reissued a double-LP of *Amnesiac* on 19 August 2008, along with albums *Kid A*, *Hail to the Thief* and *OK Computer* as part of the "From the Capitol Vaults" series.

On 31 August 2009, EMI reissued *Amnesiac* in a 2-CD "Collector's Edition" and a 2-CD 1-DVD "Special Collector's Edition". The first CD contains the original studio album; the second CD collects B-sides from *Amnesiac* singles and live performances; the DVD contains music videos and a live television performance. Radiohead had no input into the reissue and the music was not remastered. In Pitchfork's review of the reissue, Scott Plagenhoef wrote: "More than *Kid A* – and maybe more than any other LP of its time – *Amnesiac* is the kickoff of a messy, rewarding era ... disconnected, self-aware, tense, eclectic, head-turning – an overload of good ideas inhibited by rules, restrictions, and conventional wisdom."

## Track listing

All tracks are written by Radiohead (Colin Greenwood, Ed O'Brien, Jonny Greenwood, Philip Selway, Thom Yorke).

Notes

1. ↑ Titled "Pull/Pulk Revolving Doors" on "Collector's Edition" release.

## Personnel

Adapted from the *Amnesiac* liner notes.

* Colin Greenwood
* Jonny Greenwood
* Ed O'Brien
* Philip Selway
* Thom Yorke

* Paul Bridge – double bass (track 11)
* Jimmy Hastings – clarinet (track 11)
* Humphrey Lyttelton – trumpet and bandleader (track 11)
* Adrian Macintosh – drums (track 11)
* Pete Strange – trombone (track 11)

* Nigel Godrich – production and engineering
* Dan Grech-Marguerat – engineering on "Life in a Glasshouse"
* Gerard Navarro – engineering
* Graeme Stewart – engineering

## References

1. ↑ "Radiohead Amnesiac Review". *BBC Music*. Retrieved 20 February 2015.
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4. ↑ 4.0 4.1 Kot, Greg (31 July 2001). "'It's difficult justifying being a rock band'". *Chicago Tribune*. Tribune Company. Retrieved 27 March 2012.
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39. ↑ Cite error: Invalid `<ref>` tag; no text was provided for refs named `LATimes`
40. ↑ Cite error: Invalid `<ref>` tag; no text was provided for refs named `AllMusic`
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70. ↑ Cite/URL%5d%5d "ARIA Charts – Accreditations – 2001 Albums" Check `|archiveurl=` value (help). Australian Recording Industry Association. Archived from [[[:Template:Certification Cite/URL]] the original] Check `|url=` value (help) on 10 August 2020.
71. ↑ [[[:Template:Certification Cite/URL]] "[[:Template:Certification Cite/Title]]"] Check `|url=` value (help). Music Canada. URL–wikilink conflict (help)
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73. ↑ [[[:Template:Certification Cite/URL]] "[[:Template:Certification Cite/Title]]"] Check `|url=` value (help). Recording Industry Association of America. URL–wikilink conflict (help) *If necessary, click* Advanced*, then click* Format*, then select* Album*, then click* SEARCH*.*
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## External links

* Official Radiohead website

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