Fairy Tales: From Russia and Norway

**Fairy Tales: From Russia and Norway** is the sequel to Fairy Tales: A Destiny, Fairy Tales: An Odyssey, Fairy Tales: Investiture of the Gods, Fairy Tales: A Christmas Carol, Fairy Tales: 1001 Arabian Nights, Fairy Tales: The Alice Duology, Fairy Tales: Oz, Fairy Tales: Peter Pan, Fairy Tales: A Dynasty, and Fairy Tales: A Legacy in reverse order.

## **EAST OF THE SUN AND WEST OF THE MOON**

Once on a time there was a poor husbandman who had so many children that he hadn’t much of either food or clothing to give them. Pretty children they all were, but the prettiest was the youngest daughter, who was so lovely there was no end to her loveliness.

So one day, ’twas on a Thursday evening late at the fall of the year, the weather was so wild and rough outside, and it was so cruelly dark, and rain fell and wind blew, till the walls of the cottage shook again. There they all sat round the fire, busy with this thing and that. But just then, all at once something gave three taps on the window-pane. Then the father went out to see what was the matter; and, when he got out of doors, what should he see but a great big *White Bear*.

“Good-evening to you!” said the *White Bear*.

“The same to you!” said the man.

“Will you give me your youngest daughter? If you will, I’ll make you as rich as you are now poor,” said the *Bear*.

Well, the man would not be at all sorry to be so rich; but still he thought he must have a bit of a talk with his daughter first; so he went in and told them how there was a great *White Bear* waiting outside, who had given his word to make them so rich if he could only have the youngest daughter.

The lassie said “No!” outright. Nothing could get her to say anything else; so the man went out and settled it with the *White Bear* that he should come again the next Thursday evening and get an answer. Meantime he talked his daughter over, and kept on telling her of all the riches they would get, and how well off she would be herself; and so at last she thought better of it, and washed and mended her rags, made herself as smart as she could, and was ready to start. I can’t say her packing gave her much trouble.

Next Thursday evening came the *White Bear* to fetch her, and she got upon his back with her bundle, and off they went. So, when they had gone a bit of the way, the *White Bear* said:

“Are you afraid?”

“No,” she wasn’t.

“Well! mind and hold tight by my shaggy coat, an then there’s nothing to fear,” said the *Bear*.

So she rode a long, long way, till they came to a great steep hill. There, on the face of it, the *White Bear* gave a knock, and a door opened, and they came into a castle where there were many rooms all lit up; rooms gleaming with silver and gold; and there, too, was a table ready laid, and it was all as grand as grand could be. Then the *White Bear* gave her a silver bell; and when she wanted anything, she was only to ring it, and she would get it at once.

Well, after she had eaten and drunk, and evening wore on, she got sleepy after her journey, and thought she would like to go to bed, so she rang the bell; and she had scarce taken hold of it before she came into a chamber where there was a bed made, as fair and white as any one would wish to sleep in, with silken pillows and curtains and gold fringe. All that was in the room was gold or silver; but when she had gone to bed and put out the light, a man came and laid himself alongside her. That was the *White Bear*, who threw off his beast shape at night; but she never saw him, for he always came after she had put out the light, and before the day dawned he was up and off again. So things went on happily for a while, but at last she began to get silent and sorrowful; for there she went about all day alone, and she longed to go home to see her father and mother and brothers and sisters. So one day, when the *White Bear* asked what it was that she lacked, she said it was so dull and lonely there, and how she longed to go home to see her father and mother and brothers and sisters, and that was why she was so sad and sorrowful, because she couldn’t get to them.

“Well, well!” said the *Bear*, “perhaps there’s a cure for all this; but you must promise me one thing, not to talk alone with your mother, but only when the rest are by to hear; for she’ll take you by the hand and try to lead you into a room alone to talk; but you must mind and not do that, else you’ll bring bad luck on both of us.”

So one Sunday the *White Bear* came and said, now they could set off to see her father and mother. Well, off they started, she sitting on his back; and they went far and long. At last they came to a grand house, and there her brothers and sisters were running about out of doors at play, and everything was so pretty, ’twas a joy to see.

“This is where your father and mother live now,” said the *White Bear*; “but don’t forget what I told you, else you’ll make us both unlucky.”

“No! bless her, she’d not forget;”—and when she had reached the house, the *White Bear* turned right about and left her.

Then, when she went in to see her father and mother, there was such joy, there was no end to it. None of them thought they could thank her enough for all she had done for them. Now, they had everything they wished, as good as good could be, and they all wanted to know how she got on where she lived.

Well, she said, it was very good to live where she did; she had all she wished. What she said beside I don’t know, but I don’t think any of them had the right end of the stick, or that they got much out of her. But so, in the afternoon, after they had done dinner, all happened as the *White Bear* had said. Her mother wanted to talk with her alone in her bedroom; but she minded what the *White Bear* had said, and wouldn’t go upstairs.

“Oh! what we have to talk about will keep!” she said, and put her mother off. But, somehow or other, her mother got round her at last, and she had to tell her the whole story. So she said, how every night when she had gone to bed a man came and lay down beside her as soon as she had put out the light; and how she never saw him, because he was always up and away before the morning dawned; and how she went about woeful and sorrowing, for she thought she should so like to see him; and how all day long she walked about there alone; and how dull and dreary and lonesome it was.

“My!” said her mother; “it may well be a Troll you slept with! But now I’ll teach you a lesson how to set eyes on him. I’ll give you a bit of candle, which you can carry home in your bosom; just light that while he is asleep, but take care not to drop the tallow on him.”

Yes! she took the candle and hid it in her bosom, and as night drew on, the *White Bear* came and fetched her away.

But when they had gone a bit of the way, the *White Bear* asked if all hadn’t happened as he had said.

“Well, she couldn’t say it hadn’t.”

“Now, mind,” said he, “if you have listened to your mother’s advice, you have brought bad luck on us both, and then, all that has passed between us will be as nothing.”

“No,” she said, “she hadn’t listened to her mother’s advice.”

So when she reached home, and had gone to bed, it was the old story over again. There came a man and lay down beside her; but at dead of night, when she heard he slept, she got up and struck a light, lit the candle, and let the light shine on him, and so she saw that he was the loveliest *Prince* one ever set eyes on, and she fell so deep in love with him on the spot, that she thought she couldn’t live if she didn’t give him a kiss there and then. And so she did; but as she kissed him, she dropped three hot drops of tallow on his shirt, and he woke up.

“What have you done?” he cried; “now you have made us both unlucky, for had you held out only this one year, I had been freed. For I have a step-mother who has bewitched me, so that I am a *White Bear* by day, and a *Man* by night. But now all ties are snapt between us; now I must set off from you to her. She lives in a Castle which stands *East of the Sun and West of the Moon*, and there, too, is a *Princess*, with a nose three ells long, and she’s the wife I must have now.”

She wept and took it ill, but there was no help for it; go he must.

Then she asked if she mightn’t go with him.

No, she mightn’t.

“Tell me the way, then,” she said, “and I’ll search you out; *that* surely I may get leave to do.”

Yes,” she might do that, he said; “but there was no way to that place. It lay *East of the Sun and West of the Moon*, and thither she’d never find her way.”

So next morning, when she woke up, both *Prince* and castle were gone, and then she lay on a little green patch, in the midst of the gloomy thick wood, and by her side lay the same bundle of rags she had brought with her from her old home.

So when she had rubbed the sleep out of her eyes, and wept till she was tired, she set out on her way, and walked many, many days, till she came to a lofty crag. Under it sat an old hag, and played with a gold apple which she tossed about. Here the lassie asked if she knew the way to the Prince, who lived with his step-mother in the Castle, that lay *East of the Sun and West of the Moon*, and who was to marry the *Princess* with a nose three ells long.

“How did you come to know about him?” asked the old hag; “but maybe you are the lassie who ought to have had him?”

Yes, she was.

“So, so; it’s you, is it?” said the old hag. “Well, all I know about him is, that he lives in the castle that lies *East of the Sun and West of the Moon*, and thither you’ll come, late or never; but still you may have the loan of my horse, and on him you can ride to my next neighbour. Maybe she’ll be able to tell you; and when you get there, just give the horse a switch under the left ear, and beg him to be off home; and, stay, this gold apple you may take with you.”

So she got upon the horse, and rode a long, long time, till she came to another crag, under which sat another old hag, with a gold carding-comb. Here the lassie asked if she knew the way to the castle that lay *East of the Sun and West of the Moon*, and she answered, like the first old hag, that she knew nothing about it, except it was east of the sun and west of the moon.

“And thither you’ll come, late or never, but you shall have the loan of my horse to my next neighbour; maybe she’ll tell you all about it; and when you get there, just switch the horse under the left ear, and beg him to be off home.”

And this old hag gave her the golden carding-comb; it might be she’d find some use for it, she said. So the lassie got up on the horse, and rode a far, far way, and a weary time; and so at last she came to another great crag, under which sat another old hag, spinning with a golden spinning-wheel. Her, too, she asked if she knew the way to the *Prince*, and where the castle was that lay *East of the Sun and West of the Moon*. So it was the same thing over again.

“Maybe it’s you who ought to have had the *Prince*?” said the old hag.

Yes, it was.

But she, too, didn’t know the way a bit better than the other two. “East of the sun and west of the moon it was,” she knew—that was all.

“And thither you’ll come, late or never; but I’ll lend you my horse, and then I think you’d best ride to the East Wind and ask him; maybe he knows those parts, and can blow you thither. But when you get to him, you need only give the horse a switch under the left ear, and he’ll trot home of himself.”

And so, too, she gave her the gold spinning-wheel. “Maybe you’ll find a use for it,” said the old hag.

Then on she rode many many days, a weary time, before she got to the East Wind’s house, but at last she did reach it, and then she asked the East Wind if he could tell her the way to the *Prince* who dwelt east of the sun and west of the moon. Yes, the East Wind had often heard tell of it, the *Prince* and the castle, but he couldn’t tell the way, for he had never blown so far.

“But, if you will, I’ll go with you to my brother the West Wind, maybe he knows, for he’s much stronger. So, if you will just get on my back, I’ll carry you thither.”

Yes, she got on his back, and I should just think they went briskly along.

So when they got there, they went into the West Wind’s house, and the East Wind said the lassie he had brought was the one who ought to have had the *Prince* who lived in the castle *East of the Sun and West of the Moon*; and so she had set out to seek him, and how he had come with her, and would be glad to know if the West Wind knew how to get to the castle.

“Nay,” said the West Wind, “so far I’ve never blown; but if you will, I’ll go with you to our brother the South Wind, for he’s much stronger than either of us, and he has flapped his wings far and wide. Maybe he’ll tell you. You can get on my back, and I’ll carry you to him.”

Yes! she got on his back, and so they travelled to the South Wind, and weren’t so very long on the way, I should think.

When they got there, the West Wind asked him if he could tell her the way to the castle that lay *East of the Sun and West of the Moon*, for it was she who ought to have had the *Prince* who lived there.

“You don’t say so! That’s she, is it?” said the South Wind.

“Well, I have blustered about in most places in my time, but so far have I never blown; but if you will, I’ll take you to my brother the North Wind; he is the oldest and strongest of the whole lot of us, and if he don’t know where it is, you’ll never find any one in the world to tell you. You can get on my back, and I’ll carry you thither.”

Yes! she got on his back, and away he went from his house at a fine rate. And this time, too, she wasn’t long on her way.

So when they got to the North Wind’s house, he was so wild and cross, cold puffs came from him a long way off.

“Blast you both, what do you want?” he roared out to them ever so far off, so that it struck them with an icy shiver.

“Well,” said the South Wind, “you needn’t be so foul-mouthed, for here I am, your brother, the South Wind, and here is the lassie who ought to have had the *Prince* who dwells in the castle that lies *East of the Sun and West of the Moon*, and now she wants to ask you if you ever were there, and can tell her the way, for she would be so glad to find him again.”

“Yes, I know well enough where it is,” said the North Wind; “once in my life I blew an aspen-leaf thither, but, I was so tired I couldn’t blow a puff for ever so many days, after. But if you really wish to go thither, and aren’t afraid to come along with me, I’ll take you on my back and see if I can blow you thither.”

Yes! with all her heart; she must and would get thither if it were possible in any way; and as for fear, however madly he went, she wouldn’t be at all afraid.

“Very well, then,” said the North Wind, “but you must sleep here to-night, for we must have the whole day before us, if we’re to get thither at all.”

Early next morning the North Wind woke her, and puffed himself up, and blew himself out, and made himself so stout and big, ’twas gruesome to look at him; and so off they went high up through the air, as if they would never stop till they got to the world’s end.

Down here below there was such a storm; it threw down long tracts of wood and many houses, and when it swept over the great sea, ships foundered by hundreds.

So they tore on and on—no one can believe how far they went—and all the while they still went over the sea, and the North Wind got more and more weary, and so out of breath he could scarce bring out a puff, and his wings drooped and drooped, till at last he sunk so low that the crests of the waves dashed over his heels.

“Are you afraid?” said the North Wind.

“No!” she wasn’t.

But they weren’t very far from land; and the North Wind had still so much strength left in him that he managed to throw her up on the shore under the windows of the castle which lay *East of the Sun and West of the Moon*; but then he was so weak and worn out, he had to stay there and rest many days before he could get home again.

Next morning the lassie sat down under the castle window, and began to play with the gold apple; and the first person she saw was the *Long-nose* who was to have the *Prince*.

“What do you want for your gold apple, you lassie?” said the *Long-nose*, and threw up the window.

“It’s not for sale, for gold or money,” said the lassie.

“If it’s not for sale for gold or money, what is it that you will sell it for? You may name your own price,” said the *Princess*.

“Well! if I may get to the *Prince*, who lives here, and be with him to-night, you shall have it,” said the lassie whom the North Wind had brought.

Yes! she might; that could be done. So the *Princess* got the gold apple; but when the lassie came up to the *Prince’s* bed-room at night he was fast asleep; she called him and shook him, and between whiles she wept sore; but all she could do she couldn’t wake him up. Next morning, as soon as day broke, came the *Princess* with the long nose, and drove her out again.

So in the daytime she sat down under the castle windows and began to card with her carding-comb, and the same thing happened. The *Princess* asked what she wanted for it; and she said it wasn’t for sale for gold or money, but if she might get leave to go up to the *Prince* and be with him that night, the *Princess* should have it. But when she went up she found him fast asleep again, and all she called, and all she shook, and wept, and prayed, she couldn’t get life into him; and as soon as the first gray peep of day came, then came the *Princess* with the long nose, and chased her out again.

So, in the daytime, the lassie sat down outside under the castle window, and began to spin with her golden spinning-wheel, and that, too, the *Princess* with the long nose wanted to have. So she threw up the window and asked what she wanted for it. The lassie said, as she had said twice before, it wasn’t for sale for gold or money; but if she might go up to the *Prince* who was there, and be with him alone that night, she might have it.

Yes! she might do that and welcome. But now you must know there were some Christian folk who had been carried off thither, and as they sat in their room, which was next the *Prince*, they had heard how a woman had been in there, and wept and prayed, and called to him two nights running, and they told that to the *Prince*.

That evening, when the *Princess* came with her sleepy drink, the *Prince* made as if he drank, but threw it over his shoulder, for he could guess it was a sleepy drink. So, when the lassie came in, she found the *Prince* wide awake; and then she told him the whole story how she had come thither.

“Ah,” said the *Prince*, “you’ve just come in the very nick of time, for to-morrow is to be our wedding-day; but now I won’t have the *Long-nose*, and you are the only woman in the world who can set me free. I’ll say I want to see what my wife is fit for, and beg her to wash the shirt which has the three spots of tallow on it; she’ll say yes, for she doesn’t know ’tis you who put them there; but that’s a work only for Christian folk, and not for such a pack of Trolls, and so I’ll say that I won’t have any other for my bride than the woman who can wash them out, and ask you to do it.” So there was great joy and love between them all that night. But next day, when the wedding was to be, the *Prince* said: “First of all, I’d like to see what my bride is fit for.” “Yes!” said the step-mother, with all her heart. “Well,” said the *Prince*, “I’ve got a fine shirt which I’d like for my wedding shirt, but somehow or other it has got three spots of tallow on it, which I must have washed out; and I have sworn never to take any other bride than the woman who’s able to do that. If she can’t, she’s not worth having.” Well, that was no great thing they said, so they agreed, and she with the long-nose began to wash away as hard as she could, but the more she rubbed and scrubbed, the bigger the spots grew. “Ah!” said the old hag, her mother, “you can’t wash; let me try.” But she hadn’t long taken the shirt in hand before it got far worse than ever, and with all her rubbing, and wringing, and scrubbing, the spots grew bigger and blacker, and the darker and uglier was the shirt. Then all the other Trolls began to wash, but the longer it lasted, the blacker and uglier the shirt grew, till at last it was as black all over as if it had been up the chimney. “Ah!” said the *Prince*, “you’re none of you worth a straw; you can’t wash. Why there, outside, sits a beggar lassie, I’ll be bound she knows how to wash better than the whole lot of you. Come in, Lassie!” he shouted. Well, in she came.“Can you wash this shirt clean, lassie you?” said he. “I don’t know,” she said, “but I think I can.” And almost before she had taken it and dipped it in the water, it was as white as driven snow, and whiter still. “Yes; you are the lassie for me,” said the *Prince*. At that the old hag flew into such a rage, she burst on the spot, and the *Princess* with the long nose after her, and the whole pack of Trolls after her—at least I’ve never heard a word about them since. As for the *Prince* and *Princess*, they set free all the poor Christian folk who had been carried off and shut up there; and they took with them all the silver and gold, and flitted away as far as they could from the Castle that lay *East of the Sun and West of the Moon*.

## **THE THREE BILLY-GOATS GRUFF**

Once on a time there were three *Billy-goats*, who were to go up to the hill-side to make themselves fat, and the name of all three was “*Gruff*.” On the way up was a bridge over a burn they had to cross; and under the bridge lived a great ugly *Troll*, with eyes as big as saucers, and a nose as long as a poker. So first of all came the youngest billy-goat *Gruff* to cross the bridge.

“Trip, trap! trip, trap!” went the bridge.

“Oh! it is only I, the tiniest billy-goat *Gruff*; and I’m going up to the hill-side to make myself fat,” said the billy-goat, with such a small voice.

“Now, I’m coming to gobble you up,” said the *Troll*.

“Oh, no! pray don’t take me. I’m too little, that I am,” said the billy-goat; “wait a bit till the second billy-goat *Gruff* comes, he’s much bigger.”

“Well! be off with you,” said the *Troll*.

A little while after came the second billy-goat *Gruff* to cross the bridge.

“Trip, trap! trip, trap! trip, trap!” went the bridge.

“WHO’S THAT tripping over my bridge?” roared the *Troll*.

“Oh! It’s the second billy-goat *Gruff*, and I’m going up to the hill-side to make myself fat,” said the billy-goat, who hadn’t such a small voice.

“Now, I’m coming to gobble you up,” said the *Troll*.

“Oh, no! don’t take me, wait a little till the big billy-goat *Gruff* comes, he’s much bigger.”

“Very well! be off with you,” said the *Troll*.

But just then up came the big billy-goat *Gruff*.

“TRIP, TRAP! TRIP, TRAP! TRIP, TRAP!” went the bridge, for the billy-goat was so heavy that the bridge creaked and groaned under him.

169

“WHO’S THAT tramping over my bridge?” roared the *Troll*.

“IT’S I! THE BIG BILLY-GOAT GRUFF,” said the billy-goat, who had an ugly hoarse voice of his own.

“Now, I’m coming to gobble you up,” roared the *Troll*.

“Well, come along! I’ve got two spears,

And I’ll poke your eyeballs out at your ears;

I’ve got besides two curling-stones,

And I’ll crush you to bits, body and bones.”

That was what the big billy-goat said; and so he flew at the *Troll* and poked his eyes out with his horns, and crushed him to bits, body and bones, and tossed him out into the burn, and after that he went up to the hill-side. There the billy-goats got so fat they were scarce able to walk home again; and if the fat hasn’t fallen off them, why they’re still fat; and so:

Snip, snap, snout,

the tale's told out.

## **BABA YAGA**

Once upon a time there was an old couple. The husband lost his wife and married again. But he had a daughter by the first marriage, a young girl, and she found no favor in the eyes of her evil stepmother, who used to beat her, and consider how she could get her killed outright. One day the father went away somewhere or other, so the stepmother said to the girl, “Go to your aunt, my sister, and ask her for a needle and thread to make you a shift.” Now that aunt was a Baba Yaga. Well, the girl was no fool, so she went to a real aunt of hers first, and says she: “Good morning, auntie!” “Good morning, my dear! what have you come for?”

“Mother has sent me to her sister, to ask for a needle and thread to make me a shift.”

Then her aunt instructed her what to do. “There is a birch-tree there, niece, which would hit you in the eye—you must tie a ribbon round it; there are doors which would creak and bang—you must pour oil on their hinges; there are dogs which would tear you in pieces—you must throw them these rolls; there is a cat which would scratch your eyes out—you must give it a piece of bacon.”

So the girl went away, and walked and walked, till she came to the place. There stood a hut, and in it sat weaving the Baba Yaga, the Bony-shanks.

“Good morning, auntie,” says the girl.

“Good morning, my dear,” replies the Baba Yaga.

“Mother has sent me to ask you for a needle and thread to make me a shift.”

“Very well; sit down and weave a little in the meantime.”

So the girl sat down behind the loom, and the Baba Yaga went outside, and said to her servant-maid:

“Go and heat the bath, and get my niece washed; and mind you look sharp after her. I want to breakfast off her.”

Well, the girl sat there in such a fright that she was as much dead as alive. Presently she spoke imploringly to the servant-maid, saying:

“Kinswoman dear, do please wet the firewood instead of making it burn; and fetch the water for the bath in a sieve.” And she made her a present of a handkerchief. The Baba Yaga waited awhile; then she came to the window and asked:

“Are you weaving, niece? are you weaving, my dear?”

“Oh yes, dear aunt, I’m weaving.” So the Baba Yaga went away again, and the girl gave the Cat a piece of bacon, and asked:

“Is there no way of escaping from here?”

“Here’s a comb for you and a towel,” said the Cat; “take them, and be off. The Baba Yaga will pursue you, but you must lay your ear on the ground, and when you hear that she is close at hand, first of all throw down the towel. It will become a wide, wide river. And if the Baba

Yaga gets across the river, and tries to catch you, then you must lay your ear on the ground again, and when you hear that she is close at hand, throw down the comb. It will become a dense, dense forest; through that she won’t be able to force her way anyhow.”

The girl took the towel and the comb and fled. The dogs would have rent her, but she threw them the rolls, and they let her go by; the doors would have begun to bang, but she poured oil on their hinges, and they let her pass through; the birch-tree would have poked her eyes out, but she tied the ribbon around it, and it let her pass on. And the Cat sat down to the loom, and worked away; muddled everything about, if it didn’t do much weaving. Up came the Baba Yaga to the window, and asked:

“Are you weaving, niece? are you weaving, my dear?”

“I’m weaving, dear aunt, I’m weaving,” gruffly replied the Cat.

The Baba Yaga rushed into the hut, saw that the girl was gone, and took to beating the Cat, and abusing it for not having scratched the girl’s eyes out. “Long as I’ve served you,” said the Cat, “you’ve never given me so much as a bone; but she gave me bacon.” Then the Baba Yaga pounced upon the dogs, on the doors, on the birch-tree, and on the servant-maid, and set to work to abuse them all, and to knock them about. Then the dogs said to her, “Long as we’ve served you, you’ve never so much as pitched us a burnt crust; but she gave us rolls to eat.” And the doors said, “Long as we’ve served you, you’ve never poured even a drop of water on our hinges; but she poured oil on us.” The birch-tree said, “Long as I’ve served you, you’ve never tied a single thread round me; but she fastened a ribbon around me.” And the servant-maid said, “Long as I’ve served you, you’ve never given me so much as a rag; but she gave me a handkerchief.”

The Baba Yaga, bony of limb, quickly jumped into her mortar, sent it flying along with the pestle, sweeping away the while all traces of its flight with a broom, and set off in pursuit of the girl. Then the girl put her ear to the ground, and when she heard that the Baba Yaga was chasing her, and was now close at hand, she flung down the towel. And it became a wide, such a wide river! Up came the Baba Yaga to the river, and gnashed her teeth with spite; then she went home for her oxen, and drove them to the river. The oxen drank up every drop of the river, and then the Baba Yaga began the pursuit anew. But the girl put her ear to the ground again, and when she heard that the Baba Yaga was near, she flung down the comb, and instantly a forest sprang up, such an awfully thick one! The Baba Yaga began gnawing away at it, but however hard she worked, she couldn’t gnaw her way through it, so she had to go back again.

But by this time the girl’s father had returned home, and he asked:

“Where’s my daughter?”

“She’s gone to her aunt’s,” replied her stepmother.

Soon afterwards the girl herself came running home.

“Where have you been?” asked her father.

“Ah, father!” she said, “mother sent me to aunt’s to ask for a needle and thread to make me a shift. But aunt’s a Baba Yaga, and she wanted to eat me!”

“And how did you get away, daughter?”

“Why like this,” said the girl, and explained the whole matter. As soon as her father had heard all about it, he became wroth with his wife, and shot her. But he and his daughter lived on and flourished, and everything went well with them.

In one of the numerous variants of this story the heroine is sent by her husband’s mother to the Baba Yaga’s, and the advice which saves her comes from her husband. The Baba Yaga goes into another room “in order to sharpen her teeth,” and while she is engaged in that operation the girl escapes, having previously—by the advice of the Cat, to which she had given a lump of butter—spat under the threshold. The spittle answers for her in her absence, behaving as do, in other folk-tales, drops of blood, or rags dipped in blood, or apples, or eggs, or beans, or stone images, or wooden puppets.

The magic comb and towel, by the aid of which the girl effects her escape, constantly figure in Skazkas of this class, and always produce the required effect. A brush, also, is frequently introduced, from each bristle of which springs up a wood. In one story, however, the brush gives rise to mountains, and a *golik*, or bath-room whisk, turns into a forest. The towel is used, also, for the purpose of constructing or annihilating a bridge. Similar instruments are found in the folk-tales of every land, whether they appear as the brush, comb, and mirror of the German water-sprite; or the rod, stone, and pitcher of water of the Norse Troll; or the knife, comb, and handful of salt which, in the Modern Greek story, save Asterinos and Pulja from their fiendish mother; or the twig, the stone, and the bladder of water, found in the ear of the filly, which saves her master from the Gaelic giant; or the brush, comb, and egg, the last of which produces a frozen lake with “mirror-smooth” surface, whereon the pursuing Old Prussian witch slips and breaks her neck; or the wand which causes a river to flow and a mountain to rise between the youth who waves it and the “wicked old Rákshasa” who chases him in the Deccan story; or the handful of earth, cup of water, and dry sticks and match, which impede and finally destroy the Rákshasa in the almost identical episode of Somadeva’s tale of “The Prince of Varddhamána.”

In each instance they appear to typify the influence which the supernatural beings to whom they belonged were supposed to exercise over the elements. It has been thought strange that such stress should be laid on the employment of certain toilet-articles, to the use of which the heroes of folk-tales do not appear to have been greatly addicted. But it is evident that like produces like in the transformation in question. In the oldest form of the story, the Sanskrit, a handful of earth turns into a mountain, a cup of water into a river. Now, metaphorically speaking, a brush may be taken as a miniature wood; the common use of the term brushwood is a proof of the general acceptance of the metaphor. A comb does not at first sight appear to resemble a mountain, but its indented [Pg 153]outline may have struck the fancy of many primitive peoples as being a likeness to a serrated mountain range. Thence comes it that in German *Kamm* means not only a comb but also (like the Spanish *Sierra*) a mountain ridge or crest.

In one of the numerous stories about the Baba Yaga, four heroes are wandering about the world together; when they come to a dense forest in which a small izba, or hut, is twirling round on “a fowl’s leg.” Ivan, the youngest of the party, utters the magical formula “Izbushka, Izbushka! stand with back to the forest and front towards us,” and “the hut faces towards them, its doors and windows open of their own accord.” The heroes enter and find it empty. One of the party then remains indoors, while the rest go out to the chase. The hero who is left alone prepares a meal, and then, “after washing his head, sits down by the window to comb his hair.” Suddenly a stone is lifted, and from under it appears a Baba Yaga, driving in her mortar, with a dog yelping at her heels. She enters the hut and, after some short parley, seizes her pestle, and begins beating the hero with it until he falls prostrate. Then she cuts a strip out of his back, eats up the whole of the viands he has prepared for his companions, and disappears. After a time the beaten hero recovers his senses, “ties up his head with a handkerchief,” and sits groaning until his comrades return. Then he makes some excuse for not having got any supper ready for them, but says nothing about what has really happened to him. On the next day the second hero is treated in the same manner by the Baba Yaga, and on the day after that the third undergoes a similar humiliation. But on the fourth day it falls to the lot of the young Ivan to stay in the hut alone. The Baba Yaga appears as usual, and begins thumping him with her pestle; but he snatches it from her, beats her almost to death with it, cuts three strips out of her back, and then locks her up in a closet. When his comrades return, they are surprised to find him unhurt, and a meal prepared for them, but they ask no questions. After supper they all take a bath, and then Ivan remarks that each of his companions has had a strip cut out of his back. This leads to a full confession, on hearing which Ivan “runs to the closet, takes those strips out of the Baba Yaga, and applies them to their backs,” which immediately become cured. He then hangs up the Baba Yaga by a cord tied to one foot, at which cord all the party shoot. At length it is severed, and she drops. As soon as she touches the ground, she runs to the stone from under which she had appeared, lifts it, and disappears.

The rest of the story is very similar to that of “Norka,” which has already been given, only instead of the beast of that name we have the Baba Yaga, whom Ivan finds asleep, with a magic sword at her head. Following the advice of her daughters, three fair maidens whom he meets in her palace, Ivan does not attempt to touch the magic sword while she sleeps. But he awakes her gently, and offers her two golden apples on a silver dish. She lifts her head and opens her mouth, whereupon he seizes the sword and cuts her head off. As is usual in the stories of this class, his comrades, after hoisting the maidens aloft, cut the cord and let him fall back into the abyss. But he escapes, and eventually “he slays all the three heroes, and flings their bodies on the plain for wild beasts to devour.” This Skazka is one of the many versions of a widespread tale, which tells how the youngest of a party, usually consisting of three persons, overcomes some supernatural foe, generally a dwarf, who had been more than a match for his companions. The most important of these versions is the Lithuanian story of the carpenter who overcomes a Laume—a being in many respects akin to the Baba Yaga—who has proved too strong for his comrades, Perkun and the Devil.

The practice of cutting strips from an enemy’s back is frequently referred to in the Skazkas—much more frequently than in the German and Norse stories. It is not often that such strips are turned to good account, but in the Skazka with which we have just been dealing, Ivan finding the rope by which he is being lowered into the abyss too short, ties to the end of it the three strips he has cut from the Baba Yaga’s back, and so makes it sufficiently long. They are often exacted as the penalty of losing a wager, as well in the Skazkas as elsewhere. In a West-Slavonian story about a wager of this kind, the winner cuts off the loser’s nose. In the Gaelic stories it is not an uncommon incident for a man to have “a strip of skin cut off him from his crown to his sole.”

The Baba Yaga generally kills people in order to eat them. Her house is fenced about with the bones of the men whose flesh she has devoured; in one story she offers a human arm, by way of a meal, to a girl who visits her. But she is also represented in one of the stories as petrifying her victims. This trait connects her with Medusa, and the three sister Baba Yagas with the three Gorgones. The Russian Gorgo’s method of petrifaction is singular. In the story referred to, Ivan Dévich (Ivan the servant-maid’s son) meets a Baba Yaga, who plucks one of her hairs, gives it to him, and says, “Tie three knots and then blow.” He does so, and both he and his horse turn into stone. The Baba Yaga places them in her mortar, pounds them to bits, and buries their remains under a stone. A little later comes Ivan Dévich’s comrade, Prince Ivan. Him also the Yaga attempts to destroy, but he feigns ignorance, and persuades her to show him how to tie knots and to blow. The result is that she becomes petrified herself. Prince Ivan puts her in her own mortar, and proceeds to pound her therein, until she tells him where the fragments of his comrade are, and what he must do to restore them to life.

The Baba Yaga usually lives by herself, but sometimes she appears in the character of the house-mother. One of the Skazkas relates how a certain old couple, who had no children, were advised to get a number of eggs from the village—one from each house—and to place them under a sitting hen. From the forty-one eggs thus obtained and treated are born as many boys, all but one of whom develop into strong men, but the forty-first long remains a poor weak creature, a kind of “Hop-o’-my-thumb.” They all set forth to seek brides, and eventually marry the forty-one daughters of a Baba Yaga. On the wedding night she intends to kill her sons-in-law; but they, acting on the advice of him who had been the weakling of their party, but who has become a mighty hero, exchange clothes with their brides before “lying down to sleep.” Accordingly the Baba Yaga’s “trusty servants” cut off the heads of her daughters instead of those of her sons-in-law. Those youths arise, stick the heads of their brides on iron spikes all round the house, and gallop away. When the Baba Yaga awakes in the morning, looks out of the window, and sees her daughters’ heads on their spikes, she flies into a passion, calls for “her burning shield,” sets off in pursuit of her sons-in-law, and “begins burning up everything on all four sides with her shield.” A magic, bridge-creating kerchief, however, enables the fugitives to escape from their irritated mother-in-law.

In one story the heroine is ordered to swing the cradle in which reposes a Baba Yaga’s infant son, whom she is ordered to address in terms of respect when she sings him lullabies; in others she is told to wash a Baba Yaga’s many children, whose appearance is usually unprepossessing. One girl, for instance, is ordered by a Baba Yaga to heat the bath, but the fuel given her for the purpose turns out to be dead men’s bones. Having got over this difficulty, thanks to the advice of a sparrow which tells her where to look for wood, she is sent to fetch water in a sieve. Again the sparrow comes to her rescue telling her to line the sieve with clay. Then she is told to wait upon the Baba Yaga’s children in the bath-room. She enters it, and presently in come “worms, frogs, rats, and all sorts of insects.” These, which are the Baba Yaga’s children, she soaps over and otherwise treats in the approved Russian-bath style, and afterwards she does as much for their mother. The Baba Yaga is highly pleased, calls for a “samovar” (or urn), and invites her young bath-woman to drink tea with her. And finally she sends her home with a blue coffer, which turns out to be full of money. This present excites the cupidity of her stepmother, who sends her own daughter to the Baba Yaga’s, hoping that she will bring back a similar treasure. The Baba Yaga gives the same orders as before to the new-comer, but that conceited young person fails to carry them out. She cannot make the bones burn, nor the sieve hold water, but when the sparrow offers its advice she only boxes its ears. And when the “rats, frogs, and all manner of vermin,” enter the bath-room, “she crushed half of them to death,” says the story; “the rest ran home, and complained about her to their mother.” And so the Baba Yaga, when she dismisses her, gives her a red coffer instead of a blue one. Out of it, when it is opened, issues fire, which consumes both her and her mother]

Similar to this story in many of its features as well as in its catastrophe is one of the most spirited and dramatic of all the Skazkas, that of—

## **VASILISA THE FAIR**

In a certain kingdom there lived a merchant. Twelve years did he live as a married man, but he had only one child, Vasilissa the Fair. When her mother died, the girl was eight years old. And on her deathbed the merchant’s wife called her little daughter to her, took out from under the bed-clothes a doll, gave it to her, and said, “Listen, Vasilissa, dear; remember and obey these last words of mine. I am going to die. And now, together with my parental blessing, I bequeath to you this doll. Keep it always by you, and never show it to anybody; and whenever any misfortune comes upon you, give the doll food, and ask its advice. When it has fed, it will tell you a cure for your troubles.” Then the mother kissed her child and died. After his wife’s death, the merchant mourned for her a befitting time, and then began to consider about marrying again. He was a man of means. It wasn’t a question with him of girls (with dowries); more than all others, a certain widow took his fancy. She was middle-aged, and had a couple of daughters of her own just about the same age as Vasilissa. She must needs be both a good housekeeper and an experienced mother. Well, the merchant married the widow, but he had deceived himself, for he did not find in her a kind mother for his Vasilissa. Vasilissa was the prettiest girl in all the village; but her stepmother and stepsisters were jealous of her beauty, and tormented her with every possible sort of toil, in order that she might grow thin from over-work, and be tanned by the sun and the wind. Her life was made a burden to her! Vasilissa bore everything with resignation, and every day grew plumper and prettier, while the stepmother and her daughters lost flesh and fell off in appearance from the effects of their own spite, notwithstanding that they always sat with folded hands like fine ladies.

But how did that come about? Why, it was her doll that helped Vasilissa. If it hadn’t been for it, however could the girl have got through all her work? And therefore it was that Vasilissa would never eat all her share of a meal, but always kept the most delicate morsel for her doll; and at night, when all were at rest, she would shut herself up in the narrow chamber in which she slept, and feast her doll, saying the while:

“There, dolly, feed; help me in my need! I live in my father’s house, but never know what pleasure is; my evil stepmother tries to drive me out of the white world; teach me how to keep alive, and what I ought to do.”

Then the doll would eat, and afterwards give her advice, and comfort her in her sorrow, and next day it would do all Vasilissa’s work for her. She had only to take her ease in a shady place and pluck flowers, and yet all her work was done in good time; the beds were weeded, and the pails were filled, and the cabbages were watered, and the stove was heated. Moreover, the doll showed Vasilissa herbs which prevented her from getting sunburnt. Happily did she and her doll live together.

Several years went by. Vasilissa grew up and became old enough to be married. All the marriageable young men in the town sent to make an offer to Vasilissa; at her stepmother’s daughters not a soul would so much as look. Her stepmother grew even more savage than before, and replied to every suitor—

“We won’t let the younger marry before her elders.”

And after the suitors had been packed off, she used to beat Vasilissa by way of wreaking her spite. Well, it happened one day that the merchant had to go away from home on business for a long time. Thereupon the stepmother went to live in another house; and near that house was a dense forest, and in a clearing in that forest there stood a hut, and in the hut there lived a Baba Yaga. She never let any one come near her dwelling, and she ate up people like so many chickens.

Having moved into the new abode, the merchant’s wife kept sending her hated Vasilissa into the forest on one pretence or another. But the girl always got home safe and sound; the doll used to show her the way, and never let her go near the Baba Yaga’s dwelling.

The autumn season arrived. One evening the stepmother gave out their work to the three girls; one she set to lace-making, another to knitting socks, and the third, Vasilissa, to weaving; and each of them had her allotted amount to do. By-and-by she put out the lights in the house, leaving only one candle alight where the girls were working, and then she went to bed. The girls worked and worked. Presently the candle wanted snuffing; one of the stepdaughters took the snuffers, as if she were going to clear the wick, but instead of doing so, in obedience to her mother’s orders, she snuffed the candle out, pretending to do so by accident.

“What shall we do now?” said the girls. “There isn’t a spark of fire in the house, and our tasks are not yet done. We must go to the Baba Yaga’s for a light!”

“My pins give me light enough,” said the one who was making lace. “I shan’t go.”

“And I shan’t go, either,” said the one who was knitting socks. “My knitting-needles give me light enough.”

“Vasilissa, you must go for the light,” they both cried out together; “be off to the Baba Yaga’s!”

And they pushed Vasilissa out of the room.

Vasilissa went into her little closet, set before the doll a supper which she had provided beforehand, and said:

“Now, dolly, feed, and listen to my need! I’m sent to the Baba Yaga’s for a light. The Baba Yaga will eat me!”

The doll fed, and its eyes began to glow just like a couple of candles.

“Never fear, Vasilissa dear!” it said. “Go where you’re sent. Only take care to keep me always by you. As long as I’m with you, no harm will come to you at the Baba Yaga’s.”

So Vasilissa got ready, put her doll in her pocket, crossed herself, and went out into the thick forest.

As she walks she trembles. Suddenly a horseman gallops by. He is white, and he is dressed in white, under him is a white horse, and the trappings of the horse are white—and the day begins to break.

She goes a little further, and a second rider gallops by. He is red, dressed in red, and sitting on a red horse—and the sun rises. Vasilissa went on walking all night and all next day. It was only towards the evening that she reached the clearing on which stood the dwelling of the Baba Yaga. The fence around it was made of dead men’s bones; on the top of the fence were stuck human skulls with eyes in them; instead of uprights at the gates [Pg 162]were men’s legs; instead of bolts were arms; instead of a lock was a mouth with sharp teeth.

Vasilissa was frightened out of her wits, and stood still as if rooted to the ground.

Suddenly there rode past another horseman. He was black, dressed all in black, and on a black horse. He galloped up to the Baba Yaga’s gate and disappeared, just as if he had sunk through the ground—and night fell. But the darkness did not last long. The eyes of all the skulls on the fence began to shine and the whole clearing became as bright as if it had been midday. Vasilissa shuddered with fear, but stopped where she was, not knowing which way to run.

Soon there was heard in the forest a terrible roar. The trees cracked, the dry leaves rustled; out of the forest came the Baba Yaga, riding in a mortar, urging it on with a pestle, sweeping away her traces with a broom. Up she drove to the gate, stopped short, and, snuffing the air around her, cried:—

“Faugh! Faugh! I smell Russian flesh! Who’s there?”

Vasilissa went up to the hag in a terrible fright, bowed low before her, and said:—

“It’s me, granny. My stepsisters have sent me to you for a light.”

“Very good,” said the Baba Yaga; “I know them. If you’ll stop awhile with me first, and do some work for me, I’ll give you a light. But if you won’t, I’ll eat you!”

Then she turned to the gates, and cried:—

“Ho, thou firm fence of mine, be thou divided! And ye, wide gates of mine, do ye fly open!”

The gates opened, and the Baba Yaga drove in, whistling as she went, and after her followed Vasilissa; and then everything shut to again. When they entered the sitting-room, the Baba Yaga stretched herself out at full length, and said to Vasilissa:

“Fetch out what there is in the oven; I’m hungry.”

Vasilissa lighted a splinter at one of the skulls which were [Pg 163]on the fence, and began fetching meat from the oven and setting it before the Baba Yaga; and meat enough had been provided for a dozen people. Then she fetched from the cellar kvass, mead, beer, and wine. The hag ate up everything, drank up everything. All she left for Vasilissa was a few scraps—a crust of bread and a morsel of sucking-pig. Then the Baba Yaga lay down to sleep, saying:—

“When I go out to-morrow morning, mind you cleanse the courtyard, sweep the room, cook the dinner, and get the linen ready. Then go to the corn-bin, take out four quarters of wheat, and clear it of other seed. And mind you have it all done—if you don’t, I shall eat you!” After giving these orders the Baba Yaga began to snore. But Vasilissa set the remnants of the hag’s supper before her doll, burst into tears, and said:— “Now, dolly, feed, listen to my need! The Baba Yaga has set me a heavy task, and threatens to eat me if I don’t do it all. Do help me!”

The doll replied:

“Never fear, Vasilissa the Fair! Sup, say your prayers, and go to bed. The morning is wiser than the evening!”

Vasilissa awoke very early, but the Baba Yaga was already up. She looked out of the window. The light in the skull’s eyes was going out. All of a sudden there appeared the white horseman, and all was light. The Baba Yaga went out into the courtyard and whistled—before her appeared a mortar with a pestle and a broom. The red horseman appeared—the sun rose. The Baba Yaga seated herself in the mortar, and drove out of the courtyard, shooting herself along with the pestle, sweeping away her traces with the broom.

Vasilissa was left alone, so she examined the Baba Yaga’s house, wondered at the abundance there was in everything, and remained lost in thought as to which work she ought to take to first. She looked up; all her work was done already. The doll had cleared the wheat to the very last grain.

“Ah, my preserver!” cried Vasilissa, “you’ve saved me from danger!”

“All you’ve got to do now is to cook the dinner,” answered the doll, slipping into Vasilissa’s pocket. “Cook away, in God’s name, and then take some rest for your health’s sake!”

Towards evening Vasilissa got the table ready, and awaited the Baba Yaga. It began to grow dusky; the black rider appeared for a moment at the gate, and all grew dark. Only the eyes of the skulls sent forth their light. The trees began to crack, the leaves began to rustle, up drove the Baba Yaga. Vasilissa went out to meet her.

“Is everything done?” asks the Yaga.

“Please to look for yourself, granny!” says Vasilissa.

The Baba Yaga examined everything, was vexed that there was nothing to be angry about, and said:

“Well, well! very good!”

Afterwards she cried:

“My trusty servants, zealous friends, grind this my wheat!”

There appeared three pairs of hands, which gathered up the wheat, and carried it out of sight. The Baba Yaga supped, went to bed, and again gave her orders to Vasilissa:

“Do just the same to-morrow as to-day; only besides that take out of the bin the poppy seed that is there, and clean the earth off it grain by grain. Some one or other, you see, has mixed a lot of earth with it out of spite.” Having said this, the hag turned to the wall and began to snore, and Vasilissa took to feeding her doll. The doll fed, and then said to her what it had said the day before:

“Pray to God, and go to sleep. The morning is wiser than the evening. All shall be done, Vasilissa dear!”

The next morning the Baba Yaga again drove out of the courtyard in her mortar, and Vasilissa and her doll immediately did all the work. The hag returned, looked at everything, and cried, “My trusty servants, zealous friends, press forth oil from the poppy seed!”

Three pairs of hands appeared, gathered up the poppy seed, and bore it out of sight. The Baba Yaga sat down to dinner. She ate, but Vasilissa stood silently by.

“Why don’t you speak to me?” said the Baba Yaga; “there you stand like a dumb creature!”

“I didn’t dare,” answered Vasilissa; “but if you give me leave, I should like to ask you about something.”

“Ask away; only it isn’t every question that brings good. ‘Get much to know, and old soon you’ll grow.’”

“I only want to ask you, granny, about something I saw. As I was coming here, I was passed by one riding on a white horse; he was white himself, and dressed in white. Who was he?”

“That was my bright Day!” answered the Baba Yaga.

“Afterwards there passed me another rider, on a red horse; red himself, and all in red clothes. Who was he?”

“That was my red Sun!” answered the Baba Yaga.

“And who may be the black rider, granny, who passed by me just at your gate?”

“That was my dark Night; they are all trusty servants of mine.”

Vasilissa thought of the three pairs of hands, but held her peace.

“Why don’t you go on asking?” said the Baba Yaga.

“That’s enough for me, granny. You said yourself, ‘Get too much to know, old you’ll grow!’”

“It’s just as well,” said the Baba Yaga, “that you’ve only asked about what you saw out of doors, not indoors! In my house I hate having dirt carried out of doors; and as to over-inquisitive people—well, I eat them. Now I’ll ask you something. How is it you manage to do the work I set you to do?”

“My mother’s blessing assists me,” replied Vasilissa.

“Eh! eh! what’s that? Get along out of my house, you bless’d daughter. I don’t want bless’d people.”

She dragged Vasilissa out of the room, pushed her outside the gates, took one of the skulls with blazing eyes from the fence, stuck it on a stick, gave it to her and said:

“Lay hold of that. It’s a light you can take to your stepsisters. That’s what they sent you here for, I believe.”

Home went Vasilissa at a run, lit by the skull, which went out only at the approach of the dawn; and at last, on the evening of the second day, she reached home. When she came to the gate, she was going to throw away the skull.

“Surely,” thinks she, “they can’t be still in want of a light at home.” But suddenly a hollow voice issued from the skull, saying:

“Throw me not away. Carry me to your stepmother!”

She looked at her stepmother’s house, and not seeing a light in a single window, she determined to take the skull in there with her. For the first time in her life she was cordially received by her stepmother and stepsisters, who told her that from the moment she went away they hadn’t had a spark of fire in the house. They couldn’t strike a light themselves anyhow, and whenever they brought one in from a neighbor’s, it went out as soon as it came into the room.

“Perhaps your light will keep in!” said the stepmother. So they carried the skull into the sitting-room. But the eyes of the skull so glared at the stepmother and her daughters—shot forth such flames! They would fain have hidden themselves, but run where they would, everywhere did the eyes follow after them. By the morning they were utterly burnt to cinders. Only Vasilissa was none the worse.

Next morning Vasilissa “buried the skull,” locked up the house and took up her quarters in a neighboring town. After a time she began to work. Her doll made her a glorious loom, and by the end of the winter she had weaved a quantity of linen so fine that it might be passed like thread through the eye of a needle. In the spring, after it had been bleached, Vasilissa made a present of it to the old woman with whom she lodged. The crone presented it to the king, who ordered it to be made into shirts. But no seamstress could be found to make them up, until the linen was entrusted to Vasilissa. When a dozen shirts were ready, Vasilissa sent them to the king, and as soon as her carrier had started, “she washed herself, and combed her hair, and dressed herself, and sat down at the window.” Before long there arrived a messenger demanding her instant appearance at court. And “when she appeared before the royal eyes,” the king fell desperately in love with her.

“No; my beauty!” said he, “never will I part with thee; thou shalt be mywife.” So he married her; and by-and-by her father returned, and took up his abode with her. “And Vasilissa took the old woman into her service, and as for the doll—to the end of her life she always carried it in her pocket.

The puppet which plays so important a part in this story is worthy of a special examination. It is called in the original a *Kùkla* (dim. *Kùkolka*), a word designating any sort of puppet or other figure representing either man or beast. In a Little-Russian variant of one of those numerous stories, current in all lands, which commence with the escape of the heroine from an incestuous union, a priest insists on marrying his daughter. She goes to her mother’s grave and weeps there. Her dead mother “comes out from her grave,” and tells her what to do. The girl obtains from her father a rough dress of pig’s skin, and two sets of gorgeous apparel; the former she herself assumes, in the latter she dresses up three *Kuklui*, which in this instance were probably mere blocks of wood. Then she takes her place in the midst of the dressed-up forms, which cry, one after the other, “Open, O moist earth, that the fair maiden may enter within thee!” The earth opens, and all four sink into it.

This introduction is almost identical with that prefixed to the German story of “Allerleirauh,” except in so far as the puppets are concerned.

Sometimes it is a brother, instead of a father, from whom the heroine is forced to flee. Thus in the story of *Kniaz Danila Govorila*, Prince Daniel the Talker is bent upon marrying his sister, pleading the excuse so often given in stories on this theme, namely, that she is the only maiden whose finger will fit the magic ring which is to indicate to him his destined wife. While she is weeping “like a river,” some old women of the mendicant-pilgrim class come to her rescue, telling her to make four *Kukolki*, or small puppets, and to place one of them in each corner of her room. She does as they tell her. The wedding day arrives, the marriage service is performed in the church, and then the bride hastens back to the room. When she is called for—says the story—the puppets in the four corners begin to coo.

“Kuku! Prince Danila!

“Kuku! Govorila.

“Kuku! He wants to marry,

“Kuku! His own sister.

“Kuku! Split open, O Earth!

“Kuku! Sister, disappear!”

The earth opens, and the girl slowly sinks into it. Twice again the puppets sing their song, and at the end of its third performance, the earth closes over the head of the rescued bride. Presently in rushes the irritated bridegroom. “No bride is to be seen; only in the corners sit the puppets singing away to themselves.” He flies into a passion, seizes a hatchet, chops off their heads, and flings them into the fire.

In another version of the same story a son is ordered by his parents to marry his sister after their death. They die, and he tells her to get ready to be married. But she has prepared three puppets, and when she goes into her room to dress for the wedding, she says to them:

“O Kukolki, (cry) Kuku!”

The first asks, “Why?”

The second replies, “Because the brother his sister takes.”

The third says, “Split open, O Earth! disappear, O sister!”

All this is said three times, and then the earth opens, and the girl sinks “into that world.”

In two other Russian versions of the same story, the sister escapes by natural means. In the first she runs away and hides in the hollow of an oak. In the second she persuades a fisherman to convey her across a sea or lake. In a Polish version the sister obtains a magic car, which sinks underground with her, while the spot on which she has spat replies to every summons which is addressed to her.

Before taking leave of the Baba Yaga, we may glance at a malevolent monster, who seems to be her male counterpart. He appears, however, to be known in South Russiaonly. Here is an outline of the contents of the solitary story in which he is mentioned. There were two old folks with whom lived two orphan grandchildren, charming little girls. One day the youngest child was sent to drive the sparrows away from her grandfather’s pease. While she was thus engaged the forest began to roar, and out from it came Verlioka, “of vast stature, one-eyed, crook-nosed, bristly-headed, with tangled beard and moustaches half an ell long, and with a wooden boot on his one foot, supporting himself on a crutch, and giving vent to a terrible laughter.” And Verlioka caught sight of the little girl and immediately killed her with his crutch. And afterwards he killed her sister also, and then the old grandmother. The grandfather, however, managed to escape with his life, and afterwards, with the help of a drake and other aiders, he wreaked his vengeance on the murderous Verlioka.

We will now turn to another female embodiment of evil, frequently mentioned in the Skazkas—the Witch. She so closely resembles the Baba Yaga both in disposition and in behavior, that most of the remarks which have been made about that wild being apply to her also. In many cases, indeed, we find that one version of a story will allot to a Baba Yaga the part which in another version is played by a Witch. The name which she bears—that of *Vyed’ma*—is a misnomer; it properly belongs either to the “wise woman,” or prophetess, of old times, or to her modern representative, the woman to whom Russian superstition attributes the faculties and functions ascribed in olden days by most of our jurisprudents, in more recent times by a few of our rustics, to our own witch. The supernatural being who, in folk-tales, sways the elements and preys upon mankind, is most inadequately designated by such names as *Vyed’ma*, *Hexe*, or *Witch*, suggestive as those now homely terms are of merely human, though diabolically intensified malevolence. Far more in keeping with the vastness of her powers, and the vagueness of her outline, are the titles of Baba Yaga, Lamia, Striga, Troll-Wife, Ogress, or Dragoness, under which she figures in various lands. And therefore it is in her capacity of Baba Yaga, rather than in that of *Vyed’ma*, that we desire to study the behavior of the Russian equivalent for the terrible female form which figures in the Anglo-Saxon poem as the Mother of Grendel.

From among the numerous stories relating to the *Vyed’ma* we may select the following, which bears her name.