My Neighbors the Yamadas

**My Neighbors the Yamadas** is a 1999 Japanese animated film directed by Isao Takahata.

It focuses on the life and misadventures of a family in contemporary Japan.

The film was released on July 17, 1999.

## Plot

The film is a series of vignettes following the daily lives of the Yamada family: Takashi and Matsuko (the father and mother), Shige (Matsuko's mother), Noboru (aged approximately 13, the son), Nonoko (aged approximately 7, the daughter), and Pochi (the family dog).

Each of the vignettes is preceded by a title such as "Father as Role Model", "A Family Torn Apart" or "Patriarchal Supremacy Restored". These vignettes cover such issues as losing a child in a department store, the relationships between father and son, or husband and wife, the wisdom of age, meeting one's first girlfriend and many more. Each is presented with humour, presenting a very believable picture of family life which crosses cultural boundaries. The relationships between Matsuko, Takashi and Shige are particularly well observed, with Shige giving advice and proverbs to all the family members, and having a great strength of character. Takashi and Matsuko's relationship is often the focus of the episodes, their rivalries, such as arguing about who has control of the television, their frustrations and their difficulties, but the overriding theme is their love for one another despite their flaws, and their desire to be the best parents possible for their children.

## Cast and Characters

* Touru Masuoka as Takashi Yamada
* Yukiji Asaoka as Matsuko Yamada
* Hayato Isobata as Noboru Yamada
* Naomi Uno as Nonoko Yamada
* Masako Araki as Shige Yamada
* Akiko Yano as Fujihara-Sensei
* Kosanji Yanagiya as Haiku Reader

## Music

The soundtrack was composed by Akiko Yano and it is characterised by very short piano themes, rather than the long orchestral themes composed by Joe Hisaishi, further adding to the film's distinction from the rest of Ghibli's filmography. Classical pieces played by Czech Philharmonic Chamber Orchestra conducted by Mario Klemens. Released by Tokuma on 1 July 1999.

## Production

Based on the yonkoma manga Nono-chan by Hisaichi Ishii, it is the first completely digital Studio Ghibli film. Takahata wanted Yamada-kun to have the art style of watercolor pictures rather than cel pictures. To achieve that, the traditional paint-on-cel techniques were replaced with digital technology, making Yamada-kun the first Ghibli film to have animation drawings painted entirely on computers.

## Release

The film was released in Japan on July 17, 1999. It was the only film produced by Ghibli to not be released by Toho or the Toei Company. It is one of only two films from Takahata to be distributed by neither company, the other being Gauche the Cellist.

### Home Media

The movie was released on VHS and DVD in Japan by Buena Vista Home Entertainment Japan on November 17, 2000. It is the first Studio Ghibli movie to be released on DVD.

My Neighbors the Yamadas was released on DVD in America on August 16, 2005, alongside another Takahata film, Pom Poko by Walt Disney Studios Home Entertainment. A Blu-ray version was released in Japan in 2010, and in the UK the following year. The US never got a Blu-ray release by Disney, but GKIDS released the film on Blu-ray for the first time in the US, as well as re-issuing the DVD under a new deal with Studio Ghibli on January 16, 2018.

## Reception

The film received positive reviews, with praise to its unique visual style, humor and its observational look at modern Japanese suburban family life. On review aggregator site Rotten Tomatoes, My Neighbors the Yamadas has an approval rating of 78% based on 8 reviews and an average rating of 7.1 out of 10. Ryan Lambie of Den of Geek awarded the film four stars and said, "Anyone expecting the soaring beauty of a typical Studio Ghibli production will probably be a little bemused by the mundanity of the Yamadas’ existence, but there’s a soothing calm to their daily struggles, a haiku-like sense of tranquillity." Empire rated it four stars and described the film as "an episodic piece that swaps narrative through-lines for a string of comedic observations on family dynamics. Witty, playful and gorgeous to look at." Sam Sewell-Peterson of The Film Magazine praised the film's visuals and called it "a soothing balm, a leisurely and pleasant look at domestic mundanity.

Despite the positive reviews, the film did not fare as well at the box office in Japan as other Ghibli films had done.