recursal/Fanatic-Fandom huggingface dataset:
Neo-Romanticism

NEO- ROMANTICISM (1940-1950)

A reaction to the ugly modern world of machines and new cities” (Marshall, 2)

* TIME: 1940-1950

* PLACE : Britain

* CAUSE : Reaction to Modernism

* AIM : Revival of Romantic Spirit

* AREAS : Literature

* COMMON  THEMES : Utopian Landscapes – Mood and State of Mind – The Beauty of  Nature – Myths and Ancient stories – Longing for the past – Emotions and Feelings over actions   (later mocked by The Movement(1950s))

-NEOROMANTIC LITERATURE : It based on a re- discovery and re-evaluation of the works of romantic forebears in reaction to the modern poetry of 20th century.

THEMES OF WORKS:

* INTERNAL PERCEPTION OF LIFE    Vs - Superficial View of Reality
* THE UNTOUCHED NATURE     Vs - Industrialized society
* LONGING FOR THE PAST       Vs- Immediacy of present moment
* FEELINGS AND EMOTIONS   Vs – Rational Intellect
* THE PERFECT LOVE
* THE ROMANTIC DEATH
* THE BEAUTY OF NATURE
* HISTORICAL LANDSCAPES
* THE EXOTIC

FORM:

* I- Form
* Images and Symbols
* Free Form
Bugambilia

El género ***Bougainvillea***, conocido popularmente como **veranera,** **trinitaria,** **buganvilla,** **buganvilia**​ o **bugambilia**,​ es un género de la familia Nyctaginaceae, con 18 especies aceptadas de las 35 descritas.​ Es nativo de los bosques tropicales húmedos de América del Sur, principalmente de los situados en áreas de Brasil, Perú y norte de Argentina ​ y ampliamente cultivado en regiones tropicales y subtropicales.

## Descripción

Son arbustos o árboles pequeños, algunos trepadores perennes en las zonas lluviosas todo el año, o bien caducifolios en las de estación seca; de entre 1 hasta 12 m de altura. Se sujetan en otras plantas usando sus afiladas púas que tienen la punta cubierta de una sustancia cerosa negra. Las hojas son alternas, simples y de forma ovalado-acuminada de 4-12 cm de largo y 2-6 de ancho. Las flores, hermafroditas, son axilares, conspicuas, tubulares, con 5-6 lóbulos cortos, generalmente blancas, organizadas en grupos de 3, cada una insertada en una bráctea persistente de aspecto papiráceo y habitualmente vivamente coloreada de blanco, amarillo, rosado, magenta, morado, rojo o anaranjado. El número de estambres varia de 5 a 10; con filamentos cortos y soldados en la base. El ovario es fusiforme, glabro o pubescente, con estilo lateral corto. El fruto es un aquenio pentámero estrecho, fusiforme o cilíndrico.​

​

## Distribución

Este arbusto espinoso o árbol **es nativo de Sudamérica, principalmente de Brasil y Perú**. Actualmente se cultiva como planta ornamental en varias regiones subtropicales y tropicales del mundo.

## Usos

Esta planta recibe un amplio uso medicinal tradicional en los estados del centro y sur del territorio mexicano, principalmente en casos de infecciones respiratorias como tos, asma, bronquitis y gripe. Para su tratamiento son empleadas las flores o brácteas, así como su preparación el cual se administra en forma oral.

Se afirma que la bougainvillea también sirve como un buen tratamiento para la piel ya que sus propiedades antisépticas ayudan a prevenir el acné y las descamaciones.

## Taxonomía

*Bougainvillea*: nombre genérico otorgado por Philibert Commerson (1727-1773) en honor de Louis Antoine de Bougainville (1729-1811), el marino y explorador francés que introdujo la planta en Europa desde Brasil, y de quien era el botánico que le acompañó en su expedición alrededor del mundo de 1766 a 1769. Su publicación fue obra de Antoine Laurent de Jussieu en su *Genera Plantarum (Jussieu)*, 91, en 1789.​​ La especie tipo es: *Bougainvillea spectabilis* Willd.
Domestic tragedy

A form of tragedy in which the protagonists are middle or

working class people whose downfall takes place within a family relationship.

The term underscores the contrast between these tragic characters and those in

Classical and Renaissance plays, men and women of royal blood, whose fate has

consequences for the community as a whole. Domestic tragedy made its fi rst

appearance on the Elizabethan stage in such plays as the anonymous Arden of

Feversham (1591), in which a wife and her lover murder the woman’s husband and

are caught and executed for the crime; and Thomas Heywood’s A Woman Killed

with Kindness (1603), in which the husband of an adulterous wife denies her access

to her children after he discovers her affair.

The form reemerged in the 18th century with the success of George Lillo’s

The London Merchant (1731), in which the murder of a merchant and the repen-

tance and execution of the murderer constitute the main action. The success of

Lillo’s play led to imitations in Germany, notably G. E. Lessing’s Miss Sara Sampson

(1755), the fi rst example in German drama of a tragedy focused on a middle

class family.

American drama in the 1940s saw a remarkable resurgence of middle class

family tragedy with Tennessee Williams’s A Streetcar Named Desire (1947), Arthur

Miller’s Death of a Salesman (1948), and Eugene O’Neill’s most important play, A

Long Day’s Journey into Night (1940, produced, 1956).

From de Corpora - [Edward\_Quinn]\_A\_Dictionary\_of\_Literary\_And\_Themat(BookFi)
Седрик

Седрик – учёный из Проппии, который является прапрадедом Седрика из снов Лололошки

>

## Общая информация

**Седрик** — один из трех строителей отправленных на место, указанное Лололошкой, для того, чтобы построить ему дом. Его отправила принцесса Хризеида, которая раннее и предложила Лололошке идею с домом. Вместе с ним были отправлены еще два строителя - девушка Эфиалия и Усатый, прозванный за свои усы.

**С 11 серии (ПЕРВЫЙ ОТВЕТ)** остается один, так как, с его слов, **Эфиалию** *соблазнил вампир и она сбежала с ним*, а **Усатый** *отказался выходить за пределы* стен, аргументируя тем, что и *его могут соблазнить сирены или русалки.* В этой же серии Седрик предлагает свою дружбу Lololowk'е. Услышав положительного ответ, он говорит:

> [Седрик]И как твой новый друг, предлагаю свою помощь с постройкой дома.
>
>

И подниматься вверх, произнося:

> [Седрик] Уверен, такая сила тебе пригодится! *(галлюцинация?)*
>
>

После чего начинает проживать в недостроенном доме, параллельно, в одиночку, достраивая его.

**Вновь** Седрик появился в 22 серии. Он становится более **старым**, а также на нём появляются очки. Он помогает ему в получении информации про **Фарагонду**. В 24 серии, к сожалению, ⁣**Лололошка** покидает **Старого Седрика,** поскольку не может долго находиться за пределами Междумирья.

После чего Лололошка возвращаться через какое-то время и приводит с собой Сан-Франа и Ашру, которые чуть позже хорошо поладили с Седриком.

После того как Лололошка долго ходил со скинтонитом его искра сильно ослабла из-за чего его на 10 дней телепортировали в Проппию, дабы она восстановилась (в междумирье искра не восстанавливается), но у Лололошки начинаются галлюцинации и с этим ему помогает Седрик, создавая тупинатор, который подавляет мозговую активность, что должно помочь избавиться от галлюцинаций. Первая попытка использования тупинатора не увенчалась успехом, поскольку надев его у Лололошки были заблокированы моторные функции. При второй попытке тупинатор заработал, но у Лололошки появилась афазия.

## Внешность

Одет в бежевого цвета рубашку с закатанными рукавами. Поверх неё надет коричневого цвета жилет и того же цвета штаны с чёрным ремнем. На ремне красуется серебряная бляха. Кожа смуглая, волосы серого цвета, глаза тоже сероватого оттенка. Прическа короткая, не выделяющаяся.

## Личность

О Седрике мы мало что знаем, показан нам он как добродушный и бесстрашный, верный своему делу. Верит слухам, что показано в 13 серии, спрашивая Лололошку по поводу прогулки с королем и его пропажи.

## Интересные факты

* Прапрадед Седрика участвовал в строительстве замка Проппии.
* Собственноручно сдал Lololowk'у.
* Седрика выгнали из королевства
* Создав тупинатор, а по научному ГМА(глушитель ментальной активности) Седрик говорит фразу "Трепещи Лололошка, я создал тупинатор!", что отсылает на коронную фразу Хайнца Фуфелшмерца из мультфильма "Финес и Ферб"
* Предположительно, фамилия Седрика - Диггори, как об этом говорилось в 64 серии (КНИЖНЫЙ КОШМАР). Это является отсылкой на книгу "Гарри Поттер и Кубок огня"[1].
* Создал бомбу с помощью которой Лололошка взорвал Видомнию
Ден

Ден - один из защитников главного входа Поэны. Вместе с Салом задерживают Лололошку еще в 9 серии. В 42 серии думал, что группа Ашры не пошла на китов, и он очень удивился, когда узнал про победу над ними.

## Внешность

Ден - брюнет с голубыми глазами. Одет в черные ботинки, шоколадную рубашку и черные штаны. Хорошо слажен, как и Сал, на его груди так же висит золотой значок, который показывает его значимость в Поэне.

## Характер

Не самый отвественный человек, что иногда спит на посту вместе с Салом. Часто спорит с Салом из-за Ашры.

***«Когда я выросту, хочу стать, как Ашра!‎»*** - такие слова сказал Ден, несмотря на то, что он старше Ашры.

## Отношения с персонажами

* Эо - уважаемый для него.
* Ашра - уважаемая для него. Дружелюбные отношения.
* Лололошка - негативные отношения, потому что он думает, что Лололошка подкатывает к Ашре.

## Интересные факты

* Временами спит на посту вместе с Салом
* В 100 серии временно стал сосудом для Эбардо.
Literature III

## Possible Essay Titles

* de Crevecoeur’s Vision of America in “Letter III: What is an American?”
* Dickinson’s Imaginative Approach to Death in “Because I could not Stop for Death”.
* Chopin's distinctive style in Chopin's "The Storm".
* Twain´s Contribution to American Realism in *The Adventures of Huckleberry Finn*
* The Power of the Image in Pound’s “In the Station of the Metro”
* Angelou’s Celebration of Black Pride in “Still I Rise”
* The Search for Identity in Cisneros’ *The House on Mango Street*
* Metafictional Traits in Auster’s “Auggie Wren’s Christmas Story”
* Ernest Hemingway's Characteristic Narrative Style in "Hills Like White Elephants"
* A Shout of Help in Ginsberg's "The Howl"
* The "Tell-Tale Heart:" A Test to Poe's Maestry in Short Story Writing
* Emerson's Novel Approach to the Academia in "The American Scholar"
* Characteristics of Frost's Aesthetics in "Stopping by Woods on a Snowy Evening"
* Failed American Dream in Miller's "Death of a Salesman"
* Southern Gothic in "A Rose for Emily"
萨洛尼特·凯斯

性别：女

年龄：23

身高：158cm

国籍：美籍爱尔兰人

   简介：小时候是个古怪却不让人反感的孩子，处理事情和人际关系有自己的一套，进入教会后进行了改造，不论身体，脑袋里肯定是被加或减了东西。整个人的成长路线就此走歪

备注
--

辫子是被刀寄生后长出来的，刀经常会藏匿在里面

插曲
--

14岁进了教会就没上过学，知识是教会里的人教的。认识了一名父母受教会蛊惑的女孩伊娜丝，刻薄短浅的她本着对同龄人的好奇和对教会一肚子没处说的怨言每日拉着凯斯交谈。作为一个倾听对象凯斯很合格，伊娜丝对她颇有好感，经常也会给她带东西分享（双马尾就是她执意给凯斯札的）

后来年龄稍长，凯斯也完成训练正式为教会工作，在世界各地奔波，两人的联系越来越少，最后杳无音讯。

等那一年凯斯回到本部前，教会临时发派了一个人物给她，让她剿灭一家背叛教会的教徒。当凯斯在雪地里穿着西装想着快点做完任务时看见了眼熟的面孔，对方穿着厚厚的毛裘，在教会杀手戏弄下满脸惊恐摸爬滚打着逃窜。凯斯没有说话利落的斩杀了那些杀手。

吓坏的伊娜丝一眼都没看她，径直从她身边跑走了。 刀上的雾还没有散去，凯斯默默看着对方踉跄跑远

跑吧，伊娜丝。她想

作品
--
Symbol

In the simplest sense, anything that stands for or represents

something else beyond it—usually an idea conventionally associated

with it. Objects like flags and crosses can function symbolically; and

words are also symbols. In the \*SEMIOTICS of C. S. Peirce, the term

denotes a kind of \*SIGN that has no natural or resembling connection

with its referent, only a conventional one: this is the case with words. In

literary usage, however, a symbol is a specially evocative kind of image

(see imagery); that is, a word or phrase referring to a concrete object,

Symbolic, the 252

scene, or action which also has some further significance associated with

it: roses, mountains, birds, and voyages have all been used as common

literary symbols. A symbol differs from a \*METAPHOR in that its

application is left open as an unstated suggestion: thus in the sentence

She was a tower of strength, the metaphor ties a concrete image (the

'vehicle': tower) to an identifiable abstract quality (the \*TENOR: strength).

Similarly, in the systematically extended metaphoric parallels of

\*ALLEGORY, the images represent specific meanings: at the beginning of

Langland's allegorical poem Piers Plowman (c.1380), the tower seen by the

dreamer is clearly identified with the quality of Truth, and it has no

independent status apart from this function. But the symbolic tower in

Robert Browning's poem ' "Childe Roland to the Dark Tower Came" '

(1855), or that in W. B. Yeat's collection of poems The Tower (1928),

remains mysteriously indeterminate in its possible meanings. It is

therefore usually too simple to say that a literary symbol 'stands for'

some idea as if it were just a convenient substitute for a fixed meaning; it

is usually a substantial image in its own right, around which further

significances may gather according to differing interpretations. The

term symbolism refers to the use of symbols, or to a set of related

symbols; however, it is also the name given to an important movement

in late 19th-century and early 20th-century poetry: for this sense, see

Symbolists. One of the important features of \*ROMANTICISM and

succeeding phases of Western literature was a much more pronounced

reliance upon enigmatic symbolism in both poetry and prose fiction,

sometimes involving obscure private codes of meaning, as in the poetry

of Blake or Yeats. A well-known early example of this is the albatross in

Coleridge's The Rime of the Ancient Mariner' (1798). Many novelists—

notably Herman Melville and D. H. Lawrence—have used symbolic

methods: in Melville's Moby-Dick (1851) the White Whale (and indeed

almost every object and character in the book) becomes a focus for many

different suggested meanings. Melville's extravagant symbolism was

encouraged partly by the importance which American

\*TRANSCENDENTALISM gave to symbolic interpretation of the world. Verb:

symbolize.

From the corpora - [Chris\_Baldick]\_The\_Concise\_Oxford\_Dictionary\_of\_L(BookFi.org)
William Buttler Yeats

Irish poet, dramatist, and prose writer William Butler Yeats was the preeminent writer of the Irish literary renaissance at the turn of the 20th century. His was also an important figure in European literary Modernism in the 1920s and ’30s. In 1923 Yeats became the first Irish writer to receive a Nobel Prize for Literature.
Binary opposition

The term 'binary' denotes 'composed of rwo', 'twofold'; as in a binary star, 'one of a pair of stars held together by gravitation'. Language, too, has countless binary oppositions: up/down; slow/fasq sense/nonsense; trutVfdsehood; blacVwhite; man/woman - and so on. The concept of binary opposition is central to structuralism (q.v.) and structuralist practice. As a structuralist concept it derives especially from L6vi-Strauss's studies of mythology. Linguistics and structuralist analysis use the notion of binary opposition not only in terms of words or concepts but in terms of the conventions or codes of a text. For deconstruction, and post-structuralism the notion of binary opposition is unsatisfactory because it represents anostalgia for'self-presence' or'centring'.

English - Penguin Dictionary Of Literary Terms And Literary Theory.pdf
Parody

a mocking imitation of the \*STYLE of a literary work or works, ridiculing the stylistic habits of an author or school by exaggerated mimicry. Parody is related to \* BURLESQUE in its application of serious styles to ridiculous subjects, to \*SATIRE in its punishment of eccentricities, and even to \*CRITICISM in its analysis of style. The Greek dramatist Aristophanes parodied the styles of Aeschylus and Euripides in The Frogs (405 BCE), while Cervantes parodied \*CHIVALRIC ROMANCES in Don Quixote (1605). In English, two of the leading parodists are Henry Fielding and James Joyce. Poets in the 19th century, especially William Wordsworth and Robert Browning, suffered numerous parodies of their works.

[Chris\_Baldick]\_The\_Concise\_Oxford\_Dictionary\_of\_L(BookFi.org)
Irony

## Definition

**IRONY** has meanings that extend beyond its use merely as a figure of speech. **VERBAL IRONY**, saying the opposite of what one means, is often confused  with sarcasm and with satire.

**SARCASM** and **SATIRE** both imply ridicule, one on the colloquial level, the other on the literary level. **Sarcasm** is simply bitter or cutting speech, intended to wound the feelings (it comes from a Greek word meaning to tear flesh). It is cruel, and means to hurt.

**Satire** is a more formal term, usually applied to written literature rather than to speech, and ordinarily implying a higher motive: it is ridicule (either bitter or gentle) of human folly or vice, with the purpose of bringing about reform or at least of keeping other people from falling into similar folly or vice.

**Irony**, on the other hand, is a literary device or figure that may be used in the service of sarcasm or ridicule or may not. In **DRAMATIC IRONY** the discrepancy in not  between what the speaker says and what he means, but between what the speaker says and what the author means. The speaker’s words may be perfectly straightforward, but the author, by putting these words in a particular speaker’s mouth, may be indicating to the reader ideas or attitudes quite opposed to those the speaker is voicing.
Шляпа

Шляпа(настоящее имя Савос)— глава гильдии магов.

## Основная информация

Шляпа — глава гильдии магов и единственный, кто по возвращению Лололошки из Проппии уверял остальных глав гильдии, что тот не виновен, поскольку благодаря своему «Ока междумирья» узнал, что Лололошка не пособник Фарагонды, а совсем наоборот – спаситель мироходцев.

## Личность

Когда Лололошка закончил свою речь после задержания его главами гильдий, то Шляпа сказал, что Лололошка напомнил его в молодости

## Внешность

Шляпа – темнокожий эльф с большим животом, что носит огромную шляпу и одеяние магов, где виднеется символика гильдии магов. Относительно других магов его одежда немного светлее остальных.

## Интересные факты

* Владеет «Оком междумирья», что может показывать, что происходит междумирье.
Shakespeare's Julius Caesar

Shakespeare's version of the story of Julius Caesar centres on a violent conspiracy of men who are blinded by their cause. In it, Brutus, a leading Roman citizen, is approached by Cassius, who is recruiting people to conspire to assassinate Caesar, who according to them, is going to destroy the Roman Republic.
Allen Ginsberg

## Intro Paragraph

The middle of the 20th century in Europe and America saw the rise of social and political twists that challenged the very pillars society has lied on for centuries. The chaos left after the horrors of the Second World War and the incipient threat of the rivalry between America and Russia stirred a sense of emergence and non-conformism among the alarmed citizens. In the US, this resulted in the rise of several movements meant to fight for the rights of oppressed minorities and oppose traditions that, in their accord, were fragmenting society. These current of ideas gave birth to a new era for the history of humanity: post-modernism. In literature, this movement prompted the emergence of experimental, more interconnected pieces, often meant to question and analyze reality. Post-modern pieces tended to be ironic, rooted in pop-culture, and a frank celebration of the disorder present in these unprecedented times. Among post-modern writers can be catalogued the American poet Allen Ginsberg. Son of Jewish parents, Ginsberg was able to spot the hypocrisy of the American society and founded the Beat Generation, a group of writers aligned with the hippie movement who attempted to reflect their beliefs in their pieces. Nowhere better seen the traits of such revolutionary movement than in Ginsberg’s key poem “Howl”, a free-verse composition that resonates as a cry for relief in regards of what he considers to be “the best minds” of his generation. Divided in three parts, this highly allusive, energetic poem constitutes the manifesto of the Beat Generation. In “Howl”, the stunned audience comes across with the main tenets of the hippie movement and their perception on the traditions that they believed to stain society.

Throughout the first section of the poem, Ginsberg lies out to the audience the values that marked the tenets of the Beat Generation, including freedom of expression, the embracement of sex, and the use of recreational drugs.

-Freedom of expression and communism

-Vietnam war

-QUOTE

-The embracement of sexual freedom

-QUOTES / non-comormism

-Ginsberg gay?

-The use of recreation drugs as a source of inspiration

-QUOTES

Ginsberg dedicated the second part of his mythical poem to reflex the characteristics of the punishing traditions that limit the joy of his contemporaries.

-The symbol of moloch

-Moloch as the government

-Quote

-Moloch as the city, lack of nature, the opposite of flower power

-Quote

-Moloch as consumerism, capitalism

-Carl Solomon as an example of the repression of society

### MLA citation

Ginsberg, Allen. "Howl." 1956. *Howl and Other Poems*. City Lights, 1973. pp. 9-22.
The Movement

## Background

Britain in the years immediately following World War Two was beginning to move forwards once again. The National Health Service began offering comprehensive health care for all in 1948. The Festival of Britain, held in 1951, celebrated the nation’s heritage and looked ahead to an exciting future. The weariness caused by war was receding, the rationing of food was becoming a thing of the past and financial aid from America was helping the country to rebuild.

The arts, however, and literature and theatre in particular, were in a rut. The cosy drawing-room dramas of the pre-war era still dominated the stage, and in 1954 a series of articles in the *The Observer* asked ‘Is the novel dead?’ On both the stage and the page a reluctance to let go of Britain’s imperial past and an obsession with class held sway. A radical shake-up was needed. Literature needed to get angry.

Deeply English in outlook, the Movement was a gathering of poets including Philip Larkin, Kingsley Amis, Elizabeth Jennings, Thom Gunn, John Wain, D J Enright and Robert Conquest. The Movement can be seen as an aggressive, sceptical, patriotic backlash against the cosmopolitan elites of the 1930s and 1940s. The poets in the group rejected modernism, avant-garde experimentation, romanticism and the metaphorical fireworks of poets such as Dylan Thomas. Their verse was ironical, down to earth, unsentimental and rooted in a nostalgic idea of English identity. The Movement were Oxbridge-educated, white, predominantly male (Jennings was the only woman in the group, and she was a late arrival), middle-class, Europhobic and for the most part heterosexual. Even so, they caught the mood of their time, and Larkin and Amis in particular are undeniably major figures in English literature.

The Movement produced two anthologies, Enright’s *Poets of the 1950s* (1955) and Conquest’s *New Lines* (1956).

## Characteristics

The central viewpoint in their poems is an ‘I’, a single voice, recording experiences directly and shaping them in generally traditional poetic forms.

The common assumption is that the Movement was largely a reaction against the inflated romanticism of the 1940s, a victory of common sense and clarity over obscurity and mystification, of verbal restraint over stylistic excess: in short, the virtues of Philip Larkin over those of Dylan Thomas.

## Main Referents

* Philip Larkin
* Kingsley Amis
* Elizabeth Jennings
* Thom Gunn
* John Wain
* D J Enright
* Robert Conquest

## Sources

1. ↑  Buzwell, Greg. "The 1950s: English Literature's Angry Decade." *British Library*. 7 September 2017, www.bl.uk/20th-century-literature/articles/the-1950s-english-literatures-angry-decade
2. ↑  Carter, Ronald, and John McRae. *The Routledge History of Literature in English*. Routledge, 2002.
3. ↑  Roberts, Neil. *The Blackwell Companion to Twentieth-Century Poetry*. 2001. Blackwell, 2003.
The Cold War

During World War II, the United States and the Soviet Union had joined forces to fight against the Germans. The Soviet army marched west; the Americans marched east. When the Allied soldiers met at the Elbe River in Germany in 1945, they embraced each other warmly because they had defeated the Nazis. Their leaders, however, regarded each other much more coolly. This animosity caused by competing political philosophies would lead to a nearly half-century of conflict called the Cold War.

Two conflicting economic systems, capitalism and communism, competed for influence and power after World War II. The superpowers in this struggle were the United States and the Soviet Union. In Asia, the Americas, and Eastern Europe, people revolted against repressive governments or rule by foreign powers. These revolutions often became the areas for conflict between the two superpowers.

The United States and the Soviet Union used military, economic, and humanitarian aid to extend their control over other countries. Each also tried to prevent the other superpower from gaining influence.
Literary Elements

### Prosaic Literary Techniques

* **Imagery:** figurative language to create sensorial representations of actions, objects and ideas in our mind in a way that appeals to our physical senses.
* **Simile and Metaphor:** Both compare two distinct objects and draw similarities between them. Simile uses ***like, as, than, similar to,*** or ***resembles***.
* **Dramatic Irony:** when the audience understands the implication and meaning of a situation on stage, or what is being said, but the characters do not.
* **Fore-shadowing:** arranging information in a narrative in such a way that later events are hinted at beforehand.
* **Non-linear plot:** the story is told out of chronological order.

## Poetry

### Poetic Literary Elements

* **Stanza:** main building block of a poem
* **Rhyme:** is the correspondence of sound between words, especially when these are used at the ends of lines of poetry.
	+ **External: end of lines**
	+ **Internal: middle of the line**
	+ **Rhyme Scheme:** A rhyme scheme is the pattern of sounds that repeats at the end of a line or stanza. Rhyme schemes can change line by line, stanza by stanza, or can continue throughout a poem. The patterns are encoded by letters of the alphabet.
* **Meter:** specific length and emphasis on a given line. It is the rythmic structure of a line within a poem. The number of syllables + a pattern of emphasis on those syllables.
	+ **Foot:** A line of poetry can be broken into "feet," which are the individual units within a line of poetry. A foot of poetry has a specific number of syllables and a specific patter of emphasis. In English poetry, the most common types of metrical feet are two or three syllables long. They're characterized by their particular combination of stressed and unstressed syllables. They include:
		- **Trochee:** Pronounced DUH duh , as in “ladder"
		- **Iamb:** Pronounced duh DUH , as in “indeed"
		- **Spondee:** Pronounced DUH DUH , as in “TV"
		- **Dactyl:** Pronounced DUH duh duh , as in “certainly"
		- **Anapest:** Pronounced duh duh DUH , as in “what the heck!"
	+ **Metrical feet** are repeated over the course of a line of poetry to create poetic meter. We describe the length of a poetic meter by using Greek suffixes:
		- one foot = monometer
		- two feet = dimeter
		- three feet = trimeter
		- four feet = tetrameter
		- five feet = pentameter
		- six feet = hexameter
		- seven feet = heptameter
		- eight feet = octameter
* **Speaker:** the voice who tells the poem (NOT the author)

### Poetic Literary Techniques

* **Assonance:** repetition of vowel sounds across a line
* **Consonance:** repetition of consonant sounds across a line
* **Alliteration:** repetition of the same sound across the start of words in a line
* **Enjambment:** when the end of a phrase extends past the end of a line
The Abbey Theatre

Abbey Theatre The Dublin home of the Irish National Theatre Company, where some of the most celebrated plays of the 20th century fi rst appeared. On its opening night, December 26, 1904, the Abbey presented four short plays: William Butler Yeats’s Cathleen Ni Houlihan and On Baile’s Strand, Lady Augusta Gregory’s Spreading the News, and John Millington Synge’s In the Shadow of the Glen. This premiere set a standard that the company was to maintain for the next two decades. The company presented Synge’s The Playboy of the Western World (greeted by rioters protesting the play as “a libel of the Irish character”) in 1907 and his powerful tragedy Deirdre of the Sorrows in 1910. The twenties saw the presentation of Sean O’Casey’s great tragicomic achievements: The Shadow of a Gunman (1923), Juno and the Paycock (1924), and The Plough and the Stars (1926), the latter causing another riot at the theater. Although never matching the great achievements of its early years, the Abbey, which burned down in 1951 and reopened in 1966, continues to produce plays and players of unusually high quality, maintaining its status as one of the premier theaters in Europe.
A worldwide depression

By the late 1920s, European nations were rebuilding wartorn economies. They were aided by loans from the more prosperous United States. Only the United States and Japan came out of the war in better financial shape than before. In the United States, Americans seemed confident that the country would continue on the road to even greater economic prosperity. One sign of this was the booming stock market. Yet the American economy had serious weaknesses that were soon to bring about the most severe economic downturn the world had yet known.
Allegory

a story or visual image with a second distinct meaning

partially hidden behind its literal or visible meaning. The principal

technique of allegory is \* PERSONIFICATION, whereby abstract qualities

are given human shape—as in public statues of Liberty or Justice. An

allegory may be conceived as a \*METAPHOR that is extended into a

structured system. In written narrative, allegory involves a continuous

parallel between two (or more) levels of meaning in a story, so that its

persons and events correspond to their equivalents in a system of ideas

or a chain of events external to the tale: each character and episode in

John Bunyan's The Pilgrim's Progress (1678), for example, embodies an idea

within a pre-existing Puritan doctrine of salvation. Allegorical thinking

permeated the Christian literature of the Middle Ages, flourishing in the

\*MORALITY PLAYS and in the \*DREAM VISIONS of Dante and Langland.

Some later allegorists like Dryden and Orwell used allegory as a method

of \* SATIRE; their hidden meanings are political rather than religious. In

the medieval discipline of biblical \*EXEGESIS, allegory became an

important method of interpretation, a habit of seeking correspondences

between different realms of meaning (e.g. physical and spiritual) or

between the Old Testament and the New (see typology). It can be argued

that modern critical interpretation continues this allegorizing tradition.

See also anagogical, emblem, exemplum, fable, parable, psychomachy,

symbol. For a fuller account, consult Angus Fletcher, Allegory (1964).

[Chris\_Baldick]\_The\_Concise\_Oxford\_Dictionary\_of\_L(BookFi.org)
Foreshadowing

The hint in a NARRATIVE of later developments.

It is the organization and presentation of events and scenes in a work of fiction or drama so that the reader or observer is prepared to some degree for what occurs later in the work. This can be part of the general atmosphere of the work, or it can be a specific scene or object that gives a clue or hint as to a later development of the plot.
Gunpowder Plot

Gunpowder Plot, (1605)Conspiracy by English Roman Catholic zealots to blow up Parliament and kill James I. Angered by James’s refusal to grant more religious toleration to Catholics, a group of conspirators led by Robert Catesby (1573–1605) recruited Guy Fawkes to their plot. One member warned his brother-in-law Lord Monteagle not to attend Parliament on the appointed day (November 5, 1605), and Monteagle alerted the government. Fawkes was arrested in a rented cellar under the palace at Westminster, where he had concealed 20 barrels of gunpowder. Under torture, he revealed the names of the conspirators, and they were all either killed while resisting arrest or executed in 1606. The plot bitterly intensified Protestant suspicions of Catholics.
Personification

personification, a \*FIGURE OF SPEECH by which animals, abstract

ideas, or inanimate things are referred to as if they were human, as in Sir Philip Sidney's line:

Invention, Nature's child, fled stepdame Study's blows

This figure or \*TROPE, known in Greek as prosopopoeia, is common in most ages of poetry, and particularly in the 18th century. It has a special function as the basis of \*ALLEGORY. In drama, the term is sometimes applied to the impersonation of non-human things and ideas by human actors.

[Chris\_Baldick]\_The\_Concise\_Oxford\_Dictionary\_of\_L(BookFi.org)
Refrain

## Definition

A line, or part of a line, or a group of lines, which is repeated in the course of a poem, sometimes with slight changes, and usually at the end of each stanza. A refrain may consist only of a single word—"Nevermore" as in Poe's "The Raven" (1845)—or of an entire stanza.

## Examples

* Owen's Dulce et Decorum Est.

Dulce et Decorum est (title, 27)

1. ↑  Abrams, W.H. *A Glossary of Literary Terms.*
Imagery

## Definition

It may be defined as the representation through language of sense experience. Poetry appeals directly to our sense, of course, through its music and rhythm, which we actually hear when it is read aloud. But indirectly it appeals to our senses through imagery, the representation to the imagination of sense experience.
**Visual images** are the most frequently occurring kind of imagery in poetry, but an image may also represent a **sound, a smell, a taste, a tactile experience** such as wetness or cold; an **internal sensation**, such as hunger or thirst, or **movement or tension** the in muscles or joints.

## Examples

* Owen's Dulce et Decorum Est.

Drunk with fatigue (line 7)

An ecstasy of fumbling (line 9)

As under a green sea, I saw him drowning (line 14)
保萨利

不为外人所知的族群，但他们一直与山涧中的怪物战斗

情况
--

生活在施玛勒伽山脉深处的大峡谷谷口，由于地理环境鲜为人知且和外界少有联系，较为原始的自给自足生产关系，自古以来都和峡谷中想要出世的怪物战斗

他们面临的怪物庞大强劲，多数没有被记载在册，越深的地方怪物就越为强大与恐怖，就连保萨利也不知道山里究竟有多深

特征
--

外表普遍为黄褐色皮肤，眼睛细长眼仁纯黑，骨架中等大小

保萨利人普遍身体非常强健，但少有强力法术资质，虽然外表与人类无异但身体构造不明，能承受超高强度的战斗与负荷

习俗
--

所有保萨利人（除了涩罗娑）在成年时会独自进入峡谷猎杀某种怪物鹿并在头盔上佩戴它们的鹿角，随着能力越来越强头盔上的角会越来越大，并习惯以角的大小来判断实力。如果成年时没有猎杀怪物鹿就会成为亚艮。族内人数并不庞大，关系平等，团结和谐

部落里有三种群体

### 特征

头冠上插着涩罗娑成年时猎杀的某种怪物蛾耳羽

身上拥有诸多宝石及贵金属饰品，服饰宽大艳丽主色因涩罗娑的喜好而异，每任的涩罗娑服饰都会有所不同

### 特征

戴有怪物鹿角的头盔，服装材质为偏细滑的纺织品，成分可能为某种怪物的皮肤。穿戴着亲人编织的织物

## 亚艮（普通人）

成年时没有成功猎杀怪物鹿的人群，但在医疗，耕作，纺织，各种方面发挥着重要作用

其中多为拥有少量法术资质的女性和少数能力不强的男性

现任涩罗娑多娜束法术资质优秀，她的妹妹厄尔施是同辈人中最强的战士

姐妹关系一般，但厄尔施也会把姐姐织的披巾挂身上，不过自从多娜束被带走后就独自生活，两人少有接触感情不冷不热

起源
--

保萨利的祖先是类似肉块一样没有定型的东西，这些肉块吞掉猎物后会模拟被捕食猎物的状态，甚至是思考方式和行为，从而融入环境并不断进化。进化的智力与模仿的生物相似，经常不知道怎么变形模仿成四不像，运气好吞噬掉人类模仿了人类的思维从而变形最成功，之后肉块模仿出越来越多的人形，形成了最初的部落。

由于肉块***只能在施鲁玛生存***，所以吞掉的都是当地的土著，后来形成的部落文化也有先前土著的影响

无论变成什么样子的肉块都能识别出同族，并视对方为兄弟姐妹

当一个保萨利摸着一只不知道是什么构造的鸟并说那是他兄弟的时候，他不是信仰自然那只鸟真的是他的兄弟

因为肉块和其他生物构造不同，所以只能内部繁衍，和其他生物有生殖隔离。但有性繁殖也是模仿其他生物才出现的行为
Allusion

## Definition

A reference to something in history or previous literature. It is like a richly connotative word or a symbol, a means of suggesting far more than it says

## Examples

* Owen's Dulce et Decorum Est.

Dulce et decorum est pro patria mori (title, line 27-8) The complete title to the poem – from a Latin epigraph – translates into the phrase **‘It is sweet and honourable to die for one’s country’**
Novella

novella [no-vel-a], a fictional tale in prose, intermediate in length and

complexity between a \*SHORT STORY and a \*NOVEL, and usually

concentrating on a single event or chain of events, with a surprising

turning point. Joseph Conrad's Heart of Darkness (1902) is a fine example;

Henry James and D. H. Lawrence also favoured the novella form. The

term comes from the Italian word novella ('novelty'; plural novelle), which

was applied to the much shorter stories found in Boccaccio's Decameron

(1349-53), until it was borrowed at the end of the 18th century by Goethe

and other writers in Germany, where the novella (German, \*NOVELLE) in

its modern sense became established as an important literary \* GENRE. In

France it is known as the nouvelle. See also conte, novelette.

Chris\_Baldick]\_The\_Concise\_Oxford\_Dictionary\_of\_L(BookFi.org).pdf
Simile

## Definition

A comparison between things essentially unlike. The comparison is expressed by the use of some word or phrase such as ***like, as, than, similar to,*** or ***resembles***.

## Examples

* Owen's Dulce et Decorum Est.

like old beggars (line 1)

coughing like hags (line 2)

flound’ring like a man in fire or lime (line 12)

like a devil’s sick of sin (line 20)
费卢沃

脑叶公司企划

性别：男

年龄：20

身高：171

出身：郊区

简介：脸上有一道十字疤，右手是假肢，随和亲切的男性，通常没什么存在感着眼于活好当下，偶尔会抽烟，但是量不大

生平：生母是实验品被丢在郊区，费卢沃也继承了母亲的优秀体制，但是母亲在他尚且年幼的时候死于意外留下独身一人的费卢沃挣扎求生。

费卢沃人生的第一个转折点就是遇到了被抛弃的实验题15072号，一个和他年纪相仿的白发女孩。出于怜惜和好奇费卢沃带着她一起生活，两人渐渐熟络起来也更为亲近，成为了无话不谈的好友。可是15072的身体孱弱，无法面对巨大的危险，两个十几岁的孩子更艰难的维步求生。在经历许多磨难后两人暗生情愫，承诺要一起找到逃离郊区的办法，创建更美好的生活

当两人历经艰苦终于看到进入后巷的希望，费卢沃在外出寻找用来交换的物件时意外发生，15072死于郊区怪物手下

好消息是他机缘巧合获得了进L公司分布工作的机会，但是此刻对他来说又有什么意义呢

作品
--
Eyes:

Broadside Eye Type

Moody

Gassed

Jel

Lairy

Icy

Stush

Neeky

Locked

Heart Eyes

Wigan Casino Eyes

Markham Roller Rink Eyes

5046 Eyes

Pure Groove Locked On Eyes

Real Eyes Realize Real Lies - Bay Blue

Real Eyes Realize Real Lies - Stealth Black

Real Eyes Realize Real Lies - Vector Pink

Vector Vision - Bay Blue

Vector Vision - Stealth Black

Vector Vision - Vector Pink
92.7 FM Camo

Primary Meaning
Throughout the book the number 9 is significant 7 plus 2 is 9 and that's why all three numbers are used.
The other potential reference is a pirate radio station Freeze FM, its band was 92.7fm.
Freeze FM was very popular in London. Here is a documentary of its history.
https://www.youtube.com/watch?v=z1\_Rv45M-P4
Br0ads1de Wiki

**Welcome to the Br0ads1de Wiki!**

A DECENTRALIZED TALE OF 7,290 ANONYMOUS HEROES

Broadside is a new culture, community and story world, purpose-built for web3. It begins with a decentralized tale of 7,290 anonymous heroes, coming with either cc0 or full commercial rights, each the star of their own story.

11 Episode NFTs and artefacts from the world will be dropped to each Broadsider, telling the story of your specific character (all of which is already written, developed over ten years by a team of web3 and storytelling veterans), following the weeks and months after mint. Once the final chapter drops, merge and burn your Episode NFTs into a 1/1 Book NFT, featuring your Broadsider on the 1/1 cover art.

You will be able to print and sell copies of your book, before taking your character in any direction you wish, as we develop Phase 2 of Broadside together with the community in a number of new directions.

The collection features rare traits (both cc0 and licensed from other projects) contributed by our friends, guest artists and communities including XCOPY, Cryptopunk #5046, OSF / Rektguy, Moonbirds, Eclectic Method, Goblintown, Nouns, Blitmaps, Kristy Glas, Cryptoadz, Robness and more. None of them are as strong as all of us.

## Important articles

*Need help building out this community?*

* Rules of this wiki
* Getting Started
* How to Contribute
* Managing your new community
* Guides
* All Help articles

*Community Founders*: Wiki initially created by Partial Applewhite and Lomex.eth.
92.7 FM Snipes

Primary Meaning
Throughout the book the number 9 is significant 7 plus 2 is 9 and that's why all three numbers are used.
The other potential reference is a pirate radio station Freeze FM, its band was 92.7fm.
Freeze FM was very popular in London. Here is a documentary of its history.
https://www.youtube.com/watch?v=z1\_Rv45M-P4
Jaw:

Broadsider Jaw Type

NONE

Bones Up Jaw Mask Bullion

Hench Jaw Mask Aqua

Bones Up Jaw Mask Vector Pink

Gurner Jaw Mask Goo Green

Nang Jaw Mask Rex Royal

Nang Jaw Mask Bullion

Rug Mob Jaw Mask Vector Pink

Gurner Jaw Mask Cult Gold

Hench Jaw Mask Bay Blue

Hench Jaw Mask Stealth

Rug Mob Jaw Mask Bay Blue

Bones Up Jaw Mask Horny @ Legends Every Thursday Camo

Bones Up Jaw Mask Anodized

Bones Up Jaw Mask Bay Blue

Frontside Jaw Mask Marshal Orange

Frontside Jaw Mask Vector Pink

Frontside Jaw Mask Zest 4 Life

Hench Jaw Mask Nothing Neeky Camo

Nang Jaw Mask Rass Clot Camo

Rug Mob Jaw Mask Stealth

Goated Jaw Mask Vector Pink

Hench Jaw Mask Vector Pink

Bones Up Jaw Mask Stealth

Frontside Jaw Mask Goo Green

Goated Jaw Mask Goo Green

Goated Jaw Mask Neeky Gun Metal

Hench Jaw Mask Zest 4 Life

Goated Jaw Mask Bay Blue

Goated Jaw Mask Zest 4 Life

Gurner Jaw Mask Bay Blue

Hench Jaw Mask Rasberry Ripple

Nang Jaw Mask Gun Metal

Nang Jaw Mask Marshal Orange

Nang Jaw Mask Neeky Gun Metal

Rug Mob Jaw Mask Anodized

Hench Jaw Mask Rass Clot Camo

Rug Mob Jaw Mask Cult Gold

Hench Jaw Mask Bullion

Rug Mob Jaw Mask Rex Royal

Frontside Jaw Mask Anodized

Nang Jaw Mask Bay Blue

Bones Up Jaw Mask Marshal Orange

Goated Jaw Mask Anodized

Frontside Jaw Mask Bay Blue

Nang Jaw Mask Goo Green

Bones Up Jaw Mask Dusty Rose

Gurner Jaw Mask We love Todd Edwards

Gurner Jaw Mask Vector Pink
Павел

## Основная информация

Павел — Мужчина с жёстким характером директор Абраксаса, также бывший наставник Лололошки, как и всех новичков в гильдии контрабандистов. Павел является другом Эо и по его же просьбе стал наставником Лололошки. Он учил Лололошку основам выживания в междумирье, а также балансу в нём. Предпочитает огнестрельное оружие и всегда носит при себе пистолет. Имеел частые ссоры с Лисом из-за разрушения таверны где обычно и проживают все новички.

Однажды Павел попросил у Лололошки, раздобыть ему краски, поскольку в его мире они запрещены. Краски, с его слов, нужны ему для "Самовыражения". При это он не хотел, чтобы Лололошка рассказывал кому-либо про его увлечение. Потом в 69 серии мы узнаем, что он владелец Абраксаса, и ему пригодились краски для создания логотипа.

## Внешность

У Павла карие глаза, каштановые волосы, а на голове он носит повязку. Одет же он в серую рубашку с жетоном контрабандистов, коричневые штаны и чёрную обувь.

## Личность

Павел довольно грубый, жёсткий и серьёзный мужчина, который, *возможно,* при делении денег за убийство монстра, присвоил себе больше половины денег, при том, что обещал Лололошке ровно половину, но все равно он является отличным наставником для всех новичков, который воспитывал в них тот самый характер настоящего контрабандиста.

## Отношения

Эо - друг/товарищ

Лололошка - бывший ученик

Лис (Пёс) - Бизнес партнер

Шрам - главарь

Фарагонда - злодейка

Сан-Фран - торгаш/ныряльщик

Ашра - новоиспеченная командир отряда

Даски - отребье

## Интересные факты

* На данный момент, единственный персонаж, которого озвучивают с акцентом.

* Единственный персонаж с огнестрельным оружием (на момент написания статьи).

* Любит рисовать.

* Любит говорить: " ПАВЕЛ ЗДЕСЬ"
The Insanity

the insanity is a being whose sole purpose is to go to other fiction and invade people's or even omniponent minds and control them He can control them in a sort period of time and steal their ability. He travels fast in a blink of an eye. He manage to escape Ocean of existence. The Insanity can not be killed or destroyed, because it is a representation of an emotion, but he can only be killed if the person he control dies, which is unlikely because he travels so fast and the Insanity is also an emotion so even if you kill it, it will revive itself if someone has instable emotions. Insanity also Manage to talk to The Absolute. If the insanity goes into your mind 2 things will happen: (1) It will just control your mind if you are weak both mental and physical-wise (2) It will offer a deal with you if you are strong in both mental and physical-wise. The reason why the insanity does this is because it can't invade the people with strong will and pure of heart. When it strikes a deal it will grant the user 1 wish in return the Insanity will control the person as long as it wants. If you accept the offer the insanity will control you freely any time it wants, if you reject the offer, he will kill you before you reach the age 30 (but if the said person who rejected the offer is older, then he/she die instantly)

Feat: can not be killed or destroyed. Manage to escape Ocean of existence and talked to The Absolute.
The Father

### Relatives

Created everything so possibly every being but The Father said that The Author is it's true relative

## Physical description

### Gender

Possibly Male

The Father is a being who created everything (From Universes to Omniponents to Alternate Universes/Dimensions). He is possibly the most powerful being in the overpowered verse and even the multiverse. In its prime it can easily destroy even all of the existing Omniponents and Dimensions. It's also possible that The Author is it's brother

## Personality/Biography

No one know how The Father was created but it is rumored that The Father created itself. When it created itself, it was imaginative and usually sad. Because of it being alone and imaginitive, it created a multi diverse universe with current, alternate, and fictional universes. It also created many Omniponents with specific roles in the universe. When it was at it's physical and mental Prime it was usually asserting dominance over others and acted like a dictator. Because of this, other beings started to hate and protest against The Father, but the father just erased the beings who dare to protest against it (so therfore at the time the whole universe was totally controlled by the father as a totalitarian state). The Father retired as it changed it's personality and didn't want to rule the universe so it made The Emperor rule the universe instead but The Emperor was acting like a dictator so The Father decided to lock The Emperor in a place where nothing can escape.
The Omnipotent Ones

**The Omnipotent Ones**

The Omnipotent Ones are beings that come from the Dimension of Everything the first ones were created by the The Absolute and the others now were created from other Omnipotent Ones they are entities that protect the Ocean of Existence they protect the Ocean of Existence from stuff like The Infection and so much more a very few of them also hold the seal to Divinity and they can break the The System with no difficulty since they reside in the Dimension of Everything they were not infected by The Infection

Personality

There are multiple Omnipotent ones with different personalities but most of them are outgoing and friendly and do not like to get in fights

Powers and Abilities

Absolute Omnipotence Beyond Dimensionality Existence Omni Manipulation Infinite Pre Adapting Abilities Omni Immunity

Origin: They were made by The Absolute the first ones and the rest comes from different Omnipotent Ones

Extra Information: They do not like to get in fights so they do not have any wins or losses they will immediately back down from a fight knowing that in a blink they will kill you or any who challenges them they are also the few beings that have not been

Feats: Broke the The System with no difficulty some of them hold the seal to Divinity

Notable Wins: None

Notable Losses: None