Spider-Man: Far From Home

**Spider-Man: Far From Home** is a 2019 American superhero film based on the Marvel Comics character Spider-Man. Produced by Columbia Pictures and Marvel Studios, and distributed by Sony Pictures Releasing, it is the twenty-third film in the Marvel Cinematic Universe and the eleventh film in Phase Three. It is the sequel to 2017's Spider-Man: Homecoming. The film is directed by Jon Watts, written by Chris McKenna and Erik Sommers, and stars Tom Holland as Peter Parker / Spider-Man.

## Plot

Eight months after the Blip, in Summer 2024, Nick Fury and Maria Hill arrive in the aftermath of what is supposedly a violent sandstorm, which has destroyed the small village of Ixtenco, Mexico. Fury stated that reports of the spontaneous event had a face, classifying it as a possible threat for them to investigate. The earth-based creature ran rampant again in the form of an unidentified creature, but a mysterious third party, Quentin Beck, arrived and dismantled it with Fury and Hill's help. A week later, an air-based creature was wreaking havoc in Morocco, until Beck, Fury, and Hill pulled resources to defeat it as well. Following these events, Beck gained the assistance of the two spies, to intercept a larger threat.

In New York City, Peter Parker yearns to gain the admiration of Michelle Jones, who he has a crush on. He competes for her affections with Brad Davis. Parker takes the opportunity to win her over when Midtown Tech organizes a school trip to Europe for the students who were killed in the Snap. All the while, Parker is met with an overabundance of stress after Tony Stark's death, asked by many if he would take over, juggling with the responsibilities of being Spider-Man without help from his mentor. Fury attempts to contact Parker during a charity event as Spider-Man with his Aunt May, but he dismisses it and redirects it to Happy Hogan. Moments later, Fury calls Hogan to ask if Parker if dodging his calls, with the old friend covering for Parker.

Parker's attempts to bond with Jones on the airplane ride to Italy proved futile. Parker's wingman and best friend Ned Leeds becomes infatuated with Betty Brant, and the two announce they are dating when they arrive in Venice. While the class is sightseeing, a water-based creature emerges out of the Grand Canal and runs rampant. Parker attempts to stop it to no avail, until the armoured Beck arrives, and destroys it after luring it out of the canal.

The night of the attack, Fury meets Parker in person and introduces him to Beck. Beck explains that the creatures are Elementals from an alternate dimension, which have emerged to their dimension in the Blip: A tragic warrior who had lost his family, Beck is determined to defeat them and reveals that the final Elemental, The fire-based creature, is due to make an appearance in Prague. To accommodate Parker's request to keep his identity as Spider-Man a secret without arousing suspicion, Fury rearranges the school trip's location from Paris to Prague, through the trip's chaperones, Roger Harrington and Julius Dell.

In Austria, Parker is provided with a new stealth suit and a new and advanced AI named E.D.I.T.H., embedded in a pair of sunglasses, as a final gift from Stark. When Davis attempts to sabotage Parker's chances with Jones, he inadvertently authorizes an orbital drone strike at their tour bus, but Parker stops it before it opens fire. Arriving at Prague, Fury reprimands Parker for endangering his classmates with the drone strike. After being consoled by Beck, Parker dons the stealth suit and helps Beck combat the Fire Elemental once it erupts during the city's Carnival of Lights.

Parker utilises E.D.I.T.H. to confine his tour group in the State Opera House on the other side of town from the projected Elemental attack. As Parker and Jones were having awkward attempts at complementing, Fury radioed Parker to be in position, prompting him to asks Leeds to give an alibi for his departure. Jones, curious as to his suspicious behaviour, follows Parker upon his exit, while Leeds and Brant also snuck out to the carnival. The latter pair are put in danger as they are entrapped on the Ferris wheel, due to the Fire Elemental's emergence scaring away the operator. Parker saves them, and Leeds hastily fabricates the alias "Night Monkey" to protect Parker's Spider-Man identity. As Parker secures their cart, a web-line snags a cloaked item that flies and lands near a hidden Jones.

Fury and Hill arrive on scene, Beck informs them it is too late to stop the Elemental and performs a Kamikaze attack. After Beck sacrifices himself to destroy the Fire Elemental, Parker leaped down to check his well-being and finds him injured but alive. After a discouraging talk by Fury, who invited Beck to Berlin to build a new superhero team, Parker was invited to celebrate by Beck for his heroism over drinks at a pub. Parker and Beck talked about responsibilities, and how Parker was too young to be engaging in Avengers level crises.

Beck assured him of finding the right rhythm when a waitress picks the E.DI.T.H. glasses off the floor Parker dropped. As Parker was showcasing the E.D.I.T.H. glasses, he had an epiphany regarding Stark's last words and bequeathed them to Beck. Although showing himself to be reluctant, Beck yielded to Parker's request, in the end, shouldering the responsibility of E.D.I.T.H. while Parker went to enjoy his vacation. Upon Parker's exit of the pub, the establishment dissipates revealing it as an illusion, with Beck and some accomplices celebrating.

Parker and Jones make time for each other on the Charles Bridge. Jones exclaims that she suspects Peter of being Spider-Man and submits a piece of tech with webbing as proof. When the tech, an advanced projector, activates to reveal an incomplete illusion of a scripted fight sequence with Mysterio, they realize that Beck had been manipulating the Elemental crises himself and is a fraud.

Upon this realization, Parker confesses to being Spider-Man and in need of Jones' help. The two return to the hotel for Parker to suit up, Jones and Leeds to provide him an alibi, and he races to Berlin to warn Fury. Meanwhile, Beck, having grown callous out of his need for attention, reveals his grand plan to his crew, all disgraced former employees of Stark Industries: to launch an "Avengers-level threat" in London and save the survivors of the event to become 'the Next Iron Man'. But Beck noticed a render error of his illusion projected suit and furiously examines the footage further to find Jones showing the projector evidence to Parker.

In Berlin, Parker attempts to expose Beck's plan to Fury and Hill but is intercepted by Beck, who had a drone shoot Fury. The office building vanishes into a mid-construction building where Beck torments him with various illusions. Parker is then saved by Fury, having shot Beck in the back, but upon his demanding names of know could know Beck's plan, Parker capitulates to name Leeds, Brant, and Jones. Fury is revealed to be Beck under illusion projection, and by resuming the illusions steers Parker into the path of an oncoming train. Beck has E.D.I.T.H. reroute the Midtown Tech class trip to London, intending to kill those that might also expose his plans.

Further away, Parker survived his collision and crawls his way into a train car to recover. He later wakes up in a holding cell in the Netherlands, and after escaping he asks a kind stranger for their phone, which he used to call Hogan to rescue him. After Hogan proves himself to be real to a battle-weary Parker, he provides first aid and a motivation speech to reenergize the young hero. Knowing Beck will target his class and using Thompson's live streams, Hogan plots course to London while Parker developed a new Spider-Man suit.

Parker skydives off the Stark Industries Private Jet into London, just as Beck launched his attack with the Elemental Fusion. Gliding over the Thames to make his way into the illusion, Parker battles a swarm of Beck's drones and destroys the Elemental Fusion illusion. Beck reordered the drones to then attack Spider-Man en mass, exhausting the hero to use all his web fluid. Meanwhile, Hogan went to rescue Parker's friends, but as the drones were nearing them he had to take them into a secure space, and the only one nearby was the vault of the Royal Crown Jewels. Inside, Parker's friends open up with Hogan, but Parker used an improvised tactic that blew a hole through the drone defences and he reached Beck. Upon capture, Parker broke Beck's interface dome helmet, which deactivated the drones hunting his friends.

Beck, however, used E.D.I.T.H. to control some drones to protect him, casting a dark void illusion within the walkway between Parker and Beck. Parker, using his hyper-awareness, confronts the drones and makes his way to Beck in the Tower Bridge observation station. A panicked Beck orders his protection drones to open fire, but Parker's use of a drone as a shield causes another to misfire, shooting Beck in the abdomen. Reaching Beck, and countering a last-ditch effort of an illusion, he reclaims the E.D.I.T.H. glasses and calls off the attack. The drones leave London, saving his classmates and the population in the process.

After Beck succumbs to his wounds and apparently dies, Parker exits the bridge where Jones embraces him, and they kiss amid the ruins of the bridge. One of Beck's accomplices, William Ginter Riva, recovers all of Beck's drone files after the battle and makes his escape to a safe location. Returning to New York, Leeds reveals that he and Brant have ended their short-lived relationship, whereas Hogan and May are in a complicated one: May sees it as a fling, while Hogan thought there was a long-term connection. Parker, feeling awkward among their discussion, takes his leave to sees Jones for their date.

While taking Jones on a date as Spider-Man across the city, they land at Madison Square Garden where on several billboard screens across the city, NY1 anchor Pat Kiernan announces that much to Parker's horror, controversial online news reporter J. Jonah Jameson of The Daily Bugle released altered footage of the Battle of London. The broadcasted story of Mysterio's last words on a confession video directly incriminated Spider-Man for the Elemental attacks and ousts Spider-Man's identity as Peter Parker to the world. In a post-credit scene, Fury is revealed to have been on a Skrull spaceship the entire time; Nick Fury and Maria Hill are revealed to be Skrull impersonators Talos and Soren, operating on Earth at Fury's behest.

## Cast

* Tom Holland as Peter Parker / Spider-Man
* Samuel L. Jackson as Talos (disguised), Quentin Beck (disguised) and Nick Fury
	+ Ben Mendelsohn as Talos
* Jake Gyllenhaal as Quentin Beck / Mysterio
* Marisa Tomei as May Parker
* Jon Favreau as Happy Hogan
* Zendaya as Michelle Jones
* Jacob Batalon as Ned Leeds
* Tony Revolori as Flash Thompson
* Angourie Rice as Betty Brant
* Remi Hii as Brad Davis
	+ Sawyer Reo as Young Brad Davis
* Martin Starr as Roger Harrington
* J.B. Smoove as Julius Dell
* Jorge Lendeborg Jr. as Jason Ionello
* Cobie Smulders as Soren (disguised as Maria Hill)
	+ Sharon Blynn as Soren
* Numan Acar as Dimitri Smerdyakov
* Zach Barack as Zach Cooper
* Zoha Rahman as Zoha
* Yasmin Mwanza as Yasmin Monette
* Joshua Sinclair-Evans as Josh Scarino
* Tyler Luke Cunningham as Tyler Corbyn
* Sebastian Viveros as Sebastian
* Toni Garrn as Seamstress
* Peter Billingsley as William Ginter Riva
* Clare Dunne as Victoria Snow
* Nicholas Gleaves as Gutes Guterman
* Claire Rushbrook as Janice Lincoln
* Dawn Michelle King as E.D.I.T.H.
* J.K. Simmons as J. Jonah Jameson
* Pat Kiernan as Himself
* Molly Fobbester as Sue Lorman
* Hemky Madera as Delmar
* Tuwaine Barrett as Officer Bristow
* Unknown Actor as Sean Winford
* Unknown Actor as Doug
* Unknown Actor as Gerald
* Robert Downey Jr. as Tony Stark / Iron Man
* Jeff Bridges as Obadiah Stane

## Production

### Development

In June 2016, Sony Pictures chairman Tom Rothman stated that Sony and Marvel Studios were committed to making future Spider-Man films after Spider-Man: Homecoming (2017). The following month, Marvel Studios president Kevin Feige said if additional films were made, the company had an early idea to follow the model of the Harry Potter film series, and have the plot of each film cover a new school year, with a second film intended to take place during Parker's junior year of high school. By October, discussions had begun for a second film, including which villain would be featured, according to Spider-Man actor Tom Holland, who was signed for two more Spider-Man films after Homecoming. In December, after the successful release of the first Homecoming trailer, Sony slated a sequel to the film for July 5, 2019. Sony's insistence that the sequel be released in 2019 complicated Marvel's preference for secrecy regarding their plans for Spider-Man in this film and their other MCU films, since the character would die at the end of Avengers: Infinity War (2018), and would not be resurrected before Avengers: Endgame in April 2019 by which time marketing for this film would have already begun.
After being able to include Iron Man for Homecoming, Sony was revealed in June 2017 to have the use of another Marvel Studios-controlled character for the sequel. Feige stated that Marvel and Sony were "just starting to solidify our plans" for the film, and felt Spider-Man's appearances in Avengers: Infinity War and Avengers: Endgame would "launch him off into a very new cinematic universe at that point", similar to how Captain America: Civil War (2016) "informed everything in Homecoming". Marvel and Sony both wanted Homecoming director Jon Watts returning for the sequel, with Feige saying "that's the intention for sure", and Watts said he was signed for another Spider-Man film. Feige said the sequel would have a subtitle like Homecoming, and would not feature "2" in the title. He added that filming was expected to begin in April or May 2018. As with Homecoming, Feige said the film's villain would be one that had not yet been seen in film. By July, Watts was in negotiations with the studios regarding his return for the sequel, and Marisa Tomei expressed interest in returning as Aunt May from the previous films.

Pascal said the film would begin "a few minutes" after the conclusion of Avengers: Endgame. A specific amount of time is not stated in the film, but Watts felt it was "almost immediately" after Endgame. Given this, Watts felt this posed "a fun creative challenge" for the Far From Home team, allowing them to deal with many of the unanswered questions from Endgame. Watts added they looked to "make a movie that's in that world and deals with those stories but is also still [a] fun Spider-Man movie". For example, Ned, MJ, and Flash all turned to dust during the events of Infinity War along with Parker, while some of his classmates did not and are now five years older due to the events of Endgame. Watts compared this dynamic to the film Flight of the Navigator (1986), calling the situation "really weird... but... also something you can have a lot of fun with".

### Pre-Production

At the end of August 2017, as the film was entering pre-production, Chris McKenna and Erik Sommers were in final negotiations to return from Homecoming to write the sequel. In early October, Jacob Batalon confirmed he would reprise his role of Ned in the sequel. Feige confirmed that Watts was returning to direct the sequel in December. By February 2018, Zendaya was slated to return for the film, reprising her role as Michelle / MJ. Location scouting for the film began at the end of the month, as did the pre-visualisation process for the creative team to begin planning action sequences and visual effects for the film. By late April, Feige stated that filming was scheduled to begin in early July 2018, and would primarily occur in London. This was a change from the first film, which was mostly produced in Atlanta. Feige explained that one of the reasons behind this change in location was because a majority of the sequel would be spent around the world, outside New York City.

A month later, Jake Gyllenhaal entered negotiations to play Mysterio, while Tomei and Michael Keaton were confirmed to reprise their respective roles of May and Adrian Toomes / Vulture; Gyllenhaal's casting was confirmed a month later, but Watts later stated that Keaton and Laura Harrier would not be appearing in the sequel. Also in May, McKenna and Sommers were also confirmed as the film's screenwriters. They began working on the film from a set of notes that Marvel had put together based on different influences and story ideas. This included the directive that the film would be releasing shortly after Endgame and would need to deal with the death of Stark due to the relationship between that character and Spider-Man that previous films had established. The film also needed to deal with the aftereffects of "the Blip", the five-year period between Infinity War and Endgame where half of all life disappeared. Mysterio was chosen to be the film's villain because he is one of Spider-Man's iconic villains that had yet to be featured in a film, and because his history of deception in the comics lent itself to a character who could take advantage of a Spider-Man that is mourning the death of Stark. This also allowed the writers to explore relevant modern themes such as fake news. Mysterio's plan went through several iterations, including an early suggestion that he could be an alien Skrull in disguise.

The film reuses two of Spider-Man's costumes from the previous films: his main costume from Captain America: Civil War and Spider-Man: Homecoming, and the Iron Spider suit from Avengers: Infinity War and Avengers: Endgame. It also introduces two new costumes: a black "stealth" costume given to Parker by Nick Fury, and a new, upgraded Spider-Man suit that Parker designs for himself at the end of the film. Marvel Studios' head of visual development Ryan Meinerding explained that Watts had wanted to include a suit inspired by the Spider-Man Noir version of the character, which led to the design of the more tactical stealth suit. He added that the suit represents Parker experimenting with being a new kind of superhero. Other tactical costumes from the comic books were looked at when developing this one, but Meinerding felt they looked less practical than the more straightforward Noir inspiration. The costume includes tactical goggles that can be flipped up. For Parker's new self-designed costume, Meinerding originally designed it with the idea that it would be made from Parker's webbing since that is the strongest material he has access to. Practical versions of the costumes were created by Ironhead Studio, who previously worked on The Amazing Spider-Man films. For Far From Home, Ironhead developed a skull cap for the costumes that has built-in fans to prevent the goggles from steaming up. They also developed a magnetic bellows system for connecting the goggles to the mask, so they could be easily removed but not fall off during action sequences.

At the end of June 2018, Holland revealed the film's title to be Spider-Man: Far From Home. Feige explained that they decided to have Holland reveal the title because they thought it was likely that it would leak after filming began anyway. He compared the title to Spider-Man: Homecoming in that it is "full of alternate meaning" while continuing the use of "Home" and revealed the film's premise to be Parker and his friends going to Europe on summer vacation, away from their home of New York.

### Filming

Principal photography began on location in Hertfordshire, England on July 2, 2018, under the working title Fall of George. Matthew J. Lloyd served as director of photography, after previously working with Watts on Cop Car (2015). Watts had wanted to work with Lloyd on Homecoming, but the cinematographer was working on Power Rangers (2017) at the time. Filming moved to London, with locations including East London, and at London Stansted Airport. Studio work occurred at Leavesden Studios near Watford, England, where a Venice set was created on one of the studio's backlots. Shortly after filming began, set photos revealed Hemky Madera would return as bodega owner Mr. Delmar, while J.B. Smoove and Numan Acar joined the cast.
By early August, Samuel L. Jackson and Cobie Smulders were confirmed to be appearing in the film, reprising their respective roles of Nick Fury and Maria Hill from previous MCU films, and Remy Hii joined the cast later in the month. Filming took place in Prague and Liberec in the Czech Republic in September, and moved to Venice by the end of the month. Filming moved to New York City and Newark, New Jersey in October, where it used the working title Bosco. Locations included areas around Madison Square Garden and Penn Station, and Newark Liberty International Airport. Filming wrapped on October 16, 2018.

Lloyd explained that the creative team had approached the film as a road-trip story, and so he wanted to maintain the distinct look and feel of each location visited. This meant giving each stop on the school trip a distinct lighting scheme and colour palette. For example, Lloyd visited Venice three times during location scouting to discuss how the scenes there would be filmed, and learned that the city has a "bright, pastel feel, where the light comes through and hits a building. It bathes people in this warm, sandy light". Prague, on other hand, has a "more warm and cool mix, and the beauty of that sort of Baroque, eastern-European architecture." The production took advantage of lighting already on the buildings in Prague, which are often lit for texture in real life. Lloyd felt comfortable working within the aesthetic of the MCU after acting as director of photography on the first season of the MCU television series Daredevil and the miniseries The Defenders, as well as working on additional photography for the films Thor: Ragnarok (2017) and Captain Marvel (2019). Lloyd originally began planning to use the Alexa 65 cameras that Marvel usually films with, but Sony asked that they focus on optimizing the footage for their 2K releases, so the production switched to Alexa Mini cameras. This ended up being a lot easier for the camera department to use on location, and for combining live-action shooting with visual effects elements.

### Post-Production

In late October 2018, Sony Pictures reached a new multi-film agreement with IMAX Corporation to release their films in IMAX, including Far From Home. At Sony's CCXP Brazil panel in December 2018, it was revealed that the Elementals, a group of characters based on the elements of water, earth, air, and fire, would appear in the film. Each Elemental takes inspiration from another Spider-Man villain, such as the water Elemental including elements of Hydro-Man, and the fire Element borrowing from Molten Man. The names of these other villains are not given to the characters in the film. Martin Starr was confirmed to be reprising his role as Mr. Harrington from Homecoming the next month. In April 2019, Sony moved the film's release date up to July 2, 2019. While promoting Endgame at a fan event in Shanghai, Feige said Far From Home would be the final film of the MCU's Phase Three, rather than the start of Phase Four as some had believed. Also in April, Jackson returned to do reshoots for the film.

Discussing the film's mid-credits scene, Watts explained that they approached J.K. Simmons "as late as possible" before the film's release to ask him to reprise his role as J. Jonah Jameson from Sam Raimi's Spider-Man film trilogy, hoping to keep the cameo a surprise for fans. Watts acknowledged that there was a chance Simmons would not want to reprise the role, but stated that he never considered another actor, saying, "It's gotta be him. Like, if it wasn't him, it wasn't worth doing." After being pitched the idea for the cameo, Simmons called Raimi and received the director's blessing to return to the role for the new film. Simmons' footage was filmed in a Disney conference room in front of a green screen. Watts noted that Simmons performance was over-the-top in Raimi's films, but now that same performance has real-world comparisons, such as Alex Jones. According to Feige, the changes in the real world also meant that moving the character from a newspaper editor to a "radical right news journalist that kind of scream[s] in front of the camera" made more sense. Watts described Far From Home as a "con man movie" with "so many layers of deception", and for the post-credits scene he felt that ending the film with "one last twist" was on theme. He felt that he owed the fans a more substantial post-credits scene than the jokey one at the end of Homecoming. The Far From Home scene depicts Fury on vacation, in a simulation, both of which are also themes in the film, and reveals that the Fury and Hill seen throughout the film are actually Skrulls in disguise. Watts felt this twist made sense after Fury's interactions with the Skrulls in Captain Marvel. Post-production for Spider-Man: Far From Home was completed in June 2019.

#### Visual Effects

The film's visual effects were provided by Framestore, Industrial Light & Magic, Image Engine, Sony Pictures Imageworks (SPI), Luma Pictures, Rising Sun Pictures, Scanline VFX, Territory Studio, and Method Studios. Janek Sirrs served as visual effects supervisor on the film, and explained that following the release of the animated film Spider-Man: Into the Spider-Verse (2018) the effects team looked for ways to use similarly inventive visuals in Far From Home. They ultimately did not use added effects to represent Spider-Man's Spider-sense because these did not fit within the live-action world or were too similar to previous effects, such as Daredevil's sonar vision. They did try to use Spider-Man's actions and the use of his abilities to show his growth since Homecoming, but to also show his "reach as always exceeding his grasp as he refines his superhero skills".

Method Studios added Spider-Man to a Venice speedboat scene, using their Spider-Man suit asset from Homecoming. Image Engine created the Stark jet, drone, and satellite. The jet work included the creation of a new Spider-Man suit, for which the vendor had to design the interior of the suit based on a scan of a practical costume they were given. They also made a Netherlands tulip field for a scene that was filmed in a grass field in the UK. It required around two million digital tulips. Rising Sun Pictures created the holograms used by Mysterio when he first explains the Elementals to Spider-Man, which include simulations of black-holes and elements researched from real-world history and mythology. The company aimed for the holograms to have a similar quality to the ones that they had created for Captain Marvel. Mysterio was designed by Ryan Meinerding, Marvel Studios' head of visual development, to look like a combination of different Marvel heroes such as Thor and Doctor Strange. His fishbowl helmet is retained from the comics. Sirrs described the character as a "larger-than-life showman at heart" and almost a superhero version of Liberace. The digital model for Mysterio was created by Scanline.

The Elementals consisted of animated figures, often driven by slowed-down motion-capture performances, with environmental effects layered on top. Scanline created Earth and Water, Luma created Fire, and SPI created the final amalgamation of the four creatures, referred to as the Super Uber Elemental (SUE). For the Fire Elemental, Luma created different looks and actions for the character to show Watts and Sirrs potential designs and movements for the character. This included a progression where the creature goes from being upright and humanoid to bigger and more hunched over as it consumes metal throughout the sequence. Watts responded positively to movements that looked more creature-like. The final battle was created by SPI, and consists of over 300 visual effects shots. In addition to creating the SUE, which required extensive effect simulations for the different combined elements such as "water tentacles", rocks, lava, and lightning, the company had to create a digital model of the Tower Bridge for the fight to take place around. The company attempted to fully render only small sections of the bridge where needed, but ultimately required around 80% of the bridge to be fully detailed due to how much of it is seen throughout the fight. They made use of Image Engine's Stark jet model and Scanline's Mysterio asset for the fight, and created the drone models and new Spider-Man suit that were also used by the other vendors. Initially they had a single design for the drones that featured missiles, cannons, and Gatling guns, but this became repetitive during the battle and so flamethrower and sonic blaster drones were designed. Additionally, the sky and background needed to be digitally replaced in most of the sequence.

Framestore handled the "Illusion Battle" sequence in which Mysterio traps Spider-Man within a series of elaborate fear-based illusions. Based on early prototypes of the sequence from Framestore, Marvel decided to extend it to around 150 shots. It was heavily pre-visualized to define which background plates and motion-capture performances would be required; Framestore visual effects supervisor Alexis Wajsbrot compared the motion-capture process for the sequence to automated dialogue replacement, where each short section of the performance was captured individually. The company used existing digital assets from other vendors, including for the different Spider-Man suits, combined with new models such as those for statues of fallen heroes or a "Zombie Iron Man". The effect of green smoke that is throughout the sequence was created using Houdini. Framestore took inspiration from the title sequences of the James Bond film series, especially that of Spectre for the graveyard portion of the battle. For the transition between the real world and the illusions, Framestore had to match a similar transition from the B.A.R.F. scene in Captain America: Civil War which Wajsbrot described as a time-consuming process for each environment in which it was required. Sirrs compared the sequence to an elaborate Broadway production with an unlimited budget, and named several other visual influences including the Looney Tunes short Duck Amuck (1953), Paprika (2006), A Nightmare on Elm Street (1984), and the "Pink Elephants on Parade" scene from Dumbo (1941).

## Music

See Also: Spider-Man: Far From Home Soundtrack and Music of Marvel Cinematic Universe

Spider-Man: Homecoming composer Michael Giacchino was confirmed to return to score Far From Home in October 2018. Whitney Houston's "I Will Always Love You" plays during the Marvel Studios opening logo as part of the film's opening "in memoriam" scene. The soundtrack album was released by Sony Classical on June 28, 2019.

## Marketing

Due to Parker dying at the end of Infinity War and not being resurrected until Endgame, Germain Lussier of io9 noted in May 2018 that Sony would either have to begin marketing this film only two months before its release or spoil the fact that Parker is resurrected for general audiences that may not realize that this would happen in Endgame. Lussier suggested the latter approach be taken, while a representative of Sony said the studio would be working with Marvel to "figure out the Spider-Man strategy". Holland and Gyllenhaal debuted the first trailer for Far From Home at Sony's CCXP Brazil panel on December 8, 2018. The footage does not acknowledge the events of Infinity War or Endgame, with Steven Weintraub of Collider describing it as a continuation of "the Spider-Man universe" only. Holland debuted the trailer publicly on his Instagram account on January 15, 2019. A slightly different "international version" was also released. Several news outlets commented on Parker's appearance in the trailer following the events of Infinity War, with Zack Straf of IndieWire pointing out that while the trailer reveals Parker's return, it does not explain how.

Adam Chitwood of Collider described the trailer as "cute and fun" just like Homecoming, and approved of the vacation storyline, the addition of Fury, and Mysterio's short appearance. He did think the film looked "the tiniest bit less special" when compared to the acclaimed animated film Spider-Man: Into the Spider-Verse. A teaser poster was released with the trailer showing Spider-Man's mask covered in travel stickers. Chitwood said the poster was "really fun, leaning into the whole 'summer vacation' vibe" while potentially hinting at the film's locations with the stickers. Graeme McMillian of The Hollywood Reporter felt the trailer presented the threat of the Elementals so audiences would be "thrown off the scent" of Mysterio being the villain. McMillian's colleague Richard Newby felt the "main takeaway from the trailer is that Spider-Man: Far From Home is deftly blending old and new school elements of the Spider-Man mythos, for a result that feels surprisingly fresh". Newby was also excited about the inclusion of Fury. Forbes' senior contributor Scott Mendelson felt the trailer showed "the sheer confidence" of Sony in its Spider-Man films, especially after the successes of Homecoming, Venom (2018), and Into the Spider-Verse. The trailer received 130 million views in 24 hours, surpassing Homecoming (116 million views) as the most viewed Sony Pictures trailer in that time period.

On May 6, 2019, a second trailer for the film was released. The trailer featured an introduction from Holland warning viewers that it includes spoilers for Avengers: Endgame. Watts, who knew the plots of Infinity War and Endgame and worked with the Russo brothers on Spider-Man's appearances in those films, was relieved that the trailer's release allowed him to speak more openly about Far From Home. The second trailer was viewed 135 million times in 24 hours, surpassing the first Far From Home trailer as the most viewed Sony Pictures trailer in that time period. Beginning the weekend after the trailer's release, screenings of Endgame began with a message from Holland telling audiences to stay till the end of the credits, with the trailer played at the end of the film. Marvel previously added a trailer for The Avengers (2012) to the end of Captain America: The First Avenger (2011). United Airlines served as a promotional partner on the film, with one of their Boeing 777 aircraft and several United employees appearing in the film. As done with previous MCU films, Audi also sponsored the film, promoting several vehicles such as the e-tron SUV, while having some of their other vehicles appear in the film. Partnering with several other companies, including Dr Pepper, Papa John's Pizza and Burger King, the film had a total promotional marketing value of $288 million, the largest for a film ever.

Ahead of the film's home media release, in September 2019, Sony released a "Night Monkey" trailer, featuring footage from the film of Spider-Man in his jokey alter-ego of the same name. Lussier said the trailer was clever, and "in terms of repurposing old footage in fun, funny new ways, you have to give Sony a tip of the cap for this." Later in the month, Sony created a real version of the fictional TheDailyBugle.net website as part of a viral marketing campaign to promote the home media release of the film. Inspired by real-world "conspiracy-pushing" websites such as that of Alex Jones, the website features Simmons reprising his role as Jameson in a video where he speaks out against Spider-Man and in support of Mysterio, before adding "Thanks for watching. Don't forget to like and subscribe!" The website includes testimonials from supposed victims of "the Blip", including one complaining that they disappeared in a dangerous situation and were seriously injured when they reappeared. This contradicts a statement by Feige saying that anyone in such a situation would have reappeared safely. Several days after this was pointed out, the website was updated to say this story was faked for an insurance claim.

## Release

### Theatrical

Spider-Man: Far From Home had its world premiere at the TCL Chinese Theatre in Hollywood on June 26, 2019. The film was released on June 28, in China and Japan, and in the United States on July 2, in 3D and IMAX. It was originally scheduled to be released on July 5. The film was re-released on Labour Day weekend, beginning August 29, with four minutes of extra footage.

### Home Media

Spider-Man: Far From Home was released by Sony Pictures Home Entertainment on digital on September 17, 2019, and on Ultra HD Blu-ray, Blu-ray and DVD on October 1. The home media release features a short film titled Peter's To-Do List, which uses scenes of Parker retrieving various items for his trip that were cut from the theatrical release of the film. The short includes footage featuring Hemky Madera reprising his Homecoming role as Mr. Delmar, the owner of a local bodega, which was all cut from Far From Home.

## Reception

### Box Office

Spider-Man: Far From Home grossed $390.5 million in the United States and Canada, and $741.4 million in other territories, for a worldwide total of $1.132 billion. On August 18, 2019, the film surpassed Skyfall (2012) to become Sony Pictures' highest-grossing film worldwide.

Three weeks before its domestic release, official industry tracking had the film grossing around $170 million over its six-day opening frame. Some had the film reaching as high as $200 million, while others were at a conservative $165 million; Sony was predicting a $154 million debut. By the week of release industry estimates lowered to $140 million, with the studio expecting $120 million, due to the recent underperformance of other sequels. Playing in 4,634 theatres (second all-time behind Avengers: Endgame), Far From Home made a Tuesday-opening record $39.3 million, including an estimated $2.8–3 million from midnight previews at about 1,000 theatres. It then made $27 million on its second day, the best-ever Wednesday gross for an MCU film, and $25.1 million on the 4th of July, the second highest ever total for the holiday behind Transformers ($29 million in 2007). In its opening weekend the film made $92.6 million, and a total of $185.1 million over the six-day frame, topping the $180 million made by Spider-Man 2 over its six-day July 4 opening in 2004. In its second weekend, the film made $45.3 million, again topping the box office with a 51% decrease from the first week; lower than Homecoming's 62% drop in its second box office weekend. Far From Home grossed over $21 million in its third weekend but was dethroned by newcomer The Lion King.

Far From Home was projected to gross around $350 million worldwide by the end of its first week of release, and about $500 million over its first 10 days. In China and Japan, where it was released a week prior to its U.S. debut, the film was expected to gross around a combined $90 million in its opening weekend. In China, where pre-sale tickets were less than Homecoming's, the film made $35.5 million on its first day, including $3.4 million from midnight previews (the fourth-best of all time for a superhero film in the country). It ended up slightly over-performing, debuting to $111 million including $98 million in China, the fourth-best-ever superhero opening in the country. Far From Home ended up grossing $580.1 million worldwide over its first 10 days of release, including $238 million from international territories in its opening weekend. In China, the film had a 10-day total of $167.4 million, and its other biggest debuts were South Korea ($33.8 million), the United Kingdom ($17.8 million), Mexico ($13.9 million) and Australia ($11.9 million).

### Critical Response

On Rotten Tomatoes, the film holds a 91% approval rating based on 427 reviews, with an average rating of 7.45/10. The website's critics' consensus reads, "A breezily unpredictable blend of teen romance and superhero action, Spider-Man: Far From Home stylishly sets the stage for the next era of the MCU." Metacritic, which uses a weighted average, assigned the film a score of 69 out of 100 based on reviews from 55 critics, indicating "generally favourable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, while those at PostTrak gave it an overall positive score of 90% and a "definite recommend" of 76%.

Owen Gleiberman of Variety praised Holland's performance and wrote, "By the end, this Spider-Man really does find his tingle, yet coming after Into the Spider-Verse, with its swirling psychedelic imagery and identity games and trap doors of perception, Spider-Man: Far From Home touches all the bases of a conventional Marvel movie. It doesn't take you out of this world. But it's good enough to summon the kick, or maybe just the illusion, of consequence." Writing for the Chicago Sun-Times, Richard Roeper gave the film 3 out of 4 stars, calling it "zesty, sweet and satisfying" and praised the performances of the cast. Bernard Boo of PopMatters praised the film, commenting, "Spider-Man: Far From Home is technically the final film in Phase Three of the MCU, and it's hard to think of a better way to send off the most successful run of one of the highest grossing franchises in history." Alonso Duralde of TheWrap said that the film feels like "a charming teen road-trip comedy that occasionally turns into a superhero movie", which he said was a compliment. He highlighted the cast, including the chemistry between Holland, Batalon, and Zendaya, and said that Gyllenhaal "nails his character's earnestness but also clearly enjoys a few moments that let him channel every exasperated-sigh, I-just-want-to-get-this-right male diva director he's ever known."

Writing for IndieWire, David Ehrlich gave the film a grade of "C" and, despite complimenting the cast, called the film an "unadventurous bit of superhero housekeeping that only exists to clean up the mess that Avengers: Endgame left behind". He criticized the character development of Spider-Man, feeling that he does not change throughout the film beyond becoming more confident. He described the action as "plastic", said Gyllenhaal was underused, and felt that the film did not give enough attention to its teen elements.

## Sequel

In 2017, Holland said that two more films were planned after Spider-Man: Homecoming, with the third film taking place during Parker's senior year of high school. In July 2019, Feige stated that the third film would feature "a Peter Parker story that has never been done before on film" due to Far From Home's mid-credits scene.

In August 2019, the deal between Sony and Disney to have Marvel Studios produce the Spider-Man films broke down after the two studios were unable to reach a new agreement. By then, McKenna and Sommers had been working on the script for a third film. Holland reached out to both Rothman and Disney CEO Bob Iger to convince them to restart negotiations and a month later, Sony and Disney announced that a new agreement had been reached, which included one additional solo film as well as a supporting appearance in another MCU film. Marvel Studios and Feige are set to produce a third film, with Holland reprising his role. At that time, Watts entered final negotiations to return as director. Zendaya was also confirmed to return for the sequel in that October. The third film is scheduled for release on July 16, 2021. Filming is scheduled to begin in July 2020 in Atlanta, Los Angeles, New York, and Iceland.