Hideo Kojima

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Predefinição:Nihongo is a Japanese video game designer, director, producer and writer. He is regarded as an auteur of video games. He developed a strong passion for action/adventure cinema and literature during his childhood and adolescence. In 1986, he was hired by Konami, for which he designed and wrote *Metal Gear* (1987) for the MSX2, a game that laid the foundations for stealth games and the *Metal Gear* series, his best known and most appreciated works. He is also known for producing the *Zone of the Enders* series, as well as writing and designing *Snatcher* (1988) and *Policenauts* (1994), graphic adventure games regarded for their cinematic presentation.

Kojima founded Kojima Productions within Konami in 2005, and he was appointed vice president of Konami Digital Entertainment in 2011. Kojima Productions split from Konami in 2015, becoming an independent studio. His studio's first game without Konami, *Death Stranding*, was released in 2019.

## Early life

Kojima was born on August 24, 1963 in Setagaya, Tokyo. He was the youngest of three children. His father, Kingo, was a pharmacist who frequently travelled on business, and named Kojima after the most common name among doctors he met. When he was four years old, his family moved to Osaka. Describing that stage of his early life, Kojima said it was an abrupt change of environment, and he spent much of his time thereafter indoors, watching television or making figurines. While the family lived in Osaka, his parents began a tradition of the family watching a film together each night, and he was not allowed to go to bed until the film had finished. They were fond of European cinema, westerns, and horror, and did not limit the type of films he was allowed to see.

Kojima took an interest in filmmaking when a friend brought a Super 8 camera to school. They began filming movies together, charging other children 50 yen to see them. Kojima tricked his parents into funding a trip to an island off the coast of Japan without telling them he wanted to film there. Instead of filming, he spent his time swimming, and on the last day changed the plot to being about zombies. He did not show the film to his parents.

By Kojima's teenage years, the family had moved to Kawanishi, Hyōgo, in the Kansai region of Japan. When he was 13 years old, his father died. Kojima has discussed the impact of his father's death in interviews, and the subsequent financial hardship faced by his family. He enrolled at university to study economics, and it was there that he decided to join the video game industry. He wrote fiction while studying, even including a short story in his thesis.

## Career

### Early career

At the beginning of his career, Kojima was initially searching for a way into film production. He hoped that, if he were to win awards for his written fiction, he would be approached about directing a film. Although Kojima said that he had no friends interested in cinema to encourage him, his friends were not supportive when he announced he intended to enter game development. He would frequently lie about his occupation in the early days of a career, when a word for game designer did not exist in the Japanese language, and instead told people he worked for a financial firm.

Kojima joined video game publisher Konami's MSX home computer division in 1986. He applied to Konami because it was the only games developer listed on the Japanese stock exchange. He was disappointed with the job initially, hoping to make games for the Nintendo Entertainment System, and feeling that the 16 colour palette of the MSX was too restrictive. The first game he worked on was *Penguin Adventure*, the sequel to *Antarctic Adventure*, as an assistant director. It significantly expanded upon the gameplay of *Antarctic Adventure*, adding more action game elements, a greater variety of levels, role-playing elements such as upgrading equipment, and multiple endings. In 2019, *Polygon*'s Julia Lee wrote that for "a game made over 30 years ago, Penguin Adventure had some in-depth features". After *Penguin Adventure*, Kojima started to design a game called *Predefinição:Sic*, but the game was cancelled when it was found to be too complex to run on the MSX.

### *Metal Gear* and *Snatcher* (1987–1990)

Kojima was asked to take over a project, *Metal Gear*, from a senior associate. Hardware limitations hindered the development of the game's combat, and Kojima altered the gameplay to focus on a prisoner escaping instead of fighting, inspired by *The Great Escape*. It was released on July 13, 1987, for the MSX2 home computer in Japan, and on September in that year for Europe. The player controls a special forces operative codenamed Solid Snake, who is sent to the fortified state of Outer Heaven to stop a nuclear-equipped walking tank known as "Metal Gear". *Metal Gear* is one of the earliest examples of the stealth game genre. A port of *Metal Gear* was released for the NES in 1987, with altered graphics, difficulty, and an abridged ending without the titular weapon. Kojima has openly criticized many of the changes made in the port, including poor translation and the abridged ending. In an interview, a programmer on the NES version of the game said his team were asked to complete the port in only three months, and the NES hardware was not capable of implementing the Metal Gear fight.

His next project was the graphic adventure game *Snatcher*, released for the NEC PC-8801 and MSX2 computer platforms in Japan on November 26, 1988. Kojima wrote and directed the game. Kojima planned for the game, a graphic adventure with visual novel elements, to have six chapters, but was instructed to trim it down to two. The team wanted to create a third chapter, but were already over the allowed development schedule so were forced to end the game on a cliffhanger. The cyberpunk-influenced game has a semi-open world design. Kojima and character designer Tomiharu Kinoshita treated the project like making a film or anime rather than a game. Former Konami artist Satoshi Yoshoioka designed many of *Snatcher*'s characters, said he was persistently guided by Kojima to make the game as cinematic as possible, which later critics have cited as a staple of his work. Adrian Chen of *The New York Times* wrote that one of his innovations was "the way he applied cinematic storytelling to console video games". *Snatcher* draws heavily from Ridley Scott's *Blade Runner* (1982), and includes enough references that the game strays near copyright infringement. A port for the Sega CD was made without Kojima, but the amount of text and length of the script made localisation expensive and time-consuming, taking three months. *Snatcher* was modestly successful in Japan, but the western port was a commercial failure, selling only a few thousand units. It has developed a cult following in the west.

In 1990, Kojima wrote a remake of *Snatcher,* *SD Snatcher,* a role-playing video game which adapted the storyline of the original *Snatcher* but significantly changed the environments, details of the plot, and core gameplay mechanics. The "SD" stands for "super deformed" in Japanese media, another way to reference chibi character designs. The characters are depicted in a "super deformed" art style, in contrast to the original game's realistic style. Like the original computer versions of *Snatcher*, it was only released in Japan. It abandoned random encounters and introduced a first-person turn-based battle system where the player can aim at specific parts of the enemy's body with guns. Such a battle system has rarely been used since, but similar ones can later be found in the role-playing games Square's *Vagrant Story* (2000), Bethesda Softworks's *Fallout 3* (2008), and Nippon Ichi's *Last Rebellion* (2010). In 2007, J. C. Fletcher of *Engadget* said that Kojima's choice to stylise the character designs "was some postmodern playfulness from Hideo Kojima [...] downplaying the dramatic aspects of his game and overlaying obvious video game conventions on top of it", and connected that to a similar playfulness in his later games.

### *Metal Gear 2* and *Policenauts* (1990–1994)

The original *Metal Gear* was a commercial success for its release on the NES, and Konami decided to create a sequel to the game, *Snake's Revenge,* without the involvement of Kojima. When Kojima was riding on the Tokyo transit system, he was told about *Snake's Revenge* by a colleague working on the project, who asked him to make a new Snake game of his own. As a result, Kojima began work on his own sequel, *Metal Gear 2: Solid Snake*, and the two were both released in 1990. Kojima's game would not be released overseas in North America and Europe until its inclusion in *Metal Gear Solid 3: Subsistence* (2006). *Metal Gear 2: Solid Snake* was a commercial success. The game has received positive reviews from retro-reviewers. IGN notes that *Metal Gear 2* introduced stealth mechanics such as making noise to attract guards, crouching and crawling on the ground, disarming mines, and enemies having view cones.

After memory limitation issues prompted him to take a break during the development of *Snatcher*, Kojima began to explore concepts for *Policenauts.* He wanted the game to remain in the adventure genre, feeling it was the best method to express what he wanted with video games. He was also growing frustrated with game development and wanted "a way to take creative control back from the programmers". After the release of *Metal Gear 2: Solid Snake* (1990), he developed a scripting engine so he could decide when animations and music played instead of the programmers. Development on *Policenauts,* originally called *Beyond*, began in 1990, and lasted four years.

*Policenauts* was released in Japan on July 29, 1994, for the PC-9821. In Japan, critics praised *Policenauts* for its high level of presentation. Both *Sega Saturn Magazine* and *Famitsu* praised the quality of animation, voice acting, and its engrossing setting. Retrospective reviews have regarded the game generally positively, and sought to contextualise *Policenauts* within Kojima's body of work, as heavily stylised and influenced by films.

### *Metal Gear Solid* subseries and mainstream success (1994–2012)

In 1994, Kojima began to plan a 3D sequel to *Metal Gear 2: Solid Snake*, titled *Metal Gear Solid* and originally planned for release on the 3DO Interactive Multiplayer. After the 3DO was discontinued, development shifted to the Sony PlayStation. For the transition from 2D to 3D graphics, a new engine had to be developed by Kojima and his team. A gameplay demo was first revealed to the public at the 1996 Tokyo Game Show, and was later shown on day 2 of E3 1997 as a short video. The game was released to critical acclaim. Many outlets noted the game's cinematic qualities and innovative stealth gameplay. Kojima became a celebrity in video game news media, and was surprised when he began to be recognised in public.

In early 2001, Kojima released the first details of the sequel to *Metal Gear Solid*, *Metal Gear Solid 2: Sons of Liberty*, for the PlayStation 2. The game's highly detailed graphics, physics, and expanded gameplay quickly made it one of the most anticipated games at the time. The game was highly successful and critically acclaimed at release, due to its graphics, gameplay, and storyline, which dealt with myriad philosophical themes as specific as memes, censorship, manipulation, patricide, the inherent flaws of democracy and as grandiose as the nature of reality itself. While *Metal Gear Solid 2* appealed to gamers with the discussion of these, the bewildering maze of dialogue and plot revelation in the final hours of the game was a disappointment for many gamers, who expected the Hollywood-style resolution of its forerunner.

Before *Metal Gear Solid 2* was released, Kojima produced the game and anime franchise *Zone of the Enders* in 2001 to moderate success. In 2003, he produced *Boktai: The Sun Is in Your Hand* for the Game Boy Advance, which players take the role of a young vampire hunter who uses a solar weapon which is charged by a photometric sensor on the game cartridge, forcing them to play in sunlight. Another team inside Konami, in a collaboration with Silicon Knights, began work on *Metal Gear Solid: The Twin Snakes*, a GameCube enhanced remake of the first *Metal Gear Solid* with all the gameplay features of *Metal Gear Solid 2* and with cutscenes redirected by director Ryuhei Kitamura.

Afterwards, Kojima designed and released *Metal Gear Solid 3: Snake Eater* for the PlayStation 2. Unlike the previous games in the series, which took place in the near future and focused on indoor locations, the game is set in a Soviet jungle during the height of the Cold War in 1964, and features wilderness survival, camouflage, and *James Bond* styled espionage. The North American version was released on November 17, 2004, with the Japanese counterpart following on December 16. The European version was released on March 4, 2005. Critical response to the game was highly favorable. Kojima has said that his mother played it, "It took her an entire year to complete *Metal Gear Solid 3*. She would get her friends to help her. When she defeated The End, [a character the player faces off during the game] she called me up and said: 'It is finished'."

At that time, Kojima produced *Boktai*Predefinição:'s sequel, *Boktai 2: Solar Boy Django* for the Game Boy Advance. Released in summer 2004, it makes more extensive use of the cartridge's sunlight sensor and allows players to combine various new solar weapons. Also released was *Metal Gear Acid* for the PlayStation Portable handheld. A turn-based game, it is less action-oriented than the other *Metal Gear* games and focuses more on strategy. It was released in Japan on December 16, 2004. Its sequel, *Metal Gear Acid 2*, was released on March 21, 2006.

Kojima wanted Solid Snake to appear in *Super Smash Bros. Melee*, but Nintendo refused, due to development cycle problems. When *Super Smash Bros. Brawl* was in development, series director Masahiro Sakurai contacted Kojima to work and add Snake and content related to the *Metal Gear* series, including a stage based on Shadow Moses Island (the main setting of *Solid*), into the game.

Released in June 2008, Kojima co-directed *Metal Gear Solid 4: Guns of the Patriots* with Shuyo Murata. Initially, Kojima was not going to direct it, but death threats made the team nervous and he decided to work with them. Kojima received a lifetime achievement award at the MTV Game Awards 2008 in Germany. In his speech, he said in English, "I have to say, even though I received this award, let me state that I will not retire. I will continue to create games as long as I live".

Before E3 2009, Kojima stated interest in working with a Western developer. This later turned out to be a collaboration between him and Spanish developer MercurySteam to work on *Castlevania: Lords of Shadow*.

Although he announced that *Metal Gear Solid 4: Guns of the Patriots* would be the last *Metal Gear* game he would be directly involved in, he announced at E3 2009 that he would return to help on two *Metal Gear* games: *Metal Gear Rising: Revengeance*, as a producer and *Metal Gear Solid: Peace Walker* as writer, director, and producer. When interviewed at Gamescom 2009, Kojima stated that he got more involved with *Peace Walker* because "there was a lot of confusion within the team and it didn't proceed as I wanted it to. Therefore I thought that I needed to jump in and do *Peace Walker*".

 Arquivo:Hideo Kojima - Tokyo Game Show 2011 (1) (cropped).jpg
Kojima was at E3 2010 to show off his team's latest project, *Metal Gear Rising: Revengeance*. He was also seen in Nintendo's 3DS interview video, where he stated he was interested in making a *Metal Gear Solid* game for the 3DS and wondered what it would be like in 3D. This game ended up being a remake of *Metal Gear Solid 3* titled *Metal Gear Solid: Snake Eater 3D*. In late 2011, *Metal Gear Solid: Rising* was renamed *Metal Gear Rising: Revengeance* with PlatinumGames being involved in developing it alongside Kojima Productions. Nevertheless, Kojima is the game's executive producer and showed interest in working in the game's demo. Kojima was satisfied with the final product and expressed the possibility of a sequel if Platinum were to develop it.

On April 1, 2011, Kojima was promoted to Executive Vice President and Corporate Officer in Konami Digital Entertainment. At E3 2011, he revealed his new innovative gaming technology labeled as "transfarring", a *portmanteau* of the verbs *transferring* and *sharing*. The technology enables gamers to transfer their gaming data from the PlayStation 3 to PlayStation Portable in a quick data transferring process and bring it on the go from home into the outside world.

Later that year, he stated he was working on a new intellectual property with Goichi Suda, tentatively titled *Project S*, and preparing new projects. On July 8, 2011, Kojima announced that *Project S* was a radio-show sequel to *Snatcher*, titled *Sdatcher* as a reference to the show's producer Suda. The show would air on Fridays on Kojima's bi-weekly Internet radio show, starting with episode No. 300 which was broadcast in August 2011. In October, Kojima announced that he would be collaborating with Suda and 5pb. director Chiyomaru Shikura in producing a new adventure game visual novel. It was initially speculated that the game would be the third entry in 5pb.'s *Science Adventure* series, but it was later confirmed to be a separate title. The game was planned to have an overseas release and an anime adaption. As of 2018, no further news regarding the project has been released.

### Final Konami projects and departure (2012–2015)

In mid-2012 and in the following years after Kojima finished work on the Fox Engine, Kojima has been connected to the *Silent Hill* series. During this time, he indicated that he was interested in making a *Silent Hill* game and the first instance of this was on August 18, 2012. He described his excitement regarding the potential use of the Fox Engine on the eighth generation platforms via a tweet of an image of the DVD for the *Silent Hill* film: Later, he added what he had in mind for this game in a series of tweets: "*Silent Hill* is in closed room setting and doesn’t require full action so that we can focus on the graphic quality. Enemies featured in the game do not have to be consistent or move fast. It only requires scariness by graphics and presentation. As being a creator, making action games in an open world setting, such a type of game is very enviously attractive. If only someone could create this on the Fox Engine." After a while, and as a result of Kojima's interest in making a *Silent Hill* game, Konami asked him to do so. Kojima explained the story in an interview with Eurogamer:
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Additionally, in an interview with Geoff Keighley, when a fan asked "which game do you want to direct or reboot?" Kojima stated without hesitation, *Silent Hill*. Keighley jumped in and asked "What do you want to do with *Silent Hill*?" Kojima responded: "A guy [like myself] that is such a chicken and is so easily scared – making a scary game – I'm very confident that something horrifying would come out from that. But on the other hand I would have to prepare myself to have nightmares every single day. Hopefully sometime in the future I'm able to work on this, but I would really need to prepare to have daily nightmares". In August 2014, *PT* was released on the PlayStation Store and revealed that a new game in the *Silent Hill* franchise titled *Silent Hills* was being directed by Kojima for the PlayStation 4, alongside Mexican film director Guillermo del Toro. In April 2015, the playable teaser was removed and the game was cancelled.

At the 2013 Game Developers Conference, Kojima unveiled *Metal Gear Solid V: The Phantom Pain*, which was set to be his final *Metal Gear* game, noting that this time unlike previous announcements that he had stopped working on the series, was very serious about leaving; it was preceded by *Metal Gear Solid V: Ground Zeroes*, a shorter game released in 2014 and serving as a prologue to *The Phantom Pain*. In March 2015, reports began to surface that Kojima would part ways with longtime publisher Konami after the release of *The Phantom Pain*. Konami later stated that they were auditioning for new staff for future *Metal Gear* titles and removed Kojima's name from the series' marketing material. Despite reports that Kojima left the company in October 2015, a spokesman for Konami stated that he was "taking a long time off from work." At The Game Awards 2015, *Metal Gear Solid V* won the awards for Best Action Game and Best Score/Soundtrack, but Kojima did not attend the event, being reportedly barred from attending by Konami. Instead, the award was accepted by Kiefer Sutherland on his behalf. On July 10, 2015, regular Kojima collaborator Akio Ōtsuka revealed that Konami had closed Kojima Productions.

### Independent studio and *Death Stranding* (2015–present)

 Arquivo:Hideo Kojima na Brasil Game Show 2017.jpg
On December 16, 2015, Kojima announced that Kojima Productions would be re-established as an independent studio, partnered with Sony Computer Entertainment, and that his first game would be exclusive to PlayStation 4. At E3 2016, Kojima personally announced the game's title as *Death Stranding* in a trailer. The trailer featured Norman Reedus, whom Kojima had previously worked with in the cancelled *Silent Hills*.

Kojima launched his own YouTube channel in 2016, where he and film critic Kenji Yano discuss their favorite films and matters pertaining to Kojima's studio. Starting in 2017, Kojima became a regular contributor to *Rolling Stone*, often discussing recent film releases, and occasionally drawing comparisons to his own works.

*Death Stranding* was released on November 8, 2019, and received generally positive reviews and was a commercial success. It also won a number of awards, including "Best Game Direction" and "Best Score/Music" at The Game Awards 2019.

In November 2019, talking to BBC Newsbeat as part of a documentary about *Death Stranding*, Kojima said “In the future Kojima Productions will start making films. If you can do one thing well, then you can do everything well”. Kojima went on to explain that he sees that movies, TV shows, and games competing in the same space in the future, thanks to streaming technology, and that this will encourage new formats to emerge. “I’m very interested in the new format of game that will appear on there and that’s what I want to take on,” Kojima added.

In June 2022, Kojima and Microsoft revealed that Kojima Productions would be working on a game with Xbox Game Studios that will use Microsoft's cloud-based tech. Norman Reedus, in an interview, also confirmed that development for a sequel to *Death Stranding* had started.

In 2022, Kojima began a podcast for Spotify called *Hideo Kojima presents Brain Structure*. The podcast, hosted by Kojima with regular appearances from Geoff Keighley, focuses on Kojima's history with game development, as well as his interests in books, music, and cinema.

At several game expos in 2022, Kojima has cryptically teased the casting of an upcoming game being developed by Kojima Productions, with Elle Fanning and Shioli Kutsuna confirmed to star. It was unknown whether the game will be related to *Death Stranding*, the aforementioned Xbox collaboration, or an entirely different project. However, at The Game Awards 2022, Kojima officially revealed the game, as the sequel to *Death Stranding*, with the working title, *Death Stranding 2*. Norman Reedus, Léa Seydoux, and Troy Baker will be returning from the titular game, with Elle Fanning and Shioli Kutsuna revealed to be the new cast members of the game.

## Influences and mentality

Kojima has cited Yuji Horii's *The Portopia Serial Murder Case* (1983) and Shigeru Miyamoto's *Super Mario Bros.* (1985) as the games that inspired him to enter the video game industry. *Portopia Serial Murder Case*, a murder mystery adventure game, was an important influence because, according to Kojima, it had "mystery, a 3D dungeon, humor, and a proper background and explanation of why the murderer committed the crime. That is why there was drama in this game. My encountering this game expanded the potential of video games in my mind." *Portopia* had an influence on his early works, including *Metal Gear* and particularly *Snatcher*.

Kojima's love of film is noticeable in his games where he pays homage through his stories and characters, sometimes to the point of pastiche, as in *Snatcher*. He cited a contrast between films and games as while in his games he intends to portray violence like in a movie, in the game it is up to the player to decide. He wants people to understand the effects of violence. As he considers the games too stressful, he also wants comic relief to contrast it.

*Snatcher* is inspired by many science fiction films, particularly from the 1980s, including *Blade Runner*, *Akira*, *The Thing*, *Invasion of the Body Snatchers*, and *The Terminator*. Examples of influence by films include Solid Snake's codename (named after Snake Plissken from *Escape from New York*), Snake's alias in *MGS2*: Pliskin (in reference to the last name of Snake Plissken from the *Escape* movies), Snake's real name (Dave from *2001: A Space Odyssey*), and Snake's trademark bandana (*The Deer Hunter*).

Film would also have an influence on other aspects of his games. Hal "Otacon" Emmerich (named after HAL 9000 from *2001: A Space Odyssey* and film director Roland Emmerich), Sniper Wolf shooting Meryl in *Metal Gear Solid* (*Full Metal Jacket*), Psycho Mantis (inspired from the film *The Fury*), and the whole *Metal Gear* stealth concept (*The Great Escape* and *The Guns of Navarone*). James Bond also had a large influence on the *Metal Gear* series, with *Metal Gear Solid 3* having a *James Bond*-like introduction sequence. Kojima has written that Metal Gear was "strongly influenced" by the "anti-war and anti-nuke" themes of the *Planet of the Apes* film franchise.

In an article he wrote for *Official PlayStation 2 Magazine*, Kojima described the influence of the film *Dawn of the Dead* on the *Metal Gear* series. The zombie classic inspired "the maximum three-dimensional use of a closed area like a shopping mall with elevators, air ducts, and escalators". These aspects are similar enough in his view that "*Metal Gear Solid* is *Dawn of the Dead* if you replace soldiers with zombies Predefinição:Sic."

He also received inspiration from anime. His early works, particularly the cyberpunk adventure game *Snatcher* (which uses anime-style art), were influenced by cyberpunk anime, most notably *Akira* (mentioned above). In an interview, he mentioned that his *Zone of the Enders* series was inspired by mecha/robot anime, such as *Neon Genesis Evangelion*. Mecha anime was also an inspiration for the *Metal Gear* series, which features mecha robots, such as Metal Gear REX and Metal Gear RAY; this is referenced in *Metal Gear Solid*, where Otacon mentions mecha anime as an influence on his Metal Gear REX designs.

In regards to storyline development and interaction with them, he said:
Predefinição:Cquote

In 2019 Kojima published a collection of essays in Japan discussing the influence of pop culture on his work under the title *The Gifted Gene and My Lovable Memes*. The book was published in English by Viz Media in October 2021 under the title *The Creative Gene: How books, movies, and music inspired the creator of Death Stranding and Metal Gear Solid.*

In terms of reverse influence on film, his work on the storylines of the *Metal Gear* series was cited as an influence by screenwriter David Hayter, the voice actor for Solid Snake, on his screenwriting for Hollywood films. He stated that "Kojima and I have different styles (...) but I've certainly learned things from him, especially about ambiguity and telling a story without giving all the answers".

Kojima has also influenced a number of actors and auteurs in the film industry. Hollywood actors Mads Mikkelsen and Léa Seydoux have voice roles in *Death Stranding*, and celebrated director Guillermo del Toro is amongst his biggest fans.

In 2020, Kojima was a member of the international Jury of the 77th Venice International Film Festival, Virtual Reality section.

## Legacy

Kojima has been noted for predicting and exploring themes in his works years before they gained mainstream notoriety on numerous occasions, ranging from the sociological to the scientific.

The main example of this pertains to the plot and themes of *Metal Gear Solid 2: Sons of Liberty*, released on November 13, 2001, which delved into ideas and concepts that would become culturally significant in the 2010s. Among these themes were post-truth politics, alternative facts, echo-chambers, fake news, AI-curated news feeds, information overload in the Information Age, and political correctness. While the game received universal acclaim upon release for its gameplay and attention to detail, the plot became a divisive topic among critics, with some calling it "absurd" and "stupid". Reinterpretations of the game's plot began to surface in the 2010s, with some calling it "misunderstood" in its time, eerily prescient, and "necessary for the political climate to come" for predicting some of the cultural issues of the 2010s with striking accuracy and similar concepts. GamesRadar+ has cited the prescience of the game in relation to the Facebook–Cambridge Analytica data scandal and the Russian interference in the 2016 United States elections. The concept of "Selection for Societal Sanity" presented in the game was one of the bases for the paper *Filtration Failure: On Selection for Societal Sanity* written by Adrian Mróz and published in the academic journal *Kultura i Historia.*

In *Metal Gear Solid V: The Phantom Pain*, released on September 1, 2015, the *Wolbachia* bacteria is used to halt the reproduction of the fictional "vocal chords parasite". At the time, large-scale uses of *Wolbachia* to control insect-transmitted diseases like malaria and dengue only existed in simulated computational models and field-test releases in Australia. Deployment of *Wolbachia* was proposed the next year at the peak of the Zika epidemic in the Americas. Large-scale deployments of the *Wolbachia* bacteria became the most effective way to control and eradicate mosquito-related epidemics as of 2019, with successful deployments in Malaysia, Singapore, Sri Lanka, Indonesia, Vietnam, and Brazil.

In *Death Stranding*, released on November 8, 2019, Kojima presents a post-apocalyptic setting in which people live isolated in cities and prepper shelters, unable to go outside because of the hazardous conditions brought by an event named the "Death Stranding". Thus, the inhabitants of the world rely on "porters", people who risk their lives making deliveries, to receive and exchange the resources they need to survive. Similarities with the COVID-19 pandemic were noted by numerous journalists in early 2020, including the game's focus on the themes of isolation, loneliness, and political divide.

## Personal life

Kojima is private about his personal life. He has at least one brother. His father Kingo Kojima died when he was 13 and his mother died in early 2017. According to his book *The Creative Gene*, he has two sons, both of which have inspired Kojima to expand his franchises to a more accessible demographic, such as requesting *Super Smash Bros* director Masahiro Sakurai to implement the character of Solid Snake into the franchise.

### Misrepresentation in the assassination of Shinzo Abe

Kojima was misidentified in July 2022 as the assassin of former Japanese Prime Minister Shinzo Abe by some news outlets and politicians. Greek news outlet ANT1, Iranian news website Mashregh News and French politician Predefinição:Ill all mistakenly used pictures of Kojima instead of the killer; Rieu subsequently apologized for the misidentification, and ANT1 took down its YouTube video with the picture. The man suspected by Japanese investigators to be Abe's assassin is Tetsuya Yamagami, a 41-year-old Japan Maritime Self-Defense Force veteran. Kojima Productions said that it would be considering legal action in response to the pictorial misidentifications.

## Awards and accolades

*Newsweek* named Kojima as one of the top ten people of 2002. In 2008, *Next-Gen* placed him seventh in their list of "Hot 100 Developers 2008."

In 2009, IGN placed him sixth in their list of top game creators of all time. At the 2008 MTV Game Awards, Kojima was given the award show's first Lifetime Achievement Award for a game designer and was also honored with a Lifetime Achievement Award at the 2009 Game Developers Conference. In 2014, UNESCO's Bradford City of Film gave Kojima the inaugural award for Cinematography in Videogames, "for his astounding directing, storytelling, and cinematography" in video games.

At the 2014 National Academy of Video Game Trade Reviewers (NAVGTR) awards, Kojima was credited for *Metal Gear Solid V: Ground Zeroes'* nomination for the category *Game, Franchise Adventure*. In December 2015, Kojima was invited to accept an award from The Game Awards 2015 for *Metal Gear Solid V: The Phantom Pain*, but was prevented from attending by Konami.

In February 2016, Kojima received the AIAS Hall of Fame Award at the 19th Annual D.I.C.E. Awards. In December 2016, Kojima was able to attend The Game Awards 2016 and accepted the Industry Icon Award.

On October 12, 2017, he received a Lifetime Achievement Award at the Brasil Game Show.

Kojima was named a BAFTA Fellowship in 2020, to be awarded to him during the British Academy Games Awards in April 2020, making him the second Japanese person to receive the award for work on video games after Shigeru Miyamoto.

Kojima holds the distinction of having directed four games (*Metal Gear Solid 4: Guns of the Patriots*, *Metal Gear Solid: Peace Walker,* *Metal Gear Solid V: The Phantom Pain,* and *Death Stranding*) out of the 27 total to have achieved a maximum possible score of 40 from the Japanese video games magazine Famitsu.

On January 20, 2022 Kojima received an Industry Legend Award from the Arab Game Awards.

On March 15, 2022, Kojima announced on Twitter that he had received the 72nd Minister of Education Award for Fine Arts from the Japanese Agency of Cultural Affairs.

### Actor roles

#### Other

 2011
 2017

## External links

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* Hideo Kojima's former blog
* Predefinição:IMDb name

Predefinição:Hideo Kojima
Predefinição:Metal Gear
Predefinição:BAFTA Academy Fellowship Award
Predefinição:Authority control
Predefinição:Portal bar

1. ↑ Hideo Kojima – video gaming's first auteur – Screen Robot (July 2014).
2. ↑ Erro de citação: Marca `<ref>` inválida;
não foi fornecido texto para as refs chamadas `ign_bio`
3. ↑ Announcement of Personnel Changes (March 17, 2009). Konami (March 17, 2009).
4. ↑ Hideo Kojima becomes VP of Konami Digital Entertainment (March 30, 2011).
5. ↑ Death Stranding Release Date For PS4 Revealed In New Gameplay Trailer (en-US).
6. ↑ IGN: Hideo Kojima Biography. “"Born on August 24, 1963, Hideo Kojima is the Konami Digital Entertainment, Operating Officer and Studio Head of Kojima Productions."”
7. ↑ 7,0 7,1 Predefinição:Cite news
8. ↑ Dawkins, Dan (June 12, 2018). Why MGS4's final scene is more powerful than we ever realised. “"Kingo Kojima, a pharmacist, named his son based on the most common name among the doctors he met. He travelled a lot on business and watched a lot of movies, a trait he impressed on young Hideo."”
9. ↑ Predefinição:Cite news
10. ↑ Itoi, Kay (December 30, 2001). Hideo Kojima.
11. ↑ Predefinição:Cite news
12. ↑ Predefinição:Cite news
13. ↑ Hideo Kojima: Gaming's Designer-in-Chief (May 6, 2011). “"As a teen in Kawanishi in western Japan, Kojima's obsessions were movies, Japanese manga comics, and novels."”
14. ↑ Predefinição:Cite news
15. ↑ Parkin, Simon (March 23, 2012). Hideo Kojima: video game drop-out – interview part 1 (en).
16. ↑ Goldberg, Harold (November 27, 2019). A Video Game Auteur's Quest for Connection (en-us).
17. ↑ 17,0 17,1 Predefinição:Cite news
18. ↑ Schramm, Mike (October 6, 2011). Hideo Kojima talks life, influences at USC presentation (en).
19. ↑ Parkin, Simon (March 23, 2012). Hideo Kojima: video game drop-out – interview part 1 (en). “Kojima was studying economics at university when he made the decision to join the games industry. "I wrote novels in my spare time while studying," he says.”
20. ↑ Schramm, Mike (October 6, 2011). Hideo Kojima talks life, influences at USC presentation. “His economics thesis even included a short story "to surprise my professor, and he was very surprised," said Kojima through a translator, "but it didn't help my grade much."”
21. ↑ Predefinição:Cite news
22. ↑ Parkin, Simon (May 23, 2012). Hideo Kojima: video game drop-out – interview part 1. “"But I had no friends that were interested in cinema; nobody to encourage me in that career."”
23. ↑ Predefinição:Cite news
24. ↑ Death Stranding Director Hideo Kojima's Five Favorite Films.
25. ↑ Predefinição:Cite news
26. ↑ Szczepaniak, John. "Before They Were Famous". *Retro Gamer* (35): 74: It was really disappointing because they assigned me to the MSX division. I had joined a company in the game industry, wanting to make Famicom or arcade games, and then I was assigned to MSX. Back then MSX had only 16 colours, and on top of that, if you excluded all the colours that were hard to use, such as pink or purple, you were left with only eight colours.
27. ↑ 27,0 27,1 Lee, Julia (November 4, 2019). Hideo Kojima made a penguin delivery game before Death Stranding (en).
28. ↑ Lambie, Ryan (September 1, 2015). Why 1987's Metal Gear Is Still Important.
29. ↑ Szczepaniak, John. "Before They Were Famous". *Retro Gamer* (35): 74. "The company asked me to create a combat game. Actually, a senior associate had been in charge of it but he was stuck and I was asked to do it."
30. ↑ Szczepaniak, John. "Before They Were Famous". *Retro Gamer* (35): 74. "You could not have more than four bullets with MSX, and that meant you could only have two to three enemies. You cannot make a combat qame with that. So I came up with a game like The Great Escape where the prisoner had to escape. It was an idea born from adverse situations."
31. ↑ METAL GEAR 25th ANNIVERSARY 「メタルギアソリッドの真実」 (ja) (July 13, 2012). “(Metal Gear [1987.7.13] MSX2”
32. ↑ Predefinição:Cite video
33. ↑ A Brief History of Stealth Games (October 10, 2010).
34. ↑ Predefinição:Cite magazine
35. ↑ From 'Castle Wolfenstein' to 'Dishonored 2': A Brief History of Stealth Games (November 4, 2016). “"The Metal Gear series has been a huge cornerstone of the stealth genre, right from its first appearance in 1987 [...] Metal Gear games had elements of stealth, like line-of-sight, box-based camouflage and noise detection"”
36. ↑ 36,0 36,1 Hardcore Gaming 101: Masahiro Ueno Interview (April 1, 2012). “"My team was asked to port the original MSX2 version to NES in three months and we had to make some changes per management and due to the hardware limitations."”
37. ↑ "SNATCHER". *Super Soft Magazine Deluxe: A.V.G & R.P.G* (in Japanese). Vol. 10. 1988. pp. 3, 54. Archived from the original on October 7, 2018. Retrieved September 7, 2020.
38. ↑ Tieryas, Peter (June 16, 2017). Snatcher Is Cyberpunk Noir At Its Best.
39. ↑ Gifford, Kevin (November 4, 2009). Kojima Reflects on Snatcher, Adventure Games.
40. ↑ Kalata, Kurt (May 8, 2011). SD Snatcher – Hardcore Gaming 101.
41. ↑ Konami (1989). *スナッチャーライナーノーツ*. *Snatcher (Radio Play CD) liner notes*. pp. 3–4. Archived from the original on October 13, 2018. Retrieved October 13, 2018.
42. ↑ Hardawar, Devindra (April 29, 2017). Hideo Kojima on his cinematic influences, 'Death Stranding' and VR.
43. ↑ Gifford, Kevin (October 22, 2012). Kojima Reflects on Snatcher, Adventure Games.
44. ↑ "EGM's Nob Ogasawara Interviews Mr. Yoshinori "Moai" Sasaki..." (PDF). *Electronic Gaming Monthly*. No. 66. January 1995. p. 176. Archived from the original on October 7, 2018. Retrieved September 8, 2020.
45. ↑ Interview with Jeremy Blaustein by Chris Barker.
46. ↑ Tieryas, Peter (June 16, 2017). Snatcher Is Cyberpunk Noir At Its Best.
47. ↑ Super deformed.
48. ↑ Kurt Kalata, Snatcher Predefinição:Webarchive, Hardcore Gaming 101
49. ↑ European date fixed for the action / RPG Last Rebellion Predefinição:Webarchive (Translation), Jeuxvideo.com
50. ↑ Fletcher, J. C. (March 1, 2007). Virtually Overlooked: SD Snatcher.
51. ↑ 51,0 51,1 Interview with Hideo Kojima.
52. ↑ Kasavin, Greg (June 25, 2007). Metal Gear Solid 3: Subsistence Review.
53. ↑ Lewis, Greg (March 10, 2006). Metal Gear Solid 3: Snake Eater.
54. ↑ Sliva, Marty (August 25, 2014). 7 Weird Metal Gear Games You Probably Never Knew Existed.
55. ↑ 55,0 55,1 やっぱり、サターン版が一番可愛くなった. *Sega Saturn Magazine* (in Japanese). Vol. 15. September 13, 1996. pp. 200–201. (Translation, Archived on February 14, 2019, at the Wayback Machine). Retrieved September 8, 2020.
56. ↑ Parkin, Simon (May 24, 2012). Hideo Kojima: video game drop-out – interview part 2. “"It was hugely frustrating making games at that time for me. I wanted to control everything. So, after the second Metal Gear launched, I developed my own scripting engine and decided to work on adventure games so that I could have complete control over when the animation played or when the music triggered. That's when I developed Snatcher and Policenauts. It was a way to take creative control back from the programmers."”
57. ↑ Gantayat, Anoop (August 13, 2012). Hideo Kojima: Policenauts Was Originally Known as Beyond.
58. ↑ "監督　小島秀夫が語るポリスノーツ". *Konami.com*. 2003. Retrieved September 8, 2020.
59. ↑ "Sega Saturn Soft Review: ポリスノーツ". *Sega Saturn Magazine* (in Japanese). Vol. 15. SoftBank Creative. September 13, 1996. p. 241.
60. ↑ "ポリスノーツ みんなのクロスレビュ ー". *Famitsu*. Archived from the original on October 3, 2014. Retrieved September 8, 2020.
61. ↑ Parkin, Simon (September 17, 2009). "Policenauts". *Eurogamer*. Archived from the original on December 24, 2018. Retrieved September 8, 2020.
62. ↑ Mackey, Bob (January 7, 2013). "Policenauts and Hideo Kojima's Adventure Game Roots from 1UP.com". *1Up.com*. Archived from the original on November 9, 2017. Retrieved September 8, 2020.
63. ↑ Kojima, Hideo (July 22, 2011). KOJIMA PRODUCTIONS - HIDEOBLOG (ja).
64. ↑ 64,0 64,1 Predefinição:Cite news
65. ↑ Predefinição:Citation
66. ↑ Predefinição:Cite journal
67. ↑ Nelson, Randy (October 21, 1998). Metal Gear Solid review.
68. ↑ Predefinição:Cite journal
69. ↑ Kasavin, Greg (November 13, 2001). Metal Gear Solid 2: Sons of Liberty Review.
70. ↑ Metal Gear Solid 2 Sells-In 1.8 Million (November 28, 2001).
71. ↑ Parish, Jeremy (December 10, 2011). Metal Gear Solid 2: Gaming's Greatest Con Job.
72. ↑ Predefinição:Cite news
73. ↑ Super Smash Bros. Brawl revealed for Wii, featuring Solid Snake! (May 10, 2006).
74. ↑ MGS Creator Received Death Threats (November 21, 2005).
75. ↑ Nelson, Randy (November 24, 2008). Hideo Kojima receives lifetime achievement award from MTV. Joystiq.
76. ↑ Hideo Kojima: The Kikizo Interview 2009. Kikizo (April 15, 2009).
77. ↑ Doree, Adam (August 24, 2008). Hideo Kojima: The Kikizo Interview 2008. Kikizo.
78. ↑ PSP-only MGS slated for 2010 release; four-player co-op hinted. (June 2, 2009).
79. ↑ Robinson, Martin (August 20, 2009). GC 2009: Hideo Kojima Q&A.
80. ↑ Famitsu: Hideo Kojima Discusses Metal Gear Solid 3DS. Andriasang.
81. ↑ IGN staff (7 July 2010). Hideo Kojima May Work on Metal Gear Solid 5.
82. ↑ Hideo Kojima Checks Metal Gear Rising's Demo. Andriasang (May 15, 2012).
83. ↑ Akerman, Nick (February 22, 2013). Metal Gear Solid: Ground Zeroes will tackle many taboos, may not release in its current state.
84. ↑ Konami Promotes Hideo Kojima To Vice President (March 30, 2011).
85. ↑ Predefinição:YouTube
86. ↑ Kojima announced Snatcher radio show. Joystiq.com.
87. ↑ Kojima And 5pb Collaboration Will Be A Game And Anime. Siliconera (October 16, 2011).
88. ↑ Ashcraft, Brian (July 19, 2010). Hideo Kojima is Making an Adventure Game. Kotaku.
89. ↑ Predefinição:Cite news
90. ↑ Hideo Kojima expresses interest in Silent Hill. Here's how he could (very easily) make it better than it's been in a decade. *GamesRadar+* (August 17, 2012).
91. ↑ TwitLonger – When you talk too much for Twitter.
92. ↑ TwitLonger – When you talk too much for Twitter.
93. ↑ Twitch.
94. ↑ 94,0 94,1 Kojima Wants to Reboot Silent Hill, but Not Until He's Ready for Daily Nightmares. *Rely on Horror* (March 13, 2014).
95. ↑ Kojima Twitch interview summary: discussing Japanese gaming industry, Portable Ops canonicity, and possibility of remakes. *Metal Gear Informer* (March 14, 2014).
96. ↑ Hideo Kojima and Guillermo del Toro Team Up for New Silent Hill. Kotaku.
97. ↑ Tassi, Paul (April 27, 2015). 'Silent Hill' Lives, 'Silent Hills' is Dead, And Konami Is Almost Certainly Dying [Update].
98. ↑ Predefinição:Cite news
99. ↑ Kojima Expected to Leave Konami After MGS5, Inside Source Confirms. Gamespot.
100. ↑ Konami announces plan for brand new Metal Gear series (March 20, 2015).
101. ↑ Hideo Kojima left Konami earlier this month – report (October 20, 2015).
102. ↑ 102,0 102,1 Konami Bans Metal Gear Solid 5 Creator Kojima From Game Awards (December 3, 2015).
103. ↑ Hussain, Tamoor (July 12, 2015). Kojima Productions Has Disbanded, Says Metal Gear Solid Voice Actor.
104. ↑ Hideo Kojima confirms departure from Konami, forms new studio and partnership with Sony (December 16, 2015).
105. ↑ Kojima Reveals New PS4 Project, Death Stranding (June 13, 2016).
106. ↑ Metal Gear creator Hideo Kojima just launched his own YouTube channel (February 12, 2016).
107. ↑ Predefinição:Cite magazine

	* Death Stranding (PS4) (April 12, 2020).
	* Hideo Kojima: Death Stranding was profitable and recouped costs; profit secured for next title (May 29, 2020).
	* 日本に本物のクリエイターはいるのか？ 小島秀夫監督が「作家性」にこだわる理由 (May 29, 2020).
	* Death Stranding for PlayStation 4 Reviews. Metacritic.
	* Death Stranding for PC Reviews. Metacritic.
109. ↑ Goslin, Austen (December 13, 2019). All the winners from The Game Awards 2019. *Polygon*.
110. ↑ Predefinição:Citation
111. ↑ Kaser, Rachel (2022-06-12). Hideo Kojima reveals collaboration with Xbox on new game (en-US).
112. ↑ McWhertor, Michael (2022-05-20). A new Death Stranding is happening, Norman Reedus says (en-US).
113. ↑ Spangler, Todd (2022-08-23). Game Creator Hideo Kojima Is Launching a Podcast on Spotify (en-US).
114. ↑ Welsh, Oli (2022-10-07). Kojima Productions teases new game starring Elle Fanning (en-US).
115. ↑ McWhertor, Michael (2022-11-01). Kojima reveals the next famous face coming to his unannounced game (en-US).
116. ↑ McWhertor, Michael (2022-12-09). Death Stranding 2 confirmed by Hideo Kojima at The Game Awards (en-US).
117. ↑ 117,0 117,1 Kasavin, Greg (March 21, 2005). "Everything is Possible": Inside the Minds of Gaming's Master Storytellers.
118. ↑ Hall, Kenji (May 6, 2009). Hideo Kojima: Gaming's Designer-in-Chief. *Business Week*.
119. ↑ John Szczepaniak (February 2011). Portopia Renzoku Satsujin Jiken. *Retro Gamer*. (Reprinted at John Szczepaniak. Retro Gamer 85. Hardcore Gaming 101.)
120. ↑ Predefinição:Cite news
121. ↑ Blade Runner's Influence on Videogames from.
122. ↑ 122,0 122,1 122,2 Hopper, Ben (February 20, 2001). Great Games – Snatcher. *GameCritics.com*.
123. ↑ Snatcher Review. Siliconera.com.
124. ↑ 124,0 124,1 124,2 124,3 Steven Kent. Hideo Kojima: Game Guru, Movie Maniac.
125. ↑ 125,0 125,1 *The Making of Metal Gear Solid 2: Sons of Liberty* DVD packaged with European version of *Metal Gear Solid 2: Sons of Liberty*
126. ↑ 「MGSシリーズに影響を与えた偉大なる15の映画作品」特集 – 2 (ja). “それまでとは違った視点からベトナム戦争を描いたマイケル・チミノ監督の出世作。スネークのバンダナは「ランボー」から来ていると思われているが、実はこの映画のデ・ニーロから来ている” Predefinição:In lang
127. ↑ 「MGSシリーズに影響を与えた偉大なる15の映画作品」特集 – 1 (ja). “メタルギアのゲームコンセプトである「潜入ミッション」というイメージの元になったアリステア・マクリーン原作による戦争冒険映画の名作。まさに孤立無援で敵要塞に潜入、不可能を可能にする男達の物語。” Predefinição:In lang
128. ↑ 「MGSシリーズに影響を与えた偉大なる15の映画作品」特集 – 3 (ja). “メタルギア誕生に最も影響を受けたのは、諜報アクション映画である007シリーズ。ショーン・コネリー演じる初代ボンドの作品の中で最も娯楽性に富んでいるのがこの作品。のちのボンド映画の手本となった。” Predefinição:In lang
129. ↑ Predefinição:Cite book
130. ↑ Hideo Kojima at the Movies: Dawn of the Dead.
131. ↑ Macgregor, Jody (2021-02-21). Hideo Kojima's book will be published in English this year (en-US).
132. ↑ Fitch, Andrew (May 7, 2008). Anime Expo: David Hayter Critical of Some MGS Moments.
133. ↑ Predefinição:Cite news
134. ↑ Biennale Cinema 2020 | The international Juries of the Biennale Cinema 2020 (en) (2020-07-26).
135. ↑ Moran, Miguel (March 30, 2020). Every time Hideo Kojima predicted the future (en-US).
136. ↑ Wiltshire, Alex. How 'Metal Gear Solid 2' Foretold Our Post-Truth Future. Rolling Stones.
137. ↑ 25 Most Overrated Games of All Time (2003).
138. ↑ Metal Gear Solid 2 – The Misunderstood Entry in the Series (en) (August 21, 2015).
139. ↑ Kunzelman, Cameron (January 20, 2017). VICE - The Scary Political Relevance of 'Metal Gear Solid 2' (en).
140. ↑ How Metal Gear Solid manipulated its players, warning us of an age of Fake News, Cambridge Analytica and data surveillance (en) (March 30, 2018).
141. ↑ Predefinição:Cite journal
142. ↑ 142,0 142,1 Gale, Jason (February 4, 2016). The Best Weapon for Fighting Zika? More Mosquitoes.
143. ↑ Predefinição:Cite news
144. ↑ Malaysia Wolbachia trials: Battling dengue and other mosquito-borne viruses (en-US) (November 22, 2019).
145. ↑ Singapore releases Wolbachia mosquitoes as dengue cases soar | New Straits Times (en) (May 8, 2020).
146. ↑ Sri Lanka releases Wolbachia-injected mosquitoes to combat spread of dengue - Xinhua | English.news.cn.
147. ↑ Dengue infections dive where Wolbachia established in mosquitoes in parts of Asia, Australia, and Brazil (en).
148. ↑ Ashcraft, Brian (March 16, 2020). Death Stranding Makes More Sense Now Than Ever (en-us).
149. ↑ Frank, Adam (May 14, 2020). Playing 'Death Stranding,' Even In Isolation, You're Not Alone (en).
150. ↑ Predefinição:Cite tweet
151. ↑ A Video Game Auteur's Quest for Connection (November 27, 2019).
152. ↑ Predefinição:Cite tweet
153. ↑ Shinzo Abe Assassin Misidentified as Hideo Kojima by Politicians and Media (July 8, 2022).
154. ↑ Hideo Kojima Misidentified As Shinzo Abe Assassin By News Channel, Politicians (July 8, 2022).
155. ↑ Hideo Kojima Misidentified As Shinzo Abe Assassin By News Channel, Politicians (en-us) (2022-07-08).
156. ↑ Loveridge, Lynzee (2022-07-09). French Politician Damien Rieu Apologizes For Falsely Identifying Hideo Kojima as Shinzo Abe's Killer.
157. ↑ Who is the 41-year-old arrested for shooting at Japan's ex-PM Shinzo Abe? (July 8, 2022).
158. ↑ Predefinição:Cite tweet
159. ↑ Mr. Kojima, Konami Videogame Designer Was Selected One of Ten "Who's Next?" of NEWSWEEK (January 22, 2002).
160. ↑ Newsweek Names the Men and Women of 2002: 10 to Watch (December 23, 2001).
161. ↑ The Next-Gen Hot 100 Developers 2008 (February 19, 2008).
162. ↑ IGN. IGN – 6. Hideo Kojima.
163. ↑ Hideo Kojima Lifetime Achievement (November 24, 2008).
164. ↑ GDC 09: Kojima To Receive Lifetime Achievement Award (February 17, 2009).
165. ↑ Metal Gear Solid Creator Hideo Kojima Receives Bradford City of Film Cinematography Award!. UNESCO (19 November 2014).
166. ↑ NAVGTR Awards (2014).
167. ↑ Predefinição:Cite news
168. ↑ DICE2016 Predefinição:Webarchive, *Academy of Interactive Arts & Sciences*
169. ↑ Predefinição:Cite news
170. ↑ Predefinição:Cite tweet
171. ↑ Hideo Kojima to receive BAFTA Fellowship (February 27, 2020).

	* Ashcraft, Brian (April 6, 2008). Famitsu Gives Metal Gear Solid 4 Perfect Score.
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173. ↑ West, Josh (2022-12-09). Death Stranding 2: Everything we know so far (en).
174. ↑ Velde, Issy van der (2022-12-26). Death Stranding 2 Is Reportedly Launching In 2024 (en-US).
175. ↑ 175,0 175,1 Hideo Kojima - 4 Character Images | Behind The Voice Actors.
176. ↑ Death Stranding turns Hideo Kojima into a murderous goo monster in his secret Easter egg (en) (2019-11-13).
177. ↑ 'Control' features a wonderfully surreal Hideo Kojima cameo (en).
178. ↑ Livingston, Christopher (December 21, 2020). Cyberpunk 2077 cameos: How to find Kojima and GLaDOS in Night City.
179. ↑ Predefinição:Cite news