recursal/Fanatic-Fandom huggingface dataset:
2012/Nightmare Fuel

* Being one of the people left behind as California, Las Vegas, Washington, D.C., etc all succumb. The LA footage, particularly, reminded us of 9/11 (collapsing office buildings with people inside.)
	+ LA subway train falling into one of the chasms: imagine being on that train.
	+ Being on the streets of LA while the earthquake is going on. A giant crack appears along the ground and the dirt beneath your feet starts tilting, causing cars to come hurtling towards you at apparently terminal velocity. In the trailers that show that clip, one of the people knocked into the chasm by a falling car SCREAMS.
* Basically being anywhere on the Earth at any point in time. If the earthquakes and volcanoes don't get you, you can bet the tsunamis will.
* If you're still left alive after the caldera goes off (which will pretty much *choke* the living shit out of anyone in America, immediately kill any person in the Yellowstone area, and so on), you get front-row seats of a tidal wave going to drown you!
* Falling to your death. Too many times to count.
* In the scene where the plane in Las Vegas takes off, the guy on the ATC lets out a chilling, painful scream as he is fried alive inside the control tower when the ash cloud hits it.
* Imagine making a narrow escape from the disasters that hit your area, arriving at the rendezvous point for your rescue aircraft just in the nick of time with your family, and being flown to the Himalayas.....only to make the horrifying discovery that your assigned Ark was one of the ones that was damaged. I mean, yeah they eventually did manage to squeeze everyone onto the remaining Arks, but still can you imagine the absolute terror of being in that situation?
20th Century Boys/Heartwarming

* When the corporation manager tries to make Kenji send Kanna to child care for the sake of the store, Kenji's Big No is enough to make any parent, or uncle, pump their fist into the air.
* Otcho talking the prostitute in Bangkok out of killing herself.
* Kanna finally getting reunited with her mother.

Back to *20th Century Boys*
12 to the Moon

An international team embarks on an expedition to the moon in an uncommonly spacious rocketship. There they encounter a faceless alien intelligence who concludes that the human race is too immature and dangerous and must be destroyed.

For the *Mystery Science Theater 3000* episode see *here*.

> ***This page needs a better description. You can help this wiki by expanding or clarifying the information given.***
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Tropes used in *12 to the Moon* include:
* America Saves the Day: Averted. The American captain is nominally the hero, but the German guy, the Soviet guy, the Polish/Israeli guy, and the Japanese woman are actually all far more critical to escaping the clutches of the moon aliens.
* The Atoner: Heinrich, not a Nazi himself, but wracked by guilt because his father was.
* Dirty Communists: Completely averted. Orloff, identified explicitly as being from the Soviet Union, angrily condemns French Jerk Martel's suggestion to let North America be frozen by moon aliens. He then attempts to beat down Martel in order to stop him, despite having second-degree burns all over his hands.
* French Jerk: Martel is this trope Beyond the Impossible. Even the Soviet character was portrayed as having basic honor and dignity, and this was a movie made more or less at the height of the Red Scare.
* Heroic Sacrifice
* Loads and Loads of Characters
* Odd Friendship: David and Heinrich.
* Nice Jewish Boy/Badass Israeli: David.
* New Meat: Rod, the nineteen-year-old Teen Genius in mathematics.
* Not Even Bothering with the Accent: David again, who is introduced as born in Poland and currently living in Israel, apparently mastered the art of speaking with the most perfectly flat American Midwestern accent ever.
* Twelve-Token Band
* Twofer Token Minority: Hideko, female and Asian.
1visualfxguy (Video)/WMG

### 1visualFXguy and Supers, Heroes, and Funnies will do a crossover

How close friends Matt and Asher (the creator of both shows, respectively) are, I'm surprised this hasn't happened yet.

### 1visualFXguy and Happy Tree Friends are set in the same universe

The frequent appearances of the HTFs makes this one plausible.

### Lily is a ghost in the ALF and Omega sequels

Since she died in the first one, she could either be a ghost or zombie and since she doesn't have her guts hanging out, she must not be a zombie.

### Jim is a goblin

He is certainly a weird creature of some sort. I think he's either a goblin, demon, imp, troll, minotaur, or vampire.

### In the 1visualFXguy universe, King Leonidas has a time machine

How else could he meet Scrat from Ice Age if 300 is set in Ancient Rome and Ice Age is set in, well, the ice age.

### Bill o Neil and Dipper Pines are related

Why else would would Dipper let him borrow his hat?

### Rooster is an alien dog

It makes sense because of how his eyes glow red and he can talk.

### Mr. Mcgee dated Janice Joplin

Since it was confirmed that his name Bobby Mcgee, this one is plausible.

### Raven is from the Town of Grove

The game Fate has a lot of demons in it and since Raven is demon, this theory makes sense. Especially when she does a direct imitation of the Fate narrators voice in the "Clash of the Teen Titans" poop.

### The show will parody Norm of the North

Since it's already parodied Alpha and Omega several times, this isn't entirely out of question.

### Gabi is a HUGE Family Guy fan

Since she sings like Herbert and frequently makes Family Guy references (more than any other recurring 1visualFXguy character).

### 1visualFXguy is a part of the DC Comics universe

Teen Titans and Harley Quinn do appear a lot. Plus Gotham City is mentioned in one video.

### Arnold P. Moolah has since retired

The character hasn't appeared (outside of music videos) in a LONG time, so maybe he quit his job as a lawyer.

### Jellybean knows she's fictional

Since she is clearly singing to the viewers in "I'm Gonna Get Toons You", maybe she has traveled outside the fourth wall and been to the "other dimension" mentioned in 1visualFXguy + 2MattTV crossover.
2001

*2001* is the first year of the 21st century, and as such is a number closely associated with science fiction stories:

* *2001 Nights*, by Yukinobu Hoshino.
* *2001: A Space Odyssey*, by Stanley Kubrick and Arthur C. Clarke.

Disambiguation page for 2001The following is a list of links to pages that might share the same title.Please follow one of the disambiguation links below or search to find the page you were looking for if it is not listed. If an internal link led you here, you may wish to change the link to point directly to the intended article.
2001: A Space Odyssey/Quotes

> 2001 *has next to no dialogue; it has only the loosest narrative arc, no hero and not really a villain either unless you count a malfunctioning computer.*
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> *It's a film with no universally agreed ending and asks many more questions than it answers, yet is widely acknowledged as one of the greatest achievements in science-fiction film making.*
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> *And it predicted Siri and Alexa. What else do you want?*
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> Michael Moran, *2001* set the standard for the next 50 years of hard (and some soft) sci-fi
24/Heartwarming

* In the first season, then-Senator David Palmer angrily confronts Jack Bauer who he's been wrongly led to believe has been trying to kill him. Jack furiously explains that both he and his family have nearly died because Jack has been working to **save** him. The look of shock, embarrassment, and understanding on Palmer's face are priceless as he realizes that Bauer is a patriot who has saved him and his family. It is the start of a friendship that would be central to the show for the next several seasons.
* David Palmer resists the temptations of one his staffers and proves (somewhat sadly) that no real President will ever have that kind of character.
* George Mason's speech to Michelle in Season 2.

> **Mason:** Believe it or not, I used to want to be a teacher. A long time ago. You know why I didn't? Because DoD offered me more money. That's how I made my decision. So I made myself miserable, and I made everybody around me miserable. For an extra five thousand dollars a year. That was my price. ...You know, Michelle, I'm not a big advice giver, but under the circumstances, don't wait around for your life to happen to you. Find something that makes you happy. Do it. Because everything else is just background noise.
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* In Season Seven, Jack's World of Cardboard Speech to the imam as he lays dying in the FBI headquarters hospital.
* The entirety of the season 7 finale.
* The end of Season 7, in the White House, when an exhausted Allison Taylor allows herself a moment of weakness, confessing to her former Chief of Staff (and close friend) Ethan Kanin, "I've lost everyone." Ethan says simply, "Not everyone," and she correctly concludes that he is un-resigning. The look of dawning hope on her face is simply magnificent.
* Jack's last 2 calls at the end of Day 8.
	+ The last conversation between Chloe and Jack.
* George Mason patching things up with his estranged son, John.
* Jack and Chloe's final interaction in the series finale. Chloe's (very likely real) expressions sell the entire scene.

> **Jack:** When you first came to CTU...I never thought it was gonna be you that was gonna cover my back all those years; and I know that everything that you did today was to try and protect me, I know that. Thank you.
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> Back to *24*
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28 Weeks Later/WMG

## The colony is actually an extermination camp

Through out the movie everything the military did was forehead smackingly stupid. They left an infected women unguarded and unmonitored. Their approach to quarantine was to shove everybody together in a room with non-zombie-proof doors. They were quick to order "Kill Em All" and didn't even take simple measures to differentiate infected from clean (IE telling every one before hand "If the alarm goes off pick up a any object and start running, that way the soldier know who not to shoot").
Most damningly, the Army shot at a car from a helicopter, despite no zombie displaying any form of driving ability.

There is simply too much stupidity on display for the colony to be accidental.
Meaning that all that was done on purpose.

My conclusion is the colony is the Final Solution to the British Problem.

The plan was to gather all the British from all over the world and Concentrate them in one Camp.
Then fake a zombie outbreak to exterminate them all in one fell swoop.
Presumably the room they gathered in had Zyklon B dispensers, but the higher up saw a real zombies outbreak and thought "Meh! Why not?" and just didn't turn them on.

* + Of course!
	+ Shouldn't they have first gathered all the British evacuees in the same place? Those 15,000 were just a drop in the sea...

## The rage virus has a non-leathal airborne aspect. It affects thinking and thus makes people make dumb, dumb decisions.

This would explain why the researcher in the first movie didn't say the monkeys were infected with a bioweapon, he just said "They have rage!" It explains all the really dumb decisions we've seen people make in the movies. It makes sense from a survival standpoint - the virus needs people to act stupid to ensure its continued existence.
2009: Lost Memories/YMMV

* Magnificent Bastard
	+ Inoue, using the Manchurian-based artifact to mess up the timeline in the first place. His descendants control access to the crucial artifacts via the namesake's foundation.
	+ Ito Hirobumi is assumed to be this himself. The movie implies that only the lack of his mere genius prevented Japan from entering the war *on the Allied side*, the nukage of Berlin instead of Hiroshima and Nagasaki, participating in the space race entering the United Nations as a permanent member and still retaining its recently conquered colonies.
2 Broke Girls/YMMV

* Acceptable Targets: Hipster
* Cargo Ship: Max and Caroline's bathtub.
* Designated Villain: In-universe. The guy who gave Caroline a measly $1.47 tip has his date walk away in disgust that he's a cheapskate. This is despite the fact he fairly points out that tipping, while customary, is entirely *optional*. It should be noted that he spent $50 on the date, so he's hardly a cheapskate and that money will go to Max and Caroline's wages *anyway*.
* Ear Worm: The theme song, which is also used for transitions.
* Ethnic Scrappy: Han or Oleg to some people.
* Even The Girls Want Them: Naturally alot of the audience loves these woman.
* Freud Was Right: Caroline insists that she isn't sexually frustrated despite making a bed that suspiciously looks like a vagina.
* Fridge Brilliance:
	+ The reason Caroline has never done anything she regrets with a man because in her head, it's Ashlee doing those things.
	+ At first it seems odd that someone with a graduate degree in business can't find better work than a waitress at a diner, until you realize that the kind of companies that typically hire people with business degrees are also the kind of companies who wouldn't want to be associated with the family of a convincted embezzler.
* Les Yay: The two girls.

> **Caroline:** Could you do me a favor and open the back door?
> **Max:** We've known each other two days and you're already asking for back door?
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* + Max and Caroline sharing a bed.
	+ The whole break-up and make-up.

> **Caroline:** Your bed is so soft.
> **Max:** That's my boob!
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* + Caroline asks Max to come out and see something she bought:

> **Max:** If I'm coming out for anyone, it'd be that hot dragon tattoo chick.
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* + The song they dance to together in "And the Rich People Problems" is “I’m Not Gonna Teach Your Boyfriend How to Dance with You” by the Black Kids. The chorus contains the refrain "You are the girl that I've been dreaming of ever since I was a little *girl*." (Emphasis added.) The whole song is told from the point of view of a woman heartbroken over the fact that the woman she's in love with is getting romantically involved with a man. So Max and Caroline were dancing--at one point *grinding*--to a lesbian love song. That's just barely subtext anymore.
	+ "You were spooning me"
	+ The whole show seems to be full of lesbian jokes.
* Modern Minstrelsy: Han, according to some critics. The stars and the producer were called out on this in a very uncomfortable Q&A session.
* Relationship Writing Fumble: Max and Caroline have way, WAY more sexual chemistry with each other than with any other character. Or maybe it's not a fumble.
* Will They or Won't They?: Max and Caroline again.
* The Woobie: Caroline. Thanks to her father's crime, she has lost several oppurtunities to improve her and Max's business.

Back to *2 Broke Girls*
1941/Trivia

* Hey, It's That Guy! / Hilarious in Hindsight *1941* features both Blues Brothers and John Candy plus John Landis in a minor role — one year before *The Blues Brothers*. There is even at least one promotional picture of Dan Aykroyd and John Belushi on that military motorcycle.
* Old Shame: Spielberg readily acknowledges he screwed up big time. It was such a massive failure that in trailers for *Raiders of the Lost Ark*, it was the only Spielberg movie not mentioned.
* What Could Have Been
	+ The original Zemeckis-Gale script was a Black Comedy entitled *The Night the Japs Attacked*.
	+ A scene of Slim Pickens being threatened with what looks like a torture device but turns out to be a coat hanger was cut, but Spielberg liked the joke so much he swore that he'd try to put it in every one of his future movies until it stayed. He got his wish in his very next film, but just imagine if he hadn't and had held his promise during some of his later work...
	+ Supposedly, at one point, Spielberg debated making the movie as a musical.
	+ Spielberg initially approached John Wayne to play Stilwell, but he refused in disgust at the film's "anti-American" tone.
	+ The ferris wheel subplot started as a vehicle for Jackie Gleason and Art Carney to essentially reprise their roles from *The Honeymooners*, to the point that the original script says the characters resemble a bus driver and a sewer worker. Gleason torpedoed the plan by mysteriously refusing to work with Carney again.
1776

This is a disambiguation page. **1776** could refer to:

* *1776* (musical), a 1969 musical based on the events leading to the writing and signing of the United States Declaration of Independence
	+ *1776* (film), a 1972 film adaptation of the above musical
* *1776* (book), a 2005 book by David McCullough about the events surrounding the start of the American Revolution
* *1776* (game), a 1974 Avalon Hill board wargame based on the American Revolution

Disambiguation page for 1776The following is a list of links to pages that might share the same title.Please follow one of the disambiguation links below or search to find the page you were looking for if it is not listed. If an internal link led you here, you may wish to change the link to point directly to the intended article.
21 Jump Street (TV series)/YMMV

These things about *21 Jump Street (TV series)* are subjective - not everyone will agree with all of them.

* Ho Yay:
	+ Hanson and Penhall. Like whoa. Though frequently diverted by various conveniently placed girlfriends. not to mention Hoffs sleeps with Penhall in season two. because they're both totally straight.
	+ In one episode, Hanson is shot in the line of duty and Penhall tells Jonah Hill, "If I could kiss it and make it better, I would." It's an Egregious example when one considers where Hanson was shot.

Back to *21 Jump Street (TV series)*
1408/Fridge

## Fridge Horror

* So how were the staff able to clean the room, and the police document all the suicides? Surely all that must take more than one hour.
	+ Olin does explain that he strictly supervises the cleanings with the door open and makes sure that nobody's in there for too long. Presumably he followed a similar procedure for the police.
* Mike hears that nobody has been able to remain in the room even an hour, with times to suicide ranging from a few seconds to a few minutes. However, after we learn how the room works, one realizes that those brief times were only in the beginning of the latest loop. We don't know how many loops they'd endured up till then.
	+ With that in mind, now think about the "natural deaths" that also occured in that room...
* Given the room's evil and macabre sense of humor, how likely is it that the "express checkout" is Schmuck Bait, and suicide would lead to being trapped like the ghosts we see in the room?
* What if the ending is simply Mike trapped in yet another loop?
1632/WMG

## Monsieur Gaston will ascend the French throne.

He's the current French heir and hates Richelieu's guts. Also, we just happen to have a bunch of Huguenot assassins running around. Perhaps they will make an attempt on Richelieu, and get King Louis instead. Richelieu, of course, will promptly get the hell out of Dodge. Defecting to the USE would be too obvious, but he could go elsewhere, possibly joining the Dutch Hapsburgs, or even try to carve out an empire of his own in the New World.

* With regard to this, a line at the end of *1635: The Papal Stakes* indicates Gaston is also very, **very** anti-USE, as in siding with Borja against Pope Urban on the grounds that Urban's toleration toward the USE makes him unfit to be pope. If Monsieur comes to the throne, he may try another war against the USE ... possibly before France has modernized its forces sufficiently to win. Especially since Turenne and his bunch, as Richelieu appointees, are likely to still be on Gaston's fecal roster. He's implied to not be smart enough to forgive and forget simply because Turenne is the best military leader France has.
* And as of *1636: The Cardinal Virtues*, Louis is indeed killed in an attempt on Richelieu, though it wasn't by Huguenots, and Gaston claims the throne despite Queen Anne having given birth to Louis' acknowledged heir. As for Richelieu, there's some question about whether he **was** killed; the phrase "pulling an Elvis" is used, and has to be explained to a bewildered Swedish officer....
1983: Doomsday Stories/Tear Jerker

* Tear Jerker: A lot of the fics have their moments, but *Death of a Nation* is notable for being one long tearjerker.
	+ Austria's internal breakdown in *A Wasteland Melody* and *A Symphony for a New World* could also qualify, all while staying in character. Especially once bits and pieces start breaking through his facade.
		- *A Wasteland Memorial,* which is set in the AU's future, could also count. Especially since it shows him starting to go through the same fate as England did in *Death of a Nation.*
	+ *An Ocean of Flame Above* is essentially a long, drawn out death scene involving Hungary's last days.
* Switzerland's Genre Savvy knowledge of World War III take on a different tone when he realizes early on that Hungary really had *no chance* of surviving Doomsday. This in turn drives some of his seemingly Jerkass actions to Austria in an attempt to keep him from persisting in what he thought to be a pointless search. It's strongly hinted however that it didn't work.
* *The Last Minutes to Midnight* alternates between this and Nightmare Fuel. Whether it's America's unspoken fears, Russia's realization of who *really* fired the first shot of Doomsday, or Austria's meeting with Hungary that would never come, the reader *knows* it wouldn't end well for anybody.
2 Broke Girls/Awesome

* Caroline getting revenge on the girl who stole the Strokes T-shirt Max was going to buy.
* Earl, the cashier, gets two in "And the '90s Horse Party": putting an end to the flash mob with his baseball bat, and fixing the time on the clock with his baseball bat.

> My, my, how time does fly.
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* Doubles as a Crowning Moment of Heartwarming: At the beginning of "And The Disappearing Bed", Caroline complains to Max that a guy she waited on short changed her on a tip. (He left her $1.47 on a $50 check). Just about every word Max says up until that point is a sarcastic quip about Caroline, but the minute she finds out what Caroline is talking about, she walks out of the diner, chases the guy down and berates him for not leaving a big enough tip. When he says tipping is optional, she says "So is me spitting in your food. Remember that."
* Depending how you view it, Han, in "And The Pop-Up Sale", finally growing some balls as a manager by telling off Oleg the Cook about his food service and hygiene/clothing problems.

> **Han:** You smell so bad, my mother in Korea called to ask "What's that horrible smell?"
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* Han on a horse, riding like a jockey, in order to help the girls in getting to the MET ball in "And Have A Martha Stewart Ball".

Back to *2 Broke Girls*
300/Trivia

* Adaptation Sequence: Actual events —> unreliable historical document by a man who was taking a break from writing about giant ants —> Movie —> Graphic Novel —> Movie —> Video Game
* Banned in China: This film is banned in Iran because of the rather negative portrayal of Persians in this film (even though by an Unreliable Narrator).
* Beam Me Up, Scotty: Two minor examples:
	+ There's a good twenty-second pause between the ambassador saying "This is madness!" and Leonidas responding with his famous line. Understandably, people usually omit the long pause when they're quoting the film.
	+ Leonidas full quote is "Spartans! Ready your breakfast and eat hearty, for tonight we dine IN HELL!", though it's commonly shortened to "Spartans! Tonight we dine *in hell*!" as it is in the trailer.
* Dyeing for Your Art: The movie is a gigantic parade of special effects. The monsters, the blood, the surreal colors, none of it is real. But the ludicrously chiseled bodies of the Spartans? Quite authentic. The actors playing the Spartans, as well as the stunt crew, went through Training from Hell in order to earn those abs the hard way. For a sense of solidarity with his actors and to "feel like a Spartan" himself, director Zack Snyder did too.
* Hey, It's That Guy!: Discounting the main cast, the Persian messenger is Hammond from *Dead Space*, and Xerxes is, of all characters, Paulo from *Lost*.
	+ Speaking of Xerxes, he was the Brazilian voice of Stuart Little.
	+ Jimmy McNulty as Theron continues with his philandering ways.
	+ And Stelios is a young Magneto
	+ Dilios was once known as Faramir.
* Recursive Adaptation: The film was based on a Frank Miller comic based on his view of the film *The 300 Spartans*... as in he loved it when he saw it as a child, later saw it as an adult and hated it, so he wrote a comic using his childhood memories as the basis - he actually used a Nostalgia Filter to *enhance* the work! The reason it hits the Rated "M" for Manly button is because it's based around that integral process!
* Star-Making Role: For Gerard Butler.
* Throw It In: The Oracle's words are actually just ad-libbed gibberish by the actress who played her. Zack Snyder was delighted that she worked the word "Carneia" into it.

* The film had an Unreliable Narrator, and fans love it for what it is. If you're curious, though, this article lists every inaccuracy regarding the film's portrayal of Persians.

[[Category:Template:TOPLEVELPAGE]]
21 Jump Street

***21 Jump Street*** may refer to

* 21 Jump Street (TV series), a late 1980's series about cops undercover as teenagers
* 21 Jump Street (film), a 2012 film adaptation of the above series.

Disambiguation page for 21 Jump StreetThe following is a list of links to pages that might share the same title.Please follow one of the disambiguation links below or search to find the page you were looking for if it is not listed. If an internal link led you here, you may wish to change the link to point directly to the intended article.
2MattTV/Tear Jerker

* Wagon Wheel Remake makes you tear up watching it.
* Jasper the Game Worden's death in "Zed & One-Eye's Hunting Adventures".
* The credits sequence in "Idioms for Idiots Episode 3".
* The music from "Chester's War Stories" is kinda sad.
* The line about Jim Henson in "Beard Song" is sad enough to make any Muppet fan cry.
* The death of Little Timmy in "Will Derness Episode 3".
* The fact that Shumphead died 2 days after "Zed's Infomercial".
20 Dead Flower Children

* YMMV
* Quotes
* (Funny
* Heartwarming
* Awesome)
* Fanfic Recs
* File:Magnifier.pngAnalysis
* File:Help.pngTrivia
* WMG
* File:Photo link.pngImage Links
* File:Haiku-wide-icon.pngHaiku
* Laconic

**20 Dead Flower Children** is a Nu-metal band from Detroit, formed in 1994 and made up of local Hip Hop, Hardcore Punk and techno musicians. They released their debut album in 1996 on Overcore Records. During the recording of *Candy, Toys and Television*, Overcore merged with local label Gothom Records, and the band's second album was released on Gothom/Overcore. The band got some minimal exposure on the USA Network series Farmclub.

Template:Discography

* *20 Dead Flower Children* (1996)
* *Candy, Toy Guns & Television* (1997)
* *Greet the Machine* (sometime around 1999)

Template:Creatortropes

* Juggalo: The guitarist can be seen wearing a Hatchetman shirt in this performance. On the cable television channel *USA* in 2000 no less.
* Motor City
* Nu-metal
* Take That: They sold T-shirts that read "20 Dead Flower Children is Better Than Limp Bizkit".
10 Things I Hate About You/Headscratchers

* Why is the English Teacher Mr. Morgan such a Jerkass to Kat?
	+ He's short-tempered and, in fairness, she's rather pretentious at points.
	+ This troper got the impression that he wasn't very fond of his students in general, and the implication was that Kate had been soapboxing in his class for a while, all while he himself had an ax to grind on the race aspect of their readings (as opposed to Kate always talking about the feminist issues).
	+ Not to mention that Kat, let's be fair, isn't the most ingratiating person herself either.
* How did Bianca and Chastity, who had never rehearsed together, do a fully choreographed duet? I mean, I know they were doing the same song, but they weren't doing the same dance. And why did the school just let them randomly change their routines?
21 Jump Street (film)/Awesome

* Schmidt and Jenko screaming the Miranda Rights in unison to the Big Bad at the movie's climax.
	+ And as soon as they finish, they give a simultaneous "Fuck you!"
* THE ENTIRE LAST HALF HOUR OF THE MOVIE. From the epic shoot-out to the car chase to the explosions to the above example. it is just one long Crowning Moment Of Awesome.
* Schmidt using his newfound knowledge of chemistry to create a bomb that kills Domingo and his crew.
* "You peaked in high school, motherfucker."

Back to *21 Jump Street (film)*
13 Lakes

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James Benning's feature-length film ***13 Lakes*** can be seen as a series of moving landscape paintings with artistry and scope that might be compared to Claude Monet's series of water-lily paintings. Embracing the concept of "landscape as a function of time," Benning shot his film at 13 different American lakes in identical 10-minute takes. Each is a static composition: a balance of sky and water in each frame with only the very briefest suggestion of human existence. At each lake, Benning prepared a single shot, selected a single camera position and a specific moment. The climate, the weather and the season deliver a level of variation to the film, a unique play of light, despite its singularity of composition.

Curators of the Rotterdam Film Festival noted, "The power of the film is that the filmmaker teaches the viewer to look better and learn to distinguish the great varieties in the landscape alongside him. [The list of lakes] alone is enough to encompass a treatise on America and its history. A treatise the film certainly encourages, but emphatically does not take part in." Benning, who studied mathematics and then film at the University of Wisconsin, currently is on the faculty at the California Institute of the Arts (CalArts).

*13 Lakes* was added to the National Film Registry in 2014, the first year that it was eligible to be listed on the Registry.

Tropes used in *13 Lakes* include:
* Ghibli Hills: Well, Ghibli Lakes. Over a dozen of them.
* Leave the Camera Running: Of the "done deliberately for artistic reasons" variety, and pretty much the point of the movie.

> ***This page needs more trope entries. You can help this wiki by adding more entries or expanding current ones.***
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23

A Numerological Motif that serves as sort of the Evil Counterpart of The Hitchhiker's Guide to the Galaxy's 42. To put it simply, whenever you see the number 23, it hints towards a connection to *the* Ancient Conspiracy.

Examples of works that use 23 as an Arc Number:

## Film

* *The Number 23* uses it as a subject (duh).

## Literature

* The Illuminatus Trilogy helped it get known.
* It gets use as a Running Gag in Robert Rankin's "The Toyminator." (It's that kind of book.)

## Live Action TV

* It's one of the numbers in the recurring sequence of six on Lost.

## Music

* They Might Be Giants had a show in 1983 in which 23 was prevalent. The show was on January 23, John Linnell was 23 years old at the time, 23 people attended the show, they played 23 songs (although they had only planned to play 22), and Flansburgh and Linnell both earned $23.

## Real Life

* The 1920s slang "23 Skidoo!", which means go away, scram, of GTFO.
* Together with 28, one of the Arc Numbers in Wilhelm Fliess's Biorhythm theory.
* Discordianism pretty much set the ball rolling on this one.
* Allegedly, Gaius Julius Caesar was stabbed 23 times during his assassination.
	+ Seeing as about 60 senators set on him, this is barely more than a 1/3rd success rate. A number of them in fact wounded their allies. Also, according to Suetonius, only one of his wounds was fatal.
		- About 60 senators were part of the conspiracy, but there were only seven or eight assassins so it's closer to 3 per person.
* The motor company Nissan whenever they launch a new race car in any series, will use the number 23 because Nissan sounds a bit like Ni-San or 2-3.

## Manga/Anime

* This is the original name that Theophrastus Bombastus Von Hohenheim goes by in the Fullmetal Alchemist manga and Brotherhood adaptation.
* It's also Hige's call-sign as a Manchurian Agent in Wolf's Rain.
* In *Magical Chronicle Lyrical Nanoha Force*, the first arc is set mostly on Ruwella, a pastoral world where a Government Conspiracy conducted secret experiments on Lily Strosek (a driving force of the plot). According to TSAB's catalogue, Ruwella is the "Administrated World #23".
12 Monkeys/Headscratchers

* I do understand the Stable Time Loop premise of the movie and all the things related to it, even the "insurance" woman at the end. But I just don't understand the meaning of the "Bob" guy and the prison guard who shows up on the escalator near the end. Were they time travelers too? And, if they were, how's the story of their travels? Or where they only fragments of Cole's imagination?
	+ My brother had this idea that the Bob guy started out as a time traveller, but ended up going back so many times that he became a "part of time" and could speak to Cole in any time or place, his memories were fragmented as a result.
		- Your brother's watched too much *Doctor Who*.
	+ My assumption has always been that the "insurance" scientist and accompanying guard are there to prevent wayward "volunteers" from bucking the system, as Bob apparently has. (And I don't mean the penal system, but the linear-time system.)
* The guy in the next cell. Well, maybe he's in the next cell. Maybe he's in the Central Office. Or maybe he's just in Cole's head. Well, which is it? And if he were just another "volunteer", why would he be fucking with Cole like that? Why for that matter if he's a spy?
2027/YMMV

* That One Boss: Magnus  at Mt. Weather, if he is hostile to you. He has an EMP aug that will disable rockets and grenades in his area, and can one shot kill you with his plasma gun. If he gets two other augmented soldiers to come out and help him, you'll also have to deal with them as well. The worst part is if you do manage to kill him, he explodes after death, and you can be very easily killed in the explosion.
1 vs. 100/YMMV

* Funny Aneurysm Moment: One questions was "Which one of these celebrities was charged with a DUI?", with Lindsay Lohan being an answer. The correct answer was Nick Nolte, as the episode was taped before Lindsay was charged.
* Funny Moments: See What an Idiot!, below.
* Padding: Not so much as *Deal or No Deal*, but still there in the NBC version.
* Surprisingly Improved Sequel: The Xbox version (technically Seasons 3-4) had the same format as the end of the NBC run (every ten Mob members eliminated moved you up the money ladder) with no padding, no cliffhangers, and very little stalling. In addition, *Extended Play* had several 2x Bonus Questions during each game and a 3x Bonus Question wrapping up each session.
	+ Season 2 of *Live* / *Extended Play* ("Season 4") managed to **improve** on this through a host of new features, including Achievements and a level-up system (the more {and better} you played, the more dance moves you unlocked and the better your chances of being selected for the One/Mob) — plus a new, larger set.
* They Changed It, Now It Sucks:
	+ The rules changed considerably throughout the NBC run, beginning with tweaks to the payout ladder and helps. Upon the beginning of Season 2, this was replaced by a money ladder system where the total value won increased for every ten players eliminated (a format carried over to the Xbox and GSN runs).
	+ The GSN version ("Season 5") has smaller prizes, the Mob being turned into just a video wall, and people thinking Carrie Ann's just as screamy as the *contestants*.
		- The smaller prizes and video wall were an unfortunate but necessary change, considering GSN doesn't have nearly a big enough budget to offer $1,000,000 prizes and the original NBC set took up multiple sound-stages. Why, though, GSN went for the Americanized walk-away format instead of the original European all-or-nothing format, I'll never know. Nobody (besides that dumb woman who walked with $100) is ever going to be tempted by anything but the largest prizes.
* What an Idiot!:
	+ One Mob member missed a question that essentially asked what a "#2 Dixon Ticonderoga" is, guessing a lunchbox instead of the right answer of a pencil. When asked to explain her guess, she figured that since "#2" is slang for a bowel movement, that "lunchbox" was slang for a *really big* bowel movement.
	+ One contestant, when asked if the US flag has more red stripes, white stripes, or the same number of each, polled the mob and asked how many said they had the same number. After seeing the low response, she said that she knew the flag had an odd number of stripes... essentially wasting the help.
	+ One question asked how many six-packs would get you 99 bottles of beer, with the choices being greater than, less than or exactly fifteen. The contestant used a help, claiming to not know much about beer. The question also knocked out a ton of mob members who, when interviewed, said they weren't beer drinkers either. That's great, but the question was a math problem!
2point4 Children

File:2point4ChildrenTitlecard.jpg
British comedy series that ran from 1991 to 1999.

Named after the then-average number of children in a British family — today it would probably be 1.8 Children.

The main characters were:

* Bill (Willemina) Porter, a caterer
* Ben Porter, her husband, a plumber
* Jenny, the daughter
* David, the son
* Rhona, a nymphomaniac Drop-In Character
* Christine, Ben's bad-tempered apprentice

The actress for Jenny was replaced in the third season. In the final season, the character was sent to university, and a new teenage child adopted.

The episodes could be very surreal — one ended up as a parody of *The Prisoner*. And Bill had numerous prophetic dreams given to her by her Spirit Advisor — a biker whom it turned out may have been Dead All Along due to a bike accident.

*2point4 children* is a prime example of Magic Realism. It was written by Andrew Marshall, whose former writing partner David Renwick was responsible for the more successful *One Foot in the Grave* (which was more like tragic surrealism).

Tropes used in *2point4 Children* include:
* Acting for Two - Bill's mother and aunt were played by the same actress
* Arc Words - Bill's recurring dream of a biker telling her to stay out of "MIA". The dream was cut short; it was supposed to say "Miami", where she was caught in a hurricane in a later episode.
	+ In fact MIA is the three-letter airport code for Miami International, and it only occurs in one or two episodes. Two points don't make an arc, although since the seasons are only six episodes long, two episodes is a sizeable chunk.
* Brand X - the video game *Ninja Badger*
* Casanova
* Christmas Episode - five of them!
	+ All of which end with a bizarre broadway-esque musical number.
* Cousin Oliver - Declan, the Porters' foster child, who was also a Suspiciously Similar Substitute for the departing Jenny.
* Cut Short - By the death of Ben's actor in 1999
* Dead All Along - It is strongly implied that Bill's mysterious motorcycle guy was this. Bill sees his obituary in a stack of old newspapers she was going to throw away.
	+ The end of the first episode of the second series shows a TV news report (which Bill misses, due to being asleep) reporting on the accident that killed him. This implies he was alive during the first series.
* Disaster Dominoes
* Dom Com
* Drop-In Character
* Gender Blender Name - Bill (full name Willemena)
* Homage
* Magic Realism
* The Other Darrin - Jenny was first played by Georgina Cates and then by Clare Buckfield.
	+ Declan was played by Mitchell Ray in his first appearance, and by Alex Kew when he became a regular character.
* Sitcom Arch Nemesis (Jake the Klingon)
* Special Edition Title - for the Christmas episodes.
* Spiritual Successor - Considered by some to have paved the way for the similarly-themed *My Family*.
* Suspiciously Similar Substitute
* Why Do You Keep Changing Jobs?: Dawn, the "per-son-al ben-ker" later resurfaces as an equally deranged and annoying loan officer.
2010: The Year We Make Contact/Tear Jerker

* Dave Bowman's visitation to his ex-wife and his mother.
* HAL thanking Chandra for telling the truth, followed by HAL, just before death, essentially asking Chandra if there is an afterlife, followed by the touching exchange between HAL and Dave:

> **HAL-9000:** What is going to happen?
>
>
> **Dave:** Something wonderful.
> **HAL-9000:** I'm afraid.
> **Dave:** Don't be. We'll be together.
> **HAL-9000:** Where will we be?
>
>
>
> **Dave:** Where I am now.
>
>

* In the movie, the death of Max Brailovsky. What sells it is Curnow's breakdown:

> **Curnow:** "You stupid bastard, get out of there!"
>
>
28 Days Later/Funny

* Stoned Hannah, interrupting Selena and Jim's kiss by hitting Jim over the head with a bottle, believing he was biting Selena rather than kissing her.
* The whole bit in the grocery store, particularly Frank eying the one section of apples that hasn't gone rotten and saying, "Mmmm...irradiated."
* Jones fighting the infected in a frilly pink apron. Makes me giggle.
* Jim encouraging Frank to let his daughter take a sleeping pill:

> "Come on, let her live a little."
>
>

* The soldiers trying to get the rage zombie off the roof of the car by driving in circles.
* Jim's hilarious facial "DAMN!!!" facial expression when Selena leaves the room after kissing him.
* When the cab drives away from the tunnel, one of the infected tries to chase it anyway for a while before slowing down and slouching. You can practically hear them thinking "Aw, man..." Maybe next time, buddy!
* Your Mileage May Vary, but this troper busted a gut when Jim jumped at the sound of that car alarm.
127 Hours/YMMV

* Alternative Character Interpretation - Is Aron a hero who exemplifies the strength of the human will to survive, an idiot who paid a very dear price for a stupid mistake, or both at once?
* Crowning Moment of Awesome - Aaron freeing himself from the rock.
* Crowning Music of Awesome - Festival by Sigur Ros springs to mind. The music alone makes the last scene of the movie extremely touching, heartwarming and awesome all at the same time. Catharsis, indeed.
* Hell Is That Noise - Watch out for the horrible sounds that play when Aron touches the nerve in his forearm, and when he snaps his radius and ulna. This second sound was augmented by being mixed with the sound of *a gun shot*.
* Nausea Fuel - Yes, Aron is eventually forced to drink his own urine.
	+ Is this a bad time for a better drink my own piss joke?
	+ After he frees himself, he's so desperate for water that he drinks water from a stagnant pool with tons of dead bugs in it.
24/Quotes

> *Espionage in the LA scenes*
>
>
> Where most times the ends, they justify the means
>
> And ever since late 2001
>
> You'll see Real Time flies when you're under the gun.
>
>
>
> Counter Terrorist Unit Agent Jack Bauer
>
> Often needs a shave and probably a shower.
>
> Buchanan's the director of Field Operations,
>
> Almeida is Tactical, Michelle's Communications.
>
>
>
> Edgar's an egghead and Chloe is snarky
>
> And Morris is British and full of malarkey.
>
> But I might be wrong 'cause they always change stations
>
> Due to sudden promotions or exterminations.
>
>
>
> But aided by their digital clock and stanza
>
> They're building up tension when commercials do pass.
>
> Never before has right wing propaganda
>
> Disgusied as entertainmennt **kicked so much ass**!
>
> COME ON!
>
>
> JACK BAUER!
>
> HE'S GOT THE POWER!
>
> MINUTE BY MINUTE
>
> AND HOUR AFTER HOUR!
>
>
>
> HE'S HARDCORE!
>
> GONNA STOP THE WAR!
>
> AND HE AIN'T GONNA QUIT
>
>
>
>
> 'TILL HE HITS 24!
>
>

> *Goodbye 24*
>
>
> though I never watched you on TV
> I missed on episode
> had to buy the DVD
>
>
>
> And Jack saved the day
>
> he saved our lives
>
> when the show came to an end
>
> never going to the mens room
>
> how did he hold it in?
>
>
>
> Now I would like to thank you
>
> for all the torturin’
>
> that Jack and Chloey and CTU
>
>
>
>
> and the first black president
>
>
2000 AD/YMMV

* Dork Age: The 90s is generally seen as a low point.
* Ensemble Darkhorse: Both *Sinister Dexter* and *Nikolai Dante* appeared in the late 90s and shot to a popularity rivaling that of the top classic strips. In more detail:
	+ *Sinister Dexter* went through a period where it appeared twice in each prog, and the finale of its "Eurocrash" story took up the whole of prog 1139, even forcing out *Judge Dredd*.
	+ *Nikolai Dante* managed to get on the cover of Prog 2000 (see page image) after just three years, ahead of such popular classic characters as Sam Slade, Sláine, and Hamerstein.
21 (2008 film)/Headscratchers

* They use their little gestures and code to tell each other when a table is hot, what to do next and so on, but given that they're doing it discreetly and with the aim of it being undetectable, why do something like cross your arms behind your back? It's a pretty obvious thing for anyone who's watching them. But then again, not a film to be taken too seriously, I suppose...
	+ I think that they over-exaggerated the gestures for the movie and the audience, hence the super obvious eye contact and practically slow motion gestures. That's just what I always thought anyways.
	+ These were all gestures from Bringing Down The House, they probably dramatized in the film for emphasis but the book specifically mentions these exact cues.
Oli Mann

**Oliver (Oli) Mann** is the creation of a mad scientist. They're made with body parts of other people.

## Appearance

Oli's design is mostly made up of circles. Their color palette consists of reds, greens and blacks.

They have short, black hair styled out of their face. Their skin is stitched together, some parts more rotten than others. They have heterochromia, with one green eye and one brown eye. Their head is stitched onto their body and held together by bolts, which give them power. They have a round face and a narrow, angled nose and bushy, angled eyebrows.

They typically wear a red jacket with a light red t-shirt and black pants. They wear black slip-on shoes as well.

## Trivia

* Oli is expression ambiguous.
* Oli's birthday is April 8.

## Gallery

Concept Sketches of OliConcept Ref for OliOli with the main monsters
21 Grams

File:NoImage.png

***21 Grams*** is a 2003 American drama film directed by Alejandro González Iñárritu and written by Guillermo Arriaga. It stars Sean Penn, Naomi Watts, Danny Huston, and Benicio del Toro.

Like Arriaga's and González Iñárritu's previous film, *Amores Perros* (2000), 21 Grams interweaves several plot lines, around the consequences of a tragic automobile accident. Penn plays a critically ill academic mathematician, Watts plays a grief-stricken mother, and del Toro plays a born-again Christian ex-convict whose faith is sorely tested in the aftermath of the accident.

21 Grams is presented in a non-linear arrangement where the lives of the characters are depicted before and after the accident. The three main characters each have 'past', 'present', and 'future' story threads, which are shown as non-linear fragments that punctuate elements of the overall story, all imminently coming toward each other and coalescing as the story progresses.

Tropes used in *21 Grams* include:
* Abusive Parents: In an establishing moment, Jack not only lets his son hit his daughter but forces to her to take another hit, quoting scripture. Then hitting his son for his act to begin with.
* The Atoner: Deconstructed with Jack. He genuinely wants to do good and atone for his actions but comes across as condescending, hypocritical and selfish, not really thinking how his actions will affect his family.
* Fake American: Naomi Watts as Christina.
* Heel Faith Turn - Jack Jordan (Benicio del Tor), but whether he's really better than before becomes a critical question of the film.
* He Really Can Act: Naomi Watts is the most surprising of the trio (Having mostly done small projects beforehand) but Benicio Del Toro arguably gives the best performance (He had already won an Oscar so wheter it counts is up for debate).
* Holier Than Thou: Jack.
* Billy Needs an Organ - Paul Rivers (Sean Pean)
* Off the Wagon - Christina Peck (Naomi Watts)
* Stalker with a Crush - Paul follows Christina around for a while without revealing how he knows her.
* Tear Jerker: Many moments but Christina's plea for Paul to help murder Jack stands out.
* Anachronic Order