Drama

**Drama** is a one of the most powerful *Sin-Eater's* known in the modern *Bound* society. His life is shrouded in mystery and his intentions an enigma, not even his closest friends knowing or even understanding his drive. As of late he seems to be content functioning as the in-between merchant of the mundane world and *The Underworld*. Selling various types of *Mementos* to anyone who would be interested in them.

## **Speculation**

> *"I am. Who I am."*
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With the lack of any documentation or even people who would be able to talk about Drama's past, all the *Bounds* can do is speculate who he is, what he does and why he does the things he does. Where the only comment he ever said about any of these stories, here-says, gossips and myths is his "amusement about the creative imagination they present."

#### *Brody's Speculation*

*Brody Bearthorne* believes that Drama is actually much-much older than anyone would dare to imagine. Basing his thoughts of the fact that he shows very obsolete style of speech while upholding grandiose theatrics towards his demeanor. That coupled with his extensive knowledge of medieval customs, especially Venetian etiquette, information that would require to find very specific ghosts within *The Underworld*. He believes that it is all just too perfectly put together to just simply be a farce. And if it is, then Drama jumped through a lot of hoops and spent immense time to hide away his actual persona behind the theatrical being he present himself.

#### *Jefferson's Speculation*

*Carl Jefferson* thinks that the biggest mystery about him is what we ourselves create upon him. Both for his amusement and probably for another reason, as he finds it very unlikely that such a powerful *Bound* would need to hide away who they are, and a very uncharacteristic trait that most if not no actual *Sin-Eaters* possess. It is within the nature of *The* *Bound* to seek some sort of greatness, redemption and excess. So Drama's nature is a very calculated game, where it may be in the likes of the nature that the *Geists* posses. Malleable beings which can be shaped by perspective and the legends others associate them with. *Jefferson* thinks that is somehow where Drama gains his immense power, though it is mere speculation from his part.

#### *Spencer's Speculation*

*Carlo "Buddy" Spencer's* idea about Drama is a bit more grounded in faith and enlightenment. He believes that Drama is a *Sin-Eater*, who like *St. Marcus* is about to reach a synergistic alliance between body, *Geist, Psyche* and *The Underworld* that will cause him to ascend to a level of spirit which is rather elusive and hard to describe. Though many people simply call *St. Marcus* a *Geist*, *Spencer* believes that he is much more than what meets the eye. And maybe, just maybe, Drama is about to understand what exactly that is.

## **Terminology**

There are a few special terms that Drama likes to use to describe some things that may leave the uninitiated a bit stunted. These phrases and terms are to describe things that many *Sin-Eaters* most likely did not see yet, and if lucky enough, do not have to in some cases.

* **Chained -** A *Bound* whose *Psyche* has become too powerful and their body and *Geist* have a demand to spend some time in *The Underworld*.
* **Unchained -** *Bounds* whose body don't demand the cravings of *The Underworld.*
* **Stygians -** A ghost whose powers surpass that of *Geists* and are driven mad by the lack of senses from when once they were human. Ephemeral beings of basic carnal drives which wish to siphon life out of the living to feel or remember anything from.
* **Lost Manifestations / Arcanums -** *Manifestations* long lost to the *Lower Mysteries* of *The Underworld.* Powers no *Bound* can learn from any mentor, but has to experience and claim through the influence of *The Underworld.*

## **Powers**

> *"Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure." - Marianne Williamson*
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Drama is one of the most powerful *Sin-Eater* in the modern nights of New York, the whole of America, and the world at large. His influence is so grandiose that his use of *Plasm* makes *Fresh Slabs* cringe if they were introduced to the night recently. To the *Sin-Eater* society, he is untouchable. Yet, compared to the whole schemes and picture of *The Underworld*. He is still a small pebble. Something he doesn't let anyone forget about. There is always something more powerful, and everyone should respect that which whence their power comes from.