recursal/Fanatic-Fandom huggingface dataset:
Invisible Touch

***Invisible Touch*** is the thirteenth studio album by Genesis. Originally released on 6 June 1986 on Charisma Records and Virgin, it spawned some of the band's well know later hits, such as title track, as well as "Land of Confusion" "In Too Deep", "Tonight, Tonight, Tonight" and "Throwing It All Away".

## Track listing

All music by Tony Banks/Phil Collins/Mike Rutherford.

### Side one

1. "Invisible Touch" (lyrics: Phil Collins) – 3:27
2. "Tonight, Tonight, Tonight" (lyrics: Phil Collins) – 8:53
3. "Land of Confusion" (lyrics: Mike Rutherford) – 4:45
4. "In Too Deep" (lyrics: Phil Collins) – 4:58

### Side two

1. "Anything She Does" (lyrics: Tony Banks) – 4:07
2. "Domino" (lyrics: Tony Banks) – 10:42
	* "In the Glow of the Night" – 4:27
	* "The Last Domino" – 6:15
3. "Throwing It All Away" (lyrics: Mike Rutherford) – 3:49
4. "The Brazilian" (instrumental) – 4:49

## Sources

* Aldous, S. (2020). *The songs of Genesis: A complete guide to the studio recordings*. Jefferson, NC: McFarland & Company,.
The Way We Walk, Volume Two: The Longs

***The Way We Walk, Volume Two: The Longs*** is the fifth live album by Genesis, released on 11 January 1993. Recorded during their We Can't Dance Tour, it's a continuation of *The Way We Walk, Volume One: The Shorts* album, containing their longer tracks.

## Track listing

All tracks by Tony Banks/Phil Collins/Mike Rutherford, except where noted.

1. "Old Medley" – 19:32
	* "Dance on a Volcano" (Banks/Collins/Steve Hackett/Rutherford)
	* "The Lamb Lies Down on Broadway" (Banks/Collins/Peter Gabriel/Hackett/Rutherford)
	* "The Musical Box" (Banks/Collins/Gabriel/Hackett/Rutherford)
	* "Firth of Fifth" (Banks/Collins/Gabriel/Hackett/Rutherford)
	* "I Know What I Like (In Your Wardrobe)" (Banks/Collins/Gabriel/Hackett/Rutherford)
2. "Driving The Last Spike" – 10:18
3. "Domino" – 11:21
	* Part I - In the Glow of the Night
	* Part II - The Last Domino
4. "Fading Lights" – 10:55
5. "Home by the Sea/Second Home by the Sea" – 12:14
6. "Drum Duet" (Collins/Chester Thompson) – 6:06

## Sources

* Aldous, S. (2020). *The songs of Genesis: A complete guide to the studio recordings*. Jefferson, NC: McFarland & Company,.
Congo

## from *Calling All Stations*

**"Congo"** is the second track on the Genesis 1997 *Calling All Stations*.

## History

Released as a single, it is the most commercial song on the album. Originating from a loop by Tony Banks it contains different musical fragments, slightly slowed down. Ray Wilson commented: "The single 'Congo' has never been my favorite song [...] It is a bit too quirky for me and I think there are better alternatives, but the idea was that they wanted to establish the band in rock radio, you know."

## Charts

The single was released in CD format only in two versions. It also included the non-album tracks "Papa He Said" and "Banjo Man". The song reached #29 on the UK Singles chart. In the U.S. it was released only as a promo CD single to radio stations.

## Music video

The official music video was filmed in Malta by Howard Greenhalgh. It depicted a scene of slave labor with the band dressed in long black coats and wearing sunglasses.

The song was played during the 1998 shows. While no officially released live recordings from this tour exist, the video version is still included with the Katowice (Poland) broadcast (also available as a bootleg).
Smarty Pants

## Item Functionality

The first opponent to get hit with it will fall under the "Want It Need It" spell which will distract him/her from the fight if you or a non-effected throws it around. The spell will be broken if Smarty Pants gets thrown out of the stage or despawns.

## Inspiration

In the My Little Pony: Friendship is Magic episode, Lesson Zero, Twilight Sparkle tries to make the Cutie Mark Crusaders have a friendship problem over her doll. When it doesn't work, Twilight uses a spell on Smarty Pants to make them fight over it
Three Sides Live

***Three Sides Live*** is the third live album by Genesis, released on 4 June 1982. The band toured *Abacab* in 1981 and followed up with this album, a year later. This time they wanted to document the 1978–1981 period, which saw them transitioning in their sound as they reduced to a trio. *Three Sides Live* was also released as a film.

## Track listing

All songs written by Tony Banks, Phil Collins, and Mike Rutherford, except where noted.

### Side one

1. "Turn It on Again" – 5:16
	* *Nassau Coliseum, Long Island NY 29 Nov 1981*
2. "Dodo" – 7:19
	* *National Exhibition Centre, Birmingham 23 Dec 1981*
3. "Abacab" – 8:47
	* *National Exhibition Centre, Birmingham 23 Dec 1981*

### Side two

1. "Behind the Lines" – 5:26
	* *Nassau Coliseum, Long Island NY 29 Nov 1981*
2. "Duchess" – 6:43
	* *Nassau Coliseum, Long Island NY 29 Nov 1981*
3. "Me and Sarah Jane" (Tony Banks) – 5:59
	* *National Exhibition Centre, Birmingham 23 Dec 1981*
4. "Follow You Follow Me" – 4:58
	* *Lyceum Ballrooms, London 06 May 1980*

### Side three

1. "Misunderstanding" (Phil Collins) – 4:06
	* *Savoy Theatre, New York NY 28 Nov 1981*
2. "In the Cage (Medley - Cinema Show/Slippermen)" (Tony Banks/Phil Collins/Peter Gabriel/Steve Hackett/Mike Rutherford) – 11:53
	* *National Exhibition Centre, Birmingham 23 Dec 1981*
3. "Afterglow" (Tony Banks) – 5:14
	* *National Exhibition Centre, Birmingham 23 Dec 1981*

### Side four

1. "One for the Vine" (Tony Banks) – 11:04
	* *Theatre Royal Drury Lane, London 05 May 1980*
2. "The Fountain of Salmacis" (Tony Banks/Phil Collins/Peter Gabriel/Steve Hackett/Mike Rutherford) – 8:37
	* *Recording date/place listed as The Summit, Houston TX 22 Oct 1978*
3. "It/Watcher of the Skies" (Tony Banks/Phil Collins/Peter Gabriel/Steve Hackett/Mike Rutherford) – 7:22
	* *Apollo Theatre, Glasgow, Scotland 08 Jul 1976*

### North American edition, Side Four

1. "Paperlate" (Banks, Collins, Rutherford) – 3:20
2. "You Might Recall" (Banks, Collins, Rutherford) – 5:31
3. "Me and Virgil" (Banks, Collins, Rutherford) – 6:20
4. "Evidence of Autumn" (Banks) – 4:57
5. "Open Door" (Rutherford) – 4:06

## Personnel

Adapted from the album 1982 liner notes.

**Genesis**

* Phil Collins – drums, lead vocals
* Tony Banks – keyboards, backing vocals
* Mike Rutherford – guitar, bass guitar, backing vocals
* Steve Hackett – guitar ("*it.*"/"Watcher of the Skies")

**Other musicians**

* Daryl Stuermer – guitar, bass
* Chester Thompson – drums, percussion
* Bill Bruford – drums ("*it.*"/"Watcher of the Skies")

**Production**

* Genesis – production
* David Hentschel – engineering ("Follow You Follow Me", "One for the Vine", "The Fountain of Salmacis", "*it.*"/"Watcher of the Skies")
* Geoff Callingham – technical engineer (all the other tracks)
* Craig Schertz – sound engineer
* Bill Smith – cover
* Martyn Goddard – photography

## Sources

* Aldous, S. (2020). *The songs of Genesis: A complete guide to the studio recordings*. Jefferson, NC: McFarland & Company,.
Fastener

"Fastener!"

## Differences

He's a bit faster than Chuck and his attacks are quicker, But he's lighter and can get launched easily.

## Special Attacks

### Neutral B - Blender

Fastener will pull out a blender which will suck in an opponent within his radius. Fastener will trap the opponent in the blender and do constant damage to him/her. Fastener can even blend up projectiles too. Only one opponent can get sucked into the blender. To put it away, Press B again.

### Side B - Extra-Spicy Chip

Fastener will snack on some extra spicy chips similar to Chuck, But the flame will shoot Fastener backwards, Acting sort of like a sideways recovery. The opponents can eat the chips too.

### Up B - Fastener-Cutters

Fastener will lunge upwards diagonally while swiping at opponents with his cutter arms. Press B to make a string trap midair.

### Down B - Hell's Fire

Similar to Chuck's lightning except opponents will be burnt for 3 seconds. The fire can shield solid projectiles too.

### Final Smash - True Form

Fastener will reveal his true form and glide into opponents three times before turning back to normal.

## KOSFX

KOSFX1: (Screams)

KOSFX2: (Gags)

Star KOSFX: (Screams)

## Taunts

Up: (Giggles)

Sd: (Pulls a string from his cutters)

Dn: (Shows a question mark over his head)

## Victory Options+Failure/Clap

Victory 1: (Jumps to the screen) "Fastener!"

Victory 2: (Giggling while holding an apple)

Victory 3: (Etches the Lawl logo with his strings)

Lose/Clap: (Lying down with his head zipper open)

## Standard Attacks

### Ground Attacks

* Neutral Attack - Cutter swipe
* Dash Attack - Kick
* Forward tilt - Stab
* Up tilt - Jumps
* Down tilt - ???
* Side Smash - Stab
* Up Smash - ???
* Down Smash - Etches a string trap.

### Aerial Attacks

* N-Air - ???
* F-Air - Kick
* B-Air - ???
* U-Air - ???
* D-Air - ???

### Throws

* Grab - Cutters
* Pummel - ???
* Forward Throw- ???
* Back Throw - ???
* Up Throw - ???
* Down Throw - Elbows the opponent

### Other Attacks

* Ledge attack: ???
* 100% ledge attack: ???
* Front attack: ???
* Back attack: ???
* Trip attack: ???

## Extra

### Pawlette Swaps

* Default (R)
* Chuck colors (G)
* White
* ???

## Trivia

* Fastener was originally going to be an Assist Trophy

## Video

**Plagiarize Fighters**:

**Unlockables**:

**DLCs**:
Emo Peter | Charlie Magne | Jeff the Killer | Blitzø
Genesis

**Genesis** are an English band formed in 1967 at Charterhouse School, Godalming, Surrey by Tony Banks, Mike Rutherford, Peter Gabriel and Anthony Phillips.

They've started as a progressive rock band, before membership changes brought some transformation in their sound. They were named Genesis by former Charterhouse student, Jonathan King, who also heard their demo tape and arranged for the group to work in the studio. In December of 1967 they recorded their debut single, "The Silent Sun", released in February 1968. Their second single, "A Winter's Tale" followed, but neither had any commercial success or public acknowledgement. Chanhing a couple of drummers during this period, Chris Stewart and John Silver they've built their sound upon some pastoral and progressive aesthetics, primarily with acoustic guitar and piano. Their debut album *From Genesis to Revelation* was released in March 1969 — again, lacking some larger press coverage and public attention. Reforming in 1969 they've started developing a new sound and looking for a new ground, with the new drummer John Mayhew.

Becoming one of the first groups signed to the new Charisma label, founded by Tony Stratton-Smith, they've recorded their second album, *Trespass*, released in October 1970. It would show some first signs of the band that Genesis would further become. Sstill folk-based, the music was more complex and the song "The Knife" became a concert staple.

Mayhew soon left and was finally replaced by Phil Collins, a teenage actor recently involved with Flaming Youth. For some time they've worked with Phillips, but he finally got replaced byt the next album, *Nursery Cryme* by Steve Hackett, sharing some guitar parts with Rutherford.
Wind & Wuthering

***Wind & Wuthering*** is the eighth studio album by Genesis. Originally released on 17 December 1976 on Charisma Records, it is the band's last full studio album to feature guitarist Steve Hackett.

## Track listing

### Side one

1. "Eleventh Earl of Mar" (Tony Banks, Steve Hackett, Mike Rutherford) – 7:41
2. "One for the Vine" (Banks) – 10:00
3. "Your Own Special Way" (Rutherford) – 6:19
4. "Wot Gorilla?" (Banks, Phil Collins) – 3:19

### Side two

1. "All in a Mouse's Night" (Banks) – 6:37
2. "Blood on the Rooftops" (Hackett, Collins) – 5:27
3. "Unquiet Slumbers for the Sleepers..." (Hackett, Rutherford) – 2:23
4. "...In That Quiet Earth" (Hackett, Rutherford, Banks, Collins) – 4:50
5. "Afterglow" (Banks) – 4:12

## Sources

* Aldous, S. (2020). *The songs of Genesis: A complete guide to the studio recordings*. Jefferson, NC: McFarland & Company,.
Shipwrecked

## from *Calling All Stations*

**"Shipwrecked"** is the third track on the Genesis 1997 *Calling All Stations*.

## History

Starting with the radio tuning sound the songs transforms into a slow guitar riff, with some added keyboards. First started with a working title "1965" it is built around the theme of isolation, backed by some Banks' loops, sampled from Mike Rutherford's guitar riff (which actually originated from Mike's "Anything Now".

Banks:

> We were a bit stuck with some of the elements in it so what we did was overdub slowed down guitars on it to make the riff itself a bit more prominent, but we still couldn't get it as good as the original loop, so the original loop is quite loud.
>
>

Banks wasn't too happy with the lyrics and the vocal melody developed by Mike, so he created his own second melody. The final version of the song includes a mix of two versions. Initially included in the set lists the song was later dropped from the shows. Still it was released as a single on 1 December 1997, later peaking at #54 on the UK singles chart. It was also accompanied by a promo video, based around a story of girl isolating from everything around her.
Genesis (album)

## *Genesis*

***Genesis*** is the twelfth and self-titled studio album by Genesis. Originally released on 3 October 1983 on Charisma Records, it was one of the band's most successful studio efforts. Further changing their musical direction, the band have charted with singles like "Mama", "That's All", "Home by the Sea" and "IIlegal Alien".

## Track listing

All songs by Tony Banks/Phil Collins/Mike Rutherford.

### Side one

1. "Mama" – 6:46
2. "That's All" – 4:22
3. "Home by the Sea" – 4:46
4. "Second Home by the Sea" - 6:22

### Side two

1. "IIlegal Alien" – 5:12
2. "Taking It All Too Hard" – 3:54
3. "Just a Job to Do" – 4:44
4. "Silver Rainbow" – 4:27
5. "It's Gonna Get Better" – 5:00

## Sources

* Aldous, S. (2020). *The songs of Genesis: A complete guide to the studio recordings*. Jefferson, NC: McFarland & Company,.
The Great & Powerful Trixie

## Trixie Lulamoon

"Come one, come all! Come and witness the amazing magic of the Great and Powerful Trixie!"

### Debut

My Little Pony: Friendship is Magic Boast Busters (2010)

### Friends

Princess Twilight
Starlight Glimmer
Raquelle
Toon Sabrina
70's Sabrina

### Rival(s)

Princess Twilight
Starlight Glimmer

## On-Screen Appearance

### Great and Powerful Entrance

Trixie appears from a magical puff of smoke

## Special Attacks

### Side B - Card Trick

Trixie will show some cards. She'll pick a card and use a move with it if you press B. Press A to make Trixie shake her head so she can choose a different card. Here are the cards:

* Heart - Heals Trixie 8% Damage
* Diamond - Acts like a sharp projectile
* Club - Gives the opponent high damage, But low knockback
* Spade - Gives the opponent little damage, But high knockback
* Joker - Puts a flower on the opponent's head like Lip's Stick

### Up B - She's Gone!

Trixie will activate a smoke bomb that can blind opponents for a second. The opponent with the lowest IQ will think she actually disappeared. But Trixie actually got an upward boost. This is much like Sheik's Up B except Trixie only goes upwards

## KOSFX

KOSFX1: "No!"

KOSFX2: "Trixie has fallen!"

Star KOSFX: (Screams)

## Taunts

Up: "Is there anything you can do, that the great and powerful Trixie can't do?"

Sd: "Voila!"

Dn: (Laughs)

## Victory Options+Failure/Clap

Victory 1: "The Great and Powerful Trrrrrrixie!..." (Holds up a coin) "Needs some Peanut Butter Crackers!"

Victory 2: (Winks) "Wink!"

Victory 3: (Activates a smoke bomb as if she's disappearing but she actually is running off to the right)

Victory 4: (Against Princess Twilight) "Now you'll leave Ponyville FOREVER!"

Victory 5: (With Princess Twilight Sparkle) ???

Victory 6: (Against Starlight Glimmer) "I'm Sorry!"

Victory 7: (With Starlight Glimmer) (Both sing "Friendship Bound")

Victory 8: (Against Raquelle) "Look who is more great and powerful now!"

Lose/Clap: Trixie has fallen!

## Standard Attacks

### Ground Attacks

* Neutral Attack - ???
* Dash Attack - Thrust
* Forward tilt - ???
* Up tilt - ???
* Down tilt - ???
* Side Smash - ???
* Up Smash - ???
* Down Smash - ???

### Aerial Attacks

* N-Air - ???
* F-Air - ???
* B-Air - ???
* U-Air - ???
* D-Air - ???

### Throws

* Grab - Levitation
* Pummel - ???
* Forward Throw- Shoots a magic beam
* Back Throw - ???
* Up Throw - ???
* Down Throw - ???

### Other Attacks

* Ledge attack: ???
* 100% ledge attack: ???
* Front attack: ???
* Back attack: ???
* Trip attack: ???

## Extra

### Pawlette Swaps

* Default
* Sunset Shimmer colors (R)
* Sunburst colors
Rarity

"And that's the art of the dress."

## Special Attacks

### Neutral B - Gems

Rarity will summon 3 gems that will float around her. Press B to shoot a gem. If Rarity gets hit, all her gems fall. Opponents can pick up the gems and throw them around. If Rarity uses the move again, The gems on the floor will disappear.

### Up B - Butterfly Wings

Fake wings will appear on Rarity's back and she'll fly upward after jumping or doing the move in the air. The wings will instantly disintegrate against fire attacks or if Rarity flies around for too long.

## K.O. Sounds

KO1: "WAHAHAAA!"

KO2: "AAAGH!"

StarKO: (Screams)

## Taunts

Up: (Giggles)

Side: ???

Down: ???

## Victory Options

Victory1: (Flies with her wings as she does a cheerful laugh)

Victory2: ???

Victory3: (Shows off her tiara)

Lose: (Lying down, Wallowing in self-pity)

## Other Attacks

### Basic Attacks

* AAA Combo- Smack 2 times
* Dash Attack- Kick

### Tilt Attacks

* Side- Butt Slam
* Up- Horn stab
* Down- Shin punch

### Smashes

* Side- Screams "NO SPOILERS!"
* Up- Kick Upward
* Down- Spreads the wings of her Swan Car

### Aerials

* N-Air - Spin
* F-Air - ???
* B-Air - Faint
* U-Air - Upward kick
* D-Air - ???

### Grabs, Throws

* Grab- Grabs with magic
* Pummel- Horn stab
* Forward- Throws opponent forward and shoots magic
* Back- Throws opponent back and shoots magic
* Up- ???
* Down- ???

### Others

* Ledge attack: ???
* 100% ledge attack: ???
* Front attack: ???
* Back attack: ???
* Trip attack: ???
Abacab

***Abacab*** is the eleventh studio album by Genesis. Originally released on 18 September 1981 on Charisma Records, it saw the band experimenting with different musical directions and it's notable for being recorded at The Farm — a studio the band acquired for their future recordings.

## Track listing

All songs by Tony Banks/Phil Collins/Mike Rutherford, except where noted.

### Side one

1. "Abacab" – 6:56
2. "No Reply at All" – 4:40
3. "Me and Sarah Jane" (Tony Banks) – 6:00
4. "Keep It Dark" – 4:32

### Side two

1. "Dodo/Lurker" – 7:30
2. "Who Dunnit?" – 3:23
3. "Man on the Corner" (Phil Collins) – 4:27
4. "Like It or Not" (Mike Rutherford) – 4:57
5. "Another Record" – 4:29

## Sources

* Aldous, S. (2020). *The songs of Genesis: A complete guide to the studio recordings*. Jefferson, NC: McFarland & Company,.
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Foxtrot

***Foxtrot*** is the fourth studio album by Genesis, released on 6 October 1972.

## Track listing

All songs written by Tony Banks, Phil Collins, Peter Gabriel, Steve Hackett and Mike Rutherford.

### Side one

1. "Watcher of the Skies" – 7:21
2. "Time Table" – 4:45
3. "Get 'Em Out by Friday" – 8:36
4. "Can-Utility and the Coastliners" – 5:44

### Side two

1. "Horizons" – 1:39
2. "Supper's Ready" – 22:54
	* (I) "Lover's Leap"
	* (II) "The Guaranteed Eternal Sanctuary Man"
	* (III) "Ikhnaton and Itsacon and Their Band of Merry Men"
	* (IV) "How Dare I Be So Beautiful?"
	* (V) "Willow Farm"
	* (VI) "Apocalypse in 9/8 (co-starring the delicious talents of Gabble Ratchet)"
	* (VII) "As Sure As Eggs Is Eggs (Aching Men's Feet)"
A Trick of the Tail

***A Trick of the Tail*** is the seventh studio album by Genesis. Originally released in January 1976 on Charisma Records, it is the band's first album to feature Phil Collins as lead vocalist. Critically and commercially successful, it charted both in UK and US.

## Track listing

### Side one

1. "Dance On A Volcano" (Tony Banks/Phil Collins/Steve Hackett/Mike Rutherford) – 5:54
2. "Entangled" (Tony Banks/Steve Hackett) – 6:27
3. "Squonk" (Tony Banks/Mike Rutherford) – 6:27
4. "Mad Man Moon" (Tony Banks) – 7:34

### Side two

1. "Robbery, Assault And Battery" (Tony Banks/Phil Collins) – 6:16
2. "Ripples" (Tony Banks/Mike Rutherford) – 8:04
3. "A Trick Of The Tail" (Tony Banks) – 4:35
4. "Los Endos" (Tony Banks/Phil Collins/Steve Hackett/Mike Rutherford) – 5:47

## Sources

* Aldous, S. (2020). *The songs of Genesis: A complete guide to the studio recordings*. Jefferson, NC: McFarland & Company,.
Looking for Someone

7" promo single

## from *Trespass*

**"Looking for Someone"** is the first track on the Genesis second studio album, *Trespass*.

## History

The song originated from the music written ahead of and used for the *Genesis Plays Jackson* sessions for the BBC under the title "Provocation" (years later included in the *Genesis 1970–1975* box). It developed from an idea from Peter Gabriel, but it is also an example of how the band would develop songs on the road. Initially running at around thirteen minutes, the song was reduced to half that length before the album was finished. It begins with Gabriel calling out the title, delivering a powerful vocal performance of these lyrics, describing a journey of self-discovery. During this intro, Peter is accompanied only by Tony Banks' organ, before leading the band into a song that brings together elements of both soul and folk. The recording demonstrates how the band had started to work by joining various pieces they had written before. The resulting structure includes various shifts in tempo and mood. John Mayhew recalled, "we got stuck with 'Looking for Someone' and could not decide which direction to go in, and so one evening we said: 'That’s it, enough. We’ll go upstairs, just listen to some music and have a rest'. A couple of hours later we came downstairs, the blockage was past and we went on and finished the song.".

The first section was developed from a piece Gabriel had written with just piano and vocal. The song then goes through a series of changes, with some folk-inspired elements. At about 4:30, some chords and vocals flow into a section where Banks brings out some organ riffs and Anthony Phillips provides some powerful electric guitar runs, but Mayhew’s drums tend to race away during these faster sections.

## Single release

The song was never officially released as a single for the retail format, but a promo UK Single backed wit "Visions of Angels" (Charisma. GS1/GS2) was circulated to help promote the release of *Trespass*. In the U.S., a single-sided acetate pressing of the song was distributed to the radio stations.

## Live performances

The band played the song in 1969/1970/1971. It was never performed on any subsequent tour.

## Live recordings

No officially released live recordings available.

## Sources

* Aldous, S. (2020). *The songs of Genesis: A complete guide to the studio recordings*. Jefferson, NC: McFarland & Company,.

## Notes and references

1. ↑ Reed, Ryan. "20 Insanely Great Genesis Songs Only Hardcore Fans Know", Rolling Stone, 10 October 2014. Retrieved 1 March 2019.
Duke

***Duke*** is the tenth studio album by Genesis. Originally released on 28 March 1980 on Charisma Records, it coincided with Phil Collins' first marriage failure and the releases of the first solo albums by Tony Banks and Mike Rutherford. Most of the new material for the band's next effort was recorded during some jam sessions, in 1979.

The album ended up being a commercial success, with the three singles becoming hits: "Turn It On Again", "Duchess" and "Misunderstanding".

## Track listing

All songs written by Tony Banks, Phil Collins and Mike Rutherford, except where noted.

### Side one

1. "Behind the Lines" (Lyrics: Mike Rutherford) – 5:31
2. "Duchess" (Lyrics: Tony Banks) – 6:26
3. "Guide Vocal" – (Banks) 1:35
4. "Man of Our Times" (Rutherford) – 5:34
5. "Misunderstanding" (Collins) – 3:13
6. "Heathaze" (Banks) – 4:59

### Side two

1. "Turn It on Again" (Lyrics: Mike Rutherford)– 3:50
2. "Alone Tonight" (Rutherford) – 3:56
3. "Cul-de-sac" (Banks) – 5:05
4. "Please Don't Ask" (Collins) – 4:01
5. "Duke's Travels" – (Lyrics: Tony Banks) 8:40
6. "Duke's End" – 2:08

## Sources

* Aldous, S. (2020). *The songs of Genesis: A complete guide to the studio recordings*. Jefferson, NC: McFarland & Company,.
Down and Out

by
--

## Release and recording

### Recorded

Relight Studios, Hilvarenbeek, Holland, September–October 1977, mixed at Trident Studios, London

### Producer

David Hentschel and Genesis

**"Down and Out"** is the first track on the Genesis 1978 album *...And Then There Were Three...*.

## History

This album opener had "5/8" and "The Man with the Big Cigar" as the working titles, the first of these chosen due to its unusual rhythm. According to Mike Rutherford, the song originated during the album rehearsals, in August 1977 and the band members tried different versions for its openings. According to Phil Collins, "the idea was to have song about an American record company, no names just companies, that are quite prepared to toss you out when you become passé. The chorus is spoken from the artist’s point of view and the verses are from the company’s point of view, basically cut and thrust."

Collins struggled to explain the rhythm to drummer Chester Thompson during later rehearsals. Daryl Stuermer, the band's new guitarist and bass player for the tour, also noted this rhythm-related confusion.

## Live versions

The band played the track during the 1978 tour early dates. It was also performed on the subsequent tour, but they have dropped it due to the same confusions with the rhythmic style. There are no known official live recordings of this track.

## Sources

* Aldous, S. (2020). *The songs of Genesis: A complete guide to the studio recordings*. Jefferson, NC: McFarland & Company,.
Self-Destruction

## Summary

**Self-Destruction** is the ability to detonate oneself. Purpose of ther use of this ability may vary, such as from preventing enemies from acquiring intel, or to kill them. This process is almost invariably fatal to the user, but some characters are capable of surviving their own self-destruction techniques.
We Can't Dance

***We Can't Dance*** is the fourteenth studio album by Genesis. Originally released on 11 November 1991 on Atlantic and Virgin, it is Genesis' last studio album to feature Phil Collins before his 1996 departure. The album has gained success with the singles like "No Son of Mine", "Jesus He Knows Me", "I Can't Dance" and "Hold on My Heart".

## Track listing

All music by Tony Banks/Phil Collins/Mike Rutherford.

Following is the tracklist for the double LP edition.

#### Side one

1. "No Son of Mine" - 6:39
2. "Jesus He Knows Me" - 4:16
3. "Driving the Last Spike" - 10:08

#### Side two

1. "I Can't Dance" - 4:01
2. "Never a Time" - 3:50
3. "Dreaming While You Sleep" - 7:16

#### Side three

1. "Tell Me Why" - 4:58
2. "Living Forever" - 5:41
3. "Hold on My Heart" - 4:37

#### Side four

1. "Way of the World" - 5:38
2. "Since I Lost You" - 4:09
3. "Fading Lights" - 10:16

## Sources

* Aldous, S. (2020). *The songs of Genesis: A complete guide to the studio recordings*. Jefferson, NC: McFarland & Company,.
Sand Manipulation

## Summary

Power to manipulate sand. Variation of Earth Manipulation.

User can create, shape and manipulate sand, a naturally occurring loose, fragmented/granular sedimentary material composed of finely divided rock and mineral particles ranging in diameter from 0.0625 mm (or 1⁄16 mm) to 2 mm.

The most common sand is composed of particles of quartz (colorless/slightly pink) and feldspar (pink/amber). Black sands, such as those found in Hawaii, are composed of particles of obsidian formed by volcanic activity. Other black sands include materials such as magnetite and homblende. Coral sands are white or gray, and sands composed of broken shell fragments are usually light brown.

## Possible Uses

* Create/generate/increase sand of any grain-side or shape (rough/smooth, dust-like/coarse).
* Shape, compress, and/or otherwise manipulate sand.
	+ Efficacy Manipulation including speed, density, hardness and/or sharpness.
	+ Generate pits of quicksand.
* Burrowing with choice between simply gliding through sand or leaving tunnel.
* Earth Attacks using sand.
* Ground Liquification only sand.
* Move/lift sand at nearly any speed whether in/on surface, air or water.
	+ Geokinetic Flight using sand.
	+ Matter Surfing by riding a mass/wave of sand.
* Psammokinetic Constructs, including weapons, walls, armor or allies/servants.

## Limitations

* May be unable to create sand, being limited to manipulating only from already existing sources.
* Distance, mass, precision, etc. depend upon of the knowledge, skill, and strength of the user.
* Water and Blood Manipulation can make sand heavier and harder to manipulate.
* Fire Manipulation can melt sand into glass.
* Ice Manipulation/Freezing can turn sand solid.
* Sand can be weighed down when mixed with a powder of higher density, such as iron or gold dust, thus reducing manipulation.
DudePow

### Friends

Princess Twilight
The Hub
Oney
SheZow

## Standard Attacks

### Ground Attacks

* Neutral Attack - Punch, Punch Kick
* Dash Attack - Glide
* Forward tilt - ???
* Up tilt - ???
* Down tilt - ???
* Side Smash - Slap
* Up Smash - ???
* Down Smash - ???

### Aerial Attacks

* N-Air - ???
* F-Air - ???
* B-Air - ???
* U-Air - ???
* D-Air - ???

### Throws

* Grab - Grabs the Opponent
* Pummel - Slap
* Forward Throw- ???
* Back Throw - ???
* Up Throw - ???
* Down Throw - ???

### Other Attacks

* Ledge attack: ???
* 100% ledge attack: ???
* Front attack: ???
* Back attack: ???
* Trip attack: ???

## Extra

### Pawlette Swaps

* Default
* ???
Reality Warping

## Summary

**Reality Warping** (sometimes called Reality Alteration or Reality Manipulation) is a term used to describe the ability to manipulate reality itself.

The ability to change reality into how the person in question sees fit, while ignoring the rules of science. Users can alter any item already considered real. Any decision made in the past, any item ever created, any movement, choice, color, atom, or molecule that exists can be changed. All of existence bends to the imagination of a reality warper. Users can rewrite the laws of physics and then change them back in an instant, universes can bend to the will of a reality warper. Examples include erasing things out of existence, granting wishes, creating universes, creating/altering matter, time manipulation, spatial manipulation, etc.

## Possible Uses

* Alter time
* Alter the elements
* Change probability
* Speak items, decisions, or events into reality
* Create new items or imagined items
* Give themselves or others new powers
* To wish hard enough that changes target decisions
* Changing a map rewrites the landscape
* Users may automatically return another powers changes like illusion or spatial manipulation to the original
* Cause paradoxes
* Randomize the universe
* Rewrite physics
* Users change where the universe around them sits putting them anywhere instantly, similar to teleportation
* Reverse constants, like falling equals going up or doctor means warrior
* Resurrect the dead
* Completely or partially erase things from existence
* Etc.

## Types

* Creation
* Matter Manipulation
* Magic
* Quantum Manipulation
* Information Manipulation
* Spatial Manipulation
* Time Manipulation
* Conceptual Manipulation
* Plot Manipulation
Hyperbole

## Description

A **hyperbole** is a term that refers to statements made in a particular work of fiction that are exaggerations of the actual truth of the matter. Often hyperboles are used as evidence in debates, and it can be very difficult to tell if a statement is a hyperbole or not.

A general rule is that if a claim is made that is completely out of league of anything ever shown in said universe (for example, if someone claimed to be a planet buster in a verse where the strongest feats were city busting), it's most likely a hyperbole.

In universes with a wide range of characters on different tiers of power (such as Marvel and DC), this has to be evaluated on an individual character basis, instead of on the verse as a whole.

For example, if someone in One Piece claimed that they could destroy a mountain, it's reasonable to consider it a possibility, since other people in the verse have done comparable things (of course, it still has to be evaluated based on the feats and power-scaling of the actual character).

On the other hand, if someone said spider-man could destroy a planet, it's unreasonable to think this is true despite the fact that Herald - level characters and above in Marvel have done so, because spider-man is established as being on a far lower tier than such characters.

Another way of determining weather a statement is a hyperbole or not is to consider the likelihood that a character was misinformed, ignorant, lying, exaggerating, bluffing, mentally unstable, etc. when they made said statement. If there is not any evidence that they were, it can be taken more seriously. Of course, this method isn't as accurate as the feat scaling method above, and should only be relied upon if the first method doesn't give any clear answers.
Q bullets

**Q bullets** (Qバレット, *Q baretto*) are bullets with a melted down kagune coating; however, because the material can only be acquired by ghouls, the coating itself is moderately thin. There is a bullet type for each respective kagune. They are adequate when used against a ghoul whose kagune type adversely corresponds with that of the bullets'. While Q bullets are effective in their own right, this effectiveness only extends so far when compared to a quinque.

Q bullets are typically used by bureau investigators
Clockwork

* Omniverse
* Ultimate Alien

## Summary

**Clockwork** is the Omnitrix DNA sample of a Chronosapien, a species of biomechanical lifeforms from an unknown planet.

## Powers and Stats

**Tier:** **7-A**, **2-A**

**Name:** Clockwork

**Origin:** Ben 10

**Gender:** Male

**Age:** Unknown

**Classification:** Chronosapien

**Powers and Abilities:** **Superhuman Physical Characteristics**, **Time Manipulation** (Can **time travel**, slow down, reverse, **stop time** & **age specific targets to dust**, **send others through time or into other timelines**, restore individuals who've been erased from time), **Dimensional Travel**, Can create holographic projections of the past, Knows the exact time certain event has taken place, Can ignore durability with his abilities, **Self-Sustenance** (Type 1), **Resistance** to **Extreme Cold** and **Cosmic Radiation**

**Attack Potency:** At least **Mountain Class**, likely **higher** (Can hold his own against Rook).

**Multiverse level+** with hax (Reversed the effects of the Chronisapien Time Bomb).

**Speed:** **Unknown** (Chronosapiens are noted to be fairly slow by alien standards and can easily become winded if forced to run for an extended period of time, forcing them to rely on their time abilities in order to keep pace with others and make them seem as if they are moving extremely quickly to outside viewers)

**Lifting Strength:** **Unknown**

**Striking Strength:** **Wall Class**

**Durability:** **Wall Class** (Maltruant was able to withstand multiple attacks from Excalibur, which can easily cut through a thick metal alloy door, and Rook's Proto-Tool without injury. Clockwork survived an energy blast that could kill a human)

**Stamina:** Low

**Range:** Standard melee range, Multiversal via time rays/beams (When he reversed the effect of the Chronosapien Time Bomb, his beam covered the entire Earth and then proceeded to restore the multiverse to its former state)

**Standard Equipment:** Chronosapien Key

**Intelligence:** At least Average

**Weaknesses:** His time powers might work in places without time. His powers can be detected by other Chronosapiens that are able to manipulate time, and can thus be subsequently countered.

**Notable Attacks/Techniques:**

* **Time Rays:** Clockwork can fire green time rays from his hands or chest, which have various effects like sending people back in time, aging an object/person to dust. Clockwork can travel both through time and between different dimensions.
* **Retrocognition:** Clockwork can show holographic projections of events from the past.
Azathoth (Cthulhu Mythos)

VIEW SOURCE

## Contents

* 1. Summary
* 2. Powers and Stats
* 3. Others
* 4. Discussions

## Summary

**Azathoth** is the lord and master of all existence, governor of the outer chaos that serves as the residence of the all-powerful Ultimate Gods and primordial creator of all things, who resides on a black throne at the center of the Abyss, from which he rules all of time and space, lying in a seemingly dormant state while his subjects mindlessly dance around it, playing cacophonic, discordant music for their Master for reasons yet unknown, while the Daemon Sultan himself gnaws and mutters his own dreams, which lie beyond even his own understanding.

## Powers and Stats

**Tier:** **0**

**Name:** Azathoth, The Daemon Sultan, The Nuclear Chaos, The Blind Idiot God, The Lord of All | None.

**Origin:** Cthulhu Mythos

**Gender:** Inapplicable

**Age:** Irrelevant. Transcends all conceptions of time

**Classification:** Lord of All Things, Ruler of the Ultimate Gods

**Powers and Abilities:** Beyond-Dimensional Existence (Type 2), Abstract Existence (Type 1), Nonexistent Physiology (Type 2), Avatar Creation, Large Size (Type 11), Immortality (Types 5 and 9), Invulnerability, Telepathy, Reality Warping, Conceptual Manipulation (Type 1), Law Manipulation, Chaos Manipulation, Physics Manipulation, Acausality (Type 5), Void Manipulation, Causality Manipulation, Sound Manipulation, Life and Death Manipulation, Matter Manipulation, Higher-Dimensional Manipulation, Space-Time Manipulation, Madness Manipulation (Types 2 and 3), Memory Manipulation, Dream Manipulation, Transduality (Type 3), Omnipresence

**Attack Potency:** **Boundless** (Azathoth resides at the center of the Ultimate Void as the boundless ruler of all existence, governing all of the Ultimate Gods from his own throne and having been responsible for their birth, as well as the creation of all things. Azathoth is considered to be part of the Supreme Archetype, an all-encompassing oneness that exists as the "All-in-One and One-in-All of limitless being and self," acting as the animating essence of all existence that subsumes even the "ultimate mystery" which underlies all manifested phenomena, holding even the Ultimate Abyss and its transcendent inhabitants as facets of itself, much like the rest of existence is itself comprised of fractionary aspects of them)

**Speed:** **Omnipresent**

**Lifting Strength:** **Immeasurable**

**Striking Strength:** **Boundless**

**Durability:** **Boundless**

**Stamina:** Infinite

**Range:** Boundless

**Standard Equipment:** None notable.

**Intelligence:** Unknown. Exists in a realm of ultimate Chaos beyond dimensioned space and mathematics and is described in the same manner as the Ultimate Gods - being perceived as idiotic, blind, ravenous and muttering the chaotic contents of his dreams, although is ultimately inscrutable.

**Weaknesses:** None Notable.
The Knife

Single cover

## from *Trespass*

**"The Knife"** is the fifth and final track on the Genesis second studio album, *Trespass*.

## Recording

This is the most heavy track from the album (and most likely ― one of the heaviest the band ever had). Originally written as by Banks and Gabriel on piano it was later adapted for organ, with its riff inspired by The Nice's "Rondo" (early versions of this song indicate its title as "Nice").

## Single

Released as a single in UK and Germany, this song was backed by "Part 2", which is simply the other half of the song, while the half has been edited to fit into 7" format. However, it had no reasonable chart success. The single edit is included on the tour edition of *Turn It On Again: The Hits* compilation (2007).

## Live versions

The band played "The Knife" before 1975, bringing it back in 1980-1982 (performed rarely). One of the performances from 25 February 1973 is available on *Genesis Live*.
Portal Creation

## Summary

**Portal Creation** is the ability to generate and travel through rifts of space and time in order to quickly travel between two places. This power is primarily travel-oriented, allowing users to close distances easily or catch an opponent off guard, but more creative and powerful users can redirect their attacks to strike a target they missed or to hit them multiple times, redirect their attacks back at them, or forcibly displace an opponent to provide an advantage or remove them from the battlefield entirely
Invisibility

## Summary

**Invisibility** is the power to render oneself unseen to the naked eye.

Users may become invisible. Some may do so by means of Elemental Manipulation, others due to ghost mimicry still yet others due to sense manipulation, or illusion creation. This seemingly simple power can aid in many situations and often drives users to becoming recluses and undergo insanity. Some users may or may not be able to disengage this power, being invisible until death or perhaps even beyond. Some users may be able to turn other things invisible, depending on the manner in which they become invisible it may or may not require a touch.
Mind Control

The power to **control the minds of others**.

## Also Called

* Brainwashing
* Compulsion
* Concilium
* Consciousness Manipulation
* Encanto
* Manipulative Hypnosis
* Mental Domination
* Triton App (Lab Rats)

## Capabilities

User can control the minds of others with targets being completely subject to their mental control. If the victims were placed into a semi-conscious state, they may not have any recollection of the previous actions that they performed while under its effect.

## Applications

* Command Inducement
	+ Persuasion
* Mental Inducement
* Pushing
* Remote Mind Control
* Sentient Control

## Associations

* Mental Manipulation
* Thought Manipulation
* Puppet Mastery
* Sensory Scrying
* Siren Song
* Subliminal Messaging
* Telepathy

## Power Levels

**Novice Level (Type 1):** User may have hard time manipulating minds and they might not be able to manipulate it for long.

**Advanced Level (Type 2):** Users are skilled at manipulating minds of many, and they can do it for long periods of time. But users are still unable to control the mind of certain individuals, or they are unable to do it effectively.

**Master Level (Type 3):** Users are absolutely master at manipulating minds of anyone/everyone, and are able to absolutely effectively and masterfully control the mind of anyone, for limitless periods of time.
Creation

## Summary

The ability to create anything from nothing.

## Possible Uses

The user can create organic or inorganic matter from nothing either as finished objects or simply unfinished elements. As long as it can be defined as object, the user has the power to make it reality.

## Attack Potency Scaling

Note that this only applies to the character's capacity to harm other characters if their Creation is connected to their other abilities; for example, it can be reasoned that a mage who can conjure a city with little mana can destroy one with the same amount of mana, however a character who can create objects without other ways of harming their opponents wouldn't be able to harness that power to hurt another character, and would fall under a light form of Environmental Destruction.

## Implied Powers

In case of creation of large and varied objects, such as planets, galaxies and universes, one should just list creation as ability without listing separate abilities for each created object. For example, while creation of a galaxy likely includes creation of black holes, Black Hole Creation should not be listed separately. An exception to that would be if the object in question is of particular relevance to the characters fighting style, i.e. if the character for instance launches black holes at his opponents.

## See also

* Creation Feats
* Celestial Body Feats
* Mass-energy conversion feats
* Matter Manipulation
* Pocket Reality Manipulation
* Reality Warping
BFR

## Summary

**BFR** is short for **Battle Field Removal**, referring to one opponent forcing the other outside of their area of combat for a long enough period of time that the battle cannot be continued. As long as they cannot return from wherever they have been transported to within a certain amount of time - a week, going by Standard Battle Assumptions - victory is reached through BFR. The specific methods of BFR may vary, and they may be as simple as teleporting an opponent somewhere far far away to abandoning them in another time, sending them to a parallel universe, or knocking them into space.
Commander Rex

## **Summary**

**CT-7567** or now as **Captain Rex** or **Commander Rex** is a clone commander that leads the 501st Legion, a legion of clones whose training even surpasses the skill of an ARC Trooper.

## **Powers and Abilities**

**Tier****: 1-A | True Infinity**

**Name: CT-7567** (Real Name) **Rex** (Nickname)

**Origins: Star Wars**

**Gender: Male**

**Age: Unknown**

**Classifcation: Captain Rex | Commander Rex**

**Powers and Abilities: Plot Manipluation, Reality Warping, Omnipotence, Omniscience, Omnipresence, Wiki Manipluation, Law Manipluation, Conceptual Manipluation, Death Manipluation, Life Manipluation, Emotion Manipluation, Summoning, Immortilaity, Gravity Manipluation, Time Stop, Time Travel, Light Manipluation, Cosmic Creation, 4th Wall Awareness, Fire Manipluation** (He has all of these powers because he's commander rex)

**Attack Potency****:** **Outerverse level** (The Mandalorians stated that they are ideas, and all of the clones were a copy of Jango Fett who is a Mandalorian) {Ideas are equal to concepts which are Outerversal} **True Infinity** (He's commander rex)

**Striking Strength****: Outerverse level** (One-Shot platonic concepts with ease) **True Infinity** (He's commander rex)

**Lifting Strength****: Outerverse level | True Infinity**

**Speed****: Irrelevant | True Infinity**

**Durability****: Outerverse level** (Tanked hits from platonic concepts) **True Infinity**

**Range: Outerverse level | True Infinity**

**Intelligence:** **Omniscience | Omniscience**

**Stamina: True Infinity | True Infinity**

**Weaknesses: None**

**Key: Joke Wank | Commander Rex**