recursal/Fanatic-Fandom huggingface dataset:
Priestess/Relationships

## Party Members

### Goblin Slayer

Ever since her life was saved by Goblin Slayer, Priestess has been his loyal companion and friend. No matter the objections she may raise when it comes to Goblin Slayer's methods and attitude, she is quick to come to his aid. On the other hand, Priestess takes the time to lecture him when she thinks he is going too far; and even when he shows his annoyance, she isn't the type to easily back down.

Like Cow Girl, the priestess quickly realized the true kind and caring nature of the Goblin Slayer, because of this, she rarely leaves his side when they go on adventures, this close relationship made Goblin Slayer consider her his right-hand woman and his most important person when it comes to adventures, In that sense, goblin slayer always puts priestess' safety above everything, even that of his other fellow adventurers.

### High Elf Archer

Being the only females in the party, Priestess and High Elf Archer get along as good friends. Despite the huge difference in age, they share a similar level of maturity.

### Lizard Priest

After becoming acquainted as party members, they see each other as good companions. Lizard Priest respects her strong will and efforts in aiding her party.

### Dwarf Shaman

After becoming acquainted as party members, they see each other as good companions.

### Fighter

One of Priestess's first Party members and her only living Party member from her first Party. Priestess and Fighter became very friendly despite only knowing each other for a day. As Priestess was *extremely* nervous about her first quest, Fighter tried to calm her and swore she'd keep her safe from danger, this led the girl to being overpowered and raped by Goblins. Priestess immediately came back to save her with Goblin Slayer, but the trauma had been extremely damaging for her.

Priestess keeps tabs on Fighter, but doesn't have the courage to see her in person yet.

## Allies

### Witch

Witch helped Priestess defend Goblin Slayer from a misunderstanding with two adventurers. When Priestess was worried about her position with Goblin Slayer, Witch gave her advice on how it was ultimately her own choice. Priestess admires Witch's easy-going confidence along with her beauty and wishes she could be more like her.

### Noble Fencer

At first, the two had trouble connecting after Noble Fencer's traumatic defeat, but the two eventually become good friends and penpals

### Wizard Boy

To say the two got off on the wrong foot is putting it *mildly*.

### Sword Maiden

Priestess looks up to Sword Maiden because of how powerful and beautiful she is, as well as her high status. Priestess later discovers how they both share the knowledge of how truly terrifying goblins are.

## Enemies

### Goblins

Priestess had a traumatic experience with goblins during her first adventure with her first party. After being rescued from them by Goblin Slayer, she tags along with him in his quests to slaughter them. Although she still fears goblins, her confidence in facing them has increased as a result of constant adventuring with Goblin Slayer and her new party.
Year One Manga Chapter 61

This is the sixty-first chapter of the Year One manga.

## Official Description

*Outside the mouth of the goblin lord's lair, Goblin Slayer's impromptu party faces a difficult choice—press on and risk near certain death, or fall back to call for reinforcements that will never make it in time to save the village...*

## References

1. ↑ 1.0 1.1 https://www.kobo.com/us/en/ebook/goblin-slayer-side-story-year-one-chapter-61
Year One Manga Chapter 93

This is the ninetieth-third chapter of the Year One manga.

## Official Description

*Back in town, Goblin Slayer tries to purchase new armor, and then follows the mysterious letter he received and meets…an elf adventurer with some curious ideas about how she should pay him back!?*

## References

1. ↑ 1.0 1.1 https://yenpress.com/titles/9781975389963-goblin-slayer-side-story-year-one-chapter-93
Young Warrior/Relationships

## Party Members

### Half-Elf Ranger

Shortly after recruiting Half-Elf Ranger into her party, Young Warrior grew to be quite fond of her. As a result, when she met her demise in the jaws of a rock eater, he was distraught with grief and drowned his sorrows with alcohol. When a quest called for the extermination of the rock eater, Young Warrior volunteered in order to avenge Half-Elf Ranger. Although he was only able to land a blow to the rock eater's mouth before losing consciousness, the humbled Young Warrior acknowledged that was all he could do for her.

### Martial Artist

He cares for her and her party, playing a mentor-like role to her as the more experienced adventurer and comforting her after the shock of her first near-mishap. They become more permanent party members with some pleading from her and her party for him to stay after their first adventure together.

## Allies

### Goblin Slayer

The two became adventurers on the same day, which Young Warrior believes is a turn of fate and evidence of a bond. Goblin Slayer was the first person Young Warrior asked to join him, but was put off by his fixation on goblins. After the battle with the rock eater, he asks Goblin Slayer to call him whenever he got into trouble.
Year One Manga Chapter 21

This is the twenty-first chapter of the Year One manga.

## Official Description

*Goblin Slayer’s back doing what he does best. But this time, a peculiar find awaits him at the end of his mission.*
— Year One Chapter 21's official description.
## Full Summary

Inside an abandoned fort, a group of goblins entertain themselves by raping their captive adventurers. Before one goblin could have his turn, Goblin Slayer kills it and approaches the ones remaining. After killing the grunt goblins, Goblin Slayer confronts the leading hobgoblin, which proves to be a formidable and durable opponent. Only after bludgeoning its head multiple times does Goblin Slayer manage to incapacitate it. Figuring the captives before him may have reduced the size of the goblin horde, Goblin Slayer tells the captives to wait a bit longer, intending on hunting down goblin children. He collects a ring with a flame burning inside its gem, but decides to carry on with seeing the captives home, finishing the quest and killing goblins.

## Major Events

* Goblin Slayer slays the goblins inhabiting ruins and rescues the adventurers they held captive.
* Goblin Slayer finds a magic ring.

## References

1. ↑ 1.0 1.1 https://www.amazon.com/Goblin-Slayer-Side-Story-Year-ebook/dp/B07P1DGHWH
Year One Manga Chapter 87

This is the eighty-seventh chapter of the Year One manga.

## Official Description

*Upon seeing Spearman's new weapon, Goblin Slayer reflects on the benefits of owning a magic weapon—but he’s about to become deeply familiar with the dangers of fighting against one...*

## References

1. ↑ 1.0 1.1 https://yenpress.com/titles/9781975372767-goblin-slayer-side-story-year-one-chapter-86
Ottorino Respighi (1879-1936)

## Introduction

   Ottorino Respighi was born on July 9, 1879 in Bologna, Italy.

His father taught piano locally and encouraged his son to follow his footsteps
into music. He taught Respighi piano and violin at a very young age to support
his interest in music. Although Respighi continued to take lessons for both
instruments throughout his youth, he preferred to teach himself. He passes his
exams at the Liceo Musicale in Bologna and received his diploma in the violin
in 1899. In 1900 he studied composition for five months under Nikolai
Rimsky-Korsakov while he was also the first violinist in the Russian Imperial
Theater’s orchestra during their Italian opera season. After studying with
Korsakov, he returned home to continue his studies and get his next diploma in
composition. His other position was, again, as first violin in the Mugellini
Quintet whom he toured with until 1908. In 1913 he moved to Rome, where he
would work at the Conservatorio di Santa Cecilia, marry Elsa
Olivieri-Sangiacomo, and spend the rest of his life. He started as a Professor
of Composition at the conservatory and in 1923 he became the director. He came
to New York City in 1929 for the premiere of his third Roman tone poem, “Roman
Festivals”, at Carnegie Hall. His music was quite successful in the United
States and he premiered multiple pieces there. Respighi was composing and
touring until January of 1936 when he fell ill due to problems with his heart.
He died that year on April 18th and was buried in his hometown of
Bologna.

## Works

Respighi has wrote many works, which were mostly in these five genres: opera, ballet, orchestra, choral and chamber music. Some of his most important pieces are below.

* *Piano Concerto in the Mixolydian Mode* (1925)
* *Pini di Roma (1924)*
* *Fontane di Roma (1916)*
* *Feste Romane (1928)*
* *Brazilian Impressions (1928)*
* *Gli Uccelli (1927)*

## Comparisons

Respighi was also a musicologist. He was very fascinated by the music of the 17th, 18th and 19th century. As a result, he liked to compose his works based on the music of those eras. His piece, *Gli Uccelli,* or The Birds, is a baroque styled work that imitates bird noises.

## Observations

Respighi worked with Sergei Diaghilev, the Russian ballet impresario, in 1918 when Diaghilev commissioned him to compose a piece for his Ballet Russes. Respighi wrote *Le Boutique fantasque* and used one of the 19th century composer Gioachino Rossini's piano pieces as inspiration.

## Works Cited

* https://en.wikipedia.org/wiki/Ottorino\_Respighi
* https://www.britannica.com/biography/Ottorino-Respighi
* http://www.bach-cantatas.com/Lib/Respighi-Ottorino.htm
Ralph Vaughan Williams (1872-1958)

## Introduction

Ralph Vaughan Williams was an English composer known for his chamber music and symphonies. He studied music at Charterhouse School, Trinity College in Cambridge and the Royal College of Music. Vaughan Williams was also educated by Max Bruch in Berlin and Maurice Ravel in Paris. He was a known editor of The Oxford Book of Carols and other famous hymns. Vaughan Williams maintained a strong relationship with Gustav Holst throughout his life which enhanced both of their music careers. Over time, he taught/conducted at Leith Hill Music Festival, Bach’s St Matthew Passion and his alma mater, the Royal College of Music in London.

## Works

**The Lark Ascending**

This piece is a phenominal chamber orchestra composition including a lengthy introduction violin solo. However, in Alba it was performed by Musica Japan with a solo on flute. "The Lark Ascending" is an extremely mellow classical piece inspired by the first world war. The violin solo begins on the darker side for a round, full sound and progresses into a light orchestral tune.

## Comparisons

Vaughan Williams produced so many various types of work including nine symphonies, five operas, film music, ballets, song cycles, church music and choral and orchestral pieces. This showed that his music excellence was diverse and he was a very versatile composer. Different than "The Lark Ascending" Vaughan Williams was known for his "English Folk Song Suite." The piece was written for military band versus the Lark's chamber orchestra and was, of course, an upbeat march. The march was very busy and had much dynamic contrast across different instrument families.

## Observations

Vaughan Williams is a versatile composer capable of very many things. His passion was shown through his music rather than being his music. His folk song collection and military background was portrayed through all of his major works. "The Lark Ascending" was a very powerful piece no matter whom it is performed by. It is always a great tribute to the mark that Vaughan Williams left on the world.
Year One Manga Chapter 73

This is the seventy-third chapter of the Year One manga.

## Official Description

*With the goblin lord out of range of conventional attacks, everything hinges on the success of the examiner’s ultimate technique, and the battle against the horde comes to an explosive finale!*

## Major Events

* The examiner kills the goblin lord.
* As Goblin Slayer and the examiner escape with the hostage, he creates an explosion that eliminates the remaining goblins.

## References

1. ↑ 1.0 1.1 https://www.kobo.com/ww/en/ebook/goblin-slayer-side-story-year-one-chapter-73/
Year One Manga Chapter 76

This is the seventy-sixth chapter of the Year One manga.

## Official Description

*With Goblin Slayer’s test concluded, he and his examiner finally part ways. Even after all they have been through together, they have little to say to each other—and yet much that goes unsaid...*

## References

1. ↑ 1.0 1.1 https://www.kobo.com/ca/en/ebook/goblin-slayer-side-story-year-one-chapter-76
Ludomir Różycki (1883-1953)

## Introduction

Ludomir Rozycki was a Polish composer and conductor. His father was a professor at the Warsaw Conservatory where he studied piano and composition. After graduating with honors, he continued his work at the Academy of Music. Following his education, Rozycki started his career as a conductor of opera and and piano instructor in Lwow, a city in Eastern Ukraine. Rozycki later became part Young Poland, an organisation dedicated to broadening the scope of Poland music. His ballet, "*Pan Twardowski"* became the first Polish ballet to be played outside of Poland.

## Works

### da Italia, op. 50: *Ave Maria* - *Campo Santo*

This work was written in 4 parts, 1. Ave Maria, 2. Campo Santo, 3. Dogaressa. Barcarolle, 4. Beatrix Cenci's Death. Created in 1923, this work was done during his time with Young Poland. Ave Maria and Campo Santo were performed on May 29 by the Japan Musical Ensemble during the Alba Music Festival in the Chiesa di San Giuseppe.

## Observations

Rozycki is known for the diversity he showed in his music in an effort to get it beyond Poland. Opera No. 50 includes themes from Ave Maria, which gave it a softer, loving tone. Campo Santo, meaning "Holy Field", is a light sound with relaxing tone. This piece symbolizes peace and the beauty of Polish music as was Rozyki's legacy.

## Works Cited

http://imslp.org/wiki/List\_of\_works\_by\_Ludomir\_R%C3%B3%C5%BCycki

https://en.wikipedia.org/wiki/Ludomir\_R%C3%B3%C5%BCycki

https://www.youtube.com/watch?v=Ut5jBu9pOv8
Year One Manga Chapter 95

This is the ninetieth-fifth chapter of the Year One manga.

## Official Description

*Dark clouds build on the horizon while Goblin Slayer continues his training under his mysterious new elven swords master. Does the coming storm herald ever more of the stifling inactivity that has been driving him to distraction? Or will Goblin Slayer return to the prowl as lightning flashes overhead!?*

## References

1. ↑ 1.0 1.1 https://yenpress.com/titles/9781975389987-goblin-slayer-side-story-year-one-chapter-95
Year One Manga Chapter 84

This is the eighty-fourth chapter of the Year One manga.

## Official Description

*Spearman and Witch have managed to rise through the ranks as well, and they head to the workshop to purchase a weapon with both a history and a future...*

## References

1. ↑ 1.0 1.1 https://www.kobo.com/ca/en/ebook/goblin-slayer-side-story-year-one-chapter-84
RWU: Alba & Venice 2017 Wiki

* Arvo Pärt (1935) [Kaitlyn Lengyel, WR Attia]
* Marin Goleminov (1908-2000) [Kaitlyn Lengyel]
* Richard Rodgers (1902-1979) [Allison McPhail]
* George Crumb (1929 - present) [Katie Wegener]
* Georgi Zlatev-Cherkin (1905-1977) [Rex McCoy]
* Ralph Vaughan Williams (1872-1958) [Britney Dixon]
* Frederick Loewe (1901-1988) [Britney Dixon]
* Berend Giltay (1910-1975) [Rex McCoy]
* Toru Takemitsu (1930-1996) [Jefferson Donath]
* Petar Christoskow ( 1917-2006) [Jefferson Donath]
* Noriko Shibata [ Shawna Edwards]

* Gunther Schuller (1925 - 2015) [Elliott McKinley]
* Carlo Boccadoro (1963) [Casey Adams]
* Fazil Say (1970) [Allison McPhail]
* Joly Braga Santos (1924 - 1988) [Katie Wegener]
* Joseph Dangerfield (1977-present) [Norilynne Witt]
* Mike Mower (1958-Present) [Rex McCoy]
* Nikolai Kapustin (1937-Present) [Rex McCoy]
* Jeffrey Hoover 1959-Present [Jefferson Donath]
* Francisco Antonioni ( B. 1971) [Shawna Edwards]

Photos and videos are a great way to add visuals to your wiki. Find videos about your topic by exploring Fandom's Video Library.

File:Placeholder
Petar Christoskow ( 1917-2006)

## Introduction

   Born in 1917, Petar Christoskow will leave behind his legacy as a Bulgarian composer, violinist and a music teacher. Christoskow's started composing in 1952, writing a vocal piece for soprano, alto and symphony orchestras, a triple concert for piano and string instruments ( violin, cello), a double concert for violin and cello. etc.

"Christoskow studied Violin at the State Music Academy under his professor, Sascha Popov and was already a member of the Royal Symphony Orchestra during this time. From 1940 to 1943 he specialized in violin and chamber music with Gustav Havemann and Hans Malke at the Berlin Musikakademie . He also successfully gave concerts in Berlin, Munich, Vienna and Salzburg." ( wiki visually)

## Works

Toccata-( May27)

Peter Deltchev spielt Capriccio Nr. 8 von Petar Christoskow

Peter Deltchev spielt Capriccio Nr. 6 von Petar Christoskow Violine

## Comparisons

Veronika Vassileva has compared Petar's work in this essay: ***COMPARISON OF PETAR CHRISTOSKOV’S OP. 1 AND OP. 24 CAPRICES FOR SOLO***
VIOLIN: THE EFFECT OF THE CHANGING BULGARIAN POLITICAL
CLIMATE ON HIS COMPOSITIONAL STYLE.

"In general these particular two caprices, Op. 1 No. 10 and Op. 24 No.
23, with similar titles, are a great example of the main differences between Christoskov's two
sets of caprices. The Op. 1 “Toccata,” though it bears a Western title and rhythm, is full of
Bulgarian folk idioms representing the nationalistic compositional style in Communist Bulgaria,
while the later “Toccata” is mainly abstract and atonal with only very few folk characteristics
represented (which portrays the tendency towards a twentieth-century compositional style). The
60
two caprices are similar in regard to musical material and compositional style, which exemplifies
the general tendencies maintained throughout Christoskov's career, even though his overall style
became more experimental and westernized towards the end." (Veronika Vassileva)

## Observation

Instruments: Violins, Cello, Bass, Veola

Orchestra

Tempo started off strong perhaps 120-130 bpm

Crescendo, building up to a big loud sound.

occasional plucking, very cool

## Work Cited

http://wikivisually.com/lang-de/wiki/Petar\_Christoskow

https://digital.library.unt.edu/ark:/67531/metadc849741/m2/1/high\_res\_d/VASSILEVA-DISSERTATION-2016.pdf

https://youtu.be/cWccJPSdFkM?list=PLFRYQzYND7sjGZolUXXabeCR3rTfEaMYO
Year One Manga Chapter 89

This is the eighty-ninth chapter of the Year One manga.

## Official Description

*Goblin Slayer finds himself staring into the unblinking orb of a monstrous eye-creature...How will he fare with a monster so unlike his preferred prey ahead of him, and only the inky dark of goblin infested ruin behind...?*

## References

1. ↑ 1.0 1.1 https://yenpress.com/titles/9781975375805-goblin-slayer-side-story-year-one-chapter-89
Year One Manga Chapter 96

This is the ninetieth-sixth chapter of the Year One manga.

## Official Description

*With a storm raging above, Goblin Slayer and his elven companion shelter beneath a great tree. Soon a story splits the air like lightning—a story set beneath another great tree; a story of a certain sorcerer and the elves who welcomed him; a story about requests fulfilled and demands denied...*

## References

1. ↑ 1.0 1.1 https://yenpress.com/titles/9781975393076-goblin-slayer-side-story-year-one-chapter-96
Year One Manga Chapter 75

This is the seventy-fifth chapter of the Year One manga.

## Official Description

*With an inexplicable miracle giving them the slightest chance at victory, Young Warrior’s party sallies forth to seal the undead king. The rest is up to their teamwork and the rolling of the dice...*

## References

1. ↑ 1.0 1.1 https://yenpress.com/9781975360740/goblin-slayer-side-story-year-one-chapter-75
Year One Manga Chapter 66

This is the sixty-fifth chapter of the Year One manga.

## Official Description

*Goblin Slayer's examiner comes to his rescue, and Young Warrior's party explore the strange underground city they find themselves in...*
## Full Summary

The receptionist is able to eliminate the attacking goblins and a hobgoblin in particular exploding after suffering a critical hit. Aware that a few goblins managed to flee, she tells Goblin Slayer they should be on their way.

Meanwhile, Young Warrior and the rookies inspect the underground city. Confused by how the overall features of the city are not based around its underground location, the group concludes that the city must have sunk underground in a single night. The adventurers suddenly sense an unknown presence and ready themselves for combat, only to be greeted by a gold ranked adventurer who guesses them to be a group of survivors.

## References

1. ↑ 1.0 1.1 https://www.kobo.com/ww/en/ebook/goblin-slayer-side-story-year-one-chapter-66/
Year One Manga Chapter 90

This is the ninetieth chapter of the Year One manga.

## Official Description

*A landslide leaves Young Warrior and his party stranded on the road, and liable to bleed money and morale. A moment like this calls for some real leadership...*

## References

1. ↑ 1.0 1.1 https://yenpress.com/titles/9781975375812-goblin-slayer-side-story-year-one-chapter-90
Year One Manga Chapter 97

This is the ninetieth-seventh chapter of the Year One manga.

## Official Description

*Has a goblin extermination quest lead Goblin Slayer and his elven mentor, like other parties before them, into a confrontation with one of the worlds most menacing beasts!? Or is a different but equally dark power at play in this village from which adventure never return...?*

## References

1. ↑ 1.0 1.1 https://yenpress.com/titles/9781975393083-goblin-slayer-side-story-year-one-chapter-97
Giovanni Gabrielli (1554-1612)

## Introduction

Giovanni Gabrielli is a composer and organ player. He was born in Venice circa 1554-1557. Not much is known about his childhood except that he was living in venice and studying music. He left Venice to study in Munich with Orlando de Lassus who was a big influence on Gabrielli's musical style. When he returned to Venice aroound 1955 he was employed as the primary organist at Saint Mark's Basillica. A year later his uncle, who was the primary composer, passed away and Gabrielli took his place too. Later, he became the organist for the Scuola Grande di San Rocco where he stayed for the rest of his life and firmly establishing his musical career.

## Works

In 1608 he wrote *Canzone per Sonare.* This piece has a lot of predictable that reminds me a lot of counterpoint. It sounds almost like renaissance music.

## Comparisons

Gabrielli was an innovator of music. He organized his pieces by Chapters before composers started to use op. I could compare him to his teacher, Lassus, because he adopted some of his styles. However, Gabrielli was such a pioneer I think he could only be compared to those who came after him and adopted his techniques.

## Observations

Although Gabrielli composed in many musical forms, much of his music is religious music. This makes sense as his primary jobs were composing and performing for highly sacred churches in venice. The majority of his compositions were written for San Marco and  Scuola Grande di San Rocco. He shaped the music that would be played in these church halls and also shaped music in general during this time period.

## Works Cited

https://en.wikipedia.org/wiki/Giovanni\_Gabrieli
Noriko Shibata (Add-On)

### *Surrounded by greenery in Italy*

Shibata’s piece is a beautiful modern piece that was performed by the Japanese Flute Ensemble on May 29, 2017 at the Alba Music Festival. This piece required the four leading flutists to stand in front of the ensemble in pairs. These pairs would then use call and response throughout the entire song. This style is interesting to watch, since there is a lot going on that one must keep an eye out for.
Year One Manga Chapter 8

This is the eighth chapter of the Year One manga.

## Official Description

*Goblin Slayer isn’t the only one who has to find his place in the world. Cow Girl has her own questions about her role...*
— Year One Chapter 8's official description.
## Full Summary

The young warrior's party attempts to kill the rock eater, but it only results in one of the party member's arms being eaten off. After they retreat out of the cave, the young warrior insists on rescuing the the half-elf, but the monk punches him and tells him that she is already dead.

Cow Girl discovers that the adventurer was not at home. Wanting to go out, she uses her uncle's delivery to the town to visit the Adventurer's Guild. Intimidated by the large amount of adventurers, Cow Girl is caught by surprise when Guild Girl greets her. Cow Girl manages to tell her she is the niece of the man who delivers them produce, which Guild Girl thanks her for. Later that night, Cow Girl hears a step. She investigates her home and then the shed, where she finds the resting adventurer, who soon gets up and heads out. Remembering her trip to the city and that she was unable to say the words she meant to say when she returned, Cow Girl shouted that she would be waiting for him to come home.

## Major Events

* Young Warrior's party is broken over the loss of Half-Elf Ranger and after one of their members loses his arm to the rock eater.
* Cow Girl meets Guild Girl.
Frederick Loewe (1901-1988)

## Introduction

   Frederick Loewe was born in Berlin to a musical family. His father was always traveling with his music career to the Americas and through Europe. While his parents were on these travels, they left Loewe at a cadet school even on holidays. By the age of seven, Loewe had taught himself piano. He would help his father rehearse for musicals enhancing their relationship. Loewe studied at the Berlin conservatory where he was awarded the Hollander Medal. After following his father to New York, Loewe ended up on the streets sleeping on benches in Central Park and living on the verge of starvation. He was, however, soon able to find jobs at local piano bars and night clubs to get back on track.

## Works

**I Could Have Danced All Night**

This piece was performed in Alba on May 30 by Musica Japan, a flute ensemble. It was very bouncy and kept a distinct baseline throughout the piece to mark the tempo. While it was upbeat, there were some phrases that slowed acting as a hemiola throughout the composition. Overall, it was vivace and light with quick staccato beats that always released upward.

## Comparisons/Observations

Loewe's piece was different than what had been performed at the remainder of the festival. However, it showcased his talent and what he had learned in his time in New York. I feel as though the piece was very New York City-esque and was similar to his other works. His work was moreso musical theater once he connected with Alan Jay Learner than what you would expect to hear during that time period. Most of his music is lighthearted and storylike to showcase his childhood experiences with music through his father's life.
Year One Manga Chapter 77

This is the seventy-seventh chapter of the Year One manga.

## Official Description

*A surly warlock on the trail of a certain band of dark elves has a chance encounter, and a still-recovering Heavy Warrior bolts out of his sickbed upon hearing about a goblin quest in a village near...*
## Full Summary

To her dismay, a warlock receives news that a quest to eliminate a caravan of dark elves has already been completed by someone else. As she thinks about venturing into the sewers, she comes across an axe-wielding adventurer wanting to team up with a spellcaster.

Nearby, Heavy Warrior loudly insists on eliminating the goblins near his home village, even after overworking himself over a possible promotion. His party members are unable to convince him to rest, Heavy Warrior makes his way for the exit when he comes across Goblin Slayer. The latter tells Heavy Warrior that he already killed the goblins in his village, giving Female Knight cause to drag Heavy Warrior back to bed.

## References

1. ↑ 1.0 1.1 https://www.kobo.com/ca/en/ebook/goblin-slayer-side-story-year-one-chapter-77
Year One Manga Chapter 91

This is the ninetieth-first chapter of the Year One manga.

## Official Description

*Cow Girl is hard at work maintaining the farm’s defenses. Busy hands don’t keep the mind from wandering, but Goblin Slayer returning home in a sorry state just might!*

## References

1. ↑ 1.0 1.1 https://yenpress.com/titles/9781975375829-goblin-slayer-side-story-year-one-chapter-91
Year One Manga Chapter 80

This is the eightieth chapter of the Year One manga.

## Official Description

*Goblin Slayer clears out a nest with old tricks, new tricks, and things he just makes up on the spot, one of which happens to draw some unexpected attention...*

## References

1. ↑ 1.0 1.1 https://www.kobo.com/ca/en/ebook/goblin-slayer-side-story-year-one-chapter-80
Marin Marais (1656-1728)

## Introduction

Marin Marais was a French composer during the Boroque era. Marais spent most of his life living in Paris and study string composition. He was appointed Ordinaire de la Musique de la Chambre du Roi in 1685 as part of the royal service under Louis XIV. Not much information is available on the life of Marais and what is was provided by Titon du Tillet. Titon told sources that as a child, Marais studied upright bass from Hotman and Sainte-Colombe. In 1685, Marais became a member of the royal orchestra and orchestra of the Acadèmie Royale de Musique which sparked his desire for a long life of performance and composition.

## Works

**Rondeau**

At the Alba Film Festival, a rondeau by Marais was performed. Throughout the film "All the World's Mornings", little excerpts of compositions by composers featured in the film was played by two cellists. The piece was light and the round was well-executed. The film was told through the eyes of Marais to represent the traumatic times they went through.
Year One Manga Chapter 22

This is the twenty-second chapter of the Year One manga.

## Official Description

*Alone on the farm, Cow Girl’s idle thoughts center around the person she thinks about most. Meanwhile, Goblin Slayer takes the mysterious ring to an item shop to see what he can learn.*
— Year One Chapter 22's official description.
## Full Summary

While washing Goblin Slayer's clothing, Cow Girl thinks about how she is unable to see the boy five years ago as the adventurer he is now. After thinking of what to do for him, Cow Girl decides to make him dinner.

At the blacksmith, Smith refuses to buy the ring Goblin Slayer recovered. He classifies it as a magic ring and tells Goblin Slayer that he needed to identify it before he could handle the ring, which he stated was a hassle. Deciding to keep his money for something else, Goblin Slayer is unable to afford Smith's cost, at which point the latter suggests he seek out another adventurer to identify it. Goblin Slayer promptly goes to the Adventurer's Guild, wondering which adventurer to ask.

## Major Events

* Unable to afford the cost Smith charged to identify the ring he found, Goblin Slayer is forced to find another adventurer who could.

## References

1. ↑ 1.0 1.1 https://yenpress.com/9781975355074/goblin-slayer-side-story-year-one-chapter-22/
Year One Manga Chapter 94

This is the ninetieth-fourth chapter of the Year One manga.

## Official Description

*A beautiful elf and a promise to “pay him back with her body” leads Goblin Slayer to…a vicious practice bout with wooden swords!? How does a self-taught swordsman match up against an elven master for whom spending a year training is less trouble than a human spending an afternoon?*

## References

1. ↑ 1.0 1.1 https://yenpress.com/titles/9781975389970-goblin-slayer-side-story-year-one-chapter-94
Melvin Lauf Jr. (1971-Present)

## Introduction

   Melvin Lauf, Jr. was born in Ottowa, Ohio in 1971. He was a graduate of the Armed Forces School of Music where he was enlisted in the U.S. Army Band. He spent most of his military service as a fife instrumentalist with "The Old Guard" fife and drum corps but was also stationed in Fort Knox with the Army Band "Dragoons." He is most well-known for his flute compositions but is currently a harpist with the Hampton Roads Philharmonic.

## Works

**An Offering**

This piece was performed at the Alba Music Festival by Flutes USA on June 3. Flute USA is an amateur flute ensemble of various instruments in the flute family. The women performed the peace gracefully to honor Lauf, Jr. as well as other pieces from living composers.

## Comparisons/Observations

There is not much information on the work of Lauf, Jr. due to his young age. However, mostly all of his compositions were written for flute ensembles. Most have the same theme of overlapping andante rhythms and sustained chords. A majority of the work of Lauf, Jr. is serene and, at times, misterioso. Thus far, there is not much contrast amongst the work he has produced, but all of which have been successful.
Francisco Antonioni ( B. 1971)

## Introduction

Francesco Antonioni was fortunate to grow up in a musical inclined household. Francesco was born in 1971 and started composing at an early age, received his Undergrad degree in piano and composition, and then master's degree in composition under the guidance of Azio Corghi at the Accademia Nazionale di Santa in Rome. Francesco then studied at the Royal College of Music in London with Julian Anderson and George Benjamin earning the Queen Mother Scholarship. Francesco's music is composed for orchestral music, operas, ballets, chamber music, solo and electronic music. His music is both internationally and nationally played at major festivals, concerts and broadcasted across Europe. He is widely appreciated for its refreshing originality and independence, while his roots lie within classical tradition. Currently his music focuses on innovation of many genres, from experimenting with electronics, to pop and folk song. Francesco also has background in radio on the Italian National Radio ( RAI-Radio3). "His compositions reflect the breadth of his interests, attempting a synthesis of various tendencies in contemporary art, framed into forms derived from the classical heritage."(umpgclassical) Francesco is a talented composer, proficient in his work

that he's growing in popularity working with and for intelligent composers. At the moment Francesco is working on research at the University of Cornell in the U.S. after winning a Fulbright scholarship.

## Comparisons

In comparison with all of the music played in Alba during the Alba Music festival, the Preludio diatonico n.4 is very similar to the traditional style of music that was consistently played. I felt as though this music played on the piano seems to be very much in traditional sense of style. The piano is played with very swift changing notes as well as fast pace rhythm. Yet, I feel as thought it seems to have a very relaxing tone to it as well as a calming expression. I feel like this might be because of the slower sounding tempo, even though the notes change very quickly.

## Observations

What I have observed while being able to listen to this piece in person, is that even though notes can be changed fast through out chord progressions, this does not mean that is contains a fast rhythm. I feel as though this song is very slow and relaxing to hear, rather than the faster songs that are considerably up beat and provoke a positive change in emotions.

## Work Cited

http://www.umpgclassical.com/en-GB/Composers/A/Antonioni-Francesco.aspx

https://www.youtube.com/watch?v=MyYSiBSRHnw

http://www.francescoantonioni.com/bio/
Nicky Sohn (1992-present)

## Introduction

Nicky Sohn is a composer and pianist from Seoul, South Korea. She grew up playing piano as early as 20 months old and also began to sing at an early age. After several years playing piano in her infancy, she began to compose her won music for piano which would play a major role in her future. She attended the Mannes School of Music at The New School in New York City, obtained her masters at Julliard School in New York. She is currently completing her PhD at UCLA and hopes to bring her music to Europe and South America in the future.

## Works

Wild Wash Road was played by Transient Canvas during the Alba Italy Music Festival at the Chiesa della Maddelena.

## Observations

Wild Wash Road combines elements of jazz and alternative music as well as classical to create a twister of feelings. The piece sound every different especially with the marimba, an unusual instrument. Sohn was influenced by Bill Evans, hence the sudden Jazz tunes in the piece as well as Dutilleux, a French band.

## Works Cited

https://www.nickysohn.com/

http://www.washingtonsquarewinds.org/nicky-sohn/

Composer Transcript
Peter Farmer (1941-Present)

## Introduction

Peter Russell Farmer is a composer living in Boston Massachusetts. He has degrees from Boston Conservatory and University of Minnesota. He taught music theory/composition at Berklee College of Music and Lowell State University. He began playing jazz trumpet and saxophone in his teens and still teaches saxophone lessons at Roger Williams University today. His primary job currently is as a composer and copyist.

## Works

In 2012, his *Ragout for Four* was commissioned, premiered, and recorded by the SOLI Chamber Ensemble. This work was released in 2014 on New Dynamic Records.

## Comparisons

His music has elements of all different styles, but it feels very influenced by jazz. I would compare his compositions to the improvisation of jazz music and also a lot of his pieces feel like they could be film scores.

## Observations

His composing shows his interest in the improvisational side of jazz. His melodies are all very pleasing to the ear, either trained or untrained.

## Works Cited

http://www.albacomposition.com/the-composition-faculty.html
Composer Transcript

Nicky Sohn Transcript

What is your educational background?

* started playing piano at an early age (~20 months old)
* sang and began composing piano music at 7 years old
* attended the Mannes School of Music and The New School in New York City
* obtained her masters at Julliard and is currently pursuing her PhD at UCLA

What has influenced your music?

* Nicky loves jazz, especially Bill Evans, and Dutilleuax
* She is harmonically driven, loves opera for its theater aspect

Aspirations

* would like to travel to Europe and South America and experience the different culture and add to her music palette.
Domenico Scarlatti (1685-1757)

## Introduction

   Domenico Scarlatti was an avid composer of the Boroque era. He was born in Naples but spent most of his childhood years in Rome. His father was of high musical caliber which impacted Scarlatti quickly. Through plenty of education from successful musicians, he quickly became an amazing harpsichordist. For five years, Scarlatti was maestro di cappella at the Cappella Giulia in the Vatican where he composed plenty of operas. After a period of time, Scarlatti — too curious with the unknown — dropped his position as maestro di cappella and traveled to London, Lisbon and finally Madrid where he settled until his death.

## Works

**Sonata in b minor K 87**

   Scarlatti's sonata was performed in Alba on June 2 by pianist Anne Condamin. The piece had a typical minor feel of repetitive descending lines and a melancholy theme. The sonata was slow and cantable with softer dynamics throughout.

## Comparisons

This sonata was different than what Scarlatti usually wrote. A majority of his work was marked at allegro, the slowest andante. While the piece was in b minor, it did not necessarily have to be slow and sad. In fact, most of the pieces written at allegro were also in a minor key. This piece was very different than what Scarlatti typically wrote.

## Observations

I think that for just being piano music, Scarlatti's music is complex enough to seem like there is more than one pianist performing it. Overll, his music follows a similar theme of the Boroque era to portray different messages of his life and experiences.
Johannes Brahms (1833-1897)

## Introduction

Born in Hamburg, Germany, on May 7, 1833, Brahms was considered one of the leading composers of the romantic era. He became friends with Robert Schumann and was sort of mentored by him as a composer.

## Works

The *Trio in mi bemolle maggiore, op. 40: Andante, Scherzo, Adagio Mesto, Finale: Allegro con brio* was perfomed by Quartet in the Chiesa di San Giuseppe at the Alba Music Festival in Alba, Italy on June 4, 2017.

## Comparisons

His work seemed to be a little outdated for his time because his compositions were in the style of Robert Schumann, his friend and mentor who was from an earlier generation of music.

## Observations

Brahms is considered one of the great masters of classical music with his baroque style. Using romance as one of his main inspirations, this trio has both joy and sadness locked in the piece. Violins are the main driving force in the piece while the viola is almost dubbed. The music was very smooth and delicate with sudden powerful strokes which Brahms is known for.

## Works Cited

https://www.biography.com/people/johannes-brahms-9223886
Tyler Entelisano (1995- present)

## Introduction

Tyler first became interested in
rock music when he wanted to be a drummer in a band so he started to play
percussion in his school's band. He didn’t become interested in classical music
until high school when he felt moved by some classical pieces. Since he played
the drums in band in middle school, he thought he would try it for a semester
in high school. He then got roped into doing another semester of band and that’s
when he became really interested in music and heavily involved with his high
school’s music program. His first composition was for a girl in high school that he had a crush on and he thought writing a piece for her to play would be
romantic. He then got the writing bug and realized that he enjoyed creating the
music and emotions behind it rather than merely performing it. Tyler still
plays percussion but not as much as he used to. He enjoys writing pieces for
string instruments because of how versatile they are in terms of range, genres,
expression, tone and dynamics. A couple pieces that have
strongly influenced Tyler are *Spiegel im Spiegel* by Arvo Part and *Adagio*
for Strings *by Samuel Barber.* He has been composing for seven years now*.*
This is the first festival that he has been apart of but he has already won
many awards for his music. This summer he will be attending festivals in Rome
and Greece where his music will be played. And while he is abroad, another
festival in New York will be playing his music. He just graduated from the
University of Alabama and currently doesn’t know what his future holds past
this summer of traveling.

## Works

* *Otherworldly Shimmer*
* *Glaring Contours*
* *Brake*
* *Sympathetic Vibrations*
* *Introspective Reflections*
* *Clockwork Mechanics*
* *In Due Time*
* *Upon Whom the Pale Moon Gleams*
* *I. Five Swords*
* *II. A Handful of Dust*
* *III. Upon Whom the Pale Moon Gleams*
* *Beneath the Surface*
* *Into the Valley of Death*
* *Out of the Void*
* *Microcosm*
* *On Facing My Inner Demons*
* *I. Formal Correspondence: A Stab at Understanding*
* *II. Voices in my Head: A Different Kind of Dialogue*
* *Minim*

## Comparisons

Tyler listens to a wide
variety of musicians to expand his repertoire and tries to not take too much
from the same composer’s style. He also said that he won’t copy anyone's style
or technique directly but he will try to evoke the same emotions they make him
feel but, even so in a different way than they did.

## Observations

Tyler’s composition language, or types of
material he works with, has stayed the same but his technique and how he works
with his music has changed.  He thinks
that he struggles with writing music portraying a conventionally beautiful
sound but he wants to try writing a “feel good” piece.

## Works Cited

* All of my information was taken directly from Tyler Entelisano during an interview held on June 2, 2017.
* His list of works was taken from http://www.entelisanomusic.com/works.html
Alfredo Casella (1883 - 1947)

## Introduction

Alfredo Casella was born in Turin, Italy on July 25th, 1883. He came from a family of musicians and his mother, a pianist, gave him his first music lessons as a boy. In 1896, Casella went to the Conservatoire de Paris to study piano under Louis Diémer and composition under Gabriel Fauré. His fellow students included George Enescu and Maurice Ravel.

While working in Paris, he became acquaintances with Igor Stravinsky, Manuel de Falla, and Claude Debussy, who Casella developed immense admiration for. Although Debussy was his idol, Casella's music was more romantic rather than impressionistic. His first symphony came out of this time, and conducted it in Monte Carlo in 1908.

After, he went back to Italy during World War I, and began teaching piano at the Accademia Nazionale di Santa Cecilia in Rome. He was also the principle conductor of the Boston Pops from 1927 through 1929. Casella was one-third of the Trio Italiano, along with Arturo Bonucci (cello) and Alberto Poltronieri (violin). His work with the Trio gave rise to some of his most popular and well-known pieces such as A Notte Alta, the Sonatina, and the Six Studies Op. 70 for piano. His biggest success was the ballet La Giara.

Casella also organized the Vivaldi Week, which promoted Vivaldi's works. This work exposed him to the early 20th century neoclassical revival in music and in turn, influenced his own musical style.

Casella married Yvonne Müller in Paris in 1921. He later died in Rome in 1947.

## Works

### La Serenata for five intruments Op. 46 (1927)

His piece la Serenata for five instruments Op. 46, was performed by José Cueto (violin), Nathaniel Silberschlag (french horn), Zachary Silberschlag (trumpet), Alec Manasse (clarinet), and Matthew Chen (cello) at the Alba Music Festival in Alba, Italy. This piece has five movements I. Marcia, II. Notturno, III. Gavotta, IV. Cavatina, and V. Finale. It was initially written in 1927. The second movement, Notturno, is intense and darker sounding, and the third movement Gavotta sounds sad and longing. The fourth movement picks up and begins to sound happy. This piece told a journey of someone being sad, and coming out of that darkness and becoming happy again.

## Observations

Casella is regarded as one of the best-known Italian piano virtuosos of his generation. His first period is coined as romantic, with influences of Strauss and Mahler. His work from 1939 on had great influence from the 20th century neoclassical period. His editions of JS Bach and Beethoven's piano works, among others, showed major influence on the musical tastes and styles of Italian players in further generations.

## Works Cited

https://en.wikipedia.org/wiki/Alfredo\_Casella

https://www.britannica.com/biography/Alfredo-Casella

https://upload.wikimedia.org/wikipedia/it/thumb/2/29/Casella1938.jpg/220px-Casella1938.jpg