Black Betty

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"**Black Betty**" (Roud 11668) is a 20th-century African-American work song often credited to Huddie "Lead Belly" Ledbetter as the author, though the earliest recordings are not by him. Some sources claim it is one of Lead Belly's many adaptations of earlier folk material; in this case an 18th-century marching cadence about a flintlock musket. There are numerous recorded versions, including a cappella, folk, and rock arrangements. The best known modern recordings are rock versions by Ram Jam, Tom Jones, and Spiderbait, all of which were hits.

## Meaning and origin

The origin and meaning of the lyrics are subject to debate. Historically the "Black Betty" of the title may refer to the nickname given to a number of objects: a musket[*citation needed*], a bottle of whiskey, a whip, or a penitentiary transfer wagon.

Some sources claim the song is derived from an 18th-century marching cadence about a flint-lock musket with a black painted stock; the "bam-ba-lam" lyric referring to the sound of the gunfire. In the British Army from the early 18th century the standard musket had a walnut stock, and was thus known (by at least 1785) as a 'Brown Bess'.  There is no citation however for this firearm or a subsequent model being known as a 'Black Betty'.

Other sources give the meaning of "Black Betty" in the United States (from at least 1827) as a liquor bottle. In January 1736, Benjamin Franklin published The Drinker's Dictionary in the *Pennsylvania Gazette* offering 228 round-about phrases for being drunk. One of those phrases is "He's kiss'd black Betty."

"Black Betty" used as an expression for a liquor bottle may ultimately owe its origin to the famous pretty black barmaid who worked at the notorious Tom King's Coffee House in Covent Garden, London, which opened in 1720.

In *Caldwells's Illustrated Combination Centennial Atlas of Washington Co. Pennsylvania of 1876*, a short section describes wedding ceremonies and marriage customs, including a wedding tradition where two young men from the bridegroom procession were challenged to run for a bottle of whiskey. This challenge was usually given when the bridegroom party was about a mile from the destination-home where the ceremony was to be had. Upon securing the prize, referred to as "Black Betty", the winner of the race would bring the bottle back to the bridegroom and his party. The whiskey was offered to the bridegroom first and then successively to each of the groom's friends.

David Hackett Fischer, in his book *Albion's Seed: Four British Folkways in America* (Oxford University Press, 1989), states that "Black Betty" was a common term for a bottle of whisky in the borderlands of northern England/southern Scotland, and later in the backcountry areas of the eastern United States.

In 1934, John A. and Alan Lomax in their book, *American Ballads and Folk Songs* described the origins of "Black Betty":

John Lomax also interviewed blues musician James Baker (better known as "Iron Head") in 1934, almost one year after recording Iron Head performing the first known recording of the song. In the resulting article for *Musical Quarterly*, titled "'Sinful Songs' of the Southern Negro", Lomax again mentions the nickname of the bullwhip is "Black Betty". Steven Cornelius in his book, *Music of the Civil War Era*, states in a section concerning folk music following the war's end that "prisoners sang of 'Black Betty', the driver's whip."

In an interview conducted by Alan Lomax with a former prisoner of the Texas penal farm named Doc Reese (aka "Big Head"), Reese stated that the term "Black Betty" was used by prisoners to refer to the "Black Maria" — the penitentiary transfer wagon.

Robert Vells, in *Life Flows On in Endless Song: Folk Songs and American History*, writes:

In later versions, "Black Betty" was depicted as various vehicles, including a motorcycle and a hot rod.

Black Betty is the slang name given to the Queen of Spades in the card game Hearts.

## Early recordings, 1933–39

The song was first recorded in the field by U.S. musicologists John and Alan Lomax in 1933, performed a cappella by the convict James Baker and a group at Central State Farm, Sugar Land, Texas (a State prison farm).

The Lomaxes were recording for the Library of Congress and later field recordings in 1934, 1936, and 1939 also include versions of "Black Betty". A notated version was published in 1934 in the Lomaxes book *American Ballads and Folk Songs*. It was recorded commercially in New York in 1939 for the Musicraft label by Lead Belly, as part of a medley with two other work songs: "Looky Looky Yonder" and "Yellow Woman's Doorbells". Musicraft issued the recording in 1939 as part of a 78rpm five-disc album entitled *Negro Sinful Songs sung by Lead Belly*. Lead Belly had a long association with the Lomaxes, and had himself served time in State prison farms.

## Post-1939

While Lead Belly's 1939 recording was also performed a cappella, most subsequent versions added a guitar accompaniment. These include folk-style recordings in 1964 by Odetta (as a medley with "Looky Yonder"), Dave "Snaker" Ray, and Alan Lomax himself.

In 1968 Manfred Mann released a version of the song with the title and lyrics changed to "Big Betty", on their LP *Mighty Garvey*. In 1972 Manfred Mann's Earth Band performed "Black Betty" live for *John Peel's In Concert* on the BBC, but this has not been publicly released.

In 1976 a Cincinnati band, Starstruck, recorded a rock version of the song with modified lyrics on the Truckstar label which had little success.

## Ram Jam version

In 1977, the rock band Ram Jam—which included former Starstruck and Lemon Pipers guitarist Bill Bartlett—re-released an edit of the Starstruck recording of the song with producers Jerry Kasenetz and Jeff Katz under Epic Records. The song became an instant hit with listeners, as it reached number 18 on the singles charts in the United States and the top ten in the UK and Australia. At the same time, the lyrics caused civil rights groups NAACP and Congress of Racial Equality to call for a boycott.

## Spiderbait version

"Black Betty" was the first single released from Spiderbait's album Tonight Alright, released in 2004. Produced by Sylvia Massy, this version is a slightly faster re-working of Ram Jam's hard rock arrangement.

The song was a hit in Australia, reaching number 1 on the ARIA Charts in May 2004, becoming Spiderbait's first number one single on this chart. The song also made an impression in the United States, reaching number 32 on Billboard's Mainstream Rock Songs chart in November of the same year. "Black Betty" was also featured in the movie *Without A Paddle* and Electronic Arts's 2004 game *Need for Speed: Underground 2*.

### Chart performance

 U.S. *Billboard* Mainstream Rock | 32

Other notable versions
In 2006 the University of New Hampshire administration controversially banned the playing of Ram Jam's "Black Betty" at UNH Hockey games. UNH Athletic Director Marty Scarano explained the reason for the decision: "UNH is not going to stand for something that insults any segment of society". In 2006 UNH students started the "Save Black Betty" campaign. Students protested at the hockey games by singing Ram Jam's "Black Betty", wearing T-shirts that were blue with white writing on the front "Save Black Betty" and white writing on the back "Bam-A-Lam", and holding up campaign posters at the game. The Ram Jam version was again played once at a UNH/UMaine hockey game on January 24, 2013 after a seven-year hiatus.

Selected list of recorded versions* 1933 James Baker (AKA Iron Head) and group
* 1939 Mose Platt (AKA Clear Rock)
* 1939 Huddie Ledbetter (AKA Lead Belly), originally on the 78rpm album *Negro Sinful Songs*
* 1964 Odetta, *Odetta Sings of Many Things* album
* 1964 Alan Lomax, *Texas Folk Songs* album
* 1964 Koerner, Ray & Glover, *Lots More Blues, Rags and Hollers* album
* 1968 Manfred Mann, as "Big Betty" on the *Mighty Garvey* album
* 1972 Manfred Mann's Earth Band, BBC live recording for *John Peel's In Concert* (unreleased)
* 1976 Starstruck
* 1986 Nick Cave and the Bad Seeds, *Kicking Against the Pricks* album contains a version of the entire Lead Belly medley "Looky Looky Yonder/Black Betty/Yellow Woman's Doorbells"
* 1989 Mekong Delta (band), *Toccata* 12" Maxi-Single
* 1989 Mina, *Uiallalla* album
* 1990 Ram Jam, Australia #17 single, Ben Liebrand remix of the original 1977 version called the "Rough 'n' Ready Remix"
* 1992 Electric Boys, "Dying to Be Loved" single (taken from the album *Groovus Maximus*)
* 1994 Electric Boys, *Freewheelin'* album
* 2001 The Candy Snatchers on the "Taking a Ride" EP.
* 2002 Tom Jones UK #50 single, also on the UK #36 album *Mr. Tom Jones*
* 2002 Throttlerod, on the compilation album *Sucking The '70s*
* 2005 Pumpjack, From the album *Triple Platinum*
* 2005 Molly Hatchet, on *The Dukes of Hazzard* Soundtrack
* 2006 Meat Loaf, *Bat Out Of Hell III* single B-side
* 2006 Joe Brown, *Down to Earth* album
* 2006 Ying Yang Twins' song "Dangerous" contains a sample of the Ram Jam version
* 2007 Big City Rock on the *TMNT* soundtrack
* 2007 Soil, on the re-release of the album *Throttle Junkies*
* 2008 Ministry, on their cover album *Cover Up*
* 2009 Moriarty (band)
* 2011 Jon Spencer Blues Explosion, on a split 7" single
* 2011 Melvins, on the covers album *Everybody Loves Sausages*
* 2012 Scooter, *Music for a Big Night Out* album
* 2013 Moby, on the album *Innocents* the song "The Last Day" samples Lead Belly's version of "Looky Looky Yonder"

Fleetwood Mac take-off
On Fleetwood Mac's 2003 album *Say You Will*, guitarist Lindsey Buckingham extensively quoted the chorus of "Black Betty" for his song "Murrow Turning Over in His Grave," an attack on the contemporary news media. For the "Black Betty had a child" line, Buckingham substituted the name of the reporter Ed Murrow.

See also* Roud Folk Song Index

References

1. ↑ *The Life and Legend of Leadbelly* by Charles Wolf and Kip Lornell, Published by HarperCollins, NY, 1992
2. ↑ "Brown Bess, n." OED Online. Oxford University Press, March 2016. Web. 29 April 2016.
3. ↑ Thorton, *An American Glossary*, p. 66: "**Black Betty**. A spirit-bottle. Obs. The N.E.D. has Betty, 1725. They became enamored of blue ruin itself. The hug the  *"black Betty,"*  that contains it, to their bosoms.—*Mass. Spy,* Oct. 31 [1827]: from the *Berkshire American.*"
4. ↑ Collins, *Historical Sketches of Kentucky*, p. 163: "Pretty late in the night some one would remind the company that the new couple must stand in need of some refreshment; Black Betty, which was the name of the bottle, was called for and sent up the ladder."
5. ↑ Benjamin Franklin; William Temple Franklin; William Duane (1859). *Memoirs of Benjamin Franklin, vol. 2*. Derby & Jackson. p. 496.
6. ↑ "Archived copy". Archived from the original on 2008-09-07. Retrieved 2009-01-01. Unknown parameter `|deadurl=` ignored (`|url-status=` suggested) (help)CS1 maint: archived copy as title (link)
7. ↑ *Caldwells's Illustrated Combination Centennial Atlas of Washington Co. Pennsylvania of 1876*, p. 12.
8. ↑ Lomax, John A. and Alan Lomax. *American Ballads and Folk Songs.* (1934; reprint, New York: Dover, 1994), 60-1.
9. ↑ 9.0 9.1 "Black Betty / James (Iron Head) Baker [sound recording]:Bibliographic Record Description: Performing Arts Encyclopedia, Library of Congress". Lcweb2.loc.gov. 2011-11-23. Retrieved 2014-03-25.
10. ↑ Lomax, John. "'Sinful Songs' of the Southern Negro," *The Musical Quarterly*, Vol. 20, Issue 2. (Oxford: Oxford University Press, 1934) 177-87, quoted in William G. Roy, *Reds, Whites, and Blues: Social Movements, Folk Music, and Race in the United States.* (Princeton, New Jersey: Princeton University Press, 2010) 110-1.
11. ↑ Cornelius, Steven. *Music of the Civil War Era.* (Westport, Conn.: Greenwood Press, 2004) 216.
12. ↑ see *The Land Where the Blues Began*, 1st Edition, Alan Lomax, Pantheon Books, 1993
13. ↑ Wells, Robert V. *Life Flows On in Endless Song: Folk Songs and American History.* (Board of Trustees of the University of Illinois, 2009) 156.
14. ↑ Richie Unterberger. "Deep River of Song: Big Brazos - Alan Lomax | Songs, Reviews, Credits". AllMusic. Retrieved 2016-07-26.
15. ↑ "Leadbelly Vol 1 1939–1940 - Document Records Vintage Blues and Jazz". Document-records.com. 1940-06-15. Retrieved 2014-03-25.
16. ↑ With "Spider" John Koerner, and Tony "Little Sun" Glover on *Lots More Blues, Rags, and Hollers* (Elektra - EKL 267)
17. ↑ "Texas Folk Songs - Alan Lomax | Songs, Reviews, Credits". AllMusic. Retrieved 2016-07-26.
18. ↑ "Manfred Mann's Earth Band - Not Quite Overnight Sensations (pt 2)". Platform-end.co.uk. Retrieved 2014-03-25.
19. ↑ Jancik, Wayne (1998). *The Billboard book of one-hit wonders*. Billboard Books. p. 371. ISBN 0823076229.
20. ↑ "NZ Top 40 Singles Chart | The Official New Zealand Music Chart". *Nztop40.co.nz*. 1977-10-23. Retrieved 2016-07-26.
21. ↑ "Top Selling Singles of 1977 | The Official New Zealand Music Chart". *Nztop40.co.nz*. 1977-12-31. Retrieved 2016-07-26.
22. ↑ "Cash Box YE Pop Singles - 1977". *50.6.195.142*. 1977-12-31. Archived from the original on 2016-03-04. Retrieved 2016-07-26. Unknown parameter `|deadurl=` ignored (`|url-status=` suggested) (help)
23. ↑ Melamed, Kristen. "This "Betty" won't play anymore" (web reprint). Retrieved 2008-03-19.
24. ↑ "Black Betty / Mose (Clear Rock) Platt [sound recording]:Bibliographic Record Description: Performing Arts Encyclopedia, Library of Congress". Lcweb2.loc.gov. 2011-11-23. Retrieved 2014-03-25.

Bibliography* Collins, Lewis. *Historical Sketches of Kentucky*. Cincinnati: James & Co. (1848).
* Thornton, Richard H. (ed.). *An American Glossary*. Philadelphia: J.B. Lippincott Company (1912).

External links* Black Betty at AllMusic
* SecondHandSongs: List of cover versions
* Template:MetroLyrics song

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