recursal/Fanatic-Fandom huggingface dataset:
Kyrgyzstan

**Kyrgyzstan** has participated in the Velnakin World Song Contest 3 times, debuting in the twentieth contest.

## History

### **Velnakin World Song Contest 20**

Further information: Kyrgyzstan in the Velnakin World Song Contest 20
### **Velnakin World Song Contest 21**

Further information: Kyrgyzstan in the Velnakin World Song Contest 21
### **Velnakin World Song Contest 22**

Further information: Kyrgyzstan in the Velnakin World Song Contest 22

## Contestants

Table key
  Winner
  Second place
  Third place
  Last place

  21 | Kyrgyz
  22 | Kyrgyz
Guatemala

**Guatemala** has participated in the Velnakin World Song Contest 2 times, debuting in the fourteenth contest.

The country didn't manage to qualify to the Grand Final. Their best result is 11th in the 14th edition semifinals.

## History

### **Velnakin World Song Contest 14**

Further information: Guatemala in the Velnakin World Song Contest 14
### **Velnakin World Song Contest 15**

Further information: Guatemala in the Velnakin World Song Contest 15

## Contestants

Table key
  Winner
  Second place
  Third place
  Last place

  15 | Spanish
 Did not participated between 16 and 24
Bias

Tube amp bias typically refers to the amount of electrons passing through the grid of a vacuum tube. This phenomenon also changes as vacuum tubes warm up.

In the context of the Fender Mustang Amps, Fender Fuse Software, and Remuda App, it refers to an emulation of the amp model's tube being colder or hotter state.

* LOW: emulates colder tubes for a cleaner sound
* HIGH: emulates hotter tubes for a more tube-distorted sound

In the case of the amps without power tube saturation emulation using the Master Volume FUSE control, increasing the BIAS parameter to the max will help obtain a somewhat similar effect.
Karneval-fanon-characters Wikia

## Welcome to the Karneval Fanon Wikia!

Welcome to the Karneval Fanon Wiki! Post your OC's and get critiques and maybe RP partners.

## Get Started~

New and don't know what to do? Here are a few helpful links to get you started?

* Character Page Layout Guide
* Fanfiction Page Layout Guide

## Latest activity

Photos and videos are a great way to add visuals to your wiki. Find videos about your topic by exploring Wikia's Video Library.

File:Placeholder
Character Page Layout Guide

**A Note:** If some areas of this layout or unavailable or don't make sense to you to put out (due to the stage of the development process, etc., please contact this person before leaving them out. If areas are optional, they will be listed as such.

**Character Name** (Kanji, *Romaji*) is a -occupation and affiliations + any other vital information (ex. spouses, ranks, etc.).

## Abilities

### Ability 1

Use sub-heading 1 to define each specific ability.

### Character 1

Use sub-heading 1 to define their relationship with the character. Link if possible.

## Quotes

-Optional-

* "Quote 1"
* "Quote 2"
* "etc."

## Trivia

* Fun fact 1
* Fun fact 2
* Add more as needed
Aya

**Weight** | 114 lbs

Aya (アヤ) is one of the 2nd ships fighters.

## Appearance

White spiked hair with two ponytails. Pale skin. Violet eyes.

## Personality

She is a nice girl who has a scary past history. She likes to play with sheep and likes to go outside the 2nd ship and go to the city. Always she is happy but she does not like boring persons. She wants to see Gareki because she heard about him and she want to befriend with Gareki.
Tips and Tricks: Built-In Effects

## High-gain sounds

### Overdrive/Boost for rhythm tones

When using high gain amp models, such as the American 90s and the Metal 2000, it can be difficult to keep the bass under control when the gain is pushed past 4. Using a clean overdrive or a boost pedal will keep the bass frequencies under control, while allowing for very long sustain. If the overdrive pedal is mid-heavy, it is recommended to dial out the mids slightly on the amp, as to not make the rhythm tone too bright.

### Overdrive/Boost for lead tones

While the 4x12V cabinet can help in creating lead tones, using an overdrive/boost pedal can really make the amp sing. When dialing in the overdrive/boost, it's best to keep the gain low and the level high, so that the natural dynamics of the guitar are kept, while allowing for very long sustain.
Goggles Off, Fists Down, Headphones On

**Goggles Off, Fists Down, Headphones On** (for short GOFDHO) is a one-shot written by Miraikosu. It chronicles a rather stressful day, going between Gareki and Koiso, later coming together to listen to music. It has yet to be released, but BETA reading is in the process. It will be released on Wattpad.

## Synopsis

It chronicles a rather stressful day, going between Gareki and Koiso, later coming together to listen to music.

## Author Notes

Miraikosu has said although this wasn't intended to be a romantic story, she thought it would be interesting explore what would happen if the two would develop feelings beside a level of hatred for each other.

## Featured Characters

### Canon

* Gareki
* Tsukitachi

### Fanon

* Koiso Fuchida
* Ruka Hiiragi
Fender Manuals

**Fender Mustang Quick Start Guides**

* Fender Mustang I/II Quick Start Guide
* Fender Mustang III/IV/IV Quick Start Guide
* Fender Mustang Advanced Owner's Manual
* Fender EXP-1 Expression Pedal Quick Start Guide
* Fender Mustang Floor Advanced User Guide

**Fuse Guides**

* FUSE 2.0 for Mustang I/II Guide
* FUSE 2.0 for Mustang III/IV/V and EXP-1 Pedal Guide
* FUSE 2.0 for Mustang Floor and EXP-1 Pedal Guide

See Fender's Support Website for the entire Mustang and FUSE knowledgebase.
Advanced Amp Modeling Settings

Users can control the various "advanced" amp modeling settings that effect the tone of the amp, through the FUSE software (PC/Mac) and via the LCD screen available on the Mustang III/IV/V models, and via the REMUDA Android App (Smartphones/Tablets):

* Sag
* Bias
* Noise Gate
* Cabinet Simulation (Not avail on Basic Studio Preamp)
* Blend (Not avail on all modeled Amps)
* Master Volume (Not avai on all modeled Amps)
* Presence (Not avail on all modeled Amps)
External Effects

The Fender Mustang III/IV/V include an Effects Loop to connect external effects devices to your amplifier.

The Fender Mustang III amplifier only accepts mono effects devices as it has a mono Effects Loop. "Y" adaptor cables can be used to connect a stereo device into the Mustang III's mono effects loop.

The Fender Mustang IV and V amplifiers can accept stereo or mono effects devices at line level. In use with the Mustang IV and V, a mono-in, mono-out effect unit will use one send and one return, and only effect one side of the stereo image when used without appropriate adaptors. "Y" adapter cables can also be used to connect a mono effect to the Effects Loop on the Mustang IV and V amps so that both left and right channels of the Effects Loop will be connected. However, the resulting audio signal be dual monaural and not stereo.

Connect the amp's FX SEND jack(s) to the input(s) on your external effects device and connect the amp's FX RETURN jack(s) to the output(s) on your effects device. Additionally, you can use the Effects Send as a Line Output for recording puposes or a live sound application (Mustang III-V/V1 Series).

The Mustang Floor has a mono Effects Loop that is fixed in the "pre amplifier" position.
Japan

**Japan** has participated in the Velnakin World Song Contest 18 times, debuting in the fourth contest.

## History

### **Velnakin World Song Contest 4**

Further information: Japan in the Velnakin World Song Contest 4
### **Velnakin World Song Contest 5**

Further information: Japan in the Velnakin World Song Contest 5
### **Velnakin World Song Contest 6**

Further information: Japan in the Velnakin World Song Contest 6
### **Velnakin World Song Contest 9**

Further information: Japan in the Velnakin World Song Contest 9
### **Velnakin World Song Contest 10**

Further information: Japan in the Velnakin World Song Contest 10
### **Velnakin World Song Contest 11**

Further information: Japan in the Velnakin World Song Contest 11
### **Velnakin World Song Contest 12**

Further information: Japan in the Velnakin World Song Contest 12
### **Velnakin World Song Contest 13**

Further information: Japan in the Velnakin World Song Contest 13
### **Velnakin World Song Contest 14**

Further information: Japan in the Velnakin World Song Contest 14
### **Velnakin World Song Contest 15**

Further information: Japan in the Velnakin World Song Contest 15
### **Velnakin World Song Contest 16**

Further information: Japan in the Velnakin World Song Contest 16
### **Velnakin World Song Contest 17**

Further information: Japan in the Velnakin World Song Contest 17
### **Velnakin World Song Contest 18**

Further information: Japan in the Velnakin World Song Contest 18
### **Velnakin World Song Contest 19**

Further information: Japan in the Velnakin World Song Contest 19
### **Velnakin World Song Contest 20**

Further information: Japan in the Velnakin World Song Contest 20
### **Velnakin World Song Contest 21**

Further information: Japan in the Velnakin World Song Contest 21
### **Velnakin World Song Contest 22**

Further information: Japan in the Velnakin World Song Contest 22
### **Velnakin World Song Contest 23**

Further information: Japan in the Velnakin World Song Contest 23

## Contestants

Table key
  Winner
  Second place
  Third place
  Last place

### Second Chance Round

  19 | Wagakki Band
  23 | Rey Yasuda
Tips and Tricks: Footswitches

The 2 Button Footswithch, 4 Button Footswitch, and EXP-1 Expression & Volume Pedal units that work with the Mustang III/IV/V come with twin conductor zip cord style 10" cables prefitted with 1/4 Phone plugs. These cables are **not** shielded.

If your application requires runs substantially longer than the 10" included cables, the use of shielded cables or Snap on ferrite choke beads at each end would be a good idea to prevent spurious RFI from getting in the line.
Mustang Modifications

As a solid-state amplifier, featuring relatively complicated electronics, there are few popular mods made to the Mustang amps.

### Swapping Speakers:

While commonly referred to as "speaker upgrades", some Mustang users argue that "upgraded" speakers impart characteristics that undermine the Mustangs' ability to accurately model.

### Rewiring Cab/Speaker

My Les Paul forum member "NYC LP Player" shared a video on how to rewire the Mustang III's speakers to easily choose from the following options:

* Option 1 - Run any amp into the combo's speaker
* Option 2 - Use the combo normally
* Option 3 - run combo to another cabinet (ex 2x10)

### Custom Cabinets:

Some examples of outstanding custom cabinets made to re-house Mustang amps:

    **Mustang III (v2) Internal Photos**:

See Fender Mustang Forums' thread http://forums.fender.com/viewtopic.php?f=27&t=99362 for Thirteen (13) images posted by Forums member Patrick131184. Click on any image to access the linked image hosting site's large view of the image.

Fender Forums Thread Re:
Caster Wheels For Mustang IV (v2) Amp

Image of Caster Wheels on Mustang IV (v2) Amp
Basic Amp Settings and Control Knobs on Mustang I/II/III/IV/V Amplifiers

The basic amp settings and control knobs on the Mustang I/II and Mustang III/IV/V share many similarities but vary slightly.  The I/II lack "Middle" and "Reverb" control knobs (these can be control through Extra Hardware Parameter Controls for Mustang I/II), and have three preset knobs.  The III/IV/V have a "Middle" and "Reverb" control knobs, and a large "Push" knob- called the Data Wheel- for controlling a wider array of amp features via the III/IV/V's LCD screen.

Below is a list of the both types of amps' control knobs and a basic explanation:

* **Gain**
	+ Simulates power to pre-amp
	+ Changes volume and distortion
	+ Emphasizes guitar's harmonics more than the Volume knob
* **Volume**
	+ Changes volume for Mustang's settings; used for leveling volume on pre-sets
	+ Does NOT model Master Volume (Power Amp) of simulated amp
* **Treble**
	+ Typical high-frequency band pass filter
	+ 0 = minimum treble (most filtering of high frequencies passing through)
	+ 10 = maximum treble (least filtering of high frequencies passing through)
* **Middle** (III/IV/V only)
	+ Typical middle-frequency band pass filter
	+ 0 = minimum middle frequencies (most filtering of middle frequencies passing through)
	+ 10 = maximum middle frequencies (least filtering of middle frequencies passing through)
* **Bass**
	+ Typical low-frequency band pass filter
	+ 0 = minimum bass (most filtering of low frequencies passing through)
	+ 10 = maximum bass (least filtering of low frequencies passing through)
* **Reverb** (III/IV/V only)
	+ Controls amount reverb
		- 0 = minimum reverb
		- 10 = maximum reverb
	+ When a reverb setting is pre-set, amp will use selected reverb option
	+ When no reverb is pre-set, III/IV/V utilizes a pre-set, default reverb option
* **Master**
	+ Controls Mustang amp's solid-state power amp to speakers
	+ Changes total volume of sound output of the Mustang amp
	+ Does NOT model Master Volume (Power Amp) of simulated amp
	+ Affects all speaker volume, including the AUX Input signal
* **Presets** (I/II only)
* **MOD** (I/II only)
	+ Modulation
* **DLY/RVB** (I/II only)
	+ Delay / Reverb
* **Push / Data Wheel** (III/IV/V only)
	+ ​Used for dialing though and selecting (push) from an array of the amp's features via the LCD screen
	+ Labeled on the amp as "Push", it's also called the Data Wheel.

Fender FUSE software, or the Remuda Android App , may be used for full amp control and editing.
Noise Gate

> "A noise gate controls the volume of an audio signal. Comparable to a compressor, which attenuates signals above a threshold, noise gates attenuate signals that register below the threshold. However, noise gates attenuate signals by a fixed amount, known as the range. In its most simple form, a noise gate allows a signal to pass through only when it is above a set threshold: the gate is 'open'. If the signal falls below the threshold no signal is allowed to pass (or the signal is substantially attenuated): the gate is 'closed'. A noise gate is used when the level of the 'signal' is above the level of the 'noise'. The threshold is set above the level of the 'noise' and so when there is no 'signal' the gate is closed. A noise gate does not remove noise from the signal. When the gate is open both the signal and the noise will pass through."
>
>

 Wikipedia entry for *Noise Gate*
The Fender Mustang amp, Fender Fuse software, and the Remuda App, offer five pre-set Noise Gate settings and manual controls.

* Pre-sets:
	+ **Off**
	+ **Low**
	+ **Mid**
	+ **High**
	+ **Super**
* Manual Controls:
	+ **Thresh**old - sets the level at which the Noise Gate dis/engages
	+ **Depth** - controls the amount of attenuation
Fender Fuse on Windows 11

### Installing Fender Fuse

Fender Fuse is Silverlight Application so Installing the (now unsupported) plugin is required to run the application.

* Download and install latest **Silverlight** (Silverlight 5.1.50918 (64-bit))
* Download and install latest **Fender FUSE 2.7.1** software:
	+ https://guitarpedaldemos.com/fender-fuse-mustang-v2-archive/
	+ https://www.fmicassets.com/fender/s...ware/fender\_fuse/pc/FenderFUSE\_FULL\_2.7.1.exe
	+ *Links are collected from discussion comments on this wiki*

### Fix Fender Fuse USB connection Issues (Windows 10/11)

* In some cases the Mustang Amp gets connected after installation, but after a while the FUSE software stops detecting the Mustang amplifier.
* The Fender Fuse uses **hidapi.dll** library for USB device connection. The supplied version of the library included in Fuse software is obsolete and it seems to cause problems on modern Windows. However the library is Open Source and can be upgraded to newer version.
	+ Download newer version of **hidapi.dll** form official site (hidapi-win.zip):
		- https://github.com/libusb/hidapi/releases/tag/hidapi-0.13.1
	+ Locate old library in your system (usually *C:\Program Files (x86)\Fender\Fender FUSE*)
	+ Update (replace) the Fender library with newer **32-bit** version of the **hidapi.dll** (x86 folder in the zip file).
	+ Run Fender FUSE software. The Mustang amp should now be able to connect successfully.
* *Tested on Windows 11 - 22H2 with Fender Mustang I V2*

### Import multiple presets to PC library at once

* Download any of the available presets packs to your PC
	+ e.g. https://guitarpedaldemos.com/fender-fuse-mustang-v2-archive/
* Copy selected presets to *Documents\Fender\FUSE\Presets* folder
* Run FUSE software. The presets should be now available in your library

### Clear Silverlight Cache (Clear Fender Fuse IE settings)

* Open **Edge browser**
* In settings set: **Allow sites to be reloaded in Internet Explorer mode (IE mode)** to Enabled
* Press Control + Shift + Delete to clear caches, in the bottom there should be a line with **Clear Browsing data for IE Mode** to clear cache for old IE and Silverlight applications.
REVERB Effects

The Fender Mustang amp offers **10 on-board REVERB effect "pedals"**. Reverb emulates the effect of sound reflecting off a number of objects, causing a large number of reflections and decaying as the sound is absorbed.

## Reverb Effects

The Fender Mustang amps and Fender Fuse software offer ten on-board reverb effects.

* Small Hall - emulates sound reflecting in a small hall
* Large Hall - emulates sound reflecting in a large hall
* Small Room - emulates sound reflecting in a small room
* Large Room - emulates sound reflecting in a large room
* Arena - emulates sound reflecting in an arena
* Ambient - ethereal, dreamy reverb
* Small Plate - emulates a small mechanical plate reverb
* Large Plate - emulates a large mechanical plate reverb
* '63 Fender Spring - Spring type emulates old mechanical reverbs known for a "sproingy", metallic sound and used in the '63 Fender Twin Reverb.
* '65 Fender Spring - Spring types emulate old mechanical reverbs known for a "sproingy", metallic sound and used in the '65 Fender Deluxe Reverb.

## Reverb Settings

* Level – Adjusts the output level of the effect
* Decay – How long it takes for the sound “reflections” to fade out
* Dwell – Time for sound to fade out.
* Diffusion – Sets the reflecting “surfaces” ability to spread the sound. Contrast a sound wave reflecting off a flat wall with a multi-faceted wall.
* Tone – High frequency band pass filter (100% = max treble)
Helpful Fender Forum Threads

Fender forum member MusicLaw did some digging and rehashed some of the most helpful threads from the Fender Forums.  I intend to better integrate the significant content from these threads into the Wiki, but in the mean time...

Fender Mustang Controls and FUSE

How to Get "Light Distortion"

Playing Multiple Mustangs

Mustang Set-Up Advice

Precision Movement of Controls in FUSE

"Fizz" on a v2

Caster Wheels for Mustang IV (v2) Amp

Since March 2020 the **forums.fender.com** is closed. The only way to access its posts is through the **Wayback Machine** service: web.archive.org. It allows to enter a URL and select the previous state of the page from an earlier date.
Special Credits and Thanks

This being a Wiki, I suppose it's uncommon to single out people for special credit or thanks. Regardless, this Wiki wouldn't have launched if it hadn't been for the excellent work and special contributions of Fender Forum members FFXIhealer and MusicLaw , and the author of the blog "Riding the Mustang" . I'd also like to thank Shane at In The Blues, for his voluminous contributions on YouTube, which have been re-posted here extensively.

- Michael\_B/TeleBlaster/RickenAxer
Fuse Overview

Fender Fuse allows you to control your amplifier/ footpedal from your computer and to perform functions beyond what the products provide on their own. It is a preset editor, a librarian for media files and your connection to the Fender online community.

**Mustang I/II Users:** Fuse makes the amps *significantly* more full featured and useful.

**Mustang III/IV/V Users:** While the amp's LCD screen allows users access to almost all of Fuse's controls, Fuse offers some additional benefits and is, arguably, an easier/faster to control interface during pre-set set-up.

Fender's Fuse Owner's Manual is quite useful and should be used.  Much of the Wiki information about Fuse comes directly from the guide and is included in the WIki simply for the convenience of Wiki users.
Amp Model Master Volume

**Master Volume**:

* Emulates the Power Amp section volume control of the modeled amp
* Controls volume and overdrive

It is displayed only in the Advanced Amp settings for the following amp models:

* Basic '90s
* British '60s
* British '70s
* British '80s
* Brit Color
* Brit Watts
* Metal 2000s
* Fender Super Sonic

Most amps don't have a "Master Volume" control under Advanced, because those actual amps don't have a power-amp volume control; they had only a pre-amp volume control (also known as Gain). Such amps always ran "full-tilt" and depended on how much gain/volume was coming out of the pre-amp section to determine how much was going to the speakers. You usually find this on either really old amps or smaller, low-wattage amps.

Supported by Fender FUSE software, and the REMUDA Android App.
Presence

Fender Fuse software, the Remuda Android App, and the Mustang III/IV/V amps' Advanced Amp Settings allow users to control Presence for some of the modeled amps.

**Presence**

* Tone adjustment for the ultra-high tones (more than 6 Khz and more). Adds more clarity to the sound. Given that the Celestion speaker of the Mustang is rated at 5Khz, you may notice the effect more when using a line out than using the internal speaker.
* Presence is like a Treble knob for the Power-Amp, but not quite. It is a lot different than the Treble knob in the amp's EQ section.
* Available on:
	+ '57 Fender Twin
	+ '59 Fender Bassman
	+ Basic '90s
	+ British '70s
	+ British '80s
	+ British Watts
	+ Metal 2000
Est 8 616 289

Cette Terre parallèle a été découverte lors de la mission d'exploration vers Est 20 000 000.

**Cette page contient des spoilers.**
Les informations sont classés par tome
afin de pouvoir en consulter une partie sans découvrir la suite.

## Est 8 616 289

### Dans La Longue Guerre

Dans la zone explorée lors de l'escale du Zheng-He et du Liu-Yang, la planète ne présente pas de grands arbres, des vallées asséchées et un taux d'oxygène bas.

Il est supposé que la plaque tectonique de Chine du Sud aurait dérivé vers le pôle Nord et que les plaques d'Amérique et d'Afrique seraient réunies à l'Équateur. Cette configuration pourrait expliquer qu'avec cette grande zone de terres arides, le climat soit bouleversé.

Un rapide coup d'œil à la géologie de la zone laisse à penser que la période actuelle de climat tempéré a suivi une ère glaciaire qui a elle même suivi une période où les océans étaient bien plus hauts.

L'équipage a pu apercevoir des mammifères aux allures de primates et d'écureuils vivants dans des terriers, mais surtout des milliers de tortues de toutes tailles (de quelques centimètres à la taille de chars d'assauts abritant même des oiseaux) se déplaçant en deux flots inversés, pour visiblement aller s'abreuver à un lac. Ce mouvement de population semble géré par des tortues policiers, sacoche à la ceinture et équipées de fouets et de trompes pour faire la circulation.

1. ↑ La Longue Guerre, chapitre 53
Amp Models

The Fender Mustang amps offer an array of amp models. Mustang models (I/II/III/IV/V) and versions (v.1 / v.2) differ slightly in which models are available.

The Fender Mustang features **17 amp models**:

* '60s Thrift = Sears 1964 Silvertone
* American '90s = Mesa/Boogie Dual Rectifier
* British '60s = VOX AC30
* British '70s = Marshall 1959SLP (Super Lead Plexi)
* British '80s = Marshall JCM 800
* British Color = Orange Custom Shop
* British Watts = HiWatt 100 DR103
* Fender '57 Deluxe
* Fender '57 Champ
* Fender '57 Twin
* Fender '59 Bassman
* Fender '65 Deluxe Reverb
* Fender '65 Princeton Reverb
* Fender '65 Twin Reverb
* Fender Super-Sonic (Burn) = Fender Super-Sonic 22
* Metal 2000 = Peavey 5150
* Studio Preamp = No modeling ("clean" Fender Mustang amp)

On the Mustang III/IV/V models, these Seventeen (17) Modeled Amps are located -- without any Effects configured -- in Factory Default Memory Presets: 83-99.
Additional Basic Amp Settings on Fuse

Fender Fuse software, the Remuda App for Android, and the Mustang III/IV/V amps allow users to control some additional "basic" amp settings.

* Presence
	+ Tone adjustment for the ultra-high tones (more than 6 Khz and more). Adds more clarity to the sound. Given that the Celestion speaker of the Mustang is rated at 5Khz, you may notice the effect more when using a line out than using the internal speaker.
	+ Presence is like a Treble knob for the Power-Amp, but not quite. It is a lot different than the Treble knob in the amp's EQ section.
	+ Available on:
		- '57 Fender Twin
		- '59 Fender Bassman
		- Basic '90s
		- British '70s
		- British '80s
		- British Watts
		- Metal 2000
* Bright
	+ Emulates the "Brilliance" switch available on certain '60s-era VOX AC-30 amps.
	The Brilliance switch toggles between the tonal characteristics of the 1964 VOX AC-30 Treble amp and the 1964 VOX AC-30 Normal amp (The VOX Showroom).
	+ British '60s model only

* Cut
	+ Treble cut feature (0 = minimum treble cut / more treble; 10 = maximum treble cut / less treble)
	+ British '60s model only
Tips and Tricks

Fender FUSE offers many ways to dial in the exact tone desired. Listed here are many of the functions and capabilities that may not be immediately apparent to the user.

* Experiment with different cabinets! Click on "Advanced Amp" and go through the different cabinet models using the drop down menu. Each cabinet dramatically influences the overall sound, so try all of them to find which best suits your needs. Here are some examples commonly found in community presets:
	+ British '80s Amp + 4x12 G = A heavy, thick sound, perfect for hard rock.
	+ British '80s Amp + 65PRN = A somewhat brighter tone with more bite, great for punk sounds.
	+ Metal 2000 Amp + 2x12C = Vastly different sounding gain than the default 4x12G, especially great for solos.
* Download community presets! The best way to learn the capabilities of the software are by viewing and using the presets others have created. Log in to your account at the bottom left of the window, then go to Main Menu>View>Web Community, then click "Download Presets". For those just starting out, simply leave the search box blank, sort by rating, and show 100 per page. This will give you a variety of great tones to get started with. After downloading, be sure and look at the preset and see why it sounds the way it does. What are the treble, mid, and bass settings? Is it using a different cabinet? Pedals?
	+ Use the search box to search for specific bands or even songs. There are thousands of presets out there for popular songs with all the essential pedals set up for you.
* Pedal order matters! The order in which you place your pedals will change the way they interact with each other, and changing the place can have a negligible to major effect on the overall sound. In general, you want to start with a **stomp box**, followed by **modulation**, then **delay**, then **reverb**. However, don't be afraid to experiment outside of these guidelines! See the /r/guitarpedals wiki for a more detailed explanation.
	+ There is a difference between using the pedals (placed on left side of amp) vs the rack effects (placed on right side of amp). For an easy to notice example, try placing a reverb pedal, then dragging it over to the rack side instead. Try with a high-gain amp for an especially noticeable difference.
	+ It may seem obvious, but some pedals/effects will sound different or even better with certain amps. For example, the Big Fuzz stomp box may sound muddy with many of the built in presets, but try it with the '65 Twin Reverb!
* Want to play some early QOTSA but don't want to tune down to C standard? Use the Pitch Shifter with the settings below. In theory this should work for playing drop B when actually tuned to drop D and so on.
	+ Mix: 100%. This means only the pitch shifted signal comes through, and none of the original.
	+ Pitch: -4.0. Shift down 4 semitones (or however much you want, but that will get you from E standard down to C standard).
	+ Pre Delay: 0%. No delay.
	+ Feedback: 0%. No feedback.
	+ Tone: 100%. Don't filter out any high frequencies
Extra Hardware Parameter Controls for Fender Mustang I/II

Fender shared some information on extra hardware parameter controls available on the Mustang I/II (v.1 & v.2) amplifiers:

* USB Gain Control: Press and hold EXIT and turn the Channel Volume knob
* MOD Effect Level Control: Press and hold EXIT and turn the MOD knob
* DLY/RVB Effect Level Control: Press and hold EXIT and turn the DLY/REV
* Middle Tone Control: Press and hold EXIT and turn the TREBLE knob
Tips and Tricks: Basic Amp Settings

## Volume(s) Control Tip

Some users report more satisfying results from setting the Master Volume to higher settings and using the (pre-sets) Volume control to regulate total sound output.

## Amp settings for recording and external monitoring

The speakers installed in the Mustang amps can make editing tones deceptive, so when recording or monitoring, it's always best to connect a pair of studio monitors or headphones to the headphone jack. It provides a much more accurate representation of the final tone, meaning you won't have to guess what to change when dialing in the desired tone. Mustang amp speakers are typically very low-mid heavy, so when you record, you might wonder where the mids have gone.
Baian

A medium size dragon. Full grown they are quite short compared to a Sozos, but its shoulders were still at about the same height as the head of a grown man. They are about three meters long with rugged hide covering its body like armour. It also has small angular comb-like scales that spring up in a line.

Because of their size, tranquilizing guns have almost no effect, but they can be ridden by those that they get familiar with. Even though Sozos are known for being unpredictable, Baian's are extremely stubborn and are almost harder to control.

Even when only a few months old, a Baian will quickly reach two meters with deadly claws and jaws that can bite through a man.

1. ↑ 【RNM】V.1 Ch.1 - Iron and Blood (part 2)
2. ↑ 2.0 2.1 【RNM】V.1 Ch.3 - A New Mask (part 1)
3. ↑ 【RNM】V.2 Ch.1 - Endless Battle (part 2)
Blend

**Blend** is available on the British '70 and '59 Bassman amp models.

It emulates the blending of "Normal" and "Bright" inputs. Turn the control all the way to either side to emulate one input at a time (clockwise for 100% Bright channel; counter-clockwise for 100% Normal channel).

Also supported using Fender FUSE Software, or the REMUDA Android App.
Tips and Tricks: Leveling Presets

Also see the Equalizing Presets Thread on the Fender Forums for additional information.

**Tips and Tricks: Leveling Presets** (posted by MusicLaw)

The Sound Pressure Levels (SPL) of the Seventeen (17) Basic Modeled Amps in the (v2) Mustang III/IV/V factory Presets 83 through 99 vary dramatically -- by as much as 10dba with the Mustang's Master Volume set at 3 (or 4)! Many users find it helpful to equalize the Volumes amongst the modeled amp Presets to subsequently customize further and save.

These 17 factory Presets have their FX banks set to "Empty." This presents each modeled amp's unique sound characteristics with its own distinct factory default configuration of parameter value settings.

Measured at a distance of Three Feet (3') perpendicular to the front center of the speaker cabinet an A-weighted, calibrated db meter was used to measure the SPLs of the 17 factory default modeled amp Presets with the (v2) Mustang IV's Master Volume set at 3 and 4. The results are below.

As the Basic Preamp modeled amp (Preset 83) produces the quietest SPL, and has a factory default Preset Volume value setting of 10, this Preset's SPL value was used as the reference. The Preset Volume of each of the other 16 factory default Basic Amp Presets were noted and then attenuated (reduced) to approximately equalize their respective SPLs to that of the Basic Preamp Preset. That information is below.

The test used an Epiphone Les Paul Custom Pro with both Probucker pickups in the normal phase position with the guitar's vol and tone pots wide open. An open G chord was aggressively strummed repeatedly using a pick to attain the highest SPL. The REMUDA App was used for Amp control values.

Also see the Equalizing Presets Thread on the Fender Forums for additional information.
Brazil

**Brazil** has participated in the Velnakin World Song Contest 11 times, debuting in the fifth contest.

## History

### **Velnakin World Song Contest 5**

Further information: Brazil in the Velnakin World Song Contest 5
### **Velnakin World Song Contest 6**

Further information: Brazil in the Velnakin World Song Contest 6
### **Velnakin World Song Contest 7**

Further information: Brazil in the Velnakin World Song Contest 7
### **Velnakin World Song Contest 8**

Further information: Brazil in the Velnakin World Song Contest 8
### **Velnakin World Song Contest 16**

Further information: Brazil in the Velnakin World Song Contest 16
### **Velnakin World Song Contest 17**

Further information: Brazil in the Velnakin World Song Contest 17
### **Velnakin World Song Contest 19**

Further information: Brazil in the Velnakin World Song Contest 19
### **Velnakin World Song Contest 20**

Further information: Brazil in the Velnakin World Song Contest 20
### **Velnakin World Song Contest 21**

Further information: Brazil in the Velnakin World Song Contest 21
### **Velnakin World Song Contest 22**

Further information: Brazil in the Velnakin World Song Contest 22
### **Velnakin World Song Contest 23**

Further information: Brazil in the Velnakin World Song Contest 23

## Contestants

Table key
  Winner
  Second place
  Third place
  Last place
Luxembourg

**Luxembourg** has participated in the Velnakin World Song Contest 8 times, debuting in the sixteenth contest.

## History

### **Velnakin World Song Contest 16**

Further information: Luxembourg in the Velnakin World Song Contest 16
### **Velnakin World Song Contest 17**

Further information: Luxembourg in the Velnakin World Song Contest 17
### **Velnakin World Song Contest 18**

Further information: Luxembourg in the Velnakin World Song Contest 18
### **Velnakin World Song Contest 19**

Further information: Luxembourg in the Velnakin World Song Contest 19
### **Velnakin World Song Contest 20**

Further information: Luxembourg in the Velnakin World Song Contest 20
### **Velnakin World Song Contest 21**

Further information: Luxembourg in the Velnakin World Song Contest 21
### **Velnakin World Song Contest 22**

Further information: Luxembourg in the Velnakin World Song Contest 22
### **Velnakin World Song Contest 23**

Further information: Luxembourg in the Velnakin World Song Contest 23
## Contestants

Table key
  Winner
  Second place
  Third place
  Last place
Tips and Tricks: Pre-Sets

## Organizing Pre-Sets

However you choose to re-organize pre-sets, it is recommended that you read "Managing Pre-Sets".

### Song

Some users organize their pre-sets so that successive banks will follow the progression of guitar parts for particular songs. For example, 01 may be set for a tone to be played under vocals, whereas 02 may be louder and modified for a lead section. For Android users, the REMUDA App's Drag and Drop Preset Reorganizing and Performance Mode Song Preset features makes this very easy!

### Set-List

A suggestion that comes up frequently is to organize pre-sets, in order of a set-list. The benefit of this method is obvious, but there are draw-backs such as having to manage pre-sets as set-lists are modified. For Android users, REMUDA's Drag and Drop Preset Reorganizing and Performance Mode Set List Features makes this very easy!

### Amp

An alternative idea is to organize pre-sets by amp. For example, grouping unique '65 Princeton pre-sets in banks 01-10, '59 Bassman pre-sets 11-20, etc.

### Tone

Others have shared that they have organized their pre-sets by tone (e.g., clean, crunch, high-gain, etc.)
Managing Pre-Sets

With the Fender Mustang amps offering as many as 100 Pre-Sets, easily managing the pre-sets can be a problem. Unfortunately, the Fuse software falls short in this respect. Luckily, enthusiastic Fender Mustang and Fuse community users have stepped up to fill this gap.

## Horse Tamer (Windows)

A Fender forum user by the name of ischenitte created a Windows program called Horse Tamer that allows users to manipulate the backup files created by Fuse and easily reorder your preset files.

## Speed Shop (Mac)

Josh Buhler, another Fender forum member, created Speed Shop, a program for Mac OS that is similar in many respects to Horse Tamer.

Unfortunately, the link seems to be no longer working. Message that comes up is: "This link doesn't work anymore."

## Remuda (Android)

Remuda is an Android app developed by Triton Interactive. In their marketing material, they describe it as:

> A complete editing and control application for your Fender Mustang (V.2) amplifier. Provides complete "deep" editing of all Presets, Effects, and Amplifiers. Direct mode allows drag and drop re-ordering of presets. Performance mode lets you build a complete "set list" of song-by-song Presets, with multiple presets per song. Requires Android version 3.0 or later and a USB OTG (On-The-Go) adapter/cable to connect your Tablet or Smartphone to the amplifier.
>
>

Remuda now supports all Mustang V.1 and V.2 amplifiers! The software is updated regularly, with newly added and improved features. Some of the latest features include a Backing Tracks Player in Performance Mode for Set List Songs; A Favorites Mode for choosing Presets grouped to display only Favorited Presets for concise viewing, comparing, and faster easier Preset tweaking without needing to move, renumber or rename Presets to temporarily group them; Backup and Restore to preserve and grow your Presets library beyond your amp's capacity and for sharing Preset backups; and Color Indicators coordinating with the Panel LEDs on Mustang I and II models.

REMUDA is also offered free of charge as REMUDA LITE which is limited to Eight (8) Presets and otherwise identical to the full version.

See the Wiki's more detailed REMUDA App Page here.
Fender Mustang Schematics

A recent post to the Fender Forums (see: http://forums.fender.com/viewtopic.php?f=27&t=100594) contains several links to PDF's purportedly of the Fender Mustang Schematics.

> Hi all,
>
>
> This is my first post in Fender Forums.
>
>
>
> I'm a 5 year owner of a Strato American Deluxe HSS, and I just purchased a Mustang IV (V.2).
>
>

> In the urge of finding out the most about this awesome amplifier I came across a lot of users wanting to access the schematics of their amplifiers. Having an Electrical Engineering degree and being curious as hell, I began searching those around, and after doing some advanced Google searching I stumbled upon these:
>
>

> **Mustang V**: http://www.fmicassets.com/Damroot/Original/10001/2300500\_gamp\_schematic.pdf
>
>

> **Mustang IV**: http://www.fmicassets.com/Damroot/Original/10001/2300400\_gamp\_schematic.pdf
>
>

> **Mustang III**: http://www.fmicassets.com/Damroot/Original/10001/2300300\_gamp\_schematic.pdf
>
>

> **Mustang I & II**: http://www.fmicassets.com/Damroot/Original/10001/2300200\_gamp\_schematic.pdf
>
>

> **Mustang Mini**: http://www.fmicassets.com/Damroot/Original/10001/230006\_gamp\_schematic.pdf
>
>

> **Mustang Floor**: http://www.fmicassets.com/Damroot/Original/10001/2301060\_gamp\_schematic.pdf
>
>

> They appear to be legit, but of course I can't tell it for sure.
>
>

> Disclaimer: I'm not responsible for these files neither I have control over their availability. They are publicly available through a Google link resulting from a trivial search string.
>
>
Philippines

**Philippines** has participated in the Velnakin World Song Contest 1 time, debuting in the twenty-third contest.

## History

### **Velnakin World Song Contest 23**

Further information: Philippines in the Velnakin World Song Contest 23
### **Velnakin World Song Contest 24**

Further information: Philippines in the Velnakin World Song Contest 24

## Contestants

Table key
  Winner
  Second place
  Third place
  Last place

  24 | To be decided
Austria

**Austria** has participated in the Velnakin World Song Contest 1 time, debuting in the twenty-third contest.

## History

### **Velnakin World Song Contest 23**

Further information: Austria in the Velnakin World Song Contest 23
### **Velnakin World Song Contest 24**

Further information: Austria in the Velnakin World Song Contest 24

## Contestants

Table key
  Winner
  Second place
  Third place
  Last place

  24 | French
Bulgaria

**Bulgaria** has participated in the Velnakin World Song Contest 8 times, debuting in the fifth contest.

## History

### **Velnakin World Song Contest 5**

Further information: Bulgaria in the Velnakin World Song Contest 5
### **Velnakin World Song Contest 6**

Further information: Bulgaria in the Velnakin World Song Contest 6
### **Velnakin World Song Contest 7**

Further information: Bulgaria in the Velnakin World Song Contest 7
### **Velnakin World Song Contest 8**

Further information: Bulgaria in the Velnakin World Song Contest 8
### **Velnakin World Song Contest 9**

Further information: Bulgaria in the Velnakin World Song Contest 9
### **Velnakin World Song Contest 21**

Further information: Bulgaria in the Velnakin World Song Contest 21
### **Velnakin World Song Contest 22**

Further information: Bulgaria in the Velnakin World Song Contest 22
### **Velnakin World Song Contest 23**

Further information: Bulgaria in the Velnakin World Song Contest 23
## Contestants

Table key
  Winner
  Second place
  Third place
  Last place
Kazakhstan

**Kazakhstan** has participated in the Velnakin World Song Contest 3 times, debuting in the seventh contest.

## History

### **Velnakin World Song Contest 7**

Further information: Kazakhstan in the Velnakin World Song Contest 7
### **Velnakin World Song Contest 20**

Further information: Kazakhstan in the Velnakin World Song Contest 20
### **Velnakin World Song Contest 23**

Further information: Kazakhstan in the Velnakin World Song Contest 23
## Contestants

Table key
  Winner
  Second place
  Third place
  Last place
Romania in the Velnakin World Song Contest 22

* Ursache Claudiu
**22**

Romania participated in the Velnakin World Song Contest 22 with the song "Da, mamă", written by Carla's Dreams, Ursache Claudiu and Alex Cotoi The song was performed by Romanian singer Delia. Romanian broadcaster Televiziunea Română (TVR) announced on December 11, 2015 that she will represent the country in the contest which will take place Sydney, Austrlia.

In the third of the Velnakin semi-finals "Da, mamă" placed second out of the 14 participating countries, securing its place among the 28 other songs in the final. In Romania's 21st Velnakin appearance on 4 February 2016, Delia finished in thirteen place, receiving 95 points.
Malaysia

**Malaysia** has participated in the Velnakin World Song Contest 8 times, debuting in the eighth contest.

## History

### **Velnakin World Song Contest 8**

Further information: Malaysia in the Velnakin World Song Contest 8
### **Velnakin World Song Contest 9**

Further information: Malaysia in the Velnakin World Song Contest 9
### **Velnakin World Song Contest 10**

Further information: Malaysia in the Velnakin World Song Contest 10
### **Velnakin World Song Contest 11**

Further information: Malaysia in the Velnakin World Song Contest 11
### **Velnakin World Song Contest 12**

Further information: Malaysia in the Velnakin World Song Contest 12
### **Velnakin World Song Contest 13**

Further information: Malaysia in the Velnakin World Song Contest 13
### **Velnakin World Song Contest 17**

Further information: Malaysia in the Velnakin World Song Contest 17
### **Velnakin World Song Contest 18**

Further information: Malaysia in the Velnakin World Song Contest 18

## Contestants

Table key
  Winner
  Second place
  Third place
  Last place
Switzerland

**Switzerland** has participated in the Velnakin World Song Contest 8 times, debuting in the sixth contest.

## History

### **Velnakin World Song Contest 6**

Further information: Switzerland in the Velnakin World Song Contest 6
### **Velnakin World Song Contest 7**

Further information: Switzerland in the Velnakin World Song Contest 7
### **Velnakin World Song Contest 8**

Further information: Switzerland in the Velnakin World Song Contest 8
### **Velnakin World Song Contest 9**

Further information: Switzerland in the Velnakin World Song Contest 9
### **Velnakin World Song Contest 10**

Further information: Switzerland in the Velnakin World Song Contest 10
### **Velnakin World Song Contest 11**

Further information: Switzerland in the Velnakin World Song Contest 11
### **Velnakin World Song Contest 12**

Further information: Switzerland in the Velnakin World Song Contest 12
### **Velnakin World Song Contest 21**

Further information: Switzerland in the Velnakin World Song Contest 21
## Contestants

Table key
  Winner
  Second place
  Third place
  Last place
Liechtenstein

**Liechtenstein** has participated in the Velnakin World Song Contest 9 times, debuting in the eleventh contest.

## History

### **Velnakin World Song Contest 11**

Further information: Liechtenstein in the Velnakin World Song Contest 11
### **Velnakin World Song Contest 12**

Further information: Liechtenstein in the Velnakin World Song Contest 12
### **Velnakin World Song Contest 13**

Further information: Liechtenstein in the Velnakin World Song Contest 13
### **Velnakin World Song Contest 14**

Further information: Liechtenstein in the Velnakin World Song Contest 14
### **Velnakin World Song Contest 15**

Further information: Liechtenstein in the Velnakin World Song Contest 15
### **Velnakin World Song Contest 16**

Further information: Liechtenstein in the Velnakin World Song Contest 16
### **Velnakin World Song Contest 17**

Further information: Liechtenstein in the Velnakin World Song Contest 17
### **Velnakin World Song Contest 19**

Further information: Liechtenstein in the Velnakin World Song Contest 19
### **Velnakin World Song Contest 20**

Further information: Liechtenstein in the Velnakin World Song Contest 20
## Contestants

Table key
  Winner
  Second place
  Third place
  Last place
Barbados

**Barbados** has participated in the Velnakin World Song Contest 2 times, debuting in the ninth contest.

## History

### **Velnakin World Song Contest 9**

Further information: Barbados in the Velnakin World Song Contest 9
### **Velnakin World Song Contest 17**

Further information: Barbados in the Velnakin World Song Contest 17

## Contestants

Table key
  Winner
  Second place
  Third place
  Last place

  17 | English
Bosnia and Herzegovina

**Bosnia and Herzegovina** has participated in the Velnakin World Song Contest 8 times, debuting in the fifth contest.

## History

### **Velnakin World Song Contest 5**

Further information: Bosnia and Herzegovina in the Velnakin World Song Contest 5
### **Velnakin World Song Contest 6**

Further information: Bosnia and Herzegovina in the Velnakin World Song Contest 6
### **Velnakin World Song Contest 7**

Further information: Bosnia and Herzegovina in the Velnakin World Song Contest 7
### **Velnakin World Song Contest 8**

Further information: Bosnia and Herzegovina in the Velnakin World Song Contest 8
### **Velnakin World Song Contest 11**

Further information: Bosnia and Herzegovina in the Velnakin World Song Contest 11
### **Velnakin World Song Contest 12**

Further information: Bosnia and Herzegovina in the Velnakin World Song Contest 12
### **Velnakin World Song Contest 13**

Further information: Bosnia and Herzegovina in the Velnakin World Song Contest 13
### **Velnakin World Song Contest 15**

Further information: Bosnia and Herzegovina in the Velnakin World Song Contest 15

## Contestants

Table key
  Winner
  Second place
  Third place
  Last place