recursal/Fanatic-Fandom huggingface dataset:
El Niño

El Niño in Natural

The Epiphone El Niño is a flattop acoustic travel guitar.

## From Epiphone (2021)

> The El Niño Travel Acoustic Outfit offers new players and travelers a timeless Epiphone tone in a size that can go anywhere! Featuring a select spruce top, layered agathis back and sides, a mahogany neck, Epiphone hardware, and a granadillo bridge. Gig bag included! Epiphone stands behind every guitar they make with a Limited Lifetime Warranty and Gibson Brands™ Customer Service.
>
>
Crestwood Custom

1962 Epiphone Crestwood Custom

### Headstock

Sloped dove wing with brass badge (1959-1961)Sloped dove wing with inlaid logo (1961-1963)Batwing (1963-1969)

## Hardware

### Tailpiece

Stop bar (1959-1962)Trem-o-Tone (1963-1969; optional 1961-1962)

## Electronics

### Pickups

Epiphone Tone Spectrum (1959-1960)Mini humbucker (1960-1969)

### Controls

2 volume, 2 tone

The Epiphone SB322 Crestwood Custom is a solidbody electric guitar. Introduced in 1959, it is the evolution of the earlier Epiphone Crestwood model. The Crestwood Custom was redesigned several times during its production run, ending in 1969.

## 1959

Upon its introduction, the Crestwood Custom featured a symmetrical, square-edged double cutaway body. Much of the body is covered with a large, symmetrical pickguard, which serves as the mounting point for a pair of mini humbucker pickups. Like other Epiphone models at the time, it inherited the sloped dovewing headstock introduced in the 1930s and a brass badge headstock emblem. These early Crestwood Custom models feature dot fretboard inlays and gold hardware.

## 1960

In 1960, the Crestwood Custom was heavily redesigned. The symmetrical, double-cutaway body was modified to have rounded edges, and the pickguard size was significantly reduced. The mini humbucker pickups were now mounted to free-standing pickup rings.

## 1961

In 1961, the Crestwood Custom was again subtly redesigned. The pickguard is now made from a transparent material, with a white striped applied to the reverse. A metallic foil Epiphone logo is applied between the pickups. The hardware was was then plated in nickel, while the fretboard inlays were upgraded to large ovals. An Epiphone Trem-o-Tone vibrato was standard.

## 1963

In 1963, the Crestwood Custom, along with the other Epiphone solidbody electric models, was drastically redesigned. The body and pickguard are now asymmetrical with a "batwing" headstock.

1959-1960 Crestwood Custom1960-1961 Crestwood Custom1962 Crestwood Custom1965 Crestwood Custom1967 Crestwood Custom
Inspired by 1964 Caballero

Inspired by 1964 Caballero in Mahogany

The Inspired by 1964 Caballero is a flattop acoustic guitar based on the 1964 Epiphone FT-30 Caballero. Unlike the vintage model, this version features X-bracing and a spruce top.

## From Epiphone (2019)

> **Historic acoustic updated with Shadow™ electronics**
>
>

> Introducing the Ltd. Ed. “Inspired by 1964 Caballero, one of Epiphone’s oldest and most classic designs. Now updated with Shadow™ electronics!
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> The Epiphone Caballero was one of the first new "modern" acoustic guitars designed and built at Epiphone’s new home in Kalamazoo, Michigan in the late 50s when it joined forces with Gibson Brands. The Caballero was a unique design for Epiphone and fit right in with the times as the folk music era was taking off. Though the Caballero stayed in production through the next decade and even longer as the FT-130, the 1964 Caballero in particular has long been a player’s and collector’s favorite.
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> Now, Epiphone celebrates one its most beloved vintage designs with the Ltd. Ed. “Inspired by” 1964 Caballero that brings all of the acoustic guitar’s best features into profile for a stunning reissue of the Epi classic. The Caballero’s small body belies a powerful, full toned “singer’s guitar” that has a punchy midrange that's perfect for both recording and for stage.
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> While dreadnaught style acoustic guitars often steal the spotlight, the Caballero has been a guitar connoisseur’s favorite precisely for its compact size which makes both picked runs and driving rhythms stand out with a sharp, focused tone that’s never boomy. And now the Caballero can plug in anywhere with the Shadow™ ePerformer HD Preamp System and Shadow™ NanoFlex HD low impedance pickup system.
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Gibson Leon Rhodes LR-1

Gibson Leon Rhodes LR-1 Prototype 01

The Gibson Leon Rhodes LR-1 is a prototype electric archtop guitar.

Leon Rhodes, best known as lead guitarist for Ernest Tubb and the Texas Troubadors, played multiple Epiphone Sheraton models in his career. After receiving a prototype Epiphone Sheraton, based on mid-1960s specifications, built by Gibson years after Epiphone production in Kalamazoo, Michigan was discontinued, Gibson and Rhodes would collaborate on a signature model combining elements of the Epiphone Sheraton with other Gibson thinline archtop guitars.

Two examples of the Gibson Leon Rhodes LR-1 are known to exist. While they likely began their life as identical guitars, each has been modified slightly since it was produced.

Features borrowed from the Epiphone Sheraton include mini humbucker pickups, the "Tree of Life" headstock inlay, block fretboard inlays split by a triangle, and the Epiphone "dove wing" headstock originating in Epiphone's New York factory and continuing through Gibson-made instruments in the early 1960s. Predating the Gibson B.B. King Lucille by several years, the thinline, dual-cutaway body does not include F holes.

A simpler version of the Leon Rhodes LR-1 was also prototyped as an Epiphone model.

The Gibson Leon Rhodes LR-1 was never mass produced.

In 2019, Carter Vintage Guitars acquired the Leon Rhodes collection and offered both examples of the Gibson Leon Rhodes LR-1 for sale.
Century

Epiphone E422T Century

The Epiphone E422T Century is a thinline archtop electric guitar, produced between 1958 and 1969. It was named after earlier Century models produced by Epiphone Inc. beginning in 1939. It is the Epiphone counterpart to the Gibson ES-125T, with some differences.

A 3/4-scale model, the E422T 3/4 Century was introduced in 1961.

## 1958

The Century was introduced in 1958, featuring an Epiphone Tone Spectrum pickup in the bridge position. It featured a sloped dove wing headstock with brass name badge.

## 1961

As parts acquired in the Epiphone purchase ran out, the Century, like most other Epiphone models, was modified, and now included a P-90 pickup. The sloped dove wing headstock remained, but later examples would feature a silkscreen logo.

## 1964

Like most other six-string Epiphone guitars, the Century switched to an hourglass headstock in 1964, and would remain virtually unchanged until Epiphone production Kalamazoo ended in 1970.

## 3/4

The Century was also offered in a 3/4 size model between 1961 and 1967. Like the full-size version, the Century 3/4 was the Epiphone equivalent of the Gibson ES-125T 3/4.

## Gallery

1959 E422T Century1961 E422T CenturyE422T 3/4 CenturyCentury 3/4 reverse
John Lee Hooker Sheraton

## Epiphone John Lee Hooker Sheraton

Epiphone John Lee Hooker Sheraton

The Epiphone John Lee Hooker Sheraton is an archtop electric guitar produced between 2000 and 2005. It is a signature model for John Lee Hooker, inspired by the 1960s Epiphone E212T Sheraton.

The John Lee Hooker Sheraton was assembled in Nashville, Tennessee from parts manufactured in Japan.
Zarothrix, Arcanist Supreme

Zarothrix, Arcanist Supreme is a Dungeon Master with Mastery 1 Modifier. Zarothrix, Arcanist Supreme is both Dungeon Master faction and also Dungeon Master type. Only 1 Dungeon Master type can be in each deck and their health will always be equal to your own. Zarothrix, Arcanist Supreme has another Mastery 1 for every 5 spells in your graveyard.
Casino USA

Epiphone Casino USA catalog image

The Epiphone USA Casino is an archtop electric guitar produced in 1996. It is based on the mid-1960s Epiphone E230TD Casino, and is the first Casino model to be produced in the United States since 1970. It was manufactured by Gibson USA in Nashville, Tennessee.

The Casino would not be wholly-manufactured in the United States again until 2021.
Daring Swindler

The Daring Swindler is a Creature with the Modifiers Last Word, Enhance, and Entrance. The Daring Swindler adds a random copy of a card in your opponents hand when The Daring Swindler activates its Last Word Modifier, unless Enhanced for 2 Plunder Coins. Then instead of the Last Word Modifier being triggered the Entrance Modifier will be triggered.
Emperor Regent

## Epiphone Emperor Regent

Epiphone Emperor Regent

The Epiphone Emperor Regent is an archtop electric guitar produced between 1995 and 2011. Though sharing a name with the 1950s Epiphone Emperor Regent, its features are more similar to Gibson archtop acoustic guitars (with additional an additional floating pickup), such as the L-5C.
Bard

### Bridge

1962-1965: "Belly-up", rosewood with pins1965-1967: "Belly-up," rosewood without pins1967-1969: Rectangular, rosewood with trapeze tailpiece

### Truss Rod Cover

1962-1964: Multi-ply, bullet1965-1969: Multi-ply, bullet with crescent with logo

### Pickguard

Epiphone, tortoiseshell

The Epiphone FT-112 Bard is a flattop, 12-string acoustic guitar. Introduced in 1962, it was slightly redesigned several times before being discontinued in 1969 when Kalamazoo production of Epiphone guitars ended. It is the Epiphone equivalent of the Gibson B-45-12.

Upon its introduction, the Bard featured a traditional "belly-up" rosewood bridge, securing the strings with pins. Like many Gibson and Epiphone acoustic models at the time, the saddle was adjustable. By 1965, the Bard was redesigned to feature a pinless bridge, securing the strings through the bridge material itself, rather than through guitar's soundboard, while retaining the adjustable saddle and bridge shape. By 1967, the Bard was redesigned again, now featuring a rectangular rosewood bridge with adjustable saddle, while the strings were secured to the guitar's end block with a trapeze tailpiece. The changes were mirrored on the concert-sized Epiphone FT-90 Serenader 12-string, as well as the Gibson B-45-12 and B-25-12 models.
Emperor (Korea)

Epiphone Emperor

The Epiphone Emperor is an archtop electric guitar produced between 1986 and 1990. Like the earlier Emperor models produced in Japan by Matsumoku and Terada, it has little in common with the earlier Emperor models produced by Epiphone Inc. or Gibson. It introduces a new body shape, dissimilar from both American- and Japanese-built models.

The Emperor was manufactured by Samick in South Korea.
Al Caiola Custom

Epiphone Al Caiola Custom

The Epiphone Al Caiola Custom is a hollowbody electric guitar produced between 1963 and 1969. It is a signature model of American guitarist Al Caiola. It was originally introduced as the Epiphone Al Caiola, but renamed following the introduction of the Epiphone Al Caiola Standard in 1966.

Unlike most Epiphone and Gibson guitars, the Al Caiola Custom features a zero fret.
December 2002

Linking page for schedule listings from **December 2002**.

December 1, 2002

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Inspired by John Lennon Casino

Inspired by John Lennon 1965 Casino

Inspired by John Lennon Revolution Casino

The Epiphone Inspired by John Lennon Casino is a hollowbody electric archtop guitar. Following the completion of the limited edition John Lennon Casino models, Epiphone launched the Inspired by John Lennon Casino models. While the original were assembled in the United States from parts made in Japan, the Inspired by John Lennon models were produced entirely in Indonesia, and offered at a much lower price.

Like the previous John Lennon Casino models, two versions of the Inspired by John Lennon Casino were offered: The 1965, based on Lennon's Epiphone E230TD Casino as it was shipped from the Kalamazoo, Michigan factory, and the Revolution, based on the guitar following Lennon's modifications, as seen in the 1968 "Revolution" short film and prominently featured in The Beatles' 1970 "Let It Be" film. Unlike the previous John Lennon Casino models, the Inspired by John Lennon Casino does not feature Lennon's original serial number, but does include his self-portrait sketch on the reverse of the headstock.
Emperor-S

Epiphone Emperor-S

The Epiphone Emperor-S is an archtop electric guitar produced by Matsumoku Industrial between 1975 and 1979. It was marketed only in Japan. Though using the Emperor model name, it features many departures from both the Epiphone Inc. Emperor Regent or the Gibson-built E112T Emperor. It is most similar to the early 1950s Gibson ES-350 or 1960s Gibson Tal Farlow model.
B. B. King Lucille (2021)

B. B. King Lucille

The B. B. King Lucille is a semihollow archtop electric guitar, based on the Gibson B. B. King Lucille. Unlike most hollow- and semi-hollow body guitars, it does not have F holes on the top and features an access panel on the back.

## From Epiphone (2021)

> Based on the famously named guitars of blues legend B.B. King, the Epiphone B.B. King Lucille was inspired by the various Gibson ES™ models he played over the years - all of which were named Lucille. Standout features that make this Lucille such a stunning guitar and loving tribute include gold hardware, Grover® Rotomatic® tuners, a Graph Tech® nut, ebony fretboard with pearloid block inlays, a brass truss rod cover with B.B. King’s name engraved on it, mother of pearl Lucille inlay on the headstock face, multi-ply binding on the body and headstock, a TP-6 tailpiece with fine tuners, and a semi-hollow body with a maple center block to reduce feedback. Unlike most semi-hollowbody guitars, the B.B. King Lucille’s top doesn’t have any f-holes; B.B. himself requested this feature to help further reduce the possibility of feedback. The electronics are equally impressive, with a six-position Varitone switch, a pair of Alnico Classic PRO™ humbucking pickups wired to CTS® potentiometers, and stereo and mono output jacks for maximum flexibility.
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December 1988

Linking page for schedule listings from **December 1988**.

December 1, 1988

December 2, 1988

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ES-335 Traditional Pro

ES-335 Traditional Pro, Inverness Green

The Epiphone ES-335 Traditional Pro is a semi-hollowbody electric archtop, based on the Inspired by Gibson ES-335. It incorporates elements of the late 1950s Gibson ES-335. It is a Guitar Center exclusive in the United States.

## Finish Options

Inverness GreenEbonyWine RedMetallic Gold
Jack Casady Bass

Jack Casady Bass in Metallic Gold

The Jack Casady Bass is a semi-hollow archtop electric bass inspired by the 1970s Gibson Les Paul Signature guitar and bass, with modifications developed by Jefferson Airplane and Hot Tuna bassist Jack Casady. Initially introduced in Metallic Gold in the 1990s, it has since been offered in a variety of finish colors.

## Finish Options

Sparkling BurgundyFaded Pelham BlueEbonyMetallic Gold
Classical E1

Classical E1 in Antique Natural

The Classical E1 is a classical acoustic guitar. Previously marketed as the PRO-1 Classic, it was renamed in 2020.

## From Epiphone (2019)

> **Learning Guitar Just Got Fun Again**
>
>

> The PRO-1 Classic is modeled after the world’s top classical guitars and features the same tonewoods used to make the best classical instruments. Classical guitars are renown for offering players incredible tone. And the PRO-1 Classic's balanced sound and PRO features makes it easy for a new player to discover their unique “voice" on guitar. The PRO-1 Classic has a Laminated Cedar top with beautiful 4-layer Black and Ivory binding and features all of the PRO Collection's breakthrough innovations. Epiphone, one of the world’s oldest and most respected guitar makers, has just made playing and learning guitar easy for everyone.
>
>
Leon Rhodes LR-1

## Epiphone Leon Rhodes LR-1

Epiphone Leon Rhodes LR-1 Prototype

The Epiphone Leon Rhodes LR-1 is a prototype electric archtop guitar.

Leon Rhodes, best known as lead guitarist for Ernest Tubb and the Texas Troubadors in the 1960s, played multiple Epiphone Sheraton guitars during his career. In 1977, years after Epiphone production in Kalamazoo, Michigan was discontinued, Gibson built a prototype Sheraton, based on mid-1960s Kalamazoo specifications, for Rhodes. In the following years, Gibson and Rhodes worked together on a signature Leon Rhodes LR-1, combining elements of the Sheraton with other Gibson thinline archtops.

Along with the ornate Gibson version of the proposed signature model, an Epiphone version was also produced, featuring minimal decoration. Predating the Gibson B.B. King Lucille signature model, all LR-1 models featured laminated arched tops with no F holes. The Epiphone model featured standard humbucker pickups, a modified trapeze tailpiece, block fretboard inlays, and a Gibson-style "open book" headstock with an inlaid Epiphone logo.

The intentions behind this prototype model are unknown, but it was never mass produced.

In 2019, the Leon Rhodes collection was acquired by Carter Vintage Guitars and offered for sale.
Howard Roberts Custom

The Epiphone Howard Roberts Custom is an electric archtop guitar introduced in 1965.

After being discontinued in 1969, it was produced in limited quantities as a Gibson model in 1969 and 1970. In 1974, with some modifications, the Gibson Howard Roberts was added to the Gibson catalog, retaining the Epiphone-style sloped dovewing headstock and Tree of Life inlay.
John Lee Hooker 50th Anniversary Sheraton

## Epiphone John Lee Hooker 50th Anniversary Sheraton

Epiphone John Lee Hooker 50th Anniversary Sheraton

The Epiphone John Lee Hooker 50th Anniversary Sheraton is an archtop electric guitar produced in 1998 to celebration 50 years of John Lee Hooker's career as a recording artist. It is a modified Sheraton II featuring a signed interior label. It was produced in Korea and limited to 50 pieces.
Elitist Casino

Elitist Casino in Vintage Sunburst

The Elitist Casino is an archtop electric guitar based on the mid 1960s Epiphone E230TD Casino. It was made in Japan.

The Elitist Casino, along with all other Elitist models, was originally marketed as part of the Elite series.

## From Epiphone (2019)

> **Elitist Casino**
>
>
> For over 135 years, Epiphone has made its reputation producing some of the greatest and most innovative musical instruments in popular music. While models such as the Broadway, Wilshire, Coronet, Emperor and Texan are some of Epiphone's most memorable models, the Casino is arguably our most famous due to its close association with The Beatles.
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> The Epiphone Elitist Casino is the ultimate Casino featuring the classic look, sound, and features that have made it the go-to guitar for two generations of rock artists including Paul McCartney, Paul Weller, Noel Gallagher, Keith Richards and Gary Clark, Jr.
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> **The Casino Story**
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> For the Epiphone Company of 1961, the Casino was a small breakthrough. After the merger with Gibson in 1957, Epiphone no longer made jazz archtops. A new era of music had arrived. The introduction of the Casino was a modern design that announced that Epiphone was ready to begin a new chapter in its long and unique history. Though from a distance the Casino had the look of an ES-335, the Casino was a true hollowbody that gave players a clear, ringing tone that could be pushed into overdrive when needed. The Casino was an ideal guitar for stage and studio and can be heard on many landmark recordings including The Beatles’ “Sgt. Peppers Lonely Hearts Club Band” and The Beach Boys’ “Pet Sounds.”
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> Maybe it’s purely coincidental that at the same time the Casino was in its planning stages at Epiphone headquarters in Kalamazoo, Michigan, the Beatles were starting out, too. By 1964, the Beatles were stars and when Paul McCartney went shopping for a new guitar that could give him the overdriven blues sound of artists like Otis Rush, he reached for a Casino. John Lennon and George Harrison soon bought their own and used their Casinos on stage and at Abbey Road throughout the band’s career. Carl Wilson of the Beach Boys, Paul Weller of the Jam, and Noel Gallagher of Oasis are just a few of the players who made great records with Casinos. And now with the Elitist Casino, you can, too!
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## From Epiphone (2006)

> Our most popular thin-line archtop, the Casino made it’s debut in 1961. Revered by players then and now, the Casino is often referred to as the Beatles guitar. This faithful re-issue features 5-ply Maple top, back and sides coupled with two USA P-90 pickups. We’ve also added Nickel hardware just like the originals.
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Frontier (Anniversary Series)

The Epiphone Frontier is a flattop acoustic guitar produced in 1993. It is a reissue of the 1960s Epiphone FT-110 Frontier. Initially marketed as a limited run of 250 pieces, Gibson Acoustic in Bozeman, Montana produced only 23 examples, plus an additional 8 examples for a collector in Japan. The first 9 were hand-signed by Master Luthier Ren Ferguson.
Casino (Original Collection)

Epiphone Casino in Natural

### Finish Options

Vintage Sunburst, Natural, Turquoise, Cherry, Ebony, Orange (American Musical/Zzounds)

## Neck

### Fretboard Material

1996-2018: Rosewood2018-present: Pau ferro

## Hardware

### Tuning Machines

Epiphone Deluxe with metal buttons (Kluson style)

### Bridge

Epiphone LockTone Tune-o-Matic (since 2015)

### Truss Rod Cover

Bullet with crescent, multi-ply with logo

## Electronics

### Knobs

Reflector, gold

The Original Collection Epiphone Casino is a hollowbody archtop electric guitar. It is based on the mid-1960s Epiphone Casino. This model is part of Epiphone's standard line. It has been in production since 1996 and re-introduced as part of the Original Collection in 2020. It was produced at factories in Korea and China.

When the Casino reissue was first introduced, the neck and body joined at the 17th fret. In 2006, when a majority of production had shifted from Korean contractors to Gibson's own factory in Qingdao, China, it was redesigned to meet at the 16th fret, improving accuracy to the vintage Kalamazoo-made model.

## From Epiphone (2021)

> **Epiphone’s Best-Selling Archtop and a Rock ‘N’ Roll Legend**
>
>

> Since 1961, the legendary Casino has been Epiphone’s best-selling archtop and a rock ‘n’ roll standard. First introduced in 1961, the Casino was just one of several new thinline archtops designed and produced at the company’s adopted new factory in Kalamazoo, Michigan that it shared with one-time competitor and new partner, Gibson. The Casino was adopted by Keith Richards of The Rolling Stones who used a Casino to record the demo for “Satisfaction” at Chess Records in Chicago. Howlin' Wolf took a Casino on his first tour of the UK, appearing on Thank Your Lucky Stars. Shortly afterward, John Lennon and George Harrison bought Casinos for the Beatles' 1966 world tour. Featuring Dogear P-90T Classic™ pickups and a 5-ply maple body with basswood top bracing. Available in Natural, Vintage Sunburst, and new Turquoise color finishes.
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## Vibrato Models

The Casino has been offered with two styles of vibrato tailpiece at various points. In the late 1990s, a version with an Epiphone-branded, Bigsby-style tailpiece was offered. At multiple points in the 2000s and 2010s, the Casino has been available with a licensed Bigsby B70 tailpiece.

## Finish Options

NaturalMetallic GoldCherryTurquoiseVintage SunburstVintage Sunburst with Bigsby B70
Elitist Country Deluxe

## Epiphone Elitist Country Deluxe

Epiphone Elitist Country Deluxe

The Epiphone Elitist Country Deluxe is an archtop eletric guitar produced between 2004 and 2008. It is a recreation of the Gibson Country Deluxe. Like other Epiphone Elitist models, it is produced in Japan.

Initially introduced as the Chet Atkins Country Deluxe in 2004, the Chet Atkins name was dropped in 2006.

## Japanese Version

As with other Epiphone Elitist models based on current or historic Gibson models, the Elitist Country Deluxe sold in Japan featured a Gibson-style open book headstock.

## Gallery

Chet Atkins headstockHeadstockJapanese market Elitist Country DeluxeJapanese market headstockJapanese headstock reverse
Gary Clark Jr. Blak & Blu Casino

Gary Clark Jr. "Blak & Blu" Casino

The Gary Clark Jr. "Blak & Blu" Casino is a hollowbody electric archtop guitar based on the late 1960s Epiphone E230TD Casino.

Clark, whose first album was also entitled "Blak & Blu" has played multiple Casinos during his career, including vintage 1966 and 1968 models.

The Gary Clark Jr. "Blak & Blu" Casino was offered with a standard trapeze tailpiece, as well as with a licensed Bigsby B70 vibrato.
Coronet

1960 Epiphone Coronet

### Headstock

Sloped dove wing with brass badge (1958-1960)Sloped dove wing with silkscreen logo (1960-1963)Batwing with silkscreen logo (1963-1969)

## Hardware

### Bridge

Wraparound, uncompensated (1958-1961)Compensated wraparound (1961-1969)

### Tailpiece

Optional Epiphone Tremotone Vibrato (1963-1969)

## Electronics

### Pickups

Epiphone Tone Spectrum (1958-1959)P-90 (1959-1969)

### Controls

1 Volume, 1 Tone

The Epiphone SB532 Coronet is a solidbody electric guitar. Introduced in 1958, it was redesigned several times during its production run, ending in 1969.

## 1958

Upon introduction, the Coronet featured a symmetrical, double-cutaway body with square edges. A large pickguard covered the lower half of the guitar's body. It features several parts acquired from the Epiphone Inc. factory in Philadelphia, including the Tone Spectrum pickup and brass badge headstock emblem. The strings are anchored to a non-compensated wraparound bridge.

## 1960

By 1960, the Coronet, like the other Epiphone solidbody electric guitars, was redesigned to feature a slimmer, rounded version of the symmetrical body. The pickguard, now symmetrical, covers the body on both sides of the strings and incldues a foil Epiphone logo. The Tone Spectrum pickup, with existing Epiphone stock running out, is replaced by a dogear P-90. The headstock, while retaining the sloped dovewing chape, transitions to an inlaid logo as brass emblems are used up. Often inconsistent, some examples include a gold silkscreen logo.

During 1961, the non-compensated wraparound bridge, installed at an angle, was replaced with the new compensated wraparound bridge (known as the "lightning bolt" and introduced with the Gibson SG), now installed perpendicular to the strings.

## 1963

Like the Crestwood Custom and Wilshire, the Coronet was majorly redesigned in 1963. Retaining the symmetrical pickguard, wraparound bridge, and P-90 pickup, the lower horn of the guitar was shortened and the headstock was replaced with a six-in-line "batwing" headstock.

## Dwight

On multiple occasions, Epiphone contracted with the Dwight music school to produce a batch of Coronet models with Dwight branding. The first, in 1962, matched the specifications of a standard Epiphone Coronet (symmetrical cherry body and pickguard with compensated wraparound bridge), but included a foil "D" logo on the pickguard and silkscreened Dwight logo on the headstock, with no visible Epiphone branding. In 1964, a second batch of Dwight-branded Coronets was produced, now matching the 1963 Coronet design. This batch retained the foil Epiphone logo on the pickguard and silkscreen headstock logo, but included a truss rod cover which read "Dwight Model."

Epiphone also produced electric guitar amplifiers with Dwight branding.

1958-1959 Coronet1960-1961 Epiphone Coronet with brass headstock badge and uncompensated bridge1961 Epiphone Coronet with silkscreen logo and uncompensated bridge1961-1962 Epiphone Coronet with compensated bridge1963-1969 Epiphone Coronet1963-1969 Epiphone Coronet with Epiphone Tremotone Vibrato1964 Epiphone "Dwight" Coronet1964 Epiphone "Dwight" Coronet headstock
B. B. King Lucille (1996)

B. B. King Lucille

The B. B. King Lucille is a semihollow archtop electric guitar, based on the Gibson B. B. King Lucille. Unlike most hollow- and semi-hollow body guitars, it does not have F holes on the top and features an access panel on the back.

Because this model was produced for a long period of time at a variety of contractor and Gibson-owned factories, the specifications vary over time.

## From Epiphone (2019)

> **B. B. King Lucille**
>
>

> When B.B. King made his first recordings for Sam Phillips’ Memphis Recording Services, King was initially known as a talented vocalist and in fact didn’t always play lead guitar on his early records. But that would all change by the mid ‘50s as King and his guitar, nicknamed Lucille, became the voice of the blues. With hits like “Rock Me Baby,” “Sweet Little Angel,” “Sweet Sixteen,” and “The Thrill Is Gone,” King put the blues on the Top 40 charts, made himself and Lucille household names, became the first blues artist signed to a major label, and with his singular vocal and guitar style, was an inspiration to a mighty generation of blues and rock artists including Otis Rush, Albert King, Buddy Guy, Michael Bloomfield, Duane Allman, and Magic Sam.
>
>

> King’s singular tone has everything you’d want to hear in electric blues guitar—a bell-like ring with a hint of overdrive, soaring highs and gritty lows, and all driven home by King’s mighty left hand tremolo. The Epiphone B. B. King Lucille was designed by B. B. King himself and puts all the tone and nuance of King’s own favorite guitar in your hands.
>
>
Caballero

The Epiphone FT-30 Caballero is a concert-sized acoustic guitar. Introduced in 1958, it was produced through 1969, when regular Epiphone production in the United States ended. It was equivalent to the Gibson LG-0. It features a solid mahogany body, supported by ladder braces. Finish colors vary between a natural mahogany or a chocolate brown, though neither were catalog options.

Like other Kalamazoo-era Epiphone guitar, it saw several minor redesigns during its production. Unusual for Epiphone guitars, it was initially produced with a traditional Gibson "open book" headstock, with the addition of a brass "bikini" badge originally intended for upright bass tailpieces. The Gibson-style headstock was used as late as 1961, eventually switching to a silkscreen Epiphone logo as brass badge stock was depleted. The headstock was eventually replaced with the sloped dovewing style inherited from Philadelphia-produced Epiphone necks, initially with the brass badge and later with a silkscreened logo. By 1964, the "hourglass" headstock was standard.

Like other Kalamazoo-made flattop acoustic guitars from both Gibson and Epiphone, the Caballero's bridge was changed several times. Initially introduced with a rectangular bridge, the rosewood bridge was replaced by an injection-molded plastic bridge with nylon saddle in 1962. Plastic bridges were discontinued in 1966 and replaced with a traditional Gibson-style "belly-up" bridge. In 1968, the Cabllero and most other Kalamazoo-made flattop acoustic guitars were redesigned with a traditional "belly-down" bridge.

## Al Caiola

In 2013, Gibson Forum member Leo Harverson, as user leonardharverson, shared several posts regarding a 1963 FT-30 Caballero that featured a facsimile of Al Caiola's signature beneath the finish on the guitar's top.[1] Unlike a standard Caballero or Gibson LG-0, it included Kluson Deluxe tuners. The guitar featured a Gibson-style open book headstock with silkscreen Epiphone logo, rather than a sloped dove wing or hourglass headstock, as would be expected of a 1963 example.

Harverson documented three examples, each with identical features: Serial number 137470, purchased by Harverson in 2013, serial number 137472, an attempt on which had been made to remove the signature, and serial number 137480, which had been listed on eBay in April 2012 and eventually sold on Reverb. Another example was posted on YouTube in 2011, though the serial number was not visible and could may have been one of the three already documented.

Harverson successfully contacted Al Caiola via email, who had no knowledge of these guitars.

In July 2022, 137470, previously owned by Harverson, was available for sale at Guitar Center in Wilmington, Delaware.

## Gallery

Al Caiola Caballero, Serial Number 137470
## References

1. ↑ https://web.archive.org/web/20220720015434/https://forum.gibson.com/topic/103186-1963-epiphone-ft30-caballero/
ES-335 (Inspired by Gibson)

Inspired by Gibson ES-335, Cherry

The Epiphone Inspired by Gibson ES-335 is a semi-hollowbody electric archtop, and the evolution of the Epiphone Dot. It is based on the early 1960s Gibson ES-335. The ES-335 is produced at a Gibson-owned factory in Qingdao, China.

## Finish Options

CherryVintage SunburstOlive Drab (American Musical/Zzounds Exclusive)
Emperor Electric

Epiphone E112T Emperor

The Epiphone E112T Emperor is a thinline archtop electric guitar. Introduced in 1959, it is the electric version of the Epiphone A112 Emperor and inspired by Emperor models produced by the independent Epiphone Inc. earlier in the 1950s. Like other Kalamazoo-era Epiphone guitars, natural-finished models were numbered E112TN.
Coronet (Original Collection)

Epiphone Coronet in Cherry

The Original Collection Epiphone Coronet is a solidbody electric guitar. It is based on the early 1960s model of the same name. Introduced in 2020, this model is the first time that the early-style, symmetrical Coronet has been produced since the original was redesigned in 1963.
Cortez

The Epiphone FT-45 Cortez is a concert-sized acoustic guitar. Introduced in 1958; it was produced through 1969, when regular Epiphone production in the United States ended. It was equivalent to the Gibson LG-2 until late 1962, when that model was replaced by the Gibson B-25 with some specification changes. Model FT-45N, indicating a natural finish, was equivalent to the Gibson LG-3 or Gibson B-25N. It featured mahogany back and sides with a spruce top.

Like other Kalamazoo-era Epiphone guitar, it saw several minor redesigns during its production. Upon introduction, it featured the "Kalamazoo" headstock inherited from Philadelphia-produced necks acquired by Gibson, branded with a brass "bikini" badge originally intended for upright bass tailpieces. In the early 1960s, with brass badge supplies running low, the Epiphone logo was silkscreened on the headstock. In 1962, the "hourglass" headstock was introduced, eventually being used on most other Epiphone guitars.

Like other Kalamazoo-made flattop acoustic guitars from both Gibson and Epiphone, the Cortez's bridge was changed several times. Initially introduced with a rectangular bridge, the rosewood bridge was replaced by an injection-molded plastic bridge with an adjustable ceramic saddle in 1962. Plastic bridges were discontinued in 1966 and replaced with a traditional Gibson-style "belly-up" bridge, retaining an adjustable saddle, now made of rosewood. In 1968, the Cortez and most other Kalamazoo-made flattop acoustic guitars were redesigned with a traditional "belly-down" bridge.
Fellkreath Cottage

This article is non-canon.The subject matter of this article or section does not take place in the "real" ***Elder Scrolls* universe**.
This article is in need of immediate attention because:**Needed references**Please improve this article however you can and remove this notice once finished.

## Fellkreath Cottage

### Type

Personal Home
Home

## Inhabitants

### Affiliation(s)

Order of the Dragon Assassins
Varian Empire

### Inhabitant(s)

Marcella Varian

**Fellkreath Cottage** is an personal home of Marcella Varian, the former Empress of the Fourth Empire. It's located on south-west of Falkreath, near the border between Skyrim and Cyrodiil.

## Background

When Marcella was deposed in a coup led by General Julius Mede who usurped the Ruby Throne, she escaped the Imperial City and went into exile and traveled to Skyrim under a new alias as Lucina Calidius. Siddgeir, the Jarl of Falkreath met the deposed Empress and rewards her, a cottage near the Skyrim-Cyrodiil border.

## Overview

The Fellkreath Cottage contains five total interiors and exteriors. The Cottage's front pouch contains a dining porch with oven, table and chairs, Garden porch with planters, Apiary, Wood chopping block and a Stables.

The inside contains a ground floor, it has a fireplace with cooking pot, a sofa with a table, a key holder, barrels and cupboards, Butter churn with custom recipes for butter and cheese and a Grinder for creating flour. In the upper floor, it had a double bed, a writing desk, dragon display shelf, a cupboards, wardrobe and chest.

The tower comes with a library with book shelves, cases and a table with a chair. On the second floor, it had a alchemy lab and a enchanter table with custom storage shelves. Display of both bug jars and unique items. On the external balcony it had a telescope, chair and table.

In the basement, it had Divine shrines, a smiting area with custom storage for ingots and ore, armory with mannequins, weapon racks, weapon plaques, and display cases. A trophy room with displays for Dragon Priest Masks, Dragon Claws and Daedric Artifacts, a bathroom with a "hot tub"-style bath, toilet, sink and a mirror who change your appearance. In a hidden room, it contains a Imperial style room, mostly for Marcella's quest to recaptured the Imperial City.

## Appearances

* *The Elder Scrolls: Rebellion* (First appearance) (Non-canonical appearance)

## References

1. ↑ 1.0 1.1 Events of *The Elder Scrolls: Rebellion*; non-canonical
2. ↑ *My Mistakes After My Disposition*
Granada

## Epiphone E444T Granada

Epiphone E444T Granada

The Epiphone E444T Granada is a thinline archtop electric guitar produced between 1962 and 1970. It is the Epiphone equivalent of the Gibson ES-120T.

The Granada features a large molded pickguard, to which the pickup and controls are mounted.

## Granada Cutaway

The E444TC Granada cutaway was introduced in 1965. It features a Florentine cutaway, but shares the features of the non-cutaway model. It is the Epiphone counterpart to the Gibson ES-120TC.
Crestwood Custom (Original Collection)

Crestwood Custom in Cherry

The Original Collection Epiphone Crestwood Custom is a solidbody electric guitar. It is based on the early 1960s Epiphone Crestwood Custom. Introduced in 2020, this model is only the second time that early-style, symmetrical Crestwood Custom has been produced since the original was redesigned in 1963.
Joe Bonamassa Lazarus 1959 Les Paul Standard

Joe Bonamassa Lazarus 1959 Les Paul Standard in Lazarus

The Joe Bonamassa Lazarus 1959 Les Paul Standard is a solidbody electric guitar introduced in 1959. It is a variation of the Epiphone 1959 Les Paul Standard. A limited edition variant was available with featured Bonamassa's signature inlaid on the fretboard.

The Joe Bonamassa Lazarus 1959 Les Paul Standard includes a vintage-inspired hardshell case.

## From Epiphone (2021)

> When blues-rock guitar legend Joe Bonamassa found "Lazarus," a rare 1959 Gibson Les Paul™ Standard, it was in poor condition and had been refinished red. Like the Biblical Lazarus, Joe's original guitar was brought back to life. Once it was restored, its stunningly figured top was revealed. Now Joe Bonamassa is once again collaborating with Epiphone, this time on a guitar inspired by his Gibson™ "Lazarus" 1959 Les Paul Standard. Featuring a one-piece mahogany neck, a mahogany body with a maple cap, topped with a wide-grain AAAA flame maple veneer, it's outfitted with Gibson BurstBucker™ pickups and 50s style wiring with CTS® potentiometers and Mallory™ capacitors. It comes in a vintage-style case with Bonamassa graphics. A Certificate of Authenticity is also included.
>
>
Casino (Japan)

Epiphone Casino

The Epiphone Casino was produced by Matsumoku Industrial in Japan between 1975 and 1979. It was marketed exclusively for the Japanese market.

Inspired by the mid-1960s Epiphone Casino, this model is the first instance of a Casino with a natural finish, inspired by John Lennon's 1965 Epiphone Casino, which he had stripped the finish from.

Natural finish
John Lee Hooker 100th Anniversary Zephyr

John Lee Hooker 100th Anniversary Zephyr

The John Lee Hooker 100th Anniversary Zephyr is a hollowbody archtop electric guitar. Created to celebrate the 100th birthday of John Lee Hooker, it is based on his 1961 Epiphone E312 Zephyr.

Only 1,000 units were produced.

## From Epiphone (2019)

> **Celebrating a Century of “Boogie Woogie” with new ProBucker™ Mini-Humbuckers**
>
>

> Epiphone proudly presents the Ltd. Ed. John Lee Hooker 100th Anniversary Zephyr Outfit honoring the 100th birthday of the “King of the Boogie Woogie,” one of the most influential artists of the 20th century. Featuring the classic Zephyr archtop design powered by new Epiphone ProBucker™ Mini-Humbuckers, Wilkinson® Deluxe machine heads, a Premium Vintage Styled Hard Case, and a leather strap.
>
>

> Made with the cooperation of John Lee Hooker's family, the new Epiphone Ltd. Ed. John Lee Hooker 100th Anniversary Zephyr Outfit is a faithful replica of Hooker's rare 1961 Epiphone Zephyr that was his main instrument on tour and in the studio for over a decade. Hooker’s original Zephyr was one of only 13 made in 1961 and only 45 Zephyrs were produced between 1959 and 1963. Now, 55 years later, what better way to reintroduce the Zephyr than to honor John Lee Hooker! Limited to 1,000 units.
>
>
Broadway (1997)

Broadway in Vintage Natural

The Epiphone Broadway is an archtop electric guitar inspired by the 1960s Epiphone E252 Broadway, with the profile of the Gibson Byrdland.

## From Epiphone (2019)

> **Featuring Alnico Classic™ Humbuckers and new Vintage Natural Finish**
>
>

> For over 70 years, the classic Epiphone Broadway has been considered the ultimate hollowbody jazz guitar. Now the Broadway has a beautiful new Vintage Natural Finish with Alnico Classic™ Humbuckers, a vintage styled Frequensator™ Split Trapeze tailpiece, and Grover® Rotomatic™ machine heads.
>
>

> **On Broadway**
>
>

> The Broadway has been part of the Epiphone catalog since 1931 when founder Epi Stathopoulo introduced the Masterbilt Archtop Collection. Inspired by his father Anastasios who founded the original company as the House of Stathopoulo, Epi was determined to make great sounding instruments with quality materials that were affordable to working musicians—a model that Epiphone still follows today. The original Epiphone showroom on West 14th Street in Lower Manhattan was open to the leading guitarists of the day like Les Paul and George Van Eps who all played a part in inspiring and shaping the modern Broadway. And today, the Epiphone showroom in Nashville still hosts the world’s top guitarists like Billboard Jazz chart topper Nick Colionne who performs with his Epiphone Broadway at jazz festivals around the world.
>
>
Emily Wolfe Sheraton Stealth

Emily Wolfe Sheraton Stealth

The Epiphone Emily Wolfe Sheraton Stealth is a semi-hollowbody electric archtop. It incorporates elements of the Epiphone Sheraton II, the vintage, Kalamazoo-produced Epiphone Sheraton, and the Gibson Trini Lopez Standard. Revealed at Winter NAMM 2020 and first shipped in spring 2021, it is produced at a Gibson-owned factory in Qingdao, China.
Casino (1987-1995)

Epiphone Casino

The Epiphone Casino is the third Casino model produced in Japan, inspired by the 1960s Epiphone Casino. Epiphone/Gibson's contract with Aria expired in 1985, leading Epiphone production moving to South Korea, manufactured by Samick. Production of high-end models remained in Japan, now manufactured by Terada. This Casino was available between 1987 and 1995.

1993 Casino with Epiphone-branded Bigsby vibrato
Alex Lifeson Les Paul Axcess Standard (2021)

Alex Lifeson Les Paul Axcess Standard in Viceroy Brown

### Controls

Neck Volume, Bridge Volume - each with push/pull coil split, Piezo Volume with push/pull on/off, Master Tone

### Knobs

Top hat, gold

The Alex Lifeson Les Paul Axcess Standard is a solidbody electric guitar based on the Gibson Les Paul Standard and inspired by Rush guitarist Alex Lifeson's modifications.
Emperor Swingster

Emperor Swingster in Forest Green Metallic

### Finish Options

Forest Green Metallic, Delta Blue Metallic, Black Aged Gloss, Sunrise Orange, Wine Red, Chicago Blue Pearl

## Neck

### Neck Binding

Multi-ply, white (gold on Forest Green Metallic)

### Headstock

Large Clipped Dove with with Tree of Life and inlaid logo

## Hardware

### Bridge

LockTone Tune-o-Matic on pinned wooden base

### Truss Rod Cover

Bullet with crescent, multi-ply with logo

### Pickguard

White (Delta Blue Metallic, Black Aged Gloss), Gold (Forest Green Metallic)

## Electronics

### Controls

2 Volume (2 Push/Pull series/parallel); 2 Tone

### Knobs

Reflector, black (gold insert on Forest Green Metallic)

The Epiphone Emperor Swingster is a semi-hollow archtop electric guitar. It is inspired by the 1980s Epiphone Emperor, with elements inspired by Gretsch designs.

## Emperor Swingster Royale

Various limited edition versions of the Emperor Swingster were released as the Emperor Swingster Royale. These were upgraded with gold hardware and special finishes.

## Finish Options

Forest Green MetallicDelta Blue MetallicBlack Aged GlossWine RedSunrise OrangeBlue Royale (Chicago Blue Pearl) Limited Edition