recursal/Fanatic-Fandom huggingface dataset:
The LiBaiXH90361 Megavirus

LiBaiXH90361 is only detectable by a mass-spectrometry assay

## Lost Signals Report

Leaked by an anonymous hacker to Stage1st, this is the only known electron microscope image of the silent, non-immunogenic, synthetic megavirus LiBaiXH90361. The LiBaiXH90361 megavirus, named after the famous Chinese spy Li Bai, was alledgely developed by an secret bio-intelligence Chinese laboratory in 2016 as the first artificial virus designed to carry artificially encoded information in its DNA. Its viral capsid is not a conventional protein shell, but made from a non-immunogenic synthetic nanomaterial that doesn’t infect cells or recombine with the host’s genome.

Once intravenously injected, the LiBaiXH90361 megavirus travels freely and quiescent across the human or animal bloodstream, only detectable in a blood sample by a mass-spectrometry assay. It is said that an unspecifiable number of dogs and humans had already become true libraries of classified file-viruses, unknowingly transporting occult, undetectable DNA-encoded messages around the world. However, a group of microbiologists from the Miskatonic University who are dismissing the whole story as another bioengineering hoax, have identified the image as just a blurred photograph of a lichen growing on a stone wall. —*Germán Sierra*
The f:2.7 Group

The Bausch & Lomb advertisement that accidentally included what was recognized as a call to arms in anarchist circulars.

## Lost Signals Report

A Chicago-based group of optical theorists whose interest in spherical aberrations as a sort of radical phenomenology led to a short-lived economic association with Bausch & Lomb, who unwittingly published several advertisements in the early twentieth century that included the word “ultra,” a term known in anarchist circulars of the time as a call to arms. The f-group’s interest in the Emersonian concept of a “transparent eye-ball” (from *Nature*, 1836) was suggestive not of an all-encompassing absorption of nature (as per Emerson) but rather a delineation of the blind spots of vision itself. These “ultraist” blind spots were, according to the f-group, not obstacles to sight, but rather dark pathways to sight itself. The advertisement below, from a Paris-based issue of *Cine-Journal* (1912) was scissored-out and sent to the Lost Signals Collective, via snail-mail, where it was scanned and posted here. —*N. Rombes*
The Resistance

The only page from Field Manual for Northwest Resistance Cell #4 that has not been redacted

## Lost Signals Report

Although the slim manual entitled *Field Manual for Northwest Resistance Cell #4* has been almost entirely redacted, one page seems to have been overlooked. Of special interest to archivists at Lost Signals is the reference to the “pass system,” a term not seen before in other resistance literature. What resistance? Difficult to say, since the manual in question is undated. What is certain, however, is that at some point to come in the United States the resistance will produce this manual, which will be confiscated by the regime at some point and redacted, and then re-captured by the resistance, who will make sure it ends up in the hands of Lost Signals, which it has.
The Collective

The Lost Signals Collection is maintained by a group of people, named on the About Page and at the end of several entries. Those contributors are:

* N.R. (also referred to as N. Rombes)
* Grace Krilanovich
* Jeff Wood (also referred to as J. Wood)
* Isabella Granelle (also referred to as I. Granelle)
* N. J. Campbell
* Selena Martinez (also referred to as S. Martinez)
* Dana Milbrook (also referred to as D. Milbrook)
* Emeline Edgewood (also referred to as E. Edgewood)
* R. Bennetts
* Hilbert David
* J. Justus
* M. Shiflet (also referred to as M.S.)
* E. Obenauf (also referred to as E.O.)
* A. Sensenig
* M. Sanders
* Colin Raff
* David Enrique Spellman
* Germán Sierra
RadiatriX

**RadiatriX** (July 20, 2012 - Present) is an American Metal band from Canton, Ohio. Radiatrix was founded by Zach Nichols, Andrew Harris and Matt Fellows soon after the fallout of the band Broken Reflection.

## **History:**

A thrash Metal band formed on July 20th, 2012, founded by our drummer Zach Nichols, and lead guitarist Andy Harris. Our main influences are Metallica, Megadeth, Slayer, and others from the 80s and 90s era of metal. We strive to follow in our influences footsteps, but pave our own path. All four of us combined has more than 30 years of experience and each of us strives to get better everyday. The demo release we have sent you is our first studio release. It was recorded, mixed, and mastered at Over The Hill Studios in Canton, Ohio. In 2017, we have played over 20 shows in many different cities within Ohio, as well as a few shows in Michigan. Early in the year, we had a small tour playing the likes of Beach City, Ohio; Barberton, Ohio; Ypsilanti, Michigan; Warren, Michigan; and Akron, Ohio. A couple of our show highlights have been Pure Steel Hollowfest in Cleveland Ohio, and one of our last shows of the year at the Beachland Ballroom, also in Cleveland. Our goal is to keep on writing music, playing shows, and expand our fan base as much as we can. We would love to get signed to a label. It's our dream. We all want to write and record album after album and do years of touring. We understand that happens to very few bands, but we are hoping this studio release we have sent you, has that potential.

## **Members:**

### **Current Members:**

* Tyson McCauley: Rhythm Guitar (2015 - present); Lead Vocals (2016 - present)
* Andy Harris: Lead Guitar, Vocals (2012-2013); Guitar (2015-present)
* Zach Nichols: Drums/Backing Vocals (2012 - present)
* Travis Bake: Bass/Vocals (2016-present)

### **Alumni:**

* Chase Casterline - Vocals (2013 - ?)
* Matt Fellows - Guitar (2012-2014)
* Joe Costick - Guitar (2014)
* Eric Miller - Bass (2013-2014)
* Logan White - Bass (2013, 2015); Guitar (2013)
* Matthew Elliot - Bass (2015)
* Corey Culler - Vocals (2015-2016)

## **External Links**

* Facebook - https://www.facebook.com/RadiatriX/
* Reverbnation - https://www.reverbnation.com/RadiatriX
* Soundcloud - https://soundcloud.com/radiatrix
* Youtube - https://www.youtube.com/user/radiatrixband
Marseilles

## Lost Signals Report

The “Marseille” audio is vexing, more for what it obscures than for what it reveals. The facts, such as they are, are simple and direct, and require little commentary. The audio was made in 2007. It’s sourced from Marseille (misspelled Marseilles on the file name) France. The voice is female. There is something suggestive of either a private conversation or a very subtle announcement. Likely neither, however, as the file is sub-tagged WARNING and TOXIC, as if words themselves could communicate a virus. In fact, that’s just what they are doing, which is why we have spliced-out the phrase that occurs between :06 and :07, so that the curse, such as it is (and not to be melodramatic) is rendered useless, or “infertile,” in keeping with the linguistic turns-of-phrase that accompany this particular audio file. All of which is to say: no fear. You have not been infected.
The Miss Killer Audio

The camera lens inside which a 1/8" microcassette tape was spooled

## Lost Signals Article

Often we receive an object through the mail that is not what it seems, case in point being a Lentar f=105 mm 1:4.5 enlarging lens, which arrived sometime in 1989. In our random sampling of the over 10,000 objects and files in the archives, we selected this lens last week for deeper inspection, only to discover a 1/8 inch microcassette audio tape carefully spooled around one of the lens’s inner mechanisms. After extraction and rough remastering we can present it here now, still uncertain not only about its meaning, but its very reason for being. The tape seems to be a very short mix-tape which we have dubbed “Miss Killer” for the sequence between 00:26 and 00:33. The entire contents are listed below.

00:00 – 00:08 — wind

00:08 – 00:20 — “Miss Lynch”

00:20 – 00:26 — police scanner chatter

**00:26 – 00:33 — “Miss Killer”**

00:33 – 00:35 — international airport terminal?

00:35 – 00:40 — helicopter

00:40 – 01:02 — silence

01:02 – end — helicopter

What is the relationship between Miss Killer, Miss Lynch, and the other audio samples? Who is being asked questions, and by whom? Why the 22 seconds of silence? Our only clue is that Miss Killer shows up in several other Lost Signal items which have yet to be publicly catalogued here, including a yellowed newspaper clipping a child’s lullaby that references a “Miss Kill’re” and a torn piece of white linen stained with what appears to be a copious amount of blood.

*\*Note:* Orders for the Bulletin of Lost Signals #1 remain open, as do submissions for recipes.
Sound Experiment

## Lost Signals Article

In 1996 a group of acoustical engineering graduate students at Prague University succeeded in recording sound from a machine that did not, properly, exist. Using a variation of quantum exchange theory, they applied the Pauli Exclusion Principle to what Samuel Goudsmit called “acoustic electron screen scattering.” As esoteric as this sounds, the results were immediate, concrete and, fortunately, recorded by one of the graduate students. The file, having made its way to MIT and then UCLA, soon fell out of favor, the results impossible to reproduce in subsequent experiments. Deleted from all all the old mainframes, it was copied and preserved by a member of the Radical Physics Working Group at UCLA and was recently obtained by The Lost Signals Collective.

## Audio Transcription

**Audio clip duration:** 00:29

[A loud banging, and the upward pitch of something mechanical starting up. Then, a continuous white noise. At the 16-second mark, without the previous noise ending, the sound of something mechanical starting up repeats and adds to the white noise.]
Photographs of the Future

Still from a videogram featuring a motel which has either been abandoned, will be abandoned or is currently being abandoned

## Lost Signals Report

Expression of three-dimensional photography has been the pursuit of cinematic actualists since the late 19th century. Stereoscopic presentations of adjacent two dimensional images are mentally joined when simultaneously perceived from a dual perspective of similar offset. Mid-20th century outcomes in hyper-representation inspired an early attempt at four dimensional photography, made in 1973 by Tony Conrad.

*Yellow Movie* was achieved with the application of cheaply made white interior paint, which would gradually yellow to produce a sort of “motion picture”, unfolding in real time on a three-dimensional canvas. However, *Yellow Movie* required time travel for the experience of its fourth dimensional component, and was therefore false. True four-dimensional photography either is, was, or will be actualized via the “contemporaneous” discovery and exploitation of the Meursault spectrum of visible milli-wavelengths, associated with the Wessel component of the semi-magnetic spectrum. Videograms of such radiation either are, were, or will be able to render moments from either the past, present, or future, of objects which either emit or reflect such energies. Modulated audiograms of milli-wavelengths either are, were, or will be representative of images corresponding to either the past, present, or the future, when apperceived by synesthesiacs.

The videogram below, along with its corresponding modulation, of an abandoned motel, or of a motel which either will be abandoned or is currently being abandoned, appeared spontaneously, during an ambiguous moment, within the Lost Signals Collective media archive. *—Hilbert David*
The Thayer Polaroid

The mysterious Thayer Polaroid, which is non-detctable in the dark

## Lost Signals Report

It remains unclear whether the Polaroid is named after its subject, or its photographer. Discovered in a file containing 16 disappeared persons from Santiago, Chile, this is the only image in color, the others being black and white. The Thayer Polaroid is also unusual in that it appears to “switch off” in the dark. That is, when the Polaroids are spread across a table in the dark and viewed through an apparatus similar to night goggles the Thayer image is the only one that is not visible. In her internal report, Maya D. suggests that while the obvious explanation for the Polaroid’s non-detectability in the dark involves its reddish coloration, even when the night-vision apparatus is adjusted for this variable, the Polaroid still remains in the “switched off” position. The Thayer Polaroid was among the items donated to the Lost Signals Collective upon Maya D.’s defection to the organization. —*I. Grenelle*
Audio File Contagion

The only publicly accessible version of this audio file exists as a waveform image -- all other versions have been proven too dangerous.

## Lost Signals Article

On occasion there are artifacts from the archives that are unpublishable. Such is the case with an audio file so dangerous that it’s unlikely it has ever been listened to or heard. The file exists on a dedicated computer sealed in a soundproof studio in one of the rooms in the so-called “third basement” beneath the Lost Signals compound. It’s been played three times, in silence, and on one occasion its waveform image was captured, and is reproduced here. In 2002 an effort was made to re-create the audio from its waveform, the theory being that a version based on the source’s structural metadata might prove less toxic, if toxic at all. However, subsequent listening tests on mice proved, unfortunately, otherwise. The mice melted, which will be the subject of another posting

So, the file exists, unlistenable as it is. Some would say it awaits its ideal listener, as a book awaits its ideal reader. For now, the closest we can come to *hearing* the file is the image below, undoubtedly a very poor iteration of the original.
The Witch-Cult Variations

One of the few remaining images from the 1930s film The Witch-Cult Variations.

## Lost Signals Report

An American Appalachian film from the 1930s, *The Witch-Cult Variations* (aka *Stregheria*) has been known to exist for some time to cinephiles of the obscure and fantastic. A paper print had been registered at the Library of Congress in 1931. This existed, for all practical purposes, as a series of photographs of each frame, supplied to the LOC, as was the custom in early cinema days, in order to secure copyright. This paper print, however, was either mis-filed or stolen sometime around 1936, and the only remaining images from the film come from the few scattered photo-frame-images that have been traded, collector to collector, for some eighty-odd years. The story the film tells involves a passageway in an interior wall of a barn in rural West Virginia, a passageway that leads to a vast, churning, blackened landscape that is cast under such a deep spell as to render those who traverse it memory-less. The protagonist–Emily–becomes obsessed with the threshold moment within the passageway where her memory and not-memory exist simultaneously. The effect on her is a vivid enthusiasm which (although the intentions of the filmmakers are of course lost and unknowable) seem an approximation of sexual ecstasy.  —*E. Edgewood*

## Additional Information

*Stregheria* is an antiquated Italian-American form of witchcraft, sometimes referred to as "La Vecchia Religione", or, "the Old Religion".
“Has the Government Ever Done This to a Paper Before?” (R. Nixon)

## Lost Signals Report

1970. Nixon. Mitchell. Kissinger. And the obscured presence of a fourth person, a listener, a faint audio artifact that appears only as metadata, a sonic artifact that suggests Kissinger’s secret taping of the taping. The “orderly government” of which he speaks–something far beyond the so-called deep state–could only exist, of course, against a backdrop of disorder. Although this audio exists in various iterations, Lost Signals is in possession of the only known 0001 copy, the one that preserves the tonal erasures original to the recording.–*E. Edgewood*
Dirt Road Clip

A still from the video clip titled Dirt Road Clip by the Lost Signals collective, featuring a foreboding rural road.

## Lost Signals Report

This clip appears at the tail end of two films, one released in 2016, and one released in 1982. The video codec suggests a digital, rather than analog, source, making the 1982 dating specious. In fact, the chroma subsampling schema suggests the film/video isn’t that, at all, but rather a series of photographs that, through at least eight iterations, have been made to appear as if moving. Although the extensive notes and annotations accompanying the file refer to a “person/thing” in the large oak tree, and of the “terrible things” that happen in the “barn beside the barn,” the clip itself is bucolic, reminiscent of the sort of nostalgia found in the films of T. Malick. —*E. Edgewood*
Sister From Another Planet

A still from the broadcast that may be the initial reason for Lost Signals

## Lost Signals Report

The images–familiar, if not nostalgic–remind us of something, but what? The sound is another story, and in fact constitutes the “another” from this post’s title. Lost Signals received this *broadcast*(we are obligated to call it that) at the very beginning. Which is to say: were it not for this so-called “lost signal” lost signals would not exist. The green grain of this video (and the sense of an ending with a new beginning) is a gendered thing, according to those here who have striven–over the past six years–to unbug this video and audio so that you, whom-or-what-ever you are, can see it now.
Mother Goose Glitch

Page 76 of Mother Goose's Nursery Rhymes

## Lost Signals Report

The Walter/Folkard Anomaly appears on the 76th page of two known copies of *Mother Goose’s Nursery Rhymes* (Walter, Lavinia Edna, Ed.; Folkard, Charles James, ill.; A. & C. Black Ltd.: London, November 1919; 1st ed.). One of these is in the Children’s Literature Collection at University of Glasgow Library; the other is privately owned. (Page 76 of any other copy on record is taken up by the obscure rhyme “A kid, a kid, my father bought.”)

The anomaly’s discovery in 2010 actually postdates the Google Street View captures of a seemingly related object by roughly two years. No further evidence exists of this manifestation on that August day of 2008 in the Neu-Hohenschönhausen locality of northeastern Berlin. No one has claimed to witness it then (including those piloting the camera car), and no organization or individual have asserted responsibility. Now vanished from Google Street View proper, it still reveals itself in desaturated screenshots. —*Colin Raff*

## Additional Images

Image titled "raff-lostsig-1"Image titled "raff-lostsig-2"
Television Noise

A sample of increasingly uncommon television noise

## Lost Signals Report

Increasingly difficult to find in real-time, television noise (aka static) remains available (and available for capture and storage) where an analog television is used in conjunction with an antenna. Rooftop antennae (Yagi, Winegard, Telesine, RCA) are still perched–often precariously–on homes in rural areas and in isolated urban pockets of the Midwestern U.S. The captured static below includes unsourced audio with references to a *certain type of ceramic*. Being that traditional television visual noise is accompanied by audio noise (or hissing) it seems likely that this audio–for whatever reason, if any at all–was added to the recorded noise at a later date. This is clip 879 of 2,241 from the “Television Noise” archives at Lost Signals. —*J Wood, J Justus, M Shiflet*
The Surveillance Chamber

A still from the video taken by David Enrique Spellman of a trench dwelling in Western Massachusetts

## Lost Signals Report

While searching for Gerardo Fischer, I came across a trench dwelling dug into a wooded hillside above a small town dump in Western Massachusetts. I thought the equipment obsolete and long since defunct. The moment I crossed the dark threshold a reel-to-reel tape clicked into life, and among the screens that I assumed were dead, three tubes flickered into silent life, monitors for cameras that I would fail to find, transmitting, as they were, from an unknowable source, a stream of images antic and alien. —*David Enrique Spellman*
Conquerer's Dust

Photograph by Simley Hound

## File Names

### Image File Name(s)

screen-shot-2017-04-13-at-7-56-02-am.png, screen-shot-2017-04-13-at-7-55-44-am.png, screen-shot-2017-04-13-at-7-55-53-am.png

## Lost Signals Report

Interspersed with mended faiths, Simley Hound’s photography yields a muted sense of respectful dread. Hound, of course, initiated the Dayspring Addiction Movement (ever curt, ever foreboding). If England ever do willfully rest, his work will strip all of lust. —*R. Bennetts*

## Additional Images

Image titled "screen-shot-2017-04-13-at-7-55-44-am"Image titled "screen-shot-2017-04-13-at-7-55-53-am"Image titled "screen-shot-2017-04-13-at-7-56-02-am"
Parallax Literature

Parallax script perception can cause schizophrenia after long-term exposure

## Lost Signals Report

The celebrity of Brewster’s stereoscope during the Great Exhibition of 1851, and the excitement it aroused in young Queen Victoria, flung anglophile and noted iconoclast Arthur Lotshire into a fit of jealous rage. Unimpressed by image semiotics, Lotshire conspired to return his monarch’s affection to letters, after building his own notoriety.

His scheme invoked a series of lectures written by one Hermann Samuel Reimarus, an 18th-century high school oriental languages instructor from the Imperial Free City of Hamburg. Reimarus was a proponent of a theological oneness in ideas, and Lotshire speculated that if the devil could render images in stereo, then he could do the same with literature.

Stereo perception uses symmetry to exploit mental assumptions about parallax. One needs two eyes to see in three dimensions. Likewise, one needs two minds to read in stereo.

Problems in sensing parallax script inspired Lotshire to contrive a stereo alphabet, whose meaning was both similar and different, when read at the same time. He seduced a cadre of adherents to practice his new writing, but early attempts to understand resulted in spontaneous epileptic seizure.

When long term meditation in parallax caused schizophrenia, Lotshire was arrested, his cache of hand-written works was confiscated, and his group of adherents dispersed. All examples of Lotshire’s work were officially destroyed in the action, although accounts of surviving copies have surfaced occasionally.

The volume below, a work of fiction written in parallax, arrived at Lost Signals headquarters by way of anonymous delivery. We have not dared to open it.
—*Hilbert David*
The Katherine Film Stock Experiment

The positives and raw stock film frames that are the Katherine Images

## Lost Signals Report

Deep within The Jérôme Seydoux-Pathé Foundation archives in Paris are a series of files documenting a film stock experiment from circa 1916. Known as the “Katherine files” (presumably after the name or pseudonym of the model) these files are notable in that their instability suggests the observer effect, as originally hypothesized by Niels Bohr. Once observed, the optical status of the Katherine stock becomes locked down into its observable state, thus preventing it from existing in its other potential states. Within the files, for instance, there are notes dating as far back as 1934 which suggest that the images in “A” Positive exist in the “D” Raw Stock film frames. Other notes from the 1940s go even further and indicate that there are *no observable images at all*, on either “A,” “B,” “C,” or “D.” Clearly, the Katherine images are an instance (if not literal, then at least metaphorical) of wave function collapse and suggest the as yet unrealized potential for a radical form of filmmaking wherein the observer effect makes possible not only an infinite number of readings of a film, but a single film of infinite capacity.
ARCHIO

A man rides a donkey on the pilgrimage to the Agion Oros

## Lost Signals Article

A science-fiction liturgy and pilgrimage to the Agion Oros – Mt. Athos, Greece.

Video, text, and field recordings by J. Wood.

## Video Transcription

**Video duration:** 07:32

**00:05**: Title "ARCHIO" appears on screen in light grey text. The audio plays a male voice speaking in a foreign language, presumably Greek.

**00:13**: A beaten trail through a wooded area.
Lost Signals Collection Wiki

## Welcome to the Lost Signals Collection Wiki

**The Lost Signals Collection** Wiki is an unofficial database recording the weekly postings of the Lost Signals Collection blog and related information.

> The Lost Signals Collection is an archive of speculative texts, images, sounds, and moving pictures lost to history. It is interested in interrogating what might have been, and what *might yet be* and believes that the imagination is the most powerful human tool, and that it is now more important than ever that this tool be exercised. *-The Lost Signals Collection "About" Page*
>
>

* The Locust Queen (1926)
* The Crenshaw Envelope
* Sound Experiment
* ARCHIO
* The Thayer Polaroid
* The f:2.7 Group
* The Witch-Cult Variations
* Osborne
* Vienna Boarding
* The Katherine Film Stock Experiment
* Unbecoming on the Heath
* The Gerry Artifact
* The Johnson Imprimatur
* Dirt Road Clip
* Photographs of the Future
* Blue Door
* Bear 51
* The Resistance
* Clip #82
* Television Noise
* Michelle
* The Coming Terror
* The "Simley" Face Video
* Two Suns
* Willing to Do Anything
* Conquerer's Dust
* Marseilles
* "Has the Government Ever Done This to a Paper Before?" (R. Nixon)
* RED FIELD
* (What) Bright Future
* Sister from Another Planet
* Parallax Literature
* The Administrator's Office
* Mother Goose Glitch
* The Surveillance Chamber
* Residential Depopulation Atlas
* The LiBaiXH90361 Megavirus
* The Oslo Deviation
* Inserts
* Fragmentary Elegy for Ricardo Piglia
* Firehead
* Ore Knob Copper Deposit
* The Miss Killer Audio
* Man in Flight
* Distress Call
* Audio File Contagion

The Collective
Contacting the Lost Signals Collective
Related Links

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The "Simley" Face Video

A still from the puzzling film clip found in the stairwell labeled "SIMLEY FACE VIDEO", despite there being no detectable smiley faces anywhere in the video.

## Lost Signals Report

On occasion we like to post an artifact whose provenance is entirely unknown. Such is the case with a video file we’ve extracted from a DVD labeled SIMELY FACE VIDEO. Likely a misspelling, but who knows, and who knows why it would be labelled the presumed correct SMILEY in the first place, unless there’s a smiley face lurking in the video, or it’s not a misspelling at all but rather a reference to someone’s name, *Simley*, as in *Sim*. (And in fact some of us refer to it as the SIM video.) The DVD was either left for us to find on the crummy interior stairwell leading down to the decrepit lobby that reeks of garbage (we are on the 11th floor) or else it was dropped there by accident, along with all the other detritus one encounters taking the stairs (there is no elevator). In any case, we’re posing it here today.
The Gerry Artifact

Casey Affleck stares at the "Gerry Artifact", which has been cropped out of the final release of the film

## Lost Signals Report

In Gus Van Sant’s 2002 film *Gerry* several compression artifacts haunt the screen, including one during the “conquering of Thebes” scene around the campfire. Actually, the artifact is off-screen, but pointed to several times by one of the Gerrys (Casey Affleck) off-handedly during his retelling of his failed v. game conquest. In the theatrical screening of the film the artifact is visible screen bottom, near the toe of Gerry’s right boot. In cropped DVD and online versions this horizontal sliver of the film across the bottom of the screen is cut off (as in the image below) so that it appears that Gerry (Affleck) is staring/casually gesturing with his cigaretted hand to nothing, to the sort of blank space we sometimes construct when telling a long anecdote. The artifact in question is a tiny, pixellated point of light, and it anchors Gerry’s telling of the Thebes narrative. Although it has been suggested that the artifact is nothing more than a jumped-out ember from the fire, there is visual evidence suggesting otherwise, evidence which is being readied for publication. *–D. Milbrook*
Clip 82

A still from one of the 1,327 video clips found by the Lost Signals collective

## Lost Signals Report

The short video clips–all 1,327 of them–show basically the same thing, with variations: a camera pushing forward through nature, an abandoned structure or facility. The sound, however, varies drastically from clip to clip. In #82 the audio seems to be of a jet passing overhead. Without proper context, who can say what these clips mean? Who they were intended for, and why? The clips arrived on a thumb drive taped to a heavy-stock yellow index card labelled, in black ink: RESISTANCE ITERATIONS: DAYTIME MANEUVERS. There is no human presence in any of them, other than the implied presence of a camera operator. There is–how to say it–a certain tenderness in some of the camera movement.
The Coming Terror

The cover of Comptes rendus hebdomadaires des séances de l’Académie des Sciences

## Lost Signals Report

Terror as in, *the terror of the French Revolution*. That sort. ***Comptes rendus hebdomadaires des séances de l’Académie des Sciences***has been published, more or less, since 1666. The version in the Lost Signals archives is missing pages 66, 166, 266, and 366, a fact that had gone undetected until we began scanning and preparing its pages for digitization. When were the pages removed, and by whom, and why does their absence suggest a looming terror?
Дискография

На данной странице представлен список песен, выпущенных Кэти Перри на её собственных альбомах, а также на альбомах других исполнителей.

* Песни, написанные для других исполнителей можно посмотреть **здесь**.
* Песни, которые были зарегистрированы, но не были выпущены можно посмотреть **здесь**.

## Студийные альбомы

### *One of the Boys* (2008)

Ur So GayI Kissed a GirlHot N ColdThinking of YouWaking Up in Vegas
### *Teenage Dream* (2010)

California GurlsTeenage DreamFireworkE.T.Last Friday Night (T.G.I.F.)The One That Got Away
### *Prism* (2013)

RoarUnconditionallyDark HorseBirthdayThis Is How We Do
### *Witness* (2017)

Chained to the RhythmBon AppétitSwish Swish

## В качестве приглашенного артиста

### Синглы

Goodbye for NowStarstrukkIf We Ever Meet AgainWho You LoveLegends Never Die
Ore Knob Copper Deposit

Originally titled The Ore Knob Copper Deposit North Carolina, and Other Massive Sulfide Deposits of the Appalachians

## Lost Signals Article

The full title of the bulletin reads: *The Ore Knob Copper Deposit North Carolina*, *and Other Massive Sulfide Deposits of the Appalachians*. Published in 1967 by the United States Government Printing Office, the subtitle is: *Effects of dynamic and thermal metamorphism on primary ore textures at Ore Knob are described, and similar Appalachian deposits are compared*. The copy archived at Lost Signals contains, folded within one of the accompanying maps, written in French in fine dip pen, a note that seems to reference a page (“p. 109”) and a date (“24 Septembre 1648”). Proceeding along the lines that randomness is simply disarranged order (a basic tenant of those who established the archive) it’s been determined that the date refers to the death of Marin Mersenne, a French mathematician, philosopher, and music theorist who battled against the Brotherhood of Rosicricians, an occult group of well-educated alchemists who published several hoax books, etc.

Why the slip of paper should be folded into *this particular map* is, of course, the as-yet-unanswered question. This item remains one of the hundreds of open cases, cases returned to on a rotating basis for further investigation and speculation. —*E. Edgewood*
Osborne

Paper evidence of Osborne's lineage as far back as 1912

## Lost Signals Report

Osborne appears as a disgraced detective (“a man of theory”) in Lars Von Trier’s *The Element of Crime* (1984). His lineage, however, goes back much further, evidence of which regularly appears in the mails at the Lost Signals address, the most recent of which is this obscure item with his signature, accompanied by a covering document, the *Time Book*. Osborne’s careful, halting signature suggests someone of an advanced age, even in 1912. “New Castle Junction,” on the covering page (misread as “Near Castle Junction” in some of the literature) still operates as a hub for the exchange of illicit printed material–scarce as it is–relating to Osborne. —*N. Rombes*

## Additional Images

Image titled "20170215\_074719"Image titled "20170215\_074837"
Dungeon Team Wiki

## Welcome Mortal...

Dungeon team is a strategic turn based HTML5 game developed by WakeField Studios and MorningDew Media. You can play it right now in your browser! Game - [1]

Gameplay Mechanics

The game consists of 11 Classes. Assassin, Battle Mage, DreamSmith, Invoker, Knight, Mercenary, Monk, Paladin, Ranger, Shaman and Warlock. All of these classes are very diverse, with their own skills, strengths and weaknesses. While playing, you will be faced with a hexagonal board. You can move around this board, however each move will consume Action Points. You can also Attack or use Abilities. The objective of each match is to kill all of the opponents on the Board. However if all of your allies are killed, then you will lose the match. After each match you will be rewarded with some items and sometimes some Pixie Dust. There are 2 main Currencies in the game. Gold and Pixie Dust. Pixie Dust is worth more than Gold, and both currencies can be used in the Shop to buy Items.
RED FIELD

Still from the video file labelled "RED FIELD"

## Lost Signals Report

Why the video file is labelled RED FIELD remains, for now, a mystery. There appears to be no field, and whatever field-like landscape there may be, it’s certainly not red. The jet itself is easy enough to identify from its sound: a sixth-generation jet fighter prototype, likely a Boeing F/A-XX. As planning documents, white papers, and talking points for the coming civil war already exist, it makes sense that the noise of jet roars would become so ubiquitous, so familiar.
Bourbon Whiskey

**Boubon** ist eine amerikanische Whiskysorte, die zu mindestens 51% aus Maismalz hergestellt werden muss, nach oben hin jedoch keine vorgeschriebene Grenze hat. (Bei einem Maismalzanteil von 100% ist dann allerdings von einem Corn Whiskey die Rede.) Die übrigen beim Produktionsprozess verwendeten Malzsorten stellen hierbei meist Anteile von Gersten- oder Roggenmalz dar.
Glengyle Distillery

Die **Glengyle Distillery** ist eine von fünf Distillerie im britischen Campbeltown. Nachdem zu Zeiten der Prohobition die meisten der einst knapp 30 Brennereien der Stadt schließen mussten, darunter auch die historische *Glengyle Distillery*, wurde sie im Jahre 2004 wieder neu eröffnet. Diese Wiederbelebung machten sich die Eigentümer der ebenfalls in Campbeltown ansässigen Springbank-Brennerei zur Aufgabe. Da der Markenname Glengyle aber zwischenzeitlich schon für einen Whisky vergeben wurde. Aus diesem Grund ist die Whiskymarke der Glengyle-Destillerie nun als **Kilkerran** bekannt.
Shop

The shop allows you to buy and sell items.

## Buy Items

7 Items will appear at all times which cost either pixie dust or gold. The items can be refreshed every 3 hours and the refresh is activated when a player completes a cavern entry or arena battle.

## Sell Items

When an item is sold, it will be worth a random amount between 50 and 250 gold. This amount is recalculated whenever an item is selected/deselected, and the total reflects the sum of each individual item value.

## Shopkeeper

The shopkeeper may occasionally give tips and other messages.
(What) Bright Future

"Bright. Brighter yet."

## Lost Signals Report

*I worked in solitude. . .*
There is a certain slant of light (is there not?) that suggests the presence of the larger universe. Perhaps this occurs sometime before twilight, whenever that may be. There is the orange glow of the sun whose ridiculously-traveled-through cold space–approximately 8.3 minutes–rays reach us, as if happiness could be delayed any longer, not even one-second longer, than that. Bright. Brighter yet.
*. . . in my own formal way*

As these lost moments, lost signals, arrive here, their particular beauty and strangeness remind us not of who we are, but who we might become. Our better, brighter selves, waiting for us to remember.
*–M. Sanders, M. S., E. O.*
Currency

There are 2 main currencies in Dungeon Team. Gold and Pixie Dust. You can use Gold to buy Items from the Shop, or to Pray at the Shrine. You can use Pixie Dust to unlock new Classes, convert it into Gold, buy Items at the Shop, reset your Skill Points or unlock more Pray Slots. You can also purchase Pixie Dust with real life money.
Teeling Single Malt 24 Years

Der **Teeling 24 Years Old Single Malt Irish Whiskey** stammt aus der jungen Teeling Distillery in Dublin. Er wurde nicht kühlgefiltert hat trotzdem eine kräftige Färbung, die er zum Teil durch Zugabe von Zuckerkulör als Farbstoff erhält. Er baut auf den Teeling Single Malt Irish Whiskey auf. Im Jahr 2019 gewann der Whisky die Auszeichnung *"World's Best Single Malt"* des Worlds Whiskies Awards. Aufgebaut auf diesen internationalen Erfolg ist seit 2019 der noch länger Fassgelagerte Teeling 28 Year Old Single malt erhältlich, der in einer limitierten Auflage von 4000 Flaschen erschien.
Items

Items are pieces of equipment to increase stats. Most of them are good, although you may obtain an "item of doom". these seem useless, though it has been hinted that they do have a use. There is speculation that the use may be achieved from obtaining a full set of items of doom, but no one has achieved this.
Unbecoming on the Heath

An illustration of the Hampstead Tree-Huggers at a band performance

## Lost Signals Report

For all of six weeks in the spring of 1891, Claire Saint (close friend of Laura Marx) was an enthused member of the proto-Situationist International group, the Hampstead Tree-Huggers. Beyond the occasional band performance, as pictured, the HTH held regular picnics and what would today be recognised as love-ins. Outmaneuvered and outgunned by her political rivals, Saint was soon forced to abdicate her official role as Co-Mingler of the Solitude and the Multitude. Sterile and tuneless, the HTH disbanded before the turn of the century, a victim of their own uncaring spectacle. —*R. Bennetts*
Teeling 28 Year Old Single malt

Der **Teeling 28 Years Old Single Malt Irish Whiskey** stammt aus der jungen Teeling Distillery in Dublin und ist seit 2019 in einer limitierten Auflage von 4000 Flaschen erhältlich ist. Er wurde nicht kühlgefiltert, hat trotzdem eine kräftige Färbung, die er zum Teil durch Zugabe von Zuckerkulör als Farbstoff erhält. Er baut auf den Teeling Single Malt Irish Whiskey auf und ist ein Resultat aus dem internationalen Erfolgs des kürzer fassgelagerten Teeling 24 Year Old Single malt, der im Jahr 2019 die Auszeichnung *"World's Best Single Malt"* des Worlds Whiskies Awards gewann.

Der Whiskey erschien 2019 in einer limitierten Auflage von 4000 Flaschen, wurde also 1991 destilliert und lagerte anschließend für 28 Jahre. Einen Teil dieser Fassreifung absolvierte er in Ex-Bourbon-Fässern, für das Finish lagerte er die letzten Jahre in einem Sauterne-Weinfass.
Teeling Brabazon Bottling Single Malt

**Brabazon Bottling Single Malt** oder auch **Brabazos Bottling Series 3** ist ein Single Mal Whiskey der irischen Teeling Distillery und Teil der Teeling Brabazon Bottling Series in welcher er auch als **Series 3**, also als dritter Whyskey der Reihe, bekannt ist.
Er wurde nicht kühlgefiltert oder eingefärbt, hat aber trotzdem eine kräftige Farbe. Der Whiskey hatte eine Fassreifung von 14 Jahren hintersich. Die ersten 11 Jahre dieser Lagerung verbrachte er dabei in einem Ex-Bourbon-Barrel, für das Finish lagerte er die letzten drei Jahre in einem spanischen Pedro Ximénez-Fass das vorher für etwa 90 Jahre in der andalusischen Weinregion Jerez in Gebrauch war.
Blue Door

The first two doors in the puzzling video Blue Door are tagged in white paint. The doors are not blue.

## Lost Signals Report

It’s unclear why this is video is named “Blue Door.” Notes indicate it is surveillance footage, with the radio-noise emanating from the partially opened third door. The sign on the pole at the very beginning (screen right) reads: THESE PREMISES ARE UNDER CONTINUOUS VIDEO SURVEILLANCE FOR THE PROTECTION OF OUR CUSTOMERS AND EMPLOYEES. What customers, one might ask, and what employees? The white tags on doors one and two correspond to other, as yet published, files. In another clip of the same space whose timecode is four minutes earlier, door three is closed.
Pixie Dust

Pixie Dust Icon

Pixie Dust is an in-game currency that can be collected sometimes by winning a match, or purchased with real-life money. The Currency is somewhat scarcer than Gold, as you can not sell items to obtain it, and you can not transfer Gold  into it. In comparison, each Pixie Dust is worth 567 Gold. You can buy Items with Pixie Dust from the shop, and unlock new Classes with it.
Teeling Single Malt

Der **Teeling Single Malt Irish Whiskey** stammt aus der jungen Teeling Distillery in Dublin. Er wurde nicht kühlgefiltert hat trotzdem eine kräftige Färbung, die er zum Teil durch Zugabe von Zuckerkulör als Farbstoff erhält. Mit dem Teeling Single Malt 24 Years und dem Teeling Single Malt 28 Years gibt es nochzwei länger fassgelagerte Versionen dieses Whiskeys.

## Einzelnachweise

1. ↑ https://www.whiskyzone.de/teeling-single-malt?gclid=CjwKCAjw9MuCBhBUEiwAbDZ-7tEDdzTC--nOOdNqGoZ7BzOKUOi8\_oicU0R-7fIw3irTbkve8TWfDhoCJSsQAvD\_BwE
Highland Park Loki

**Highland Park Loki** ist ein Whisky der schottischen Highland Park Destillerie und gehört zur limitierten, vierteiligen Valhalla-Serie der Marke. Dieser Single Malt Whisky reifte 15 Jahre lang in ex-Sherryfässern und besitzt eine Abfüllstärke von 48,7 Vol. % Alkohol. Erhältlich war er für ca. 200 €, inzwischen zahlt man zwischen 400 und 700 € für eine Flasche dieser Sonderabfüllung.

Loki nordischer Ase (nordisches Göttergeschlecht) kein richtiger Gott, sohn zweier Riesen, aber verwandt mit Odin. Der Feuergott, hinterlistig und schlau.

Anderer Whisky:

* Thor

* Loki
Whisk(e)y

Schmeckt anders je nachdem welches Brennmaterial zum Rösten des Malzes benutzt wird. Üblicherweise nutzten die Leute das was ihnen früher eben zur Verfügung stand. In Irland eher Holz und Torf, in Schottland, durch früheren Bergbau, Kohle. Darum schmecken irische Whiskeys traditionell in der Regel rauchiger als die schottischen.

## Herstellung

Der Herstellungsprozess von Whisky gleicht in seinen Grundzügen dem von Bier. So wird Getreidemalz geschrotet, mit Wasser eingemaischt und in (Kupfer)kesseln angesetzt. Hierbei wird Malzzucker durch warmes Wasser und enzymatische Einwirkung aus der Maische gelöst, wodurch der weiterverwendbare flüssige Anteil, die Würze, entsteht.

In den meisten Fällen nicht nur aus Wasser der Quelle oä. da der Hochprozentige Whisky oft nicht vor Ort verdünnt wird.
The Johnson Imprimatur

## Lost Signals Report

Arriving at the Lost Signals p.o. box early last year was a Memorex audio cassette tape (Chrome Bias II), marked in red ink, *the* *Johnson imprimatur*. The tape does indeed seem to be dubbed from the Lyndon Johnson White House tapes, and seems to have been recorded sometime in 1965. The “Gerri” in question is likely Gerri Whittington, Johnson’s personal secretary, and the first African-American secretary in the history of the White House. There are–or were–*two* versions of the phone call on the cassette. In version #1, the feedback at the end of the recording, after the hang-up, lasts several seconds longer and seems to approximate the sound of a machine gun, giving rise to an obscure set of theories that the recording is, in fact, an abstract comment on the war in Vietnam. Because of damage to the cassette, that version is lost, and what remains is the truncated version, below, which cuts out right before the staccato feedback becomes machine-gun like.
Pencil Cactus

## **Pencil Cactus**

The Pencil Cactus, or *Sophora*
*Erecta*, is a cactus that can be commonly found in Bridgedale Woods or the
Enchanted Jungle.

### **General Information**

Pencil Cacti are often very tall, usually spanning from 42
to 72 inches in height. The Pencil Cactus is a bright green color that fades to
a soft green towards its crest. The Pencil Cactus is spineless, soft to the
touch, and blooms vibrant pink flowers.

### **Name Origin**

The Pencil Cactus received its name due to its tall, slender
appearance, thus resembling a pencil.

### **Further Information**

Pencil Cacti often grow in large patches, behavior that is
unusual of a cactus. This is because it is no ordinary cactus. Unlike most
cacti, the Pencil Cactus cannot survive a long period of time without water.
Equally peculiar is that it grows best in the rich, moist soil of a shaded
region.

Like all cacti, however, it does photosynthesize via its stem,
as well as produce flowers possessing more than 10 petals.

The Pencil Cactus is not a viable source of water, seeing as
it does not preserve water in the same manner as does a typical cactus.
However, Pencil Cacti are perfectly safe to eat, as well as nourishing. This is
because of its growth in nutrient-rich soil.
Gold

Gold

Gold is a Currency which can be used to purchase Items from the shop. You obtain gold by selling items that you win from matches, or from praying to the Altar. It is worth a lot less compared to Pixie Dust, however it is a key component of the game. You can also use Gold to pray at the Altar. The more gold you give, the higher chance of a good Item you will get. If you convert it, 1 Pixie Dust is worth 567 gold.
Longmorn 16

48 % vol.
**Longmorn 16** ist eine Single Malt Whisky der schottischen Longmorn Distillery. Der 16 jahre alte Whisky verbrachte zum Teil eine Reifung in Ex-Bourbon und zum Teil in Ex-Cherry fässern. Er wurde vor Abfüllung nicht kühlgefiltert aber eingefärbt. Er ist für ungefähr 130€ zu erhalten.

## Design

Die Farbgebung der Verpackung und sind ist in einem dunklen Violet gehalten. So auch einzelne Elemente der Flasche, nähmlich der Deckel und ein zur Ziertde angebrachtes, den Flaschenboden umschließendes Lederband. Der Markenname ist als Aufdruck auf der Flasche vorhanden.
Tomatin 12 Years

Der **Tomatin 12** ist ein 12 Jahre in ex-Burbonfässern gereifter und in Sherry-Fässern gefinnisheder Whisky der Destillerie Tomatin. Es handelt sich hierbei um einen Highland Single Malt Scotch mit einem Alkoholgehalt von 40 % Vol.

Färbung des Whiskys wurde mit Farbstoffen (Zuckercolleur)etwas beeinflusst.

## Design

Bei der farblichen Gestaltung des Etiketts auf der 0,7l-Flasche und der Verpackungsschachtel wurden einige Änderungen vorgenommen. Heute ist die Farbgebung in schwarz, grün und gold gehalten; das frühere Erscheinungsbild in schwarz, rot und silber ist inzwischen einem anderen Whisky der marke Tomatin vorbehalten: Dem Tomatin Legacy.

Destillerie sehr alt, früher weniger guten Ruf, bis 70, anfang der 80er Jahre wurden fast ausschließlich (hochwertige) Komponenten für Blends produziert.

Um das Jahr 85 wechselte die Destellierie den Besitzer (Japanisch)

Seit 2002 werden aber nur Hochwertige Single Malt Whiskys hergestellt.