recursal/Fanatic-Fandom huggingface dataset:
Canciones autoescritas por Taylor Swift

En una canción **autoescrita** o **autocompuesta**, solo una persona es responsable de crear toda la música y la letra de una canción. Según *Billboard*, el 44% de las canciones que alcanzaron el número uno en la lista *Billboard* Hot 100 durante la década de 1970 fueron escritas por un solo compositor. El porcentaje se redujo al 42% en la década de 1980, 24% en la década de 1990, 6% en la década de 2000 y 4% en la década de 2010.

Taylor Swift ha hecho la letra y melodía por ella sola para muchas canciones desde su primer álbum *Taylor Swift* (2006).

## Canciones autoescritas por era

### *Taylor Swift* era (2006–2008)

* "The Outside"
* "Should've Said No"
* "Our Song"
* "Christmas Must Be Something More"
* "Beautiful Eyes"
* "I Heart ?"

### *Fearless* era (2008–2010)

* "Fifteen"
* "Love Story"
* "Hey Stephen"
* "You're Not Sorry"
* "Forever & Always"
* "The Best Day"
* "Change"
* "Jump then Fall"
* "The Other Side of the Door"
* "Today Was a Fairytale"

### *Speak Now* era (2010)

* "Mine"
* "Sparks Fly"
* "Back to December"
* "Speak Now"
* "Dear John"
* "Mean"
* "The Story of Us"
* "Never Grow Up"
* "Enchanted"
* "Better than Revenge"
* "Innocent"
* "Haunted"
* "Last Kiss"
* "Long Live"
* "Ours"
* "Superman"
* "Eyes Open"

### *Red* era (2012)

* "Red"
* "I Almost Do"
* "Stay Stay Stay"
* "Holy Ground"
* "Sad Beautiful Tragic"
* "The Lucky One"
* "Starlight"
* "Begin Again"
* "The Moment I Knew"
* "Girl at Home"

### *Lover* era (2019)

* "Lover"
* "Cornelia Street"
* "Daylight"
* "Christmas Tree Farm"

### Regrabaciones "From the Vault" (2021–22)

* "Mr. Perfectly Fine" – *Fearless (Taylor's Version)*
* "Better Man" – *Red (Taylor's Version)*
* "Nothing New" – *Red (Taylor's Version)*

### Canciones inéditas

"American Boy"
"Angelina"
"Bother Me"
"Brand New World"
"Castles Crumbling"
"Cross My Heart"
"Don't Hate Me for Loving You"
"Foolish One"
"For You"
"His Lies"
"Honey Baby"
"I Can See You"
"I Don't Want to Lose Your Face"
"I Used to Fly"
"I'd Lie"
"In My Monologue"
"In the Pouring Rain"

* "Kid in the Crowd"
* "Let's Go"

"Live for the Little Things"
"Lucky You"
"Mandolin"
"My Turn to Be Me"
"Never Fade"
"Not One Day"
"Point of View"
"Same Girl"
"Smokey Black Nights"
"Someone Just Told Me"
"Someone Loves You"
"Spinning Around"
"Sugar"
"Tennessee"
"That's Life"
"This Here Guitar"
"Timeless"
"Too Beautiful"
"Under My Head"
"Wait for Me"
"What to Wear"
"Wonderful Things"
"You Don't Have to Call"
Bowl Cut Cult

The Leaders of the Bowl Cut Cult

## Profile

Contrary to popular belief, not everyone in the Bowl Cut Cult has bowl cuts. It is impossible to tell if someone is in the Bowl Cut Cult just by looking at them.

## Background

The Bowl Cut Cult was started during the Post-Modern Era. It is a small faction in the 29 universe that thinks the end of the universe is near due to the writings of Dr. Calcaneus becoming true over time.

## Pre-Giga Era

It did not exist in the Pre-Giga Era, as things had not happened and timelines had not yet been fully formed. As such, the Bowl Cut Cult could not exist without Dr. Calcaneus' writings and said writings becoming true

## Modern Era

It did not exist in the Modern Era, as things had not happened and timelines had not yet been fully formed. As such, the Bowl Cut Cult could not exist without Dr. Calcaneus' writings and said writings becoming true

## Other Roles

The role they play as a cult stands to be a cult, and nothing more. They participate in semi-violent protesting occasionally but overall are decent people

## Relationships

The Bowl Cut Cult does not make enemies, since most of the population is not affiliated with them, they are not able to do that.

## Trivia

The cult can appear very similar to a religion at first.
Lista de canciones inéditas

En esta **lista de canciones *descartadas***, se encontrarán canciones de Taylor Swift que fueron pensadas para un álbum, pero no terminó incluída en el track list final del mismo.

Swift comenzó su carrera musical luego de firmar con Big Machine Records en 2005 y lanzar su primer álbum autotitulado *Taylor Swift* en 2006. Desde ese entonces, Swift ha lanzado 6 álbumes de estudio, 4 álbumes en vivo, 2 extended plays y más de 40 sencillos. *(véase Discografía)*

A

* "Acting Like A Boy"
* "All of the Girls"
* "A Little More Like You"
* "All Night Diner"
* "American Boy"
* "Am I Ready for Love"
* "Angelina"
* "Anymore"

B

* "Baby Blue"
* "Beautiful Days"
* "Being With My Baby"
* "Better Off"
* "Bother Me"
* "Boys and Love"
* "Brand New World"
* "Brought Up That Way"
* "By The Way"

C

* "Can I Go with You"
* "Castles Crumbling" (descarte de *Speak Now*)
* "Check Out This View"
* "Closest To a Cowboy"
* "Cross My Heart"

D

* "Dark Blue Tennessee"
* "Diary of Me"
* "Didn’t They"
* "Don’t Hate Me for Loving You"
* "Down Came the Rain"
* "Drama Queen"

E

F

* "Fall Back On You"
* "Family"
* "Fire"
* "Firefly"
* "Foolish One"
* "For You"

G

* "Gail's Song"
* "Go Slow"
* "Goodbye Butterfly"
* "Gracie"

H

* "Half-Way To Texas"
* "Heaven"
* "Her"
* "His Lies"
* "Honey Baby"
* "Houston Rodeo"

I

* "I Can See You"
* "I'd Lie"
* "I Know What I Want"
* "I'm Looking Out For You"
* "In The Pouring Rain"
* "It's Still You"
* "I Used To Fly"
* "I Wished On A Plane"

J

* "Just South of Knowing Why" (also know as Drive All Night)

K

* "Kid In The Crowd"

L

* "Let's Go"
* "Live for the Little Things"
* "Long Time Coming"
* "Look At You Like That"
* "Love They Haven’t Thought of Yet"
* "Love to Lose"
* "Lucky You"

M

* "Made Up You"
* "Making Up For Lost Love"
* "Mandolin"
* "Mary Jo"
* "Matches"
* "Me and Britney"
* "My Cure"
* "My Turn To Be Me"

N

* "Nashville"
* "Need"
* "Need You Know"
* "Never Fade"
* "Never Mind"
* "None of the Above"
* "Not One Day"

O

P

* "Perfect Have I Loved"
* "Permanent Maker" (descarte de *Fearless*)
* "Point of View"

Q

R

* "R-E-V-E-N-G-E"
* "Rain Song"
* "Ride On"

S

* "Same Girl"
* "Scream"
* "Smokey Black Nights"
* "Someone Just Told Me"
* "Someone Loves You"
* "Songs About You"
* "Spinning Around"
* "Stupid Boy"
* "Sugar"
* "Sweet Tea and God's Graces"

T

* "Tell Me"
* "Ten Dollars and A Six Pack" (also know as 10 Dollars and A 6 Pack)
* "Tennessee"
* "That's Life"
* "Thinkin' Bout You"
* "Thirteen Blocks" (also known as Can’t Call It Love)
* "This Here Guitar"
* "This Is Really Happening"
* "This One's Different"
* "'Till Brad Pitt Comes Along"
* "Timeless"
* "Too Beautiful"

U

* "Under My Head"

V

W

* "Wait For Me"
* "Welcome Distraction"
* "We Were Happy"
* "What Do You Say"
* "What to Wear"
* "Who I've Always Been"
* "Wonderful Things"
* "Writing Songs About You"

X

Y

* "You"
* "You Do"
* "You Don't Have to Call Me"
* "Your Anything"
* "Your Face"
* "Your Picture"

Z
Mario Testino

**Mario Eduardo Testino Silva** (nacido el 30 de octubre de 1954) es un fotógrafo peruano de moda y retrato. Su trabajo ha aparecido internacionalmente en revistas como *Vogue*, *V Magazine*, *Vanity Fair* y *GQ*. También ha creado imágenes para marcas como Gucci, Burberry, Versace, Michael Kors, Chanel, Stuart Weitzman, Carolina Herrera y Estée Lauder.

## 2012

* Créditos
* Look 1
* 2
* 3
* 4
* 5
* 6
* 7
* 8
* BTS

 **Editor de moda** | Tonne Goodman

*Taylor viste un suéter de Rodarte, y sombrero de Patricia Underwood.*

*Taylor viste un suéter de Rodarte.*

*Taylor viste un vestido de Rodarte, y botas de Jil Sander.*

*Taylor viste una chaqueta de cuero y top de Rodarte, jeans de Rag & Bone, y botas Miu Miu.*

*Taylor viste un outfit y sombrero de Rodarte, y botas de Michael Kors.*

*Taylor Swift viste un vestido de Rodarte, mochila de Andrew Marc, sombrero de Patricia Underwood, gafas Ray Bans, botas Miu Miu.*

*Taylor Swift viste una colección de Rodarte, y botas de Miu Miu.*

*Taylor viste un outfit de Rodarte.*

Vogue - Taylor Swift - Cover Shoot
## 2014

* Créditos
* Look 1
* 2
* 3
* 4
* 5
* 6
* 7
* BTS

 **Estilista** | Lucinda Chambers

*Taylor Swift viste saco, falda, top tejido y tacones de Miu Miu.*

*Taylor viste un pulóver de Juicy Couture, un mini vestido de Valentino, y tacones de Miu Miu.*

*Taylor viste un suéter de Christopher Kane, shorts vintage, y tacones de Christian Louboutin.*

*Taylor viste un cárdigan de Miu Miu, suéter de Christopher Kane, y tacones de Christian Louboutin.*

*Taylor viste un atuendo de la colección de otoño de Miu Miu de 2014, y tacones L.K. Bennett.*

*Taylor viste un cárdigan de Orla Kiely, un traje de baño de Beyond Retro, y zapatos de Miu Miu.*

*Taylor viste un suéter de Coach, y vestido de Emilio Pucci.*

## 2015

* Créditos
* Look 1
* 2
* 3
* 4
* 5
* 6
* 7
* 8
* BTS

 **Estilista** | Jessica Diehl

*Taylor Swift trae un outfit de Saint Laurent.*

*Taylor trae un vestido de Chloé y tacones de Giuseppe Zanotti.*

*Taylor trae un vestido de Ralph Lauren, tacones de Brian Atwood, y medias de seda de Agent Provocateur.*

*Taylor trae un saco de Balmain, y un collar de Leviev.*

*Taylor trae un vestido de Céline, y pendientes de Harry Winston.*

*Taylor trae un vestido de Saint Laurent, y tacones de Casadei.*

*Taylor trae un vestido de Calvin Klein, y una tiara de Harry Winston.*

*Taylor trae un saco de Stella McCartney.*
Shellback

**Karl Johan Schuster** (nacido el 1 de febrero de 1985), conocido profesionalmente como **Shellback**, es un compositor, productor discográfico y multiinstrumentista sueco. Shellback fue catalogado como el productor N° 1 de 2012 en la lista de fin de año de la revista *Billboard*, y también encabezó la lista de la "Lista de 10 mejores canciones de Airplay" el mismo año; Ha ganado cuatro Grammy Awards.
Forever Winter

Canción de Taylor Swift

«**Forever Winter**» (en español: «Por siempre invierno») es una canción grabada por Taylor Swift presentada en el álbum de regrabación *Red (Taylor's Version)*, que fue lanzado el 12 de noviembre de 2021. Se encuentra como la vigésima séptima pista del álbum, y la sexta pista «from the Vault». Swift coescribió la canción junto a Mark Foster para el álbum *Red* (2012), pero no fue incluída en el track listing original por razones desconocidas.

«Forever Winter» es una canción de power pop que se abre con metales enérgicos. Las voces de Swift en la canción se caracterizan por notas de sílabas "matizadas, amplias", de ritmo rápido y entrecortadas, acompañadas de trompas, flautas y guitarras. Líricamente, «Forever Winter» está dirigido a una persona a quien Swift no puede comprender e intenta comprender.

## Rendimiento comercial

La canción debutó en la posición 79 del *Billboard* Hot 100, para la semana del 27 de noviembre de 2021.

## Letra

He says he doesn't believe anything much he hears these days

He says, "Why fall in love, just so you can watch it go away?"

He spends most of his nights wishing it was how it used to be

He spends most of his flights getting pulled down by gravity

I call, just checking up on him

He's up, 3 AM, pacing

He says, "It's not just a phase I'm in"

My voice comes out begging

All this time I didn't know

You were breaking down

I'd fall to pieces on the floor

If you weren't around

Too young to know it gets better

I'll be summer sun for you forever

Forever winter if you go

He seems fine most of the time

Forcing smiles and never minds

His laugh is a symphony

When the lights go out, it's hard to breathe

I pull at every thread trying to solve the puzzles in his head

Live my life scared to death he'll decide to leave instead

I call, just checking up on him

He's up, 5 AM, wasted

Long gone, not even listening

My voice comes out screaming

All this time I didn't know

You were breaking down

I'd fall to pieces on the floor

If you weren't around

Too young to know it gets better

I'll be summer sun for you forever

Forever winter if you go

If I was standing there in your apartment

I'd take that bomb in your head and disarm it

I'd say I love you even at your darkest and

Please don't go

I didn't know

You were breaking down

I'd fall to pieces on the floor

If you weren’t around

Too young to know it gets better

I'll be summer sun for you forever

Forever winter if you go

I'll be your summer sun forever

At 3 AM, pacing

All this time I didn't know

At 5 AM, wasted

I'd be in pieces on the floor

Forever winter if you go

He says he doesn't believe anything much he hears these days

I say, "Believe in one thing, I won't go away"

## Notas

1. ↑ Subtitulado "(Taylor's Version) (from the Vault)"

## Referencias

1. ↑ Lipshutz, Jason (2021-11-12). "Taylor Swift’s ‘Red (Taylor’s Version)’: 'Vault' Songs Ranked". *Billboard*. Recuperado el diciembre 20, 2021.
2. ↑ "Taylor Swift Chart History (Hot 100)". *Billboard*. Recuperado el noviembre 23, 2021.
Kitty Committee Studio

**Kitty Committee Studio** es el nombre de los estudios de grabación en casa de Taylor Swift, inicialmente creado durante el aislamiento por COVID-19 en 2020 en Los Angeles, California. Un segundo estudio en casa de Swift está localizado en Londres, Reino Unido.

## Álbumes grabados

 **Los Angeles, California**

1. *Folklore* (2020)
2. *Evermore* (2020)

 **Londres, Reino Unido**

1. *Fearless (Taylor's Version)* (2021)
2. *1989 (Taylor's Version)* (2023)

## Referencias

1. ↑ 1,0 1,1 *Fearless (Taylor's Version)* (CD liner notes). Taylor Swift. Republic Records. 2021. B0033578-02.
2. ↑ *Folklore* (CD liner notes). Taylor Swift. Republic Records. 2020. B0032711-02.
3. ↑ *Evermore* (CD liner notes). Taylor Swift. Republic Records. 2020. B0033405-02.
Nannaria swiftae

***Nannaria swiftae*** es una especie de milpiés encontrado en Tennessee, Estados Unidos. Esta especie fue una de las diecisiete especies de milpiés encontradas por los científicos de Virginia Tech: Derek Hennen, Jackson Means y Paul Marek.

Hennen, el autor principal del estudio, fue quien nombró esta especie en honor a Taylor Swift en reconocimiento a "su talento como compositora e intérprete" y en agradecimiento al "disfrute que su música le ha brindado a [Hennen]."

El nombre vernacular de la especie es "El veloz milpiés de garra torcida" (en inglés: "The Swift Twisted-Claw Millipede").

## Nombre

Se requiere que el nombre de las especies animales cumpla con las pautas establecidas por la Comisión Internacional de Nomenclatura Zoológica (ICZN). Las pautas de ICZN permiten que las especies reciban nombres que honren a las personas, incluidas las celebridades.

Derek Hennen, el autor principal del estudio, se ha denominado como Swiftie y seleccionó el nombre de *Nannaria swiftae* por Taylor Swift.

> Esta nueva especie de milpiés es *Nannaria swiftae*: ¡Le puse el nombre de [Taylor Swift]! Soy un gran admirador de su música, así que quería mostrar mi aprecio nombrando a esta nueva especie de Tennessee en su honor. ¡Un gran honor!
>
>

## Referencias

1. ↑ 1,0 1,1 "A revision of the wilsoni species group in the millipede genus Nannaria Chamberlin, 1918 (Diplopoda, Polydesmida, Xystodesmidae)". zookeys.pensoft.net. Recuperado el abril 19, 2022.
2. ↑ Blistein, Jon (2022-4-18). "Taylor Swift Now Has a New Millipede Species Named After Her". *Rolling Stone*. Recuperado el abril 19, 2022.
All You Had to Do Was Stay

## Cronología en *1989*

"**All You Had To Do Was Stay**" (en español: "Todo Lo Que Tenías Que Hacer Era Quedarte") es la quinta canción del quinto álbum de Taylor Swift, *1989* (2014). Swift coescribió la canción junto a Max Martin, mientras que la producción estuvo a cargo de Martin con Shellback y Mattman & Robin.

Líricamente, la canción habla de una chica decepcionada por el fin de la relación y sus problemas.

## Letra

**[Verse 1]**

People like you always want back

The love they gave away

And people like me wanna believe you

When you say you've changed

The more I think about it now

The less I know

All I know is that you drove us

Off the road

**[Chorus]**

(Stay!) Hey

All you had to do was stay

Had me in the palm of your hand

Then, why'd you have to go and lock me out when I let you in?

(Stay!) Hey

Now, you say you want it back

Now that it's just too late

Well, could've been easy

All you had to do was (stay!)

All you had to do was (stay!)

All you had to do was (stay!)

All you had to do was (stay!)

All you had to do was stay

**[Verse 2]**

Here you are now, calling me up

But I don't know what to say

I've been picking up the pieces

Of the mess you made

People like you always want back

The love they pushed aside

But people like me are gone forever

When you say goodbye

**[Chorus]**

(Stay!) Hey

All you had to do was stay

Had me in the palm of your hand

Then, why'd you have to go and lock me out when I let you in?

(Stay!) Hey

Now, you say you want it back

Now that it's just too late

Well, could've been easy

All you had to do was (stay!)

All you had to do was (stay!)

All you had to do was (stay!)

All you had to do was (stay! stay! stay! stay! stay!)

**[Bridge]**

Let me remind you

This was what you wanted (oh, oh, oh-oh-oh)

You ended it

You were all I wanted (oh, oh, oh-oh-oh)

But not like this

Not like this

Not like this

Oh, all you had to do was

**[Chorus]**

(Stay!) Hey

All you had to do was stay

Had me in the palm of your hand

Then, why'd you want to go and lock me out when I let you in?

(Stay!) Hey

Now, you say you want it back

Now that it's just too late

Well, could've been easy

All you had to do was

(Stay!) Hey

All you had to do was stay

Had me in the palm of your hand

Then, why'd you have to go and lock me out when I let you in?

(Stay!) Hey

Now, you say you want it back

Now that it's just too late

(All you had to do was stay)

Well, could've been easy

All you had to do was (stay!)

All you had to do was (stay!) (Oh)

All you had to do was (stay!)

All you had to do was (stay!) (Ooh)

All you had to do was (stay!)
Bonitasaura

***Bonitasaura*** ("lagarto de La Bonita") es un género representado por una única especie de dinosaurios saurópodos saltasáuridos, que vivió a finales del período Cretácico, hace aproximadamente 84 millones de años, en elSantoniano, en lo que es hoy Sudamérica.

## Descripción

*Bonitasaura* tenía una mandíbula inferior característica que presenta un canto vascularizado inmediatamente posterior a la fila de dientes frontales en forma de clavijas, este canto debió poseer una envoltura de queratina que se oponía a una similar en la quijada superior, formando una especie de pico con lo que cortaba las ramas para comer. Este animal tenía un cuello algo corto y arcos neurales robustos en las primeras vértebras dorsales para recibir fuertes músculos, indicando el uso del cuello en esfuerzos vigorosos, probablemente durante la alimentación. El ejemplar encontrado es un subadulto que habría medido cerca de 7 metros, por lo que se estima que el adulto habría medido alrededor de 12 metros. 5 toneladas y 3 de alto.

Encontrado en la Formación Bajo de la Carpa del Grupo Neuquén, localizada en la provincia de Río Negro, del noroeste de la patagonia, en la Argentina. Los restos, consisten en un esqueleto parcial de un adulto hallados en un área de arenisca fluvial pequeña, incluyen una quijada inferior con los dientes, las vértebras parciales y los huesos del miembro, fue descrito por Apesteguía en una comunicación corta en mediados de 2004. El Nombre proviene de el paraje donde fue encontrado, llamado "La Bonita", siendo la especie nombrada en honor a Leonardo Salgado, famosopaleontólogo, argentino.

Sebastián Apesteguía, seguía los pasos de Gualterio Schiller y de Santiago Roth, que exploraron la zona en 1922. Aunque esos científicos no dieran el origen exacto de los huesos, Apesteguía, con el estudiante Pablo Hen y el paleoartista Jorge González, siguió las indicaciones de Doña Tika de 98 años de edad, que habían dirigido a los viajeros durante los años 20 al sitio de fosilización del *Bonitasaura*.

El *B. salgadoi* es la evidencia de que luego de la extinción de los diplodócidos, algunas líneas de titanosauroides evolucionaron de forma convergente con estos dando cráneos bajos sin los arcos nasales característicos de otros macronaria por ejemplo de el *Brachiosaurus* o *Argentinosaurus* y quijadas más bajas con la sínfisis angostas y los dientes como lápices, invirtieron proporciones del miembro, siendo el húmero más corto que el fémur y las colas rudimentarias de forma de látigo. Este hallazgo también aclara en algunos aspectos problemáticos del *Antarctosaurus*, visto a veces como una quimera de un cráneo y un postcraneo de un titanosauriano y la quijada de un dipldócido. Hoy es incluido dentro deNemegtosaurinae.

## En la franquicia de Jurassic Park

Aparece en el Jurassic World The Game para IOS. Es parte de la union genetica Parasaura (Parasaurolophus + Bonitasaura)
Bejeweled

* Sencillo
* Álbum

"**Bejeweled**" (en español: "Incrustada con piedras preciosas") es la novena canción de la edición estándar del décimo álbum de estudio de la cantante y compositora estadounidense Taylor Swift, *Midnights*, lanzado el 21 de octubre de 2022 a través de Republic Records. Una versión instrumental de la canción se puso a la venta el 28 de octubre de 2022.

## Letra

**[Verse 1]**

Baby love, I think I've been a little too kind

Didn't notice you walking all over my peace of mind

In the shoes I gave you as a present

Putting someone first only works when you're in their top five

And, by the way, I'm goin' out tonight

**[Chorus]**

Best believe, I'm still bejeweled

When I walk in the room

I can still make the whole place shimmer

And when I meet the band

They ask, "Do you have a man?"

I can still say, "I don't remember"

Familiarity breeds contempt

Don't put mе in the basement

Whеn I want the penthouse of your heart

Diamonds in my eyes

I polish up real, I polish up real nice

Nice

**[Verse 2]**

Baby boy, I think I've been too good of a girl (Too good of a girl)

Did all the extra credit, then got graded on curve

I think it's time to teach some lessons

I made you my world (Huh?) have you heard (Huh?)

I can reclaim the land

And I miss you (Miss you), but I miss sparkling (Nice)

**[Chorus]**

Best believe, I'm still bejeweled

When I walk in the room

I can still make the whole place shimmer

And when I meet the band

They ask, "Do you have a man?"

I can still say, "I don't remember"

Familiarity breeds contempt

Don't put me in the basement

When I want the penthouse of your heart

Diamonds in my eyes

I polish up real, I polish up real nice

Nice

**[Bridge]**

Sapphire tears on my face

Sadness became my whole sky

But some guy said my aura's moonstone

Just 'cause he was high

And we danced all night

And you can try to change my mind

But you might have to wait in line

What's a girl gonna do? A diamond's gotta shine

**[Chorus]**

Best believe, I'm still bejeweled

When I walk in the room

I can still make the whole place shimmer (Shimmer)

And when I meet the band

They ask, "Do you have a man?"

I can still say, "I don't remember"

Familiarity breeds contempt

Don't put me in the basement

When I want the penthouse of your heart

Diamonds in my eyes

I polish up real (Nice), I polish up real nice

**[Outro]**

And we're dancing all night

And you can try to change my mind

But you might have to wait in line

What's a girl gonna do? What's a girl gonna do?

I polish up nice

Best believe, I'm still bejeweled

When I walk in the room

I can still make the whole place shimmer
Girl at Home

## Cronología en *Red*

"**Girl At Home**" (en español: "Chica En Casa") es el tercer bonus track en la edición deluxe del cuarto álbum de Taylor Swift, *Red* (2012), lanzado el 22 de octubre de 2012 a través de Big Machine Records, y la decimo novena canción en general. Fué escrita por Swift y producida por ella misma junto a Nathan Chapman.

## Letra

**[Intro]**

Don't look at me, you got a girl at home

And everybody knows that, everybody knows that, ah-ah

Don't look at me, you got a girl at home

And everybody knows that, everybody knows that

**[Verse 1]**

I don't even know her

But I feel a responsibility to do what's upstanding and right

It's kinda like a code, yeah

And you've been getting closer and closer

And crossing so many lines

**[Pre-Chorus]**

And it would be a fine proposition

If I was a stupid girl

But honey, I am no one's exception

This, I have previously learned

**[Chorus]**

So don't look at me, you got a girl at home

And everybody knows that, everybody knows that, ah-ah

Don't look at me, you got a girl at home

And everybody knows that, everybody knows that

I see you turn off your phone

And now you've got me alone, and I say

Don't look at me, you got a girl at home

And everybody knows that, everybody knows that

**[Verse 2]**

I just want to make sure

You understand perfectly

You're the kind of man who makes me sad

While she waits up, you chase down the newest thing

And take for granted what you have

**[Pre-Chorus]**

And it would be a fine proposition

If I was a stupid girl

And, yeah, I might go with it

If I hadn't once been just like her

**[Chorus]**

So don't look at me, you got a girl at home

And everybody knows that, everybody knows that, ah-ah

Don't look at me, you got a girl at home

And everybody knows that, everybody knows that

I see you turn off your phone

And now you've got me alone, and I say

Don't look at me, you got a girl at home

And everybody knows that, everybody knows that

Oh-oh-oh, oh-oh-oh

Oh-oh-oh, oh-oh-oh

**[Bridge]**

Call a cab, lose my number

You're about to lose your girl

Call a cab, lose my number

Let's consider this lesson learned

**[Chorus]**

Don't look at me, you got a girl at home

And everybody knows that, everybody knows that, ah-ah

Don't look at me, you got a girl at home

And everybody knows that, everybody knows that

Want to see you pick up your phone

And tell her you're coming home

Don't look at me, you got a girl at home

And everybody knows that, everybody knows that

**[Outro]**

Don't look at me, you got a girl at home

And everybody knows that, everybody knows that

It would be a fine proposition

If I hadn't once been just like her
A Perfectly Good Heart

## Cronología en *Taylor Swift*

"**A Perfectly Good Heart**" es la decimocuarta canción en la edición deluxe del homónimo primer álbum de Taylor Swift lanzado el 6 de noviembre de 2007.

## Letra

**[Chorus]**

Why would you wanna break a perfectly good heart?

Why would you wanna take our love and tear it all apart, now?

Why would you wanna make the very first scar?

Why would you wanna break a perfectly good heart?

**[Verse]**

Maybe I should've seen the signs, should've read the writing on the wall

And realized by the distance in your eyes that I would be the one to fall

No matter what you say, I still can't believe

That you would walk away

It don't make sense to me, but

**[Chorus]**

Why would you wanna break a perfectly good heart?

Why would you wanna take our love and tear it all apart,now?

Why would you wanna make the very first scar?

Why would you wanna break a perfectly good heart?

**[Bridge]**

It's not unbroken anymore

How do I get it back the way it was before?

**[Chorus]**

Why would you wanna break a perfectly good heart?

Why would you wanna take our love and tear it all apart, now?

Why would you wanna make the very first scar?

Why would you wanna break a perfectly good heart?

Why would you wanna break a perfectly good heart?

Why would you wanna take our love and tear it all apart, now?

Why would you wanna make the very first scar?

Why would you wanna break a perfectly good heart?
Bryce Dessner

Dessner en 2016

**Bryce David Dessner** (nacido el 23 de abril de 1976) es un compositor y guitarrista estadounidense ubicado en París, también conocido como miembro de la banda de rock The National. El hermano gemelo de Dessner, Aaron Dessner, también es miembro del grupo. Juntos escriben la música, en colaboración con el cantante y letrista Matt Berninger.

Bryce ha trabajado con Taylor Swift en el álbum de ella, *Evermore* (2020), donde su Aaron es el productor principal.

## Trabajo con Swift

Swift había conocido anteriormente a la banda The National en un episodio de *Saturday Night Live* en 2014, y asistió a uno de sus conciertos en 2019, donde habló con Bryce y Aaron Dessner. Swift recurrió a Aaron para crear su octavo álbum *Folklore*. Cerca del final del proceso de grabación del *Folklore*, Dessner se acercó a colaboradores habituales, incluidos los compañeros de banda de The National, para proporcionar instrumentación de forma remota. Bryce, compuso la orquestación de varias canciones del álbum, mientras que el baterista de the National, Bryan Devendorf, interpretó la programación de batería en "Seven".

Para el noveno álbum de Swift, *Evermore*, Dessner y su hermano gemelo, Aaron Dessner, enviaron a Swift algunos de los temas instrumentales que hicieron para su banda, The National. Uno de ellos fue lo que se convertiría en "Coney Island". Swift y Alwyn escribieron la letra y la grabaron con su voz. Después de escuchar la demo, los hermanos Dessner observaron que la canción se siente muy relacionada con the National, y se imaginó a Matt Berninger (vocalista principal de the National) cantándola, y Bryan Devendorf (baterista de the National) tocando la batería. Aaron Dessner informó a Berninger, quien estaba "emocionado" con la idea. La banda se reunió, Devendorf tocaba la batería, mientras que su hermano Scott Devendorf tocaba el bajo y el piano de bolsillo; Bryce ayudó a producir la canción. Además, Bryce también ayudó en la instrumentación de otras pistas del álbum como "Willow", "Closure", "Long Story Short", y más.

## Créditos

*Folklore* (2020)
1. "The 1" (orquestación)
2. "Cardigan" (orquestación)
3. "The Last Great American Dynasty" (orquestación)
4. "Exile" (orquestación)
5. "Seven" (orquestación)
6. "Invisible String" (orquestación)
7. "Mad Woman" (orquestación)
8. "Epiphany" (orquestación)

*Evermore* (2020)
1. "Willow" (orquestación)
2. "'Tis The Damn Season" (orquestación)
3. "Tolerate It" (orquestación)
4. "Happiness" (orquestación)
5. "Coney Island" (producción, composición, orquestación, piano, pulso)
6. "Ivy" (orquestación)
7. "Cowboy Like Me" (orquestación)
8. "Long Story Short" (orquestación, guitarra eléctrica)
9. "Marjorie" (orquestación)
10. "Closure" (orquestación, piano)
11. "Evermore" (orquestación)

## Referencias

1. ↑ "The National's Aaron Dessner Talks Taylor Swift's New Album folklore". *Pitchfork*.
2. ↑ "Taylor Swift Releases New Album *folklore*: Listen and Read the Full Credits". *Pitchfork*.
3. ↑ "Aaron Dessner Talks Taylor Swift's 'Evermore'". *Rolling Stone*.
4. ↑ "Taylor Swift Releases New Album *evermore*: Listen and Read the Full Credits". *Pitchfork*.
Sad Beautiful Tragic

## Cronología en *Red*

"**Sad Beautiful Tragic**" (en español: "Triste Hermosa Trágica") es la duodécima canción del cuarto álbum de Taylor Swift, *Red* (2012), lanzado el 22 de octubre de 2012 a través de Big Machine Records. Fué escrita por Swift y producida por ella junto a Nathan Chapman.

## Letra

**[Verse 1]**

Long handwritten note, deep in your pocket

Words, how little they mean, when you're a little too late

I stood right by the tracks, your face in a locket

Good girls, hopeful they'll be and long they will wait

**[Chorus]**

We had a beautiful magic love there

What a sad, beautiful, tragic love affair

**[Verse 2]**

In dreams, I meet you in warm conversation

We both wake in lonely beds, different cities

And time is taking its sweet time erasing you

And you've got your demons

And darling, they all look like me

**[Chorus]**

'Cause we had a beautiful magic love there

What a sad, beautiful, tragic love affair

**[Bridge]**

Distance, timing, breakdown, fighting

Silence, the train runs off its tracks

Kiss me, try to fix it, could you just try to listen?

Hang up, give up, and for the life of us we can't get back

**[Chorus]**

A beautiful magic love there

What a sad, beautiful, tragic, beautiful, tragic, beautiful

What we had, a beautiful magic love there

What a sad, beautiful, tragic, love affair

We had a beautiful magic love there

What a sad, beautiful, tragic love affair
Daylight

## Cronología en *Lover*

"**Daylight**" (en español "Luz solar") es la decimoctava canción del séptimo álbum de estudio de la cantante y compositora estadounidense Taylor Swift, Lover, publicado el 23 de agosto de 2019 a través de Republic Records.

## **Letras**

**[Verse 1]**
My love was as cruel as the cities I lived in

Everyone looked worse in the light

There are so many lines that I've crossed, unforgiven

I'll tell you the truth, but never goodbye

**[Chorus]**
I don't wanna look at anything else now that I saw you

I don't wanna think of anything else now that I thought of you

I've been sleeping so long in a twenty-year dark night

And now I see daylight, I only see daylight

**[Verse 2]**
Luck of the draw only draws the unlucky

And, so, I became the butt of the joke

I wounded the good and I trusted the wicked

Clearing the air, I breathed in the smoke

Maybe you ran with the wolves and refused to settle down

Maybe I've stormed out of every single room in this town

Threw out our cloaks and our daggers because it's morning now

It's brighter now, now

**[Chorus]**
I don't wanna look at anything else now that I saw you

(I can never look away)

I don't wanna think of anything else now that I thought of you

(Things will never be the same)

I've been sleeping so long in a twenty-year dark night

(Now, I'm wide awake)

And now I see daylight (Daylight) I only see daylight (Daylight)

I only see daylight, daylight, daylight, daylight

I only see daylight, daylight, daylight, daylight

**[Bridge]**
And I can still see it all (In my mind)

All of you, all of me (Intertwined)

I once believed love would be (Black and white)

But it's golden (Golden)

And I can still see it all (In my head)

Back and forth from New York (Sneaking in your bed)

I once believed love would be (Burning red)

But it's golden

Like daylight, like daylight

Like daylight, daylight

**[Chorus]**
I don't wanna look at anything else now that I saw you

(I can never look away)

And I don't wanna think of anything else now that I thought of you

(Things will never be the same)

I've been sleeping so long in a twenty-year dark night

(Now, I'm wide awake)

And now I see daylight (I see daylight) I only see daylight (Ah)

I only see daylight, daylight, daylight, daylight

I only see daylight, daylight, daylight, daylight (Ah)

(And I can still see it all)

I only see daylight, daylight, daylight, daylight

(And I can still see it all, back and forth from New York)

I only see daylight, daylight, daylight, daylight

(I once believed love would be burning red)

**[Outro]**
Like daylight

It's golden, like daylight

You gotta step into the daylight and let it go

Just let it go, let it go

**[Outro]**
I wanna be defined by the things that I love

Not the things I hate

Not the things I'm afraid of, I'm afraid of

Or the things that haunt me in the middle of the night

I, I just think that

You are what you love
Mary McCartney

**Mary Anna McCartney** (nacida el 28 de agosto de 1969) es una fotógrafa inglesa y embajadora mundial del Meat Free Monday y el Green Monday. Completamente autodidacta, es mejor conocida por su fotografía de retratos, que está impregnada de raros momentos de intimidad sin vigilancia. Ella aporta una profunda inversión personal a su trabajo, capturando la química que crea con sus sujetos y revelando la emoción que impregna la imagen. Mary es hija del músico, cantante y compositor Sir Paul McCartney, y de la fotógrafa y músico Linda McCartney.

Mary se encargó de la sesión de fotos para Taylor Swift y Paul McCartney, para la revista *Rolling Stone* edición 1346.

## 6 de octubre de 2020

[1][2]
Créditos
* **Fotógrafa** – Mary McCartney para *Rolling Stone*
* **Localidad** – Londres, Inglaterra
* **Cabello** – Taylor Swift (para ella misma)
* **Maquillaje** – Taylor Swift
* **Iluminación** – Pedro Faria
* **Tecnología digital** – Alexander Brunacci
* **Retoque** – The Hand of God
* **Producción** – Grace Guppy

1. *Taylor Swift viste un top y chaqueta de Stella McCartney, pantalones de Ulla Johnson, y botas de Dolce & Gabbana.*
2. *Swift trae un vestido de suéter de Stella McCartney.*

## Referencias

1. ↑ "ABOUT". Mary McCartney.
2. ↑ "Musicians on Musicians: Taylor Swift & Paul McCartney". *Rolling Stone*.
Hobbits

Hobbits

[[Image:{{{Image}}}|Hobbits|250px]]

Voiced by
{{{VActor}}}

First seen
The Lord of the Rings

Last seen
The Hobbit

Seen in
{{{Appearances}}}

First mentioned
{{{Mentioned}}}

Film count
{{{Count}}}

Name
Hobbits

AKA
Halflings (by men of the outside world)

Status
Existing

Locations
{{{Place}}}

Hair Color
Brown, red, blonde (rare occasions), grey, white

Eye Color
Various

Average Height
{{{Height}}}

Language
Westron
Hobbitish

Distinguishing features
Large, feet with brown curly hair on top, pointed ears

Notable Members
Bilbo Baggins, Frodo Baggins, Sam Gamgee, Merry Brandybuck, Pippin Took

Related races
{{{Related}}}

Season(s)
{{{Seasons}}}
Paper Rings

## Cronología en *Lover*

"**Paper Rings**" (en español "Anillos de papel") es la octava canción del séptimo álbum de estudio de la cantante y compositora estadounidense Taylor Swift, Lover, lanzado el 23 de agosto de 2019 a través de Republic Records.

## **Letras**

**[Verso 1]**

The moon is high

Like your friends were the night that we first met

Went home and tried to stalk you on the internet

Now I've read all of the books beside your bed

The wine is cold

Like the shoulder that I gave you in the street

Cat and mouse for a month or two or three

Now I wake up in the night and watch you breathe

**[Pre-coro]**

(Ayy)

Kiss me once 'cause you know I had a long night (oh)

Kiss me twice 'cause it's gonna be alright (uh)

Three times 'cause I waited my whole life (1, 2, 1, 2, 3, 4)

**[Coro]**

I like shiny things, but I'd marry you with paper rings

Uh huh, that's right

Darling, you're the one I want, and

I hate accidents except when we went from friends to this

Uh huh, that's right

Darling, you're the one I want

In paper rings in picture frames in dirty dreams

Oh, you're the one I want

**[Verso 2]**

In the winter, in the icy outdoor pool

When you jumped in first, I went in too

I'm with you even if it makes me blue

Which takes me back

To the color that we painted your brother's wall

Honey, without all the exes, fights, and flaws

We wouldn't be standing here so tall, so

**[Pre-coro]**

(Ayy)

Kiss you once 'cause I know you had a long night (oh)

Kiss you twice 'cause it's gonna be alright (uh)

Three times 'cause you waited your whole life (1, 2, 1, 2, 3, 4)

Ah

**[Coro]**

I like shiny things, but I'd marry you with paper rings

Uh huh, that's right

Darling, you're the one I want, and

I hate accidents except when we went from friends to this

Uh huh, that's right

Darling, you're the one I want

In paper rings in picture frames in dirty dreams

Oh, you're the one I want

**[Puente]**

I want to drive away with you

I want your complications too

I want your dreary Mondays

Wrap your arms around me, baby boy

I want to drive away with you

I want your complications too

I want your dreary Mondays

Wrap your arms around me, baby boy

Uh huh

**[Coro]**

I like shiny things, but I'd marry you with paper rings

Uh huh, that's right, you're the one I want

I hate accidents except when we went from friends to this

Ah-ah, darling, you're the one I want

I like shiny things, but I'd marry you with paper rings

Uh huh, that's right

Darling, you're the one I want, and

I hate accidents except when we went from friends to this

Uh huh, that's right

Darling, you're the one I want

In paper rings in picture frames in all my dreams

You're the one I want

In paper rings in picture frames in all my dreams

Oh, you're the one I want

**[Outro]**

You're the one I want, one I want

You're the one I want, one I want
Last Kiss

## Cronología en *Speak Now*

"**Last Kiss**" es la treceava canción del tercer álbum de Taylor Swift, *Speak Now*. La canción fué escrita por Swift misma, y producida por ella junto a Nathan Chapman.

## Letra

**[Verse 1]**

I still remember the look on your face

Lit through the darkness at 1:58

The words that you whispered

For just us to know

You told me you loved me

So why did you go away?

Away

I do recall now the smell of the rain

Fresh on the pavement

I ran off the plane

That July 9th

The beat of your heart

It jumps through your shirt

I can still feel your arms

**[Chorus]**

But now I'll go sit on the floor

Wearing your clothes

All that I know is

I don't know how to be something you miss

I never thought we'd have a last kiss

Never imagined we'd end like this

Your name, forever the name on my lips

**[Verse 2]**

I do remember the swing of your step

The life of the party, you're showing off again

And I roll my eyes and then

You pull me in

I'm not much for dancing

But for you I did

Because I love your handshake, meeting my father

I love how you walk with your hands in your pockets

How you kissed me when I was in the middle of saying something

There's not a day I don't miss those rude interruptions

**[Chorus]**

But now I'll go sit on the floor

Wearing your clothes

All that I know is

I don't know how to be something you miss

I never thought we'd have a last kiss

Never imagined we'd end like this

Your name, forever the name on my lips

**[Bridge]**

So I'll watch your life in pictures like I used to watch you sleep

And I feel you forget me like I used to feel you breathe

And I keep up with our old friends just to ask them how you are

Hope it's nice where you are

And I hope the sun shines

And it's a beautiful day

And something reminds you

You wish you had stayed

You can plan for a change in weather and time

But I never planned on you changing your mind

**[Chorus]**

So I'll go sit on the floor

Wearing your clothes

All that I know is

I don't know how to be something you miss

I never thought we'd have a last kiss

Never imagined we'd end like this

Your name, forever the name on my lips

Just like our last kiss

Forever the name on my lips

Forever the name on my lips

**[Outro]**

Just like our last
Better than Revenge

## Cronología en *Speak Now*

"**Better Than Revenge**" es la décima canción del tercer álbum de Taylor Swift, *Speak Now*. La canción fué escrita por Swift misma, y producida por ella junto a Nathan Chapman.

## Letra

**[Intro]**

Now go stand in the corner and think about what you did

Ha, time for a little revenge

**[Verse 1]**

The story starts when it was hot and it was summer and

I had it all, I had him right there, where I wanted him

She came along, got him alone, and let's hear the applause

She took him faster than you can say sabotage

**[Pre-Chorus 1]**

I never saw it coming, wouldn't have suspected it

I underestimated just who I was dealing with

She had to know the pain was beating on me like a drum

She underestimated just who she was stealing from

**[Chorus]**

She's not a saint and she's not what you think

She's an actress, whoa

She's better known for the things that she does

On the mattress, whoa

Soon she's gonna find stealing other people's toys

On the playground won't make you many friends

She should keep in mind, she should keep in mind

There is nothing I do better than revenge, ha!

**[Verse 2]**

She looks at life like it's a party and she's on the list

She looks at me like I'm a trend and she's so over it

I think her ever-present frown is a little troubling

And she thinks I'm psycho 'cause I like to rhyme her name with things

**[Pre-Chorus 2]**

But sophistication isn't what you wear or who you know

Or pushing people down to get you where you wanna go

Oh, they didn't teach you that in prep school, so it's up to me

But no amount of vintage dresses gives you dignity

(Think about what you did)

**[Chorus]**

She's not a saint and she's not what you think

She's an actress, whoa

She's better known for the things that she does

On the mattress, whoa

Soon she's gonna find stealing other people's toys

On the playground won't make you many friends

She should keep in mind, she should keep in mind

There is nothing I do better than revenge, HA!

**[Bridge]**

I'm just another thing for you to roll your eyes at, honey

You might have him, but haven't you heard?

I'm just another thing for you to roll your eyes at, honey

You might have him, but I always get the last word

Whoa, whoa-ah-oh

**[Chorus]**

She's not a saint and she's not what you think

She's an actress, whoa (she deserved it)

She's better known for the things that she does

On the mattress, whoa

Soon she's gonna find stealing other people's toys

On the playground won't make you many friends

She should keep in mind, she should keep in mind

There is nothing I do better than revenge, HA!

**[Outro]**

Do you still feel like you know what you're doing?

'Cause I don't think you do, oh (no, no, no, no)

Do you still feel like you know what you're doing? (no)

I don't think you do, I don't think you do

Let's hear the applause (come on, come on)

Come on, show me how much better you are (so much better, yeah?)

See you deserve some applause

'Cause you're so much better

She took him faster than you could say sabotage
Apple Music Awards

Los **Apple Music Awards** son una entrega anual de premios musicales de Apple Inc., anunciada por primera vez en 2019, "reconociendo a los mejores y más fuertes músicos de 2020 y su enorme impacto en la cultura global."

"Los Apple Music Awards son nuestra oportunidad de reconocer y honrar a los artistas increíbles que sentimos que han impactado e inspirado profundamente al mundo y a nuestros clientes, y nos ayudaron a sentirnos conectados a través de la música este año", dijo Oliver Schusser, vicepresidente de Apple Music de Apple y Beats.

## Referencias

1. ↑ "Apple announces first ever Apple Music Awards" (en inglés). Apple.
2. ↑ 2,0 2,1 2,2 "Apple announces second annual Apple Music Awards" (en inglés). Apple.
Cornelia Street

## Cronología en *Lover*

“**Cornelia Street**” (en español Calle Cornelia) es la novena canción del séptimo álbum de estudio de la cantante y compositora estadounidense Taylor Swift, *Lover*, lanzado el 23 de agosto de 2019 a través de Republic Records.

## **Letras**

**[Verso 1]**

We were in the backseat

Drunk on something stronger than the drinks in the bar

"I rent a place on Cornelia Street"

I say casually in the car

We were a fresh page on the desk

Filling in the blanks as we go

As if the street lights pointed in an arrow head

Leading us home

**[Coro]**

And I hope I never lose you, hope it never ends

I'd never walk Cornelia Street again

That's the kinda heartbreak time could never mend

I'd never walk Cornelia Street again

And baby, I get mystified by how this city screams your name

And baby, I'm so terrified of if you ever walk away

I'd never walk Cornelia Street again

I'd never walk Cornelia Street again

**[Verso 2]**

Windows flung right open, autumn air

Jacket 'round my shoulders is yours

We bless the rains on Cornelia Street

Memorize the creaks in the floor

Back when we were card sharks, playing games

I thought you were leading me on

I packed my bags, left Cornelia Street

Before you even knew I was gone

**[Pre-coro]**

But then you called, showed your hand

I turned around before I hit the tunnel

Sat on the roof, you and I

**[Coro]**

I hope I never lose you, hope it never ends

I'd never walk Cornelia Street again

That's the kinda heartbreak time could never mend

I'd never walk Cornelia Street again

And baby, I get mystified by how this city screams your name

And baby, I'm so terrified of if you ever walk away

I'd never walk Cornelia Street again

I'd never walk Cornelia Street again

**[Puente]**

You hold my hand on the street

Walk me back to that apartment

Years ago, we were just inside

Barefoot in the kitchen

Sacred new beginnings

That became my religion, listen

**[Coro]**

I hope I never lose you

I'd never walk Cornelia Street again

Oh, never again

And baby, I get mystified by how this city screams your name

And baby, I'm so terrified of if you ever walk away

I'd never walk Cornelia Street again

I'd never walk Cornelia Street again

**[Después-coro]**

I don't wanna lose you (Hope it never ends)

I'd never walk Cornelia Street again

I don't wanna lose you (Yeah)

**[Outro]**

"I rent a place on Cornelia Street"

I say casually in the car