Freya Astaseul Thornrose Wolf

**Freya Astaseul Thornrose Wolf** is the mother queen of Rohel. She was born under moonlight, a single tear shed by the celestial being, falling for 5000 years, ultimately landing and blooming in mid-late Portusburg. Within a short amount of time, she formed friendships with many of the citizens, including Gustav II and Sinnon Thornrose. After The Battle of Portusburg, she became married to Sinnon Thornrose, and by such, becoming the Queen of Rohel, though staying politically inactive, instead contributing through architectural works such as the Roseport Keep

## Biography

### First landing

One of her first actions was to establish a home, and shop, resulting in the creation of Freya's Wood and Timber

This house stood for a long time, despite the war against Wrog, and the Kartek threats and terrorism, selling wood for extremely low prices, although with infrequent stocking.

### Rohelian architect

After the Battle of Portusburg, the previous city keep was torn down to distance themselves from the "Dracula architectural style" the previous Portusburg Keep had as a design.

   Ontop of intending to distance itself from the previous architectural style, she also aimed to further display the strength and prowess of the new governing body, and the Rohelian strength, establishing the Red netherite brick into the Rohelian architectural style.

The new castle incorporated new offensive and defensive designs, featuring a courtyard open to arrow fire, several well-protected towers to shield soldiers from fire while allowing them to shoot upon enemies freely. It also had one large central tower for the council, a dining hall, and public storage and sightseeing. A beacon was also added, allowing the Rohelians to signal danger by lighting the campfires in one of the two southern towers

During the time where tensions between Rohel and Kartek were low, after Freya and Sinnon's marriage, they both planned on making a Honeymoon retreat on Theros, where Freya designed a build incorporating northern italian architecture, with wide, open archs letting air flow freely into each room to dissipate the hot Theros sun.

However, the Villa was never built on the island, as tension soon began to rise.

### Family matters

Around this time, Freya became adopted into the Astaseul family, becoming the first daughter of Elzaress spurring the start of Freya's god complex as she now could simply utter the sentence "Well my mom could beat up your mom" and be utterly and objectively correct.

### Present time

After an unfortunate loss against the Kartek Forces, the Rohelian people were forced to flee, though luckily Ecclesia was kind enough to grant them refuge in an area now known as Elkinir, where Ironthorn now stands, a prosperous people now flourish and regain their strength.

Here, Freya designed the Royal Thornrose estate, which is to be built on a small island in the southern area.

### Truth of her past

*"Born under moonlight, a single tear shed by the celestial being, falling for 5000 years, ultimately landing and blooming in mid-late Portusburg."*

Such is how she herself explains it, yet it is a half truth, hiding the truth of her time spent roaming the void. She is a ghost of sorts, not in the traditional sense of being transparent and intangible. She simply fits the description of "Once dead" and now reborn.

#### Prologue

A world left devastated by a plague of spores transforming every being into a decrepit form of itself, Freya, in a form unfamiliar to her current one, find a small band of friends to combat the increasingly numbered forces of undead. Among her friends, is one simply known as VOID. She and Void, do not share a particularly close relationship, but on one particular night, forces of undead are hailing on the fort she and her comrades took so long to build, splitting it apart within a matter of minutes. VOID, in the last minutes before their inevitable death, offers her a way.. away, not out, not in, just a way. In the fear and panic, she accepts, taking her first step into the VOID.

#### The Lunar Endpire

She wakes up in a small clearing, surrounded by cliffs, and protected by a ravine leading into the wilderness. She looks at herself, her hands, for a brief period, seem as if stars reside within them. As they slowly fade, she is left.. Alive, that is all that matters to her, despite the pitch blackening of her skin, and the red tint in her right eye, she is alive, and once again reunited with her friends, yet, she finds something off about them, most of them, at least, Connor, one, who had also been approached by VOID, is left himself. The two of them quickly gang up, and begin their journey to creating the Lunar Endpire.

In this new world, Freya found herself pondering upon The Moon for many nights, and eventually, it began to speak to her in a language first unknown, yet later it would become one of her own, a language of rhyme and song, that influenced the way she spoke in other languages. In her name, Freya built an abbey, dedicated to The Moon. After not long, the moon instructed her to build herself a magical tomb, where she could lie, the whole of her, separated neatly, so she could be cleansed of the corruption the VOID transfer unknowingly left on this world.

    In her last hours in this world, she travelled to the end, taking endstone with her as a souvenir. She laid in her tomb, and rested.

The world, as predicted, corrupted and was lost to the void, the moon spending its energy in protecting her, infusing itself into her so that she may be able to walk the void. And so she did, for millenia, upon millenia, upon millenia, until the moon of Rathnir found her, shedding a tear to guide her towards Rathnir so that she may be found, and belong.