Tommy Westphall

TommyWestphall.fandom: Tommy\_Westphall\_Universe
**Tommy Westphall**, portrayed by Chad Allen, is a minor character from the drama television series *St. Elsewhere*, which ran on NBC from 1982 to 1988.

Westphall, who is autistic, played an increased role in *St. Elsewhere*'s final episode, "The Last One", where one interpretation of the finale is that the entire *St. Elsewhere* storyline exists only within Westphall's imagination. As characters from *St. Elsewhere* have appeared on other television shows and those shows' characters appeared on more shows, and so on, a "Tommy Westphall Universe" hypothesis (postulated by Dwayne McDuffie) argues that a significant amount of fictional episodic television exists within a fictional universe imagined by Tommy Westphall.

## "The Last One"

In the last episode's final two scenes, Donald Westphall — having just returned to St. Eligius — is shown in Dr. Auschlander's office pondering the recent death from stroke of his colleague and mentor. With the aria *"Chi il bel sogno di Doretta"* (Doretta's Beautiful Dream) from Puccini's opera *La Rondine* playing, Tommy Westphall enters the office and runs to the window, where he looks at the snow falling outside St. Eligius. An exterior camera shot of the hospital cuts to Tommy Westphall sitting in the living room of an apartment building alongside his grandfather, now being portrayed by Norman Lloyd (aka "Daniel Auschlander"). Tommy's father, still being portrayed by Ed Flanders (aka "Donald Westphall") arrives at the apartment wearing a hard hat. The following exchange occurs:

> **Father:** "Hi Pop, how you doing?"
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> **Grandfather:** "Good. How was your day up on the building?"
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> **Father:** "Well, we finally topped off the 22nd story. And I'm beat. How's he been? (*referring to Tommy*) He give you any trouble?"
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> **Grandfather:** "He's been sitting there ever since you left this morning, just like he does every day. World of his own."
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> **Father:** "I don't understand this autism thing, Pop. Here's my son, I talk to him, I don't even know if he can hear me. He sits there, all day long, in his own world, staring at that toy. What's he thinking about?"
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Tommy, who is shaking a snow globe, is told by his father to come and wash his hands. As they leave the living room, Tommy's father places the snow globe upon a television set. The camera slowly zooms in on the snow globe, which is revealed to contain a replica of St. Eligius hospital inside of it.

The foremost interpretation of this scene is that the entire series of events in *St. Elsewhere* were dreamt by Tommy Westphall, and thus, products of his imagination. According to Lindsey Freeman, the narrative framing of Tommy's imagination as within a snow globe occurs because, as an "oneiric and mnemonic gadget," a snow globe "often finds itself as a companion piece to the dream sequences found in television and movies," adding that, "while a controversial and maddening ending for some loyal viewers, the final episode of *St. Elsewhere* illustrates the rich and often blurred boundaries in how we experience the world."

## The Tommy Westphall Universe Hypothesis

The Tommy Westphall universe hypothesis makes the claim that not only does *St. Elsewhere* take place within Tommy's mind, but so do numerous other television series which are directly and indirectly connected to *St. Elsewhere* through fictional crossovers and spin-offs, resulting in a large fictional universe taking place entirely within Tommy's mind. This hypothesis was originally put forward by comic book and TV writer Dwayne McDuffie in a 2002 blog post, as a *reductio ad absurdum* argument *against* making strong statements about fictional continuity based upon guest appearances.

In a 2003 article published on BBC News Online, *St. Elsewhere* writer Tom Fontana was quoted as saying, "Someone did the math once... and something like 90 percent of all [American] television took place in Tommy Westphall's mind. God love him."

### An example of crossover

The *St. Elsewhere* characters Dr. Roxanne Turner (Alfre Woodard) and Dr. Victor Ehrlich (Ed Begley, Jr.) appeared on *Homicide: Life on the Street*. Fontana was the executive producer and showrunner for *Homicide* for its entire seven years.

Proponents of the Tommy Westphall Universe argue that because of this fictional crossover, the two series exist within the same fictional universe, and within Tommy Westphall's mind because of the final episode of *St. Elsewhere*; by extension this hypothesis can be extended to include the science fiction program *The X-Files* and the *Law & Order* franchise (due to various crossovers with characters from *Homicide*, in particular Det. John Munch).

### Objections

There are other possible interpretations of Tommy's "vision" which may suggest something other than the entire series being his dream. For instance, it may be the other way around, and the snow globe scene may itself be the dream. Brian Weatherson, professor of philosophy at Cornell University, wrote a piece, "Six Objections to the Westphall Hypothesis", which challenges the logical, factual, and philosophical basis for the existence of the "universe".

Weatherson's fifth objection holds that the appearance of a person or event in a dream does not mean the person or event cannot exist in real life. If a person dreams about visiting London and meeting Gordon Brown, it does not follow that because the city of London and Gordon Brown appeared in a dream, they do not exist in real life. Specific to the Westphall Hypothesis, even if we accept that *St. Elsewhere* is Westphall's dream, it does not imply that all of the characters on the show exist only in his mind. Therefore, appearances from *St. Elsewhere* characters on other shows are not sufficient to indicate that those shows exist only in Westphall's dream.

The notion that appearances by the same character in two or more series tie those series together in the same fictional universe is also problematic. Weatherson, in his sixth objection, offers the example of Michael Bloomberg playing the role of New York City Mayor both on *Law & Order* and in real life, which, if one accepts the logic of the hypothesis, indicates that real life is in the head of Tommy Westphall. Thus, it does not follow that because one person, place, or thing is present in two or more works of fiction that those works are necessarily related.

### Homages

When directing episodes for the eighth series of the revived *Doctor Who* in 2014, Ben Wheatley had the art department create a replica of Tommy Westphall's snowglobe, which Wheatley placed in the TARDIS set as a reference to the hypothesis.

## Image

w:c:tommywestphall:File:Crossovers 2016.png