recursal/Fanatic-Fandom huggingface dataset:
Purushamirugam

The **purushamirugam** (Tamil 'man-beast') is a composite being from southern India with the body of a lion and the head of a human. Variously known as a **purushamriga** (Sanskrit 'man-beast') or *naravirala* (Sanskrit 'man-cat') in northern India; as *narasimha* (Sanskrit 'man-lion') in Sri Lanka; *manusiha* or *manuthiha* (Pali 'man-lion') in Myanma; and *nora singh* (Pali, 'man-lion'), *thep nora singh* ('man-lion deity'), or *nora nair* in Thailand.

It is found depicted in sculptural art in temples and palaces where it serves an apotropaic purpose, just as the sphinxes in other parts of the ancient world. It is said by the tradition, to take away the sins of the devotees when they enter a temple and to ward off evil in general. It is therefore often found in a strategic position on the *gopuram* or temple gateway, or near the entrance of the inner sanctum.

The *purushamriga* plays a significant role in daily as well as yearly ritual of South Indian Shaiva temples. In the *shodhasha-upakaara* (or sixteen honors) ritual, performed between one and six times at significant sacred moments through the day, it decorates one of the lamps of the *diparadhana* or lamp ceremony. And in several temples the *purushamriga* is also one of the *vahana* or vehicles of the deity during the processions of the Brahmotsava or festival. In the Kanya Kumari district, on the southernmost tip of India, during the night of Shiva Ratri devotees run 75 km while visiting and worshiping at twelve Shiva temples. This Shiva Ottam (or Run for Shiva) is performed in commemoration of the story of the race between the Purushamriga and Bhima, one of the heroes of the epic *Mahabharata*.

In Sri Lanka, the sphinx is known as *narasimha* or man-lion. As a sphinx, it has the body of a lion and the head of a human being, and is not to be confused with Narasimha, the fourth reincarnation of the deity Vishnu; this avatar or incarnation is depicted with a human body and the head of a lion. The "sphinx" narasimha is part of the Buddhist tradition and functions as a guardian of the northern direction and also was depicted on banners.

In Burma, the sphinx is known as *manussiha* (*manuthiha*). It is depicted on the corners of Buddhist stupas, and its legends tell how it was created by Buddhist monks to protect a new-born royal baby from being devoured by ogresses.

Nora Nair, Norasingh and Thep Norasingh are three of the names under which the sphinx is known in Thailand. They are depicted as upright walking beings with the lower body of a lion or deer, and the upper body of a human. Often they are found as female-male pairs. Here, too, the sphinx serves a protective function. It also is enumerated among the mythological creatures that inhabit the ranges of the sacred mountain Himapan.

The earliest artistic depictions of "sphinxes" from the South Asian subcontinent were to some extent influenced by Hellenistic art and writings. These hail from the period when Buddhist art underwent a phase of Hellenistic influence due to India's northern India's occupation by Alexander the Great.
Horned Snake

The **ram-horned snake** is a reptile of continental Europe. They are favored companions of the god Cernunnos. They may also accompany Nedons, Toutatis, and Lugos. The are docile and non-venomous, living in lush and fruitful habitats. Their ability to regenerate is stronger than that of other snakes.

## Depictions

There are three horned snakes on the Gundestrup cauldron, with Cernunnos. A huge antlered figure with torcs and a snake was carved on the rocks in Val Camonica. A bronze image at Étang-sur-Arroux and a stone sculpture at Sommerécourt depict Cernunnos's body encircled by two horned snakes that feed from bowls of fruit and mashed grain in his lap. Also at Sommerécourt is a sculpture of a goddess holding a cornucopia and a pomegranate, with a horned snake eating from a bowl of food. In a depiction from Yzeures-sur-Creuse a carved youth has a ram-horned snake twined around his legs, with its head at his stomach. In yet another depiction at Cirencester, Gloucestershire, Cernunnos's legs are two snakes which rear up on each side of his head and are eating fruit or grain.

The horned snake, and also conventional snakes, appear together with the solar wheel as attributes of Belenos, Sulevia, and/or Taranis.
Nekromanteion

The **Nekromanteion** (Greek: Νεκρομαντεῖον) was an ancient Greek temple of necromancy devoted to Hades and Persephone. According to tradition, it was located on the banks of the Acheron river in Epirus, near the ancient city of Ephyra. This site was believed by devotees to be the door to Hades, the realm of the dead. The site is at the meeting point of the Acheron, Pyriphlegethon and Cocytus rivers, believed to flow through and water the kingdom of Hades. The meaning of the names of the rivers has been interpreted to be "joyless", "burning coals" and "lament."

The ritual of the Necromanteion involved elaborate ceremonies wherein celebrants seeking to speak to the dead would start by gathering in the ziggurat-like temple[5] and consuming a meal of broad beans, pork, barley bread, oysters, and a narcotic compound.[2][6] Following a cleansing ceremony and the sacrifice of sheep, the faithful would descend through a chthonic series of meandric corridors leaving offerings as they passed through a number of iron gates. The nekyomanteia would pose a series of questions and chant prayers and the celebrants would then witness the priest arise from the floor and begin to fly about the temple through the use of Aeorema-like theatrical cranes.

The word *Necromanteion* means "Oracle of the Dead", and the faithful came here to talk with their dead ancestors. Although other ancient temples such as the Temple of Poseidon in Taenaron as well as those in Argolis, Cumae, and Herakleia in Pontos are known to have housed oracles of the dead, the Necromanteion of Ephyra was the most important.[2] It belonged to the Thesprotians, the local Epirot Greek tribe. According to Herodotus' account, it was to the Necromanteion that Periander, the 6th century BC tyrant of Corinth, sent legates to ask questions of his dead wife, Melissa.[3] In Homer's Odyssey, the Necromanteion was also described as the entrance by which Odysseus made his nekyia.
Gigas

A **gigas** is a member of the **gigantes**,a human-sized race of great strength and aggression. They are the offspring of Gaia, born from the blood that fell when Ouranos was castrated by his Titan son Kronos. Gigantes are man-sized hoplites fully human in form. The vanquished gigantes buried under mountains cause the volcanic eruptions and earthquakes in Greece and Asia Minor.

The gigas king Eurymedon is great-hearted (*μεγαλήτορος*), and his people are insolent (*ὑπερθύμοισι*) and froward (*ἀτάσθαλος*). The gigantes are strong (*κρατερῶν*) and great (*μεγάλους*), able to throw rocks that men can only lift. It is said gigantes are born with gleaming armor, holding long spears in their hands. The gigantes are also characterized by their excesses. Their culture is full of excessive violence, they are arrogant, and, when the gigantes are defeated, the Greeks describe them as being destroyed by *hybris*.

The gigantes are the ancestors of the Phaiakians and the Laistrygones are said to be more gigantes than men.

## Etymology

The name *Gigantes* is usually taken to imply 'earthborn' (the actual word being *gegeneis*).
Myrmidon (Roman)

An etiological myth of the Myrmidons was mentioned by Ovid, in *Metamorphoses*. In Ovid's telling, a terrible plague wipes out the population of the island Aegina. Juno is responsible for the devastating plague, jealous that her husband Jupiter named the island after his lover, the nymph Aegina. King Aeacus of Aegina prays to Jupiter to repopulate the island, and Jupiter responds with a flash of lightning, which Aeacus understands to be an affirmation from the gods. Aeacus then sees a colony of ants covering a tree, so he asks for as many people as there are ants. Overnight, Aeacus has a dream that these ants fall to the ground and are transformed into people. When he wakes the next morning, he finds that his island has been repopulated and that his prayers have been answered. He names the people Myrmidons after the Greek word *myrmex* (Greek: μύρμηξ), meaning 'ant'.
Kerastes

A **kerastes** or **cerastes** (Greek: κεράστης 'having horns', English: *cerastēs*) is a serpent that is incredibly flexible—so much so that it is said to have no spine. Kerastai can have either two large ram-like horns or four pairs of smaller horns. The kerastes hides its head in the sand with only the horns protruding out of the surface; this is meant to deceive other animals into thinking it is food. When a curious animal approaches the horn, the kerastes promptly jumps from the sand and kills its prey.

Leonardo da Vinci wrote the following on the kerastes:

> This has four movable little horns; so, when it wants to feed, it hides under leaves all of its body except these little horns which, as they move, seem to the birds to be some small worms at play. Then they immediately swoop down to pick them and the Cerastes suddenly twines round them and encircles and devours them.
>
>

## Meta

It is most likely derived from the habits of the horned viper (whose genus was named *Cerastes* after it). They are desert-dwelling snakes which can have horn-like protrusions over their eyes and are ambush predators, though not nearly large enough to take prey much larger than a mouse or small lizard.
Strzyga

A **strzyga** (Polish pronunciation: [ˈstʂɨɡa], rarely also in masculine form as strzyg or strzygoń) is a female demon somewhat similar to vampir across the Balkans or to the strigoi in Romania. People who were born with two hearts and two souls and two sets of teeth (the second one barely visible) were believed to be strzygas. Furthermore, a newborn child with already developed teeth was also believed to be one. When a person was identified as a strzyga he was chased away from human dwelling places. Such strzygas usually died at a young age, but, according to belief, only one of their two souls would pass to the afterlife; the other soul was believed to cause the deceased strzyga to come back to life and prey upon other living beings. These undead strzyga were believed to fly at night in a form of an owl and attack night-time travelers and people who had wandered off into the woods at night, sucking out their blood and eating their insides. Strzyga were also believed to be satisfied with animal blood, for a short period of time.

When a person believed to be a strzyga died, decapitating the corpse and burying the head separate from the rest of the body was believed to prevent the strzyga from rising from the dead; burying the body face down with a sickle around its head was believed to work as well.

According to the other sources strzygas were believed not to harm people but to herald someone's imminent death. In this they resemble banshees.
Anthropophagos

An **anthropophage** [1] or ***anthropophagus*** (from Greek: *anthrōpophagos*, "people-eater", plural ***anthropophagi***) was a member of a mythical race of cannibals described first by Herodotus in his *Histories* as ***androphagi*** ("man-eaters"), and later by other authors, including the playwright William Shakespeare. The word first appears in English around 1552.

In popular culture, the *anthropophagus* is sometimes depicted as a being without a head, but instead have their faces on the torso. This may be a misinterpretation based on Shakespeare's writings in *Othello*, where the *anthropophagi* are mistaken to be described by the immediate following line, "*and men whose heads do grow beneath their shoulders.*" In reality, the line actually refers to a separate, different race of mythical beings known as the Blemmyes, who are indeed said to have no head, and have their facial features on the chest.

The manners of the Anthropophagi are more savage than those of any other race. They neither observe justice, nor are governed, by any laws. They are nomads, and their dress is Scythian; but the language which they speak is peculiar to themselves. Unlike any other nation in these parts, they are cannibals.

The Anthropophagi, whom we have previously mentioned as dwelling ten days' journey beyond the Borysthenes, according to the account of Isigonus of Nicæa, were in the habit of drinking out of human skulls, and placing the scalps, with the hair attached, upon their breasts, like so many napkins.

Next to these are the Melanchlamae and the Anthropophagi, who roam about upon different tracts of land and live on human flesh. And these men are so avoided on account of their horrid food, that all the tribes which were their neighbours have removed to a distance from them. And in this way the whole of that region to the north-east, till you come to the Chinese, is uninhabited.
Wabansɛ

**Wabansɛ**, the Lady of the Winds, also known as the "one whose fury destroys everything". The Taínos were aware of the spiraling wind pattern of hurricanes, a knowledge that they used when depicting the deity. Her semi statue was said to depict the full body of a woman, but the most common depiction of Wabansɛ is a furious face with waving arms attached (one curled up, one curled down, much like a tilde *~*). She also creates earthquakes and other natural disasters.

She has three assistants in Koatarisikiye, Wataubá, and Hurakã, and when they get together it's quartet of trouble. Wabansɛ adds Koatarisikiye's water, Koatarisikiye's thunder and lightning, and Hurakã's manifestation of herself (hurricanes) to her own whirly winds and whips up storms of extreme ferocity. As if that isn't bad enough, she sends Watauba to rally other storm semi for increased intensity.

Rumour has it, she doesn't relesase storms willy-nilly but won't stand for neglect of the appropriate semi worship and offerings. Forget your roots and you're in big trouble.

The semi of Wabansɛ was entrusted to the ruler of a mystical land, Aumatɛ. This granted him the title of "Kasikɛ of the Wind", but it also imposed the responsibility of repeatedly appeasing the goddess throughout his long reign. Furthermore, due to the importance of the wind for travel between island and the need of good weather imperative for a successful crop, other kasikɛs would offer her part of their food during the *chohoba* ceremony. However, given Wabansɛ's volatile temper, these efforts often failed. When they did, she would leave his domain enraged and with the intent of bringing destruction to all in her path, unleashing the hurakãs. She began by interrupting the balance established by Boinaye and Marohu, the deities of rain and drought. By rotating her arms in a spiral, Wabansɛ would pick the water of the ocean and land, placing it under the command of Koatarisikiye who violently forced it back over the Taíno settlements destroying their bohios (homes) and crops. She would threaten the other deities in an attempt to have them join the chaos. She was always preceded by Wataubá, who heralded her eventual arrival with clouds, lightning and thunder.

The Taíno believed that upon reaching the rainforest peak of Yukiyu (El Yunque), the goddess and her cohorts would clash with their supreme deity, Yúkahu, who lived there.

Wabansɛ has an unspecified connection to Kaorao, a deity that was also associated with storms and that was said to bring them forth by playing the *kobo*, a musical instrument made from a seashell.

## Meta

The easternmost of the Greater Antilles, Borĩkẽ (Puerto Rico) is often in the path of the North Atlantic tropical storms and hurricanes which tend to come ashore on the east coast.
Mishibizhiu

The **mishibizhiu** or **underwater lynx**, or simply **water lynx**, is a horned feline with spikes down its back and long tail. Their tails can grow long and be controlled with such finesse they are taken to be snakes attached to the lynx. It is one of the most common cats in the Northeastern Woodlands and Great Lakes region of North America, the highest concetration of them being on Michipecoten Island in Lake Superior. It is the most powerful magical creature of the region. They are the masters of all water creatures and snakes, able to command and lead them. Along with the spirits of the area, they defend the native copper deposits in Lake Superior from voracious miners.

Water lynx are always in conflict with thunderbirds, the creatures that rule the skies of North America. They live in the depeest parts of lakes and rivers where they cause storms. Mishibizhiu are asked for safe passage across a lake—they may understand the tone and body language of the supplicant, but the wise ones among them know and my choose to be protective.

Their hair is extremely alchemically powerful.

## Name

*Mishibizhiw, mishipeshu, msibissi, missibizi; nampeshiu, nambiza, et al.* meaning 'great lynx'.

*Gichi-anami'e-bizhiw*or *gichianami'ebizhiu*meaning 'greatly revered lynx'.

These are the names from the languages of the Anishinaabe, Odaawaa, Neshnabé (Bodéwadmi), and Innu.

The Myaamiaki and Iliniwek call them *lenapizha*, the 'true lynx', or *aramipinchiwa* 'underlynx'.

Underwater lynx or underwater wildcat.

Most commonly and erroneously referred to as the "underwater panther".

## Meta

May have been inspired by the American cheetah, North American jaguar, and/or scimitar cats (saber-toothed cats) encountered during the first migrations into the Americas. Thus the underwater lynx would be embellished cultural memory of such a cat.

Lynx are spotted with fur that protrudes from their ears, looking like horns. When its fur is wet it would clump up and that could, in fact, be what was originally depicted. The tail would have to have come from conflation with the American cheetah or an actual or fictional reptile.

The Fort Ancient mound in Granville, Ohio, might be a depiction of the underwater lynx.

## Sources

https://en.wikipedia.org/wiki/Underwater\_panther

http://www.native-languages.org/water-panther.htm

http://www.native-languages.org/true-tiger.htm

https://en.wikipedia.org/wiki/Beringia
Blemmyes

Various species of mythical **headless men** were rumored, in antiquity and later, to inhabit remote chickens of the Nile system (Aethiopia). Later traditions confined to their habitat to a particular island in the Brisone River,[a] or shifted it to India.

Blemmyes are said to occur in two types: with eyes on the chest or with the eyes on the shoulders. **Epiphagi**, a variant name for the headless people of the Brisone, is sometimes used as a term referring strictly to the eyes-on-the-shoulders type.

The first indirect reference to the blemmyes occurs in Herodotus, *Histories*, where he calls them the *akephaloi* (Greek: ἀκέφαλοι "without a head").[12] The headless *akephaloi*, the dog-headed cynocephali, "and the wild men and women, besides many other creatures not fabulous" dwelled in the eastern edge of ancient Libya, according to Herodotus's Libyan sources.[13]

Mela was the first to name the "Blemyae" of Africa as being headless with their face buried in their chest.[14] In a similar vein, Pliny the Elder in the *Natural History* reports the Blemmyae tribe of North Africa as "[having] no heads, their mouths and eyes being seated in their breasts".[15] Pliny situates the Blemmyae somewhere in Aethiopia (in, or in the neighboring lands to Nubia).[b][15][16][17] Modern commentators on Pliny have suggested the notion of headlessness among Blemmyes may be due to their combat tactic of keeping their heads pressed close to the chest, while half-squatting with one knee to the ground.[c][5][18] Solinus, adds they are believed to be born with their head part dismembered, their mouth and eyes deposited on the breast.[19]

The term *acephalous* (*akephaloi*) was applied to people without heads whose facial parts such as eyes and mouth have relocated to other parts of the body, and the blemmyes as described by Pliny or Solinus conform with this appellation.[20

## Etymology

As for the origins of the name Blemmyes, various etymologies had been proposed, and the question has long been considered unsettled.[1]

In antiquity, Blemmyes was said to be named epyonmously after King Blemys (Βλέμυς), according to Nonnus's 5th century epic *Dionysiaca*, but no lore about headlessness is attached to the people in this work.[2][3] Samuel Bochart of the 17th century derived the word *Blemmyes* from the Hebrew *bly* (בלי) "without" and *moach* (מוח) "brain", implying that the Blemmyes were people without brains.[4][5] A Greek derivation from *blemma* (Greek: βλέμμα) "look, glance" and *muō* (Greek: μύω) "close the eyes" has also been suggested.[6]Wolfgang Helck claimed a Coptic word "blind" for its etymology.[7]

Leo Reinisch (de) in 1895 proposed that it derived from *bálami* "desert people" in the Bedauye tongue (Beja language). Although this theory had long been neglected,[8] this etymology has come into acceptance, alongside the identification of the Beja people as true descendants of the Blemmyes of yore.[9][10][11]
Shesepankh

A **shepsepankh** is the original Egyptian sphinx, a creature with the head of a human and the body of a lion.

The largest and most famous of them is the Great Shepsepankh of Giza, situating itself on the Giza Plateau adjacent to the Great Pyramids of Giza on the west bank of the Nile River and facing east. (The shepsepankh is located southeast of the pyramids.) It sits astride a small temple on its behalf. The head of the Great Shepsepankh now is believed to be that of the pharaoh Khafra.

What names these creatures originally had is not known. At the Great Shepsepankh site, a 1400 BCE inscription on a stele belonging to the 18th dynasty pharaoh Thutmose IV lists the names of three aspects of the local sun deity of that period, *Khepera–Rê–Atum*. The inclusion of these figures in tomb and temple complexes quickly became traditional and many pharaohs had their heads carved atop the guardian statues for their tombs to show their close relationship with the powerful solar deity, Sekhmet, a lioness. Other famous Egyptian shepsepankh include one bearing the head of the pharaoh Hatshepsut, and the alabaster shepsepankh of Memphis (from Inbu Hedj, Egypt). The theme was expanded to form great avenues of guardian shepsepankh lining the approaches to tombs and temples as well as serving as details atop the posts of flights of stairs to very grand complexes. Nine hundred with ram heads, representing Amon, guarded Waset (which the Greeks also called Thebes) as it is the city where his religion was strongest.

The Great Shepsepankh has become an emblem of Egypt.

## Etymology

Perhaps from Egyptian šzp-ꜥnḫ 'divine image' or literally 'living image' which originally referred to the statue of the shesepankh, which was carved out of "living rock" (rock that was present at the construction site, not harvested and brought from another location), than to the beast itself.
Triton (God)

**Triton** (/ˈtraɪtən/; Greek: Τρίτων *Tritōn*) is a mythological Greek god, the messenger of the sea. He is the son of Poseidon and Amphitrite, god and goddess of the sea respectively, and is herald for his father. He is usually represented as a merman which has the upper body of a human and the tail, soft dorsal fin, spiny dorsal fin, anal fin, pelvic fins and caudal fin of a fish, "sea-hued".

Like his father, Poseidon, he carried a trident. However, Triton's special attribute was a twisted conch shell, on which he blew like a trumpet to calm or raise the waves. Its sound was such a cacophony, that when loudly blown, it put the giants to flight, who imagined it to be the roar of a dark wild beast.[2]

According to Hesiod's *Theogony*,[3] Triton dwelt with his parents in a golden palace in the depths of the sea; Homer places his seat in the waters off Aigai (presumably Aigai, Achaia, where Poseidon had his palace).[4][5] The story of the Argonauts places his home on the coast of Libya. When the Argo was driven ashore in the Gulf of Syrtes Minor, the crew carried the vessel to the "Tritonian Lake", Lake Tritonis, whence Triton, the local deity euhemeristically rationalized by Diodorus Siculus as "then ruler over Libya",[6] welcomed them with a guest-gift of a clod of earth and guided them through the lake's marshy outlet back to the Mediterranean.[7] When the Argonauts were lost in the desert, he guided them to find the passage from the river back to the sea.

Triton was the father of Pallas and foster parent to the goddess Athena.[8] Pallas was killed by Athena accidentally during a sparring fight between the two goddesses.

## Roman Variation

According to Ovid[1] "his shoulders barnacled with sea-shells". In the Virgil's *Aeneid*, book 6, it is told that Triton killed Misenus, son of Aeolus, by drowning him after he challenged the gods to play as well as he did.
Elecciones Hivandia 2015

## Elecciones primarias

 Total de votos DCH

 50.32%
 30.08%
 19.60%
 Total de votos FLH

### Candidaturas fallidas

* Ernesto Inaltón Púrquias (n.1950; Independiente): Tras su jubilación, el periodista anunció su candidatura independiente el 04 de mayo de 2015. Más tarde mencionaría que de las 30.000 firmas que requería para ser candidato sólo recolectó 17.000.
* Manuela Crenor Renoltes (n.1965; Independiente): La abogada mencionó en una entrevista a principios de 2015 su interés por participar como candidata independiente en las elecciones presidenciales. Sin embargo descartaría esta opción para postular a un puesto en el senado, que finalmente obtuvo.
* José Dróknekhrir Falsar (n.1942; Legión): El psicólogo anunció su candidatura por el partido Legión el 16 de mayo de 2015, pero después la bajó para apoyar la candidatura de su primo Rafael Toreles.
* Jazmín Horraz Vulnar (n.1958; Independiente): La pediatra anunció su candidatura el 28 de junio de 2015, pero sólo reunió 7.500 firmas de las 30.000 necesarias.
* Danilo Gramelo Lebartas (n.1955; Unidad Hivandesa): El abogado, académico, fundador de la Universidad del Progreso y candidato a la presidencia del país en 2011 declaró su nueva candidatura el día 04 de agosto de 2015. Pero la bajó para ser candidato a senador en las Elecciones parlamentarias.

## Primera vuelta

 Hab. inscritos

###

###
Raúl de Micas

**Raúl Alfredo de Micas Quirbago** (Muzquitas, Ibardos; 27 de diciembre 1920-El Galileo, Barrocos; 18 de marzo de 1992) fue un escritor, filósofo y activista hivandés.

## Obras

### Novelas

* Barrio Oriente (1947, Ediciones Boreal).
* Estrellas que no vuelven (1952, La Cuadra de San Andrea).
* La tumba del titán (1958, La Cuadra de San Andrea).
* El cántaro (1965, La Primavera Editorial).
* Nunca dijimos la verdad (1979, Arbusto Editores).
* Tres (1989, El Universal).

### Cuentos

* Los senderos del viento (1944, Altiplánico Ediciones), que incluye los cuentos:
	+ «Las borras», «El sol», «Vino bajo el fuego», «Caballos de arena», «Los nombres del silencio» y «Los senderos del viento».
* Al acecho del lobo (1955, La Cuadra de San Andrea), que incluye los cuentos:
	+ «Balada del solitario», «Al acecho de lobo», «Inventario», «A vuelo limpio», «El paraíso flotante» y «Otoño».
* Soliloquio y el mundo (1961, La Primavera Editorial), que incluye los cuentos:
	+ «Cuando los espejos tengan corazón», «El despojo», «Deshoras», «Muzquitas», «Himnos de Ibrahim Muyizo», «Nuestra era», «Camino blanco» y «Soliloquio y el mundo».
* El fuego en cada huella (1966, La Primavera Editorial), que incluye los cuentos:
	+ «Como el agua», «Sólo sobre tu boca», «Y entonces, el albor», «Ciudades eléctricas», «El imperio del metal», «El fuego en cada huella», «Los eclipses» y «Orillas».
* Desventura (1971, La Primavera Editorial), que incluye los cuentos:
	+ «Labrador», «Desventura», «Hijos de los hijos» y «Al serrano».
* Bandera del norte (1976, Puerto Sol Ediciones), que incluye los cuentos:
	+ «Entre vientos», «El septentrión», «Silvestre», «La era
* Anillos de plata (1984, El Universal)
Filipinenses II

Filipinenses Otavadwengue (11 de noviembre de 1489-13 de diciembre de 1537), mejor conocido como Filipinences II fue un héroe mestizo y jefe militar de la época de colonización de Hivandia, siendo líder del bando del pueblo Fwenhe.

### Orígenes

Nació en lo que es ahora la Provincia de Filipinenses a cual era denominada como Guenhietcthie (en idioma Fwenhén "Zona de dioses") entre los Fwenheses. Su padre, Filipinenses Otavalo y Ruiz (1465-1470) llegó a la isla tras el extravío de una embarcación en 1481.
Familias de la comuna de Savinia

* Familia Aaheno-Espuda
* Familia Aakia-Púa
* Familia Aarlo-Bicentra
* Familia Aguance-Tizarma
* Familia Aguance-Volondesa
* Familia Amierno-Cástozo
* Familia Añuzca-Flortida
* Familia Aquiango-Perí
* Familia Artáboza-Hilmann
* Familia Arwan-Trotle
* Familia Arzanda-Viñeja
* Familia Arzorte-Guiazca
* Familia Astañán-Bifazo
* Familia Atávano-Guiano
* Familia Ayunt-Montizar
* Familia Azalage-Bonapeto
* Familia Ázcino-Opazo
* Familia Ázcorna-Hinaso
* Familia Ázcua-Dilaso
* h
* h
* h
* h
* h
Atabɛ

**Atabɛ** (Spanish transcription: **Atabey**) or Atabɛra is the supreme goddess of the Taínos, one of two supreme deities in the Taíno religion. She is particularly the goddess of fresh water and fertility, but also representing the earth all horizontal water, lakes, streams, the sea, and the ocean tide.

Atabɛ defines prime matter and all that is tangible or material and has several manifestations. One is as the nurturing maternal figure as Atabɛ herself. Another is **Kawana**, the spirit of love. The last is Wabansɛ, the violent Wild Mother of storms, earthquakes, and volcanoes.

Atabɛ conceived twin sons without intercourse. The most commonly known is Yúkahu because he is the god who rules over the fertility of kasabi.

This deity was one of the most important for the Arawakan tribes that inhabited the Caribbean islands of the Antilles, mostly in Borĩkẽ (Puerto Rico), Ayti (Haiti/Hispaniola), and Kubao (Cuba). Alternate names for for her were Yermaoakar, Apito, and Sumaiko. Taíno women prayed to Atabɛ to ensure a safe childbirth.
Nymphe

A **nymph** (Greek: νύμφη, *nýmphē* [nýmpʰɛː]) is a female nature spirit typically associated with a particular location or landform. Different from goddesses, nymphs are generally regarded as divine spirits who animate nature, and are usually appear as beautiful, young nubile maidens who love to dance and sing. They are beloved by many and dwell in mountainous regions and forests by lakes and streams. Nymphs embody the creative and fostering activities of nature, most often identified with the life-giving outflow of springs. Gods are often over rivers and nymphs over springs. Thus they are honored by ritual and inseparable from their specific locality. Bound to places, there is great difficulty in transferring their worship to another location. Arethusa being brought to Sicily is an example.

Although they would never die of old age nor illness, and could give birth to fully immortal children if they pair with a god, they themselves are not necessarily immortal and could be beholden to death in various forms. They could also be transformed beyond recognition, for example, Charybdis and Skylla were once nymphs. Other nymphs, always in the shape of young maidens, are part of the retinue of gods such as Dionysos, Hermes, or Pan, or of a goddess, generally the huntress Artemis. Nymphs are also the frequent target of satyrs.

## Types

*Hama-* before any of the nymphs indicates that they are bound to their patron object and killed if it is destroyed.

## Etymology

The Greek word νύμφη has 'bride' and 'veiled' among its meanings: hence a marriageable young woman. Other readers see the word (and also Latin *nubere* and German *Knospe*) coming from a root expressing the idea of 'swelling' (according to Hesychius, one of the meanings of νύμφη is 'rose-bud' and thus 'blossoming').
País de Hivandia Wiki

## Actividad reciente

Creador: Sancho Ibáñez Chamorro (08/10/1959)

## Colabora con este wiki

Para escribir un artículo, ingresa el título en la caja de abajo.

<createbox>
width=24
break=no
buttonlabel=Crear un nuevo artículo
</createbox>

**¿No estás seguro por dónde comenzar?**

* Revisa **Ayuda:Comenzando este wiki** para conocer algunos consejos
* Si eres un novato respecto a los wikis, revisa **Ayuda:Empezando**

Las imágenes y videos son una gran manera de atraer lectores a tu wiki. Encuentra videos sobre tu tema en la videoteca de Fandom.

Archivo:Placeholder
Yiron

***"You feel vibrations from deep below..."***
This page is an archived page. It is content that is no longer being used for an idea, and as so has been retired. It is not deleted for those who wants to see what it used to be.

Yiron is a Manis Mode weapon.

## Stats

* 147 Damage
* 6 KB
* 4% Crit Chance
* 9 Use Time
* 10 Velocity
* Stays out for 5 minutes
* Can go out up to 15 blocks away.
* Inflicts Scorched

## Crafting

Yiron

* 3 Mechanium Bars
* 1 Demon's Blaze
* 6 Devilite
* 10 Canned Flames
Triton

The host of Triton the sea god, the **Tritones**, *daimones* of the sea.

Mermaid-like creatures, the Tritons (Τρίτωνες), which could be male or female, and usually formed the escort of marine divinities. Tritons were a race of sea gods and goddesses born from Triton. Triton lived with his parents, Poseidon and Amphitrite, who was also known as Celaeno, in a golden palace on the bottom of the sea. According to Homer it was called Aegae. Unlike their ancestor Poseidon who is always fully anthropomorphic in ancient art (this has only changed in modern popular culture), Triton's lower half is that of a fish, while the top half is presented in a human figure. This is debated often because their appearance is described differently throughout history. Ordinary Tritons were described in detail by the traveller Pausanias (ix. 21).

"The Tritons have the following appearance. On their heads they grow hair like that of marsh frogs not only in color, but also in the impossibility of separating one hair from another. The rest of their body is rough with fine scales just as is the shark. Under their ears they have gills and a man's nose; but the mouth is broader and the teeth are those of a beast. Their eyes seem to me blue, and they have hands, fingers, and nails like the shells of the murex. Under the breast and belly is a tail like a dolphin's instead of feet."

They are often compared to other Merman/Mermaid like beings, such as Merrows, Selkies, and Sirens. They are also thought of as the aquatic versions of Satyrs. Another description of Tritons is that of the Centaur-Tritons, also known as Ichthyocentaurs who are depicted with two horse's feet in place of arms.

Tritons were the trumpeters of the sea, using trumpets made out of a great shell, mostly known as a conch. They would blow this shell throughout the sea to calm the waves, or stir them up, all at the command of Poseidon.
Dhampir

In Albania, the **dhampir** is the hybrid child of the *karkanxholl* (a werewolf-like creature with an iron mail shirt) or the *lugat* (a water-dwelling ghost or monster). The dhampir sprung of a karkanxholl has the unique ability to discern the karkanxholl; from this derives the expression *the dhampir knows the lugat*. The *lugat* cannot be seen, he can only be killed by the dhampir, who himself is usually the son of a lugat. In different regions, animals can be revenants as lugats; also, living people during their sleep.

When a dhampir is undead, the method of finding a dhampir's grave is to lead a virgin boy through a graveyard or church grounds on a virgin white stallion—the horse will balk at the grave of the dhampir.
Catoblepas

The **katoblepas** or **catoblepas** (pl. **catoblepones**; from the Greek καταβλέπω, (katablépō) "to look downwards") is a legendary creature from Ethiopia, first described by Pliny the Elder and later by Claudius Aelianus. Pliny the Elder (*Natural History*, 8.77) described the catoblepas as a mid-sized creature, sluggish, with a heavy head and a face always turned to the ground. He thought its gaze, like that of the basilisk, was lethal, making the heaviness of its head quite fortunate.

Claudius Aelianus (*On the Nature of Animals*, 7.6) provided a fuller description: the creature was a mid-sized herbivore, about the size of a domestic bull, with a heavy mane, narrow, bloodshot eyes, a scaly back and shaggy eyebrows. The head was so heavy that the beast could only look down. In his description, the animal's gaze was not lethal, but its breath was poison, since it ate only poisonous vegetation.

It is said to have the body of a cape buffalo. Its head is always pointing downwards due to its head being heavy. Its stare or breath could either turn people into stone, or kill them. The catoblepas is often thought to be based on real-life encounters with wildebeest, such that some dictionaries say that the word is synonymous with "gnu". Also known as an African version of a Gorgon.
Oneiros

In Greek mythology, the **Oneiroi** or **Oneiri**, sing. **oneiros**, (Ὄνειροι, "Dreams") were various gods and demigods that ruled over dreams, nightmares, and oneiromantic symbols.

According to Hesiod, they were the sons of Nyx (Night) and the brothers of Hypnos (Sleep), Thanatos (Death), Geras (Old Age), and other beings, all produced via parthenogenesis.

Cicero follows this tradition, but describes the sons of Nyx as fathered by Erebus (Darkness).

According to Ovid, they were the sons of Hypnos and his wife Pasithea (therefore making them Nyx's and Erebus' grandsons).

Euripides calls them instead sons of Gaia (Earth) and pictures them as black-winged daemons.

They are the dark-winged spirits (*daimones*) of dreams which emerge each night like a flock of bats from their cavernous home in Erebos—the land of eternal darkness beyond the rising sun. The Oneiroi pass through one of two gates (*pylai*). The first of these, made of horn, is the source of the prophetic god-sent dreams, while the other, constructed of ivory, is the source of dreams which were false and without meaning. The term for nightmare is *melas oneiros* (black dream).

According to some the leader of the Oneiroi is Morpheus, a god who appears in the dreams of kings in the guise of a man bearing messages from the gods.

The Latin poet Ovid presents them not as brothers of Hypnos, but as some of his thousand sons. He mentions three/four by name: Morpheus was identified as the god of dreams, Phobetor as the god of nightmares, Icelos/Ikelos as the god of people in prophetic dreams, and Phantasos as the god of inanimate objects in Prophetic dreams. Alternately, Morpheus (who excels in presenting human images), Phobetor/Icelos (who presents images of beasts, birds and serpents), and Phantasos (who presents images of inanimate objects in prophetic dreams, such as earth, rock, water and wood).

In Homer's *Iliad*, an Oneiros is pictured as summoned by Zeus, receiving from him spoken instructions, and then going to the camp of the Achaeans and entering the tent of Agamemnon to urge him to warfare

The *Odyssey* speaks of the land of dreams as past the streams of Oceanus, close to where the spirits of the dead are led (Hades). Statiuspictures the Dreams as attending on slumbering Hypnos (Somnus in Latin) in a cave in that region.

In another passage of the *Odyssey*, dreams (not personified) are spoken of, by a double play on words, as coming through a gate of horn if true (a play on the Greek words for "horn" and "fulfil") or a gate of ivory if false (a play on the Greek words for "ivory" and "deceive"). For this image and its echoes in later literature, see Gates of horn and ivory.
Eiko Aizawa

**Eiko Aizawa (**相沢 栄子 , Aizawa Eiko) Es el gerente de la Casa de le playa de limón y la hermana menor de Chizuru Aizawa y la hermana mayor de Takeru Aizawa.

## Apariencia

Eiko es una adolescente con una estatura promedio, cabello naranja y ojos marrones.

## Relaciones

**Ika Musume** - Eiko es uno de los principales obstáculos de Ika musume de la invasión de la humanidad. Eiko ve a Ika musume como una molestia y por lo general la somete a la idea de invadir, e incluso la golpea físicamente. A pesar de su irritación frecuente hacia la muchacha del calamar, Eiko parece cuidar para ella más que ella cuida admitir.

**Chizuru Aizawa** - La hermana mayor de Eiko. Eiko respeta a su hermana mayor y suele estar desconcertada por su voluntad de permitir que la niña Squid tantas cosas. Ella parece amarla, pero también nota lo extraño y algo violento que es.

**Takeru Aizawa** El pequeño hermano de Eiko. Eiko se preocupa mucho por Takeru Aizawa , preocupándose por su seguridad.

**Sanae** Sanae es uno de los amigos de Eiko. Eiko y Sanae parecen llevarse bastante bien. Sin embargo, Eiko está un tanto extrañada por la fascinación de Sanae con Ika Musume, incluso la etiquetando como un pervertido.

Eiko parece amar a Alex mucho más de lo que ama a Squid girl. Eiko también fue el que notó los celos de Alex hacia Ika musume

## Personalidad

Eiko aparece muy violenta cuando se ve por primera vez como ella brutalmente se frota los puños en la cabeza de la Ika musume cuando se rompe un agujero en una de las paredes de la casa de playa de limón. Ella es una chica fuerte de mente y constantemente tiene que mantener a Ika musume en comprobar. A ella le gusta jugar videojuegos, y no le gusta estudiar.
The Epic RPG - Shiny Shop

You enter the shop. A lesothosaurus is running it. The room is decorated with shiny gems and other valuable items. The dino peers over the counter and sees you approaching. "Hey! Hey! Welcome to my shop! Where you can buy some weird crystals and slime and other stuff! I don't know what they do, but they look cool! So buy some!"

Purchasable Items:

* Life Crystal - This heart-shaped gem gives off a warm aura. Costs 20 Tyro Tokens + 10 more Tyro Tokens for each one bought, caps out at 60 Tyro Tokens. Increases max HP by 50.
* Mana Goo - A dark blue slime that is infused with meteorite. Costs 20 Tyro Tokens + 10 more Tyro Tokens for each one bought, caps out at 60 Tyro Tokens. Increases max mana by 50.
* Life Gem - Fragment of a life crystal which glows light red. Costs 25 Tyro Tokens + 10 more Tyro Tokens for each one bought, caps out at 65 Tyro Tokens. Increases a party member's max HP by 50.
* Soul Shard - Crystallized mana goo that makes you uncomfortable. Costs 25 Tyro Tokens + 10 more Tyro Tokens for each one bought, caps out at 65 Tyro Tokens. Increases a party member's max mana by 50.
* Chunk of Crystals - A large chunk of life crystals. Costs 40 Tyro Tokens + 10 more Tyro Tokens for each one bought, caps out at 100 Tyro Tokens. Increases max HP by 150.
* Mana Barrel - This large barrel has lots of mana goo. Costs 40 Tyro Tokens + 10 more Tyro Tokens for each one bought, caps out at 100 Tyro Tokens. Increases max HP by 150.
* Frost Flower - The petals are frozen solid. Costs 23 Tyro Tokens. Used for crafting.
* 2 Ruins Swords - Once used in an ancient war, now dull and useless. Costs 10 Tyro Tokens. Used for crafting.
* 2 Fangs - They come from many different creatures. Costs 12 Tyro Tokens. Used for crafting.
* 2 Shells - Collected from the corpses of mollusks. Costs 12 Tyro Tokens. Used for crafting.
Blue Dog

### Voting History

1- In Episode 1, Blue Dog used a Hidden Immunity Idol negating 5 votes against him.

2-The vote tied forcing a revote Blue Dog did not change his vote on the revote.

3- In Episode 4, Blue Dog used a Hidden Immunity Idol negating 2 votes against him.

4- In Episode 11, Charmander used a Hidden Immunity Idol on Randy negating Blue Dog's vote against him.

5- Blue Dog used an Extra Vote advantage, allowing him to vote twice at Tribal Council. Also, Space Bear used his Hidden Immunity Idol, negating Blue Dog's votes against him.
Chizuru Aizawa

**Chizuru Aizawa (** 相沢 千鶴 , Aizawa Chizuru) Es el mayor de los hermanos Aizawa. Si bien puede parecer tranquila la mayor parte del tiempo, pero si la enojan se convertirá extremadamente violenta y poderosa si alguien o algo amenaza la casa de playa de limon

## Apariencia

Chizuru es el más alto de los hermanos Aizawa. Normalmente se la ve vestida con el uniforme amarillo de Limon y pantalones cortos negros, junto con zapatillas blancas. Casi nunca se ven los ojos de Chizuru, ya que sólo los abre de vez en cuando, sobre todo cuando esta luchando , a veces cuando está pensativa. Sus ojos son de un azul muy oscuro, como su cabello. Su cabello es de cintura larga, azul oscuro, y se pega en el lado izquierdo, que es lo contrario de Eiko.

## Personalidad

Chizuru por lo general permanece tranquila y alegre, sin embargo, si algo amenaza a la familia o la casa de playa, se ha demostrado que es experta en artes marciales. Por lo general, puede soportar las travesuras de Ika Musume , siempre y cuando no la molesten ni pongan a nadie en peligro.

## Curiosidades

* Chizuru siempre pone los ojos en blanco debido a su mala vista. Ella trata de usar lentes de contacto una vez, pero hace que Eiko e Ika se pongan nerviosas , aunque los chicos la consideran linda.
* A pesar de su actitud tranquila, Chizuru tiene un fuerte espíritu competitivo. Después de que Ika Musume la derrota en juegos de arcade (carreras, taiko y juegos de pelea), necesita una semana para poner su nombre en la cima en esos juegos.
Ducky

### Voting History

**^1**  In Episode 7, the vote tied forcing a revote Ducky did not change his vote on the revote.
**^2**  In Episode 9, the vote tied forcing a revote Ducky did not change his vote on the revote.
**^3**  In Episode 11, Ducky used a vote steal advantage which granted him to vote twice.
**^4**  In Episode 12, Max used a Hidden Immunity Idol, negating Ducky's vote against him. Because Waddles and Max both used Hidden Immunity Idols and negated all the votes cast at Tribal Council, a vote restart was held between all the non-immune players. Ducky voted for Princess Bear on the vote restart.
**^5** In Episode 13, the vote tied forcing a revote Ducky changed his vote to Max on the revote.
Roco

#### Voting History

**^1**  In Episode 2, the vote ended with a 2-2 tie between Roco and Purple Frog, forcing a revote. Brown Dog changed his vote to Roco on the revote thus eliminating Roco.
**^2** In Episode 8, Red Dog used the Legacy Advantage negating Roco's vote against him.
**^3**  In Episode 12, the vote ended with a 4-4 tie between Blue Penguin and Red Dog, forcing a revote. Roco did not change his vote on the revote.
Ika Musume

Ika Musume (イ カ 娘, Chica calamar) es una chica que viene del mar con planes de invadir a la humanidad como castigo por la contaminación causada al mar. Sin embargo, después de causar daños a una casa de playa, se ve obligada a trabajar como camarera para pagar los daños.

## Biografía

Como un calamar, tiene diez tentáculos completamente controlables que sobresalen de la parte superior de su cabeza como el pelo. Estos tentáculos son muy fuertes, increíblemente diestro y ella puede controlarlos sin esfuerzo. La tinta de calamar que puede arrojar de su boca sabe delicioso y se utiliza para el plato de espagueti de tinta de calamar en la casa de playa de limón. A ella le gusta mucho el camarón, de hecho, es su comida favorita. Ella teme mucho a los depredadores naturales como las orcas, hasta el punto de que incluso los flotadores de natación en forma de orcas la aterrorizan. Como algunas especies de calamares, posee bioluminiscencia.

Ella tiene un "sombrero" que se asemeja a la cabeza de un calamar, que es, sobre todo, cómo ella reconoce su propio tipo. Si alguien hace una falsificación, instantáneamente creerá que son una de sus propias especies, y sin ella, ni siquiera reconocerá una versión falsa de su propia cabeza. Mientras que se llama un sombrero, es parte de su cuerpo, que le permite controlar las aletas. Ella no sabía que podía hacer eso, así que no tienen ningún propósito aparente. Ella los utiliza más adelante para abofetear a gente como Sanae. Según ella, puede morir si se lo quita, y tratando de hacerlo casualmente revela que está directamente unido a su cabeza. Al intentar quitarla forzosamente, comienza a hacer un sonido que rasga de la tensión, le da bastante dolor y choque para recuperarse de la amnesia y la tinta del calamar del escape de la lágrima.

Debido a su pequeña estatura, puede ajustar su peso para recoger objetos más grandes sin ser derribada. Ajustar las bandas en sus muñecas le permite ir de cualquier lugar entre 0.0005kg a 20.000kg en un instante. Ella puede flotar en una corriente ascendente en su más ligero, lo que le permite tomar "vuelo".