recursal/Fanatic-Fandom huggingface dataset:
Facedown (song)

## *Facedown* chronology

**"Facedown"** is the first track on The 1975's debut EP, *Facedown*.

## Background

As the introduction to The 1975’s debut EP, "Facedown" sets the stage for the more sonically reserved side of the band (in contrast to pop-oriented singles "The City" and "Chocolate"). This self-produced atmospheric track features warm, multi-tracked vocal harmonies and lush ambient guitar, with lyrics dramatizing a drug overdose.

"Facedown" is drenched in watery production and group vocals, with guitar and piano swirling around it. The balance, mix, and overall production is absolutely flawless, which continues throughout the rest of the EP. Spiritually, it's the most similar to the third song, "Antichrist", a track that sounds very reminiscent of M83's work on "Hurry Up, We're Dreaming", if a little gloomier and less bombastic.

The band’s interest in ambient experimentation continues to feature heavily in their music. They’ve also continued to frame most of their releases with similar introductory tracks—from "Intro/Set 3" (which Matty claimed was "a nod to" this track) to their twin versions of their self-titled intro on each of their full-length albums.

## Lyrics

Broken heads in hospital beds

Saving ends and pulling your friends

While you're chasing the first line, we made it through

He's black and blue and facedown

She's rushing in your bed

You take draws to sort your head and facedown

Then he said, "I lost my head, can you see it?"

## Personnel

* **Mastering engineer:** Robin Schmidt
* **Vocals:** Matthew Healy
* **Guitar:** Adam Hann, Matthew Healy
* **Drums:** George Daniel
* **Bass:** Ross MacDonald
* **Recorded at:** Church Studios, London

## References

1. ↑ http://whenthegramophonerings.com/2012/11/07/introducing-the-1975-interview/
DH00278 (Live from The O2, London. 16.12.16)

## Studio albums chronology

***DH00278 (Live from The O2, London. 16.12.16)*** is a live album consisting of the recordings of The 1975’s December 16, 2016, performance at The O2. It was released on December 15, 2017, nearly a year after the entirety of the footage from the show was posted on YouTube for Christmas 2016. The album’s title, DH00278, is its unique serial code for the band’s record label, Dirty Hit. The release of the album was hinted at on Twitter, with Matty Healy posting the album cover on December 13, and the band’s account posting the cover on the 14th.

The album includes performances of songs from their sophomore album *I like it when you sleep, for you are so beautiful yet so unaware of it* as well as their debut self-titled album. On December 15, 2017, the footage from the show was uploaded again on YouTube.

## Background

The record, which had been previously teased by singer Matty Healy on Twitter, opens with a live version of a self-titled track from their debut album – before going straight into "Love Me".

The release of the live record was previously teased by the band’s manager Jamie Oborne, who took to Twitter in November to hint that something was on the way.

Previously, the band’s frontman Matty Healy had promised new material from the band in 2017, as well as a ‘new vinyl this year.
You

## *Sex* chronology

**"You"** is the fourth track on The 1975's second extended play, *Sex*.

## Background

The song details Matty’s frustration with a lover for whom he’s had for one year. They both go out of their way to annoy the other and there is no enjoyment left in the relationship, but it’s an on going cycle of lust, jealousy and arguments that keep them together.

"You" seems to take place in present tense, which expresses their growing unhappiness. However, some verses seem to go back and reminisce on the good times they used to have, which are now very distant.

Lead singer Matt Healy states in a recent interview with Nylon Magazine:

*"The song is about the dissolution of our social group--catalyzed by the behaviour of a couple of ex-girlfriends. It's about that moment when you realise, Oh, that was a bit of a waste of time--but fuck it, I'm actually just as happy as I was before so no harm done. In short the song is about 'Stop talking shit and grow up.'"*
## Lyrics

And you're a liar

At least all of your friends are

And so am I

Just typically drowned in my car

It's my party

And I'll cry to the end

You must try harder

Than kissing all of my friends, you

Yeah, it takes a bit more

Yeah, it takes a bit more than you

It takes a bit more

Yeah, it takes a bit more than you

And you're alive

At least as far as I can tell you are

And so am I

You beat me down and then we're back to my car

And it's so ironic

How it's only been a year

And it's not my fault

That I fucked everybody here

Yeah, it takes a bit more

Yeah, it takes a bit more than you

It takes a bit more

Yeah, it takes a bit more than you

Yeah, it takes a bit more

Yeah, it takes a bit more than you

It takes a bit more

Yeah, it takes a bit more than you

And I say, do you wanna dance? Do you wanna dance?

Do you wanna dance in the bar at the back of the hall?

And I say, do you wanna dance? Do you wanna dance?

Do you wanna dance, dance in the back of the hall?

Yeah, it takes a bit more

Yeah, it takes a bit more than you

It takes a bit more

Yeah, it takes a bit more than you

It takes a bit more

Yeah, it takes a bit more than you

It takes a bit more

Yeah, it takes a bit more than you

More, more, more

(Yeah, it takes a bit more)

(Yeah, it takes a bit more)

It takes a bit more

(Yeah, it takes a bit more)

(Yeah, it takes a bit more)

It takes a bit more

## Personnel

* **Mastering Engineer:** Robin Schmidt
* **Mixing Engineer:** Mike Crossey
* **Drums:** George Daniel
* **Bass:** Ross MacDonald
* **Guitar:** Matthew Healy, Adam Hann
* **Vocals:** Matthew Healy
* **Recorded at:** Rose Cottage in Wilmslow, Cheshire, England
George Daniel

**George Bedford Daniel** is the drummer and member of the indie rock band The 1975 whose self-titled debut album peaked atop the UK Albums Chart in September of 2013, The 1975.

## Early life

He met fellow band members Ross MacDonald, Adam Hann, and Matthew Healy in high school. They began to play music together in 2004, beginning with punk-rock and pop covers before beginning to write their own music.
I like it when you sleep, for you are so beautiful yet so unaware of it/Merchandise

### Music

 **Deluxe Boxset*** 12"lift off lid box contained within a transparent pink plastic case
* Gatefold double 12" album pressed on heavyweight clear vinyl
* Exclusive 7" vinyl of singles "Love Me" & "The Sound" pressed on heavyweight clear vinyl
* CD album in jewel case with 28 page booklet
* Hardback 1975 photo book with 40 pages of rare and previously unseen photos
 Double gatefold vinyl with full colour inner bags on transparent vinyl with album download code. The new 17 track album from The 1975, includes the singles "Love Me" and "The Sound".
Disc 1

1. "The 1975"
2. "Love Me"
3. "Ugh!"
4. "A Change of Heart"
5. "She's American"
1. "If I Believe You"
2. "Please Be Naked"
3. "Lostmyhead"
4. "The Ballad of Me and My Brain"

Disc 2

1. "Somebody Else"
2. "Loving Someone"
3. "I like it when you sleep, for you are so beautiful yet so unaware of it"
4. "The Sound"
1. "This Must Be My Dream"
2. "Paris"
3. "Nana"
4. "She Lays Down"
IV

## Singles

1. "The City"
Released: 9 August 2012
2. "Fallingforyou"
Released: 2013
3. "Milk"
Released: 6 October 2017

## EPs chronology

***IV*** is the fourth extended play by English rock band the 1975, released on 20 May 2013 through Dirty Hit and Polydor. It is the last of four EPs released before the band's debut album, The 1975. The song "The City" was re-recorded for this EP (listed as "single version"), and it is a shorter edit of this re-recorded version that appears on the debut album.

Interscope Records issued the EP in the United States by replacing every song but "The City" with songs from the band's previous singles. Interscope did issue "fallingforyou" backed with "Haunt //Bed" as a promotional 7" vinyl record as well.

## Background

Matty described the title of the EP, IV, during an interview with interview magazine:

*"It is. It’s “IV,” but we wanted to have the two words represent “intravenous.” It seemed like an apt title. I don’t know. I think I have an obsession with love, drugs, and the balance between the two: the consequential dynamic of trying to have a relationship because of it. It definitely alludes to that."*
## Critical reception

IV received near-positive reception. Sam Lawrie from Motion and Sound Magazine wrote: "The other-worldly sound is fascinating, and the appeal of The 1975 is obvious when they stand out so much in the alt-rock genre. On the other hand, it can also fail to make an impact, and that is a risk The 1975 have decided to take. Basically, you’ll either love it or you’ll hate it, but no doubt it’ll be another success in the fans’ eyes."

Musical Ramble rated the record 3.5/5, saying "I came into IV feeling skeptical that the seemingly schizophrenic personality of the band would eventually be their downfall, but came out pleasantly optimistic about what the album might be like. The EP isn’t without its flaws and I still think the inclusion of 'The City' was a bad call considering it will be the last release before the album."

## References

1. ↑ https://www.interviewmagazine.com/music/exclusive-song-premiere-and-interview-fallingforyou-the-1975
2. ↑ https://web.archive.org/web/20130709013557/http://soundandmotionmag.com/2013/05/28/ep-review-the-1975-iv/
3. ↑ http://musicalramble.wordpress.com/2013/05/24/review-iv-ep-the-1975/
Adam Hann

**Adam Hann** is the lead guitarist for the indie rock band The 1975 whose self-titled debut album topped the UK Albums Chart.

## Early Life

He met fellow band members Ross MacDonald, Matthew Healy, and George Daniel in high school. They began to play music together in 2002, beginning with punk-rock and pop covers before beginning to write their own music.
The Bowman Tavern

Gilsbee's Tavern, where off-duty guards go to drink. Holds the annual Grip Strength Competition, and winners mark the hallway conducing to the resting rooms.

### Workers

* Michelle Swenzon - Bartender
* Sarith Truffault - Barmaid
* Crystel Emerith - Barmaid
* Merlin Aufendorf - musician.

### Food items

* Beer
* Roasted chicken with Rosemary.
Surrounded by Heads and Bodies

## *A Brief Inquiry Into Online Relationships* chronology

**"Surrounded by Heads and Bodies"** is the twelfth track on The 1975's third studio album, *A Brief Inquiry Into Online Relationships*.

## Background

Matty Healy penned this song in dedication to a girl, Angela, who was also a patient in rehab while he was there to recuperate from heroin addiction, which is the subject matter of the previous track on the album "It’s Not Living (If It’s Not With You)".

The title of the song is from David Foster Wallace’s Infinite Jest, a book Healy was reading while in rehab which opens with the sentence: "I am seated in an office, surrounded by heads and bodies."

Matty told Pitchfork:

*"That was kind of the joke. Because nobody reads it all the way! Everyone our age has got a battered, quarter-read copy of* Infinite Jest*."*
## Lyrics

Angela

She wears it like a dress

A post-traumatic mess

And don't sleep

It hurts to be awake

The things they make her take

Angela, Angela

Oh, we don’t speak

She stayed an extra week

Oh, I see her in my sleep

Angela, oh Angela

## Personnel

* **Composer:** Adam Hann, George Daniel, Matthew Healy, Ross MacDonald
* **Lyricist:** Adam Hann, George Daniel, Matthew Healy, Ross MacDonald
* **Associated performer:** George Daniel, Matthew Healy, Ross MacDonald
* **Assistant recording engineer:** Luke Gibbs
* **Background vocalist:** George Daniel
* **Double bass:** Ross MacDonald
* **Drums:** Matthew Healy
* **Engineer:** Jonathan Gilmore
* **Guitar:** Matthew Healy
* **Keyboards:** Matthew Healy
* **Mastering engineer:** Robin Schmidt
* **Mixer:** Mike Crossey
* **Programmer:** George Daniel
* **Studio personnel:** Jonathan Gilmore, Luke Gibbs, Mike Crossey, Robin Schmidt
* **Synthesizer:** George Daniel
* **Vocals:** Matthew Healy

## References

1. ↑ https://pitchfork.com/features/song-by-song/the-1975s-matty-healy-dissects-every-song-on-a-brief-inquiry-into-online-relationships/
Ross MacDonald

**Ross MacDonald** is a member of the English indie rock group The 1975 who released four EPs before finally releasing a full length debut album in September of 2013.

## Early Life

He met fellow band members Matthew Healy, Adam Hann, and George Daniel in high school. They began to play music together in 2004, beginning with punk-rock and pop covers before beginning to write their own music.
I'm in Love with You

## Music video

**"I'm in Love with You"** is a song by British pop rock band The 1975. The song is the third single from the band's fifth studio album, *Being Funny in a Foreign Language*. The single was released on 1 September 2022.

## Lyrics

Heartbeat is coming in so strong

Oh, if you don't stop

I'm gonna need a second one

Oh, there's something I've been meaning to

Say to you, baby (Hold that thought)

Yeah, there's somethin' I've been meanin' to

Say to you, baby

But I just can't do it

What a call, movin' in

I feel like I can loosen my lips (Come on so strong)

I can summarise it for you

It's simple and it goes like this

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I- (Yeah)

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I-

She's got her broadsheet

Reading down the list of the goin' wrongs (Yeah, yeah, yeah)

I'm getting no sleep

Tossin' and turnin' all night long (Yeah)

Oh, there's somewhere I've (Somewhere I've)

Been meaning to (Meaning to)

Take the conversation (Hold that thought)

Oh yeah, there's somewhere I've (Somewhere I've)

Been meaning to (Meaning to)

Take the conversation

But I just can't do it

You show me your (You show me your)

Black girl thing (Black girl thing)

Pretendin' that I know what it is (I wasn't listening)

I apologise, you meet my eyes

Yeah, it's simple and it goes like this

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I-

Yeah, I'm in love with you, I- I- I- I- I- (Yeah)

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I- (Yeah)

I'm in love with you, I- I- I- I- I-

Yeah, I got it

I found it

I've just gotta keep it

"Don't fuck it, you muppet"

It's not that deep

I've been countin' my blessings, thinkin' this through

Just like: one, two, yeah, I'm in love with you

I- I- I- I- I-

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I-

I'm in love with you, I- I- I- I- I-

## References

1. ↑ Being Funny in a Foreign Language by The 1975 on Apple Music
Scary Monsters

**"Scary Monsters"** is an unreleased song by The 1975, produced during their *Drive Like I Do* era.

## Lyrics

I took the boat down to the blacksmith's at the breaks

Quite ridiculous (Quite ridiculous)

He said "The problem that we've got living round here's fighting all these scary monsters"

And there's one coming down

Top of the roofs

Get out the car

We're just running

Running away

It's in your house now

It's in your house now now

In your house now now

Well mister, you came straight bolting in looking scared

Quite ridiculous

Said "you never guess what just happened seven just got manipulus"

She said "you don't look frightened at all"

With one so near

You just kept on saying that it's all, it's all gonna get colder

It's gonna get colder now

Now you're here

You can make no sound

And they'll still sense you're near

They can't run as fast as I can

We'll be here soon

You'll be laughing, man
Me

## *Music for Cars* chronology

**"Me"** is the fifth track on The 1975's third extended play, *Music for Cars*.

## Background

As the closing track to The 1975’s Music for Cars EP, "Me" moves back and forth from different perspectives. These viewpoints reflect Matty’s father in addition to certain bits interwoven to match up to Matty himself, since it was explained that the track revolves around guilt.

It’s said that the narrator hurt his mother and his brother, meaning this specific group derives from the father’s feelings. On the other hand, the line which expresses getting high rather than seeing their family fall apart could come from either Matty or his father, because it shows remorse over the divorce, in addition to the consequences he must face over his actions.

## Lyrics

I got a plane in the middle of the night, don't you mind?

I nearly killed somebody, don't you mind, don't you mind?

I gave you something you can never give back, don't you mind?

You've seen my face like a heart attack, don't you mind, don't you mind?

I was late, but I arrived

I'm sorry, but I'd rather be getting high than watching my family die

Exaggerate and you and I

Oh, I think I did something terrible to your body, don't you mind?

I put your mother through hell, don't you mind?

I hurt your brother as well, don't you mind, don't you mind?

Oh, I was thinking about killing myself, don't you mind?

I love you, don't you mind, don't you mind?

I put your mother through hell, don't you mind?

I hurt your brother as well, don't you mind, don't you mind?

Oh, I was thinking about killing myself, don't you mind?

I love you, don't you mind, don't you mind?

## Personnel

* **Composer:** Adam Hann, George Daniel, Matthew Healy, Ross MacDonald
* **Lyricist:** Adam Hann, George Daniel, Matthew Healy, Ross MacDonald
* **Associated performer:** Adam Hann, George Daniel, Matthew Healy, Ross MacDonald
* **Bass guitar:** Ross MacDonald
* **Drums:** George Daniel
* **Guitar:** Adam Hann, Matthew Healy
* **Mastering engineer:** Robin Schmidt
* **Mixer:** The 1975
* **Piano:** Matthew Healy
* **Programmer:** George Daniel
* **Studio personnel:** Robin Schmidt, The 1975
* **Synthesizer:** George Daniel
* **Vocals:** Matthew Healy
Medicine

## Singles chronology

 **"Medicine"** is a standalone song by the English rock band the 1975, released on 31 October 2014 for the 2014 Drive re-release. It was written, produced and performed by members Matthew Healy and George Daniel.

## Background

On the YouTube post, Matty explained that this song was written specifically for Zane Lowe’s Drive re-score:

*"After we stole him we made our way from Los Angeles through the Californian desert to Las Vegas. Drowning my sorrows and (narrowly) avoiding conflict from many directions... I sat down with Jim (Zane Lowe’s producer) and he began to explain to me how he was in the process of rescoring a movie and did we want to be involved. The film in question was the modern classic Drive. So of course my answer was ‘yes’. We wrote ‘Medicine’ for our chosen scenes.*
*"Medicine", its title and sentiment, goes all the way back to the original The 1975 project that was based in my bedroom. It’s a new piece of music informed by the genesis of our band and our love for Drive as a film. Having the opportunity to rescore a movie of which we were already so familiar with provided us with a sense of knowing and allowed us to be slightly more introspective than we maybe would have been approaching something unknown. The movie itself plays with the duality of resignment and hope – and this is most obvious and stirring in the scenes we chose to score.*
*The song is a testament to that same idea and has in turn become one of our most personal and best loved pieces of music to date. I won’t delve into what the song is about lyrically because frankly I want to put those ideas to bed; but being provided with the context in which "Medicine" came to be, it allowed the song to become a mausoleum for those ideas, captured, diverted and frozen forever. Which is pretty cool."*
## Lyrics

I find it hard to say bye-bye

Even in the state of you and I

And how can I refuse?

Yeah you rid me of the blues

Ever since you came into my life

Because you're my medicine

(Yeah, you're medicine)

Yeah, you're my medicine

(Yeah, you're medicine)

(Yeah, you're medicine)

I, I wanna marry you

Said, "I, I adore you"

And that's all I have to say, "bye-bye"

And you opiate this hazy head of mine

Because you're my medicine

(Yeah, you're medicine)

Yeah, you're my medicine

(Yeah, you're medicine)

(Yeah, you're medicine)

Because you're my medicine

(Yeah, you're medicine)

Yeah, you're my medicine

(Yeah, you're medicine)

Yeah, you're my medicine

## Personnel

* **Produced by:** George Daniel and Matthew Healy
* **Curatoration:** Zane Lowe

## References

1. ↑ https://www.youtube.com/watch?v=lur5B3a4\_fk
The 1975 (I like it when you sleep, for you are so beautiful yet so unaware of it)

## *I like it when you sleep, for you are so beautiful yet so unaware of it* chronology

**"The 1975"** is the first song on The 1975's second studio album, *I like it when you sleep, for you are so beautiful yet so unaware of it*.

## Background

The 1975’s ethereal self-titled track mirrors the similarly titled introduction of their debut full-length release. The lyrics on both tracks are identical. I like it when you sleep, for you are so beautiful yet so unaware of it is a zephyr-like prelude to the eclectic and magnetic world of The 1975 – glimmering synth fades into an abrupt halt, leaving band frontman Matthew Healy singing, backed by an angelic-sounding choir.

After a documented internal struggle over the band’s musical direction, the inclusion of a lyrically identical first track pays homage to and shows a reflection of the band’s beginnings before continuing into a “new sound” on the rest of the album.

## Lyrics

Go down

Soft sound

Midnight

Car lights

Playing with the air

Breathing in your hair

Go down

Soft sound

Step into your skin? I'd rather jump in your bones

Taking up your mouth so you breathe through your nose

## Personnel

* **Publisher:** Good Soldier Records
* **Mixing engineer:** Mike Crossey
* **Keyboard:** George Daniel & Matthew Healy
* **Programmer:** George Daniel, Mike Crossey, Jonathan Gilmore
* **Engineer:** Jonathan Gilmore
* **Mastering engineer:** Chris Gehringer
* **Composer:** George Daniel, Matthew Healy, Ross MacDonald, and Adam Hann
* **Conductor:** Jason McGee
* **Choir:** Monique Sullivan, Anika Weibe, Derrick Evans, Vernon Burris, James Connor, Marquee Perkins, Edward Lawson, Fallynn Oliver, Carisa Moore, Quishima Dixon, Sharetta Morgan-Harmon, Crystal Butler, Crystal Lewis, Cassandra Grigsby-Chism
* **Label:** Vagrant Records, Dirty Hit, Interscope Records
* **Bass:** Ross MacDonald
* **Recorded at:** Ravenscourt Studio (London), The Ranch (Woodland Hills, California)
Defib

## Background

Defib is a pvper based around the minigame called, "Skywars." He has participated in United Uhc season 1 and 2.

## Season Summaries

### Season 1

n the first season of United Uhc, defib was unlucky, and could only cave full iron, and decided to build a "House of Friendliness" in the desert. Unfortunately for him, a full diamond SuchSpeed found defib, leading for defib to frantically bridge upwards to evade SuchSpeed. However, defib was shot off, leading him to die from fall damage. He finished in 16th place overall, and died in episode 4.

#### Season 2

In season 2, defib was on Team 2 with BenMascott, TapL, Wildx, and LandonMC. defib was selected as the mole for his team, but his team originally suspected TapL. He tricked his team into building skybases at 0,0, and promptly betrayed his team by knocking Wildx and BenMascott off one of the skybases, and TapL tried to kill defib, but TapL was knocked off anyways, with Landon watching helplessly from his own skybase. Defib was able to grab all of his teammate's stuff, and mined for a while. He then surfaced to see the ruins of his team's skybase, but was spotted by Team 1, consisting of GrapeAppleSauce, xNestorio, Tylarzz, and PrivateFearless. Team 1 chased after defib, leading to his death at the hands of Tylarzz.
Polydor Records

**Polydor Records Ltd.** is a German-British record label and company that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States. In turn, Polydor distributes Interscope releases in the United Kingdom. Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon GmbH. It was renamed Polydor Ltd. in 1972.

Polydor has released four of The 1975's studio albums.
Weekly Story

You know a message is good when it starts with "Better Shipper".

## Archive of Weekly Stories

WS #1

Jeff: "We import 5041 sea lions from the ocean each week!"

Bob: "What exactly do you do with all those-

Ramanujan: "First, you need to kill one."

WS #2

Weekly story: Updated every 2 days!

WS #3

Interrogation Strategies:

UFAD: Tell us now or we'll kill you.

UFAS: Tell us now or we'll show you pictures of NSFW fanfics.

Hint: The latter works.

WS #4

I do all of my stuff in primes.

If you have OCD, don't be around me.

WS #5

Pekka was joking about my wiki and how easy it was to find.

I mean, what kind of name is "Ootbc" anyways?

Wait, I mean-

YOU DIDN'T HEAR ANYTHING!

WS #6

Pekka is the only one who visits this wiki.

And yet he doesn't know math.

WS #6

I feel so lonely ;-;

WS #7

You know a message is good when it starts with "Better Shipper".
Penelope

**"Penelope"** is an unreleased song by The 1975, produced during their *Drive Like I Do* era.

## Lyrics

And it started when he was leaning on your car

He said please leave if you’re uncomfortable

And he said here’s the way it goes

But he cries at dashboard shows

And he’s making me uncomfortable

Let's fuck him up and hit the road

If I search I’ll find you

Yeah maybe through hide and seek

I’ll find you

And that's only if I'm pushing it too far 'cause I couldn’t bear to see you uncomfortable

Now the fun has gone away let it snow on Christmas Day

And I don’t care if you don’t believe me telling you your new boyfriend’s gay

And if I search I’ll find you

Yeah maybe through hide and seek

I'll find you

And if I search I’ll find you

Yeah maybe through hide and seek

I'll find you

And if I search I’ll find you

Yeah maybe through hide and seek

I'll find you

Yeah if I search I’ll find you

And if I search I’ll find you (I’ll find you)

And if I search I’ll find you
She Lays Down

## *I like it when you sleep, for you are so beautiful yet so unaware of it* chronology

**"She Lays Down"** is the seventeenth and final track on The 1975's second studio album, *I like it when you sleep, for you are so beautiful yet so unaware of it*.

## Background

The album closes on a totally acoustic song and the mood stays just as low as before. Over fingerpicked arpeggios, the frontman sings about his mother’s postnatal depression, sighing about how she “just wants to feel something” and prays for the plane she’s on to crash “simply to alleviate the pain”. It’s a subdued end to a hugely ambitious, often surreal record, but it’s also a fitting conclusion. It reinforces that notion of The 1975’s unpredictability, veering far and away from ’80s pop and funk influences, and into something so simple, but just as effective.

## Lyrics

And she lays down on her bedroom floor

The chemicals that make her love

Don't seem to be working anymore

She tries her best, but it hurts her chest

And even though her sun is gone

She'd like to love her child nevertheless

My hair is brown, she's scared to touch

And she just wants to feel something

And I don't think that's asking for too much

And when I go to sleep it's when she begins to weep

She's appalled by not loving me at all

She wears a frown and dressing gown

When she lays down

We got a plane, oh to see my dad again

She prayed that we'd fall from the sky

Simply to alleviate the pain

Over water, hmm

Over terrain

The engines all go bust, we turned to dust

And I've no reason to complain, yeah

And in the end, she chose cocaine

But it couldn't fix her brain

She's appalled

Oh, she doesn't love me at all

She wears a frown and dressing gown

When she lays down

That was it

## Personnel

* **Label:** Dirty Hit, Interscope Records
* **Guitar:** Matthew Healy

## References

1. ↑ https://www.nme.com/news/music/matty-healy-reveals-1975-song-thats-personal-mum-denise-welch-depression-she-lays-down-189032
2. ↑ https://www.nme.com/blogs/nme-blogs/track-by-track-the-1975s-i-like-it-when-you-sleep-for-you-are-so-beautiful-yet-so-unaware-of-it-11266
Precognición Táctil

Ethan Morgan (Mi niñera es una vampira)

El poder que le otorga a su usuario la capacidad de percibir el futuro de objetos y seres vivos por medio del contacto.Poder opuesto a la Retrocognición Táctil.

## Limitaciones

* Este poder no puede ser utilizado para ver el futuro de alguien que posea Inmunidad a los poderes.

## Usuarios Conocidos

* Ethan Morgan (Mi niñera es una vampira)
* Cordelia Foxx (*American Horror Story: Coven*)
* Phoebe Halliwell (*Charmed*)
* Freya Beauchamp (*Witches of East End*)
M.O.N.E.Y.

## *The 1975 (album)* chronology

"**M.O.N.E.Y.**" is the third track on The 1975's debut studio album, *The 1975*.

## Background

The third (and first entirely new) song to be shared in the lead-up to the release of The 1975’s debut self-titled album, "M.O.N.E.Y." premiered on Prefix on the 29th August 2013.

In a review on Gigwise, the track was described as sounding "like Prince in space". Musically, the song draws from the band’s signature pop-rock sound, with “glitchy R&B” influences.

Some have speculated that the song is a semi-autobiographical description of lead singer Matty, who had problems with cocaine in his youth. In an interview with The Guardian, he stated that in his lyrics, "I’m always talking about me, really".

## Lyrics

Drink slow to feed the nose

You know he likes to get blown

Has he got enough money to spend?

Leave? No. He's to and fro

He doesn't like it when the girls go

Has he got enough money to spend?

It's going off cause they're not gonna let him in

2 and a half, the boy is rushing out his skin

He's got his charm with the girls that are smoking

He takes her arm, jumps the bar and now he's in

Drink slow to feed the nose

You know he likes to get blown

Has he got enough money to spend?

Leave? No. He's to and fro

He doesn't like it when the girls go

Has he got enough money to spend?

A broken half a glass has opened up his chin

He thinks he's hard, a powdered mouth that tastes of gin

He's just been barred for that blues he was smoking

And then he barks: it's my car I'm sleeping in

Tabs with unlimited 0's

New clothes

Bloody nose

Powders and walking back home

Has he got enough weed?

No

Broken phone

Retching on the floor alone

I can't believe that we're talking about him

"I'm searching you mate, your jaw's all over the place"

Can't talk, a quick slap in the face

Yes I threw a nut but your friend's a case

Why you singling him out? Is it because of his race?

"Look, the dog won't bark if you don't lark about"

M-O-N-E-Y'S ME

M-O-N-E-Y

M-O-N-E-Y'S ME

M-O-N-E-Y

M-O-N-E

M-O-N-E

M-O-N-E-Y

M-O-N-E-Y'S ME

M-O-N-E-Y

## Personnel

* **Bass:** Ross MacDonald
* **Keyboard:** Adam Hann
* **Pro Tools Engineer:** Jonathan Gilmore
* **Synthesizer:** George Daniel
* **Guitar:** Matthew Healy & Adam Hann
* **Mixing engineer:** The 1975 & Mike Crossey
* **Programmer:** George Daniel, Mike Crossey, Jonathan Gilmore
* **Photography:** George Daniel, David Drake
* **Design:** Samuel Burgess-Johnson
* **Piano:** Matthew Healy
* **Mastering engineer:** Robin Schmidt
* **Drums:** George Daniel
* **Engineer:** Mike Spink
* **Vocals:** Matthew Healy

## References

1. ↑ http://www.gigwise.com/reviews/83669/track-by-track-review-the-1975---the-1975
2. ↑ http://www.theguardian.com/music/2013/oct/31/1975-matt-healy-success-is-brittle
Shiny Collarbone

## *Notes on a Conditional Form* chronology

**"Shiny Collarbone"** is the fifteen track on The 1975's fourth studio album, *Notes on a Conditional Form*.

## Background

*"Cutty Ranks did all those vocals for us. It started out as a sample, but then we spoke to him to clear it and he was like, ‘Oh, I’ll just do it again.’ That’s Manchester, that tune, to me, man. That just sounds like going to town—that kind of dreamy, deep, dreamy, slow deep house music. Again, it’s like a fractured shard. There’s so many shards on this record. A lot of that is George. George always talks about how I’m quite expressive, how I have the ability, or even the desire, to express myself outside of music. And that can be in lyrics or in conversation. Whereas, because he’s not like that, he takes a really big responsibility on himself to express himself through sonics. That’s a really good way of explaining why a lot of our records are almost OCD in their detail. It’s because that’s George’s language."*
In an interview with Virgin Radio Matty stated this song was originally called "Being Funny In A Foreign Language".

## Lyrics

**Cutty Ranks:**

Y'all in here fi mash up di place

Y'all in here fi mash up di place

No bwoy can get—

Y'all in here fi mash up di place

Y'all in here fi mash up di place

Free up the I, free up the I

Free up the I, free up the I

Free up the I, free up the I

Free up the I, free up the I

Killing resulting in microphone culture

Killing resulting in microphone culture

Yeah, yeah, yeah, you know mi

Killing resulting in microphone culture

Killing resulting in microphone culture

Yeah, yeah, yeah, remember, mi—

All the, all the, you control me, remember, mi—

Who feel Cutty? C-C-Cutty run the band

Who feel Cutty? C-C-Cutty run the—

Who-who-who-who feel Cutty? C-C-Cutty run the band

Who feel Cutty? C-C-Cutty run the—

Who-who-who-who feel Cutty? C-C-Cutty run the band

Who feel Cutty? C-C-Cutty run the—

Who-who-who-who feel Cutty? C-C-Cutty run the band

Who feel Cutty? C-C-Cutty run the—

Who—

## Personnel

* **Published by:** Good Soldier Songs
* **Produced by:** George Daniel and Matthew Healy
* **Programming:** George Daniel
* **Synths:** George Daniel
* **Keys:** George Daniel
* **Vocals:** Cutty Ranks
* **Mixed by:** Mike Crossey
* **Mastered by:** Robin Schmidt
* **Engineered by:** Jonathan Gilmore

## References

1. ↑ https://twitter.com/TwitterMusic/status/1263905004852842496
2. ↑ https://music.apple.com/us/album/notes-on-a-conditional-form/1473599936
3. ↑ https://virginradio.co.uk/highlights/virgin-radio-album-special-the-1975-notes-conditional-form-200524560349?fbclid=IwAR1VOI5aAbdldaqfzV-\_LdaDWLRBiP-eE3aLs--8M6NA4xmNC3swc9wMBhw
Don't Worry

## *Notes on a Conditional Form* chronology

**"Don't Worry"** is the twenty-first track on The 1975's fourth studio album, *Notes on a Conditional Form*.

## Background

*"‘Don’t Worry’ is the first song that I ever heard, I think. In 1989, 1990, our dad was in a band, just a fuck-around band, and he had this song that he wrote for my mum about her postnatal depression. It’s a song that I remember because my dad would play it on the piano. Looking back, in the way that [this album] is about me and my family and my life, it just felt right [to do a version of the song]. It was written 30 years ago, and it’s me and my dad singing—that was just a really special moment. He’s a good songwriter, my dad. It’s a very 1975 interpretation of his work. And he loves that. He’s very, very proud to be on the record."*
“Don’t Worry” is a song that was written and performed by Matty Healy’s father, Tim Healy, alongside Matty himself. During the interview with Beats 1, Matty revealed the story behind this song:

*"[Tim] played it me when I was eleven, he wrote it when I was about two."*
The song is originally called "You" but since there is already one track called "You" by The 1975, Tim has renamed it “Don’t Worry” at some point during the production of *Notes on a Conditional Form*. Matty said:

*"I think it’s called “You”. Oh no, it’s called “You”! And I said, “No, I’ve got a song called "You”, you can’t call it “You”. So he is renaming it, that’s what happened."*
"Don’t Worry" is mostly sung by Matty and Tim together, with Tim singing some lines by himself. The song was picked for *Notes on a Conditional Form* for it’s emotional potential.

*"It’s just him [singing]. It’s him on the piano. Me, when I’m really personal, really honest, that’s when I get the best reaction. So I just tend to do what makes me feel and stuff like my dad singing on my album will do that."*
## Lyrics

**Matty Healy & Tim Healy:**

When you're in love, but you don't know what to do with it

When blackness hangs overhead like a cloud

Don't worry, darling, 'cause I'm here with you

Don't worry, darling, the sun will shine through

When you wake up and you don't know what day it is

When the pain flows through your heart and your bones

Don't worry, darling, 'cause I'm here with you

Don't worry, darling, the sun will shine through

When you feel no one knows just what you're going through

When your insides feel much colder than snow

Don't worry, darling, 'cause I'm here with you

Don't worry, darling, oh, don't worry, darling

Don't worry, darling, I'll always love you

**Matty Healy:**

You

## Personnel

* **Published by:** Good Soldier Songs
* **Produced by:** George Daniel and Matthew Healy Vocals: Tim Healy and Matthew Healy
* **Piano:** Jamie Squire
* **Mixed by:** Mike Crossey
* **Mastered by:** Robin Schmidt
* **Engineered by:** Jonathan Gilmore

## References

1. ↑ https://twitter.com/TwitterMusic/status/1263911069476626439
2. ↑ https://music.apple.com/us/album/notes-on-a-conditional-form/1473599936
3. ↑ https://www.youtube.com/watch?v=gmZCHCWwp2I&feature=youtu.be&t=481
I Think There's Something You Should Know

## *Notes on a Conditional Form* chronology

**"I Think There's Something You Should Know"** is the twelfth track off The 1975's fourth studio album, *Notes on a Conditional Form*.

## Background

*"It’s explicitly about impostor syndrome, depression, that kind of a sense of isolation. I think there’s a lot of that in this record. I think it’s also about the lack of desire to communicate about those things as well—like, if I’m talking to someone close to me who’s not aware of what’s going on. And I think the reason for that is normally because it’s exhausting to take it out of your head and put it on the table."*
“I Think There’s Something You Should Know” is a mellow house track that discusses a certain discomfort in one’s self.

## Lyrics

I think there's something you should know

I don't feel like myself, I'm not gonna lie (Lie)

How would you know? It doesn't show

I think there's something you should know (Know, know)

I think there's something you should know

I’m feeling like someone, like somebody else

I don’t feel myself, it could be my health

I'd like to meet myself and swap clothes

I think there's something you should know

(I think there's something)

(I don't wanna be someone else)

(I don't wanna be someone else)

(I don't wanna be someone—)

(I don't wanna be someone else)

You get a moment when you feel alright

You get a moment when you feel alright

You get a moment when you feel alright

You get a moment when you feel alright

I feel so seen and I can't dream

Sleeping terrifies me, otherwise, I'm fine

See-saw back and forth, back on the door, back on the floor

Oh, please ignore me, I'm just feeling sorry for myself

Feeling like someone, like somebody else, who don’t feel themself

Paying for their wealth with their mental health

I'd like to meet myself and swap clothes

I think there's someplace I should go

I think there's something you should know

I think there's something you should know

I think there's something you should know

## Personnel

* **Published by:** Good Soldier Songs
* **Produced by:** George Daniel and Matthew Healy
* **Piano:** George Daniel
* **Drums:** George Daniel
* **Harp:** George Daniel and Suzy Willison-Kawalec
* **Vibraphone:** George Daniel
* **Vocals:** Matthew Healy
* **Saxophone:** John Waugh
* **Tenor Saxophone:** John Waugh and Bob Reynolds
* **Alto Saxophone:** Bob Reynolds
* **Trumpet:** Rashawn Ross
* **Flugelhorn:** Rashawn Ross
* **Violin:** Everton Nelson, Emlyn Singleton, Oli Langford, Marianne Haynes, Kate Robinson, Ben Hancox, Ciaran McCabe, Ian Humphries, Debbie Widdup, Warren Zielinski, Tom Pigot-Smith, Perry Montague-Mason, Natalia Bonner, and Martyn Jackson
* **Viola:** Bruce White, Gillianne Haddow, Andy Parker, Peter Lale, and Lydia Lowndes-Northcott
* **Cello:** Ian Burdge, Vicky Matthews, Chris Worsey, and Jonny Byers
* **Mixed by:** Mike Crossey
* **Mastered by:** Robin Schmidt
* **Engineered by:** Jonathan Gilmore

## References

1. ↑ https://twitter.com/TwitterMusic/status/1263902061416140802
2. ↑ https://music.apple.com/us/album/notes-on-a-conditional-form/1473599936
Playing on My Mind

## *Notes on a Conditional Form* chronology

**"Playing on My Mind"** is the seventeenth track on The 1975's fourth studio album, *Notes on a Conditional Form*.

## Background

*"This takes us back into that American, James Taylor-y, Jackson Browne-y kind of sound. Again, Phoebe is just great to have there. As soon as I write something, if I get her to put a harmony on it or to just do something over the top of it, it completely changes. And that was really easy and really natural. I think this is my funniest record; there’s some lines in there that still make me smile when I listen to it. [With] ‘Playing on My Mind,’ there’s one line I really like: ’I won’t get clothes online ’cause I get worried about the fit/That rule don’t apply concerning my relationships.’ I thought that summed up me really, really well."*
"Playing On My Mind" is a stripped-back moment that feels familiar. Healy questions what plays on his mind. Will he always be in a band? Will he get divorced? It’s a series of questions to himself but layered inside a beautifully soft track that is deep and complex but digestible. The song stands as one more part of ‘stand-up comedy’ genre in the variety of NOACF musical styles but still stays honest and raises important questions of Healy’s existence, no matter the environment.

## Lyrics

Will I live and die in a band?

My consciousness controls my hand

She can't swim very well

(No, but you wouldn’t be able to tell)

Let's find something to watch, then watch our phones for half the time

When we go for food, you have yours and I'll have mine

It says, "Don’t take these pills if you've been drinking any wine"

Oh, these things, they have been playing on my mind

These things, they have been playing on my mind

I think I've seen the side of every road

They all lead somewhere, I've been told

Will I get divorced when I'm old?

(Oh, why am I always cold?)

And I met one of your friends, and it was dead nice

He was fine, but he said

"Things that interest me exist outside of space and time"

Now, I know I should've left it, but who says that? What a sigh

It all kicked off and it's been playing on my mind

The whole thing has been playing on my mind

I think it's strange that I still call you

When I’ve got nothing to say

The truth is that I still adore you

And nothing really matters anyway

But I won’t get clothes online 'cause I get worried about the fit

But that rule don’t apply concerning my relationships

See, I keep getting this stuff wrong, take me out, put me on

Oh, these things, they have been playing on my mind

The whole thing has been playing on my mind

Oh, it's all been just playing on my mind

## Personnel

* **Published by:** Good Soldier Songs
* **Produced by:** George Daniel and Matthew Healy
* **Vocals:** Matthew Healy
* **Backing Vocals:** Phoebe Bridgers
* **Pedal steel:** Ben Lester
* **Mixed by:** Mike Crossey
* **Mastered by:** Robin Schmidt
* **Engineered by:** Jonathan Gilmore
Being Funny in a Foreign Language

## Singles

1. "Part of the Band"
Released: 7 July 2022
2. "Happiness"
Released: 3 August 2022
3. "I'm in Love with You"
Released: 1 September 2022
4. "All I Need to Hear"
Released: 21 September 2022

## Studio albums chronology

***Being Funny in a Foreign Language*** is the fifth studio album by English band the 1975. It was released on 14 October 2022 by Dirty Hit.

## Background

Entering 2021, many of the band's 2020 shows that were postponed due to the COVID-19 pandemic were ultimately cancelled on 12 January 2021. During this time, lead singer Matty Healy teased future music under the name "Drive Like I Do", and said that the band was working on their fifth studio album. However, there was no indication as to when writing, recording, or mixing would be finished.

On 14 February 2022, the band deactivated their main social media accounts, hinting at new material.

The album title and track listing were revealed to fans through postcards. The album is set to start off with an introduction track titled "The 1975", the same as their last four albums. The band released its first single from the album "Part of the Band" on 7 July 2022. The second single, "Happiness", was released on 3 August 2022. The third single, "I'm in Love with You", was released on 1 September 2022. The fourth single, "All I Need to Hear", was released on 21 September 2022.

## Tour

To support the album, the band embarked on a world tour titled "At Their Very Best" in 2022. This was followed by another tour of North America the following year, titled "Still... At Their Very Best".

## Singles

"Part of the Band""Happiness""I'm in Love with You""All I Need to Hear"
If I Believe You

## *I like it when you sleep, for you are so beautiful yet so unaware of it* chronology

**"If I Believe You"** is the sixth track on The 1975's second studio album, *I like it when you sleep, for you are so beautiful yet so unaware of it*.

## Background

The song is a cry to Jesus. The artist struggles mentally, questioning if his lack of belief is preventing him from finding purpose. The song’s instrumental organization is inspired by jazzy gospel music.

The sentiment of belief is also found on this album in "Nana", where frontman Matty Healy expresses his paradoxical lack of interest in religion.

## Lyrics

I’ve got a God-shaped hole that’s infected

And I’m petrified of being alone now

It's pathetic, I know

And I tossed and I turn in my bed

It's just like I Lostmyhead (Lostmyhead)

And if I believe You

Will that make it stop?

If I told You I need You

Is that what You want?

And I'm broken and bleeding

And begging for help

(There's no use singing a song)

And I'm asking You Jesus, show Yourself

I thought I’d met You once or twice

But that was just because the dabs were nice and opening up my mind

Showing me consciousness is primary in the universe

And I had a revelation

I'll be Your child if You insist

I mean if it was You that made my body

You probably shouldn't have made me atheist

But, oh, I’m a lesbian kiss

I'm an evangelist

And if you don't want to go to hell then Miss, you better start selling this

And if I believe You

Will that make it stop?

If I told You I need You

Is that what You want?

And I'm broken and bleeding

And begging for help

(There's no use singing a song)

And I'm asking You Jesus, show Yourself

[Instrumental break]

If I'm lost then how can I find myself?

If I'm lost then how can I find myself?

If I'm lost then how can I find myself?

If I'm lost now then how can I find myself?

If I'm lost now then how can I find myself?

If I'm lost then how can I find myself?

Then how can I find myself?

If I'm lost now then how can I find myself?

Yeah, yeah, yeah

If I'm lost now then how can I find myself?

Yeah, yeah

## Personnel

* **Mixing Engineer:** Mike Crossey
* **Choir:** Cassandra Grigsby-Chism, Nicole King-Morgan, Crystal Lewis, Crystal Butler, Sharetta Morgan-Harmon, Quishima Dixon, Carisa Moore, Fallynn Oliver, Edward Lawson, Marquee Perkins, James Connor, Vernon Burris, Derrick Evans, Anika Weibe, Monique Sullivan
* **Programmer:** George Daniel, Mike Crossey, Jonathan Gilmore
* **Composer:** George Daniel, Matthew Healy, Ross MacDonald, and Adam Hann
* **Engineer:** Jonathan Gilmore
* **Mastering engineer:** Chris Gehringer
* **Conductor:** Jason McGee
* **Label:** Dirty Hit, Interscope Records
* **Keyboard:** George Daniel, Matthew Healy
* **Guitar:** Adam Hann, Matthew Healy
* **Bass:** Ross MacDonald
* **Synthesizer:** George Daniel
* **Drums:** George Daniel
* **Vocals:** Matthew Healy
* **Flugelhorn:** Roy Hargrove