recursal/Fanatic-Fandom huggingface dataset:
Winter

"**Winter**" is a song off of Daughter's debut album, If You Leave.

## Reception

### Critical Reception

Tony Hardy of Pitchfork called the track a "stark opener [....].. which has Tonra and her love “drifting apart like two sheets of ice”.

## Lyrics

Drifting apart like two sheets of ice, my love

Frozen hearts growing colder with time

There's no heat from our mouths

Please take me back to when I was yours

When we were in flames,

I needed, I needed you

To run through my veins,

Like disease, disease

And now we are strange.

Strangers

It's different now

Grey-faced

Eyes burnt out

Flames are gone

My gloves are on

I have a feeling

Love's gone mad

We're too similar

Losing our minds

With cabin fever,

Shut in confined spaces

Lost in the dark,

My hand taken

Resting on your heart

When we were in flames, I needed, I needed you

To run through my veins, like disease, disease

And now we are strange, strangers

Wait for me to degrade before

You go

Killing prey for

Waste of

Daylight

Speaks when

Slumber's keeping

Under the bed

Out of revenge

I'm derailing

While you've been staining our sheets

With some piece of me

With some piece of me

Oh, winter comes

Oh, winter crush all of the things that I once loved

Winter come

Winter crush all of the things that I once had

"**Smother**"
"Youth"
"Still"
"Lifeforms"

"Human"
"Touch"
"Amsterdam"

"Smoke"
"**Drift**"
His Young Heart EP

***His Young Heart*** is a four track EP by Daughter which was self-released by the band on 6 June 2011.

## Background

His Young Heart was self released by Daughter on June 6th, 2011. Later, it was re-released on July 3, 2012 on Glassnote Records who pressed it on 10" vinyl and made it available as a download. The cover image is an old family photograph of singer Elena Tonra. Tonra and Haefeli recorded this together as drummer Remi would join them later in the year.

## Release

### Critical Reception

Frankie Ward of For Folk's Sake commented on the EP, saying:

> "Daughter’ s latest EP, a four-track work called *His Young Heart*, builds upon Tonra’ s intuitive skills as a songwriter, exploring deeply personal avenues whilst seemingly taking inspiration in atmosphere from Bat For Lashes’ Natasha Kahn, building a quivering wall of sound constructed from layers of vocals, percussion, and lashings of reverb on ‘Candles’. The sense of ambience present in Daughter’ s first demos is still present, however, and one listens imagining that the singer has performed the whole record live with a dozen ‘Daughter clones’ accompanying her. Sometimes this use of effect can make the recording feel more lo-fi and tinny sounding than one might expect from a full EP release, something that makes me wonder if Daughter is still a ‘ project in progress’ ."
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He also commented:

> "But the recordings themselves are full of charm, occasionally featuring the wonderful embellishment of fingers sliding across strings, serving as a tactile accompaniment to the sexual current that simmers beneath the surface of each song. If Tonra were to work with a major label, could this personal touch be lost completely?"
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## Track listing

1. "Landfill"
2. "The Woods"
3. "Candles"
4. "Switzerland"
Mothers

"**Mothers**" is the fifth track off of Daughter's sophomore album Not To Disappear.

## Background

The song is about mothers, as the title suggests.

## Lyrics

You will grow all you need to grow inside my spine

And then take what you need to take, what's yours is mine

And then just give all you want of it to some new thing

I'll stay here, the provider of that constant sting they call love

They call love

You will drain all you need to drain out of me

All the colors have washed away, no more rosy sheen

Not just a pale isolated shallow water place

Oh what a place I call myself

I call myself

Oh love all you need to love before it goes

When your face becomes a stranger's I don't know

You will never remember who I was to you

Carried in the womb

I'm called mother

I'm called mother

They're called home

They're called home

They're called

They're called

Mothers

Mothers

Give all you need to give

And sometimes they won't take what they need to take

The strangest chemical reaction

Inside of her brain, no she's not the same

No she's not the same

She's not the same
Llama Celestial

La Llama Celestial (también conocido como Fuego Divino o Gran Fuego Sagrado) es el poder magno otorgado por los ángeles a Isis por suprimir su naturaleza de demonio y establecer la paz entre los sobrenaturales. Es sobretodo uno de los grandes poderes en todo el mundo sobrenatural.

## Historia

La Llama Celestial es considerado como el poder más superlativo e inescrutable del reino de los cielos. Presumiblemente fue creado por los ángeles antes de que hubiera vida en la tierra.

Durante la primera parte del segundo libro, Isis descubre que se convirtió en la guardiana de la Llama Celestial. También se entera de que los ángeles, más específicamente Uriel, se lo dio a ella después de suprimir su naturaleza demoníaca. También había demostrado ser digna de defender la tierra en nombre del Altísimo y crear un ambiente de paz entre los sobrenaturales.

En la siguiente batalla contra las Lyris oscurecidas se entera de que hay una fuerza que tiene el poder opuesto de la llama. En lugar de dar la vida, la Sombra Infernal puede tomar la forma de un Hombre, tiene la capacidad de absorber los poderes y la vida.

Isis estuvo a punto de perder la **Llama Celestial** por su álter ego Isis Oscurecida, quien posee la Sombra Infiernal pero con la ayuda de sus ancestros destruyó a todas las Lyris oscurecidas y a la Sombra Infernal en el proceso.

## Habilidades

La llama celestial es un poder que viene desde el reino de los cielos y es únicamente accesible por los ángeles y por el Altísimo, es beneficioso por que dió a Isis la capacidad de romper habilidades muy poderosas y curar a la gente. Es incluso capaz de curar a gente que está muriendo.

Sus poderes curativos se desarrollan en el segundo libro, en la batalla contra las lyris oscurecidas. Ella sanó personas extremadamente débiles, como el caso de Sky Jennings.

La llama celestial se manifiesta en todo su cuerpo, la primera vez que la utilizó todo su cuerpo estaba cubierto en llamas junto con unas alas que dejan a la luz su lado angelical. Isis pronto aprende a hacer grandes incendios forestales y controlar infiernos peligrosos por el pensamiento.
Numbers

"**Numbers**" is the second single released by indie band Daughter off of their sophomore album "Not To Disappear".

## Background

As described in an article on NPR: The lyrics of "Numbers" relate to identity and purpose in a "cruel world".

> "The name, "Numbers," refers both to the things that leave us feeling numb and the callous ways people are often reduced to faceless, nameless figures."
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About the song, Elena Tonra said:

> *"Numbers was written in the spring of 2014 in London, based on a scribbled poem I had written at the end of summer in 2013. The song describes a lack of emotional connection towards other people — how it feels to not feel anything at all."*
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## Lyrics

Take the worst situations

Make a worse situation

Follow me home, pretend you

Found somebody to mend you

I feel numb

I feel numb in this kingdom

I feel numb

I feel numb in this kingdom

Chemically enlaced faces

Black out nights and tight spaces

We'll feel distant embraces

Scratching hands 'round my waist, yeah

I'll wash my mouth but still taste you

I feel numb

I feel numb in this kingdom

I feel numb

I feel numb in this kingdom

I feel numb in this kingdom

You better, you better, you better

You better make me

Me better, me better

You better make me better

You better make me better

You better make me better

You better make me better

I feel numb, make me better

I feel numb in this kingdom

I feel numb, make me better

I feel numb in this kingdom
Smoke

"**Smoke**" is the B-Side to Daughter's single, "Youth".

> "*While it starts off modestly and hushed, the track’s anything but a sleeper. Little by little, it percolates and intensifies before reaching its fiery peak around the 3:30 minute mark."*
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## Lyrics

In a smoke filled room

With your father watching me

There's three doors and no keys

It's rising, it's choking me

In a smoke filled room

In a smoke filled room

There's a man with no face

Just a blurred out portrait, in a photo frame

I'm losing again, I'm losing my friend

He's face down on the pavement

Then a woman, she screams, it's a terrible night

As the mood changes to dark from light

Tell the doctor what's become of me

So you can analyse, analyse my dreams

Of a smoke filled room

Of a smoke filled room

Of a smoke filled room

Then we kiss and his lips turn into sand

And the whole of him cascades through my hands

Making a castle on the floor

Then I'm alone again

No keys and three doors

In a smoke filled room

Now we're both in the room, and we're breathing the fumes

No doors this time, just a gap in the roof

Light floods in, heaven, we're blind

And slowly suffocating, we're dying

In a smoke filled room

We're dying in a smoke filled room

We're dying in a smoke filled room

(In a smoke filled room)

In a smoke filled room

In a smoke filled room

In a smoke filled room
Doing The Right Thing

"**Doing The Right Thing**" is the first single released by indie band Daughter off of their sophomore album, Not To Disappear.

## Background

The lyrics of this song focus on Alzheimer's and the effects it has on the family. About the song, Elena Tonra said:

> *“It’s the most upsetting song to me, because it’s not about me. It’s about my grandmother, and it’s about my mother. I have to put up with my own brain and my own insecurities every day and it doesn’t make me that sad, it’s just obviously there and is something that keeps ticking around my brain and keeps me writing which is actually probably not that great for my mental health but great for making records. When I began writing “Doing The Right Thing” it wasn’t about my grandmother or my mother, then it suddenly took a turn ……about how my mum is affected by my grandmother and just, it’s a really strange sadness that I’ve been keeping at bay for a while, not talking about, and not even fully admitting to myself that it’s making me sad, then it just suddenly poured out of me. When you write a song like that, like you didn’t mean to, it’s a bit intense. For me that is the saddest song, and the most difficult to play. I just didn’t know how we would be able to go about making that together”*
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## Reception

Mitch Mosk of Atwood Magazine reviewed the single, stating:

> "*Layered with subtleties and overflowing with emotion, “Doing The Right Thing” is a raw testament to our human mortality, offering something of a bleak commentary on the nightmares of old age, specifically neurodegeneration. The circle of life is such that every beginning has an end, but we often forget that deterioration affects the mind as well as the body."*
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## Lyrics

And they're making children

And they're making love

With their old excuses

We are built for reproduction

But I find it soothing

When I am confined

I'm just fearing one day soon

I'll lose my mind

Then I'll lose my children

Then I'll lose my love

Then I'll sit in silence

Let the pictures soak

Out of televisions

Float across the room

Whisper into one ear

And out the other one

Then I'll take my clothes off

And I'll walk around

Because it's so nice outside

And I like the way the sun feels

And when it's dark

I'll call out in the night for my mother

But she isn't coming back for me

Cause she's already gone

But you will not tell me that

Cause you know it hurts me everytime you say it

And you know you're doing the right thing

You must know you're doing the right thing

I have lost my children

I have lost my love

I just sit in silence

Let the pictures soak

Out of televisions

Out of televisions

Out of televisions

Out of televisions

Out of televisions

And they're making children

Everyone's in love

I just sit in silence

Let the pictures soak
New Ways

"**New Ways**" is the opening track off of Daughter's sophomore album Not To Disappear.

## Reception

About the song, Rhian Daly of NME commented:

> "*There’s a fresh, subtle aggression to the music in places (like the surging guitars and Remi Aguilella’s crunching drums on opener ‘New Ways” peaks) and the franker lyrical approach makes the sentiments within even more capable of breaking your heart than before. On ‘New Ways’ Tonra sings “I’m trying to get out, find a subtle way out/Not to cross myself out, not to disappear.”*
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## Lyrics

Washed out brain

I have a dirty mind

Oh, I need, I need new ways

To waste my time

I need new ways

Washed out brain

I live alone, alone, alone

Washed out face

Keep me inside

I need new ways to waste my time

I need, I need new ways

I’m trying to get out

Find a subtle way out

Not just cross myself out

Not just disappear

I’ve been trying to stay out

But there’s something in you

I can’t be without

I just need it here

I’m trying to get out

Find a subtle way out

Not to cross myself out

Not to disappear

I’ve been trying to stay out

But there’s something in you

I can’t be without

I just need it here

Oh I need

New ways to waste my time

I need new ways

To waste my time

I need new ways

To waste my time

I’m trying to get out

Find a subtle way out

Not to cross myself out

Not to disappear

I’ve been trying to stay out

But there’s something in you

I can’t be without

I just need it here

I’m trying to get out

Find a subtle way out

Not to cross myself out

Not to disappear

I’ve been trying to stay out

But there’s something in you

I can’t be without

I just need it here

(I just need it here)

(I need new ways to waste my time)

(I need new ways to waste my time)

(I need new ways to waste my time)

(I need new ways to waste my time)
Fossa

"**Fossa**" is the ninth track off of Daughter's sophomore album Not To Disappear.

## Background

The fossa is a cat-like, carnivorous mammal found in Madagascar. The song's lyrics focus on the struggles of trying to forget a past lover.

## Lyrics

I said too much, said the wrong thing
Remembering the image I was trying to project to you
Cast an illusion, think I'm losing my head
Sometimes I feel
Be what you want, I can be what you want
Be what you want, I can be what you want
Be what you want, I can be what you want
Be what you want, I can be what you want

I don't know you now
But I'm lying here, somehow

I feel sick
I'm drowning in the pit of my stomach
Oh I know it's my fault
While you're busy diving I find I feel alone (feel alone, feel alone, feel alone..)
Feel a little out of my mind (feel alone, feel alone, feel alone..)

Oh I'm stuck, I've said too much
I'm going mad
Checking checking waiting
For some kind of response from you
Let me know
I haven't opened up
The floodgates again, to another man
Who controls the pain and never says anything
Anything
Anything

I don't owe you much (I can't be what you want, I can't be what you want)
But I miss you so (I can't be what you want, I can't be what you want)
I miss him (Missing you, missing you, missing you , I can't be what you want, I can't be what you want)

I feel sick
I'm drowning in the pit of my stomach
You don't know that I'm caught
Thinking you remind me of someone I can't face no more
I've gotta get him out of my mind

While you're busy diving down
I find I feel alone
I feel alone
I've gotta get him out of mind
While you're busy diving down
I find I feel alone
I feel alone

I feel alone
Home

“**Home**” is the opening track on Daughter’s second EP, *The Wild Youth.*

## Lyrics

I was drunk again, causing accidents

Oh, you're not a friend,

No, you're nothing

I think I should be a little more confident

In myself,

In my skin

Take me, take me, home, home

Take me, take me, home, home

'Cause I don't stand a chance in these four walls

And he don't recognize me anymore

Burned out flames should never re-ignite

But I thought you might...

Take me, take me, home, home

Take me, take me, home, home

Now he's moving close,

My heart in my throat

I won't say a word,

But I think he knows...

That I've hardly slept,

Since the night he left

His body always kept,

Mine inside of it

Keep the nightmares out,

Give me mouth to mouth

I can't live without ya,

Take me to your house

Take me, take me, home, home.

Take me, take me, home (Take, take, take, take...)

Take me, take me, home (Me, me, me, me...)

Take me, take me, home (Home, home, home...)

But I thought you might...

Take me, take me, home, home

Take me, take me, home, home

Home

## In Popular Culture

* The song was used in the 2013 movie *How I Live Now*, as well as Australian drama *Wentworth* in the final scenes of its third season.
How

"**How**" is the third single released by indie band Daughter off of their sophomore album Not To Disappear.

## Reception

### Critical Reception

In an article on The Line of Best Fit, Lauren down commented on the song saying:

> “How” is exactly the kind of regret-filled, stomach tightening track we’ve come to expect from Daughter; Tonra’s earnest questioning and quietly indignant tone carried on silky smooth vocals, the song’s climactic instrumental chorus made all the more powerful by its minimal, down-tempo verses. “How”, along with album track “Alone/With You” speak to the loneliness that runs through Not To Disappear."
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## Lyrics

Moving on

Is moving in slow motion

To keep the pain to a minimum

Weightless, only wait for a fall

How long must I wait for you

Undone in the evening?

How long must I wait for you

To become what I need?

Holding old souvenirs

His words inked from birthdays

Goodbye to our empty ruins

Yeah, that's when I saw her

Hold me back

Hold me back

All I am

All I am

How long before the last dance?

How come he's the one to let me down?

How come they glow different in the evening?

How come they stare distant into daylight?

Like it's alright

Like it's alright
To Belong

"**To Belong**" is the eighth track off of Daughter's sophomore album Not To Disappear.

## Background

In an interview with the Line of Best Fit, Elena Tonra commented on the song, saying:

> "*I think “To Belong” is one that maybe doesn’t stand out on the record as much as the others, but really it’s like a little beast. It’s like a little ‘Fuck you all!’"*
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## Lyrics

Don't you think you'll be better off

Without me tied around your neck, it's like the way your

Body pulls me underneath where I can't breathe

I'm tired of talking, I've been screaming all day

Don't you think we'll be better off

Without temptation to regress, to fake tenderness

Waiting to see someone we won't know for long

In cities we'll only leave

Don't you think we'd be better off

Without the pressure to address

A room of faces

Waiting to hear some strange woman speak in tongues

On lonely Fridays

Oh my loveless drunk, baby

Loveless drunk, baby

I don't want to belong, I don't want to belong

I don't want to belong, to you, to anyone

I don't want to belong, I don't want to belong

I don't want to belong, to you, to anyone

I don't want to belong, I don't want to belong

Don't you think we'd be better off

Without the pressure to address

A room of faces

Waiting to hear some strange woman speak in tongues

On lonely Fridays

Oh my loveless drunk, baby

Loveless drunk, baby
Music From Before The Storm

***Music From Before the Storm***, Daughter’s third album, is the soundtrack for the video game *Life is Strange: Before the Storm*, a prequel to the acclaimed 2015 graphic adventure video game *Life is Strange*.

## Background

In an interview, Elena Tonra commented that it was 'weird' to work with people outside of her comfort zone, saying:

> "It was great because we were writing towards something else apart from ourselves for the first time."
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Which Igor Haefeli also commented on:

> "We came in with an open mind, and they were very trusting and really let us do our thing. They made sure we knew that Chloe [Life Is Strange’s main character] was a loud character, so the tone needed to match that, and it meant it was some of the heaviest stuff we’ve written."
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## Release

### Critical Reception

Will Richards of DIYMag.com commented on the album, calling it a "brilliant, refreshing side-step from Daughter, and shows them to be as affecting as ever." Dan Carabine of The Line of Best Fit commented on it saying:

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> "With the immersive capacity of video games in mind, *Music from Before the Storm* seeks to engulf the listener in a massive, yet delicate and complex world. Guitarist Igor Haefeli's use of delay and reverb in tracks such as "Glass" and "Witches" is evocative of a certain vastness which can be runs throughout the entire score, yet the driving percussion of Remi Aguilella infuses the work with a sense of direction and urgency that reflects the journey of 16-year-old Chloe Price, on which the story of *Before the Storm*is centred.
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> While the majority of tracks are without lyrics, this is not to say that a sense of genuine emotion is missing in Daughter's instrumentation. There's a melancholy in the elegance of the guitar in "I Can't Live Here Anymore", which combines with distant piano chords to create a chillingly beautiful piece of music While murmurs from Tonra of "I can't live here" can just about be made out amidst weird samples played in reverse, the real power of the track unquestionably lies in its arrangement and composition."
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## Track listing

1. "Glass"
2. "Burn It Down"
3. "Flaws"
4. "Hope"
5. "The Right Way Around"
6. "Witches"
7. "Departures"
8. "All I Wanted"
9. "I Can't Live Here Anymore"
10. "Dreams of William"
11. "Improve"
12. "Voices"
13. "Youth"
The End

"**The End**" is a bonus track on the Japanese version of *Not To Disappear*. It was released as a single in the U.S. on October 14, 2016.

## Lyrics

This is the end, this is the end

You wait to find that I am still here

And you've been waiting for the light to shine

Wake up, wake up, wake up

I'll be the answer to the question I can't answer

It's a question you can't spit it out

Can we find

We find, we find a way out

A way out

It's easier to understand

We die, we're buried underground

But I have stayed awake since then

I'm trying to find a new best friend

You instigate, come after chasing

Oh, what the hell should I say then?

I missed you

Let's spend the future talking about the past

How you said goodbye

How I fucked your mind up

We really are something else

I'd say you were sent here just to keep me in check

My pulse is quick

My neck is stretched

Cruel lover says I need to just get over it

Get over him

Get over myself

They say there's something in the sky

We should pay attention

I don't care to realize

I'm too busy moping

They say there's something in our seas

We should all be careful

I'm not swimming anyway

I'm too busy moping

They say there's something in my house

That I should just get out, get out

I don't want to be escaping

No, I'm too busy moping around

I'm too busy moping around

I'm too busy moping around

I'm too busy moping around

I'm too busy moping around

Take a run home, I don’t like where you’re going

Run home, I don’t like the words you're saying

Run home, I don’t like where you’re going

Run home, I don’t like the words you're saying

Take a run home, I don’t like where you’re going

Run home, I don’t like the words you're saying

Run home, I don’t like where you’re going

Run home, I don’t like the words you're saying

## In Popular Culture

* "The End" appears on the TV Show “Altered Carbon”, by Netflix, at the end of the Episode 1 of Season 1
Django Mirga

**Django Lamba Mirga** was a Romani warlord from the Jassic Khanate who fought against the Kingdom of Poland in the High Middle Ages. Django was able to secure an independent kingdom in Eastern Europe, and use it to wage a defensive war against the Kingdom of Poland, which at the time was trying to annex the Jassic Khanate.

Mirga was born in 982 to a Romani family living around the area that would become the city of Bratislava. Mirga reached adulthood within the twilight years of the khanate and consolidated a semi-autonomous kingdom in the East, after being denied the position of tribal authority in the Khanate. With the Polish Invasion of Jassland, Mirga united several Romani, Jassic, and Slavic chiefs, petty kings, and warlords under his banner to fight against the Poles.

Mirga earned the title among the European Romani as "Django the Great". Being one of the final followers of the Polytheistic religion of the Romani, he came to be regarded as one of the final "Great Heathen Kings of Europe" alongside Knut the Fair of Norway and Mindaugas of Lithuania.
Igor Haefeli

**Affiliations** | Daughter

Igor Haefeli is the main guitarist from the band Daughter.

## History

### Before Daughter

Igor Haefeli attended one of the acoustic shows that Tonra was performing around London and found that "she had this power which drew everyone in". Originally from Neuchatel, Haefeli also attended London's Institute of Contemporary Music Performance where he met Tonra during a songwriting course. They began performing together with Haefeli adding electric guitars. After their first demo started word of mouth on the band, Daughter self-released their debut EP, *His Young Heart*, on 20 April 2011, recorded in Haefeli's bedsit.

### Daughter

Tonra and Haefeli became romantically involved and the guitarist insisted that they "keep our couple life and our band life separate, [because] I don’t want Elena to stop saying things in her songs that are personal [as] songwriters need to be expansive and they need to be unafraid”. While Tonra concurred with "Igor doesn’t question my lyrics. He regards what we do as an art form. He certainly doesn’t try to rewrite my words. I never tell anyone what my songs are about, not even him. I feel they are direct enough, anyway. They aren’t especially obscure".
Smother

"**Smother**" is a single off of Daughter's debut album, If You Leave.

> "*Have you ever experienced so much pain, so much sorrow in a relationship that broke down, so much that you wish you’d never been born? ‘Smother’ distills all this pain, neatly and so gorgeously in 4 minutes and 3 seconds. It’s the kind of pain you’d never wish on anyone, but with Elena Tonra’s songwriting genius, it’s okay, because you’re left feeling, yes, I have felt such pain. And like her, I’ve come out of it. And survived to live another day. Sometimes we should stop to applaud such a victory."*
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## Lyrics

I'm wasted, losing time

I'm a foolish, fragile spine

I want all that is not mine

I want him but we're not right

In the darkness I will meet my creators

And they will all agree, that I'm a suffocator

I should go now quietly

For my bones have found a place to lie down and sleep

Where all my layers can become reeds

All my limbs can become trees

All my children can become me

What a mess I leave

To follow

To follow

To follow

To follow

In the darkness I will meet my creators

They will all agree, that I'm a suffocator

Suffocator

Suffocator

Oh, love

I'm sorry if I smothered you

I'm sorry if I smothered you

I sometimes wish I'd stayed inside my mother

Never to come out

"****Smother****"
"Youth"
"Still"
"Lifeforms"

"Human"
"Touch"
"Amsterdam"

"Smoke"
"**Drift**"
Patos salvajes

**Los Patos Salvajes**es uno de los dos equipos de Drama Total Campamento Dramático.

Los patos salvajes se componían inicialmente por: Mackenzie, Ashley, Oona, Samuel, Isla, Jerome, Deanne, Elle, London y Madeline. Sin Embargo, en el episodio 7, La Nueva Heather, Jerome y Jaden, por orden de Chris, se cambiaron de equipo por lo que Jaden se convirtió en un pato.

Su color representativo es el verde y su logo es un pato estampada en algún pedazo de tela.

## Integrantes

London: es el integrante que se eliminó cuando quedaban 9 personas de el equipo (eliminado en el episodio 03)

Madeline: es la integrante que se eliminó cuando quedaban 8 personas de el equipo (eliminada en el episodio 04)

Deanne: es el integrante que se eliminó cuando quedaban 7 personas en el equipo (eliminado en el episodio 05)

Isla: es el integrante que se eliminó cuando quedaban 6 personas en el equipo (eliminado en el episodio 09)

Elle: es el integrate que se eliminó cuando quedaban 5 personas en el equipo=

Oona: eliminado luego de la fusión de equipos.

Samuel: no eliminado

Jaden: no eliminado

Ashley: no eliminada

Mackenzie: no eliminada
Lifeforms

"**Lifeforms**" is the fifth track off of Daughter's debut album, If You Leave.

## Background

The lyrics "Lifeforms" describe the pain of an unplanned pregnancy and abortion. Many praised the song's sad and deep lyrics, with one critic calling it a "savage musing".

## Reception

### Critical Reception

GIGWise's Flora Neighbour commented on the track, saying:

> “The track ‘Lifeforms’ draws the album darker with Elena contemplating an unexpected pregnancy, abortion and the ultimate sense of abandonment, via the lyrics ‘you’ll always find another womb to grow’ and ‘find the children lost at sea’ – you would have to be robotic not to feel affected by this compilation of hardened tales of loss.”
>
>

## Lyrics

From the beginning

Small lifeforms

They can kill without warning

So you don't explode

Stop your growing limbs and thinking

That you love them now you're blinking

And reminding her of him

Oh you steal his features

And your mother is a bleacher

She don't even feel the heat no

She don't even want to speak to you

But you, you always find another place to go

Oh you, you always find another womb to grow, to grow, to grow

Well you can try to sink down deeply

And find the children lost at sea

Find the children who discretely

Were killed in infancy

To stop them holding you and screaming

That you'll lose your wildest dreaming

Still reminding you of him

How he left without reasons

But you, you always find another place to go

Oh you, you always find another womb to grow, to grow, to grow

You can try to forget me but I won't let you easily

You can try to forget me but I won't let you easily

I'm floating out in the water washed out to sea

Drifting away with time you'll regret you've conceived it

Clean up the dead you leave behind

Just like insects

Clean up the dead you leave behind
Grizzly Tales for Gruesome Kids - The Spaghetti Man

**Grizzly Tales for Gruesome Kids - The Spaghetti Man** is a UK VHS release by Carlton on 13th March 2000.

## Episodes

1. Spaghetti Man
2. Death by Chocolate
3. The New Nanny
4. Grandmother's Footsteps
5. The Wooden Hill
6. A Tangled Web

## Opening (Original 2000 release)

* Carlton Warning Screen (1994-2004)
* Children's Videos from Carlton trailer from 1999 [announced by Nick Mercer and Jade Chaston]
* Grizzly Tales for Gruesome Kids Opening Titles
* Start of The Spaghetti Man (1999)

## Closing (Original 2000 release)

* End of A Tangled Web (1999)
* Grizzly Tales for Gruesome Kids Closing Titles
* Carlton Ident (1999-2004) (silent)

## Trailers and info

### Original 2000 release

* Children's Videos from Carlton trailer from 1999 with clips of "Jellikins", "The Fairies", "Dream Street", "Kingdom Of Rhymes: Incy Wincy Spider", "The Big Garage", "Beatrix Potter", "Tots TV", "The Wind in the Willows", "The Willows in Winter", "Bananas in Pyjamas", "Rudolph the Red-Nosed Reindeer: The Movie" and "Annabelle's Wish".
Soy tu problema

## Acerca de la canción

"Soy tu problema" es la tercer canción interpretada en "Drama Total Campamento Dramático" y se trata de un solo de Ben, realizada en el episodio 15. Él es el único que se animó a interpretar la canción cuando a todos les tomó por sorpresa la dinámica de "**cantar para gana**r", antes de eso se habían interpretado otras dos canciones pero como parte de un reto (Episodio 6) y él había cantado con anterioridad en una de esas dos canciones (Los sacrificios humanos de Alicia). Se podría decir que Deanne también participa de esta canción pero no vocalmente, sino aportando con la melodía de su guitarra eléctrica. Esta canción es ambientada en el basurero de la isla ubicado en alguna parte del bosque.

La canción la encontrarás en el Episodio 15 a partir del minuto (15:44)

## Letra

`Lada da da da~ Y o te voy a sepultar`

`Lada da da da~ Mi sonido lo hará,`

`Tu sangre beberé, de tu cara lo haré,`

`Yo voy a... "¿Qué? ¿Acaso no te gusta?`

`¿O es que yo no te agrado?"`

`Siento no tratarte como un dios`

`Eso es lo que quisieras que yo haga`

`Pienso que no eres tan perfecto`

`Como todos tus súbditos.`

`Lo siento no soy de azúcar,`

`Y no soy dulce para ti,`

`Por eso tú siempre me evitas,`

`Debo ser muy inconveniente para ti, Bien~`

`¿Qué debo hacer yo?`

`¿Qué es lo que quiero?`

    `¿Qué debo hacer yo? (No sé que hacer)`

`¿Qué es lo que quiero? (Beber de ti)`

`Woohh~ Yo te voy a sepultar (...A sepultar)`

`Woohh~ Mi sonido lo hará Sepultarte y...`

`Beber tu sangre...`

## Agradecimientos

La voz le pertenece a Bastian Cortes. Y la canción original es de Hora de Aventuras.
Human

"**Human**" is the second single released by Daughter on their debut album If You Leave.

## Reception

### Critical Reception

Robin Smith of Pop Matters commented on the song, saying:

> "*The full-bodied, almost playful guitar strumming on “Human” recalls Sigur Rós’ elegiac “Gobbledigook”, another song that aimed to surprise an audience who expected the still, quiet beauty of an unyielding band. But we’re taught see the emotions of If You Leave as inescapable, and “Human” seems to exist so that Tonra can dispel herself. It ends hardened, the guitar vanishing under flustering piano notes that hold the album down, and the walls closing in on the space around her. “But”, Tonra reminds herself, suffocating, “I think I’m dying here”. It’s a crushing return to her sense of reality, but such is the inevitability of this album – Tonra wears her dependence, and her sacrifices, as a uniform."*
>
>

## Lyrics

Woken up like an animal

Teeth ready for sinking

My mind's lost in bleak visions

I've tried to escape but keep sinking

Limbs lost to a dead weight stake

Skull cage like a prison

And he's lost faith he'll ever see again

So may he once thought of me then

Underneath the skin there's a human

Buried deep within there's a human

And despite everything I'm still human

But I think I'm dying here

Woken up like an animal

I'm all ready for healing

My mind's lost with nightmares streaming

Woken up (kicking screaming)

Take me out of this place I'm in

Break me out of this shell-like case I'm in

Underneath the skin there's a human

Buried deep within there's a human

And despite everything I'm still human

I think that I'm still human

I think that I'm still human

I think that I'm still human

Underneath the skin there's a human

Buried deep within there's a human

And despite everything I'm still human

But I think I'm dying here

"**Smother**"
"Youth"
"Still"
"Lifeforms"

"**Human**"
"Touch"
"Amsterdam"

"Smoke"
"**Drift**"
Captain Scarlet and the Mysterons - Volume 6

**Captain Scarlet and the Mysterons - Volume 6** is a UK VHS release by Carlton Video on 9th July 2001.

## Opening (Original 2001 Release)

* Carlton Warning Screen (1994-2003)
* Carlton Home Entertainment children's trailer from 2000 [announced by Justin Fletcher]

## Closing (Original 2001 Release)

* Carlton Home Entertainment Ident (1999-2003) (silent)

## Trailers and info

Carlton Home Entertainment "Bring the Magic Home" children's trailer from 2000 with clips of "A Monkey's Tale", "Thunderbirds", "The World of Peter Rabbit & Friends", "Jellikins", "Tots TV", "Dream Street", "Bananas in Pyjamas", "Annabelle's Wish", "Rudolph the Red-Nosed Reindeer: The Movie" and "Casper's Haunted Christmas".
The other side

## Acerca de la canción

"The other side" es la quinta canción interpretada en "Drama Total Campamento Dramático" y se trata de un solo de Sam, realizada en el episodio 16. Esta canción esta fuera de la dinámica de "**cantar para gana**r", pues solamente se trató de una interpretación para el concurso de talentos. Sam ya había participado en otra canción (No diré que es amor). La localización de la canción es en el escenario que se montó en el bosque para el concurso de talentos. La canción la encontrarás en el Episodio 16 a partir del minuto (19:37).

## Trama de la canción

Interpretada mientras Sam tocaba el piano, y dirigida indirectamente a una persona en especial, ¿Ben quizá? con el mensaje de "hay un lugar , y si me acompañas, todo será distinto".

## Letra

`Ahora ya, es tu oportunidad,`

`no quiero perseguirte, lo estás viendo.`

`Ven junto a mi, libre te haré, yo a ti,`

`lejos de la traición y sus cimientos.`

`Cambia lo típico por algo de color,`

`y si es muy loco, vive un poco loco.`

`Puedes ser racional, un rey convencional`

`o arriesgarte junto a mí.`

`Sé que quisieras correr`

`y dejar ya todo lo que fué.`

`Si te unes a mi verás que todo va a cambiar.`

`Te llevaré a otro lugar.`

`Puedes hacer como tú`

`o parecerte a mi.`

`Abrir tu jaula con la llave para salir.`

`Al fin ser libre para volar, te llevaré a otro lugar.`

## Agradecimientos

La voz le pertenece a Bastian Cortes. Y la canción original es de The Greatest Showman
Medicine

"**Medicine**" is a song by indie band Daugther off of their EP The Wild Youth.

## Background

The lyrics of "Medicine" explore the effects of addiction and world of those addicted, specifically to drugs (which is ironically referred to as 'medicine' in the song's lyrics).

## In Popular Culture

* The song was used in the series finale of *Person of Interest*: “*return 0*” Season 5 x Episode 13
* The song was used for an episode of ***The Vampire Diaries:*** *"Do Not Go Gentle"* Season 3 x Episode *20*. *Aired April 26 2012.*~~{stelena moment ♥}~~
* The song was used for a BBC One Drama promotional video that first aired in October 2013.
* It was used in Season 3, Episode 20 *"Death Benefit"* of the American drama series *Person of Interest*. Aired April 15 2014
* The song was remixed by Joji Miller in 2014.
* The song appeared in season 1 episode 8, *"The Wound"*, of the HBO documentary, *The Vow*, which aired on 11 October 2020.
* The song appeared in the movie “Five Feet Apart,” which premiered in 2019.
* this song is extremely meaningful and powerful too all age types.

## Lyrics

Pick it up, pick it all up

And start again

You've got a second chance, you could go home

Escape it all, it's just irrelevant

It's just medicine

It's just medicine

You could still be what you want to

What you said you were when I met you

You've got a warm heart, you've got a beautiful brain

But it's disintegrating from all the medicine.

From all the medicine

From all the medicine

Medicine

You could still be what you want to

What you said you were when you met me

You could still be what you want to

What you said you were when I met you

When you met me, when I met you

sdTemplate:J
Shallows

"**Shallows**" (sometimes referred to as "In The Shallows") is the tenth and final track off of Daughter's debut album, If You Leave.

## Background

In an interview, Elena Tonra talked about the song, stating:

> "*The song In the Shallows is about death and being afraid of that and afraid of what happens after. When we’re gone, can you find me because I don’t want to be alone. I find death really interesting to write about."*
>
>

## Lyrics

Let the water rise,

Let the ground crack.

Let me fall inside,

lying on my back

lying on my back

Dry your smoke-stung eyes,

so you can see the light.

staring at the sky

watching stars collide

watching stars collide

If you leave,

When I go...

You'll find me,

in the shallows

in the shallows

When the time comes,

on the last day...

when they start to come down,

will you just,

will you run away?

will you run away?

Let it all rain down,

from the blood stained clouds.

Come out, come out, to the sea my love...

and just,

drown with me...

drown with me...

If you leave,

When I go...

You'll find me,

in the shallows

in the shallows

Lying on my back,

Lying on my back,

watching stars collide.
Stories from Toytown featuring Larry the Lamb - The Great Toytown War and Other Stories

**Stories from Toytown featuring Larry the Lamb - The Great Toytown War and Other Stories** is a UK VHS release by Carlton Home Entertainment on 9th February 1998.

## Opening (Original 1998 release)

* Carlton Warning Screen (1994-2004)
* Carlton Home Entertainment children's trailer from 1997 [announced by Martin Jarvis]

## Closing (Original 1998 release)

* Carlton Home Entertainment logo (1997-1999)

## Trailers and info

### Original 1998 release

* Carlton Home Entertainment children's trailer from 1997 with clips of "Tots TV", "Rosie and Jim", "Starla and the Jewel Riders", "Bananas in Pyjamas", "Beatrix Potter", "Old Bear and Friends" and "The Willows in Winter".
Elle

Elle es concursante de Drama Total Campamento Dramático y pertenece al equipo de Patos Salvajes.

## Apariencia

Elle tiene el cabello rubio sujeto en dos colitas, sus ojos son de color negro y sus labios lucen un labial rojo carmesí.y lleva una ropa azul con pantalones verdes y unas zapatillas deportivas

## Personalidad

Elle se muestra como una muchacha simpática y feliz pero pronto mostrará una carácter sensible y pasivo para ocultar su otra personalidad

Cidonian es macabra astuta, macabra y demonìaca, pertenece a una secta contra Chris Mclean con el objeto de mandarlo a prisión y robarse el millón. Según Elle, Cidonian despierta por las noches con deseos de destrucción pero esto fue desmentido por Cidonian en el episodio 11. Cidonian resulta ser la verdadera cara de este personaje, Elle es solo un personaje interpretado por esta suprema actriz del drama.
No Care

"**No Care**" is the third single released by indie band Daughter off of their sophomore album Not To Disappear.

## Background

About the lyrics of the song, Elena Tonra and Igor Haefeli commented:

> Elena: "I’ve not really come across many songs that deal with sex in a way that is lonely, or a bit off. Talking about it a way that isn’t quite right. It does make you feel a bit like, ‘hey I’m naked now in front of all these people’.”
>
>

> Igor: “There’s no glamourising, It’s more like walking in on someone, it suddenly becomes this awkward thing where it’s just two naked people rubbing against one another and you’re drawn to the functionality of the act – where it’s just plainly what it is, and nothing else. It’s so direct.”
>
>

## Lyrics

No one asks me for dances because I only know how to flail

I always hit like I'm drowning, dead arms around him

I'd rather stand still, hold tightly to the walls

No care, no care in the world

No care, no care in the world

I don't care, I don't care anymore

I don't care, I don't care

Love you in a panic because I prefer to sit on fences

Spit-kissing on my sickbed

I'm not searching for replacements

But we are like broken instruments

Twisted up and wheezing out the wrong notes

Sleepless folks watching light grow

Through their early morning windows

I don't care, I don't care anymore

I don't care, I don't care

Oh, I'm too drunk to fight, hurlings curses at your surface

Because I'm aware, because it hurts that I'm in love again

And you laugh, kiss my neck, say our arguments are insane

Fighting over the way something was said

While I'm still here like a cheap threat

No care, no care in the world

No care, no care in the world

I don't care, I don't care anymore

I don't care, I don't care

Oh, there has only been one time where we fucked

And I felt like a bad memory

Like my spine was a reminder of her

And you said that you felt sick

I was so heavy hearted, lying side-on with you afterwards

How I wanted you to promise we would only make

How I wanted you to promise we would only make

How I wanted you to promise we would only make love

But my mouth felt like I was choking, broken glass

So I just slept it off

You see, my mouth felt like it could talk the end of us

So I just slept it off, slept it off

No care, no care in the world

No care, no care

I don't care, I don't care anymore

I don't care, I don't care

Ah, I'm too drunk to fight

I only wanted you to promise me we would only ever make love

But my mouth felt like I was choking, broken glass

So I just slept it off

Wanted you to promise me we would only ever make

Wanted you to promise me we would only ever make love
Crush song

## Acerca de la canción

"Crush" es la cuarta canción interpretada en "Drama Total Campamento Dramático" y se trata de un solo de Sunshine, realizada en el episodio 16. Es la segunda canción que se ofrece para cumplir la dinámica de "**Cantar para ganar**". La localización de la canción es el comedor y la cocina del campamento. Sunshine es la única que presta la voz para la canción pero hay otros campistas que colaboran con palmas y golpes (Jaden, Candy, Ben y Sam). La canción la encontrarás en el Episodio 16 a partir del minuto (11:17).

## Trama de la canción

Luego de Sushine pasar 16 episodios detrás de Jaden y negando su amor por él, siendo rechazada incontables veces, se anima a cantarle a él las razones por las cuales debe estar con ella y no con otra persona más.

## Letra

`hush hush hush`

`blush blush blush`

`eres mi más grande crush`

`No tengo con quién salir,`

`tú tampoco si es así…`

`Te daré algunas razones y te fijarás en mí:`

`Primera razón soy súper hot`

`Segunda razón ella no es hot`

`Tercera razón soy lo que tienes,`

`tienes alguien super hot.`

`Ten mi resumen ¿Ves?`

`Revisa y dime ¿está bien?`

`Primer nombre “para” y`

`Mi apellido se lee “ti”.`

`¿Crees que no valgo? Soy genial.`

`Ven, salgamos ya verás.`

`Solo puedo decir… salgamos`

`Estoy soltera: s-o-l-t-e-r-a ¡Ven!`

`¡Nos vemos! ¡Salimos! ¡Y be… samos!`

`¿Crees que este es un juego? Y no`

`Me vuelvo loca por favor…`

`Voy a darte más razones y así buscarás mi amor.`

`La cuarta razón no hay rostro igual`

`¿no puedes verlo? Es de verdad`

`La quinta razón`

`no existe alguien con mi personalidad.`

`Yendo por ahí, te vi andando en la acera`

`Y dije: ¿Puedes ser mi Troy y yo tu Gabriela?`

## Agradecimientos

La voz le pertenece a Miree. Y la canción original es de twaimz.
Madeline

> *"Te ves como cuando mi tío Joe atropelló a mi tía Marissa con su tractor"*
>
>

> -Madeline a Elle
>
>

Madeline es miembro del equipo de Patos Salvajes.

## Apariencia

Madeline es coqueta de contextura gruesa, tiene el cabello color anaranjado sujeto en un rodete y sobre él tiene puesto un moño rosado. En su rostro lleva pintura azul sobre sus ojos y sus labios están luciendo un fuerte color rojo.

Lleva una blusa roja y una calza negra. De calzado usa unas sandalias café. Sus ojos son de color negro.

## Personalidad

Madeline viste de manera coqueta pero interiormente es grosera y maleducada. Detesta no ser la más bonita y envidia a quien la supera.

## Desarrollo en la competencia

En Nuevo elenco, nuevo drama Madeline llega con la intención de ganar la competencia pisando a cualquiera. Es asignada al equipo de patos salvajes y es quien le da la victoria a su equipo llevando al pato hasta la zona de llegada.

En fría humillación Madeline se acerca a Jerome y le pide formar una alianza para lograr que eliminen a Alicia. No participó del desafío de preguntas humillantes.

En Ecóndete, corre o dispara ella no tiene mucho protagonismo, es manchada por Alex y Ben y eliminada del desafío

En Cosas Picosas Madeline recibe halagos de Jaden y provoca ira en Ashley. Más tarde se ofrece junto a Jerome a preparar el postre en el concurso de cocina, ella está dispuesta en preparar una receta familiar de pastelillos de canela. Su receta fue vilmente arruinada cuando un sujeto misterioso arroja salsa picante en su preparación. Ella no se dio cuenta y presentó así el plato.

## Eliminación

Fue eliminada en el episodio número cuatro recibiendo los votos de Samuel, Oona, Isla y Ashley. Antes de ser despedida por el cañón Jaden se presenta en el muelle y le lanza un beso al aire.

## Curiosidades

* Si en su eliminación no hubiera votado por Elle y si por Oona lo más probable es que surgiría un empate y tendría más posibilidades de quedarse.
* El voto decisivo de su eliminación lo tuvo Ashley.
* Parece ser que Ashley estaba celosa de ella y por eso la votó,
* Madeline pertenecía el elenco original y no sufrió variaciones en su físico pero si en su vestimenta, anteriormente llevaba una blusa amarrada en la parte de abajo con el ombligo al aire.
* Junto a London fue una de las primeras víctimas de Ashley.