recursal/Fanatic-Fandom huggingface dataset:
Le déserteur

**Le déserteur** is an opéra comique by the French composer Pierre-Alexandre Monsigny with a libretto by Michel-Jean Sedaine. It was first performed on 6 March 1769 by the Comédie-Italienne at their public theatre, the Hôtel de Bourgogne in Paris.

## Synopsis

Alexis, a young soldier, is engaged to be married to Louise, a farmer's daughter. On the orders of her father, she plays a trick on him by pretending she is going to marry her cousin Bertrand instead. Alexis falls for the deception and deserts the army in despair. He is captured and thrown into jail to await execution. Louise goes to see the king to beg for mercy for Alexis. She receives a letter of reprieve but faints from exhaustion before she is able to deliver it. All ends happily, however, when the king arrives in person and frees Alexis.

## Musical numbers

* "Peut-on infliger ce qu'on aime?" - Louise
* "J'avais égaré mon fuseau" - Jeannette
* "Ah! je respire" - Alexis
* "Serait il vrai, puis je l'entendre?" - Alexis, Jeannette
* "Infidèle, que t'ai je dit" - Alexis, chorus
* "Mourir n'est rien" - Alexis
* "Je ne déserterai jamais" - Montauciel
* "O ciel! puis je iei tevoir" - Alexis, Louise
* "Dans quel trouble te plonge" - Louise
* "O ciel! quoi tu vas mourir!" - Louise, Alexis, Jean-Louis
* "Tous les hommés sont bons" - Bertrand
* "Vive le vin, vive l'amour" - Mountaciel, Bertrand
* "V... o... u... s..." - Mountaciel
* "Le Rois passait, et le tambour" - Courchemin, Mountaciel
* "On s'empresse, on me regarde" - Alexis
* "Adieu chère Louise" - Alexis, Louise, Jean-Louis, Alexis's aunt, Jeannette, Bertrand, chorus

## Recordings

* **2010**: Conductor Ryan Brown, Opera Lafayette Orchestra, William Sharp, Dominique Labelle, Ann Monoyios, David Newman, Eugene Galvin, Tony Boutté, Darren Perry, Claire Kuttler

1. ↑ Joseph Caillot may have very well indeed been a baritone, but the role of Alexis is written in the tenor tessitura and range.
Ivvanna

Ivvanna(better known as Ivvanna Maria Larsen) is Little Miss Livie's second ever OC and Tara's older sister

## Appearance

Ivvanna is a teen with black hair, blue eyes and bleached skin. She is basically Tara's older sister(older by 6 years).

Ivvanna's hair is combed up in a choppy bangs style while her hair is long compared to Tara's where her hair is in a side swept bangs style. She wears a pink T-shirt and blue shorts, pink socks and pink cutshoes(like Tara's).

## Other Information

### Likes

Tara(her sister)The Colour Pink

Art and Drawing

Photography

### Dislikes

NegativityFeeling neglected

Seeing her sister getting attacked

## Nicknames

* Ivvy
* "V"
* Cure Ivvanna

## Facts

* With her boyfriend Tyler and her sister Tara, she gave birth to Irina on January 2 2021.
Les noces de Jeannette

***Les noces de Jeannette*** is an opéra comique in one act by Victor Massé to a libretto by Jules Barbier and Michel Carré. It had its premiere in Paris in the Salle Favart at the Opéra-Comique, 4 February 1853.

## Musical numbers

* “Enfin me voilà seul” - Jean
* “Parmi tant d’amoureux” - Jeannette, Jean, chorus
* “Halte lá s’il vous plaît" - Jeannette, Jean
* “Ah! vous ne savez pas ma chère" - Jean, Jeannette
* “Cours mon aiguille” - Jeannette
* “Au bord du chemin” - Jeannette
* “Il est au village” - Jeannette
* “Allons je veux qu’on s’assoie” - Jean, Jeannette
* “Oui mes amis c’est ma femme” - Jean, Jeannette, chorus
Tenor pieces by interpolated pitch

This is a list of pieces which feature a tenor part and the high or low notes that were added to the piece by a singer.

## Highest

### E♭5

* Vincenzo Bellini's Bianca e Fernando, "A tanto duol" - Gregory Kunde

### D5

* Vincenzo Bellini's I Puritani, "Suon d'araldi?" - Guiseppe Di Stefano

### C♯5

* Georges Bizet's La jolie fille de Perth, "Que notre enclume" - Alfredo Kraus
* Giuseppe Verdi's Rigoletto, "Addio! speranza ed anima" - Giuseppe Di Stefano

### C5

* Daniel Auber's La muette de Portici, "Non je ne me trompe pas" - Alfredo Kraus
* Daniel Auber's La muette de Portici, "Et cependant pour eux" - Alfredo Kraus, Michael Spyres
* Daniel Auber's La muette de Portici, "Courons à la vengeance!" - Michael Spyres
* Georges Bizet's La jolie fille de Perth, "Eh! camarade à pareille heure" - Alfredo Kraus
* Giuseppe Verdi's Aida, "Che veggo! Egli? Mio padre!" - Kurt Baum
* Gioachino Rossini's Armida, "Non soffrirò l'offesa" - Alessandro Zilliani

### B4

* Vincenzo Bellini's I Puritani, "Vieni fra queste braccia" - Guiseppe Di Stefano
* Giuseppe Verdi's La Traviata, "Sempre libera" - Giuseppe Di Stefano

### B♭4

* Giacomo Meyerbeer's Les Huguenots, "Non loin des vieilles tours" - Michael Spyres
* Gioachino Rossini's Armida, "Ah no! sia questo di tregua il giorno" - Gianni Raimondi
* Giuseppe Verdi's La Traviata, "Libiamo ne' lieti calici" - Giuseppe Di Stefano
* Giuseppe Verdi's Macbeth, "Di destarlo per tempo il re m'impose" - Gino Penni
* Giuseppe Verdi's Rigoletto, "Parmi veder le lagrime" - Giuseppe Di Stefano
* Giuseppe Verdi's Rigoletto, "La donna è mobile" - Giuseppe Di Stefano

### A4

* Gioachino Rossini's L'italiana in Algeri, "Dei Pappataci s'avanza il coro" - Cesare Valletti
Nyla

**Nyla** is a Hyleft healer living in [[Ridgepool)).

## Appearance

Nyla is a fairly tall, dark purple/pink Hyleft, with notched left ear-fins, and gold piercings in her right. She has red eyes with yellow sclera, and wears blue clothing with yellow trimming.

## History

### Before Spellward Bound

Nyla has “spent a lifetime” exploring the Realms, learning a great many skills. According to her, she is the last hyleft alive to have seen a human.

### Episode 3

Nyla helps Mateo with his affliction and helps them get home by removing his Earth core and placing it in a necklace, then teleporting him and Tyson back to Earth.
Cendrillon (Isouard)

***Cendrillon*** is an opéra comique in three acts by Nicolas Isouard. The French libretto, by Charles-Guillaume Étienne, is based on Charles Perrault's fairy tale *Cinderella*. It was first performed by the Opéra-Comique at the Salle Feydeau in Paris on 22 February 1810.

## Synopsis

**Act 1**

Cendrillon is the stepdaughter of Baron Montefiascone. She lives in his house with his daughters, Clorinde and Thisbé, where she is treated like a servant. The two sisters are preparing for the royal ball when a beggar arrives asking for hospitality. Cendrillon welcomes him but the sisters drive him away, not realising he is Alidor, the Prince's minister, in disguise. The beggar promises that Cendrillon will be rewarded for her kindness. The Prince has heard rumours of Cendrillon's goodness and he too comes to the house disguised as his valet, Dandini. He learns the true nature of the three stepsisters. Clorinde and Thisbé leave Cendrillon behind as they depart for the ball, but Alidor promises her she will go too.

**Act 2**

Cendrillon wakes up at the Prince's palace to find herself wearing magnificent clothes. Alidor assures her no one will recognise her in this disguise as he gives her a rose. The Prince meets her, still disguised as Dandini. She allows him to be her "knight (chevalier)" in a mock tournament and he wins. When he asks her to be his wife she flees, leaving a slipper behind.

**Act 3**

At the Baron's house, Clorinde and Thisbé discuss the news that the Prince has fallen in love with the beautiful stranger at the ball. The Prince tries to find the owner of the slipper and arrives at the Baron's house. It fits Cendrillon and the Prince offers her his hand in marriage. She gladly accepts.

## Musical numbers

**Act 1:**

* "Arrangeons ces fleurs ces dentelles - Clorinde, Tisbé, Cendrillon, Alidor
* "Je suis modeste et soumise" - Cendrillon
* "Mon fils, mon fils, que ce moment est doux" - Alidor, Prince Ramir
* "Ah! quel plaisir, ah! quel beau jour!" - Clorinde, Tisbé
* "Ô l'heureuse journee, toujours nouveaux plaisirs" - chorus
* "Allons, allons que tout s'arrête" - Dandini, Cendrillon, Baron de Montefiascone, Clorinde, Tisbé, Alidor, Prince Ramir, chorus

**Act 2:**

* "Ô doux sommeil sur l'innocence" - Clorinde, Tisbé, Prince Ramir, Alidor, Cendrillon
* "Conservez bien cette bonté" - Alidor, Cendrillon
* "Qui, vous, ma souveraine" - Clorinde, Tisbé
* "Ô sexe aimable mais trompeur" - Prince Ramir
* "Oh la victoire m'est promise" - Prince Ramir, Cendrillon
* "A la plus belle, offrons nos vœux" - Prince Ramir, Cendrillon, Baron de Montefiascone, Clorinde, chorus

**Act 3:**

* "Vous épouserez, vous épouserez" - Clorinde, Tisbé, Cendrillon
* "Vous l'aimiez donc avec tendresse" - Prince Ramir, Cendrillon, Clorinde, Tisbé, Dandini, Baron de Montefiascone, Alidor, chorus

## Recordings

* **1957**: Conductor Carl Maria Artz, Sender Freies Berlin Radio, Eve Maria Egner, Margot Risa, Rose Espig
* **2018**: Conductor Pierre Valle, Manhattan School of Music Opera Theater Orchestra, Amanda Austin, Michael St. Peter, Marcel Sokalski, Hyeree Shin, Abigail Shapiro
Il grillo del focolare

''***Il grillo del focolare''*** is an opera in three acts by Riccardo Zandonai to an Italian libretto by Cesare Hanau based on Charles Dickens' *The Cricket on the Hearth*. It premiered on 28 November 1908 at the Teatro Politeama Chiarella in Turin.

## Musical numbers

**Act 1**

* "Eccomi... signor Grillo" - Dot
* "John è qui!" - Dot, John Peerybingle
* "Entrate! Entrate!" - John Peerybingle, Dot
* "Oh... ecco, parla!" - John Peerybingle, Dot, Edward Plummer
* "Caleb! Caleb!" - John Peerybingle, Dot, Caleb Plummer
* "Un giorno tre fanciulli andarono sul mar" - Dot, Edward Plummer
* "Ecco... E questa cena è pronta?" - Dot, John Peerybingle
* "Ah! Il signor Tackleton" - Dot, John Peerybingle, Tackleton
* "Ah, vile! Ah, miserabile!" - Edward Plummer, Dot
* "Toh... l'altro è dunque andato?" - Dot, John Peerybingle

**Act 2**

* "Lungi! Ah lungi, sull'ali del vento" - Bertha Plummer
* "Oh che pietà sentirla cantar così!" - Bertha Plummer, Caleb Plummer, Tackleton
* "Oh, padre mio!" - Bertha Plummer, Caleb Plummer
* "Cucu! Cucu! Cucu!" - Bertha Plummer, Caleb Plummer, John Peerybingle
* "Oh, ecco gli altri!" - Caleb Plummer, Tackleton, Dot, May Fielding
* "Forse qualcun sospinto" - Dot, May Fielding, Bertha Plummer, Caleb Plummer, John Peerybingle, Edward Plummer
* "Tu piangi? No, non piango" - Dot, May Fielding, Bertha Plummer
* "Povera illusa, essa lo ama!" - Dot, May Fielding
* "Edoardo! Ma prendete dunque tra le braccia!" - Dot, May Fielding, Edward Plummer, Tackleton
* "Ed or, mia buona Dot, lasciate almeno che vi ringrazia" - Edward Plummer, Dot, Tackleton, John Peerybingle
* "No, John, ascolta!" - Dot, John Peerybingle, May Fielding, Caleb Plummer, Tackleton

**Act 3**

* "Una prova! Una prova!" - John Peerybingle
* "Che c'è? Son io, mio caro signor Peerybingle" - John Peerybingle, Tackleton
* "Caleb! Berta! Miei buoni amici!" - Dot, Caleb Plummer, Bertha Plummer
* "May! May! Non datevi conoscere d'uncolpo!" - Dot, Caleb Plummer, Bertha Plummer, Edward Plummer, John Peerybingle
* "Sú, presto, signorina, la cerimonia è pronta" - Tackleton, Edward Plummer, May Fielding, Dot
* "Al vostro focolare... e al vostro cuore è il Grillo che mancòl" - Dot, John Peerybingle, May Fielding, Edward Plummer, Caleb Plummer
* "Ah, ah, ah, ah, ah, ah, ah, ah!" - Dot, John Peerybingle, May Fielding, Edward Plummer, Caleb Plummer, Bertha Plummer, Tackleton, chorus
Juchhei nun ist die Hexe still

***Juchhei nun ist die Hexe still*** is a duet from act 3 of the fairy-tale opera Hänsel und Gretel by Engelbert Humperdinck. It is sung by Hansel and Gretel. The vocal range needed for Hansel is from middle D4 to high G5, and the range needed for the part of Gretel is from middle B**♭**4 to high C6. The part of Hansel in this duet features a F4-F5 tessitura, while Gretel has the tessitura of B**♭**4-B**♭**5 in this piece.
Matilde di Shabran

***Matilde di Shabran*** (full title: *Matilde di Shabran, o sia Bellezza e Cuor di ferro*) is a *melodramma giocoso* (*opera semiseria*) in two acts by Gioachino Rossini to a libretto by Jacopo Ferretti after François-Benoît Hoffman’s libretto for Méhul’s *Euphrosine* (1790, Paris) and J. M. Boutet de Monvel's play *Mathilde*. The opera was first performed in Rome at the Teatro Apollo, 24 February 1821  conducted by the violinist Niccolo Paganini. The premiere was followed by a street brawl "between Rossini's admirers and his detractors."

## Musical numbers

**Act 1**

* "Zitti nessun qui v'è" - chorus
* "Chi vi guida a queste" - Ginardo , chorus
* "Eccomi è ognor lo stesso" - Edoardo, Corradino
* "Nò Matilde non morrai" - Edoardo, Matilde di Shabran
* "Sazia tu fossi alfine revolubil fortuna" - Raimondo Lopez, Edoardo
* "Padre! Figlio! Voi ma come?" - Edoardo, Corradino, Raimondo Lopez
* "I capricci di smorfiette di sospiri" - Matilde di Shabran, Aliprando
* "Questa è la Dea che aria" - Contessa d'Arco, Matilde di Shabran, Aliprando, Ginardo
* "Dallo stupore oppresso" - Corradino, Matilde di Shabran, Contessa d'Arco, Aliprando, Ginardo

**Act 2**

* "Matilde ah! non è più" - Corradino, Aliprando
* "Ella è innocente" - Edoardo, Corradino, Isidoro
* "Ah capisco non parda te non parla te" - Matilde di Shabran, Corradino, Isidoro, Ginardo
* "Piacere ugual gli" - Corradino, Matilde di Shabran, Isidoro, Ginardo
* "Matilde ebben? Son tua" - Corradino, Matilde di Shabran, Isidoro, chorus
* "E palese il tradimento" - Contessa d'Arco, Matilde di Shabran, Corradino, Alipandro, Ginardo, Isidoro
* "Fraquesti armigeri immantinente" - Corradino, Matilde di Shabran, Isidoro
Racoleur et racolé

***Racoleur et racolé*** is an operetta in one act by Édouard Deransart to a French libretto by Charles Blondelet and Félix Baumaine. It premiered at a concert in 1876.

## Musical numbers

* “Vraiment la vie est une douce chose” - Vieillentaille
* “Oh! que la vie est une triste chose” - Saturnin
* “Qu’avez-vous donc, jeune cadet” - Saturnin, Vieillentaille
* “Il n’est pas sur terre de plus bel état” - Saturnin, Vieillentaille
* “A Pondichéry, mon chéri” - Saturnin, Vieillentaille
* “Ainsi tu r’fus’s? Avec plaisir” - Saturnin, Vieillentaille
* “Ainsi plus de Pondichéry” - Saturnin, Vieillentaille
Quand la cloche sonnera

***Quand la cloche sonnera*** in an opera in one act by Alfred Bachelet with a French libretto by Y. d' Hansewick and Pierre de Wattyne. It premiered on 6 November 1922 at the Opéra-Comique in Paris.

## Roles

 Akimitch | bass (A2-E4) | Lafont

## Musical numbers

* “Hâte-toi! Cavalier! Hâte-toi... va!” - Yascha
* “Ah-a! La petite demoiselle" - Akimitch, Yascha
* “Du moins les hommes des temps nouveaux le disent” - Akimitch, Yascha
* “Et j’ai trouvé ici une seconde famille” - Akimitch, Yascha
* “La graine plantée lèvera” - Akimitch, Yascha
* “Bonjour père, bonjour Yascha” - Manoutchka, Yascha, Akimitch
* “Oh! ce matin quand je les ai vu décrocher de là-haut” - Manoutchka, Akimitch
* “Et je leur contais des histoires” - Manoutchka
* “Tu parles sans savoir” - Akimitch, Yascha, Manoutchka
* “Suppose un instant qu’on vienne te demander ma main” - Manoutchka, Akimitch, Yascha
* “Elle pourrait épouser un Petit-Russien” - Yascha, Akimitch, Manoutchka
* “Sonia n’avait droit ni de danser" - Manoutchka, Yascha, Akimitch
* “Et voilà donc, père Akimitch” - Yascha, Akimitch, Manoutchka
* “Tu garniras le sac de Yascha” - Akimitch, Yascha
* “C’est donc vrai… Tu pars… tu pars?” - Manoutchka, Yas -ha
* "Pourquoi me parles-tu de la sorte?” - Yascha, Manoutchka
* “Pas un moi… pas une voix… ne viendra me dire” - Manoutchka, Yascha
* “Je t’aime… infiniment” - Yascha, Manoutchka

* “J’ai tant aimé ta grandeur d'âme, Yascha” - Yascha, Manoutchka
* "N'en cherche pas… Loin d'ici tu verras d’autres filles” - Manoutchka, Yascha
* “Lorsque ta tête blonde et gaie” - Manoutchka, Yascha
* “Je ne possède rien” - Manoutchka, Yascha
* “De temps en temps je recevrai de tes nouvelles” - Manoutchka, Yascha
* “Si malgré mes prières, tu pars seul” - Manoutchka, Yascha
* “Nous allons commettre un crime contre l’honneur” - Manoutchka, Yascha
* “Quelle obscurité! Pourquoi n’allumes-tu pas la lampe, Manoutchka?” - Akimitch, Manoutchka
* “Ah! te voilà, Yascha” - Akimitch, Manoutchka, Yascha
* “Il fait froid” - Akimitch, Manoutchka
* “La la la… danser seule dans une chambre close” - Akimitch
* “Eh! bien! Manoutchka!” - Akimitch, Manoutchka
* “Mais… si quelqu’un s’était caché sous les arches” - Akimitch, Manoutchka
* “Mais il ne faut pas que tu donnes le signal maintenant” - Akimitch, Manoutchka
* “Et moi?... Crois-tu qu’ Akimitch” - Akimitch
* “Je n'écoute rien…. C’est moi qui ai demandé a Yascha” - Manoutchka
* “Dis, père, dis” - Manoutchka
* “Par le ciel qui m’entend” - Manoutchka
* “Les voilà” - Akimitch, Manoutchka
* “Sainte Vierge, vous le voyez” - Manoutchka
* “Oh! elle sonne” - Manoutchka, Yascha
La fille du golfe

Sheet Music Cover

***La fille du golfe*** is an opéra comique in one act by the French composer Léo Delibes with a libretto by Charles Nuitter. It was composed in 1859. There is no known information whether it was ever performed anywhere.

## Roles

 Zerline
 Flora
 Giuletta

## Musical numbers

* "Chantons, chantons, chantons, joyeux matelots" - Piétro, Zerline, chorus
* "Il est une sinistre roche" - Zerline
* "J'ai peur!" - Flora
* "Ah! la belle journée" - Zerline, chorus
* "Ne vous souvient-il plus?" - Piétro, Giuletta
* "Ce jour comble notre espérance" - Zerline, Giuiletta, Piétro, chorus
Être esclave chez un professeur

***Être esclave chez un professeur*** is a haute-contre cabaletta from act 1 of the opéra bouffe L'amour et son carquois by Charles Lecocq. It is sung by Laudanum. The vocal range is E♭3 to E♭5. The tessitura needed for this piece is A♭3 to B♭4.

## Libretto

Être esclave chez un professeur de l'ile de Crete,
Que ça m'emb... uie!
Toujours parler d'Artaxerces de Péricles et d'Alcibiade,
J'en suis malade
Ah! le vilain sort que voila!
Moi, je n'étais pas ne pour ça,
Car de poésie
Mon ame est remplie
Car de poésie
Mon âme est remplie
Mon âme est remplie!

Apprendre à décliner en um bonus bona la rose
La triste chose!
Flanquer quelqiefois un pensum
Et de peur que l'on ne me chasse
Laver la classe
Ah! le vilain sort que voila
Moi je n'étais pas ne pour ça
Car de poésie
Mon ame est replie
Car de poésie
Mon âme est replie
Mon âme est replie
Sich da, der faule Siebenschläfer!

***Sich da, der faule Siebenschläfer!*** is a duet from act 3 of the fairy-tale opera Hänsel und Gretel by Engelbert Humperdinck. It is sung by Hansel and Gretel. The vocal range needed for Hansel is from middle D4 to high A5, and the range needed for the part of Gretel is from middle E4 to high D6. The part of Hansel in this duet features a E4-F♯5 tessitura, while Gretel has the tessitura of F♯4-A5 in this piece.
La danseuse de Pompéi

Sheet music cover

***La danseuse de Pompéi*** is an opéra-ballet in five acts and eight tableaux by Jean Nouguès to a French libretto by Henri Cain and Henry Ferrare. It premiered on 29 October 1912 at Opéra-Comique in Paris.

## Musical numbers

### Act 1

* "Voici les corbeilles" - Myrrha, Cinthie, Ludius, Rufius, Nonia, chorus
* "Le Soleil dore les grappes" - Nonia, Ludius, Rufius, Livius, chorus
* "Pourquoi me souris-tu?" - Hyacinthe, Nonia
* "J'aurais voulu aimer" - Hyacinthe, Nonia
* "Moi j'aime mieux Vénus" - Nonia, Hyacinthe

### Act 2

* "O mon aimé, comme l'aube est prompte" - Nonia, Hyacinthe
* "Les Amants sont sur la plage" - Philippe, Nonia, Hyacinthe, Plancine, Ludius
* "Ludius, déjà levé à cette heure matinale?" - Plancine, Ludius, Plautius, Modeste, the steward, chorus
* "Have Vénus" - Plancine, Rufius, chorus
* "Toi, la plus inconstante" - Rufius, Ludius, Plancine, Philippe, chorus
* "Comme il fait  doux de vivre" - Nonia, Plancine
* "Voyez le maître, il rêve" - Rufius, Ludius
* "Que me veux-tu?" - Ludius, Nonia
* "Je vais lui peindre tes tresses blondes" - Ludius, Nonia
* "Ce bon Ludius" - Nonia, Ludius

### Act 3

* "Tu en es sûr?" - Ludius, Rufius, chorus
* "La nuit te soit propice" - Ludius, Nonia, chorus
* "Elle ne viendra plus maintenant" - Hyacinthe
* "Elle me surprenait toujours avec son rire clair" - Hyacinthe, Nonia
* "Nonia, ma tendrement aimée" - Hyacinthe, Nonia
* "Qu'il est beau?" - Hyacinthe, Nonia, Chrestus
* "Oui, je t'avouerai tout" - Hyacinthe
* "Je savais que tu aimais cette jeune fille" - Chrestus, Hyacinthe
* "Apollon, Pure Lumière" - Chrestus, Hyacinthe, chorus
* "Voici les fleurs cueillies" - Chrestus, Ludius, chorus
* "Prêtre menteur, descends de l'Autel" - Ludius, Hyacinthe, chorus
* "Non, ce n'est pas lui, l'impur!" - Hyacinthe, Chrestus
* "Va vers la vie" - Chrestus, Nonia, chorus
* "Le miracle! Gloire à toi!" - chorus

### Act 4

* "Maître, il va falloir céder la place" - Rufius, Ludius, Nonia, chorus
* "Ces fresques sont nouvelles" - Aulus Vette, Ludius, Aurélie Vette, Hyacinthe, chorus
* "Hyacinthe, devant ton Génie protecteur" - chorus
* "Adonis! Adonis!" - chorus
* "Vénus, fleur marine" - Aulus Vette, Aurélie Vette, chorus
* "Toujours les mêmes baisers" - Hyacinthe, Aulus Vette

### Act 5

* "Toujours ce nom qui revient" - Hyacinthe, Chrestus, Nonia
* "Ah! c'est toi qui surgis de mon rêve" - Hyacinthe, Nonia
* "Le golfe est un autre ciel très bleu" - Nonia, Hyacinthe
* "Les Cigales! Entends, elles se sont éveillées" - Nonia, Hyacinthe
* "Je serai devant toi dansante et souriante" - Nonia, Hyacinthe, chorus
* "Ces chants et les doux sons de la lyre" - Hyacinthe, Nonia, Hibœra, Rufius, Plancine, Ludius, Roman centurion, chorus
* "Les buccins" - chorus
* "Le bel Éphèbe est mort" - chorus
* "Ludions, le peuple vous aime" - Chrestus, chorus
* "Aurélie que la terre te soit légère" - Aurélie Vette, Aulus Vette, Clément Vette, chorus
* "Viens-tu, folle Hibœra?" - Rufius, Hibœra
* "Il a aimé et il était aimé" - Nonia
* "Femme, pourquoi rester ici?" - Ludius, Nonia, chorus
* "Je riais, il me disait" - Nonia, chorus
The Preschool Movie (The Lego Movie)

Pitsada Jattuporn's Movie-Spoof of 2014 Warner Bros Film, "The Lego Movie”.

## Cast:

* Emmet Brickowski - Adam (Adam ❤ Adventure!)
* Wyldstyle/Lucy - Alva (Alva's World)
* Vitruvius - Mayor Garth (Alva's World)
* Batman - Jake (Jake and the Never Land Pirates)
* Unikitty - Yadina Riddle (Xavier Riddle and the Secret Museum)
* Benny the Space Guy - Thomas (Thomas & Friends: All Engines Go)
* Metal Beard the Pirate - Captain Seasalt (Captain Seasalt and the ABC Pirates)
* Lord Business - Robbie Rotten (LazyTown)
* President Business - Sportacus (LazyTown)
* Bad Cop - Shadow/Brooklyn (Baby Shark's Big Show!)
* Good Cop - Brooklyn (Baby Shark's Big Show!)
* Superman - AJ Gadgets (Hero Elementary)
* Green Lantern - Benny Bubbles (Hero Elementary)
* Wonder Woman - Lucita Sky (Hero Elementary)
* Finn (Human) - Peter Pinkerton (Pinkalicious & Peterrific)
* Dad (Human) - Prince Eric (The Little Mermaid)

## Gallery:

Adam as Emmet BrickowskiAlva as Wyldstyle/LucyMayor Garth as VitruviusJake as BatmanYadina Riddle as UnikittyThomas (2021) as Benny the Space GuyCaptain Seasalt as Metal Beard the PirateLord Business as Robbie RottenSportacus as President BusinessShadow as Bad CopBrooklyn as Good CopAJ Gadgets as SupermanBenny Bubbles as Green LanternLucita Sky as Wonder WomanPeter Pinkerton as Finn (Human)Prince Eric as Dad (Human)
Клара

Арт

**Характер.**

Уравновешенная, понимающая девушка, что постарается помочь всем, чем сможет, при том не говоря лишнего, чем идеально подходит для своей работы. Откровений от неё не получить, как бы заботливо и, вроде, открыто себя не вела.
Любительница поболтать с кем-то помимо кукол и Леоны, чем может значительно притормозить учеников в начале.

**Взаимоотношения**

* Ирвин [20/100]. Доброжелательность
* Александра [15/100]. Снисходительность

**Немного фактов:**

* Первый NPC ролевой.
* Одна из NPC, встречающая Учеников после пробуждения.
* Главная медсестра.
The Quaker

Libretto Cover

***The Quaker*** is a comic opera in two acts by Charles Dibdin. It premiered at the Theatre Royal in London on 3 May 1775.

## Musical numbers

**Act 1**

* “Midst thrushes, nightingales" - Lubin
* “Who’s there, I trow?” - Lubin, Cicely
* “I lock’d up all my treasure” - Lubin
* “Women are Will-o’-the-wisps, ‘tis plain” - Lubin
* “A kernel from an apple core” - Gillian
* “While the lads of the village shall merrily, ah!” - Steady
* “I said to myself, now, Floretta, says I” - Floretta
* “The captive linnet, newly taken” - Gillian
* “Regard the instructions, I say” - Steady, Solomon, Lubin, Gillian, Floretta

**Act 2**

* “How! Lubin sad! This is not common” - Floretta, Lubin
* “The face which frequently displays an index of the mind” - Floretta
* “With respect, sir, to you be it spoken” - Lubin
* “In verity, damsel, thou surely wilt find” - Steady
* “Again I feel my bosom bound” - Gillian
* “Let nimble dancers beat the ground” - chorus
Baritone pieces by interpolated pitch

This is a list of pieces which feature a baritone part and the high or low notes that were added to the piece by a singer.

## Highest

### B♭4

* Giuseppe Verdi's Aida, "Ciel! mio padre!" - Robert Weede

### G♯4

* Giuseppe Verdi's Macbeth, Enzo Mascherini
* Giuseppe Verdi's Rigoletto, "Cortigiani, vil razza dannata" - Piero Campolonghi
* Giuseppe Verdi's Rigoletto, "Sì, vendetta, tremenda vendetta" - Piero Campolonghi
* Giuseppe Verdi's Rigoletto, "Chi è mai, chi è qui in sua vece?" - Piero Campolonghi

### G4

* Giacomo Meyerbeer's Les Huguenots, "Eh! mais, plus je le vois" - Andrew Schroeder
* Giuseppe Verdi's Macbeth, "Allora questa voce m'intesi nel petto" - Enzo Mascherini
* Giuseppe Verdi's Macbeth, "Ove son io?" - Enzo Mascherini
* Giuseppe Verdi's Rigoletto, "Pari siamo!" - Piero Campolonghi

### F♯4

* Giacomo Meyerbeer's Les Huguenots, "Des troubles renaissants" - Andrew Schroeder
* Giuseppe Verdi's Rigoletto, "Della vendetta alfin giunge l'istante!" - Piero Campolonghi

## Lowest

### B♭2

* Giacomo Meyerbeer's Les Huguenots, "Bonheur de la table" - Andrew Schroeder
June Anderson

**June Anderson** (born December 30, 1952) is a Grammy Award-winning American lyric coloratura soprano. Originally known for *bel canto* performances of Rossini, Donizetti, and Vincenzo Bellini, she was the first non-Italian ever to win the prestigious Bellini d'Oro prize.

Subsequently, she has extended her repertoire to include a wide variety of other roles, including those from the Russian repertoire and works by Richard Strauss. In 2008, Anderson was elevated to Commandeur of the Ordre des Arts et des Lettres by the French Government and in 2007 received a "Victoire d'honneur" in the Victoires de la musique classique in Paris.

Anderson has performed in noted opera houses including La Scala, Covent Garden, La Fenice, Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago and Teatro Colón. She has collaborated with conductors Leonard Bernstein, James Levine, Charles Dutoit, Zubin Mehta, Riccardo Muti, Seiji Ozawa, Giuseppe Sinopoli, Kent Nagano and Michael Tilson Thomas.
Episode 2

### **Overview**

Tiaguh returns to his home with no results. He eats pancakes, thinking about the emptyness of the meadow around him. He hears scuffle happening, so he investigates and finds Royal.

### **Previously on the Walking Hiro...**

[Xertz]: Tiaguh, leave! You don't wanna get involved!

[Tiaguh]: No... I have to finish this!

[Xertz]: Tiaguh! Don't!

BANG

[Tiaguh]: Time to head for home.

### **PRESENT DAY**

Tiaguh poked at his pancakes, not wanting to eat very much.

[Tiaguh]: Gets a little lonely here sometimes...

Tiaguh takes another bite, then picks up his Ruger and walks out.

From the clearing of the trees, he hears commotion of infected crawling.

[Tiaguh]: Who is that...

He raises his rifle, pointing it to the clearing.

[Tiaguh]: There's someone there... she's in trouble.

Tiaguh breaks through the tree foliage to find a group of infected surrounding a relatively young looking woman.

He fires away at them, taking them all down and finishing the last one off with his hammer.

[Tiaguh]: Are you... okay?

[???]: Yeah.. I'm good.

[Tiaguh]: Well.. what am I supposed to call you?

[Royal]: You can call me... Royal.

### **Trivia**

-Royal used to be a server member before she was banned. For having a NSFW profile picture. Rest in peace, you will be missed.
Elektra

***Elektra***, Op. 58, is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama *Elektra*. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the Königliches Opernhaus in Dresden on 25 January 1909. It was dedicated to his friends Natalie and Willy Levin.

## Musical numbers

* "Wo bleibt Elektra?" - first maid, second maid, third maid, fourth maid, fifth maid, an overseer
* "Allein!" - Elektra
* "Elektra! Ah, das Gesicht!" - Elektra, Chrysothemis
* "Ich kann nicht sitzen und ins Dunkel starren" - Elektra, Chrysothemis
* "Es geht ein Lärm los" - Elektra, Chrysothemis
* "Was willst du? Seht doch, dort!" - Klytaemnestra, Elektra, her confidante, her trainbearer
* "Ich will nichts hören!" - Klytaemnestra
* "Ich habe keine guten Nächte" - Klytaemnestra, Elektra
* "Lässt du den Bruder nicht nach Hause?" - Elektra, Klytaemnestra
* "Orest! Orest ist tot!" - Chrysothemis, Elektra, a young servant, an old servant
* "Wie stark du bist!" - Elektra, Chrysothemis
* "Was willst du, fremder Mensch?" - Elektra, Orest
* "Es rührt sich niemand!" - Elektra, Orest, Orest's tutor
* "Ich habe ihm das Beil nicht geben können!" - Elektra, first maid, second maid, third maid, fourth maid, Chrysothemis, chorus
* "He! Lichter!" - Aegisth, Elektra, Chrysothemis, chorus
* "Ob ich nicht höre?" - Elektra, Chrysothemis, chorus
Enrico Caruso

**Enrico Caruso** (25 February 1873 – 2 August 1921) was an Italian operatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) from the Italian and French repertoires that ranged from the lyric to the dramatic. One of the first major singing talents to be commercially recorded, Caruso made 247 commercially released recordings from 1902 to 1920, which made him an international popular entertainment star.
Le beau Dunois

Sheet music cover

***Le beau Dunois*** is an opéra bouffe in one act by Charles Lecocq to a French libretto by Henri Chivot and Alfred Duru. It premiered on 13 April 1870 at Théâtre des Variétés in Paris.

## Roles

 Lahire, *Loyse's husband* | baritone (D3-F4)
 Caprican, *Lahire's butler* | trial tenor (D3-G4)
 Loyse, *Lahire's wife* | dugazon soprano (D4-B5)
 Odette, *a young milkmaid* | soubrette soprano (D4-G5)

## Musical numbers

* "Gens du village" - Caprican, chorus
* "Petite laitière" - Odette, Caprican, chorus
* "Voudrais aimer" - Loyse
* "Dans les quatre coins de la France" - the Knight of the Nois, chorus
* "À la bataille élançons-nous" - Loyse, Lahire, the Knight of the Nois, chorus
* "Cher ami je te la confie" - Lahire, the Knight of the Nois, Loyse
* "A la bonne heure" - Lahire, Loyse, the Knight of the Nois, chorus
* "Et bon, et bon, et bon, bon, bon" - Lahire, Loyse, the Knight of the Nois, chorus
* "Avoir l'air de me dire en face" - Loyse
* "O mon Lubin, mon cher berger" - Loyse, the Knight of the Nois
* "La vie à jeun est bien morose" - the Knight of the Nois, Odette, Caprican, Lahire, Loyse
* "Un soufflet" - the Knight of the Nois, Odette, Caprican, Lahire, Loyse
* "D'une pareille conduite" - the Knight of the Nois, Odette, Caprican, Lahire, Loyse
* "Laissez-moi me percer le flan" - Loyse, the Knight of the Nois, Lahire, Caprican, chorus
La muette de Portici

***La muette de Portici*** (*The Mute Girl of Portici*, or *The Dumb Girl of Portici*), also called ***Masaniello*** in some versions, is a grand opera in five acts by Daniel Auber, with a libretto by Germain Delavigne, revised by Eugène Scribe. It had its premiere on 29 February 1828 at Salle Le Peletier in Paris.

## Musical numbers

**Act 1**

* "Du prince, objet de notre amour" - Alphonse, chorus
* "Lorenzo, je te vois, réponds" - Alphonse, Lorenzo, chorus
* "Plaisirs du rang suprême" - Elvire
* "Dans ces jardins quel bruit?" - Elvire, Selva
* "Que ces gestes parlons" - Elvire, Lorenzo
* "Ô Dieu puissant ô Dieu tutélaire" - Selva, chorus
* "Ils sont unis!" - Elvire, Alphonse, Lorenzo, Selva, chorus

**Act 2**

* "Amis, le soleil va paraître!" - Masaniello, Borella, chorus
* "Amis, la matinée est belle!" - Masaniello, Borella, chorus
* "Mais j'aperçois Pietro" - Masaniello, Pietro
* "Mieux vaut mourir que rester misérable" - Masaniello, Pietro
* "Que vois-je?" - Masaniello
* "Venez amis venez partager mes transports" - Masaniello, Borella, Pietro, chorus

**Act 3**

* "N'espérez pas me fair!" - Alphonse, Elvire
* "Mais cette jeune infortunée" - Alphonse, Elvire
* "Au marché qui vient de š'ouvrir" - chorus
* "Non je ne me trompe pas" - Selva, Masaniello, Pietro, Borella, chorus
* "Saint bienheureux!" - Masaniello, Pietro, Borella, chorus
* "Courons à la vengeance!" - Masaniello, Pietro, Borella, chorus

**Act 4**

* "Spectacle affreux" - Masaniello
* "Et cependant pour eux" - Masaniello
* "Mais ou vient!" - Masaniello, Pietro, chorus
* "Ah! qui que vous soyez" - Alphonse, Elvire
* "Arbitre d'une vie!" - Elvire
* "Des étrangers dans ma chaumière" - Masaniello, Alphonse, Pietro, Elvire
* "Oui, tu nous l'as promis!" - Pietro, Alphonse, Masaniello, chorus

**Act 5**

* "Voyez du haut de ces rivages" - Pietro, chorus
* "Ou vient, silence amis!" - Pietro, Borella, Masaniello, chorus
* "N'approchez pas!" - Elvire, Borella, Alphonse, chorus
Ah! quel plaisir, ah! quel beau jour!

***Ah! quel plaisir, ah! quel beau jour!*** is a duet from act 1 of the opéra comique Cendrillon by Nicolas Isouard. It is sung by Clorinde and Tisbé. The vocal range needed for Clorine is low A3 to high C6, and the range needed for the part of Tisbé is a low B♭3 to the high B♭5. The part of Clorinde in this duet features a near two-octave tessitura (C4 to B♭5), while Tisbé has the tessitura of E♭4 to A♭5 in this piece.

## Interpolations

* In a recording of *Cendrillon* from 1957, the soprano Margot Risa interpolates a short high E6 in a coloratura phrase and a sustained E♭6 at the end of the duet.
* The soprano Hyeree Shin does a sustained high E-flat near the end of the duet in a 2018 recording.
Le jardinier et son seigneur

**Le jardinier et son seigneur** is an opéra comique in one act by Léo Delibes to a French libretto by Théodore Barrière. It premiered on 5 January 1863 at Théâtre Lyrique in Paris.

## Roles

 Baron
 Marcasse
 Tiennette
 Margot

## Musical numbers

* "V’la huit grands jours qu’un coquin d’lièvre" - Jean Maclou
* "Quand quelqu’chos’ vous tracasse" - Petit-pierre
* "Pourquoi done maltraiter c’garçon" - Tiennette, Petit-pierre, Margot, Jean Maclou
* "Restez douc la près d’votre amant" - Tiennette, Petit-pierre
* "Vive le bruit vive le chasse" - Tiennette, Petit-pierre, Margot, Baron, Jean Maclou, Marcasse, chorus
* "Il est un vieux dicton" - Marcasse
* "Pendant que mon père est en chasse" - Tiennette, Margot, Baron, Marcasse
* "Quand le jour s’ra v’nu" - Tiennette, Petit-pierre, Margot, Baron, Jean Maclou, Marcasse (B2)
Bass pieces by interpolated pitch

### A♭4

* Giuseppe Verdi's La Traviata, "Ne rispondi d'un padre all'affetto?" - Piero Campolonghi

### G4

* Giacomo Meyerbeer's Les Huguenots, "En mon bon droit j'ai confiance" - Marcus Bindel
* Giacomo Meyerbeer's Les Huguenots, "Par le fer et par l'incendie" - Marcus Bindel

### F4

* Giacomo Meyerbeer's Les Huguenots, "Ma fille! Quelle audace!" - Marcus Bindel
* Vincenzo Bellini's I Puritani, "Suoni la tromba" - Roberto Silva

## Lowest

### D2

* Giuseppe Verdi's Rigoletto, "Venti scudi hai tu detto?" - Ignacio Ruffino
La botte secrète

Sheet music cover

***La botte secrète*** is an operas bouffe in one act by Claude Terrasse to a French libretto by Maurice Étienne Legrand. It premiered on 27 January 1903 at Théâtre des Capucines in Paris.

## Roles

 Hector
 the Prince
 Mr. Edmond

## Musical numbers

* "Voulez-vous" - Mr. Edmond, the Princess, the Prince
* "Il est un endroit" - the Prince, the Princess
* "Toutes les femmes" - Hector
* "Moi qui suis" - the Sewer
* "Le ciel était serein" - the Princess
* "Permittez que" - the Princess, Hector
* "J'suis p't'êt' bien" - the Sewer
* "Toute à l'égout" - the Princess, the Sewer
* "Morbleu" - the Prince, the Princess, Hector, the Sewer
* "Maintenant" - the Princess, the Sewer, the Prince, Hector, Mr. Edmond
De votre serin, ô Sylvie

***De votre serin, ô Sylvie*** is a tenor aria from act 3 of the opéra comique Ninette by Charles Lecocq. It is sung by Mélicerte. The vocal range is F3 to F5, out of which everything above A4 is head voice. This aria features a long countertenor singing section where the F5 appears. The tessitura needed for this piece is around G3 to A4, with the F5 in head voice.

## Libretto

De votre serin ô Sylvie
Chaem devrai etre jaloux,
Toujours et partout avec vois,
Quel sortest plus digned'envie
Cui, cui, cui, cui, cui.
cui, cui, cui, cui, cui.
Mais hélas, meme au plus beau jour
Il est seul et l'ennui le gagne
Ni le bonheur, ni le bonheur qui l'accompagne,
Ni le plaisir qui l'accompagne,
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui, cui.
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui, cui.
Ce qu'il veut c'est ouvrir sa cage
Pourqu'y pénétre un bel oiseau
Avec lequel amoroso
On chante àdeux la doux langage:
Cui, cui, cui, cui, cui.
Cui, cui, cui, cui, cui.
Hein! Sylvie alors quel beau jour
Temps perdu vite on te regagne:
Ah! comme il connaitra,
Il connaitra l'amour
Et le bonheur et le bonheur qui l'accompagne
Et le bonheur qui l'accompagne!
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui, cui.
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui, cui.

Of your canary, oh Sylvie
Chaem should be jealous,
Always and everywhere with see,
What fate is more worthy of envy
Cui, cui, cui, cui, cui.
cui, cui, cui, cui, cui.
But alas, even on the best day
He's alone and boredom wins him
Nor happiness, nor the happiness that accompanies it,
Nor the pleasure that accompanies it,
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui, cui.
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui, cui.
What he wants is to open his cage
For a beautiful bird to enter
With which loving
We sing the sweet language together:
Cui, cui, cui, cui, cui.
Cui, cui, cui, cui, cui.
Huh! Sylvie what a beautiful day
Time lost quickly is returned to you:
Ah! as he will know,
He will know love
And the happiness and the happiness that comes with it
And the happiness that comes with it!
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui, cui.
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui
Cui, cui, cui, cui, cui.
Armida (Rossini)

***Armida*** is an opera in three acts by Italian composer Gioachino Rossini to an Italian libretto by Giovanni Schmidt, based on scenes from *Gerusalemme liberata* by Torquato Tasso.

## Musical numbers

**Act 1**

* "Lieto, ridente oltre l'usato" - chorus
* "Ah no! sia questo di tregua il giorno" - Eustazio
* "Arditi, all'ire farem ritorno" - Goffredo, chorus
* "Sì, guerrieri, fian sacre" - Goffredo
* "Germano, a te richiede" - Eustazio, Goffredo, chorus
* "Signor, tanto il tuo nome" - Armida, Goffredo, Idraote, Eustazio
* "Or che farò?" - Goffredo, Eustazio, Armida, Idraote
* "Cedei, guerrieri è ver" - Goffredo, Eustazio, Gernando, Armida, Idraote
* "Non soffrirò l'offesa" - Goffredo
* "Viva Rinaldo!" - Gernando, chorus
* "Grata quest'alma!" - Rinaldo, Armida
* "Vacilla a quegli accenti" - Rinaldo, Armida
* "Ah! non poss'io resistere!" - Rinaldo, Armida
* "Ecco il guerriero, il duce" - Gernando, Rinaldo, chorus
* "Se pari agli accenti" - Rinaldo, Gernando, Armida, chorus
* "Deh! Se cara a te son io" - Rinaldo, Gernando, Armida, Goffredo, chorus

**Act 2**

* "Alla voce d'Armida possente" - chorus
* "Sovrumano potere" - Astarotte
* "Di ferro e fiamma cinti" - Astarotte, chorus
* "Dove son io?" - Rinaldo, Armida
* "Mio ben, questa che premi" - Armida, Rinaldo, chorus
* "No! d'amor la regia é questa" - Armida, chorus
* "Canzoni amorose" - chorus
* "D'amore al dolce impero" - Armida, chorus

**Act 3**

* "Come l'aurette placide" - Ubaldo, Carlo
* "Ah quanto amico d'ascolone al saggio" - Ubaldo, Carlo, chorus
* "Fuggite, inferni mostri" - Ubaldo, Carlo
* "Soavi catene se amore v'ordi" - Armida, Rinaldo
* "O mio Rinaldo, ammira" - Armida, Rinaldo
* "Lo splendor di que'rai" - Rinaldo, Ubaldo, Carlo
* "In quale aspetto imbelle" - Rinaldo, Ubaldo, Carlo
* "Sia lode al ciel!" - Rinaldo, Ubaldo, Carlo, Armida
* "Se al mio crudel tormento" - Armida, Rinaldo, Ubaldo, Carlo
* "Dove son io? fuggi, fuggi!" - Armida, chorus
Le baiser à la porte

**Sauvons la caisse** is a salon operetta in one act by Charles Lecocq. It premiered on 26 March 1864 at Théâtre des Folies-Marigny in Paris, with libretto by Jules de La Guette.

## Roles

 Fanny, *his wife* | soprano (B3-A5)
 Marcel de Tourville
 Estelle, *his wife* | mezzo-soprano

Solo pieces (except the two quartets) for *Marcel de Tourville* and *Estelle* were cut from the final operetta hence they do not appear in the score.

## Musical numbers

* "Ce cher ami, cela fait, peine" - Fanny
* "Et je ne puis en conscience" - Robin, Fanny
* "Pour moi la chose est claire" - Robin, Fanny
* "Entrenous jamais de nuage" - Robin, Fanny
* "Eh! bien pour tous je propose" - Robin, Fanny
* "Sans un mot de plaidoirie" - Robin, Fanny, Marcel de Tourville, Estelle
* "Si vous êtes satisfaits" - Robin, Fanny, Marcel de Tourville, Estelle
Sandmann war da!

***Sandmann war da!*** is a duet from act 2 of the fairy-tale opera Hänsel und Gretel by Engelbert Humperdinck. It is sung by Hansel and Gretel. The vocal range needed for Hansel is low B3 to middle D5, and the range needed for the part of Gretel is a low D4 to the middle G5. The part of Hansel in this duet features a C4-C5 tessitura, while Gretel has the tessitura of D4-F5 in this piece.
Velvet Coco

Velvet Coco is Coco's Valentine's Day alter-ego.

## Appearance

Velvet Coco is basically just Coco with red butterfly wings, a red crown and two red hairpins on the opposite sides of her head. She wears a red top and a black skirt with a white belt furled around her lower waist. She wears black ballet shoes on the top and red soles on the bottom
Les rendez-vous bourgeois

***Les rendez-vous bourgeois*** is an opéra comique in one act by Nicolas Isouard to a French libretto by François-Benoît Hoffmann. The work was first performed by the Opéra-Comique at the Salle Feydeau in Paris on 9 May 1807.

## Synopsis

The action takes place in 1807 in the living room of a country house, near the forest of Bondy.

Dugravier lives with his daughter Reine, his niece Louise and his servants Julie and Bertrand. The latter is in love with Julie but she favours Jasmin, a valet in a nearby house, visiting the Dugravier home.

Dugravier decides to go to Paris with Bertrand to arrange marriages for Reine and Louise with the sons of two rich gentlemen. They depart at nightfall, through the bandit-ridden forest.

With Dugravier gone, Louise confides to Julie that she has a lover, Charles, with whom she has an assignation that night, while Reine confesses that she too is to meet her own César. Charles, César and Jasmin hide upon the unexpected return of Dugravier, who says that he has met brigands on his way. The three young men then escape through a window, but return shortly after, claiming to have fought off the imaginary bandits. They introduce themselves as the two sons of the Parisians, and Dugravier gratefully agrees to all three marriages.

## Musical numbers

* "Autrefois, pour plus d'un maître" - Jasmin
* "N'ose pas approcher" - Julie, Bertrand, Jasmin
* "Mon père! mon oncle!" - Reine, Louise, Julie, Dugravier, Bertrand
* "Quoi! rien n'a pu vous animer" - Julie
* "Tous les jours il me regardait" - Louise
* "Allons, plus de tristesse" - Julie
* "Je pense toujours au moment" - Louise, Charles
* "Fortune en ce monde" - César
* "Un moment de gêne" - Jasmin, César, Charles
* "En ce monde, je l'admire" - Dugravier, Louise, Charles, César, Reine, Jasmin, Bertrand
Ein Männlein steht im Walde ganz still und stumm

***Ral la la la, ral la la la, Heissa Mutter, ich bin da!*** is a duet with a chorus from act 2 of the fairy-tale opera Hänsel und Gretel by Engelbert Humperdinck. It is sung by Hansel and Gretel. The vocal range needed for Hansel is low A3 to high A5, and the range needed for the part of Gretel is a low C4 to the high A5. The part of Hansel in this duet features a C4-G♭5 tessitura, while Gretel has the tessitura of D4-A5 in this piece.
Nun Jüngelchen ergötze dein Züngelchen

***Sich da, der faule Siebenschläfer!*** is an aria from act 3 of the fairy-tale opera Hänsel und Gretel by Engelbert Humperdinck. It is sung by the Gingerbread Witch (mezzo-soprano). The vocal range needed for this piece is from the low B♭3 to high B♭5, and the tessitura needed is the middle C4 to the high G5.
Adelasia e Aleramo

***Adelasia e Aleramo*** is a melodramma serio in two acts by Simon Mayr to an Italian libretto by Luigi Romanelli. It premiered on 26 December 1806 at La Scala in Milan.

## Roles

 Adelaide, *their daughter* | soprano (A3-C6)
 Rambaldo, *Otto's confidant* | bass
 Roberto, *Aleramo's brother* | tenor

## Musical numbers

* "Evviva il colle, il prato" - chorus
* "Compagni, eccomi a voi: dove voi siete" - Aleramo, chorus
* "Figli.... di mie vicende" - Adelaide
* "Non più di mie vicende la più spietata è il mio timor" - Adelaide, Aleramo
* "Usi a versare il sangue" - Otto, chorus
* "Come salvarmi oh Dio" - Teofania
* "Fermati ascolta eccoti il sen col ferro" - Adelaide, Otto
* "Si addio miseri figli se cercher" - Aleramo
* "Io tu che intesi barbaro" - Aleramo, Otto
* "Oh vista e questi" - Otto, Adelaide, Teofania, Roberto, Rambaldo, chorus
* "Eccomi omai vi cino del mio viver" - Aleramo
* "Qual calpestio!" - Aleramo, Adelaide
* "Odi fragor... qual improvisa luce" - Adelaide, Aleramo, Otto
* "Fra l'ombre secrete" - Rambaldo, chorus
* "Del genitor non ama i nemici una figlia" - Otto, Adelaide, chorus
Ral la la la, ral la la la, Heissa Mutter, ich bin da!

***Ral la la la, ral la la la, Heissa Mutter, ich bin da!*** is a duet from act 1 of the fairy-tale opera Hänsel und Gretel by Engelbert Humperdinck. It is sung by Gertrud and Peter. The vocal range needed for Peter is low B♭2 to high A4, and the range needed for the part of Gertrud is a low C4 to the high A♭5. The part of Clorinde in this duet features a D3-F4 tessitura, while Gertrud has the tessitura of E4-G5 in this piece.
L'amour et son carquois

Sheet music cover

**L'amour et son carquois** is an opéra bouffe in two acts by Charles Lecocq, which premiered in 1868 at Théâtre de l'Athénée in Paris, with libretto by Octave-Philodème Marquet.

## Roles

 L'Amour

## Musical numbers

**Act 1**

* "Être esclave chez un professeur" - Laudanum
* "Hélas! qui donne pourra me dire" - Thisbé
* "Ici nous nous pressons" - chorus
* "Fair des bêtises ah! quel bonheur!" - L'Amour
* "Hi! han! hi! han!" - chorus
* "Rendons justice à la science" - Thisbé, L'Amour
* "Tu fais bien d'emprunter des charmes" - Zéphir
* "Nous allons voyager en Grèce" - Thisbé, L'Amour, Zéphir, chorus

**Act 2**

* "Oui, la folie" - students, chorus
* "Enfin nous voici dans Athènes" - Thisbé, L'Amour, Zéphir
* "À table à table" - L'Amour
* "Ça va mieux" - Chrysidès, chorus
* "Est-ce à moi de vous apprendre" - Thisbé, Chrysidès
* "Enfin nous tenons son secret" - Thisbé, Chrysidès, L'Amour, Zéphir, Laudanum, chorus