recursal/Fanatic-Fandom huggingface dataset:
Playboy Hottie SG

The **Playboy Hottie SG** was a limited run released in 2003, in conjunction with Playboy Magazine to celebrate the magazine's 50th anniversary. It was built by the Custom Shop and is based on a Historic 1961 Les Paul / SG Standard Reissue.

## Features

**Body:**

* Solid Honduran Mahogany body
* Historic deep beveling
* Angled heel
* Tapered horn tips
* One-piece construction
* Nitrocellulose Lacquer finish

**Neck:**

* 1-pc quartersawn Honduran Mahogany
* 1960 Slim Taper C profile (.830" / .960")
* Set-in construction
	+ Joins body at 22nd fret
	+ 3 degree pitch
* Indian Rosewood fretboard
	+ Aluminum trapezoid inlays
	+ 12" radius
* Medium Open Book headstock w/ Holly veneer
	+ Inlaid Mother of Pearl Gibson logo
	+ Inlaid Mother of Pearl Bunny Head
	+ 17o pitch
* 22 medium-jumbo frets
* 24 5/8" scale
* Nylon nut
* 1 11/16" nut width

**Binding:**

* Single-ply, neck
* Thinner vintage-style
* Fret-edge binding
* Tortoise cellulose dot markers

**Electronics:**

* '57 Classic Humbuckers
	+ AlNiCo II magnets
	+ ~7.9k Ohms DCR
	+ Nickel plated covers
		- "Playboy" engraved neck cover
* Switchcraft 3-way switch
* 2 Vol, 2 Tone
	+ CTS 500k vintage audio taper pots
	+ Ceramic "disk" capacitors

**Hardware:**

* Nickel hardware
* Grover Rotomatic tuning machines
	+ 14:1 ratio
	+ Manufactured by Ping
* Aluminum "Hottie" plaque
* Switch ring delete
* Bell shaped truss rod cover
	+ 2-ply, standard bevel angle
	+ Blank
* Black Bell knobs
* ABR-1 Tune-O-Matic bridge
* Aluminum stopbar tailpiece

**Finishes:**

* Cardinal Red
SG Special Single Coil Limited

The **SG Special Single Coil Limited** was a 2016 limited run model.

**Related:**

* SG Naked
* SG CM Black

## Features

* $1,299 Street

**Body:**

* Beveled, solid Honduran Mahogany body
* Satin nitrocellulose lacquer
	+ No grain filler (open pores)

**Neck:**

* 1-pc quartersawn Honduran Mahogany
* '50s Rounded profile
* Set-in construction
	+ Joins body at 19th fret
* Indian Rosewood fretboard
	+ Acrylic dot inlays
	+ Increased thickness
	+ 12" radius
* Open Book headstock
	+ Silkscreened Gibson logo
	+ Silkscreened Crown
	+ 17o pitch
* 24 frets
* 24 5/8" scale
* Tektoid self-lubricating nut
	+ Cut by Plek machine
* 1 11/16" nut width

**Electronics:**

* Two P-90SR/P-90ST+ pickups
	+ AlNiCo V magnets
	+ 7.5K (neck) 7.9K (bridge) Ohms DCR
	+ Black plastic covers
* 3-way switch
* 1 Vol, 1 Tone

**Hardware:**

* Nickel hardware
* TonePros "Kluson Deluxe" tuning machines
	+ 15:1 ratio
	+ White oval buttons
* Bell shaped truss rod cover
	+ 2-ply b/w
* Black Bell knobs
* Nashville Tune-O-Matic bridge and stopbar tailpiece

**Finishes:**

* Vintage Sunburst
SG Futura

The **SG Futura** was a model released only for the 2014 model year.

**Related:**

* 2014 SG Special

## Features

* $1,029-$1,143 Street
* $789 Street (Blemished)

**Body:**

* Beveled, solid Mahogany body
* Nitrocellulose Lacquer finish
	+ "Vintage Gloss" satin sheen

**Neck:**

* 1-pc Maple
* 1961 Slim Taper D profile (.800" / .875")
* Set-in construction
	+ 5 degree angle
	+ Franklin Titebond 50 glue
	+ Joins body at 19th fret

* Indian Rosewood fretboard
	+ Acrylic dot inlays
	+ 120th Anniversary banner inlay at 12th fret
	+ 12" radius
* Narrow Open Book headstock
	+ Silver Gibson logo silkscreen
	+ Silver Crown silkscreen
	+ "Made in U.S.A." stamp
	+ 17o pitch
* 24 frets
	+ Cryogenically tempered
	+ Leveled by Plek machine
* 24 9/16" scale
* TekToid self-lubricating nut
	+ Slots cut by Plek machine
* 1 11/16" nut width

**Electronics:**

* P-90H Sidewinder (neck) & Burstbucker 3 (bridge)
	+ AlNiCo V (neck) & AlNiCo II (bridge) magnets
	+ ~15.5k (neck) & ~8k (bridge) Ohms D.C.R.
	+ Chrome covers
* 3-way switch
* 15 db boost mini-toggle
* 2 Vol, 2 Tone
	+ 2 Push/Pull coil taps
	+ CTS 500k audio taper pots
	+ "Quick-Connect" circuit board

**Hardware:**

* Chrome Hardware
* Min-ETune automatic tuning system
	+ 40:1 ratio
	+ Yellow Keystone buttons
* Single-ply black "Angel Wing" pickguard
* Bell shaped truss rod cover
	+ Single-ply black
	+ White "ETuneTM" hot stamp
* Black "notched" Speed knobs
* Zamak Nashville Tune-O-Matic bridge & stopbar tailpiece

**Finishes:**

* Brilliant Red Fade (Translucent)
* Plum Insane Fade
* Pacific Blue Fade (Translucent)
* Inverness Green Fade
* Bullion Gold Fade
* Champagne Fade
SG Exclusive

The **SG Exclusive,** produced in 1979, was the first limited run SG model ever produced. It was supposedly meant to be limited to 500 units, but it is said that only 478 were actually produced.

A prototype for this model has surfaced, with the notable differences from the final model being a Silverburst finish, no pickguard and black plastic parts instead of cream.

For the **SG *Standard* Exclusive**, see **here**.

## Features

**Body:**

* Beveled, solid Honduran Mahogany body
* Nitrocellulose Lacquer finish

**Neck:**

* 3-pc laminated Honduran Mahogany
* .780" / .990" profile
* Set-in construction
	+ 3 degree angle
	+ Titebond glue
	+ Joins body at 20th fret

* Indian Rosewood fretboard
	+ Small block inlays
	+ 12" radius
* Volute
* Large Open Book headstock
	+ Resin impregnated fiberboard veneer
	+ Inlaid Mother of Pearl Gibson logo
	+ Inlaid Mother of Pearl crown
	+ "Made in U.S.A." stamp
	+ 17o pitch
* 22 frets
* 24 9/16" scale
* Brass nut
* 1 9/16" nut width

**Binding:**

* Neck
* Fret-edge binding
* Thinner style

**Electronics:**

* Two Dirty Fingers humbuckers
	+ Three Ceramic magnets
	+ ~16k Ohms D.C.R.
	+ Double cream bobbins

* 3-way switch
* Master Vol, 2 Tone, Rotary coil tap
	+ CTS 300k pots

**Hardware:**

* Chrome Hardware
* Grover Rotomatic tuning machines
	+ 14:1 ratio
	+ Keystone buttons
* Single-ply cream "Angel Wing" pickguard
* Bell shaped truss rod cover
	+ 2-ply b/w with "Exclusive" engraving
* Gold Reflector knobs
* Schaller "Harmonica" Tune-O-Matic bridge
* TP-6 fine-tuning stopbar tailpiece

**Finishes:**

* Ebony

## 1978 Prototype

**Body:**

* Beveled, solid Honduran Mahogany body
* Nitrocellulose Lacquer finish

**Neck:**

* 3-pc laminated Honduran Mahogany
* .780" / .990" profile
* Set-in construction
	+ 3 degree angle
	+ Titebond glue
	+ Joins body at 20th fret

* Indian Rosewood fretboard
	+ Small block inlays
	+ 12" radius
* Volute
* Large Open Book headstock
	+ Resin impregnated fiberboard veneer
	+ Inlaid Mother of Pearl Gibson logo
	+ Inlaid Mother of Pearl crown
	+ "Made in U.S.A." stamp
	+ 17o pitch
* 22 frets
* 24 9/16" scale
* Brass nut
* 1 9/16" nut width

**Binding:**

* Neck
* Fret-edge binding
* Thinner style

**Electronics:**

* Two Dirty Fingers humbuckers
	+ Three Ceramic magnets
	+ ~16k Ohms D.C.R.

* 3-way switch
* Master Vol, 2 Tone, Rotary coil tap
	+ CTS 300k pots

**Hardware:**

* Chrome Hardware
* Grover Rotomatic tuning machines
	+ 14:1 ratio
	+ Keystone buttons
* Bell shaped truss rod cover
	+ 2-ply b/w, blank
* Black Speed knobs
* Schaller "Harmonica" Tune-O-Matic bridge
* TP-6 fine-tuning stopbar tailpiece

**Finishes:**

* Silverburst
Aria ES

The **Aria Diamond ES-175** was an SG copy introduced somewhere between 1971 and 1974 as a new entry-level offering to slot below the existing 1922 model. It was part of the lower-priced Diamond brand and was made in Japan by Matsumoku.

This model was also branded as **Westminster** and **Fantom**, either model **SG-250** (1976) or **SG-300** (1977).

## Features

* 25,000 Yen (1976)
* 30,000 Yen (1977)

**Body:**

* Beveled, solid Nato body
* Pancake construction
* Rowan top & back veneers (Fantom)
* Polyurethane finish

   **Neck:**

* 1-pc quartersawn Nato
* Bolt-on construction
	+ Joins body at 17th fret

* Rosewood fretboard
	+ Acrylic pearloid dot inlays
	+ 12" radius
* Open Book headstock (~1972-1973)
	+ Silk-screened logo
* Generic headstock (1974-early 1978)
	+ Silk-screened logo
* Epiphone headstock (Circa late 1978)
	+ Silk-screened logo
* 21 frets
* 24 3/4" scale
* 1 9/16" nut width???

**Electronics:**

* Two single coil pickups
	+ Humbucker style covers
	+ 3 adjustment screws (~1973-1977)
* 3-way switch
* 2 Vol, 2 Tone

**Hardware:**

* Chrome Hardware
* Individually enclosed tuning machines
	+ Yellow Keystone buttons (~1972-1973)
		- Double ring
	+ Metal Keystone buttons (1974-1978)
* 4-ply Batwing style pickguard (~1972-1973)
* 4-ply Angel Wing style pickguard (1974-1978)
* Bell shaped truss rod cover
	+ 2-ply b/w
	+ 3 screws
* Cort-style truss rod cover (early 1978)
	+ 2-ply b/w
	+ 3 screws
* Black Amp knobs
* Tune-O-Matic style bridge
* Stopbar tailpiece

**Finishes:**

* Burgundy / Cherry Wine
* Walnut
* White
SG Custom Exotic

The **SG Custom Exotic** was a limited run model released in 2003. Production numbers are unknown.

## Features

**Body:**

* Solid Oak top and Korina back
* Angled heel
* Historic deep beveling
* Tapered horn tips
* Nitrocellulose Lacquer finish
	+ Aniline dye

**Neck:**

* 1-pc quartersawn Korina
* 1960 Slim Taper C profile (.830" / .950")
* Set-in construction
	+ Joins body at 22nd fret
* Ebony fretboard
	+ Mother of Pearl block inlays
	+ 12" radius
* Medium Open Book headstock w/ Holly veneer
	+ Inlaid Mother of Pearl Gibson logo
		- Classic font style
	+ Inlaid Mother of Pearl split diamond
	+ 17o headstock pitch
* 22 frets
* 24 5/8" scale
* Nylon nut
* 1 11/16" nut width

**Binding:**

* Single-ply, neck
	+ Thicker style
	+ Fret-edge binding
* Multi-ply, headstock

**Electronics:**

* Three '57 Classic humbuckers
	+ AlNiCo II magnets
	+ ~7.9k Ohms DCR
* 3-way switch
* 2 Vol, 2 Tone
	+ CTS 500k pots

**Hardware:**

* Gold hardware
* Grover "Gibson Deluxe" tuning machines
	+ 14:1 ratio
	+ Green Keystone buttons
	+ Screw-in bushings
	+ Manufactured by Ping
* 3-ply "Angel Wing" pickguard
	+ Wide bevel angle
* Bell shaped truss rod cover
	+ 2-ply, wide bevel angle
	+ "Les Paul Custom" engraving
* 3-ply tenon cover w/ "Les Paul Custom" engraving
* Black/Gold Reflector knobs w/ pointers
* ABR-1 Tune-O-Matic bridge
* Aluminum stopbar tailpiece

**Finishes:**

* Antique Natural
718Tony

718Tony is a mechanic whose name increases every time he successfully fixes a ship. He has one big hand and one little hand. The little had has a Phillips head screwdriver as the pinky and a flathead as the ring finger. One of his feet is a cloud of vapour. He has a wife - Suzanne - and two children - Veronica and Tony Jr.. He also cares for all of his nieces and nephews as his brothers and sisters are dead. In total he has 47 children. He has pearly blue teeth. He dies while fixing Pleck's watch.
Dark Profile Format

❝**Besides, in the mean, mean time**,

**I'm just dreaming of tearing you apart.**

**I'm in the de-details, with the devil —**

**I'm a young lover's rage, gonna need a spark to ignite.❞**

File:ArbitersWrathPageDivider1.png
ABOUT ME

File:ArbitersWrathPageDivider1.png

I'm Lethosphere, but I usually go by Tara. I live in India and I'm pretty young. I currently reside in AmazonClan, therefore, any requests to join your group will be politely declined. You will usually find me reciting Satanic chants *or*screaming out lyrics. I listen to all genres of music; from indie to rock.I also love to debate on political/serious issues, that is, when I know I've gotten a headstart. I'm a novelist on Wattpad and I will be partaking in the Wattys2018 with my book.**Want to know more? Message me on my Message Wall!**

WATTPAD

I've been on Wattpad since December, 2010 and I've seen a **lot**of change in writing, how developed this app has become. The world of Wattpad is a new definition to underworld; the lost boys, werewolves, abductions. I find none better than the writers who have broken the genre records, implemented new series and won the Wattys. The call for Wattpad is destruction, unless, you can imagine. You don't see born writers on Wattpad, but you'll see their development and their achievements to boast. There's more to this little app than just reading and writing.

CONTACT ME
Animal Jam — Lethosphere
OR
 Template:Avatar

JAYDEN

The term Indentured Servant, alongside coding or any other task, refers to where one shall do your given task and in return, you must give something back. I do take coding requests as well as any other requests, for joining your group's little plot or helping with anxiety/stress. The tasks include anything possibly appropriate and in return, I shall ask for my pay; whether it be an item or taking up you as my servant for a given time period. Got anything to ask for? Message me on my Message Wall!
SG Standard '61

The **SG Standard '61** was a Guitar Center and Musician's Friend exclusive model produced in 2014. It was the same as the 2014 Standard but without Min-E-Tune, the 12th fret banner inlay and the circuit board. It was essentially bringing back the 2013 Standard as a limited run, with the addition of coil splitting.

In 2019, a new model was introduced with the same name, effectively replacing the '61 Reissue. For that model, see the main page for the SG Standard.

## Features

* $1,399 Street
* $1,629 Street (Cherry)

**Body:**

* Beveled, solid Honduran Mahogany body
	+ Grade A Mahogany (Translucent finishes)
	+ Deeper beveling
* Nitrocellulose Lacquer finish

**Neck:**

* 1-pc quartersawn Honduran Mahogany
* Set-in construction
	+ 3 degree angle
	+ Franklin Titebond 50 glue
	+ Joins body at 22nd fret

* 1961 Slim Taper D profile (.810/.900")
* Indian Rosewood fretboard
	+ Trapezoid inlays
	+ 12" radius
	+ Grade A Rosewood
* Narrow Open Book headstock w/ fiber veneer
	+ Inlaid Mother of Pearl Gibson logo
	+ Inlaid Mother of Pearl crown
	+ "Made in U.S.A." stamp
	+ 17o headstock pitch
* 22 frets
* 24 9/16" scale
* TekToid self-lubricating nut
	+ Cut by Plek machine
* 1 11/16" nut width

**Binding:**

* Neck, single-ply

**Electronics:**

* Two '57 Classic Humbuckers
	+ AlNiCo II magnets
	+ ~7.9k Ohms D.C. resistance
* 3-way switch
* 2 Vol, 2 Tone
	+ Push/Pull coil split
	+ 500k non-linear

**Hardware:**

* Chrome Hardware
* TonePros "Kluson Deluxe" tuning machines
	+ 15:1 ratio
	+ Green Keystone buttons
* 5-ply "Angel Wing" pickguard
* Bell shaped truss rod cover
	+ 2-ply b/w
* Black Reflector knobs
* Zamak Nashville Tune-O-Matic bridge and stopbar tailpiece

**Finishes:**

* Desert Burst
* Pelham Blue
* Champagne
* Silverburst
* Cherry (Guitar Center only)
Original Character Format (Clans)

⠀ DARKFROST

 File:Shrikestar.png

NAMING

————————————

Name: Darkfrost

⧐    *Dark; With little or no light*

⧐    *Frost; A deposit of small white*

*ice crystals*

Formerly: Darkkit, Darkpaw

Alias: None

Nicknames: None

IDENTITY

————————————

Season Born: Leaf-bare

Birth Date: August 18th, 2012

*Starting; 9 Moons*

*Currently; 30 Moons*

Sex: Female ♀

Breed: Maine Coon 100%

Voice: Old She-cat

Alignment: Chaotic Dark

COALITION

————————————

Current Clan: WindClan

Past Clans: Nona

Ranking: Warrior

Past Ranks: Kit, Apprentice

Mentor: N/A

Past Mentors:

Current Apprentice: None

Past Apprentice: None
Zax'Niz

Zax'Niz is a planet in the Zyxx Quadrant and is where a squadron of enforcer droids deployed by Emperor Nermut Bundaloy went missing and were presumed destroyed by the Empire. In fact, the enforcer droids were reprogrammed by the droid O4KTЯ33 and they subsequently opened up the Zax'Niz Food Court. The status of the Food Court and the outcome of the enforcer droid massacre there is unknown.
Headstocks

Throughout Gibson's history, while they have mostly stuck with their "Open Book" headstock design, there have been many changes in that design over the years. Knowing the differences can help you date and better understand your SG. In modern day, there are three main styles; the Standard style, the '61 Reissue style, and the Historic style. Generally, this suggests which basic model any limited edition may be based on (in conjunction with the body design).

The Historic style is what was used from 1961-1968 and returned with the Historic Collection in 2000. The Standard style is similar to the short-lived style produced from 1969 to mid-1971 because it is the narrowest and has the crown inlay positioned lower. The biggest difference is that the modern Standard style tapers to the bottom while the 1969-1971 style did not. The '61 Reissue style is similar to, or the same as, the Norlin style introduced in mid-1971, being the widest and having the most protruding pointed edges.

These headstocks are pictured below, going from widest to narrowest (left to right):
Darkest Coding of All

**R E V A N I A**

**‹⟨ Grim ‹ Wilde › Haunting ⟩›**

Founder › Lethosphere, Compulsion & Azeron
Founding ›
Liturgy › Unholy
Species › Big Dogs
Roleplay Style › Traditional Fluency
Camp › Luccvi's Den
Season › Ladakh
Religion › Satanic Atheism
Identity › Black

Member Count › 11/60
I. Lethosphere
II. Compulsion
III. Azeron
IV. Zonkie
V. Indicatings
VI. Icerunsinmyveins
VII. Ekorii
VIII. Røyaltys/42co
VIII. Halløwed
IX. Riorumble
X. Luccvi/Sinisterwicked
XI. Unconquered
SG Naked

The **SG Naked** was a model only offered for the 2016 model year. This model has an unusually slim rounded neck profile with a narrow 9/16" nut width, like SGs from 1966-1979 used to have.

**Related:**

* SG Special

## Features

* $1,299 Street
* $999-$1,099 (2017 Price Drop)
* $749 Street (2019 Clearance)

**Body:**

* Beveled, solid Mahogany body
* Satin nitrocellulose lacquer over stain
	+ Satin sheen

**Neck:**

* 1-pc quartersawn Mahogany
* Slim Rounded profile (.780" / .860")
* Set-in construction
	+ 4 degree pitch
	+ Franklin Titebond 50 glue
	+ Joins body at 19th fret

* Indian Rosewood fretboard
	+ Acrylic dot inlays
	+ 12" radius
* Narrow Open Book headstock
	+ Gibson logo decal
	+ Crown decal
	+ "Made in U.S.A." stamp
	+ 17o pitch
* 24 frets
* 24 9/16" scale
* TekToid self-lubricating nut
* 1 9/16" nut width

**Electronics:**

* Two Soapbar P-90s
	+ AlNiCo V magnets
	+ ~8k Ohms D.C. resistance
* 3-way switch
* 2 Vol, 2 Tone
	+ 500K non-linear

**Hardware:**

* Chrome hardware
* Grover Rotomatic tuning machines
	+ 14:1 ratio
	+ Metal Kidney buttons
	+ Manufactured by Ping
* Bell shaped truss rod cover
	+ Single-ply black
* Black Reflector knobs (Natural)
* Gold Reflector knobs (Walnut)
* Switch ring delete
* SS-infused poly-carbonate control cover
	+ Prevents electrostatic discharge
* Zamak Nashville Tune-O-Matic bridge
* Zamak stopbar tailpiece

**Finishes:**

* Walnut
* Natural
SG Standard 120

The **SG Standard 120** was a limited run model for 2014, essentially offering the specs of the 1991-2012 Standard and celebrating the 120th Anniversary of Gibson. These models seem to have been shipped with both the Grover and TonePros versions of "Deluxe" style tuners. The way to tell the difference is that the Grovers say "Gibson Deluxe" on the back, whereas the TonePros say "Kluson Deluxe".

## Features

* $1,899 Street
* $1,699 Street (2015 Clearance)

**Body:**

* Beveled, solid Honduran Mahogany body
* Nitrocellulose Lacquer finish

**Neck:**

* 1-pc quartersawn Honduran Mahogany
* Set-in construction
	+ 4 degree angle
	+ Titebond glue
	+ Joins body at 19th fret

* Rounded '50s profile
* Indian Rosewood fretboard
	+ Acrylic Trapezoid inlays
	+ 120th Anniv. banner inlay at 12th fret
	+ 12" radius
* Narrow Open Book headstock
	+ Resin impregnated fiberboard veneer
	+ Inlaid Mother of Pearl Gibson logo
	+ Inlaid Mother of Pearl crown
	+ "Made in U.S.A." stamp
	+ 17o pitch
* 22 frets
* 24 9/16" scale
* TekToid self-lubricating nut
	+ Cut by Plek machine
* 1 11/16" nut width

**Binding:**

* Neck, single-ply
* Thicker style

**Electronics:**

* Two 490R/498T Humbuckers
	+ AlNiCo II (neck) & V (bridge) magnets
	+ 7.4k (neck) & 9k (bridge) Ohms D.C. resistance
* 3-way switch
* 2 Vol, 2 Tone
	+ CTS 500k non-linear
	+ "Quick-Connect" circuit board

**Hardware:**

* Chrome Hardware
* Grover "Gibson Deluxe" tuning machines
	+ 14:1 ratio
	+ Green Keystone buttons
	+ Manufactured by Ping
* TonePros "Kluson Deluxe" tuning machines
	+ 15:1 ratio
	+ Green Keystone buttons
* 5-ply "Batwing" pickguard
* Bell shaped truss rod cover
	+ 2-ply b/w with "SG" hot-stamp
* Black Reflector knobs
* Zamak Nashville Tune-O-Matic bridge and stopbar tailpiece

**Finishes:**

* Heritage Cherry
* Ebony
TribalClan

Valour ★ Ethnic ★ Conniving

T R I B A L
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"Become conscious of the **present** moment, the deities beckon **you**."

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E N T E R **O U R** D O M A I N

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A P P L I C A T I O N S

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Roleplay Example | ADDING OC
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Coding/format - 피곤한

Clan symbol - 피곤한
Heerby SG

The **Heerby SG** models were, as was the rest of the Heerby lineup, generally higher end copies featuring set necks.

They were made in Japan by Kasuga, and also sold under the **Kasuga** brand.

**Related:**

* Navigator ES-11

## SG-480

This is a copy of a 1975-1979 Gibson SG Standard.

* Circa 1975-1977
* 48,000 Yen MSRP

**Body:**

* Beveled, solid African Mahogany body
* Pancake style construction

**Neck:**

* 1-pc quartersawn Nato
* Set-in construction
	+ Joins body at 18th fret
* Rosewood fretboard
	+ Acrylic pearloid small block inlays
		- 1st fret inlay
	+ 12" radius
* Large Open Book headstock
	+ Acrylic? logo inlay
	+ Acrylic? crown inlay
	+ Maple veneer
	+ Volute
* 22 frets
* 24 3/4" scale
* 1 10/16" nut width

**Binding:**

* Neck, single-ply
* Black color

**Electronics:**

* Two Maxon Humbuckers
	+ ??? magnets
	+ ~8K Ohms DCR
* 3-way switch
* 2 Vol, 2 Tone
	+ Full-sized 500k pots

**Hardware:**

* Chrome hardware
* Gotoh tuning machines
	+ Metal Keystone buttons
	+ Kasuga K logos
* 4-ply Angel Wing style pickguard
* Bell shaped truss rod cover
	+ 2-ply b/w
	+ Wide bevel
	+ 2 screws
* Black Speed knobs
	+ Pointers
* Tune-O-Matic style bridge
* Stopbar tailpiece

**Finishes:**

* Cherry Red (R)

## SG-600

This is a copy of a 1966-1971 Gibson SG Standard.

* Circa 1976-1977
* 60,000 Yen MSRP

**Body:**

* Beveled, solid African Mahogany body

**Neck:**

* 1-pc quartersawn African Mahogany
* Set-in construction
	+ Joins body at 19th fret
* Rosewood fretboard
	+ Mother of Pearl trapezoid inlays
	+ 12" radius
* Narrow Open Book headstock
	+ Acrylic? logo inlay
	+ Acrylic? crown inlay
	+ Maple veneer
	+ Volute?
* 22 frets
* 24 3/4" scale
* 1 10/16" nut width

**Binding:**

* Neck, single-ply
* Fret-edge binding (nibs)
* White color

**Electronics:**

* Two Maxon Humbuckers
	+ ??? magnets
	+ ~8K Ohms DCR
* 3-way switch
* 2 Vol, 2 Tone
	+ Full-sized 500k pots

**Hardware:**

* Chrome hardware
* Gotoh tuning machines
	+ Metal Keystone buttons
	+ Kasuga K logos
* 4-ply Batwing style pickguard
* Bell shaped truss rod cover
	+ 2-ply b/w
	+ Wide bevel
	+ 2 screws
* Black Witch Hat knobs
	+ Pointers
* Tune-O-Matic style bridge
* Stopbar tailpiece

**Finishes:**

* Cherry Red (R)
* Walnut (WA)
Government Series SG

The **Government Series SG** was first released in 2013 as a limited run to commemorate a 2011 incident where Gibson were suspected of having illegally sourced woods by the government. Although the criminal investigation was dropped due to a settlement, the evidence did not look good for Gibson: "In 2008, an employee of Gibson participated in a trip to Madagascar, sponsored by a non-profit organization. Participants on the trip, including the Gibson employee, were told that a law passed in 2006 in Madagascar banned the harvest of ebony and the export of any ebony products that were not in finished form. They were further told by trip organizers that instrument parts, such as fingerboard blanks, would be considered unfinished and therefore illegal to export under the 2006 law."[1] Ultimately, a settlement was reached where Gibson forfeited the illegal wood (Ebony from Madagascar) and paid a $300,000 fine. If you're wondering why any of this matters, the reason Brazilian Rosewood is currently threatened with extinction is because of over-harvesting like what was happening with Madagascar Ebony.

These models were built with necks and fretboards that were cleared and returned, and therefore some sport serial numbers dating to 2011. A second run was released in 2014 with a different finish. Series I was limited to 175 units and Series II was limited to 300 units. Both included a COA and hardshell case in Olive Green (Series I) or Black (Series II).

**Note:** The neck profile was incorrectly listed by Gibson and several retailers as Slim Taper.

**Related:**

* SG Special

## Features

* $999 Street

**Body:**

* Beveled, solid Mahogany body
* Nitrocellulose Lacquer finish
	+ "Vintage Gloss" satin sheen

**Neck:**

* 1-pc quartersawn Mahogany
* '50s Rounded profile (.830" / .970")
* Set-in construction
	+ 5 degree pitch
	+ Franklin Titebond 50 glue
	+ Joins body at 19th fret

* Indian Rosewood fretboard
	+ Acrylic dot inlays
	+ 12" radius
* Narrow Open Book headstock
	+ Gibson logo decal
	+ "Made in U.S.A." stamp
	+ 17o pitch
* 22 medium-jumbo frets
* 24 9/16" scale
* Corian nut
	+ Cut by Plek machine
* 1 11/16" nut width

**Electronics:**

* Two Dirty Fingers + humbuckers
	+ Three ceramic 8 magnets
	+ ~16k Ohms D.C.R.
* 3-way switch
* 2 Vol, 2 Tone
	+ CTS 500k audio taper pots

**Hardware:**

* Black Hardware
* Grover Rotomatic tuning machines
	+ 14:1 ratio
	+ Manufactured by Ping
* 5-ply "Batwing" pickguard
	+ Government Series Eagle hot stamp
* Bell shaped truss rod cover
	+ Single-ply black
* Black Bell knobs
* Zamak Nashville Tune-O-Matic bridge
* Zamak stopbar tailpiece

**Finishes:**

* Government Grey (Series I)
* Government Tan (Series II)
Historic Standard Bolivian Rosewood

The **Historic SG Standard Bolivian Rosewood** was a 2020 limited run model with a Bolivian rosewood fretboard, long Maestro vibrola, Batwing pickguard and headstock stinger. It seems to have been preceded by the "Pilot Run" SGST model, which was a Japanese market exclusive. Unlike most Custom Shop SGs, but like many limited runs, this model uses the standard Custom Shop serial number format with a "CS" prefix.

**Note:** Any Historic SG Standard can be ordered with a Bolivian Rosewood fretboard via Gibson's Made 2 Measure program.

 Features

* $3,999 - $4,199 Street

**Body:**

* Solid Honduran Mahogany body
* Historic deep beveling
* Tapered horn tips
* One-piece construction
* Nitrocellulose Lacquer finish
	+ Amber-tinted clearcoat

**Neck:**

* 1-pc quartersawn Honduran Mahogany
* 1960 Slim Taper C profile (.830"/.960")
* Set-in construction
	+ Hot hide glue
	+ Unsheathed truss rod
	+ Joins body at 22nd fret
* Bolivian Rosewood fretboard
	+ Cellulose trapezoid inlays
	+ 12" radius
* Medium Open Book headstock w/ Holly veneer
	+ Inlaid Mother of Pearl Gibson logo
	+ Inlaid Mother of Pearl Crown
	+ Stinger
	+ 17o pitch
* 22 medium-jumbo frets
	+ Leveled by Plek machine
* 24 5/8" scale
* Bone nut
	+ Cut by Plek machine
* 1 11/16" nut width

**Binding:**

* Single-ply, neck
* Thinner style
* Fret-edge binding

**Electronics:**

* Two '57 Classic humbuckers
	+ AlNiCo III magnets
	+ ~8k Ohms DCR
	+ Nickel plated covers
* Switchcraft 3-way switch
* 2 Vol, 2 Tone
	+ CTS 500k vintage audio taper pots
	+ Luxe "Black Beauty" paper-in-oil capacitors

**Hardware:**

* Nickel hardware
* Gotoh SD90 Kluson-reissue tuning machines
	+ 1:15 ratio
	+ Green Keystone buttons
	+ Single line, double ring
* 5-ply "Batwing" pickguard
	+ Standard bevel angle
* Bell shaped truss rod cover
	+ 2-ply, wide bevel angle
* Black Witch Hat knobs w/ pointers
* ABR-1 Tune-O-Matic bridge
* Maestro Vibrola tailpiece

**Finishes:**

* Cherry
SG GT

The **SG GT** was introduced in 2006 and billed as a guitar for the "artist with a heavy gig schedule". It is unique for its dual-action truss rod, locking tuners, strap buttons and output jack, and high pass tone filter to prevent treble bleed with lower volume settings. Another unique aspect is that the mirror fretboard inlays. The bridge cover is supposed to resemble a car's hood scoop and is removable. This model uses the body design of the SG Standard. It was discontinued in 2008.

**Note:** This model was not a limited run and there was no production limit. Do not believe sellers claiming otherwise; this has been confirmed by Gibson.

Interestingly, Gibson's website depicted a Candy Apple prototype with the bridge cover painted to match the body. Promotional photos also depicted the Muscle Green finish to have white stripes when it actually came with black stripes.

## Features

* $1,699 Street
* $1,299 Street (Blemished)

**Body:**

* Beveled, solid Honduran Mahogany body
* Nitrocellulose Lacquer finish

**Neck:**

* 1-pc quartersawn Honduran Mahogany
* Set-in construction
	+ Joins body at 19th fret
	+ Franklin Titebond 50 glue
* 1961 Slim Taper D profile (.810" / .910")
* Ebony fretboard
	+ Acrylic mirror trapezoid inlays
		- Not swirled
	+ 12" radius
* Narrow Open Book headstock
	+ Resin impregnated fiberboard veneer
	+ Inlaid Mother of Pearl Gibson logo
		- Classic font style
	+ "Made in U.S.A." stamp
	+ 17o pitch
* Dual-action truss rod
* Graph Tech nut
* 22 frets
* 24 9/16" scale
* 1 11/16" nut width

**Binding:**

* Neck, single-ply
* Thinner style
* Pure white color
* Fret-edge binding

**Electronics:**

* Two 490R / 498T humbuckers
	+ AlNiCo II (neck) & V (bridge) magnets
	+ 7–8k (neck) & 9–13k (bridge) Ohms D.C. resistance
	+ Chrome face mounting rings
* 3-way switch
* NeutrikTM locking output jack
	+ Relocated to side of body
* 2 Vol, 2 Tone
	+ Push/pull coil split
	+ High pass tone filter
	+ CTS 300k volume
	+ CTS 500k tone

**Hardware:**

* Chrome Hardware
* Grover Locking Rotomatic tuning machines
	+ 18:1 ratio
	+ Manufactured by Ping
* Chrome plated tenon cover
* Bell shaped truss rod cover
	+ Single-ply black
	+ Chrome "GT" hot stamp
* Chrome metal barrel knobs w/ knurled sides
* Brushed steel control cover
* Dunlop locking strap buttons
* TonePros Nashville Tune-O-Matic bridge
* Chrome plated "hood scoop" tailpiece

**Finishes:**

* Phantom Black
* Candy Apple
* Candy Orange
* Daytona Blue
* Muscle Green
Orville EDS-1275

The **Orville (by Gibson) EDS-1275** was introduced in 1993, being a copy of the Gibson EDS-1275. However, unlike the Gibson version, the Orville is equipped like Jimmy Page's EDS-1275, with Mahogany necks, uncovered six-string pickups and tailpieces positioned further back. In late 1993, the Orville by Gibson line was discontinued, and this model was re-named **SGD-160** as a regular Orville model without Gibson pickups, and adding volutes to the necks. By 1996, it was discontinued.

These guitars were produced for the Japanese market only, through distributor Yamano. They were all made in Japan, by manufacturers Terada and Fujigen. For information on serial numbers, see GuitarsJapan.com and LiquiSearch.com.

## EDS-1275

* **1993:** 198,000 Yen

**Body:**

* Beveled, solid African Mahogany body
* Nitrocellulose Lacquer finish

**Necks:**

* 1-pc quartersawn African Mahogany
* Set-in construction
	+ Joins body at 15th fret

* Indian Rosewood fretboard
	+ Acrylic pearloid split parallelogram inlays
	+ 12" fretboard radii

* Narrow Open Book headstocks
	+ Resin impregnated fiberboard veneers
	+ Inlaid Mother of Pearl Orville by Gibson logos
	+ 14o headstock pitches
* 20 frets per neck
* 24 3/4" scale
* 1 11/16" nut width

**Binding:**

* Single-ply, necks
* Frets over binding

**Electronics:**

* Four 490R / 490T humbuckers
	+ AlNiCo II magnets
	+ 7-8k (neck) & 8.3k (bridge) Ohms D.C. resistance
* 3-way pickup switch
* 3-way neck switch
* 2 Vol, 2 Tone (One for each neck)
	+ CTS 500k tone

   **Hardware:**

* Nickel Hardware
* Gotoh tuning machines
	+ 12:1 ratio
	+ Green Keystone buttons
* 5-ply pickguard
* Bell shaped truss rod covers
	+ 2-ply, standard bevel
	+ Blank

* Black Speed knobs w/ pointers
* Gotoh Nashville Tune-O-Matic bridges
* Gotoh stop-plate tailpieces

**Finishes:**

* Heritage Cherry
* Alpine White

## SGD-160

* **1994:** 160,000 Yen

**Body:**

* Beveled, solid African Mahogany body
* Polyurethane finish

**Necks:**

* 1-pc quartersawn African Mahogany
* Set-in construction
	+ Joins body at 15th fret

* Indian Rosewood fretboard
	+ Acrylic pearloid split parallelogram inlays
	+ 12" fretboard radii

* Narrow Open Book headstocks
	+ Resin impregnated fiberboard veneers
	+ Inlaid Mother of Pearl Orville by Gibson logos
	+ Volutes
	+ 14o headstock pitches
* 20 frets per neck
* 24 3/4" scale
* 1 11/16" nut width

**Binding:**

* Single-ply, necks
* Frets over binding

**Electronics:**

* Four Orville humbuckers
	+ ??? magnets
	+ ~7.7k Ohms D.C. resistance
* 3-way pickup switch
* 3-way neck switch
* 2 Vol, 2 Tone (One for each neck)
	+ CTS 500k tone

**Hardware:**

* Nickel Hardware
* Gotoh tuning machines
	+ 12:1 ratio
	+ Green Keystone buttons
* 5-ply pickguard
* Bell shaped truss rod covers
	+ 2-ply, standard bevel
	+ Blank

* Black Bell knobs w/ pointers
* Gotoh Nashville Tune-O-Matic bridges
* Gotoh stop-plate tailpieces

**Finishes:**

* Heritage Cherry
H.S. Anderson SG

The **H.S. Anderson SG** models were made in Japan by Moridaira. They were produced in smaller numbers and positioned in the higher end of the market.

Serial numbers first appeared in 1975, reading right-to-left with the year denoted by the 3rd and 4th digits.

## HS-3 A & B

There are three variations of this model: **A**, **B** and **C**. A & B are only differentiated by the hardware finish. C is appointed similarly to an SG Custom, and listed separately below. Models A & B are renamed **SG-70** and **SG-80**, respectively, some unknown time after 1973.

* 1973-1976
* 76,000 Yen (**A/SG-70**)
* 82,000 Yen (**B/SG-80**)

**Body:**

* Beveled Mahogany body
* Polyurethane finish

**Neck:**

* 1-pc quartersawn Mahogany
* Set-in construction
	+ Joins body at 19th fret
	+ Smooth hangover
* Rosewood fretboard (**A/SG-70**)
	+ Mother of Pearl block inlays
	+ 12" radius
* Ebony fretboard (**B/SG-80**)
	+ Mother of Pearl block inlays
	+ 12" radius
* Open Book headstock
	+ Inlaid Mother of Pearl H.S. Anderson logo
	+ Volute
	+ Altered shape (1976)
* 22 frets
* 24 3/4" scale
* 1 10/16" nut width

**Binding:**

* Neck and body, single-ply
* Fret-edge binding

**Electronics:**

* Two humbuckers
	+ ??? magnets
	+ ~???k Ohms D.C. resistance
* 3-way switch
* 2 Vol, 2 Tone

**Hardware:**

* Chrome hardware (**A/SG-70**)
* Gold hardware (**B/SG-80**)
* Gotoh? Schaller-style tuning machines
	+ Metal Keystone buttons
* 4-ply "Angel Wing" pickguard
	+ Wide bevel
* 4-ply "Batwing" pickguard (Optional?)
	+ Wide bevel
* Bell-shaped truss rod cover
	+ 2-ply b/w
	+ 3 screws
	+ "HS Anderson" engraved (1975)
	+ "HS-3" engraved (1976)
* Black Speed knobs w/ pointers (**A/SG-70**)
* Gold Speed knobs w/ pointers (**B/SG-80**)
* Tune-O-Matic style bridge
* Stopbar tailpiece

**Finishes:**

* Cherry (**A/SG-70**)
* Wine Red (**B/SG-80**)

## HS-3 C

   Re-named **SG-120** in 1976.

* 1973-1976
* 120,000 Yen

**Body:**

* Beveled Mahogany body
* Polyurethane finish

**Neck:**

* 1-pc quartersawn Mahogany
* Set-in construction
	+ Joins body at 22nd fret
	+ Smooth hangover
* Ebony fretboard
	+ Mother of Pearl block inlays
	+ 12" radius
* Open Book headstock
	+ Inlaid Mother of Pearl H.S. Anderson logo
	+ Volute
	+ Altered shape (1976)
* 22 frets
* 24 3/4" scale
* 1 10/16" nut width

**Binding:**

* Neck and body, single-ply
* Multi-ply, headstock
* Fret-edge binding

**Electronics:**

* Three humbuckers
	+ ??? magnets
	+ ~???k Ohms D.C. resistance
* Two 3-way switches
* 2 Vol, 2 Tone

**Hardware:**

* Chrome hardware
* Gotoh? Schaller-style tuning machines
	+ Metal Keystone buttons
* 3-ply "Angel Wing" pickguard
	+ Wide bevel
* Bell-shaped truss rod cover
	+ 2-ply b/w
	+ 3 screws
	+ "HS Anderson" engraved (1973-1975)
	+ "HS-3" engraved (1976)
* Black Speed knobs w/ pointers
* Tune-O-Matic style bridge
* Stopbar tailpiece

**Finishes:**

* Walnut

## References

1. ↑ https://claescaster.com/2014/04/10/h-s-anderson-madcat/
SG Standard/Special

This model was never documented in a catalog by Gibson, and therefore has no official name, but is something of a mix between Standard and Special features. Around the time these were produced (the very last few days of 1977 and midway into 1978), production of the Special was winding down, and it essentially bridged the gap between that and the 1979 The "SG" as the budget-friendly model (and appears to have been the basis for the The "SG"). It also was the first SG to return to the wider 1 11/16" nut width.

## Features

**Body:**

* Beveled, solid Honduran Mahogany body
* Nitrocellulose Lacquer finish

**Neck:**

* 3-pc laminated Honduran Mahogany
* Set-in construction
	+ 3 degree angle
	+ Titebond glue
	+ Joins body at 18th fret

* Indian Rosewood fretboard w/ dot inlays
	+ Inlay at 1st fret
	+ 12" radius
* Volute

* Large Open Book headstock
	+ Narrower waist (early models)
	+ Resin impregnated fiberboard veneer
	+ Inlaid Mother of Pearl Gibson logo
	+ Inlaid Mother of Pearl crown
	+ "Made in U.S.A." stamp
	+ 17o pitch
* 22 frets
* 24 9/16" scale
* 1 11/16" nut width

**Electronics:**

* Two "Super Humbuckers"
	+ Indox 7 ceramic magnets
	+ ~5.4K (neck), 7.5K (bridge) Ohms DCR
	+ Epoxy-mounted
	+ AKA "Tarbacks"
* 3-way switch
* 2 Vol, 2 Tone
	+ CTS 300k pots
		- 100k tone (sometimes)

**Hardware:**

* Chrome Hardware
* Kluson Deluxe tuning machines
	+ 1:12 ratio
	+ Metal Keystone buttons
* 5-ply "Angel Wing" pickguard
* Bell shaped truss rod cover
	+ 2-ply b/w with "S-G" hot-stamp
* Black Speed knobs
* Schaller "Harmonica" Tune-O-Matic bridge and stopbar tailpiece

**Finishes:**

* Ebony
* Satin Walnut
Weapon Tier

Weapon Tier is increased each time you get 10/10 Sharpness on your weapon and then upgrade it! From the start you will be able to reach Weapon Tier 25. Once you done this you need to Ascend wich will increase your highest Weapon Tier you can reach by 5 each time. Once you reach your highest Weapon Tier and Ascended a couple of times you will be able to reach Weapon Tier 75, this will unlock Transcend for you.

Note: Its only Melee Weapon Tier that counts for Ascend and Transcend. But the Ranged Weapon Tier is still locked at the same lvl you are able to go with Melee Weapon Tier!
Jaydee Donnington SG

The **Jaydee Donnington SG** is a replica of an SG that Diggins built for Angus Young and presented to him backstage before the Donnington Monsters of Rock festival in 1981. As the story goes, Angus then took the guitar right out onstage and played the show with it. The replica was offered starting in 2015, as the Angus Young SG was dropped from their website. Of course, either one could be custom ordered before or after that.

The pickguard shape is slightly different from a regular Angel Wing shape, extending to less of a point at the top.

**Related:**

* Jaydee Angus Young SG
* Gibson Angus Young Signature SG

## Features

* **2015:** $3,265 USD street
* **2016-2017:** $2,985 USD street
* **2018-2022:** $2,910 USD street

   **Body:**

* Beveled, 1-piece Mahogany body
* Angled heel
* Nitrocellulose Lacquer finish

**Neck:**

* 3-pc laminated Maple & Mahogany
* Set-in construction
	+ Joins body at 22nd fret
* Ebony fretboard
	+ Mother of Pearl lightning bolt inlays
	+ 12" radius
* Open Book headstock
	+ Inlaid Mother of Pearl Jaydee logo
	+ 17o pitch?
* 22 frets
* 24 3/4" scale
* Bone nut
* 1 11/16" nut width

   **Binding:**

* Neck, single-ply
* Fret-edge binding?
* Headstock, multi-ply

**Electronics:**

* Two Jaydee rail style humbuckers
	+ ??? magnets
	+ ~8k Ohms D.C. resistance
* 3-way switch
* 2 Vol, 2 Tone

**Hardware:**

* Gold Hardware
* Grover Rotomatic tuning machines
	+ 14:1 ratio
	+ Manufactured by Ping
* 5-ply "Angel Wing" pickguard
	+ Wide bevel
* Bell shaped truss rod cover
	+ 2-ply b/w
	+ Wide bevel
* Gold Bell knobs
* Gotoh Tune-O-Matic bridge and stopbar tailpiece
* Schaller straplocks

**Finishes:**

* Cherry
* Ebony
SG Special EMG

The **SG Special EMG** was part of Gibson's 2007 "Guitar of the Week" series, as week #32's guitar. It was a limited production run with only 400 produced.

**Related:**

* SG Special II EMG
* SG Gothic
* SG CM Black
* SG Menace
* SG Special Voodoo

## Features

* $1,199 Street

**Body:**

* Beveled, solid Honduran Mahogany body
* Nitrocellulose Lacquer finish

**Neck:**

* 1-pc quartersawn Mahogany
* '50s Rounded profile
* Set-in construction
	+ Franklin Titebond 50 glue
	+ Joins body at 19th fret
* Ebony fretboard
	+ Acrylic trapezoid inlays
	+ 12" radius

* Narrow Open Book headstock
	+ Silkscreened Gibson logo
	+ "Made in U.S.A." stamp
	+ 17o pitch
* 22 frets
* 24 9/16" scale
* 1 11/16" nut width

**Binding:**

* Neck, single-ply
* Thicker style
* Pure White color
* Fret-edge binding

**Electronics:**

* Two EMG 85/81 Humbuckers
* 3-way switch
* 2 Vol, 2 Tone

**Hardware:**

* Black Hardware
* Grover Rotomatic tuning machines
	+ 14:1 ratio
	+ Manufactured by Ping
* Vinyl "Batwing" pickguard
* Bell shaped truss rod cover
	+ Single-ply black
* Black Bell knobs
* Nashville Tune-O-Matic bridge and stopbar tailpiece

**Finishes:**

* Satin Ebony
SG Carved Top

The **SG Carved Top** was a limited run of 350 units produced in 2009 (likely 350 of each color, although Gibson did not specify). The design was based on the SG Diablo. Interestingly, each finish was unique for having a different fretboard material. Each guitar has an ink-stamped number out of 350 on the back of the headstock. Unlike most **USA** models, these include a certificate of authenticity. In 2012, the SG Diablo Premium Plus was released with similar specifications to this model, the biggest difference being a bound Slim Taper neck that joins the body at the 22nd fret. In 2016, the SG Supreme returned with similar specifications to this model, the biggest differences being a bound headstock and fretboard, Slim Taper neck, the fretboard inlays and the neck joining the body at the 22nd fret.

**Related:**

* SG Diablo Premium Plus
* SG Supreme

## Features

* $4,442 MSRP
* $1,799 Street

**Body:**

* Solid Honduran Mahogany back
* AAA flame Maple carved top
* Concave carved back
* Diablo style beveling
* Nitrocellulose Lacquer finish

**Neck:**

* 1-pc quartersawn Honduran Mahogany
* Set-in construction
	+ 3 degree angle
	+ Franklin Titebond 50 glue
	+ Joins body at 19th fret
* '50s Rounded profile (.815" / .970")
* Ebony fretboard (Ocean Blue Burst)
	+ Acrylic pearloid trapezoid inlays
	+ 12" radius
* Indian Rosewood fretboard (Autumn Burst)
	+ Acrylic pearloid trapezoid inlays
	+ 12" radius
* Narrow Open Book headstock
	+ Resin impregnated fiberboard veneer
	+ Inlaid Mother of Pearl Gibson logo
		- Classic font style
	+ Inlaid Mother of Pearl crown
	+ "Made in U.S.A." stamp
	+ 17o pitch
* 24 medium-jumbo frets
* 24 9/16" scale
* Corian nut
	+ Cut by Plek machine
* 1 11/16" nut width

**Electronics:**

* Two Burstbucker Pro humbuckers
	+ AlNiCo V magnets
	+ ~7.65k (neck) & 8.2k (bridge) Ohms DCR
* 3-way switch
* 1 Vol, 1 Tone
	+ CTS pots
		- 300k volume
		- 500k tone

**Hardware:**

* Chrome hardware
* Grover Rotomatic tuning machines
	+ 14:1 ratio
	+ Manufactured by Ping
* Bell shaped truss rod cover
	+ 2-ply b/w
* Black Bell knobs
* Zamak Nashville Tune-O-Matic bridge
* Zamak stopbar tailpiece

**Finishes:**

* Autumn Burst
* Ocean Blue Burst
Gordie Johnson Signature SGJ

The **Gordie Johnson Signature SGJ** was a limited run of 50 guitars released in 2003, only for the Canadian market. Gordie Johnson is the singer and guitarist for the Canadian band Big Sugar. The SGJ is heavily based on the '61 Reissue. Includes Hugo Boss branded case and leather strap.

Gibson later released a completely unrelated model simply known as the SGJ.

## Features

* $2,999 CAD MSRP (~$2,300 USD)
* $2,199 CAD Street (~$1,700 USD)

**Body:**

* Beveled, solid Honduran Mahogany body
* Angled heel
* Nitrocellulose Lacquer finish

**Neck:**

* 1-pc quartersawn Honduran Mahogany
* Set-in construction
	+ 5 degree angle
	+ Franklin Titebond 50 glue
	+ Joins body at 22nd fret
	+ '61 style heel
* 1961 Slim Taper D profile (.800/.895")
* Indian Rosewood fretboard
	+ Acrylic trapezoid inlays
	+ 12" radius
* Large Open Book headstock
	+ Resin impregnated fiberboard veneer
	+ Inlaid Mother of Pearl Gibson logo
		- Classic font style
	+ Inlaid Mother of Pearl crown
	+ "Made in U.S.A." stamp
	+ 17o pitch
* 22 frets
* 24 9/16" scale
* 1 11/16" nut width

**Binding:**

* Neck, single-ply
* Thinner style
* Cream color
* Fret-edge binding

**Electronics:**

* Two P-94 pickups
	+ AlNiCo V magnets
	+ ~9.8k Ohms D.C. resistance (neck & bridge)
* 3-way switch
* 2 Vol, 2 Tone

**Hardware:**

* Nickel Hardware
* Grover "Gibson Deluxe" tuning machines
	+ 14:1 ratio
	+ Green Keystone buttons
	+ Manufactured by Ping
* 5-ply "Angel Wing" pickguard
* Bell shaped truss rod cover
	+ 2-ply b/w
	+ Gordie signature hot stamp
* Black Witch Hat knobs
* ABR-1 Tune-O-Matic bridge
* Stopbar tailpiece

**Finishes:**

* Ebony
V.O.S. Aging

Introduced in 2006, Gibson's **V.O.S.** finishing process was developed by master luthier Tom Murphy. "V.O.S." stands for "Vintage Original Specifications", although this designation actually has nothing to do with specifications beyond the finish.

There are many misconceptions floating around about what this finishing process entails. What it actually involves is simply a finish applied slightly thinner (meaning fewer clear coats), which is then buffed until just before the final stage that only gloss finishes receive. The hardware is also treated, but the methods for that are as-of-yet unknown.

One misconception is that a rubbing compound often referred to by detractors as "gunk" is simply applied to the guitar and left on, resulting in complaints of "stickiness" which likely amount to little more than confirmation bias and the fact that all nitrocellulose finishes are soft unlike polyurethane. This claim makes no sense, as the VOS finish is cheaper than the full gloss option, meaning it cannot logically involve the extra labor of applying a rubbing compound. Furthermore, even if it did involve a rubbing compound, it would never simply be left on the guitar. That is not how rubbing compounds are used.

The photo to the right gets passed around as evidence of the "gunk", but what it more likely shows is a rubbing compound that was used on the pre-2006 "Custom Authentic" aged finishes, which were finished just like a gloss model and then lightly scuffed with the rubbing compound, which would therefore explain the fact that they were sold for an upcharge compared to gloss, as opposed to the V.O.S. finish, which is cheaper.