recursal/Fanatic-Fandom huggingface dataset:
Bio4 市长

"Bio4 市长" is the fifth track of The Broken Cyborg. The title translates to "the mayor."

The line *"It’s 3 am and once again the lonely nighttime never ends"* is a callback to Anvils

## Lyrics

[MAYOR:]

It’s somewhere past midnight, my office the sole light

The weight of the city is perched on my back

Disputes and decisions, the mad circus deafens

And troubles in piles crash down on my lap

It’s 3 am and once again the lonely nighttime never ends

Like pills I chew all day, my ulcer kept at bay

This city exists one step from the abyss

And some days I’m all that can keep it still sane

My son, the school says is disturbed in his head

As if I can take one more straw on my back

My marriage is empty, my family resents me

No friends just agendas all perched to attack

His nanny cares for all his needs he loves her now far more than me

He asks for her when it’s just us all alone

You forfeit your pleasures to keep this city together

I tell myself he’ll understand when he’s grown

What few people know is there’s dwarves down below

Far under the city where membranes dissolve

They live down there still, work their damn hamlets mill

The wheel round which eras and epochs revolve

And it’s very rare the few times when they somehow decide they will send

Some strange baffling warning way up to our stead

The last time they did, that McAlistair bitch

Unleashed her plague of dolls voodoo and dead

And now here they warn, the eon is turned

And cycles repeat and some dire change comes

The Merlin’s appeared, in the park it is clear

His Arthur, his Edgar will soon be along

The task it falls falls on my back to keep this city safe, intact

The hard job that cost me my family and son

He’ll never know this, that I do it for him

The time for the difficult choices has come

[MAYOR:] *(spoken)*

Operation eradication is a go. Unleash the dogs.
Inside the House

"Inside the House" is the third track of the third act of Slenderman, and the twentieth track of the album overall.

## Performers

Paul Shapera as Timothy

Lauren Osborn as Zoe

Rachel Hughes as Mother

## Lyrics

[TIMOTHY:] *(spoken)*

What are you doing?

[ZOE:] *(spoken)*

I’m reciting this... it’s kind of like a chant.

[TIMOTHY:] *(spoken)*

Why?

[ZOE:] *(spoken)*

I had to memorise it some time back.

[TIMOTHY:] *(spoken)*

Why did you have to memorise it?

[ZOE:] *(spoken)*

I have instructions. They’re a bit bizarre. If I ever got this far.

[TIMOTHY:]

Do you actually know where we are?

[ZOE:] *(spoken)*

Not exactly, but they told me a little bit some time back - hey!

[TIMOTHY:] *(spoken)*

What?

[ZOE:] *(spoken)*

Stop!

[TIMOTHY:] *(spoken)*

What?

[ZOE:] *(spoken)*

The slenderman just grabbed my arse!

[TIMOTHY:] *(spoken)*

Oh, nasty! You know, after that little threesome back there --

[ZOE:] *(spoken)*

Don’t remind me.

[TIMOTHY:] *(spoken)*

Well, thank goodness you never slept with that Jordan chick. I mean, I swear, can you believe she was doing it with the slenderman?

[ZOE:] *(spoken)*

Timothy! Tell me you are not slut shaming. That is not cool.

[TIMOTHY:] *(spoken)*

What?!

[ZOE:] *(spoken)*

She has a right to bed anyone she wants to and not be judged.

[TIMOTHY:] *(spoken)*

But it's a death creature from Hell!

[ZOE:] *(spoken)*

so was my first girlfriend. What, you've never had one?

[TIMOTHY:] *(spoken)*

Well, it's been three years since I even --

[ZOE:] *(spoken)*

Slut shaming is not cool. Hey! Stop that!

[TIMOTHY:] *(spoken)*

I think he has taste for sex now. He wants to hump you.

[ZOE:] *(spoken)*

Hump me? You mean hump you. This is your body.

[TIMOTHY:] *(spoken)*

Oh, now it's my body?

[ZOE:] *(spoken)*

You can definitely get your five minutes now, you're free and clear.

[TIMOTHY:] *(spoken)*

Shit. Zoe, I think we're here. Jesus Christ, what is that thing? It’s like... an amorphous mass.

[ZOE:] *(spoken)*

It looks like a pile of meat vomit.

[MOTHER:] *(spoken)*

Well, well. What do we have here? One of my children… How interesting. Little ghost, how did you get here? Let me see your memories, little ghost. How did you just walk into my house?
Нома

* Аниме
* Манга

**Нома** (ノーマ, *Nōma*), также известная как **Планеты Земли** (土の惑星, *Tsuchi no Wakusei*), планета, на которой проживал Вайз Штайнер. Это была вторая планета, которую посетил Шики Грандбелл.

## Описание

Нома — планета с кольцевой системой, окружающей ее. Его атмосфера изобилует земным Эфиром, который кристаллизуется в столбы и идет дождем вниз на поверхность, встраивая его в землю. Из-за этого явления, его жители живут глубоко под землей.

## Расположение

Планета находится в неизвестной части космоса Сакура.

## Достопримечательности

* Врата 66
* Дом Вайза

## Примечания

1. ↑  Том 8
2. ↑  Глава 4, стр. 3
3. ↑  Глава 3, стр. 29
4. ↑  Глава 4, стр. 5-9
Introducing the Mascot 3000

"Introducing the Mascot 3000" is the fourth track of the first act of The New Albion Guide to Analogue Consciousness, and the fourth track of the album overall.

## Performers

Kayleigh McKnight as "Mascot 3000"

Oliver Marsh as "Connor"

## Lyrics

[MASCOT 3000:]

Rachael flees the mad house

Runs into the evening breeze

She doesn't know it now

But she's heading straight for me

Beyond the gates, an old man waits

As if he knew she'd come

He holds me in his hands

Tells her to take me and to run

[CONNOR:]

I'm sorry for your sorrows

you think that we don't know you

but oh my dear, I've watched you for so long

Arcadia Corp is closed down

But some parts they are still 'round

And they want you to have this to call on

This tablet can be your guide

The very first true AI

The Mascot type 3000 and it's yours

Perhaps I'll see you once more

The hope of my heart you are

Good luck, I pray it's you we've waited for

[MASCOT 3000:]

Rachael flees the madman

But with me in her arms

Scared and lost, together we

Begin life on the run

Information and advice

I give her as we go

I'm just so glad to be with her

In a tale all of our own

Together then, a few days hence

We find a place to hide

Inside the Shopogopolis

Where we sit tight and reside
Bio6 突袭

"Bio6 突袭" is the seventh track of The Broken Cyborg. The title translates to "the assault."

## Performers

Paul Shapera as "Basheq Latef"

Psyche Chimere as "Han-Mi"

## Lyrics

[BLOOD RED CHORUS:]

Lock and load, let it go, the loathsome sideshow

Is coming down up on the town

Blaster in your hand, it's a bedlam jam

We'll be kicking it up all around

Fire in the hole, it's a breezy stroll

We'll have tea in hell today

When the Blood Red Dogs come and do a job

And send you on your way

[BASHEQ LATEF:]

We’re the party you should pray you never find yourself at

When we show up, even Lucifer pisses his pants

We eat havoc for breakfast, and mayhem for lunch

We Wash down our dinner with a bucket of blood

When you hear that we’re bringing our sweet party to town

Say a prayer for your knickers 'cause they're gonna be brown

Bringing people to their maker you could say is our gift

We’ve met great Cthulhu and we made them our bitch

[BLOOD RED CHORUS:]

Lock and load, let it go, the loathsome sideshow

Is coming down up on the town

Blaster in your hand, it's a bedlam jam

We'll be kicking it up all around

Fire in the hole, it's a breezy stroll

We'll have tea in hell today

When the Blood Red Dogs come and do a job

And send you on your way

[HAN-MI:] *(spoken)*

They descended one night in force, the Blood Red Dogs sweeping in with bullets and bombs. Jane watched as her mother, Rebecca, was shot, mowed down along with everyone else sitting in her circle. Her mother, the Little Meme, was small and thus escaped damage. The Meme’s wife was badly injured but still alive, so she begged Xander to take the girl and run,

[MEME:] *(spoken)*

Please keep my daughter safe...

[HAN-MI:] *(spoken)*

while she stayed and desperately tried to keep Rebecca alive.

[BASHEQ LATEF:]

Your orders say, Dogs, take this whole park down

Everyone you find in here, you take them all out

They’ve cooked up a plague and our city is doomed

Unless someone steps up and that someone is you

There's a kid named Xander who invented this plague

We’re gonna need to confirm he’s taken two to the head

And all these other scum, let's show them the love

The sweet, sweet kiss of our sweet, sweet guns

[BLOOD RED CHORUS:]

Lock and load, let it go, the loathsome sideshow

Is coming down up on the town

Blaster in your hand, it's a bedlam jam

We'll be kicking it up all around

Fire in the hole, it's a breezy stroll

We'll have tea in hell today

When the Blood Red Dogs come and do a job

and send you on your way

[HAN-MI:] *(spoken)*

Xander and Jane took off, running through the war zone that used to be their home. Unfortunately, they were spotted by a soldier. The girl’s obvious cyborg enhancements marked her as a target and the soldier sent a hail bullets into the little cyborg, shattering her legs and left arm.

The girl lay gasping on the ground when Xander picked her up, tucked her under their arm and ran desperately to the outskirts of the burning shanty town.
Ocn Hnhn

"Ocn Hnhn" ("The Meme") is the third track of the second act of The Lost Fairy, and the sixth track of the album overall.

## Lyrics

[MEME:]

When my love, when she lay there hurt and gasping

When my love, when her last breaths brushed my ears and silence lay

And yet I still lay there beside her

For hours and I cried there

The barren rains of ash were on their way

When my love, when her body then was empty

And I rose and I crawled into the tree where I would stay

As days and weeks droned on before me

I lay not even moving

The barren rains of ash consumed the day

The lost sometimes stare with a look in their glare

An emptiness few can perceive

I know that abyss, but the abyss can't know this

All that my love meant to me

Every day my daughter would come join me

Every day she would leave a flower underneath my wake

Until the day I stepped outside to

Go and sit beside her

The rains of ash were starting then to fade
Lillith

Art by PixelWayve

The Red-Haired Son (great-granduncle)

Son's Son (first cousin twice removed)

Alexander (great-grandfather)

Alexander's daughter (grandmother)

Alice (far-off direct ancestor)

The Red-Haired Lad (father)

Unamed Albino Princess (mother)

Son Mi (half-great-grandaunt)

Han-Mi (half second cousin once removed)

Lillith is a character who was briefly mentioned in The New Albion Guide to Analogue Consciousness, and makes a full appearance in The Broken Cyborg. She is voiced by Lauren Osborn

## Background

The Red-Haired Lad decided that the only way to end the rivalry between the Red-Haired Mafia and The Albino Tribe was to marry the Albino Princess and had a child, whose own child was Lillith.

In the Broken Cyborg, Lillith tells Xander and the refugees about the ancient history of the Albino Goddess and how they will reform her.
Bonfire of the Dolls

"Bonfire of the Dolls" is the seventh track of the third act of The Dolls of New Albion, and the eighteenth track of the album overall.

## Performers

Kayleigh McKnight as "The Narrator"

Jason Broderick as "Byron McAlistair"

## Lyrics

[NARRATOR:]

Beside the girl's body, her suicide note
and the words from the Dolls' song was all that she wrote
It was published in papers, discussed, yet despite
This, the Dolls kept broadcasting all day and all night

Columnists bantered, parent groups fumed
And distrust, fear, and anger rose, spread and loomed
The dolls were derided, disdained and decried
And everyone waited for the match to ignite

[BYRON:]

It won’t be too long folks til our doll runs this town
We’re voting him in and it’s happening now
You’re all at the crossroads where worlds connect
And your kids are all dancing each night with the dead

[NARRATOR, CROWD:]
Kill the dolls, kill the dolls

[NARRATOR:]

Everyone screamed

[BYRON:]

Now hold on, this isn't at all what we mean

[NARRATOR:]

But whatever he meant, no one cared or would hear
There was blood in their eyes, and a riot was reared

The streets are chaotic as bonfires glow
In the alleys and flames, fear and furor just grow
The dolls are picked up and then thrown in the fire
And the fever of violence and panic conspire

Poor Byron, he runs to find Jasper, his love
As the dolls are torn limb from limb, torched and burned up
No one's left to listen to his speeches or cries
He's fanned the flames that kill his dear doll tonight

[BYRON:]

Where’s my angel?
Where’s my angel?
Where’s my angel?
Where’s my angel?
Melodifestival 2

Semi-final 1 date
 Semi-final 2 date
 Final date
 Presenter(s)
 Number of entries
 Debuting
 Voting system
 Winning song

The **Melodifestival 2** will be the second edition of the Melodifestival.

## Hosting Information

**Sydney**,is an Australian city in Australia and was selected to host the **Melodifestival 2.** following Australina's victory at Melodifestival #1 in Stockholm with the song "Fighting For Love", written and performed by Dami Im.

### **Presenters**

On 09 June 2018 it was announced that **Dami Im** will be the host of **Melodifestival 2**.

### **Voting**

* All competing countries are obliged to vote in their own semi final. Failing to do so will result in a disqualification of the entry and risk to lose their spot in the final.
* The automically qualified countries were assigned one semi final they are obliged to vote in.
* The competing countries are free to broadcast and vote in the other semi final if they wish to do so. Their votes will be counted towards with the international jury along with the votes from the finalists.
* There will be 6 qualifiers from each semi final.
Alyssa Wiswall

Instagram / Twitter

Alyssa Wiswall is an artist who goes by the username ApologeticallyOffensive.

## Official New Albion Art

* Bio Picture for Paul Shapera
* Shirt and Hoodie design for The New Albion Cabaret
* Swinging at the Balley shirt, hoodie, and poster
* Icon for Raven's Twitter

## Cameo Appearances

In Astonishing Tales of the Highly Improbable, part five of William, she makes an appearance in the opening advertisement for PixelWayve's Tar Pits. Alyssa was a witch who accidentally opened a hellmouth, then turned herself into a screeching abyss demon in order to defeat the incoming monsters. She was then trapped in a tar pit by her wife PixelWayve, who is searching for a way to turn Alyssa back into herself again.

In the Helen's Hell Hags adventures, Alyssa was hired/kidnapped by The Floozy and Shira to design a logo for the superhero team. She was also referenced as being employed by Wormy at The Balley, and her coworker Maisel was jealous because Alyssa embodies everything Maisel believes she couldn't have. Alyssa is loved, is talented, is warm, is funny, is pretty, is sweet, is interesting, and is strong too.

## Gallery

Paul ShaperaAnnabelConstanceRachaelSavior SoulHelen's LamentHan-Mi's LamentXander and JaneDavid AdamsHelen's Hell Hags insignaKate, Mascot 3000, Xander and BrijaRaven and Han-Mi bondingSexy Edgar and RavenThe New Albion Cabaret shirt designKaty ShawIsabela
Brija and the Test

"Brija and the Test" is the second track of the third act of Janissary, and the twelfth track of the album overall.

## Performers

Lauren Osborn as Brija

Paul Shapera as Chorus

## Lyrics

[BRIJA:]

A test is declared to decide and determine

Which of the girls may be worthless or worthy

Wild child, watch from the shadows

As the other girls plot your demise

A trial by combat, the girls all inside

And they make a pact that first Brija will die

Wild child, no one in the world

Who loves you and who's still alive

The trial begins, all alone Brija stands

And the girls all come at her

With blades in their hands

Wild child, tears in your eyes

As your sisters betray you once more

Brija, she dances, her dead mother whispers

A feral ballerina with fierce blood red kisses

Wild child, in a ballet of blood

As the bodies pile up on the floor

[CHORUS:]

What secrets now have they said?

The strange sounds in your head

Do they tell you it over and over again?

The voices that speak

That ones no one else sees

For hours you just sit and you stare absently

[BRIJA:]

And when the test was done

No one moved or spoke a word

Until a single person

The Vizier slowly rose

A slow and lonely clap

Echoed from his hands

Until at last the hall was filled

With applause and cheering men

He took young Brija by

The shoulders and they walked

And he told her of the glory

Of the Janissary guard

And so he offered her a post

A life and more

She left with him, beside him

As his private bodyguard
Лира

**Лира** – одна из высших должностных лиц Посейдона Неро и член 6 океанов.

## История

На Неро 66, где она отдыхает в бассейне в купальнике, Лира отмечает, что Фабьяно следовало отправиться с ними, а не остаться в Храме, а Насэ говорит ей, что им не нужен бесполезный старик.

## Сила и Способности

Лира – одна из 6 Океанов, выступавшая в качестве высшего должностного лица империи Неро.

## Интересные Факты

* В рамках конкурса "Оригинальное Эфирное Устройство" Лира была выбрана одним из пяти победителей, созданным Altairiis.

## Примечания

1. ↑  Глава 130, стр. 10
2. ↑  Глава 138, стр. 18
3. ↑  Глава 130, стр. 5
4. ↑  Глава 130, стр. 11
5. ↑ Altairiis – Лира
Fairy Tales for Homeless Faeries

**Fairy Tales for Homeless Faeries** is an album featuring fairy tale songs from New Albion. All songs were written, performed, and produced by Paul Shapera. Matthew Broyles played guitar on Fall of Avalon and Eli Miller

The album begins with the fall of the great fairy kingdom of Avalon. The following songs are largely self contained, but commonly describe fairy interactions with the human population as a result of no longer having a homeland. The final song ends with the great human city of Victoria falling and being replaced by Avalon again.
Piston Brown

"Piston Brown" is the third track of Fairy Tales for the Lost and Wandering.

## Lyrics

It's said that no one never held a hammer

Or laid a long, hard length of steel track down

It's said that no one drives an iron with the fire

Of one-eyed Piston Brown

It's said that Piston Brown was raised by druids

The centre of a forest, warm and green

With nature, they were one

He was a priest and priestess' son

And taught the way of magic in the trees

Now, of course, there is a girl; her name is Sarah

Two fated lovers you have never seen

Enchantment's all they knew

In Eden where they grew

And at last, one day, young Sarah did conceive

The tribe was thrilled with Sarah's dear conception

A ceremony great was now declared

It proclaimed all sorts of signs and planets which aligned

And fulfilled the priesthood's long and careful plan

It's said that no one never held a hammer

Or laid a long, hard length of steel track down

It's said that no one drives an iron with the fire

Of one-eyed Piston Brown

You see, if two holy siblings have an offspring

And upon a certain day, it's sacrificed

A great power would befall the priesthood, one and all

And thus, this union carefully was devised

Brown and Sarah were, in fact, two twins, but

Separated young and never told

Maneuvered well enough into falling deep in love

To bear the sacrifice that was foretold

Well, the truth will come out, one way or another

And at ceremony all became unveiled

Though they screamed in vain, Sarah and baby were slain

And Brown fled in his grief and cries and wails

It's said that no one never held a hammer

Or laid a long, hard length of steel track down

It's said that no one drives an iron with the fire

Of one-eyed Piston Brown

He ran and ran until he reached a city

The grime and steel there filled his very bones

The years were cruel and sharp, and Brown grew strong and hard

And became a railway man down to his bone

He championed a railway line that ran through

The very forest where his people lived

With irons, guns, and knives, he returned, their eyes on fire

To mow down every living thing within

His tribe, with all their fancy modern magic

Could not defend the fierce attack

No match for guns and steel Piston Brown's men all did wield

All life was swept, replaced by railway track

It's said no forest and no field will move him

He rips them all asunder in his time

It's said he won't stop work 'til every blade of grass on Earth

Is replaced by steel track of the railway line

It's said that no one never held a hammer

Or laid a long, hard length of steel track down

It's said that no one drives an iron with the fire

Of one-eyed Piston Brown

It's said that no one never held a hammer

Or laid a long, hard length of steel track down

It's said that no one drives an iron with the fire

Of one-eyed Piston Brown
Abigail's Jig

**Abigail's Jig** is the fourth track of the second act of A Pirate's Tale and the twelfth track overall.

## Lyrics

[ABIGAIL:]

Hey now, come and gather 'round

There's a custom down in my old town.

We have tiffs both small and big.

We war it out in a clash of jigs.

Pick your side and pick your mates.

Test your limbs, your speed, your strength.

You keep it up 'til one side falls.

A bloodless battle tests them all.

A rhythm, fiddle, tune and drum

Waits to test the fiercest ones.

Keep it sharp, but loose and neat.

You lose your wits, you lose your feet.

Hey now, come and gather 'round

There's a custom down in my old town.

We have tiffs both small and big.

We war it out in a clash of jigs.
Kerttu Aarnipuu

Kerttu performing in The Posthuman Cabaret, photo by Nora Bellamy

**Kerttu Aarnipuu**, aka Keets, is a singer and cutie patootie. She was one of the performers in The Posthuman Cabaret

## Characters

* The Forgotten Meme as Meme
* The Lost Fairy as Meme
* Cthulhu: The Funksical as The Ice Queen (Recorded and added to the album in 2019)
* Katy Shaw and the Search for the Stolen Secret as Sheila
* Nash Harding and the Secret of the Twisted Tower as Ryvyr D Goblin
* Kevin & Abi and the Secret of the Golden Pendant as Ryvyr D Goblin and a Singing Pendant
* Helen's Hell Hags as Joki the Goblin
* The Posthuman War Act 4: Red River as Leanne
* Kevin & Abi And The Secret Of The Stolen Sun as Ryvyr D Goblin

## Cameo Appearance

In Lost Fables From New Albion, she makes an appearance in the story "The Radiated Pile of Ooze (The Prime of Beatrice Wynn)." Kerttu was a young, fierce anti-fascist who dropped a bomb down Beatrice's shirt, said "Goodbye bitch" and then died in the resulting explosion.
Uma

**Uma** (*ウーマ Ūma*) is the daughter of Ursula and the antagonist of Disney's *Descendants*, she appears as one of the playable in *Disney Battle Royale All-Stars*.

 Story

TBA

## Fighting Style

Uma uses her sword to fight, Harry and Gil are her helpers to fight.

## Abilities

For the final special, Uma becomes a cecaelia.

## Quotes

### In Battle

#### Round Defeat

* Aaaaaahhhh! (Loss if hit with Hard Attack)
* You little.... (Loss if hit with a Light Attack)
* Ugh! (Loss via Time Over)
Pit of Soddan

**Pit of Soddan** is the seventh track of the first act of A Pirate's Tale.

## Performers

Ray Cygrymus as "Sebastian"

Hope Anthony, Catherine Kolos, Michael Moats, Josh Reardon and Tim Tolbert as "Mutineers"

## Lyrics

[SEBASTIAN:]

Underneath the blackest sea,

The darkest land the dead have yet betrodden.

Where broken dreams and dead men weep,

The lost and cursed end up to be forgotten.

Even minions, second-best,

The faithful, lackies, flunkies, jesters,

Doormats who their captains simply trodden

Rise up to proclaim what’s theirs.

A dragon wakes.

You’ve fallen... You crawl in... Soddan

There’s a pit, the blackest hole

The darkest hell where damned men fall.

There’s a pit beneath the drowned

The blackest hole in ocean’s ground

And I will cast you down.

Deep within the ocean,

There’s a most forsaken hole I know called Soddan.

Where broken dreams and broken men

Got to meet their end and be forgotten.

Luckless servants, second-mates

Remember promises you made.

The boots you wiped and scraped and scratched upon them

Dragon from a lonely scourge

And your curse comes a callin’ !

You’ve fallen

In Soddan.

[SEBASTIAN:]

There’s a pit, the blackest hole

The darkest hell

Where damned men fall.

There’s a pit beneath the drowned

The blackest hole

In ocean’s ground

And I will cast you down.

[MUTINEERS:]

The blackest pit, the darkest hole

Beneath the ground where dead men fall

The blackest pit, the darkest hole

Beneath the ground where dead men fall

And I will cast you down.
Adore (The Other Reggie Smith)

"Adore" is the sixth track of Fairy Tales for Homeless Faeries

## Lyrics

It's the scent, of your bed,

That lingers in my head.

So I've come, to watch you sleep,

One night more.

And all the shades, of your room,

Waltz softly on your moon,

Light colored floor,

And you,

I adore.

When you passed by, and your scent,

Lingered in my head,

And I knew, it was you,

I'd have lived for.

If I'd had stayed, we'd have kissed,

But in another world I live,

Taken long before.

And you now,

I adore.

I adore,

In the night when dark dreams roar,

And a memory stirs, a long lost world,

I mourned so long before,

Le vie la mort.

And long ago, there was a babe,

And one night, the wee folk came,

And his scent, would trace the room no more.

And the world where he'd have grown,

And the love, he would have known,

Are lost ashore,

But you now,

I adore.

I adore,

In the night when dark dreams roar,

And a memory stirs, a long lost world,

I mourned so long before,

Le vie la mort.

I adore,

In the night when dark dreams roar,

And a memory stirs, a long lost world,

I mourned so long before...

I've lived in lands far too strange,

In your language, to explain.

And I'll know, a place called home,

Nevermore.

But ah, the scent of your bed,

It lingers in my head,

So just one night more,

I watch you,

And adore.
Album Masterpage

Below is a list of all the works grouped by series. There is also a Chronological Timeline which lists the albums in order of when they occurred in the New Albion universe.

Additionally, there is a page of Content Warnings to help give a heads up about triggering aspects found in each album

## New Albion Tetralogy

* The Dolls of New Albion, A Steampunk Opera
* The New Albion Radio Hour, A Dieselpunk Opera
* The New Albion Guide to Analogue Consciousness, An Atompunk Opera
* The Room Beneath New Albion

## The Ballad of Lost Hollow

* Miss Helen's Weird West Cabaret, The Ballad of Lost Hollow Act 1
* Uncle Raven's Super Happy Fun Time Carnival, The Ballad of Lost Hollow Act 2
* The Path From (Lost Hollow to New Albion)
* The Grand Cyberpunk Gala of Gabriella Gadfly, Ballad of Lost Hollow Act 3

## The Fairypunk Trilogy

* The Forgotten Meme, A Cyberpunk Fairy Tale
* The Broken Cyborg, A Biopunk Fairytale
* The Lost Fairy, A Fairypunktale

## The Secret Series

* Katy Shaw and the Search for the Stolen Secret
* Nash Harding and the Secret of the Twisted Tower
* Kevin & Abi and the Secret of the Golden Pendant

## The Posthuman War

* Act 1: The Playhouse
* Act 2: Caravan
* Act 3: A New Dream
* Act 4: Red River
* Act 5: The Pursuit
* Act 6: The Battle

## The Adams Arc

* Justacorp
* Shadows & Flames
* Caravan (Early Works)

## Fairy Tale Albums

* Fairy Tales for the Lost and Wandering
* Fairy Tales for Homeless Faeries

## Other Works

* Uncle Raven's Storytime Theatre: Never Never Land
* Han Mi's Storytime Theatre: How To Talk To A Cute Girl Without Being A Creep
* Kevin & Abi And The Secret Of The Stolen Sun
* Jill's Psychedelic Sunday
* Janissary, A Balkan Rock Opera
* The Fallen
* A Pirate's Tale
* Slenderman the Musical
* Cthulhu: The Funksical
* Lullabies, featuring Lauren Osborn
* The Yam Salve Song
* Helen's Hell Hags
* A Covid Christmas

## Non-Musical Works

* Astonishing Tales of the Highly Improbable (Podcast)
* Lost Fables From New Albion (Book)
* The Posthuman Playhouse (Book)

## MochaLab Albums

* Subduction
* Anamnesis
* The Coffee Cellar

* The Little Mermaid
* Despedida

## Ah Pook the Destroyer

* The Silver Key
* The King in Yellow
Fernsong

Fernsong is a bright yellow tabby tom.

**Relationships**

*Mother*: Cinderheart

*Father*: Lionblaze

*Sisters*: Sorrelstripe, Hollytuft

*Mentor*: Rosepetal

*Apprentice*: Shellpaw

**History**

*Canon*

Fernsong is apprenticed to Rosepetal and attends a training session with Bramblestar, Squirrelflight, and his sisters with their mentors. (Bramblestar's Storm).

Fernsong brings Honeykit to the medicine den for a bellyache. He later goes hunting with Ivypool. When Alderpaw sets out to find Skyclan, Fernsong is one of the cats chosen to help him.

*Fanon*

Sparkpelt tells Hollytuft that she is expecting Fernsong's kits, and that they have been mates for a moon. The next morning, she and Fernsong are seen sharing tongues and Sparkpelt is implied to have just revealed that she is expecting.

Fernsong discusses his relationship with Sparkpelt, and his awe that she is going to have his kits, with Hollytuft on their way to the gathering.

When Blossomfall's kits are apprenticed, Fernsong reacts with surprise when he is made the mentor of Shellpaw. He discusses training with Ambermoon, and they along with Hollytuft take their apprentices out to explore the territory. When Eaglepaw asks where Windclan territory is, Fernsong tells her and leads the way there.
Alice (Song)

"Alice" is the third track of The Room Beneath New Albion.

## Performers

Paul Shapera as "Alexander"

Lauren Osborn as "Alice"

## Lyrics

[ALEXANDER:] (spoken)

Yeah, so, that's me. But don't worry about me right now. I want to talk about the girl, Alice. So it's been about four years since she's come to New Albion, and she spends most of her time in these tunnels underneath the city on this "great task" them angels sent her to do. Which apparently involves stealing heaps of the bootleg Dolls which are my bread and butter. And of course, this entire time she's been constantly on that sandy drug, which is day by day destroying her mind and body.

[ALICE:]

Come and join the fun time tea time party

Come and join the ca-cabaret

Please come... Mondays... Mondays...

In the basements far beneath them

Where your days just crawl away

And fragments fall from you, the forests that you once knew

A million miles away

In the years since you have come here

All your thoughts have lost their way

And standing in a spot when really you are not 'cause you are

A million miles away

A million miles away

Smiling faces round the fire

With the wolves then you would race

Air and wind above and all those who you once loved

A million miles away

In the basements far beneath them

Where you haunt the endless days

Snort the sand, slowly forget about the land that lies

A million miles away

A million miles away

Steal the pieces of their bodies

And build just like the Angels say

Parts and hearts of dolls in pieces like your thoughts are all

A million miles away

In the basements far beneath them

Snort the sand so you can stay

And as the days count on, another piece of you is gone

A million miles away

A million miles away

Come and join the fun play tea time party

Come and join the Angels' degradate cabaret

Minds out, heads baked, won’t need 'em anyway

Whiz bang what say scream on Sundays

Come and join the inmate’s cackling stage play

Come and hold the plot together one more day pray

Mondays, Mondays do what the Angels say

Tea with the wall of heads Tuesdays

Heads will roll when the fun time starts

Screaming off the roof of a house of cards

There’s heads, hearts, body parts, hands in the cookie jar

Dollies piled in the deep dark

Heads will roll as you laugh them off

The work of the Angels never stops

There’s legs and hands, chests, heads, all of them your friends

Party in the body part pile and it never ends
Asha

art by Fayzart136

Asha is one of the posthuman members of The August Sky Playhouse. Her first introduction is a mention by Raven in Uncle Raven's Storytime Theatre: Never Never Land. She would later appear as the protagonist of her own tale in Astonishing Tales of the Highly Improbable, Asha & the Caravan as well as in supporting roles in The Posthuman War and other stories.
Cocoon

Cocoon is the second track of The Fallen. There isn't much else to say about it.

### Lyrics:

[DEMON]: "The dirt road winds in grinding knots, its flaked dust cracked like parchment lost, and far behind, where wings were thrown, the cliffside fades and soon is gone.

Through the fog that stains the night, cathedrals stand like frozen tides.

Encased enchantments, hollow rooms, stain-glass mazes, quaint cocoons.

Inside cathedral courtyards stand sullen creatures weaving strands, veering desert wistful sands that grab and spindle winding webs.

Long ago, the thought of life outside these wombs of webbed wall died, and now they weave their living tomb, their wrapped encasement quaint cocoon."

[WEAVERS]: "Leave the worldly, lie inside, weave a dream of wings to fly.

Lives and then hides from cracks on the bast outside."

[DEMON]: "The cold stained glass reflects the room, through the webbed, hypnotic womb, the Fallen Angel without wings sees herself, sees her dreams, sees the moonlit winding road, beyond the windows neon glow, beyond the soft enchanted room, this woven cavern, quaint cocoon."

[WEAVERS]: "Leave the worldly, lie inside, weave a dream of wings to fly.

Lives and then hides from cracks on the bast outside."

[ANGEL]: "Release me.

Release me.

Release me."

*faint whispering*

[ANGEL]: "Release.

Release."

[DEMON]: "Isolated senses grind past the web, the window shines, and shaken sharply now she stands tearing web strands from her hands.

Slowly striding out, she builds, breaks into a running stilt, with outstretched arms she dives into the stiff flashed shudder, she leaps through."

[WEAVERS]: "Leave the worldly, lie inside, weave a dream of wings to fly.

Lives and then hides from cracks on the bast outside."

[ANGEL]: "Release me.

Release me.

Release me."

[WEAVERS]: "Leave the worldly, lie inside, weave a dream of wings to fly.

Lives and then hides from cracks on the bast outside."
A Pirate's Tale (Song)

**A Pirate's Tale** is the opening song of the eponymous album.

## Lyrics

[PIRATES]:

Life you found's got you down,

Getting harder each day.

Troubles stacked on your back.

You're better off our way.

Come aboard then follow me

Off we sail on the seven seas

With your mates, there awaits

All your fortune and fame.

You may find no-one lines up

To give you their gold.

Poor old sod. Like a dog

Stranded out in the cold.

Here's a radical business plan.

Go and take from them all you can

With a sword at your side.

All your gold or your lives.

It‟s a pirate's life we weather.

On the seas in our quest for treasure.

It's a pirate's life we chose.

See you in Davy Jones'.

A week in the brig

Dance the hempen jig.

A black jack arrack

And a yo-ho-ho.

A week in the brig

Dance the hempen jig.

A black jack arrack

And a yo-ho-ho.

A week in the brig

Dance the hempen jig.

A black jack arrack

And a yo-ho-ho.

On the sea where you’re free

there is nothing you’ll lack

All the men, your best friends

‘till you’re stabbed in the back

Of your deeds they will speak in dread.

You'll retire either rich or dead.

With the bones on your flag.

All the gold that you have.

It’s a pirate’s life we weather.

On the seas in our quest for treasure.

It’s a pirate’s life we chose.

See you in Davy Jones'.

It’s a pirate’s life we weather.

On the seas in our quest for treasure.

It’s a pirate’s life we chose.

See you in Davy Jones'.
Eli Miller and the Black Rock

"Eli Miller and the Black Rock" is the third track of Fairy Tales for Homeless Faeries

## Lyrics

Eli Miller was a legend among the New Albion party circuit. For those who religiously spent their weekends in one of the drug-fueled dance parties always appearing, the name Eli Miller was always pronounced in the most reverent of tones.

If on weekends you go wild,

Dress up then go out to play,

Pop some pills and feed your head,

And just dance the night away,

If you feel it's getting stale,

The same old thrill from week to week,

They say Eli has the cure,

The onyx ticket that you seek.

The hidden party,

All those strange old rumors that you've heard,

It's so fierce that it blows minds,

Some who go just don't return.

Nothing wilder exists,

It's invite only and,

If you want an onyx ticket,

Then Eli Miller is your man.

Eli is my cousin and the thing that no one knows,

Our family has a curse from very long ago.

Each generation there's a chosen one who comes along,

Who inherits the black rock,

And their life is not that long.

At 16 it begins,

They disappear at night,

Taken to some ballroom,

Both refined and brutal wild.

Dancing with the fairies,

Taken night by night,

What a thrill but you will drop dead from fatigue by 25.

The black stone is the key,

And it's in the family line.

It's the beacon how they find you,

And no matter how you try,

You cannot lose it but

You just might loan it for a spell.

It's the onyx ticket that Eli Miller sells.

If on weekends you go wild,

Dress up then go out to play,

Pop some pills and feed your head,

And just dance the night away,

There's a party that's so wild,

It makes mad men out of sane.

Rent the black rock ticket,

Go in Eli Miller's place.
Amber Reflects

**"Amber Reflects"** is the ninth track of Nash Harding and the Secret of the Twisted Tower.

## Lyrics

[AMBER]:

Back in the asylum when my younger self was crying

And i just sat there in silence and despair

Around me voices screaming, laughing madly, bedlam dreaming

Its dark nightmare as i sat in silent prayer

Why’d they do this to me, i am lost and there is nothing

That can lead me out of darkness, out of woe

There ought to be a new world for the sad, despairing lost girls

But the days they would just come and they would go

And i wish that i could go back and say

Tell that little girl the pain is worth it all one day

All this will fade and you will change

And a force for vindication and saltation you will make

The price of transformation lays

In paying wages made of pain

Little girl keep holding on be strong and full of faith

I still believe, believe this will be worth it all one day

Down there in those caves that dark and damp and chilly place

Where the voodoopunks would chant and plan and pray

The wounded they would cry, the really bad ones would just die

And you could see the desperation on our face

In prayer i begged oh why must all this suffering be mine

Why must this world always be so full of woe

Please let there be a place past all this misery and pain

But the days they would just come and they would go

And i wish i could go back and say

Tell that teenage girl it will be worth it all one day

A woman of you it will make

And a force so fierce and fiery you will be upon that day

The price of transformation lays

In paying wages made of pain

Little girl keep holding on be strong and full of faith

I still believe, believe it will be worth it all one day
Ljiqnmnhodjin

"Ljiqnmnhodjin" ("Conversations") is the first track of the third act of The Lost Fairy, and the eighth track of the album overall.

## Performers

Lauren Osborn as "Symbel"

Liel Bar-Z as "Jane"

Oliver Marsh as "Jakob" and "Jesse"

## Lyrics

[SYMBEL:]

I thank you, miss, don't get me wrong, it's nice to have a friend

But is it really worth it running when all that you love, it ends

I had my days of sunshine, we all get then what we get

And now perhaps it's time to lay me and my memories down to rest

[JANE:]

There's fairies and there's people where we're going who now wait

Who will welcome you and have for you a warm and loving place

And there's something wild they're making that I swear you have to see

It's a strange and wondrous thing, it's a singularity

[SYMBEL:]

I can't believe there's kindness left, miss, you make me cry

But you shouldn't come to risk your life, you should just let me die

[JANE:]

Someone, they once loved me when times were darkest, they

Sacrificed themselves to save me, save in every single way

I struggle with my guilt and I don't understand quite why

Why he thought me worth it, I was just a stupid child

So when your cousins asked someone dare to go and save

I need to prove that I was worth the trade that Xander made

[JAKOB:]

It's tiring, this burden, this endless constant rage

How do you bear the sadness that you carry every day?

[JESSE:]

I wonder at our wisdom when we long ago agreed

To divide emotions so but at the time, we could not see

At the time, it felt like drowning, we did what we had to do

To keep ourselves still standing each day to make it through

[JAKOB:]

Sometimes, to be honest, I'm not sure how longer I

Want to be the primary as I've been all our lives

Though so being so it drives me, but this endless burning rage

Is draining and is painful and is often touched by shame

[JESSE:]

We took on this vendetta because the purpose that it gave

It made us strong and kept us motivated every day

But if it's served its purpose, we can let it go and rest

Put down all the anger, re-invent ourselves at last

[JAKOB:]

Not until the last small fairy vermin has been killed

Then our life's work is accomplished and only then can we be still

## Trivia

In Jane's second verse, she sings "he thought me worth it" when referring to Xander. This was most likely an oversight, or it could be part of Jane's perception of Xander. Although she always knew them as nonbinary, she distinctly felt them to be a 'fatherly' presence, given having two moms already and the drastically different role in her life that Xander played. In Bio3 of Broken Cyborg, she notes "and I loved them like a dad".
Let's Go Back

**Let's Go Back** is the eighth track of Kevin & Abi And The Secret Of The Stolen Sun.

## Performers

Oliver Marsh as "Kevin"

Kiera-Marie Somers as "Abi"

Kerttu Aarnipuu as "Ryvyr"

Hayley Warner as "Alyssa"

Paul Shapera as "Geoff"

## Lyrics

Abi: So how did this fairy sword end up in that boy Kem's head?

Kevin: Santiago Winters is wealthy beyond description, and a collector of rare oddities. My guess is he bought it at some auction.

Abi: So are we really just going to walk away?

Kevin: No, we're not. What did Xiao-Li Winters mean by "Kem is the guinea pig"?

Abi: Santiago Winters wants to market an online school where the students are strapped in like inmates.

Kevin: I think we should ignore Mr. Winters and stay on this.

Ryvyr: Yay! That sword doesn't belong to him.

Abi: I mean, technically it might.

Ryvyr: I could use a few more weapons.

Abi: You can't be serious.

Kevin: I want to see this school myself. Alyssa said she was a computer whizz. Let's find her address and get her to help us get it back up and running.

(They drive to Alyssa's house and knock on her door.)

Alyssa: Oh, it's you.

Geoff: Hello, my name is Geoff, I'm a friend of Alyssa's.

Abi: We just met before.

Geoff: Oh, okay.

Abi: There's a scent of magic in here.

Alyssa: I don't know the first thing about magic, nor do I care to.

Kevin: We need you to get us back into that classroom.

Alyssa: The Voodooverse?

Kevin: Yes. But first, we're going to need you tell us all about your relationship with Kem.

Alyssa: Fine.
Amelia

Art by Fayz

Amelia is a character from **The Dolls of New Albion,** and was a **Voodoopunk** priestess. She is voiced by Lauren Osborn

### History

Amelia was one of many in the **Steampunk era** who joined the **Voodoopunks** as an escape from the world, and for Amelia, mainly an escape from her abusive father. For much of her life, she'd tried to remain as invisible as possible, but as her small circle started drifting into the **Voodoopunk** scene, she started to gain more respect and admiration than ever before, in large part because of her willingness to be a guinea pig for voodoo rituals. Amelia would soon grow attracted to Byron McAlistair and tries to communicate with him, but due to his obsession with Jasper and the Voodoopunk movement and his disinterest in women, he fails to be a supportive friend and he seems to not notice her presence most of the time. The dolls then start broadcasting the song Elysian Night, and after being beaten by her father one last time, she decides she wishes to go to Elysium, and she commits suicide, setting off a chain of events that culminates in city-wide riots.

In the book, Lost Fables from New Albion, Amelia finds herself at The Crossroads, where Baron Samedi and Cerridwen inform her that she may be a Posthuman. Paul has confirmed that though she was a flowered posthuman by the end of her life, she never realized it before her suicide.

## Trivia

* When Paul confirmed that Amelia was bisexual he elaborated that she "leans towards straight, might not ever wanted an actual same sex relationship, at least where she was in her development when she died, but definitely was sexually active as bi".
* According to Paul's Instagram posts, Amelia once accompanied Jacqueline O'Brien and Byron McAlistair to spray paint vulgar messages about Edgar McAlistair around town, when they were caught by a security guard. Byron just wanted to run and Jacqueline wanted to fight the guard. Amelia however, walked over to the guard and cried, the guard then hugged her and the two cried and vented their troubles to one another. The guard never forgot about Amelia and when he found out that Amelia was the one who committed suicide, he went to riots and lit the first torch.

1. ↑ https://www.instagram.com/paulshapera/
Amanda Craig

"Amanda Craig" is the second track of Fairy Tales for Homeless Faeries

## Lyrics

On the morning of May 28th, 13 residents of the Sunnydale Retirement Home were found collapsed on the outside grounds, 6 of them dead from apparent exhaustion, including 85 year old Amanda Craig

A strange girl Amanda Craig,

Odd and distracted and wild eyed

with stories of friends she had made

Who lived in the woods

and whenever she could

she would run off to play with

throughout all the day

Weep not my child, for who

One night's dance, a life will see you through.

A strange girl Amanda,

that mark on her hand

and when taunted she'd

just glide oblivious by

But some had decided

in scorn and despisement

her torment would taste good

and thus by and by

The bullies they badgered and bothered and beat her

'til one Monday when they no longer went near

They came to school with an odd look of strange terror,

avoided her, trembled, even cried a few tears

Weep not my child, for who

One night's dance, a life will see you through.

By mid teens Amanda was absent so often,

some say she ran naked through forests at night

Her parents would shrug and exchange glances

knowing the woods were her mate and the fairies her guides

Adults now, those bullies invoked the authorities

"for her own good we must put her away"

It took time to capture but in the asylum

for 60 years they threw Amanda Craig

Weep not my child, for who

One night's dance, a life will see you through.

At 85 in an old home sat Amanda

and also those bullies who put her away

Old now they all watch TV in the Commons

until the warm night when the fairies they came

Weep not my child for Amanda

the fae came the night 'fore she died for this one last soiree

Weep not my child for the bullies

for out of the window they climbed and danced with the Fae

And though on that night they all died from exhaustion

they begged her forgiveness with tears in their eyes

They all agreed it was the finest,

the greatest the most sublime night they had had in their lives

Weep not my child, for who

One night's dance, a life will see you through.