Alistair MacLean

Alistair Stuart MacLean was a Scottish novelist who was well known for novels such as *Where Eagles Dare,* and *The Guns of Navarone.*

## Alistair MacLean

### Aliases

The Master of Action and SuspenseIan Stuart (published under two books)

### Occupation

WriterScreenwriter (formerly)

Producer (formerly)

## Early Life

Alistair MacLean was born on April 21, 1922 in Shettleston, Glasgow, UK. As a child, he learned English, second to his first language, Scottish Gaelic. In 1941, at the age of 19, he joined the Royal Navy during the Second World War. He served mainly around Scotland, before transferring to the HMS *Royalist* in 1943. In 1946, he was discharged from the Royal Navy, and went back to live with his mother.

## Early Writing Career

### First works

Whilst a university student MacLean began writing short stories for extra income, winning a competition in 1954 with the maritime story "Dileas". He sold stories to the *Daily Mirror* and *The Evening News*. The wife of Ian Chapman, editor at the publishing company Collins, had been particularly moved by "Dileas", and the Chapmans arranged to meet with MacLean, suggesting he write a novel. The schoolteacher responded three months later with *HMS Ulysses*, based on his own war experiences, as well as credited insight from his brother Ian, a master mariner. The book was written over three months.

MacLean later described his writing process:

MacLean was paid with a large advance of $50,000, which resulted in headlines at the time. Collins were rewarded when the book sold a quarter of a million copies in hardback in England in the first six months of publication. It went on to sell millions more. Film rights were sold to Robert Clark of Associated British for £30,000, though a movie was never made. This money meant MacLean was able to devote himself to writing full-time.

### *Guns of Navarone*

His next novel, *The Guns of Navarone* (1957), was about an attack on the fictitious island of Navarone (based on Milos). The book was very successful, selling over 400,000 copies in its first six months. In 1957 MacLean said "I'm not a literary person. If someone offered me £100,000 tax free I'd never write another word."

MacLean was unhappy at the tax paid on earnings for his first two novels so he moved to Lake Lucerne in Switzerland where he would pay less tax. He planned to write one novel a year. "It's all the market can stand," he said, adding it took him three months to write it.

MacLean followed it with *South by Java Head* (1958), based on his experiences in the seas off southeast Asia in World War Two, and *The Last Frontier* (1959), a thriller about the Hungarian Uprising of 1956. Film rights for *Java Head* were sold but no movie resulted.

His next novels were *Night Without End* (1959) and *Fear Is the Key* (1961). *The Last Frontier* was turned into a movie, *The Secret Ways* (1961), which was not very successful while the film version of *The Guns of Navarone* (1961) was hugely successful.

### Ian Stuart

In the early 1960s MacLean published two novels under the pseudonym "Ian Stuart" in order to prove that the popularity of his books was due to their content rather than his name on the cover. These were *The Dark Crusader* (1961) and *The Satan Bug* (1962). He also said it was because "I usually write adventure stories. But this is a sort of Secret Service or private eye book. I didn't want to confuse my readers."

The Ian Stuart books sold well, and MacLean made no attempt to change his writing style. He also continued to publish novels under his own name such as *The Golden Rendezvous* (1962) and *Ice Station Zebra* (1960).

"I'm not a novelist", he once said. "That's too pretentious a claim. I'm a storyteller, that's all. I'm a professional and a craftsman. I will make that claim for myself." MacLean also claimed he wrote very fast (35 days for a novel) because he disliked writing and the "sooner he finished the better." He never re-read a book after it was finished. His novels were notable for their lack of sex. "I like girls", he said. "I just don't write them well. Everyone knows that men and women make love, laddie – there is no need to show it."

### Retirement

In 1963 MacLean decided to retire from writing, saying he never enjoyed it and only did it to make money. He decided to become a hotelier and bought the Jamaica Inn on Bodmin Moor and then bought two more hotels, the Bank House near Worcester and the Bean Bridge at Wellington in Somerset.

MacLean focused on his hotel career for three years. It was not a success, and by 1976 he sold all three hotels. During this time a film was made of *The Satan Bug* (1965)

## Return to Writing

### Screenwriter

MacLean returned to writing with *When Eight Bells Toll* (1966).

Cinema producer Elliot Kastner admired MacLean, and asked him if he was interested in writing an original screenplay. MacLean agreed to the proposition, and Kastner sent the writer two scripts, one by William Goldman, one by Robert and Jane Howard-Carrington, to familiarize himself with the format. Kastner said he wanted a World War Two story with a group of men on a mission to rescue someone, with a "ticking clock" and some female characters. MacLean agreed to write it for an initial $10,000 with $100,000 to come later. This script was *Where Eagles Dare*.

In July 1966, Kastner and his producing partner Jerry Gershwin announced they had purchased five screenplays from MacLean: *Where Eagles Dare*, *When Eight Bells Toll*, and three other unnamed ones. (Kastner made four MacLean movies.) MacLean also wrote a novel for *Where Eagles Dare* after the screenplay which was published in 1967 before the film came out. The book was a bestseller, and the 1968 film version was a huge hit.

"MacLean is a natural storyteller", said Kastner. "He is a master of adventure. All his books are conceived in cinematic terms. They hardly need to be adapted for the screen; when you read them, the screen is in front of your mind." MacLean wrote a sequel to *Guns of Navarone*, *Force 10 from Navarone* (1968). A film version was announced in 1967 but did not result for another decade. The same year saw the release of an expensive film based on *Ice Station Zebra* (1968).

### Producer

In 1967 MacLean formed a partnership with Geoffrey Reeve and Lewis Jenkins to make films for MacLean to write and Reeves to direct. They planned to make a sequel to *Guns of Navarone* only to discover that Carl Foreman, producer of the original film, had registered the title *After Navarone*. This led to a falling-out with Foreman, and a delay in the *Navarone* sequel.

Maclean wrote a thriller about narcotics, *Puppet on a Chain* (1969), and *Caravan to Vaccarès* (1970). These books all began as screenplays for Kastner. Maclean said *Puppet* was "a change of style from the earlier books. If I went on writing the same stuff I'd be guying myself."

When *Puppet on a Chain* was made Maclean said "I've been connected with it for three years and its too much for me. All those entrepreneurs and promoters who aren't creative. All that time wasted."

"There is nobody to touch him," said Ian Chapman. "But he is a storyteller not a film man."

MacLean then wrote *Bear Island* (1971), the last of his first person narratives.

MacLean moved to Switzerland in 1970 as a tax exile. That year he said "there's Harold Robbins, Agatha Christie, Georges Simenon and me." He added, "I'm a storyteller, that's all. There's no art in it, no mystique. It's a job like any other. The secret, if there is one, is speed. That's why there's so little sex in my books – it holds up the action." He said he enjoyed the plotting "but the rest is a pain."

In 1970 MacLean, whose hero was Raymond Chandler, said "give me ten years, a few more books, and maybe, maybe I'll be half as good as Chandler."

Kastner produced a film version of *When Eight Bells Toll* (1971), based on a script by MacLean, and *Fear Is the Key* (1972), adapted by another writer. Another producer made *Puppet on a Chain* (1971), directed by Reeves, from a script by MacLean. Neither performed particularly strongly at the box office.

### Mary MacLean

In 1972 MacLean married his second wife Mary. She was going to produce three films based on his books but the box office failure of the last three MacLean adaptations put these on hold. One of these proposed films was *The Way to Dusty Death*, which was to star Jackie Stewart. It ended up being a 1973 novel and a 1995 film.

In 1973 MacLean was looking at moving to Jamaica. He also considered moving to Ireland but decided to stay in Switzerland.

Geoffrey Reeve directed a film of *Caravan to Vaccarès* (1974). By 1973 MacLean had sold over 24 million novels. "I am not a writer," he said in 1972. "I am a businessman. My business is writing." MacLean had spent a number of years focusing on screenplays but disliked it and decided to return to being predominantly a novel writer. "Hollywood destroys writers," he said. He wrote a biography of Captain James Cook which was published in 1972. He wrote *Breakheart Pass* (1974), *Circus* (1975), *The Golden Gate* (1976), *Seawitch* (1977), *Goodbye California* (1979) and *Athabasca* (1980).

"I read a lot, I travel some," he said in 1975. "But mostly what I don't know I invent." In 1976 he was living in Los Angeles and said he wanted to write a four volume serious piece called "The Rembrandt Quarter" based on the painting *The Night Watch*. These books were never published.

In 1977 it was announced MacLean, then worth £5 million, would divorce Mary, who said the author was impossible to live with.

In 1978 MacLean said he "just can't understand" why people bought his novels. "It's not as if I write that well: I do feel my English isn't very good. In fact, I'd rather write in Gaelic or Spanish than English."

He said his stories tended to pit "character against character as a kind of intellectual chess game" and that he found writing "boring" and "lonely" but "I guess it all boils down to that rather awful philosophy of take the money and run." "I am just a journeyman," he said. "I blunder along from one book to the next always hopeful that one day I will write something really good."

Films were still being made out of his novels including *Breakheart Pass* (1975) (from Kastner), *Golden Rendezvous* (1977), *Force 10 from Navarone* (1978), and *Bear Island* (1979) but none did very well.

In 1976 MacLean's second wife Mary formed a company with producer Peter Snell, Aleelle Productions, who aimed to make movies based on MacLean novels including *Golden Gate*, *Bear Island*, *The Way to Dusty Death* and *Captain Cook*. This company still owned these film rights after MacLean divorced Mary in 1977. However the rights soon passed to Snell.

MacLean decided to focus on American television, writing a novella titled *Air Force One is Down*, which was turned down by the American television network NBC (it would be produced in 2012). He then pitched six new ideas to networks, each with a 25–30-page synopsis to see which was commercially viable before. *The Hostage Tower* was approved by CBS, and aired on America television in 1980.

### Later career

His later works include *River of Death* (1981) (filmed in 1989), *Partisans* (1982), *Floodgate* (1983), and *San Andreas* (1984). Often these novels were worked on by ghost writers specializing in drama, with MacLean providing only the plots and characters. His last novel was *Santorini* (1986), which was published after his death. His estate left behind several outlines. One of them was filmed as *Death Train* (1993). His later books were not as well received as the earlier publications and, in an attempt to keep his stories in keeping with the time, he sometimes lapsed into unduly improbable plots.

## Death

On February 2, 1987, Alistair MacLean died of a stroke at the age of 64. It was noted that in the last few years of his life, he became addicted to alcohol .

## References

1. ↑ https://en.wikipedia.org/wiki/Alistair\_MacLean
2. ↑ [1]
3. ↑ https://en.wikipedia.org/wiki/Alistair\_MacLean