George R.R. Martin

**George Raymond Richard Martin**[1] (born **George Raymond Martin**; September 20, 1948),[2] also known as **GRRM**,[3] is an American novelist and short story writer in the fantasy, horror, and science fiction genres, screenwriter, and television producer. He is best known for his series of epic fantasy novels, *A Song of Ice and Fire*, which was adapted into the HBO series *Game of Thrones* (2011–2019).

In 2005, Lev Grossman of *Time* called Martin "the American Tolkien",[4] and in 2011, he was included on the annual *Time* 100 list of the most influential people in the world.

## Early Life:

George Raymond Martin (he adopted the confirmation name Richard at 13 years old)[2] was born on September 20, 1948,[7] in Bayonne, New Jersey,[8] the son of longshoreman Raymond Collins Martin and Margaret Brady Martin. He has two younger sisters, Darleen and Janet. His mother was of half Irish ancestry.[9] He also acknowledges French, English, Welsh and German roots,[10] which were confirmed on the television series *Finding Your Roots*. However, while he also believed he was a quarter Italian because of who he was told was his paternal grandfather, a DNA test on the show confirmed his Irish and other ancestries but excluded any Italian ancestry, showing instead he is approximately a quarter Ashkenazi Jewish.[11]

The family first lived in a house on Broadway, belonging to Martin's great-grandmother. In 1953, they moved to a federal housing project near the Bayonne docks.[9] During Martin's childhood, his world consisted predominantly of "First Street to Fifth Street", between his grade school and his home; this limited world made him want to travel and experience other places, but the only way of doing so was through his imagination, and he became a voracious reader.[12] Martin began writing and selling monster stories for pennies to other neighborhood children, dramatic readings included. He also wrote stories about a mythical kingdom populated by his pet turtles; the turtles died frequently in their toy castle, so he decided they were killing each other off in "sinister plots".[13] Martin had a habit of starting "endless stories" that he never completed, as they didn't turn out as great as word on paper as he had imagined them in his head.[14]

Martin attended Mary Jane Donohoe School and later Marist High School. While there he became an avid comic book fan, developing a strong interest in the superheroes being published by Marvel Comics,[15] and later credited Stan Lee for being one of his greatest literary influences; "Maybe Stan Lee is the greatest literary influence on me, even more than Shakespeare or Tolkien."[16] A letter Martin wrote to the editor of *Fantastic Four* was printed in issue No. 20 (November 1963); it was the first of many sent, e.g., *Fantastic Four* #32, #34, and others. Fans who read his letters wrote him letters in turn, and through such contacts, Martin joined the fledgling comics fandom of the era, writing fiction for various fanzines;[17] he bought the first ticket to the world's first Comic-Con, held in New York in 1964.[18][19] In 1965, Martin won comic fandom's Alley Award for Best Fan Fiction for his prose superhero story "Powerman vs. The Blue Barrier".[20]

In 1970, Martin earned a B.S. in journalism from Northwestern University's Medill School of Journalism in Evanston, Illinois, graduating *summa cum laude*; he went on to complete his M.S. in Journalism in 1971, also from Medill.[21] Eligible for the draft during the Vietnam War, to which he objected, Martin applied for and obtained conscientious objector status;[22] he instead did alternative service work for two years (1972–1974) as a VISTA volunteer, attached to the Cook County Legal Assistance Foundation.[21]

## Teaching:

In the mid-1970s, Martin met English professor George Guthridge from Dubuque, Iowa, at a science fiction convention in Milwaukee. Martin persuaded Guthridge (who later said that at that time he despised science fiction and fantasy) not only to give speculative fiction a second look, but to write in the field himself. Guthridge has since been a finalist for the Hugo Award and twice for the Nebula Award for science fiction and fantasy. In 1998, Guthridge and Janet Berliner won the Bram Stoker Award for Superior Achievement in the Novel for their *Children of the Dusk*.[23]

In turn, Guthridge helped Martin in finding a job at Clarke University (then Clarke College). Martin "wasn't making enough money to stay alive" from writing and the chess tournaments, says Guthridge.[24] From 1976 to 1978, Martin was an English and journalism instructor at Clarke, and he became Writer In Residence at the college from 1978 to 1979.[25]

While he enjoyed teaching, the sudden death of friend and fellow author Tom Reamy in late 1977 made Martin reevaluate his own life, and he eventually decided to try to become a full-time writer. He resigned from his job, and being tired of the hard winters in Dubuque, he moved to Santa Fe, New Mexico in 1979.[26]

## Writing Career:

Martin began selling science fiction short stories professionally in 1970, at age 21. His first sale was "The Hero", sold to *Galaxy* magazine and published in its February 1971 issue; other sales soon followed. His first story to be nominated for the Hugo Award[27] and Nebula Awards was "With Morning Comes Mistfall", published in 1973 in *Analog* magazine. In 1975 his story "...for a single yesterday" about a post-apocalyptic timetripper was selected for inclusion in *Epoch*, a science fiction anthology edited by Roger Elwood and Robert Silverberg. His first novel, *Dying of the Light*, was completed in 1976 right before he moved to Dubuque and published in 1977. That same year the enormous success of *Star Wars* had a huge impact on the publishing industry and science fiction, and he sold the novel for the same amount he would make in three years of teaching.[28]

The short stories he was able to sell in his early 20s gave him some profit, but not enough to pay his bills, which prevented him from becoming the full-time writer he wanted to be. The need for a day job occurred simultaneously with the American chess craze which followed Bobby Fischer's victory in the 1972 world chess championship. Martin's own chess skills and experience allowed him to be hired as a tournament director for the Continental Chess Association that ran chess tournaments on the weekends. This gave him a sufficient income, and because the tournaments only ran on Saturdays and Sundays, it allowed him to work as a writer five days a week from 1973 to 1976. When the chess bubble subsequently burst and no longer provided an income, he had become much better established as a writer.[29][30]

Martin is a member of the Science Fiction and Fantasy Writers of America (SFWA); he served as the organization's Southwest Regional Director from 1977 to 1979, and as its vice-president from 1996 to 1998.[*citation needed*] In 1976, for Kansas City's MidAmeriCon, the 34th World Science Fiction Convention (Worldcon), Martin and his friend and fellow writer-editor Gardner Dozois conceived of and organized the first Hugo Losers' Party for the benefit of all past and present Hugo-losing writers on the evening following the convention's Hugo Awards ceremony. Martin was nominated for two Hugos that year but lost both awards, for the novelette "...and Seven Times Never Kill Man" and the novella *The Storms of Windhaven*, co-written with Lisa Tuttle.[31] Although Martin often writes fantasy or horror, a number of his earlier works are science fiction tales occurring in a loosely defined future history, known informally as "The Thousand Worlds" or "The Manrealm".

In 2017, Martin recalled that he had started writing science fiction-horror hybrids in the late 1970s to disprove a statement from a critic claiming that science fiction and horror were opposites and therefore incompatible. Martin considered *Sandkings* (1979) the best known of these. Another was the novella *Nightflyers* (1980), whose screen and television rights were purchased by Vista in 1984, which produced a 1987 film adaptation, *Nightflyers*, with a screenplay co-written by Martin.[32] Martin was unhappy about having to cut plot elements in order to accommodate the film's small budget.[33] While not a hit at theatres, Martin believes that the film saved his career, and that everything he has written since exists in large part because of it.[34] He has also written at least one piece of political-military fiction, "Night of the Vampyres", collected in Harry Turtledove's anthology *The Best Military Science Fiction of the 20th Century* (2001).[35]

In 1982, Martin published a vampire novel titled *Fevre Dream* set in the 19th century on the Mississippi River. Unlike traditional vampire novels, in *Fevre Dream* vampires are not supernatural creatures, but are rather a different species related to humans created by evolution with superhuman powers. Critic Don D'Amassa has praised *Fevre Dream* for its strong 19th century atmosphere and wrote: "This is without question one of the greatest vampire novels of all time".[36] Martin followed up *Fevre Dream* with another horror novel, *The Armageddon Rag* (1983). The unexpected commercial failure of *The Armageddon Rag* "essentially destroyed my career as a novelist at the time", he recalled, and made him consider going into real estate instead.[37]

In 1984, the new editor of Baen Books, Betsy Mitchell, called Martin to ask him if he had considered doing a collection of Haviland Tuf adventures. Martin, who had several favorite series characters like Solomon Kane, Elric, Nicholas van Rijn and Magnus Ridolph, had made an attempt to create such a character on his own in the 1970s with his Tuf stories. He was interested, but was too occupied with the writing of his next book, the never-completed novel *Black and White and Red All Over*, which occupied most of his writing time the same year. But after the failure of *The Armageddon Rag*, all editors rejected his upcoming novel, and desperate for money, he accepted Mitchell's offer and wrote some more Tuf stories which were collected in *Tuf Voyaging*, which sold well enough for Mitchell to suggest a sequel. Martin was willing and agreed to do it, but before he got started he got an offer from Hollywood, where producer Philip DeGuere Jr. wanted to adapt *The Armageddon Rag* into a film. The film adaptation did not happen, but they stayed in touch, and when DeGuere became the producer for the revival of *The Twilight Zone*, Martin was offered a job as a writer. Working for television paid a lot better than writing literature, so he decided to move to Hollywood to seek a new career.[13][38][39] At first he worked as staff writer for the show, and then as an executive story consultant. After the CBS series was cancelled, Martin migrated over to the already-underway satirical science fiction series *Max Headroom*. He worked on scripts and created the show's "Ped Xing" character. However, before his scripts could go into production, the ABC show was cancelled in the middle of its second season. Martin was hired as a writer-producer on the new dramatic fantasy series *Beauty and the Beast*; in 1989, he became the show's co-supervising producer and wrote 14 of its episodes.

In 1987, Martin published a collection of short horror stories in *Portraits of His Children*. During this same period, Martin continued working in print media as a book-series editor, this time overseeing the development of the multi-author *Wild Cards* book series, which takes place in a shared universe in which a small slice of post–World War II humanity gains superpowers after the release of an alien-engineered virus; new titles are published in the ongoing series from Tor Books. In *Second Person*, Martin "gives a personal account of the close-knit role-playing game (RPG) culture that gave rise to his *Wild Cards* shared-world anthologies".[40] An important element in the creation of the multiple author series was a campaign of Chaosium's role-playing game *Superworld* (1983) that Martin ran in Albuquerque.[41] Admitting he became completely obsessed with the game, he stopped writing literature for most of 1983, which he refers to as his "lost year", but his shrinking bank accounts made him realize he had to come up with something, and got the idea that perhaps the stories and characters created in *Superworld* could somehow become profitable.[42] Martin's own contributions to *Wild Cards* have included Thomas Tudbury, "The Great and Powerful Turtle", a powerful psychokinetic whose flying "shell" consisted of an armored VW Beetle. As of June 2011, 21 *Wild Cards* volumes had been published in the series; earlier that same year, Martin signed the contract for the 22nd volume, *Low Ball* (2014), published by Tor Books. In early 2012, Martin signed another Tor contract for the 23rd *Wild Cards* volume, *High Stakes*, which was released in August 2016.[43]

In August 2016 Martin announced that Universal Cable Productions had acquired the rights to adapt the *Wild Cards* novels into a television series.[44] In 2017, Martin confirmed he would serve as an executive producer of the HBO television series adaptation of the 2010 novel *Who Fears Death* by Nnedi Okorafor.[45] Martin also contributed to an upcoming video game titled *Elden Ring*, writing the worldbuilding aspects for it.

## Links:

-https://en.wikipedia.org/wiki/George\_R.\_R.\_Martin

-http://www.georgerrmartin.com/

-https://twitter.com/GRRMspeaking