Kaiyonkai Abilities and Powers

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## Unique Techniques & Abilities

* **Aztec Fitness Training** is a type of Southern training that makes the user become more in-tune with Resonance-based arts.

* **Ryōdan-Ryū** (両断流, *Bisection-Style*)
* **Ryōdan-Ken** (両断拳, *Bisection Fist-Style*)

* **Noa** (の吾, *Oneself*) is a **Sensory** technique developed in the **Wild Blue Yonder Arc**. Lawai'a is applied to Spirit Ribbons to increase their sensitivity, which then results in Atirvu being applied to have the ribbons search for specific sensations. Finally, Mar'é is applied to the ribbons to make them seem more sentient, acting like hunting dogs.

### Kaiyon-Specific Techniques & Abilities

* **Cold Resistance**

* **Iku Kami Iku: Eiyuu** (育上育英雄, *Grow Up Grow: Hero*) is a **Transformation** technique, succeeding his normal Shinnoden-based Iku Kami Iku, that mixes Hikaku's **Stability** onto himself, and then utilizes his Flame of Eating's **Kuihō** onto his Body to empower and evolve himself through his **Mana Nui** individually throughout his body, giving him more power and a higher mental capacity.

* **Iku Kami Iku: Kusemono** (育上育くせ者, *Grow Up Grow: Villain*) is a **Transformation** technique, succeeding his normal Seinoden-based Iku Kami Iku,

* **Shumane** (主真似, *Master Imitation*) is a **Speed** technique, succeeding **Shujin**, that uses Hikaku's **Stability** onto himself to treat his body like a gyroscope, while applying a Sonido through each enzyme individually via his **Mana Nui**. This allows Kaiyon to bounce off himself through each fragment and speed himself up more and more.

### Yonkai-Specific Techniques & Abilities

* **Gravity Resistance**

* **Heat Resistance**

* **Chaos Road** is a **Fighting Style** developed by Yonkai that either uses Taishō's **Instability** in its weaker state, or Taishō's **Chaos** in its powerful state, upon the Chaos within reality itself by way of directing it to give Yonkai a sense of control over reality. His Knight, Barachiel, sees it as barehandedly casting Kitō.
	+ **Ryūga** (流化, *Flowification*) is a **Speed** technique created by the person with the same name. Applying Reiatsu to Koatsu, a conflicting time dilation effect is applied to the user that is different from the world or realm's time dilation, enhancing their speed. Koatsu sense and a strong Reiatsu is required for this technique.
	+ **Ryūzan** (流竄, *Banishment/Exile*) is a Zanjutsu technique created by Kenpachi Tazakura. By applying a dissonance between themselves and their Reiatsu, an individual's cutting prowess is enhanced, essentially becoming a Hanki slash. The technique can be used in ways like cutting through dimensions by extending the pressure.

* **Ryūzan-Ryūga** (流斬竜雅, *Style of Decapitation-Dragon Grace*) is a **Fighting Style**, developed by Yonkai within the **Wild Blue Yonder Arc**, that succeeds **Ryōdan-Ryūga**, instead using dissonance arts than resonance arts. Applying Reiatsu to the back of the blade through a Ryūga to enhance its swing speed, Ryūzan is then applied to the blade itself to increase its overall power.
	+ **Monseiken** (門生劒, *Student Blade*) is a Zanjutsu-Aslah hybrid that acts similarly to Sento. Shoti is applied to Ryūzan-Ryūga's Ryūga half that then creates a secondary discordance to generate a slower swing after the initial swing, striking the target twice with the same force.

## Southern Techniques

* **Atirvu** (Tamil for *Resonance*) is the South's variant of Zankesenoki, allowing for the resonation between the user, the environment, another user, concepts such as the laws of physics, or even metaphysical concepts for more experienced users. Events such as **Itotiliztli** (Nahuatl for *Dance*), where resonance users battle it out by manipulating their interaction with each other, constantly changing their wavelengths so their weaknesses are not exposed. Atirvu works well with other variants of Zakesenoki, allowing for stacking.
	+ **Aslah** (Arabic for *Renovation*) is the South's form of Kido, where a dissonance-based resonation is applied to a target, typically the environment, and then releases it as a spellcasting effect.
		- **Shoti** (Swahili for *Gallop*) uses Aslah to use that energy to create mobility.
	+ **Axilia** (Nahuatl for *Hunt*) is the South's form of Hakuda, where the user can utilize the physical and spirituality, augmenting their own mentality or physicality.
	+ **Atsuguk** (Inuktitut for *Extension/Exert Oneself*), otherwise known as **Uenezi** (Swahili for *Extension*) to a specific group, is the South's form of Zanjutsu, performed by utilizing resonation control over items, including the World, increasing combat prowess.

## God Techniques

* **Crash** (クラッシュ, *Kurasshu*) is a technique that converts distance traveled into damage, but requires precise timing and physical contact with the target.

* **Silence** (最煉素, *Greatest Refinement of Oneself*) is an **Alteration** technique that can be used with either the Promethean Flame or Tzelem Elohim. Uses the **Power of Time** to negate time-based abilities on the user, unless the user wills it. Manipulates a time's place, decreasing or increasing its speed.
	+ **Quickened Energy Retrieval** is a Silence technique that can shorten the amount of time taken to recover damaged things, with the Hakusui being an exception. This leaves the person vulnerable, and will increase their hunger.

* **Bereshith** (בְּרֵאשִׁית, *In Beginning*) is a **Movement** technique that works by channeling Tenryoku into an object, physical, spiritual or metaphysical, and force movement of it. If channeled into a True Name, a **Ha'aretz Hamuvtakhat** (הארץ המובטחת, *The Land of Milk and Honey*) can be placed into the outside world. When applied to objects, it can break apart or stick them back together.
	+ **Ha'aretz Hamuvtakhat** (הארץ המובטחת, *The Land of Milk and Honey*), otherwise known as a **Promised Land**, is a Divine World

* **Mar'é** (מראה, *Sight*) is both a **Sensory** and **Translation** technique.
	+ **Sensory Mar'é** allows for the detection of any energy type that the user can process, using a shifting process that makes it understandable.
	+ **Translation Mar'é** allows for the translation of something within view into knowledge, with the stipulation that it existed before, while also being able to remove information, such as aura becoming unreadable. This can be used to convert another energy into a type of energy you can control, adding to your reserves, but it cannot convert one energy type into another, like Reiryoku to Om and vice-versa.
		- **Action Translation** is the process to move from one action to another, limited by the user's own capabilities. Using it on something else lets the user control the actions of that object, against its will. Furthermore, senses of the target can be affected, such as making something they are seeing turn into an illusionary phenomenon.

* **Tōhū wā-ḇōhū** (תֹהוּ וָבֹהוּ, *Without Form and Void*) allows for the breaking down of one's own Soul and its extensions, and then apply it to something else, part of the user or not. Functions similar to a Neo's Na'au, with the exception that it is not able to augment something for the sacrifice of another.

* **Tzelem Elohim** (צֶלֶם אֱלֹהִים, *Image of God*)

* **Yehi'or** (יְהִי אוֹר, *Let there be Light*) is a **Translation** technique that allows for the conversion of Tenryoku into matter. An example is applying Kiai into Tenryoku to make Divine Material Om, something that can be used to affect both the physical and metaphysical. Tenryoku that is transitioned can still conduct energy.

### Shinnoden

Shinnoden (神の点, *Mark of a God*) is an inheritance given to certain individuals from the Soul King Kirin, becoming a type of marking for a Soul King. It is a type of technique that can be applied upon individuals, granting them various effects depending on the level, or even objects.

* **Shinnoden: Idai** (神の点: 一代, *Mark of a God: First Stage*) is the first-stage Shinnoden technique, enhancing Reiryoku and Uraryoku into Tenryoku.

* **Shinnoden: Nidai** (神の点: 二代, *Mark of a God: Second Stage*) is the second-stage Shinnoden technique, enhancing the user's Reiatsu into Shinnatsu. Shinnatsu is not stronger than Reiatsu, but it does increase the mental and physical.

* **Shinkō Shinnoden** (進行神の点, *Advance Mark of a God*) is the mixture between Idai and Nidai, allowing the user to convert their Uraryoku into Tenryoku, and their Tokuatsu into Shinnatsu.

* **Shinnoden: Sandai** (神の点: 三代, *Mark of a God: Third Stage*) is the third-stage Shinnoden technique, granting the user the ability to achieve an **Ōshijinzō** (王紫神像, *Royal Purple God Form*). Further augments the mental and physical, while also increasing the limit and regeneration of Tenryoku, and giving them a stronger and wider form of Shinnatsu.

#### Seinoden

Seinoden (星の点, *Mark of the Star*), originally known as **Mujōnoden** (無情の点, *Mark of the Heartless*), is a warped version of Shinnoden that acts as a marking for a Hollow King, the hollowfied variant of the Soul King.

* **Seinoden: Idai** (星の点: 一代, *Mark of the Star: First stage*) is the first-stage Seinoden technique, enhancing Reiryoku into Divine Hueco Mundo Reimyaku, and augments one physiology.

* **Seinoden: Nidai** (星の点: 二代, *Mark of the Star: Second stage*) is the second-stage Seinoden technique, enhancing Reiatsu into Divine Hueco Mundo Koatsu, while also allowing for the individual to change physicality into their Zodiac-type.
	+ **Dog Zodiac Generation** is Kaiyon and Yonkai's Zodiac, previously being **Cerberus**. Similar to a Hollow's Sub-Hollow Generation in function, this technique also allows for Kaiyon and Yonkai to implant their Zodiac into something, where they can decide if it has sentience or not. If given sentience, it must survive on its own, if not, then they leech off of Kaiyon and Yonkai's reserves.

* **Seinoden: Sandai** (星の点: 三代, *Mark of the Star: Third stage*) is the third-stage Seinoden technique, enhancing Reishi into Seishi, and granting the user a **Mujōnoshō** (無情の召, *Call of the Heartless*). The physiology of a target is changed to a divine variant, giving it an advantage over Mortals in both offense and defensive capabilities.

## Former Techniques and Abilities

* **Shujin** (主人, *Master*): Through the usage of momentum, Kaiyon strikes his opponent while also using Ryōdan-ken. Using the enemy as a platform to bounce off of allows for Kaiyon to gain another area to return to and then strike back. Each successful attack becomes stronger the more Kaiyon bounces off of surfaces. This technique is an homage to the Old Man, whom he always refers to as "Master".

* **Ryōdan-Ryūga** (猟壇竜雅, *Portion Mandala-Naga Grace*): The culmination of Yonkai's known techniques at the time of creation within Arcadia Lost, essentially being a massive upgrade to his Ryodan-ryu technique. Through harmony with one of his Inner World inhabitants, upgrading his utilization of Kyoshin to Sento, using Ryōdan as a means of disrupting the Koatsu in conjunction with Ryūga, and application of Aslah's disruption on the environment, thus providing to himself, Yonkai is able to increase his overall destructive power and speed of his swings to unprecedented levels, each swing holding the power of multiple techniques in one.