Dungeons and Dragons

## Play overview[edit]

*Dungeons & Dragons* is a structured yet open-ended role-playing game. It is normally played indoors with the participants seated around a tabletop. Typically, each player controls only a single character, which represents an individual in a fictional setting.[14] When working together as a group, these player characters (PCs) are often described as a "party" of adventurers, with each member often having their own area of specialty which contributes to the success of the whole.[15][16] During the course of play, each player directs the actions of their character and their interactions with other characters in the game.[17][18]This activity is performed through the verbal impersonation of the characters by the players, while employing a variety of social and other useful cognitive skills, such as logic, basic mathematics and imagination.[19] A game often continues over a series of meetings to complete a single adventure, and longer into a series of related gaming adventures, called a "campaign".[20][21]

The results of the party's choices and the overall storyline for the game are determined by the Dungeon Master (DM) according to the rules of the game and the DM's interpretation of those rules.[22][23] The DM selects and describes the various non-player characters (NPCs) that the party encounters, the settings in which these interactions occur, and the outcomes of those encounters based on the players' choices and actions.[18][24] Encounters often take the form of battles with "monsters" – a generic term used in *D&D* to describe potentially hostile beings such as animals, aberrant beings, or mythical creatures.[25] The game's extensive rules – which cover diverse subjects such as social interactions,[26] magic use,[27] combat,[28] and the effect of the environment on PCs[29] – help the DM to make these decisions. The DM may choose to deviate from the published rules[22] or make up new ones if they feel it is necessary.[30]

The "version 3.5" three core rulebooks

The most recent versions of the game's rules are detailed in three core rulebooks: The *Player's Handbook*, the *Dungeon Master's Guide* and the *Monster Manual*.

The only items required to play the game are the rulebooks, a character sheet for each player, and a number of polyhedral dice. Many players also use miniature figures on a grid map as a visual aid, particularly during combat. Some editions of the game presume such usage.[31] Many optional accessories are available to enhance the game, such as expansion rulebooks, pre-designed adventures and various campaign settings.[32]

### Game mechanics[edit]

Main articles: Dungeons & Dragons gameplay and Character class (Dungeons & Dragons)

*D&D* uses polyhedral dice to resolve random events. These are abbreviated by a 'd' followed by the number of sides. Shown counter-clockwise from the bottom are: d4, d6, d8, d10, d12 and d20 dice. A pair of d10 can be used together to represent percentile dice, or d100.

Before the game begins, each player creates their player character and records the details (described below) on a character sheet. First, a player determines their character's ability scores, which consist of Strength, Constitution, Dexterity, Intelligence, Wisdom, and Charisma. Each edition of the game has offered differing methods of determining these statistics.[33] The player then chooses a race (species) such as human or elf, a character class (occupation) such as fighter or wizard, an alignment (a moral and ethical outlook), and other features to round out the character's abilities and backstory, which have varied in nature through differing editions.

During the game, players describe their PC's intended actions, such as punching an opponent or picking a lock, and converse with the DM, who then describes the result or response.[34] Trivial actions, such as picking up a letter or opening an unlocked door, are usually automatically successful. The outcomes of more complex or risky actions are determined by rolling dice.[18] Factors contributing to the outcome include the character's ability scores, skills and the difficulty of the task.[35] In circumstances where a character does not have control of an event, such as when a trap or magical effect is triggered or a spell is cast, a saving throw can be used to determine whether the resulting damage is reduced or avoided.[36][37] In this case the odds of success are influenced by the character's class, levels and ability scores.[36][38]

As the game is played, each PC changes over time and generally increases in capability. Characters gain (or sometimes lose) experience, skills[39] and wealth, and may even alter their alignment[40] or gain additional character classes.[41] The key way characters progress is by earning experience points (XP), which happens when they defeat an enemy or accomplish a difficult task.[42]Acquiring enough XP allows a PC to advance a level, which grants the character improved class features, abilities and skills.[43] XP can be lost in some circumstances, such as encounters with creatures that drain life energy, or by use of certain magical powers that come with an XP cost.[44]

Hit points (HP) are a measure of a character's vitality and health and are determined by the class, level and constitution of each character. They can be temporarily lost when a character sustains wounds in combat or otherwise comes to harm, and loss of HP is the most common way for a character to die in the game.[45] Death can also result from the loss of key ability scores[46] or character levels.[47] When a PC dies, it is often possible for the dead character to be resurrected through magic, although some penalties may be imposed as a result. If resurrection is not possible or not desired, the player may instead create a new PC to resume playing the game.[48]

### Adventures, campaigns, and modules[edit]

Main article: Adventure (Dungeons & Dragons)

A typical *Dungeons & Dragons* game consists of an "adventure", which is roughly equivalent to a single story.[49] The DM can either design an adventure on their own, or follow one of the many pre-made adventures (also known as "modules") that have been published throughout the history of *Dungeons & Dragons*. Published adventures typically include a background story, illustrations, maps and goals for PCs to achieve. Some include location descriptions and handouts. Although a small adventure entitled "Temple of the Frog" was included in the *Blackmoor* rules supplement in 1975, the first stand-alone *D&D* module published by TSR was 1978's *Steading of the Hill Giant Chief*, written by Gygax.

A linked series of adventures is commonly referred to as a "campaign".[50] The locations where these adventures occur, such as a city, country, planet or an entire fictional universe, are referred to as "campaign settings" or "world".[51] *D&D* settings are based in various fantasy genres and feature different levels and types of magic and technology.[52] Popular commercially published campaign settings for *Dungeons & Dragons* include Greyhawk, Dragonlance, Forgotten Realms, Mystara, Spelljammer, Ravenloft, Dark Sun, Planescape, Birthright, and Eberron. Alternatively, DMs may develop their own fictional worlds to use as campaign settings.

### Miniature figures[edit]

Main article: Miniature figure (gaming)

*Dungeons & Dragons* miniature figures. The grid mat underneath uses one-inch squares.

The wargames from which *Dungeons & Dragons* evolved used miniature figures to represent combatants. *D&D* initially continued the use of miniatures in a fashion similar to its direct precursors. The original *D&D* set of 1974 required the use of the *Chainmail* miniatures game for combat resolution.[53] By the publication of the 1977 game editions, combat was mostly resolved verbally. Thus miniatures were no longer required for game play, although some players continued to use them as a visual reference.[54]

In the 1970s, numerous companies began to sell miniature figures specifically for *Dungeons & Dragons* and similar games. Licensed miniature manufacturers who produced official figures include Grenadier Miniatures (1980–1983),[55] Citadel Miniatures (1984–1986),[56] Ral Partha,[57] and TSR itself.[58] Most of these miniatures used the 25 mm scale.

Periodically, *Dungeons & Dragons* has returned to its wargaming roots with supplementary rules systems for miniatures-based wargaming. Supplements such as *Battlesystem* (1985 & 1989) and a new edition of *Chainmail* (2001)[59] provided rule systems to handle battles between armies by using miniatures.

## Game history[edit]

### Sources and influences[edit]

Main article: Sources and influences on the development of Dungeons & Dragons

An immediate predecessor of *Dungeons & Dragons* was a set of medieval miniature rules written by Jeff Perren. These were expanded by Gary Gygax, whose additions included a fantasy supplement, before the game was published as *Chainmail*. When Dave Wesely entered the Army in 1970, his friend and fellow Napoleonics wargamer Dave Arneson began a medieval variation of Wesely's Braunstein games, where players control individuals instead of armies.[60] Arneson used *Chainmail* to resolve combat. [3] As play progressed, Arneson added such innovations as character classes, experience points, level advancement, armor class, and others.[60] Having partnered previously with Gygax on *Don't Give Up the Ship!*, Arneson introduced Gygax to his Blackmoor game and the two then collaborated on developing "The Fantasy Game", the role-playing game (RPG) that became *Dungeons & Dragons*, with the final writing and preparation of the text being done by Gygax.[2][61][62]

Many *Dungeons & Dragons* elements appear in hobbies of the mid-to-late 20th century. For example, character-based role playing can be seen in improvisational theatre.[63] Game-world simulations were well developed in wargaming. Fantasy milieux specifically designed for gaming could be seen in Glorantha's board games among others.[64] Ultimately, however, *Dungeons & Dragons* represents a unique blending of these elements.

The world of *D&D* was influenced by world mythology, history, pulp fiction, and contemporary fantasy novels. The importance of J.R.R. Tolkien's *The Lord of the Rings* and *The Hobbit* as an influence on *D&D* is controversial. The presence in the game of halflings, elves, half-elves, dwarves, orcs, rangers, and the like, draw comparisons to these works. The resemblance was even closer before the threat of copyright action from Tolkien Enterprises prompted the name changes of hobbit to 'halfling', ent to 'treant', and balrog to 'balor'. For many years Gygax played down the influence of Tolkien on the development of the game.[65][66][67] However, in an interview in 2000, he acknowledged that Tolkien's work had a "strong impact".[68]

The *D&D* magic system, in which wizards memorize spells that are used up once cast and must be re-memorized the next day, was heavily influenced by the *Dying Earth* stories and novels of Jack Vance.[69] The original alignment system (which grouped all characters and creatures into 'Law', 'Neutrality' and 'Chaos') was derived from the novel *Three Hearts and Three Lions* by Poul Anderson.[70] A troll described in this work influenced the *D&D* definition of that monster.[66]

Other influences include the works of Robert E. Howard, Edgar Rice Burroughs, A. Merritt, H. P. Lovecraft, Fritz Leiber, L. Sprague de Camp, Fletcher Pratt, Roger Zelazny, and Michael Moorcock.[71] Monsters, spells, and magic items used in the game have been inspired by hundreds of individual works such as A. E. van Vogt's "Black Destroyer", Coeurl (the Displacer Beast), Lewis Carroll's "Jabberwocky" (vorpal sword) and the Book of Genesis (the clerical spell 'Blade Barrier' was inspired by the "flaming sword which turned every way" at the gates of Eden).[70]

### Edition history[edit]

Main article: Editions of Dungeons & Dragons

*Dungeons & Dragons* has gone through several revisions. Parallel versions and inconsistent naming practices can make it difficult to distinguish between the different editions.

#### Original game[edit]

The original *Dungeons & Dragons* set.

The original *Dungeons & Dragons*, now referred to as *OD&D*,[72] was a small box set of three booklets published in 1974. It was amateurish in production and assumed the player was familiar with wargaming. Nevertheless, it grew rapidly in popularity, first among wargamers and then expanding to a more general audience of college and high school students. Roughly 1,000 copies of the game were sold in the first year followed by 3,000 in 1975, and much more in the following years.[73] This first set went through many printings and was supplemented with several official additions, such as the original Greyhawk and Blackmoor supplements (both 1975),[74] as well as magazine articles in TSR's official publications and many fanzines.

#### Two-pronged strategy[edit]

First edition *Advanced Dungeons & Dragons Dungeon Masters Guide*.

In 1977, TSR created the first element of a two-pronged strategy that would divide the *D&D* game for nearly two decades. A *Dungeons & Dragons Basic Set* boxed edition was introduced[62] that cleaned up the presentation of the essential rules, made the system understandable to the general public, and was sold in a package that could be stocked in toy stores. Also in 1977, the first part of *Advanced Dungeons & Dragons* (*AD&D*) was published,[62] which brought together the various published rules, options and corrections, then expanded them into a definitive, unified game for hobbyist gamers. TSR marketed them as an introductory game for new players and a more complex game for experienced ones; the *Basic Set* directed players who exhausted the possibilities of that game to switch to the advanced rules.

As a result of this parallel development, the basic game included many rules and concepts which contradicted comparable ones in *AD&D*. John Eric Holmes, the editor of the basic game, preferred a lighter tone with more room for personal improvisation. *AD&D*, on the other hand, was designed to create a tighter, more structured game system than the loose framework of the original game.[6]Between 1977 and 1979, three hardcover rulebooks, commonly referred to as the "core rulebooks", were released: the *Player's Handbook* (PHB), the *Dungeon Master's Guide* (DMG), and the *Monster Manual* (MM). Several supplementary books were published throughout the 1980s, notably *Unearthed Arcana* (1985) that included a large number of new rules.[62] Confusing matters further, the original *D&D* boxed set remained in publication until 1979, since it remained a healthy seller for TSR.[64]

#### Revised editions[edit]

In the 1980s, the rules for *Advanced Dungeons & Dragons* and "basic" *Dungeons & Dragons* remained separate, each developing along different paths.

In 1981, the basic version of *Dungeons & Dragons* was revised by Tom Moldvay to make it even more novice-friendly. It was promoted as a continuation of the original *D&D* tone, whereas *AD&D* was promoted as advancement of the mechanics.[6] An accompanying *Expert Set*, originally written by David "Zeb" Cook, allowed players to continue using the simpler ruleset beyond the early levels of play. In 1983, revisions of those sets by Frank Mentzer were released, revising the presentation of the rules to a more tutorial format. These were followed by *Companion* (1983), *Master* (1985), and *Immortals* (1986) sets.[75][76] Each set covered game play for more powerful characters than the previous.[77] The first four sets were later compiled as a single hardcover book, the *Dungeons & Dragons Rules Cyclopedia* (1991), along with a new introductory boxed set.

*Advanced Dungeons & Dragons 2nd Edition* was published in 1989,[62] again as three core rulebooks; the primary designer was David "Zeb" Cook. The *Monster Manual* was replaced by the *Monstrous Compendium*, a loose-leaf binder that was subsequently replaced by the hardcover *Monstrous Manual* in 1993. In 1995, the core rulebooks were slightly revised, although still referred to by TSR as the 2nd Edition,[78] and a series of *Player's Option* manuals were released as optional rulebooks.[62]

The release of *AD&D2* deliberately excluded some aspects of the game that had attracted negative publicity. References to demons and devils, sexually suggestive artwork, and playable, evil-aligned character types – such as assassins and half-orcs – were removed.[79] The edition moved away from a theme of 1960s and 1970s "sword and sorcery" fantasy fiction to a mixture of medieval history and mythology.[80] The rules underwent minor changes, including the addition of non-weapon proficiencies – skill-like abilities that originally appeared in 1st Edition supplements. The game's magic spells were divided into schools and spheres.[2] A major difference was the promotion of various game settings beyond that of traditional fantasy. This included blending fantasy with other genres, such as horror (Ravenloft), science fiction (Spelljammer), and apocalyptic (Dark Sun), as well as alternative historical and non-European mythological settings.[81]

#### Wizards of the Coast[edit]

In 1997, a near-bankrupt TSR was purchased by Wizards of the Coast.[82] Following three years of development, *Dungeons & Dragons* 3rd edition was released in 2000.[83] The new release folded the Basic and Advanced lines back into a single unified game. It was the largest revision of the *D&D* rules to date, and served as the basis for a multi-genre role-playing system designed around 20-sided dice, called the d20 System.[84] The 3rd Edition rules were designed to be internally consistent and less restrictive than previous editions of the game, allowing players more flexibility to create the characters they wanted to play.[85] Skills and feats were introduced into the core rules to encourage further customization of characters.[86] The new rules standardized the mechanics of action resolution and combat.[87] In 2003, *Dungeons & Dragons v.3.5* was released as a revision of the 3rd Edition rules. This release incorporated hundreds of rule changes, mostly minor, and expanded the core rulebooks.[87]

In early 2005, Wizards of the Coast's R&D team started to develop *Dungeons & Dragons 4th Edition*, prompted mainly by the feedback obtained from the *D&D* playing community and a desire to make the game faster, more intuitive, and with a better play experience than under the 3rd Edition. The new game was developed through a number of design phases spanning from May 2005 until its release.[88] *Dungeons & Dragons 4th Edition* was announced at Gen Con in August 2007, and the initial three core books were released June 6, 2008.[7] 4th Edition streamlined the game into a simplified form and introduced numerous rules changes. Many character abilities were restructured into "Powers". These altered the spell-using classes by adding abilities that could be used at will, per encounter, or per day. Likewise, non-magic-using classes were provided with parallel sets of options. Software tools, including player character and monster building programs, became a major part of the game.[89]

On January 9, 2012, Wizards of the Coast announced that it was working on a 5th edition of the game.[90] The company planned to take suggestions from players and let them playtest the rules.[91][92] Public playtesting began on May 24, 2012.[93] At Gen Con 2012 in August, Mike Mearls, lead developer for 5th Edition, said that Wizards of the Coast had received feedback from more than 75,000 playtesters, but that the entire development process would take two years, adding, "I can't emphasize this enough ... we're very serious about taking the time we need to get this right."[94] The release of the 5th Edition, coinciding with *D&D*'s 40th anniversary, occurred in the second half of 2014.[95]

### Acclaim and influence[edit]

The game had more than three million players around the world by 1981,[96] and copies of the rules were selling at a rate of about 750,000 per year by 1984.[97]Beginning with a French language edition in 1982, *Dungeons & Dragons* has been translated into many languages beyond the original English.[2][62] By 2004, consumers had spent more than US$1 billion on *Dungeons & Dragons* products and the game had been played by more than 20 million people.[12] As many as six million people played the game in 2007.[89]

The various editions of *Dungeons & Dragons* have won many Origins Awards, including *All Time Best Roleplaying Rules of 1977*, *Best Roleplaying Rules of 1989*, and *Best Roleplaying Game of 2000* for the three flagship editions of the game.[98] Both *Dungeons & Dragons* and *Advanced Dungeons & Dragons* are Origins Hall of Fame Games inductees as they were deemed sufficiently distinct to merit separate inclusion on different occasions.[99] The independent *Games* magazine placed *Dungeons & Dragons* on their *Games 100* list from 1980 through 1983, then entered the game into the magazine's Hall of Fame in 1984.[100][101]

*Dungeons & Dragons* was the first modern role-playing game and it established many of the conventions that have dominated the genre.[102] Particularly notable are the use of dice as a game mechanic, character record sheets, use of numerical attributes and gamemaster-centered group dynamics.[103] Within months of *Dungeons & Dragons'*s release, new role-playing game writers and publishers began releasing their own role-playing games, with most of these being in the fantasy genre. Some of the earliest other role-playing games inspired by *D&D* include *Tunnels & Trolls* (1975),[104] *Empire of the Petal Throne* (1975), and *Chivalry & Sorcery* (1976).[105]

The role-playing movement initiated by *D&D* would lead to release of the science fiction game *Traveller* (1977), the fantasy game *RuneQuest* (1978), and subsequent game systems such as Chaosium's *Call of Cthulhu* (1981), *Champions* (1982), *GURPS* (1986),[106] and *Vampire: The Masquerade* (1991).[64][107]*Dungeons & Dragons* and the games it influenced fed back into the genre's origin – miniatures wargames – with combat strategy games like *Warhammer Fantasy Battles*.[108] *D&D* also had a large impact on modern video games.[109]

Director Jon Favreau credits *Dungeons & Dragons* with giving him "... a really strong background in imagination, storytelling, understanding how to create tone and a sense of balance."[110]

### Licensing[edit]

Early in the game's history, TSR took no action against small publishers' production of *D&D* compatible material, and even licensed Judges Guild to produce *D&D* materials for several years, such as *City State of the Invincible Overlord.*[111] This attitude changed in the mid-1980s when TSR took legal action to try to prevent others from publishing compatible material. This angered many fans and led to resentment by the other gaming companies.[64] Although TSR took legal action against several publishers in an attempt to restrict third-party usage, it never brought any court cases to completion, instead settling out of court in every instance.[112] TSR itself ran afoul of intellectual property law in several cases.[113]

With the launch of *Dungeons & Dragons'*s 3rd Edition, Wizards of the Coast made the d20 System available under the Open Game License (OGL) and d20 System trademark license. Under these licenses, authors were free to use the d20 System when writing games and game supplements.[114] The OGL and d20 Trademark License made possible new games, some based on licensed products like *Star Wars*, and new versions of older games, such as *Call of Cthulhu*.

With the release of the fourth edition, Wizards of the Coast has introduced its Game System License, which represents a significant restriction compared to the very open policies embodied by the OGL. In part as a response to this, some publishers (such as Paizo Publishing with its *Pathfinder Roleplaying Game*) who previously produced materials in support of the *D&D* product line, have decided to continue supporting the 3rd Edition rules, thereby competing directly with Wizards of the Coast. Others, such as Kenzer & Company, are returning to the practice of publishing unlicensed supplements and arguing that copyright law does not allow Wizards of the Coast to restrict third-party usage.[115]

During the 2000s, there has been a trend towards reviving and recreating older editions of *D&D*, known as the Old School Revival. Game systems based on earlier editions of *D&D*. *Castles & Crusades* (2004), by Troll Lord Games, is a reimagining of early editions by streamlining rules from OGL.[116] This in turn inspired the creation of "retro-clones", games which more closely recreate the original rule sets, using material placed under the OGL along with non-copyrightable mechanical aspects of the older rules to create a new presentation of the games.

### Controversy and notoriety[edit]

Main article: Dungeons & Dragons controversies

At various times in its history, *Dungeons & Dragons* has received negative publicity, in particular from some Christian groups, for alleged promotion of such practices as devil worship, witchcraft, suicide, and murder, and for the presence of naked breasts in drawings of female humanoids in the original *AD&D* manuals (mainly monsters such as harpies, succubi, etc.).[13][117] These controversies led TSR to remove many potentially controversial references and artwork when releasing the 2nd Edition of *AD&D*.[79] Many of these references, including the use of the names "devils" and "demons", were reintroduced in the 3rd edition.[118] The moral panic over the game led to problems for fans of *D&D* who faced social ostracism, unfair treatment, and false association with the occult and Satanism, regardless of an individual fan's actual religious affiliation and beliefs.[119]

*Dungeons & Dragons* has been the subject of rumors regarding players having difficulty separating fantasy from reality, even leading to psychotic episodes.[120] The most notable of these was the saga of James Dallas Egbert III,[121] the facts of which were fictionalized in the novel *Mazes and Monsters* and later made into a TV movie.[117][122] The game was blamed for some of the actions of Chris Pritchard, who was convicted in 1990 of murdering his stepfather. Research by various psychologists,[123] the first being that of Armando Simon, has concluded that no harmful effects are related to the playing of *D&D*.[124]

The game's commercial success was a factor that led to lawsuits regarding distribution of royalties between original creators Gygax and Arneson.[125][126] Gygax later became embroiled in a political struggle for control of TSR which culminated in a court battle and Gygax's decision to sell his ownership interest in the company in 1985.[127]

## Related products[edit]

Main article: Dungeons & Dragons-related products

An example of an elaborate *D&D* game in progress. Among the gaming aids shown are dice, a variety of miniatures and a dungeon diorama.

*D&D'*s commercial success has led to many other related products, including *Dragon* Magazine, *Dungeon* Magazine, an animated television series, a film series, an official role-playing soundtrack, novels, and computer games such as the MMORPG *Dungeons & Dragons Online*. Hobby and toy stores sell dice, miniatures, adventures, and other game aids related to *D&D* and its game offspring.

## In popular culture[edit]

Main article: Dungeons & Dragons in popular culture

*D&D* grew in popularity through the late 1970s and 1980s. Numerous games, films, and cultural references based on *D&D* or *D&D*-like fantasies, characters or adventures have been ubiquitous since the end of the 1970s. *D&D* players are (sometimes pejoratively) portrayed as the epitome of geekdom,[128] and have become the basis of much geek and gamer humor and satire.[129][130] Famous *D&D* players include Pulitzer Prize winning author Junot Díaz, professional basketball player Tim Duncan, comedian Stephen Colbert, and actors Vin Diesel and Robin Williams.[131][132][133][134][135]*D&D* and its fans have been the subject of spoof films, including *Fear of Girls*[136] and *The Gamers: Dorkness Rising*.[137]