Billy Squier

Keyboards

Bass guitar

Piper

Magic Terry and The Universe

Kicks

The Sidewinders

**William Haislip Squier** (/ˈskwaɪ.ər/, born May 12, 1950) is an American rock musician and singer who had a string of arena rock and crossover hits in the early 1980s

## History

### **Career**

#### Early life

Billy Squier was born in Wellesley, Massachusetts on 12 May 1950. He is a 1968 graduate of Wellesley High School. While growing up, he began playing piano and guitar, but did not become serious with music until discovering John Mayall & the Bluesbreakers (with Eric Clapton). When Squier was nine, his grandfather taught him piano for two years. He became interested in guitar after getting one from his older brother (or, as another story goes, he bought a guitar from his neighbor for 90 dollars). Squier formed his first band, the Reltneys, when he was 14.

Squier's first public performances were in 1968 at a Boston nightclub in Kenmore Square named the Psychedelic Supermarket, which is where he saw Eric Clapton and the band Cream. This encouraged him to take music more seriously, and he formed the band Magic Terry & the Universe with a school friend. In the early 1970s, Squier tried out with various short-lived bands, beginning with the Kicks alongside future New York Dolls drummer Jerry Nolan. Squier also briefly attended Berklee College of Music in 1971. Squier wanted to become a teacher, but ended up moving to New York to form a band named the Sidewinders, which likewise lasted only a few years.

### Piper and solo career (1975–1980)

In the mid-1970s, Squier encountered his first real experience with the music industry after striking a record deal with his brand-new band Piper, which went on to release two studio records, *Piper* and *Can't Wait.* The band was praised by critics: Upon reviewing their self-titled album, *Circus* Magazine touted it as "the greatest debut album ever produced by a US rock band". Piper was managed by the same management company as Kiss and opened for them during their 1977 tour, including two nights of a sold-out run at New York's Madison Square Garden. Squier served as both main songwriter and frontman of the group.

Despite receiving considerable success at the local rock scene, Piper broke up. Squier signed a solo deal with Capitol Records in 1979 and started working on his solo debut *The Tale of the Tape*, which was released in spring 1980. The album provided him with strong momentum, spending three months on *Billboard's* album chart, though peaking only at #169. Squier's first singles "You Should Be High Love" and "The Big Beat" missed the charts but got moderate radio play nationally. Along with Bobby Chouinard, his backing band consisted of Alan St. Jon on keyboards, Cary Sharaf on lead guitar, and Mark Clarke (who previously had short jobs in Uriah Heep and Rainbow) on bass.

### Commercial success: *Don't Say No* and *Emotions in Motion* (1981–1983)

Following a small but fairly successful summer tour with Alice Cooper in 1980, Squier got in contact with Queen guitarist Brian May and proposed him to produce his next album. Due to scheduling conflicts, May declined, but he recommended Reinhold Mack, who had produced Queen's most recent album *The Game.* Squier and Mack joined forces to produce *Don't Say No*, which earned rave reviews and spawned three hit singles. The first, "The Stroke," became his breakthrough hit, hitting Top 20 in the US and reaching the top five in Australia, as well as charting high in Canada and in Britain, where the song remains his only chart entry. "In the Dark" and "My Kinda Lover" were successful follow-ups. The album also includes "Lonely Is the Night", which became a radio favorite and one of his signature songs, despite not being released as a single (however, in Britain, it was the B-side for "In the Dark"). Squier was also popular on the new MTV cable channel, where his straightforward performance-based videos received heavy rotation. *Don't Say No* peaked at #5 on the *Billboard* 200 and lasted well over two years on the chart, eventually selling over 4 million copies in the US alone, making it Squier's most commercially successful album.

Squier was known for being a perfectionist and short-tempered at producers sometimes. He ended his partnership with Mack after disagreements between the two escalated because of artistic differences. Despite the problems, Squier's third album *Emotions In Motion* was released in 1982 and became very successful, although in the long run, it didn't catch its predecessor in sales. Nevertheless, the album hit #5 in both US and Canada, sold approximately 3 million copies, and spawned the successful radio and video hits "Emotions in Motion" and "Everybody Wants You". The latter is notable for being Squier's first #1 on the Mainstream Rock chart and holding the place for six weeks straight, more than any other number one in 1982. During the tour for *Emotions in Motion*, Squier and his band served as openers for the North American leg of Queen's 1982 Hot Space Tour and later, he finally became a headliner act for the first time. British newcomer Def Leppard supported him and he helped the band break through in the US, in conjunction with the release of their breakthrough album *Pyromania*.

### Career pinnacle: *Signs of Life* (1984)

Squier began writing songs for his fourth album *Signs of Life* in late 1983 after finishing his first headlining arena tour. He planned to have Robert John "Mutt" Lange as producer. However, Lange was already reserved by The Cars and suffered a breakdown afterward. Squier brought in Jim Steinman, whom he admired for Meat Loaf's *Bat Out of Hell*, which he described as "the most passionate and exciting rock record of our time". Steinman showed enthusiasm for the project and he got along well with Squier and his band, despite his role in the studio being significantly smaller than usual. The resulting album was a departure from Squier's typical guitar-heavy hard rock into a more keyboard-oriented style, with hints of Steinman's Wagnerian producing approach.

When *Signs of Life* arrived in late July 1984, Squier was at the peak of his career. Fueled by the songs "Rock Me Tonite" and "All Night Long", the album brought his third consecutive platinum certification. The music video for "Rock Me Tonite", which featured Squier dancing in a bedroom wearing a pink tank top, proved a controversial choice by director Kenny Ortega. The 2011 book *I Want My MTV*, promoted it as the worst video of all time. Martha Quinn, an MTV VJ when "Rock Me Tonite" was released, commented, "I don’t remember that video being poorly received at the time." Whether it was the video or the shift in music style or other factors, Squier stopped selling-out shows. He fired both of his managers and insulted Ortega for misleading and deceiving him. Ortega has denied Squier's accusations.

### Brief resurgence and feud with Capitol (1985–1993)

Apart from a few live appearances and a new song, "Shake Down" for the soundtrack of the film *St. Elmo's Fire*, Squier stayed out of the spotlight for the majority of 1985, taking some time off and preparing his next album with British producer Peter Collins, who was known for his work with Nik Kershaw, Gary Moore, and Rush. 1986 saw the release of his fifth album *Enough Is Enough*, which was carefully crafted, but still a commercial flop. The album spawned a minor hit, "Love Is the Hero", which featured Freddie Mercury on backing vocals. Mercury also co-wrote and arranged the song "Lady With a Tenor Sax", which also appears on the album. *Enough Is Enough* sold an estimated 300,000 copies. "Love Is the Hero" has usually been singled out for praise. Squier did not embark on a tour in support of the album.

Squier spent the next three years working on his sixth full-length album, *Hear & Now*, which was released in 1989. The album peaked at #64, but sold only 300,000, the same as *Enough Is Enough*. "Don't Say You Love Me" was a modestly successful comeback single and his last Hot 100 hit, which peaked at #58 on the Billboard Hot 100 and went to #4 on the *Billboard* Mainstream Rock chart.

Squier's seventh album, *Creatures of Habit*, was released in 1991. Both critical and audience reception were mixed; many criticized the album for lacking innovation and being uninspired, mainly on the songwriting side.[*citation needed*] Some[*who?*] also found the album's polished sound somewhat outdated, since at the time of the album's release, alternative rock and especially grunge began ruling the rock scene. Peaking only at #117 in US, the album became his lowest charting since *Tale of the Tape*. However, it contain the radio hits, "She Goes Down" and "Facts of Life". The former is Squier's last Top 5 on the Mainstream Rock charts and his highest charting radio single of the 1990s. *Creatures of Habit* was supported with a tour.[*citation needed*]

In 1993, Squier released his final album with Capitol Records, *Tell the Truth,* with different sets of musicians performing the various tracks. Despite Squier himself comparing it favorably to *Don't Say No,* Capitol did little to nothing to promote it, which ended up becoming his first album not to chart at all and selling 37,000 US copies, per Nielsen Soundscan.

After the album's release, Squier walked away from the label and music business as a whole.[*citation needed*]

### Later career (1994–present)

In 1994, Squier's original screenplay *Run To Daylight* was short-listed at the Sundance Film Festival. The film itself was never produced. In 1995, Capitol release *16 Strokes: The Best of Billy Squier*.

On February 17, 1998, during the initial run of *Mercury: The Afterlife and Times of a Rock God,* a monodrama about the life of Freddie Mercury, Squier debuted a song that he wrote in memory of his friend, titled "I Have Watched You Fly", on stage before a performance of the play. He introduced the song by saying, "I was privileged to know Freddie as a friend. I'm honored to share the stage with him in the afterlife."

That same year Squier released independently his last studio album to date, a stripped-down acoustic blues effort entitled *Happy Blue.* The album was both stylistically and also sonically a great departure from his typical hard rock sound, with the only musician playing on the album being Squier himself accompanied by acoustic guitar with no overdubs. For this album, Squier reworked his hit song "The Stroke" into an old-fashioned blues number, "Stroke Me Blues".

The year 2001 marked the 20th anniversary of *Don't Say No.* In the same year, Squier embarked on a concert tour that was his first large one since the 1991 tour for *Creatures of Habit.*

In 2004, "Everybody Wants You" was remixed with the group Fischerspooner's song "Emerge" and included on the *Queer Eye for the Straight Guy* soundtrack. In 2006, Squier joined Richard Marx, Edgar Winter, Rod Argent, Hamish Stuart, and Sheila E touring with Ringo Starr & His All-Starr Band. A documentary of the tour, including a full-length concert performance, was subsequently made available on DVD. In 2007, Squier appeared at the Rock and Roll Hall of Fame with Ronnie Spector, Mitch Ryder, Tone Loc, Deniece Williams, Dr. Hook, and Tom Cochrane. In 2008, Squier joined Colin Hay, Edgar Winter, Gary Wright, Hamish Stuart, and Gregg Bissonette touring with Ringo Starr & His All-Starr Band. In 2009, Squier launched a nationwide summer/fall tour with a band that included drummer Nir Z, guitarist Marc Copely, long-time bassist Mark Clarke, and keyboard player Alan St. Jon.

Squier played a special acoustic show at B.B. King's in New York on November 30, 2005. Highlights of the show were acoustic versions of "Everybody Wants You," "Nobody Knows," "Learn How to Live," "Christmas is the Time to Say I Love You," and most of the Happy Blue project. VH1 Classic and New York hard rock radio icon Eddie Trunk introduced Squier that night as "one of the greatest singer/songwriters in the history of rock."

In May 2010, Squier was part of the Boston Legends Tribute to James Cotton including Magic Dick (J. Geils Band), the James Montgomery Band, Jon Butcher, Sib Hashian (Boston), Michael Carabello (Santana), the Uptown Horns, and James Cotton. Squier accepted Cotton's invitation in June to join him at the "James Cotton's Blues Summit" at Lincoln Center in NYC, along with the legendary Pinetop Perkins, Hubert Sumlin (Howlin' Wolf's band), Taj Mahal, and many more. In November, Squier appeared at the Iridium in New York and played a double set that night, "Blues Deluxe," that showcased songs from his blues upbringing and new versions of several of his hits.

Shout! Factory released *Don't Say No: 30th Anniversary Edition* on July 27, 2010, marking the first time that this album had been remastered in over 20 years. It was released in collaboration with Squier, who provided two live bonus cuts from his personal collection. Also in that same year, all his albums except *Tell the Truth* and *Happy Blue*, became available on digital and streaming. Later on, *Tell the Truth* joined in 2014 and *Happy Blue* in 2020.

In October 2011, Squier performed at the third annual "Right to Rock" Celebration at the Edison Ballroom in New York (including Steven van Zandt and Lady Gaga) in support of the Little Kids Rock charity and performed "Lonely Is The Night" with a group of Jersey City students.

In May 2012, Squier joined the Li'l Band O' Gold for several shows at the New Orleans Jazzfest. During Memorial Day weekend, Squier made a surprise appearance at the John Varvatos store in Easthampton, NY in support of his friend, rock photographer Rob Shanahan and his new book, "Volume One." In June, Squier performed at the "Industrial Hedgefund Awards Dinner" in New York, in another fundraising effort for 'Little Kids Rock.' In September, Squier appeared as a guest during the set of the James Montgomery Band at the Westport Blues Festival. In December, Squier headlined a fund-raising concert for "The American Revolution," a documentary on legendary rock FM station WBCN at the House Of Blues in Boston.

In the summer of 2013, Squier performed his 'Electric Man' show at the Patchogue Music Festival on Long Island. In November, he played the Voodoo Festival in New Orleans. The Stooges, a local brass band (not to be confused with Iggy Pop's band), joined Squier on "The Stroke." At the same time, Eminem released 'Berzerk' which makes use of various samples from "The Stroke." Later, on his 2014 effort, "Shady XV," he sampled "My Kinda Lover."

In September 2014, Squier took his 'Electric Man' show to the 9th Jack Show in Anaheim, California.