recursal/Fanatic-Fandom huggingface dataset:
Marcus' Mattresses

Marcus' Mattresses is a business that sponsored the first episode of Astonishing Tales of the Highly Improbable, and was the location of Jane's Last Stand in The Lost Fairy.

## History

In the Dieselpunk Era, Lloyd Allen ran an advertisement for Marcus' Mattresses in the first episode of Michael & the Monster. Lloyd's sponsored ad was as follows:

*"Today's episode is brought to you by Marcus' Mattresses! Marcus' Mattresses are widely agreed to be the - \*laughter\* - best in New Albion. I own one! I do not own one. Fine, Alright. Until the check clears I own one, and every night is the best sleep of my life. I do all the copy myself from here on out. Fine, I'll be nice. Here. Marcus' Mattresses: if you're a crack addict, there are literally worse places you could spend your night. There."*

In the next episode, Lloyd mentions that he had to give the money back to Marcus' Mattresses for the ad he had run for them.

In the Cyberpunk Era, Marcus' Mattresses is still in business. During the attack on New Albion by the Cascadian Hellhounds, Jane and Symbel run into the store in an attempt to hide from Jakob Jansson, who is pursuing them and hunting them down. Marcus' Mattresses is the location where Jakob cuts off his arm to sever his connection to his brother Jesse, and where Han-Mi stepped into the narrative to kill Jakob and save Jane.

During one of the Helen's Hell Hags twitter threads, The Floozy and Shira go to Marcus' Mattresses to purchase a replacement couch for Raven after Galaxy set his previous couch on fire. The current owner of the store, Dev, sold them a purple coffin shaped couch and threw in a set of pillows for free.
Han-Mi's Lament

"Han-Mi's Lament" is the tenth track of The Grand Cyberpunk Gala of Gabriella Gadfly.

## Performers

Rhys Owen as "Henry"

Psyche Chimere as "Han-Mi"

## Lyrics

[HENRY:] *(spoken)*

Helen!

[HAN-MI:] *(spoken)*

HELEN!

[HENRY:] *(spoken)*

You’re in for it now, lady. Han-Mi is going to seriously mess up your day. Han… Han? Han… are you… are you crying?

*(Han-Mi sobbing)*
Nash & Ryvyr Grok 1

**"Nash & Ryvyr Grok 1"** is the seventh track of Nash Harding and the Secret of the Twisted Tower.

## Performers

Paul Shapera as "Nash"

Kerttu Aarnipuu as "Ryvyr"

## Lyrics

[NASH]:

I think we’re safe

[RYVYR]:

I am sorry sir, that you had to run in your own fair world

[NASH]:

The same people there they want me too

I dont know why, i dont know what to do

I thought if i kept low well then

The party it could never end

I dont need no past, i just want to stay

In the bliss of endless nights that always rage

And its all so nice for awhile you know

But the days they just all come and go

And i feel there’s sometime on my heels

And its catching up, despite the time i steal

[RYVYR]:

Without purpose, sir, there no anchor in

The sea of life in which we swim

No direction then we just swim round

Until our spirit tires and we drown

[NASH]:

I gotta say goblin, that’s pretty deep

[RYVYR]:

My name’s Ryvyr sir, and because i seek

A girl a purpose i do have

And a fire in me burns bright and i am glad

[NASH]:

So a past is something that you like

[RYVYR]:

My story sir, is great and wild

You must hear it and you will see

A past can be a truly precious thing

Just take youself a seat

Get settled and comfy

I’ll dream for you a dream
PixelWayve and the Calamari Yakuza

cover by PixelWayve

*PixelWayve and the Calamari Yakuka* is the ending song of episode 4 of The August Sky Playhouse (Podcast Story). It was written and performed by Paul Shapera.

## Lyrics

Pixelwayve she had a dad

And mermaids was the kink he had

He lived for months beneath the sea

To woo a mermaid maiden she

Had a sea king dad who hated men

Tried to kill him dead but then

Pixelwayve’s old dad he made

A deal with creatures weird and strange

The Calamari Yakuza

They promised to send dad on home

But only if ole Pixel’s dad

Gave them the first born that he had

His mermaid girl she'd given birth

To a little human girl

Pixelwayve, but dad was slick

He took her, the yakuza tricked

In the alleys in the city dark and grave

There is a battle oh so bitter

And for years now it has raged

Pixelwayve with scimitar and spells so black and vile

Facing off yet once again with assassins fierce and wild

Another mayhem filled palooza

Pixelwayve and Calamari Yakuza

The Calamari Yakuza

Have hunted Pixel near and far

Her lifes been spent on learning how

To foil them when they come round

Her lovers are in danger grave

The yakuza with spells arcane

Have sneaky no good magic tricks

They turn them into black tar pits

The things they do make Pixel mad

She's learnt some spells both black and bad

And keeps a scimitar of steel

To make some sushi for her meal

Of Calamari that she cuts

From bodies they keep sending up

This feud is long and so ugly

One day will end beneath the sea

In the alleys in the city dark and grave

There is a battle oh so bitter

And for years now it has raged

Pixelwayve with scimitar and spells so black and vile

Facing off yet once again with assassins fierce and wild

Another mayhem filled palooza

Pixelwayve and Calamari Yakuza

[Calamari Yakuza:] "Hello Pixelwayve, it seems we've found you once again!"

[Pixelwayve:] "Oh good, I was just wondering what I was gonna have for lunch"

Another mayhem filled palooza

Another mayhem filled palooooza

Another mayhem filllled palooza

Another mayhem

Another mayhem

Another mayhem

Another mayhem

Maay maay maay maay

Maay maay maay maay

Maay maay mmmmmmmmm

Aaaaaa aaaaaa aa aa aa aa

Another mayhem filled palooza

Pixelwayve and Calamari Yakuza
Chilling at Motel 6

"Chilling at Motel 6" is the sixth track of the first act of Slenderman, and the sixth track of the album overall.

## Performers

#### Cast Album

Paul Shapera as "Timothy"

Lauren Osborn as "Zoe"

Jeff Simms as Redneck Greek Chorus

## Lyrics

[TIMOTHY:]

And so most nights she stops by

The Motel 6 where I'm holed up

We sit out front in two plastic chairs

That face the parking lot

The nights pass kind of pleasant

We drink some beer and smoke a pack

We talk about where the hunted go

When the run runs out at last

I lost my way to El Dorado

The winds my will has weathered down

I sometimes think that on the dusty road to nowhere

I’ll sit and sigh and lay my body down

I lost my way to El Dorado

A golden future where I belonged

Is there a moment, a day, a week, you know that

The destination you once dreamed is gone?

[REDNECK GREEK CHORUS:]

The long road lays out 'til you're empty

The long road lays you to the ground

Don't you lay, don't you lay yourself to memory

Don't you lay your spirit down

[ZOE:]

I lost my way to El Dorado

I wandered, dazed, as in a dream

The bodies piled and the trials stained the miles

On a map it turns out I could never read

I lost my way to El Dorado

The girl once with me has collapsed

The ties that kept her all together are in tethers

And in the end, she was all I ever had

[REDNECK GREEK CHORUS:]

The long road lays out 'til you're empty

The long road lays you to the ground

Don't you lay, don't you lay yourself to memory

Don't you lay

[ZOE:]

Don't you lay your spirit down

[TIMOTHY:]

I lost my way to El Dorado

The dust just blows across my tracks

Like a shadow cast that only seeks its body back

But as the miles grow more and more

I cannot picture any more

That warm sweet place for which I long

Io ease my soul where I belong

The hope of home where all roads lead

I lost my way and now it's gone to me

That promised land in which I once believed

The plans of mice and men

Fool’s gold bravado

I lost my way to El Dorado

[REDNECK GREEK CHORUS:]

The long road lays out 'til you're empty

The long road lays you to the ground

Don't you lay, don't you lay yourself to memory

Don't you lay

[TIMOTHY:]

Don't you lay your spirit down

[TIMOTHY:] *(spoken)*

Uh oh... Get out. Get out! We have to go now. Zoe! Come with me! Just come, we have to go now!

[ZOE:] *(spoken*

Are you breaking into a car?

[TIMOTHY:] *(spoken)*

Just get in. just Trust me, we have to go.
Огненный Атлас

**Огненный Атлас** – это техника Создателя Машин, используемая Вайзом Штайнером.

## Описание

Пользователь касается своего оружия, такого как штурмовая винтовка и настраивает его в огнемет, достаточно сильный, чтобы стрелять мощным потоком пламени.

## Интересные Факты

* Огненный Атлас, вероятно, является отсылкой на Огненного Дракона с тем же именем из предыдущей работы Хиро Машимы, *Fairy Tail*.
Helen's Lament

"Helen's Lament" is the ninth track of The Grand Cyberpunk Gala of Gabriella Gadfly.

## Lyrics

[HELEN:]

I can't do this anymore

I'm not that strong

I can't go on

I can't do this anymore

I wish for home

But there's nowhere to go

I had a show and I had friends

I loved them both until the end

Even if it all was just a dream

Outside that dream, it's cruel and mad

There's nothing out here that I have

My heart cannot break any more, it seems

All my dreams are gone and dead

I'm broken deep inside my head

I'm tired, I want to wish it all away

I love you both, I really do

You'll be here when I am through

Remember me when it was better days

When I was a girl, like the cabaret said

Talking with Shira at night in our bed

Saturdays scolding Han on the stage

Laughing with Henry and smiling with Hank

Was I named Gabby, stealing kisses with Jade?

Did I live on the streets, stab my dad in a rage?

Too many verses of too many songs

And the one life I think that I loved is now gone

So I ran to the carnival, thought I belonged

I ran and I sang me a carnival song

It was weird, it was wild, and then it went wrong

Like it has before and will again before long

So I watch my life shatter, again and again

My mind fall apart, my whole world end

And all that I lived for, believed and I hoped

There's no where to go where it hasn't broke

When the story of your life becomes unfurled

And you find that it was just a fabrication

And all you loved or thought you had or thought you lost

Was just an exercise in baseline exploitation

But sometimes people shine so bright and seem so real

Sometimes people shine so bright, they're all you feel

Han, you're the only one I've loved

Please don't hate me when I'm gone

Now you and Henry can be free

And sometimes spare a smile for me

The light died upon our pale lives

But it rose with you on that stage

You were my friends I loved straight to the end

Of Miss Helen's last pace from disgraced cabaret
Conversation 1

"Conversation 1" is the second track of The Grand Cyberpunk Gala of Gabriella Gadfly.

## Performers

Jessica Singer as "Mary"

Lauren Osborn as "Helen"

Psyche Chimere as "Han-Mi"

Rhys Owen as "Henry"

## Lyrics

[MARY:]

This body of metal is an avatar where

I can move 'round about in these tunnels down here

I could show you the lasers, the weapons all round

But the point is, you realize, there is no way out

I'm the spokesperson for our queer cabal

[HELEN:]

I feel like I know you

[MARY:]

We've met twice before

[HELEN:]

I think I'd remember

[MARY:]

I doubt you'd recall

Your mind's been wiped clean

At least two times or more

[HAN-MI:]

How do we kill her?

[HENRY:] *(spoken)*

Hey, tell her she's ugly as sin.

[HAN-MI:]

Tell her we're coming

To kick her face in

[HELEN:] *(spoken)*

Guys, hush.

[MARY:]

What was that, dear?

[HELEN:] *(spoken)*

Nothing.

[MARY:]

Your friends in your head?

You all agreed to this

You gave your consent

Your sad lives were something

We could make go away

We offered you Gadfly

Then the cabaret

[HELEN:]

Please tell me what's happening

[MARY:]

All right, if you want

But you'll never remember

Since once we are done

We'll wipe you again

But for now here is how

The troubles we're fighting

First came about
Introductions

"Introductions" is the second track of the first act of Janissary, and the second track of the album overall.

## Lyrics

[BRIJA:]

Two gods, siblings, Black and White

They play their games of day and night

But one fair day, their bubble split

Two other gods, they burst on in

Order and Chaos, siblings too

Upset the peace, bring contests new

The board is cleared a new game set

And all four gods, they place their bets

There’s a land east of New Albion and some years ago they say

That the gods from round these parts they fell into some disarray

But theology and such lies quite beyond our small forte

It is just a simple folktale that we bring to you today

It’s a tale of one named Bogdan and his child has been snatched

From the bed where she had slept and his wife weeps now alas

The land where Bogdan lives has both a White god and a Black

But some years ago were conquered by their neighbors to the south

Occupied and ruled by a Vizier, they’re kept in line

But in the hills, the Hajduks roam and keep insurgency alive

Just a few short hours in the past the vizier’s men

Took young Bogdan’s baby girl straight from out her bed

His wife and he were crying, screaming, fighting, then he left

Now he sits at the kafana and swears he’ll drink himself to death
Alexander (Song)

"Alexander" is the fourth track of The Room Beneath New Albion.

## Lyrics

[ALEXANDER:] (spoken)

Meanwhile, in my neck of the woods, some of my boys drop by to say they think they might have found a guy who might know a little something about a little problem we've been having with some of our bootleg Dolls going missing.

[THUG CHORUS:]

We gotta mister, we gotta bird who call

We gotta problem we gotta thief who's stealing our Dolls

We gotta mister, we think who knows a few things

We got some ways to make a silent bird wanna sing

All day, sing your pain away

[ALEXANDER:]

There's not much left, I'm sorry, oh my darling

But there's not much left, oh Lord knows, now of me

There's not much left, a mattress on an empty bed

And there's not much left, oh Lord knows, here of me

Mama squealed, "you best be stealin' or you're feelin' on you

Beatings, my boy, like you won't believe

Your brother does it and your cousins and they love it

Ah but look at you, you pansy goddamn thing"

So each day I went out, but alas I just was not cut out

For thieving, so deceiving her I tried

To earn by other means but none of them would keep her pleased

And my secrets on them streets never survived

There's not much left, I'm sorry, oh my darling

But there's not much left, oh Lord knows, here of me

There's not much left, a mattress on an empty bed

And there's not much left, oh Lord knows, now of me

My uncle sneered, he said, "bring the little pansy here

He just needs a little 'juice' to man him up"

The bourbon stung, but while they laughed I tell you, son

it brung to me some sweet, warm comfort finally come

I learned to drink the hard stuff and my anger I learned sure enough

Was always there for me to bring on up

I learned to drink enough to laugh and rage and lose all touch

With giving a blind piss for anyone

There's not much left, I'm sorry, oh my darling

But there's not much left, oh Lord knows, here of me

There's not much left, a mattress on an empty bed

And there's not much left, oh Lord knows, now of me

When Mama died, I earned respect because I did not cry

and long since I had sheathed my softer sheen

My brother reigned, the boss, until the Mouse took him apart

And now the mob crown hovers over me

I run a business bathed in blood and bootleg Dolls

and it all hinges on a slapstick masquerade

And somewhere there, well it is possible a still care

But truly, I hope not for my own sake

A violent man with a bourbon in my hand

This mask is all that's left here, don't you see?

A cat o' nine with which I lash and crack the back of life

and all I know, but I assure you mostly me

'Cause there's not much left, I'm sorry, oh my darling

But there's not much left, oh Lord knows, now of me

There's not much left, a mattress on an empty bed

And there's not much left, oh Lord knows, here of me

[THUG CHORUS:]

We gotta answer, we gotta songbird who sang

We're gonna need a mop to clean up, but here's the thing

We got albinos underground, you know how they say

Well there's this girl, for years he said, she's come up to take

All astray, take our Dolls away
Dionmqniodji

"Dionmqniodji" ("Intervention") is the sixth track of the third act of The Lost Fairy, and the thirteenth track of the album overall.

## Performers

Psyche Chimere as "Han-Mi"

Paul Shapera as "Raven" and Lloyd"

Liel Bar-Z as "Jane"

## Lyrics

[HAN-MI:] *(spoken)*

No! No! No! No! Not again! I can’t do this again! I can't do this...

[RAVEN:] *(spoken)*

You have to. This is what’s happening, you can’t just give up on her!

[LLOYD:] *(spoken)*

Han, we’ve lost control of the narrative and now it is spiraling into darkness. You turning your back will not stop this from happening. If you have any last ditch Hail Marys, anything at all, now is the time.

[RAVEN:] *(spoken)*

You are creative. You are competent. You are her last hope and you can do this. Think outside the box. I believe in you.

[HAN-MI:] *(spoken)*

Jakob stops as a figure emerges slowly from the shadows.

[HAN-MI:]

You will leave her alone, you will go

you will step down or I swear that you will know

Such sorrow, grief you can't believe

Screams of anguish and of strife

And in your torment and in tears you'll scream and cry

To end your life, I’m Han-Mi, I

You will beg me then to die

Oh, beg me cease unholy things

Pain and woe you will know if you do not let her go

You cannot have her

You cannot take this one

You cannot have her

She is all I love

You cannot have her

You cannot take this one

You cannot have her

She is all I love

[JANE:] *(spoken)*

Who are you?

[HAN-MI:]

You knew me once some time ago

Another life, a different show

A time when we were lost within a dream

I loved you then more than you knew

And even now, I still do too

I never stopped, though you were lost to me

I failed you then and this I swear

The guilt is more than I can bear

And so I’ve tried to make something for you

A better life that you can live

Adventures, love and tales to spin

I'm sorry if this all makes you confused

You likely won't see me again

A world for you is beckoning

Your story will be beautiful to tell

But always know that this is true

Someone far out there loves you

Loves you more than she loves life itself

You’ll run to a world full of wonder and light

With love and with laughter and friends at your side

With magic and miracles, worlds brand new

And maybe, one day, a lover or two

The light died upon my pale life

But it rose with you here today

I did this for you

The best I could do

[HAN-MI:] *(spoken)*

Everything’s going to be fine. You’ve done a great job. You’re almost home free. Take Symbel and get to Xandoria. The Singularity is almost here. Just - you are going to live a long and wonderful life and you are loved so very much. Now go. Hurry.
MCG

The MCG is an object that makes a major appearance in The New Albion Radio Hour and is mentioned again in The New Albion Guide to Analogue Consciousness. Nash Harding and the Secret of the Twisted Tower

## History

The MCG was first acquired by Katy Shaw after she was asked by the Voodoopunks to retrieve some classified files from a secure location by ingesting TanSan. When she found the files, she also found a strange object called the MCG, she gave it to her friend Mark as a thanks for letting her use his place during the heist ***(Amber)**.*

In The New Albion Radio Hour, the MCG is still with Mark at the Soiree, and is stolen by Constance O'Brien ***(The Soiree)***. Constance then runs from the soiree after the Police infiltrate the party. Jacqueline O'Brien then tells her about her plan to get the MCG underground, however Constance has already ran away. Thomas then betrays and threatens to shoot her if she doesn't give it up, and she runs away crying ***(The Bust)***. When Constance goes underground and the Voodoopunks then use the device to possess Thomas. ***(The Voodoopunks)***. The device is then used to possess the Blood Red Dogs, however the broadcast spreads like a plague through the whole city ***(Blood Red Dogs).*** The issue is then resolved through Constance changing the narrative.

In The New Albion Guide to Analogue Consciousness, Mascot 3000 is equipped with an "MCG v.3.14" which is able to upload a persons consciousness into that of an AI, which 30 of the Elysian Pilgrims decided to do. ***(The Rescue Plan).***

## Trivia

* MCG is an abbreviation for MacGuffin, a term for an item in a piece of fiction that is needed for plot progression but is unimportant by itself
	+ There was a challenge to guess what the MCG stood for, and someone named Yasser Latef guessed correctly. They then got a character named after themselves in The New Albion Guide to Analogue Consciousness.
Глава 61

## Информация

### Том

#

### Эпизод в Аниме

TBA

**Выход Арсенала** — 61-я *Eden's Zero* Хиро Машимы.

## Персонажи в порядке Появления

1. Драккен Джо
2. Диего Рейес
3. Мария Слайм
4. Сет Андерсон
5. Куренай Когетсу
6. Баку
7. Гаррот
8. Нино
9. Шики Гранбелл
10. Ребекка
11. Е. М. Пино
12. Хэппи
13. Пауль
14. Хомура Когетсу (флэшбэк)
15. Вайз Штайнер (Х442)

## Битвы и События

* Шики Гранбелл vs. Куренай Когетсу
* Вайз Штайнер (Х442) vs. Баку (начало)
Ocn Hhtjm Hie Ocn Hnhn

"Ocn Hhtjm Hie Ocn Hnhn" ("The Mayor and the Meme") is the fourth track of the second act of The Lost Fairy, and the seventh track of the album overall.

## Performers

Psyche Chimere as "Han-Mi"

Vivian Moonic as "The Mayor"

Kerttu Aarnipuu as "Meme"

## Lyrics

[MEME:]

I smell a dead and rotting swine

Oh look the mayor's come, but why?

You are not welcome here

[MAYOR:]

I know

I have to, please, you must be told

Everything I always do

Is for the city’s common good

[MEME:]

My wife was from this city too

[MAYOR:]

We haven't time, a war it brews

[MEME, MAYOR:]

Scars and menace

The dance of dark vendettas

The waltz of tears and knives, the dark ballet

[MEME:]

You cannot fathom what we do

The singularity comes soon

[MAYOR:]

There is no soon, I’m trying to say

Cascadia is on its way

Avalon in wreckage lies

A total fairy genocide

And now their army this way walks

Please, I ask, can we just talk?

[MEME, MAYOR:]

Scars and menace

The dance of dark vendettas

The waltz of tears and knives, the dark ballet

[MEME:]

So we must deal with the devil

When the apocalypse arrives

We have all spoken and agreed that

We will fight then by your side

[HAN-MI:] *(spoken)*

And so Xandoria and New Albion braced themselves as the massive Cascadian war machine swiftly approached.
Justacorp

**Justacorp** is an early album written and produced by Paul Shapera in collaboration with Jeff Miller. It was released on August 7, 2018 as the first part of a three part series *The Adams Arc*.

The album features a man names David Adams, who goes on to appear in the following album, *Shadows and Flames*. After his transformation into Uncle Raven, the character appears in a number of other works, most notably in *Uncle Ravens Super Happy Funtime Carnival* and *Caravan, The Adams Arc 3*.

The album features Paul Shapera (keyboards and vocals), Jeff Miller (guitar and vocals), Jay Constable (drums) and Steve Landay (bass). Cover art by Sarah DeBuck
Глава 42

## Информация

### Том

#6

### Эпизод в Аниме

TBA

**Мечта Пино** — 42-я глава *Edens Zero* Хиро Машимы.

## Персонажи в порядке Появления

1. Ребекка
2. Хэппи
3. Отшельница
4. Сестра Ивли
5. Моско Верса-0
6. Ведьма
7. Хомура Когетсу
8. Шики Гранбелл
9. Вайз Штайнер (Х442)
10. Э.М.Пино
11. Амира
12. Джесси
13. Элси Кримсон
14. Паук
15. Мария Слайм
16. Сет Андерсон
17. Диего Рейс
18. Драккен Джо
19. Муррэй Моррисон

## Использованные Сила, Техники и Способности

### Предметы

* Космические Корабли
	+ Нулевой Эдем (エデンズ ゼロ *Edenzu Zero*)
	+ Белиальский Ходок (ベリアル·ゴア *Beriaru Goa*)
Entropy

"Entropy" is the fifth track of the second act of Slenderman, and the thirteenth track of the album overall.

## Lyrics

[RESIDENT CHORUS:]

The bones that beat against their mere meat cages

They rot and plot and try arrays of escapes but

They fly from entropy to fantasia

Camped in a land between discord and arrangement

Whispers from corners that you dare not engage with

Fly me from entropy to fantasia

There’s no one here who can keep their reason from caving

We grow some things to make their transit less painful

Fly me from entropy to fantasia

One day the cracks in consciousness reave your psyche

And we’ll be here for you, our prodigal junkie

Fly me from entropy to fantasia
Akashic Monastery

The Akashic Monastery is a monastery located outside New Albion, in the general vicinity of the mountains to the west.

They seem to have a knowledge of Post-Humans, and as such are considered a valuable resource by some. Lloyd Allen attempts to get into contact with them in order to find a way to escape his Doll body, and convinces Jacqueline O'Brien to send two Voodoopunks to the monastery in order to communicate with them. However, the two Voodoopunks are murdered by a Connor Morgan from an alternate timeline, in order to prevent Lloyd's rescue and keep the narrative focused on Elysium. As such, Lloyd never gets into contact with the monastery, and instead focuses on the destruction of New Albion, leading to the events of The New Albion Radio Hour.

After the events of the radio hour, Constance and Thomas go to live in the mountains to the west, and it is implied that Constance may have spent time at the monastery developing her abilities as a post-human.
Hey Diddle Diddle

**Hey Diddle Diddle** is the sixth track of the first act of A Pirate's Tale.

## Performers

Zanna Fredland as "Cassandra"

Mark Calla as "Father's voice"

## Lyrics

[CASSANDRA:]

Hey diddle-diddle

The cat and the fiddle

The fairy-folk ride with the crow.

When I was five,

My poor mother, she died.

I was left with me pa all alone.

The hard silent type.

Aye, that's what he was like,

But he gave to me food and a home.

I said, “Hey diddle-diddle

The cat and the fiddle

The fairy-folk ride with the crow”.

He said, “none of that.

It's just spit in a hat.

Anger and drink's all you'll know”.

[CASSANDRA AND FATHER’S VOICE:]

A blade that will cut and a burn in your gut

Is the stuff that will keep you alive.

Don't waste your time on a dream and a rhyme

In this world, only killers survive.

[CASSANDRA:]

When I was ten

Learning lessons, but then

My pa burst in, grabbed me and ran.

He said, “them ships comin' in

Are filled with dangerous men

And by dusk, this whole town's gonna burn”.

I said, “Hey diddle-diddle

The cat and the fiddle

My friends dance in rings of the crow”.

He said, “all your friends

Will be meetin' their end.

In this world, it's just you all alone”.

[CASSANDRA AND FATHER’S VOICE:]

A blade that will cut and a burn in your gut

Is the stuff that will keep you alive.

Don't waste your time on a dream and a rhyme

In this world, only killers survive.

[CASSANDRA:]

At sixteen in love

He was all I thought of

And we'd meet in the forest each day.

But he couldn't wait

So, one day, thought he'd take

My honor without giving me say.

Oh hey diddle-diddle...

The cat and the fiddle...

Your trust and your innocence fade...

But then pa was there

With a stone icy stare

And that stare was the last that boy gazed.

It was at twenty-two

When the trouble had brewed.

An officer looking for pay

Slew me old dad

For all that he had

And they laughed as they sauntered away.

Hey diddle-diddle

I put down my fiddle

And picked up a cutlass and ship.

I searched the wide seas.

Brought that man to his knees

And I slew him and all he was with.

Alas, you will find

The navy doesn't take kind

To slicing their officer's throats.

They hunt me now, but

They will never catch up

For anger and drink's all I know.

A blade that will cut and a burn in my gut

Is the stuff that will keep me alive.

I don't waste my time on a dream and a rhyme

In this world, only killers survive.

A blade that will cut and a burn in my gut

Is the stuff that will keep me alive.

I don't waste my time on a dream and a rhyme

In this world, only killers survive.
Danijela's Sacrifice

"Danijela's Sacrifice" is the second track of the second act of Janissary, and the seventh track of the album overall.

## Lyrics

[DANIJELA:]

In a land far away

The girl's mother, she prays

And each night in the dark

She can hear as she lays

Her child calling out her mother's name

All those in her life

Think she's losing her mind

But this voice, she can hear

She swears that it's real

She cannot rest until she finds her child

Finally, a priest

That she meets, he believes

Says her daughter perceives

Things that no one else sees

From the White God it's a gift that she's received

This gift, he then says

She sees saints who are dead

Since you're neither, well then

She won't see you again

You'll only hear her voice inside your head

Danijela, she fasts

'Til three months have then passed

She has prayed and is clean

As pure as she can be

And she walks into the hospital at last

There's a room tucked away

Where the sick children lay

To each one she goes 'round

With a kiss on the mouth

And the sickness deep inside she sucks away

In the room, there are ten

Children dying in beds

She cannot save them all

For by seven she falls

And she dies there

In the lonely, empty hall

Little girl leads a lonely life

Except for one strange autumn night

She sees her mother standing by her side

And though her mother's not alive

Neither of them seems to mind

And they sit beside

Each other every night

Cry, Mama, cry

Cry, Mama, cry

All I want is you here with me tonight
Валькирия Юна/Галерея

## Манга

**Внешность**
Валькирия

**Чёрно-белые****Чёрно-белые** | **Цветные****Цветные** | **Обложки****Обложки**

**История**
Сестра Ивли и еще Три Сияющие ЗвездыВалькирия использует Удар Одина на Сан Джуэле

**Арка Сан Джуэл**
Поверженная Валькирия

Валькирия на каникулах

Ведьма на обложке Тома 6Ведьма на обложке Главы 53Ведьма на обложке Главы 54Ведьма на обложке Главы 55Ведьма на обложке Главы 56Ведьма на обложке Главы 58

**Вернуться к Заглавной Статье**
Annabel Has a Doll

"Annabel Has a Doll" is the fourth track of the first act of The Dolls of New Albion, and the fourth track of the album overall.

## Performers

Kayleigh McKnight as "The Narrator"

Lauren Osborn as "Annabel McAlistair"

Paul Shapera as "Jasper"

## Lyrics

[NARRATOR:]

And so around 3 AM,
A recently deceased man
Found himself wound in the land of living again

Bound in a body,
Of gears and wheels but oddly
He has no voice and his steel joints barely can bend

The one sound he makes in fact
He streams radio broadcasts
He plays a country station if you give him a pat

Our dearest Annabel is
Quite thrilled and ecstatic
She has a friend who just was dead and yet she brought back

What may please does not content
All resolves but never ends
All that comforts is not true
All you love does not love you

[ANNABEL:]

I have a dolly and we like to go on walks
We like to stroll around the park all while he listens to me talk
About the people and the places that I never got to see
‘Cause I wouldn't leave my house, but that's before he was with me

We share a world, which is wonderful to see it's like a dream
Where no one calls me failure if I don't succeed

I have a dolly it's like flowers in the spring
And but no matter how I talk to him he never says a thing

[NARRATOR:]

What may please does not content
All resolves but never ends
All that comforts is not true
All you love does not love you

[ANNABEL:]

I have a dolly and he goes with me outside
which used to be a problem for me oh but now I never mind
Ice cream and carriages I always thought were nice
But never had someone to share them with because the lab's my life

Annabel no friends you must be brilliant and the best
You must be better and industrious, or you are worthless

But now I have dolly a dear friend with whom I go
Out for walk and talks but he's mute and just plays the radio

[JASPER:]

Elysium
The place the when your sorrows end
Why’d you bring me here again?

[ANNABEL:]

I have a dolly who can keep me company
We go to shows, parades and cabarets though people stare at me
But I've shown that I am brilliant and I've conquered life and death
The only thing my father said is that one must be a success

And now I've got a friend, a silent clockwork double
Who can be there for me to lean on when I feel sad and troubled

I have a dolly, and he's very stabling if not a little just too distant
'Cause he never says a thing

[NARRATOR:]

What you hold may wish to go
What you believe may not be so
All that brings you piece of mind
May not stay for a long time

What may please does not content
All resolves but never ends
All that comforts is not true
And all you love does not love you

[ANNABEL:]

Can’t you speak to me?
Won’t you speak to me?
All the thoughts we could share and conceive
If you’d just speak to me

[JASPER:]

Elysium
The place the when your sorrows end
Why’d you bring me here
Oh why'd you bring me here
Why'd you bring me here again?
Lost Fables From New Albion

Lost Fables From New Albion cover by Sarah DeBuck

**Lost Fables From New Albion** is a 2017 collection of short stories set in New Albion. The book was written and published by Paul Shapera. It was published on Amazon, on October 4, 2017.

The stories vary in length, from very short reads to full-length novellas with multiple chapters and points of view. All the stories expand the lore of New Albion and stem from references found in the New Albion Tetralogy albums.

## Stories

* The Death of Simon the Albatross
* The Tinker (With A Shop On Tin Pan Row)
* Amelia And The Baron
* The Red Haired Lad
* The Little Dead Girl
* The Albino Tribe Underneath New Albion
* The Faeries Beneath New Albion
* The Monastery In The Mountains To The West
* The Cigarette Girl
* Snow Globes
* The Red Haired Dwarf
* The Radiated Pile of Ooze (The Prime Of Beatrice Wynn)
* The Adventures of Pepper The Dog
* The Two Thieves
* The Ballad Of Lloyd Allen
Elysian Night

"Elysian Night" is the fifth track of the third act of The Dolls of New Albion, and the sixteenth track of the album overall.

## Lyrics

[JASPER:]

Elysium
The silent sighed lost lullaby
Elysian night

Elysium
The child who climbs the edge of time
Elysian night

The place the child you hardly knew
Sailed to in his wooden shoe
Past the last star in the sky
Where wishes never wished go lie

Elysium
The silent sighed lost lullaby
Elysian night

The place where all the love you shared
Went day by day til none was there
Where yearning and forgotten dreams
Are nursery rhymes the quiet sing

Elysium
The silent sighed lost lullaby
Elysian night

Elysium
The child who climbs the edge of time
Elysian night

The childhood friend you knew was there
But never saw or touched and where
They went when never called again
The place their loneliness all ends

All the sorrow, guilt and shame
Burdens borne and karma paid
In one soft breath like candlelight
Dispersed in endless Elysian night

Elysium
The silent sighed lost lullaby
Elysian night

Elysium
The child who climbs the edge of time
Elysian night
Dream a Dream

"Dream a Dream" is the twelfth track of Miss Helen's Weird West Cabaret.

## Performers

Psyche Chimere as "Han-Mi"

Paul Shapera as "Hank"

## Lyrics

[HAN-MI:]

Dream a little dream

Dream a little dream

Dream a little dream with me

Dream a little dream

All's not as it seems

Dream a little dream with me

Dream a little dream

Dream a little dream

Dream a little dream with me

Dream a little dream

All's not as it seems

Dream a little dream with me

Wishes wished away

Lost within the play

Run inside the mirror and maze

Whispered words of love

Soothe the bleeding cuts

Sleepers will not soon awake

Dream a little dream

Dream a little dream

Dream a little dream with me

Dream a little dream

All's not as it seems

Dream a little dream with me

Laughter in the halls

words you can't recall

Wonder is this really all

Something holds your scene

To be is not to seem

Dream a little dream with me

[HAN-MI:] (Sung)

You and I could lay together

On a cold and windy night

Fire in the hearth

Sheltered from the world outside

But spiders in the cupboards

And flies upon the wall

The saccharin coated painting melts

It's not real at all

I wish I smelled a fire

On your lips, I tasted wine

But something here deceives us

Something that I've yet to find

There's many things I'm sorry

That I cannot believe

Like when you turn and tell me

Tell me you love me

[HANK:]

Dream a little dream

Dream a little dream

Dream a little dream with me

Dream a little dream

All's not as it seems

Dream a little dream with me
Interlude 2

"Interlude 2" is the eighth track of Miss Helen's Weird West Cabaret.

## Performers

Lauren Osborn as "Miss Helen"

Psyche Chimere as "Han-Mi"

Rhys Owen as "Henry"

## Lyrics

[HELEN:]

I know a few things about sanity's brink

When you can't trust all you think

[HAN-MI:]

I know there's a place

A place I belong

In the carnival, sing me a carnival song

[HELEN:]

You can't sing that song

There are things it can call

All who sing it soon are gone

I’ve been there to see

When they finally can't keep

Ahold, control of all about you

I'll stop the show, I'm worried for you

[HAN-MI:]

If you stop the show

I might blank out and go

And wake when next it starts

[HELEN:]

I’ll be by your side

The whole time if you slide

Or cry or come apart

[HAN-MI:]

Who am I when this all just stops and desists?

Do I even still exist?

[HELEN:]

I’ve got you, I swear

I can pause this right here

Take a breath

I'll stop the show

Ready now...

[HELEN:] (spoken)

Folks...

[HENRY:]

My town of Vulture Rock was quiet

I was young…

[HENRY:] (spoken)

Hey, where’s the music?

[HELEN:]

Henry, just wait

There’s a thing, I’m afraid

I must stop the cabaret

[HENRY:]

But I’ve practiced for weeks

For this night you can't mean that

You'll ruin this for me

[HELEN:]

Oh god he's right

He had this coming

He's waited and he's trained

And I cannot take this from him

[HAN-MI:]

What if the show cannot be stopped

[HELEN:]

Han, stop the crazy talk

We'll let him sing and then we'll end the show

[HELEN:] (spoken)

Okay folks, finally Henry the Alchemist sings his big number!

[HENRY:] (spoken)

Yay! Ahem…
Interlude

"Interlude" is the sixth track of Miss Helen's Weird West Cabaret.

## Performers

Lauren Osborn as "Miss Helen"

Paul Shapera as "Hank"

Psyche Chimere as "Han-Mi"

## Lyrics

[HELEN:] (spoken)

Oh look, here comes the sheriff! He and his deputy Henry the Alchemist are coming to investigate reports of trouble.

[HANK:] (spoken)

Greetings, Miss Helen. It looks like there's been some trouble with the stagecoach and Henry and I...

[HELEN:] (spoken)

You mean the doctor's place.

[HANK:] (spoken)

No, the stagecoach. it looks like Han-Mi is...

[HELEN:] (spoken)

No, we're not doing the train robbery.

[HANK:] (spoken)

Oh, we're not?

[HELEN:] (spoken)

No we're doing... um... zombie babies.

[HANK:] (spoken)

What?

[HELEN:] (spoken)

Flying, face-eating zombie babies.

[HANK:] (spoken)

That's horrible!

[HELEN:] (spoken)

It's pretty awesome, actually. Don't tell Han I said that, she'll never follow script again.

[HANK:] (spoken)

Well then, we ride off to...

[HELEN:] (spoken)

The doctor's place.

[HANK:] (spoken)

Yes, to...

[HELEN:] (spoken)

Investigate reports of the vaccine having strange side effects.

[HANK:] (spoken)

Does the band know this?

[HELEN:] (spoken)

I told them during your bit.

[HANK:] (spoken)

Well then, come Henry. Hi-ho, Yates!

[HELEN:] (spoken)

Hank!

[HANK:] (spoken)

Yes?

[HELEN:] (spoken)

Just between you and me, have you ever considered Han-Mi as a... a woman?

[HANK:] (spoken)

Han-Mi is the embodiment of evil and malicious cunning.

[HELEN:] (spoken)

No, past the whole villainous thing. Just.. as a woman...

[HANK:] (spoken)

How can I see her as anything other than a detestable scourge, a blight that should be removed from this town?

[HELEN:] (spoken)

Wow. Okay, that's uh... harsh.

[HANK:] (spoken)

Hi ho Yates! Away!

[HELEN:] (spoken)

I'm sorry, Han.

[HAN-MI:] (spoken)

You know, we really don't have to talk about it.

[HELEN:] (spoken)

Okay... It's your song. I'm such a... what the hell is with this band?

[HAN:] (spoken)

I don't think they're paying attention to us.

[HELEN:] (spoken)

Guys! Guys! What the hell are you doing? Okay, take your time... Don't mind us... Yes. Wow. Okay folks, we go now to Han-Mi's lair where she sits brooding.
Mikayla Paul

website

**Mikayla Paul** is a lighting designer who did the lights for The Posthuman Cabaret

According to Paul "Our lighting designer Mikayla Paul not only destroyed that stage with beauty (have you SEEN those photos?!?) but has been adopted by us. She belongs to us now. She is our adopted bean and under our protection. Fuck with her and you fuck with us. I will hurt you. Again. She was more then a coworker, she became our family."
I Will Bring You Down

"I Will Bring You Down" is the sixth track of the fourth act of The Dolls of New Albion, and the twenty-fourth track of the album overall.

## Lyrics

[OTHER SOLDIER #1:] (spoken)

Soldier 7285, why didn’t you fire?

[OTHER SOLDIER #2:] (spoken)

Soldier 7285, why didn’t you fire?

[AUTHORITY:] (spoken)

Soldier 7285, you are hereby notified of your court martial for negligence of duty.

[OTHER SOLDIER #1:] (spoken)

Why didn't you fire?

[SOLDIER 7285:]

I saw her eyes, I’ve never faced
That kind of look, that haunted grace
The way she died so willing just
To die for love, to die for love

What kind of masters must I serve
That make this into such a world
Where one must break such beauty and
Bring this to pass with such cruel hands

Soldier 7285
Is who I am, it is my life
But I perceive another place
And it must be built upon your grave

And I will bring you down
I will bring you down
I will bring you down

And if I fall someone will see
The way I went, just like she
With eyes of love and heart of light
They too will fight, they too will fight

Today I say it will begin
Today I will begin your end
Today the wind that comes, portends
Will be your end, will be your end

And I will bring you down
I will bring you down
I will bring you down
I will bring you
I'll bring you down
I'll bring you down
I'll bring you down
I'll bring you down
And I will bring you down

I'll bring you down
I'll bring you down
I'll bring you down
Adrian

Adrian (in the front) with Lee (in the back) by Vadvivon

**Adrian** is a character appearing in The New Albion Guide to Analogue Consciousness. He is Amber's son and Lee's boyfriend. Adrian is voiced by Lauren Osborn.

## Biography

Adrian is the son of Amber, a prominent member of the Voodoopunk religion who used to be married to Connor until she gave their child to the Arcadia Corp to be used for AI experiments.

When Adrian was a teenager, the Voodoopunks, working with Arcadia Corp, planned to migrate to Elysium through a portal. Adrian planned to migrate with his boyfriend Lee, the son of Connor. However, Connor, with the help of the city council, cut funding to the project. Lee and **Adrian** came up with a plan to convinced him to reverse his decision, pretending that Lee was possessed and saying that the Voodoopunks would lift the spell upon the return of their funding.

The plan worked and the lovers soon crossed through the portal to Elysium. The pilgrims soon realized that, rather than the paradise they hoped to find, Elysium was a hellish, Lovecraftian landscape inhabited by aggressive creatures that attacked the Elysian pilgrims. Unfortunately, in New Albion, Connor shut down and took apart the portal, trapping the pilgrims in Elysium.

The pilgrims were constantly under attack by the creatures. For 2 years, they attempted, without success, to send people back to New Albion through the portal. When Adrian tried, he died like the others before him, and this led to his attempt to enter the portal being the final one.

After Adrian's death, Lee broadcasted their love song through the radio, hoping to find him again in a new life.

## Trivia

* Adrian is a man, but is voiced by a woman because of the twist in the album that Adrian is not a woman, but a trans man.
* Adrian reincarnated into Connor, and Paul has stated that he regrets having made the decision to state this, noting that the information is now far more cemented in the canon of his work than he ever intended or expected it to be.
Hello Helen

"Hello Helen" is the first track of The Grand Cyberpunk Gala of Gabriella Gadfly.

## Lyrics

[MARY:] *(spoken)*

Time is fluid

That fluid is information

That information clusters and becomes overlapping narratives

Narratives are change

Change is transformation

Transformation is the wheel of the future

Control the narrative, control the transformation

Control the future

Hello, Helen. Welcome back. My name is Mary.

[MARY:]

We meet here once more

Although just like before

You've failed us again one more time

New Albion's doom

Will rest partly on you

Its imminent end is in sight

Don't look for your friends

They are still in your head

Your mind's the door to the CU

They cannot appear

Without killing you, dear

So for now it's just us and just you

The signs cry

Armageddon is nigh

Only we know it

And only we try

To rewrite the future

Just like we had tried with

The Grand Cyberpunk Gala of Gabriella Gadfly

The Grand Cyberpunk Gala of Gabriella Gadfly

We're losing a war

We cannot win now for

At every turn we're outplayed

Lost Hollow's the last

Desperate hope that we have

But you three squander our hopes away

The skies cry

Armageddon is nigh

We try to rewrite

The dark future in time

Just like we did on that first time, just like

The Grand Cyberpunk Gala of Gabriella Gadfly

The Grand Cyberpunk Gala of Gabriella Gadfly

My name was Mary

I came willing

With a husband

And three children

And a head all full of Heaven

And a hymnal on my lips

Kids and husband splattered

By monsters and then after

Into machines our minds at last were

Placed and since then here we sit

Without bodies, in time

Love and empathy die

They're just barely memories by now

Our methods are cruel

But mostly for you

Sacrifice must be paid out somehow

The signs cry

Armageddon is nigh

We're all that oppose it

We're all here that try

To rewrite the future just like that last time

The Grand Cyberpunk Gala of Gabriella Gadfly

The Grand Cyberpunk Gala of Gabriella Gadfly
Buck

## Buck the Dragon

Buck the Dragon

Buck the Dragon is a character that appeared in the The Posthuman Cabaret. He was graciously provided by Mikayla Paul, and portrayed on stage by Sean Warner.

## Posthuman Cabaret

As Michael, Asha, Lloyd Allen, and Raven descended through Level 2 to reach the Hellhole and rescue Jill and Marjolein, they came across a gate guarded by a fearsome dragon. This dragon would only communicate with the purest member of the group. Michael stepped up to ask the dragon if he would open the gate and let them pass through. The dragon asked why it should be bothered.

Through further conversation, was revealed that Buck the Dragon was incredibly bored and was in dire need of entertainment. So the group of posties performed a selection of songs from Janissary until the dragon was satisfied and allowed them through.