Little Audrey (character)

* Harveytoon
* Noveltoon/Paramount's 1956 movie
* Harvey Girls Forever!

## Physical description

### Personality

Cute, sweet, curious, innocent, kind, funny, tomboyish, mischievous, imaginative, kind-hearted, happy, giggly, childish, perky, peppy, tough, rebellious, huggable, short-tempered, aggressive, friendly, adorable, playful, energetic

## Appearances

### Voiced by

Mae Questel
Stephanie Lemelin

### Portrayed by

Tiffany Taubman
Tabitha St. Germain

### Appears in

*Noveltoons*
*Olive Oyl for President* from *Popeye* (briefly cameo)
*Little Audrey: The Movie*
*Shining Time Station* (footage cameo)
*The Richie Rich Show* (archive)
*The Harveytoon Show* (archive)
*Baby Huey's Great Easter Adventure*
*Harvey Girls Forever!*

### Quotes

*Butterscotch and Soda*:
"Eeny, meeny, miny, moe. I'll shall take this here one."
*The Lost Dream*:
"No more moonshine for me.
*The Seapreme Court*:
"Judge, it's a whale of a tale!"
*Harvey Girls Forever!*:
"PURPLE DRAGON YO-YO BALL! No-one else would say that."

***Little Audrey*** *(full name: **Audrey Smith**)* is a fictional character, appearing in Paramount Pictures' Famous Studios cartoons from 1947 to 1958. She is considered a variation of the better-known Little Lulu, devised after Paramount decided not to renew the license on Marjorie Henderson Buell's comic strip character. Despite some superficial similarities between the two characters, the Famous animators were at pains to design Audrey in contrast to Lulu, adopting an entirely different color scheme and employing the stylistic conventions common to Famous Studios' later '40s repertoire, as opposed to Buell's individualistic rendering of Little Lulu. Little Audrey was voiced by Mae Questel, who had also voiced Little Lulu, as well as most of Paramount's other major female cartoon characters including Betty Boop and Olive Oyl.

She is the main character in a series of Paramount Pictures' Famous Studios cartoons from 1947 to 1958. Little Audrey was a favorite among the all-American men and is aimed at primarily male adult audiences. Little Audrey is officially considered the first all-American tomboy.

Little Audrey first appeared in the 1947 Noveltoon, "*Santa's Surprise*", in which she is the all-American girl who lives in Manhattan, New York City, and the most prominent member of a multicultural child cast. According to the animation, her first starring role was in the short "*Butterscotch and Soda*".

## Background

### Appearances

Little Audrey's last name is Smith.

Little Audrey has reddish brown hair with ribbons making three pigtails. She wears a little blue dress with puffed sleeves, white ankle socks, and black Mary Jane shoes.

The comic "Little Audrey & Melvin and Cousin Suzie's Dance Party" (issue unknown) reveals that Audrey has a cousin named Suzie, who has a friend named Bubu. The first several issues of the comic book also reveals she has a brother nicknamed "Patches".

### Physical appearance

#### Harvey Girls Forever

Audrey has fair skin and brown hair. Audrey wears a long-sleeved pink shirt with a lightning bolt, blue pants with folded cuffs, and a pair of baby blue high-tops. She also wears pigtails.

### Noveltoons

#### *Santa's Surprise* (1947)

As Santa delivers presents to Audrey and other children from different countries (a Dutch boy, a Chinese boy, an African boy, a Russian boy, a Hawaiian girl and a Spanish girl), they slip into his sleigh to repay him by cleaning up his house (in this story, poor Santa lives a hermit-like existence, without wife or elves to help him maintain his household). The kids escape in Santa's sleigh just as he awakes on Christmas morn to find a spotless house and a note that reads, "Don't forget us next year!"

#### *Butterscotch and Soda* (1948)

Audrey says "Eeny, meeny, miney, mo; I shall take this here one!" and then grabs a handful of chocolates from the bag, devouring them all in a single gulp. She repeats this, causing her stereotypical African-American housekeeper maid, Petunia to nag her incessantly about not eating her lunch. Her lunch, it turns out, could feed an army, with a steak so big that I believe it could choke Gwangi, and the housekeeper catches Audrey wolfing down her non-nutritious sack of sweets, and forces the little girl to the table. Then Audrey not only uses a fork to pick up bites of her lunch, but also uses a second fork to stuff even more candy into her mouth from the bag now tied to the side of the table. The first fork, however, never makes it to her mouth, instead being held out behind her to feed the dog on the floor, who salts each piece before he bites it.

When Petunia discovers what is happening, when Audrey reaches behind her to feed the dog another piece, the fork will not come back. She turns around to find the Mammy lying on the floor behind Audrey, with the fork in her mouth instead of the dog’s, glaring at the little girl disapprovingly. She picks up Audrey and locks her in the bedroom for "the whole weekend, if that's what it takes", especially as she notices at the last minute another bag of candy marked "Friday" hanging from Audrey's window sill, followed by bags marked "Saturday", "Sunday", "Monday", and "And Always".

Once Petunia leaves, Audrey goes into a true addict's panic, tearing the room apart looking for more candy. She remembers where her final stash is hidden in the ceiling lamp, but a mouse *(resembled* Herman the Mouse*)* has beaten her to it. Almost collapsing on the bed, she imagines her umbrella is a candy cane, and bolts towards it but only ends up with a mouthful of umbrella. Her pet bird becomes chocolate in her mind, and when she tries to grab it from its cage, the bird flies about the room. In an astounding moment, the shadow of the bird on the wall transforms into that of a giant vampire bat that cloaks the room in darkness. The darkness then shifts to that of Audrey's open, screaming mouth, as the camera pulls back to reveal the little girl gripping the wall, and further pulls back as she continues to scream, in a true Hitchcockian moment almost straight out of Spellbound, with the girl tiny against the tremendous walls of her room, each one painted a different hue, which then swirl into a kaleidoscope of spinning color.

The ride stops, and we see a shiny red cherry, and when the camera pulls back, the cherry is atop a gigantic sundae, surrounded by candy cane fields. In some sort of Candyland setting; Audrey is sitting on a chocolate brick road, and the sweet-addicted little piggy wastes no time in chomping hungrily into one of the bricks. Her attention is diverted by the fields about her, with lollipops growing from the ground, and marshmallows hanging in the sky like clouds.

Little Audrey begins to pick huge handfuls of lollipops, filling up a sack as she goes, even while grazing the entire time. Her bag gets even bigger as she fills it with Boston Baked Jelly Beans, which she pans from a giant pot, and Licorice Drops that are dropped from a dump truck. She passes by signs that read "I'd Walk A Mile For A Caramel" (whether this is an intentional joking comparison with an equally addictive item, I do not know, but doubt highly), and finally the bag is so big that it completely dwarfs the little girl.

Then Audrey reaches her limit. She begins to develop moving red and white stripes on her face like a barber pole and she grows steadily more nauseous. Her tremendous bag of candy shape-shifts into a large, menacing ghost who points accusingly at her and chases her as he sings the following swingin' but evil song, accompanied by various denizens of the Candyland!

Through this ordeal, the candy fiends keep chasing her and she struggles to keep her distance from them. After some candy canes with sledge hammers (who were working a chain-gang on a Rock Candy Mountain) go after her, she ends up slogging through the muck on Fresh Fudge Road, and a Candy Steamroller driven by what looks like a Tootsie Roll heads towards her for a final flattening. The screen swirls again, and Audrey is sitting on a chair in a dark room surrounded by the all of the candy fiends again. This time, while singing a reprise of The Tummy Ache Blues, they force Audrey's mouth as wide as it can possibly go and pour the contents of an unending bag of candy into her helpless maw.

Audrey wakes up in her own bed with Petunia dripping water on her from a cool washcloth. She offers Audrey "all the candy you want!" and Audrey panics, practically flying from the room. The final shot shows the dog sitting at the table and dining with two forks the Audrey did before, only this time Audrey is the one on the floor, salting each piece as she happily eats her dinner.

#### *The Lost Dream* (1949)

Little Audrey finds herself in yet another dream-wrought pickle, and this time it's all because of that nasty ol' moonlight! At least, that is what Petunia, as Audrey's always watchful housekeeper is called in The Lost Dream, the fourth film of Audrey's then burgeoning theatrical career, thinks is the problem. Released as a Noveltoon in 1949, the series still displayed Petunia in much the manner of a Hattie McDaniel, all kerchief, heft and sass. Unfortunately, it also means a rendering of unnaturally large lips for the woman, and there is a minor effort to portray the character as not being learned in any respect. (I have yet to determine the point in time where such portrayals disappeared from the cartoon world, and I suspect it was a little while later than they did from film in general.) Petunia catches Audrey reading by the light of the moon, when she should already be asleep, and Petunia asks the stubborn girl, "Are you reading by the moonlight again?"

Audrey relents and settles down to sleep, and immediately falls into dreams of a magical Candyland from *Butterscotch and Soda*, where she chops down candy canes in a forest, drinks from a pool of soda with a giant straw as she sits in a rowboat, and dimes and nickels rain from the skies so she can buy more candy. However, as she sleeps, a magical being climbs out of her dreams and floats sadly by the window, watching as a flying masted ship sails off into the skies. Audrey is shown climbing ghostly out of her own sleeping body, and then she floats over to the dream boy. He explains that because she took so long to go to sleep, he was late, and now he has missed the last boat to Dreamland. Audrey says she will help him, and together they walk to the clouds on a shaft of midnight moonlight.

The Lost Dream explains to Audrey that he has to report in to the Sandman, who rules all of Dreamland. On the way to his castle, they watch workers scrape the stardust off of tarnished stars, and tailors sewing silver linings into dark little clouds. Meeting the avuncular Sandman, they are told that it is OK if the Lost Dream shows his dreamgirl about the kingdom, but is severely warned to stay away from "The Black Door". You can bet every dime that you have that any time there is something that shouldn't be touched or opened in a movie, it's going to get touched or opened. You can double that money in an Audrey film; she's practically opened it before the movie has begun.

The next section of the film is basically built like this: a couple of dream gags are shown, then the Lost Dream discovers Little Audrey trying to wrest open "The Black Door". This happens three times in succession before the obvious result of the door opening occurs. But some of the gags on the way are fun; apart from some obvious bits on pipe dreams, catnaps, and faded dreams, there are a couple of doozies. The first happens when they visit the Broken Dreams Department: a cloud poofs out and shows the image of a college lad getting his diploma, walking into a job interview proudly with the paper in hand, and then walking out the other side of the building clad in a janitorial uniform and pushing a streetsweeper. There is a combination gag when the Lost Dream and Audrey visit the dual Departments of Little Girls' Dreams and Little Boys' Dreams: the Girl Dream consists of a young girl emerging from a backstage door all-dolled up like a movie starlet (the little girl in the dream looks like she could actually be a slightly more glamorous Audrey), and making all of the waiting boys outside of the door faint from her presence; the Boy Dream is, shockingly but not surprisingly, that of a little red schoolhouse burning to the ground!

Eventually, Audrey got to be opened that old Black Door, and when Audrey finally gets it there, the Lost Dream tries to push it closed, but a giant hoofed foot blocks its closure. Then a devilish head pops out, followed by two others of slightly less traditionally demonic appearance, and the three heads begin to sing to Audrey this song. As the demons sing this to her, they breathe fire at Audrey's little pantied bottom; she jumps from black cloud to black cloud until they turn into giant black demons that try to snatch her out of the air; she lands on what must be a quarter-mile long tongue attached to a gargantuan green dragon; and finally runs through a ceaseless series of red swinging doors until she ends up being trapped in a black cloud by the three demons. They wrap her in their hands... and she wakes up kicking and screaming in her own bed. She doesn't hesitate to board up every inch of her window to keep out the moonlight, swearing the celestial stuff off for good, and then when a ray of it sneaks through a crack in the boards, she uses a slingshot to pop it closed, and closes the cartoon giggling.

#### *Song of the Birds* (1949)

Little Audrey causes too much havoc indoors with her toy gun, so Mammy sends her outside. She sees a baby bird learning to fly and shoots it. The mother bird tries to revive her baby, but to no avail. She begins to cry and mourn the baby bird's death, and Little Audrey feels remorse and guilt for killing it. She runs back into the house and hides under her bed.

The animals and plants of the forest arrange an elaborate funeral for the little bird. Audrey watches from her bedroom window and says a prayer, insisting she did not mean to do any harm. As rain begins to fall, the mother birds gives her child a kiss goodbye. The baby bird wakes up, revealing it was only unconscious. Overjoyed, the birds celebrate and fly in a circular formation in the sky around the mother and baby.

Audrey sees what has happened and happily rushes out with her rifle. The birds flee in terror and hide in a tree. However, Audrey breaks the gun in half over her knee and stomps it into the ground. She also sprinkles bird seed to make amends, but the birds do not understand. Audrey sadly begins to walk away, but the baby bird flies onto her shoulder and rubs its face on Audrey's. The other birds realize Audrey wants to be their friend, and make the circular formation around her as the baby bird eats seed from her hand.

#### *Tarts and Flowers* (1950)

In Tarts and Flowers, Little Audrey, at a time where television was slowly pervading most American homes, has her radio set on a cooking show. Audrey is set on making a cake according to the show's instructions and she mainly acquits herself remarkably well, though she struggles somewhat to keep up in a time-honored comic fashion. One of these time-honored gags is to correct the listener when they make a misstep, which Audrey naturally does and to which the radio announcer follows up. Another good bit occurs when the announcer tells her to "Beat it!", and Audrey sadly and sheepishly resigns herself to leave the room, but the announcer calls her back. Audrey finishes mixing the cake batter, and slides it in the oven. But because Audrey is either caught in another one of her sugar-high crashes, or is actually narcoleptic, she falls asleep in a chair by the oven.

Suddenly, the timer goes off, and Audrey awakens to find the Gingerbread Boy kicking his way out of the oven. He tells our heroine that he is off to Cakeland because he is late and he's "got a date with a cake!", and Audrey, of course, chases after him on the journey. (It is her dream, you know; what is she going to do? Stay behind?) A cloud of flour is kicked up on his escape, and Audrey follows him blindly through the haze. She finally arrives at Cakeland, entirely built and populated by desserts, where the streets have names like "Breadway"; striding out of the "Garden of Eatin'" is the Gingerbread Boy accompanied by his bride, Angel Cake, a red-haired hottie with a human body and angel wings, though draped about her lower half is a skirt-shaped piece of angelfood cake. Gingerbread Boy tells Audrey that they have to get ready for the wedding, so Audrey goes off with Ginger to prepare her. She uses powdered sugar and cherry juice to do Angel's makeup, and squeezes icing on Angel's head to do her hair for the ceremony.

Outside, the populace of Cakeland are holding a wedding parade, with cupcakes and other treats singing of the joy that will happen on this most festive day. French pastries dance a can-can, a Maurice Chevalier-type escorts two ladyfingers to the wedding, and a rumcake staggers drunkenly after them. The parade leads to the wedding chapel, and the happy bride and groom enter it on a red carpet of rolled dough. All seems to be going well...

...then Devil Food Cake pops out of his box! He interrupts the wedding with a flash of hellfire, and kidnaps poor Angel Cake! Audrey rings the alarm; the Cop Cakes run to the rescue twirling their batons; and the Gingerbread Boy runs to a box of animal crackers and rides after them atop a horse, followed by other animals. Devil drags the kicking and screaming Angel to a sugar boat awaiting them on the Old Milk Stream (after first taking the Strawberry Short Cut); Audrey takes out a hand mixer and makes the stream too thick for their vehicle to escape. The Gingerbread Boy easily defeats Devil Food Cake, and the Cop Cakes cart the villain off in the Pie Wagon. The wedding can go on as before, but Audrey wakes up in time for the real timer to go off on her oven. She opens it up to discover, in a neatly arranged row, the Gingerbread Boy and Angel Cake, with a baby version of each set in between them.

#### *Goofy Goofy Gander* (1950)

A slight comedown in one of the better Famous Studios series, Goofy Goofy Gander, from 1950, has our dreamscaping heroine Little Audrey sitting in the middle of her English class when she is supposed to be memorizing her Mother Goose rhymes. When Audrey finally has her expected dream in this cartoon, she only really gets one thing right: she inserts into Mother Goose's place the hot mama of a teacher that had been previously scolding her in class.

While the rest of the class works hard on their Mother Goose primers, Audrey has a Dick Tracy-style crime comic called "Phony Funnies" hidden in the pages of her book. The comic stars a pair of tough-guy criminals called Pinhead, due to his incredibly thin head, and Birdbrain, who literally has a hold in his head in which lives a small talking bird. Audrey is so caught up in the action, that when her teacher asks her to recite, Audrey lashes out at her with, "I ain't talkin'! I ain't no stool pigeon, see!" Audrey is rightly banished to the corner, forced to wear the duncecap, and asked to concentrate on her memorization. Audrey is so stubborn that she grumbles herself to sleep; when she does, Mother Goose flies off of the cover, in the form of her teacher, and scoops up Audrey to take her to Mother Goose Land.

The teacher is hipper than she seems, and proves this to Audrey. She then recites a new hepcat version of "Little Boy Blue", and shows Audrey that Blue plays jazz trumpet at the Club Haystack, where the cows and sheep, full of the corn and the meadow they have been feasting on, join the Little Boy in swingin' the night away! She then tells a rewritten version of Mary and her Little Lamb, only this time Mary is even more smokin' hot than even the teacher, and the Lamb is an well-off elderly gentlemen ("His hair was white as snow"), and "everywhere that Mary went", which in this case includes a jewelry store, "She fleeced him for his dough." Audrey giggles a little too knowingly for a girl so tender in age. Little Tommy Tucker is played by, of course, an incredibly skinny Frank Sinatra, singing for his supper; both teacher and Audrey faint dead away on top of the flying goose.

Meanwhile, because it is an Audrey dream, peril awaits; this time, it is in the form of Pinhead and Birdbrain, loosed from Audrey's comic and ready to turn the pleasantness to instant nightmare. They mug a piglet for a single penny, and when they discover a sideshow displaying The Goose That Lays the Golden Eggs, Pinhead imagines an egg slicer turning the eggs into a pile of gold coins in his hand. They stage a stick-up, and Audrey screams at them that they "don't belong in here!" They swipe the goose and make their escape. Audrey chases after them, but the duo crash through a wall, on top of which was perched, as expected, Humpty Dumpty, who crashes to the ground. What is not expected is that Humpty is played as Edward G. Robinson, who says he is "Hard-berled, and hard to crack up!" Assuredly, he has been unharmed by the incident. The Old Woman in the Shoe and other nursery rhyme residents join in the chase, but it is Audrey, atop the goose, who brings down the evildoers. When they fire their pistols at her, she bravely turns their bullets back at them through Little Boy Blue's horn. She arrests them, and tries to drag them off to jail. Of course, this is the point where Audrey wakes up, and she is being laughed at by the class because she is wrestling the stool that she was asleep on. Audrey tells the teacher that she is now hep to Mother Goose's jive, and then the little bird from Birdbrain's skull appears on top of Audrey's hair and announces that he's hep, too!

#### *The Seapreme Court* (1954)

Little Audrey has nodded off beneath a tree on the shore of some form of body of water (more on that later), when she is awakened by a tug on the line she has resting in that water. She is thrilled, but her excitement wanes when she realizes she has only pulled up an old boot with a score of tiny fishes in it. She casts her line back in, and settles against the tree again, swiftly descending back into a deep slumber. She again gets a tug, and wakes up, shouting, "Oh, boy! It's a big one!" The "Big One" pulls her under the waves and deep down into the murky depths. There is a cry for help, and a passing sawfish cuts the line between her and the pulling fish. Well, we couldn't see Audrey's mouth, but the fish pulling her down into the deep clearly mouths the repeated "Help!" over and over again, but the childlike voice that emits from the creature is eerily reminiscent of Audrey's.

She is, however, the center of attention here at the bottom of whatever body of water this happens to be. Surrounded by a host of fish, Audrey is arrested by one of the "carps on this beat,” with a pair of crab handcuffs placed on her wrists for good measure. Audrey protests, but there is nothing that can be done; she is brought to the Seapreme Court where she is to be put on trial for the whole of all humanity's crimes against fish-kind.

The judge bangs his gavel and calls the court to order, Officer Finn (the bailiff) turns the key on a can of sardines, releasing a dozen of the smelly delights. The canned jury swear themselves in, A shy fish dressed as a schoolboy (with a voice somewhat reminiscent of Kay Kyser's original recording of Three Little Fishies) tells his tale of being lured to his near capture on a hook under false pretenses, Audrey yells out, "Ah, that's a fish story!" But the judge doesn't care. One of the sardine jurors holds a shell up to his unseen ear in order to hear the judge better. Mr. Sailfish, who has an Irish accent, tells his tale of woe. The camera pulls back from Mr. Sailfish's head to reveal his entire body mounted exactly as described, with the plaque held up by a stool next to the stand. Little Audrey protests, "I didn't do it! I didn't!" and she stomps down hard on one of the octopus' limbs. The octopus hops around holding his appendage, and the judge calls for order. A large whale now sits on the stand, his face sullen as he towers over the jury. It's a much nicer account than what actually happens when oil is taken from a cetacean, but to prove his story, the whale pulls a dipstick out of his blowhole to show that his oil reads "empty". Little Audrey uses the octopus' limbs to slingshot her way up to the judge's stand, and pleads, "Judge! That's a whale of a tale!" The octopus pulls her away, and the judge continues, a salmon wearing a bonnet and pushing a baby carriage rolls up to the stand. There is a tear in her eye as she reveals a goldfish bowl underneath a blanket with about forty small salmon fry swimming about in it. She holds up the can as evidence, and the sardine jurors (themselves working out of a can) start crying and dabbing their eyes with handkerchiefs. The judge closes the testimony without allowing Audrey a defense, mind you -- are there such things as kangaroo fish? Because it seems this is that sort of court). The jury is rolled up back into their can while they deliberate; this takes them exactly 1.23 seconds. It unrolls again and the unsurprising verdict of "We find the human... GUILTY!" is shouted by all twelve of them.

The judge turns to Audrey to lay down her sentence for the crimes of humanity to show eight electric eels formed into the shape of a normal chair, only with the adding threat of their natural body impulses. They light up briefly a few times to show what is in store for Little Audrey, who screams and fights with the octopus to escape. She ties all eight of his limbs together and makes a break for it, running out of the court and onto the ocean floor. Every type of sea creature in the audience swims after her in hot pursuit.

A cry of "Calling All Carps" goes out, and mountie carps head out after her riding atop of seahorses. Audrey runs into the open mouth of the whale, who happily swallows her, but she climbs up and out of his blowhole. A giant clam swallows her next when the whale's tail flicks her into it, but she tickles the clam's mouth open with a feather, sending the huge mollusk into hysterics. She is next cornered by a swordfish who engages her in a fierce duel, but as Audrey is armed only with a piece of wood from a wrecked ship, the battle is easily won by the fish, but Audrey tricks the swordfish into catching his snout in the side of a shipwreck, and she escapes once again.

Finally, other swordfish build a cage around her by sticking their weaponry in the sand and she is brought back to the court. Placed into the Eel-Lectric Chair, it begins to surge... and suddenly Little Audrey wakes up safe and sound on the shore of the water. She then notices a tug on her line, and a small cute fish leaps from the water. Feeling bad about her careless fishing ways, she frees the creature and puts it back into the water, swearing off fishing. At the last second, the fish hops back out and pins a medal on Audrey. It reads "OfFISHial Pardon", and the fish kisses Audrey on the cheek and laughs at the end.

### *Olive Oyl for President* (1948)

She appears briefly in a sequence where she is seen pushing a baby carriage while licking a gigantic ice cream cone nestled inside of it.

*Olive Oyl for President*, a Popeye cartoon would become property of Warner Bros. *(via Turner Entertainment Co.)*, and distributed by Warner Bros. Television.

## Gallery

***Little Audrey Fanon Wiki*** has a collection of images and media related to ***Little Audrey***.
## Trivia

### Harvey Girls Forever!

* Audrey is based on her major counterpart Little Audrey, a main character in a series of Paramount Pictures' Famous Studios theatrical cartoons from 1947 to 1958.
* Unlike her major counterpart, who is interested in jazz and swing music, and has a trumpet, Audrey loves rock music from the 1980s, and has an electric guitar.
* She was the toughest, but medium member of the Harvey Girls.
* Audrey has a missing tooth, although how she got it is unknown.
* Audrey is tougher, more aggressive, more childish, but smaller than her counterpart.
* Audrey has a habit of combining words to make a new one.
* Audrey is shown to be excellent at parkouring on almost anything, except old houses.
* She had a secret of "showering in confetti".
* The only episode where Audrey farted so far was in "Wary Lotta and the Chamber of Secrets".
* She owns a pair of Snug-Jamas.
* She sleeps with a stuffed gorilla that she calls Captain Rampage.
* She used to wear a retainer, but "lost" it.
* Revealed in "Dottle Rocket", she sometimes straps herself to fireworks and explosives.
* She is known for taking things too far, such as rowing a boat all the way to Japan, climbing the top of a building block tower, and overflowing the spa.
* She keeps a bow and arrow ready to go.
* She has a pet goldfish, but doesn't know how to take care of it.
* As seen at the cliffhanger in The Monsters Are Due on Harvey Street, it is revealed Audrey has a sister, Zoe.
* She, along with Dot and Lotta appear in every episode, especially due to them being the three main leads of the show.
* Her favorite colors are pink, green, and white.
* Audrey previously thought she had an allergy to pizza until Zoe told her that she made it up.
* In one episode, Audrey swallowed a clock. It's stayed consistent throughout the seasons.
* Audrey can get hypoglycemic if she skips lunch.
* She had a crush on Melvin since they both love rainbow bazooka ice cream.
* She has her own official unofficial Twitter account.

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