Charles Nelson Reilly

**Charles Nelson Reilly** II (13 January 1931 – 25 May 2007) was an American actor, comedian, director, and drama teacher. He was a regular panelist in several incarnations of *Match Game*.

## Early Life

Reilly was born in The Bronx, the son of Charles Joseph Reilly, an Irish Catholic commercial artist, and Signe Elvera Nelson, a Swedish Lutheran. When young, he often made his own puppet theater to amuse himself, and his mother often told him to "save it for the stage."

At age thirteen, he survived the 1944 Hartford circus fire which killed 169 people in Connecticut, and he never sat in an audience again throughout the remainder of his life. Because of the event's trauma, he rarely attended theater, stating that the large crowds reminded him of what happened that day.

Reilly developed a love of opera and desired to become an opera singer. He entered the Hartt School of Music as a voice major, but eventually abandoned this pursuit when he realized that he lacked the natural vocal talent to have a major career. However, opera remained a lifelong passion, and he was a frequent guest on opera-themed radio programs, including the Metropolitan Opera radio broadcasts. He directed opera productions for the Chicago Opera Theater, Dallas Opera, Portland Opera, San Diego Opera, and Santa Fe Opera, among others. He was good friends with opera singers Renée Fleming, Rod Gilfry, Roberta Peters, and Eileen Farrell.

## Career

### Stage

Although most of his early career was spent on the stage, Reilly made his film debut with an uncredited role in 1957's *A Face in the Crowd*. He was a regular and popular performer in comic roles for several summer seasons in the 1950s at the Starlight Theatre in Kansas City, Missouri. Reilly appeared in many Off-Broadway productions. His big break came in 1960 with the enormously successful original Broadway production of *Bye Bye Birdie*. In the groundbreaking musical, Reilly had a small onstage part and was the standby for Dick Van Dyke in the leading role of Albert Peterson.

In 1961, Reilly was in the original cast of another big Broadway hit, the Pulitzer prize-winning musical *How to Succeed in Business Without Really Trying*. For his memorable origination of the role of Bud Frump, Reilly earned a 1962 Tony Award for featured actor in a musical.

In 1964, Reilly was featured in the original cast of yet another giant Broadway success, *Hello, Dolly!* For originating the role of Cornelius Hackl, Reilly received a second nomination for a Tony Award for performance by an actor in a featured role in a musical.

### Television

Reilly kept active in Broadway shows but he became better known for his TV work, appearing regularly on television in the 1960s. He appeared as one of *What's My Line?'s* mystery guests and as a panelist on that program. In 1965, he made regular appearances on *The Steve Lawrence Show*. Television commercials that he made throughout the 1960s and 1970s included Excedrin and Bic Banana Ink Crayons.

From 1968 to 1970, he appeared as the constantly flustered bumbler Claymore Gregg on the television series *The Ghost & Mrs. Muir*. He also appeared as a regular on *The Dean Martin Show* and had multiple guest appearances on various television series including *McMillan & Wife*, *The Patty Duke Show*, *Here's Lucy*, *Rowan & Martin's Laugh-In*, *The Love Boat*, and *Love, American Style*. In 1971, he appeared as the evil magician Hoodoo in *Lidsville*, a children's program on ABC.

Reilly was also a frequent guest on *The Tonight Show Starring Johnny Carson*, appearing more than a hundred times. He was a lively and reliable talk-show guest and lived within blocks of the Burbank studios where *The Tonight Show* was taped, so he was often asked to be a last-minute replacement for scheduled guests who did not make it to the studio in time.

Reilly was a fixture on game shows, primarily due to his appearances as a regular panelist on *Match Game*. He was one of the longest-running guests, and often engaged in playful banter with fellow regular Brett Somers (the two generally sat next to each other on the show—Somers in the upper middle seat and Reilly in the upper right seat). He typically offered sardonic commentary and peppered his answers with homosexuality-themed double entendres which pushed the boundaries of 1970s television standards.

During the taping of *Match Game '74*, Reilly left for a short time to film *Hamburgers*. From 1975 to 1976, he starred in another live-action children's program called *Uncle Croc's Block*, with Jonathan Harris. He was often a guest celebrity on the 1984 game show *Body Language*, including one week with Lucille Ball and another week with Audrey Landers.

## Later Career

From 1976, Reilly primarily taught acting and directing for television and theater, including directing Julie Harris, who was portraying Emily Dickinson in her one-woman Broadway play *The Belle of Amherst*. In 1979, he directed Ira Levin's play *Break a Leg* on Broadway. Despite the previous year's success of Levin's *Deathtrap*, *Break a Leg* closed after one performance. Reilly earned a 1997 Tony Award nomination as Best Director of a Play for the revival of *The Gin Game*, starring Julie Harris.

In 1990, he directed episodes of *Evening Shade*. Reilly also made guest appearances in the 1990s on *The Drew Carey Show*, *The Larry Sanders Show*, *Family Matters*, *Second Noah*, and as eccentric writer Jose Chung in the television series *The X-Files* ("Jose Chung's From Outer Space"), *Millennium* ("Jose Chung's Doomsday Defense"), and occasionally as the voice of "The Dirty Bubble" in the animated series *SpongeBob SquarePants*, before he was replaced by Tom Kenny. Reilly was nominated for Emmy Awards in 1998 and 1999 for his performances in *The Drew Carey Show* and *Millennium*.

Reilly was a longtime teacher of acting at HB Studio, the acting studio founded by Herbert Berghof and made famous by Berghof and his wife, the renowned stage actress Uta Hagen. His acting students included Lily Tomlin, Bette Midler, and Gary Burghoff.

Reilly had a voice role in three films by Don Bluth: *All Dogs Go to Heaven* as Killer in 1989, *Rock-a-Doodle* as Hunch in 1991, and *A Troll in Central Park* as King Llort in 1994. In each one, he played the villain's dim-witted sidekick.

Reilly spent his later life primarily touring the country directing theater and opera, and offering audiences a glimpse into his background and personal life with a critically acclaimed one-man play chronicling his life, called *Save It for the Stage: The Life of Reilly*. In 2004, his final two performances of his play in North Hollywood, California were filmed as the basis of an autobiographical independent film titled *The Life of Reilly*.

## Personal Life

Magazine and newspaper profiles of Reilly throughout the 1970s and 1980s did not mention his personal life or sexuality. Many years after the cancellation of *Match Game*, he revealed his homosexuality in his theatrical one-man show, *Save It for the Stage: The Life of Reilly*.

Much like fellow actor and game-show regular Paul Lynde of the same era, despite Reilly's off-camera silence, he gave signals on-camera of a campy persona. In many episodes of *Match Game*, he lampooned himself by briefly affecting "YO!" in a deep voice and the nickname "Chuck" and self-consciously describing how "butch" he was. Many years after his game show career ended, he mentioned in a 2002 interview with *Entertainment Tonight* that he felt no need to explain his joke about "Chuck", and that he never purposely hid being gay from anyone. Patrick Hughes, a set decorator and dresser, was Reilly's domestic partner; the two met backstage while Reilly appeared on the game show *Battlestars*, although their partnership was not revealed publicly. They lived together in Beverly Hills.

Despite sporting what appeared to be a full head of hair for most of the prime of his television career, Reilly was in fact bald, wearing a toupée throughout most of his appearances in the 1970s and 1980s. During the taping of *Match Game '74*, his toupée became the joke of the filming when Reilly had to go to New York City to have his toupée adjusted. During the taping of several episodes, Reilly was seen wearing different hats because his toupée was back in New York waiting for him to be fitted. This was the start of the long-running jokes on *Match Game* about his hair. He abandoned the toupée in the late 1990s and appeared bald in public for the rest of his life. He dramatized the experience in his stage show *The Life of Reilly*. In one episode of *Match Game '78*, he took off his toupee and gave it to a bald contestant by putting it on his head. One can briefly see Reilly's bald head before he covers it up with a hat.

Reilly was stricken with respiratory problems while filming *The Life of Reilly*, and retired from directing and performing immediately after the final day of shooting. The movie premiered in March 2006 at the South by Southwest film festival, and Reilly's performance in the film received great acclaim. Reilly canceled his personal appearance at South by Southwest due to illness, and by the time the film premiered, he had been hospitalized. Reilly died of pneumonia at his home and his body was cremated. That weekend, the Game Show Network dedicated its programming to Reilly, airing some of his funniest episodes of *Match Game*.

## In Pop Culture

For *Big Lizard in My Backyard*, their 1985 debut album, Philadelphia punk band The Dead Milkmen recorded a song called "Serrated Edge" that features numerous absurd references to Reilly as a Jesus figure and orgy centerpiece.

In 2001, Reilly was the subject of a sketch on *Saturday Night Live*, spoofing *Inside the Actors Studio*, and was portrayed by Alec Baldwin. A later Baldwin character, the Generalissimo from *30 Rock*, mentions both Julie Harris and *The Belle of Amherst*, directed by Reilly. A 2008 parody of *Match Game* on *Saturday Night Live* included Fred Armisen playing a Reilly-like character. In the sketch, the host is found murdered moments before the show's taping; the subsequent on-air police investigation reveals that he had been having a clandestine homosexual affair with the Reilly character. Baldwin briefly reprised his portrayal of Reilly in the *30 Rock* episode "Live from Studio 6H" (West Coast airing), appearing on the "joke wall" in a parody of *Rowan & Martin's Laugh-In*.

"Weird Al" Yankovic wrote and recorded a tribute song entitled "CNR", jokingly caricaturing Reilly with parodies of the internet phenomenon Chuck Norris Facts, with absurdities like winning the Tour de France "with two flat tires and a missing chain", or how "every day he'd make the host of *Match Game* give him a two hour piggyback ride." This was part of Yankovic's digital *Internet Leaks* EP, and was included on the 2011 CD release *Alpocalypse*. The music video was released by JibJab 4 August 2009.

In season two, episode one of *The Life and Times of Tim*, one character observes another acting a line from their play and says, "I saw Charles Nelson Reilly do that and you did it better."