Monster

***Monster*** (モンスター *Monsutā*?, sometimes referred to as "Naoki Urasawa's *Monster*"[*citation needed*]) is a Japanese manga series written and illustrated by Naoki Urasawa. It was published by Shogakukan in their *Big Comic Original* magazine between 1994 and 2001, with the chapters collected and reprinted into 18 *tankōbon*
 volumes. The story revolves around Kenzō Tenma, a Japanese surgeon
living in Germany whose life enters turmoil after getting himself
involved with Johan Liebert, one of his former patients who is revealed

to be a dangerous psychopath.

Urasawa later wrote and illustrated the novel *Another Monster*,
 a story detailing the events of the manga from an investigative
reporter's point of view, which was published in 2002. The manga was
adapted by Madhouse into a 74-episode anime TV series, which aired on NTV from April 2004 to September 2005. It was directed by Masayuki Kojima, written by Tatsuhiko Urahata and featured character design by Kitarō Kōsaka. The manga and anime have both been licensed by Viz Media for English releases in North America, with the anime having been broadcast on several television channels. In 2013, Siren Visual licensed the anime for Australasia. *Monster*
 has been critically acclaimed, with the manga having won several awards
 and its anime adaptation being called one of the best of the decade.

Dr. Kenzō Tenma is a young Japanese doctor, working at Eisler Memorial Hospital in Düsseldorf in 1986. An accomplished brain surgeon,
 he seems to have everything: a soon-to-be promotion; the favor of the
hospital's director, Udo Heinemann; and Heinemann's daughter Eva as his
fiancée. However, Tenma is increasingly dissatisfied with the political
bias of the hospital in treating patients, and seizes the chance to
change things after a massacre brings fraternal twins Johan and Anna
Liebert into the hospital. Tenma, going by his ethics as a doctor,
decides to operate on Johan instead of the mayor of Düsseldorf, who
arrived later. Johan is saved, but Mayor Roedecker dies. Tenma loses his
 social standing (and Eva) as a result, but comforts himself by
believing he did the right thing and despairs of ever achieving his
earlier high goals. However, Director Heinemann and the other doctors in
 Tenma's way are mysteriously murdered, and both children disappear from
 the hospital soon afterwards. The police suspect Tenma, since he
benefits from the unfortunate turn of events; however, they have no
evidence and can only question him.

Nine years later, Tenma is Chief of Surgery at Eisler Memorial. A
patient of his, being questioned in connection with the murder of
middle-aged couples across Germany, is murdered in front of his eyes,
and the killer is revealed to be Johan Liebert, the child who
disappeared. Tenma tells all to the police, but they find no trace of
anyone named Johan Liebert, and Tenma soon becomes the lead suspect.
Distraught that what he believed was the right thing has actually led to
 so much misery, Tenma begins to track down Johan, wanting to hunt the
Monster down as atonement for his fatal mistake.

Tenma's hunt for Johan brings him face to face with the dingy,
unpleasant underbelly of the world, from politics to organized crime,
from serial killers to innocent orphans, a showcasing of how a man can
turn himself into a force of evil, of how easy it is to destroy the
fragile balance of life, and how frightening the unknown can be. Tenma
must piece together the few hints he can find to catch Johan, but this
surely is no game of cat & mouse, it is one determined man's
struggle against something much greater, something that must have been
designed to be much greater. But Tenma is not alone, even as Johan
leaves destruction in his wake, Tenma is closing in, the question which
he has to ask of himself is that, knowing what he knows, can he still
claim to know who the Monster is, can he ever win his struggle against
this evil of near-mythical proportions?

## Media

### Manga

Main article: List of Monster chapters

Written and illustrated by Naoki Urasawa, *Monster* was published in *Big Comic Original* from December 1994 to December 2001. The 162 chapters were periodically collected into 18 *tankōbon* volumes published by Shogakukan, the first on 30 June 1995 and the last on 28 February 2002. While writing *Monster*, Urasawa began the series *20th Century Boys* in 1999, which would continue after *Monster* had finished.[*citation needed*]
*Monster* was licensed in North America by Viz Media, who published all 18 volumes between 21 February 2006 and 16 December 2008.[1] They will begin re-releasing the series in a two-in-one volume format in July 2014, titled *Monster: The Perfect Edition*, with a new volume published every three months.[1] The series has also received domestic releases in other countries, such as in Germany by Egmont Manga & Anime, in France and the Netherlands by Kana, in Spain by Planeta DeAgostini, in Brazil by Conrad Editora and later by Panini Brasil, in Argentina by Larp Editores, in Taiwan by Tong Li Publishing, and in Mexico by Grupo Editorial Vid.

### Anime

Main article: List of Monster episodes

The manga series was adapted into an anime by Madhouse, which aired between 6 April 2004 and 27 September 2005 on Nippon TV. Directed by Masayuki Kojima and written by Tatsuhiko Urahata, it features original character designs by long-time Studio Ghibli animator Kitarō Kōsaka which were adapted for the anime by Shigeru Fujita.
The anime includes an instrumental theme by the Chilean folk music group Quilapayún, "Transiente", which originally appeared on their 1984 album *Tralalí Tralalá*. David Sylvian
 was commissioned to write the ending theme, "For the Love of Life", on
which he collaborated with Haishima Kuniaki. In the cover notes to the
official soundtrack he said, "I was attracted to the *Monster*
material by the moral dilemma faced by its central character. The calm
surface of the music giving way to darker undercurrents, signifying the
conscience of the lead protagonist and the themes of morality, fate,
resignation, and free will."[2]

An English dub of *Monster* was produced by Salami Studios for Viz Media, which had the North American license to the anime. The show aired on Syfy's
 Ani-Mondays with two episodes back-to-back each Monday night at 11:00
pm EST, beginning 12 October 2009, as well as on its sister network Chiller.[3]
 A DVD box set of the series, containing the first 15 episodes was
released 8 December 2009. However, due to low sales of the first box
set, Viz decided not to continue releasing the remaining episodes on DVD
 and later dropped the license.[4] *Monster* began airing on Canada's Super Channel on 15 March 2010,[5] and on the Funimation Channel on 3 April 2010 on weekends at 12:30 am.[6] The series is also available digitally from several internet retailers. Siren Visual licensed the series for Australasia in 2013, and released it in five DVD volumes beginning in November 2013.[7]

### Live-action adaptations

New Line Cinema acquired the rights for an American live action film adaptation of *Monster*. Academy Award-nominated screenwriter Josh Olson (noted for his work on the 2005 American/German crime-thriller film *A History of Violence*) was hired to write the screenplay. Although the studio planned a 2009 release,[8][9] it is unknown when or if the film will be released.

In 2013, it was revealed that Guillermo del Toro and American premium television network HBO are collaborating to come out with a pilot for a live-action TV series based on *Monster*.[10] Co-executive producer Stephen Thompson (*Doctor Who* and *Sherlock*) is writing the pilot, while del Toro will direct it and be an executive producer alongside Don Murphy and Susan Montford.[11]

In 2015, Guillermo del Toro told Latino-Review that HBO had passed on the project, and that they are in the process of pitching to other studios.[12]

## Reception

### Manga

*Monster* has been generally well received. It won an Excellence Prize in the Manga division at the first Japan Media Arts Festival in 1997, the 46th Shogakukan Manga Award in the General category in 2001,[13] Grand Prize at the 3rd Tezuka Osamu Cultural Prize,[14] and placed on YALSA's 2007 Great Graphic Novels for Teens list.[15] Viz Media's English release was nominated several times for Eisner Awards,
 twice in the category Best U.S. Edition of International Material –
Japan (2007 and 2009) and three times in Best Continuing Series (2007,
2008, 2009).[16][17][18] In 2009, Oricon conducted a poll on which manga series the Japanese people want to see adapted into live-action, *Monster* came fifth.[19] *Monster* won the award for Best Drama Manga at the 2009 Anime Expo.[20] Reviewing *Monster* for Anime News Network
 (ANN), Carl Kimlinger called Urasawa a master of suspense "effortlessly
 maintaining the delicate balance of deliberate misinformation and
explicit delineation of the dangers facing protagonists that only the
finest suspense thrillers ever achieve."[21]
 He commented that even the stories and characters that had felt
unrelated to the greater picture are "eventually drawn together by
Johan's grand plan."[22]
 He called the art "invisible perfection," saying there is nothing
"showy or superfluous," and noted that the panels are so well laid out,
that it is easy to forget how much effort is put into each and every
page.[21]
 He said the characters "wear their personalities on their faces,
communicating changes in their outlooks, psychology, inner thoughts and
emotions with shifts in expression that range from barely perceptible to
 masks of rage, hate and fear,"[21] but that their physical designs are not attractive.[23] Carlo Santos, also for ANN, called *Monster*
 "a one-of-a-kind thriller", and suggests that one of the most
overlooked qualities of it is that "amidst all the mystery and horror,
there are moments of love and hope and all the good things about
humanity."[24]
 Despite giving them good gradings, praising the art to be
"cinematically precise", never confusing the reader, and that despite
the large cast of characters each person is visually distinct,[25]
 Casey Brienza was much more critical in their review of the last three
volumes. Finishing up the ANN review, they felt that too much time was
spent developing minor characters "who are likely to be dead or
forgotten just a few dozen pages later," and that the series' ending
"went out with a whimper."[25]
 Brienza expressed disappointment that "there is nothing satisfactory
ever revealed to fully account for [Johan's] supremely scrambled
psyche," but that as long as the reader doesn't look for "deep meanings
or think too hard about whether or not it all makes sense in the end"
they will enjoy it.[26]

### Anime

THEM Anime Reviews called the anime adaptation "complex" and
"beautiful", stating that it features "sophisticated storytelling and
complex plot weaving, memorable characters, godly production values and
excellent pacing".[27]
 Carl Kimlinger, this time reviewing the anime for ANN, commented that
"If the series has a weakness, it's in its unhealthy fidelity to Naoki
Urasawa's original manga.", "there isn't a scene left out, only a
handful added in, and as far as I can tell not a line of dialogue
changed or omitted."[28]
 Kimlinger praised Madhouse's animation for not only keeping up the dark
 "cinematic quality of Urasawa's art", but improving on it, and that
Kuniaki Haishima's score adds "immeasurably to the series' hair-raising
atmosphere." He also called Viz Media's English dub one of the best in
recent memory, and noted how they had licensing problems and were not
able to acquire the original ending theme song.[28] He explained that *Monster*
 has the habit of having the main cast just drop from the spotlight with
 a whole new cast replacing them, so that viewers who don't like that
might want to stay away from the series, but "It cannot be overstated
how brilliantly apart from the anime mainstream this unsettling,
fiercely intelligent, and ultimately uncategorizable journey into
darkness is."[29] On the ending he wrote "As ambitious and complicated and just plain huge as *Monster*
 is, no conclusion is going to be entirely satisfactory. Someone is
bound to get short-changed, loose ends are bound to be left dangling,
and even if they weren't, the simple truth is that no climax could ever
live up to the series' build-up.", "We feel vaguely let down when what
we should really be doing is glorying in the somewhat messy, yes, but
exhilarating final throes of one of last decade's great series."[30] Darius Washington of *Otaku USA* also called it one of the ten best anime of the past decade.