Sherlock Jr.

Theatrical release poster

### **Music by**

Club Foot Orchestra, Beth Custer, Myles Boysen, Steve Kirk, Nik Phelps, Sheldon Brown

### **Cinematography**

Byron Houck
Elgin Lessley

### **Box office**

$977,375

For the 2018 Philippine TV drama, see Sherlock Jr. (TV series).

***Sherlock Jr.*** is a 1924 American silent comedy film directed by and starring Buster Keaton and written by Clyde Bruckman, Jean Havez, and Joseph A. Mitchell. It features Kathryn McGuire, Joe Keaton, and Ward Crane.

In 1991, *Sherlock Jr.* was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." In 2000, the American Film Institute, as part of its AFI 100 Years... series, ranked the film #62 in its list of the funniest films of all time (AFI's 100 Years... 100 Laughs).

## Plot

Buster is a movie theater projectionist and janitor. When the cinema is empty, he reads a book on How to be a Detective. He is in love with a beautiful loveable girl. However, he has a rival, the "local sheik". Neither has much money. He finds a dollar note in the garbage he swept up in the lobby. He takes it and adds it to the $2 he has. A girl comes and says that she lost a dollar. He gives it back. But then a sad old woman also says that she lost a dollar, so he gives that also, leaving himself with $1. A man comes and searches the garbage and finds a wallet full of money.

The projectionist buys a $1 box of chocolates, all he can afford, and changes the price to $4 before giving it to her at her house. He later gives her a ring.

The sheik comes into the house and steals the girl's father's pocket watch and pawns it for $4. With the money, he buys a $3 box of chocolates for the girl. When the father notices that his watch is missing, the sheik slips the pawn ticket into the projectionist's pocket unnoticed. The projectionist, studying to be a detective, offers to solve the crime, but when the pawn ticket is found in his pocket, he is banished from the girl's home.

However, when the sheik leaves, he walks closely behind him and shadows every movement. The girl takes the pawn ticket to the pawnbroker and asks him to describe who pawned it. He points to the sheik outside.

While showing a film (advertised in the lobby as "Hearts and Pearls") about the theft of a pearl necklace, the projectionist falls asleep and dreams that he enters the movie as a detective, Sherlock Jr. The other actors are replaced by the projectionist's "real" acquaintances. The dream begins with the theft being committed by the villain with the aid of the butler. The girl's father calls for the world's greatest detective, and Sherlock Jr. arrives.

Fearing that they will be caught, the villain and the butler attempt to kill Sherlock through several traps, poison, and an elaborate pool game with an exploding 13 ball. When these fail, the villain and butler try to escape. Sherlock Jr. tracks them down to a warehouse but is outnumbered by the gang to which the villain was selling the necklace. During the confrontation, Sherlock discovers that they have kidnapped the girl. With the help of his assistant, Gillette, Sherlock Jr. manages to save the girl, and after a car chase, manages to defeat the gang.

When he awakens, the girl shows up to tell him that she and her father learned the identity of the real thief after she went to the pawn shop to see who actually pawned the pocket watch. As a reconciliation scene happens to be playing on the screen, the projectionist mimics the actor's romantic behavior.

## Cast

* Buster Keaton as Projectionist / Sherlock Jr. – A poor, young projectionist who wants to marry The Girl. He has an interest in being a detective and when he falls asleep, he dreams of being Sherlock Jr., the world's greatest detective.
* Kathryn McGuire as The Girl – The daughter of a fairly wealthy man, whom the Projectionist is in love with. In the dream, she must be saved by Sherlock Jr.
* Joe Keaton as The Girl's Father – A man who is wealthier than most. He does not want his daughter marrying a thief. In the dream, he is a very rich man.
* Erwin Connelly as The Hired Man / The Butler – A hired man of the girl's father. In the dream, he is a co-conspirator in the theft of the necklace.
* Ward Crane as The Local Sheik / The Villain – A poor scoundrel that has his eyes for the girl. He steals the pocket watch, and in the dream, he is the villain who steals the necklace.
* Ford West as Theatre Manager / Gillette, Sherlock's assistant – The projectionist's boss in the real world. In the dream, he is the assistant. (uncredited)
* Jane Connelly as The Mother (uncredited)
* George Davis as Conspirator (uncredited)
* Doris Deane as Girl Who Loses Dollar Outside Cinema (uncredited)
* Christine Francis as Candy Store Girl (uncredited)
* Betsy Ann Hisle as Little Girl (uncredited)
* Kewpie Morgan as Conspirator (uncredited)
* Steve Murphy as Conspirator (uncredited)
* John Patrick as Conspirator (uncredited)

## Production

Originally titled *The Misfit*, production began in January 1924 in Los Angeles. Keaton later said that his character walking onto the screen and into a film was "the reason for making the whole picture... Just that one situation."Template:Sfn After previously casting her in *Three Ages*, Keaton cast Marion Harlan as the lead actress, but she became sick and was replaced by up-and-coming Keystone Studios actress Kathryn McGuire, who had previously starred in *The Silent Call* and was a WAMPAS Baby Star of 1923.Template:Sfn

Keaton initially hired Roscoe "Fatty" Arbuckle as his co-director for the film. Keaton had been discovered by Arbuckle, whose career was at a standstill after being accused of raping Virginia Rappe in 1921. During the scandal and court case, Arbuckle had lost his mansion and cars and was in debt for $750,000. Keaton wanted to help his old friend and hired Arbuckle under the pseudonym "William Goodrich". It is believed that the idea for the film was a tribute to Oscar Heinrich, the forensic scientist involved in the rape trial against Arbuckle. Filming began well and Arbuckle was happy to be back on set, but after Keaton corrected a mistake that Arbuckle had made, his attitude changed dramatically.Template:Sfn

Arbuckle became angry and abusive on set, yelling at actors and according to Keaton becoming "flushed and mad...[the scandal] just changed his disposition."Template:Sfn In his autobiography, Keaton claimed that Arbuckle was difficult to work with and he arranged for him to direct *The Red Mill* instead so that Keaton could complete the film alone. *The Red Mill* did not begin production until 1927. Arbuckle's second wife Doris Deane later claimed that Arbuckle had directed the entire film and had come up with all of the ideas for the film.Template:Sfn

The production included one of Keaton's most famous on-set accidents. In a scene where Keaton grabs a water spout while walking on a moving boxcar train, the water unexpectedly flooded down on Keaton much harder than anticipated, throwing him to the ground. The back of Keaton's neck slammed against a steel rail on the ground and caused him to black out. The pain was so intense that Keaton had to stop shooting later that day and he had "blinding headaches" for weeks afterwards, but continued working, having a well-known high threshold for physical pain.Template:Sfn

It was not until 1935 that a doctor spotted a callus over a fracture in Keaton's top vertebra in an X-ray.Template:Sfn The doctor informed Keaton that he had broken his neck during the accident nine years earlier and not realized it. Keaton famously always performed his own stunts, and this was not the only accident on set. In another scene, the motorcycle Keaton was riding skidded and smashed into two cameras, knocking over Eddie Cline and throwing Keaton onto a nearby car.Template:Sfn

*Sherlock Jr.* was also Keaton's most complicated film for special optical effects and in-camera tricks. The film's most famous trick shot involves Keaton jumping into a small suitcase and disappearing. Keaton later said that it was an old vaudeville trick that his father had invented, and he later performed it on the *Ed Sullivan Show* in 1957, but never publicly revealed how he did it.Template:Sfn The trick was accomplished with a trap door behind the suitcase and an actor lying horizontally with long clothes hiding his absent bottom torso, which then allowed the actor to smoothly fall forward and walk as though he had always been standing vertically.Template:Sfn

Keaton later said that they "spent an awful lot of time getting those scenes." Filming took four months, while typically it took Keaton two months to finish a feature film. The editing was also difficult and took longer than a typical Keaton film.Template:Sfn Keaton later told film historian Kevin Brownlow "every cameraman in the business went to see that picture more than once trying to figure out how the hell we did some of that."

Keaton depicted an early example of a film within a film in the dream sequence. Keaton's character leaves the projection room and goes down into the theater, then walks into the film being screened on the stage. Keaton later explained that this stunt was achieved through the use of lighting: "We built a stage with a big black cut-out screen. Then we built the front-row seats and orchestra pit. ... We lit the stage so it looked like a motion picture being projected on to a screen".Template:Sfn

Keaton's character is kicked out of the film a few times but finally manages to stay in, and is then depicted in a series of different scenes including a park, a lake, and a desert, through a series of cuts.Template:Sfn This was unique at the time because there was a continuity to the scenes and this strategy had rarely been used by filmmakers before. Keaton and his cameraman were able to do this by using surveyor's instruments to position Keaton and the camera at exactly the right distances and positions to support the illusion of continuity.Template:Sfn

## References

1. ↑ Wakeman, John (1987). World Film Directors, Volume 1. New York, New York: The H. W. Wilson Company. Template:ISBN. p. 526.
2. ↑ Template:Cite journal