recursal/Fanatic-Fandom huggingface dataset:
Le Clan du Tonnerre et les fleurs

**Mot de l'auteur :**

Chalut c'est Ouragan. C'est ma première histoire alors juger pas (et en plus je suis sur téléphone) alors j'espère que vous vous amuserez en la lisant ^^

Un beau jour de la Saison des Feuilles Nouvelles,le Clan du Tonnerre vivait en paix . Nuage de Houx était encore en étude de médecine.

**Feuillle de Lune:** Va me chercher des remèdes, tu veux?

**Nuage de Houx :** Ok.

Elle alla donc chercher des remèdes quand elle tomba sur des fleurs . Comme c'était une tête de Dory ,elle avait oubliée si c'était un remède. Elle en ramena donc .

Arrivée au Camp du Clan du Tonnerre,Feuille de Lune lui avait dit de traiter les Anciens `~~tout en rajoutant qu'elle était vraiment très conne~~ .`

Elle mit une fleur sur la tête de Poil de Souris qui avait mal à la tête et la grincheuse resta figée avec une fleur sur la tête. Elle mourra donc à cause de ça.

**TRANSITION :**

Un autre jour de saison de mauvaise saison, il restait encore des fleurs et tout le Clan avait le mal vert ,sauf Nuage de Houx.

Elle leur donna donc des fleurs à mettre sur leur tête et comme Poil de Souris ,ils restèrent tous figés avec une tête choquée

Et c'est ainsi que tout le Clan du Tonnerre mourra à cause de Nuage de Houx.
Plastene

Plastene was a lightweight material, often used in everyday products and construction. It was also used in several lightweight armours, or merged with durium, to create durstene armour. Plastene was easily manufactured and came in a wide variety of densities. Civilian-grade plastene was not terribly durable, though it generally varied, based on the manufacturer. Military and industrial-grade plastene was generally tougher and merged with other substances to increase its' longevity.
Imperial Marines

Imperial marines were soldiers assigned to warships of the Imperium of Vectis. They served as shock troops and on-board security, boarding enemy ships and repelling enemy assaults.

## Overview

They carried LAR-21 pulse carbines, smoke grenades, flashbang grenades and occasionally DH-13 Shotguns. They also carried cutting torches, to breach bulkheads and blast doors. Imperial marines often used *Umos-*class assault shuttles when boarding ships, or *Pilum-*class boarding pods. When boarding enemy ships, they established control of key sections of the vessel.

## History

Imperial Marines were a military unit in the Imperium of Vectis, active from as early on as the expansion period. Marines underwent specialist training to repel enemy boarders and capture enemy ships and space stations. They also boarded ships that were listed as 'suspicious' or that imperial authorities believed had been taken over by pirates. In 8114, a platoon of marines used *Pilum-*class boarding pods to board the Cerulean Cloud, a passenger liner listed as missing by the tour company. Unbeknownst to the marines, the cruise liner had suffered a Riftway fracture, allowing Rift entities to drive the crew insane.
Le Clan des Bizarres

### Personnages

Bière de Bâtiment Livre de Mouchoir Cuvette de Sapin Parasol de Canal+ Casque de Soleil Haleine Puante

**Bière de Bâtiment :** Coucou le Clan des Bizarres ! Ça va Livre de Mouchoir ?

**Livre de Mouchoir** : Bof...enfin non..même triste...Chaussette de Télé..on n'est plus ensemble...

**Bière de Batiment** : Pourquoi ?

**Livre de Mouchoir** : Pour Cuvette de Sapin !

**Cuvette de Sapin** : Ah ah ah ! Va voir les autres alors !

**Parasol de Canal+** : Moi !

**Casque de Soleil** : Eh ! Non moi !

**Livre de Mouchoir** : Je vais plutôt prendre...

**Halaine Puante** : Moi !

\*Livre de Mouchoir est morte par son haleine\*
La Flamme du Lion / Plume Flottante

## Plume Flottante

-Me pardonnes tu ? demanda Plume Flottante
Son air emplit de regrets semblait être vrai.
-Tu es ma mère, je ne renierai jamais mes origines

— *Plume de Lionne à **Plume Flottante** ~ Chapitre 6 de La Flamme du Lion*

## Description

### Physique

Plume Flottante est une chatte au pelage immaculé et aux yeux vert émeraude. Lorsqu'elle s'assoit, elle a l'habitude de poser sa queue touffue sur ses pattes. Comme les défunts membres de clans, autours d'elle semblaient scintiller de minuscules étoiles, comme un halo divin.

### Caractère

L'ancienne reine du Clan de la Flamme Dansante est très douce et affectueuse. Bien qu'elle paraisse fragile à première vue, elle est d'une résilience et d'une détermination inébranlables. Elle dégage une sorte d'aura de bonté et d'honnêteté qui poussent les autres à lui faire confiance. Lorsqu'elle vivait encore dans son clan, elle était appréciée et respectée de tous.
Haldrek Campaign

Imperial forces gain a foothold in the Octarian sector

Legate Saren Kaeus

Legate Dario Fulfacius

Legate Andorius Halthis

Admiral Merin Vasario

Zander Mckintol

Imperial 30th legion

Imperial 22nd legion

Imperial 27th legion

Haldrekan volunteer companies

The Haldrek campaign was one of the first battle fought in the Imperium-Ikassi war, fought roughly at the same time as the battle of Jakaro. It's purpose was twofold; to free the population of Haldrek, who'd shown marked Imperial support for joining the Imperium from Ikassi control, and to establish a foothold in the Octarian sector. This latter goal was part of a larger operation aimed at removing the forces of the Ikassi confederacy from the sector. Admiral Merin Vasario led the fifth fleet, while legate Andorius Halthis commanded the 32nd legion. They were overseen by high legate Udorios, who had overall command.

Though the campaign started off successfully for the imperials, with admiral Vasario inflicting a crushing defeat on the small Ikassi fleet and destroying their orbital station. The 32nd legion landed in the Haldrekan highlands and established a base camp there without issue. Imperial strategists predicted the campaign would last no longer than three months. However, preparations had not been made for violent storms and mud of the Haldrekan autumn, or the tenacity of the Ikassi Nekeetar, veterans of the campaign to conquer the Ocatarian sector several years prior.

## Prelude

On 30.09.8233, the imperial senate received an official request for intervention by the government-in-exile of Haldrek. Situated in the Octarion sector, south-west of the Imperium's border, the planet, along with the rest of the sector had been conquered by the forces of the Ikassi confederacy. The Haldrekan prime minister promised the world would willing join the Imperium if they would oust the occupying Ikassi.

Going to war over a single planet, especially one lacking in exploitable resources, as Haldrek was, had never been the Imperium's way. However, many influential imperials were concerned by the increasing expansionism of the confederation. Furthermore, the Octarian sector, once aligned with the Freeholder's Guild, was now under the control of a hostile empire. The xenophobic Ikassi were not sought after as neighbours.

Deliberations came to an end three days after the Haldrekan government's request came to them. Such speed was almost unheard of in the senate's history. Their answer was sent on 02.10.8233, promising coming support. The question remained of what forces to marshal in order to wage a war.

On 03.10.8233, legate primus Udorios was placed in command of the Imperial 13th army, made up of four full legions. Admiral Merin Vasario was in charge of the Imperial fifth fleet.
The Stingest Man in Town credits

## Opening Credits

* Rankin/Bass Present
* Walter Matthau as
* "The Stingiest Man in Town"
	+ © MCMLXXVIII Rankin/Bass Productions, Inc.
* This picture has made the jurdisction of I.A.T.S.E.-IA, affiliated with A.F.L.-C.L.O.
* Starring: Tom Bosey and Theodore Bikel, Robert Morse, Dennis Day
* Featuring the Talents of: Paul Frees and Sonny Mendeldrez, Debbie Clinger, Robert Rolofson, Steffani Calli, Eric Hines, Dee Strattion, Darleen Conley, Shelby Flint, Diana Lee and Charles Matthau as The Boy
* Music by: Fred Spielman
* Book & Lyrics by: Janice Torro
* Written by: Romeo Muller
* Based on the "Charles Dickens's A Christmas Carol" Novel by: Charles Dickens
* Based on Charles Dickens' "A Christmas Carol"
* Produced & Directed by: Arthur Rankin, Jr. & Jules Bass

## Ending Credits

* Design: Paul Coker, Jr.
* Animation Directors: Gerard Baldwin, Gerry Chiniquy, David Detiege, Sid Marcus, Tom Yakutis
* Animation: Brenda Banks, Warren Batchelder, Bob Bemiller, Bob Bransford, Brad Case, Joan Case, Art Davis, Malcolm Draper, John Gibbs, Lee Halpern, Bob Kirk, Walter Kubiak, Art Leonardi, Tony Love, Bob Matz, Norm McCabe, Frank Onaitis, Bernard Posner, Bill Pratt, Tom Ray, Bob Richardson, Virgil Ross, Nelson Shin, Art Vitello, James T. Walker, Don Williams
* Assistant Animation: Dorris Bergstrom, Kathy Castillo, Kevin Petrilak, Robert "Tiger" West, Mitchell Walker Jr.
* Effects Animation: Corny Cole
* Effects Assistant Animation: Mabel Gesner
* Layouts: Barrington Bunce, Robert Dranko, Ric Gonzales, Gary Hoffman, Roy Morita, Martin Strudler, Tom Yakutis, Dick Ung
* Backgrounds: Consuelo Julian, Paul Julian, Mary Krebs, Tim Maloney, Richard H. Thomas, Sharon Thomas
* Xerography: Virginia Creamer, Joan Simmons
* Xerox Processor: Kevin Shaw
* Cel Service: Nancy Wible
* Checking: Jan Adams, Bunty Dranko, Kim Patterson
* Final Checking: Barbara Donatelli, Maxine Markota, Armand Shaw
* Color Design: Mary Ann Steward
* Color Models: Jeanette Nouribekian
* Ink and Paint Supervisor: Nancy Bennett
* Ink and Paint: Diane Dunning, Myrna Gibbs, Judy Mendel, Donna Purcell, Sheryl Ann Smith, Britt Van der Nagel
* Animation Production by: Topcraft
	+ Animation Coordinator: Toru Hara
	+ Animation Supervisor: Tsuguyuki Kubo
	+ Animation Director: Katsuhisa Yamada
	+ Background Design: Minoru Nishida
	+ Backgrounds: Kazuyuki Kobayashi, Kazuko Ito
	+ Layouts: Kazuyuki Kobayashi, Tadakatsu Yoshida, Hidemi Kubo
	+ Animation: Yoshiko Sasaki, Masahiro Yoshida
* Sound Recording: John Curcio, Dave Iveland, John Richards, Robert Elder
* Sound Effects: Tom Clack
* Vocal Arrangements: Jerry Graff
* Music Supervision: Maury Laws
* Music Arranged & Conducted by: Bernard Hoffer
* Associate Producer: Masaki Iizuka
Obsidian nebula war

Sovereign-class battleships

Retribution-class battleships

Ironbound-class battlecruisers

Anathema-class battlecruisers (later battles)

Stygian-class cruisers

Atreus-class cruisers

Outrage-class destroyers

Culverin-class destroyers

Belligerent-class frigates

KITN Starfighters

Swift Interceptors

1st Melitis regiment

22nd armoured brigade

13th mechanized infantry

The Obsidian nebula war was fought between the Terran Union and the Rospruka Holy Alliance. The Terran Union had been rivals with the prosperous Rosprukans for the better part of a century, and coveted access to the rich resources within the Obsidian nebula. The war eventually ended with the Union capturing minimal territory in the nebula itself, and high casualties on both sides.

## Prelude

The Terran Union and the Rospruka Holy Alliance had been rivals for several decades before the Commissar-General of the Union began planning to invade the nebula. Union forces began marshaling forces at the Cecen and Wuprivic systems that bordered the Alliance. Admiral Szecwyk was placed in charge of the Union's Task Force Medusa. Vice admiral Sarai and rear admiral Dong were placed in charge of Task Force Dragon and Task Force Titan respectively.

The Rosprukans correctly deduced that an assault was imminent, and began to step up military spending. In the Rospruka system, the shipyards produced two Lorg'Ma dreadnoughts.A month before the commencement of hostilities, both dreadnoughts were moved in secret to the edge of the Obsidian nebula.In order to throw off Terran Union intelligence, the Drath forces made a show of marshaling their Otalo, fleet at the edge of the Yarrire system.

The Terrans quickly deduced that the Rosprukans were working with the the Drath, and made preparations to force the Drath from the regions around the Obsidian nebula. However, the Drath navy withdrew their dreadnoughts from the Yarrire system, due to the commencement of their war with the Lorvadian Commonwealth. This freed up the entirety of the Union's navy, commanded by admiral Amanda Szecwyk, who quickly began planning a strike on the Rosprukans.

### First strike

Seizing the initiative, the Rospruka Holy Alliance assaulted the unprepared shipyards of the Koljarn system. The small flotilla of corvettes assigned to defend the shipyards were quickly wiped out. This lead to admiral Szecwyk ordering a full mobilization months before the Union armada was ready. Notably, the Ironbound-class battlecruisers which were supposed to receive defensive retrofits, were forced to slip their berths without them.

The attack stirred emotions among Union worlds near the nebula, as worried civilians and planetary governors clamouring for additional defences for their homes.
Operation Triumph

### Outcome

Imperium of Vectis defeated Imperial expansion in eastern sections of the galaxy come to an end.

Unrest in some eastern sectors of the Imperium

## Attacking Forces

### Attacking Commander

Marcellus TaborAdus Komund

Henrik Lorrus

Jorin Shol

Adama Minet

Alessius Felicius

### Attacking Strength

Imperial 7th army14th Legion

22nd Legion

27th Legion

30th Legion

Imperial 5th fleet

Operation Triumph was a military operation launched by the Imperium of Vectis on 06.03.8623, into the Mintar Shoals region. The primary goal of the operation was to increase imperial influence in the eastern sectors of the galaxy. A secondary goal was to prove to the citizens of the Imperium and the galaxy at large that they were still a force to be reckoned with,after the disastrous Peqlauvin conflicts.

Incompetence among the commanding officers of the Imperial 7th army lead to poor morale, shortages in supplies and breakdowns in communications. The Imperium's botched operation lead to heavy casualties, along with a general discontent among the worlds on the eastern edge of the empire. This operation effectively marked the end of Legate-Primus Marcellus Tabor. All things considered, Operation Triumph was considered one of the Imperium's greatest military disasters.

## Prelude

The Imperium of Vectis had struggled for a long time to exert any influence whatsoever on its eastern borders. Pirate raids were frequent, and citizens were reluctant to colonize worlds in that area. The Peqlauvin conflicts, a series of battles between the Imperium and the Peqlauvin people, located in the galactic south-east, had badly embarrassed Imperial Command. Rumours of waning imperial power began to raise concerns among the imperial court.

To put a stop to speculation and put on a show of force to any civilizations watching, the emperor ordered that the Imperium expand into the Mintar Shoals region of the eastern galaxy. The Mintar Shoals were largely unclaimed except for various Freeholders, mining conglomerates , and pirate bases. The high number of mineral dense asteroids in the region made it ideal for durium and other ores.

Preliminary reconnaissance reported that there was little in the way of military forces that could withstand a coordinated military invasion. Marcellus Tabor, a legate-primus who'd climbed the ranks more due to his political connections than any tactical skill, was assigned as commander of the 7th army. Admiral Alessius Felicius was in command of the 5th fleet. Felicius was a hardened naval commander, fresh from the Peqlauvin conflicts.

## The operation

Operation Triumph began on 06.03.8623, when the Imperial 7th army boarded *Ontrium-*class troop transports at Horphelius. Escorted by the 5th fleet under admiral Alessius Felicious, the imperials jumped through a gateway destined for the Juno system, at the edge of the Mintar Shoals region.
Atellon Hegemony

The Atellon hegemony was a collection of worlds in the south west spiral arm of the galaxy. Though primarily human-dominated, the hegemony did have several alien races within its borders. The capital was the world Atellon. The hegmony spanned over a hundred star systems, from the base of the southwest spiral to the edge of known space.The Atellon hegemony was not a major power in galactic politics, though it was among the more influential in the known universe.

The hegemony was headed by the grand duke, who was the head of government, while a vizier was appointed head of state. The grand duke was capable of wielding a great deal of power on his own, but needed the vizier to confirm his decisions. The title of grand duke could not be inherited, but voted into power from among the nobility after a certain period of time. Title to the throne passed to the next most senior noble after the death of the previous grand duke.

The Atellonian military was made up of a large standing army, a select group of elite warriors known as the Atellion Armsmen, a large conscript army,recruited from worlds of the hegemony, and several large mercenary corps, of which the most well known was the notorious Tellann Mercenary Corps.
Bands

Albums | People

#

A

* The Adults [CLE]
* Alice Cooper [AKR]
* Andy Powder [Kent]

B

* The Black Keys [AKR]
* Blackgrass Baptism [CLE]
* The Breeders [DAY]

C

* The Cars [CLE]
* Cleveland Steamers [CLE]

D

* The Dead Boys [CLE]
* Death of Samantha [CLE]
* The Diffi-Cult [AKR]

E

* Easter Monkeys [CLE]
* Electric Eels [CLE]

F

* Frank Black [CLE]

G

* Giggitys [CLE]

H

I

* The Intangibles [Massillon]

J

* Jefferson Airplane [CIN]

K

* Knifedance [CLE]

L

* Les Black's Amazing Pink Holes [CLE]

M

* Mirrors [CLE]
* The Most Beautiful Losers [CAN]

N

* Night Goat [CAN]
* Nirvana [Warren]

O

* Offbeats [CLE]

P

* Pagans [CLE]
* Pere Ubu [CLE]

Q

R

* Rocket from the Tombs [CLE]

S

* The Said So [CAN]
* Spike in Vain [CLE]
* The Standing 69s [CLE]
* Stiv Bators (Band) [YOU]
* The Styrenes [CLE]

T

* Tool [Ravenna]

U

V

W

* Warrant [AKR]

X

Y

Z
Le Périple de Petite Émeraude

* Édition Française
* Édition Anglaise

## Histoire

### Résumé

Petite Émeraude est né un soir de Pleine Lune. Alors qu'aucun guérisseur n'est là, que seul un guerrier garde le Clan, la mise bas ne se passe pas au mieux. Petite Émeraude, l'ainé, survit, tout comme ses deux frères Petit Granite et Petit Lys, sa petite sœur, Petit Pissenlit, meurt. Le jeune Petite Émeraude part dans un périple pour retrouver sa jeune sœur.

## Prologue

"Je vais mettre bas !" hurla une femelle dans la Pouponnière. Flèche Rose se rendit rapidement dans la Pouponnière.

"Je vais chercher la guérisseuse, à l'Assemblée !

- Non ! Il sera trop tard ! miaula la reine, il faut que tu m'aides ! Tu as commencé un apprentissage de guérisseur, non ?"

Le guerrier hocha la tête mais sa queue tremblante prouvait le contraire. Il tâta le ventre de la femelle avant de miauler.

"Il y a 4 chatons ... Le premier arrive ! Mord dans ce bâton."

Entre des cris, 3 chatons sortirent à la suite, puis, vint au tour de la quatrième. Hélas, la reine, épuisée, ne parvint pas à la sauver. La chatonne, seule femelle de la portée, mourut.
Osarian League

The Osarian League, formally known as the Osarian League of Worlds, was a collection of worlds in the south west mid rim of the galaxy. It incorporated over a hundred worlds, and was inhabited by nearly a trillion people. It's capital was Osaria, though it was originally Denosus.

## History

For centuries, the galactic Southwest had been plagued by the nomadic raiders known as the Kintan devourers. The vicious raiders had discovered ancient but formidable weaponry from the era of awakening and used it to subdue their prey. Multiple sector and system governments lacked the military strength to fight the devourers on equal footing and steadily lost resources and citizens to brutal raids.

When
Battle of Scylla

-34 Haspodel corvettes

-20 squadrons of Korbex fighters

- Strike-type Warforms

-several thousand Tech Thralls

-1 Decima-class destroyer

-6 squadrons of Raptrix-class fighters

-Imperial militia forces

The battle of Scylla was one of the first battles of the Imperium-Technocracy war and was a crushing defeat for the Imperial forces. This was due in part to a lack of preparedness on the defenders part and the overwhelming forces the Technocracy brought to bear.
Bastion Line

Omaran sector

Olden sector

Orhpegin sector

Omegon-Tarsus sector

Soparen sector

Shusio sector

Tovel sector

Tulio sector

Yakeda sector

Alfis system

Argant system

Arbandiir system

Azuran system

Bahan system

Bolhun system

Bollus system

Bolamin system

Bhol system

Cadai system

Ceret system

Dil system

Forbis system

Ferial system

Fenn system

Haspur system

Halle system

Halkor system

Ondor system

Olteth system

Polst system

Qur system

Tarsus system

Halo Nebula

The Bastion Line was a region of space in the northwest section of the galaxy, separating the Jorian Sovereignty from the Galactic Interplanetary Alliance. On a galactic scale, the Line was fairly narrow, though it was wide enough to make going around the heavily guarded sectors impractical. Despite being officially under Sovereignty control, the Line was frequently subject to violent skirmishes between dozens of rival factions.

Due to the volatile relations between the Galactic Interplanetary Alliance, the Jorian Sovereignty kept a permanent garrison on the world of Arband. Several naval stations were scattered throughout the Line, from which the Sovereignty's eleventh fleet could rearm,resupply, and repair their vessels. The Soparen naval yards supplied the Jorians with fresh warships, the majority of which went to the eleventh fleet.
Susheera

The *Susheera* was a Belkor-class battlecruiser that was under the command of Kos-arget Depof Saur during the civil war between the Chekorine people.

The ship was the flagship of the Ebon Hand fleet. It participated in the battle of Nalkur, where it crippled the Kovesh-class battlecruiser *Hessopir.*

The *Susheera* would go on to participate in several more battles, including the devastation of Cur, and survive the civil war to serve in the navy of the Chekorine People's Republic.
Moridium

Moridium was a substance used in starship and space station hulls, to protect the occupants from radiation. Moridium was extremely resistant to radiation and frequently found in asteroids near a system's sun. Moridium plating was often applied just below the hull plates of a ship or station, and Moridium micro-particles were worked into viewports.
Fleur de Lune

## Description

### Physique

Petite Lune est une petite femelle bleu sombre. Son poil est plutôt court. Elle est plutôt courte sur pattes. Ses yeux sont fin et plutôt petits, d’une couleur jaune orange.

### Caractère

Elle est plutôt timide, gentille et aimable, par contre, elle est assez susceptible. Elle adore aider les autres car cela la rend heureuse. Souvent joyeuse, elle s’attire l’amitié des autres. C’est une des chattes les plus appréciées du Clan. D’après Queue de Miel, elle n’est pas très naïve, ce qui a d’ailleurs étonné la femelle blonde. Fleur de Lune est plutôt calme, apaisante. Elle peut parfois faire des petites bêtises mais cela est rare.

## Relations

### Famille

Elle aime par dessus tout sa sœur, Petite Étoile, et considère Feuille d’Aulne comme une deuxième mère, adoptive. Elle considère Croc de Sang comme un être malheureux et qui avait besoin d’attention, elle ne lui en veut en rien. Elle pense que Queue de Miel la déteste, et ça la rend assez triste. Cependant, son frère, Petite Feuille, l’adore, et ceci est réciproque.

### Compagnon

Elle n’a pas encore de compagnon et n’eprouve de sentiments pour personne. Il sera plus tard dit qu’elle ne veut pas de compagnon car elle veut aimer tous ces camarades de Clan de la même façon.

## Notes

- Ce personnage est un hommage à Alluka de Hunter Hunter, car Espoir lumineux adore ce personnage plus que tout, et elle a voulu l’illustrer.
Prax IV

Mountains

Oceans

Salameen

Desunton

Prax IV was a terrestrial world and the fourth in the Praxia system. It was settled by the near-human Ultrasans in 12.16.3200. By 6854, the world was part of the Atellon Hegemony. The planet was heavily populated in the central and southern regions, as the reptilian Salameen preyed on settlers that ventured too far into the northern regions. Harsh weather was common in coastal region of most continents.

For centuries, the world was known as a haven for the Ultrasan people as they fled persecution by their ancestral foe in the Uldren cluster. Haspur was the largest city and the planetary capital, while Oralan was a major trade port and had the largest spaceport. Several years after the Hegemony absorbed the system, the northern region hosted a base for the Pyrakis Commandos.

## History

Prax IV was originally settled by Ultrasan refugees in 3200, shortly after the Ultrasan Persecutions of 3192. The near-human Ultrasans quickly adapted to the harsh conditions of the world. Several years after initial landing, the city of Haspur was built.
Les chats dans la ville

**Gras**

*Deux guerriers, Tache Noire et Pétale de Violette, ont pour mission d'explorer la ville...*

**Tache Noire :** Eh ! Pétale de Violette !

**Pétale de Violette :** Oui ?

**Tache Noire :** Regarde cette chose noire et rectangulaire !

**Pétale de Violette :** Quoi ? Elle pue, et alors ?

**Tache Noire :** Regarde ce bipède qui met les bouts de proie immangeables dedans !

**Pétale de Violette :** Mais qu'est-ce qu'il y a enfin ??

**Tache Noire :** Bah c'est révolutionnaire !!! Plus besoin d'enterrer nos proies !

**Pétale de Violette :** Le Clan va puer après !

**Tache Noire :** C'est les trucs de bipèdes qui donnent cette odeur !

**Pétale de Violette :** Et comment comptes tu construire ça gros nigaut ?!!!

**Tache Noire :** Bah avec du bois !!!

*Pétale de Violette lève les yeux au ciel et les deux chats continuent leur route.*

A suivre !
Ye Yiyi

## Relationships

### Family

Ye Shao Ting (father)
Liang Mei Xuan (mother)
Ye Shao An (adopted father)
Ye Wanwan (cousin & half-sister)
Ye Mu Fan (cousin & half-brother)
Liang Wan Jun (maternal & fraternal aunt)
Ye Hong Wei (fraternal grandfather)
Liang Jia Hao (maternal uncle)
Fang Xiu Min (maternal aunt)
Liang Shi Han (maternal cousin)

## Occupation

### Occupation

Emperor Sky's Director of the Talent Recruitment Department
Chekoran Collective

The Chekoran Collective was a theocratic government that ruled the southwest section of the mid rim. The Chekori people were the dominant species, though there were several other minor species that lived under their rule. The Collective suffered a civil war that eventually split the Collective between those loyal to the old theocratic ways, and the forward thinking, socialistic Chekoran People's Republic in 3521.
Dave Conner

Additional Music by

Associate Music Director

Conductor

"Toro and Moro" Theme Music by

Music Supervisor

Music Producer

Vocal Coach

Musical Associate

Assistant Music Director

Music Assistant

Assistant Conductor

Songs by

Music Director

Music Composed by

Special Thanks

Studio Music Director

Original Songs and Arrangements
Flowers in the Sky

Pressing a finger against the eyeballs causes spots to appear before the eyes. These are the "flowers in the eye" or "flowers in the sky." They are not existent in themselves but created in the eye of the observer. Since the character for "sky" can also be read as "emptiness", the term can also be glossed "flowers of emptiness."

1. ↑ Template:Hori, Victor. (2003) Zen Sand. University of Hawai’i Press.
The Mad, Mad, Mad Comedians credits

## Opening Credits

* Jack Benny, George Burns, Phyllis Diller, George E. Jessel, Jack E. Leonard, Groucho Marx, The Smothers Brothers, Flip Wilson, Henry Youngman
* in...
* "The Mad, Mad, Mad Comedians"
	+ © Videocraft International Ltd. MCMLXX
* This picture has made the jurdisction of I.A.T.S.E.-IA, affiliated with A.F.L.-C.L.O.
* Produced & Directed by: Arthur Rankin Jr. & Jules Bass

## Ending Credits

* Special Material by: Romeo Muller
* Flip Wilson Segment Courtesy: Atlantic Records
* Caricatures by: Bruce Stark
* Continuity Design: Don Duga
* Animators: Paul Allen, Preston Blair, Jack Bradbury, Bob Carlson, Marc Davis, Phil Duncan, Art Elliott, John Elliotte, Bernard Garbutt, Emery Hawkins, Bill Justice, Lynn Karp, Walt Kelly, Fred Kopietz, Hicks Lokey, Tom Massey, Milt Neil, Lester Novros, Don Patterson, Ray Patterson, Louie Schmitt, William Shull, Grant Simmons, Claude Smith, Howard Swift, Norman Tate, Don Towsley, Judge Whitaker, Berny Wolf
* Layout Artists: Nino Carbe, Jaime Diaz, Robert Givens, Don Griffith, David Hanan, C.L. Hartman, Lin Larsen, Jerry Nevius, Don Sheppard, Kay Wright
* Background Artists: Bob Abrams, Nino Carbe, David Hanan, Maurice Harvey, Ervin L. Kaplan, Phil Lewis, Bill Loudenslager, Bob McIntosh, Walt Peregoy, Paul Xander
* Checking: Christine Decker, Rollie Greenwood, Patricia Helmuth, Paul Marron, Moley McColley, Buf Nerbovig, Ann Oliphant, Jane Philippi, Barbara Ruiz, Evelyn Sherwood
* Animation: Mushi Studios
	+ Animation Supervisor: Steve Nakagawa
	+ Animator: Akio Sugino
* Additional Voices: Paul Frees, Joan Gardner
* Editorial Supervision: Irwin Goldness
* Title Song: Maury Laws & Jules Bass
* Music by: Maury Laws

## Closing Logos

* A Rankin/Bass Production
	+ © Videocraft International, Ltd. MCMLXX
The Wacky World of Mother Goose (1967) Credits

## Opening Credits

* Joseph E. Levine Presents
* An Arthur Rankin, Jr./Jules Bass Production
* "The Wacky World of Mother Goose"
* Copyright © MCMLXVI Embassy Pictures Corp. and Videocraft International Ltd. · All Rights Reserved
* Margaret Rutherford is "Mother Goose"

## Ending Credits

* The Talents of: Bob McFadden, Bradley Bolke, Laura Leslie, James Daugherty, Craig Sechler, Susan Melvin, Kevin Gavin, Bryna Raeburn, Robert Harter, William Marine
* Screenplay by: Romeo Muller
* Story by: Arthur Rankin, Jr.
* Written by: Forrest J. Ackerman
* Animation Design: Tsugu Kubo
* Scenic Design: Minoru Nishida
* Music & Lyrics by: George Wilkins & Jules Bass
* Sound Engineers: Alan Mirchin, Stephen Frohock, Peter Page, Eric Tomlinson
* Associate Producer: Larry Roemer
* Production Manager: Sal Scoppa, Jr.
* Art Direction: Chiyoo Umeda
* Sequence Directors: Steve Clark, Duane Crowther, Osmond Evans, Rudy Larriva, Tom McDonald, Gil Turner, Alan Zaslove
* Storyboard: Marty Murphy
* Character Design: Paul Coker, Jr.
* Continuity Design: Don Duga
* Animation Director: Gerard Baldwin
* Animation: Paul Allen, Hal Ambro, Bob Bransford, Jack Campbell, Bob Carlson, Les Clark, Herman Cohen, Art Davis, Jim Davis, Marc Davis, Xenia DeMattia, Phil Duncan, Hugh Fraser, Ed Friedman, Ken Harris, Ken Hultgren, Volus Jones, Bill Justice, Abe Levitow, Hicks Lokey, Don Lusk, Fred Madison, Clake Mallery, Jimmy T. Murakami, Milt Neil, Casey Onaitis, Ray Patterson, Grant Simmons, Claude Smith, Hank Smith, Ed Solomon, Irven Spence, Sandy Strother, Harvey Toombs, Don Towsley, John Walker, Ben Washam, Judge Whitaker, Stan Wilkins, Berny Wolf, Marvin Woodward, Rudy Zamora
* Layouts: Ray Aragon, Corny Cole, Robert Dranko, Victor Haboush, Vern Jorgensen, Ed Levitt, Gene Miller, Lee Mishkin, Ernie Nordli, Tony Rivera, Shirley Silvey, Dick Ung, Sam Weiss
* Backgrounds: Barbara Begg, Corny Cole, Jules Engel, Boris Gorelick, Jack Heiter, Bob Inman, Vern Jorgensen, Dick Kelsey, Connie Matthews, Bob McIntosh, Peggy Morrow, Rosemary O'Connor, Don Peters, Bob Singer, Dave Weidman, Gloria Wood
* Checking Supervision: Grace McCurdy
* Checking: Paul Marron, Jeanne Thorpe
* Color Stylist: Phil Norman
* Ink and Paint: Vera McKinney
* Camera: Wilmer C. Butler, Jack Eckes, Roy Hutchcroft, Duane Keegan, J. Dan Miller, Jack Stevens
* Supervising Film Editor: Ted Baker
* Film Editors: Cliff Millsap, Carl Bennett, Helen Wright
* Animation Production: Toei Animation
	+ Storyboard: Osamu Tezuka
	+ Animation Supervision: Shingo Matsuo, Takateru Miwa, Kazuko Nakamura, Taku Sugiyama, Tad Mochinaga
	+ Film Editor: Takeo Nakamura
	+ Assistant Director: Kizo Nagashima
* Production Assistant: Albert Band
* Prints by Pathé
* Photographed in Eastman Color · A Videocraft International Picture
* Executive Producers: Joseph E. Levine, Stephen Bosustow
* Directed by: Jules Bass
* Produced by: Arthur Rankin, Jr. & Jules Bass

## Ending Titles

* THE END
* An Embassy Pictures Release
A Day at Disneyland credits

## FBI Warning Screen

* FBI Warning: Federal law provides severe civil and criminal penalties for the unauthorized reproduction, distribution or exhibition of copyrighted motion pictures, video tapes or video discs. Criminal copyright infringement is investigated by the FBI and may constitute a felony with a maximum penalty of up to five years in prison and/or a $250.000 fine.
* Licensed for private home exhibition only. Any public performance, copying or other use is strictly prohibited, All other rights reserved.

## Opening Titles

* Walt Disney Productions Presents
* "A Day at Disneyland"
	+ © Copyright MCMXXXII Walt Disney Productions

## Ending Credits

* Produced by: Matt Oppenheimer
* Directed by: Barry Elliott
* Written by: Dave Lewis
* Music Arranged by: Gary Stockdale
* Technical Consultant: Charles Cohen
* Post Production Supervisor: George Cook
* Editors: Dennis Orcutt, Dennis Vejar
* Photography: Parker Bartlett, Gary Moore, Blair Clark
* Technical Director: Bob Brown
* Audio: Craig Brown
* Production Assistant: Jennifer Broman
* A N.I.C.E. Film Company Production
* for Walt Disney Productions
This is America, Charlie Brown: The Mayflower Voyagers credits

## Opening Credits

* "This is America, Charlie Brown"
* "The Mayflower Voyagers"
* Created by: Charles M. Schulz
* Executive Producer: Lee Mendelson
* Produced by: Bill Melendez
* Directed by: Evert Brown

## Ending Credits

* Written by: Charles M. Schulz and Lee Mendelson
* Music: Ed Bogas
* Voices: Erin Chase, Frank Welker, Brandon Stewart, Gregg Berger, Brittany Thornton, Chris Collins, Erica Gayle, Tani Powers, Jason Mendelson, Sean Mendelson, Bill Melendez
* Designed by: Leonardo Moran, Darrell Rooney, Utit Choomuang, Lynette Nuding, Dean Spille
* Animation by: Bill Littlejohn, Nancy Beiman, Steve Wahl, Sam Fleming, Leslie Gorin, Burt Medall, Al Pabian, Joe Roman, Barrie Nelson, Bob Matz, Larry Leichliter, Istvan Majoros, Tom Ray, Steve Moore, Dick Horn, Bill Hajee, Arthur Humberstone, Craig Clark
* Checking: Eve Fletcher, Cynthia Goode, Janette Hulett, Barbara Donatelli, Jennifer Damiani
* Ink & Paint Supervision: Jane Gonzales
* Ink and Paint: Joanne Lansing, Mickey Kreyman, Emalene Seutter, Colene Gonzales, Lee Guttman, Peggy Gregory, Myrna Gibbs, Joan Pabian, Teale Wang, Barbara Hiestand, Patricia Capozzi, Meling Pabian, Catherine Simmonds, Virginia Tucker, Cookie Tricarico, Veronica Halmos, Christina Long, Joyce Frey, Roubina Janian, Martha Sigall
* Editing: Chuck McCann, Warren Taylor, Gordon Brenner
* Production Manager: Carole Barnes
* Production Assistants: Carol Neal, Joanna Loccisano, Nina Skahan, Glenn Mendelson, Kristy Mendelson
* Camera: Nick Vasu
* Dubbing: Universal City Studios
* Voice Recording: Buzzy's Recording Services
* Music Recording: Russian Hill Recording
* Music Engineer: Gary Clayton
* Color: Technicolor
* Animation Production by: TOEI Animation Co., Ltd.
* Thanks to: Plimoth Plantation, Plymouth, Ma.
* A Lee Mendelson-Bill Melendez Production
* in association with Charles M. Schulz Creative Associates and United Media Productions
* THE END "This is America, Charlie Brown" "The Mayflower Voyagers" Copyright © 1988 United Feature Syndicate, Inc.
The Oddball Couple

## Ending Credits

* Story Editor: Bob Ogle
* Writers: Bob Ogle, Joel Kane, David Detiege, Earl Kress, John W. Dunn
* Supervising Director: Lew Marshall
* Animation Directors: Gerry Chiniquy, Robert McKimson
* Storyboard Directors: Bill Perez, Art Leonardi, Jan Green, Gary Hoffman
* Graphic Design: Ric Gonzales, Gary Hoffman, Dick Ung, Al Wilson, Ken Landau, Coral Kerr, Adam Szwejkowski, Susan Scholefield
* Animation: Norm McCabe, Bob Matz, Virgil Ross, Bob Bemiller, Bob Richardson, Jim Davis, Nelson Shin, Bill Numes, Don Williams, Joel Seibel, Bob Bransford, John Freeman, Bill Carney, Warren Batchelder, George Jorgensen, John Gibbs, Bob Goe
* Background Supervised by: Richard H. Thomas
* Backgrounds: Mary O'Loughlin, Don Watson
* Animation Checker: Armand Shaw
* Ink and Paint Supervisor: Gertrude Timmins
* Ink and Paint: Dawn Benedict, Florence Heintz, June Rose Ross, Mary Jane Cole, Bernie Bonnicksen, Miho Nagisa
* Xerography: Greg Marshall
* Xerox Processor: Kevin Shaw
* Film Editors Supervised by: Bob Gillis
* Film Editors: Joe Siracusa, Rick Steward, Allan Potter
* Voices: Paul Winchell, Frank Nelson, Joan Gerber, Frank Welker, Sarah Kennedy, Don Messick, Joe Besser, Ginny Tyler, Bob Holt
* Music by: Doug Goodwin
* Main Title Music Arranged by: Joe Siracusa
* Conducted by: Eric Rodgers
* In Charge of Production: Lee Gunther
* Camera: Ray Lee, Larry Hogan, John Burton Jr.
* Animation Production by: Topcraft
	+ Storyboard Artist: Katsuhisa Yamanda
	+ Animation Director: Katsuhisa Yamada
	+ Key Animation: Kazuyuki Kobayashi, Yoshiko Sasaki, Tadakatsu Yoshida
	+ Animation: Toru Hara, Tsuguyuki Kubo
	+ Background Design: Minoru Nishida
	+ Background: Kazusuke Yoshihara

* Production Mixer: Steve Orr
* Sound by Producer's Sound Service, Inc.
* This picture has made the jurdisction of I.A.T.S.E.-IA, affiliated with A.F.L.-C.L.O.
* © MCMLXXV DePatie-Freleng Productions, Inc. All rights reserved.
* Based Upon the Play "The Odd Couple" by Neil Simon
* Produced by: David H. DePatie & Friz Freleng

## Closing Logos

* DFE Films · A DePatie-Freleng Production
Leni Loud

### Allies

{{Scroll box|Gavin (boyfriend)Scott (ex-boyfriend)ChazFiona and MiguelJackieMandeeBeckyDanaClyde McBride

### Enemies

{{scroll box|Gavin (boyfriend)Scott (ex-boyfriend)ChazFiona and MiguelJackieMandeeBeckyDanaClyde McBride

### Goals

Be more beautiful.
Get her driver's license (repeatedly failed, later succeeded).
Become a fashion designer.
Be with Scott (ongoing).

### What Makes Them Likeable

She is shown to be selfless and kind-hearted towards her family

### Type of Love Exalted

Optimistic Teenager

**Leni L. Loud** is one of the main characters from the Nickelodeon animated series **The Loud House**.

## What Makes Her a Love Exalted?

* First of all she is portrayed as a selfless and kind hearted individual who cares to her family more than anyone else from the family
* Her moment of dimwitness makes her a funny character
* Like Lana and Luna, she is very optimistic
* Overall, she barely has any corrupting qualities despite her ditziness and is shown to be very interest in fashion
SunSpinner

Sunspinner's Card Slot

## Location

Canvas Plains

**Sunspinner** is a Graffiti Creature that initially appears in Canvas Plains.

## Physical Appearance

Sunspinners resemble sunflowers, with leaves that it uses as arms and legs. They have a face in the middle of their flower, and its petals spin around their head quickly.

## Behavior

Sunspinners are docile Graffitis, and will not attack Pixel unless they are attacked. They will also not react if other Sunspinners are attacked.

## Gallery

Sunspinner in the Graffiti CreatorSunspinners in the wild
## Trivia

* Sunspinners have a slight problem with their model, resulting in a segment of their smile spinning along with the petals.
The Best of America's Funniest Home Videos credits

## Information Title

* America's Funniest Home Videos
* TV Guide

## Opening Logos

* CBS/Fox Video
* ABC · Captail Cities/ABC Video Enterprises Inc. · ABC Distribution Company

## Opening Titles

* The Best of America's Funniest Home Videos

## Ending Credits

* Executive Producer: Vin Di Bona
* Producer: Steve Paskay
* Supervising Producer: Henry Kimmel
* Directed by: Steve Hirsen
* Written by: Todd Thicke, Bob Arnott, Bob Saget
* Coordinating Producers: Kathy Williamson, Joe Bellon, Greg Bellon
* Line Producer: Bill Barlow
* Associate Producer: Karen Wolpin
* Senior Segment Producer: Barbara Bernstein Honig
* Art Director: Bill Bohnert
* Creative Consultant: Gina Di Bona
* Associate Director: Robin Felsen
* Remote Camera Crew: Steve Conant, Mike Clark, Jim Rosenthal
* Crane Operator: John Luis
* Assistants to the Producers: Steve Paul, Sharon Nagata
* Script Coordinators: Kasha Marshall, Jerianne Burnette Keaney
* Executive Associates: Suzanne Vanvakaris, Barbara C. Benedict
* Music Composer: Dan Slider
* Lyrics by: Jill Colucci, Stewart Harris
* Performed by: Jill Colucci
* Post Production Associate Director: Chris Cosack
* Production Manager: Melinda Zoldan
* Production Auditor: Louis Walencewicz
* Production Coordinator: Eric Rutherford
* Video Screeners: Taz Goldstein, Catherine Galef, Kim Burnsworth, Cara Di Bona, Sarah Gossage, Jonathan Jayson, Don Kaufman, Michele Nasaway, Peter Van Pelt
* Research: Paul Crehan, Tim Stokes
* Home Video Library: Deb Isibue-Frazier, Andy Rupert, Raymond Carpenter, John Cavanagh, Cynthia Dearwater, Kenneth S. Filson, Maro Franklin, Scott Harper, Chris Hertrich, Tony Hoyle, Gary Kelley, Robin Kenyon, Michelle Knisley, Steve Lagana, Debra Little, Ray Lykins, Christopher Mason, Kimberly Matwijeow, John McNulty, Dean Montaito, Cheryl Wyeoff
* Unit Manager: Claire Barrett Young
* Technical Manager: Doug Dessero
* Production Services Coordinator: Wycoff
* Technical Director: Dave Smith
* Lighting Director: Mark Buxbaum
* Audio Mixer: Roy Rising
* Videotape Editors: Manny Mours, Steve Ball
* Graphics by: Art F/X · Pam Bloch
* Post Production Facilities: Matchframe Video, ABC Television
* Bob Saget's Wardrobe Provided by Ron Ross, Tarzana, California
* Video Equipment Provided and Promotional Fee Paid by RCA
* Videotaped at ABC Television Center, Hollywood
* Executive in Charge of Production: Howard G. Malley
* © 1990 American Broadcasting Companies, Inc. · All Rights Reserved

## Closing Logos

* ABC Productions
* in association with
* Vin Di Bona Productions

## FBI Warning Screen

* FBI Warning: Federal law provides severe civil and criminal penalties for the unauthorized reproduction, distribution or exhibition of copyrighted motion pictures, video tapes or video discs. Criminal copyright infringement is investigated by the FBI and may constitute a felony with a maximum penalty of up to five years in prison and/or a $250,000 fine.
La Demande en Mariage

*Cette histoire a été reprise de l’ancien wiki, mais étant inactif, nous l’avons transférée ici pour lui donner une deuxième chance.*

Poil d'Écureuil et Étoile de Ronce forment un couple solide. Étoile de Ronce propose un rendez-vous à sa compagne dans un restaurant au bord d'une falaise : Coucou mon amour ! Ça te dis à 19h ce soir on se retrouve au restaurant "Au bon gibier" ?

Poil d'Écureuil  : Bien sûr ! Avec plaisir chéri !

A 19h, ils sont au restaurant et **Aile de Colombe, une serveuse, leur propose le menu :** Bonsoir, ce soir nous vous proposons un pâté de souris saupoudré de fines herbes en entrée, une cuisse de lapin rôti avec une sauce à base de souris en plat et en dessert une glace en cornet parfum merle... Prendrez-vous ce menu ?

**Étoile de Ronce et Poil d'Écureuil  :** Oui, cela a l'air délicieux !

20 minutes plus tard, Aile de Colombe sert le repas et 20 minutes plus tard les deux tourtereaux ont fini de manger et Étoile de Ronce est parti payer (25 euros au total).

**Étoile de Ronce  :** Chérie, viens on va sur la falaise.

**Poil d'Écureuil  :** Je te suis !

Ils arrivent au bord de la falaise et Étoile de Ronce s'agenouille devant Poil d'Écureuil et sort une bague : Mon amour, veux tu m'épouser pour la vie ?

**Poil d'Écureuil saute de joie tout en parlant :** Oh, mon cœur, avec joieaaaaaaaaaaaaaaaaaaaahhhhhhhhhhhhhhh !!!

*Poil d'Écureuil est actuellement morte, écrasée comme une crêpe contre les rochers 200m plus bas.*
'Twas the Night Before Christmas (credits)

## Opening Credits

* Rankin/Bass Present
* "'Twas the Night Before Christmas"
	+ Copyright © MCMLXXIV Rankin/Bass Productions, Inc.
* Color by Technicolor®
* Westrex Recording System
* This picture has made the jurdisction of I.A.T.S.E.-IA, affiliated with A.F.L.-C.L.O.
* Told & Sung by: Joel Grey
* Also Starring: Tammy Grimes, John McGiver and George Gobel as Father Mouse
* Written by: Jerome Coopersmith
* Based on the Poem by: Clement Moore
* Music by: Maury Laws
* Lyrics by: Jules Bass
* Produced & Directed by: Arthur Rankin, Jr. and Jules Bass

## Ending Credits

* With the Talents of: Robert McFadden, Allen Swift, Pat Bright, Christine Winter, Scott Firestone and The Wee Winter Singers
* Associate Producer: Mary Alice Dwyer-Dobbin
* Editorial Supervision: Irwin Goldress, Vincent Juliano
* Design: Paul Coker, Jr.
* Layout Artists: Robert Dranko, Don Griffith, Cullen Houghtaling, Vern Jorgensen, Karl Karpé, Roy Morita, Ernie Nordli, Don Sheppard, Shirley Silvey, McLaren Stewart, Dick Ung, Al Zinnen
* Assistant Layout Artist: Homer Jonas
* Animation Coordinator: Wolfgang Reitherman
* Animation: Paul Allen, Brenda Banks, Ed Barge, Warren Batchelder, Bob Bemiller, Ted Bonnicksen, Bob Bransford, Dale Case, Les Clark, Al Coe, Fred Crippen, Marc Davis, Phil Duncan, Art Elliott, John Elliotte, John Ewing, Ed Friedman, Bernard Garbutt, John Gibbs, Manny Gould, George Grandpré, Lee Halpern, Laverne Harding, Bill Justice, Lynn Karp, Walt Kelly, Ward Kimball, Bob Kirk, Lester Kline, Fred Kopietz, Rudy Larriva, Art Leonardi, Tom Massey, Bob Matz, Norm McCabe, Tom McDonald, Kenneth Muse, Milt Neil, Cliff Nordberg, Lester Novros, Manuel Perez, Tom Ray, Bob Richardson, Virgil Ross, Glenn Schmitz, Warren Schloat, Nelson Shin, William Shull, Claude Smith, Hank Smith, Norman Tate, Don Towsley, Karl Van Leuven, Ken Walker, Judge Whitaker, Don Williams, Marvin Woodward, Robert W. Youngquist
* Background Artists: George deLado, Ron Dias, Eyvind Earle, Jules Engel, Don Griffith, Vern Jorgensen, Connie Matthews, Tom O'Loughlin, Walt Peregoy, Anthony Rizzo, Richard H. Thomas, Gloria Wood
* Xerography: Greg Marshall
* Checking and Scene Planning: Paul B. Strickland
* Final Checking: Armand Shaw
* Ink and Paint Supervisor: Gertrude Timmins
* Ink and Paint: Diane Dunning, Myrna Gibbs, Judy Mendel
* Sound: Don Hahn, Tom Brennand, John Curcio, Tom Clack
* Sound Engineers: Don Hahn, John Curcio
* Sound Effects: Tom Clack
* Re-Recording Mixer: Bob Elder
* Special Optical Effects by: Robert Abel and Associates
* Assistant Director: Barry Goldberg
* Animation Production by: Topcraft
	+ Storyboard Artist: Takashi Hisaoka
	+ Layout Artist: Yoshinori Kanemori
	+ Animation Directors: Kazuyuki Kobayashi, Hidemi Kubo
	+ Key Animation: Katsumi Aoshima, Hiroshi Oikawa
	+ Animation: Toru Hara, Tsuguyuki Kubo
	+ Background Artist: Kazuzuke Yoshihara
	+ Background Design: Minoru Nishida
	+ Technical Directors: Kôichi Sasaki, Katsuhisa Yamada
* Musical Director: Maury Laws
SuperLogos by you Wiki

**Welcome to the SuperLogos by you Wiki!**
We're a collaborative community website about SuperLogos by you that anyone, including you, can build and expand. Wikis like this one depend on readers getting involved and adding content. Click the "ADD NEW PAGE" or "EDIT" button at the top of any page to get started!

## Important articles

PlaceholderA page about your topicPlaceholderA Main CharacterPlaceholderThe First EpisodePlaceholderAn Important LocationPlaceholderA Key EventPlaceholderA Crucial Item

*Need help building out this community?*

* Rules of this wiki
* Getting Started
* How to Contribute
* Managing your new community
* Guides
* All Help articles

You can also be part of the larger Fandom family of communities. Visit Fandom's Community Central!

*Community Founders*: Write a good and paragraph-length description for your welcome section about your topic. Let your readers know what your topic is about and add some general information about it. Then you should visit the admin dashboard for more tips.