A (Rẹt’s Vietnamese Alphabet Lore)

A is a character in Rẹt’s Vietnamese Alphabet Lore. He is based on A.

A

## History of Letter

The earliest known certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it from a true alphabet). In turn, the ancestor of aleph may have been a pictogram of an ox head in proto-Sinaitic script influenced by Egyptian hieroglyphs, styled as a triangular head with two horns extended.
When the ancient Greeks adopted the alphabet, they had no use for a letter to represent the glottal stop—the consonant sound that the letter denoted in Phoenician and other Semitic languages, and that was the first phoneme of the Phoenician pronunciation of the letter—so they used their version of the sign to represent the vowel /a/, and called it by the similar name of alpha. In the earliest Greek inscriptions after the Greek Dark Ages, dating to the eighth century BC, the letter rests upon its side, but in the Greek alphabet of later times it generally resembles the modern capital letter, although many local varieties can be distinguished by the shortening of one leg, or by the angle at which the cross line is set.
The Etruscans brought the Greek alphabet to their civilization in the Italian Peninsula and left the letter unchanged. The Romans later adopted the Etruscan alphabet to write the Latin language, and the resulting letter was preserved in the Latin alphabet that would come to be used to write many languages, including English.

### Typographic variants

During Roman times, there were many variant forms of the letter "A". First was the monumental or lapidary style, which was used when inscribing on stone or other "permanent" media. There was also a cursive style used for everyday or utilitarian writing, which was done on more perishable surfaces. Due to the "perishable" nature of these surfaces, there are not as many examples of this style as there are of the monumental, but there are still many surviving examples of different types of cursive, such as majuscule cursive, minuscule cursive, and semicursive minuscule. Variants also existed that were intermediate between the monumental and cursive styles. The known variants include the early semi-uncial, the uncial, and the later semi-uncial.
At the end of the Roman Empire (5th century AD), several variants of the cursive minuscule developed through Western Europe. Among these were the semicursive minuscule of Italy, the Merovingian script in France, the Visigothic script in Spain, and the Insularor Anglo-Irish semi-uncial or Anglo-Saxon majuscule of Great Britain. By the ninth century, the Caroline script, which was very similar to the present-day form, was the principal form used in book-making, before the advent of the printing press. This form was derived through a combining of prior forms.
15th-century Italy saw the formation of the two main variants that are known today. These variants, the Italic and Roman forms, were derived from the Caroline Script version. The Italic form, also called script a, is used in most current handwriting; it consists of a circle and vertical stroke on the right ("ɑ"). This slowly developed from the fifth-century form resembling the Greek letter tau in the hands of medieval Irish and English writers. The Roman form is used in most printed material; it consists of a small loop with an arc over it ("a"). Both derive from the majuscule (capital) form. In Greek handwriting, it was common to join the left leg and horizontal stroke into a single loop, as demonstrated by the uncial version shown. Many fonts then made the right leg vertical. In some of these, the serif that began the right leg stroke developed into an arc, resulting in the printed form, while in others it was dropped, resulting in the modern handwritten form. Graphic designers refer to the Italic and Roman forms as "single decker a" and "double decker a" respectively.
Italic type is commonly used to mark emphasis or more generally to distinguish one part of a text from the rest (set in Roman type). There are some other cases aside from italic type where script a ("ɑ"), also called Latin alpha, is used in contrast with Latin "a" (such as in the International Phonetic Alphabet).
The typographic variant of the lowercase design is the printed one.

## Coverage

In A, he introduces himself.
In `, A falls and lands then G puts the grave accent on his head to make “GÀ”.
In episodes after that, he watched as the door breaks.
In Ơ, He watched them fight.
In Q, he lines up between G and C and three of them transforms into “GÁC”. He is the helmet. After Q hit Ă, They turn back to normal and run away.
In R, he is there with G, C and B. His eyelids look different than usual.
In U, he is in the same spot. He isn’t looking at M, who kidnaps B and zooms.
In Ư, he goes with G. C rushes. He then looks at U and P. He drops in near Ư to spell “NGỰA”.
In V, he was seen kidnapped.
In Y (EP.6), he is the first letter to drop in. Soon the letters spell “bạn bè”. He sees “xích mích” (the chain acts as “xích”) and is angry at him.
In Y (EP.7), he is revived.