Miriam Gregory

artistic interpretation of Miriam by Riley Logan @genderbinaryisforlosers on Tumblr

## Details

### AKA

Miri, Ewa Keith (forged identity), Elspeth Morton (while in Oslo), Elsa

### Family

Keith (father), Ewa (mother), Elizabeth (sister), Teresa Moyo (wife)

### Affiliations

The Institute (formerly)The Arboretum (formerly)

## Voice

### First Heard

You Feel It Just Below the Ribs

Miriam is the main narrator of *You Feel It Just Below the Ribs*, which takes the form of her edited memoir. In her own words, it is not a confession exactly but a call to action, as she hopes someone can right the wrongs she witnessed and contributed to in her life.

> *"I have wanted to get the truth out for years. I have tried once or twice. Not as hard as I should have. I don't have much time left, so I suppose I'm using the time I have to write out the truth so that someone can read it and do something. But I'm selfish and I want to be understood, so I'm starting here."* **--Miriam in *You Feel It Just Below the Ribs***, p.10
>
>

## Biography

### Early Life

Miriam was estimated to have been born between 1908 and 1911 on January 10th, possibly in Poland. She grew up during the early years of the war that would grow into the Great Reckoning, and her early memories largely centred around the hardship her family faced. She remembered hiding from soldiers with her family in her broken home; foraging in open fields and being slapped by her mother when she spoke too loudly; climbing through their dead neighbours' window to forage their food and belongings, including the books, which were mostly medical journals.

In recalling her family, Miriam remembered her father, Keith, growing and cultivating their own garden. Her mother, Ewa, had a talent for crafting, mending, and scavenging. Miriam was jealous of the doll that belonged to her older sister, Elizabeth, because she took much better care of it than she did her own toys. Elizabeth would tease Miri with the doll, but make it up to her with reading stories, braiding her hair, and sharing some of her meat at dinner. At some point, possibly in 1916 with the first wave of the "cobbler's flu" influenza pandemic, Elizabeth became ill, and since the hospital didn't have any beds, died on a mattress on the floor. Miriam got her doll afterwards, but she didn't remember playing with it.

After Elizabeth's death, their family moved to a place that was already "broken" where Miriam's father died from an infected cut he got in the garden. Her mother, having lost her eldest daughter and her husband, was consumed by despair and could no longer cook or craft, leaving Miri to look after her. When she died, she was outside praying to a god she had either recently discovered or invented, and a man desperate for food and shelter approached her, and when she had nothing to give him, he killed her. Miri was alone by the time she was eleven or twelve.

#### The Gang

After some time travelling and scavenging alone, Miriam fled from people she had stolen from into a seemingly abandonned neighbourhood and chose a house to hunker down in. That night, she fell asleep in the biggest bed and was woken by a slap and surrounded by a gang of eight or nine teenage girls who claimed she was tresspassing. After being interrogated by the group, which was led by Margot, they agreed to allow her to stay with them for a few days. Just when Miri decided to move on, they became snowed in together, and by the time it was safe to travel alone again, she had been accepted as part of the group.

In the group, there was a routine to their travelling. Every few weeks, they would find a new place to stay and Naija would spend a couple of days outfitting it with candles, cooking equipment, and makeshift beds. They would make limited repairs as a group, but if they found bodies, Naija insisted on dealing with them herself, and performed some kind of last rites for the dead. Naija would often become quiet when this happened, and Margot and Miriam would run "interferance" on the other girls to prevent them from upsetting her. It was common for girls to leave the group, recruited to the army, or joining other groups they encountered, and Margot, Naija, and Miriam became the core of the gang, and its leaders. Because they had to appear steadfast to the rest of the group, the three of them would occasionally take short trips away to nearby woods, and be intimate with each other.

The group also often ran into an older amputee who always had fresh food to trade to them, and asked only for stories in return. The editors of the Yuriatin Press identified the man from Miriam's description as Josef Hinter, a mercenary spy who sold information leading to major catastrophes during the war. About a year after Miriam joined the gang, the army came to look for the girls. The commander questioned Miri repeatedly, eventually revealing that Naija had informed them that she sold intel of military movements to a known spy.

#### Imprisonment

Miriam was arrested and imprisoned, allegedly without trial, on the 21st of March 1922 at the Gevangenis van Antwerpen detention facility in German-occupied north Belgium. As soon as she arrived at the prison, she had two rotten teeth removed and three fillings put in, and she enjoyed the food security, shelter, and access to cleaning and washing facilities. She made excellent use of the library, reading everything she could get her hands on. Eventually, she was approached by a girl called Elsa, who said she had been watching her for a while and was interested to know why she enjoyed reading so much. On being told that it made her feel peaceful, Elsa enthusiastically showed Miriam to a secluded spot on the prison grounds and guided her through a meditation, a process that Miriam would eventually call the Watercolor Quiet. She would go with Elsa to their spot and meditate every day.

Some indeterminate amount of time after Miriam met Elsa, she also met Helen, who was apparently a former friend of Elsa's. Helen seemed to strongly dislike Elsa, and often bullied her backed up by "cronies". Miriam suggested she fight back, but Elsa refused, seemingly out of indifference, and didn't want to talk about it. Miriam's name appeared on records of inmates present at a brawl in 1924. One ordinary afternoon (according to Miriam, 14 September 1925), Helen started a fight with Elsa which escalated into her killing a guard, and then into a prison riot. Elsa dropped into the Watercolor Quiet at the onset of the violence, and was potentially trampled in the ensuing stampede. Miriam was told to pick a side, and she chose to escape the prison, using the broken door that led to the Quiet spot and climbing over the wall.

#### The Arboretum

After some wandering, Miriam arrived at a farmstead in France, and attempted to steal from the fields but was apprehended by a ten-year-old Rohaan Youssuf. She was brought inside, fed, and given a place to rest for the night, and the next morning Nora offered her the chance to stay. Though initially reluctant, Miriam did stay, and enjoyed the lectures and debates that took place.

While at the Arboretum, Miriam taught the other members how to meditate using the Watercolor Quiet. The adults rarely engaged with it or connected with it fully, but Rohaan was extremely responsive to it as it helped him manage outbursts of anger that turned to violence if left unchecked. Miriam worked with Rohaan for two years and saw an enormous improvement, until one day she realised that the process had helped him to entirely suppress the memories of his father and the abuse he suffered at his hands.

Over the following years, Miriam continued to develop the Watercolor Quiet as primarily a tool to help the children cope with the chaos of life in and around the Reckoning. During her research, Miriam was very successful in easing the fears, anxieties, and other outbursts of the children, and recieved strong praise from the Arboretum's adults. However, Miriam observed that the children with parents were more prone to backsliding in the treatment, as their parents' mere presence reminded them of their trauma and unlocked the memories that had been carefully folded away in the Quiet.

Although Miriam initially viewed the Jacobs family's arrival at the Arboretum as a unique case study for her work in the Watercolor Quiet, the Jacobs quickly made an uneasy presence of themselves as they brought xenophobia and distrust of outsiders. The children engaged well with the Watercolor Quiet, and sessions went smoothly until Ellen confessed that Lana and Nathaniel were not her real parents, and had "taken" her. Alicia called her a liar and attacked her, but after Miriam separated them, she saw that they shared very few features, and were not sisters after all. She raised her concerns to Nora, but was told there was little that could be achieved by accusing the Jacobs of kidnapping a child, or even both their children.

Over the following weeks, things became more strained in the Arboretum, as its originators and true believers were drowned out by the loud and hateful Jacobs family. In what Miriam recalled as a winter morning (but Nora recounted as spring of 1931) Nora, Ekaterina, Rohaan, Efia, and Willem left the Arboretum without saying goodbye. Alicia and Rory, who stepped up into a leadership position with seniority, suspected the Jacobs cousins of foul play, and were disbelieving when Miriam said she had heard them mention leaving, although she had expected a meeting to be called beforehand. Rory insisted they attempt to reach a diplomatic agreement with the Jacobs, but shortly after they left, Miriam heard gunshots and screams, and saw one of the Jacobs cousins attempting to sneak up on the house. She fled out the back door, and was attacked by one of the cousins as she made for the woods. She killed him and escaped with her life, but had to leave everything and everyone behind.

### Fresh Starts

In 1941, Miriam boarded *SS Conte di Savoia* on 27 October in Trieste, Italy, and docked in New York, USA on 22 November. When she arrived, Miriam immediately sought passage to Philadelphia, hoping to make use of the contacts Nora had offered her years before. She hitchhiked and walked for a week to get to the University, and found that none of Nora's former colleagues still worked there. She spent two days asking around the campus, and eventually found someone who recognised the name Harold Olson, and told her he was retired and living nearby.

When Harold heard that Miriam was a protégé of Nora's, he welcomed her into his home, made her coffee and something to eat, and asked about Nora. After Miriam told him about the Arboretum and her intent to continue studying, he offered her the chance to stay with him, though he wasn't sure he could get her a scholarship at the university. When she declined, he instead suggested a programme in St. Louis that was working with children. She made up her mind and set out for St. Louis.

#### Gateway Childhood Centre

Miriam joined the staff at the Gateway School for Wayward Youth, an orphanage in St. Louis. Her first attempt to bring the Watercolor Quiet to her care of the children was with a girl named Florence, a quiet and deeply traumatised thirteen-year-old who would speak only to Miri. With the WQ process, she was able to open up to her classmates and teachers, and enjoy her time at Gateway. After the success, Miriam expanded the WQ therapy to other children, and was so successful that some of her adult colleagues asked for her to take them through the process as well. Gateway and Miriam gained attention across the Midwest, and she started to hire assistants to learn how to conduct the process.

Rosemary arrived at the Gateway Childhood Centre seeking to learn the Watercolor Quiet method from Miriam, but she found that Rosemary didn't have the patience for the process, and did not fully go through with it personally, claiming that she did not need it (Miriam believed this to be a poor attempt at a lie). Rosemary instead began to work alongside Miriam at the Centre as an assistant. She took a great interest in the Watercolor Quiet, and apparently helped her improve and refine her craft.

When they had been working together for about a year, Rosemary came to Miriam in the Gateway Centre's garden with concerns about a newspaper feature criticizing her work, written by Edith Marshall. The editors at the Yuriatin Press could find no evidence of this article's existence, but Miriam claimed that Rosemary published a point by point rebuttal addressed to Secretary Marshall, (there was no record of this either). Secretary Marshall apparently did take Rosemary up on her offer to show her around the facility, swaying the Secretary's opinion.

At some point during this time period (when she was around thirty-five), Miriam later recalled going on a roller coaster for the first and last time. She did not particularly dislike the experience, but it never occurred to her to seek it out again.

Miriam was introduced to Edgar Hartley, a fourteen-year-old boy, in 1950. She met with him at his parents' new home, and soon after, his parents dropped him off at the Gateway Childhood Centre in his best clothes with a big red suitcase. He appeared to adjust normally, but a few weeks into his stay, he approached Miriam upset and told her that his teacher had told the story of the girl and the damselfly wrong - differently to how his mother had told it. This was the first sign that the Watercolor Quiet was not working as expected with Edgar.

Although the regimen continued to appear effective as Miriam took Edgar through advanced Watercolor Quiet techniques over the next seven months, he continued to recall minor details about his parents and his life with them, such as the way his father cooked salmon. Even when he stopped appearing to recall old memories, he experienced bouts of depression, apparently still experiencing the emotions associated with separation without remembering who he had been separated from. Rosemary and others began to take great interest in Edgar's case, but Miriam felt protective over him. She submitted a revised treatment plan which slowed the rate of Edgar's mandated sessions with her and the Watercolor Quiet, but she continued to see him off the record as a mentor and friend. She was surprised to find this deeply effective, but when she told Edgar that they no longer had to have their evening chats, he suddenly hugged her and begged her not to leave him. She promised not to. Rosemary interrupted the conversation, and told Miriam that the Department of Childhood Development was taking over Edgar's case the next day.

Miriam realised that she had not managed to free Edgar from a need from parental affection at all, and had inadvertently become a maternal figure to him. The next morning, he could not be found in the Childhood Centre, and without telling anybody, Miriam went to Edgar's parents' house. Upon confronting his parents, she confirmed her suspicion that he had been sneaking out of the Centre to see them throughout his treatment, and the whole family was attempting to fake their way through the regimen so that they didn't have to forget each other. However, Edgar had not come to them the previous night or that morning, and they had no idea where he was.

An IID agent was waiting for Miriam at Gateway when she returned, and questioned her about Edgar. She was unable to get a straight answer about what happened to him, but Rosemary informed her that Edgar had been found dead in an empty lot apparently having died the previous night and mutilated to the point he was almost unrecognisable. Rosemary told Miriam that she would call Secretary Marshall and get everything smoothed over, but that it would be best if she left immediately.

#### Meeting Teresa

Miriam was working on editing her second psychology textbook, *Watercolor Memories*, in a diner outside Baltimore when she met Teresa Moyo. She was immediately struck by her beauty when she walked in, but didn't interact with her for at least an hour, when she accidentally spat her coffee all over Teresa as she was getting up to leave. Miriam insisted on paying for her meal and her dry cleaning to apologise, but Teresa said that since her meal was payed for and her dry cleaning was done through her work, Miriam would just have to take her out to dinner instead. After much internal debate, Miriam took Teresa to a small Turkish restaurant called Idyll, and they talked at length about their experiences of the Great Reckoning and lives since, until Miriam realised the restaurant was closing around them, and Teresa suggested they continue their date at a bar.

They didn't make plans to meet again, feeling it was unnecessary, and later that week while Miriam was working on her book in the diner again, Teresa came in and sat down next to her to begin working as well. After a while, Teresa needed her sewing machine to continue working, so they started meeting at her studio instead of the diner. Miriam started working on her third book, having finished with the second (meaning this was likely sometime in 1954, when *Watercolor Memories* was published). Miriam moved in with Teresa fairly quickly, as she had an airy loft apartment above her workspace that was much nicer than Miri's damp basement apartment - when she retrieved some of her things to start moving in, several items of clothing and notes had been ruined by mold in the two or three weeks she had been gone. Teresa and Miriam got married on 23 November, 1954.

Around five years after they got married, Teresa suggested to Miriam that she have a baby. Miri asked her to sit on it for another two months to be sure she wanted pregnancy and all it entailed, and when those two months were over, they made an appointment with the doctor. By the sixth month of the pregnancy, Teresa was so ill and needed so much help that Miriam also stopped working to care for her. The baby came three weeks early, after an extremely short labour of 90 minutes. Teresa slept for fourteen hours after she was born, and Miriam slept on a chair next to her bed. She was doing crosswords when she eventually woke up.

At some point after Teresa's recovery, she expanded her business by bringing in new designers, and the company moved out of the workshop to a larger space. Teresa and Miriam moved into a small house a short work from the new warehouse.

Around another five years after the first pregnancy (although Miriam is much less sure of this estimate than her earlier one) Teresa said she wanted to contribute to the repopulation effort a second time. Miriam was supportive, as she was feeling unfulfilled in her own work and viewed caring for Teresa again as a welcome distraction and purpose. However, unlike the first pregnancy, the second went much smoother for her physically, although it seemed to Miri to be taking an emotional toll. With some prompting from Miri, Teresa signed up to a research and counseling programme for pregnant people. She participated in biweekly therapy sessions during the pregnancy and a two-month inpatient programme post-delivery after her son was born on the 5th of October.

Although the therapy was eventually successful, Miriam began to notice that Teresa would sometimes become absentmindedly unhappy. These moments happened once every few weeks for the first two years after the boy was born. One day, Miriam found Teresa sitting perfectly still at the kitchen table, holding her son's hospital ID tag, and when she was taken out of her trance state, she confessed that she had named the baby Moses. Miriam began taking Teresa through meditation sessions a couple of times a week.

### The Institute

In the early 1960s, Miriam encountered Rosemary while she was getting coffee in Baltimore. She sympathized with her when she described her difficulties getting a proposal for a research center approved by the Societal Council. She then offered to help Miriam with her research, suggesting that they join forces and build a research center without the need for Council approval. When Miriam inquired how they would achieve such a thing on their own, Rosemary said she had "a little something up [her] sleeve."

During winter, seeing Miriam was distracted, Teresa suggested that they go on holiday. They booked a beach house for a week, and spent it taking walks along the freezing beach, reading by the fire, and arguing about the books they were reading. In the mornings, Miriam took them through the Watercolor Quiet. Teresa spent much of the week mentally planning her next summer line of designs, and suggested suddenly on their final day that they get a dog. She was imagining a sleepy greyhound that would curl at their feet, called Moses. Miriam agreed to the greyhound, and when they got home, waited until Teresa was in before bed before she started to cry.

Several months later, Rosemary called Miriam and invited herself over to dinner with her and Teresa. Rosemary charmed Teresa with praise for Miriam, then informed Miriam that that the plans for the Institute were moving forward. Miriam expressed reservations, and did not commit to the project at that moment. She contacted Rosemary to say she was certain about involving herself with the Institute only after finding Theresa sitting in a trancelike state in the dead of night outside the hospital where she had given birth to her two children.

On this same phone call, Miriam described Rosemary asking her if she knew what happened to Edgar. After some prodding, Miriam wrote that she said yes, she knew what happened to Edgar. She then claimed Rosemary offered to show her her "notes." Miriam described her feelings as revolted and fascinated, and she agreed that she would like to see the findings, though did not describe them in detail in her memoir.

Rosemary assured Miriam that she would take care of all of the logistics of the Institute, and she need only focus on her work with her patients. Miriam described the site as "idyllic," and said that there was improvement in her wife's condition after she started working and researching at the Institute, though Teresa was never an inpatient. Rosemary would frequently give tours of the facility to prospective contributors, showing off the features Miriam had insisted on that were designed to make participants' time at the Institute more comfortable. However, Rosemary refused to share any details of her own research with Miriam, nor details of where they got their funding. The more Miriam inquired about them, the more Rosemary avoided her questions, until eventually Rosemary's assistant, Meg, told Miriam that she was intentionally avoiding her.

#### Disappearance and Death

Miriam worked with Hilda Brownstead for six months before noticing anything out of the ordinary. Though her answers to the questions were standard, there was a slight crease in her brow that betrayed her careful control of the meditative process (without breaking the trance state). At the end of the session, Miriam asked Hilda to meet her in her office that evening. When asked, Hilda remained scared, but also a little proud, and explained how she had managed to give false responses to the assessment questions. Hilda asked what would happen now that she had been found out asking if she was going to be sent "below". Miriam asked her to clarify, and enlisted Hilda's help in discovering the truth about the Extensive Studies Lab.

Miriam turned in Hilda's failed assessment and sent her below equipped with a cassette player and a microphone, instructing her to record over what was sent to report back what she saw and went through in the Extensive Studies Lab.

Over the next several days, Miriam received tapes of Hilda's account of several physical exams and tests. There were also verbal interrogations, but she found the mandated small talk even more terrifying. On the ninth day, she sent only one tape to Miriam, and it was mostly silent, ending with only heavy sob-like breathing. That was the last tape Miriam received. At a loss for what to do next, Miriam stayed quiet and stressed about Hilda, while her home life became strained as she refused to talk to Teresa about what was bothering her.

Some time after the tapes stopped returning, Miriam encountered Hilda in the corridor, but she did not notice her even after she attempted to catch her attention. Miriam had to grab her arm and speak her name looking directly into her eyes before she acknowledged her. She did not answer any of her questions, and seemed pained when Charlie was mentioned. Hilda said she had to go to her assessment, because she was going to get to go home. Later, while looking for the final tapes in her bedroom, Miriam found Hilda lying in bed with her eyes open, vacantly staring at the ceiling and unresponsive.

Armed with proof of Rosemary's wrongdoing but knowing to tread carefully, Miriam sent her files and recordings to a safe deposit box in Salt Lake City under the name Ewa Keith. She sent her final packages on their way and went into work for the final time, hoping to get photographs of as much as she could. She spoke to Rosemary briefly, and tried to go about her day as normal. The final patient she treated was a sweet man named Miguel. When she returned to her office, she found a folded sheet of paper on her desk, but before she could look at it, her phone rang. Meg was on the phone, asking if she was available for a meeting with Rosemary in the afternoon, and she answered that she was. Before she hung up the phone, Meg made sure she had noticed the note on her desk. Miriam saw it read 'DO NOT COME TO THE MEETING.'

Knowing she had to escape, Miriam incapacitated the security nurse Anjelica, and stole her uniform. She abandoned her car and walked into the woods and towards the highway. She hitched a ride from a man named Blake, introducing herself as Elsa, and asked him to drive her to the airport. At the airport, she called Lupe Alvarez, saying she had proof, and then took a flight west and sent copies of everything on to Lupe. She waited for the story to break in the newspapers, but it never did. Teresa was the one to report Miriam missing when she failed to come home from work in 1975. Years later, Miriam rented an attic room in Stockholm - according to herself, under the name Elizabeth (no last name) but according to the Yuriatin Press, it was under the name Elspeth Morton - and wrote her confession in the form of a memoir.

### Legacy

Miriam died in 1996, and her manuscript was found by the landlady under the floorboards, who donated it to the Statens Historiska Museum. After Miriam was identified, the manuscript was extensively reviewed and debated, and the Societal Council ultimately ruled that it was unfit for publication because of its numerous unverifiable claims which they feared would incite alarm among the populace. The Yuriatin Press decided to circulate the manuscript with their own notations amongst vetted, trusted individuals. Miriam's textbooks were seemingly still circulated while the Yuriatin Press was writing. They include:

1. *A Farewell to Trauma* - published 1953
2. *Watercolor Memories* - published 1954
3. Unknown third book
4. Unknown fourth book
5. *The Contradictions of the Self* - published 1960

## Additional info

* The name "Miriam" is the Hebrew form of Mary, and was the name of Moses' elder sister and watched over him as he floated down the Nile.
* It is unclear why the Yuriatin Press believed that Miriam was Polish, although Ewa is a Polish name. If that is true it is possible that her name was originally Miriam Grześkiewicz, and that she anglicised her surname to Gregory when she became a refugee in France - as the prison records seem to indicate she was Gregory, it can be no later than that.
	+ Although Miriam claimed in her manuscript that she was living under the name Elizabeth, no last name, in Oslo, the Yuriatin Press noted that her body was found in an apartment rented out to Elspeth Morton. As Miri had supposedly chosen the name Elizabeth after her sister, it is possible that her sister's name was actually Elspeth; Elspeth is a Scottish form of Elizabeth, which could indicate that her father Keith (also a Scottish name) was indeed Scottish, and the English name Gregory came from him.
* Both Miriam and the Yuriatin Press are unsure of her exact age, but Miriam recalls herself to be twelve or thirteen in March 1922, which would put her birthday in 1910 or 1909, further narrowing down her birth year from the YP's estimate of 1908-11.
* Some fans have speculated that Elsa, the girl Miriam met in prison, was not an entirely real person. Her name is similar to both Elizabeth and Elspeth, and it is possible that Miriam, being both traumatised and experimenting with the Watercolor Quiet, altered her memories of Helen to distance herself from the trauma of her life up to that point. Miriam describes her time in prison as overall very positive, but Elsa is constantly harassed by Helen, who was apparently imprisoned at the same time as her. It could be that Helen was a member of the girl gang, and lashed out at Miri/Elsa when her memory and leadership (described as central to the dynamic of the gang) lapsed. This theory is at least partially supported by the fact that Miriam uses Elsa as an alias in the final act of the book.
* In recollecting her childhood, Indra recalls an illustrated book called *Emma and the Damselfly*, authored by someone called "Marianne something? Miriam? Madeleine?" that seemed to contain a message about the sacrifices necessary for the advancement of society. Miriam is known to have written many books, although all those described were "very dry psychology texts." She did, however, mention incorporating the story (which she describes as a folktale) into meditation exercises at Gateway.

## References

1. ↑ You Feel It Just Below the Ribs, p.8
2. ↑ You Feel It Just Below the Ribs, p.13
3. ↑ You Feel It Just Below the Ribs, p.9-10
4. ↑ You Feel It Just Below the Ribs, p.11-12
5. ↑ You Feel It Just Below the Ribs, p.13-14
6. ↑ You Feel It Just Below the Ribs, p.22-27
7. ↑ 7.0 7.1 You Feel It Just Below the Ribs, p.30-37
8. ↑ 8.0 8.1 8.2 8.3 You Feel It Just Below the Ribs, p.39-40
9. ↑ You Feel It Just Below the Ribs, p.42-45
10. ↑ You Feel It Just Below the Ribs, p.46-48
11. ↑ You Feel It Just Below the Ribs, p.55-62
12. ↑ You Feel It Just Below the Ribs, p.72
13. ↑ You Feel It Just Below the Ribs, p.74-75
14. ↑ You Feel It Just Below the Ribs, p.84-85
15. ↑ You Feel It Just Below the Ribs, p.87-88
16. ↑ You Feel It Just Below the Ribs, p.90-94
17. ↑ You Feel It Just Below the Ribs, p.99
18. ↑ You Feel It Just Below the Ribs, p.103
19. ↑ 19.0 19.1 You Feel It Just Below the Ribs, p.109-10
20. ↑ 20.0 20.1 You Feel It Just Below the Ribs, p.119
21. ↑ You Feel It Just Below the Ribs, p.111-12
22. ↑ You Feel It Just Below the Ribs, p,114
23. ↑ You Feel It Just Below the Ribs, p.117
24. ↑ You Feel It Just Below the Ribs, p.127-28
25. ↑ You Feel It Just Below the Ribs, p.130-34
26. ↑ You Feel It Just Below the Ribs, p.136-38
27. ↑ You Feel It Just Below the Ribs, p.149-50
28. ↑ 28.0 28.1 You Feel It Just Below the Ribs, p.151-54
29. ↑ You Feel It Just Below the Ribs, p.158
30. ↑ You Feel It Just Below the Ribs, p.263
31. ↑ 31.0 31.1 You Feel It Just Below the Ribs, p.166-68
32. ↑ You Feel It Just Below the Ribs, p.171
33. ↑ You Feel It Just Below the Ribs, p.180-82
34. ↑ You Feel It Just Below the Ribs, p.184-86
35. ↑ You Feel It Just Below the Ribs, p.189-91
36. ↑ You Feel It Just Below the Ribs, p.196-200
37. ↑ 37.0 37.1 37.2 You Feel It Just Below the Ribs, p.213-19
38. ↑ You Feel It Just Below the Ribs, p.221-24
39. ↑ You Feel It Just Below the Ribs, p.227
40. ↑ 40.0 40.1 You Feel It Just Below the Ribs, p.237-40
41. ↑ 41.0 41.1 You Feel It Just Below the Ribs, p.253
42. ↑ You Feel It Just Below the Ribs, p.241-52
43. ↑ You Feel It Just Below the Ribs, p.256-59
44. ↑ You Feel It Just Below the Ribs, p.259-60
45. ↑ You Feel It Just Below the Ribs, p.265-68
46. ↑ You Feel It Just Below the Ribs, p.271-72
47. ↑ You Feel It Just Below the Ribs, p.280
48. ↑ 48.0 48.1 You Feel It Just Below the Ribs, p.293-94
49. ↑ You Feel It Just Below the Ribs, p.284-85
50. ↑ You Feel It Just Below the Ribs, p.316
51. ↑ You Feel It Just Below the Ribs, p.322-25
52. ↑ You Feel It Just Below the Ribs, p.326-30
53. ↑ You Feel It Just Below the Ribs, p.335-38
54. ↑ You Feel It Just Below the Ribs, p.340-41
55. ↑ You Feel It Just Below the Ribs, p.345
56. ↑ You Feel It Just Below the Ribs, p.352
57. ↑ You Feel It Just Below the Ribs, p.355-59
58. ↑ You Feel It Just Below the Ribs, p.362-66
59. ↑ You Feel It Just Below the Ribs, p.2
60. ↑ You Feel It Just Below the Ribs, p.1-4
61. ↑ You Feel It Just Below the Ribs, p.206
62. ↑ Season 5, Episode #10: March 1997