Between the Buttons

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***Between the Buttons*** is the fifth British and seventh American studio album by The Rolling Stones, released on 20 January 1967 in the UK and 11 February in the US as the follow-up to *Aftermath*. It was the beginning of the Stones' brief foray into psychedelia. In 2012, the American version of *Between the Buttons*, which included "Ruby Tuesday" and "Let's Spend the Night Together", was ranked #357 on *Rolling Stone* magazine's 500 Greatest Albums of All Time.

## Recording and background

Sessions for the album began on 3 August 1966 and lasted until the 11th at Los Angeles' RCA Studios during the Rolling Stones' 1966 American Tour. David Hassinger was the engineer for the album. Several songs were worked on; the backing tracks of six songs that would appear on the album were recorded, as were those of "Let's Spend the Night Together" and "Who's Driving Your Plane?", B-side of "Have You Seen Your Mother, Baby, Standing in the Shadow?", released as a single in late September. During this time, Brian Wilson of The Beach Boys was invited down to RCA Studios during the recording of "My Obsession", which remains one of his favourite Rolling Stones songs.

The band returned to London and sessions continued at IBC Studios from 31 August until 3 September. "Have You Seen Your Mother, Baby, Standing in the Shadow?" was completed to be released on 23 September before the Stones embarked on their seventh British tour which lasted into early October and was their last UK tour until 1971.

The second block of recording sessions for *Between the Buttons* began on 8 November at the newly opened Olympic Sound Studios in Barnes, London, alternating between Olympic and Pye Studios until 26 November. During this time the bulk of the album was completed including vocal and other overdubs on the previously recorded backing tracks and mixing. "Ruby Tuesday" was also completed.

Around the same time producer Andrew Loog Oldham was also preparing the US-only live album *Got Live If You Want It!*, a contractual requirement from London Records that contained live performances from their recent British tour as well as studio tracks overdubbed with audience noise. After that album's release on 10 December, a final overdubbing session for *Buttons* was held at Olympic Studio on 13 December 1966 before Oldham took the tapes back to RCA Studios in Hollywood for final mixing and editing.

The album was recorded using 4-track machines, with the initial sessions pre-mixed to make room on the remaining tracks for overdubs. Mick Jagger felt this process lost the clarity of the songs, commenting during an interview that "we bounced it back to do overdubs so many times we lost the sound of it. [The songs] sounded so great, but later on I was really disappointed with it." He commented further: "I don't know, it just isn't any good. 'Back Street Girl' is about the only one I like." In an interview with *New Musical Express*, he even called the rest of the album "more or less rubbish."

*Between the Buttons* was the last album wholly produced by Oldham, with whom the Stones fell out in mid-1967 during the recording sessions for *Their Satanic Majesties Request*.

## Artwork

The photo shoot for the album cover took place in November 1966 on Primrose Hill in North London. The photographer was Gered Mankowitz, who also shot the band photos for the cover of *Out of Our Heads*. The shoot took place at 5:30 in the morning following an all night recording session at Olympic Studios. Using a home-made camera filter constructed of black card, glass and Vaseline, Mankowitz created the effect of the Stones dissolving into their surroundings. The goal of the shoot was, in Mankowitz's words, "to capture the ethereal, druggy feel of the time; that feeling at the end of the night when dawn was breaking and they'd been up all night making music, stoned." Brian Jones' dishevelled and ghastly appearance on the cover disturbed many of his fans, and critic David Dalton wrote that he looked "like a doomed albino raccoon."

"Brian [Jones] was lurking in his collar," Mankowitz commented years later, "I was frustrated because it felt like we were on the verge of something really special and he was messing it up. But the way Brian appeared to not give a shit is exactly what the band was about." Outtakes from this photo session were later used for the cover and inner sleeves of the 1972 ABKCO compilation release *More Hot Rocks (Big Hits & Fazed Cookies)*.

The back cover of *Between the Buttons* is dominated by a six-panel cartoon accompanied by a rhythmic poem drawn by drummer Charlie Watts. When Watts asked Oldham what the title of the album would be, he told him it was "between the buttons", a term meaning "undecided". Watts gave the phrase to the title of his cartoon which in turn became the title of the album.

## Release and reception

*Between the Buttons*, like many British long-players, differed between its UK and US versions. The UK edition (in the form Oldham and the Stones intended it) was issued on 20 January 1967 (Mono, LK 4852; Stereo, SKL 4852) on Decca Records, concurrently with a separate single, "Let's Spend the Night Together" b/w "Ruby Tuesday." As was common in the British record industry at the time, the single did not appear on the album. *Between the Buttons* reached #3 in the UK.

In August 2002 both editions of *Between the Buttons* were reissued in a new remastered CD and SACD digipak by ABKCO Records. Almost all reissues of the album since 1968 have been in stereo; in 2016, the album's mono release was reissued on CD, vinyl, and digital download as part of The Rolling Stones in Mono. While most reissues have used the US track-listing to maximise profit by featuring the two hit singles, the UK version was re-issued by ABKCO in 2003 on 180 gram vinyl in the US.

According to Robert Christgau, *Between the Buttons* was "among the greatest rock albums", and AllMusic's Richie Unterberger hailed it as one of the Rolling Stones' "strongest, most eclectic LPs". In a retrospective review for *Entertainment Weekly*, David Browne called the album "a cheeky set of sardonic Swinging London vaudeville rock", while *Billboard* magazine's Christopher Walsh wrote that "it's brimming with overlooked gems, the band delivering a captivating blend of folky, Beatles-esque pop and tough bluesy rockers." Tom Moon wrote in *The Rolling Stone Album Guide* (2004) that the album was "lighter and thinner" than *Aftermath* and, "having belatedly discovered pop melody, Jagger and Richards were suddenly overdosing on the stuff." Jim DeRogatis included *Between the Buttons* in his 2003 list of the essential psychedelic rock albums.

## Track listing

All songs written by Mick Jagger and Keith Richards.

## American release

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In the US, the album was released by London Records on 11 February 1967 (mono, LL 3499; stereo, PS 499). "Let's Spend the Night Together" and "Ruby Tuesday" were slotted onto the album while "Back Street Girl" and "Please Go Home" were removed (these would be included on the following US odds-and-ends release, *Flowers*, in July 1967). With "Ruby Tuesday" reaching #1, *Between the Buttons* shot to #2 in the US, going gold.

In 2012, the American version of the album was ranked #357 on *Rolling Stone* magazine's 500 Greatest Albums of All Time.

### Track listing

All songs written by Mick Jagger and Keith Richards.

## Personnel

The Rolling Stones
* Mick Jagger – lead and backing vocals, percussion
* Keith Richards – rhythm and lead guitars, bass guitar, piano, organ, double bass, lead and backing vocals
* Brian Jones – rhythm guitar, piano, organ, vibraphone, recorder, saxophone, electric dulcimer, percussion, harmonica
* Bill Wyman – bass guitar, double bass, organ, backing vocals
* Charlie Watts – drums, percussion

Additional musicians
* Jack Nitzsche – piano, organ, harpsichord
* Ian Stewart – piano
* Nick DeCaro – accordion

## Chart positions

Album

Singles

## References

1. ↑ 1.0 1.1 "*Between the Buttons*". rollingstone.com. January 2012. Retrieved 11 February 2016.
2. ↑ 2.0 2.1 2.2 Davis, Stephen (2001). *Old Gods Almost Dead: The 40-year Odyssey of the Rolling Stones*. Broadway Books. ISBN 978-0-7679-0956-3.
3. ↑ Torres, Ben Fong (1981). *The Rolling Stone Interviews: 1967-1980*. New York: Rolling Stone Press. pp. 48–49. ISBN 0-312-03486-5.
4. ↑ Bronson, Fred (2003). *The Billboard Book of Number 1 Hits* (5th ed.). New York: Billboard Books. p. 1301. ISBN 0-8230-7677-6.
5. ↑ Craske, Oliver (2004). *Rock Faces - The World's Top Rock 'n' Roll Photographers and Their Greatest Images*. Rotovision. p. 89. ISBN 978-2-88046-781-4.
6. ↑ Woolridge, Max (2002). *Rock 'N' Roll London*. Singapore: New Holland Publishers. p. 72. ISBN 0-312-30442-0.
7. ↑ 7.0 7.1 Allmusic review
8. ↑ 8.0 8.1 Browne, David (20 September 2002). "Satisfaction?". *Entertainment Weekly*. New York (673). Retrieved 17 October 2014.
9. ↑ *NME*. London (8 July): 46. 1995. Missing or empty `|title=` (help)
10. ↑ 10.0 10.1 Moon, Tom (2004). "The Rolling Stones". In Brackett, Nathan; Hoard, Christian (eds.). *The New Rolling Stone Album Guide*. London: Fireside. pp. 695–699. ISBN 0-7432-0169-8.
11. ↑ 11.0 11.1 Walsh, Christopher (24 August 2002). "Super audio CDs: The Rolling Stones Remastered". *Billboard*. Billboard. p. 27. Retrieved 17 October 2014.
12. ↑ The Rolling Stones. Robert Christgau. Retrieved 17 October 2014.
13. ↑ DeRogatis, Jim (2003). *Turn on Your Mind: Four Decades of Great Psychedelic Rock*. Hal Leonard Corporation. p. 568. ISBN 0634055488.
14. ↑ The Rolling Stones | Official Website
15. ↑ Stone Alone - Bill Wyman
16. ↑ Rolling With The Stones - Bill Wyman
17. ↑ 17.0 17.1 http://www.everyhit.com/ Type in "Rolling Stones" under *"Name of Artist"*
18. ↑ https://www.allmusic.com/artist/p5298/charts-awards/billboard-albums
19. ↑ Tous les Albums classés par Artiste, *Note : user must select* The Rolling Stones *in the list*
20. ↑ 20.0 20.1 https://www.allmusic.com/artist/p5298/charts-awards/billboard-singles

## External links

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