Turns, rounds and time-keeping systems in games

Source: wikipedia

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In video and other games, the passage of time must be handled in a way that players find fair and easy to understand. This is usually done in one of two ways:

## Real-time

In **real-time games**, game time progresses continuously according to the game clock. One example of such a game is the immensely popular sandbox game Minecraft, where one day-night cycle is equal to 20 minutes in real time. Players perform actions simultaneously as opposed to in sequential units or turns. Players must perform actions with the consideration that their opponents are actively working against them in real time, and may act *at any moment*. This introduces time management considerations and additional challenges (such as physical coordination in the case of video games).

Real-time gameplay is the dominant form of time-keeping found in simulation video games, and has to a large degree supplanted turn-based systems in other video game genres as well (for instance real-time strategy). Time is an important factor in most sports; and many, such as soccer or basketball, are almost entirely simultaneous in nature, retaining only a very limited notion of turns in specific instances, such as the free kick in soccer and the free throw and shot clock in basketball. In the card games Nertz and *Ligretto*, players must compete to discard their cards as quickly as possible and do not take turns.

While game time in video games is in fact subdivided into discrete units due to the sequential nature of computing, these intervals or units are typically so small as to be imperceptible to the player.

## Turn-based

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In **turn-based games**, game flow is partitioned into well-defined and visible parts, called turns. A player of a turn-based game is allowed a period of analysis (sometimes bounded, sometimes unbounded) before committing to a game action, ensuring a separation between the game flow and the thinking process, which in turn presumably leads to better choices. Once every player has taken his or her turn, that round of play is over, and any special shared processing is done. This is followed by the next round of play. In games where the game flow unit is time, turns may represent such things as years, months, weeks or days.

Turn-based games come in two main forms depending on whether, within a turn, players play simultaneously or take their turns in sequence. The former games fall under the category of *simultaneously executed* games (also called *phase-based* or "We-Go"), with *Diplomacy* being a notable example of this style of game. The latter games fall into *player-alternated* games (also called "I-Go-You-Go", or "IGOUGO" for short), and are further subdivided into (A) ranked, (B) round-robin start and (C) random—the difference being the order under which players start within a turn: (A) the first player being the same every time, (B) the first player selection policy is round-robin, and (C) the first player is randomly selected. Some games also base the order of play on an "initiative" score that may in part be based on players' attributes or positions within the game or other, outside factors as well as dice rolls. *Wizard101* is an example of this style.

In a certain style of games known as Roguelike, players can take as long as they want to think about what to do next.

The term **turn-based gaming** is also used in Play-by-mail games and to refer to browser-based gaming sites that allow for gameplay to extend beyond a single session, over long periods of time—often taking months for complex games like Go or chess to finish.

## Sub-types

Various adaptations of the real-time and turn-based systems have been implemented to address common or perceived shortcomings of these systems (though they often introduce new issues that did not exist before). These include:

### Timed turns and time compression

*Timed turns* are designed to resolve issues of fairness where one player uses a greater amount of time to complete his or her turn than another player. In chess, for instance, a pair of stop clocks may be used in order to place an upper limit on the game length.

In exchange chess, four players on two teams play on two boards with each team taking one white and one black side. Any taken piece is given to a teammate, and can be placed on his board as a standard move (in any position that does not put his opponent in check). A common strategy is to gain a temporary material advantage, pass it on to a teammate, and then stop playing on one's own board—thereby allowing the teammate to use the advantage for many future moves on his board. To avoid this, players are often limited to ten seconds per move—with their opponent being allowed to remove one of the player's pawns from the board for each additional ten seconds consumed.

Puzzle games such as the *Bejeweled* series (2001-) often feature time limits that can be extended through skilled play.

The turn-based strategy game *Utopia* (1982) featured an early example of timed turns. The early *Ultima* role-playing video games were strictly turn-based, but starting with *Ultima III: Exodus* (1983), if the player waited too long to issue a command, the game would issue a "pass" command automatically, thereby allowing enemies to take their turns while the player character did nothing. Further, many browser-based games allocate a number of turns that can be played within a certain period of time, called a *tick* (see next section).

*Time compression* is a feature commonly found in real-time games such as flight simulators. It allows the player to speed up the game time by some (usually adjustable) factor. This permits the player to shorten the subjective duration of relatively uneventful periods of gameplay.

### Ticks and rounds

A *tick-based game* is a game that is played using *ticks*, or units of time. Not to be confused with a game *round*, a tick can be any measurement of real time, from seconds to days or even months, and is the basic unit upon which all important game actions take place. Players in tick-based games are allocated a certain number of turns per tick, which are subsequently refreshed at the beginning of each new tick. Predominantly found in browser-based MMORPGs, tick-based games differ from other turn-based games in that ticks always occur after the same amount of time has expired. Conversely, in a typical turn-based game, a turn would end only once every player has made all of his or her moves. In real-time games players are not limited, time-wise, in the number of actions they can take.

In some real-time games, a notion of *rounds* exists, whereby game actions are timed according to a common interval that is longer than 'real time'. For instance, units might only begin or cease to act at the beginning or end of a round. In video games such as the *Baldur's Gate* (1998–2001) and *Neverwinter Nights* (2002–2008) series, the notion of rounds is carried over in part from the pen-and-paper rule systems they are based upon; and a similar (but unrelated) example is when a game unit's ability to act is limited by the length of its combat animation, in which case the unit may become unresponsive until the animation has completed.

Online turn-based gaming uses the term *rounds* differently: in these games a round refers to when a new game begins following the completion of a previous one (i.e. after someone or some group of people has "won").

### Active Time Battle

The "**Active Time Battle**" system was introduced by Hiroyuki Ito in *Final Fantasy IV* (1991). In this system, time-keeping does not stop at the end of a turn. Instead, each character has an ATB meter that gradually fills over time in real time, and players must think and act quickly lest they miss their chance to take their turn. Once filled, the player is allowed to issue a command for that character. The fact that enemies can attack or be attacked at any time is credited with injecting urgency and excitement into the combat system. The ATB system was fully developed in *Final Fantasy V* (1992), which improved it by introducing a time gauge to indicate to the player which character's turn is next. The ATB system has since been used in *Final Fantasy VI* (1994), *Final Fantasy VII* (1997), *Final Fantasy VIII* (1999), *Final Fantasy IX* (2000), and *Final Fantasy X-2* (2003). Both *Final Fantasy XII* (2006) and *Final Fantasy XIII* (2009) used heavily modified versions of the system. The ATB system was also used in *Chrono Trigger* (1995). On March 16, 1992 Square Co., Ltd. filed a United States patent application for the ATB system under the title, "Video game apparatus, method and device for controlling same", and was awarded the patent on February 21, 1995.

### Simultaneously executed and clock-based turns

In *simultaneously executed* games (also called "phase-based" or "We-Go"), turns are separated into two distinct phases: *decision* and *execution*. During the decision phase each player plans and determines his units' actions. The decision phase occurs at the same time for everyone, so there is little wait for anyone to finish. In the execution phase, all players' decisions are put into action, and these actions are performed more or less automatically and at the same time. The execution phase is non-interactive, and there is no waiting for other players to complete their turns. Video game examples include *Laser Squad Nemesis* (2003), and the *Combat Mission* (2000+) and *Master of Orion* (1993–2003) series.

*Clock-based* games tie all unit actions directly to the game clock. Turns begin and end depending on the duration specified for each action, resulting in a sequence of turns that is highly variable and has no set order. This system is frequently cited for its realism when compared to other turn-based systems. It is also possible in this system for different players' actions to occur at the same time with respect to the game clock, as in real-time or simultaneously executed games. Examples of video games that use this type of system include *Typhoon of Steel* (1988) and *MechForce* (1991), both originally for the Amiga.

### Unit initiative and acting outside one's turn

In some games the sequence of turns depends on the *initiative* statistic of each unit no matter which side the unit belongs to. Games of this type are still technically sequential (e.g. "I-Go-You-Go"), as only one unit can perform an action at a time, and the duration of actions is not tied to the game clock. Examples include the video games *The Temple of Elemental Evil* (2003) and *Final Fantasy Tactics* (1997).

Some games—notably, the *X-COM* series (1993–1998) of video games and the board wargame, *Advanced Squad Leader* (1985)—allow players to act outside of their normal turn by providing a means of *interrupting* an opponent's turn and executing additional actions. Typically, the number and type of actions a player may take during an *interrupt sequence* is limited by the amount of points remaining in the player's action point pool (or something similar) carried over from the previous turn.

The *Silent Storm* (2003–2004) video game series includes an "Interrupt" statistic for each character to determine the likelihood of out-of-turn action. In the video game *M.A.X.* (1996), defensive units may be set to fire out of turn at the expense of being able to fire in their own turn. In the board game *Tide of Iron*, the player may play a card that allows him to interrupt an opponent's turn and perform an action. In both *Mario & Luigi: Superstar Saga* (2003) and *Mario & Luigi: Partners in Time* (2005), the player has a chance to "counterattack" on the enemy's turn, causing damage.

### Special turns and phases

In some turn-based games, not all turns are alike. The board game *Imperium Romanum II* (1985), for instance, features a "Taxation and Mobilization" phase in every third turn (month), which does not occur in the other turns. In the board game *Napoleon* (1974), every third *player* turn is "night turn" where combat is not allowed.

Other turn-based games feature several phases dedicated to different types of activities within each turn. In the *Battle Isle* (1991–2001) series of video games players issue movement orders for all units in one phase, and attack orders in a later phase. In the board game *Agricola* (2007) turns are divided into three phases: "Upkeep", "Replenishing" and "Work". A fourth phase, "Harvest", occurs every few turns.

### Partially or optionally turn-based and real-time

Many other games that are not generally turn-based retain the notion of turn-based play during specific sequences. For example, the role-playing video games *Fallout* (1997) and *Silent Storm* (2003) are turn-based during the combat phase, and real-time throughout the remainder of the game. This speeds up portions of the game (such as exploration) where the careful timing of actions is not crucial to player success. Some turn-based games have been criticized for omitting this feature.

Other video games, such as the *Total War* series (2000–2011), *X-COM* (1993) and *Jagged Alliance 2* (1999), combine a turn-based strategic layer with real-time tactical combat or vice versa.

Lastly, the video games *X-COM: Apocalypse* (1997), *Fallout Tactics* (2001) and *Arcanum: Of Steamworks and Magick Obscura* (2001) offered players the option to play in either turn-based or real-time mode via a configuration setting. The latter also offered a "fast turn-based" mode, though all three of the game's modes were criticized for being poorly balanced and overly simplified.

### Pausable real-time

In real-time games with an *active pause* system (also called "pausable real-time", "real-time with pause" or "smart pause"), players are able to pause the game and issue orders such that once a game is un-paused, orders are automatically put into effect. This type of system can offer additional tactical options compared to games like *Diablo*; and it can resolve issues that arise in other real-time games where orders must be given to multiple units at the same time (normally an impossibility in real-time games), and where players desire extra time for analysis before issuing actions.

The pausable real-time system was popularized among computer role-playing games by the *Baldur's Gate* series (1998–2001), though it was also present in the pioneering real-time strategy game, *Homeworld* (1999), as well as earlier role-playing games such as *Knights of Xentar* (1991), *Darklands* (1992), *Secret of Mana* (1993) and *Parasite Eve* (1998). Further, it is used exclusively in the slow-paced grand strategy games developed by Paradox Interactive; and like *SimCity* (1989) before it, was the originally intended mode of the *Civilization* series (1991-) before the developers decided to switch to turn-based. A variation of active pause, called "Smart Pause Mode", is also an advertised feature of Apeiron's *Brigade E5: New Jagged Union* (2006) and *7.62: High Calibre* (2007).

There are several variations of pausable real-time combat. In the *Growlanser* series, the player could attack enemies with various different attacks and status debuffs. In *Parasite Eve* and *Vagrant Story* (2000), the player could pause to take aim with a weapon, in *Vagrant Story's* case allowing specific body parts to be targeted — a mechanic later used in *Fallout 3* (2008) and *Last Rebellion* (2010). *Final Fantasy XII* (2006) expanded on active pause combat with its "gambits" system, which allows players to collect and apply preferences to the artificial intelligence routines of partner characters, who will perform certain actions in response to certain conditions. A similar "tactics" system later appeared in *Dragon Age: Origins* (2009) and *Dragon Age II* (2011).

*Knights of Xentar* and *Secret of Mana* also allowed adjustable artificial intelligence to take control during combat. In *Baldur's Gate*'s case, players also have the option to allow the artificial intelligence to take control during combat, though they can press the spacebar at any time to regain control of their characters. Further, players are able to configure the game to automatically pause when certain conditions are met, such as at the end of an arbitrary *round* or upon the death of a non-player character.

## Real-time vs. turn-based gameplay

A debate has emerged between fans of real-time and turn-based video games (usually some type of strategy or role-playing game) based on the merits of each system.

Various arguments are made by proponents. Arguments made in favor of turn-based systems include:

* Players are able to plan their moves to a greater degree given the extra time available to them, allowing game designers to cater to these players by offering additional tactical and gameplay options. The same options when used in combination with the time-pressures of real-time games, on the other hand, can cause new players to feel overwhelmed.
* Games are more fair due to a lack of reliance upon player reflexes. A player with slower reflexes is not at a disadvantage compared to faster players; rather, only the ability to think through and solve the current problem is important.
* Games can in theory have better artificial intelligence due to the greater amount of computer processing power available to them.
* It is more realistic to control multiple units intelligently using this system, as players do not have to divide their attention among multiple independent units all moving simultaneously. Likewise, it is easier to keep track of what the enemy is doing at all times since the player is typically informed of every move in advance (not taking into account fog of war).

Arguments made in favor of real-time systems include:

* Armies pausing mid-combat to take turns and act in a sequential manner is unrealistic. Real-life combat occurs simultaneously with no side pausing to let the other side move; however, this only pertains to sequential turn-based systems, not "we-go" systems.
* Thinking (and acting) quickly is part of the strategy and constitutes an additional element of challenge.
* Real-time systems are viscerally exciting and add to players' sense of immersion. Players feel more like they are really "there" and experiencing game events first-hand.
* Turn-based games have too many rules and are difficult to master.
* Real-time games are more multiplayer-friendly. Sitting around and waiting while other players take their turns can become tiresome, and can be abused as means of retribution against a winning player.
* The added element of a shared clock ensures that each situation cannot be reduced to an easily repeatable sequential series of steps. Rather, the reliance upon player timing introduces an element of chaos and ensures that outcomes are highly variable.

## See also

* Real-time strategy
* Real-time tactics
* Role-playing game (video games)
* Turn-based strategy
* Turn-based tactics

## External links

* Time Systems - RogueBasin - Discusses several different types of timing systems used in roguelikes.
* 12 ways to improve turn-based RPG combat systems - Editorial discussing how to design turn-based combat systems.
* Taking Turns (Or Yes, It IS Your Job to Make Me Have Fun) - Editorial at Gamasutra.
* Turn Based Strategy Makes Me Care - Editorial at Gamasutra.

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