The Goodies (Television Series)

* 1970
* 1973
* 1975
* 1976
* 1981

***The Goodies*** is a British television comedy series shown in the 1970s and early 1980s. The series, which combines surreal sketches and situation comedy, was broadcast by the BBC, initially on BBC2 but soon repeated on BBC1, from 1970 to 1980. One seven-episode series was made for ITV company LWT and shown in 1981–82.

The show was co-written by and starred Tim Brooke-Taylor, Graeme Garden and Bill Oddie (together known as "The Goodies"). Bill Oddie also wrote the music and songs for the series, while "The Goodies Theme" was co-written by Oddie and Michael Gibbs. Directors/producers of the series were John Howard Davies, Jim Franklin and Bob Spiers.

An early title which was considered for the series was *Narrow Your Mind* (following on from *Broaden Your Mind*) and prior to that the working title was *Super Chaps Three*.

## Seasons

* Season One
* Season Two
* Season Three
* Season Four
* Season Five
* Season Six
* Season Seven
* Season Eight
* Season Nine

## Basic structure

The series' basic structure revolved around the trio, always short of money, offering themselves for hire – with the tagline "We Do Anything, Anytime, Anywhere" – to perform all sorts of ridiculous but generally benevolent tasks. Under this loose pretext, the show explored all sorts of off-the-wall scenarios for comedic potential. Many episodes parodied current events, such as an episode where the entire black population of South Africa emigrates to Great Britain to escape apartheid. This means that the white South Africans no longer have anyone to exploit and oppress; hence, they introduce a new system called "apart-height", where short people (Bill and a number of jockeys) are discriminated against.

Other storylines were more abstractly philosophical, such as an episode in which the trio spend Christmas Eve together waiting for the Earth to be blown up by prior arrangement of the world's governments. The Christmas Eve episode, titled "Earthanasia", was one of the two episodes which took place entirely in one room. The other, "The End", occurred when Graeme accidentally had their office encased in an enormous block of concrete. These episodes were made when the entire location budget for the series had been spent, forcing the trio to come up with a script shot entirely on the set that relied entirely on character interaction – a format known in the industry as a bottle episode.

## Missing episode

"Kitten Kong" (episode seven from series two) is the only episode of *The Goodies* that is officially missing from the BBC archives, the original video tape having been wiped for reuse by the BBC in the 1970s. An expanded, more elaborate imagining of the original transmitted episode called 'Kitten Kong: Montreux '72 Edition', especially made for the 1972 Montreux festival, does exist, and is said to have only minor differences from its 1971 prototype.

Several other episodes that were originally screened in colour are also missing, but exist as black and white telerecordings made for overseas sales. "Come Dancing" was thought to exist only in this form until a videotape copy with weak colour was discovered. The colour was enhanced for DVD release in 2005.

## Unmade Film

In the late seventies the three were in talks to make a motion picture based of the series and even approached Steven Spielberg to direct it.

## Awards and nominations

A special episode, which was based on the original 1971 *Goodies*' "Kitten Kong" episode, was called "Kitten Kong: Montreux '72 Edition", and was first broadcast in 1972. The Goodies won the Silver Rose in 1972 for this special episode at the Festival Rose d'Or, held in Montreux, Switzerland. In the first episode of the next series, "The New Office", Tim Brooke-Taylor can be seen painting the trophy gold.

*The Goodies* also won the Silver Rose in 1975 at the Festival Rose d'Or for their episode "The Movies".

*The Goodies* were twice nominated for Best Light Entertainment Programme at the BAFTA Awards in 1972 and 1976.

## Characters and production techniques

The show featured extensive use of slapstick, often performed using speeded-up photography and clever, though low-budget, visual effects, such as when they built a railway station together and awoke the next morning to discover that some construction equipment outside (steam shovel, bulldozer, backhoe) had come to life and were lumbering, growling, and battling like dinosaurs. One episode featured them setting up a fake railway crossing as part of the plot, only to have an actual train pass through at high speed. This stunt was revealed to consist of a lorry with a mocked up railway engine attached to its side passing behind them, combined with separate footage of an express train. They also used film editing to realize the "portable hole" device seen in cartoons, where a black circle placed on the ground becomes a hole that characters can disappear into or appear out of, followed by the hole being picked up and carried away.

Other episodes featured parodies of contemporary pop music composed by Oddie, some of which went on to substantial commercial success in the British charts, among them the hit single "Funky Gibbon" as well as character-based comedy. Some early episodes were interrupted by spoofs of contemporary TV commercials.

The group also acknowledges their debt to the usage of music in silent movies. In "The Movies" episode, they buy an old movie studio, and attempt to make their own epic film, *Macbeth Meets Truffaut The Wonder Dog*. After several 'takes', they argue and each begins to make his own movie in a different style (Tim makes an epic movie, Graeme makes a western and Bill makes a black-and-white silent movie). The episode finished with an extended silent movie segment, in which each movie comically interferes with the others.

The characters' personae are based on stereotypes: Garden, a bright but bizarre "mad scientist"; Brooke-Taylor, a conservative, vain, sexually repressed, upper-class royalist coward; and Oddie, a scruffy, occasionally violent, left-leaning rebel from Lancashire. The characters played up to their stereotypes, debunking them but were not necessarily based on the actor playing the character, even though the actors played characters with their own names, and had some minor characteristics in common. In reality, Garden is a medical doctor, Brooke-Taylor was a lawyer who was not at all conservative ("But I had the double-barrelled name so I was always going to play the Tory") and Oddie is a pacifist, ornithologist and active environmentalist.