Godzilla

### Date of death

no death he shall never die unless toho goes bankrupt somehow and legendary and other movie company's respect that in a good way

## Godzilla (Character) (this was plaugrized because that wiki is just asking to be)

### Showa era

* The 1954 Godzilla - The Godzilla who appeared in the year 1954, over multiple continuities. Primarily featured in the 1954 film, *Godzilla*.
* Second Showa Godzilla - The Godzilla who succeeded the original 1954 incarnation, following his death in the Showa era of films. Featured across every film in the Showa series, from 1955's *Godzilla Raids Again* to 1975's *Terror of Mechagodzilla*.
	+ Minilla - The son of Godzilla in the Showa series.
* Animated Godzilla - The Godzilla who appeared in the 1978 animated series *Godzilla*.

### Heisei era

#### Canonical

* Heisei Godzilla - The Godzilla who succeeded the original 1954 Godzilla, following his death in the Heisei era. Featured across every film in the Heisei era, from the 1984 film, *The Return of Godzilla*, to the 1995 film, *Godzilla vs. Destoroyah*.
	+ Godzilla Junior - The son of the Heisei era Godzilla, who succeeded said Godzilla, following his death after his meltdown.
* *Godzilla Island* Godzilla - The Godzilla who appeared in the 1997 series, *Godzilla Island*. While not officially part of the Heisei era's continuity, the series makes use of Heisei specific designs.
* *Adventure! Godzilland* Godzilla - The Godzilla who appeared in the 1992 educational series *Adventure! Godzilland*.
* *Recommend! Godzilland* Godzilla - The Godzilla who appeared in the 1996 educational series *Recommend! Godzilland*.

#### Cancelled

* Ghost Godzilla - The Godzilla that was set to be featured in the cancelled 1995 film, *Godzilla vs. Ghost Godzilla*.
* Super-Nuked Godzilla - The Godzilla that was set to be featured in the cancelled 1995 film, *Godzilla vs. Super-Nuked Godzilla*.

### TriStar series

* TriStar Godzilla - The Godzilla featured during the events of the 1998 film, *Godzilla*.
	+ Cyber-Godzilla - The revived incarnation of the monster, seen in *Godzilla: The Series*.
	+ Second TriStar Godzilla - The son of the prior Godzilla. Was originally meant to be featured in the cancelled sequel to *Godzilla*, and instead went on to become a protagonist in *Godzilla: The Series*.

### Millennium series

The Millennium series features many Godzillas who either descend from, or are the 1954 incarnation of the monster. The continuity's staggered timeline and anthology format explains that each of these film's continuities, and by proxy, the Godzillas within them, don't overlap or contradict each other, even if they feature different origins, as they're all in separate continuities.

* *Millennium* Godzilla - The second Godzilla in the film's continuity, following the 1954 incarnation, as seen in the 1999 film, *Godzilla 2000: Millennium*.
* *Megaguirus* Godzilla - The 1954 Godzilla incarnation, as seen in the 2000 film, *Godzilla vs. Megaguirus*.
* *GMK* Godzilla - The 1954 Godzilla who, after being killed by the Oxygen Destroyer, was resurrected by the restless souls of World War II's victims. Was featured in the 2001 film, *Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack*.
* *GXMG* Godzilla - The Godzilla who follows in the footsteps of the original, featured in the 2002 and 2003 films, *Godzilla Against Mechagodzilla* and *Godzilla: Tokyo S.O.S.*, respectively.
* *Final Wars* Godzilla - The 1954 Godzilla incarnation, as portrayed in the 2004 film, *Godzilla: Final Wars*.
	+ Minilla - The son of Godzilla in *Final Wars*.

### MonsterVerse

* MonsterVerse Godzilla - An ancient incarnation of Godzilla who remained dormant for millennia, and only reappeared recently in the present day. First appeared in the 2014 film, *Godzilla*, and reappeared in the 2019 film, *Godzilla: King of the Monsters*, and the 2021 film, *Godzilla vs. Kong*.
	+ Dagon - a kaiju of the MonsterVerse Godzilla's species.

### Reiwa series

* Shin Godzilla - An incarnation of Godzilla who arrived in Japan in the modern day. Featured in the 2016 film, *Shin Godzilla*.
* Godzilla Earth - A largely evolved incarnation of the giant monster. First featured in the 2017 film, *Godzilla: Planet of the Monsters*.
	+ Godzilla Filius - A cell divided clone of Godzilla Earth, first seen in the 2017 film, *Godzilla: Planet of the Monsters*.
* Godzilla - A monster who appears in the 2021 anime series, *Godzilla Singular Point*.
* Godzilla - A monster who appears in the 2021 ride, *Godzilla the Ride: Giant Monsters Ultimate Battle*.

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red this

This article is about the monster. For the film franchise, see Godzilla (franchise). For other uses, see Godzilla (disambiguation).

"ゴジラ" redirects here. For other uses of "Gojira", see Gojira (disambiguation).

**Godzilla** (Japanese: ゴジラ, Hepburn: *Gojira*, /ɡɒdˈzɪlə/; [ɡoꜜdʑiɾa] (listen)) is a fictional monster, or *kaiju*, originating from a series of Japanese films. The character first appeared in the 1954 film *Godzilla* and became a worldwide pop culture icon, appearing in various media, including 32 films produced by Toho, four Hollywood films and numerous video games, novels, comic books and television shows. Godzilla has been dubbed the "**King of the Monsters**", a phrase first used in *Godzilla, King of the Monsters!* (1956)*,* the Americanized version of the original film.

Godzilla is an enormous, destructive, prehistoric sea monster awakened and empowered by nuclear radiation. With the nuclear bombings of Hiroshima and Nagasaki and the *Lucky Dragon 5* incident still fresh in the Japanese consciousness, Godzilla was conceived as a metaphor for nuclear weapons. Others have suggested that Godzilla is a metaphor for the United States, a giant beast woken from its slumber which then takes terrible vengeance on Japan. As the film series expanded, some stories took on less serious undertones, portraying Godzilla as an antihero, or a lesser threat who defends humanity. Later films address themes including Japan's forgetfulness over its imperial past, natural disasters, and the human condition.

Godzilla has featured alongside many supporting characters. It has faced human opponents such as the JSDF, or other monsters, including King Ghidorah, Mechagodzilla and Gigan. Godzilla sometimes has allies, such as Rodan, Mothra and Anguirus, and offspring, such as Minilla and Godzilla Junior. Godzilla has also fought characters from other franchises in crossover media, such as the RKO Pictures/Universal Studios movie monster King Kong, as well as various Marvel Comics characters, including S.H.I.E.L.D., the Fantastic Four and the Avengers.

## Contents

* 1Overview
	+ 1.1Name
	+ 1.2Characteristics
	+ 1.3Special effects details
* 2Appearances
* 3Cultural impact
	+ 3.1Cultural ambassador
* 4References
	+ 4.1Sources
* 5External links

## Overview

### Name

*Gojira* (ゴジラ) is a portmanteau of the Japanese words: *gorira* (ゴリラ, "gorilla") and *kujira* (, "whale"), owing to the fact that in one planning stage, Godzilla was described as "a cross between a gorilla and a whale", due to its size, power and aquatic origin. One popular story is that "Gojira" was actually the nickname of a corpulent stagehand at Toho Studio. Kimi Honda, the widow of the director, dismissed this in a 1998 BBC documentary devoted to Godzilla: "The backstage boys at Toho loved to joke around with tall stories."

Godzilla's name was written in ateji as *Gojira* (呉爾羅), where the kanji are used for phonetic value and not meaning.[*citation needed*] The Japanese pronunciation of the name is [ɡoꜜdʑiɾa] (listen); the Anglicized form is /ɡɒdˈzɪlə/, with the first syllable pronounced like the word "god" and the rest rhyming with "gorilla". In the Hepburn romanization system, Godzilla's name is rendered as "Gojira", whereas in the Kunrei romanization system it is rendered as "Gozira".[*citation needed*]

During the development of the American version of *Godzilla Raids Again* (1955), Godzilla's name was changed to "Gigantis" by producer Paul Schreibman, who wanted to create a character distinct from Godzilla.

### Characteristics

Within the context of the Japanese films, Godzilla's exact origins vary, but it is generally depicted as an enormous, violent, prehistoric sea monster awakened and empowered by nuclear radiation. Although the specific details of Godzilla's appearance have varied slightly over the years, the overall impression has remained consistent. Inspired by the fictional *Rhedosaurus* created by animator Ray Harryhausen for the film *The Beast from 20,000 Fathoms*, Godzilla's character design was conceived as that of an amphibious reptilian monster based around the loose concept of a dinosaur with an erect standing posture, scaly skin, an anthropomorphic torso with muscular arms, lobed bony plates along its back and tail, and a furrowed brow.

Art director Akira Watanabe combined attributes of a *Tyrannosaurus*, an *Iguanodon*, a *Stegosaurus* and an alligator to form a sort of blended chimera, inspired by illustrations from an issue of *Life* magazine. To emphasise the monster's relationship with the atomic bomb, its skin texture was inspired by the keloid scars seen on the survivors of Hiroshima. The basic design has a reptilian visage, a robust build, an upright posture, a long tail and three rows of serrated plates along the back. In the original film, the plates were added for purely aesthetic purposes, in order to further differentiate Godzilla from any other living or extinct creature. Godzilla is sometimes depicted as green in comics, cartoons and movie posters, but the costumes used in the movies were usually painted charcoal grey with bone-white dorsal plates up until the film *Godzilla 2000: Millennium*.

In the original Japanese films, Godzilla and all the other monsters are referred to with gender-neutral pronouns equivalent to "it", while in the English dubbed versions, Godzilla is explicitly described as a male. In his book, Godzilla co-creator Tomoyuki Tanaka suggested that the monster was probably male. In the 1998 film *Godzilla*, the monster is referred to as a male and is depicted laying eggs through parthenogenesis. In the Legendary *Godzilla* films, Godzilla is referred to as a male.

Godzilla's allegiance and motivations have changed from film to film to suit the needs of the story. Although Godzilla does not like humans, it will fight alongside humanity against common threats. However, it makes no special effort to protect human life or property and will turn against its human allies on a whim. It is not motivated to attack by predatory instinct: it does not eat people and instead sustains itself on nuclear radiation and an omnivorous diet. When inquired if Godzilla was "good or bad", producer Shōgo Tomiyama likened it to a Shinto "God of Destruction" which lacks moral agency and cannot be held to human standards of good and evil. "He totally destroys everything and then there is a rebirth. Something new and fresh can begin."

#### Abilities

Godzilla's atomic heat beam, as shown in *Godzilla* (1954)

Godzilla battles King Kong in *King Kong vs. Godzilla* (1962). This film attracted the highest Japanese box office attendance figures in the entire *Godzilla* series to date.

Godzilla's signature weapon is its "atomic heat beam" (also known as "atomic breath"), nuclear energy that it generates inside of its body, uses electromagnetic force to concentrate it into a laser-like high velocity projectile and unleashes it from its jaws in the form of a blue or red radioactive beam. Toho's special effects department has used various techniques to render the beam, from physical gas-powered flames to hand-drawn or computer-generated fire. Godzilla is shown to possess immense physical strength and muscularity. Haruo Nakajima, the actor who played Godzilla in the original films, was a black belt in judo and used his expertise to choreograph the battle sequences.

Godzilla is amphibious: it has a preference for traversing Earth's hydrosphere when in hibernation or migration, can breathe underwater and is described in the original film by the character Dr. Yamane as a transitional form between a marine and a terrestrial reptile. Godzilla is shown to have great vitality: it is immune to conventional weaponry thanks to its rugged hide and ability to regenerate, and as a result of surviving a nuclear explosion, it cannot be destroyed by anything less powerful. One incarnation possesses an electromagnetic pulse-producing organ in its body which generates an asymmetrical permeable shield, making it impervious to all damage except for a short period when the organ recycles.

Various films, non-canonical television shows, comics and games have depicted Godzilla with additional powers, such as an atomic pulse, magnetism, precognition, fireballs, convert electromagnetic energy into intensive body heat, converting shed blood into temporary tentacle limbs, an electric bite, superhuman speed, laser beams emitted from its eyes and even flight.

#### Roar

Godzilla has a distinctive disyllabic roar (transcribed in several comics as *Skreeeonk!*), which was created by composer Akira Ifukube, who produced the sound by rubbing a pine tar-resin-coated glove along the string of a contrabass and then slowing down the playback. In the American version of *Godzilla Raids Again* (1955) titled *Gigantis the Fire Monster* (1959), Godzilla's roar was mostly substituted with that of the monster Anguirus. From *The Return of Godzilla* (1984) to *Godzilla vs. King Ghidorah* (1991), Godzilla was given a deeper and more threatening-sounding roar than in previous films, though this change was reverted from *Godzilla vs. Mothra* (1992) onward. For the 2014 American film, sound editors Ethan Van der Ryn and Erik Aadahl refused to disclose the source of the sounds used for their Godzilla's roar. Aadahl described the two syllables of the roar as representing two different emotional reactions, with the first expressing fury and the second conveying the character's soul.

#### Size

Teizō Toshimitsu sculpting a prototype for Godzilla's design
Godzilla's size is inconsistent, changing from film to film and even from scene to scene for the sake of artistic license. The miniature sets and costumes were typically built at a 1⁄25–1⁄50 scale and filmed at 240 frames per second to create the illusion of great size. In the original 1954 film, Godzilla was scaled to be 50 m (164 ft) tall. This was done so Godzilla could just peer over the largest buildings in Tokyo at the time. In the 1956 American version, Godzilla is estimated to be 122 m (400 ft) tall, because producer Joseph E. Levine felt that 50 m did not sound "powerful enough".

As the series progressed, Toho would rescale the character, eventually making Godzilla as tall as 100 m (328 ft). This was done so that it would not be dwarfed by the newer, bigger buildings in Tokyo's skyline, such as the 243-meter-tall (797 ft) Tokyo Metropolitan Government Building which Godzilla destroyed in the film *Godzilla vs. King Ghidorah* (1991). Supplementary information, such as character profiles, would also depict Godzilla as weighing between 20,000 and 60,000 metric tons (22,000 and 66,000 short tons).

In the American film *Godzilla* (2014) from Legendary Pictures, Godzilla was scaled to be 108.2 m (355 ft) and weighing 90,000 short tons (82,000 metric tons), making it the largest film version at that time. Director Gareth Edwards wanted Godzilla "to be so big as to be seen from anywhere in the city, but not too big that he couldn't be obscured". For *Shin Godzilla* (2016), Godzilla was made even taller than the Legendary version, at 118.5 m (389 ft). In *Godzilla: Planet of the Monsters* (2017), Godzilla's height was increased further still to 300 m (984 ft), the tallest height for the character to date. In *Godzilla: King of the Monsters* (2019), Godzilla's height was increased to 119.8 m (393 ft) from the 2014 incarnation.

### Special effects details

Suit fitting on the set of *Godzilla Raids Again* (1955), with Haruo Nakajima portraying Godzilla on the left

Godzilla's appearance has traditionally been portrayed in the films by an actor wearing a latex costume, though the character has also been rendered in animatronic, stop-motion and computer-generated form. Taking inspiration from *King Kong*, special effects artist Eiji Tsuburaya had initially wanted Godzilla to be portrayed via stop-motion, but prohibitive deadlines and a lack of experienced animators in Japan at the time made suitmation more practical.

The first suit consisted of a body cavity made of thin wires and bamboo wrapped in chicken wire for support and covered in fabric and cushions, which were then coated in latex. The first suit was held together by small hooks on the back, though subsequent Godzilla suits incorporated a zipper. Its weight was in excess of 100 kg (220 lb). Prior to 1984, most Godzilla suits were made from scratch, thus resulting in slight design changes in each film appearance. The most notable changes from 1962 to 1975 were the reduction in Godzilla's number of toes and the removal of the character's external ears and prominent fangs, features which would all later be reincorporated in the Godzilla designs from *The Return of Godzilla* (1984) onward. The most consistent Godzilla design was maintained from *Godzilla vs. Biollante* (1989) to *Godzilla vs. Destoroyah* (1995), when the suit was given a cat-like face and double rows of teeth.

Several suit actors had difficulties in performing as Godzilla due to the suits' weight, lack of ventilation and diminished visibility. Kenpachiro Satsuma in particular, who portrayed Godzilla from 1984 to 1995, described how the Godzilla suits he wore were even heavier and hotter than their predecessors because of the incorporation of animatronics. Satsuma himself suffered numerous medical issues during his tenure, including oxygen deprivation, near-drowning, concussions, electric shocks and lacerations to the legs from the suits' steel wire reinforcements wearing through the rubber padding.

The ventilation problem was partially solved in the suit used in 1994's *Godzilla vs. SpaceGodzilla*, which was the first to include an air duct that allowed suit actors to last longer during performances. In *The Return of Godzilla* (1984), some scenes made use of a 16-foot high robotic Godzilla (dubbed the "Cybot Godzilla") for use in close-up shots of the creature's head. The Cybot Godzilla consisted of a hydraulically-powered mechanical endoskeleton covered in urethane skin containing 3,000 computer operated parts which permitted it to tilt its head and move its lips and arms.

In *Godzilla* (1998), special effects artist Patrick Tatopoulos was instructed to redesign Godzilla as an incredibly fast runner. At one point, it was planned to use motion capture from a human to create the movements of the computer-generated Godzilla, but it was said to have ended up looking too much like a man in a suit. Tatopoulos subsequently reimagined the creature as a lean, digitigrade bipedal, iguana-like creature that stood with its back and tail parallel to the ground, rendered via CGI.

Several scenes had the monster portrayed by stuntmen in suits. The suits were similar to those used in the Toho films, with the actors' heads being located in the monster's neck region and the facial movements controlled via animatronics. However, because of the creature's horizontal posture, the stuntmen had to wear metal leg extenders, which allowed them to stand two meters (six feet) off the ground with their feet bent forward. The film's special effects crew also built a 1⁄6 scale animatronic Godzilla for close-up scenes, whose size outmatched that of Stan Winston's *T. rex* in *Jurassic Park*. Kurt Carley performed the suitmation sequences for the adult Godzilla.

In *Godzilla* (2014), the character was portrayed entirely via CGI. Godzilla's design in the reboot was intended to stay true to that of the original series, though the film's special effects team strove to make the monster "more dynamic than a guy in a big rubber suit." To create a CG version of Godzilla, the Moving Picture Company (MPC) studied various animals such as bears, Komodo dragons, lizards, lions and wolves, which helped the visual effects artists visualize Godzilla's body structure, like that of its underlying bone, fat and muscle structure, as well as the thickness and texture of its scales. Motion capture was also used for some of Godzilla's movements. T. J. Storm provided the performance capture for Godzilla by wearing sensors in front of a green screen. Storm reprised the role of Godzilla in *Godzilla: King of the Monsters*, portraying the character through performance capture. In *Shin Godzilla*, a majority of the character was portrayed via CGI, with Mansai Nomura portraying Godzilla through motion capture.

## Cultural impact

Main article: Godzilla in popular culture
Godzilla's star on the Hollywood Walk of Fame
Godzilla is one of the most recognizable symbols of Japanese popular culture worldwide and remains an important facet of Japanese films, embodying the *kaiju* subset of the *tokusatsu* genre. Godzilla's vaguely humanoid appearance and strained, lumbering movements endeared it to Japanese audiences, who could relate to Godzilla as a sympathetic character, despite its wrathful nature. Audiences respond positively to the character because it acts out of rage and self-preservation and shows where science and technology can go wrong.

In 1967, the Keukdong Entertainment Company of South Korea, with production assistance from Toei Company, produced *Yongary, Monster from the Deep*, a reptilian monster who invades South Korea to consume oil. The film and character has often been branded as an imitation of Godzilla.

Godzilla has been considered a filmographic metaphor for the United States, as well as an allegory of nuclear weapons in general. The earlier *Godzilla* films, especially the original, portrayed Godzilla as a frightening nuclear-spawned monster. Godzilla represented the fears that many Japanese held about the atomic bombings of Hiroshima and Nagasaki and the possibility of recurrence.

As the series progressed, so did Godzilla, changing into a less destructive and more heroic character. *Ghidorah* (1964) was the turning point in Godzilla's transformation from villain to hero, by pitting him against a greater threat to humanity, King Ghidorah. Godzilla has since been viewed as an anti-hero. Roger Ebert cites Godzilla as a notable example of a villain-turned-hero, along with King Kong, Jaws (*James Bond*), the Terminator and John Rambo.

Godzilla is considered "the original radioactive superhero" due to his accidental radioactive origin story predating Spider-Man (1962 debut), though Godzilla did not become a hero until *Ghidorah* in 1964. By the 1970s, Godzilla came to be viewed as a superhero, with the magazine *King of the Monsters* in 1977 describing Godzilla as "Superhero of the '70s." Godzilla had surpassed Superman and Batman to become "the most universally popular superhero of 1977" according to Donald F. Glut. Godzilla was also voted the most popular movie monster in *The Monster Times* poll in 1973, beating Count Dracula, King Kong, the Wolf Man, the Mummy, the Creature from the Black Lagoon and the Frankenstein Monster.

In 1996, Godzilla received the MTV Lifetime Achievement Award, as well as being given a star on the Hollywood Walk of Fame in 2004 to celebrate the premiere of the character's 50th anniversary film, *Godzilla: Final Wars*. Godzilla's pop-cultural impact has led to the creation of numerous parodies and tributes, as seen in media such as *Bambi Meets Godzilla*, which was ranked as one of the "50 greatest cartoons", two episodes of *Mystery Science Theater 3000* and the song "Godzilla" by Blue Öyster Cult. Godzilla has also been used in advertisements, such as in a commercial for Nike, where Godzilla lost an oversized one-on-one game of basketball to a giant version of NBA player Charles Barkley. The commercial was subsequently adapted into a comic book illustrated by Jeff Butler. Godzilla has also appeared in a commercial for Snickers candy bars, which served as an indirect promo for the 2014 film. Godzilla's success inspired the creation of numerous other monster characters, such as Gamera, Reptilicus of Denmark, Yonggary of South Korea, Pulgasari of North Korea, Gorgo of the United Kingdom and the Cloverfield monster of the United States. *Dakosaurus* is an extinct sea crocodile of the Jurassic Period, which researchers informally nicknamed "Godzilla". Paleontologists have written tongue-in-cheek speculative articles about Godzilla's biology, with Ken Carpenter tentatively classifying it as a ceratosaur based on its skull shape, four-fingered hands and dorsal scutes and paleontologist Darren Naish expressing skepticism, while commenting on Godzilla's unusual morphology.

Godzilla's ubiquity in pop-culture has led to the mistaken assumption that the character is in the public domain, resulting in litigation by Toho to protect their corporate asset from becoming a generic trademark. In April 2008, Subway depicted a giant monster in a commercial for their Five Dollar Footlongs sandwich promotion. Toho filed a lawsuit against Subway for using the character without permission, demanding $150,000 in compensation. In February 2011, Toho sued Honda for depicting a fire-breathing monster in a commercial for the Honda Odyssey. The monster was never mentioned by name, being seen briefly on a video screen inside the minivan. The Sea Shepherd Conservation Society christened a vessel the *MV Gojira*. Its purpose is to target and harass Japanese whalers in defense of whales in the Southern Ocean Whale Sanctuary. The *MV Gojira* was renamed the MV *Brigitte Bardot* in May 2011, due to legal pressure from Toho. Gojira is the name of a French death metal band, formerly known as Godzilla; legal problems forced the band to change their name. In May 2015, Toho launched a lawsuit against Voltage Pictures over a planned picture starring Anne Hathaway. Promotional material released at the Cannes Film Festival used images of Godzilla.

Steven Spielberg cited *Godzilla* as an inspiration for *Jurassic Park* (1993), specifically *Godzilla, King of the Monsters!* (1956), which he grew up watching. Spielberg described *Godzilla* as "the most masterful of all the dinosaur movies because it made you believe it was really happening." *Godzilla* also influenced the Spielberg film *Jaws* (1975). *Godzilla* has also been cited as an inspiration by filmmakers Martin Scorsese and Tim Burton.

The main-belt asteroid 101781 Gojira, discovered by American astronomer Roy Tucker at the Goodricke-Pigott Observatory in 1999, was named in honor of the creature. The official naming citation was published by the Minor Planet Center on 11 July 2018 (M.P.C. 110635).

### Cultural ambassador

In April 2015, the Shinjuku ward of Tokyo named Godzilla a special resident and official tourism ambassador to encourage tourism. During an unveiling of a giant Godzilla bust at Toho headquarters, Shinjuku mayor Kenichi Yoshizumi stated "Godzilla is a character that is the pride of Japan." The mayor extended a residency certificate to an actor in a rubber suit representing Godzilla, but as the suit's hands were not designed for grasping, it was accepted on Godzilla's behalf by a Toho executive. Reporters noted that Shinjuku ward has been flattened by Godzilla in three Toho movies.

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