recursal/Fanatic-Fandom huggingface dataset:
Rudolph the Red Nose Reindeer credits

## Opening Credits

* Rankin/Bass present
* Burl Ives Tells the Story of
* "Rudolph the Red Nosed-Reindeer"
	+ © Videocraft Int'l. Ltd. MCMLXIV
* RCA Sound Recording
* Color by Technicolor
* Written by: Romeo Muller
* Adapted from a Story by: Robert May
* And the Song by: Johnny Marks
* Music and Lyrics by: Johnny Marks
* Burl Ives Sings:
	+ "Holly Jolly Christmas"
	+ "Silver and Gold"
	+ "Rudolph the Red-Nose Reindeer"
* Co-Producer: Jules Bass
* Director: Larry Roemer
* Produced by: Arthur Rankin, Jr.

## Ending Credits

* With the Voices of: Larry Mann, Billy Richards, Paul Soles, Stan Francis and Alfie Scopp, Janis Orenstein, Paul Kligman, Carl Barnes, Cornie Conley, Peg Dixon
* Associate Director: Kizo Nasgashima
* Recording Engineers: Bill Giles, Alan Mirchin, Ralph Friedman
* Sound Effects: Walter Gustafson
* Re-Recording Mixer: Bob Elder
* Recording Supervisor: Bernard Cowan
* Animation Supervisor: Tad Mochinaga
* Animation by: Mom Productions
* Continuity Design: Anthony Peters
* Described Video: Kat Mullaly
* Puppet Maker: Ichiro Komuro
* Musical Director: Maury Laws
* Videocraft Chorus: Sue Allen, Kathryn Beaumont, Mel Blanc, Peggy Clark, Hans Conried, Paul Frees, Barbara Harris, Kay Lande, The Mellomen, Dinah Shore, Veeree Teasdale, Paul Winchell
The First Easter Rabbit credits

## Opening Credits

* Rankin/Bass Presents
* "The First Easter Rabbit"
	+ Copyright © MCMLXXVI Rankin/Bass Productions, Inc.

* This picture has made the jurdisction of I.A.T.S.E.-IA, affiliated with A.F.L.-C.L.O.
* Told & Sung by: Burl Ives
* Starring: Robert Morse, Stan Freeberg, Paul Frees
* Written by: Julian P. Gardner
	+ "Easter Parade"
		- Words and Music: Irving Berlin
	+ "There's That Rabbit"
		- Music: Maury Laws · Lyrics: Jules Bass
* Produced & Directed by: Arthur Rankin, Jr. and Jules Bass

## Ending Credits

* With the Talents of: Don Messick, Joan Gardner, Dina Lynn, Christine Winter
* Sound: John Curcio, Don Hahn, Dave Iveland, Tom Clack
* Post Production Editing: Irwin Goldness
* Animation Production by: Topcraft
	+ Storyboard Artist: Takashi Hisaoka
	+ Animation Directors: Kazuyuki Kobayashi, Hidemi Kubo
	+ Key Animation: Yoshiko Sasaki, Tadakatsu Yoshida
	+ Animation: Toru Hara, Tsuguyuki Kubo
	+ Background Artist: Minoru Nishida
* Design: Paul Coker, Jr.
* Storyboard Artists: Chris Jenkyns, Rosemary O'Connor
* Animation: Brenda Banks, Warren Batchelder, Bob Bemiller, Bob Bransford, Jim Davis, John Freeman, John Gibbs, Ruth Kissane, Bob Matz, Norm McCabe, Bob Richardson, Virgil Ross, Nelson Shin, Reuben Timmins, Ken Walker, Don Williams
* Layout Artists: Owen Fitzgerald, Ric Gonzales, Gary Hoffman, Roy Morita, Tony Rivera, Dick Ung
* Background Artists: Al Budnick, Mary O'Loughlin, Richard H. Thomas, Don Watson, Gloria Wood
* Music Arranged & Conducted by: Maury Laws
Frosty the Snowman credits

## Opening Credits

* Rankin/Bass present
* "Frosty the Snowman"
	+ © MCMLXIX Videocraft International, Limited
* Westrex Recording System
* Told & Sung by: Jimmy Durante
* Starring: Billy DeWolfe as the Magician and Jackie Vernon as "Frosty"
* Produced and Directed by Arthur Rankin, Jr. and Jules Bass

## Ending Credits

* Written by Romeo Muller
* Based on the Original Song by: Steve Nelson, Jack Rollins
	+ © 1951 Hill-Range Songs
* Voices: Paul Frees and June Foray, Suzanne Davidson
* Sound & Effects Engineers: Jim Harris, Phil Kaye
* Editorial Supervisor: Irwin Goldress
* Re-Recording Mixer: Bob Elder
* Character Design: Paul Coker, Jr.
* Continuity Design: Don Duga
* Background Design: Chuck Jones
* Animation Supervision: Steve Nakagawa
* Animation by: Mushi Studio
* Animation Director: Osamu Dezaki
* Animation: Akio Sugino, Sadao Miyamoto
* Assistant Director: Kizo Nagashima
* Musical Director: Maury Laws

## Closing Logos

* A Rankin/Bass Production
	+ © Videocraft International Limited 1968
Barney's Magical Musical Adventure Credits

## Macrovision Warning Screen

* In order to ensure that the program you are watching is an original and of the highest quality, this videocassette is protected by the Macrovision anticopy process.
	+ Macrovision

## The Lyons Group FBI Warning/Notice Screen

* This recording and all constituent elements are protected by the copyright laws and other laws of the United States of America and of other Nations. The unauthorized use, rerecording, or duplication of this Program, in whole or in part, is a violation of the rights of the Owner and others, and may constitute a criminal offense punishable by substantial fines and/or imprisonment.

## Ending Credits

* Creators: Sheryl Stamps Leach, Kathy O'Rourke Parker
* Executive Producers: Sheryl Stamps Leach, Kathy O'Rourke Parker, Dennis DeShazer
* Director: Jim Rowley
* Original Story Concept: Richard C. Leach
* Writer: Stephen White
* Production Designer: Jess Nelson
* Lyricist/Composer: Phil Parker
* Music Director: Bob Singleton
* Production Supervisor: Jeff Gittle
* Performance Director: Penny Wilson
* Original Barney & Baby Bop Costumes by: Irene Corey Design Associates
* Cast:
	+ Shawn - John David Bennett II
	+ Derek - Rickey Carter
	+ Tosha - Hope Cervantes
	+ Baby Bop's Body Costume - Jenny Dempsey
	+ Michael - Brian Eppes
	+ Luci - Leah Gloria
	+ Baby Bop's Voice - Julie Johnson
	+ Barney's Body Costume - David Joyner
	+ Kathy - Lauren King
	+ Min - Pia Manalo
	+ Barney's Voice - Bob West
	+ Tina - Jessica Zucha
	+ Barney's Guest ~ Twynkle the Elf - Mary-Margaret Pyeatt
	+ Barney's Guest ~ King - Rick Wetzel
* Casting Director: Shirley Abrams
* Audio Director: David M. Boothe
* Editor: McKee Smith
* Lighting Director: Bruce Deck
* Production Coordinator: Teri Peabody
* Script Supervisor: Catherine A. Reynolds
* Production Office Manager: Sue Shinn
* Assistant Music Director: Larry Haron
* Production Audio Assistants: Phil M. Allison, Ron Balentine, Cindy K. Speer
* Music Recording Engineer: Mike Pietzsch
* Wardrobe Supervisor: Lisa O. Albertson
* Makeup: Gigi Coker
* Barney's Wardrobe: Susie Thennes
* Technical Director: Mark Anderson
* Camera Operators: Bruce Harmon, Eric Norberg, Vic Sosa
* Video Engineers: Randy Patrick, Kevin Spivey
* Videotape Operator: Randy Breedlove
* Light Board Operator: Todd Davis
* Grip/Electrician: Buzz Cannon
* Studio Manager: James Edwards
* Production Assistant: James A. Johnson
* Additional Set Construction: Don Gundlah
* Sets & Props by: Leapfrog Productions with Amy Atherton, Charles Bailey, Ray Henry, Santiago Molina
* Graphic Designers: Mike Berry, Ed Leach
* Child Supervisor: Mary Evans
* Catering: Terence L. Smith
* Vocal Performances enhanced with help from Singleton Productions, Inc.
* Barney Theme segment originally co-produced with Connecticut Public Broadcasting, Inc., and financial assistance from the Corporation for Public Broadcasting and the Public Broadcasting Service.
* Executive in Charge: Richard C. Leach
* "Barney's Magical Musical Adventure" © 1992 The Lyons Group
What a Nightmare, Charlie Brown! credits

## Opening Credits

* "What A Nightmare, Charlie Brown"
* Written and Created by: Charles M. Schulz
* Story by: Judy Freudberg, Ray Sipherd, Emily Perl Kingsley, David Korr, Tony Geiss, Sara Compton
* Teleplay by: Dick Robbins, Duane Poole
* A Lee Mendelson-Bill Melendez Production

## Ending Credits

* Directed by: Phil Roman and Bill Melendez
* Produced by: Bill Melendez
* Executive Producer: Lee Mendelson
* Music by: Ed Bogas
* "Linus and Lucy Theme" by: Vince Guaraldi
* Vocal by: Larry Finlayson
* Music Supervision by: Judy Munsen
* Designed by: Evert Brown, Dean Spille, Bernard Gruver, Tom Yakutis, Eille Bogardus
* Animation by: Don Lusk, Sam Jaimes, Hank Smith, Bob Carlson, Bob Matz, Jeff Hall, Rod Scribner, Bill Littlejohn, Bob Bachman, George Singer, Jim Pabian
* Assisted by: Al Pabian, Larry Leichliter, Terry Lennon, Joe Roman, Patricia Joy
* Inbetween by: Charlotte Richardson
* Checking: Carole Barnes, Eve Fletcher, Peggy Drumm
* Ink and Paint Supervisor: Joanne Lansing
* Ink and Paint: Adele Lenart, Roubina Babajanian, Pat Capozzi, Marie White, Sue Rowan, Chandra Poweris, Lee Hoffman, Micky Kreyman, Valerie Pabian, Emalene Seutter
* Voices:
	+ Liam Martin..........Charlie Brown
	+ Bill Melendez........Snoopy
* Editing: Chuck McCann, Roger Donley
* Camera: Dickson/Vasu
* Dubbing: Producers' Sound Service
* Voice Recording: Coast Recorders
* Music Recording: Filmways/Wally Heider, Fantasy Studios
* Production Manager: Carole Barnes
* Production Assistant: Sandy Claxton
* Animation Services by: Cuckoo's Nest Studio
* Sponsoring: Nabisco, Peter Paul Cadbury
* In cooperation with United Feature Syndicate, Inc. and Charles M. Schulz Creative Associates
* THE END "What A Nightmare, Charlie Brown" ©1978 United Feature Syndicate, Inc.
Elmo's World: Babies, Dogs & More! Credits

## Opening Titles

* "Elmo's World"
* "Babies, Dogs & More!"

## Ending Credits

* Executive Producers: Michael Loman, Arlene Sherman
* Co-Executive Producer for Elmo's World: Kevin Clash
* Co-Producers: Melissa Dino, Carol-Lynn Parente
* Head Writers: Lou Berger, Judy Freudberg
* "Babies" · Written by: Tony Geiss
* "Dogs" · Written by: Annie Evans
* "Farms" · Written by: Emily Kingsley
* "Babies" and "Dogs" · Directed by: Ted May
* "Farms" · Directed by: Steve Feldman, Ken Diego
* Starring the Jim Henson's Sesame Street Muppets · Kevin Clash as Elmo · With Muppet Performers: Matt Vogel, John Tartaglia, Jim Martin, Caroll Spinney, Martin P. Robinson, Carmen Osbahr, Joseph Mazzarino, Pam Arciero, Stephanie D'Abruzzo, John Kennedy
* With Special Appearance by: Michael Jeter as Mr. Noodle
* The Jim Henson Workshop: Stephen Rotondaro, Michelle Hickey, Lara MacLean, Carol Binion, Karena Wiewands, Carlo Vannuzzi
* Production Designers: Victor DiNapoli, Bob Phillips
* Associate Directors: Ken Diego, Tim Carter
* Music Director: Mike Renzi
* Editor: John Tierney
* Sound Effects: Dick Maitland
* Home Video Associate Producer: George Patterson
* Home Video Production Assistant: Melanie Pal
* VR Sesame Street Research: Rosemarie Truglio
* Home Video Graphic Designed by: Studio V12
* Home Video Editor: Randy Lowder · Digital Magic
* Home Video Sound Editor: Mitch Dorf · Pop Sound
* "Elmo's World Theme Song"
	+ Music and Lyrics by: Tony Geiss
* "Sesame Street Theme"
	+ Composed by: Joe Raposo
	+ Lyrics by:Joe Raposo, Bruce Hart, Jon Stone
* Additional Music by: Alan Silverman
* Executive in Charge of Production for Sony Wonder: Becky Mancuso-Winding
* Special Thanks to: Jodi Naussbaum, Alice Cahn, Tina Ellis, John Stamatis, Dionne Nosek, Amy Cohen, Jeff Holder

## Thanks for Helping Screen

* The Money That CTW Earns When You Buy Our Licensed Products is Put Back Into Sesame Street and Other Educational Projects. · Thanks For Helping!

## Copyright Screen

* © 2000 Children's Television Workshop · Sesame Street Muppets © 2000 The Jim Henson Company · "Sesame Street" and the street sign are registered trademarks and service marks of Children's Television Workshop. · All rights reserved

 Website Promo

* Visit Sesame Street on the web at http://www.sesamestreet.com
You're a Good Man, Charlie Brown (1985) credits

## Opening Credits

* "You're A Good Man, Charlie Brown"
* Created by: Charles M. Schulz
* Book, Music and Lyrics by: Clark Gesner
* Musical Director: Desirée Goyette
* Executive Producer: Jay Poynor
* Produced by: Lee Mendelson and Bill Melendez
* Directed by: Sam Jaimes

## Ending Credits

* Based upon the play, "You're A Good Man, Charlie Brown" by: Clark Gesner
* and the comic strip "Peanuts" by: Charles M. Schulz
* Original Story by: Joseph A. Bailey, Gary Belkin, Christopher Cerf, Sharon Lerner, Mark Saltzman, Nancy Sans, Jocelyn Stevenson, Norman Stiles
* Teleplay by: Stephen White
* Original Arrangements and Composed of Incidental Music by: Joe Raposo
* Music Supervision by: Christopher Cerf
* Music Coordinator: Danny Epstein
* Associate Music Director: Dave Conner
* Orchestra Conducted by: Ed Bogas
* Associate Producer: Desirée Goyette
* Voices by: Kevin Brando, Michael Dockery, Brad Kesten, Jeremy Reinbolt, Tiffany Reinbolt, Jessie Lee Smith, Robert Towers, David Wagner
* Backup Vocals by: Christopher Cerf
* Storyboards by: Andy Gaskill
* Additional Storyboards: Debbie Baber, Jerry Richardson
* Designed by: Evert Brown, Bernie Gruver, Dean Spille, Leo Moran, Utit Choomuang
* Lead Animation by: Ron Myrick
* Animation by: Bill Littlejohn, Hank Smith, Larry Leichliter, Al Pabian, Lefty Callahan, Bob Matz, Leslie Margolin, Rumen Petkov
* Assistant Animation: Lee Crowe
* Additional Animation: Greg Tiernan, Marlene May, Jeff Hall, Robert Hughes
* Checking: Cynthia Goode, Jane Gonzales, Moley McColley
* Ink and Paint Supervisor: Joanne Lansing
* Ink and Paint: Mickey Kreymann, Joan Pabian, Emalene Seutter, Valerie Green, Karin Holmquist, Elsa La Baw, Evelyn Hairapetian, Karen Webb, Colene Gonzales, Lee Hoffman, Barbara Hiestand, Teale Wang, Roubina Janian, Lee Guttman
* Editing: Chuck McCann, Julie Maryon
* Production Manager: Carole Barnes
* Production Assistants: Sandy Claxton Arnold, Carol Neal, Glenn Mendelson, Lynda Mendelson, Joanna Loccisano
* Camera: Nick Vasu · Thomas Baker
* Dubbing: Glen Glenn Sound
* Voice Recording: Hollywood Recording
* Music Recording: Russian Hill Recording
* Color: Technicolor
* Animation Production by: Toei Animation Co., Ltd., Studio Pierrot Co., Ltd.
* A Lee Mendelson-Bill Melendez Production
* In association with Charles M. Schulz Creative Associates and United Media Productions
* THE END "You're A Good Man, Charlie Brown" Copyright ©1985 United Feature Syndicate, Inc.
Adventures of the Gummi Bears: Bubble Trouble/Gummi in a Strange Land Credits (1985)

## Opening Titles

* Disney's "Adventures of the Gummi Bears"

## Episode Titles

* "Bubble Trouble"
* "Gummi in a Strange Land"

## Ending Credits

* Produced by Walt Disney Pictures Television Animation Group
* Producer/Director: Arthur Vitello
* Associate Producer: Tom Ruzicka
* Story Editor: Jymn Magon
* "Bubble Trouble" · Written by: Bruce Talkington
* "Gummi in a Strange Land" · Written by: Douglas Hutchinson
* With the Talents of: June Foray, Christian Jacobs, Katie Leigh, Lorenzo Music, Noelle North, Will Ryan, Michael Rye, Bill Scott, Paul Winchell
* Key Layout Stylist: Ed Wexler
* Layout: Robert Givens, Don Griffith, Dick Kelsey, Don Sheppard
* Character Design: Michael Peraza Jr.
* Key Background Stylist: Gary Eggleston
* Color Key Stylist: Janet Cummings
* Storyboard Directors: Thom Enriquez, Hank Tucker, Rob La Duca, Steve Gordon
* Animation Supervisor: David Block
* Animators: Hal Ambro, Bob Bransford, Bob Carlson, Eric Cleworth, Alex Ignatiev, Ollie Johnston, Bill Keil, Hal King, Eric Larson, Wolfgang Reitherman, Frank Thomas, Don Towsley
* Production Manager: Olivia Miner
* Assistant Director: Kent Holaday
* Timing Directors: Norm Gottfredson, Jamie Mitchell, Bob Zamboni
* Animation Checker: Ann Oliphant
* Track Reading: Skip Craig
* Casting Facilities: The Voicecaster
* Post Production Coordinator: Ken Tsumura
* Production Assistants: Aida Belderol, Leigh Anne Locke, Judy Zook
* Post Production Supervisor: Rich Harrison
* Supervising Editor: Robert S. Birchard
* Editor: Willy R. Allen
* Assistant Editors: Shelley Brown, Robert A. Martel
* Post Production Sound Services: Horta Editorial and Sound, Inc.
* Telecine Colorist: Marc Wielage
* Music Coordinator: Chris Montan
* "Gummi Bears" Theme · Words and Music by: Silversher and Silversher
* Music Composed and Conducted by: Thomas Chase and Steve Rucker
* Animation Production: TMS Entertainment, Inc.
* This Picture Made Under the Jurisdiction of I.A.S.T.E.-IA Affiliated with A.F.L.-C.I.O.
* © MCMLXXXV Walt Disney Productions · All Rights Reserved
Joe Raposo

Music

Music by

Voices

Original Arrangements and Composed of Incidental Music by

Music Composed by

Theme Composed by

Composed by

Lyrics by

Musical Direction and Arrangements

Himself - Musician

Himself

Background Vocals

Dedicatee

Animator

Actor

Lyrics

Music Director

Musical Director

Orchestrations

Additional Music by

Conductor

Music Arranger

Musician: Piano

Songs by
Frosty's Winter Wonderland (credits)

## Opening Credits

* "Frosty's Winter Wonderland"
	+ © MCMLXXVI Rankin/Bass Productions, Inc.
* Color by Technicolor®
* Westrex Recording System
* This Picture Made Under the Jurisdiction of I.A.T.S.E.-IA, Affiliated with A.F.L.-C.I.O.
* Told & Sung by: Andy Griffith
* Starring
	+ Shelley Winters as Mrs. Frosty
	+ Dennis Day as The Parson
	+ Paul Frees as Jack Frost
	+ and Jackie Vernon as Frosty
* Written by: Romeo Muller
* Based on the Song "Frosty the Snowman" by: Steve Nelson and Jack Rollins
	+ © 1951 Hill & Range Songs
* Produced & Directed by: Arthur Rankin, Jr. & Jules Bass

## Ending Credits

* The Children's: Shelly Hines, Eric Stern, Manfree Olea, Barbara Jo Ewin and The Wee Winter Singers
* "Winter Wonderland" by: Dick Smith and Felix Bernard
	+ © 1934, Bergman, Vocco & Conn, Inc.
* Sound: John Curcio, Don Hahn, Dave Iveland, Tom Clack
* Graphic Designers: Coral Kerr, Susan Scholefield
* Storyboard Director: Lewis Marshall
* Storyboard Artists: Jan Green, Gary Hoffman, Bill Perez
* Animation Directors: Gerry Chiniquy, Art Leonardi, Sid Marcus, Robert McKimson
* Animation: Warren Batchelder, Bob Bemiller, Bob Bransford, Bill Carney, Jim Davis, John Freeman, John Gibbs, Bob Goe, George Jorgensen, Bob Matz, Norm McCabe, Bill Nunes, Bob Richardson, Virgil Ross, Joel Seibel, Nelson Shin, Don Williams
* Layout Artists: Ric Gonzales, Gary Hoffman, Ken Landau, Roy Morita, Tony Rivera, Adam Szwejkowski, Dick Ung, Al Wilson, Tom Yakutis
* Background Artists: Philip Barber, Janet Brown, Al Dempster, John Emerson, Patricia Keppler, Mary O'Loughlin, Art Riley, Richard H. Thomas, Don Watson
* Xerography: Greg Marshall
* Xerox Processor: Kevin Shaw
* Scene Planner: Paul B. Strickland
* Animation Checker: Armand Shaw
* Ink and Paint Supervisor: Gertrude Timmins
* Ink and Paint: Dawn Benedict, Bernie Bonnicksen, Mary Jane Cole, Florence Heintz, Miho Nagisa, June Rose Ross
* Camera Operators: John Burton Jr., Larry Hogan, Ray Lee
* Animation Production by: Topcraft
	+ Storyboard Artist: Katsuhisa Yamanda
	+ Animation Director: Katsuhisa Yamada
	+ Key Animation: Kazuyuki Kobayashi, Yoshiko Sasaki, Tadakatsu Yoshida
	+ Animation: Toru Hara, Tsuguyuki Kubo
	+ Background Design: Minoru Nishida
	+ Background: Kazusuke Yoshihara
* Design: Paul Coker, Jr.
* Music Arranged and Conducted by: Maury Laws
Sydonis campaign

Sydonis suffers economic downturn

Ongat Haosk (Droth forces)

4x Mirmon-class starfighter squadrons

Four companies of Kluutan-type light tanks

One regiment of Keshiri Regulars

Three battalions of Devrips infantry

Two companies of Hollossan Fusiliers

One company of Keshiri Iron Guard

One battery of Moirspan artillery cannons

Ku'vest dropships

Balgoth-class battlecruiser "Nonagath"

Ten Droth Kin-bands

Two brotherhoods of Droth zealots.

One company of Droth purifiers

Traius-Legate Depus Ollivander (late campaign)

2x Raptrix-class starfighters (early)

Six companies of Imperial militia

Conscripts

4x Dominus-class heavy cruisers. (late campaign)

12x Sentinel-class corvettes (late campaign)

8x Decima-class destroyers (late campaign)

101st Imperial Army regiment (late campaign)

Destrius gunships

33rd armoured group

The Sydonis campaign was perhaps the greatest example in the history of the Imperium of bureacratic meddling in military affairs. As a direct result, the Imperium's enemies managed to blunder large amounts of nitrocyte, an invaluable mineral used to shield starship reactors. The campaign was fought between the Imperium of Vectis and an allied force from the Keshiri United Worlds and the Droth.

## History

Sydonis, located at the edge of the Holstrum sector was an arid world and generally unremarkable. If not for the mineral, nitrocyte, used to shield starship reactors. Nitrocyte was not especially rare, but the mining process was difficult. The mineral went for absurd rates on the black market and smuggling or theft of it was punished harshly.

The Keshiri United Worlds, an empire that bordered both the Badlands region and the Imperiums southwest sectors, took note of the unusually prosperous world. Though the United Worlds were far from impoverished, nitrocyte was always in high demand. Star marshal T'Chen, of Flock Ha'pul, organized a series of raids against the Syon system.

Though the raids accomplished nothing of consequence, they learned about the defences of their goal. Though they were not known to work together often, ambassadors from the United Worlds reached out to the longtime foe of the Imperium, the Droth.

Slavers and xenophobes, the Droth eagerly accepted a chance to fill their slave-holds and exterminate non-Droth. They committed a massive amount of Kin-bands, aboard a *Balgoth-*class battlecruiser. However, the Droth commander, Ongat Haosk, demanded that the Keshiri forces take the brunt of the fighting, in exchange for taking the greater amount of nitrocyte.
Barney & Friends: Happy Birthday, Barney! Credits (1992)

## Funding (Opening)

* CPB · Corporation for Public Broadcasting
* Viewers Like You

## Opening Titles

* "Barney & Friends"
* "Happy Birthday, Barney!"

## Ending Credits

* Creators: Sheryl Stamps Leach, Kathy O'Rourke Parker
* Executive Producers: Sheryl Stamps Leach, Kathy O'Rourke-Parker, Dennis DeShazer
* Director: Jim Rowley
* Writer: Stephen White
* Production Designer: Jess Nelson
* Lyricist/Composer: Phil Parker
* Music Director: Bob Singleton
* Assistant Music Director: Larry Haron
* Production Supervisor: Jeff Gittle
* Associate Producer/Director: Heather Smith
* Performance Director: Penny Wilson
* Original Barney and Baby Bop Costumes by: Irene Corey Design Associates
* Cast:
	+ Shawn - John David Bennett, II
	+ Derek - Rickey Carter
	+ Baby Bop's Body Costume - Jenny Dempsey
	+ Michael - Brian Eppes
	+ Luci - Leah Gloria
	+ Baby Bop's Voice - Julie Johnson
	+ Barney's Body Costume - David Joyner
	+ Kathy - Lauren King
	+ Min - Pia Manalo
	+ Barney's Voice - Bob West
	+ Tina - Jessica Zucha
* Casting Director: Shirley Abrams
* Audio Director: David M. Boothe
* Editor: McKee Smith
* Lighting Director: Bruce Deck
* Production Coordinator: Julie Hutchings
* Assistant Production Coordinator: Teri Peabody
* Script Supervisor: Catherine A. Reynolds
* Production Office Manager: Sue Shinn
* Assistant Production Supervisor: Claire Murray
* Assistant to the Producers: Chris Childs
* Production Audio: Ron Balentine
* Production Audio Assistant: Cindy K. Speer
* Wardrobe Supervisor: Lisa O. Albertson
* Makeup/Wardrobe Assistant: Georgia Ford Wagenhurst
* Barney's Wardrobe: Susie Thennes
* Technical Director: Clay Armstrong
* Camera Operators: Larry Allen, Bruce Harmon, Vic Sosa
* Video: Randy Patrick
* Videotape: Randy Breedlove
* On-Line Production: Phil M. Allison, Tim Platt
* Light Board Operator: Todd Davis
* Grip/Electrician: Buz Cannon
* Studio Manager: James Edwards
* Production Assistant: James A. Johnson
* Video Graphic Designers: Mike Berry, Mike Fleming, Ed Leach
* Sets, Props and Original Puppets by: Leapfrog Productions with Charles Bailey, Ray Henry, Robbie McGuire, Amy Atherton, Chip Nelson
* Music Recording Engineers: Mark Petty, Mike Pietzsch
* Curriculum Consultants: Mary Ann Dudko, Margie Larsen
* Educational Researchers: Carolyn W. Madere, Virginia Schmidt, Sheri Vasinda, Cindy Weissinger
* Children's Teacher: Teri McDuffy
* Child Supervisor: Magan Crawford
* Production Assistance: Furniture and Furnishings from Childcraft Education Corporation, Vocal Performances enhanced with help from Singleton Productions, Inc.
* **For Connecticut Public Broadcasting, Inc.**
	+ Executives in Charge: Larry Rifkin, Sharon Blair
* Produced by The Lyons Group/DLM, Inc. and Connecticut Public Broadcasting, Inc.
* Executive in Charge: Richard C. Leach
* "Barney & Friends - Happy Birthday, Barney!" © 1992 The Lyons Group/DLM, Inc.

## Funding (Closing)

* CPB · Corporation for Public Broadcasting
* Viewers Like You
Stellarflame Wiki

**Welcome to the Stellarflame Wiki!**
A wiki used to describe and categorize the universe of stellarflame, which is a working title and not to be taken at face value.

## Important articles

PlaceholderA page about your topicPlaceholderA Main CharacterPlaceholderThe First EpisodePlaceholderAn Important LocationPlaceholderA Key EventPlaceholderA Crucial ItemThe Galaxy

*Need help building out this community?*

* Rules of this wiki
* Getting Started
* How to Contribute
* Managing your new community
* Guides
* All Help articles

You can also be part of the larger Fandom family of communities. Visit Fandom's Community Central!

*Community Founders*: Write a good and paragraph-length description for your welcome section about your topic. Let your readers know what your topic is about and add some general information about it. Then you should visit the admin dashboard for more tips.
Mistakes Were Made

**Mistakes Were Made** is the debut album from Davey Porter and the Young Republicans.

## Track Listing

1. If You're Not Right, You're Wrong
2. Barack Osama
3. Get Back in the Kitchen
4. Napalm Sticks to Kids
5. That's When the Ninjas Attack
6. Walmart
7. I Am the Infidel
8. Who Would Jesus Bomb
9. Do What We Want
10. Nailin Sarah Palin
11. I Wanna Be a Pundit
12. Republicans
13. Time to Conform
14. BFF
15. Donkey Punch a Democrat

## Personnel

* Brent Williams
* Alyse Peterson
* Pete Wildman
What if the second Indominus never died?

***Indominus rex* Paddock**

**Two weeks after official opening**

The lids of the *Indominus*’s small, red eyes slowly opened, her pupils briefly contracting. The light was bright, too bright for her, and she let out a frustrated hiss. She lazily lifted her head, and slowly her blurry eyes adjusted. It took a moment for her to remember where she was, and her initial confusion turned to frustration.

She was still in the cage, the same godforsaken cage the fleshy things had kept her in for almost as long as she could remember.

There was a loud, unnatural whirr, one which she had grown accustomed to over the years. The fleshy things looked on eagerly as the only enjoyable part of the day began—it was time to feed. She lifted her head, and was greeted by a gamey smell.

Cow was on the menu today.

With a low grumble, she shakily stood up and made her way towards the carcass, her body protesting as she dragged herself towards her food. Before she could get there, a head seemed to come out of the trees in front of her.

Damn.

Her sister'd beaten her to it again. She was getting lax—letting her sister get the prize cuts first wasn’t in her best interests. Still, they’d grown up together, shared the same experiences, hated the same people. They had too much in common to fight over it. Weighing out her options, she just decided to lie down and wait for her sister to finish eating.

It was then that the idea struck her.

There was only one of the fleshy things inside, and it didn’t seem to be paying the slightest bit of attention. She considered the things foolish, but she didn’t think they were *that* foolish.

She let out a low rumble to grab her sister’s attention. The rest of the plan was conveyed by body language and subtle colour changes. It was simple: scratch the walls up. Hide. Conceal thermal signatures. Wait.

Soon, the trap was set.

She and her sister were fortunate enough to have been gifted very efficient hearing—she didn’t know it, but that came from the DNA of a small African primate. They could hear the moment sheer panic set in. They could hear the moment the fleshy things began discussing what to do next. *They could hear the door opening*.

And yet they waited.

On either side of the gate they stood, thermal signatures concealed and photoreceptors mimicking the environment, as it slowly opened. Three fleshy things walked in. The hybrid recognized one of them as the one from the small compartment overlooking their enclosure. The other two, one who was dressed in a blue uniform and one who was not, she didn’t recognize.

They didn’t even see the attack coming.

The two sisters darted forwards, flailing their arms, jaws agape, pounding the things into the dirt. The gate began to close as the last survivor began shouting something into a small box, but the *Indominus* dealt with that one in an instant. Glancing at one another, the siblings burst out of the gate and heard screaming in every direction. A loud, piercing siren blared in the background, but she didn’t care, and nor did her sister.

Now, the fleshy ones would suffer.
A Dream Called Walt Disney World credits

## For Sale Only Screen

* For Sale Only · Not Intended for Rental

## FBI Warning Screen

* FBI Warning: Federal law provides severe civil and criminal penalties for the unauthorized reproduction, distribution or exhibition of copyrighted motion pictures and video tapes (Title 17, United States Code, Sections 501 and 506). The Federal Bureau of Investigation investigates allegations of criminal copyright infringement (Title 17, United States Code, Section 506).
* Licensed for private home exhibition only. Any public performance, copying or other use is strictly prohibited, All other rights reserved.

## Opening Titles

* Walt Disney Productions Presents
* "A Dream Called Walt Disney World"
	+ © 1980 Walt Disney Productions
The Grinch Grinches the Cat in the Hat Credits

## Opening Credits

* "The Grinch Grinches the Cat in the Hat"
* Written by: Dr. Seuss
* Produced by: Ted Geisel and Friz Freleng
* Executive Producer: David H. DePatie
* Directed by: Bill Perez, Bill Tytla

## Ending Credits

* Story: Bill Turner, Otto Messmer
* Teleplay & Lyrics: Ted Geisel
* Music: Joe Raposo
* Additional Music & Arrangments: Dick Lieb
* Conductor: Dave Conner
* Music Coordinator: Danny Epstein
* Children's Choir: Bob Singleton's Kids Chorus
* Choir Directors: Bob Singleton, Larry Haron
* Graphic Design: Ira Turek, Roy Morita
* Background: Allison Julian, Andrew Phillipson, Dennis Venizelos
* Scenics: Anton Loeb
* Xerox Processor: Kevin Shaw
* Checking: Jan Adams, Armand Shaw, Natalie Shirpser
* Ink and Paint: Joyce Alexander, Myrna Gibbs, Karen Marjoribanks, Judy Mendel, Jeanette Nouribekian, Sara Seaberry, Sheryl Ann Smith, Britt Van der Nagel
* Animators: Warren Batchelder, Oliver Callahan, John Gentilella, John Gibbs, Lee Halpern, William Henning, Bob Kirk, Bob Matz, Norm McCabe, Jack Ozark, Tom Ray, Morey Reden, Bob Richardson, Virgil Ross, Ben Solomon, Jim Tyer, Ken Walker, Don Williams
* Assistant Animators: Dorris Bergstrom, Holly Forsyth, Burt Nedall, Ginny Parmele, Raul Salaiz
* Film Editors: Robert T. Gillis, Jim Blodgett, Richard Gannon
* Music Editor: Joe Siracusa
* Camera Effects: John Burton, Jr.
* Special Music: Joe Siracusa
* This picture has made the jurdisction of I.A.T.S.E.-IA, affiliated with A.F.L.-C.L.O.
* Voice Talents of: Mason Adams, Bob Holt, Frank Welker, Joe Eich, Bea Arthur, Phil Harris, Sebastian Cabot, Brian Bedford, Eva Gabor
* Animation Production by: TOEI Animation Co., Ltd.
* In Charge of Production: Lee Gunther
* Production Manager: Kathy Condon
* Sound by Producers' Sound Service, Inc.
* © MCMLXXXII Dr. Seuss and A.S. Geisel · All Rights Reserved

## Closing Logos

* Marvel Productions, Ltd. in association with DePatie-Freleng
Rewriting History II Nation RP Server

𝘍𝘪𝘯𝘯𝘪𝘴𝘩 𝘔𝘪𝘭𝘪𝘵𝘢𝘳𝘺 𝘋𝘪𝘤𝘵𝘢𝘵𝘰𝘳

Vaderson

Tine Dorcha

The Rewriting History || Nations RP server is an alt history Nations Role play Discord server. The server was create by user Astrovious. The server was launched on August, 22nd, 2021. The RP first stared on the 25th starting in 0 A.D. Later, the server was reboot to the year 1700, also add canonical changes to the historic timeline.
Pred V

Pred V was a continental world in the Pred system, and one of the colonies of the Mialmakorese Principalities. The planet was a trade hub and home to many species from within and without the principalities. Pred V's atmosphere was breathable to most species in the galaxy, and its natural stunning vista's brought a booming tourism industry. The planet had an abundance of natural gases near its equator, which were harvested for fuels by the Mialkormese.

## History

Originally a far-flung colony at the edge of the principalities space and sparsely settled, Pred V was seen as little more than a beautiful if wasteful colony for the more adventurous people of the principality.

Eventually, the Mialmakorese made contact with other civilizations and engaged in trade and diplomacy with them.

The position of Pred V made it an ideal meeting and trade post, which lead to merchants and artificers from further within the principalities to visit or settle on the world in order to pay outsiders with their wares. The capital, Prideen, was established on the largest, central continent, atop a high plateau, granting breathtaking views of the plains and forests below. Prideen spaceport was one of the busiest on the planet, though the largest was actually Thostmik spaceport, to the southwest. In less than a century, Pred V had gone from a minor colony to a major trade hub. It was responsible for almost a tenth of the sector's wealth and regarded as having one of the most diverse populations in the principalities.
Microcephalosuchus scotlandii

Microcephalosuchus scotlandii is a large theropod dinosaur descended from Megalosaurus. It has long legs, suitable for chasing after prey, and a long tail, which helps balance the body and head. It has short arms with three fingers. It is a cruel hunter, holding its prey down with one foot while ripping its prey's flesh off. As if that wasn't cruel enough, the Microcephalosuchus tries to keep its prey alive as long as possible, so that not a moment of pain is lost. Microcephalosuchus eats small animals in its habitat of forests. It can grow up to 16.2 meters (54 ft) long, 4.86 meters (16.2 ft) tall, and weigh 7.27 tonnes (8 tons).
Treaty of Reciprocal Protection and Mutual Friendship

The **Treaty of Reciprocal Protection and Mutual Friendship** was a secret treaty sent from the Kingdom of Prussia to forge a defensive alliance between the stated and the Austria Empire.

### Articles

#### Article I

Prussia will take 12,000 men from the Austrian army, and train them over an 8 week period and equip them with Prussian arms. Finally sending them back fully equipped and ready for war.

#### Article II

Prussia will be obligated to enter a personal defensive alliance within Austria.

#### Article III

Austria will will openly support Prussian claims of mecklenburg.
Legion

A legion was a unit in a galactic military. Although most modern militaries preferred to use unit terms such as regiment, brigade, battalion, etc. The legion was most used as a military unit by the Imperium of Vectis.

In the Imperium, a legion consisted of 10,000 Soldiers, commonly referred to as legionnaires. These legions were supported by about 4,000 support staff. The Invictus legions, made of elite shock troopers, were the same size as standard legions, but usually better equipped and trained. A legion was generally considered large enough to conquer a small nation.

In the Imperial military, there were several types of legions, some formed for specialized tasks, others generic line units. Several other militaries used legions, such as the "Iron Legions" of the Quaranti, who were the elite troops of their military. The Kantoran Protectors generally referred to themselves as a 'legion' though the exact number of Protectors in active duty was never disclosed. In the early 6500's, a force calling themselves the 'Void Legion' emerged from the edge of known space.
Death of Samantha

Albums Bands People

## Members

* John Petkovic vocals, guitar
* Doug Gillard lead guitar
* David James bass
* Steve-O drums

## Discography

Albums

* Strungout on Jargon 1986 Homestead Records HMS-039
* Where the Women Wear the Glory and the Men Wear the Pants 1988 Homestead Records
* Come all Ye Faithless 1989 Homestead Records
* If Memory Serves Us Well 2013 St. Valentine Records

EPs and singles

* Amphetamine / Simple as That (7" Single)
* Laughing in the Face of a Dead Man (12" EP)
* Porn in the USA 1986 St. Valentine Records SVR-005 (7" Single)
* Rosenburg Summer (7" Single)
Polish–Lithuanian Commonwealth

Commonwealth's Flag

Commonwealth's Boarders Circa 1700 A.D.

The **Polish-Lithuanian Commonwealth** or the **Kingdom of Poland and the Grand Duchy of Lithuania**, was a confederacy between the Kingdom of Poland and the Grand Duchy of Lithuania.

### Player

The Polish-Lithuanian Commonwealth is played by DinoJedi7#5675.
Callie

### Goals

Help Agent 3 save Cap'n Cuttlefish and the Great Zapfish they were kidnapped by Octavio
Help New Agent 3 save the world from Mr. Grizz (both succeeded)

### Type of Love Exalted

Energetic Pop Idol

**Callie** is one of the main characters in the *Splatoon* series, She is one of the Squid Sisters, alongside her cosuin Marie. She is also secretly Agent 1 of the New Squidbeak Splatoon.

She is voiced by Yuki Mizutani, better known by her stage name keity.pop.

## What Makes Her Love Exalted?

* She has an upbeat and fun personality.
* She's one of the friendliest characters in the series. While most of the characters in *Splatoon* have corrupting factors, Callie doesn't really have any major ones.
* Along with Marie, she sung the Calamari Inkantation at the end of the first game's final boss. Along with being an enjoyable song in general, in-universe, this is quite significant as it had a magical aura that allowed many Octolings to snap out of the brainwashing by DJ Octavio. In particular, this allowed Marina and Agent 8 to have a change of heart, eventually becoming friends with the Inklings.
* After being brainwashed in the final boss of *Splatoon 2*, she apologizes to Agent 4 and tries to befriend them.
* She had no grudges towards Deep Cut despite being against them antagonising her and the rest of the New Squidbeak Splatoon for the majority of Return of the Mammalians. In fact, the first thing she says after they introduce themselves is that she loves them.
* In *Splatoon 3*, she returns and helps Agent 3 in the journey, along with Marie and the Captain. Later, she, along with Marie and Deep Cut, sing the Calamari Inkantation 3Mix, allowing Smallfry to transform into Hugefry, which distracts Mr. Grizz by fighting him. This means Callie played a role in saving the world from Mr. Grizz and his Fuzzy Ooze.

## Trivia

* Not counting fanon works, she is the first *Splatoon* character on this wiki.

## External Links

* Callie on the Pure Good wiki.
* Callie on Inkipedia.
OHMS Records Wiki

**Welcome to the OHMS Records Wiki!**
Tracking the albums of the Ohio music scene

* Albums
* Bands
* People

We're a collaborative community website about OHMS Records that anyone, including you, can build and expand. Wikis like this one depend on readers getting involved and adding content. Click the "ADD NEW PAGE" or "EDIT" button at the top of any page to get started!

## Important articles

PlaceholderA page about your topicPlaceholderA Main CharacterPlaceholderThe First EpisodePlaceholderAn Important LocationPlaceholderA Key EventPlaceholderA Crucial Item

*Need help building out this community?*

* Rules of this wiki
* Getting Started
* How to Contribute
* Managing your new community
* Guides
* All Help articles

You can also be part of the larger Fandom family of communities. Visit Fandom's Community Central!

*Community Founders*: Write a good and paragraph-length description for your welcome section about your topic. Let your readers know what your topic is about and add some general information about it. Then you should visit the admin dashboard for more tips.
Jewel Sewn into a Robe

A parable in the *Lotus Sutra*. A destitute man visiting a close friend gets drunk and falls asleep. Without waking him, the friend sews a jewel into the lining of his robe and then leaves. Years later when the man is in desperate poverty, they meet again. The friend then tells the other how he has been carrying around a jewel in his robe without knowing it.

1. ↑ Template:Hori, Victor. (2003) Zen Sand. University of Hawai’i Press.
Moon

The moon is a frequently used, complex image in Chinese poetry, and in Zen is one of the standard images for Zen awakening.

Since a toad was said to live in the moon, expressions like *kosen* "lone toad" refer to the moon.

The moon is also called "Cassia circle" because a great cassia tree is said to grow on the moon. The cassia is a type of cinnamon tree, whose bark is used for fragrances and spices. These images can be combined, as, for example, in "toad cassia."

A rabbit or hare was also said to live in the moon. The moon was also called "jade rabbit" because a jade rabbit was said to pound the elixir of immortality underneath the cassia tree.

The moon in the waves is a standard image for the mind in the busyness of daily life.

To the Chinese, the pearl was associated with the moon; the light of the moon congealed within an oyster to create a pearl. Chinese folk legend said that a rabbit became pregnant if it gazed at the moon and that a pearl was conceived when moonlight entered the open mouth of an oyster shell. The pearl was also considered a wish-fulfilling gem, and by association, in some contexts, the pearl symbolizes enlightenment itself. Because pearls are round like an eyeball and luminous like the moon, they were ground up and made into a medicine for eye ailments.

1. ↑ Template:Hori, Victor. (2003) Zen Sand. University of Hawai’i Press.
Goose

The goose is a migratory bird that travels long distances.

It frequently appears in stories of people separated by long distances but bound together by loyalty or love. See, for example, the story of Su Wu, who was kept in captivity by the Hsiung-nu for nineteen years until he tied a letter to a goose that flew all the way back to the capital and was shot down by the emperor.

In poetry, the goose is sometimes associated with the lone wife thinking of her far-off husband who has been conscripted as a soldier to man a frontier garrison or to work on the Great Wall. The People's Republic of China postal service still uses as its logo the image of a goose carrying a letter.

1. ↑ Template:Hori, Victor. (2003) Zen Sand. University of Hawai’i Press.
Reed Shade

A bundle of reeds used to shade sun off water so as to be able to see beyond the surface into the depths—a simile for tactics of a Teaching Master to draw out or see into a student.

1. ↑ Template:Cleary, J.C., Cleary, T., & Yuan-wu. (2013). Select Glossary of Names and Terms. In The Blue Cliff Record. Shambhala Publications, Inc.
Thief

The image of the thief or bandit is used in several ways*.*

In the Chinese tradition, the five thieves are joy, anger, pleasure, grief, and lust.

In the Buddhist tradition, the thieves are the six senses. Since the senses are part of mind itself, "It's hard to guard against thieves from within" and easy to mistake a thief for a son of the house.

The term "thief" also is used to describe the activity of a Zen master. A skillful master uses the bandit's spear or horse and turns it against him. When one Zen master faces another another Zen master, "One thief knows another thief."

1. ↑ Template:Hori, Victor. (2003) Zen Sand. University of Hawai’i Press.
Rewriting History II Nation RP Wiki

**Welcome to the Rewriting History II Nation RP Wiki!**
For the Discord server, Rewriting History || Nation RP, community to document the events and action of the RP.

We're a collaborative community website about Rewriting History II Nation RP that anyone, including you, can build and expand. Wikis like this one depend on readers getting involved and adding content. Click the "ADD NEW PAGE" or "EDIT" button at the top of any page to get started!

## Important articles

PlaceholderA page about your topicPlaceholderA Main CharacterPlaceholderThe First EpisodePlaceholderAn Important LocationPlaceholderA Key EventPlaceholderA Crucial Item

*Need help building out this community?*

* Rules of this wiki
* Getting Started
* How to Contribute
* Managing your new community
* Guides
* All Help articles

You can also be part of the larger Fandom family of communities. Visit Fandom's Community Central!

*Community Founders*: Write a good and paragraph-length description for your welcome section about your topic. Let your readers know what your topic is about and add some general information about it. Then you should visit the admin dashboard for more tips.
Cangue

The stock or cangue was a large block of wood that was locked around a person's neck as punishment. Often the details of the prisoner's crime would be written on the block both to increase his public humiliation and to discourage others from committing the same crime. Larger stocks that could accommodate two or more people were sometimes fixed to the ground, usually in a public place. As added punishment, sometimes the wrists were locked into shackles or similar stocks.

1. ↑ Template:Hori, Victor. (2003) Zen Sand. University of Hawai’i Press.
Landscape

Descriptions of landscapes sometimes refer to the ideal conformation for placement of a grave, house, garden or city: a central mountain in the north facing south, two flanks of lesser mountains curving out east and west and then turning south to form a rough horseshoe, and two streams flowing in from east and west to meet in a single stream flowing out south.

The term for the central mountain in the north, "host mountain," implies that the surrounding mountains are "guest mountains."

1. ↑ Template:Hori, Victor. (2003) Zen Sand. University of Hawai’i Press.
Dragon

*From Thomas and JC Cleary*: "Someone who is enlightened or has reached an ad­vanced spiritual degree. Though 'dragons' live physically in the 'animal' world, they transcend this condition and enjoy the bliss of heavenly states or complete calm. Great Ch'an adepts and students are often referred to as 'dragons and elephants'-one who looks adept at first but turns out otherwise is said to have a 'dragon's head but a snake's tail.'

1. ↑ Cleary, J.C., Cleary, T., & Yuan-wu. (2013). Select Glossary of Names and Terms. In *The Blue Cliff Record.* Shambhala Publications, Inc.
Grasser

Grasser's Card Slot

## Location

Canvas Plains

**Grasser** is a Graffiti Creature found in Canvas Plains.

## Physical Appearance

Grasser on the surface appears to be a round, plant like creature, sporting only a white, sleeping head with three green leaves. Below the ground however, Grasser has a purple root system that seems to imitate a body, which can only be seen while it attacks, jumps, or in the Graffiti Creator

## Behavior

Grasser's are very hostile Graffitis, and upon seeing Pixel will continuously attempt to tackle him.

## Gallery

Grasser in the Graffiti CreatorGrasser with their root system not visibleGrassers in the wild
## Trivia

* Grassers may have been based off of the legend of the Mandrake, to which they share several similarities.
Friends

The term refers to the story of Po Ya and his close friend Chung Tzu-ch'i.

When Po Ya played his lute, Chung Tzu-ch'i knew without needing explanation what Po Ya felt. When Chung Tzu-ch'i died, Po Ya smashed his lute and never played again, for he felt no one could understand his music. This story can be traced to the *Lieh-tzu,* a Taoist work that is now thought to have been written about 30o CE, though composed in the style of the third century BCE.

1. ↑ Template:Hori, Victor. (2003) Zen Sand. University of Hawai’i Press.
Adding Feet to a Snake

A Chinese proverb to illustrate the foolishness of doing too much. Several attendants of a lord had received a flask of wine, enough for one but not enough for them all. They decided to have a snake drawing competition, the flask going to the winner. One man finished first and grabbed the wine. Congratulating himself on his speed and skill, he said to himself, "I even have enough time to add feet." So he added feet. When another man finished his drawing, he declared that a snake does not have feet and took the wine.

1. ↑ Template:Hori, Victor. (2003) Zen Sand. University of Hawai’i Press.