"Baby of the Wulf" (Flock'⁴⁴/ıı)

## Plot

The episode begins with a newborn baby, just awakened and struggling to breathe, peering out from an opening in the box it is being carried in by Wulf. The baby's innocent eyes catch a glimpse of the outside world, perhaps unknowingly signaling a desire for freedom and exploration. Wulf, lost in his own thoughts, remains unaware of the baby's alertness and continues on his way. As Wulf walks, he overhears a conversation at a nearby convention about jars and the upcoming surgical procedure involving vivisection. The discussion piques his curiosity, but his attention is soon diverted back to the baby. The baby, still coughing uncontrollably, fights for each breath, its tiny body wracked with discomfort. Wulf's gaze returns to the box, and in that moment, he realizes the baby is still alive, defying all odds. The weight of the situation settles heavily on his shoulders, and he pauses by his car to truly see the fragile baby girl within the box. Her body is drenched in sweat, a poignant reminder of the suffering she endures due to her condition. Wulf is acutely aware of the baby's critical state and the inevitable outcome that awaits her. Torn between compassion and the acceptance of fate, Wulf makes the difficult decision to patiently await the baby's painful demise. He grapples with his emotions, understanding the immense suffering the baby will endure, yet feeling a sense of powerlessness to change her fate. Wulf continues on his path, a mix of empathy and resignation etched on his face. Just as this heart-wrenching moment unfolds, Edward Bloch, a trusted doctor and confidant of Wulf, arrives to meet him. Concerned about Wulf's recent heart test results, which unexpectedly reveal a remarkably high level of activity and overall good health, Edward suggests they retreat to a private room to further investigate this anomaly. As Edward prepares to leave, his eyes inadvertently catch sight of Wulf standing near his bedroom, his gaze fixed intently upon the box containing the fragile baby girl. Edward's curiosity gets the best of him as he realizes that the baby in the box is Wulf's child. In a moment of confusion, Edward mistakenly refers to the baby as a "Bastard Sephardic Baby," using the term to mean "illegitimate child." Wulf corrects him, saying "Bastard Levite Baby," adding to Edward's growing concern. Edward is eager to understand more about the baby's mother, but Wulf avoids the question, leaving Edward feeling slightly embarrassed. Wulf, however, orders Edward not to check on the baby or come too close to her. He expresses a desire for her to die due to her constitution, as she is a member of the Levite bloodline and has suffered from painful birth defects. Wulf believes it is necessary to eliminate her, as he does not want her to endure a life of suffering. Edward is deeply disturbed by Wulf's behavior and confronts him, questioning his sick and callous treatment of an innocent newborn baby. The tension between the two friends grows as they grapple with the morality of their actions and the consequences of their decisions.

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Wulf, driven by his twisted and warped mind, devised a plan that involved sending the lifeless body of a baby girl to the museum of birth defects. His intention was for her deceased body to be dissected and put on display, serving as a horrifying exhibit that would illustrate the traumatic defects that had caused her immense suffering. In his depravity, he even expressed a sick desire for the baby to undergo vivisection, becoming a part of Himmlerman's collection of scientifically impaired specimens. He likened these specimens to sick animals, Sephardic individuals, Levites, and even labeled Sephardic whores like Ellie. Wulf's ultimate goal was to further traumatize Elisabelle, leaving her with haunting memories of her broken mind, while he callously ordered for Ellie to be taken away, condemning her to a life of imprisonment in a sex prison as he heartlessly sold her out to SS Officers.

Despite the baby's dire and critical condition, she miraculously clung to life, breathing and gazing at Wulf with tear-filled eyes, crying out for his attention and care. However, Wulf heartlessly ignored her pleas, allowing her cries to persist for hours on end, even resorting to throwing a glass against the wall in frustration. The following day, Wulf callously abandoned the baby, discarding her into a box in the alley alongside rats, hoping that they would devour her. With callous indifference, he smoked his way out of the scene, leaving the innocent baby to face a cruel and uncertain fate.

Meanwhile, in Berlin, Peter Mazur was engrossed in his circus performance, pouring his heart and soul into his act. After the conclusion of his performance, Peter took a much-needed smoking break, seeking solace and a moment of respite. As he indulged in his cigarette, his attention was abruptly drawn to a disturbing sight - rats voraciously feasting on garbage in a nearby garage. However, upon closer inspection, he heard the sound of heavy coughing emanating from the midst of the rats' feast. To his shock and horror, Peter realized that it was not just discarded waste being consumed, but the desperate cries of a defenseless and helpless baby. Driven by compassion and an innate sense of humanity, Peter swiftly intervened, rescuing her from the clutches of the ravenous rodents just in the nick of time.

With a mixture of shock and disbelief, Peter brought the abandoned baby girl to his home, where his companion, Rosaline, was equally taken aback by the heart-wrenching discovery of a newborn who had been callously left to die. Despite the challenges that lay ahead, including the baby's heart defect, Rosaline wholeheartedly embraced her role as a caregiver, determined to provide the love, care, and nurturing that the baby deserved. Together, Peter and Rosaline embarked on a tumultuous journey, defying the cruelty and darkness that she had endured at the hands of Wulf, striving to give her the best possible chance at a life filled with compassion, hope, and healing.

As the baby's condition worsened, Rosaline made the decision to seek help from Edward Bloch, a trusted ally, by sneaking into Bloch's cottage. It was clear that the baby needed immediate medical attention, and Bloch was the only one who could provide the necessary care.

Meanwhile, Wulf arrived at the alley, expecting to find no trace of the baby. He believed that the rats had finally put an end to her existence. However, to his surprise, he spotted Rosaline sitting by the lake in the nearby woods. Approaching her, Wulf engaged in a conversation about his son, Wolfgang, and his girlfriend, Liv, whom he had planned to meet in Sweden during his absence. In an attempt to show a softer side, Wulf surprised Rosaline with flowers from Sweden.

After their interaction, Wulf noticed Rosaline heading in a different direction, towards Bloch's location. Intrigued, he decided to follow her and pulled over near Bloch's cottage. Upon inspection, he found no one there, as Bloch was in the basement, attending to his own duties. Unbeknownst to Wulf, Rosaline had gone to check on the baby girl.

Days passed, and Wulf received a note from Peter, inviting him to visit. Excited about the opportunity, Wulf agreed and made his way to Peter Mazur and Rosaline von Braun's house in the evening. Peter welcomed Wulf for a man's night, offering him a beer, while Rosaline was not present at the moment. Wulf noticed a baby teether on the kitchen table, triggering a realization. Without uttering a word, Wulf abruptly left the house, coinciding with a sudden thunderstorm.

Driven by curiosity and suspicion, Wulf followed Rosaline into the woods, where he observed her placing flowers. It became evident that she was on her way to Bloch's cottage.

Meanwhile, Bloch discovered that the baby was still breathing, a sign of hope amidst her fragile state. Rosaline expressed her gratitude by bringing flowers as a token of appreciation for Bloch's care. As Bloch went downstairs to retrieve medical supplies, Wulf caught him off guard, finding him seated in a vulnerable position. Rosaline soon arrived on the scene, but Wulf paid little attention to her presence.

In a moment of realization, Wulf opened a door and discovered a box that he recognized from the alley days earlier. Rosaline's words brought him back to reality, as she explained that her husband, Peter, had found the box a few days ago. This revelation left Wulf shocked and unsure of what to make of the situation.