The Incredible Hulk (film)

* Larry Franco
* Gale Anne Hurd
 Screenplay by | * James Schamus
* Michael France
* Eric Bana
* Jennifer Connelly
* Sam Elliott
* Josh Lucas
* Nick Nolte
* June 20, 2003 (2003-06-20)

***Hulk*** is a 2003 American superhero film based on the fictional Marvel Comics character of the same name. It was directed by Ang Lee and written by James Schamus, Michael France, and John Turman, from a story by Schamus. Eric Bana stars as Bruce Banner / Hulk, alongside Jennifer Connelly, Sam Elliott, Josh Lucas, and Nick Nolte. The film explores the origins of Bruce Banner, who, after a lab accident involving gamma radiation, finds himself able to turn into a huge green-skinned monster whenever he is emotionally provoked or stressed, while he is pursued by the United States military and comes into conflict with his biological father, who has his own dark agenda for his son.

Development for the film started as far back as 1990. The film was at one point to be directed by Joe Johnston and then Jonathan Hensleigh. More scripts had been written by Hensleigh, John Turman, Michael France, Zak Penn (who would go on to write *The Incredible Hulk*), J. J. Abrams, Scott Alexander and Larry Karaszewski, Michael Tolkin, and David Hayter before Ang Lee and James Schamus' involvement. *Hulk* was shot mostly in California, from March to September 2002 primarily in the San Francisco Bay Area.

*Hulk* grossed $245 million worldwide, becoming one of the highest-grossing films of 2003. The critical consensus on Rotten Tomatoes calls it an ambitious and stylish film that focuses too much on dialogue at the cost of action. A reboot, titled *The Incredible Hulk*, was released on June 13, 2008, as the second film in the Marvel Cinematic Universe.

## Plot

During the 1960s, scientist David Banner has the idea to create super soldiers by introducing modified DNA sequences extracted from various animals to strengthen the human cellular response, but General Thaddeus Ross denies him permission to use human subjects. Banner subsequently conducts the experiments on himself. After the birth of his son Bruce, he finds his son may have inherited the effects. He seeks a cure, but when Ross stops his experiment, an enraged David causes a massive explosion of the facilities' gamma reactor before being arrested. Bruce, who is subsequently raised by the Krenzler family, remembers nothing of the incident.

Years later, Bruce is a geneticist working on nanomed research with his ex-girlfriend, Betty Ross, at the Berkeley Biotechnology Institute. The pair hopes to achieve instantaneous cell repair by using low level gamma radiation exposure to activate the nanomeds once they are introduced into a living organism. During routine maintenance of their appropriated gamma-ray spectrometer, a circuit sparks and triggers the experiment's program sequence. Unable to prevent the machine from firing, Bruce throws himself in front of a colleague to shield the man and is exposed to a massive amount of gamma radiation.

Betty visits Bruce in the and remarks that he should be dead, but Bruce feels great. A new lab janitor reveals himself be Bruce's biological father, David, of whom Bruce has no recollection. Under extreme stress, Bruce transforms into the Hulk, a huge, humanoid, green-skinned monstrous being who destroys the laboratory, though Bruce later has no memory of this. Thaddeus Ross suspects Bruce of collaborating with David Banner but deduces Bruce has repressed memories. He orders Bruce to be put under arrest. Through a phone call with his father, Bruce learns that the radiation unleashed something that was already in his DNA, and that David plans to have Betty killed by his dogs, which now have similar powers to the Hulk thanks to David mutating them with gamma radiation. Bruce is then attacked by Major Glenn Talbot,(who believes that Bruce went behind his back with Thaddeus to close his involvement but learns this is not true) leading to a transformation into the Hulk. The Hulk seriously injures Talbot before leaping to save Betty. After being wounded in a lengthy struggle, the Hulk kills David's dogs and changes back into Bruce before being captured by the military the next morning.

Bruce is kept under observation at a secret base, while Talbot intends to weaponize the Hulk's powers. David tries to recreate Bruce's failed experiment, but instead of turning into another Hulk he finds himself able to absorb any material he touches or energy to which he is exposed. He hands himself over to the military after lying to Betty and telling her he had murdered his wife in front of young Bruce. Through nightmare about the event, Bruce realizes his father thought Bruce was a monster and tried to kill him while his mother protected him. David wounded her in the process before leaving and causing an explosion in the facilities gamma reactor. This leads to a more powerful transformation into the Hulk. While attempting to gain a sample of the monster, Talbot is killed. The Hulk escapes the base and rampages to dry land , battling Army forces sent after him. Betty calms Bruce into his human form.

David tries to taunt his son into transforming into the Hulk, feeling that since he gave him life,he must give it back to him. David then bites an electrical cable, absorbing all the electricity in it. The electricity hits Bruce, triggering his transformation. A brutal fight ensues, with David absorbing the Hulk's energy. It proves too much for David to handle and when he himself transforms into a massive creature, he is killed by an army missile.

One year later, Bruce is presumed dead, while Ross mentions apparent Hulk sightings and Betty admits her love for Bruce. In a South American jungle, Bruce works as a medicine supplier and is approached by rebel militants who want to take medical supplies from the poor. Bruce faces the militants' leader, warning him that, "You wouldn't like me when I'm angry." His eyes turn green and the roar of the Hulk is heard from the distance.

## Cast

* Eric Bana as Bruce Banner / Hulk:
 A gamma radiation research scientist who, because of exposure to elevated levels of gamma radiation, becomes an enormous green humanoid monster when enraged or agitated. Banner is legally known as "Bruce Krenzler" throughout the film. Bana was cast in October 2001, signing for an additional two sequels. Ang Lee felt obliged to cast Bana upon seeing *Chopper*, and first approached the actor in July 2001. The role was heavily pursued by other actors. Bana was also in heavy contention for *Ghost Rider* but lost out to Nicolas Cage. Bana explained, "I was obsessed with the TV show. I was never a huge comic book reader when I was a kid but was completely obsessed with the television show." It was widely reported Billy Crudup turned down the role. Johnny Depp and Steve Buscemi were reported to be under consideration for the lead. Edward Norton, who went on to play the part in *The Incredible Hulk*, expressed interest in the role but turned down the part as he was disappointed with the script.
	+ Mike Erwin as 16-year-old Bruce Banner
	+ Michael Kronenberg as 4-year-old Bruce Banner
	+ David Kronenberg as 2-year-old Bruce Banner
* Jennifer Connelly as Betty Ross:
 Bruce's ex-girlfriend/co-researcher and the estranged daughter of General Ross. Betty is possibly the only way for the Hulk to lead back into his transformation of Bruce. Connelly was attracted to the role by way of director Ang Lee. "He's not talking about a guy running around in green tights and a glossy fun-filled movie for kids. He's talking along the lines of tragedy and psychodrama. I find it interesting, the green monster of rage and greed, jealousy and fear in all of us."
	+ Rhiannon Leigh Wryn as Young Betty Ross
* Sam Elliott as Thaddeus "Thunderbolt" Ross:
 A four-star general and estranged father of Betty. Ross was responsible for prohibiting David Banner from his lab work after learning of his dangerous experiments. Elliot felt his performance was similar to his portrayal of Basil L. Plumley in *We Were Soldiers*. Elliott accepted the role without reading the script, being simply too excited to work with Ang Lee. In addition, Elliot also researched Hulk comic books for the part.
	+ Todd Tesen as Young Thaddeus Ross
* Josh Lucas as Glenn Talbot:
 A ruthless and arrogant former soldier who offers Banner and Betty Ross an opportunity to work for him to start an experiment on self-healing soldiers.
* Nick Nolte as David Banner:
 The mentally unstable biological father of Bruce Banner who was also a genetics research scientist and had been locked away for several years for causing an explosion in the gamma reactor and accidentally killing his wife, Edith. Eventually, he gains absorbing powers in the film, reminiscent of the comic book character Absorbing Man, one of the characters that first appeared in the early scripts of the film. He also, at one point, becomes a towering creature composed of electricity, reminiscent of Zzzax, one of the Hulk's enemies in the comic series. Nolte agreed to participate in the film when Lee described the project as a "Greek tragedy."
	+ Paul Kersey as Young David Banner
* Cara Buono as Edith Banner:
 Bruce's biological mother whom he cannot remember. She is heard but mostly appears in Bruce's nightmares.
* Celia Weston as Mrs. Krenzler:
 Bruce's adoptive mother who cared for him after the death of Edith and David's incarceration.
* Kevin Rankin as Harper:
 Bruce's colleague whom he saved from the gamma radiation.

Hulk co-creator/executive producer Stan Lee and former *Hulk* actor Lou Ferrigno made cameo appearances as security guards. Johnny Kastl and Daniel Dae Kim have small roles as soldiers.

## Production

### Development

#### Jonathan Hensleigh

Producers Avi Arad and Gale Anne Hurd began the development for *Hulk* in 1990, the same year the final TV movie based on the 1970s TV series aired. They set the property up at Universal Pictures in 1992. Michael France and Stan Lee were invited into Universal's offices in 1993, with France writing the script. Universal's concept was to have the Hulk battle terrorists, an idea France disliked. John Turman, a Hulk comic book fan, was brought to write the script in 1994, getting approval from Lee. Turman wrote ten drafts and was heavily influenced by the *Tales to Astonish* issues, and pitted the Hulk against General Ross and the military, the Leader, Rick Jones, the atomic explosion origin from the comics, and Brian Banner as the explanation for Bruce's inner anger. Universal had mixed feelings over Turman's script, but nonetheless future screenwriters would use many elements.

Hurd brought her husband Jonathan Hensleigh as co-producer the following year and Industrial Light & Magic was hired to use computer-generated imagery to create the Hulk. Universal was courting France once more to write the script, but changed their minds when Joe Johnston became the director in April 1997. The studio wanted Hensleigh to rewrite the script due to his successful results on Johnston's *Jumanji*. France was fired before he wrote a single page, but received a buy-off from Universal. Johnston dropped out of directing in July 1997 in favor of *October Sky*, and Hensleigh convinced Universal to make the *Hulk* his directing debut. Turman was brought back a second time to write two more drafts. Zak Penn then rewrote it. His script featured a fight between the Hulk and a school of sharks, as well as two scenes he eventually used for the 2008 film; Banner realizing he is unable to have sex, and triggering a transformation by falling out of a helicopter. Hensleigh rewrote from scratch, coming up with a brand new storyline featuring Bruce Banner, who prior to the accident which will turn him into The Hulk, experimenting with gamma-irradiated insect DNA on three convicts. This transforms the convicts into "insect men" that cause havoc.

Filming was set to start in December 1997 in Arizona for a summer 1999 release date, but filming was pushed back for four months. Hensleigh subsequently rewrote the script with J. J. Abrams. Scott Alexander and Larry Karaszewski were also brought on board to rewrite with Hensleigh still attached as director. In October 1997, *Hulk* had entered pre-production with the creation of prosthetic makeup and computer animation already under way. Gregory Sporleder was cast as "Novak", Banner's archenemy while Lynn "Red" Williams was cast as a convict who transforms into a combination of human, ant and beetle. In March 1998 Universal put *Hulk* on hiatus due to its escalating $100 million budget and worries of Hensleigh directing his first film. $20 million was already spent on script development, computer animation, and prosthetics work. Hensleigh immediately went to rewrite the script in order to lower the budget.

#### Michael France

Hensleigh found the rewriting process to be too difficult and dropped out, and felt he "wasted nine months in pre-production". It took another eight months for France to convince Universal and the producers to let him try to write a script for a third time. France claimed "Someone within the Universal hierarchy wasn't sure if this was a science fiction adventure, or a comedy, and I kept getting directions to write both. I think that at some point when I wasn't in the room, there may have been discussions about turning it into a Jim Carrey or Adam Sandler movie." France was writing the script on fast track from July—September 1999. Filming for *Hulk* was to start in April 2000.

France stated his vision of the film was different from the other drafts, which based Bruce Banner on his "amiable, nerdy genius" incarnation in the 1960s. France cited inspiration from the 1980s Hulk stories which introduced Brian Banner, Bruce's abusive father who killed his mother. His script had Banner trying to create cells with regenerative capabilities in order to prove to himself that he is not like his father. However, he has anger management issues before the Hulk is even created, which makes everything worse. The "Don't make me angry..." line from the TV series was made into the dialogue that Banner's father would say before beating his son. Elements such as the "Gammasphere", Banner's tragic romance with Ross, and the black ops made it to the final film. France turned in his final drafts in late 1999-January 2000.

#### Ang Lee

Michael Tolkin and David Hayter rewrote the script afterwards, despite positive response from the producers over France's script. Tolkin was brought in January 2000, while Hayter was brought in September of that year. Hayter's draft featured The Leader, Zzzax, and the Absorbing Man as the villains, who are depicted as colleagues of Banner and get caught in the same accident that creates the Hulk. Director Ang Lee and his producing partner James Schamus became involved with the film on January 20, 2001. Lee was dissatisfied with Hayter's script, and commissioned Schamus for a rewrite, merging Banner's father with the Absorbing Man. Lee cited influences from *King Kong*, *Frankenstein*, *Jekyll and Hyde*, *Beauty and the Beast*, *Faust*, and Greek mythology for his interpretation of the story. Schamus said he had found the storyline that introduced Brian Banner, thus allowing Lee to write a drama that again explored father-son themes.

Schamus was still rewriting the script in October 2001. In early 2002, as filming was underway, Michael France read all the scripts for the Writers Guild of America, to determine who would get final credit. France criticized Schamus and Hayter for claiming they were aiming to make Banner a deeper character and was saddened they had denigrated his and Turman's work in interviews. Schamus elected to get solo credit. France felt, "James Schamus did a significant amount of work on the screenplay. For example, he brought in the Hulk dogs from the comics and he made the decision to use Banner's father as a real character in the present. But he used quite a lot of elements from John Turman's scripts and quite a lot from mine, and that's why we were credited." France, Turman and Schamus received final credit. A theatrical release date for June 20, 2003 was announced in December 2001, with the film's title as *The Hulk*.

### Filming

Filming began on March 18, 2002 in Arizona and moved on April 19 to the San Francisco Bay Area. This included Advanced Light Source, Lawrence Berkeley National Laboratory, Oakland, Treasure Island military base, and the sequoia forests of Porterville, before several weeks in the Utah and Californian deserts. The penultimate battle scene between Hulk and his father used the real Pear Lake in Sequoia National Park as a backdrop. Filming then moved to the Universal backlot in Los Angeles, using Stage 12 for the water tank scene, before finishing in the first week of August. Filming of *Hulk* constituted hiring 3,000 local workers, generating over $10 million into the local economy. Mychael Danna, who previously collaborated with Lee on *Ride with the Devil* and *The Ice Storm*, was set to compose the film score before dropping out. Danny Elfman was then hired.

Eric Bana commented that the shoot was, "Ridiculously serious... a silent set, morbid in a lot of ways." Lee told him that he was shooting a Greek tragedy: he would be making a "whole other movie" about the Hulk at Industrial Light & Magic. An example of Lee's art house approach to the film was taking Bana to watch a bare-knuckle boxing match. Computer animation supervisor Dennis Muren was on the set every day. One of the many visual images in the film that presented an acting challenge for Bana was a split screen technique employed by Lee to cinematically mimic the panels of a comic book page. This required many more takes of individual scenes than normal. Sound design was completed at Skywalker Sound. Muren and other ILM animators used previous technology from *Harry Potter and the Chamber of Secrets* (for the Dobby character) to create the Hulk with computer-generated imagery. Other software used included PowerAnimator, Softimage Creative Environment, Softimage XSI, and RenderMan Interface Specification. ILM started computer animation work in 2001, and completed in May 2003, just one month before the film's release. Lee provided some motion capture work in post-production.

## Release

### Marketing

Universal Pictures spent $2.1 million to market the film in a 30-second television spot during Super Bowl XXXVII on January 26, 2003. And a 70-second teaser trailer was attached to *Spider-Man* on May 3, 2002. Just weeks before the film's release, a number of workprints were leaked on the Internet. The visual and special effects were already being criticized, despite the fact that it was not the final editing cut of the film. The film received a novelization written by Peter David.

### Home media

*Hulk* was released on VHS and DVD on October 28, 2003. The DVD included behind-the-scenes footage, enhanced viewing options that allow users to manipulate a 3-D Hulk model, and cast and crew commentaries. The film earned $61.2 million in DVD sales during 2003. *Hulk* was released on HD DVD format on December 12, 2006 and it was later released on Blu-ray on September 16, 2008. *Hulk* was released on 4K Blu-Ray on July 9, 2019.

## Reception

### Critical response

On review aggregator Rotten Tomatoes, the film holds a 62% approval rating based on 232 reviews, with an average rating of 6.26/10. The website's critics consensus reads, "While Ang Lee's ambitious film earns marks for style and an attempt at dramatic depth, there's ultimately too much talking and not enough smashing." Metacritic, which uses a weighted average, assigned the film a score of 54 out of 100 based on 40 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B−" on an A+ to F scale.

Roger Ebert gave a positive review, explaining, "Ang Lee is trying to actually deal with the issues in the story of the Hulk, instead of simply cutting to brainless visual effects." Ebert also liked how the Hulk's movements resembled King Kong. Although Peter Travers of *Rolling Stone* felt *Hulk* should have been shorter, he heavily praised the action sequences, especially the climax and cliffhanger. Paul Clinton of CNN believed the cast gave strong performances, but in an otherwise positive review, heavily criticized the computer-generated imagery, calling the Hulk "a ticked-off version of Shrek".

Mick LaSalle of the *San Francisco Chronicle* considered "the film is more thoughtful and pleasing to the eye than any blockbuster in recent memory, but its epic length comes without an epic reward." Ty Burr of *The Boston Globe* felt "Jennifer Connelly reprises her stand-by-your-messed-up-scientist turn from *A Beautiful Mind*." Lisa Schwarzbaum of *Entertainment Weekly* stated, "a big-budget comic-book adaptation has rarely felt so humorless and intellectually defensive about its own pulpy roots."

*Hulk* received retrospective praise from critics for its artistic difference from other superhero films by Marvel and DC comics, etc. In 2012, Matt Zoller Seitz cited the film as one of the few big budget superhero films that "really departed from formula, in terms of subject matter or tone", writing that the film is "pretty bizarre... in its old-school Freudian psychology, but interesting for that reason". In Scout Tafoya's 2016 video essay on another film directed by Ang Lee, *Ride with the Devil*, he mentioned *Hulk* as "Lee's ill-fated but quietly soulful and deeply sad adaptation of *The Incredible Hulk* comics". In 2018, Peter Sobczynski of RogerEbert.com wrote that the film is "a genuinely great example of cinematic pop art that deserves a reappraisal".

### Box office

*Hulk* was released on June 20, 2003, earning $62.1 million in its opening weekend, which made it the 16th highest ever opener at the time. With a second weekend drop of 70%, it was the first opener above $20 million to drop over 65%. The film went on to gross $132.2 million in North America on a budget of $137 million. It made $113.2 million in foreign countries, coming to a worldwide total of $245.4 million. With a final North American gross of $132.2 million it became the largest opener not to earn $150 million.

### Accolades

Connelly and Danny Elfman received nominations at the 30th Saturn Awards with Best Actress and Best Music. The film was nominated for Best Science Fiction Film but lost out to another film based on Marvel characters, *X2*. Dennis Muren, Michael Lantieri and the special effects crew were nominated for Best Special Effects.

## Reboot

Main articles: The Incredible Hulk (film)
During filming, producer Avi Arad targeted a May 2005 theatrical release date for a sequel to the film. Upon the film's release, screenwriter James Schamus started to plan a sequel, featuring Hulk's Grey Hulk persona and considered to use The Leader and the Abomination as villains. Marvel asked for Abomination's inclusion as he would be an actual threat to Hulk unlike General Ross. However, aside from the mixed reception of *Hulk*, Universal didn't meet the established deadline for filming a sequel to Ang Lee's film. In January 2006, Marvel Studios reacquired the film rights to the character, and writer Zak Penn began work on a sequel titled *The Incredible Hulk*. However, Edward Norton rewrote Penn's script after he signed on to star, retelling the origin story in flashbacks and revelations, to help in establishing the film as a reboot; director Louis Leterrier agreed with this approach. Leterrier acknowledged that the only remaining similarity between the two films was Bruce hiding in South America.