Ruby Makes Music

"**Ruby Makes Music**" is the third half of the seventeenth episode of *Ruby's World*. It premiered in the United States on March 22, 2004

## Musical Cues

* Ruby tunes her radio by listening Satin Doll" from Duke Ellington , complete with her radio. she is bonked by one of Oscar's shoes just as he finishes she heard a Tappy Sound.
* Ruby Looks at Steve evokes another classical staple as he sings "la-la-la, la-la-la..." to Liszt's "Hungarian Rhapsody No. 2" while Lucy Spook taps her feet, up and down Elmer's backstairs and ruby applause.
* Andy Pumpkin sings and tap dance "Some Sunday Morning" (by M.K. Jerome, Ray Heindorf and Ted Koehler) until being bonked again when Elmer throws a book titled *The Thin Man* at Lucy spook, after which Lucy Spook throws a book called *Return of The Thin Man* at Elmer, who closes the window before the cat can finish. Then the phone rings (in a phone booth in Elmer's house), and the Lucy spook sings the final line through the phone.
* Sylvester sings Jule Styne and Sammy Cahn's "You Never Know Where You're Goin' Till You Get There" (this song would be the opening music only a few weeks later in "Hop, Look and Listen").
* Elmer charges after Sylvester, interrupting that number, and Sylvester hands the sheet music to a dopey-looking cat before fleeing. The cat turns the music sheet every which way, and then begins singing an excerpt from the aria, "Carissima" (by Arthur A. Penn), in a classically operatic female voice. That song comes to a sudden end when Elmer whacks her over the head, and the cat and the song both fade out like a record slowing down. Then the cat staggers and falls off the porch roof, in rhythm to the tune's closing notes.
* Confronted by Elmer and his shotgun, and a threat to "bwow him to smitheweens", Sylvester sings a variation of "Brahms' Lullaby" ("Go to sleep, go to sleep, close your big bloodshot eyes...") He then carries Elmer back to his bedroom and tucks him in, still singing until he finishes. He then kisses him on the cheek sweetly and walks out the door, turning off the lights.
* Seconds later, the cat jolts Elmer awake by playing a fast-paced march "Frat", by John F. Barth, another frequent WB staple, on a one-man band apparatus. Elmer chases him again, and he runs out a door and closes it. Elmer opens the door and slams his head into another door labeled "Surprize!" (sic)
* Sylvester rows a rowboat across the top of the fence, singing a jazzy version of Percy Wenrich and Edward Madden's "Moonlight Bay". Elmer puts out a saucer of milk, which he has laced with alum, and summons the cat. Sylvester dances to The Sailor's Hornpipe to reach the saucer, and carefully holds a cane and straw hat out to see if Elmer has the site booby-trapped. The cat slurps down the milk, hornpipes back to his fence, and resumes singing "Moonlight Bay" until the alum shrinks his head to the size of a ping-pong ball (another oft-used WB joke), while his voice speeds up to chipmunk-level.
* Sylvester apes Spike Jones with his last solo number, "Angel in Disguise" (by Paul Mann, Stefan Weiss and Kim Gannon), which also foreshadows the film's conclusion. He performs in the manner of Jones' band, starting with a brief, serious-sounding introduction (apparently not Blanc's voice), immediately seguéing into a jazzy rendition featuring a collection of crazy sound effects produced by firing guns, breaking bottles, and exploding firecrackers. As with some of the other songs in the cartoon, Sylvester sings directly to the viewing audience (see illustration). Elmer caps the performance by lighting the fuse to a box full of dynamite -- which explodes instantly and kills Elmer *and* Sylvester.