Make It Look Like An Accident

## Summary

Make It Look Like An Accident is Creo's 9th song ever released. It is a fast paced industrial Drum N Bass song which focuses mainly on synth melodies. This song is played at 170 BPM in 4/4 time in the key of C# Minor.

## Listen

Newgrounds
Youtube
Soundcloud

## Chord Progression

Each line represents 32 beats. Each group of characters represents 1 beat. Each underscore indicates that the current chord is the same as the previous chord.

1. C#(note) \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_
2. C#mno3 \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_
3. C#mno3 \_ \_ \_ \_ \_ \_ \_ C#m7 \_ \_ \_ C#m \_ \_ \_ C#mno3 \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_
4. C#mno3 \_ \_ \_ \_ \_ \_ \_ C#m7 \_ \_ \_ C#m \_ \_ \_ C#mno3 \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ X X X G#(note)
5. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
6. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
7. C#m \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_
8. C#m \_ \_ \_ C#m64 \_ \_ \_ Em \_ \_ \_ B \_ \_ \_ C#m \_ \_ \_ C#m64 \_ \_ \_ Em \_ \_ \_ C#°sus2 \_ \_ \_
9. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
10. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
11. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
12. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
13. C#m \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_
14. C#m \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_
15. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
16. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
17. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
18. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
19. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
20. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
21. A \_ \_ \_ \_ \_ \_ \_ B \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ B \_ \_ \_ \_ \_ \_ \_
22. A \_ \_ \_ \_ \_ \_ \_ B \_ \_ \_ \_ \_ \_ \_ C#m \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_
23. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
24. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
25. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
26. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
27. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
28. A \_ \_ \_ \_ \_ \_ \_ B \_ \_ \_ \_ \_ \_ \_ C#m \_ \_ \_ \_ \_ \_ \_ C#m6 \_ \_ \_ \_ \_ \_ \_
29. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
30. C#m \_ \_ \_ \_ \_ \_ \_ Em \_ \_ \_ \_ \_ \_ \_ A \_ \_ \_ \_ \_ \_ \_ C#m2 \_ \_ \_ \_ \_ \_ \_
31. C#m \_ \_ \_ C#m64 \_ \_ \_ Em \_ \_ \_ Em/M9 \_ \_ \_ A \_ \_ \_ AMaj7 \_ \_ \_ C#m/M2 \_ \_ \_ \_ \_ \_ \_
32. C#m \_ \_ \_ C#m64 \_ \_ \_ Em \_ \_ \_ B \_ \_ \_ C#m \_ \_ \_ C#m64 \_ \_ \_ Em \_ \_ \_ C#°sus2 \_ \_ \_
33. C#(note) \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_ \_

## Melody

This song has an abrupt start. (The Youtube video has a short fade in for some reason.) It starts with a tremoloed synth while the fast paced percussion builds up. Two more synth "drones" join in at 0:11 while a high buzzy synth repeatedly comes in and out of the song. The high synth steadies itself as a part of the song at 0:22. It also has a bit of a solo. This continues until 0:43. Here, all synths cease for 3 beats when a piano note plays. A female voice also says "It's too heavy".

The main theme begins at 0:45. A synthesized melody begins with some high-pitched synth accompaniment and a low-pitched bass line in the form of a synth. At 1:07, the main melody switches to the bass synth. The higher synths now add to the song as accompaniments. At 1:19, the medium-pitched synth also gains the melody as if the two synth melodies were duetting. This continues until 1:30, when the first section of the main theme repeats itself. At 1:52, the percussion changes its rhythm but the melody remains the same. Some vocal samples are also played throughout this section.

The main theme temporarily ceases at 2:15. This part of the song is still tense, but there is only occasional percussion. There is also still some less occasional synth. At 2:38, the vocal samples change and the melodic synth completely disappears. A guitar melody also joins in. At 3:00, the percussion rebuilds itself until the next drop (which begins at 3:45). A new melody occasionally plays in this part.

The second drop begins at 3:45. The main theme is now playing itself again, except this time, the percussion begins differently than in the first drop, and the synthesized melody also joins in differently than in the first drop. At 3:56, the melody that played in the second pre-drop plays here. The melody changes back to its original form at 4:02 with an extra bass synth solo. The first section of main theme actually repeats itself at 4:08. At 4:31, the fourth section of the main theme repeats here but with slightly more intense percussion. The song changes at 4:53, and there is finally a different synth melody. The vocal samples fade back in at 5:00 and back out at 5:07. There is even a bass synth solo at 5:10. At 5:16, the synth melodies change to be more screechy, and at 5:44, the percussion changes to lead to the coda.

The coda begins at 5:50. The percussion ceases completely. The synth melodies are still screechy but they slowly fade out to the end. The previously used guitar solo is used until the abrupt ending.

## Notes

* This is Creo's longest song ever published. Runners-up are Phantasm and Flux (5:54).
* This song also has the longest name in Creo's Discography with 29 characters.
* This is Creo's first Drum N Bass song.
* This is Creo's only song released in 2011.
* This song was made by Creo's brother, back when "Creo" was a collaboration between him and his brother.