"Well Done, Son" Guy

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"*A father has to be a provider, a teacher, a role model, but most importantly, a distant authority figure who can never be pleased.*"—**Stephen Colbert**, *I Am America (And So Can You!)*

Our hero may be a perfectly Nice Guy, respectable, successful, a loving husband and a good father. But what he really wants is for this *one guy* to acknowledge this.

Most often, that *one guy* is his emotionally distant father, though it can also be The Ace, The Obi-Wan, an Aloof Big Brother or especially that Always Someone Better individual, usually as an old friend of the hero. Almost always a Special Guest, and often a Large Ham as well. When it's a recurring character, usually a controlling parent.

A Fawlty Towers Plot will often ensue as our hero tries increasingly more convoluted schemes to convince the "Well Done, Son" Guy of his worth.

In the end, one of two things happens. Rarely, the "Well Done, Son" Guy will turn out to have some kind of massive character flaw, and our hero will realize that it's been a mistake to weight his opinion so highly. This may result in the betrayed hero Calling the Old Man Out. Most of the time, though, everything comes to a head when the "Well Done, Son" Guy finally asks the hero why he's gone to such ridiculous ends. The hero fesses up, and the "Well Done, Son" Guy explains that he's respected the hero all along, and assumed the hero already knew (You Didn't Ask). If the "Well Done, Son" Guy is the hero's friend instead of his father, he'll often also explain that he'd always desperately wanted the respect of the hero as well (hell, sometimes the *father* wanted the kid's respect, especially if there's something big and nasty in his past, probably either ignored by or unknown to the hero).

Cue the Full House Music.

In other genres, this can be a bit more understated, with the "Well Done, Son" Guy simply giving our hero an approving nod from a distance (or saying, "That'll do, pig"). If the "Well Done, Son" Guy is a Trickster Mentor or Zen Survivor, they may have a very long and painful road ahead of them to get even that. May be part of an Inadequate Inheritor plot. The Fantasy-Forbidding Father usually inspires this sort of feeling. This dynamic is usually father-son. Mother-daughter and father-daughter are not too unusual, but mother-son is rare.

A really unpleasant variation is when the "Well Done, Son" Guy is already *dead*, which in most cases means the approval and emotional bonding will never happen.

Contrast So Proud of You.

Examples of "Well Done, Son" Guy include:

## Anime & Manga

* In *Neon Genesis Evangelion*, Shinji Ikari is desperate for any kind of approval from his father Gendō. (What's arguable is whether Gendō knows, and if so, whether he cares. In the movie *End of Evangelion*, it is revealed that Gendō may actually have cared about Shinji, at least as much as someone like him is able — but may also have been *as afraid of his own son as Shinji was of him*. His last words before his head gets chomped are basically "sorry [for all that crap I put you through], Shinji.")
	+ Gendo does praise Shinji once — *just once*—over the phone. "Good work, Shinji." That one tidbit of approval is still ringing in Shinji's ears episodes later.
		- In the manga, Gendo knows very well that Shinji seeks his approval, he just doesn't give a shit beyond using that to manipulate Shinji so he can become God — he blamed Shinji for stealing Yui's affection and love from him.
	+ Asuka is arguably a Gender Flip of the trope. As a young child, she desperately sought her mother's approval of her being selected as an Eva pilot. The problem is that by that time, her mother was too insane to even recognize Asuka as her daughter, much less give her praise. This is because much of her personality was transferred to EVA-02, where her will only really gets to manifest itself through Humongous Mecha action; Asuka catches on, but basically only near the bitter, bitter end, where otherwise nothing good is happening to her...
	+ This trope is still obviously present in *Rebuild*, although Gendo and Shinji are shown to actually try to reconnect, and *Rei* wants to help them! They've made only a bit of progress (with Shinji being stunned by the first bit of praise he's ever received from his father), but it's Eva, so even this much is significant.
	+ In the *much* Lighter and Softer spinoff, *Shinji Ikari Raising Project*, Gendo arguably inverts this, absolutely piling on the praise for Shinji, so much so he becomes sort of an embarrassment for Shinji.
* Reporter Takashi Jo from the manga *Eagle: The Making of an Asian-American President* also frequently tries to meet the challenges that his long-lost father, Democratic presidential candidate (and Zen Survivor of the Vietnam War) Kenneth Yamaoka, poses to teach his illegitimate son the way of the Magnificent Bastard. Takashi's attempts to understand Yamaoka conflict with his resentment over Yamaoka's abandoning his mother — and the suspicion that her recent, suspicious death was no accident...
* *Naruto* is absolutely rife with this. A few examples:
	+ As a child, Sasuke constantly pushed himself to be the best in his class and get his father Fugaku's attention until, you know, his brother killed his entire family. His relationship with said brother is also like this—even after Itachi was believed to have slaughtered the entire clan.
	+ Hinata Hyuuga, resident Shrinking Violet and Unfavorite of her clan, also desperately seeks approval from her father. She gets her 'Well Done Daughter' at the end of Part I and seems to be held highly by the Hyuuga Clan in Part II.
	+ And for the last few: Naruto constantly seeks Sasuke's approval; Rock Lee seeks the approval of Might Guy, who seeks the approval of Kakashi, who seeks the approval of his dead friend Obito. Young Gaara started out seeking the approval of anyone who would give it to him, but nobody did. During the Chunin Exam arc, it seems like at least half of the characters are trying to get some teacher or rival to acknowledge their worth, and the rest are trying to get their *crushes* to acknowledge their worth.
		- Naruto got his "Well Done, Son" Guy from Minato and Kushina, his parents. To their credit, they both had a perfectly legitimate reason for not giving their approval sooner...
* Toshiki in *GetBackers* brainwashes Kazuki, steals his soul and nearly murders the kinda-hypotenuse because he feels Kazuki never paid attention to him when they were younger. In actuality, Kazuki watched him for years, and knows both him and his "beautiful dance of a fighting style" very well. Subsequently, Toshiki joins Juubei as Kazuki's right-hand man and protector for the rest of the series.
* A female example is found in Layla Hamilton from *Kaleido Star*, who after losing her mother, swore to not ever disappoint and make her father sad. She couldn't keep her promise when she chose the Stage over a filming career, but did reconcile with Dad later
* Uryū Ishida from *Bleach* is ostensibly out to seek vengeance for the destruction of his clan of mystical archers and his grandfather's grisly murder. However, his interactions with his VERY distant and demanding father suggests that Uryū trains as much to try to prove his worth to his only living relative as to honor the dead.
* Gender-flipped in *Fushigi Yuugi*. In the manga (the anime only hints at it), Miaka Yuuki was portrayed as seeking her Education Mama's approval constantly before she was spirited to the Four God's Universe. The manga explained such a conduct as a side-effect of her parents' divorce: child Miaka saw her mother crying often after Mr. Yuuki left and vowed to not make her cry.
* In the *Mobile Suit Gundam* original series, Prince Garma Zabi is handsome, well-intentioned and charming. However, he's also extremely inexperienced and *knows* he got his spot in the Zabi hierarchy only because he's Sovereign Degwin's favorite son, so this soon derivates in his obsession to prove his own worth to his older and more competent siblings (specially Lady of War Kycillia) and his best friend Char Aznable. Which brings him to his downfall.
	+ Another very dramatic example in the Gundam series, more exactly *Mobile Suit Gundam 00*. After *her whole family* is brutally killed, Louise Halevy joins the A-Laws to avenge them. When she *does* get her revenge by killing their murderer, she has an Heroic BSOD where she pleads for their souls to acknowledge her worth, then cries.
	+ In *After War Gundam X*, Olba Frost is a cocky and arrogant young man and Gundam Pilot whose only family is his older brother and partner, Shagia. He's the only person Olba respects and cares for, so he deeply strives to be seen as a worthy person by him.
	+ Athrun, from Gundam Seed/Gundam SEED Destiny, seems to acquire this in some form during Destiny (in regards to both his late-father and his father's successor, Gilbert Dillandal). And more than anything, his almost blind faith in ZAFT, which his father founded. It's the basis of most of his actions in the early part of Destiny.
		- Meer Campbell, also from Destiny, wants to have the approval of the woman she's impersonating per orders of Chairman Dullindal, Lacus Clyne.
	+ In Gundam Wing, Quatre Raberba Winner grew up believing that his distant father had him created in a lab like his twenty-nine older sisters and that he was just a disposable commodity. When he is brought home by after a period of floating injured and unconscious in space, his father lives long enough to reject him once more before rebelling against the colony government and dying. Quatre's mental breakdown triggers the next major arc of the series.
	+ Asemu Asuno, the protagonist of the second generation of Gundam AGE, deeply loves and admires his father Flit and spends a lot of time and angst trying to win his praise and be as good of a Gundam pilot. Unfortunately his lack of X-Rounder aptitude and Flit holding him at an ever-increasing distance once Asemu joins the military changes this into "What the Hell?" Dad, and Asemu begins looking towards Woolf as a mentor instead.
* Future Trunks from *Dragonball Z* kind of got to have it both ways. Despite being repulsed by his father Vegeta's evil behavior, he still wanted his approval and often behaved deferentially. Vegeta, being Vegeta, considered this a weakness and even mocked him for it. He was surprised (and more than a little pissed off) when Trunks actually followed through on his threat to attack him if necessary to prevent Cell's transformation, even though that meant giving up all hope of winning his approval. When Trunks later *died* at Cell's hands, Vegeta found himself experiencing guilt for probably the first time ever, and went APESHIT on the murderer. Realizing that, after Trunks was revived and returned to his own timeline, Vegeta gave a small but powerful farewell salute.
	+ Present Trunks also has this towards his father, but Vegeta seems to have learned a small lesson, and shows pride in his son from time to time.
* *Baccano!'s* Chane Laforet is prone to bending over backwards to please her father Huey, up to and including giving up her voice just to better keep a secret for him. This is not helped by the fact that Huey, while surprised by her behavior, actively *encourages* this sort of thing for fun and profit.
* Norman to Ruby, in *Pokémon Special*.
* Flashbacks in *Skip Beat* show the heroine Kyoko as a child doing everything she can to make her cold mother proud of her, such as by working herself into the ground to get perfect scores on her tests (a habit that continued even though they were apart for years when she tried to finish high school).
* As a kid, Guts of *Berserk* wanted more than anything to please his adoptive father Gambino, the leader of a mercenary band that took him in. Unfortunately, as this is the *Berserk* universe, things turn out badly for him. VERY badly. Turns out that Gambino was a complete asshole who blamed Guts for the death of his lover Shisu from the plague, and who went as far as to *have him raped by one of his men* because he considered Guts "disgusting" and he did not feel that he could be "raised to be loyal like a dog." It all comes to a head when Gambino, having lost a leg in battle, gets drunk and heads into Guts's tent in order to murder him, and Guts has to kill him in self-defense.
* A fairly bizarre example occurs in *The Day of Revolution* when an intersexed schoolboy opts for gender reassignment surgery largely because he hopes becoming a girl will mend his broken relationship with his cold and distant father (fortunately it's not his only reason.)
* *Arata Kangatari* has a rare mother-son example, with Yorunami and his deceased mother.
* In *Soul Eater*, Kid appears to have his father Shinigami as this. It's mentioned several times that he's Death's heir and as such a lot is expected of him. If he's worrying about something that isn't symmetry, it's being good enough as a death god himself, and his father's where he gets his ideals and expectations from. Would certainly explain his reckless determination to chase after Mosquito, one occasion where his idiocy could not be blamed on his OCPD-like thing. Unlike some other examples, Shinigami has a casual and positive attitude towards his son, the main problem here is that the two rarely talk. Medusa is also this to Crona, being the one person the child 'relies' on and wants to please. Unlike Kid and Shinigami, it's never going to work.
	+ DECONSTRUCTED: It worked and backfired spectactularly much to Medusa's delight apparently.
	+ Inverted example with Spirit and Maka. Spirit wants his daughter to think he's cool. She has numerous reasons to disagree.
* Mokuba Kaiba was this initially. It's why he tried to murder Jonouchi and Yugi. (He also had issues with solving all his problems with money and/or cheating at this stage.)
	+ The second (main) anime condenses Kaiba's early character arc down to almost nothing, but in the manga Mokuba first appears when he forces Yugi to play a rigged game of Capsule Monsters to avenge his brother's honor, Seto having been mindcrushed earlier. He loses, naturally, and reappears in the lead-up to Death-T to challenge them to a rigged game of poison-food roulette. Yami makes him eat the poison, since he had the antidote on him. It was all still in support of his brother, but it's not played too sympathetically.
	+ In the climax of the Death-T arc his character finally reaches its familiar plateau, when he plays Yugi again in the second-to-last stage, and loses, and *Seto subjects him to the Mind Rape penalty box of torture*. To reiterate more simply: Seto. *Tortures.* **Mokuba**.

 **Seto Kaiba:** Those pathetic, clinging eyes on my back, I've felt them for years. In the world of games, there's no room for something like brotherly affection. Until you understand that, you'll never be anything but a loser!
**Mokuba Kaiba:** Please, Seto-sama, I only wanted your approval--!
**Seto Kaiba:** The loser suffers a penalty game. That's the rule of Death-T! *[presses the button]*

* + - Mind you, it's also explicitly that he's pissed Mokuba tried to avenge him, since if he lost, that was just dragging the name further in the dust, but if he *won* Seto would never have recovered from the humiliation. Still a serious dick move no matter what.
	+ After Yugi saves Mokuba, the kid explains their backstory with the orphan thing, and after Seto's second, more thorough Mind Crush he gets back his Big Brother Instinct and then they're a regular devoted pair of Morality Chains for the rest of the series, but until Seto turns up to rescue Mokuba at Duelist Kingdom, Mokuba still didn't *know* if he was ever going to get anything more than that "You'll never be anything but a loser".
* The main character from *Kimba the White Lion* has this relationship towards his father who was killed before he was born.
* Subverted in *Mens Love*. Everyone who knows just who Daigo's father is assumes this is why Daigo works so hard. Actually, he just wants to take care of his mom and doesn't even view his dad as a parent, just a difficult employer.
* Chibi-Usa and Usagi's relationship in Sailor Moon does not *seem* to be like this, as they treat each other like squabbling siblings most of the time. However, Chibi-Usa and Usagi's *future self* Neo Queen Serenity fit in to a T: Chibi-Usa's relationship with her dad King Endymion (future!Mamoru) is very much Daddy's Girl-like, but she half-loves Serenity like the good mom she is and half-idolizes her to the point of inferiority complex. It doesn't help that Serenity is quite Older and Wiser compared to the Usagi we know as Sailor Moon. (Though sometimes Not So Above It All.)
* In *Tsukigasa*, Kuroe starts crying when his dad unexpectedly forgives him for running away.
* Inversion: In *Tiger and Bunny*, the only person who Kotetsu really cares about winning the respect and approval of is his daughter, Kaede. Later on, Barnaby starts feeling this way in respects to Kotetsu.

 **Barnaby:** I just aspire to be someone worthy of his trust.

* This is a major plot point in the one-shot manga *Vitamin*. Sawako wants her mother's praise, so she tries to finish school and get into a good career.. However she becomes bullied by her ex-friends and refuses to go to school, causing problems.
* *Confidential Confessions* has this in Volume 3. Kyoko's father graduated from Tokyo University, so naturally she's expected to match up not just by him, but everyone. This, combined with her own weight issues are what drive her to drugs. In an unusual variation, it's not Kyoko, but her *father* who realizes (after some soul searching) that he screwed up and drove her to the drugs in the first place.
* Sesshomaru has this trope written all over him. Younger half-brother Inuyasha is an aversion; he never knew their father, and doesn't care much either way.
* In Umi no Misaki, Shizuku puts her all into being a proper cape maiden to try to get her *mom* - a previous cape maiden - to approve of her.
* A younger Luffy wanted to be friends with Ace, the older kid living with him, and Ace's friend Sabo, who found him to be a weak, annoying crybaby, and lead him into tons of deadly situations to escape him, but he kept coming back. Eventually, Luffy shows how tough he really is, and they become brothers.

## Fan Works

* Given the importance of this trope to the source material, one can hardly fail to mention *Nobody Dies*. Asuka is the gender-inverted version of this trope turned Up to Eleven, to the point where Kyoko is an outright Abusive Parent, but it also remains a facet of Shinji's relationship with his father; Gendo might be a lot less messed up with Yui still at his side, but he isn't prone to overt displays of emotion and it's not always obvious that yes, he *does* love his son. They spend a fair chunk of the story working through this.
* Heavily implied in X-Men fanfic *Mutatis Mutandis* by Artemis's Liege for Rogue toward Mystique. The latter appears to be the one person the former respects and the reason she bothers to try at her new high school. Unfortunately, though she does care, Mystique sees Rogue as ultimately an agent of the Brotherhood of Mutants for her to brainwash and use against the government.

## Comics

* *Batman*, being the emotionally reclusive obsessive vigilante that he is, is generally shown as not showing gratitude, approval, or pretty much any emotion towards his adoptive sons (a.k.a., the Robins), at least for anything short of saving his life. However, they've known him so long that they've can tell when a small nod and an urge to get back to work really means "I'm proud of you." And it often does (how touching).
	+ It also helps that he does *tell* them when they've done good work. He won't gush, but he'll say it. When they have been exceptionally resourceful, he isn't above saying so either:

 **Batman:** *(to Huntress)* This is good work.... No. This is *outstanding* work.

* + And:

 **Batman:** Good work, Huntress.
**Nightwing:** Rest *easy*, Huntress. That's his *highest* praise.

* + One of the reasons Jason Todd is *so messed up* (among many) is that he wants Batman to approve of him, while at the same time believing that Batman never did and wanted to replace him.
	+ Major Crowning Moment of Heartwarming: soon after the recent introduction of Damien Wayne, Tim Drake had been feeling somewhat overshadowed, leading him to go out solo in search of information on a recent case—after getting into trouble, Batman bails him out, and immediately tells him "You have *nothing* to prove to me."
	+ There were a lot of times Batman refused to accept Spoiler, but there were a few instances that he did. " Don't apologize and don't turn it off. I ... don't mind the company."
	+ Batman is sometime portrayed as torn between wanting people to carry on the fight after he croaks or retires, and wanting something better for his "kids". One of the reasons he's slow with the praise and quick with the criticism is that part of him *wants* his adoptive children to reject his lifestyle and go on to live normal happy *sane* lives. That and he's a (self-admitted) bundle of issues. They wisely refuse to take the hint.
	+ Dick Grayson in particular is adept at seeing through Bruce's rather irrational attempts at bullshitting a stern, authoritarian persona. For example, when Bruce gives Dick papers that would make Dick Bruce's legal son, he spews a long stream of flimsy qualifications, explanations that it was just a courtesy, and reassurances that Dick doesn't have to do it if it insults the memory of the Graysons. Dick interrupts him mid-sentence with "I get it — and I love you too."
		- History repeats itself when Bruce offers to formally adopt Tim Drake some time after Jack Drake's death in *Identity Crisis*. He gives Tim the exact same speech he gave to Dick, and reassures Tim that he isn't trying to dishonor Jack Drake's memory or replace him as a father. Tim responds with a tearful hug.
	+ In a way, Batman also has this with his own father. On several occasions one can catch him wondering if his parents are proud of him and would approve of his decision, and Depending on the Writer he may or may not hold himself responsible for the circumstances of their death. His dad in particular plays a large role in his psyche, as he was by all accounts a smart, brave, noble Renaissance Man who divided his time between being a successful businessman, generous philanthropist, world class surgeon, and of course devoted husband and dad. Bruce is sometimes depicted as somewhat ashamed that, though he is a heroic crimefighter on the one hand, on the other he is also a violent vigilante who dresses like a giant bat. When he compares himself to his dead father, he generally puts himself down.
		- On a related note, he sometimes asks Alfred if his father would be proud or ashamed of him....and sometimes he asks Alfred if *he* is proud or ashamed of him. Alfred almost always responds that both of them are proud of him, sometimes even if he never asked. Alfred, after all, has always seen Bruce as a son, just as Bruce has always seen Alfred as a second father.
	+ This is how Damian views Bruce, and the core of their relationship in the New 52. It's not that Bruce doesn't appreciate Damien, but he has no idea how to be an actual father to Damian, and has difficulty trying to express his feelings to him, both as Robin's mentor and as Damien's dad. Alfred is trying to help him figure it out.
* In Marvel's (and now Devils Due's) *G.I. Joe* continuity, Storm Shadow felt unwanted and underappreciated after his uncles praised Snake-Eyes's abilities above even his own. However, in a subversion, an assassin uses this resentment, which is by that point out in the open, to frame Storm Shadow for killing his uncle—Storm Shadow himself would never have *considered* such a thing.
* Ajak from Marvel's Eternals used to be the only Eternal who could directly communicate with the Golden Celestial. Ajak took this as a sign of favoritism and did all he could to learn about the Celestials. After the series had a reboot, it was revealed that Makkari was the Celestial's favorite. Ajak did not take the news well.
	+ Ajak was made to talk to the Celestials whenever they show up, it's just *this* one isn't like the others and likes Makkari (and Iron Man) better.
* In *Superman* comics, Lois Lane has something like this going on with her father, Major Sam Lane. Her sister Lucy appears to have it even worse in recent appearances.
* Subverted in the furry comic, *Associated Student Bodies*, where one of the main characters told the story of his childhood being physically abused by his drunken father so badly that he was driven to drink himself, stealing his father's booze. Eventually, the wolf cub grew up tall and strong enough to fight back effectively enough give his father a furious beating. However, even while he was lying in a pool of blood, his father's only comment was an admiring one, "'Bout time you were a man." For his part, the cub was completely disgusted by this perverse admiration of bloody violence and left his father to enlist in the military as soon he could.
* Harry Osborn of *Spider-Man*, anyone?
	+ Even more so in the *Ultimate Spider-Man* line, where Norman considers Peter Parker 'my boy' rather than Harry. Yet, he stops his rampage when the Ultimates bring Harry to confront him.
* Most incarnations of Quicksilver are this with Magneto, but Ultimate Quicksilver has this in spades - Magneto repeatedly condescends towards him, and even requests that Cyclops call him 'Father' in Quicksilver's presence - until finally Quicksilver betrays his dad after being 'treated like dirt under your shoe his whole life', then puts on that iconic helmet in private after thinking that Magneto really died. He does the helmet thing all over again at the end of the Ultimates series.
	+ Not to mention getting it on with his sister Scarlet Witch (hot or squick, YMMV)... When Magneto returns, he shoots out both of Quicksilver's knees (not for betraying him, but for sissyfying his organization), but later seems to show concern over his son's condition.
* Kalibak *lives* for the approval of his father Darkseid. Darkseid repays Kalibak's devotion by constantly snubbing him in favor of Orion and giving Kalibak the Omega treatment whenever he fails to meet Darkseid's impossible standards—or just for the sheer hell of it. Darkseid's affection is limited to reviving Kalibak in order to give him another chance to prove himself and that's likely only because Kalibak's late mother Suli was the only person Darkseid ever truly loved.
	+ Darkseid's other sons don't share Kalibak's desire for approval. Orion *loathes* his father and is a sworn enemy of Darkseid and Apokolips. Grayven constantly tries to escape his father's shadow one way or another—no easy task considering Grayven is pretty much a pale imitation of Darkseid in every possible way (weaker variant of Darkseid's Eye Beams, same skin tone, similar physique...).
* In *Sonic the Hedgehog*, Gen. Armand D'Coolette's pride in his son, Antoine, wasn't quite obvious to the latter until the former was on his deathbed in issue #168.
* *All Fall Down* has IQ Squared and his father, IQ. He gets his dad's respect in the end, but for something he didn't actually do.

## Films — Animation

* In Disney's Tarzan, Tarzan is constantly seeking the approval of Kerchak, who refuses to accept Tarzan as a member of the gorilla pack, much less as his adopted son. That all changes when Tarzan comes back to save them. Sadly, it doesn't last that long, as Kerchak receives a fatal bullet wound from Clayton. After Clayton's death, Tarzan kneels over Kerchak, who passes on leadership of the pack to Tarzan and even acknowledges Tarzan as his son with his last words.
* The direct-to-DVD movie *Kronk's New Groove* is focused around Kronk desperately attempting to impress his father—who expects Kronk to have a big house on the hill and a beautiful wife. Kronk isn't even looking for verbal praise, but simply wants one of his father's elusive thumbs-up.
* In *Kung Fu Panda*, part of Tai Lung's motivation is feeling betrayed by his de facto father, Shifu, for not standing up to Master Oogway when the turtle refused to dub him Dragon Warrior after working so hard to impress him. Conversely, Shifu feels profoundly guilty for having raised such a bully and only finds peace in training Po, who effectively becomes a new son for him. For his part, Po grows to see Shifu as a second father and strives to live up to his hopes, although Po loves his (obviously) official adoptive father no less.
	+ And true to form, while the pride Po's father has for him is mostly implied by his acceptance of the panda as a Kung Fu warrior instead of a noodle-maker, Shifu actually comes right out and tells Tai Lung that he was always proud of him, that he'd had his respect all along (then he had to go and ruin it by turning evil, of course).
	+ Also, it is implied that Tigress has been training her entire life to earn Shifu's approval, but he has been too guilty over his failure with Tai Lung to give it to her.
		- This is explained in the Short film *Secrets of the Furious Five*—Shifu actually adopted Tigress from her orphanage. She *is* his daughter for all intents and purposes.
		- There is more than that. Tigress clearly sees herself as an unloved, unpraised, second-rate Replacement Goldfish for Tai Lung and blames Tai Lung for breaking Shifu's heart and making him the Jerkass he is in the beginning. Funny that Tai Lung accuses Shifu of exactly the same lack of love and approval (except that being the Evil Counterpart he actually snaps as a result). While they are wrong about Shifu, the latter's parenting techniques clearly suck.
* In an interesting variation, happens twice to Simba of *The Lion King* (though with decidedly less subtlety the second time around). Although by no means an emotionally distant father, Mufasa is often rather preoccupied with the duties of the throne, and little Simba certainly sees him as a hero, worshiping the ground his paws tread upon. But there is no indication Simba ever doubts he has his father's love or respect...until Scar convinces him he is to blame for his father's death. Then, overcome with remorse and believing no one could ever forgive him, he voluntarily goes into exile. It is Mufasa's ghost, reminding him of his place in the Circle and telling him "You are my son and the one true king," that sets him back on the right path again. And with a simple, single word, "Remember..." he lets his son know he is very proud of him indeed.
	+ *Simba's Pride*, however, has Simba forgetting this moving testimonial and unable to get over his past, refusing to trust Kovu or see him as anything but a reincarnation of Scar, all in the mistaken belief that this is what his father would do (and therefore, would make Mufasa proud of him). Luckily Nala, as usual, is the voice of reason while Kiara, with typical bluntness, makes it quite clear to her father that he is not and never will be Mufasa. And just to hammer the point home that Simba does not have to emulate his father's reign (or his perception of it) in order to receive his love and pride, Mufasa's ghost actually says the words, "Well done, my son" after the prides are united and peace is declared.
	+ Nuka constantly seeking his mother's approval also qualifies. And, of course, receives it only when he *dies* trying to impress her by killing Simba. Zira's pained expression is probably the most "human" moment she has.
		- Full stop, it qualifies.
* While they don't actively *dislike* her, it's obvious that Mulan's parents don't exactly...*understand* her. The last words she speaks to her father before running off to join the army are... *strained.* At the end of the movie, though, he changes his tune. Beautifully.

 **Fa Zhou:** The greatest gift and honor is having you for a daughter.

* In Pixar's *Up*, this trope is revealed to be a central motivation for Russell and his obsession with earning all his Explorer patches: his estranged father has been ignoring him and Russell is clinging to a thin hope that if he earns all his patches and makes Senior Explorer, maybe his father will come for the promotion ceremony. As it is, when the boy finally makes it home and gets that promotion, his father fails to show and the boy is heartbroken. However Carl, who now sees Russell as the son he never had with his wife Ellie, comes to play the father's role in the ceremony and gives Russell his most prized possession, the bottle cap badge Ellie gave him when they first met as children.

 **Carl:** For assisting the elderly, and services above and beyond the call of duty, I give you...the Ellie badge.

* + Some of Russell's interactions with Carl also follow this trope. Carl himself is trying to make his dead wife proud, feeling that he failed her in her dreams to have an adventure, until he discovers that nothing meant more to her than having a life with him.
* In *Fantastic Mr. Fox*, Ash may be a sullen brat in the beginning, but he also tries to live up to his father's fame, only to then be hopelessly overshadowed by his unbearably perfect cousin, Kristofferson, whom his own father can't stop praising. However, at the climax of the story, Ash has grown to like the goodhearted Kris after all and accepts his own limits; only then does he stun his father with a Crowning Moment of Awesome that deeply impresses him.
* In *Despicable Me*, Gru had difficulty trying to impress his mother as she keeps on saying "eh" on his accomplishments. In the end, she does say that she is quite proud of her son. Also, in a lesser sense, we have Vector and his father Mr Perkins.
* Again from Pixar, Remy from *Ratatouille* tries his best to show his father that he can be a chef and get along with humans, despite both these things seeming impossible due to them being rats.
* In *Cloudy with a Chance of Meatballs*, Flint wants his father's approval, and finally gets it with the help of a monkey translator. Revealing he was always proud of his son, he was just unable to say it.

## Films — Live-Action

* *Boiler Room*.
* In *The Breakfast Club*, Andy explains in his breakdown scene that he hates wrestling but is into it to get his *very* competitive father's approval.
	+ Brian studies so much because his parents refuse to accept anything less than perfect grades.
	+ Bender lives **down** to his parents' expectations.
* The Master is this to Chang Lee in *Doctor Who: The Movie*, although this was more apparent in the novelisation than the film.
* Emperor Commodus in *Gladiator* is a *very* odd example of this. He murders his father to become Emperor—and he wants to become Emperor in order to prove to his father that he's a worthy son.
* In *Hamlet 2*, most of protagonist Dana Marschz's hang-ups and neuroses (which are presented in a not-at-all-subtle fashion in the titular play) can seemingly be directly traced back to his difficult relationship with his father. Curiously, in this example the father doesn't actually appear; as such, Dana appears to have adopted the tight-ass principal of the high school where he teaches as something of a warped substitute, going so far as to screech "You never believed in me, Daddy, I hate you!!!" in the middle of an argument with him completely out of the blue, and then having the principal kidnapped and forcibly made to watch the play so that he can get his approval.
* Indy and Short Round trade hats in *Indiana Jones and the Temple of Doom*. Trust me, it's *way* more important in context.
	+ Not to mention Indy's relationship with his own father, Henry Jones Sr., as shown in *Last Crusade*. Papa Jones always made Indy feel like, to use his own words, people who had been dead for centuries were more important to him than his own son. By the end of the adventure, however, Indy knows for sure just how much his dad loves him and how proud of him he is.
* Toyed with in *Austin Powers in Goldmember*. Austin is partially wrong in his assumptions about his father, Nigel- he does respect Austin, and even loves him, but he spent Austin's childhood trying too hard to be Austin's best friend, when he should have been trying to be a father.
* Used straight in *The Karate Kid*. In this film, Mr. Miyagi is so well-developed as a father figure for Daniel that in the final scene, the thronging crowds or the trophy pale against the sight of the Old Master's face, beaming with pride at his student's triumph.
* Faramir and Denethor in *The Lord of the Rings* movie trilogy, especially *The Return of the King*. Even though Denethor clearly doesn't deserve his son's respect, it obviously breaks Faramir's heart when his father tells him he wishes he had died instead of his older brother Boromir. Somewhat improved when he thinks his son is dead and proceeds to suffer an emotional breakdown...though still played rather dark as Faramir was clearly just unconscious, but he's too messed up to acknowledge this and tries to cremate himself and the "body" while Gondor is in the middle of an orcish invasion. Then played more nicely when Faramir opens his eyes and he is visibly shocked, but relieved, that his son really was okay (but catches fire and dies himself anyway). Still, Faramir seems more cheerful for the rest of the movie, perhaps partly knowing that his dad- while crazy and dead- in the end really did love him.
	+ This was visible in the books, too, but much less so, as Denethor was considerably less of a scumbag and more of a tragic figure whose pride allowed Sauron to destroy him.
	+ This is made even more pronounced in the extended editions of the film, with an entire extended scene in *The Two Towers* devoted to Faramir trying, and failing, to win his father's approval.
* In *The Quick and the Dead*, all The Kid wants is the respect of his evil bastard father. As such, he enters a gunfighting competition, eventually facing his father down. The father tries to talk him out of the duel. It doesn't work, and the father shoots him dead.
* Obi-Wan and Anakin share such a moment in *Revenge of the Sith*, where Anakin expresses his anger over being allowed on the Jedi Council while not being advanced to being a Jedi Master. Obi-Wan expresses that his skill and talent is what got him on the Council in the first place, and not to be distraught over the disapproval of the other Jedi. Unfortunately, this doesn't help.
	+ *The Phantom Menace* had a scene where Obi-Wan apologized Qui-Gon for criticizing his sometimes peculiar actions (taking Jar Jar with them and betting their ship on Anakin winning the Pod Race). Qui-Gon quickly praised Obi-Wan for his willingness to learn and told him he would someday become a greater Jedi than Qui-Gon himself ever was. The novelization added other moments where Qui-Gon was critical of Obi-Wan's callousness (making jokes during combat) and lack of foresight (forgetting to turn his lightsaber battery off before jumping into swamp water), as well as the fact that Qui-Gon was known for seeking the "will of the force" over the immediate issues.
* In *Son of the Mask*, Loki, the Norse god of mischief, is hunting down the Mask because his dad, Odin the All-Father, thinks it has caused too much trouble in the human world. Odin and Loki hate each other, but at the end of the movie, are taught An Aesop by the main character about the importance of getting along with your family.
* Spock gets one of these in *Star Trek IV: The Voyage Home* when Sarek admits he was wrong to disapprove of Spock's decision to join Starfleet. A similar, more subtle moment came in the episode *Journey to Babel*, when Spock basically offered to be a walking blood bank so his father could get much-needed heart surgery.
* Emphasized in the Johnny Cash biopic *Walk the Line*, where it seems like every failure or achievement Johnny experiences, he challenges his father about it. This is a bit of Flanderization though, if you compare the source material *The Man in Black*.
* Spoofed in *Walk Hard: The Dewey Cox Story*, in which Dewey's father's response to anything his son does since accidentally cutting his brother in half with a machete is to growl "Wrong kid died!" He ends up engaging in an attempt at Offing the Offspring.
* The often-ignored Jason Stryker, in *X 2 X Men United* movie.
* The Pierce Brosnan version of *James Bond* is always getting chewed out by M for one thing or another, but in *The World Is Not Enough* she confesses to Elektra King (while he's well out of earshot) that he's the best agent they've got, adding: "But don't ever tell him I said that."
	+ The reboot of the franchise (*Casino Royale* and *Quantum of Solace*) subtly implies the same relationship. M is constantly berating Bond and, in the first movie, severely doubts his abilities while doubting his sanity in the second. However, Bond himself says that the Big Bad tried to kill someone very close to him (the attempted murder of M at the beginning of the movie), to which Camille asks if it was his mother. Bond replies "She likes to think so." Then, at the very end of the movie, M tells Bond that they need him at MI 6.
* Linus Caldwell in the *Oceans Eleven* trilogy: Danny hooks him in the first movie by promising that after this heist "dad'll be trading on his name"; in the second movie he's upset that his mom helps to bust him out of prison and that his dad knows this, as he will never let Linus live it down and in the third movie he *finally* gets a part in on one of his dad's schemes after being doubted by him through the whole movie. Then again, it's pretty hard to outdo an experienced thief who's legitimate/cover job is *an **FBI** agent*.
* In *The Thin Man Goes Home*, Detective Nick Charles seems to have a casual (almost indifferent) relationship with his critical father, Dr. Charles, who has never forgiven Nick for not going into the family business. Nick, of course, is obviously downhearted by the fact that the old man has never been proud of him, so his wife, Nora, schemes to shake up the neighborhood in hopes of uncovering a mystery that Nick can solve in front of his father, and so gain the praise he silently longs for.
* A female version is Casey Seeger from *An Officer and a Gentleman*. She pushes herself to be the Navy's first female aviator because she wants to win the approval of her father, who had wanted a son. She suffers a Heroic BSOD when Drill Sergeant Nasty Foley calls her out on it during training.
* The catalyst for the plot in *Hot Rod* is that Rod has to earn the money for his stepfather's heart transplant so that he can defeat him in a fight in order to win the man's love and respect.
* George W. Bush is desperate for "Poppy's" approval in *W.* (the political life was apparently meant for brother Jeb), and a nightmare shows how terrified W is:

 **Dream!Poppy:** A hundred years it took to build up the Bush name *and you single-handedly destroyed it!*

* In *The Greatest Game Ever Played*, Francis Ouimet wants to prove to his disapproving coal-mining father that he's able to play and win the U.S. Open against all the upper-class golfers, even though he wouldn't get any money for winning since he's an amateur. Results in a major Tear Jerker when Francis wins the U.S. Open and his father shows up in the crowd to wordlessly congratulate him.
* In *Babe*, the relationship between Pig and his owner has shades of this. "That'll do, pig. That'll do."
* In *Amadeus*, Mozart felt tremendously guilty for living a life that his father disapproved of. Mozart's rival, Salieri, was able to use that guilt to literally "haunt" Mozart to death by dressing up in a costume his late father had worn and then goading him into composing a requiem mass (a mass which Salieri hoped to steal and take credit for).
* *Blank Check* has Preston seeking the approval from his capitalist father, who looks down upon him for not having a job. The kid is around *ten years old*. His father does get the message, late in the movie, and Preston forgives him.
* Robert Fischer of *Inception*, giving him full woobie qualifications from the get-go. Made worse in that his father expressed his disappointment with his dying breath. Naturally, the plot relies on exploiting his Daddy-related insecurities mercilessly.
* In *Ever After* ("Cinderella" remade as a historical drama), Drew Barrymore played Danielle, who desperately tried to win the approval and love of her Wicked Stepmother, the Well Done Daughter Gal Rodmilla de Ghent, the only family she had left. After she destroys any hope of Danielle being with her prince, Rodmilla taunts her relentlessly until finally Danielle asks if she had ever loved her at all. De Ghent cruelly replied, "Who could love a pebble in their shoe?" before selling Danielle into slavery. The next time they meet, Danielle is betrothed to her Prince Charming, while de Ghent and her equally nasty older daughter are stripped of their status and forced to work as servants in the castle. Danielle happily announces at that point, "I want you to know, that after this moment I will forget you and never think of you again. But you, I am quite sure, will think of me every day for the rest of your life."
* In *Thor*, Loki's motive behind the villainous acts he committed (bringing Laufey to Asgard to assassinate Odin, but then killing him to make it look as if he had saved Odin) was solely to gain his father's pride and affection. Although, his father already did love him, and was very proud of him.

 **Loki:** I never wanted the throne! I only ever wanted to be your (Thor's) equal!

* George V to his sons in *The King's Speech*, being a bit of a Jerkass towards his own children when they were young. However, unlike most instances of this case, he does approve of the adult Albert (though still frustrated by his speech problems), much more than his oldest son. In real life, he expressed preference for Albert and *his nine year old granddaughter Elizabeth* over Edward for the throne near the end of his life.
* *October Sky* has Homer Hickam, who does want his father's approval, and his mounting frustration when his father fails to see the worth of his achievements until the last rocket is launched. He also earns it when he goes to work in the mine to support the family, but loses it when he quits.
* Billy in *Buffalo '66* hates both of his parents but still thrives to impress them, going so far as to kidnap a beautiful woman so he can pretend she's his wife.
* In *The Guardian*, rescue swimmer trainee keeps trying to earn the respect of the class instructor, Ben Randall.

## Literature

* Neville Longbottom from *Harry Potter*. Throughout the series Neville is the Butt Monkey, the lamest, most pathetic wizard in existence. All he wants is to live up to his parents' legacy, and it's mentioned how his grandmother was so ashamed of his clumsiness. Then after his epic Crowning Moment of Awesome, in both The Battle at the Ministry, and in *Harry Potter*, his grandma finally tells him how proud she is of him, and how he's just like his parents.
	+ Also, to some extent, Ron Weasley. He's always been overshadowed by his brothers and simply wants to be set apart, and earn the recognition of his parents. However, the Weasley family is an extremely loving one, so while he doesn't necessarily feel "special" in their eyes, he does know that he's loved.
	+ Also Draco Malfoy, although more so in the films than in the books. Draco obviously worships his father and is constantly trying to live up to his considerable reputation.
	+ Subverted in the epilogue of The Deathly Hallows, when Harry 's kids *don't* have to live up to their dad's reputation or feel like they have to earn his respect, because they have *no idea* that he was responsible for saving the world on multiple occasions. A possible exception is Albus, who does have an angst-filled moment about needing to get into Gryffindor House because all his personal heroes are from Gryffindor.
* Variation: In Orson Scott Card's *Homecoming* series, protagonist Nafai longs for the love and approval of his eldest brother, Elemak. He *knows* this isn't very rational, as Elemak is an openly bullying Jerkass who sees Nafai as a useless mama's boy responsible for ruining his life, and would happily crush his head with a rock.
* Odile in Mercedes Lackey's retelling of *Swan Lake* (*The Black Swan*) is one of these. When she finally realizes Baron von Rothbart is only using her for her magical potential, she turns on him.
	+ In the *Last Herald-Mage* trilogy of The *Heralds of Valdemar*, Vanyel gets a great helping of this, as a great deal of his life is spent in trying to be heroic enough to get his father to accept him as a person, thanks to his "flaw" of being gay. When their reconciliation actually happens in *Magic's Price*, it's a Crowning Moment of Heartwarming.
	+ Lena Marchand is a female example, desperate for her father's approval. It doesn't help that Master Bard Tobias Marchand is an egotistical Jerkass who doesn't even recognize Lena when they accidentally run into each other at the beginning of *Intrigues*.
	+ Princess Andromeda spends most of *One Good Knight* as a Well Done Daughter Girl. As it turns out (and as anyone with a passing knowledge of mythology will know), Queen Cassiopeia is *not* a nice person.
* Tywin Lannister plays this role in George R.R. Martin's *A Song of Ice and Fire*; the desire to please him pushes Tyrion and Jaime, though neither would admit it. As is typical of the series, Tywin never provides validation, especially for Tyrion. Well, not the *typical* form of validation. Of course, this leads to him contracting an unfortunate fatal case of crossbow-bolt-through-bowels at the hands of, naturally, his son Tyrion. Even after that, it serves to motivate Jaime, to the point that one aunt has to point out to him that Tyrion is much more Tywin-esque than Jaime.
	+ It seems to drive Cersei (to a lesser extent) as well, although she flip flops between wanting to make him proud and wanting to become so much greater than him that he would only be remembered as her father, instead of the other way around.
	+ Theon Greyjoy seems to have a case of this towards his father Balon. His feelings toward surrogate father Ned Stark are even more conflicted, which is unsurprising given Theon's dual role of hostage/ward. He at times finds himself wondering what Stark would say to some particular deed and then becomes angry with himself for caring. Thus far, the net result is that he's managed to totally alienate himself from the Greyjoys *and* the Starks—his Jerkass tendencies and willingness to cross the Moral Event Horizon haven't helped, either.
	+ In a *very* twisted sense, Joffrey Baratheon is like this towards Robert, irritating Tywin immensely as he had been given to understand Joffrey did not care for Robert and is pissed the little brat shows some pride at being a Baratheon rather than a Lannister.
	+ Jon Snow seems to greatly desire Eddard Stark's approval, to the point that he has a few dreams about being accepted as a true Stark and given the rights to Winterfell. He suffers a lot of guilt over that last part though, given his status. While Ned did love and respect him and wanted to tell him so, Joffrey's interference meant he would never get the chance. Made more complex by recent hints that Ned might not actually be Jon's father at all
* In Graham McNeill's *Warhammer 40000 Horus Heresy* novel *Fulgrim*, when Horus tells Fulgrim that the Emperor intends to become a god and dispose of them, Fulgrim speaks of how he has longed for his love and respect.
* In John C. Wright's *Mists of Everness,* there are not one but two examples in the same family. Peter regarding his father's Ancient Tradition; Peter's son Galen regarding his father.
* In Steve Perry's *Black Steel*, it's revealed that the brash revolutionary Sleel is the son of the two most famous botanists alive - who are both Absent Minded Professors who care only about their work. Sleel's father in particular is very dismissive of everything his son has ever achieved, since it doesn't involve botany or genetic engineering. Sleel has known all this from childhood, but can't help trying to get their acknowledgment and approval when visiting them during the course of the book.
* In James Swallow's Warhammer 40000 Horus Heresy novel *The Flight of the Eisenstein*, the captain of the Eisenstein comments on how the Astartes strive to be independent of the Emperor as if he were their father—and yet crave his approval.
	+ Prior to the storyline Captain Nathaniel Garro had craved validation from Mortarion but finds himself moving away from his primarch's ideals at the time the book starts and Solun Decius is desperate to live up to Garro's expectations despite the cancer from hell (pun intended) infecting his body. By extension this trope probably applies to most of the Deathguard, considering that those who sided with Mortarion are known for worshipping *Father* Nurgle.
* Jochi in the *Conqueror* books is constantly trying to gain some small measure of the respect his father, Genghis Khan, showers on his younger brothers. No matter how successful as a warrior and general Jochi is, he never gets more than a reluctant, grunting acknowledgement that he's done something right.
* A couple in *Warrior Cats*:
	+ Breezepelt. The ironic thing is, Crowfeather only had Breezepelt so his Clanmates would accept *him*.
	+ Bluestar, whose father Stormtail was just distant from his kits.
	+ Crookedstar. His mother Rainflower doted on him and his brother, but when he broke his jaw as a kit ruining his "handsome" appearance, she became outright abusive, rarely visiting him in the medicine cat's den and refusing to let the other kits visit him to keep his spirits up, renaming him from Stormkit to Crookedkit, making him sleep alone in the nursery, and frequently saying that he would never be as good as his brother. One of his goals in life was to make her proud of him.
* In Simon Spurrier's *Warhammer 40000* Night Lords novel *Lord of the Night*, Sahaal remembers how the Night Haunter had been this, and the Emperor had treated him with contempt. Thus justifying, in the Night Haunter's eyes and Sahaal's own, his revolt against the Emperor.
* The title character Adeline from *Chinese Cinderella* is this trope cranked Up to Eleven. She constantly tries to get approval from pretty much everyone in the household. Feeling honored to play with her siblings, anyone?
* In *Maximum Ride*, Jeb's son Ari becomes this in the second book, hanging out with the copycat Max to make Jeb mad, and also coming up with a plan to take Max for his own. The plan eventually gets Jeb to notice him, which makes him happy enough to go out and steal a Game Boy. So...
* Plenty of the demigods in *Percy Jackson and The Olympians* long for their god parent to acknowledge them. Especially Percy. Grover even says it when he tried to deny it.

 *You're glad that your dad is alive. You feel good that he's claimed you and part of you want to make him proud. That's why you mailed Medusa's head to Olympus. You want him to notice what you'd done.*

* + Luke took this even more seriously. Many children of Hermes tend to feel very ignored, considering they get put with all 'the others', meaning those who aren't claimed. Furthermore, Hermes accidentally caused Luke's mother's mental deterioration and left the boy to be raised by her. Eventually Luke became so bitter that he changed sides and tried to take down the gods. Although eventually he had a last minute change of heart and sacrificed himself it shows just what an effect this trope can have. Percy even makes it a rule that all gods and goddesses must claim their children so that less of this kind of thing will happen.
* Miles Vorkosigan started out an odd variant of this. It is not so much his father Aral's feelings of contempt or disapproval that he strives against as his feelings of guilt (Aral blames himself for the sequence of events that led to his son's prenatal poisoning and resultant physical disabilities). Of course Miles' grandfather Piotr has enough disapproval for both Aral and Miles to go around. And even if he didn't Aral and Piotr are such literal giants of Barayaran history Miles nearly kills himself trying to measure up
* The title character of the Donald Barthelme novel *The Dead Father* is this in spades.
* Inverted in one of the two third Red Dwarf novels (it's confusing), *Last Human*. Arnold Rimmer is understandably dejected when his long lost son has been sorely disappointed to learn that the heroic feats of his father were a fiction invented by his mother and that the reality is that his father is a sniveling coward. Then, in the end, Rimmer performs an incredibly brave (if a bit reckless) feat; even though he kind of screws up the execution (though it does accomplish the intended end) his son, looking on, is incredibly proud of the act. Seeing his son beaming with pride, Rimmer is finally freed of the neurosis that have plagued his entire existence which ultimately leads to him selflessly volunteering for a Heroic Sacrifice.
* In *Trickster's Choice* of the Tortall Universe, despite knowing her mother loves her, Aly feels that her mother doesn't understand her and underestimates her abilities. However, through one of her dreams where she can see what her mother is doing, she realizes that Alanna does understand and trust Aly and knows she has the talents to survive.
* There's a bit of an inversion in the Star Wars Expanded Universe. After he dies, Anakin Skywalker becomes a Force ghost. He appears briefly to Luke in *Return of the Jedi* but says nothing; a hundred twenty years later, in Star Wars Legacy, he speaks to a wangsty descendent, but in the meantime he's only been written speaking to one person - Leia. He wants to apologize to her, tell her how proud he is of her, and be forgiven. However, she is furious and *horrified* at the sight of him, doesn't want to know that any part of him survived, still considers Bail to be her real father, and doesn't believe that redemption equaled death at all. Even after he fades out she's angry and deeply disturbed; by the end of the book she hasn't changed her mind, but decides that if he wants to be proud of her, fine.
	+ Later in the EU she doesn't quite forgive him, but she does come to terms with who he was; she names her third child "Anakin" (who, for his part, was not too happy for being saddled with such a name, but it sort of helped keep him from the Dark Side).
* One could also say that Heather Acosta from the Sammy Keyes books qualifies. Heather's relationship with her mother and father is a far cry from what Sammy has with her grandmother. Her mom seems to be going through some sort of mid-life crisis and her father admitted that he'd want a retraining order against her. The fact the Casey seems to be their father's favorite has led to some problems (among other things) between the siblings. It's been hinted in the series that this maybe the reason why Heather act's out—to gain attention.
* The Lord of the Rings: As noted in the Film category, poor Faramir was The Unfavorite, though he fared slightly better than his movie counterpart.
* Will in His Dark Materials grew up never knowing his father, and states outright in *The Subtle Knife* that he wants to find his father so that he can hear the words "Well done, son." When they finally do meet, his father is killed within seconds of Will realizing it's him. However, Will finally gets his wish in the third book when he meets his father in ghost-form.
	+ Also Lyra, who is extremely annoyed at having saved Lord Asriel by warning him about the wine AND bringing him the alethiometer and he didn't even thank her. Their relationship justs goes downhill from there.
* Michael in the *Knight and Rogue Series* struggles in the first book to try and stave off his father's disapproval for the life he chose. When his father has him marked as an unreedemable criminal to try and force a 'better' life on him in the second book he claims that he's stopped caring, but in the third book when trying to escape death one of the things that unlocks his 'needs' driven magic is his desire to prove to his father that he can make it.
* The entire relationship dynamic between Chris and his father in The Pale King. Chris is fully aware of how disappointed his father is of him, but is usually too stoned or selfish to care. It's not until his father dies that Chris feels guilty enough to change his life.
	+ This is made depressingly clear when the father comes home early to find Chris and his buddies in his living room, high out of their minds, surrounded by discarded Taco Bell wrappers, and their feet resting lazily on one his prized pieces of furniture. The father doesn't yell; he simply says, *Look on my works, ye mighty, and despair!*, walks into his bedroom and shuts the door.
* Will from Ranger's Apprentice grew up an orphan; his father-figure is Halt, his mentor. Gaining Halt's approval means more to Will than anything - even just a small smile from Halt means more to Will than any amount of praise his friends and even his king laud on him.
* Time Scout:
	+ Margo wants to be a time scout to rub it in her dying father's face.
	+ Skeeter also fits this trope. When he says "My father made me the man I am today." he means it as the absolute truth. He just don't know which father. One he hates, the other he loves and fears.
* In *East of Eden*, Cyrus Trask is this to his son Charles, who's The Unfavorite. Thanks to Generation Xerox, his brother Adam becomes this to his own eldest son, Cal.
* In *Flowers for Algernon*, Charlie senselessly pursues *both* his parents after he becomes a genius, hoping that they'll be impressed by his newfound intelligence and finally acknowledge him. He's ashamed of this, but it's deeply embedded in his personality, since he always thought that his parents would love him if he became "smart".

## Live-Action TV

* *Perfect Strangers*: Larry ends up locked in a flooding basement trying to prompt his father to for once say, "Well done, son," as something other than the response to "How would you like your steak?"
* *Angel*: Wesley goes through the same rigamarole with what turns out to be his father's Evil Imposter. But the impersonation was perfect, because Wesley's real father *is* that bad both as a father and as a ruthless bastard. It was previously mentioned that he locked Wesley under the stairs.
	+ Angel himself clearly feels this about his father.
		- Angelus later sired an enthusiastic but unimaginative protege named Penn who re-enacted the murder of his family over the centuries over the issue.
	+ In a deliberate parallel to Angel, Kate Lockley is implied to have had a strained relationship with her father. While not a cruel man, her father never showed her any approval or affection after her mother died—Kate recalls that as a child, she found more parental affection in the mother of one of girlfriends. Her father never even told her "a beautiful lie" (ie: Heaven) to comfort her after her mother's death. It's implied that she became a policewoman to follow in his footsteps, but rarely received more than curt acknowledgement from him.
		- The Sensitivity Training Guy with his magic stick causes her to have a breakdown and express her feelings about this at his retirement party. He finds this deeply embarrassing and files it under 'We Shall Never Speak Of This Again.' Later he dies without ever having formally approved of her. This is not in the least Angel's fault, for once, but it involves vampires and puts the final nail in the coffin of his friendship with Kate until After The Fall.
			* The former episode throws in a weird perspective on Angel's issues re: this trope. This is before the flashback, but Sensitivity Training Guy says "tell me about your parents" and *Angel* snarls "They were delicious." Sounds like the kind of smack he talks when trying to scare bad guys and actually seems to lower the probability that he killed them, but then it turns out he *did*, and can make *jokes* about it. Sick puppy even at his best.
* *Power Rangers Time Force*: Wes Collins and both his controlling father and his Always Someone Better Identical Descendant Alex.
	+ *Power Rangers Ninja Storm*: Shane and his brother. (Funny that superheroes would need so much validation.)
	+ *Power Rangers Jungle Fury*: RJ and his dad, who's disappointed he didn't follow family tradition and become a Shark-style Pai Zhua master. (RJ's still a master, he just went with Wolf-style instead.)
	+ *Power Rangers RPM*: Scott and Flynn, with Scott's brother being Always Someone Better and Flynn's dad not thinking much of his Wide Eyed Idealism. The latter is resolved in Flynn's flashback episode, while the former is an ongoing thread in the series.
* *Gilmore Girls*: Variation: Lorelai has long since resigned herself to never earning the respect of her Meddling Parents, though she's pleasantly surprised to finally get it from her father after she helps him set up his new business. In a total reversal, though, she's actually *horrified* whenever she earns the respect of her mother.
* *NCIS*: Tony. So. Much. When he's not being a Jerk with a Heart of Gold, his desperate need to impress Gibbs makes him almost a Woobie.
	+ Tony's real dad appears in an episode originally aired in January 2009. Yes, *that* Dad—the one who left him in Maui by himself for a week when he was a child. By the end of the episode, it's fairly clear that while Tony nevertheless loves his father and would still like his approval, he doesn't need it as badly as he once did because he has Gibbs.
	+ In season nine episode "The Penelope Papers" it is revealed that McGee- has almost exactly same issues with his own father. Since before it has also been clear that Ziva was brought up with a authoritarian father, seeking his approval.
* *The West Wing*: "The Two Bartlets", Toby points out that the President is haunted by the need to make his father like him.
	+ Not to mention "Two Cathedrals," where it's pretty strongly implied that Bartlet's impassioned rant in the National Cathedral is directed more at his father than at God.
		- President Bartlet may not have been able to get his own father to love or approve of him, but his real "well done, son" guy is his chief of staff, Leo McGarry- (played by the late John Spencer). Just before a debate between Bartlet and the Republican candidate, Leo gives Bartlet a beautiful smile and says "There's no such thing as too smart. There's nothing you can do that's not going to make me proud of you."
	+ The President himself is the guy to his daughter Ellie. "The only thing you ever had to do to make me happy was to come home at the end of the day."
* On *MASH*, Margaret Houlihan seeks validation from her distant father.
* On *The Adventures of Brisco County Jr.*, Brisco gets his "Well done, son" moment after an encounter with the ghost of his father (who was murdered in the first episode of the series).
* Subverted in the *Red Dwarf* episode "Better Than Life", when Rimmer reflects he never heard his father say he was proud of him, before entering the titular Lotus Eater Machine. In the fantasy world he is an incredibly popular and successful figure, but when his father appears, it's to fulfill the Cat's fantasy of hearing him call Rimmer a total smeghead.
	+ Note also that it's after this point that Rimmer's subconscious rebels against him and converts the fantasy world into a horrible nightmare.
* Many *Scrubs* stories relate to J.D.'s need to have Dr. Cox say he's proud of him... no matter how many times he already has.
	+ Also, in one episode, Turk pined after Dr. Cox's acceptance.
* Spencer Shay in *ICarly* during the episode *iHire An Idiot*, but with his grandfather.
* Used almost straight in *Arrested Development*, in which Michael is constantly trying to get his father—who tried to "toughen him up" by shouting down *all* his ideas—to recognize his accomplishments, while GOB is sick of being in Michael's shadow. Michael gets his father's approval (although it would have been a more touching moment if he weren't on the lam); GOB doesn't and doesn't deserve to.
	+ Michael is so busy trying to save the company and get his father's approval he doesn't notice his own son's attempts to gain his approval.
* On *Smallville*, Lex's (arguably) main reason for becoming evil is the fact his father never gave him any credit. So one of the richest men in the world, who created an army of clones, studied spaceships and had a prison for superhumans, was unhappy, *all because his father (Lionel) wouldn't say "Well done, son."* And then he kills Lionel in Season 7. Talk about messed up.
	+ Considering what kind of father he had, that last action makes a whole lot of sense.
	+ Actually, the worst thing is that, after a lifetime of trying to get Lex to be a good evil strong worthy successor, Lionel went and had a *Heel Face Turn* right after Lex finally crossed serious lines, and wound up as a replacement father figure to *Clark* by way of the Jor-El AI, meaning that the same person he always envied for having an incredibly supportive father he could never get to accept him (Jonathan Kent) now had *his* father, the one who'd put him through so much. Too cruel.
* In the *Star Trek: The Next Generation* episode "Final Mission" (the one where Wesley Crusher departs), Wes confides that everything he's done on the Enterprise was to make surrogate father figure Captain Picard proud. Of course, Picard states at the end that he's always been proud of Wesley (despite never having said so). Cue the Full House Music.
	+ Will Riker doesn't get along with his father. As it turns out, his father is pretty much the kind of jerk who would cheat at playing games against his own son.
* The relationship between Frasier, Niles and Martin in *Frasier* has echoes of this; much of Frasier and Niles' Sibling Rivalry exists as a result of their attempts to gain Martin's favour, which given the near-insurmountable differences in taste and personality between father and sons to begin with, was a difficult task in itself.
* Often the entire premise behind *Titus*, where Christopher is always ready for his father's condescending remarks. Hilariously done in the first episode, while joking role-playing Titus recalls every proud moment he had being shot down by Papa Titus (graduation, first job, becoming a manager, etc.) When he finishes with "I opened my own car shop and now I make more money in one year then you ever made in any year of your life, what do you think about that?!" The real Papa Titus appears behind him, cracks open a beer and says, "I think without me pushing you boy, you never would have made it."
	+ Reiterated in the stand-up show *Norman Rockwell is Bleeding* (the *Anti-Dad!* part), ending with

 **Christopher:** I have my own TV show and production company!
**Dad:** And that shit got cancelled, didn't it!

* Dean (from *Supernatural*) has gotten so little show of his dad’s approval despite always following his orders and being a good hunter that in the Season One Finale, when his dad (possessed by the Big Bad) tells Dean how proud he is that Dean brought the Colt and used a bullet to save Sam's life, Dean realizes he’s possessed and puts the gun on him—correctly thinking that the real John would have been furious instead of proud.
	+ Even when Dean gets an attaboy and sign of trust from his father, it comes with a Dark Secret that endangers his relationship with his brother, and then his dad dies for him. Since Dean just wants his family to be with him and happy, that's about the worst sort of fatherly recognition he could get.
	+ Sam feels the same need for his father's approval, but acts out against his father's wishes instead of trying to act as the perfect son Dean struggles to be. Mainly because Sam feels like his flaw is what he *is*, and not something he can change, whereas Dean thinks that if he just *does* enough, he can earn approval.
	+ Castiel's devotion to his father (who is, by the way, *God*) leads him to start rebelling against his fellow angels and siding with humans, whom he thinks of as his father's "works of art". He undergoes death by explosion, eventual power loss, and various human indignities during his exile from Heaven, but he seems to be taking it all in stride--*until* he hears from Joshua that his father doesn't give a crap about any of it, and would rather stay away and let the Apocalypse happen. Castiel then basically gives up, drinks an entire liquor store, and begins his downward spiral. At the end of Season 5, however, God does show some kind of intervention and raises Castiel from the dead a second time, and a re-angelfied Castiel flies back home at the first opportunity. Come Season 6, he's still carrying out his father's wishes by leading one faction of Heaven against the archangel Raphael.
		- And that's since Gone Horribly Right...
	+ *All* the angels suffer this, more or less, because God is a crappy parent. Most notably Lucifer, of course, despite his rebellion, but Michael's relationship with God intentionally parallels Dean's with John, except Michael is perfectly willing to kill what used to be his favorite brother if he believes that's what Daddy wants. Raphael has retreated into nihilism ("God has left the building") and Gabriel into hedonism, and that's the four that ever actually "*met* the man," as Uriel put it. Uriel's faction have actively given up and want to side with Lucifer. Anna is probably the closest to indifferent to God's opinion of any angel appearing on the show; it's fitting she's also the only one with a consistently female appearance.
		- Joshua is so Zen it's creepy, but then he's the only one god actually talks to. He may also be Jesus. Zachariah comes down somewhere between Gabriel's hedonism and Raphael's nihilism, but less tastefully, and it's harder to link to God as such. He may just genuinely be a self-interested racist dick, though his preoccupation with making things play out in accordance with divine prophecy, the only thing God left behind for his children, may indicate issues of this type. They were created to serve and he gives no feedback for thousands of years, how are they not going to be legions of daddy issues?
	+ The demon Azazel, original nemesis of the Winchesters, evidently had this with Lucifer, based on his desperately devoted behavior in the convent flashback, and his whole program was geared toward getting Hell open to free Lilith so she could bust out Lucifer, in both cases using the 'very special child' Lucifer told him to procure; i.e. Sam, but Lucifer doesn't betray any awareness that he died for it.
		- He in turn encouraged this from his own 'children,' such as the demon known as Meg. It is safe to say that the entire *Supernatural* universe has daddy issues.
* *Dexter*: Debra Morgan had this kind of relationship with her father Harry, even following in his footsteps as a cop to gain his attention. It's not that he wasn't proud of her, but honing her brother Dexter's extra-curricular activities (to which Deb wasn't invited for obvious reasons) meant that he couldn't spend as much time with his daughter. Likewise with Christine Hill, the daughter of Arthur Mitchell/Trinity, who even killed Frank Lundy to gain her father's approval. After she accidentally put him at risk of being discovered, he disowns her. She doesn't take it well.
	+ Dexter, too. Everything was to live up to Harry's expectations. When he realizes that a) Harry was using him as an outlet for his own vigilante impulses and b) Harry was deeply revolted by what he'd made him into, to the point of suicide, he...takes it pretty hard.
* Stephen Colbert of *The Colbert Report* makes occasional vague references such as "the fathers we can never seem to please." His need for paternal approval appears to have been mostly displaced onto substitutes such as "Papa Bear" Bill O'Reilly.
	+ Ironic since Colbert fears and hates bears—a hint at the actor's real opinion of Bill.
* *Lost*: Jack's father, Christian, has, in his own words "sacrificed certain elements of [his] relationship" with Jack in order to mold Jack into a great surgeon. An emotional conversation in which Sawyer relays Christian's last thoughts about his son to Jack gives him some closure...but it's not until the series finale that Jack encounters his father in the "flashsideways," subsequently revealed to be the afterlife, and they have their true reunion.
	+ Jack almost follows in his father's footsteps when dealing with his own son, David...except David doesn't exist and is a creation of Jack's afterlife used to help him with his father issues.
* *Psych*: Shawn appears to have spent most of his life either trying to live up to his strict, not-easily impressed father Henry's expectations or actively rebelling against Henry's attempts to mold him. For his part, Henry isn't exactly shy about letting Shawn know when he's disappointed with him.
* On *Heroes*, both Mohinder Suresh and Elle Bishop have seeking the approval of their fathers as their driving motivation. Mohinder is try to prove the theories of his deceased father, while Elle's father sends her out to kill people for him.
	+ Also, for all of his wacky murderous brain-stealing shenanigans, it seems all Sylar really wanted from life was the approval of his parents. Then again Sylar has a *lot* of problems, obviously. So he could have either mommy issues, daddy issues, neither, or both. Though in the past few episodes he has apparently developed his dead mother's personality, going so far as to shapeshift into her (and use her voice) when he's talking to *himself*. Clever camera angles make this hard to determine but when he's with another character Michah the camera shows him change back and forth. Creeeeeepy.
	+ Mohinder and Sylar twitted one another about their daddy issues back in season two. Specifically vis-a-vis Chandra Suresh, whom Sylar had temporarily adopted as a surrogate father figure.
* In "Son of Coma Guy," *House* reveals that all he wanted to hear from his abusive, non-biological father were the words, "You were right. You did the right thing."
	+ Additionally, Chase fulfills the trope to the extent that a UK advertising campaign for the show used "What price approval?" as his tagline. In typical Housian fashion, he finally got it as he was being fired.
		- Chase had issues with his own biological father, who left him when he was a kid and never voiced any approval of him. He did not even tell Chase he was dying of cancer, and it is speculated this caused Chase's need to get approval from House at any cost.
* This is basically the entire plot of the *Star Trek: Voyager* episode "Life Line". The Doctor, an artificially intelligent hologram, learns that his creator (and the man whose image he's based on), holographic genius Dr Lewis Zimmerman, is dying. The Doctor pleads with Captain Janeway to be transmitted back to the Alpha Quadrant, assuming Zimmerman will be proud of how he's exceeded his programming... only to find his creator is a cantankerous jerk who believes he's an obsolete model better suited to scrubbing plasma conduits on waste transfer barges. Needless to say, much angst and hilarity ensue before the two are reconciled.
* *Merlin*: Throughout the series, Arthur (yes, that Arthur) attempts to gain his father's approval, frequently risking his life in order to impress him/follow orders. His success is decidedly mixed.
	+ Uther may not show it overtly, but he loves Arthur, and willingly risks his own life several times to save him, such as drugging Arthur and taking his place in a duel with an undead knight.
		- And if you're wondering, he did that because the undead knight could not be defeated and would cut down anyone in his way to kill Uther (then and only then would he go away), and unless Uther took his place, Arthur was the one in the way.
* One segment of "Even Steven" concerning the Elian Gonzalez debacle on *The Daily Show* dealt with Steve Carell's daddy issues. In a weird reversal, considering the aforementioned *Colbert Report* example, Stephen Colbert roleplayed as Carell's father.
* *The Closer*: Whenever Chief Brenda Leigh Johnson delivers a rare compliment, whichever member of PHD is being complimented lights up like a supernova.
* Despite their antagonistic (and definitely non-biological) relationship, this seems to be what Quark seeks from Odo in *Deep Space 9*. Quark's final comment on the relationship is "That guy loves me — *it's written all over his back.*"
	+ In a more traditional example, all Garak wanted was for Enabran Tain to acknowledge him as his son.
	+ Jadzia Dax (The Nth Doctor) spent till the end of the third season afraid that she didn't live up to her predecessor and sort-of-mentor Curzon's expectations, wondering whether he was simply a hard-ass whose standards were too high for anyone to live up to. Commander Sisko advises her to call the guy he calls "old man" out, and so it turns out his behavior was more complicated than that; he was not only a hard-ass and knew it, but he also let personal feelings for her get in the way of his job when he rejected her candidacy, which gave her a mixed message when she re-applied and was chosen without his objection.
	+ Dukats relationship with Sisko is, in part, a twisted variation of this. Despite all differences, Dukat respects his opponent, to the point of calling him an "old friend", and expects Sisko to behave the same way towards him (without much success). This culminates in a long discussion in "Waltz", where Dukat is desperately trying to force some kind of approval out of the Captain:

 **Dukat**: I don't think you're being entirely honest with me, Benjamin. You're not a man who hesitates to make snap judgements when the situation calls for it. It's one of the signs of a good commander. Now I'm asking for your opinion of me and I find it hard to believe you don't have one.
**Sisko**: All right. I think you're right. You have been judged unfairly. I've judged you unfairly. But I think you probably had good reasons for everything you did on Bajor.

* It was revealed on *How I Met Your Mother* that the six words Robin wants to hear her dad say are "Robin, I'm proud of you, eh."
	+ This is also a huge issue of Barney's, as multiple episodes show, most notably 'Showdown' and 'Cleaning House', and he doesn't even know who his father is.
	+ He has now met his father, and after getting radically worse, he may actually be getting better.
* Flashbacks in the finale of the rebooted *Battlestar Galactica Reimagined* series revealed that Dr. Gaius Baltar, resident narcissistic genius, not only tried to overcome his shame of having been born on a farm planet as son of a farmer, but had taken his old senile father with him to Caprica and secretly visited him every day, desperately trying to please the cranky old man.
	+ The show also features the less common mother-daughter variant of this trope, when Kara Thrace goes to see her mother after earning her commission as a Colonial officer - the first in her family to do so - only to be berated for not graduating higher in her class. The fact that her mother was frequently abusive during her childhood in the belief that Kara had a "special destiny" means their relationship was already....*strained*, to say the least of it.
* *Gossip Girl*s Chuck Bass.
* Kurt in *Glee*, especially in "Preggers" and "Laryngitis."
* A TV movie called *It Runs In The Family* aired on the Disney Channel in the '90s. Set in the summer months circa 1940 and taken from Jean Shepherd's "In God We Trust, All Others Pay Cash" (the same source material as *A Christmas Story*). During the movie, Ralphie and the Old Man (Charles Grodin) go fishing every weekend, but fail to catch anything. Until one day when Ralphie is hauling in one huge fish after another, while his father, who didn't get a nibble, looks on in genuine surprise. After awhile, other boats on the lake start to crowd Ralphie and his dad. Jean Shepherd narrates at this point: "My old man never said in so many words, 'I'm proud of you, Ralphie,' but somehow he always let me know that he was proud of me." The Old Man then stands up and shouts to the other boats, "Hey, get lost, we've got a fisherman at work here, give him some room!"
* In *The X-Files*, Agent Spender had this going for the Cigarette-Smoking Man, his biological father, of all people. Well, at least until he tried killing his mom.
* Parodied in a "Scenes We'd Like To See" round from *Mock the Week*. "I've just climbed Mount Everest without any food or survival gear. (Beat) NOW DO YOU LOVE ME, DADDY?!"
* Frankie Stecchino of *Boy Meets World*. One episode even revolved around him faking a love of wrestling just to bond with his father.
* *Mad Men* may as well be subtitled "How our horrible childhoods have ruined our adult lives".
* Pierce Hawthorne on *Community* is shown to have behavioral issues due to never receiving acceptance from his father.
* In addition to the relatively normal tactic of serving in the military to follow in his father's footsteps, the killer in the second episode of *Luther* is so desperate for his father's approval that when the latter, behind bars for killing a cop, orders him to embark on a terror campaign against the police to get him released, he obeys without question.
* *Combat Hospital* has trauma surgeon Major Rebecca Gordon, who accuses *herself* of daddy issues in a group therapy session.
* *Against the Wall* has both Donnie and Abby searching for ways to gain their father's approval and pride during different parts of the show. Abby in particular has strained relationship with her senior uniform-cop father since joining the Internal Affairs division as a detective.
* Though they're only father and son on a more symbolic level, Walt can be this for Jesse on *Breaking Bad*. He has complimented Jesse all of once, and that was to say that his meth is as good as Walt's. It was enough to get Jesse to partner up with him again.
* *Batman*. Legs in "The Greatest Mother of them All"/"Ma Parker."

## Tabletop Games

* *Bliss Stage:* The definition of Josh Preston's relationship to the Authority Figure -- his father Jim Preston.
* The Emperor to the Primarchs of *Warhammer 40000*, though the relationship sours with many of them. One in particular results in Calling the Old Man Out, Offing the Offspring, Cain and Abel, the destruction of several planets, trillions of people dying, and a new dark age for the galaxy. Welcome to the 41st Millenium.
	+ That should be "Welcome to the *31st* Millennium". Now, to get to the *41st* Millennium, all you need to add is a Horde of Alien Locusts, a nigh-unstoppable uprising by Omnicidal Maniac zombie robots, and trillions *more* people dying.
	+ And said Emperor living a horrible half-life powered only by constant psychic sacrifice to allow him to stave off the abominations of the warp from destroying all life in the universe (The **best case** scenario involves them "only" killing everyone). All the while humanity goes on to commit daily atrocities in his name.
		- Which is made even better by the fact that the Imperium is held together mostly by the efforts of the Imperial Cult, worshipping the "Immortal" God-Emperor - who originally made agnosticism part of the Imperial Truth when he first launched the Great Crusade to reunite mankind.

## Theater

* Biff starts out like this in *Death of a Salesman*.
	+ Happy is still like this, but to a slightly lesser extent.
* Cory from *Fences*, full on. Even remarked on almost by name:

 Rose: Everything that boy do... he do for you. He wants you to say, "Good job, son." That's all.

## Video Games

* The Kid, from *I Wanna Be the Guy*, a game whose extremely peripheral story involves nothing more than an incredibly hard quest to become The Guy. The Kid wants to become The Guy. The Father of The Kid is The Guy. The Kid is sent on his quest by Former Grandfather The Guy, who was replaced as The Guy by The Father The Guy, who The Kid now seeks to replace in turn to become The Guy. It doesn't get much more "Well Done, Son" Guy than that.
* The Prince in Katamari Damacy seeks nothing but the King of All Cosmos' approval, and for good reason: disapproval means More Dakka eye beams.
	+ In later games we find out that the King had a similar relationship with his father.
* In the *Tekken* series Lee and Jin (a "Well Done Grandson Guy") all at some point or another felt this way towards Heihachi. Eventually they learn that doing this won't get them anywhere and thus went off their own way.
	+ Kazuya started this way as well. Heihachi throwing him off a cliff kind of ended that dream, though.
		- Adopting Lee into the family was actually supposed to *induce* this emotion in Kazuya, giving him someone to compete with and pushing him to achieve. Again, though, the cliff thing derailed that.
* For most of the game *Odin Sphere*, Gwendolyn is constantly trying to prove herself as a warrior so that her father King Odin would be proud of and love her. Odin even takes advantage of that to use Gwendolyn in a successful Batman Gambit. Gwendolyn eventually wises up and gives up on her father, instead choosing to be with Oswald, who earnestly cares for her.
	+ Before the final boss of Velvet's book, it's revealed that Odin also convinced an attention seeking young Ingway to destroy the country of Valentine. Odin DOES give him a "Well done, traitor," but...
* Even though he hates his father, Tidus from *Final Fantasy X* desperately seeks to measure up to him, especially after realizing he's following his exact same footsteps. Likewise, Yuna wishes to make her own father, High Summoner Braska, proud of her own pilgrimage. In the end, they exceed both of their parents, by destroying Sin rather than just delaying it until next time.
	+ Of course, Braska obviously loved Yuna, and she just didn't want his death to be in vain.
	+ Revisited in *Dissidia Final Fantasy*, where Jecht was specifically chosen as the villain representative of *Final Fantasy X* due to his emotional connection with the hero. It's especially visible in the cutscene after Tidus beats him:

 **Tidus:** I hate you. I hated you so much. I've always wished you'd be gone. But deep down what I really wanted was just... your approval. For you to... tell me that I've grown strong.
**Jecht:** Looks like the kid will never grow up.
**Tidus:** That's not my fault. I can't help it. I'm your son, after all.
**Jecht:** Hehe... I guess you are.
*[Both laugh.]*
**Jecht:** Hey, cry-baby... You've grown strong.

* In an example of the hero's friend, Sora reveals at the end of *Kingdom Hearts II* that he's always striven to be as good at everything as his best friend, Riku. This was hinted at in the beginning of the original game, as well. In true form, Riku also reveals that he was always jealous of the way his friend lived his life.
* Bosch from *Breath of Fire Dragon Quarter* is *seriously* messed up because of this reason. All throughout his childhood, his dad put him through ridiculous training (including making him fight a monster *three times* his size) and still wouldn't give him the praise he wanted. This left him willing to do anything necessary to get ahead in life which included nearly murdering his former partner, grafting a monster's arm onto himself and linking with an ancient, evil dragon in return for it's powers.
* Liquid Snake from *Metal Gear Solid* may have been this at one point, but has built up a deep-rooted resentment for his father as well as the one his father *did* show approval of: Solid Snake.
	+ *The Last Days of Foxhound* exaggarates this part of Liquid's character to ridiculous proportions. Then it's revealed that Big Boss is doing it on purpose to help manipulate the boy better.
	+ Solid Snake himself in *Metal Gear Solid 4* doesn't feel like he's accomplished anything until Big Boss shows up to tell him 'well done'.
* This is one of the basics for the May-December Romance between Genius Bruiser Oswin and White Magician Girl Serra in *Fire Emblem 7*. She treats him more respectfully than her other possible love interests (Fragile Speedster Matthew and Kidanova Erk) and seeks for his approval, but when Oswin reprehends her in their B support, Serra mistakes this as him hating her as a person and almost has an Heroic BSOD. Their A support is about them clearing the misunderstanding.
	+ Speaking of *Fire Emblem*, let's not forget Prince Zephiel. Ever dutiful, ever charismatic Prince of Bern whose wish is just for his family to reconcile, by having his father acknowledge him. Poor kid doesn't know that his father is very much a Jerkass who really wants him dead. When Zephiel learns it the hard way, take a wild guess what Zephiel turns into.
	+ Another Fire Emblem 7 example is Nino. All she wants is to earn Sonia's love and approval, and even agrees to go on a dangerous mission in which she would very well be killed *just* for the reward of her mother holding her hand and stroking her face. This fades when Nino discovers that Sonia not only *isn't* her mother, but killed her real family when Nino was just an infant. If the player attacks Sonia with her, Nino will call her out as a monster.
* *Fire Emblem: Three Houses* has a mild example with Annette Fantine Dominic. She works hard because her uncle is stern and wants her to live up to her crest, but it doesn't cause her excessive angst or pain. It helps that Baron Dominic truly cares for her despite his attitudes, and in Azure Moon will gladly give her the Hero's Relic Crusher when the player bests him in combat.
	+ While Lady Rhea isn't Cyril's mother, he works himself ragged to please and protect her because she saved him from slavery in House Goneril. Rhea isn't exactly cruel to him, but she barely if ever acknowledges what he does for her.
	+ Played with in the case of Ignatz Victor. He's trying to become a knight to please his parents, who discourage his artistic pursuits because they don't feel he can make good money off of them. He paints in secret and feels guilty for it, knowing what his parents expect of him but not being able to give up his passion.
* While not his father, Richard from *Suikoden V* is wicked attached to his father figure, Mueller, and is always trying to get his attention, impress him, and make him happy. Seriously, this kid's entire world revolves around Mueller, so much that he's willing to carry any Idiot Ball if it's for Mueller and it *embarrasses* the hell out of Mueller.
	+ An observant or min-maxing player might notice that Richard's stats and skills make him the most powerful character in the game. Presumably not a coincidence.
	+ A straighter example is Suikoden IV's Snowe Vingerhut, who longs to please his powerful, manipulative father. He even calls his sword 'Daddy Blade'.
* In *Psychonauts*, Raz's "inner demon" is a manifestation of his father, constantly taunting him for being a disappointment and a psychic. The Crowning Moment of Heartwarming comes when his *real* father, who looks nothing like the twisted monster that is Raz's internal interpretation of him, enters his mind and tells him that he just wanted Raz to be happy and safe.
	+ It's actually even nicer than this - Raz believed the entire time that his father hated psychics and that he would hate Raz if he knew that Raz was psychic - when in fact his father is a psychic himself, and didn't want Raz displaying his talents, not out of resentment but out of fear that ACTUAL psychic haters would persecute or harm him.
* In *Guilty Gear XX*, this discussion can occur when Kliff Undersn fights his adoptive son, Testament:

 **Testament:** Father... I...
**Kliff:** You've grown to be a fine man.... I have no further regrets.

* + Considering that at that point Testament has completed his Heel Face Turn and is The Lancer to Friend to All Living Things Dizzy, it's no wonder that the Lawful Good Badass Grandpa approves.
* Various dialogue in *Neverwinter Nights 2* shows that the player character is frustrated at his foster father's lack of praise and emotional reactions. However said foster father (Daeghun Farlong) has emotional problems of his own and did spend months looking for the player character after he vanished after the battle with the king of shadows.
* There is...quite a lot of this in *Mass Effect*. To start with, there's Garrus, whose father is a standard, by-the-book military-minded turian. Garrus feels that rules are good and all, but following them to the point of blindness will let the bad guys get away with worse stuff, so it's necessary to break the rules every once in a while. This leads to his eventually uncomfortable position as a Cowboy Cop on the Citadel. Then there's Tali, whose father is a member of the Admiralty Board which controls the Quarian Flotilla, not to mention the entire quarian race. Accordingly, everyone expects her to bring back some massively important gift from her Pilgrimage, and she hopes doing so will get her some notice from her otherwise distant father. No pressure. And then there's Liara T'Soni, whose mother is an extremely important spiritual figure. Her mother apparently mated with another member of the same species, which is a big no-no in their culture, so she's been ostracised nearly her entire life, leading her to run away from home and go on archeological digs in the hopes of being known for something other than being her mother's daughter. That's the *first* game.
	+ Don't forget Wrex, who attended a Crush (meeting of tribes) at his father's request despite *knowing* that it was most likely a trap. (Granted, Wrex got to resolve his father issues by killing him, but Wrex spends the rest of his life fighting against his father's policies and beliefs, which most Krogan still share.)
	+ It would take way, *way*, ***WAY*** too long to list all examples from the second game. Suffice to say, there are few characters who *aren't* on either the giving or the receiving end of this trope to some degree.
	+ At the very least we have to mention Thane and his son Kolyat. Thane's whole loyalty mission is him trying to stop Kolyat from following in his footsteps and becoming an assassin, and in the end convincing his son that he was always proud of him is what really turns him away from it in the end. There's a reason it's called "Cat's in the Cradle."

 **Thane:** I've taken many bad things out of the world. You're the only good thing I ever added to it.

* + Meanwhile, if you have the spacer background, Commander Shepard gets to have a nice friendly chat with his/her mother.
	+ David Anderson in the Lair of the Shadow Broker DLC for the second game is revealed to have this relationship with his own son due to Anderson's workaholic nature estranging him from his family. The fact that he states that he doesn't have children in the third game is either a continuity error or that they are *really* distant.
	+ It may be easier to mention the characters who don't have fathers like these: Shepard, due to his/her parents being either dead, absent, or in the military themselves, Jack, who never knew her parents, but makes up for it in other ways, and Kaidan, who seems to get along with his. Samara and Thane are this to their children, the rest have daddy issues except for Legion, who's a robot. This trope is lampshaded and mocked when Shepard talks with EDI in the third game.

 **Shepard:** How's your focus, EDI? Any big questions?
**EDI:** No.
**Shepard:** Any small questions?
**EDI:** No.
**Shepard:** Any lingering issues?
**EDI:** About what?
**Shepard:** An imperfect designer who could be seen as a warped father figure, maybe?
**EDI:** *Definitely* not. Did something prompt this line of questioning?
**Shepard:** I've just learned you have to ask about these things.

* Arrogant Kung Fu Guy and The Only One Allowed to Defeat You aside, all Bass of *Mega Man* infamy wanted was for his creator Dr. Wily to acknowledge him as his greatest creation. Sadly, with the advent of Wily creating Maverick Zero and the Maverick Virus, Bass *might* be wrong.
* *Baldurs Gate* has Anomen, with serious daddy issues.
* In *Assassin's Creed II*, after Vieri de'Pazzi is assassinated, Ezio acquires a letter where the writer informs Vieri's father Francesco that all the young man wanted was his father's attention and approval.
* *Xenosaga* Episode I and the first bits of Episode II have M.O.M.O. obviously trying to get approval from Juri Mizrahi. Of course since she looks so much like her big sister, Sakura, Juri is less than accepting, if not outright frightened of the girl, giving her manipulative bitch status when she told M.O.M.O. that they can live together only to keep her stabe during the Y-Data analysis. It's sad when Ziggy shows more parental love for the poor thing who went through being kidnapped, mind-raped, possibly raped for real. and helping save Second Miltia. It takes Ziggy's advice and M.O.M.O. shutting down her mind to prevent Albedo from grabbing the Y-data to wake Juri up. By III, it seems M.O.M.O. and Juri have finally become a real family.
* *Team Fortress 2*: According to the "Meet the Sniper" video, the Sniper's parents do not care for the Sniper's career choice. He spends quite a bit of the video speaking on the phone to his unseen father, who seems to think that the Sniper's some kind of crazed gunman.
	+ The Demoman's mother, on the other hand, disapproves of the fact that he only works three jobs and hasn't yet rid himself of more than a single eye.

## Visual Novels

* The *Ace Attorney Investigations* game focusing on Miles Edgeworth shows that this is most likely true for Franziska. In the fourth case, 13-year-old Franziska competes with Miles, presumably to receive her father's attention. Considering he barely seems to acknowledge her skills compared to Miles, this explains a lot about how caught up she was in Manfred's worldview.
* *Umineko no Naku Koro ni* has Eva Ushiromiya, towards her father Kinzo. This causes problems.
* *Fate/stay night*: If Tohsaka had *just* been a little bit less of a bitch to her sister Sakura and a bit more supportive instead of, say, threatening to kill her (even if she's just insecure herself), then Sakura wouldn't have gone all Yandere and tried to destroy the world.
* In *Katawa Shoujo*, it is very strongly implied that Shizune Hakamichi's Spirited Competitor personality stems largely from a desire to earn the approval of her Jerkass Abusive Dad Jigoro. Unfortunately, he seems to view most of her accomplishments, including her position as Student Council President, with contempt.

## Web Comics

* Kazuo of *Red String* wants his father's approval so badly that he dumps his girlfriend that he loves dearly, resigns himself to an arranged marriage with a childhood friend he doesn't love that way, works at a job he hates, stops doing any of his hobbies—including cooking, which he actually wants to do as a career—and seems to be developing a drug problem to cope. Even when Kazuo shows some weak defiance, he always goes back to groveling for his father's love soon after. As of this writing, all his father's done in response is slap him repetitively, call him worthless, and point-blank tell the boy he's only good as a bargaining chip. And driven Kazuo to attempt suicide. Luckily, he survives.
* Gilgamesh Wulfenbach in *Girl Genius* spends his every waking moment (when not obsessing over Agatha) trying to live up to his Machiavellian father's expectations (who pushes Gil to the breaking point so that Gil won't go through what he did). Klaus *does* praise Gil upon completing difficult tasks, but the poor kid is usually too annoyed by the circumstances to really appreciate it. Klaus is rarely visibly impressed and thus easily comes across as dismissive. He was really enthusiastic only when saw Gil defeating a mechanized army, single-handed.
	+ Though, eventually, Klaus spells it out. Ironically, it's a mistake (he thinks Gil *intentionally* sent to catch Agatha someone guaranteed to kill her, rather than doing so by accident).

 **Klaus:** It seems I have misjudged you. Well done, son.
**Gil:** [suspicious] Is this another test?
**Klaus:** Erk. Please, don't make me laugh. Owch. No. No more tests, my son. The time for such things is over.

* + Gil made it to the age of ten or so completely ignorant of his heritage, and Klaus only revealed it when he broke into his own records and found the embarrassing decoy story. This was probably primarily to keep him safe, but combined with all the tests later on it instilled in Gil the conviction that he had to *earn* the right to be Gilgamesh Wulfenbach.
		- Which conveniently averted the "spoiled second-generation conqueror" problem. Take that, Ibn Khaldun!
	+ That said, they have a strong mutual affection and Gil never seems to doubt that his father *cares*, or even that he *wants* him...it's just that he can't be completely sure Klaus won't kill him or set him aside if he has to for the good of Europa. On the other hand, Klaus frequently looks down on the kid, but hasn't tried to shape his personality for anything but generic 'strength;' his lab at the beginning of the story contained no weapons whatsoever. (Subsequent events have required him to develop a more militant bent. Klaus seems to have been relying on the Spark to bring those qualities out when they were actually needed.) Basically, the closest to a healthy version of this trope you can get, considering there's an empire involved and both parties are congenitally insane.
* The plot of the "So What IS a McNinja?" arc in *The Adventures of Dr. McNinja*: Dan and Mitzi McNinja are very disappointed in their son for becoming a Doctor rather than an assassin. Interestingly, the Doctor realizes that gaining his parents' respect with his medical skills is a hopeless task, so he decides to show them that he's "a damn good ninja!" as well.
	+ Meanwhile, his younger brother Sean still has "Well Done, Son" Guy as a major motivation, hiding his technical wizardry behind a mask of misused slang. When a ghost wizard puts Sean in his ultimate fantasy world, his Dad is hugging him, saying, "Computers are pretty cool, son. They are pretty cool." He's brought to tears.
* In *Order of the Stick*, the reason Roy Greenhilt took on the story's main quest was to prove his worth to his egocentric, self-centered father. He eventually comes to realise that his father simply isn't worth it, and that nothing he can say will ever make him change. He gives up on him entirely, not even bothering with Calling the Old Man Out, and goes so far as to make his father promise not to ever visit his family from the afterlife—which his father does easily and casually without a single worry—to have the privilege of helping Roy.
	+ Nale also feels this way to his Evil Overlord father. Nale wants to prove that he can be even better Big Bad material than the old man, and he wants him to acknowledge that.
* In *Endstone*, Cole stole her mother's Endstone to attempt to win her father's love.
* In *DDG* Zip, it turns out, feels this way towards 'Netta since she see 'Netta as a surrogate mother and could never get validation from her own mum.
* In *The Specialists*, Henry. He's a jerk, a bigot and a Casanova Wannabe—but you still feel sorry for him.

## Web Original

* The Internet has been exposed to a 4chan meme of this nature, SON, I AM DISAPPOINT.
* Rosa Fiametta and to a lesser extent her sister Frankie of *Survival of the Fittest* have this type of relationship with their father, who has pretty blatent favouritism for their brother Ilario and doesn't seem to care very much about his daughters. Both want acknowledgement/attention from their father, neither is exactly going about getting it in the right way.
* Heroic Sociopath Jobe Wilkins of the *Whateley Universe*. He's still trying to get his father's approval, even though at fourteen he's already one of the greatest bio-devisers *on the entire planet*. His dad is the supervillain Gizmatic, who only approves of deviser stuff that's mechanical, so lots of luck on that one.
* The Nostalgia Chick sympathizes with the daughters of the *My Little Pony* movie because she knows how it feels to have a mother who thinks you're a disappointment.

## Western Animation

* The primary motivation for all the desperate lengths that Prince Zuko, the Anti-Villain of *Avatar: The Last Airbender*, goes to, and the terrible decisions he makes, is to get the approval of the father who burned, scarred, and exiled him under the pretext of a Snipe Hunt. Eventually Zuko is allowed to come home and receives his father's approval, only to discover that it is not as fulfilling as he had expected, precipitating his Heel Face Turn.
	+ Though on a far less epic scale, Sokka also wants his father to accept and acknowledge him as a warrior. When he does finally meet up with his father, he gets a You Didn't Ask type answer when his dad asks him, "Why do you think I left you in charge of the village?" Furthermore, when Fire Nation forces appear, Sokka's father orders most of his men to prepare for battle; when Sokka asks what he should do, his father warmly responds to him, "I said 'The rest of you *men* prepare for battle!'," which is the most thrilling thing Sokka could have heard.
	+ A similar setup is played for tragedy with Fire Lord Ozai and Princess Azula. Ozai explains to Azula that he needs someone that he completely trusts to watch over Fire Nation while he goes off to burn and conquer the world, but Azula takes it as a rejection. After all, it was *her* idea in the first place. And as far as she can remember, her mother favored Zuko. Feeling rejected by both of her parents *and* her friends, Azula descends into an epic Villainous Breakdown.
* On *Darkwing Duck*, the character Goose Lee fills this role for Darkwing. He was Darkwing's sensei in the art of quack fu, and he perpetually refers to Darkwing as a disappointment, for his reliance on crime-busting gadgets and machines, his poor judgment around ninja, and his inability to master the all-important quack fu technique, the belly bounce.
* *Family Guy* parodies this mercilessly, with Peter even hiring a band to play the sappy Sitcom music. Subverts the usual ending when his father admits, "Of course I love you. I just don't like you." "Nah nah nah, keep playing, I think this is as close as it's gonna get," Peter tells the band.
	+ It was played unusual serious through the rest of that episode. Peter even became depressed and apathetic when his father called him a lousy son and father.
		- In a later episode, he at least earns his biological father's respect.
	+ A similar example happens in another episode, but with the daughter Meg instead. She gains Peter's respect at the end of the episode and he reveals to her that he actually does love her, despite his inexplicable abuse. He tells her that when they're alone, he'll be nice to her, but he'll be a jerk to her whenever anyone else is around.
* Jonas Venture Sr. in *The Venture Brothers* is the quintessential "Well Done, Son" Guy, and he's even more impossible to please because he's dead. Dr. Venture can never be as smart, powerful or well-liked as he believes his father was, and his super-science business mostly consists of repackaging his father's old projects and cheating off his father's old notes. All of Dr. Venture's insecurities, shortcomings, and bad habits come (or so Dr. Killinger says) from one childhood incident in which he saw the size of his father's penis.
	+ Somewhat repeated with the boys. Although the fact they are mostly retarded doesn't help. Hank has this towards Brock mostly, but both of them often show the desire to be praised by their cold, uncaring, Jerkass dad.
		- Episodes in the third season revealed that Jonas Sr. was a complete Jerkass. An episode in season four reveals that the dads or caretakers of boy adventurers seem to be terrible in one way or another. However by the end Rusty decides that for all his faults he's better off than others who shared his fate.
* Harry of *The Spectacular Spider-Man* is The Unfavorite (even though he's an *only child*) and is constantly trying to prove himself to his dad. That explains why he steals the Globulin Green performance-enhancing drug, and consequently develops a Super-Powered Evil Side, the Green Goblin - he wants his father to be proud of him. It doesn't work.
	+ Of course, Norman did eventually say that he was proud of Harry. But it may have been a hollow victory for Harry since it happened just after Norman was unmasked as the true Green Goblin. As it turned out, Harry's own father had personally dressed him up as a pyschotic supervillain while he was passed out, even twisting Harry's ankle to maintain the illusion.
* The short-lived edutainment show *Histeria* suggested this as a motivation for Alexander the Great in one sketch where the conqueror was receiving therapy from Sigmund Freud. This, after suggesting mother issues, pushed Alexander's Berserk Button.

 **Philip of Macedon:** Pretty good, Al. Not great; pretty good.

* *Invader Zim*: *Zim's* feelings toward the Almighty Tallest. He'll do just about anything to gain their favor or attention.

 **Zim:** My Tallest! My Tallest! My Tallest! My Tallest! My Tallest! Hey! Hey! Hey! My Tallest! My Tallest! My Tallest! My Tallest! My Taaaaaaaaaallest! My Tallest! Hey! My Tallest! My Tallest! My Tallest! My Tallest!

* On King of the Hill, this is basis for a good half of Hank Hill's personality. In one episode, Hank has a hallucination involving his deepest desires while in a steam room and the entirety of the vision is his father happily saying he's proud of him (with a firm handshake to boot).
	+ This shows up quite a bit. One wonders if Mike Judge might have an issue on this front. Hank is a bit of one of these for Bobby, as Bobby is all too aware that he's artsy, comedic, lazy, and generally not the kind of son his father wanted. Peggy's mother is a Well Done Daughter Gal, who absolutely refuses to identify any good her daughter ever does, even when Peggy goes so far as to save her mother's ranch from foreclosure. Also, Khan wanted a boy so he named his daughter Khan Jr. (Everyone calls her Connie.) Almost nothing she does is good enough.
	+ Hank's dad did admit at one point that Hank was the better father.

 "After all, you made Bobby! All I made was you."

* + However, Hank is fiercely protective of Bobby despite his difficulties in expressing his affection for his son.
	+ The final episode has Bobby discovering a gift for grilling, something that Hank can finally approve of.
* In *Superman: The Animated Series*, Kalibak's primary reason for antagonizing Big Blue was to please his father, Darkseid.
	+ Shoot, the first episode he appeared in was called "Father's Day".
* A daughter example with Helen and her dad in *The Goode Family*. Charlie frequently ridicules his daughter's liberal belief and insults her in any given opportunity. Helen is so desperate for his approval that she even let an ugly animal he adopts stay with her.
* The only person who ever seemed to get to the infamous David Xanatos of *Gargoyles*—not to mention the only one whose criticism of his amorality he seems to take seriously—is his father. His infinite wealth and feared reputation may not get him his father's approval, but his Papa Wolf Determinator attitude when Oberon comes after his own son does.
	+ Also a subversion in that his father's disapproval is actually pretty understandable given what Xanatos is like.
	+ Xanatos's wife Fox completely inverts this trope: her father just wants her to show the slightest respect for honor, morality, heck, even respect for other people's property rights, and he'd give her his full approval and mega-corporation in an instant. Instead, she tries to bankrupt him so her husband can buy the business, because she considers corporate espionage and sabotage *more fun*.
	+ Goliath and Angela get a moment of this when he finally acknowledges her as his daughter - not because he hadn't approved of her, but because gargoyles in his clan traditionally didn't keep track of their own offspring, and he really doesn't like abandoning or changing 'the gargoyle way'.
		- Not to mention that he doesn't want her focusing on her Fantastic Racism-fueled biological *mother*...
* Jeff's one and only motivation in *The Grim Adventures of Billy and Mandy*.
	+ Don't forget poor Grim! He pretended to become a country rock star just to please his father, only to discover later that his father would have preferred having the Grim Reaper for a son (and, of course, now will not believe Grim to be the Reaper).
* In *The Simpsons*, it's been often implied through flashbacks and certain episodes that Homer very much had a relationship like this with his father Abe, which would explain why Homer has such a numb and uncaring sentiment towards his dad now during Abe's old age. This was particularly looked at in the episode "Grandpa vs. Sexual Inadequacy".
* Ulrich Stern from *Code Lyoko*, especially in Season 1.
* Cleveland Jr. is developing shades of this in *The Cleveland Show*.
* Remy Buxaplenty on *The Fairly Odd Parents* has this trope real bad.
* Rameses in *The Prince of Egypt* stubbornly refuses to let the Hebrews go because he believes his father, Seti, would view this as a sign of weakness. "I will not be the weak link!"
* Something that Danny, the titular character from Danny Phantom wants. His parents are ghost hunters, and his alter-ego is the ghost Phantom that they hate and want to 'rip apart molecule by molecule.' He's understandably afraid of this, and tries to make them grow to respect his ghost-half.
* On *Jimmy Two-Shoes*, Lucius and Beezy's relationship has shades of this. Beezy wants his father to accept him for who he is, but Lucius most certainly does not. There is the occasional So Proud of You moment, but this show being what it is, it doesn't last long.
* Surprisingly, Superman in *Young Justice* to Superboy, his clone. Superboy desperately craves some sort of attention and affection from Superman, who wants nothing to do with him and actively avoids him.
	+ Subverted with Robin. While he does want Batman's acknowledge, he does not want to be *the* Batman since he isn't able to pull off a Good Is Not Nice mindset in "Failsafe".
		- Batman himself averts this trope because he makes it clear to the Justice League in "Agendas" that he doesn't want Robin to be like him and took Robin in as a partner because he wanted to give Robin a chance to avenge the death of his parents. It's especially sad because as stated above, Robin feels that Batman wants him to take up his mantle.

 **Wonder Woman**: So he'd become just like you?
**Batman**: So he wouldn't.

* In *Phineas and Ferb*, Norm the robot feels this way towards Doofenshmirtz, who created him. He wants to be acknowledged as his son, but Doof simply thinks of him as a servant.
	+ Which is nothing compared to Doof's feelings about his own Abusive Parents.

 "So, what am *I* gonna do with the Least-Likely-Inator, you ask? Make my daughter *obey* me, make my father *love* me? No, and double-no! Well, maybe later."

* Twilight Sparkle of *My Little Pony Friendship Is Magic* is this not toward her parents, but her mentor Princess Celestia. She values being a good student and the idea of not being able to send a letter about what she's learned about friendship in time is enough to give her mental breakdown. She doesn't seem to understand that Celestia's approval isn't as conditional as she thinks it is.
* Ahsoka Tano from Star Wars: The Clone Wars. Pretty much the only thing that genuinly worries her, is disappointing her master, Anakin. Well was, until the Season3 finale.

## Real Life

* This trope could be Older Than Radio, if you consider the case of Alexander III and Nicholas II, the last two Tsars of Russia before the Russian Revolution put an end to the monarchy. Alexander had nothing but contempt for Nicholas, his son and heir, deriding him as weak and worthless and even demeaning him to his face. He also did little in the way of actually preparing Nicholas for the heavy responsibility of ruling the Russian Empire, leaving the young man woefully unprepared for the job when Alexander died in 1894. Throughout his reign, Nicholas proved timid and indecisive, and lacked strong leadership or political skills. Nicholas was a devoted father and husband, and an all-around family man... but in large part thanks to his father, he simply wasn't cut out to be a king, and couldn't manage his own autocracy. Later Alex Kerensky took over, and, well....
* Political commentary and biopics tend to paint George W. Bush as suffering from this trope.
* Winston Churchill's early life was driven by a desire to form a close relationship with his aloof and uninterested father, Lord Randolph; Churchill envisioned quickly getting to Parliament as the best means of being able to work closely together, father and son, a dream that was shattered when his father died young.
* James Hetfield of Metallica, if the lyrics of "The Day That Never Comes" are to be believed.
	+ "The Unforgiven" has elements of this as well.
* Depression and other fun psychological issues often manifest from this.
* All the traditional Eastern martial arts seem to be based on this: your seniors might occasionally be encouraging, but Sifu (or Sensei) will at best give you a little "That didn't stink quite so much" nod.
	+ Similarly, some schools of Eastern philosophy, particularly Zen, have long traditions of tricking, befuddling, and abusing students in ways that resemble practical jokes more than anything. See if you can tell which of the following examples are traditional Zen koans and which are just someone being a dick.
* Daughter example: English queens Mary I and Elizabeth I were desperate for attention and approval from their misogynistic father, Henry VIII, which had a lot to do with their respective styles of ruling and general personalities. That, and the way he treated their mothers.
* Queen Victoria, according to several biographers, had this type of relationship with her mother, the Duchess of Kent, and the Duchess's evil advisor, Sir John Conroy. The only thing of value the Duchess "owned" was her daughter, the heiress presumptive to the throne, and in order to capitalize on the fact, they demanded that Victoria be *perfect*. Nothing was ever good enough, which Victoria's diary entries show caused her a great deal of angst.
* Sylvia Plath wrote in her journal about how she wanted her mother to love her. She realized that her writing would never be hers until she stopped writing for her mother's approval and for herself.
* Plenty of 2nd and 3rd generation wrestlers can fall into this. Some overcome this and can even become bigger than their fathers, like The Rock and Randy Orton. Others like Michael McGillicutty and Ted Dibiase, not so much.
* As Japan was pretty much tearing apart the film *Tales From Earthsea* by Goro Miyazaki, Hayao Miyazaki (who had a long-term rift with his son and was skeptical of his son's filmmaking abilities) unexpectedly came to its premiere. Then he wrote a note to his son. "It was made honestly. I liked it."
* It is claimed most family enterprises fold at third generation. The reason is usually an over-domineering father who has inherited the enterprise from the founder (his father) and who does not prepare his own sons to handle the business.
* Kellin Quinn from the band Sleeping With Sirens, if the song "A Trophy Father's Trophy Son" is anything to go by.
* The traditional dynastic model for much of the Muslim world is that formulated by the fourteenth-century North African historiographer Ibn Khaldun, which assumes that dynasties are formed generally by the leader of some powerful nomadic people conquering a settled region and replacing the current rulers while leaving everything in place. It holds that the first generation is still savage, but very strong, the second generation is adapted to civilized living, and inherits his father's connections and vision, the third generation begins to be soft, arrogant, and insufficiently political, and from the fourth generation it's all downhill until the new conquerors come.
* This *Wall Street Journal* piece argues that the last four presidents, including Obama, all have daddy issues: They either have a hero figure as their father and a privileged background or no relationship to their father at all: '*"No recent presidents can boast paternity that seems ordinary or normal, finding middle ground between the intense expectations of a powerful, prominent parent and the disasters of badly broken families with absent birth fathers."* Makes you wonder if that explains their political decisions. Oh, and all 2012 current candidates as well as many candidates from the previous elections (e.g. Al Gore, John McCain) also fall into this pattern ...

1. ↑ In fact, the setting's *God,* who passed it down to everything else, probably has Daddy issues, and we'll probably get a Season Eight where they go find God's Dad and punch him in the face.