Under the blackened sea Wiki

QUINN DREXYL LOST HIS LIFE
When two space aliens know more about your life than you, all you can do is let them tell you who you are.

If you asked him to say three facts about himself, he could only name *two*.

He is a 20 something year old Human, and he's a clone with no memories.

No memories, as in, his past self is dead. as in, jumping in on a life he has already started. jumping in to manage the problems he's caused, and the friends he's made, and the people he's hurt, without even knowing that they happened. And it sure is hard to keep up.

Its September 28th 2442. and things sure are weird. Why are his best friends aliens?

All that matters....

....is some day when he gets his memory back, he will know everything.

and some day,

WE WILL KNOW EVERYTHING

because of people like Quinn.

and because of people like Quinn, one day, a rose will sprout underneath the sun

until the rose outgrows the star that gave it light.

And one day, life will thrive without the looming shadow of death.

preserved forever.

Aberdeen will stop at nothing to ensure Suture fulfills its destiny as the future of life.

and the key to this future, the catalyst, is in their hands.

because of Quinn.

and aberdeen will track down Quinn to the ends of every planet, and take the catalyst for herself.

and she will have to kill him.

even if that means killing Quinn Drexyl.

Tourek, a six foot lizard, and Vy'mea, some kind of pink tentacle creature, insist they're Quinn's best friends.

getting Tourek to talk openly without being defensive is about as hard as trying to talk to a lizard, and Vy'mea couldnt tell a story without starting a new one halfway through.

shouldnt matter soon, anyways. If Quinn wants his memories back, hell have to take a road trip to the moon. first stop is driving across the country. once they board their flight to the moon, hopefully he hasn't become someone too different by the time he remembers who he used to be.

so for now, all he can do is try to relax. spaceships don't come by on the east coast. so they have a long drive to California before they board their flight.as his two so called "alien best friends"

he has one thing left to wonder. if everyone talks about him in the past tense, what does that make him now?

starlight is about the absurdity and beauty of life on earth. as humans if we have the potential to be kind to another human, another animal, a worm, an octopus, an elephant, a robot,a space alien, we should. there is no limit to where our collaboration can go. and within this mutual relationship to all beings in the universe, we can

so long as we exist, there will be compassion. and you will not bring us down without taking yourself with you.

\_\_\_\_

there are more important things than *that* in starlight.

keep your priorities straight. theres a lot going on in starlight, and a lot of subplots to get stuck in. sure there may be some bad people who do bad stuff. criminals, space pirates, people who do axolotyl fighting for sport. but hey, out of all the horrible things people do in the galaxy, this is pretty low on the list right? who cares. theres bigger matters at hand than *that*.

\_\_\_\_\_\_\_\_
currently used for personal storywriting

REDACTED is a collaborative art project and animated series created by desiree roy-clifford.

As the creator of REDACTED, i will write what i feel is most appropriate for the story. however, this does not mean my word is final say, and continuity is up to personal interpretation. Science requires experimentation and science fiction should be no different. it may be remixed, rewritten, and re-edited by whoever deems necessary, there is no true ultimate version of REDACTED, and continuity should be based on personal writer. there could never be a REDACTED reboot, because there is no true REDACTED.

A common allegory in science fiction is how easily humans adapt to a new environment. Ironic that most stories contain a metric fuckload of exposition. REDACTED should only use verbal exposition when ABSOLUTELY crucial or as the butt of a joke. as science fiction is about speculation, about futures we havent seen, and aliens we haven't met, the audience should be allowed to adapt to the chaos. No explanations, no jargon, no opening crawl. The audience doesnt need a science lesson. They can learn about the world through making their own observations about the story. One way to look at it, there should be one missing link between REDACTED and the audience. The pieces of the puzzle should be there, and the characters within the story should always come just shy of figuring it out. This should allow the audience to have an "*a-ha!*" moment, hopefully allowing them to become more engaged and immersed in the story. This can be used to frustrate the audience, desperately wishing the characters would see past their dramatic irony in a familiar hopelessness to the discord of opinions preventing class consciousness in the real world. this can also be used to provide the audience with dozens of toys: lasers, aliens, magic cats, clones, time looping, reality bending, holograms, 3d-printers that can make pirated cars, the possibilities are endless, and speculation ensues of what might be in store. and without wasting time on explanation, we can instead let the story exist in entropy.

note: Nomenclature is in English, or derived from other Earth languages. Alien names and words come from Human interpretation of spoken alien language written in the English alphabet. Many names on this wiki are translated from Teuunurian.

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## Important articles

PlaceholderQuinn DrexylPlaceholderThe HegemonyPlaceholderEpisode 1PlaceholderTeuunuuriaPlaceholderThe CatalystsVy'mea

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