"I Am" Song

File:SnowMiser 8414.jpg

> *I am anger, under pressure*
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> *Locked in cages, a prisoner, the first to escape*
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> *I am wicked, I am Legion*
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> *Strength in numbers, a lie, the number is one*
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> *I, I, I*
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> *Everything that I see is for me*
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> **Black Sabbath**, *I*

Bob Fosse said that most songs fall into two categories: the "I Want" Song and the "I Am" Song. The "I Am" Song is, simply put, a song which establishes a character's personality, role in the plot, and/or motivations right away. It can be more effective than setting up a character by dialogue, and it's almost always more fun.

Despite the name, the song doesn't have to be sung by the characters themselves. "The Villain Sucks" Song is an example of an "I Am" Song sung by other people about a villain they despise.

May also be an I Am What I Am, but not always.

**Note:** Contrast the "I Want" Song. Although the two are not mutually exclusive, the "I Am" Song should be primarily about who the character *is*, rather than what they *want* (there's a clue in the name). Try to avoid citing an "I Want" Song as an "I Am" Song.

Compare Villain Song, which are almost always of this type (when they aren't "I Want" Songs). See also Leitmotif for an instrumental version. Image Song is when it doesn't appear in the actual show, but rather in All There in the Manual extras. See "I Am Becoming" Song for when a character explains his or her *new* motivations or self.

Examples of "I Am" Song include:

* *Horsefeathers* "Whatever it is, I'm against it!"
* "Hooray for Captain Spaulding", from *Animal Crackers*, is a tongue-in-cheek version of "Whatever it is, I'm against it!" from Groucho.
* *Drood* has "A Man Could Go Quite Mad" for Jasper and "The Wages of Sin" for Princess Puffer.
* *Next to Normal*
	+ "I'm Alive" takes this pretty literally, half the lyrics starting with "I am..."
	+ "I Am The One".
* *Chicago*
	+ "All I Care About Is Love" . Of course, he's *lying*, but...
	+ Mama also has her own song, "When You're Good to Mama", which is more accurate (metaphorically, anyway).
	+ Amos has "Mr. Cellophane".
* "The Jet Song" from *West Side Story*.
* Batly from *Eureekas Castle* has one and sings about how much of a klutz he is
* *Beauty and the Beast*
	+ "Belle," which also serves as an "I Want" Song ("There must be more than this provincial life ..."), though the official I Want Song in the movie is the reprise to "Belle"
	+ "Gaston." It's sung by Le Fou and Gaston predominately. It's almost a subversion of "The Villain Sucks" Song, as everyone in Belle's town *loves* Gaston except her and her father. The Broadway musical version also includes the aptly named "Me", sung by Gaston himself as he tries (unsuccessfully) to woo Belle.
* "I Cain't Say No" from *Oklahoma!'*
* "I Am A Man Of Constant Sorrow" from *O Brother, Where Art Thou?* if you count it as a diegetic musical.
* "I Am What I Am" from *La Cage Aux Folles*.
* "I Yam What I Yam" from Popeye the movie.
* "I'm New Here" from Twilight the Musical plays this quite blatantly.

> **Edward Cullen:** I am a vampire!
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* *Wicked*:
	+ "A Sentimental Man" is a subversion. The Wizard believes what he's saying, but it's only later that the audience finds that he has his own ideas about who qualifies as a "citizen of Oz" and that part of his motivation for helping Elphaba is to use her magic for his own ends.
	+ "Defying Gravity" is more of an "I Am *Becoming*" song, since Elphaba's entire character for the second act stems from that song...both the good and the bad.
* Speaking of *Dirty Rotten Scoundrels*, "Great Big Stuff" is both an "I Am" Song and an "I Want" Song.
* "Angry Inch" from *Hedwig and The Angry Inch*.
* "Always True to You" from *Kiss Me, Kate*.
* "Some People" from *Gypsy*, as well as "Rose's Turn" and "Little Lamb".
* "Colored Spade", "Manchester England", "I Got Life" and probably more from *Hair*. That whole show was basically an "I Am" Song for the hippies.
* Multiple characters in *The 25th Annual Putnam County Spelling Bee* have something along these lines:"I'm Not That Smart" (Leaf), "I Speak Six Languages" (Marcy) and "Woe Is Me" (Schwartzy).
* *Cats* is nothing but I Am Songs (or rather, You Are Songs in most cases).
* "Miss Baltimore Crabs" from *Hairspray*.
* "Sweet Transvestite" from *The Rocky Horror Picture Show*.
* "All That's Known" from *Spring Awakening*.
* "Jesus of Suburbia", "St. Jimmy" and "She's a Rebel" from Green Day's *American Idiot*.
* "Bring Me My Bride", Miles Gloriosus' song from *A Funny Thing Happened On The Way To The Forum*.
	+ Which is also an "I Want" Song, as the title suggests.
	+ Also "Lovely" for Philia and... well, half the songs in the play.
* "One Jump Ahead" from Disney's *Aladdin*.
	+ The Genie has "Friend Like Me", where he establishes his powers and personality.
* "C'est moi", from *Camelot* establishes Lancelot's puissance and hubris. (Notice the literal translation of the title).
	+ "I Wonder What the King is Doing Tonight" (sung by Arthur himself) establishes his fallibility.
* "Oh, Yeah! Alala!" from *Mermaid Melody Pichi Pichi Pitch* establishes Alala as an evil Kawaiiko Idol Singer (strangely enough for a shoujo series).
* This isn't an exclusively Musical Theatre trope, many rappers have an introduction song, and some bands have theme songs, anthems, or otherwise similar I Am Songs.
	+ "My Name Is...", anyone?
		- "I AM...WHATEVER YOU ***SAY*** I AM! IF I WASN'T, THEN WHY WOULD I ***SAY*** I AM?! IN THE PAPER, THE NEWS, EVERY***DAY*** I AM! I DON'T KNOW, THAT'S JUST THE WAY I AM!
* "Now", "Soon", and "Later" (for Fredrik, Anne, and Henrik respectively) from *A Little Night Music*. "The Glamorous Life" might count as Desiree's.
* "Not For the Life of Me" for the title character of *Thoroughly Modern Millie*
* "The Beauty Is" for Clara from *The Light in the Piazza*.
* "Fortune Favors the Brave" for Radames in *Aida*.
	+ And "My Strongest Suit" for Amneris.
* "Clean the Kit" in *The Beautiful Game* for John.
* "30/90" for Johnny in *tick, tick... BOOM!*
* "Oh, What a Circus" is sung by Che, but completely describes Evita's role in the musical named for her.
* "I Put My Hand in There" for the title character of *Hello, Dolly!*. Replaced in the film version by the Movie Bonus Song "Just Leave Everything To Me".
* "You're a Good Man, Charlie Brown".
* Bill Sykes' "My Name" from *Oliver*.
* "I Can Cook, Too" from *On The Town*.
* "My Name Is Samuel Cooper" from *Love Life*.
* "The Lady Is A Tramp" from *Babes In Arms*.
* "I Jupiter, I Rex" from *Out Of This World*.
* "The Hostess With The Mostes'" from *Call Me Madam*.
* "Wand'rin' Star" from *Paint Your Wagon*.
* "Independent (On My Own)" from *Bells Are Ringing*.
* "I Enjoy Being A Girl" from *Flower Drum Song*.
* "A Little Brains, A Little Talent" from *Damn Yankees*.
* "I'm The Greatest Star" from *Funny Girl*.
* "His Name is Lancelot" from Spamalot is more of an "Just Admit It, You Are" song.
	+ There is also "Laker Girls Cheer" with Arthur declaring that he is Arthur, King of the Britons.
* "Li'l Ark Angel" from *Cats Don't Dance* is mildly different: although it's more of a plot device, her cheerily singing about people and animals drowning establishes Darla's character immediately. She gets a Villain Song later, too.
* *Willy Wonka and the Chocolate Factory* has interesting twists: The opening number "The Candy Man" is a typical celebration of a title character, but none of the other characters, to say nothing of the audience, has actually *seen* him in years. Willy Wonka, who turns out to be *far* more eccentric than expected, has his own I Am Song in "Pure Imagination", which better fits his personality, especially with its choreography.
* Gilbert and Sullivan love these. To list just a few:
	+ *The Mikado*
		- "A Wand'ring Minstrel I" (Nanki-Poo)
		- "Behold The Lord High Executioner" (Ko-Ko)
		- "Three Little Maids From School Are We" (Yum-Yum, Pitti-Sing, Peep-Bo)
		- "A More Humane Mikado Never Did In Japan Exist"
	+ *The Pirates of Penzance*
		- "'Tis Better Far to Live and Die" (or "I Am A Pirate King")
		- "I Am The Very Model of a Modern Major General"
	+ *HMS Pinafore*
		- "I'm Called Little Buttercup"
		- "I Am The Monarch of the Sea" (Sir Joseph)
		- "I Am The Captain of the Pinafore"
	+ *Princess Ida*
		- "We Are Warriors Three" (Arac, Guron, and Scynthius)
		- "If You Give Me Your Attention" (Gama)
	+ *The Gondoliers*
		- "We're Called Gondolieri" (Marco and Giuseppe)
		- "In Enterprise Of Martial Kind" (Duke of Plaza-Toro)
	+ *The Sorcerer*
		- "My Name is John Wellington Wells"
		- "Love Feeds on Many Kinds of Food"
	+ *Patience*
		- "If You Want a Receipt For That Popular Mystery" (Colonel)
* *Doctor Horribles Sing Along Blog.*
	+ "A Man's Gotta Do" starts out as an "I Want" Song for Dr. Horrible but then Captain Hammer hijacks it and makes it his very own, very hammy I Am Song.
	+ "Bad Horse Chorus" for the Animal Supervillain Bad Horse, actually a "He Is" song.
	+ "Penny's Song", appropriately, for Penny.
* *Les Misérables* has a boatload: for Fantine, it's "I Dreamed a Dream". For Eponine, we get "On My Own". For Thenardier, we get "Master of the House". "Stars" for Javert.
	+ Though "Master of the House" is probably the most traditional I Am Song in the musical. "On My Own" falls more into the "I Want" Song category, considering the song isn't so much about Eponine as it is about her wanting Marius to return her affections while realizing that he never will.
	+ And for Jean Valjean, it's the side-splittingly obvious name for an "I Am" Song: "Who Am I?"
	+ "Stars" is also a bit of an "I Want" Song, but this is justified because the pursuit of Valjean in particular and justice in general is central to Javert's self-image. There's a reason he's the Trope Namer for Inspector Javert.
* "I, Don Quixote" from *Man of La Mancha* qualifies for this as its first reprise - not to be confused with its second reprise, which is more of an I Am What I Am song. Aldonza also gets such a song with "It's All The Same".
* *The Phantom of the Opera* has "Stranger Than You Dreamt It" after Christine removes the Phantom's mask.
* "I Got Plenty O' Nuttin'" from *Porgy And Bess*.
* "How Can I Call This Home?" for Leo in *Parade*.
* "The Barber and His Wife" from *Sweeney Todd: The Demon Barber of Fleet Street*, though the title character who sings this speaks of himself in those days in the past tense because as far as he's concerned, That Man Is Dead. It gets a Dark Reprise at the end of the play after Sweeney unknowingly kills his wife, learns of Mrs. Lovett's treachery in not telling him said wife was still alive, and then throws her in the oven.
	+ Another example for Todd is, of course, "The Ballad of Sweeney Todd".
	+ Meanwhile, Mrs. Lovett has "The Worst Pies in London", which tells you just about everything you need to know about that character in two minutes flat.
	+ And Adolpho Pirelli gets his entrance which actually opens with the lines "I am Adolpho Pirelli, / Da king of da barbers..."
* *The Little Mermaid*: "Poor Unfortunate Souls" for Ursula.
	+ also, "Les Poissons".
* Just about every character in *Keating!* has one:
	+ Bob Hawke gets "My Right Hand Man" (sorta. It's more about Keating, but it applies to him too).
	+ Keating himself gets "Do It in Style".
	+ John Hewson has his part of "On The Floor".
	+ Gareth Evans and Cheryl Kernot have "Heavens, Mister Evans".
	+ Alexander Downer has "Freaky".
	+ John Howard has "Power" (which doubles as his Villain Song).
* The songs of the Sorting Hat in Harry Potter.
* "What You Feel" from "Once More With Feeling" is the this as well as being a Villain Song, since its an upbeat tune about how hes a demon who destroys whole towns through cheery music, for the episodes villain (who is identified in the credits as Sweet).
* A number of Professional Wrestling entrance themes (at least the ones with lyrics) fit this pattern. Of particular note is TNA wrestler A.J. Styles' theme, which is actually *titled* "I Am"
* Despite the name, "I Want More", from *Lestat* is actually Claudia's "I Am" Song. (Her "I Want" Song is "I'll Never Have That Chance").
* "Advantages of Floating In the Middle of the Sea" is pretty much the I Am Song for *all of Japan* in Sondheim's *Pacific Overtures*.
* "Back In NYC" from *The Lamb Lies Down On Broadway* serves this purpose for the main character, Rael.
* Parodied in the Bear in the Big Blue House song “Brush Brush Bree” with Tutter singing the verse: “I can brush ‘em wherever I am...”
* John Denver's "The Eagle and the Hawk": "I am the eagle,I live in high country...I am the hawk, and there's blood on my feathers..."
* "The Real Me" from *Quadrophenia*.
* Repo! The Genetic Opera, being a rock opera and featuring an ensemble cast, has one for the majority of the characters.
	+ Perhaps the two most classic examples are "Legal Assassin" and "Things You See In A Graveyard", which introduce Nathan and Rotti's characters, respectively, their motivations, their pasts, and much of the plot besides.
	+ Also "Seventeen" and "Infected". The latter is incredibly whiny, but still an "I Am" Song.
* The bitterly ironic "Rich and Happy" from *Merrily We Roll Along*: Frank has sold out his principles, abandoned his dreams and destroyed his most important friendship... but he's "rich and famous and therefore happy too". And if you believe that, there's a bridge in Brooklyn I'd like to sell you.
* In "Children of Eden", Yonah has a song about how she is *not* a "Stranger to the Rain", which establishes her as The Woobie because she is descended from Cain.
* *Chess* has quite a few as well. Freddie's lyrics in *Merano*, *Where I Want to Be* for Anatoly and *Someone Else's Story* for either Florence or Svetlana. Plus Molokov and Svetlana's new songs in the Stockholm version.
	+ Arguably, "Pity The Child" for Freddie as well.
* The title character of *Barnum* gets two in "There's a Sucker Born Ev'ry Minute" and "The Prince of Humbug".
* "Main Hoon Don" (which translates to "I Am Don") from the Bollywood film Don. This one is an interesting combination of Trick Twist and Villain Song. When you are first watching the film, you fully believe the singer to be Vijay. At the end you discover it was Don pretending to be Vijay prentending to be Don, and he was so confident in his having fooled everyone that he is just reveling in his evilness.
* "I do the Karma Sutra with a Richard Rodgers score. It's a Business"
* "The Wonderful Thing About Tiggers" from the Disney *Winnie the Pooh* cartoons.
* Not sure if this fits perfectly or no, but Richard from Looking for Group sings "Slaughter Your World" which brutally summarizes everything he is in the comic.
	+ Also, the unfinished This is War. Pretty much sums up Cale and Richard in a wonderful duet.
* "Why Should I Worry" from *Oliver and Company* is Dodger's.
	+ And "Perfect Isn't Easy" is Georgette's. And boy does she ever want you to know it.
* "My Name Is Mok" from *Rock and Rule*
* "I Am Aldopho" from *The Drowsy Chaperone*.
* "I Was The Most Beautiful Blossom" in *Of Thee I Sing* is more accurately described as an "I was" song, but it defines Diana to the extent that she sings its first bars on her subsequent entrances.

> **Wintergreen:** You like that song, don't you?
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* + Also: "We're the one, two, three, four, five, six, seven, eight, nine Supreme Court judges..."
* He is, indeed, the Oogie Boogie Man.
	+ From the same movie, "Jack's Lament" is both this and a "I Want" Song.
* "Different As Can Be" from *A Very Potter Musical* is a duet I Am Song for Quirrell and Voldemort
	+ Hermione gets "Coolest Girl" in the sequel.
* "How Lovely to be a Woman" from *Bye Bye Birdie*.
* "Backwoods Barbie" is the I Am Song for *9 to 5: The Musical*. Funny enough, following it being written for the musical itself, Dolly Parton decided to use it for the title track of her album *Backwoods Barbie*, so not only is it the I Am Song for the musical, but it is for Parton personally as well.
* The first and only song in *The Emperors New Groove* (before the credits) is an I Am Song.
* "Prophecy" from Judas Priest's concept album, *Nostradamus*, is the "I Am" Song for Nostradamus himself.
* In Once Upon a Mattress, Princess Winnifred gets one in "Shy". Queen Aggravain's is "Sensitivity", and then "The Minstrel, The Jester, and I" for the Minstrel, Jester, and King.
* Voltaire's song "When You're Evil" is a classic I Am Song for any villain
* The Disney version of Robin Hood has "The Phoney King of England" which also serves as an example of "The Villain Sucks" Song about Prince John.
* Probably the most famous opera example: "Largo al factotum della città" (aka "Figaro's introduction") from *The Barber Of Seville*.

> "Figaro here, Figaro there, Figaro up, Figaro down, swifter and swifter, I'm like a thunderbolt: I'm the factotum of the city!"
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* India Arie's "Video" is a pure example. Video Lyrics
* "A Cockeyed Optimist" from *South Pacific*.
* "An Orthodox Fool" from *No Strings*.
* "Nothing Suits Me Like a Suit" from the 100th episode of *How I Met Your Mother*.
* "Tradition" from *Fiddler On the Roof* is a We Are Song.
* I am a Large Ham.
* "I am the very model of a scientist salariaaaaaaaaaaan!"
* We're three caballeros!
	+ Also, "Panchito's Song" from *House of Mouse*.
* "Johnny's Theme/The Dreamer" from *Only You Can Save Mankind: The Musical*, establishes Johnny as, well, a dreamer, albeit more confident in that role than the book version:

> Me, I'm a dreamer and I choose to be,
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> It's my dreams that will set the world free.
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> Me, I'm a dreamer, it's my destiny,
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> Look around, see the world that I see.
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* Prevalent in Pro Wrestling
	+ I am the game, you don't wanna play me...
* The Beatles' "I Am The Walrus".
* Oh wow, The Decemberists seem to like this trope, but as so many of their songs are almost writ as monologues, this is hardly surprising. "The Engine Driver", "Leslie Anne Levine", and "The Legionnaire's Lament" stand out as the best examples.
	+ "The Mariner's Revenge Song" is basically one guy telling another guy who he is inside of a whale.
* "We Are The World", by Michael Jackson and Lionel Richie, sung by USA for Africa.
* "The Vegetarian" from *Doctor Dolittle*.
* "The Life I Lead" from *Mary Poppins*.
	+ "Practically Perfect" in the stage version
* "What Do You Do With a BA In English / It Sucks To Be Me" from *Avenue Q* serves as an "I Am" Song for more than half the cast: Princeton, Kate Monster, Brian, Christmas Eve, Rod, Nicky and Gary each get a verse. Additionally, "Special" is Lucy The Slut's "I Am" Song.
* One episode of *The Simpsons* features a deliciously Bond-esque He Is Song for McBain as the ending theme to one of his movies, called "Blessed be the Guy that Bonds".

> *The rules that constrain other men / Mean nothing to Mc Bain.../ Mc Baaaaaaaaaaaaaaaaaaaaaaaaaaaaaiin!*
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* Doctor Steel's songs "Lament for a Toy Factory", "Dr. Steel", and "The Dr. Steel Show"
* "Der Vogelfanger Bin Ich Ja" (I Am the Birdcatcher, Yes) from *The Magic Flute*, sung by Papageno.
* Rodolfo and Mimi's introductory songs "Che gelida manina" and "Si, mi chiamano Mimì" from *La Boheme*.
* *Phineas and Ferb* provides a few examples, most blatantly Vanessa's "I'm Me". For variants, there's Perry's theme song (a "He Is") and "The Fireside Girls Song" (a "We Are").
* *Batman the Brave And The Bold* has "Birds of Prey," a "We Are" song by, of course, the Birds of Prey.
	+ Bullies used to pick on him because he sang in choir, but something very strange occurred when he kept singing higher. The ruffians around him quickly fell into a trance, and it was then—with wicked glee--*he made those puppets dance!* He's the **MUSIC MEISTER!!!**
* *My Little Pony Friendship Is Magic*, of course, provides the Cutie Mark Crusaders' Theme Song (a "We Are") from "The Show Stoppers". It could also double as an "I Want" (referring, of course, to cutie marks).
	+ "Sweet and Elite" has "Becoming Popular (The Pony Everypony Should Know)", which tracks Rarity's rise in the Canterlot social hierarchy.
	+ "The Super Speedy Cider Squeezy 6000" introduces two self-proclaimed "traveling salesponies *nonpareil*" and their titular machine with "The World-Famous Flim-Flam Brothers". It also doubles as a Villain Song.
	+ "A Friend In Deed" gives us Pinkie Pie's "Smile Song", which perfectly describes her personality.
* "Out Tonight" from Rent begins as an "I am" song for Mimi (as in, I am a sexy Latina firecracker) and ends as an "I want" song when she gets into Roger's apartment.
* "I'm an Ordinary Man" from *My Fair Lady* is an introduction to Henry Higgins and his misogyny
* The song of White Knight "On m'appelle le chevalier blanc" ("My name is White Knight")from movie *You won't have Alsace and Lorraine*.
	+ He sings it every time he's asked "Who are you?" (and it's long. Hilarity Ensues).
* Each of *The Letter People* has one.
* Camp Rock loves this trope with "This is Me", "Here I Am", "Too Cool", "Introducing Me", and "Who Will I Be?" which doubles as an "I Want" Song.
* The *Doctor Who* audio drama "Doctor Who and the Pirates" contains the song I am the Very Model of a Gallifreyan Buccaneer
* "Blaineriffic" by Blaineley in *Total Drama World Tour*.
	+ sounding very close to "Fergalicious"
* Zephyr the monkey gets one in *Babar: The Movie*.
* The Hetalia ending theme, "Maru Kaite Chikyuu", along with its variations by the different characters.
	+ As well as some of the character songs, namely "I am German-Made" for Germany, "Absolutely Invincible British Gentleman" for England, "My Heart Has a Light" for Russia and both "Mein Gott" and "My Song That Is Written By Me, For Me" for Prussia since he's all about telling people who he is.
* "Divide" by Disturbed, as well as 'Indestructible', 'I'm Alive', and a few others.

> I am a little more provocative then you might need
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> It is your shock and then your horror on which I feed
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> So can you tell me what exactly does freedom mean
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> If I'm not free to be as twisted as I want to be?
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> Don't wanna be another player losing in this game
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> I'm trying to impress upon you, we're not the same
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> My psychotic mentality is so unique
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> I'm one aggressive motherfucker, now wouldn't you say?
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* *Strike Up the Band* had "A Typical, Self-Made American" and "The Unofficial Spokesman" for Horace J. Fletcher (who, judging from his song, made himself much like Sir Joseph Porter did) and Colonel Holmes.
* "I am The Great Mighty Poo / And I'm going to throw my shit at you..."
* The Bible contains a rather strange example at the end of Deuteronomy- Moses' final lesson to Israel before his death is to teach them a national anthem: a song spelling out the future of Israel, complete with the fact that they will grow rebellious and turn away from God, and that this apostasy will spell disaster for their descendants, ultimately leading to their scatter and the destruction of all but a remnant. Also, Psalm 51.
* Portal's "Still Alive" is a pretty simple one:

> I'm doing science and I'm Still Alive
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> I feel fantastic and I'm Still Alive
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> When you're dying I'll be Still Alive
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> And when you're dead I will be Still Alive
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* In *Vanities: The Musical*, "An Organized Life" is this for Kathy, in addition to being an "I Want" Song, and in its Dark Reprise it becomes her BSOD Song and "I Am Becoming" Song. The first two productions also had "Hey There, Beautiful", which was later replaced by "I Don't Wanna Miss a Thing". Also, the closing song "Letting Go" from the Pasadena Playhouse and ACT Theatre productions.
* *Disney's Alice in Wonderland Jr.* adds two 'I Am' songs not in the movie:
	+ "Ocean of Tears" for the Dodo Bird
	+ "Whooooo Are Youuuuu?" for the three Alices
* "A Little Girl from Little Rock" from *Gentlemen Prefer Blondes*.
* The Monkees' theme song ("Hey Hey We're the Monkees!")
	+ A self-deconstructed one appears in their movie, *Head* ("Hey, HEY we are The Monkees! You know we love to please! A manufactured image, with no philosophies...").
* *Metalocalypse* gives us two for each of Dethklok's guitarists: "I'm No Man (I'm's A God)" for Skwisgaar Skiwgelf, and "I Am Toki" for Toki Wartooth.
* Tenerence Love's "R&B break" from the song "Rap Song" from *Homestar Runner* for some reason composes entirely of his own name:

> Well, My name is Tenerence Love
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> Plus my name is Tenerence Love
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> Divided by my name is Tenerence Love
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> Equals my name is Tenereeeeeeeeeeeeeeeeeeeeeeeeeennnnnnnnnnnnnce Love!
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> emainder three!
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* Marian Call has two: "Vanilla (I'm Not Sexy)" is a declaration of her general uncoolness (in a positive way) while "I'll Still Be A Geek After Nobody Thinks It's Chic" is a geek anthem.
* An interesting example in Stephen Sondheim's Assassins: in "Unworthy of Your Love" where John Hinckley Jr. and Lynette "Squeaky" Fromme sing for their respective Love Interests. While at first it sounds like an "I Want" Song, it's really about Hinckley and Fromme's insecurity and how they are completely lost in their lives. It even begins with 'I am'.
* "Thomas O'Malley's Song" from *The Aristocats*.
* "I'm a rearing, tearing wizard when it's time for cutting up/I can graft a chicken's gizzard onto the wishbone of a pup/And here's my greatest experiment that I am going to tackle:/To see that if the test result will bark or crow or cackle! MUHAHAHAHAHAHAHAHAA!!!
* The Cobbler's Song from *Chu Chin Chow* (But *not* "I am Chu Chin Chow")
* In the elevators of Mother 3's Empire Porky Building, you can hear the creepy music entitled "I Am Porky".
* "Who's got the sweetest disposition? One guess, that's who!"
* Shadow the Hedgehog's theme song for his title game, which is (seriously) named "I Am". "Can you see all of me? Walk into my mystery. Step inside, hold on for dear life. Do you remember me? Capture you or set you free? I am all, I am all of me. I am, I'm all of me."
* The two songs "Snow Miser" and "Heat Miser" from *The Year Without a Santa Claus* are prime examples (and Snow Miser is the page image!)
* *The Devil* gets one in *Showbread'*s song "The Goat (Nervosa)". Almost every line is a description of what he is, and every other set of words is "I am." Also, in their song "The Sky (Anorexia)", the refrain is a deathly and commanding "I AM."
* A common trope for Crush 40, most notably *I Am (All of Me)*
* I am more than a fish! I am more than a man! Death will rise! From the tides! I AM MURLOC!
* *Little Shop of Horrors* has "Dentist!" for Orin Scrivello. Additionally, the film version has "Mean Green Mother From Outer Space" for Audrey II.
* "Nemesis" by Arch Enemy.
* *The Producers* has "The King of Broadway." Though in this case, it's more of an "I used to be" song. This song doesn't appear in the film adaptation of the musical however.
* The song "Belle" from *Beauty and the Beast* introduces Belle's enjoyment in reading and dreaming about exciting adventure, the other villagers' regarding these as strange interests for a young woman of their era, Gaston's desire to marry Belle, and the other villagers' admiration of his handsomeness and masculinity. It covers all this in only five minutes.
* "The Song of Dusk" from *Märchen* isn't an "I am" song so much as it's a "Who am I?" song in which the eponymous character knows nothing of who he once was, only that he's woken up at the bottom of a well with a Creepy Doll in his arms and feels an intense desire to enact revenge and seeks to satisfy it by granting the chance at revenge to others.
* "I Am Woman," Helen Reddy's 1973 anthem to feminism.
* Simon and Garfunkel's "I Am A Rock."
* You will probably never get a more literal example than "I'm Martin Guerre."
* Pippin has "Spread a Little Sunshine" for Fastrada, "Kind of Woman" for Catherine and "Extraordinary" for Pippin himself
* "We are the Three Aaaaaamigos! We are the three Aaaaaaaaaaaaamigos!!! We are the three AAaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaamigos, and Amigos forever we'll be!"
* *Passion* has "I Read" for Fosca, a mild conversation about a borrowed book taking a sharp right turn into a slightly unhinged, passionate song explaining Fosca's philosophy, tinged with mental illness, and hinting at her tragic backstory.
* Kiss' "I" from *Music From "The Elder"*.
* The Homestuck song from coloUrs and mayhem: Universe A, Temporal Shenanigans.