Flight of the Bumblebee

> Bzz! Bzz! Buzz bzzz! -
>
>

> Starting point of Flight of the "Bumblebee"
>
>

his article is about a musical piece. For the actual flight of a bumblebee, see Bumblebee § Flight.

MENU
0:00

"**Flight of the Bumblebee**" is an orchestral interlude written by Nikolai Rimsky Korsakov for his opera *The Tale of Tsar Saltan*, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture.

The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). Although in the opera the Swan-Bird sings during the first part of the "Flight", her vocal line is melodically uninvolved and easily omitted; this feature, combined with the fact that the number decisively closes the scene, made easy extraction as an orchestral concerto piece possible.[*not verified in body*][*clarification needed*]

## Contents

 [hide]

* 1Overview
* 2In popular culture
* 3References
* 4External links

## Overview[edit]

Here is the text of the scene where the Swan-Bird sings during this music:

ЛЕБЕДЬ-ПТИЦА:
Ну, теперь, мой шмель, гуляй, (Nu, teper', moy shmel', gulyay,)
судно в море догоняй, (sudno v more dogonyay,)
потихоньку опускайся, (potikhon'ku opuskaysya,)
в щель подальше забивайся. (v shchel' podal'she zabivaysya.)
Будь здоров, Гвидон, лети, (Bud' zdorov, Gvidon, leti,)
только долго не гости! (tol'ko dolgo ne gosti!)
*(Шмель улетает.)*
Well, now, my bumblebee, go on a spree,
catch up with the ship on the sea,
go down secretly,
get deep into a crack.
Good luck, Gvidon, fly,
only do not stay long!
*(The bumblebee flies away.)*

Although the "Flight" does not have a title in the score of the opera, its common English title translates like the Russian one (*Полёт шмеля* = *Polyot shmelya*). Incidentally, this piece does not constitute one of the movements of the orchestral suite that Rimsky-Korsakov derived from the opera for concerts.

Those familiar with the opera *Tsar Saltan* may recognize two leitmotifs used in the *Flight,* both of which are associated with Prince Gvidon from earlier in the opera. These are illustrated here in musical notation:

The music of this number recurs in modified form during the ensuing tableau (Act III, Tableau 2), at the points when the Bumblebee appears during the scene: it stings the two evil sisters on the brow, blinds Babarikha (the instigator of the plot to trick Saltan at the beginning into sending his wife away), and in general causes havoc at the end of the tableau. The readers of Alexander Pushkin's original poem, upon which this opera is based, will note that Gvidon is supposed to go on three separate trips to Saltan's kingdom, each of which requires a transformation into a different insect.

"Flight of the Bumblebee" is recognizable for its frantic pace when played up to tempo, with nearly uninterrupted runs of chromatic sixteenth notes. It is not so much the pitch or range of the notes that are played that challenges the musician, but simply the musician's ability to move to them quickly enough. Because of this and its complexity, it requires a great deal of skill to perform.

In the "Tsar Saltan" suite, the short version is commonly played, taking less than two minutes. In the Opera version, the three-minute fifty-five-second version is performed.

Although the original orchestral version assigns portions of the sixteenth-note runs to various instruments in tandem, in the century since its composition the piece has become a standard showcase for solo instrumental virtuosity, whether on the original violin or on practically any other melodic instrument. Sergei Rachmaninov's transcription for piano features in the film *Shine* and is interpreted by David Helfgott.

## In popular culture[edit]

* Big band trumpeter Harry James did a cover of the piece in 1941.[1]
* "Flight of the Bumblebee" was featured, along with other compositions by Rimsky-Korsakov, in the fictional 1947 biopic *Song of Scheherazade*.
* A piano-based version by B. Bumble and the Stingers reached #21 on the *Billboard* Hot 100 in 1961.[2]
* Japanese band Takeshi Terauchi & Bunnys recorded an instrumental rock cover of this song on their 1967 album, *Let's Go Unmei*.
* The song was featured in the first episode of *The Muppet Show*, in which Gonzo attempts to eat a tire on stage with the song playing in the background.
* During the episode of the Internet animated series *Cyanide and Happiness* "Ribs", the song is frequently played.
* The radio program *The Green Hornet* used "Flight of the Bumblebee" as its theme music, blended with a hornet buzz created on a theremin. The music became so strongly identified with the show and the character that it was retained as the theme for the later TV series. This version was orchestrated by Billy May and conducted by Lionel Newman, with trumpet solo by Al Hirt, in a jazz style nicknamed "Green Bee". This particular version was later featured in the 2003 film *Kill Bill*.
* Progressive metal band Protest The Hero references the main motif at the end of the song "Palms Read."
* Extreme's instrumental piece "Flight of the Wounded Bumblebee," featuring guitarist Nuno Bettencourt's advanced virtuoso skills, is heavily inspired by Rimsky-Korsakov's original and bears a similar name, but is in fact a distinct work and not merely a re-arrangement.
* Manowar bassist Joey DeMaio recorded a version titled "Sting of the Bumblebee," played entirely on bass guitar.
* Trans-Siberian Orchestra has included the piece into the song *A Last Illusion* on its *Beethoven's Last Night* album.
* The video game *Rayman* uses an altered version of the piece during a chase sequence in which the title character rides a mosquito. This version gradually increases in tempo.
* The video game *Crash: Twinsanity* uses an a capella remix of the song during an area in which the player clears a path for Dr. Cortex, who is running from a swarm of bees (and eventually has a beehive stuck to his head).
* The Great Kat recorded a thrash metal version on her 1990 album *Beethoven on Speed*.
* It was often used on *Glee* when characters were about to get slushied.
* The music inspired Walt Disney to have a bumblebee featured in a segment of *Fantasia* that would sound as if it were flying around a movie theater. Although this did not appear in the final film, it anticipated the eventual invention of surround sound.[3] However, in his film *Melody Time*, Disney included an animated segment using Freddy Martin's "Bumble Boogie", a jazz arrangement of the piece.[4]
* For Guinness world record of fastest guitarist and violinist, "Flight of the Bumblebee" must be played flawlessly at an increased speed. The current guitar world record is 1300 bpm held by Daniel Kurt Himebauch.[5]
* In the Scott Hicks film *Shine*, Geoffrey Rush's character David Helfgott wanders out of a rainy night into a cafe and amazes the few patrons there by playing a piano version of "Flight of the Bumblebee."
* In the anime *Naruto Shippūden the Movie: Bonds*, a remix of it plays during a scene when Shino infiltrates the Land of the Sky's base.
* Bob Dylan wrote and recorded a song called "It's the Flight of the Bumblebee" with The Band during the *Basement Tapes* sessions that quotes the original during the piano intro.
* It is used as the theme song for the Catalan Netflix produced show Merlí.

## References[edit]

1. **Jump up^** Harry James, *Harry James: Big Bands*, CD, Time Life Music, 1992, liner notes
2. **Jump up^** Whitburn, Joel The Billboard Book of Top 40 Hits, Billboard Books, New York, 1992
3. **Jump up^**
4. **Jump up^**
5. **Jump up^**

## External links[edit]

* Flight of the Bumblebee at AllMusic
* A MIDI page including five versions of the *Flight of the Bumblebee*