Interscope Records

Template:Short description
Template:Use American English
Template:Use mdy dates
Template:Infobox record label

**Interscope Records** is an American record label based in Santa Monica, California, owned by Universal Music Group through its Interscope Geffen A&M imprint. Founded in late 1990 by Jimmy Iovine and Ted Field as a $20 million joint venture with Atlantic Records of Warner Music Group and Interscope Communications, it differed from most record labels by letting A&R staff control decisions and allowing artists and producers full creative control. Interscope's first hit records arrived in under a year, and it achieved profitability in 1993. Chair and CEO until May 2014, Iovine was succeeded by John Janick.

In 1992, Interscope acquired the exclusive rights to market and distribute releases from hardcore hip hop label Death Row Records, a decision that ultimately put the label at the center of the mid-1990s gangsta rap controversy. As a result, Time Warner, then the parent of Warner Music Group, severed ties with Interscope by selling its 50 percent stake back to Field and Iovine for $115 million in 1995. In 1996, 50% of the label was acquired for a reported $200 million by MCA Inc., later known as Universal Music Group.

Interscope's artist roster includes 2Pac, Eminem, Lady Gaga, OneRepublic, Dermot Kennedy, Blackpink, Dr. Dre, DaBaby, Billie Eilish, Imagine Dragons, Olivia Rodrigo, Selena Gomez, Playboi Carti, Kendrick Lamar, Lana Del Rey, Maroon 5, Moneybagg Yo, Gwen Stefani, Rae Sremmurd, Machine Gun Kelly, U2, Yungblud, Cuco, d4vd and others.

## History

### 1990–1995: Origins, early success, and joint ventures

In mid 1990, Ted Field began to build Interscope Records as a division of his film company, Interscope Communications. To run it, he hired John McClain, who had played a central role in Janet Jackson's success at A&M Records, and Tom Whalley, who had been the head of A&R at Capitol Records. Separately, Iovine, who had produced records for U2, Bruce Springsteen, Stevie Nicks, and John Lennon, among others, was trying to raise money to start a label. "I thought, 'Music is going to change,'" Iovine said in 1997. "'Young bands aren't going to be asking for me.' But I love working with the new thing. I always liked the part of the business that's the first time you hear something, and I knew I wasn't in that business anymore."

Iovine and Field were introduced by Paul McGuinness, then U2's manager. After a series of negotiations led by David Geffen, they came to an agreement, and in 1990, Interscope Records was founded as a joint venture with Atlantic Records. In a 1997 article in *Rolling Stone*, David Wild wrote: "Interscope's start-up coincided with a period of incredible change in the music world. Nirvana had ushered in the alternative revolution... While the major labels were packed with rosters full of expensive veteran artists who had to redefine themselves for a new rock era, Interscope was in the business of signing new artists and could – as Iovine puts it – 'move on a dime.'"

Based in Los Angeles, California in the Westwood neighborhood at an office building on 10900 Wilshire Boulevard, Interscope was run by "music men". It was a departure from the music industry practices of the 1970s and 1980s, when labels traditionally appointed lawyers and promotion executives to senior positions. A founding tenet of the label was that artists would have complete creative control.

Interscope's first release was "Rico Suave" by Ecuadorian rapper Gerardo in December 1990; the single reached number seven on the *Billboard Hot 100* charts in April 1991. Primus' Interscope debut, *Sailing the Seas of Cheese*, was released in May, followed by Marky Mark and the Funky Bunch's *Music for the People* in July. It included the number-one single "Good Vibrations". Two days after first hearing his demo, Whalley signed Tupac Shakur in August 1991, and by November, Interscope released *2Pacalypse Now*, Shakur's studio debut.

Interscope began to develop a significant presence in the genre of alternative rock in 1992. In addition to a second Primus album, the label released No Doubt's self-titled debut, Helmet's *Meantime*, 4 Non Blondes' *Bigger, Better, Faster, More!,* acquired and re-released Rocket from the Crypt's *Circa: Now!*, and, through a joint venture with TVT/Nothing Records, the Nine Inch Nails EP *Broken.* However, Interscope's success with alternative and rock music was eclipsed by controversy which began in September 1992, when Vice President Dan Quayle called on Interscope to withdraw *2Pacalypse Now,* stating that it was responsible for the death of a Texas state trooper, who was shot to death in April by a suspect who allegedly was listening to the album on the tape deck of a stolen truck when he was stopped by the officer. The trooper's family filed a civil suit against Shakur and Interscope, claiming the record's violence-laden lyrics incite "imminent lawless action".

Earlier in 1992, Interscope negotiated a $10-million deal with Dr. Dre and Marion "Suge" Knight to finance and distribute their label, Death Row Records. It was initiated by McClain, who met Dre when he was recording his solo debut, *The Chronic.* Original plans had called for the album to be released through Sony, but Sony passed on *The Chronic* due to "the crazy things going on around Death Row" and the contractual status of Dr. Dre. After hearing the album, Iovine agreed to put it out, although doing so required a complicated distribution agreement with Priority Records, Dre's label as a member of N.W.A. *The Chronic* was released in December 1992.

By the end of the following year, *The Chronic* had sold almost 3 million copies. Snoop Dogg's debut *Doggystyle* had sold more than 800,000 copies in its first week alone, and Primus and 4 Non-Blondes had released records which hit the US Top 20. In 1993, with an estimated gross of $90 million, Interscope became profitable ahead of projections.

Interscope further established its strength in the alternative and rock genres in 1994. A$2.5 million investment to establish a joint venture with Trauma Records yielded three number-one Modern Rock tracks and a platinum-certified album with Bush's *Sixteen Stone*. The Nine Inch Nails album *The Downward Spiral* went to number two on the US charts and was widely acclaimed. Marilyn Manson's *Portrait of an American Family*, The Toadies album *Rubberneck* and Helmet's *Betty* were commercially successful and critically embraced.

### 1995–2000: Gangsta rap controversy, acquisition by MCA, Aftermath and Shady

In May 1995, the controversy related to gangsta rap and explicit lyrics intensified as U.S. Senate Majority Leader Bob Dole accused Interscope of releasing music that glorified violence and degraded women. Among others, the label was criticized by William J. Bennett, a former Education Secretary, and C. DeLores Tucker, the chairwoman of the National Political Congress of Black Women. In September, Time Warner announced it would disassociate itself from Interscope by selling its half-interest in the company to Field and Iovine for $115 million. Ownership in Interscope was aggressively pursued by EMI, BMG, PolyGram and MCA. On December 1, 1995, the *Los Angeles Times* noted that with five albums on that week's pop charts and sales of $350 million over the previous three years, "what may have been a smart move politically for Time Warner is now looking like a financial fiasco." In February 1996, MCA Records—then owned by Seagram—bought 50% of Interscope for a reported $200 million. Under the agreement, Interscope retained complete creative control over the label's recordings. MCA was not required to distribute material that it deemed offensive.

Dre left Death Row in mid-1996 due to what was then reported as tension over the creative direction of the label, and founded Aftermath Entertainment, a new joint venture with Interscope. In November that same year, Aftermath debuted with the album *Dr. Dre Presents the Aftermath*. The Death Row deal remained in place until 1998, when Knight was imprisoned for parole violations.

In November 1996, with records by Bush, Snoop Dogg, No Doubt, and Tupac Shakur, Interscope became the first label in 20 years to hold the top 4 positions on the *Billboard* charts. Six additional Interscope releases were in the Top 100. The label was frequently criticized for overspending on artist acquisitions and joint ventures, however, with revenue for 1996 estimated at $250 million, it operated at a profit.

In 1996, MCA Music Entertainment was renamed Universal Music Group. In 1998, the Universal Music Group parent company Seagram acquired PolyGram Records. MCA's Geffen Records and PolyGram's A&M Records were merged into Interscope, and in early 1999, Interscope Records began operating under the umbrella of Interscope Geffen A&M Records, with Iovine and Field serving as co-chairmen.

Iovine's assistant (and former intern) Dean Geistlinger saw Eminem perform at the Rap Olympics in Los Angeles in 1997 and passed Eminem's CD on to Iovine; Iovine, in turn, passed it on to Dre. In February 1999, Interscope and Aftermath released *The Slim Shady LP.* The album entered the charts at number two, and won two Grammy Awards. Later in 1999 Eminem and his manager, Paul Rosenberg, founded Shady Records.

On June 22, 1999, Interscope/Flip records released Limp Bizkit's second studio album *Significant Other* selling 643,874 copies in the first week. In the second week, it sold an additional 335,000 copies. It would go on to sell 7,000,000 copies in the US. Being certified 7x Platinum in 2001. It would go on to sell 16,000,000 copies worldwide.

By the close of the decade, Interscope sales accounted for nearly one-third of Seagram's 27% share of the U.S. music market. Records by Limp Bizkit, Eminem, Dre, Eve, Nine Inch Nails, Enrique Iglesias, Blackstreet, Smash Mouth and others generated an estimated $40 million in profit during the final six months of 1999.

### 2000–2010: Departure of Field, DreamWorks, Cherrytree Records and Beats

Interscope/Shady released Eminem's *The Marshall Mathers LP* on May 23, 2000. The fastest-selling rap album in history, it sold 1.76 million copies in its first week. On October 19, 2000, Interscope/Flip records released Limp Bizkit's third studio album called Chocolate Starfish and the Hot Dog Flavored Water and it would shift 1.05 million copies in its first week in the United States, becoming the fastest-selling rock album in history. Cementing Nu Metal's status in pop culture as a top selling genre during the 2000s. Also Interscope began its relationship with U2 after it acquired the US rights to market and distribute the album *All That You Can't Leave Behind*. Iovine had been trying to sign U2 since 1990.

In 2001, Field resigned as co-chairman of Interscope to start a new label. Described as an amicable parting, Field said he was "anxious to become an entrepreneur again." An agreement with Universal allowed Field to resign a year before his contract was set to expire. Conversely, Whalley, Interscope's president since 1998, accepted the position of chairman of Warner Bros. Records in May 2000 and was not released from his Interscope contract until it expired in August 2001.

Interscope/Shady released *The Eminem Show,* in May 2002 and the soundtrack for Eminem's semi-autobiographical film *8 Mile* in October; the two titles combined sold more than 11,000,000 records before the end of the year. In 2002, New York City rapper 50 Cent signed to Interscope through Shady and Aftermath with a $1 million advance. 50 Cent's major-label debut album *Get Rich or Die Tryin'* was released on February 6, 2003, through Interscope. The album sold 872,000 copies in six days, and the album went on to be certified 9× platinum in America. In April, it was announced that 50 Cent would sign and develop artists for release on G-Unit Records, which would be marketed and distributed through Interscope. 50 Cent's success allowed G-Unit artists to release their own projects. G-Unit's Lloyd Banks released his debut studio album, *The Hunger for More* in June 2004 through Interscope and G-Unit. Anchored by the success of the single, *On Fire*, the album debuted at number 1 on the Billboard top 200 and achieved platinum status in America.

On September 23, 2003, Interscope/Flip records released Limp Bizkit's fourth album *Results May Vary*, selling 325,000 copies in the first week. Debuting at No. 3 on Billboard 200, ending Limp's number 1 streak from their previous releases. It would go on to be certified Gold in 2003 and later Platinum in 2008. Ending Limp Bizkit's commercial peak, the album would be their lowest-selling of their career up to that point. The band would go in hiatus in 2006, after releasing *The Unquestionable Truth (Part 1)*, their first EP and later their first greatest hits album called *Greatest Hitz* in 2005. They both would sell 2,000,000 and 3,500,000 for a combined total of 5,500,000 worldwide.

In November 2003, Universal Music Group acquired DreamWorks Records and in 2004 it was merged into Interscope Geffen A&M. The DreamWorks A&R staff was retained, and the label's artists were divided between Geffen and Interscope. Among others, Interscope inherited Blink-182, The All-American Rejects, and Nelly Furtado.

In March 2005, Interscope launched Cherrytree Records with Martin Kierszenbaum, its head of international operations. Kierszenbaum, also a producer and A&R executive, focused initially on developing artists from outside the United States. Feist and Robyn were among Cherrytree's first artists.

Four of Interscope's releases were in the top 10 of the year end sales charts in 2005: *The Massacre* (50 Cent) at number one, *Encore* (Eminem) at number two, *Love.Angel.Music.Baby.* (Gwen Stefani) at number six, and *How to Dismantle an Atomic Bomb* (U2) at number eight. The Game's *The Documentary* appeared at number 16, and The Black Eyed Peas album *Monkey Business* charted at number 18.

In 2006, Dre and Iovine established Beats Electronics. Dre had been approached by his attorney to start a line of sneakers, and when he told Iovine about the idea, Iovine said: "You know speakers, not sneakers." 'Beats by Dr. Dre Studio Headphones' were introduced in January 2008 at the annual Consumer Electronics Show. "It took us two years to get them right, but when I heard I knew it was going to be big," Iovine said in 2010. "It's just like listening to a hit record." The marketing for Beats integrated endorsements from Interscope artists including Gwen Stefani, M.I.A. and Pharrell, Lady Gaga, and will.i.am.

Lady Gaga's studio debut *The Fame* was released in August 2008; it was re-released with eight new songs as *The Fame Monster* in November 2009. Interscope held the top four positions on the 2009 year-end Hot 100 charts with The Black Eyed Peas' "Boom Boom Pow" (number one) and "I Gotta Feeling" (number four); Lady Gaga's "Poker Face" charted at number two and "Just Dance" was at number three.

### 2010–present: Lady Gaga, Madonna, departure of Iovine and appointment of John Janick

In June 2010 Eminem's *Recovery* entered the *Billboard* 200 at number one, his sixth album to do so. *Born This Way* by Lady Gaga was released in May 2011, and debuted at number one in 23 countries. In the US, with more than one million copies sold in its first week, it had the highest first-week album sales in five years. Four of the album's singles—"Born This Way", "Judas", "The Edge of Glory", and "You and I"—charted in the top ten of the *Billboard* Hot 100.

Interscope signed Madonna and Van Halen in 2011. Both artists were previously signed to Warner Bros. Records; both released their first records for Interscope in 2012.

In October 2012, John Janick was named president and COO of Interscope Geffen A&M. The founder of Fueled By Ramen, Janick had previous success with artists including Jimmy Eat World, Fall Out Boy, Panic! at the Disco and Paramore. At the time of his appointment, it was reported that Iovine had chosen Janick as his eventual successor—Iovine's attention had increasingly turned to Beats, which dominated the headphone market with 2012 revenues of $512 million. In May 2014, following Apple's acquisition of Beats, Iovine resigned. As anticipated, Janick was named chairman and CEO of Interscope Geffen A&M.

Six Interscope releases appeared in the *Billboard* year end album charts in 2014: *The Marshall Mathers LP 2* by Eminem, *Ultraviolence* by Lana Del Rey, *V* by Maroon 5, *Native* from OneRepublic, Lady Gaga's *ARTPOP*, and *Oxymoron* by Schoolboy Q. In December 2014 it was announced that Selena Gomez, previously signed to Hollywood Records, had signed with Interscope.

Imagine Dragons' *Smoke + Mirrors* debuted on the *Billboard* album charts at number one in March 2015. A week later, Kendrick Lamar's album *To Pimp a Butterfly* appeared at number one, a position it held for two consecutive weeks. Lamar won five Grammys in 2016. In August 2017, JoJo announced she had re-signed to Interscope, in a joint venture deal to launch her own music imprint, Clover Music.

In October 2018, YG Entertainment teamed up with Interscope Records in a global partnership for Blackpink. Interscope and Universal Music Group would represent the girl group worldwide, outside of Asia.

In May 2019, Australian pop rock band 5 Seconds of Summer signed with Interscope Records, following their departure from Capitol Records. On March 27, 2020, the band released their fourth studio album *Calm.* The album was a commercial success and received generally positive reviews from critics who praised the band's artistic growth and maturity. The album charted in more than 25 countries on several charts,Template:CN the album peaked in the top 10 on 17 charts and debuted atop the charts at number one in Australia, the UK and Scotland.

## Criticism and controversies

### Album delays

Several artists have criticized Interscope for delaying albums. The label was embroiled in controversy over delaying the release of the singer Bilal's second album, *Love for Sale*, because of its creative direction. Dr. Dre had assisted Bilal's production for the album in a limited role. After it leaked in 2006, Interscope notoriously shelved the release indefinitely, giving rise to rumors that the label had leaked it on purpose.

In 2013, M.I.A. said her album *Matangi* was held because the label felt the record she turned in was "too positive" for her fans. In 2010, rapper Eve left Interscope after a three-year delay of her album *Lip Lock*. Blink-182, All Time Low, and 50 Cent have similarly criticized Interscope.

### Elton John

In discussing his 2006 album *The Captain & the Kid* with Cameron Crowe in *Rolling Stone,* Elton John said: "I was so furious with Interscope Records because they put it out and they dropped it. I had meetings in the South of France, and I said, 'I know this isn't a commercial album, I just want you to do your best,' and they dropped it like a fucking turd. It's probably why I didn't make another solo record. It was pure heartbreak."
John would later return to Interscope in the US in 2019.

### Nine Inch Nails

In 2007, Nine Inch Nails frontman Trent Reznor criticized Universal Music Group for the inflated price of *Year Zero* in Australia. In an interview with the *Herald Sun* in Melbourne, he said that an employee of UMG stated that NIN had "a core audience that's gonna buy whatever we put out, so we can charge more...True fans will pay whatever." Nine Inch Nails signed with Columbia Records in 2013.

### Die Antwoord

On November 7, 2011, it was reported that the South African hip hop/rave group Die Antwoord was leaving Interscope Records over a dispute with the label wanting their second studio album *Tension* to be re-worked for "mainstream appeal". Problems with Interscope first arose when the group decided the lead single for their second album would be "Fok julle naaiers" (loosely translated to "Fuck you fuckers"). *Tension* was ultimately released through Zef Recordz in early 2012.

### Kendrick Lamar and Top Dawg Entertainment

On March 15, 2015, Kendrick Lamar's album, *To Pimp a Butterfly*, was released on iTunes, Spotify and Google Play eight days ahead of its scheduled release date (March 23). The CEO of Top Dawg Entertainment, Anthony Tiffith, blamed Interscope for the album's unintentional release, and tweeted: "I would personally like to thank Interscope for fucking up our release. Somebody has got to pay for this mistake. #TOP!" The tweet was later deleted. On the following day, the option to purchase the album was removed from iTunes. The album debuted at number one when it was officially released.

### Alleged knowledge of Marilyn Manson sex abuse

In January 2023, a sex abuse lawsuit was filed alleging that Interscope and its now defunct subsidiary Nothing Records knew about sex abuse committed by Marilyn Manson against a girl in the 1990s when he was signed with Nothing Records.

## Legal issues

### Rockit Cargo

In September 2011, it was reported by federal prosecutors that the Interscope Geffen A&M Records building was used by a drug-trafficking ring as a transport center. The Drug Enforcement Administration inspected the year-long case and stated that the Los Angeles offices of Interscope Records were used for pickups and deliveries of hundreds of kilograms of cocaine in 2010 and 2011. Rock-It Cargo, a shipping company which has an immense list of musical clients, shipped music cases that allegedly contained drugs to New York City studios.
 Interscope Geffen A&M responded to the claims with a statement that read: "There is no evidence that any employee of UMG or Interscope Records had any involvement in the drug trafficking ring being prosecuted by that office, nor any knowledge of the contents of any of the packages that were purportedly shipped to its offices. Further, neither UMG nor Interscope Records are a subject or target of the investigation. UMG and Interscope will continue to cooperate with the United States Attorney’s Office regarding this matter".

### Trauma and JCOR

In 1997, Trauma Records filed a $100 million lawsuit against Interscope that charged the company with fraud and the unfulfillment of a two-year promise to assign No Doubt to Trauma's roster. After a four-month dispute, the partnership was dissolved in an out-of-court agreement. Trauma Records principals reportedly received an additional $3 million; No Doubt remained with Interscope.

In 2002, JCOR founder Jay Faires filed a $30 million breach-of-contract suit that alleged that Interscope had withheld millions of dollars in an effort to drive it out of business. Interscope responded that JCOR had hid its true financial position at the time it signed its distribution contract and had attempted to use Interscope's money to finance its business.

## Associated labels and imprints

* 222 Records (2014–present)
* A&M Records (1999–present; back catalog/credited)
* Aftermath Entertainment (1996–present)
* Amaru Entertainment (1997–present)
* Aswang Birthday Cake (2020–present)
* AWGE (2016–present)
* Billion Dollar Baby (2018–present)
* Blockberry Creative (2016–present)
* C9 Entertainment (2012–present)
* Darkroom Records (2016–present)
* Dirty Hit (2013–present)
* Dreamville Records (2014–present)
* EarDrummers Entertainment (2013–present)
* Geffen Records (2007–present; back catalog)
* GRT Records (2001–present; back catalog)
* HighUp Entertainment (2017–present)
* Interscope Films (2022–present)
* Interscope Miami (2021–present)
* Janus Records (2001–present; back catalog)
* Kidinakorner Records (2011–present)
* Konichiwa Records (2007–present)
* LoveRenaissance (2017–present)
* Mad Love Records (2014–present)
* MCA Nashville (2003–present; co-owned with Universal Music Group Nashville and Decca Records)
* Opium (2020-present)
* Panda Funk (2015–present)
* PGLang Template:Small (2020–present)
* Rule #1 Music (2017–present)
* Shady Records (1999–present)
* Streamline Records (2007–present)
* The Black Label Template:Small (2020–present)
* Top Dawg Entertainment Template:Small (2012–present)
* WakeOne (2014–present)
* YG Entertainment Template:Small (2018–present)

## Formerly associated labels and imprints

* 19 Recordings (2011–2014)
* A&M Octone Records (2007–2014)
* Alamo Records (2016–2021; later acquired by Sony Music)
* Almo Sounds (1998–2000; distribution and promotion and then acquired the label, their roster and catalogue, from 2000)
* Atlantic Records (1990–1996; Distribution was ceased when MCA Inc. acquired the label's stake)
* Bad Boy Records Template:Small (2009–2015; later distributed by Epic Records)
* East West Records (1990–1996; a subsidiary of Atlantic, distributed Interscope until MCA acquired the label)
* Cherrytree Records (2005–2016)
* Clover Music (2017–2018)
* Downtown Records (2016–2021; transferred to Geffen)
* DreamWorks Records (1999–2004; merged into Geffen and Interscope)
* Death Row Records (1992–1997)
* DGC Records (2007–2013)
* El Cartel Records (1997–2019)
* Kickball Records (2005–2006)
* Insomniac Records (2014–2018; originally a joint-venture label between Interscope and Insomniac, later spun-off into Insomniac Music Group)
* Interscope Latino Records (2009–2021)
* MediaPro Music (2011–2014; Lala Band releases only)
* PolyGram (1994–1996; joint venture with East West, merged with A&M in 1999)
* Star Trak Entertainment (2005–2015)
* Rockland Records (1998–2004)
* G-Unit Records (2003–2010)
* Mosley Music Group (2006–2014)
* Nothing Records (1992–2007)
* Ruff Ryders Entertainment (1999–2010)
* Trauma Records (1993–2004)
* will.i.am Music Group (1998–2021)

## See also

* Interscope Records discography
* List of record labels

## External links

* Template:Official website
* Template:Discogs label

Template:Universal Music Group

Template:Authority control

1. ↑ Template:Cite magazine
2. ↑ Template:Cite news
3. ↑ 3.0 3.1 3.2 3.3 Template:Cite news
4. ↑ Template:Cite news
5. ↑ Template:Cite news
6. ↑ Template:Cite news
7. ↑ 7.0 7.1 Template:Cite magazine
8. ↑ Template:Cite news
9. ↑ Template:Cite book
10. ↑ Template:Cite web
11. ↑ 11.0 11.1 Template:Cite book
12. ↑ Template:Cite news
13. ↑ Template:Cite news
14. ↑ Template:Cite news
15. ↑ 15.0 15.1 Template:Cite news
16. ↑ Template:Cite news
17. ↑ Template:Cite news
18. ↑ Template:Cite magazine
19. ↑ Template:Cite news
20. ↑ Template:Cite news
21. ↑ Template:Cite news
22. ↑ Template:Cite news
23. ↑ Template:Cite magazine
24. ↑ Template:Cite news
25. ↑ Template:Cite news
26. ↑ Template:Cite news
27. ↑ Template:Cite news
28. ↑ Template:Cite web
29. ↑ Template:Cite news
30. ↑ Template:Cite news
31. ↑ Template:Cite news
32. ↑ Template:Cite web
33. ↑ Template:Cite web
34. ↑ Template:Cite news
35. ↑ Template:Cite news
36. ↑ Template:Cite magazine
37. ↑ Template:Cite magazine
38. ↑ Template:Cite web
39. ↑ Template:Cite magazine
40. ↑ Template:Cite magazine
41. ↑ Template:Cite news
42. ↑ Template:Cite news
43. ↑ Template:Cite magazine
44. ↑ Template:Cite magazine
45. ↑ Template:Cite news
46. ↑ Template:Cite magazine
47. ↑ Template:Cite magazine
48. ↑ Template:Cite news
49. ↑ Template:Cite news
50. ↑ Template:Cite news
51. ↑ Template:Cite magazine
52. ↑ Template:Cite magazine
53. ↑ Template:Cite news
54. ↑ Template:Cite magazine
55. ↑ Template:Cite magazine
56. ↑ Template:Cite magazine
57. ↑ Template:Cite magazine
58. ↑ 58.0 58.1 Template:Cite news
59. ↑ Template:Cite magazine
60. ↑ Template:Citation
61. ↑ Template:Cite web
62. ↑ Template:Cite web
63. ↑ Template:Cite web
64. ↑ Template:Cite web
65. ↑ Template:Cite web
66. ↑ Template:Cite web
67. ↑ Template:Cite magazine
68. ↑ Template:Cite news
69. ↑ Template:Cite news
70. ↑ Template:Cite web
71. ↑ Template:Cite magazine
72. ↑ Template:Cite news
73. ↑ Template:Cite web
74. ↑ Template:Cite web
75. ↑ Template:Cite web
76. ↑ Template:Cite web
77. ↑ Template:Cite web
78. ↑ Template:Cite web
79. ↑ Template:Cite magazine
80. ↑ Template:Cite news
81. ↑ Template:Cite news
82. ↑ Template:Cite news
83. ↑ Template:Cite magazine
84. ↑ Template:Cite magazine
85. ↑ Template:Cite news
86. ↑ Template:Cite news
87. ↑ Template:Cite news
88. ↑ Template:Cite web
89. ↑ Template:Cite news
90. ↑ Template:Cite web
91. ↑ Template:Cite web
92. ↑ Template:Cite web
93. ↑ Template:Cite web
94. ↑ Template:Cite web
95. ↑ Template:Cite magazine
96. ↑ Template:Cite web
97. ↑ Template:Cite magazine
98. ↑ Template:Cite web
99. ↑ Template:Cite web
100. ↑ Template:Cite magazine
101. ↑ Template:Cite web
102. ↑ Template:Cite web
103. ↑ Template:Cite news
104. ↑ Template:Cite magazine
105. ↑ Template:Cite magazine
106. ↑ Template:Cite web
107. ↑ Template:Cite web