References in The Navidson Record

This is a list of references provided by an unknown user on reddit

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   Page XIX, The Navidson Record (fictional source)

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   Page XX, Gavin Young, Shots In The Dark (Real author, Fake work)

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   Page XX, The Works of Hubert Howe Bancroft, Vol XXVIII (Real, contrary to Johnny, free online)

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   Page XX, W.M. Lindsay and H.J. Thomson, Ancient Lore in Medieval Latin Glossaries (Real)

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   Page 3, Daniel Bowler, Resurrection on Ash Tree Lane: Elvis, Christmas Past, and Other Non-Entities, (FAKE)

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   Page 3, The Beatles, A Day In The Life from 1967's Sergeant Peppers (real)

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   Page 4, John Milton, Paradise Lost (real)

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   Page 4, Dante Alighieri, Dante's Inferno (real)

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   Page 6, various magazines, Harper's, The New Yorker, Esquire, American Heritage, Vanity Fair, Spin (real)

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   Page 6, Lee Sinclair, Degenerate (FAKE)

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   Page 7, Interview Magazine, quotes Harvey Weinstein (real magazine and person, fake quote)

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   Page 7, Orson Welles, War of the Worlds (real)

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   Page 7, Mirjana Gortchakova, Home Front (FAKE)

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##### Chapter 2

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   Page 8, Mary Shelley, quote from ch.3 "Frankenstein, or the Modern Prometheus" (real)

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   Page 8, Isaiah Rosen, Flawed Performances (FAKE)

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   Page 9, Helmut Kereincrazch, Years Of Those (FAKE)

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   Page 10, MTV, The Real World (real)

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   Page 10, Donna York, In Twain (FAKE)

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   Page 11, Frances Leiderstahl, The Heart's Device (FAKE)

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   Page 11, Joel Watkins, Jewelry Box, Perfume, and Hair (FAKE)

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   Page 11, Hardy Taintic, Adult Letters and Family Jewels (FAKE)

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   Page 11, Samuel T. Glade, Omens and Signs (FAKE)

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   Page 16, Leslie Buckman, Lie Lexicon and Feminine Wiles (FAKE)

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   Page 16, Dale Corrdigan, Blurbs (FAKE)

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   Page 17, David Lidell, A Horny Duo (FAKE)

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   Page 17, Ascencion Gerson, Vanity of Self Loathing (FAKE)

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   Page 17, Chris Ho, What's in a name (FAKE)

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   Page 17, Dennis Stake, Delial (FAKE)

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   Page 17, Jennifer Caps, Delial, Beatrice, and Dulcinea (FAKE)

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   Page 17, Lester Breman, Tis But a Name (FAKE)

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   Page 17, Tab Fulrest, Ancient Devotions (FAKE)

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##### Chapter 3

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   Page 19, Dorothea Lange, misc quote (real photographer & quote)

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   Page 19, The Bible, Exodus 3.11 (real source / quote)

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   Page 19, Dante Alighieri, Dante's Inferno (still real)

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   Page 21, Dr Iben Van Pollit, The Incident (fake)

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   Page 22, Michelle Nadine Goetz and a variety of other interviewees footnotes 27 & 28 (FAKE)

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   Page 22, Rita Mistopolis, Black Heart, Blue Heart (FAKE)

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   Page 23, Keillor Ross, Legal Zoning (FAKE)

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   Page 23, Zampanò, The Matter of Why (FAKE)

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##### Chapter 4

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   Page 24, Diedrich Knickerbocker, quote from A History of New-York by Washington Irving (real author and source, finctional character)

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   Page 24, Martin Heidegger, Sein und Zeit (real - "Being and Time" in english)

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   Page 28, Rainer Maria Rilke, The Selected Poetry Of (real)

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   Page 28, Letterman (real)

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   Page 30, New York Times, NPR (real)

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   Page 32, David Conte, All Things Being Equal (fake work, there is a David Conte composer)

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   Page 32, Martin Gardner, The Vanishing Area Paradox (real writer, fake writing)

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   Page 33/34, Edith Skourja, Riddles Without (FAKE)

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   Page 34, Walter Joseph Adeltine, Crap (FAKE)

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   Page 34, Virgil, Aeneid (real)

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   Page 34, Leo Tolstoy, War and Peace (real)

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   Page 34, Edward Gibbons, The Decline and Fall of the Roman Empire (real - multi-volume work)

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   Page 37, Rudyard Kipling, The Jungle Book (real)

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   Page 38, Fred De Stabernath, misc quote (FAKE)

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##### Chapter 5

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   Page 41, R.K. Narayan, quote from The Guide (real)

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   Page 41, David Eric Katz, The Third Beside You... (FAKE)

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   Page 41, Ivan Largo Stilets, Greek Mythology Again (FAKE)

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   Page 41/42, Ovid, Metamophoses (real)

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   Page 42, Miguel De Cervantes, Don Quixote (real)

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   Page 43-45, John Hollander, Figure of the Echo (real)

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   Page 43, Kelly Chamotto, Mid-Sentence, Mid-Stream (FAKE)

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   Page 43, Glorious Garrulous Graphomania (FAKE)

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   Page 44, Athanasius Kircher, Neue Hall -und Thonkunst (real)

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   Page 44, John Milton,Paradise Lost (real)

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   Page 44, Henry Reynold, Mythomystes (real)

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   Page 45, Hanson Edwin Rose, Creationist Myths (FAKE)

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   Page 45, The Bible, John 1 (real source)

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   Page 45-46, William Woodsworth, ON THE POWER OF SOUND (real)

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   Page 46, Vienna Boys Choir (real)

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   Page 47, D.R. Griffin, Listening In the Dark (real)

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   Page 47, Shakespeare, King Lear (real)

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   Page 47, Michael J Buckingham, paraphrased, professor / author (real)

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   Page 50, Kellog Pequity, article mentioned no specific title given (FAKE)

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   Page 50, Ned Noi, Echo's Verse (FAKE)

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##### Chapter 5.5 (pg 55)

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   Page 56, Oliver North, untitled news report (real)

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   Page 57, Virginia Posah, Wishing Well (FAKE)

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   Page 58, Frencesca Block, Weetzie Bat (real)

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   Page 58, Mary Pipher, Reviving Ophelia (real)

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   Page 58, Carol Gilligan, In a Different Voice (real)

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   Page 59, The Anomic Mag (FAKE)

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   Page 59, David Kahn, Simple Phobias (FAKE)

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   Page 59, Celine Berezin, Significant (OT)Her (FAKE)

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   Page 59, Steve Sokol & Julia Carter, Women Who Can't Love (FAKE - Steve Carter and Julia Sokol did, however, write "Men Who Can't Love")

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   Page 60, The Twilight Zone, general reference (real)

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   Page 60, 2001: A Space Odyssey (real)

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   Page 60, Drew Bluth, Summers Passage (FAKE)

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   Page 60, Bazine Naodook, Bad Bodhi Wall (FAKE)

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   Page 61, Kwok Man-Ho and Joanne O'Brien, Elements of Feng Shui (real)

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   Page 61, Derek Walters, Feng Shui Handbook: A Practical Guide to Chinese Geomancy and Environmental Harmony (real)

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   Page 61, Sarah Rosbach, Interior Design With Feng Shui (real)

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   Page 61, translated by Richard Wilhelm, The I Ching or Book of Changes (real)

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   Page 62, Lewis Marsano, Tom's 1865 Shelter (FAKE)

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   Page 62, Erica Jong, Fear of Flying (real)

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   Page 62, Anne Hooper, Ultimate Sex Book (real)

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   Page 62, x.y., broken daisy chains (fake)

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   Page 62, Chris Allen, 1001 Sex Secrets Every Man Should Know (real)

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   Page 62, Chris Allen, 1001 Sex Secrets Every Woman Should Know (real)

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   Page 64, Liza Speen, Images of Dark (fake)

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   Page 64, George Brassaï, Paris By Night (real)

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   Page 64, Andrew Bush, Bonnettstown (real)

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   Page 64-67, 3 pages of (presumably) photographers (not going to bother at the moment)

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   Page 67, Don McCullin, American soldiers tending wounded child in a cellar of a house by candlelight (real)

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   Page 69, Margaretha Geertruida Zelle, unspecified dance (real - aka mata hari)

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   Page 72, Johnny's Institutionalized Mother, Letters (real source, whalestoe letters by Pelafina)

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##### Chapter 6

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   Page 74, Ernest Becker, quote from The Denial of Death (real)

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   Page 74, Christian Norberg-Schulz, quote from Phenomenon of a Place (real)

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   Page 75/76, Bernard Porch, Navidson Record Treatise (FAKE)

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   Page 76, Selwyn Hyrkas, End of City Life (FAKE)

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   Page 76, Mary Widmunt, The Echo of Dark (FAKE)

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##### Chapter 7

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   Page 80, Jack London, To Build a Fire (real)

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   Page 80, Aramis Garcia Pineda, More Than Meets The Eye (FAKE)

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   Page 80, Leezel Brant, Billy Reston's Friends For Life (FAKE)

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   Page 81, Gabriel Reller, Beyond the Grasp of Commercial Media (FAKE)

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   Page 81, Susan Wright, Leeder of the Pack (FAKE)

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   Page 81, Bentley Harper, Hook Line and Sinker (FAKE)

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   Page 82, Newt Keullster, Five and a Half Minute Holloway (FAKE)

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   Page 82, Tiffany Balter, Gone Away (FAKE)

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   Page 83, Ryan Murray, Wilder Ways (FAKE)

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   Page 83, Ioana Panofsky, Saints Sinners and Photojournalists (FAKE, but there is a german-jewish art historian from 1892-1968 named Erwin Panofsaaky)

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   Page 83, Wall Street Journal, March 29 1985 p31 column 3 (real publication, who knows if specifics are real)

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   Page 83, Florencia Calzatti, The Fraying of the American Family (FAKE)

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   Page 84, Bingham Arzumanian, Stranger in a Hall (FAKE)

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   Page 84, Yvon Hunsucker, Counseling, Relief and Introjection (FAKE)

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   Page 84, Curtis Melchor, The Surgical Hand (FAKE)

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   Page 84, Elfor O'Halloran, Invasive Cures (FAKE)

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   Page 84, Jeffrey Neblett, The Illusion of Intimacy and Depth (FAKE)

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   Page 85, Fannie Lamkins, Eleven Minute Shrink (FAKE)

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   Page 85, Florencia Calzatti, Fraying of the American Family (still fake)

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   Page 86, Donald Dale Jackson, Planet Earth: Underground Worlds (real)

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   Page 86, Marjorie Preece, The Loss of Authority (FAKE)

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   Page 87, Rainer Maria Rilke, quote from Schwarz Katze (real)

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   Page 87, Lude, quote "You got a death wish Truant?" (Note, this phrase is used in a song by the band The Fall of Troy on an album released a few years after House of Leaves)

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   Page 90, Rosemary Park, Impossible Directions (FAKE)

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   Page 90, Rosie O'Donnel quote (FAKE quote - real person)

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   Page 90, Devon Lettau, The Faraday Conclusion (FAKE)

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   Page 90, Luther Shephard, The Compass School (FAKE)

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   Page 91, Neekisha Dedic, The Study: Tom's Place (FAKE)

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   Page 94, Leon Robbins, Operation #4: The Art of Internal Medicine (FAKE)

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   Page 94, Michael Ray Taylor, Cave Passages (real)

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   Page 95, Gavin Young, Shots in the Dark (FAKE book real author)

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   Page 95, Florencia Calzatti, Fraying of the American Family (still fake)

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##### Chapter 8

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   Page 97, Oxford English Dictionary (real)

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   Page 97, George G. Blake, History of Radio Telegraph and Telephony (real)

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   Page 98, Frizell Clary, Tick-Tock-Fade (FAKE)

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   Page 98, Naguib Paredes, Cinematic Projections (FAKE)

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   Page 98, Edwin Minamide, Objects of a Thousand Facets (FAKE)

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   Page 98, Yuriy Pleak, Semiotic Rivalry (FAKE)

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   Page 98, Mace Roger-Court, In These Things I Find (FAKE)

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   Page 99, Ascher Blootz, Bedtime Stories (FAKE)

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   Page 99, Maurice Sendak, Where The Wild Things Are (real)

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   Page 99, Gene D. Hart, A Blootz Bedtime Story (FAKE)

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   Page 99, Mario Aceytuno, D&D, Myst, and other future paths (FAKE)

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   Page 99, M. Slade, Pawns Bishops and Castles (FAKE)

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   Page 99, http://cdip.ucsd.edu (real, still functional, Coastal Data Information Program)

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   Page 99, Lucy T. Wickramasinghe, Apple of Knowledge vs Windows of Light: The Macintosh-Microsoft Debate (FAKE)

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   Page 99, Janice Whitman, Red Cross Faith (FAKE)

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   Page 102, Tasha K. Wheelston, M.O.S.: Literal Distress (FAKE)

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##### Chapter 9

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   Page 107, Virgil, Aeneid (real)

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   Page 107, Ascensius, aka Jodocus Badius, "laboriosus exitus domus" (Ascensius is a real person that lived in Paris in 1501, but I can find no source for the quote attributed to him. When I get Penelope Reed Doob's book in the mail I will re-check this one)

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   Page 107, Nicholas Trevet, "laboriosa ad entrandum" (Like the above, Trevet was a real person (13th and 14th centuries ad), but I cannot find the source of the quote. Will double check as well)

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   Page 107, H.J. Thomson, Ancient Lore in Medieval Latin Glossaries (real)

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   Page 107, Penelope Reed Doob, The Idea of the Labyrinth (real)

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   Page 109, English Hedgerow Maze at Longleat (real, built 1975)

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   Page 109, Amenemhet III, burial temple in Egypt (real, built around 1850 bc)

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   Page 109, Minos & Daedalus, The Labyrinth of Knossos (real / mythological reference)

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   Page 109, Paulo Santarcangeli, Livre Des Labyrinths (real)

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   Page 109, Russ Craim, The Surviving Web (FAKE)

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   Page 109, Hermann Kern, Labirinti (real)

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   Page 109, W.H. Matthews, Mazes and Labyrinths (real)

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   Page 109, Stella Pinicker, Double Axe (FAKE)

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   Page 109, Rodney Castleden, The Knossos Labyrinth (real)

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   Page 109, Harold Sieber, Inadequate Thread (FAKE)

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   Page 109, W.W.R. Ball, Mathematical Recreations and Essays (real)

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   Page 109, Robinson Ferrel Smith, Complex Knots-No Simple Solutions (FAKE)

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   Page 109, O.B. Hardison Jr, Entering The Maze (real)

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   Page 109, Patricia Flynn, Jejunum and Ileum (FAKE)

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   Page 110, Zampano, Birth Defects in Knossos (FAKE)

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   Page 110, Taggert Chiclitz, The Minotuar (play) (fake, though Mark Z Danielewski does use this name as a pseudonym at times)

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   Page 111, Zampano, Violent Prejudice in Knossos (FAKE)

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   Page 111, W.H. Matthews, Mazes and Labyrinths (real)

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   Page 110, Ovid, Metamophoses (real)

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   Page 110, Jacques Derrida, L'écriture et la différence (writing and difference) (real)

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   Page 112-113, Christian Norgberg-Schulz, Existence Space and Architecture (real)

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   Page 113, Mircea Eliade, Patterns In Comparative Religion (real)

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   Page 113-114, Penelope Reed Doob, The Idea of the Labyrinth (real, still)

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   Page 114, Daniel Hortz, Understanding the Self (FAKE)

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   Page 114, Pliny, quote from Natural History (real)

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   Page 115, Seneca, Epistulae morales (real)

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   Page 115, Paul De Man, Allegories of Reading (real)

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   Page 115, Ovid, Metamophoses (real)

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   Page 119, Gerard Eysenck, Break Through (not a) Breakthrough (FAKE, possible Hans Eysenck reference)

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   Page 119, Joshua Reynolds, Discourses on Art (real - there's 7 apparently)

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   Note on pages 120-135, for now I will be ignoring the vertical columns on the edge of the page.

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   Page 120, William J. Mitchell, The Logic of Architecture (real)

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   Page 120 Andrea Palladio, The Four Books of Architecture (real

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   Page 120, Sebastiano Pérouse de Montclos, Palladian Grammar and Metaphysical Appropriations (FAKE)

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   Page 120, Aristides Quine, Concatenating Corbusier (FAKE)

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   Page 121, Gisele Urbanati Rowan Lell, Polypod or Polylith (FAKE)

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   Page 121, Greenfield and Schneider, Building a Tree Structure (real)

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   Page 121, The Bible, Genesis 28:17 (real source)

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   Page 122, Melisa Tao Janis, Hollow Newel Ruminations (FAKE)

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   Page 122, Emily O'Shaugnessy, Metaphysical Emetic (FAKE)

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   Page 123, Pliny (real)

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   Page 123, The Last Interview (FAKE)

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   Page 123, Goethe, "Ich die Baukunst eine erstarrte Musik nenne" (real - roughly "I call architecture music frozen in place")

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   Page 123, Esther Newhost, Music as Place in The Navidson Record (FAKE)

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   Page 125, Planet Earth, Underground Worlds (real)

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   Page 125, Hank Leblanard, Grief Explorations (FAKE)

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   Page 125-126, Nupart Jhunisdakazcriddle, Killing Badly, Dying Wise (FAKE)

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   Page 128, Allen P. Winnett, Heaven's Door (FAKE)

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   Page 128, Carlos Avital, Acoustic Intervention (FAKE)

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   Page 128, Marla Hulbert, Knock Knock, Who Cares (FAKE)

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   Page 131 (sideways), Candida Hayashi, Vertical Influence (FAKE)

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   Page 131 (sideways), Poe, Fall of the House Usher (real)

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   Page 131 (sideways), Shirley Jackson, The Haunting of Hill House (real)

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   Page 131 (sideways), Charles Brockden Brown, Wieland (real)

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   Page 131 (sideways), Walker Percy, Moviegoer (real)

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   Page 131 (sideways), Stephen King, The Breathing Method (real)

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   Page 132 (upside down), The Exorcist, John Carpenters The Thing, Labyrinth, Raiders of the Lost Ark, Das Boot, Taxi Driver, Crimes and Misdemeanors, Repulsion, Fantastic Voyage, Forbidden Planet, C'est arrivé près de chez vous, The Abyss (real movies)

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   Page 133, James A. Wilkerson, Medicine For Mountaineering (real)

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   Page 133 (sideways), Steve Erickson, Days Between Stations (real)

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   Page 133 (sideways), John Fante, The Road to Los Angeles (real)

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   Page 133 (sideways), Henri Bosco, L'Antiquaire (real)

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   Page 133 (sideways), Salman Rushdie, Satanic Verses (real)

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   Page 133 (sideways), B. Walton, Cave of Danger (real)

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   Page 133 (sideways), Jean Genet, Notre-Dame des Fleurs (real)

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   Page 133 (sideways), Richard Fariña, Been Down So Long It Looks Like Up To Me (real)

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   Page 133 (sideways), John Gardner, October Light (real)

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   Page 133 (sideways), Lovecraft (real)

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   Page 133 (sideways), Pynchon, V (real)

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   Page 133 (sideways), Jorge Borges, The Garden of Forking Paths (real)

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   Page 133 (sideways), Conrad, Heart of Darkness (real)

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   Page 133, 135 (sideways), Lawrence Weschler, Mr. Wilsons Cabinet of Wonder (real)

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   Page 134, Brendan Beinhorn, Critical Condition (FAKE)

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   Page 134 (upside down) The Shining, Vertigo, 2001, Brazil, Lawrence of Arabia, Poltergeist, Amityville Horror, Night of the Living Dead (real movies)

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   Page 135, stories about Magellans crew (mix of real and fake, refer to writings of Antonio Pigafetta for further reading)

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   Page 135 (sideways), Jim Kalin, One Worm (real)

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   Page 135 (sideways), Jean-Paul Sartre, Huis Clos or Les Mouches (real)

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   Page 135 (sideways), Jules Verne, Journey to the Center of the Earth (real)

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   Page 135 (sideways), Stanislaw Lem, Solaris (real)

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   Page 135 (sideways), Ayn Rand, The Fountainhead (real)

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   Page 135 (sideways), Henry James, Turn of the Screw (real)

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   Page 135 (sideways), Nathaniel Hawthorne, Young Goodman Brown, and The House of Seven Gables (real)

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   Page 135 (sideways), C.S. Lewis, The Lion Witch and the Wardrobe (real)

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   Page 135 (sideways), Brodsky and Utkin (real)

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   Page 135 (sideways), Frida Kahlo, Blue House (real)

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   Page 135 (sideways), Diego Rivera, Nocturnal Landscape: Paisaje Nocturno (real)

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   Page 135 (sideways), Rachel Whiteread, House (real)

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   Page 135 (sideways), Charles Ray, Ink Box (real)

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   Page 135 (sideways), Bill Viola, Room For St. John of the Cross (real)

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   Page 135 (sideways), Robert Venturi (real)

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   Page 135 (sideways), Aldo van Eyck (real)

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   Page 135 (sideways), James Joyce (real, finnegans wake, ulysses)

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   Page 135 (sideways), Paolo Portoghesi (real)

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   Page 135 (sideways), Herman Melville (real, moby dick)

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   Page 135 (sideways), Otto Friedrich Bollnow, Mensch und Raum (real)

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   Page 135 (sideways), Maurice Merlau-Ponty, The Phenomenology of Perception (real)

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   Page 136, Edgar M. Bacon, Henry Hudson (real)

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   Page 137, 1973 Skylab Mission (real mission, "rebellion" debateable - referenced in the book's opening)

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   Page 137, Hubert Howe Bancroft, The Works Of, Vol 28 (still real)

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   Page 137, Song of Quesada of Molino (FAKE)

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   Page 138, The PXXXXXXX Poems (uncertain - likely the Whalestoe Letters assuming Pelafina Poems is the intended meaning - footnote 178 is one letter short)

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   Page 138, Coleridge, Rime of the Ancient Mariner (real)

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   Page 138, Reginald James, Diary entry for Endurance expedition (real)

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   Page 138, Simon Alcazaba, Historic Conditions (fake, real fortress called The Alcazaba from 11th century)

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   Page 138, Jack Denton Scott, Journey Into Silence (real)

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   Page 139, Stephen Mamber, Cinema Verite In America (real)

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   Page 139 (sideways), two page list of filmmakers I will be ignoring for the time being

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   Page 140, Robert Flaherty, Nanook (real)

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   Page 140, Americas Funniest Home Videos (real)

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   Page 140, Andy Grundberg for the New York Times, Ask It No Questions: The Camera Can Lie, August 12 1990 (real)

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   Page 143, Howard Chapnick, The Truth Needs No Ally (real)

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   Page 143, William J. Mitchell, The Reconfigured Eye (real)

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   Page 144, Murphy Gruner, Document Detectives (FAKE)

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   Page 144, TNT, C7H5N3O6 (real)

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   Page 144-145, Rodney King Video (real)

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   Page 145, Michael Crichton, Rising Sun (real)

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   Page 145, Delgado, Card Tricks (FAKE)

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   Page 145, Lisa Marie, Slit Slit (FAKE)

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   Page 145, Badder, Confessions of a Porn Star (FAKE)

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   Page 145, Anthony Lane, True Grit (FAKE article, real person)

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   Page 145, Traces of Death, Tourist Eaten By Lions (Real film and clip, though said to be staged)

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   Page 145, Eraser, Alligator scene (real)

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   Page 145, Christian Metz (real)

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   Page 146, Roland Barthes, The Reality Effect (real)

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   Page 146 William J. Mitchrll, The Reconfigured Eye (real)

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   Page 146, Kenneth Turan (real, film critic)

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   Page 146, Ella Taylor (real, film critic)

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   Page 146, Charles Champlin (real, film critic, deceased)

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   Page 146, Todd McCarthy (real)

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   Page 146, Annette Insdorf (real)

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   Page 146, G.O. Pilfer (FAKE)

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   Page 146, Janet Maslin (real)

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   Page 147, Sundance and Cannes (real)

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   Page 147, Sonny Beauregard, Worst of Times (FAKE)

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```
   Page 147, la belle nicoise et le beau chien (FAKE - referenced multiple times)

```

```
   Page 147, David Lynch (real)

```

```
   Page 147, Luis Buñuel (real)

```

```
   Page 147, Hieronymus Bosch (real)

```

```
   Page 147, Charles Baudelaire (real - french poet 19th century)

```

```
   Page 147, Marquis De Sade (real - french, 1740 -1814)

```

```
   Page 147, Emir Kusturica, Underground (real)

```

```
   Page 147, Murphy Gruner (fake)

```

```
   Page 148, Phillip Newharte, The House The IRS Didnt Build (FAKE)

```

```
   Page 149, Connaught B.N.S. Cape (FAKE - Possibly references The Connaught Hotel in collage in back of book, or to be taken literally)

```

```
   Page 149, Dr Drew and Adam Carolla (real)

```

```
   Page 150, Johnny Truant, "I'm sorry Hailey" (Note - Hailey is mentioned a few times in HoL, same name as a main character in authors next book Only Revolutions)

```

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   Page 151, Saul Steinberg, The Labyrinth (real)

```

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   Page 152, Stewart Brand, How Buildings Learn (real)

```

```
   Page 152, Jordan R. Furneaux, A Concise History of Western Architecture (real)

```

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   Page 152, Spiro Kostof, A History of Architecture (real)

```

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   Page 152, Herbert Pothorn, Architectural Styles (real)

```

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   Page 152, Nikolaus Prevsner, A History Of Building Types (real)

```

```
   Page 152, Antoine Prost and Gerard Vincent, A History of Private Life (real)

```

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   Page 152, Labelle Prussin, African Nomadic Architecture (real)

```

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   Page 152, Jack Travis, African American Architecture (real)

```

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   Page 152, David Watkin, A History of Western Architecture (real)

```

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   Page 152, Marcus Whiffen, American Architecture Since 1780 (real)

```

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   Page 152, Nelson Ikon Wu, Chinese and Indian Architecture (real)

```

##### Chapter 10

```
   Page 153, Dagobert Frey, Grundlegung zu einer vergleichenden Kunstwissenschaft (real)

```

```
   Page 154, Denise Lowery, Sketches the process of entry (FAKE)

```

```
   Page 155, Chris Thayil, Travel Legacy (FAKE - possible Soundgarden reference, CHRIS cornell + kim THAYIL. Black Hole House?)

```

```
   Page 165, Dr. Haugeland (FAKE)

```

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   Page 165, Ruby Dahl, " " (FAKE, but there is a Ruby Dhal)

```

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   Page 167, Dr. Helen Hodge, American Psychology: The Ownership of Self (FAKE)

```

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   Page 167, Otto Fenichel, The Psychology of Boredom (1934) (real)

```

```
   Page 167, Kierkegaard, "Boredom, extinction, is precisely a continuity of nothingness (inconclusive - the writer is obviously real, and he did write about boredom, though I cannot find this specific quote attributed to him)

```

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   Page 167, William Wordsworth, Lyrical (real)

```

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   Page 167, Sean Healy, Boredom, Self and Culture (real)

```

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   Page 167, Patricia Meyer Spacks, Boredom: The Literary History of a State of Mind (real)

```

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   Page 167, Celine Arlesey, Perversity In Dullness and Vice Versa (FAKE)

```

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   Page 169, Günter Nitschke, Anatomie Der Gelebten Umwelt (real)

```

```
   Page 170, Christian Norberg-Schulz, Existence Space and Architecture (real, referenced multiple times)

```

```
   Page 175, Michael Leonard, Humanizing Spaces (1969) (fake, though there is a Michael Leonard, architect, in Omaha NE, that states on his website he has been in the practice for 35 years as of 2020)

```

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   Page 176, Kevin Lynch, The Image of the City (real)

```

```
   Page 177, Jean Piaget and Bärbel Inhelder, The Childs Conception of Geometry (real)

```

```
   Page 188/189, Gaston Bachelard, The Poetics of Space (real - Mark Z Danielweski provides a foreward in the revised edition)

```

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   Page 189, Anne Balif, unspecified article (FAKE)

```

```
   Page 189, Dr. Francoise Minkowska (inconclusive - person appears real though somewhat obscure, cannot find any quotes by them or barely any mention of them period, died in 1950)

```

```
   Page 193, Danton Blake, Violent Verses (FAKE)

```

```
   Page 206, Ken Burns (FAKE quote - real person)

```

1. ↑ https://www.reddit.com/r/books/comments/fuckom/attention\_all\_house\_of\_leaves\_fans/