Sabazios

**Sabazios** (Ancient Greek: Σαβάζιος, *Sabázios*, modern pronunciation *Savázios*) is the nomadic horseman and sky father god of the Phrygians. In Indo-European languages, such as Phrygian, the *-zios* element in his name derives from *dyeus*, the common precursor of Latin *deus* ('god') and Greek *Zeus*. Though the Greeks interpreted Phrygian Sabazios[3] as both Zeus and Dionysus,[4] representations of him, even into Roman times, show him always on horseback, as a nomadic horseman god, wielding his characteristic staff of power.

It seems likely that the migrating Phrygians brought Sabazios with them when they settled in Anatolia in the early first millennium BCE, and that the god's origins are to be looked for in Macedonia and Thrace. The recently discovered ancient sanctuary of Perperikon in modern-day Bulgaria is believed to be that of Sabazios. The Macedonians were also noted horsemen, horse-breeders and horse-worshippers up to the time of Philip II, whose name signifies "lover of horses".

Possible early conflict between Sabazios and his followers and the indigenous mother goddess of Phrygia (Cybele) may be reflected in Homer's brief reference to the youthful feats of Priam, who aided the Phrygians in their battles with Amazons. An aspect of the compromise religious settlement, similar to the other such mythic adjustments throughout Aegean culture, can be read in the later Phrygian King Gordias' adoption "with Cybele"[5] of Midas.

One of the native religion's creatures was the Lunar Bull. Sabazios' relations with the goddess may be surmised in the way that his horse places a hoof on the head of the bull, in a Roman marble relief at the Boston Museum of Fine Arts.[6] Though Roman in date, the iconic image appears to be much earlier.

More "rider god" steles are at the Burdur Museum, in Turkey. Under the Roman Emperor Gordian III the god on horseback appears on coins minted at Tlos, in neighboring Lycia, and at Istrus, in the province of Lower Moesia, between Thrace and the Danube. It is generally thought that the young emperor's grandfather came from an Anatolian family, because of his unusual cognomen, Gordianus.[7] The iconic image of the god or hero on horseback battling the chthonic serpent, on which his horse tramples, appears on Celtic votive columns, and with the coming of Christianity it was easily transformed into the image of Saint George and the Dragon, whose earliest known depictions are from tenth- and eleventh-century Cappadocia and eleventh-century Georgia and Armenia.

The ecstatic Eastern rites practiced largely by women in Athens were thrown together for rhetorical purposes by Demosthenes in undermining his opponent Aeschines for participating in his mother's cultic associations:

"On attaining manhood you abetted your mother in her initiations and the other rituals, and read aloud from the cultic writings ...You rubbed the fat-cheeked snakes and swung them above your head, crying Euoi saboi and hues attes, attes hues

Transference of Sabazios to the Roman world appears to have been mediated in large part through Pergamum. The naturally syncretic approach of Greek religion blurred distinctions. Later Greek writers, like Strabo in the first century CE, linked Sabazios with Zagreus, among Phrygian ministers and attendants of the sacred rites of Rhea and Dionysos.[12] Strabo's Sicilian contemporary, Diodorus Siculus, conflated Sabazios with the secret 'second' Dionysus, born of Zeus and Persephone, a connection that is not borne out by surviving inscriptions, which are entirely to *Zeus Sabazios*.[14] The Christian Clement of Alexandria had been informed that the secret mysteries of Sabazius, as practiced among the Romans, involved a serpent, a chthonic creature unconnected with the mounted skygod of Phrygia: "‘God in the bosom’ is a countersign of the mysteries of Sabazius to the adepts". Clement reports: "This is a snake, passed through the bosom of the initiates”.

Much later, the Byzantine Greek encyclopedia, *Suda* (10th century?), flatly states:

"Sabazios... is the same as Dionysos. He acquired this form of address from the rite pertaining to him; for the barbarians call the bacchic cry 'sabazein'. Hence some of the Greeks too follow suit and call the cry 'sabasmos'; thereby Dionysos [becomes] Sabazios. They also used to call 'saboi' those places that had been dedicated to him and his Bacchantes... Demosthenes [in the speech] 'On Behalf of Ktesiphon' [mentions them]. Some say that Saboi is the term for those who are dedicated to Sabazios, that is to Dionysos, just as those [dedicated] to Bakkhos [are] Bakkhoi. They say that Sabazios and Dionysos are the same. Thus some also say that the Greeks call the Bakkhoi Saboi."

In Roman sites, though an inscription built into the wall of the abbey church of San Venanzio at Ceperana suggested to a Renaissance humanist it had been built upon the foundations of a temple to *Jupiter Sabazius*, according to modern scholars not a single temple consecrated to Sabazius, the rider god of the open air, has been located. Small votive hands, typically made of copper or bronze, are often associated with the cult of Sabazios. Many of these hands have a small perforation at the base which suggests they may have been attached to wooden poles and carried in processions. The symbolism of these objects is not well known.