recursal/Fanatic-Fandom huggingface dataset:
Sandstorm (Song)

"Sandstorm" is an instrumental by Finnish DJ and record producer Darude. It was released as the lead single from his debut studio album, *Before the Storm*. It was initially released in Finland on 26 October 1999 by 16 Inch Records and was later re-released in many other countries in 2000. The track was uploaded to MP3.com where it gained global recognition. It has also gained recognition for its usage in sports and popularity in internet meme culture.

On 1 March 2010, over ten years after its original release, "Sandstorm" was certified Gold in the United States by the Recording Industry Association of America for sales of over 500,000 copies. In January 2020, it was certified Platinum for sales over one million.

On the centenary of Finland's independence in 2017, celebrations in Helsinki included Darude as one of the main performers with his "Sandstorm".

## Lyrics

* dun dun dun dun dun dun dun dun dun dun dun
* dundun dun dundundun dun dun dun dun dun dun
* dundun dundun
* BOOM
* dundun dundun dundun
* BEEP
* dun dun dun dun dun
* dun dun
* BEEP BEEP BEEP BEEP
* BEEEP BEEP BEEP BEEP
* BEEP BEEP BEEP BEEP BEEP
* BEEP BEEP BEEP BEEP BEEP BOOM
* daddaddadadsadadadadadadadadada
* dadadadadadaddadadaddadadadadad
* adadadadadadaddadddadaddadadadd
* dadadadaddaddadad
* dadadddaddadaddadadadddadadada
* nyu nyu nyu nyu nyu nnyu nyu nyu
* nyu nyu nyu nyu nyu nyu nyu nyu
* doo doo doo doo doo doo doo doo
* nnn nn nn nn nn nn n nn nnn nn nn nnn nnn nnnnnnnn
* dddddddd ddadadadadaddadadadadadaadadadadadad
* BOOM
* nyu nyu nyu nyu nyu nyu
* BOOM
* BOOM BOOM BOOM BOOM
* BOOM
* nyunyunyu nyu nyu nyu nyu nyu nyu nyu nyu nyu nyu
* BOOM BOOM
* BEEP BEEP
* BEEP BEEP BEEP
* dadadadadada
* ddadad
* BOOM BOOM
* BBEP BEEP
* BEEP BEEP BEEP BEEP BEEP BEEP
* BEEP BEEP BEEP BEEP BEEP BEEP BEEP BEEP BEEP
* BOOM
* (Unintellgibile)
* ddudndundun dun dun dun dun dun dun
* dun dun dun dun dun dun dun dun dund
* dodododododododododododododododo
* dododododododododododododoodo
* DRUM DRUM DRUM
* ddodododododoododododododododoo
* dododododododo
* chi chi chi chi chi chih
* BOOOM
* chcihcihfkdhfdisjfkla
* dodododododododododododododo
* dodododododododododododododo
* dodododododoo
* SCHEW
* dododododododoododododododo
* dododododododo
* dadadadddudndundundudnudndun
* dundunddunfudnundudnudnudndund
* BOOM
* FADE
Sabotage (Song)

"Sabotage" is a 1994 song by American rap rock group Beastie Boys, released as the first single from their fourth studio album *Ill Communication*.

The song features traditional rock instrumentation (Ad-Rock on guitar, MCA on bass, and Mike D on drums), turntable scratches, heavily distorted bass guitar riffs and lead vocals by Ad-Rock. A moderate commercial success, the song was notable as well for its video, directed by Spike Jonze and nominated in five categories at the 1994 MTV Music Video Awards.

In 2004, *Rolling Stone* magazine ranked "Sabotage" #475 on their list of the 500 Greatest Songs of All Time. In 2010, it was dropped to #480. In a 2021 updated list, *Rolling Stone* re-ranked the song at #245. In March 2005, *Q* magazine placed it at #46 in its list of the 100 Greatest Guitar Tracks, and was ranked #19 on VH1's 100 Greatest Songs of the 90s list. *Pitchfork Media* included the song at #39 on their Top 200 Tracks of the 90s list.

## Lyrics

* I can't stand it, I know you planned it
* I'm gonna set it straight, this Watergate
* I can't stand rocking when I'm in here
* 'Cause your crystal ball ain't so crystal clear
* So while you sit back and wonder why
* I got this fucking thorn in my side
* Oh my God, it's a mirage
* I'm tellin' y'all, it's a sabotage
* So, so, so, so listen up 'cause you can't say nothin'
* You'll shut me down with a push of your button?
* But you, I'm out and I'm gone
* I'll tell you now, I keep it on and on
* 'Cause what you see you might not get
* And we can bet, so don't you get souped yet
* You're scheming on a thing that's a mirage
* I'm trying to tell you now, it's sabotage
* Why
* Our backs are now against the wall?
* Listen all y'all, it's a sabotage
* Listen all y'all, it's a sabotage
* Listen all y'all, it's a sabotage
* Listen all y'all, it's a sabotage
* I can't stand it, I know you planned it
* I'm gonna set it straight, this Watergate
* Lord, I can't stand rockin' when I'm in this place
* Because I feel disgrace because you're all in my face
* But make no mistakes and switch up my channel
* I'm Buddy Rich when I fly off the handle
* What could it be? It's a mirage
* You're scheming on a thing, that's sabotage
Sound Of Da Police (Song)

"Sound of da Police" is a song by American rapper KRS-One. Recorded at D&D Studios in New York City with production handled by Showbiz, it was released in December 1993 as the second and final single from KRS-One's debut solo studio album *Return of the Boom Bap*. It peaked at number 89 on the US *Billboard* Hot 100.

## Lyrics

* Woop-woop! That's the sound of da police! That's the sound of the beast!
* Stand clear! Don man a-talk
* You can't stand where I stand, you can't walk where I walk
* Watch out! We run New York
* Police man come, we bust him out the park
* I know this for a fact, you don't like how I act
* You claim I'm sellin' crack
* But you be doin' that
* I'd rather say "see ya"
* Cause I would never be ya
* Be a officer? You wicked overseer
* Ya hotshot, want to get props and be a savior
* First show a little respect, change your behavior
* Change your attitude, change your plan
* There could never really be justice on stolen land
* Are you really for peace and equality?
* Or when my car is hooked up, you know you want to follow me
* Your laws are minimal
* Cause you won't even think about lookin' at the real criminal
* This has got to cease
* Cause we be getting hyped to the sound of da police
* Woop-woop! That's the sound of da police! That's the sound of the beast
* Now here's a likkle truth
* Open up your eye
* While you're checking out the boom-bap, check the exercise
* Take the word "overseer, " like a sample
* Repeat it very quickly in a crew for example
* Overseer
* Overseer
* Overseer
* Overseer
* Officer, Officer, Officer, Officer!
* Yeah, officer from overseer
* You need a little clarity?
* Check the similarity!
* The overseer rode around the plantation
* The officer is off patrolling all the nation
* The overseer could stop you what you're doing
* The officer will pull you over just when he's pursuing
* The overseer had the right to get ill
* And if you fought back, the overseer had the right to kill
* The officer has the right to arrest
* And if you fight back they put a hole in your chest!
* (Woop!) They both ride horses
* After 400 years, I've got no choices!
* The police them have a little gun
* So when I'm on the streets, I walk around with a bigger one
* (Woop-woop!) I hear it all day
* Just so they can run the light and be upon their way
* Woop-woop! That's the sound of da police! That's the sound of the beast!
* Check out the message in a rough stylee
* The real criminals are the see-O-P
* You check for undercover and the one PD
* But just a mere Black man, them want check me
* Them check out me car for it shine like the sun
* But them jealous or them vexed cause them can't afford one
* Black people still slaves up 'til today
* But the Black police officer nah see it that way
* Him want a salary
* Him want it
* So he put on a badge and kill people for it
* My grandfather had to deal with the cops
* My great-grandfather dealt with the cops
* My great grandfather had to deal with the cops
* And then my great, great, great, great, when it's gonna stop?!
* Woop-woop, That's the sound of da police, that's the sound of the beast
List of Characters

This is a list of characters in The Danger Boys

## Main Characters

* Benjamin Moore
* Donald Crawford
* Robert Miller
* Louis Davis
* Hortense Clarke
* Nathan Bennett
* Lydia Masters
* Antonia Summers

## Supporting Characters

* Ibrahim
* Ethan
* Zenebut
* Praveen Qureshi
* Soloman Qureshi
* John Stoller
* [./Http://puppet-stories.fandom.com/wiki/Lolly%20Walker Lolly Walker]
* [./Http://puppet-stories.fandom.com/wiki/Stormy%20Torres Stormy Torres]
* [./Http://puppet-stories.fandom.com/wiki/Kate%20Young Kate Young]
* [./Http://puppet-stories.fandom.com/wiki/Al%20Baker Al Baker]
* [./Http://puppet-stories.fandom.com/wiki/Milo%20Sanchez Milo Sanchez]
* [./Http://puppet-stories.fandom.com/wiki/Sarah%20Ann%20Ramirez Sarah Ann Ramirez]
* Eileen Rogers
Can I Kick It? (Song)

"Can I Kick It?" is a 1990 song by American hip hop group A Tribe Called Quest, released as the third single from their debut album, *People's Instinctive Travels and the Paths of Rhythm* (1990). The song, which has a call and response chorus, was recorded in 1989, when the band members were aged 18-19.

The song contains samples of "Walk on the Wild Side" by Lou Reed, "What a Waste" by Ian Dury and the Blockheads, "Spinning Wheel" by Dr. Lonnie Smith, "Dance of the Knights" by Sergei Prokofiev and "Sunshower" by Dr. Buzzard's Original Savannah Band. Phife Dawg has stated that, because of the use of the "Walk on the Wild Side" sample, the group did not receive any money from the single, with Lou Reed instead claiming the profits.

"Can I Kick It?", considered one of the group's signature songs, appears on the band's 1999 compilation album, *The Anthology*, with the outro of "Bonita Applebum" added to the beginning of the song. In 2012, *NME* listed the song at number 90 in their ranking of the "100 Best Songs of the 1990s".

## Lyrics

* … Can I kick it? (Yes, you can!)
* Can I kick it? (Yes, you can!)
* Can I kick it? (Yes, you can!)
* Can I kick it? (Yes, you can!)
* Can I kick it? (Yes, you can!)
* Can I kick it? (Yes, you can!)
* Can I kick it? (Yes, you can!)
* Well, I'm gone (go on then!)
* … Can I kick it?
* To all the people who can Quest like A Tribe does
* Before this, did you really know what live was?
* Comprehend to the track, for it's why 'cause
* Getting measures on the tip of the vibers
* Rock and roll to the beat of the funk fuzz
* Wipe your feet really good on the rhythm rug
* If you feel the urge to freak, do the jitterbug
* … Come and spread your arms if you really need a hug
* Afrocentric living is a big shrug
* A life filled with fun, that's what I love
* A lower plateau is what we're above
* If you diss us, we won't even think of
* Will Nipper the doggy give a big shove?
* This rhythm really fits like a snug glove
* Like a box of positives is a plus, love
* As the Tribe flies high like a dove
* … Can I kick it?
* Can I kick it?
* … Can I kick it? (Yes, you can!)
* Can I kick it? (Yes, you can!)
* Can I kick it? (Yes, you can!)
* Can I kick it? (Yes, you can!)
* Can I kick it? (Yes, you can!)
* Can I kick it? (Yes, you can!)
* Can I kick it? (Yes, you can!)
* Well, I'm gone (go on then!)
* … Can I kick it? To my tribe that flows in layers
* Right now, Phife is a poem sayer
* At times, I'm a studio conveyor
* Mr. Dinkins, would you please be my mayor?
* You'll be doing us a really big favor
* Boy this track really has a lot of flavor
* When it comes to rhythms Quest is your savior
* Follow us for the funky behavior
* … Make a note on the rhythm we gave ya
* Feel free, drop your pants, check your hair
* Do you like the garments that we wear?
* I instruct you to be the obeyer
* A rhythm recipe that you'll savor
* Doesn't matter if you're minor or major
* Yes, the tribe of the game, rhythm player
* As you inhale like a breath of fresh air
Let's Get It On (Song)

"Let's Get It On" is a song by soul musician Marvin Gaye, released June 15, 1973, on Motown-subsidiary label Tamla Records. The song was recorded on March 22, 1973, at Hitsville West in Los Angeles, California. The song features romantic and sexual lyricism and funk instrumentation by The Funk Brothers. The title track of Gaye's album of the same name, it was written by Marvin Gaye and producer Ed Townsend. "Let's Get It On" became Gaye's most successful single for Motown and one of his most well-known songs. With the help of the song's sexually explicit content, "Let's Get It On" helped give Gaye a reputation as a sex symbol during its initial popularity. "Let's Get It On" is written and composed in the key of E-flat major and is set in time signature of common time with a tempo of 82 beats per minute.

* I've been really tryin', baby
* Tryin' to hold back this feeling for so long
* And if you feel like I feel, baby
* Then, c'mon, oh, c'mon, whoa
* Let's get it on
* Ah, baby, let's get it on
* Let's love, baby
* Let's get it on, sugar
* Let's get it on, woo hoo

* We're all sensitive people
* With so much to give
* Understand me, sugar (ooh ooh)
* Since we've got to be here
* Let's live
* I love you
* There's nothing wrong with me
* Loving you, baby no no
* And giving yourself to me can never be wrong
* If the love is true, oh baby
* Ooh don't you know how sweet and wonderful life can be ooh (let me love you)
* I'm asking you baby to get it on with me ooh ooh (let me love you)
* I ain't gonna worry (let me love you)
* I ain't gonna push, won't push you baby (let me love you)
* So c'mon, c'mon, c'mon, c'mon, c'mon, baby
* Stop beatin' 'round the bush, hey
* Let's get it on (ooh ooh)
* Let's get it on (ooh ooh)
* You know what I'm talkin' 'bout
* C'mon, baby, hey, hey
* Let your love come out
* If you believe in love
* Let's get it on, ooh
* Let's get it on, baby
* This minute, oh yeah
* Let's get it on
* Please, please get it on
* I know and you know what I've been dreaming of, don't you baby? (ah, ah, ah, ah)
* My whole body makes that feelin' of love, I'm happy (my body wants ya, my body wants ya)
* I ain't gonna worry, no I ain't gonna push (ah)
* I won't push you baby, woo (ah ah)
* C'mon, c'mon, c'mon, c'mon, c'mon, darlin'
* Stop beatin' 'round the bush
* Oh, gonna get it on (ooh, ooh)
* Threatenin' you, baby (ooh, ooh)
* I wanna get it on (ooh, ooh)
* You don't have to worry that it's wrong (ooh, ooh)
* If the spirit moves ya (ooh, ooh)
* Let me groove ya good (ooh, ooh)
* Let your love come down (ooh, ooh)
* Oh, get it on
* C'mon, baby (ooh, ooh)
* Do you know the meaning? (ooh, ooh)
* I've been sanctified (ooh, ooh), hey hey
* Girl, you give me good feeling (ooh, ooh) (so good)
* So good, somethin' like sanctified (ooh, ooh)
* Oh dear I, baby (ooh, ooh)
* Nothing wrong with love (ooh, ooh)
* If you want to love me just let your self go (ooh, ooh)
* Oh baby, let's get it on (ooh, ooh)
You Spin Me Round (Like a Record) (Song)

"You Spin Me Round (Like a Record)" is a song by English pop band Dead or Alive, featured on their second album, *Youthquake* (1985). Released as a single in November 1984, it reached No. 1 in the UK in March 1985, taking 17 weeks to get there. It was the first UK number-one hit by the Stock Aitken Waterman production trio. On the U.S. *Billboard* Hot 100, it peaked at No. 11 on 17 August of that year.

In 2003, *Q* ranked the song at number 981 in their list of the "1001 Best Songs Ever", *Blender* listed it at number 289 on its ranking of "Greatest Songs Since You Were Born" in 2005 and in 2015, it was voted by the British public as the nation's 17th favourite 1980s number-one in a poll for ITV.

## Lyrics

* If I, I get to know your name
* Well, if I could trace your private number, baby
* All I know is that to me
* You look like you're lots of fun
* Open up your lovin' arms
* I want some, want some
* I set my sights on you
* (And no one else will do)
* And I, I've got to have my way now, baby
* All I know is that to me
* You look like you're havin' fun
* Open up your lovin' arms
* Watch out, here I come
* You spin me right 'round, baby, right 'round
* Like a record, baby, right 'round, 'round, 'round
* You spin me right 'round, baby, right 'round
* Like a record, baby, right 'round, 'round, 'round
* I (I, I, I), I got to be your friend now, baby
* And I (I, I, I) would like to move in just a little bit closer
* (To move in just a little bit closer)
* All I know is that to me
* You look like you're lots of fun
* Open up your lovin' arms
* Watch out, here I come
* You spin me right 'round, baby, right 'round
* Like a record, baby, right 'round, 'round, 'round
* You spin me right 'round, baby, right 'round
* Like a record, baby, right 'round, 'round, 'round
* I want your love
* I want your love
* All I know is that to me
* You look like you're lots of fun
* Open up your lovin' arms
* Watch out, here I come
* You spin me right 'round, baby, right 'round
* Like a record, baby, right 'round, 'round, 'round
* You spin me right 'round, baby, right 'round
* Like a record, baby, right 'round, 'round, 'round
* You spin me right 'round, baby, right 'round
* Like a record, baby, right 'round, 'round, 'round (I want your love)
* You spin me right 'round, baby, right 'round
* Like a record, baby, right 'round, 'round, 'round (I want your love)
* You spin me right 'round, baby, right 'round (I need your love)
* Like a record, baby, right 'round, 'round, 'round (I need your love)
* You spin me right 'round, baby, right 'round
* Like a record, baby, right 'round, 'round, 'round (I need your love)
* You spin me right 'round, baby, right 'round
Straight Outta Compton

4:54 (extended mix)

"Straight Outta Compton" is a song by American hip hop group N.W.A. It was released on July 10, 1988 as the lead single from their debut album of the same name. It also appears on N.W.A's *Greatest Hits* with an extended mix and *The Best of N.W.A: The Strength of Street Knowledge*. It was voted number 19 on About.com's Top 100 Rap Songs, and is ranked number 6 on VH1's 100 Greatest Songs of Hip Hop.

In 2015, "Straight Outta Compton" debuted at number 38 on the *Billboard* Hot 100 on the issue dated September 5, 2015 as a result of the recent releases of the group's film of the same name and Dr. Dre's *Compton*; it was the highest debut on the chart that week. This became the group's first top 40 hit song, in large part due to lack of airplay since N.W.A was banned from many radio stations in the 1980s, charting 27 years after its initial release and 24 years since the group originally disbanded. In 2021, Rolling Stone listed the song at #248 on their updated list of the 500 Greatest Songs of All Time.
MS-13

Years active
 Territory
* Compton,CA
* Los Angeles, CA
* Boston, Massachusetts
* Fresno, CA
 Ethnicity
 Membership
 Criminal activities
* illegal immigration
* people smuggling
* robbery
* larceny
* human trafficking
* extortion
* murder
* money laundering
* prostitution (including child prostitution)
* racketeering
* battery
* kidnapping
* arms trafficking
Monkey Gone To Heaven (Song)

### Recorded

November 1988 at Downtown Recorders, Boston, Massachusetts, United StatesStrings recorded on December 4, 1988, at Carriage House Studios, Stamford, Connecticut, United States

### Producer(s)

Gil Norton

"Monkey Gone to Heaven" is a song by the American alternative rock band Pixies. Recorded in November 1988 during the sessions for the band's 1989 album *Doolittle*, it was released as a single in March, and included as the seventh track on the album when it was released a month later in April. The song was written and sung by frontman Black Francis and was produced by Gil Norton. Referencing environmentalism and biblical numerology, the song's lyrics mirrored themes that were explored in *Doolittle*. "Monkey Gone to Heaven" was the first Pixies song to feature guest musicians: two cellists, Arthur Fiacco and Ann Rorich, and two violinists, Karen Karlsrud and Corine Metter.

The band had signed to Elektra Records at the end of 1988, so the "Monkey Gone to Heaven" single was their first American and major label release. It was critically well-received; *Rolling Stone*'s David Fricke said "Monkey Gone to Heaven" was "a corrosive, compelling meditation on God and garbage". In the years since its release, the song has received several accolades from music publications.

## Lyrics

* There was a guy
* An underwater guy who controlled the sea
* Got killed by ten million pounds of sludge from New York and New Jersey
* This monkey's gone to heaven
* This monkey's gone to heaven
* This monkey's gone to heaven
* This monkey's gone to heaven
* The creature in the sky
* Got sucked in a hole, now there's a hole in the sky
* And the ground's not cold
* And if the ground's not cold, everything is gonna burn
* We'll all take turns, I'll get mine too
* This monkey's gone to heaven
* This monkey's gone to heaven
* This monkey's gone to heaven
* This monkey's gone to heaven
* Rock me, Joe
* If man is five
* If man is five
* If man is five
* Then the devil is six
* Then the devil is six
* Then the devil is six
* Then the devil is six
* And if the devil is six
* Then God is seven
* Then God is seven
* Then God is seven
* This monkey's gone to heaven
* This monkey's gone to heaven
* This monkey's gone to heaven
* This monkey's gone to heaven
* This monkey's gone to heaven
* This monkey's gone to heaven
* This monkey's gone to heaven
* This monkey's gone to heaven
* This monkey's gone to heaven
Still D.R.E. (Song)

"Still D.R.E." is a song by American rapper-producer Dr. Dre, featuring fellow American rapper Snoop Dogg. It was released on November 2, 1999 as the lead single from Dre's multi-platinum second studio album, *2001* (1999).

The single itself was popular, helping the album reach multi-platinum status, announcing Dre's return to the forefront of the hip-hop scene. "Still D.R.E." debuted and peaked at number 93 on the *Billboard* Hot 100 in 1999 before re-entering and peaking at number 23 in 2022. It was more successful in the United Kingdom, where it reached number 6. The song is featured in the crime, drama, and thriller *Training Day* (2001), in the in-game radio station, West Coast Classics, in the video game *Grand Theft Auto V* (along with "The Next Episode"), and was also featured on the American drama series *Prison Break*. The song has been performed live numerous times by both Dr. Dre and Snoop Dogg. Notable performances include the 2000 Up in Smoke Tour and as the final song in the Super Bowl LVI halftime show on February 13, 2022 alongside fellow American rappers Eminem, Mary J. Blige, Kendrick Lamar, 50 Cent. and Anderson .Paak, with the latter on drums.
Gigantic (Song)

"Gigantic" is a song by the American alternative rock band Pixies, co-written by bassist Kim Deal and lead vocalist/guitarist Black Francis. The song appeared on the band's first full-length studio album, *Surfer Rosa*, released in 1988. One of the longest songs on the album, "Gigantic" was released as the band's first single later that year.

Featuring Deal on lead vocals, the song is one of Pixies' biggest hits and a crowd favorite at concerts, often played as the encore. The melody line comes from Deal's simple but effective bass playing—the same bassline is repeated throughout the song.

"Gigantic" never achieved a ranking on any major charts and was their only release from *Surfer Rosa*. However, it was a fairly successful first hit for Pixies and maintains radio play to this day. The single version of the song appeared on Pixies' 2004 best-of compilation, *Wave of Mutilation: Best of Pixies*.

## Lyrics

* And this I know his teeth as white as snow
* What a gas it was to see him
* Walk her everyday into a shady place
* With her lips she said
* She said, "Hey Paul, hey Paul, hey Paul
* Let's have a ball
* Hey Paul, hey Paul, hey Paul
* Let's have a ball
* Hey Paul, hey Paul, hey Paul
* Let's have a ball"
* Gigantic, gigantic, gigantic
* A big, big love
* Gigantic, gigantic, gigantic
* A big, big love
* Lovely legs there are
* What a big black mass, what a hunk of love
* He'll walk her every day into a shady place
* Like the dark, but I'd want him
* "Hey Paul, hey Paul, hey Paul
* Let's have a ball
* Hey Paul, hey Paul, hey Paul
* Let's have a ball
* Hey Paul, hey Paul, hey Paul
* Let's have a ball"
* Gigantic, gigantic, gigantic
* A big, big love
* Gigantic, gigantic, gigantic
* A big, big love
* Gigantic, gigantic, gigantic
* A big, big love
* Gigantic, gigantic, gigantic
* A big, big love
* A big, big love
* A big, big love
* A big, big love
* A big, big love
* A big, big love
* A big, big love
* A big, big love
* A big, big love
Here Comes A Regular

Here Comes A Regular is a song sung by The Replacements.

## Lyrics

* Well a person can work up a mean mean thirst
* After a hard day of nothin' much at all
* Summer's passed, it's too late to cut the grass
* There ain't much to rake anyway in the fall
* And sometimes I just ain't in the mood
* To take my place in back with the loudmouths
* You're like a picture on the fridge that's never stocked with food
* I used to live at home, now I stay at the house
* And everybody wants to be special here
* They call your name out loud and clear
* Here comes a regular
* Call out your name
* Here comes a regular
* Am I the only one here today?
* Well a drinkin' buddy that's bound to another town
* Once the police made you go away
* And even if you're in the arms of someone's baby now
* I'll take a great big whiskey to ya anyway
* Everybody wants to be someone's here
* Someone's gonna show up, never fear
* 'Cause here comes a regular
* Call out your name
* Here comes a regular
* Am I the only one who feels ashamed?
* Kneeling alongside old Sad Eyes
* He says opportunity knocks once then the door slams shut
* All I know is I'm sick of everything that my money can buy
* The fool who wastes his life, God rest his guts
* First the lights, then the collar goes up, and the wind begins to blow
* Turn your back on a pay-you-back, last call
* First the glass, then the leaves that pass, then comes the snow
* Ain't much to rake anyway in the fall
In Da Club (Song)

"In da Club" is a song by American rapper 50 Cent from his debut studio album *Get Rich or Die Tryin'* (2003). Written by 50 Cent alongside producers Dr. Dre and Mike Elizondo, the song, which uses an unconventional off-beat rhythm, was released in January 2003 as the album's lead single and peaked at number one on the US *Billboard* Hot 100, becoming 50 Cent's first number-one single.

"In da Club" received praise from critics; at the 46th Grammy Awards, it was nominated for Best Male Rap Solo Performance and Best Rap Song. The accompanying music video for "In da Club" won Best Rap Video and Best New Artist at the 2003 MTV Video Music Awards. In 2009, the song was listed at number 24 in *Billboard*'s Hot 100 Songs of the Decade. It was listed at number 13 in *Rolling Stone*'s "Best Songs of the Decade". In 2010, it was ranked 448th in *Rolling Stone*'s 500 Greatest Songs of All Time list. It was performed by 50 Cent in the Super Bowl LVI halftime show on February 13, 2022.
No Time To Die (Song)

"No Time to Die" is the theme song for the *James Bond* film of the same name. Performed by American singer-songwriter Billie Eilish and written by Eilish and her brother and collaborator, Finneas O'Connell, the song features orchestration by Hans Zimmer and was produced by Finneas O'Connell and Stephen Lipson. It was released through Darkroom and Interscope Records on February 13, 2020. Seventeen years old at the time of recording, Eilish is the youngest artist to have recorded a *James Bond* theme in the history of the franchise.

"No Time to Die" debuted at the top of the UK Singles Chart and the Irish Singles Chart. It became Eilish's first number-one single in the UK and made her the first artist born in the 21st century to top the chart. The song is the second Bond theme overall to top the UK chart. "No Time to Die" debuted and peaked at number 16 on the US *Billboard* Hot 100.

"No Time to Die" received various accolades, including the Grammy Award for Best Song Written for Visual Media, the Golden Globe Award for Best Original Song, the Critics' Choice Movie Award for Best Song, and the Academy Award for Best Original Song, making it the third-ever and third consecutive Bond theme to win the Academy Award (after "Skyfall" by Adele in 2012 and "Writing's on the Wall" by Sam Smith in 2015). Eilish became the first person born in the 21st century to win an Academy Award.

## Lyrics

* I should've known
* I'd leave alone
* Just goes to show
* That the blood you bleed
* Is just the blood you owe
* We were a pair
* But I saw you there
* Too much to bear
* You were my life
* But life is far away from fair
* Was I stupid to love you?
* Was I reckless to help?
* Was it obvious to everybody else
* That I'd fallen for a lie?
* You were never on my side
* Fool me once, fool me twice
* Are you death or paradise?
* Now you'll never see me cry
* There's just no time to die
* I let it burn
* You're no longer my concern
* Faces from my past return
* Another lesson yet to learn
* That I'd fallen for a lie
* You were never on my side
* Fool me once, fool me twice
* Are you death or paradise?
* Now you'll never see me cry
* There's just no time to die
* No time to die
* No time to die
* Fool me once, fool me twice
* Are you death or paradise?
* Now you'll never see me cry
* There's just no time to die
Juicy (Song)

"Juicy" is the first single by American rapper the Notorious B.I.G. from his 1994 debut album, *Ready to Die*. It was produced by Poke of the duo Trackmasters and Sean "Puffy" Combs. "Juicy" contains a sample of Mtume's 1983 song, "Juicy Fruit", though it is directly sampled from the song's "Fruity Instrumental" mix, and has an alternative chorus sung by Bad Boy Records cohorts, the girl group Total and label boss, Combs. The song is widely considered to be one of the greatest hip-hop songs of all time.
Lean Back (Song)

"Lean Back" is a song by American hip hop group Terror Squad. It was released as the second single from their second studio album, *True Story*, on June 1, 2004. An uptempo hip hop song built for the club environment, it features Fat Joe with Remy Ma handling the second verse. It topped the US *Billboard* Hot 100 for three weeks, starting on August 21, 2004, and topped the *Billboard* Hot R&B/Hip-Hop Singles & Tracks chart for seven weeks. Worldwide, the song reached the top 20 in several other countries, including Denmark, where it peaked at number five.
Wonderwall (Song)

"Wonderwall" is a song by English rock band Oasis. It was written by Noel Gallagher. The song was produced by Gallagher and Owen Morris for the band's second studio album *(What's the Story) Morning Glory?*, released in 1995. According to Gallagher, "Wonderwall" describes "an imaginary friend who's gonna come and save you from yourself".

The song was released as the fourth single from the album on 30 October 1995. "Wonderwall" topped the charts in Australia and New Zealand and reached the top 10 in 13 other counties, including Canada and the United States at No. 5 and No. 8, respectively, as well as No. 2 on both the UK Singles Chart and the Irish Singles Chart. The single was certified sextuple platinum by the British Phonographic Industry and gold by the Recording Industry Association of America.

It remains one of the band's most popular songs, and was voted No. 1 on the Australian alternative music radio station Triple J's "20 Years of the Hottest 100" in 2013. Many artists have also covered the song, such as Ryan Adams, Cat Power, and Brad Mehldau. In October 2020, it became the first song from the 1990s to reach one billion streams on Spotify.

## Lyrics

* Today is gonna be the day that they're gonna throw it back to you
* And by now, you should've somehow realised what you gotta do
* I don't believe that anybody feels the way I do about you now
* And backbeat, the word is on the street that the fire in your heart is out
* I'm sure you've heard it all before, but you never really had a doubt
* I don't believe that anybody feels the way I do about you now
* And all the roads we have to walk are winding
* And all the lights that lead us there are blinding
* There are many things that I would like to say to you, but I don't know how
* Because maybe
* You're gonna be the one that saves me
* And after all
* You're my wonderwall
* Today was gonna be the day, but they'll never throw it back to you
* And by now, you should've somehow realised what you're not to do
* I don't believe that anybody feels the way I do about you now
* And all the roads that lead you there were winding
* And all the lights that light the way are blinding
* There are many things that I would like to say to you, but I don't know how
* I said maybe
* You're gonna be the one that saves me
* And after all
* You're my wonderwall
* I said maybe (I said maybe)
* You're gonna be the one that saves me
* And after all
* You're my wonderwall
* I said maybe (I said maybe)
* You're gonna be the one that saves me (saves me)
* You're gonna be the one that saves me (saves me)
* You're gonna be the one that saves me (saves me)
Africa (Song)

"Africa" is a song by American rock band Toto, the tenth and final track on their fourth studio album *Toto IV* (1982). It was released as a single in the US through Columbia Records in October 1982, the album's third single overall and second in Europe. The song was written by band members David Paich and Jeff Porcaro, produced by the band, and mixed by Grammy-winning engineer Elliot Scheiner.

Critics praised its composition and Toto's performances. The song reached number one on the United States' *Billboard* Hot 100 chart, the band's only *Billboard* number one, and number one on the Canadian charts. It also peaked in the top ten in the United Kingdom, Ireland, Netherlands, Australia, New Zealand, and Switzerland.

The song was accompanied by a music video, which premiered in 1983, and was directed by Steve Barron, who collaborated previously with the group for "Rosanna". The video features Toto in a library, as they perform and showcase various aspects of African culture. While popular in the 1980s and 1990s, with the song being certified gold by the RIAA in 1991, "Africa" saw a resurgence in popularity via social media during the mid- to late 2010s, including a fan-requested cover by American rock band Weezer which peaked at number 51 on the *Billboard* Hot 100. It has since been certified eight times platinum.

## Lyrics

* I hear the drums echoing tonight
* But she hears only whispers of some quiet conversation
* She's coming in, 12:30 flight
* The moonlit wings reflect the stars that guide me towards salvation
* I stopped an old man along the way
* Hoping to find some old forgotten words or ancient melodies
* He turned to me as if to say
* "Hurry boy, it's waiting there for you"
* It's gonna take a lot to drag me away from you
* There's nothing that a hundred men or more could ever do
* I bless the rains down in Africa
* Gonna take some time to do the things we never had (ooh, ooh)
* The wild dogs cry out in the night
* As they grow restless, longing for some solitary company
* I know that I must do what's right
* As sure as Kilimanjaro rises like Olympus above the Serengeti
* I seek to cure what's deep inside, frightened of this thing that I've become
* It's gonna take a lot to drag me away from you
* There's nothing that a hundred men or more could ever do
* I bless the rains down in Africa
* Gonna take some time to do the things we never had (ooh, ooh)
* Hurry boy, she's waiting there for you
* It's gonna take a lot to drag me away from you
* There's nothing that a hundred men or more could ever do
* I bless the rains down in Africa
* I bless the rains down in Africa
* (I bless the rain)
* I bless the rains down in Africa
* I bless the rains down in Africa
* I bless the rains down in Africa
* (Gonna take the time)
* Gonna take some time to do the things we never had (ooh, ooh)
Veladrin

**Veladrin**, also known as High Elves, are graceful warriors and wizards that originated from the realm of Eliaish. In addition to living in Eliaish, they are at home in the forests of the world. They are magical in nature and share an interest in the arcane arts. From an early age they also learn to defend themselves,particularly with swords.

**Abilities**

Veladrin are graceful, intelligent beings, with a greater capacity for intelligence than most humanoid races while also possessing an agility comparable with their Elven kin. Veladrin are also unusually strong-willed and have a natural resistance to the effects of enchantment spells. Veladrin also have no need for sleep in the same way most humanoids do, instead “trance.” While in a trance, Veladrin remain fully aware of their immediate surroundings. Furthermore, Veladrin need only rest for four hours to get the same effect that most other humanoids get from six hours of sleep.

**Relations**

Although most Veladrin reside in isolated communities of their kin, a few have interests or dealings in the outside world, and it’s not uncommon to find Veladrin living among Dragon Born, Dwarf, Elves, Gnome, Hafling, Human, and Tiefling.
Hyperconductor

A tier 4 passive that is useful if you have a good active item.

Faster active!

### Tooltip:

Active items require 15% less charge to be used, causing them to become avaiable faster.

## Lore

### Narrator:

We had to sift through the entire planet's research data in order to make a case that the locals really were close to discovering hyper-conductivity.
Sweet Child o' Mine (Song)

"Sweet Child o' Mine" is a song by American rock band Guns N' Roses. It appears on their debut album, *Appetite for Destruction*. In the United States, the song was released in June 1988 as the album's third single, topping the *Billboard* Hot 100 chart and becoming the band's only US number-one single. In the United Kingdom, the song was released in August 1988, reaching number 24 on the UK Singles Chart the same month. Re-released there in May 1989, it peaked at number six.

## Lyrics

* She's got a smile that it seems to me
* Reminds me of childhood memories
* Where everything was as fresh as the bright blue sky
* Now and then when I see her face
* She takes me away to that special place
* And if I stare too long, I'd probably break down and cry
* Whoa, oh, oh
* Sweet child o' mine
* Whoa, oh, oh, oh
* Sweet love of mine
* She's got eyes of the bluest skies
* As if they thought of rain
* I'd hate to look into those eyes and see an ounce of pain
* Her hair reminds me of a warm safe place
* Where as a child I'd hide
* And pray for the thunder and the rain to quietly pass me by
* Whoa, oh, oh
* Sweet child o' mine
* Whoa whoa, oh, oh, oh
* Sweet love of mine
* Whoa, yeah
* Whoa, oh, oh, oh
* Sweet child o' mine
* Whoa, oh, whoa, oh
* Sweet love of mine
* Whoa, oh, oh, oh
* Sweet child o' mine
* Ooh, yeah
* Ooh, sweet love of mine
* Where do we go?
* Where do we go now?
* Where do we go?
* Ooh, oh, where do we go?
* Where do we go now?
* Oh, where do we go now?
* Where do we go? (Sweet child)
* Where do we go now?
* Ay, ay, ay, ay, ay, ay, ay, ay
* Where do we go now?
* Ah, ah
* Where do we go?
* Oh, where do we go now?
* Oh, where do we go?
* Oh, where do we go now?
* Where do we go?
* Oh, where do we go now?
* Now, now, now, now, now, now, now
* Sweet child
* Sweet child of mine
Suicidal Thoughts (Song)

Suicidal Thoughts is a song by The Notorious B.I.G, In this final track off of The Notorious B.I.G.’s classic debut album, *Ready to Die*, Biggie calls up Puff Daddy in the middle of the night to explain that he’s about to commit suicide. In one, long verse, he describes how he feels unloved and expresses guilt for all the crimes he’s committed, while Puff tries to talk him out of killing himself in the song’s ad-libs.

The telephone effect used on Puffy’s vocals, as well as other sound effects—e.g. gunshots and Big’s body falling to the floor—make the track both cinematic and haunting. Despite Puff’s pleas, Big pulls the trigger at the end of the track. Biggie’s fictional death directly ties into his follow-up album, March 1997’s *Life After Death*.

This conceptual track became even more significant after The Notorious B.I.G. was murdered in a drive-by shooting on March 9, 1997.
House Of Pain (Song)

"House of Pain" is a power ballad by American heavy metal band Faster Pussycat. The song was released as the third and final single from the album *Wake Me When It's Over*. It is the most popular song by the band, peaking at No. 28 on the *Billboard* Hot 100.

## Lyrics

* A little past supper-time
* I'm still out on the porch step sitting on my behind,
* Waiting for you.
* Wondering if everything is alright.
* Momma said, "Come in boy, don't waste your time." I said, "I've got time.
* Well, he'll be here soon."
* Five years old and talking to myself.
* Where were you? Where'd you go?
* Daddy, can't you tell?
* I'm not trying to fake it
* And I ain't the one to blame.
* There's no one home
* In my house of pain.
* I didn't write these pages
* And my script's been rearranged.
* No, there's no one home
* In my house of pain
* Wasn't I worth the time?
* A boy needs a daddy like a dance to mime and all the time
* I looked up to you.
* I paced my room a million times.
* And all I ever got was one big lie, the same old lie.
* How could you?
* Well, I was eighteen and still talking to myself.
* Where were you? Where'd you go?
* Daddy can't you tell?
* I'm not trying to fake it
* And I ain't the one to blame.
* There's no one home
* In my house of pain
* I didn't write these pages
* And my script's been rearranged.
* No, there's no one home
* In my house of pain
* [Repeat]
* And I'm alone again
* Well, if I learned anything from this... It's how to live on my own.
Changes (Tupac Shakur Song)

"Changes" is a song by American rapper 2Pac featuring vocals by the group Talent first released as a single from Shakur's greatest hits compilation on October 13, 1998. The song makes references to the war on drugs, the treatment of black people by the police, racism, the reconciliation between the black and white people in America, the perpetuation of poverty and its accompanying vicious-cycle value system in urban African American culture, and the difficulties of life in the ghetto. "Changes" samples Bruce Hornsby and the Range’s song "The Way It Is".
Shock The Monkey (Song)

"Shock the Monkey" is a song by English rock musician Peter Gabriel. It was released in September 1982 as the second single from his fourth self-titled album, issued in the US under the title *Security*.

The song peaked at number 29 on the US *Billboard* Hot 100 chart and number one on the *Billboard* Hot Mainstream Rock Tracks chart. The song was Gabriel's first Top 40 hit in the US. In the UK, the song charted at number 58. According to AllMusic, the song has a "relentlessly repeated hook" that "sounded nothing like anything else on the radio at the time".

## Lyrics

* Cover me, when I run
* Cover me, through the fire
* Something knocked me out the trees
* Now I'm on my knees
* Cover me, darling please
* Hey-ey-ey-ey-ey
* Monkey, monkey, monkey
* Don't you know you're going to shock the monkey?
* Hey, hey
* Fox the fox
* Rat on the rat
* You can ape the ape
* I know about that
* There is one thing you must be sure of
* I can't take any more
* Darling, don't you monkey with the monkey!
* Hey-ey-ey-ey-ey
* Monkey, monkey, monkey
* Don't you know you're going to shock the monkey?
* Hey, hey
* Shock the monkey
* Hey-ey-ey-ey-ey
* Monkey
* Wheels keep turning
* Monkey
* Something's burning
* Monkey
* Don't like it but I guess I'm learning
* Shock!
* Shock!
* Shock!
* Watch the monkey get hurt
* Monkey
* Shock!
* Shock!
* Shock!
* Watch the monkey get hurt
* Monkey
* Cover me, when I sleep
* Cover me, when I breathe
* You throw your pearls before the swine
* Make the monkey blind
* Cover me, darling please
* Hey-ey-ey-ey-ey
* Monkey, monkey, monkey
* Don't you know you're going to shock the monkey?
* Hey, hey
* Shock the monkey
* Hey-ey-ey-ey-ey
* Monkey
* Too much at stake
* Oh monkey
* Ground beneath me shake
* Monkey
* And the news is breaking...
* Shock!
* Shock!
* Shock!
* Watch the monkey get hurt, monkey
* Shock!
* Shock!
* Shock!
* Watch the monkey get hurt, monkey
* Shock the monkey!
* Shock the monkey!
* Shock the monkey!
* Hey, hey
* Shock the monkey!
* (Shock the monkey to life)
* (Shock the monkey to life)
* (Shock the monkey to life)
* (Shock the monkey to life)
* (Shock the monkey to life)
* Huh, huh, huh
* (Shock the monkey to life)
* (Shock the monkey to life)
* Huh, huh, huh shock the monkey!
* (Shock the monkey to life)
* Huh, huh, huh shock the monkey!
* Huh, huh, huh shock the monkey!
* Huh, huh, huh shock the monkey!
* Huh, huh, huh shock the monkey!
* Shock the monkey!
* Shock the monkey!
* Shock the monkey!
* Shock the monkey!
Fuck the Pain Away (Song)

"Fuck the Pain Away" is a song by Canadian singer Peaches from her second studio album, *The Teaches of Peaches* (2000). It became her breakthrough song and has since remained her signature song. Its widespread licensing in films as well as numerous official and unofficial cover versions has led to a sustained popularity for the song.

## Lyrics

* Suckin' on my titties like you wanted me
* Callin' me, all the time, like Blondie
* Check out my Chrissie behind
* It's fine all of the time
* Like Sex on the Beaches
* What else is in the Teaches of Peaches? Huh? What?
* Suckin' on my titties like you wanted me
* Callin' me, all the time, like Blondie
* Check out my Chrissie behind
* It's fine all of the time
* What else is in the Teaches of Peaches?
* Like Sex on the Beaches, uh, what?
* Huh? Right, what? Uh
* Huh? What? Right, uh
* Huh? What? Right, uh
* Huh? What? Right, uh
* S-I-S, IUD, stay in school 'cause it's the best
* IUD, S-I-S, stay in school 'cause it's the best
* IUD, S-I-S, stay in school 'cause it's the best
* IUD, S-I-S, stay in school 'cause it's the best
* Suckin' on my titties like you wanted me
* Callin' me, all the time, like Blondie
* Check out my Chrissie behind
* It's fine all of the time
* Like Sex on the Beaches
* What else is in the Teaches of Peaches? Huh? What?
* Fuck the pain away, fuck the pain away
* Fuck the pain away, fuck the pain away
* Fuck the pain away, fuck the pain away
* Fuck the pain away, fuck the pain away
* Fuck the pain away, fuck the pain away
* Fuck the pain away, fuck the pain away
* Fuck the pain away, fuck the pain away
* Fuck the pain away, fuck the pain away
* Huh? What? Right, uh
* Huh? What? Right, uh
* What else in the Teaches of Peaches?
* Like Sex on the Beaches, what? Right, uh
* Fuck the pain away, fuck the pain away
* Fuck the pain away, fuck the pain away
* Fuck the pain away, fuck the pain away
* Fuck the pain away, fuck the pain away