Slimy Hollow

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***Slimy Hollow*** is a 1999 American family comedy film film produced by Capital Pictures for Paramount Pictures. The sixteen feature film from Capital, it was directed by Raja Gosnell, written and co-produced by John Hughes, and stars the voices of Emilio Estevez, Kevin Bacon, David Spade, Seth MacFarlane, and Sean Astin. The film tells the story of an 8-year-old boy who defends his home from a dangerous band of international criminals working for a terrorist organization. It is the third film in the *Home Alone* franchise, and the first not to feature actor Macaulay Culkin, director Chris Columbus, or composer John Williams. It is also the final film in the *Home Alone* franchise to receive a theatrical release.

*Slimy Hollow* was originally released in theaters on October 15, 1999. It received universal acclaim from critics, and went on to earn over $203.3 million worldwide on a budget of $24 million. The film was later released on VHS on June 6, 2000, and on DVD on September 11, 2000.

## Plot

Peter Beaupre, Alice Ribbons, Burton Jernigan, and Earl Unger are four internationally wanted criminals who work for a terrorist organization. In Silicon Valley, California, they steal a $10 million missile-cloaking microchip and hide it inside a remote control toy car to sneak it past security at San Francisco International Airport. However, a luggage mix-up causes a Chicago-bound elderly passenger named Mrs. Hess to inadvertently take the thieves' bag containing the car. The four thieves arrive in Chicago and systematically search every house in Mrs. Hess's suburban neighborhood to find the chip.

Eight-year-old Alex Pruitt is given the remote control car by Mrs. Hess for shoveling her driveway. He returns home and discovers that he has chickenpox and must stay home from school. The next day, Alex discovers the thieves while spying on his neighbors. After two failed attempts to have them apprehended, Alex attaches a camera to the remote control car and uses it to spy on them, leading to the thieves chasing it when they spot it. Wondering what they want with the toy car, Alex opens it and discovers the stolen chip. He informs the local U.S. Air Force Recruitment Center about the discovery and asks if they can forward the information about the chip to the right authorities.

The thieves finally deduce that Alex has been watching them and decide to break into the Pruitts’. Alex rigs the house with booby traps with help from his pet rat Doris and his brother Stan’s loud-mouthed parrot. The thieves break in, spring the traps, and suffer various injuries. While the four pursue Alex around the house, he flees and rescues Mrs. Hess, who has been duct taped to a chair in her garage by Ribbons. Beaupre ambushes Alex, but the latter uses a bubble gun resembling a Glock to scare him off.

Meanwhile, FBI agents and Chicago PD officers arrive at Alex's siblings' school after a tipoff from the recruitment center. Alex's family brings the agents and the police to their house, where they arrest Ribbons, Jernigan, and Unger. However, Beaupre hides in a snow fort in the backyard. Stan’s parrot discovers him and threatens to light fireworks, which are lined around the inside. Beaupre offers a cracker in exchange for silence, but the parrot demands two (“double or nothing”). Since Beaupre has only one, the parrot lights the fireworks and flees. Beaupre is discovered and arrested.

Later, the Pruitts, Hess, and the authorities hold a celebration for Alex as the Pruitt house is being repaired, with Alex’s father Jack returning home from a business trip. At the end, the thieves are shown to have contracted Alex's chickenpox during their mugshots.

## Cast

* Emilio Estevez as Pauly Landrum
* Kevin Bacon as Eric Landrum
* David Spade as Buddy Landrum
* Seth MacFarlane as Quenton Zelinsky
* Sean Astin as Joey Richman
* Bruce Willis as Rudy Landrum, Pauly's father
* Demi Moore as Lanette Scandori, a movie actress and stunt double and Pauly's role model

### Additional voices

* Bob Bergen
* Jim Cummings
* Debi Derryberry
* Bill Farmer
* Barbara Goodson
* Danny Mann
* Mona Marshall
* Mickie T. McGowan
* Phil Proctor
* Jan Rabson
* Damen Walker

## Production

### Development

Development for the film began in 1995 as a collaboration between animator Damen Walker, *The Hudsucker Proxy* directors Joel and Ethan Coen, and Shawn Levy in his directorial debut. A distribution deal was made with Paramount Pictures, with plans to release the film in the fall of 1998. However, in April 1997, the release date of the film was pushed a year forth; Walker stated, "We suddenly remembered 2000 is coming close, and figured we could consider moving our new project to some later time to serve our style of animation as a "millennium surprise". If this project should come out as a success, then we can proceed in our plans to enter the millennium with other ones in development."

Paramount CEO Sherry Lansing revived studio interest in 1998. Schroeder, who shepherded Tim Burton's *Edward Scissorhands* as a studio executive at 20th Century Fox in 1990, suggested that Burton direct the film. Francis Ford Coppola's minimal production duties came from American Zoetrope; Burton only became aware of Coppola's involvement during the editing process when he was sent a copy of *Slimy Hollow*'s trailer and saw Coppola's name on it. Burton, coming off the troubled production of *Superman Lives*, was hired to direct in June 1998. "I had never really done something that was more of a horror film," he explained, "and it's funny, because those are the kind of movies that I like probably more than any other genre." His interest in directing a horror film influenced by his love for Hammer Film Productions and *Black Sunday*—particularly the supernatural feel they evoked as a result of being filmed primarily on sound stages. As a result, *Sleepy Hollow* is a homage to various Hammer Film Productions, including *Dr. Jekyll and Sister Hyde*, and other films such as *Frankenstein*, *Bride of Frankenstein*, various Roger Corman horror films, *Jason and the Argonauts*, and *Scream Blacula Scream*. The image of the Headless Horseman had fascinated Burton during his apprenticeship as a Disney animator at CalArts in the early 1980s. "One of my teachers had worked on the Disney version as one of the layout artists on the chase, and he brought in some layouts from it, so that was exciting. It was one of the things that maybe shaped what I like to do." Burton worked with Walker on rewrites, but Rudin suggested that Tom Stoppard rewrite the script to add to the comical aspects of Ichabod's bumbling mannerisms, and emphasize the character's romance with Katrina. His work went uncredited through the WGA screenwriting credit system.

While Johnny Depp was Burton's first choice for the role of Ichabod Crane, Paramount required him to consider Brad Pitt, Liam Neeson and Daniel Day-Lewis. Depp was cast in July 1998 for his third collaboration with Burton. The actor wanted Ichabod to parallel Irving's description of the character in the short story. This included a long prosthetic snipe nose, huge ears, and elongated fingers. Paramount turned down his suggestions, and after Depp read Tom Stoppard's rewrite of the script, he was inspired to take the character even further. "I always thought of Ichabod as a very delicate, fragile person who was maybe a little too in touch with his feminine side, like a frightened little girl," Depp explained. He did not wish to portray the character as a typical action star would have, and instead took inspiration by Angela Lansbury's performance in *Death on the Nile*. "It's good," Burton reasoned, "because I'm not the greatest action director, or the greatest director in any genre, and he's not the greatest action star, or the greatest star in any genre." Depp modeled Ichabod's detective personality from Basil Rathbone in the 1939 *Sherlock Holmes* film series. He also studied Roddy McDowall's acting for additional influence. Burton added that "the idea was to try to find an elegance in action of the kind that Christopher Lee or Peter Cushing or Vincent Price had." *Sleepy Hollow* also reunited Burton with Jeffrey Jones (from *Beetlejuice* and *Ed Wood*) as Reverend Steenwyck, Christopher Walken (Max Shreck in *Batman Returns*) as the Hessian Horseman, Martin Landau (*Ed Wood*) in a cameo role, and Hammer veteran Michael Gough (Alfred in Burton's *Batman* films), whom Burton tempted out of retirement. The Hammer influence was further confirmed by the casting of Christopher Lee in a small role as the Burgomaster who sends Crane to Sleepy Hollow.

### Filming

 File:Sleepy Hollow set.jpg  The original intention had been to shoot *Sleepy Hollow* predominantly on location with a $30 million budget. Towns were scouted throughout Upstate New York along the Hudson Valley, and the filmmakers decided on Tarrytown for an October 1998 start date. The Historic Hudson Valley organization assisted in scouting locations, which included the Philipsburg Manor House and forests in the Rockefeller State Park Preserve. "They had a wonderful quality to them," production designer Rick Heinrichs reflected on the locations, "but it wasn't quite lending itself to the sort of expressionism that we were going for, which wanted to express the feeling of foreboding." Disappointed, the filmmakers scouted locations in Sturbridge, Massachusetts, and considered using Dutch colonial villages and period town recreations in the Northeastern United States. When no suitable existing location could be found, coupled with a lack of readily available studio space in the New York area needed to house the production's large number of sets, producer Scott Rudin suggested the UK.

Rudin believed Britain offered the level of craftsmanship in period detail, painting and costuming that was suitable for the film's design. Having directed *Batman* entirely in Britain, Burton agreed, and designers from *Batman*Template:'s art department were employed by Paramount for *Sleepy Hollow*. As a result, principal photography was pushed back to November 20, 1998, at Leavesden Film Studios, which had been recently vacated by *Star Wars: Episode I – The Phantom Menace*. The majority of filming took place at Leavesden, with studio other work at Shepperton Studios, where the massive Tree of the Dead set was built using Stage H. Production then moved to the Culden Faw Estate, Hambleden for a month-long shoot in March, where the town of Sleepy Hollow was constructed. "We came to England figuring we would find a perfect little town," producer Adam Schroeder recalled, "and then we had to build it anyway." Filming in Britain continued through April, and a few last minute scenes were shot using a sound stage in Yonkers, New York the following May.

### Design

 File:Treeofthedead.jpg  Responsible for the film's production design was Rick Heinrichs, whom Burton intended to use on *Superman Lives*. While the production crew was always going to build a substantial number of sets, the decision was made early on that optimally fulfilling Burton's vision would necessitate shooting *Sleepy Hollow* in a totally controlled environment at Leavesden Film Studios. The production design was influenced by Burton's love for Hammer Film Productions and the film *Black Sunday* (1960)—particularly the supernatural feel they evoked as a result of being filmed primarily on sound stages. Heinrichs was also influenced by American colonial architecture, German Expressionism, Dr. Seuss illustrations, and Hammer's *Dracula Has Risen from the Grave*.

One sound stage at Leavesden was dedicated to the "Forest to Field" set, for the scene in which the Headless Horseman races out of the woods and into a field. This stage was then transformed into, variously, a graveyard, a corn field, a field of harvested wheat, a churchyard, and a snowy battlefield. In addition, a small backlot area was devoted to a New York City street and waterfront tank.

#### Cinematography

Burton was impressed by the cinematography in *Great Expectations* (1998) and hired Emmanuel Lubezki as *Sleepy Hollow*Template:'s director of photography. Initially, Lubezki and Burton contemplated shooting the film in black and white, and in old square Academy ratio. When that proved unfeasible, they opted for an almost monochromatic effect which would enhance the fantasy aspect. Burton and Lubezki intentionally planned the over-dependency of smoke and soft lighting to accompany the film's sole wide-angle lens strategy. Lubezki also used Hammer horror and Mexican lucha films from the 1960s, such as *Santo Contra los Zombis* and *Santo vs. las Mujeres Vampiro*. Lighting effects increased the dynamic energy of the Headless Horseman, while the contrast of the film stock was increased in post-production to add to the monochromatic feel.

Leavesden Studios, a converted airplane factory, presented problems because of its relatively low ceilings. This was less of an issue for *The Phantom Menace*, in which set height was generally achieved by digital means. "Our visual choices get channeled and violent," Heinrichs elaborated, "so you end up with liabilities that you tend to exploit as virtues. When you've got a certain ceiling height, and you're dealing with painted backings, you need to push atmosphere and diffusion." This was particularly the case in several exteriors that were built on sound stages. "We would mitigate the disadvantages by hiding lights with teasers and smoke."

#### Visual effects

The majority of *Sleepy Hollow*Template:'s 150 visual effects shots were handled by Industrial Light & Magic (ILM), while Kevin Yagher supervised the human and creature effects. Framestore also assisted on digital effects, and The Mill handled motion control photography. In part a reaction to the computer-generated effects in *Mars Attacks!*, Burton opted to use as limited an amount of digital effects as possible. Ray Park, who served as the Headless Horseman stunt double, wore a blue ski mask for the chroma key effect, digitally removed by ILM. Burton and Heinrichs applied to *Sleepy Hollow* many of the techniques they had used in stop motion animation on *Vincent*—such as forced perspective sets.

The windmill was a 60-foot-tall forced-perspective exterior (visible to highway travellers miles away), a base and rooftop set and a quarter-scale miniature. The interior of the mill, which was about 30 feet high and 25 feet wide, featured wooden gears equipped with mechanisms for grinding flour. A wider view of the windmill was rendered on a Leavesden soundstage set with a quarter-scale windmill, complete with rotating vanes, painted sky backdrop and special-effects fire. "It was scary for the actors who were having burning wood explode at them," Heinrichs recalled. "There were controls in place and people standing by with hoses, of course, but there's always a chance of something going wrong." For the final shot of the burning mill exploding, the quarter-scale windmill and painted backdrop were erected against the outside wall of the "flight shed", a spacious hangar on the far side of Leavesden Studios. The hangar's interior walls were knocked down to create a 450-foot run, with a 40-foot width still allowing for coach and cameras. Heinrichs tailored the sets so cinematographer Emmanuel Lubezki could shoot from above without seeing the end of the stage.

Actor Ian McDiarmid, who portrayed Dr. Lancaster, had just finished another Leavesden production with *Star Wars: Episode I – The Phantom Menace*. He compared the aesthetics of the two films, stating that physical sets helped the actors get into a natural frame of mind. "Having come from the blue-screen world of *Star Wars* it was wonderful to see gigantic, beautifully made perspective sets and wonderful clothes, and also people recreating a world. It's like the way movies used to be done"

### Rating

The film is rated R for "Under 17 requires accompanying parent or adult guardian".

## Marketing

### Trailers

* The teaser trailer was released on September 30, 1998, and was shown before films such as *Antz*, *A Night at the Roxbury*, *Star Trek: Insurrection* and *The Prince of Egypt*.
* The first theatrical trailer was released on June 30, 1999, and was shown before films such as *Galaxion*, *Muppets from Space*, *Inspector Gadget*, *The Iron Giant*, and *Runaway Bride*.
* The second theatrical trailer was released on September 17, 1999, and was shown before films such as *Jakob the Liar* and *Superstar*.
* There were a few television spots for the film; the first one was released on August 20, 1999, the second one was released on September 16, 1999, and the third one was released on November 12, 1999.

## Music

*Main article: Slimy Hollow (soundtrack)*
A soundtrack containing hip hop and R&B music was released on October 20, 1999 by Sony Music Entertainment. It peaked at 71 on the *Billboard* 200 and 64 on the Top R&B/Hip-Hop Albums.

## Release

### Box office

The film was released on October 15, 1999 and grossed $40,653,848, becoming number one for the weekend of October 15-17, 1999. By the end of its theatrical run, it earned a total $203,311,986 worldwide.

### Critical response

On Rotten Tomatoes, the film holds an approval rating of score based on count reviews, with an average rating of average. The site's critical consensus reads: "Macaulay Culkin's precocious charisma is sorely missed in this hollow sequel, which doubles down on the broad comedy while lacking all the hallmarks that made the original a classic." Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.

Roger Ebert of the *Chicago Sun-Times* gave the film 3 out of 4 stars and said that he found it to be "fresh, very funny, and better than the first two."

### Accolades

The film was nominated for a Golden Raspberry Award for Worst Remake or Sequel, losing to *Speed 2: Cruise Control*.

### Home media

Paramount Home Video first released *Slimy Hollow* on VHS on June 6, 2000, and on DVD on September 11, 2000. The HD DVD release came in July 2006, while the film was released on Blu-ray Disc two years later, in June 2008.
An unofficial video game adaptation of the film titled *Cursed Fates: The Headless Horseman* was released by Fenomen Games and Big Fish Games on January 6, 2013. For the 20th anniversary, Paramount Home Entertainment released a Blu-ray digibook with a photobook containing the original story on September 24, 2019.

### Reception

Film review aggregator Rotten Tomatoes reports that 70% of critics gave the film a positive review based on 123 reviews with an average rating of 6.3/10. The site's critics consensus states, "It isn't Tim Burton's best work, but *Sleepy Hollow* entertains with its stunning visuals and creepy atmosphere." Metacritic, another review aggregator, assigned the film a weighted average score of 65 out of 100 based on 35 reviews from mainstream critics, considered to be "generally favorable". Audiences polled by CinemaScore gave the film an average grade of "B−" on an A+ to F scale.

Roger Ebert praised Johnny Depp's performance and Tim Burton's methods of visual design. "Johnny Depp is an actor able to disappear into characters," Ebert continued, "never more readily than in one of Burton's films." Richard Corliss wrote, in his review for *Time*, "Burton's richest, prettiest, weirdest [film] since *Batman Returns*. The simple story bends to his twists, freeing him for an exercise in high style."

David Sterritt of *The Christian Science Monitor* highly praised Burton's filmmaking and the high-spirited acting of cast, but believed Andrew Kevin Walker's writing was too repetitious and formulaic for the third act.

Owen Gleiberman from *Entertainment Weekly* wrote *Sleepy Hollow* is "a choppily plotted crowd-pleaser that lacks the seductive, freakazoid alchemy of Burton's best work." Gleiberman compared the film to *The Mummy*, and said "it feels like every high-powered action climax of the last 10 years. Personally, I'd rather see Burton so intoxicated by a movie that he lost his head."

Andrew Johnston of *Time Out New York* wrote: "Like the best of Burton's films, *Sleepy Hollow* takes place in a world so richly imagined that, despite its abundant terrors, you can't help wanting to step through the screen."

Mick LaSalle, writing in the *San Francisco Chronicle*, criticized Burton's perceived image as a creative artist. "All *Sleepy Hollow* has going for it is art direction, and even in that it falls back on cliché."

Doug Walker linked the film to the Hammer Films style of horror cinematography, considering it an homage to those movies, comparing the usage of dignified British actors, choices in color and movie sets and character relations. Walker gave it the merit of recreating the "very specific genre" of Hammer Films, citing the skill and "clever casting" Burton used to manage this.

Jonathan Rosenbaum from the *Chicago Reader* called *Sleepy Hollow* "a ravishing visual experience, a pretty good vehicle for some talented American and English actors," but concluded that the film was a missed opportunity to depict an actual representation of the short story. "Burton's fidelity is exclusively to the period feeling he gets from disreputable Hammer horror films and a few images culled from *Ichabod and Mr. Toad*. When it comes to one of America's great stories, Burton obviously couldn't care less."

## References by other films

In the 1983 film The Dead Zone, at the end of his lecture Johnny Smith (played by Christopher Walken) mentions The Legend of Sleepy Hollow to his pupils, a novel about "a school teacher who gets chased by a headless deamon". Coincidently, Christopher Walken also plays the headless horseman (as a cameo) in this movie.

## Reboot

On June 10, 2022, Paramount has developed the reboot of *Sleepy Hollow* with Lindsey Beer planned to write and direct it.

## See also

* *Sleepy Hollow* (TV series)
* List of ghost films

## Transcripts

*Main articles: Slimy Hollow/Transcript and Slimy Hollow/Trailer transcripts*
## References

Template:Reflist

1. ↑ Template:Cite news
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3. ↑ 3.0 3.1 3.2 3.3 3.4 3.5 Template:Cite magazine
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29. ↑ 29.0 29.1 CinemaScore. *cinemascore.com*. Cite error: Invalid `<ref>` tag; name "CinemaScore" defined multiple times with different content
30. ↑ Ebert, Roger (December 12, 1997). Home Alone 3. *RogerEbert.com*. Ebert Digital LLC.
31. ↑ Razzies.com - Home of the Golden Raspberry Award Foundation (April 26, 2012).
32. ↑ Sleepy Hollow.
33. ↑ Sleepy Hollow (HD DVD).
34. ↑ Sleepy Hollow (Blu-ray).
35. ↑ Fenomen Games. Cursed Fates: The Headless Horseman Collector's Edition. Big Fish Games, Inc.
36. ↑ Template:Citation
37. ↑ Sleepy Hollow (1999). Fandango.
38. ↑ Sleepy Hollow Reviews. CBS Interactive.
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47. ↑ Nominees & Winners for the 72nd Academy Awards. Academy of Motion Picture Arts and Sciences (AMPAS).
48. ↑ Film in 2000: Orange British Academy Film Awards. BAFTA.
49. ↑ Gray, Tim (December 15, 2014). 'Birdman,' 'Grand Budapest' Top Critics Choice Awards Nominations. *Variety*.
50. ↑ Error on call to template:cite web: Parameters **archiveurl** and **archivedate** must be both specified or both omittedThe ASC Awards for Outstanding Achievement in Cinematography.
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54. ↑ Past Winners. BSFC.
55. ↑ 'Still Alice' cleans up at the Women Film Critics Circle Awards. Hitfix (December 22, 2014).
56. ↑ Winners of the 2nd Annual Costume Designers Guild Awards. Hitfix (February 25, 2000).
57. ↑ GENERAL NEWS Stars Praise Hollywood's Primping Pros. Hollywood Makeup Artist and Hair Stylist Guild Awards (March 19, 2000).
58. ↑ IFMCA Award nominations 2011. International Film Music Critics Association (December 22, 2014).
59. ↑ IFMCA Award nominations 2011. International Film Music Critics Association (December 22, 1999).
60. ↑ IHG Award Recipients. International Horror Guild (May 12, 2000).
61. ↑ 'Tulips' leads field for Italo crix awards. *Variety* (June 6, 2000).
62. ↑ Previous Sierra Award Winners. Las Vegas Film Critics Society Awards (January 18, 2000).
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65. ↑ Contender-Skip Lievsay-Sound Mix/Edit-No Country. MTV (December 15, 2006).
66. ↑ 'Malkovich' and 'Topsy-Turvy' Tie for Critics' Prize. *The New York Times* (January 10, 2000).
67. ↑ N.Y. crix tap 'Turvy' tops. *Variety* (December 16, 1999).
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70. ↑ The Santa Fe Film Critics Circle Awards. Santa Fe Film Critics Circle Awards (January 2, 2000).
71. ↑ 2000 Satellite Award nominations. Satellite Awards (January 16, 2000).
72. ↑ 200 Teen Choice Awards. Teen Choice Awards (August 6, 2000).
73. ↑ Twentyfirst Annual Young Artist Awards 1998–1999. Young Artist Awards (March 19, 2000).
74. ↑ Today I learnt (2013).
75. ↑ Kroll, Justin (2022-06-10). Lindsey Beer To Write And Direct A Reboot Of 'Sleepy Hollow' For Paramount (en-US).

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