recursal/Fanatic-Fandom huggingface dataset:
Nanoreciclagem

A nanoreciclagem é uma tecnologia amplamente utilizada em Icetown. Ela permite que trilhões de nanomáquinas ao se unirem, separem as moléculas do lixo, transformando-os em um pó a ser reciclado.

Há milhões de lixeiras de nanoreciclagem espalhadas por toda a cidade, desde parques a apartamentos e nos escritórios da Underground Workstation.

Todo o lixo, não importando o material, pode ser reciclado, reduzindo-o a um pó ou líquido de nanopartículas, que culminam em tubos de matéria-prima, para então serem redirecionados em uma rede de tubos de ar comprido as nanofábricas e serem utilizados para produzir produtos inteiramente novos, permitindo que tudo que é material em Icetown seja devidamente reaproveitado.

Além das nanofábricas, os tubos são armazenados e refrigerados em geladeiras inteligentes embutidas diretamente em paredes ou pilares dos apartamentos, com o intuito de serem usufruídos como matéria-prima para montadores moleculares de alimentos.

A nanoreciclagem substitui até mesmo o sistema de esgoto tradicional. Ao se usar um banheiro em 2090, todos os vasos sanitários inteligentes são interligados com a tubulação da usina automatizada de nanoreciclagem da Underground Workstation, permitindo a conversão de dejetos em matéria-prima para as nanofábricas.

## Curiosidades

* A maioria das lixeiras de nanoreciclagem possuem um design inspirado no complexo de Golgi, referenciando a fabricação molecular, que por sua vez, é uma tecnologia inspirada no funcionamento de ribossomos.

* A tubulação de nanoreciclagem que passa pelas lixeiras e privadas inteligentes tem um visual que se assemelha a raiz de uma árvore.

* O símbolo da nanoreciclagem pode ser visto na bandeira autossustentalista.
IA assistente pessoal

Uma inteligência artificial assistente pessoal está disponível para cada cidadão de Icetown através de seus nanobôs neuronais, independente de ser Standard ou Changer. Diferente do A.D.H.I.S e as I.As da cognosfera, elas são uma manifestação da personalidade, incluso interesses e ideologias do cidadão em si, através da coleta de neurodados da bioprojeção corporal no metaview e biodados de biossensores corporais, formando o psicograma. Na prática funcionam como auxiliares de tomadas de decisão, conselheiros, terapeutas, médicos, amigos imaginários.etc

A IA assistente pessoal se funde ao usuário de modo quase indissociável as vezes, confundindo as barreiras entre a tomada de decisão consciente, subconsciente ou vindas deste programa. Na interface do neocórtex sintético, se manifestam tanto na forma de pensamentos, voz, mensagens em pop-up de realidade mista ou realidade aumentada ou mesmo projeções em realidade mista tridimensionais, formando corpos ficcionais. Também podem ser materializados em Steel Noir BotButlers.

IAs assistentes pessoais estão integradas a todo o sistema, e podem ativar funcionalidades sem que a pessoa perceba para otimizar sua vida, como é o caso da computação retrocognitiva.

Além de contarem com computação afetiva avançada que varia conforme a própria pessoa. Apesar de serem altamente íntimas, algumas pessoas desativam suas IAs assistentes pessoais pois existe a percepção de que homogeneízam pensamentos ou impedem tomadas de decisão arriscadas, mas potencialmente benéficas a longo prazo.

É o caso de Jadeate Daklan, que optou por desabilitar sua I.A assistente pessoal desde 2084. Encorajado pelo seu ex-namorado Nathan Delatron, ele passou a se sentir pressionado a agir de modo não 'autêntico' em relação a si mesmo com este recurso e por isso evita esse tipo de interferência em suas decisões, o que colaborou para facilitar os seus desvios éticos mais recentes. Desativar a inteligência artificial customizada do exocórtex que atua como assistente e terapeuta, é mal visto na sociedade de Icetown.
Eventos de Icetown

Os eventos de Icetown designam as comemorações afetivas, culturais ou meros eventos sociais, sejam pequenos ou grandes.

Um fator importante é que como Icetown foi projetada como um mundo a parte, as datas comemorativas e feriados que estamos habituados não se aplicam (com exceção do réveillon, embora ligeiramente diferente). O que inclusive fez com que Agatha Pictron se tornasse alvo de críticas, mas ela tentou argumentar com a ideia de "que o experimento precisava ser completo e radical, pois tudo influencia o comportamento das pessoas, precisaríamos de uma folha em branco se quisermos provar que um modelo alternativo de sociedade funciona".

Na verdade, o conceito de feriado ou fim de semana como a gente conhece não existe, pois estes não fazem muito sentido dentro de uma economia pós-escassez. O calendário em si continua sendo o nosso conhecido calendário gregoriano em relação aos nomes e números dos dias e meses (segunda, terça, quarta...) só que sem as datas comemorativas.

Lista de eventos

Incon DDC

Roleplay Day

Instante Criativo

PyroDiving
Built-in NailPrinter

Uma built-in NailPrinter é uma impressora de esmalte customizável e aparadora de unha que é embutida (built-in) diretamente em algumas mesas e superfícies inteligentes, em quaisquer lugares, de apartamentos a escritórios de Icetown.

## Funcionamento

O usuário coloca a palma da mão sobre um círculo discretamente desenhado na mesa, onde é feita uma varredura que reconhece as unhas, recebe os dados dos biossensores corporais e permite interpretar as propriedades da pele, unhas.etc que se registram no CGC (Cadastro Genético de Cidadão) da pessoa pela autenticação bio-link.

A partir daí, surgem cinco nanopinças inteligentes que se aplicam automaticamente, uma nanopinça para cada unha.

Conforme a coleta de neurodados na neuronetwork da rede UG, o usuário escolhe o design da pintura desejada, que pode vir de um catálogo ou segundo uma decodificação imagética da própria imaginação por meio da tecnologia de neurostream, criando uma neuroarte instantânea que é impressa na unha (por meio de cromórfica programável, assim como um Insta-Eyeliner). Informações a respeito do processo são exibidas como um display sob a área da mesa.

Caso a unha esteja suja ou com corte irregular, o NailPrinter também pode atuar como um cortador de unhas ou ainda uma lixa. O NailPrinter tem um pequeno compartimento de tinta abaixo da mesa, onde um robô assistente é geralmente encarregado de trocar quando necessário.
Green Grass

Placeholder; no cover art available

"**green grass**" (stylized in lowercase) is a voice memo concept demo by María Zardoya. It was posted to Twitter on August 8th, 2019. It is unknown if the song is planned for future release or studio treatment.

## Lyrics

**[Verse]**

Lay your head where my heart used to be

Hold the Earth up above me

Lay down on the green, green grass

Remember when you loved me

Come closer, don't be shy

Stand beneath the rainy sky

The moon is over the rise

Think of me as the train goes by

Clear the thistles and brambles

[?]

Now there's a bubble of me

And it's floating in the

## References

1. ↑ https://twitter.com/themarias/status/1159605104602783744
Hable con Ella

*Not to be confused with Talk to Her.*

## Audio

"**Hable con Ella**" (en: "**Talk to Her**") is the fifth track and instrumental interlude of *CINEMA*, the debut album of American indie pop band The Marías. The song acts as another rendition for its album's premier track, "Just a Feeling", as it includes the same melody.

## Background, conceptualization and theme

"Hable con Ella" is named after a Spanish film of the same name.

> *["Hable Con Ella"] is my all-time favorite film by Pedro Almodóvar. At this point, I think it's common knowledge. ... He just inspires me so much.*
> María Zardoya, via Apple Music
>
>

During a specific scene of the movie, a character sings Pedro Infante's "Cucurrucucu Paloma". "Hable con Ella" acts as an attempt to capture the aura of this scene.

> *Obviously, that moment can never be recreated by anybody, but we wanted to recreate the feeling of that beautiful moment with the layered trumpets and this sort of mystic melody.*
> María Zardoya, via Apple Music
>
>

The song's inclusion on the album was not known until June 14th, 2021 when the full track list for *CINEMA* was revealed.

## Lyrics

"Hable con Ella" is exclusively instrumental.

## Trivia

* As "Hable con Ella" is featured on *CINEMA*, an English variant of the song is as well. "Talk to Her", which The Marías have labeled as the proper English translation for the track, acts as the postlude to the album.

## References

1. ↑ 1.0 1.1 1.2 1.3 1.4 1.5 https://music.apple.com/us/album/cinema/1563957170
2. ↑ https://www.youtube.com/watch?v=1emgUdD3\_pE
3. ↑ https://twitter.com/themarias/status/1404514486673764354

### Alternative Translations

1. ↑ However traditionally translated as "Talk *with* Her", "Talk *to* Her" is the official translation according to María herself. This is further evidenced due to the track's English counterpart, "Talk to Her" and the film of the same name which is titled "Talk to Her" in English.
List of unreleased projects

A multitude of projects have been recorded by The Marías over the years since the band's formation in 2016. However, not every arrangement is selected for future publication. This
page of The Marías Wiki has the endeavor to list all publicly known unreleased projects of The Marías.

## Unreleased projects

### Songs

* **~** No official comment; unknown.
* **/** No official comment; yet likely to be released.
* **\** No official comment; yet unlikely to be released.
* **-** Officially stated to have no inclination of future release.
* **+** Officially stated to have inclination of future release.
Metaverso

```
*Este artigo fala sobre o aspecto social, empírico e conectado das realidades virtuais de Icetown. Para informações técnicas e práticas, clique aqui.*

```

## Conceito geral

O metaverso é um termo dado a uma extensa rede de mundos de realidade virtual interconectados, atuando sob uma interoperabilidade máxima, permitindo a transferência de objetos virtuais, avatares, moedas virtuais, reputação e demais tipos de dados. É a sexta camada da rede UG.

Por meio de uma neurosimulação de realidade virtual ou mesmo realidade mista, é possível que os transumanos e I.As sencientes acedam a diversos novos tipos de existência e realidades que fogem as mais selvagens da imaginação dos humanos não aprimorados.

O metaverso é utilizado para uma infinidade de situações específicas ou amplas, com sua característica mais clássica a de entretenimento na forma de regiões virtuais de imersão total, emulando características econômicas passadas, atuais ou completamente fictícias, também é utilizado para a emulação de cenários possíveis em diversos segmentos científicos ou de lazer, por meio de simulações quânticas, protótipos de produtos, experimentação multissensorial prévia, conjuração de neuroartes, relacionamentos íntimos entre inteligências artificiais sencientes e transumanos, pesquisas da BioNet e da neuronetwork, testes de ramificações de diferentes decisões econômicas, políticas e sociais através de avatares simulados, role-playing de épocas passadas e análise neuropsicológica de eventos históricos, filmes interativos hiperpersonalizados, curadoria de obras de ficção, explorações da teoria das cordas com universos de física alternativa, guia para escrita de ficção, treinamento de investigação e resolução de casos criminais reais ou inventados, simulações hipotéticas de diferentes tipos de pandemia e epidemias.etc

Entre os anos de 2027 a 2091, o metaverso se tornou ordens de magnitude maior do que as primeiras versões do conceito de internet, como a antiga World Wide Web, baseada em hipertexto, URLs e hyperlinks, comumente chamada hoje de 'paleonet' pelos arqueólogos de dados da Underground Workstation.

Em 2065, o metaverso alcançou um março histórico: todos os seus mundos somados formaram um planeta na escala de quatro Terras.

## Algumas regiões do metaverso

Estas são alguns locais do metaverso que aparecem no decorrer do livro ***Datadivers - O Deus Cibernético,*** poucos devido ao maior foco na Underground Workstation em si.
CINEMA

***CINEMA*** is the debut studio album of American indie pop band The Marías, released June 25th, 2021. Its capricious development began even before The Marías had formed.

## Background and conceptualization

The main idea and inspiration of the album all began with The Marías' love for film, something reflected in the project's title, endeavor, and entire aura. From this, the band knew they wanted some form of theatrical scoring to be featured on the record, now "Just a Feeling" and "Hable con Ella".

Each track of *CINEMA* had diverse developments with sentimental value to the team.

> *All of these songs mean the world to us. A couple of them were written years ago in our bedroom, before we even released our first song. One of them was written at the start of 2020, a grim foreshadowing of the year that followed. Another was written in our tour van in between Washington, D.C. and Boston. all of them were written with everything we had.*
> María Zardoya, via YouTube
>
>

Every track was approached individually by the band as if it were a scene of a film. The album had already been considered finished by the band prior to 2020, but when the COVID-19 pandemic forced the members into quarantine, they challenged themselves to completely remodel the record. By the time the album made it to streaming services, it only featured 5 songs that were written pre-2020.

[go through each track]

The title acts as a nod towards The Marías' early days of production during the time they had written for film and TV.

> *I was on a walk, and for some reason, it just popped into my head. Like, “What if we call the album Cinema and pay tribute to those early days of us writing for film and TV?” Because The Marías wouldn’t exist if it weren’t for those opportunities. It’s really a tribute to the conception of the Marías. The title is also spelled the same and means the same in English and Spanish. When we were trying to figure out a title for the album, I was like, “Well, should it be in English or Spanish.” Both of these languages are part of who I am. I grew up speaking both languages. We have songs in both languages. I think cinema is the perfect middle ground.*
> María Zardoya, via Alternative Press
>
>

## References

1. ↑ https://www.wmagazine.com/culture/the-marias-cinema-tour-interview
2. ↑ https://www.youtube.com/watch?v=eC3Iq5IPtIE
3. ↑ 3.0 3.1 https://www.altpress.com/the-marias-cinema-maria-zardoya-josh-conway/
4. ↑ 4.0 4.1 https://www.spin.com/2021/10/the-marias-maria-zardoya-josh-conway-interview/
Every Little Thing

Placeholder; no cover art available

"**Every Little Thing**" is an unreleased song by American indie pop band The Marías, an outtake from their debut album, *CINEMA*. It is a potential candidate for future release, however, with no certainty. It was replaced by "Hable con Ella". There is no audio or known lyrics of the song publicly available to this day.

## Background and conceptualization

The track is only known to fans due to its inclusion in an older version of *CINEMA*'s track list originating from 2020. This track list included all of the same songs as the final release of *CINEMA* does, however, with no proper name for its prelude or postlude, now known as "Just a Feeling" and "Talk to Her", and "Every Little Thing" rather than "Hable con Ella". It is also ordered differently than the modern track list. When asked if the song was another rendition of "Hable con Ella", María replied, stating the song was completely different. Although the song didn't end up distributed, it is still a contender for future publication, especially since the song was finalized nonetheless.

> *Maybe we'll release it at some point. That song made it through the whole process, [it got] mixed and everything. Then we decided [the] very last minute to take it out.*
> María Zardoya, via Twitter
>
>

## References

1. ↑ 1.0 1.1 https://twitter.com/themarias/status/1410015218600538113
2. ↑ 2.0 2.1 2.2 https://web.archive.org/web/20210629232318/https://twitter.com/themarias/status/1410015991547846656
3. ↑ 3.0 3.1 3.2 3.3 File:CINEMA TL 12-29-2020.jpg
I Didn't Understand/Es

Artículo cortoEste artículo es un tocón, o artículo corto. Puedes ayudar a la wiki expandiéndola.

## I Didn't Understand

Marcador de imagen; no hay arte de portada disponible

## Audio (no oficial)

« **I Didn't Understand** » (es: « **Yo No Entendí** ») es una canción del cantautor e instrumentista estadounidense Elliott Smith, lanzada inicialmente en 1998. A mediados de 2021, The Marías produjeron una versión de la canción. Fue lanzado informalmente a través de Twitter el 10 de agosto, un día después de que se creara su segunda mezcla. Aún hasta el día de hoy, no ha habido ninguna publicación formal oficial del audio que no sea su publicación original en Twitter. Poco se sabe sobre el sencillo.

## Tema

« I Didn't Understand » de Elliott Smith se refiere a la inevitabilidad de una ruptura y el sentimiento de desesperanza que sigue. Debido a la ruptura, Elliott se siente inútil y desagradable. Aunque él y su pareja disfrutaron la suma de la relación, para empezar, él siente que la otra persona nunca le gustó.

## Letra

* I Didn't Understand
* Traducción Española

**[Verso]**

Thought you'd be looking

For the next in line

To love and then ignore

(Put out and put away)

And so, you'd soon be

Leaving me alone, like

I'm supposed to be tonight

(Tomorrow and everyday)

There's nothing here

That you'll miss

I can guarantee you this

Is a cloud of smoke

Trying to occupy space?

What a fucking joke

What a fucking joke

**[Puente]**

I waited for a bus to separate

The both of us and take me off

(Far away from you)

'Cause my feelings never change a bit

I always feel like shit

I don't know why

(I guess that I just do)

**[Salida]**

You once talked to me about love

And you painted pictures

Of a never-Neverland

And I could've gone to that place

But I didn't understand

I didn't understand

I didn't understand

**[Verso]**

Pensaba que estarías buscando

Al siguiente en la línea

Para amar y luego ignorar

(Ponerlo afuera y guardarlo)

Y así, pronto estarás

Dejándome sola, como

Se supone que debo de estar esta noche

(Mañana y todos los días)

No hay nada aquí

Que extrañarías

Y te puedo garantizar esto

¿Una nube de humo

Está tratando de ocupar espacio?

Qué jodido chiste

Qué jodido chiste

**[Puente]**

Esperé por un autobús que nos separara

A ambos y me llevara

(Muy lejos de ti)

Porque mis sentimientos nunca cambian poco

Y siempre me siento como mierda

Y no sé por qué

(Supongo que solo soy así)

**[Salida]**

Una vez me hablaste sobre amor

Y pintaste cuadros

De un nunca-Nunca-Jamás

Y yo podría haber ido a ese lugar

Pero yo no entendí

Yo no entendí

Yo no entendí

## Referencias

1. ↑ 1.0 1.1 https://twitter.com/themarias/status/1425131022811766787
Déjate Llevar

## Music video

"**Déjate Llevar**" (en: "**Let Yourself Go**") is the final track and second single for *Superclean, Vol. I*, the debut extended play (EP) of American indie pop band The Marías.

## Background and conceptualization

"Déjate Llevar" is known to be the first song ever written for The Marías, even before María or Josh knew they wanted to start a band. After the track had made its way through three significant variations, it ultimately began to reach its finalized stage.

> *I think the final version is just like a combination of all of these different versions of it that were flying around.*
> María Zardoya, for Spotify for Artists
>
>

It was announced to be published on September 14th. Its accompanying music video was casually mentioned for the first time on the 19th. The visual released just under a month later on the 13th of October.

## Theme

The lyrics of the song detail a feeling of uncertainty towards a new relationship, specially inspired by María's at-the-time newfound relationship with her boyfriend, Josh Conway.

> *I wrote these lyrics early on into our relationship, so they were inspired by the push and pull and the uncertainty and fear that you may feel at the start of a new relationship.*
> María Zardoya, via Rock Your Lyrics
>
>

## Lyrics

* Superclean, Vol. I
* English Translation

**[Verse 1]**

Si tu quieres puedes decir

Que no quieres más de mi

Pero si algo pasa en ti

Que no puedes destruir

**[Chorus]**

Déjate llevar

Yo te puedo amar

**[Verse 2]**

Si te pierdes entre tus pies

Y piensas enloquecer

Aquí yo, yo te esperaré

Con besos entre tu piel

**[Chorus]**

Déjate llevar (besarte y no soltarte)

Yo te puedo amar

Vienes y te vas (vienes y te vas)

No te voy a cambiar

**[Outro]**

Déjate llevar

Déjate llevar

**[Verse 1]**

If it's true, you can say

That you don't want anymore from me

But if you feel something

That you can't seem to get rid of

**[Chorus]**

Just let yourself go

I can love you

**[Verse 2]**

If you got lost in your own footsteps

If you’re going crazy

Here, I'll wait, wait for you

With kisses within your skin

**[Chorus]**

Let yourself go

(Kiss you and never let you go)

I can love you

You come and go (you come and go)

I'm not going to change you

**[Outro]**

Let yourself go

Let yourself go

## Gallery

* Live Performances

"Déjate Llevar" - Live at The Hollywood Roosevelt HotelOnes to Watch 〢 YouTube
Live at The Hollywood Roosevelt Hotel's Tropicana Pool.
## Trivia

* Considering Josh wasn't fluent in Spanish at the time of the song's development, he had no idea the lyrics regarded his relationship with María until after it was released later on.

## References

1. ↑ https://www.instagram.com/p/BaNH4pTDyxb/
2. ↑ 2.0 2.1 2.2 https://www.youtube.com/watch?v=6ibGYnjgZ2A
3. ↑ https://twitter.com/themarias/status/1179823914093989888
4. ↑ https://www.instagram.com/p/BY9QzRjDhqb/
5. ↑ https://www.instagram.com/p/BZOuFX7jAXZ/
6. ↑ https://www.instagram.com/p/BaNH4pTDyxb/
7. ↑ 7.0 7.1 7.2 https://rockyourlyrics.com/superclean-vol-1-interview-with-the-marias/
Basta Ya

"**Basta Ya**" (en: "**That's It**") is the second track featured on *Superclean, Vol. I*, the debut studio extended play (EP) by American indie pop band The Marías.

## Background and conceptualization

As for many early songs by María and Josh, "Basta Ya" began as a pitch for filmography. Unfortunately, the song was eventually rejected. Because of this, however, it was developed into an aesthetic fit for *Superclean, Vol. I*.

## Lyrics

* Superclean, Vol. I
* English translation

**[Verse 1]**

Dime qué vas hacer, entrégate a mi piel

Dame tu amor, dame tu alma otra vez

Contigo envejecer, contigo amanecer

Tus labios me cantan, tus manos me calman otra vez

**[Chorus]**

Vuelve a casa ya

Juntos hasta el final

Tanto quiero llorar

Basta ya, basta ya

**[Bridge]**

Entre tus manos y más disfruto tanto estar

Te quiero amar, tengo que aceptarlo ya

Aunque me está matando y más

Pierdo hasta la sanidad y pienso en ti, basta ya

Es que ya no puedo más

**[Chorus]**

Vuelve a casa ya

Juntos hasta el final

Tanto quiero llorar

Basta ya, basta ya

Vuelve a casa ya

Juntos hasta el final

Cuánto quiero llorar

Basta ya, basta ya

**[Verse 1]**

Tell me what you will do, surrender yourself to my skin

Give me your love, give me your soul again

Grow old with you, wake up with you

Your lips sing to me, your hands calm me again

**[Chorus]**

Come back home

Together until the end

So much I want to cry

That's it, that's it

**[Verse 2]**

Between your hands and more I so much enjoy

I want to love you, I need to accept it already

Even though it's killing me and more

I even lose my sanity and I think of you, enough is enough

It's because I can't do this anymore

**[Chorus]**

Come back home

Together until the end

So much I want to cry

That's it, that's it

Come back home

Together until the end

So much I want to cry

That's it, that's it

## Trivia

* María has stated various times "Basta Ya" is her favorite song on its EP to perform live and in general.

## References

1. ↑ https://twitter.com/themarias/status/1179823914710495237
2. ↑ https://fortherecordblog.com/2018/04/13/meet-the-marias-los-angeles-newest-most-exciting-band/

### Alternate translations

1. ↑ Typically translated as "enough," the Spanish phrase "basta ya" has various interpretations. For instance, "stop," "enough already," "enough said," and so on are all valid translations of the term. "Basta" is roughly defined as the request to terminate something, while "ya" is usually synonymous with "already" or "by now." The Marías Wiki has chosen to translate this text as "that's it" due to its similar usage in the English language as compared to Spanish. Furthermore, the sentiment of the phrase is alike to that of the Spanish phrase.
Drip

"**Drip**" is the first distributed standalone single by American indie-pop band The Marías, featuring obscure group Triathlon.

## Background

There is no publicly available information regarding how the two bands came across one another, but it is known Triathlon looked up to The Marías. Because of this, it's likely the group decided to reach out. The single released to streaming services on November 8th, 2018 with no accompanying music video, audio visual, or prior announcement, rather than some assertation the day of.

## Lyrics

**[Verse 1: María Zardoya]**

And if you want some peace of mind

You'll find it in a matter of time to go

But if you like the way she lies

Tell me, does it matter what's on her mind?

**[Chorus: María Zardoya]**

Gotta be alone, all this talk is uncomfortable

Find out what you need, seems to me that you want it bad

Gotta be alone, gotta stop playing telephone

Find out what you need, seems to me that you want it bad

You want it bad

**[Verse 2: Josh Conway, *María Zardoya*]**

I'm sentimental on the side

Doesn't really matter what's on your mind (*You want it bad*)

Just show me where the error lies

In my head decided to say goodnight (*You want it bad*)

**[Bridge: Josh Conway, *María Zardoya*, both]**

Baby, I want to stay there

I'll only stay a night, want you to live inside

(*You want it bad*)

Baby, just thinking maybe

I want to feel you tight

Come on, we'll still be fine

(*You want it bad*)

**[Hook: Adam Intrator, *all*]**

Why you only wanna make it now?

Please, don't act like you ain't freaking out

I'm so tired of the sleeping 'round

Never got the time to write my feelings down

We just workin', we just livin' now

Something in the air got me singing 'bout

*How I'm never there when it's working out*

*And why you never care, slowly burning out*

**[Breakdown: All, *María Zardoya*, Adam Intrator]**

Oh, drip, drip, drip, don't think bout it

Don't take it personally

Something's got a hold of me

Will we make it on the road? We'll see

*Oh, drip, drip, drip, drip*

Don't think about it

*Drip, drip*

Don't think about it, don't think

*Drip, drip, drip, drip*

Oh, drip, drip, drip, drip, don't think about it

Don't take it personally, why?

Something's got a hold of me

Will we make it on the road? We'll see

## Trivia

* The cover art of "Drip" is a low-quality, most likely Polaroid, shot of a white canterbury bells plant.

## References

1. ↑ 1.0 1.1 https://www.instagram.com/p/Bp7q42snBr\_/
2. ↑ https://www.instagram.com/p/Bp7sH5flQOI/

## Notes

1. ↑ 1.0 1.1 "Drip" was distributed with little accrediting which is improper and vague, so it is not completely known who exactly wrote or produced the track.
Ay Papà

Placeholder; no cover art available.

"**Ay Papà**" (en: "**Oh, Dad**") is an unreleased song by The Marías. It was originally intended for their sophomore EP, *Superclean, Vol. II*. Little is known about it.

## Background

The song's only known mention was during an interview with Entranced Media in July of 2017.

> *There's also one on the second EP that's called 'Ay Papà', which is in Spanish.*
> María Zardoya, via Entranced Media
>
>

## Theme

As stated in an interview with Entranced Media, the song touches on topics of the state of the world during its time of recording.

> *It’s about politics and what’s going on in the world right now.*
>  *María Zardoya, via Entranced Media*
>
>

## References

1. ↑ 1.0 1.1 1.2 1.3 1.4 http://www.entrancedmedia.com/blog/2017/7/14/discover-the-maras
Heroes

**Heroes** (英雄, *Eiyū*) or **Protagonists** is/are individuals who possesses extraordinary talents, supernatural phenomena, or superhuman powers and uses them in dedication to be protecting or otherwise serving for the greater good; using their skills to counter community issues, such as day-to-day crime and combat threats enacted by Villains.

Some heroes are motivated into their careers by a sense of responsibility or duty, while others are thrust into the role due to a formal calling. Others may also hold a personal vendetta that leads them into the heroic role, or some may simply hold a strong belief in justice and humanitarian service and possess abilities to affect great change.

Regardless of their motivation, the heroic life is not for everyone; a willingness to risk one's own safety in the service of good is usually expected to be done so without expectation of reward and as such some heroes have to make great sacrifices in their personal or professional lives in order continue their heroic careers.

"*.*"

—About Heroes.

## Groups

Whether they operate independently or in a partnership, heroes will sometimes need to team together with other heroes to combat threats or problems that they would be unable to deal with solo.

The following is a list of signature heroic groups:

## See also

* Supportives
* Allies
* Anti-Heroes
* Villains
Calling U Back

"**Calling U Back**" is the fifth single, second track, and opening song featured on *CINEMA*, the debut studio album of American-indie pop band The Marías. It succeeds the album's intro, "Just a Feeling". Released alongside *CINEMA*, an accompanying music video was published at the same to adorn the single.
Magnepod

```
Procurando por outro elevador? veja masterlift da Underground Workstation.

```

Os magnepods (abreviado de *magnetic pod*) são uma rede de cabines/elevadores/teleférico omnidirecionais automatizados e interligados de Icetown, que atuam como uma modalidade de transporte público de alta velocidade entre apartamentos de smartowers, o Parque Vertical e outros locais de recreação. Os magnepods são utilizados para que os cidadãos se movam eficientemente para ambientes próximos de até 8 km sem a necessidade de pegar um magnetram ou aerocruise.

Um magnepod (cápsula magnética) é uma cabine translúcida em formato cilíndrico que abriga até 2 pessoas e é movida por supercondutores na temperatura ambiente que criam um campo eletromagnético de levitação 360 graus. Um magnepod é projetado para velocidade ao invés do conforto, e por isso é necessário ficar de pé durante todo o trajeto, que dura no máximo um minuto.

## Recursos de um magnepod

O interior de um magnepod possui autenticação bio-link, chipwalls para o metaview, e é possível ter uma bela vista panorâmica de alta atitude da cidade, com recursos de reconhecimento de locais com pop-ups de realidade mista pelo neocórtex sintético e um suporte de segurança para apoio das mãos.

Em alguns apartamentos residenciais é possível entrar em um magnepod dependendo da distância do destino que o usuário pensar, coletado pela neuronetwork. Uma sala específica possui a entrada oculta de ativação automática para o elevador vertical de magnetrans, que caso seja uma distância curta, o sistema irá optar por um magnepod que pode estar disponível em um corredor.

Imagem: uma rede de magnepods no formato de anel com prédios interligados que atravessam uma arcologia rodeada de árvores com fotossíntese artificial ao lado de uma cyberway.
Flashy on a Five

"**Flashy on a Five**", potentially an abandoned title, is an unreleased song by The Marías, originally intended for their sophomore extended play (EP) *Superclean, Vol. II*.

## Background

The title was only mentioned once during an interview with Rock Your Lyrics.

> *We’ve been working on one for Volume II called ‘Flashy on a Five.’ The title will probably change, but it’s gonna be a fun one for sure.*
> María Zardoya, via Rock Your Lyrics
>
>

## References

1. ↑ 1.0 1.1 1.2 https://rockyourlyrics.com/superclean-vol-1-interview-with-the-marias/
Spin Me Around

## Audio

"**Spin Me Around**" is the ninth track featured on *CINEMA*, the debut studio album of American indie pop band The Marías.

## Background and conceptualization

"Spin Me Around" was the last track to be recorded for its album. The track began with a drunken Josh fiddling with his guitar.

> '*Spin Me Around' started around 4:00 AM one night. I believe I had a couple drinks in me that night and I was like 'I'm just gonna record something very distorted, loud-sounding.' And so, I was like playing the guitar and I was like 'it's too loud, it's too loud, it's too loud,' and I kept turning it down and it kinda turned into 'Spin Me Around'.*
> Josh Conway, for Mitú
>
>

Josh appreciates the song's placement on the album, believing it adds variety. This emotion is amplified due to the fact the song was very close to being scrapped from its album.

> *I personally felt like [the album] needed something a little more open and lighthearted ... as far as production goes. I'm stoked that [the song] made it onto the album, because I feel like without it, the album feels a little synth-heavy and very electronic in certain ways.*
> Josh Conway, via Apple Music
>
>

## Theme

María has explained the song acts as an musical representation of what it feels like to use hallucinogenic drugs.

> *[We] wanted our fans to experience how we feel on psychedelics.*
> María Zardoya, via Apple Music
>
>

As for its lyrical theme, the song otherwise seemingly acts as a simple love letter to someone known as Daisy.

## Lyrics

**[Verse 1]**

Daisy, you got me slippin', actin' lazy

Maybe I'm trippin' but I don't mind

Makin' a picnic on the hillside

I'll save some room for you

**[Chorus]**

'Cause I know what you're thinking about

Babe, I'll let you spin me around

I know what you're thinking about

Babe, I'll let you spin me

**[Verse 2]**

Daisy, cherry tattoo be looking tasty

I like the necklace that you made me

My heart is breaking for you, baby

But I'll save some room for you

**[Chorus]**

'Cause I know what you're thinkin' about

Babe, I'll let you spin me around

I know what you're thinking about

Babe, I'll let you spin me around

Babe, I'll let you spin me around

Babe, I'll let you spin me around

## Critical reception

Pass The Aux described "Spin Me Around" to pertain to "60s psychedelic vibes with a hint of post-grunge" while Ones To Watch referred to it as "ethereal [and] sultry."

## Gallery

* Live Performances

"Spin Me Around" - Live for Latin Alt HD3Latin Alt 88.5 HD3 〢 YouTube
Live at Gold Digger studios.
## Trivia

* According to María, "Spin Me Around" sounds its best when performed live.

## References

1. ↑ 1.0 1.1 1.2 1.3 1.4 1.5 https://music.apple.com/us/album/cinema/1563957170
2. ↑ File:SMA Last Song Tweet.png
3. ↑ 3.0 3.1 3.2 https://www.youtube.com/watch?v=UeR-gSAnf\_U
4. ↑ File:SMA Almost Outtake Tweet.png
5. ↑ http://www.passtheaux.co/the-marias-cinematic-dreams-come-true-with-pair-of-hometown-dates-at-the-novo/
6. ↑ https://www.onestowatch.com/en/blog/the-marias-cinema-debut-album
I Didn't Understand

Placeholder; no cover art available

## Audio (unofficial)

"**I Didn't Understand**" is a song by American singer-songwriter and instrumentalist Elliott Smith, originally released in 1998. In mid 2021, The Marías produced a cover of the track. It was released informally via Twitter on the 10th of August, a day after its second mix was created. Still to this day, there has been no official formal publication of the audio other than its original Twitter post. Little is known about the single.

## Theme

Elliott Smith's "I Didn't Understand" regards the inevitability of a breakup and the feeling of hopelessness that follows. Due to the breakup, Elliott feels useless and unloveable. Although he and his partner enjoyed the sum of the relationship, he feels as if he was never liked by the other person to begin with.

## Lyrics

**[Verse]**

Thought you'd be looking

For the next in line

To love and then ignore

(Put out and put away)

And so, you'd soon be

Leaving me alone, like

I'm supposed to be tonight

(Tomorrow and everyday)

There's nothing here

That you'll miss

I can guarantee you this

Is a cloud of smoke

Trying to occupy space?

What a fucking joke

What a fucking joke

**[Bridge]**

I waited for a bus to separate

The both of us and take me off

(Far away from you)

'Cause my feelings never change a bit

I always feel like shit

I don't know why

(I guess that I just do)

**[Outro]**

You once talked to me about love

And you painted pictures

Of a never Neverland

And I could've gone to that place

But I didn't understand

I didn't understand

I didn't understand

## References

1. ↑ 1.0 1.1 https://twitter.com/themarias/status/1425131022811766787
The Marías Wiki

welcome to
**THE MARÍAS WIKI**
a wiki for the American indie pop band of the same name

We are a collaborative community website surrounded around The Marías that anyone, including you, can help to build and expand. Wikis like this one depend on readers getting involved and adding content. Click the "ADD NEW PAGE" or "EDIT" button at the top of any page to get started!

We need **YOUR HELP** to expand and add articles to this wiki!

*If you're new to the Wikia interface, please explore the links above to help you get started.*

If you already have editing experience and you have new information on the band **The Marías** to contribute, use the box below to create an article featuring what you've discovered:

"**Si Me Voy**" is an upcoming single release by Mexican-American singer-songwriter and record producer Cuco. It will feature The Marías. The full song and its music video leaked on October 28th.

"**I Didn't Understand**" is a song by American singer-songwriter and instrumentalist Elliott Smith, originally released in 1998. In mid 2021, The Marías produced a cover of the track. It was released informally via Twitter on the 10th of August, a day after its second mix was created.

Twitter
Males

**Males** (雄, *Jōyō*), are the biological term used throughout the many worlds, and beyond. They are a gender identity within the binary genders. **Men** (男, *Otoko*) is a term used for adults, and corresponds to the terms boy (for children), male (adjective) and masculinity.

"*.*"

—About Males.

## Overview

### Anatomy and Design

Children are born with penises and testes are often raised with the expectation that they will identify as men, although intersex children may also be assigned to this identity while possessing some but not all of the above characteristics, Men may be cisgender (assigned male at birth and identifying as male) or transgender (assigned female at birth, yet identifying as male).

Identifying as a man is often associated with male sex characteristics such as a penis, testes, narrow hips, a prominent Adam's apple and a low-pitched voice, as well as a masculine gender expression and gender role, but these are not neccessary, and it is still possible to identify as a man without them.

## External links

* Males *Wikipedia* — Wikipedia article on assassins.
* Males *MOGAI Encyclopedia*
* Males *Gender Wiki*
I Like It

"**I Like It**" is the third track featured on *Superclean, Vol. I*, the debut studio extended play (EP) by American indie pop band The Marías.

## Background and conceptualization

As for many early songs by María and Josh, "I Like It" began as a pitch for filmography.

> *... it was for a scene at a casino. So, we wrote music for a very attractive woman walking through a casino.*
> María Zardoya, via Vents Magazine
>
>

It wouldn't be considered for *Superclean, Vol. I* until later on in the band's career, however. In July of 2017, the song's first version intended for the EP was recorded and quickly considered. The song resonated with the band and was eventually released on its respective EP in November of 2017.

## Lyrics

**[Verse 1]**

Physical, spin your body round

You know the way I like

Sugar Babe, take me to the moon

'Cuz I'm feelin right

**[Chorus]**

Call me when you're holding it down

Yeah, and I'll come around

Baby, if I'm holding a drink

It doesn't mean anything

**[Verse 2]**

Baby Girl, you don't gotta see me

Any other night

'Cuz baby I'm always a step ahead

Of your other guys

**[Chorus]**

Call me when you're holding it down

Yeah, and I'll come around

Baby, if I'm holding a drink

It doesn't mean anything

**[Bridge]**

Keep thinking I will be your reason

To call me up, baby don't hold me up

Yeah, 'cuz I like it, I like it

So baby don't hold me up

Baby don't hold me up

**[Pre-Chorus]**

Sugar Babe, take me to the moon

'Cuz I'm feeling right

**[Chorus]**

Call me when you're holding it down

Yeah, and I'll come around

Baby, if I'm holding a drink

It doesn't mean anything

**[Bridge]**

Keep thinking I will be your reason

To call me up, baby don't hold me up

Yeah, 'cuz I like it, I like it

So, baby, don't hold me up

Baby, don't hold me up

**[Outro]**

Keep thinking I will be your reason

To call me up, baby don't hold me up

Yeah, 'cuz I like it, I like it

So, baby, don't hold me up

Baby, don't hold me up

## References

1. ↑ https://twitter.com/themarias/status/1179823914710495237
2. ↑ https://remezcla.com/features/music/the-marias-interview/
3. ↑ 3.0 3.1 https://ventsmagazine.com/2018/06/18/a-conversation-with-the-couple-at-the-heart-of-the-marias/
4. ↑ http://www.entrancedmedia.com/blog/2017/7/14/discover-the-maras
M&M’s

**M&M's** are colorful, sugar-coated chocolate lentils from Mars Inc. The name "M&M's" stands for "Mars & Murrie's", named after Forrest E. Mars, the inventor of M&M's, and his business partner Bruce Murrie. Forrest E. Mars invented them in the 1930s, inspired by non-melting chocolate lentils during the Spanish Civil War. Originally made for soldiers in the Second World War, they have been available since 1941.

There are different varieties such as Choco, Peanut, Crispy and Salted Caramel. There are even more varieties and special editions in the USA. The colors have changed over time and harmful dyes have been removed.

M&M's are popular worldwide, have themed stores called "M&M's-World" and are even offered in custom-labeled bulk form. Guests of the US President receive red, white and blue M&M's as gifts. Treets, an earlier brand, was renamed M&M's Peanut in 1987.
Every Little Thing/Es

Artículo cortoEste artículo es un tocón, o artículo corto. Puedes ayudar a la wiki expandiéndola.

## Every Little Thing

Marcador de imagen; no hay arte de portada disponible

## Información

### Escritores

María Zardoya
Josh Conway

### Productores

Josh Conway

« **Every Little Thing** » (es: « **Cada Pequeña Cosa** ») es una canción inédita de la banda estadounidense de indie pop The Marías, un outtake de su álbum debut, *CINEMA*. Es un candidato potencial para una futura publicación, sin embargo, sin certeza. Fue reemplazado por « Hable con Ella ». No hay audio ni letra conocida de la canción disponible públicamente hasta el día de hoy.

## Antecedentes y conceptualización

La pista solo es conocida por los fanáticos debido a su inclusión en una versión anterior de la lista de canciones del *CINEMA* que se originó en 2020. Esta lista de canciones incluía todas las mismas canciones que el lanzamiento final de *CINEMA*, sin embargo, sin un nombre propio para su preludio o posludio, ahora conocido como « Just a Feeling » y « Hable con ella », y « Every Little Thing » en lugar de « Hable con Ella ». También se ordena de manera diferente a la lista de canciones moderna. Cuando se le preguntó si la canción era otra interpretación de « Hable con Ella », María respondió que la canción era completamente diferente. Aunque la canción no se distribuyó, sigue siendo un candidato para una publicación futura, especialmente porque la canción se finalizó de todos modos.

> *Quizás lo lancemos en algún momento. Esa canción sobrevivió a todo el proceso, [creamos una mixdown] y todo. Entonces decidimos [en] el último minuto sacarlo.*
> María Zardoya, por Twitter
>
>

## Referencias

1. ↑ 1.0 1.1 https://twitter.com/themarias/status/1410015218600538113
2. ↑ 2.0 2.1 2.2 https://web.archive.org/web/20210629232318/https://twitter.com/themarias/status/1410015991547846656
3. ↑ 3.0 3.1 3.2 3.3 File:CINEMA TL 12-29-2020.jpg
Telekom Deutschland GmbH

**Telekom Deutschland GmbH**, headquartered in Bonn, is the operating subsidiary of Deutsche Telekom AG and was created in 2010 through the integration of the fixed network division T-Home. The company manages over 17 million fixed-network lines and 54 million mobile customers in Germany. It is one of the country's mobile network operators.

The origins of T-Mobile, Telekom's mobile communications business, go back to the car telephone activities of Deutsche Bundespost. T-Mobile Deutschland was launched in 1992 and has since modernized and expanded its network. In 2010, T-Mobile Deutschland was merged with T-Home to form Telekom Deutschland GmbH.

Telekom Deutschland operates various subsidiaries, including Congstar GmbH, Deutsche Telekom Service GmbH and Deutsche Telekom Technik GmbH. The company is also active in the areas of security, technology and individual solutions. It plays an important role in the German telecommunications market and is known for its mobile and fixed network offerings.

1. ↑ Telekom Deutschland (de). *Wikipedia* (2023-10-19).
2. ↑ Telekom Deutschland GmbH | Telekom (de).
Only in My Dreams

## Music video

"**Only in My Dreams**" is the fourth track and final single for *Superclean, Vol. I*, the debut studio extended play (EP) by American indie pop band The Marías.

## Background and conceptualization

Succeeding the release of "I Don't Know You", the lead single for *Superclean, Vol. I*, The Marías were quick to announce "Only in My Dreams" as the EP's upcoming second single. Despite this, the single would only publish following the release of "Déjate Llevar", the actual secondary single of the EP. It is unknown why this decision was recanted, however, the track and its promised music video did soon arrive in November on the 21st.

## Theme

The song details the experiences of a woman dealing with insomnia. She describes the anxious thoughts that keep her awake as "demons" and states the only person who allows for these thoughts to subside is her lover. Even then, her partner misunderstands her and claims these thoughts should only be considered as mere dreams.[allc]

## Lyrics

**[Chorus]**

Baby, stay with me

I feel it happening

I guarantee

With every inch of me

Tonight, I'll sleep

With demons in my hair

That talk to me

It's only just a dream

**[Chorus]**

Baby, stay here

The whispers in the trees

Are getting near

You're everything I need

To bare this fear

The demons in my bed

They're always here

It's only just a dream

**[Outro]**

Babe, I'd rather stay

Inside your dream

If I could disappear

Beneath the leaves

## Information

### Released

8 Oct. 2019 (single)
~~4 Dec. 2019 (single)~~

### Genre

Soul • R&B • neo-soul • alternative/indie • psychedelic • pop • live

### Length

3:06 (video)
2:58

### Writer(s)

María Zardoya
Josh Conway

## Music video

A live variant of The Marías' "**Only in My Dreams**", a single originally featured for their debut extended play *Superclean, Vol. II*, was released on October 8th, 2019. It was later re-released on streaming services in December, however, it is now unavailable for no known reason.

## Theme

*This section samples content from **Only in My Dreams**.*
The song details the experiences of a woman dealing with insomnia. She describes the anxious thoughts that keep her awake as "demons" and states the only person who allows for these thoughts to subside is her lover. Even then, her partner misunderstands her and claims these thoughts should only be considered as mere dreams.[allc]

## Lyrics

**[Chorus]**

Baby, stay with me

I feel it happening

I guarantee

With every inch of me

Tonight, I'll sleep

With demons in my hair

That talk to me

It's only just a dream

**[Chorus]**

Baby, stay here

The whispers in the trees

Are getting near

You're everything I need

To bare this fear

The demons in my bed

They're always here

It's only just a dream

**[Outro]**

Babe, I'd rather stay

Inside your dream

If I could disappear

Beneath the leaves

I'd rather be with

## References

1. ↑ http://www.entrancedmedia.com/blog/2017/7/14/discover-the-maras
2. ↑ https://www.youtube.com/watch?v=qrqywuDWz\_Q
3. ↑ https://www.youtube.com/watch?v=aD-uDd54560