Bragi

**Bragi** is the skaldic god of poetry in Norse mythology.

That Bragi is Odin's son is clearly mentioned only here and in some versions of a list of the sons of Odin (see **Sons of Odin**). But "wish-son" in stanza 16 of the *Lokasenna* could mean "Odin's son" and is translated by Hollander as *Odin's kin*. Bragi's mother is possibly the giantess Gunnlod. If Bragi's mother is Frigg, then Frigg is somewhat dismissive of Bragi in the *Lokasenna* in stanza 27 when Frigg complains that if she had a son in Ægir's hall as brave as Baldr then Loki would have to fight for his life.

In that poem Bragi at first forbids Loki to enter the hall but is overruled by Odin. Loki then gives a greeting to all gods and goddesses who are in the hall save to Bragi. Bragi generously offers his sword, horse, and an arm ring as peace gift but Loki only responds by accusing Bragi of cowardice, of being the most afraid to fight of any of the Æsir and Elves within the hall. Bragi responds that if they were outside the hall, he would have Loki's head, but Loki only repeats the accusation. When Bragi's wife Iðunn attempts to calm Bragi, Loki accuses her of embracing her brother's slayer, a reference to matters that have not survived. It may be that Bragi had slain Iðunn's brother.

A passage in the *Poetic Edda* poem *Sigrdrífumál* describes runes being graven on the sun, on the ear of one of the sun-horses and on the hoofs of the other, on Sleipnir's teeth, on bear's paw, on eagle's beak, on wolf's claw, and on several other things including on Bragi's tongue. Then the runes are shaved off and the shavings are mixed with mead and sent abroad so that Æsir have some, Elves have some, Vanir have some, and Men have some, these being speech runes and birth runes, ale runes, and magic runes. The meaning of this is obscure.

The first part of Snorri Sturluson's *Skáldskaparmál* is a dialogue between Ægir and Bragi about the nature of poetry, particularly skaldic poetry. Bragi tells the origin of the mead of poetry from the blood of Kvasir and how Odin obtained this mead. He then goes on to discuss various poetic metaphors known as *kennings*.

Snorri Sturluson clearly distinguishes the god Bragi from the mortal skald Bragi Boddason, whom he often mentions separately. The appearance of Bragi in the *Lokasenna* indicates that if these two Bragis were originally the same, they have become separated for that author also, or that chronology has become very muddled and Bragi Boddason has been relocated to mythological time. Compare the appearance of the Welsh Taliesin in the second branch of the Mabinogi. Legendary chronology sometimes does become muddled. Whether Bragi the god originally arose as a deified version of Bragi Boddason was much debated in the 19th century, especially by the scholars Eugen Mogk and Sophus Bugge.[1] The debate remains undecided.

In the poem *Eiríksmál* Odin, in Valhalla, hears the coming of the dead Norwegian king Eric Bloodaxe and his host, and bids the heroes Sigmund and Sinfjötli rise to greet him. Bragi is then mentioned, questioning how Odin knows that it is Eric and why Odin has let such a king die. In the poem *Hákonarmál*, Hákon the Good is taken to Valhalla by the valkyrie Göndul and Odin sends Hermóðr and Bragi to greet him. In these poems Bragi could be either a god or a dead hero in Valhalla. Attempting to decide is further confused because *Hermóðr* also seems to be sometimes the name of a god and sometimes the name of a hero. That Bragi was also the first to speak to Loki in the *Lokasenna* as Loki attempted to enter the hall might be a parallel. It might have been useful and customary that a man of great eloquence and versed in poetry should greet those entering a hall. He is also depicted in tenth-century court poetry of helping to prepare Valhalla for new arrivals and welcoming the kings who have been slain in battle to the hall of Odin.