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Produced by Joshua Hutchinson, Steve Schulze | |
and PG Distributed Proofreaders | |
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Vol. 1. No. 19. | |
PUNCHINELLO | |
SATURDAY, AUGUST 6, 1870. | |
PUBLISHED BY THE | |
PUNCHINELLO PUBLISHING COMPANY, | |
83 NASSAU STREET, NEW YORK. | |
* * * * * | |
THE MYSTERY OF MR. E. DROOD, By ORPHEUS C. KERR, | |
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+--------------------------------------------------------------+ | |
THE | |
MYSTERY OF MR. E. DROOD. | |
AN ADAPTATION. | |
BY ORPHEUS C. KERR. | |
CHAPTER XII--(Continued.) | |
The pauper burial-ground toward which they now progress in a rather | |
high-stepping manner, or--to vary the phrase--toward which their steps | |
are now very much bent, is not a favorite resort of the more cheerful | |
village people after nightfall. Ask any resident of Bumsteadville if he | |
believed in ghosts, and, if the time were mid-day and the place a | |
crowded grocery store, he would fearlessly answer in the negative; (just | |
the same as a Positive philosopher in cast-iron health and with no | |
thunder shower approaching would undauntedly deny a Deity!) but if any | |
resident of Bumsteadville should happen to be caught near the country | |
editor's last home after dark, he would get over that part of his road | |
in a curiously agile and flighty manner;--(just the same as a Positive | |
philosopher with a sore throat, or at an uncommonly showy bit of | |
lightning, would repeat "Now I lay me down to sleep," with surprising | |
devotion.) So, although no one in all Bumsteadville was in the least | |
afraid of the pauper burial-ground at any hour, it was not invariably | |
selected by the great mass of the populace as a peerless place to go | |
home by at midnight; and the two intellectual explorers find no | |
sentimental young couples rambling arm in arm among the ghastly | |
head-boards, nor so much as one loiterer smoking his segar on a | |
suicide's tomb. | |
"JOHN McLAUGHLIN, you're getting nervous again," says Mr. BUMSTEAD, | |
catching him in the coat collar with the handle of his umbrella and | |
drawing the other toward him hand-over-hand. "It's about time that you | |
should revert again to the hoary JAMES AKER'S excellent preparation for | |
the human family.--I'll try it first, myself, to see if it tastes at all | |
of the cork. | |
"Ah-h," sighs OLD MORTARITY, after his turn has come and been enjoyed at | |
last, "that's the kind of Spirits I don't mind being a wrapper to. I | |
could wrap _them_ up all right." | |
Reflectively chewing a clove, the Ritualistic organist reclines on the | |
pauper grave of a former writer for the daily press, and cogitates upon | |
his companion's leaning to Spiritualism; while the other produces | |
matches and lights their lanterns. | |
"Mr. McLAUGHLIN," he solemnly remarks, waving his umbrella at the graves | |
around, "in this scene you behold the very last of man's individual | |
being. In this entombment he ends forever. Tremble, J. McLAUGHLIN! | |
--forever. Soul and Spirit are but unmeaning words, according | |
to the latest big things in science. The departed Dr. DAVIS SLAVONSKI, | |
of St. Petersburg, before setting out for the Asylum, proved, by his | |
Atomic Theory, that men are neatly manufactured of Atoms of matter, | |
which are continually combining together until they form Man; and then | |
going through the process of Life, which is but the mechanical effect of | |
their combination; and then wearing apart again by attrition into the | |
exhaustion of cohesion called Death; and then crumbling into separate | |
Atoms of native matter, or dust, again; and then gradually combining | |
again, as before, and evolving another Man; and Living, and Dying, | |
again; and so on forever. Thus, and thus only, is Man immortal. You are | |
made exclusively of Atoms of matter, yourself, JOHN McLAUGHLIN. So am I." | |
"I can understand a man's believing that _he, himself,_ is all Atoms of | |
matter, and nothing else," responds OLD MORTARITY, skeptically. | |
"As how, JOHN McLAUGHLIN,--as how?" | |
"When he knows that, at any rate, he hasn't got one atom of common | |
sense," is the answer. | |
Suddenly Mr. BUMSTEAD arises from the grave and frantically shakes hands | |
with him. | |
"You're right, sir!" he says, emotionally. "You're a gooroleman, sir. | |
The Atom of common sense was one of the Atoms that SLAVONSKI forgot all | |
about. Let's do some skeletons now." | |
At the further end of the pauper burial-ground, and in the rear of the | |
former Alms-House, once stood a building used successively as a | |
cider-mill, a barn, and a kind of chapel for paupers. Long ago, from | |
neglect and bad weather, the frail wooden superstructure had fallen into | |
pieces and been gradually carted off; but a sturdy stone foundation | |
remained underground; and, although the flooring over it had for many | |
years been covered with debris and rank growth, so as to be | |
undistinguishable to common eyes from the general earth around it, the | |
great cellar still extended beneath, and, according to weird rumor, had | |
some secret access for OLD MORTARITY, who used it as a charnel | |
store-house for such spoils of the grave as he found in his prowlings. | |
To the spot thus historied the two moralists of the moonlight come now, | |
and, with many tumbles, Mr. McLAUGHLIN removes certain artfully placed | |
stones and rubbish, and lifts a clumsy extemporized trap-door. Below | |
appears a ricketty old step-ladder leading into darkness. | |
"I heard such cries and groans down there, last Christmas Eve, as | |
sounded worse than the Latin singing in the Ritualistic church," | |
observes McLAUGHLIN. | |
"Cries and groans!" echoes Mr. BUMSTEAD, turning quite pale, and | |
momentarily forgetting the snakes which he is just beginning to discover | |
among the stones. "You're getting nervous again, poor wreck, and need | |
some more West Indian cough-mixture.--Wait until I see for myself | |
whether it's got enough sugar in it." | |
In due time the great nervous antidote is passed and replaced, and then, | |
with the lighted lanterns worked around under their arms, they go down | |
the tottering ladder. Down they go into a great, damp, musty cavern, to | |
which their lights give a pallid illumination. | |
"See here," says OLD MORTARITY, raising a long, curved bone from the | |
floor. "Look at that: shoulder-blade of unmarried Episcopal lady, aged | |
thirty-nine." | |
"How do you know she was so old, and unmarried?" asks the organist. | |
"Because the shoulder-blade's so sharp." | |
Mr. Bumstead is surprised at this specimen of the art of an AGASSIZ and | |
WATERHOUSE HAWKINS in such a mortary old man, and his intellectual pride | |
causes him to resolve at once upon a rival display. | |
"Look at this skull, JOHN McLAUGHLIN," he says, referring to an object | |
that he has found behind the ladder. "See thish fine, retreating brow, | |
bulging chin, projecting occipital bone, and these orifices of ears that | |
musht've been stupen'sly long. It's the skull, JOHN McLAUGHLIN, of a | |
twin-brother of the man who really wished--really wished, JOHN | |
McLAUGHLIN--that he could be sat'shfied, sir, in his own mind, that | |
CHARLES DICKENS was a Christian writer." | |
"Why, thash's skull of a hog," explains Mr. McLAUGHLIN, with some | |
contempt. | |
"Twin-brother--all th'shame," says Mr. BUMSTEAD, as though that made no | |
earthly difference. | |
Once more, what a strange expedition is this! How strangely the eyes of | |
the two men look, after two or three more applications to the antique | |
flask; and how curiously Mr. Bumstead walks on tip-toe at times and | |
takes short leaps now and then. | |
"Lesh go now," says BUMSTEAD, after both have been asleep upon their feet | |
several times; "I think th's snakes down here, JOHN McBUMSTEAD." | |
"Wh'st! monkies, you mean,--dozens of black monkies, Mr. BUMPLIN," | |
whispers OLD MORTARITY, clutching his arm as he sinks against him. | |
"Noshir! Serp'nts!" insists Mr. BUMSTEAD, making futile attempts to open | |
his umbrella with one hand. "Warzesmarrer with th' light?--ansh'r me t' | |
once, Mac JOHNBUNKLIN!" | |
In their swayings under the confusions and delusions of the vault, their | |
lanterns have worked around to the neighborhoods of their spines, so | |
that, whichever way they turn, the light is all behind them. Greatly | |
agitated, as men are apt to be when surrounded by supernatural | |
influences, they do not perceive the cause of this apparently unnatural | |
illumination; and, upon turning round and round in irregular circles, | |
and still finding the light in the wrong place, they exhibit signs of | |
great trepidation. | |
"Warzemarrer wirra _light?_" repeats Mr. BUMSTEAD, spinning wildly until | |
he brings up against the wall. | |
"Ishgotb'witched, I b'lieve," pants Mr. McLAUGHLIN, whirling as | |
frenziedly with his own lantern dangling behind him, and coming to an | |
abrupt pause against the opposite wall. | |
Thus, each supported against the stones by a shoulder, they breathe hard | |
for a moment, and then sink into a slumber in which they both slide down | |
to the ground. Aroused by the shock, they sit up quite dazed, brush away | |
the swarming snakes and monkies, are freshly alarmed by discovering that | |
they are now actually sitting upon that perverse light behind them, and, | |
by a simultaneous impulse, begin crawling about in search of the ladder. | |
Unable to see anything with all the light behind him, but fancying | |
that he discerns a gleam beyond a dark object near at hand, Mr. BUMSTEAD | |
rises to a standing attitude by a series of complex manoeuvres, and | |
plants a foot on something. | |
"I'morth'larrer!" he cries, spiritedly. | |
"Th'larrer's on me!" answers Mr. MCLAUGHLIN, in evidently great | |
bewilderment. | |
Then ensue a momentary wild struggle and muffled crash; for each | |
gentleman, coming blindly upon the other, has taken the light glimmering | |
at the other's back for the light at the top of the ladder, and, further | |
mistaking the other in the dark for the ladder itself, has attempted to | |
climb him. Mr. BUMSTEAD, however, has got the first step; whereupon, Mr. | |
MCLAUGHLIN, in resenting what he takes for the ladder's inexcusable | |
familiarity, has twisted both himself and his equally deluded companion | |
into a pretty hard fall. | |
Another interval of hard breathing, and then the organist of Saint Cow's | |
asks: "Di'you hear anything drop?" | |
"Yshir, th'larrer got throwed, f'rimpudence to a gen'l'm'n," is the | |
peevish return of OLD MORTARITY, who immediately falls asleep as he | |
lies, with his lantern under his spine. | |
In his sleep, he dreams that BUMSTEAD examines him closely, with a view | |
to gaining some clue to the mystery of the light behind both their | |
backs; and, on finding the lantern under him, and, studying it | |
profoundly for some time, is suddenly moved to feel along his own back. | |
He dreams that BUMSTEAD thereupon finds his own lantern, and exclaims, | |
after half an hour's analytical reflection, "It musht'ave slid round | |
while JOHN MCLAUGHLIN was intosh'cated." Then, or soon after, the | |
dreamer awakes, and can discern two Mr. BUMSTEADS seated upon the | |
step-ladders, with a lantern, baby-like, on each knee. | |
"You two men are awake at last, eh?" say the organists, with peculiar | |
smiles. | |
"Yes, gentlemen," return the MCLAUGHLINS, with yawns. | |
They ascend silently from the cellar, each believing that he is | |
accompanied by two companions, and rendered moodily distrustful thereby. | |
"Aina maina mona--Mike. | |
Bassalone, bona--Strike!" | |
sings a small, familiar voice, when they stand again above ground, and a | |
stone whizzes between their heads. | |
In another moment BUMSTEAD has the fell SMALLEY by the collar, and is | |
shaking him like a yard of carpet. | |
"You wretched little tarrier!" he cries in a fury, "you've been spying | |
around to-night, to find out something about my Spiritualism that may be | |
distorted to injure my Ritualistic standing." | |
"I ain't done nothing; and you jest drop me, or I'll knock spots out of | |
yer!" carols the stony young child. "I jest come to have my aim at that | |
old Beat there." | |
"Attend to his case, then--his and his friend's, for he seems to have | |
some one with him--and never let me see you two boys again." | |
Thus Mr. BUMSTEAD, as he releases the excited lad, and turns from the | |
pauper burial-ground for a curious kind of pitching and running walk | |
homeward. The strange expedition is at an end:-but _which_ end he is | |
unable just then to decide. | |
(_To be Continued._) | |
* * * * * | |
[Illustration: CLERKS ALL AWAY ON A SATURDAY FROLIC, WHICH ACCOUNTS FOR | |
THE UNFORTUNATE POSITION OF THIS STOUT GENTLEMAN, WHO WAS LEFT ALONE TO | |
LOCK UP HIS STORE.] | |
* * * * * | |
[Illustration: PUNCHINELLO CORRESPONDENCE.] | |
ANSWERS TO CORRESPONDENTS. | |
_Johnny_.--Yes, you may offer your arm to your pretty cousin in the | |
country whenever you think she would like it, except when Mr. | |
PUNCHINELLO is present. If that gallant gentleman is at hand, escort | |
duty may, with perfect propriety, be left to him. | |
_Charles_ inquires whether his handwriting is good enough to qualify him | |
for membership in a base ball club. We think he is all right on that | |
score. | |
_Glaucus._--We have never heard that Newport is a good place for | |
gathering sea-shells, but we presume you can shell out there if you | |
wish. | |
_Chapeau_.--Hats will be worn on the head this season. It is not | |
considered stylish to hang them on the ear, eyebrow, or coat collar. | |
_Cit._--The correct dimensions of a Saratoga pocket-book have not been | |
definitely decided. As to sending it, it is doubtful whether the | |
rail-road companies would receive it as baggage. Perhaps you could | |
charter a canal boat. | |
_Aspirant_.--We cannot tell you the price of "bored" in Washington "for | |
a few weeks." No doubt you could get liberally bored at a reasonable | |
rate. | |
_Sorosis_--It was very wrong for your husband to mention the muddy | |
coffee. However, we advise you to attempt a settlement of such troubles | |
without creating a public scandal. | |
_Butcher Boy_.--You cannot succeed as a writer of "lite comidy" if you | |
continue to weave such tragic spells. "The Lean Larder" would not be an | |
attractive title for your play. | |
_C. Drincarty_ submits the following problem: If one swallow don't make | |
a summer, how many claret punches can a man take before fall? Will some | |
of our ingenious readers offer a suitable solution? | |
_Culturist_.--The potato has been grafted with great success on the | |
cucumber tree in some of the Western States. The stock should be heated | |
by a slow fire until the sap starts. The grafts should be boiled in a | |
preparation known to science as vanilla cream. | |
_Truth_.--Your information is not authentic. LOUIS NAPOLEON never played | |
marbles in Central Park, nor took his little Nap in the vestibule of | |
WOOD'S Museum. | |
_Fanny_ inquires whether "ballot girls" are wanted in New York. Wyoming | |
is a better field for them than this city. | |
_Maine Chance_ has been paying his _devoirs_ with great impartiality to | |
two young ladies. One of them has red hair and a Roman nose, but the | |
paternal income is very handsome. The other is witty and pretty, but can | |
bring no rocks, except possibly "Rock the cradle." Recently he called on | |
the golden girl, and a menial rudely repulsed him from the door. This | |
hurt his feelings. He then went to the dwelling of the Fair, when a big | |
dog attacked him "on purpose," and lacerated his trousers. He wants to | |
know whether he has any remedy in the courts. His best way is the way | |
home. | |
_Rifleman_.--You are right; the rival guns--the Dreyse and the | |
Chassepot--are also rifle-guns. Both of them are provided with needles, | |
as you suppose, but, so far as there is any chance of their being put to | |
the test under present circumstances, in Europe, it rather appears that | |
both of them will prove Needless. | |
_Piscator_.--No; the weak-fish is not so called on account of any | |
supposed feebleness attributable to it. If you take a round of the | |
markets one of these roaring hot days, your senses will tell you that | |
the weakfish is sometimes very strong. | |
* * * * * | |
THE PLAYS AND SHOWS. | |
As a good many persons know, LA GISELLE is a ballet whose hundred legs | |
are nightly displayed on the stage of the GRAND OPERA HOUSE. | |
The _Twelve Temptations_ have ceased to tempt, and the familiar legs of | |
LUPE no longer allure. But in their place we have KATHI LANNER, and | |
BERTHA LIND, and nearly a gross of assorted legs of the very best | |
quality. | |
Why do the women clamor for the ballot, when they have almost exclusive | |
possession of the ballet? The latter is much nicer and more useful than | |
the former. The average repeater can obtain only a dollar for his | |
ballot, but the average ballet will find any quantity of enthusiastic | |
admirers at one dollar and a half a head. Would any man pay KATHI LANNER | |
a dollar for the privilege of seeing her with a ballot in her hand? | |
On the other hand, lives there a man with eyes so dead that he would not | |
cheerfully pay twice that sum to see her in the mazes of the ballet? | |
But _La Giselle_? Certainly. I am coming to that in a moment. I have | |
often thought that nature must have intended me for a writer of sermons. | |
I have such a facility for beginning an article with a series of general | |
remarks that have nothing whatever to do with the subject. | |
Though how can any one be rationally expected to stick to anything in | |
this weather, except, perhaps, the newly varnished surface of his desk? | |
And how can even the firmest of resolutions be prevented from melting | |
and vanishing away, with the thermometer at more degrees than one likes | |
to mention? You remember the old proverb: "Man proposes, but his | |
mother-in-law finally disposes." The bearing of this observation lies in | |
its application. | |
By the bye, I don't know a better application, in the present weather, | |
than claret punch. Apply yourself continually to that cooling beverage, | |
and apply it continually to your lips, and the result is a sort of | |
reciprocity treat, whose results are much more certain than those of the | |
reciprocity treaty, of which Congress has latterly had so much to say. | |
To contemplate _La Giselle_ in all its bearings is a pleasure which is | |
peculiarly appropriate to the season. KATHI LANNER and her companions | |
may not be really cool, but they look as though they were. They remind | |
one of the East Indian country houses that are built on posts, so as to | |
allow a free circulation of air beneath the foundation. Anyhow, they | |
look as if they took things coolly. | |
(A joke might be made on the words coolly and Coolie. The reader may mix | |
to his own taste. It's too hot for any one to make jokes for other | |
people.) | |
But _La Giselle_? Yes! yes! I am just ready to speak of it. _La Giselle_ | |
is a grand ballet in which an elaborate plot is developed by the toes of | |
some fifty young ladies. There is a young woman in it who loves a man, | |
and there is another woman who also loves him, and another man who loves | |
the first woman, and meddles and mars as though he were a professional | |
philanthropist. | |
The woman--the first woman, I mean--goes crazy down to the extremity of | |
her feet, and dies, and then there are more women,--no; these last are | |
disembodied spirits, with nothing but light skirts on,--who dance in | |
graveyards, and make young men dance with them till they fall down | |
exhausted, calling in vain for BROWN to take them home in carriages, and | |
pay for their torn gloves. The first young woman, and a young man--not | |
the other young man, you understand--does a good deal of--Well, in | |
fact, things are rather mixed before the ballet comes to an end, but I | |
know that it's a good thing, for FISK sits in his private box and | |
applauds it, which he wouldn't do if he didn't. | |
And now, having placed _La Giselle_ plainly before your mental vision, I | |
desire to rise to a personal explanation. For the ensuing four weeks, | |
the places, in PUNCHINELLO, which have heretofore known me, will | |
know me no more. I am going to a quiet country place on Long Island to | |
write war correspondence for the--well, I won't mention the name of the | |
paper. You see the editor of the _Na----_ of the paper in question, I | |
should say,--wants to have an independent and unprejudiced account of | |
the great struggle on the Rhine--something that shall be different from | |
any other account.--Down on Long Island, I shall be out of the reach of | |
either French or Prussian influence, and will be able to describe events | |
as they should be. I have made arrangements with the "Veteran Observer" | |
of the _Times_ to take charge of this column during my absence. If he | |
can only curb his natural tendency toward frivolity and jocoseness, I am | |
in hopes that he will be able to draw his salary as promptly and | |
efficiently as though he were a younger man. Remarking, therefore, in | |
the words of _Kathleen Mavourneen_, that my absence "may be four weeks, | |
and it may be longer," I bid my readers a warm (thermometer one hundred | |
and five degrees) farewell. | |
MATADOR. | |
* * * * * | |
JUPITER BELLICOSUS. | |
Truly, PUNCHINELLO, this is an age of progress. Wars of succession | |
are no more. Absolutism must forever hang its head. Fling a glance at | |
France; peer into Prussia, _Vox populi_ is the voice of the King, and | |
the voice of the king is therefore _vox Dei_. When a king speaks for his | |
people he must speak sooth; what he says of other peoples must be taken | |
with a grain of salt. Bearing this in mind, the apparent inconsistency | |
between the regal rigmarole and the Imperial improvisation (these | |
epithets are a tribute to the Republic) which I have received by our | |
_special wire_ from Europe were addressed by the monarchs to their | |
respective armies before the grand "wiring in" which is to follow. | |
WILHELM KOENIG VON PRUSSEN. | |
_Soldaten_: The Gaul is at our gates. _Vaterland_ is in danger: my | |
_weiss_ is then for war. France, led by a despot, is about to desecrate | |
the Rhine. His imperial bees are swarming, but we shall send him back | |
with his bees in his bonnet, and a bee's mark (BISMARCK) on the end of | |
his nasal organ. France wars for conquest; Prussia never. When FREDERICK | |
the Great captured Silesia from a Roman without any apparent pretext, | |
was he not an instrument of Providence? When, in company with Austria, | |
we beat and bullied Denmark out of Schleswig-Holstein, were we not | |
victorious, and is not that sufficient justification? When we afterwards | |
beat this Austria, did it not serve her right? And when we absorbed | |
Hanover, &c., was it not to protect them? Yes, our present object is the | |
defence of our country and the capture of Alsace and Lorraine, which | |
mere politeness prevented us from claiming hitherto. On, then, soldiers | |
of Deutchland. Let our _law reign_ in Lorraine, for what is sauce for | |
the Prussian goose should be Alsace for the Gallic gander. The God of | |
battles is on the side of our just cause; Leipsic is looking at us, | |
Waterloo is watching us. GOTT _und_ WILHELM, _sauerkraut und schnapps. | |
Vorwarts._ | |
NAPOLEON, EMPEREUR DES FRANCAIS. | |
_Soldats:_ True to your trust in me, I am about to lead you to | |
slaughter. _L'Empire c'est la paix_. Prussia would place a poor and | |
distant relative of mine on the throne of Spain, therefore must we | |
recover the natural frontier of France, which lies upon the Rhine. The | |
rhino is ready, and we are ready for the Rhine. Let my red republican | |
subjects recall Valmy and Jemappes, and their generals KELLERMANN and | |
DUMAURIOZ. Let every Frenchman kill a Prussian, every woman too _kill | |
her man_. They did much for _la patrie_ in those days, but do _more ye | |
to-day_. France wars for ideas only; Prussia for rapine. We have heard | |
this Rhine-whine long enough; it has got into our heads at last. | |
The spirit of my uncle has its eye upon you. Ambition was no part of his | |
nature. His struggles were all for the good of France, "which he loved | |
so much," as he himself said at his country-seat at St. Helena. Marshal, | |
then, to the notes of the _Marseillaise_, which I now generously permit | |
you to sing. | |
The Gallic rooster shall "cackle, cackle, clap his wings and crow," | |
_Unter der Linden_. Jena judges us, Auerstedt is _our status_. The Man | |
of Destiny and December calls you. The God of armies (who marches with | |
the strongest battalions) is with us. | |
_La gloire et des Grenouilles_, France and fried potatoes. _L'Empire et | |
moi et le prince Imperial. En avant marche!_ | |
* * * * * | |
A District that ought to be subject to Earthquakes. | |
Rockland County. | |
* * * * * | |
[Illustration: THE CELESTIAL SCARECROW IN MASSACHUSETTS. | |
IT CONSISTS OF A CHINESE GONG AND A LOT OF PUPPETS WORKED BY THE HANDS OF | |
CAPITAL; AND SOME PERSONS THINK IT A GOOD JOKE.] | |
* * * * * | |
THE VULTURE'S CALL. | |
Come--sisters--come! | |
The din of arms is rising from the vale, | |
Bright arms are glittering in the morning sun | |
And trumpet tones are ringing in the gale! | |
Hurrah-hurrah! | |
As fast and far | |
We hurry to behold the blithesome game of War! | |
Haste--sisters--haste! | |
The drums are booming, shrill fifes whistling clear, | |
The scent of human blood is in the blast, | |
And the load cannon stuns the startled ear. | |
Away--away! | |
To view the fray, | |
For us a feast is spread when Man goes forth to slay. | |
Rest--sisters--rest! | |
Here on these blasted pines; and mark beneath | |
How war's red whirlwind shakes earth's crazy breast | |
And cumbers it with agony and death. | |
Toil, soldiers, toil, | |
Through war's turmoil, | |
We Vultures gain the prize--we Vultures share the spoil. | |
* * * * * | |
Not Generally Known. | |
The new three cent stamp smacks of the Revolution; containing, as it | |
does, the portraits of two military heroes of that period. General | |
WASHINGTON will be recognized at once, while in the background can be | |
discerned that brilliant officer--General GREEN. | |
* * * * * | |
Our Future Millionaires. | |
Once let the Celestials get our American way of doing business, and | |
there will be plenty of China ASTORS among us. | |
* * * * * | |
THE POEMS OF THE CRADLE. | |
CANTO II. | |
"Hey! Diddle diddle, the cat and the fiddle | |
The cow jumped over the moon. | |
The little dog laughed to see the sport, | |
And the dish ran after the spoon." | |
These were the classic expressions of the hilarious poet of a period far | |
back in the vista of ages. How vividly they portray the exalted state of | |
his mind; and how impressed the public must have been at the time; for | |
did not the words become popular immediately, and have they not so | |
continued to the present day? | |
Every mother immediately seized upon the verse, and, setting it to music | |
of her own, sang it as a cradle song to soothe the troubles of | |
infanthood, and repeated it in great glee to the intelligent babe when | |
in a crowing mood, as the poem most fitted for the infant's brain to | |
comprehend. | |
Papa, anxious to watch the unfolding of the human mind, and its gradual | |
development, would take the baby-prodigy in his arms, and with keen | |
glance directed upon its face, repeat, in thrilling tones, the sublime | |
words. With what joy would he remark and comment upon any gleam of | |
intelligence, and again and again would he recite, in an impressive | |
voice, those words so calculated to aid in bringing into blossom the bud | |
of promise. | |
But who can meditate upon the memorable stanzas, and not see, in fancy, | |
the enthusiastic youth--the lover of melody and of nature--as he enters | |
his dingy room, the ordinary abiding place of poetical geniuses. He | |
sees his beloved fiddle, and his no less beloved feline friend, in | |
loving conjunction; he bursts out rapturously with impetuous joy: | |
"Hey! diddle diddle, the cat and the fiddle!" | |
He sees the two things dearest to his heart, and sees them both at one | |
time! And he must be excused for his sudden night into the regions of | |
classicism. | |
No wonder that he immediately imagines the world to be as full of joy as | |
he himself, and that he thinks | |
"The cow jumped over the moon." | |
Perhaps the sight was a sufficient re-moon-eration to him for his past | |
troubles; and the exhilaration of his spirits caused him to dance, to | |
cut pigeon-wings, and otherwise gaily disport himself; consequently, | |
"The little dog laughed to see the sport," | |
which every intelligent dog would have done, under the circumstances. | |
Certainly, dear reader, you would have done so yourself. | |
The hilariousness of the poet increasing, and his joyfulness expanding, | |
his manifestations did not confine themselves to simple dancing-steps | |
and an occasional pigeon-wing, but, inadvertently perhaps, he introduced | |
the "can-can," and that explains why | |
"The dish ran away with the spoon." | |
For the end of his excited toe came in contact with his only dish and | |
spoon, and propelled them to the other side of the room. As he does not | |
tell us whether the dish remained whole after its escapade, we must | |
conclude that it was broken, and that the dreadful accident caused, | |
immediately, a damp to descend upon his effervescent spirits. | |
In what better way could he give vent to his feelings than in | |
descriptive verse? He could not shed his tears upon the paper and hand | |
them around for inspection, or write a melancholy sonnet on the frailty | |
of crockery, as a relief to his mind. No! he chose the course best | |
fitted to command public attention, as the result proved. He told his | |
tale--its cause and effect--in as few words as possible. Fortunate if | |
other poets would only do the same! | |
* * * * * | |
An Ornithological Con. | |
What bird does General PRIM most resemble? | |
A Kingfisher. | |
* * * * * | |
[Illustration: NOTES ON THE FERRY. | |
MR. CARAMEL, WHO IS OBSERVANT, CONTEMPLATIVE, AND GIVEN TO COMPARISON, | |
ARRIVES AT THE CONCLUSION THAT SOME WOMEN ARE NICER THAN OTHERS.] | |
* * * * * | |
THE MISERIES OF A HANDSOME MAN. | |
Ever since my earliest recollections I have been a victim to | |
circumstances. | |
Beauty, which others desire and try every means to obtain, to me has | |
been a source of untold misery. From my infancy, when ugly women with | |
horrid breaths would stop my nurse in the streets and insist upon | |
kissing me--through my school-days, when the girls would pet me and | |
offer me a share of their nuts and candies, and the boys laugh at me in | |
consequence, and call me "gal-boy," squirt ink upon my face for | |
beauty-spots, and present me with curl-papers and flowers for my | |
hair--until the present, when I am denied introductions to young ladies | |
and am put off on old women--I have suffered for my looks. | |
In my boarding-house I am shunned as if I had the plague. When I enter | |
the parlor or dining-room, I see the ladies look at each other with a | |
knowing air, as much as to say, "Look at him!" And the answer is | |
telegraphed back, "Ain't he handsome? but he knows it," as if I could | |
help knowing it with every one telling me so fifty times a day; and | |
husbands pay unusual attention to their wives when I am around, as if I | |
were an ogre. | |
I am naturally a modest man, made more so by my extreme sensitiveness to | |
personal criticism; and to be obliged to stand apparently unconscious, | |
when I know I am being looked at and commented upon, is harrowing to my | |
feelings. I feel sometimes as if I should drop down on the floor, but | |
then folks would never stop laughing if I did, at what they would be | |
pleased to term my extreme ladylikeness! I have actually prayed that I | |
might get the small-pox, and once walked through the small-pox hospital | |
for that purpose, but escaped unharmed. | |
I suppose I must have been vaccinated. In fact, I know I have been, for | |
how often have I looked at the scar on my arm, and wished it had been on | |
my cheek, or at the end of my nose, or, in fact, on any place where it | |
might be considered a blemish. | |
When I was a child I came near killing myself one night by going to bed | |
with two large bottle-corks thrust into my nostrils, to make them large, | |
like other boys'; and have made my mouth sore by stretching it with my | |
fingers, or forcing melon-rinds into it, to enlarge it. But it was | |
useless; perhaps the mouth might be sore for a couple of days, but its | |
shape remained unaltered. | |
Now that I am a man, I am as unfortunate as ever. My hair _will_ curl, | |
even when shaved within half-an-inch of the scalp; my moustache will | |
stay jet-black, although I sometimes wax the ends of it with soap, and | |
walk on the sunny side of Broadway; my teeth are perfect, and I never | |
need a dentist; and my hands are shameful for a man,--so all my | |
old-maid-aunts and bachelor-uncles say. | |
My affections have been trifled with several times, "because," as they | |
said, "when they had drawn me to the proposing point, I was too handsome | |
to be good for anything as a husband--I did very well for a beau." | |
Goodness! is it only ugly men that can marry? I want to marry and settle | |
down; for I am so slighted in society that I look with envy upon homely | |
or mis-shapen men. | |
But who will have me? I put it to you, my friend, if it isn't a hard | |
case. I want an intelligent and agreeable wife, and one that comes of a | |
respectable family. I don't think I am asking too much, but it seems | |
fate has determined such a one I can never have! I have either to remain | |
single, or take one that is "ignorant and vulgar." That, of course, | |
would be as much remarked upon as my appearance, so it cannot be thought | |
of. | |
I want to escape observation and criticism. I think strongly of | |
emigrating to the Rocky Mountains, donning a rough garb, and digging for | |
gold, in the hope of getting round-shouldered; or hiring myself out as a | |
wood-chopper, in anticipation of a chip flying up and taking off part of | |
my obnoxious nose. | |
If there were no women around, I might escape notice out there. But if | |
one happened to come along, I should be obliged to leave, for her eyes | |
would ferret out my unfortunate peculiarities, and all my wounds would | |
be opened afresh. Sometimes I think there is no spot on the globe where | |
I would be welcomed; and I feel inclined to commit some desperate deed, | |
that I may be arrested and confined out of the sight of man and | |
woman-kind, until I am aged and bent enough to be presentable. | |
* * * * * | |
OUR PORTFOLIO. | |
Passing down Chatham street the other day, PUNCHINELLO stopped in front | |
of a window where hung a highly-colored engraving of an Austrian | |
sovereign engaged in the Easter ceremony of washing the feet of twelve | |
old men and women. | |
An Irishman at our side, who had been puzzling some time to comprehend | |
the problem thus submitted to him, finally broke out: | |
"An' may I ax ye, misther, to be koind enough to exshplain phat in the | |
wurruld that owld roosther's doin'?" pointing to the figure of the | |
kneeling monarch. | |
"He is washing the feet of the ladies and gentlemen," mildly put in | |
PUNCHINELLO. | |
"Bedad," says PAT, "don't I see that for meself; but phatis he doin' it | |
for?" | |
"It is a ceremony of the Catholic Church," PUNCHINELLO explained, | |
"typical of the washing of the feet of the Twelve Apostles." | |
PAT eyed PUNCHINELLO askance with an expression which plainly enough | |
said that he did not believe we had been reared to tell the truth | |
strictly upon all occasions, and then added: | |
"Bad cess to your manners, then, don't I know betther nor that; for | |
haven't I been in the church these forty years, and sorrow a sowl ever | |
washed _me_ feet!" | |
* * * * * | |
[Illustration: THE SITUATION IN EUROPE. | |
INTO "BIZ" LOUIS NAP HE IS GOING, | |
TO PAY OFF THE DEBTS THAT HE'S OWING; | |
DETERMINED THAT HE WILL MAKE _his_ MARK, | |
BY TAKING THE CHANGE OUT OF BISMARCK.] | |
* * * * * | |
FROM AN ANXIOUS MOTHER TO HER DAUGHTER. | |
[Who is at a Watering Place.] | |
NEW YORK, July 12, 1870. | |
MY DEAR DAUGHTER: How are you getting on, dear? Well, I hope, for you | |
know I _do_ want to get you off, desperately. Thirty-seven, and still on | |
my hands! Mr. GUSHER, of the Four-hundred-and-thirty-ninth Avenue, goes | |
down next Saturday. He will hunt you up. Mr. GUSHER is a nice man--so | |
sympathetic and kind; and has such a lovely moustache. Besides, my dear | |
SOPHY, he has oceans of stamps. Quite true, my child, he hasn't much of | |
anything else, but girls at thirty-seven must not have too sharp eyes, | |
nor see too much. Do, dear, try and fix him if you can. Put all your | |
little artifices into effect. Walk, if possible, by moonlight, and | |
alone; that is, with him. Talk, as you know you can, of the sweets of | |
love and the delights of home. Dwell on the felicities of love in a | |
cottage, and if he doesn't see it, dilate on the article in a | |
brown-stone front, with marble steps. Picture to him in the most glowing | |
terms the joys of the fireside, with fond you by his side. If he hints | |
that a fireside in July is slightly tepid, thoughtfully suggest that it | |
is merely a figure of speech, and introduce an episode of cream to cool | |
it. Quote vehemently from TENNYSON, and LONGFELLOW, and Mrs. BROWNING. | |
Bring the artillery of your eyes to bear squarely on the mark. Remember | |
that thirty-seven years and an anxious mother are steadily looking down | |
upon you. | |
Cut SMIRCH. SMIRCH is a worthless fellow. Would you believe it? his | |
father makes boot-pegs for a living. The house of WIGGINS cannot consort | |
with the son of one who pegs along in life in this manner! Never. Banish | |
SMIRCH. Don't let SMIRCH even look at your footprints on the beach. | |
Then there is Mr. BLUSTER. What is he? Who? Impertinent puppy! Pretended | |
to own a corner-house on the Twenty-fifth Avenue, and wanted to know how | |
_I_ should like it? Like it? I should like to see him in Sing-Sing! _He_ | |
own a house?--a brass foundry more like, and that in his face! Keep a | |
sharp eye on BLUSTER and his blarney. He's what our neighbor GINGER | |
calls a "beat," whatever that is--a squash, no doubt. | |
Don't spare any pains, my dear, for a market. I was only twenty-six when | |
I married the late lamented Mr. WIGGINS. And a dear good man he | |
was--only I wish he had paid his bills at the corner groceries. How he | |
_did_ love, my dear--that favorite demijohn in the corner! And then when | |
he came home at night with such a smile--he'd been taking them all day. | |
Don't fail to catch somebody. GUSHER, depend, is the man. Money is | |
everything. Never mind what he hasn't got just under the hat. It is the | |
pocket you must aim at. What is life and society--what New York--without | |
money? Say you love him to distraction. Declare your existence is bound | |
up in his. (Greenback binding.) Throw yourself at his feet at the | |
opportune moment, and victory must be yours. Impale him at all hazards. | |
Remember you are thirty-seven and well on in life. Your own loving | |
MARIA ANASTASIA WIGGINS. | |
* * * * * | |
THE PUMP. | |
An Old Story with a Modern Application. | |
Like rifts of sunshine, her tresses | |
Waved over her shoulders bare, | |
And she flitted as light o'er the meadows, | |
As an angel in the air. | |
"O maid of the country, rest thee | |
This village pump beside, | |
And here thou shalt fill thy pitcher, | |
Like REBECCA, the well beside!" | |
But a voice from yonder window | |
Through my shuddering senses ran, | |
And these were its words: "MARIA-R! | |
MA-RIA-R! don't-mind-that-man!" | |
* * * * * | |
[Illustration: LUCIFERS LITTLE GAME WITH HIS ROYAL PUPPETS.] | |
* * * * * | |
HIRAM GREEN'S EXPERIENCE AS AN EDITOR. | |
Lively Times in the Editorial Sanctum.--The "Lait Gustise" handled | |
Roughly. | |
"Whooray! Whooray!" I exclaimed, rushin' into the kitchen door, one | |
mornin' last spring, and addressin' Mrs. GREEN. "I've been invited to | |
edit the _Skeensboro Fish Horn_. Fame, madam, awaits your talented | |
pardner." | |
"Talented Lunkhead, you mean," said this interestin' femail; "you'd look | |
sweet editin' a noose paper. So would H. WARD BEECHER dancin' 'shoo-fly' | |
along with DAN BRYANT. Don't make a fool of yourself if you know | |
anything, HIRAM, and respect your family." | |
The above conversation was the prelude to my first and last experience | |
in editin' a country paper. | |
The editor of the "Fish Horn" went on a pleasure trip, to plant a rich | |
ant who had died and left him some cash. | |
Durin' his absence I run his paper for him. Seatin' my form on top of the | |
nail keg, with shears and paste brush I prepared to show this ere | |
community how to run a noosepaper. | |
I writ the follerin' little squibs and put 'em in my first issue. | |
"If a sertin lite complexion man wouldn't run his hands down into sugar | |
barrels so often, when visitin' grosery stores, it would be money in the | |
pocket of the Skeensboro merchants"-- | |
"Query. Wonder how a farmer in this town, whose name we will not rite, | |
likes burnin' wood from his nabor's wood-pile?"-- | |
"We would advise a sertin toothles old made to leave off paintin' her | |
cheeks, and stop slanderin' her nabors. If she does so, she will be a | |
more interestin' femail to have around."-- | |
"Stop Thief.--If that Deekin, who trades at one of our grocery stores, | |
and helps himself to ten cents worth of tobacker while buyin' one cents | |
worth of pipes, will devide up his custom, it would be doing the square | |
thing by the man who has kept him in tobacker for several years." | |
These articles was like the bustin' of a lot of bombshells in this | |
usually quiet boro. | |
The Deekins called a church meetin', and played a game of old sledge, to | |
see who would call and demand satisfaction for the insult. As they all | |
smoked, they couldn't tell who was hit, as their tobacker bill was small | |
all around. | |
Deekin PERKINS got beat when they come to "saw off." | |
Said this pious man: | |
"If old GREEN don't chaw his words, I'll bust his gizzard." | |
The farmers met at SIMMINSES store. After tryin' on the garment about | |
steelin' wood, it was hard to decide who the coat fit the best, but each | |
one made up his mind to pay off an old grudge and "pitch into the Lait | |
Gustise." | |
All the old mades met together in the village milliner shop, where the | |
Sore-eye-siss society held meetin's once a week, and their false teeth | |
trembled like a rattlesnake's tail, when they read my artickle about old | |
mades. | |
It was finally resolved by this anshient lot of caliker to "stir up old | |
GREEN." | |
Headed by SARY YOUMANS, the crossest old made in the U.S., and all armed | |
with broom-sticks and darnin'-needles, the door of my editorial offis | |
was busted open, and the whole caboodle of wimmen, famishin' for my top | |
hair, entered. | |
They foamed at the mouth like a pack of dissappinted Orpheus--C--Kerrs, | |
as they brandished their wepins over my bald head. | |
"Squire GREEN," sed a maskaline lookin' specimen of time worn caliker, | |
holdin' a copy of the _Fish Horn_ in her bony fingers, "did you rite | |
that 'ere?" | |
"Wall," sed I, feelin' somewhat riled at the sassy crowd, "s'posen I did | |
or didn't, what on it?" | |
"We are goin' to visit the wrath of a down-trodden rase upon your | |
frontispiece, that's what we is, d'ye hear, old Pilgarlick?" said the | |
exasperated 16th Amendmenter, as she brought down her gingham umbrella | |
over my shoulders. | |
At this they all rushed for me. With paste-brush and shears I kept them | |
off, until somebody pushed me over a woman who had got tripped up, when | |
the army of infuriated Amazons piled onto my aged form. | |
This round dident last more'n two minutes, for as soon as they got me | |
down, they all stuck their confounded needles into me, and then left me | |
lookin' more like a porkupine than a human bein'. | |
I hadent more'n had time to pull out a few quarts of needles, before in | |
walks 2 big strappin' farmers. | |
"Old man, we've come for you," said one of 'em. "We'll larn you to | |
slander honest fokes." | |
At this he let fly his rite bute at my cote skirts. | |
I was home-sick, you can jest bet. Then t'other chap let me have it. | |
"Down stairs with him," sed they both, and down I went, pooty lively for | |
an old man. | |
Just as I got to the bottom I lit on a man's head. It was Deekin PERKINS | |
comein' to "bust my gizzard." | |
"Hevings and airth," sed the Deekin as he tumbled over in the entry way. | |
I jumped behind a door, emejutly, and as the farmers proceeded to polish | |
off the Deekin, I was willin' to forgive both of 'em, as the Deekin | |
groaned and yelled. | |
Yes siree! it was soothin' fun for me, to see them farmers welt the | |
Deekin. | |
Steelin' up stairs agin, I was brushin' off my clothes, when in walks | |
EBENEZER. | |
"Sawtel," said he, ceasin' me by the cote coller and shakin' me, "Ile | |
larn you to rite about steelin' sugar; take that--and that," at which he | |
let fly his bute, and down stairs I went agin--Eben urgin' me on with | |
his bute.-- | |
Suffice to say, the whole village called on me that day, and I was | |
kicked down stairs 32 times by the watch.--Hosswhipt by 17 | |
wimmen--besides bein' stuck full of needles by a lot more. | |
I got so used to bein' kicked down stairs, that evry time a man come in | |
the door, I would place my back towards him and sing out: | |
"Kick away, my friend, I'm in the Editorial biziness to-day--to-morrow I | |
go hents--there's rather too much exsitement runnin' a noosepaper, and I | |
shall resine this evenin." | |
When I got home that nite, I looked like an angel carryin' a palm-leaf | |
fan in his hand, and clothed in purple and fine linen. My body was | |
purpler than a huckleberry pie, and my linen was torn into pieces finer | |
than a postage-stamp. | |
"Sarved you rite, you old fool," said Mrs. GREEN, as she stood rubbin' | |
camfire onto me. "In ritin' noosepaper articles, editors orter name | |
their man. A shoe which hain't bilt for anybody in particular, will get | |
onto evrybody in general's foot. When it does, the bilder had better get | |
ready for numerous bootin's, from that self-same shoe." | |
Between you and I, PUNCHINELLO, MARIAH is about 1/2 rite. Too-rally | |
ewers. | |
HIRAM: GREEN, ESQ., | |
_Lait Gustise of the Peece._ | |
* * * * * | |
COMIC ZOOLOGY | |
Order, Cetacea.--The Right (and wrong) Whale. | |
The largest of the Cetacea is the Right whale, of which--so persistently | |
is it hunted down--there will soon be but few Left. Some flippant jokist | |
has remarked that there is no Wrong whale, but this is all Oily Gammon. | |
There is a right and a wrong to everything--not excepting the leviathan | |
of the deep. | |
By the courtesy of the Fisheries, the planting of a harpoon in the | |
vitals of a Right whale gives the planter a pre-emption claim to it. If | |
subsequently appropriated by another party it becomes, so far as that | |
party is concerned, the Wrong whale, and on Trying the case its value | |
may be recovered in a court of law,--with Whaling costs. | |
The sperm whale, or cachalot, (genus _physeter_) is a rare visitor in | |
the higher latitudes. Now and then a solitary specimen is taken in the | |
Northern Atlantic, but the best place to catch a lot is on the Pacific | |
coast. It may be mentioned incidentally, as a curious meteorological | |
coincidence, that Whales and Waterspouts are invariably seen together, | |
and hence it was, (perhaps,) that the long-necked cloud pointed out by | |
HAMLET to POLONIUS, reminded that old Grampus of a Whale. | |
The favorite food of the great marine mammal of the Pacific is the | |
Squid, and as this little creature swarms in the vicinity of Hawaii, the | |
cachalot instinctively goes there at certain seasons to chew its Squid | |
by way of a Sandwich. | |
Although the capture of the whale involves an immense amount of Paying | |
Out before anything can be realized, it has probably always been a | |
lucrative pursuit. The great fish seems, however, to have yielded the | |
greatest Prophet in the days of JONAH. No man since then has enjoyed the | |
same facilities for forming a true estimate of the value of the monster, | |
that were vouchsafed to that singular man. Perhaps during his visit to | |
Nineveh he entertained the Ninnies with a learned lecture on the | |
subject, but if so, it has not turned up to reward the research of | |
modern Archaeologists. LAYARD found the word JONAH inscribed among the | |
ruins of the old Assyrian city, but the name of the ancient mariner was | |
unaccompanied by any mention of the whale. | |
All the whale family, though apparently phlegmatic, are somewhat given | |
to Blowing up, and, when about to die, instead of taking the matter | |
coolly and philosophically, they are always terribly Flurried. In fact, | |
the whale, when in _articulo mortis_, makes a more tremendous rumpus | |
about its latter end than any other animal either of the sea or land. | |
The Right whale, though many people make Light of it, is unquestionably | |
the heaviest of living creatures. Scales never contained anything so | |
ponderous. But while conceding to Leviathan the proud title of Monarch | |
of the Deep, it should be remarked that it has a rival on the land, | |
known as Old King Coal, that completely takes the Shine out of it. | |
* * * * * | |
THE WATERING PLACES. | |
Punchinello's Vacations. | |
At Newport, one cannot fail to perceive a certain atmosphere of blue | |
blood--but it must not be understood, from this expression, that the air | |
is filled with cerulean gore. Mr. P. merely wished to remark that the | |
society at that watering place is very aristocratic. He felt the | |
influence himself, although he staid there only a few days. His | |
aristocratic impulses all came out. Whether they staid out or not | |
remains to be seen. | |
But no matter. He found many of the best people in Newport, and he felt | |
congenial. When a fellow sits at his wine with men like JOHN T. HOFFMAN, | |
and AUGUST BELMONT, and PARAN STEVENS; and takes the air with Mrs. J.F., | |
Jr., behind her delightful four-in-hand, he is apt to feel a little | |
"uppish." If anyone doubts it let him try it. At the Atlantic Hotel they | |
gave Mr. P. the room which had been recently vacated by Gov. PADELFORD. | |
He was glad to hear this. He liked the room a great deal better when he | |
heard that the Governor wasn't there any more. | |
The first walk that he took on the beach proved to him that this was no | |
place for illiterate snobs and shoddyites. Everybody talked of high | |
moral aims, or questions of deep import, (especially the high tariff | |
Congressmen,) and even the little girls who were sitting in the shade, | |
(with big white umbrellas over them to keep the freckles off,) were | |
puzzling their heads over charades and enigmas, instead of running | |
around and making little Frou-Frous of themselves. Mr. P. composed an | |
enigma for a group of these young students. Said he: | |
"My first is a useless expense. | |
My second is a useless expense. | |
My third is a useless expense. | |
My fourth is a useless expense. | |
My fifth is a useless expense. | |
My sixth is a useless expense, | |
and so is my eighth, ninth, tenth, and eleventh, and all the rest | |
of my parts, of which there are three hundred and fifty. | |
My whole is a useless expense, and sits at Washington." | |
The dear little girls were not long in guessing this ingenious enigma | |
and while they were rejoicing over their success, Mr. P. was suddenly | |
addressed by a man who had been standing behind him. Starting | |
little, he turned around and was thus addressed by his unknown | |
listener. | |
"Sir," said that individual, "do I understand you to mean that the | |
Congress of the United States is a useless expense?" | |
"Well, sir," said Mr. P., with a smile, "as it costs a great deal and | |
does very little, I cannot but think it is both useless and expensive." | |
"Then sir," said the other, "you must think the whole institution is a | |
nuisance generally." | |
"You put it very strongly," said Mr. P., "but I fear that you are about | |
right." | |
"Sir!" cried the gentleman, his face beaming with an indescribable | |
expression. "Give me your hand! I am glad to know you. I agree with you | |
exactly. My name is WHITTEMORE." | |
But Mr. P. did not waste all his time in talking to strangers and | |
concocting enigmas. He had come to Newport with a purpose. It was none | |
of the ordinary purposes of watering place visitors. These he could | |
carry out elsewhere. | |
His object in coming here was grand, unusual and romantic. _He came to | |
be rescued by IDA LEWIS!_ | |
It was not easy to devise a plan for this noble design, and it was not | |
until the morning of the second day of his visit, that Mr. P. was ready | |
for the adventure. Then he hired a boat, and set sail, alone, o'er the | |
boundless bosom of the Atlantic. | |
He had not sailed more than a few hours on said boundless bosom, before | |
he turned his prow back towards land,--towards the far-famed Lime Rocks, | |
on which the intrepid heroine dwells. He had thought of being wrecked at | |
night, but fearing that IDA might not be able to find him in the dark, | |
he gave up this idea. His present intention was that Miss LEWIS should | |
believe him to be a lonely mariner from a far distance, tossed by the | |
angry waves upon her rock-bound coast But there was a certain difficulty | |
in the way, which Mr. P. feared would prove fatal to his hopes. | |
The sea was just as smooth as glass! | |
And the wind all died away! | |
There was not enough left to ruffle a squirrel's tail. How absurd the | |
situation! How could he ever be dashed helpless upon the rocks under | |
such circumstances? | |
The tide was setting in, and as he gradually drifted towards the land, | |
he saw the storied rocks, and even perceived Miss IDA, sitting upon a | |
shady prominence, crocheting a tidy. | |
What should he do to attract her attention? How put himself in imminent | |
peril? His anxiety for a time was dreadful, but he thought of a plan. He | |
got out his knife and whittled the mast half through. | |
"Now," thought he, "if my mast and rigging go by the board, she will | |
surely come and rescue me!" | |
But the mast and rigging were as obstinate as outside speculators in | |
Wall street,--they would not go by the board,--and Mr. P. was obliged at | |
last to break down the mast by main force. But the lady heard not the | |
awful crash, and little weened that a fellow-being was out alone on the | |
wild watery waste, in a shipwrecked bark! After waiting for some time, | |
that she might ween this terrible truth, Mr. P, concluded that there was | |
nothing to do but to spring a leak. | |
But he found this difficult. Kick as hard as he might, he could not | |
loosen a bottom board. And he had no auger! The Lime Rocks were getting | |
nearer and nearer. Would he drift safely ashore? | |
"Oh! how can I wreck myself, 'ere it be too late?" he cried, in the | |
agony of his heart. Wild with apprehensions of reaching the land without | |
danger, he sat down and madly whittled a hole in the bottom of the boat, | |
making it, as nearly as possible, such a one as a sword fish would be | |
likely to cut. When he got it done, the water bubbled through it like an | |
oil-well. In fact, Mr. P. was afraid that his vessel would fill up | |
before he was near enough for the maiden on the rocks to hear his | |
heart-rending cries for succor. He could see her plainly now. 'Twas | |
certainly she. He knew her by her photograph--("Twenty-five cents, sir. | |
The American female GRACE DARLING, sir. Likeness warranted, sir.") | |
But she turned not towards him. Confound it! Would she finish that | |
eternal tidy ere she glanced around? | |
The boat was almost full now. It would sink before she saw it! That hole | |
must be stopped until he had drifted near enough to give vent to an | |
agonizing cry for help. | |
Having nothing else convenient, Mr. P. clapped into the hole a lot of | |
manuscripts which he had brought with him for consideration. | |
(Correspondents who may experience apparent neglect will please take | |
notice. It is presumed, of course, that every one who writes anything | |
worth reading, will keep a copy of it.) | |
Now the rocks were comparatively near, and standing up to his knees in | |
water, Mr. P. gave the appropriate heart-rending cry for succor. But in | |
spite of the prevailing calm, he perceived that there was a surf upon | |
the rocks, and a noise of many waters. At the top of his voice Mr. P. | |
again shouted. | |
"Hello, IDA!" | |
But he soon found that he would have to hello longer as well as hello | |
IDA, and he did it. | |
At last she heard him. | |
Dropping her work-basket, she ran to the edge of the rock, and making a | |
trumpet of her hands, called out: | |
"Ahoy there! What's up?" | |
"Me!" answered Mr. P., "but I won't be up very long. Haste to my | |
assistance, oh maiden! ere I sink!" | |
Then she shouted again: | |
"I've got no boat! It's over to MCCURDY's, getting caulked!" | |
No boat! | |
Then indeed did Mr. P. turn pale, and his knees did tremble. | |
But IDA was not to be daunted. Bounding like a chamois o'er the rocks, | |
to her house, she quickly returned with a long coil of rope, and | |
instantly hurled it over the curling breakers with such a strong arm and | |
true aim, that one end of it struck Mr. P. in the face with a crack like | |
that of a giant's whip. | |
He grasped the rope, and that instant his boat sank like a rock! | |
IDA hauled away like a steam-engine, and Mr. P.'s prow (his nose, you | |
know,) cut through the water like a knife, in a straight line for the | |
shore. In front of him he saw a great mass of sharp roots. He shuddered, | |
but over them he went. On, on, he went, nor turned aside for jagged | |
cleft or sharp-edged stone. A ship, loaded with queensware, had been | |
wrecked near shore, and through a vast mass of broken plates, and cups, | |
and saucers, Mr. P. went,--straight and swift as an arrow. | |
At last, wet, bleeding, ragged, scratched, and feint, he reached the | |
shore. Said IDA, as she supported him towards her dwelling: "How did you | |
ever come to be wrecked on such a day as this?" | |
Mr. P. hesitated. But with such a noble creature, the truth would surely | |
be the best. He told her all. | |
"Oh!" said he. "Dear girl, 'twas I, myself, who hewed down my mast and | |
scuttled my fair bark. And I did it, maiden fair! that thy brave arm | |
might rescue me from the watery deep, (you know what a good thing it | |
would be for both of us when it got in the papers,) and that on thy | |
hardy bosom I might be borne--" | |
"Born jackass!" interrupted IDA. "I believe that everybody who comes to | |
Newport make fools of themselves about me; but you are certainly the | |
Champion Fool of the Lime Rocks." | |
Mr. P. couldn't deny it. | |
* * * * * | |
Alphabetical. | |
From the insult passed upon Count BENDETTI, at Ems, it appears that the | |
Prussian government does not always mind its P's and Q's. | |
* * * * * | |
A ROSE BY ANY OTHER NAME. | |
A Love Tale. | |
I. | |
"I won't do it--there!" | |
Miss ANGELINA VAVASOUR sat her little fat body down in a chair, slapped | |
her little fat hands upon her little fat knees, swelled her little fat | |
person until she looked like a big gooseberry just ready to burst, and | |
then turned her little fat red face up to Mr. JOHN SMITH, who was | |
standing before her. | |
"I regret," said Mr. J.S., "that you should refuse to be Mrs. JOHN | |
SMITH." (ANGELINA shuddered.) "Might I ask you why?" | |
"No," said she. "Say, my age." | |
"But I don't object to that," said J.S. | |
"Well, I won't," said ANGELINA, "that's all!" | |
J.S. rubbed the fur on his hat the wrong way, pulled up his shirt | |
collar, looked mournfully at the idol of his heart, and departed. | |
Why did she refuse him? Listen! | |
About a thousand or two years ago--well, perhaps we had better not go so | |
far back--anyhow, Miss VAVASOUR had ancestors, and she was proud of | |
them; she had a name, and she gloried in it; she had $100,000, and | |
therefore insisted on keeping her aristocratic name; she had kept it for | |
forty years, and was willing to take a contract for the rest of the job, | |
though she did feel that she needed a man to slide down the hill of time | |
with her, and she was rather fond of SMITH. | |
Mr. JOHN SMITH wanted to marry her for herself alone, though he had made | |
inquiries and knew all about that $100,000. | |
Thus it was. | |
II. | |
"That's all!" Miss VAVASOUR had said. | |
But was it all? She thought it was matrimony; J.S. thought it was matter | |
o' money, and J.S. had a long head--an awfully long head. | |
Mr. JOHN SMITH sat before the grate. His auburn locks, his Roman nose, | |
his little grey eyes, his thin lips, his big ears, and each particular | |
hair of his red whiskers, expressed intense disgust. | |
He was day-dreaming, seeing visions in the fire. There he saw Miss | |
ANGELINA VAVASOUR. Her eyes were ten dollar gold pieces, her nose a | |
little pile of ducats, each cheek seemed swelled out by large quantities | |
of dollars, every tooth in her head was a double-eagle, and her hair was | |
a mass of ingots. He heaved a sigh and took a fresh chew. | |
The tobacco seemed to refresh him; he walked the floor for a while, and | |
then sat in his chair. Suddenly his countenance was irradiated, like a | |
ripening squash at early morn, and he sprang to his feet, crying out, | |
"Eureka! I'll do it." | |
III. | |
Eureka! How? What? Thus. | |
One month afterwards our hero presented himself at the house of Miss | |
VAVASOUR, carrying under his arm a large volume, bound in calf. | |
"Miss VAVASOUR," said he, "I come to repeat my proposition to you. Will | |
you reconsider?" | |
"Sir?" said she. | |
"Things have changed," said our hero. | |
"Changed!" echoed she. "What do you mean, Mr. JOHN SMITH?" | |
"Call me not by that vile cognomen," quoth he. "Look!" and he opened the | |
Session Laws at page 1004. | |
She read: | |
"STATE OF NEW YORK, COUNTY OF BLANK. | |
I, JONATHAN JERUSALEM, Clerk of said County, do hereby certify that the | |
following change of name has been made by the County Court of this | |
County, viz.: | |
JOHN SMITH to AUGUSTUS VAVASOUR. | |
In testimony whereof, I have set my hand and the seal of the County, | |
June 3d, 1870. JONATHAN JERUSALEM, _Clerk_." [L.S.] | |
She fell into his arms, and rested her palpitating head upon his | |
palpitating bosom. He pulled up his shirt-collar, trod on the cat, and | |
gently whispered, "$100,000." | |
MORAL. | |
A word to the wise. Go and do like-wise. LOT. | |
* * * * * | |
Gummy. | |
The following is from a Western paper: | |
"At Council Buffs, Iowa, a woman who don't chew gum is out of style, and | |
gets the cold shoulder." | |
Our comment upon the above is that there must be very little gumshun | |
among the women of Council Bluffs. | |
* * * * * | |
[Illustration: "SUCH IS LIFE." | |
Here you see Tom, Dick, and Harry, as they looked when starting | |
in the morning for a day's fishing. | |
And this is the same party, dejected, bedraggled, and foot-sore | |
wearily making their way homeward after their day's "sport."] | |
* * * * * | |
DOWN THE BAY. | |
Mr. Punchinello: It is just possible that you never went on a fine | |
fishing excursion down the Bay with a party of nice young men. If you | |
never did, don't. I confess it sounds well on paper. But it's a Deceit, | |
a Snare, and a Hollow Mockery. I will narrate. | |
Some days ago I was induced (the Deuce is in it if I ever am again) to | |
participate in a supposed festivity of this nature. In the first place, | |
we (the excursionists,) chartered a yacht, two Hands that knew the | |
Ropes--they looked as if they might have been acquainted with the Rope's | |
End--and a small Octoroon of the male persuasion as waiter. As CHOWLES | |
characteristically observed, (he is a Stock Broker, and was one of the | |
party,) "there is nothing like a feeling of Security." So we engaged a | |
Skipper who was perfectly familiar with the BARINGS of the Banks, and | |
Thoroughly Posted on all Sea 'Changes, at least so CHOWLES expressed it, | |
but then he is apt to be somewhat technical at times. This accomplished | |
mariner was reputed to have been "Round the Horn" several times, which I | |
am led to believe was perfectly true, as he smelt strongly of spirits | |
when he came on board. I was much discouraged at the appearance of this | |
Skipper, and had half a mind to give my friends the Slip when I saw him | |
on the Wharf. | |
Having manned our craft, we purchased a colossal refrigerator in which | |
to put our Bass and Weak Fish, laid in a stock of cold provisions--among | |
other things a Cold Shoulder--plenty of exhilarating beverages, and, | |
with Buoyant Spirits, (every Man of us,) and plenty of ice on board, | |
started on the slack of the Morning Tide. I regret to state that by the | |
time we were ready to start our Skipper was half way "Over the Bay," | |
being provided with a pocket pistol charged to the muzzle. He and his | |
two subordinates were pretty well "Shot in the neck" by the time we | |
reached Fort Lafoyette. The consequence of this was that we no sooner | |
came Abreast of the reef in that locality than we got Afoul of it. For | |
getting Afoul of the Rocks we had to Fork over twenty dollars to the | |
captain of a tug boat which came and Snaked us off with a Coil of Rope | |
when the tide rose. | |
During the time we remained stationary, the Bottle, I am sorry to say, | |
kept going Round. All the excursionists except myself got half seas | |
over, and when we resumed our voyage the steersman had fallen asleep, so | |
the vessel left a Wake behind her which was extremely crooked. | |
We anchored that night outside Sandy Hook, and next morning cast our | |
lines overboard, and commenced fishing. Our success in that Line was | |
astounding, not to say embarrassing. We commenced to take Fish on an | |
unparalleled Scale. Dog Fish and Stingarees were hauled over the side | |
without intermission. The former is a kind of small shark. As they will | |
Swallow anything, we Took them In very fast Although extremely | |
voracious, they are so simple that if it were not for their size they | |
would fell an easy prey to the Sea Gull, which, in spite of its name, is | |
a very Wide Awake bird. Stingarees are fish of much more | |
Penetration--their sharp tails slashing everything that comes in their | |
way. These natural weapons, which have been furnished them by Providence | |
as a means of defence in their Extremity, cut through a fellow's | |
trousers like paper. The interesting creatures cut up so that we kindly | |
consigned them, together with the dog fish, to their native element, | |
having first benevolently knocked them on the head. Changing our | |
location for a change of luck, we captured a superb mess of sea robins | |
and toad fish. This satisfied us. So we pulled up anchor, not Hankering | |
for any more such sport, and left the Hook, very glad to Hook It. We | |
didn't have any of our toadies or robbins cooked, as those "spoils of | |
ocean," although interesting as marine curiosities, are not considered | |
good to eat, but each man had a Broil, as the Sun was very hot, and as | |
CHOWLES remarked, "brought out the Gravy." That night we turned in, | |
having been turned inside out all day. Next morning we reached home. The | |
skipper presented his Bill in the course of the day. Although extremely | |
exorbitant, we paid it without a murmur, being too much exhausted from | |
casting up accounts ourselves, to bring him to Book for his misconduct. | |
Such is the sad experience of | |
Yours Reverentially, | |
CHINCAPEN. | |
* * * * * | |
The Pillar of Salt (Lake.) | |
Lot's (of) Wife. | |
+--------------------------------------------------------------+ | |
| | | |
| A. T. Stewart & Co. | | |
| | | |
| Are offering novelties in | | |
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+--------------------------------------------------------------+ | |
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| ILLUSTRATED HUMOROUS AND SATIRICAL | | |
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| The New Burlesque Serial, | | |
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| Written expressly for PUNCHINELLO, | | |
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| BY | | |
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| ORPHEUS C. KERR, | | |
| | | |
| Commenced in No. 11, will be continued weekly throughout the | | |
| year. | | |
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| A sketch of the eminent author, written by his bosom friend, | | |
| with superb illustrations of | | |
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| 1ST. THE AUTHOR'S PALATIAL RESIDENCE AT BEGAD'S HILL, | | |
| TICKNOR'S FIELDS, NEW JERSEY | | |
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| 2D. THE AUTHOR AT THE DOOR OF SAID PALATIAL RESIDENCE, taken | | |
| as he appears "Every Saturday, will also be found in the | | |
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| Address, | | |
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| PUNCHINELLO PUBLISHING COMPANY, | | |
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| 83 Nassau St., New York. | | |
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| P.O. Box 2783. | | |
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+--------------------------------------------------------------+ | |
End of the Project Gutenberg EBook of Punchinello, Vol. 1, No. 19, August 6, | |
1870, by Various | |
*** |