Split (1)

train · 23.2k rows

segment_id string	segment_index int64	song_id string	track_number int64	track_description string	track_group string	track_player string	source_audio_file string	segment_audio_file string	midi_file string	start_seconds float64	end_seconds float64	duration_seconds float64	has_audio bool	has_midi bool	lyric_text string	structure_section string	segment_type string	original_start_seconds float64	original_end_seconds float64	has_structure_adjustments bool	structure_adjustments string	is_sub_segment bool	sub_segment_info string	lrc_line_number float64	lyric_char_count uint32	lyric_word_count uint32	end_adjustment_seconds float64	content_type string	manifest_track_key string	bpm int64	tempo_numerator float64	tempo_denominator float64	key_signature_note string	key_signature_mode string	rainbow_color string	rainbow_color_temporal_mode string	rainbow_color_objectional_mode string	rainbow_color_ontological_mode string	transmigrational_mode string	title string	release_date string	total_running_time string	vocals bool	lyrics bool	lrc_lyrics string	sounds_like string	mood string	genres string	lrc_file string	concept string	training_data dict	song_structure string	midi_group_file string
01_01_seg_0031_track_12	30	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0031_track_12.wav	null	144.143	148.124	3.981	true	false	the conjurer’s thread grows bare	Chorus 2	combined	144.143	148.124	false		false	null	63	32	5	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0031_track_13	30	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0031_track_13.wav	null	144.143	148.124	3.981	true	false	the conjurer’s thread grows bare	Chorus 2	combined	144.143	148.124	false		false	null	63	32	5	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0031_track_14	30	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0031_track_14.wav	null	144.143	148.124	3.981	true	false	the conjurer’s thread grows bare	Chorus 2	combined	144.143	148.124	false		false	null	63	32	5	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0031_track_15	30	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0031_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	144.143	148.124	3.981	true	true	the conjurer’s thread grows bare	Chorus 2	combined	144.143	148.124	false		false	null	63	32	5	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0031_track_16	30	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0031_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	144.143	148.124	3.981	true	true	the conjurer’s thread grows bare	Chorus 2	combined	144.143	148.124	false		false	null	63	32	5	0	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0031_track_17	30	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0031_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	144.143	148.124	3.981	true	true	the conjurer’s thread grows bare	Chorus 2	combined	144.143	148.124	false		false	null	63	32	5	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0031_track_18	30	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0031_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	144.143	148.124	3.981	true	true	the conjurer’s thread grows bare	Chorus 2	combined	144.143	148.124	false		false	null	63	32	5	0	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0031_track_19	30	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0031_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	144.143	148.124	3.981	true	true	the conjurer’s thread grows bare	Chorus 2	combined	144.143	148.124	false		false	null	63	32	5	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0031_track_20	30	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0031_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	144.143	148.124	3.981	true	true	the conjurer’s thread grows bare	Chorus 2	combined	144.143	148.124	false		false	null	63	32	5	0	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0031_track_21	30	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0031_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	144.143	148.124	3.981	true	true	the conjurer’s thread grows bare	Chorus 2	combined	144.143	148.124	false		false	null	63	32	5	0	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0031_track_22	30	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0031_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	144.143	148.124	3.981	false	true	the conjurer’s thread grows bare	Chorus 2	combined	144.143	148.124	false		false	null	63	32	5	0	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0032_track_01	31	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_01.wav	null	148.124	152.031	3.907	true	false	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0032_track_03	31	01_01	3	backing vocal, mostly on chorus, with slap delay	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_03.wav	null	148.124	152.031	3.907	true	false	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_only	01_01_3	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0032_track_06	31	01_01	6	Alchemy synth bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid	148.124	152.031	3.907	true	false	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_only	01_01_6	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0032_track_07	31	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	148.124	152.031	3.907	true	false	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0032_track_10	31	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	148.124	152.031	3.907	true	false	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0032_track_11	31	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	148.124	152.031	3.907	true	false	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0032_track_12	31	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_12.wav	null	148.124	152.031	3.907	true	false	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0032_track_13	31	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_13.wav	null	148.124	152.031	3.907	true	false	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0032_track_14	31	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_14.wav	null	148.124	152.031	3.907	true	false	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0032_track_15	31	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	148.124	152.031	3.907	true	true	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0032_track_16	31	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	148.124	152.031	3.907	true	true	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0032_track_17	31	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	148.124	152.031	3.907	true	true	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0032_track_18	31	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	148.124	152.031	3.907	true	true	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0032_track_19	31	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	148.124	152.031	3.907	true	true	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0032_track_20	31	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	148.124	152.031	3.907	true	true	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0032_track_21	31	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	148.124	152.031	3.907	true	true	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0032_track_22	31	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0032_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	148.124	152.031	3.907	false	true	Call for the understudy	Chorus 2	combined	148.124	152.031	false		false	null	65	23	4	0	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0033_track_01	32	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_01.wav	null	152.031	155.155	3.124	true	false	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0033_track_06	32	01_01	6	Alchemy synth bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid	152.031	155.155	3.124	true	false	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	audio_only	01_01_6	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0033_track_07	32	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	152.031	155.155	3.124	true	false	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0033_track_10	32	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	152.031	155.155	3.124	true	false	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0033_track_11	32	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	152.031	155.155	3.124	true	false	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0033_track_12	32	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_12.wav	null	152.031	155.155	3.124	true	false	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0033_track_13	32	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_13.wav	null	152.031	155.155	3.124	true	false	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0033_track_14	32	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_14.wav	null	152.031	155.155	3.124	true	false	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0033_track_15	32	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	152.031	155.155	3.124	true	true	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0033_track_16	32	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	152.031	155.155	3.124	true	true	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0033_track_17	32	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	152.031	155.155	3.124	true	true	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0033_track_18	32	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	152.031	155.155	3.124	false	true	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	midi_only	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0033_track_19	32	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	152.031	155.155	3.124	true	true	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0033_track_20	32	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	152.031	155.155	3.124	true	true	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0033_track_21	32	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	152.031	155.155	3.124	true	true	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0033_track_22	32	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0033_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	152.031	155.155	3.124	false	true	Have you seen him anywhere?	Chorus 2	combined	152.031	155.155	false		false	null	67	27	5	0	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0034_track_01	33	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_01.wav	null	155.155	159.014	3.859	true	false	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0034_track_03	33	01_01	3	backing vocal, mostly on chorus, with slap delay	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_03.wav	null	155.155	159.014	3.859	true	false	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_only	01_01_3	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0034_track_06	33	01_01	6	Alchemy synth bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid	155.155	159.014	3.859	true	false	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_only	01_01_6	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0034_track_07	33	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	155.155	159.014	3.859	true	false	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0034_track_09	33	01_01	9	Strangely effected Biotron string and mandolin sounding synth. Note this sound may contribute to the unexplained ghost overtone	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_biotron.mid	155.155	159.014	3.859	true	false	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_only	01_01_9	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0034_track_10	33	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	155.155	159.014	3.859	true	false	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0034_track_11	33	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	155.155	159.014	3.859	true	false	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0034_track_12	33	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_12.wav	null	155.155	159.014	3.859	true	false	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0034_track_13	33	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_13.wav	null	155.155	159.014	3.859	true	false	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0034_track_14	33	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_14.wav	null	155.155	159.014	3.859	true	false	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0034_track_15	33	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	155.155	159.014	3.859	true	true	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0034_track_16	33	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	155.155	159.014	3.859	true	true	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0034_track_17	33	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	155.155	159.014	3.859	true	true	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0034_track_18	33	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	155.155	159.014	3.859	true	true	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0034_track_19	33	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	155.155	159.014	3.859	true	true	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0034_track_20	33	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	155.155	159.014	3.859	true	true	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0034_track_21	33	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	155.155	159.014	3.859	true	true	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0034_track_22	33	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0034_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	155.155	159.014	3.859	false	true	At the house’s mercy	Chorus 2	combined	155.155	159.014	false		false	null	69	20	4	0	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0035_track_01	34	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_01.wav	null	159.014	162.164	3.15	true	false	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0035_track_06	34	01_01	6	Alchemy synth bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid	159.014	162.164	3.15	true	false	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_only	01_01_6	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0035_track_07	34	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	159.014	162.164	3.15	true	false	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0035_track_09	34	01_01	9	Strangely effected Biotron string and mandolin sounding synth. Note this sound may contribute to the unexplained ghost overtone	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_biotron.mid	159.014	162.164	3.15	true	false	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_only	01_01_9	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0035_track_10	34	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	159.014	162.164	3.15	true	false	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0035_track_11	34	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	159.014	162.164	3.15	true	false	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0035_track_12	34	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_12.wav	null	159.014	162.164	3.15	true	false	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0035_track_13	34	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_13.wav	null	159.014	162.164	3.15	true	false	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0035_track_14	34	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_14.wav	null	159.014	162.164	3.15	true	false	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0035_track_15	34	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	159.014	162.164	3.15	true	true	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0035_track_16	34	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	159.014	162.164	3.15	true	true	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0035_track_17	34	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	159.014	162.164	3.15	true	true	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0035_track_18	34	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	159.014	162.164	3.15	true	true	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0035_track_19	34	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	159.014	162.164	3.15	true	true	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0035_track_20	34	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	159.014	162.164	3.15	true	true	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0035_track_21	34	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	159.014	162.164	3.15	true	true	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0035_track_22	34	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0035_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	159.014	162.164	3.15	false	true	not one step ahead	Chorus 2	combined	159.014	162.164	false		false	null	71	18	4	0	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0036_track_01	35	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_01.wav	null	162.164	165.171	3.007	true	false	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0036_track_03	35	01_01	3	backing vocal, mostly on chorus, with slap delay	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_03.wav	null	162.164	165.171	3.007	true	false	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_only	01_01_3	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0036_track_06	35	01_01	6	Alchemy synth bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid	162.164	165.171	3.007	true	false	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_only	01_01_6	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0036_track_07	35	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	162.164	165.171	3.007	true	false	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0036_track_09	35	01_01	9	Strangely effected Biotron string and mandolin sounding synth. Note this sound may contribute to the unexplained ghost overtone	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_biotron.mid	162.164	165.171	3.007	true	false	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_only	01_01_9	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0036_track_10	35	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	162.164	165.171	3.007	true	false	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0036_track_11	35	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	162.164	165.171	3.007	true	false	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0036_track_12	35	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_12.wav	null	162.164	165.171	3.007	true	false	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0036_track_13	35	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_13.wav	null	162.164	165.171	3.007	true	false	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0036_track_14	35	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_14.wav	null	162.164	165.171	3.007	true	false	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0036_track_15	35	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	162.164	165.171	3.007	true	true	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0036_track_16	35	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	162.164	165.171	3.007	true	true	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0036_track_17	35	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	162.164	165.171	3.007	true	true	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0036_track_18	35	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	162.164	165.171	3.007	true	true	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0036_track_19	35	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	162.164	165.171	3.007	true	true	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0036_track_20	35	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	162.164	165.171	3.007	true	true	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0036_track_21	35	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	162.164	165.171	3.007	true	true	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0036_track_22	35	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0036_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	162.164	165.171	3.007	false	true	Call for the confederates	Chorus 2	combined	162.164	165.171	false		false	null	73	25	4	0	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0037_track_01	36	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0037_track_01.wav	null	165.171	169.102	3.931	true	false	at least they know they’re misled	Chorus 2	combined	165.171	168.171	true	End aligned to Chorus 2 boundary at 169.102s	false	null	75	33	6	0.931	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0037_track_03	36	01_01	3	backing vocal, mostly on chorus, with slap delay	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0037_track_03.wav	null	165.171	169.102	3.931	true	false	at least they know they’re misled	Chorus 2	combined	165.171	168.171	true	End aligned to Chorus 2 boundary at 169.102s	false	null	75	33	6	0.931	audio_only	01_01_3	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0037_track_06	36	01_01	6	Alchemy synth bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0037_track_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid	165.171	169.102	3.931	true	false	at least they know they’re misled	Chorus 2	combined	165.171	168.171	true	End aligned to Chorus 2 boundary at 169.102s	false	null	75	33	6	0.931	audio_only	01_01_6	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null

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