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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
01_01_seg_0025_track_17 | 24 | 01_01 | 17 | leaky noise gate may get other drum sounds | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 123.213 | 127.013 | 3.8 | true | true | What did they stay for? | Verse 4 | combined | 123.213 | 127.217 | true | End aligned to Verse 4 boundary at 127.013s | false | null | 51 | 23 | 5 | 0 | -0.204 | audio_midi | 01_01_17 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
01_01_seg_0025_track_18 | 24 | 01_01 | 18 | not a great mic placement but adds character to kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 123.213 | 127.013 | 3.8 | true | true | What did they stay for? | Verse 4 | combined | 123.213 | 127.217 | true | End aligned to Verse 4 boundary at 127.013s | false | null | 51 | 23 | 5 | 0 | -0.204 | audio_midi | 01_01_18 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
01_01_seg_0025_track_19 | 24 | 01_01 | 19 | ungated mic over hi-hat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 123.213 | 127.013 | 3.8 | true | true | What did they stay for? | Verse 4 | combined | 123.213 | 127.217 | true | End aligned to Verse 4 boundary at 127.013s | false | null | 51 | 23 | 5 | 0 | -0.204 | audio_midi | 01_01_19 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
01_01_seg_0025_track_20 | 24 | 01_01 | 20 | gated with loose snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 123.213 | 127.013 | 3.8 | true | true | What did they stay for? | Verse 4 | combined | 123.213 | 127.217 | true | End aligned to Verse 4 boundary at 127.013s | false | null | 51 | 23 | 5 | 0 | -0.204 | audio_midi | 01_01_20 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
01_01_seg_0025_track_21 | 24 | 01_01 | 21 | gated, but roomy mic picking up multiple hits | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 123.213 | 127.013 | 3.8 | true | true | What did they stay for? | Verse 4 | combined | 123.213 | 127.217 | true | End aligned to Verse 4 boundary at 127.013s | false | null | 51 | 23 | 5 | 0 | -0.204 | audio_midi | 01_01_21 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0025_track_22 | 24 | 01_01 | 22 | big, over-modulated floor tom | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 123.213 | 127.013 | 3.8 | false | true | What did they stay for? | Verse 4 | combined | 123.213 | 127.217 | true | End aligned to Verse 4 boundary at 127.013s | false | null | 51 | 23 | 5 | 0 | -0.204 | midi_only | 01_01_22 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0026_track_01 | 25 | 01_01 | 1 | lead vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0026_track_01.wav | null | 127.013 | 131.076 | 4.063 | true | false | Let them burn through | Verse 5 | combined | 127.217 | 131.076 | true | Start aligned to Verse 4 boundary at 127.013s | false | null | 53 | 21 | 4 | -0.204 | 0 | audio_only | 01_01_1 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0026_track_02 | 25 | 01_01 | 2 | backing vocal, mostly on chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0026_track_02.wav | null | 127.013 | 131.076 | 4.063 | true | false | Let them burn through | Verse 5 | combined | 127.217 | 131.076 | true | Start aligned to Verse 4 boundary at 127.013s | false | null | 53 | 21 | 4 | -0.204 | 0 | audio_only | 01_01_2 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0026_track_12 | 25 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0026_track_12.wav | null | 127.013 | 131.076 | 4.063 | true | false | Let them burn through | Verse 5 | combined | 127.217 | 131.076 | true | Start aligned to Verse 4 boundary at 127.013s | false | null | 53 | 21 | 4 | -0.204 | 0 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0026_track_13 | 25 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0026_track_13.wav | null | 127.013 | 131.076 | 4.063 | true | false | Let them burn through | Verse 5 | combined | 127.217 | 131.076 | true | Start aligned to Verse 4 boundary at 127.013s | false | null | 53 | 21 | 4 | -0.204 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0026_track_14 | 25 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0026_track_14.wav | null | 127.013 | 131.076 | 4.063 | true | false | Let them burn through | Verse 5 | combined | 127.217 | 131.076 | true | Start aligned to Verse 4 boundary at 127.013s | false | null | 53 | 21 | 4 | -0.204 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0026_track_15 | 25 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0026_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 127.013 | 131.076 | 4.063 | true | true | Let them burn through | Verse 5 | combined | 127.217 | 131.076 | true | Start aligned to Verse 4 boundary at 127.013s | false | null | 53 | 21 | 4 | -0.204 | 0 | audio_midi | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0027_track_02 | 26 | 01_01 | 2 | backing vocal, mostly on chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0027_track_02.wav | null | 131.076 | 134.124 | 3.048 | true | false | there’s no trick to undo | Verse 5 | combined | 131.076 | 134.124 | false | false | null | 55 | 24 | 5 | 0 | 0 | audio_only | 01_01_2 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0027_track_07 | 26 | 01_01 | 7 | Wurlitzer style home organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0027_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid | 131.076 | 134.124 | 3.048 | true | false | there’s no trick to undo | Verse 5 | combined | 131.076 | 134.124 | false | false | null | 55 | 24 | 5 | 0 | 0 | audio_only | 01_01_7 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0027_track_10 | 26 | 01_01 | 10 | Galloping sequence synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0027_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid | 131.076 | 134.124 | 3.048 | true | false | there’s no trick to undo | Verse 5 | combined | 131.076 | 134.124 | false | false | null | 55 | 24 | 5 | 0 | 0 | audio_only | 01_01_10 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0027_track_12 | 26 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0027_track_12.wav | null | 131.076 | 134.124 | 3.048 | true | false | there’s no trick to undo | Verse 5 | combined | 131.076 | 134.124 | false | false | null | 55 | 24 | 5 | 0 | 0 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0027_track_13 | 26 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0027_track_13.wav | null | 131.076 | 134.124 | 3.048 | true | false | there’s no trick to undo | Verse 5 | combined | 131.076 | 134.124 | false | false | null | 55 | 24 | 5 | 0 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0027_track_14 | 26 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0027_track_14.wav | null | 131.076 | 134.124 | 3.048 | true | false | there’s no trick to undo | Verse 5 | combined | 131.076 | 134.124 | false | false | null | 55 | 24 | 5 | 0 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0027_track_15 | 26 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0027_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 131.076 | 134.124 | 3.048 | true | true | there’s no trick to undo | Verse 5 | combined | 131.076 | 134.124 | false | false | null | 55 | 24 | 5 | 0 | 0 | audio_midi | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0027_track_16 | 26 | 01_01 | 16 | sizzling ride and crash cymbals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0027_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 131.076 | 134.124 | 3.048 | true | true | there’s no trick to undo | Verse 5 | combined | 131.076 | 134.124 | false | false | null | 55 | 24 | 5 | 0 | 0 | audio_midi | 01_01_16 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0027_track_18 | 26 | 01_01 | 18 | not a great mic placement but adds character to kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0027_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 131.076 | 134.124 | 3.048 | true | true | there’s no trick to undo | Verse 5 | combined | 131.076 | 134.124 | false | false | null | 55 | 24 | 5 | 0 | 0 | audio_midi | 01_01_18 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0027_track_20 | 26 | 01_01 | 20 | gated with loose snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0027_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 131.076 | 134.124 | 3.048 | true | true | there’s no trick to undo | Verse 5 | combined | 131.076 | 134.124 | false | false | null | 55 | 24 | 5 | 0 | 0 | audio_midi | 01_01_20 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0028_track_04 | 27 | 01_01 | 4 | backing vocal, special effect with ring modulation | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0028_track_04.wav | null | 134.124 | 138.02 | 3.896 | true | false | What did they paid for? | Verse 5 | combined | 134.124 | 138.02 | false | false | null | 57 | 23 | 5 | 0 | 0 | audio_only | 01_01_4 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0028_track_05 | 27 | 01_01 | 5 | backing vocal, with notch eq | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0028_track_05.wav | null | 134.124 | 138.02 | 3.896 | true | false | What did they paid for? | Verse 5 | combined | 134.124 | 138.02 | false | false | null | 57 | 23 | 5 | 0 | 0 | audio_only | 01_01_5 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0028_track_07 | 27 | 01_01 | 7 | Wurlitzer style home organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0028_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid | 134.124 | 138.02 | 3.896 | true | false | What did they paid for? | Verse 5 | combined | 134.124 | 138.02 | false | false | null | 57 | 23 | 5 | 0 | 0 | audio_only | 01_01_7 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0028_track_13 | 27 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0028_track_13.wav | null | 134.124 | 138.02 | 3.896 | true | false | What did they paid for? | Verse 5 | combined | 134.124 | 138.02 | false | false | null | 57 | 23 | 5 | 0 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0028_track_14 | 27 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0028_track_14.wav | null | 134.124 | 138.02 | 3.896 | true | false | What did they paid for? | Verse 5 | combined | 134.124 | 138.02 | false | false | null | 57 | 23 | 5 | 0 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0028_track_15 | 27 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0028_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 134.124 | 138.02 | 3.896 | true | true | What did they paid for? | Verse 5 | combined | 134.124 | 138.02 | false | false | null | 57 | 23 | 5 | 0 | 0 | audio_midi | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0028_track_16 | 27 | 01_01 | 16 | sizzling ride and crash cymbals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0028_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 134.124 | 138.02 | 3.896 | true | true | What did they paid for? | Verse 5 | combined | 134.124 | 138.02 | false | false | null | 57 | 23 | 5 | 0 | 0 | audio_midi | 01_01_16 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0028_track_17 | 27 | 01_01 | 17 | leaky noise gate may get other drum sounds | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0028_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 134.124 | 138.02 | 3.896 | true | true | What did they paid for? | Verse 5 | combined | 134.124 | 138.02 | false | false | null | 57 | 23 | 5 | 0 | 0 | audio_midi | 01_01_17 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0029_track_03 | 28 | 01_01 | 3 | backing vocal, mostly on chorus, with slap delay | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0029_track_03.wav | null | 138.02 | 141.043 | 3.023 | true | false | What did they stay for? | Verse 5 | combined | 138.02 | 141.144 | true | End aligned to Verse 5 boundary at 141.043s | false | null | 59 | 23 | 5 | 0 | -0.101 | audio_only | 01_01_3 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0029_track_04 | 28 | 01_01 | 4 | backing vocal, special effect with ring modulation | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0029_track_04.wav | null | 138.02 | 141.043 | 3.023 | true | false | What did they stay for? | Verse 5 | combined | 138.02 | 141.144 | true | End aligned to Verse 5 boundary at 141.043s | false | null | 59 | 23 | 5 | 0 | -0.101 | audio_only | 01_01_4 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0029_track_05 | 28 | 01_01 | 5 | backing vocal, with notch eq | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0029_track_05.wav | null | 138.02 | 141.043 | 3.023 | true | false | What did they stay for? | Verse 5 | combined | 138.02 | 141.144 | true | End aligned to Verse 5 boundary at 141.043s | false | null | 59 | 23 | 5 | 0 | -0.101 | audio_only | 01_01_5 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0029_track_12 | 28 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0029_track_12.wav | null | 138.02 | 141.043 | 3.023 | true | false | What did they stay for? | Verse 5 | combined | 138.02 | 141.144 | true | End aligned to Verse 5 boundary at 141.043s | false | null | 59 | 23 | 5 | 0 | -0.101 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0029_track_13 | 28 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0029_track_13.wav | null | 138.02 | 141.043 | 3.023 | true | false | What did they stay for? | Verse 5 | combined | 138.02 | 141.144 | true | End aligned to Verse 5 boundary at 141.043s | false | null | 59 | 23 | 5 | 0 | -0.101 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0029_track_14 | 28 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0029_track_14.wav | null | 138.02 | 141.043 | 3.023 | true | false | What did they stay for? | Verse 5 | combined | 138.02 | 141.144 | true | End aligned to Verse 5 boundary at 141.043s | false | null | 59 | 23 | 5 | 0 | -0.101 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0029_track_15 | 28 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0029_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 138.02 | 141.043 | 3.023 | true | true | What did they stay for? | Verse 5 | combined | 138.02 | 141.144 | true | End aligned to Verse 5 boundary at 141.043s | false | null | 59 | 23 | 5 | 0 | -0.101 | audio_midi | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0029_track_18 | 28 | 01_01 | 18 | not a great mic placement but adds character to kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0029_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 138.02 | 141.043 | 3.023 | true | true | What did they stay for? | Verse 5 | combined | 138.02 | 141.144 | true | End aligned to Verse 5 boundary at 141.043s | false | null | 59 | 23 | 5 | 0 | -0.101 | audio_midi | 01_01_18 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0030_track_03 | 29 | 01_01 | 3 | backing vocal, mostly on chorus, with slap delay | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0030_track_03.wav | null | 141.043 | 144.143 | 3.1 | true | false | At the house’s mercy | Chorus 2 | combined | 141.144 | 144.143 | true | Start aligned to Verse 5 boundary at 141.043s | false | null | 61 | 20 | 4 | -0.101 | 0 | audio_only | 01_01_3 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0030_track_04 | 29 | 01_01 | 4 | backing vocal, special effect with ring modulation | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0030_track_04.wav | null | 141.043 | 144.143 | 3.1 | true | false | At the house’s mercy | Chorus 2 | combined | 141.144 | 144.143 | true | Start aligned to Verse 5 boundary at 141.043s | false | null | 61 | 20 | 4 | -0.101 | 0 | audio_only | 01_01_4 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0030_track_06 | 29 | 01_01 | 6 | Alchemy synth bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0030_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid | 141.043 | 144.143 | 3.1 | true | false | At the house’s mercy | Chorus 2 | combined | 141.144 | 144.143 | true | Start aligned to Verse 5 boundary at 141.043s | false | null | 61 | 20 | 4 | -0.101 | 0 | audio_only | 01_01_6 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0030_track_07 | 29 | 01_01 | 7 | Wurlitzer style home organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0030_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid | 141.043 | 144.143 | 3.1 | true | false | At the house’s mercy | Chorus 2 | combined | 141.144 | 144.143 | true | Start aligned to Verse 5 boundary at 141.043s | false | null | 61 | 20 | 4 | -0.101 | 0 | audio_only | 01_01_7 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0030_track_12 | 29 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0030_track_12.wav | null | 141.043 | 144.143 | 3.1 | true | false | At the house’s mercy | Chorus 2 | combined | 141.144 | 144.143 | true | Start aligned to Verse 5 boundary at 141.043s | false | null | 61 | 20 | 4 | -0.101 | 0 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0030_track_13 | 29 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0030_track_13.wav | null | 141.043 | 144.143 | 3.1 | true | false | At the house’s mercy | Chorus 2 | combined | 141.144 | 144.143 | true | Start aligned to Verse 5 boundary at 141.043s | false | null | 61 | 20 | 4 | -0.101 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0030_track_14 | 29 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0030_track_14.wav | null | 141.043 | 144.143 | 3.1 | true | false | At the house’s mercy | Chorus 2 | combined | 141.144 | 144.143 | true | Start aligned to Verse 5 boundary at 141.043s | false | null | 61 | 20 | 4 | -0.101 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0030_track_15 | 29 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0030_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 141.043 | 144.143 | 3.1 | true | true | At the house’s mercy | Chorus 2 | combined | 141.144 | 144.143 | true | Start aligned to Verse 5 boundary at 141.043s | false | null | 61 | 20 | 4 | -0.101 | 0 | audio_midi | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0030_track_16 | 29 | 01_01 | 16 | sizzling ride and crash cymbals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0030_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 141.043 | 144.143 | 3.1 | true | true | At the house’s mercy | Chorus 2 | combined | 141.144 | 144.143 | true | Start aligned to Verse 5 boundary at 141.043s | false | null | 61 | 20 | 4 | -0.101 | 0 | audio_midi | 01_01_16 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0030_track_17 | 29 | 01_01 | 17 | leaky noise gate may get other drum sounds | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0030_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 141.043 | 144.143 | 3.1 | true | true | At the house’s mercy | Chorus 2 | combined | 141.144 | 144.143 | true | Start aligned to Verse 5 boundary at 141.043s | false | null | 61 | 20 | 4 | -0.101 | 0 | audio_midi | 01_01_17 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0030_track_18 | 29 | 01_01 | 18 | not a great mic placement but adds character to kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0030_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 141.043 | 144.143 | 3.1 | true | true | At the house’s mercy | Chorus 2 | combined | 141.144 | 144.143 | true | Start aligned to Verse 5 boundary at 141.043s | false | null | 61 | 20 | 4 | -0.101 | 0 | audio_midi | 01_01_18 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0030_track_19 | 29 | 01_01 | 19 | ungated mic over hi-hat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0030_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 141.043 | 144.143 | 3.1 | true | true | At the house’s mercy | Chorus 2 | combined | 141.144 | 144.143 | true | Start aligned to Verse 5 boundary at 141.043s | false | null | 61 | 20 | 4 | -0.101 | 0 | audio_midi | 01_01_19 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
01_01_seg_0030_track_20 | 29 | 01_01 | 20 | gated with loose snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0030_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 141.043 | 144.143 | 3.1 | true | true | At the house’s mercy | Chorus 2 | combined | 141.144 | 144.143 | true | Start aligned to Verse 5 boundary at 141.043s | false | null | 61 | 20 | 4 | -0.101 | 0 | audio_midi | 01_01_20 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0031_track_06 | 30 | 01_01 | 6 | Alchemy synth bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0031_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid | 144.143 | 148.124 | 3.981 | true | false | the conjurer’s thread grows bare | Chorus 2 | combined | 144.143 | 148.124 | false | false | null | 63 | 32 | 5 | 0 | 0 | audio_only | 01_01_6 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0031_track_07 | 30 | 01_01 | 7 | Wurlitzer style home organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0031_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid | 144.143 | 148.124 | 3.981 | true | false | the conjurer’s thread grows bare | Chorus 2 | combined | 144.143 | 148.124 | false | false | null | 63 | 32 | 5 | 0 | 0 | audio_only | 01_01_7 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0031_track_10 | 30 | 01_01 | 10 | Galloping sequence synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0031_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid | 144.143 | 148.124 | 3.981 | true | false | the conjurer’s thread grows bare | Chorus 2 | combined | 144.143 | 148.124 | false | false | null | 63 | 32 | 5 | 0 | 0 | audio_only | 01_01_10 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0031_track_11 | 30 | 01_01 | 11 | Pitched and sampled guitar sound | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0031_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid | 144.143 | 148.124 | 3.981 | true | false | the conjurer’s thread grows bare | Chorus 2 | combined | 144.143 | 148.124 | false | false | null | 63 | 32 | 5 | 0 | 0 | audio_only | 01_01_11 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
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