Split (1)

train · 23.2k rows

segment_id string	segment_index int64	song_id string	track_number int64	track_description string	track_group string	track_player string	source_audio_file string	segment_audio_file string	midi_file string	start_seconds float64	end_seconds float64	duration_seconds float64	has_audio bool	has_midi bool	lyric_text string	structure_section string	segment_type string	original_start_seconds float64	original_end_seconds float64	has_structure_adjustments bool	is_sub_segment bool	sub_segment_info string	lrc_line_number float64	lyric_char_count uint32	lyric_word_count uint32	start_adjustment_seconds float64	end_adjustment_seconds float64	content_type string	manifest_track_key string	bpm int64	tempo_numerator float64	tempo_denominator float64	key_signature_note string	key_signature_mode string	rainbow_color string	rainbow_color_temporal_mode string	rainbow_color_objectional_mode string	rainbow_color_ontological_mode string	transmigrational_mode string	title string	release_date string	total_running_time string	vocals bool	lyrics bool	lrc_lyrics string	sounds_like string	mood string	genres string	lrc_file string	concept string	training_data dict	song_structure string	midi_group_file string
01_01_seg_0013_track_16	12	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0013_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	52.016	82.016	30	true	true	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	1/2	29	20	4	0	-6.015	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0013_track_17	12	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0013_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	52.016	82.016	30	true	true	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	1/2	29	20	4	0	-6.015	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0013_track_18	12	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0013_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	52.016	82.016	30	true	true	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	1/2	29	20	4	0	-6.015	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0013_track_19	12	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0013_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	52.016	82.016	30	true	true	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	1/2	29	20	4	0	-6.015	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0013_track_20	12	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0013_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	52.016	82.016	30	true	true	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	1/2	29	20	4	0	-6.015	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0013_track_21	12	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0013_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	52.016	82.016	30	true	true	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	1/2	29	20	4	0	-6.015	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0013_track_22	12	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0013_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	52.016	82.016	30	true	true	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	1/2	29	20	4	0	-6.015	audio_midi	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0014_track_01	13	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_01.wav	null	80.016	88.031	8.015	true	false	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0014_track_03	13	01_01	3	backing vocal, mostly on chorus, with slap delay	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_03.wav	null	80.016	88.031	8.015	true	false	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_only	01_01_3	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0014_track_06	13	01_01	6	Alchemy synth bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid	80.016	88.031	8.015	true	false	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_only	01_01_6	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0014_track_07	13	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	80.016	88.031	8.015	true	false	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0014_track_08	13	01_01	8	Physical modeled synth sound. Note this sound may contribute to the unexplained ghost overtone	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead.mid	80.016	88.031	8.015	true	false	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_only	01_01_8	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0014_track_10	13	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	80.016	88.031	8.015	true	false	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0014_track_11	13	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	80.016	88.031	8.015	true	false	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0014_track_12	13	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_12.wav	null	80.016	88.031	8.015	true	false	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0014_track_13	13	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_13.wav	null	80.016	88.031	8.015	true	false	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0014_track_14	13	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_14.wav	null	80.016	88.031	8.015	true	false	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0014_track_15	13	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	80.016	88.031	8.015	true	true	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0014_track_16	13	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	80.016	88.031	8.015	true	true	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0014_track_17	13	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	80.016	88.031	8.015	true	true	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0014_track_18	13	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	80.016	88.031	8.015	true	true	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0014_track_19	13	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	80.016	88.031	8.015	true	true	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0014_track_20	13	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	80.016	88.031	8.015	true	true	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0014_track_21	13	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	80.016	88.031	8.015	true	true	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0014_track_22	13	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0014_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	80.016	88.031	8.015	true	true	At the house’s mercy	Interlude 1	combined	52.016	88.031	false	true	2/2	29	20	4	28	0	audio_midi	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0015_track_01	14	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_01.wav	null	88.031	92	3.969	true	false	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0015_track_06	14	01_01	6	Alchemy synth bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid	88.031	92	3.969	true	false	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	audio_only	01_01_6	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0015_track_07	14	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	88.031	92	3.969	true	false	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0015_track_10	14	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	88.031	92	3.969	true	false	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0015_track_11	14	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	88.031	92	3.969	true	false	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0015_track_12	14	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_12.wav	null	88.031	92	3.969	true	false	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0015_track_13	14	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_13.wav	null	88.031	92	3.969	true	false	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0015_track_14	14	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_14.wav	null	88.031	92	3.969	true	false	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0015_track_15	14	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	88.031	92	3.969	true	true	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0015_track_16	14	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	88.031	92	3.969	true	true	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0015_track_17	14	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	88.031	92	3.969	true	true	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0015_track_18	14	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	88.031	92	3.969	true	true	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0015_track_19	14	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	88.031	92	3.969	true	true	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0015_track_20	14	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	88.031	92	3.969	true	true	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0015_track_21	14	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	88.031	92	3.969	true	true	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0015_track_22	14	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0015_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	88.031	92	3.969	false	true	the conjurer’s thread grows bare	Chorus 1	combined	88.031	92	false	false	null	31	32	5	0	0	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0016_track_01	15	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_01.wav	null	92	95.124	3.124	true	false	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0016_track_03	15	01_01	3	backing vocal, mostly on chorus, with slap delay	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_03.wav	null	92	95.124	3.124	true	false	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_only	01_01_3	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0016_track_06	15	01_01	6	Alchemy synth bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid	92	95.124	3.124	true	false	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_only	01_01_6	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0016_track_07	15	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	92	95.124	3.124	true	false	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0016_track_10	15	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	92	95.124	3.124	true	false	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0016_track_11	15	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	92	95.124	3.124	true	false	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0016_track_12	15	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_12.wav	null	92	95.124	3.124	true	false	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0016_track_13	15	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_13.wav	null	92	95.124	3.124	true	false	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0016_track_14	15	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_14.wav	null	92	95.124	3.124	true	false	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0016_track_15	15	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	92	95.124	3.124	true	true	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0016_track_16	15	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	92	95.124	3.124	true	true	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0016_track_17	15	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	92	95.124	3.124	true	true	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0016_track_18	15	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	92	95.124	3.124	true	true	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0016_track_19	15	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	92	95.124	3.124	true	true	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0016_track_20	15	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	92	95.124	3.124	true	true	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0016_track_21	15	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	92	95.124	3.124	true	true	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0016_track_22	15	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0016_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	92	95.124	3.124	false	true	Call for the understudy	Chorus 1	combined	92	95.124	false	false	null	33	23	4	0	0	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0017_track_01	16	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_01.wav	null	95.124	99.031	3.907	true	false	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0017_track_06	16	01_01	6	Alchemy synth bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid	95.124	99.031	3.907	true	false	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	audio_only	01_01_6	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0017_track_07	16	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	95.124	99.031	3.907	true	false	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0017_track_10	16	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	95.124	99.031	3.907	true	false	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0017_track_11	16	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	95.124	99.031	3.907	true	false	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0017_track_12	16	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_12.wav	null	95.124	99.031	3.907	true	false	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0017_track_13	16	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_13.wav	null	95.124	99.031	3.907	true	false	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0017_track_14	16	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_14.wav	null	95.124	99.031	3.907	true	false	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0017_track_15	16	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	95.124	99.031	3.907	true	true	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0017_track_16	16	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	95.124	99.031	3.907	true	true	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0017_track_17	16	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	95.124	99.031	3.907	true	true	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0017_track_18	16	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	95.124	99.031	3.907	true	true	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0017_track_19	16	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	95.124	99.031	3.907	true	true	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0017_track_20	16	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	95.124	99.031	3.907	true	true	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0017_track_21	16	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	95.124	99.031	3.907	true	true	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0017_track_22	16	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0017_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	95.124	99.031	3.907	false	true	Have you seen him anywhere?	Chorus 1	combined	95.124	99.031	false	false	null	35	27	5	0	0	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0018_track_01	17	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_01.wav	null	99.031	102.124	3.093	true	false	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0018_track_03	17	01_01	3	backing vocal, mostly on chorus, with slap delay	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_03.wav	null	99.031	102.124	3.093	true	false	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_only	01_01_3	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0018_track_06	17	01_01	6	Alchemy synth bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid	99.031	102.124	3.093	true	false	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_only	01_01_6	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0018_track_07	17	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	99.031	102.124	3.093	true	false	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0018_track_10	17	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	99.031	102.124	3.093	true	false	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0018_track_11	17	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	99.031	102.124	3.093	true	false	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0018_track_12	17	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_12.wav	null	99.031	102.124	3.093	true	false	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0018_track_13	17	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_13.wav	null	99.031	102.124	3.093	true	false	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0018_track_14	17	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_14.wav	null	99.031	102.124	3.093	true	false	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0018_track_15	17	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	99.031	102.124	3.093	true	true	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0018_track_16	17	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	99.031	102.124	3.093	true	true	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0018_track_17	17	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	99.031	102.124	3.093	true	true	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0018_track_18	17	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	99.031	102.124	3.093	true	true	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0018_track_19	17	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	99.031	102.124	3.093	true	true	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0018_track_20	17	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	99.031	102.124	3.093	true	true	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0018_track_21	17	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	99.031	102.124	3.093	true	true	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0018_track_22	17	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0018_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	99.031	102.124	3.093	false	true	At the house’s mercy	Chorus 1	combined	99.031	102.124	false	false	null	37	20	4	0	0	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0019_track_01	18	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_01.wav	null	102.124	106.025	3.901	true	false	not one step ahead	Chorus 1	combined	102.124	106.025	false	false	null	39	18	4	0	0	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0019_track_06	18	01_01	6	Alchemy synth bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid	102.124	106.025	3.901	true	false	not one step ahead	Chorus 1	combined	102.124	106.025	false	false	null	39	18	4	0	0	audio_only	01_01_6	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0019_track_07	18	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	102.124	106.025	3.901	true	false	not one step ahead	Chorus 1	combined	102.124	106.025	false	false	null	39	18	4	0	0	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0019_track_10	18	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	102.124	106.025	3.901	true	false	not one step ahead	Chorus 1	combined	102.124	106.025	false	false	null	39	18	4	0	0	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0019_track_11	18	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	102.124	106.025	3.901	true	false	not one step ahead	Chorus 1	combined	102.124	106.025	false	false	null	39	18	4	0	0	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0019_track_12	18	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_12.wav	null	102.124	106.025	3.901	true	false	not one step ahead	Chorus 1	combined	102.124	106.025	false	false	null	39	18	4	0	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0019_track_13	18	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_13.wav	null	102.124	106.025	3.901	true	false	not one step ahead	Chorus 1	combined	102.124	106.025	false	false	null	39	18	4	0	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0019_track_14	18	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_14.wav	null	102.124	106.025	3.901	true	false	not one step ahead	Chorus 1	combined	102.124	106.025	false	false	null	39	18	4	0	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0019_track_15	18	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	102.124	106.025	3.901	true	true	not one step ahead	Chorus 1	combined	102.124	106.025	false	false	null	39	18	4	0	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid

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