Split (1)

train · 23.2k rows

segment_id string	segment_index int64	song_id string	track_number int64	track_description string	track_group string	track_player string	source_audio_file string	segment_audio_file string	midi_file string	start_seconds float64	end_seconds float64	duration_seconds float64	has_audio bool	has_midi bool	lyric_text string	structure_section string	segment_type string	original_start_seconds float64	original_end_seconds float64	has_structure_adjustments bool	structure_adjustments string	is_sub_segment bool	sub_segment_info string	lrc_line_number float64	lyric_char_count uint32	lyric_word_count uint32	start_adjustment_seconds float64	end_adjustment_seconds float64	content_type string	manifest_track_key string	bpm int64	tempo_numerator float64	tempo_denominator float64	key_signature_note string	key_signature_mode string	rainbow_color string	rainbow_color_temporal_mode string	rainbow_color_objectional_mode string	rainbow_color_ontological_mode string	transmigrational_mode string	title string	release_date string	total_running_time string	vocals bool	lyrics bool	lrc_lyrics string	sounds_like string	mood string	genres string	lrc_file string	concept string	training_data dict	song_structure string	midi_group_file string
01_01_seg_0019_track_16	18	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	102.124	106.025	3.901	true	true	not one step ahead	Chorus 1	combined	102.124	106.025	false		false	null	39	18	4	0	0	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0019_track_17	18	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	102.124	106.025	3.901	true	true	not one step ahead	Chorus 1	combined	102.124	106.025	false		false	null	39	18	4	0	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0019_track_18	18	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	102.124	106.025	3.901	true	true	not one step ahead	Chorus 1	combined	102.124	106.025	false		false	null	39	18	4	0	0	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0019_track_19	18	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	102.124	106.025	3.901	true	true	not one step ahead	Chorus 1	combined	102.124	106.025	false		false	null	39	18	4	0	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0019_track_20	18	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	102.124	106.025	3.901	true	true	not one step ahead	Chorus 1	combined	102.124	106.025	false		false	null	39	18	4	0	0	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0019_track_21	18	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	102.124	106.025	3.901	true	true	not one step ahead	Chorus 1	combined	102.124	106.025	false		false	null	39	18	4	0	0	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0019_track_22	18	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0019_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	102.124	106.025	3.901	false	true	not one step ahead	Chorus 1	combined	102.124	106.025	false		false	null	39	18	4	0	0	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0020_track_01	19	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_01.wav	null	106.025	109.062	3.037	true	false	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0020_track_03	19	01_01	3	backing vocal, mostly on chorus, with slap delay	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_03.wav	null	106.025	109.062	3.037	true	false	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_only	01_01_3	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0020_track_06	19	01_01	6	Alchemy synth bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid	106.025	109.062	3.037	true	false	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_only	01_01_6	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0020_track_07	19	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	106.025	109.062	3.037	true	false	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0020_track_10	19	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	106.025	109.062	3.037	true	false	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0020_track_11	19	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	106.025	109.062	3.037	true	false	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0020_track_12	19	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_12.wav	null	106.025	109.062	3.037	true	false	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0020_track_13	19	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_13.wav	null	106.025	109.062	3.037	true	false	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0020_track_14	19	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_14.wav	null	106.025	109.062	3.037	true	false	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0020_track_15	19	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	106.025	109.062	3.037	true	true	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0020_track_16	19	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	106.025	109.062	3.037	true	true	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0020_track_17	19	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	106.025	109.062	3.037	true	true	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0020_track_18	19	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	106.025	109.062	3.037	true	true	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0020_track_19	19	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	106.025	109.062	3.037	true	true	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0020_track_20	19	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	106.025	109.062	3.037	true	true	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0020_track_21	19	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	106.025	109.062	3.037	true	true	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0020_track_22	19	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0020_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	106.025	109.062	3.037	false	true	Call for the confederates	Chorus 1	combined	106.025	109.062	false		false	null	41	25	4	0	0	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0021_track_01	20	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_01.wav	null	109.062	112.234	3.172	true	false	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0021_track_06	20	01_01	6	Alchemy synth bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid	109.062	112.234	3.172	true	false	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	audio_only	01_01_6	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0021_track_07	20	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	109.062	112.234	3.172	true	false	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0021_track_10	20	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	109.062	112.234	3.172	true	false	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0021_track_11	20	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	109.062	112.234	3.172	true	false	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0021_track_12	20	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_12.wav	null	109.062	112.234	3.172	true	false	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0021_track_13	20	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_13.wav	null	109.062	112.234	3.172	true	false	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0021_track_14	20	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_14.wav	null	109.062	112.234	3.172	true	false	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0021_track_15	20	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	109.062	112.234	3.172	true	true	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0021_track_16	20	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	109.062	112.234	3.172	true	true	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0021_track_17	20	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	109.062	112.234	3.172	true	true	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0021_track_18	20	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	109.062	112.234	3.172	true	true	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0021_track_19	20	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	109.062	112.234	3.172	true	true	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0021_track_20	20	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	109.062	112.234	3.172	true	true	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0021_track_21	20	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	109.062	112.234	3.172	true	true	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0021_track_22	20	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0021_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	109.062	112.234	3.172	false	true	at least they know they’re misled	Chorus 1	combined	109.062	113.176	true	End aligned to Chorus 1 boundary at 112.234s	false	null	43	33	6	0	-0.942	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0022_track_01	21	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_01.wav	null	112.234	116.217	3.983	true	false	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0022_track_06	21	01_01	6	Alchemy synth bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid	112.234	116.217	3.983	true	false	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	audio_only	01_01_6	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0022_track_07	21	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	112.234	116.217	3.983	true	false	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0022_track_10	21	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	112.234	116.217	3.983	true	false	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0022_track_11	21	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	112.234	116.217	3.983	true	false	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0022_track_12	21	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_12.wav	null	112.234	116.217	3.983	true	false	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0022_track_13	21	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_13.wav	null	112.234	116.217	3.983	true	false	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0022_track_14	21	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_14.wav	null	112.234	116.217	3.983	true	false	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0022_track_15	21	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	112.234	116.217	3.983	true	true	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0022_track_16	21	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	112.234	116.217	3.983	true	true	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0022_track_17	21	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	112.234	116.217	3.983	true	true	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0022_track_18	21	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	112.234	116.217	3.983	false	true	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	midi_only	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0022_track_19	21	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	112.234	116.217	3.983	true	true	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0022_track_20	21	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	112.234	116.217	3.983	true	true	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0022_track_21	21	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	112.234	116.217	3.983	true	true	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0022_track_22	21	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0022_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	112.234	116.217	3.983	false	true	Let them stare through	Verse 4	combined	113.176	116.217	true	Start aligned to Chorus 1 boundary at 112.234s	false	null	45	22	4	-0.942	0	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0023_track_01	22	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0023_track_01.wav	null	116.217	120.103	3.886	true	false	no impromptu	Verse 4	combined	116.217	120.103	false		false	null	47	12	2	0	0	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0023_track_07	22	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0023_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	116.217	120.103	3.886	true	false	no impromptu	Verse 4	combined	116.217	120.103	false		false	null	47	12	2	0	0	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0023_track_10	22	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0023_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	116.217	120.103	3.886	true	false	no impromptu	Verse 4	combined	116.217	120.103	false		false	null	47	12	2	0	0	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0023_track_11	22	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0023_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	116.217	120.103	3.886	true	false	no impromptu	Verse 4	combined	116.217	120.103	false		false	null	47	12	2	0	0	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0023_track_12	22	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0023_track_12.wav	null	116.217	120.103	3.886	true	false	no impromptu	Verse 4	combined	116.217	120.103	false		false	null	47	12	2	0	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0023_track_13	22	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0023_track_13.wav	null	116.217	120.103	3.886	true	false	no impromptu	Verse 4	combined	116.217	120.103	false		false	null	47	12	2	0	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0023_track_14	22	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0023_track_14.wav	null	116.217	120.103	3.886	true	false	no impromptu	Verse 4	combined	116.217	120.103	false		false	null	47	12	2	0	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0023_track_15	22	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0023_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	116.217	120.103	3.886	true	true	no impromptu	Verse 4	combined	116.217	120.103	false		false	null	47	12	2	0	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0023_track_16	22	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0023_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	116.217	120.103	3.886	false	true	no impromptu	Verse 4	combined	116.217	120.103	false		false	null	47	12	2	0	0	midi_only	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0023_track_17	22	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0023_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	116.217	120.103	3.886	true	true	no impromptu	Verse 4	combined	116.217	120.103	false		false	null	47	12	2	0	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0023_track_18	22	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0023_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	116.217	120.103	3.886	true	true	no impromptu	Verse 4	combined	116.217	120.103	false		false	null	47	12	2	0	0	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0023_track_19	22	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0023_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	116.217	120.103	3.886	true	true	no impromptu	Verse 4	combined	116.217	120.103	false		false	null	47	12	2	0	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0023_track_20	22	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0023_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	116.217	120.103	3.886	false	true	no impromptu	Verse 4	combined	116.217	120.103	false		false	null	47	12	2	0	0	midi_only	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0023_track_21	22	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0023_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	116.217	120.103	3.886	false	true	no impromptu	Verse 4	combined	116.217	120.103	false		false	null	47	12	2	0	0	midi_only	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0023_track_22	22	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0023_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	116.217	120.103	3.886	false	true	no impromptu	Verse 4	combined	116.217	120.103	false		false	null	47	12	2	0	0	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0024_track_01	23	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_01.wav	null	120.103	123.213	3.11	true	false	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0024_track_03	23	01_01	3	backing vocal, mostly on chorus, with slap delay	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_03.wav	null	120.103	123.213	3.11	true	false	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_only	01_01_3	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0024_track_04	23	01_01	4	backing vocal, special effect with ring modulation	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_05.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_04.wav	null	120.103	123.213	3.11	true	false	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_only	01_01_4	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0024_track_05	23	01_01	5	backing vocal, with notch eq	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_05.wav	null	120.103	123.213	3.11	true	false	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_only	01_01_5	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0024_track_07	23	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	120.103	123.213	3.11	true	false	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0024_track_10	23	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	120.103	123.213	3.11	true	false	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0024_track_11	23	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	120.103	123.213	3.11	true	false	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0024_track_12	23	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_12.wav	null	120.103	123.213	3.11	true	false	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0024_track_13	23	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_13.wav	null	120.103	123.213	3.11	true	false	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0024_track_14	23	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_14.wav	null	120.103	123.213	3.11	true	false	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0024_track_15	23	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	120.103	123.213	3.11	true	true	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0024_track_16	23	01_01	16	sizzling ride and crash cymbals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	120.103	123.213	3.11	true	true	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_midi	01_01_16	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0024_track_17	23	01_01	17	leaky noise gate may get other drum sounds	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	120.103	123.213	3.11	true	true	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_midi	01_01_17	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0024_track_18	23	01_01	18	not a great mic placement but adds character to kick	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_18.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	120.103	123.213	3.11	true	true	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_midi	01_01_18	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0024_track_19	23	01_01	19	ungated mic over hi-hat	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	120.103	123.213	3.11	true	true	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_midi	01_01_19	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0024_track_20	23	01_01	20	gated with loose snare	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_20.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	120.103	123.213	3.11	true	true	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_midi	01_01_20	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0024_track_21	23	01_01	21	gated, but roomy mic picking up multiple hits	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_21.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	120.103	123.213	3.11	true	true	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	audio_midi	01_01_21	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0024_track_22	23	01_01	22	big, over-modulated floor tom	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0024_track_22.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	120.103	123.213	3.11	false	true	What did they paid for?	Verse 4	combined	120.103	123.213	false		false	null	49	23	5	0	0	midi_only	01_01_22	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid
01_01_seg_0025_track_01	24	01_01	1	lead vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_01.wav	null	123.213	127.013	3.8	true	false	What did they stay for?	Verse 4	combined	123.213	127.217	true	End aligned to Verse 4 boundary at 127.013s	false	null	51	23	5	0	-0.204	audio_only	01_01_1	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0025_track_03	24	01_01	3	backing vocal, mostly on chorus, with slap delay	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_03.wav	null	123.213	127.013	3.8	true	false	What did they stay for?	Verse 4	combined	123.213	127.217	true	End aligned to Verse 4 boundary at 127.013s	false	null	51	23	5	0	-0.204	audio_only	01_01_3	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0025_track_04	24	01_01	4	backing vocal, special effect with ring modulation	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_05.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_04.wav	null	123.213	127.013	3.8	true	false	What did they stay for?	Verse 4	combined	123.213	127.217	true	End aligned to Verse 4 boundary at 127.013s	false	null	51	23	5	0	-0.204	audio_only	01_01_4	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0025_track_05	24	01_01	5	backing vocal, with notch eq	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_06.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_05.wav	null	123.213	127.013	3.8	true	false	What did they stay for?	Verse 4	combined	123.213	127.217	true	End aligned to Verse 4 boundary at 127.013s	false	null	51	23	5	0	-0.204	audio_only	01_01_5	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0025_track_07	24	01_01	7	Wurlitzer style home organ	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_07.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid	123.213	127.013	3.8	true	false	What did they stay for?	Verse 4	combined	123.213	127.217	true	End aligned to Verse 4 boundary at 127.013s	false	null	51	23	5	0	-0.204	audio_only	01_01_7	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0025_track_10	24	01_01	10	Galloping sequence synth	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_10.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid	123.213	127.013	3.8	true	false	What did they stay for?	Verse 4	combined	123.213	127.217	true	End aligned to Verse 4 boundary at 127.013s	false	null	51	23	5	0	-0.204	audio_only	01_01_10	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0025_track_11	24	01_01	11	Pitched and sampled guitar sound	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid	123.213	127.013	3.8	true	false	What did they stay for?	Verse 4	combined	123.213	127.217	true	End aligned to Verse 4 boundary at 127.013s	false	null	51	23	5	0	-0.204	audio_only	01_01_11	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0025_track_12	24	01_01	12	heavily spring-reverb electric guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_12.wav	null	123.213	127.013	3.8	true	false	What did they stay for?	Verse 4	combined	123.213	127.217	true	End aligned to Verse 4 boundary at 127.013s	false	null	51	23	5	0	-0.204	audio_only	01_01_12	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0025_track_13	24	01_01	13	electric bass with spring reverb and tape slap	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_13.wav	null	123.213	127.013	3.8	true	false	What did they stay for?	Verse 4	combined	123.213	127.217	true	End aligned to Verse 4 boundary at 127.013s	false	null	51	23	5	0	-0.204	audio_only	01_01_13	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0025_track_14	24	01_01	14	heavily spring-reverb electric baritone guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_14.wav	null	123.213	127.013	3.8	true	false	What did they stay for?	Verse 4	combined	123.213	127.217	true	End aligned to Verse 4 boundary at 127.013s	false	null	51	23	5	0	-0.204	audio_only	01_01_14	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	null
01_01_seg_0025_track_15	24	01_01	15	big, open room mic	drums	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0025_track_15.wav	/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid	123.213	127.013	3.8	true	true	What did they stay for?	Verse 4	combined	123.213	127.217	true	End aligned to Verse 4 boundary at 127.013s	false	null	51	23	5	0	-0.204	audio_midi	01_01_15	136	4	4	A	minor	Black	null	null	null	Objectional ➡️ Temporal ➡️ Ontological	The Conjurer's Thread	2017-07-18T00:00:00	[04:25.999]	true	true	Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled	David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665	dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane	Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock	01_01.lrc	The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.	{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }	Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] \| Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] \| Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] \| Verse 3 : Third verse, [00:42.086]-[00:55.145] \| Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] \| Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] \| Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] \| Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] \| Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] \| Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] \| Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]	01_01_drums.mid

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