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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
01_02_seg_0013_track_16 | 12 | 01_02 | 16 | Toms | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_26_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0013_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_25_toms.mid | 120.065 | 123.22 | 3.155 | true | true | I’m losing track of you. | Verse 2 | combined | 120.065 | 123.22 | false | false | null | 29 | 24 | 5 | 0 | 0 | audio_midi | 01_02_16 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0014_track_03 | 13 | 01_02 | 3 | Clavinet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_07_clav.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0014_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_06_clav.mid | 123.22 | 132.214 | 8.994 | true | true | I can’t hear the words I thought you were asking. In ringing ears a circle grew | Verse 2 | combined | 123.22 | 133.231 | true | End aligned to Chorus 2 boundary at 132.214s | false | null | 31 | 79 | 16 | 0 | -1.017 | audio_midi | 01_02_3 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0014_track_04 | 13 | 01_02 | 4 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_09_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0014_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_08_piano.mid | 123.22 | 132.214 | 8.994 | true | true | I can’t hear the words I thought you were asking. In ringing ears a circle grew | Verse 2 | combined | 123.22 | 133.231 | true | End aligned to Chorus 2 boundary at 132.214s | false | null | 31 | 79 | 16 | 0 | -1.017 | audio_midi | 01_02_4 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0014_track_05 | 13 | 01_02 | 5 | Arp Glide | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_11_arp_glide.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0014_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_10_arp_glide.mid | 123.22 | 132.214 | 8.994 | true | true | I can’t hear the words I thought you were asking. In ringing ears a circle grew | Verse 2 | combined | 123.22 | 133.231 | true | End aligned to Chorus 2 boundary at 132.214s | false | null | 31 | 79 | 16 | 0 | -1.017 | audio_midi | 01_02_5 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0014_track_07 | 13 | 01_02 | 7 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_14_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0014_track_07.wav | null | 123.22 | 132.214 | 8.994 | true | false | I can’t hear the words I thought you were asking. In ringing ears a circle grew | Verse 2 | combined | 123.22 | 133.231 | true | End aligned to Chorus 2 boundary at 132.214s | false | null | 31 | 79 | 16 | 0 | -1.017 | audio_only | 01_02_7 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0014_track_10 | 13 | 01_02 | 10 | Bass Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0014_track_10.wav | null | 123.22 | 132.214 | 8.994 | true | false | I can’t hear the words I thought you were asking. In ringing ears a circle grew | Verse 2 | combined | 123.22 | 133.231 | true | End aligned to Chorus 2 boundary at 132.214s | false | null | 31 | 79 | 16 | 0 | -1.017 | audio_only | 01_02_10 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0014_track_12 | 13 | 01_02 | 12 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_20_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0014_track_12.wav | null | 123.22 | 132.214 | 8.994 | true | false | I can’t hear the words I thought you were asking. In ringing ears a circle grew | Verse 2 | combined | 123.22 | 133.231 | true | End aligned to Chorus 2 boundary at 132.214s | false | null | 31 | 79 | 16 | 0 | -1.017 | audio_only | 01_02_12 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0014_track_16 | 13 | 01_02 | 16 | Toms | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_26_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0014_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_25_toms.mid | 123.22 | 132.214 | 8.994 | true | true | I can’t hear the words I thought you were asking. In ringing ears a circle grew | Verse 2 | combined | 123.22 | 133.231 | true | End aligned to Chorus 2 boundary at 132.214s | false | null | 31 | 79 | 16 | 0 | -1.017 | audio_midi | 01_02_16 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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01_02_seg_0015_track_03 | 14 | 01_02 | 3 | Clavinet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_07_clav.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0015_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_06_clav.mid | 132.214 | 142.091 | 9.877 | true | true | Everyday my symbols tremble | Chorus 2 | combined | 133.231 | 142.091 | true | Start aligned to Chorus 2 boundary at 132.214s | false | null | 33 | 27 | 4 | -1.017 | 0 | audio_midi | 01_02_3 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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01_02_seg_0015_track_04 | 14 | 01_02 | 4 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_09_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0015_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_08_piano.mid | 132.214 | 142.091 | 9.877 | true | true | Everyday my symbols tremble | Chorus 2 | combined | 133.231 | 142.091 | true | Start aligned to Chorus 2 boundary at 132.214s | false | null | 33 | 27 | 4 | -1.017 | 0 | audio_midi | 01_02_4 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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01_02_seg_0015_track_05 | 14 | 01_02 | 5 | Arp Glide | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_11_arp_glide.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0015_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_10_arp_glide.mid | 132.214 | 142.091 | 9.877 | true | true | Everyday my symbols tremble | Chorus 2 | combined | 133.231 | 142.091 | true | Start aligned to Chorus 2 boundary at 132.214s | false | null | 33 | 27 | 4 | -1.017 | 0 | audio_midi | 01_02_5 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0015_track_07 | 14 | 01_02 | 7 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_14_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0015_track_07.wav | null | 132.214 | 142.091 | 9.877 | true | false | Everyday my symbols tremble | Chorus 2 | combined | 133.231 | 142.091 | true | Start aligned to Chorus 2 boundary at 132.214s | false | null | 33 | 27 | 4 | -1.017 | 0 | audio_only | 01_02_7 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0015_track_10 | 14 | 01_02 | 10 | Bass Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0015_track_10.wav | null | 132.214 | 142.091 | 9.877 | true | false | Everyday my symbols tremble | Chorus 2 | combined | 133.231 | 142.091 | true | Start aligned to Chorus 2 boundary at 132.214s | false | null | 33 | 27 | 4 | -1.017 | 0 | audio_only | 01_02_10 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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01_02_seg_0015_track_12 | 14 | 01_02 | 12 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_20_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0015_track_12.wav | null | 132.214 | 142.091 | 9.877 | true | false | Everyday my symbols tremble | Chorus 2 | combined | 133.231 | 142.091 | true | Start aligned to Chorus 2 boundary at 132.214s | false | null | 33 | 27 | 4 | -1.017 | 0 | audio_only | 01_02_12 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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01_02_seg_0015_track_16 | 14 | 01_02 | 16 | Toms | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_26_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0015_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_25_toms.mid | 132.214 | 142.091 | 9.877 | true | true | Everyday my symbols tremble | Chorus 2 | combined | 133.231 | 142.091 | true | Start aligned to Chorus 2 boundary at 132.214s | false | null | 33 | 27 | 4 | -1.017 | 0 | audio_midi | 01_02_16 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0016_track_03 | 15 | 01_02 | 3 | Clavinet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_07_clav.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0016_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_06_clav.mid | 142.091 | 150.166 | 8.075 | true | true | The words they twist like the braids in your hair | Chorus 2 | combined | 142.091 | 150.166 | false | false | null | 35 | 49 | 10 | 0 | 0 | audio_midi | 01_02_3 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0016_track_04 | 15 | 01_02 | 4 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_09_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0016_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_08_piano.mid | 142.091 | 150.166 | 8.075 | true | true | The words they twist like the braids in your hair | Chorus 2 | combined | 142.091 | 150.166 | false | false | null | 35 | 49 | 10 | 0 | 0 | audio_midi | 01_02_4 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0016_track_05 | 15 | 01_02 | 5 | Arp Glide | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_11_arp_glide.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0016_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_10_arp_glide.mid | 142.091 | 150.166 | 8.075 | true | true | The words they twist like the braids in your hair | Chorus 2 | combined | 142.091 | 150.166 | false | false | null | 35 | 49 | 10 | 0 | 0 | audio_midi | 01_02_5 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0016_track_07 | 15 | 01_02 | 7 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_14_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0016_track_07.wav | null | 142.091 | 150.166 | 8.075 | true | false | The words they twist like the braids in your hair | Chorus 2 | combined | 142.091 | 150.166 | false | false | null | 35 | 49 | 10 | 0 | 0 | audio_only | 01_02_7 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0016_track_10 | 15 | 01_02 | 10 | Bass Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0016_track_10.wav | null | 142.091 | 150.166 | 8.075 | true | false | The words they twist like the braids in your hair | Chorus 2 | combined | 142.091 | 150.166 | false | false | null | 35 | 49 | 10 | 0 | 0 | audio_only | 01_02_10 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0016_track_12 | 15 | 01_02 | 12 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_20_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0016_track_12.wav | null | 142.091 | 150.166 | 8.075 | true | false | The words they twist like the braids in your hair | Chorus 2 | combined | 142.091 | 150.166 | false | false | null | 35 | 49 | 10 | 0 | 0 | audio_only | 01_02_12 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0016_track_16 | 15 | 01_02 | 16 | Toms | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_26_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0016_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_25_toms.mid | 142.091 | 150.166 | 8.075 | true | true | The words they twist like the braids in your hair | Chorus 2 | combined | 142.091 | 150.166 | false | false | null | 35 | 49 | 10 | 0 | 0 | audio_midi | 01_02_16 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0017_track_03 | 16 | 01_02 | 3 | Clavinet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_07_clav.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0017_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_06_clav.mid | 150.166 | 158.242 | 8.076 | true | true | But in every way my meanings crumble | Chorus 2 | combined | 150.166 | 158.242 | false | false | null | 37 | 36 | 7 | 0 | 0 | audio_midi | 01_02_3 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0017_track_04 | 16 | 01_02 | 4 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_09_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0017_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_08_piano.mid | 150.166 | 158.242 | 8.076 | true | true | But in every way my meanings crumble | Chorus 2 | combined | 150.166 | 158.242 | false | false | null | 37 | 36 | 7 | 0 | 0 | audio_midi | 01_02_4 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0017_track_12 | 16 | 01_02 | 12 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_20_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0017_track_12.wav | null | 150.166 | 158.242 | 8.076 | true | false | But in every way my meanings crumble | Chorus 2 | combined | 150.166 | 158.242 | false | false | null | 37 | 36 | 7 | 0 | 0 | audio_only | 01_02_12 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0017_track_14 | 16 | 01_02 | 14 | Background Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_22_bg_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0017_track_14.wav | null | 150.166 | 158.242 | 8.076 | true | false | But in every way my meanings crumble | Chorus 2 | combined | 150.166 | 158.242 | false | false | null | 37 | 36 | 7 | 0 | 0 | audio_only | 01_02_14 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0017_track_16 | 16 | 01_02 | 16 | Toms | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_26_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0017_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_25_toms.mid | 150.166 | 158.242 | 8.076 | true | true | But in every way my meanings crumble | Chorus 2 | combined | 150.166 | 158.242 | false | false | null | 37 | 36 | 7 | 0 | 0 | audio_midi | 01_02_16 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0018_track_02 | 17 | 01_02 | 2 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_05_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0018_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_04_organ.mid | 158.242 | 167.035 | 8.793 | true | true | Was there ever a chance that you would care? | Chorus 2 | combined | 158.242 | 167.235 | true | End aligned to Breakdown boundary at 167.035s | false | null | 39 | 44 | 9 | 0 | -0.2 | audio_midi | 01_02_2 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0018_track_03 | 17 | 01_02 | 3 | Clavinet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_07_clav.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0018_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_06_clav.mid | 158.242 | 167.035 | 8.793 | true | true | Was there ever a chance that you would care? | Chorus 2 | combined | 158.242 | 167.235 | true | End aligned to Breakdown boundary at 167.035s | false | null | 39 | 44 | 9 | 0 | -0.2 | audio_midi | 01_02_3 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0018_track_04 | 17 | 01_02 | 4 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_09_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0018_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_08_piano.mid | 158.242 | 167.035 | 8.793 | false | true | Was there ever a chance that you would care? | Chorus 2 | combined | 158.242 | 167.235 | true | End aligned to Breakdown boundary at 167.035s | false | null | 39 | 44 | 9 | 0 | -0.2 | midi_only | 01_02_4 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0018_track_08 | 17 | 01_02 | 8 | Rhythm Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_15_rhythm_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0018_track_08.wav | null | 158.242 | 167.035 | 8.793 | true | false | Was there ever a chance that you would care? | Chorus 2 | combined | 158.242 | 167.235 | true | End aligned to Breakdown boundary at 167.035s | false | null | 39 | 44 | 9 | 0 | -0.2 | audio_only | 01_02_8 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0018_track_10 | 17 | 01_02 | 10 | Bass Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0018_track_10.wav | null | 158.242 | 167.035 | 8.793 | true | false | Was there ever a chance that you would care? | Chorus 2 | combined | 158.242 | 167.235 | true | End aligned to Breakdown boundary at 167.035s | false | null | 39 | 44 | 9 | 0 | -0.2 | audio_only | 01_02_10 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0018_track_11 | 17 | 01_02 | 11 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_19_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0018_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_18_synth_bass.mid | 158.242 | 167.035 | 8.793 | true | true | Was there ever a chance that you would care? | Chorus 2 | combined | 158.242 | 167.235 | true | End aligned to Breakdown boundary at 167.035s | false | null | 39 | 44 | 9 | 0 | -0.2 | audio_midi | 01_02_11 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0018_track_12 | 17 | 01_02 | 12 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_20_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0018_track_12.wav | null | 158.242 | 167.035 | 8.793 | true | false | Was there ever a chance that you would care? | Chorus 2 | combined | 158.242 | 167.235 | true | End aligned to Breakdown boundary at 167.035s | false | null | 39 | 44 | 9 | 0 | -0.2 | audio_only | 01_02_12 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0018_track_15 | 17 | 01_02 | 15 | Tambourine | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_24_tambourine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0018_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_23_tambourine.mid | 158.242 | 167.035 | 8.793 | false | true | Was there ever a chance that you would care? | Chorus 2 | combined | 158.242 | 167.235 | true | End aligned to Breakdown boundary at 167.035s | false | null | 39 | 44 | 9 | 0 | -0.2 | midi_only | 01_02_15 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0018_track_16 | 17 | 01_02 | 16 | Toms | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_26_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0018_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_25_toms.mid | 158.242 | 167.035 | 8.793 | true | true | Was there ever a chance that you would care? | Chorus 2 | combined | 158.242 | 167.235 | true | End aligned to Breakdown boundary at 167.035s | false | null | 39 | 44 | 9 | 0 | -0.2 | audio_midi | 01_02_16 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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01_02_seg_0018_track_17 | 17 | 01_02 | 17 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_28_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0018_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_27_snare.mid | 158.242 | 167.035 | 8.793 | true | true | Was there ever a chance that you would care? | Chorus 2 | combined | 158.242 | 167.235 | true | End aligned to Breakdown boundary at 167.035s | false | null | 39 | 44 | 9 | 0 | -0.2 | audio_midi | 01_02_17 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0019_track_02 | 18 | 01_02 | 2 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_05_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0019_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_04_organ.mid | 167.035 | 176.062 | 9.027 | true | true | I’ve read all about ships in passing | Breakdown | combined | 167.235 | 176.062 | true | Start aligned to Breakdown boundary at 167.035s | false | null | 41 | 36 | 7 | -0.2 | 0 | audio_midi | 01_02_2 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0019_track_06 | 18 | 01_02 | 6 | Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_13_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0019_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_12_pad.mid | 167.035 | 176.062 | 9.027 | true | true | I’ve read all about ships in passing | Breakdown | combined | 167.235 | 176.062 | true | Start aligned to Breakdown boundary at 167.035s | false | null | 41 | 36 | 7 | -0.2 | 0 | audio_midi | 01_02_6 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0019_track_08 | 18 | 01_02 | 8 | Rhythm Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_15_rhythm_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0019_track_08.wav | null | 167.035 | 176.062 | 9.027 | true | false | I’ve read all about ships in passing | Breakdown | combined | 167.235 | 176.062 | true | Start aligned to Breakdown boundary at 167.035s | false | null | 41 | 36 | 7 | -0.2 | 0 | audio_only | 01_02_8 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0019_track_10 | 18 | 01_02 | 10 | Bass Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0019_track_10.wav | null | 167.035 | 176.062 | 9.027 | true | false | I’ve read all about ships in passing | Breakdown | combined | 167.235 | 176.062 | true | Start aligned to Breakdown boundary at 167.035s | false | null | 41 | 36 | 7 | -0.2 | 0 | audio_only | 01_02_10 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0019_track_11 | 18 | 01_02 | 11 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_19_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0019_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_18_synth_bass.mid | 167.035 | 176.062 | 9.027 | true | true | I’ve read all about ships in passing | Breakdown | combined | 167.235 | 176.062 | true | Start aligned to Breakdown boundary at 167.035s | false | null | 41 | 36 | 7 | -0.2 | 0 | audio_midi | 01_02_11 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0019_track_15 | 18 | 01_02 | 15 | Tambourine | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_24_tambourine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0019_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_23_tambourine.mid | 167.035 | 176.062 | 9.027 | false | true | I’ve read all about ships in passing | Breakdown | combined | 167.235 | 176.062 | true | Start aligned to Breakdown boundary at 167.035s | false | null | 41 | 36 | 7 | -0.2 | 0 | midi_only | 01_02_15 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0019_track_16 | 18 | 01_02 | 16 | Toms | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_26_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0019_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_25_toms.mid | 167.035 | 176.062 | 9.027 | true | true | I’ve read all about ships in passing | Breakdown | combined | 167.235 | 176.062 | true | Start aligned to Breakdown boundary at 167.035s | false | null | 41 | 36 | 7 | -0.2 | 0 | audio_midi | 01_02_16 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null |
01_02_seg_0019_track_17 | 18 | 01_02 | 17 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_28_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0019_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_27_snare.mid | 167.035 | 176.062 | 9.027 | true | true | I’ve read all about ships in passing | Breakdown | combined | 167.235 | 176.062 | true | Start aligned to Breakdown boundary at 167.035s | false | null | 41 | 36 | 7 | -0.2 | 0 | audio_midi | 01_02_17 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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01_02_seg_0020_track_06 | 19 | 01_02 | 6 | Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_13_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0020_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_12_pad.mid | 176.062 | 179.062 | 3 | true | true | But all along I’ve been signaling to the air. | Breakdown | combined | 176.062 | 179.062 | false | false | null | 43 | 45 | 9 | 0 | 0 | audio_midi | 01_02_6 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0020_track_08 | 19 | 01_02 | 8 | Rhythm Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_15_rhythm_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0020_track_08.wav | null | 176.062 | 179.062 | 3 | true | false | But all along I’ve been signaling to the air. | Breakdown | combined | 176.062 | 179.062 | false | false | null | 43 | 45 | 9 | 0 | 0 | audio_only | 01_02_8 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0020_track_10 | 19 | 01_02 | 10 | Bass Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0020_track_10.wav | null | 176.062 | 179.062 | 3 | true | false | But all along I’ve been signaling to the air. | Breakdown | combined | 176.062 | 179.062 | false | false | null | 43 | 45 | 9 | 0 | 0 | audio_only | 01_02_10 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0020_track_11 | 19 | 01_02 | 11 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_19_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0020_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_18_synth_bass.mid | 176.062 | 179.062 | 3 | true | true | But all along I’ve been signaling to the air. | Breakdown | combined | 176.062 | 179.062 | false | false | null | 43 | 45 | 9 | 0 | 0 | audio_midi | 01_02_11 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0020_track_15 | 19 | 01_02 | 15 | Tambourine | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_24_tambourine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0020_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_23_tambourine.mid | 176.062 | 179.062 | 3 | false | true | But all along I’ve been signaling to the air. | Breakdown | combined | 176.062 | 179.062 | false | false | null | 43 | 45 | 9 | 0 | 0 | midi_only | 01_02_15 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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01_02_seg_0020_track_16 | 19 | 01_02 | 16 | Toms | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_26_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0020_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_25_toms.mid | 176.062 | 179.062 | 3 | true | true | But all along I’ve been signaling to the air. | Breakdown | combined | 176.062 | 179.062 | false | false | null | 43 | 45 | 9 | 0 | 0 | audio_midi | 01_02_16 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_02_seg_0020_track_17 | 19 | 01_02 | 17 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_28_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_02/01_02_seg_0020_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_02/01_02_27_snare.mid | 176.062 | 179.062 | 3 | true | true | But all along I’ve been signaling to the air. | Breakdown | combined | 176.062 | 179.062 | false | false | null | 43 | 45 | 9 | 0 | 0 | audio_midi | 01_02_17 | 112 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Everyday Sigils | 2017-07-18T00:00:00 | [04:37.097] | true | true | I’m casting signs for you. Believe me, I tried all the tricks in the booking and nothing else is due. I’m acting out for you. I’ve picked up the tic of the extra in passing and now the past is staged too. Everyday my symbols tremble My burnt intentions I’ve tossed to the air But in every way my meanings crumble I’m stuck at the border, nothing to declare. I’m watching out for you. Out of the corner of my eye the mirror was glancing, are those reflections coming through? I lay in wait for you. Hunched down in the seat, I fell into trancing and now I missed the queue I’m losing track of you. I can’t hear the words I thought you were asking. In ringing ears a circle grew Everyday my symbols tremble The words they twist like the braids in your hair But in every way my meanings crumble Was there ever a chance that you would care? I’ve read all about ships in passing But all along I’ve been signaling to the air. | David Bowie, discogs_id: 10263, Blue Orchids, discogs_id: 198410, Siouxsie & The Banshees, discogs_id: 80501, Bauhaus, discogs_id: 85897, Neu!, discogs_id: 12636 | dark, obsessive, haunting, ethereal, ominous, spooky, eerie, unsettling, creepy, chilling, foreboding, sinister, desperate, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Dark Wave, Gothic Rock | 01_02.lrc | As the world grew more and more alienating I felt as if I was on the periphery of society, an outsider looking in. I felt like I was being watched, like there were forces beyond my understanding that were shaping my reality. This song is about that feeling of paranoia and alienation, and the desire to break free from it. It's also about obsession - romantically and the obsession with wanting some sort of empowerment through ritualistic behavior. The lyrics are filled with references to sigils, which are symbols used in magic and occult practices. The song is about the desire to find meaning and power in a world that often seems chaotic and senseless. The lyrics also are a prime example of my 'constellation' style of writing where a subject is danced around with missing wordplay. For example, 'I've picked up the tic of the extra in passing, now the past is staged too' Never says it's about an actor - or feeling like one. Same with 'tricks in the booking' johns/prostitutes at the police station? What information is the narrator trying to get from them? Whether being a hacker, druggie, occultist, dimensional hopper, or literal alien, the narrator is trying to find a way out of their current reality. | {
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} | Verse 1 : A goth tinged progression begins with echoing reverbed and pained vocals, [00:00.000]-[01:00.000] | Chorus 1 : The chorus becomes a bit more relaxed and introspective with lots of male background vocals, [01:00.001]-[01:37.071] | Verse 2 : Back to the verse - exploring more of the obsessive lyrical themes, [01:37.072]-[02:12.213] | Chorus 2 : The chorus returns with more intensity and layered vocals, [02:12.214]-[02:47.034] | Breakdown : A brief breakdown with eerie synths and a haunting atmosphere, [02:47.035]-[03:04.071] | Jams : Komishe style synth and guitars rock out with a novel combination psychedelic and goth elements, [03:04.072]-[04:37.097] | null | |
01_03_seg_0001_track_01 | 0 | 01_03 | 1 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_03/01_03_seg_0001_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_02_kick.mid | 55.245 | 61.042 | 5.797 | true | true | My brain’s laced and ready to go | Verse 1 | combined | 55.245 | 61.042 | false | false | null | 5 | 32 | 7 | 0 | 0 | audio_midi | 01_03_1 | 106 | null | null | F | major | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | An Unfortunate Conflict of Evidence | 2017-07-18T00:00:00 | [02:40.175] | true | true | My brain’s laced and ready to go The lost Mind is already in stow I’ve been broadcasting in Mclear hoping that Contact is near It was Arbitrary’s survey when I was born and then betrayed I’ve been broadcasting in Mclear hoping that Contact is near | Solid Space (2), discogs_id: 448701, Joe Meek, discogs_id: 226551, Bruce Haack, discogs_id: 26952, The Beatles, discogs_id: 82730 | bizarre, absurd, surreal, quirky, whimsical, playful, eccentric, alien, otherworldly, psychedelic, spacey, dreamy | Experimental, Psychedelic, Oddball, Science Fiction, Art Rock, Avant-Garde | 01_03.lrc | There's a song by Tom Rush called "Beam Me Up Scotty" that my dad used to play a lot growing up. During this dark era of 2016 I found myself thinking similar thoughts - but Iain M. Banks' Culture instead of Star Trek. The idea of being rescued from the mess humans are making of the planet by a benevolent, highly advanced alien civilization. I tried to share my Culture-inspired music with /r/Culture, but they didn't seem to care for it. What? Did I think I could make friends through music, silly me. | {
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} | Instrumental 1 : Droning Instrumental with psychedelic and comically alien sounds, [00:00.000]-[00:53.176] | Verse 1 : A space-age synth note hangs over the verse with thumping kick drums and stoned backup vocals, [00:53.177]-[01:14.042] | Instrumental 2 : Return to the instrumental alien chamber music with a synth note that hangs over the verse, [01:14.043]-[01:44.215] | Verse 2 : Back to the verse with more odd alien sounds and stoned backup vocals, [01:44.216]-[02:05.081] | Instrumental 2 : The alien chamber music takes us through to the end of the song, [02:05.082]-[02:40.175] | null | |
01_03_seg_0001_track_02 | 0 | 01_03 | 2 | Hi-Hat | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_05_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_03/01_03_seg_0001_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_04_hihat.mid | 55.245 | 61.042 | 5.797 | false | true | My brain’s laced and ready to go | Verse 1 | combined | 55.245 | 61.042 | false | false | null | 5 | 32 | 7 | 0 | 0 | midi_only | 01_03_2 | 106 | null | null | F | major | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | An Unfortunate Conflict of Evidence | 2017-07-18T00:00:00 | [02:40.175] | true | true | My brain’s laced and ready to go The lost Mind is already in stow I’ve been broadcasting in Mclear hoping that Contact is near It was Arbitrary’s survey when I was born and then betrayed I’ve been broadcasting in Mclear hoping that Contact is near | Solid Space (2), discogs_id: 448701, Joe Meek, discogs_id: 226551, Bruce Haack, discogs_id: 26952, The Beatles, discogs_id: 82730 | bizarre, absurd, surreal, quirky, whimsical, playful, eccentric, alien, otherworldly, psychedelic, spacey, dreamy | Experimental, Psychedelic, Oddball, Science Fiction, Art Rock, Avant-Garde | 01_03.lrc | There's a song by Tom Rush called "Beam Me Up Scotty" that my dad used to play a lot growing up. During this dark era of 2016 I found myself thinking similar thoughts - but Iain M. Banks' Culture instead of Star Trek. The idea of being rescued from the mess humans are making of the planet by a benevolent, highly advanced alien civilization. I tried to share my Culture-inspired music with /r/Culture, but they didn't seem to care for it. What? Did I think I could make friends through music, silly me. | {
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} | Instrumental 1 : Droning Instrumental with psychedelic and comically alien sounds, [00:00.000]-[00:53.176] | Verse 1 : A space-age synth note hangs over the verse with thumping kick drums and stoned backup vocals, [00:53.177]-[01:14.042] | Instrumental 2 : Return to the instrumental alien chamber music with a synth note that hangs over the verse, [01:14.043]-[01:44.215] | Verse 2 : Back to the verse with more odd alien sounds and stoned backup vocals, [01:44.216]-[02:05.081] | Instrumental 2 : The alien chamber music takes us through to the end of the song, [02:05.082]-[02:40.175] | null | |
01_03_seg_0001_track_06 | 0 | 01_03 | 6 | Stereo Guitars | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_11_stereo_guitars.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_03/01_03_seg_0001_track_06.wav | null | 55.245 | 61.042 | 5.797 | true | false | My brain’s laced and ready to go | Verse 1 | combined | 55.245 | 61.042 | false | false | null | 5 | 32 | 7 | 0 | 0 | audio_only | 01_03_6 | 106 | null | null | F | major | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | An Unfortunate Conflict of Evidence | 2017-07-18T00:00:00 | [02:40.175] | true | true | My brain’s laced and ready to go The lost Mind is already in stow I’ve been broadcasting in Mclear hoping that Contact is near It was Arbitrary’s survey when I was born and then betrayed I’ve been broadcasting in Mclear hoping that Contact is near | Solid Space (2), discogs_id: 448701, Joe Meek, discogs_id: 226551, Bruce Haack, discogs_id: 26952, The Beatles, discogs_id: 82730 | bizarre, absurd, surreal, quirky, whimsical, playful, eccentric, alien, otherworldly, psychedelic, spacey, dreamy | Experimental, Psychedelic, Oddball, Science Fiction, Art Rock, Avant-Garde | 01_03.lrc | There's a song by Tom Rush called "Beam Me Up Scotty" that my dad used to play a lot growing up. During this dark era of 2016 I found myself thinking similar thoughts - but Iain M. Banks' Culture instead of Star Trek. The idea of being rescued from the mess humans are making of the planet by a benevolent, highly advanced alien civilization. I tried to share my Culture-inspired music with /r/Culture, but they didn't seem to care for it. What? Did I think I could make friends through music, silly me. | {
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} | Instrumental 1 : Droning Instrumental with psychedelic and comically alien sounds, [00:00.000]-[00:53.176] | Verse 1 : A space-age synth note hangs over the verse with thumping kick drums and stoned backup vocals, [00:53.177]-[01:14.042] | Instrumental 2 : Return to the instrumental alien chamber music with a synth note that hangs over the verse, [01:14.043]-[01:44.215] | Verse 2 : Back to the verse with more odd alien sounds and stoned backup vocals, [01:44.216]-[02:05.081] | Instrumental 2 : The alien chamber music takes us through to the end of the song, [02:05.082]-[02:40.175] | null | |
01_03_seg_0001_track_08 | 0 | 01_03 | 8 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_14_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_03/01_03_seg_0001_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_13_bass.mid | 55.245 | 61.042 | 5.797 | true | true | My brain’s laced and ready to go | Verse 1 | combined | 55.245 | 61.042 | false | false | null | 5 | 32 | 7 | 0 | 0 | audio_midi | 01_03_8 | 106 | null | null | F | major | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | An Unfortunate Conflict of Evidence | 2017-07-18T00:00:00 | [02:40.175] | true | true | My brain’s laced and ready to go The lost Mind is already in stow I’ve been broadcasting in Mclear hoping that Contact is near It was Arbitrary’s survey when I was born and then betrayed I’ve been broadcasting in Mclear hoping that Contact is near | Solid Space (2), discogs_id: 448701, Joe Meek, discogs_id: 226551, Bruce Haack, discogs_id: 26952, The Beatles, discogs_id: 82730 | bizarre, absurd, surreal, quirky, whimsical, playful, eccentric, alien, otherworldly, psychedelic, spacey, dreamy | Experimental, Psychedelic, Oddball, Science Fiction, Art Rock, Avant-Garde | 01_03.lrc | There's a song by Tom Rush called "Beam Me Up Scotty" that my dad used to play a lot growing up. During this dark era of 2016 I found myself thinking similar thoughts - but Iain M. Banks' Culture instead of Star Trek. The idea of being rescued from the mess humans are making of the planet by a benevolent, highly advanced alien civilization. I tried to share my Culture-inspired music with /r/Culture, but they didn't seem to care for it. What? Did I think I could make friends through music, silly me. | {
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} | Instrumental 1 : Droning Instrumental with psychedelic and comically alien sounds, [00:00.000]-[00:53.176] | Verse 1 : A space-age synth note hangs over the verse with thumping kick drums and stoned backup vocals, [00:53.177]-[01:14.042] | Instrumental 2 : Return to the instrumental alien chamber music with a synth note that hangs over the verse, [01:14.043]-[01:44.215] | Verse 2 : Back to the verse with more odd alien sounds and stoned backup vocals, [01:44.216]-[02:05.081] | Instrumental 2 : The alien chamber music takes us through to the end of the song, [02:05.082]-[02:40.175] | null | |
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} | Instrumental 1 : Droning Instrumental with psychedelic and comically alien sounds, [00:00.000]-[00:53.176] | Verse 1 : A space-age synth note hangs over the verse with thumping kick drums and stoned backup vocals, [00:53.177]-[01:14.042] | Instrumental 2 : Return to the instrumental alien chamber music with a synth note that hangs over the verse, [01:14.043]-[01:44.215] | Verse 2 : Back to the verse with more odd alien sounds and stoned backup vocals, [01:44.216]-[02:05.081] | Instrumental 2 : The alien chamber music takes us through to the end of the song, [02:05.082]-[02:40.175] | null | |
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01_03_seg_0004_track_11 | 3 | 01_03 | 11 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_19_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_03/01_03_seg_0004_track_11.wav | null | 71.1 | 101.1 | 30 | true | false | hoping that Contact is near | Instrumental 2 | combined | 71.1 | 107.033 | false | true | 1/2 | 11 | 27 | 5 | 0 | -5.933 | audio_only | 01_03_11 | 106 | null | null | F | major | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | An Unfortunate Conflict of Evidence | 2017-07-18T00:00:00 | [02:40.175] | true | true | My brain’s laced and ready to go The lost Mind is already in stow I’ve been broadcasting in Mclear hoping that Contact is near It was Arbitrary’s survey when I was born and then betrayed I’ve been broadcasting in Mclear hoping that Contact is near | Solid Space (2), discogs_id: 448701, Joe Meek, discogs_id: 226551, Bruce Haack, discogs_id: 26952, The Beatles, discogs_id: 82730 | bizarre, absurd, surreal, quirky, whimsical, playful, eccentric, alien, otherworldly, psychedelic, spacey, dreamy | Experimental, Psychedelic, Oddball, Science Fiction, Art Rock, Avant-Garde | 01_03.lrc | There's a song by Tom Rush called "Beam Me Up Scotty" that my dad used to play a lot growing up. During this dark era of 2016 I found myself thinking similar thoughts - but Iain M. Banks' Culture instead of Star Trek. The idea of being rescued from the mess humans are making of the planet by a benevolent, highly advanced alien civilization. I tried to share my Culture-inspired music with /r/Culture, but they didn't seem to care for it. What? Did I think I could make friends through music, silly me. | {
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01_03_seg_0005_track_12 | 4 | 01_03 | 12 | Background Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_20_bg_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_03/01_03_seg_0005_track_12.wav | null | 99.1 | 107.033 | 7.933 | true | false | hoping that Contact is near | Instrumental 2 | combined | 71.1 | 107.033 | false | true | 2/2 | 11 | 27 | 5 | 28 | 0 | audio_only | 01_03_12 | 106 | null | null | F | major | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | An Unfortunate Conflict of Evidence | 2017-07-18T00:00:00 | [02:40.175] | true | true | My brain’s laced and ready to go The lost Mind is already in stow I’ve been broadcasting in Mclear hoping that Contact is near It was Arbitrary’s survey when I was born and then betrayed I’ve been broadcasting in Mclear hoping that Contact is near | Solid Space (2), discogs_id: 448701, Joe Meek, discogs_id: 226551, Bruce Haack, discogs_id: 26952, The Beatles, discogs_id: 82730 | bizarre, absurd, surreal, quirky, whimsical, playful, eccentric, alien, otherworldly, psychedelic, spacey, dreamy | Experimental, Psychedelic, Oddball, Science Fiction, Art Rock, Avant-Garde | 01_03.lrc | There's a song by Tom Rush called "Beam Me Up Scotty" that my dad used to play a lot growing up. During this dark era of 2016 I found myself thinking similar thoughts - but Iain M. Banks' Culture instead of Star Trek. The idea of being rescued from the mess humans are making of the planet by a benevolent, highly advanced alien civilization. I tried to share my Culture-inspired music with /r/Culture, but they didn't seem to care for it. What? Did I think I could make friends through music, silly me. | {
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01_03_seg_0006_track_11 | 5 | 01_03 | 11 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_19_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_03/01_03_seg_0006_track_11.wav | null | 107.033 | 112.063 | 5.03 | true | false | It was Arbitrary’s survey | Verse 2 | combined | 107.033 | 112.063 | false | false | null | 13 | 25 | 4 | 0 | 0 | audio_only | 01_03_11 | 106 | null | null | F | major | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | An Unfortunate Conflict of Evidence | 2017-07-18T00:00:00 | [02:40.175] | true | true | My brain’s laced and ready to go The lost Mind is already in stow I’ve been broadcasting in Mclear hoping that Contact is near It was Arbitrary’s survey when I was born and then betrayed I’ve been broadcasting in Mclear hoping that Contact is near | Solid Space (2), discogs_id: 448701, Joe Meek, discogs_id: 226551, Bruce Haack, discogs_id: 26952, The Beatles, discogs_id: 82730 | bizarre, absurd, surreal, quirky, whimsical, playful, eccentric, alien, otherworldly, psychedelic, spacey, dreamy | Experimental, Psychedelic, Oddball, Science Fiction, Art Rock, Avant-Garde | 01_03.lrc | There's a song by Tom Rush called "Beam Me Up Scotty" that my dad used to play a lot growing up. During this dark era of 2016 I found myself thinking similar thoughts - but Iain M. Banks' Culture instead of Star Trek. The idea of being rescued from the mess humans are making of the planet by a benevolent, highly advanced alien civilization. I tried to share my Culture-inspired music with /r/Culture, but they didn't seem to care for it. What? Did I think I could make friends through music, silly me. | {
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} | Instrumental 1 : Droning Instrumental with psychedelic and comically alien sounds, [00:00.000]-[00:53.176] | Verse 1 : A space-age synth note hangs over the verse with thumping kick drums and stoned backup vocals, [00:53.177]-[01:14.042] | Instrumental 2 : Return to the instrumental alien chamber music with a synth note that hangs over the verse, [01:14.043]-[01:44.215] | Verse 2 : Back to the verse with more odd alien sounds and stoned backup vocals, [01:44.216]-[02:05.081] | Instrumental 2 : The alien chamber music takes us through to the end of the song, [02:05.082]-[02:40.175] | null | |
01_03_seg_0007_track_01 | 6 | 01_03 | 1 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_03/01_03_seg_0007_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_02_kick.mid | 112.063 | 117.082 | 5.019 | true | true | when I was born and then betrayed | Verse 2 | combined | 112.063 | 117.082 | false | false | null | 15 | 33 | 7 | 0 | 0 | audio_midi | 01_03_1 | 106 | null | null | F | major | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | An Unfortunate Conflict of Evidence | 2017-07-18T00:00:00 | [02:40.175] | true | true | My brain’s laced and ready to go The lost Mind is already in stow I’ve been broadcasting in Mclear hoping that Contact is near It was Arbitrary’s survey when I was born and then betrayed I’ve been broadcasting in Mclear hoping that Contact is near | Solid Space (2), discogs_id: 448701, Joe Meek, discogs_id: 226551, Bruce Haack, discogs_id: 26952, The Beatles, discogs_id: 82730 | bizarre, absurd, surreal, quirky, whimsical, playful, eccentric, alien, otherworldly, psychedelic, spacey, dreamy | Experimental, Psychedelic, Oddball, Science Fiction, Art Rock, Avant-Garde | 01_03.lrc | There's a song by Tom Rush called "Beam Me Up Scotty" that my dad used to play a lot growing up. During this dark era of 2016 I found myself thinking similar thoughts - but Iain M. Banks' Culture instead of Star Trek. The idea of being rescued from the mess humans are making of the planet by a benevolent, highly advanced alien civilization. I tried to share my Culture-inspired music with /r/Culture, but they didn't seem to care for it. What? Did I think I could make friends through music, silly me. | {
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} | Instrumental 1 : Droning Instrumental with psychedelic and comically alien sounds, [00:00.000]-[00:53.176] | Verse 1 : A space-age synth note hangs over the verse with thumping kick drums and stoned backup vocals, [00:53.177]-[01:14.042] | Instrumental 2 : Return to the instrumental alien chamber music with a synth note that hangs over the verse, [01:14.043]-[01:44.215] | Verse 2 : Back to the verse with more odd alien sounds and stoned backup vocals, [01:44.216]-[02:05.081] | Instrumental 2 : The alien chamber music takes us through to the end of the song, [02:05.082]-[02:40.175] | null | |
01_03_seg_0007_track_02 | 6 | 01_03 | 2 | Hi-Hat | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_05_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_03/01_03_seg_0007_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_04_hihat.mid | 112.063 | 117.082 | 5.019 | false | true | when I was born and then betrayed | Verse 2 | combined | 112.063 | 117.082 | false | false | null | 15 | 33 | 7 | 0 | 0 | midi_only | 01_03_2 | 106 | null | null | F | major | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | An Unfortunate Conflict of Evidence | 2017-07-18T00:00:00 | [02:40.175] | true | true | My brain’s laced and ready to go The lost Mind is already in stow I’ve been broadcasting in Mclear hoping that Contact is near It was Arbitrary’s survey when I was born and then betrayed I’ve been broadcasting in Mclear hoping that Contact is near | Solid Space (2), discogs_id: 448701, Joe Meek, discogs_id: 226551, Bruce Haack, discogs_id: 26952, The Beatles, discogs_id: 82730 | bizarre, absurd, surreal, quirky, whimsical, playful, eccentric, alien, otherworldly, psychedelic, spacey, dreamy | Experimental, Psychedelic, Oddball, Science Fiction, Art Rock, Avant-Garde | 01_03.lrc | There's a song by Tom Rush called "Beam Me Up Scotty" that my dad used to play a lot growing up. During this dark era of 2016 I found myself thinking similar thoughts - but Iain M. Banks' Culture instead of Star Trek. The idea of being rescued from the mess humans are making of the planet by a benevolent, highly advanced alien civilization. I tried to share my Culture-inspired music with /r/Culture, but they didn't seem to care for it. What? Did I think I could make friends through music, silly me. | {
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} | Instrumental 1 : Droning Instrumental with psychedelic and comically alien sounds, [00:00.000]-[00:53.176] | Verse 1 : A space-age synth note hangs over the verse with thumping kick drums and stoned backup vocals, [00:53.177]-[01:14.042] | Instrumental 2 : Return to the instrumental alien chamber music with a synth note that hangs over the verse, [01:14.043]-[01:44.215] | Verse 2 : Back to the verse with more odd alien sounds and stoned backup vocals, [01:44.216]-[02:05.081] | Instrumental 2 : The alien chamber music takes us through to the end of the song, [02:05.082]-[02:40.175] | null |
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