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Iucundum cum aetas florida ver ageret,
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Multa satis lusi: non est dea nescia nostri,
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Quae dulcem curis miscet amaritiem.
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The early poems there referred to probably gained him his first
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reputation and attracted that notice of Cornelius Nepos, which is
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Quoi dono lepidum novum libellum.
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'Vesper adest: invenes consurgite'--may have been written before
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Cui faveam potius? Caeli, tibi, nam tua nobis
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Per facta exhibitas't unica amicitia,
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Cum vesana meas torreret flamma medullas.
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that the lady addressed under that name was the notorious Clodia,
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Splendidaque a docto fama refulget avo.
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Lesbius est pulcher: quidni? quem Lesbia malit
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Quam te cum tota gente, Catulle, tua.
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Ille mi par esse deo videtur;
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and again
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Quo mea se molli candida diva pedem
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That the intrigue was carried on and had even reached its second
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stage--that of the 'amantium irae'--in the lifetime of Metellus,
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appears from the 83rd poem,
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Lesbia mi praesente viro mala plurima dicit, etc.
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Sed furtiva dedit mira munuscula nocte,
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Ipsius ex ipso dempta viri gremio--
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clearly imply that these meetings occurred after the return of
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Nam unguentum dabo, quod meae puellae
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Visam te incolumem audiamque Hiberum
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Narrantem loca, facta, nationes--
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Macedonia, it seems a not unwarranted conjecture that they were
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The first hint of any rift in the loves of Catullus and Clodia is
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Quare, quod scribis Veronae turpe Catullo, etc.
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Catullus had retired to Verona on hearing of the death of his
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Etsi me adsiduo confectum cura dolore
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Sevocat a doctis, Ortale, virginibus, etc.
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In his letter to Manlius, in which he excuses himself on the same
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somewhat later to Allius,--
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Non possum reticere deae qua me Allius in re, etc.--
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Quae tamen etsi uno non est contenta Catullo
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Rara verecundae furta feremus erae.
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tenderness. Afterwards, even though his passion from time to time
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The poems representing the second and third stage--that in which
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passion and scorn strive with one another--of the relations to
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O dulces comitum valete coetus.--
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Varus me meus ad suos amores
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Visum duxerat e foro otiosum--
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Disertissime Romuli nepotum
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Quot sunt quotque fuere, Marce Tulli--
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Tanto pessimus omnium poeta
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Quanto tu optimus omnium patronus--
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seems to point to some exercise of Cicero's special talent as an
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The poems written in the two last years of the poet's life do not
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Maestius lacrimis Simonideis.
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The lines--
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Malest, me hercule, et est laboriose,
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Et magis magis in dies et horas--
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might well have been drawn from him by the rapid advance of his
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Peliaco quondam prognatae, etc.--
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Zymrna mei Cinnae nonam post denique messem
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Quam coepta'st nonamque edita post hiemem,--
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Sed postquam tellus scelere est imbuta nefando, etc.--
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But although longer life might have brought to Catullus a still
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higher rank among the poets of the world, the chief charm of the
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poems actually written by him arises from the strength and depth
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interpreters of Nature and of human life: none have expressed so
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directly and truthfully the great elemental affections, or have
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'Odi et amo,' till at last he obtains his emancipation by the
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Vivamus, mea Lesbia, atque amemus,
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Quaeris, quot mihi basiationes, etc.,--
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Miser, Catulle, desinas ineptire--
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in which he recalls the bright days of the past--
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Fulsere quondam candidi tibi soles,--
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wounds, which had been partially healed, had broken out afresh,--
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Si qua recordanti benefacta priora voluptas, etc.;
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Furi et Aureli comites Catullo,--
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in which scornful irony is combined with an imaginative power and
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Si quicquam mutis gratum acceptumque sepulchris
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Accidere a nostro Calve dolore potest,
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Quo desiderio veteres renovamus amores
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Atque olim missas flemus amicitias
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Certe non tanto mors immatura dolori est
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Quintiliae, quantum gaudet amore tuo.
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Poetae tenero, meo sodali
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Velim Caecilio papyre dicas,--
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Venistine domum ad tuos Penates
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Fratresque unanimos anumque matrem?
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Venisti. O mihi nuntii beati.
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Sed contra accipies meros amores
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Seu quid suavius elegantiusve.
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Haec amem necessest
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Ut Veraniolum meum et Fabullum.
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Certe tute iubebas animam tradere, inique, me
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Inducens in amorem, quasi tuta omnia mi forent.
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Inde nunc retrahis te ac tua dicta omnia factaque
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Ventos irrita ferre ac nebulas aerias sinis.
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These, and other poems, show that Catullus was quick to feel any
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coldness or neglect on the part of his friends, and exceedingly
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dependent for his happiness on their sympathy. But the tone of
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these poems is quite different from the resentment which he feels
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Pauca nuntiate meae puellae
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Non bona dicta.
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Si qua recordanti benefacta priora voluptas
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