Tamazight-NLP/NLLB-Seed_Tamasheq-Tifinagh-Script huggingface dataset:
English: Several Bogart biographers, and actress-writer Louise Brooks, have felt that this role is closest to the real Bogart.
Tamasheq: ⴱⵉⵓⴶⵔⴰⴱⵂⴻⵙ ⵜⴻⵏ ⴰⴶⴻⵜⵏⴻⵏ ⴰⵏ ⴱⵓⴶⴰⵔⵜ, ⴰⴷ ⵜⴰⵏⴰⴾⵜⵉⴱⵜ ⵍⵓⵓⵉⵙⴻ ⴱⵍⵓⵓⴾⵙ,ⴰⵏⵜⴰⵏⴻⴷ ⴰⵆⴻⵍⴰⵏ ⴰⵙ ⵜⴰⵎⴰⵙⵂⴰⵆⴰⵍ ⵜⴰ ⵜⵓⵂⴰⵣ ⵂⵓⵍⴻⵏ ⵜⴻⵎⴰⵙⵂⴰⵆⴰⵍ ⵜⴰⵏ ⴱⵓⴶⴰⵔⵜ.
English: A parody of sorts of The Maltese Falcon, Beat the Devil was the final film for Bogart and John Huston.
Tamasheq: ⴱⴰⵔⵓⴷⵉⴻ ⴻⴰⵗ ⵟⵂⴻ ⵎⴰⵍⵜⴻⵙⴻ ⴼⴰⵍⵛⵓⵏ,ⴱⴻⴰⵜ ⵜⵂⴻ ⴻⴻⴱⵉⵍ ⴰⵙ ⴼⵉⵍⵎ ⵓⴰ ⵉⵍⴾⴰⵎⴰⵏ ⴰ ⴱⵓⴶⴰⵔⵜ ⴰⴷ ⵋⵓⵂⵏ ⵂⵓⵍⵙⵓⵏ
English: Huston's love of adventure, his deep, longstanding friendship (and success) with Bogart, and the chance to work with Hepburn convinced the actor to leave Hollywood for a difficult shoot on location in the Belgian Congo.
Tamasheq: ⵜⴰⵔⵂⴰ ⴰⵏ ⴰⵙⵙⵉⴾⴰⵍ ⵉⴻ ⵂⵓⵍⵙⵓⵏ, ⵜⴰⵎⵆⵔⴻ ⵜⴰⵎⵉⴷⵓⵓⴰ ⴰⵏⴻⵙ ⴰⴷ ⴱⵓⴶⴰⵔⵜ, ⴰⴷ ⵜⴰⴷⴰⴱⵉⵜ ⴰⵏⴻⵙ ⵉⴻ ⴰⵙⵂⴰⵆⴰⵍ ⴰⴷ ⵂⴻⴱⴱⵓⵔⵏ ⴰⴶⵔⴰⵓⴻⵏ ⵜⴰⵔⵏⴰ ⴼⴰⵍ ⴰⵛⵜⴻⵓⵔ ⵏⴰⵙⵙⴻⵏ ⵓⴰⵏ ⵂⵓⵍⵍⵉⵓⵓⵓⴷ ⴰⴷ ⴰⴼⴰⵍ ⴰⵙⵂⴰⵆⴰⵍ ⵓⴰ ⴼⴰⵍ ⴰⵔⴶⴰⵓⴰⵏ ⴰⴷ ⴰⴶⴰⵏ ⵜⴰⵗⴰⵍⴰⵉ ⵗⴰⵍⴰⵉⴻⵏ ⴰⴶⵓⵜⵏⴻⵏ ⴷⴰⵗ ⴰⵎⴰⵙ ⴰⵏ ⵛⵓⵏⴶⵓ ⴱⴻⵍⴶⴻ.
English: Bacall came for the over-four-month duration, leaving their young son in Los Angeles.
Tamasheq: ⴱⴰⵛⴰⵍⵍ ⵓⵙⵙⴰⴷ ⵉⴻ ⴰⴷⴰⴶⵓ ⴾⴰⵔⴰⴷ ⵓⵔⴰⵏ ⴰⵏ ⵜⴰⵂⴰⴶⵉⵜ,ⴻⴰⵗ ⵓⴻⵉⴰⵂⵉⵏ ⴻⵍⴻⵙⵙⴰⵏ ⴷⴰⵗ ⵍⵓⵙ ⴰⵏⴶⴻⵍⴻⵙ.
English: She Luxed my undies in darkest Africa."
Tamasheq: "ⴰⵏⵜⴰ ⵜⴰ ⵜⵓⴱⴰⵜ ⵉⴾⴰⵔⵙⵂⴰⵉⴻⵏ ⴰⵏⴰⵓ ⴻⴰⵗ ⵜⵉⵂⴰⵉ.
English: Hepburn (a teetotaler) fared worse in the difficult conditions, losing weight and at one point becoming very ill.
Tamasheq: ⵂⴻⴱⴱⵓⵎ ( ⵓⴰⵏⴰⵏ ⵉⵙⵉⵙⵓ ⴰⵙⵎⵉⴷ) ⵉⴶⵔⴰⵓ ⵉⵎⴰⵏⴻⵙ ⴷⴰⵆ ⴰⵍⵓⴰⵈⴰⵏ ⴰⵙⵓⵂⴰⵜⵏⴻⵏ, ⵓⴶⵓⴷ ⴰⵏ ⵜⴰⵣⴰⵉⵜ ⴰⴷ ⵓⴷⴰ ⵙⵓⴼⵔⵓⵉ ⵂⵓⵍⴻⵏ.
English: Despite the discomfort of jumping from the boat into swamps, rivers and marshes, The African Queen apparently rekindled Bogart's early love of boats; when he returned to California, he bought a classic mahogany Hacker-Craft runabout which he kept until his death.
Tamasheq: ⴻⴰⵗ ⵉⴱⴰ ⵏⴰⵙⴰⵂⴰⵜ ⵓⴰ ⵜⵉⵓⴶⴰⵜ ⴰⵏ ⵏⴰⴾⴰⵔⴰⵎⴱⴰⵓ ⴷⴰⵗ ⵜⴰⴷⵎⴰⵔ ⵏⴰⵎⴰⵏ, ⵉⵋⴻⵔⴻⵔⴰⵏ ⴰⴷ ⴷⵓⴰⵍ, ⵟⵂⴻ ⴰⴼⵔⵉⵛⴰⵏ ⵔⵓⴻⴻⵏ ⵉⵏⵜⴰⴷⴰⵗ ⴰⵙⴰⵏⴾⴰⵔ ⵜⴰⵔⵂⴰⵏⴻⵙ ⵜⴰⵙⵓⵂⴻⵜ ⴰⵏ ⴱⵓⴶⴰⵔⵜ ⵉⴻ ⴾⴰⵔⴰⴱⴰⵓⴰⵏ ; ⵓⴶⵓⴷ ⵓⴰ ⴻⴰⵈⴰⵍ ⵛⴰⵍⵉⴼⵓⵔⵏⵉⴻ, ⴰⵛⴰⵛⴰ ⵜⴰⵙⵏⵉⵜ ⵜⵓⵍⴰⵗⴰⵜ ⵂⴰⵛⴾⴻⵔ-ⵛⵔⴰⴼⵜ ⴰⵏ ⵂⵉⵛⴾ ⵉⵜⵓⴰⵔ ⵂⴰⵓⴻⵏⴷⴰⵗ ⵂⴰⵔⵜⴰⴱⴰ
English: When Bogart won, however, he said: "It's a long way from the Belgian Congo to the stage of this theatre.
Tamasheq: ⵎⵓⴶⵓⴷⵓ ⴱⵓⴶⴰⵔⵜ ⵉⴶⵔⴰⵓ, ⴰⴶⵓⴷⴻⵏⴷⴰⵗ , ⴰⴷⵉⵏⴰ : ‘’ ‘’ ⵟⴰⴱⴰⵔⴰⵜ ⵜⴰⵏ ⵛⵓⵏⴶⵓ ⴱⴻⵍⴶⴻ ⵣⴰⴶⵔⵉⵜ ⵉⴻ ⵜⵉⴷⴰⵓⵜ ⵉⵏ ⵜⴰⴼⵓⵙⴻⵏ'' ‘
English: As in tennis, you need a good opponent or partner to bring out the best in you.
Tamasheq: ⵙⵓⵏⴷ ⵜⴻⵏⵏⵉⵙ, ⴰⵏⵉⵂⴰⴶⴰ ⴰⴶⴰⵔⴰⵓ ⵏⴰⵎⴰⴾⴻⵏⵉⵙ ⵉⵓⴰⵔ ⵙⴰⵔⵂⵓ ⵎⴻⵆ ⴰⵎⵉ ⴼⴰⵍ ⴰⵣⵣⵉⵣⴶⵔⴰⵔ ⵉⵏ ⵜⴰⴷⴰⴱⵉⵜⴻ ⵉⵏ ⵎⴰⵏⴻⵙ.
English: Though he retained some of his old bitterness about having to do so, he delivered a strong performance in the lead; he received his final Oscar nomination and was the subject of a June 7, 1954 Time magazine cover story.
Tamasheq: Iⵏⴾⴰ ⴰⴷⴻⵜⴰⴼ ⴰⵏⴷⴰⵔⴰⵏ ⴷⴰⵗ ⵜⴰⵙⵙⴰⵏⴰⵓⴻⵏ ⵉⴻ ⵜⴰⴱⴰⵔⴰⵜ ⵜⴻⵏ, ⵉⴶⴰ ⴰⵛⴰⵗⵉⵍ ⵉⵓⴰⵔ ⵙⴰⵔⵂⵓ ⴷⴰⵗ ⵣⴰⴱⵓ ⵜⴰ-ⵜⴰⵛⴰⵎⴰⵜ ; ⵉⴶⵔⴰⵓ ⵜⵉⵏⵉⵎⵓⴾⵍⴰⵏⴻⵙⵙ ⵜⴰ-ⵙⴰⵎⴰⵏⴷⵓ ⵉⵏ Oⵙⵛⴰⵔⵙ ⴰⵣⴰⵔ ⵉⴶⴰⵉ ⵜⴻⵎⴰⵍⵙⴰⵜ ⵉⵏ ⵎⴰⴶⴰⵣⵉⵏⴻ ⵜⵉⵎⴻ ⵍⴻ 7 ⵋⵓⵉⵏ 1954.
English: He is the type of director I don't like to work with ... the picture is a crock of crap.
Tamasheq: ⵙⵓⵏⴷ ⴻⵏⴰⵎⴰⵂⴰⵜ ⵓⴰ ⴷⴰⵗ ⴷⴰⵔ ⵓⴰⴷⴻⵔⵂⴰⵆ ⴰⴷ-ⵏⴰⵎⵛⴰⵆⵉⵍ…ⵙⵉⵍⵎⴰ ⵜⴰⵈⴰⵍ ⴰⵉⵙⴰⵔⵜⴰⵉⴰⵏ ⴰⵏ ⵜⴰⵍⴰⴼⴻⵏ.
English: Despite the acrimony, the film was successful; according to a review in The New York Times, Bogart was "incredibly adroit ... the skill with which this old rock-ribbed actor blends the gags and such duplicities with a manly manner of melting is one of the incalculable joys of the show".
Tamasheq: ‘’ ⵗⵓⵔ ⵙⴰⵏⵜⵓ ⵓⴰⵔ ⴰⴾⵏⴰ, ⵙⵉⵍⵎⴰ ⵜⴰⵈⴰⵍ ⴰⵂⵓⵙⴾⴻⵏ ; ⴷⴰⵗ ⵜⴰⵣⵎⵉⵜ ⵜⴰⵏ ⵏⴻⵓ ⵗⵓⵔⴾ ⵟⵉⵎⴻⵙ, ⴱⵓⴶⴰⵔⵜ ⴻⵈⴰⵍ ⴷⴰⵗ ⵉⴱⴰ ⵎⵓⵔⴷⴰ ⴻⵔⴻ ⴰⵓⴰⵏⴰⵏⵓⵆⴻⴷ…ⵜⴰⵎⵆⴰⵔ ⵏⴰⵆⵎⴰⵔ ⵓⴰ ⵉⵜⴰⴶⴰⵏ ⵙⵉⵍⵎⴰⵜⴰⵏ ⴰⵏ ⵜⴰⵍⴰⵙⵙⴻ ⵜⴰⵏ ⵔⵓⵛⴾ ⵎⴻⵍⴻ ⵉⴻ ⵉⵎⵉⴷⵉⵓⴰⵏ ⴰⵏ ⴰⵏⵎⵉⵜⵉⴼ ⴰⵏ ⵏⴰⵍⵎⴰⵆⵏⴰ ⴰⵏ ⵜⵉⵓⵛⵔⴻ ⵉⴻ ⴰⵜⵉⴱⴰ ⴻⴶⴰⵍ ⴰⴶⴰⵔⴰⵣⴰⵜ ⵎⴰⴶⴰⵔⴰⵏ ⵉⴻ ⴻⵔⴻ ⵓⴰ ⵉⴶⵉⵂⴰⵏ
English: He was uneasy with Ava Gardner in the female lead; she had just broken up with his Rat Pack buddy Frank Sinatra, and Bogart was annoyed by her inexperienced performance.
Tamasheq: ⵓⴰ ⴰⵙⴶⵔⴻⵣ ⵎⴰⵏⴻⵙⵙ ⴷⴰⵗ ⴰⴱⴰ ⵗⴰⵔⴷⵏⴻⵔ ⵓⴰ ⴰⵛⵗⴰⵍ ⴷⴰⵗ ⴰⵎⴰⴾ ⵓⴰ ⴷⴻⴷⴻⵏ; Iⴾⴻⵜ ⴰⵜⴰⵎⵛⴰⵛⴰⵜ ⴷⴰⵎⵉⴷⵉⵏⴻⵙ ⵓⴰⵏ ⵔⴰⵜ ⴱⴰⵛⴾ, ⴱⵔⴰⵏⴾ ⵙⵉⵏⴰⵜⵔⴰ, ⴰⴷ ⴱⵓⴶⴰⵔⵜ ⵙⴰⴶⵔⴰⵣⴰⵏ ⴰⵏ ⵙⴰⵍⴰⵏ ⵓⵉⵔⵙⴻⵏ ⵂⵓⵍⴻⵏ.
English: When Bacall found them together, she extracted an expensive shopping spree from her husband; the three traveled together after the shooting.
Tamasheq: ⴰⴶⵓⴷ ⵓⴰ ⴰⵜⴰⵏⵂⵉⴰ ⴱⴰⵛⴰⵍⵍ ⴰⵔⵜⴰⵉⴰⵏ, ⵜⴰⵙⵉⵙⵜⴰⵏ ⴰⵂⴰⵍⵉⵙ ⴰⵏⴻⵙⵙ ⵉⴰ ⵔⴰⴶ ⴰⵙⵓⴾ ⴰⵙⵙⵓⵂⴻⵏ ; ⵓⵉⵏ ⵛⴰⵔⴰⴷ ⴰⵙⴻⴾⴰⵍⴰⵏ ⴷⴰⵔⴰⵜ ⴰⵙⴰⵙⴰⵜⴾⵉⵍ.
English: He also appeared on The Jack Benny Show, where a surviving kinescope of the live telecast captures him in his only TV sketch-comedy performance (October 25, 1953).
Tamasheq: Iⵣⴶⴰⵔⵉⴷ ⴷⴰⵗ ⵙⴰⵍⴰⵏ ⵓⵉ ⵟⵂⴻ ⵋⴰⵛⴾ ⴱⴻⵏⵏⵉ ⵙⵓⵓ, ⴷⴰⵗ ⴰⴷⴰⴾⴰⵍ ⴰⵏ ⵙⴰⵍⴰⵏ ⴰⴶⵓⴷⴻⵏⴷⴰⵗ ⴰⵏ ⵜⴰⵎⵓⴷⵔⴻ ⴰⵏ ⵜⴰⵏⵎⴰⵜⴰⴼⵜ ⴷⴰⵗ ⵛⴰⵙⵜⵓⵜⴰⵏ ⵉⵓⵔ ⵙⴾⴻⵜⵛⴻⵙ ⴷⴰⵗ ⵙⵉⵍⵎⴰ ( 25 ⵓⵛⵜⵓⴱⵔⴻ 1953).
English: Stephen became an author and biographer and hosted a television special about his father on Turner Classic Movies.
Tamasheq: ⵙⵜⴻⴱⵂⴻⵏ ⴻⴶⴰⵍ ⴰⵏⵉⵎⵆⴰⵔ ⴰⵏ ⵜⴰⵎⴰⵙⵏⴰⵓⴻⵏ ⵏⴰⵓⴰ ⵉⵛⴰⵆⴰⵍⴰⵏ ⵉⵣⴰⵔ ⵉⵙⵉⵎⵙⵉⴷⵓⵓ ⵉⵙⴰⵍⴰⵏ ⴰⴱⴷⴰⵏⴻⵓ ⴼⴰⵍ ⵜⵉⵙ ⴼⴰⵍ ⵟⵓⵏⴻⵔ ⵛⵍⴰⵙⵙⵉⵛ ⵎⵓⴱⵉⴻ
English: In the wake of Santana, Bogart had formed a new company and had plans for a film (Melville Goodwin, U.S.A.) in which he would play a general and Bacall a press magnate.
Tamasheq: ⴻⴰⵗ ⴰⴷⵔⵉⵛ ⵓⴰ ⵙⴰⵏⵜⴰⵏⴰ, ⴱⵓⴶⴰⵔⵜ ⵉⵍⴰ ⵜⴰⵙⵉⵔⵜⴰⵉⵜ ⵜⴰⵉⵏⴰⵉⴰⵜ ⵉⵣⴰⵔ ⵉⵍⴰ ⵉⵙⴰⵍⴰⵏ ⵏⴰⴶⵉ ⴰⵏ ⵙⵉⵍⵎⴰ (ⵎⴻⵍⴱⵉⵍⵍⴻ ⵗⵓⵓⴷⵓⵉⵏ, ⵓ.ⵙ.ⴰ) ⵓⴰ ⴷⴰⵗ ⵉⵎⴰ ⴷⵉⵈⵉⵍ ⴰⵏⵉⵎⵆⴰⵔ ⴰⴷ ⴱⴰⵛⴰⵍⵍ ⴰⵏⴰⵎⵓⴾⴰⵍ ⴰⵏ ⵙⵉⴷⴰⵓⴰⵜ
English: He did not talk about his health and visited a doctor in January 1956 after considerable persuasion from Bacall.
Tamasheq: ⵓⴰⴷ ⵉⵜⵉⵎⴶⵔⵉⴷ ⴼⴰⵍ ⴰⵛⴻⵆⴰⵜ ⵉⵏⴻⵙ ⴰⴷ ⵉⵙⴰⵙⵜⴰⵏ ⵍⴰⵛⵜⵓⵔ ⴷⴰⵗ ⵋⴰⵏⴱⵉⴻⵔ 1956, ⴷⴰⵔⴰⵜ ⵓⵆⵓⵍ ⵏⵉⵎⴰⵙⴷⵉⵎⴰⵍ ⵉⵏⴰ ⴱⴰⵛⴰⵍⵍ
English: He had additional surgery in November 1956, when the cancer had metastasized.
Tamasheq: Iⴶⴰ ⵓⴱⴻⵔⴻ ⵎⴰⵈⴰⵔⴰⵏ ⴷⴰⵗ ⵏⵓⴱⴻⵎⴱⵔⴻ 1956, ⵎⴰⵛⴰⵏ ⵛⴰⵏⵛⴻⵔ ⵜⴰⵓⴰⴷ.
English: On it was inscribed, "If you want anything, just whistle."
Tamasheq: ⴰⴾⵜⴰⴱ ⴼⴰⵍⵍⴰⵙ :`` `` ⴰⴼⴰⵍ ⵜⴰⵔⵂⴻⴷ ⵂⴰⵔⴰⵜ, ⵙⵓⴾⵓⵙⵓⵜ.
English: Having studied with Stella Adler in the 1940s, he is credited with being one of the first actors to bring the Stanislavski system of acting and method acting, derived from the Stanislavski system, to mainstream audiences.
Tamasheq: ⴰⵏⴰⵎⴰⵆⵔⴰ ⴷⴰⴷ ⵙⵜⴻⵍⵍⴰ ⴰⵍⴷⴻⵔ ⴷⴰⵗ ⴰⵓⴰⵜⴰⵉ ⵓⴰⵏ 1940, ⴰⵜⵉⵓⴰⴼⴰ ⴰⵙⵉⵏⴰⵂⵉⴶ ⴰⵏ ⵜⵉⵣⴰⵔⵜ ⵏⴰⵙⴰⵙⴰⵜⴾⵉⵍ ⵓⴰ ⴰⵙⵓⵙⴰⵏⴰⵏ ⴰⴷⵉⵏⴰⵜ ⴰⵍⵎⴰⵆⵏⴰ ⵓⴰⵏ ⵙⵜⴰⵏⵉⵙⵍⴰⴱⵙⴾⵉ ⴰⴷ ⵜⴰⴱⴰⵔⴰⵜ ⵜⴰⵏ ⴰⴷⴰⵍⴰⵏ, ⴰⴷⴰⵜ ⵜⵉⴶⵎⴰⴷⴰⵜ ⴰⵍⵎⴰⵆⵏⴰ ⵓⴰⵏ ⵙⵜⴰⵏⵉⵙⵍⴰⴱⵙⴾⵉ.
English: He directed and starred in the cult western One-Eyed Jacks, a critical and commercial flop, after which he delivered a series of notable box-office failures, beginning with Mutiny on the Bounty (1962).
Tamasheq: Iⴶⴰ ⵉⵣⴰⵔ ⵉⴷⴰⵍ ⴷⴰⵗ ⵓⴻⵙⵜⴻⵔⵏ ⵛⵓⵍⵜⴻ Oⵏⴻ-ⴻⵉⴻⴷ ⵋⴰⵛⴾⵙ, ⵜⴰⵏⴰⴷⵔⴰ ⴰⵏ ⵜⵉⵣⵎⵉⵜ ⴰⴷ ⴰⵎⵛⵉⵏⵛ, ⴷⴰⵔⴰⵜ ⵂⵓⴾ ⵜⴰⵏⵎⴰⵍⴰⵍⴻⵏ ⴰⵏ ⵜⴰⵏⴰⴷⵔⴰ ⴰⵜⴱⴰⵏⵜⴻⵏ ⴷⴰⵗ ⴱⵓⵆ-ⵓⴼⴼⵉⵛⴻ, ⴰⵙⵙⴰⵏⵜⴰ ⵎⵓⵜⵉⵏⵉ ⵓⵏ ⵜⵂⴻ ⴱⵓⵓⵏⵜⵉ (1962).
English: He refused the award due to alleged mistreatment and misportrayal of Native Americans by Hollywood.
Tamasheq: ⵓⴶⴰⵉ ⴰⵙ ⵜⴰⵋⵓⵔ ⴼⴰⵍ ⴰⴱⵔⵓⵔ ⵏⴰⵍⵎⴰⵆⵏⴰ ⴰⴷ ⵜⴰⵙⴰⵓⵜ ⵓⵉⵏⵏⴰⵏⵜⵉⴾⵏⴰ ⵏⴰ ⴰⵎⴻⵔⵉⵏⴷⵉⴻⵏⵜⴰⵏ ⴷⴰⵗ ⵂⵓⵍⵍⵉⵓⵓⴷ.
English: According to the Guinness Book of World Records, Brando was paid a record $3.7 million ($ million in inflation-adjusted dollars) and 11.75% of the gross profits for 13 days' work on Superman.
Tamasheq: ⴻⴰⵗ ⴰⵍⴾⵉⵜⴰⴱ ⵗⵓⵉⵏⵏⴻⵙⵙ ⵓⴰⵏ ⵔⴻⵛⵓⵔⴷⵙ, ⴱⵔⴰⵏⴷⵓ ⵉⴶⵔⴰⵓ 3,7 ⵎⵉⵍⵉⵓⵏⵜⴰⵏ ⵓⵉⵏ ⴷⵓⵍⵍⴰⵔ ( ⵎⵉⵍⵉⵓⵏⵜⴰⵏ ⵓⵉⵏ ⴷⵓⵍⵍⴰⵔ ⴷⴰⵗ ⴷⵓⵍⵍⴰⵔ ⵓⴰ ⵉⴾⵏⴰⵏ ⵜⵉⵓⴰⵜ) ⴰⴷ 11,75 ⴱⵓⵔⵙⴰⵏⵜⴰⵏ ⵏⴰⵓⴰ ⴷⴰⵓⴰⴷⴰⵏ 13 ⵉⵂⴰⴷⴰⵏ ⵏⵉⵛⵉⵆⵉⵍ ⴼⴰⵍ ⵙⵓⴱⴻⵔⵎⴰⵏ
English: His ancestry was mostly German, Dutch, English, and Irish.
Tamasheq: Iⵎⴰⵔⴰⵓⴰⵏⴻⵙ ⴰⵈⴰⵍⴰⵏ ⵙⵉⵏⵉⵍⴾⴰⵎⴰⵏ ⴰⵍⴰⵉⵎⵜⴰⵏ, ⵏⴻⴰⵍⴰⵔⵜⴰⵏ, ⴰⵏⴶⵍⴻⵜⴰⵏ ⴰⴷ ⵉⵔⵍⴰⵏⴷⴻⵜⴰⵏ
English: Brando was raised a Christian Scientist.
Tamasheq: ⴱⵓⴰⵏⴷⵓ ⴰⴷⴰⵗ ⴰⵜⵓⴰⵙⴰⵓⴷⴰⵍ ⴰⴾⴰⵍ ⵓⴰⵏ ⵙⵛⵉⴻⵏⵜⵉⵙⵜⴰⵏ ⵛⵂⵔⵉⵙⵜⴰⵏ.
English: However, she was an alcoholic and often had to be brought home from bars in Chicago by her husband.
Tamasheq: ⴰⴶⵓⴷⴻⵏⴷⴰⵗ, ⴻⵈⴰⵍ ⴻⵎⴰⵙⴰⵓ ⵏⴰ ⴰⵍⵛⵓⵍ ⴰⵓⴻⵏⴷⴰⵗ ⴰⵙ ⴰⴶⵓⴷⵉⵉⴰⵏ ⴰⵂⴰⵍⵉⵙ ⴰⵏⴻⵙ ⴰ ⵜⴰⴷ ⴷⵉⵜⵉⵓⵉⴰⵜ ⴷⴰⵗ ⴷⴰⴶⴰⵏ ⵓⵉ ⵜⴰⵙⴰⵙⴻ ⵓⵉⵏ ⵛⵂⵉⵛⴰⴶⵓ.
English: Brando harbored far more enmity for his father, stating, "I was his namesake, but nothing I did ever pleased or even interested him.
Tamasheq: "ⴱⵓⴰⵏⴷⵓ ⵉⵛⴰⵛⴾⴰ ⴰⵋⴻⵏ ⴼⴰⵍ ⵜⴰⵂⴰⵏⵉⵏⵜ ⴻ ⵜⵉⵙ, ⴰⵍⵉⵆⴰⵜ : " ⴻⵈⴰⵍ ⴰⵎⵏⵓⵆⵔⵓⵏⴻⵏ, ⵎⴰⵛⴰⵏ ⴾⴰⵍⴰ ⵓⵉⵙ ⴰⴶⵔⴻⵣ ⴰⵓⴰ ⵉⵜⴰⴶ ⵓⴰⵍⴰ ⵂⴰⵔⵂⴻⵉ.
English: Around 1930, Brando's parents moved to Evanston, Illinois, when his father's work took him to Chicago, but separated in 1935 when Brando was 11 years old.
Tamasheq: ⴻⴰⵗ 1930, ⵉⵎⴰⵔⴰⵓⴰⵏ ⴰⵏ ⴱⵓⴰⵏⴷⵓ ⵉⴷⴰⴾⴰⵏ ⴻⴱⴻⵔⵜⵓⵏ, ⴷⴰⵗ Iⵍⵍⵉⵏⵓⵉⵙ, ⵓⴶⵓⴷ ⵓⴰ ⵜⵉⵓⴰⵜ ⴰⵛⵉⵆⵉⵍ ⴰⵏ ⵜⵉⵙ ⵉⵙ ⵙⵉⵛⴰⴶⵓ, ⵎⴰⵛⴰⵏ ⴰⴱⴷⴰⵏ ⴷⴰⵗ 1935, ⴰⵣⴰⵔ ⴱⵓⴰⵏⴷⵓ ⵉⵍⴰ 11 ⴻⵍⴰⵏ.
English: Brando, whose childhood nickname was "Bud", was a mimic from his youth.
Tamasheq: "ⴱⵓⴰⵏⴷⵓ, ⵓⴰⵙ ⵙⵉⵙⵉⵎⵏⴻⵙ ⵓⴰ ⵜⵉⵎⴷⵔⵉⵜ ⴻⵈⴰⵍ ""ⴱⵓⴷ"", ⴻⵈⴰⵍ ⵉⵙⵉⴷⵉⴷⴰⵏ ⴷⴰⵗ ⵜⴰⵎⴰⴷⵔⵉⵜ ⵉⵏⴻⵙ.
English: In the 2007 TCM biopic Brando: The Documentary, childhood friend George Englund recalls Brando's earliest acting as imitating the cows and horses on the family farm as a way to distract his mother from drinking.
Tamasheq: ⴻⴰⵗ ⴰⵍⴾⵉⵜⴰⴱ ⴱⵓⴰⵏⴷⵓ ⵓⴰ 2007 ⴰⵏ ⵟⵛⵎ : ⵟⵂⴻ ⴻⵓⵛⵓⵎⴻⵏⵜⴰⵔⵉ ⵗⴻⵓⵔⴶⴻ ⴻⵏⴶⵍⵓⵏⴷ, ⴰⵎⵉⴷⵉ ⴻⵏ ⵜⵉⵎⴰⵎⴷⵔⵉⵜ, ⵉⵙⴰⵎⴰⴾⵜⴰ ⴰⵙ ⴰⵛⵉⵛⵉⵍ ⵓⴰⵣⴰⵔⴰⵏ ⴰⵏ ⴱⵓⴰⵏⴷⵓ ⴻⵈⴰⵍ ⴰⵙⵓⴶⴱⵓⴱⵔ ⴰⵏ ⵓⴰⵏ ⴰⴷ ⴱⵉⵋⵓⵓⴰⵏ ⵏⴰⵆⴰⵍⴰ ⴰⵏ ⵜⵓⵎⵓⵣⵓⵈ, ⵙⴰⵎⴰⵏⴷⵓ ⵏⴰⵛⵍⴰⵍⴰⵜ ⴰⵏ ⵎⴰⵙ ⴼⴰⵍ ⴰⵙⵎⵉⴷ.
English: Brando's sister Frances left college in California to study art in New York.
Tamasheq: ⴼⵓⴰⵏⵛⴻ, ⵓⴰⵍⴰⵜⵎⴰⵙ ⴰⵏ ⴱⵔⴰⵏⴷⵓ, ⵜⴰⴼⴰⵍ ⵓⵏⵉⴱⴻⵔⵙⵉⵜⴻ ⵓⴰ ⵛⴰⵍⵉⴼⵓⵔⵏⵉⴻ ⴼⴰⵍ ⵜⴻⵆⴰⵔⴻ ⴰⵏ ⵜⴰⵎⵉⵙⵏⴰⵓⴻⵏ ⴷⴰⵗ ⵏⴻⵓ ⵗⵓⵔⴾ.
English: Brando excelled at theater and did well in the school.
Tamasheq: ⴱⵓⴰⵏⴷⵓ ⵎⴰⵈⵉⵔ ⴷⴰⵗ ⵜⵉⵎⵙⴰⴷⴰⵓⵜ ⴰⴷ ⵉⴶⵔⴰⵓ ⴰⵉⵓⴰⵔ ⵙⴰⵔⵂⵓ ⴷⴰⵗ ⴻⵛⵓⵍⴻ
English: The faculty voted to expel him, though he was supported by the students, who thought expulsion was too harsh.
Tamasheq: ⴰⵛⵓⵂⵓ ⵏⵓⴾⵓⵙ ⵏⴰⵣⵉⵣⴶⴰⵔ ⵉⵏⴻⵙ, ⴼⴰⵍⴰⵙ ⵉⴶⵔⴰⵓ ⵜⴰⴷⵂⵉⵍⵜ ⴰⵏ ⵎⴰⵆⵔⴰⵏ, ⵓⵉ ⴰⵆⴻⵍⵏⴻⵏ ⴰⵣⵉⵣⴶⴰⵔ ⴻⵈⴰⵍ ⴰⵛⵓⴶⵓ.
English: In a 1988 documentary, Marlon Brando: The Wild One, Brando's sister Jocelyn remembered, "He was in a school play and enjoyed it ... So he decided he would go to New York and study acting because that was the only thing he had enjoyed.
Tamasheq: ⴻⴰⵗ ⵙⴰⵍⴰⵏ ⵓⵉⵏ 1988, ⵎⴰⵔⵍⵓⵏ ⴱⵓⴰⵏⴷⵓ : ⵟⵂⴻ ⵓⵉⵍⴷ ⵓⵏⴻ, ⵜⴰⵎⴰⵉⴷⵔⴰⵜ ⴰⵏ ⴱⵓⴰⵏⴷⵓ, ⵋⵓⵛⴻⵍⵉⵏ, ⵜⵉⵙⴰⵏ : " Iⴷⴰⵍ ⴷⴰⵗ ⵜⴰⵎⵙⵓⴷⵓⵜ ⵏⴰⴷⴰⵍ ⴷⴰⵗ ⴻⵛⵓⵍⴻ ⵉⵣⴰⵔ ⴰⵓⴻⵏ ⵉⴶⵔⴰⵣⴰⵣⵙ…Iⵣⴰⵔ ⵜⴰⵙⴰⴱⴰⵜ ⵉⴾⵉ ⴰⵏ ⵏⴻⵓ ⵗⵓⵔⴾ ⵉⴻ ⵜⴻⵆⴰⵔⴻ ⴰⵏ ⵜⴰⵎⵙⵉⴷⴰⵓⵜ ⴼⴰⵍⴰⵙ ⵉⵏⵜⴰ ⵆⴰⵙ ⴰ ⵜⴰⵜ-ⵜⵉⵓⴰⵔⵂⴰⵜ.
English: For a time he lived with Roy Somlyo, who later became a four time Emmy winning Broadway producer.
Tamasheq: ⵓⴶⵓⴷⴻⵏⴷⴰⵗ ⴰⵏ ⵂⴰⵔⴰⵜ ⴰⵏ ⵜⴰⵂⴰⴶⵉⵜ, ⴰⵎⵙⴰⴷⵓⴰⵍ ⴰⵎⴰⴷ ⵔⵓⵉ ⵙⵓⵎⵍⵉⵓ, ⵓⴰ ⴻⵈⴰⵍⴰⵏ ⴰⴶⵓⴷⵉⵉⴰⵏ ⴻⵎⴰⵏⴰⵂⴰⵜ ⴰⵏ ⴱⵓⵓⴰⴷⵓⴰⵉ ⵉⵜⴾⴰⵍⴰⵏ ⵉⴾⵓⵣ ⴻⵎⵎⵉ ⴰⵓⴰⵔⴷⵙ.
English: Brando's remarkable insight and sense of realism were evident early on.
Tamasheq: ⵜⴰⵎⵓⵙⵏⴻ ⴰⴷ ⵉⵏⴰⵉⴰⵜ ⵏⵉⴶⵉ ⵏⵓⵆⴰⴷⴰⵏ ⵓⴰⵏ ⴱⵓⴰⵏⴷⵓ ⴻⵈⴰⵍ ⴰⵜⵉⵓⴰⴷⴰⵍⴰⵏ ⵛⵉⴾ.
English: According to Dustin Hoffman in his online Masterclass, Brando would often talk to camera men and fellow actors about their weekend even after the director would call action.
Tamasheq: ⵗⵓⵔ ⴻⵓⵙⵜⵉⵏ ⵂⵓⴼⴼⵎⴰⵏ ⴷⴰⵗ ⵓⴰⵏⴻⵙ ⵎⴰⵙⵜⴻⵔⵛⵍⴰⵙⵙ ⴰⵏ ⵉⵏⵜⴻⵔⵏⴻⵜ, ⴱⵓⴰⵏⴷⵓ ⴶⴰⵏⵓ ⴰⴶⵓⴷⵉⵉⴰⵏ ⵉⴻ ⵓⵉⵙⴰⵙⴰⵜⴾⴰⵍⵏⴻⵏ ⴰⴷ ⵎⵉⴷⴰⵓⴰⵏⴻⵙ ⵓⵉⵏ ⵎⴰⵜⴾⴰⵍⴰⵏ ⵓⴻⴻⴾ-ⴻⵏⴷ ⵏⴰⵙⴰⵏ, ⴷⴰⵔⴰⵜ ⴰⵓⴰ ⵉⵎⴰⵏⴻⵙ ⵓⴰ ⵉⴷⴰⴾⴰⵍⴰⵏ ⴰⵙⵉⵙⵜⴰⵏ ⴷⵔⵉⵙ ⵜⵉⴷⴰⵓⵜ.
English: His behavior had him kicked out of the cast of the New School's production in Sayville, but he was soon afterwards discovered in a locally produced play there.
Tamasheq: ⵜⴻⵎⴰⵛⴰⵆⴰⵍⵜ ⴰⵏ ⵏⴻⵙ ⵜⴰⵣⴰⴶⴰⵔⵜⵉⵂⵉⵏ ⴷⴰⵗ ⵜⵉⵣⵓⵏⴰⵓⴻⵏ ⵜⵉ ⵏⵉⴶⵉ ⴰⵏ ⵏⴻⵓ ⵙⵛⵂⵓⵓⵍ ⵉⵓⵔ ⵙⴰⵉⴱⵉⵍⵍⴻ, ⵎⴰⵛⴰⵏ ⴰⵜⵓⴰⴶⵔⴰⵓ ⴰⵏⴷⵉⵔⴰⵏ ⴷⴰⵗ ⴱⴰⵜⵎⴰ ⵜⵉⴶⴰⵜ ⵉⵓⵔ ⵎⵉⵣⵗⴰⵆ
English: Cornell also cast him as the Messenger in her production of Jean Anouilh's Antigone that same year.
Tamasheq: ⴻⴰⵗ ⴰⵓⴰⵜⴰⵉ ⵓⴻⵏⴷⴰⵗ ,ⵛⵓⵔⵏⴻⵍⵍ ⴰⵙⵉⵆⵍⴰⴼⵜⵉ ⵜⴰⵏⵂⴰⵜ ⵜⴰⵏ ⵉⴶⵉ ⴰⵏ ⵙⴰⵍⴰⵏ ⴷⴰⵗ ⴰⴶⵉⵜⴰⵏⴻⵙ ⴰⵏ ⴰⵏⵜⵉⴶⵓⵏⴻ ⴷⴻ ⵋⴻⴰⵏ ⴰⵏⵓⵉⵍⵂ.
English: Bankhead had turned down the role of Blanche Dubois in A Streetcar Named Desire, which Williams had written for her, to tour the play for the 1946–1947 season.
Tamasheq: ⴱⴰⵏⴾⵂⴻⴰⴷ ⴾⴰⵍⴰ ⵓⴶⴰⵉ ⵉⴻ ⵜⴰⵏⵂⴰⵜ ⵜⴰⵏ ⴱⵍⴰⵏⵛⵂⴻ ⴻⵓⴱⵓⵉⵙ ⴷⴰⵗ ⵜⵔⴻⴻⵜⵛⴰⵔ ⵏⴰⵎⴻⴷ ⴻⴻⵙⵉⵔⴻ, ⵓⴰⵙ ⵓⵉⵍⵍⵉⴰⵎⵙ ⵉⴾⵜⴰⴱⴰⵙ ⵂⴰⵙ, ⴼⴰⵍ ⴰⴷ ⴷⵉⵙⵉⵎⵉⵍⵉⵍⵉⵉ ⵙⵉⴷⴰⵓⴰⵜ ⵉⴰ ⵓⴰⵜⴰⵉ ⵓⴰ 1946-1947
English: Wilson was largely tolerant of Brando's behavior, but he reached his limit when Brando mumbled through a dress rehearsal shortly before the November 28, 1946, opening. "
Tamasheq: "ⵓⵉⵍⵙⵓⵏ ⴻⵈⴰⵍ ⴻⵔⴻ ⵂⵉⵏ ⵉⵜⵉⵉⵉⵏ ⵂⵓⵍⴻⵏ ⵉⴻ ⵜⴰⵎⴰⵛⴰⵆⴰⵍⴻⵏ ⵜⴰⵏ ⴱⵔⴰⵏⴷⵓ, ⵎⴰⵛⴰⵏ ⵉⵓⴰⴷ ⵙⴰⵎⴰⵏⴷⵓ ⴰⴶⵓⴷ ⵓⴰ ⴱⵔⴰⵏⴷⵓ ⴰⵙⵎⴰⵜⴰⴾⵜⴰⴾ ⴰⴶⵓⴷ ⴰⵏ ⵙⴰⵎⵓⵙⵓⵆⵓⵍ ⵏⴰ ⴷⵉⵔⵔⴰⵏ ⴷⴰⵜ ⴰⵙⴰⵙⵜ ⴰⵏ ⵜⴰⵜ-ⵜⴰⵣⴰⵔⴰⵜ ⴰⵏ 28 ⵏⵓⴱⴻⵎⴱⵔⴻ 1946.
English: It was marvelous," a cast member recalled. "
Tamasheq: "ⴻⵈⴰⵍ ⴰⵉⴾⵏⴰⵏ ", ⴰⵙⵎⴰⵜⴰⵂⵉⵜ ⵂⴰⵔⴰⵜ ⴷⴰⵗ ⴰⵍⵋⴰⵎⴰⵆⴰⵜ.
English: Critics were not as kind, however.
Tamasheq: ⵜⵉⵣⵎⵉⵜⴻⵏ ⵓⴰⵔ ⴰⵈⴻⵍⵏⴰⵜ ⴰ ⵉⴾⵏⴰⵏ, ⴰⴶⵓⴷⴻⵏⴷⴰⵆ .
English: He received better reviews at subsequent tour stops, but what his colleagues recalled was only occasional indications of the talent he would later demonstrate. "
Tamasheq: "Iⵙⵍⴰ ⵜⵉⵣⵎⵉⵜⴻⵏ ⵎⴰⵈⵓⵔⵏⴻⵏ ⵉⵓⵔ ⴰⵙⵉⵎⵉⵍⵉⵍⵉⵉ ⵓⴰⴷⵉⵎⴰⵍⴰⵏ, ⵎⴰⵛⴰⵏ ⵓⵉ ⵎⵉⴷⴰⵓⴰⵏⴻⵙ ⴾⵉⵜⵓⵏ ⴻⵈⴰⵍ ⴷⴰⵗ ⵜⴰⴱⴰⵔⴰⵜ ⴱⴰⵜⴰⵍⴰ ⵉⴻ ⵜⴰⵎⴰⵛⴰⵆⴰⵍ ⴰⵏⴻⵙ ⴰⴶⵓⴷ ⵓⴰ ⴰⵙⵉⴾⵏⴰ ⴷⴰⵔⴰⵜ ⴰⵓⴻⵏ
English: Brando displayed his apathy for the production by demonstrating some shocking onstage manners.
Tamasheq: ⴱⵔⴰⵏⴷⵓ ⴰⵙⵉⵙⴾⵏⴰ ⵜⴰⴷⴰⴱⵉⵜ ⴷⴰⵗ ⵉⴶⵉⵜⴰⵏ ⴷⴰⵗ ⵉⵍⴰ ⵜⵉⴷⵉⵜ ⴷⴰⵗ ⵂⴰⵔⴰⵜⴰⵏ ⴰⵏ ⵙⴰⵍⴰⵏ ⴰⵙⵉⵙⵏⴰⵏⴻⵏ ⴷⴰⵗ ⵜⵉⴷⴰⵓⵜ
English: After several weeks on the road, they reached Boston, by which time Bankhead was ready to dismiss him.
Tamasheq: ⴻⴰⵔⴰⵜ ⵉⵙⴰⵜⴰⵏ ⴰⵋⵓⵜⵏⴻⵏ ⴷⴰⵗ ⵣⴰⴱⵓ, ⵉⵓⴰⴷ ⴱⵓⵙⵜⵓⵏ, ⴰⴷ ⴱⴰⵏⴾⵂⴻⴰⴷ ⴰⵙⵉⴷⴰⵓ ⵉⴰ ⵜⵉⵛⵉⴶ.
English: Pierpont writes that John Garfield was first choice for the role, but "made impossible demands."
Tamasheq: "ⴱⵉⴻⵔⵓⵓⵏⵜ ⵉⴾⵜⴰⴱ ⴰⵙ ⵋⵓⵂⵏ ⵗⴰⵔⴼⵉⴻⵍⴷ ⴻⵈⴰⵍ ⵓⴰ ⴰⵣⴰⵔⴰⵏ ⴰⵎⵓⴾⵉⵙ ⴼⴰⵍ ⵙⴰⵍⴰⵏ, ⵎⴰⵛⴰⵏ ""ⵉⵜⴰⴶⵓ ⴰⵙⵓⵙⵜⴰⵏⴰⵏ ⴰⵓⴻⵏⴰⵏ ⵜⵉⵍⴰ""
English: It humanizes the character of Stanley in that it becomes the brutality and callousness of youth rather than a vicious old man ... A new value came out of Brando's reading which was by far the best reading I have ever heard."
Tamasheq: Iⴾⵏⴰ ⵜⴰⵎⵆⴰⵔ ⴰⵏ ⵙⵜⴰⵏⵍⴻⵉ ⵓⴰ ⴷⴰⵗ ⴼⴰⵍ ⴻⵈⴰⵍ ⵜⴰⵍⵉⵎⵜ ⴰⴷ ⴷⵉⴱⴰ ⴰⵏ ⵜⴰⵣⵉⴷⴻⵔⵜ ⵉⴻ ⵜⴰⵎⴰⴷⵔⵉⵜ ⵉⴻⵆⵓⵍ ⵏⴰⵂⴰⵍⵉⵙ ⵏⴰⵎⵆⴰⵔ ⴰⵣⵉⵍⴱⴰⴱⴰⵉⴰⵏ….ⵜⴻⵎⴱⴻ ⵜⴰⵉⵏⴰⵉⴰⵜ ⵜⵉⵣⴶⴰⵔⵉⵜ ⴷⴰⵗ ⵜⴻⵆⴰⵔⴻ ⵜⴰⵏ ⴱⵔⴰⵏⴷo ⵜⴰ ⵜⴰⵈⴰⵍ ⴷⴰⵗ ⵉⴶⵉⴶ ⵜⴻⵆⴰⵔⴻ ⵜⴰ ⵜⴰⵜⴰⵏⴰⵜⵓⴼⴰⵜ ⵉⵙ ⴾⴰⵍⴰ ⵓⴰ ⵂⴰⵙ ⵉⵙⵍⴰ."""
English: He said, "The curtain went up and on the stage is that son of a bitch from the gym, and he's playing me."
Tamasheq: "I ⵏⴰ : "ⵔⵉⴷⴻⴰⵓ ⵉⴾⴰⵔⵉⴷ ⵉⵣⴰⵔ ⴼⴰⵍ ⵜⵉⴷⴰⵓⵜ ⵉⵓⵔ ⵉⵍⴰ ⵍⵓⵔⴻⵙ ⵜⴰⴾⴰⵔⵓⴰⵜ ⵜⴰ ⴶⵉⵎⵏⴰⵙⴻ, ⵉⵣⴰⵔ ⴰⵓⴰⴷⴰⵗ ⵜⴰⴶⴰ ⴰⵜ ⵜⵉⵛⵍⴰⵏ."
English: Brando's first screen role was a bitter paraplegic veteran in The Men (1950).
Tamasheq: ⵓⴰⵣⴰⵔⴰⵏ ⵉⵛⵉⵆⵉⵍ ⴼⴰⵍ ⴻⵛⵔⴰⵏ ⵓⴰ ⴱⵔⴰⵏⴷⵓ ⴻⵈⴰⵍ ⴻⵎⴰⵛⴻⵂⵉ ⵜⵉⴶⵔⴰⵓ ⴱⴰⵔⴰⴱⵍⵉⴶⵉⴻ ⵙⴰⵎⴰⵎⴰⵜ ⴷⴰⵗ ⵟⵂⴻ ⴱⴻⵏ (1950).
English: By Brando's own account, it may have been because of this film that his draft status was changed from 4-F to 1-A. He had had surgery on his trick knee, and it was no longer physically debilitating enough to incur exclusion from the draft.
Tamasheq: ⴻⴰⵗ ⵜⴰⵏⴰ ⵜⴰⵏ ⴱⵔⴰⵏⴷⵓ, ⵉⴶⵓⵎⵉⵛⵉ ⵜⴰⵙⴰⴱⴰ ⴰⵏ ⵙⵉⵍⵎⴰ ⵓⴰⵙ ⴰⵏⵓⵣⴶⵓⵎ ⴰⵏⴻⵙ ⵓⴾⴰⵉ ⵉⵓⵔ 4-ⴼ ⵂⴰⵔ 1-ⴰ. ⴰⵜⵉⵓⴰⴶⴰⵙ ⴰⵣⵉⴱⵔⵉⵣⵉ ⴷⴰⵗ ⴰⴼⵓⴷ ⵓⴰ ⵜⴰⵛⴰⵍⴶⴻ ⴰⴷ ⴰⴼⵓⴷ ⵓⴰ ⵏⴰⵆⵉⵍ. ⴰⵜⵉⵓⴰⴶⴰⵙ ⴰⵣⵉⴱⵔⵉⵣⵉ ⴷⴰⵗ ⴰⴼⵓⴷ ⵓⴰ ⵜⴰⵛⴰⵍⵎⴰⴷ ⴰⴷ ⴰⴱⴰⴷⴷⴰⵏ ⴰⵏⴻⵙ ⵓⴰ ⵓⴰⵏⵏⴰⵏ ⴰⴶⴷⴻ ⵉⴻ ⵜⵓⵉⵛⵉⴶ ⴰⵏⴻⵙ ⴷⴰⵗ ⴰⵛⴰⵗⵉⵍ ⵓⴰⵏ ⵙⴰⵔⴷⴰⵙⵉⵜⴰⵏ.
English: Coincidentally, the psychiatrist knew a doctor friend of Brando.
Tamasheq: ⴻⴰⵗ ⵜⴰⴱⴰⵆⵓⵔ, ⴱⵙⵉⵛⵉⴰⵜⵔⴻ ⵉⵣⴰⵉ ⵍⴰⵛⵜⵓⵔ ⵉⵉⴰⵏ ⵏⴰⵎⵉⴷⵉ ⴰⵏ ⴱⵔⴰⵏⴷⵓ.
English: The role is regarded as one of Brando's greatest.
Tamasheq: ⴰⵛⵉⵍ ⵓⴻⵏⴷⴰⵗ ⴻⵈⴰⵍ ⵓⴰ ⵜⴰⵏ ⵓⴼⴰⵏ ⴼⵓⴾ ⵉⴻ ⴱⵔⴰⵏⴷⵓ.
English: The film was directed by Elia Kazan and co-starred Anthony Quinn.
Tamasheq: ⵙⵉⵍⵎⴰ ⴰⵜ-ⵜⴰⵜ ⵉⴶⴰⵏ ⴻⵍⵉⴰ ⵆⴰⵣⴰⵏ ⵉⵣⴰⵔ ⵉⴶⴰ ⵜⴻⵏⴰⵎⴰⵂⴰⵜ ⴰⵏⵜⵂⵓⵏⵉ ⵔⵓⵉⵏⵏ
English: During our scenes together, I sensed a bitterness toward me, and if I suggested a drink after work, he either turned me down or else was sullen and said little.
Tamasheq: ⴻⴰⵗ ⵜⵉⴷⴰⵓⴻⵏ ⵏⴰⵔⵜⴰⵉ, ⵓⴼⵔⴰⵉⴰ ⵉⴻ ⵂⴰⵔⴰⵜ ⵏⴰⴱⵔⵓⵔ ⴷⴰⵗ ⴰⵏⴰⵉⴰⵜⵉⵏ, ⵉⵣⴰⵔ ⴰⴼⴰⵍ ⵂⴰⵙ ⴰⵏⴻⵙ ⴰⴷ ⴷⴰⵙⵓ ⵂⴰⵔⴰⵜ ⴷⴰⵔⴰⵜ ⴰⵛⴰⵆⵉⵍ, ⴰⵔⵓⴶⵉⵉ ⵎⴻⵆ ⴻⵈⴰⵍ ⴰⵉⵜⴰⵔⴰⵏ ⵉⵣⴰⵔ ⵓⵉⵔⵉⴶⵓ ⴰⵜ-ⵜⴰⵜ ⵉⵍⴰⵏ.
English: After achieving the desired effect, Kazan never told Quinn that he had misled him.
Tamasheq: ⵓⴶⵓⴷ ⵓⴰ ⴷⵉⴶⵔⴰⵓ ⴰⵍⵎⴰⵆⵏⴰ ⵏⴰⵓⴰ ⴰⵙ ⵉⴶⵔⴰⵣⴰⵏ, ⵆⴰⵣⴰⵏ ⴾⴰⵍⴰ ⵓⵔⵉⵏⴰ ⵉⴻ ⵙⵓⵉⵏⵏ ⵉⴶⴰⵙ ⵂⵉⵍⴻ
English: Gielgud was so impressed that he offered Brando a full season at the Hammersmith Theatre, an offer he declined.
Tamasheq: ⵗⵉⴻⵍⴶⵓⴷ ⴰⵙⵉⵔⵎⴰⵆⵈⵉ ⵓⴰⴷⴰⵗ ⴼⴰⵍ ⵉⴼⴰ ⴱⵔⴰⵏⴷⵓ ⴰⵓⴰⵜⴰⵉ ⴰⵎⴷⴰⵏ ⴷⴰⵗ ⵂⴰⵎⵎⴻⵔⵙⵎⵉⵜⵂ ⵟⵂⴻⴰⵜⵔⴻ, ⵉⵂⵓⴾ ⵓⵉ ⴰⵙⵉⵆⴰⵔⴰⵎⴱⴰⵉ
English: It was like a furnace door opening—the heat came off the screen.
Tamasheq: ⵙⵓⴷ ⵆⴰⵙ ⴰⵛⴰⵔ ⵏⴰⵏ ⵏⴰⵍ ⴼⵓⵔⵏⴰ ⵉⵜⴰⵎⴰⵔⴻⵏ- ⵜⴰⴾⴰⵙⵜⴻ ⵜⵉⴼⴰⵍⵉⴷ ⵜⵉⵙⴻⵜ
English: By all accounts, Brando was upset by his mentor's decision, but he worked with him again in On The Waterfront. "
Tamasheq: "ⴻⴰⵗ ⴰⵍⴰⵆⵉ ⴷⴰⴾ, ⴱⵔⴰⵏⴷⵓ ⴻⵈⴰⵍ ⴰⵜ-ⵜⵓⴰⵙⴰⵎⴰⵍⴰⵍⴰⵉ ⴷⴰⵗ ⵜⴰⵏⵂⴰⵜ ⵜⴰⵏ ⴰⵎⵉⵣⴰⵔ ⴰⵏⴻⵙ, ⵎⴰⵛⴰⵏ ⵓⵍⴰⵙ ⴰⵛⵉⵆⵉⵍ ⴷⵉⵔⵉⵙ ⴷⴰⵗ Oⵏ ⵟⵂⴻ ⵓⴰⵜⴻⵔⴼⵔⵓⵏⵜ.
English: Triumph's importers were ambivalent at the exposure, as the subject matter was rowdy motorcycle gangs taking over a small town.
Tamasheq: ⴰⵎⴰⵓⴰⵉⴰⵏ ⴰⵏ ⵟⵔⵉⵓⵎⴱⵂ ⴻⵈⴰⵍⴰⵏ ⵜⵓⵂⵓⵏⴰⵓⴻⵏ ⵏⵓⴾⵓⵙ, ⴼⴰⵍⴰⵙ ⴰⵛⵉⵆⵉⵍ ⴻⵈⴰⵍ ⴶⵍⵓⴼⵜⴰⵏ ⴰⵏ ⵜⵉⵙⵏⴰⵉ ⴰⵏ ⴾⴰⵍ ⵜⴰⴾⴰⵍⵜ ⴷⴰⴾⴰⵍⵏⴻⵏ ⵜⴰⵏⵂⴰⵜ ⵏⴰⵆⵔⵎ ⴰⵏⴷⵉⵔⴰⵏ.
English: When initially offered the role, Brando—still stung by Kazan's testimony to HUAC—demurred and the part of Terry Malloy nearly went to Frank Sinatra.
Tamasheq: ⵓⴶⵓⴷ ⵓⴰ ⵂⴰⵙ ⴰⵜⵓⴰⵏⴰⵏ ⴰⴷ ⴰⵜⴾⵉⵍ ⴰⵛⴰⵆⵉⵍ, ⴱⵔⴰⵏⴷⵓ, ⵂⴰⵔⵓⴰ ⴰⵙⵏⵉⵏ ⴼⴰⵍ ⵜⴰⵋⵓⵂⴻⵏⴻⵙ ⵜⴰⵏ ⵆⴰⵣⴰⵏ ⴷⴰⵜ ⵂⵓⴰⵛ- ⵓⵛⴰⵔ ⴰⴷ ⴰⵛⴰⵆⵉⵍ ⵓⴰⵏ ⵟⴻⵔⵔⵉ ⵎⴰⵍⵍⵓⵉ ⵉⵛⵓⴰⵔ ⴻⵜ-ⵜⵉⴶⵔⴰⵓ ⴼⵔⴰⵏⴾ ⵙⵉⵏⴰⵜⵔⴰ.
English: Brando won the Oscar for his role as Irish-American stevedore Terry Malloy in On the Waterfront.
Tamasheq: ⴱⵔⴰⵏⴷⵓ ⴰⴶⵔⴰⵓ Oⵙⵛⴰⵔ ⴷⴰⵗ ⴰⵛⴰⵆⵉⵍ ⵓⴰⵏ ⵟⴻⵔⵔⵉ ⵎⴰⵍⵍⵓⵉ ⴰⵎⴰⵓⴰⵉ ⵉⵔⵍⴰⵏⴷo-ⴰⵎⵉⵔⵉⵛⴰⵉⵏ, ⴷⴰⵗ ⵓⵏ ⵟⵂⴻ ⵓⴰⵜⴻⵔⴼⵔⵓⵏⵜ.
English: In his July 29, 1954, review, The New York Times critic A. H. Weiler praised the film, calling it "an uncommonly powerful, exciting, and imaginative use of the screen by gifted professionals."
Tamasheq: ⴷⴰⵗ ⵜⵉⵣⵎⵉⵜⴻⵏ ⵜⴰⵏ 29 ⵋⵓⵉⵍⵍⴻⵜ 1954, ⵜⵉⵣⵎⵉⵜ ⵜⴰⵏ ⵏⴻⵓ ⵗⵓⵔⴾ ⵟⵉⵎⴻⵙ ⴰ. ⵂ. ⵓⴻⵍⵍⴻⵔ ⵉⴶⴰ ⵜⵉⵎⴰⵍ ⴰⵏ ⵙⵉⵍⵎⴰ, ⴰⵜⴰⴶⴰⵏⴻⵏ ⴷⴰⵗ ""ⴷⴰⴾⴰⵍⴰⵏ ⴰⵏ ⵜⵉⵙⴻⵜ ⵜⴰ ⵜⴰⵙ-ⵙⵓⵆⵙⴰⴷⴰⵜ, ⵜⴰⵣⵉⵣⴰⵉⴷⴰⵔ ⵉⵣⴰⵔ ⵜⵉⵍⴰ ⴰⵏⵉⵣⴶⵓⵎ ⴼⴰⵍ Iⴷⵉⵏⴰⵜ ⵉⵍⴰⵏⴻⵏ ⵜⴰⵉⵉⵜⴻ"".
English: He portrayed Napoleon in the 1954 film Désirée.
Tamasheq: Iⴶⴰ ⴻⵛⴻⵆⵉⵍ ⵓⴰⵏ ⵏⴰⴱⵓⵍⵉⵓⵏ ⴷⴰⵗ ⵙⵉⵍⵎⴰ ⵓⴰⵜⵉⵓⴰⵔⵂⴰⵏ ⴷⴰⵗ 1954.
English: Brando was especially contemptuous of director Henry Koster.
Tamasheq: ⴱⵔⴰⵏⴷⵓⴻⵈⴰⵍ ⴰⵉⴱⴷⴰⵏ ⴷⴰⵗ ⴰⵎⴰⴾⴰⵏ ⴰⵏ ⵂⴻⵏⵔⵉ ⵆⵓⵙⵜⴻⵔ.
English: Relations between Brando and costar Frank Sinatra were also frosty, with Stefan Kanfer observing: "The two men were diametrical opposites: Marlon required multiple takes; Frank detested repeating himself."
Tamasheq: "ⴰⵓⴰ ⵉⵍⴰⵏ ⴶⴰⵔ ⴱⵔⴰⵏⴷⵓ ⴰⵏ ⴷⵉⵎⵉⴷⵉⵏⴻⵙ ⴼⵔⴰⵏⴾ ⵙⵉⵏⴰⵜⵔⴰ ⴻⵈⴰⵍ ⵉⵏⵜⴰⴷⴰⵗ ⴰⵂⵉⵏⵉⵍⴰⵏ, ⵙⵓⴷ ⴰⵓⴰⴷⴰⵗ ⴰⵆⴻⵍ ⵙⵜⴻⴼⴰⵏ ⵆⴰⵏⴼⴻⵔ : ""ⵎⴻⴷⵉⵏ ⵓⵉ ⵏⴰⵙⵉⵏ ⴰⵈⴰⵍⴰⵏ ⴰⵉⴱⴷⴰⵏ ⵜⴰⵍⵆⴰ : ⵎⴰⵔⵍⵓⵏ ⵉⵙⵉⵂⵓⵛⵓⵍ ⵉⴷⴰⴾⴰⵍⴰⵏ ⴰⵋⵜⵓⵏⴻⵏ ; ⴼⵔⴰⵏⴾ ⵉⵙⴾⴰⵏ ⴰⵓⴻⵏ ⴰⵏⴻⵍⴰⵙⴰⵏ.""
English: Frank Sinatra called Brando "the world's most overrated actor", and referred to him as "mumbles".
Tamasheq: "ⴼⵔⴰⵏⴾ ⵙⵉⵏⴰⵜⵔⴰ ⴻⵆⵔⴰ ⴱⵔⴰⵏⴷⵓ"" ⴻⵎⴰⴶ ⵓⴰ ⵜⴰⵏ ⵓⴶⴰⵔⴰⵏ ⴰⵜⵓⵉⵍⴾⴰⵂ ⴷⴰⵗ ⴰⴰⴷⵓⵏⵉⴰⵜ "ⵂⵉⵜ ⵜⵉⴶⴰⵏ ""ⴰⵎⵓⴷⴰⵔ."""
English: Pauline Kael was not particularly impressed by the movie, but noted "Marlon Brando starved himself to play the pixie interpreter Sakini, and he looks as if he's enjoying the stunt—talking with a mad accent, grinning boyishly, bending forward, and doing tricky movements with his legs.
Tamasheq: "ⴱⴰⵓⵍⵉⵏⴻ ⵆⴰⴻⵍ ⵓⴰⵔⴻⴾⴻⵍ ⴻⵔⴻ ⵜⵉⴶⵔⴰⵣⴰⵏ ⵙⵉⵍⵎⴰ, ⵎⴰⵛⴰⵏ ⵉⴾⵜⴰⴱ ""ⵎⴰⵔⵍⵓⵏ ⴱⵔⴰⵏⴷo ⴻⴶⴰⵉ ⵍⴰⵣ ⴼⴰⵍ ⵉⴶⵉ ⴰⵏ ⵏⴰⵍⵉⵆⵉ ⴰⵏ ⵍⵓⵜⵉⵏ ⵙⴰⴾⵉⵏⵉ, ⵉⵣⴰⵔ ⴻⵔⵂⴰ ⴰⴷ ⴷⵉⴷⵉⵍ ⴰⵏ ⵜⵉⵏⵉⴷⴰⵔ – ⵉⵎⵉⴶⵔⴰⴷ ⵉⵙⵜⴰⵏⵎ ⴻⵔⴻ ⴰⵋⵓⵔⴻⵏ, ⵉⴷⴰⵗ ⵉⵙⵜⴰⵏⵎ ⴰⵔⴰ, ⴰⴾⵓⵜⴰⵔ ⴰⵙⴷⴰⵜ ⴷⴰⵗ ⵉⴶⴰ ⵉⴱⴰⵔⴰⵋⴰⵏ oⴾⴰⵉⵏⴻⵏ ⴷⴰⵗ ⴰⵙⴰⵙⵉⵓⴰⵏ.""
English: Newsweek found the film a "dull tale of the meeting of the twain", but it was nevertheless a box-office success.
Tamasheq: ⵏⴻⵓⵙⵓⴻⴻⴾ ⴰⵏⵂⴰⵉ ⴰⵙ ⵙⵉⵍⵎⴰ ⵜⴰⵈⴰⵍ "ⵜⴰⵏⴼⵓⵙⵜ ⵜⵉⵙⵉⵎⴰⴾⴰⴷⴰⵜ ⴷⴰⵗ ⵜⵉⴷⴰⵓⵜ ⵏⴰⵙⵉⵏ ⵉⴷⵉⵏⴰⵜ" ⵎⴰⵛⴰⵏ ⴻⵈⴰⵍ ⴰⵉⴾⵏⴰⵏ ⴷⴰⵗ ⴱⵓⵆ-oⴼⴼⵉⵛⴻ.
English: The film went on to win four Academy Awards.
Tamasheq: ⵙⵉⵍⵎⴰ ⴷⴰⵔⴰⵜ ⴰⵓⴻⵏ ⵜⴰⴾⴰⵍ ⵉⴾoⵣ Oⵙⵛⴰⵔⵙ.
English: By all accounts, Brando was devastated by her death, with biographer Peter Manso telling A&E's Biography, "She was the one who could give him approval like no one else could and, after his mother died, it seems that Marlon stops caring."
Tamasheq: "ⴹǎⵗ ⴷⴻⵔⵂⴰⵏ ⵛⵓⵍ, Bⵔⴰⵏⴷo ⵜəⵙⵉⵔⵎⴰⵈⵉ ⵜⴰⵎⴰⵜⴰⵏⵜ əⵏ ⵎⴰⵙ, ⴰⵓⴰ əⵙⴾⴰⵍⴰ ⵜⵉⴶⴰ Pⴻⵜⴻⵔ Mⴰⵏⵙo ⴷⴰⵗ ⴰⵙⴰⵍⵉⵆⴰⵜ ⴷⴰⵗ ⴰ&ⴻ'ⵙ ⴱⵉoⴶⵔⴰⴱⵂⵉ : "ⵜⴰⵈⴰⵍⴰⵙ ⵜⴰⵜⴰⴷⵓⴱⴻⵜ ⴰ ⵜⴰⵜⴰⴼⵓ ⵜⴰⵔⵂⴰⵏⴻⵙ ⴰⵓⴰ ⵙⴰⵓⴰⴷⴰⴷⵓⴱⴰⵜ ⴰⵓⴰⴷⴰⵎ ⴰⵜⴰⴶ, ⴷⴰⵔⴰⵜ ⴰⵓⴻⵏ ⵜⴰⵎⴰⵜⴰⵏⵜ ⴰⵏ ⵎⴰⵙ, ⵜⴰⵈⴰⵍ ⴰⵙ ⵎⴰⵔⵍⵓⵏ ⵓⴰⵜⴰⵜⵉⴾⵎⴰ."""
English: The Young Lions also features Brando's only appearance in a film with friend and rival Montgomery Clift (although they shared no scenes together).
Tamasheq: ⵟⵂⴻ ⵗⵓⵏⴶ ⵍⵉⵓⵏⵙ ⵜⴰⵈⴰⵍ ⴰⵏⵜⴰⴷⴰⵗ ⴰⵣⴰⴶⴰⵔ ⴰⵉⴰⵏⴷⴰⵗ ⴰⵏ ⴱⵔⴰⵏⴷⵓ ⴷⴰⵗ ⵙⵉⵍⵎⴰ ⴰⵏⵜⴰ ⴷⴰⵎⵉⴷⵉⵏⴻⵙ ⴰⴷ ⴻⵎⴰⴾⴻⵏⵉⵙ ⴰⵏⴻⵙ ⵎⵓⵏⵜⴶⵓⵎⴻⵔⵉ ⵛⵍⵉⴼⵜ (ⴷⴰⵗ ⵉⴱⴰ ⴰⵏⵜⵉⵣⵓⵏⴻ ⴰⵏ ⵙⴰⵍⴰⵏ ⴰⵏ ⵜⴰⵔⵜⵉⵜ).
English: Brando portrays the lead character Rio, and Karl Malden plays his partner "Dad" Longworth.
Tamasheq: ⴱⵔⴰⵏⴷⵓ ⵉⴶⴰ ⵉⵙⴰⵍⴰⵏ ⵏⴰⵓⴰⴷⴰⵎ ⵓⴰⴷⴰⵗ ⴰⵣⴰⵔⴰⵏ ⵔⵉo, ⴰⴷ ⵆⴰⵔⵍ ⵎⴰⵍⴷⴻⵏ ⵉⵜⴰⴶ ⵓⴰ ⵉⵎⵉⴷⵉⵏⴻⵙ "ⴹⴰⴷ".ⵍⵓⵏⴶ ⵓⵔⵜⵂ.
English: Brando's inexperience as an editor also delayed postproduction and Paramount eventually took control of the film.
Tamasheq: ⴰⵙⵓⵣⵙⵉⴷ ⵓⴰ ⴱⵔⴰⵏⴷⵓ ⵙⴻⵈⴰⵍ ⴻⵎⴰⵙⴻⵂⵉ ⵉⴷⴶⴰⵍ ⵉⴶⵉ ⴰⴷ ⴱⴰⵔⴰⵎⵓⵏⵜ ⴷⴰⵗ ⵙⴰⵎⴰⵏⴷⵓ ⵉⵜⴾⴰⵍ ⵜⴰⵏⵂⴰⵜ ⴰⵏ ⵙⵉⵍⵎⴰ.
English: By then, I was bored with the whole project and walked away from it."
Tamasheq: ⴰⴶⵓⵏⴷⴻⴷⴰⵗ , ⵜⴰⴷⵂⵉⵜ ⵜⴰⵙⴰⵎⴰⴾⴰⴷⴰⵂⵉ ⵉⵣⴰⵔ ⴰⵏⴾⴰⵛⴰⵆ ⴼⴰⵍⴰⵙ."
English: Brando's revulsion with the film industry reportedly boiled over on the set of his next film, Metro-Goldwyn-Mayer's remake of Mutiny on the Bounty, which was filmed in Tahiti.
Tamasheq: ⵟⴰⵣⵓⴷⴻ ⴰⵏ ⵔⴰⵏⴷo ⵉⴻ ⵉⴶⵉ ⴰⵏ ⵙⵉⵍⵎⴰⵜⴰⵏ ⵜoⴾⴰⵉ ⵉⵓⵔ ⵉⴶⵉⵜⴰⵏ ⴰⵏ ⵙⵉⵍⵎⴰ ⵏⴻⵙ ⵓⵉⵍⴾⴰⵎⵏⴻⵏ, ⴼⴰⵎⵓⵜⵉⵏⵙ ⵓⵉ ⵎⵓⵏⵜⵉ ⵓⵉⵏ ⵎⴻⵜⵔo-ⵗⵓⵍⴷⵓⵉⵏ-ⵎⴰⵉⴻⵔ, ⵓⴰ ⵉⴶⴰⵏ ⴷⴰⵗ ⵟⴰⵂⵉⵜⵉ.
English: Mutiny director Lewis Milestone claimed that the executives "deserve what they get when they give a ham actor, a petulant child, complete control over an expensive picture."
Tamasheq: "ⵓⴰⵜⴰⴶⴰⵏ ⵎⵓⵜⵉⵏⵙ, ⵍⴻⵓⵉⵙ ⵍⵉⵍⴻⵙⵜⵓⵏⴻ, ⵉⵏⴰ ⵉⵏⴰⵎⴰⵂⴰⴷⴰⵏ "ⵉⵏⴰⵂⴰⴶ ⴰⵓⴰ ⴶⴰⵔⴰⵓ ⵓⴶⵓⴷ ⵓⴰⵔ ⵂⴰⴾⴰⵏ ⴰⵎⵓⵙⴰⵏ ⴰⵏⵜⵉⴾⴰⵏ, ⴰⵔⴰ ⵓⴰⵏⴰⵏ ⵓⴾⵓⵍ, ⴷⴰⵗ ⵜⴰⵏⵂⴰⵜ ⵙⵉⵍⵎⴰ ⵜⵉⵎⴷⴰⵜ ⵜⴰⵙoⵂⴻⵜ
English: The Ugly American (1963) was the first of these films.
Tamasheq: ⵟⵂⴻ ⵓⴶⵍⵉ ⴰⵎⴻⵔⵉⵛⴰⵉⵏ (1963) ⴻⵈⴰⵍ ⵓⴰ ⴰⵣⴰⵔⴰⵏ ⵙⵉⵍⵎⴰ.
English: Brando had also appeared in the spy thriller Morituri in 1965; that, too, failed to attract an audience.
Tamasheq: ⴱⵔⴰⵏⴷⵓ ⵉⵍⴰ ⴰⵏⵜⴰⴷⴰⵗ ⴰⵉⴶⴰ ⴷⴰⵗ ⵜⵂⵔⵉⵍⵍⴻⵔ ⵓⴰ ⵜⴰⵎⴾⵔⵉⵜ ⵎⵓⵔⵉⵜⵓⵔⵉ ⴷⴰⵗ 1965, ⵓⴰ ⵓⴰⵏⴰⵏ ⵉⴶⵔⴻⵣ ⵉⴻ ⴰⴷⵉⵏⴰⵜ.
English: Candy was especially appalling for many; a 1968 sex farce film directed by Christian Marquand and based on the 1958 novel by Terry Southern, the film satirizes pornographic stories through the adventures of its naive heroine, Candy, played by Ewa Aulin.
Tamasheq: ⵛⴰⵏⴷⵉ ⴻⵈⴰⵍ ⴰⵏⵜⴰⴷⴰⵗ ⴰⵉⵂⴰⵏ ⴰⵋⴻⵏ, ⵙⴻⵆ ⴼⴰⵔⵛⴻ ⴷⴻ 1968 ⵉⴶⴰ ⵙⵔⵉⵙⵜⵉⴰⵏ ⵎⴰⵔⵈⵓⴰⵏⴷ ⴷⴰⵗ ⴰⵍⴾⵉⵜⴰⴱ ⵓⴰ 1958 ⴻⵏ ⵟⴻⵔⵔⵉ ⵙⵓⵜⵂⴻⵔⵏ, ⵙⵉⵍⵎⴰ ⵜⵉⴶⴰ ⵉⵙⴰⵍⴰⵏ ⴰⵏ ⵜⵓⴼⵓⵙⴻⵏ ⵏⴰⵣⵉⵏⴰⵜⴰⵏ ⴷⴰⵗ ⴰⵆⵙⵓⵙⵉⴷ ⴰⵏ ⵜⴰⵂⴰⵏⵉⵏⵜ, ⵛⴰⵏⴷⵉ, ⵜⴰⵆⵔⴰⵉ Eⵓⴰ ⴰⵓⵍⵉⵏ.
English: In the March 1966 issue of The Atlantic, Pauline Kael wrote that in his rebellious days, Brando "was antisocial because he knew society was crap; he was a hero to youth because he was strong enough not to take the crap", but now Brando and others like him had become "buffoons, shamelessly, pathetically mocking their public reputations."
Tamasheq: "ⴷⴰⵗ ⴻⴷⴰⵏ ⵓⴰ ⵎⴰⵔⵙ 1966 ⵓⴰⵏ ⵟⵂⴻ ⴰⵜⵍⴰⵏⵜⵉⵛ, ⴱⴰⵓⵍⵉⵏⴻ ⵆⴰⴻⵍ ⴰⴾⵜⴰⴱ ⴰⵙ ⴻⵂⴰⵏⵉⵏ ⴰⵏ ⵜⴰⴶⴰⵜ ⴰⵏⴻⵙ, ⴱⵔⴰⵏⴷⵓ, ""ⴻⵈⴰⵍ ⴰⵎⴰⴷⴶⴰⵍ ⴰⵏ ⵜⴰⵔⵜⵉⵜ ⴼⴰⵍⴰⵙ ⵉⵙⴰⵏ ⴰⵙ ⵜⴰⵔⵜⵉⵜ ⵜⴰⵈⴰⵍ ⴰⵓⴰⵏⴰⵏ ⵉⴾⵏⴰ"", ⴻⵈⴰⵍ ⴻⵎⴰⵙⴻⵂⵉ ⴰⵏ ⵜⴰⵎⴰⴷⵔⵉⵜ ⴼⴰⵍⴰⵙ ⵉⵍⴰ ⴰⵙⴰⵂⴰⵜ ⵉⴻ ⵉⴱⴰ ⴰⵏ ⵜⴰⵔⵂⴰ ⵏⴰ ⵓⴰⵏⴰⵏ ⵉⴾⵏⴰ "",ⵎⴰⵛⴰⵏ ⴰⵎⴰⵔⴰ ⴱⵔⴰⵏⴷⵓ ⴰⴷ ⵉⵉⴰⴷ ⵙⵓⵏⴷⵉⵏⵜⴰ ⴰⵈⴰⵍⴰⵏ ""ⵉⵎⴰⵛⴾⴰⵏ, ⵜⴰⵋⴰⴾⴰⵜⵏⴻⵏ ⵜⴰⵍⵆⴰⵏⴻⵏ, ⴰⵙⵓⵆⵙⵉⴷ, ⵓⴰⵏ ⴰⵔⵂⴻⵜ ⵏⴰⴷⵉⵏⴰⵜ """.
English: I was very convincing in my pose of indifference, but I was very sensitive and it hurt a lot."
Tamasheq: "ⵔⵉⴷⵓⵓⴰⵏ ⵂⵓⵍⴰⵏ ⴷⴰⵗ ⵉⴶⵉ ⵏⴰⵏⴰⵉⴰⵜ, ⵎⴰⵛⴰⵏ ⴰⵈⴰⵍⴰⵆ ⴰⵓⴰⵏⴰⵏ ⵉⵛⵎⴻⵔ ⵉⵣⴰⵔ ⵉⴾⵎⴰⵂⵉ ⵂⵓⵍⴻⵏ.""
English: The film overall received mixed reviews.
Tamasheq: ⴷⴰⵗ ⵜⴰⵔⵜⵉⵜ, ⵙⵉⵍⵎⴰ ⵜⵉⴶⵔⴰⵓ ⵜⵉⵣⵎⵉⵜⴻⵏ ⴰⵏ ⵏⴰⵙⵓⵛⵓⵙⴾⵓ.
English: Brando dedicated a full chapter to the film in his memoir, stating that the director, Gillo Pontecorvo, was the best director he had ever worked with next to Kazan and Bernardo Bertolucci.
Tamasheq: ⴱⵔⴰⵏⴷo ⴰⵜⴾⴰⵍ ⴰⵍⵆⵓⵔⵓⴼ ⴰⵎⴷⴰⵏ ⵉⴻ ⵙⵉⵍⵎⴰ ⴷⴰⵗ ⴰⵏⴰⵉⴰⵜ ⴰⵏⴻⵙ, ⴰⵍⵉⵆⴰⵜ ⴰⵙ ⴻⵎⴰⴶ, ⵗⵉⵍⵍo ⴱⵓⵏⵜⴻⵛⵓⵔⴱⵓ, ⴻⵈⴰⵍ ⵓⴼⴰⵏ ⴻⵎⴰⴶ ⴰⴷ ⵓⴰⵙⴾⴰⵍⴰ ⵓⴰⵔⴰⵎⵛⴰⵆⴰⵍⴰⵏ, ⴷⴰⵔⴰⵜ ⵆⴰⵣⴰⵏ ⴰⴷ ⴱⴻⵔⵏⴰⵔⴷⵓ ⴱⴻⵔⵜⵓⵍⵓⵛⵛⵉ.
English: In 1971, Michael Winner directed him in the British horror film The Nightcomers with Stephanie Beacham, Thora Hird, Harry Andrews and Anna Palk.
Tamasheq: ⴷⴰⵗ 1971, ⵎⵉⵛⴰⴻⵍ ⵓⵉⵏⵏⴻⵔ ⵉⵍⵓⴰⵉⵜⴰⵏ ⴷⴰⵗ ⵙⵉⵍⵎⴰ ⵏⴰⵜⵉⵈⴰⵍ ⵓⴰ ⴱⵔⵉⵜⴰⵏⵏⵉⵈⵓⴻ ⵟⵂⴻ ⵏⵉⴶⵂⵜⵛⵓⵎⴻⵔⵙ ⴰⴷ ⵙⵜⴻⴶⵂⴰⵏⵉⴻ ⴱⴻⴰⵛⴰⵎ, ⵟⵂⵓⵔⴰ ⵂⵉⵔⴷ, ⵂⴰⵔⵔⵉ ⴰⵏⴷⵔⴻⵓⵙ ⴰⴷ ⴰⵏⵏⴰ ⴱⴰⵍⴾ.
English: He bested Brando at the 1972 New York Film Critics Circle Awards.)
Tamasheq: ⴰⵣⴰⵔ ⵉⴻ ⴱⵔⴰⵏⴷⵓ ⵉⵙ ⵏⴻⵓ ⵗⵓⵔⴾ ⵙⵉⵍⵎⴰ ⵛⵔⵉⵜⵉⵛⵙ ⵛⵉⵔⵛⵍⴻ ⴰⵓⴰⵔⴷⵙ ⵓⴰⵏ 1972).
English: Brando also had One-Eyed Jacks working against him, a troubled production that lost money for Paramount when it was released in 1961.
Tamasheq: ⴱⵔⴰⵏⴷⵓ ⴰⵏⵜⴰⴷⴰⵗ ⵉⴶⵔⴰⵓ ⵜⴰⵏⵎⵉⵍⵜⴰⴾ ⵜⴰⵏ ⵋⴰⵛⴾ ⵓⵉⴷⵉⴶⵔⴻⵓ ⵜⴰⴱⴰⵆⵓⵔ, ⵏⴰⴶⵉⵜⴰⵏ ⵏⴰⵙⵓⵂⵓ ⵓⴰ ⴰⵙⴱⴰⵏ ⴰⵣⵔⵓⴼ ⵉⵓⵔ ⴱⴰⵔⴰⵎⵓⵏⵜ ⵉⵓⵔ ⴰⵣⴰⴶⴰⵔⵉⵏⴻⵙ ⴷⴰⵗ 1961.
English: Coppola convinced Brando to a videotaped "make-up" test, in which Brando did his own makeup (he used cotton balls to simulate the character's puffed cheeks).
Tamasheq: "ⵛⵓⴱⴱⵓⵍⴰ ⵉⴶⵔⴰⵓ ⴱⵔⴰⵏⴷo ⵉⴰ ⵔəⴶⵉⵛ ⵉⴻ ⴰⵔⴰⴶⵓ ""ⴰⵛⵉⵛⵓⵂⴰⵆ"" ⵉⴶⴰⵛⴰⵏ ⵉⵉⴰⵜⵙⵉⵍⵎⴰ, ⵜⴰⴷⴰⵗ ⴱⵔⴰⵏⴷo ⵉⵛⵉⵛⴰⵂⴰⵆ ⴰⵏⵜⴰ ⴻⵎⴰⵏⴻⵙ ( ⵉⵜⴾⴰⵍ ⵜⵉⴱⵓⵍⵓⵍⴰⵆⴻⵏ ⴰⵏ ⵂⴰⴱⵓ ⵉⴰ ⴷⵉⵙⴰⴾⵜⵉⴷ ⵉⴶⴰⵣⴰⵏ ⴰⴾⵓⴼⵏⴻⵏ ⵏⴰⵓⴰⴷəⵎ)".
English: Brando had doubts himself, stating in his autobiography, "I had never played an Italian before, and I didn't think I could do it successfully."
Tamasheq: "ⴱⵔⴰⵏⴷⵓ ⴰⵏⵜⴰ ⴻⵎⴰⵏⴻⵙ ⴰⵙⵉⵏⵂⵓⴶⵓ, ⵉⴶⴰⵏⴰⵏ ⴷⴰⵗ ⴰⵓⴰ ⴰⵛⵆⴰⵍ : ""ⴾⴰⵍⴰ ⵓⵉⵔⵉⴶⴰ Iⵜⴰⵍⵉⴻⵏ ⴷⴰⵜ ⴰⵓⴰ, ⵉⵣⴰⵔ ⵓⴰⵔⴰⵆⴻⵍⴰⵆ ⴰⴷⵓⴱⴻⵆ ⵉⴶⵓ ⵏⴰ ⵂⵓⵙⴾⴻⵏ.""
English: Brando was signed for a low fee of $50,000, but in his contract, he was given a percentage of the gross on a sliding scale: 1% of the gross for each $10 million over a $10 million threshold, up to 5% if the picture exceeded $60 million.
Tamasheq: ⴱⵔⴰⵏⴷⵓ ⴰⵜⵓⴰⴶⴰ ⵙⵓⵏⴷ ⵜⴰⵎⴱⵓ ⴰⵏ 50 000 $, ⵎⴰⵛⴰⵏ ⴷⴰⵗ ⵜⵉⵔⵉⴷⵓⴰⵜ ⴻⵏⴻⵙ, ⵉⴶⴰⵔⴰⵓ ⵂⴰⵔⴰⵜ ⴷⴰⵗ ⵜⴰⵙⵓⴷⵓⵜ ⴰⵏ ⵉⵛⴻⵍⵍⴻ ⵎⵓⴱⵉⵍⴻ : 1% ⴷⴰⵗ ⵜⴰⵎⵓⴾⵓⵙⵜ ⴷⴰⵗ 10 ⵎⵉⵍⵍⵉⵓⵏⵙ ⴰⵏ ⴷⵓⵍⵍⴰⵔ ⵓⴾⴰⵉⴰⵏ 10 ⵎⵉⵍⵍⵉoⵏⵙ, ⴰⵓⴻⵏⴷⴰⵗ ⵂⴰⵔ 5% ⴰⴼⴰⵍ ⵙⵉⵍⵎⴰ ⵜⵓⵈⴰⵉ 60 ⵎⵉⵍⵍⵉⵓⵏⵙ
English: In a 1994 interview that can be found on the Academy of Achievement website, Coppola insisted, "The Godfather was a very unappreciated movie when we were making it.
Tamasheq: ⴷⴰⵗ ⵜⵉⴷⴰⵓⵜ ⵜⴰⵏ 1994 ⴰⴷⴰⵗ ⴰⴷⵓⴱⴰⵜ ⴰⴶⴰⵔⴰⵓ ⴷⴰⵗ ⵜⴻⴷⴰⴶⵉⵜ ⵜⴰⵏ ⴰⵛⴰⴷⴻⵎⵉ ⵓⴼ ⴰⵛⵉⴻⴱⴻⵎⴻⵏⵜ, ⵛⵓⴱⴱⵓⵍⴰ ⵜⴰⵂⴰⵜ ⵜⴻⵂⴰⵉⵜ : ""ⴱⴰⵔⵔⴰⵉⵏ ⴻⵈⴰⵍ ⵙⵉⵍⵎⴰ ⵓⴰⵏⴰⵏⴰⵏ ⵉⵣⴶⵔⴰⵣ ⵂⵓⵍⴻⵏ ⵓⴶⵓⴷ ⵓⴰⵔⵉⵜⴰⴶⵓ."
English: They didn't like the way I was shooting it.
Tamasheq: ⵓⴰⴷⴰⵔⵂⴻⵏ ⴰⵎⴰⴾ ⵓⴰⵙ ⵜⴰⵓⴰⴶⴰ ⵙⵉⵍⵎⴰ.
English: In a 2010 television interview with Larry King, Al Pacino also talked about how Brando's support helped him keep the role of Michael Corleone in the movie—despite the fact Coppola wanted to fire him.
Tamasheq: ⴷⴰⵗ ⵜⵉⴷⴰⵓⵜ ⵜⴰⵎⴰⵜⴾⴰⵍⴰⵏ ⵜⴰⵜⵉⵓⴰⵔⴷⴰⵜ ⴷⴰⵗ 2010 ⵉⵓⵔ ⵍⴰⵔⵔⵉ ⵆⵉⵏⴶ, ⴰⵍ ⴱⴰⵛⵉⵏo ⴰⵏⵜⴰⴷⴰⵗ ⴰⵍⴰⵆⴰⵜ ⴰⵓⴰⵙ ⴰⵙⴰⵍⵉⵍ ⵜⴰⵏ ⴱⵔⴰⵏⴷⵓ ⵜⴰⴷⵂⴰⵍⵜⵉ ⵙⵓⴷⵓⴼ ⵏⴰⵛⵉⵆⵉⵍ ⵓⴰⵏ ⵎⵉⵛⴻⴰⵍ ⵛⵓⵔⵍⴻⵓⵏⴻ ⴷⴰⵗ ⵙⵉⵍⵎⴰ, ⴰⵓⴻⵏⴷⴰⵗ ⴷⴰⴾ ⵉⴶⴰ ⴰⵙ ⵛⵓⴱⴱoⵍⴰ ⴰⵔⵂⴰ ⴰⵜⵉⵛⵉⴶ.
English: He broke the ice by toasting the group with a glass of wine." '
Tamasheq: "ⴻⵔⵣⴰ ⴶⵍⴰⵛⴻ ⴰⵙ ⵉⵍⵉⴶⴰⵜ ⵜⴰⵙⴰⵙⵓⵉⵜ ⵉⴻ ⴰⵍⵋⴰⵎⴰⵆⴰⵜ ⴷⴰⵗ ⴰⵍⵛⴰⵙ ⵏⴰⵙⵎⵉⴷ."" ""
English: Caan adds, 'The first day we met Brando everybody was in awe.'"
Tamasheq: "ⵛⴰⴰⵏ ⴰⵙⴰⵓⴻⴷ : ‘ⴰⵛⴰⵍ ⵓⴰⵣⴰⵔⴰⵏ ⵉⵓⵔ ⴰⵎⵓⵈⴰⵙⴰⵏ ⴰⵏⴱⵔⴰⵏⴷo, ⴰⵍⵋⴰⵎⴰⵆⴰⵜ ⴾⵓⵍ ⵜⴰⵈⴰⵍⴰⵏ ⴰⵉⵙⵓⴰⴷⴰⵏ.""
English: Also, because he had so much power and unquestioned authority, I thought it would be an interesting contrast to play him as a gentle man, unlike Al Capone, who beat up people with baseball bats."
Tamasheq: ⴰⵏⵜⴰⴷⴰⵗ, ⴼⴰⵍⴰⵙ ⵉⵍⴰ ⵜⴰⵏⴰⵉⴰ ⵜⴻⵏⴷⴰⵗ ⴰⴷ ⵜⴰⵎⵆⵉⵔⴻ ⵓⴰⵏⴰⵏ ⵜⵉⵏⵓⵉⵏⵓ, ⴰⵆⴻⵍⴰⵆ ⴻⵈⴰⵍ ⴰⵉⴱⴷⴰⵏ ⴰⵂⵓⵙⴾⴻⵏ ⴷⴰ ⴷⴰⵈⴰⵍ ⴰⵂⴰⵍⵉⵙ ⴰⵂⵓⵙⴾⴻⵏ, ⴻⴱⴷⴰⵏ ⴷⴰ ⴰⵍ ⵛⴰⴱⵓⵏⴻ, ⵓⴰ Iⵏⴰⵈⴰⵏ ⴰⴷⵉⵏⴰⵜ ⵉⵙ ⴱⴰⵜⵜⴻ ⵜⴰⵏ ⴱⴰⵙⴻⴱⴰⵍⵍ." " "
English: There was really no beginning.
Tamasheq: ⵓⴰⵔⵜⵉⵍⴰ ⵙⴰⵏⵜⵓ ⴼⴰⵓ.
English: He boycotted the award ceremony, instead sending indigenous American rights activist Sacheen Littlefeather, who appeared in full Apache attire, to state Brando's reasons, which were based on his objection to the depiction of indigenous Americans by Hollywood and television.
Tamasheq: Iⵜⴰⵎⴰⵆ ⴷⴰⵗ ⵜⵉⴷⴰⵓⴻⵏ ⵜⴰⵏ ⵂⵓⴾ ⴰⵏ ⴰⵍⵂⴰⴾⴰⵏ, ⴰⴷ ⴰⵙⵉⵙⵉⵓ ⴷⴰⵗ ⴻⴷⴰⴶ ⵏⴰⵏⴰⵎⵓⴾⴰⵍ ⵓⴰ ⵏⴰⵆⵉⵍ ⴰⵏ ⴰⵎⵉⵔⵉⵛⴰⵉⵏ ⴰⵏ ⴾⴰⵍ ⴰⵏⴰⵍ, ⵙⴰⵛⴻⴻⵏ Lⵉⵜⵜⵍⴻⴼⴻⴰⵜⵂⴻⵔ, ⵓⵉ ⴰⵍⵙⴰⵏⴻⵏ ⵛⵓⵎⴱⵍⴻ ⴰⴱⴰⵛⴻ, ⴼⴰⵍ ⴰⵣⵉⵣⴶⵔⵉⵔⴰⵏ ⵜⵉⴷⵉⵜ ⵜⴰⵏ ⴰⵔⴰⵏⴷo, ⵜⴰ ⵓⴰⵏⴰⵏ ⵜⴰⵔⴷⴰ ⵉⴻ ⵜⴰⵙⴰⵓⵜ ⵜⴰⵏ ⴰⵎⴻⵔⵉⵛⴰⵜⴰⵏ ⴰⵏ ⴾⴰⵍ ⴰⴾⴰⵍ ⵉⵙ ⵂoⵍⵍⵉⵓooⴷ əⴷ ⵙⵉⵍⵎⴰⵜⴰⵏ.
English: As with previous films, Brando refused to memorize his lines for many scenes; instead, he wrote his lines on cue cards and posted them around the set for easy reference, leaving Bertolucci with the problem of keeping them out of the picture frame.
Tamasheq: ⵛⵓⵏⴷ ⵙⵉⵍⵎⴰⵜⴰⵏ ⵓⵉⵂⵉⵏ ⵓⴾⴰⵉⵏⴻⵏ, ⴱⵔⴰⵏⴷo ⵓⴶⴰⵉ ⴷⵉⵍⵎⴰⴷ ⵜⴻⵆⴰⵔⴻⵏⴻⵙ ⴷⴰⵗ ⵂⴰⵏⴷⴰⴶⴰⵏ ⴰⵋⵓⵏⴻⵏ ;ⵉⴾⵜⴰⴱ ⴷⴰⵗ ⴰⵍⴾⴰⴷⴰⵏ ⵉⵣⴰⵔ ⵉⴶⴻⵏ ⴷⴰⵗ ⴱⴰⵜⵎⴰ ⴼⴰⵔ ⴰⴷ ⴷⴰⴶⵔⵂⴰ ⵉⵎⴰⵏ ⵛⵉⴾ, ⵓⵉⴰⵏ ⵉⴻ ⴱⴻⵔⵜⵓⵍⵓⵛⵛⵉ ⴰⵙⴰⴼⴰⵔ ⵏⴰ ⵜⴰⵏ ⵜⴰⵜⴰⴼ ⴷⴰⵗ ⴰⴶⴰⵎⴰ ⵜⴻⵍⴻ.
English: His gross participation deal earned him $3 million.
Tamasheq: ⴰⵙⵓⴾⴰⵏⴻⵙ ⵓⴰ ⵏⵓⴶⵉⵛ ⵓⴰ ⵂⵉⵏ ⵓⴷⴰⵏⴰⵏ ⵉⴾⴰⵍ 3 ⵎⵉⵍⵍⵉⵓⵏⵙ ⴰⵏ ⴷⵓⵍⵍⴰⵔ.
English: Pauline Kael, in The New Yorker review, wrote "The movie breakthrough has finally come.
Tamasheq: "ⴱⴰⵓⵍⵉⵏⴻ ⵆⴰⴻⵍ, ⴷⴰⵗ ⵜⵉⵣⵎⵉⵜⴻⵏ ⵜⴰⵏ ⵏⴻⵓ ⵗⵓⵔⴾⴻⵔ, ⴰⴾⵜⴰⴱ : "ⴰⵙ ⴰⵎⵉⵔ ⵏⴰⴶⵉⵜⴰⵏ ⴰⵏ ⵙⵉⵍⵎⴰ ⴰⵓⴰⴷⵉⴷ ⴷⴰⵗ ⵙⴰⵎⴰⵏⴷo."
English: In 1973, Brando was devastated by the death of his childhood best friend Wally Cox.
Tamasheq: ⴷⴰⵗ 1973, ⴱⵔⴰⵏⴷo ⵜⴰⵙⵉⵏⴰⵏⵜⵉ ⵜⴰⵎⴰⵜⴰⵏⵜ ⵏⴰⵎⵉⴷⵉⴱⴻⵙ ⵓⵍⴰⵆ ⴷⴰⵗ ⵜⴰⵎⴰⴷⵔⵉⵜ ⵓⴰⵍⵍⵉ ⵛoⵆ.
English: Absent for the first hour of the movie, Clayton enters on horseback, dangling upside down, caparisoned in white buckskin, Littlefeather-style.
Tamasheq: ⵓⴰⵔⴷⵓⵙⴰ ⴷⴰⵗ ⵂⴻⵓⵔⴻ ⵓⴰ ⴰⵣⴰⵔⴰⵏ ⴰⵏ ⵙⵉⵍⵎⴰ, ⵛⵍⴰⵉⵜⵓⵏ ⵉⴶⴰⵛ ⴷⴰⴱⴰⵋⴻ, ⴰⵜⵉⵓⵍⵉⴶⵉⵍⵉⵜ ⴻⵆⴰⴼⵉⵏⴻⵙ ⵙⵉⴷⴻⵔ, ⴻⵍⴰⴾⴻⴼ ⵏⴰⵍⴰⵎ ⴷⴰⵗ ⵜⴰⵎⴰⵍⴻ, ⵉⴶⴰ ⵍⵉⵜⵜⵍⴻⴼⴻⴰⵜⵂⴻⵔ.
English: Penn, who believed in letting actors do their thing, indulged Marlon all the way."
Tamasheq: "ⴱⴻⵏⵏ, ⵓⴰ ⴰⵆⴻⵍⴰⵏ ⴰⵙ ⴰⵔⴰⵉⵓⵓ ⵉⵎⴰⴾⴰⵏⴰⵏ ⵉⴶⵉⵏ ⴰⵓⴰ ⵂⴰⵔⵂⴰⵏ, ⴰⵙⵉⴾⵏⴰ ⵜⴰⵔⵆⵉⵙⴻⵏⴻⵙ ⵉⴻ ⵎⴰⵔⵍⵓⵏ ⴰⵓⴻⵏⴷⴰⵗ ⵂⴰⵔ ⵙⴰⵎⴰⵏⴷo.""
English: In 1978, Brando narrated the English version of Raoni, a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Tamasheq: ⴷⴰⵗ 1978, ⴱⵔⴰⵏⴷo ⵉⴶⴰ ⵜⴰⴼⵓⵙⵜ ⴷⴰⵗ ⴰⵏⴶⵍⴰⵉⵙ ⵜⴰⵏ ⵔⴰⵓⵏⵉ ⴰⵏ ⵙⵉⵍⵎⴰ ⵜⴰ ⵜⴰⴾⵜⴰⴱⴰⵜ ⴼⵔⴰⵏⵛo-ⴱⴻⵍⴶⴻ ⵉⴶⴰ ⵋⴻⴰⵏ-ⴱⵉⴻⵔⵔⴻ ⴰⴷ ⵍⵓⵉ ⵛⴰⵔⵍⵓⵙ ⵙⴰⵍⴷⴰⵏⵂⴰ ⵓⴰ ⵓⵆⴰⵙⴰⵏ ⴷⴰⵗ ⵜⴰⵎⵓⴷⵔⴻ ⴰⵏ ⵔⴰⵓⵏⵉ ⵎⴻⵜⵓⴾⵜⵉⵔⴻ ⴰⴷ ⴰⵙⵉⵙⵜⴰⵏ ⵓⴰⵏ ⵜⴰⵎⵓⴷⵔⴻ ⴰⵏ ⵜⵉⵣⵓⵏⴰⵓⴻⵏ ⴰⵏ ⵉⵏⴷⵉⴻⵏⵜⴰⵏ ⴰⵏ ⴾⴰⵍ ⴰⴾⴰⵍ ⴷⴰⵗ ⴰⵎⴰⵙ ⴰⵏ ⴰⵓⵣⴰ ⵓⴰⵏ ⴱⵔⵉⵙⵉⵍ.
English: In 1979, he made a rare television appearance in the miniseries Roots: The Next Generations, portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance.
Tamasheq: ⴷⴰⵗ 1979, ⴰⵙoⵂⴰⵜ ⴰⵏ ⵙⵉⵍⵎⴰ ⴷⴰⵗ ⵎⵉⵏⵉ-ⵙⵉⵔⵉⴻ ⵔⵓⵜⵙ : ⵟⵂⴻ ⵏⴻⵆⵜ ⵗⴻⵏⴻⵔⴰⵜⵉⵓⵏⵙ, ⴷⴰⵗ ⴰⵛⴰⵆⵉⵍ ⵓⴰⵏ ⵗⴻⵓⵔⴶⴻ ⵍⵉⵏⵛⵓⵍⵏ ⵔⵓⵛⴾⵓⴻⵍⵍ ; ⵉⴶⵔⴰⵓ ⴱⵔⵉⵎⴻⵜⵉⵎⴻ ⴻⵎⵎⵉ ⴰⵓⴰⵔⴷ ⵓⴰⵜⴰⵏ ⵓⴼⴰⵏ ⵏⴰⵛⵉⵆⵉⵍ ⵓⴰ ⵙⵉⵙⵉⵏ ⴷⴰⵗ ⵎⵉⵏⵉ-ⵙⵉⵔⵉⴻ ⵎⴻⵆ ⵙⵉⵍⵎⴰ ⴰⵙⴰⵂⴰⵜ ⴰⵏⴻⵙ.
English: Brando was paid $1 million a week for 3 weeks work.
Tamasheq: ⴱⵔⴰⵏⴷⵓ ⵉⵣⴰⵣⴰⵍ 1 ⵎⵉⵍⵍⵉⵓⵏ ⴷⴻ ⴷⵓⵍⵍⴰⵔⵙ ⴷⴰⵗ ⵉⵙⴰ ⵂⴰⴷⴰⵏ ⵉⴻ 3 ⵏⵓⴶⴰⵉ ⵏⴰⵂⴰⴷ ⴰⴷ ⴷⵉⵉⴰⵏ ⵏⴰⵛⵉⵆⵉⵍ .
English: In the documentary, Coppola talks about how astonished he was when an overweight Brando turned up for his scenes and, feeling desperate, decided to portray Kurtz, who appears emaciated in the original story, as a man who had indulged every aspect of himself.
Tamasheq: ⴷⴰⵗ ⴰⴾⴰⵜⴰⴱ, ⵛⵓⴱⴱⵓⵍⴰ ⵉⵜⴰⵍⴰⵆⴰⵜ ⵜⴰⵔⵉⵎⴻⵆ ⵏⴰⵂⴰⵏⴰⵉ ⴰⵏ ⴱⵔⴰⵏⴷⵓ ⵎⴰⵈⴰⵔⴰⵏ ⵉⴶⴰⵛⴰⵏⵉⴷ ⴱⴰⵜⵎⴰ ⴰⴷ, ⴰⴼⵔⴰⵉ ⴰⵙ ⵓⴰⵔⴰⵙⴰⴾⵏⴰ, ⵉⵏⴰ ⴰⵔⵉⵙⵓⵎⵓⵜⵉⵉ ⵆⵓⵔⵜⵣ, ⵓⴰ ⴻⵈⴰⵍⴰⵏ ⴰⵙⵉⴷⵉⴷⴰⵏ ⴷⴰⵗ ⵜⴰⵏⴼⵓⵙⵜ ⵜⴰⵏ ⵜⵉⴷⵉⵜ, ⵙⵓⵏⴷ ⴰⵂⴰⵍⵉⵙ ⵉⴼⴰⵏ ⵉⵎⴰⵏⴻⵙ ⵉⴻ ⵜⴰⵎⴰⵛⴰⵆⴰⵍⴻⵏⴻⵙ
English: However, he returned in 1989 in A Dry White Season, based on André Brink's 1979 anti-apartheid novel.
Tamasheq: ⴰⴶⵓⴷⴻⵏⴷⴰⵗ , ⵉⵓⴰⵍⵉⴷ ⴷⴰⵗ 1989 ⴷⴰⵗ ⴰⵍⵓⴰⵈ ⴰⴷⵓⴰⵜ ⵜⵉⵍⴰ ⵂⴰⵔⴰⵜ ⴰⴷ ⴷⴰⴶⵓⵔ, ⵜⵉⴶⴰⵜ ⴼⴰⵏ ⴰⵍⴾⵉⵜⴰⴱ ⴰⵏⵜⵉ-ⴰⴱⴰⵔⵜⵂⴻⵉⴷ ⵓⴰⵏ ⴰⵉⴱⵔⵉ ⴱⵔⵉⵏⴾ ⵓⴰⵏ 1979.
English: Brando received praise for his performance, earning an Academy Award nomination for Best Supporting Actor and winning the Best Actor Award at the Tokyo Film Festival.
Tamasheq: ⴱⵔⴰⵏⴷⵓ ⵉⴶⵔⴰⵓ ⵜⴰⵎⵎⴰⵍⴻⵏ ⴰⵏ ⴰⵙⴰⵂⴰⵜ ⴰⵏⴻⵙ, ⵉⴶⵔⴰⵓ ⴷⴰⵓⵍⴰ ⴷⴰⵗ ⵓⵙⴾⴰⵔ ⵓⴰ ⵓⴼⴰⵏ ⴷⴰⵗ ⵓⴰⵙⴰⵙⴰⵏ ⴰⵛⴰⵆⵉⵍ ⴰⴷ ⵉⴶⵔⴰⵓ ⴰⵍⵂⴰⴾ ⴰⵏ ⵓⴰ oⴼⴰⵏ ⴷⴰⵗ ⵎⴰⴶⴰⵜⴰⵏ ⵓⴰⵏ ⴼⴻⵙⵜⵉⴱⴰⵍ ⵜⴰⵏ ⵙⵉⵍⵎⴰ ⵓⴰⵏ ⵟoⴾⵉo.
English: Variety also praised Brando's performance as Sabatini and noted, "Marlon Brando's sublime comedy performance elevates The Freshman from screwball comedy to a quirky niche in film history."
Tamasheq: ⴱⴰⵔⵉⴻⵜⵉ ⴰⵏⵜⴰⴷⴰⵗ ⵉⴶⴰ ⵜⴰⵎⵎⴰⵍ ⵏⴰⵛⵉⵆⵉⵍ ⵓⴰⵏ ⴱⵔⴰⵏⴷo ⴷⴰⵗ ⴰⵛəⵆⵉⵍ ⵓⴰⵏ ⵙⴰⴱⴰⵜⵉⵏⵉ ⴰⴷ ⵉⴾⵜⴰⴱ : "ⵟⵉⵂⵓⵙⴰⵉ ⵏⴰⵛⵉⵆⵉⵍ ⴰⵏ ⵙⵉⵙⵜⴰ ⵓⴰⵏ ⵎⴰⵔⵍⵓⵏ ⴱⵔⴰⵏⴷo ⴻⵎⴰⵆⴰⵔ ⵟⵂⴻ ⴼⵔⴻⵙⵂⵎⴰⵏ ⴷⴰⵗ ⵍⴰⵉ ⵓⴰⵏ ⵙⵉⵙⵜⴰ ⵙⵛⵔⴻⵓⴱⴰⵍⵍ ⵉⴻ ⴻⴷⴰⴶ ⵓⴰ ⵏⴰⵎⴰⵙ ⴰⵏ ⵜⴰⵏⴼⵓⵙⵜ ⵜⴰⵏ ⵛⵉⵏⵉⵎⴰ."
English: The Island of Dr. Moreau screenwriter Ron Hutchinson would later say in his memoir, Clinging to the Iceberg: Writing for a Living on the Stage and in Hollywood (2017), that Brando sabotaged the film's production by feuding and refusing to cooperate with his colleagues and the film crew.
Tamasheq: ⴻⵎⴰⴶ ⵓⴰⵏ ⵉⵍⴻ ⵏⴰⵎⵓⵙⴰⵏ ⵎⵓⵔⴻⴰⵓ, ⵔⵓⵏ ⵂⵓⵜⵛⵉⵏⵙoⵏ, ⵉⵏⴰ ⴰⴶⵓⴷⵉⵉⴰⵏ ⴷⴰⵗ ⵉⵏⵉⵉⴰⵜ ⴰⵏⴻⵙ, ⵛⵍⵉⵏⴶⵉⵏⴶ ⵜo ⵜⵂⴻ Iⵛⴻⴱⴻⵔⴶ : ⵓⵔⵉⵜⵉⵏⴶ ⴼⵓⵔ ⴰ ⵍⵉⴱⵉⵏⴶ ⵓⵏ ⵜⵂⴻ ⵙⵜⴰⴶⴻ ⴰⵏⴷ ⵉⵏ ⵂⵓⵍⵍⵉⵓⴷ ( 2017), ⴰⵙ ⴱⵔⴰⵏⴷⵓ ⴻⵆⵛⴰⴷ ⵉⴶⵉ ⴰⵏ ⵙⵉⵍⵎⴰ ⴷⴰⵗ ⴰⵜⴾⵉⵔ ⴰⴷ ⵓⴶⴰⵉ ⴷⴻⵔⵜⴰⵉ ⴰⵏ ⵎⵉⴷⴰⵓⴰⵏⴻⵙ ⴰⴷ ⴰⵍⵋⴰⵎⴰⵆⴰⵜ ⵜⴰⵏ ⵉⴶⵉ.
English: This was his last role and his only role as a female character.
Tamasheq: ⴻⵈⴰⵍ ⴰⵛⴰⵆⵉⵍ ⴰⵏⴻⵙ ⵓⴰ ⵙⴰⵎⴰⵏⴷⵓ ⴰⴷ ⴰⵛⴰⵆⵉⵍ ⵉⵉⴰⴷⴰⵗ ⵓⴰ ⴷⴻⴷⴻⵏ.
English: The actor's son, Miko, was Jackson's bodyguard and assistant for several years, and was a friend of the singer. "
Tamasheq: ⴰⵔⴰ ⵓⴰ ⵓⴰⵜⴰⴶⴰⵏ, ⵎⵉⴾo, ⴻⵈⴰⵍ ⴰⵎⴰⴶⴰⵣ ⴰⴷ ⴻⵎⴰⵋⴻⵉⵂⵉ ⵓⴰⵏ ⵋⴰⵛⴾⵙⵓⵏ ⴷⴰⵗ ⵓⵉⵜⵉⴰⵏ ⴰⵋⵓⵜⵏⴻⵏ, ⴰⴷ ⴻⵈⴰⵍ ⴰⵎⵉⵙ ⵏⴰⵎⴰⵣⵣⴰⵔ."
English: Dad had a hard time breathing in his final days, and he was on oxygen much of the time.
Tamasheq: ⵟⵉⵙ ⴰⵏⴷⴰⵔⴰⵙ ⵓⴼⴰⵙ ⴷⴰⵗ ⵂⴰⴷⴰⵏⴻⵙ ⵓⵉⵍⴾⴰⵎⵏⴻⵏ ⴷⴰⵗ ⵜⴰⵎⵓⴷⵔⴻⵏⴻⵙ, ⴰⴷ ⵂⴰⵏⵜⵉ ⴷⴰⵛⵓⵔⵜⴰⵏ ⵏⵓⴼⴰⵙ ⴷⴰⵗ ⴰⴶⵓⴷ ⵙⴰ ⵙⴰⴶⵓⴷ.
English: So Michael got Dad a golf cart with a portable oxygen tank so he could go around and enjoy Neverland.
Tamasheq: ⴻⴰⵗ ⴰⵙⵓⵂⵓⵛⵉⵍ ⴼⴰⵍ ⴰⴷⵉⵈⵉⵍⴰⵏ ⴰⴶⴰⵔⴰⵏ ⴰⵙⵓⵂⵓ, ⵛⴰⵏⵓⵏⵜⴰⵏ ⴷⴰⵈⴰⵍⴰⵏ ⵓⵉ ⵓⴶⴰⵔⵏⴻⵏ ⴷⴰⴾ ⵜⴰⵎⵆⵉⵔⴻ ⴰⵂⵓⵙⴾⴰⵜ ⴰⵙ ⴰⵓⴻⵏ ⵉⴶⴰⵍ ⵉⴻ ⴰⵙⴰⵂⴰⵜ ⵏⴰⵙⴰⵏ ⴼⴰⵍ ⴰⵔⴰⵓⵉⴷⴰⵏ ⴻⵏⵓⵓⴰⵏ ⵓⵉ ⵓⴶⵉⴶⵏⴻⵏ
English: He also suffered from diabetes and liver cancer.
Tamasheq: ⵜⴰⵙⵉⵎⴰⵏⴾⴰⵜⵉ ⴰⵏⵜⴰ ⴷⴰⵗ ⴷⵉⴰⴱⵉⵜⴻ ⴰⴷ ⵛⴰⵏⵛⴻⵔ ⵜⴰⵏ ⵓⵍⵂ.
English: His single recorded line was included within the final game as a tribute to the actor.
Tamasheq: ⴰⴷⴰⴱⴰⵔⴰ ⴰⴷⵓⴱⴻⵏ ⵜⴻⵏⴰⵆⴻ ⵏⴻⵎ ⴰⵏ ⵜⴰⵙⴰⵆⵍⵉⵜ ⴰⴷ ⴷⴰⴷⴰⴾⴰⵔ ⴰⵏ ⵜⵉⵣⵓⵏⴻ ⵜⴰⵏ ⵉⴷⴻⵔ ⴷⴰⵔ ⴶⵔⴰⴱⴰⵜⴰⵏ ⴹⴰⵍ ⵙⴰⵎⴰⵏⴷo ⵏⵉⴶⵉ ⵏⴰⴷⴰⴶ ⵉⵓⵔ ⴾⴰⵏoⵏⵜⴰⵏ ⴰⴷⵓⴱⴻⵏ ⴻⵓⴻⵜ.
English: A distressed Brando told Malden he kept falling over.
Tamasheq: ⴱⵔⴰⵏⴷⵓ ⵙ-ⵉⵗⵛⴰⴷ ⵓⵍⵂ ⴰⵏⵏⴻⵙ ⵉⵏⵏⴰ ⵉⴻ ⵎⴰⵍⴷⴻⵏ ⵉⵜⵉⴷⵓ ⵂⴰⵔⴾⵓⴾ.
English: Shortly before his death, he had apparently refused permission for tubes carrying oxygen to be inserted into his lungs, which, he was told, was the only way to prolong his life.
Tamasheq: ⴷⴰⵜ ⵉⴱⴰ ⵏⴻⵙ, ⵓⵏⵋⴰⵉ ⵉⵂⵓⴾ ⴰⵏ ⵜⴰⴱⴰⵔⴰⵜ ⵏ-ⵉⴶⴶⵉ ⴰⵏ ⵎⴰⵏⴰⵜⴰⵏ ⵓⵉ ⵂⴰⴾⴾⴰⵏⴻⵏ ⴰⴷⵓ (ⵓⵏⴼⴰⴰⵙ) ⵉⴻ ⵜⴰⵔⵓⵜⴻⵏ, ⴼⴰⵍ-ⴰⵓⴻⵏ, ⵉⵜⴰⵓⴰⵏⵏ-ⴰⵙ, ⴰⵏⵜⴰ ⵗⴰⵙ ⴰⴷ ⴰⴷⴷoⴱⴻⵏ ⴰⵛⴰⵛⴶⵔⴰⵜ ⴰⵏ ⵜⴰⵎⵓⴷⵔⴻ ⵏⴻⵙ.
English: In 1976, he told a French journalist, "Homosexuality is so much in fashion, it no longer makes news.
Tamasheq: "ⴷⴰⵗ ⴰⵓⴰⵜⴰⵉ ⵓⴰⵏ 1976, ⵉⵏⵏ ⴰⵉⴻ ⵣⵂⵓⵔⵏⴰⵍⵉⵙⵜ ⴰⵏ ⴼⵔⴰⵏⵙ : " ⴰⵏⵎⴰⵔ ⵏ-ⴰⴷⴷⵉⵏⴰⵜ ⵏ-ⴰⵓⵙⴰⴼ ⵉⵉⵉⴰⵏ ⴰⵋⵋⴰⵜ ⵂⵓⵍⵍⴰⵏ ⵂⴰⵔ ⴰⵎⴱ-ⴰⵙ ⴾⴰⵜⴰⴱⴰⵏ ⴼⴰⵍ-ⴰⵙ ⵣⵂⵓⵔⵏⴰⵍⵉⵙⵜⴰⵏ "
English: He also claimed numerous other romances, although he did not discuss his marriages, his wives, or his children in his autobiography.
Tamasheq: Iⵋⵋⴰ ⴷⴰⵗ ⴰⵙ ⵉⵙⵓⵂⴰⵗ ⴰⵋoⵜⵏⴻⵏ ⴰⵏⵜⴰ ⴰ ⵜⴰⵏ ⵉⵍⴰⵏ, ⴷⴰⵗ-ⴰⵙ ⵓⴰⵔ ⵉⵋⵋⴰ ⵎⴰⵋⵔⴰⴷ ⵏ-ⵉⴷⵓⴱⵓⵏⴰⵏ ⵏⴻⵙ, ⴰⵏ ⵜⵉⴷⴻⴷⴻⵏ ⵏⴻⵙ ⵎⴻⵗ ⵏ-ⴰⵔⴰⵜⴰⵏ ⵏⴻⵙ ⴷⴰⵗ ⴰⵓⴰ ⵉⴾⵜⴰⴱ ⴷⴰⵗ ⴰⵜⵜⴰⵔⴻⵆ ⵏⴻⵙ.
English: Brando met actress Rita Moreno in 1954, and they began a love affair.
Tamasheq: ⴱⵔⴰⵏⴷⵓ ⴰⵎⵓⵈⵈⴰⵙ ⴰⴷ ⵜⴰⵏƭ=ⴼⵓⴼ ⵜⴰⵏ ⵙⵉⵏⴻⵎⴰ ⵙ-ⵉⵜⴰⵓⴰⵏⵏⴰ ⵔⵉⵜⴰ ⵎⵓⵔⴻⵏⵓ ⴷⴰⵗ ⴰⵓⴰⵜⴰⵉ ⵓⴰⵏ 1954, ⵜⴰⵣⵣⴰⵔ ⴰⵙⵙⴰⵏⵜⴰⵏ ⴰⵏⵎⴰⵔ.
English: Years after they broke up, Moreno played his love interest in the film The Night of the Following Day.
Tamasheq: ⴻⵍⴰⵏ ⴷⴰⵔⴰⴼ ⴰⵏⴰⴱⴷ ⵏⴰⵙⴰⵏ, ⵔⵉⵜⴰ ⵎⵓⵔⴻⵏⵓ ⵜⴰⴶⴰⵛ ⴷⴰⵗ ⵙⵉⵏⴻⵎⴰ ⵓⴰⵏ ⴻⵂⴷ ⵓⴰⵏ ⴻⵛⴰⵍ-ⴻⵏ ⴻⴷⴰⴶⴶ ⴰⵏ ⵜⴻⵎⴰⵔⵂⵉⵜ ⴰⵏⵏⴻⵙ.
English: She is said to have been the daughter of a Welsh steel worker of Irish descent, William O'Callaghan, who had been superintendent on the Indian State railways.
Tamasheq: Iⵜⴰⵓⴰⵏⵏⴰ ⴰⴷ ⵜ-ⴰⵈⵈⴰⵍ ⴻⵍⵍⴻ-ⵙ ⵏ-ⴻⵎⴰⵛⵛⴰⵗⴰⵍ ⴶⴰⵍⵍoⵉⵙ ⴰⵏ ⵜⴰⵣⵓⵍⵉ ⵜⴰⵏ ⵜⴰⵙⵙⵓⵂⴻⵜ ⴰⴷ ⵉⵂⴰⵏ ⴰⵙ Iⵔⵍⴰⵏⴷ, ⵓⵉⵍⵍⵉⴰⵎ O'ⵛⴰⵍⵍⴰⴶⵂⴰⵏ, ⵙ-ⴰⵙ ⴾⴰⵍⴰ ⵉⵈⵈⴰⵍ ⴻⵎⴰⵏⴰⵣⵔⴰⴼ əⵏ ⵜⴰⴱⴰⵔⴰⵜ ⵜⴰⵏ ⵜⴰⵌⵓⵍⵉ ⴰⵏ ⵜⵔⵉⵏⵜⴰⵏ ⵏ-ⴰⴷⴷⴰⵓⵍⴰⵜ ⵏ-Iⵏⴷⴻ.
English: Brando and Kashfi had a son, Christian Brando, on May 11, 1958; they divorced in 1959.
Tamasheq: ⴱⵔⴰⵏⴷⵓ ⴰⴷ ⵆⴰⵙⵂⴼⵉ ⴰⵔⴶⴰⵓⴰⵏ ⴱⴰⵔⴰⵔ, ⵛⵂⵔⵉⵙⵜⵉⴰⵏ ⴱⵔⴰⵏⴷo, ⴻⵛⴰⵍ ⵓⴰⵏ 11 ⵎⴰⵉo ⴷⴰⵗ 1958 ; ⴰⵏⵎⴰⵣⴰⵉⴰⵏ ⴷⴰⵗ ⴰⵓⴰⵜⴰⵉ ⵓⴰⵏ 1959.
English: They had two children together: Miko Castaneda Brando (born 1961) and Rebecca Brando (born 1966).
Tamasheq: ⴻⵔⴶⴰⵓⴰⵏ ⴰⵙⵙⵉⵏ ⴰⵔⴰⵜⴰⵏ : ⴰⵉⴾⵓ ⵛⴰⵙⵜⴰⵏⴻⴷⴰ ⴱⵔⴰⵏⴷⵓ (ⵉⵓⴰⵏ ⴷⴰⵗ 1961) ⴰⴷ ⵔⴻⴱⴻⴾⴾⴰ ⴱⵔⴰⵏⴷⵓ (ⵜⴰⵓⵓⴰⵜ ⴷⴰⵗ 1966).
English: Because Teriipaia was a native French speaker, Brando became fluent in the language and gave numerous interviews in French.
Tamasheq: ⴻⴷ ⵟⴻⵔⵉⵉⴱⴰⵉⴰ ⵜⴰⵈⵈⴰⵍ ⵜⴰⵓⴰⵍⵜ ⴰⵏ ⵎⴰⵙ ⴰⵏ ⵜⴰⴼⵔⴰⵏⵙⵉⵜ, ⴱⵔⴰⵏⴷⵓ ⵉⵍⵎⴰⴷ ⵜⴰⵓⴰⵍⵜ ⵜⴻⵏ ⵉⴾⴼⴰ ⴷⴰⵗ-ⴰⵙ ⵉⵙⴰⵍⴰⵏ ⴰⵋⵓⵜⵏⴻⵏ.
English: Brando and Teriipaia divorced in July 1972.
Tamasheq: ⴱⵔⴰⵏⴷo ⴰⴷ ⵟⴻⵔⵉⵉⴱⴰⵉⴰ ⴰⵏⵎⴰⵣⴰⵉⴰⵏ ⴷⴰⵗ 1972.
English: Brando had a long-term relationship with his housekeeper Maria Cristina Ruiz, with whom he had three children: Ninna Priscilla Brando (born May 13, 1989), Myles Jonathan Brando (born January 16, 1992), and Timothy Gahan Brando (born January 6, 1994).
Tamasheq: ⴱⵔⴰⵏⴷⵓ ⴰⵏⴰⵍⴾⴰⵎ ⵙ-ⴰⵍⵓⴰⵈ ⵛⴰⴶⵔⴻⵏ ⵉⴻ ⵜⴻⵎⴰⵛⵛⴰⵗⴰⵍⵜ ⴰⵏⵏⴻⵙ ⵛⵔⵉⵙⵜⵉⵏⴰ ⵔⵓⵉⵣ, ⵉⵙ ⵉⵋⵔⴰⵓⴰⵏ ⴾⴰⵔⴰɗ ⴰⵔⴰⵜⴰⵏ : ⵏⵉⵏⵏⴰ ⴱⵔⵉⵙⵛⵉⵍⵍⴰ ⴱⵔⴰⵏⴷo (ⵜⴻⵓⴰⵜ ⴻⵛⴰⵍ ⵓⴰⵏ 13 ⴷⴰⵗ ⵜⴰⵍⵍⵉⵜ ⵜⴰⵏ ⵎⴰⵉⴰ 1989), ⵎⵉⵍⴻⵙ ⵋoⵏⴰⵜⵂⴰⵏ ⴱⵔⴰⵏⴷⵓ (ⵉⵓⴰⵏ ⴻⵛⴰⵍ ⵓⴰⵏ 16 ⴷⴰⵗ ⵜⴰⵍⵍⵉⵜ ⵜⴰⵏ ⵣⵂⴰⵏⵓⴰⵔ 1992) ⴻⵜ ⵟⵉⵎⵓⵜⵂⵉ ⵗⴰⵂⴰⵏ ⴱⵔⴰⵏⴷⵓ (ⵉⵓⴰⵏ ⴻⵛⴰⵍ ⵓⴰⵏ 6 ⴷⴰⵗ ⵜⴰⵍⵍⵉⵜ ⵜⴰⵏ ⵣⵂⴰⵏⵓⴰⵔ 1994).
English: His numerous grandchildren also include Prudence Brando and Shane Brando, children of Miko C. Brando; the children of Rebecca Brando; and the three children of Teihotu Brando among others.
Tamasheq: ⴷⴰⵗ ⵉⵂⴰⵉⴰⵓⴰⵏ ⵏⴻⵙ ⵉ ⴰⵋⵓⵜⵏⴻⵏ ⴰⵂⴰⵏⵜⴰⵏ ⴱⵔⵓⴷⴻⵏⵛⴻ ⴱⵔⴰⵏⴷo ⴰⴷ ⵔⵂⴰⵏⴻ ⴱⵔⴰⵏⴷⵓ, ⴱⵔⴰⵔⴰⵏ ⴰⵏ ⵎⵉⴾⵓ ⵛ. ⴱⵔⴰⵏⴷⵓ, ⴱⴰⵔⴰⵔⴰⵏ ⴻⵏ ⵔⴻⴱⴻⵛⵛⴰ ⵔⴰⴱⵏⴷⵓ ⴰⴷ ⴾⴰⵔⴰⴷ ⴰⵔⴰⵜⴰⵏ ⴰⵏ ⵟⴻⵉⵂⵓⵜⵓ ⴱⵔⴰⵏⴷⵓ, ⴷ-ⴰⵙⴰⵍ-ⴰⵓⴻⵏ.
English: His behavior during the filming of Mutiny on the Bounty (1962) seemed to bolster his reputation as a difficult star.
Tamasheq: ⴰⵙⴰⵓⴻ ⴰⵏ ⵜⴰⵍⴰ ⵏⴻⵙ ⴰⵍⵓⴰⵈ ⵓⴰⵏ ⵉⵋⵉ ⴰⵏ ⵙⵉⵏⴻⵎⴰ ⵎⵓⵜⵉⵏⵉ ⵓⵏ ⵜⵂⴻ ⴱⵓⵓⵏⵜⵉ (1962) ⵉⴾⴼⴻ ⴰⵌⵌⴰⵂⴰⴼ ⵏ-ⴻⵎⴰⵛⵛⴰⵗⴰⵍ ⴰⵌⵌⵓⵂⴻⵏ.
English: Galella had followed Brando, who was accompanied by talk show host Dick Cavett, after a taping of The Dick Cavett Show in New York City.
Tamasheq: ⵗⴰⵍⴻⵍⵍⴰ ⵉⴷⴰⵙⵜ ⴰⵙ ⵉⵍⴾⴰⵎ ⵉⴻ ⴱⵔⴰⵏⴷⵓ, ⵉ ⵂⵉⵏ ⴰⵌⵌoⴼⴰⴷ ⴻⵏⴰⵎⴻⵋⵔⴰⴷ ⴰⵏ ⵜⴰⵍⴾ-ⵙⵂⵓ ⴹⵉⵛⴾ ⵛⴰⴱⴻⵜⵜ, ⴷⴰⴼⴼⴰⵔ ⴰⴷⴰⴾⴰⵍ ⴰⵏ ⴹⵉⵛⴾ ⵛⴰⴱⴻⵜⵜ ⵔⵂⵓ ⴷⴰⵗ ⵏⴻⵓ ⵗⵓⵔⴾ.
English: The filming of Mutiny on the Bounty affected Brando's life in a profound way, as he fell in love with Tahiti and its people.
Tamasheq: Iⵋⵉ ⴰⵏ ⵙⵉⵏⴻⵎⴰ ⴰⵏ ⴷⴻⵙ ⵎⵓⵜⵉⵏⵙ ⴷⵓ ⴱⵓⴻⵏⵜⵉ ⴰⵙⵎⴰⵍⴰⵍⴰⵉ ⵂⵓⵍⵍⴰⵏ ⵜⴰⵍⵗⴰ ⴰⵏ ⴱⵔⴰⵏⴷⵓ, ⴼⴰⵍ-ⴰⵙ ⴰⵔⵂⴰ ⵂⵓⵍⵍⴰⵏ ⵜⴰⵂⵉⵜⵉ ⴰⴷ ⵜⴰⵓⵙⴻⵜ ⴰⵏⵏⴻⵙ.
English: The 1983 hurricane destroyed many of the structures including his resort.
Tamasheq: ⴰⴷⴷⵓ ⵓⴰ ⵎⴰⵈⵈⴰⵔⴰⵏ ⴰⵏ 1983 ⴰⵔⵌⴰⵏ ⵂⴰⵔⴰⵜⴰⵏ ⴰⵋoⵜⵏⴻⵏ, ⴷⴰⵗ-ⴰⵙ ⵉⵂⴰ ⴻⴷⴰⴶⴶ ⵓⴰⵏ ⴰⴷⴷⴰⵍⴰⵏ.
English: He was listed in the Federal Communications Commission (FCC) records as Martin Brandeaux to preserve his privacy.
Tamasheq: ⴰⵜⵉⵓⴰⴾⵜⴰⴱ ⴷⴰⵗ ⴱⵓⴾⵓⵜⴰⵏ ⵓⵉⵏ ⵆⵓⵎⵉⵙⵓⵏ ⵏ-ⴰⴷⴷⴰⵓⴰⵍⴰⵜⴻⵏ ⵏ-ⵉⵂⵓⴾ ⵏ-ⵉⵙⴰⵍⴰⵏ( ⵛoⵎⵎⵉⵙⵙⵉoⵏ ⴼⴻⴷⴻⵔⴰⵍⴻ ⴷⴻⵙ ⵛoⵎⵎⵓⵏⵉⵛⴰⵜⵉⵏⵙ) (ⴼⵛⵛ) ⴼⴰⵍ ⵉⵙⴰⵎ ⴰⵏ ⵎⴰⵔⵜⵉⵏ ⴱⵔⴰⵏⴷⴻⴰⵓⵆ ⵉ-ⴰⴷ ⴰⴼⴼⴰⵔ ⵉⵎⴰⵏ ⵏⴻⵙ.
English: He attended some fundraisers for John F. Kennedy in the 1960 presidential election.
Tamasheq: Iⵋⴰⵂⴰ ⵉⴻ ⵓⵎⵎⴰⵗ ⵏ-ⴰⵌⵔⴻⴼ ⵉⴻ ⵋoⵂⵏ ⵂ. ⵆⴻⵏⵏⴻⴷⵉ ⴰⵍⵓⴰⵈ ⵓⴰⵏ ⵓⵎⵎⴰⵗ ⴰⵏ ⵜⵓⵎⴰⵙⵜ ⴰⵏ ⴼⵔⴻⵙⵉⴷⴰⵏ ⵏ-ⴰⵓⴰⵜⴰⵉ ⵓⴰⵏ1960.
English: In autumn of 1967, Brando visited Helsinki, Finland at a charity party organized by UNICEF at the Helsinki City Theatre.
Tamasheq: ⴷⴻⴰⵗ ⴻⵓⴻⵍⴰⵏ ⵓⴰⵏ ⴰⵓⴰⵜⴰⵉ 1967, ⴱⵔⴰⵏⴷo ⵉⴾⴾⴰ ⵂⴻⵍⵙⵉⵏⴾⵉ, ⴷⴰⵗ ⴼⵉⵏⵍⴰⵏⴷ, ⵉ-ⴰⴷ ⴰⵋⴰⵉⵂⵉ ⵉⴻⵜⴰⵗⵉⵎⵉⵜ ⵏ- ⵓⵎⵎⴰⵗ ⵏ-ⴰⵌⵔⴻⴼ ⵉⵋⴰ ⵓⵏⵉⵙⴻⴼ ⴷⴰⵗ ⴻⵂⴰⵏ ⵓⴰ ⵎⴰⵈⵈⴰⵔⴰⵏ ⵏ-ⴰⴷⴷⴰⵍ ⴰⵏHⴻⵍⵙⵉⵏⴾⵉ.
English: He spoke in favor of children’s rights and development aid in developing countries.
Tamasheq: Iⵋⴰ ⵎⴰⵋⵔⴰⴷ ⵏ-ⴰⵍⵆⴰⵈⵈⴰⵏ ⵏ-ⴰⵔⴰⵜⴰⵏ ⴰⴷ ⵜⵉⵍⴰⵍⵜ ⵏ-ⵉⴾⴰⵍⵍⴰⵏ ⵓⵉ ⴰⵂⴰⵏⴻⵏ ⴰⴱⴰⵔⴰ ⵏ-ⵉⴾⴾⵓⵉ ⴰⵙ-ⴷⴰⵜ.
English: I felt I'd better go find out where it is; what it is to be black in this country; what this rage is all about," Brando said on the late-night ABC-TV talk show Joey Bishop Show.
Tamasheq: "Oⴼⵔⴰⵉⴰⵗ ⴰⵙ ⴰ ⵓⴼⴰⵏ ⴰⴷ ⴰⵙⴰⵗ ⴰⵓⴻⵏ ⴰⵏⵂⵉⵉⴰⵈ-ⵉ ⴰⵙ ⵜⵉⴼⴼⴰⵓⴻⵏ-ⵉⵏ ; ⴰⵓⴰ ⴰⵎⵓⵙ ⴰⴷ ⵉⵈⵈⴰⵍ ⴰⵓⴰⴷⴰⵎ ⵉⴾⴰⵓⴰⵍⴰⵏ ⴷⴰⵗ ⴰⴷⴷⴰⵓⵍⴰⵜ-ⵉ ; ⴰⵓⴰ ⴰⵎⵓⵙ ⴰⴷⴾⴰⵔ-ⵉ", ⴰ ⵉⵏⵏⴰ ⴱⵔⴰⵏⴷⵓ ⴷⴰⵗ ⵜⴰⵍⴾ-ⵙⵂⵓⵓ ⵓ ⵋⴻⵉ ⴱⵉⵙⵂⵓⴱ ⵔⵂⵓⴻ, ⴰⵜⵉⵓⴰⵙⴰⴾⵏⴰⵏ ⴷⴰⵗ ⵙⴰⵎⴷⵓ ⴰⵏ ⵜⴰⵗⵉⵎⵉⵜ ⴼⴰⵍ ⴰⴱⵙ-ⵟⴱ."
English: It was one of the most incredible acts of courage I ever saw, and it meant a lot and did a lot."
Tamasheq: ⴰⵎⵓⵙ ⴰⴾⵓⴼⴰⵔ ⵎⴰⵈⵈⴰⵔⴰⵏ ⴻⵙ ⴾⴰⵍⴰ ⵓⴰⵔ ⵜ-ⴰⵂⴻⵉⴰⵗ, ⴰⴷ ⵉⴾⴾⴰ ⵜⴰⵏⵏⴰ ⵏ-ⴰⵋⵋⴻⵏ ⴷ-ⵉⵋⵉ ⵏ-ⴰⵋⵋⴻⵏ."
English: In 1964 Brando was arrested at a "fish-in" held to protest a broken treaty that had promised Native Americans fishing rights in Puget Sound.
Tamasheq: "ⴰⴰⵗ ⴰⵓⴰⵜⴰⵉ ⵓⴰⵏ 1964, ⴱⵔⴰⵏⴷⵓ ⴰⵜⵓⴰⵔⵎⴰⵙ ⴷⴰⵗ ⴰⵍⵓⴰⵈⵈ ⴰⵏ ""ⴼⵉⵙⵂ-ⵉⵏ"" ⴰⵜⵉⵓⴰⵋⵋⴰⵏ ⴼⴰⵍⴰⴷ ⴰⵗⵛⴰⴷ ⴰⵍⴾⴰⴷ ⵉⴾⴼⴰⵏ ⵜⴰⴱⴰⵔⴰⵜ ⵉⴻ ⴰⵎⴻⵔⵉⵏⴷⵉⴻⵏⵜⴰⵏ ⵏ-ⵓⴾⴾⴰⵙ ⵏ-ⵉⵎⴰⵏⴰⵏ ⴷⴰⵗ ⴱⵓⴶⴻⵜ ⵙⵓⵏⴷ.""
English: Brando ended his financial support for the group over his perception of its increasing radicalization, specifically a passage in a Panther pamphlet put out by Eldridge Cleaver advocating indiscriminate violence, "for the Revolution."
Tamasheq: ⴱⵔⴰⵏⴷⵓ ⴰⵙⵙⴰⴱⴷⴰⴷ ⵜⴰⴷⵂⴰⵍⵜ ⴰⵏ ⵜⴰⵔⵜⵉⵜ ⴰⵏ ⴰⴷⴷⵉⵏⴰⵜ-ⴰⵙ ⵉⵙⵂⴰⴾⵜ ⴻⴷ ⴰⵙⵜⴰⵏⵏⴰⴰⵎ ⵓⴰⵔ ⴰⵏⵎⴰⵏⵏⴰⴾⴰⵏ ⴰⵙⴰⵙⵙⵉⴾⴰⵉ ⵓⴰ ⴰⵜⵓⴰⵜⴱⴰⵏ ⵋⴰⵣⵣⵓⵍⵏⴻⵏ ⴰⵍⵍⴰⵏⴻⵏ ⵜⴰⴾⵎⵓ ⴰⵙⵙⴰⴾⴰⵉ ⴻⵍⴷⵔⵉⴷⴶⴻ ⵛⵍⴰⴻⴰⴱⴻⵔ ⵉⵙⴰⵆⵏⴻⵏ ⴰ ⵓⴰⵔ-ⴻⵏ ⴰⵂⵓⵙⴾⴰⵜ ‘’ⵙⴰⵙⵙⴰⵎⵓⵜⴰⵉ ⵉⵜⵔⴰⴱⴰⵏ ‘’ⵉⵋⵋⴰⵏ ⴼⴰⵍ ⴾⴰⵍ ⴰⵙⵂⴰⵗⴰⵍⴰⵏ ⵓⵉ-ⵏ ⴰⵍⵆⴰⴾⵓⵎ ⵎⴻⵗ ⴼⴰⵍ ⴰⵓⴰⴷⴻⵎ ⵉⵉⵉⴰⵏ
English: Sacheen Littlefeather represented him at the ceremony.
Tamasheq: ⴰⵛⵂⴻⴻⵏ Lⵉⵜⵜⵍⴻⴼⴻⴰⵜⵂⴻⵔ ⵉⵋⵋⴰⵙⵂ ⴻⴷⴰⴶⴶ ⴰⵏⵏⴻⵙ ⴰⵍⵓⴰⵈ ⵓⴰⵏ ⴰⴷⴷⴰⵍ.
English: The event grabbed the attention of the US and the world media.
Tamasheq: ⴰ ⵓⴻⵏ ⴰⵜⵓⴰⵋⵋⴰⵏ ⴻⵔⵎⴰⵙ ⴰⵏⵏⵉⵉⴰⵜ ⵏ-ⵉⵎⵓⵋⵋⴰⵏ ⴰⵏ ⵉⵙⴰⵍⴰⵏ ⵓⵉ-ⵏ- ⴰⵎⴻⵔⵉⴰⴰⵉⵏ ⴰⴷ ⴾⴰⵍ ⴰⴷⴷⴰⵓⴰⵍⴰⵏ ⵓ-ⵉⵉⵉⴰⵜⵜⵏⴻⵏ.
English: He was also an activist against apartheid.
Tamasheq: ⴰⴱⴰⵍⵍⴰⵏ ⵂⴰⵔⵓⴰ ⴰⴷ ⴰⵣⴰⵎⴰⵍⴰⵉ ⵋⴻⵔ ⵜⴰⵎⴰⵜⵜⴰⵓⴻⵏ.
English: He is listed by the American Film Institute as the fourth greatest male star whose screen debut occurred before or during 1950 (it occurred in 1950).
Tamasheq: ⴻⵏ ⴰⵎⴻⵔⵉⴰⵏ ⴼⵉⵍⵎ Iⵏⵙⵜⵉⵜⵓⵜⴻ ⵉⵋⵋⴻ ⴷⴰⵗ ⴰⵏⵎⵉⵣⴰⵔ ⵓⴰ-ⵙ ⴰⴾⴾⵓⵣ ⴷⴰⵗ ⵎⴻⴷⴷⴰⵏ ⵓⵉ ⴰⵍⵍⴰⵏⴻⵏ ⵜⴰⵎⵗⴰⵔ ⴰⴷ-ⵉⵙⴰⵎ ⴰⵙⵙⴰⵏⵜⴰⵏⴻⵏ ⵉⵋⵋⵉ ⴰⵏ ⵙⴰⵏⴰⵎⴰⵜⴰⵏ ⴷⴰⵜ ⵎⴻⵗ ⴰⴰⵔⴰⵜ ⴰⵓⴰⵜⴰⵉ ⵓⴰ-ⵏ 1950 (ⴰⵏⵜⴰ ⴰⵙⵙⴰⵏⵜⴰ ⴷⴰⵗ ⴰⵓⴰⵜⴰⵉ ⵓⴰ-ⵏ).
English: Retrieved August 19, 2009.Encyclopedia Britannica describes him as "the most celebrated of the method actors, and his slurred, mumbling delivery marked his rejection of classical dramatic training.
Tamasheq: "ⵔⴻⵜⵔⵉⴻⴱⴻⴷ ⴰⵓⴶⵓⵙⵜ 19, 2009. ⴷⴰⵗ ⵎⴰⵍⵂⴰⵓ ⴾⴰⵍ ⴱⵔⵉⵜⴰⵏⵏⵉⴰ ⴰⵋⵋⴰⵏ ⵛⵓⵏⴷ ⴰⵓⴰⴷⴰⵎ ⵓⴰ oⴼⴼⴰⵏ ⴷⴰⵗ ⵜⴰⵋⵋⴰⵏⴻⵏ ⵙⴰⵏⴰⵎⴰⵜⴰⵏ ⵉⵍⴰ ⴰⵎⵎⴰⴾⴾⴰⵏ ⴰⵋⵋⵓⵜⵏⴻⵏ.”
English: He was a development from the gangster leader and the outlaw.
Tamasheq: Iⴶⵍⴰ ⵂⴰⵔ ⴻⵈⵈⴰⵍ ⴰⵎⵉⵣⴰⵔ ⴰⵏ ⴾⴰⵍ ⵎⵓⵋⵋⴰⵏ ⴰⵏ ⴻⵔⴾ ⵂⴰⵔⴰⵜ ⴷ-ⵉⴱⴰ-ⵏ ⵜⵓⴾⴰⵍⵜ ⴷⴰⵗ ⴰⵓⴰ ⵉⵂⴰⵏ ⴰⵛⴰⵔⴻⵗⴰ
English: His portrayal of the gang leader Johnny Strabler in The Wild One has become an iconic image, used both as a symbol of rebelliousness and a fashion accessory that includes a Perfecto style motorcycle jacket, a tilted cap, jeans and sunglasses.
Tamasheq: ⴷⴰⵗ ⴰⵙⵙⴰⴼⵂⴰⵎ ⴰⵏⵏⴻⵙⵙ ⴰⵏ ⵜⵓⵎⴰⵙⵜ ⵏ-ⴰⵎⵉⵣⴰⵔ ⴰⵏ ⴾⴰⵍ ⵎⵓⵋⵋⴰⵏ ⴰⵏ ⴻⵔⴾ ⵂⴰⵔⴰⵜ ⵋⵓⵂⵏⵏⵉ ⵙⵜⵔⴰⴱⵍⴻⵔ ⴷⴰⵗ ⵟⵂⴻ ⵓⵉⵍⴷ ⵓⵏ ⴻⵈⵈⴰⵍ ⵛⵓⵏⴷ ⴰⴼⴼⴰⵙⵓⴻⵔ ⴰⵙⵙⵉⵙⵏⴰⵏⴰⵏ, ⴰⵜⵜⵉⵓⴰⴷⴾⴰⵍⴰⵏ ⴰⵍⵓⴰⵈ ⵉⵉⵉⴰⵏ ⵛⵓⵏⴷ ⵜⴰⵎⴰⵜⴻⵔ ⴰⵏ ⵜⵓⵏⵋⵉⵜ ⴰⵙ ⵓⴰⴰ-ⵜ-ⵉⵍⵍⴰⵏ ⴰⴷ ⵉⵙⵓⵋ ⵓⵉ-ⴷ-ⴰⵛⵔⴰⵉⵏⴻⵏ ⴰⵎⵓⵙⵏⴻⵏ ⴻⵔⴰⵙⵓⴰⵉ ⵓⴰ-ⵏ ⵎⵓⵜⵓⵍⵜⴰⵏ ⵉⵋⵋⴰⵏ ⴷⴰⵗ ⴻⵍⴰⵎ, ⵜⴰⴾⵓⵎⴱⵓⵜ ⵜⴰⴼⵔⴰⵉⵗⴰⵜ ⵋⵉⵏ ⴰⴷ ⵜⵉⵎⴰⵏⵂⴰⵉⴻⵏ ⵜⵉⵏ ⵜⴰⴼⵓⴾⵜ
English: The "I coulda been a contender" scene from On the Waterfront, according to the author of Brooklyn Boomer, Martin H. Levinson, is "one of the most famous scenes in motion picture history, and the line itself has become part of America's cultural lexicon."
Tamasheq: ⴰⵓⴰ ‘’ⵉⵜⵜⵉⴾⵉⵉⴰⵎ ’’I ⵛⵓⵍⴷⴰ ⴱⴻⵏⵏ ⴰ ⵛⵓⵏⵜⴻⵏⴷⴻⵔ’’’’ ⴰⵎⵓⵙ ⵜⴰⵏⴼⵓⵙⵜ ⵓⴰⵜⴻⵔⴼⵔⵓⵏⵜ, ⴱⵔⵓⴾⵍⵉⵏ ⴱⵓⵎⴻⵔ, ⵎⴰⵔⵜⵉⵏ ⵂ. ⵍⴻⴱⵉⵏⵙⵓⵏ ⵎⴰⵈⵈⴰⵔⴰⵜ ⴷⴰⵗ ⵉⵙⴰⵍⴰⵏ ⴰⵏ ⵙⴰⵏⴰⵎⴰ ⴼⴰⵍ-ⴰⵙ ⴰⵙⵙⵓⴷⵎⴰⵔ ⵉ-ⴰⵓⴻⵏ ⴻⴷ ⴰⵎⵓⵙ ⴰⵎⴰⵔⴰ ⴰⵛⵔⵓⵜ ⴰⵏ ⵜⴰⵓⴰⵍⵜ ⴰⴷ ⴰⵙⵙⴰⵏⵗⴰⵜ ⴰⵏ ⴰⵎⴻⵔⵉⵛⴰⵉⵏ”
English: You have to make 'em believe that you are dying ... Try to think of the most intimate moment you've ever had in your life."
Tamasheq: ⵍⵉⵣⴰⵎ ⴾⴰⵓⴰⵏ ⴰⴷ ⵓⵗⴰⵍⴰⵏ, ⵙⴰⴾⵏⴰⵎⵜⴰⵏ ⴰⵙ ⵛⵓⵏⴷ ⵜⴰⵎⴰⵜⵜⴰⵏⵜ ⴰ ⵜⴰⵋⵋⴰⵎ… ⴰⵔⴰⵎⵎⴰⵜ ⴰⵙⴰⵏⴰⵣⵋⵓⵎⵓ ⴷⴰⵗ ⴰⵓⴰⵈ ⴰⵏ ⵂⴰⵔⴰⵜ ⴾⴰⵓⴰⵏ ⴷ-ⴻⵈⵈⴰⵍⴰⵏ ⵜⴰⵋⵋⴰⵎ ⴷⴰⵗ ⵜⴰⵎⵓⴷⵔⴻ ⵏⴰⵓⴰⵏ “”
English: In 1999 the American Film Institute ranked him eighth among its list of greatest male stars of the Golden Age of Hollywood.
Tamasheq: ⴷⴰⵗ ⴰⵓⴰⵜⴰⵉ ⵓⴰ-ⵏ 1999, ⴰⵎⴻⵔⵉⵛⴰⵏ ⴼⵉⵍⵎ Iⵏⵙⵜⵉⵜⵓⵜⴻ ⴷⴰⵗ ⴰⵎⵉⵉⵣⴰⵔ ⴰⵏ ⵎⴰⴷⴷⴻⵏ ⵓⵉ ⵎⴰⵈⵈⵓⵔⵏⴻⵏ ⴰⵏⴰⴼⵔⴰⵏⵏⴻⵏ ⴷⴰⵗ ⵎⴻⵍⵗⴰⵓ ⴰⵏ ⴰⵛⴰⵗⴰⵍⴰⵏ ⵏⴰⵙⴰⵏ, ⴻⵈⵈⴰⵍ ⵓⴰ-ⵙ-ⴰⵜⴰⴰⵎ ⴰⵏ ⴻⵍⴰⵏ ⴰⵏ ⵂⵓⵍⵍⵉⵓⵓⴷ.
English: He spent several years in vaudeville as a dancer and comedian, until he got his first major acting part in 1925.
Tamasheq: Iⵋⵋⴰ ⴻⵍⴰⵏ ⴰⵋⵋooⵜⵏⴻⵏ ⴷⴰⵗ ⴱⴰⵓⴷⴻⴱⵉⵍⵍⴻ ⵙⵂⵓⵏⴷ ⴰⵎⴰⴷⵂⴰⵍ ⴷ-ⴻⵔⴻ ⵉⵙⴰⴷⵙⴻⵏ, ⵉⵋⵔⴰⵤ ⵉ-ⴰⴷⴷⵉⵏⴰⵜ ⴰⴷ ⴰⵋⵋⵉⵂⴰⵏ ⵉ-ⴰⵓⴰ ⵉⵜⵜⴰⵋ ⵂⴰⵔ ⴰⵏⵎⵉⵓⴷⴰ ⴰⴷ ⵜⵓⵎⴰⵙⵜ ⴰⵏ ⴻⵎⴰⵙⵂⴰⵗⴰⵍ ⵓⴰ , ⵎⴰⵈⵈⴰⵔⴰⵏ ⴷⴰⵗ ⴰⵓⴰⵜⴰⵉ ⵓⴰ-ⵏ 1925.
English: After rave reviews, Warner Bros. signed him for an initial $400-a-week, three-week contract; when the executives at the studio saw the first dailies for the film, Cagney's contract was immediately extended.
Tamasheq: ⴷⴰⵔⴰⵜ ⵉⵎⴰⵋⵔⵉⴷⴰⵏ ⴼⴰⵍ-ⴰⵙ ⴰⵜⵜⵉⵓⴰⴰⵋⵋⴰⵏⴻⵏ ⴰⵎⵓⵙⵏⴻⵏ ⴰ- ⵜ-ⴰⵙⵙⵓⴾⴰⵜ ⴰⵙ ⴷⴰⵜ, ⵓⴰⵔⵏⴻⵔ ⴱⵔⵓⵙ ⴰⵙⵓⴰⵋⵋⴰ ⴻⵙⵂⵓⴰⵍ ⴻⵏ ⴰⵎⵙⵂⴰⵗⴰⵍ ⵓ-ⴰⵣⵣⴰⵔⴰⵏ ⴰⵏ ⴾⴰⵔⴰⴷⴰⵜ ⴰⵙⵙⴰⵉⴰⵜⴻⵏ ⴰⵙ ⴰⵍⵈⵈⵉⵎ ⴰⵏⵏⴻⵙ ⵉⴾⴾⴰⵜ ⴰⴷ 400 ⴰⵏ ⴷⵓⵍⵍⴰⵔ ⴷⴰⵗ ⵂⴰⴾ ⴰⵙⵙⴰⵉⴰⵜ ;ⴰⵍⵓⴰⵈ ⵓⴰ-ⴷ- ⴰⵏⵂⴰⵉⴰⵏ ⵉⵎⵉⵣⴰⵔⴰⵏ ⵙⴰⵏⵜⵓ ⵏ-ⴰⵓⴰ ⴰⵙⵂⴰⵗⴰⵍ, ⵜⴰⵈⵈⴰⵏ ⴰⵏ ⴰⵎⵙⵂⴰⵗⴰⵍ ⴰⵏ ⵛⴰⴶⵏⴻⵉ ⴰⵓⵓⴰⴷ ⴰⵍⵓⴰⵈ ⵓⴻⵏ ⴷⴰⵗ.
English: He was nominated a third time in 1955 for Love Me or Leave Me with Doris Day.
Tamasheq: Iⵋⵋⴰ ⴰⵜⵓⴰⴼⵔⴰⵏ ⵓⴰ-ⵙ ⴾⴰⵔⴰⴰ ⴷⴰⵗ ⴰⵓⴰⵜⴰⵉ ⵓⴰⵏ 1955 ⵉⴻ ⵍⵓⴱⴻ ⵎⴻ ⵓⵔ ⵍⴻⴰⴱⴻ ⵎⴻ ⴰⴷ ⴱⵓⵔⵉⵙ ⴹⴰⵉ.
English: Cagney walked out on Warner Bros. several times over the course of his career, each time returning on much improved personal and artistic terms.
Tamasheq: ⵛⴰⴶⵏⴻⵉ ⵉⴼⵍⴰ ⵓⴰⵔⵏⴻⵔ ⴱⵔⵓⵙ. ⴹⴰⵗ ⴰⵙⵂⴰⵗⴰⵍ ⴰⵏⵏⴻⵙ, ⵉⵋⵋⴰ-ⵙ-ⴰⴷ ⵓⵗⵍⴰⵓⴰⵏ ⴰⵋⵋⵓⵜⵏⴻⵏ ⴷ- ⵉⵎⴰⵏ ⴰⵏⵏⴻⵙ ⴷ-ⵉⵋⵋⵜⴰⵏ ⴰⵏ ⴰⵙⵂⴰⵗⴰⵍⴰⵏ ⵓⴼⴼⴰⵏⴻⵏ ⵓⵉ ⴰⵣⵣⴰⵔ ⵏⴻⵏ.
English: He worked for an independent film company for a year while the suit was being settled, establishing his own production company, Cagney Productions, in 1942 before returning to Warner seven years later.
Tamasheq: ⴰⵙⵂⴰⵗⴰⵍ ⴷⴰⵗ ⵜⴰⵔⵜⵉⵜ ⵜⴰⵏⵏⴻⵂⴰⴷⴰⵜ ⵉ-ⵉⵋⵋⵉ ⴰⵏ ⵙⴰⵏⴰⵎⴰⵜⴰⵏ ⵂⴰⵔ ⵉⴾⴾⵔⴰⵙⵂ ⴰⵓⴰⵜⴰⵉ ⴷⴰⵗ-ⵜⴰⵔⵜⵉⵜ ⵜⴰⵏⵏⴻⵂⴰⴷⴰⵜ ⵉ-ⵉⵋⵋⵉ ⴰⵏ ⵙⴰⵏⵏⴰⵎⴰⵜⴰⵏⴰ ⵂⴰⵔ ⵉⴾⴾⵔⴰⵙⵂ ⴰⵓⴰⵜⴰⵉ ⴷⴰⵗ-ⴰⵙ ⵉ-ⴰⴷ ⴰⵏⵂⴰⵉ ⴰⴰⵔⴰⵜ ⴰⵎⵎⵓⴾⴰⵏ ⴰⵏ ⴰⵙⵂⴰⵔⴻⵗⴰ, ⵜⴰⵣⵣⴰⵔ ⴰⵙⵗⴰⵉⵎⴰ ⵜⴰⵔⵜⵉⵜ ⴰⵏ ⵉⵎⴰⵏ ⴰⵏⵏⴻⵙ ⵜⴰⵏ ⴰⵎⵎⵓⴾⴰⵏ ⴰⵏ ⴰⵙⵂⴰⵗⴰⵍⴰⵏ ⴰⵏⵏⴻⵙ ⵙ-ⵉⵜⴰⵓⴰⵏⵏⴰ ⴰⵎⵎⵓⴾⴰⵏ ⴰⵏ ⴰⵙⵂⴰⵗⴰⵍⴰⵏ ⴰⵏ ⵛⴰⴶⵏⴻⵉ ⴷⴰⵗ-ⴰⵓⴰⵜⴰⵉ ⵓⴰ-ⵏ 1942 ⵜⴰⵣⵣⴰⵔ ⴰⴷ ⴻⵈⵈⴰⵍ ⵗⵓⵔ ⵓⴰⵔⵏⴻⵔ ⴰⵙⵙⴰ ⴻⵍⴰⵏ ⴰⴰⵔⴰⵜ ⴰⵓⴰ
English: Cagney was the second of seven children, two of whom died within months of their births.
Tamasheq: ⵛⴰⴶⵏⴻⵉ ⴰⵎⵎⵓⵙ ⴰⵔⴰ ⵓⴰ-ⵙ ⴰⵙⵙⴰⵏ ⴼⴰⵍ ⴰⵙⵙⴰ ⴷⴰⵗ ⴰⵔⴰⵜⴰⵏ ⴰⵙ ⴰⵙⵙⵉⵏ ⴷⴰⵗ ⵙⴰⵏ ⴰⵎⵎⵓⵏ ⴷⴰⵔⴰⵜ ⵜⵉⵓⵉⵜ ⵏⴰⵙⴰⵏ ⵙⵂⴰⵎⴰⴷ ⴰⴾⴾⵔⴰⵙⵂⴰⵏ ⵂⴰⵔⴰⵜ ⴰⵏ ⵓⵔⴰⵏ
English: The family moved twice while he was still young, first to East 79th Street, and then to East 96th Street.
Tamasheq: ⴰⵍⵗⴰⵉⴰⵍⴰⵏ ⴰⵋⵋⴰⵏ ⴰⵙⵙⵉⵏ ⵂⵉⵏⴰⵏ ⵂⴰⵔⵓⴰ ⵎⴰⴷⵔⴰⵉ ⴰⵙ ⵜⵉⵣⵣⴰⵔⴰⵜ ⴾⵓⵍ ⴰⵂⵓⵏⴰ ⴰⵙ ⴻⴰⵙⵜ 79ⵜⵂ ⴰⵂⵓⵏⴰ ⵂⴰⵔⵓⴰ ⴰⵙ ⴻⵙⵜ 96ⵜⵂ ⵙⵜⵔⴻⴻⵜ.
English: I feel sorry for the kid who has too cushy a time of it.
Tamasheq: ⵜⴰⵏⵏⴰⵈ-ⴰⵂⵉ ⵜⴰⵂⴰⵏⵉⵏⵜ ⴰⵏ ⴰⵔⴰⵜⴰⵏ ⴰⵋⵔⴰⵓⵏⴻⵏ ⵜⴰⵎⵓⴷⵔⴻ ⵜⴰⴾⴾⴰⵜ ⵜⴰⵗⵔⴰⵙⵜ.
English: He was a good street fighter, defending his older brother Harry, a medical student, when necessary.
Tamasheq: ⴻⵎⴰⴾⴾⴻⵏⴰⵙ ⵓⵍⴰⵗⴰⵏ ⴷⴰⵗ ⵜⴰⵙⵂⴰⵔⴻⵜ ⵉⵜⵉⴶⴰⵌ ⵓⴰⵏ ⴰⵎⴰⵈⵈⴰⵔ ⴰⵏⵏⴻⵙ ⵂⴰⵔⵔⵉ ⵉⵜⵜⴻⴰⵋⴰⵏ ⵜⴻⵗⴰⵔⴻ ⵜⴰ-ⵏ ⵍⴰⵆⵜⵓⵔⵜⴰⵏ ⴰⵍⵓⴰⵈ ⴰⴷ ⴰⵜⵜⵉⵓⴰⵔⵂⴰ ⴰ ⵓⴻⵏ.
English: He became involved in amateur dramatics, starting as a scenery boy for a Chinese pantomime at Lenox Hill Neighborhood House (one of the first settlement houses in the nation) where his brother Harry performed and Florence James directed.
Tamasheq: Iⵋⵋⴰⵙⵂ ⴰⵙⵂⴰⵗⴰⵍ ⵓⴰ-ⵏ ⵜⴻⵉⴰⵜⵔⴰⵜⴰⵏ ⵙⵂⵓⵏⴷ ⵜⵓⵎⴰⵙⵜ ⴰⵏ ⴻⵔⴻ ⵉⵜⴰⵋⵋⴰⵏ ⵉⵎⴰⵜⴻⴾⵓⴰⵉⵏ ⵙⵂⵓⵏⴷ ⵓⵉ-ⵏ ⵙⵂⵉⵏⵓⴰⵜⴰⵏ ⵗⵓⵔ ⴻⴷⴰⴶⴶ ⵓⴰ-ⵙ ⵉⵜⴰⵓⴰⵏⵏⴰ ⵍⴻⵏⵓⵆ ⵂⵉⵍⵍ ⵏⴻⵉⴶⵂⴱⵓⵔⵂⵓⴷ ⵂⵓⵙⴻ ⵉⵉⵉⴰⵏ ⴷⴰⵗ ⵉⵂⴰⵏⴰⵏ ⵓⵉ ⴰⵣⵣⴰⵔⵏⴻⵏ ⴰⵙⵉⴱⴰⵔⵔⴰⴾⵏⴻⵏ ⴷⴰⵗ ⴰⴷⴷⴰⵓⵍⴰⵜ ⴻⴷⴰⴶⴶ ⴷⴰⵗ ⵉⵏⴰⵌⵌⴰⵔ ⴰ ⵓⴰ-ⵙ-ⵉⵜⴰⵓⴰⵏⵏⴰ ⵂⴰⵔⵔⵉ ⴰⴷ ⴼⵍⵓⵔⴻⵏⵛⴻ ⵋⴰⵎⴻⵙ ⵉ-ⵜⴰⵉⵉⴰⵔⵜ ⵉ-ⴰⵓⴻⵏ
English: The show began Cagney's 10-year association with vaudeville and Broadway.
Tamasheq: ⴰⴷⴷⴰⵍ ⴻⵏ ⴰⵙⵂⴰⵙⵂⵓⴰⵍ ⵙⴰⵏⵜo ⴰⵏ ⵜⴰⵔⵜⵉⵜ ⴰⵏ ⵎⴰⵔⴰⵓ ⴻⵍⴰⵏ ⵋⴻⵔ ⵛⴰⴶⵏⴻⵉ ⴰⴷ ⴱⴰⵓⴷⴻⴱⵉⵍⵍⴻ ⴰⴷ ⴱⵔⵓⴰⴷⵓⴰⵉ.
English: Eventually, they borrowed some money and headed back to New York via Chicago and Milwaukee, enduring failure along the way when they attempted to make money on the stage.
Tamasheq: ⴷⴰⵔⴰⵜ ⴰ ⵓⴻⵏ ⴰⵙⵎⴰⵔⵓⴰⵙⴰⵏ ⴻⵣⵔⴰⴼ ⴰⵈⵈⴰⵍⴰⵏ ⵏⴻⵓ ⵗⵓⵔⴾ ⵙ-ⴰⵎⵎⴰⵔⴷⴻⵏ-ⴰⴷ ⵛⵂⵉⵛⴰⴶⵓ ⴻⴷ ⵎⵉⵍⵓⴰⵓⴾⴻ ⴰⵏⵎⴰⵏⵂⴰⵉⴰⵏ ⴷ-ⵉⴱⴰ –ⵏ-ⴰⵋⵋⴰⵔⴰⵓ ⴰⵏ ⵂⴰⵔⴰⵜ ⴷⴰⵗ ⵜⴰⴱⴰⵔⴰⵜ ⴰⵍⵓⴰⵈ ⵓⴰ –ⴷ ⵙⴰⵓⴰⵋⴻⵏ ⴰⴷⴷⴰⵍⴰⵏ.
English: As with Pitter Patter, Cagney went to the audition with little confidence he would get the part.
Tamasheq: ⵗⴰⵔ ⴱⵉⵜⵜⴻⵔ ⴱⴰⵜⵜⴻⵔ, ⵛⴰⴶⵏⴻⵉ ⵉⴾⴾⴰ ⴻⴷⴰⴶⴶ ⵓⴰⵏ ⴰⵙⴰⵙⵍⴰⵉⵏ- ⵉⵎⴰⵏ ⴰⵏⵏⴻⵙ ⴷⴰⵗ ⵉⴱⴰ-ⵏ ⴰⵋⵋⴻⵔ ⴰⵏ ⴰⵜⵜⴰⵎⴰ ⵏ-ⴰⵋⵋⴰⵔⴰⵓ ⴰⵏ ⴰⵙⵂ:ⴰⵗⴰⵍ-ⴰⵏ
English: This was a devastating turn of events for Cagney; apart from the logistical difficulties this presented—the couple's luggage was in the hold of the ship and they had given up their apartment.
Tamasheq: ⴰⵎⵓⵙ ⵉⴻ ⵛⴰⴶⵏⴻⵉ ⵜⴰⵎⵓⵜⴰⵉⵜ ⴻⵏ ⵛⴰⵗⵛⴰⴷⴰⵏ ⵜⵉⵎⵗⵓⵜⴰⵔ ⴰⵋⵋⵓⵜⵏⴻⵏ ⵜⵉⵜⵓⴰⵏⵂⵉⵏⴰⵜ ⴼⴰⵍ ⴰⵙ Iⵍⵈⵍⴰⵏ ⵏⴰⵙⴰⵏ ⴰⵂⵂⴰⵏ ⵜⴰⵔⴰⴼⵜ ⵜⴰⵏ ⴰⵎⴰⵏ ⵓⵏⵋⴰⵉⴰⵏ ⴻⵙ ⵓⵗⴰⵍ ⴰⵏ ⵉⵂⴰⵏⴰⵏ ⵏⴰⵙⴰⵏ.
English: He made up his mind that he would get a job doing something else."
Tamasheq: “Iⵋⵋⴰ ⴷⴰⵗ ⴻⵗⴰⴼ ⴰⵏⵏⴻⵙ ⴰⵙ ⴰⴷ ⴰⵋⵔⴰⵉ ⴰⵛⴰⵗⴰⵍ ⴰⵙ ⵉⵋⵋⵉ ⴰⵏ ⵂⴰⵔⴰⵜ ⵉⵉⵉⴰⵏ.””
English: Cagney also established a dance school for professionals, and then landed a part in the play Women Go On Forever, directed by John Cromwell, which ran for four months.
Tamasheq: ⵛⴰⴶⵏⴻⵉ ⴰⵙⵙⴰⴾⵔⴰⵙ ⴻⴷⴰⴶⴶ ⴰⵏ ⵜⴻⵗⴰⵔⴻ ⵉⴻ ⴾⴰⵍ ⵎⵓⵙⵏⴰⵜ ⴰⵏ ⴷⴰⵍⵍⴰⵓⵍ ⴷⴰⵔⴰⵜ ⴰ ⵓⴻⵏ ⵉⵋⵋⵔⴰⵓ ⴰⵛⴰⵗⴰⵍ ⵗⵓⵔ ⵓⵓⵎⴻⵎ ⵗⵓ ⵓⵏ ⴼⵓⵔⴻⴱⴻⵔ ⵓⴰ ⵉⵙⵙⴰⴱⴷⴰⴷⴰⵏ ⴰⵓⴰ ⵉⴾⴾⴰⵏ ⴰⵜⵓⴰⵋ ⴰ ⵜⴰⵎⴰⵙⴰⵏ ⵋoⵂⵏ ⵛⵔⵓⵎⵓⴻⵍⵍ ⴰⵜⵓⴰⵛⴰⵗⴰⵍ ⴰ ⵓⴻⵏ ⵂⴰⵔ ⴰⵜⵓⴰⵋⵋⴰⵏ ⴰⴾⴾⴰⵌ ⵓⵔⴰⵏ.
English: The show received rave reviews and was followed by Grand Street Follies of 1929.
Tamasheq: ⴰⴷⴷⴰⵍ ⴻⵏ ⴰⵋⵋⴰⵏⵏⴻⵏ ⴰⴷⴷⵉⵏⴰⵜ ⴰⵓⴰ ⵂⵉⵏ ⴰⵋⵔⴰⵂⴰⵏ ⴼⴰⵍ ⵈⵙ ⴰⵜⵜⵉⵓⴰⴾⵉⴰⴷ ⵂⵓⵍⵍⴰⵏ ⴷⴰⵗ ⵙⵜⵔⴻⴻⵜ ⴼⵓⵍⵍⵉⴻ ⴷⴰⵗ ⴰⵓⴰⵜⴰⵉ ⵓⴰ ⵏ 1929.
English: Retitled Sinners' Holiday, the film was released in 1930.
Tamasheq: Iⵓⴰⵔ ⵜ ⵉⵙⴰⵎ ⵓⴰ ⵏ ⵙⵉⵏⵏⴻⵔⵙ ⵂⵓⵍⵉⴷⴰⵉ ⵉⵣⵋⴰⵔ ⴰⴷ ⴼⵉⵍⵎ ⴻⵏ ⴷⴰⵗ ⴰⵓⴰⵜⴰⵉ ⵓⴰ ⵏ 1930.
English: However, the contract allowed Warners to drop him at the end of any 40-week period, effectively guaranteeing him only 40 weeks’ income at a time.
Tamasheq: ⴷⴰⵗ ⴰⵓⴰ ⴰⵙⴰⴱⴷⴰⴷⴰⵏ ⵜⴰⵔⴰⵓⵜ ⴰⵙ ⴰⵎⵛⴰⵗⴰⵍ ⴻⵏ ⵉⵋⵔⴰⵓ ⵉⴻ ⵓⴰⵔⵏⴻⵔⵙ ⵜⴰⵔⴰⴷⴰⵓⵜ ⴷⴰⵔ ⴰⵙ ⵗoⵔ ⵙⴰⵎⴷⴰ ⴰⵏ ⵂⴰⴾ 40 ⴰⵏ ⴰⵙⵙⴰⵉⴰⵜⴻⵏ ⴰⵙⵙⵉⴷⵎⴰⵏ ⴰ ⵓⴻⵏ ⴰⵓⴰ ⵙ ⴰⵏⵏⵉⵎⴰⵂⴰⵍ ⴰⴷ ⵜ ⴰⵋⵔⴰⵓ ⴷⴰⵗ 40 ⴰⵏ ⴰⵙⵙⴰⵉⴰⵜⴻⵏ
English: Due to the strong reviews he had received in his short film career, Cagney was cast as nice-guy Matt Doyle, opposite Edward Woods as Tom Powers.
Tamasheq: ⴼⴰⵍ ⵜⴰⵙⴰⴱⴰ ⵏ ⵉⵎⴰⵋⵔⵉⴷⴰⵏ ⵓⵍⴰⵗⵏⴻⵏ ⴰⵜⵓⴰⵋⴰⵏⴻⵏ ⴼⴰⵍ ⴰⵙ ⵉⵋⵔⴰⵓ ⴷⴰⵗ ⵜⴰⵎⴰⴷⵔⵉⵜ ⴰⵏ ⵜⴰⵈⵈⴰⵏ ⵋⴰⵣⴰⵍⴰⵜ ⴷⴰⵗ ⴰⵛⴰⵗⴰⵍ ⴰⵏ ⵙⴰⵏⵏⴰⵎⴰⵜⴰⵏ ⴰⵏⵏⵉⴼⵔⴰⵏⵏⴻⵏ ⵛⴰⴶⵏⴻⵉ ⵉ ⵉⵋⵋⵉ ⵏ ⴰⵓⴰ ⵜ ⵉⴷ ⴻⵈⵈⴰⵍⴰⵏ ⵛⵓⵏⴷ ⵙⴰⵔⵂⵓ ⴰⵏ ⵎⴰⵜⵜⴻ ⵓⵉⵍⴻ ⴷⴰⵜ ⴻⴷⵓⴰⵔ ⵓⵓⴷⵙ ⴷⴰⵗ ⴰⵛⴰⵗⴰⵍ ⴰⵏ ⵟⵓⵎ ⴱⵓⵓⴻⵔⵙ.