Tamazight-NLP/NLLB-Seed_Tamasheq-Latin-Script huggingface dataset:
English: In the past decade, there has been the emergence of the so-called "Digital" Architecture.
Tamasheq: “Daɣ maraw iwityan wi hin okaynen, imal ti tiw-at n awa s itawan edey wan ““Digital””
English: Architects also design organic-looking buildings in the attempt to develop a new formal language.
Tamasheq: Albanna tan tolas aɣnan id ihanan maqqornen oraknen s ihiškan daɣ erem n efes wan awal eynayan
English: Since these new architectural tendencies emerged, many theorists and architects have been working on these issues, developing theories and ideas such as Patrick Schumacher's Parametricism.
Tamasheq: Alwaq wa s anniyaten tin eynaynen n edey iw-wid nat , aw mirda tan ajjotnen d albanna tan ajjotnen axdaman fal marsălan win , s ijjan efes n mirda tan d t-ite tan šund Parametricism wan Patrick Schulacher
English: Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire.
Tamasheq: Edey wan Byzantin tan eqqal edey wan malikiya tan Byzantin ta meɣ malikiya n Roma tan alqiblat
English: Magnificent golden mosaics with their graphic simplicity brought light and warmth into the heart of churches.
Tamasheq: Mosaik tan ajjotnen olaɣnen s adaloj nasan raqqos itaway id efew d tukise daɣ olhawan n egliz tan
English: Some of the columns were also made of marble.
Tamasheq: Itartaran iyyad ijjan s tekadayt
English: Precious wood furniture, like beds, chairs, stools, tables, bookshelves and silver or golden cups with beautiful reliefs, decorated Byzantine interiors.
Tamasheq: Isuj n ahišk wi olaɣnen hullan šund tasiftaq, taxyamen, iskak win alkittăban d azruf meɣ kub tan n ura id ikallan huskat nen, ammasan ijjan adaloj wan Byzantin tan
English: For Classical temples, only the exterior was important, because only the priests entered the interior, where the statue of the deity to whom the temple was dedicated was kept.
Tamasheq: I ideyan win alasal eqqal ajjama nasan edag wa assohen fal as inta s tajjašan bomber tan ,edag s inta a tilla statue tan aɣabad s eqqal as inta a taɣlasat edey
English: Those in the Cathedral of Saint Mark, Venice (1071) specially attracted John Ruskin's fancy.
Tamasheq: Wi ahanen Katedral tan Saint Mark, Venice (1071) arkaban anazjum n John Ruskin
English: On eastern columns the eagle, the lion and the lamb are occasionally carved, but treated conventionally.
Tamasheq: Fal itărtarăn win alqiblat egadar, ahir d tehele harkuk injafan mušam taj in asafar ehan edag net
English: Composite columns line the principal space of the nave.
Tamasheq: Iyaka wan itartaran artaynen eqqal edag wan nave
English: The columns are filled with foliage in all sorts of variations.
Tamasheq: Itartaran idnayan ifrinkittăn daɣ iššikil n imutiyan fuk
English: Other structures include the ruins of the Great Palace of Constantinople, the innovative walls of Constantinople (with 192 towers) and Basilica Cistern (with hundreds of recycled classical columns).
Tamasheq: Ideyan iyyad eha iɣašadan n Gret Palce wan Constantinople, iɣalayan aɣnanen n Constantinople (ilan 192 n tower) d Basilica Cistern ( ilan timad n itartaran n alasal olasnen teynaya)
English: The Paleologan period is well represented in a dozen former churches in Istanbul, notably St Saviour at Chora and St Mary Pammakaristos.
Tamasheq: Azzaman wan Paleologan ikna emel daɣ maraw egliz tan aru nen daɣ Istanbul hullan St Saviour daɣ Chora d St Mary Pammakaristos
English: The Church of the Holy Apostles (Thessaloniki) is cited as an archetypal structure of the late period with its exterior walls intricately decorated with complex brickwork patterns or with glazed ceramics.
Tamasheq: Egliz wan bomber tan win alwali tan (Thessaloniki) it aw emel as eqqal a olahan id edey wan azzamăn n ušray ilan iɣalayan n ajjăma iknanen adaloj s iššikil n ibilɣan maqqornen meɣ ceramics tan iwar vernis
English: At Saint Sergius, Constantinople, and San Vitale, Ravenna, churches of the central type, the space under the dome was enlarged by having apsidal additions made to the octagon.
Tamasheq: Daɣ Saint Sergius, Constantinople d San Vitale, Ravenna, egliz tan n iššikil wan ammas edag ehan sider n dome harik s tisiwad n aspse tan ijjanen har Octagon
English: This unbroken area, about 260 ft (80 m) long, the larger part of which is over 100 ft (30 m) wide, is entirely covered by a system of domical surfaces.
Tamasheq: Edag wen war ides teraze ijja tišijrit n 260 n atkul (80 n aɣil), ašrut wa maqqoran s daɣ is 100 n atkul (30 n aɣil) harik, ilse fuk net sistem n arori tan n dome
English: At the Holy Apostles (6th century) five domes were applied to a cruciform plan; the central dome was the highest.
Tamasheq: Daɣ bomber tan n alwali tan (awatay wan 6) , sammos dome tan ijjanen i addăbara wan išikil wan croix, dome wan ammas eqqal wa ojjaran hullan
English: Sometimes the central space was square, sometimes octagonal, or at least there were eight piers supporting the dome instead of four, and the nave and transepts were narrower in proportion.
Tamasheq: Alwaqqan iyyad edag wan ammas ogdah, alwăqqan iyyad šund octagon meɣ awa id orakan illan ti attamat tijjittawen it afnen dome war akkozat d nave d transept tan sadodnen
English: Still in front put a square court.
Tamasheq: Har ajjudi daɣ s dta ijja aɣalay ogdahan
English: Directly under the center of the dome is the ambo, from which the Scriptures were proclaimed, and beneath the ambo at floor level was the place for the choir of singers.
Tamasheq: Sider n ammăs wan dome ille ambo s inta a ɣur t aw aɣrin ikitbăn tolas sider n ambo s akal ille edag wan isahaɣan
English: Rows of rising seats around the curve of the apse with the patriarch's throne at the middle eastern point formed the synthronon.
Tamasheq: Itartaran n taxyămen edes n apse wa ikrambăyan t iwar taxyămt tan awichar daɣ ašrut wan alqiblat eqqalan Synthronon
English: The domes and vaults to the exterior were covered with lead or with tiling of the Roman variety.
Tamasheq: Dome tan d tijittawen ti ajjama ilsanat s lead meɣ tiling n annuɣan win Roma
English: There are considerable Byzantine influences which can be detected in the distinctive early Islamic monuments in Syria (709–715).
Tamasheq: Tille assăhat maqqorat n Byzantin tan s ti illa ajamol net daɣ ideyan win tizarat ijjan inasliman daɣ Syria (jir awatay wan 709 har 715)
English: Bricks 70 cm x 35 cm x 5 cm were used, and these bricks were glued together using mortar approximately 5 cm thick.
Tamasheq: Ibilɣan n 70 n cm x 35 cm x 5 cm a axdamnen tolas ibilɣan win iltaɣan daɣ edag iyyan s simaw n 5 cm tan
English: Perhaps the most definite feature of the Hagia Irene is the strict contrast between the interior and exterior design.
Tamasheq: Ehamich samal wa imdan fuk n Irene Hagia imos anamišrăy jir iɣanni wan ammas d wan ajjăma.
English: This style influenced the construction of several other buildings, such as St. Peter's Basilica.
Tamasheq: Iššikil wen eqqal a ornahan edey n ihanan iyyad maqqornen šund Basilica tan St. Peter
English: The construction of the final version of the Hagia Sophia, which still stands today, was overseen by Emperor Justinian.
Tamasheq: Edey wan s amindi n Hagia Sophia ti illan har ašal id ijjas has Emperor Justinian anniyat
English: Gothic architecture (or pointed architecture) is an architectural style that was particularly popular in Europe from the late 12th century to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas.
Tamasheq: Edey wan Gothic (meɣ edey wa izzagan) eqqal iššikil n edey ikna tila n isim hullan daɣ Eroba ɣur ušray n awatay wan 1200 har 1600 ɣur iwityan win data annabi ɣisa har win darat net s tišray tămudre net har awatay wan 1700 d 1800 daɣ ihăndagan iyyad.
English: The style at the time was sometimes known as opus Francigenum (lit.
Tamasheq: Iššikil wan azzăman wen eqqal as isim net Opus Francigenum (lit)
English: The primary engineering innovation and one of the other characteristic design components is the flying buttress.
Tamasheq: Iɣanni wan anjenier tan ezzaran d iyyan daɣ titbaqqa n iššikil eqqal flying buttress
English: However, there is no evidence to indicate that there was a connection between Armenian architecture and the development of the Gothic style in Western Europe.
Tamasheq: Hak id ijja awen , war t illa taguhe s ad ellaɣat awadim as tille a ohar wan edey n Amrik d efes n ichikil wan Gothic daɣ Eroba tan ataram
English: Thus the Gothic style, being in opposition to classical architecture, from that point of view was associated with the destruction of advancement and sophistication.
Tamasheq: Iššikil wan Gothic, an mašrăyan id edey wan attarex, daɣ akayad ertay id aɣašad wan iki n s data d milɣăw
English: The term ‘Saracen’ was still in use in the 18th century and it typically referred to all Muslim conquerors, including the Moors and Arabs.
Tamasheq: Isim wan “Saracen” ille exdam har awatay wan 1800 tolas eqqal tasimalt n inasliman fuk win imakkunas ahan Moors d Araban
English: His aversion of the style was so strong that he refused to put a Gothic roof on the new St. Paul's, despite being pressured to do so.
Tamasheq: Mikda net id iššikil ikna assahat har unjay ad ej tanda n Gothic fal St.Paul wa eynayan kuddeɣ s azzigen ti addinat i ad ej awen.
English: Several authors have taken a stance against this allegation, claiming that the Gothic style had most likely filtered into Europe in other ways, for example through Spain or Sicily.
Tamasheq: Illan ti addinat ajjotnen war n axyez s majrad wen daɣ allaɣen as iššikil wan Gothic ik n amiš hullan as izjar id Eroba s immikan iyyad daɣ almital sa s Spania meɣ Sicily.
English: It was also influenced by theological doctrines which called for more light and by technical improvements in vaults and buttresses that allowed much greater height and larger windows.
Tamasheq: Ornan ti mirda tan win kel addin ɣarrinen s efew ajjen d isammutiyan n tikarsay daɣ tijittawen d buttress tan ikf-anen s tišijrit hullan d fanetir tan maqqornen
English: Rib-vaults were employed in some parts of the cathedral at Durham (1093–) and in Lessay Abbey in Normandy (1098).
Tamasheq: Rib-vault tan axdăman daɣ išrutan n Katedral tan Durham ɣur awtay (1093) d daɣ Lessay Abbey daɣ Normandy (1098)
English: The Duchy of Normandy, part of the Angevin Empire until the 13th century, developed its own version of Gothic.
Tamasheq: Dutchy an Normandy, ašrut n Angevin Empire har awatay wan 1300 eɣna iššikil n Gothic wan iman net.
English: One example of early Norman Gothic is Bayeux Cathedral (1060–70) where the Romanesque cathedral nave and choir were rebuilt into the Gothic style.
Tamasheq: Almital iyyan n Gothic wan Norman wi azzarnen eqqal Katedral tan Bayeux ɣur awatay wan (1060 har wan 70) s inta ad tiday katedral Nave tan Roman d edag wan isuhaɣ daɣ iššikil n Gothic
English: Coutances Cathedral was remade into Gothic beginning about 1220.
Tamasheq: Katedral Coutances tiday har ajjudi daɣ asinti n Gothic ɣur awatay wan 1220
English: Suger reconstructed portions of the old Romanesque church with the rib vault in order to remove walls and to make more space for windows.
Tamasheq: Ihandagan n Suger wi olasnen edey n egliz tan Roman n aru tidayat s rib vault i ad ammukisan iɣalayan tolas emel n edag i fanetir tan
English: In addition, he installed a circular rose window over the portal on the facade.
Tamasheq: Tolas, iday fanetir šagaɣan taɣilalwayat fal albab wan ujjiš
English: Durham Cathedral was the first cathedral to employ a rib vault, built between 1093 and 1104.
Tamasheq: Katedral tan Durham taqqal katedral tan tizarat ta s axadamat rib vault, tidayat jir awatay wan 1093 d wa 1104.
English: One of the builders who is believed to have worked on Sens Cathedral, William of Sens, later travelled to England and became the architect who, between 1175 and 1180, reconstructed the choir of Canterbury Cathedral in the new Gothic style.
Tamasheq: Iyyat daɣ albanna tan eɣilan as exdam fal Sens Cathedral , William wan Sens, issokal darat awa s England dihen eqqal albanna wa s olasan edey n edag wan isuhaɣ daɣ katedral Canterbury s iššikil n Gothic wa eynayan.
English: French Gothic churches were heavily influenced both by the ambulatory and side-chapels around the choir at Saint-Denis, and by the paired towers and triple doors on the western façade.
Tamasheq: Egliz tan n Gothic tan wi takfirt iknan tan tarna chapel tan fuk wi šawankat nen d win edes n edag wan isuhaɣ daɣ Saint-Denis d Tower tan tin tiknewen d albaban win karat fal em wan ijjuš s ataram.
English: The builders of Notre-Dame went further by introducing the flying buttress, heavy columns of support outside the walls connected by arches to the upper walls.
Tamasheq: Albanna tan win Notre-Dame ikachan i hullan har id ijjan buttress flying , itartaran n iduf n iɣalayan win ajjama osaɣnen id tichangiwen n iɣalayan win afalla
English: His work was continued by William the Englishman who replaced his French namesake in 1178.
Tamasheq: Alxidmat net issewad tat William wan England isammutiyan isim net wan akal net wan france ɣur awatay wan 1178.
English: Tiercerons – decorative vaulting ribs – seem first to be have been used in vaulting at Lincoln Cathedral, installed c.1200.
Tamasheq: Tierceros- vault-rib tan idlajnen - olah nat id tijittawen ti s taxdam Kadetral tan Lincoln tidayat ɣur awatay wan 1200.
English: The first building in the High Gothic was Chartres Cathedral, an important pilgrimage church south of Paris.
Tamasheq: Edey wa ezzaran daɣ Gothic šajren imos wan Katedral Chartres, egliz maqqorat n ahujij daɣ agala i Paris
English: The walls were filled with stained glass, mainly depicting the story of the Virgin Mary but also, in a small corner of each window, illustrating the crafts of the guilds who donated those windows.
Tamasheq: Iɣalayan itkaran alkasan idlajnen hullan tanfust tan Maryama mušam hak id daɣ tasaja fuk andarrat n fanetir fuk, isilmadan s tamašɣult n inhadan n tag-gayen ti ikfanen fanetir tan
English: In central Europe, the High Gothic style appeared in the Holy Roman Empire, first at Toul (1220–), whose Romanesque cathedral was rebuilt in the style of Reims Cathedral; then Trier's Liebfrauenkirche parish church (1228–), and then throughout the Reich, beginning with the Elisabethkirche at Marburg (1235–) and the cathedral at Metz (c.1235–).
Tamasheq: Daɣ Eroba tan ammas, iššikil n Gothic wa šajren izjar id daɣ Empire n Roma wan alwili, s tizarat daɣ at Toul ɣur awatay wan (1220-) s katedral net tan Roman tolas edey iyyan daɣ iššikil wan katedral tan Reims;dihen egliz tan Trier's Liebfrauenkirche parish daɣ awatay wan (1228- ) tolas id daɣ Reich fuk net issintan s Elisabethkirche daɣ Marburg ɣur awatay wan (1235- ) d katedral tan Metz ɣur awatay wan (c. 1235)
English: Lancet windows were supplanted by multiple lights separated by geometrical bar-tracery.
Tamasheq: Fanetir tan win Lancet išrayan tan efewan ajjotnen s bar-tracery ijjan tegamšakt
English: Other characteristics of the High Gothic were the development of rose windows of greater size, using bar-tracery, higher and longer flying buttresses, which could reach up to the highest windows, and walls of sculpture illustrating biblical stories filling the facade and the fronts of the transept.
Tamasheq: Samalan iyyed n Gothic ta šajrotnen aqqalan efes n fanetir tan šajjaɣnen n azuk maqqoran, ijjan s'ibagan, buttress šajren, tolas ad awid har fanetir tan wi ojjarnen tišijrit d iɣalayan talaɣat nen tinfusen tin alinjil idnayan data tan n transept.
English: The high and thin walls of French Rayonnant Gothic allowed by the flying buttresses enabled increasingly ambitious expanses of glass and decorated tracery, reinforced with ironwork.
Tamasheq: Iɣalayan wi maqqornen d wi sadidnen n Gothic tan French Rayonnant id eraw id flying buttress issewadan hullan asahrik n ilkasan d tracery tidlajat tasisahat tazoli
English: Masons elaborated a series of tracery patterns for windows – from the basic geometrical to the reticulated and the curvilinear – which had superseded the lancet window.
Tamasheq: Albanna tan iknan iššikilan n tracery ajjotnen i fanetir tan - ɣur tegamšakt nasan tesalsit d iyaka tan akrambaynen- išraynen fanetir wan lancet
English: Churches with features of this style include Westminster Abbey (1245–), the cathedrals at Lichfield (after 1257–) and Exeter (1275–), Bath Abbey (1298–), and the retro choir at Wells Cathedral (c.1320–).
Tamasheq: Egliz tan ilanen samalan n iššikil wen ehan Westminster Abbey (1245–) awatay wan (1245–) Katedral tan daɣ Lichfield (darat awatay wan 1257- ) d Exter daɣ awatay wan (1275- ) , Bath Abbey daɣ awatay wan (1298) d chorale tan ruwen daɣ Wells Katedral (c. 1320).
English: Use of ogees was especially common.
Tamasheq: Asaxdam n Ogees ijja hullan
English: Examples of French flamboyant building include the west façade of Rouen Cathedral, and especially the façades of Sainte-Chapelle de Vincennes (1370s) and choir Mont-Saint-Michel's abbey church (1448).
Tamasheq: Almitalan n Edey wan French Flamboyant eha data wan ataram n Katedral tan Rouen, d data tan n Sainte-Chapelle de Vincennes daɣ awatay wan (1370) d egliz wan choir Mont-Saint-Michel’Abbey daɣ awatay wan (1448)
English: It first appeared in the cloisters and chapter-house (c. 1332) of Old St Paul's Cathedral in London by William de Ramsey.
Tamasheq: Izjar id s tizarat daɣ cloisters d chapter-house (c.1332) tan Katedral n Old St Paul daɣ London ijja William de Ramsey
English: Perpendicular is sometimes called Third Pointed and was employed over three centuries; the fan-vaulted staircase at Christ Church, Oxford built around 1640.
Tamasheq: Tazɣaqt isim net alwaqqan iyyad titbaqqet tan karadat tolas exdam sisim wen har ijja 300 n awatay; fan-vaulted staircase daɣ egliz tan Christ, idayan daɣ Oxford edes n awatay wan 1640.
English: The Kings of France had first-hand knowledge of the new Italian style, because of the military campaign of Charles VIII to Naples and Milan (1494), and especially the campaigns of Louis XII and Francis I (1500–1505) to restore French control over Milan and Genoa.
Tamasheq: Almalik tan win France ilan musnat tan tiditt n išikil wan Italia fal isaɣliyan n militer tan win Charles VII har Naples d Milan daɣ awatay wan (1494) d isaɣliyan win Louis XII d Francis I (1500 har 1505) i asuɣil n tila tan France fal Milan d Genoa
English: The Château de Blois (1515–24) introduced the Renaissance loggia and open stairway.
Tamasheq: Chateau de Blois daɣ awatay wan (1515 har 24) t ijja id Renaissance Loggia d asiftan wa s itawan stairway.
English: Under Henry VIII and Elizabeth I, England was largely isolated from architectural developments on the continent.
Tamasheq: Azzaman wan Henry VIII d Elizabeth I, England tikna amuzzi n id efes wan ideyan fal amadal wan eroba.
English: Shute published the first book in English on classical architecture in 1570.
Tamasheq: Shute isilmad fal alkittab net daɣ tangilist wa ezzaran fal edey wan alasal daɣ awatay wan 1570
English: The pointed arch did not originate in Gothic architecture; they had been employed for centuries in the Near East in pre-Islamic as well as Islamic architecture for arches, arcades, and ribbed vaults.
Tamasheq: Tišangay ta tizzagat war eqqel alasal net edey wan Gothic; t aw axdam nat daɣ timad n iwityan edes n alqiblat daɣ edey wan data al-islam d wan al-islam i tišangiwen, arcade tan d tijittawen.
English: They were also sometimes used for more practical purposes, such as to bring transverse vaults to the same height as diagonal vaults, as in the nave and aisles of Durham Cathedral, built in 1093.
Tamasheq: Alwaqqan iyyad t aw axdaman daɣ ittusan ajjotnen šund ag-ay n transverse vault tan s edag ogdahan vault tan win diagonal šund daɣ nave d tišariten n Katedral tan Durham tidayat daɣ awatay wan 1093.
English: Unlike the semi-circular barrel vault of Roman and Romanesque buildings, where the weight pressed directly downward, and required thick walls and small windows, the Gothic rib vault was made of diagonal crossing arched ribs.
Tamasheq: A war n imos tijittawt takrambayat n ideyan win Roman id Romanesque s edag wan azuk net ehal sider, tolas azzilzam ibilɣan sadednen id fanetir tan madroynen, tijittawt tan Gothic tijja s tijittawt tikiyat fal tišangay.
English: The outward thrust against the walls was countered by the weight of buttresses and later flying buttresses.
Tamasheq: Tasintakt tan iɣalayan imhal as azuk n buttresses d wan flying buttresses
English: They were very difficult to build, and could only cross a limited space.
Tamasheq: Assohat edey nasan tolas war addoben tikit ɣas ar daɣ edag kauzan.
English: The alternating rows of alternating columns and piers receiving the weight of the vaults was replaced by simple pillars, each receiving the same weight.
Tamasheq: Itartaran d win an mašrayan d tijittawen ti imhal nen azuk n vault tan išrayan ti tijittawen raqqosnen , iyyat fuk iwar tat azuk olahan
English: The first of these new vaults had an additional rib, called a tierceron, which ran down the median of the vault.
Tamasheq: Wa ezzaran daɣ vault tan win eynaynen ila tijittawt n tasiwit s isim net tierceron tišilat fal tigdaht n vault
English: These vaults often copied the forms form of the elaborate tracery of the Late Gothic styles.
Tamasheq: Tijittawen tin alwaqqan iyyad asigbar nat dumu tan n tacery tan išikilan win ušray n Gothic
English: A second type was called a reticulated vault, which had a network of additional decorative ribs, in triangles and other geometric forms, placed between or over the traverse ribs.
Tamasheq: Iššikil wn issin isim net tijittawt tan tesalsit tila rezo n tijittawen n tisiwad ijjanen adlij n tegamšakt d dumu tan iyyad n tegamšakt ilanen jir meɣ s afalla n tijittawen tin traverse
English: An example is the cloister of Gloucester Cathedral (c. 1370).
Tamasheq: Almital iyyan arraxba n katedral tan Gloucester (c.1370)
English: They were used later at Sens, at Notre-Dame de Paris and at Canterbury in England.
Tamasheq: At aw axdaman darat awa daɣ Sens, daɣ Notre-Dame-dde Paris d daɣ Canterbury ɣur England
English: In the High Gothic period, a new form was introduced, composed of a central core surrounded several attached slender columns, or colonettes, going up to the vaults.
Tamasheq: Daɣ azzaman wan Gothic wa chajren, dumu eynayan ijjaš id ijjan s core ehan ammas eɣlayan i itartaran artaynen ajjotnen meɣ colonette tan ahal nen s afalla i tijittawen
English: In England, the clustered columns were often ornamented with stone rings, as well as columns with carved leaves.
Tamasheq: Daɣ England, itartaran artaynen alwaqqan iyyad idlajan s tazabut n tahunt hak id itartaran n tilafasen injafnen
English: In place of the Corinthian capital, some columns used a stiff-leaf design.
Tamasheq: Daɣ edag wan Kapital tan Corinthia, itartaran iyyad as axdaman s eɣanni n talafast tassohet.
English: In later structures, the buttresses often had several arches, each reaching in to a different level of the structure.
Tamasheq: Daɣ ideyan win ušrayn buttress tan alwaqqan iyyad ilanat tišangiwen ajjotnen , iyyat fuk t ewad edag izlayan daɣ edey
English: The arches had an additional practical purpose; they contained lead channels which carried rainwater off the roof; it was expelled from the mouths of stone gargoyles placed in rows on the buttresses.
Tamasheq: Tišangiwen ilanat ittus n tasiwit ; ahan tan isarsaran wi takkasnen aman win ajjinna fal s afalla n tanda; zajaran s em n tahunt tan gargoyles tahat itartaran fal buttress
English: They also had a practical purpose; they often served as bell towers supporting belfries, whose bells told the time by announcing religious services, warned of fire or enemy attack, and celebrated special occasions like military victories and coronations.
Tamasheq: Ilan ti har ajjudi ittus iyyan; taqqalan bell tower tan imhal nen Belfrie tan s tizoli ten nasan s almad nat s alwaq ijjan i timašɣule tin addin, raqqam nat fal efew meɣ tadlimt n anasjafa d alwaqqan win dallolan šund in tarna ten tin militer tan d taɣaymaten fal taxyamen.
English: Since cathedral construction usually took many years, and was extremely expensive, by the time the tower were to be built public enthusiasm waned, and tastes changed.
Tamasheq: Alwaq wa id edey wan katedral i taj iwityan ajjotnen , tolas assohat, daɣ azzaman achojja tan idday nat s afanaz n agluy n addinat, id imuttiyan n tarha ten nasan.