Tamazight-NLP/NLLB-Seed_Tamasheq-Latin-Script huggingface dataset:
English: Both of these films revived Astaire's popularity and in 1950 he starred in two musicals.
Tamasheq: Assinn silma widag hakan muziat an Astaire izar gor 1950, idal dag asinn manzaran nadal.
English: While Three Little Words did quite well at the box office, Let's Dance was a financial disappointment.
Tamasheq: Aguden Three Little Words itašam hulan ye box-office, Let’s Dance ekal tamograzst.
English: But because of its high cost, it failed to make a profit on its first release.
Tamasheq: Dag tidit nasuhu,war ikna agaraw gor azagor wa azaran.
English: Then, his wife Phyllis became ill and suddenly died of lung cancer.
Tamasheq: Izar, haniss Phyllis tanid izar tənget torhina tan torawen šik .
English: Daddy Long Legs only did moderately well at the box office.
Tamasheq: Daddy Long Legs war ikna agaraw gor box-office.
English: Similarly, Astaire's next project – his final musical at MGM, Silk Stockings (1957), in which he co-starred with Cyd Charisse, also lost money at the box office.
Tamasheq: Sund, projet wan Astaire-samando nadal gor MGM, Silk Stocking (1957), dag itozan dag Cyd Charisse,igarin deg azruf gor box-office.
English: The first of these programs, 1958's An Evening with Fred Astaire, won nine Emmy Awards, including "Best Single Performance by an Actor" and "Most Outstanding Single Program of the Year."
Tamasheq: " Harat dag programtan ness wa azaran, An Evening With Fred Astaire (1958), igraw taza Emmy Awards,dag wi" ogarnen assahat amussan" ad " program wan awatay""".
English: The choice had a controversial backlash because many believed his dancing in the special was not the type of "acting" for which the award was designed.
Tamasheq: " əssânafrin wa əsinkar tamadash, fal as aduniya agetnen əssanan as adalal wan ənes dǎɣ edag wa,werd eqal edag wa mossen a taha tamadash ta fal iga adagud wa."
English: They restored the original videotape, transferring its contents to a modern format and filling in gaps where the tape had deteriorated with kinescope footage.
Tamasheq: əntaned əgan telvision tan tidat,adkalan awa titihan kul əganti dǎɣ edag aynayan əzar assirtayan awa ibraran dǎɣ issuhag widǎɣ kul, kineskop.
English: Astaire appeared in non-dancing roles in three other films and several television series from 1957 to 1969.
Tamasheq: Astaire tatwaga dǎɣ edag wan aytedmen wis amos ward hen idalalan dǎɣ films tan karadat ad series tan ən 1957 ad 1969.
English: Astaire's dance partner was Petula Clark, who played his character's skeptical daughter.
Tamasheq: Tamidad tan Astaire dǎɣ adalan widǎɣ atawos Petula Clark,ənta a atagalat tarat tan adanlan win.
English: Astaire continued to act in the 1970s.
Tamasheq: Astaire tiga awa dǎɣ tizzay dǎɣ adalan dǎɣ iwitiyan win 1970.
English: In the second compilation, aged seventy-six, he performed brief dance linking sequences with Kelly, his last dance performances in a musical film.
Tamasheq: Dǎɣ awatay was asin, awatay was sadisat timurmen ad karat,anta tiga idalal agotnen ad Kelly,timusnawen tin nes dǎɣ adalan dǎɣ timuzax tidǎɣ n'inazaran widǎɣ.
English: In 1978, he co-starred with Helen Hayes in a well received television film A Family Upside Down in which they played an elderly couple coping with failing health.
Tamasheq: Dǎɣ 1978, azun isalan dər Helen Hayes dǎɣ silma tizgarat ahusken əd tasawt, alxayal išlayan, dǎɣ itagu əšəxil wan mukusa wašarnen igraw iban nasǎɣat wi nan ikna.
English: Astaire asked his agent to obtain a role for him on Galactica because of his grandchildren's interest in the series and the producers were delighted at the opportunity to create an entire episode to feature him.
Tamasheq: Astaire əsistan anaktib en nes adəs əgrew eddag dǎɣ Galactica amosan ihay agaraw ən aratan ənes,ən adanan ənes ad alfagitanes ənes igrazasen awen hulenen ən ad adawian tamusne taynayat fal ədag wan timuzaɣ.
English: Long after the photography for the solo dance number "I Want to Be a Dancin' Man" was completed for the 1952 feature The Belle of New York, it was decided that Astaire's humble costume and the threadbare stage set were inadequate and the entire sequence was reshot.
Tamasheq: Ahogan darat samando dakalan nahanay ən numéro wan dalon wa solo "I Want to Be a Dancin' Man" ye silma The Belle of New York wan 1952, abati ən sarho costume wan Astaire əd ədlagati is scène tšadat taqalat awinan ditis əd tazune təmdat at tamdǎɣalat.
English: Frame for frame, the two performances are identical, down to the subtlest gesture.
Tamasheq: əsurat fal əsurat, sanatat tidabiten ti əlah nat, had edag war ənbas abdanat əswala.
English: His was a uniquely recognizable dance style that greatly influenced the American Smooth style of ballroom dance and set standards against which subsequent film dance musicals would be judged.
Tamasheq: Adalal wan ənes,atiwazay dǎɣ san kul,ənta ikfa tęmbē idalalan win Amerika Smooth hargudi ənta ikfah adabaratan agotnen yę îîssuhax.
English: He notes Astaire's dance style was consistent in subsequent films made with or without the assistance of Pan.
Tamasheq: ənta iktab as tamusne tan Astaire taqima as ənta tanihaga tax timuzax ti əganen kul,hargudi ənta warhas alil aytedem waladǎɣ îyen.
English: However, this was almost always confined to the area of extended fantasy sequences, or "dream ballets".
Tamasheq: "Assaxa wendǎɣ,ənta titaf dǎɣ imanes asaxa nul,daha ən"ballets de rêve."
English: Later in life, he admitted, "I had to do most of it myself."
Tamasheq: "Tahoga dǎɣ tamudrenes,ənta tigash:"nak imanin ədtigen."
English: Many dance routines were built around a "gimmick," like dancing on the walls in Royal Wedding or dancing with his shadows in Swing Time.
Tamasheq: Agen dǎɣ awa atiwagen dǎɣ adalan əntaned əkresnen fal iyan"gimmick"sund adalal fal edag wan Royal Wedding me adalal ad taliwen dǎɣ Swing Time.
English: They would work with a rehearsal pianist (often the composer Hal Borne) who in turn would communicate modifications to the musical orchestrators.
Tamasheq: Ašixal dəd itadawdaw wan asiburik ( agudiyan emag Hal Borne) was, dax tamasawal ənes, itamagradan tumutayen kal masartayan ən tiswal nanazar.
English: With all the preparation completed, the actual shooting would go quickly, conserving costs.
Tamasheq: Timassudawen kul əmdanatid,assimaduxal ənta aytagan amaradǎɣ shikanen,awendǎɣ aykanen ûduf ən timzal.
English: He will not even go to see his rushes... He always thinks he is no good."
Tamasheq: "Ənta ûdigla had ənhi imanokalan...ənta agel awen ward ahûskat."
English: Michael Kidd, Astaire's co-choreographer on the 1953 film The Band Wagon, found that his own concern about the emotional motivation behind the dance was not shared by Astaire.
Tamasheq: Michael kidd,ənta cohegraphe ən Astaire dǎɣ idalalan win the Band Wagon dǎɣ awatay wan 1953, ənta tanhay as awa tarha dǎɣ idalalan widǎɣ wartitarha As taire.
English: Let's add the looks later.' "
Tamasheq: Siwidat îssigrihan win assaxatan wi akayen"
English: Irving Berlin considered Astaire the equal of any male interpreter of his songs—"as good as Jolson, Crosby or Sinatra, not necessarily because of his voice, but for his conception of projecting a song.
Tamasheq: Irving Berlin tiga as Astaire tanihaga ad issamaduxulan win ənazaran win medîn"harkudi askat yę Jolson, Crosby mex Sinatra,ward înfa tasiba an îlis ənes mashan tassuba ən tarhan ənes ya ad tagu assahax.
English: In his heyday, Astaire was referenced in lyrics of songwriters Cole Porter, Lorenz Hart and Eric Maschwitz and continues to inspire modern songwriters.
Tamasheq: Samandœ nes,Astaire tawaxra dǎɣ îmagriden ən îmakiven win îssuhax Cole Porter,Lorenz Hart ad Eric Maschwitz hargüdi əntaned tagan yę compositeurs win aynaynen awa əhsanigrazan
English: During 1952, Astaire recorded The Astaire Story, a four-volume album with a quintet led by Oscar Peterson.
Tamasheq: Awatay was 1952, Astaire tigran the Astraire Short,îyan ən album ilan əqoz volumeten ad iyan quintet sa nihad Oscar Peterson.
English: Bogart began acting in Broadway shows, beginning his career in motion pictures with Up the River (1930) for Fox and appeared in supporting roles for the next decade, sometimes portraying gangsters.
Tamasheq: Bogart tasanta adalan dǎɣ idagan win isuhax dǎɣ Broadway.dǎɣ cinema ad assanta tamusne tanes ənta ad Up The River(1930)yę Fox ad iganshid timusnawen ti aynaynen alwax wan assaxa wa ilkaman,ənta irgaw medîn.
English: Bogart's private detectives, Sam Spade (in The Maltese Falcon) and Phillip Marlowe (in 1946's The Big Sleep), became the models for detectives in other noir films.
Tamasheq: Əmanhayan iyad ən Bogart, Sam Spade ( dax Faucon maltais) əd Phillip Marlow (dax Grand Sommeil, wan 1946), eqalan timotayen tən manhayan dax silmatan kawalnen.
English: Soon after the principal photography for The Big Sleep (1946, their second film together), he filed for divorce from his third wife and married Bacall.
Tamasheq: Darat nîgi ən film the Big Sleep (1946,film ənasan tas sanatat dǎɣ tartit nasan)ənta asistan aməsiy ad hanis tas karadat,azar adoban Bacall.
English: He reprised those unsettled, unstable characters as a World War II naval-vessel commander in The Caine Mutiny (1954), which was a critical and commercial hit and earned him another Best Actor nomination.
Tamasheq: Ənta assîgrah ashaxal nasan ikna əzar îxshad sund amizar ən aytedîman agœtnen dǎɣ akinas was assin ən guerre mondiale dǎɣ mutinerie was Caine (1954), was igrawan dǎɣ timadashen ad commercial hargudi awen îkfey tassiwat tahusken dǎɣ ashaxal ənes.
English: The name "Bogart" derives from the Dutch surname, "Bogaert".
Tamasheq: "Issam wan"Bogart"Ad dizgar issam ən tawsset əs ganan néerlandais, , "" Bogaert""
English: Maud was an Episcopalian of English heritage, and a descendant of Mayflower passenger John Howland.
Tamasheq: Maud ataqal épiscopalienne ən origine anglaise,darat ən awen adid tizgar Mayflower, John Howland.
English: Clifford McCarty wrote that Warner Bros. publicity department had altered it to January 23, 1900 "to foster the view that a man born on Christmas Day couldn't really be as villainous as he appeared to be on screen".
Tamasheq: Clifford Mccarty tîktab as aytedimen wi taganen issalan win Warner Bros əmiskalan ashal was 23 ən talil tan janvier ən awatay was 1900""fal adîgîn tihussay as aytedîm wa iwan ashal Nôel ward adubat ad aqǎl awadul îbraran.
English: Lauren Bacall wrote in her autobiography that Bogart's birthday was always celebrated on Christmas Day, saying that he joked about being cheated out of a present every year.
Tamasheq: Lauren Bacall tîktab dǎɣ autobiographie ənes as ashal wad tuwa Bogart aqal aytagen adalan Nes ashal ən tilil tan ganen nôel,ənta tînna ward tithaken cadeaux ən anniversaire ənes.
English: Maud was a commercial illustrator who received her art training in New York and France, including study with James Abbott McNeill Whistler.
Tamasheq: Maud ənta ayteden ən îssanan commère,tamusnen ənes tan artistique adǎɣ ta tîrgaw New York ad France,fal James Abbott McNeill Whistler.
English: She earned over $50,000 a year at the peak of her career – a very large sum of money at the time, and considerably more than her husband's $20,000.
Tamasheq: Garaw agaran 50 000 dollars dax awatay yur samando nəšixil ənes – madin iknan hulen dax ehanin, əd ahuskat hulen fal 20 000 dollars tən ahalis ənes.
English: He had two younger sisters: Frances ("Pat") and Catherine Elizabeth ("Kay").
Tamasheq: "Ənta tila shǎtmas sanatat:Frances("Par") ad Catherine Élizabeth("Kay")."
English: A kiss, in our family, was an event.
Tamasheq: Iyan ən tamulet dǎɣ tawset ta nanax taghal tidaw magharat.
English: He inherited a tendency to needle, a fondness for fishing, a lifelong love of boating, and an attraction to strong-willed women from his father.
Tamasheq: Ənta irgaw fal ǎba ənes harat wa îtakassan imanan dǎɣ aman,awen tarha ən hakūk Yę tawdes tan amǎn ad tidędęn ti sənen harat yę îman nǎsnat.
English: Bogart later attended Phillips Academy, a boarding school to which he was admitted based on family connections.
Tamasheq: Darǎt ən awen Bogart tinhǎy Academy wan Philipps,tarha ta tigraw tǎssūba ən tarha yę tiwssaten ənes.
English: Several reasons have been given; according to one, he was expelled for throwing the headmaster (or a groundskeeper) into Rabbit Pond on campus.
Tamasheq: Agen atwǎnah îga as amizar ən etang Rabbit Pond fal Campus.
English: He then volunteered for the Coast Guard Temporary Reserve in 1944, patrolling the California coastline in his yacht, the Santana.
Tamasheq: Ənta îga îmanes wan gardes-cotes dǎɣ awatay was 1944,ənta iswad littoral wan californien As îhǎ amas ən yacht ənes, Santana.
English: In one, his lip was cut by shrapnel when his ship (the ) was shelled.
Tamasheq: Tǎlîk ən îyat dǎɣen tǎt wankad fal tǎkat ǎlwaq wǎn tǎsnit tǎtwǎgar əs ęfew.
English: While changing trains in Boston, the handcuffed prisoner reportedly asked Bogart for a cigarette.
Tamasheq: As tøgǎz ǎlwaq węndǎɣ înzar dǎɣ train ən Boston,ǎytedem ęqfǎlan əs tîssîqfal assîstǎn Bogart îyat ən tezet ən sigarette.
English: By the time Bogart was treated by a doctor, a scar had formed.
Tamasheq: Ǎlwaq wa ikal assîssafar wan Bogart xør ęnassǎfar,ahayog îyan amera hid.
English: Instead of stitching it up, he screwed it up."
Tamasheq: Ənta war has îssafar,îknęt assînantîf.."
English: His character and values developed separately from his family during his navy days, and he began to rebel.
Tamasheq: Talqa ənes ǎd sôrho ənes assiskanan ti tawset ənes îhadǎn wîn îga fǎl amǎn,awęn ęqalas ad tǎssiskanən tamîten ənes.
English: Bogart resumed his friendship with Bill Brady Jr. (whose father had show-business connections), and obtained an office job with William A. Brady's new World Films company.
Tamasheq: Bogart îga tamidwa taynayat ǎd Bill Brady Jr.(âbǎ ənes îla îmūzayan ûlan dǎɣ show-business)darǎt ən awęn əenta igrǎw ǎshaxal dǎɣ ədag ən timashaxalen dǎɣ World Films de William A.Brady.
English: He made his stage debut a few months later as a Japanese butler in Alice's 1921 play Drifting (nervously delivering one line of dialogue), and appeared in several of her subsequent plays.
Tamasheq: "Dǎrǎt ən
English: A barroom brawl at this time was also a purported cause of Bogart's lip damage, dovetailing with Louise Brooks' account.
Tamasheq: Iyan ən akînas igân dǎɣ bar dǎɣ awatay wen dǎɣ îwǎyid Bogart dǎɣ lesions labiales,awęndǎɣ ǎ tiwǎyanid dǎɣ récit wǎn Louise Brooks.
English: Bogart disliked his trivial, effeminate early-career parts, calling them "White Pants Willie" roles.
Tamasheq: "Bogart wər ęrha ad aqęl awǎdəm wa ûnissen harət ad ashaxal wan tûdedęn itagû dǎɣ azamǎn wahîn ôkęyęn,ənta ǎ îrha ad tîkfîn"White Pants Willie".
English: Menken said in her divorce filing that Bogart valued his career more than marriage, citing neglect and abuse.
Tamasheq: Menken ti sisstǎnt dǎɣ magręd ənes wǎn âmîzîy Bogart ǎ tassøfa ashəxal ənes fǎl adûbîn Îna ənta wər tiga adûbîn wǎla.
English: There he met Spencer Tracy, a Broadway actor whom Bogart liked and admired, and they became close friends and drinking companions.
Tamasheq: Edeg węn dǎɣ ad îmanhaÿ ad Spencer Tracy,acteur ən Broadway wa tarha Bogart as tihûssay,darat ən awęn aqalan imidiwęn fal haratęn agətnęn.
English: Tracy received top billing, but Bogart appeared on the film's posters.
Tamasheq: "Issam wan Tracy ayhən ęqaf,mashǎn
English: A quarter of a century later, the two men planned to make The Desperate Hours together.
Tamasheq: Əkozat təzunawan dax temede nawatay nagudiyan, medin ganan adiqilan sartayan Alwaq waniba ən morda.
English: Bogart shuttled back and forth between Hollywood and the New York stage from 1930 to 1935, out of work for long periods.
Tamasheq: Awatay wǎn 1930 ad 1935,Bogart îla gar Hollywood ad scène new-yorkaise,ənta îga ęlan ǎgotnen ward îla ashaxal.
English: Although Leslie Howard was the star, The New York Times critic Brooks Atkinson said that the play was "a peach ... a roaring Western melodrama ... Humphrey Bogart does the best work of his career as an actor."
Tamasheq: Leslie Howard ənder ənta as vedette ,îmâgridǎn fǎl Brooks Atkinson wǎn New-York rimes ənta təna pièce ta atǎqal"une pêche...un mélodrame western rugissant...Humphrey Bogart îga ashǎxal ahukssęn dǎɣ tamudręnes.
English: Warner Bros. bought the screen rights to The Petrified Forest in 1935.
Tamasheq: Warner Bros ta shînshâhid droits The Petrified Forest ən awǎy wǎs 1935.
English: Howard, who held the production rights, made it clear that he wanted Bogart to star with him.
Tamasheq: Howard, ənta ǎtitafǎt assahat wǎn production,ina a ęrha as Bogart dēdes ənes.
English: When Warner Bros. saw that Howard would not budge, they gave in and cast Bogart.
Tamasheq: Ugud wa Warner Bros, izax Howard waritiyu, itimal əd ikas Bogart.
English: According to Variety, "Bogart's menace leaves nothing wanting".
Tamasheq: Variety tina,""tassînę tân Bogart war tõya tarha wala dǎɣ iyet"".
English: There must be something in my tone of voice, or this arrogant face—something that antagonizes everybody.
Tamasheq: Ilay harat dǎɣ magrad wa nîn,mex idâm wa îbraran...haręt îyęn idgazan ǎytedeman kul.
English: In spite of his success, Warner Bros. had no interest in raising Bogart's profile.
Tamasheq: Hakid dǎɣ awa tigręw, Warner Bros. Wǎr tilə taboxort ən atifnaz tamusnę tan Bogart.
English: Bogart used these years to begin developing his film persona: a wounded, stoical, cynical, charming, vulnerable, self-mocking loner with a code of honor.
Tamasheq: Bogart ikna dax wityan fal arisantu asiwid nədinat ənes wi silma : ədmanes ihyag, ətahanint, cynique, ahusken, taliqe əd ajotnen ən tarhanasan dər tiridawt ən tarha.
English: His disputes with Warner Bros. over roles and money were similar to those waged by the studio with more established and less malleable stars such as Bette Davis and James Cagney.
Tamasheq: Tamadash ənes ad Warner Bros.fal îssalan awa ənbad tagî ad azruf œlah ad wa îwayid studio ad îmanzaran wi ôlahnen ad Bette Davis ad James Cagney.
English: His only leading role during this period was in Dead End (1937, on loan to Samuel Goldwyn), as a gangster modeled after Baby Face Nelson.
Tamasheq: Ashaɣal ənes wa ǎzaran dǎɣ awǎtəy wa îga dǎɣ Dead End (1937,atwahaka yę Samuel Golwyn) Diha ad îgraw gangster əyen safǎla ən Baby Face Nelson.
English: In Black Legion (1937), a movie Graham Greene described as "intelligent and exciting, if rather earnest", he played a good man who was caught up with (and destroyed by) a racist organization.
Tamasheq: Dax Black Legion (1937), iyat silma is Graham Greene iktab sund "aniyat əd azikaran, ahuskat as itbat", itagu ahalis ahusken eqalan atiwatafan (əd exšad) is tidawen abdanen tiwsaten.
English: The trouble was they were drinking mine and I was making this stinking movie."
Tamasheq: Almasibat as ənta îssas ędagar wanin hakudi tagax wadǎɣ film.""
English: On August 21, 1938, Bogart entered a turbulent third marriage to actress Mayo Methot, a lively, friendly woman when sober but paranoid and aggressive when drunk.
Tamasheq: 21 ən talil tas 1938,Bogart assinta aduǎn ənes was assîn ad Mayo Met hot,tamat dar amędaw hûlęn mashan tamat ten war lamid azar takfar hulęn îhet akinas hulęn agud kul wa ad tiswa asmid.
English: She set their house afire, stabbed him with a knife, and slashed her wrists several times.
Tamasheq: ənta tiga efęw dǎɣ ehan nassęn, tidakęt sabsir.
English: According to their friend, Julius Epstein, "The Bogart-Methot marriage was the sequel to the Civil War".
Tamasheq: “Awa ina amidi nassen, Julius Epstein,""azli wǎn Bogart ad Methot ęqəl as ilkam akinas gar tiwssatęn.""
English: Methot's influence was increasingly destructive, however, and Bogart also continued to drink.
Tamasheq: Tamusne tan Methot taqal almassibat ən tifawt kul, mashan, Bogart dǎɣ îssas hagudî.
English: When he thought an actor, director or studio had done something shoddy, he spoke up publicly about it.
Tamasheq: alwax wa ad iktahid as îyęn ən acteur, réalisateur mex stidio îga harat îbraran, anihaga ǎd ənen dat aduyət kul.
English: Paul Muni, George Raft, Cagney and Robinson turned down the lead role, giving Bogart the opportunity to play a character with some depth.
Tamasheq: Paul Muni, George Raft, Cagney əd Robinson ugayan ye əšəxil wan santo, tən ifa Bogart dax tabaxor nuxil nawadim dər andiran dax ider.
English: He worked well with Ida Lupino, sparking jealousy from Mayo Methot.
Tamasheq: Ǎshiɣal as tihussay ad Ida Lupino, Dǎɣ ahanat tismiten ən Mayo Methot.
English: He could quote Plato, Pope, Ralph Waldo Emerson and over a thousand lines of Shakespeare, and subscribed to the Harvard Law Review.
Tamasheq: Ənta iqra Platon,Pope, Ralph Waldo Emerson ad awa ôgaran efad gûr Shakespeare,mashan əntaned igan issmawan nassen dag Harvard Law Review.
English: Based on the Dashiell Hammett novel, it was first serialized in the pulp magazine Black Mask in 1929 and was the basis of two earlier film versions; the second was Satan Met a Lady (1936), starring Bette Davis.
Tamasheq: Ilay fal roman wǎn Dashiell Hamlet,film tatwasagrah as série Dǎɣ magazine wǎn Pulp Black awatay was 1929 azar iga ikfa tabarat yę assin versiontan ən cinématographique ta sanatat as Satan Met a Lady(1936), ad Bette Davis.
English: Huston then eagerly accepted Bogart as his Sam Spade.
Tamasheq: Huston erdah astihussay as Bogart itag Sam Spade ənes.
English: The film, directed by Michael Curtiz and produced by Hal Wallis, featured Ingrid Bergman, Claude Rains, Sydney Greenstreet, Paul Henreid, Conrad Veidt, Peter Lorre and Dooley Wilson.
Tamasheq: Film ta iga Micael Curtiz, ikna Hal Wallis,tikfa ahukssen yé Ingrid Bergman,Claude Crains, Sydney Greenstreet, Paul Henreid,Conrad Veidt,Peter Lorre ad Dooley Wilson.
English: Bogart is reported to have been responsible for the notion that Rick Blaine should be portrayed as a chess player, a metaphor for the relationships he maintained with friends, enemies, and allies.
Tamasheq: Bogart ǎ igrawen tamkire as Rick Blaine anihaga ǎd atwigû amadlal wa ixashadan,timkarawen ahanen garessan ənta ad midawan ənes hakid Dǎɣ imikssanan ənes.
English: Bogart was nominated for Best Actor in a Leading Role, but lost to Paul Lukas for his performance in Watch on the Rhine.
Tamasheq: Dǎɣ ashaxal wa ən tidat,Bogart atwaga acteur wa azaran kul,mashan azaras Paul Lukas As tihussan Dǎɣ Watch on the Rhine.
English: Bogart went on United Service Organizations and War Bond tours with Methot in 1943 and 1944, making arduous trips to Italy and North Africa (including Casablanca).
Tamasheq: Bogart d Methot osan United Organizations d War Bond Tours dagh awatay wan 1943 d wan 1944, ijjan isikilan assohat nen s Italia d Afrikiya tan Tamasna (taha Casablanca).
English: When they met, Bacall was 19 and Bogart 44; he nicknamed her "Baby."
Tamasheq: Alwaq wad amanhayen, Bacall ila elan 19, Bogart 44 ən awatay; ad has iganû " Baby". "
English: We'll have a lot of fun together".
Tamasheq: Nakaned naga nidal hûlen garen nax.
English: By Myself and Then Some, HarperCollins, New York, 2005.
Tamasheq: By Myself ən Then Some, HarperCollins, New York, 2005.
English: He considered himself Bacall's protector and mentor, and Bogart was usurping that role.
Tamasheq: Əntaned aganas istôssah ôgaz amidi ənes, mentor wǎn Bacall ad Bogart itikar ashaxal wen.
English: Also, he has a sense of humor that contains that grating undertone of contempt."
Tamasheq: "Darat ən awen, ənta itag issasta wi taha yassine. ""
English: The dialogue, especially in the added scenes supplied by Hawks, was full of sexual innuendo, and Bogart is convincing as private detective Philip Marlowe.
Tamasheq: Edawani,hulen wa iga Hawks fal scène, ahanti imigriden aɣfalnes hulen fal aduban, Bogart igan haratan wi arnaen Dǎɣ temashaxal tan détective privée tan Philip Marlowe.
English: The marriage was a happy one, with tensions due to their differences.
Tamasheq: Azli ahukssat hulen, fal timusnawen ti abdanen garessan.
English: According to Bogart's biographer, Stefan Kanfer, it was "a production line film noir with no particular distinction".
Tamasheq: Ina biographe wǎn Bogart, Stefan Kanfer, ənta""iyen ən film ən amikwal, wardila ibadhi.
English: Lacking a love interest or a happy ending, it was considered a risky project.
Tamasheq: Warila anafa warila azigraz ən man, awen ôlahd ad projet ibraraen.