Tamazight-NLP/NLLB-Seed_Tamasheq-Latin-Script huggingface dataset:
English: James Agee wrote, "Bogart does a wonderful job with this character ... miles ahead of the very good work he has done before."
Tamasheq: James Agree iktab""Bogart itag ashaqal ahuksen ...ashaqal ilan kilomètres ten.
English: Bogart appeared in his final films for Warners, Chain Lightning (1950) and The Enforcer (1951).
Tamasheq: Bogart izgarid Dǎɣ filimten ti dalkamnen kul yę Warner, Chain Lighting(1950) ad The Enforcer (1951).
English: Santana also made two films without him: And Baby Makes Three (1949) and The Family Secret (1951).
Tamasheq: Santana tiga ənta Dǎɣ films ten sanatet war iha ənta :And Baby Makes Thee(1949)ad the Family Secret (1951).
English: Several Bogart biographers, and actress-writer Louise Brooks, have felt that this role is closest to the real Bogart.
Tamasheq: Biographes ten agetnen ən Bogart, ad tanaktibt Louise Blooks,əntaned axelan as tamashaxal ta tôhaz hulen temashaxal tan Bogart.
English: A parody of sorts of The Maltese Falcon, Beat the Devil was the final film for Bogart and John Huston.
Tamasheq: Parodie Dǎɣ The Maltese Falcon,Beat the Devil as film wa ilkaman ə Bogart ad John Hulson.
English: Huston's love of adventure, his deep, longstanding friendship (and success) with Bogart, and the chance to work with Hepburn convinced the actor to leave Hollywood for a difficult shoot on location in the Belgian Congo.
Tamasheq: Tarha ən assikal yę Hulson, tamxre tamiduwa ənes ad Bogart, ad tadabit ənes yę ashaxal ad Hepburn agrawen tarna fal acteur nassen wǎn Hollywood ad afal ashaxal wa fal argawan ad agan taɣalay ɣalayen agotnen dǎɣ amas ən Congo Belge.
English: Bacall came for the over-four-month duration, leaving their young son in Los Angeles.
Tamasheq: Bacall ôssad yę adagû karad uran ən tahagit,Dǎɣ œyahin elessan dǎɣ Los Angeles.
English: She Luxed my undies in darkest Africa."
Tamasheq: "Ənta ta tubat ikarshayen ənaw Dǎɣ tihay.""
English: Hepburn (a teetotaler) fared worse in the difficult conditions, losing weight and at one point becoming very ill.
Tamasheq: Hepbum ( wənan isisu asmid) igraw imanes dax alwaqan asohatnen, ugud ən tazayt əd uda sufruy hulen.
English: Despite the discomfort of jumping from the boat into swamps, rivers and marshes, The African Queen apparently rekindled Bogart's early love of boats; when he returned to California, he bought a classic mahogany Hacker-Craft runabout which he kept until his death.
Tamasheq: Dǎɣ iba nasahat wa tiwgat ən nakarambaw dǎɣ tədmar naman, ijereran əd dual, The African Queen intadǎɣ əsənkar tarhanes tasohet ən Bogart ye karabawan ; ugud wa eaqal Californie, əšəša tasnit tolaɣat Hacker-Craft ən hišk itwar hawendǎɣ hartaba.
English: When Bogart won, however, he said: "It's a long way from the Belgian Congo to the stage of this theatre.
Tamasheq: Mugudu Bogart igraw, agudendǎɣ , adina : ‘’ ‘’ Tabarat tan Congo belge zəgrit ye tidawt in təfusen'' ‘’
English: As in tennis, you need a good opponent or partner to bring out the best in you.
Tamasheq: Sund tennis, anihaga agaraw namakenis iwar sarho mex ami fal azzizgrar in tadabite in manes.
English: Though he retained some of his old bitterness about having to do so, he delivered a strong performance in the lead; he received his final Oscar nomination and was the subject of a June 7, 1954 Time magazine cover story.
Tamasheq: Inka adetaf andəran dǎɣ təssənawen ye tabarat ten, iga ašəɣil iwar sarho dǎɣ zabo ta-təšamat ; igraw tinimuklaness ta-samando in Oscars əzar igay temalsət in magazine time le 7 Juin 1954.
English: He is the type of director I don't like to work with ... the picture is a crock of crap.
Tamasheq: Sund enamahat wa dǎɣ dar wəderhax ad-nəmšəxil…silma taqal aysartayan ən talafen.
English: Despite the acrimony, the film was successful; according to a review in The New York Times, Bogart was "incredibly adroit ... the skill with which this old rock-ribbed actor blends the gags and such duplicities with a manly manner of melting is one of the incalculable joys of the show".
Tamasheq: ‘’ Yur santo war əkna, silma taqal ahusken ; dǎɣ təzmit tan New York Times, Bogart eqal dǎɣ iba morda ere əwənanoxed…tamxar naxmar wa itagan silmatan ən talasse tan rock mêle ye imidiwan ən ənmitif ən nalmaxna ən tiwšre ye atiba egal agarazat magaran ye ere wa igihan ".
English: He was uneasy with Ava Gardner in the female lead; she had just broken up with his Rat Pack buddy Frank Sinatra, and Bogart was annoyed by her inexperienced performance.
Tamasheq: Wa əsgrez maness dǎɣ Ava Gardner wa əšɣal dǎɣ əmək wa deden; Iket ətamšašat dəmidines wan Rat Pack, Frank Sinatra, əd Bogart səgrazan ən salan wirsen hulen.
English: When Bacall found them together, she extracted an expensive shopping spree from her husband; the three traveled together after the shooting.
Tamasheq: Agud wa ətənhya Bacall artayan, təsistan ahalis əness ya rag asuk assohen ; win carad asekalan darat asəsətkil.
English: He also appeared on The Jack Benny Show, where a surviving kinescope of the live telecast captures him in his only TV sketch-comedy performance (October 25, 1953).
Tamasheq: Izgarid dǎɣ salan wi The Jack Benny Šow, dǎɣ adakal ən salan agudendǎɣ ən təmudre ən tənmətaft dǎɣ šastotan yur sketšes dǎɣ silma ( 25 octobre 1953).
English: Stephen became an author and biographer and hosted a television special about his father on Turner Classic Movies.
Tamasheq: Stephen egal animxar ən təməsnawen nawa išəxəlan izar isimsiduw isalan əbdanew fal tis fal Tuner classic Movie.
English: In the wake of Santana, Bogart had formed a new company and had plans for a film (Melville Goodwin, U.S.A.) in which he would play a general and Bacall a press magnate.
Tamasheq: Dǎɣ adriš wa Santana, Bogart ila tasirtayt taynayat izar ila isalan nəgi ən silma (Melville Goodwin, U.S.A) wa dǎɣ ima diqil animxar əd Bacall anamokal ən sidawat.
English: He did not talk about his health and visited a doctor in January 1956 after considerable persuasion from Bacall.
Tamasheq: Wad itimgrid fal ašexat ines əd isəstan lactor dǎɣ janvier 1956, darat uxul nimasdimal ina Bacall.
English: He had additional surgery in November 1956, when the cancer had metastasized.
Tamasheq: Iga opere maqaran dǎɣ novembre 1956, mašan cancer təwəd.
English: On it was inscribed, "If you want anything, just whistle."
Tamasheq: " Əktab fallas :`` `` afal tarhed harat, sukusut.`` ``
English: Having studied with Stella Adler in the 1940s, he is credited with being one of the first actors to bring the Stanislavski system of acting and method acting, derived from the Stanislavski system, to mainstream audiences.
Tamasheq: Ənəmaxra dəd Stella Alder dǎɣ awatay wan 1940, atiwafa asinəhig ən tizart nəsəsətkil wa asosanan adinat almaxna wan Stanislavski əd tabarat tan adalan, ədət tigmadat almaxna wan Stanislavski.
English: He directed and starred in the cult western One-Eyed Jacks, a critical and commercial flop, after which he delivered a series of notable box-office failures, beginning with Mutiny on the Bounty (1962).
Tamasheq: Iga izar idal dǎɣ western culte One-Eyed Jacks, tanadra ən tizmit əd amšinš, darat huk tənməlalen ən tanadra ətbanten dǎɣ box-office, asəsənta Mutiny on the Bounty (1962).
English: He refused the award due to alleged mistreatment and misportrayal of Native Americans by Hollywood.
Tamasheq: Ugay əs tajor fal abrur nalmaxna əd tasawt winnantikna na Amerindientan dǎɣ Hollywood.
English: According to the Guinness Book of World Records, Brando was paid a record $3.7 million ($ million in inflation-adjusted dollars) and 11.75% of the gross profits for 13 days' work on Superman.
Tamasheq: Dǎɣ alkitab Guinness wan records, Brando igraw 3,7 miliontan win dollar ( miliontan win dollar dǎɣ dollar wa iknan tiwat) əd 11,75 pursantan nawa dəwədan 13 ihadan nišixil fal Superman.
English: His ancestry was mostly German, Dutch, English, and Irish.
Tamasheq: Imarawanes aqalan sinilkaman alaymtan, nealartan, angletan əd irlandetan.
English: Brando was raised a Christian Scientist.
Tamasheq: Brando adǎɣ atwasawdal akal wan scientistan christan.
English: However, she was an alcoholic and often had to be brought home from bars in Chicago by her husband.
Tamasheq: Əgudendǎɣ, eqal emasaw na alcol awendǎɣ as agudiyan ahalis ənes a tad ditiwyat dǎɣ dagan wi tasase win Chicago.
English: Brando harbored far more enmity for his father, stating, "I was his namesake, but nothing I did ever pleased or even interested him.
Tamasheq: "Brando išaška ajen fal tahanint e tis, əlixat : " Eqal amnuxrunen, mašan kala wis əgrez awa itag wala harhey. "
English: Around 1930, Brando's parents moved to Evanston, Illinois, when his father's work took him to Chicago, but separated in 1935 when Brando was 11 years old.
Tamasheq: Dǎɣ 1930, imarawan ən Brando idakan Everton, dǎɣ Illinois, ugud wa tiwat əšixil ən tis is Šicago, mašan abdan dǎɣ 1935, əzar Brando ila 11 elan.
English: Brando, whose childhood nickname was "Bud", was a mimic from his youth.
Tamasheq: Brando, was sisimnes wa timdrit eqal "Bud", eqal isididan dǎɣ təmədrit ines.
English: In the 2007 TCM biopic Brando: The Documentary, childhood friend George Englund recalls Brando's earliest acting as imitating the cows and horses on the family farm as a way to distract his mother from drinking.
Tamasheq: Dǎɣ əlkitab Brando wa 2007 ən TCM : The Documentary George Englund, amidi ən timəmdrit, isamakta as ašišil wazaran ən Brando eqal asugbubr ən wan əd bijuwan naxala ən tumuzuq, samando našlalat ən mas fal asmid.
English: Brando's sister Frances left college in California to study art in New York.
Tamasheq: France, walatmas ən Brando, təfal universite wa californie fal texare ən təmisnawen dǎɣ New York.
English: Brando excelled at theater and did well in the school.
Tamasheq: Brando maqir dǎɣ timsədawt əd igraw aywar sarho dǎɣ ecole.
English: The faculty voted to expel him, though he was supported by the students, who thought expulsion was too harsh.
Tamasheq: Əšuhu nukus nəzizgar ines, falas igraw tadhilt ən maxran, wi axelnen azizgar eqal ašugu.
English: In a 1988 documentary, Marlon Brando: The Wild One, Brando's sister Jocelyn remembered, "He was in a school play and enjoyed it ... So he decided he would go to New York and study acting because that was the only thing he had enjoyed.
Tamasheq: Dǎɣ salan win 1988, Marlon Brando : The wild One, tamaydrat ən Brando, Jocelyn, tisan : " Idal dǎɣ təmsudut nadal dǎɣ ecole izar awen igrazazs…Izar təsəbat iki ən New York ye texare ən təmsidawt falas inta xas a tat-tiwarhat.
English: For a time he lived with Roy Somlyo, who later became a four time Emmy winning Broadway producer.
Tamasheq: Ugudendǎɣ ən harat ən tahagit, amsadwal əd Roy Somlyo, wa eqalan agudiyan emanahat ən Broadway itkalan ikoz Emmy Awards.
English: Brando's remarkable insight and sense of realism were evident early on.
Tamasheq: Təmusne əd inəyat nigi noxadan wan Brando eqal atiwadalan šik.
English: According to Dustin Hoffman in his online Masterclass, Brando would often talk to camera men and fellow actors about their weekend even after the director would call action.
Tamasheq: Yur Dustin Hoffman dǎɣ wanes Masterclass ən internet, Brando ganu agudiyan ye wisasatkalnen əd midawanes win matkalan Week-end nasan, darat awa imanes wa idakalan əsistan dris tidawt.
English: His behavior had him kicked out of the cast of the New School's production in Sayville, but he was soon afterwards discovered in a locally produced play there.
Tamasheq: Temašaxalt ən nes təzəgartihin dǎɣ tizunawen ti nigi ən New School yur Sayville, mašan atwagraw andiran dǎɣ batma tigat yur mizɣax.
English: Cornell also cast him as the Messenger in her production of Jean Anouilh's Antigone that same year.
Tamasheq: Dǎɣ awatay wendǎɣ ,Cornell əsixlafti tanhat tan igi ən salan dǎɣ əgitanes ən Antigone de Jean Anuilh.
English: Bankhead had turned down the role of Blanche Dubois in A Streetcar Named Desire, which Williams had written for her, to tour the play for the 1946–1947 season.
Tamasheq: Bankhead kala ugay ye tanhat tan Blanche Dubois dǎɣ Streetcar Named Desire, was Williams iktabas has, fal ad disimililiy sidawat ya watay wa 1946-1947.
English: Wilson was largely tolerant of Brando's behavior, but he reached his limit when Brando mumbled through a dress rehearsal shortly before the November 28, 1946, opening. "
Tamasheq: Wilson eqal ere hin itiyin hulen ye təmašaxalen tən Brando, mašan iwad samando əgud wa Brando asmataktak əgud ən səmusuxul na dirran dat əsəst ən tat-tazarat ən 28 Novembre 1946."
English: It was marvelous," a cast member recalled. "
Tamasheq: "Eqal ayknan ", asmatahit harat dǎɣ aljamaxat."""
English: Critics were not as kind, however.
Tamasheq: Tizmiten war aqelnat a iknan, agudendǎx .
English: He received better reviews at subsequent tour stops, but what his colleagues recalled was only occasional indications of the talent he would later demonstrate. "
Tamasheq: Isla tizmiten maqornen yur asimililiy wadimalan, mašan wi midawanes kitun eqal dǎɣ tabarat batala ye tamašaxal ənes əgud wa əsikna darat awen."
English: Brando displayed his apathy for the production by demonstrating some shocking onstage manners.
Tamasheq: Brando əsiskna tadabit dǎɣ igitan dǎɣ ila tidit dǎɣ haratan ən salan asisnanen dǎɣ tidawt.
English: After several weeks on the road, they reached Boston, by which time Bankhead was ready to dismiss him.
Tamasheq: Darat isatan ajotnen dǎɣ zabo, iwad Boston, əd Bankhead asidaw ya tišig.
English: Pierpont writes that John Garfield was first choice for the role, but "made impossible demands."
Tamasheq: "Pieroont iktab as John Garfield eqal wa azaran amukis fal salan, mašan ""itagu asostanan əwĕnan tila"".
English: It humanizes the character of Stanley in that it becomes the brutality and callousness of youth rather than a vicious old man ... A new value came out of Brando's reading which was by far the best reading I have ever heard."
Tamasheq: Ikna tamxar ən Stanley wa dǎɣ fal eqal talimt əd diba ən tazidert ye təmədrit yexul nahalis namxar azilbabayan….tembe taynayat tizgarit dǎɣ texare tan Brando ta taqal dǎɣ igig texare ta tatanatofat is kala wa has isla."
English: He said, "The curtain went up and on the stage is that son of a bitch from the gym, and he's playing me."
Tamasheq: "I na : "rideau ikarid izar fal tidawt yur ila lures takarwat ta gymnase, izar awadǎɣ taga at tišlan."""
English: Brando's first screen role was a bitter paraplegic veteran in The Men (1950).
Tamasheq: Wazaran išixil fal ecran wa Brando eqal emašehi tigraw paraplégie səməmat dǎɣ The Men (1950).
English: By Brando's own account, it may have been because of this film that his draft status was changed from 4-F to 1-A. He had had surgery on his trick knee, and it was no longer physically debilitating enough to incur exclusion from the draft.
Tamasheq: Dǎɣ təna tan Brando, igomiši təsəba ən silma was anuzgum ənes okay yur 4-F har 1-A. Atiwagas azibrizi dǎɣ əfud wa tašalge əd əfud wa nəxil. Atiwagas azibrizi dǎɣ əfud wa tašalmad əd abaddan ənes wa wənnan əgde ye twišig ənes dǎɣ əšəɣil wan sardasitan.
English: Coincidentally, the psychiatrist knew a doctor friend of Brando.
Tamasheq: Dǎɣ tabaxor, psyšiatre izay lactor iyan namidi ən Brando.
English: The role is regarded as one of Brando's greatest.
Tamasheq: Əšil wendǎɣ eqal wa tan ofan fuk ye Brando.
English: The film was directed by Elia Kazan and co-starred Anthony Quinn.
Tamasheq: Silma at-tat igan Elia Kazan izar iga tenamahat Anthony Quinn.
English: During our scenes together, I sensed a bitterness toward me, and if I suggested a drink after work, he either turned me down or else was sullen and said little.
Tamasheq: Dǎɣ tidawen nartay, ofraya ye harat nabrur dǎɣ ənəyatin, izar afal has ənes ad dəsu harat darat ašəxil, arugiy mex eqal aytaran izar wirigu at-tat ilan.
English: After achieving the desired effect, Kazan never told Quinn that he had misled him.
Tamasheq: Ugud wa digraw almaxna nawa əs igrazan, Kazan kala wrina ye Quinn igas hile.
English: Gielgud was so impressed that he offered Brando a full season at the Hammersmith Theatre, an offer he declined.
Tamasheq: Gielgud əsirmaxqi wadǎɣ fal ifa Brando awatay əmdan dǎɣ Hammersmith Theatre, ihuk wi asixarambay.
English: It was like a furnace door opening—the heat came off the screen.
Tamasheq: Sud xas ašər nən nal furna itamaren- takaste tifalid tiset.
English: By all accounts, Brando was upset by his mentor's decision, but he worked with him again in On The Waterfront. "
Tamasheq: Dǎɣ ələxi dak, Brando eqal at-twasamalalay dǎɣ tanhat tan amizar ənes, mašan olas əšixil diris dǎɣ On The Waterfront."
English: Triumph's importers were ambivalent at the exposure, as the subject matter was rowdy motorcycle gangs taking over a small town.
Tamasheq: Əmawayan ən Triumph eqalan tuhunawen nukus, falas əšixil eqal gluftan ən tisnay ən kal takalt dakalnen tanhat nəxrm əndiran.
English: When initially offered the role, Brando—still stung by Kazan's testimony to HUAC—demurred and the part of Terry Malloy nearly went to Frank Sinatra.
Tamasheq: Ugud wa has atwanan ad ətkil əšəxil, Brando, harwa əsnin fal tajuhenes tan Kazan dat HUAC- ocar əd əšəxil wan Terry Malloy išwar ət-tigraw Frank Sinatra.
English: Brando won the Oscar for his role as Irish-American stevedore Terry Malloy in On the Waterfront.
Tamasheq: Brando əgraw Oscar dǎɣ əšəxil wan Terry Malloy amaway irlando-américain, dǎɣ On The Waterfront.
English: In his July 29, 1954, review, The New York Times critic A. H. Weiler praised the film, calling it "an uncommonly powerful, exciting, and imaginative use of the screen by gifted professionals."
Tamasheq: Dǎɣ tizmiten tən 29 juillet 1954, tizmit tan New York Times A. H. Weller iga timal ən silma, ətəganen dǎɣ ""dakalan ən tiset ta tas-suxsadat, tazizaydar izar tila ənizgum fal Idinat ilanen tayite"".
English: He portrayed Napoleon in the 1954 film Désirée.
Tamasheq: Iga əšəxil wan Napoléon dǎɣ silma watiwarhan dǎɣ 1954.
English: Brando was especially contemptuous of director Henry Koster.
Tamasheq: Brando eqal aybdan dǎɣ əməkan ən Henry Koster.
English: Relations between Brando and costar Frank Sinatra were also frosty, with Stefan Kanfer observing: "The two men were diametrical opposites: Marlon required multiple takes; Frank detested repeating himself."
Tamasheq: "Awa ilan gar Brando ən dimidines Frank Sinatra eqal intadǎɣ ahinilan, sud awadǎɣ axel Stefan Kanfer : ""Medin wi nəsin aqalan aybdan talxa : Marlon isihušul idakalan ajtonen ; Frank iskan awen anelasan.""
English: Frank Sinatra called Brando "the world's most overrated actor", and referred to him as "mumbles".
Tamasheq: "Frank Sinatra exra Brando"" emag wa tan ogaran atwilkah dǎɣ aadunyat "hit tigan ""amudar."""
English: Pauline Kael was not particularly impressed by the movie, but noted "Marlon Brando starved himself to play the pixie interpreter Sakini, and he looks as if he's enjoying the stunt—talking with a mad accent, grinning boyishly, bending forward, and doing tricky movements with his legs.
Tamasheq: "Pauline Kael warekel ere tigrazan silma, mašan iktab ""Marlon Brando egay laz fal igi ən nəlixi ən Lutin Sakini, izar erha ad didil ən tinidar – imigrad istənm ere ajoren, idǎɣ istənm ara, akutar əsdat dǎɣ iga ibarajan okaynen dǎɣ əsəsiwan.""
English: Newsweek found the film a "dull tale of the meeting of the twain", but it was nevertheless a box-office success.
Tamasheq: Newsweek ənhay as silma taqal "tanfust tisimakadat dǎɣ tidawt nəsin idinat" mašan eqal ayknan dǎɣ box-office.
English: The film went on to win four Academy Awards.
Tamasheq: Silma darat awen təkal ikoz Oscars.
English: By all accounts, Brando was devastated by her death, with biographer Peter Manso telling A&E's Biography, "She was the one who could give him approval like no one else could and, after his mother died, it seems that Marlon stops caring."
Tamasheq: "Dǎɣ derhan cul, Brando təsirmaqi tamatant ən mas, awa əskala tiga Peter Manso dǎɣ asəlixat dǎɣ A&E's Biography : "taqalas tatadobet a tətafu tarhanes awa səwadadobat awadəm atag, darat awen tamatant ən mas, taqal as Marlon watətikma."""
English: The Young Lions also features Brando's only appearance in a film with friend and rival Montgomery Clift (although they shared no scenes together).
Tamasheq: The Young Lions taqal əntadǎɣ azagar əyandǎɣ ən Brando dǎɣ silma ənta dəmidines əd emakenis ənes Montgomery Clift (dǎɣ iba əntizune ən salan ən tartit).
English: Brando portrays the lead character Rio, and Karl Malden plays his partner "Dad" Longworth.
Tamasheq: Brando iga isalan nawadəm wadǎɣ azaran Rio, əd Karl Malden itag wa imidines "Dad".Long Worth.
English: Brando's inexperience as an editor also delayed postproduction and Paramount eventually took control of the film.
Tamasheq: Əsuzsid wa Brando seqal emasehi idgal igi əd Paramount dǎɣ samando itkal tanhat ən silma.
English: By then, I was bored with the whole project and walked away from it."
Tamasheq: Əgundedǎɣ , tadhit təsəmakadahi izar ənkašax falas."
English: Brando's revulsion with the film industry reportedly boiled over on the set of his next film, Metro-Goldwyn-Mayer's remake of Mutiny on the Bounty, which was filmed in Tahiti.
Tamasheq: Tazude ən Brando ye igi ən silmatan tokay yur igitan ən silma nes wilkamnen, fato tan Mutins wi Bunty win Metro-Goldwyn-Mayer, wa igan dǎɣ Tahiti.
English: Mutiny director Lewis Milestone claimed that the executives "deserve what they get when they give a ham actor, a petulant child, complete control over an expensive picture."
Tamasheq: "Watagan Mutins, Lewis Milestone, ina inamahadan "inahag awa garaw ugud war hakan amusan əntikan, ara wənan ukul, dǎɣ tanhat silma timdat tasohet
English: The Ugly American (1963) was the first of these films.
Tamasheq: The Ugly Americain (1963) eqal wa azaran silma.
English: All of Brando's other Universal films during this period, including Bedtime Story (1964), The Appaloosa (1966), A Countess from Hong Kong (1967) and The Night of the Following Day (1969), were also critical and commercial flops.
Tamasheq: Silmantan fuk wi eqal magrad ən Brando dǎɣ alwaq wendǎɣ, fal Bedtime Story (1964), Appaloosa (1966), hinis ən Hong Kong (1967) dǎɣ ehad ən sund dašalwen (1969), aqalan əntanedǎɣ aydaran dǎɣ təzmit əd mašanšan.
English: Brando had also appeared in the spy thriller Morituri in 1965; that, too, failed to attract an audience.
Tamasheq: Brando ila əntadǎɣ ayga dǎɣ thriller wa təmkrit Morituri dǎɣ 1965, wa wənan igrez ye ədinat.
English: Candy was especially appalling for many; a 1968 sex farce film directed by Christian Marquand and based on the 1958 novel by Terry Southern, the film satirizes pornographic stories through the adventures of its naive heroine, Candy, played by Ewa Aulin.
Tamasheq: Candy eqal əntadǎɣ ayhan ajen, sex farce de 1968 iga Šristian Marquand dǎɣ əlkitab wa 1958 ən Terry Suthern, silma tiga isalan ən tufusen nəzinatan dǎɣ əxsusid ən tahanint, Candy, taxray Ewa Aulin.
English: In the March 1966 issue of The Atlantic, Pauline Kael wrote that in his rebellious days, Brando "was antisocial because he knew society was crap; he was a hero to youth because he was strong enough not to take the crap", but now Brando and others like him had become "buffoons, shamelessly, pathetically mocking their public reputations."
Tamasheq: "Dǎɣ edan wa Mars 1966 wan The Atlantic, Pauline Kael əktab as ehanin ən tagat ənes, Brando, ""eqal amadgal ən tartit falas isan as tartit taqal awənan ikna"", eqal emasehi ən təmədrit falas ila asahat ye iba ən tarha na wənan ikna "",mašan amara Brando əd iyad sundinta aqalan ""imaškan, tajakatnen talxanen, asuxsid, wan arhet nədinat """.
English: I was very convincing in my pose of indifference, but I was very sensitive and it hurt a lot."
Tamasheq: "Riduwan hulan dǎɣ igi nənəyat, mašan aqalax awənan išmer izar ikmahi hulen.""
English: The film overall received mixed reviews.
Tamasheq: Dǎɣ tartit, silma tigraw tizmiten ən nəsušusku.
English: Brando dedicated a full chapter to the film in his memoir, stating that the director, Gillo Pontecorvo, was the best director he had ever worked with next to Kazan and Bernardo Bertolucci.
Tamasheq: Brando ətkal alxuruf əmdan ye silma dǎɣ ənəyat ənes, əlixat as emag, Gillo Pontecorvo, eqal wofan emag əd waskala waramšaxalan, darat Kazan əd Bernardo Bertolucci.