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Hi everybody! Malik the Magic Guy for expertvillage.com. Now let me show you a cool classic magic trick: the classic four ace assembly. We’re going to take our four aces on top of the deck, and I want to show them to you one at a time—there’s the ace of diamonds, the ace of spades, the ace of hearts and the ace of clubs. Now we’re going to put the ace of clubs down, we’re going to put the other three aces down like this, we’re going to put three cards on top of each ace, just like this. Now the rest of the cards we don’t need, we’re going to flip this ace over, the ace of clubs, just so we can keep track of it. Now with the other piles, we’re going to one at a time, snap our fingers, and make our aces disappear. There’s no ace left in this pile with the snap, there’s no ace left in this pile with another snap, there’s no ace left in this pile—and that’s because all of the aces have jumped over here to join the other one just like that. And in the minute I’m going to teach you how to do that trick: the classic four ace assembly.

Hello music people. Welcome to another video on our channel. And in this video I'm going to analyze The Rasmus. A great band from Finland. I know The Rasmus, they are a very experienced rock band. However, I don't know this song and I've never heard it before. It will be the first time. For those who do not know, I am a heavy metal singer, producer, songwriter and multi-instrumentalist. And in this video I'm going to make technical remarks about vocal behaviour, how instruments work, your musical influences... vocal behaviour, how instruments work, your musical influences... But first of all, if you are not subscribed, subscribe to our channel, activate the notification, like and share this video. And leave more suggestions in the comments. The message has been passed and we go to the most important thing, we analyze The Rasmus. I already consider the visual aesthetics that the band presents very interesting. I already consider the visual aesthetics that the band presents very interesting. The song starts with all the instruments, but it doesn't have a complete sound. The song starts with all the instruments, but it doesn't have a complete sound. The way the drums sound and how the bass accompanies these drums, it is a very shy way. The electric guitar is very shy. But this is on purpose because it's part of the musical arrangement and the way this song was planned. But this is on purpose because it's part of the musical arrangement and the way this song was planned. So probably at some point these instruments will somehow function more fully and dynamically. these instruments will somehow function more fully and dynamically. I think the way he's singing is really cool. It's a way that you work with the region in the projection of the mask. It's a way that you work with the region in the projection of the mask. Note the use of the diaphragm... There are two ways to make this sound. Using the diaphragm or using the region of the larynx. Using the diaphragm or using the region of the larynx. With the diaphragm it is possible to give a greater support to the note. These yellow colors are amazing. And now there's an explosion in the music, all elements, musical instruments no longer work timidly. all elements, musical instruments no longer work timidly. Therefore, there is a greater projection of all these elements working together. Therefore, there is a greater projection of all these elements working together. This vocalist has an incredible stage presence. Amazing. He's a leader. He is the man at the head of the gang. Vibrato is consistent and is often used in rock songs. And there is a background animation of a girl also dressed in black and yellow. And there is a background animation of a girl also dressed in black and yellow. And there is a background animation of a girl also dressed in black and yellow. And these colors are fantastic. They are incredible. It is a visual aesthetic that works very well. It is a visual aesthetic that works very well. This is really cool. What he did was really cool. He always works on the diaphragm. The bass strings are yellow. Amazing. It looks great, it's a cool aesthetic. Amazing. It looks great, it's a cool aesthetic. The pedestal and the microphone are yellow. These black and yellow highlights are fantastic. The work of the choir is also very interesting, because it helps to project the voice more at the time of the chorus. This battery has a contemporary sound. This battery has a contemporary sound. It's a relatively modern sound. And the music, in this song, is a song that has a pop, alternative style... And the music, in this song, is a song that has a pop, alternative style... And the music, in this song, is a song that has a pop, alternative style... But I also sense a bit of hard rock elements in this song. But I also sense a bit of hard rock elements in this song. The Rasmus is a band that has a lot of influence from hard rock, pop rock, alternative rock... The Rasmus is a band that has a lot of influence from hard rock, pop rock, alternative rock... The Rasmus is a band that

Army with harmony Dave drop a load on 'em OPP, how can I explain it I'll take you frame by frame it To have why'all jumpin' shall we sayin' it O is for Other, P is for People scratchin' temple The last P...well...that's not that simple It's sorta like another way to call a cat a kitten It's five little letters that are missin' here You get on occasion if the other party isn't game 'n it seems I gotta start to explainin' Bust it You ever had a girl and met her on a nice hello You get her name and number and then you feelin' real mellow You get home, wait a day, she's what you want to know about then you call up and it's her girl friend or her cousin's house It's not a front, F to the are to the O to the N to the T It's just her boyfriend's at her house (Boy, that's what is scary) It's OPP, time other people's what you get it. There's no room for relationship there's just room to hit it How many brothers out there know just what I'm gettin' at Who thinks it's wrong ''cause I'm splittin' and co-hittin' that Well if you do, that's OPP and you're not down with it But if you don't, here's your membership You down with OPP (Yeah you know me) You down with OPP (Yeah you know me) You down with OPP (Yeah you know me) Who's down with OPP (Every last homie) You down with OPP (Yeah you know me) You down with OPP (Yeah you know me) You down with OPP (Yeah you know me) Who's down with OPP? (All the Homies) As for the ladies, OPP means something gifted. The first two letters are the same but the last is something different It's the longest, loveliest, lean-- I call it the leanest. It's another five letter word rhymin' with cleanest and meanest I won't get into that, I'll do it...ah...sorta properly I say the last P...hmmm...stands for property Now lady here comes a kiss, blow a kiss back to me, now tell me exactly. Have you ever known a brother who have another like ah girl or wife And you just had to stop and just ''cause he look just as nice You looked at him, he looked at you and you knew right away. That he had someone but he was gonna be yours anyway You couldn't be seen with him and honestly you didn't care. 'Cause in a room behind a door no one but y'all are there When y'all are finish, y'all can leave and only y'all would know. And then y'all could throw the skeleton bones right in the closet do' Now don't be shocked ''cause if you're down I want your hands up high Say OPP (OPP) I like to say with pride Now when you do it, do it well and make sure that it counts. You're now down with a discount You down with OPP (Yeah you know me) You down with OPP (Yeah you know me) You down with OPP (Yeah you know me) Who's down with OPP (Every last lady) You down with OPP (Yeah you know me) You down with OPP (Yeah you know me) You down with OPP (Yeah you know me) Who's down with OPP? (All the ladies) This girl ah tried to OPP me I had a girl and she knew that matter-of-fact my girl was partner's that. Had a fall out, disagreement, yeah an argument. She tried to do me so we did it in my apartment, bust it That wasn't the thing it must have been the way she hit the ceiling. 'Cause after that she kept on coming back and catchin' feelings I said, "Let's go my girl is coming so you gotta leave" She said, "Oh no, I love you Treach" I said, "Now child please" You got's to leave, come grab your coat, right now you gotta go. I said now look you choose the stairs or choose the stair window This was a thing, a little thing, you shouldn't have put your heart 'Cause you know I was OPP, hell from the very start Come on, come on, now let me tell you what it's all about. When you get down, you can't go 'round runnin' off at the mouth That's rule number one in this OPP establishment. You keep your mouth shut and it won't get back to her or him Exciting isn't it, a special kinda business Many of you will catch the same sorta OPP is you with Him or her for sure is going to admit it When OPP comes, damn-- skippy I'm with it You down with OPP (Yeah you know me) You down with OPP (Yeah you know me) You down with OPP (Yeah you know me) Who's down with OPP? (It's

shuttlecock shuttlecock badminton racket badminton racket dartboard dartboard darts darts volleyball volleyball baseball baseball baseball bat baseball bat table tennis table table tennis table table tennis bat table tennis bat snooker table snooker table snooker cue snooker cue snooker balls snooker balls basketball basketball basketball hoop basketball hoop volleyball net volleyball net skateboard skateboard whistle whislte boxing gloves boxing gloves punching bag punching bag boxing ring boxing ring bowling ball bowling ball bowling pins bowling pins rugby ball rugby ball football football football boots football boots football goal football goal corner flag corner flag trophy trophy red card red card yellow card yellow card goalkeeper gloves goalkeeper gloves cricket ball cricket ball cricket bat cricket bat stumps stumps bails bails cricket helmet cricket helmet cricket pads cricket pads skis skis snowboard snowboard canoe canoe kayak kayak snorkel snorkel tennis racket tennis racket tennis ball tennis ball tennis net tennis net tennis court tennis court hockey ball hockey ball hockey stick hockey stick chess board chess board chess pieces chess pieces golf ball golf ball golf tee golf tee golf flag golf flag golf club golf club baseball glove baseball glove American football American football ice hockey puck ice hockey puck ice hockey stick ice hockey stick squash ball squash ball squash racket squash racket mountain bike mountain bike roller skates roller skates dumbbell dumbbell kettlebell kettlebell treadmill treadmill medicine ball medicine ball bench press bench press yoga mat yoga mat spin bike spin bike skipping rope skipping rope resistance band resistance band ice skates ice skates fishing rod fishing rod fishing net fishing net running track running track hurdles hurdles javelin javelin shot put shot put swimming pool swimming pool diving board diving board hammer hammer high jump high jump pool table pool table pool balls pool balls pommel horse pommel horse bottle of water bottle of water swimsuit swimsuit diving fins diving fins ski goggles ski goggles knee pads knee pads swimming cap swimming cap baseball cap baseball cap bow bow arrow arrow target target surfboard surfboard sunglasses sunglasses towel towel

hello so in this video i'll be showing you how  to fix live stream isn't available right now let   me just show you the error i'm talking about  i'll try to go live on my youtube channel so   if i try to go live on my youtube channel i'm  getting the error live stream isn't available   right now okay so let's just let uh studio load  up so you can see while in streaming studio   i'm getting this error live streaming isn't  available right now then there's an option in the   red button to enable it okay so now the reason  you're getting this error is because there are   some features which have not enabled on your live  stream if you want to fix it right away just go   right ahead and click enable and follow the next  steps that will appear on your channel however   i want to show you why you are encountering this  so that next time if you face it you know exactly   what you did not do so let's go back to youtube  studio let's just go to youtube studio on daniel   i'll go to youtube studio so let me just go to  youtube studio and when you go to youtube studio   we want to go to the settings of the channel okay  so when you click the settings of the channel here   on the left side of your channel when  you click the settings of your channel yeah there will be a pop-up that will  appear which is for the settings pop-up   when you click on channel and you click on  feature eligibility so click on that one you   will notice that this option features that  require phone verification is grayed out so   that's the reason why you are getting that  error live streaming is unavailable so if i alright so now when you click the drop down  you see this option you see the option for   live streaming which is just here so you can see  live streaming requires that you have a verified   phone number for your channel so it doesn't  matter where you are as long as you have access   to that phone number you can just simply enter  your phone details here and you'll be able to   verify so i'll choose my country or and choose  the text me verification code enter my number then click submit so what will happen is that youtube  will send me a verification code   to my mobile let me just check if it has arrived then i'll have to enter it so it has  arrived now let me just enter it so that you see   exactly so the 70 12 five then submit so i see now once i've verified this is how   i've verified my youtube account you can see  youtube saved me to verify so now if i go back to   do i try to go live if i click  here and say go live now okay so sometimes it might take 24 hours for  live streaming to be enabled on your channel   but sometimes it might be enabled right away and  you can go live so you can see now i can go live   right away on the channel so that's how you fix  that error how to we fix the era live streaming   is isn't available right now thank you very  much for watching if this video was helpful   make sure to give it a thumbs up and you find  the content on my channel on youtube facebook and   also a bit of graphics design make sure you hit  the subscribe button and thank you very much

Say Happy Birthday, come on you can do it, it is Ambinintsoa Malala's birthday Happy Birthday Ambinintsoa Malala Happy Birthday Ambinintsoa Malala Happy Birthday Ambinintsoa Malala Happy Birthday Ambinintsoa Malala Happy Birthday Ambinintsoa Malala I hope you get to enjoy all your favorite things Happy Birthday to my friend Ambinintsoa Malala Wishing you a very happy birthday from the tip of my tail to the end of my nose and may all your dreams come true Breaking News: It is Ambinintsoa Malala's birthday again! How is that even possible? Didn't we just celebrate this last year? Stay tuned for a rundown on all the birthday party festivities Happy Birthday my friend Ambinintsoa Malala! Happy Birthday Ambinintsoa Malala Happy Birthday Ambinintsoa Malala Can you help me find Ambinintsoa Malala's party? Happy Birthday Ambinintsoa Malala Happy Birthday Ambinintsoa Malala Wait... What? You can talk? Please subscribe to our YouTube channel Like this video and leave a comment. Maybe tell me something special about your dogs. Now, let's get Ambinintsoa Malala's party started! [Music]

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No, I don't wanna go too fast Cuz nothing really lasts I think I need some time But I can't get you off my mind Start me out with your strongest booze, bartender Keep it coming, I drink Now everyone's a charmer See, I'm drooling These ladies so loyal Then I saw you the first time Geez girl, love me tender I came on strong and told you You're different, unlike the boring girls Feisty with me In that dark vibe, you're a ray of light Heart skips too many beats like back to puberty Your stealing glances Dry up my lips Haven't felt this rush in so long I'm powerless against it Before the night is over I want you in my arms Real love? I think I wanna just Don't hesitate hey Fxxk it, I love y'all Fxxk it, I love y'all Fxxk it, I love y'all Fxxk it Fxxk it Fxxk it Fxxk it Girl, I wanna get down I wanna find butterflies until they run dry A prisoner to many Breaking away from here Papillon escapes I'm fed up, all grizzled White strands of hair Done with bad guy stuff Just acting the player I liked you when you didn't know me On the sly, I get sick of girls Like a vermin, real easy Yeah I grow in years, but know nothing of love Can't pick up the pieces Our romance is bloodless, a game without win or lose You can't make of things We play different melodies like alto and soprano Us will break up anyway Point-blank period Just a tainted dream of El dorado Your stealing glances Dry up my lips Haven't felt this rush in so long I'm powerless against it Before the night is over I want you in my arms Real love? I think I wanna just Don't hesitate hey Fxxk it, I love y'all Fxxk it, I love y'all Fxxk it, I love y'all Fxxk it Fxxk it Fxxk it Fxxk it Fxxk it You and me We get in the car and ride You're drunk So get some shut-eye Wanna go and rest, babe? I'll just hold your hand and fall asleep It's clear what I want, honey honey But I want it and you know it Fxxk it, I love y'all Fxxk it, I love y'all Fxxk it, fxxk it Fxxk it Fxxk it Fxxk it Fxxk it, fxxk it Fxxk it Fxxk it, I love y'all Fxxk it, I love y'all Fxxk it, I love y'all Girl, I wanna get down Fxxk it Fxxk it Fxxk it Girl, I wanna get down

All the known matter in the Universe consists of the following fundamental particles: The Up Quark and its heavier cousins, each of which has an electric charge of +2/3. The Down Quark and its heavier cousins, each of which has an electric charge of -1/3. The electron and its heavier cousins, each of which has an electric charge of -1. And the neutrinos, each of which has an electric charge of zero. Each particle has an associated anti-matter particle with the same mass, but the opposite electric charge, thereby doubling the number of particles. We now need to double the number of particles again because there are actually two versions of each matter and each anti-matter particle. One version has what we call a “Left Handed Chirality” and the other version has what we call a “Right Handed Chirality.” The Chirality of a particle is related to, but not the same thing as its “Helicity”, which can also be left handed or right handed. The “Helicity” refers to the component of spin in the direction of the particle’s motion. For a particle travelling at the speed of light, the Helicity of the particle is always equal to its Chirality. Massless particles always travel at the speed of light, but particles with mass must always travel slower than the speed of light. The slower a particle is travelling, the less likely there is to be any correlation between its Helicity and its Chirality. Chirality is a purely quantum mechanical property that has no analogy in classical physics. It deals with what direction the complex numbers describing the particle’s quantum state rotate around the complex plain when the particle is rotated around its direction of motion. Gravity, electromagnetism, and the Strong Nuclear Force treat Left and Right Chiral particles in exactly the same way, so from their perspective, the Left and Right Chiral versions of a particle can be thought of as if they are the exact same particle. The only known phenomena in existence that distinguishes between the Left and Right Chiral particles is the Weak Nuclear Force. The Weak Nuclear Force only affects the Left Chiral version of the matter particles and the Right Chiral version of the anti-matter particles. Only the Left Chiral version of the matter particles and the Right Chiral version of the anti-matter particles are able to absorb and emit the force carriers of the Weak Nuclear force, the “W” and “Z” bosons. The other known fundamental particles that are bosons are the photon, the gluon, and the Higgs boson, each of which have an electric charge of zero. The “Z” boson also has an electric charge of zero. But the “W” boson has an electric charge of either +1 or -1. Like all other phenomena in the universe, the weak nuclear force obeys the conservation of electric charge, meaning that if a positive charge is created, a negative charge must be created by an equal amount. The Weak Nuclear Force allows a quark with a charge of -1/3 to transform into a quark with a charge of +2/3. And it allows a quark with a charge of +2/3 to transform into a quark with a charge of negative one third -1/3. These transformations occur either by emitting a W boson… Or by absorbing a W boson. A quark and an anti-quark can combine to become a W boson… And a W boson can split into a quark and an anti-quark… ...Provided that the total electric charge is conserved. Note that another property that is always conserved is the difference between the total number of quarks and the total number of anti-quarks. Similarly, the standard model also states that another property that is always conserved is the difference between the total number of leptons and the total number of anti-leptons. The electron’s heavier cousins are called the “muon” and the “tau.” The electron, the muon, and the tau each have their own associated neutrino. The electron, the muon, and the tau are the “charged leptons”, and the three neutrinos are the “uncharged leptons.” The emission or absorption of a W boson can cause a neutrino to transform into its associated charged lepton. The emission or absorption of a W boson can cau

Laws of logarithms. They're very important They are found in every algebra book. The first law says the Log of base a of x plus the Log of base a of y is equal to the Log of base a of xy. For example, the Log of base 7 of 6 plus the Log of base 7 of 8 will be equal to the Log of base 7 of 6 × 8, which is 48. The second law, Log of base a of x minus the Log of base a of y equals Log of base a of x divided by y. For example, Log of base 5 of 32 minus Log of base 5 of 8 is the Log of base 5 of 32 divided by 8, which is 4. Third law, Log of base a of x raised to the t power, you can bring the t out front, it's t times the Log of base a of x. For example, Log of base 7 of 3 squared is 2 times Log of base 7 of 3. To summarize, those are the most important things about logarithms Log of base a of a is 1. Why is that true? Well, a to the first power is a. And, Log of base a of 1 is 0 because a to the 0 = 1. So, knowing these laws of logarithms is very important. So, there you go.

Hyo Ahn's Origami Easy origami fox Copyrighted by Hyo Ahn Easy origami fox Copyrighted by Hyo Ahn Level: Beginner Base: Square Published on February 25, 2011 at www.origami-make.org If you need text instructions, turn closed captions on! Subscribe and click the bell for notifications! We start with a 6" x 6" (15cm x 15cm) origami paper here. Prepare to turn the paper over. Turn the paper over. Prepare to apply a horizontal valley-fold and then unfold. Apply a horizontal valley-fold. And then unfold. Prepare to apply a vertical valley-fold and then unfold. Apply a vertical valley-fold. And then unfold. Prepare to apply two valley-folds. Apply the first valley-fold. Apply the second valley-fold. Prepare to rotate the model by 45 degrees. Rotate the model by 45 degrees. Prepare to turn the model over. Turn the model over. Prepare to apply an outside reverse-fold. Apply an outside reverse-fold. Prepare to apply another outside reverse-fold. Apply an outside reverse-fold. Prepare to unfold the flap. Unfold the flap. Prepare to unfold the flap. Unfold the flap. Prepare to apply a mountain-fold. Apply a mountain-fold. Prepare to apply a mountain-fold. Apply a mountain-fold. Prepare to draw eyes or put Googly eyes. Here I am putting two Googly eyes. Prepare to get a large dot sticker or make one using a dot punch. Here I made one using EK tools 54-30275 Confetti Dots Punch. Put a dot sticker for a nose. Congratulation! You have completed making an easy origami fox!

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Quantum computing is a form of computing that uses the principles of quantum mechanics, such as superposition and entanglement, to process information. Quantum computers use quantum bits, or qubits, which can exist in multiple states simultaneously, allowing for much faster processing of certain types of problems. One of the key principles of quantum computing is superposition, which means that a qubit can exist in multiple states at the same time. This allows a quantum computer to perform multiple calculations in parallel, making it much faster for certain types of problems. Another key principle of quantum computing is entanglement. This means that the state of one qubit can be correlated to the state of another qubit, even if they are separated by large distances. This allows for faster processing of certain types of problems, such as searching through large databases. Quantum computing also uses quantum gates, which are operations that can be applied to qubits to change their state. These gates are similar to the logical gates used in classical computing, such as AND, OR, and NOT gates. However, quantum gates can perform operations that are not possible with classical gates, such as the quantum Fourier transform, which is used in many quantum algorithms. One of the main advantages of quantum computing is its ability to solve certain types of problems much faster than classical computers. For example, quantum computers can factorize large integers much faster than classical computers, which has important implications for cryptography. Additionally, quantum computers can simulate quantum systems more efficiently, which can be used in the development of new materials and drugs. However, quantum computing is still in its early stages of development, and there are many challenges that need to be overcome. For example, quantum computers are highly sensitive to their environment and can be easily disturbed by external factors, such as temperature and electromagnetic fields. Additionally, quantum computers are difficult to program and require specialized software and hardware. Despite these challenges, quantum computing has the potential to revolutionize many fields, from cryptography to medicine and materials science. Research in this field is ongoing and it is expected that the first practical applications of quantum computing will be seen in the near future.

- [Voiceover] There's a lot of different ways that you could represent a linear equation. So for example, if you had the linear equation y is equal to 2x plus three, that's one way to represent it, but I could represent this in an infinite number of ways. I could, let's see, I could subtract 2x from both sides, I could write this as negative 2x plus y is equal to three. I could manipulate it in ways where I get it to, and I'm gonna do it right now, but this is another way of writing that same thing. y minus five is equal to two times x minus one. You could actually simplify this and you could get either this equation here or that equation up on top. These are all equivalent, you can get from one to the other with logical algebraic operations. So there's an infinite number of ways to represent a given linear equation, but I what I wanna focus on in this video is this representation in particular, because this one is a very useful representation of a linear equation and we'll see in future videos, this one and this one can also be useful, depending on what you are looking for, but we're gonna focus on this one, and this one right over here is often called slope-intercept form. Slope-intercept form. And hopefully in a few minutes, it will be obvious why it called slop-intercept form. And before I explain that to you, let's just try to graph this thing. I'm gonna try to graph it, I'm just gonna plot some points here, so x comma y, and I'm gonna pick some x values where it's easy to calculate the y values. So maybe the easiest is if x is equal to zero. If x is equal to zero, then two times zero is zero, that term goes away, and you're only left with this term right over here, y is equal to three. Y is equal to three. And so if we were to plot this. Actually let me start plotting it, so that is my y axis, and let me do the x axis, so that can be my x, oh that's not as straight as I would like it. So that looks pretty good, alright. That is my x axis and let me mark off some hash marks here, so this is x equals one, x equals two, x equals three, this is y equals one, y equals two, y equals three, and obviously I could keep going and keep going, this would be y is equal to negative one, this would be x is equal to negative one, negative two, negative three, so on and so forth. So this point right over here, zero comma three, this is x is zero, y is three. Well, the point that represents when x is equal to zero and y equals three, this is, we're right on the y axis. If they have a line going through it and this line contains this point, this is going to be the y- intercept. So one way to think about it, the reason why this is called slope-intercept form is it's very easy to calculate the y-intercept. The y-intercept here is going to happen when it's written in this form, it's going to happen when x is equal to zero and y is equal to three, it's gonna be this point right over here. So it's very easy to figure out the intercept, the y-intercept from this form. Now you might be saying, well it says slope-intercept form, it must also be easy to figure out the slope from this form. And if you made that conclusion, you would be correct! And we're about to see that in a few seconds. So let's plot some more points here and I'm just gonna keep increasing x by one. So if you increase x by one, so we could write that our delta x, our change in x, delta Greek letter, this triangle is a Greek letter, delta, represents change in. Change in x here is one. We just increased x by one, what's gonna be our corresponding change in y? What's going to be our change in y? So let's see, when x is equal to one, we have two times one, plus three is going to be five. So our change in y is going to be two. Let's do that again. Let's increase our x by one. Change in x is equal to one. So then if we're gonna increase by one, we're gonna go from x equals one to x equals two. Well what's our corresponding change in y? Well when x is equal to two, two times two is four, plus three is seven. Well our change in y, our change in y is equal to two. Went from five- w

Hi my name's Trev Hutchings and this is my music  theory guide part two... notes, keys and scales musical notes are pitched sounds called semitones  on a keyboard the lowest pitch note is on the left and the highest pitch note is on the right the notes are grouped into groups of twelve   a group of twelve notes is called an  octave. The octave has seven white keys and these are called full tones  the other five keys are black and these are called half tones   the lowest pitched note in an octave is called C the next white key is called D the first black key is between the two white keys note C and note D and is a higher pitch than the note C  so it is called C# (sharp) because # (sharp) in music means higher pitch than but it is also a lower pitch than the note D   so it can be called Db (flat) because b (flat) in music means lower pitch than   whether we call it # (sharp) or b (flat) actually depends on the scale being played so for now we will call all the black keys  # (sharp) so the names of the notes in an octave in ascending pitch order are called C C# D D# E F F# G G# A A# B for the octaves we use numbers instead of letters   the lowest pitch octave is called 0 and the highest pitched octave is called 7 so if this octave is called 3 the next octave above or to the  right on a keyboard is called octave 4 each note is called first by its note name   followed by its octave name so this key would be called C3 and this key would be called C4 on this step sequencer we can see the note names written to the left of each row   and the octave name marked  after the name of each note C so this is C3 and this is C4 and we can see that the lowest pitched note is at the bottom of the step sequencer grid and the highest pitch note is at the top of the step sequencer grid   while an octave is a group  of 12 ascending pitch notes a scale is a group of the pitch notes in the octave that musically complement each other   exactly which notes depends on the name of the scale   technically an octave is actually one type of scale called a chromatic scale the most common scale in modern music though  is called the major scale a major scale is made up of the first the third the fifth the sixth the eighth the tenth and the twelfth semitones a key is the name of the first semitone of the scale which is the lowest pitch note of the scale the name of the key and the name of the scale are added together so if the song is in C major the C means the song is in the key of C and the major means the song is using the major scale   if we place the c major scale on  a keyboard the first note is C   and following the major scale pattern of 1st, 3rd, 5th, 6th, 8th, 10th and12th semitones the notes of the major scale are C D E F G A B so if we play a song in C major these are the only notes we will play   the C major scale is considered the easiest scale because it is all the white keys on a piano or keyboard   but if we learn the pattern as key plus two plus two plus one plus two plus two plus two or key 2 2 1 2 2 2 we can easily change to another key major scale like G major   to add the C major scale to the step  sequencer we add a note on the key which is C then follow the pattern on the notes above C so add a note two notes higher add a note two notes higher then add a note one note higher  add another note two notes higher add a note two notes higher and finally  add another note two notes higher to move the major scale to another key  we just need to select all the notes and move them up or down the step sequencer grid  the bottom note will be the key of the major scale so if i drag the notes down so the bottom note  is on the row G the notes will all be in the key scale of G major   so if you write a song in G major you will only use these notes another common scale is Minor a minor scale is made up of the 1st note the 3rd note the 4th note the 6th note the 8th note the 9th note and the 11th semitone so the notes for C minor are  C D Eb F G Ab Bb and the pattern is key, plus two, plus one, p

Pick up your foot and stomp it, stomp it pick up your foot and stomp it, stomp it open up your jaws and chomp it chomp it open up your jaws and chomp it chomp it I am a stegosaurus call me a brontosaurus I'll get you with my taurus hey hey hey hey Way down Jurassic Park Hanging out after dark Im scary like a shark hey hey hey hey I hang with little foot he gives me great input we dance at pizza hut hey hey hey hey I am a dinosaur most of us like to roar roam jungles and explore Hey Hey Hey Hey Pick up your foot and stomp it, stomp it pick up your foot and stomp it, stomp it open up your jaws and chomp it chomp it open up your jaws and chomp it chomp it Tyrannosaurus rex smashing all your objects ill put you in a hex hey hey hey hey I’m in the jungle roaring but when it gets real boring I go a carnivoring hey hey hey hey velociraptor name eating meat is my game extinction I became hey hey hey hey swoop - there goes a pterodactyl nothing rhymes pterodactyl I just love pterodactyls hey hey hey hey Pick up your foot and stomp it, stomp it pick up your foot and stomp it, stomp it open up your jaws and chomp it chomp it open up your jaws and chomp it chomp it

Hello music people. Welcome to another video on our channel. And in this video I will analyze Subwoolfer. I apologize if I mispronounced your name. I don't know this group and I've never heard this song before. Therefore, it will be the first time I am going to listen to it. For those who don't know, I'm a heavy metal singer, multi-instrumentalist, producer and composer. And in this video I will do analysis and technical observations, on vocal behavior, style and musical influences. But first of all, if you are not subscribed yet, please subscribe to our channel, turn on notifications, like and share this video. And leave more suggestions in the comments for other great Norwegian artists. And leave more suggestions in the comments for other great Norwegian artists. The message has been passed and let's go to the most important thing, let's analyze Subwoolfer. The song begins with the use of falsetto, which is used here. The song begins with the use of falsetto, which is used here. The song begins with the use of falsetto, which is used here. The visual content of the costumed members, which I think is a really cool idea. The visual content of the costumed members, which I think is a really cool idea. Only by the voice I can identify that it is a tenor singer. Only by the voice I can identify that it is a tenor singer. He has a very high voice and a very interesting way of singing. He has a certain dynamic in the way he sings. So just from the melody of her voice, the way she sings, So just from the melody of her voice, the way she sings, with a very strong influence of pop music. There's an effect on the voice, this way he's... But I think it's in keeping with the musical aesthetics and the group's proposal. But I think it's in keeping with the musical aesthetics and the group's proposal. This is the dynamic that I mentioned earlier and the other vocalist, This is the dynamic that I mentioned earlier and the other vocalist, and I didn't know they both necessarily sang, but they're both in the tenor region. and I didn't know they both necessarily sang, but they're both in the tenor region. And for this pop musical style, this type of singer is very common. And for this pop musical style, this type of singer is very common. It's not a rule, I'm just saying it's very common. But there are baritone singers who sing this style of music and it means nothing, But there are baritone singers who sing this style of music and it means nothing, I'm just saying that it's very common for many tenors to opt for this musical style. I'm just saying that it's very common for many tenors to opt for this musical style. I like this visual aesthetic of the members. Many contemporary artists seek to adopt a different kind of gaze. Many contemporary artists seek to adopt a different kind of gaze. It is a way to get out of the pattern of what we are used to seeing, It is a way to get out of the pattern of what we are used to seeing, so that we have artistic diversity. And its appearance is fantastic. Very original. Many effects. Lots of sound effects. Many effects. Lots of sound effects. Many effects with voice production work are very interesting effects. Many effects with voice production work are very interesting effects. Many effects with voice production work are very interesting effects. And this makes it added in the musical aesthetics. We have the visual aesthetic but there is also the musical aesthetic. In musical aesthetics it is a pop, electro pop, a very strong electronic sound. In musical aesthetics it is a pop, electro pop, a very strong electronic sound. And this makes the song open access so that more people sympathize with the song. And this makes the song open access so that more people sympathize with the song. And it's a very well done song. And it's a very well done song. And the arrangements of the musical structure are very original and different. I think this choreography is really cool. I think this choreography is really cool. It is a differential in this group and in the performance is the choreography. But when they d

The sun and moon are created. Genesis 1:14 Animals are created. Genesis 1:24 Tree of life & tree of the knowledge of good & evil. Gen 2:17 Adam & Eve eat from the tree of the knowledge of good & evil. Gen 3:6 Adam & Eve leave the garden. Gen. 3:24 Cain is angry and kills Abel. Gen 4:8 Noah builds an ark. Genesis 6:14 The tower of Babel. Genesis 11:7 Abram is promised the land of Canaan. Gen 12:7 Abram calls Sarai his sister in Egypt. Gen 12:13 Abraham's descendants will be as the stars. Gen 15:5 Three angels visit Abraham and promise he will have a baby. Gen 18:10 Lot's wife is turned into a pillar of salt. Gen 19:26 Isaac is born to Abraham and Sarah. Genesis 21:2 Abraham is willing to sacrifice Isaac. Gen 22:2 Abraham's servant is sent to find a wife for Isaac. Gen 24:14 Rebekah agrees to marry Isaac and goes to meet him. Gen 24:61 Rebekah marries Isaac. Genesis 24:67 Twins Esau and Jacob are born. Gen 25:25 Esau sells his birthright to Jacob for stew. Gen 25:34 Jacob fools Isaac and gets the blessing of the firstborn. Gen 27:27 Jacob flees to Laban for safety. Gen 27:43 Jacob dreams of a ladder to heaven. Gen 28:12 Jacob rolls back the stone for Rachel. Gen 29:10 Jacob marries Leah and Rachel. Gen 29:16 Jacob is paid with spotted & speckled animals. Gen 30:39 Jacob and Esau meet. Gen 33:4 Jacob wrestles an angel & is called Israel. Gen 32:24 Isaac dies. Genesis 35:29 Joseph dreams. Genesis 37:5 Joseph's coat is found. Genesis 37:32 Potiphar's wife accuses Joseph. Genesis 39:12 Joseph explains the butler's and baker's dreams. Gen 40:5 Joesph explains Pharaoh's dreams. Gen 41:17 Joseph becomes ruler in Egypt. His brothers come. Gen 42:6 Joseph's cup is found in Benjamin's sack. Gen 44:2 Joseph reveals himself to his brothers. Genesis 45:4 Jacob & his family move to Egypt. Gen 46:6 Jacob is buried in the cave at Machpelah. Gen 50:7 The children of Israel are slaves in Egypt. Ex 1:11 Pharaoh orders the babies to be killed. Ex 1:16 Moses's mother hides him in an ark. Ex 2:2 Pharaoh's daughter finds baby Moses. Ex 2:5 Pharaoh's daughter adopts Moses. Ex 2:10 Moses sees two Hebrews fighting. Ex 2:11 People know Moses killed a man. Ex 2:14 Moses sees a bush burning. Ex 3:2 Moses & Aaron ask Pharaoh to let the people go. Ex 5:1 The plague of frogs. Ex 8:3 The passover is established. Ex 12:7 The children of Israel leave Egypt. Ex 12:31 The children of Israel are given a pillar of fire & cloud. Ex 13:22 The children of Israel cross the Red Sea. Ex 14:15 The Egyptians drown in the sea. Ex 14:27 Manna from heaven. Ex 16:4 Moses receives the Ten Commandments. Ex 20 Moses is told to make the tabernacle. Ex 26 Aaron and the people worship the golden calf. Ex 32:4 Craftsmen make the ark of the covenant. Ex 37 Priestly clothing is made. Ex 39 The tabernacle is set up for worship. Ex 40 Moses announces Joshua as the new leader. Deut 31:7 Moses sees the promised land from Mt. Nebo. Deut 34:1 People mourn because Moses has died. Deut 34:8

Light is a wave of electric and magnetic fields. Sound is a wave of air pressure. According to Quantum Mechanics, all the particles in the universe have the properties of waves, including all the particles that we ourselves are made from. Therefore, to understand light, sound, and the very nature of reality, it is necessary to first understand waves. To understand the properties that all waves have in common, consider a wave travelling along a rope. The wave transmits energy and can encode information. Yet each individual atom stays pretty much in the same spot. When a wave reaches the end of the rope, the wave and its energy are reflected back. If the end of the rope is fixed and can’t move, the reflected wave is flipped upside down. If two waves collide, they pass right through each other. When the two waves are on top of each other, they can momentarily cancel each other out. When the two waves are on top of each other, they can also momentarily strengthen one another. Here, the two waves strengthen each other where they intersect. Now, suppose we have more than two waves. Now, suppose we have an infinite number of waves. This wave is composed of an infinite number of waves that spread out in all directions. When added together, they form a wave that travels in just one direction. Let’s consider what happens when this wave hits a barrier with a small hole. The waves behind the barrier are blocked. Only the wave behind the hole passes through. Since this wave no longer has the other waves to combine with, there is now nothing stopping it from spreading out in all directions. This is the reason why waves spread out when they pass through a small hole. Now suppose the hole is bigger. If the hole is bigger, then more of the waves are able to pass through. If the hole is small, the wave spreads out in all directions. If the hole is bigger, most of the wave keeps moving forward without spreading out. To understand why this happens, consider the pattern that forms when a wave passes through a large hole. The waves going to the sides often cancel each other out, whereas the portion of the waves going forward always strengthen each other. However, if the distance between the incoming wave peaks is much larger than the length of the hole, then the waves that pass through the hole strengthen each other in all directions. The wave spreads out when the distance between the wave peaks is much larger than the length of the hole. If the distance between the wave peaks is much smaller than the length of the hole, then the wave moves forward without spreading out. For this same reason, if the distance between the wave peaks is much smaller than the size of an object, the object will block the waves. But, if the distance between the wave peaks is much larger than the size of an object, the waves will go around the object. In the case of sound waves, the distance between the wave peaks is much larger than most objects we deal with. Sound waves can therefore go around most objects. In the case of light waves, the distance between the wave peaks is much smaller than most objects we deal with. Most objects therefore block the passage of light waves. This is the reason why we can hear things even if there is an obstacle in the way... But we can’t see things if there is an obstacle in the way. Some materials allow light waves to pass through. Although the speed of light through empty space is the same to all observers, light slows down when it passes through certain materials. The image is distorted because when a wave passes into a material where its speed is different, it changes direction. To understand why waves change direction when they enter a material where their speed changes, consider the following. If a wave enters the new material at a 90 degree angle, then it will continue moving in the same direction as before. If the wave enters at a different angle, then the left side of the wave will enter the material at a different time than the right side. White light is composed of all the different colors combined together. Each color of

this world is fucking pathetically insane fucked in the fucking head the whole lot of yous your all zombies you're mystified by fucking enlightenment you're all fucked in the fucking dial that's fucking called the brain right you wouldn't know fucking pineal gland if you even fucking found it you people are fucking shocking shocking people yep! you fucking scum free Masonic scum out there that fucking brainwash your fucking ridicul-afied minds and fucking force-feed yous fools all the fucking time and you dumb fucking sheep fall for it huh? there's a reason why Jesus was called your fucking you know whatever you want to fucking call it huh! oh jeez fuckin bullshit it's fucking ridiculafied Barack Obama hmm wonder why Barack Obama fucking won huh? eh fuckin yeah! I pro i predicted it fucking you know in January 2008 that he was going to fucking win because they did the same shit over here as they did fucking back in the day that fucking George Bush was running for fuckin power and not to mention Barrack Obama barrack barrack for Obama and all you dumb fucking hypnotized fucking minds out there go oh! Barrack Obama Barrack Obama Barrack Obama Barrack Obama barrack for Obama let's all barrack for Obama he's a fucking puppet he's no fucking Antichrist if he's fuckin made out to be the fucking Antichrist it's a big play it's a fuckin play that you cunts will all fall for! and fucking stupid dickhead imbeciles like fucking Earthslasthope and fucking the EDF and all those dumb! fucking in the head fucking baboon brains fuckin wouldn't have a fucking clue about what fucking reality of this fucking situation is and it makes me fucking laugh that fucking Matthew Ringrose actually thinks he knows something about the book of Revelation that is just fucking ridiculous he's a fucking fool all you dick heads out there that fall for his fucking lies and think he's gonna fucking you know? go and live at that resort and base and make his EDF base at that resort that he shows off in his last video what a fucking tool yeah! and his fucking makes it out that he's gonna fucking own a national park like fucking he's got the money to go out there and buy the fucking national park which National Parks aren't for fucking sale by the way you fucking hypocrite yeah! you fucking dickhead sheeple fucking ridiculous all of yous you're all fucking in the head fucking ridiculous over here in Australia fuckin just the other day or just yesterday fucking what happens? oh! you know put on the TV and their fucking these cops shot this fifteen-year-old kid dead yeah? oh! fucking what four fucking police officers or more and they fucking six shots fuckin shot this fucking kid fucking dead cuz he was fuckin wielding a knife oh? yeah! fuckin big scary fifteen-year-old boy wielding a knife fucking shots fucking fired and his fucking killed six of them yes! six fucking shots in this fifteen-year-old kid and everyone's like ohowohohh and the fucking police are hiding it like fucking typical boys in blue fucking do their free Masonic fucking scum ways sticking up for each other when they know they're in the fucking wrong! fucking trying to pull themselves out and it's like ohh it's a sin to fucking do this but when we do it ourselves that's fucking ah! it's all right you see yeah? you're fucked in the fucking head scumbags every fucking single last one of yous it was to bring in the tasers that's right! it was the fucking Martin job Martin Briant job remember fucking Tasmania? you fucking blame all that on that fucking kid that's fucking ridiculous he didn't shoot and kill all those fucking people it was a fucking big setup he got blamed for it yeah! he probably got fucking hypnotized and fucked around and fucked with and shit to fucking bring in and herald it in and fucking shit but no! that's fucking wrong he fucking wasn't the only one behind it you fucking scumbags and the whole point of this fifteen-year-old kid getting shot was to bring in the fucking tasers yeah! it's in Sydney it's in other fucking places but it's not in Victoria and they had to do so they

I crumbled before your eyes Hit rock bottom and sunk deeper To grab onto the last bit of hope I’ve tried to reach out with both of my hands Again in this dark place, light up the sky While looking into your eyes, I’ll kiss you goodbye Laugh all you want while you still can Because it’s about to be your turn 1, 2, 3 Ha how you like that? You gon’ like that that that that that How you like that? How you like that that that that that Now look at you now look at me Look at you now look at me How you like that Now look at you now look at me Look at you now look at me How you like that Your girl need it all and that’s a hundred 10 out of 10 I want what’s mine Karma come and get some I feel bad but there’s nothing I can do Whats up I’m right back Cock back the trigger Plain Jane get hijacked Don’t like me? Then tell me how you like that In this even darker place shine like the stars With a smile on my face I’ll kiss you goodbye Laugh all you want while you still can Because it’s about to be your turn 1, 2, 3 Ha how you like that? You gon’ like that that that that that How you like that? How you like that that that that that Now look at you now look at me Look at you now look at me How you like that Now look at you now look at me Look at you now look at me How you like that The day I fell without my wings Those dark days where I was trapped You should’ve ended me when you had the chance Look up in the sky it’s a bird it’s a plane BLACKPINK! How you like that You gon’ like that How you like that

Christopher Carbone: This is Question number twenty-five of our calculus review. Christopher Carbone: If H of theta is equal to the theta times, the cosine of theta we want H. Prime of theta and H double prime of theta. So the second derivative Christopher Carbone: So we're going to let F. Here be equal to, theta Christopher Carbone: which means f prime. That derivative of theta is just going to be one. Now Christopher Carbone: the G is going to be the cosine of Theta Christopher Carbone: and G. Prime is going to be the negative sine of theta Christopher Carbone: so h prime of theta Christopher Carbone: this is going to be theta Christopher Carbone: times the negative sine of theta Christopher Carbone: What's the cosine of theta Christopher Carbone: so simplifying a little bit is negative. Theta Christopher Carbone: It was the sin of theatre. Christopher Carbone: What's the co-sanet theatre? Christopher Carbone: So now for the second, derivative we are going to what Christopher Carbone: again? B. This time not the sine of theta Christopher Carbone: as prime of be thee Christopher Carbone: hosts on a theta Christopher Carbone: i'm going to a Gb. Negative theta Christopher Carbone: and G primed to be negative one, Christopher Carbone: so the second derivative of H. Christopher Carbone: Or the derivative of the first, derivative is negative Theta Christopher Carbone: times. The cosine of Theta Christopher Carbone: Manus, Christopher Carbone: the son of theatre. Christopher Carbone: Yes, Christopher Carbone: a negative sign Christopher Carbone: of data, Christopher Carbone: And this simplifies to just be Christopher Carbone: negative data. Christopher Carbone: It comes to cosine of theta Christopher Carbone: minus. Two times the sign, Christopher Carbone: i'll say that Christopher Carbone: Yeah,

Alright. Are you recorded, and then I will be editing it and putting it up by Youtube and you live on Facebook right now live on Facebook right now on Facebook right now. I've had I've had instance in the past or and or and or I may or I may need to so politicians poisons over the show, poisons over the show, mostly in my in my videos. in my videos my videos. But little But we will share with a video But we will share with a video introducing introducing all the performers performers, and then we're going performers, and then we're going to have one video video of video of Vlog perform orming is his is one his wonderful seat his wonderful feet Act his wonderful feet Act his wonderful feet Act. If you haven't seen it you know things that you need to see see for me is for me is phenomenal and d that will d that we're going to talk to nd that we're gonna talk to him that we're gonna talk to him about you think g, and how we can and how really help finance finance so so and please so and please move me all So and please move me all your So and please move me all your cell phones. Dorothy phones. Dorothy! Hi! Tommy Tommy, Dorothy Dietrich! dorothy Dietrich. I'll try and get her in this room try and get her in this room. Okay, thank you yeah, you should yeah have a you should yeah have a leak and I try to give you. I, Tommy Well, , that right. Oh, hey, man , that rick that rick! hey, Melanie! Thanks for being right . I have a few bucks for you tonight tonight. Not a lot, but I got a few bucks was e going to e going to pay you where you can send it in and that works send it in and that week, and I ople, so ople, so we'll ople, so we'll so we'll thank So we'll thank you okay, it's 1211 Okay, it's nerve, too it's 1211 Okay, it's true rich, 1211 Okay, it's true rich, great. So I want to ask So I want to ask you to meet meet yourselves from the beginning of the South, and we n you And when you were asked And when you were asked when you were asked, I mean if if we need a need a volunteer, we e need a volunteer, we will ask to. I mean also if also. If anybody has a deck If anybody has a deck of clients well anybody has a deck of clients well, of our f our reviews we'll our reviews we'll need and unteer with unteer with a deck of lunteer with a deck of close with a deck of close. that. now, if we that. now, if we have one , and in and in the meantime, we're going and in the meantime we're going through, struck k the the cell with a cell with a video to ll, again Logan: Okay, Logan: Okay, , chill Logan: Okay, chill Logan: Okay, chill. Okay, Logan: Okay, chill. Okay, Mr. azing: t. And what happened And what happened here back e you go. Yeah ah, Yeah, my help with here? my help with her children. I love I like and I like and I like and welcome to virtue virtual interest. active, massive active, massive. Here I massive. Here I am, Tommy Bernett the the International envoy the International envoy of the S. A. M. For New York State, and and this to my rate, It and this to my wait for Kevin Peel and this to my wait for Kevin Peel. in in financial in financial envoy of in financial envoy of England, for e F. Am. We are the F. Am. We are proud to be here ere to to raise money for Ukraine you. Clink, hey? you you doing Heaven? Very well, doing Heaven? Very well, thank you, Tommy. I just thought just to show I just thought just to show how brilliant you are what's the brilliant you are what's the card card. Oh, wow Oh, wow! you put me in a Oh, wow! you put me in but a Oh, wow! you put me in! but again I don't don't know you hear me in here let's name a card name a name a cartoon. Okay name a cartoon. Okay, yeah. Okay. Clear hopes. Oh, Clear hopes. Oh, your time! hopes. Oh, your time close! Oh, you know you know what d! and what and so i'll say, gather my head and soil y head! Oh y head yeah, that okay y head yeah, that okay y head head. Yeah, that Okay. A little excuses. no excuses. Yeah. Very private chat, either . So that so that was genuinely , Yeah, no, we we had. we had. Yeah, no, we we had. We had no 5 ire now ire now ire no

Potential and Kinetic Energy. Potential and Kinetic Energy. The law of conservation of energy. Energy cannot be created. Energy cannot be destroyed. It can only be converted from one form to another. Conversion of Energy. Solar Energy. Electrical Energy. Mechanical Energy. Potential Energy. Energy due to position. Potential Energy. Kinetic Energy. due to motion. The unit of energy is Joules. The law of conservation of energy. Energy cannot be created. Energy cannot be destroyed. It can only be converted from one form to another. Conversion of Energy. Solar Energy. Electrical Energy. Mechanical Energy. Potential Energy. Energy due to position. Potential Energy. Kinetic Energy. due to motion. The unit of energy is Joules. When we hold the tire on one side. It has a certain amount of potential energy. When it is released. Potential energy starts getting converted to kinetic energy. As the tire moves back and forth. Kinetic energy gets converted to potential energy. When we hold the tire on one side. It has a certain amount of potential energy. When it is released. Potential energy starts getting converted to kinetic energy. As the tire moves back and forth. Kinetic energy gets converted to potential energy. The formula for potential energy is mgh, M is equal to Mass, g is equal to gravitational acceleration and h is equal to height. At the top of a tree, the potential energy possessed by is is equal to mgh. m is equal to 30 kg. g is equal to 9.8 metres per second square. h is equal to 20 metres. Potential energy is equal to mgh, which is equal to 30 into 9.8 into 20, which is equal to 5880 J. At the top of tree, kinetic energy is equal to 0. When we fall, potential energy starts getting converted to kinetic energy. The formula for potential energy is mgh, M is equal to Mass, g is equal to gravitational acceleration and h is equal to height. At the top of a tree, the potential energy possessed by is is equal to mgh. m is equal to 30 kg. g is equal to 9.8 metres per second square. h is equal to 20 metres. Potential energy is equal to mgh, which is equal to 30 into 9.8 into 20, which is equal to 5880 J. At the top of tree, kinetic energy is equal to 0. When we fall, potential energy starts getting converted to kinetic energy. Just before we land, all potential energy gets converted to kinetic energy. To calculate kinetic energy, kinetic energy is equal to 1 upon 2 into m into v square, where m is equal to mass and v is equal to velocity. Just before we land, all potential energy gets converted to kinetic energy. To calculate kinetic energy, kinetic energy is equal to 1 upon 2 into m into v square, where m is equal to mass and v is equal to velocity.

"The Youngest's Private Life 12"! I didn't turn off the sound. "The Youngest's Private Life 12" that came today. Today... To be honest, I talked about TMI a lot last time. I prepared a content today, too. Today's contents... It's guessing the name of the brand of the drink. It's a game where I guess the name of the drink. There are drinks here. There are a lot of drinks. I am guessing the brands of drinks here. The same drinks has the brand written... The numbers are written down here. I will look at this number. I have to find the same number with this. Out of these brands... So... Oh, did I explain poorly? I'm so bad at explaining so... It's a game where I guess the name of the brand of the drink. There's a number written here. And under all the many drinks here, The same number is written down here. Why am I so bad at talking? Anyway, it's a game where I am guessing the drink. There's a number written down under the can. That number... How do I need to explain? Why am I so bad at explaining? It's a game that I made. Wait. Let me organize. So... I need to find the same number that's written here and under the can. If it's number four, I need to find the can that has number 4 written on it. I have to do that... I don't know the numbers under the can either. I didn't write them down. I told my manager that I was going to do it like this and he wrote it down. So, I... How many are there in total? Are there 16? There are 16. Is it 15? There is that many. Oh, there are 16. There are 16. I will start in order from number one. There's number one right here. Number one. It's white. It's white. If you look just at the color, it's a sports drink. This... I will drink a sip of water and wash my mouth. I will try to see what kind of drink it is... Out of the many bottles, I will look for this drink's brand bottle. This is number one. I will try to find what kind of drink this is. I think I know this so well. I think I can find this right away. I think... It's this one! Number one is this. This is number one. Will it... It's 100% right. Oh? What is it? Oh? What is it? It's not. Oh? What? Is it this? I.N that gets the first question wrong. Number one was this one. Number one was this one. Number one was this one. Naturally, number 11 is then... Is it this? Is this number 11? This is number 11. The white colored drink. This is number 11. Wait! I think I have to find out the difference in the taste. I think I know. This is a bit sweeter and this is less sweet. There was this difference. There was this difference. Okay! x3 Oh, I see. This was Torita. And this was Pocari Sweat. There was this difference. The color is different, too. This has a bit of a yellowish color and this has a bit of a white color. Will you not be able to see it? You probably can't. The colors are different, too. They taste different but the colors are different, too. I got the first question wrong. Number one and eleven will go over there. How can I get it wrong right away? Interesting. I will go with number two. Where is number two? Number two... Here it is! Number two... This mysterious thing. This. Just by the smell of it, this is an energy drink. Energy drink. Energy drink. I will cleanse my mouth with water now. I will try to guess it again. To be honest, I don't drink energy drinks a lot. It's hard to guess. Then, I will pick Hot Six. Hot Six! I wonder! I got it wrong again. It wasn't. Then, where is number 8? Is this number 8? Oh, here is number 8. Oh, there is a difference in the color, too. Then, this is automatically this one. Red Bull. Red Bull. I should try to feel the difference in the taste, too. First, let me clean my mouth. This is Red Bull. This is Hot Six. The taste is really different! To be honest, I don't really drink energy drinks. So, I didn't feel the taste well. This is a bit sweeter and this has a stronger carbonated taste. Stronger carbonated taste. This has a strong carbonated flavor. The colors are different, too. There is a difference. The colors are different. I can get it wrong this quickly. I got it wrong again. Number two a

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♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ You just find us a body, that's all. ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ Look, I said let's go! ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ No, ma'am. We were just wondering what time to expect him. I certainly will. And thank you. Well? He left his cousins in Los Angeles around 12.30. Figure eight hours. He should have been here two hours ago. We have to allow for the storm. Let's assume he'd lose 20, 25 miles an hour. ♪ ♪ ♪ ♪ Let's split up. No, we stay together. ♪ Let's ride somewhere between Gilroy and San Jose. What time are the roads closed? And that's it. Ed, call the police in San Luis Obispo. Give them Mark's description. And give them the car's description. Graft aviation, please. John? Bob Ironside. I need a plane. ♪ ♪ ♪ ♪ What do we do now? We are not going to move another inch until you tell me where you fit in. I told you. I think I had something to do with the robbery. I think you did, too. Well, I didn't. Hey, don't you trust me? No, as a matter of fact, I think you were setting me up. What for? I don't know, but for something. Why do you think that? Because it was too easy for them to find us. Well, they're not stupid. Look, they wouldn't have to be. You left a trail a child could follow. Everywhere we went, you made sure that we were noticed. From the very beginning. The roadblock, the motel, the scene in the coffee shop, the scene outside with the cop at the shopping center. Everywhere. Now, a girl who's trying to hide doesn't make herself the center of attention. Okay. Fred, the guy with the beard? He planned it. When he robbed the place, he pretended to take me as hostage. I was supposed to find a body and meet him in Paso Robles. Any body I know? Mark, you gotta get out of here. I mean, just take off and run. I don't want you killed on my account. Aren't you a little late with that? Not if you get out now. What did he want with the body? What's the difference? You just tell me, huh? Fred knew Mr. Gordon was gonna send him after the thief. He was gonna meet me in Paso Robles, take the body, kill him, put some money in the car, set it on fire and send it over the cliff. And then you and Fred would be clean as a whistle, huh? I'm sorry it was you, Mark. Why do you think I wanted to get off the merry-go-round back at the motel? All right, then thank you. Thank you, but now what? Fred can't go through with it now, not with his sidekicks still around. Or can he? The guy who hit the club, he had somebody working with him, right? Something like that. And Fred would tell that to your boss. Then you'd be in the clear, then you and Fred would split the money. And everybody'd be rich and happy. Come on, Mark. Except that Fred could be a lot richer and a lot happier if there were three bodies in that car. He wouldn't have to split with you. There would be nobody to talk, nob

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♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ You might as well call it a day. See you in the morning. ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ Mr. Griffin. And we hope we don't find him. ♪ ♪ ♪ ♪ ♪ ♪ ♪ Chief, I thought you had to concentrate on the Arno case. Nothing to concentrate on right now. We seem to have run into a blind alley. Nothing here either. But at least that leaves some hope. Not much. The tide's been in and out twice since this morning. Mark. Chances are against finding his body, Fran. We can't dredge the whole ocean. He didn't commit suicide. I just know it. He wasn't that type of man. You can't believe it either, can you? He was your friend. I have to believe facts. And you don't have any right now. But I do have an unpleasant job to do. He's dead. That's what you're trying to say, isn't it, Chief? You know he's dead. We found some clothes and a wallet. I had to report that to you. But nobody. Ken went swimming at that beach every morning. He wouldn't have just drowned. He did what he said he was going to do. Ken seldom threw in his hand until he saw that last card played. Now, frankly, I don't believe he's the suicide type. What do you believe? He's still alive? I prefer to go on that assumption, yes, until proven otherwise. It would help if I knew why he came to my office last night. I don't know. I told you he just casually mentioned he might go to see you. Which he did. I wasn't there, but he did talk to Officer Belding, and he told her he was looking for more life insurance. Would you have any idea what he meant by that? No. He also mentioned he was going to have one more try on his own. Does that tell you anything? He's dead. I know it. Please, leave me alone. Please. Please. All right, everyone, move back. All you want to see, move back. Give him room. Move back. Move back. It wasn't Ken Griffin. It was this man, Victor Arno. Well, I guess that wraps it up. Seems that way. Now, the next question is, where is Ken Griffin? Ironside. Yes, Miss Alexander. Kitty Ornell just made a call to 673-7097. An answering service. 673-7097. The message was real short. Mr. Arno will be there sometime after midnight. Thank you, Miss Alexander. Now, we have another question. Will the real Victor Arno please stand up? All right, all right. What about the little club? I don't want to go there either. The food's terrible. All right, I give up. Now, you make a suggestion. No, Lindsay, I want to go where you want to go. You feel like Italian food? Anything you say. Good. We'll go Italian. Personally, I'm more in the mood for Chinese, but I want you to be happy. Oh, for Pete's sake, Stella. Well, I'm only trying to help. Would you rather go to the little club? I may kill myself. I don't know why you make a production about everything. What are you doing here? Jacobs is covering the front. That'll likely be where the action is. What are you talking about? That same caterer was down at the docks this afternoon for a bon voyage party. Right. Thank you. Blessings on computers. Deluxe Caterers, a branch of Consolidated Food Industries, owned by Val Karate Enterprises. Help any? Great deal, when you add the fact that the phone service Kitty Arnell called is also owned by Karate Enterprises. Okay, but that still doesn't tell us who Victor Arno is. Chief, this is nowhere. Then it's high time we moved on to somewhere. Stay at the phone. Contact me as soon as you hear from Ed. Stu

♪ I don't believe it. Either my watch is wrong or you're sick. I feel fine. In that case, how about some coffee? When did I ever not want morning coffee? I could bite my tongue off. I had a phone call last night. Kept me up thinking, that's all. Morning, everyone. I'm early. I'm not early. You know, this is the first time I ever walked in here and you weren't already up and... Except when you were... He's sick. That's it. You're sick. I feel fine. Somebody called him up last night. Phone call? Who? Ted Ollinger. No kidding. I'm not even going to ask why you're still in bed at 8.15. Mark, where's the thermometer? Fran, I feel fine. All right, then I will ask. Why are you still in bed at 8.15? I'm in bed at 8.15 because... Because I feel lousy. Now, keep your distance. I think it's the flu. I'll call the doctor. No, Fran. I have something to say to all of you. So gather around closer. I think an old friend of mine needs some help. Ted? I think he needs it. Sooner than I'm going to be able to give it. Fill it, please. Regular. I'm looking for a place called Ollinger's Pier. Jenkins Landing's right down the way. It's closer, good bait, and they got better fishing boats for rent, too. I don't need a boat, and Ollinger's has been recommended. I never heard of it. It's a big pier sticking out in the ocean. Ollinger. Ted Ollinger. You're sure you never heard of it? I'm sure. Well, you tried. But tell your friend Jenkins you ran into one you just couldn't steer his way. Excuse me, sir. Maybe you could help me. I'm sorry. What's that? Ollinger's Pier. You know where it is? Yes. Straight through town, turn left. You'll run right into it. Thank you very much. Cash or charge? Credit card. Edward D. Brown, San Francisco. I wonder who he is. Did you catch him before he reaches the pier? Yeah, maybe I better have a closer look at him. See license, please. You know, I carded the speed limit back there a little close. I don't think so. Eh, we'll let it go this time anyway. Saw the sign back there, I guess. Doesn't say anything about pedestrians. Well, Ollinger isn't doing much business these days anyway. Big day boats don't use his landing anymore. And this is where you start touting me to Jenkins Landing, is that it? You are still a friend of mine And I never will forget you I remember when I met you On a day just like today And though the sun is shining now Tomorrow may be raining And I hope you will be staying Until the clouds have gone Where can you go when you feel so all alone And no one but strangers around you Where can you go when you feel so all alone Maybe I can say that I found you I found you I found you Ted Ollinger! Hello! Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted? Ted?

You ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ Mr. Stierwald, in all your years of banking, have you ever known anyone to be accidentally locked in a vault? It has happened. It's extremely rare, but... Well, it happened to me once, when I was a young clerk. In those days, we didn't have emergency systems in the vaults. I probably would have suffocated, but the bank manager didn't remember seeing me leave. You know, I would like you to try again to recall last Friday night. Are you absolutely sure you saw every one of your people go out of that front door? Yes. Yes, I'm sure I did. Is there any chance one of them might have returned after you left? Mr. Ironside, it would serve no purpose. This timing mechanism was pre-set, and nothing in this world would open this vault for the next 63 hours. Oh, by the way, it would make our investigation a little easier if you had both combinations to the door. We'll be going in and out. Of course. They were so organized. They knew exactly what to take and what to leave. Only the finest jewels, heirlooms, only the most negotiable bonds. They were choosy, all right. Well, excuse me. Yes, sir. Yes? Yes, I'll tell him. All right. Mr. Stewart, that was Miss McGregor. Tell them I was on the phone. They've denied your request. Denied what? The Federal Review Board has ruled that safe deposit boxes aren't covered by federal insurance. The depositors will have to stand the loss. Wait a minute. What about the bank's responsibility? You've got insurance? I'm afraid that's not applicable either. The bank feels we've incurred no liability. You advertise those boxes as safe, safe deposit boxes. Now, that's an implied warranty, and you're not going to weasel your way out of it. You were responsible for everything in that vault, and you bungled the job. Stop that! How dare you talk to him in that fashion? That's all right, Miss Lewis. No, it's not. You're acting as if he robbed the bank. Come on, Mr. McClain, it's been a rough time for all of us. Let's go hit a bucket of balls, huh? Look, when I want advice from you, I'll ask for it. Okay. I'm sorry, Mr. Stewart. Well, it just isn't fair. You're doing the best you can. Found it near Richmond. Overturned and all burnt out. There it is. Everything checks. Car markings, model and make. Even the soil samples from the wheel and floor carpet match the sand and clay around the drainpipe area. What about the fire? It was set. The way it looks, a helicopter landed beside the waiting car. The car was set afire, pushed over. The men transferred to the chopper and lifted off. What sort of helicopter? Probably a Bell Jet Ranger, judging from the landing gear pattern and weight. Have lab confirmation by morning. Five passenger capacity. That checks. Mark, you and Fran alert all air auxiliary units and airports within 300 miles. That's all the range they've got. They had to refuel somewhere. I want a report on all Bell Jet Ranger landings, takeoffs and sightings since Friday morning. Check local rentals and ownerships. You're on, Fran. Later. Yeah. It's going to be a while before we see them again. While you're waiting, work on this. It would have been too risky for our thieves to work in the daylight. That tunnel was dug at night, probably after midnight. Where were they the rest of the time? Did they commute or did they live in Bosworth Park? Chief Einzeit's office. You sure? Right. It was Lieutenant Reese. It was Lieutenant Reese. They found it, Chief. They found the helicopter. State Highway Patrol spotted it this morning. It was sitting here just like this, abandoned. You sure it's the same one, Lieutenant? Well, the landing gear checks. It's t

In this issue part one, Lady of the Evening reveals she spent many long lonely nights with Chief Ironside of the San Francisco Police Department. You really don't remember me, do you? Yea, though I walk through the valley of death, I shall fear no evil. I just signed for a package that a messenger brought me. It was a bomb. Are you still going to stay with her after what she said about you? She pays, I stay. Mark. Yeah, Chief. I think we've got a bomb up here. I think we've got a bomb up here. Hello? Chief. Chief Ironside. Who is this? Chief, I know it's late, but I just had to call to tell you. Who is this? What is it you want? I want to tell you that I'm sorry. Can you forgive me? Forgive? Chief, please forgive me. What are you talking about? I'm sorry. I'm sorry. I'm sorry. I'm sorry. Please forgive me. What are you talking about? I know you can. Look, I forgive you, madam. Now please forgive me. I'm trying to get some sleep. Please, please forgive me. I know you can. I know you can. Good morning, Linda. Oh, good morning, Chief. Good morning, Ed. Chief Ironside and Detective Brown are here, Commissioner. Won't you go right in, Chief? The Commissioner's waiting just for you. Are you Bob, Ed? Yes, Commissioner. They say that one picture says a thousand words, and I doubt if you subscribe to this ignominious, semi-monthly publication. In this issue, part one, Lady of the Evening reveals she spent many long lonely nights with Chief Ironside of the San Francisco Police Department. Be sure and buy our next issue in two weeks. Read part two. We promise to answer the who and what. What friend did Chief Ironside watch die and did nothing to help? And who is the missing actor the San Francisco Police Department hasn't bothered to look for because they don't even know he has disappeared? Shame, shame, San Francisco Police. Place your subscription now and keep up with the bare truth. Bob, we're not interested in your personal life, but we are interested in finding out if an actor has disappeared and if he has under what circumstances. And I want to know before the next edition of this magazine hits the stands. I will not have my department ridiculed by this inconsequential rag. Inconsequential? Whatever you call it. Robert, this is your baby. Or should I say your lady? Please, please forgive me. Tife, that's all it is. A bit cum online on the cover and inside a four-column spread of air. But man, they make it sound like you were whispering it all to some deep-breathing mama in the throes of passion. Does that bug you? Since they never say you're in the company of a woman, they slip quietly off the liable look. Legal distortion. This lead line for the next issue about you watching some friend die. That's true. Now you are driving me. The magazine made a factual statement. It's neither slanted nor misstated. Not that someone should know. I never told that incident to a living soul. I know it's a raunchy thing to ask a friend. This is Larry Yates. We grew up together, swiped our first bag of gum together, had our first double date. Bob, you're the only friend I got in the world. And we gotta have one friend out there watching. Just one friend. Or I won't make it. Please. For God's sake, please. Come on, Bob. Just this once. I won't ask again. Okay? Sure. Sure thing. Just this once. Yea, though I walk through the valley of death, I shall fear no evil, if thou art with me. Thy rod and thy staff, they comfort me. Thou shalt prepare a table before me against those that troubled me. Thou hast anointed my head with oil and my cup. Look, Chief, there's got to be some sort of explanation. Addie Moore won't change the truth. All right, then, and the woman? Blonde or brunette? I don't know. Although she knows enough about my past that I feel I should know her. Elvish Shutter, go around the block. Elvish Shutter what? The offices of Bare Truth magazine. That's all right. Let me off at the corner. Don't you want us to... Right. We can take a hit. Thank you. My name is Ironside. I have an appointment with Mr. Smith. That's Ms. Smith, if you don'

TYSALG CRUSH changing shows You Hello? Any ghosts in here? Come out! Come out wherever you are! Oh, Iris, stop that! How about some light in here? Coming up! Well, welcome to the haunted bedroom. Hey, this is not so creepy. It's no barrel of laughs either. Funny, it's kind of kinky. Jen, you're not really going through, is it? Are you kidding? I was just joking. Well, I wasn't! Look, we had a bet, didn't we? A hundred dollars? Cash on the line. You're not going to chicken out on us, are you, Dave? No way. How about you, Jennifer? But it's silly. Well, sure it is. But it's easy as a hundred I'll ever make. Yeah, come on, Jenny, you said you would, don't you? Please, Jennifer, don't. You told us yourself that the last couple who stayed here were never seen again. And that was way back in aught five. Ira! Look, don't let them rattle you. If anybody tries to come through that door tonight, ghost or no ghost, well, I'll use his skull for a baseball. Right, you tell them, Dave. The mysteries of the dark beyond are not for us to see. Remember, deep and silent was the gloom of that strange, unholy room. Though the servants searched all night till the glint of dawn's sad light, not a trace of hair or hide was found of Quentin or his bride. That's real funny, Ira. It's nonsense. It's just a big put-on. Yeah, that's the girl. You show us. Now, come on, give me the key. Oh, come on, Ira, you're not going to lock us in this room. Yeah, and you and Dave are going to put one over on us. No way. That was part of my bet. Come on. You and your fun ideas. That a girl. Jennifer, please, don't. I'll be all right, Sandy. To cheer you through the night, moratorite salut, Thomas. Thank you. Okay, you guys, let's clear the room. Say hello to the ghosts for me. Say they can catch one. Good night. You ready? I think so. Now, leave us alone. Good night. Don't forget to shut the door. Well, here we are. Here, this will pick you up. You're not afraid, are you? No, of course not. That a girl. Okay. I can open. Two to play. Cards. Two cards. Two cards. Three, three, sorry. One more card. Get away! Get away! Dave? Dave? Jennifer? Open. Open. Open. Open. They're a sensible bunch of kids, Bob. When Jennifer asked me if she could use the house for a small party, I didn't think twice about it. You know all the guests? Your niece didn't invite any strangers? Well, certainly not to her. Why a party there, particularly? Oh, she wanted to do something different. It's a turn-of-the-century mansion, old. But the usual, legends, ghosts, manifestations, mysterious disappearances, drivel. Next driveway. Hardly your kind of place, Dennis. Oh, it's not mine. I'm on the board of the society that bought it. We're restoring it to donate to the city as a period showplace. Now I'd like to tear it down and give it to the city as a parking lot. It's a mess down here, but restoration has begun upstairs. Good morning, Chief, Commissioner. Good morning, Fran. Morning. Well, all the convenience is at home. Get on, Chief, it's working. The others are still upstairs. Doesn't seem to suit this style of home. Well, undoubtedly added later on. I've taken statements from all the witnesses. They all tell pretty much the same story. Ira Fenton and Cindy Morris are still with Ed. And we let the others go home. Well, good morning, Chief. Are you ready to take on the spirit world? I've yet to hear of a ghost solid enough to carry off two human beings. Where is Ed? In the haunted bedroom wrapping. On the walls? And with witnesses. Last door till you left. Hello, Chief. Ed, how's it going? Nothing so far. No trap door, no false walls, window locked from the inside. What about Prince? All clean. Whoever or whatever took those two people went all the way, even Prince. Not a trace of hair or hide was found of Quentin or his bride. Two of the guests at the party last night, Ira Fenton, Cindy Morris, Chief Ironside. Chief. Mr. Fenton, I understand you were the one who locked the door and kept the key. That's right. Is there any chance Jennifer and Mr. Warren might have had a duplicate key? You me

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Praise the lord, saints. Come on, praise the lord, saints. Hallelujah. Hallelujah, hallelujah. Thank you, Jesus. I need yeah blessed me now my savior come to to yeah yes Lord this morning. We thank you right now lord for life, health, and strength lord. We thank you for the activities of our limbs god. We ask god that you please forgive us of our sins god. Cleanse us from all unrighteousness god. In the name of Jesus. God, we invite you in this service on tonight, god. Ask that you would just come in and have in your way. Hallelu Have your way god. Move in the place god. Move in this place god by your presence god. By your spirit god. Oh god let your anointing flow in this place god. In the name of Jesus. God we bind the hands of the enemy. We rebuke the devil and we cast them out. Right now in the name of Jesus. Ask god that you would have your way god. That you'd be glorified god. That you'd be magnified god in all that said and done god. We ask god that you bless our leaders god. Bless our leaders god. Bless our leaders god. Bless our leaders god. We just magnify you, god. We glorify you. Bless the service on the night, god. From beginning to the end, god. Oh god, bless the word on tonight, god. Bless the word on tonight, god. Bless the speaker on tonight, god. Bless everyone that's participating on tonight, god. In the name of Jesus, god. In the name of Jesus, god, you get the glory, the honor, and the praise for it is truly done. In Jesus name, we say thank god and amen. We're going to ask that you please remain standing as sister Christina Hughes come with our scripture reading. Let's say amen as she comes forward. Amen. Amen and amen and amen. Amen. Thank you Jesus. I will bless the Lord at all times His praise shall continually be in The humble shall hear thereof Oh magnify the Lord his name together. May God Amen. Amen. Amen. And amen. You may have your seat. Amen. At this time, we're going to have praise and worship by the beautiful gate Church of God in Christ. Praise team. Amen. Amen. And amen. Thank you, Jesus. So, we going to ask that you would put your hands together with us, that you would clap and that you would sing. Amen. We came to praise the lord on tonight. We came to glorify the lord on tonight. We came to lift up the name of Jesus on tonight. Thank you, Jesus Thank you Jesus. Hallelujah. Amen. We gotta make sure all the technology is working. Amen. Amen. Amen. Check one, two. Amen. Amen. So you all clap your hands with us. Amen. And praise the Lord with us. Amen. I've got joy bells ringing in my soul I've got joy bells joy bears joy bells ringing in my soul I've got joy bells ringing in my soul I've got joy bell joy bell joy bell I've got yes lord ringing in my soul I've got yes lord ringing in my soul yes lord yes lord Yes, lord. ringing in my soul. I've got to ride ringing in my soul. I've got due ride ringing in my soul. is ringing is ringing it's ring is ringing It's ringing. It's ringing. It's ringing. It's ringing. It's ringing. It's ringing. It's ringing. is ringing it's ringing is ringing is ringing it's ringing it's ringing it's ringing ring is ringing it's ringer ringer it's ringing it's ringing it's ringing it's ringing it's ringing it's ringing it's ringing it's ringing ringing it's ringing it's ringing it's ringing it's ringing it's ringing ringing. is ringing it's ringing it's ringing it's ringing it's ringing it's ringing it's ringing is ringing it's ringing Whoo. Come on. Put your hands together. Hallelujah. Put your hands together. Hallelujah. Joy bound. Ringing down in my soul. Hallelujah. Thank you, Jesus. Hallelujah. Joy bell ringing in my soul. Thank you, Jesus. Hallelujah. Thank you, Jesus. Thank you, lord. Give glory to god. saints. glory to god give glory to saints give glory to god give glory to god say give him glory glory to god. Come on and give the lord the glory. Give glory. Give him glory, glory, and glory to god thanks,

[Voices from inside the control room] - [Man] Hey, there's something dark over to the left hand side, sort of in the center. It's moving along there. - [Man] This thing here? - [Man] Can we take a look at that? - [Man] What is that? - [Man] Oh, wow! - [Woman] Looks like a Muppet. (man laughs) - [Man] What are you? - [Woman] Well, it is that? - [Man] It's like a.., uh, huh. - [Man] Oh, it's a fish. - [Man] It's defensive. - [Man] It's in the water column. - Is that what it is? - That's a fish? - [Man] What? I don't know. - What? Wow! - [Man] That's what it looks like to me. - [Man] Is it engorged or is it like that? - [Woman] Is he mad? - [Man] (laughs) Yeah. - [Woman] Touch it. - [Man] Is it just-- - [Man] Look, now it's... - [Man] Oh, my God! - [Man] Look at that, wow! - [Woman] Oh, my goodness. - [Man] Look at his little face. - [Man] It was kind of like googly eyes. - I think he ate too much. - We (laughs) - [Woman] He's full. - [Man] Wow! - [Woman] Wow! - [Man] We really ticked him off. (all laugh) (all talking at once) - [Man] Defense?. Whoa, what? - What? - [Man] I think it's like the gill arches? I don't know. The gill. - [Woman] Some kind of-- - [Man] What is it? - [Woman] It just got so big. (man laughs) - [Man] It's all bladder. (laughs) - [Man] Oh, my God. - [Woman] That's his defense. Like, "let me blow up so I could show 'em how big I am." - Oh, my gosh. - [Man] Wow! - [Woman] Yep, he's doing the shake. (all talking at once) - [Woman] Oh, my gosh! (all laugh) - [Woman] Is that a gulper eel then? - [Man] Yes. - [Man] I think so, yeah. - [Man] That is crazy. Look at that - That was awesome. - [Man] That was awesome. (all laugh) What a way to end a watch, right? - Yeah, exactly (all laugh) That's amazing.

- [Voiceover] We spent some time talking about hydrocarbons and hydrocarbons are interesting especially if you want to combust things, if you want some fuel, but now we're going to make things a little bit more interesting by adding things to the hydrocarbons and the things we're gonna add we call functional groups. Functional groups. And my goal in my video is to give you an overview of the major functional groups that you might see attached to carbon backbones that make the molecules interesting biologically. Now, the first one I will focus on is an OH group. So, we have an OH attached to a carbon backbone over here. It doesn't have to be attached to a carbon backbone but the OH right over here, this is called a hydroxyl group. Hy, hydroxyl group, and when it is attached to a carbon backbone like this one is then it turns the entire molecule into an alcohol. Alcohol. This an alcohol. And this one in particular if you want the name we have two carbons on the longest, longest chain and it is an alcohol so we use the prefix Eth for the two carbons. So, let me write that down. We're going to use the prefix Eth because we have two carbons here. And we're gonna say Ethanol. Now, what are the properties here? Well, you have oxygen which is very electronegative bonded to a hydrogen and to a carbon but the oxygen is a lot more electronegative than the hydrogen so you're going to have a partially negative charge at this end away from the hydrogen. A partial positive charge at the hydrogen and to a lesser degree the carbon end too but hydrogen is even less, is a less electronegative than even carbon. And this one, so, a hydroxyl group they are polar, they are polar, and because they are polar you can dissolve them into water. They are hydrophilic. They can form hydrogen bonds so that you can dissolve this. Now, similar, a similar functional group or one that has somewhat similar properties is right over here. And you might say, "Wait, why is this one similar? "I have sulfur here instead of oxygen." But if you look at the periodic table you will see that sulfur and oxygen both have six valence electrons. They both would love nothing more than to grab or pretend to grab two other electrons and this is why they form, they tend to form two covalent bonds. And so, this group right over here, which is called a sulfhydryl group. This is a sulf.... Sulfhydryl. Sulfhydryl group. It's kind of similar to a hydroxyl group with the one difference, with the one difference that sulfur is electronegative but it is less electronegative than oxygen. So, you're still gonna have a partially negative charge and a partially positive charge, but it's going to be less polar. So, it's not quite as polar as if you had a hydroxyl group. Now, when you have this sulfhydryl group it's attached to, say, a carbon chain and when I use this R right over here, when I have this R. This is just shorthand for carbon and a bunch of other stuff. I could've, if I wanted to generalize an alcohol right over here I could've written R and then I could've written the hydroxyl group. O and then bond that, bond that to an H. So, over here the shorthand R would have been the shorthand for all of... The R would've been the shorthand for all of this business. All of this business right over here. And so that's what we're doing over there. I'm not saying that this R is exactly this. It means that some carbon backbone and some carbons, hydrogens, and maybe other stuff, maybe even some other functional groups, but we're just focused on the sulfhydryl right over here. And so if you see something like this, you'd say "Okay, yeah, this is still going to be polar, "but not quite as polar as if I were dealing "with a hydroxyl group." Now over here we have a more complex molecule, but this is a molecule that you run into probably on a daily basis. This is the sugar fructose. This is the sugar fructose. And this is when it is not in a ring. If you were to throw this into-- If you were to throw this into water, it'll readily form a ring, but when it is not in a ring form you can recognize a

I heard you on the wireless back in fifty two. Lying awake intent at tuning in on you. If I was young it didn't stop you coming through. Oh a oh. They took the credit for your second symphony. Rewritten by machine with new technology. And now I understand the problems you can see. Oh a oh. I met your children. Oh a oh. What did you tell them? Video killed the radio star. Video killed the radio star. Pictures came and broke your heart. Oh, a, a, a, oh. And now we meet in an abandoned studio. We hear the playback and it seems so long ago. And you remember the jingles used to go. Oh-a oh. You were the first one. Oh-a oh. Too bad the last one. Video killed the radio star. Video killed the radio star. In my mind and in my car. We can't rewind we've gone to far. Oh-a-aho oh Oh-a-aho oh Video killed the radio star. Video killed the radio star. In my mind and in my car. We can't rewind we've gone too far. Pictures came and broke your heart. Put the blame on VCR. You are a radio star. You are a radio star. You are a radio star. You are a radio star. Video killed the radio star. Video killed the radio star. Video killed the radio star. Video killed the radio star. Well, that was the first time we've played those songs in front of people since we've played them in the studio 25 years ago. My Buggles partner Geoffrey Downs. Early Buggle Bruce Woolley. The 3 of us wrote the song. Linda Allan and Debi Doss who also sang on the record. And Paul Robinson played the drums on the record.

Depreston, that's Preston Depreston where theres no sun ray's. Drink session, smoke session recession on a rainy day. No stressing, paramedics Self medicate numb the pain. every twenty years there's a guild procession every twenty minutes someone opens a vein. More booze means more aggression, nothin to lose, nothin to gain. Sad truth when youve no direction nothing to do, so watch the game. Cheer or Boo, no connection win or lose life's still the same Scream and shout about a squad selection, ignore your dreams as they waste away. I think I need, someone to talk to. I think I need, something new. I think I need, someone to talk to. Cos I, I don't wanna, wanna talk to you, you. Never seen any northern lights 22 watt normal lights dim bulb for a warmer light or the blue from the screen on the wall at night. seen predjudice all the time, don't feel any northern pride Mancs talk about it all they like, but this frontier town ain't metropolised. cheap knock offs from a knock off chainstore don't stare there's alot of self hate down south the same job can pay more but they mock my accent and the smiles are fake. wanna see the town up its game more ten years on it might get that way. right now man theres too much rainfall climate change could reallly help the place. I think I need, someone to talk to I think I need, something new. I think I need, someone to talk to Cos I, I don't wanna wanna talk to you you Nah, no king in the north no king of the wildlings free folk flex Coronation streets south of the wall They're southern to us we're as north as it gets. Too bad all we're famous for Is jumping of the bus station making a mess worked in a resthome here's the score killing yourself has got more self respect. Just kidding but thats preston for ya life by the Ribble where the waters wrecked. street sweepers are loud this morning cleaning up the blood and the bottles of becks went shop for some milk and cornflakes scratch that went to greggs instead Still the finest Preston gourmet Pasty with more sugar than an easter egg. I think I need someone to talk to I think I need something new I think I need someone to talk to but i dont wanna wanna talk to you you.

Greetings, greetings Welcome to Chennai Greetings, greetings Welcome to Chennai Let us join, Let us win Welcome, welcome to one and all Welcome, welcome to our Tamil Nadu Welcome, welcome to our Tamil Nadu Welcome, welcome to our Tamil Nadu Welcome, welcome to our Tamil Nadu All the people, All the people Welcome, welcome to one and all Let us join, Let us win Welcome, welcome to one and all Welcome to our dear Chennai Welcome to our dear Chennai Welcome to our dear Chennai Welcome to our dear Chennai All towns are one, everyone our kin All towns are one, everyone our kin We welcome you to our dear abode All towns are one, everyone our kin Oh oh oh, Welcome to Chennai Oh oh oh, Welcome to Chennai Oh oh oh, Welcome to Chennai Oh oh oh, Welcome to India Welcome, welcome to our Tamil Nadu Welcome, welcome to our Tamil Nadu We welcome you all folks - Welcome to our Tamil Nadu All the people, All the people Welcome, welcome to one and all All the people, All the people Welcome, welcome to our Tamil Nadu

Peter Carr: All right. Okay. Peter Carr: Okay welcome everyone so today we're continuing with the BQE seminar series, so the BQE stands for Brooklyn Quant Experience. Peter Carr: And, as you know, this is a weekly seminar that we've had for many years we usually have it at 6pm on Thursday evenings but we've actually moved it, as you can see, to 9:30am. Peter Carr: To try and catch people from Europe actually so um so let me just introduce our speaker Ed Weinberger so. Peter Carr: It began his post PhD career as a researcher and theoretical evolutionary biology at the university Pennsylvania. Peter Carr: And the Max Planck Institute, but he transferring skills and applied math to quantitative finance when you became a quantum the industry desk they just BC. Peter Carr: upon joining Deutsch Bank Ed became interested in financial risk management, where he helped establish carbs financial risk manager exam. Peter Carr: Since then he's since consulted on a number of projects and quantitative finance financial technology, including is ongoing fintech work a big America. Peter Carr: Besides being a long-time adjunct in what is now attendance Department of Finance and Risk Engineering, he was a visiting professor of finance at Clark University from 2014 to 16. Peter Carr: So ED I see you have your slides up thanks so much for joining us and take away, please Okay, so we should establish ground rules are you okay with taking questions during the talk, or would you prefer they wait to the end. Edward Weinberger: um well yeah I mean sure why not. Edward Weinberger: You know because I. Edward Weinberger: yeah OK. Peter Carr: OK so anyway, if you have a question just feel free to unmute and ask okay go ahead. Edward Weinberger: Okay, I guess you can all hear me. Peter Carr: Right yes. Edward Weinberger: We can okay let's get started okay well alright so i'm it weinberger and, as you heard I. Edward Weinberger: was a researcher in theoretical evolutionary biology before I got involved with finance and I became interested in. Edward Weinberger: What I now call pragmatic information at the time, because you're really interested when you're thinking about evolution is like well Okay, you have the sense of the genome as information but it's, but in some sense that information has meaning. Edward Weinberger: And that's what I want to talk about visa V pragmatic information and I formulated a theory that I first applied to. Edward Weinberger: evolutionary biology and then, as I moved into finance I started thinking about well okay. Edward Weinberger: You know this might have something to do with the with finance as well. Edward Weinberger: And so i've come up with the ideas of good presenting here. Edward Weinberger: I feel like there's an awful lot to say about this topic and I feel like i'm really just scratching scratching the surface so excuse me if that's the way it seems to you. Edward Weinberger: But Okay, hopefully, the real purpose of the talk I guess is to share the ideas and to see whether we can I can influence, some of you, and think about them some more and we can talk about them. Edward Weinberger: You know at lance when if and when you would like to okay so um. Edward Weinberger: What i'd like to talk about is the need for such a theory in finance. Edward Weinberger: And a twist on the standard mathematical theory of communication that leads to this theory of pragmatic information in them. Edward Weinberger: Mentioning. Edward Weinberger: i'd like to. Edward Weinberger: say a few things about what i've observed so far that pragmatic information and then. Edward Weinberger: Talk about how that leads to a quantitative definition of market efficiency and finally see what that has to say about the. Edward Weinberger: Price process that we know in quantitative finance as garbage the garbage one one in particular the simplest garbage model and. Edward Weinberger: Like I say see what it has to say about that okay um. Edward Weinberger: To talk a little bit about what. Edward Weinberger: What how this theory sort of fits in to exi

in this video we're going to go over the CUDA  software infinite calculus free worksheet   differentiation the product rule I'll leave a  link in the description below so you know how   to access this free worksheet now quickly the  product rule is the derivative with respect to   X of one function f of X times another function G  of X unlike the sum rule we can't simply take the   derivative of each and multiply we have to take  the derivative of the first function multiply it   by the second function and then we're going to  add that to the first function x the derivative   of the other function so one derivative gets  multiplied with the original of the other   and then the original gets multiplied with the  derivative of the other so let's look at number   one and number one we're finding the derivative  of negative x cubed times three x to the fourth   minus two one will be f of X and the other G of  X so like in our formula we're going to take F   prime of X multiply it by G of X and then add  that to f of X multiplied by the derivative of   G of X so the derivative of f of X will be the  derivative of negative x cubed which will be   negative 3x squared n times X to the N minus one  that'll be negative three times X to the 3 minus   1 which is two and then I'll multiply that by  G of X which is 3 X to the fourth minus two now   that will get added to f of X which is negative x  cubed times the derivative of G of X which when we   subtract 2 that's a constant so that will go to  0 so we just need to take the derivative of 3x   to the fourth which will be three times four times  X to the four minus one so I'm going to distribute   negative 3x squared - 3 X to the 4th and negative  3x squared - 2 so writing this out negative 3x   squared will get multiplied to 3x to the fourth  and I'll be subtracting negative 3x squared times   2 and that will get added to negative X cubed  times 3 times 4 is 12 so that's 12 X to the 4   minus 1 which is 12x cubed now I'll simplify by  multiplying negative 3 times 3 is a negative 9   and x squared times X to the 4th remember we're  adding those exponents when we're multiplying   with the same base so that would be X to the  6 and then we're subtracting negative 3 times   2 is a negative 6 but as opposed to subtracting  a negative we'll add a positive 6x squared and   then we're adding that to negative X cubed times  12x cubed so instead of adding a negative we'll   just subtract the positive and that's going to  be 12 X to the 3 plus 3 which is 6 remembering   the law of exponents so now I'm going to be able  to combine two like terms negative 9x to the sixth   minus 12x to the 6 so dy DX the derivative of  Y with respect to x equals negative 9 minus 12   which is negative 21 X to the 6 plus 6x squared  so that's the derivative of negative x cubed times   3 X to the fourth minus 2 let's move on to number  two we're looking for the derivative of f of X so   remember we're taking that first function or the  first part of the function and multiplying it by   the second part we can think of this as f of X and  this as G of X from our formula so the derivative   of x-squared will get multiplied by negative three  x squared minus two and then we'll be adding that   two x squared times the derivative of negative  three x squared minus two and that is going to   be the derivative of f of X so the derivative of  x squared is 2x and that's multiplied by negative   three x squared minus two and then we're adding  that 2x squared times the derivative of negative   3x minus two which this two is a constant so that  part of the derivative will be 0 but negative 3x   squared taking the derivative of that negative  three times two is negative six and that would   be X to the first because two minus one is one now  we're going to attempt to combine like terms but   first we're going to need to distribute that  2x to see if there are any like terms so 2x   times negative 3x squared is negative 6x cubed  and I'm subtracting 2x times 2 which is 4x that   gets added 2x squared times negative 6 X which 

Hi, welcome to Math Antics. In this video, we’re gonna learn about Arithmetic. Sometimes when people use the word “arithmetic” they just use it to mean the same thing as the word “math” or “working with numbers”. But often, it’s used more specifically to refer to four basic math operations: addition, subtraction, multiplication and division. And that’s how we’re gonna use the word in this video and we’re gonna spend the rest of the video talking about these four important math operations. But what does that mean, “math operations”? …scalpel… …forceps… Well there’s your problem! Uh… not exactly. Math involves both numbers and operations and the operations just tell you what to DO with the numbers. For example, the addition operation tells us to take two numbers and to combine their values. If we have the amount 2 and we add it to the amount 3, we end up with the amount 5. That’s addition… it combines two amounts. The subtraction operation tells us to take one number away from another number. In other words, if we start with an amount (like 5) and we subtract (or take away) the amount 3 from it, we have only 2 left over. Subtraction takes an amount away from another amount. The multiplication operation tells us to take one number and then repeat it a certain number of times. It’s basically just repeated addition. For example, if we have the amount 5 and we multiply it by 3, that mean we combine 3 groups of 5 to get a total of 15. So 5 times 3 is the same as 5 + 5 + 5 …see how it’s just repeated addition? Multiplication takes an amount and repeats it a number of times. And finally, the division operation tells us to take a number and divide it into a certain number of equal groups. For example, if we start with the amount 15 and we divide that by 3, that means we want to separate 15 into 3 groups that are the same size. In this case that would be 3 groups of 5. So division takes an amount and separates it into a number of equally sized groups. If you think about it, you’ll see that this is similar to repeated subtraction. To make arithmetic easier to write down, each of these operation gets its own symbol, and some of them even have more than one symbol. For addition, we use this symbol (called a ‘plus’ sign) to show that two numbers are being added. So when you see a math operation like this, you just say “2 plus 1”. For subtraction, we use this symbol (called a ‘minus’ sign) to show when a number is being subtracted from another. When reading this sign, you usually say “2 minus 1” or “2 take away 1”. For multiplication, we use this symbol that looks a lot like an ‘x’. It’s called the ‘times’ symbol. So this problem would read, “3 times 4”. Oh, and sometimes other symbols like a dot or an asterisk are also used to show multiplication. And finally, for division we use this symbol, which we usually just call ‘the division sign’. And we read it like this… “8 divided by 2”. And there are several other types of division signs that are commonly used too. This one is used to do long division. And the fraction line is also a really useful way to show division and so is a slash like this. But in this video, we’re just going to focus on these four main symbols for our arithmetic operations: ‘plus’, ‘minus’, ‘times’, and ‘divided by’ Oh… but there’s one other really important symbol that we use all the time in arithmetic, but it doesn’t tell us what to DO with numbers. Instead, it tells us about them. Specifically, it tells us that two amounts are equal, which is why it’s called “the equal sign”. In arithmetic, the equal sign is used to show what the answer is to an operation or a set of operations. On one side of the equal sign, you show the math operations that need to be done, and on the other side, you show the answer you get once they have been done. And speaking of answers, did you know that the answers for each of the four arithmetic operations gets a different name? And it’s important to learn those names because they’ll help you when you need to read math instructions or when you’re solving word problems. The answer to

hello welcome back to another lesson um let's look  at this one uh 2020 grade 5 paperA first one is about   the rhythm for rhythm you need to decide you count  it in four four down here represent crochet   eight down here represent quaver okay so this one also represents quaver so seven quavers and five quavers  are two crotchets now let's look at the music so the first 4 notes has triple lines so as you know  if this note has three tails and three tails they   will equal to a note with two tails this one has  three tails three tails it adds up become the note   have two tails so this one is two tails two tails  two notes with two tails will add up   together become the note has one tail okay so this  one has one tail and this one also has one tail and this one uh two tail plus two tail is one  tail okay so you have three quavers here one   quaver 2 quavers three quavers and over here  without the dot this note itself is one quaver   and if this is one quaver it has one tail  usually the dot is smaller value which   has two tails so you just increase one one  tail and this is two tails two tails again   this dot has two tails and this note has two  tails also so two tails two tails equal to the note   that has one tail so in total let's see how many  quavers do we have we have one quaver two quavers   three quavers four quavers and five quavers  so in this cave we have to count in quavers   okay we cannot count in crotchet okay because it's  incomplete crotchet the crotchet beat are incomplete okay let's look at the next question next question um we have two crotchets okay five quavers or   nine semiquavers because 16 represent  nine uh represent seven quavers okay so um some notes has two tails someone has  three tails some only have one tail so uh   let's look at those notes have same  amount of tail so this two note has three tails   so three tail three two is two tails one three tail three tail is two tails   so three tail three tail is  two tails this is a quarter   which means uh we have four quarters here so  uh i use a red color then you can see clearly   okay red color you have one semiquaver two semiquavers three semiquavers and four semiquavers   so four semiquavers add up together is how  many count four semiquavers one two three four   so all four semiquavers add up together  is one crotchet okay then after that so you know that from here you know that  this whole group is one crotchet okay   next group has three quavers and with a triplets  so if there's a triplets that means the last note   uh the value of last note is not  counted which means this is just   one count one crotchet because half  plus half is one crotchet one full beat   so from here you can see that we have one crotchet  and two crochet one two so this is two crotchets next next question uh we have these two   quarter quarter okay two tails two tails  equal to the note with one tail this   is a quaver rest and this one two tail two tail is  one tail one quaver and so here this is a quaver and if this is a quaver the value of the dot will  be a semiquaver and this one also a semi   quaver okay and then this one is one quaver  so total we have how many quavers one two   three four five six so total we have six quavers  also if you look at the grouping of the notes six uh six quavers it could be six eight also you  can see that six eight is actually a duple time   first half must have three quavers one two three  three quavers for first half second half also three   quavers one two three okay so you can see uh  from the chart hey we have a time-signature chart   in this chart you can see that six eight  belong to duple time because six eight is   one two three four five six first half three  quavers the second half three quavers okay so now let's look at the next  one here's a bar in simple time a simple time meaning uh there are three  quavers so three four is three crotchet sorry   three crotchets so this one is triplets okay that  has three quavers so we don't count the last one   so this is one crotchet two crotchets and this  is actually

Trevor: You are so cute Trevor: Thank you Trevor: Umm... let's go! Trevor: Oh my god! Trevor: Hello! Russian: Fantastic! Niko: Woah! Trevor: Out of the way! Niko: What the f...? Trevor: Good shot Trevor: Come on... hahahh... Trevor: Awww... Trevor: Shhh... Michael: What the f...? Trevor: Hello! Trevor: Hey! Amanda: Get out of here! Amanda: I will ground you! Amanda: Hey! Trevor: Let's go! Amanda: Idiots! Michael: What is going on out here? Trevor: Go go go! Trevor: Okay, let's do this! Trevor: Let's go! Shopkeeper: Hello! Trevor: Give me all the cash! Shopkeeper: No please! Do not shoot! Trevor: Umm... Trevor: What? Trevor: No no! Shopkeeper: Hahaha! No money for you! Trevor: Ehh... umm... Trevor: Yea... Trevor: You win Trevor: This sucks Shopkeeper: Now you in trouble mister. You go to jail! Shopkeeper: Oh my god! Shopkeeper: What? Are you crazy? Trevor: Empty the register now! Shopkeeper: Okay. Don't do anything stupid Trevor: Come on! Shopkeeper: You leave now! You have everything. Go! Shopkeeper: Hello! Police? Yes, I need police. Help! Police: Freeze! Trevor: Aargh! Not now! Police: You are under arrest! Trevor: Umm... no... Trevor: Waaau! Trevor: Yeah... Trevor: Let's go Police: LSPD! Stay right there and.... Wade: Trevor... Wade: I need to pee Trevor: Shut up Wade! Wade: Trevor! Trevor: Get in! Get in! Get in! Wade: Why is it always me?

The box I'm about to draw should NOT include 4s. They have been lost. The box I'm about to draw should NOT include 4s. They have been lost. Nope. No 4s present. 3d7

I've killed the beast within me, My blood has prevailed, I stand before you on this night to tip the scale. All that's sacred has been lost. Every culture's for sale. I translate what is seen in surgical detail. I'm a ghost. A wandering soul in the flesh. A messenger cheating his death, keeping it fresh. Expression is freedom at best. The past is a latter to mind. The future is harder to climb. Excuses are signs you're loosing your mind, a slip at a time. We nickel and dime, tryna build a fortune. Passion turns to torture. Crack your mirror, curse the portrait, pay the bills on who supports it. It's beautifully morbid, in an orbit through the groove that I chose. Keep the ego out my ear, and hold your fears by the throat. No plateaus, committed to living I'm diggin through visions of cash flow, citizens willing to give in to gimmicks of glamor and riches need backbone. Limited dreams, dont live within me. Infinity's all I see. Live in the beat. Definitive steeze, the image of me. No plateaus, committed to living I'm diggin through visions of cash flow, citizens willing to give in to gimmicks of glamor and riches need back bone. Limited dreams, don't live within me. Infinity's all I see. Live in the beat. Definitive steeze, the image of me. No plateaus, no shadows, no slack known no lack shown no rats home no flat tones no wack clones no flack owned no plateaus, no shadows no slack known no lack shown no rats home no flat tones no wack clothes no flack owned. No plateaus, no shadow, no slack known, no lack shown, no rats home, no flat tones, no wack clones, no flack owned. No plateaus, no shadow, no slack known, no lack shown, no rats home, no flat tones, no wack clones, I have traveled light years. My blood is a trail. I'm here to guide you to through the stairwell out of hell. The future's cloaked in ashes. The phoenix prevails. I translate what is seen in surgical detail. I'm taking the time to think. Revealing my mind in the ink. I live in the land of the greed. No enemy worthy to see. Livin' the dream is my meaning to breathe. Floating a stream of consciousness, I pass life's nonsense with a skip and a leap. Ready as ever to be, great, The future I see. Thoughts are built to achieve. Sweat is a part of the feat, bartering heart for the green is the reason this industry's weak, same reason our ignorance speaks. Intelligence sleeps. Honors irrelevant within this hellish parade of false reverence. Immolate hesitance, settle for none, the stories begun. No plateaus, committed to living I'm diggin through visions of cash flow, citizens willing to give in to gimmicks of glamor and riches need backbone. Limited dreams dont live within me. Infinity's all I see. Live in the beat. Definitive steeze, the image of me. No plateus, committed to living I'm diggin through visions of cash flow, citizens willing to give in to gimmicks of glamor and riches need backbone Limited dreams dont live within me. Infinity's all I see. Live in the beat. Definitive steeze, the image of me. No plateaus no shadows no slack known no lack shown no rats home no flat tones no wack clones no flack owned No plateaus, no shadow, no slack known no lack shown no rats home no flat tones no wack clothes no flack owned No plateaus, no shadows, no slack known no lack shown no rats home no flat tones no wack clones no flack owned. No plateaus, no shadow no slack known no lack shown no rats home no flat tones no wack clones

Welcome back to top words and this week will be about top 15 questions you should know. So if you travel in France, pay attention to those. Aimes-tu la cuisine française? Do you like French food? So if you are invited somewhere, usually people have this questions. Aimes-tu la cuisine française? Do you like French food? Oh Aimes-tu la cuisine française? Yes, sure I love it. So do you like French food? C'est quand votre anniversaire? When is your birthday? Quand est ton anniversaire? If you want to be a bit casual. Quand est ton anniversaire? When is your birthday? Combien de temps as-tu appris le français? How long have you been studying French? Combien de temps as-tu appris le français? or Pendant combien de temps as-tu appris le français? Usually we say Pendant combien de temps. I am sorry if I speak really fast but French people usually speak really fast. For three months, well you are good. Comment t'appelles-tu? What’s your name? You will hear this one a lot. So Comment t'appelles-tu? or more casually, it would be Comment tu t'appelles? Comment vas-tu? How are you? Comment vas-tu? How are you? Hey bonjour, comment vas-tu? or you will often hear Comment ça va? Hey comment ça va? D'où venez-vous? Where are you from? D'où venez-vous? Where do you come from? And just answer where did I come from? I am from America….French people often make jokes about English speaking people. So prove them wrong by answering in French and you will impress them very much. That would be so great. So try it. Es-tu déjà allé(e) en France? Have you been to France? Well Aller is go. So if you are already in France when answering this, it would be Es-tu déjà venu(e) en France? which is did you ever come to France with the notion of, did you ever come before or is it your first time? Maybe you will also hear this one, is it your first time in France? Est-ce que c'est ta première fois en France? Où as-tu appris le français? Where did you learn French? Où as-tu appris le français? Where did you learn French? On Frenchpod101 with me. Yeah where did you learn French? Leave me a comment below. Maybe in your home country or on the internet or did you study it more seriously in school. So just tell me. Où habitez-vous? Where do you live? I used to live in the south, so between Spain and Italy. It was a nice place full of Sun and everything. You should check it out. So come to the south of France, it’s sunny. Où sont les toilettes? Where is the bathroom? Où sont les toilettes? You will need this one in a restaurant. Toilet is a plural word in French. We used to make a joke that French toilet are so dirty that you have to check many of them before finding a decent one. That’s why it’s a plural name. Some toilets, you have to pay to access them actually in public places. So be careful. Sometimes you need a coin especially in station like train stations. Où travaillez-vous? Where do you work? Où travaillez-vous? Where do you work? I work on the internet. It’s a worldwide place. So after this one, usually you ask, where do you work in or what’s your job? Quel est ton travail? or Dans quoi travailles-tu? Here you go. Qu'avez-vous dit? What did you say? Qu'avez-vous dit? or you will often hear Pardon? or excuse me like I am sorry, like I didn’t get you. So Pardon? Excusez-moi? or can you repeat Pouvez-vous répéter? So if French people say that to you, just try repeating what you said. Qu'est-ce que c'est? What is this? Qu'est-ce que c'est? Show them something fancy for your own country and tell them and they would ask Oh, qu'est-ce que c'est? Quel est ton numéro de téléphone? What’s your phone number? Quel est ton numéro de téléphone? What’s your phone number? This is a pick up line. Hey, what’s your phone number? Quel est ton numéro de téléphone? Maybe they will ask for Pseudo which is your ID in any web messaging service. Es-tu célibataire? Are you single? And if you are traveling to France and happen to find love, maybe you will be asked, are you single Es-tu célibataire? or maybe the other sneaky way around Est-ce que tu as un copain? or Est-ce que tu as

How do we represent rational numbers on a number line? A number line looks something like this. The positive integers are represented towards the right of 'zero'. And the negative integers are represented to the left of 'zero'. The numbers increase when we move towards the right. And decrease when we move towards the left. It's easy to plot integers, but how do we plot numbers like 'three by four'? Before we understand how to plot this, we need to understand a very crucial point. Every integer except zero, has a corresponding integer. The integer one, has 'minus one' as its corresponding integer. The integer two, has 'minus two' as its corresponding integer. Similarly, every negative integer will have a corresponding positive integer. This tells us that if we some how managed to plot 'three by four', we can mark a point at the same distance on the left hand side of zero which is 'minus 3 by 4'. Now we can move on to the representation of rational numbers on a number line. To simplify things, we can classify the examples into two types. Ones in which the numerator is less than the denominator. And the other in which the numerator is greater than the denominator. Note that we see only the numerical value to compare the numerator and the denominator. For example, if we are plotting 'minus 9 by 5', we compare '9 and 5' and not 'minus 9 and 5'. So 'minus 9 by 5' will come in the numerator greater than denominator category. We will look at two examples of the first category in the next video.

Hi. Today I want to show you how I count my coins, in a quick and easy way! It's a scale that, with the help of Arduino, a Display and a push button, can count the amount of Euros coins on the plate. At the beginning, you need to calibrate the scale by pressing the button with the empty plate, and then with four coins of two Euros. You just need to follow the instructions on the display, and, at the end of the process, you will have the value in Euros of the coins. This was possible because each coin has a specific weight. Such weight never changes, and as long as you follow the instructions, all will be very accurate. Place the one cent coins and press the button. Add the two cents coins and press the button. Add the five cents coins and press the button. Add the ten cents coins and press the button. Add the twenty cents coins and press the button. Add the fifty cents coins and press the button. If you do not have a specific coin, just like in my case for the one euro, just press the button without adding any coin. Add the 2 euro coins and press the button. At the end the result is very accurate! As usual, the sketch and the diagram are available to anybody interested.

Sab Matsumoto: Hello, everybody! Sab Matsumoto: We are now at 5.3, the fundamental theorem of calculus. That's a pretty impressive title for a section, right? Sab Matsumoto: And it is, and it should be, because the fundamental theorem of calculus, as the name indicates, is absolutely fundamental to the study of calculus Sab Matsumoto: that is, differential and integral calculus. And, in fact, this theorem combines both of these in a very, very integral fashion, No pun intended. So let's take a look at this one of the crowning achievements of the history of mathematics, the fundamental theorem of calculus Sab Matsumoto: parts one and 2 in section 5.3, Sab Matsumoto: all right. So a good starting point Sab Matsumoto: to introduce to you the fundamental theorem of calculus is the average value of F over a and over the interval a B, which we talked about before. Okay. So what is the average value of the function? If F is like this. Sab Matsumoto: you know, from F of a to F of B. It goes from this point to this point, goes up and down in this case down, one up, and then down again. What's the average value, you know if F is the temperature between the time a and time. B. What is the average temperature? Or if F is the speed as you travel from t is equal to a Sab Matsumoto: to be. What's the average speed? Sab Matsumoto: And the idea is pretty simple. You take this at the area, you know. Again, think of this as like a sand or something, and then you kind of shake it, shake it, shake it. Sab Matsumoto: you know. Just kind of shake it, take it, take it, and then eventually the sand is going to saddle as a saddle settle at some point here and now. This is the point Sab Matsumoto: where you know the excess. Sand will fill this part here, and then just becomes a flat Sab Matsumoto: kind of thing, right? And so this is called F Sab Matsumoto: average. Sab Matsumoto: save or F average the back and the the average value of F. Sab Matsumoto: And I said. Sab Matsumoto: the the way we want this is we want that the Sab Matsumoto: integral, which is, of course, the area of this Sab Matsumoto: region under the curve between a and B. This should be the amount of sand which is equal to F Sab Matsumoto: average Sab Matsumoto: times B minus a, because that's just the area of the rectangle, right? So from this we found that the average F happens to be one over V minus a times the integral. Sab Matsumoto: All right. So this is actually, it's very much like You know the average of a finite number of numbers. Sab Matsumoto: What do you do when you have a finite, you know. If I give you like a set of 6 numbers, what do you do to find the average? You add them up, and then you divide by the number of numbers you have. Sab Matsumoto: And so it is very similar to that. And this is how we defined Sab Matsumoto: the average. Sab Matsumoto: Maybe I should just write down Sab Matsumoto: that Sab Matsumoto: concept here. Okay. So this is called the average value Sab Matsumoto: all F Sab Matsumoto: on the interval. Sab Matsumoto: A. Sab Matsumoto: B. Sab Matsumoto: All right. The reason I am talking about this is because before I can define and prove to you the fundamental theorem of calculus, which, by the way, is going to let you evaluate Sab Matsumoto: the integrals in the fashion much more efficient than the limit of Riemann sums. Sab Matsumoto: Before that I have to tell you the the a previous or the theorem. That is a precursor to the fundamental theorem of calculus, and that's called Sab Matsumoto: the mean value theorem. Sab Matsumoto: No, not quite the mean value, theorem for integrals. We already had Sab Matsumoto: the mean value here, right? So the mean value theorem for integrals. What does it say? It says the following: If F is continuous Sab Matsumoto: as usual. Sab Matsumoto: Now remember for the integral to exist. Sab Matsumoto: the function doesn't have to be continuous, as we mentioned before. But if F is continuous. Sab Matsumoto: Then, there is at least 1 point Sab Matsumoto: you can just say there is a point. But, to be more precise, I w

Assignment Statement "=" means, Equal sign has to store its right side value into its left side variable. Assignment Statement "=" means, Equal sign has to store its right side value into its left side variable. Assignment Statement "=" means, Equal sign has to store its right side value into its left side variable. Assignment Statement "=" means, Equal sign has to store its right side value into its left side variable. Assignment Statement "=" means, Equal sign has to store its right side value into its left side variable.

The human body is honored to have the soul of humanity It is not beautiful clothes, that is a sign of humanity If being human was about having eyes, mouth, ears and nose Then what is the difference between wall patterns and human who drew it Appetite, slumber, anger, and lust... cause sedition, corruption, ignorance and blindness The animal does not know the world of humanity Live with the reality of humanity or be like a bird For it is this bird that imitates the language of humanity You're not a human, if you are a captive of a beast Because even angels don't have a way to the nest of humanity If this savagery dies out of your nature You will get to live with the human conscience for the rest of your life Mankind reaches a point where it sees nothing, but God Mankind reaches a point where it sees nothing, but God Observe and see how vast is the reach of humanity Did you see the bird's flight? O you, who are bound by lust? Free yourself, so you can see the humanity's flight I did not mean to express my virtues as I give you advice I did not mean to express my virtues as I give you advice What we heard was a description of humanity from a human being

Vladimir Vinogradov: When you're ready. Vladimir Vinogradov: Hello everyone, so we start the consideration of Chapter four on only mid stadiums of probabilities see, so we are going to consider some parts from sections 4.2 and 4.4. Vladimir Vinogradov: Prior to doing that I should emphasize that only mid series of probabilities C in statistics it's a rapidly growing a research and I worked, and I keep your king in this area of probability and statistics. Vladimir Vinogradov: My PhD dissertation was on limit stadiums after probability and statistics. Vladimir Vinogradov: Of course, we cannot cover everything. Vladimir Vinogradov: And therefore we will concentrate primarily on two groups of results, the law of large nose and the central limit theorem. Vladimir Vinogradov: This suggest not. Vladimir Vinogradov: One single mom and dad say. Vladimir Vinogradov: This the groups are results. Vladimir Vinogradov: event. Vladimir Vinogradov: Let me give you some references. Vladimir Vinogradov: So we. Vladimir Vinogradov: All. Vladimir Vinogradov: have large numbers. Vladimir Vinogradov: or w e l l m is can see it in. Vladimir Vinogradov: subsection. Vladimir Vinogradov: What one. Vladimir Vinogradov: On pages. Vladimir Vinogradov: from two to four to six and wi ll in is actually a given as. Vladimir Vinogradov: Serious what what. Vladimir Vinogradov: We call our large numbers was. Vladimir Vinogradov: By jack nolan. Vladimir Vinogradov: published in 1686. Vladimir Vinogradov: And i'm going to come. Vladimir Vinogradov: In a few minutes so. Vladimir Vinogradov: There is. Vladimir Vinogradov: Strong. Vladimir Vinogradov: numbers. Vladimir Vinogradov: es El. Vladimir Vinogradov: This is considered in subsection. Vladimir Vinogradov: See one. Vladimir Vinogradov: This strong law of large numbers Pearson is given his theory for city to. Vladimir Vinogradov: Page 211. Vladimir Vinogradov: Of course, concentrate on week results, like our prime primary concern will bear the vehicle law of large numbers 7421, but there is a stronger result which you can find in the textbook known as the strong law of large numbers. Vladimir Vinogradov: We are going to spend a considerable amount of time today and also you know conclusion over actually he on the central limit theorem what sealed see. Vladimir Vinogradov: conceited subsection. Vladimir Vinogradov: Four one. Vladimir Vinogradov: On pages 250 to 202 inch, so this is actually the group of results. Vladimir Vinogradov: and Vladimir Vinogradov: I want to say a few words on the regional jack nolan 1686 results so consider. Vladimir Vinogradov: This equals. Vladimir Vinogradov: X, is what the probability P zero is probability value. Vladimir Vinogradov: equal to one minus p. Vladimir Vinogradov: So i'm going to try us the Charles say independent independent identically distributed so one is interpreted as obscuring. Vladimir Vinogradov: Zero is interpreted as observing a tail and. Vladimir Vinogradov: we're interested in the quantity, which we buy. Vladimir Vinogradov: Which is. Vladimir Vinogradov: The number. Vladimir Vinogradov: Of. Vladimir Vinogradov: choices. Vladimir Vinogradov: divided by him. Vladimir Vinogradov: So this quantity is called sampling. Vladimir Vinogradov: proportion. Vladimir Vinogradov: This quantity will approximate the true probability of success, p is. Vladimir Vinogradov: In goes to infinity so it's a heuristic natural is. Vladimir Vinogradov: Yes, so if you don't know the true probability of success in a single, we can approximated by evaluating the total number of hits. Vladimir Vinogradov: and finding because pointing proportion of this total number of fields in sales, so it would be a good approximation for the true probability of success for sufficiently large number of sources and. Vladimir Vinogradov: This is historically the purest and simplest week law of large numbers, it is so you already have some ideas on what you're going to discuss today. Vladimir Vinogradov: So. Vladimir Vinogradov: In order to present evolution in form. Vladimir Vinogradov: So know in

I've been outta sight I've been worried 'bout you lately Runnin' outta time Wishin' you would come and save me 'Cause I don't wanna roll with it (Yeah, yeah) Tryna get control of it (Yeah, yeah) Why can't I let go of it? (Yeah, yeah, mmm) Gotta find somebody quickly (Mmm, yeah) I got a bad idea How 'bout we take a little bit of time away? I got a bad idea Forget about it, yeah forget about him, yeah Forget about me Yeah, I know we shouldn't, baby, but we will (You know we will) Need somebody, gimme something I can feel (Yeah) But, boy, don't trip (Don't trip), you know this isn't real You should know I'm temporary 'Cause I don't wanna roll with it (Yeah, yeah) Tryna get control of it (Yeah, yeah) Why can't I let go of it? (Yeah, yeah, mmm) Gotta find somebody quickly, yeah I got a bad idea How 'bout we take a little bit of time away? I got a bad idea Forget about it, yeah, forget about him, yeah Forget about me (Gotta get control of it) (Why can't I let go of it?-Ooh) (Wishin' you would come and save me) I got a bad idea (Uh-huh) How 'bout we take a little bit of time away? I got a bad idea (Oh yeah, yeah, uh-huh) Forget about it, yeah forget about him, yeah Forget about me (Ari-Chan) I got a bad idea (A bad idea, uh-huh) Yeah, I'ma call you over here to numb the pain (Ari-Chan) I got a bad idea (A bad idea, uh-huh) Forget about it, yeah, forget about him, yeah Forget about me (Ari-Chan) (Forget about it, yeah, forget about him, yeah Forget about me) (Forget about it, yeah, forget about him, yeah Forget about me)

Yeah, I'm gonna take my horse to the old town road I'm gonna ride 'til I can't no more I'm gonna take my horse to the old town road I'm gonna ride 'til I can't no more I got the horses in the back Horse tack is attached Hat is matte black Got the boots that's black to match Ridin' on a horse, ha You can whip your Porsche I been in the valley You ain't been up off that porch now Can't nobody tell me nothin' You can't tell me nothin' Can't nobody tell me nothin' You can't tell me nothin' Ridin' on a tractor Lean all in my bladder Cheated on my baby You can go and ask her My life is a movie Bull ridin' and boobies Cowboy hat from Gucci Wrangler on my booty Can't nobody tell me nothin' You can't tell me nothin' Can't nobody tell me nothin' You can't tell me nothin' Yeah, I'm gonna take my horse to the old town road I'm gonna ride 'til I can't no more I'm gonna take my horse to the old town road I'm gonna ride 'til I can't no more Hat down, cross town, livin' like a rockstar Spent a lot of money on my brand new guitar Baby's got a habit, diamond rings and Fendi sports bras Ridin' down Rodeo in my Maserati sports car Got no stress, I've been through all that I'm like a Marlboro man so I kick on back Wish I could roll on back to that old town road I wanna ride 'til I can't no more Yeah, I'm gonna take my horse to the old town road I'm gonna ride 'til I can't no more I'm gonna take my horse to the old town road I'm gonna ride 'til I can't no more

[SHOT BREAKDOWN LIST IN THE SUBTITLES] Compositing of CGI shot with 2D environment projected on a 3D scene. Creation of a template for the moving clouds and storm. Bluescreen keying, set extension, 3D environment mixed with 2D environment, prep. Bluescreen keying, set extension, 3D environment mixed with 2D environment, prep. Creation of a template for the moving clouds and storm. Added simulation of insects, bluescreen keying, set extension, 3D environment mixed with 2D environment, prep. Added simulation of insects, integration of CGI rotting effect, prep. Added blood simulation, 2D wound effect, bluescreen keying, set extension, 2D environment, cleanup, prep. Creation of a template for the moving clouds and storm. Changed environment to Vietnam jungle entirely with 2D comp and projections, cleanup. Integration of 3D elements, created a plankton simulation, underwater effect. Set extension, created a plankton simulation, underwater effect, added lasers, cleanup. Integration of 3D elements mixed with projected 2D elements, cleanup. Greenscreen keying, set extension with 2D elements, integration of 3D elements, prep. Greenscreen keying, set extension, 2D projected reflections, prep. Integration of main actor running on boat from different shot, added CGI sea, cleanup. Integration of footage in the monitor. Creation of a big animated plate stabilizing different drone footage, reconstruction of parts of the set, lens effect transition. Transition from drone footage to monitor screen, integration of footage in the monitor. Replacement of surroundings of the highway, projection of 2D elements on 3D solids, clean up. Integration of 3D creature and robot arms. Greenscreen keying, creation and integration of matte painting. Integrations of CGI rocket launchers on trucks, added 2D smokes. Compositing of CGI shot, added fog, light effects and plankton. Creation of a template for the plankton used throughout the sequence. Compositing of CGI shot, added explosions simulation, fog, light effects and plankton. Creation of a template for the plankton used throughout the sequence. Greenscreen keying of main actor, integration of multiple footage for the explosions, aquarium, shattering showcases, lens effects.

We’re all called to be great saints. (applause) (applause) Mother: Well, we just Mother: Well, we just have wonderful, wonderful family today, and I’m family today, and I’m always happy to see our always happy to see our extended family coming here extended family coming here because it gives you because it gives you an idea of who’s out there an idea of who’s out there listening. listening. And some of them have And some of them have perseverance, I tell you. perseverance, I tell you. They get up at 1, 2 o’clock They get up at 1, 2 o’clock in the morning and listen. in the morning and listen. I wouldn’t, I wouldn’t, (all laugh) (all laugh) but anyway, they do it. but anyway, they do it. I’m happy they do. I’m happy they do. It shows that in the heart It shows that in the heart of everyone there’s a of everyone there’s a hunger for God. hunger for God. And we may not know it’s And we may not know it’s a hunger for God but we do, a hunger for God but we do, we hunger for God. we hunger for God. We hunger for peace, for We hunger for peace, for joy, for serenity, of all joy, for serenity, of all those wonderful things that those wonderful things that we’ll have in Heaven. we’ll have in Heaven. We long for it here, and if We long for it here, and if this network is able to do this network is able to do that even a little bit, that even a little bit, it’s, it’s worth all it’s, it’s worth all the effort. the effort. Tonight I don’t know what Tonight I don’t know what we’re going to talk about. we’re going to talk about. I picked out a few things, I picked out a few things, unless somebody else has unless somebody else has something else in mind. something else in mind. (audience chuckles) (audience chuckles) You don’t have anything You don’t have anything in mind. in mind. Okay. Okay. If you do, just let me know. If you do, just let me know. Since we never prepare Since we never prepare anything, it wouldn’t anything, it wouldn’t matter (laughs) what we matter (laughs) what we talked about, as long as talked about, as long as we talk about God. we talk about God. You know, in St. Luke’s You know, in St. Luke’s Gospel, our Dear Lord Gospel, our Dear Lord tells us some secrets. tells us some secrets. You know, Our Lady’s always You know, Our Lady’s always telling secrets to the telling secrets to the little kids and they little kids and they won’t tell, I tell you, won’t tell, I tell you, they won’t tell anybody. they won’t tell anybody. It’s amazing how Our Lady It’s amazing how Our Lady loves to tell secrets. loves to tell secrets. Well I’m sure Our Lord told Well I’m sure Our Lord told secrets but these He told to secrets but these He told to everybody--and it’s amazing everybody--and it’s amazing how few people know it even how few people know it even though He told us. though He told us. He said, "See that you are He said, "See that you are dressed for action." dressed for action." Of course today we’d be Of course today we’d be happy if they’re dressed, happy if they’re dressed, let alone... let alone... (all laugh) (all laugh) We’re grateful for We’re grateful for small things today, small things today, you know. you know. "For action and have your "For action and have your lamps lit." lamps lit." Why? Why? "Be like men waiting for "Be like men waiting for their Master to return from their Master to return from the Wedding Feast." the Wedding Feast." We have to wait. We have to wait. See, today we are not ready. See, today we are not ready. In fact, we don’t want In fact, we don’t want to be ready. to be ready. Now, He says the reason you Now, He says the reason you want to get ready and stay want to get ready and stay ready is to open the door as ready is to open the door as soon as the Master knocks. soon as the Master knocks. Are you ready? Are you ready? I hope you’re ready. I hope you’re ready. You don’t know. You don’t know. We don’t know when the We don’t know when the Master’s going to knock. Master’s going to knock. See, we’re so bent on See, we’re so bent on this world. this world. Well, I can see that. Well, I

It was once believed that the atom was the smallest unit of matter. We now know that the atom can be broken down in to protons, neutrons and electrons! In this video we will cover how to use your periodic table to determine the number of protons, neutrons and electrons in the atom! In order to determine the number of protons, neutrons and electrons in an atom, you need to remember some background knowledge from other videos: What is an Atom and Element Notation. If you do not remember this information or need a refresher, please check out our videos on all of these topics! The periodic table gives you a lot of information. We have a whole video that lays out all the information you can get from the periodic table so please check that out! Here we are going to look at just one square on the periodic table to understand what information it tells us. Here we have a square of the element oxygen. In them middle you see the element symbol. Under the symbol you see the element name This number here at the top is the atomic number. And the number here at the bottom is the average atomic mass. This information will be important to help us determine the number of protons, neutrons and electrons in an atom So hear we will look at identifying the number of protons. The number of protons in an atom is equal to the atomic number. So as we see here, the atomic number of oxygen is 8 so that means it has 8 protons. The atomic number of Mg is 12 which means it has 12 protons. Now lets look at identifying the number of electrons in an atom. In an atom, the number of protons is equal to the number of electrons. Remember that protons are positive and electrons are negative. Atoms are neutral which means they have no charge. This is because they have the same # of positive and negative charges. So using our previous examples, oxygen has 8 protons which means an atom of oxygen also has 8 electrons. Magnesium has 12 protons which means an atom of magnesium also has 12 electrons. Protons and electrons will always be equal in an atom. The last particle is the neutron. The number of neutrons is usually found using the mass number formula. The formula for mass number is mass number equals the number of protons plus the number of neutrons. So if we know the mass number, we can subtract the number of protons from that to find the number of neutrons. In order to know the mass # we need either the symbolic or isotope notation. If you need a refresher on element notation, check out our video! Using the symbolic notation shown here, we can see that the mass number is 15. Since the symbol is oxygen, we know there are 8 protons. To find the neutrons, we just have to subtract 8 from 15 to get 7. The isotope notation here of magnesium shows a mass number of 24. Magnesium has an atomic number of 12 so we know is has 12 protons. so in order for the mass number to be 24, you would need to add 12 neutrons to the 12 protons. Now let's look at some examples. Here we see the isotope notation calcium-41. Calcium will have 20 protons because that is the atomic number from the periodic table. This will also have 20 electrons because the number of protons and the number of electrons will be the same because its an atom. And lastly, we know that there will be 21 neutrons because we have a mass number of 41 and we subtract the 20 protons from that to get 21 neutrons. In this example we have the symbolic notation for zinc. Zinc we know has 30 protons because that is its atomic number. It also will have 30 electrons because the number of protons and electrons will be equal because its an atom. And the number of neutrons will be 34. We know that zinc has a mass number of 64 and if we subtract the 30 protons from the mass number 64 that leaves us with 34 neutrons. Now you should be able to determine the number of protons, neutrons and electrons in an atom! If you found this video helpful please like the video and subscribe to the channel to help us be able to produce more helpful science content! If there is a specific topic you need help with, p

One 18.25 ounce package chocolate cake mix. One can prepared coconut pecan frosting. Three slash four cup vegetable oil. Four large eggs. One cup semi-sweet chocolate chips. Three slash four cups butter or margarine. One and two third cups granulated sugar. Two cups all purpose flower. Don’t forget garnishes such as: Fish shaped crackers. Fish shaped candies. Fish shaped solid waste. Fish shaped dirt. Fish shaped ethyl benzene. Pull and peel licorice. Fish shaped volatile organic compounds and sediment shaped sediment. Candy coated peanut butter pieces. Shaped like fish. One cup lemon juice. Alpha resins. Unsaturated polyester resin. Fiberglass surface resins. And volatile malted milk impoundments. Nine large egg yolks. Twelve medium geosynthetic membranes. One cup granulated sugar. An entry called ‘how to kill someone with your bare hands.’ Two cups rhubarb, sliced. Two slash three cups granulated rhubarb. One tablespoon all-purpose rhubarb. One teaspoon grated orange rhubarb. Three tablespoons rhubarb, on fire. One large rhubarb. One cross borehole electro-magnetic imaging rhubarb. Two tablespoons rhubarb juice. Adjustable aluminum head positioner. Slaughter electric needle injector. Cordless electric needle injector. Injector needle driver. Injector needle gun. Cranial caps. And it contains proven preservatives, deep penetration agents, and gas and odor control chemicals. That will deodorize and preserve putrid tissue.

We stayed up all night Talking to each other, whispers under covers You told me your life Wasn't always easy, I said, "I know the feeling" I told you all about the scar on my shoulder And you told me you're terrified of gettin' older We stayed up all night The first night of a million more 'cause I'm gonna love you, love you inside out I'm gonna love you, love you inside out Nothing you say is gonna scare me now Still gonna love you, love you inside out I'm gonna love you, love you inside out I'm gonna love you, love you inside out Nothing you say is gonna scare me now Still gonna love you, love you inside out Ooh, ooh Ooh, inside out We laughed 'til we cried Made fun of each other, lost in one another You held me so tight And it felt like I was home, just the two of us alone You said you don't wanna end up like your parents I said, "Don't you worry, I'm not gonna let us" We stayed up all night The first night of a million more 'cause I'm gonna love you, love you inside out I'm gonna love you, love you inside out Nothing you say is gonna scare me now Still gonna love you, love you inside out Ooh, ooh Ooh, inside out What do you say, babe 'Cause I wanna know Can I be there, babe Through your highs and lows? Yeah When the lights come off, and the night is done Everybody's left, can I be the one? If it's all I do I'm gonna love you, love you Ooh, ooh, ooh, ooh Oh, yeah I'm gonna love you right Yeah, I'm gonna love you right I'm gonna love you, love you inside out (Inside out) I'm gonna love you, love you inside out (Oh) Nothing you say is gonna scare me now Still gonna love you, love you inside out (From the inside out)

Ohh, I’m gonna use every heartbeat Ohh, I’m gonna use every heartbeat Ohh, I’m diving in so deep Ohh, far from the shallows Baby I’m all about headlights Blinded by, blinded by the headlights Runnin in, runnin in the headlights Light me up, light me up headlights Baby I’m all about headlights Blinded by, blinded by the headlights Runnin in, runnin in the headlights Light me up, light me up headlights Baby I’m all about headlights Hela, hela headlights Hela, hela headlights Hela, hela headlights Baby I’m all about headlights Hela, hela headlights Hela, hela headlights Hela, hela headlights Ohh, I got a taste of the good life Ohh, I’ll never let it go A wild cat, gotta use all my 9 lives Ohhh, I’m gonna do it all And ohh, I’m tippin on the edge And ohh, I don’t wanna be saved And ohh, don’t you pull the breaks Ohh, just take me all the way Baby I’m all about headlights Blinded by, blinded by the headlights Runnin in, runnin in the headlights Light me up, light me up headlights Baby I’m all about headlights Blinded by, blinded by the headlights Runnin in, runnin in the headlights Light me up, light me up headlights Baby I’m all about headlights Hela, hela hela Hela, hela hela Hela, hela headlights Baby I’m all about headlights Hela, hela headlights Hela, hela headlights Hela, hela headlights Ohh, I got a taste of the good life Ohh, I’ll never let it go THANKS FOR WATCHING

alright guys we just finished the adult skull so now what we're going to do is we're going to go ahead and get into the fetal skull what we're going to do in this video we'll talk about the fontanel so if you look here fontanelles they are basically just connective tissue and there designed to allow for the the skull to expand so that the brain can you know take on that increasing space so obviously any type of irregular closure of these can lead to a lot of different issues that we might talk about in future videos if we actually look here this right here this fontanelle it's going to be called the anterior fontanelle, its called the anterior fontanelle then if we come over here i'm gonna flip in the back here is the posterior part of the skull is going to be the posterior fontanelle that's the posterior fontanelle right there then if we flip over here to the lateral side over here right there that's going to be called the mastoid fontanelle and the last fontanelle over here is going to be called the sphenoid fontanelle ok so again we got anterior fontanelle posterior fontanelle mastoid fontanelle and sphenoid fontanelle

We are going to see a beautiful lake and a little church This is a very popular place Can you see the cyan colour lake far away? That's Lake Tekapo You can see the glaziers surrounded by the lake You can see the glaziers surrounded by the lake You can see the glaziers surrounded by the lake During the wintertime, these grey mountains will be topped with snow This water has taken this colour because of the minerals from the glaziers because of the minerals from the glaziers Can you see the church far away? Can you see the church far away? We are going to see it To go there, Have to cross this bridge Let's go Sky and the lake are both the same colour If the mountains were not there hard to distinguish each If the mountains were not there hard to distinguish each There are three lakes with this cyan colour in this area Lake Tekapo is the most popular among them Attracted by lots of tourists Look at the blue waters Mmm.. Flowers Can get a 360-degree view from here Amazing... This is Good Shepherd Church This Anglican church was made in 1935 This Anglican church was made in 1935 It was made in the memory of early settlers No entrance fee but you can make a donation here Let's go and see inside Sorry, not allowed to take cameras inside You will have to come to see inside... I will show you outside It's like a statue One of the most photographed places in New Zealand One of the most photographed places in New Zealand Feeling a bit tired And a little hungry :) We saw this Japanse restaurant on our way The japanse restaurant is full So we came to the care next door Fish and chips Hot dogs for son Salmon salad... Can enjoy the lake view while eating Came to the souvenir shop to buy a gift for son This one... sheep penguin son says: I want to get off Son says: no no no, I want to get off Thanks so much for watching the third episode of our South Island vlog series If you haven't watched the other episodes check out the links in the description box Please watch and comment on your feedback Like the video and subscribe Let's meet again in the 4th episode of the trip

Hi friends, today we will show you different types of fruit cutting scenes and much more. All fruit names and scientific names have been added to the subtitles. We hope the video is not only entertaining but also educational. So we hope you will watch the full video. Dragonfruit (Scientific name is Hylocereus undatus) Dragonfruit (el nombre científico es Hylocereus undatus) Pomegranate (Scientific name is Punica granatum) Granada (nombre científico es Punica granatum) Jackfruit (Scientific name is Artocarpus heterophyllus) Yaca (el nombre científico es Artocarpus heterophyllus) Star fruit (Scientific name is Averrhoa carambola) Carambola (el nombre científico es Averrhoa carambola) Fig (Scientific name is Ficus carica) Higo (el nombre científico es Ficus carica) Unknown Prickly pear (Scientific name is Opuntia) Higo chumbo (El nombre científico es Opuntia) Mango (Scientific name is Mangifera indica) Mango (El nombre científico es Mangifera indica) Orange (Scientific name is Citrus sinenis Budd) Naranja (el nombre científico es Citrus sinenis Budd) Cherry (Scientific name is Prunus avium) Cereza (el nombre científico es Prunus avium) Papaya (Scientific name is Carica papaya) Papaya (el nombre científico es Carica papaya) Google Translate renders it as "Hedgehog Fruit". It looked like a giant berry. Google Translate lo muestra como "Hedgehog Fruit". Parecía una baya gigante. Apple (Scientific name is Malus domestica) Apple (el nombre científico es Malus domestica) Akebia (Scientific name is Akebia quinata) Akebia (el nombre científico es Akebia quinata) Grape (Scientific name is Vitis) Uva (nombre científico es Vitis) Plum (Scientific name is Prunus domestica Brooks) Ciruela (el nombre científico es Prunus domestica Brooks) Strawberry (Scientific name is Fragaria × ananassa) Fresa (el nombre científico es Fragaria × ananassa) Apple (Scientific name is Malus domestica) Apple (el nombre científico es Malus domestica) Jujube (Scientific name is Ziziphus) Azufaifo (el nombre científico es Ziziphus) Melon (Scientific name is Cucumis melo var. cantalupensis) Melón (el nombre científico es Cucumis melo var. Cantalupensis) Pomelo (Scientific name is Citrus maxima) Pomelo (nombre científico es Citrus maxima) Guava (Scientific name is Psidium guajava) Guayaba (el nombre científico es Psidium guajava) Peach (Scientific name is Prunus persica) Melocotón (el nombre científico es Prunus persica) Kiwifruit (Scientific name is Actinidia deliciosa) Kiwi (nombre científico Actinidia deliciosa) Persimmon (Scientific name is Diospyros kaki) Caqui (el nombre científico es Diospyros kaki)

>> We've looked at fluid statics to figure out what the pressure is at different locations. And one of the big reasons we're interested in knowing what the pressure is, is so that we can know what the forces are that are acting on things that are surrounding the fluid. Now, if we know the pressure at this location, we also know that pressure acts normal to a surface and it acts on the surface. So, if I had a pressure acting on this surface, it would be pushing in that direction with a pressure P. The resulting force would depend on the size of the area that it was pushing on. So if I look at just a little small area there, dA, then this will be the pressure times dA. So pressure times area gives me a force. And finally, if I want to get the direction correct, then I'll need a vector that accounts for the direction of the surface, and the usual way we define that with surfaces is with a unit normal vector that points outwards from the surface. So this n vector is a unit normal. That means it's one unit in magnitude and it is at a right angle to the surface and we can define that unit normal vector for every surface as pointing outwards from the surface. In that case, the force from the pressure is going to be negative. It's in the opposite direction of that unit normal pointing outwards from the surface, negative n times the pressure times the small amount of area that it's acting over. Now, if I want to get the total force over the entire area, then I'm going to have to integrate over this whole surface S, and I'll get that the total vector force is equal to the integral. It's a double integral because it's over area, over the surface S, the whole surface that I'm interested in of the pressure times the incremental area. That's the magnitude of the force. And the normal vector is going to be involved and this normal vector may change if this area isn't perfectly flat. So we need to make sure we keep that normal vector inside the integral signs. And there's a negative coming from this reversal of direction. This is just a sign convention that says this unit normal always points outwards so the pressure force is always pointing in the opposite direction. So this is how we could get the total vector force acting on the surface. Or if we were interested only in components of that force, we could make our lives a little simpler by not worrying so much about the vector stuff. We could say that the force component in the x direction will still have the integral over the surface area and we'll take the pressure and we'll multiply it by the area projected in the x direction, so that f of x is the x component of the force, and a of x is the projected area in the x direction. Now, if we're going to take that approach, we need to be careful to look after that sign there and make sure that we get our projected area pointed in the direction that we're interested in so that we get this integral right. But it's going to get a lot simpler if we've got simpler situations on our arbitrary surface. And let's look at how we can break this down. If I had a sloping surface like this with a pressure acting on it like that, it's going to be exactly like this one up here. I'll have a normal vector outwards. I've got the pressure acting in the opposite direction. I can break that down into two parts, an x and a y component, with one of them being pressure times the area projected in the x direction and the other one being pressure times the area projected in the y direction where those are each projected areas of dA. I can look at it this way or I can look at it this way. I can say that that's going to be equal to the component of the pressure force over the entire area so I could take P in the x direction over the entire area plus P in the y direction, the component of P in the y direction over the entire area. And that would give me the same thing. I'm taking the component either of the area of projection or I'm projecting the pressure but not projected pressure times the projected area because that way I would be taking the projection twice, I

The new album Paradise. out now. Thought I'd end up with Sean But he wasn't a match Wrote some songs about Ricky Now I listen and laugh Even almost got married And for Pete, I'm so thankful Wish I could say, "Thank you" to Malcolm 'Cause he was an angel One taught me love One taught me patience And one taught me pain Now, I'm so amazing Say I've loved and I've lost But that's not what I see So, look what I got Look what you taught me And for that, I say Thank you, next (Next) Thank you, next (Next) Thank you, next I'm so fuckin' grateful for my ex Thank you, next (Next) Thank you, next (Next) Thank you, next I'm so fuckin' grateful for my ex Didn't have to know me , keeping me in the moment I'd get you hot and moaning why don't you say so? Didn't even notice, no punches left to roll with You got to keep me focused. You want it? Say so Let me check my chest, my breath right quick (Ha) He ain't never seen it in a dress like this (Ah) He ain't never even been impressed like this Prolly why I got him quiet on the set like zip Like it, love it, need it, bad Take it, own it, steal it, fast Boy, stop playing, grab my ass Why you actin' like you shy? Shut it, save it, keep it, push Why you beating 'round the bush? Knowing you want all this woman Never knock it 'til you try (Yah, yah) All of them bitches hating I have you with me All of my _____ saying you mad committed Realer than anybody you had, and pretty All of that body I need ass and titties Thank you, next (Next) Thank you, next (Next) Thank you, next I'm so fuckin' grateful for my ex Thank you, next (Next) Thank you, next (Next) Thank you, next I'm so fuckin' grateful for my ex Didn't have to know me , keeping me in the moment I get you hot and moaning, why don't you say so? Didn't even notice, no punches left to roll with You got to keep me focused. You want it? Say so Yo He don't know me But he settin' up to blow me uh Said my Twitter picture 'mind him of Naomi uh On the low I used to holler at his homie uh Fuck it, now I'm about to ride him like a pony, yeah Okay thug probably Yo come Polly He wanna fuck a bad dolly and pop Molly I hope your pockets got a motherfucking pot belly Or is it that you never ball John Salley He had the Rolls and the Royce The tone in his voice Don't want a good girl Naw hoes is his choice Dick on H Pussy on W Mouth on open Ass on smother you Ass on the cover too Elle Magazine Vroom vroom vroom get gasoline Could I be your wife? Naw we could bang though I got these ____ whipped Thank you, next (Next) Thank you, next (Next) Thank you, next I'm so fuckin' grateful for my ex Thank you, next (Next) Thank you, next (Next) Thank you, next I'm so fuckin' grateful for my ex Didn't have to know me, keeping me in the moment I get you hot and moaning, why don't you say so? Didn't even notice, no punches left to roll with You got to keep me focused. You want it? Say so Thank you, Next Thank you, Next Yeah, Thank you, Next Thank you, Next Thank you, Next Thank you, Next

[19:02:27] weetabixs: hi [19:02:27] weetabixs: hi [19:02:31] bigolpete1: hey its tim! [19:02:27] weetabixs: hi [19:02:31] bigolpete1: hey its tim! [19:02:32] monotone_sellout: stereotonetim is now live on Twitch at http://www.twitch.tv/stereotonetim [19:02:31] bigolpete1: hey its tim! [19:02:32] monotone_sellout: stereotonetim is now live on Twitch at http://www.twitch.tv/stereotonetim [19:02:54] smiling_sphere: hi Tim, how ya doing [19:02:32] monotone_sellout: stereotonetim is now live on Twitch at http://www.twitch.tv/stereotonetim [19:02:54] smiling_sphere: hi Tim, how ya doing [19:03:04] callicantzaros: hi tim [19:02:54] smiling_sphere: hi Tim, how ya doing [19:03:04] callicantzaros: hi tim [19:03:26] crusatyr: Tim! [19:03:04] callicantzaros: hi tim [19:03:26] crusatyr: Tim! [19:04:17] theresax13: Hola Friendo [19:03:26] crusatyr: Tim! [19:04:17] theresax13: Hola Friendo [19:04:33] lucasnator2: did you ever have anything against names like timmy or timothy [19:04:17] theresax13: Hola Friendo [19:04:33] lucasnator2: did you ever have anything against names like timmy or timothy [19:04:46] anony54: 114 seconds [19:04:33] lucasnator2: did you ever have anything against names like timmy or timothy [19:04:46] anony54: 114 seconds [19:04:49] anony54: NEW RECORD [19:04:46] anony54: 114 seconds [19:04:49] anony54: NEW RECORD [19:05:15] mrzorage: Hello Tim and chat ! [19:04:49] anony54: NEW RECORD [19:05:15] mrzorage: Hello Tim and chat ! [19:05:19] lucasnator2: I hate luke but thats because of starwars [19:05:15] mrzorage: Hello Tim and chat ! [19:05:19] lucasnator2: I hate luke but thats because of starwars [19:05:37] smiling_sphere: but now you just put aaa [19:05:19] lucasnator2: I hate luke but thats because of starwars [19:05:37] smiling_sphere: but now you just put aaa [19:05:44] mrzorage: You can shorten Brandon :Z [19:05:37] smiling_sphere: but now you just put aaa [19:05:44] mrzorage: You can shorten Brandon :Z [19:06:00] lucasnator2: my brothers never liked those because theyre both NAA [19:05:44] mrzorage: You can shorten Brandon :Z [19:06:00] lucasnator2: my brothers never liked those because theyre both NAA [19:06:02] crusatyr: I was always jealous of kids with 3 letter names for that exact reason :( [19:06:00] lucasnator2: my brothers never liked those because theyre both NAA [19:06:02] crusatyr: I was always jealous of kids with 3 letter names for that exact reason :( [19:06:24] smiling_sphere: I would just use my initials [19:06:02] crusatyr: I was always jealous of kids with 3 letter names for that exact reason :( [19:06:24] smiling_sphere: I would just use my initials [19:06:42] mrzorage: I can't be Bra it's not the 90's anymore Tim [19:06:24] smiling_sphere: I would just use my initials [19:06:42] mrzorage: I can't be Bra it's not the 90's anymore Tim [19:07:02] weetabixs: bran is more popular now with game of thrones [19:06:42] mrzorage: I can't be Bra it's not the 90's anymore Tim [19:07:02] weetabixs: bran is more popular now with game of thrones [19:07:21] tapplastic: Just join the mob and become Don [19:07:02] weetabixs: bran is more popular now with game of thrones [19:07:21] tapplastic: Just join the mob and become Don [19:07:44] mrzorage: I have a friend named dom so don wouldn't work [19:07:21] tapplastic: Just join the mob and become Don [19:07:44] mrzorage: I have a friend named dom so don wouldn't work [19:08:01] bl0cks: just start going by And [19:07:44] mrzorage: I have a friend named dom so don wouldn't work [19:08:01] bl0cks: just start going by And [19:08:03] mrzorage: I guess as a don I could just kill him [19:08:01] bl0cks: just start going by And [19:08:03] mrzorage: I guess as a don I could just kill him [19:09:18] weetabixs: is that the wind outside your room? [19:08:03] mrzorage: I guess as a don I could just kill him [19:09:18] weetabixs: is that the wind outside your room? [19:09:20] tapplastic: the mob doesnt kill people they just "take care of them" [19:09:18] weetabixs: is that the wind outside your room? [19:09:20] tapplastic: the mob doesnt kill people they just "take care of

sic hum in San Diego to yeah, both hum in San Diego to yeah, both. hum in San Diego to yeah, both. important topic is Cuba discussing Cuba Discussing Caleb Caleb the Buddhist story. So Nyongi will, jogging will Jacques Ak. Is go identify Because they take a year made a year, I'll be equally be equilibria cent case what time equilibria cent case what time equilibria cent case what time Bhutanke Bhutan Kay Royal Family is like Kay Royal Family is like shota butcha hamadi , You You just keep me out You just keep me out the hey You just keep me out the hey? Or Iik Jaco ik Jacquel. Ek! He's got a Jacquel. Ek! He's got a deficit. don't know don't miss cause Yeah, I'm size don't miss cause Yeah. don't miss cause e don't miss cause over don't miss cause over. Hi hi to to Ya. A general semantical, human psyche hi to yi ek general semantical human cycle. A. But Jupiter But Jupiter exist But Jupiter exist dot dioxide dot O, the dirty kernel! They can take ey can't They can't tell me pretty like you think ultimately. yeah. Happy query is that you query. Is that you? Peda hunisipali Peda Hunisipali, or Death Hunisipali, or Death Haniki. me Jawwa in San gets out of me . Other Other agent of me Joshua Border Cartier BA Cartier Wuhari passed the casa related hand, whose past will uhari Pass, the Pass, the casa related. Hey, Who's past him, Kassie Jazz acting okay. okay. Yeah. Aspects! Hello! Hello Aspects! Hello! Hello! Aspects! Hello! Hello! So o hum is hum is topical to bacteria, discuss scattering, impact cutting, and pass subsequently. I'm inside I'm in San Go. This is easy . Yes, it can San. Go. This is easy. Oh. sy. Oh, yeah, It fixed ages in a book. Dynamics Project stages in town. stages in town. Iskinder. I've suggested this this party you are here, Joe, Update e, Joe of the father Joe of the father Capella. Botanic courses got there, the vite from Bacheko Bhararajani Yaniki And this and simple say, Yeah, imple say you have come up in the past code, Sudharabina present next to us abina Appna presented me to the Appna presented me to the acid percent because it's not even i'm not feature enzyme simple summit simple summit simple summit correlation , n Chelsea Chelsea, Iscohol . We all We all know this this I hope we all know this I hope we all know this picture . Okay the please. Type, no! In the the please type. No, in the book, so that I can type. No, in the book, so that I can explain this also metaphoric Nay, we don't know Okay, this is Sofia Okay, this is Sofia , humanoid, com robot , humanoid com robot, humanoid com robot, here. Join Santa Cruz In Santa Cruz. Oh, Santa Cruz. Oh, your Pala Robot Hasiscos! Citizens Robot agiscos citizenship, Biga agiscos citizenship, Biga. Yeah, plus plus citizens Bigga, you here. plus citizens Bigga, you here. How did I izens. Or he's Kay introduced Kafka Siddhi: Hi, again Siddhi: Hi, again. Here Here. Here, sojack, sojack, Jessie, I mean Grogie, sojack, Jessie, I mean Grogie, and the like. Grogie and the Alexa and the Alexa. yeah, Alexa, put you up digging Yeah, Alexa, put you up scoop coffee scope, coffee, coverage, Miller: hair Miller Sophia, Miller Sophia, go or escape barbecue, or be coffee sack robots. Joe Hammond is Do him modify hockey game at the basement. basement. Yeah, it's called coffee coverage Bela Sophia, the robot woman Bela Sophia, the robot, humanoid robot Robot A bomb is good. They stay here. So this is a stay here. So this is a machine. Okay, planning hine. I got plenty pictures I got plenty pictures go dictate that we hardly can make our ake out out. Tomlog is cool. Live is cool, live Video: company. Tomlog: is cool, live Video. Video: kind of timing, as the other way may have like will do. The school. school school Victory way upload Patani buying. This is a human being. this is a human being, exactly who is a human being, exactly who won't get behaved. Got the exact like spaces the exact like spaces at the hatches Daggie Daggie. of course, Google desk. And then, oh, basically. d then to basic d then to basic then to basic I am at the

Hi guys this is me Cheap Alan walker welcome back with another video And in this video we will make a new tune I hope you will love that tune let get started Just Joking let's do our original intro Hi guys this me Rohan Barnwal welcome back with another video And you must have already come to know about this video of today by watching the title and thumbnail. So now you must be thinking that what is the use of making it with Arduino? So recently I was watching your comments on my last video The response was very nice for that thank you very much So there were many comments on this please make it with Arduino please make it with Arduino So Let make it with Arduino So here we have our video So lets talk about how to make it But before that we have something new this time most of you guys might be thinking there will be a giveaway but these time we have extraordinary thing just wait a minute guys So here we have our new intro So the things required for making this project Are here So first things we required is Arduino so as you all know that my Arduino Uno board is broken and my Arduino Mega is currently working on a project So we required a Arduino Uno Board and also Lockdown is going on in my state And I want to mention one thing that you can make this project with any Arduino Board So I need a Arduino Board so lets take it out from our screen So here we have our board Next thing we require is a Buzzer So lets take it out from screen So here we have our Buzzer Now We need Bluetooth Module No Internet Connection No Internet Connection No Internet Connection No Internet Connection Guys my internet has been exhausted !!! Guys my internet has been exhausted !!! but don't worry we have Bluetooth Module Yeh Party!!!!!! Now lets see our connection So here is the connection RX will go to TX and TX will go to RX and VCC to 5v and GND to GND pin and for Buzzer Positive pin will go to Data Pin 8 and Negative to GND So here is the connection RX will go to TX and TX will go to RX and VCC to 5v and GND to GND pin and for Buzzer Positive pin will go to Data Pin 8 and Negative to GND now we will see the application part and then we will see the final part so guys here is the code you will get the my GitHub link from where you can download the code Now let's test it So here is my app name is MiniTag Let me open this So here is the app so now click on connect your minitag to connect it with you device Here it is showing HC-05 click on that to connect with it it takes some time Now it is connected Now it is connected so now we will click on find button wait a minute beep starts working beep starts working Now we will click on we got it and now the beep the stops So if you like this video then don't forget to like share and subscribe till then godbye meet you in the new one

Kenneth Bickers: Welcome to the spring 2020 political science commencement exercise and welcome to zoom our lives have been on zoom for the last two months as, as you know from Kenneth Bickers: From your experience in the emergency response of the of the university. This is our chance to Kenneth Bickers: Acknowledge the accomplishments of our graduates and to read the names of all of our graduates, both at the PhD and masters level as well as our undergraduate Kenneth Bickers: Students, we're going to take a few moments to talk about the department in the University. My name is Ken Vickers I'm the chair of the political science department. Kenneth Bickers: I'm joined today by Janet Donovan, who is our undergraduate director and will be trading off duties as we go through this. I'm sorry that we're not all together commencement is always one of the most fun activities of our of our year Kenneth Bickers: It's not only to see all of the students gathered together and and see their faces, maybe for the first time for a year or two, since we've had them in class, but also to meet the parents the grandparents, aunts and uncles. Kenneth Bickers: It's fun to be part of the larger family of the of the students that we've been spending some years with excuse me in our classroom so Kenneth Bickers: I'm sorry that that's not going to happen right now for the spring 2020 graduates. We are inviting all of the 2020 graduates to come back. Kenneth Bickers: In December, Warren may whichever works more easily for for for the families and for the new graduates to be part of the in person commencement celebrations. Kenneth Bickers: In if those two points of time we're going to do something special for for the spring 2020 graduates. We don't know yet what Kenneth Bickers: We're very much hopeful that we will have in person commencement exercises in December and may have this next upcoming year. Kenneth Bickers: But we do want to meet you all in person. We want to congratulate you in person. We want to shake your hands and not just Kenneth Bickers: Bump elbows with with one another. So we do look forward to that kind of an opportunity Kenneth Bickers: I do want to talk a little bit before we start reading names about some bigger changes that have taken place at the university and particularly in the political science department over the time that that you have been with us. Kenneth Bickers: All the attention has been on the emergency response moving classes from in person to remote and online and so forth. And all of that was Kenneth Bickers: Was done. It was amazing political science that we moved well over 100 classes from in person to online and remote and that was a huge undertaking, some of it went smoothly. Some of it did not Kenneth Bickers: We're still learning a lot about these how to how to do this on a large scale. Kenneth Bickers: But I wanted to back away from that for for just a few moments and talk about some of the bigger picture things Kenneth Bickers: That have happened over the last few years, one at the university level that may have had a pretty important impact on you and you may not have actually realized that it was happening. Kenneth Bickers: The University changed the, the core curriculum requirements. Kenneth Bickers: During the time that you've been here and radically simplified the core curriculum. And one of the one of the really cool things that that emerged from them and it was one of the intended goals. Kenneth Bickers: Was to make it easier for our undergraduate students to do certificates that are cross disciplinary kinds of programs to minor in other Kenneth Bickers: Majors in other departments to get double majors and a lot of you have certificates and minors. Kenneth Bickers: And majors and that actually you may not realize it but that's actually a fairly new thing at CU, it was much more difficult. Kenneth Bickers: To do those kinds of things under the old core curriculum that that was changed during the time that you've been here. And so that's how to had a really, I think, Kenneth Bickers: positive eff

First and second row I feel we are moving forward everyone on board believing something's gonna happen got our fingers crossed so we can be together when the Sun comes up for us somewhere there's a hope to catch a fish and serve the others looking for a cove that's it to be around the corner is it the last call before we crack and split the boat to Row alone Who said that this was the only way to explore the coast? Who said that we were supposed to carve our names on the rocks? when we are just another cog feeling lost yes I know they have been lucky yes I know that I'm supposed to smile yes I know so don't you worry yes I know that it's all a lie yes I know that I've been lucky yes I know that I'm supposed to smile yes I know supposed to smile. Yes I know so don't you worry. Yes, I know Who said that this was the only way to explore the coast? Who said that we were supposed to carve our names on the rocks? that we are just another cog craving hope Yes, I know that I’ve been lucky Yes, I know that I’m supposed to smile Yes, I know so don’t you worry Yes, I know that its all a lie. Yes, I know that I've been lucky Yes, I know that I'm supposed to smile. Yes, I know so don't you worry Yes, I know that its all a lie

I am sorry For the hugs that were not given For not listening to what you are saying For the hours meant for you but only spend with others For each day you waited for my return I am sorry For the day you got wet in the rain For every time you fall asleep, the chair is the only thing you leaned on For the dripped tears and have not been wiped And for your puffy eyes while looking at our picture I am sorry For not saying, "I love you" to you before For not saying "Are you okay?" For your letters that have been ignored And for every night you were left alone I am sorry if you have questions that I can't answer I am sorry if I have secrets I can't reveal I am sorry if I have a past I can't escape I am sorry if I forgot I am sorry if I changed you I am sorry if your heart has turned to stone I am sorry... I am sorry... If I can only bring back the past Let me choose you again Let me correct the mistakes Let me bring back your smiles And let me promise not to leave your side again Again I am sorry

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[silence] FL Studio 10 Techno trance - blue nightTechno trance made with FL Studio 10. Yeaaaaa its school holiday now i have more time to make songs... :D I hope ive improved.... flp download(if you have all those fancy plugin) : ?midi download :?Download mp3 : rate, give some opinions 25 00:02:56,558 --> 00:02:2,631 or advices and enjoy! FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno 37 00:03:56,741 --> 00:03:0,452 trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno 49 00:04:56,720 --> 00:04:3,874 trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno 61 00:05:59,793 --> 00:05:1,67 trance - blue FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night 73 00:06:59,89 --> 00:06:3,569 FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night 85 00:07:59,550 --> 00:07:3,526 FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night FL Studio 10 Techno trance - blue night 97 00:08:59,44 --> 00:08:1,677 FL Studio 10 Techno trance - blue night 109 00:09:57,103 --> 00:09:4,5

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hello my name is mary claire strasberger  and today i'm going to talk about   um knife skills and different knife cuts and  we're going to be cutting a potato and an onion   and we're also going to talk about the importance  of sanitizing your cutting board and your knife   between each thing that you cut on the cutting  board um first we're going to need to um stabilize   our cutting board so it doesn't roll around  like this so we just take two damp paper towels   like this and we just put them on the  counter kind of ruffled up like this and then when you put your cutting board down  on top of it it doesn't move around anymore   so we're going to start first with the potato   and so to prepare to cut it you're going to cut  both sides off just like this let me throw those   to the side and then you're going to turn it to  the side and you're going to cut this side off and then you're going to turn it you're  going to cut this turn it and cut this side   and then you only want one side with the skin  still on it so first you're going to cut a baton a   and a baton a is a quarter of an inch by quarter  of an inch so just kind of measure like this and   kind of mark it with your knife and you can tell  when it's straight you can see the cut that i made   on the plank so then we're going to take it and  put our knife back in that little edge we're going   to point down and then slide through and here's  our quarter of an inch plank and then we want to   make it square so we want to  cut a quarter of an inch in so now we have a batonnet which is now a square  quarter of an inch by a quarter of an inch and   we want it two and a half inches long so  i'm gonna take that skin off right there   take that off and then let's say  two and a half let's say right there   two and a half inches so batonnet is two and  a half inches by a quarter quarter of an inch   we need two of these so we're going to cut this  again and i'm going to we can use this one to   make our large dice so we want a square and then  use this one to measure it there's two of those   there's those two so we have baton a enlarged  dice so then here's our extra one so now we want a   julienne and a julienne is an eighth of an  inch by an eighth of an inch so half of this   so we're going to measure um another  plank and we're going to do about half   of that so measure an eighth of an inch and  point your knife down and then cut through   so now we have a plank it's eighth of an inch  so we're going to cut it again use the flat side make a square and cut through  and then we want two of those so this through so we have two of these and we want them the same length as the baton  a so we're going to just put one of those over   there and measure and now we have two julienne  that are an eighth of an inch square on the   end and then from that from the scraps that  we cut we can take and make our small dice and make a square just like that now you  have two small dices to go with our julienne   now we're going to cut the fine  julienne and we're going to make it   a 16th of an inch so so we're  going to measure just like this and we're going to cut all the way down you have this right here 16 of an inch and then  we'll measure it make a square and cut down   there's one and then here  is two and then measuring so julian find julian and then we can get  our brunoise which is a the dice from the   fine julienne which is a sixteenth of an inch by  sixteenth of an inch um little cube there's that   and then we have two tiny ones like this you're  going to have a bleach bucket and in your bucket   you'll have um some warm water and then from  the bleach bottle you'll put half of a cap   of bleach into that and you'll just throw  your towel in there and you'll mix it up   and then between each thing that you cut you want  to sanitize your knife so we're going to sanitize   our knife so we have no more potato starch  on it before we begin cutting something else   and we also want to wipe our cutting board  between everything okay now we're ready to   cut our onion so c

A smart locker idea This is a strong security lock box Stick the cardboard pieces as shown Make a circular dial A smart locker idea This is a strong security lock box Stick the cardboard pieces as shown Make a circular dial A smart locker idea This is a strong security lock box Stick the cardboard pieces as shown Make a circular dial Paste a wooden stick in its center Make the inside half of the dials as shown Insert in the wooden sticks Align your code number with the opening in the inside circle Make the opening of the safe Paste a wooden stick in its center Make the inside half of the dials as shown Insert in the wooden sticks Align your code number with the opening in the inside circle Make the opening of the safe Paste a wooden stick in its center Make the inside half of the dials as shown Insert in the wooden sticks Align your code number with the opening in the inside circle Make the opening of the safe The door will open only when you select the code The door will open only when you select the code The door will open only when you select the code Store your valuables in your personal safe box Make this mini safe box for your home This personal locker is a security safe box Store your valuables in your personal safe box Make this mini safe box for your home This personal locker is a security safe box Store your valuables in your personal safe box Make this mini safe box for your home This personal locker is a security safe box Like and subscribe to DIY Ocean Like and subscribe to DIY Ocean Like and subscribe to DIY Ocean

sector sector meaning an area or portion that is distinct from others an area or portion that is distinct from others salaries in the public sector are  expected to fall by 15 percent this year salaries in the public sector are  expected to fall by 15 this year available available meaning able to be used or obtained at someone's disposal able to be used or obtained at someone's disposal the offer is only available for a limited period the offer is only available for a limited period financial financial meaning relating to finance relating to finance i really need to get some basic financial advice i really need to get some basic financial advice process process meaning a series of actions or steps taken  in order to achieve a particular end a series of actions or steps taken  in order to achieve a particular end we are using a new process to make butter we are using a new process to make butter individual individual meaning single separate single separate we interviewed each individual  member of the community we interviewed each individual  member of the community specific specific meaning clearly defined or identified clearly defined or identified you have to be more specific than that you have to be more specific than that principle principle meaning a fundamental truth or proposition that serves as  the foundation for a system of belief or behaviour   or for a chain of reasoning a fundamental truth or proposition   that serves as the foundation for a system of  belief or behaviour or for a chain of reasoning he applies this principle to everything in life he applies this principle to everything in life estimate estimate meaning roughly calculate or judge the  value number quantity or extent of roughly calculate or judge the  value number quantity or extent of i estimate that we'll need  two days to finish the work i estimate that we'll need  two days to finish the work variable variable meaning an element feature or factor  that is liable to vary or change an element feature or factor  that is liable to vary or change the quality of the hotel  food is distinctly variable the quality of the hotel  food is distinctly variable method method meaning a particular procedure for  accomplishing or approaching   something especially a  systematic or established one a particular procedure for  accomplishing or approaching something   especially a systematic or established one which method is likely to produce the best results which method is likely to produce the best results data data meaning facts and statistics collected  together for reference or analysis facts and statistics collected  together for reference or analysis the data was collected by various researchers the data was collected by various researchers research research meaning the systematic investigation into  and study of materials and sources   in order to establish facts  and reach new conclusions the systematic investigation into  and study of materials and sources   in order to establish facts  and reach new conclusions he did research on group  dynamics and leadership styles he did research on group  dynamics and leadership styles contract contract meaning a written or spoken agreement especially  one concerning employment sales or   tenancy that is intended to be enforceable by law a written or spoken agreement   especially one concerning employment sales or  tenancy that is intended to be enforceable by law read the contract carefully before you sign it read the contract carefully before you sign it environment environment meaning the surroundings or conditions in which a  person animal or plant lives or operates the surroundings or conditions in which a  person animal or plant lives or operates we must create a safe environment for our children we must create a safe environment for our children export export meaning send goods or services to another country for sale send goods or services to another country for sale we now export all kinds of industrial products we now export all kinds of industrial products source source meaning a place person or thing

If lions come, we'll fight until the end If tigers come, we'll fight and battle If elephants come, we'll fight in rage If humans come, we'll fight and obliterate We, If lions come, we'll fight until the end If tigers come, we'll fight and battle If elephants come, we'll fight in rage If humans come, we'll fight and obliterate If you come as snakes, We'll become Garuda birds and fly over you If you come as tigers, We'll face you as Lions with blue mane HU HU HU HU HU HU HU HU If you with come evil intentions, we'll give you a fight! Ten of us will strike you as thunder Hundred of us will shatter your hearts Thousand of us will destroy and obliterate Ten thousand of will hand you the wrath of Heaven! If you come as flood, we'll fight until the death If you come swarming, we'll scatter you around If you come flying, we'll shoot you down with our archery If you come charging, we'll slice you with our swords HU HU HU HU HU HU HU HU Let's cut through them as speed of flying falcons! Let's burn within as the hearts wolves! Let's stampede with our horses! Let's defeat them with the wisdom of our Great Khaan, Chinggis! HU HU HU HU HU HU HU HU

I eat healthy, I eat carrot I grow strong, I grow big! I eat unhealthy, I eat a hot dog I grow small, I grow weak Carrot - is healthy Hot dog is unhealthy Choose healthy food No, I won’t! I eat healthy, I eat broccoli I grow strong, I grow big! I eat unhealthy, I eat chocolate I grow small, I grow weak Broccoli - is healthy Chocolate is unhealthy Choose healthy food No, I won’t! I eat healthy, I eat cucumbers I grow strong, I grow big! I eat unhealthy, I eat French fries I grow small, I grow weak Cucumbers are healthy French fries are unhealthy Choose healthy food No, I won’t! I eat healthy, I eat tomatoes I grow strong, I grow big! I eat unhealthy, I eat burgers I grow small, I grow weak Tomatoes are healthy Burgers are unhealthy Choose healthy food No, I won’t! I eat healthy, I eat avocado I grow strong, I grow big! I eat unhealthy, I eat chips I grow small, I grow weak Avocado is healthy Chips are unhealthy Choose healthy food No, I won’t! Carrot is healthy Let’s eat some carrot Choose healthy food! Yes, I will

hi there it's kaylee today we're going  to use a number line to determine   if inequalities with negative numbers  and variables are true or false let's go now let's take a look at the points on this  number line based on the number line which of   these statements are true the first statement  says points x y and z are all negative numbers   and that would mean x y and z are all less than  zero are these statements true well let's find out   x is equal to negative five so this is the same  as negative five less than zero is that statement   true yes the next one says y is less than zero and  y is equal to zero so this statement says zero is   less than zero is that statement true no zero is  equal to zero this next one says z is less than   zero is that true if we have negative two less  than zero is that a true inequality yes but if   we have two true inequalities and one inequality  that's not true that means our statement is false let's try the next statement it says  point y is greater than point z and x   is this true this would mean that y is greater  than z and y is greater than x if y is zero   this inequality would say zero is greater than z  which is negative two and y this inequality here   zero is greater than x which is negative five  are these inequalities true yes zero is greater   than any negative number so that means this  statement is true let's try that last one   point x is greater than point z and y so this  is saying x is greater than z and x is greater   than y are these true if x here is equal to  negative 5 greater than z which is negative 2   and this one here x is equal to negative 5 greater  than y is equal to 0. are these inequalities true   negative 5 is less than negative 2 so that's not  true and is negative five greater than zero no way   we know that zero is greater than any negative  number so it looks like this statement is also   false gabe is going ice climbing his pants and  jacket will keep him warm down to negative eight   degrees but ice climbing is only safe  if the temperatures stay less than zero   degrees on which days will it be safe for gabe  to ice climb and not too cold for his clothing okay let's start by calling the temperature t  and as it says here his pants and jacket will keep   him warm down to negative eight degrees that means  if t is less than negative eight gabe's gonna be   cold so which of these temperatures is t greater  than negative eight let's check our inequalities   on friday t is equal to four is  four greater than negative eight   yep that one checks out how about on saturday is  negative 9 degrees greater than negative 8 degrees   no negative 9 is smaller than negative 8.  how about on sunday is negative two degrees   greater than negative eight degrees yeah  it is so on saturday gabe will be too cold   in his clothes to go ice climbing but we have  another requirement here ice climbing is only safe   if the temperatures stay less than zero  degrees so that is telling me that when t   is greater than zero danger so that means  we need t to be less than zero degrees   let's check our weather forecast here is four  degrees less than zero degrees no obviously not   how about here is negative nine degrees less than  zero degrees yep that checks out negative numbers   are less than zero how about on sunday is negative  two less than zero degrees yes by our same logic   negative numbers are less than zero okay so on  what day do both of our requirements check out   it's warm enough that gabe won't be cold in  his clothes but cold enough that it's safe   to ice climb yeah on sunday right sunday is the  only day that the temperature is greater than   negative eight but less than zero so so this is  the day that gabe can go on his ice climbing trip   that was some complex math thinking you did great   we have another video about negative numbers  and how the negative symbol can be used to mean   opposite it's called negative numbers  opposites on the number line i'll see you there

Astronomers have discovered the heaviest star in the universe, believed to be more than twice the weight of the Sun Astronomers have discovered the heaviest star in the universe, believed to be more than twice the weight of the Sun Located approximately 4,600 light-years away and 330,000 times larger than Earth, the neutron star was formed from the remains of a supernova when a giant star collapses Located approximately 4,600 light-years away and 330,000 times larger than Earth, the neutron star was formed from the remains of a supernova when a giant star collapses Located approximately 4,600 light-years away and 330,000 times larger than Earth, the neutron star was formed from the remains of a supernova when a giant star collapses Located approximately 4,600 light-years away and 330,000 times larger than Earth, the neutron star was formed from the remains of a supernova when a giant star collapses All stars do not become black holes when they reach the end of their lives All stars do not become black holes when they reach the end of their lives Sometimes, when the core of a massive star collapses, the remains are densely packed Sometimes, when the core of a massive star collapses, the remains are densely packed The force of its gravity crushes protons and electrons together, forms neutrons, and transforms the mass into a 'neutron star' The force of its gravity crushes protons and electrons together, forms neutrons, and transforms the mass into a 'neutron star' The force of its gravity crushes protons and electrons together, forms neutrons, and transforms the mass into a 'neutron star' The force of its gravity crushes protons and electrons together, forms neutrons, and transforms the mass into a 'neutron star' Astronomers still don't know much about neutron stars Astronomers still don't know much about neutron stars but recently a team of researchers with the NANOGrav Physics Frontiers Center reported on a discovery but recently a team of researchers with the NANOGrav Physics Frontiers Center reported on a discovery that gave mankind another step to understand these unusual creations Brought closer that gave mankind another step to understand these unusual creations Brought closer He observed the existence of the largest neutron star that scientists never found. He observed the existence of the largest neutron star that scientists never found. Typically, neutron stars are the same size as a city, and are made "so tightly packed," according to NASA, that a sugar-cube-size material weighs more than [a billion] tons. and are made "so tightly packed," according to NASA, that a sugar-cube-size material weighs more than [a billion] tons. and are made "so tightly packed," according to NASA, that a sugar-cube-size material weighs more than [a billion] tons. And this newly discovered celestial body is 2.14 times the mass of the Sun And this newly discovered celestial body is 2.14 times the mass of the Sun This discovery limits how large and dense a mass can be without a black hole. This discovery limits how large and dense a mass can be without a black hole. The neutron star named J0740 + 6620 is classified as a 'pulsar' The neutron star named J0740 + 6620 is classified as a 'pulsar' This basically means that it emits a beam of radio waves from each magnetic pole like a lighthouse This basically means that it emits a beam of radio waves from each magnetic pole like a lighthouse This basically means that it emits a beam of radio waves from each magnetic pole like a lighthouse NASA said on its website, "Pulsar also rotates faster" than the kitchen blender. NASA said on its website, "Pulsar also rotates faster" than the kitchen blender. Using the Green Bank Telescope located in West Virginia the team of researchers observed both a white dwarf star and a neutron star By measuring the white dwarf - a dead star's low-density corpse - and the neutron star interacting with each other, the team can measure the size of the neutron star. interacting with each other, the team can measure the size of the neutron star. According to Alber

Dragonfruit (Scientific name is Hylocereus undatus) Dragonfruit (el nombre científico es Hylocereus undatus) Jackfruit (Scientific name is Artocarpus heterophyllus) Yaca (el nombre científico es Artocarpus heterophyllus) Mango (Scientific name is Mangifera indica) Mango (el nombre científico es Mangifera indica) Papaya (Scientific name is Carica papaya) Papaya (el nombre científico es Carica papaya) Apricot (Scientific name is Prunus armeniaca) Albaricoque (el nombre científico es Prunus armeniaca) Orange (Scientific name is Citrus sinenis Budd) Naranja (el nombre científico es Citrus sinenis Budd) Pomegranate (Scientific name is Punica granatum) Granada (nombre científico es Punica granatum) Plum (Scientific name is Prunus domestica Brooks) Ciruela (el nombre científico es Prunus domestica Brooks) Lychee (Scientific name is Litchi chinensis) Lychee (el nombre científico es Litchi chinensis) Apple (Scientific name is Malus domestica) Apple (el nombre científico es Malus domestica) Orange (Scientific name is Citrus sinenis Budd) Naranja (el nombre científico es Citrus sinenis Budd) Guava (Scientific name is Psidium guajava) Guayaba (el nombre científico es Psidium guajava) Pear (Scientific name is Pyrus) Pera (nombre científico es Pyrus) Cherry (Scientific name is Prunus avium) Cereza (el nombre científico es Prunus avium) Loquat (Scientific name is Eriobotrya japonica) Níspero (nombre científico es Eriobotrya japonica) Sugar apple (Scientific name is Annona squamosa) Manzana de azúcar (el nombre científico es Annona squamosa) Orange (Scientific name is Citrus sinenis Budd) Naranja (el nombre científico es Citrus sinenis Budd) Rose apple (Scientific name is Syzygium jambos) Manzana rosa (el nombre científico es Syzygium jambos) Fig (Scientific name is Ficus carica) Higo (el nombre científico es Ficus carica) Melon (Scientific name is Cucumis melo var. cantalupensis) Melón (el nombre científico es Cucumis melo var. Cantalupensis) Passion Fruit (Scientific name is Passiflora edulis) Fruta de la pasión (nombre científico es Passiflora edulis) Durian (Scientific name is Durio) Durian (nombre científico es Durio) Pear (Scientific name is Pyrus) Pera (nombre científico es Pyrus) Persimmon (Scientific name is Diospyros kaki) Caqui (el nombre científico es Diospyros kaki) Apple (Scientific name is Malus domestica) Apple (el nombre científico es Malus domestica) Watermelon (Scientific name is Citrullus lanatus) Sandía (el nombre científico es Citrullus lanatus) Peach (Scientific name is Prunus persica) Melocotón (el nombre científico es Prunus persica) Lemon (Scientific name is Citrus × limon) Limón (el nombre científico es Citrus × limon) Strawberry (Scientific name is Fragaria × ananassa) Fresa (el nombre científico es Fragaria × ananassa) Melon (Scientific name is Cucumis melo var. cantalupensis) Melón (el nombre científico es Cucumis melo var. Cantalupensis) Mango (Scientific name is Mangifera indica) Mango (el nombre científico es Mangifera indica) Apple (Scientific name is Malus domestica) Apple (el nombre científico es Malus domestica) Peach (Scientific name is Prunus persica) Melocotón (el nombre científico es Prunus persica) Peach (Scientific name is Prunus persica) Melocotón (el nombre científico es Prunus persica) Persimmon (Scientific name is Diospyros kaki) Caqui (el nombre científico es Diospyros kaki) Loquat (Scientific name is Eriobotrya japonica) Níspero (nombre científico es Eriobotrya japonica) Unknown Chestnut (Scientific name is Castanea) Castaño (nombre científico es Castanea) Plum (Scientific name is Prunus domestica Brooks) Ciruela (el nombre científico es Prunus domestica Brooks) Loquat (Scientific name is Eriobotrya japonica) Níspero (nombre científico es Eriobotrya japonica) Grape (Scientific name is Vitis) Uva (nombre científico es Vitis) Jackfruit (Scientific name is Artocarpus heterophyllus) Yaca (el nombre científico es Artocarpus heterophyllus) Jujube (Scientific name is Ziziphus) Azufaifo (el nombre científico es Ziziphus) Peach (Scientific name is Prunus persica) Melocotón (el nombre científico e

Ended up far away from the trail Hard to shake Paranoia plays round in the bones Hard to hear words over the phone Signals lost The darker the road The sharper the frost Ended up far away from home Not a wonderland Not a promise land But a cursed one Such a wretched hole That we’re digging in Such a wretched thing Such a tainted plan Such a thick forest in the dead of night Sharpen your eyes. You knew the cost. Can’t be surprised Biting your tongue To make sure It’s still there Into the night, the part of yourself you thought you forgot Back on the path Ended up far away from home Theres a difference Between saying grace and saving grace, one’s a sickness The other is arbitrary Into the night Fogs thickening. Starlights flickering. Such a wretched pace Hard to focus. Such a tainted plan. Such a thick forest Ended up far away from home Ended up far away from home Sharpen your eyes. You knew the cost. Can’t be surprised Biting your tongue To make sure It’s still there Into the night, the part of yourself you thought you forgot Back on the path Ended up far away from home Ended up far away from home Ended up far away from home Ended up far away from home Ended up far away from home

ALPHA FE 28-60mm F4-5.6 The world’s smallest and lightest* full-frame compatible zoom lens *Among interchangeable zoom lenses for 35mm full-frame format digital camera bodies, as of Sep 2020. Sony survey. Compact and light full-frame lens Compact retractable lens 4.5cm (1 13/16 inch)-length*, 167g (5.9 oz) weight* *Approx. Compact and high resolution a7C 1/500 sec., F5.6, ISO 400 a7C 1/20 sec., F11, ISO 400 a7C 1/125 sec., F5.6, ISO 800 a7C 2 sec., F11, ISO 100 High resolution throughout the zoom range Versatile zoom lens suited to any scene 28mm a7C 1/400 sec., F4, ISO 200 28mm a7C 1/400 sec., F4, ISO 200 50mm a7C 1/250 sec., F6.3, ISO 200 60mm a7C 1/20 sec., F11, ISO 400 Compact and outstanding AF for stills and movies Linear motor for quiet AF in stills and movies Linear motor for precise still and movie AF Linear motor for fast AF in stills and movies a7C 1/10 sec., F11, ISO 200 a7C 1/320 sec., F5.6, ISO 200 a7C 1/30 sec., F8, ISO 100 a7C 1.6 sec., F5.6, ISO 100 a7C 1/640 sec., F5.6, ISO 400 a7C 1/125 sec., F5.6, ISO 400 a7C 1/80 sec., F4, ISO 400 Compact full-frame lens for Alpha FE 28-60mm F4-5.6

Welcome to 4K Scenic Relaxation! Amazon 4K - Scenic Relaxation Film | Beautiful Relaxing Music | Nature Sound, Stress Relief (4K Video Ultra HD) The Amazon Rainforest, also known as Amazonia, is a vast tropical forest located in South America, primarily in Brazil, but also extending to several other countries including Peru, Colombia, and Ecuador. It is the largest Welcome to 4K Scenic Relaxation! Amazon 4K - Scenic Relaxation Film The Amazon Rainforest, also known as Amazonia, is a vast tropical forest located in South America, primarily in Brazil, but also extending to several other countries including Peru, Colombia, and Ecuador. It is the largest Welcome to 4K Scenic Relaxation! Amazon 4K - Scenic Relaxation Film The Amazon Rainforest, also known as Amazonia, is a vast tropical forest located in South America, primarily in Brazil, but also extending to several other countries including Peru, Colombia, and Ecuador. It is the largest rainforest in the world, covering approximately 5.5 million square kilometers. rainforest in the world, covering approximately 5.5 million square kilometers. rainforest in the world, covering approximately 5.5 million square kilometers.

Violence can be used for the benefit of What are you talking about? About justice The people should not be afraid of power Power must be afraid of the people Long live anarchy! - The enemy is approaching, waiting for orders - Shall I open fire? - There is no answer from the top - The general, not the commander-in-chief, is not responsible. - Lower the weapon It's hard to be proud, it's hard to be brave The slave clings to his throat, the slave lives in each An ancient evil curse Black relic fear Boa constricts the hug And rusty nails in the legs I know how difficult it is Become from your knees and scream The slave kills me The slave forces silences Scary pain and torture To live like a dog on a chain Recognize defeat beforehand Loop itself to fasten KILL THE SLAVE! KILL THE SLAVE! KILL THE SLAVER INSIDE YOURSELF! Above secular laws Dogmas of church enemas Words from childhood are familiar: "Freedom" and "humanism" Mutual respect Joyful honest work Powerful heartbeat Eliminate slavish fetters KILL THE SLAVE! KILL THE SLAVE! KILL THE SLAVER INSIDE YOURSELF! KILL THE SLAVE! KILL THE SLAVE! KILL THE SLAVER INSIDE YOURSELF! KILL THE SLAVE! KILL THE SLAVE! KILL THE SLAVER INSIDE YOURSELF! This is a symbol Just like its destruction These people give the symbols a power Without them, the symbol is nothing - Die - Why are not you dying? - Why are not you dying? Under this mask, not only the flesh Under this mask, the idea A bullets are not terrible for ideas

in this video we're going to go over the answers  for the CUDA software infinite calculus free   worksheet derivatives of inverse functions  I'll leave a link in the description below   so you know how to access this free worksheet and  so you know how to support my channel by becoming   a patreon so click that patreon link to find  out more our instructions for our first section   say for each problem find the inverse function  derivative of X by direct computation so we're   first going to calculate the inverse function  and then we're going to find the derivative of   that inverse function so remembering how to find  the inverse remember y and x will get switched so   we'll have X equal to negative 3 y plus 3 so I'll  subtract 3 from both sides to get X minus 3 equal   to negative 3 y and then I'll divide by negative  3 to get negative X minus 3 over 3 equal to Y but   remember this Y is my inverse function so now  I'm going to write this in inverse notation so   the inverse function of x equals negative x over  3 so negative 1/3 x minus a negative so plus 3   over 3 which equals 1 so here we have the inverse  function of f of X which is negative 1/3 X plus 1   now we're going to take the derivative of that so  the derivative of the inverse function of x equals   the derivative with respect to X of negative 1/3 X  plus 1 the derivative of a constant is 0 so we're   looking at the derivative of negative 1/3 X which  is negative 1/3 so the derivative of our inverse   function of x equals negative 1/3 let's move on  to number two and number two again we're going to   first start for direct computation by calculating  the inverse function so if y equals f of X we're   going to switch why and X so we'll have X equal  to negative 2y plus 3 then I'll subtract 3 from   both sides to get that X minus 3 equals negative  2y next I'll divide both sides by a negative 2   to get negative X minus 3 over 2 equals y so an  inverse notation that's the inverse function of x   equals negative x over 2 so negative 1/2 X minus  a negative so plus 3 over 2 and when I find the   derivative of our inverse function of X that's  the derivative of negative 1/2 X plus 3 halves   and we can see that 3 halves is a constants of  the derivative of a constant is 0 so I'll have   0 plus the derivative of negative 1/2 X which is  a negative 1/2 so negative 1/2 is the derivative   of our inverse function of X and number 2 now  let's move on to number 3 for problems 3 through   6 we're now going to be finding the derivative  of the inverse function of X F inverse prime   of X by using the theorem the theorem states  that the derivative of the inverse function of   x equals 1 all over the derivative of F of the  inverse function of X so what we're going to   need to do is we're going to need to calculate the  derivative of F and then plug our inverse function   in to that derivative and that's all below our  value of 1 looking at number 3 we have f of X   equals negative 5x plus 1 so the derivative of  f of X equals a negative 5 because this 1 is a   constant of zero and the derivative of negative  5x is negative 5 so again the derivative of f of   X equals negative 5 now I'm going to calculate  my inverse function of X the inverse function   of X remember if I switch Y and X I'll solve for  that so I'll have X equal to negative 5y plus 1   I'll subtract 1 from both sides to get X minus  1 equal to negative 5y and then I'll divide by   a negative 5 on both sides to give me that my  inverse function of x equals negative X minus   1 over 5 so now that I have my inverse function  of X I'm going to take that value and plug it   in for my X in my derivative however there is no  X within my derivative formula so regardless of   what I plug in the derivative of the f of X is  always going to be negative 5 so the derivative   of my inverse of X equals 1 over F prime of  negative X minus 1 over 5 however we know that   that derivative is always negative 5 so this is  going to equal negative 1 over 5 1 over negative   5 is the same as negative 1 over 5 and that's my

Catch me in the battle bus Fortnite Make it rain money dance Fortnite Running from a storm in a Fortnite Droppin on yo bitch in a Fortnite Fortnite Fortnite All night Fortnite Fortnite All night Running from a storm in a Fortnite Droppin on yo bitch in a Fortnite Catch me in the battle bus Fortnite Make it rain money dance Fortnite Running from a storm in a Fortnite Droppin on yo bitch in a Fortnite Fortnite Fortnite All Night Running from a storm in a Fortnite Droppin on yo bitch in a Fortnite Llama Llama Piñata Do the Money dance when i'm with yo momma Lil Pump back with the boogie down disco I'm back with the Loot Box let's go Gliding on yo bitch room when she at home Lil Pump Shotgun gotta reload Gotta lot of Lean in the Chug Jug Gotta lot of Slurp Juice whats up? We out here Hiding in the bushes Throw the Boogie Bomb i'm pushing pushing Got about a million of the V-Bucks Lining up girls for the D-sucks Streaming streaming on that Twitch Me and Ninja take yo bitch Tomato Town too much sauce Eating Pizza like a Boss Up in class dripping sauce Server down connection lost Gotta new skin like I'm John Wick Gotta #1 like real quick Y'all can't keep up nice with the sticks No cocaine but I flip them bricks Llama Llama Llama Llama Smash Smash Smash that Llama Llama Llama Llama I said just smash that Llama

Gotta put her on the team, got a great bench Linking with the opps, bitch, I did that shit for J Prince Bitch, I did it for the mob ties, Feel like seventeen, two Percs, frog eyes And I never been the one to go apologize, Me, I'd rather hit 'em up one more time Ayy, known the girl for six months, dinner up at my place, But I got these diamonds on my neck, so it's a blind date All my ni^^as on the roads raising up the crime rate, Your name not ringin' out here, it's on vibrate And she took a score, now shorty gotta hydrate, And he did some dirt, now my crodie gotta migrate Prolly won't see him for some years, when I do, though, Turn me up Crodie, turn me up Crodie, turn me up Ayy, Crodie, turn me Ayy, yeah, what? Crodie, turn me, what? (21) In a droptop Benz like it's '03 (21) Had the shooters aim down from the nosebleeds (21) Gotta get this passport, keep my nose clean, Bitch tried to burn me up Keep a Magnum tucked (Yeah) I'll never slip (Never) SF90 rims red like a poker chip (Pussy) Rich as hell, still hood, in the Stroker's VIP (Pussy) Pink slip in the glove for the ownership (21), Limpin' with the .30 on like a broke hip (21) Red flag giving blood on some donor shit (On God), All the opps get a bullet on some Oprah shit Went from Angell Town Estate to a big estate, Prolly woulda had a zombie on me if I woulda stayed (21) Still a caught a case if I woulda stayed (Facts) I been thuggin' all my life, that's just how I play it (Facts) Still posted in the A where ni^^as fear me, Still gotta see the Gunners win Premier League (21) Still gotta keep a gun that's always near me, And I'm down to hit 'em up, One more time Hit my line, you know that head was great Oh, yeah, alright, don't do romancin' One more time, you gotta run the fades Oh, yeah, alright One more time One more— One more— One more time

For an airplane to fly, the wings need to create an upward force which is called “lift.” It is also necessary for the airplane to be able to maneuver. The engine of the aircraft provides a forward force that is called “thrust”, which counteracts the force from air resistance, which is called “drag.” Unlike airplanes, birds generate thrust by pushing their wings against the air molecules. But, airplanes and birds maneuver and generate lift the same way. More lift is achieved when air molecules flow faster across the wings. Suppose that the air around a wing is completely still. The air pressure from above and below the wing will cancel out, and there will be no net force. Now suppose the wing is moving relative to the air. As air flows around the wing, the wing’s shape forces the air above the wing to flow faster than the air below. The air below the wing is now creating a greater pressure than the air above, which creates a net upward force on the wing. This is one of the two reasons that lift is created. The second reason is that if we tilt the wings, the air molecules will generate an upward force when they bounce off the bottom part of the wing. The fact that air molecules generate a force when they bounce off a surface is also what allows an airplane to maneuver by using movable surfaces controlled by the pilot. These movable surfaces are what is called the rudder, the elevator, and the ailerons. The rudder controls what is called “Yaw.” The elevator controls what we call “Pitch.” And the ailerons control what is termed “Roll.” When the aileron on one wing goes up, the aileron on the other wing goes down. When an airplane rolls, the force of lift created by the wings changes direction. A component of the lifting force is now pointed sideways, and this allows the airplane to turn and change direction. But, when the direction of lift changes, this also decreases the component of the lifting force pointing upward. We need to compensate for this loss of lift in the upward direction during the airplane’s roll, and we can do this by simultaneously controlling the airplane’s pitch with the elevator. Changing the airplane’s pitch with the elevator allows the pilot to change the strength of the lift that is produced. Changing the airplane’s pitch changes the angle between the airplane’s wings and the direction of the incoming air molecules. The angle between the wings and the direction of the incoming air molecules determines how much lift is created. If the force of lift is stronger than the force of gravity, the airplane’s elevation increases. If the force of lift is weaker than the force of gravity, the airplane’s elevation decreases. As we increase the angle of the wings relative to the direction of the incoming air molecules, the lift increases. However, there is a certain angle which will give the maximum lift possible, and if we increase the angle even further, the lift will decrease. If this happens, the airplane is in a stall, and the airplane will end up losing altitude. To recover from a stall, the nose of the airplane should be pointed downward, so as to decrease the angle between the wings and the incoming air flow. The amount of incoming air flow can be altered by changing the airplane’s speed. The faster an airplane is moving relative to the surrounding air, the more lift it generates. When it is time to land, the airplane’s speed needs to be significantly reduced, and this is done by reducing the amount of thrust generated by the engine. This, then also reduces the amount of lift generated, causing the airplane to lower altitude in preparation for the landing. However, right before the airplane is about to land, the speed may be so slow that the wings are not generating enough lift. We can increase the amount of lift being generated during landing by extending the wing flaps. Extending the wing flaps also significantly increase the amount drag from the air resistance, causing the airplane to slow down more quickly. It is always desirable to land into the wind, so as to shorten the amount of runway necessary to

Hello music people. Welcome to another video on our channel. And in this video I'm going to analyze Ochman with the song "River". I don't know this singer and I've never heard this song before, therefore, it will be the first time I will hear it. And for those who don't know, I'm a heavy metal singer, multi-instrumentalist, producer and composer. And in this video, I will analyze the vocal behavior, the musical style, how the elements of the song work and how your voice is working. how the elements of the song work and how your voice is working. Therefore, whenever I consider it necessary, I will make my technical observations. But first of all, if you are not a subscriber yet, subscribe, turn on notifications, like and share this video. And leave more suggestions in the comments. The message has been passed and we go to the most important thing, Let's break down Ochman. And now I take this opportunity to make a comment about the piano. The piano has a very dramatic sound. This is thanks to the notes used here and This is thanks to the notes used here and It enriches the drama of this song much more. I'm already very surprised by his voice. His voice sounds fantastic. I... My auditory perception tells me that Ochman is a singer in a tenor region. I... My auditory perception tells me that Ochman is a singer in a tenor region. I... My auditory perception tells me that Ochman is a singer in a tenor region. He has a voice that has a lot of prominence. and this way he works with his voice is incredible. Because he shows a lot of skill with his voice. And the tenor has a very light turn to work with. He is fantastic. Of course, my region is different from the region where he sings and my comfort zone is different, it's not the same. But it's amazing how he inserts this way of singing and these notes... But it's amazing how he inserts this way of singing and these notes... It's really surprising. This is fantastic. It is a very strong work of your voice. It is in a direct region of the mask voice. It's a very consistent voice and the incredible vocal power that it possesses. It's a very consistent voice and the incredible vocal power that it possesses. I didn't expect him to do this. This is a way of singing... An incredible lyrical component. It's a bit of work in the head region and not necessarily a use of falsetto. It's a bit of work in the head region and not necessarily a use of falsetto. Because the use of falsetto is weak and here the projection is more powerful than the use of falsetto. If he did the falsetto... But that's not what it does. It is this... This is very different, it contains more force than a falsetto projection. Amazing. This is very different, it contains more force than a falsetto projection. Amazing. And there is a detail in all this, which is the aesthetics that music has. The piano, an instrument with keys, violins, inserted in a contemporary sound, The piano, an instrument with keys, violins, inserted in a contemporary sound, inserted in a modern use of music. inserted in a modern use of music. We can say that it sounds electronically. These elements make us realize the classic crossover style. These elements make us realize the classic crossover style. And the way Ochman sings is just that. It is a mixture of the modern, the classic and the modern. And this is fantastic. Amazing.. And the virbato is incredible. It is a consistent use of vibrato. Sensational. Look at this melisma. It is different from vibrato. If he did the vibrato... It would be longer, this vibration of the voice and that's not what it does. It would be longer, this vibration of the voice and that's not what it does. Make a little drawing. A fantastic dynamic. And look how he makes the dynamism with his voice. After all this consistency and strong projection of his voice, After all this consistency and strong projection of his voice, inserts an incredible delicacy. A fantastic interpretation. But it's very interesting to see how he has such a strong personality as a singer. And this personality is what distinguishes him from oth

Access granted. Welcome to your second game. Before the second game begins, Choose one of among the four shapes and stand before it. Choose a shape and stand in front of it immediately. Choose a shape and stand in front of it immediately. The time to decide has ended. We will now reveal the game. All players, please each take a case in front of you. Please, open the case and check the contents. The next game is sugar honeycombs. The shape you have chosen is the shape you must piece out. The time limit is ten minutes. You will pass if you trim out the shape within ten minutes. Let the game begin. Number 111, pass. Number 218, pass. Number 067, pass. Number 199, pass. Number 204, pass. Number 205, pass. Number 201, pass. Number 206, pass. It melted. That's it. I can melt it from the back. The lines are thinner, so it will melt first. Number 208, pass. Number 456, pass. The second game is now over. All successful players, please leave the playground immediately. Put your hands up. Number 207, pass. Number 123, pass.

I was so insatiable Till the lights came on And the stories got old Now there's no one here I know And the city outside's Not the same anymore And I I remember when we were young We'd write our names in the sand, so carelessly Then the rain came and yours was gone And now mine, it stands alone Nobody sees me Now, I'm a one man show I'll do this on my own We knew it all then Now, this is all I know Guess I'm heading home now (Ooh-ooh, ooh-ooh) (Ooh-ooh, ooh-ooh) (Ooh-ooh, ooh-ooh) Yes, I'm heading home now (Ooh-ooh, ooh-ooh) (Ooh-ooh, ooh-ooh) (Ooh-ooh, ooh-ooh) Yes, I'm heading home now And the music always played With the sound of our lives And the sweetest escape And the neighbors would complain We would turn it up louder Who cares anyway? 'Cause we We remember that we were young Our lives were grains in the sand Had we made our castles and kingdoms up? Now the waves have torn them down Nobody sees me Now, I'm a one man show (Ooh-ooh, ooh-ooh) (Ooh-ooh, ooh-ooh) (Ooh-ooh, ooh-ooh) Yes, I'm heading home now (Ooh-ooh, ooh-ooh) (Ooh-ooh, ooh-ooh) (Ooh-ooh, ooh-ooh) Yes, I'm heading home now You'll find me I'll be here, oh I can't see I can't breathe anymore But how could we have stayed? You were high on love I was drunk Drunk on the pain (Ooh-ooh, ooh-ooh) (Ooh-ooh, ooh-ooh) (Ooh-ooh, ooh-ooh) Yes, I'm heading home now (Ooh-ooh, ooh-ooh) (Ooh-ooh, ooh-ooh) (Ooh-ooh, ooh-ooh) Yes, I'm heading home now