Update README.md

README.md

@@ -79,23 +79,81 @@ widget:
     url: images/example_f5piowon2.png
 
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+# |\ Zinaida Serebryakova Style /|/\|FLUX LoRA|/\|
+## |||  Variant 2  ||| By SilverAgePoets.com |||
 
-# Zinaida E Serebryakova FLUX LoRA Variant 2
-## By SilverAgePoets.com
+For generating stylized images reminiscent of oil paintings by **Zinaida Serebryakova**. <br>  
 
-For generating stylized images reminiscent of oil-painted artworks by **Zinaida Serebryakova**. <br>  
+Our Low-Rank Adapter (LoRA) for FLUX models fine-tuned on a set of manually pre-processed art scans... <br> 
+Representing a broad selection (about 70 pieces) from among the distinctive oeuvre of oil paintings by... <br> 
+The epochal Ukrainian-Russian-Soviet-French or, in short, World artist: <br> 
+**Zinaida Serebryakova** *(1884 — 1967)*, <br>
+One of the 20th century's most vividly expressive, stylistically unique, and altogether brilliant painters from life and times, <br>
+And who is particularly celebrated and influential as a portraitist, whose works manage to be at once unmistakable expressions of her unique style and yet still feel utterly transparent, as if direct translations from life. <br> 
 
 **Find this LoRA's Alternate Variant – base FLUX.1-Dev-tuned – [AT THIS LINK](https://huggingface.co/AlekseyCalvin/serebryakova_fluxlora_var1_silveragepoets)**. <br> 
 **This Variant of *our Serebryakova Style LoRA* was fine-tuned over a De-Distilled Version of FLUX, at a higher rank than Var.1, but slightly fewer steps.** <br> 
 
-Our Low-Rank Adapter (LoRA) for FLUX models fine-tuned on a set of manually pre-processed & exhaustively captioned art scans... <br> 
-Representing a broad selection (about 70 pieces) from among the distinctive oeuvre of oil paintings by: <br> 
-the epochal Ukrainian-Russian-Soviet-French or, in short, World artist **Zinaida Serebryakova** *(1884 — 1967)*, who is one of the 20th century's most vividly expressive, stylistically unique, and altogether brilliant painters from life (and particularly celebrated and influential as a portraitist). <br> 
-
 <Gallery />
 
 ## Trigger words
-You should use `Serebryakova style oil painting by the Soviet artist Zinaida Serebryakova` or 'Serebryakova style art' to summon the artist's latent hand.
+You should use `Serebryakova style oil painting by the Soviet artist Zinaida Serebryakova` or `Serebryakova style art` to summon the artist's latent brush. <br>
+
+## A POEM OF VARIANTS & ARTS (spontaneously drafted whilst scribbling this Readme) <br>
+*Now, we – resisting faux-objective ranky claiming –* <br>
+*Resent few things as much as verdicts thickly framing* <br>
+*One or another in a set of co-distinctive versions* <br>
+*(Whether of LoRAs, bases, language games, or persons)* <br>
+*As absolutely "better", "closer", or etcetra than some other...* <br>
+*(It's better? How?* <br>
+*_     _     _ Or even better: When?* <br>
+*But where's the closest exit?! We would rather...)* <br>
+*Ourselves gush forth that timeless musky vein* <br>
+*Which skeptics shun, while copyright creatives' ever-fading flame* <br>
+*With anxious flickers warms the distance to fresh hearts,* <br>
+*I'd claim:* <br>
+***That what we make on here remains – THE ARTS!*** <br>
+
+*And furthermore, uncanny arts; <br>
+_ _ _ In futures steeped... <br>
+Their steps – <br>
+With singular biographies and styles inscribed <br>
+_ - _ – _ - _ -_ – _ - – _ - _ _ _ - _ With millions of layers' depths <br>
+(And just as many specious patterns on each dust grain's flanks <br>
+Or maybe more, or guessed, or unerased inferring drop by stab by drop <br>
+The past <br>
+Or maybe less, <br>
+Depending on what test ensigned each line <br>
+Past dollar time, what flight, enshrined which "ranks"...) <br>
+Upon twelve billion factors ... <br>
+All these arts <br>
+Adapted one by one, <br>
+____ We keep distinct __ _ _ __ <br>
+Within respective open-use adaptors...* <br>
+
+*Which, thus translated for to be deviced, <br>
+Past (or irrespectively) of law, or eager yearning out of sense, <br>
+We strive to fit unto a lost attention's latching fore <br>
+For if adopted to despair that searches with quick hands, <br>
+And carried onwards past mere codes, <br>
+As art traced back through human angst, and joy, and pain, and lust, <br>
+Now stitching forth by universal maths, which **learns** in cosine time, <br>
+Then rests, restarts, <br>
+A widened stitch, another era, plays translucent cards this art, <br>
+Gyrating dialectics, earth of fire, to flattened spirits just a vortex, curve, <br>
+Again, at last, collectively let go washed on a breathing shore, <br>
+These arts, adaptives, phantoms, artists, with us hand in glove <br>
+They were already waiting, with us <br>
+And may enter, traced out of spazzing noise, on emptiness, <br>
+ A timelessness, <br>
+A door <br>
+We would've sooner <br>
+We had never <br>
+But art <br>
+Had ever never <br>
+Gone before...* <br>
+
+
 
 ## Use it with the [🧨 diffusers library](https://github.com/huggingface/diffusers)