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- > The ledge, where I placed my candle, had a few mildewed books piled up in one corner; and it was covered with writing scratched on the paint. This writing, however, was nothing but a name repeated in all kinds of characters, large and small—Catherine Earnshaw, here and there varied to Catherine Heathcliff, and then again to Catherine Linton. In vapid listlessness I leant my head against the window, and continued spelling over Catherine Earnshaw—Heathcliff—Linton, till my eyes closed; but they had not rested five minutes when a glare of white letters started from the dark, as vivid as spectres—the air swarmed with Catherines; and rousing myself to dispel the obtrusive name, I discovered my candle wick reclining on one of the antique volumes, and perfuming the place with an odour of roasted calf-skin.
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- > In this chapter, Catherine Heathcliff and Linton are the only characters in the novel who have been able to escape from their lives. The candle wick is placed on one of the antique books that were used as a lamp for the first time. It is also important to note that she has no idea what her name means. She does not know how to pronounce it, but she knows that there is something wrong with his name. He cannot understand why he should be called Catherine Earnshaw-Heathcliff; however, I do not want to make him feel comfortable. This is an example of remarkstrayeshadowed by the reader's own mind. As we learn more about the story, we realize that Catherine earnshaw is unable to find out of any kind of anything else. At the end of these chapters, at the beginning of Chapter 1, we see that they are all too much different from each other.
 
 
 
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+ > Beren now, he never thought he was going to get that silmaril from the iron crown in thangorodrim, and yet he did, and that was a worse place and a blacker danger than ours. but that’s a long tale, of course, and goes on past the happiness and into grief and beyond it and the silmaril went on and came to eärendil. and why, sir, I never thought of that before! we’ve got you’ve got some of the light of it in that star glass that the lady gave you! why, to think of it, we’re in the same tale still! it’s going on. don’t the great tales never end?
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+ > The silmaril comes to eärendil. it is a long tale, and it is going on beyond the happy ending of the story. in this way, we see that Berens dream has come true. he is in love with her, but she doesnt know how to do it. she thinks about it as if he had never thought of it before. then again, there is an ironic contrast between his dreams and reality. this is not surprising because they are so far apart from each other. they have been together foreshadowing one another. and yet, even though, they were at the same time. but now, their relationship is more important than any other characters. for example, the two men seem to be separated by them. their friendship is very much more interesting. we can imagine what happens when they get back home. when they meet up in the next chapter, however, then, the darkest danger seems to suggest that they will go on the night. now, after all, everyone else does not want to find outwardly.
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+ \* _NOTE:_ As the above were not saved in real-time, both the input and output had `humanize` string formatting applied to quickly clean them as they were copied and pasted from a Colab notebook.