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When you put two people like Al Pacino and Russell Crowe, you know you have a good thing. This movie, although a bit on the lengthy side at 2 and a half hours, keeps you pretty much involved the entire way. Al Pacino plays great journalist looking for the big story, but gets personal when Russell Crowe loses his job as a researcher for a big tobacco firm, and starts to come loose at the edges because of some damaging information he is aware of. The movie provides some very original plot twists, and kept it surprisingly real. They probably could have cut about 30 mins of footage, but after seeing Mike Wallace freak out...I can understand the length. I definately recommend, but get comfy. | -1no label
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1st watched 12/12/2003 - 3 out of 10(Dir-Gary Fleder): Andy G. is pretty, but it doesn't make the movie any good. This movie with Andy Garcia isn't quite sure what it wants to be from the beginning to the end. Is it a black comedy? Nope. Is it a Love Story? Nope. Is it a crime thriller? Nope. Is it a good guy always wins, story? Nope. What the movie is about is a bunch of old crooks, getting back together for one more job and it ends up going bad and then they are hunted down by the mobster who gave them the job. There are some interesting character actors who do good in their roles mainly because they don't take themselves or their characters too seriously. Specifically, Mister Shhhh played by Steve Buscemi and Critical Bill played by Treat Williams. A wasted narrator(Jack Warden) walks us thru the story like we're talking about some "classic" people but we're really only talking about gangsters who were out for a buck. Garcia seems to be giggling inside thru parts of this movie which takes away any semblance of reality and of course he gets a pretty girl but other than this there isn't much else to be said about this good title, but poor movie. | -1no label
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] |
This film is sometimes called 'The Story of O-Pt.2',which tries to pass itself off as a sequel (of sorts)to the French erotic S&M thriller 'The Story Of O'. Although I've never seen the original version, I did, however get to see this sorry mixed bag of sexual & social politics. I guess the 'O' angle comes from the occasional S&M overtones (which were never as explicit (and unpleasant to watch) as the ones in 'Mistress'. Klaus Kinski is the only recognizable face in this French/Japanese production (but speaks his lines in English--at least in the version I saw). The unnecessary use of surrealism only manages to make this some what boring example in pseudo porn even more pretentious (what are they trying to prove with depicting a piano floating in water?). It's obvious that after the whole "porno chic" trend in cinema petered out (ouch-sorry,bad pun!)about 1975, producers had to scrape the bottom of the barrel trying to please the mavens of adult cinema,not to mention Foreign/Art Cinema,so film goers had to contend with dreck like 'The Last Woman',and others like it. | 0neg
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I totally hated the movie. It was so retarded. They need to get some acting lessons....no, wait, that won't help because the Naked Brothers Band people a retards. You know why I am here even though I am a Naked Brothers Band hater? To warn people before they watch the dumb movie so that the NBB doesn't get any money from it so then they can't make any more amateur stupid songs that are so retarded that any old guy could go and write it in 10 seconds. Not only are the song lyrics retarded, they sing badly. Okay, I'm kinda getting off the movie here.....anyways, it was boring and they acted horribly. It was NOT funny at all even though they tried really hard for it to be. I guess they deserve some credit for that...well, the movie isn't worth your time. Just look at its rating. The movie (and the series) is very painful to watch for anyone who has even half a brain. Seriously, if you liked it, you need to go watch movies where the actors actually act, not babbling their lines in a monotone. I am on the drama club at my school and some people there are actually BETTER than those Nat and Alex guys. Hurry before it's too late! I seriously thought that Herbie Fully Loaded was better than this piece of poopie. I don't even know why I went through even HALF of that film. I don't think it even deserves to be called a film... | 0neg
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] |
"Edge of the City" is another movie that owes a lot of credit to "On the Waterfront". From it's NYC locations, to its score, to the belief that whatever trouble you may be in, you can somehow right your wrongs. "Edge" also deals with ideas like loyalty and racism. In my opinion, that is where the movie does not succeed like "Waterfront". At 85 minutes the movie rushes through the establishment of relationships, and ties everything up so quickly that much of it seems forced and unbelievable. Possible Spoilers**** The relationship between Sidney Poitier and John Cassavettes could have been further developed in the beginning. I don't believe that these two characters, from two very different places would have built such a strong relationship so quickly. I think that the whole love sub-plot with Cassavettes could have been eliminated. He is so awkward with a woman that it becomes painful to watch. The only reason why it is in the movie is so that she can motivate him to do the right thing at the end. There are other ways that they could have shown this. I would have also liked to see some scenes of Axel in the army to illustrate why he is the way he is. The acting is excellent. Poitier is terrific in a role that is beautifully written. His role as Tyler is interesting and multi-layered, and (especially for 1957), a man who is confident, respected, and intelligent. Cassavettes, as Axel North, while very good, does not seem quite right for the part. Warden is terrific as the boss who knows Axel's secret (although his fight scene with Cassavettes at the end is staged horribly. Too many break-away boxes). I thought Ruby Dee was wonderful in role of Poitier's wife. On the whole, "Edge of the City" is a smart, movie with a very good cast that tries too hard to be an interesting noir style picture, without taking the time to let the drama build. 7 out of 10 | 1pos
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It was better than it should have been. It seems like it was first slated as a movie-of-the-week but then an fading MGM figured to score some box office bucks with the gimmick of this being one of their last movies shot on a studio lot. Casting MGM veterans in small parts helped some but, this being a detective movie, Jim Garner has to carry it all the way. Which he does with his usual aplomb. It's a movie of its time. It's a small-town murder mystery with a back story which might have come from a Playboy or Penthouse fiction piece; the type no major studio would have looked at just three years earlier (it was made in 1972), let alone in MGM's heyday. Faults aside, this movie has its interesting plot twists ratcheting up what little tension there is, so I was hooked until the end. But a loose-end or two are never answered - where did the fresh water come from? And if it was from the bath tub, was any fluoridation found? What happened to Peter Lawford's girlfriend? In one scene she's waving hello with her generous bust; in the next - a crucial one involving PL's character - there's patently no trace of her nor does anyone ask. Eh? Hal Holbrook and Katherine Ross form the remainder of the troika of leads; Holbrook as the county vet and Ross as his long-haired, long-legged assistant from New York. In other words, she's really there to become romantically involved with Garner's character (a cinematic must.) Harry Guardino's county sheriff brings in his boys when things get tricky but to no any real effect except the last scene. Garner's character never feels the case slipping away from him or the noose tightening as with Humphrey Bogart's Sam Spade in 'The Maltese Falcon.' June Allyson has a cameo, bringing in yet another plot twist. A better screenwriter and/or director would have put her in more of the picture. Her brief presence lights up the screen far more than the rest of the cast combined - maybe she should have played the detective. | -1no label
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] |
Fifty years ago moviegoers found that Fox's PRINCE VALIENT was much better than expected, thanks to Henry Hathaway's fine direction and a wealth of good sense from 20th Century-Fox. Fox was still well-taken with their new CinemaScope process that just begged for action and beautiful, colorful settings. This movie excels at all, but it's mostly the rock-solid story of King Arthur and the Vikings that makes it. Screen beauties Janet Leigh and Debra Paget almost never showed any leg in any movie, and herein (sorry) are fully covered as usual. Anyway, it's the men who dominate this story. Robert Wagner is perfect as Valient, and Sterling Hayden is at the top of his form, as is James Mason. Truth is that in the age of comic book movies (2000-2008) Hollywood's cocaine sniffers have no clue how to craft this genre with any classic quality. The secret is to focus on (1) story, (2) character development, (3) spectacular sets and scenery, (4) challenge, redemption, faith, patriotism. The religion and honor in Prince Valient would make today's godless movie industry cringe. These days the focus (if any) would be on animation, choppy editing, almost no dialog, and the usual/identical musical score: vim, vim, vim, vim on a violin while a chorus belts out wordless chants. Boring! Thus films like Jerry Bruckheimer's "King Arthur" -- to name just one, is no longer even a memory, let alone a classic. Treat yourself! Rent "Prince Valient" on DVD. | -1no label
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] |
This is hilarious. True, I do prefer the earlier episodes, and it wasn't the same without Compo, but that doesn't deter me from putting on the television and relaxing for 45 or so minutes. The men's antics are a tad predictable, but they are still hilarious, like the episode with Compo dressing up as the ice cream man, with a duck-caller. Another priceless gem was when Seymour, Compo and Clegg try and help Howard escape, and their inflatable boat sinks, and all four men end up in the river. But for me, my favourite episode has to be Das(Welly)Boot. And of course, I love any episode with Foggy. The performances are first rate, especially Bill Owen as Compo. I noticed on the laughter track he got the most laughs. But Peter Sallis as Clegg, Brian Wilde as Foggy and Michael Aldridge as Seymour were a delight as well. I mustn't forget Kathy Staff as Nora Batty. The newer episodes are good, but it's not the same without those lovable characters, because Peter Sallis I think is the only one of them still alive, and over the years is subdued to cameo appearances. All in all, a hugely satisfying comedy series, that still looks good after 30+ years thanks to the amazing countryside scenery. 10/10 Bethany Cox | -1no label
| [
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] |
I say remember where and when you saw this show because I believe if Fox gives Talk Show a chance Spike will be right up there with Conan in a few years because like Conan he is incredibly funny and seems to be just grateful at having his own show which adds to the humor. The funniest bits Spike has had so far are The Idiot Paparatzi and Comedy For Stoners and if your not high and get CFS what does that say about you. In summary this show is funnier in 25 minutes than SNL in an hour so lets hope Talk Show gets the attention it deserves such as an extra half hour, more money and a band. | 1pos
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] |
The movie had no excitement and does not have anything to hold your interest. The movie had nothing exiting,funny,dramatic or romantic about it!!! How can a movie be romantic if the girl never gets a the right guy until the last seen in the movie, than the movie ends??? Maybe part II will be romantic, but somebody else will have to risk wasting their money! I have nothing else to say other than do not waste your time!!! The movie had nothing exiting,funny,dramatic or romantic about it!!! The movie had nothing exiting,funny,dramatic or romantic about it!!! The movie had nothing exiting,funny,dramatic or romantic about it!!! The movie had nothing exiting,funny,dramatic or romantic about it!!! | 0neg
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] |
This is a straight, nonsensical comedy starring 2, or should 3 (Nancy) actors I have never witnessed before. On the same vein as "Dumb and Dumber" and "There's something about Mary" (the Farrelly brothers), I found this movie to be a humorous "Fight Club". In fact, I liked a lot more how the conflict of multiple personalities is handled on this movie; the ending, actually, made a bit more sense (though it would be a toss-up to say this film is better than Fight Club). The film-making tandem of Tom Kennedy & Alex Harz, seem to have the potential to be the next Farrelly brothers or Trey Parker and Matt Stone: aiming for the limit of what audiences might stand in front of a screen. Be sure to watch this film with your best friends, and get ready to laugh yourself silly over this one. It's a good one! | -1no label
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] |
In the deepest jungles of Africa soldiers are being torn apart by an unseen foe. Heads roll and limbs fly! Seven years later we witness a group of friends getting ready to spend a weekend at a remote cabin in the mountains. What should have been a fun getaway turns into a howling night of terror. Bite me! Lance W. Dreesen's lycanthropical fable is quite amusing that doesn't take itself too seriously. The action is tight (when needed) and the gore supplies. Notes should also go to Richard Tyson for playing the sleazy and violent. One can easily see he had fun with his part, but he should definitely work on those one-liners. Rating this 8/10 because I had a good time watching. | -1no label
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] |
2054. Paris is an Escher drawing with people and vehicles scurrying along at multiple levels in an obvious homage to Fritz Lang's Metropolis. Paris is both ultramodern and crumbling into decay. And in the blink between surveillance sweeps, a pretty young medical researcher is kidnapped just after leaving her sister in a seedy nightclub. A tough police captain investigates. Shown in stark black and white, with the gloomy corridors, shadowy alleys and single source lighting characteristic of the most hard-boiled of film noir, comparisons to Sin City are inevitable. But the story owes more to Masamune Shirow and William Gibson than to Frank Miller, as high tech surveillance, near-invisible stealth suits and ruthless super-corporations are as much a part of the landscape as guns and cars. The film never quite generates the doom-laden atmosphere of Gibson's cyberpunk vision, with its tech-heavy marginal characters clashing with industrial types from corporations that all seem to have their own Ministry of Fear, but the viewer definitely gets the sense that future Paris is no Utopia and future science is less than benevolent. And as the police procedural plot line unfolds we are taken into the darker recesses of individual ambition beneath the shiny veneer of Avalon corporation's cultivated PR image. The motion capture process used here produces a look somewhere between B&W comic books and next generation rotoscoping, and is either captivating or intrusive depending on your tastes. Nevertheless, a great visual sense is on display here, and future Paris is filled in down to the tiny details giving the picture a unique look which is in turns both spartan and baroque. Worth a look. | 1pos
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] |
Allan Felix (Woody Allen) is a quirky film critic who has very minimal success with the ladies after being dumped by his wife. With the help of his two friends (Diane Keaton and Tony Roberts) and an imaginary Humphrey Bogart, he attempts to find a mate, but falls for the wrong one. Like I said in the summary, I really don't find Woody Allen to be that great of an actor. Play it Again, Sam changed my mind! This is a lighthearted comedy that I found to be his greatest film. Woody Allen plays the same character he always plays in his movies, but I actually found him to be quite funny in this one. The whole idea of Humphrey Bogart teaching him how to get women was just hysterical to me also. Jerry Lacy was a wonderful Bogart and the on-screen chemistry between Keaton and Allen was as wonderful as in Annie Hall. Overall, Play it Again, Sam was a wonderful quirky comedy but defiantly contains Woody Allen humor. I highly recommend this film. | -1no label
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This watered down version of Jerusalem's Lot is a far cry from the tense atmospheric town we grew to hate in Salem's Lot. They made the mistake of bringing in a non-Salem's Lot child, to endear this attempt to the younger audiences. Larry Cohen, who also wrote It's Alive, It Lives Again, and Maniac Cop 1 & 2, penned this screen play. Cohen's style of writing is mediocre at best, frankly. He's had a couple of surprise hits, but they were surprises because the directors and actors involved made the necessary changes and added a quality to the work which lacked in Cohen's writing. Phone Booth is one such surprise. Unfortunately, he was also the director on this project, which explains the inability of the director to add a different perspective on the written work, and a 3.8/10 rating here at IMDb would seem to support the fact that something did, indeed, go wrong. I has heart, but lacks substance and therefore rates a 3.8/10 from... the Fiend :. | -1no label
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This was one of the movies I was so sure was going to be stupid and annoying but it turned out to be such fine comedy I've already watched it three times in the past week or two. So many good lines. Tom writes a play called Goodnight Bassington - a comedy in about three acts with a tragic ending. George paints Lady Godiva on a bicycle, despite the fact that a bicycle seat IS a little hard on her historical background. Gilda says that she went to see the above-mentioned painting of Lady Godiva with a friend. "She loved it. We haven't spoken since," Gilda tells George, who begins to pout. He does a fair amount of pouting throughout the film. Eaglebauer also makes for some fine humour in some scenes near the end, but we never get to see the man. We only hear him bellowing out a joyous song about "falling leaves and fading trees! Goodbye, summer, goodbye!" But besides all that this really wacky movie is a delight and I sure wish they'd re-release it because it's so good. So. There's only one thing I have to say to you. Immorality may be fun, but it's not fun enough to replace one hundred per cent virtue and three square meals a day. | -1no label
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] |
We expected something great when we went to see this bomb. It is basically a Broadway play put on film. The music is plain terrible. There isn't one memorable song in the movie -- heard any hits from this movie? You won't because there aren't any. Some of the musical numbers go on so long that I got up to go to the restroom and get some pop corn and it was still going when I got back! If they were good songs well -- but they suck. The pace is slow, terrible character development. The lead was praised for her singing but sounded like she screamed every song -- it was almost impossible to stand. This movie has NOTHING to offer anyone but die-hard Broadway enthusiasts. This is without a doubt the most over rated movie I've seen in my entire life. A complete waist of time and money. There is nothing memorable about this movie except Danny Glover -- who wasn't on screen enough and whose character wasn't developed enough. Rent the video and you'll agree -- this movie was an expensive, over produced, polished dog do. | 0neg
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] |
John Waters owes me 2 hours of my life back. I saw a sneak-preview screening of this way back in 1990, and I'm still in pain. Not before or since have I seen such a terrible piece of filmic waste spewed upon the screen. There is nothing positive I can say about this film. Acting--awful; plot--ridiculous; music--atrocious. Following the movie, my friends and I demanded our money back from the manager of the theater. He explained that, since it was a free screening, he couldn't give us anything in return, no matter how much agony we were suffering through. How Johnny Depp's career survived this trainwreck of a movie is anyone's guess. | 0neg
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] |
I watched this series after I had seen the Naked Gun films. I found it much better than the films, and I thought the films were great! This series literally glues you to the television set in anticipation of the next pun, sight gag, or funny situation (the all night wicker place, club flamingo). I don't think I've ever laughed as hard at a TV series in my life, even after seeing the movies first and thus knowing some of the jokes. I think its a shame that only six episodes were produced, but I agree that the writers would be very hard pressed to maintain this level of comedy for any more episodes. Overall, the series is a must see for those who like puns, bad jokes, and slapstick sight-gags. | 1pos
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Little Mosque is one of the most boring CBC comedies I have ever seen. They have a way of producing the easiest comedy programming they can for the oldest most-easily-offended viewers which for CBC means 85 year old farmers in Saskatchewan. The jokes are all predictable and so deathly lame I can't believe it. The performances are very hammy and over acted but I don't blame the actors since those kind of one dimensional stereotyped characters are probably exactly what the CBC asked for and demanded. Very lame show with bad jokes they tried to present as "controversial" well it is less controversial than the other boring CBC comedies like The Hour Has 22 Minutes, Royal Canadian Air Farce and Rick Mercer's Report. | 0neg
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"Solas" is a wonderful movie with a great plot and great actors.Maria Galiana as an old and rural woman that goes to the city to see her daughter and her illness husband made me cry.Is an special movie with a good screenplay.I'm an andalusian boy and movies always has been unfair with Andalusia.In all those movies,andalusian were funny and stereotyped people of the flolcorical Spain.This movie show us how is the life of very rural women in my country.Also,"Solas" is one of the best movies about the relationship between a mother and her daughter that i've ever seen.As loneliness' portrait ,"Solas" os powerful too.Is a movie that insinuate more than what show it,as all good movies.For all those whose dreams are not come true,this movie show us that the loneliness is not the best way to do. | -1no label
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] |
It is long, but it is a true epic saga of the most momentous conflict in human history, The length allows time for the multiple story lines of the various characters in all their complexity, to unfold. The story of WW2, in all its courage, profundity, terror and tragedy could never really be told any other way. TV, of course, does have its limitations as a tool for teaching history, but with a production like this, it comes close to transcending them. The acting, particularly by Mitchum, Seymour and, most especially Gielgud, is consistently excellent. By my own measure this may even be the most profound role of Gielgud's long and illustrious career. Anyone interested in quality historical drama - or simply in the human tragedy of WW2 - should put this production on their "must see" list. | -1no label
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Flash Gordon doesn't have the special effects that Battlestar Galactica has. It doesn't have such actors as Edward James Olmos. I want to be the first to tell you that's okay because Flash Gordon isn't trying to be like BSG. Flash Gordon is trying to be Flash Gordon, full of good campy fun, just with a little modern flavor. I like Flash Gordon because it doesn't take itself seriously, and that is what makes it enjoyable. If you want to spend an hour in front of the TV (45 minutes if you TIVO it and cut out the commercials) and you don't want to spend the whole time figuring out some intricate plot or learn the newest criminal investigation techniques, then watch Flash Gordon. I will admit that I miss the intimidating version of Ming, especially when played by Max Von Sydow. This Ming doesn't have the bite, but he has a subdued ruthlessness (I know that sounds like an oxymoron). And I do have to say that I didn't care too much for the first episode. Still I decided to stick with it for a while and I am glad that I did. Now that the season is over I'm sure Sci Fi will play the entire season over again. So anyone who missed it can start all over. Just give it 2-3 episodes. It's won't kill you! | -1no label
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This is a really great twist on the story. My family and I (3 girls, 4 boys and myself) find it a nice overlapping of values and virtues for families. The characters are well rounded and interesting. Atreyu and Bastian are really good "copies" of each other in their own worlds. It is nice to see the tie-ins from world to world and the storyline stays very straight- there's no confusion as to what is going on. The child-like empress was a very good choice for this story. Her sister, Xayide, is all that the child-like empress is not: hateful, greedy, vain, evil, etc. This is a great adventure! | -1no label
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Definitely the product of young minds, this piece may very well appeal to the 20s crowd, who is still trying to find their place in the world, while obsessing over every neurosis. However, I can't imagine that the heavy amount of narcissistic navel-gazing, trite humor, or banal subject matter would be particularly engaging to anyone over 30. Another problem is that the peripheral characters, whom the filmmakers obviously have nothing but contempt for, are hyped up to such absurd caricatures for comic effect, that they fail to be relatable in any real way. However, one has to give some style points to the filmmakers, who obviously grew up in the video generation, and use every conceivable editing trick in the book in order to spruce up an otherwise non-existent plot. There are 2 points to remember here. First, beware of festival darlings. Second, even though we live in the age of youtube, not everyone's account of their mundane lives deserves big- screen treatment. But these young filmmakers have every right to make their film, and if others 20-somethings can find something in it to identify with, then all the better. Yet I could not help but think at the end of this film how this latest generation, just now coming of age, will fare in the real world that presents so many challenges and complications. In the age when every child is constantly reassured of how special they are, and that they all deserve their 15 minutes of exposure, resiliency and the ability to deal with adversity does not exactly appear to be this generation's strong point. | 0neg
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] |
I absolutely loved this movie. I bought it as soon as I could find a copy of it. This movie had so much emotion, and felt so real, I could really sympathize with the characters. Every time I watch it, the ending makes me cry. I can really identify with Busy Phillip's character, and how I would feel if the same thing had happened to me. I think that all high schools should show this movie, maybe it will keep people from wanting to do the same thing. I recommend this movie to everybody and anybody. Especially those who have been affected by any school shooting. It truly is one of the greatest movies of all time. | 1pos
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] |
Possibly the worst film within the genre in existence. It was announced as a comedy, but is simply tragically pathetic. I don't think anyone could have achieved anything more terrible and irritating if they were specifically requested to. It is toilet humour at its very poorest, I would avoid even watching the trailer. I only went to see it because it was announced that if you like Monty Python, you are bound to love this. Whoever wrote that was either biased or seriously deranged. I am still bewildered how one can honestly believe such a statement. Rarely do I leave the cinema, really it takes a lot of effort for a film to have that effect on me: this one did it in just 30 minutes. | 0neg
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] |
Fleet was released in 1936 during the middle of the depression when people were having a tough time worldwide finding jobs or even finding food to put on the table. In Europe Hitler was on the rise, along with other nationalist/ socialist whackjobs. In the United States seeds of the Cartel sown with the Federal Reserve Act and the income tax amendment (16) were beginning to bear fruit for connected finance capitalists and their dominating secret societies. For the average guy and girl, times were tough. Enter Hollywood with at least some hopeful imagesI don't think we can properly call them propaganda at this point, even though this particular movie revolves around war-preparatory naval exercises. The real issue for boys and girls then, as now, was how to hook up with the right one, lead a decent life, have wonderful children, with a modicum of grace and elegance. The odds were long. ... For my complete review of this movie and for other movie and book reviews, please visit my site TheCoffeeCoaster.com. Brian Wright Copyright 2007 | 1pos
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Not even the title "Versus 2", under which it did play at the Fantasy Filmfest in Stuttgart/Germany, could fool anybody, that this is more than a piece of crap. Only thing this has in common with Versus, is the main actor here. Other than that, don't look for a decent script (for a b-movie that is, not an actual movie, of course) nor decent acting nor decent humour nor decent anything. It's just plain stupid. And it's a shame, because it does start promising enough and there is a funny moment here and there ... but not nearly enough to grant this movie more than two stars ... it's still a waste of time! | -1no label
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] |
i just saw this film, i first saw it when i was 7 and could just about remember the end. so i watched it like, 10 minutes ago, and (i may seem like a baby as i am 12 ha-ha) i started to cry at the ending, i forgotten how sad it was. i think i was mainly sad for Anne-Marie because she said: 'i love you Charlie' and also: 'i'll miss you Charlie', just made me really cry ha-ha. it has to be one of me favourite movies of all time, it is just a film well worth watching. WATCH IT ha-ha, thats all i can say XD but, i love this film, its a true classic. xx Maverick xx 10/10 | 1pos
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] |
Question: how does a bourgeois director treat a subject like immigration ? Answer: by turning it into an existential alienation parable. Yes, we're back in the early 90s, just after the disintegration of the Eastern block and the subsequent flooding of immigrants in the European Union, and what better way to deal with the subject than making a film about an existentially alienated middle-class journalist, an existentially alienated upper-class politician, his existentially alienated rich wife, and so on. In the background, immigrants are asking for political asylum in an unnamed Greek village near the borders. I guess that way Angelopoulos can show some social awareness, while dealing with the existentially troubled upper-classes. I mean honestly, the scene where some top-ranking army-officer curses his destiny cause he sent his daughter to study in London is enough to make you puke. Anyway, it can't be that bad, Angelopoulos is a master of the cinematic art after all, right ? Wrong. It's at this point when his mannerisms start getting too artificial, sort of like a filtered image in Photoshop. His usual tricks show up: there are blurred windows, blurred lights, a weird wedding, a walk by the river-shore, and people with yellow water-coats. Also Mastroianni breaks new ground for most sleepwalking performance ever. Avoid really. Go for his early films. | 0neg
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] |
This is a powerful documentary about domestic abuse in the Cameroon. The "sisters" in law are female lawyers and judges who in 2004 successfully prosecuted husbands for abusive treatment of their spouses and won one woman a divorce she desperately wanted through a Muslim council. It is rather long -- about two hours -- but fascinating in terms both of the individual plaintiffs and defendants and the lawyers who successfully represented them in court rooms presided over by female judges. It will leave you, as it left me, with many questions about exactly how this change occurred. How and when did women come to occupy positions of authority in the Cameroon? Have the several cases featured in this film had a significant effect on the treatment of women generally by their spouses? Was the granting of a divorce by a Muslim court, against the express wishes of the husband, a one time event? I'm not suggesting that the film makers could have answered these questions. They made the movie two years ago, not yesterday. And the movie they made deserves a wide audience. | 1pos
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] |
`Manna From Heaven' is a delightfully compelling film. Within the shifting paradox of values in middle-class Americans from 40 years ago to the present day, the plot tweaks the concerns and hopes of an interesting range of `Damon Runyonesque' characters. Their struggles with moral dilemmas, dotting on `what might have been,' hopes to yet fulfill youthful dreams, romantic yearnings, and `hit it big' combine to make a most entertaining film. Rather than relying upon `in-your- face' sexual explicitness, the burgeoning relationship between Inez and Mac/Bake is classically subtle but clear. His untying the knot in her shoelace at the Art Gallery and their heat in their poker game is outstanding The script's crisp writing is skillfully interpreted by an outstanding star and supporting cast. One of the few films I have ever fone to see twice in its opening run, `Manna From Heaven' definitely warrants national distribution. Conrad F. Toepfer | 1pos
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] |
I finally saw this infamous final theatrical fright feature from the legendary Hammer Studios and was pleasantly surprised to find out that it was nowhere near as bad as its many detractors claim. In fact, I thought this movie was quite good. Granted, it's got its flaws (the much-ridiculed silly monster hand puppet and the weak climax are both below par), but overall this picture has a lot of solid stuff in it. For starters, the plot is fresh and compelling: Sinister excommunicated renegade Satanist priest Father Michael Rayner (a wonderfully wicked Christopher Lee) plots to impregnate sweet innocent nun Catharine (a ravishing and beguiling Nastassja Kinski in her first big role) so she will give birth to the spawn of the Devil. It's up to humble, but shrewd and charming best-selling occult novelist John Verney (superbly played by Richard Widmark, who makes for an engagingly unlikely Hammer hero) to stop Father Rayner and his avid followers before it's too late. Moreover, director Peter Sykes maintains a steady pace throughout and effectively creates a chillingly creepy atmosphere. The smart and intricate script by Christopher Wicking and John Peacock offers a gripping story and a strong pair of refreshingly mature adult characters as the two principal adversaries. David Watkin's polished cinematography and Paul Glass' spare, spooky score are on the money fine. Kinski does well as an extremely fair maiden in distress (and performs a truly startling full-frontal nude scene at the movie's conclusion). The stellar supporting cast qualifies as another substantial plus: Denholm Elliott as a wormy, wayward weakling member of the evil cult, Honor Blackman as Verney's spunky agent Anna Fountain, and Anthony Valentine as Anna's suave boyfriend David. Eerie, intelligent and underrated, this undeservedly maligned movie is well worth checking out by general horror film fans and hardcore Hammer aficionados alike. | -1no label
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] |
This movie was made when I was two. I reckon i would have liked it then as well. the lead character, Sam, barely says two words the whole movie and walks about a meter, otherwise crawling like an animal. I thought it was so cool, and I really felt like I was breathing the air of 1987 as well. Being in a band in Sydney at the moment feels really commercial and this movie inspired my friends and I to tap into that trashy rock lifestyle once again. I think that this is a good indication of the movies artistic integrity- it is thought provoking and interesting. Just remember to accept it for what it is though. There are twists in the plot but this is not it's strength. The real art in the telling of this story is the cinematography and priceless characters. There is also a bit of insight in this film. You feel as if you have survived the episode and are wiser for it. | -1no label
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] |
I've been hurt by movies before. Supernova, Ninth Gate,...Meet the Feebles pushed me down ten flights of stairs and then savagely kicked me in the groin. But all this pales before Radioactive Dreams. Where to begin...where to vent the HATE. The concept of this...for lack of a better word, Film is the story of two guys raised in a bomb shelter after being kidnapped by bank robbers Fat Guy from Cool Hand Luke, and Other Guy not in Cool Hand Luke. The kids are raised on detective novels and blah blah blah. If you're gonna try and do a take off on Film Noir, try and learn what Film Noir is. Don't just watch Guys and Dolls, sniff paint fumes, and decide to make a movie. So these guys run around...and...ARRGHHHH...pains me...to...remember this film...must...struggle on...must warn society...The story isn't the only thing holding this flick back...it's a technical nightmare. Often times the camera is filming NOTHING...for several minutes, apparently while the director lights up another Doob and the cast and crew are flogging themselves for their involvement in this wretched wretched film. I was actually screaming out loud as this film dragged on. Like a traffic accident, I found I couldn't just turn away...as I was in the middle of it with a steering column through my chest. (author pauses for muted sobbing) Fortunately, this movie is NOT available for sale on either video or DVD. However, much to my horror, I have seen it in several local video stores, and I can only assume this atrocity is repeated elsewhere in our fine nation. Do NOT watch this movie, do not ASSOCIATE with people who recommend this movie for anything other than to induce vomiting. It's bad, it'll hurt you. I know. Peace. | -1no label
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] |
If you haven't seen this yet, I say just move on, take a walk in the park, don't waste your time. Neither the scenario nor the acting is worth your money. *Spoilers*- I can't decide which was worse: The movie itself or Baldwin's hairstyle? Ellen Pompeo's acting talent is very questionable I hope she can improve it over time. The storyline is just unbelievable. Loose cannon American cop fighting criminals in Europe on his own?? Infamous Slavic mafiosi protected by only two hunks??? An emotional art teacher leading a ruthless gang??? Spanish police executive dumber than a sack of hammers??? Give me a break. There's only one good thing about this movie, though: At least, the production costs must be lower than "Ocean's 12"'s which was as meaningless and over the top as this one. | 0neg
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I'm sorry for the people who liked it, but there's is absolutely nothing good about this movie. Actors are really playing bad, quotes are stupid (even when they try to have some scientific background), often in the movie we have these vomiting camera shot making circles around the characters (the bank scene is the worst scene I have ever seen in a movie, I laughed all along). So if this unreal scene was not enough, we have that strange bus driver who runs when the FBI agent tries to cut off the bomb. As I know we can find a lot of funny bad movies in the 80's, it's the first time I see a recent movie being so ridiculous. Everyone should see this movie at least one time in his life, really. All young directors should see it, and learn how not to do. | -1no label
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When the FBI comes to investigate the shady dealings of a physician in a remote hospital who is attempting to resurrect the recently dead, he dumps his test subjects in a swamp. Unfortunately, his experiments have been successful and the subjects rise as zombies and attack a group of science students. Swamp Zombies is a fun, fast moving "B" horror movie with lots of (fast moving) zombies, some decent martial arts fighting scenes, a fair amount of female partial nudity and an entertaining enough story. The acting isn't particularly good and the dialog is a bit cheesy at times, but this is still a fun movie for those who like these low budget horrors. It's not a classy, high production values art film, but it is entertaining enough for a watch...or maybe even two. | -1no label
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Evil never looked so bad. They meant it. When a buddy of mine picked this DVD up at a half-priced book store, I didn't know what to expect. I mean, based on the title, I knew it would be worth a laugh, but I didn't realize how laughable it would really be. The first time through, I missed some of the dialogue (if you could call it that) because we were all too busy poking fun at the plot of the movie. It seemed like it was written in filmed in less than a week, and they hadn't the budget to go back and fix some of the minor flaws. Wait, did I say "minor"? I meant the exact opposite. For instance, the main character is credited as 'Ken', but several times throughout the film he is referred to as 'John'. If the plot holes aren't enough fun for you, take a look at the acting. Nobody seems overly concerned about the zombie raids in their state, including the mother of the main character, who is missing for days while she sits in front of a fireplace reading a book. The constraints that the budget puts on the movie are equally as hilarious. Maybe they didn't have a permit to film wherever they were, because during the BIG MOTORCYCLE CHASE SCENE, the characters are obeying all traffic regulations. The zombies, who had just killed twenty or so people, actually stop at a stop sign coming out of a parking lot. I don't even do that, but then again, I'm not a biker zombie. The ending of the movie looks like they just ran out of money. It ends so suddenly that it leaves you wanting more... On second thought, it ends just soon enough. So if you're looking for a good time with your friends, seek out this movie. It's a great unintentional comedy. | 0neg
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] |
the only reason i rented this garbage excuse for a movie is because i am a big fan of the original 3 ninjas movie. when the original came out i was a little kid and it was great. after seeing 3 ninjas kick back and 3 ninjas knuckle up i wasn't expecting 3 ninjas high noon to be that good, since the 2 preceding ones weren't' that great. so finally, 8 years after the release i rent 3 Ninjas High Noon at Mega Mountain....where shall i begin. -3 new actors playing the boys, if u can even consider them actors -rocky is "too cool" to be a ninja -colt has a lisp and a pony tail -tum-tum looks like he retrograded back in time and is now 5 -when tum-tum screams hi-ya it sounds like a little girl -hulk holgan is in this movie -terriorts take over AN AMUSMANT PARK! -worst acting i've ever seen...ninjas, hulk holgan, terriorts included -dummest plot line this movie killed the 3 ninjas for me. i don't' think i can ever watch the original again and enjoy it. every time i see rocky i will think of a stuck up asshole; colt, i will think of his "new look", and tum-tum i will think of a 5 year old cry baby. god | -1no label
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] |
The most derogatory remark I've ever heard an intelligent people make about this program is that it drags on a bit, but quite frankly that's only because ITV go and stick 25 minutes of adverts into a otherwise perfect fluid 95minute program. I suppose you could argue that the sheer lack of offended and dishearten viewers is testament to its boring nature, but that quite frankly is nonsense as well. You see the thing about this program is that it soothes you, it's relaxing to watch but doesn't insult your intelligence. I could go on for pages and pages about the acting, writing and attention to period detail but I won't bother because by the looks of it many before me have done so already. The two simple and only facts you really need to know about this program are that Kitchen is an underrated genius and that as detective/murder mysteries go this is, and will remain, a timeless masterpiece. | -1no label
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Back in my fast disappearing youth I was heavily involved with Left Wing politics, and one of my heroes was, of course, Che Guavara, but I never really knew the man behind the legend. The recent films about Che - this, and the excellent 'Motorcycle Diaries' - have helped me to understand the man better, and has lead to a great appreciation of him. This film starts with Che embarking on his quest, alongside Castro and others, to free Cuba from the American Sponsored dictator Batista. The events in Cuba are shown alongside the later events when Che travelled to New York to address the UN, and through this we see Che beginning to emerge both as a tough jungle/street fighter and political orator with intelligence and feeling, finally transforming himself from a doctor with political leanings to a fully fledged revolutionary. The New York scenes also illustrate the opposition to Che, both within the UN and out on the streets, which give the film an added depth politically and socially. Del Toro is outstanding as Che, and he is backed up by a superb supporting cast. The film is also helped by Soderbergh's wonderful visuals - the forests look amazing, and the streets gritty etc, and the careful use of music. Yes, some of the battle scenes do tend towards the "Hollywood", but generally are within keeping of the gritty realism of the rest of the film. This may not be everyone's cup of poison, but if you like your biopics done with depth and intelligence then this is the film for you. Personally I can not wait for mid March when I will have the chance to see part two! | -1no label
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This one hurt. And I'm usually a sucker for really bad Twister ripoffs made for cable. We've seen this plot before, twice. Estranged parent-child relationship, because said parent is too devoted to chasing that big storm. Parent is obsessed with storms because of a tragedy in their childhood. Parent predicts The Big One will hit right where estranged child lives. Child doesn't believe them. Child has has several tense emo moments with parent. Big tornado predictably hits, key characters survive, and everyone is happy. See "Devil Winds" and "Tornado Warning" for this by -the-numbers plot as well. Amusingly, they use global warming for an excuse to "move" Tornado Alley to the pacific northwest so they could shoot cheaply in Vancouver. As expected, the tornado effects are lackluster. The CGI crew just rendered the same tornado for every scene. I think what really got to me was the darkness of the movie. By that I do not mean a grim undertone to the story... but rather how literally dark the image was throughout. I spent a lot of time straining to make out various details like character faces and locales. The environment around a tornado can be very dark, but this was done throughout the movie. I can only recommend this to people who didn't think it could get any worse than Atomic Twister. | -1no label
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I had completely forgotten this film existed until the notice about Jack Black playing (im assuming) a live version of the title character. I used to watch this all the time when I was little, I absolutely loved it! The animation was brilliant for the time, the story was wonderful, full of hope and romance and everything I had wanted as a little girl. I have never read the book so I am not sure of how close it follows the story, but even as a stand alone film you could not deny the magic behind it! I'm away to find it on DVD so I can watch it again and bring back all the happy memories! :D | -1no label
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Ah...my type of rotten 80's cheesy exactly! "Nail Gun Massacre" is commonly known as one of the absolute lousiest slashers ever a reputation it definitely lives up to but I couldn't help enjoying every insipid moment of it! The god-awful acting performances, the pointless gratuitous boob shots, the thoroughly lousy dialogues, the extreme gore!!! Simply wonderful or, to say it with the biggest cliché in horror reviewing, they just don't make 'em like this anymore! The least you can say about Bill Leslie's and Terry Lofton's "masterpiece" is that it doesn't waste any valuable time. The whole point of the movie is already illustrated during the three-minute pre-credits intro, when a bunch of hillbilly construction workers rape a defenseless girl. Only seconds later, one of them is already severely punished for his naughty behavior by a dude completely dressed in black and operating the titular tool as a murder weapon. All this during a brief intro and the best is yet to come! After the credits, that uses cheesy laughter for music, the handy avenger cheerfully continues to nail people down, only now he says something really stupid every time he fires his gun. After a good twenty minutes, half of the redneck population is already dead, while the local doctor and dumb sheriff are still cleaning up the blood of the first victim. The pacing slows down a little then, since new moronic characters need to be introduced first. But, no worries, the gore only gets sicker, the sleaze only gets...um...sleazier, and the killer's one-liners only get more retarded. Too bad his victims die so painfully before they get to hear his witty remarks. Also, the initial revenge motive doesn't stand anymore, as he's just randomly wasting horny teenagers like the average 80's slasher icon. Forget about tension or mystery surrounding the culprit's identity... You need none of that when there already is a guy waving around a nail gun! I'm rewarding this crazed flick with a 10 out of 10 rating, for sheer awfulness but most of all because it's the single most entertaining 80's slasher out there! Absolute most hilarious line: (whilst aiming at two pretty young girls) "It's time to do your nails". Total must-see! | -1no label
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I've seen this programme a few times and the more a see of it, the less I like it. Jamie Lynn Spears was approached to do this because of the fact that she is Britney's sister and I'm sorry to say that that in the show is obvious. They've created the character Zoey to be everything people want to believe Jamie Lynn is, clever, original, smart, pretty, popular etc. The characters around her are only there to make her look better, by being smarter then them, more popular than them, more wanted by boys then them. There is nothing original about this and it's poured with money, so every kid there has the coolest of fashions and stuff. I also have to say, for a 13 year old girl (or however old she is, can't be much older) she wears very mature clothing, those short skirts are too short, it makes young people want to wear them, and all that make-up, this adds to the rising problems of why young girls get into so much trouble. The only thing I will say is that the opening credits are sung by Jamie Lynn and, given her age, isn't bad at all, much better than her sister anyway when it comes to vocal ability. Sorry, it's too mature and yet too dumbed down. It's poorly acted with predictable story lines and there is far too much stereotyping going on too. | 0neg
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] |
What is the main reason to see a film with Jenny Agutter in it? That Agutter's in it. What's the best thing about that film? That Agutter's in it. And this one also has Carol Lynley and Anne Lockhart in it (though practically as extras). How many ghost stories make sense? ZERO. Others review this flick as if a parapsychologist COULD make sense but that is impossible. The two male leads did a fine job with their OF COURSE stupid characters but I will admit that Kevin McCarthy sure was wasted. SPOILER ALERT: If you're wishing to point out dopey things about the film (though of course EVERYTHING is stupid), the ghostly decomposed body of the murder victim couldn't have decomposed, as it was sealed in concrete. Why didn't you others point THAT out? THAT was the main error in this flick. If other people's problem with this film is that it doesn't scare you, I've NEVER been scared by ANY movie so I cannot relate to that factor in reviewing. | -1no label
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] |
Vacuous. Stupid. A crime against humanity. Take your pick, it all describes EPOCH to a "T". This isn't a movie, it's just a hodge podge of scenes strung together using the same nonsensical character motivations and stock footages that UFO (the production company) has been stringing together and re-using over and over in every film they've ever made. And yes, almost every film they've ever made HAS been quite, simply put, dreadful. EPOCH would only work if one were to enter the movie without a brain. Unfortunately a brain is needed to turn on the VCR, or insert the DVD into the player, hence no one will think this movie is anything other than powerfully...turd-like. 1 out of 10 (the only movie I have given a "1" to on this board) (go to www.nixflix.com for a more detailed review of the film) | -1no label
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] |
This 1997 "movie" is meant to be a comedy but after about an hour I switched it off as if there was anything remotely amusing, I did not see it. The story: spoilt brat daughter of a zillionaire fakes her own kidnapping to try to get the attention of daddy, but things go wrong as she is mistakenly captured by a car thief. All the actors in the film are wholly unconvincing. Post 9/11 and Baghdad....I don't think making a film about kidnapping is funny, especially as this one ain't got anything going for it and what is more it simply ain't funny! In real life someone stealing top of the range motor vehicles would not hesitate in getting rid of any witness rather than falling in love with her, which appears to be the ludicrous premise of the film. The actor playing the private detective brought in to rescue the daughter suffers from always being in awful 'B' pictures, and his hair transplant with phoney red hair looks ridiculous. The actress playing the daughter is completely unattractive in every way except physically. And the good guy car thief is a total jerk. Plus a script lacking in any merit whatsoever. 1 out of 10. | -1no label
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] |
I, also having endured hundreds of children's movies in the past, consider this to be one of the worst I have ever seen. 1) I resent in this day and age having to explain to my children that Russia is not "the bad guys". Also, that mocking Russian names like "Poopchev" is inappropriate. 2) The grandfather fly's birthday party scene contained a quasi-sexist joke in which he implied that males drink beer and women talk on the phone. Two other flies also needlessly use the word "crap" twice. 3) The whole movie largely smacks of 1950's stereotypes and propaganda that I thought we, as a nation, were proud to have risen above. In all it's just crude, badly animated, even more badly written and not worth wasting the time to view. | 0neg
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] |
Film started simply and innocently enough but gradually proceeded to disgust me with its ignorance, sluttiness, dirtiness, whacko storyline and lack of anything special shown by the lead actors, Pearce and Taylor. How these cheap indie films get made is beyond me, but someone gets up the money somehow. Probably an investment film made by a bunch of GenX similar types who have some money but no taste in anything and demonstrate it every day in the foul and useless way they live their lives, just like the characters in this useless film. How could the director get so little out of these good actors? Answer: Take a totally terrible screenplay and let them run with it. That's all anyone could get out of anyone in this shltty film. It's a true waste of time and I want my $6.25 and 109 minutes back! | -1no label
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] |
Quite a well-made film reminding of Point of Destination. In some parts definitely smarter than the latter (nb: and made one year earlier). Mainly suitable cast, good score, rainy melancholy-soaked background, odd camera angles etc. First half of the film is in fact nearly excellent (something like a very good Millennium episode, only - series in question never got that good). Unfortunately afterwards some certain slack in the intrigue starts to show up when the authors tend to delay obvious revelations and artificially hold up things from happening. No particular special effects, but thoroughly created atmosphere. A jolly good Christopher Lloyd. Bottomline, apparently not an 'A' feature, but indeed worth watching for fans of a diverse range of films: Xfiles, Millennium, Point of Destination, Fallen, Prophecy etc. | -1no label
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I have watched thousands of movies in my life and I believe this movie is the most "perfect" movie that has ever been made. By perfect I mean the storytelling, the plot, the acting, the staging, the camera work, etc. (This is a lay opinion; I have no background in film production.) A lot of movies have perfect scenes, such as the bartender filing a report with the police officer in the movie Fargo. (Indeed, that scene could play well as a short.) In The Dead every scene is done to perfection, making the entire movie perfect. Perhaps, John Huston sold his soul to the Devil to make such a movie. Hopefully, Daniel Webster has gotten him out of the contract! | 1pos
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] |
Ben Chaplin (Birthday Girl) plays Eric, a former acrobat turned thief for a wealthy, but deadly collector. When Eric finally steals an artifact of great importance to his acrobatic foster family, he decides to steal it back and begin a treasure hunt with his former child love, Michelle Yeoh. The plot is the same as pretty much all the films of the genre. A group of noble treasure hunters goes out on a dangerous journey but is pursued by a killer and along the way they find love, loose a few people and end up happy. The first hour you will admire that the sets aren't cheap and Ben Chaplin does a halfway decent job of playing Eric. Michelle is fair at best and the rest of the cast are awful. The rest of the film makes you wish you could fast forward to the climax and the treasure part....when you get there you will wish you hadn't wasted your time. | -1no label
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] |
This movie is sort of a "guilty pleasure"--you know, a film you like watching despite the fact that it's not exactly well-acted or intellectual fare. I'll be the first to admit that the movie was very histrionic (in particular Ms. Crawford's performance) and is pure soap opera as well--but I still enjoyed the film immensely. The film opens with a nice young lady (Lucy Marlow) coming to visit her bitchy cousin (Joan Crawford). Ms. Crawford acts incredibly kind and sweet and Ms. Marlow is completely taken in by this performance. However, the rest of the household (including Joan's husband and sister-in-law) seem far less taken by Joan's kindness--going so far as to warn Lucy it's all an act. And, eventually, Joan's evil, controlling and horrid nature seeps through and the audience comes to realize many things: she hates her own children (that must have been a BIG acting stretch), hates everyone around her, must be 100% in control of everyone and is like a wild animal when crossed. Her evil ways eventually lead to her sister-in-law committing suicide and her husband begins plotting to murder her. Exactly how this is all resolved, I'll leave to you--I'd hate to spoil it. As for the problems with the plot, there were several. If you don't think, they won't pose a problem. However, the romance between Lucy and Joan's hubby (Barry Sullivan) seemed completely illogical and "from out of left field". It didn't make much sense and it just wasn't at all convincing. Second, Joan was so bad, so cruel and so gosh-darn awful, it's really hard to imagine it took anyone so long to try and kill her! Perhaps this was just a little too far-fetched! All-in-all, this movie is very typical of Crawford's movies of the 1940s and 50s. She played the bitchy, controlling role a lot and based on reports from Christina Crawford, these roles weren't far from the truth! Fun to watch--impossible to live with! | -1no label
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] |
Little Britain is the greatest show to come out of British television. The show follows the dysfunctional residents of Britain, in several different sketches over a current 22 episodes. A series 4 will not be out for at least 2 yeas though, as the guys have taken the show on the road, with Little Britain Live. The Characters include Vicky Pollard - Who has 6 kids to seven different men and follows her adventures through the show. Lou and Andy - Andy is in a wheelchair, but what Lou doesn't know, is that Andy is just lazy and has full use of his legs! Sebastian Love & The Prime Minister - Sebastian (the PM's Assistant) has a crush on the Prime Minister and Expresses it, yet the PM doesn't get the picture. Dafydd Thomas - The "Only Gay in The Village". Mrs. Emery - Let's be blunt - She pees a lot! Emily & Florence - Two very unconvincing "Ladies". Carol Beer - A Banker and A Travel Agent - The Computer always "Says NO"! Bubbles De Vere (and Desiree) - Bubbles is an extremely large woman - who is naked in every one of her scenes. Desiree is her ex-husband's new wife (series 3 only). Dudley & Ting Tong - Ting Tong is Dudley's new mail order "Bride". Marjorie Dawes - She takes the Fat Fighters classes. Mr. Mann, Roy and Margaret - Mr. Mann is quite picky in what he wants to buy from Roy, everything from a disappointed horse! That is only some of the great characters of the amazing show! | -1no label
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] |
When I saw the DVD standing in the store, I though,finally a movie about WWI, with Danile Craigh and it will be showing us the story of the first big push during the first great war.... NOT, it was more of a school play, and a very boring one. The movie stays in the trench, or shall I say a very obvious indoor set and even the actors make up is badly done. One actor looks more like the unknown guy of "Wham". Please don't wake me up before you go go, but just let me sleep through the whole movie. If you want to see a very good WWI movie, the last battalion will do the job. How this one ever got a rating of more tan 6 ? It blows my mind. All I can say is, I want my 6.95 euro's back that I spend on this terrible movie! Any buyers :o) ? | -1no label
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] |
I wanted to record something from the TV recently so I pulled an almost forgotten VHS tape out of the storage area I originally got off of cable more than twenty years ago to decide if it was a keeper or not. Sadly, it wasn't and I was very glad to tape over it. The plot is almost nonexistent, although I must admit naked breasts were a real treat to find in the early 1980's and I did appreciate them at the time. If that's all you want nowadays go to Google and search under "images" for them but please do not spend even a minute of your valuable time watching this horrible waste of celluloid. Even the late lamented Robert Morley playing the part of God couldn't save this stinker. | -1no label
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] |
There is no possible reason I can fathom why this movie was ever made. Why must Hollywood continue to crank out one horrible update of a classic after another? ( Cases in point: Mister Magoo, The Avengers - awful! ) Christopher Lloyd, whom I normally enjoy, was so miserably miscast in this role. His manic portrayal of our beloved "Uncle Martin" is so unspeakably unenjoyable to be almost criminal. His ranting, groaning, grimacing and histrionics provide us with no reason to care for his character except as some 1 dimensional cartoon character. The director must have thought that fast movements, screaming dialogue and "one-take" slapstick had some similarity to comedy. Apparently he told EVERY ACTOR to act as if they had red ants in their pants. Fault must lie with the irresponsibly wrought script. I think the writer used "It's a Mad, Mad, Mad, Mad World" as an example of a fine comedy script. As manic as that 1963 classic is, it is far superior to this claptrap - in fact - suddenly it looks pretty good in comparison. What is most sad about this movie is that it must have apparently been written to appeal to young children. I just am not sure whose children it was made for. Certainly no self-respecting, card-carrying child I know! If they HAD to remake "My Favorite Martian", why didn't they add some of the timeless charm of the original classic? Unfortunately, IMDB.com cannot factor in "zero" as a rating for its readers, that is the only rating that comes to mind in describing this travesty. One good thing did come from this movie, the actors and crew were paid - I think. | 0neg
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] |
Being a fan of comedians such as Laurel and Hardy, Marx Brothers, and various other comics from that era...I watched this film wanting to give Wheeler and Woolsey a chance to prove to me they belong among the aforementioned. I found their style of humor very dull, the jokes were lame and the accompanied antics similar to that seen from a hyperactive pre-teen. The storyline was somewhat inventive, and would have worked much better with a more talented duo. The sole reason to watch this film would be to see Thelma Todd, and Dorothy Lee. Perhaps I need to watch a couple more Wheeler and Woolsey films before I cast them aside, but I can almost bet the other offerings would be simply more of the same. | -1no label
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"The Classic War of the Worlds" by Timothy Hines is a very entertaining film that obviously goes to great effort and lengths to faithfully recreate H. G. Wells' classic book. Mr. Hines succeeds in doing so. I, and those who watched his film with me, appreciated the fact that it was not the standard, predictable Hollywood fare that comes out every year, e.g. the Spielberg version with Tom Cruise that had only the slightest resemblance to the book. Obviously, everyone looks for different things in a movie. Those who envision themselves as amateur "critics" look only to criticize everything they can. Others rate a movie on more important bases,like being entertained, which is why most people never agree with the "critics". We enjoyed the effort Mr. Hines put into being faithful to H.G. Wells' classic novel, and we found it to be very entertaining. This made it easy to overlook what the "critics" perceive to be its shortcomings. | 1pos
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] |
When taken as a whole for its ideas and dissection of the current 2-party system and political process, I think this is a great film. Granted the movie was not the comedy I expected, but once I got over that this film really made me think. So much of what we see and hear in regards to any election is such a joke. There is in particular a debate scene in this movie that I felt was a masterful critique of our political debates and how policies are "discussed" at them. I encourage anyone who thinks our process is fine to go see this film. If you want something to laugh at however, Robin Williams and Christopher Walken are not their usual selves. In this movie they show us that the truth hurts, not that the truth is funny. | 1pos
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Khamoshi was heart-tugging. Hum Dil De Chuke Sanam was classic romanticism. Black was soul-stirring. Saawariya is visually overpowering. This is a film meant purely for viewers who find cinema a synonym for aesthete. The allegorical settings and Dostovyskian love fable may not find favor with the common people . But for the cineaste, the film is a lyrical odyssey that works at the level of a fable. The star-crossed romance between a young rock star who lands up in an enchanted town and a mysterious girl unfolds through four dark nights where love, passion interplay with heartbreak, jealousy and longing. Raj, the bar singer leaves his music for a chador-clad girl he spies one silken night, standing in solitary splendor on a smoky bridge. He tries to befriend her and finds himself irresistibly drawn towards towards Sakina, the raven-tressed maiden who disappears in the haveli with a tantalizing smile and a sad story about a lost lover (Salman Khan). Time for Raj to tug at his broken-heart with Gulabji, the golden-hearted prostitute (Rani) playing friend and philosopher in his grief. Add to this Zora Sehgal as the delightful landlady who sees her lost son in her cherubic tenant and you have a colorful canvas of human relationships, all bound by sadness. There's another classic cameo by Begum Para who binds her granddaughter Sakina to herself, with a safety-pin whenever she sleeps and watches Mughal-e-Azam even though she's almost blind. You wish there was more of her in mist-laden narrative. Sure, Ranbir is the hero of the film. And quite a winsome one too. The boy can dance, emote and win your heart, the Rishi Kapoor way. The boy has bright future with the girls already wowing his butt-flashing towel drop. And Sonam's adequate too, albeit too giggly and giddy..better than Deepika Padukone at least!! But the real winner in this romantic fable is the artistry of set and backdrop and the influence of Raj Kapoor which keeps recurring as the couple relentlessly seeks shelter under a black umbrella in rain and snow (remember Sree 420 ). After hearing the bad comments of this film ,Ihave started hating the critics. | -1no label
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] |
Great and funny movie! The smaller parts of Skank and Gutterhead were hilarious. I just loved those two guys. They almost stole the movie from Charlie Sheen. Charlie and Keri (lead boy and girl) were well cast. It was a toss-up who was the prettier of the two. While watching I thought Keri amazingly sexy and wondered if she was some Playboy Centerfold who won a part in a small movie. (check out her biography on IMDb, she WAS a bunny at one time). Every outfit she had was absolutely cute and hot looking. The cars were cool and it was fun watching them race. Two bloopers I caught were when Skank and Gutterhead had a shotgun. They kept talking about putting "bullets" in the shotgun. You would think scriptwriters knew that you put shotgun SHELLS in a shotgun, not bullets. Bullets go in a gun. Also, I had to look up Cassavetes birthplace. For 99% of the movie he speaks "standard American English" (no identifiable accent). But one scene where he is in his bad guy garage, and Randy Quaid approaches him, he slips into some kind of New York/New Jersey accent. See if you can catch it, it's only a few lines but he gives away his birthplace. I looked him up on the IMDb and he's from New York. Randy Quaid is perfectly cast, as usual. The guy is a legend. | -1no label
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] |
In Iran, the Islamic Revolution has shaped all parts of life, including everyday things. But people still go on living their lives, generally just doing the things you'd expect, like go to soccer matches to cheer on the national team as it's in the running to qualify for the World Cup. Except women aren't allowed to go to the soccer stadium to watch the game. A frequently funny little film follows the small group of women that were caught sneaking into the soccer stadium and the little group of bored soldiers assigned to guard them in a holding pen just outside the stadium. The absurdity of the situation, the simple wish of these women to cheer on the team (nothing subversive there), and little human touches about the lives of everyone adds up to quite a fine comment on humanity versus the ideology. Amateurish acting, good script and dialogue, a really enjoyable film. Bend It Like Beckham, sort of - a warm heart and a joy in the daily interests and pleasures of people. | 1pos
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] |
Great. Another foreign film that thinks it's Fellini. On top of that, we have to have more propaganda about murdering disabled people. I see no reason why we have to be inundated with these thinly disguised euthanasia commercials. I found nothing redeeming about this film. What can be redeeming about a man without the courage to carry on, in spite of some adversity. It does not take courage to commit suicide. That is the action of a coward. Sharing this "wish" with his woman simply inflicts her with the same illness he has. If this had been a film about a man's courage to go on, in spite of his problems, similar to the Jill Kinmont story, that would have made it a great film. If you're interested in seeing true courage, check out the movies about Jill Kinmont, the former skier who was disabled after a bad ski accident. | 0neg
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] |
Do NOT avoid this movie. Simply because it is so bad that it is absolutely hilarious. It possibly is the worst movie I have ever seen but it was so bad that my friends and I were able to laugh at every single moment of this film. At times we actually debated whether it was this bad on purpose but we're pretty sure that it is not. Characters appear out of nowhere as if they have already been established, the scenery changes mid scene to this warehouse constantly, and the Vampire Assassin ends up having around 6 climactic fights with enemies before finally getting to the head vampire. You will also be able to enjoy the one and only face of the Vampire Assassin as he never changes his expression despite his obvious attempts to. So if you want to watch a movie that will make you laugh histerically then I suggest this one as long as you go in with an open mind. Don't expect a good movie, expect the worst... and it will be even worse than that. I seriously want to buy this movie and place it atop my comedy movie selection. Right next to Anchorman. | 0neg
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] |
The president of the USA is addressing a charity dinner. Anybody attending is searched for weapons, but they have not reckoned on several of the guests turning up with drinking straw blowpipes that shoot poison-darts disguised as toothpicks at incredible ranges, and with such accuracy that the president's minders get it in the neck every time. What a weapon. I'm going out to buy a packet of straws and a box of cocktail sticks right now, and I'm going to wreak havoc in my neighbourhood. It's an attempt by sinister forces to get the president re-elected by staging a fake kidnap attempt and have him escape to make himself popular. The president knows nothing about this plot and has a sudden attack of self righteousness, and the fake kidnap attempt turns into a real one. Eric Roberts comes out of nowhere and does his Die-hard routine. But the difference between Eric Roberts and Bruce Willis as Die-hard is that Bruce Willis actually has a reason to be in the building. Eric Roberts stymies the kidnap attempt after being shot in the knee, continually whacked by an aluminium pole, scorched with a flame thrower, falling down the side of a skyscraper and again down a lift shaft. He certainly earned the ransom money in bearer bonds that the president said he could keep at the end. But it would have been curtains for Eric Roberts if only one of the villains had thought of puffing a drinking straw at him. Apart from those few little details this film is perfectly believable. | -1no label
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] |
Relatively new cinematic team of director Ariel Vromen and writer Joshua Leibner pounce onto the scene with a surprisingly fine little film that has basically gone unnoticed. DANIKA is a story that demands the viewer's careful attention and rewards that attention with a finely wrought surprise ending. This is a tough movie to review: almost anything that is said about it diminishes the impact of a fresh look. Danika (the superb and grossly underused actress Marisa Tomei) is a beautiful, well-dressed successful professional woman, loved by her husband Randy (Craig Bierko) and her children Kurt (Kyle Gallner), Lauren (Nicki Prian) and Brian (Ridge Canipe). Yet even from the opening scenes we can tell something is amiss: Danika 'sees' disturbing things, terrifying events and people that alter her attention to her job and her family. She visits a young psychiatrist Evelyn (Regina Hall) who becomes her confidant - the only person who accepts that Danika is witnessing disturbing sights. A mixture of critical pieces of disastrous events flash before Danika's eyes as well as flashbacks to some years back when her children were young. Danika overcompensates for her fears by being an overprotective mother, an unfortunate trait that begins to fracture her family. The pace of the film changes to rapid fire events as the reasons for Danika's visions become clear: we finally see just what made this brilliant and strong woman the victim of a terrified and disturbed psyche and the manner in which each of the characters in the story impacts this discovery is well-illuminated. The surprise ending scene is a stunner and one that will haunt the viewer. Marisa Tomei makes this very difficult, well-written role completely believable. She is an actress of enormous gifts. Likewise the remainder of the cast offers such fine ensemble work that credit must be given director Ariel Vromen for being a young talent on the rise. Yes, there are some portions of the film that beg credibility but then that is what delusional thinking is about. This is a tight little film that deserves attention. Grady Harp | -1no label
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] |
I just wanted to leave a quick comment as its not listen on here ,but i have just seen this movie,the version I just rented was released in 2005 as far as I know and it was actually called "Don't go into the attic" I only realized it was the same movie as Devils Harvest upon searching for some of the actors who looked familiar in the movie. Anyways I'm in Ireland so maybe this has only been released over here and in the UK now,but thats what its called over here..........not really like it matters because I would not recommend this movie.The only words that spring to mind watching it are CHEESE CHEESE CHEESE!! My one mark out of ten is purely for the one little jumpy bit :o) | 0neg
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] |
It's a bit difficult to believe that this came from the same director that gave us HELLRAISER. Where's the style, the foreboding, and the charm? I mean, HELLRAISER is not a great horror film, but at least it had something. NIGHTBREED is like a large ball of bad ideas poorly executed. From the opening there is a problem with subtlety: the monsters are shown in the first shot! The opening dream sequence shows too much for too long. Our hero doesn't display professional acting skills (but no one expected that from this bastard genre). There are killings that one wishes were more interesting. Then we have David Cronenberg. The man was never really meant to be an actor. He fills the role of the creepy psychiatrist adequately, but what he should have done was step behind the camera and save this disaster. Then we come to Midian, a creepy fake graveyard with an over-creepy fake gate. This thing is not a huge improvement over the cemetery in PLAN 9 FROM OUTER SPACE. It gets worse when we meet the creatures in it. There is nothing really wrong with the character design and make-up effects here (well... except for the guy with no scalp, the guy with a pointy chin and forehead, and the fat guy with dark circles around his eyes), the problem is the way they act and the terrible dialogue that is given them. Barker's photography of the subterranean city is tired and this part of the story could have been made much better. Some might call what follows SPOILERS. After our hero dies and becomes "nightbreed" we wait around to see what he'll turn into (there's talk of things that fly and werewolves), but when the time comes for him to change they appearantly thought their hero too pretty to give a decent creature design. With the turn in Cronenberg's "character" the story just gets less interesting until the battle of freaks vs. norms (which is just bad). Barker's mythology failed him here. There is no genius and little originality behind any of NIGHTBREED. The picture could have used a larger budget, a serious script, and character design that doesn't leave you saying "oh...oh, how lame." What a waste. Not scary, not cool, not even very dark, just weak. | 0neg
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] |
I like end-of-days movies. I like B-movies. I was hoping I would like this movie. I could ignore the poor effects, the often atrocious music, the cringe-inducing lines. I could ignore the unexplained events, and the fact that the movie constantly relies on deus ex machina is excusable, given the subject matter. I could ignore the fact that the people who fight hunger and try to reach world peace are the bad guys. None of these things kill the movie. What kills this movie is that it's just plain and simple boring. Nothing actually happens; almost all scenes in the movie are designed to push the movie creators' morals on the viewers, at the cost of actually having a coherent story, or any kind of suspense. If you're looking for an entertaining B-movie, look elsewhere. This movie is just boring. | 0neg
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] |
Wow this was the best acting in a film that i have seen in ages, best actor award definitely goes to the 2 year old girl. She was awesome. I have to say the best part of the film was definitely the credits! well done and congrats on the DVD cover, it sucked me into watching this comedic film! I recommend a viewing audience of no one. i also recommend acting lessons for the cast except for the little girl she will be a star in no time. Please do not make a movie again like this. Sometimes i wish that i had a genie, so that i could wish that i had never seen this film. Or i could wish that i had made this film with the 20 dollars in my wallet and made a better film than this. Then again i don't have 20 dollars! or i could also wish that a voodoo doll came with the film, so that i could play with it and not watch the film. | -1no label
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] |
This is an amazing movie and all of the actors and actresses and very good! Even though some of the actors and actresses weren't very popular in show business it seemed like they have been acting since they were 1 one year old! It was funny, gross and just all out a very good movie. In most parts I just didn't know what was going to happen next! I was like I think this is going to happen, wait I think this is going to happen. All age groups will love this movie! In some parts I couldn't stop laughing, it was so funny, but in some parts I was totally grossed out and I couldn't believe what I was seeing! I am definitely going to see this movie again! It is one of those movies where it can't get boring. Every time you see it is so suspenseful. I definitely recommend seeing this movie!! | 1pos
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] |
This has to be my all-time favorite,it's just pure brilliance,i've watched it a countless number of times and it gets better and better every time, the dialogue is just hilarious and the slightly predictable ending is just heart-warming!!!Contains an excellent soundtrack and Adam Sandler does an excellent job as Robbie Hart, the singer. A great performance also came from Drew Barrymore as the waitress Julia Sullivan and cousin Holly Sullivan was portrayed well by Christine Taylor. The complete plot of the story is very original and hard to find in any other film which once again adds to the excellence of this classic. This film is definitely in my top five of favorites and in my opinion deserves more recognition and credit for its excellence. | -1no label
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] |
Never has any show in the entire history of television been as overrated, overpraised, and over-hyped as The Colbert Report. This show does nothing but annoy. The lead character, played by Stephen Colbert, is supposed to be a parody of a conservative newscaster. Unfortunately, Colbert does not so much succeed in mocking such conservatives as he does in becoming as annoying as they are. He is not funny or enlightening or remotely interesting. The media goes on and on about Colbert's talent and intelligence but how much talent and intelligence does it take to play the same character and the same tired comedy bits over and over until we stop watching. That is not talent, that is consistency. And to be consistently annoying does not lead to a long career, even in the fake news game. My roommate and I gave The Colbert Report a fair shot, coming on as it does after The Daily Show, one of our favorite shows. We now turn off The Daily Show early so we don't catch Colbert's promo at the end of it. That's how bad this show is. We can't even stand the promos. | -1no label
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] |
I decided to rent the movie based on the fact that IMDb's ratings for the movie was 7.1 out of ten and also on the fact that Nick Nolte also appears in the film. The movie is basically about a washed up band member: Emily who is a heroin addict and the child she has abandoned who lives with her boyfriends parents. Nick Nolte plays the boy's guardian. After her boyfriend overdoses on heroin Emily spends the rest of the movie trying to get "clean" so she can try to reunite with her young son. The movie moves aimlessly between scenes of Emily trying to reconnect to her son's life in the states and her more recent life and struggle with addiction and past relationships in Paris. I found the movie to be tedious and drawn out.In the end the movie leaves the audience feeling disappointed and unsatisfied. To me, it was a complete waste of time. Felix! | -1no label
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] |
I believe I am doomed to never catch THE WOODS all the way through, despite owning a DVR, but I have now seen most of it over two or three viewings. A troubled girl is sent to a girls' boarding school set in the woods, and from there her troubles only mount. She hears voices, witnesses nasty things going on in school, keeps getting into it with a jealous adversary, and periodically exhibits traces of telekinesis, making various objects stand on end and dance. In the end, which I am yet to see completely, her power linked with those of two other school girls, keeps three ancient witches from doing something nasty, like swapping bodies or something equally bad. The movie is slow-going and moody, but genuinely scary. I understand the ending dissatisfied many viewers. Maybe some day I will find out why. Agnes Bruckner as the new arrival is the real focus of the film, and she gives an amazing performance for a then-20 year old playing a teenager. The wonderful Patricia Clarkson is the slightly mysterious school dean. The rest of the cast are pretty much unknowns. The film, while American, set in Connecticut and shot in Canada, feels almost foreign, as if it were set in Germany, for example. Also, I was reminded from time to time of Argento's witchcraft masterpiece SUSPIRIA, although there is no gore in THE WOODS. | -1no label
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] |
I've heard about this documentary for so long I knew I needed to take the time to watch it. As a documentary it's very well done, in that it takes a neutral observant view of their experience. There are no voice-overs, or interviewing. It is honest. It is true. It is also humbling. Two comments really stayed with me after the film was done. One was how the boys are told to not to become like the American boys who wear the baggy pants, and how in Africa there is time but no money, but in America there is money but no time. The biggest impact was how the boys hungered for education, and how one of the boys totally relocated himself so he could go to school. I watched this film with a high school sophomore who said it upset him to see how the boys were brought to their new life without any real orientation to America. He also said he knew so many American teens who simply cannot appreciate howblessed their lives are in America. I would agree with him on both accounts. A strong film that will leave a person thinking about many things. | 1pos
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] |
Hallelujah!!!!
Finally, a true Colombian film crosses the border(s) to shows how Bogotá and Colombia really are! I am an American of Colombian and French heritage sick and tired of seeing Colombia so perversely and ignorantly portrayed by Hollywood and others. How many of you are aware that Colombia is the second oldest, uninterrupted democracy in the world (after the USA), or that it has a vibrant film and television industry (-to say nothing of Ugly Betty), that it's capital, Bogota (Pop. 9 Million) is the "world Capital of the Book," or that this beautiful city is host to the world's LARGEST International Theatre Festival? I hope that Doug Liman, Simon Kinberg (-Mr. & Mrs. Smith), Robert Zemeckis, Diane Thomas (Romancing the Stone) one day visit Bogotá, to see how wonderful it really is, and focus on Bogotá's cultural vitality and diversity, instead of myopically producing films such as Maria Full of Grace from which Joshua Marston profited greatly (for this terrific film) without ever thinking-through about the ontological damage his film would help to perpetuate upon the "unfairly tarnished image" of Colombia. -Anyway, you will at least enjoy Bluff very much! -Oh, and thanks IMDb for your invaluable/great work!!! | 1pos
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French director Jean Rollin isn't exactly known for great films, and this confusing mess is one of the reasons why. One of the most confusing things about this production is the title. For a director who is well known for directing erotic films about lesbian vampires; you would expect a film with the word 'nude' in the title to be a particularly bare-breasted one; but in fact, there's not a lot of nudity here at all. Instead of erotic lesbian vampires with no clothes on; we've got a cumbersome plot about a man who wants to unlock the secret to immortality, a young woman whose affliction might hold the key and a suicide cult, who don't get to do much. The film starts off promisingly with a sequence that sees a young girl carried off by a mysterious bunch of people in masks under the watchful eye of a young French man, who also happens to be the son of a man of importance. Through his investigation, he soon discovers that this woman is not just a normal lady, and as he delves deeper into the cult; he discovers that cannot be killed by bullets, drinks blood and can't go out in daylight...sounds like a clear cut case of vampirism to me. Jean Rollin keeps the fantasy atmosphere going throughout the film, but it fails to be interesting because the plot is so badly executed. It is possible to keep up with what's going on, but only because there's so many other films that follow similar plots to this one. The director seems to know that he's messed up the plotting too, as the climax is basically an excuse to explain the film to the audience. There is a twist thrown in at the end also; but the film would have been better without it. I guess this was Jean Rollin's attempt to be a little original, but it comes off as a ham-fisted attempt at such, rather than a logical continuation of the story. The cinematography is fairly neat, with lots of the plot taking place in suitably Gothic locations. The girls on board complete what is a pretty picture, and what Rollin's film lacks in logic and consistency, it somewhat makes up for in style. In the film's defence, it was made in 1969; which somewhat explains the lack of shocks but I can't recommend this movie as it doesn't have much about it that is worth taking note of. | 0neg
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] |
I love this movie. It is one of those movies that you can watch time and time again and still find engaging. Congratulations!! I believe everyone involved in making the movie and the script should be proud of themselves. It is so eerie, you feel like you are watching a real life band. I would like to see more movies like this. I am glad that they did not choose famous Hollywood stars to be in this movie because it probably would not have worked. And even if Billy Connolly is quite well known, he really got stuck into the role and I could not imagine anybody else playing it. Congratulations again, I really believe this movie deserves the Peter Sellers Comedy Award for Bill Nighy. And when you get to the final scene..... well what can I say!!!! | 1pos
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] |
Hollywood is one of the best and the beautiful things that had occurred in my life. I admire and am very much fascinated by the way Hollywood generates ideas and implement them. It makes me wonder about the scope of human brain. I saw Flatliners a long time back but the story, direction, cast and of all acting is still fresh in my mind. The story begins with our lead actor Sutherland saying during sunrise "what a beautiful day to die." For all of us, It's a story which shows emotions that are sometimes withheld in our mind during our entire life. Never able to understand few things in life. It shows us to get motivated and to improve our quality of life. Anyway I suggest it to all that watch it once. | 1pos
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] |
"The Man Who Knew Too Much" falls into that Hitchcock middle ground that characterized many of his films during the 1950s: not a masterpiece of suspense by any means, but an awful lot of fun nonetheless. James Stewart and Doris Day play a vacationing couple who get caught up in a plot heavy on foreign intrigue. The famous climactic scene takes place at a classical music concert, where someone is going to be assassinated during a particular cymbal clash in the score. The impish Hitchcock of course lets us know what that point is, so that the race to stop the assassin becomes a nail biting race against the cymbalist. So much of this movie reminded me of the 1978 Chevy Chase/Goldie Hawn comedy "Foul Play" that I have to believe that film was inspired by this. Neither film is a big deal, but both are easy to enjoy. Grade: B+ | 1pos
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] |
This program is really overrated. A detective like Danny Pino's hot-headed character would have been transferred to the "rubber gun squad" years ago. The whole squad is made up of sanctimonious egomaniacs who judge people whose actions go back decades by the standards of 2007. Every Vietnam veteran character they've ever had has turned out to be the killer, unless it was another Vietnam veteran. There has only been one black murderer, and he was put up to it by his white boss. The only Hispanic killer was a "race traitor" who killed another Hispanic to frame a Hispanic street kid for a crime that (naturally) two rich white kids committed. What a bunch of propaganda. Hey,screenwriters: minorities and poor people commit murder too. Only on this show are most murderers upper-class whites. What's more, the arrests of people in their 70s, 80s, and 90s for crimes they committed 50-60 years ago are a joke. No real-life DA will push for murder one because it means the state will be stuck with their humongous medical bills until they finally kick. The state would be doing their families and insurance companies a favor. The prosecutor will just plead them to involuntary manslaughter and they won't serve a day. The only really old criminals who go to prison are either organized crime figures or ex-Nazis, whose high-profile convictions boost DA's careers. | 0neg
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] |
Richard Benjamin was such an interesting actor in the 1970s (indifferent, unafraid to appear dishonest, sharp-tongued) that his transformation into a film director of complete and utter piffle is both surprising and disheartening. Here he helms a crass comedy laced with old-fashioned trimmings: Whoopi Goldberg plays the mother of teenage girl who gets the news she was the result of mom's visit to a sperm bank. Worse, her biological father is both white and an obnoxious car-salesman! Shrill, misguided piece flails about trying to be funny and does not succeed. Goldberg can't rise above the cheap, smarmy writing, nor can she do much under Benjamin's even smarmier handling. * from **** | -1no label
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] |
***SPOILERS*** Whatever else can (or can't) be said about it, SURFACE is superbly crafted. The cinematography is simply stunning (to say the least) and the fx are nothing if not state-of-the-art. Conceptually, the show offers a little bit of everything- and for just about everybody (parents, kids, fantasy and/or fx fans). CLOSE ENCOUNTERS OF THE THIRD KIND by way of CREATURE FROM THE BLACK LAGOON with a bit of JAWS and GODZILLA thrown in for good measure, say. And there wasn't a single sour note struck acting-wise, either; some surprisingly solid casting, here. This series SURFACEd, seemingly, from out of nowhere and, by sheer dint of its straightforward storytelling, carried the viewer along for the better part of an entire season. All things considered, a job very well done. I only hope it reSURFACEs next season... | 1pos
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] |
Just got back from an advanced screening of this film and was compelled to write this with the hope who ever reads this will take my advice and go see this film immediately. For several reasons:the first being the acting and casting. Emmanuelle Chrioui (I am a big "Entourage" fan) and new comer Robert Capeli were fantastic together. And Pat Hingle should get a nomination for his role. Artie Lange couldn't of been funnier (I am a bigger Stern fan). I also liked the way they cast soap star J. Eddie Peck as a villain. And Grant Shaud from "Murphy Brown" fame was stellar. His last scene made me laugh out loud. The second was the story, I don't want to spoil it for you let me just type you will not be disappointed. I concur with the other posting's that this is a must see..... | -1no label
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] |
I loved it, having been a fan of the original series, I have always wondered what the back story would be - it didn't fail to delight me. I also love the fact that apart from Eric Stoltz I didn't recognise one person - this is refreshing, much like BSG. It has introduced me to a whole wealth of new talent - can't wait for the series to start airing. Well done to Ronald D. Moore and team - excellent job. The special effects, dialogue and acting were all spot on, and I felt emotionally tied up in the storyline. I know there are purists out there that will probably disagree with my assessment, but I felt that Caprica was far superior to most of the Sci-Fi stuff produced in the last decade. | 1pos
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] |
I only comment on really very good films and on utter rubbish. My aim is to help people who want to see great films to spend their time - and money - wisely. I also want to stop people wasting their time on garbage, and want to publicize the fact that the director/producer of these garbage films can't get away with it for very long. We will find out who you are and will vote with out feet - and wallets. This film clearly falls into the garbage category. The director and writer is John Shiban. It's always a bad sign when the writer is also the director. Maybe he wants two pay cheques. He shouldn't get any. So remember the name - John SHIBAN. And if you see anything else by him, forget it. I won't say anything about the plot - others have already. I am a little worried by how much the director likes to zoom in to the poor girl's face when she is crying and screaming. These long duration shots are a little worrying and may say something about the state of mind of Mr. Shiban. Maybe he should get psychiatric help. Enough already. It's crap - don't waste your time on it. | 0neg
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] |
I watched Pardes about 3 days ago. It was midnight and I had no wish to see a movie which was three hours long. I was going to only see about the first 30 minutes of it but this movie was so good that I watched it all the way through. Many reviewers have said that this film is 'Anti-American' propaganda and 'stereotypes' NRIs. As an NRI myself, I must greatly DISAGREE with conclusions like these. This movie is nothing short of a masterpiece. The exaggerations of Indian morals and of western vices are done for a reason, and a very good reason at that. The director shows the audience the best of India and the worst of America to make the viewer appreciate the Indian culture our parents try to impart to us. Granted, there are some lines that the American 'bad son' (Rajiv) says which are ridiculous and comical, such as: ---------------------------------------------------------------- Paul: We are going to India? To fight? Rajiv: Yes. Paul: But that is not right. Rajiv: Why? Paul: We are not bad people Rajiv, we are good Indians. Rajiv: (While shaking his head) But I am bad, Paul! ----------------------------------------------------------------- In all candor, I don't know of any Americans who speak like this (or of any other human beings for that matter). The movie has hyperbole like this throughout it. However, let us put all the cards on the table at this point..... I know for a fact that many NRIs look upon their homeland with disdain. They won't even visit it, much less want to stay there. But guess what? This movie isn't aimed at that audience. It is aimed at Indians who have not forgotten that without the culture imparted by their motherland, they would never be as successful, nor have the extended families we take for granted. Basically, if you're an ABCD or an NRI who has lived in America for 10+ years, you won't enjoy this movie, probably because many immigrants adopt the ways of the denizens (just human nature to do so I suppose). Lastly: I'm going to be starting medical school next year and I'll definitely be taking this movie with me. If I should forget who I am......what I am.....I know that I can watch this film and remember. A Hindustani. | -1no label
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] |
The film is awful.But it's awfully funny at the same time!The producers didn't want it to be funny,but it most certainly is.There are scenes in this that have to bee seen to be believed!Spoiler alert!Best bits:a)The elephant stampede,b)The tiger attack,c)The scene in which Evelyn Kraft runs through the forest,d)The scene in which the all-powerful monster gets some oranges thrown right into his face...There are more,quite possibly even funnier moments,but I don't want to give them away for those who haven't see it yet.This is the epitome of so-bad-it's-good cinema.It's a King Kong-Mighty Joe Young-Tarzan-Godzilla RIP-OFF!Seriously,this film is ridiculously bad.That's exactly what makes it worth seeing.It is the best COMEDY off all time.The effects are bad,the acting is bad,the "script" is bad...Please,do yourself a favor and go buy it.You won't get bored watching it(If you like these kind of movies).Hell,it's even WORSE than "Plan 9 from outer space"! | -1no label
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] |
Boring, utterly predictable soap opera. Mary Tyler Moore is married to Ted Danson who's having an affair with Christine Lahti. Moore is friends with Lahti and doesn't know about the cheating. Danson dies in an accident and Lahti is pregnant with his baby. YAWN! I'm ashamed to admit I paid money to see this in a theatre in 1986. I liked all three stars but even their considerable talents couldn't pull this off. I CONSTANTLY knew what was going to happen. Like another poster said--this plays like a PG-rated Lifetime movie. It does have Lahti swearing nonstop at one point and even Moore lets loose once! Also there's a pointless shots of topless women playing football (!!!). Other than that it's TV friendly. The only good thing about this was Timothy Gibbs playing Moore and Danson's teenage son. Very handsome and quite a good actor. That aside there's nothing to recommend this. You've seen it before...and done better. It's obviously been forgotten. Skip it. | 0neg
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It's not even enough to blame this on warped French sensibilities. There is no movie here - no plot, no story, no theme, no characters, no cinematography, no soundtrack - just boring shots of the desert inter cut with boring shots of awkward sex - until you finally and mercifully get an ending that is apparently from a different movie entirely. I think it must be a perverse joke by the director - some kind of statement on the absolute banality of our lives if we are willing to sit through something like this - and the fact that the best we can hope for is a violent end to our empty existence. The director should never be allowed to touch a camera again in his life. | -1no label
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None of the British mini-series that found their way across the Atlantic stand as a greater achievement than "The Glittering Prizes." Not "I: Claudius," not "Brideshead Revisited," none of them. Frederic Raphael's script strikes just the right combination of warmth and acidity with a note of genuineness that we don't always associate with this writer. The performances are uniformly apt. Many of the young cast would go on to solid careers, yet few of them would ever give greater performances than they do here. Undoubtedly the TV technology of the period may appear quaint, but that certainly hasn't held back "I, Claudius." I have seen this series again since the first American run in 1977, so I'm not relying only on dim memory. The writing and acting still hold up. So many of these mini-series are really second-rate, sometimes dreary, but that's what average means, average. "The Glittering Prizes" is among a handful of really great pieces of television, and we are waiting impatiently for the BBC to complete excavation of the archives and place this wondrous series before a new generation of viewers. | -1no label
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] |
First of all, I just have to say that I'm a huge LOST fan. Everyone who makes the show, I love 'em. It's got everything in it, really. I'm glad that they have great people making it, for instance Jack Bender is the greatest director, well, maybe after J.J. Abrams. And of course, full credit to Damon Lindelof & Carlton Cuse. They're geniuses. Anyway, the season 2 finale is definitely one of the best episodes of LOST ever!!! Live Together, Die Alone focuses on Desmond David Hume's story of getting to the island, and Henry Ian Cusick is so great playing that character! The makers of the show would have been very stupid if they would've let old'Des die on us. So, in LOST, the plane crash survivors have been there for 65 days.. 65 days, man. Whileas Rousseau has been there for SIXTEEN years, and the Others have been there for God knows how long. Referring to Jeffrey Lieber, Lindelof & Abrams. Anyway, I hope we'll get the answers we need, in season 3. Can't wait! My vote is nine. | 1pos
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] |
I was lucky enough to see Zero Day last night. It's an amazing movie. A very disturbing one at that. In a way, Zero Day is very comparable to "The Blair Witch Project". It's shot completley with handheld camcorders. It's about 2 kids. Just your average kids. Andre and Calvin. They start a campaign against there High School entitled "Army of 2". The whole story is told in Video Diary form, from the 2 kids. It shows there relationships with there parents, amongst other people, showing that these are just normal kids, just like people we know or who have bumped into. We find out The Army of 2's last mission will be entitles Zero Day. They plan to shoot up there High School. You see how they get access to there guns, how they plan it out, everything. They stress that the media has not affected them at all, and there is no reason for doing this. Like I said, this is all told in Video Diary form, and then they store the tapes in a safety deposit box to be seen after Zero Day. The actual shooting is shown through Survillence Cameras throughout the school. Chilling indeed. The movie is very chilling. Some of the things they say, how they plan it out, you'd just have to see it for yourself. One quote that I remember is the only time Calvin is byhimself. He says "Andre thinks were just gonna leave in some getaway car, doing this to numerous schools across the country. I don't know what he's thinking, but the only way I'm coming out of the school is in a black plastic bag". I'm probaly not even giving you guys the proper idea of this film. You really need to see it yourself. It's going around festivals right now. A+. | 1pos
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] |
This film is about the unlikely friendship between a businessman and a man with Down Syndrome. The character development in this film is excellent. We get to believe that Harry is a businessman who neglects his family, and Georges is an innocent man who craves loving and care from the "normal" society. Acting is excellent, and the Cannes best actor award is well deserved. The fantasy scenes in the film highlights the fact that Georges misery towards his abandonment by his family, and his desire to be treated like a normal person. The song that gets played repeatedly also reinforces this message. The film shows that people who are mentally handicapped are good natured. We have been treating them with discrimination and neglect, a fact that is highlighted by the scene where Georges gives a present to the waitress in the kitchen). If we get to understand and share these people's world, both we and the mentally handicapped can become very happy. I was so drawn into the film and the characters' emotional experiences. It is a touching film for good natured souls. | 1pos
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] |
I thought this movie was so incredibly good. It touched my heart and I found myself crying through much of it. But I also couldn't pull away from it, I never took my eyes off the screen the entire time the movie was played. It is indescribable. I loved it. Angelina's role was wonderfully played and a better actress couldn't have been chosen. But, Be prepared to have your emotions running in this movie. I believe this film should be a message to all people that this is something they need to be well aware of. Do not see this movie if you are not prepared fully to cry a little bit. It is almost unavoidable because it is so true. I am almost positive it is something you will enjoy watching. | -1no label
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] |
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