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I've begun to watch Olberman's Countdown. I must say I am absolutely amazed at how lacking I am at amazement as to his ratings. He's positively dreadful; lacking in talent, acumen, political savvy of any sort, and the permanent smirk doesn't help. Maybe he should have stayed doing "sports" journalism and guesting on the Hollywood Squares. Those who seem to think he's remotely fair, consider this: He just, as I write this, referred to John McCain as indulging in "crass political terrorism." Even as he just had several guests in a row that he offered the opportunity to bash in the worst way, Sarah Palin and the aforesaid McCain. He obviously promotes anti-Palin scurrilous rumors, attacks Republicans with an irrationality that would do Bill Maher proud, and omits basic facts when characterizing his pathologically fearful enemies (does he have a list, maybe he can count them down?). I don't think he's a Democrat actually, I think he's an Obamacrat. He shills for him without question or demur -- taking his orders obviously as a robotic talking head. His lack of balance is actually a bit scary insofar as others, such as Hannity and Colmes, O'Reilly, Wolf Blitzer, and even Chris Matthews (though not lately), have proponents of the other side to at least discuss a particular matter with. Olbermann? He has a part of his "show" that is dedicated to the "most outrageous or untrue thing said on the behalf of John McCain", entitled, "McCain in the Membrane." Nice. The snicker inducing backdrop of all this, is that no one watches this dreck -- excepting a few bemused critics (like me), or the true believers who hang out on the Daily Kos and MoveOn.org, who spew out the most vicious of comments, not limited to wishing death on those they feel are insufficiently non-extreme left. Throw in that female comic who called Hillary Clinton a word best left unwritten, even with asterisks. I'm not afraid of words, but that was something Olbermann probably wouldn't have minded on his show if he could have gotten away with it. I'd actually suggest tuning in, merely to be shocked and amazed, and have one's jaw dropped, at what passes for "journalism" on MSNBC. | -1no label
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I was looking forward to this movie. Trustworthy actors, interesting plot. Great atmosphere then ????? IF you are going to attempt something that is meant to encapsulate the meaning of life. First. Know it. OK I did not expect the directors or writers to actually know the meaning but I thought they may have offered crumbs to peck at and treats to add fuel to the fire-Which! they almost did. Things I didn't get. A woman wandering around in dark places and lonely car parks alone-oblivious to the consequences. Great riddles that fell by the wayside. The promise of the knowledge therein contained by the original so-called criminal. I had no problem with the budget and enjoyed the suspense. I understood and can wax lyrical about the fool and found Adrian Pauls role crucial and penetrating and then ????? Basically the story line and the script where good up to a point and that point was the last 10 minutes or so. What? Run out of ideas! Such a pity that this movie had to let us down so badly. It may not comprehend the meaning and I really did not expect the writers to understand it but I was hoping for an intellectual, if not spiritual ride and got a bump in the road | 0neg
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***Possible spoilers*** I've read up on Dahmer a little and saw the new Dahmer film (with the same name) at an earlier time. This movie here concentrates rather much on the victims and killings, too little on Dahmer himself. The film called "Dahmer" had the opposite problem, it was too little about his crimes and too much about himself. I did not find the acting to my satisfaction, it had a certain amateur feel too it, especially the probation officer. It also seemed as if the Dahmer acting got worse every time he played against the probation officer actor. But I might be wrong about that. What annoyed me a bit was that some of the scenes were quite disturbing but that the filmmakers seemed to try and show "the real deal" about what he did anyway. That is ok - but what I then don't understand is why the guy who ran away from his flat while Dahmer was out getting beer, was not depicted being naked, since that is also how it happened. It's not a big deal, but it just eats away further on the movies quality that such details are left out. What wasn't shown either or not even really hinted was Dahmers sexual obsession with the dead. Again, I don't mind they didn't SHOW it, but at least they could have mentioned it or built it in to the movie somehow. Conclusion: I think the really good Dahmer film is still to be made, a movie that incorporates not only Dahmers crimes but also who he was, and why he did what he did. I think that 1.5 or 2 hours are just not enough to grasp the complexity of it all. This movie was just a cutout (excuse the pun) of Dahmers life and personality and does not give you any 'close to good' insight into his life or personality. 4/10 | 0neg
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Few things can be quite so entertaining as a bad 1950s horror movie. Then again, few things can be quite so paralyzing. The 1959 THE KILLER SHREWS is a bit of both, at time excruciatingly funny, at times, well, just plain excruciating. The story, such as it is, concerns a the captain of a small supply ship (James Best) who finds himself stranded on an island with a few nutty scientists, a blonde bombshell, and a bunch of dogs dressed up like killer shrews. They're all hankering to get away, of course, but wouldn't you know it, there's a hurricane a-blowing. While they wait for the weather to settle they drink a lot and worry about the dogs, er, shrews, which are trying to gnaw their way inside for lunch. It's hard to say what is more abominable about this film: the story, the script, or the human cast. On the other hand, the costumed canine cast is actually quite a bit of fun. Love those tails in particular! Even so, I still found the sixty-nine minutes of this film rough going. I mean, really, now: just how long can YOU be amused by dog costumes? Fans of this sort of thing will be impressed, but I was glad the DVD was inexpensive. The Alpha release seems to be the most commonly available; the picture isn't bad, but the sound is lousy. I give the whole thing three stars for the sake of fans, but I doubt I'll make any return trips to Shrew Island. GFT, Amazon Reviewer | -1no label
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The commenter from Walla Walla got it right. The Joe Besser stooges shorts are masterpieces by comparison to this total waste of film. It's not even remotely funny or even amusing. Instead of laughing, I was angry at someone as minimally talented (and I am being nice) as Ted Healy beating up on my stooges. Talk about a third rate comic, this guy is worse than that. I guess they had to start somewhere. Maybe they were all funny on the vaudeville stage together, but they were not in this thing. Stay the heck away from this film. It is not worth wasting 20 minutes of your life. I'm not even going to mention where I saw it to spare you the pain. | -1no label
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This is kind of a movie version of an I Love Lucy episode - It's the trials & tribulations of a couple, accompanied by their sidekicks, the other married couple. The girls stick together, the guys stick together. Then Robert Young walks in to "help", but things get all mixed up. Clever script. Helen Broderick plays the same sarcastic, older but wiser friend that sticks by the young bride when things get tough that she played so many times (Father takes a bride, Smartest Girl in Town, Top Hat) Robert Young is the dashing interloper that really does want to help out, but just makes things worse. Ned Sparks is a riot, always muttering things under his breath, the poor suffering husband with a cigar hanging out the corner of his mouth. This movie makes light of some of those old fashioned sexist ideas,(domestic violence, man/wife roles) so may offend some, but then it was made for a different time. Seems to be a remake of "Ten Cents a Dance" from 1931, which also starred B. Stanwyck. I have tried to find the video for sale, have not had luck as of yet. | -1no label
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] |
At first the movie seemed to be doing great, they had the characters profiles set...the plot seemed to be going in the right direction... however, as the movie progressed it seemed the director focused on the wrong kind of things...or just a lot was edited from the movie. The characters' identities changed for the worse within the movie. Also, there seemed to be a lot of implicit meaning -- in other words -- they had things within the movie that didn't seem to fit the movie itself. AND the title... no where in the movie does the title fit the movie...I suppose the title works for the previews.... Actors did well with what they had.....if they had a better director and writer, maybe this would have worked out better. But it didn't. So now there's a new terrible movie coming out this Friday.... My opinion!....don't waste your time or money. | 0neg
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] |
You know Henry Fonda was a good actor when he can play a priest, and actually look pious. It was an odd sight to see him in this role, the patriarch of one of Hollywood's most liberal families giving the sign of the cross and other such playing-against-type Fonda gestures. It must have pained him to play this role and, with his reputation, made his character in here - watching this film for the first time in the 1990s - have no credibility. In 1947, before his kids became famous Left Wingers, Henry's role in here was more believable to audiences. Nonetheless, the main problem with this movie isn't Fonda - it's the script. This is a boring film. It's too slow-moving. The only worthwhile aspect is seeing John Ford's direction and the cinematography by Gabriel Figueroa. It was filmed in Mexico and there are some nice photographic touches in here. Maybe I am just not a fan of Graham Greene's overly melodramatic writing but not many other people liked this depressing tale, either. This bombed at the box office, and it's easy to see why. It's just too depressing | -1no label
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] |
This move was a 10.5 on our Cheez-o-meter, the highest ranking possible, thanks to the earthquake movie of the same name. We knew we were setting ourselves up for a lambasting with "Raptor Island", we just didn't realize how badly. OK, so the movie is made on the super cheap, with crappy CGI, models that scream "REVELL!!" and an utterly ridiculous plot scenario. I can get past a lot of cheapness necessitated by TV movie budgets, but what I cannot accept is the flagrant carelessness of the director. C'mon, people, the story takes place on an island in the South China Sea: so why are we looking at boreal forest, replete with ivy-covered trees, in what is obviously fall? During the scene where Hack and Jamie are holed up in the plane wreckage, their breath is clearly visible when they speak. Sorry, folks, no matter how you slice it, British Columbia can never stand in for a tropical island. And what was with that weather at the end? The captain says their "socked in" "in this pea soup", but the island is having a lovely red sunset. Cut to helicopter pilot guy, shown in the cockpit with a raging ocean behind him. Cut to island sunset. Cut to helicopter flying over wrecked zodiac - it's night. Cut to Hack and Jamie, fighting off the bad guy, in full daylight. Cut back to pilot, shown in cockpit with that same raging ocean behind him. Cut to sunset. WASN'T ANYONE PAYING ATTENTION? Could they have at least TRIED to seem as though they were trying to be credible? Though this one was ripe for Joel and the Bots, we had plenty of fun of our own. Sublimely silly and purely ridiculous, there is no excuse to watch "Raptor Island", unless you're socked in by pea soup. Which we were. | -1no label
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] |
"Heartstopper", directed by the always-reliable special effects wizard Bob Keen (he worked on the effects for no less than "Hellraiser", "Candyman" and "Hardware"), is a sadly forgettable effort that combines the plot of a typical late 80's cheesy flick with the outrageous gore and brutality of nowadays 'Torture Porn' movies. The concept of a serial killer with supernatural powers who desperately attempts to transfer his murderous spirit into a new body after his own execution is dreadfully unoriginal and already featured (more or less) in at least four movies, namely Wes Craven's "Shocker", the atrocious third entry in the "House" series, the criminally underrated film "Prison" and the overall lamentable film "The Chair". This movie has absolutely nothing new to tell in its plot, but at least it remains somewhat entertaining thanks to the incredibly high body count, explicit on screen bloodshed and the cast of clichéd characters. A young interracial couple have to defend themselves against the sneering and overly talkative psychopath Chambers (who enjoys ripping hearts out of people's torsos whilst they're watching), and they receive little to none help from an indecisive nurse and from the Sheriff, played by Robert Englund. "Heartstopper" is never really scary or disturbing because the plot is overly grotesque and incoherent. The setting of the nearly abandoned, ramshackle and soon-to-be-closed down hospital adds some morbid atmosphere to the wholesome. The surreal elements in the plot are totally ridiculous and the ending sucks, but hey, I'm sure you've seen newly released horror films that were a lot worse. | -1no label
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] |
Well what can I say except dreadful. Having been a Bottom fan and Young Ones nut I have to say this is awful. If your expecting laughs a minute like the tv show you sadly wont find it here unlike it's first live installment which remains the best. I'd also like to give some credit to the original tv show director Ed Bye, who was not involved here, that his direction with Rik Mayall and Ade Edmondson was perhaps the key to the success of the series as with The Young Ones, Red Dwarf etc. As for an arse odditty - it's a wonder the audience never got off them and demanded they're money back. I cringed the whole way through the old jokes feeling sorry for the talented two. 2/10 | -1no label
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] |
The Beach is interesting in that some people feel that its terrible while there are others who feel that it is an unsung hero of a movie. When I first saw The Beach, back in 2000, I thought it was OK, not as bad as most people said it was. But, just like with A Life Less Ordinary, The Beach grew on me and I had to watch it again. After seeing it a few more times I really started to pick up on what was going on and realized that at the end of the film the viewer has gone through quite an adventure with Dicaprio and co. The acting, cinematography, music, and story are great and hold up after repeat viewings. The Beach is one of those movies that I watch once a year as its enjoyability never decreases. This is a very solid film that will no doubt only increase in its popularity as time goes by as fans of The Beach are quite hardcore. Even though Dany Boyle has said that he is not very proud of The Beach I believe that he's made a gross error and misjudged his work because even after all these years The Beach still has a freshness to it that most films lose while they are still in the theaters. Because of these reasons The Beach will not die today. | -1no label
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] |
I believe this film was made w/ its creators knowing that it would be shot down by various "types" of people who'll just simply refuse to look at it objectively. In my opinion, it is a "must see" for everyone aimed particularly at the Black bourgeois. I like the fact that not only does the DROP Squad address the problems of Blacks self-exploiting racial stereotypes for personal financial gain, it also questions the tactics that must be enacted to solve these problems. The aim of the DROP Squad is very provocative but I especially like the human aspect whereas the "Rocky" character debates w/ "XB" and "Garvey" on how to deal w/ the captive individuals to be "dropped." Rocky has a more diplomatic approach that seems to have been more effective back in earlier times around when the group was founded. Seemingly as time has passed and the situation has evolved to crazier proportions, XB and Garvey have resorted to more drastic tactics in order to "get their attention first." I believe what many people fail to realize is that this picture is asking the question "Which, if any, of these methods are more appropriate to addressing this problem?" The tone of the film gets "crazier" as time moves on and the problem gets worse, thus developing the drama where the Squad questions itself altogether. Whether you like this movie or not, you've got to admit that it serves its purpose and that's to "incite dialogue" and not racism. | -1no label
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] |
i had high hopes for two came back.obviously the ending is predictable,given the title.basically,a group of friends agree to sail a yacht for someone from san diego to vancouver.along the way,they get caught in a massive storm and all but two of them perish.the main focus of the story centres not so much on the storm,but its aftermath.the crew is left adrift in the middle of the ocean and struggle to survive,as they hope to be rescued.of course as days pass,each of them deals with their plight differently and eventually,when they are rescued there are only two remaining alive.that is the gist of the story.i thought it would be a better movie than it was,but it was mostly a bore.most of the actors weren't convincing.then again,they didn't have a lot to work with dialogue wise,so they can't be faulted entirely.the scenes of the storm were pretty exciting,but fairly brief.pre teens will probably enjoy this movie, but if you are in your mid teens and older,don't expect to be too entertained. 3* | -1no label
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] |
One of the most nihilistic and brutal films I've ever seen, but also one of the most tragic and moving ones. This is an action-melodrama like the world has never seen it before. Sometimes the plot got me close to tears, while in the next moment delivering shocking revelations like a bone-crunching blow to the guts. Chilling performance by Edison Chen. The story of a HK-Cop and a Cambodian killer hunting each other down, while bit by bit losing their humanity, is a strong one. Featuring very little dialog in favor of haunting imagery and gritty camera-work, "Dog bite Dog" is pure HK-Bloodshed without the Heroism. | 1pos
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] |
For anyone craving a remake of 1989's Slaves of New York. What are there, seven of you? Here it is... was. This undercooked movie has studiously vapid characters (Well they're club-kids, ya big jerk!) that are in holding patterns. The big question seems to be, just how long can a young adult remain juvenile? It took three people to write this 'story'? Good god, it was easier to come up with Citizen Kane. Rather than take viewers back, this movie should just embarrass anyone who was a scene-ster in the early 90s. The idea that a fifty year old woman envies a bunch of self-absorbed kids from a different era is the world as only self-absorbed, twenty-somethings could imagine it. The odd sidebar about library work is not the sub-plot one expects from the equivalent of Parker Posey's Breakin 2: Electric Bugaloo. Her "I'm serious about graduate school!" while a stripper grinds on her is hysterical. Posey's shtick is always amusing, but there are projects that are beneath her. I was asleep before it crossed the 40 minute mark. | 0neg
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] |
I had watched this film from Ralph Bakshi (Wizards, Hey Good Lookin'), one night ago on www.afrovideo.org, and I didn't see anything racial (I am not stupid), I do admit the character designs are a bit crude and unaccpectable today, but I think it's a satire and a very,very urban retelling of the old Uncle Remus stories that the Black American culture, created right down to the main characters and the blatant nod to "The Tar Baby" and "The Briar Patch." These aren't bigoted stories, mind you, but cultural icons created by Black Americans, and me being a white woman read and love those stories. And I also found it an interesting time-capsule view on the black culture in Harlem, New York in the 70's. Well to get to the nitty-gritty of this film: This film is a live-action/animated film, which begins in live-action with a fellow named Sampson (Barry White) and the Preacherman (Charles Gordone) rush to help their friend, Randy (Philip Michael Thomas) escape from prison, but are stopped by a roadblock and wind up in a shootout with the police. While waiting for them, Randy unwillingly listens to fellow escapee Pappy (Scatman Crothers), as he begins to tell Randy the animated story of Brother Rabbit, a young newcomer to the big city who quickly rises from obscurity to rule over all of Harlem; you know, to me Rabbit,Bear and Fox are animal versions of Randy,Sampson and the Preacherman. An abstract juxtaposition of stylized animation and live action footage, the film is a graphic and condemnatory satire of stereotypes prevalent in the 70s racial, ethnic, and otherwise. So anyway, it is another GOOD Bakshi movie; and should we sweep films like this under the rug? pretend they never exist? hmmm...I think that would be a shame; I think we should watch these films entacted, and learn about what goes on back then, just how far we come since then. | 1pos
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] |
This show makes me(and many others) hate their lives. Let's face it, Zoey is perfect; she's bland pretty, gets good grades, everyone goes to her for advice, she's popular, she goes to an amazing school with amazing rooms. Reasons why I gave this show a 3: 1. The acting is horrible.Sometimes I just want to hurt the people who put these untalented actresses(especially victoria justice) on television. 2. The characters are unbelievable and mismatched. You have your typical popular girl. A peppy, shallow, stupid ,stereotypical, girl who is portrayed by a horrible actress. Then you have a typical jock guy who is somewhat normal and actually nice.Then the stereotyped smart girl who is a freak and obviously does not fit in with the perfect popular friends of hers. Then a stuck up rich pretty boy that would be happier gazing into a mirror all day. Then the wanna be actress who is played by another stinky actress. And last a normal nerd person guy. 3. The plot is boring, and lame. 4. I hate how spoiled these characters are. Can't they just be normal! 5. Everything ends up perfect for them, and we all are reminded of how much our lives stink. | 0neg
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] |
This is yet another pseudo-intellectual "let's make the Nazis look real bad" movie. The Nazis were pretty bad, no doubt - most of already know that. However, that does not necessarily make every movie on the theme good. A Discovery Channel presentation of "The Wannsee Conference" would have been much more interesting. "Conspiracy" falls on its ass between two categories: documentary and drama. It doesn't cut it as a documentary, the movie is too "staged" and the presentation too "common". It doesn't cut it as a drama, the characters are too shallow and conflicts too easily "solved". Another thing is the tagline: "One Of The Greatest Crimes Against Humanity Was Perpetrated In Just Over An Hour." As the movie shows the Wannsee Conference the meeting had nothing to do with reaching a consensus on the final solution. The decision on the solution had already been taken by the SS. The sole purpose of the meeting was to make all significant stakeholders commit themselves to an already established plan. There were no decisions or plans made at the Wannsee Conference. There was only threats and coercion (some needed less than others). Finally: One thing the movie does show (although in no exceptional manner) is, man has a tendency to turn to culture and aesthetics in an attempt to hide for himself the fact that he is committing appalling atrocities. This is seen in most powermongering "leaders" and politicians. | 0neg
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Is it just me or is that kid really annoying? Hideos sister, spends most of her time running around after the disobedient little so and so. As for him, well, I know he's a kid n all, but his acting ability is about as wooden as a dead tree. So far I'm only half way through, and am fascinated by the story, but the people in it, let it down, I just hope it gets better by the end, as I can't not know what it's all about. Although, some supposedly cryptic messages in the scribbles on the wall and a notebook, indicate everything is backwards, i.e. Dog is God, Live is Evil etc... just seems a little obvious at the moment, yet nobody mentions its obvious meaning, (As yet anyway) If my opinion changes at the end of the movie, I'll update this post, but if your reading this, then well...... See above statement. | 0neg
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] |
Sticking Robert DeNiro in your movie almost assures you good reviews. Sticking Sean Connery only increases that. So when all of them join with David Mamet and Brian DePalma,the result can be nothing short of explosive. Kevin Costner plays a naive cop put on a mission to arrest Al Capone (DeNiro). Right from the beginning, this movie is a thrill ride. DeNiro is superb as Capone, Costner is good as Elliot Ness,and Andy Garcia is entertaining as a sure-shot young Italian. But the real gem here is Connery,in an Oscar-winning performance.Connery plays an Irish cop who joins up with Ness. He plays the role very well,and deserved his Oscar.Also joining the group is Charles Martin Smith,as a accountant who shows a deft knack for shooting at stuff. However,that's not to say that the movie is without flaws.Some scenes are very unbelievable (especially the one where Connery meets his demise) and some parts (especially at the beginning) seem to go on too long. This,however,does not stop this movie from being fun. 8.5/10 | -1no label
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] |
SAKURA KILLERS (1+ outta 5 stars) Maybe in 1987 this movie might have seemed cool... if you had never ever seen a *good* ninja movie. Cheesy '80s music... cheesy dialogue... cheesy acting... and way-beyond-cheesy martial arts sequences. The coolest scene is at the beginning... with an aged Chuck Connors playing golf on a beach... several black clad ninjas try to sneak up on him and it looks like he is too intent on hitting his ball to notice... suddenly he reaches into his golf bag and... naw, I won't spoil it for you... if you ever have the misfortune of seeing this movie you'll thank me. The story is a lot of nonsense about some stolen videotape or something. A bunch of dim-bulb Caucasian heroes are trained in the ways the ninja because "only a ninja can fight a ninja" or something like that. Strange, these guys don't seem to fight any better after their training than before... oh well, the movie does move along pretty briskly. The fight scenes may not be great.. but they are plentiful... and the overdone sound effects are good for a few chuckles. | 0neg
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] |
Viggo Mortensen stars as a new inmate of a haunted prison in which the warden (Played well by Lane Smith) has a grisly secret that could be the reason why various prison guards and inmates are being slaughtered by a supernatural presence. Lincoln Kilpatrick is the lifer who knows the secret and is scared for his life. When I think prison movies, I always think action movies starring Stallone or Van Damme or high caliber dramas such as Shawshank Redemption or The Green Mile. However I didn't expect a ghost story more along the lines of Exorcist III. Prison however is an atmospheric effort and it certainly remains the best movie of Renny Harlin's career. The movie is creepy and has some good acting from a cast of (at the time) unknowns. Lane Smith comes off the best because his warden isn't the usual cliché of evil personified but rather nervous and twitchy which adds some credibility to a movie that far exceeds expectations. *** out of 4-(Good) | 1pos
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] |
"Winstanley", directed by Andrew Mollo and Kevin Brownlow, is a true masterpiece of British Independent Cinema. The talent of these two film makers in unquestionable. Their vision of 17th Century England has never been bettered. Andrew Mollo's attention to period detail is unsurpassed resulting in costumes and design that are simply faultless. The cinematography is breathtaking and Kevin Brownlow's editing is masterful. Miles Haliwell plays the lead part of Gerrard Winstanley and he gives a moving and insightful performance. This is a must see film the like of which we may never see again. I am sure it taught Kubrick a lesson or two about filming period dramas. | -1no label
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] |
Ill keep this short; writing about stuff like this really makes me realise to what extent the English language is limited. From concept to post-production, this film is flawless. The direction and, specifically, the editing of the piece show years of creative experience in the field. Laurence Hilton-Jacobs returns to the screen with a proto-naturalistic approach to the portrayal of a broken man living in a world which does not appreciate him. The beauty of this is that it seems to reflect the life of Merhi so far. His unique style when directing his works has not always been accepted by an audience of which the majority are used to much more mainstream, commercial films. The overall 'feel' of the film is of perfection and finesse. It maintains this finish while keeping its art-house status and evading the glossy overcoat which is becoming more and more popularly associated with the industry in America. Over the years I've familiarised myself with the abstract writing style of Kanganis, and it has become a little habit of mine to expect these little surprises that he has for us with each release. The reflection mentioned above seems to have come about naturally; the troubled mind of Merhi and artistic aptitude of Kanganis come together to bring the film together with a fine-tuned taste, but not pretentiousness, and to end it with such a gritty climax as it does. Merhi is an overwrought genius whose presentation, when grouped with the textual gold of Kanganis' script and the on screen presence of Hilton-Jacobs of such charm and without antecedence is, frankly, magical. | -1no label
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] |
Hey guys, i have been looking every where to find these two movies and i can't find them anywhere in my local area. (I am Australian). Could You please help me and tell me where i can buy it from. In General Home Ward Bound 1 and 2 are the best movies i have ever seen and are good for people of all ages. It was my favourite movie wen i was 5 and it still is even now when i am a teenager. It is a great movie for the whole family. My entire family loves this movie except for my younger sister because i have watched it that many times that she is sick of it. I love this movie and i cant wait till i can buy it again on DVD. Sally | 1pos
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] |
I suppose that any novel that's as much of a downer as Moby Dick would not find much favor with Depression era audiences who had enough of their own troubles. But any resemblance to the classic Herman Melville novel is a pure coincidence. In fact half of the film is a prequel to the main story as we know it, not that too much of it was kept for the film. We first meet Ahab Creely (he's got a last name and a brother) as one happy go lucky soul with two legs and intentions to marry Joan Bennett who is Father Mapple's daughter. That brother Derek, played by Lloyd Hughes, also wants to marry Bennett. John Barrymore is Ahab in an over the top performance. Barrymore had not quite mastered the sound cinema and he gave out with all the silent era histrionics plus a stage voice that would have shaken the rafters of any movie theater this film was playing in. We see Ahab lose his leg to the great whale Moby Dick and I have to say the amputation scene was pretty gruesome. Of course this was all before the Code. Still I'm sure 1930 audiences shuddered. After that the story of Ahab's hunt for the whale that he thinks made him unsightly in Joan Bennett's eyes. That is not exactly Melville's motivation, in fact there are no women characters in Moby Dick as he wrote it. One of the things Melville did was invest the crew of Ahab's ship the Pequod with personalities. Other than Queequeg the cannibal harpooner the names are there, but not the personalities. Starbuck and Stubbs might as well be Smith and Jones. I'd see this version of Moby Dick strictly for curiosity and nothing else. | 0neg
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] |
This is obviously a tongue in cheek scary movie, with lots of little jabs of humor at all walks of life. It plays few favorites, except perhaps favoring blondes, but it doesn't take itself serious enough to be a propaganda movie. It starts with a bit that comes into play later. Characters disappear and then reappear at the end. Meanwhile, the main characters are fairly enjoyable and amusing. So are the minor characters. A bordello of bloodsucking meanies finds victims from the town. A private investigator and a Jimmy Baker type evangelist lead the way into fighting them. It is mostly disjointed, and has some trivial chuckles, but no guffaws. It comes up a bit short, but everyone tries in this movie, and the performances are grand, which provides most of the chuckles. | -1no label
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] |
Well!! the movie has Catherine Zeta Jones in it. It's a Hallmark television movie. It's from a Thomas Hardy novel. It has Catherine Zeta Jones in it. She is by far the only one in the movie who acts better than in my high school theater class. Oh yes it has Clive Owen in it. I'm not British so that means almost as much as being a Thomas Hardy novel. Except he was in "The Bourne Identity", and I liked that. That just about wraps it all up folks. That really all there was. I'm becoming repetitive, but I do like CZJ, so I stuck it out to the end. The computer is telling me that I don't have 10 lines and I keep counting them. I always count 11, but maybe it just doesn't like my style, but that is my opinion of the movie, too. | 0neg
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] |
Edith Nesbitt's best book has been adapted into a truly magnificent film, I love it. The film itself has gorgeous cinematography, and fine realisation of the subject matter. The ending is enough to have you in tears, as it is so beautifully done. Lionel has directed some truly excellent films, like the Amazing Mr Blunden, but this is his best film as director by a mile. The costumes were absolutely lovely, that matched the beauty of the countryside, and the sparkling and conveniently-faithful script helped matters. However, it is the quality of the acting that holds this film together, as it is nothing shorter than incredible. Dinah Sheridan is suitably sincere as the mother, a much-needed characteristic of the character, and Bernard Cribbins was hilarious as Perks. In fact, I preferred Perks on film, as he isn't as humorous in the book. The children were perfect. Gary Warren and Sally Thomsett both gave spirited performances, but it is Jenny Agutter's enchanting portrayal of Bobbie that impressed me the most. Another special mention is the gorgeous music by Johnny Douglas, the title music reminded me of Charlie Chaplin's Smile. In conclusion, a funny and poignant masterpiece, that is better than the book, I think. 10/10. Bethany Cox. | 1pos
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] |
Truly, a horrible movie. In the opening scene's with Ice T and Costas Mandylor in their *Cockpits*, they are supposed to be in A-6 Navy Attack Jets. ANyone that has ever seen the inside of an A-6 knows this movie was "NOT EVEN CLOSE!". The producers would have been better off just playing it like the actors were in a large Air Force Bomber. I like Costas Mandylor as an actor, I really do. This was not one of his better efforts. Ice must have been working on his own skills because I am sure this film is not something he brings up when discussing his past projects. And what was Ernie Hudson thinking? Were the Repo men being held off with baseball bats and Ernie was desperate for a payday? This is so beneath Hudson. Unless you are suffering from insomnia and you happen to catch this on FX, late one night...don't waste your time. | -1no label
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] |
What a delightful romp a very competently made film that has so much charm and a feelgood factor that a lot of romantic comedies lack. Einstein is brilliantly acted by Walter Matthau, while Meg Ryan's Catherine is unforgettable better than I have seen her in those films opposite Tom Hanks as the young mathematician struggling to be recognized. You don't need to be a young woman to understand Catherine's struggle and feel sympathetic for her immediately, and as a young man it's easy to understand what must have gone through Ed's (Tim Robbins) mind in pursuing his true love. There's universal appeal in these emotions, even if I.Q. keeps it all light, fun and tied up nicely. Sure it's not heavy, but if you look there are some subtexts. People remember Albert Einstein as a scientist yet he was a great spiritualist; his sayings such as something along the lines of, 'If it is not impossible, then why do it?' suggest he is a believer in fulfilling higher goals beyond one's immediate grasp. In this film, there are questions of what an accident really is such as whether Albert and his whacky sidekicks' intervention in prying Catherine away from stiff-upper-lip, loveless James (Stephen Fry who gives this otherwise cardboard character life and you cannot help but feel for his lack of feeling) counts. How much intervention happens in our lives that we do not see, and comes across as serendipitous? And of course, we'd like to think in real life, despite what we often observe of the people we know, that we Edwards get the Catherines and Jameses have to learn how to defrost the icewater in their veins. How nice to know that it might work out in I.Q.'s innocent (and disturbingly, exclusively Caucasian) Eisenhower-era land of make-believe. | 1pos
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] |
The Flock is not really a movie. It's a wannabe movie, with wannabe actors. Not including Richard Gere, he gave an excellent performance, but when only one of the actors truly gives himself to his character, and the rest of the cast is just acting... the result is pathetic, just like this movie. You see, the idea of acting is to hide the fact that you're acting. What the hell was Claire Dains doing in this one?! She's the most inappropriate actress for this character. In 99.9% of the movie she looked extremely out of place, out of everything!! The only thing she was doing was asking stupid questions, like " do you really think so?? " , and making silly faces. I was embarrassed by her acting, seriously, and I used to like her... She's the romantic movie type, I don't know who picked her among all the actresses out there.... LOL, and seeing Avril Lavigne?! this really made me laugh.. Anyway.. If you want to get the feeling of throwing up, this movie will do the job for you!!! I wish I could vote -5.. | 0neg
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] |
Unwatchable. This is one of the most pretentious time wasters I've ever had the misfortune of enduring. Essentially The Ister is an overly earnest, impossibly obscure philosophical treatise that could only appeal to academics with an interest in Heidegger scholarship. What were the filmmakers trying to achieve in turning such turgid material into a movie? After more than three hours (!) of cinematic torture I am none the wiser. I have been told that the film makers are themselves academics, and believe me, it shows. They take everything that is worst about academia and translate it into film. Quite an achievement, I suppose, but one that I hope is never repeated. Seeing a movie in a film festival environment I always know I'm taking a chance. That's what festivals are about. But programmers also have an obligation to their audience, and they ought to protect us from rubbish like this. As it is, I feel that three hours of my life have been taken from me, and I want them back! | -1no label
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] |
I couldn't help but look at the time every 5 to 10 minutes because I found this movie a total drag. Childish humor, cheap looking sets, cheap looking effects, a plot that makes "Legally blonde" look like "The Usual Suspects" and so many coincidences that I can now officially say that Robert Rodriguez had brain surgery somewhere after 1996. The only thing he left as his trade mark are some cool camera moves, but there's where it ends. OK, so the guy decided to do something new for a change, a children's spy movie. Well if I were 12, I'd feel insulted. The best thing in this movie is the absolutely amazing Carla Gugino that just stole every scene she was in. Sadly, there weren't many. 4/10 | 0neg
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] |
As mentioned before this movie probably is the first one of its kind to be made in Austria by Austrians artists only. Austria's good times in the movie industry have long been gone and modern Austrian filmmakers concentrate mainly on producing artistic stuff that relies heavily on the actors (mostly due to funding problems). So this film is quite different from what is coming from Austria nowadays but it's not so different from what is coming from Hollywood. That's a new approach and that's OK. In my opinion the movie is better than the average Scary Movie flick. The story is quite straightforward, the ending is adept though not too surprising. The gory scenes come at the times you expect them to come. Sometimes you know what is going to happen before but that's what we call suspense and if it was good enough for Hitchcock it's good enough for everyone. And it works here too! The movie doesn't stay on a high level of tension all the time. It speeds up then slows down then speeds up again several times. Nice flow. The director does a really good job and I especially appreciated the cinematography. Some really nice pictures, good camera positioning. The cutting was good too and makes the movie look more expensive and professional than it was. The young actors are mostly unknown but mostly talented and add to the overall positive impression the film made on me. I enjoyed watching the film although it's not a perfect piece of work (therefore my score of 7/10) but judge for yourself. Let's hope there will be more to see from the people who made this movie. I think there is still a lot of potential to explore. | -1no label
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] |
Part zombie, part cannibal, part gore equals full of crap. Come on...it just doesn't work. Commando Norman Hopper(John Saxon)rescues a couple of Vietnam POWs who contracted a rare disease that compels them to consume human flesh. One of the soldiers, Charlie Bukowski(John Morghen)bites Hopper in the rescue. War hero Hopper will be plagued with cannibal instincts fighting their way to the surface. Bukowski escapes from a veteran's psychiatric hospital and immediately goes into relapse and a gory rampage begins. A gun battle with police will comprise the meat (no pun intended)of the movie. An overload of ridiculous profanity doesn't succeed in shocking anyone...just laughable. Special effects are just as hilarious. Also in the cast: Elizabeth Turner, Wallace Wilkinson, Tony King and May Heatherly. | -1no label
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] |
I fondly remember the 1974 Rankin-Bass version of "The Year Without A Santa Claus" and was looking forward to seeing this. I feel let down by it in just about every aspect. The casting was so-so, John Goodman did a fair job as Santa, but Delta Burke as Mrs. Claus wasn't given as much to do as Shirley Booth in the original. Chris Kattan's Sparky became annoying quite quickly, as did the script's constant barrage of in-jokes for adults (since it was shown at the 9PM-11PM time slot they probably thought it was necessary to attract an adult audience.) But the most grievous fault of this film was to fail to capitalize on the most memorable part of the original: the Miser Brothers. Their catchy ragtime theme song was the one thing that people associate with the original. I felt the casting of Harvey Fierstein and Michael McKean was not strong, plus the idea of splicing together the brothers singing instead of having each one sing his version separately diminished the impact of the song. If they were going to stretch it out to two hours, they certainly should have found time for both versions of the song. Carol Kane's Mother Nature seemed to me to be a direct ripoff of her Ghost of Christmas Present in Scrooged. Stick with the 1974 version, this film is a Christmas turkey. | -1no label
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] |
I run a group to stop comedian exploitation and I just spent the past 2 months hearing horror stories from comedians who attempted to audition for, "Last Comic Standing." If they don't have a GOOD agent, then they don't even get a chance to audition so more than 80% of the comedians who turn up are rejected before they can show anyone that they have talent! If they do make it to an audition, I was told that it's "pre-determined" if they get a second chance. So what the TV audience sees is NOT the best comics in the US. If the comics do make it to the show, then most of them don't get IMDb credits. I know this because I did the credits for all 6 seasons of, "Last Comic Standing" and I don't get paid for doing the Producers' job. It's really a disgrace. A month ago, I asked, "Last Comic Standing 7" on Facebook why the Producers aren't giving IMDb credits and I was banned from their Facebook Page!!! I am not a comedian so I do not have a personal stake in this. I just want people to know the truth. I don't like seeing ANYONE getting exploited and that's why I've been helping the comedians. Comedians get exploited on HBO, BET, TvOne and other cable networks but NBC is a BIG THREE network so those in charge should be ashamed of themselves for allowing this exploitation to happen. Please watch this video of a comedian who was victimized: http://www.youtube.com/watch?v=RMb4-hyet_Y | 0neg
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] |
"The Straight Story" is a truly beautiful movie about an elderly man named Alvin Straight, who rides his lawnmower across the country to visit his estranged, dying brother. But that's just the basic synapsis...this movie is about so much more than that. This was Richard's Farnworth's last role before he died, and it's definitely one that he will be remembered for. He's a stubborn old man, not unlike a lot of the old men that you and I probably know. "The Straight Story" is a movie that everyone should watch at least once in their lives. It will reach down and touch some part of you, at least if you have a heart, it will. | 1pos
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If i were you, i would skip Skulls 2 and go directly to this nice little gem. Clare Kramer actually did a decent job at this film, as well as the other cast. Normally i don't expect much from direct to video sequels of popular teen movies but this one actually surpassed the original in my opinion. Providing more interesting twists and turns than the original ever did. Not to mention the carbon copy sequel which really sucked. This one really held my interest and kept me guessing at an outcome. Kramer stars as Taylor a bright and head strong young woman who is still haunted by her brothers suicide and her fathers growing distance. She decides that she will take up the mantel her brother failed to do with becoming a skull. But as the old saying goes, be careful what you wish for. As Taylor suddenly begins to spiral out of control down a path of betrayal, jealousy and murder. Unlike Skulls 2, this third actually spends time detailing the grueling process of becoming a skull, Skulls 2 skipped all that and just repeated the same scenes from the original, the only thing skulls 2 had differently was a breasts. And sadly Skulls 3 didn't but I'm not complaining the story was so good, i quickly forgot my horn dog ways. Skulls 3 has everything you would want in a good Friday night movie...except breasts but i think we can overlook that cant we? Not a bad way to waste a couple of bucks on a weeknight. | -1no label
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] |
The movie 'Fanaa' has some of the very good actors of Hindi cinema in it's casting. It has one of the best producers and distributors backing it (Yash Raj Films). Therefore there has been no paucity in presentation and the screen fills up like a colour palette. Add the good music(it grows on you slowly) and you come up with a good treat. Well that's why it was a disappointment!! At one point the storyline (not much of a story) went haywire and the ending leaves you with a feeling of being discontented. You feel as if the movie is moving in breaks and there is no continuity. I believe the director's previous movie 'Hum Tum' was better and sorry but I have to say 'Fanaa' was tad little better than his first film. Maybe he should stick to romantic movies and steer clear of saddling serious issues with romance. | -1no label
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] |
Brilliant work. Marvelous actors dissolve as brave and courageous characters .All unforgettable parts in a more than intriguing and capturing action thriller. The casting is perfect. Both from the side of the stars like :Armand Asante, Bernhardt, Kier ,Denier. But as well for new faces .I was very impressed by the young actor who plays the boy gang member- Mustafa. You trust each one from the Turkish gang. Very convincing is Michael Barral and all white power followers. I admire the music beat of the main theme of "Children of Wax".This sound track is a charming mixture of Turkish, hard rock and Udo Kier's humming
And in the same time Children of Wax "a tale focusing on racial conflicts .The intolerance and brutality between the skinheads and the Turks. | 1pos
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] |
If you read the book by Carl Hiaasen, the movie follows pretty much true to form, with a few minor changes for Hollywood. In my opinion this is a great family movie. Luke Wilson (Officer Delinko)pretty well steals the show from an all-star cast that includes Robert Wagner and Jimmy Buffet. The kids in the movie do a great job led by Logan Lerman, Brie Larson, and Cody Linley. Brie Larson is maybe a little too petite to play Beatrice. I pictured a bigger girl, maybe 6 foot, 175 lbs, in the role of Beatrice. This might have made her more believable in her role of beating up Dana. They should have developed her "tough girl" character more, and had her bite through a tire, or kick a soccer ball through a person. She is very pretty, and I understand why she was cast, she is a box office attraction. This is about as PG as a movie gets these days, no sex, and very little violence. This movie is a parents'dream come true, a movie with a strong environmental message, with kids that have deep appreciation for the beauty of Florida and its wildlife. It shows how adults have fallen short in the stewardship of our planet, and that our children can demand better. One of my favorite lines in the movie is when Mullet Fingers says, "Florida could use some mountains like Montana. Florida is so flat there is nothing to stop developers from clearing it coast to coast". Also, the photography of Florida wildlife spoke volumes without dialog. As a family movie with kids ages 5-15, this is a great movie! As a bonus parents' will be entertained, especially if they're "parrotheads". | 1pos
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] |
I was debating between this movie and 2012 but chose Inglourious Basterds due to it's amazingly high IMDb rating. I must say now, what a disappointment. I expected a certain amount of gratuitous violence, but I also expected a lot of witty dialog. I got a huge dosage of the former, but not nearly enough of the latter. I felt shortchanged. The ratio between violence to plot is very important and I think this movie gets it totally wrong. And the plot? It's that believable or really all that entertaining either. Save your time and money. I can't believe what this rating says for the gory and violent tastes of the modern masses. | 0neg
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In New York, in a morning close to Christmas, an upper class father and mother go in their BMW to a private school to see the play of their daughter. Then they go shopping and later they return to their fancy apartment in Manhattan. In the night, they move to a simple apartment in a dangerous neighborhood, where they prepare drugs for distribution. On the Christmas Eve, while buying the Christmas gift for their daughter, the father is kidnapped, and his wife desperately tries to raise a high amount of money to pay the requested ransom. "R Xmas" is a deceptive movie of Abel Ferrara. The lead characters do not have names, are anonymous, and maybe his intention is to tell that in the breast of a neighbor family in your building may have drug dealers; or that drug dealers may also have families and may be loving persons; or that there are many dirty cops, probably worse than the criminals; or is it a simple apology to crime? Whatever! However, this humanization of criminals is a horrible message, and I really did not like this movie. In Brazil, for example, many drug dealers and criminals help their communities, due to the absence of the State in poor areas and slums, but this procedure does not make them model citizen. In this movie, we see a loving upper class family in the day, providing drugs as means of living, but the destruction of the members of other families is not shown in the story, and it is impossible to feel sympathy for any characters. In the end, I wished all of them dead. My vote is four. Title (Brazil): "Gangues do Gueto" ("Gangs of the Ghetto") | 0neg
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] |
I don't speak Norwegian..not a single word...but I didn't read half the subtitles of this movie, I was so engrossed in the visuals. When I watched it again, I read the subtitles...and realized that I had understood the entire thing despite the lack of paying attention to language. That said...this movie was stunning. It was quite long, and there were a few bits that dragged a bit, but the good made up for the not-as-good ten times. The photography of the Norwegian landscape is astounding, and the acting is subtle and completely believable. The dialog is more sparse than most movies that I've seen, but adding a single word more would become verbose. This is the story of a young woman in medieval Europe who rebells against what she is expected to do and lives to get what she wants, and deals with the consequences which run deep. (The church-burning scene had me in tears) | -1no label
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] |
It is hard to rate a movie that is so bad, but still can be very amusing. The plot itself is a maimed rip-off of many sci-fi movies, but so badly scripted that you can't empathize with ANY of the characters. The atmosphere is so 80s - with all the bad special effects and technology of old, but with all the lack of interest for the quality of movies of new - that it makes one want to puke. The actors are celebrities in their own right, having seen them in so many (average and bad) movies, but their acting is simply horrible. Even the music is standard horror flick. There is nothing in the movie that is good, including the famous worm rape scene, which is the only tentacle rape scene in US movies that I've seen, but which was so clumsily made that it stirred nothing. Conclusion: get really wasted and watch this, you might get into the whole psychedelic mood that the actors and director must have been when shooting the movie. You will laugh your ass off, as well :) | -1no label
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] |
While I had wanted to se this film since the first time I watched the trailer, I was in for a deep surprise with this film. While some of the elements and actions of the characters seemed a little too cartoonish,' the dark nature of the film really makes this a much different experience. Instead of the feel-good-happy-story, this film takes you in another direction that proves to be uplifting, but also disturbing. Most kids won't understand some of the darker moments in the film, which makes this film rather watchable for adults. I was also impressed with the cinematography, using animation and digital animation to create a seamless network of pans and tilts. The musical score was once again solid, proving Hans Zimmer is the go-to guy when it comes to animated scores, and I never thought I would say I actually enjoyed Brian Adams' music. | 1pos
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] |
Moe and Larry are newly henpecked husbands, having married Shemp's demanding sisters. At his music studio, Shemp learns he will inherit a fortune if he marries someone himself! "Husbands Beware" is a remake of 1947's "Brideless Groom," widely considered by many to be one of the best Stooge films with Shemp. The remake contains most of the footage from that film. The new scenes, shot May 17, 1955, include the storyline of Moe and Larry marrying Shemp's sisters, along with their cooking of a turkey laced with turpentine! A few new scenes are tacked onto the end of the film as well(a double for Dee Green was used; if you blink, you will miss the double's appearance.) "Husbands Beware" would have made for a good film with just the plot line of marrying the sisters. Budget considerations, coupled with fewer bookings for two-reel comedies, influenced the decision to use older footage. Although completely new films were still being made by the Stooges, most of their releases by 1955-56 were made up of older films with a few new scenes tossed in. "Husbands Beware," while one of these hybrids, is watchable and entertaining; we get to see most of "Brideless Groom" again, and the new scenes are funny enough to get the viewer through the film. This film is one of the last Stooge comedies to feature new footage of Shemp, and it was released six weeks after his death. 7 out of 10. | 1pos
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] |
When people harp on about how "they don't make 'em like they used to" then just point them towards this fantastically entertaining, and quaint-looking, comedy horror from writer-director Glenn McQuaid. It's a tale of graverobbers (played by Dominic Monaghan and Larry Fessenden) who end up digging up more than just silent, immobile corpses. After the initial shock of this they soon realise that they can actually turn the situation to their advantage. And that's just what they try to do. Mind you, it seems as if things may not have worked out quite as they planned as poor young Arthur (Monaghan) is actually relating his tale to a priest (Ron Perlman) before being taken to the gallows. Looking at the detail of his filmography, McQuaid seems to have taken the core of his first, short movie and expanded it to this feature effort, which is no bad thing. Fessenden returns and does well, Monaghan is one of those guys who can actually still get you to like him while he goes about the nefarious business of stealing from the dead and with other genre favourites such as Perlman and Angus Scrimm on the scene this film is a lot of fun for genre fans. It also benefits from a unique and favourable design and look, at times moving from E.C. Comic-style panels into live action (a la Creepshow) and always somehow feeling quite authentic in it's Hammer Horror feel. Maybe everything is just covered over with so much dry ice but that's beside the point. Whatever was done to capture everything on film, it works. It works well. It may not have any actual scares but this film does have a great vein of black humour and definitely soaks every minute of it's runtime in macabre material that should please all of those who have the patience for horror that's a little bit more sedate and feels like it definitely could have been made back in the days of Hammer. See this if you like: The Flesh And The Fiends, The Doctor And The Devils, Creepshow. | 1pos
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] |
For the people who have compared this TRASH to the brilliance of David Lynch etc... please listen to your carer when they say... DONT USE OTHER PEOPLE'S PC WITHOUT THEIR PERMISSION! This is complete and UTTER POO! There is NO art here. This is some person trying to make a name for himself with a cluster of gross out ideas which he was not clever enough to enforce into ONE main idea so instead he went for the easy option. Any one with half a brain could sit at home and conjure up some controversial images to shock viewers, but it takes a person with true imagination to be able to make it into a movie people WANT to watch. I am a LOVER of shock cinema. I have seen OR OWN pretty much all you can get... And I can strongly advise to anyone who LOVES the world of movies to steer WELL CLEAR of this garbage. This one is ONLY for people who like to over analyze what they are watching, OR for the 17 year old first time drinkers who dont know any better. 0/10! | 0neg
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] |
"Wanted-Dead or Alive" was a half hour western series appearing on CBS television for three seasons from 1958-1961. The series actually got its start as an episode of another popular TV series of the time, "Trackdown", during the second half of the '57-'58 TV season. "Wanted-Dead or Alive" starred Steve McQueen as bounty hunter Josh Randall in what was a very good start to an outstanding acting career in feature films. As played by McQueen, Josh Randall was the most laconic of a broad television landscape of would-be laconic western series heroes. Josh Randall carried a sawed-off 44/40 Winchester carbine (his "Mare's Leg", as he called it) on his hip instead of the traditional Colt 45 pistol. This of course played into the TV "cool factor" as his weapon made a much louder, more devastating sound when fired and of course had much more "stopping power" upon impact with the intended victim. Cool! Although "Wanted-Dead or Alive" was truly nothing out of the ordinary in terms of content or quality compared to other like fare of the period but Steve McQueen as Josh Randall and his unique weapon made this a "must watch" series. Only Paladin was better and "cooler" than Josh. | -1no label
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] |
This complicated story begins fairly simply, with an English journalist accepting a wager from Edgar Allen Poe and his friend Lord Blackwood that he cannot spend a night in the haunted Blackwood castle. Once there, the writer wanders around the dusty rooms and corridors, until music and a glimpse of a waltzing couple lead him into an empty room. He sits at the harpsichord and starts to play the tune he has heard, and is surprised to be tapped on the shoulder by the stunningly beautiful Elizabeth Blackwood. She informs him with an ambiguous charming/eerie manner that she has prepared his room upstairs and that someone is always expected on this night...the Night of the Dead. Thus begins a startling series of supernatural events that bewilder the journalist all the rest of the night. SPOILER AHEAD: it probably won't surprise too many viewers to learn that the lovely Elizabeth is actually a ghost. This doesn't prevent her from falling in love with the journalist, but it does make things more complicated for them than for the average couple. This is a fun movie, with absolutely everything: ghosts, the spooky castle, repeated visions of past events, sex and violence ( though both have been toned down in the version most Americans have seen over the years.) The alluring, captivating Barbara Steele is the main reason to see it. She has a strange charisma unlike anyone else you've ever seen in the movies. Recommended! | 1pos
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] |
If you want to watch explosions, car chases or flying bullets look elsewhere. This is a story about a piano prodigy and his strangely gifted family. Their stories intertwine and they all have hangups. The kid is a brat and mom pushed him a bit too far. Vitus' solutions to his various problems involve the stock market, his doting grandfather's trust, daddy's hearing aides, an airplane, losing his gift and then wrapping the whole thing up with a grand concert (Schumann). The making of the movie is almost as unbelievable as the movie itself; and the actual actor, Teo Gheorgieu is actually better than the script called for. Multi-gifted, he is a Swiss of Romanian descent in a London school for gifted children. He does his own music, as does the 6-yr-old who played a younger Vitus. Gifted is an understatement. This movie I had shipped in from Switzerland to play in my Region 2 player and it is more than worth it; even brushed up on my German. See it and be amazed and amused, show it to your friends. | -1no label
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] |
This movie will probably excite only two groups of people: fans of latin hunk Mario Lopez and individuals who like to see scantily clad, well-built young men. The movie purports to be sci-fi but the plot is confusing and unrealistic even for sci-fi standards. The dialogue is predictable and the actors try to make it serious but you can't do much with "you don't wanna ask questions" and other frequently used dialogue lines. Mario Lopez stars and tries to act but the script forces him to behave and talk like his Slater character on "Saved by the Bell." Even his lead-up dialogue to his love scene with Jamie Pressley is predictable. The scene leaves you watching them talk and then all of a sudden they kiss and are in bed together. Lopez's impressive physique is seen frequently, along with numerous other handsome men, so if you like hunky men, it's not bad. But, having seen his ability to do more than just mouth lines in "Breaking the Surface: The Greg Louganis Story", fans of Lopez will be disappointed that he's in another Slateresque tough guy, I can kick your butt role. Richard Grieco and Jamie Pressley are also wasted in this film, although Grieco is humorous at times. However, you can tell he's trying to "act" dramatic and the effect ruins the lines. If you're looking for an interesting story, you'll be disappointed. If you're looking for dramatic sci-fi action, you'll be disappointed. And fans of Lopez will hope he finds a better script for his next project. | -1no label
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] |
When this first came out, my dad brought it home- we were amazed by it- It was so different from anything we had seen before. I was looking for a specific movie last night, and I found "The Mind's Eye" again. The box is falling apart, and I am surprised that the tape still works! Although it is not 'Finding Nemo' quality graphics, it is still very good. They should sell this again- it is a landmark for computer animation imagery. Highly recommended! This is what it is: "The Mind's Eye" is a spectacular odyssey through time. Your journey begins at the dawn of creation and moves through the rise of man and technology. Travel in the world of abstraction and on into the future with breathtaking computer animation imagery. "The Mind's Eye" joins the imaginations of over 300 of the world's most talented computer animation artists with a powerful, original music soundtrack. This unique collaboration takes you on an incredible voyage into "The Mind's Eye." | 1pos
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] |
"Papillon" stroke me as a little shocking since I wasn't expecting so much "controversial" material in a movie this old, in other words, a movie with Steve Mcqueen. Homosexuality, nudity, loads of blood and gore, elements which today STILL have it hard and are somewhat still regarded as tabu. The movie itself is highly entertaining and beautiful to watch but I wasn't really impressed with neither the acting or the story. Steve Mcqueen was never a very good actor for my standards of acting and although he has many really bright moments in this one his inability to stop switching his role on and off to his usual Steve Mcqueen persona didn't help much. Dustin Hoffman is better but is still more of an "along for the ride" character, not his greater work. Prison movies are always entertaining just for their location and this one is saved by some great torture scenes and escapes. Well worth the watch though. 7/10 | -1no label
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] |
Seriously - avoid this movie at any cost. I just saw it in my first "sneak preview" ever and although I paid non-refundable money for it, I walked out of the cinema after a mere 15 minutes. Which already includes 2 minutes of discussion among my friends whether or not to leave. First time EVER I walked out of a movie. And I lived through some pretty bad ones. It's one of those films that is dubbed (and badly so) even though it is shown in its original language. It relies on the oldest, simplest and cheapest jokes in the book. On the military ("What do we do once we reach the fighting zone?" - "You get out of the car and die"; actually, it's much funnier to read here that the way it was delivered in the film), on drugs (a guy eats some "space cookies", behaves really silly and misses his wedding or has to live through it while high - all badly written and acted), on women in the army ("Why do we only get trumpets? We were promised guns!" - "That's the way it is, that's the way it'll stay")... Argh. Okay, you might actually find these genuinely funny, but in that case you seriously scare me. Additionally, I have seen better acting in the kind of soft porn films you get on European late night TV. So it had lame jokes (delivered badly), beyond lower average acting, lacked pace, was badly dubbed and edited It just didn't work. At least not on any level used as a measure for films. I would even be so bold as to say that this flick proves that there are people who can be a lot less funny zan zee Germans. And that's saying something if you like stereotypes. (Which I don't, it's nice to play with them, though. Just in case somebody thinks I'm not being PC enough.) Instead of going to see this film, do something useful. Try to teach crocheting to prawns, paint your toenails in a really irritating colour, disassemble your bicycle, change some light bulbs, try to understand Einstein's theories, convert to a different religion and back - in fact, go and listen to "Last Christmas" by Wham! on endless repeat. Anything, but don't watch this awful flick. | 0neg
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] |
Brothers with psychokinetic powers (yes, really) duel not just for Debra Winger's affections but really over a secret from their childhood that left them at odds over their powers. There are surreal touches (the fire brigade that act like a singing Greek chorus), but there is also humour and romance. The soundtrack is great similar to the way American Werewolf in London used every great Wolf song they could get ~ but with fire ~ and I don't think I'll ever forget Dennis Quaid (mmmmm Dennis Quaid), setting his own trailer a rockin' to 'She's a lady' ~ priceless ;) Best line missing from the quotes section btw ~ 'Once you've had a clown, you never go back!' I love this movie (I ordered the DVD from the US) and if the comments written by the kind of people who'd be happier with Legally Blond 3 don't put you off ~ give it a try :) | 1pos
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] |
Sure, most people will designate "Island of the Fishmen" as silly and trashy hokum, but can you honestly name one other movie that brings forward THIS many exhilarating themes? This Italian gem stands for pure entertainment and features stuff like voodoo, volcanic eruptions, mutant fish-creatures, the mysterious continent of Atlantis, treasure-hunting, a remote island filled with death traps and utterly mad scientists! All this and much more in one simple movie? Yes, please! Close-minded opponents of Italian horror cinema can easily tag this film as a cheap exploitation version of "The Island of Dr. Moreau", but the truth is that this is so much more! "Island of the Fishmen" delivers thrills and adventure from start to finish with surprisingly convincing special effects and astonishingly stylish camera-work. The story promisingly opens with a small group of prisoners, survivors of a shipwreck, washing ashore a tropical island. They encounter the sadistic Edmond Rackham who rules over a native tribe
and a legion of genetically created amphibian monsters that live in the island's swamps. There are so many twists and additional sub-plots in the story that it's almost impossible to write a summary but, trust me, this gem is worth checking out. Sergio Martino once again proves that he's an ingenious filmmaker who has the talent to be commercial-minded and creative at the same time. He makes great use of the beautiful island location and also the interior sets look very impressive. The staggering underwater footage and imaginative scenery really lift this film high above the normal standards of late 70's exploitation. I don't quite understand why Roger Corman reworked the original so much and released it on the American market under a different title ("Screamers"), because there are very few elements open for improvement. The cast members are all Sergio Martino regulars (with the exception of the great Joseph Cotton is a neat supportive rule) and give away great performances. In case you can get your hands on the recently restored German version, you're treated to fifteen uncut minutes of extra action. See it! | 1pos
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] |
I have recently watched this movie twice, and I can't seem to understand why the h*ll the makers made this pile of crap. I mean, yes, It gives a great impression of Hitler's environment, and I mean the way they reproduced Austria in the late 1890's, WWI and the Inter-war period. What I can't understand is why they pictured Hitler as a 100% pure evil, mad, unreliable, mentally unstable freak. He was after all a very thoughtful, loving and intelligent man who of course had his dark sides, no doubt about that. But why in heaven's name portray him in this way? All of his positive aspects have been cut out of the scenario, leaving nothing but a very propaganda-like portrait of a man who had the biggest influence on modern civilization ever. Yes, he threw Germany into the devastating 2nd World War. Yes, he was racist, and yes he was at times menially unstable especially at the end of the war. All true. But again; why the hell did they plain LIE to the public? To warn us? I absolutely don't think this movie was a warning. The true danger of Hitler and the Nazi's was the fact they were able to rise to power at moments of severe global weakness. The fact this evil was so recognizable yet so embraced by almost every German alive (not to mention Austrians and a LOT of other people) makes it a warning to modern civilization, NOT the fact Hitler was such a 'weirdo'. If it would have been like the makers make us believe - I would have been convinced that the German people were retarded. A man like the one in this movie would have never gotten anywhere near party leader - not to mention ReichsKanzler. 4/10 | 0neg
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Scarlet Dawn casts Douglas Fairbanks, Jr. as a Russian baron rudely displaced by the forces of the Russian Revolution and now has to fend for himself in a world not terribly hospitable to former aristocrats. He's also not terribly suited for any kind of real work. Doug might have been caught by the Reds but for the fact that his former servant Nancy Carroll didn't give him away. Nancy's got a big old crush on Doug and they do marry once arriving in exile in Istanbul which throughout the film is referred to by its former Christian name of Constantinople. They marry and settle down with Doug now reduced to washing dishes. But Fairbanks's former mistress Lilyan Tashman who's always playing bad girls of a sort on film spots him and offers to have him get back into somewhat the style he was once accustomed to as part of a swindle against father and daughter American tourists Guy Kibbee and Sheila Terry. Good thing this film has the incredibly short running time of only 57 minutes, usually those were given to B westerns because it's both tedious and melodramatic. The ending is rather unbelievable. Doug knew he was in a Thanksgiving special and really overacts to cover up the defects of a unbelievable story. What I didn't understand was that Fairbanks was trained in the military profession, why didn't he just become a mercenary soldier after leaving the new Soviet Union? That didn't make sense to me at all. I'd only see this if I was a dedicated fan of any the main players. | 0neg
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The 3 stars are for Phillip Seymour Hoffman. Nothing else and no one else in this movie deserves even a wee smidgen of a star. Well, OK, Amy Adams deserves a wee smidgen, but the smidgenometer doesn't seem to be working, so I'll stick with 3. Tom Hanks...nothing. Julia Roberts...nothing. Mike Nichols...do you see a trend yet? Aaron Sorkin...OMG, not a chance. I could rant on for several paragraphs about the way Charlie Wilson's War glosses over history, morality, legitimacy and so on, but I don't think any such rant could outweigh the gushing of Aaron Sorkin fans. The rest of you, beware.Spend your movie money elsewhere. Still, if you're looking for a pithy comment, here's mine. You can put hot fudge sauce on a pile of garbage, but it changes nothing. Garbage is garbage and so is Charlie Wilson's War. | 0neg
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I was thinking that the main character, the astronaut with the bad case of the runs(in his case, his skin, hair, muscles, etc) could always get more movie work after he'd been reduced to a puddle. All he has to do is get a job as the Blob. The premise of this flick is pretty lame. An astronaut gets exposed to sunspot radiation(I think), and so begins to act like an ice cream cone on a hot day. Not only is this a puzzler, but apparently he has to kill humans and consume their flesh so that he can maintain some kind of cell integrity. Huh? Have you ever noticed that whenever any kind of radiation accident or experiment happens, the person instantly turns into a killing machine? Why is that? The astronaut lumbers off into the night from the 'secret facility'(which has no security whatsoever), shedding parts of himself as he goes. Apparently he retains just enough memory to make him head for the launch pad, maybe because he wanted to return to space. Thus begins the part of the movie that's pretty much filler, with a doctor wandering around with a Geiger counter, trying to find the melting man by the buzz he gives off. He kills a stupid Bill Gates look-alike fisherman, scares a little girl a la the Frankenstein monster movie, and finishes off a wacky older couple(punishing them karmically for stealing some lemons). Then there's a short scene where he whacks his former General, and a very long scene where he kills a young pothead and chases his girlfriend around. You'd think that after she cuts his arm off and he run away, the scene would shift. But no...we're treated to about ten minutes of the woman huddled into a corner panting and screaming in terror, even though the monster is gone. All I could think was..director's girlfriend, anyone? The end of the movie is even lamer than the rest of it. The melting man finishes turning into a pile of goo, and then...nothing. That's it. That's the end of the movie. Well, at least that meant that there was no room for a sequel. | 0neg
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First, I disagree with the commenter's who say this is such a bad movie with bad acting. Maybe these people never knew a screw around guy, a good time charlie, or a sorry roommate. This movie works until the ending. This screw around guy is confronted by one of his tricks who thought he was more than a trick, but he was just another lay that didn't matter. Then the screw around guy punches the trick and suddenly becomes introspective and is sorry for what he has done. What a load of bull. He was one of these jerks who wants a relationship to fill in between the gaps of tricks. The ending should have been the black girl with her new white boyfriend eating with the other gay couple and the screw around guy by himself. Or maybe the screw around guy just saw Stu talking to someone at the grocery store. Then maybe he could just think about what he threw away, instead of suddenly thinking he was a jerk because screw arounds are in for the short haul. Their regrets are few and far between and even if they felt they messed someone over, they just keep on hitting that bar scene every night. It could have ended with him just going to the bar over and over. But the black girl could have easily ended this movie with a good tone, she could have given him something to think about just by resolving her own relationship issues. I don't believe the screw around guy could ever care about the boys he kept bringing home. He just wants his cake - and eat it too! | -1no label
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In a decay neighborhood, the asthmatic and allergic amateurish photographer Marvin Montrose (Karl Geary) spends his days and nights confined in his room snooping his neighbors in the next building with his camera. When a boy disappears in the spot and then the local drug dealer Desmond (Keith Robinson), Marvin suspects of a mysterious garbage man (Lance Henriksen) and his sister Rosy (Alexis Dziena) and her friend Carmen (Rebecca Mader) investigate him. Meanwhile, Marvin witnesses the death of Detective Gary Dumars (John Kapelos) and a stranger on the street by two mutant Judas Breed insects and discloses that their prime suspect is the CDC Agent Kirchner. "Mimic: Sentinel" is a shameful and boring rip-off of "The Rear Window" for approximately forty minutes, with a guy confined in his room and snooping his neighbors. The character of Agent Kirchner is not well developed and the gore action is too brief, with the death of most of the characters in a few minutes. In the end, watching this forgettable movie is a pure waste of time and money. My vote is four. Title (Brazil): "Mutação 3: O Sentinela" ("Mutation 3: The Sentinel") | -1no label
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] |
Almost 20 years before Frank Marshall brought tears to your eyes with his mesmerizing epic "Alive", there already was the legendary Mexican exploitation director René Cardona who used the same drama as an outline for his ambitious film "Supervivientes de los Andes". The unforgettable fatal flight of Fairchild 571 that crashed in the Argentinian Andes on October 13, 1972. This terrible accident cost the lives of many passengers, most of them members of a professional rugby team. But 16 people of them were eventually rescued thanks to their strong will to survive and because they fed on the mortal remains of their unfortunate fellow-passengers. Of course you can't claim that this cheaply made and roughly edited film is better than the famous 90's version but I definitely appreciate and respect this film more. After all, an exploitation film demands a lot more input from both cast and crew while the big-budgeted Marshall film, although intense, feels more like routine money-making. The sets and special effects naturally can't compete with "Alive", but "Supervivientes..." delivers an equally impressive sentiment of hopelessness and creates an even more nightmarish hell of snow. Cardona's film is ambitious, surprisingly compelling and easily one of the most remarkable Mexican productions ever. I am really astonished that Cardona's take on this story isn't more exploitative and explicit. The scenes where the deceased passengers are cut open and consumed are nevertheless hard to digest, but they only serve to increase the credibility of the catastrophe and to stress the inhuman conditions of the survivors. Rather praiseworthy for a vicious director who gained fame with his notoriously bad films like "Night of the Bloody Apes" and the Santo-series. The unknown young Mexican actors do a great job and the musical score is endearing. The story is well-known, of course, so the screenplay doesn't offer any unexpected shocks. Either by history or previously having seen "Alive", you know which kind of dramas these people still have to endure before being rescued and you can only await them. Still, this is a good film that shouldn't be bashed like too often is the case. | 1pos
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] |
This movie, simply put, is Charles Bronson at his absolute best, and proves that he does indeed have the ability to handle drama/suspense. He delivers an extremely convincing performance which is, arguably, his very best. It is too bad that this movie is as obscure as it is, because if it had been produced state-side and been more mainstream, he might have enjoyed a much more critically-acclaimed career, deserving of a lifetime achievement Academy Award. However, this is not the case and die-hard Bronson fans get to enjoy this little gem while the rest of the world misses out because they were too busy shunning the unfairly typecast Bronson. | -1no label
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] |
Warning: This could spoil your movie. Watch it, see if you agree. To think that we as humans can not learn from the past. The futuristic society portrayed glamorized what Hitler believed, obliterate a race of people (in this case men) for the benefit of society. It made me sick to my stomach. Also the plausibility of a Y bomb is insane. Even in war our instinct for self-preservation will prevent the extinction of humanity. We made mistakes in the past ie: Japan, Hiroshima and Nagasaki in '45 but because of that we avoided a bigger mistake in '63 during the Cuban Missile Crisis | 0neg
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] |
Not a very good movie. Van Wilder 2:The Rise of Taj is a movie that almost completely relies on gross out laughs and unfortunately doesn't succeed. There are a only 2 or 3 giggle moments. Some people might be tricked into watching because its called Van Wilder. Don't be fulled ladies and gentlemen Van Wilder isn't even in it. Taj(Kal Penn)leaves college to continue his education he goes to a college in england where he wants to teach a rich bitch student(Lauren Cohen)not to be so serious. The actors did a OK job. That is what kept this movie from getting below 3/10. Kal Penn was funny. I didn't even know Lauren Cohen was in this(i know her from supernatural)but it was a nice surprise. This is not a very funny movie and at most times just plain stupid. The actors are the only thing that make this being worthy of even being called a movie. I don't recommend this. But if you want to watch a Van Wilder movie without Van Wilder in it then go ahead. They should have only called it 'The Rise of Taj'. 3/10 | -1no label
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] |
"La Battaglia dell'ultimo panzer" is about a German panzer crew caught behind the American lines in France in 1944. The production values of the movie are very low; the anachronisms and errors concerning equipment and uniforms are actually quite obvious. Nevertheless, the plot is quite intelligent. This is a surprisingly serious war movie and much more reflective than most WW II war movies of the period (such as 'Where Eagles Dare' or 'Kelly's Heroes', or the countless Italian rip-offs of these more 'lighthearted' war thrillers.) This is mainly because the characters, and in particular the German soldiers, are more than just the kind of cardboard cliches one expects from this type of low-budget movie. Especially the main character, a German lieutenant and commander of the crew, played by Stelvio Rosi, is a surprisingly three dimensional character. While he presents himself as a hardline nazi believer at first, we later see that the horrors of war affect him deeply in an unexpected moment and the final scenes of the movie have a very bitter lesson in store for him. Civilians and their different ways of dealing with the occupation also have a place, giving some surprising nuances which most war movies (including the technically infinitely superior, but plot-wise arguably inferior 'Saving Private Ryan') lack. The acting is middle-of the road. None of the (quite unknown) actors are really bad, but none really stands out. 8/10 for some of the writing, 2/10 for the production values | -1no label
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] |
Walter Matthau can always improve a mediocre film, and this movie proves it. He turns in a very realistic performance as a small-time horse trainer and single father, not sugar-coating either role. He can be, by turns, soft-hearted and doting, then iron-handed to his boys, and we can see the same dichotomy in his approach to horse training (we see that he doesn't want his young prospect racing horse overworked and hurt in small-time races, but he seems to be willing to risk the horse's life when he gets into the big time). This is just one of Matthau's wonderful performances, and one that I highly recommend. | 1pos
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] |
In my opinion this film is unique. It follows Thomas Mallory's "Le Morte D'Arthur" fairly accurately. This is something rarely achieved by other films focused on the genre. The casting is excellent, Nigel Terry portrays both the naive boyish Arthur and the elder statesman with great panaché. Helen Mirren makes for a convincingly evil Morgan Le Faye whilst the gorgeous Cheri Lunghi shines as Arthur's bride. Lancelot is convincing as he struggles with divided loyalties but the main credit for the film's success must surely go to Nicol Williamson as Merlin. The film attempts to portray a dark period of English history and this is convincingly portrayed in the atmosphere, costume and make up of the actors but by adopting a light hearted portrayal of a serious character, he manages to balance just the right amount of comic relief. Towards the film's conclusion the charge of the knights through the orchard to the sound of a choir singing the "Carmina Birana" has to be one of the high points of British cinema. | -1no label
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] |
The immense talent of Meryl Streep and some amazing body special effects are not enough to save this movie of being totally idiotic and a huge bore. The story is stupidly told even for a fantastic comedy and lacks a lot of real imagination. The gags shown along the movie are not funny at all. The final scene is so silly that almost makes you cry with despair. We can only regret that Miss Streep's talent is wasted in such a crap movie. But in fact this story of living dead could have been much better filmed in the hands of more talented director than Robert Zemeckis of whom I can't remember having seen any good movie till now. | -1no label
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] |
Oh my god, what a horrible film. The film has all the right people involved, unfortunately it is not worth watching. I saw it for free at my local library. If I had paid to watch this I would be even more upset. This film is unwatchable. How could Tarintino be involved with such a slow paced, unexciting film. No wonder it didn't get much distribution, every one involved must have been ashamed. I can make a better film with a Dated Camcorder and my Big toe. Its beyond boring, I really hated it. Tarintino just lost some standing in my eyes. This must be some kind of sick joke. Don't Bother with this film. If some one even hints you should watch it, kill them. | 0neg
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I am a Catholic taught in parochial elementary schools by nuns, taught by Jesuit priests in high school & college. I am still a practicing Catholic but would not be considered a "good Catholic" in the church's eyes because I don't believe certain things or act certain ways just because the church tells me to. So back to the movie...its bad because two people are killed by this nun who is supposed to be a satire as the embodiment of a female religious figurehead. There is no comedy in that and the satire is not done well by the over acting of Diane Keaton. I never saw the play but if it was very different from this movies then it may be good. At first I thought the gun might be a fake and the first shooting all a plan by the female lead of the four former students as an attempt to demonstrate Sister Mary's emotional and intellectual bigotry of faith. But it turns out the bullets were real and the story has tragedy...the tragedy of loss of life (besides the two former students...the lives of the aborted babies, the life of the student's mom), the tragedy of dogmatic authority over love of people, the tragedy of organized religion replacing true faith in God. This is what is wrong with today's Islam, and yesterday's Judaism and Christianity. | 0neg
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] |
Because After I Saw This Film I Was Freaked Out Oh & I Saw Orphan About That Time. This Is SCARIER. Let Me Explain The Plot: Sixteen-year-old Alice Palmer drowns while swimming in the local dam. When her body is recovered and a verdict of accidental death returned, her grieving family buries her. The family then experiences a series of strange and inexplicable events centered in and around their home. Profoundly unsettled, the Palmers seek the help of psychic and parapsychologist, RAY KEMENY. Ray discovers that Alice led a secret, double life. A series of clues lead the family to Lake Mungo where Alice's secret past emerges. Lake Mungo is a mystery, a thriller and a ghost story. That Thriller Part...Is Sugar Coating It. Who Wants To See Man-Thing Or Final Destination 1 3 Or 4 Or Maybe Even The Strangers Or Orphan & On The Way Lets Get The Sixth Sense Yeah I Saw All Of These Horror Films. Were They Scary...NO!!!!!!!!!!(Even Though I See Alien As A Sci-Fi Not A Horror). This Proves The Fact That You Don't Have To Go Into Gore To Get Scary. Heck The Only Death In The Whole Movie Is Alice Palmer. Very Scary. The Return Of True Horror. | -1no label
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] |
Great, great, great! That is all I can say about that movie, but imdb want at least four lines of text so I'll elaborate. The cast was great (Jerry O'connel is soooo cute!), the music was great (The sixties had the best music ever, imho), the historical material was interesting, and so was the way they made the actors of the '90s seem like they were actually there in the '60s. And most of all - the stories of the main characters brought tears to my eyes, and that is the greatness of any drama. BUT IN ONE WORD: GREAT! | 1pos
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] |
In my opinion this has to be one of Barbara Stanwyck's best performances. She was one of only a handful of actors, then and now, who could say more with a single look than an entire page of dialogue. And I was lucky enough to see the original and uncensored movie, with the extra 4 minutes of additional footage. Too bad the movie is so short. Lily is a young woman barely holding it together working for her father in his illegal speakeasy. Her only link to anything is her good friend, Chico, played wonderfully by Theresa Harris. Though Chico is African American (and having a white woman be best friends with a black woman back in the 30s was as controversial as the subject matter of this movie), and Lily is not, they have a special bond. And it is not sexual. Just 2 women stuck, or shoved, into a situation beyond their control. After Lily's father dies, and she does not know what she will do, she is told that she has the power to get out and to get what she wants. Yes, it's immoral, but that's the entire point of this movie. Then "they" had to go and ruin the last few minutes. So, up until the last few minutes of the movie, it's a superb film and worth watching. The "lesson" of the movie is still as valid today as it was back then, and I'm sure will be a 100 years from now. Women, it's awful what Lily does in order to get what she wants, but it works. Men, take note. | 1pos
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] |
I don't want to go too far into detail, because I can't really justify wasting much time on reviewing this film, but I had to give an alternate opinion to hopefully help people avoid the movie. The animation is crud and the story alternates between boring/pointless to extremely irritating. The humor was completely lost on the audience, and yes - Ghost in the Shell fans, this is NOT an action sci-fi or anything like that - its an attempt at slapstick comedy, and the humor just did not work after being translated. It was a total chore to watch this movie, and horrible way for me to kick off the film fest, especially considering how excited I was and how open I was for anything - I wasn't expecting a Ghost in the Shell sequel, but I was expecting something entertaining, and it simply didn't achieve this. Yaaawwnnn... Rent Kino's Journey instead. | 0neg
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] |
Naomi Watts could not save this. Not even a descent performance by herself could save this this mish mash of a sequel that had the same affect as Exorcist II: The Heretic. By the climax, EVERY one around me in the theater was laughing. No joke. The dialogue becomes unbearably tedious and the plot becomes atrociously abstruse. The film follows Rachel Keller into Oregon where she tries to forget the events of the first one, but then Samara shows up wanting a mommy... and that is the point of the film. All that CGI crap for absolutely nothing. And that is exactly what this film is. No, really, I am not going to dignify this film with a review worth reading. I am sure Naomi Watts would rather have changed Samara's diaper then done this film! This film honestly has no guts, spunk, or attitude that the first film had. This film is a bunch of special effects covering up a paper thin plot. Avoid like the plague!! 1 Star! | -1no label
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] |
I loved this movie. I thought the banter between Holden and Mitchum were subtly hilarious. The facial expressions were spot on from Holden. Young was formidable in this part as well. I think it takes a strong cast to make a movie that revolves around four sole characters. It was a great romantic comedy. I liked the chemistry between Mitchum and Young on screen. I also thought that Gary Gray added the right amount of drama/comedy to the whole show. I loved the scenes in the woods with Mitchum and Holden bickering and making their pleas to Young. All in all, I think this is a good movie, and definitely worth the time of watching. | -1no label
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] |
In Brooklyn, the nightclub dancer Rusty Parker (Rita Hayworth) has a simple but happy life dancing in the McGuire's, owned by her boyfriend Danny (Gene Kelly). Rusty, Danny and Genius (Phil Silvers) have a ritual on Friday nights: they order oysters in a bar, trying to find a pearl. The life of Rusty changes when she participates and wins a contest to be the cover page of the Vanity magazine. She is invited to work in a huge theater in Broadway, whose owner proposes her. She loses her happiness and starts drinking in her new life style, missing the love of Danny and her old friends. 'Cover Girl' is a delightful romantic comedy, very naive and having magnificent parts, such as the beauty and talented Rita Hayworth dancing, singing and acting; Gene Kelly, specially in two scenes, dancing with himself and with Rusty and Genius on the street; the songs and the choreography of the dances are also spectaculars. Danny, the character of Gene Kelly, is almost nasty with his chauvinist behavior. Rita Hayworth surprised me with her talent: I found her amazing in 'Gilda', but she is stunning in 'Cover Girl'. In accordance with the information on the cover of the VHS, 'Cover Girl' was the first musical where the songs were part of the plot, giving continuity to the story, instead of just being 'thrown' in the movie. My sixteen years old son saw this movie with a friend of the same age in a recent Gene Kelly festival and they loved 'Cover Girl', therefore I dare to say that this classic is recommended to any movie lover and not only to the old generations. My vote is nine. Title (Brazil): 'Modelos' ('Models') | 1pos
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] |
This movie is a re make of an old Bengali classic starring Uttam Kumar. The role of Uttam Kumar has been played by Rajesh Khanna in this Shakti Samanta movie. However, the performance of Super Star Rajesh Khanna, Sharmila Tagore and the music of Rahul Dev Burman are a life a time effort and they have created magic in this movie. Other characters also do their part well- Omprakash, Leela Mishra,Sujit Kumar, Vinod Mehra and others have done their part well. The movie will be remembered for its 6 nos- 3 by Kishore Kumar, 2 by Lata and 1 by S D Burman. The story is a classic and the movie deserves more than what share it has got in last 38 years and is a timeless classic and is life time effort of all the cast and crew. Dialogue of the movie "Pushpa I hate tears' is immortal. A must see to see how the magic of Rajesh Khanna, Kishore Kumar and Rahul Dev Burman worked in the early 1970s to be later spoiled by Amitabh Bachchan and his trend of action movies. It is true people forget good things like Amar Prem and remember all the bad things. A must see and a tear jerker. | -1no label
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] |
I'm not sure what HK movies the other reviewers have been watching, but Enter the Eagles is nowhere near the top of the heap in HK action. Michael "Fitz" Wong should be glad he can get acting jobs in HK, because he couldn't act his way out of a wet paper bag in English. Shannon Lee looks good and is a fantastic fighter (even better with the leg fighting than her dad), but her acting skills are also sub-par. In fact, all the English dialog (90% of the movie--even more than in Gen-Y Cops) is so bad that I switched to Mandarin audio just to spare myself the misery of the bad dialog delivery and the redundancy of the English subs. Sure, there are some decent gunfights (but nothing we haven't already seen before) and good cinematography, but the cheesy visual effects really spoil the action. That said, it's worth the price of admission to watch Shannon and Benny "The Jet" Urquidez go at it. Spectacular, and almost worth watching the rest of the movie for. Finally, you might notice some scenes that seem "familiar" to you, notably a shootout at an outdoor market (think Matrix) and Fitz diving out of a helicopter wearing black fatigues (think MI:2). Guess someone thought at least a few things in this flick were worth ripping off. | 0neg
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] |
With actors like Depardieu and Richard it is really a hard task to make a dull movie. But Weber is a master in setting a slow pace and making supposedly funny scenes without any wits and depth. This movie is high on story but low on character. You never get to know any of the characters except for superficial slapstick. Unfortunately Weber has no idea what slapstick is all about. His style could be described at hit and miss. Of course some people laugh when they see someone slip on a banana peel. Weber directs his humor at this lot. It is a shame how bad he uses good talent. Many good french comedians have been wasted away by mediocre directors. | 0neg
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] |
And with the war still on, the theme of PTSD - Post Traumatic Stress Disorder - is topical and relevant. Shell shock, they used to call it. It is more than shells these days, of course - it is the killing of children and innocents which has an appalling and destabilizing effect on the young U.S. men and women soldiers engaged in Iraq. Paul Haggis who has made Crash amongst other good films, tackles this difficult subject with sensitivity depicting the dehumanization of the soldiers who come home to an indifferent populace. Hank Deerfield (played by Tommy Lee Jones) is a retired Vietnam veteran who investigates the disappearance of his son and comes up against the brick wall of military police. A sympathetic detective, Emily Sanders (played by Charlize Theron) slowly takes an interest in the case and negotiates with her superior officer to take the case back from the military police who want to brush it under the rug. When Mike Deerfield is found, dismembered and scattered, Hank commits himself to getting at the truth. This film is not an anti-war effort but rather the facts are all presented, and one is left to come to one's own conclusions. Tommy Lee Jones gives one of his best performances here, a relentless, humourless driven father, who has not been the best father, but doesn't rest until he finds the closure he desperately needs on the matter of the murder of his son. Susan Sarandon was totally underused in the part of the mother of Mike, but the little we are shown of her is riveting. Charlize Theron plays down her beauty to the degree that she wears bandages and bruises on her face through many of the scenes and ignores the rampant sexism of her unit. A great performance. I didn't care for the Valley of Elah metaphor which is at the core of the movie itself. The David and Goliath story did not have a relevance to a story of PTSD and the horrific effects it has on both perpetrators and victims. So I am left puzzled at this symbolism. A little guy taking on a giant? Who would be the little guy? The Iraqis? However, that vexation aside, for overall tension and the sheer watchability of Mr. Jones in a meaty role, this movie gets an 8 out of 10 from me. . | -1no label
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] |
There is one good thing in this movie: Lola Glaudini's ass! Sorry to be so blunt but it's the truth. Too bad she didn't do a nude. It would at least have made this mess tolerable. We see another chick's boobs but she's nowhere near Lola. And man, is Armand Assante old or what? The man looks like crap! "Consequence" is the usual B-Movie you would expect. The story had potential. It's like they had good ideas but didn't know how to execute them. The cinematography is just plain awful. Ugly! The directing is uninspired and the end result is a bland thriller with lame twists and washed up actors. Lola Gaudini is great as the vixen in a cheap, slutty way but not even she saves "Consequence" from being trash and not funny trash, just plain old stinking trash. | 0neg
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] |
I've always been fond of this film. The seemingly intentional mis-marketing as a raunchy comedy is not uncommon for the time, and is really damaging to what is essentially a look at sexual relationships and sexuality. There's a sweet naivety about the films perspective, caught up in the era in which is was released. Not much raunchiness, innuendo base titillation is more the course. As for the comedy there are a few laughs, and they do help alleviate some of the melancholy moments. For me it's in the emotional twists and turns that the film really shows interest and variety. The Kinks wrote and performed the soundtrack. The songs are well constructed with some touchingly sentimental moments. An appreciation of The Kinks would most certainly aid ones appreciation the film, the lyrics embellishing he drama considerably. I'm really surprised this film has been rated so low. How much of that is related to the mis-marketing and an under appreciation of the soundtrack? | -1no label
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] |
My wife wanted to see this movie and I grudgingly went along. I have never been a big fan of the biopic - believing that cinema is more exciting when it isn't structured in non-fiction. Beyond that, although I like Ray Charles' music just fine, I don't consider myself a fan of him or his music. I expected to either suffer or coast through this movie. I was wrong. This is an engaging story told in a classic cinematic style. The realism is in the nuances - the tilt of a character's head after a dramatic moment or the look in their eyes while they sing. I literally discovered myself involved in this movie during the course of viewing it. Jaime Foxx, of which much has been said, heads a cast of immaculate re-creators of not just a time, but an ERA, a LIFE that never really existed to those of us under forty. This movie sinks the audience into time without the gimmicks and grand sweeping panoramas of Titanic or other period pieces of that ilk. This movie doesn't present you with the 50's and 60's music scene, it takes you there. This is a movie about Ray Charles, but your appreciate of it should not be limited to the story of his life. This is the kind of movie, like Saving Private Ryan or Schindler's List, that does what a movie should do - bring you to another place, another time. | 1pos
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] |
This movie is all about reality, submarine warfare in WW2 was not a clean precise science. There were no computers giving exact enemy details, there was no precise instrumentation to 100% control the sub. Not all the crew went to fight with a song in their heart, and a smile on their dial. People with expectations of seeing a "pretty war" in this movie will be grossly disappointed, .............. GOOD, they deserve to be disappointed, they deserve to have reality shoved into their face. War is not clean, exact, fought by people about to break into song. It is endured by scared, cold/burnt, hungry, desperate people willing to do anything to survive. "We Dive at Dawn" is a fine example portraying a desperate situation needing desperate actions. | 1pos
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] |
What the hell was THAT all about? That HAD to be the most DISJOINTED, UNEXCITING, SORRY excuse for a movie that I've seen in a long time. I understand the concept, and I actually believe in another plane of existence. But this movie did nothing to bolster those beliefs. Actually, I'm not REALLY sure WHAT the movie was trying to tell us, except that sometimes you just have to let GO! JEEZ! I thought George Clooney was acceptably attractive, and LOVED the character of Snow. Very quirky, ala Dennis Hopper in Apocolypse Now. But WOW! Enough's enough already. Bottom line . . . BORING! | -1no label
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] |
This show is terrible, the jokes are all terrible and just getting worse and worse. I am one of those people who was never a big fan of Corner Gas but at least I liked it at first until it got into a rut around season two, all the jokes had been played out and the characters had nothing to them. Well at least Corner Gas was good at first, Little Mosque on the Prairie is typically awful bland CBC comedy that had nothing going for it from episode 1. Who are the people who are watching this show anyway, I am being honest is it old people or maybe just people who actually live on the prairies? Maybe the jokes are for them and they work there? I don't know a single person who likes this show and can't stand it myself, the jokes are totally predictable and the characters are even less developed than in Corner Gas. Hopefully it won't last much longer because all the success this show has had seems to me to be based entirely on the premise of this show being Muslim which is different and could/should have led to a great show. | 0neg
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] |
Let me put it this way: if you're looking for a movie with lots of action, plenty of explosions, Sonny Chiba (!), a cast as integrated as an old "Star Trek" episode and the wonders of Rachel McLish, you MUST see "Aces: Iron Eagle III". The first one was pretty good in a cheesy, '80s way; the second was more or less forgettable (tell the truth, I can't remember one character from it)... but "Aces" - It has everything an action fan could want. ...that is, if you haven't seen "Top Gun", "Die Hard" or any other movies with explosions, planes, Louis Gossett Jr., etc... etc.... But Rachel McLish. Sighhhhh.... Excuse me, where was I? Oh yes, Rachel. What a woman. Not only is she stronger than any of the guys in this film, but she shoots, fights, speaks Spanish and strangles guards with chains better than Bruce Willis ever dreamed of. Looks better in a t-shirt, too. Two and a half stars for "Aces". Good stunts, explosions.... Great use of a former Ms. Olympia. | -1no label
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] |
Dirty Sanchez is the more extreme, British version of Jackass in which the four boys (Pritchard, Dainton, Joycey and Pancho) go to great lengths to hurt and humiliate each other. The reason this show is better than Jackass is because most of the stunts are not planned which makes the reaction much more funny. There are 3 series of the show, the first follows them around and takes a long look at their lives eg. there's an episode on their love lives,jobs etc. The second series sends the boys to try out different occupations. The third follows their European tour. It seems that the boys get more and more daring as the show progresses through the series. In my opinion the third series is the best, but trust me when i say, if you have a week stomach DO NOT WATCH, as you are lightly to see a fair amount of blood and puke in every episode. | 1pos
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] |
There are so many comments on this film, yet I found them to be misleading. This a corner-cutting, over-used scenario where a normal human being becomes a partner in crime to someone of the opposite sex for no apparent reason. Boy meets girl. Girl holds boy up at gunpoint for something ridiculous. Boy is intrigued. You know the drill: The antagonist turns out to be a wild, free spirit instead of a sociopath... Toss in a few words of wisdom from Alice Drummond and you have a recipe for Love. Sheedy's 'is she crazy or does she just need a hug?' role from The Breakfast Club simply reeks as a lead character. And all that is left is a truly ghastly turkey of a movie. | 0neg
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] |
Finally, a movie that says so much that needs to be said about the relationship between latino and anglo-Americans. A few people seem to thinks it's racist, but I don't see how. Some people may not agree, but I think most people will find it to be an enlightening experience. Even as a person who is half Latin American, I was surprised at how many inaccurate stereotypes I accepted about my own people until I saw this movie (the little pop up facts on the screen were both entertaining and informative). Also, the film's star, Yareli Arizmendi, was in "Like Water for Chocolate", so it's worth it just to see her again. And Eduardo Palomo makes his final appearance in this film, if your a fan of Mexican TV. Despite the controversial ad campaign, this is actually a fun, entertaining movie that I would recommend to most people. See it and decide for yourself. | -1no label
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] |
I've never been a fan of Christian Slater although I've never been a detractor either. This movie turned any opinion I had of him on its head. A well scripted film, beautifully acted (By Slater, Macy and Cuthbert) from start to finish. Slater is a desperate man ready to go to ultimate lengths to right a world he sees as wrong. As can be seen in the trailer, he's beaten to the punch and inadvertently becomes a hero. It's at this point that the film begins in earnest. It doesn't try and get too clever as some movies tend do with a story of this ilk (sometimes to the detriment of the movie). The story was strong enough to carry me all the way through to the end. Buy it, go see it, rent it. | -1no label
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] |
There have been more interesting polish documentaries on worm farming, in brail_!! The competition (worm farming) had a better plot and more interesting characters. I was physically ill after watching this movie. The cheating husband (i think dougray_scott_) was a joke in every meaning of the word. Poor Jennifer must really need the work, and what was with the accent!!. The locations and random meetings reminded me of a high school prank, and showed the humility of a 10 year old in cooking class. It was that bad that I think I will write the sequel named "this is not a laxitive". Thank you for listening it was a great weight of my conscious. | 0neg
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