wanyu/IteraTeR_v2 huggingface dataset:
Original:  An old confidant Nanekhan, impressed upon the local British political officer, Flink to forgive young Damodar.
Revised:  An old confidant , Nanekhan impressed upon the local British political officer, Flink to forgive young Damodar.
Edit intent: fluency
Original:  Here  Sir Richard Shakespeare, the local political agent, placed him under  guardianship of a Kashmiri teacher, called Munshi Dharmanarayan, to teach Damodar - Urdu, English & Marathi.
Revised:  Here , Sir Richard Shakespeare, the local political agent, placed him under guardianship of a Kashmiri teacher, called Munshi Dharmanarayan, to teach Damodar - Urdu, English & Marathi.
Edit intent: fluency
Original:  Here  Sir Richard Shakespeare, the local political agent, placed him under  guardianship of a Kashmiri teacher, called Munshi Dharmanarayan, to teach Damodar - Urdu, English & Marathi.
Revised:  Here Sir Richard Shakespeare, the local political agent, placed him under the guardianship of a Kashmiri teacher, called Munshi Dharmanarayan, to teach Damodar - Urdu, English & Marathi.
Edit intent: fluency
Original:  He died on 28 May 1906 survived by his son Lakhsman Rao 
Revised:  He died on 28 May 1906 survived by his son Lakhsman Rao .
Edit intent: fluency
Original:  The fate of Damodar Rao, the Son of Rani Lakshmi Bai of Jhansi after the war He settled down at Indore and married.
Revised:  He settled down at Indore and married.
Edit intent: coherence
Original:  Jhansi honors Rani's descendants Damodar Rao was an avid photographer by passion.
Revised:  Damodar Rao was an avid photographer by passion.
Edit intent: clarity
Original: Preventive Care Preventative care in Conservation Care and restoration is a means of mitigating the possible threats to the status of an artifact or specimen through a number of means.
Revised: Preventive Care Preventive conservation involves mitigating the potential threats to the status of an artifact or specimen through a number of means.
Edit intent: clarity
Original: Preventive Care Preventative care in Conservation Care and restoration is a means of mitigating the possible threats to the status of an artifact or specimen through a number of means.
Revised: Preventive Care Preventative care in Conservation Care and restoration is a means of mitigating the possible threats to the stability of an artifact or specimen through a number of means.
Edit intent: clarity
Original:  Potential threats such as fire, flood, natural disaster, physical force, and theft cannot be foreseen and inherent vice can only be acknowledged through prudent risk management, care, and handling of museum objects.
Revised:  Threats such as fire, flood, natural disaster, physical force, and theft cannot be foreseen and inherent vice can only be acknowledged through prudent risk management, care, and handling of museum objects.
Edit intent: clarity
Original:  Potential threats such as fire, flood, natural disaster, physical force, and theft cannot be foreseen and inherent vice can only be acknowledged through prudent risk management, care, and handling of museum objects.
Revised:  Potential threats such as fire, flood, natural disaster, physical force, and theft cannot be foreseen and inherent vice can only be addressed through prudent risk management, care, and handling of museum objects.
Edit intent: clarity
Original:  Conservation and Curatorial staff can mitigate risks by addressing improper storage conditions which lead to concerns of pests, water and humiditydamage , and mold.
Revised:  Conservation and curatorial staff can mitigate risks by addressing improper storage conditions which lead to concerns of pests, water and humiditydamage , and mold.
Edit intent: fluency
Original:  Conservation and Curatorial staff can mitigate risks by addressing improper storage conditions which lead to concerns of pests, water and humiditydamage , and mold.
Revised:  Conservation and Curatorial staff can mitigate risks by correcting improper storage conditions which lead to concerns of pests, water and humiditydamage , and mold.
Edit intent: fluency
Original:  Conservation and Curatorial staff can mitigate risks by addressing improper storage conditions which lead to concerns of pests, water and humiditydamage , and mold.
Revised:  Conservation and Curatorial staff can mitigate risks by addressing improper storage conditions which may lead to damage from pests, water and humiditydamage , and mold.
Edit intent: clarity
Original:  Conservation and Curatorial staff can mitigate risks by addressing improper storage conditions which lead to concerns of pests, water and humiditydamage , and mold.
Revised:  Conservation and Curatorial staff can mitigate risks by addressing improper storage conditions which lead to concerns of pests, water , humidity , and mold.
Edit intent: fluency
Original:  These issues can be further catalyzed by environmental conditions that are regional such as seasonal changes and pollution.
Revised:  These issues can be further catalyzed by regional and seasonal environmental fluctuations and pollution.
Edit intent: clarity
Original:  Careful handling protocols can help prevent chemical damage caused by contact with skin oils and structural damage caused by physical stress.
Revised:  Proper handling protocols can help prevent chemical damage caused by contact with skin oils and structural damage caused by physical stress.
Edit intent: fluency
Original:  Careful handling protocols can help prevent chemical damage caused by contact with skin oils and structural damage caused by physical stress.
Revised:  Careful handling protocols can help prevent chemical damage caused by contact with skin oils and structural damage from physical stress.
Edit intent: clarity
Original:  Deterioration also occurs as a result of light exposure when  examined, exhibited, photographed, and transported.
Revised:  Deterioration also occurs as a result of light exposure when objects are examined, exhibited, photographed, and transported.
Edit intent: clarity
Original: Handling Prior to any handling, an examination of the work should be completed, including looking for signs of weakened structure and stability of materials, measurements of size and weight of the painting as well as measurements of the space it will be handled in .
Revised: Handling Prior to any handling, an examination of the work should be completed, including looking for signs of weakened structure and material stability. Both the painting and the space to which it is being transferred should be measured .
Edit intent: clarity
Original:  These notes should be shared with preparators, registrars, and curatorial staff as well .
Revised:  These notes should be shared with preparators, registrars, and curatorial staff .
Edit intent: clarity
Original:  The recommended handling method of panel paintings is similar to that of canvas paintings and other two-dimensional works.
Revised:  The recommended handling method for panel paintings is similar to that of canvas paintings and other two-dimensional works.
Edit intent: fluency
Original:  The recommended handling method of panel paintings is similar to that of canvas paintings and other two-dimensional works.
Revised:  The recommended handling method of panel paintings is similar to that of canvas and other two-dimensional works.
Edit intent: fluency
Original:  The procedure includes planning the move, handling with two hands or in tandem, communication within the handling staffduring the move, the use of nitrile gloves, the use of painting carts and other tools  including a pallet jack or furniture dolly when moving a panel painting within a crate.
Revised:  The procedure includes planning the move, handling , and communication with staff. Painting carts and other tools including a pallet jack or furniture dolly when moving a panel painting within a crate.
Edit intent: clarity
Original:  The procedure includes planning the move, handling with two hands or in tandem, communication within the handling staffduring the move, the use of nitrile gloves, the use of painting carts and other tools  including a pallet jack or furniture dolly when moving a panel painting within a crate.
Revised:  The procedure includes planning the move, handling with two hands or in tandem, communication within the handling staffduring the move, the use of nitrile gloves, the use of painting carts and other tools may be used, including a pallet jack or furniture dolly when moving a panel painting within a crate.
Edit intent: clarity
Original:  The procedure includes planning the move, handling with two hands or in tandem, communication within the handling staffduring the move, the use of nitrile gloves, the use of painting carts and other tools  including a pallet jack or furniture dolly when moving a panel painting within a crate.
Revised:  The procedure includes planning the move, handling with two hands or in tandem, communication within the handling staffduring the move, the use of nitrile gloves, the use of painting carts and other tools including a pallet jack or furniture dolly for moving a panel painting within a crate.
Edit intent: fluency
Original:  The procedure includes planning the move, handling with two hands or in tandem, communication within the handling staffduring the move, the use of nitrile gloves, the use of painting carts and other tools  including a pallet jack or furniture dolly when moving a panel painting within a crate.
Revised:  The procedure includes planning the move, handling with two hands or in tandem, communication within the handling staffduring the move, the use of nitrile gloves, the use of painting carts and other tools including a pallet jack or furniture dolly when moving a panel within a crate.
Edit intent: fluency
Original:  The Metropolitan Museum of Art, the Canadian Conservation Institute, and the Australian Institute for the Conservation of Cultural Material provide general handbooks that discuss the proper handling and care of paintings . Storage room, Heritage Conservation Centre, Singapore
Revised:  The Metropolitan Museum of Art, the Canadian Conservation Institute, and the Australian Institute for the Conservation of Cultural Material provide general guidelines on proper care and handling . Storage room, Heritage Conservation Centre, Singapore
Edit intent: clarity
Original:  As objects become more fragile over time, the ability to display them can be challenged by deterioration concerns . Environmental Conditions Fluctuating humidity and temperatures can lead to structural damage of a painted surface due to long-term cumulative damage.
Revised:  As objects become more fragile over time, the ability to display them can be challenged by deterioration concerns Environmental Conditions Fluctuating humidity and temperatures can lead to structural damage of a painted surface due to long-term cumulative damage.
Edit intent: fluency
Original:  Radiography can also revel the opacity of specific colors used in the painting.
Edit intent: coherence
Original:  Photographic documentation and the use of magnification with the naked eye used with diffuse and raking light are common methods used at art museums like the Tate Museum in the United Kingdom, these are effective tools for initial observation.
Revised:  Photographic documentation , magnification, and visual observation with the naked eye used with diffuse and raking light are common methods used at art museums like the Tate Museum in the United Kingdom, these are effective tools for initial observation.
Edit intent: clarity
Original:  Photographic documentation and the use of magnification with the naked eye used with diffuse and raking light are common methods used at art museums like the Tate Museum in the United Kingdom, these are effective tools for initial observation.
Revised:  Photographic documentation and the use of magnification with the naked eye under diffuse orraking light are common methods used at art museums like the Tate Museum in the United Kingdom, these are effective tools for initial observation.
Edit intent: clarity
Original:  Damage to the surface of panel paintings can be caused by the structural issuesin the wood, including damage done by wood-boring pests.
Revised:  Damage to the surface of panel paintings is often a sign of underlying structural issues, temperature and humidity fluctuations, and wood-boring pests.
Edit intent: clarity
Original: Reflectance transformation imaging is a type of computational photography that uses digital computation instead of optical processes to create new data as seen with the Penn Museum's Fayum Mummy Portraits.
Revised: Reflectance transformation imaging is a type of photography that uses digital computation instead of optical processes to create new data as seen with the Penn Museum's Fayum Mummy Portraits.
Edit intent: clarity
Original:  Ultraviolet light - This technique has been employed in the Ophelia painting at the Tate museum.
Revised:  Ultraviolet light - This technique has been employed in the conservation of Millais's painting, Ophelia, at the Tate museum.
Edit intent: clarity
Original:  Infra-red reflectography - This technique has been employed in the Tate Museum
Revised:  Although this example is not directly related to panel paintings, it is a valuable demonstration of the technology.
Edit intent: coherence
Original:  "The introduction of synthetic binders—most notably acrylic, alkyd, polyvinyl acetate, and nitrocellulose—has resulted in paints that exhibit fast drying times, reduced yellowing tendencies, a vast range of appearances and handling properties and, in the case of emulsion formulations, great flexibility and the elimination of organic solvents as thinners and diluents,  according to the Getty Conservation Institute.
Revised:  "The introduction of synthetic binders—most notably acrylic, alkyd, polyvinyl acetate, and nitrocellulose—has resulted in paints that exhibit fast drying times, reduced yellowing tendencies, a vast range of appearances and handling properties and, in the case of emulsion formulations, great flexibility and the elimination of organic solvents as thinners and diluents, " according to the Getty Conservation Institute.
Edit intent: fluency
Original: The care and management of cultural heritage materials should be addressed with great care for the integrity of the artifact physically and symbolically .
Revised: The care and management of cultural heritage materials should be addressed with consideration for the physical and symbolic integrity of the artifact physically and symbolically .
Edit intent: clarity
Original: The care and management of cultural heritage materials should be addressed with great care for the integrity of the artifact physically and symbolically .
Revised: The care and management of cultural heritage materials should be addressed with great care for the integrity of the artifact .
Edit intent: clarity
Original:  While the virtue of structural and visual integrity of objects may be contend in coalescing professional circles the ultimate goal is to preserve these objects.
Revised:  While the virtues of object integrity may be contested in professional circles, the ultimate goal is to preserve these objects.
Edit intent: clarity
Original:  Because each institution is beholden to not only their mission statement but the international, federal, and local laws that surround cultural heritage objects.
Revised:  Because each institution is beholden to not only their mission statement , and international, federal, and local laws that surround cultural heritage objects.
Edit intent: clarity
Original:  Because each institution is beholden to not only their mission statement but the international, federal, and local laws that surround cultural heritage objects.
Revised:  Because each institution is beholden to not only their mission statement but the international, federal, and local laws surrounding cultural heritage objects.
Edit intent: fluency
Original:  It is critical that thorough research is conducted not only on the materials of objects but the ethical and moral implications that may arise when handling figuratively and literally valuable artifacts.
Revised:  It is critical that thorough research is conducted not only on the materials but also on the ethical and moral implications that may arise when handling figuratively and literally valuable artifacts.
Edit intent: clarity
Original:  It is critical that thorough research is conducted not only on the materials of objects but the ethical and moral implications that may arise when handling figuratively and literally valuable artifacts.
Revised:  It is critical that thorough research is conducted not only on the materials of objects but the ethical and moral implications of handling figuratively and literally valuable artifacts.
Edit intent: clarity
Original: Preventive Care Preventive conservation involves the mitigation of potential threats to the stability of an artifact or specimen through a number of means.
Revised: Preventive care Preventive conservation involves the mitigation of potential threats to the stability of an artifact or specimen through a number of means.
Edit intent: fluency
Original:  Environmental Conditions Fluctuating humidity and temperatures can lead to structural damage of a painted surface due to long-term cumulative damage.
Revised:  Environmental conditions Fluctuating humidity and temperatures can lead to structural damage of a painted surface due to long-term cumulative damage.
Edit intent: fluency
Original:  Integrated Pest Management 400x400px|CSIRO ScienceImage 1140 Damage Done by a Furniture Beetle Integrated Pest Management policies are created to reduce or limit any problems relating to pests damaging objects within collections.
Revised:  Integrated pest management 400x400px|CSIRO ScienceImage 1140 Damage Done by a Furniture Beetle Integrated Pest Management policies are created to reduce or limit any problems relating to pests damaging objects within collections.
Edit intent: fluency
Original:  Agents of Deterioration Computer rendered illustration of different types of wood warping Damage may occur for a variety of reasons, generally known as agents of deterioration.
Revised:  Agents of deterioration Computer rendered illustration of different types of wood warping Damage may occur for a variety of reasons, generally known as agents of deterioration.
Edit intent: fluency
Original:  Typical agents of deterioration include: Physical Force Mishandling, overhandling, being dropped or stored improperly can all cause physical damage to panel paintings.
Revised:  Typical agents of deterioration include: Physical force Mishandling, overhandling, being dropped or stored improperly can all cause physical damage to panel paintings.
Edit intent: fluency
Original:  Temperature and Relative Humidity Paintings may be affected by fluctuating temperature and Relative Humidity.
Revised:  Temperature and relative humidity Paintings may be affected by fluctuating temperature and Relative Humidity.
Edit intent: fluency
Original:  Light and Ultraviolet Radiation Overexposure to light and ultraviolet radiation may cause fading over time.
Revised:  Light and ultraviolet radiation Overexposure to light and ultraviolet radiation may cause fading over time.
Edit intent: fluency
Original:  Surface and Painting Examples of Technology Pest Management Creating Supports Each panel undergoing conservation has unique considerations when creating support structures.
Revised:  Surface and painting Examples of Technology Pest Management Creating Supports Each panel undergoing conservation has unique considerations when creating support structures.
Edit intent: fluency
Original:  Surface and Painting Examples of Technology Pest Management Creating Supports Each panel undergoing conservation has unique considerations when creating support structures.
Revised:  Surface and Painting Examples of technology Pest Management Creating Supports Each panel undergoing conservation has unique considerations when creating support structures.
Edit intent: fluency
Original:  Surface and Painting Examples of Technology Pest Management Creating Supports Each panel undergoing conservation has unique considerations when creating support structures.
Revised:  Surface and Painting Examples of Technology Pest management Creating Supports Each panel undergoing conservation has unique considerations when creating support structures.
Edit intent: fluency
Original:  Surface and Painting Examples of Technology Pest Management Creating Supports Each panel undergoing conservation has unique considerations when creating support structures.
Revised:  Surface and Painting Examples of Technology Pest Management Creating supports Each panel undergoing conservation has unique considerations when creating support structures.
Edit intent: fluency
Original:  Applying Adhesives Cracks, loosened joints, and other such damage to a panel painting, which may be caused by various agents of deterioration, can be treated by applying the proper adhesive.
Revised:  Applying adhesives Cracks, loosened joints, and other such damage to a panel painting, which may be caused by various agents of deterioration, can be treated by applying the proper adhesive.
Edit intent: fluency
Original:  Transferring Panel Paintings Transfer of Panel Paintings from an unstable panel to a new support is considered to be a delicate process.
Revised:  Transferring panel paintings Transfer of panel paintings from an unstable panel to a new support is considered to be a delicate process.
Edit intent: fluency
Original:  Conserving Painted Surfaces Examples of Codes of Ethics
Revised:  Conserving painted surfaces Examples of Codes of Ethics
Edit intent: fluency
Original:  Conserving Painted Surfaces Examples of Codes of Ethics
Revised:  Conserving Painted Surfaces Examples of codes of ethics
Edit intent: fluency
Original:  Then he  and Hadley Cantril established the Institute for International Social Research.
Revised:  Then he He and Hadley Cantril established the Institute for International Social Research.
Edit intent: fluency
Original:  They contracted to do opinion polling in France, Nigeria, Japan, Thailand, and the Philippines  .
Revised:  They did opinion polling in France, Nigeria, Japan, Thailand, and the Philippines .
Edit intent: clarity
Original: Loyd A. Free (29 September 1908 — 11 November 1996) was a pollster that worked with Hadley Cantril and the Institute for International Social Research (IISR).
Revised: Lloyd A. Free (29 September 1908 — 11 November 1996) was a pollster that worked with Hadley Cantril and the Institute for International Social Research (IISR).
Edit intent: fluency
Original:  Loyd was born in San Jose, California, son of Arthur M. Free, a six-term Congressman.
Revised:  Lloyd was born in San Jose, California, son of Arthur M. Free, a six-term Congressman.
Edit intent: fluency
Original: Juba Oukaci (born July 8, 1996) is an Algerian footballer who plays for JS Kabylie in the Algerian Ligue Professionnelle 1.
Revised: Juba Oukaci (born July 8, 1996) is an Algerian footballer who most recently played JS Kabylie in the Algerian Ligue Professionnelle 1.
Edit intent: clarity
Original: Juba Oukaci (born July 8, 1996) is an Algerian footballer who most recently played JS Kabylie in the Algerian Ligue Professionnelle 1.
Revised: Juba Oukaci (born July 8, 1996) is an Algerian footballer who plays as a midfielder for JS Kabylie in the Algerian Ligue Professionnelle 1.
Edit intent: clarity
Original:  His main  interest was in Italian Renaissance and Baroque  .
Revised:  His main research interest was in Italian Renaissance and Baroque .
Edit intent: clarity
Original:  His main  interest was in Italian Renaissance and Baroque  .
Revised:  His main interest was in Italian Renaissance and Baroque , and he wrote several books on the topic .
Edit intent: coherence
Original:  URL Resource calendars indicate when and to what extent identified project resources will be accessible amid the project.
Revised:  Resource calendars indicate when and to what extent identified project resources will be accessible amid the project.
Edit intent: clarity