wanyu/IteraTeR_v2 huggingface dataset:
Original:  The problem can also arise in patients after bone marrow transplants, as the clinical and histologic features of PPE can be similar to cutaneous manifestations of acute (first 3 weeks) graft-versus-host disease.
Revised:  The problem can also arise in patients after bone marrow transplants, as the clinical and histologic features of PPE can be similar to cutaneous manifestations of acute (first three weeks) graft-versus-host disease.
Edit intent: fluency
Original:  Using knives to chop food may also cause excessive pressure and friction on your URL Hand-Foot Syndrome or Palmar-Plantar Erythrodysesthesia (1 & 2) External links
Revised:  Using knives to chop food may also cause excessive pressure and friction on your URL Hand-Foot Syndrome or Palmar-Plantar Erythrodysesthesia (1 & 2) 
Edit intent: coherence
Original:  This is followed 2-4 days later by bright redness, which is symmetrical and sharply URL In severe cases this may be followed by burning pain and swelling, blistering and ulceration, peeling of the skin.
Revised:  This is followed 2-4 days later by bright redness, which is symmetrical and sharply defined. In severe cases this may be followed by burning pain and swelling, blistering and ulceration, peeling of the skin.
Edit intent: clarity
Original:  With each subsequent cycle of chemotherapy, the reaction will appear more quickly, be more severe and will take longer to URL Modifying some daily activities to reduce friction and heat exposure to your hands and feet for a period of time following treatment (approximately one week after IV medication, much as possible during the time you are taking oral (by mouth) medication such as URL Avoid long exposure of hands and feet to hot water such as washing dishes, long showers, or tub baths.
Revised:  With each subsequent cycle of chemotherapy, the reaction will appear more quickly, be more severe and will take longer to heal. Modifying some daily activities to reduce friction and heat exposure to your hands and feet for a period of time following treatment (approximately one week after IV medication, much as possible during the time you are taking oral (by mouth) medication such as URL Avoid long exposure of hands and feet to hot water such as washing dishes, long showers, or tub baths.
Edit intent: clarity
Original:  Using knives to chop food may also cause excessive pressure and friction on your URL Prognosis Hand-foot invariably recurs with the resumption of chemotherapy.
Revised:  Using knives to chop food may also cause excessive pressure and friction on your palms. Prognosis Hand-foot invariably recurs with the resumption of chemotherapy.
Edit intent: clarity
Original:  With each subsequent cycle of chemotherapy, the reaction will appear more quickly, be more severe and will take longer to URL
Revised:  With each subsequent cycle of chemotherapy, the reaction will appear more quickly, be more severe and will take longer to heal.
Edit intent: clarity
Original:  I, I, X in , vol. II. p. 217.]] Cognition () refers to "the mental action or process of acquiring knowledge and understanding through thought, experience, andthe senses" .
Revised:  I, I, X in , vol. II. p. 217.]] Cognition () refers to "the action process ac , and .
Edit intent: clarity
Original: File:RobertFuddBewusstsein17Jh.png|alt=A cognitive model illustrated by Rosdasdfadfadfaasdfadfsbert Fludd|A cognitive model, as illustrated by Robert Fludd (1619)Fludd, Robert.
Revised: File:RobertFuddBewusstsein17Jh.png|alt=A cognitive model illustrated by Robert Fludd|A cognitive model, as illustrated by Robert Fludd (1619)Fludd, Robert.
Edit intent: coherence
Original: The ZKM’ smission as formulated by founding director Heinrich Klotz in 1992 was implemented and developed further in the years that followed.
Revised: The ZKM’ s mission as formulated by founding director Heinrich Klotz in 1992 was implemented and developed further in the years that followed.
Edit intent: fluency
Original:  Today, four guiding ideas mainly inform the work of the ZKM: . ZKM | Museum of Contemporary Art URL 'Biennalist Headquarter' by Thierry Geoffroy/Colonel 2011 in the exhibition "The Global Contemporary.
Revised:  Today, four guiding ideas mainly inform the work of the ZKM: ZKM | Museum of Contemporary Art URL 'Biennalist Headquarter' by Thierry Geoffroy/Colonel 2011 in the exhibition "The Global Contemporary.
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Original:  Art Worlds after 1989 In: zkm.de (September 2011 to February 2012)]] Since December 1999, the Museum of Contemporary Art has been located in the atria 1 and 2 of the former munitions factory.
Revised:  Art Worlds after 1989 In: zkm.de (September 2011 to February 2012)]] Since December 1999, the Museum of Contemporary Art has been located in the atrium 1 and 2 of the former munitions factory.
Edit intent: fluency
Original:  The library's entire holdings 60 can be researched via the Internet.
Revised:  The library's entire holdings can be researched via the Internet.
Edit intent: fluency
Original:  Among others monographic exhibitions, on Bruce Nauman, Bill Viola, Sigmar Polke, Franz West, Sylvie Fleury, Martin Kippenberger and Tobias Rehberger have been taking place since 1999. ZKM Exhibitions Archive In: zkm.de Special, thematic exhibitions were, inter alia “Making Things Public.
Revised:  Among others monographic exhibitions, on Bruce Nauman, Bill Viola, Sigmar Polke, Franz West, Sylvie Fleury, Martin Kippenberger and Tobias Rehberger have been taking place since 1999. Special, thematic exhibitions were, inter alia “Making Things Public.
Edit intent: coherence
Original: History Image: Käfer ZKM CC.jpg | during exhibition Car Culture in 2011, Car Building by Hans Hollein  The founding of the Center for Art and Media goes back to the early 1980s.
Revised: History Image: Käfer ZKM CC.jpg | Founding The founding of the Center for Art and Media goes back to the early 1980s.
Edit intent: coherence
Original:  258x258px|Panaroama View of the ZKM fassade and the ZKM Cube Hertz Lab Lab for Antiquated Video Systems255x255px|ZKM building fassade and ZKM Cube by night
Revised:  Hertz Lab Lab for Antiquated Video Systems255x255px|ZKM building fassade and ZKM Cube by night
Edit intent: clarity
Original:  258x258px|Panaroama View of the ZKM fassade and the ZKM Cube Hertz Lab Lab for Antiquated Video Systems255x255px|ZKM building fassade and ZKM Cube by night
Revised:  258x258px|Panaroama View of the ZKM fassade and the ZKM Cube Hertz Lab Lab for Antiquated Video Systems
Edit intent: clarity
Original:  (PDF) Weblinks  Commons: ZKM Karlsruhe – collection of images, videos, and audio files Official website of the ZKM ZKM videocast with video clips from ZKM symposia, exhibitions, and events 20 years of the ZKM 30 years of the ZKM YouTube channel of the ZKM References
Revised:  (PDF) References Commons: ZKM Karlsruhe – collection of images, videos, and audio files Official website of the ZKM ZKM videocast with video clips from ZKM symposia, exhibitions, and events 20 years of the ZKM 30 years of the ZKM YouTube channel of the ZKM References
Edit intent: clarity
Original:  (PDF) Weblinks  Commons: ZKM Karlsruhe – collection of images, videos, and audio files Official website of the ZKM ZKM videocast with video clips from ZKM symposia, exhibitions, and events 20 years of the ZKM 30 years of the ZKM YouTube channel of the ZKM References
Revised:  (PDF) Weblinks Commons: ZKM Karlsruhe – collection of images, videos, and audio files Official website of the ZKM ZKM videocast with video clips from ZKM symposia, exhibitions, and events 20 years of the ZKM 30 years of the ZKM YouTube channel of the ZKM 
Edit intent: coherence
Original:  Since the death of founding director Heinrich Klotz (1935–1999), the ZKM has been directed by Peter Weibel, later together with Christiane Riedel .
Revised:  Since the death of founding director (1935–1999), the ZKM has been directed by Peter Weibel, later together with Christiane Riedel .
Edit intent: clarity
Original:  Since the death of founding director Heinrich Klotz (1935–1999), the ZKM has been directed by Peter Weibel, later together with Christiane Riedel .
Revised:  Since the death of founding director Heinrich Klotz (1935–1999), the ZKM has been directed by Peter Weibel, later together with .
Edit intent: clarity
Original:  Besides the ZKM, the former munitions factory also houses the associated Karlsruhe University of Arts and Design, and the Städtische Galerie Karlsruhe [Municipal Art Gallery of Karlsruhe].
Revised:  Besides the ZKM, the former munitions factory also houses the associated Karlsruhe University of Arts and Design, and the [Municipal Art Gallery of Karlsruhe].
Edit intent: clarity
Original:  Mission “ The mission of the ZKM is to explore the creative possibilities of connecting the traditional arts and media technologies to achieve innovative results.
Revised:  Mission " The mission of the ZKM is to explore the creative possibilities of connecting the traditional arts and media technologies to achieve innovative results.
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Original:  ” – Heinrich Klotz The ZKM ’ s mission as formulated by founding director Heinrich Klotz in 1992 was implemented and developed further in the years that followed.
Revised:  " – Heinrich Klotz The ZKM ’ s mission as formulated by founding director Heinrich Klotz in 1992 was implemented and developed further in the years that followed.
Edit intent: fluency
Original:  ” – Heinrich Klotz The ZKM ’ s mission as formulated by founding director Heinrich Klotz in 1992 was implemented and developed further in the years that followed.
Revised:  ” – Heinrich Klotz The ZKM ' s mission as formulated by founding director Heinrich Klotz in 1992 was implemented and developed further in the years that followed.
Edit intent: fluency
Original:  Here, the conservation of “digital art” is accorded special importance.
Revised:  Here, the conservation of "digital art" is accorded special importance.
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Original:  In the context of an ever-expanding media landscape and a changing art world, representatives from local government, the University of Karlsruhe, the University of Music Karlsruhe, the Kernforschungszentrum Karlsruhe [Center for Nuclear Research Karlsruhe] and other institutions, as well as organizations and representatives of the Karlsruhe art scene formed the “ ZKM Project Group in 1986.
Revised:  In the context of an ever-expanding media landscape and a changing art world, representatives from local government, the University of Karlsruhe, the University of Music Karlsruhe, the Kernforschungszentrum Karlsruhe [Center for Nuclear Research Karlsruhe] and other institutions, as well as organizations and representatives of the Karlsruhe art scene formed the ZKM Project Group in 1986.
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Original:  Three dates mark the ZKM ’ s foundation: the local council ’ s resolution dated May 9, 1989;
Revised:  Three dates mark the ZKM ' s foundation: the local council ’ s resolution dated May 9, 1989;
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Original:  Three dates mark the ZKM ’ s foundation: the local council ’ s resolution dated May 9, 1989;
Revised:  Three dates mark the ZKM ’ s foundation: the local council ' s resolution dated May 9, 1989;
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Original:  Prior to moving to its present location, the ZKM ’ s media art festival MultiMediale (MultiMediale 1–5, 1989–1997) was held at changing locations.
Revised:  Prior to moving to its present location, the ZKM ' s media art festival MultiMediale (MultiMediale 1–5, 1989–1997) was held at changing locations.
Edit intent: fluency
Original:  For a considerable time, the ZKM ’ s future permanent location was envisaged in an area to the south of Karlsruhe Central Station.
Revised:  For a considerable time, the ZKM ' s future permanent location was envisaged in an area to the south of Karlsruhe Central Station.
Edit intent: fluency
Original:  Karlsruhe Council opted for repurposing “Hallenbau A ” [Hall A], built 1914–1918 by architect Philipp Jakob Manz as a weapons and munitions factory, which was then an industrial ruin.
Revised:  Karlsruhe Council opted for repurposing Hallenbau A [Hall A], built 1914–1918 by architect Philipp Jakob Manz as a weapons and munitions factory, which was then an industrial ruin.
Edit intent: fluency
Original:  The conversion, based on plans drawn up by the Hamburg office of Schweger Architects, and the construction of the blue Cube annex inspired by Koolhaas ’ s original design, commenced in 1993.
Revised:  The conversion, based on plans drawn up by the Hamburg office of Schweger Architects, and the construction of the blue Cube annex inspired by Koolhaas ' s original design, commenced in 1993.
Edit intent: fluency
Original:  Temporary exhibitions, such as “ net_condition.
Revised:  Temporary exhibitions, such as " net_condition.
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Original:  Art/Politics in the Online Universe ” (September 1999 to February 2000), “ Iconoclash.
Revised:  Art/Politics in the Online Universe " (September 1999 to February 2000), “ Iconoclash.
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Original:  Art/Politics in the Online Universe ” (September 1999 to February 2000), “ Iconoclash.
Revised:  Art/Politics in the Online Universe ” (September 1999 to February 2000), " Iconoclash.
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Original:  Beyond Image Wars in Science, Religion and Art ” Iconoclash In: zkm.de (from May to September, 2002) or “bit international” bit international In: zkm.de (February 2008 to January 2009) were highly respected both nationally and abroad.
Revised:  Beyond Image Wars in Science, Religion and Art " Iconoclash In: zkm.de (from May to September, 2002) or “bit international” bit international In: zkm.de (February 2008 to January 2009) were highly respected both nationally and abroad.
Edit intent: fluency
Original:  Beyond Image Wars in Science, Religion and Art ” Iconoclash In: zkm.de (from May to September, 2002) or “bit international” bit international In: zkm.de (February 2008 to January 2009) were highly respected both nationally and abroad.
Revised:  Beyond Image Wars in Science, Religion and Art ” Iconoclash In: zkm.de (from May to September, 2002) or "bit international" bit international In: zkm.de (February 2008 to January 2009) were highly respected both nationally and abroad.
Edit intent: fluency
Original:  Special, thematic exhibitions were, inter alia “ Making Things Public.
Revised:  Special, thematic exhibitions were, inter alia " Making Things Public.
Edit intent: fluency
Original:  Atmospheres of Democracy ” Making Things Public.
Revised:  Atmospheres of Democracy " Making Things Public.
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Original:  mitpress.mit.eduRune Nydal: Making Things Public In: b-post.noMaking Things Public In: weeklyincite.blogspot.de/ (March to October, 2005), “ Light Art from Artificial Light ” Light Art from Artificial Light In: zkm.deLight Art from Artificial Light Exhibition Opens at ZKM In: URL (November 2005 to August 2006), “Medium Religion” Medium Religion In: zkm.deReligion in the Media, Media as a Religion In: goethe.de/enindex.htm (November 2008 till April 2009) or “ The Global Contemporary.
Revised:  mitpress.mit.eduRune Nydal: Making Things Public In: b-post.noMaking Things Public In: weeklyincite.blogspot.de/ (March to October, 2005), " Light Art from Artificial Light ” Light Art from Artificial Light In: zkm.deLight Art from Artificial Light Exhibition Opens at ZKM In: URL (November 2005 to August 2006), “Medium Religion” Medium Religion In: zkm.deReligion in the Media, Media as a Religion In: goethe.de/enindex.htm (November 2008 till April 2009) or “ The Global Contemporary.
Edit intent: fluency
Original:  mitpress.mit.eduRune Nydal: Making Things Public In: b-post.noMaking Things Public In: weeklyincite.blogspot.de/ (March to October, 2005), “ Light Art from Artificial Light ” Light Art from Artificial Light In: zkm.deLight Art from Artificial Light Exhibition Opens at ZKM In: URL (November 2005 to August 2006), “Medium Religion” Medium Religion In: zkm.deReligion in the Media, Media as a Religion In: goethe.de/enindex.htm (November 2008 till April 2009) or “ The Global Contemporary.
Revised:  mitpress.mit.eduRune Nydal: Making Things Public In: b-post.noMaking Things Public In: weeklyincite.blogspot.de/ (March to October, 2005), “ Light Art from Artificial Light " Light Art from Artificial Light In: zkm.deLight Art from Artificial Light Exhibition Opens at ZKM In: URL (November 2005 to August 2006), “Medium Religion” Medium Religion In: zkm.deReligion in the Media, Media as a Religion In: goethe.de/enindex.htm (November 2008 till April 2009) or “ The Global Contemporary.
Edit intent: fluency
Original:  mitpress.mit.eduRune Nydal: Making Things Public In: b-post.noMaking Things Public In: weeklyincite.blogspot.de/ (March to October, 2005), “ Light Art from Artificial Light ” Light Art from Artificial Light In: zkm.deLight Art from Artificial Light Exhibition Opens at ZKM In: URL (November 2005 to August 2006), “Medium Religion” Medium Religion In: zkm.deReligion in the Media, Media as a Religion In: goethe.de/enindex.htm (November 2008 till April 2009) or “ The Global Contemporary.
Revised:  mitpress.mit.eduRune Nydal: Making Things Public In: b-post.noMaking Things Public In: weeklyincite.blogspot.de/ (March to October, 2005), “ Light Art from Artificial Light ” Light Art from Artificial Light In: zkm.deLight Art from Artificial Light Exhibition Opens at ZKM In: URL (November 2005 to August 2006), "Medium Religion" Medium Religion In: zkm.deReligion in the Media, Media as a Religion In: goethe.de/enindex.htm (November 2008 till April 2009) or “ The Global Contemporary.
Edit intent: fluency
Original:  mitpress.mit.eduRune Nydal: Making Things Public In: b-post.noMaking Things Public In: weeklyincite.blogspot.de/ (March to October, 2005), “ Light Art from Artificial Light ” Light Art from Artificial Light In: zkm.deLight Art from Artificial Light Exhibition Opens at ZKM In: URL (November 2005 to August 2006), “Medium Religion” Medium Religion In: zkm.deReligion in the Media, Media as a Religion In: goethe.de/enindex.htm (November 2008 till April 2009) or “ The Global Contemporary.
Revised:  mitpress.mit.eduRune Nydal: Making Things Public In: b-post.noMaking Things Public In: weeklyincite.blogspot.de/ (March to October, 2005), “ Light Art from Artificial Light ” Light Art from Artificial Light In: zkm.deLight Art from Artificial Light Exhibition Opens at ZKM In: URL (November 2005 to August 2006), “Medium Religion” Medium Religion In: zkm.deReligion in the Media, Media as a Religion In: goethe.de/enindex.htm (November 2008 till April 2009) or " The Global Contemporary.
Edit intent: fluency
Original:  Art Worlds after 1989 ” Global Contemporary.
Revised:  Art Worlds after 1989 " Global Contemporary.
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Original:  Research and Production Event Spaces Workshop Rooms Every year, on the 6th of January, the ZKM and the Städtische Galerie hold an Open Day where admission is free of charge.
Revised:  Research and production Event Spaces Workshop Rooms Every year, on the 6th of January, the ZKM and the Städtische Galerie hold an Open Day where admission is free of charge.
Edit intent: fluency
Original:  Research and Production Event Spaces Workshop Rooms Every year, on the 6th of January, the ZKM and the Städtische Galerie hold an Open Day where admission is free of charge.
Revised:  Research and Production Event spaces Workshop Rooms Every year, on the 6th of January, the ZKM and the Städtische Galerie hold an Open Day where admission is free of charge.
Edit intent: fluency
Original:  Research and Production Event Spaces Workshop Rooms Every year, on the 6th of January, the ZKM and the Städtische Galerie hold an Open Day where admission is free of charge.
Revised:  Research and Production Event Spaces Workshop rooms Every year, on the 6th of January, the ZKM and the Städtische Galerie hold an Open Day where admission is free of charge.
Edit intent: fluency
Original:  240x240px| View into the exhibition » Open Codes.
Revised:  View into the exhibition » Open Codes.
Edit intent: coherence
Original:  240x240px| View into the exhibition » Open Codes.
Revised:  240x240px| View into the exhibition " Open Codes.
Edit intent: fluency
Original:  The World as a Field of Data « at ZKM | Center for Art and Media Karlsruhe Exhibitions Since 1989 the ZKM | Karlsruhe has been setting standards of excellence in conceiving, processing, and mounting exceptional exhibitions — interactive, participatory, and performative — as well as producing the accompanying publications with international resonance.
Revised:  The World as a Field of Data " at URL Exhibitions Since 1989 the ZKM | Karlsruhe has been setting standards of excellence in conceiving, processing, and mounting exceptional exhibitions — interactive, participatory, and performative — as well as producing the accompanying publications with international resonance.
Edit intent: clarity
Original:  The World as a Field of Data « at ZKM | Center for Art and Media Karlsruhe Exhibitions Since 1989 the ZKM | Karlsruhe has been setting standards of excellence in conceiving, processing, and mounting exceptional exhibitions — interactive, participatory, and performative — as well as producing the accompanying publications with international resonance.
Revised:  The World as a Field of Data « at ZKM | Center for Art and Media Karlsruhe Exhibitions Since 1989 the ZKM | Karlsruhe has been setting standards of excellence in conceiving, processing, and mounting exceptional exhibitions – interactive, participatory, and performative — as well as producing the accompanying publications with international resonance.
Edit intent: fluency
Original:  The World as a Field of Data « at ZKM | Center for Art and Media Karlsruhe Exhibitions Since 1989 the ZKM | Karlsruhe has been setting standards of excellence in conceiving, processing, and mounting exceptional exhibitions — interactive, participatory, and performative — as well as producing the accompanying publications with international resonance.
Revised:  The World as a Field of Data « at ZKM | Center for Art and Media Karlsruhe Exhibitions Since 1989 the ZKM | Karlsruhe has been setting standards of excellence in conceiving, processing, and mounting exceptional exhibitions — interactive, participatory, and performative – as well as producing the accompanying publications with international resonance.
Edit intent: fluency
Original:  In changing thematic and monographic exhibitions organized in the ZKM ’ s 15,000 m2 exhibition spaces, contemporary developments in art and society are presented in all types of media and using all kinds of methods.
Revised:  In changing thematic and monographic exhibitions organized in the ZKM ' s 15,000 m2 exhibition spaces, contemporary developments in art and society are presented in all types of media and using all kinds of methods.
Edit intent: fluency
Original:  Together with the research facilities, the labs and departments of the ZKM, as well as partner institutions and research facilities from all over the world, the curatorial department develops the ZKM ’ s diverse exhibition program in close collaboration with the Board of Directors and an international network of guest artists, scholars, scientists, and curators.
Revised:  Together with the research facilities, the labs and departments of the ZKM, as well as partner institutions and research facilities from all over the world, the curatorial department develops the ZKM ' s diverse exhibition program in close collaboration with the Board of Directors and an international network of guest artists, scholars, scientists, and curators.
Edit intent: fluency
Original:  The ZKM is involved in a large number of international collaborative projects, which enables the ZKM ’ s exhibitions and their content to be made available to a global audience.
Revised:  The ZKM is involved in a large number of international collaborative projects, which enables the ZKM ' s exhibitions and their content to be made available to a global audience.
Edit intent: fluency