wanyu/IteraTeR_v2 huggingface dataset:
Original:  On July 25 , 1954, in the modest villa belonging to Elias Deriche, twenty-two Algerians spoke for the unlimited revolution until total independence.
Revised:  On 25 , 1954, in the modest villa belonging to Elias Deriche, twenty-two Algerians spoke for the unlimited revolution until total independence.
Edit intent: fluency
Original:  It was by the decree of August 21 , 1962, published in the that the prefect of Algiers appointed Dahmane Deriche to this administrative post.
Revised:  It was by the decree of 21 , 1962, published in the that the prefect of Algiers appointed Dahmane Deriche to this administrative post.
Edit intent: clarity
Original:  She was Percy Sutton's URL URL Percy Sutton was a Harlem leader and co-founder of the Inner City Broadcasting Corporation.
Revised:  She was Percy Sutton's spokeswoman. Percy Sutton was a Harlem leader and co-founder of the Inner City Broadcasting Corporation.
Edit intent: clarity
Original:  He was a civil rights lawyer, an entrepreneur and freedom URL The Inner City Broadcasting Corporation bought WLIB-AM one of the city's first African American owned radio stations.
Revised:  He was a civil rights lawyer, an entrepreneur and freedom rider. The Inner City Broadcasting Corporation bought WLIB-AM one of the city's first African American owned radio stations.
Edit intent: fluency
Original:  URL She has been an organizer for over 21 years for the 154/153 streets extended family reunion in Harlem.
Revised:  She has been an organizer for over 21 years for the 154/153 streets extended family reunion in Harlem.
Edit intent: fluency
Original:  URL In 1992, Maxine organized and produced a memorial tribute for tap dancer Charles Coles known as Charles "Honi" Coles at the Apollo Theatre.
Revised:  In 1992, Maxine organized and produced a memorial tribute for tap dancer Charles Coles known as Charles "Honi" Coles at the Apollo Theatre.
Edit intent: fluency
Original:  She traveled across the country looking for talent to be URL Some well known artists that she showcased were;Lyfe Jennings, Jermaine Paul, Ne-Yo, Jazmine Sullivan, Lauren Hill, Canton Jones, Jessica Care Moore, and more.
Revised:  She traveled across the country looking for talent to be showcased. Some well known artists that she showcased were;Lyfe Jennings, Jermaine Paul, Ne-Yo, Jazmine Sullivan, Lauren Hill, Canton Jones, Jessica Care Moore, and more.
Edit intent: fluency
Original:  She has a featured segment on 90.3 WHCR FM radio for Street Corner Resources giving information and updates about resources and activities for URL She has been a community volunteer serving food for years for Thanksgiving and Christmas at the National Action Network in Harlem.
Revised:  She has a featured segment on 90.3 WHCR FM radio for Street Corner Resources giving information and updates about resources and activities for adults. She has been a community volunteer serving food for years for Thanksgiving and Christmas at the National Action Network in Harlem.
Edit intent: fluency
Original:  2015 - Senator Díaz of the Bronx, New York City presents a Senior Citizen of the Year proclamation to Maxine Lewis URL 2014 - Fannie Lou Hamer Honoree: for her work at the National Action Network National Crisis Manager (North Jersey URL Category:Living people Category:African-American people Category:American producers Category:Community development Category:American television producers Category:Community developme
Revised:  2015 - Senator Díaz of the Bronx, New York City presents a Senior Citizen of the Year proclamation to Maxine Lewis 2014 - Fannie Lou Hamer Honoree: for her work at the National Action Network National Crisis Manager (North Jersey URL Category:Living people Category:African-American people Category:American producers Category:Community development Category:American television producers Category:Community developme
Edit intent: fluency
Original:  2015 - Senator Díaz of the Bronx, New York City presents a Senior Citizen of the Year proclamation to Maxine Lewis URL 2014 - Fannie Lou Hamer Honoree: for her work at the National Action Network National Crisis Manager (North Jersey URL Category:Living people Category:African-American people Category:American producers Category:Community development Category:American television producers Category:Community developme
Revised:  2015 - Senator Díaz of the Bronx, New York City presents a Senior Citizen of the Year proclamation to Maxine Lewis URL 2014 - Fannie Lou Hamer Honoree: for her work at the National Action Network National Crisis Manager (North Jersey Chapter) Category:Living people Category:African-American people Category:American producers Category:Community development Category:American television producers Category:Community developme
Edit intent: clarity
Original:  2015 - Senator Díaz of the Bronx, New York City presents a Senior Citizen of the Year proclamation to Maxine Lewis URL 2014 - Fannie Lou Hamer Honoree: for her work at the National Action Network National Crisis Manager (North Jersey URL Category:Living people Category:African-American people Category:American producers Category:Community development Category:American television producers Category:Community developme
Revised:  2015 - Senator Díaz of the Bronx, New York City presents a Senior Citizen of the Year proclamation to Maxine Lewis URL 2014 - Fannie Lou Hamer Honoree: for her work at the National Action Network National Crisis Manager (North Jersey URL Category:Living people Category:African-American people Category:American producers Category:Community development Category:American television produce
Edit intent: fluency
Original:  Early life Maxine Lewis was born and raised in Harlem  .
Revised:  Early life She was born and raised in Harlem .
Edit intent: clarity
Original:  Early life Maxine Lewis was born and raised in Harlem  .
Revised:  Early life Maxine Lewis was born and raised in Harlem , New York City .
Edit intent: clarity
Original: It represents one specific form of cultural memory  which makes an essential contribution to national group cohesion.
Revised: It represents one specific form of cultural memory , which makes an essential contribution to national group cohesion.
Edit intent: fluency
Original:  Identity crisis can occur due to bad memories (such as national crimes) or the absence of a belief in a shared past.
Revised:  Identity crisis can occur due to large-scale negative events such as crime, terroristic attacks, war, and large changes made over a short period of time. This crisis can also occur during periods of political uncertainty, which can lead to citizens becoming uncertain of their own identities or losing them altogether.
Edit intent: clarity
Original:  Often new developments, processes, problems and events are  made sense of and contextualized by drawing from national memory.
Revised:  New developments, processes, problems and events are made sense of and contextualized by drawing from national memory.
Edit intent: clarity
Original:  Often new developments, processes, problems and events are  made sense of and contextualized by drawing from national memory.
Revised:  Often new developments, processes, problems and events are often made sense of and contextualized by drawing from national memory.
Edit intent: clarity
Original:   This crisis can also occur during periods of  political uncertainty, which can lead to citizens becoming uncertain of  their own identities or losing them altogether.
Revised:  This crisis can also occur during periods of political uncertainty, which can lead to citizens becoming uncertain of and questioning their own identities or losing them altogether.
Edit intent: clarity
Original:  According to Lorraine Ryan, national memory is based on the public's reception of national historic narratives and the ability of people to affirm the legitimacy of these narratives  .
Revised:  According to Lorraine Ryan, national memory is based on the public's reception of national historic narratives and the ability of people to affirm the legitimacy of these narratives . alt=A large pickup truck has three clearly visible flags mounted onto it. The modern US flag, the Confederate Battle flag, and a Confederate National flag. |Conflicting versions of national memory can be seen in this image, as the modern United States flag is flown alongside a Confederate National flag and a Confederate Battle flag. These flags represent the legacy of two armies that were historically in direct conflict with one another during the American Civil War. Despite two of these flags representing an enemy of the United States, they are all flown together with the intention of communicating the owner's modern patriotism .
Edit intent: clarity
Original:  What role they can assume now, 20 years after the emergence of the Internet?
Revised:  What role can they assume now, 20 years after the emergence of the Internet?
Edit intent: fluency
Original:  Digital Clouds and Urban Spaces - Vienna 2014 The conference "Digital Clouds and Urban Spaces" URL (retrieved: 08-10-2016) at Architekturzentrum Wien focused on Smart Cities and the city as an information system where urbanity is increasingly shaped by networks of informational technologies .
Revised:  The conference "Digital Clouds and Urban Spaces" URL (retrieved: 08-10-2016) at Architekturzentrum Wien focused on Smart Cities and the city as an information system where urbanity is increasingly shaped by networks of informational technologies .
Edit intent: coherence
Original: Projects Save the Digital Ecology/ Vienna 2000 World-Information City/ Bangalore 2005 World-Information Exhibition Brussels/Belgrade/Vienna/Amsterdam 2000-2003 World-Information Exhibition Brussels/Belgrade/Vienna/Amsterdam 2000-2003  WII's main projects include:
Revised: Projects World-Information City/ Bangalore 2005 World-Information Exhibition Brussels/Belgrade/Vienna/Amsterdam 2000-2003 World-Information Exhibition Brussels/Belgrade/Vienna/Amsterdam 2000-2003 WII's main projects include:
Edit intent: coherence
Original:  03-16-2017) The first presentation was followed by a series of conferences and exhibitions in Vienna (Technisches Museum Wien, 2000 URL (retrieved:
Revised:  03-16-2017) The first presentation was followed by a series of conferences and exhibitions in Vienna (Technisches Museum Wien, URL (retrieved:
Edit intent: coherence
Original:  03-16-2017)), Amsterdam (Oude Kerk and De Balie Centre for Culture and Politics, 2002 URL (retrieved: 03-16-2017)), Novi Sad / Belgrade (Museum of Vojvodina, Museum of Contemporary Art, Belgrade, 2003 URL (retrieved: 03-16-2017)), Bangalore (2005 URL (retrieved: 03-16-2017)) and Paris (as part of the festival "Futur en Seine", 2009 URL (retrieved: 03-16-2017)).
Revised:  03-16-2017)), Amsterdam (Oude Kerk and De Balie Centre for Culture and Politics, URL (retrieved: 03-16-2017)), Novi Sad / Belgrade (Museum of Vojvodina, Museum of Contemporary Art, Belgrade, 2003 URL (retrieved: 03-16-2017)), Bangalore (2005 URL (retrieved: 03-16-2017)) and Paris (as part of the festival "Futur en Seine", 2009 URL (retrieved: 03-16-2017)).
Edit intent: coherence
Original:  03-16-2017)), Amsterdam (Oude Kerk and De Balie Centre for Culture and Politics, 2002 URL (retrieved: 03-16-2017)), Novi Sad / Belgrade (Museum of Vojvodina, Museum of Contemporary Art, Belgrade, 2003 URL (retrieved: 03-16-2017)), Bangalore (2005 URL (retrieved: 03-16-2017)) and Paris (as part of the festival "Futur en Seine", 2009 URL (retrieved: 03-16-2017)).
Revised:  03-16-2017)), Amsterdam (Oude Kerk and De Balie Centre for Culture and Politics, 2002 URL (retrieved: 03-16-2017)), Novi Sad / Belgrade (Museum of Vojvodina, Museum of Contemporary Art, Belgrade, URL (retrieved: 03-16-2017)), Bangalore (2005 URL (retrieved: 03-16-2017)) and Paris (as part of the festival "Futur en Seine", 2009 URL (retrieved: 03-16-2017)).
Edit intent: coherence
Original:  03-16-2017)), Amsterdam (Oude Kerk and De Balie Centre for Culture and Politics, 2002 URL (retrieved: 03-16-2017)), Novi Sad / Belgrade (Museum of Vojvodina, Museum of Contemporary Art, Belgrade, 2003 URL (retrieved: 03-16-2017)), Bangalore (2005 URL (retrieved: 03-16-2017)) and Paris (as part of the festival "Futur en Seine", 2009 URL (retrieved: 03-16-2017)).
Revised:  03-16-2017)), Amsterdam (Oude Kerk and De Balie Centre for Culture and Politics, 2002 URL (retrieved: 03-16-2017)), Novi Sad / Belgrade (Museum of Vojvodina, Museum of Contemporary Art, Belgrade, 2003 URL (retrieved: 03-16-2017)), Bangalore URL (retrieved: 03-16-2017)) and Paris (as part of the festival "Futur en Seine", 2009 URL (retrieved: 03-16-2017)).
Edit intent: coherence
Original:  03-16-2017)), Amsterdam (Oude Kerk and De Balie Centre for Culture and Politics, 2002 URL (retrieved: 03-16-2017)), Novi Sad / Belgrade (Museum of Vojvodina, Museum of Contemporary Art, Belgrade, 2003 URL (retrieved: 03-16-2017)), Bangalore (2005 URL (retrieved: 03-16-2017)) and Paris (as part of the festival "Futur en Seine", 2009 URL (retrieved: 03-16-2017)).
Revised:  03-16-2017)), Amsterdam (Oude Kerk and De Balie Centre for Culture and Politics, 2002 URL (retrieved: 03-16-2017)), Novi Sad / Belgrade (Museum of Vojvodina, Museum of Contemporary Art, Belgrade, 2003 URL (retrieved: 03-16-2017)), Bangalore (2005 URL (retrieved: 03-16-2017)) and Paris (as part of the festival "Futur en Seine", URL (retrieved: 03-16-2017)).
Edit intent: coherence
Original:  This conference on the future of cultural freedom and cultural intelligence in digital theory and practice URL (retrieved: 21-09-2016) took place at the Austrian Cultural Forum New York.
Revised:  This conference on the future of cultural freedom and cultural intelligence in digital theory and URL (retrieved: 21-09-2016) took place at the Austrian Cultural Forum New York.
Edit intent: clarity
Original: Ibid. The conference "Shared Digital Futures" URL (retrieved: 21-09-2016) dealt with the impact of digital networking technologies to the production of culture and examined about the new role of the artwork as the same end product and raw material for further production of culture, models for sustainable funding of Commons, new forms of collective authorship and the opportunities opened by the blurring of boundaries between artists and audiences.
Revised: Ibid. The conference "Shared Digital URL (retrieved: 21-09-2016) dealt with the impact of digital networking technologies to the production of culture and examined about the new role of the artwork as the same end product and raw material for further production of culture, models for sustainable funding of Commons, new forms of collective authorship and the opportunities opened by the blurring of boundaries between artists and audiences.
Edit intent: clarity
Original:  The conference and exhibition "Information as a reality" URL (retrieved: 21-09-2016) in cooperation with the magazine Springerin and with Ars Electronica at the Lentos Art Museum in Linz dealt with critical cultural practices in digital networks and the increasing change of social reality by digital models and virtual information regimes.
Revised:  The conference and exhibition "Information as a URL (retrieved: 21-09-2016) in cooperation with the magazine Springerin and with Ars Electronica at the Lentos Art Museum in Linz dealt with critical cultural practices in digital networks and the increasing change of social reality by digital models and virtual information regimes.
Edit intent: fluency
Original:  The conference "Digital Clouds and Urban Spaces" URL (retrieved: 08-10-2016) at Architekturzentrum Wien focused on Smart Cities and the city as an information system where urbanity is increasingly shaped by networks of informational technologies.
Revised:  The conference "Digital Clouds and Urban URL (retrieved: 08-10-2016) at Architekturzentrum Wien focused on Smart Cities and the city as an information system where urbanity is increasingly shaped by networks of informational technologies.
Edit intent: clarity
Original: The Magazine of Digital Arts - has been documented by t0: URL URL URL URL URL retrieved: 04-12-2013, mostly in German Public Netbase used to be t0's main initiative until it had to be discontinued due to lack of funding (which was a result of repression by the Austrian right-wing government Subsidies by the federal government had made up a main part of Public Netbase’s funds before, cf. Robert Harauer / MEDIACULT (ed.): Digital Culture in Europe.
Revised: The Magazine of Digital Arts - has been documented by t0: URL URL URL URL URL retrieved: 04-12-2013, mostly in German Public Netbase used to be t0's main initiative until it had to be discontinued due to lack of funding (which was a result of repression by the Austrian right-wing governmentSubsidies by the federal government had made up a main part of Public Netbase’s funds before, cf. Robert Harauer / MEDIACULT (ed.): Digital Culture in Europe.
Edit intent: fluency
Original:  In addition to the series of workshops and discussions the activities of Public Netbase included, among other, projects that combined exhibitions, conferences and workshops (e.g. Synworld URL retrieved: 16-09-2013 (1999) and Free Bitflows URL retrieved: 16-09-2013, URL retrieved: 16-09-2013 (2004)), projects in public space URL retrieved: 16-09-2013;
Revised:  In addition to the series of workshops and discussions the activities of Public Netbase included, among other, projects that combined exhibitions, conferences and workshops (e.g. Synworld URL retrieved: 16-09-2013 (1999) and Free URL retrieved: 16-09-2013, URL retrieved: 16-09-2013 (2004)), projects in public space URL retrieved: 16-09-2013;
Edit intent: clarity
Original:  16-09-2013 (2001/2002)) and activities that strengthened self-organization of independent media initiatives and demanded further development of cultural and media policies (in Austria, but also on European level, e.g. European Cultural Backbone URL retrieved: 16-07-2013 (1999-2003)).
Revised:  16-09-2013 (2001/2002)) and activities that strengthened self-organization of independent media initiatives and demanded further development of cultural and media policies (in Austria, but also on European level, e.g. European Cultural URL retrieved: 16-07-2013 (1999-2003)).
Edit intent: clarity
Original: Alexander Valentinovich Vampilov () (19 August 1937 , Cheremkhovo, Irkutsk Oblast – 17 August 1972 at Lake Baikal « Background to the 65th birth anniversary of playwright Alexander Vampilov », 19 August 2002 ) was a Russian playwright.
Revised: Alexander Valentinovich Vampilov () (19 August 1937 – 17 August 1972 at Lake Baikal « Background to the 65th birth anniversary of playwright Alexander Vampilov », 19 August 2002 ) was a Russian playwright.
Edit intent: coherence
Original: Alexander Valentinovich Vampilov () (19 August 1937 , Cheremkhovo, Irkutsk Oblast – 17 August 1972 at Lake Baikal « Background to the 65th birth anniversary of playwright Alexander Vampilov », 19 August 2002 ) was a Russian playwright.
Revised: Alexander Valentinovich Vampilov () (19 August 1937 , Cheremkhovo, Irkutsk Oblast – 17 August 1972 ) « Background to the 65th birth anniversary of playwright Alexander Vampilov », 19 August 2002 ) was a Russian playwright.
Edit intent: coherence
Original: Alexander Valentinovich Vampilov () (19 August 1937 , Cheremkhovo, Irkutsk Oblast – 17 August 1972 at Lake Baikal « Background to the 65th birth anniversary of playwright Alexander Vampilov », 19 August 2002 ) was a Russian playwright.
Revised: Alexander Valentinovich Vampilov () (19 August 1937 , Cheremkhovo, Irkutsk Oblast – 17 August 1972 at Lake Baikal « Background to the 65th birth anniversary of playwright Alexander Vampilov », 19 August 2002 was a Russian playwright.
Edit intent: fluency
Original:  August 19, 1972  was Aleksandr Vampilov's thirty-fifth birthday.
Revised:  August 19, 1972 , was Aleksandr Vampilov's thirty-fifth birthday.
Edit intent: fluency
Original:  Category: Russian dramatists and playwrights Category:Russian male dramatists and playwrights Category: Soviet dramatists and playwrights Category:Soviet male writers Category:20th-century Russian male writers Category:Buryat people Category:1937 births Category:1972 deaths Category:People from Cheremkhovo, Irkutsk Obla
Revised:  Category: Soviet dramatists and playwrights Category:Soviet male writers Category:20th-century Russian male writers Category:Buryat people Category:1937 births Category:1972 deaths Category:People from Cheremkhovo, Irkutsk Obla
Edit intent: fluency
Original:  Category: Russian dramatists and playwrights Category:Russian male dramatists and playwrights Category: Soviet dramatists and playwrights Category:Soviet male writers Category:20th-century Russian male writers Category:Buryat people Category:1937 births Category:1972 deaths Category:People from Cheremkhovo, Irkutsk Obla
Revised:  Category: Russian dramatists and playwrights Category:Russian male dramatists and playwrights Category: Soviet dramatists and playwrights Category:Soviet male writers Category:Buryat people Category:1937 births Category:1972 deaths Category:People from Cheremkhovo, Irkutsk Obla
Edit intent: clarity
Original: Youth Aleksandr Valentinovich Vampilov was born in Cheremkhovo in the Irkutsk oblast of Eastern Siberia on August 19 , 1937.
Revised: Youth Aleksandr Valentinovich Vampilov was born in Cheremkhovo in the Irkutsk Oblast of eastern Siberia on 19 , 1937.
Edit intent: clarity
Original:  Александр Валентинович Вампилов: Библиографический Указатель, ed. L.A. Kazantseva and M.D. Sergeev (Иркутск: Редакционно- издательский отдел упрполиграфиздата, 1989), 25-32;
Revised:  Александр Валентинович Вампилов: Библиографический Указатель, ed. L.A. Kazantseva and M.D. Sergeev (Иркутск: Редакционно-издательский отдел упрполиграфиздата, 1989), 25-32;
Edit intent: clarity
Original:  Rumyantsev, Andrei, “ Без мифов... ,” Сибирь, 4 (1991), 126-35 ;
Revised:  Rumyantsev, Andrei, " Без мифов... ,” Сибирь, 4 (1991), 126-35 ;
Edit intent: fluency
Original:  Rumyantsev, Andrei, “ Без мифов... ,” Сибирь, 4 (1991), 126-35 ;
Revised:  Rumyantsev, Andrei, “ Без мифов... ", Сибирь, 4 (1991), 126-35 ;
Edit intent: fluency
Original:  Rumyantsev, Andrei, “ Без мифов... ,” Сибирь, 4 (1991), 126-35 ;
Revised:  Rumyantsev, Andrei, “ Без мифов... ,” Сибирь, 4 (1991), 126–35 ;
Edit intent: fluency
Original:  Streltsova, Elena, Плен утиной охоты (Иркутск: Издание ГП “ Иркутская областная типография No. 1 ,” 1998), 10-37, 78-98;
Revised:  Streltsova, Elena, Плен утиной охоты (Иркутск: Издание ГП " Иркутская областная типография No. 1 ,” 1998), 10-37, 78-98;
Edit intent: fluency
Original:  Streltsova, Elena, Плен утиной охоты (Иркутск: Издание ГП “ Иркутская областная типография No. 1 ,” 1998), 10-37, 78-98;
Revised:  Streltsova, Elena, Плен утиной охоты (Иркутск: Издание ГП “ Иркутская областная типография No. 1 ", 1998), 10-37, 78-98;
Edit intent: fluency
Original:  Александр Валентинович Вампилов: Библиографический Указатель, ed. L.A. Kazantseva (Иркутск: Издательство Иркутской областной публичной библиотеки имени И.И. Молчанова-Сибирского, 2000), “Genealogy” ;
Revised:  Александр Валентинович Вампилов: Библиографический Указатель, ed. L.A. Kazantseva (Иркутск: Издательство Иркутской областной публичной библиотеки имени И.И. Молчанова-Сибирского, 2000), "Genealogy" ;
Edit intent: clarity
Original:  Zhilkina, Tatyana, “ Проверяется памятью ,” Литературное обозрение 8 (1983), 107-12.
Revised:  Zhilkina, Tatyana, " Проверяется памятью ,” Литературное обозрение 8 (1983), 107-12.
Edit intent: fluency
Original:  Zhilkina, Tatyana, “ Проверяется памятью ,” Литературное обозрение 8 (1983), 107-12.
Revised:  Zhilkina, Tatyana, “ Проверяется памятью ", Литературное обозрение 8 (1983), 107-12.
Edit intent: fluency
Original:  Zhilkina, Tatyana, “ Проверяется памятью ,” Литературное обозрение 8 (1983), 107-12.
Revised:  Zhilkina, Tatyana, “ Проверяется памятью ,” Литературное обозрение 8 (1983), 107–12.
Edit intent: clarity
Original:  Aleksandr Vampilov never knew his father, because on January 17 , 1938, Valentin was arrested on fabricated charges.
Revised:  Aleksandr Vampilov never knew his father, because on 17 , 1938, Valentin was arrested on fabricated charges.
Edit intent: clarity