wanyu/IteraTeR_v2 huggingface dataset:
Original: Ecological inheritance refers to the inherited resources and conditions, and associated modified selection pressures, that organisms pass down to their descendants through their niche construction(see for empirical data) .
Revised: Ecological inheritance is the passing on to descendants of inherited resources and conditions, and associated modified selection pressures, that organisms pass down to their descendants through their niche construction(see for empirical data) .
Edit intent: clarity
Original: Ecological inheritance refers to the inherited resources and conditions, and associated modified selection pressures, that organisms pass down to their descendants through their niche construction(see for empirical data) .
Revised: Ecological inheritance refers to the inherited resources and conditions, and associated modified selection pressures, through niche construction .
Edit intent: clarity
Original:  personnel, Mijali Proestakis (G.M. and Partner), Igor Proestakis (Tech Manager) and Greg Hall (the C.E.O., who joined his team on site for the last eight days of drilling) and their 7" drill pipe air core drill, a team of American drillers from Layne Christensen Co. and specialized Down-The-Hole drilling hammers from Center Rock, Inc., of Berlin, Pennsylvania.
Revised:  personnel, Mijali Proestakis (G.M. and Partner), Igor Proestakis (Tech Manager) and Greg Hall (the C.E.O., who joined his team on site for the last eight days of drilling) and their 7" drill pipe air core drill, a team of American drillers from Layne Christensen Co. and specialized down-the-hole drilling hammers from Center Rock, Inc., of Berlin, Pennsylvania.
Edit intent: fluency
Original: Channel 4 British TV program Buried Alive: The Chilean Mine Rescue, 8 pm to 9 pm, Wednesday 27 October 2010 The wrecked drill bit was retrieved by sending down a steel tube called a "spider", whose end was cut into 8 traight and long teeth.
Revised: Channel 4 British TV program Buried Alive: The Chilean Mine Rescue, 8 pm to 9 pm, Wednesday 27 October 2010 The wrecked drill bit was retrieved by sending down a steel tube called a "spider", whose end was cut into 8 straight and long teeth.
Edit intent: fluency
Original:  Like A Hammer " ,
Revised:  Like A Hammer ,
Edit intent: fluency
Original: Native American installation artists Category:Native American painters Category:Native American printmakers Category:Native American sculptors Category:School of the Art Institute of Chicago alumni Category:20th-century American sculptors Category:American male sculptors Category:20th-century American painters Category:American male painters Category:20th-century American printmakers Category:Sculptors from New York (state) Category:Sculptors from Colorado Category:Sculptors from Mississip
Revised: Native American installation artists Category:Native American painters Category:Native American printmakers Category:Native American sculptors Category:School of the Art Institute of Chicago alumni Category:20th-century American sculptors Category:American male sculptors Category:20th-century American painters Category:American male painters Category:20th-century American printmakers Category:Sculptors from New York (state) Category:Sculptors from Colorado Category:Sculptors from Mississippi Category:Native American male artis
Edit intent: fluency
Original:  2 (Provo, UT: Ancestry.com Operations, Inc.), 2010. is a Mississippi Choctaw-Cherokee painter and sculptor from the United States, based in Hudson, New York.
Revised:  2 (Provo, UT: Ancestry.com Operations, Inc.), 2010. is a Mississippi Choctaw/Cherokee painter and sculptor from the United States, based in Hudson, New York.
Edit intent: fluency
Original:  Current life He is currently an Artist in Residence at Bard College and teaches in Studio Art.
Revised:  Current life Gibson is an artist in residence at Bard College and teaches in Studio Art.
Edit intent: clarity
Original:  Fine art career Influences Gibson pulls influences from events that revolve around dancing, pulling inspiration from Leigh Bowery and his dramatic nightclub persona.
Revised:  Art career Influences Gibson pulls influences from events that revolve around dancing, pulling inspiration from Leigh Bowery and his dramatic nightclub persona.
Edit intent: fluency
Original:  Fine art career Influences Gibson pulls influences from events that revolve around dancing, pulling inspiration from Leigh Bowery and his dramatic nightclub persona.
Revised:  Fine art career Influences Gibson draws influences from events that revolve around dancing, pulling inspiration from Leigh Bowery and his dramatic nightclub persona.
Edit intent: fluency
Original:  Works "Rawhide Paintings" Gibson's current practice involves painting in oil and acrylic on rawhide-clad wood panels.
Revised:  Artworks "Rawhide Paintings" Gibson's current practice involves painting in oil and acrylic on rawhide-clad wood panels.
Edit intent: fluency
Original:  He is recycling found objects such as antique shaving mirrors and ironing boards and coveres them in untanned deer-, goat-, or elkskin . Gibson combines domestic, Native American  and Hard-edge modernist references.
Revised:  He is recycling found objects such as antique shaving mirrors and ironing boards and coveres them in untanned deer, goat, or elk skin . Gibson combines domestic, Native American and Hard-edge modernist references.
Edit intent: fluency
Original:  He is recycling found objects such as antique shaving mirrors and ironing boards and coveres them in untanned deer-, goat-, or elkskin . Gibson combines domestic, Native American  and Hard-edge modernist references.
Revised:  He is recycling found objects such as antique shaving mirrors and ironing boards and coveres them in untanned deer-, goat-, or elkskin . Gibson combines domestic, Native American , and Hard-edge modernist references.
Edit intent: fluency
Original:  His punching bag made from found Everlast punching bags, US army wool blankets, glass beads, tin jingles  and the artist's repurposed paintings exemplify the dialogue between US pop culture and Native traditions .
Revised:  His punching bag made from found Everlast punching bags, US army wool blankets, glass beads, tin jingles , and the artist's repurposed paintings exemplify the dialogue between US pop culture and Native traditions .
Edit intent: fluency
Original:  His punching bag made from found Everlast punching bags, US army wool blankets, glass beads, tin jingles  and the artist's repurposed paintings exemplify the dialogue between US pop culture and Native traditions .
Revised:  His punching bag made from found Everlast punching bags, US army wool blankets, glass beads, tin jingles and the artist's repurposed paintings exemplify the dialogue between mainstream pop culture and Native traditions .
Edit intent: clarity
Original:  Alive Shown as part of the Desert x exhibit in the Coachella Valley from February 25 – April 30, 2017.
Revised:  Alive Shown as part of the Desert x exhibition in the Coachella Valley from February 25 – April 30, 2017.
Edit intent: fluency
Original:  Alive Shown as part of the Desert x exhibit in the Coachella Valley from February 25 – April 30, 2017.
Revised:  Alive Shown as part of the Desert x exhibit in the Coachella Valley from February 25 to April 30, 2017.
Edit intent: fluency
Original:  His computer, cell phone  and a movie are generally at his reach if a break is needed while working.
Revised:  His computer, cell phone , and a movie are generally at his reach if a break is needed while working.
Edit intent: fluency
Original: Native American printmakers Category:Native American sculptors Category:  School of the Art Institute of Chicago alumni Category:20th-century American sculptors Category:20th-century male artists Category:American male sculptors Category:20th-century American painters Category:American male painters Category:20th-century American printmakers Category:Sculptors from New York (state) Category:Sculptors from Colorado Category:Sculptors from Mississippi Category:Native American male artis
Revised: Native American printmakers Category:Native American sculptors Category: School of the Art Institute of Chicago alumni Category:20th-century American sculptors Category:20th-century male artists Category:American male sculptors Category:20th-century American painters Category:American male painters Category:20th-century American printmakers Category:Sculptors from New York (state) Category:Sculptors from Colorado Category:Sculptors from Mississip
Edit intent: fluency
Original: Native American printmakers Category:Native American sculptors Category:Painters from Colorado Category:School of the Art Institute of Chicago alumni Category:20th-century American sculptors Category:20th-century male artists Category:American male sculptors Category:20th-century American painters Category:American male painters Category:20th-century American printmakers Category:Sculptors from New York (state) Category:Sculptors from Colorado Category:Sculptors from Mississip
Revised: Native American printmakers Category:Native American sculptors Category:Painters from Colorado Category:School of the Art Institute of Chicago alumni Category:20th-century American sculptors Category:20th-century male artists Category:American male sculptors Category:20th-century American painters Category:American male painters Category:20th-century American printmakers Category:Sculptors from New York (state) Category:Sculptors from Colora
Edit intent: fluency
Original:  When they arrived in Jamestown, Accra they could speak only Portuguese, so they greeted each other with “Como está?” (How are you?) to which the reply was “Tá bom”,  so the Ga-Adangbe people who primarily inhabited the Jamestown neighborhood in Accra, South Ghana started to call them the Tabom People.
Revised:  When they arrived in Jamestown, Accra they could speak only Portuguese, so they greeted each other with “Como está?” (How are you?) to which the reply was “Tá bom”, (I'm good) so the Ga-Adangbe people who primarily inhabited the Jamestown neighborhood in Accra, South Ghana started to call them the Tabom People.
Edit intent: clarity
Original:  When they arrived in Jamestown, Accra they could speak only Portuguese, so they greeted each other with “Como está?” (How are you?) to which the reply was “Tá bom”, (I'm good) so the Ga-Adangbe people who primarily inhabited the Jamestown neighborhood in Accra, South Ghana started to call them the Tabom People.
Revised:  When they arrived in Jamestown, Accra they could speak only Portuguese, so they greeted each other with “Como está?” (How are you?) to which the reply was “Tá bom”, so the Ga-Adangbe people who primarily inhabited the Jamestown neighborhood in Accra, South Ghana started to call them the Tabom People.
Edit intent: coherence
Original:  The Tabom People are an Afro-Brazilian community of former slaves returnees.
Revised:  The Tabom People are an Afro-Brazilian community of former slave returnees.
Edit intent: fluency
Original:  When they arrived in Jamestown, Accra they could speak only Portuguese, so they greeted each other with “Como está?” (How are you?) to which the reply was “Tá bom”, (I'm good) so the Ga-Adangbe people who primarily inhabited the Jamestown neighborhood in Accra, South Ghana started to call them the Tabom People .
Revised:  When they arrived in Jamestown, Accra they could speak only Portuguese, so they greeted each other with “Como está?” (How are you?) to which the reply was “Tá bom”, (I'm good) so the Ga-Adangbe people who primarily inhabited the Jamestown neighborhood in Accra, South Ghana started to call them the Tabom .
Edit intent: clarity
Original: Afro-Brazilians in Ghana 300px| One of the Homes of the Tabom People, in Accra, Ghana, former slaves who returned to Africa after the abolition of slavery in Brazil.
Revised: Afro-Brazilians in Ghana 300px| One of the homes of the Tabom People, in Accra, Ghana, former slaves who returned to Africa after the abolition of slavery in Brazil.
Edit intent: fluency
Original:  Proof of these skills is without any doubt Dan Morton, another Tabom and one of the most famous tailors nowadays in Accra .
Revised:  One notable figure is Dan Morton, another Tabom and one of the most famous tailors nowadays in Accra .
Edit intent: clarity
Original:  Proof of these skills is without any doubt Dan Morton, another Tabom and one of the most famous tailors nowadays in Accra .
Revised:  Proof of these skills is without any doubt Dan Morton, a Tabom and one of the most famous tailors nowadays in Accra .
Edit intent: clarity
Original:  Proof of these skills is without any doubt Dan Morton, another Tabom and one of the most famous tailors nowadays in Accra .
Revised:  Proof of these skills is without any doubt Dan Morton, another Tabom and one of the most famous tailors in Accra today .
Edit intent: clarity
Original:  Because they were welcomed by the Ga-Adangbe people  received by their kings as personal guests, the Taboms received lands in privileged locations, in places that are nowadays very well known estates, like Asylum Down, the area near to the central train station and around the Accra Brewery Company.
Revised:  Because they were welcomed by the Ga-Adangbe people and received by their kings as personal guests, the Taboms received lands in privileged locations, in places that are nowadays very well known estates, like Asylum Down, the area near to the central train station and around the Accra Brewery Company.
Edit intent: coherence
Original:  Because they were welcomed by the Ga-Adangbe people  received by their kings as personal guests, the Taboms received lands in privileged locations, in places that are nowadays very well known estates, like Asylum Down, the area near to the central train station and around the Accra Brewery Company.
Revised:  Because they were welcomed by the Ga-Adangbe people received by their kings as personal guests, the Taboms received lands in privileged locations, in places that are nowadays very well-known estates, like Asylum Down, the area near to the central train station and around the Accra Brewery Company.
Edit intent: fluency
Original:  Because of their agricultural skills, they started plantations of mango, cassava, beans  and other vegetables.
Revised:  Because of their agricultural skills, they started plantations of mango, cassava, beans , and other vegetables.
Edit intent: fluency
Original:  Nowadays the Taboms are completely integrated in the Ghanaian society and are a part of the Ga-Adangbe People
Revised:  Nowadays the Taboms are completely integrated in Ghanaian society and are a part of the Ga-Adangbe People
Edit intent: fluency
Original: Up to now  it is not very clear , if the Tabom really bought their freedom and decided to immediately come back or if they were at that time free workers in Brazil, they came after the Malê Revolt of 1835 in Bahia.
Revised: Up to now , it is not very clear , if the Tabom really bought their freedom and decided to immediately come back or if they were at that time free workers in Brazil, they came after the Malê Revolt of 1835 in Bahia.
Edit intent: fluency
Original: Up to now  it is not very clear , if the Tabom really bought their freedom and decided to immediately come back or if they were at that time free workers in Brazil, they came after the Malê Revolt of 1835 in Bahia.
Revised: Up to now it is not very clear if the Tabom really bought their freedom and decided to immediately come back or if they were at that time free workers in Brazil, they came after the Malê Revolt of 1835 in Bahia.
Edit intent: fluency
Original: Up to now, it is not very clear if the Tabom really bought their freedom and decided to immediately come back or if they were at that time free workers in Brazil , they came after the Malê Revolt of 1835 in Bahia.
Revised: Up to now, it is not very clear if the Tabom really bought their freedom and decided to immediately come back or if they were at that time free workers in Brazil who came after the Malê Revolt of 1835 in Bahia.
Edit intent: clarity
Original:  Art Quantum, pp. 71-79.
Revised:  Art Quantum, pp. 71–79.
Edit intent: fluency
Original:  responses and references to the body, land, language. - Faye HeavyShield These works often display multiples, whether the forms in body of land, boats, small squares of cloth, or other delicate and often hand-created objects.
Revised:  responses and references to the body, land, language. – Faye HeavyShield These works often display multiples, whether the forms in body of land, boats, small squares of cloth, or other delicate and often hand-created objects.
Edit intent: fluency
Original:  The creation of these pieces leads to repetitive tasks, such as dying clothing - this repetitive process is one that HeavySheilds finds meditative and exploratory.
Revised:  The creation of these pieces leads to repetitive tasks, such as dying clothing – this repetitive process is one that HeavySheilds finds meditative and exploratory.
Edit intent: fluency
Original:  From 2007-2008 HeavyShield studied Blood beadwork in the collections of the Canadian Museum of Civilization, the Royal Ontario Museum and the Glenbow Museum.
Revised:  From 2007 to 2008 HeavyShield studied Blood beadwork in the collections of the Canadian Museum of Civilization, the Royal Ontario Museum and the Glenbow Museum.
Edit intent: fluency
Original:  Through digital images, writing and drawing, my time spent with rivers - their influence on our bodies and our histories - has been recorded and re-played.
Revised:  Through digital images, writing and drawing, my time spent with rivers – their influence on our bodies and our histories - has been recorded and re-played.
Edit intent: fluency
Original:  Through digital images, writing and drawing, my time spent with rivers - their influence on our bodies and our histories - has been recorded and re-played.
Revised:  Through digital images, writing and drawing, my time spent with rivers - their influence on our bodies and our histories – has been recorded and re-played.
Edit intent: fluency
Original:  The piece, shaped like a diamond, consists of one half encaustic images of prairie grass and one half a large digital print collage featuring inscriptions of her thoughts.
Revised:  The piece, shaped like a diamond, consists of one half encaustic images of Prairie grass and one half a large digital print collage featuring inscriptions of her thoughts.
Edit intent: fluency
Original:  This piece was created on the 400th anniversary of the arrival of Samuel de Champlain at the site - representing "themes of transplantation and exchange."
Revised:  This piece was created on the 400th anniversary of the arrival of Samuel de Champlain at the site – representing "themes of transplantation and exchange."
Edit intent: fluency
Original:  He concluded that various key attributes in species varied according to the ratio of 1: 1.3. Curiously, human-made tools like knives and cooking skillets have also been shown to be related to each other in size by a ratio of 1: 1.3.
Revised:  He concluded that various key attributes in species varied according to the ratio of 1: Curiously, human-made tools like knives and cooking skillets have also been shown to be related to each other in size by a ratio of 1: 1.3.
Edit intent: style
Original:  He concluded that various key attributes in species varied according to the ratio of 1:1.1 to 1:1.4. References External link
Revised:  He concluded that various key attributes in species varied according to the ratio of 1:1.1 to 1:1.4. References External links
Edit intent: fluency
Original: G. Evelyn Hutchinsonlooked at size differences between similar species when they were living together as compared to when they were isolated.
Revised: The Hutchinson's ratio is the ratio of the size differences between similar species when they were living together as compared to when they were isolated.
Edit intent: clarity
Original: The Hutchinson's ratio is the ratio of the size differences between similar species when they were living together as compared to when they were isolated.
Revised: The Hutchinson's ratio is the ratio of the size differences between similar species when they are living together as compared to when they were isolated.
Edit intent: fluency
Original: The Hutchinson's ratio is the ratio of the size differences between similar species when they were living together as compared to when they were isolated.
Revised: The Hutchinson's ratio is the ratio of the size differences between similar species when they were living together as compared to when they are isolated.
Edit intent: fluency
Original:  He later challenged twice for world heavyweight titles in 2000 and 2002, and has competed against former Heavyweight Champions Mike Tyson, Wladimir Klitschko, Lennox Lewis, Michael Moorer and late in their respective careers Evander Holyfield.
Revised:  He later challenged twice for world heavyweight titles in 2000 and 2002. Botha has competed against former Heavyweight Champions Mike Tyson, Wladimir Klitschko, Lennox Lewis, Michael Moorer and late in their respective careers Evander Holyfield.
Edit intent: coherence
Original:  Botha  once in mixed martial arts in 2004.
Revised:  Botha participated once in mixed martial arts in 2004.
Edit intent: clarity
Original:  Botha has competed against former Heavyweight Champions Mike Tyson, Wladimir Klitschko, Lennox Lewis, Michael Moorer and  late in their respective careers , Evander Holyfield . Botha participated once in mixed martial arts in 2004.
Revised:  Botha has competed against former Heavyweight Champions Mike Tyson, Wladimir Klitschko, Lennox Lewis, Michael Moorer and Evander Holyfield late in their respective careers , Evander Holyfield . Botha participated once in mixed martial arts in 2004.
Edit intent: fluency
Original:  Botha has competed against former Heavyweight Champions Mike Tyson, Wladimir Klitschko, Lennox Lewis, Michael Moorer and  late in their respective careers , Evander Holyfield . Botha participated once in mixed martial arts in 2004.
Revised:  Botha has competed against former Heavyweight Champions Mike Tyson, Wladimir Klitschko, Lennox Lewis, Michael Moorer and late in their respective careers . Botha participated once in mixed martial arts in 2004.
Edit intent: clarity
Original: Kitten play File:Dresden (49075062801).jpg|130px|A submissive woman in kitten outfit at Folsom Street Fair In kitten play, a person dresses to resemble and assumes the mannerisms and character of a kitten or cat, a characteristic of which is that it keeps some independence and, as part of the fantasy, might retaliate against the partner trying to tame/train them.
Revised: Kitten play A woman in kitten outfit at Folsom Street Fair In kitten play, a person dresses to resemble and assumes the mannerisms and character of a kitten or cat, a characteristic of which is that it keeps some independence and, as part of the fantasy, might retaliate against the partner trying to tame/train them.
Edit intent: clarity
Original: Kitten play File:Dresden (49075062801).jpg|130px|A submissive woman in kitten outfit at Folsom Street Fair In kitten play, a person dresses to resemble and assumes the mannerisms and character of a kitten or cat, a characteristic of which is that it keeps some independence and, as part of the fantasy, might retaliate against the partner trying to tame/train them.
Revised: Kitten play File:Dresden (49075062801).jpg|130px|A submissive woman in kitten outfit In kitten play, a person dresses to resemble and assumes the mannerisms and character of a kitten or cat, a characteristic of which is that it keeps some independence and, as part of the fantasy, might retaliate against the partner trying to tame/train them.
Edit intent: coherence
Original:  Design and construction She was built as the Confederate raider CSS Texas, but was seized by the British Government in 1863 and acquired in 1865.
Revised:  Design and construction The ship was built as the Confederate raider CSS Texas, but was seized by the British Government in 1863 and acquired in 1865.
Edit intent: fluency