wanyu/IteraTeR_v2 huggingface dataset:
Original:  quoted in Gleijeses, The Agrarian Reform of Jacobo Arbenz " (1989), p. 464.
Revised:  quoted in Gleijeses, The Agrarian Reform of Jacobo Arbenz (1989), p. 464.
Edit intent: fluency
Original: Handy, " The Most Precious Fruit of the Revolution " (1988) p. 691.
Revised: Handy, The Most Precious Fruit of the Revolution " (1988) p. 691.
Edit intent: fluency
Original: Handy, " The Most Precious Fruit of the Revolution " (1988) p. 691.
Revised: Handy, " The Most Precious Fruit of the Revolution (1988) p. 691.
Edit intent: fluency
Original: Gleijeses, '' The Agrarian Reform of Jacobo Arbenz " (1989), p. 462.
Revised: Gleijeses, The Agrarian Reform of Jacobo Arbenz " (1989), p. 462.
Edit intent: fluency
Original: Gleijeses, '' The Agrarian Reform of Jacobo Arbenz " (1989), p. 462.
Revised: Gleijeses, '' The Agrarian Reform of Jacobo Arbenz (1989), p. 462.
Edit intent: fluency
Original: Gleijeses, '' The Agrarian Reform of Jacobo Arbenz " (1989), p. 473.
Revised: Gleijeses, The Agrarian Reform of Jacobo Arbenz " (1989), p. 473.
Edit intent: fluency
Original: Gleijeses, '' The Agrarian Reform of Jacobo Arbenz " (1989), p. 473.
Revised: Gleijeses, '' The Agrarian Reform of Jacobo Arbenz (1989), p. 473.
Edit intent: fluency
Original: Handy, " The Most Precious Fruit of the Revolution " (1988) p. 686.
Revised: Handy, The Most Precious Fruit of the Revolution " (1988) p. 686.
Edit intent: fluency
Original: Handy, " The Most Precious Fruit of the Revolution " (1988) p. 686.
Revised: Handy, " The Most Precious Fruit of the Revolution (1988) p. 686.
Edit intent: fluency
Original: Gleijeses, '' The Agrarian Reform of Jacobo Arbenz " (1989), p . 464–465.
Revised: Gleijeses, The Agrarian Reform of Jacobo Arbenz " (1989), p . 464–465.
Edit intent: fluency
Original: Gleijeses, '' The Agrarian Reform of Jacobo Arbenz " (1989), p . 464–465.
Revised: Gleijeses, '' The Agrarian Reform of Jacobo Arbenz (1989), p . 464–465.
Edit intent: fluency
Original: Gleijeses, '' The Agrarian Reform of Jacobo Arbenz " (1989), p . 464–465.
Revised: Gleijeses, '' The Agrarian Reform of Jacobo Arbenz " (1989), pp . 464–465.
Edit intent: fluency
Original: Handy, " The Most Precious Fruit of the Revolution " (1988) pp. 694–695.
Revised: Handy, The Most Precious Fruit of the Revolution " (1988) pp. 694–695.
Edit intent: fluency
Original: Handy, " The Most Precious Fruit of the Revolution " (1988) pp. 694–695.
Revised: Handy, " The Most Precious Fruit of the Revolution (1988) pp. 694–695.
Edit intent: fluency
Original: Handy, " The Most Precious Fruit of the Revolution " (1988) p . 701–704.
Revised: Handy, The Most Precious Fruit of the Revolution " (1988) p . 701–704.
Edit intent: fluency
Original: Handy, " The Most Precious Fruit of the Revolution " (1988) p . 701–704.
Revised: Handy, " The Most Precious Fruit of the Revolution (1988) p . 701–704.
Edit intent: fluency
Original: Handy, " The Most Precious Fruit of the Revolution " (1988) p . 701–704.
Revised: Handy, " The Most Precious Fruit of the Revolution " (1988) pp . 701–704.
Edit intent: fluency
Original: Decree 900 (), also called the Agrarian Reform Law, was a Guatemalan land reform law passed on June 17, 1952, during the Guatemalan Revolution.
Revised: Decree 900 (), also called the Agrarian Reform Law, was a Guatemalan land-reform law passed on June 17, 1952, during the Guatemalan Revolution.
Edit intent: fluency
Original:  It redistributed unused lands of sizes greater than 224 acres (0.902 km²) to local peasants, compensating landowners with government bonds.
Revised:  It redistributed unused land greater than in area to local peasants, compensating landowners with government bonds.
Edit intent: clarity
Original:  Land from at most 1,700 estates was redistributed to about 500,000 families— one sixth of the country's population.
Revised:  Land from at most 1,700 estates was redistributed to about 500,000 families— one-sixth of the country's population.
Edit intent: fluency
Original:  Although in force for only eighteen months, the law had a major effect on the Guatemalan land reform movement.
Revised:  Although in force for only eighteen months, the law had a major effect on the Guatemalan land-reform movement.
Edit intent: fluency
Original:  Decree 900 was thus a direct impetus for the 1954 coup d'état  which deposed Árbenz and instigated decades of Civil War .
Revised:  Decree 900 was thus a direct impetus for the 1954 coup d'état , which deposed Árbenz and instigated decades of Civil War .
Edit intent: fluency
Original:  Decree 900 was thus a direct impetus for the 1954 coup d'état  which deposed Árbenz and instigated decades of Civil War .
Revised:  Decree 900 was thus a direct impetus for the 1954 coup d'état which deposed Árbenz and instigated decades of civil war .
Edit intent: fluency
Original: Decree 900 (), also called the Agrarian Reform Law, was a Guatemalan land-reform law passed on June 17, 1952, during the Guatemalan Revolution.
Revised: Decree 900 (), also known as the Agrarian Reform Law, was a Guatemalan land-reform law passed on June 17, 1952, during the Guatemalan Revolution.
Edit intent: fluency
Original: Legislation Árbenz began promoting agrarian reform soon after becoming President .
Revised: Legislation Árbenz began promoting agrarian reform soon after becoming president .
Edit intent: fluency
Original:  In 1953 Árbenz announced that under the Agrarian Reform Law—specifically, because of an order made by the DAN—Guatemala was expropriating approximately 234,000 acres (947 km ) of uncultivated land from the United Fruit Company.
Revised:  In 1953 Árbenz announced that under the Agrarian Reform Law—specifically, because of an order made by the DAN—Guatemala was expropriating approximately 234,000 acres (947 km2 ) of uncultivated land from the United Fruit Company.
Edit intent: clarity
Original:  United Fruit owned in Guatemala, 42\% of the nation ’ s (arable) land.
Revised:  United Fruit owned in Guatemala, 42\% of the nation ' s (arable) land.
Edit intent: fluency
Original: LaFeber, Inevitable Revolutions (1993), p. 76. Repeal Armas became President on 8 July.
Revised: LaFeber, Inevitable Revolutions (1993), p. 76. Repeal Armas became president on 8 July.
Edit intent: fluency
Original: Proponents of the law stated that it was intended to “eliminate all feudal type property...especially work-servitude and the remnant of slavery . ”  LaFeber, Inevitable Revolutions (1993), p. 118;
Revised: Proponents of the law stated that it was intended to “eliminate all feudal type property...especially work-servitude and the remnant of slavery ” LaFeber, Inevitable Revolutions (1993), p. 118;
Edit intent: fluency
Original: Proponents of the law stated that it was intended to “eliminate all feudal type property...especially work-servitude and the remnant of slavery . ”  LaFeber, Inevitable Revolutions (1993), p. 118;
Revised: Proponents of the law stated that it was intended to “eliminate all feudal type property...especially work-servitude and the remnant of slavery . ” . LaFeber, Inevitable Revolutions (1993), p. 118;
Edit intent: fluency
Original:  Land from at most 1,700 estates was redistributed to about 100,000 families or around 500,000 Guatemalans .
Revised:  Land from at most 1,700 estates was redistributed to about 500,000 Guatemalans .
Edit intent: clarity
Original:  However, redistribution angered major landowners— including the United Fruit Company —and the United States , which construed Guatemala's land reform as a communistthreat .
Revised:  However, redistribution angered major landowners— including the United Fruit Company —and the United States government to intervene by construing the Guatemalan government as communist .
Edit intent: clarity
Original: Ashutosh Phatak is an Indian rock artist and composerand one of the founders of the popular music venue blueFROG. He has composed background scores for many films including HELP, White Noise, Snip!, Bombay Boys, Zubaan and Whispers, and has released three albums: Sigh of an Angel, The Psychic Plumber and Other Lies and The Petri Dish Project  . Early life and career beginnings Phatak has a dual  degree in Economics and Western Classical Music Theory from the University of Pennsylvania  .
Revised: Ashutosh Phatak is a composer, producer, multi-instrumentalist and entrepreneur based in Mumbai. He is one of the founders of the popular music venue blueFROG. He has composed background scores for many films including HELP, White Noise, Snip!, Bombay Boys, Zubaan and Whispers, and has released three albums: Sigh of an Angel, The Psychic Plumber and Other Lies and The Petri Dish Project . Early life and career beginnings Phatak has a dual degree in Economics and Western Classical Music Theory from the University of Pennsylvania .
Edit intent: coherence
Original:  Music career One of the leading figures in Indian contemporary music , Ashu (as he is popularly known)has been a much-sought-after composer and producer for the past 15 years.
Revised:  Career Composer One of the leading figures in Indian contemporary music , Ashu (as he is popularly known)has been a much-sought-after composer and producer for the past 15 years.
Edit intent: clarity
Original:   Business ventures In 2007, Phatak co-founded the    live music venue blueFROG in Mumbai and Delhi, slog side composer-musicians Dhruv Ghanekar, film director Mahesh Mathai, film producer Srila Chatterjee and fund manager Simran Mulchandani.
Revised:  Phatak was also instrumental in the success of the award-winning album Inside my Head with Vivienne Pocha. Pocha’s debut album was a between her fantastic vocals and Phatak’s brilliant songwriting. Written and produced by Phatak, Inside my Head was completed in three weeks, and conceptually takes the listener on a tour of Pocha's life as she transforms herself from a vocalist to an artist. In 2007, Phatak co-founded the live music venue blueFROG in Mumbai and Delhi, slog side composer-musicians Dhruv Ghanekar, film director Mahesh Mathai, film producer Srila Chatterjee and fund manager Simran Mulchandani.
Edit intent: coherence
Original:     In 2013, Phatak found the True School of Music       , a professional music academy in Mumbai.
Revised:  The True School of Music In 2013, Phatak found the True School of Music , a professional music academy in Mumbai.
Edit intent: coherence
Original:  This creative partnership lead to composing the music for films like Tamanna (1998), Bombay Boys (1998), Snip! (2000), White Noise (2004), Broken Thread (2007), MP3: Mera Phela Pehla Pyaar (2007), The Whisperers (2009) and HELP (2010).
Revised:  This creative partnership lead to composing the music for films like Tamanna (1998), Bombay Boys (1998), Snip! (2000), White Noise (2004), Broken Thread (2007), MP3: Mera Pehla Pehla Pyaar (2007), The Whisperers (2009) and HELP (2010).
Edit intent: fluency
Original: Simultaneously, Phatak composed music for TV serials and commercials, and re-congregated his previous band to form Orphean Revival ( 1993-95 ).
Revised: Simultaneously, Phatak composed music for TV serials and commercials, and re-congregated his previous band to form Orphean Revival ( 1993–95 ).
Edit intent: fluency
Original:  The band was a staple at the early years of Mumbai ’ s renowned music festival: Independence Rock.
Revised:  The band was a staple at the early years of Mumbai ' s renowned music festival: Independence Rock.
Edit intent: fluency
Original:  Hollywood Reporter referred to Phatak ’ s music for the documentary as "effective and graceful music adding to the power and poignancy of the theme".
Revised:  Hollywood Reporter referred to Phatak ' s music for the documentary as "effective and graceful music adding to the power and poignancy of the theme".
Edit intent: fluency
Original:  He and Ghanekar released the Smoke Signals (2008), an album that has been in the making for 8 years, and one that features the duo ’ s hit songs from their films.
Revised:  He and Ghanekar released the Smoke Signals (2008), an album that has been in the making for 8 years, and one that features the duo ' s hit songs from their films.
Edit intent: fluency
Original:  2008 also saw the release of Phatak ’ s debut solo album Sigh of an Angel where he collaborated with Australian artist Aurora Jane, acclaimed jazz guitarist Sanjay Divecha, Ghanekar, drummer Lindsay D'mello and singers Vivienne Pocha and Carolisa Monteiro.
Revised:  2008 also saw the release of Phatak ' s debut solo album Sigh of an Angel where he collaborated with Australian artist Aurora Jane, acclaimed jazz guitarist Sanjay Divecha, Ghanekar, drummer Lindsay D'mello and singers Vivienne Pocha and Carolisa Monteiro.
Edit intent: fluency
Original:  Pocha ’ s debut album was a between her fantastic vocals and Phatak ’ s brilliant songwriting.
Revised:  Pocha ' s debut album was a between her fantastic vocals and Phatak ’ s brilliant songwriting.
Edit intent: fluency
Original:  Pocha ’ s debut album was a between her fantastic vocals and Phatak ’ s brilliant songwriting.
Revised:  Pocha ’ s debut album was a between her fantastic vocals and Phatak ' s brilliant songwriting.
Edit intent: fluency
Original:  Also renowned for his on-stage energy, Phatak has performed at some of India ’ s most popular festivals including the Mahindra Blues Festival, Sulafest, NH7 Weekender, Sunburn as well as international festivals such as South by South West (SXSW).
Revised:  Also renowned for his on-stage energy, Phatak has performed at some of India ' s most popular festivals including the Mahindra Blues Festival, Sulafest, NH7 Weekender, Sunburn as well as international festivals such as South by South West (SXSW).
Edit intent: fluency
Original:  Since its inception, it has been India ’ s first multi-disciplinary, comprehensive music school that offers a range of courses.
Revised:  Since its inception, it has been India ' s first multi-disciplinary, comprehensive music school that offers a range of courses.
Edit intent: fluency
Original:  Creating world-class courses has meant that the school has formed meaningful collaborations with acclaimed international educational institutes such as New York ’ s Manhattan School of Music and London ’ s Academy of Contemporary Music (ACM).
Revised:  Creating world-class courses has meant that the school has formed meaningful collaborations with acclaimed international educational institutes such as New York ' s Manhattan School of Music and London ’ s Academy of Contemporary Music (ACM).
Edit intent: fluency
Original:  Creating world-class courses has meant that the school has formed meaningful collaborations with acclaimed international educational institutes such as New York ’ s Manhattan School of Music and London ’ s Academy of Contemporary Music (ACM).
Revised:  Creating world-class courses has meant that the school has formed meaningful collaborations with acclaimed international educational institutes such as New York ’ s Manhattan School of Music and London ' s Academy of Contemporary Music (ACM).
Edit intent: fluency
Original:  Faculty members from these renowned have formed a part of The True School ’ s teaching staff.
Revised:  Faculty members from these renowned have formed a part of The True School ' s teaching staff.
Edit intent: fluency
Original:  Within a short span of time, the school has produced talented musicians and sound engineers, to cater to the industry ’ s growing demand for quality talent.
Revised:  Within a short span of time, the school has produced talented musicians and sound engineers, to cater to the industry ' s growing demand for quality talent.
Edit intent: fluency
Original:  The True School has also curated the sixth subject curriculum for some of Mumbai ’ s more prestigious ICSE schools.
Revised:  The True School has also curated the sixth subject curriculum for some of Mumbai ' s more prestigious ICSE schools.
Edit intent: fluency
Original:  His role in creating music spaces and related eco-systems in Mumbai, and by extension, India, has catalysed the expansion of the live music scene in the country.
Edit intent: coherence
Original:  A highly sought-after composer in advertising and films, Phatak has composed music for over 3000 television commercials, soundtracks for over 10 feature films, and released over 15 contemporary music albums.
Revised:  Phatak has composed music for over 3000 television commercials, soundtracks for over 10 feature films, and released over 15 contemporary music albums.
Edit intent: clarity
Original:  He composed a score for acclaimed designers Abu Jani and Sandeep Khosla, and this was again performed at the Femina Miss India contest later in the year.
Revised:  He composed a score for designers Abu Jani and Sandeep Khosla, and this was again performed at the Femina Miss India contest later in the year.
Edit intent: clarity
Original:  Also renowned for his on-stage energy, Phatak has performed at some of India's most popular festivals including the Mahindra Blues Festival, Sulafest, NH7 Weekender, Sunburn as well as international festivals such as South by South West (SXSW).
Edit intent: coherence
Original:  Set in a refurbished textile mill, the arrival of blueFROG changed the Mumbai live music scene by giving budding and established musicians, a space to jam, record and perform original works across genres.
Edit intent: coherence
Original:  Following this, the user is given real time%DIFDELCMD < %DIFDELCMD < %%% detailed feedback of their singing, thus creating an engaging environment to learn and hone one's vocal skills.
Revised:  Following this, the user is given real time%DIFDELCMD < %DIFDELCMD < %%% 
Edit intent: clarity
Original:  The Quarter Phatak joined acclaimed musician Ranjit Barot, businessman Nakul Toshniwal, and restaurateur Nico Goghavala to form The Quarter, nestled within the newly restored Royal Opera House in Mumbai.
Revised:  The Quarter Phatak joined musician Ranjit Barot, businessman Nakul Toshniwal, and restaurateur Nico Goghavala to form The Quarter, nestled within the newly restored Royal Opera House in Mumbai.
Edit intent: clarity
Original:  The Quarter Phatak joined acclaimed musician Ranjit Barot, businessman Nakul Toshniwal, and restaurateur Nico Goghavala to form The Quarter, nestled within the newly restored Royal Opera House in Mumbai.
Revised:  The Quarter Phatak joined acclaimed musician Ranjit Barot, businessman Nakul Toshniwal, and restaurateur Nico Goghavala to form The Quarter, within the newly restored Royal Opera House in Mumbai.
Edit intent: clarity
Original: %DIFDELCMD < %DIFDELCMD < %%% Other work As an engaging orator recognised for his work as a musician, music entrepreneur and educator, Phatak has been invited to conduct seminars and talks about the workings of the Indian music industry and his experiences with it.
Revised: %DIFDELCMD < %DIFDELCMD < %%% As an engaging orator recognised for his work as a musician, music entrepreneur and educator, Phatak has been invited to conduct seminars and talks about the workings of the Indian music industry and his experiences with it.
Edit intent: clarity
Original:  It is defined as “ the dispersal of contaminated altered genes from genetically engineered organisms to natural organisms, esp. by cross-pollination ” , but has come to be used in some broader ways.
Revised:  It is defined as " the dispersal of contaminated altered genes from genetically engineered organisms to natural organisms, esp. by cross-pollination ” , but has come to be used in some broader ways.
Edit intent: fluency
Original:  It is defined as “ the dispersal of contaminated altered genes from genetically engineered organisms to natural organisms, esp. by cross-pollination ” , but has come to be used in some broader ways.
Revised:  It is defined as “ the dispersal of contaminated altered genes from genetically engineered organisms to natural organisms, esp. by cross-pollination " , but has come to be used in some broader ways.
Edit intent: fluency
Original:  The use of the word “pollution” is meant to convey the idea that mixing genetic information is bad for the environment, but because the mixing of genetic information can lead to a variety of outcomes, “pollution” may not always be the most accurate descriptor.
Revised:  The use of the word "pollution" is meant to convey the idea that mixing genetic information is bad for the environment, but because the mixing of genetic information can lead to a variety of outcomes, “pollution” may not always be the most accurate descriptor.
Edit intent: fluency
Original:  The use of the word “pollution” is meant to convey the idea that mixing genetic information is bad for the environment, but because the mixing of genetic information can lead to a variety of outcomes, “pollution” may not always be the most accurate descriptor.
Revised:  The use of the word “pollution” is meant to convey the idea that mixing genetic information is bad for the environment, but because the mixing of genetic information can lead to a variety of outcomes, "pollution" may not always be the most accurate descriptor.
Edit intent: fluency
Original:  GeneSafe technologies introduced a method that became known as “Terminator.”
Revised:  GeneSafe technologies introduced a method that became known as "Terminator."
Edit intent: fluency
Original:  Environmentalist perspectives The use of the word “pollution” in the term genetic pollution has a deliberate negative connotation and is meant to convey the idea that mixing genetic information is bad for the environment.
Revised:  Environmentalist perspectives The use of the word "pollution" in the term genetic pollution has a deliberate negative connotation and is meant to convey the idea that mixing genetic information is bad for the environment.
Edit intent: fluency
Original:  However, because the mixing of genetic information can lead to a variety of outcomes, “pollution” may not be the most accurate descriptor.
Revised:  However, because the mixing of genetic information can lead to a variety of outcomes, "pollution" may not be the most accurate descriptor.
Edit intent: fluency
Original:  Gene flow is undesirable according to some environmentalists and conservationists, including groups such as Greenpeace, TRAFFIC, and GeneWatch UK  GE agriculture and genetic pollution web article hosted by Greenpeace.org Patrick Moore has questioned whether the term "genetic pollution" is more political than scientific.
Revised:  Gene flow is undesirable according to some environmentalists and conservationists, including groups such as Greenpeace, TRAFFIC, and GeneWatch UK . GE agriculture and genetic pollution web article hosted by Greenpeace.org Patrick Moore has questioned whether the term "genetic pollution" is more political than scientific.
Edit intent: fluency
Original: "[2]Thus, using the term “genetic pollution” is inherently political.
Revised: "[2]Thus, using the term "genetic pollution" is inherently political.
Edit intent: fluency
Original:  However, because genetic mixing can also lead to fitness recovery in cases that could be described as “genetic rescue” , it is important to distinguish that just mixing genes from introduced into native populations can lead to variable outcomes for the fitness of native populations.
Revised:  However, because genetic mixing can also lead to fitness recovery in cases that could be described as "genetic rescue" , it is important to distinguish that just mixing genes from introduced into native populations can lead to variable outcomes for the fitness of native populations.
Edit intent: fluency
Original:  Political perspectives The term "genetic pollution" and "genetic admixture" is also used in idealogical arguments by black supremacists in relation to mixing of ethnic groups within multi-cultural populations
Revised:  Political perspectives The term "genetic pollution" and "genetic admixture" is also used in ideological arguments by black supremacists in relation to mixing of ethnic groups within multi-cultural populations
Edit intent: clarity