wanyu/IteraTeR_v2 huggingface dataset:
Original:  He spent his childhood and adolescent years in the town of Kutulik, where the family lived in a room of the teachers ’ barracks, a log house that in earlier days had been a “forwarding point,” the last place that prisoners would spend the night on their way to labor camps.
Revised:  He spent his childhood and adolescent years in the town of Kutulik, where the family lived in a room of the teachers ' barracks, a log house that in earlier days had been a “forwarding point,” the last place that prisoners would spend the night on their way to labor camps.
Edit intent: fluency
Original:  He spent his childhood and adolescent years in the town of Kutulik, where the family lived in a room of the teachers ’ barracks, a log house that in earlier days had been a “forwarding point,” the last place that prisoners would spend the night on their way to labor camps.
Revised:  He spent his childhood and adolescent years in the town of Kutulik, where the family lived in a room of the teachers ’ barracks, a log house that in earlier days had been a "forwarding point", the last place that prisoners would spend the night on their way to labor camps.
Edit intent: fluency
Original:  University and the Beginning of a Career in Writing In 1955 Vampilov moved to Irkutsk and enrolled in the university.
Revised:  University and early writing career In 1955 Vampilov moved to Irkutsk and enrolled in the university.
Edit intent: clarity
Original:  Staging Vampilov Eventually Vampilov emerged as one of the principal figures in the generation of dramatists who came to prominence following the death of Stalin.
Revised:  Theatrical career Eventually Vampilov emerged as one of the principal figures in the generation of dramatists who came to prominence following the death of Stalin.
Edit intent: clarity
Original:  The Last Years In 1970 Vampilov participated in a seminar for young playwrights in Dubulty and a seminar for young writers in Yalta.
Revised:  The Last Years In 1970 Vampilov participated in a seminar for young playwrights in Dubulti and a seminar for young writers in Yalta.
Edit intent: fluency
Original:  Although he persistently spoke of his wish to return to prose, to write a novel, to start afresh, in the summer Vampilov began composing another dramatic piece, a “vaudeville,” The Incomparable Nakonechnikov (Несравненный Наконечников).
Revised:  Although he persistently spoke of his wish to return to prose, to write a novel, to start afresh, in the summer Vampilov began composing another dramatic piece, a "vaudeville", The Incomparable Nakonechnikov (Несравненный Наконечников).
Edit intent: fluency
Original:  August 19 , 1972 , was Aleksandr Vampilov's thirty-fifth birthday.
Revised:  August 19 August 1972 , was Aleksandr Vampilov's thirty-fifth birthday.
Edit intent: clarity
Original:  August 19 , 1972 , was Aleksandr Vampilov's thirty-fifth birthday.
Revised:  August 19 , 1972 would have been Aleksandr Vampilov's thirty-fifth birthday.
Edit intent: clarity
Original:  He decided to treat the guests invited to join in celebrating the occasion to ukha, a soup made with fresh fish.
Revised:  He decided to treat his invited guests invited to join in celebrating the occasion to ukha, a soup made with fresh fish.
Edit intent: clarity
Original:  He decided to treat the guests invited to join in celebrating the occasion to ukha, a soup made with fresh fish.
Revised:  He decided to treat the guests invited to ukha, a soup made with fresh fish.
Edit intent: clarity
Original:  Therefore , he went fishing with a friend on Lake Baikal on August 17.
Revised:  In preparation , he went fishing with a friend on Lake Baikal on August 17.
Edit intent: coherence
Original: Ovcharenko, Aleksandr, “ Драматургическая сага: Пьесы Александра Вампилова ,” Молодая гвардия, 6 (1985), 256.
Revised: Ovcharenko, Aleksandr, " Драматургическая сага: Пьесы Александра Вампилова ,” Молодая гвардия, 6 (1985), 256.
Edit intent: fluency
Original: Ovcharenko, Aleksandr, “ Драматургическая сага: Пьесы Александра Вампилова ,” Молодая гвардия, 6 (1985), 256.
Revised: Ovcharenko, Aleksandr, “ Драматургическая сага: Пьесы Александра Вампилова ", Молодая гвардия, 6 (1985), 256.
Edit intent: fluency
Original: Rasputin, Valentin, “ Истины Александра Вампилова ,” Сибирь, 4 (1977), 66. Vampilov's companion, the Irkutsk writer, Gleb Pakulov, described later how he seized hold of the overturned boat, but Vampilov, an excellent swimmer, swam towards the shore.
Revised: Rasputin, Valentin, " Истины Александра Вампилова ,” Сибирь, 4 (1977), 66. Vampilov's companion, the Irkutsk writer, Gleb Pakulov, described later how he seized hold of the overturned boat, but Vampilov, an excellent swimmer, swam towards the shore.
Edit intent: fluency
Original: Rasputin, Valentin, “ Истины Александра Вампилова ,” Сибирь, 4 (1977), 66. Vampilov's companion, the Irkutsk writer, Gleb Pakulov, described later how he seized hold of the overturned boat, but Vampilov, an excellent swimmer, swam towards the shore.
Revised: Rasputin, Valentin, “ Истины Александра Вампилова ", Сибирь, 4 (1977), 66. Vampilov's companion, the Irkutsk writer, Gleb Pakulov, described later how he seized hold of the overturned boat, but Vampilov, an excellent swimmer, swam towards the shore.
Edit intent: fluency
Original:  The memorial sign at the place of death Vampilov the Man There are many memoirs about Vampilov by his friends and colleagues, and several by relatives and teachers.
Revised:  Vampilov the Man There are many memoirs about Vampilov by his friends and colleagues, and several by relatives and teachers.
Edit intent: clarity
Original:  The memorial sign at the place of death Vampilov the Man There are many memoirs about Vampilov by his friends and colleagues, and several by relatives and teachers.
Revised:  The memorial sign at the place of death Personality There are many memoirs about Vampilov by his friends and colleagues, and several by relatives and teachers.
Edit intent: clarity
Original:  He was able to listen and he was able to speak precisely, interestingly and dependent on no one, which compelled everyone to listen to him. ...
Revised:  He was able to listen and he was able to speak precisely, interestingly and dependent on no one, which compelled everyone to listen to him. 
Edit intent: fluency
Original: %DIFDELCMD < ] %%% In Sasha that which they call inner tact was wonderfully developed and organized, and this concept includes taste, measure, harmony, the balance, gentleness, boldness and musicality of the human soul. ...
Revised: %DIFDELCMD < ] %%% ...
Edit intent: coherence
Original: %DIFDELCMD < ] %%% In Sasha that which they call inner tact was wonderfully developed and organized, and this concept includes taste, measure, harmony, the balance, gentleness, boldness and musicality of the human soul. ...
Revised: %DIFDELCMD < ] %%% In Sasha that which they call inner tact was wonderfully developed and organized, and this concept includes taste, measure, harmony, the balance, gentleness, boldness and musicality of the human soul. 
Edit intent: fluency
Original: %DIFDELCMD < ] %DIFDELCMD < %%% It would be a pity if someone ...
Revised: %DIFDELCMD < ] %DIFDELCMD < %%% ...
Edit intent: coherence
Original: %DIFDELCMD < ] %DIFDELCMD < %%% It would be a pity if someone ...
Revised: %DIFDELCMD < ] %DIFDELCMD < %%% It would be a pity if someone 
Edit intent: fluency
Original:  But as a man, living among us and being our friend, he was a rare person, the best among us. ...
Revised:  But as a man, living among us and being our friend, he was a rare person, the best among us. 
Edit intent: fluency
Original:  Several times the adjectives “boyish” and “childlike” appear in the memoirs to describe Vampilov's behavior or his smile.
Revised:  Several times the adjectives "boyish" and "childlike" appear in the memoirs to describe Vampilov's behavior or his smile.
Edit intent: fluency
Original:  Biographers note that Vampilov never parted from his guitar  and Simukov says that Vampilov played the guitar “strikingly” ;
Revised:  Biographers note that Vampilov never parted from his guitar , and Simukov says that Vampilov played the guitar “strikingly” ;
Edit intent: fluency
Original:  Biographers note that Vampilov never parted from his guitar  and Simukov says that Vampilov played the guitar “strikingly” ;
Revised:  Biographers note that Vampilov never parted from his guitar and Simukov says that Vampilov played the guitar "strikingly" ;
Edit intent: fluency
Original:  His mother writes that he read a lot, and she lists Pushkin, Lermontov, Chekhov, Esenin, and Tolstoy  .
Revised:  His mother writes that he read a lot, and she lists Pushkin, Lermontov, Chekhov, Esenin, and Tolstoy among his reading matter .
Edit intent: clarity
Original:  Dmitri Sergeev tells us that Vampilov knew dramawell , both Russian and world drama, both contemporary and past and likewise had a broad knowledge of poetry, with a particular fondness for the verses of Tyutchev.
Revised:  Dmitri Sergeev tells us that Vampilov was familiar with a wide range of drama , both Russian and world drama, both contemporary and past and likewise had a broad knowledge of poetry, with a particular fondness for the verses of Tyutchev.
Edit intent: clarity
Original:  Dmitri Sergeev tells us that Vampilov knew dramawell , both Russian and world drama, both contemporary and past and likewise had a broad knowledge of poetry, with a particular fondness for the verses of Tyutchev.
Revised:  Dmitri Sergeev tells us that Vampilov knew dramawell , both Russian and international, and contemporary and histprical; and likewise had a broad knowledge of poetry, with a particular fondness for the verses of Tyutchev.
Edit intent: clarity
Original: Kalish, V., “ Двое в городе ,” Театральная жизнь, 11 (1987), 27. From these accounts it is clear that Vampilov had numerous and varied sources to draw on for inspiration.
Revised: Kalish, V., " Двое в городе ,” Театральная жизнь, 11 (1987), 27. From these accounts it is clear that Vampilov had numerous and varied sources to draw on for inspiration.
Edit intent: fluency
Original: Kalish, V., “ Двое в городе ,” Театральная жизнь, 11 (1987), 27. From these accounts it is clear that Vampilov had numerous and varied sources to draw on for inspiration.
Revised: Kalish, V., “ Двое в городе ", Театральная жизнь, 11 (1987), 27. From these accounts it is clear that Vampilov had numerous and varied sources to draw on for inspiration.
Edit intent: fluency
Original:  Works Farewell in June (Прощание в июне) (1966, rewritten 1970) The Elder Son (Старший сын) (1967) House, Overlooking the Field (Дом окнами в поле) Provincial Anecdotes (Провинциальные анекдоты) (1968, comprising the one-act plays An Incident with a Paginator (Случай с метранпажем) and Twenty Minutes with an Angel (Двадцать минут с ангелом)) Duck Hunting (Утиная охота) (1970) Last Summer in Chulimsk (Прошлым летом в Чулимске) (1972) “ Прогулки по Кутулику .”
Revised:  Works Farewell in June (Прощание в июне) (1966, rewritten 1970) The Elder Son (Старший сын) (1967) House, Overlooking the Field (Дом окнами в поле) Provincial Anecdotes (Провинциальные анекдоты) (1968, comprising the one-act plays An Incident with a Paginator (Случай с метранпажем) and Twenty Minutes with an Angel (Двадцать минут с ангелом)) Duck Hunting (Утиная охота) (1970) Last Summer in Chulimsk (Прошлым летом в Чулимске) (1972) " Прогулки по Кутулику .”
Edit intent: clarity
Original:  Works Farewell in June (Прощание в июне) (1966, rewritten 1970) The Elder Son (Старший сын) (1967) House, Overlooking the Field (Дом окнами в поле) Provincial Anecdotes (Провинциальные анекдоты) (1968, comprising the one-act plays An Incident with a Paginator (Случай с метранпажем) and Twenty Minutes with an Angel (Двадцать минут с ангелом)) Duck Hunting (Утиная охота) (1970) Last Summer in Chulimsk (Прошлым летом в Чулимске) (1972) “ Прогулки по Кутулику .”
Revised:  Works Farewell in June (Прощание в июне) (1966, rewritten 1970) The Elder Son (Старший сын) (1967) House, Overlooking the Field (Дом окнами в поле) Provincial Anecdotes (Провинциальные анекдоты) (1968, comprising the one-act plays An Incident with a Paginator (Случай с метранпажем) and Twenty Minutes with an Angel (Двадцать минут с ангелом)) Duck Hunting (Утиная охота) (1970) Last Summer in Chulimsk (Прошлым летом в Чулимске) (1972) “ Прогулки по Кутулику ".
Edit intent: fluency
Original:  Пьесы. Москва: Советский писатель, 1977.
Revised:  Пьесы. Москва: Советский писатель, 1977
Edit intent: clarity
Original:  Москва: Современник, 1979.
Revised:  Москва: Современник, 1979
Edit intent: fluency
Original:  Иркутск: Восточно-Сибирское книжное издательство, 1982.
Revised:  Иркутск: Восточно-Сибирское книжное издательство, 1982
Edit intent: clarity
Original:  2nd ed. Москва: Искусство, 1984.
Revised:  2nd ed. Москва: Искусство, 1984
Edit intent: fluency
Original:  Москва: Советская Россия, 1988.
Revised:  Москва: Советская Россия, 1988
Edit intent: fluency
Original:  Москва: Согласие, 1999.
Revised:  Москва: Согласие, 1999
Edit intent: fluency
Original:  Moscow: Progress, 1977. 467– 542.
Revised:  Moscow: Progress, 1977. 467– 542
Edit intent: fluency
Original:  Soviet Literature 3 (1980), 140– 48.
Revised:  Soviet Literature 3 (1980), 140– 48
Edit intent: fluency
Original:  Moscow: Raduga, n.d., 282– 323.
Revised:  Moscow: Raduga, n.d., 282– 323
Edit intent: fluency
Original:  St. Lucia: University of Queensland Press, 1983.
Revised:  St. Lucia: University of Queensland Press, 1983
Edit intent: fluency
Original:  Nottingham: Bramcote Press, 1994.
Revised:  Nottingham: Bramcote Press, 1994
Edit intent: clarity
Original:  Newark, NJ: Harwood Academic Publishers, 1996.
Revised:  Newark, NJ: Harwood Academic Publishers, 1996
Edit intent: fluency
Original:  Bibliography Farber, Vreneli, Aleksandr Vampilov: An Ironic Observer (New York: Peter Lang, 2001) Farber, Vreneli, The Prose of Aleksandr Vampilov (New York: Peter Lang, 2003) Streltsova, Elena, Плен утиной охоты (Иркутск: Издание ГП “ Иркутская областная типография No. 1 ,” 1998) [Biography and analysis of Vampilov's works] Elizarova, E. D., comp.
Revised:  Bibliography Farber, Vreneli, Aleksandr Vampilov: An Ironic Observer (New York: Peter Lang, 2001) Farber, Vreneli, The Prose of Aleksandr Vampilov (New York: Peter Lang, 2003) Streltsova, Elena, Плен утиной охоты (Иркутск: Издание ГП " Иркутская областная типография No. 1 ,” 1998) [Biography and analysis of Vampilov's works] Elizarova, E. D., comp.
Edit intent: fluency
Original:  Bibliography Farber, Vreneli, Aleksandr Vampilov: An Ironic Observer (New York: Peter Lang, 2001) Farber, Vreneli, The Prose of Aleksandr Vampilov (New York: Peter Lang, 2003) Streltsova, Elena, Плен утиной охоты (Иркутск: Издание ГП “ Иркутская областная типография No. 1 ,” 1998) [Biography and analysis of Vampilov's works] Elizarova, E. D., comp.
Revised:  Bibliography Farber, Vreneli, Aleksandr Vampilov: An Ironic Observer (New York: Peter Lang, 2001) Farber, Vreneli, The Prose of Aleksandr Vampilov (New York: Peter Lang, 2003) Streltsova, Elena, Плен утиной охоты (Иркутск: Издание ГП “ Иркутская областная типография No. 1 ", 1998) [Biography and analysis of Vampilov's works] Elizarova, E. D., comp.
Edit intent: fluency
Original:  Александр Валентинович Вампилов: Библиографический Указатель, ed. L. A. Kazantseva and M.D. Sergeev (Иркутск:Редакционно-издательский отдел упрполиграфиздата, 1989) [Bibliographical index covering 1958-1986. ] Zhikhareva, T. D., comp.
Revised:  Александр Валентинович Вампилов: Библиографический Указатель, ed. L. A. Kazantseva and M.D. Sergeev (Иркутск:Редакционно-издательский отдел упрполиграфиздата, 1989) [Bibliographical index covering 1958–1986. ] Zhikhareva, T. D., comp.
Edit intent: clarity
Original:  Александр Валентинович Вампилов: Библиографический Указатель, ed. L. A. Kazantseva (Иркутск: Изд-во Иркутской областной публичной библиотеки имени И.И. Молчанова-Сибирского, 2000) [Bibliographical index covering 1987-1997. ] Miles, Patrick.
Revised:  Александр Валентинович Вампилов: Библиографический Указатель, ed. L. A. Kazantseva (Иркутск: Изд-во Иркутской областной публичной библиотеки имени И.И. Молчанова-Сибирского, 2000) [Bibliographical index covering 1987–1997. ] Miles, Patrick.
Edit intent: clarity
Original:  “ Duck Hunting by Alexander Vampilov .” International Dictionary of Theatre: Plays.
Revised:  " Duck Hunting by Alexander Vampilov .” International Dictionary of Theatre: Plays.
Edit intent: fluency
Original:  “ Duck Hunting by Alexander Vampilov .” International Dictionary of Theatre: Plays.
Revised:  “ Duck Hunting by Alexander Vampilov ". International Dictionary of Theatre: Plays.
Edit intent: fluency
Original:  “ Aleksandr Vampilov: A Playwright Whose Time Is Now .” British East-West Journal 99 (December 1994): 7–8. Miles, Patrick.
Revised:  " Aleksandr Vampilov: A Playwright Whose Time Is Now .” British East-West Journal 99 (December 1994): 7–8. Miles, Patrick.
Edit intent: fluency
Original:  “ Aleksandr Vampilov: A Playwright Whose Time Is Now .” British East-West Journal 99 (December 1994): 7–8. Miles, Patrick.
Revised:  “ Aleksandr Vampilov: A Playwright Whose Time Is Now ". British East-West Journal 99 (December 1994): 7–8. Miles, Patrick.
Edit intent: fluency
Original:  “Vampilov.”
Revised:  "Vampilov".
Edit intent: fluency
Original:  His father, Valentin Nikitich, was of Buryat ancestry, and his mother, Anastasia Prokopievna was Russian, daughter of Russian Orthodox Church priest.
Revised:  His father, Valentin Nikitich, was of Buryat ancestry, and his mother, Anastasia Prokopievna was Russian, the daughter of a Russian Orthodox Church priest.
Edit intent: fluency
Original:  His play  Elder Son was first performed in 1969, and became a national success two years later.
Revised:  His play The Elder Son was first performed in 1969, and became a national success two years later.
Edit intent: fluency
Original: Who's who in India, Burma & Ceylon, 1940 pg72 ] He was educated at Rajkumar College, Rajkot , Cheltenham College, Gloucestershire , and Cambridge University.
Revised: Who's who in India, Burma & Ceylon, 1940 pg72 ] He was educated at Rajkumar College, Rajkot , Cheltenham College, Gloucestershire and Cambridge University.
Edit intent: fluency
Original:  He succeeded on the death of his father, 28 June 1954 and inherited the title of Maharana Raj Sahib of Wankaner till the title was abolished by Government of India on 28 December 1971.
Revised:  He took over the title of Maharana Raj Sahib of Wankaner upon the death of his father, 28 June 1954 and inherited the title of Maharana Raj Sahib of Wankaner till the title was abolished by Government of India on 28 December 1971.
Edit intent: clarity
Original:  He succeeded on the death of his father, 28 June 1954 and inherited the title of Maharana Raj Sahib of Wankaner till the title was abolished by Government of India on 28 December 1971.
Revised:  He succeeded on the death of his father, 28 June 1954 and held the title was abolished by Government of India on 28 December 1971.
Edit intent: clarity
Original:  ISBN 978-81-206-1965-4. p. 756.  &  [ 
Revised:  ISBN 978-81-206-1965-4. p. 756. Indian & [ 
Edit intent: fluency
Original:  He receievd Silver Jubilee (1935) and  Coronation Medal (1937), and the Sri Saktimat Makhapraphulla Order of Jhalavad 1st class.
Revised:  He received the Silver Jubilee Medal (1935) and Coronation Medal (1937), and the Sri Saktimat Makhapraphulla Order of Jhalavad 1st class.
Edit intent: fluency
Original:  He receievd Silver Jubilee (1935) and  Coronation Medal (1937), and the Sri Saktimat Makhapraphulla Order of Jhalavad 1st class.
Revised:  He receievd Silver Jubilee (1935) and the Coronation Medal (1937), and the Sri Saktimat Makhapraphulla Order of Jhalavad 1st class.
Edit intent: fluency
Original: Shantilal Soni also referred as S. L. Soni (28 November 1930 -2004 ) was one of noted film director, producer and writer from Bombay.
Revised: Shantilal Soni also referred as S. L. Soni (28 November 1930 – 2004 ) was one of noted film director, producer and writer from Bombay.
Edit intent: fluency
Original: Shantilal Soni also referred as S. L. Soni (28 November 1930 – 2004) was one of noted film director, producer and writer from Bombay.
Revised: Shantilal Soni also referred as S. L. Soni (28 November 1930 – 2004) was a noted film director, producer and writer from Bombay.
Edit intent: clarity
Original:  He has directed more than 22 films  starting his career in 1960 with (Sinhal Dweep Ki Sundari) and last one in 2007 (Aur Pappu Pass Ho Gaya).
Revised:  He has directed more than 22 films , starting his career in 1960 with (Sinhal Dweep Ki Sundari) and last one in 2007 (Aur Pappu Pass Ho Gaya).
Edit intent: fluency
Original:  He was producer of 3 films and  writer of 2 films.
Revised:  He was producer of 3 films and a writer of 2 films.
Edit intent: fluency
Original:   Routledge.
Revised:  New York: Routledge.
Edit intent: clarity
Original: STOPS was proposed to improve four limitations of STP:
Revised: STOPS was proposed to overcome four limitations of STP:
Edit intent: clarity
Original:  The original situational theory uses thee independent variables (problem recognition, constraint recognition, and involvement recognition) to predict the dependent variable of information seeking and processing.
Revised:  The original situational theory uses three independent variables (problem recognition, constraint recognition, and involvement recognition) to predict the dependent variable of information seeking and processing.
Edit intent: fluency
Original:   Further reading Kim, J. N., & Grunig, J. E. (2011).
Revised:  References Further reading Kim, J. N., & Grunig, J. E. (2011).
Edit intent: fluency
Original:  He debuted as a small time actor in the film Shreeram in 2003 and went on to appear in over 100 films.
Revised:  He debuted as a small time actor in the film Shreeram in 2003 and went on to appear in more than 100 films.
Edit intent: fluency
Original: Mithra (Shinu George , born 12 May 1977) is an Indian film actor, stand-up comedian, television actor, producer and entrepreneur, who has mainly worked in Kannada cinema.
Revised: Mithra (Shinu George ; born 12 May 1977) is an Indian film actor, stand-up comedian, television actor, producer and entrepreneur, who has mainly worked in Kannada cinema.
Edit intent: fluency
Original:  Possibly in effort to counter this threatening prospect, male artists have portrayed women readers in various categorical ways.
Edit intent: coherence
Original:  Antoine Wiertz, The Reader of Novels, c. 1853 During the 19th century, for example, amidst a golden age for reading, concerns emerged about women's reading as jeopardizing marital and familial structures.
Revised:  Antoine Wiertz, The Reader of Novels, c. 1853 During the 19th century, amidst a golden age for reading, concerns emerged about women's reading as jeopardizing marital and familial structures.
Edit intent: coherence
Original:  Drawings and illustrations of  time reflected this fear that women would be seduced by books and neglect their domestic duties.
Revised:  Drawings and illustrations of the time reflected this fear that women would be seduced by books and neglect their domestic duties.
Edit intent: fluency
Original:   Vermeer, for example, created numerous works around this subject, including A Woman in Blue Reading a Letter and Girl Reading a Letter at an Open Window.
Revised:  Johannes Vermeer, for example, created numerous works around this subject, including A Woman in Blue Reading a Letter and Girl Reading a Letter at an Open Window.
Edit intent: fluency
Original:  Mary Cassat's piece Family Group Reading is a powerful representation of women readers who demonstrate subjectivity and serious literary engagement.
Revised:  Mary Cassatt's Family Group Reading is a powerful representation of women readers who demonstrate subjectivity and serious literary engagement.
Edit intent: clarity
Original:  See also The Reading ( Fantin-Latour painting)
Revised:  See also The Reading , by Fantin-Latour painting)
Edit intent: coherence
Original:  See also The Reading ( Fantin-Latour painting)
Revised:  See also The Reading ( Fantin-Latour 
Edit intent: clarity