wanyu/IteraTeR_v2 huggingface dataset:
Original:  He currently plays for Glasgow Warriors in the Pro14.
Revised:  He played for Glasgow Warriors in the Pro14.
Edit intent: clarity
Original: Rhetoric of Therapy is a set of political and cultural discourses that have adopted psychotherapy’s lexicon—the conservative language of healing, coping, adaptation, and restoration of previously existing order—but in contexts of sociopolitical conflict.
Revised: Rhetoric of 
Edit intent: clarity
Original:  Rhetoric of therapy is a rhetorical style coined by Dana Cloud.
Revised:  therapy is a rhetorical style coined by Dana Cloud.
Edit intent: clarity
Original:  She defines it as “ a set of political and cultural discourses that have adopted psychotherapy ’ s lexicon—the conservative language of healing, coping, adaptation, and restoration of previously existing order—but in contexts of social and political conflict ” (xiv).
Revised:  She defines it as “ a set of political and cultural discourses that have adopted psychotherapy ' s lexicon—the conservative language of healing, coping, adaptation, and restoration of previously existing order—but in contexts of social and political conflict ” (xiv).
Edit intent: fluency
Original:  Cloud employs the term “rhetoric” because “the discursive pattern of translating social and political problems into the language of individual responsibility and healing is a rhetoric because of its powerful persuasive force ” and the term “therapy” because “ of its focus on the personal life of the individual as locus of both problem and responsibility for change ” (1).
Revised:  Cloud employs the term “rhetoric” because “the discursive pattern of translating social and political problems into the language of individual responsibility and healing is a rhetoric because of its powerful persuasive force ", and it is rhetoric of "therapy" because " of its focus on the personal life of the individual as locus of both problem and responsibility for change ” (1).
Edit intent: clarity
Original:  In short, the twofold function of  rhetoric of therapy is to exhort conformity with the prevailing social order and  to encourage identification with therapeutic values: individualism, familism, self-help, and self-absorption (Cloud 2-3) .
Revised:  In short, the twofold function of rhetoric of therapy is to exhort conformity with the prevailing social order and to encourage identification with therapeutic values: individualism, familism, self-help, and self-absorption .
Edit intent: coherence
Original:  It is directed towards individuals who cope with unemployment, family stress, sexual and domestic violence, childhood abuse, and other traumas that result from systemic hegemony such as women ’ s oppression, racism, and capitalism (Cloud xv) .
Revised:  It is directed towards individuals who cope with unemployment, family stress, sexual and domestic violence, child abuse, and other traumas that result from systemic hegemony such as women ’ s oppression, racism, and capitalism (Cloud xv) .
Edit intent: fluency
Original:  It is directed towards individuals who cope with unemployment, family stress, sexual and domestic violence, childhood abuse, and other traumas that result from systemic hegemony such as women ’ s oppression, racism, and capitalism (Cloud xv) .
Revised:  It is directed towards individuals who cope with unemployment, family stress, sexual and domestic violence, childhood abuse, and other traumas that result from systemic hegemony such as women ' s oppression, racism, and capitalism (Cloud xv) .
Edit intent: fluency
Original:  It is directed towards individuals who cope with unemployment, family stress, sexual and domestic violence, childhood abuse, and other traumas that result from systemic hegemony such as women ’ s oppression, racism, and capitalism (Cloud xv) .
Revised:  It is directed towards individuals who cope with unemployment, family stress, sexual and domestic violence, childhood abuse, and other traumas that result from systemic hegemony such as women ’ s oppression, racism, and capitalism .
Edit intent: coherence
Original:   The origins of therapeutic discourse, along with advertising and other consumerist cultural forms, emerged during the industrialization of the West during the eighteenth century.
Revised:  History The origins of therapeutic discourse, along with advertising and other consumerist cultural forms, emerged during the industrialization of the West during the eighteenth century.
Edit intent: fluency
Original:   The origins of therapeutic discourse, along with advertising and other consumerist cultural forms, emerged during the industrialization of the West during the eighteenth century.
Revised:  The origins of therapeutic discourse, along with advertising and other consumerist cultural forms, emerged during the industrialization of the West during the 18th century.
Edit intent: fluency
Original:  The new emphasis on the acquisition of wealth during this period produced the notion and language about the “ democratic self-determination of individuals conceived as autonomous, self-expressive, self-reliant subjects ” or, in short, the “ self-made man ” (Cloud 24).
Revised:  The new emphasis on the acquisition of wealth during this period produced discourse about the " democratic self-determination of individuals conceived as autonomous, self-expressive, self-reliant subjects ” or, in short, the “ self-made man ” (Cloud 24).
Edit intent: clarity
Original:  The new emphasis on the acquisition of wealth during this period produced the notion and language about the “ democratic self-determination of individuals conceived as autonomous, self-expressive, self-reliant subjects ” or, in short, the “ self-made man ” (Cloud 24).
Revised:  The new emphasis on the acquisition of wealth during this period produced the notion and language about the “ democratic self-determination of individuals conceived as autonomous, self-expressive, self-reliant subjects " or, in short, the “ self-made man ” (Cloud 24).
Edit intent: fluency
Original:  The new emphasis on the acquisition of wealth during this period produced the notion and language about the “ democratic self-determination of individuals conceived as autonomous, self-expressive, self-reliant subjects ” or, in short, the “ self-made man ” (Cloud 24).
Revised:  The new emphasis on the acquisition of wealth during this period produced the notion and language about the “ democratic self-determination of individuals conceived as autonomous, self-expressive, self-reliant subjects ” or, in short, the " self-made man ” (Cloud 24).
Edit intent: fluency
Original:  Cloud believes that the rhetoric of the self-made man was introduced to veil the growing polarity between classes of owners and laborers and that it disguised the fact that success attained through self-determination was never a real possibility for blacks, immigrants, the working class, and , women.
Revised:  Cloud believes that the rhetoric of the self-made man was introduced to veil the growing polarity between classes of owners and laborers and that it disguised the fact that success attained through self-determination was never a real possibility for blacks, immigrants, the working class, and women.
Edit intent: fluency
Original:  One prominent movement that developed from this ideology is the self-help movement, which encouraged its audiences to take personal responsibility for solving their problems without attention to race, class, and gender issues (Cloud 29-35) .
Revised:  One prominent movement that developed from this ideology is the self-help movement, which encouraged its audiences to take personal responsibility for solving their problems without attention to race, class, and gender issues .
Edit intent: coherence
Original:  The twofold objective of this particular movement—mental health and positive thinking—is demonstrated in one of the quintessential books of this period, The Power of Positive Thinking by Norman Vince Peale(Cloud 31) .
Revised:  The twofold objective of this particular movement—mental health and positive thinking—is demonstrated in one of the quintessential books of this period, The Power of Positive Thinking by Norman Vincent Peale .
Edit intent: coherence
Original:  To provide contemporary examples—contemporary is relative to when the book was published in 1998—of how rhetoric of therapy is used, Cloud analyzes different cases studies that show how the established order is maintained by redirecting blame from the hegemonic system to the individual.
Revised:  Cloud analyzed different case studies to show how the established order is maintained by redirecting blame from the hegemonic system to the individual.
Edit intent: coherence
Original:  Cloud demonstrates an example of how rhetoric of therapy is employed when she discusses the rhetoric of family values in which she notes that the therapeutic strategy is to blame the absence of the “traditional” family as the cause for social ills.
Revised:  Cloud said that the rhetoric of family values in which she notes that the therapeutic strategy is to blame the absence of the “traditional” family as the cause for social ills.
Edit intent: clarity
Original:  Cloud demonstrates an example of how rhetoric of therapy is employed when she discusses the rhetoric of family values in which she notes that the therapeutic strategy is to blame the absence of the “traditional” family as the cause for social ills.
Revised:  Cloud demonstrates an example of how rhetoric of therapy is employed when she discusses the rhetoric of family values blames the absence of the “traditional” family as the cause for social ills.
Edit intent: clarity
Original:  Cloud demonstrates an example of how rhetoric of therapy is employed when she discusses the rhetoric of family values in which she notes that the therapeutic strategy is to blame the absence of the “traditional” family as the cause for social ills.
Revised:  Cloud demonstrates an example of how rhetoric of therapy is employed when she discusses the rhetoric of family values in which she notes that the therapeutic strategy is to blame the absence of the "traditional" family as the cause for social ills.
Edit intent: fluency
Original:  Cloud demonstrates an example of how rhetoric of therapy is employed when she discusses the rhetoric of family values in which she notes that the therapeutic strategy is to blame the absence of the “traditional” family as the cause for social ills.
Revised:  Cloud demonstrates an example of how rhetoric of therapy is employed when she discusses the rhetoric of family values in which she notes that the therapeutic strategy is to blame the absence of the “traditional” family as the cause of social ills.
Edit intent: fluency
Original:  Rhetoric of therapy is used to divert attention from issues cause by the hegemonic systems and it leads one to believe that restoration of the traditional family structure will result in a harmonious society (Cloud 55-82).
Revised:  The rhetoric of therapy is used to divert attention from issues cause by the hegemonic systems and it leads one to believe that restoration of the traditional family structure will result in a harmonious society (Cloud 55-82).
Edit intent: fluency
Original:  Rhetoric of therapy is used to divert attention from issues cause by the hegemonic systems and it leads one to believe that restoration of the traditional family structure will result in a harmonious society (Cloud 55-82).
Revised:  Rhetoric of therapy is used to divert attention from issues caused by hegemonic systems by promoting the idea that restoration of the traditional family structure will result in a harmonious society (Cloud 55-82).
Edit intent: clarity
Original:  A second contemporary example of  rhetoric of therapy is illustrated in her discussion of the extensive media coverage of groups that supported the Persian Gulf War.
Revised:  A second contemporary example of A second example of the rhetoric of therapy is illustrated in her discussion of the extensive media coverage of groups that supported the Persian Gulf War.
Edit intent: fluency
Original:  A second contemporary example of  rhetoric of therapy is illustrated in her discussion of the extensive media coverage of groups that supported the Persian Gulf War.
Revised:  A second contemporary example of rhetoric of therapy is illustrated in her discussion of the extensive media coverage of groups that supported the Gulf War.
Edit intent: clarity
Original:  Here, the media intentionally devoted significant attention to groups that supported the war in an effort to instill blame, guilt, shame, and anxiety in individuals who openly opposed the war.
Revised:  Cloud says that the media intentionally devoted significant attention to groups that supported the war in an effort to instill blame, guilt, shame, and anxiety in individuals who openly opposed the war.
Edit intent: clarity
Original:  Cloud ’ s conspiracy theory is that this was a government effort to control the nation ’ s perception and response to the war that many deemed unjust (Cloud 85-100).
Revised:  Cloud ' s conspiracy theory is that this was a government effort to control the nation ’ s perception and response to the war that many deemed unjust (Cloud 85-100).
Edit intent: fluency
Original:  Cloud ’ s conspiracy theory is that this was a government effort to control the nation ’ s perception and response to the war that many deemed unjust (Cloud 85-100).
Revised:  Cloud ’ s conspiracy theory is that this was a government effort to control the nation ' s perception and response to the war that many deemed unjust (Cloud 85-100).
Edit intent: fluency
Original:  In both cases, rhetoric of therapy is used to deflate the possibility of collective resistance and to inflate receptivity to prevailing social and political structures . References%DIFDELCMD < %DIFDELCMD < %%% Cloud, Dana.
Revised:  In both cases, rhetoric of therapy is used to deflate the possibility of collective resistance and to inflate receptivity to prevailing social and political structures References%DIFDELCMD < %DIFDELCMD < %%% Cloud, Dana.
Edit intent: fluency
Original:  In both cases, rhetoric of therapy is used to deflate the possibility of collective resistance and to inflate receptivity to prevailing social and political structures . References%DIFDELCMD < %DIFDELCMD < %%% Cloud, Dana.
Revised:  In both cases, rhetoric of therapy is used to deflate the possibility of collective resistance and to inflate receptivity to prevailing social and political structures . %DIFDELCMD < %DIFDELCMD < %%% Cloud, Dana.
Edit intent: fluency
Original:  URL URL URL URL URL%DIFDELCMD < %DIFDELCMD < %%% Category:Psychothera
Revised:  URL URL URL URL URL%DIFDELCMD < %DIFDELCMD < %%% 
Edit intent: coherence
Original:  This form of persuasion is primarily used by politicians, managers, journalist and entertainers as a way to cope with the crisis of the American Dream.
Revised:  This form of persuasion is primarily used by politicians, managers, journalists and entertainers as a way to cope with the crisis of the American Dream.
Edit intent: fluency
Original:  Cloud 's conspiracy theory is that this was a government effort to control the nation's perception and response to the war that many deemed unjust.
Revised:  Cloud writes that this was a government effort to control the nation's perception and response to the war that many deemed unjust.
Edit intent: clarity
Original: Congo Free State concession companies, Société Anversoise shown in dark green The Société Anversoise  was a concession company of the Congo Free State..
Revised: Congo Free State concession companies, Société Anversoise shown in dark green The Société Anversoise () was a concession company of the Congo Free State..
Edit intent: fluency
Original: Congo Free State concession companies, Société Anversoise shown in dark green The Société Anversoise () was a concession company of the Congo Free State  . . It was, with the Lulonga Company and the Abir Congo Company, one of the main producers of rubber in the Free State..
Revised: Congo Free State concession companies, Société Anversoise shown in dark green The Société Anversoise () was a concession company of the Congo Free State . It was, with the Lulonga Company and the Abir Congo Company, one of the main producers of rubber in the Free State..
Edit intent: fluency
Original:  The Société Anversoise was quoted on the Antwerp Stock Exchange from 27 July 1898.
Revised:  The Société Anversoise was quoted on the from 27 July 1898.
Edit intent: clarity
Original:  Alongside Abir and the Société Anversoise  the Lulonga Company handed back control of the concession to the Congo Free State in 1906.
Revised:  Like Abir and the Société Anversoise the Lulonga Company handed back control of the concession to the Congo Free State in 1906.
Edit intent: fluency
Original:  Alongside Abir and the Société Anversoise  the Lulonga Company handed back control of the concession to the Congo Free State in 1906.
Revised:  Alongside Abir and the Société Anversoise , the Lulonga Company handed back control of the concession to the Congo Free State in 1906.
Edit intent: fluency
Original: The company did not receive a concession like the Abir or the SCA , and its representatives were not commissioned to raise tax.
Revised: The company did not receive a concession like Abir or the SCA , and its representatives were not commissioned to raise tax.
Edit intent: fluency
Original:  History The company was  initially profitable.
Revised:  History The company was The company was initially profitable.
Edit intent: fluency
Original:  An official report in 1905 found that agents of the company had undertaken armed expeditions against the local people.
Edit intent: coherence
Original:  As of 1945 the company was controlled by the Société Generale de Belgique.
Revised:  As of 1945 the company was controlled by the Société Générale de Belgique.
Edit intent: clarity
Original:  Former members include: Kevin "Chili" Chilton – lead vocals and guitar Robert "Hoot" Gibson – lead vocals and guitar Susan Helms – lead vocals and keyboards George "Pinky" Nelson – guitar Brewster Shaw – guitar Pierre Thuot – bass guitar Carl Walz – lead vocals Jim Wetherbee – drums Note This Max Q is unrelated to the Australian band Max Q that was fronted by Michael Hutchence of INXS.
Revised:  Former members include: Kevin "Chili" Chilton – lead vocals and guitar Robert "Hoot" Gibson – lead vocals and guitar Susan Helms – lead vocals and keyboards George "Pinky" Nelson – guitar Brewster Shaw – guitar Pierre Thuot – bass guitar Carl Walz – lead vocals Jim Wetherbee – drums This Max Q is unrelated to the Australian band Max Q that was fronted by Michael Hutchence of INXS.
Edit intent: coherence
Original:  Former members include: Kevin "Chili" Chilton – lead vocals and guitar Robert "Hoot" Gibson – lead vocals and guitar Susan Helms – lead vocals and keyboards George "Pinky" Nelson – guitar Brewster Shaw – guitar Pierre Thuot – bass guitar Carl Walz – lead vocals Jim Wetherbee – drums Note This Max Q is unrelated to the Australian band Max Q that was fronted by Michael Hutchence of INXS.
Revised:  Former members include: Kevin "Chili" Chilton – lead vocals and guitar Robert "Hoot" Gibson – lead vocals and guitar Susan Helms – lead vocals and keyboards George "Pinky" Nelson – guitar Brewster Shaw – guitar Pierre Thuot – bass guitar Carl Walz – lead vocals Jim Wetherbee – drums Note 
Edit intent: coherence
Original: Max Q on stage: guitar player Dan Burbank and drummer Jim Wetherbee (2004) Max QMax Q Live: In space no one can hear you sing, Michael Cassutt, Air & Space Magazine, 1 March 2009, accessed 5 April 2010 is a Houston-based rock band whose members are all NASA astronauts.
Revised: Max Q on stage: guitar player Dan Burbank and drummer Jim Wetherbee (2004) Max QMax Q Live: In space no one can hear you sing, Michael Cassutt, Air & Space Magazine, 1 March 2009, accessed 5 April 2010 is a Houston-based rock band whose members are all astronauts.
Edit intent: clarity
Original:  Gibson named the band after "max Q, " the engineering term for the maximum dynamic pressure from the atmosphere experienced by an ascending spacecraft.
Revised:  Gibson named the band after max q, the engineering term for the maximum dynamic pressure from the atmosphere experienced by an ascending spacecraft.
Edit intent: fluency
Original:  Ford – drums Chris  Hadfield – lead vocals and bass guitar Greg "Box" Johnson – keyboards and background vocals Dottie Metcalf-Lindenburger – lead vocals Steve "Stevie Ray" Robinson – lead guitar
Revised:  Ford – drums Chris A. Hadfield – lead vocals and bass guitar Greg "Box" Johnson – keyboards and background vocals Dottie Metcalf-Lindenburger – lead vocals Steve "Stevie Ray" Robinson – lead guitar
Edit intent: clarity
Original: Filmography Year Film Role Language Notes2001 Itlu Sravani Subramanyam Sravani Telugu Anandam Deepika Telugu Manasantha Nuvve Sruthi Telugu 2003 Indru Jeniffer Tamil Satyam Telugu Special appearance Moner Majhe Tumi Bengali 2004 Avunu Nijame Ruchita Telugu Megham Telugu No Telugu Special appearance Mass Telugu Special appearance Pellikani Pellam Avuthundi Telugu 2005 Keelugurram Telugu Prayatnam Telugu Girivalam Priya Tamil Uyir Ullavarai Tamil Meghamala -
Revised: Filmography Year Film Role Language Notes2001 Itlu Sravani Subramanyam Sravani Telugu Anandam Deepika Telugu Manasantha Nuvve Sruthi Telugu 2003 Indru Jeniffer Tamil Satyam Telugu Special appearance Moner Majhe Tumi Bengali 2004 Avunu Nijame Ruchita Telugu Megham Telugu No Telugu Special appearance Mass Telugu Special appearance Pellikani Pellam Avuthundi Telugu 2005 Keelu Gurram Telugu Prayatnam Telugu Girivalam Priya Tamil Uyir Ullavarai Tamil Meghamala -
Edit intent: fluency
Original:  She is Known for her role in  Malayalam movie Ee Adutha Kalathu  She was seen in two Bengali films Basho Na in which she portrayed the role of a young widow  and Moner Majho Tumhi, a remake of Mansantha Nuvve, and in the Kannada films Love Story, which is a remake of the Telugu film Maro Charitra and was earlier titled Prema Charitra.
Revised:  She is known for her role in Malayalam movie Ee Adutha Kalathu She was seen in two Bengali films Basho Na in which she portrayed the role of a young widow and Moner Majho Tumhi, a remake of Mansantha Nuvve, and in the Kannada films Love Story, which is a remake of the Telugu film Maro Charitra and was earlier titled Prema Charitra.
Edit intent: fluency
Original:  She is Known for her role in  Malayalam movie Ee Adutha Kalathu  She was seen in two Bengali films Basho Na in which she portrayed the role of a young widow  and Moner Majho Tumhi, a remake of Mansantha Nuvve, and in the Kannada films Love Story, which is a remake of the Telugu film Maro Charitra and was earlier titled Prema Charitra.
Revised:  She is Known for her role in the Malayalam movie Ee Adutha Kalathu She was seen in two Bengali films Basho Na in which she portrayed the role of a young widow and Moner Majho Tumhi, a remake of Mansantha Nuvve, and in the Kannada films Love Story, which is a remake of the Telugu film Maro Charitra and was earlier titled Prema Charitra.
Edit intent: fluency
Original:  She is Known for her role in  Malayalam movie Ee Adutha Kalathu  She was seen in two Bengali films Basho Na in which she portrayed the role of a young widow  and Moner Majho Tumhi, a remake of Mansantha Nuvve, and in the Kannada films Love Story, which is a remake of the Telugu film Maro Charitra and was earlier titled Prema Charitra.
Revised:  She is Known for her role in Malayalam movie Ee Adutha Kalathu . She was seen in two Bengali films Basho Na in which she portrayed the role of a young widow and Moner Majho Tumhi, a remake of Mansantha Nuvve, and in the Kannada films Love Story, which is a remake of the Telugu film Maro Charitra and was earlier titled Prema Charitra.
Edit intent: fluency