wanyu/IteraTeR_v2 huggingface dataset:
Original:  151 37.3 2020 2.98 2015-20 est.
Revised:  150 37.3 2020 2.98 2015-20 est.
Edit intent: fluency
Original:  152 37.2 2020 2.53 2015-20 est. 153 37.1 2020 4.35 2015-20 est. 154 36.9 2020 2.03 2015-20 est.
Revised:  151 37.2 2020 2.53 2015-20 est. 153 37.1 2020 4.35 2015-20 est. 154 36.9 2020 2.03 2015-20 est.
Edit intent: fluency
Original:  152 37.2 2020 2.53 2015-20 est. 153 37.1 2020 4.35 2015-20 est. 154 36.9 2020 2.03 2015-20 est.
Revised:  152 37.2 2020 2.53 2015-20 est. 152 37.1 2020 4.35 2015-20 est. 154 36.9 2020 2.03 2015-20 est.
Edit intent: style
Original:  152 37.2 2020 2.53 2015-20 est. 153 37.1 2020 4.35 2015-20 est. 154 36.9 2020 2.03 2015-20 est.
Revised:  152 37.2 2020 2.53 2015-20 est. 153 37.1 2020 4.35 2015-20 est. 153 36.9 2020 2.03 2015-20 est.
Edit intent: fluency
Original:  155 36.6 2020 4.06 2015-20 est.
Revised:  154 36.6 2020 4.06 2015-20 est.
Edit intent: fluency
Original:  156 36.5 2020 0.76 2015-20 est.
Revised:  155 36.5 2020 0.76 2015-20 est.
Edit intent: fluency
Original:  156 36.5 2020 3.54 2015-20 est.
Revised:  155 36.5 2020 3.54 2015-20 est.
Edit intent: fluency
Original:  158 36.3 2020 3.28 2015-20 est.
Revised:  157 36.3 2020 3.28 2015-20 est.
Edit intent: fluency
Original:  159 35.3 2020 3.17 2015-20 est.
Revised:  158 35.3 2020 3.17 2015-20 est.
Edit intent: fluency
Original:  160 35.2 2020 5.22 2015-20 est.
Revised:  159 35.2 2020 5.22 2015-20 est.
Edit intent: fluency
Original:  161 34.9 2020 2.37 2015-20 est.
Revised:  160 34.9 2020 2.37 2015-20 est. 160 34.9 2020 2.37 2015-20 est.
Edit intent: fluency
Original:  135 45.6 2020 4.53 2015-20 est.
Revised:  136 45.6 2020 4.53 2015-20 est.
Edit intent: fluency
Original:  136 44.6 2020 4.23 2015-20 est.
Revised:  137 44.6 2020 4.23 2015-20 est.
Edit intent: fluency
Original:  137 44.2 2020 3.41 2015-20 est.
Revised:  138 44.2 2020 3.41 2015-20 est.
Edit intent: fluency
Original:  138 43.9 2020 4.86 2015-20 est. - (Netherlands) 43.7 2020 0.67 2015-20 est.
Revised:  139 43.9 2020 4.86 2015-20 est. - (Netherlands) 43.7 2020 0.67 2015-20 est.
Edit intent: fluency
Original:  139 42.9 2020 3.12 2015-20 est.
Revised:  140 42.9 2020 3.12 2015-20 est.
Edit intent: fluency
Original:  140 42.8 2020 1.86 2015-20 est.
Revised:  141 42.8 2020 1.86 2015-20 est.
Edit intent: fluency
Original:  140 42.8 2020 -0.07 2015-20 est. - (Dennmark) 42.4 2020 0.74 2015-20 est.
Revised:  141 42.8 2020 -0.07 2015-20 est. - (Dennmark) 42.4 2020 0.74 2015-20 est.
Edit intent: fluency
Original:  140 42.8 2020 3.76 2015-20 est. 143 42.3 2020 2.98 2015-20 est. 144 42.2 2020 2.52 2015-20 est.
Revised:  141 42.8 2020 3.76 2015-20 est. 143 42.3 2020 2.98 2015-20 est. 144 42.2 2020 2.52 2015-20 est.
Edit intent: fluency
Original:  140 42.8 2020 3.76 2015-20 est. 143 42.3 2020 2.98 2015-20 est. 144 42.2 2020 2.52 2015-20 est.
Revised:  140 42.8 2020 3.76 2015-20 est. 144 42.3 2020 2.98 2015-20 est. 144 42.2 2020 2.52 2015-20 est.
Edit intent: style
Original:  140 42.8 2020 3.76 2015-20 est. 143 42.3 2020 2.98 2015-20 est. 144 42.2 2020 2.52 2015-20 est.
Revised:  140 42.8 2020 3.76 2015-20 est. 143 42.3 2020 2.98 2015-20 est. 145 42.2 2020 2.52 2015-20 est.
Edit intent: fluency
Original:  145 41.3 2020 3.86 2015-20 est.
Revised:  146 41.3 2020 3.86 2015-20 est.
Edit intent: fluency
Original:  146 40.8 2020 0.11 2015-20 est.
Revised:  147 40.8 2020 0.11 2015-20 est.
Edit intent: fluency
Original:  147 40.7 2020 2.93 2015-20 est. - (UK) 40.1 2020 0.73 2015-20 est.
Revised:  148 40.7 2020 2.93 2015-20 est. - (UK) 40.1 2020 0.73 2015-20 est.
Edit intent: fluency
Original:  148 38.5 2020 4.48 2015-20 est.
Revised:  149 38.5 2020 4.48 2015-20 est.
Edit intent: fluency
Original:  149 38.2 2020 3.17 2015-20 est.
Revised:  150 38.2 2020 3.17 2015-20 est.
Edit intent: fluency
Original:  150 37.3 2020 2.98 2015-20 est.
Revised:  151 37.3 2020 2.98 2015-20 est.
Edit intent: fluency
Original:  151 37.2 2020 2.53 2015-20 est.
Revised:  152 37.2 2020 2.53 2015-20 est.
Edit intent: fluency
Original:  152 37.1 2020 4.35 2015-20 est. 153 36.9 2020 2.03 2015-20 est. 154 36.6 2020 4.06 2015-20 est.
Revised:  153 37.1 2020 4.35 2015-20 est. 153 36.9 2020 2.03 2015-20 est. 154 36.6 2020 4.06 2015-20 est.
Edit intent: fluency
Original:  152 37.1 2020 4.35 2015-20 est. 153 36.9 2020 2.03 2015-20 est. 154 36.6 2020 4.06 2015-20 est.
Revised:  152 37.1 2020 4.35 2015-20 est. 154 36.9 2020 2.03 2015-20 est. 154 36.6 2020 4.06 2015-20 est.
Edit intent: fluency
Original:  152 37.1 2020 4.35 2015-20 est. 153 36.9 2020 2.03 2015-20 est. 154 36.6 2020 4.06 2015-20 est.
Revised:  152 37.1 2020 4.35 2015-20 est. 153 36.9 2020 2.03 2015-20 est. 155 36.6 2020 4.06 2015-20 est.
Edit intent: fluency
Original:  155 36.5 2020 0.76 2015-20 est.
Revised:  156 36.5 2020 0.76 2015-20 est.
Edit intent: fluency
Original:  155 36.5 2020 3.54 2015-20 est.
Revised:  156 36.5 2020 3.54 2015-20 est.
Edit intent: fluency
Original:  157 36.3 2020 3.28 2015-20 est.
Revised:  158 36.3 2020 3.28 2015-20 est.
Edit intent: fluency
Original:  158 35.3 2020 3.17 2015-20 est.
Revised:  159 35.3 2020 3.17 2015-20 est.
Edit intent: fluency
Original:  159 35.2 2020 5.22 2015-20 est.
Revised:  160 35.2 2020 5.22 2015-20 est.
Edit intent: fluency
Original:  141 42.8 2020 3.76 2015-20 est. 144 42.3 2020 2.98 2015-20 est.
Revised:  142 42.8 2020 3.76 2015-20 est. 144 42.3 2020 2.98 2015-20 est.
Edit intent: fluency
Original:  161 34.9 2020 2.37 2015-20 est.
Revised:  160 34.9 2020 2.37 2015-20 est.
Edit intent: fluency
Original:  162 32.2 2020 2.19 2015-20 est. 163 31.3 2020 3.35 2015-20 est. 164 31.2 2020 0.2 2015-20 est.
Revised:  161 32.2 2020 2.19 2015-20 est. 163 31.3 2020 3.35 2015-20 est. 164 31.2 2020 0.2 2015-20 est.
Edit intent: fluency
Original:  162 32.2 2020 2.19 2015-20 est. 163 31.3 2020 3.35 2015-20 est. 164 31.2 2020 0.2 2015-20 est.
Revised:  162 32.2 2020 2.19 2015-20 est. 162 31.3 2020 3.35 2015-20 est. 164 31.2 2020 0.2 2015-20 est.
Edit intent: fluency
Original:  – 76.7 2020 3 2015–20 est.
Revised:  55 76.7 2020 3 2015–20 est.
Edit intent: fluency
Original: Pramathanath Mitra (  30 October 1853 – 1910), known widely as P.
Revised: Pramathanath Mitra ( ; 30 October 1853 – 1910), known widely as P.
Edit intent: fluency
Original:  30 October 1853 – 1910) , known widely as P.
Revised:  30 October 1853 – 1910) known widely as P.
Edit intent: fluency
Original:  30 October 1853 – 1910)  known widely as P.
Revised:  30 October 1853 – 1910) , known widely as P.
Edit intent: fluency
Original:  Mitra  was a Bengali Indian barrister and Indian nationalist who was among the earliest founding members of the Indian revolutionary organisation  Anushilan Samiti.
Revised:  Mitra , was a Bengali Indian barrister and Indian nationalist who was among the earliest founding members of the Indian revolutionary organisation Anushilan Samiti.
Edit intent: fluency
Original:  Mitra  was a Bengali Indian barrister and Indian nationalist who was among the earliest founding members of the Indian revolutionary organisation  Anushilan Samiti.
Revised:  Mitra was a Bengali Indian barrister and Indian nationalist who was among the earliest founding members of the Indian revolutionary organisation , Anushilan Samiti.
Edit intent: fluency
Original:  He established "anushilan samiti" on the theory of "anushilan tattya" belongs to the book "The Theory Of Religion" written by Rishi Bankim Chad..ra
Revised:  He established "anushilan samiti" on the theory of "anushilan tattya" belongs to the book "The Theory Of Religion" written by Rishi Bankim 
Edit intent: fluency
Original: He was inspired by the force and the strength of the moving horse  .
Revised: He was inspired by the force and the strength of the moving horse and went on to create a work made out of charcoal titled- Horses in Motion .
Edit intent: coherence
Original:  His works revolve around Man-Woman relationships, Woman in her sexual empowerment and In her loneliness.
Revised:  His works revolved around Man-Woman relationships, Woman in her sexual empowerment and In her loneliness.
Edit intent: fluency
Original:  He was the founder member of Society of Contemporary Artists.
Revised:  He was the founding member of the Society of Contemporary Artists.
Edit intent: fluency
Original:   He was inspired by the force and the strength of the moving horse and went on to create a work made out of charcoal titled- Horses in Motion.
Revised:  Sunil Das was one of India's most important post-modernist painters. He went through different styles of painting throughout his career. Das said,"To prevent myself from producing the same kind of work, I keep altering my vision. From the day people begun to see me as a painter, a huge responsibility fell upon me, particularly to respond to the feelings of the people at the grassroots level who are also my viewer, as also to delve deep into realties of life around me." At 60 years of age, he could look back at his nine to ten phases of paintings, all of them marked by supreme skill and a sense of integrity. An indefatigable painter, Das jumped from one style to another easily. saffronart.com/artists/sunil-das He was inspired by the force and the strength of the moving horse and went on to create a work made out of charcoal titled- Horses in Motion.
Edit intent: coherence
Original:  From the day people begun to see me as a painter, a huge responsibility fell upon me, particularly to respond to the feelings of the people at the grassroots level who are also my viewer, as also to delve deep into realties of life around me."
Revised:  From the day people begun to see me as a painter, a huge responsibility fell upon me, particularly to respond to the feelings of the people at the grassroots level who are also my viewer, as also to delve deep into realities of life around me."
Edit intent: fluency
Original:  Jamal Khan shot down Indian Canberra in 1965 and 1971.]] Jamal Ahmad Khan was born in Kaimganj, Farrukhabad district in India, on 15 April 1934. .
Revised:  Jamal Khan shot down Indian Canberra in 1965 and 1971.]] Jamal Ahmad Khan was born in Kaimganj, Farrukhabad district in India, on 15 April 1934. 
Edit intent: fluency
Original:  After the war, Group-Captain Jamal was posted on a Command Operations Center at the Air AHQ in Islamabad until appointed as base commander of the Sargodha Air Force Base.
Revised:  After the war, Group Captain Jamal was posted on a Command Operations Center at the Air AHQ in Islamabad until appointed as base commander of the Sargodha Air Force Base.
Edit intent: fluency
Original:  In 1975, Air-Cdre Jamal joined the JAG Corps, Air Force, appointed its chief inspector and later judge advocate general.
Revised:  In 1975, Air Commodore Jamal joined the JAG Corps, Air Force, appointed its chief inspector and later judge advocate general.
Edit intent: fluency
Original:  b. 15 April 1934) , is a retired four-star rank air force air officer who briefly tenured as the Chief of Air Staff of the Pakistan Air Force from 1985 until 1988.
Revised:  b. 15 April 1934) , is a retired four-star air officer who briefly tenured as the Chief of Air Staff of the Pakistan Air Force from 1985 until 1988.
Edit intent: clarity
Original:   Jamal Khan shot down Indian Canberra in 1965 and 1971.]] Jamal Ahmad Khan was born in Kaimganj, Farrukhabad district in India, on 15 April 1934.
Revised:  Wing Commander Jamal Khan shot down Indian Canberra in 1965 and 1971.]] Jamal Ahmad Khan was born in Kaimganj, Farrukhabad district in India, on 15 April 1934.
Edit intent: style
Original: Pakistani flying aces Category:Pakistani military personnel of the Indo-Pakistani War of 1971 Category:Pilots of the Indo-Pakistani War of 1971 Category:Chiefs of Air Staff (United Arab Emirates) Category:Pakistan Air Force air marshals Category:Chiefs of Air Staff, Pakistan Category:Military government of Pakistan (1977–88) Category:Recipients of Sitara-e-Jurat Category:Recipients of Nishan-e-Imtiaz Category:Pakistani military historians Category:Living peop
Revised: Pakistani flying aces Category:Pakistani military personnel of the Indo-Pakistani War of 1971 Category:Pilots of the Indo-Pakistani War of 1971 Category:Chiefs of Air Staff (United Arab Emirates) Category:Pakistan Air Force air marshals Category:Chiefs of Air Staff, Pakistan Category:Military government of Pakistan (1977–88) Category:Recipients of Sitara-e-Jurat Category:Recipients of Nishan-e-Imtiaz Category:Pakistani military historians Category:Living people Category:Pakistani expatriates in the United Arab Emirat
Edit intent: style
Original:  In 1987, ACM Jamal launched the project to developed an designed the fighter jet, with the Grumman Aerospace as its consultant.
Revised:  In 1987, ACM Jamal launched the project to develop and design the fighter jet, with the Grumman Aerospace as its consultant.
Edit intent: fluency
Original:  In 1987, ACM Jamal launched the project to develop and design the fighter jet, with the Grumman Aerospace as its consultant.
Revised:  In 1987, ACM Jamal launched the project to develop and design a fighter jet, with the Grumman Aerospace as its consultant.
Edit intent: fluency
Original:  b. 15 April 1934) , is a retired four-star air officer who briefly tenured as the Chief of Air Staff of the Pakistan Air Force from 1985 until 1988.
Revised:  b. 15 April 1934) , is a retired four-star air officer who tenured as the Chief of Air Staff of the Pakistan Air Force from 1985 until 1988.
Edit intent: clarity
Original:  The antistrophes of the ode possess similar metrical structures and, depending on the tradition, similar rhyme structures.
Revised:  The strophe and the antistrophe of the ode possess similar metrical structures and, depending on the tradition, similar rhyme structures.
Edit intent: clarity
Original:   ]] Poetry (derived from the Greek poiesis, "making") is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning.
Revised:  ek ]] Poetry (derived from the Greek poiesis, "making") is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning.
Edit intent: fluency
Original:   ]] Poetry (derived from the Greek poiesis, "making") is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning.
Revised:  ]] poiesis, "making") is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning.
Edit intent: coherence
Original: Poetry (derived from the Greek poiesis, "making") is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning.
Revised: Poetry (derived from the Greek poiesis, "making") is a form of literature that uses aesthetic and often rhythmic 
Edit intent: clarity
Original:  A Western cultural tradition (extending at least from Homer to Rilke) associates the production of poetry with inspiration – often by a Muse (either classical or contemporary).
Edit intent: clarity
Original: %DIFDELCMD < %DIFDELCMD < %%% History Early works%DIFDELCMD < %DIFDELCMD < %%% Some scholars believe that the art of poetry may predate literacy and developed from folk epics and other oral genres.
Revised: %DIFDELCMD < %DIFDELCMD < %%% Early works%DIFDELCMD < %DIFDELCMD < %%% Some scholars believe that the art of poetry may predate literacy and developed from folk epics and other oral genres.
Edit intent: coherence
Original: %DIFDELCMD < %DIFDELCMD < %%% History Early works%DIFDELCMD < %DIFDELCMD < %%% Some scholars believe that the art of poetry may predate literacy and developed from folk epics and other oral genres.
Revised: %DIFDELCMD < %DIFDELCMD < %%% History %DIFDELCMD < %DIFDELCMD < %%% Some scholars believe that the art of poetry may predate literacy and developed from folk epics and other oral genres.
Edit intent: coherence
Original:  Western traditions%DIFDELCMD < [[%%% File:Aristoteles Louvre.jpg  | upAristotle Classical thinkers in the West employed classification as a way to define and assess the quality of poetry.
Revised:  %DIFDELCMD < [[%%% File:Aristoteles Louvre.jpg | upAristotle Classical thinkers in the West employed classification as a way to define and assess the quality of poetry.
Edit intent: fluency
Original:  Western traditions%DIFDELCMD < [[%%% File:Aristoteles Louvre.jpg  | upAristotle Classical thinkers in the West employed classification as a way to define and assess the quality of poetry.
Revised:  Western traditions%DIFDELCMD < [[%%% File:Aristoteles Louvre.jpg | Classical thinkers in the West employed classification as a way to define and assess the quality of poetry.
Edit intent: coherence
Original: %DIFDELCMD < [[%%% File:John keats.jpg | upJohn Keats Aristotle's work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance.
Revised: %DIFDELCMD < [[%%% File:John keats.jpg | Aristotle's work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance.
Edit intent: fluency
Original: %DIFDELCMD < %DIFDELCMD < %%% 20th-century and 21st-century disputes File:Archibaldmacleish.jpeg | upArchibald MacLeish Some 20th-century literary theorists rely less on the ostensible opposition of prose and poetry , instead focusing on the poet as simply one who creates using language, and poetry as what the poet creates.
Revised: %DIFDELCMD < %DIFDELCMD < %%% File:Archibaldmacleish.jpeg | upArchibald MacLeish Some 20th-century literary theorists rely less on the ostensible opposition of prose and poetry , instead focusing on the poet as simply one who creates using language, and poetry as what the poet creates.
Edit intent: clarity
Original: %DIFDELCMD < %DIFDELCMD < %%% 20th-century and 21st-century disputes File:Archibaldmacleish.jpeg | upArchibald MacLeish Some 20th-century literary theorists rely less on the ostensible opposition of prose and poetry , instead focusing on the poet as simply one who creates using language, and poetry as what the poet creates.
Revised: %DIFDELCMD < %DIFDELCMD < %%% 20th-century and 21st-century disputes File:Archibaldmacleish.jpeg | Some 20th-century literary theorists rely less on the ostensible opposition of prose and poetry , instead focusing on the poet as simply one who creates using language, and poetry as what the poet creates.
Edit intent: clarity
Original:  This has been challenged at various levels by other literary scholars such as Bloom (1930–2019), who has stated: "The generation of poets who stand together now, mature and ready to write the major American verse of the twenty-first century, may yet be seen as what Stevens called 'a great shadow's last embellishment,' the shadow being Emerson's." Elements%DIFDELCMD < %DIFDELCMD < %%% Prosody Prosody is the study of the meter, rhythm, and intonation of a poem.
Revised:  This has been challenged at various levels by other literary scholars such as Bloom (1930–2019), who has stated: "The generation of poets who stand together now, mature and ready to write the major American verse of the twenty-first century, may yet be seen as what Stevens called 'a great shadow's last embellishment,' the shadow being Emerson's." %DIFDELCMD < %DIFDELCMD < %%% Prosody Prosody is the study of the meter, rhythm, and intonation of a poem.
Edit intent: fluency
Original:  This has been challenged at various levels by other literary scholars such as Bloom (1930–2019), who has stated: "The generation of poets who stand together now, mature and ready to write the major American verse of the twenty-first century, may yet be seen as what Stevens called 'a great shadow's last embellishment,' the shadow being Emerson's." Elements%DIFDELCMD < %DIFDELCMD < %%% Prosody Prosody is the study of the meter, rhythm, and intonation of a poem.
Revised:  This has been challenged at various levels by other literary scholars such as Bloom (1930–2019), who has stated: "The generation of poets who stand together now, mature and ready to write the major American verse of the twenty-first century, may yet be seen as what Stevens called 'a great shadow's last embellishment,' the shadow being Emerson's." Elements%DIFDELCMD < %DIFDELCMD < %%% Prosody is the study of the meter, rhythm, and intonation of a poem.
Edit intent: fluency
Original: %DIFDELCMD < %DIFDELCMD < %%% Rhythm File:Robinsonjeffers (cropped).jpg | upRobinson Jeffers%DIFDELCMD < ]] %DIFDELCMD < %DIFDELCMD < %%% The methods for creating poetic rhythm vary across languages and between poetic traditions.
Revised: %DIFDELCMD < %DIFDELCMD < %%% File:Robinsonjeffers (cropped).jpg | upRobinson Jeffers%DIFDELCMD < ]] %DIFDELCMD < %DIFDELCMD < %%% The methods for creating poetic rhythm vary across languages and between poetic traditions.
Edit intent: fluency
Original: %DIFDELCMD < %DIFDELCMD < %%% Rhythm File:Robinsonjeffers (cropped).jpg | upRobinson Jeffers%DIFDELCMD < ]] %DIFDELCMD < %DIFDELCMD < %%% The methods for creating poetic rhythm vary across languages and between poetic traditions.
Revised: %DIFDELCMD < %DIFDELCMD < %%% Rhythm File:Robinsonjeffers (cropped).jpg | %DIFDELCMD < ]] %DIFDELCMD < %DIFDELCMD < %%% The methods for creating poetic rhythm vary across languages and between poetic traditions.
Edit intent: coherence
Original: %DIFDELCMD < [[%%% File:Marianne Moore 1935.jpg | upMarianne Moore  ] The chief device of ancient Hebrew Biblical poetry, including many of the psalms, was parallelism, a rhetorical structure in which successive lines reflected each other in grammatical structure, sound structure, notional content, or all three.
Revised: %DIFDELCMD < [[%%% File:Marianne Moore 1935.jpg | upMarianne Moore ... ] The chief device of ancient Hebrew Biblical poetry, including many of the psalms, was parallelism, a rhetorical structure in which successive lines reflected each other in grammatical structure, sound structure, notional content, or all three.
Edit intent: fluency
Original:  Since the late 1980s especially, prose poetry has gained increasing popularity, with entire journals, such as The Prose Poem: An International Journal, Contemporary Haibun Online, and Haibun Today '' devoted to that genre and its hybrids.
Revised:  Since the late 1980s especially, prose poetry has gained increasing popularity, with entire journals, such as The Prose Poem: An International Journal, Contemporary Haibun Online, and Haibun Today devoted to that genre and its hybrids.
Edit intent: fluency
Original: Other forms of poetry, including such ancient collections of religious hymns as the Indian Sanscrit-language Rigveda, the Avestan Gathas, the Hurrian songs, and the Hebrew Psalms, possibly developed directly from folk songs.
Revised: Other forms of poetry, including such ancient collections of religious hymns as the Indian Sanskrit-language Rigveda, the Avestan Gathas, the Hurrian songs, and the Hebrew Psalms, possibly developed directly from folk songs.
Edit intent: fluency
Original:  Many astronomical and cosmological phenomena have yet to be satisfactorily explained, including the origin of ultra-high-energy cosmic rays, the baryon asymmetry, the accelerating expansion of the universe and the anomalous rotation rates of galaxies.
Edit intent: coherence
Original: Physics (from , from phýsis 'nature' ), , is the natural science that studies matter, its motion and behavior through space and time, and the related entities of energy and force.
Revised: Physics (from ), , is the natural science that studies matter, its motion and behavior through space and time, and the related entities of energy and force.
Edit intent: clarity