wanyu/IteraTeR_v2 huggingface dataset:
Original:  dedicated to Antonio Molina  |  - |1921 |Valse Caprice |Piano solo | |dedicated to Pedro Eloriaga |  - |1922 |Serenade |Chamber | |for Cello and Piano |  - |1922 |Ang Aking Bayan |Vocal | |Tagalog Lyrics by the composer |  - |1922 |Paraluman |Vocal, Waltz | |Tagalog Lyrics by Mariano Velayo |  - |1922 |Valse in D-flat |Piano Solo |11 | |  - |1922 |An Offertory to St.
Revised:  dedicated to Antonio Molina | - |1921 |Valse Caprice |Piano solo | |dedicated to Pedro Eloriaga | - |1922 |Serenade |Chamber | |for Cello and Piano | | - |1922 |Ang Aking Bayan |Vocal | |Tagalog Lyrics by the composer | - |1922 |Paraluman |Vocal, Waltz | |Tagalog Lyrics by Mariano Velayo | - |1922 |Valse in D-flat |Piano Solo |11 | | - |1922 |An Offertory to St.
Edit intent: fluency
Original:  dedicated to Antonio Molina  |  - |1921 |Valse Caprice |Piano solo | |dedicated to Pedro Eloriaga |  - |1922 |Serenade |Chamber | |for Cello and Piano |  - |1922 |Ang Aking Bayan |Vocal | |Tagalog Lyrics by the composer |  - |1922 |Paraluman |Vocal, Waltz | |Tagalog Lyrics by Mariano Velayo |  - |1922 |Valse in D-flat |Piano Solo |11 | |  - |1922 |An Offertory to St.
Revised:  dedicated to Antonio Molina | - |1921 |Valse Caprice |Piano solo | |dedicated to Pedro Eloriaga | - |1922 |Serenade |Chamber | |for Cello and Piano | - |1922 |Ang Aking Bayan |Vocal | |Tagalog Lyrics by the composer | Published | - |1922 |Paraluman |Vocal, Waltz | |Tagalog Lyrics by Mariano Velayo | - |1922 |Valse in D-flat |Piano Solo |11 | | - |1922 |An Offertory to St.
Edit intent: coherence
Original:  dedicated to Antonio Molina  |  - |1921 |Valse Caprice |Piano solo | |dedicated to Pedro Eloriaga |  - |1922 |Serenade |Chamber | |for Cello and Piano |  - |1922 |Ang Aking Bayan |Vocal | |Tagalog Lyrics by the composer |  - |1922 |Paraluman |Vocal, Waltz | |Tagalog Lyrics by Mariano Velayo |  - |1922 |Valse in D-flat |Piano Solo |11 | |  - |1922 |An Offertory to St.
Revised:  dedicated to Antonio Molina | - |1921 |Valse Caprice |Piano solo | |dedicated to Pedro Eloriaga | - |1922 |Serenade |Chamber | |for Cello and Piano | - |1922 |Ang Aking Bayan |Vocal | |Tagalog Lyrics by the composer | - |1922 |Paraluman |Vocal, Waltz | |Tagalog Lyrics by Mariano Velayo | Published | - |1922 |Valse in D-flat |Piano Solo |11 | | - |1922 |An Offertory to St.
Edit intent: coherence
Original:  dedicated to Antonio Molina  |  - |1921 |Valse Caprice |Piano solo | |dedicated to Pedro Eloriaga |  - |1922 |Serenade |Chamber | |for Cello and Piano |  - |1922 |Ang Aking Bayan |Vocal | |Tagalog Lyrics by the composer |  - |1922 |Paraluman |Vocal, Waltz | |Tagalog Lyrics by Mariano Velayo |  - |1922 |Valse in D-flat |Piano Solo |11 | |  - |1922 |An Offertory to St.
Revised:  dedicated to Antonio Molina | - |1921 |Valse Caprice |Piano solo | |dedicated to Pedro Eloriaga | - |1922 |Serenade |Chamber | |for Cello and Piano | - |1922 |Ang Aking Bayan |Vocal | |Tagalog Lyrics by the composer | - |1922 |Paraluman |Vocal, Waltz | |Tagalog Lyrics by Mariano Velayo | - |1922 |Valse in D-flat |Piano Solo |11 | | Lost | - |1922 |An Offertory to St.
Edit intent: clarity
Original:  Cecilia |Vocal, Sacred | | |  - |1922 |A Historical Pageant |Band, Incidental Music | |Consists of an Overture and 12 other movements: I. Sight of the Ship, II-IV.
Revised:  Cecilia |Vocal, Sacred | | | | - |1922 |A Historical Pageant |Band, Incidental Music | |Consists of an Overture and 12 other movements: I. Sight of the Ship, II-IV.
Edit intent: fluency
Original:  |  - |1922  September 13 |Initiation Song |Vocal | |for the Rizal Center Fraternity |  -
Revised:  | Ms. | - |1922 September 13 |Initiation Song |Vocal | |for the Rizal Center Fraternity | -
Edit intent: fluency
Original:  |  - |1922  September 13 |Initiation Song |Vocal | |for the Rizal Center Fraternity |  -
Revised:  | - |1922 September 13 |Initiation Song |Vocal | |for the Rizal Center Fraternity | | -
Edit intent: fluency
Original:  |1922 |Ang Mestisa |Sarswela | |libretto by Ingracio Valmonte |  - |1922 November 30 |Bonifacio Song |Vocal, March | |English Lyrics by Francisco Carballo |  - |1923 |Nasaan ka Irog |Vocal, Kundiman | |Tagalos Lurics by Nemestio Asistio, Spanish version by Jesus Balmori |  - |1923 |Kundiman |Chamber | |for Violin and Piano |  - |1923 |Piano Concerto in B-flat minor |Concerto |12 |In 3 Movements: Allegro Moderato, Andante, Allegro Fantastico.
Revised:  |1922 |Ang Mestisa |Sarswela | |libretto by Ingracio Valmonte | | - |1922 November 30 |Bonifacio Song |Vocal, March | |English Lyrics by Francisco Carballo | - |1923 |Nasaan ka Irog |Vocal, Kundiman | |Tagalos Lurics by Nemestio Asistio, Spanish version by Jesus Balmori | - |1923 |Kundiman |Chamber | |for Violin and Piano | - |1923 |Piano Concerto in B-flat minor |Concerto |12 |In 3 Movements: Allegro Moderato, Andante, Allegro Fantastico.
Edit intent: fluency
Original:  |1922 |Ang Mestisa |Sarswela | |libretto by Ingracio Valmonte |  - |1922 November 30 |Bonifacio Song |Vocal, March | |English Lyrics by Francisco Carballo |  - |1923 |Nasaan ka Irog |Vocal, Kundiman | |Tagalos Lurics by Nemestio Asistio, Spanish version by Jesus Balmori |  - |1923 |Kundiman |Chamber | |for Violin and Piano |  - |1923 |Piano Concerto in B-flat minor |Concerto |12 |In 3 Movements: Allegro Moderato, Andante, Allegro Fantastico.
Revised:  |1922 |Ang Mestisa |Sarswela | |libretto by Ingracio Valmonte | - |1922 November 30 |Bonifacio Song |Vocal, March | |English Lyrics by Francisco Carballo | | - |1923 |Nasaan ka Irog |Vocal, Kundiman | |Tagalos Lurics by Nemestio Asistio, Spanish version by Jesus Balmori | - |1923 |Kundiman |Chamber | |for Violin and Piano | - |1923 |Piano Concerto in B-flat minor |Concerto |12 |In 3 Movements: Allegro Moderato, Andante, Allegro Fantastico.
Edit intent: fluency
Original:  |1922 |Ang Mestisa |Sarswela | |libretto by Ingracio Valmonte |  - |1922 November 30 |Bonifacio Song |Vocal, March | |English Lyrics by Francisco Carballo |  - |1923 |Nasaan ka Irog |Vocal, Kundiman | |Tagalos Lurics by Nemestio Asistio, Spanish version by Jesus Balmori |  - |1923 |Kundiman |Chamber | |for Violin and Piano |  - |1923 |Piano Concerto in B-flat minor |Concerto |12 |In 3 Movements: Allegro Moderato, Andante, Allegro Fantastico.
Revised:  |1922 |Ang Mestisa |Sarswela | |libretto by Ingracio Valmonte | - |1922 November 30 |Bonifacio Song |Vocal, March | |English Lyrics by Francisco Carballo | - |1923 |Nasaan ka Irog |Vocal, Kundiman | |Tagalos Lurics by Nemestio Asistio, Spanish version by Jesus Balmori | Published | - |1923 |Kundiman |Chamber | |for Violin and Piano | - |1923 |Piano Concerto in B-flat minor |Concerto |12 |In 3 Movements: Allegro Moderato, Andante, Allegro Fantastico.
Edit intent: coherence
Original:  |1922 |Ang Mestisa |Sarswela | |libretto by Ingracio Valmonte |  - |1922 November 30 |Bonifacio Song |Vocal, March | |English Lyrics by Francisco Carballo |  - |1923 |Nasaan ka Irog |Vocal, Kundiman | |Tagalos Lurics by Nemestio Asistio, Spanish version by Jesus Balmori |  - |1923 |Kundiman |Chamber | |for Violin and Piano |  - |1923 |Piano Concerto in B-flat minor |Concerto |12 |In 3 Movements: Allegro Moderato, Andante, Allegro Fantastico.
Revised:  |1922 |Ang Mestisa |Sarswela | |libretto by Ingracio Valmonte | - |1922 November 30 |Bonifacio Song |Vocal, March | |English Lyrics by Francisco Carballo | - |1923 |Nasaan ka Irog |Vocal, Kundiman | |Tagalos Lurics by Nemestio Asistio, Spanish version by Jesus Balmori | - |1923 |Kundiman |Chamber | |for Violin and Piano | Published | - |1923 |Piano Concerto in B-flat minor |Concerto |12 |In 3 Movements: Allegro Moderato, Andante, Allegro Fantastico.
Edit intent: coherence
Original:  |  - |1923 |Processional March |Orchestral, March | | |  -
Revised:  | - |1923 |Processional March |Orchestral, March | | | | -
Edit intent: fluency
Original:  |1923 |Capriccio Espagnole |Chamber |15 |for violin and piano |  - |1923 |Pearl of the Orient |Band, March | |Recorded by the Baliuag Buenaventura Band in URL |  - |1924 January 9 |Wedding March |Orchestral, March | |for the wedding anniversary of Marcelo Adonay |  - |1924 March 29 |Stabat Mater |Vocal, Chamber, Sacred | | |  - |1924 |Meditation |Harmonium solo | | |  - |1924 |Kundiman ng Luha |Vocal, Kundiman | |Tagalog Lyrics by Jose Corazon de Jesus;
Revised:  |1923 |Capriccio Espagnole |Chamber |15 |for violin and piano | Published | - |1923 |Pearl of the Orient |Band, March | |Recorded by the Baliuag Buenaventura Band in URL | - |1924 January 9 |Wedding March |Orchestral, March | |for the wedding anniversary of Marcelo Adonay | - |1924 March 29 |Stabat Mater |Vocal, Chamber, Sacred | | | - |1924 |Meditation |Harmonium solo | | | - |1924 |Kundiman ng Luha |Vocal, Kundiman | |Tagalog Lyrics by Jose Corazon de Jesus;
Edit intent: fluency
Original:  |1923 |Capriccio Espagnole |Chamber |15 |for violin and piano |  - |1923 |Pearl of the Orient |Band, March | |Recorded by the Baliuag Buenaventura Band in URL |  - |1924 January 9 |Wedding March |Orchestral, March | |for the wedding anniversary of Marcelo Adonay |  - |1924 March 29 |Stabat Mater |Vocal, Chamber, Sacred | | |  - |1924 |Meditation |Harmonium solo | | |  - |1924 |Kundiman ng Luha |Vocal, Kundiman | |Tagalog Lyrics by Jose Corazon de Jesus;
Revised:  |1923 |Capriccio Espagnole |Chamber |15 |for violin and piano | - |1923 |Pearl of the Orient |Band, March | |Recorded by the Baliuag Buenaventura Band in URL | - |1924 January 9 |Wedding March |Orchestral, March | |for the wedding anniversary of Marcelo Adonay | | - |1924 March 29 |Stabat Mater |Vocal, Chamber, Sacred | | | - |1924 |Meditation |Harmonium solo | | | - |1924 |Kundiman ng Luha |Vocal, Kundiman | |Tagalog Lyrics by Jose Corazon de Jesus;
Edit intent: fluency
Original:  |1923 |Capriccio Espagnole |Chamber |15 |for violin and piano |  - |1923 |Pearl of the Orient |Band, March | |Recorded by the Baliuag Buenaventura Band in URL |  - |1924 January 9 |Wedding March |Orchestral, March | |for the wedding anniversary of Marcelo Adonay |  - |1924 March 29 |Stabat Mater |Vocal, Chamber, Sacred | | |  - |1924 |Meditation |Harmonium solo | | |  - |1924 |Kundiman ng Luha |Vocal, Kundiman | |Tagalog Lyrics by Jose Corazon de Jesus;
Revised:  |1923 |Capriccio Espagnole |Chamber |15 |for violin and piano | - |1923 |Pearl of the Orient |Band, March | |Recorded by the Baliuag Buenaventura Band in URL | - |1924 January 9 |Wedding March |Orchestral, March | |for the wedding anniversary of Marcelo Adonay | - |1924 March 29 |Stabat Mater |Vocal, Chamber, Sacred | | | Ms. | - |1924 |Meditation |Harmonium solo | | | - |1924 |Kundiman ng Luha |Vocal, Kundiman | |Tagalog Lyrics by Jose Corazon de Jesus;
Edit intent: coherence
Original:  |1923 |Capriccio Espagnole |Chamber |15 |for violin and piano |  - |1923 |Pearl of the Orient |Band, March | |Recorded by the Baliuag Buenaventura Band in URL |  - |1924 January 9 |Wedding March |Orchestral, March | |for the wedding anniversary of Marcelo Adonay |  - |1924 March 29 |Stabat Mater |Vocal, Chamber, Sacred | | |  - |1924 |Meditation |Harmonium solo | | |  - |1924 |Kundiman ng Luha |Vocal, Kundiman | |Tagalog Lyrics by Jose Corazon de Jesus;
Revised:  |1923 |Capriccio Espagnole |Chamber |15 |for violin and piano | - |1923 |Pearl of the Orient |Band, March | |Recorded by the Baliuag Buenaventura Band in URL | - |1924 January 9 |Wedding March |Orchestral, March | |for the wedding anniversary of Marcelo Adonay | - |1924 March 29 |Stabat Mater |Vocal, Chamber, Sacred | | | - |1924 |Meditation |Harmonium solo | | | | - |1924 |Kundiman ng Luha |Vocal, Kundiman | |Tagalog Lyrics by Jose Corazon de Jesus;
Edit intent: fluency
Original:  Dedicated to Samahang Bulakan |  - |1924 |Petite Serenade |Chamber | |for violin and piano |  - |1924 December 30 |Ultimo Adios |Choral, Orchestral | |for Female Chorus and Orchestra;
Revised:  Dedicated to Samahang Bulakan | - |1924 |Petite Serenade |Chamber | |for violin and piano | | - |1924 December 30 |Ultimo Adios |Choral, Orchestral | |for Female Chorus and Orchestra;
Edit intent: fluency
Original:  with violin obbligato |  - |1925 |Pahimakas |Vocal | |Tagalog Lyrics by Jose Corazon de Jesus;
Revised:  with violin obbligato | | - |1925 |Pahimakas |Vocal | |Tagalog Lyrics by Jose Corazon de Jesus;
Edit intent: fluency
Original:  |  - |1926 |Bituing Marikit |Vocal, Danza Menor | |from the sarswela Dakilang Punglo |  -
Revised:  | | - |1926 |Bituing Marikit |Vocal, Danza Menor | |from the sarswela Dakilang Punglo | -
Edit intent: fluency
Original:  |1926 |Health Service Hymn |Choral, Hymn | |for the Philippine Health Service, Manila |  - |1926 |Mutya ng Pasig |Vocal, Kumintang | |Tagalog Lyrics by Deogracias A. Rosario, later arranged for orchestra by the composer |  - |1928 |Himutok |Vocal, Kundiman | |Tagalog Lyrics by the composer |  - |1928 |Valse Extase |Chamber, Waltz | |for saxophone and piano |  - |1928 |National Heroes' Day Hymn |Choral, Hymn | |Lyrics by Alfredo B.
Revised:  |1926 |Health Service Hymn |Choral, Hymn | |for the Philippine Health Service, Manila | | - |1926 |Mutya ng Pasig |Vocal, Kumintang | |Tagalog Lyrics by Deogracias A. Rosario, later arranged for orchestra by the composer | - |1928 |Himutok |Vocal, Kundiman | |Tagalog Lyrics by the composer | - |1928 |Valse Extase |Chamber, Waltz | |for saxophone and piano | - |1928 |National Heroes' Day Hymn |Choral, Hymn | |Lyrics by Alfredo B.
Edit intent: fluency
Original:  |1926 |Health Service Hymn |Choral, Hymn | |for the Philippine Health Service, Manila |  - |1926 |Mutya ng Pasig |Vocal, Kumintang | |Tagalog Lyrics by Deogracias A. Rosario, later arranged for orchestra by the composer |  - |1928 |Himutok |Vocal, Kundiman | |Tagalog Lyrics by the composer |  - |1928 |Valse Extase |Chamber, Waltz | |for saxophone and piano |  - |1928 |National Heroes' Day Hymn |Choral, Hymn | |Lyrics by Alfredo B.
Revised:  |1926 |Health Service Hymn |Choral, Hymn | |for the Philippine Health Service, Manila | - |1926 |Mutya ng Pasig |Vocal, Kumintang | |Tagalog Lyrics by Deogracias A. Rosario, later arranged for orchestra by the composer | Published | - |1928 |Himutok |Vocal, Kundiman | |Tagalog Lyrics by the composer | - |1928 |Valse Extase |Chamber, Waltz | |for saxophone and piano | - |1928 |National Heroes' Day Hymn |Choral, Hymn | |Lyrics by Alfredo B.
Edit intent: coherence
Original:  |1926 |Health Service Hymn |Choral, Hymn | |for the Philippine Health Service, Manila |  - |1926 |Mutya ng Pasig |Vocal, Kumintang | |Tagalog Lyrics by Deogracias A. Rosario, later arranged for orchestra by the composer |  - |1928 |Himutok |Vocal, Kundiman | |Tagalog Lyrics by the composer |  - |1928 |Valse Extase |Chamber, Waltz | |for saxophone and piano |  - |1928 |National Heroes' Day Hymn |Choral, Hymn | |Lyrics by Alfredo B.
Revised:  |1926 |Health Service Hymn |Choral, Hymn | |for the Philippine Health Service, Manila | - |1926 |Mutya ng Pasig |Vocal, Kumintang | |Tagalog Lyrics by Deogracias A. Rosario, later arranged for orchestra by the composer | - |1928 |Himutok |Vocal, Kundiman | |Tagalog Lyrics by the composer | Published | - |1928 |Valse Extase |Chamber, Waltz | |for saxophone and piano | - |1928 |National Heroes' Day Hymn |Choral, Hymn | |Lyrics by Alfredo B.
Edit intent: coherence
Original:  |1926 |Health Service Hymn |Choral, Hymn | |for the Philippine Health Service, Manila |  - |1926 |Mutya ng Pasig |Vocal, Kumintang | |Tagalog Lyrics by Deogracias A. Rosario, later arranged for orchestra by the composer |  - |1928 |Himutok |Vocal, Kundiman | |Tagalog Lyrics by the composer |  - |1928 |Valse Extase |Chamber, Waltz | |for saxophone and piano |  - |1928 |National Heroes' Day Hymn |Choral, Hymn | |Lyrics by Alfredo B.
Revised:  |1926 |Health Service Hymn |Choral, Hymn | |for the Philippine Health Service, Manila | - |1926 |Mutya ng Pasig |Vocal, Kumintang | |Tagalog Lyrics by Deogracias A. Rosario, later arranged for orchestra by the composer | - |1928 |Himutok |Vocal, Kundiman | |Tagalog Lyrics by the composer | - |1928 |Valse Extase |Chamber, Waltz | |for saxophone and piano | | - |1928 |National Heroes' Day Hymn |Choral, Hymn | |Lyrics by Alfredo B.
Edit intent: fluency
Original:  German |  - |1928 |Into your Eyes |Vocal, Ballad | |English lyrics by Paul R. Verzosa |  - |1929 December 23 |Balitaw |Vocal, Ballad | |Visayan Lyrics by Ramon Abellanos, Tagalogg Byrics by the composer |  - |1929 |Pahiwatig |Vocal, Danza | |Tagalog Lyrics by the composer.
Revised:  German | Published | - |1928 |Into your Eyes |Vocal, Ballad | |English lyrics by Paul R. Verzosa | - |1929 December 23 |Balitaw |Vocal, Ballad | |Visayan Lyrics by Ramon Abellanos, Tagalogg Byrics by the composer | - |1929 |Pahiwatig |Vocal, Danza | |Tagalog Lyrics by the composer.
Edit intent: coherence
Original:  German |  - |1928 |Into your Eyes |Vocal, Ballad | |English lyrics by Paul R. Verzosa |  - |1929 December 23 |Balitaw |Vocal, Ballad | |Visayan Lyrics by Ramon Abellanos, Tagalogg Byrics by the composer |  - |1929 |Pahiwatig |Vocal, Danza | |Tagalog Lyrics by the composer.
Revised:  German | - |1928 |Into your Eyes |Vocal, Ballad | |English lyrics by Paul R. Verzosa | | - |1929 December 23 |Balitaw |Vocal, Ballad | |Visayan Lyrics by Ramon Abellanos, Tagalogg Byrics by the composer | - |1929 |Pahiwatig |Vocal, Danza | |Tagalog Lyrics by the composer.
Edit intent: fluency
Original:  German |  - |1928 |Into your Eyes |Vocal, Ballad | |English lyrics by Paul R. Verzosa |  - |1929 December 23 |Balitaw |Vocal, Ballad | |Visayan Lyrics by Ramon Abellanos, Tagalogg Byrics by the composer |  - |1929 |Pahiwatig |Vocal, Danza | |Tagalog Lyrics by the composer.
Revised:  German | - |1928 |Into your Eyes |Vocal, Ballad | |English lyrics by Paul R. Verzosa | - |1929 December 23 |Balitaw |Vocal, Ballad | |Visayan Lyrics by Ramon Abellanos, Tagalogg Byrics by the composer | | - |1929 |Pahiwatig |Vocal, Danza | |Tagalog Lyrics by the composer.
Edit intent: fluency
Original:  |1929 |Reverie |Chamber | |for violin and piano |  -
Revised:  |1929 |Reverie |Chamber | |for violin and piano | | -
Edit intent: fluency
Original:  |1929 December 23 |Paalam sa Pagkakadalaga |Folk | |Folk song arrangement |  -
Revised:  |1929 December 23 |Paalam sa Pagkakadalaga |Folk | |Folk song arrangement | | -
Edit intent: fluency
Original:  |1929 December 23 |Lulay |Folk | |Folk song arrangement |  -
Revised:  |1929 December 23 |Lulay |Folk | |Folk song arrangement | | -
Edit intent: fluency
Original:  |1929 December 23 |May Isang Bulaklak na Ibig Lumitaw |Folk | |Folk song arrangement |  -
Revised:  |1929 December 23 |May Isang Bulaklak na Ibig Lumitaw |Folk | |Folk song arrangement | | -
Edit intent: fluency
Original:  |1930 |Kumintang ng Bayan |Vocal, Kumintang | |Lyrics by the composer |  - |1930 |Kung ako'y Umibig |Vocal, Kundiman | |Lyrics by the composer |  - |1930 May |Himno Masonico |Choral, Hymn | |winner in a contest by the Grand Lodge of Manila |  - |1930 |Halika, Magandang Mutya |Vocal, Serenade | |Lyrics by the composer |  - |1930 |Marcha Triunfal |March | |Dedicated to Logia Isla de Luzon no. 57 |  - |1930 |Sa Iyong Kandungan |Vocal, Kundiman | |Tagalog Lyrics by the composer;
Revised:  |1930 |Kumintang ng Bayan |Vocal, Kumintang | |Lyrics by the composer | | - |1930 |Kung ako'y Umibig |Vocal, Kundiman | |Lyrics by the composer | - |1930 May |Himno Masonico |Choral, Hymn | |winner in a contest by the Grand Lodge of Manila | - |1930 |Halika, Magandang Mutya |Vocal, Serenade | |Lyrics by the composer | - |1930 |Marcha Triunfal |March | |Dedicated to Logia Isla de Luzon no. 57 | - |1930 |Sa Iyong Kandungan |Vocal, Kundiman | |Tagalog Lyrics by the composer;
Edit intent: fluency
Original:  |1930 |Kumintang ng Bayan |Vocal, Kumintang | |Lyrics by the composer |  - |1930 |Kung ako'y Umibig |Vocal, Kundiman | |Lyrics by the composer |  - |1930 May |Himno Masonico |Choral, Hymn | |winner in a contest by the Grand Lodge of Manila |  - |1930 |Halika, Magandang Mutya |Vocal, Serenade | |Lyrics by the composer |  - |1930 |Marcha Triunfal |March | |Dedicated to Logia Isla de Luzon no. 57 |  - |1930 |Sa Iyong Kandungan |Vocal, Kundiman | |Tagalog Lyrics by the composer;
Revised:  |1930 |Kumintang ng Bayan |Vocal, Kumintang | |Lyrics by the composer | - |1930 |Kung ako'y Umibig |Vocal, Kundiman | |Lyrics by the composer | - |1930 May |Himno Masonico |Choral, Hymn | |winner in a contest by the Grand Lodge of Manila | | - |1930 |Halika, Magandang Mutya |Vocal, Serenade | |Lyrics by the composer | - |1930 |Marcha Triunfal |March | |Dedicated to Logia Isla de Luzon no. 57 | - |1930 |Sa Iyong Kandungan |Vocal, Kundiman | |Tagalog Lyrics by the composer;
Edit intent: fluency
Original:  |1930 |Kumintang ng Bayan |Vocal, Kumintang | |Lyrics by the composer |  - |1930 |Kung ako'y Umibig |Vocal, Kundiman | |Lyrics by the composer |  - |1930 May |Himno Masonico |Choral, Hymn | |winner in a contest by the Grand Lodge of Manila |  - |1930 |Halika, Magandang Mutya |Vocal, Serenade | |Lyrics by the composer |  - |1930 |Marcha Triunfal |March | |Dedicated to Logia Isla de Luzon no. 57 |  - |1930 |Sa Iyong Kandungan |Vocal, Kundiman | |Tagalog Lyrics by the composer;
Revised:  |1930 |Kumintang ng Bayan |Vocal, Kumintang | |Lyrics by the composer | - |1930 |Kung ako'y Umibig |Vocal, Kundiman | |Lyrics by the composer | - |1930 May |Himno Masonico |Choral, Hymn | |winner in a contest by the Grand Lodge of Manila | - |1930 |Halika, Magandang Mutya |Vocal, Serenade | |Lyrics by the composer | | - |1930 |Marcha Triunfal |March | |Dedicated to Logia Isla de Luzon no. 57 | - |1930 |Sa Iyong Kandungan |Vocal, Kundiman | |Tagalog Lyrics by the composer;
Edit intent: fluency
Original:  |1930 |Kumintang ng Bayan |Vocal, Kumintang | |Lyrics by the composer |  - |1930 |Kung ako'y Umibig |Vocal, Kundiman | |Lyrics by the composer |  - |1930 May |Himno Masonico |Choral, Hymn | |winner in a contest by the Grand Lodge of Manila |  - |1930 |Halika, Magandang Mutya |Vocal, Serenade | |Lyrics by the composer |  - |1930 |Marcha Triunfal |March | |Dedicated to Logia Isla de Luzon no. 57 |  - |1930 |Sa Iyong Kandungan |Vocal, Kundiman | |Tagalog Lyrics by the composer;
Revised:  |1930 |Kumintang ng Bayan |Vocal, Kumintang | |Lyrics by the composer | - |1930 |Kung ako'y Umibig |Vocal, Kundiman | |Lyrics by the composer | - |1930 May |Himno Masonico |Choral, Hymn | |winner in a contest by the Grand Lodge of Manila | - |1930 |Halika, Magandang Mutya |Vocal, Serenade | |Lyrics by the composer | - |1930 |Marcha Triunfal |March | |Dedicated to Logia Isla de Luzon no. 57 | | - |1930 |Sa Iyong Kandungan |Vocal, Kundiman | |Tagalog Lyrics by the composer;
Edit intent: fluency
Original:  Sugbuanon Lyrics by Manuel Velez |  - |1930 |Nasaan ang aking Puso |Vocal, Kundiman | | |  - |1930 |Naku Kenkoy |Vocal | |Tagalog Lyrics by Romulado G. Ramos |  - |1930 April 17 |Tayo'y Pakasal na |Vocal, Sarswela | |A song from a sarswela by Servando de los Angeles |  - |1930 |Reminiscenes |Vocal | |Favorite song of Isagani Velayo's grandmother transcribed by Abelardo.
Revised:  Sugbuanon Lyrics by Manuel Velez | Published | - |1930 |Nasaan ang aking Puso |Vocal, Kundiman | | | - |1930 |Naku Kenkoy |Vocal | |Tagalog Lyrics by Romulado G. Ramos | - |1930 April 17 |Tayo'y Pakasal na |Vocal, Sarswela | |A song from a sarswela by Servando de los Angeles | - |1930 |Reminiscenes |Vocal | |Favorite song of Isagani Velayo's grandmother transcribed by Abelardo.
Edit intent: coherence
Original:  Sugbuanon Lyrics by Manuel Velez |  - |1930 |Nasaan ang aking Puso |Vocal, Kundiman | | |  - |1930 |Naku Kenkoy |Vocal | |Tagalog Lyrics by Romulado G. Ramos |  - |1930 April 17 |Tayo'y Pakasal na |Vocal, Sarswela | |A song from a sarswela by Servando de los Angeles |  - |1930 |Reminiscenes |Vocal | |Favorite song of Isagani Velayo's grandmother transcribed by Abelardo.
Revised:  Sugbuanon Lyrics by Manuel Velez | - |1930 |Nasaan ang aking Puso |Vocal, Kundiman | | | Published | - |1930 |Naku Kenkoy |Vocal | |Tagalog Lyrics by Romulado G. Ramos | - |1930 April 17 |Tayo'y Pakasal na |Vocal, Sarswela | |A song from a sarswela by Servando de los Angeles | - |1930 |Reminiscenes |Vocal | |Favorite song of Isagani Velayo's grandmother transcribed by Abelardo.
Edit intent: coherence