wanyu/IteraTeR_v2 huggingface dataset:
Original:   One of the key contributions of Cohen and Stewart  is the way they relate, through the idea of complicity, the individual to the pooled sum of human knowledge.
Revised:  ) One of the key contributions of Cohen and Stewart is the way they relate, through the idea of complicity, the individual to the pooled sum of human knowledge.
Edit intent: fluency
Original:   One of the key contributions of Cohen and Stewart  is the way they relate, through the idea of complicity, the individual to the pooled sum of human knowledge.
Revised:  One of Cohen and Stewart is the way they relate, through the idea of complicity, the individual to the pooled sum of human knowledge.
Edit intent: clarity
Original:  It is defined in the book as all of the cultural capital that is available to us in the form of extermal media (e.g. tribal legends, folklore, nursery rhymes, books, videotapes, CD-ROMs, etc.)
Revised:  They define it as the cultural capital that is available to us in the form of extermal media (e.g. tribal legends, folklore, nursery rhymes, books, videotapes, CD-ROMs, etc.)
Edit intent: clarity
Original:  It is defined in the book as all of the cultural capital that is available to us in the form of extermal media (e.g. tribal legends, folklore, nursery rhymes, books, videotapes, CD-ROMs, etc.)
Revised:  It is defined in the book as all of the cultural capital that is available to us in the form of external media (e.g. tribal legends, folklore, nursery rhymes, books, videotapes, CD-ROMs, etc.)
Edit intent: fluency
Original:  ‘Complicity’ is a combination of complexity and simplicity, and Cohen and Stewart use it to express the close and interdependent relationship between knowledge-inside-one's-head and knowledge-outside-one's-head which can be readily accessed.
Revised:  ‘Complicity’ is a combination of complexity and simplicity, and Cohen and Stewart use it to express the interdependent relationship between knowledge-inside-one's-head and knowledge-outside-one's-head which can be readily accessed.
Edit intent: clarity
Original:  ‘Complicity’ is a combination of complexity and simplicity, and Cohen and Stewart use it to express the close and interdependent relationship between knowledge-inside-one's-head and knowledge-outside-one's-head which can be readily accessed.
Revised:  ‘Complicity’ is a combination of complexity and simplicity, and Cohen and Stewart use it to express the close and interdependent relationship between knowledge-inside-one's-head and knowledge-outside-one's-head that can be readily accessed.
Edit intent: fluency
Original:  One of Cohen and Stewart's key contributions is the way they relate, through the idea of complicity, the individual to the pooled sum of human knowledge.
Revised:  One of Cohen and Stewart's contributions is the way they relate, through the idea of complicity, the individual to the pooled sum of human knowledge.
Edit intent: clarity
Original:  One of Cohen and Stewart's key contributions is the way they relate, through the idea of complicity, the individual to the pooled sum of human knowledge.
Revised:  One of Cohen and Stewart's key contributions is the way they relate, through the idea of complicity, the individual to the sum of human knowledge.
Edit intent: clarity
Original:  There is a total phase space (intelligence space) for the human race, which consists of everything that could be known and represented.
Revised:  There is a total phase space (intelligence space) for the human race, which consists of everything that can be known and represented.
Edit intent: fluency
Original:  Within this there is a smaller (but still enormous and rapidly expanding) set of what is actually known . Cohen and Stewart propose the idea that each individual can only access the parts of the total extelligence space with which their intelligence is complicit.
Revised:  Within this there is a smaller set of what is actually known . Cohen and Stewart propose the idea that each individual can only access the parts of the total extelligence space with which their intelligence is complicit.
Edit intent: clarity
Original:  Within this there is a smaller (but still enormous and rapidly expanding) set of what is actually known . Cohen and Stewart propose the idea that each individual can only access the parts of the total extelligence space with which their intelligence is complicit.
Revised:  Within this there is a smaller (but still enormous and rapidly expanding) set of what is known at any given time . Cohen and Stewart propose the idea that each individual can only access the parts of the total extelligence space with which their intelligence is complicit.
Edit intent: clarity
Original:  Within this there is a smaller (but still enormous and rapidly expanding) set of what is actually known . Cohen and Stewart propose the idea that each individual can only access the parts of the total extelligence space with which their intelligence is complicit.
Revised:  Within this there is a smaller (but still enormous and rapidly expanding) set of what is actually known . Cohen and Stewart propose the idea that each individual can access the parts of the total extelligence space with which their intelligence is complicit.
Edit intent: clarity
Original:  Within this there is a smaller (but still enormous and rapidly expanding) set of what is actually known . Cohen and Stewart propose the idea that each individual can only access the parts of the total extelligence space with which their intelligence is complicit.
Revised:  Within this there is a smaller (but still enormous and rapidly expanding) set of what is actually known . Cohen and Stewart propose the idea that each individual can only access the parts of the extelligence space with which their intelligence is complicit.
Edit intent: clarity
Original:  Much of this ‘appreciation’ falls into the category of tacit knowledge(Polanyi 1967) and social and cultural learning  (Lave and Wenger 1991) . As an example, a dictionary may contain definitions of many thousands of words.
Revised:  Much of this ‘appreciation’ falls into the category of tacit knowledge(Polanyi 1967) and social and cultural learning . (Lave and Wenger 1991) . As an example, a dictionary may contain definitions of many thousands of words.
Edit intent: fluency
Original:  Much of this ‘appreciation’ falls into the category of tacit knowledge(Polanyi 1967) and social and cultural learning  (Lave and Wenger 1991) . As an example, a dictionary may contain definitions of many thousands of words.
Revised:  Much of this ‘appreciation’ falls into the category of tacit knowledge(Polanyi 1967) and social and cultural learning (Lave and Wenger 1991) As an example, a dictionary may contain definitions of many thousands of words.
Edit intent: fluency
Original:  Much of this ‘appreciation’ falls into the category of tacit knowledge(Polanyi 1967) and social and cultural learning  (Lave and Wenger 1991) . As an example, a dictionary may contain definitions of many thousands of words.
Revised:  Much of this ‘appreciation’ falls into the category of tacit knowledge(Polanyi 1967) and social and cultural learning (Lave and Wenger 1991) . As an example, a dictionary may contain definitions of many words.
Edit intent: clarity
Original:  But only those definitions that can be understood by the reader , i. e. they can interpret the verbal symbols and relate them to concepts that her/his mind can work with, will be accessible. 
Revised:  But only those definitions that can be understood by the reader . 
Edit intent: coherence
Original:  But only those definitions that can be understood by the reader , i. e. they can interpret the verbal symbols and relate them to concepts that her/his mind can work with, will be accessible. 
Revised:  But only those definitions that can be understood by the reader , i. e. they can interpret the verbal symbols and relate them to concepts that her/his mind can work with, will be accessible. Reference
Edit intent: coherence
Original:  Furthermore, they regard the ‘complicity’ of extelligence and intelligence as fundamental to the development of consciousness in evolutionary terms for both the species and the individual.
Revised:  Furthermore, they regard the 'complicity' of extelligence and intelligence as fundamental to the development of consciousness in evolutionary terms for both the species and the individual.
Edit intent: fluency
Original:  Much of this ‘appreciation’ falls into the category of tacit knowledge(Polanyi 1967) and social and cultural learning.
Revised:  Much of this 'appreciation' falls into the category of tacit knowledge(Polanyi 1967) and social and cultural learning.
Edit intent: fluency
Original:  But only those definitions that can be understood by the reader . References%DIFDELCMD < %DIFDELCMD < %%% Category:Intelligence Category:1990s neologisms Category:Concepts in social philosop
Revised:  But only those definitions that can be understood by the reader References%DIFDELCMD < %DIFDELCMD < %%% Category:Intelligence Category:1990s neologisms Category:Concepts in social philosop
Edit intent: fluency
Original:  But only those definitions that can be understood by the reader . References%DIFDELCMD < %DIFDELCMD < %%% Category:Intelligence Category:1990s neologisms Category:Concepts in social philosop
Revised:  But only those definitions that can be understood by the reader . %DIFDELCMD < %DIFDELCMD < %%% Category:Intelligence Category:1990s neologisms Category:Concepts in social philosop
Edit intent: fluency
Original:  But only those definitions that can be understood by the reader . References%DIFDELCMD < %DIFDELCMD < %%% Category:Intelligence Category:1990s neologisms Category:Concepts in social philosop
Revised:  But only those definitions that can be understood by the reader . References%DIFDELCMD < %DIFDELCMD < %%% 
Edit intent: coherence
Original: People educated at the Royal Ballet School Category:Alumni of University College London Category:English female sailors (sport) Category:Single-handed sailors Category:Volvo Ocean Race sailors Category:Circumnavigators of the globe Category:20th-century British women writers Category:21st-century  women writers Category:British women novelists Category:20th-century English novelists Category:21st-century English novelists Category:People with chronic fatigue syndro
Revised: People educated at the Royal Ballet School Category:Alumni of University College London Category:English female sailors (sport) Category:Single-handed sailors Category:Volvo Ocean Race sailors Category:Circumnavigators of the globe Category:20th-century British women writers Category:21st-century British women writers Category:British women novelists Category:20th-century English novelists Category:21st-century English novelists Category:People with chronic fatigue syndro
Edit intent: fluency
Original: Early ife Francis was born in Thames Ditton in Surrey and spent summer holidays on the Isle of Wight, where she learnt to sail.
Revised: Early Life Francis was born in Thames Ditton in Surrey and spent summer holidays on the Isle of Wight, where she learnt to sail.
Edit intent: fluency
Original:  He became friends with Eddie Cochran and Cochran's girlfriend, songwriter Sharon Sheeley, who had written "Poor Little Fool" for Ricky Nelson, and who helped him find work as a songwriter.
Revised:  He became friends with Eddie Cochran and Cochran's girlfriend, songwriter Sharon Sheeley, who had written "Poor Little Fool" for Ricky Nelson, and they helped him find work as a songwriter.
Edit intent: coherence
Original:  However, he refused to let Nelson record his tune "Just Relax", which he instead released it himself as a solo single in 1959, with Cochran on guitar, for Coral Records.
Revised:  However, he refused to let Nelson record his tune "Just Relax", which he instead released himself as a solo single in 1959, with Cochran on guitar, for Coral Records.
Edit intent: clarity
Original:  In 1966, Dean Martin picked up "Somewhere There's a Someone", one of eleven of Knight's songs he would cover.
Revised:  In 1966, Dean Martin picked up "Somewhere There's a Someone", the first of eleven of Knight's songs he would cover.
Edit intent: clarity
Original:  In 1971  he teamed with producer Jimmy Bowen and singers Kim Carnes and Mike Settle to create the bubblegum pop studio group The Sugar Bears.
Revised:  In 1971 , he teamed with producer Jimmy Bowen and singers Kim Carnes and Mike Settle to create the bubblegum pop studio group The Sugar Bears.
Edit intent: fluency
Original:  In the 1990s  he set up his own home studio and self-released several solo albums through his website, including The Way I Hear It, Music Is My Woman, and Music for Romantic Dreamers, the last one all instrumental.
Revised:  In the 1990s , he set up his own home studio and self-released several solo albums through his website, including The Way I Hear It, Music Is My Woman, and Music for Romantic Dreamers, the last one all instrumental.
Edit intent: fluency
Original:  In 1956 he founded a rockabilly group, Baker Knight and the Knightmares, with Shuler Brown (bass), A.D. Derby (keyboards), Bill Weinstein (drums), Glenn Lane (sax), and Nat Toderice (sax).
Revised:  In 1956 he founded a rockabilly group, Baker Knight and the Knightmares, with Shuler Brown (bass), A.D. Derby (keyboards), Bill Weinstein (drums), Glenn Lane (sax), and Nat Tortorici (sax).
Edit intent: clarity
Original: Thomas Baker Knight Jr. died from a self inflicted gun shot would to the head at his home in Birmingham, Alabama, in 2005 at the age of 72.
Revised: Thomas Baker Knight Jr. died from a self inflicted gun shot wound to the head at his home in Birmingham, Alabama, in 2005 at the age of 72.
Edit intent: fluency
Original: Thomas Baker Knight Jr. died peacefully from natural causes at his home in Birmingham, Alabama, in 2005 at the age of 72.
Revised: Thomas Baker Knight Jr. died in Birmingham, Alabama, in 2005 at the age of 72.
Edit intent: clarity
Original:  Bonga died there when he was around seventy eight years old.
Revised:  Bonga died there when he was around seventy years old.
Edit intent: clarity
Original: Eugenia Mandzhieva (Евгения Манджиева, born 2 September 1985) is a Russian fashion mode, Actressl of ethnic Kalmyk descent.
Revised: Eugenia Mandzhieva (Евгения Манджиева, born 2 September 1985) is a Russian fashion mode, Actress of ethnic Kalmyk descent.
Edit intent: fluency
Original: Eugenia Mandzhieva (Евгения Манджиева, born 2 September 1985) is a Russian fashion mode , Actress of ethnic Kalmyk descent.
Revised: Eugenia Mandzhieva (Евгения Манджиева, born 2 September 1985) is a Russian fashion model , Actress of ethnic Kalmyk descent.
Edit intent: fluency
Original: Eugenia Mandzhieva (Евгения Манджиева, born 2 September 1985) is a Russian fashion model , Actress of ethnic Kalmyk descent.
Revised: Eugenia Mandzhieva (Евгения Манджиева, born 2 September 1985) is a Russian fashion model of ethnic Kalmyk descent.
Edit intent: coherence
Original:   Category:Russian female models , actress Category:Living people Category:1985 births Category:Kalmyk peop
Revised:  Category:Russian female models Category:Living people Category:1985 births Category:Kalmyk peop
Edit intent: coherence
Original: Eugenia Mandzhieva ( Евгения Манджиева , born 2 September 1985) is a Russian fashion model and actress of ethnic Kalmyk descent.
Revised: Eugenia Mandzhieva ( , born 2 September 1985) is a Russian fashion model and actress of ethnic Kalmyk descent.
Edit intent: coherence
Original:  She made her big screen debut with The Gulls, a Russian drama in Kalmyk language that premiered at the 2015 Berlinale.
Revised:  She made her big screen debut with The Gulls, a Russian drama in Kalmyk that premiered at the 2015 Berlinale.
Edit intent: clarity
Original: Eugenia Mandzhieva (, born 2 September 1985) is a Russian fashion model and actress of ethnic Kalmyk descent.
Revised: Eugenia Mandzhieva (, born 2 September 1985) is a Russian fashion model and actress of Kalmyk descent.
Edit intent: clarity
Original:  She has appeared on the cover of Russian Vogue and Vogue China and is a regular  on the runway for Jean-Paul Gaultier, Marc Jacobs, Hugo Boss, Vera Wang, Vivienne Westwood and others.
Revised:  She has appeared on the cover of Russian Vogue and Vogue China and is a regular model on the runway for Jean-Paul Gaultier, Marc Jacobs, Hugo Boss, Vera Wang, Vivienne Westwood and others.
Edit intent: clarity
Original:  She made her big screen debut with  The Gulls, a Russian drama in Kalmyk that premiered at the 2015 Berlinale.
Revised:  She made her big screen debut with the film The Gulls, a Russian drama in Kalmyk that premiered at the 2015 Berlinale.
Edit intent: clarity
Original: Additionally, she has been featured in advertising campaigns for Costume National, MAC Cosmetics, Vera Wang, Garnier, Diesel, Moschino and Uniqlo.
Revised: She has been featured in advertising campaigns for Costume National, MAC Cosmetics, Vera Wang, Garnier, Diesel, Moschino and Uniqlo.
Edit intent: coherence
Original:  Vol I Vol II Vol III Vol IV Vol IV 1/2 Vol V Greek Ideals and Modern Life, by Sir. R. W. Livingstone "The Growing Influence of Hellenism" "Greek Humanism" "Humanism in Politics and Economics" "The Age of Plato;
Revised:  Vol I Vol II Vol III Vol IV Vol V Greek Ideals and Modern Life, by Sir. R. W. Livingstone "The Growing Influence of Hellenism" "Greek Humanism" "Humanism in Politics and Economics" "The Age of Plato;
Edit intent: coherence
Original:  Volume I, by Louis E. Lord (1931) Volume II Aspects of Social Behavior in Ancient Rome, by Tenney Frank (1932) Volume III Attic Vase-painting, by Charles Seltman Volume IV Humanistic Value of Archaeology by Rhys Carpenter (1933) Volume V Greek Ideals and Modern Life, by Sir. R. W. Livingstone (1935) "The Growing Influence of Hellenism" "Greek Humanism" "Humanism in Politics and Economics" "The Age of Plato;
Revised:  Dates given are those of publication. Volume 1, Louis E. Lord (1931) Volume II Aspects of Social Behavior in Ancient Rome, by Tenney Frank (1932) Volume III Attic Vase-painting, by Charles Seltman Volume IV Humanistic Value of Archaeology by Rhys Carpenter (1933) Volume V Greek Ideals and Modern Life, by Sir. R. W. Livingstone (1935) "The Growing Influence of Hellenism" "Greek Humanism" "Humanism in Politics and Economics" "The Age of Plato;
Edit intent: clarity
Original:  Volume I, by Louis E. Lord (1931) Volume II Aspects of Social Behavior in Ancient Rome, by Tenney Frank (1932) Volume III Attic Vase-painting, by Charles Seltman Volume IV Humanistic Value of Archaeology by Rhys Carpenter (1933) Volume V Greek Ideals and Modern Life, by Sir. R. W. Livingstone (1935) "The Growing Influence of Hellenism" "Greek Humanism" "Humanism in Politics and Economics" "The Age of Plato;
Revised:  Volume I, by Louis E. Lord (1931) Volume II Aspects of Social Behavior in Ancient Rome, Tenney Frank (1932) Volume III Attic Vase-painting, by Charles Seltman Volume IV Humanistic Value of Archaeology by Rhys Carpenter (1933) Volume V Greek Ideals and Modern Life, by Sir. R. W. Livingstone (1935) "The Growing Influence of Hellenism" "Greek Humanism" "Humanism in Politics and Economics" "The Age of Plato;
Edit intent: fluency
Original:  Volume I, by Louis E. Lord (1931) Volume II Aspects of Social Behavior in Ancient Rome, by Tenney Frank (1932) Volume III Attic Vase-painting, by Charles Seltman Volume IV Humanistic Value of Archaeology by Rhys Carpenter (1933) Volume V Greek Ideals and Modern Life, by Sir. R. W. Livingstone (1935) "The Growing Influence of Hellenism" "Greek Humanism" "Humanism in Politics and Economics" "The Age of Plato;
Revised:  Volume I, by Louis E. Lord (1931) Volume II Aspects of Social Behavior in Ancient Rome, by Tenney Frank (1932) Volume 3 Attic Vase-painting, by Charles Seltman Volume IV Humanistic Value of Archaeology by Rhys Carpenter (1933) Volume V Greek Ideals and Modern Life, by Sir. R. W. Livingstone (1935) "The Growing Influence of Hellenism" "Greek Humanism" "Humanism in Politics and Economics" "The Age of Plato;
Edit intent: fluency
Original:  Volume I, by Louis E. Lord (1931) Volume II Aspects of Social Behavior in Ancient Rome, by Tenney Frank (1932) Volume III Attic Vase-painting, by Charles Seltman Volume IV Humanistic Value of Archaeology by Rhys Carpenter (1933) Volume V Greek Ideals and Modern Life, by Sir. R. W. Livingstone (1935) "The Growing Influence of Hellenism" "Greek Humanism" "Humanism in Politics and Economics" "The Age of Plato;
Revised:  Volume I, by Louis E. Lord (1931) Volume II Aspects of Social Behavior in Ancient Rome, by Tenney Frank (1932) Volume III Attic Vase-painting, Charles Seltman Volume IV Humanistic Value of Archaeology by Rhys Carpenter (1933) Volume V Greek Ideals and Modern Life, by Sir. R. W. Livingstone (1935) "The Growing Influence of Hellenism" "Greek Humanism" "Humanism in Politics and Economics" "The Age of Plato;
Edit intent: fluency
Original:  Volume I, by Louis E. Lord (1931) Volume II Aspects of Social Behavior in Ancient Rome, by Tenney Frank (1932) Volume III Attic Vase-painting, by Charles Seltman Volume IV Humanistic Value of Archaeology by Rhys Carpenter (1933) Volume V Greek Ideals and Modern Life, by Sir. R. W. Livingstone (1935) "The Growing Influence of Hellenism" "Greek Humanism" "Humanism in Politics and Economics" "The Age of Plato;
Revised:  Volume I, by Louis E. Lord (1931) Volume II Aspects of Social Behavior in Ancient Rome, by Tenney Frank (1932) Volume III Attic Vase-painting, by Charles Seltman Volume IV Humanistic Value of Archaeology Rhys Carpenter (1933) Volume V Greek Ideals and Modern Life, by Sir. R. W. Livingstone (1935) "The Growing Influence of Hellenism" "Greek Humanism" "Humanism in Politics and Economics" "The Age of Plato;
Edit intent: fluency
Original:  Volume I, by Louis E. Lord (1931) Volume II Aspects of Social Behavior in Ancient Rome, by Tenney Frank (1932) Volume III Attic Vase-painting, by Charles Seltman Volume IV Humanistic Value of Archaeology by Rhys Carpenter (1933) Volume V Greek Ideals and Modern Life, by Sir. R. W. Livingstone (1935) "The Growing Influence of Hellenism" "Greek Humanism" "Humanism in Politics and Economics" "The Age of Plato;
Revised:  Volume I, by Louis E. Lord (1931) Volume II Aspects of Social Behavior in Ancient Rome, by Tenney Frank (1932) Volume III Attic Vase-painting, by Charles Seltman Volume IV Humanistic Value of Archaeology by Rhys Carpenter (1933) Volume V Greek Ideals and Modern Life, Sir. R. W. Livingstone (1935) "The Growing Influence of Hellenism" "Greek Humanism" "Humanism in Politics and Economics" "The Age of Plato;
Edit intent: fluency
Original:  Volumes published by Harvard University Press Volume 1, Louis E. Lord (1931) Volume 2 Aspects of Social Behavior in Ancient Rome, Tenney Frank (1932) Volume 3 Attic Vase-painting, Charles Seltman  Volume 4 Humanistic Value of Archaeology Rhys Carpenter (1933) Volume 5 Greek Ideals and Modern Life, Sir. R. W. Livingstone (1935) Volume 6 Five men;
Revised:  Volumes published by Harvard University Press Volume 1, Louis E. Lord (1931) Volume 2 Aspects of Social Behavior in Ancient Rome, Tenney Frank (1932) Volume 3 Attic Vase-painting, Charles Seltman (1933) Volume 4 Humanistic Value of Archaeology Rhys Carpenter (1933) Volume 5 Greek Ideals and Modern Life, Sir. R. W. Livingstone (1935) Volume 6 Five men;
Edit intent: fluency