wanyu/IteraTeR_v2 huggingface dataset:
Original:  In Wabak, Papatie tells the story of the first Algonquian to be born and the experiences, good or evil, the young child will encounter through his path . Wabak earned Papatie and his co-director Gilles Penobsway two important prizes ;
Revised:  In Wabak, Papatie tells the story of the first Algonquian to be born and the experiences, good or evil, the young child will encounter through his path . Wabak earned Papatie and his co-director Gilles Penobsway two prizes ;
Edit intent: clarity
Original:  In 2014, the Algonquin director produced a striking experimental short Kokom as a tribute to his grandmother but also to the Anishnabe people’s history who remained strong throughout the years.
Revised:  In 2014, the Algonquin director produced an experimental short Kokom as a tribute to his grandmother but also to the Anishnabe people’s history who remained strong throughout the years.
Edit intent: clarity
Original:  The short was screened at several important international Film Festivals.
Revised:  The short was screened at several international Film Festivals.
Edit intent: clarity
Original:  Director but also film trainer, Papatie has been involved in The Wakiponi Mobile ;
Revised:  Papatie is involved with The Wakiponi Mobile ;
Edit intent: coherence
Original:  an media training and production mobile studio that has been touring Quebec’s Aboriginal communities offering audio-visual training internships for young First nation people.
Revised:  an media training and production studio that that travels to Quebec’s Aboriginal communities offering audio-visual training internships for young First nation people.
Edit intent: clarity
Original:  Director of numerous short films, almost all produced under the Wakiponi mobile, he is also the recipient of several awards from regional, national and international Film Festivals.
Edit intent: coherence
Original:  Wabak earned Papatie and his co-director Gilles Penobsway two prizes ;
Revised:  Wabak earned Papatie and his co-director Gilles Penobsway two prizes ,
Edit intent: fluency
Original:  The same year , Kevin Papatie directed his second short ;
Revised:  During that same year Kevin Papatie directed his second short ;
Edit intent: fluency
Original:  The same year , Kevin Papatie directed his second short ;
Revised:  The same year , Kevin Papatie directed his second short ,
Edit intent: fluency
Original:  Label as a humoristic documentary, the short present an overview of a dog, an animal with high developed senses, in comparison with the senses of man.
Edit intent: coherence
Original:  In 2007, Kevin Papatie release two short documentaries .
Revised:  In 2007, Kevin Papatie released two short documentaries .
Edit intent: fluency
Original:  Consider as one of his most successful film, The Amendment won the imagineNATIVE Best Indigenous Language Production Award when it was programmed as part of ShortCuts Canada at the  Toronto International Film Festival in 2008.
Revised:  Consider as one of his most successful film, The Amendment won the imagineNATIVE Best Indigenous Language Production Award when it was shown as part of ShortCuts Canada at the Toronto International Film Festival in 2008.
Edit intent: clarity
Original:  Consider as one of his most successful film, The Amendment won the imagineNATIVE Best Indigenous Language Production Award when it was programmed as part of ShortCuts Canada at the  Toronto International Film Festival in 2008.
Revised:  Consider as one of his most successful film, The Amendment won the imagineNATIVE Best Indigenous Language Production Award when it was programmed as part of ShortCuts Canada at the 2008 Toronto International Film Festival in 2008.
Edit intent: fluency
Original:  The same year , the producer Denise Robert gave the film the opportunity to have a theatrical release on 35 mm as a short preceding the film The Age of Ignorance directed by the French-Canadian filmmaker Denys Arcand.
Revised:  The same year , the producer Denise Robert gave the film the opportunity to have a theatrical release as a short preceding the film The Age of Ignorance directed by the French-Canadian filmmaker Denys Arcand.
Edit intent: coherence
Original:  The same year , the producer Denise Robert gave the film the opportunity to have a theatrical release on 35 mm as a short preceding the film The Age of Ignorance directed by the French-Canadian filmmaker Denys Arcand.
Revised:  The same year , the producer Denise Robert gave the film the opportunity to have a theatrical release on 35 mm as a short film preceding Denys Arcand's The Age of Ignorance directed by the French-Canadian filmmaker Denys Arcand.
Edit intent: clarity
Original:  In 2008 , the film won the Prix de l’image Sony (image prize) at The festival Filmer à tout prix in Brussels .
Revised:  In 2008 Prix de l’image Sony (image prize) at The festival Filmer à tout prix in Brussels .
Edit intent: clarity
Original:  In 2008 , the film won the Prix de l’image Sony (image prize) at The festival Filmer à tout prix in Brussels .
Revised:  In 2008 , the film won the Prix de l’image Sony at the festival Filmer à tout prix in Brussels .
Edit intent: coherence
Original:  In 2009 , The Amendment received the Identity Award at the Festival de cine de los Pueblos Indigenas y las naciones sin de Valparaiso in Chile.
Revised:  In 2009 Identity Award at the Festival de cine de los Pueblos Indigenas y las naciones sin de Valparaiso in Chile.
Edit intent: coherence
Original:  Later that year, the film received third Place in the International Aboriginal Peoples Category at the VI Festival Internacional de Cortometrajes de Cuzco in Pérou.
Edit intent: coherence
Original:  The same year, Entre l'arbre et l'écorce received the Identity Award at Festival de cine de los Pueblos Indigenas y las naciones sin de Valparaiso in Chili. %DIFDELCMD < %DIFDELCMD < %%% In 2009 , Kevin Papatie releases his second experimental essay Nous Sommes . After his encounter with the Zapatistas in Mexico, Papatie create a film-manifesto where he challenges his own nation.
Revised:  The same year, Entre l'arbre et l'écorce received the Identity Award at Festival de cine de los Pueblos Indigenas y las naciones sin de Valparaiso in Chili. %DIFDELCMD < %DIFDELCMD < %%% His 2009 , Kevin Papatie releases his second experimental essay Nous Sommes . After his encounter with the Zapatistas in Mexico, Papatie create a film-manifesto where he challenges his own nation.
Edit intent: fluency
Original:  In 2011, within the context of a one-week workshop in collaboration with the Université du Québéc à Montréal (UQAM), Kevin Papatie and Abraham Côté direct a short animation film named Indian taxi.%DIFDELCMD < %DIFDELCMD < %%% In 2012, Kevin Papatie releases two shorts experimental films ;
Revised:  %DIFDELCMD < %DIFDELCMD < %%% In 2012, Kevin Papatie releases two shorts experimental films ;
Edit intent: coherence
Original:  In 2013, Kevin Papatie, Jason Papatie and Chanouk Newashish collaborate to release an experimental animation short named Le rêve.
Edit intent: coherence
Original:  In 2015, Papatie release Trente-cinq, a committed documentary highlighting issues relating to the Aboriginal rights of Aboriginal communities across the country of Canada.
Edit intent: coherence
Original:  In his short films, and in particular his famous films Wabak ,The Amendment and Entre l'arbre et l'écorce, Kevin Papatie is known to "encompasses the majority of the themes exploited by the young filmmakers of the Wapikoni, namely the quest for identity, the questions of transmission, intergenerational relationships and contemporary conflicts between tradition and modernity"  Moreover, his personal style can be retraced around these following cinematic techniques;
Revised:  In his short films, and in particular his famous films Wabak ,The Amendment and Entre l'arbre et l'écorce, Kevin Papatie is known to "encompasses the majority of the themes exploited by the young filmmakers of the Wapikoni, namely the quest for identity, the questions of transmission, intergenerational relationships and contemporary conflicts between tradition and modernity" . Moreover, his personal style can be retraced around these following cinematic techniques;
Edit intent: fluency
Original:  Wabak · 2006 -
Revised:  Wabak )
Edit intent: coherence
Original:  Un grand départ (A great Departure) %DIFDELCMD < %DIFDELCMD < %%% · 2007 -
Revised:  Un grand départ (A great Departure) %DIFDELCMD < %DIFDELCMD < %%% ( 2007 -
Edit intent: fluency
Original:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Revised:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% (2008) Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Edit intent: coherence
Original:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Revised:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% (2009) Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Edit intent: coherence
Original:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Revised:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% (2010) Indian taxi ( 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Edit intent: coherence
Original:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Revised:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Edit intent: fluency
Original:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Revised:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi ) Shamanitu ( 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Edit intent: fluency
Original:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Revised:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Edit intent: clarity
Original:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Revised:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu ) Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Edit intent: fluency
Original:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Revised:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% (2012) Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Edit intent: coherence
Original:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Revised:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% (2013) Kokom ( 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Edit intent: coherence
Original:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Revised:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 · 2016 -Trente-cinq (Thirty five )
Edit intent: clarity
Original:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom · 2016 -Trente-cinq (Thirty five )
Revised:  The Amendment · 2008 - Entre l'arbre et l'écorce (Between two Worlds) %DIFDELCMD < %DIFDELCMD < %%% · 2009 - Nous Sommes (We are) %DIFDELCMD < %DIFDELCMD < %%% · 2010 - Waseya dizihin (Treasure of light) %DIFDELCMD < %DIFDELCMD < %%% · 2011 - Indian taxi · 2012 - Shamanitu · 2012 - Sakitakwin (Freedom) %DIFDELCMD < %DIFDELCMD < %%% · 2013 - Le rêve (The Dream) %DIFDELCMD < %DIFDELCMD < %%% · 2014 - Kokom ) Trente-cinq (Thirty five) ( 2016 -Trente-cinq (Thirty five )
Edit intent: fluency
Original: Infobox scientist | name = Vivek Borkar | image = | alt = | caption = | birth_date = | birth_place = Maharashtra, India | death_date = | death_place = | residence = Mumbai, Maharashtra, India | nationality = Indian | fields = | workplaces = Vivek Shripad Borkar (born 1954) is an Indian electrical engineer, mathematician and an Institute chair professor at the Indian Institute of Technology, Mumbai.
Revised:  Vivek Shripad Borkar (born 1954) is an Indian electrical engineer, mathematician and an Institute chair professor at the Indian Institute of Technology, Mumbai.
Edit intent: coherence
Original:  born 8 July 1972), or Sourav Gangopadhyay  affectionately known as Dada ( meaning "elder brother" in Bengali), is an Indian cricket administrator, commentator and former national cricket team captain who is the 39th and current president of the Board of Control for Cricket in India  .
Revised:  born 8 July 1972), or Sourav Gangopadhyay ( affectionately known as Dada ( meaning "elder brother" in Bengali), is an Indian cricket administrator, commentator and former national cricket team captain who is the 39th and current president of the Board of Control for Cricket in India .
Edit intent: fluency
Original:  born 8 July 1972), or Sourav Gangopadhyay  affectionately known as Dada ( meaning "elder brother" in Bengali), is an Indian cricket administrator, commentator and former national cricket team captain who is the 39th and current president of the Board of Control for Cricket in India  .
Revised:  born 8 July 1972), or Sourav Gangopadhyay affectionately known as Dada ; meaning "elder brother" in Bengali), is an Indian cricket administrator, commentator and former national cricket team captain who is the 39th and current president of the Board of Control for Cricket in India .
Edit intent: fluency
Original:  born 8 July 1972), or Sourav Gangopadhyay  affectionately known as Dada ( meaning "elder brother" in Bengali), is an Indian cricket administrator, commentator and former national cricket team captain who is the 39th and current president of the Board of Control for Cricket in India  .
Revised:  born 8 July 1972), or Sourav Gangopadhyay affectionately known as Dada ( meaning "elder brother" in Bengali), is an Indian cricket administrator, commentator and former national cricket team captain who is the 39th and current president of the Board of Control for Cricket in India (BCCI) .
Edit intent: clarity
Original: Venue Span Matches Won Lost Tied N/RHome 2000–2005 36 18 18 0 0Away 2000–2005 51 24 24 0 3Neutral 1999–2005 59 34 23 0 2 Total 1999–2005 146 76 65 0 5 Career summary as Captain in One Day Internationals Venue Span Matches Runs HS Bat Avg 100 Wkts BBI Bowl Avg 5 Ct StHome 2000–2005 36 1463 144 43.02 2 16 5/34 30.87 1 14 0Away 2000–2005 51 1545 135 32.18 2 15 3/22 39.26 0 23 0Neutral 2000–2005 60 2096 141 41.92 7 15 3/32 43.20 0 24 0 Total 2000–2005 147 5104 144 38.66 11 46 5/34 37.63 1 61  
Revised: Venue Span Matches Won Lost Tied N/RHome 2000–2005 36 18 18 0 0Away 2000–2005 51 24 24 0 3Neutral 1999–2005 59 34 23 0 2 Total 1999–2005 146 76 65 0 5 Career summary as Captain in One Day Internationals Venue Span Matches Runs HS Bat Avg 100 Wkts BBI Bowl Avg 5 Ct StHome 2000–2005 36 1463 144 43.02 2 16 5/34 30.87 1 14 0Away 2000–2005 51 1545 135 32.18 2 15 3/22 39.26 0 23 0Neutral 2000–2005 60 2096 141 41.92 7 15 3/32 43.20 0 24 0 Total 2000–2005 147 5104 144 38.66 11 46 5/34 37.63 1 61 0 
Edit intent: fluency
Original: Venue Span Matches Won Lost Tied N/RHome 2000–2005 36 18 18 0 0Away 2000–2005 51 24 24 0 3Neutral 1999–2005 59 34 23 0 2 Total 1999–2005 146 76 65 0 5 Career summary as Captain in One Day Internationals Venue Span Matches Runs HS Bat Avg 100 Wkts BBI Bowl Avg 5 Ct StHome 2000–2005 36 1463 144 43.02 2 16 5/34 30.87 1 14 0Away 2000–2005 51 1545 135 32.18 2 15 3/22 39.26 0 23 0Neutral 2000–2005 60 2096 141 41.92 7 15 3/32 43.20 0 24 0 Total 2000–2005 147 5104 144 38.66 11 46 5/34 37.63 1 61  
Revised: Venue Span Matches Won Lost Tied N/RHome 2000–2005 36 18 18 0 0Away 2000–2005 51 24 24 0 3Neutral 1999–2005 59 34 23 0 2 Total 1999–2005 146 76 65 0 5 Career summary as Captain in One Day Internationals Venue Span Matches Runs HS Bat Avg 100 Wkts BBI Bowl Avg 5 Ct StHome 2000–2005 36 1463 144 43.02 2 16 5/34 30.87 1 14 0Away 2000–2005 51 1545 135 32.18 2 15 3/22 39.26 0 23 0Neutral 2000–2005 60 2096 141 41.92 7 15 3/32 43.20 0 24 0 Total 2000–2005 147 5104 144 38.66 11 46 5/34 37.63 1 61 Bibliograph
Edit intent: clarity
Original:  Ganguly had a luxurious childhood and was nicknamed the 'Maharaja', meaning the 'Great King' . Ganguly's father Chandidas Ganguly died at the age of 73 on 21 February 2013 after a long illness.
Revised:  Ganguly had a luxurious childhood and was nicknamed the 'Maharaja', meaning the Great King . Ganguly's father Chandidas Ganguly died at the age of 73 on 21 February 2013 after a long illness.
Edit intent: fluency
Original:  India's most successful Test captain overseas, winning 11 out of 28 matches that he led.
Edit intent: coherence
Original: Key publications 'Episke love i folkedigtningen', Danske Studier, 5 (1908): 69-89 URL ‘Epische Gesetze der Volksdichtung’, Zeitschrift für deutsches Altertum und Deutsche Literatur, 51 (1909), 1–12, translated into English by Jeanne P.
Revised:  'Episke love i folkedigtningen', Danske Studier, 5 (1908): 69-89 URL ‘Epische Gesetze der Volksdichtung’, Zeitschrift für deutsches Altertum und Deutsche Literatur, 51 (1909), 1–12, translated into English by Jeanne P.
Edit intent: clarity