wanyu/IteraTeR_v2 huggingface dataset:
Original: Shao Yuan-chong (zh: 邵元沖, pinyin: Shào Yuánchōng) ( b. 1890 - d. 14 December 1936) was a founding member of the Xinhai Revolution and a politician of the Republic of China.
Revised: Shao Yuan-chong (zh: 邵元沖, pinyin: Shào Yuánchōng) ( b. 1890 – 14 December 1936) was a founding member of the Xinhai Revolution and a politician of the Republic of China.
Edit intent: clarity
Original: Shao Yuan-chong ( zh: 邵元沖, pinyin: Shào Yuánchōng) ( 1890 – 14 December 1936) was a founding member of the Xinhai Revolution and a politician of the Republic of China.
Revised: Shao Yuan-chong ( ; 1890 – 14 December 1936) was a founding member of the Xinhai Revolution and a politician of the Republic of China.
Edit intent: clarity
Original:  Emerging from the Liverpool Declaration, the biannual conference series Media Art History – International Conference on the Histories of Media Art , Science and Technology (established in 2005 ) attempts to foster the exchange between these different disciplines and their various actors.
Revised:  Emerging from the Liverpool Declaration, the biannual conference series Media Art History – International Conference on the Histories of MediaArt , Science and Technology (established in 2005 ) attempts to foster the exchange between these different disciplines and their various actors.
Edit intent: fluency
Original:  Emerging from the Liverpool Declaration, the biannual conference series Media Art History – International Conference on the Histories of Media Art , Science and Technology (established in 2005 ) attempts to foster the exchange between these different disciplines and their various actors.
Revised:  Emerging from the Liverpool Declaration, the biannual conference series Media Art History – International Conference on the Histories of Media Art , Science and Technology , which was started in 2005 ) attempts to foster the exchange between these different disciplines and their various actors.
Edit intent: coherence
Original: Media Art Histories is an interdisciplinary field of research that explores the current developments as well as the history and genealogy of New Media Art, Digital Art, and Electronic Art.
Revised: Media art history is an interdisciplinary field of research that explores the current developments as well as the history and genealogy of New Media Art, Digital Art, and Electronic Art.
Edit intent: fluency
Original: Media art history is an interdisciplinary field of research that explores the current developments as well as the history and genealogy of New Media Art, Digital Art, and Electronic Art .Cubitt, Sean and Paul Thomas. eds. 2013.
Revised: Media art history is an interdisciplinary field of research that explores the current developments as well as the history and genealogy of new media art, digital art, and eectronic art .Cubitt, Sean and Paul Thomas. eds. 2013.
Edit intent: fluency
Original:  It remains largely under-resourced in our core cultural URL The term New Media Art itself is of great importance to the field.
Revised:  It remains largely under-resourced in our core cultural URL The term new media art itself is of great importance to the field.
Edit intent: fluency
Original:  New Media Art is an umbrella term that encompasses art forms that are produced, modified and transmitted by means of digital technologies or, in a broader sense, make use of ‘new’ and emerging technologies that originate from a scientific, military or industrial context.
Revised:  New media art is an umbrella term that encompasses art forms that are produced, modified and transmitted by means of digital technologies or, in a broader sense, make use of ‘new’ and emerging technologies that originate from a scientific, military or industrial context.
Edit intent: fluency
Original:  The majority of authors that try to ‘delineate’ the aesthetic object of New Media Art emphasize aspects of interactivity, processuality, multimedia, and real time.
Revised:  The majority of authors that try to ‘delineate’ the aesthetic object of new media art emphasize aspects of interactivity, processuality, multimedia, and real time.
Edit intent: fluency
Original:  The focus of New Media Art lies in the cultural, political, and social implications as well as the aesthetic possibilities – more or less its ‘media-specificity’ – of digital media.
Revised:  The focus of new media art lies in the cultural, political, and social implications as well as the aesthetic possibilities – more or less its ‘media-specificity’ – of digital media.
Edit intent: fluency
Original:  Furthermore, the field of New Media Art is increasingly influenced by ‘new ’ technologies that surmount a traditional understanding of (art) media.
Revised:  Furthermore, the field of new media art is increasingly influenced by ‘new ’ technologies that surmount a traditional understanding of (art) media.
Edit intent: fluency
Original:  Furthermore, the field of New Media Art is increasingly influenced by ‘new ’ technologies that surmount a traditional understanding of (art) media.
Revised:  Furthermore, the field of New Media Art is increasingly influenced by new technologies that surmount a traditional understanding of (art) media.
Edit intent: fluency
Original:  This becomes apparent in regards to technologies that originate from the field of biotechnology and life science and that are employed in artistic practices such as Bio Art, Genetic Art, and Transgenic Art . Consequently, the term New Media Art does not imply a steady ‘genre’ of art production.
Revised:  This becomes apparent in regards to technologies that originate from the field of biotechnology and life science and that are employed in artistic practices such as bio art, genetic art, and transgenic art . Consequently, the term New Media Art does not imply a steady ‘genre’ of art production.
Edit intent: fluency
Original:  This becomes apparent in regards to technologies that originate from the field of biotechnology and life science and that are employed in artistic practices such as Bio Art, Genetic Art, and Transgenic Art . Consequently, the term New Media Art does not imply a steady ‘genre’ of art production.
Revised:  This becomes apparent in regards to technologies that originate from the field of biotechnology and life science and that are employed in artistic practices such as Bio Art, Genetic Art, and Transgenic Art . Consequently, the term new media art does not imply a steady ‘genre’ of art production.
Edit intent: fluency
Original:  Instead, it is a field that emphasizes ‘new ’ technologies (in order to establish an explicit difference with traditional art media and genres).
Revised:  Instead, it is a field that emphasizes new technologies (in order to establish an explicit difference with traditional art media and genres).
Edit intent: fluency
Original:  The list of genres that are commonly subsumed under the label of New Media Art illustrates its broad scope and includes, among others, Virtual Art, Popper, Frank.
Revised:  The list of genres that are commonly subsumed under the label of new media art illustrates its broad scope and includes, among others, Virtual Art, Popper, Frank.
Edit intent: fluency
Original:  The list of genres that are commonly subsumed under the label of New Media Art illustrates its broad scope and includes, among others, Virtual Art, Popper, Frank.
Revised:  The list of genres that are commonly subsumed under the label of New Media Art illustrates its broad scope and includes, among others, virtual art. Popper, Frank.
Edit intent: fluency
Original:  Already in the late 90s it became clear, that MediaArtResearch is spread over many disciplines and the need became urgent to give it common ground: Therefore  at Humboldt University Berlin Oliver Grau in Cooperation with Roger Malina, Leonardo and Sara Diamond, Banff Center developed the international Conference Series on the Histories of MediaArt, Science and Technology, which was started in 2005 through a collective process, involving more than 10 disciplines related to media art.
Revised:  Already in the late 90s it became clear, that MediaArtResearch is spread over many disciplines and the need became urgent to give it common ground: Therefore , at Humboldt University Berlin Oliver Grau in Cooperation with Roger Malina, Leonardo and Sara Diamond, Banff Center developed the international Conference Series on the Histories of MediaArt, Science and Technology, which was started in 2005 through a collective process, involving more than 10 disciplines related to media art.
Edit intent: fluency
Original: Several scholars in the field of Media Art History claim that there is still a considerable lack of knowledge regarding the origins of visual and audio-visual media.cf.
Revised: Several scholars in the field of media art history claim that there is still a considerable lack of knowledge regarding the origins of visual and audio-visual media.cf.
Edit intent: fluency
Original:  On the one hand, Media Art Histories addresses the contemporary interplay of art, technology, and science.
Revised:  On the one hand, media art histories addresses the contemporary interplay of art, technology, and science.
Edit intent: fluency
Original:  On the other, it aims to reveal the historical relationships and aspects of the ‘afterlife’ (Aby Warburg) in New Media Art by means of a historical comparative approach.
Revised:  On the other, it aims to reveal the historical relationships and aspects of the ‘afterlife’ (Aby Warburg) in new media art by means of a historical comparative approach.
Edit intent: fluency
Original:  Morever, one of the main agendas of Media Art Histories is to point out the role of digital technologies for contemporary, post-industrial societies and to counteract the marginalization of according art practices and art objects: ″Digital technology has fundamentally changed the way art is made.
Revised:  Morever, one of the main agendas of media art histories is to point out the role of digital technologies for contemporary, post-industrial societies and to counteract the marginalization of according art practices and art objects: ″Digital technology has fundamentally changed the way art is made.
Edit intent: fluency
Original:  Over the last forty years, Media Art has become a significant part of our networked information society.
Revised:  Over the last forty years, media art has become a significant part of our networked information society.
Edit intent: fluency
Original:  Although there are well-attended international festivals, collaborative research projects, exhibitions and database documentation resources, Media Art research is still marginal in universities, museums and archives.
Revised:  Although there are well-attended international festivals, collaborative research projects, exhibitions and database documentation resources, media art research is still marginal in universities, museums and archives.
Edit intent: fluency
Original:  the first online databases came into being, as exemplified by the university-based Archive of Digital URL URL platform located in New York, URL (until 2005), the database project URL in which early phase of Digital Art is addressed, and the collaborative online platform URL In terms of institutional resources, Media Art Histories spans diverse organisations, archives, research centres as well as private initiatives.
Revised:  the first online databases came into being, as exemplified by the university-based Archive of Digital URL URL platform located in New York, URL (until 2005), the database project URL in which early phase of Digital Art is addressed, and the collaborative online platform URL In terms of institutional resources, media art histories spans diverse organisations, archives, research centres as well as private initiatives.
Edit intent: fluency
Original:  Already at this early stage in the development of the field, the actors of Media Art Histories were connected by way of digital communication, especially by so-called mailing lists such as Nettime or Rohrpost, both channels of communication that remain prime resources for the New Media Art community.
Revised:  Already at this early stage in the development of the field, the actors of media art histories were connected by way of digital communication, especially by so-called mailing lists such as Nettime or Rohrpost, both channels of communication that remain prime resources for the New Media Art community.
Edit intent: fluency
Original:  Already at this early stage in the development of the field, the actors of Media Art Histories were connected by way of digital communication, especially by so-called mailing lists such as Nettime or Rohrpost, both channels of communication that remain prime resources for the New Media Art community.
Revised:  Already at this early stage in the development of the field, the actors of Media Art Histories were connected by way of digital communication, especially by so-called mailing lists such as Nettime or Rohrpost, both channels of communication that remain prime resources for the new media art community.
Edit intent: fluency
Original:  In the last few years, there was a significant increase of festivals and conferences dedicated to New Media Art , though the dominant festivals in the field continue to be the Ars Electronica, the Transmediale, the ISEA (Inter-Society for the Electronic Arts), and SIGGRAPH (Special Interest Group on Graphics and Interactive Techniques).
Revised:  In the last few years, there was a significant increase of festivals and conferences dedicated to new media art , though the dominant festivals in the field continue to be the Ars Electronica, the Transmediale, the ISEA (Inter-Society for the Electronic Arts), and SIGGRAPH (Special Interest Group on Graphics and Interactive Techniques).
Edit intent: fluency
Original:  Beyond museums that reach a wider audience, there are more and more smaller museums and galleries that focus on New Media Art (such as the Berlin-based DAM – Digital Art Museum).
Revised:  Beyond museums that reach a wider audience, there are more and more smaller museums and galleries that focus on new media art (such as the Berlin-based DAM – Digital Art Museum).
Edit intent: fluency
Original:  Additionally, archives in which are exhibited artefacts situated at the intersection of the histories of media, art, and technology are important resources, including collections such as that of Werner Nekes or those cabinets of wonder and curiosity incorporated in art history museums.
Revised:  Additionally, archives in which are exhibited artifacts situated at the intersection of the histories of media, art, and technology are important resources, including collections such as that of Werner Nekes or those cabinets of wonder and curiosity incorporated in art history museums.
Edit intent: fluency
Original:  This difficulty in establishing sustainable funding structures as well as support for access to shared data for the scientific research of New Media Art was made public and addressed by the Liverpool Declaration.
Revised:  This difficulty in establishing sustainable funding structures as well as support for access to shared data for the scientific research of new media art was made public and addressed by the Liverpool Declaration.
Edit intent: fluency
Original:  Scholars and artists based at institutions all over the globe signed the Declaration in a call to develop systematic strategies to fulfill the task that digital culture and its research demands in the 21st Century.
Revised:  Scholars and artists based at institutions all over the globe signed the declaration in a call to develop systematic strategies to fulfill the task that digital culture and its research demands in the 21st Century.
Edit intent: fluency
Original:  Already in the late 90s it became clear, that MediaArtResearch is spread over many disciplines and the need became urgent to give it common ground: Therefore, at Humboldt University Berlin Oliver Grau in Cooperation with Roger Malina, Leonardo and Sara Diamond, Banff Center developed the international Conference Series on the Histories of MediaArt, Science and Technology, which was started in 2005 through a collective process, involving more than 10 disciplines related to media art.
Revised:  Already in the late 1990s it became clear, that MediaArtResearch is spread over many disciplines and the need became urgent to give it common ground: Therefore, at Humboldt University Berlin Oliver Grau in Cooperation with Roger Malina, Leonardo and Sara Diamond, Banff Center developed the international Conference Series on the Histories of MediaArt, Science and Technology, which was started in 2005 through a collective process, involving more than 10 disciplines related to media art.
Edit intent: fluency
Original:  Already in the late 90s it became clear, that MediaArtResearch is spread over many disciplines and the need became urgent to give it common ground: Therefore, at Humboldt University Berlin Oliver Grau in Cooperation with Roger Malina, Leonardo and Sara Diamond, Banff Center developed the international Conference Series on the Histories of MediaArt, Science and Technology, which was started in 2005 through a collective process, involving more than 10 disciplines related to media art.
Revised:  Already in the late 90s it became clear, that media art research is spread over many disciplines and the need became urgent to give it common ground: Therefore, at Humboldt University Berlin Oliver Grau in Cooperation with Roger Malina, Leonardo and Sara Diamond, Banff Center developed the international Conference Series on the Histories of MediaArt, Science and Technology, which was started in 2005 through a collective process, involving more than 10 disciplines related to media art.
Edit intent: fluency
Original:  Consequently, it is the objective of Media Art Histories to expand the historically informed knowledge of current media cultures with its developments and detours – the field is driven by the idea of a ‘deep time of the media’ (S. Zielinski).
Revised:  Consequently, it is the objective of media art histories to expand the historically informed knowledge of current media cultures with its developments and detours – the field is driven by the idea of a ‘deep time of the media’ (S. Zielinski).
Edit intent: fluency
Original:  Morever , one of the main agendas of media art histories is to point out the role of digital technologies for contemporary, post-industrial societies and to counteract the marginalization of according art practices and art objects: ″Digital technology has fundamentally changed the way art is made.
Revised:  Moreover , one of the main agendas of media art histories is to point out the role of digital technologies for contemporary, post-industrial societies and to counteract the marginalization of according art practices and art objects: ″Digital technology has fundamentally changed the way art is made.
Edit intent: coherence
Original: Origins Aggrandizing the dynasty In the late 1700s, early 1800s the area that became Tanganyika, and then Tanzania, a part of the Great Lakes region, consisted of many small kingdoms/ chieftains . A legitimate function of Chiefs was to aggrandize their dynasties and increase the territory and power of family members.
Revised: Origins Aggrandizing the dynasty In the late 1700s, early 1800s the area that became Tanganyika, and then Tanzania, a part of the Great Lakes region, consisted of many small kingdoms/ Chieftains . A legitimate function of Chiefs was to aggrandize their dynasties and increase the territory and power of family members.
Edit intent: fluency
Original: Settling in the Mngeta area A tradition of Bena people included burying the Chief’s right hand man with him, as an escort in the ‘after life’ , upon the Chief’s death.
Revised: Settling in the Mngeta area A tradition of Bena people included burying the Chief’s right hand man with him, as an escort in the after life , upon the Chief’s death.
Edit intent: fluency
Original:  Mohammed Lubiki went on  have four daughters and four sons with Mdasula Zaina Kitabu.
Revised:  Mohammed Lubiki went on to have four daughters and four sons with Mdasula Zaina Kitabu.
Edit intent: fluency
Original: Several members of the family are now educated abroad in Swiss private schools (alongside leaders including the Kim Jong-un;
Revised: Several members of the family are now educated abroad in Swiss private schools (alongside leaders including Kim Jong-un;
Edit intent: fluency
Original:  Ntusi is dominated by two large mounds and man-made scraped valley basins called, bwogero.
Revised:  Ntusi is dominated by two large mounds and manmade scraped valley basins called, bwogero.
Edit intent: fluency
Original:  The temperatures  this area are high but are not excessive.
Revised:  The temperatures in this area are high but are not excessive.
Edit intent: fluency
Original: In addition to the main mounds, many smaller mounds (approximately one meter high) are found throughout the site particularly in the are north of the bwogero.
Revised: In addition to the main mounds, many smaller mounds (approximately one meter high) are found throughout the site particularly in the area north of the bwogero.
Edit intent: fluency
Original:  Research Eric Lanning and Gervase Mathew are considered pioneers by investigated Ntusi Hill in the 1950's .
Revised:  Research Eric Lanning and Gervase Mathew are considered pioneers by investigated Ntusi Hill in the 1950s .
Edit intent: fluency
Original: The Mounds The two large mounds and the bwogero are the major earthworks at Ntusi.
Revised: The mounds The two large mounds and the bwogero are the major earthworks at Ntusi.
Edit intent: fluency
Original:  Research Eric Lanning and Gervase Mathew are considered pioneers by investigated Ntusi Hill in the 1950s.
Revised:  Research Eric Lanning and Gervase Mathew investigated Ntusi Hill in the 1950s.
Edit intent: clarity
Original:  The Ntusi female mound was excavated by Combe of the Uganda Geological Survey in 1922 and again in 1987 by the British Institute in Eastern Africa  with the Uganda Antiquities.
Revised:  The Ntusi female mound was excavated by Combe of the Uganda Geological Survey in 1922 and again in 1987 by the British Institute in Eastern Africa (BIEA) with the Uganda Antiquities.
Edit intent: clarity
Original:  Reid 's excavation was dug into the western side of the mound giving researches a profile of the center and edge of the male mound.
Revised:  Reid excavated the western side of the mound giving researches a profile of the center and edge of the male mound.
Edit intent: clarity
Original:  Reid 's excavation was dug into the western side of the mound giving researches a profile of the center and edge of the male mound.
Revised:  Reid 's excavation was dug into the western side of the mound , giving researchers a profile of the center and edge of the male mound.
Edit intent: fluency
Original:  Archaeological results interpret increasing political, social and economic complexity.
Revised:  Archaeological results suggest increasing political, social and economic complexity.
Edit intent: clarity
Original:  Increased competition over agricultural land is suggested by Peter Robertshaw when he tentatively recognized shifts in settlement pattern . Archaeological Features There are over 50 small sites.
Revised:  Increased competition over agricultural land is suggested by Peter Robertshaw when he tentatively recognized shifts in settlement patterns . Archaeological Features There are over 50 small sites.
Edit intent: fluency
Original:  Increased competition over agricultural land is suggested by Peter Robertshaw when he tentatively recognized shifts in settlement pattern . Archaeological Features There are over 50 small sites.
Revised:  Increased competition over agricultural land is suggested by Peter Robertshaw when he tentatively recognized shifts in settlement pattern . Archaeological features There are over 50 small sites.
Edit intent: fluency
Original:  Importance Linguistic research suggests that about 1000 years ago the farming societies early on in the region were changing as cattle and bananas were increased in importance.
Revised:  Importance Linguistic research suggests that about 1000 years ago the farming societies early on in the region were changing as cattle and bananas increased in importance.
Edit intent: fluency