wanyu/IteraTeR_v2 huggingface dataset:
Original:  “ More than any other aspect of the catfight in today ’ s culture, the catfight ’ s sexually arousing potential is exploited for numerous purposes.
Revised:  “ More than any other aspect of the catfight in today ' s culture, the catfight ’ s sexually arousing potential is exploited for numerous purposes.
Edit intent: fluency
Original:  “ More than any other aspect of the catfight in today ’ s culture, the catfight ’ s sexually arousing potential is exploited for numerous purposes.
Revised:  “ More than any other aspect of the catfight in today ’ s culture, the catfight ' s sexually arousing potential is exploited for numerous purposes.
Edit intent: fluency
Original:  On numerous websites …
Revised:  On numerous websites ...
Edit intent: style
Original:  Venturing onto …
Revised:  Venturing onto ...
Edit intent: fluency
Original:  The interpretation of the catfight as sexy and gratifying for men is hardly uncommon on the Internet. -- Rachel Reinke: “ Catfight: A Feminist Analysis ” A 2019 article in The New York Times titled "Me-OW! It ’ s the End of the Catfight", pointed how the term has been slowly falling out of favor in light of the #MeToo movement, " ... calling any conflict between women a catfight is understood to be sexist, and enthusiasm has generally dampened for women fighting".
Revised:  The interpretation of the catfight as sexy and gratifying for men is hardly uncommon on the Internet. — Rachel Reinke: “ Catfight: A Feminist Analysis ” A 2019 article in The New York Times titled "Me-OW! It ’ s the End of the Catfight", pointed how the term has been slowly falling out of favor in light of the #MeToo movement, " ... calling any conflict between women a catfight is understood to be sexist, and enthusiasm has generally dampened for women fighting".
Edit intent: fluency
Original:  The interpretation of the catfight as sexy and gratifying for men is hardly uncommon on the Internet. -- Rachel Reinke: “ Catfight: A Feminist Analysis ” A 2019 article in The New York Times titled "Me-OW! It ’ s the End of the Catfight", pointed how the term has been slowly falling out of favor in light of the #MeToo movement, " ... calling any conflict between women a catfight is understood to be sexist, and enthusiasm has generally dampened for women fighting".
Revised:  The interpretation of the catfight as sexy and gratifying for men is hardly uncommon on the Internet. -- Rachel Reinke: " Catfight: A Feminist Analysis ” A 2019 article in The New York Times titled "Me-OW! It ’ s the End of the Catfight", pointed how the term has been slowly falling out of favor in light of the #MeToo movement, " ... calling any conflict between women a catfight is understood to be sexist, and enthusiasm has generally dampened for women fighting".
Edit intent: fluency
Original:  The interpretation of the catfight as sexy and gratifying for men is hardly uncommon on the Internet. -- Rachel Reinke: “ Catfight: A Feminist Analysis ” A 2019 article in The New York Times titled "Me-OW! It ’ s the End of the Catfight", pointed how the term has been slowly falling out of favor in light of the #MeToo movement, " ... calling any conflict between women a catfight is understood to be sexist, and enthusiasm has generally dampened for women fighting".
Revised:  The interpretation of the catfight as sexy and gratifying for men is hardly uncommon on the Internet. -- Rachel Reinke: “ Catfight: A Feminist Analysis " A 2019 article in The New York Times titled "Me-OW! It ’ s the End of the Catfight", pointed how the term has been slowly falling out of favor in light of the #MeToo movement, " ... calling any conflict between women a catfight is understood to be sexist, and enthusiasm has generally dampened for women fighting".
Edit intent: fluency
Original:  The interpretation of the catfight as sexy and gratifying for men is hardly uncommon on the Internet. -- Rachel Reinke: “ Catfight: A Feminist Analysis ” A 2019 article in The New York Times titled "Me-OW! It ’ s the End of the Catfight", pointed how the term has been slowly falling out of favor in light of the #MeToo movement, " ... calling any conflict between women a catfight is understood to be sexist, and enthusiasm has generally dampened for women fighting".
Revised:  The interpretation of the catfight as sexy and gratifying for men is hardly uncommon on the Internet. -- Rachel Reinke: “ Catfight: A Feminist Analysis ” A 2019 article in The New York Times titled "Me-OW! It ' s the End of the Catfight", pointed how the term has been slowly falling out of favor in light of the #MeToo movement, " ... calling any conflict between women a catfight is understood to be sexist, and enthusiasm has generally dampened for women fighting".
Edit intent: fluency
Original:  The interpretation of the catfight as sexy and gratifying for men is hardly uncommon on the Internet. -- Rachel Reinke: “ Catfight: A Feminist Analysis ” A 2019 article in The New York Times titled "Me-OW! It ’ s the End of the Catfight", pointed how the term has been slowly falling out of favor in light of the #MeToo movement, " ... calling any conflict between women a catfight is understood to be sexist, and enthusiasm has generally dampened for women fighting".
Revised:  The interpretation of the catfight as sexy and gratifying for men is hardly uncommon on the Internet. -- Rachel Reinke: “ Catfight: A Feminist Analysis ” A 2019 article in The New York Times titled "Me-OW! It ’ s the End of the Catfight", pointed how the term has been slowly falling out of favor in light of the #MeToo movement, " calling any conflict between women a catfight is understood to be sexist, and enthusiasm has generally dampened for women fighting".
Edit intent: fluency
Original:  Teri Hatcher and Charlize Theron star in what the Los Angeles Times referred to as the " …
Revised:  Teri Hatcher and Charlize Theron star in what the Los Angeles Times referred to as the " 
Edit intent: fluency
Original:  spandex cat fight of the year . "  Matthews, Jack (September 27, 1996) "Comedy Vies With Violence in Valley" Los Angeles Times, page 14 According to director John Herzfeld the two women, who refused to use stunt doubles, were hitting each other so hard that at one point the filming was stopped after Hatcher connected to Theron's chin so that the resulting bruise could be hidden by make-up.
Revised:  spandex cat fight of the year " Matthews, Jack (September 27, 1996) "Comedy Vies With Violence in Valley" Los Angeles Times, page 14 According to director John Herzfeld the two women, who refused to use stunt doubles, were hitting each other so hard that at one point the filming was stopped after Hatcher connected to Theron's chin so that the resulting bruise could be hidden by make-up.
Edit intent: fluency
Original:  spandex cat fight of the year . "  Matthews, Jack (September 27, 1996) "Comedy Vies With Violence in Valley" Los Angeles Times, page 14 According to director John Herzfeld the two women, who refused to use stunt doubles, were hitting each other so hard that at one point the filming was stopped after Hatcher connected to Theron's chin so that the resulting bruise could be hidden by make-up.
Revised:  spandex cat fight of the year . " . Matthews, Jack (September 27, 1996) "Comedy Vies With Violence in Valley" Los Angeles Times, page 14 According to director John Herzfeld the two women, who refused to use stunt doubles, were hitting each other so hard that at one point the filming was stopped after Hatcher connected to Theron's chin so that the resulting bruise could be hidden by make-up.
Edit intent: fluency
Original:  The Philadelphia Inquirer, page F7 After filming, when Hatcher was asked about the "catfight", she responded "It was actually a brawl — not a catfight because technically a "catfight" is hair pulling and there was none of that.
Revised:  The Philadelphia Inquirer, page F7 After filming, when Hatcher was asked about the "catfight", she responded "It was actually a brawl — not a catfight because technically a 'catfight' is hair pulling and there was none of that.
Edit intent: fluency
Original:  Faye Dunaway has a kicking, hair-pulling battle with Alice Krige in a Los Angeles bar, described by the Washington Post `s review of the movie as a " ... cat fight on skid row ... (that is) as preposterous as the script as a whole." Carry on Girls.
Revised:  Faye Dunaway has a kicking, hair-pulling battle with Alice Krige in a Los Angeles bar, described by the Washington Post review of the movie as a " ... cat fight on skid row ... (that is) as preposterous as the script as a whole." Carry on Girls.
Edit intent: fluency
Original:  Faye Dunaway has a kicking, hair-pulling battle with Alice Krige in a Los Angeles bar, described by the Washington Post `s review of the movie as a " ... cat fight on skid row ... (that is) as preposterous as the script as a whole." Carry on Girls.
Revised:  Faye Dunaway has a kicking, hair-pulling battle with Alice Krige in a Los Angeles bar, described by the Washington Post `s review of the movie as a " cat fight on skid row ... (that is) as preposterous as the script as a whole." Carry on Girls.
Edit intent: fluency
Original:  Catwoman. Panned by critics, this 2004 movie nonetheless culminates in " ... a world-class catfight" between co-stars Halle Berry and Sharon Stone.
Revised:  Catwoman. Panned by critics, this 2004 movie nonetheless culminates in " a world-class catfight" between co-stars Halle Berry and Sharon Stone.
Edit intent: fluency
Original:  Marlene Dietrich and Una Merkel engage in " ... one of the most famous female vs female fights ever captured on film.
Revised:  Marlene Dietrich and Una Merkel engage in " one of the most famous female vs female fights ever captured on film.
Edit intent: fluency
Original: "Freese, Gene (2017) Classic movie fight scenes: 75 years of bare knuckle brawls, 1914-1989, Jefferson, NC: Mcfarland Publishing, page 26 The New York Times review of the 1939 movie said "The scene that really counts though is the cat-fight between Miss Dietrich's Frenchy and Una Merkel's outraged Mrs. Callahan …
Revised: "Freese, Gene (2017) Classic movie fight scenes: 75 years of bare knuckle brawls, 1914-1989, Jefferson, NC: Mcfarland Publishing, page 26 The New York Times review of the 1939 movie said "The scene that really counts though is the cat-fight between Miss Dietrich's Frenchy and Una Merkel's outraged Mrs. Callahan ...
Edit intent: fluency
Original:  we thought the battle in "The Women" was an eye-opener, now we realize it was just shadow clawing.
Revised:  we thought the battle in 'The Women' was an eye-opener, now we realize it was just shadow clawing.
Edit intent: fluency
Original:  For the real thing, with no-holds barred and full access to chairs, tables, glasses, waterbuckets and as much hair that can be snatched from the opponent's scalp, we give you not "The Women" but the two women who fight it out in Bloody Gulch.
Revised:  For the real thing, with no-holds barred and full access to chairs, tables, glasses, waterbuckets and as much hair that can be snatched from the opponent's scalp, we give you not 'The Women' but the two women who fight it out in Bloody Gulch.
Edit intent: fluency
Original:  " The Dietrich-Merkel match-up, a riotous tooth-and-nail catfight lasting over two minutes, took five days to film.
Revised:  The Dietrich-Merkel match-up, a riotous tooth-and-nail catfight lasting over two minutes, took five days to film.
Edit intent: fluency
Original:  Pioneering stuntwoman Helen Thurston filled in for Dietrich when the action became too heavy …
Revised:  Pioneering stuntwoman Helen Thurston filled in for Dietrich when the action became too heavy ...
Edit intent: fluency
Original:  " -- Gene Freese, Classic Movie Fight Scenes: 75 Years of Bare Knuckle Brawls, 1914-1989 " I was a very nice girl but Aliza was a cow.
Revised:  -- Gene Freese, Classic Movie Fight Scenes: 75 Years of Bare Knuckle Brawls, 1914-1989 " I was a very nice girl but Aliza was a cow.
Edit intent: fluency
Original:  " -- Gene Freese, Classic Movie Fight Scenes: 75 Years of Bare Knuckle Brawls, 1914-1989 " I was a very nice girl but Aliza was a cow.
Revised:  " -- Gene Freese, Classic Movie Fight Scenes: 75 Years of Bare Knuckle Brawls, 1914-1989 I was a very nice girl but Aliza was a cow.
Edit intent: fluency
Original:  " — Martine Beswick [[File:Girls in Prison movie poster.jpg|Prison inmates Adele Jergens and Joan Taylor fight each other in the 1956 American International Pictures movie Girls in Prison]] Girls in Prison.
Revised:  — Martine Beswick [[File:Girls in Prison movie poster.jpg|Prison inmates Adele Jergens and Joan Taylor fight each other in the 1956 American International Pictures movie Girls in Prison]] Girls in Prison.
Edit intent: fluency
Original:  Dance hall girl Ann Miller and her rival Penny Singleton have a " ... rowdy free-for-all hair-pulling fight ... worth the price of admission", in this 1942 western starring Glenn Ford.
Revised:  Dance hall girl Ann Miller and her rival Penny Singleton have a " rowdy free-for-all hair-pulling fight ... worth the price of admission", in this 1942 western starring Glenn Ford.
Edit intent: fluency
Original:  Cyd Charisse and Liliane Montevecchi " .. rip off jewelry and various parts of clothing ...
Revised:  Cyd Charisse and Liliane Montevecchi " rip off jewelry and various parts of clothing ...
Edit intent: fluency
Original:  Cyd Charisse and Liliane Montevecchi " .. rip off jewelry and various parts of clothing ...
Revised:  Cyd Charisse and Liliane Montevecchi " .. rip off jewelry and various parts of clothing 
Edit intent: fluency
Original:  " Marc Daniels brings professional polish and brisk pacing to the telefilm and the action sequences are very nicely-staged ... there's a very well-done catfight between Muldaur and Margolin where it's clear that the two actresses are doing much of the stuntwork themselves.
Revised:  Marc Daniels brings professional polish and brisk pacing to the telefilm and the action sequences are very nicely-staged ... there's a very well-done catfight between Muldaur and Margolin where it's clear that the two actresses are doing much of the stuntwork themselves.
Edit intent: fluency
Original:  " Mills, Christopher (May 9, 2011) "Space 1970: Planet Earth".
Revised:  Mills, Christopher (May 9, 2011) "Space 1970: Planet Earth".
Edit intent: coherence
Original:  " This mirrors a scene in Genesis II in which the shock wave from a nuclear explosion Hunt has triggered strikes on a Pax lookout just as a mother has brought her young children out to see the stars.
Revised:  This mirrors a scene in Genesis II in which the shock wave from a nuclear explosion Hunt has triggered strikes on a Pax lookout just as a mother has brought her young children out to see the stars.
Edit intent: fluency
Original:  " San Antone.
Revised:  San Antone.
Edit intent: style
Original:  1953 western where " ... bitchy Southern belle Arleen Whelan" attacks Mexican Katy Jurado with a knife.
Revised:  1953 western where " bitchy Southern belle Arleen Whelan" attacks Mexican Katy Jurado with a knife.
Edit intent: fluency
Original:  At the conclusion, Gray recalled in a later interview, the women dusted themselves off, but the two husbands ...
Revised:  At the conclusion, Gray recalled in a later interview, the women dusted themselves off, but the two husbands 
Edit intent: fluency
Original:  Actress Esther Ralston, described as a " ... hard fighting blonde glamor girl . "  told director Arthur Lubin that her and fellow actress Irene Hervey did not want to have stunt doubles perform their fight scene, described by press accounts as a " …
Revised:  Actress Esther Ralston, described as a " hard fighting blonde glamor girl . " told director Arthur Lubin that her and fellow actress Irene Hervey did not want to have stunt doubles perform their fight scene, described by press accounts as a " …
Edit intent: fluency
Original:  Actress Esther Ralston, described as a " ... hard fighting blonde glamor girl . "  told director Arthur Lubin that her and fellow actress Irene Hervey did not want to have stunt doubles perform their fight scene, described by press accounts as a " …
Revised:  Actress Esther Ralston, described as a " ... hard fighting blonde glamor girl " told director Arthur Lubin that her and fellow actress Irene Hervey did not want to have stunt doubles perform their fight scene, described by press accounts as a " …
Edit intent: fluency
Original:  Actress Esther Ralston, described as a " ... hard fighting blonde glamor girl . "  told director Arthur Lubin that her and fellow actress Irene Hervey did not want to have stunt doubles perform their fight scene, described by press accounts as a " …
Revised:  Actress Esther Ralston, described as a " ... hard fighting blonde glamor girl . " , told director Arthur Lubin that her and fellow actress Irene Hervey did not want to have stunt doubles perform their fight scene, described by press accounts as a " …
Edit intent: fluency
Original:  Hervey later described the fight as a " …
Revised:  Hervey later described the fight as a " 
Edit intent: fluency
Original:  Knocking the knife out of Leigh's hand, the two women " …
Revised:  Knocking the knife out of Leigh's hand, the two women " 
Edit intent: fluency
Original:  One critic described it as " …
Revised:  One critic described it as " 
Edit intent: fluency
Original:  Near the end of the movie, Raquel Welch fights Faye Dunaway, a battle described by Dunaway as a fight " …
Revised:  Near the end of the movie, Raquel Welch fights Faye Dunaway, a battle described by Dunaway as a fight " 
Edit intent: fluency
Original:  where we try, more or less, to tear each other to pieces. . 105 </ref> Welch and Dunaway worked with trainers to make their fight as "physical and brutal" as possible without injuring themselves, although Welch suffered a sprained wrist when Dunaway shoved her so hard she fell.
Revised:  where we try, more or less, to tear each other to pieces. Welch and Dunaway worked with trainers to make their fight as "physical and brutal" as possible without injuring themselves, although Welch suffered a sprained wrist when Dunaway shoved her so hard she fell.
Edit intent: coherence
Original:  Directed by Paul Verhoeven and starring Arnold Schwarzenegger as Douglas Quaid, the 1990 film featured a " ... knock down, drag-out battle between Quaid's wife (Sharon Stone) and his dream girl Rachel Ticotin.
Revised:  Directed by Paul Verhoeven and starring Arnold Schwarzenegger as Douglas Quaid, the 1990 film featured a " knock down, drag-out battle between Quaid's wife (Sharon Stone) and his dream girl Rachel Ticotin.
Edit intent: fluency
Original:  "A Schwarzenegger Torn Between Lives on Earth and Mars" The New York Times Retrieved 15 Jun 16 One reviewer noted that it was " ... the best screen fight between two women since Destry Rides Again"  Hagen, Bill (June 13, 1990) "Total Recall Exciting, Vastly Entertaining Film" Standard-Speaker (Hazleton, Pennsylvania), p. 29 A 2012 remake of the film featured Kate Beckinsale and Jessica Biel, in the roles previously filled by Stone and Ticotin.
Revised:  "A Schwarzenegger Torn Between Lives on Earth and Mars" The New York Times Retrieved 15 Jun 16 One reviewer noted that it was " the best screen fight between two women since Destry Rides Again" Hagen, Bill (June 13, 1990) "Total Recall Exciting, Vastly Entertaining Film" Standard-Speaker (Hazleton, Pennsylvania), p. 29 A 2012 remake of the film featured Kate Beckinsale and Jessica Biel, in the roles previously filled by Stone and Ticotin.
Edit intent: fluency
Original:  "A Schwarzenegger Torn Between Lives on Earth and Mars" The New York Times Retrieved 15 Jun 16 One reviewer noted that it was " ... the best screen fight between two women since Destry Rides Again"  Hagen, Bill (June 13, 1990) "Total Recall Exciting, Vastly Entertaining Film" Standard-Speaker (Hazleton, Pennsylvania), p. 29 A 2012 remake of the film featured Kate Beckinsale and Jessica Biel, in the roles previously filled by Stone and Ticotin.
Revised:  "A Schwarzenegger Torn Between Lives on Earth and Mars" The New York Times Retrieved 15 Jun 16 One reviewer noted that it was " ... the best screen fight between two women since Destry Rides Again" . Hagen, Bill (June 13, 1990) "Total Recall Exciting, Vastly Entertaining Film" Standard-Speaker (Hazleton, Pennsylvania), p. 29 A 2012 remake of the film featured Kate Beckinsale and Jessica Biel, in the roles previously filled by Stone and Ticotin.
Edit intent: fluency
Original: Corliss, Richard A. (August 2, 2012) “ A Total Recall Remake: Why? ” Time (magazine) True Lies Jamie Lee Curtis and Tia Carrere engage in a " ... precisely choreographed catfight" while in the back seat of an out of control limousine.
Revised: Corliss, Richard A. (August 2, 2012) " A Total Recall Remake: Why? ” Time (magazine) True Lies Jamie Lee Curtis and Tia Carrere engage in a " ... precisely choreographed catfight" while in the back seat of an out of control limousine.
Edit intent: fluency
Original: Corliss, Richard A. (August 2, 2012) “ A Total Recall Remake: Why? ” Time (magazine) True Lies Jamie Lee Curtis and Tia Carrere engage in a " ... precisely choreographed catfight" while in the back seat of an out of control limousine.
Revised: Corliss, Richard A. (August 2, 2012) “ A Total Recall Remake: Why? " Time True Lies Jamie Lee Curtis and Tia Carrere engage in a " ... precisely choreographed catfight" while in the back seat of an out of control limousine.
Edit intent: coherence
Original: Corliss, Richard A. (August 2, 2012) “ A Total Recall Remake: Why? ” Time (magazine) True Lies Jamie Lee Curtis and Tia Carrere engage in a " ... precisely choreographed catfight" while in the back seat of an out of control limousine.
Revised: Corliss, Richard A. (August 2, 2012) “ A Total Recall Remake: Why? ” Time (magazine) True Lies Jamie Lee Curtis and Tia Carrere engage in a " precisely choreographed catfight" while in the back seat of an out of control limousine.
Edit intent: fluency
Original:  The scene has been noted for unusual dialogue: before they fight, Nelson asks Carmen if she wants " ... an Italian hair cut", presumably referring to hair pulling.
Revised:  The scene has been noted for unusual dialogue: before they fight, Nelson asks Carmen if she wants " an Italian hair cut", presumably referring to hair pulling.
Edit intent: fluency
Original:  Saloon owner Audrey Totter has a " …
Revised:  Saloon owner Audrey Totter has a " 
Edit intent: fluency
Original:  hair pulling fight …
Revised:  hair pulling fight ...
Edit intent: fluency
Original:  and then one of those clear-the-streets gunfight …
Revised:  and then one of those clear-the-streets gunfight 
Edit intent: fluency
Original:  Van Doren later said that Fleming was a " …
Revised:  Van Doren later said that Fleming was " …
Edit intent: fluency
Original:  Van Doren later said that Fleming was a " …
Revised:  Van Doren later said that Fleming was a " 
Edit intent: fluency
Original:  quite a fighter . "  Despite the mishap in what was otherwise a carefully choreographed fight that involved a lot of "tumbling and hair pulling", Van Doren claimed that as a young actress, she enjoyed working with Fleming in the movie.
Revised:  quite a fighter " Despite the mishap in what was otherwise a carefully choreographed fight that involved a lot of "tumbling and hair pulling", Van Doren claimed that as a young actress, she enjoyed working with Fleming in the movie.
Edit intent: fluency
Original:  quite a fighter . "  Despite the mishap in what was otherwise a carefully choreographed fight that involved a lot of "tumbling and hair pulling", Van Doren claimed that as a young actress, she enjoyed working with Fleming in the movie.
Revised:  quite a fighter . " . Despite the mishap in what was otherwise a carefully choreographed fight that involved a lot of "tumbling and hair pulling", Van Doren claimed that as a young actress, she enjoyed working with Fleming in the movie.
Edit intent: fluency
Original:  Dressed in a white bikini, Smith fought Rosemary Forsyth in the first season's third episode titled " " Night of the Strangler".
Revised:  Dressed in a white bikini, Smith fought Rosemary Forsyth in the first season's third episode titled " Night of the Strangler".
Edit intent: fluency