wanyu/IteraTeR_v2 huggingface dataset:
Original: Marathi people Category:Bollywood playback singers Category:Indian women classical singers Category:Indian women playback singers Category: Musicians from Nagpur Category: Women musicians from Maharashtra Category: Indian women bankers Category:20th-century Indian singers Category:20th-century Indian women singers Category:Businesspeople from Mumbai Category:Businesswomen from Maharashtra Category: 1979 births Category:21st-century women singers Category:Spouses of Indian politicia
Revised: Marathi people Category:Bollywood playback singers Category:Indian women classical singers Category:Indian women playback singers Category: Women musicians from Maharashtra Category: Indian women bankers Category:20th-century Indian singers Category:20th-century Indian women singers Category:Businesspeople from Mumbai Category:Businesswomen from Maharashtra Category: 1979 births Category:21st-century women singers Category:Spouses of Indian politicia
Edit intent: clarity
Original: Marathi people Category:Bollywood playback singers Category:Indian women classical singers Category:Indian women playback singers Category: Musicians from Nagpur Category: Women musicians from Maharashtra Category: Indian women bankers Category:20th-century Indian singers Category:20th-century Indian women singers Category:Businesspeople from Mumbai Category:Businesswomen from Maharashtra Category: 1979 births Category:21st-century women singers Category:Spouses of Indian politicia
Revised: Marathi people Category:Bollywood playback singers Category:Indian women classical singers Category:Indian women playback singers Category: Musicians from Nagpur Category: Women musicians from Maharashtra Category: 1979 births Category:21st-century women singers Category:Spouses of Indian politicia
Edit intent: clarity
Original: Marathi people Category:Bollywood playback singers Category:Indian women classical singers Category:Indian women playback singers Category: Musicians from Nagpur Category: Women musicians from Maharashtra Category: Indian women bankers Category:20th-century Indian singers Category:20th-century Indian women singers Category:Businesspeople from Mumbai Category:Businesswomen from Maharashtra Category: 1979 births Category:21st-century women singers Category:Spouses of Indian politicia
Revised: Marathi people Category:Bollywood playback singers Category:Indian women classical singers Category:Indian women playback singers Category: Musicians from Nagpur Category: Women musicians from Maharashtra Category: Indian women bankers Category:20th-century Indian singers Category:20th-century Indian women singers Category:Businesspeople from Mumbai Category:Businesswomen from Maharashtra Category: 1979 births Category:Spouses of Indian politicia
Edit intent: clarity
Original:  born 9 April 1979) is an Indian banker,  singer and social activist.
Revised:  born 9 April 1979) is an Indian banker, cringe singer and social activist.
Edit intent: fluency
Original:  born 9 April 1979) is an Indian banker, cringe singer and social activist.
Revised:  born 9 April 1979) is an Indian banker, singer and social activist.
Edit intent: clarity
Original: Marathi people Category:Bollywood playback singers Category:Indian women classical singers Category:Indian women playback singers Category:Musicians from Nagpur Category:Women musicians from Maharashtra Category:Indian women bankers Category:20th-century Indian singers Category:20th-century Indian women singers Category:Businesspeople from Mumbai Category:Businesswomen from Maharashtra Category:1979 births Category:21st-century women singers Category:Spouses of Indian politicia
Revised: Marathi people Category:Bollywood playback singers Category:Indian women playback singers Category:Musicians from Nagpur Category:Women musicians from Maharashtra Category:Indian women bankers Category:20th-century Indian singers Category:20th-century Indian women singers Category:Businesspeople from Mumbai Category:Businesswomen from Maharashtra Category:1979 births Category:21st-century women singers Category:Spouses of Indian politicia
Edit intent: clarity
Original: Marathi people Category:Bollywood playback singers Category:Indian women classical singers Category:Indian women playback singers Category:Musicians from Nagpur Category:Women musicians from Maharashtra Category:Indian women bankers Category:20th-century Indian singers Category:20th-century Indian women singers Category:Businesspeople from Mumbai Category:Businesswomen from Maharashtra Category:1979 births Category:21st-century women singers Category:Spouses of Indian politicia
Revised: Marathi people Category:Bollywood playback singers Category:Indian women classical singers Category:Indian women playback singers Category:Musicians from Nagpur Category:Women musicians from Maharashtra Category:Indian women bankers Category:20th-century Indian women classical singers Category:Businesspeople from Mumbai Category:Businesswomen from Maharashtra Category:1979 births Category:21st-century women singers Category:Spouses of Indian politicia
Edit intent: fluency
Original: Marathi people Category:Bollywood playback singers Category:Indian women classical singers Category:Indian women playback singers Category:Musicians from Nagpur Category:Women musicians from Maharashtra Category:Indian women bankers Category:20th-century Indian singers Category:20th-century Indian women singers Category:Businesspeople from Mumbai Category:Businesswomen from Maharashtra Category:1979 births Category:21st-century women singers Category:Spouses of Indian politicia
Revised: Marathi people Category:Bollywood playback singers Category:Indian women classical singers Category:Indian women playback singers Category:Musicians from Nagpur Category:Women musicians from Maharashtra Category:Indian women bankers Category:20th-century Indian singers Category:20th-century Indian women singers Category:Businesspeople from Mumbai Category:Businesswomen from Maharashtra Category:1979 births Category:21st-century Indian women classical singers Category:Spouses of Indian politicia
Edit intent: fluency
Original:  200px|"Thus when Plotinus speaks of "the flight of the alone to the Alone,"…
Edit intent: coherence
Original:  this%DIFDELCMD < ] %%% evoke s%DIFDELCMD < ] %%% in us a measure of the same experience which the author of them had.
Revised:  %DIFDELCMD < ] %%% evoke s%DIFDELCMD < ] %%% in us a measure of the same experience which the author of them had.
Edit intent: fluency
Original:  this%DIFDELCMD < ] %%% evoke s%DIFDELCMD < ] %%% in us a measure of the same experience which the author of them had.
Revised:  this%DIFDELCMD < ] %%% s%DIFDELCMD < ] %%% in us a measure of the same experience which the author of them had.
Edit intent: fluency
Original:  this%DIFDELCMD < ] %%% evoke s%DIFDELCMD < ] %%% in us a measure of the same experience which the author of them had.
Revised:  this%DIFDELCMD < ] %%% evoke %DIFDELCMD < ] %%% in us a measure of the same experience which the author of them had.
Edit intent: fluency
Original:  ]  ]  Next Stace explains that there are two orders of being: time (or the world) and eternity (or God), and these intersect in the moment of mystic illumination.
Revised:  this] ] Next Stace explains that there are two orders of being: time (or the world) and eternity (or God), and these intersect in the moment of mystic illumination.
Edit intent: fluency
Original:  ]  ]  Next Stace explains that there are two orders of being: time (or the world) and eternity (or God), and these intersect in the moment of mystic illumination.
Revised:  ] evoke ] Next Stace explains that there are two orders of being: time (or the world) and eternity (or God), and these intersect in the moment of mystic illumination.
Edit intent: fluency
Original:  ]  ]  Next Stace explains that there are two orders of being: time (or the world) and eternity (or God), and these intersect in the moment of mystic illumination.
Revised:  ] s] Next Stace explains that there are two orders of being: time (or the world) and eternity (or God), and these intersect in the moment of mystic illumination.
Edit intent: fluency
Original:  Dorothy M  Emmet found issue with the notion that the mystical experience is the point of intersection between the temporal and eternal orders.
Revised:  Dorothy M . Emmet found issue with the notion that the mystical experience is the point of intersection between the temporal and eternal orders.
Edit intent: fluency
Original:  Secondly, the relationship between the religious symbol and what is symbolised is one of evocation rather than "meaning", as meaning refers to a concept, which is absent in the mystical experience.
Revised:  Secondly, the relationship between the religious symbol and what is symbolised is one of evocation rather than "meaning", as meaning is a concept, which is absent in the mystical experience.
Edit intent: clarity
Original: An organism is epigean, epigeic or epigeous if it crawls (epigean), creeps like a vine (epigeal), or grows (epigeous) on on the soil surface, or more generally in animals, neither burrows nor swims nor flies.
Revised: An organism is epigean, epigeic or epigeous if it crawls (epigean), creeps like a vine (epigeal), or grows (epigeous) on the soil surface, or more generally in animals, neither burrows nor swims nor flies.
Edit intent: fluency
Original: An organism is epigean, epigeic or epigeous if it crawls (epigean), creeps like a vine (epigeal), or grows (epigeous) on the soil surface , or more generally in animals , neither burrows nor swims nor flies.
Revised: The terms epigean, epigeic or epigeous if it crawls (epigean), creeps like a vine (epigeal), or grows (epigeous) on the soil surface , or more generally in animals , neither burrows nor swims nor flies.
Edit intent: clarity
Original: An organism is epigean, epigeic or epigeous if it crawls (epigean), creeps like a vine (epigeal), or grows (epigeous) on the soil surface , or more generally in animals , neither burrows nor swims nor flies.
Revised: An organism is epigean, epigeic or epigeous are used for organisms that crawl (epigean), creeps like a vine (epigeal), or grows (epigeous) on the soil surface , or more generally in animals , neither burrows nor swims nor flies.
Edit intent: clarity
Original: An organism is epigean, epigeic or epigeous if it crawls (epigean), creeps like a vine (epigeal), or grows (epigeous) on the soil surface , or more generally in animals , neither burrows nor swims nor flies.
Revised: An organism is epigean, epigeic or epigeous if it crawls (epigean), creep like a vine (epigeal), or grows (epigeous) on the soil surface , or more generally in animals , neither burrows nor swims nor flies.
Edit intent: fluency
Original: An organism is epigean, epigeic or epigeous if it crawls (epigean), creeps like a vine (epigeal), or grows (epigeous) on the soil surface , or more generally in animals , neither burrows nor swims nor flies.
Revised: An organism is epigean, epigeic or epigeous if it crawls (epigean), creeps like a vine (epigeal), or grow (epigeous) on the soil surface , or more generally in animals , neither burrows nor swims nor flies.
Edit intent: fluency
Original:  It can be fossorial (burrowing), troglobitic - or stygobitic, hypogeanetc. - (for cave-living organisms), or hypogeic and hypogeous (for plants and fungi that grow underground) .
Revised:  It can be fossorial (burrowing), troglobitic - or stygobitic, hypogeanetc. - (for cave-living organisms), or hypogeic and hypogeous .
Edit intent: coherence
Original: The terms epigean, epigeic or epigeous are used for organisms that crawl (epigean), creep like a vine (epigeal), or grow (epigeous) on the soil surface: thay are also used more generally for animals that neither burrow nor swim nor fly.
Revised: The terms epigean, epigeic or epigeous are used for organisms that crawl (epigean), creep like a vine (epigeal), or grow (epigeous) on the soil surface: they are also used more generally for animals that neither burrow nor swim nor fly.
Edit intent: fluency
Original: In botany, a seed is described as epigeal when the cotyledons of the germinating seed expand, throw off the seed shell and become photosynthetic above the ground.
Revised: In botany, a seed is described as showing epigeal germination when the cotyledons of the germinating seed expand, throw off the seed shell and become photosynthetic above the ground.
Edit intent: clarity
Original:  |date=February 2020 Over the next few years, he diversified his business into various areas of financial services, establishing a prominent presence in bills discounting, stockbroking, investment banking, car finance, life insurance and mutual funds.
Revised:  Over the next few years, he diversified his business into various areas of financial services, establishing a prominent presence in bills discounting, stockbroking, investment banking, car finance, life insurance and mutual funds.
Edit intent: clarity
Original:  He earned a bachelor's degree from Sydenham College and completed a postgraduate degree in management studies in 1982 from Jamnalal Bajaj Institute of Management Studies. 
Revised:  He earned a bachelor's degree from Sydenham College and completed a postgraduate degree in management studies in 1982 from Jamnalal Bajaj Institute of Management Studies. nnnnn
Edit intent: fluency
Original: Uday  Kotak (born 15 March 1959) is an Indian billionaire banker , and the executive vice chairman and managing director of Kotak Mahindra Bank.
Revised: Uday Kotak (born 15 March 1959) is an Indian billionaire banker and the Executive Vice-Chairman and Managing Director of Kotak Mahindra Bank.
Edit intent: fluency
Original:  In  early 1980s, while India was still a closed economy and economic growth was muted, Kotak decided to start out on his own, refusing a lucrative job option from a multinational.
Revised:  In the early 1980s, while India was still a closed economy and economic growth was muted, Kotak decided to start out on his own, refusing a lucrative job option from a multinational.
Edit intent: fluency
Original: Early life and education Kotak was raised in an upper middle class Gujarati Lohana joint-family household with 60 people sharing a common kitchen under one roof.
Revised: Early life and education Kotak was raised in an upper middle class Gujarati joint-family household with 60 people sharing a common kitchen under one roof.
Edit intent: clarity
Original:  But it is in Samuel Taylor Coleridge that we find the question of life and vital nature most intensely and comprehensively examined, particularly in his Hints towards the Formation of a more Comprehensive Theory of Life (1818), providing the foundation for Romantic philosophy, science and medicine.
Revised:  However, it is in Samuel Taylor Coleridge that we find the question of life and vital nature most intensely and comprehensively examined, particularly in his Hints towards the Formation of a more Comprehensive Theory of Life (1818), providing the foundation for Romantic philosophy, science and medicine.
Edit intent: fluency
Original: Samuel Taylor Coleridge's theory of life grew largely out of an attempt to understand not just inert or still nature, but also vital nature.
Revised:  Coleridge's theory of life grew largely out of an attempt to understand not just inert or still nature, but also vital nature.
Edit intent: coherence
Original: Samuel Taylor Coleridge's theory of life grew largely out of an attempt to understand not just inert or still nature, but also vital nature.
Revised: Samuel Taylor Coleridge's theory of life is an attempt by Samuel Taylor Coleridge to understand not just inert or still nature, but also vital nature.
Edit intent: clarity
Original:  The initial attempt to seek the cause and principle of life in the matter was challenged by John Hunter, who held that the principle of life was not to be found nor confined within matter, but existed independently of matter itself, and informed or animated it, that is, he implied, it was the unifying or antecedent cause of the things or what Aristotelean philosophy termed natura naturata (the outer appearances of nature) .
Revised:  The initial attempt to seek the cause and principle of life in the matter was challenged by John Hunter, who held that the principle of life was not to be found nor confined within matter, but existed independently of matter itself, and informed or animated it, that is, he implied, it was the unifying or antecedent cause of the things or what Aristotelean philosophy termed natura naturata .
Edit intent: coherence
Original:  He examines this topic most comprehensibly in his work Hints towards the formation of a more comprehensive theory of life.
Revised:  He examines this topic most comprehensibly in his work Hints towards the Formation of a more comprehensive theory of life.
Edit intent: fluency
Original:  He examines this topic most comprehensibly in his work Hints towards the formation of a more comprehensive theory of life.
Revised:  He examines this topic most comprehensibly in his work Hints towards the formation of a more Comprehensive Theory of Life
Edit intent: fluency
Original:  (1818) , . The work is key to understand the relationship between Romantic literature and science
Revised:  (1818) . The work is key to understand the relationship between Romantic literature and science
Edit intent: fluency
Original:  Erregbarkeit theorie), working also with Schelling's Naturphilosophie, the work of Goethe regarding morphology, and the first dynamic conception of the physiology of Richard Saumarez. .
Revised:  Erregbarkeit theorie), working also with Schelling's Naturphilosophie, the work of Goethe regarding morphology, and the first dynamic conception of the physiology of Richard Saumarez. 
Edit intent: fluency
Original:  Personal life and path to the UFC) | Sportssite), (born 27 September 1991) is a Russian professional mixed martial artist ,terrorist, and former Sambo competitor who currently competes in the lightweight division of the Ultimate Fighting Championship (UFC).
Revised:  Personal life and path to the UFC) | Sportssite), (born 27 September 1991) is a Russian professional mixed martial artist and former Sambo competitor who currently competes in the lightweight division of the Ultimate Fighting Championship (UFC).
Edit intent: coherence
Original: Islam Ramazanovich Makhachev (Ислам Рамазанович Махачев (Islam Ramazanovich Makhachev) | BiographeИслам Махачев (Islam Makhachev) | 24smiБиография бойца Ислама Махачева.
Revised: " Islam Makhachev (Биография бойца Ислама Махачева.
Edit intent: coherence
Original: Sarah Kenderdine is a professor at UNSW Art & Design and Director of Visualisation for UNSW’s transdisciplinary initiative Expanded Perception and Interaction Centre.
Revised: Sarah Kenderdine is a professor at UNSW Art & Design in Sydney, Australia, and the director of visualisation for the university's transdisciplinary Expanded Perception and Interaction Centre.
Edit intent: clarity
Original:  Kenderdine researches at interactive and immersive experiences for museums and galleries .
Revised:  Kenderdine develops interactive and immersive experiences for museums and galleries .
Edit intent: clarity
Original:  In widely exhibited installation works, she has amalgamated cultural heritage with new media art practice, especially in the realms of interactive cinema , augmented realityand embodied narrative . Career Kenderdine is a Professor at UNSWArt Design and Director of Visualisation for UNSW’s cross-faculty Medical Innovation through Visualisation project and Expanded Perception and Interaction Centre (EPICentre).
Revised:  In widely exhibited installation works, she has amalgamated cultural heritage with new media art practice, especially in the realms of interactive cinema , augmented realityand embodied narrative . Career Kenderdine Design and Director of Visualisation for UNSW’s cross-faculty Medical Innovation through Visualisation project and Expanded Perception and Interaction Centre (EPICentre).
Edit intent: coherence
Original:  In widely exhibited installation works, she has amalgamated cultural heritage with new media art practice, especially in the realms of interactive cinema , augmented realityand embodied narrative . Career Kenderdine is a Professor at UNSWArt Design and Director of Visualisation for UNSW’s cross-faculty Medical Innovation through Visualisation project and Expanded Perception and Interaction Centre (EPICentre).
Revised:  In widely exhibited installation works, she has amalgamated cultural heritage with new media art practice, especially in the realms of interactive cinema , augmented realityand embodied narrative . Career Kenderdine is a Professor at UNSWArt holds a variety of roles at UNSW. In addition to her professorship and her position with the Expanded Perception and Interaction Centre (EPICentre).
Edit intent: clarity
Original:  Kenderdine is Deputy Director of the National Institute for Experimental Arts (NIEA) and Director of the Lab for Innovation in Galleries, Libraries, Archives and Museums (iGLAM) and an Associate Director, iCinema Research Centre.
Revised:  Kenderdine is Deputy Director of the National Institute for Experimental Arts (NIEA) ; director of the Laboratory for Innovation in Galleries, Libraries, Archives and Museums (iGLAM) and an Associate Director, iCinema Research Centre.
Edit intent: coherence
Original:  Kenderdine is Deputy Director of the National Institute for Experimental Arts (NIEA) and Director of the Lab for Innovation in Galleries, Libraries, Archives and Museums (iGLAM) and an Associate Director, iCinema Research Centre.
Revised:  Kenderdine is Deputy Director of the National Institute for Experimental Arts (NIEA) and Director of the Lab for Innovation in Galleries, Libraries, Archives and Museums (iGLAM) ; and an associate director of the iCinema Research Centre.
Edit intent: coherence
Original:  She is also head of Special Projects for Museum Victoria , Australia ( 2003 —) and is Director of Research at the Applied Laboratory for Interactive Visualization and Embodiment at the City University of Hong Kong.
Revised:  She has also been the head of special projects for Museum Victoria , Australia ( 2003 —) and is Director of Research at the Applied Laboratory for Interactive Visualization and Embodiment at the City University of Hong Kong.
Edit intent: style
Original:  She is also head of Special Projects for Museum Victoria , Australia ( 2003 —) and is Director of Research at the Applied Laboratory for Interactive Visualization and Embodiment at the City University of Hong Kong.
Revised:  She is also head of Special Projects for Museum Victoria since 2003 —) and is Director of Research at the Applied Laboratory for Interactive Visualization and Embodiment at the City University of Hong Kong.
Edit intent: coherence
Original:  She is also head of Special Projects for Museum Victoria , Australia ( 2003 —) and is Director of Research at the Applied Laboratory for Interactive Visualization and Embodiment at the City University of Hong Kong.
Revised:  She is also head of Special Projects for Museum Victoria , Australia ( 2003 , and is the director of research at the Applied Laboratory for Interactive Visualization and Embodiment at the City University of Hong Kong.
Edit intent: fluency
Original:  The Monuments at Hampi, India;
Revised:  Hampi, India;
Edit intent: clarity
Original:  and at numerous sites throughout Turkey.
Revised:  and numerous sites in Turkey.
Edit intent: clarity
Original:  Commissioned in 2012 for Europeana, ECloud WW1 turned linear browsing of World War I web information into a large scale dynamic exhibition using semantic relationships .
Revised:  Commissioned in 2012 for Europeana, ECloud WW1 turned linear browsing of World War I .
Edit intent: clarity