wanyu/IteraTeR_v2 huggingface dataset:
Original:  He personally directed the books devoted to Burroughs, Pélieu, Kaufman, Henri Michaux, Ungaretti, Louis Massignon, Lewis Carroll, H. P. Lovecraft, Alexander Solzhenitsyn, Juien Gracq, Dostoyevsky, Karl Kraus, Gustav Meyrink, Thomas Mann, Edgar Allan Poe, Jules Verne, Arthur Koestler and Raymond Abellio, which imposed L'Herne on the French literary scene.
Revised:  He personally directed the books devoted to Burroughs, Pélieu, Kaufman, Henri Michaux, Ungaretti, Louis Massignon, Lewis Carroll, H. P. Lovecraft, Alexander Solzhenitsyn, Julien Gracq, Dostoyevsky, Karl Kraus, Gustav Meyrink, Thomas Mann, Edgar Allan Poe, Jules Verne, Arthur Koestler and Raymond Abellio, which imposed L'Herne on the French literary scene.
Edit intent: fluency
Original:  réed. Le Temps qu'il fait, 1985
Revised:  reprint Le Temps qu'il fait, 1985
Edit intent: coherence
Original:  While always deeply attached to his Charente land, Dominique de Roux showed an early independence and the desire to devote himself to the literature.
Revised:  While always deeply attached to his Charente land, Dominique de Roux showed an early independence and the desire to devote himself to literature.
Edit intent: fluency
Original:  Upon his return, he founded with several friends (including his brother Xavier de Roux, his sister Marie-Helene de Roux and Jean Thibaudeau) the mimeographed bulletin L'Herne, where he published his "Confidences to Guillaume", a chronic of lyrical cynicism addressed to his geranium.
Revised:  Upon his return, he founded with several friends (including his brother Xavier de Roux, his sister Marie-Helene de Roux and Jean Thibaudeau) the mimeographed bulletin L'Herne, where he published his "Confidences to Guillaume", a chronicle of lyrical cynicism addressed to his geranium.
Edit intent: fluency
Original: Life and Career Dominique de Roux was born in a Languedoc noble family which was close to the monarchist circles (his grandfather, Marie de Roux, was the lawyer of Charles Maurras and the Action Française).
Revised: Early life Dominique de Roux was born in a Languedoc noble family which was close to the monarchist circles (his grandfather, Marie de Roux, was the lawyer of Charles Maurras and the Action Française).
Edit intent: clarity
Original: Life and Career Dominique de Roux was born in a Languedoc noble family which was close to the monarchist circles (his grandfather, Marie de Roux, was the lawyer of Charles Maurras and the Action Française).
Revised: Life and Career Dominique de Roux was born in a Languedoc noble family that was close to the monarchist circles (his grandfather, Marie de Roux, was the lawyer of Charles Maurras and the Action Française).
Edit intent: fluency
Original: Life and Career Dominique de Roux was born in a Languedoc noble family which was close to the monarchist circles (his grandfather, Marie de Roux, was the lawyer of Charles Maurras and the Action Française).
Revised: Life and Career Dominique de Roux was born in a Languedoc noble family which was close to monarchist circles (his grandfather, Marie de Roux, was the lawyer of Charles Maurras and the Action Française).
Edit intent: fluency
Original: Life and Career Dominique de Roux was born in a Languedoc noble family which was close to the monarchist circles (his grandfather, Marie de Roux, was the lawyer of Charles Maurras and the Action Française).
Revised: Life and Career Dominique de Roux was born in a Languedoc noble family which was close to the monarchist circles (his grandfather, Marie de Roux, was the lawyer of Charles Maurras and Action Française).
Edit intent: fluency
Original:  While always deeply attached to his Charente land, Dominique de Roux showed an early independence and the desire to devote himself to literature.
Revised:  While deeply attached to his Charente land, Dominique de Roux showed an early independence and the desire to devote himself to literature.
Edit intent: coherence
Original:  In   the late 1950s Dominique de Roux made several language courses and periods of work in Germany, Spain and England.
Revised:  In Career In the late 1950s Dominique de Roux made several language courses and periods of work in Germany, Spain and England.
Edit intent: clarity
Original:  In   the late 1950s Dominique de Roux made several language courses and periods of work in Germany, Spain and England.
Revised:  In the late 1950s de Roux created several language courses and periods of work in Germany, Spain and England.
Edit intent: clarity
Original:  In   the late 1950s Dominique de Roux made several language courses and periods of work in Germany, Spain and England.
Revised:  In the late 1950s Dominique de Roux made several language courses in Germany, Spain and England.
Edit intent: clarity
Original:  Upon his return  , he founded with several friends (including his brother Xavier de Roux, his sister Marie-Helene de Roux and Jean Thibaudeau) the mimeographed bulletin L'Herne, where he published his "Confidences to Guillaume", a chronicle of lyrical cynicism addressed to his geranium.
Revised:  Upon his return to France , he founded with several friends (including his brother Xavier de Roux, his sister Marie-Helene de Roux and Jean Thibaudeau) the mimeographed bulletin L'Herne, where he published his "Confidences to Guillaume", a chronicle of lyrical cynicism addressed to his geranium.
Edit intent: clarity
Original:  In 1960 he published his first novel, Mademoiselle Anicet, and redevelop his review in the final form of the Cahiers de l'Herne, a collection of monographs devoted to freely ignored or cursed figures of literature , including articles, documents and unpublished texts.
Revised:  In 1960 he published his first novel, Mademoiselle Anicet, and redeveloped his review in the final form of the Cahiers de l'Herne, a collection of monographs devoted to freely ignored or cursed figures of literature , including articles, documents and unpublished texts.
Edit intent: fluency
Original:  In 1960 he published his first novel, Mademoiselle Anicet, and redevelop his review in the final form of the Cahiers de l'Herne, a collection of monographs devoted to freely ignored or cursed figures of literature , including articles, documents and unpublished texts.
Revised:  In 1960 he published his first novel, Mademoiselle Anicet, and redevelop his review in the final form of the Cahiers de l'Herne, a collection of monographs devoted to ignored or cursed figures of literature , including articles, documents and unpublished texts.
Edit intent: clarity
Original:  In 1960 he published his first novel, Mademoiselle Anicet, and redevelop his review in the final form of the Cahiers de l'Herne, a collection of monographs devoted to freely ignored or cursed figures of literature , including articles, documents and unpublished texts.
Revised:  In 1960 he published his first novel, Mademoiselle Anicet, and redevelop his review in the final form of the Cahiers de l'Herne, a collection of monographs devoted to freely ignored or cursed literary figures , including articles, documents and unpublished texts.
Edit intent: clarity
Original:  After volumes on René-Guy Cadou (1961) and Georges Bernanos (1962), there were books about Borges, Louis-Ferdinand Celine, Ezra Pound, Witold Gombrowicz and Pierre Jean Jouve.
Revised:  After volumes on René-Guy Cadou (1961) and Georges Bernanos (1962), he penned books about Borges, Louis-Ferdinand Celine, Ezra Pound, Witold Gombrowicz and Pierre Jean Jouve.
Edit intent: clarity
Original:  He personally directed the books devoted to Burroughs, Pélieu, Henri Michaux, Ungaretti, Louis Massignon, Lewis Carroll, H. P. Lovecraft, Alexander Solzhenitsyn, Julien Gracq, Dostoyevsky, Karl Kraus, Gustav Meyrink, Thomas Mann, Edgar Allan Poe, Jules Verne, Arthur Koestler and Raymond Abellio, which imposed L'Herne on the French literary scene.
Revised:  He directed books devoted to Burroughs, Pélieu, Henri Michaux, Ungaretti, Louis Massignon, Lewis Carroll, H. P. Lovecraft, Alexander Solzhenitsyn, Julien Gracq, Dostoyevsky, Karl Kraus, Gustav Meyrink, Thomas Mann, Edgar Allan Poe, Jules Verne, Arthur Koestler and Raymond Abellio, which imposed L'Herne on the French literary scene.
Edit intent: clarity
Original:  He personally directed the books devoted to Burroughs, Pélieu, Henri Michaux, Ungaretti, Louis Massignon, Lewis Carroll, H. P. Lovecraft, Alexander Solzhenitsyn, Julien Gracq, Dostoyevsky, Karl Kraus, Gustav Meyrink, Thomas Mann, Edgar Allan Poe, Jules Verne, Arthur Koestler and Raymond Abellio, which imposed L'Herne on the French literary scene.
Revised:  He personally directed the books devoted to Burroughs, Pélieu, Henri Michaux, Ungaretti, Louis Massignon, Lewis Carroll, H. P. Lovecraft, Alexander Solzhenitsyn, Julien Gracq, Dostoyevsky, Karl Kraus, Gustav Meyrink, Thomas Mann, Edgar Allan Poe, Jules Verne, Arthur Koestler and Raymond Abellio, who imposed L'Herne on the French literary scene.
Edit intent: fluency
Original:  In 1966, the publication of his essay La Mort de L.-F. CélineCéline au bout de la nuit – Entretien avec Dominique de Roux opens the publishing house which he co-founded with Christian Bourgois,Dominique de Roux.
Revised:  In 1966, the publication of his essay La Mort de L.-F. CélineCéline au bout de la nuit – Entretien avec Dominique de Roux inaugurated the publishing house which he co-founded with Christian Bourgois,Dominique de Roux.
Edit intent: clarity
Original:  In 1966, the publication of his essay La Mort de L.-F. CélineCéline au bout de la nuit – Entretien avec Dominique de Roux opens the publishing house which he co-founded with Christian Bourgois,Dominique de Roux.
Revised:  In 1966, the publication of his essay La Mort de L.-F. CélineCéline au bout de la nuit – Entretien avec Dominique de Roux opens the publishing house that he co-founded with Christian Bourgois,Dominique de Roux.
Edit intent: fluency
Original:  Christian Bourgois éditeur named after the name of the latter.
Revised:  Christian Bourgois éditeur named after the latter.
Edit intent: clarity
Original:  Meanwhile, L'Herne added  to its activities the actual publishing .
Revised:  Meanwhile, L'Herne added to its activities .
Edit intent: clarity
Original:  At thirty years old, Dominique de Roux is among the prominent figures of French literature, omnipresent and rough in the polemics, especially against the Tel Quel group.
Revised:  At thirty , de Roux became a prominent figure of French literature, omnipresent and rough in the polemics, especially against the Tel Quel group.
Edit intent: clarity
Original:  At thirty years old, Dominique de Roux is among the prominent figures of French literature, omnipresent and rough in the polemics, especially against the Tel Quel group.
Revised:  At thirty years old, Dominique de Roux is among the prominent figures of French literature, omnipresent and rough in his polemics, especially against the Tel Quel group.
Edit intent: clarity
Original:  After listening to poets and writers of the beat generation (especially Claude Pélieu, Allen Ginsberg and Bob Kaufman) and mainly his meeting with Witold Gombrowicz,Dominque de Roux i Witold Gombrowicz - in Polish to whom he also devotes an essay and a book of interviews, he reveals the possibility to retreat from the bustle of Paris.
Revised:  After listening to poets and writers of the beat generation (especially Claude Pélieu, Allen Ginsberg and Bob Kaufman) and meeting with Gombrowicz,Dominque de Roux i Witold Gombrowicz - in Polish to whom he also devotes an essay and a book of interviews, he reveals the possibility to retreat from the bustle of Paris.
Edit intent: coherence
Original:  After listening to poets and writers of the beat generation (especially Claude Pélieu, Allen Ginsberg and Bob Kaufman) and mainly his meeting with Witold Gombrowicz,Dominque de Roux i Witold Gombrowicz - in Polish to whom he also devotes an essay and a book of interviews, he reveals the possibility to retreat from the bustle of Paris.
Revised:  After listening to poets and writers of the beat generation (especially Claude Pélieu, Allen Ginsberg and Bob Kaufman) and mainly his meeting with Witold Gombrowicz,Dominque de Roux i Witold Gombrowicz - in Polish to whom he devoted an essay and a book of interviews, he reveals the possibility to retreat from the bustle of Paris.
Edit intent: clarity
Original:  After listening to poets and writers of the beat generation (especially Claude Pélieu, Allen Ginsberg and Bob Kaufman) and mainly his meeting with Witold Gombrowicz,Dominque de Roux i Witold Gombrowicz - in Polish to whom he also devotes an essay and a book of interviews, he reveals the possibility to retreat from the bustle of Paris.
Revised:  After listening to poets and writers of the beat generation (especially Claude Pélieu, Allen Ginsberg and Bob Kaufman) and mainly his meeting with Witold Gombrowicz,Dominque de Roux i Witold Gombrowicz - in Polish to whom he also devotes an essay and a book of interviews, he revealed the possibility to retreat from the bustle of Paris.
Edit intent: fluency
Original:  After listening to poets and writers of the beat generation (especially Claude Pélieu, Allen Ginsberg and Bob Kaufman) and mainly his meeting with Witold Gombrowicz,Dominque de Roux i Witold Gombrowicz - in Polish to whom he also devotes an essay and a book of interviews, he reveals the possibility to retreat from the bustle of Paris.
Revised:  After listening to poets and writers of the beat generation (especially Claude Pélieu, Allen Ginsberg and Bob Kaufman) and mainly his meeting with Witold Gombrowicz,Dominque de Roux i Witold Gombrowicz - in Polish to whom he also devotes an essay and a book of interviews, he reveals the possibility to leave Paris.
Edit intent: clarity
Original:  Two traumatic events happened for Dominique de Roux : the censorship of his collection of aphorisms Immédiatement (1971) at the request of Roland Barthes (called a "shepherdess") and Maurice Genevoix (presented as a "writer for field mice") and the takeover of the editions of L'Herne by Constantin Tacou in favor of financial maneuvers later in the year 1973.
Revised:  Two traumatic events happened : the censorship of his collection of aphorisms Immédiatement (1971) at the request of Roland Barthes (called a "shepherdess") and Maurice Genevoix (presented as a "writer for field mice") and the takeover of the editions of L'Herne by Constantin Tacou in favor of financial maneuvers later in the year 1973.
Edit intent: clarity
Original:  Two traumatic events happened for Dominique de Roux : the censorship of his collection of aphorisms Immédiatement (1971) at the request of Roland Barthes (called a "shepherdess") and Maurice Genevoix (presented as a "writer for field mice") and the takeover of the editions of L'Herne by Constantin Tacou in favor of financial maneuvers later in the year 1973.
Revised:  Two traumatic events happened for Dominique de Roux : the censorship of his collection of aphorisms Immédiatement (1971) at the request of Roland Barthes (called a "shepherdess") and Maurice Genevoix (presented as a "writer for field mice") and the takeover of L'Herne by Constantin Tacou in favor of financial maneuvers later in the year 1973.
Edit intent: clarity
Original:  Two traumatic events happened for Dominique de Roux : the censorship of his collection of aphorisms Immédiatement (1971) at the request of Roland Barthes (called a "shepherdess") and Maurice Genevoix (presented as a "writer for field mice") and the takeover of the editions of L'Herne by Constantin Tacou in favor of financial maneuvers later in the year 1973.
Revised:  Two traumatic events happened for Dominique de Roux : the censorship of his collection of aphorisms Immédiatement (1971) at the request of Roland Barthes (called a "shepherdess") and Maurice Genevoix (presented as a "writer for field mice") and the takeover of the editions of L'Herne by Constantin Tacou in favor of financial maneuvers later in 1973.
Edit intent: clarity
Original:  Dominique de Roux began a life of wandering and took refuge in Lisbon and then in Geneva.
Revised:  Dominique de Roux began a life of wandering and settled briefly in Lisbon and then in Geneva.
Edit intent: clarity
Original:  Under these conditions he started his new magazine Exil and launched  new book series, Dossiers H, in Éditions L'Âge d'Homme.
Revised:  Under these conditions he started his new magazine Exil and launched a new book series, Dossiers H, in Éditions L'Âge d'Homme.
Edit intent: fluency
Original:  He published several pamphlets and devoted considerable energy to the journalism and television, being a correspondent in the Portuguese world at the times of implosion and war in its colonies (Guinea-Bissau, Angola, Mozambique).
Revised:  He published pamphlets and devoted considerable energy to the journalism and television, being a correspondent in the Portuguese world at the times of implosion and war in its colonies (Guinea-Bissau, Angola, Mozambique).
Edit intent: clarity
Original:  He published several pamphlets and devoted considerable energy to the journalism and television, being a correspondent in the Portuguese world at the times of implosion and war in its colonies (Guinea-Bissau, Angola, Mozambique).
Revised:  He published several pamphlets and devoted considerable to journalism and television, being a correspondent in the Portuguese world at the times of implosion and war in its colonies (Guinea-Bissau, Angola, Mozambique).
Edit intent: clarity
Original:  He published several pamphlets and devoted considerable energy to the journalism and television, being a correspondent in the Portuguese world at the times of implosion and war in its colonies (Guinea-Bissau, Angola, Mozambique).
Revised:  He published several pamphlets and devoted considerable energy to the journalism and television, working as a correspondent in the Portuguese world at the times of implosion and war in its colonies (Guinea-Bissau, Angola, Mozambique).
Edit intent: clarity
Original:  Roux weaved and networked actively in the lusophone world, primarily because he served the SDECE and also because of his adherence to a "political transcendentalism" inspired by reading Raymond Abellio with whom his relations were intensifying at the time.
Revised:  De Roux networked in the lusophone world, primarily because he served the SDECE and also because of his adherence to a "political transcendentalism" inspired by reading Raymond Abellio with whom his relations were intensifying at the time.
Edit intent: clarity
Original:  Roux weaved and networked actively in the lusophone world, primarily because he served the SDECE and also because of his adherence to a "political transcendentalism" inspired by reading Raymond Abellio with whom his relations were intensifying at the time.
Revised:  Roux weaved and networked actively in the lusophone world, primarily serving the SDECE and also because of his adherence to a "political transcendentalism" inspired by reading Raymond Abellio with whom his relations were intensifying at the time.
Edit intent: fluency
Original:  Roux weaved and networked actively in the lusophone world, primarily because he served the SDECE and also because of his adherence to a "political transcendentalism" inspired by reading Raymond Abellio with whom his relations were intensifying at the time.
Revised:  Roux weaved and networked actively in the lusophone world, primarily because he served the SDECE and because of his adherence to a "political transcendentalism" inspired by reading Raymond Abellio with whom his relations were intensifying at the time.
Edit intent: coherence
Original: French visions for a New Europe This is embodied in his utopia of a "Gaullist International" and in his idea that Portugal represents the assumption of a universal civilization.
Revised: French visions for a New Europe This is embodied in his utopia of a "Gaullist International" and in his idea that Portugal represented the assumption of a universal civilization.
Edit intent: fluency
Original:  In April 1974, at the time of the Carnation Revolution, Dominique de Roux is the only French journalist present at Lisbon, and probably one of the foreigners who have the most direct access to General Spínola.
Revised:  In April 1974, at the time of the Carnation Revolution, de Roux was the only French journalist present at Lisbon, and probably one of the foreigners who have the most direct access to General Spínola.
Edit intent: clarity
Original:  In April 1974, at the time of the Carnation Revolution, Dominique de Roux is the only French journalist present at Lisbon, and probably one of the foreigners who have the most direct access to General Spínola.
Revised:  In April 1974, at the time of the Carnation Revolution, Dominique de Roux is the only French journalist present at Lisbon, and probably one of the foreigners with the most direct access to General Spínola.
Edit intent: fluency
Original:  He then devoted several years to assist the Angolan opposition leader Jonas Savimbi to deal with international press and foreign ministries, as well as to conduct the guerrilla .
Revised:  He devoted years to assist the Angolan opposition leader Jonas Savimbi to deal with international press and foreign ministries, as well as to conduct the guerrilla .
Edit intent: clarity
Original:  He then devoted several years to assist the Angolan opposition leader Jonas Savimbi to deal with international press and foreign ministries, as well as to conduct the guerrilla .
Revised:  He then devoted several years to assist the Angolan opposition leader Jonas Savimbi to deal with international press and foreign ministries, as well as to conduct guerrilla warfare .
Edit intent: clarity
Original:  This contribution to the history of his time - which has sometimes been compared to his friend Malraux - also gives impetus to his latest works: Le Cinquième Empire published two weeks before his sudden death at age 41, of a heart attack linked to Marfan syndrome, and the posthumous La Jeune fille au ballon rouge et Le Livre nègre.
Revised:  This contribution gave impetus to his latest works: Le Cinquième Empire published two weeks before his sudden death at age 41, of a heart attack linked to Marfan syndrome, and the posthumous La Jeune fille au ballon rouge et Le Livre nègre.
Edit intent: coherence
Original:  This contribution to the history of his time - which has sometimes been compared to his friend Malraux - also gives impetus to his latest works: Le Cinquième Empire published two weeks before his sudden death at age 41, of a heart attack linked to Marfan syndrome, and the posthumous La Jeune fille au ballon rouge et Le Livre nègre.
Revised:  This contribution to the history of his time - which has sometimes been compared to his friend Malraux - also gives impetus to his final works: Le Cinquième Empire published two weeks before his sudden death at age 41, of a heart attack linked to Marfan syndrome, and the posthumous La Jeune fille au ballon rouge et Le Livre nègre.
Edit intent: clarity
Original:  REA relies on analysis of aerial photography, videogrsphy and satellite image data to identify conservation sites , and to direct field sampling and research for cost-effective biological and ecological data acquisitions.
Revised:  REA relies on analysis of aerial photography, videography, and satellite image data to identify conservation sites , and to direct field sampling and research for cost-effective biological and ecological data acquisitions.
Edit intent: fluency
Original:  REA relies on analysis of aerial photography, videogrsphy and satellite image data to identify conservation sites , and to direct field sampling and research for cost-effective biological and ecological data acquisitions.
Revised:  REA relies on analysis of aerial photography, videogrsphy and satellite image data to identify conservation sites and to direct field sampling and research for cost-effective biological and ecological data acquisitions.
Edit intent: fluency