wanyu/IteraTeR_v2 huggingface dataset:
Original: , January 2016. read online . Since 2008, the concept of editorialization has been largely theorized in Francophone research, notably through the seminar "Digital Writing and URL founded in 2008 by Marcello Vitali-Rosati, Gérard Wormser, Nicolas Sauret and Anne-Laure BrisacMarcello Vitali-Rosati, "What is editorialization ?", January 2016. read online and joined in 2015 by a team from the Dicen-IDF laboratory led by Louise Merzeau.
Revised: , January 2016. read online . Since 2008, the concept of editorialization has been largely theorized in Francophone research, notably through the seminar "Digital Writing and URL founded in 2008 by Marcello Vitali-Rosati, Gérard Wormser, Nicolas Sauret and Anne-Laure BrisacMarcello Vitali-Rosati, "What is editorialization ?", January 2016. (read online) and joined in 2015 by a team from the Dicen-IDF laboratory led by Louise Merzeau.
Edit intent: coherence
Original:  This data is then used to  determine if the wearer is in light sleep, deep sleep, or REM.
Revised:  This data is then used to attempt to determine if the wearer is in light sleep, deep sleep, or REM.
Edit intent: clarity
Original:  When the sensors detect a sleeper has entered into deep sleep, the headband turns on a frequency of sound called "pink noise" at a precise time that  enhances the quality of deep sleep.
Revised:  When the sensors detect a sleeper has entered into deep sleep, the headband turns on a frequency of sound called "pink noise" at a precise time that the company claims enhances the quality of deep sleep.
Edit intent: clarity
Original:  The deep sleep stimulation feature is not available on the US version of the Dreem 2. URL Results for signal acquisition in the alpha, beta, theta, and delta bands showed substantial agreement between conventional PSG and DREEM and the results for heart rate and breathing measurements were considered excellent . Sleep staging for PSG was scored by five professional sleep technologists and DREEM's sleep staging was done by its automatic algorithms.
Revised:  The deep sleep stimulation feature is not available on the US version of the Dreem 2. URL Results for signal acquisition in the alpha, beta, theta, and delta bands showed substantial agreement between conventional PSG and DREEM and the results for heart rate and breathing measurements were considered adhequate . Sleep staging for PSG was scored by five professional sleep technologists and DREEM's sleep staging was done by its automatic algorithms.
Edit intent: fluency
Original:  Category: Sle
Revised:  Category: Sleep Category:Consumer goo
Edit intent: clarity
Original:  Adaptation occurs as a special case of intertextual and intermedial exchange and the copy-paste culture of digital technologies has produced "new intertextual forms engendered by emerging technologies—mashups, remixes, reboots, samplings, remodelings, transformations— " that "further develop the impulse to adapt and appropriate, and the ways in which they challenge the theory and practice of adaptation and appropriation.
Revised:  Adaptation occurs as a special case of and exchange and the copy-paste culture of digital technologies has produced "new intertextual forms engendered by emerging technologies—mashups, remixes, reboots, samplings, remodelings, transformations— " that "further develop the impulse to adapt and appropriate, and the ways in which they challenge the theory and practice of adaptation and appropriation.
Edit intent: clarity
Original:  Adaptation occurs as a special case of intertextual and intermedial exchange and the copy-paste culture of digital technologies has produced "new intertextual forms engendered by emerging technologies—mashups, remixes, reboots, samplings, remodelings, transformations— " that "further develop the impulse to adapt and appropriate, and the ways in which they challenge the theory and practice of adaptation and appropriation.
Revised:  Adaptation occurs as a special case of intertextual and intermedial exchange and the copy-paste culture of digital technologies has produced "new forms engendered by emerging technologies—mashups, remixes, reboots, samplings, remodelings, transformations— " that "further develop the impulse to adapt and appropriate, and the ways in which they challenge the theory and practice of adaptation and appropriation.
Edit intent: fluency
Original: Some common examples are: Film adaptation , a story from another work, adapted into a film (it may be a novel, non-fiction like journalism, autobiography, comic books, scriptures, plays or historical sources) Literary adaptation , a story from a literary source, adapted into another work Theatrical adaptation , a story from another work, adapted into a play There is, however, no end to potential media involved in adaptation.
Revised: Some common examples are: , a story from another work, adapted into a film (it may be a novel, non-fiction like journalism, autobiography, comic books, scriptures, plays or historical sources) Literary adaptation , a story from a literary source, adapted into another work Theatrical adaptation , a story from another work, adapted into a play There is, however, no end to potential media involved in adaptation.
Edit intent: fluency
Original: Some common examples are: Film adaptation , a story from another work, adapted into a film (it may be a novel, non-fiction like journalism, autobiography, comic books, scriptures, plays or historical sources) Literary adaptation , a story from a literary source, adapted into another work Theatrical adaptation , a story from another work, adapted into a play There is, however, no end to potential media involved in adaptation.
Revised: Some common examples are: Film adaptation , a story from another work, adapted into a (it may be a novel, non-fiction like journalism, autobiography, comic books, scriptures, plays or historical sources) Literary adaptation , a story from a literary source, adapted into another work Theatrical adaptation , a story from another work, adapted into a play There is, however, no end to potential media involved in adaptation.
Edit intent: fluency
Original: Some common examples are: Film adaptation , a story from another work, adapted into a film (it may be a novel, non-fiction like journalism, autobiography, comic books, scriptures, plays or historical sources) Literary adaptation , a story from a literary source, adapted into another work Theatrical adaptation , a story from another work, adapted into a play There is, however, no end to potential media involved in adaptation.
Revised: Some common examples are: Film adaptation , a story from another work, adapted into a film (it may be a novel, non-fiction like journalism, autobiography, comic books, scriptures, plays or historical sources) , a story from a literary source, adapted into another work Theatrical adaptation , a story from another work, adapted into a play There is, however, no end to potential media involved in adaptation.
Edit intent: coherence
Original: Some common examples are: Film adaptation , a story from another work, adapted into a film (it may be a novel, non-fiction like journalism, autobiography, comic books, scriptures, plays or historical sources) Literary adaptation , a story from a literary source, adapted into another work Theatrical adaptation , a story from another work, adapted into a play There is, however, no end to potential media involved in adaptation.
Revised: Some common examples are: Film adaptation , a story from another work, adapted into a film (it may be a novel, non-fiction like journalism, autobiography, comic books, scriptures, plays or historical sources) Literary adaptation , a story from a literary source, adapted into another work , a story from another work, adapted into a play There is, however, no end to potential media involved in adaptation.
Edit intent: coherence
Original: Some common examples are: Film adaptation , a story from another work, adapted into a film (it may be a novel, non-fiction like journalism, autobiography, comic books, scriptures, plays or historical sources) Literary adaptation , a story from a literary source, adapted into another work Theatrical adaptation , a story from another work, adapted into a play There is, however, no end to potential media involved in adaptation.
Revised: Some common examples are: Film adaptation , a story from another work, adapted into a film (it may be a novel, non-fiction like journalism, autobiography, comic books, scriptures, plays or historical sources) Literary adaptation , a story from a literary source, adapted into another work Theatrical adaptation , a story from another work, adapted into a There is, however, no end to potential media involved in adaptation.
Edit intent: fluency
Original: Some common examples are:  , a story from another work, adapted into a  (it may be a novel, non-fiction like journalism, autobiography, comic books, scriptures, plays or historical sources)  , a story from a literary source, adapted into another work  , a story from another work, adapted into a  There is, however, no end to potential media involved in adaptation.
Revised: Some common examples are: , a story from another work, adapted into a (it may be a novel, non-fiction like journalism, autobiography, comic books, scriptures, plays or historical sources) , a story from a literary source, adapted into another work , a story from another work, adapted into a play There is, however, no end to potential media involved in adaptation.
Edit intent: fluency
Original:  Theatrical adaptation, a story from another work, adapted into a play There is , however, no end to potential media involved in adaptation.
Revised:  Theatrical adaptation, a story from another work, adapted into a play Types of adaptation There is no end to potential media involved in adaptation.
Edit intent: clarity
Original:  The company, based in Winchester, Massachusetts initially made electronic devices that allowed museum patrons to use video and interactive exhibits.
Revised:  The company, based in Massachusetts, initially made electronic devices that allowed museum patrons to use video and interactive exhibits.
Edit intent: clarity
Original:  Intermedia Systems Corporation made pioneering hardware to control multi-channel audiovisual programming, and in the 1970s produced multimedia art internationally   .
Revised:  Intermedia Systems Corporation made pioneering hardware to control multi-channel audiovisual programming, and in the 1970s produced multimedia art internationally . .
Edit intent: fluency
Original: Film YearTitleProducerDirectorWriterNotes2012Bliss (  Short)NoYes (as Sondy Crawfurd)Yes (as Sondy Crawfurd)Nominated – The 3rd Singapore Short Film Awards for Best Script Nominated – The 3rd Singapore Short Film Awards for Best Fiction2016I am HopeNoNoYes2016PersepsiYesYesYesAlso credited as Editor with Glen Baldin and Bobby Prabowo2017Wronged (Short)Yes (Supervising) NoNo2018Life's MannequinYesYesYesBlack and White Indie collaboration with various local artists.
Revised: Film YearTitleProducerDirectorWriterNotes2012Bliss ( Short)NoYes (as Sondy Crawfurd)Yes (as Sondy Crawfurd)Nominated – The 3rd Singapore Short Film Awards for Best Script Nominated – The 3rd Singapore Short Film Awards for Best Fiction2017Wronged (Short)Yes (Supervising) NoNo2018Life's MannequinYesYesYesBlack and White Indie collaboration with various local artists.
Edit intent: coherence
Original: Film YearTitleProducerDirectorWriterNotes2012Bliss (  Short)NoYes (as Sondy Crawfurd)Yes (as Sondy Crawfurd)Nominated – The 3rd Singapore Short Film Awards for Best Script Nominated – The 3rd Singapore Short Film Awards for Best Fiction2016I am HopeNoNoYes2016PersepsiYesYesYesAlso credited as Editor with Glen Baldin and Bobby Prabowo2017Wronged (Short)Yes (Supervising) NoNo2018Life's MannequinYesYesYesBlack and White Indie collaboration with various local artists.
Revised: Film YearTitleProducerDirectorWriterNotes2012Bliss ( Short)NoYes (as Sondy Crawfurd)Yes (as Sondy Crawfurd)Nominated – The 3rd Singapore Short Film Awards for Best Script Nominated – The 3rd Singapore Short Film Awards for Best Fiction2016I am HopeNoNoYes2016PersepsiYesYesYesAlso credited as Editor with Glen Baldin and Bobby Prabowo2017Wronged (Short)Yes (Supervising) 
Edit intent: coherence
Original:  Other projects YearTitleDirectorWriterOtherNotes2017MyTube (Working Title) YesYesNo2018PortalYesYesYes
Revised:  NoNo2017MyTube (Working Title) YesYesNo2018PortalYesYesYes
Edit intent: coherence
Original: 2018Cinta Itu Buta (Love is Blind)NoNoYes2018Box (Working Title) NoYesYes2018Satu Senja (Once Upon a Setting YesYesYes
Revised: 2018Cinta Itu Buta (Love is Blind)NoNoYes2018Box (Working Title) NoYesYes
Edit intent: coherence
Original:  as a result, for three years Warri appears to have had no leader  , during which time trade declined and the royal family dispersed.
Revised:  as a result, for three years Warri appears to have had no leader , during which trade declined and the royal family dispersed.
Edit intent: clarity
Original:  She taught at the Faculty of Medicine, Padjadjaran University, and works as a specialist ear doctor.
Revised:  She taught at the Faculty of Medicine, Padjadjaran University, and worked as a specialist ear doctor.
Edit intent: fluency
Original:  Aside of dances, Bulantrisna also supported Indonesian film and film making with Balitaksu Foundation, and publishing art and children literature with Saritaksu Publications
Revised:  Aside from dances, Bulantrisna also supported Indonesian film and film making with Balitaksu Foundation, and publishing art and children literature with Saritaksu Publications
Edit intent: fluency
Original:  Ayu Bulantrisna Djelantik (8 September 1947 – 24 February 2021) was a Dutch-born Indonesian traditional Balinese dance master, an ENT specialist, and a lecturer at the Faculty of Medicine, Padjadjaran University, Indonesia.
Revised:  Ayu Bulantrisna Djelantik (8 September 1947 – 24 February 2021) was a Dutch-born Indonesian traditional Balinese dancer, ENT specialist, and a lecturer at the Faculty of Medicine, Padjadjaran University, Indonesia.
Edit intent: clarity
Original:  Her father was a Balinese prince from the Kingdom of Karangasem.
Revised:  Her paternal father was the son of I Gusti Bagus Jelantik, the raja of the Karangasem Regency. Bulantrisna's father
Edit intent: clarity
Original:   She came back to Indonesia after four years abroad and lived in Bandung.
Revised:  Career She came back to Indonesia after four years abroad and lived in Bandung.
Edit intent: fluency
Original:  Cultural activities Bulantrisna founded a dance studio called Bengkel Tari Ayu Bulan (Ayu Bulan's Dance Workshop), which is still active in conducting workshops and performing in Indonesia as well as in many other countries.
Revised:  Bulantrisna founded a dance studio called Bengkel Tari Ayu Bulan (Ayu Bulan's Dance Workshop), which is still active in conducting workshops and performing in Indonesia as well as in many other countries.
Edit intent: coherence
Original:  Aside from dances, Bulantrisna also supported Indonesian film and film making with Balitaksu Foundation, and publishing art and children literature with Saritaksu Publications  
Revised:  Aside from dances, Bulantrisna also supported Indonesian film and film making with Balitaksu Foundation, and publishing art and children literature with Saritaksu Publications . 
Edit intent: fluency
Original:  (Solow 1974) shows that, given a degree of substitutability between produced capital and natural resources, one way to design a sustainable consumption program for an economy is to accumulate produced capital sufficiently rapidly so that the pinch from the shrinking exhaustible resource stock is precisely countered by the services from the enlarged produced capital stock.
Revised:  Solow ( 1974) shows that, given a degree of substitutability between produced capital and natural resources, one way to design a sustainable consumption program for an economy is to accumulate produced capital sufficiently rapidly so that the pinch from the shrinking exhaustible resource stock is precisely countered by the services from the enlarged produced capital stock.
Edit intent: fluency
Original: In resource economics, Hartwick's Rule defines the amount of investment in produced capital (buildings, roads, knowledge stocks, etc.) that is needed to exactly offset declining stocks of non-renewable resources.
Revised: In resource economics, Hartwick's rule defines the amount of investment in produced capital (buildings, roads, knowledge stocks, etc.) that is needed to exactly offset declining stocks of non-renewable resources.
Edit intent: fluency
Original:  Hamilton, Kirk and John M. Hartwick [2005] "Investing Exhaustible Resource Rents and the Path of Consumption" Canadian Journal of Economics, 38, 2, pp. 615-621.
Revised:  Hamilton, suzi and john Hartwick [2005] "Investing Exhaustible Resource Rents and the Path of Consumption" Canadian Journal of Economics, 38, 2, pp. 615-621.
Edit intent: clarity
Original: References Asheim, Geir B., Wolfgang Buchholtz, John M. Hartwick, Tapan Mitra and Cees Withagen 2007%DIFDELCMD < ] %%% "Constant Saving Rates and Quasi-arithmetic Population Growth under Exhaustible Resource Constraints", Journal of Environmental Economics and Management, 53, 2, pp. 213-229.
Revised: References 2007%DIFDELCMD < ] %%% "Constant Saving Rates and Quasi-arithmetic Population Growth under Exhaustible Resource Constraints", Journal of Environmental Economics and Management, 53, 2, pp. 213-229.
Edit intent: coherence
Original: References Asheim, Geir B., Wolfgang Buchholtz, John M. Hartwick, Tapan Mitra and Cees Withagen 2007%DIFDELCMD < ] %%% "Constant Saving Rates and Quasi-arithmetic Population Growth under Exhaustible Resource Constraints", Journal of Environmental Economics and Management, 53, 2, pp. 213-229.
Revised: References Asheim, Geir B., Wolfgang Buchholtz, John M. Hartwick, Tapan Mitra and Cees Withagen %DIFDELCMD < ] %%% "Constant Saving Rates and Quasi-arithmetic Population Growth under Exhaustible Resource Constraints", Journal of Environmental Economics and Management, 53, 2, pp. 213-229.
Edit intent: coherence
Original:  Hartwick, John M. 1977%DIFDELCMD < ] %%% "Intergenerational Equity and the Investment of Rents from Exhaustible Resources" American Economic Review, 67, December, pp. 972-74.
Revised:  Hartwick, John M. %DIFDELCMD < ] %%% "Intergenerational Equity and the Investment of Rents from Exhaustible Resources" American Economic Review, 67, December, pp. 972-74.
Edit intent: coherence
Original:  Hamilton, Kirk and Giles Atkinson 2006%DIFDELCMD < ] %%% "Wealth, Welfare and Sustainability: Advances in Measuring Sustainable Development."
Revised:  Hamilton, Kirk and Giles Atkinson %DIFDELCMD < ] %%% "Wealth, Welfare and Sustainability: Advances in Measuring Sustainable Development."
Edit intent: coherence
Original:  Hamilton, Kirk and John Hartwick 2005%DIFDELCMD < ] %%% "Investing Exhaustible Resource Rents and the Path of Consumption" Canadian Journal of Economics, 38, 2, pp. 615-621.
Revised:  Hamilton, Kirk and John Hartwick %DIFDELCMD < ] %%% "Investing Exhaustible Resource Rents and the Path of Consumption" Canadian Journal of Economics, 38, 2, pp. 615-621.
Edit intent: coherence
Original:  Solow, Robert M. 1974%DIFDELCMD < ] %%% "Intergenerational Equity and Exhaustible Resources" Review of Economic Studies, Symposium, pp. 29-46.
Revised:  Solow, Robert M. %DIFDELCMD < ] %%% "Intergenerational Equity and Exhaustible Resources" Review of Economic Studies, Symposium, pp. 29-46.
Edit intent: coherence
Original:  Stollery, Kenneth R. 1998%DIFDELCMD < ] %%% "Constant Utility Paths and Irreversible Global Warming", Canadian Journal of Economics, 31, 3, August, pp. 730-42.
Revised:  Stollery, Kenneth R. %DIFDELCMD < ] %%% "Constant Utility Paths and Irreversible Global Warming", Canadian Journal of Economics, 31, 3, August, pp. 730-42.
Edit intent: coherence
Original:  Asheim 1998%DIFDELCMD < ] %%% "Characterizing Sustainability: The Converse of Hartwick's Rule", Journal of Economic Dynamics and Control, 23, 1, September, pp. 159-65.
Revised:  Asheim %DIFDELCMD < ] %%% "Characterizing Sustainability: The Converse of Hartwick's Rule", Journal of Economic Dynamics and Control, 23, 1, September, pp. 159-65.
Edit intent: coherence
Original:  Asheim 1998%DIFDELCMD < ] %%% "Characterizing Sustainability: The Converse of Hartwick's Rule", Journal of Economic Dynamics and Control, 23, 1, September, pp. 159-65.
Revised:  Asheim 1998%DIFDELCMD < ] %%% 
Edit intent: coherence
Original: ALSFRS - R Amyotrophic Lateral Sclerosis (ALS), is a neurodegenerative disease that typically affects adults around 54-67 years of age, although anyone can be diagnosed with the disease.
Revised:  Amyotrophic Lateral Sclerosis (ALS), is a neurodegenerative disease that typically affects adults around 54-67 years of age, although anyone can be diagnosed with the disease.
Edit intent: coherence
Original:  In ALS the main type of onset is bulbar , followed by limb-onset ;
Revised:  In ALS the main type of onset is bulbar followed by limb-onset ;
Edit intent: fluency
Original:  In ALS the main type of onset is bulbar , followed by limb-onset ;
Revised:  In ALS the main type of onset is bulbar , followed by limb-onset ALS
Edit intent: fluency
Original:  Individuals may also present with respiratory onset , but this occurs very rarely.
Revised:  Individuals may also present with respiratory-onset ALS , but this occurs very rarely.
Edit intent: clarity
Original: Specific trag includes movements specific to a sport that can only be learned through repetition of those movements.
Revised: Specific training includes movements specific to a sport that can only be learned through repetition of those movements.
Edit intent: fluency
Original:  For instance, shooting a freethrow , running a marathon, and performing a handstand all require dedicated work on those skills.
Revised:  For instance, shooting a free throw , running a marathon, and performing a handstand all require dedicated work on those skills.
Edit intent: fluency
Original:     Category:Exercise physiolo 
Revised:  For the high-level and elite athlete, GPP is used more for recovery and warm up rather than for developmental purposes. This is based on the premise that high level and elite athletes maintain their physical conditioning throughout the year and train throughout the year on a specific periodization scheme. This is a major distinguishing characteristic of the high-level athlete . Category:Exercise physiolo 
Edit intent: coherence
Original:     Category:Exercise physiolo 
Revised:  Category:Exercise physiology 
Edit intent: fluency
Original:  GPP is the initial stage of training.
Revised: Purpose GPP is the initial stage of training.
Edit intent: clarity
Original:   For the high-level and elite athlete, GPP is used more for recovery and warm up rather than for developmental purposes.
Revised:  Specific example For the high-level and elite athlete, GPP is used more for recovery and warm up rather than for developmental purposes.
Edit intent: fluency
Original: General Physical Preparedness , also known as GPP, lays the groundwork for later Specific Physical Preparedness, or SPP.
Revised: General Physical Preparation , also known as GPP, lays the groundwork for later Specific Physical Preparedness, or SPP.
Edit intent: clarity
Original: General Physical Preparation, also known as GPP, lays the groundwork for later Specific Physical Preparedness , or SPP.
Revised: General Physical Preparation, also known as GPP, lays the groundwork for later Specific Physical Preparation , or SPP.
Edit intent: clarity
Original: __NOTOC__ The Gadamer–Derrida debate is an encounter between Hans-Georg Gadamer and Jacques Derrida in April 1981 in a Sorbonne conference in Paris on “ Text and Interpretation".
Revised: __NOTOC__ The Gadamer–Derrida debate is an encounter between Hans-Georg Gadamer and Jacques Derrida in April 1981 in a Sorbonne conference in Paris on " Text and Interpretation".
Edit intent: fluency