wanyu/IteraTeR_v2 huggingface dataset:
Original:  In 2007, she took part in documenta 12 in Kassel with an installation.
Revised:  In 2007, she participated in documenta 12 in Kassel with an installation.
Edit intent: fluency
Original:  Life and career In the late 1980s, after turbulent teenage years marked by vulnerability and rebellion, Kouélany sought paths to newly found freedom.
Revised:  Life and career As a teenager, B. Kouélany sought paths to newly found freedom.
Edit intent: clarity
Original:  This was the start of an artistic life punctuated by writing, with pioneering  plays such as Cafard, cafarde, which she read in Paris (2003), and Peut-être (2007),  created in collaboration with Jean-Paul Delore.
Revised:  This was the start of an artistic life punctuated by writing, with pioneering plays such as Cafard, cafarde, which she read in Paris (2003), and Peut-être (2007), which she created in collaboration with Jean-Paul Delore.
Edit intent: coherence
Original:  Her written pieces are imbued with the works of  Tchicaya U Tam’si,  a tormented and highly sensitive writer who she also featured in her first canvases.
Revised:  Her written pieces are greatly influenced by the works of Tchicaya U Tam’si, a tormented and highly sensitive writer who she also featured in her first canvases.
Edit intent: clarity
Original:  Her written pieces are imbued with the works of  Tchicaya U Tam’si,  a tormented and highly sensitive writer who she also featured in her first canvases.
Revised:  Her written pieces are imbued with the works of Tchicaya U Tam’si, who was " a tormented and highly sensitive writer who she also featured in her first canvases.
Edit intent: clarity
Original:  Her paintings are self-taught and autobiographical.
Revised:  "
Edit intent: coherence
Original:  first in  2001 during the residency program of the Doual’Art urban workshops in Cameroon , then in 2002 in the off section of the Dak’Art Biennale with the “ Creators of Central Africa, ” and in 2006 on the occasion of the seventh edition of Dak’Art.
Revised:  first in In 2001 during the residency program of the Doual’Art urban workshops in Cameroon , then in 2002 in the off section of the Dak’Art Biennale with the “ Creators of Central Africa, ” and in 2006 on the occasion of the seventh edition of Dak’Art.
Edit intent: fluency
Original:  first in  2001 during the residency program of the Doual’Art urban workshops in Cameroon , then in 2002 in the off section of the Dak’Art Biennale with the “ Creators of Central Africa, ” and in 2006 on the occasion of the seventh edition of Dak’Art.
Revised:  first in 2001 , she participated in the residency program of the Doual’Art urban workshops in Cameroon , then in 2002 in the off section of the Dak’Art Biennale with the “ Creators of Central Africa, ” and in 2006 on the occasion of the seventh edition of Dak’Art.
Edit intent: clarity
Original:  first in  2001 during the residency program of the Doual’Art urban workshops in Cameroon , then in 2002 in the off section of the Dak’Art Biennale with the “ Creators of Central Africa, ” and in 2006 on the occasion of the seventh edition of Dak’Art.
Revised:  first in 2001 during the residency program of the Doual’Art urban workshops in Cameroon . In 2002 in the off section of the Dak’Art Biennale with the “ Creators of Central Africa, ” and in 2006 on the occasion of the seventh edition of Dak’Art.
Edit intent: coherence
Original:  first in  2001 during the residency program of the Doual’Art urban workshops in Cameroon , then in 2002 in the off section of the Dak’Art Biennale with the “ Creators of Central Africa, ” and in 2006 on the occasion of the seventh edition of Dak’Art.
Revised:  first in 2001 during the residency program of the Doual’Art urban workshops in Cameroon , then in 2002 , her work was part of the Dak’Art Biennale with the “ Creators of Central Africa, ” and in 2006 on the occasion of the seventh edition of Dak’Art.
Edit intent: clarity
Original:  first in  2001 during the residency program of the Doual’Art urban workshops in Cameroon , then in 2002 in the off section of the Dak’Art Biennale with the “ Creators of Central Africa, ” and in 2006 on the occasion of the seventh edition of Dak’Art.
Revised:  first in 2001 during the residency program of the Doual’Art urban workshops in Cameroon , then in 2002 in the off section of the Dak’Art Biennale with the Creators of Central Africa, ” and in 2006 on the occasion of the seventh edition of Dak’Art.
Edit intent: fluency
Original:  first in  2001 during the residency program of the Doual’Art urban workshops in Cameroon , then in 2002 in the off section of the Dak’Art Biennale with the “ Creators of Central Africa, ” and in 2006 on the occasion of the seventh edition of Dak’Art.
Revised:  first in 2001 during the residency program of the Doual’Art urban workshops in Cameroon , then in 2002 in the off section of the Dak’Art Biennale with the “ Creators of Central Africa, and in 2006 on the occasion of the seventh edition of Dak’Art.
Edit intent: fluency
Original:  first in  2001 during the residency program of the Doual’Art urban workshops in Cameroon , then in 2002 in the off section of the Dak’Art Biennale with the “ Creators of Central Africa, ” and in 2006 on the occasion of the seventh edition of Dak’Art.
Revised:  first in 2001 during the residency program of the Doual’Art urban workshops in Cameroon , then in 2002 in the off section of the Dak’Art Biennale with the “ Creators of Central Africa, ” and in 2006 she participated in the seventh edition of Dak’Art.
Edit intent: coherence
Original:  In 2004 she was an artist in residence in Nantes  and took part in the exhibition Beautés d’Afrique.
Revised:  In 2004 she was an artist in residence in Nantes , France and took part in the exhibition Beautés d’Afrique.
Edit intent: clarity
Original:  In 2004 she was an artist in residence in Nantes  and took part in the exhibition Beautés d’Afrique.
Revised:  In 2004 she was an artist in residence in Nantes and took part in an exhibition there, Beautés d’Afrique.
Edit intent: clarity
Original:  Two years later she was awarded the Prix de la Francophonie and Prix Montalvo Arts Center at the Dak’Art Biennale .
Revised:  Two years later she was awarded the Prix de la Francophonie and Prix Montalvo Arts Center .
Edit intent: clarity
Original:  Since 2012, B. Kouélany was founder and artistic director of the contemporary art center, Les Ateliers Sahm , the foundation of which is perhaps one of her greatest achievements.
Revised:  Since 2012, B. Kouélany founded the contemporary art center, Les Ateliers Sahm , the foundation of which is perhaps one of her greatest achievements.
Edit intent: clarity
Original:  This multidisciplinary center , a one-of-a-kind initiative in the Republic of the Congo, is devoted to supporting young artists from the country and the rest of the African continent.
Revised:  This multidisciplinary center , a one-of-a-kind initiative devoted to supporting young artists from the country and the rest of the African continent.
Edit intent: clarity
Original:  This multidisciplinary center , a one-of-a-kind initiative in the Republic of the Congo, is devoted to supporting young artists from the country and the rest of the African continent.
Revised:  This multidisciplinary center , a one-of-a-kind initiative in the Republic of the Congo, is devoted to supporting young artists from the Congo as well as the rest of the African continent.
Edit intent: clarity
Original:   She continues to create art .
Revised:  She continues to work creatively .
Edit intent: clarity
Original:  Shakushain then went on to declare war on the Matsumae Domain, staioned on the very south of Hokkaido, in Shakushain's Revolts, before being defeated and killed.
Revised:  Shakushain then went on to declare war on the Matsumae Domain, stationed on the very south of Hokkaido, in Shakushain's Revolts, before being defeated and killed.
Edit intent: fluency
Original: Supplement 400px| eight silk paintings atlas There are currently eight known Chinese Manichae silk painting scrolls including " Muni’s Parents ", which can be divided into four categories:
Revised: Excursus 400px| eight silk paintings atlas There are currently eight known Chinese Manichae silk painting scrolls including " Muni’s Parents ", which can be divided into four categories:
Edit intent: style
Original: Supplement 400px| eight silk paintings atlas There are currently eight known Chinese Manichae silk painting scrolls including " Muni’s Parents ", which can be divided into four categories:
Revised: Supplement 400px| Eight Silk Painting Atlas At present, there are eight known Chinese Manichae silk painting scrolls including " Muni’s Parents ", which can be divided into four categories:
Edit intent: fluency
Original:  Two single statues (depicting Mani and Jesus) Mani Portrait Yi Shu Buddha Frame Draw a scroll of Salvation Theory () Pluto Sacred Frame Four scrolls depicting Prophetology () Mani 's parents The Birth of Mani The Legend of the Saint 1 The Legend of the Saint 2 Draw a scroll of Cosmology () Manichae universe map
Revised:  Two single portraits (depicting Mani and Jesus) Mani Portrait Yi Shu Buddha Frame Draw a scroll of Salvation Theory () Pluto Sacred Frame Four scrolls depicting Prophetology () Mani 's parents The Birth of Mani The Legend of the Saint 1 The Legend of the Saint 2 Draw a scroll of Cosmology () Manichae universe map
Edit intent: clarity
Original:  Two single statues (depicting Mani and Jesus) Mani Portrait Yi Shu Buddha Frame Draw a scroll of Salvation Theory () Pluto Sacred Frame Four scrolls depicting Prophetology () Mani 's parents The Birth of Mani The Legend of the Saint 1 The Legend of the Saint 2 Draw a scroll of Cosmology () Manichae universe map
Revised:  Two single statues (depicting Mani and Jesus) Mani Portrait Yi Shu Buddha Frame Draw a scroll of Salvation Theory () Pluto Sacred Frame Four scrolls depicting Prophetology () Mani ’s Parents Birth of Mani The Legend of the Saint 1 The Legend of the Saint 2 Draw a scroll of Cosmology () Manichae universe map
Edit intent: fluency
Original:  Two single statues (depicting Mani and Jesus) Mani Portrait Yi Shu Buddha Frame Draw a scroll of Salvation Theory () Pluto Sacred Frame Four scrolls depicting Prophetology () Mani 's parents The Birth of Mani The Legend of the Saint 1 The Legend of the Saint 2 Draw a scroll of Cosmology () Manichae universe map
Revised:  Two single statues (depicting Mani and Jesus) Mani Portrait Yi Shu Buddha Frame Draw a scroll of Salvation Theory () Pluto Sacred Frame Four scrolls depicting Prophetology () Mani 's parents The Birth of Mani The Legend of the Saint 1 The Legend of the Saint 2 Draw a scroll of Cosmology () Manichaean Diagram of the Universe
Edit intent: clarity
Original: Excursus 400px|Eight Silk Painting Atlas At present, there are eight known Chinese Manichean silk painting hanging scrolls , including "The Birth of Mani" , which can be divided into four categories:
Revised: Excursus 400px|Eight Silk Painting Atlas Eight silk hanging scrolls with Manichaean didactic images from southern China from between the 12th and the 15th centuries , which can be divided into four categories:
Edit intent: clarity
Original:  It is in the collection of the Asian Art Museum of San Francisco, USA, and is donated by Ivory Brendage.
Revised:  It is in the collection of the Asian Art Museum of San Francisco, USA, and was donated by Ivory Brendage.
Edit intent: fluency
Original:  Although the title given on the official website of the museum is "Fragment of a Buddhist Mandala" (Fragment of a Buddhist Mandala), However, after  Miki Morita's research, especially after comparing it with "The Birth of Mani", it is believed that the painting is a work of Manichaeism, depicting the image of the father and mother of Mani, the founder of the religion, Mani and Mani.
Revised:  The title given on the official website of the museum is "Fragment of a Buddhist Mandala" (Fragment of a Buddhist Mandala), However, after Miki Morita's research, especially after comparing it with "The Birth of Mani", it is believed that the painting is a work of Manichaeism, depicting the image of the father and mother of Mani, the founder of the religion, Mani and Mani.
Edit intent: coherence
Original:  Although the title given on the official website of the museum is "Fragment of a Buddhist Mandala" (Fragment of a Buddhist Mandala), However, after  Miki Morita's research, especially after comparing it with "The Birth of Mani", it is believed that the painting is a work of Manichaeism, depicting the image of the father and mother of Mani, the founder of the religion, Mani and Mani.
Revised:  Although the title given on the official website of the museum is "Fragment of a Buddhist Mandala" . Miki Morita's research, especially after comparing it with "The Birth of Mani", it is believed that the painting is a work of Manichaeism, depicting the image of the father and mother of Mani, the founder of the religion, Mani and Mani.
Edit intent: coherence
Original:  Although the title given on the official website of the museum is "Fragment of a Buddhist Mandala" (Fragment of a Buddhist Mandala), However, after  Miki Morita's research, especially after comparing it with "The Birth of Mani", it is believed that the painting is a work of Manichaeism, depicting the image of the father and mother of Mani, the founder of the religion, Mani and Mani.
Revised:  Although the title given on the official website of the museum is "Fragment of a Buddhist Mandala" (Fragment of a Buddhist Mandala), However, after After Miki Morita's research, especially after comparing it with "The Birth of Mani", it is believed that the painting is a work of Manichaeism, depicting the image of the father and mother of Mani, the founder of the religion, Mani and Mani.
Edit intent: fluency
Original:  Morita’s research results were published in "Piecing a Picture Together: A New Manichaean Perspective on a Chinese Religious Painting in the Asian Art Museum of San Francisco", This view was also adopted by the religious art historian Gu Leci in her work "Mani’s Pictures".
Revised:  Morita’s research results were published in "Piecing a Picture Together: A New Manichaean Perspective on a Chinese Religious Painting in the Asian Art Museum of San Francisco", a view which was also adopted by the religious art historian Gu Leci in her work "Mani’s Pictures".
Edit intent: coherence
Original:  The drawing technique and artistic style are the same as those in "The Legend of the Holy One", "The Legend of the Holy One", "The Birth of Mani" and the "Manichae Universe" The picture is very similar .
Revised:  The drawing technique and artistic style are the same as those in "The Legend of the Holy One", "The Birth of Mani" and the "Manichae Universe" The picture is very similar .
Edit intent: fluency
Original:  The drawing technique and artistic style are the same as those in "The Legend of the Holy One", "The Legend of the Holy One", "The Birth of Mani" and the "Manichae Universe" The picture is very similar .
Revised:  The drawing technique and artistic style are the same as those in "The Legend of the Holy One", "The Legend of the Holy One", "The Birth of Mani" and the "Manichae Universe" Citation needed .
Edit intent: coherence
Original: Brief analysis Miki Morita mainly identified this painting as belonging to Manichaeism based on its artistic style: the woman sitting in the main hall of the painting is very similar to the full pornographic image in the "Nativity of Mani" , and the artistic technique of this painting is almost the same as that of the nativity.
Revised: Brief analysis Miki Morita identified this painting as belonging to Manichaeism based on its artistic style: the woman sitting in the main hall of the painting is very similar to the full pornographic image in the "Nativity of Mani" , and the artistic technique of this painting is almost the same as that of the nativity.
Edit intent: coherence
Original: Brief analysis Miki Morita mainly identified this painting as belonging to Manichaeism based on its artistic style: the woman sitting in the main hall of the painting is very similar to the full pornographic image in the "Nativity of Mani" , and the artistic technique of this painting is almost the same as that of the nativity.
Revised: Brief analysis Miki Morita mainly identified this painting as Manichaean mainly by its artistic style: the woman sitting in the main hall of the painting is very similar to the full pornographic image in the "Nativity of Mani" , and the artistic technique of this painting is almost the same as that of the nativity.
Edit intent: clarity
Original: Brief analysis Miki Morita mainly identified this painting as belonging to Manichaeism based on its artistic style: the woman sitting in the main hall of the painting is very similar to the full pornographic image in the "Nativity of Mani" , and the artistic technique of this painting is almost the same as that of the nativity.
Revised: Brief analysis Miki Morita mainly identified this painting as belonging to Manichaeism based on its artistic style: the woman sitting in the hall of the painting is very similar to the full pornographic image in the "Nativity of Mani" , and the artistic technique of this painting is almost the same as that of the nativity.
Edit intent: clarity
Original: Brief analysis Miki Morita mainly identified this painting as belonging to Manichaeism based on its artistic style: the woman sitting in the main hall of the painting is very similar to the full pornographic image in the "Nativity of Mani" , and the artistic technique of this painting is almost the same as that of the nativity.
Revised: Brief analysis Miki Morita mainly identified this painting as belonging to Manichaeism based on its artistic style: the woman sitting in the main hall of the main hall is very similar to the full pornographic image in the "Nativity of Mani" , and the artistic technique of this painting is almost the same as that of the nativity.
Edit intent: fluency
Original: Brief analysis Miki Morita mainly identified this painting as belonging to Manichaeism based on its artistic style: the woman sitting in the main hall of the painting is very similar to the full pornographic image in the "Nativity of Mani" , and the artistic technique of this painting is almost the same as that of the nativity.
Revised: Brief analysis Miki Morita mainly identified this painting as belonging to Manichaeism based on its artistic style: the woman sitting in the main hall of the painting is very similar to the full pornographic image in the "Nativity of Mani" , and the artistic style of this painting is almost the same as that of the nativity.
Edit intent: clarity
Original: Brief analysis Miki Morita mainly identified this painting as belonging to Manichaeism based on its artistic style: the woman sitting in the main hall of the painting is very similar to the full pornographic image in the "Nativity of Mani" , and the artistic technique of this painting is almost the same as that of the nativity.
Revised: Brief analysis Miki Morita mainly identified this painting as belonging to Manichaeism based on its artistic style: the woman sitting in the main hall of the painting is very similar to the full pornographic image in the "Nativity of Mani" , and the artistic technique of this painting is almost identical to that of the nativity.
Edit intent: fluency
Original:  " The first half of this record shows that Man Yan strictly adheres to the canon of fasting and purification , so she is able to cherish her . Going to the saint Mani, this should also be the message that this painting wants to convey;
Revised:  " The first half of this entry states that Man-yin's strict observance of the precepts of fasting and purification , so she is able to cherish her . Going to the saint Mani, this should also be the message that this painting wants to convey;
Edit intent: clarity
Original:  " The first half of this record shows that Man Yan strictly adheres to the canon of fasting and purification , so she is able to cherish her . Going to the saint Mani, this should also be the message that this painting wants to convey;
Revised:  " The first half of this record shows that Man Yan strictly adheres to the canon of fasting and purification enabled her to conceive the saint Mani, this should also be the message that this painting wants to convey;
Edit intent: clarity
Original:  In addition, this painting lacks the important element that the white elephant  depicted in the Buddha's birth diagram enters the dream of Mrs.
Revised:  In addition, the painting lacks the important element that the white elephant depicted in the Buddha's birth diagram enters the dream of Mrs.
Edit intent: fluency
Original:  In addition, this painting lacks the important element that the white elephant  depicted in the Buddha's birth diagram enters the dream of Mrs.
Revised:  In addition, this painting lacks the important element of the white elephant depicted in the Buddha's birth diagram enters the dream of Mrs.
Edit intent: fluency
Original:  Maya , indicating that it is not a Buddhist painting  .
Revised:  Maya , indicating that it is not a Buddhist painting . .
Edit intent: fluency
Original:  Two single portraits (depicting Mani and Jesus) Icon of Mani Manichaean Painting of the Buddha Jesus Draw a scroll of Salvation Theory () Sermon on Mani's Teaching of Salvation Four scrolls depicting Prophetology () Mani ’ s Parents Birth of Mani Episodes from Mani's Missionary Work Mani's Community Established Draw a scroll of Cosmology () Manichaean Diagram of the Universe
Revised:  Two single portraits (depicting Mani and Jesus) Icon of Mani Manichaean Painting of the Buddha Jesus One scroll depicting Salvation Theory () Sermon on Mani's Teaching of Salvation Four scrolls depicting Prophetology () Mani ’ s Parents Birth of Mani Episodes from Mani's Missionary Work Mani's Community Established Draw a scroll of Cosmology () Manichaean Diagram of the Universe
Edit intent: clarity
Original:  Two single portraits (depicting Mani and Jesus) Icon of Mani Manichaean Painting of the Buddha Jesus Draw a scroll of Salvation Theory () Sermon on Mani's Teaching of Salvation Four scrolls depicting Prophetology () Mani ’ s Parents Birth of Mani Episodes from Mani's Missionary Work Mani's Community Established Draw a scroll of Cosmology () Manichaean Diagram of the Universe
Revised:  Two single portraits (depicting Mani and Jesus) Icon of Mani Manichaean Painting of the Buddha Jesus Draw a scroll of Salvation Theory () Sermon on Mani's Teaching of Salvation Four scrolls depicting Prophetology () Mani ' s Parents Birth of Mani Episodes from Mani's Missionary Work Mani's Community Established Draw a scroll of Cosmology () Manichaean Diagram of the Universe
Edit intent: fluency
Original:  Two single portraits (depicting Mani and Jesus) Icon of Mani Manichaean Painting of the Buddha Jesus Draw a scroll of Salvation Theory () Sermon on Mani's Teaching of Salvation Four scrolls depicting Prophetology () Mani ’ s Parents Birth of Mani Episodes from Mani's Missionary Work Mani's Community Established Draw a scroll of Cosmology () Manichaean Diagram of the Universe
Revised:  Two single portraits (depicting Mani and Jesus) Icon of Mani Manichaean Painting of the Buddha Jesus Draw a scroll of Salvation Theory () Sermon on Mani's Teaching of Salvation Four scrolls depicting Prophetology () Mani ’ s Parents Birth of Mani Episodes from Mani's Missionary Work Mani's Community Established One scroll depicting Cosmology () Manichaean Diagram of the Universe
Edit intent: clarity
Original:  He was a Director of Vocational Education in Kirudo province and was later appointed Economic Advisor to the governor of the Kirondu Province whom he would later succeed in office.
Revised:  He was a Director of Vocational Education in Kirundo province and was later appointed Economic Advisor to the governor of the Kirondu Province whom he would later succeed in office.
Edit intent: fluency