wanyu/IteraTeR_v2 huggingface dataset:
Original:  , interview with Neagu Djuvara, in Evenimentul Zilei, January 22, 2006 (hosted by www.presa-zilei.ro), retrieved June 13, 2007 Toma Roman Jr, "« Politiceşte , Ion Antonescu habar n-avea ce face»" ("«Politically, Ion Antonescu Had No Idea of What He Was Doing»") , interview with Neagu Djuvara, in Plai cu Boi, No. 11, retrieved June 13, 2007 His father, Marcel, a graduate of the Technical University of Berlin and a captain in the Romanian Royal Army's Engineer Corps, died of  Spanish flu in 1918;
Revised:  , interview with Neagu Djuvara, in Evenimentul Zilei, January 22, 2006 (hosted by www.presa-zilei.ro), retrieved June 13, 2007 Toma Roman Jr, "« Politicește , Ion Antonescu habar n-avea ce face»" ("«Politically, Ion Antonescu Had No Idea of What He Was Doing»") , interview with Neagu Djuvara, in Plai cu Boi, No. 11, retrieved June 13, 2007 His father, Marcel, a graduate of the Technical University of Berlin and a captain in the Romanian Royal Army's Engineer Corps, died of Spanish flu in 1918;
Edit intent: fluency
Original:  , interview with Neagu Djuvara, in Evenimentul Zilei, January 22, 2006 (hosted by www.presa-zilei.ro), retrieved June 13, 2007 Toma Roman Jr, "« Politiceşte , Ion Antonescu habar n-avea ce face»" ("«Politically, Ion Antonescu Had No Idea of What He Was Doing»") , interview with Neagu Djuvara, in Plai cu Boi, No. 11, retrieved June 13, 2007 His father, Marcel, a graduate of the Technical University of Berlin and a captain in the Romanian Royal Army's Engineer Corps, died of  Spanish flu in 1918;
Revised:  , interview with Neagu Djuvara, in Evenimentul Zilei, January 22, 2006 (hosted by www.presa-zilei.ro), retrieved June 13, 2007 Toma Roman Jr, "« Politiceşte , Ion Antonescu habar n-avea ce face»" ("«Politically, Ion Antonescu Had No Idea of What He Was Doing»") , interview with Neagu Djuvara, in Plai cu Boi, No. 11, retrieved June 13, 2007 His father, Marcel, a graduate of the Technical University of Berlin and a captain in the Romanian Royal Army's Engineer Corps, died of the Spanish flu in 1918;
Edit intent: fluency
Original:   – January 25 , 2018) was a Romanian historian, essayist, philosopher, journalist, novelist, and diplomat.
Revised:  – 25 , 2018) was a Romanian historian, essayist, philosopher, journalist, novelist, and diplomat.
Edit intent: coherence
Original:  18 August 1916 – 25 January 2018) was a Romanian historian, essayist, philosopher, journalist, novelist, and diplomat.
Revised:  31 August 1916 – 25 January 2018) was a Romanian historian, essayist, philosopher, journalist, novelist, and diplomat.
Edit intent: fluency
Original: Unable to regain the territory in the Caucasus irrevocably lost to Russia in the early 19th century, Naser al-Din sought compensation by seizing Herāt, Afghanistan , in 1856.
Revised: Unable to regain the territory in the Caucasus irrevocably lost to Russia in the early 19th century, Naser al-Din sought compensation by seizing Herat , in 1856.
Edit intent: clarity
Original: Diplomacy and wars Naser al-Din Shah by Abul Hasan Ghaffari, 1859 Naser al-Din was in Tabriz from Qajars tribe when he heard of his father's death in 1848, and he ascended to the Sun Throne with the help of Amir Kabir.
Revised: Diplomacy and wars Naser al-Din Shah by Abul Hasan Ghaffari, 1859 Naser al-Din was in Tabriz when he heard of his father's death in 1848, and he ascended to the Sun Throne with the help of Amir Kabir.
Edit intent: coherence
Original:  Great Britain regarded the move as a threat to British India and declared war on Persia, forcing the return of Herāt as well as Persia's recognition of the kingdom of Afghanistan.
Revised:  Great Britain regarded the move as a threat to British India and declared war on Persia, forcing the return of Herat as well as Persia's recognition of the kingdom of Afghanistan.
Edit intent: fluency
Original:  Category:1952 births Category:Alaska Native people Category:Artists from Alaska Category:Living people Category:Native American woodcarvers Category:Seattle Pacific University alumni Category:Totem pole carvers Category:People from Prince of Wales–Hyder Census Area, Alas 
Revised:  Category:1952 births Category:Alaska Native people Category:Artists from Alaska Category:Living people Category:Native American woodcarvers Category:Seattle Pacific University alumni Category:Totem pole carvers Category:People from Prince of Wales–Hyder Census Area, Alaska 
Edit intent: fluency
Original:  Category:1952 births Category:Alaska Native people Category:Artists from Alaska Category:Living people Category:Native American woodcarvers Category:Seattle Pacific University alumni Category:Totem pole carvers Category:People from Prince of Wales–Hyder Census Area, Alas 
Revised:  Category:1952 births Category:Alaska Native people Category:Artists from Alaska Category:Living people Category:Native American woodcarvers Category:Seattle Pacific University alumni Category:Totem pole carvers Category:People from Prince of Wales–Hyder Census Area, Alas UR
Edit intent: fluency
Original:  Category:1952 births Category:Alaska Native people Category:Artists from Alaska Category:Living people Category:Native American woodcarvers Category:Seattle Pacific University alumni Category:Totem pole carvers Category:People from Prince of Wales–Hyder Census Area, Alaska UR
Revised:  Category:1952 births Category:Alaska Native people Category:Artists from Alaska Category:Living people Category:Native American woodcarvers Category:Seattle Pacific University alumni Category:Totem pole carvers Category:People from Prince of Wales–Hyder Census Area, UR
Edit intent: fluency
Original:  Category:1952 births Category:Alaska Native people Category:Artists from Alaska Category:Living people Category:Native American woodcarvers Category:Seattle Pacific University alumni Category:Totem pole carvers Category:People from Prince of Wales–Hyder Census Area, Alaska UR
Revised:  Category:1952 births Category:Alaska Native people Category:Artists from Alaska Category:Living people Category:Native American woodcarvers Category:Seattle Pacific University alumni Category:Totem pole carvers Category:People from Prince of Wales–Hyder Census Area, Alaska Alas
Edit intent: fluency
Original:                   ]      
Revised:  Unlike most children around him, Boxley was surrounded by traditional Tsimshian culture in his childhood. This was on account of his grandparents, who both spoke the Tsimshian language and knew many traditions of the past. He first learned to carve from his Grandfather, who he often describes as his “hero”. He described his grandfather as a man who “could build anything” and would pass on knowledge to Boxley, such as what wood should be used to carve, and how to create his own tools. His first works were those he helped carve with his grandfather growing up, and he still currently uses an adze made with the help of his grandfather in every carving project. Apart from this, Boxley claims he had been interested in being an artist “since third grade”. ] 
Edit intent: coherence
Original:                   ]      
Revised:  Disney World Three of Boxley’s poles stand in the Epcot center in Disney World, Florida. He was asked to create a new totem pole for the center in 1998, alongside the two fiberglass ones that already stood in the center. This was done in an effort to give the center greater authenticity, as the theme park was taking multiple initiatives to be more authentic. Then, in 2017, Disney commissioned Boxley to create two more poles to replace the fiberglass ones. These poles have since been lauded for their attempts at authenticity, but Disney has been criticized for putting the poles into a tourist setting and stripping them of their cultural meaning. ] 
Edit intent: coherence
Original:                   ]      
Revised:  Art Style and Techniques Boxley’s works are done in a very traditional manner and he focuses on a uniquely Tsimshian art style. Boxley originally borrowed heavily from different Pacific North West Coast styles, such as Haida and Tlingit, but in the mid 1980s, his style began to look more explicitly Tsimshian. He has described his style as “Alaskan Tsimshian”- specific to the Alaskan branch of the Tsimshian. For his Totem Poles, he uses old red cedar trees, as they are the trees that his Tsimshian ancestors were surrounded by. However, he has given up some traditional materials for modern ones. An example is using latex paint instead of traditional Tsimshian pigments, such as copper oxide and charcoal mixed with salmon eggs and urine. Despite this, Boxley stresses the importance of keeping everything as traditional and authentic as possible. ] 
Edit intent: coherence
Original:                   ]      
Revised:  ] Due to his efforts, Metlakatla has had a strong revival in traditional culture, and younger generations of the Tsimshian tribe have had the chance to be surrounded in traditional Tsimshian culture. 
Edit intent: coherence
Original: %DIFDELCMD < %DIFDELCMD < %%% By the 1980s Boxley and his sons, Zachary and David R. Boxley, lived in Kingston, Washington.
Revised: %DIFDELCMD < %DIFDELCMD < %%% 
Edit intent: coherence
Original: %DIFDELCMD < %DIFDELCMD < %%% David A. Boxley (born 1952) is an American artist from the Tsimshian tribe in Alaska, most known for his prolific creation of Totem Poles and other Tsimshian artworks.
Revised: %DIFDELCMD < %DIFDELCMD < %%% A. Boxley (born 1952) is an American artist from the Tsimshian tribe in Alaska, most known for his prolific creation of Totem Poles and other Tsimshian artworks.
Edit intent: style
Original: Boxley currently lives in Lynwood , Washington, and his son’s, particularly David R. Boxley, are also successful artists and carvers.
Revised: Boxley currently lives in Lynnwood , Washington, and his son’s, particularly David R. Boxley, are also successful artists and carvers.
Edit intent: fluency
Original:  Disney World Three of Boxley’s poles stand in the Epcot center in Disney World, Florida.
Revised:  Disney World Three of Boxley’s poles stand in the Epcot Center in Disney World, Florida.
Edit intent: fluency
Original:  He was asked to create a new totem pole for the center in 1998, alongside the two fiberglass ones that already stood in the center .
Revised:  He was asked to create a new totem pole for the center in 1998, alongside the two fiberglass ones that already stood in the Center .
Edit intent: fluency
Original:  This was done in an effort to give the center greater authenticity, as the theme park was taking multiple initiatives to be more authentic.
Revised:  This was done in an effort to give the Center greater authenticity, as the theme park was taking multiple initiatives to be more authentic.
Edit intent: fluency
Original:  National Museum of the American Indian URL Boxley and his son, David R. working on a Totem Pole in the National Museum of the American Indian Another of Boxleys poles is currently in the Smithsonian National Museum of the American Indian in Washington D.C, where it is permanently displayed.
Revised:  National Museum of the American Indian URL Boxley and his son, David R. working on a Totem Pole in the National Museum of the American Indian Another of Boxley's poles is currently in the Smithsonian National Museum of the American Indian in Washington D.C, where it is permanently displayed.
Edit intent: fluency
Original:  Quintana Gallery in Portland said of Boxley: “Not all of the artists [in the museum] were reviving a culture, but he was”.
Revised:  Quintana Galleries in Portland said of Boxley: “Not all of the artists [in the museum] were reviving a culture, but he was”.
Edit intent: clarity
Original:  In 1982, Boxley lead the first Potlatch in Metlakatla in over a century, also making songs and dances for the event as well as raising a totem pole he made.
Revised:  In 1982, Boxley lead the first Potlatch in Metlakatla in over a century, also making songs and dances for the event as well as raising a Totem Pole he made.
Edit intent: fluency
Original:  Boxley is also concerned with authenticity in the Git-Hoan performances, having researched song style, dances, costumes and ornaments using primary material such as a 1913 silent film and an old wax audio reel.
Revised:  Boxley is also concerned with authenticity in the Git-Hoan performances, having researched song style, dances, costumes and ornaments using primary material such as a 1913 silent film and a wax audio reel.
Edit intent: clarity
Original:  Boxley is also concerned with the preservation of the Tsimsian language, which has only approximately 70 speakers left in Alaska.
Revised:  Boxley is also concerned with the preservation of the Tsimshian language, which has only approximately 70 speakers left in Alaska.
Edit intent: fluency
Original:  Due to his efforts, Metlakatla has had a strong revival in traditional culture, and younger generations of the Tsimshian tribe have had the chance to be surrounded in traditional Tsimshian culture.
Revised:  Due to his efforts, Metlakatla has had a strong revival in traditional culture, and younger generations of the Tsimshian tribe have had the chance to be surrounded by traditional Tsimshian culture.
Edit intent: fluency
Original: Early Life (1952- early 1980's) Boxley was born in Ketchikan, Revillagigedo Island, Alaska  in 1952, but grew up in Metlakatla, Alaska.
Revised: Early life Boxley was born in Ketchikan, Revillagigedo Island, Alaska in 1952, but grew up in Metlakatla, Alaska.
Edit intent: coherence
Original: Early Life (1952- early 1980's) Boxley was born in Ketchikan, Revillagigedo Island, Alaska  in 1952, but grew up in Metlakatla, Alaska.
Revised: Early Life (1952- early 1980's) Boxley was born in Ketchikan, Revillagigedo Island, Alaska , in 1952, but grew up in Metlakatla, Alaska.
Edit intent: fluency
Original:  However, Boxley mostly taught himself from his own research, and learnt many traditional art styles and methods that had been lost to time.
Revised:  However, Boxley mostly taught himself from his own research, and learned many traditional art styles and methods that had been lost to time.
Edit intent: fluency
Original:  Career and Works Early Work ( mid 1980s- 1990s) Since the mid 1980s, Boxley has worked on many commissions.
Revised:  Career and works Early Work ( mid 1980s- 1990s) Since the mid 1980s, Boxley has worked on many commissions.
Edit intent: fluency
Original:  Career and Works Early Work ( mid 1980s- 1990s) Since the mid 1980s, Boxley has worked on many commissions.
Revised:  Career and Works Early Work ( mid-1980s – 1990s) Since the mid 1980s, Boxley has worked on many commissions.
Edit intent: fluency
Original:  Totem Poles ( 1980s- Present ) Boxley is best known for his Totem Poles, which have been displayed across the U.S, Canada and Europe.
Revised:  Totem Poles ( 1980s–present ) Boxley is best known for his Totem Poles, which have been displayed across the U.S, Canada and Europe.
Edit intent: fluency
Original:  Other Works (1980s- Present ) In addition to Totem Poles, Boxley has made many other items, such as bentwood boxes, masks, rattles, prints, panels and paintings.
Revised:  Other works (1980s–present ) In addition to Totem Poles, Boxley has made many other items, such as bentwood boxes, masks, rattles, prints, panels and paintings.
Edit intent: fluency
Original:  Passing on Knowledge ( 2010s- Present ) Boxley continues to carve today, and in recent years has dedicated efforts to training and teaching younger generations of Tsimshian people his knowledge and techniques.
Revised:  Passing on Knowledge ( 2010s–present ) Boxley continues to carve today, and in recent years has dedicated efforts to training and teaching younger generations of Tsimshian people his knowledge and techniques.
Edit intent: fluency
Original:  Art Style and Techniques Boxley’s works are done in a very traditional manner and he focuses on a uniquely Tsimshian art style.
Revised:  Art style and techniques Boxley’s works are done in a very traditional manner and he focuses on a uniquely Tsimshian art style.
Edit intent: fluency
Original:  Revival of Tsimshian Culture Since the 1980s, Boxley has also contributed to the revival of Tsimshian culture as a whole, and his work in this regard has been praised by Tsimshian communities.
Revised:  Revival of Tsimshian culture Since the 1980s, Boxley has also contributed to the revival of Tsimshian culture as a whole, and his work in this regard has been praised by Tsimshian communities.
Edit intent: fluency
Original:  Disney World Three of Boxley’s poles stand in the Epcot Center in  Disney World, Florida.
Revised: Walt Disney World Three of Boxley’s poles stand in the Epcot Center in Disney World, Florida.
Edit intent: coherence
Original:  Disney World Three of Boxley’s poles stand in the Epcot Center in  Disney World, Florida.
Revised:  Disney World Three of Boxley’s poles stand in the Epcot Center in Walt Disney World, Florida.
Edit intent: fluency
Original:  These poles have since been lauded for their attempts at authenticity, but Disney has been criticized for putting the poles into a tourist setting and stripping them of their cultural meaning .
Revised:  These poles have since been lauded for their attempts at authenticity, but Disney has been criticized for putting the poles into a tourist setting might result in them losing their cultural significance .
Edit intent: clarity
Original: From 1957 to 1960 he was appointed Ambassador to Uruguay, by President of Bolivia Hernan Siles Zuazo.
Revised: From 1957 to 1960 he was appointed Ambassador to Uruguay, by President of Bolivia Hernán Siles Zuazo.
Edit intent: fluency
Original:  From 1960 to 1964 he became Minister of Economy under the government of President Victor Paz Estenssoro, and was responsible for the economic development of the country.
Revised:  From 1960 to 1964 he became Minister of Economy under the government of President Víctor Paz Estenssoro, and was responsible for the economic development of the country.
Edit intent: fluency
Original:  In 1964, when he had recently travelled to Spain as Bolivian Ambassador, a military coup took place in Bolivia, led by General Rene Barrientos.
Revised:  In 1964, when he had recently travelled to Spain as Bolivian Ambassador, a military coup took place in Bolivia, led by General René Barrientos.
Edit intent: fluency
Original:  Internet Movie Database Entry Obituary - Phil Lucas' films told real stories of Native people By Ashley Bach, Seattle Times Eastside bureau Phil Lucas, 1942-2007: Native American 'a teacher in his films and classroom' By Christine Frey, Seattle Post-Intelligencer.
Revised:  Obituary - Phil Lucas' films told real stories of Native people By Ashley Bach, Seattle Times Eastside bureau Phil Lucas, 1942-2007: Native American 'a teacher in his films and classroom' By Christine Frey, Seattle Post-Intelligencer.
Edit intent: coherence
Original: Married for over 25 yrs to Nancy Gross of Bellevue who, with Phil  produced 4 children , Amy, Jason, Jessy and Sara.
Revised: Married for over 25 yrs to Nancy Gross of Bellevue who, with Phil , produced 4 children , Amy, Jason, Jessy and Sara.
Edit intent: fluency
Original: Married for over 25 yrs to Nancy Gross of Bellevue who, with Phil  produced 4 children , Amy, Jason, Jessy and Sara.
Revised: Married for over 25 yrs to Nancy Gross of Bellevue who, with Phil produced 4 children : Amy, Jason, Jessy and Sara.
Edit intent: fluency
Original:  One son by previous marriage, Josh Lucas.
Revised:  Lucas has one son from a previous marriage: Josh Lucas.
Edit intent: clarity
Original:  In the early- to mid-1960s Lucas became a member of the Bahá'í Faith and contributed songs such as Mount Your Steeds, O Heroes of God! and World Citizen, among other songs on an LP record re-released as a CD Fire & Snow.review by "Collectors Frenzy.com" He also spoke at least one Bahá'í Conference (see links below).
Revised:  In the early- to mid-1960s Lucas became a member of the Baháʼí Faith and contributed songs such as Mount Your Steeds, O Heroes of God! and World Citizen, among other songs on an LP record re-released as a CD Fire & Snow.review by "Collectors Frenzy.com" He also spoke at least one Bahá'í Conference (see links below).
Edit intent: fluency
Original:  In the early- to mid-1960s Lucas became a member of the Bahá'í Faith and contributed songs such as Mount Your Steeds, O Heroes of God! and World Citizen, among other songs on an LP record re-released as a CD Fire & Snow.review by "Collectors Frenzy.com" He also spoke at least one Bahá'í Conference (see links below).
Revised:  In the early- to mid-1960s Lucas became a member of the Bahá'í Faith and contributed songs such as Mount Your Steeds, O Heroes of God! and World Citizen, among other songs on an LP record re-released as a CD Fire & Snow.review by "Collectors Frenzy.com" He also spoke at least one Baháʼí Conference (see links below).
Edit intent: fluency
Original:  Bahá'í Faith and Native Americans Nipo Strongheart, another leading Native American associated with Hollywood, and a Bahá'í . External links taped at the 1990 Greenlake Wisconsin Bahá'í Conference.
Revised:  Baháʼí Faith and Native Americans Nipo Strongheart, another leading Native American associated with Hollywood, and a Bahá'í . External links taped at the 1990 Greenlake Wisconsin Bahá'í Conference.
Edit intent: fluency
Original:  Bahá'í Faith and Native Americans Nipo Strongheart, another leading Native American associated with Hollywood, and a Bahá'í . External links taped at the 1990 Greenlake Wisconsin Bahá'í Conference.
Revised:  Bahá'í Faith and Native Americans Nipo Strongheart, another leading Native American associated with Hollywood, and a Baháʼí . External links taped at the 1990 Greenlake Wisconsin Bahá'í Conference.
Edit intent: fluency
Original:  Bahá'í Faith and Native Americans Nipo Strongheart, another leading Native American associated with Hollywood, and a Bahá'í . External links taped at the 1990 Greenlake Wisconsin Bahá'í Conference.
Revised:  Bahá'í Faith and Native Americans Nipo Strongheart, another leading Native American associated with Hollywood, and a Bahá'í . External links taped at the 1990 Greenlake Wisconsin Baháʼí Conference.
Edit intent: fluency
Original:  He acted, wrote, produced, directed or edited more than 100 films/documentaries or television programs starting as early as 1979 when he wrote/co-produced and co-directed Images of Indians for PBS - a five-part series exploring the problem of Indian stereotypes as portrayed and perpetuated by Hollywood Westerns.
Revised:  He was an actor, writer, producer, director and editor for more than 100 films/documentaries or television programs starting as early as 1979 when he wrote/co-produced and co-directed Images of Indians for PBS - a five-part series exploring the problem of Indian stereotypes as portrayed and perpetuated by Hollywood Westerns.
Edit intent: clarity
Original:  Early life Born in 1942 in Phoenix, Arizona, United States to the Choctaw Native American Nation, by his twenties Lucas was a musician in New York but giving up alcohol drove him to leave for Central America where he took up photography and work for advertising agencies.
Revised:  Early life Born in 1942 in Phoenix, Arizona, United States to the Choctaw Native American Nation, in his early twenties Lucas was a musician in New York but giving up alcohol drove him to leave for Central America where he took up photography and work for advertising agencies.
Edit intent: clarity
Original:  Early life Born in 1942 in Phoenix, Arizona, United States to the Choctaw Native American Nation, by his twenties Lucas was a musician in New York but giving up alcohol drove him to leave for Central America where he took up photography and work for advertising agencies.
Revised:  Early life Born in 1942 in Phoenix, Arizona, United States to the Choctaw Native American Nation, by his twenties Lucas was a musician in New York but giving up alcohol drove him to leave for Central America where he took up photography and worked for advertising agencies.
Edit intent: fluency
Original:  Lucas returned to the American West and took up filmmaking after surviving the 1972 earthquake in Managua, Nicaragua.
Revised:  Lucas returned to West America and took up filmmaking after surviving the 1972 earthquake in Managua, Nicaragua.
Edit intent: clarity