wanyu/IteraTeR_v2 huggingface dataset:
Original:   Spatial frequency differences can determine Figure–Ground organization  . Journal of Experimental Psychology: Human Perception and Performance, 12(3), 324-330. doi:10.1037/0096-1523.12.3.324 Weisstein, N. (1993).
Revised:  Spatial frequency differences can determine Figure–Ground organization . Journal of Experimental Psychology: Human Perception and Performance, 12(3), 324–330. doi:10.1037/0096-1523.12.3.324 Weisstein, N. (1993).
Edit intent: fluency
Original:   Psychology constructs the female;
Revised:  " Psychology constructs the female;
Edit intent: fluency
Original:  or the fantasy life of the male psychologist (with some attention to the fantasies of his friends, the male biologist and the male anthropologist)  .
Revised:  or the fantasy life of the male psychologist (with some attention to the fantasies of his friends, the male biologist and the male anthropologist) " .
Edit intent: fluency
Original:  Feminism & Psychology, 3(2), 194-210. doi:10.1177/0959353593032005 Weisstein, N. (1997)  Power, Resistance and Science  .
Revised:  Feminism & Psychology, 3(2), 194–210. doi:10.1177/0959353593032005 Weisstein, N. (1997) Power, Resistance and Science .
Edit intent: fluency
Original:  Feminism & Psychology, 3(2), 194-210. doi:10.1177/0959353593032005 Weisstein, N. (1997)  Power, Resistance and Science  .
Revised:  Feminism & Psychology, 3(2), 194-210. doi:10.1177/0959353593032005 Weisstein, N. (1997) . " Power, Resistance and Science .
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Original:  Feminism & Psychology, 3(2), 194-210. doi:10.1177/0959353593032005 Weisstein, N. (1997)  Power, Resistance and Science  .
Revised:  Feminism & Psychology, 3(2), 194-210. doi:10.1177/0959353593032005 Weisstein, N. (1997) Power, Resistance and Science " .
Edit intent: fluency
Original:  Psychological constructs of women Weisstein believed that psychology was prejudice towards women, in that psychologists did not respect evidence that showed men and women were equal.
Revised:  Psychological constructs of women Weisstein believed that psychology was prejudiced towards women, in that psychologists did not respect evidence that showed men and women were equal.
Edit intent: fluency
Original:  The lands were thought to be granted to the Cuthbert family by King Kenneth in the 950, however the first known charter erecting Castlehill into a barony is from King James III on July 23 , 1478.
Revised:  The lands were thought to be granted to the Cuthbert family by King Kenneth in the 950, however the first known charter erecting Castlehill into a barony is from King James III on 23 , 1478.
Edit intent: clarity
Original:  Also called Auld Castlehill, it lies on the outskirts of the burgh of Inverness, between Culcabock, Drakies, and Culloden and it may be the hill where Macbeth's castle had been .
Revised:  Also called Auld Castlehill, it lies on the outskirts of the burgh of Inverness, between Culcabock, Drakies, and Culloden and it may be the hill where Macbeth's castle once was .
Edit intent: clarity
Original:  The lands were thought to be granted to the Cuthbert family by King Kenneth in the 950 , however the first known charter erecting Castlehill into a barony is from King James III on 23 July 1478.
Revised:  The lands were thought to have been granted to the Cuthbert family by King Kenneth in the 950 , however the first known charter erecting Castlehill into a barony is from King James III on 23 July 1478.
Edit intent: fluency
Original:  The lands were thought to be granted to the Cuthbert family by King Kenneth in the 950 , however the first known charter erecting Castlehill into a barony is from King James III on 23 July 1478.
Revised:  The lands were thought to be granted to the Cuthbert family by King Kenneth in the 950s , however the first known charter erecting Castlehill into a barony is from King James III on 23 July 1478.
Edit intent: fluency
Original:  Nevertheless  they managed to capture the the Spanish Governor, Francisco Ordonez Flores.
Revised:  Nevertheless , they managed to capture the the Spanish Governor, Francisco Ordonez Flores.
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Original:  Nevertheless  they managed to capture the the Spanish Governor, Francisco Ordonez Flores.
Revised:  Nevertheless they managed to capture the Spanish Governor, Francisco Ordonez Flores.
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Original:  The Spanish in the region of central America nevertheless were now prepared.
Revised:  The Spanish in the region of Central America nevertheless were now prepared.
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Original:  Divers continue to search for the coffin .
Revised:  Wreckage thought to be that of the two ships was found by divers in 2011 but attempts to locate the coffin have been unsuccessful .
Edit intent: coherence
Original: Aftermath The Spanish then set out to pursue the retreating English fleet and off Pinos island Battle of Pinos the English managed to drive off the Spanish fleet which allowed them to escape to England.
Revised: Aftermath The Spanish intercepted the retreating English fleet and off Pinos island Battle of Pinos the English managed to drive off the Spanish fleet which allowed them to escape to England.
Edit intent: clarity
Original: Aftermath The Spanish then set out to pursue the retreating English fleet and off Pinos island Battle of Pinos the English managed to drive off the Spanish fleet which allowed them to escape to England.
Revised: Aftermath The Spanish then set out to pursue the retreating English fleet and off Pinos island Battle of Pinos , they managed to drive off the Spanish fleet which allowed them to escape to England.
Edit intent: coherence
Original: Aftermath The Spanish then set out to pursue the retreating English fleet and off Pinos island Battle of Pinos the English managed to drive off the Spanish fleet which allowed them to escape to England.
Revised: Aftermath The Spanish then set out to pursue the retreating English fleet and off Pinos island Battle of Pinos the English managed to drive off the Spanish fleet and escape to England.
Edit intent: coherence
Original:  Despite the failed English attempt to capture the treasure , the gold sent to Spain was not enough , as the following year King Philip II of Spain had to default on his debts leading up to a drying of credit for the last two years of his reign.
Revised:  Despite the expedition's failure , the gold sent to Spain was not enough , as the following year King Philip II of Spain had to default on his debts leading up to a drying of credit for the last two years of his reign.
Edit intent: clarity
Original:  Despite the failed English attempt to capture the treasure , the gold sent to Spain was not enough , as the following year King Philip II of Spain had to default on his debts leading up to a drying of credit for the last two years of his reign.
Revised:  Despite the failed English attempt to capture the treasure , the gold sent to Spain was not enough ; in 1597, Philip II of Spain had to default on his debts leading up to a drying of credit for the last two years of his reign.
Edit intent: coherence
Original:  Despite the failed English attempt to capture the treasure , the gold sent to Spain was not enough , as the following year King Philip II of Spain had to default on his debts leading up to a drying of credit for the last two years of his reign.
Revised:  Despite the failed English attempt to capture the treasure , the gold sent to Spain was not enough , as the following year King Philip II of Spain defaulted on his debts leading up to a drying of credit for the last two years of his reign.
Edit intent: coherence
Original:  Despite the failed English attempt to capture the treasure , the gold sent to Spain was not enough , as the following year King Philip II of Spain had to default on his debts leading up to a drying of credit for the last two years of his reign.
Revised:  Despite the failed English attempt to capture the treasure , the gold sent to Spain was not enough , as the following year King Philip II of Spain had to default on his debts and was unable to obtain credit for the last two years of his reign.
Edit intent: clarity
Original: Bicheno p. 288 As the news of Drake's death spread amongst the islands and along the Spanish Main, it was received with rejoicing .
Revised: Bicheno p. 288 News of Drake's death spread amongst the islands and along the Spanish Main, it was received with rejoicing .
Edit intent: clarity
Original: Bicheno p. 288 As the news of Drake's death spread amongst the islands and along the Spanish Main, it was received with rejoicing .
Revised: Bicheno p. 288 As the news of Drake's death was received with rejoicing .
Edit intent: clarity
Original:  In Spain it was heralded by the devout as a sign that the sins for which he had been permitted by Heaven to torment them were expiated.
Revised:  In Spain it was heralded by the devout as a sign the sins for which he had been permitted by Heaven to torment them were expiated.
Edit intent: fluency
Original:  In Spain it was heralded by the devout as a sign that the sins for which he had been permitted by Heaven to torment them were expiated.
Revised:  In Spain it was heralded by the devout as a sign that the sins for which Heaven had permitted him to torment them were expiated.
Edit intent: fluency
Original:  In Spain it was heralded by the devout as a sign that the sins for which he had been permitted by Heaven to torment them were expiated.
Revised:  In Spain it was heralded by the devout as a sign that the sins for which he had been permitted by Heaven to torment them had been expiated.
Edit intent: fluency
Original: Benson p. 228 The Spanish poet Lope de Vega wrote a triumphant poem to celebrate how the scourge of the Church had been removed . [[File:BurialOfDrakeTavistockMonument.jpg|200px|Sir Francis Drake buried at sea.
Revised: Benson p. 228 The Spanish poet Lope de Vega wrote a triumphant poem to celebrate the removal of the scourge of the Church had been removed . [[File:BurialOfDrakeTavistockMonument.jpg|200px|Sir Francis Drake buried at sea.
Edit intent: clarity
Original: Benson p. 228 The Spanish poet Lope de Vega wrote a triumphant poem to celebrate how the scourge of the Church had been removed . [[File:BurialOfDrakeTavistockMonument.jpg|200px|Sir Francis Drake buried at sea.
Revised: Benson p. 228 The Spanish poet Lope de Vega wrote a triumphant poem to celebrate how the scourge of the Church . [[File:BurialOfDrakeTavistockMonument.jpg|200px|Sir Francis Drake buried at sea.
Edit intent: clarity
Original:  In 1598 she ordered a new expedition led by George Clifford, 3rd Earl of Cumberland , so that he could seize San Juan and hold  for as long as possible.
Revised:  In 1598 she ordered a new expedition led by George Clifford, 3rd Earl of Cumberland to seize San Juan and hold for as long as possible.
Edit intent: coherence
Original:  In 1598 she ordered a new expedition led by George Clifford, 3rd Earl of Cumberland , so that he could seize San Juan and hold  for as long as possible.
Revised:  In 1598 she ordered a new expedition led by George Clifford, 3rd Earl of Cumberland , so that he could seize San Juan and hold it for as long as possible.
Edit intent: clarity
Original: Van Middeldyk p. 114 In June of that year Cumberland succeeded where Drake had failed ;
Revised: Van Middeldyk p. 114 In June , Cumberland succeeded where Drake had failed ;
Edit intent: clarity
Original:   There is a poetry whose One and All is the relationship of the ideal and the real: it should thus be called transcendental poetry according to the analogy of the technical language of philosophy.
Revised:  " There is a poetry whose One and All is the relationship of the ideal and the real: it should thus be called transcendental poetry according to the analogy of the technical language of philosophy.
Edit intent: fluency
Original:   Friedrich Schlegel writes that transcendental poetry should present the act of artistic creation along with the created work of art.
Revised:  " Friedrich Schlegel writes that transcendental poetry should present the act of artistic creation along with the created work of art.
Edit intent: fluency
Original:  A characteristic of transcendental poetry is the self-reflection so that art “in everything that it represents, it must also represent itself  ” and art presents itself as art, as an artistic and artificial creation, stressing the fact that we are experiencing a created work, a product of the spiritual creativity.
Revised:  A characteristic of transcendental poetry is the self-reflection so that art “in everything that it represents, it must also represent itself . ” and art presents itself as art, as an artistic and artificial creation, stressing the fact that we are experiencing a created work, a product of the spiritual creativity.
Edit intent: fluency
Original:  A characteristic of transcendental poetry is the self-reflection so that art “in everything that it represents, it must also represent itself  ” and art presents itself as art, as an artistic and artificial creation, stressing the fact that we are experiencing a created work, a product of the spiritual creativity.
Revised:  A characteristic of transcendental poetry is the self-reflection so that art “in everything that it represents, it must also represent itself ” 
Edit intent: coherence
Original:  it must make notice the art» (Friedrich Schlegel, Literarische Notizen 1797-1801 – Literary Notebooks  , H. Eichner, editor, Frankfurt a/M.-Berlin-Wien: Ullstein, 1980, p. 80 ).
Revised:  it must make notice the art» (Friedrich Schlegel, Literarische Notizen 1797-1801 – Literary Notebooks '' , H. Eichner, editor, Frankfurt a/M.-Berlin-Wien: Ullstein, 1980, p. 80 ).
Edit intent: fluency
Original:  it must make notice the art» (Friedrich Schlegel, Literarische Notizen 1797-1801 – Literary Notebooks  , H. Eichner, editor, Frankfurt a/M.-Berlin-Wien: Ullstein, 1980, p. 80 ).
Revised:  it must make notice the art» (Friedrich Schlegel, Literarische Notizen 1797-1801 – Literary Notebooks , H. Eichner, editor, Frankfurt a/M.-Berlin-Wien: Ullstein, 1980, p. 80 
Edit intent: fluency
Original:  it must make notice the art» (Friedrich Schlegel, Literarische Notizen 1797-1801 – Literary Notebooks'', H. Eichner, editor, Frankfurt a/M.-Berlin-Wien: Ullstein, 1980, p. 80  
Revised:  it must make notice the art» (Friedrich Schlegel, Literarische Notizen 1797-1801 – Literary Notebooks'', H. Eichner, editor, Frankfurt a/M.-Berlin-Wien: Ullstein, 1980, p. 80 ). 
Edit intent: fluency
Original: 'Transcendental poetry Transcendental poetry is a term related to the theory of poetry and literature and, more precisely, to the fields of aesthetics and romantic philosophy.
Revised:  Transcendental poetry is a term related to the theory of poetry and literature and, more precisely, to the fields of aesthetics and romantic philosophy.
Edit intent: fluency
Original: 'Transcendental poetry Transcendental poetry is a term related to the theory of poetry and literature and, more precisely, to the fields of aesthetics and romantic philosophy.
Revised: 'Transcendental poetry Transcendental poetry is a term related to the theory of poetry and literature and, more precisely, to the fields of aesthetics and romantic philosophy.
Edit intent: fluency
Original:  Transcendental poetry links the literary field to the philosophical one, poetry to thinking, and the critical reflection to the artistic creation. . (Paolo Euron, Transcendental poetry, "Strumenti Critici", 98, 45)  The German philosopher Immanuel Kant (1724-1804) used the term «transcendental» to mean «a knowledge which does not directly concern the objects of experience, but which concerns our way of knowing such objects.
Revised:  Transcendental poetry links the literary field to the philosophical one, poetry to thinking, and the critical reflection to the artistic creation. . (Paolo Euron, Transcendental poetry, "Strumenti Critici", 98, 45) Origin The German philosopher Immanuel Kant (1724-1804) used the term «transcendental» to mean «a knowledge which does not directly concern the objects of experience, but which concerns our way of knowing such objects.
Edit intent: fluency
Original:  it must make notice the art» (Friedrich Schlegel, Literarische Notizen 1797-1801 – Literary Notebooks '' , H. Eichner, editor, Frankfurt a/M.-Berlin-Wien: Ullstein, 1980, p. 80).
Revised:  it must make notice the art» (Friedrich Schlegel, Literarische Notizen 1797-1801 – Literary Notebooks , H. Eichner, editor, Frankfurt a/M.-Berlin-Wien: Ullstein, 1980, p. 80).
Edit intent: fluency
Original:  The most famous definition of transcendental poetry is given by Friedrich Schlegel in the Journal Athenaum (1800): "There is a poetry whose One and All is the relationship of the ideal and the real: it should thus be called transcendental poetry according to the analogy of the technical language of philosophy.
Revised: Definition The most famous definition of transcendental poetry is given by Friedrich Schlegel in the Journal Athenaum (1800): "There is a poetry whose One and All is the relationship of the ideal and the real: it should thus be called transcendental poetry according to the analogy of the technical language of philosophy.
Edit intent: coherence
Original:  it must make notice the art» (Friedrich Schlegel, Literarische Notizen 1797-1801 – Literary Notebooks, H. Eichner, editor, Frankfurt a/M.-Berlin-Wien: Ullstein, 1980, p. 80). 
Revised:  it must make notice the art» (Friedrich Schlegel, Literarische Notizen 1797-1801 – Literary Notebooks, H. Eichner, editor, Frankfurt a/M.-Berlin-Wien: Ullstein, 1980, p. 80). References
Edit intent: coherence
Original:  (David Cooper, ed., A Companion to Aesthetics, Blackwell, Oxford/Cambridge, 1995, p. 387) The expression «transcendental poetry » was created by the German critic and philosopher Friedrich Schlegel (1772-1829) and also used by the poet and philosopher Friedrich von Hardenberg (1772-1801), also known as Novalis.
Revised:  The expression transcendental poetry was created by the German critic and philosopher Friedrich Schlegel (1772-1829) and also used by the poet and philosopher Friedrich von Hardenberg (1772-1801), also known as Novalis.
Edit intent: coherence
Original:  (Paolo Euron, Transcendental poetry, "Strumenti Critici", 98, 45) Origin The German philosopher Immanuel Kant (1724-1804) used the term «transcendental» to mean «a knowledge which does not directly concern the objects of experience, but which concerns our way of knowing such objects.
Revised:  Origin The German philosopher Immanuel Kant (1724-1804) used the term «transcendental» to mean «a knowledge which does not directly concern the objects of experience, but which concerns our way of knowing such objects.
Edit intent: coherence
Original:  (Paolo Euron, Transcendental poetry, "Strumenti Critici", 98, 45) Origin The German philosopher Immanuel Kant (1724-1804) used the term «transcendental» to mean «a knowledge which does not directly concern the objects of experience, but which concerns our way of knowing such objects.
Revised:  (Paolo Euron, Transcendental poetry, "Strumenti Critici", 98, 45) Origin The German philosopher Immanuel Kant (1724-1804) used the term "transcendental" to mean «a knowledge which does not directly concern the objects of experience, but which concerns our way of knowing such objects.
Edit intent: fluency
Original:  It is a “knowledge of our way of knowledge”, or “knowledge of limits and possibility of our knowledge.”» (Paolo Euron, Aesthetics, Theory and Interpretation of the Literary Work, Brill, 2019, p. 90) The German philosopher Fichte (1762-1814) and then the romantic philosophers Friedrich Schlegel and Novalis found in this kind of self-knowledge the basic principle of the human mind or spirit.
Revised:  It is a “knowledge of our way of knowledge”, or “knowledge of limits and possibility of our knowledge.”» The German philosopher Fichte (1762-1814) and then the romantic philosophers Friedrich Schlegel and Novalis found in this kind of self-knowledge the basic principle of the human mind or spirit.
Edit intent: coherence
Original:  (Roland Heine, Transcendetal Poetry, Bouvier, Bonn, 1985, 48) «They wanted to show the mechanism and essence of the spirit: self-consciousness is the consciousness that the spirit has of its own activity.
Revised:  «They wanted to show the mechanism and essence of the spirit: self-consciousness is the consciousness that the spirit has of its own activity.
Edit intent: coherence
Original: » (Paolo Euron, cit., p. 90.) Actually, romantic philosophers affirmed that reality is created by the activity of the spirit, and in this way it is poetically produced.
Revised: » Actually, romantic philosophers affirmed that reality is created by the activity of the spirit, and in this way it is poetically produced.
Edit intent: coherence
Original:  (Franz Norbert Mennemaier, Schlegel's Concept of Poetry, Fink, Munich 1971, 240).
Edit intent: coherence
Original:  (Friedrich Schlegel, Literary Aphorisms (1797-1800), in Dialogue on Poetry and Literary Aphorisms, Ernest Behler and Roman Struc, editors, London: Pennsylvania State University Press, 1968, p. 145.) Friedrich Schlegel writes that transcendental poetry should present the act of artistic creation along with the created work of art.
Revised:  Friedrich Schlegel writes that transcendental poetry should present the act of artistic creation along with the created work of art.
Edit intent: clarity
Original:  everywhere and at the same time, it should be poetry and the poetry of poetry.” (Friedrich Schlegel, cit. p. 145).
Revised:  everywhere and at the same time, it should be poetry and the poetry of poetry.” 
Edit intent: coherence
Original:  (Nikolaus Lohse, Poetry and Theory, Winter, Heidelber, 1988, 26) In this perspective, criticism and artistic self-consciousness are constitutive parts of the creative work.
Revised:  In this perspective, criticism and artistic self-consciousness are constitutive parts of the creative work.
Edit intent: coherence
Original:  The National Party of 1966-1973 ) , created by the union of the right-wing Liberal and Conservative parties.
Revised:  The National Party of 1966-1973 , created by the union of the right-wing Liberal and Conservative parties.
Edit intent: fluency
Original:  He is inspired by the artist Raja Ravi Verma. 
Revised:  He is inspired by the artist Raja Ravi Verma. hii
Edit intent: fluency
Original: Karan Acharya (born Kiran Kumar)(also credited as Karan Acharya) Kudlu, Kasargod district, India) is a graphic artist  known for his popular depiction of Hanuman in his Angry Hanuman graphic.
Revised: Karan Acharya (born Kiran Kumar)(also credited as Karan Acharya) Kudlu, Kasargod district, India) is a graphic artist well known for his popular depiction of Hanuman in his Angry Hanuman graphic.
Edit intent: clarity
Original: Karan Acharya (born Kiran Kumar) (also credited as Karan Acharya) Kudlu, Kasargod district, India) is a graphic artist well known for his popular depiction of Hanuman in his Angry Hanuman graphic.
Revised: Karan Acharya (born Kiran Kumar) is a graphic artist well known for his popular depiction of Hanuman in his Angry Hanuman graphic.
Edit intent: coherence
Original: Karan Acharya (born Kiran Kumar) (also credited as Karan Acharya) Kudlu, Kasargod district, India) is a graphic artist well known for his popular depiction of Hanuman in his Angry Hanuman graphic.
Revised: Karan Acharya (born Kiran Kumar) (also credited as Karan Acharya) Kudlu, Kasargod district, India) is a graphic artist known for his popular depiction of Hanuman in his Angry Hanuman graphic.
Edit intent: clarity
Original:  He was President of the National Movement of the Development Society (MNSD) from 1991 to 1999 and unsuccessfully ran as the MNSD's presidential candidate in 1993 and 1996 before being elected to his first term in 1999.
Revised:  He was President of the National Movement for the Development Society (MNSD) from 1991 to 1999 and unsuccessfully ran as the MNSD's presidential candidate in 1993 and 1996 before being elected to his first term in 1999.
Edit intent: fluency
Original:  He was the first President of Niger who is not ethnically Hausa or Djerma.
Revised:  He was the first President of Niger who was not ethnically Hausa or Djerma.
Edit intent: fluency