wanyu/IteraTeR_v2 huggingface dataset:
Original:  Nov 2003, pages 118-21) , The Village Voice (May 1, 1990, page 91) and XXI (July 2000, page 42).
Revised:  Nov 2003, pages 118-21) The Village Voice (May 1, 1990, page 91) and XXI (July 2000, page 42).
Edit intent: fluency
Original:  Nov 2003, pages 118-21) , The Village Voice (May 1, 1990, page 91) and XXI (July 2000, page 42).
Revised:  Nov 2003, pages 118-21) , The Village Voice (May 1, 1990, page 91) XXI (July 2000, page 42).
Edit intent: clarity
Original:  Sept. 1992-Jan. 1993. 12 images shown.
Revised:  September 1992-January 1993. 12 images shown.
Edit intent: fluency
Original:  Nov. 1999-Aug. 2000.
Revised:  November 1999-August 2000.
Edit intent: fluency
Original:  Sept. 2000-Dec. 2000.
Revised:  September-December 2000.
Edit intent: clarity
Original:  His photography of hip hop began in the 1970s with shots of graffiti in New York.
Revised:  Paniccioli's photography of hip hop began in the 1970s with shots of graffiti in New York.
Edit intent: clarity
Original: "Ernie Paniccioli to Exhibit Rare Graffiti Pieces in New York," by Nolan Strong, allhiphop.com, May 8, 2004, URL References URL Ernie Paniccioli Hip Hop hall of Fame Inductee: URL
Revised: "Ernie Paniccioli to Exhibit Rare Graffiti Pieces in New York," by Nolan Strong, allhiphop.com, May 8, 2004, URL References 
Edit intent: coherence
Original:  The hip  hop journalist Kevin Powell encouraged Paniccioli to make a book and in 2002 , Who Shot Ya? : Three Decades of Hip-Hop Photography was published . External links Paniccioli  biography Category:Year of birth missing (living people) Category:Living people Category:American photographers Category:Cree people Category:Native American photographe
Revised:  The hip Hip hop journalist Kevin Powell encouraged Paniccioli to make a book and in 2002 , Who Shot Ya? : Three Decades of Hip-Hop Photography was published . External links Paniccioli biography Category:Year of birth missing (living people) Category:Living people Category:American photographers Category:Cree people Category:Native American photographe
Edit intent: fluency
Original:  The hip  hop journalist Kevin Powell encouraged Paniccioli to make a book and in 2002 , Who Shot Ya? : Three Decades of Hip-Hop Photography was published . External links Paniccioli  biography Category:Year of birth missing (living people) Category:Living people Category:American photographers Category:Cree people Category:Native American photographe
Revised:  The hip hop journalist Kevin Powell encouraged Paniccioli to make a book and in 2002 Who Shot Ya? : Three Decades of Hip-Hop Photography was published . External links Paniccioli biography Category:Year of birth missing (living people) Category:Living people Category:American photographers Category:Cree people Category:Native American photographe
Edit intent: fluency
Original:  The hip  hop journalist Kevin Powell encouraged Paniccioli to make a book and in 2002 , Who Shot Ya? : Three Decades of Hip-Hop Photography was published . External links Paniccioli  biography Category:Year of birth missing (living people) Category:Living people Category:American photographers Category:Cree people Category:Native American photographe
Revised:  The hip hop journalist Kevin Powell encouraged Paniccioli to make a book and in 2002 , Who Shot Ya? : Three Decades of Hip-Hop Photography was published . External links Paniccioli biography Category:Living people Category:American photographers Category:Cree people Category:Native American photographe
Edit intent: coherence
Original:  "Ernie Paniccioli to Exhibit Rare Graffiti Pieces in New York," by Nolan Strong, allhiphop.com, May 8, 2004, URL
Edit intent: coherence
Original: He was the main photographer for Word Up! Magazine beginning in 1987, and his work has also appeared in the New York Times, Life, Rolling Stone, Spin, Ebony, and The Source.
Revised: He was the chief photographer for Word Up! Magazine beginning in 1987, and his work has also appeared in the New York Times, Life, Rolling Stone, Spin, Ebony, and The Source.
Edit intent: clarity
Original: In a 2009 interview  Rutter discussed his understanding of "genius" and its unique ability to transform lives – whether that genius is communicated in the form of music or other media.
Revised: In a 2009 interview , Rutter discussed his understanding of "genius" and its unique ability to transform lives – whether that genius is communicated in the form of music or other media.
Edit intent: fluency
Original:  " Rocking " (arrangement and translation of Czech carol called "Hajej, nynej, Ježíšku")
Revised:  " Hajej, nynej, Ježíšku " (arrangement and translation of Czech carol called "Hajej, nynej, Ježíšku")
Edit intent: coherence
Original: John Milford Rutter (born 24 September 1945) is an English composer, conductor, editor, arranger, and record producer, mainly of choral music.
Revised: John Milford Rutter (born 1945) is an English composer, conductor, editor, arranger, and record producer, mainly of choral music.
Edit intent: clarity
Original:  In 1980, he was made an honorary Fellow of Westminster Choir College, Princeton, and in 1988 a Fellow of the Guild of Church Musicians.
Revised:  In 1980, he was made an honorary fellow of Westminster Choir College, Princeton, and in 1988 a Fellow of the Guild of Church Musicians.
Edit intent: fluency
Original:  In 1980, he was made an honorary Fellow of Westminster Choir College, Princeton, and in 1988 a Fellow of the Guild of Church Musicians.
Revised:  In 1980, he was made an honorary Fellow of Westminster Choir College, Princeton, and in 1988 a fellow of the Guild of Church Musicians.
Edit intent: fluency
Original:  for SATB and organ, consisting of the Magnificat and Nunc dimittis, and dedicated to the choir of Christ Church, Christiana URL Christmas Night for SATB and keyboard or strings Come Down, O Love Divine for double mixed choir and organ Cradle Song from Carols for Choirs 3 for SATB unaccompanied Dancing Day for SSA with harp or piano Donkey Carol for SATB and piano or orchestra Flemish Carol from Carols for Choirs 3 for SATB and piano or orchestra "A Flower Remembered"
Revised:  for SATB and organ, consisting of the Magnificat and Nunc dimittis, and dedicated to the choir of Christ Church, Christiana Hundred Christmas Night for SATB and keyboard or strings Come Down, O Love Divine for double mixed choir and organ Cradle Song from Carols for Choirs 3 for SATB unaccompanied Dancing Day for SSA with harp or piano Donkey Carol for SATB and piano or orchestra Flemish Carol from Carols for Choirs 3 for SATB and piano or orchestra "A Flower Remembered"
Edit intent: fluency
Original:  The album features the eight pieces from The Piano Collection: A Flower Remembered and also eight piano arrangements of Christmas pieces composed by URL
Revised:  The album features the eight pieces from The Piano Collection: A Flower Remembered and also eight piano arrangements of Christmas pieces composed by Rutter.
Edit intent: clarity
Original:   Angels' Carol  (original composition)
Revised:  " Angels' Carol (original composition)
Edit intent: fluency
Original:   Angels' Carol  (original composition)
Revised:  Angels' Carol " (original composition)
Edit intent: fluency
Original:  Care should be taken to avoid pushing instruments through the apex Remnants of the pulp are then removed using barbed broaches and files The canal is flushed with hydrogen peroxide to remove debris and is then irrigated with sodium hypochlorite and saline Calcium hydroxide is placed in the canal and an endodontic plugger is used to push the material to the apical end A cotton pledget is placed over the calcium hydroxide and the cavity is sealed with reinforced zinc oxide-eugenol cement .
Revised:  Care should be taken to avoid pushing instruments through the apex Remnants of the pulp are then removed using barbed broaches and files The canal is flushed with hydrogen peroxide to remove debris and is then irrigated with sodium hypochlorite and saline The material of choice is placed in the canal and an endodontic plugger is used to push the material to the apical end A cotton pledget is placed over the calcium hydroxide and the cavity is sealed with reinforced zinc oxide-eugenol cement .
Edit intent: clarity
Original:  Care should be taken to avoid pushing instruments through the apex Remnants of the pulp are then removed using barbed broaches and files The canal is flushed with hydrogen peroxide to remove debris and is then irrigated with sodium hypochlorite and saline Calcium hydroxide is placed in the canal and an endodontic plugger is used to push the material to the apical end A cotton pledget is placed over the calcium hydroxide and the cavity is sealed with reinforced zinc oxide-eugenol cement .
Revised:  Care should be taken to avoid pushing instruments through the apex Remnants of the pulp are then removed using barbed broaches and files The canal is flushed with hydrogen peroxide to remove debris and is then irrigated with sodium hypochlorite and saline Calcium hydroxide is placed in the canal and an endodontic plugger is used to push the material to the apical end A cotton pledget is placed and the cavity is sealed with reinforced zinc oxide-eugenol cement .
Edit intent: coherence
Original:  Care should be taken to avoid pushing instruments through the apex Remnants of the pulp are then removed using barbed broaches and files The canal is flushed with hydrogen peroxide to remove debris and is then irrigated with sodium hypochlorite and saline Calcium hydroxide is placed in the canal and an endodontic plugger is used to push the material to the apical end A cotton pledget is placed over the calcium hydroxide and the cavity is sealed with reinforced zinc oxide-eugenol cement .
Revised:  Care should be taken to avoid pushing instruments through the apex Remnants of the pulp are then removed using barbed broaches and files The canal is flushed with hydrogen peroxide to remove debris and is then irrigated with sodium hypochlorite and saline Calcium hydroxide is placed in the canal and an endodontic plugger is used to push the material to the apical end A cotton pledget is placed over the calcium hydroxide and the cavity is sealed with reinforced zinc oxide-eugenol cement 
Edit intent: fluency
Original:   Follow Up 
Revised:  Apexification procedure can be completed in one or two appointments depending on the initial clinical sign and symptoms. The procedure may also vary depending on the materials or medication used. Generally, the treatment paste is allowed to remain for six months before the evaluation for an apical closure. Follow Up 
Edit intent: coherence
Original: Introduction Apexification is a method of dental treatment to induce a calcific barrier in a root with incomplete formation or open apex of a tooth with necrotic pulp.
Revised:  Apexification is a method of dental treatment to induce a calcific barrier in a root with incomplete formation or open apex of a tooth with necrotic pulp.
Edit intent: fluency
Original:  Love for Sale: Courting, Treating, and Prostitution in New York City, 1900–1945 (Chapel Hill, NC: The University of North Carolina Press, 2006), pp. 1, 3. The activity was prevalent in the large urban areas of the United States from the 1890s to  1940s and was usually engaged in by young working-class women.
Revised:  Love for Sale: Courting, Treating, and Prostitution in New York City, 1900–1945 (Chapel Hill, NC: The University of North Carolina Press, 2006), pp. 1, 3. The activity was prevalent in the large urban areas of the United States from the 1890s to the 1940s and was usually engaged in by young working-class women.
Edit intent: fluency
Original:  Love for Sale: Courting, Treating, and Prostitution in New York City, 1900–1945 (Chapel Hill, NC: The University of North Carolina Press, 2006), pp. 1, 3. The activity was prevalent in the large urban areas of the United States from the 1890s to  1940s and was usually engaged in by young working-class women.
Revised:  Love for Sale: Courting, Treating, and Prostitution in New York City, 1900–1945 (Chapel Hill, NC: The University of North Carolina Press, 2006), pp. 1, 3. The activity was prevalent in the large urban areas of the United States from the 1890s to 1940s and was most commonly engaged in by young working-class women.
Edit intent: clarity
Original:  The activity of treating acquired the label "charity," and the young women who engaged in the  practice were often called "charity girls."
Revised:  As treating become more widespread, the activity acquired the label "charity," and the young women who engaged in the practice were often called "charity girls."
Edit intent: clarity
Original:  The emergence of cheap amusements in cities gave the working class opportunities to enjoy new aspects of city life away from  cramped tenements and crowded, oppressive workplaces.
Revised:  It emerged about the same time cheap amusements in cities gave the working class opportunities to enjoy new aspects of city life away from cramped tenements and crowded, oppressive workplaces.
Edit intent: coherence
Original:  The emergence of cheap amusements in cities gave the working class opportunities to enjoy new aspects of city life away from  cramped tenements and crowded, oppressive workplaces.
Revised:  The emergence of cheap amusements in cities gave the working class opportunities to enjoy new aspects of city life away from their cramped tenements and crowded, oppressive workplaces.
Edit intent: clarity
Original:  The cheap amusements were a major draw . However, going out regularly for young working-class women proved difficult as their wages were very low.
Revised:  The cheap amusements were a major draw , however, going out for young working-class women proved difficult as their wages were very low.
Edit intent: clarity
Original:  Some  refrained from going out  or limited going out to special occasions, while others depended on  their male counterparts to finance their entertainment pleasures.
Revised:  Some women refrained from going out or limited going out to special occasions, while others depended on their male counterparts to finance their entertainment pleasures.
Edit intent: clarity
Original:  Some  refrained from going out  or limited going out to special occasions, while others depended on  their male counterparts to finance their entertainment pleasures.
Revised:  Some refrained from going out altogether or limited going out to special occasions, while others depended on their male counterparts to finance their entertainment pleasures.
Edit intent: clarity
Original:  Some  refrained from going out  or limited going out to special occasions, while others depended on  their male counterparts to finance their entertainment pleasures.
Revised:  Some refrained from going out or limited going out to special occasions, while others depended on friends or their male counterparts to finance their entertainment pleasures.
Edit intent: clarity
Original:  Due to the necessity of depending on males for their entertainment and fun  , the practice of treating by young working-class women emerged.
Revised:  Due to the necessity of depending on males for their entertainment and fun . As such , the practice of treating by young working-class women emerged.
Edit intent: coherence
Original:  These favors could include dancing, hugging, kissing, petting, and intercourse.
Edit intent: coherence
Original:  These young women did not see themselves as prostitutes, and, in fact, drew sharp distinctions between the two, but they often walked a fine line between being treated and being paid for their intimate favors .
Revised:  These young women did not see themselves as prostitutes, and, in fact, drew sharp distinctions between the two, but they often walked a fine line between being treated and being paid for their intimate activity .
Edit intent: clarity
Original: Treating, in the social context of dating,  is the practice of exchanging companionship and intimate activity (sometimes up to and including intercourse) for entertainment outings, gifts, and other items of monetary value, such as tickets and clothes.
Revised: In the social context of dating, is the practice of exchanging companionship and intimate activity (sometimes up to and including intercourse) for entertainment outings, gifts, and other items of monetary value, such as tickets and clothes.
Edit intent: clarity
Original:  As treating become more widespread, the activity acquired the label "charity," and the young women who engaged in the more risqué aspects of the practice were often called " charity girls.
Revised:  As treating become more widespread, the activity acquired the label "charity," and the young women who engaged in the more risqué aspects of the practice were often called charity girls.
Edit intent: fluency
Original:  " Clement, Elizabeth Alice.
Revised:  Clement, Elizabeth Alice.
Edit intent: coherence
Original:  Capote, in an later Playboy ( March 1968 ) interview , asserted Holly was not a prostitute and instead labeled her, and other young women like her, "authentic American geishas."
Revised:  In a March 1968 ) interview , asserted Holly was not a prostitute and instead labeled her, and other young women like her, "authentic American geishas."
Edit intent: coherence
Original:  He noted that "if she [Holly] she felt like it, she might take her escort home for the night."
Revised:  He noted that "if [Holly] she felt like it, she might take her escort home for the night."
Edit intent: fluency
Original:  He noted that "if she [Holly] she felt like it, she might take her escort home for the night."
Revised:  He noted that "if she [Holly] felt like it, she might take her escort home for the night."
Edit intent: clarity
Original:  In 1961, Capote's novella was adapted to the big screen by Hollywood, and titled likewise Breakfast at Tiffany's.
Revised:  In 1961, the novella was adapted to the big screen by Hollywood, and titled likewise Breakfast at Tiffany's.
Edit intent: clarity
Original:  Directed by Blake Edwards , the movie features Audrey Hepburn as Holly , with George Peppard and Patricia Neal in supporting roles .
Revised:  Directed by Blake Edwards and featuring Audrey Hepburn as Holly , with George Peppard and Patricia Neal in supporting roles .
Edit intent: coherence
Original:  Directed by Blake Edwards , the movie features Audrey Hepburn as Holly , with George Peppard and Patricia Neal in supporting roles .
Revised:  Directed by Blake Edwards , the movie features Audrey Hepburn as Holly .
Edit intent: coherence
Original:   Further reading McBee, Randy D. Dance Hall Days: Intimacy and Leisure among Working-Class Immigrants in the United States (New York: New York University Press, 2000) Category: Dating Category:Sexuality and society Category:Casual sex Category:  Human sexuality Category:Prostitution Category: 1910s in the United States Category:1920s in the United States Category:Underground cultu
Revised:  Further reading McBee, Randy D. Dance Hall Days: Intimacy and Leisure among Working-Class Immigrants in the United States (New York: New York University Press, 2000) Category: 1910s in the United States Category:1920s in the United States Category:Casual sex Category: Human sexuality Category:Prostitution Category: 1910s in the United States Category:1920s in the United States Category:Underground cultu
Edit intent: coherence
Original:   Further reading McBee, Randy D. Dance Hall Days: Intimacy and Leisure among Working-Class Immigrants in the United States (New York: New York University Press, 2000) Category: Dating Category:Sexuality and society Category:Casual sex Category:  Human sexuality Category:Prostitution Category: 1910s in the United States Category:1920s in the United States Category:Underground cultu
Revised:  Further reading McBee, Randy D. Dance Hall Days: Intimacy and Leisure among Working-Class Immigrants in the United States (New York: New York University Press, 2000) Category: Dating Category:Sexuality and society Category:Casual sex Category: Dating Category: Human sexuality Category:Prostitution Category: 1910s in the United States Category:1920s in the United States Category:Underground cultu
Edit intent: fluency
Original:   Further reading McBee, Randy D. Dance Hall Days: Intimacy and Leisure among Working-Class Immigrants in the United States (New York: New York University Press, 2000) Category: Dating Category:Sexuality and society Category:Casual sex Category:  Human sexuality Category:Prostitution Category: 1910s in the United States Category:1920s in the United States Category:Underground cultu
Revised:  Further reading McBee, Randy D. Dance Hall Days: Intimacy and Leisure among Working-Class Immigrants in the United States (New York: New York University Press, 2000) Category: Dating Category:Sexuality and society Category:Casual sex Category: Human sexuality Category:Prostitution Category: Sexuality and society Category:Underground cultu
Edit intent: clarity
Original:  As social dating between the sexes became more standard in the 1920s, treating began to blend with the system of dating , and by the 1940s the specific language of treating had largely disappeared.
Revised:  As social dating between the sexes became more standard in the 1920s, treating began to blend with the system of dating and by the 1940s the specific language of treating had largely disappeared.
Edit intent: fluency
Original:  It emerged about the same time cheap amusements in cities gave the working class opportunities to enjoy new aspects of city life away from their cramped tenements and crowded , oppressive workplaces.
Revised:  It emerged about the same time cheap amusements in cities gave the working class opportunities to enjoy new aspects of city life away from cramped tenements and crowded , oppressive workplaces.
Edit intent: clarity
Original:  It emerged about the same time cheap amusements in cities gave the working class opportunities to enjoy new aspects of city life away from their cramped tenements and crowded , oppressive workplaces.
Revised:  It emerged about the same time cheap amusements in cities gave the working class opportunities to enjoy new aspects of city life away from their cramped tenements and noisy , oppressive workplaces.
Edit intent: clarity
Original:  For young working-class womenthe issue of how to pay for this entertainment then arose .
Revised:  For young women, the issue was how to afford their entertainments, and a solution which materialized was treating .
Edit intent: coherence
Original:  The cheap amusements were a major draw , however, going out for young working-class women proved difficult due to their low wages which were often handed over to support the family.
Revised:  The cheap amusements were a major draw ; however, going out for young working-class women proved difficult due to their low wages which were often handed over to support the family.
Edit intent: fluency
Original:  Capote, who wrote Breakfast of Tiffany's in the late 1950s, probably did not realize the behavior he ascribed to Holly was previously known as treating, as by then the earlier language used to describe the activity had largely disappeared from the American vernacular.
Revised:  Capote, who wrote Breakfast at Tiffany's in the late 1950s, probably did not realize the behavior he ascribed to Holly was previously known as treating, as by then the earlier language used to describe the activity had largely disappeared from the American vernacular.
Edit intent: fluency
Original:  He received his primary education from St. Joseph ’ s School, Viswema and finished high school from Loyola School, Jakhama.
Revised:  He received his primary education from St. Joseph ' s School, Viswema and finished high school from Loyola School, Jakhama.
Edit intent: fluency
Original: Early life and education Hovithal Sothu was born on August 9, 1969, in Viswema, Nagaland.
Revised: Early life and education Hovithal Sothü was born on August 9, 1969, in Viswema, Nagaland.
Edit intent: fluency
Original: Narayan Joshi 'Karayal' is the Gujarati and Kutchi (Kachchhi) language author and story writer.
Revised: Narayan Joshi 'Karayal' is the Gujarati and Kutchi language author and story writer.
Edit intent: coherence