wanyu/IteraTeR_v2 huggingface dataset:
Original: By his mid-teens he was already playing house parties and juke joints , and moved back to Detroit in his mid-20s to play anywhere he could, including nightclubs and brothels, and was noticed by a Brunswick Records talent scout just before he left for Memphis, Tennessee, where he was located by Jim Jackson.
Revised: By his mid-teens he was already playing house parties and juke joints . He moved back to Detroit in his mid-20s to play anywhere he could, including nightclubs and brothels, and was noticed by a Brunswick Records talent scout just before he left for Memphis, Tennessee, where he was located by Jim Jackson.
Edit intent: coherence
Original:  It was here where he cut his first recording sessions, resulting in two classics for Brunswick in "Wilkins Street Stomp" and the hit “The Dirty Dozens”.
Revised:  It was here that he cut his first recording sessions, resulting in two classics for Brunswick in "Wilkins Street Stomp" and the hit “The Dirty Dozens”.
Edit intent: fluency
Original:  It was here where he cut his first recording sessions, resulting in two classics for Brunswick in "Wilkins Street Stomp" and the hit “The Dirty Dozens”.
Revised:  It was here where he cut his first recording sessions, resulting in two classics for Brunswick , "Wilkins Street Stomp" and the hit “The Dirty Dozens”.
Edit intent: coherence
Original:  Although the lyrics were sung rather than spoken, with its elaborate word play and earthy subject matter, "The Dirty Dozens" is considered in some respects an ancestor of rap music.
Revised:  Although the lyrics were sung rather than spoken, with its elaborate wordplay and earthy subject matter, "The Dirty Dozens" is considered in some respects an ancestor of rap music.
Edit intent: fluency
Original:  The following year, 1930, he recorded again, this time in Chicago, Illinois, resulting in most notably “The Dirty Dozens No. 2,” which was not nearly as successful and the pianist was without a contract or label and again playing making the rounds at Memphis venues and  St. Louis bars.
Revised:  The following year, 1930, he recorded again, this time in Chicago, Illinois, resulting in most notably “The Dirty Dozens No. 2,” which was not nearly as successful and the pianist was without a contract or label and again playing making the rounds at Memphis venues and in St. Louis bars.
Edit intent: fluency
Original:  His 1938 session work in Aurora, Illinois  with the slide guitar player Robert Nighthawk and the mandolinist Willie Hatcher for Bluebird Records  was steady and long but also unsuccessful, and sometime after during the 1940s  moved back to St.
Revised:  His 1938 session work in Aurora, Illinois , with the slide guitar player Robert Nighthawk and the mandolinist Willie Hatcher for Bluebird Records was steady and long but also unsuccessful, and sometime after during the 1940s moved back to St.
Edit intent: fluency
Original:  His 1938 session work in Aurora, Illinois  with the slide guitar player Robert Nighthawk and the mandolinist Willie Hatcher for Bluebird Records  was steady and long but also unsuccessful, and sometime after during the 1940s  moved back to St.
Revised:  His 1938 session work in Aurora, Illinois with the slide guitar player Robert Nighthawk and the mandolinist Willie Hatcher for Bluebird Records , was steady and long but also unsuccessful, and sometime after during the 1940s moved back to St.
Edit intent: fluency
Original:  His 1938 session work in Aurora, Illinois  with the slide guitar player Robert Nighthawk and the mandolinist Willie Hatcher for Bluebird Records  was steady and long but also unsuccessful, and sometime after during the 1940s  moved back to St.
Revised:  His 1938 session work in Aurora, Illinois with the slide guitar player Robert Nighthawk and the mandolinist Willie Hatcher for Bluebird Records was steady and long but also unsuccessful, and sometime in the 1940s moved back to St.
Edit intent: clarity
Original:  His 1938 session work in Aurora, Illinois  with the slide guitar player Robert Nighthawk and the mandolinist Willie Hatcher for Bluebird Records  was steady and long but also unsuccessful, and sometime after during the 1940s  moved back to St.
Revised:  His 1938 session work in Aurora, Illinois with the slide guitar player Robert Nighthawk and the mandolinist Willie Hatcher for Bluebird Records was steady and long but also unsuccessful, and sometime after during the 1940s he moved back to St.
Edit intent: clarity
Original:  Louis and continued his career of playing taverns, as well doing manual labor in the public produce market until servicemen returned home to heavy lifting jobs.
Revised:  Louis and continued his career of playing in taverns. He also worked as a laborer in a public produce market until servicemen returned home to heavy lifting jobs.
Edit intent: clarity
Original: Life and career Speckled Red was born in Hampton, Georgia , the older brother of Piano Red , their nicknames derived from both men being albinos.
Revised: Life and career Speckled Red was born in Hampton, Georgia . He was the older brother of Piano Red , their nicknames derived from both men being albinos.
Edit intent: coherence
Original: Life and career Speckled Red was born in Hampton, Georgia , the older brother of Piano Red , their nicknames derived from both men being albinos.
Revised: Life and career Speckled Red was born in Hampton, Georgia , the older brother of Piano Red . Their nicknames were derived from both men being albinos.
Edit intent: fluency
Original:  Both recorded versions of "The Right String (But the Wrong Yo-Yo)", Speckled Red in 1930 , and the younger scored a big hit with the song 20 years later.
Revised:  Both recorded versions of "The Right String (But the Wrong Yo-Yo)", Speckled Red in 1930 and Piano Red, who had a hit with the song 20 years later.
Edit intent: coherence
Original:  Speckled Red was a self-taught piano player ( influenced primarily by his idol Fishtail , along with Charlie Spand, James Hemingway and William Ezell , and inspired at his earliest point by Paul Seminole in a movie theatre ) and also learned to play the organ at his local church.
Revised:  Speckled Red was a self-taught piano player , influenced primarily by his idol Fishtail , along with Charlie Spand, James Hemingway and William Ezell , and inspired at his earliest point by Paul Seminole in a movie theatre ) and also learned to play the organ at his local church.
Edit intent: fluency
Original:  Speckled Red was a self-taught piano player ( influenced primarily by his idol Fishtail , along with Charlie Spand, James Hemingway and William Ezell , and inspired at his earliest point by Paul Seminole in a movie theatre ) and also learned to play the organ at his local church.
Revised:  Speckled Red was a self-taught piano player ( influenced primarily by his idol Fishtail and by Charlie Spand, James Hemingway and William Ezell , and inspired at his earliest point by Paul Seminole in a movie theatre ) and also learned to play the organ at his local church.
Edit intent: coherence
Original:  Speckled Red was a self-taught piano player ( influenced primarily by his idol Fishtail , along with Charlie Spand, James Hemingway and William Ezell , and inspired at his earliest point by Paul Seminole in a movie theatre ) and also learned to play the organ at his local church.
Revised:  Speckled Red was a self-taught piano player ( influenced primarily by his idol Fishtail , along with Charlie Spand, James Hemingway and William Ezell and initially inspired by Paul Seminole in a movie theatre ) and also learned to play the organ at his local church.
Edit intent: clarity
Original:  Speckled Red was a self-taught piano player ( influenced primarily by his idol Fishtail , along with Charlie Spand, James Hemingway and William Ezell , and inspired at his earliest point by Paul Seminole in a movie theatre ) and also learned to play the organ at his local church.
Revised:  Speckled Red was a self-taught piano player ( influenced primarily by his idol Fishtail , along with Charlie Spand, James Hemingway and William Ezell , and inspired at his earliest point by Paul Seminole in a movie theatre . He also learned to play the organ at his local church.
Edit intent: coherence
Original:  Speckled Red was a self-taught piano player ( influenced primarily by his idol Fishtail , along with Charlie Spand, James Hemingway and William Ezell , and inspired at his earliest point by Paul Seminole in a movie theatre ) and also learned to play the organ at his local church.
Revised:  Speckled Red was a self-taught piano player ( influenced primarily by his idol Fishtail , along with Charlie Spand, James Hemingway and William Ezell , and inspired at his earliest point by Paul Seminole in a movie theatre ) and also learned to play the organ at his church.
Edit intent: clarity
Original:  It was here that he cut his first recording sessions, resulting in two classics for Brunswick, "Wilkins Street Stomp" and the hit “The Dirty Dozens”.
Revised:  It was here that he had his first recording sessions, resulting in two classics for Brunswick, "Wilkins Street Stomp" and the hit “The Dirty Dozens”.
Edit intent: clarity
Original:  Although the lyrics were sung rather than spoken, with its elaborate wordplay and earthy subject matter, "The Dirty Dozens" is considered in some respects an ancestor of rap music.
Revised:  Although the lyrics were sung rather than spoken, with its elaborate wordplay and earthy subject matter, "The Dirty Dozens" is considered in some respects a precursor of rap music.
Edit intent: clarity
Original:  Louis blues musicians Category:Bluebird Records artists Category:Delmark Records artists Category:20th-century American singers Category:Blues musicians from Louisiana Category:20th-century American pianists Category:Singers from Louisiana Category:20th-century male singers Category:Male jazz musicia
Revised:  Louis blues musicians Category:Bluebird Records artists Category:Delmark Records artists Category:20th-century American singers Category:Blues musicians from Louisiana Category:20th-century American pianists Category:Singers from Louisiana Category:20th-century male singers Category:Male jazz musicians Category:African-American singe
Edit intent: fluency
Original:  Louis blues musicians Category:Bluebird Records artists Category:Delmark Records artists Category:20th-century American singers Category:Blues musicians from Louisiana Category:20th-century American pianists Category:Singers from Louisiana Category:20th-century male singers Category:Male jazz musicians Category:African-American singe
Revised:  Louis blues musicians Category:Bluebird Records artists Category:Delmark Records artists Category:20th-century American singers Category:Blues musicians from Louisiana Category:20th-century American pianists Category:Singers from Louisiana Category:20th-century male singers Category:Male jazz musicians Category:African-American singers Category:20th-century African-American peop
Edit intent: fluency
Original:  Louis blues musicians Category:Bluebird Records artists Category:Delmark Records artists Category:20th-century American singers Category:Blues musicians from Louisiana Category:20th-century American pianists Category:Singers from Louisiana Category:20th-century  male singers Category:Male jazz musicians Category:African-American singers Category:20th-century African-American peop
Revised:  Louis blues musicians Category:Bluebird Records artists Category:Delmark Records artists Category:20th-century American singers Category:Blues musicians from Louisiana Category:20th-century American pianists Category:Singers from Louisiana Category:20th-century American male singers Category:Male jazz musicians Category:African-American singers Category:20th-century African-American peop
Edit intent: fluency
Original:  Louis blues musicians Category:Bluebird Records artists Category:Delmark Records artists Category: 20th-century American singers Category: Blues musicians from Louisiana Category:20th-century American pianists Category:Singers from Louisiana Category: 20th-century American male singers Category: Male jazz musicians Category: African-American singers Category: 20th-century African-American peop
Revised:  Louis blues musicians Category:Bluebird Records artists Category:Delmark Records artists Category: Blues musicians from Louisiana Category:20th-century American pianists Category:Singers from Louisiana Category: 20th-century American male singers Category: Male jazz musicians Category: African-American singers Category: 20th-century African-American peop
Edit intent: fluency
Original:  Louis blues musicians Category:Bluebird Records artists Category:Delmark Records artists Category: 20th-century American singers Category: Blues musicians from Louisiana Category:20th-century American pianists Category:Singers from Louisiana Category: 20th-century American male singers Category: Male jazz musicians Category: African-American singers Category: 20th-century African-American peop
Revised:  Louis blues musicians Category:Bluebird Records artists Category:Delmark Records artists Category: 20th-century American singers Category: Blues musicians from Louisiana Category:20th-century American pianists Category:Singers from Louisiana Category: Male jazz musicians Category: African-American singers Category: 20th-century African-American peop
Edit intent: coherence
Original:  Louis blues musicians Category:Bluebird Records artists Category:Delmark Records artists Category: 20th-century American singers Category: Blues musicians from Louisiana Category:20th-century American pianists Category:Singers from Louisiana Category: 20th-century American male singers Category: Male jazz musicians Category: African-American singers Category: 20th-century African-American peop
Revised:  Louis blues musicians Category:Bluebird Records artists Category:Delmark Records artists Category: 20th-century American singers Category: Blues musicians from Louisiana Category:20th-century American pianists Category:Singers from Louisiana Category: 20th-century American male singers Category: Male jazz musicians Category: 20th-century African-American peop
Edit intent: fluency
Original:  Louis blues musicians Category:Bluebird Records artists Category:Delmark Records artists Category: 20th-century American singers Category: Blues musicians from Louisiana Category:20th-century American pianists Category:Singers from Louisiana Category: 20th-century American male singers Category: Male jazz musicians Category: African-American singers Category: 20th-century African-American peop
Revised:  Louis blues musicians Category:Bluebird Records artists Category:Delmark Records artists Category: 20th-century American singers Category: Blues musicians from Louisiana Category:20th-century American pianists Category:Singers from Louisiana Category: 20th-century American male singers Category: Male jazz musicians Category: African-American singers Category: 20th-century African-American male singe
Edit intent: fluency
Original: Education in emergencies and conflict areas is the role education plays in promoting quality education for children, youth, and adults in crisis-affected countries including, conflicts, and disasters caused by natural hazards and pandemics.
Revised: Education in emergencies and conflict areas is the process of teaching and promoting quality education for children, youth, and adults in crisis-affected countries including, conflicts, and disasters caused by natural hazards and pandemics.
Edit intent: clarity
Original: Education in emergencies and conflict areas is the role education plays in promoting quality education for children, youth, and adults in crisis-affected countries including, conflicts, and disasters caused by natural hazards and pandemics.
Revised: Education in emergencies and conflict areas is the role education plays in promoting quality education for children, youth, and adults in crisis-affected areas. Such emergency settings include: conflicts, pandemics and disasters caused by natural hazards and pandemics.
Edit intent: clarity
Original:  Social and emotional learning programmes use active forms of learning, such as project-based learning, role play and group discussions (CASEL, 2013) .
Revised:  Social and emotional learning programmes use active forms of learning, such as project-based learning, role play and group discussions .CASEL .
Edit intent: coherence
Original:  ( National Scientific Council on the Developing Child , 2005
Revised:  National Scientific Council on the Developing Child , 2005
Edit intent: fluency
Original:  Thirteen countries have shut schools nationwide, impacting students who would normally attend pre-primary to upper-secondary classes.
Revised:  105 countries have shut schools nationwide, impacting students who would normally attend pre-primary to upper-secondary classes.
Edit intent: style
Original:  Thirteen countries have shut schools nationwide, impacting students who would normally attend pre-primary to upper-secondary classes.
Revised:  Thirteen countries have shut schools nationwide, affecting students who would normally attend pre-primary to upper-secondary classes.
Edit intent: fluency
Original:  Nine more countries including India have implemented localized school closures to prevent or contain COVID-19  . Education can stimulate resilience, nurture learners’ social and emotional development and give children and communities hope for the future.
Revised:  15 countries have implemented localized school closures to prevent or contain COVID-19 . Education can stimulate resilience, nurture learners’ social and emotional development and give children and communities hope for the future.
Edit intent: clarity
Original:  He  currently chairs Nigeria's National Technical Working Group on Adolescent Health and Development, and serves as a member of the Lancet (global) Commission on Adolescent Health and well-being.
Revised:  He currently chairs Nigeria's National Technical Working Group on Adolescent Health and Development, who also serves as a member of the Lancet (global) Commission on Adolescent Health and well-being.
Edit intent: coherence
Original:  Within the university, he has served at various times as Head of Department, Director of Population and Reproductive Health Program, Director of the Institute of Public Health, and Provost of the College of Health Sciences.
Revised:  Within the university, he has has been appointed at various times as Head of Department, Director of Population and Reproductive Health Program, Director of the Institute of Public Health, and Provost of the College of Health Sciences.
Edit intent: clarity
Original:  He is the founder and Chief Executive Officer of Paaneah Foundation – a young adolescent-focused and youth development organisation based in Ota – and currently also holds the position of Vice President (sub-Saharan Africa) for the International Association for Adolescent URL As a seasoned researcher, he has worked as lead research consultant for several national and international organizations, he recently joined the Guttmacher Institute in 2019 as the Director of International URL
Revised:  He is the founder and Chief Executive Officer of Paaneah Foundation – a young adolescent-focused and youth development organisation based in Ota – and currently holds the position of Vice President (sub-Saharan Africa) for the International Association for Adolescent URL As a seasoned researcher, he has worked as lead research consultant for several national and international organizations, he recently joined the Guttmacher Institute in 2019 as the Director of International URL
Edit intent: clarity
Original: Professor Adesegun Fatusi is the President , Society for Adolescent and Young People's Health in URL and currently chairs Nigeria's National Technical Working Group on Adolescent Health and Development, who also serves as a member of the Lancet (global) Commission on Adolescent Health and well-being.
Revised:  Fatusi is the President , Society for Adolescent and Young People's Health in URL and currently chairs Nigeria's National Technical Working Group on Adolescent Health and Development, who also serves as a member of the Lancet (global) Commission on Adolescent Health and well-being.
Edit intent: clarity
Original: Professor Adesegun Fatusi is the President , Society for Adolescent and Young People's Health in URL and currently chairs Nigeria's National Technical Working Group on Adolescent Health and Development, who also serves as a member of the Lancet (global) Commission on Adolescent Health and well-being.
Revised: Professor Adesegun Fatusi is the President of the Society for Adolescent and Young People's Health in URL and currently chairs Nigeria's National Technical Working Group on Adolescent Health and Development, who also serves as a member of the Lancet (global) Commission on Adolescent Health and well-being.
Edit intent: fluency
Original: Education Adesegun Fatusi graduated from Obafemi Awolowo University (OAU) in 1987 with a Bachelor of Medicine, Bachelor of Surgery degree with Distinction in Community Health and the Lawrence Omole Award for the best graduating student in Community URL He obtained a Master's of Public Health from Hebrew University, Hadassah, Israel and became a fellow of the West African College of Physicians in 1995.
Revised: Education Adesegun Fatusi graduated from Obafemi Awolowo University (OAU) in 1987 with a Bachelor of Medicine, Bachelor of Surgery degree with Distinction in Community Health and the Lawrence Omole Award for the best graduating student in Community Health. He obtained a Master's of Public Health from Hebrew University, Hadassah, Israel and became a fellow of the West African College of Physicians in 1995.
Edit intent: fluency
Original:  Fatusi is the President of the Society for Adolescent and Young People's Health in URL and currently chairs Nigeria's National Technical Working Group on Adolescent Health and Development, who also serves as a member of the Lancet (global) Commission on Adolescent Health and well-being.
Revised:  Fatusi is the President of the Society for Adolescent and Young People's Health in Nigeria and currently chairs Nigeria's National Technical Working Group on Adolescent Health and Development, who also serves as a member of the Lancet (global) Commission on Adolescent Health and well-being.
Edit intent: fluency
Original:  He is the founder of Campus Health and Rights Initiative URL and the Chief Executive Officer of Paaneah Foundation –
Revised:  He is the founder of Campus Health and Rights Initiative and the Chief Executive Officer of Paaneah Foundation –
Edit intent: coherence
Original:  She is one of the pioneers of Dalit feminismist in Kerala who started writing on caste and gender URL She has delivered lectures in institutions like Christ University, University of Hyderabad, Tata Institute of Social Sciences etc., on development, gender, human rights, and Dalit issues.
Revised:  She is one of the pioneers of Dalit feminist in Kerala who started writing on caste and gender URL She has delivered lectures in institutions like Christ University, University of Hyderabad, Tata Institute of Social Sciences etc., on development, gender, human rights, and Dalit issues.
Edit intent: fluency
Original:  She lives with her husband M. R. Renukumar and son Raghav  With a PhD in philosophy under the title 'Politics of Gender and Dalit Identity: Representation of Dalit Women in Contemporary Dalit Discourses in Kerala', she currently works as Assistant Professor at School of Gandhian Thought and Development Studies in Mahatma Gandhi University.
Revised:  She lives with her husband M. R. Renukumar and son Raghav . With a PhD in philosophy under the title 'Politics of Gender and Dalit Identity: Representation of Dalit Women in Contemporary Dalit Discourses in Kerala', she currently works as Assistant Professor at School of Gandhian Thought and Development Studies in Mahatma Gandhi University.
Edit intent: fluency