wanyu/IteraTeR_v2 huggingface dataset:
Original:  Invented around 2000, solarigraphy —solarigrafía in spanish and other languages, solarigrafia/solarygrafia in polish, and also known as solargraphy — uses photographic paper without chemical processing, a pinhole camera and a scanner to create images that catch the daily journey of the sun along the sky with very long exposure times, from several hours to several years.
Revised:  Invented around 2000, solarigraphy ( also known as solargraphy — uses photographic paper without chemical processing, a pinhole camera and a scanner to create images that catch the daily journey of the sun along the sky with very long exposure times, from several hours to several years.
Edit intent: coherence
Original:  Invented around 2000, solarigraphy —solarigrafía in spanish and other languages, solarigrafia/solarygrafia in polish, and also known as solargraphy — uses photographic paper without chemical processing, a pinhole camera and a scanner to create images that catch the daily journey of the sun along the sky with very long exposure times, from several hours to several years.
Revised:  Invented around 2000, solarigraphy —solarigrafía in spanish and other languages, solarigrafia/solarygrafia in polish, and also known as solargraphy ) uses photographic paper without chemical processing, a pinhole camera and a scanner to create images that catch the daily journey of the sun along the sky with very long exposure times, from several hours to several years.
Edit intent: fluency
Original:  Solarigraphy is an extreme case of long-exposure photography, and the non-conventional use of photosensitive materials is what makes it different to other methods of sun paths capture as, for instance, the Yamazaki´s "heliographys" In 2000, Diego López Calvín, Sławomir Decyk and Paweł Kula started a global and synchronized photographic work known as "Solaris Project".
Revised:  Solarigraphy is an extreme case of long-exposure photography, and the non-conventional use of photosensitive materials is what makes it different to other methods of sun paths capture such as the Yamazaki´s "heliographys" In 2000, Diego López Calvín, Sławomir Decyk and Paweł Kula started a global and synchronized photographic work known as "Solaris Project".
Edit intent: coherence
Original:  which mixes together Art and Science ,
Revised:  which mixes together art and science ,
Edit intent: fluency
Original:  that is photographed with artisan pinhole cameras loaded with photosensitive material and subjected to very long exposures of time  Previous experiments with long exposures on photosensitive papers and with registration of the sun arcs in the sky were done at the end of the 90's in Poland by the students Paweł Kula, Przemek Jesionek, Marek Noniewicz and Konrad Smołenski and in the 80's by Dominique Stroobant, respectively.
Revised:  that is photographed with artisan pinhole cameras loaded with photosensitive material and subjected to very long exposures of time . Previous experiments with long exposures on photosensitive papers and with registration of the sun arcs in the sky were done at the end of the 90's in Poland by the students Paweł Kula, Przemek Jesionek, Marek Noniewicz and Konrad Smołenski and in the 80's by Dominique Stroobant, respectively.
Edit intent: fluency
Original:  SOLARIGRAPHS are images that show real elements that cannot be seen with the naked eye, they represent the apparent trajectories of the sun in the celestial vault due to the rotation of the Earth on its axis.
Revised:  SOLARIGRAPHS are images that show real elements that cannot be seen with the naked eye, they represent the apparent trajectories of the sun in the sky due to the rotation of the Earth on its axis.
Edit intent: clarity
Original:  The trajectories of the sun and the landscape image appear directly on the surface of the paper forming a negative that is digitised and treated with an image processing software for later publication .
Revised:  The trajectories of the sun and the landscape image appear directly on the surface of the paper forming a negative that is digitised and treated with image processing software for later publication .
Edit intent: fluency
Original:  The trajectories of the sun and the landscape image appear directly on the surface of the paper forming a negative that is digitised and treated with an image processing software for later publication .
Revised:  The trajectories of the sun and the landscape image appear directly on the surface of the paper forming a negative that is digitised and treated with an image processing software .
Edit intent: clarity
Original:  In López Calvín  words: "In these images, nature looks at itself beyond the limits of our perception.
Revised:  In López Calvín 's words: "In these images, nature looks at itself beyond the limits of our perception.
Edit intent: fluency
Original: As senior curator, Ahtone is responsible for creating exhibits for the museum .
Revised: As senior curator, Ahtone is responsible for creating exhibits for the museum 
Edit intent: fluency
Original:  References%DIFDELCMD < %DIFDELCMD < %%% Category:Year of birth missing (living people) Category:Living peop
Revised:  %DIFDELCMD < %DIFDELCMD < %%% Category:Year of birth missing (living people) Category:Living peop
Edit intent: fluency
Original:  References%DIFDELCMD < %DIFDELCMD < %%% Category:Year of birth missing (living people) Category:Living peop
Revised:  References%DIFDELCMD < %DIFDELCMD < %%% 
Edit intent: coherence
Original:  Ahtone previously worked at the Institute of American Indian Arts, the Southwestern Association of Indian Arts, and the Fred Jones Jr. Museum of Art.
Revised:  Ahtone previously worked at the Institute of American Indian Arts, the Southwestern Association for Indian Arts, and the Fred Jones Jr. Museum of Art.
Edit intent: fluency
Original:  As senior curator, Ahtone is responsible for creating exhibits for the museum  
Revised:  As senior curator, Ahtone is responsible for creating exhibitions for the museum 
Edit intent: fluency
Original:  As senior curator, Ahtone is responsible for creating exhibits for the museum  
Revised:  As senior curator, Ahtone is responsible for creating exhibits for the museum . 
Edit intent: fluency
Original: heather ahtone , Ph.D., (Choctaw/Chickasaw) is the senior curator at the First Americans Museum.
Revised: Heather Ahtone , Ph.D., (Choctaw/Chickasaw) is the senior curator at the First Americans Museum.
Edit intent: fluency
Original: Heather Ahtone, Ph.D., (Choctaw/Chickasaw ) is the senior curator at the First Americans Museum.
Revised: heather ahtone, PhD (Choctaw/Chickasaw ) is the senior curator at the First Americans Museum.
Edit intent: fluency
Original:  Biography Ahtone received an associate's degree from the Institute of American Indian Arts  and her master's degree  and doctoral degree from the University of Oklahoma  .
Revised:  Biography Ahtone received an associate's degree from the Institute of American Indian Arts and her master's degree and doctoral degree from the University of Oklahoma (OU) .
Edit intent: clarity
Original:  Ahtone previously worked at the Institute of American Indian Arts, the Southwestern Association for Indian Arts , and the  Fred Jones Jr. Museum of Art .
Revised:  Career ahtone previously worked at the Institute of American Indian Arts, the Southwestern Association for Indian Arts , and the Fred Jones Jr. Museum of Art .
Edit intent: fluency
Original:  She has also been involved in the American Indian Cultural Center  's planning .
Revised:  She has also been involved in the American Indian Cultural Center 's planning 
Edit intent: fluency
Original:  As senior curator, Ahtone is responsible for creating exhibitions for the museum.   
Revised:  , ahtone is also responsible for creating exhibitions for the museum. 
Edit intent: clarity
Original:  Two of her sibling were Alice Oldham, the first  nine women to graduate from University with a degree in either Great Britain or Ireland, and Charles Hubert Oldham, first professor of National Economics at University College Dublin.
Revised:  Two of her siblings were Alice Oldham, the first nine women to graduate from University with a degree in either Great Britain or Ireland, and Charles Hubert Oldham, first professor of National Economics at University College Dublin.
Edit intent: fluency
Original:  Two of her sibling were Alice Oldham, the first  nine women to graduate from University with a degree in either Great Britain or Ireland, and Charles Hubert Oldham, first professor of National Economics at University College Dublin.
Revised:  Two of her sibling were Alice Oldham, the first of nine women to graduate from University with a degree in either Great Britain or Ireland, and Charles Hubert Oldham, first professor of National Economics at University College Dublin.
Edit intent: fluency
Original:  Two of her sibling were Alice Oldham, the first  nine women to graduate from University with a degree in either Great Britain or Ireland, and Charles Hubert Oldham, first professor of National Economics at University College Dublin.
Revised:  Two of her sibling were Alice Oldham, the first nine women to graduate from university with a degree in either Great Britain or Ireland, and Charles Hubert Oldham, first professor of National Economics at University College Dublin.
Edit intent: fluency
Original:  Two of her sibling were Alice Oldham, the first  nine women to graduate from University with a degree in either Great Britain or Ireland, and Charles Hubert Oldham, first professor of National Economics at University College Dublin.
Revised:  Two of her sibling were Alice Oldham, the first nine women to graduate from University with a degree in either Great Britain or Ireland, and Charles Hubert Oldham, first professor of national economics at University College Dublin.
Edit intent: fluency
Original:  Best was one the first three candidates to win a scholarship to the Royal College of Music, London  in 1883, becoming an an associate of the College by competitive examination in 1887.
Revised:  Best was one the first three candidates to win a scholarship to the Royal College of Music, London , in 1883, becoming an an associate of the College by competitive examination in 1887.
Edit intent: fluency
Original:  She was a close friend and confidante of the College's director, Sir George Grove, with his 514 letters to her from 1883 to 1899  now housed in the RCM library  .
Revised:  She was a close friend and confidante of the College's director, Sir George Grove, to which his 514 letters to her from 1883 to 1899 now housed in the RCM library .
Edit intent: coherence
Original:  She was a close friend and confidante of the College's director, Sir George Grove, with his 514 letters to her from 1883 to 1899  now housed in the RCM library  .
Revised:  She was a close friend and confidante of the College's director, Sir George Grove, with his 514 letters to her from 1883 to 1899 , now housed in the RCM library .
Edit intent: fluency
Original:  She was a close friend and confidante of the College's director, Sir George Grove, with his 514 letters to her from 1883 to 1899  now housed in the RCM library  .
Revised:  She was a close friend and confidante of the College's director, Sir George Grove, with his 514 letters to her from 1883 to 1899 now housed in the RCM library , testify .
Edit intent: coherence
Original:  In 1906  she married Richard Irvine Best.
Revised:  In 1906 , she married Richard Irvine Best.
Edit intent: fluency
Original:  She is buried in Deansgrange Cemetery.
Revised:  She is buried in Deans Grange Cemetery.
Edit intent: fluency
Original:  In 1898  she described the foundation of the Feis in a paper to the Incorporated Society of Musicians as being inspired to "ultimately do more for the art of music in Ireland than anything which has yet been attempted."
Revised:  In 1898 , she described the foundation of the Feis in a paper to the Incorporated Society of Musicians as being inspired to "ultimately do more for the art of music in Ireland than anything which has yet been attempted."
Edit intent: fluency
Original:  Along with Joseph Seymour and Edward Fournier to see the Welsh Eisteddfod to compare it with the Feis, and she hoped that the Feis would become as influential as the Eisteddfod .
Revised:  Along with Joseph Seymour and Edward Fournier she wanted to model the Feis on the Welsh Eisteddfod, hoping it would become as influential as the Eisteddfod .
Edit intent: clarity
Original:  Along with Joseph Seymour and Edward Fournier to see the Welsh Eisteddfod to compare it with the Feis, and she hoped that the Feis would become as influential as the Eisteddfod .
Revised:  Along with Joseph Seymour and Edward Fournier to see the Welsh Eisteddfod to compare it with the Feis, and she hoped that the Feis would become as influential as the Welsh festival .
Edit intent: clarity
Original:  Best was a founding member of the Dublin Orchestral Society in 1899,  she succeeded Esposito as the director of music at Alexandra College, Dublin  in 1927.
Revised:  Best was a founding member of the Dublin Orchestral Society in 1899, and she succeeded Esposito as the director of music at Alexandra College, Dublin in 1927.
Edit intent: coherence
Original:  Best was a founding member of the Dublin Orchestral Society in 1899,  she succeeded Esposito as the director of music at Alexandra College, Dublin  in 1927.
Revised:  Best was a founding member of the Dublin Orchestral Society in 1899, she succeeded Esposito as the director of music at Alexandra College, Dublin , in 1927.
Edit intent: fluency
Original:  She was made an associate of the of the Royal Dublin Society in 1892, and fellow of  RIAM in 1938.
Revised:  She was made an associate of the Royal Dublin Society in 1892, and fellow of RIAM in 1938.
Edit intent: fluency
Original:  She was made an associate of the of the Royal Dublin Society in 1892, and fellow of  RIAM in 1938.
Revised:  She was made an associate of the of the Royal Dublin Society in 1892, and fellow of the RIAM in 1938.
Edit intent: fluency
Original:  Category:1865 births Category:1950 deaths Category:19th-century women musicians Category:19th-century Irish musicians Category:19th-century Irish women Category: 20th-century women musicians Category:20th-century Irish musicians Category:20th-century Irish women Category: Irish female musicians Category:Musicians from Dublin (cit
Revised:  Category:1865 births Category:1950 deaths Category:19th-century Irish musicians Category:19th-century Irish women Category: 20th-century women musicians Category:20th-century Irish musicians Category:20th-century Irish women Category: Irish female musicians Category:Musicians from Dublin (cit
Edit intent: fluency
Original:  Category:1865 births Category:1950 deaths Category:19th-century women musicians Category:19th-century Irish musicians Category:19th-century Irish women Category: 20th-century women musicians Category:20th-century Irish musicians Category:20th-century Irish women Category: Irish female musicians Category:Musicians from Dublin (cit
Revised:  Category:1865 births Category:1950 deaths Category:19th-century women musicians Category:19th-century Irish musicians Category:19th-century Irish women Category: 19th-century women musicians Category:20th-century Irish musicians Category:20th-century Irish women Category: Irish female musicians Category:Musicians from Dublin (cit
Edit intent: fluency
Original:  Along with Joseph Seymour and Edward Fournier she wanted to model the Feis on the Welsh Eisteddfod , hoping it would become as influential as the Welsh festival.
Revised:  Along with Joseph Seymour and Edward Fournier she visited the Welsh Eisteddfod to compare it with the Feis, and hoped it would become as influential as the Welsh festival.
Edit intent: clarity
Original:  Best was one  the first three candidates to win a scholarship to the Royal College of Music, London, in 1883, becoming an associate of the College by competitive examination in 1887.
Revised:  Best was one of the first three candidates to win a scholarship to the Royal College of Music, London, in 1883, becoming an associate of the College by competitive examination in 1887.
Edit intent: fluency
Original: The   School of Oriental and African Studies (SOAS) in London was the first institution of higher education outside of Burma to have many faculty specialising in Burma Studies.
Revised: The The School of Oriental and African Studies (SOAS) in London was the first institution of higher education outside of Burma to have many faculty specialising in Burma Studies.
Edit intent: fluency
Original:  See also Sarpay Beikman Burmese Encyclopedia  External links Center for Burma Studies, Northern Illinois University Burma Research at the School of Oriental and African Studies Journal of Burma Studies SOAS Bulletin of Burma Research Burma Studies E-list
Revised:  See also Sarpay Beikman Burmese Encyclopedia External links Center for Burma Studies, Northern Illinois University Burma Research at the School of Oriental and African Studies Journal of Burma Studies SOAS Bulletin of Burma Research 
Edit intent: coherence
Original:  Many current specialists in Burma and its languages and ethnic groups received their doctorates at SOAS such as the historians Victor B. Lieberman and the Mon linguist Christian Bauer .
Revised:  Many current specialists in Burma and its languages and ethnic groups received their doctorates at SOAS such as the historians Victor B. Lieberman and the Mon linguist Christian Bauer 
Edit intent: fluency
Original:  The Burma Studies Group of the Association for Asian Studies maintains the Burmastudies e-list, created in March 2013 for the purpose of facilitating communication within the community of international scholars active in Burma/Myanmar-related studies.
Revised:  The Burma Studies Group of the Association for Asian Studies maintains the Burma studies e-list, created in March 2013 for the purpose of facilitating communication within the community of international scholars active in Burma/Myanmar-related studies.
Edit intent: fluency
Original:  H.L. Shorto specialised in Mon language and literature.
Revised:  Harry Leonard Shorto specialised in Mon language and literature.
Edit intent: clarity
Original:   Despite the name of the country having been changed to "Myanmar" by the military junta, most universities outside of Burma (Myanmar) still refer to this academic focus as "Burma studies" reflecting the contested status of the name "Myanmar" outside of the country.
Revised:  Name Despite the name of the country having been changed to "Myanmar" by the military junta, most universities outside of Burma (Myanmar) still refer to this academic focus as "Burma studies" reflecting the contested status of the name "Myanmar" outside of the country.
Edit intent: fluency
Original:  See also Sarpay Beikman Burmese Encyclopedia Burmastudies e-list F. K. Lehman Tilman Frasch
Revised:  See also Sarpay Beikman Burmese Encyclopedia F. K. Lehman Tilman Frasch
Edit intent: clarity
Original: 1. Ayatollah Mohsin Alaa al Mohadithien, he was the right hand of Ayatollah Muhammad kachin Khorasani.
Revised: 1. Ayatollah Mohsin Alaa al Mohadithien, he was the right hand of Ayatollah Muhammad Kadhim Khorasani.
Edit intent: fluency
Original:  Death He died "suddenly" and "mysteriously", when he aimed to leave Iraq for Iran in order against support constitutionalists' resistance to the Anglo-Russian invasion in 1911
Revised:  Death He died "suddenly" and "mysteriously", when he aimed to leave Iraq for Iran in order against support constitutionalists' resistance to the Anglo-Russian invasion 
Edit intent: coherence
Original: Grand Ayatollah Sheikh Mohammad-Kazem Herati Khorasani (;
Revised: Grand Ayatollah Sheikh Mohammad-Kazem Khorasani (;
Edit intent: clarity
Original: He is known for using his position as a marja for political use in the Persian Constitutional Revolution (1905–1911), where he was one of the main clerical supporters of the revolution.
Revised: He is known for using his position as a marja for a poignant political leadership in the Persian Constitutional Revolution (1905–1911), where he was one of the main clerical supporters of the revolution.
Edit intent: clarity
Original:  He died "suddenly" and "mysteriously", when he aimed to leave Iraq for Iran in order against support constitutionalists' resistance to the Anglo-Russian invasion in 1911.
Revised:  He died "suddenly" and "mysteriously", when he aimed to leave Iraq for Iran in order to support constitutionalists' resistance to the Anglo-Russian invasion in 1911.
Edit intent: fluency
Original:  He was involved in the London underground counter culture scene and gained public notoriety as 'Dr John', a leader in the squatter's rights movement but is now better known for his work on youth culture and the impact of urban regeneration on working class communities, particularly in East London, with a focus of issues of race and popular racism.
Revised:  He was involved in the London underground counter culture scene and gained public notoriety as 'Dr John', a leader in the squatter's rights movement but is now better known for his work on youth culture and the impact of urban regeneration on working class communities, particularly in East London, with a focus on issues of race and popular racism.
Edit intent: fluency
Original:  These ideas are  being developed further in a study examining the political culture of the British Left following the historic defeat of the Labour Party in 2019.
Revised:  These ideas are currently being developed further in a study examining the political culture of the British Left following the historic defeat of the Labour Party in 2019.
Edit intent: clarity
Original: Early Life and Family Phil Cohen was born into a medical family living in Bloomsbury, Central London.
Revised: Early life and family Phil Cohen was born into a medical family living in Bloomsbury, Central London.
Edit intent: fluency
Original:  Youth Culture and the Alternative Society (1965 -78 ) Working as an assistant to the conceptual artist John Latham, Cohen scripted ‘happenings’ with Latham and Jeff Nuttall at Better Books, and was involved in the Wholly Communion Poetry Event and the Dialectics of Liberation conference.
Revised:  Youth Culture and the Alternative Society (1965 –1978 ) Working as an assistant to the conceptual artist John Latham, Cohen scripted ‘happenings’ with Latham and Jeff Nuttall at Better Books, and was involved in the Wholly Communion Poetry Event and the Dialectics of Liberation conference.
Edit intent: fluency
Original:  Interventions in Vocational and Anti-Racist Education ( 1979-1992 ) In 1978 Cohen joined the Sociological Research Unit at the University of London's Institute of Education, run by Basil Bernstein and Michael Young, carrying out two research projects funded by the Leverhulme Trust into youth cultures and changing school transitions.
Revised:  Interventions in Vocational and Anti-Racist Education ( 1979–1992 ) In 1978 Cohen joined the Sociological Research Unit at the University of London's Institute of Education, run by Basil Bernstein and Michael Young, carrying out two research projects funded by the Leverhulme Trust into youth cultures and changing school transitions.
Edit intent: fluency
Original:  From Race to Regeneration ( 1992-2012 ) Cohen moved to the University of East London (UEL) in 1992 to set up and direct the Centre for New Ethnicities Research (CNER).
Revised:  From Race to Regeneration ( 1992–2012 ) Cohen moved to the University of East London (UEL) in 1992 to set up and direct the Centre for New Ethnicities Research (CNER).
Edit intent: fluency
Original:  From Urban Ethnography to Critical Cartography (2013+) Cohen’s approach to ethnography from the outset had a strong spatial as well as visual emphasis and he experimented with narrative mapping methods in research with young people around issues of public safety and danger.
Revised:  From urban ethnography to critical cartography (2013+) Cohen’s approach to ethnography from the outset had a strong spatial as well as visual emphasis and he experimented with narrative mapping methods in research with young people around issues of public safety and danger.
Edit intent: fluency