wanyu/IteraTeR_v2 huggingface dataset:
Original:  She then attended Imperial College, London and graduated with an MBA in Innovation . Career KPMG hired Bodley as a Principal Management Consultant in 1997 where she mainly focused on research and development in the fields of chemistry and pharmaceuticals before leaving them in 2002.
Revised:  She then attended Imperial College, London and graduated with an MBA in innovation . Career KPMG hired Bodley as a Principal Management Consultant in 1997 where she mainly focused on research and development in the fields of chemistry and pharmaceuticals before leaving them in 2002.
Edit intent: fluency
Original:  She then attended Imperial College, London and graduated with an MBA in Innovation . Career KPMG hired Bodley as a Principal Management Consultant in 1997 where she mainly focused on research and development in the fields of chemistry and pharmaceuticals before leaving them in 2002.
Revised:  She then attended Imperial College, London and graduated with an MBA in Innovation . Career KPMG hired Bodley as a principal management consultant in 1997 where she mainly focused on research and development in the fields of chemistry and pharmaceuticals before leaving them in 2002.
Edit intent: fluency
Original:  Bodley became a Regional Director in STEMNET in 2005, the Director of Networks in 2008 and worked as the network’s CEO from 2010 to 2016.
Revised:  Bodley became a Regional Director in STEMNET in 2005, the director of networks in 2008 and worked as the network’s CEO from 2010 to 2016.
Edit intent: fluency
Original:  In 2016 she became the Chief Executive of the Women ’ s Engineering Society  taking over from Dawn Bonfield MBE.
Revised:  In 2016 she became the chief executive of the Women ’ s Engineering Society taking over from Dawn Bonfield MBE.
Edit intent: fluency
Original:  In 2016 she became the Chief Executive of the Women ’ s Engineering Society  taking over from Dawn Bonfield MBE.
Revised:  In 2016 she became the Chief Executive of the Women ' s Engineering Society taking over from Dawn Bonfield MBE.
Edit intent: fluency
Original:  In 2016 she became the Chief Executive of the Women ’ s Engineering Society  taking over from Dawn Bonfield MBE.
Revised:  In 2016 she became the Chief Executive of the Women ’ s Engineering Society , taking over from Dawn Bonfield MBE.
Edit intent: fluency
Original:  As of August 2018 Bodley has worked as the Chief Executive of The Institute of Asset Management.
Revised:  As of August 2018 Bodley has worked as the chief executive of the Institute of Asset Management.
Edit intent: fluency
Original:  Judged the The 2017 Top 50 Influential Women in Engineering (WE50) List.
Revised:  Judged the 2017 Top 50 Influential Women in Engineering (WE50) List.
Edit intent: fluency
Original:  Judged the The 2017 Top 50 Influential Women in Engineering (WE50) List.
Revised:  Judged the The 2017 Top 50 Influential Women in Engineering List.
Edit intent: clarity
Original:  He was posthumously declared a Hero of the Soviet Union on 24 March 1945, making him the first Korean awarded the title   .
Revised:  He was posthumously declared a Hero of the Soviet Union on 24 March 1945, making him the first Korean awarded the title . .
Edit intent: fluency
Original:  there he participated in the defense of Moscow.
Revised:  there he participated in the Battle of Moscow.
Edit intent: clarity
Original: A bust of Min was installed near the building of a secondary school in the village of Buryl  Zhambyl region of Kazakhstan.
Revised: A bust of Min was installed near the building of a secondary school in the village of Buryl in Zhambyl region of Kazakhstan.
Edit intent: fluency
Original:  He distinguished himself in the battles for the liberation of Volyn region.
Revised:  He distinguished himself in the battles for the Volyn region.
Edit intent: clarity
Original:  TimbreTron: A WaveNet(CycleGAN(CQT(Audio))) Pipeline for Musical Timbre Transfer - YouTube Through the use of artificial intelligence, old bands and artists may be "revived" to release new material without pause, which may even include "live" concerts and promotional images.
Revised:  Through the use of artificial intelligence, old bands and artists may be "revived" to release new material without pause, which may even include "live" concerts and promotional images.
Edit intent: coherence
Original:  The Marquis and Cardinal Domenico Serafini, the Prefect of Propagation of the Faith, belonged to the same family. 
Revised:  The Marquis and Cardinal Domenico Serafini, the Prefect of Propagation of the Faith, belonged to the same family. References
Edit intent: coherence
Original:  Life and work Portrait of an unknown man, by Philip Klier, Rangoon, British Burmah After having emigrated from Germany to British Burma , Klier first settled in Moulmein (now Mawlamyine, Mon State)  in 1865  and started to work as a watchmaker in a small community of German watchmakers, opticians and photographers.
Revised:  Life and work Portrait of an unknown man, by Philip Klier, Rangoon, British Burmah After having emigrated from Germany , Klier first settled in Moulmein (now Mawlamyine, Mon State) in 1865 and started to work as a watchmaker in a small community of German watchmakers, opticians and photographers.
Edit intent: clarity
Original:  Life and work Portrait of an unknown man, by Philip Klier, Rangoon, British Burmah After having emigrated from Germany to British Burma , Klier first settled in Moulmein (now Mawlamyine, Mon State)  in 1865  and started to work as a watchmaker in a small community of German watchmakers, opticians and photographers.
Revised:  Life and work Portrait of an unknown man, by Philip Klier, Rangoon, British Burmah After having emigrated from Germany to British Burma , Klier first settled in Moulmein (now Mawlamyine, Mon State) in 1865 , and started to work as a watchmaker in a small community of German watchmakers, opticians and photographers.
Edit intent: fluency
Original:  For the five years after 1885, Klier temporarily entered a partnership with J. Jackson, an established British photographer, but after that, he continued on his own.
Revised:  For the five years after 1885, Klier temporarily entered a partnership with J. Jackson, an established British photographer, 
Edit intent: coherence
Original:  In a book about the history of photography in Burma,  Klier's approach was characterized as follows: "Klier had an eye for the unusual and many religious buildings which would have been ignored by another were fortunately immortalized by him.
Revised:  In his book about the history of photography in Burma, Klier's approach was characterized as follows: "Klier had an eye for the unusual and many religious buildings which would have been ignored by another were fortunately immortalized by him.
Edit intent: fluency
Original:  In a book about the history of photography in Burma,  Klier's approach was characterized as follows: "Klier had an eye for the unusual and many religious buildings which would have been ignored by another were fortunately immortalized by him.
Revised:  In a book about the history of photography in Burma, Klier's approach as follows: "Klier had an eye for the unusual and many religious buildings which would have been ignored by another were fortunately immortalized by him.
Edit intent: clarity
Original: Philip Adolphe Klier (c. 1845 in Bremen , German Confederation –  1911 in Rangoon, Burma), also known as Philip Klier, was a German photographer, whose existing photographs were taken at the end of the 19th century in Burma during the British colonial period.
Revised: Philip Adolphe Klier (c. 1845 in Bremen , German Confederation – 1911 in Rangoon, Burma), also known as Philip Klier, was a German photographer, whose photographs were taken at the end of the 19th century in Burma during the British colonial period.
Edit intent: clarity
Original:  The wide range of his photographs document his strong interest in both colonial British as well as in Burmese life and culture.
Revised:  The wide range of his images document his strong interest in both colonial British as well as in Burmese life and culture.
Edit intent: clarity
Original:  The wide range of his photographs document his strong interest in both colonial British as well as in Burmese life and culture.
Revised:  The wide range of his photographs document his strong interest in both colonial British as well as Burmese life and culture.
Edit intent: fluency
Original:  the two early portraits of a young English lady in the style of cabinet cards, taken around 1894 and archived at the National Portrait Gallery in London, or the portrait of an unknown man archived next to his business card, attest to the portrait style of the late 1890s , and stand in stark contrast with his later portraits, such as the picture of a Burmese lady of 1907, with a blurred background and crisp details of her person, clothes or jewellery in the foreground.
Revised:  the two early portraits of a young English lady in the style of cabinet cards, taken around 1894 and archived at the National Portrait Gallery in London, or the portrait of an unknown man archived next to his business card, attest to the portrait style of the late 1890s . They stand in stark contrast with his later portraits, such as the picture of a Burmese lady of 1907, with a blurred background and crisp details of her person, clothes or jewellery in the foreground.
Edit intent: coherence
Original:   The wide range of his images document his strong interest in both colonial British as well as Burmese life and culture.
Revised:  The wide range of Klier's images document his strong interest in both colonial British as well as Burmese life and culture.
Edit intent: clarity
Original:  They stand in stark contrast with his later portraits, such as the picture of a Burmese lady of 1907, with a blurred background and crisp details of her person, clothes or jewellery in the foreground.
Revised:  They stand in contrast with his later portraits, such as the picture of a Burmese lady of 1907, with a blurred background and crisp details of her person, clothes or jewellery in the foreground.
Edit intent: clarity
Original:    Klier had a keen interest in everyday street scenes, documenting traditional musicians or audiences watching the popular Burmese puppet shows (Yoke thé) of those times.
Revised:  Co. Klier had a keen interest in everyday street scenes, documenting traditional musicians or audiences watching the popular Burmese puppet shows (Yoke thé) of those times.
Edit intent: fluency
Original:   In his book about the history of photography in Burma, art historian Noel Francis Singer characterized Klier's approach as follows: "Klier had an eye for the unusual and many religious buildings which would have been ignored by another were fortunately immortalized by him.
Revised:  Critical reception In his book about the history of photography in Burma, art historian Noel Francis Singer characterized Klier's approach as follows: "Klier had an eye for the unusual and many religious buildings which would have been ignored by another were fortunately immortalized by him.
Edit intent: coherence
Original:   A number of Klier's photographs have been archived and digitised by the National Archives in the United Kingdom as well as by the Smithsonian Institution.
Revised:  " A number of Klier's photographs have been archived and digitised by the National Archives in the United Kingdom as well as by the Smithsonian Institution.
Edit intent: fluency
Original: Life and work Portrait of an unknown man, by Philip Klier, Rangoon, British Burmah After having emigrated from Germany, Klier first settled in Moulmein (now Mawlamyine, Mon State), the first capital of British Burma, in 1865, and started to work as a watchmaker in a small community of German watchmakers, opticians and photographers.
Revised: Life and work Portrait of an unknown man, by Philip Klier, Rangoon, British Burma After having emigrated from Germany, Klier first settled in Moulmein (now Mawlamyine, Mon State), the first capital of British Burma, in 1865, and started to work as a watchmaker in a small community of German watchmakers, opticians and photographers.
Edit intent: fluency
Original:  Having acquired the technical skills of photography by learning from others , he set up his first studio in Moulmein.
Revised:  Having acquired the technical skills of photography under the given climatic conditions , he set up his first studio in Moulmein.
Edit intent: clarity
Original:  After 1906, some of Klier's photographs were sold as copies by the company D. A. Ahuja,  or T. N. Ahuja, Rangoon  , and sometimes presented as hand-coloured postcards.
Revised:  After 1906, some of Klier's photographs were copied by the company D. A. Ahuja, or T. N. Ahuja, Rangoon , and sometimes presented as hand-coloured postcards.
Edit intent: clarity
Original:  After 1906, some of Klier's photographs were sold as copies by the company D. A. Ahuja,  or T. N. Ahuja, Rangoon  , and sometimes presented as hand-coloured postcards.
Revised:  After 1906, some of Klier's photographs were sold as copies by the company D. A. Ahuja, ( or T. N. Ahuja, Rangoon , and sometimes presented as hand-coloured postcards.
Edit intent: fluency
Original:  After 1906, some of Klier's photographs were sold as copies by the company D. A. Ahuja,  or T. N. Ahuja, Rangoon  , and sometimes presented as hand-coloured postcards.
Revised:  After 1906, some of Klier's photographs were sold as copies by the company D. A. Ahuja, or T. N. Ahuja, Rangoon ) , and sometimes presented as hand-coloured postcards.
Edit intent: fluency
Original:  After 1906, some of Klier's photographs were sold as copies by the company D. A. Ahuja,  or T. N. Ahuja, Rangoon  , and sometimes presented as hand-coloured postcards.
Revised:  After 1906, some of Klier's photographs were sold as copies by the company D. A. Ahuja, or T. N. Ahuja, Rangoon , and sometimes sold as hand-coloured postcards.
Edit intent: clarity
Original:  Klier had a keen interest in everyday street scenes,  documenting traditional musicians or audiences watching the popular Burmese puppet shows (Yoke thé) of those times.
Revised:  Klier had a keen interest in everyday street scenes, for example documenting traditional musicians or audiences watching the popular Burmese puppet shows (Yoke thé) of those times.
Edit intent: coherence
Original:  Other scenes show working life, for example elephants and their keepers at work in timber yards or paddy boats carrying rice.
Revised:  Other scenes show working life, such as elephants and their keepers at work in timber yards or paddy boats carrying rice.
Edit intent: fluency
Original: Life and work Portrait of an unknown man, by Philip Klier, Rangoon, British Burma  After having emigrated from Germany, Klier first settled in Moulmein (now Mawlamyine, Mon State), the first capital of British Burma, in 1865, and started to work as a watchmaker in a small community of German watchmakers, opticians and photographers.
Revised: Life and work Portrait of an unknown man, by Philip Klier, Rangoon, British Burma Beginnings in Moulmein After having emigrated from Germany, Klier first settled in Moulmein (now Mawlamyine, Mon State), the first capital of British Burma, in 1865, and started to work as a watchmaker in a small community of German watchmakers, opticians and photographers.
Edit intent: clarity
Original:   After 1880, Klier and his family moved to the capital Rangoon, where he operated from his studio in Signal Pagoda Rd. and found better chances for selling his photographs.
Revised:  Expanding business in Rangoon After 1880, Klier and his family moved to the capital Rangoon, where he operated from his studio in Signal Pagoda Rd. and found better chances for selling his photographs.
Edit intent: clarity
Original:  The [ &    wide range of Klier's images document his strong interest in both colonial British as well as Burmese life and culture.
Revised:  The [t & wide range of Klier's images document his strong interest in both colonial British as well as Burmese life and culture.
Edit intent: fluency
Original:  The 1908 edition of Thomas Cook Sons Burma.
Revised:  Sons Burma.
Edit intent: clarity
Original:  P. Klier%DIFDELCMD < & %%% Co.
Revised:  P. Klier%DIFDELCMD < & %%% 
Edit intent: coherence
Original:  Apart from photographic portraits of Europeans and scenes of busy areas of Rangoon, Klier  carefully staged and recorded portraits of Burmese people in traditional attire, such as a princess and her following or a chief from the princely Shan States in eastern Burma shown below.
Revised:  Apart from photographic portraits of Europeans and scenes of busy areas of Rangoon, Klier also carefully staged and recorded portraits of Burmese people in traditional attire, such as a princess and her following or a chief from the princely Shan States in eastern Burma shown below.
Edit intent: clarity
Original:  Klier had a keen interest in everyday street scenes, for example documenting traditional musicians or audiences watching the popular Burmese puppet shows (Yoke thé) of those times.
Revised:  Klier had a keen interest in everyday street scenes, as by documenting traditional musicians or audiences watching the popular Burmese puppet shows (Yoke thé) of those times.
Edit intent: clarity
Original:  Klier had a keen interest in everyday street scenes, for example documenting traditional musicians or audiences watching the popular Burmese puppet shows (Yoke thé) of those times.
Revised:  Klier had a keen interest in everyday street scenes, for example documenting traditional musicians or audiences watching the popular Burmese puppet shows (Yoke thé) of the times.
Edit intent: clarity
Original:  Other scenes show working life , such as elephants and their keepers at work in timber yards or  paddy boats carrying rice.
Revised:  Other scenes show working life , such as elephants and their keepers at work in timber yards or on paddy boats carrying rice.
Edit intent: clarity
Original:  Critical reception In his book about the history of photography in Burma, art historian Noel Francis Singer characterized Klier's approach as follows: "Klier had an eye for the unusual and many religious buildings which would have been ignored by another were fortunately immortalized by him."
Revised:  Critical reception In his book on the history of photography in Burma, art historian Noel Francis Singer characterized Klier's approach as follows: "Klier had an eye for the unusual and many religious buildings which would have been ignored by another were fortunately immortalized by him."
Edit intent: fluency
Original: Portraits and scenes of everyday life The wide range of Klier's images document his strong interest in both colonial British as well as Burmese life and culture.
Revised: Portraits and scenes of everyday life The wide range of Klier's images documents his strong interest in both colonial British as well as Burmese life and culture.
Edit intent: fluency
Original:  His work has also been published as part of the photographic collection of the Guimet Museum of Asian Arts in Paris, France and the Ethnological Museum of Berlin  .
Revised:  His work has also been published as part of the photographic collection of the Guimet Museum of Asian Arts in Paris, France , the Ethnological Museum of Berlin .
Edit intent: fluency
Original: Jansen was involved in a car accident in the 1930's from which she never fully recovered, although it had no effect on her mentally. E.G. Jansen died in 1959 and from that point on Mabel Jansen lived alone in her home in Irene with her dog, Referendum.
Revised: Jansen was involved in a car accident in the 1930s from which she never fully recovered, although it had no effect on her mentally. E.G. Jansen died in 1959 and from that point on Mabel Jansen lived alone in her home in Irene with her dog, Referendum.
Edit intent: fluency
Original: Sources  C.J. Beyers & J.L. Basson (eds).
Revised: Sources Sources C.J. Beyers & J.L. Basson (eds).
Edit intent: fluency
Original:  Starting from 1916, he worked for the Regional Defence Commander of Gansu and Ningxia, Ma Lin  as a training officer for his Ninghai troops.
Revised:  Starting from 1916, he worked for the Regional Defence Commander of Gansu and Ningxia, Ma Lin , as a training officer for his Ninghai troops.
Edit intent: fluency
Original:  On May 20, he instructed the local Hui people to have their water ready-boiled to welcome the Red Army while waving a small URL Ma spoke at the victory conference after Xi'an was taken, stating that he supported the Red Army's initiative "to enter the northwest, liberate the northwest, and realize the motherland's reunification at an early date."
Revised:  On May 20, he instructed the local Hui people to have their water ready-boiled to welcome the Red Army while waving a small flag. Ma spoke at the victory conference after Xi'an was taken, stating that he supported the Red Army's initiative "to enter the northwest, liberate the northwest, and realize the motherland's reunification at an early date."
Edit intent: style
Original: Donald George Broadley (1932-2016) was an African herpetologist who described 115 species and subspecies, and 8 genera and subgenera of reptile .
Revised: Donald George Broadley (1932-2016) was an African herpetologist who described 115 species and subspecies, and 8 genera and subgenera of reptiles .
Edit intent: fluency
Original: The orgasm gap, or pleasure gap, is a social phenomenon referring to the general disparity between cisgendered men and women in terms of sexual satisfaction- more specifically, the unequal frequency in achievement of orgasm during sexual encounters.
Revised: The orgasm gap, or pleasure gap, is a social phenomenon referring to the general disparity between men and women in terms of sexual satisfaction- more specifically, the unequal frequency in achievement of orgasm during sexual encounters.
Edit intent: clarity
Original: The orgasm gap, or pleasure gap, is a social phenomenon referring to the general disparity between cisgendered men and women in terms of sexual satisfaction- more specifically, the unequal frequency in achievement of orgasm during sexual encounters.
Revised: The orgasm gap, or pleasure gap, is a social phenomenon referring to the general disparity between biological men and women in terms of sexual satisfaction- more specifically, the unequal frequency in achievement of orgasm during sexual encounters.
Edit intent: clarity
Original: The orgasm gap, or pleasure gap, is a social phenomenon referring to the general disparity between cisgendered men and women in terms of sexual satisfaction- more specifically, the unequal frequency in achievement of orgasm during sexual encounters.
Revised: The orgasm gap, or pleasure gap, is a social phenomenon referring to the general disparity between cisgender men and women in terms of sexual satisfaction- more specifically, the unequal frequency in achievement of orgasm during sexual encounters.
Edit intent: fluency
Original:  this difference was attributed to an overall increased presence of focused clitoral stimulation and men's willingness to perform cunnalingus during relationship sex.
Revised:  this difference was attributed to an overall increased presence of focused clitoral stimulation and men's willingness to perform cunnilingus during relationship sex.
Edit intent: fluency
Original:  Researchers speculate there are multiple factors that may contribute to the orgasm gap (see below).
Revised:  Researchers speculate there are multiple factors that may contribute to the orgasm gap 
Edit intent: coherence
Original:  Orgasm gap researcher , Laurie Mintz claims that the primary reason for this form of gender inequality is due to “ our cultural ignorance of the clitoris ” and that it is commonplace to "mislabel women ’ s genitals by the one part (the vagina) that gives men, but not women, reliable orgasms ".
Revised:  Orgasm gap researcher Laurie Mintz argues that the primary reason for this form of gender inequality is due to “ our cultural ignorance of the clitoris ” and that it is commonplace to "mislabel women ’ s genitals by the one part (the vagina) that gives men, but not women, reliable orgasms ".
Edit intent: fluency