wanyu/IteraTeR_v2 huggingface dataset:
Original:  Live in Los Angeles (2014) Compilation albums The Ultimate Collection (1999)%DIFDELCMD < %DIFDELCMD < %%% with Styx Styx  (1972) Styx II (1973) The Serpent Is Rising (1973) Man of Miracles (1974) Equinox (1975) Crystal Ball (1976) The Grand Illusion (1977) Pieces of Eight (1978) Cornerstone (1979) Paradise Theatre (1981) Kilroy Was Here (1983) Caught in the Act Live (1984) Edge of the Century (1990) Return to Paradise Live (1997) Brave New World    (1999)
Revised:  Live in Los Angeles (2014) Compilation albums The Ultimate Collection (1999)%DIFDELCMD < %DIFDELCMD < %%% with Styx (1972) Styx II (1973) The Serpent Is Rising (1973) Man of Miracles (1974) Equinox (1975) Crystal Ball (1976) The Grand Illusion (1977) Pieces of Eight (1978) Cornerstone (1979) Paradise Theatre (1981) Kilroy Was Here (1983) Caught in the Act Live (1984) Edge of the Century (1990) Return to Paradise Live (1997) Brave New World (1999)
Edit intent: fluency
Original:  Live in Los Angeles (2014) Compilation albums The Ultimate Collection (1999)%DIFDELCMD < %DIFDELCMD < %%% with Styx Styx  (1972) Styx II (1973) The Serpent Is Rising (1973) Man of Miracles (1974) Equinox (1975) Crystal Ball (1976) The Grand Illusion (1977) Pieces of Eight (1978) Cornerstone (1979) Paradise Theatre (1981) Kilroy Was Here (1983) Caught in the Act Live (1984) Edge of the Century (1990) Return to Paradise Live (1997) Brave New World    (1999)
Revised:  Live in Los Angeles (2014) Compilation albums The Ultimate Collection (1999)%DIFDELCMD < %DIFDELCMD < %%% with Styx Styx Styx (1972) Styx II (1973) The Serpent Is Rising (1973) Man of Miracles (1974) Equinox (1975) Crystal Ball (1976) The Grand Illusion (1977) Pieces of Eight (1978) Cornerstone (1979) Paradise Theatre (1981) Kilroy Was Here (1983) Caught in the Act Live (1984) Edge of the Century (1990) Return to Paradise Live (1997) Brave New World (1999)
Edit intent: fluency
Original:  Live in Los Angeles (2014) Compilation albums The Ultimate Collection (1999)%DIFDELCMD < %DIFDELCMD < %%% with Styx Styx  (1972) Styx II (1973) The Serpent Is Rising (1973) Man of Miracles (1974) Equinox (1975) Crystal Ball (1976) The Grand Illusion (1977) Pieces of Eight (1978) Cornerstone (1979) Paradise Theatre (1981) Kilroy Was Here (1983) Caught in the Act Live (1984) Edge of the Century (1990) Return to Paradise Live (1997) Brave New World    (1999)
Revised:  Live in Los Angeles (2014) Compilation albums The Ultimate Collection (1999)%DIFDELCMD < %DIFDELCMD < %%% with Styx Styx (1972) Styx II (1973) The Serpent Is Rising (1973) Man of Miracles (1974) Equinox (1975) Crystal Ball (1976) The Grand Illusion (1977) Pieces of Eight (1978) Cornerstone (1979) Paradise Theatre (1981) Kilroy Was Here (1983) Caught in the Act Live (1984) Edge of the Century (1990) Return to Paradise Live (1997) Brave New World (1999) (1999)
Edit intent: fluency
Original:  Live in Los Angeles (2014) Compilation albums The Ultimate Collection (1999)%DIFDELCMD < %DIFDELCMD < %%% with Styx Styx  (1972) Styx II (1973) The Serpent Is Rising (1973) Man of Miracles (1974) Equinox (1975) Crystal Ball (1976) The Grand Illusion (1977) Pieces of Eight (1978) Cornerstone (1979) Paradise Theatre (1981) Kilroy Was Here (1983) Caught in the Act Live (1984) Edge of the Century (1990) Return to Paradise Live (1997) Brave New World    (1999)
Revised:  Live in Los Angeles (2014) Compilation albums The Ultimate Collection (1999)%DIFDELCMD < %DIFDELCMD < %%% with Styx Styx (1972) Styx II (1973) The Serpent Is Rising (1973) Man of Miracles (1974) Equinox (1975) Crystal Ball (1976) The Grand Illusion (1977) Pieces of Eight (1978) Cornerstone (1979) Paradise Theatre (1981) Kilroy Was Here (1983) Caught in the Act Live (1984) Edge of the Century (1990) Return to Paradise Live (1997) Brave New World Compilation albums The Ultimate Collection (1999)
Edit intent: fluency
Original:  The seven DeYoung penned-and-performed top 10 Billboard hits, in order of their peak chart placement are: Early solo career ( 1984–1989 ) With Styx in limbo following Shaw's 1984 departure, DeYoung began a solo career of modest success.
Revised:  The seven DeYoung penned-and-performed top 10 Billboard hits, in order of their peak chart placement are: 1984–1989 ) With Styx in limbo following Shaw's 1984 departure, DeYoung began a solo career of modest success.
Edit intent: clarity
Original:  The seven DeYoung penned-and-performed top 10 Billboard hits, in order of their peak chart placement are: Early solo career ( 1984–1989 ) With Styx in limbo following Shaw's 1984 departure, DeYoung began a solo career of modest success.
Revised:  The seven DeYoung penned-and-performed top 10 Billboard hits, in order of their peak chart placement are: Early solo career ( 1984–1989 : Early solo career With Styx in limbo following Shaw's 1984 departure, DeYoung began a solo career of modest success.
Edit intent: coherence
Original:  To date, "Desert Moon" is the only solo single by any Styx member to hit the Billboard Top 10. Reuniting with Styx ( 1990–1992 ) In 1990, Styx (minus Tommy Shaw, who was replaced by guitarist/singer-songwriter Glen Burtnik) returned to the studio for the album Edge of the Century (1990).
Revised:  To date, "Desert Moon" is the only solo single by any Styx member to hit the Billboard Top 10. 1990–1992 ) In 1990, Styx (minus Tommy Shaw, who was replaced by guitarist/singer-songwriter Glen Burtnik) returned to the studio for the album Edge of the Century (1990).
Edit intent: coherence
Original:  To date, "Desert Moon" is the only solo single by any Styx member to hit the Billboard Top 10. Reuniting with Styx ( 1990–1992 ) In 1990, Styx (minus Tommy Shaw, who was replaced by guitarist/singer-songwriter Glen Burtnik) returned to the studio for the album Edge of the Century (1990).
Revised:  To date, "Desert Moon" is the only solo single by any Styx member to hit the Billboard Top 10. Reuniting with Styx ( 1990–1992 : Reuniting with Styx In 1990, Styx (minus Tommy Shaw, who was replaced by guitarist/singer-songwriter Glen Burtnik) returned to the studio for the album Edge of the Century (1990).
Edit intent: coherence
Original:  Venture into acting ( 1993–1995 ) Between stints with Styx, DeYoung was asked to appear in the 20th Anniversary revival tour of the stage musical Jesus Christ Superstar in 1993, including Ted Neeley, Carl Anderson and Irene Cara, appearing in 268 performances as Pontius Pilate.
Revised:  1993–1995 ) Between stints with Styx, DeYoung was asked to appear in the 20th Anniversary revival tour of the stage musical Jesus Christ Superstar in 1993, including Ted Neeley, Carl Anderson and Irene Cara, appearing in 268 performances as Pontius Pilate.
Edit intent: coherence
Original:  Venture into acting ( 1993–1995 ) Between stints with Styx, DeYoung was asked to appear in the 20th Anniversary revival tour of the stage musical Jesus Christ Superstar in 1993, including Ted Neeley, Carl Anderson and Irene Cara, appearing in 268 performances as Pontius Pilate.
Revised:  Venture into acting ( 1993–1995 : Venture into acting Between stints with Styx, DeYoung was asked to appear in the 20th Anniversary revival tour of the stage musical Jesus Christ Superstar in 1993, including Ted Neeley, Carl Anderson and Irene Cara, appearing in 268 performances as Pontius Pilate.
Edit intent: fluency
Original:  "Hunchback" was first produced in 1997 at the Tennessee Repertory Theatre in Nashville, TN. Reuniting with Styx ( 1995–1999 )  "Lady '95" (1995) A&M Records had released the compilation album Styx - Classics, Volume 15, but since A&M did not own the rights to the original recording of "Lady" (which had been released by Wooden Nickel Records through a distribution deal with RCA Records), the track could not be included on the disc.
Revised:  "Hunchback" was first produced in 1997 at the Tennessee Repertory Theatre in Nashville, TN. 1995–1999 ) "Lady '95" (1995) A&M Records had released the compilation album Styx - Classics, Volume 15, but since A&M did not own the rights to the original recording of "Lady" (which had been released by Wooden Nickel Records through a distribution deal with RCA Records), the track could not be included on the disc.
Edit intent: coherence
Original:  "Hunchback" was first produced in 1997 at the Tennessee Repertory Theatre in Nashville, TN. Reuniting with Styx ( 1995–1999 )  "Lady '95" (1995) A&M Records had released the compilation album Styx - Classics, Volume 15, but since A&M did not own the rights to the original recording of "Lady" (which had been released by Wooden Nickel Records through a distribution deal with RCA Records), the track could not be included on the disc.
Revised:  "Hunchback" was first produced in 1997 at the Tennessee Repertory Theatre in Nashville, TN. Reuniting with Styx ( 1995–1999 ) 1995: "Lady '95" (1995) A&M Records had released the compilation album Styx - Classics, Volume 15, but since A&M did not own the rights to the original recording of "Lady" (which had been released by Wooden Nickel Records through a distribution deal with RCA Records), the track could not be included on the disc.
Edit intent: coherence
Original:  "Hunchback" was first produced in 1997 at the Tennessee Repertory Theatre in Nashville, TN. Reuniting with Styx ( 1995–1999 )  "Lady '95" (1995) A&M Records had released the compilation album Styx - Classics, Volume 15, but since A&M did not own the rights to the original recording of "Lady" (which had been released by Wooden Nickel Records through a distribution deal with RCA Records), the track could not be included on the disc.
Revised:  "Hunchback" was first produced in 1997 at the Tennessee Repertory Theatre in Nashville, TN. Reuniting with Styx ( 1995–1999 ) "Lady '95" A&M Records had released the compilation album Styx - Classics, Volume 15, but since A&M did not own the rights to the original recording of "Lady" (which had been released by Wooden Nickel Records through a distribution deal with RCA Records), the track could not be included on the disc.
Edit intent: coherence
Original:   "Return to Paradise" tour (1996–1997) Styx's 1996 tour, dubbed the "Return to Paradise" tour by the band, proved remarkably successful, and a 2-disc live recording of the show (with three new studio tracks) proved even more so;
Revised:  1996–1997: "Return to Paradise" tour (1996–1997) Styx's 1996 tour, dubbed the "Return to Paradise" tour by the band, proved remarkably successful, and a 2-disc live recording of the show (with three new studio tracks) proved even more so;
Edit intent: coherence
Original:   "Return to Paradise" tour (1996–1997) Styx's 1996 tour, dubbed the "Return to Paradise" tour by the band, proved remarkably successful, and a 2-disc live recording of the show (with three new studio tracks) proved even more so;
Revised:  "Return to Paradise" tour Styx's 1996 tour, dubbed the "Return to Paradise" tour by the band, proved remarkably successful, and a 2-disc live recording of the show (with three new studio tracks) proved even more so;
Edit intent: coherence
Original:   Departure from Styx (1999) DeYoung and his bandmates celebrated the success of 1996's "Return to Paradise" tour, and 1997's "Grand Illusion" tour.
Revised:  1999: Departure from Styx (1999) DeYoung and his bandmates celebrated the success of 1996's "Return to Paradise" tour, and 1997's "Grand Illusion" tour.
Edit intent: fluency
Original:   Departure from Styx (1999) DeYoung and his bandmates celebrated the success of 1996's "Return to Paradise" tour, and 1997's "Grand Illusion" tour.
Revised:  Departure from Styx DeYoung and his bandmates celebrated the success of 1996's "Return to Paradise" tour, and 1997's "Grand Illusion" tour.
Edit intent: clarity
Original:  The album features guitarist Tom Morello of Rage Against The Machine and Audioslave on a track co-written with Jim Peterik of The Ides Of March, Formerly Of Survivor and 38 Special URL Members  Dennis DeYoung –
Revised:  The album features guitarist Tom Morello of Rage Against The Machine and Audioslave on a track co-written with Jim Peterik of The Ides Of March, Formerly Of Survivor and 38 Special URL Personnel Dennis DeYoung –
Edit intent: clarity
Original:  bass, backing vocals (2010–present) Michael Morales – drums (2016–present) Former  Tom Dziallo – guitar, backing vocals (2003–2009) Hank Horton – bass, backing vocals (2003–2009) Kyle Woodring – drums, percussion (2003–2008) Rick Snyder – keyboards, vocals (2003–2004) Dawn Feusi – backing vocals (2003–2004) Glen Burtnik – guitar, backing and lead vocals (2006–2009) Jeff Watson – guitar, backing vocals (2009) Tom Sharpe – drums, percussion (2008–2016)
Revised:  bass, backing vocals (2010–present) Michael Morales – drums (2016–present) Former members Tom Dziallo – guitar, backing vocals (2003–2009) Hank Horton – bass, backing vocals (2003–2009) Kyle Woodring – drums, percussion (2003–2008) Rick Snyder – keyboards, vocals (2003–2004) Dawn Feusi – backing vocals (2003–2004) Glen Burtnik – guitar, backing and lead vocals (2006–2009) Jeff Watson – guitar, backing vocals (2009) Tom Sharpe – drums, percussion (2008–2016)
Edit intent: clarity
Original:  He was also the band's most successful writer, penning 7 of the band's 8 Billboard top 10 singles as well as a solo top 10 single.
Revised:  He was also the band's most successful writer, penning seven of the band's 8 Billboard top 10 singles as well as a solo top 10 single.
Edit intent: fluency
Original:  He was also the band's most successful writer, penning 7 of the band's 8 Billboard top 10 singles as well as a solo top 10 single.
Revised:  He was also the band's most successful writer, penning 7 of the band's eight Billboard top 10 singles as well as a solo top 10 single.
Edit intent: fluency
Original:  Life and career 1947–1970: Early life Dennis DeYoung was born on February 18, 1947 in Chicago, Illinois  to parents Maurice and Loraine DeYoung.
Revised:  Life and career 1947–1970: Early life Dennis DeYoung was born in Chicago, Illinois to parents Maurice and Loraine DeYoung.
Edit intent: coherence
Original:  Life and career 1947–1970: Early life Dennis DeYoung was born on February 18, 1947 in Chicago, Illinois  to parents Maurice and Loraine DeYoung.
Revised:  Life and career 1947–1970: Early life Dennis DeYoung was born on February 18, 1947 in Chicago, Illinois , United States, to parents Maurice and Loraine DeYoung.
Edit intent: clarity
Original:  Growing up in the Roseland area of Chicago, DeYoung started his career as an accordionist in 1962 at the age of 15 when he teamed up with his 13-year-old neighbors Chuck and John Panozzo in a three-piece combo originally called " The Tradewinds.
Revised:  Growing up in the Roseland area of Chicago, DeYoung started his career as an accordionist in 1962 at the age of 15 when he teamed up with his 13-year-old neighbors Chuck and John Panozzo in a three-piece combo originally called The Tradewinds.
Edit intent: fluency
Original:  " The trio added guitarist Tom Nardin in 1964 and renamed the band " TW4.
Revised:  The trio added guitarist Tom Nardin in 1964 and renamed the band " TW4.
Edit intent: fluency
Original:  " The trio added guitarist Tom Nardin in 1964 and renamed the band " TW4.
Revised:  " The trio added guitarist Tom Nardin in 1964 and renamed the band TW4.
Edit intent: fluency
Original:  " In 1968  Nardin was replaced by John Curulewski and in 1970 DeYoung hired James Young to become the 2nd guitarist in TW4.
Revised:  In 1968 Nardin was replaced by John Curulewski and in 1970 DeYoung hired James Young to become the 2nd guitarist in TW4.
Edit intent: fluency
Original:  " In 1968  Nardin was replaced by John Curulewski and in 1970 DeYoung hired James Young to become the 2nd guitarist in TW4.
Revised:  " In 1968 , Nardin was replaced by John Curulewski and in 1970 DeYoung hired James Young to become the 2nd guitarist in TW4.
Edit intent: fluency
Original:  " In 1968  Nardin was replaced by John Curulewski and in 1970 DeYoung hired James Young to become the 2nd guitarist in TW4.
Revised:  " In 1968 Nardin was replaced by John Curulewski and in 1970 DeYoung hired James Young to become the second guitarist in TW4.
Edit intent: fluency
Original:  The band changed the name to Styx in 1972  upon signing their first record contract.
Revised:  The band changed the name to Styx in 1972 , upon signing their first record contract.
Edit intent: fluency
Original:  DeYoung wrote and sang lead on seven of the band's eight top 10 Billboard Hot 100-ranked hits during this period, with Tommy Shaw's "Too Much Time on My Hands" (  9) being the sole exception.
Revised:  DeYoung wrote and sang lead on seven of the band's eight top 10 Billboard Hot 100-ranked hits during this period, with Tommy Shaw's "Too Much Time on My Hands" ( No. 9) being the sole exception.
Edit intent: clarity
Original:  The seven DeYoung penned-and-performed top 10 Billboard hits, in order of their peak chart placement are: "Babe", the band's only Billboard Hot 100  1 hit to date.
Revised:  The seven DeYoung penned-and-performed top 10 Billboard hits, in order of their peak chart placement are: "Babe", the band's only Billboard Hot 100 No. 1 hit to date.
Edit intent: clarity
Original:  Also hit  1 on Radio and Records chart.
Revised:  Also hit No. 1 on Radio and Records chart.
Edit intent: fluency
Original:  "Mr. Roboto" (  3 Billboard,  3 R & R) "Show Me the Way" (  3 Billboard,  7 R & R) "The Best of Times" (  3 and  1 R & R) "Don't Let It End" (  6 Billboard,  3 R & R) "Lady", the band's 1973 breakthrough hit (  6 in March 1975 Billboard and  7 R & R) "Come Sail Away" (  8 Billboard,  9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Revised:  "Mr. Roboto" ( No. 3 Billboard, 3 R & R) "Show Me the Way" ( 3 Billboard, 7 R & R) "The Best of Times" ( 3 and 1 R & R) "Don't Let It End" ( 6 Billboard, 3 R & R) "Lady", the band's 1973 breakthrough hit ( 6 in March 1975 Billboard and 7 R & R) "Come Sail Away" ( 8 Billboard, 9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Edit intent: clarity
Original:  "Mr. Roboto" (  3 Billboard,  3 R & R) "Show Me the Way" (  3 Billboard,  7 R & R) "The Best of Times" (  3 and  1 R & R) "Don't Let It End" (  6 Billboard,  3 R & R) "Lady", the band's 1973 breakthrough hit (  6 in March 1975 Billboard and  7 R & R) "Come Sail Away" (  8 Billboard,  9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Revised:  "Mr. Roboto" ( 3 Billboard, 3 R & R) "Show Me the Way" ( No. 3 Billboard, 7 R & R) "The Best of Times" ( 3 and 1 R & R) "Don't Let It End" ( 6 Billboard, 3 R & R) "Lady", the band's 1973 breakthrough hit ( 6 in March 1975 Billboard and 7 R & R) "Come Sail Away" ( 8 Billboard, 9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Edit intent: coherence
Original:  "Mr. Roboto" (  3 Billboard,  3 R & R) "Show Me the Way" (  3 Billboard,  7 R & R) "The Best of Times" (  3 and  1 R & R) "Don't Let It End" (  6 Billboard,  3 R & R) "Lady", the band's 1973 breakthrough hit (  6 in March 1975 Billboard and  7 R & R) "Come Sail Away" (  8 Billboard,  9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Revised:  "Mr. Roboto" ( 3 Billboard, 3 R & R) "Show Me the Way" ( 3 Billboard, No. 7 R & R) "The Best of Times" ( 3 and 1 R & R) "Don't Let It End" ( 6 Billboard, 3 R & R) "Lady", the band's 1973 breakthrough hit ( 6 in March 1975 Billboard and 7 R & R) "Come Sail Away" ( 8 Billboard, 9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Edit intent: coherence
Original:  "Mr. Roboto" (  3 Billboard,  3 R & R) "Show Me the Way" (  3 Billboard,  7 R & R) "The Best of Times" (  3 and  1 R & R) "Don't Let It End" (  6 Billboard,  3 R & R) "Lady", the band's 1973 breakthrough hit (  6 in March 1975 Billboard and  7 R & R) "Come Sail Away" (  8 Billboard,  9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Revised:  "Mr. Roboto" ( 3 Billboard, 3 R & R) "Show Me the Way" ( 3 Billboard, 7 R & R) "The Best of Times" ( No. 3 and 1 R & R) "Don't Let It End" ( 6 Billboard, 3 R & R) "Lady", the band's 1973 breakthrough hit ( 6 in March 1975 Billboard and 7 R & R) "Come Sail Away" ( 8 Billboard, 9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Edit intent: coherence
Original:  "Mr. Roboto" (  3 Billboard,  3 R & R) "Show Me the Way" (  3 Billboard,  7 R & R) "The Best of Times" (  3 and  1 R & R) "Don't Let It End" (  6 Billboard,  3 R & R) "Lady", the band's 1973 breakthrough hit (  6 in March 1975 Billboard and  7 R & R) "Come Sail Away" (  8 Billboard,  9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Revised:  "Mr. Roboto" ( 3 Billboard, 3 R & R) "Show Me the Way" ( 3 Billboard, 7 R & R) "The Best of Times" ( 3 and 1 R & R) "Don't Let It End" ( No. 6 Billboard, 3 R & R) "Lady", the band's 1973 breakthrough hit ( 6 in March 1975 Billboard and 7 R & R) "Come Sail Away" ( 8 Billboard, 9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Edit intent: clarity
Original:  "Mr. Roboto" (  3 Billboard,  3 R & R) "Show Me the Way" (  3 Billboard,  7 R & R) "The Best of Times" (  3 and  1 R & R) "Don't Let It End" (  6 Billboard,  3 R & R) "Lady", the band's 1973 breakthrough hit (  6 in March 1975 Billboard and  7 R & R) "Come Sail Away" (  8 Billboard,  9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Revised:  "Mr. Roboto" ( 3 Billboard, 3 R & R) "Show Me the Way" ( 3 Billboard, 7 R & R) "The Best of Times" ( 3 and 1 R & R) "Don't Let It End" ( 6 Billboard, No. 3 R & R) "Lady", the band's 1973 breakthrough hit ( 6 in March 1975 Billboard and 7 R & R) "Come Sail Away" ( 8 Billboard, 9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Edit intent: clarity
Original:  "Mr. Roboto" (  3 Billboard,  3 R & R) "Show Me the Way" (  3 Billboard,  7 R & R) "The Best of Times" (  3 and  1 R & R) "Don't Let It End" (  6 Billboard,  3 R & R) "Lady", the band's 1973 breakthrough hit (  6 in March 1975 Billboard and  7 R & R) "Come Sail Away" (  8 Billboard,  9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Revised:  "Mr. Roboto" ( 3 Billboard, 3 R & R) "Show Me the Way" ( 3 Billboard, 7 R & R) "The Best of Times" ( 3 and 1 R & R) "Don't Let It End" ( 6 Billboard, 3 R & R) "Lady", the band's 1973 breakthrough hit ( No. 6 in March 1975 Billboard and 7 R & R) "Come Sail Away" ( 8 Billboard, 9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Edit intent: clarity
Original:  "Mr. Roboto" (  3 Billboard,  3 R & R) "Show Me the Way" (  3 Billboard,  7 R & R) "The Best of Times" (  3 and  1 R & R) "Don't Let It End" (  6 Billboard,  3 R & R) "Lady", the band's 1973 breakthrough hit (  6 in March 1975 Billboard and  7 R & R) "Come Sail Away" (  8 Billboard,  9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Revised:  "Mr. Roboto" ( 3 Billboard, 3 R & R) "Show Me the Way" ( 3 Billboard, 7 R & R) "The Best of Times" ( 3 and 1 R & R) "Don't Let It End" ( 6 Billboard, 3 R & R) "Lady", the band's 1973 breakthrough hit ( 6 in March 1975 Billboard and 7 R & R) "Come Sail Away" ( No. 8 Billboard, 9 R & R) A self-taught pianist, DeYoung quickly became one of the most notable keyboard players in rock.
Edit intent: coherence