wanyu/IteraTeR_full_sent huggingface dataset:
Original:  98 and p. 109 Development involves integrating such primitive emotional conflicts, so that ' in the process of integration, impulses to attack and destroy, and impulses to give and share are related, the one lessening the effect of the other ' , until the point is reached at which ' the child may have made a satisfactory fusion of the idea of destroying the object with the fact of loving the same object ' .D. W. Winnicott, The Child, the Family, and the Outside World (Penguin 1973)
Revised:  98 and p. 109 Development involves integrating such primitive emotional conflicts, so that ' in the process of integration, impulses to attack and destroy, and impulses to give and share are related, the one lessening the effect of the other ' , until the point is reached at which " the child may have made a satisfactory fusion of the idea of destroying the object with the fact of loving the same object ' .D. W. Winnicott, The Child, the Family, and the Outside World (Penguin 1973)
Edit intent: fluency
Original:  98 and p. 109 Development involves integrating such primitive emotional conflicts, so that ' in the process of integration, impulses to attack and destroy, and impulses to give and share are related, the one lessening the effect of the other ' , until the point is reached at which ' the child may have made a satisfactory fusion of the idea of destroying the object with the fact of loving the same object ' .D. W. Winnicott, The Child, the Family, and the Outside World (Penguin 1973)
Revised:  98 and p. 109 Development involves integrating such primitive emotional conflicts, so that ' in the process of integration, impulses to attack and destroy, and impulses to give and share are related, the one lessening the effect of the other ' , until the point is reached at which ' the child may have made a satisfactory fusion of the idea of destroying the object with the fact of loving the same object " .D. W. Winnicott, The Child, the Family, and the Outside World (Penguin 1973)
Edit intent: fluency
Original:  p. 96 Once such primitive relations to the mother er have been at least partially resolved, ' in the age period two to five or seven, each normal infant is experiencing the most intense conflicts ' relating to wider relationships: ' ideas of love are followed by ideas of hate, by jealousy and painful emotional conflict and by personal suffering;
Revised:  p. 96 Once such primitive relations to the mother or motherer have been at least partially resolved, ' in the age period two to five or seven, each normal infant is experiencing the most intense conflicts ' relating to wider relationships: ' ideas of love are followed by ideas of hate, by jealousy and painful emotional conflict and by personal suffering;
Edit intent: clarity
Original:  p. 96 Once such primitive relations to the mother er have been at least partially resolved, ' in the age period two to five or seven, each normal infant is experiencing the most intense conflicts ' relating to wider relationships: ' ideas of love are followed by ideas of hate, by jealousy and painful emotional conflict and by personal suffering;
Revised:  p. 96 Once such primitive relations to the mother er have been at least partially resolved, " in the age period two to five or seven, each normal infant is experiencing the most intense conflicts ' relating to wider relationships: ' ideas of love are followed by ideas of hate, by jealousy and painful emotional conflict and by personal suffering;
Edit intent: fluency
Original:  p. 96 Once such primitive relations to the mother er have been at least partially resolved, ' in the age period two to five or seven, each normal infant is experiencing the most intense conflicts ' relating to wider relationships: ' ideas of love are followed by ideas of hate, by jealousy and painful emotional conflict and by personal suffering;
Revised:  p. 96 Once such primitive relations to the mother er have been at least partially resolved, ' in the age period two to five or seven, each normal infant is experiencing the most intense conflicts " relating to wider relationships: ' ideas of love are followed by ideas of hate, by jealousy and painful emotional conflict and by personal suffering;
Edit intent: fluency
Original:  p. 96 Once such primitive relations to the mother er have been at least partially resolved, ' in the age period two to five or seven, each normal infant is experiencing the most intense conflicts ' relating to wider relationships: ' ideas of love are followed by ideas of hate, by jealousy and painful emotional conflict and by personal suffering;
Revised:  p. 96 Once such primitive relations to the mother er have been at least partially resolved, ' in the age period two to five or seven, each normal infant is experiencing the most intense conflicts ' relating to wider relationships: " ideas of love are followed by ideas of hate, by jealousy and painful emotional conflict and by personal suffering;
Edit intent: fluency
Original:  and where conflict is too great there follows loss of full capacity, inhibitions...symptom formation ' .Winnicott, The Child p. 191 Defenses against emotional conflict include ' splitting and projection.
Revised:  and where conflict is too great there follows loss of full capacity, inhibitions...symptom formation " .Winnicott, The Child p. 191 Defenses against emotional conflict include ' splitting and projection.
Edit intent: fluency
Original:  and where conflict is too great there follows loss of full capacity, inhibitions...symptom formation ' .Winnicott, The Child p. 191 Defenses against emotional conflict include ' splitting and projection.
Revised:  and where conflict is too great there follows loss of full capacity, inhibitions...symptom formation ' .Winnicott, The Child p. 191 Defenses against emotional conflict include " splitting and projection.
Edit intent: fluency
Original:  They deal with intrapsychic conflict not by addressing it, but by sidestepping it ' .Michael Parsons, The Dove that Returns, the Dove that Vanishes (London 2000) p. 83 Displacement too can help resolve such conflicts: ' If an individual no longer feels threatened by his father but by a horse, he can avoid hating his father;
Revised:  They deal with intrapsychic conflict not by addressing it, but by sidestepping it " .Michael Parsons, The Dove that Returns, the Dove that Vanishes (London 2000) p. 83 Displacement too can help resolve such conflicts: ' If an individual no longer feels threatened by his father but by a horse, he can avoid hating his father;
Edit intent: fluency
Original:  They deal with intrapsychic conflict not by addressing it, but by sidestepping it ' .Michael Parsons, The Dove that Returns, the Dove that Vanishes (London 2000) p. 83 Displacement too can help resolve such conflicts: ' If an individual no longer feels threatened by his father but by a horse, he can avoid hating his father;
Revised:  They deal with intrapsychic conflict not by addressing it, but by sidestepping it ' .Michael Parsons, The Dove that Returns, the Dove that Vanishes (London 2000) p. 83 Displacement too can help resolve such conflicts: " If an individual no longer feels threatened by his father but by a horse, he can avoid hating his father;
Edit intent: fluency
Original:  is loved only, and the hatred is displaced onto the bad horse ' .Fenichel, p. 198 ' The physiology of nervous headaches still presents many unsolved problems ' , as in general do all such ' physical alterations...rooted in unconscious instinctual conflicts ' .Fenichel, p. 253 and p. 239 However physical discomfort or pain without apparent cause may be the way our body is telling us of an underlying emotional turmoil and anxiety, triggered by some recent event.
Revised:  is loved only, and the hatred is displaced onto the bad horse " .Fenichel, p. 198 ' The physiology of nervous headaches still presents many unsolved problems ' , as in general do all such ' physical alterations...rooted in unconscious instinctual conflicts ' .Fenichel, p. 253 and p. 239 However physical discomfort or pain without apparent cause may be the way our body is telling us of an underlying emotional turmoil and anxiety, triggered by some recent event.
Edit intent: fluency
Original:  is loved only, and the hatred is displaced onto the bad horse ' .Fenichel, p. 198 ' The physiology of nervous headaches still presents many unsolved problems ' , as in general do all such ' physical alterations...rooted in unconscious instinctual conflicts ' .Fenichel, p. 253 and p. 239 However physical discomfort or pain without apparent cause may be the way our body is telling us of an underlying emotional turmoil and anxiety, triggered by some recent event.
Revised:  is loved only, and the hatred is displaced onto the bad horse ' .Fenichel, p. 198 " The physiology of nervous headaches still presents many unsolved problems ' , as in general do all such ' physical alterations...rooted in unconscious instinctual conflicts ' .Fenichel, p. 253 and p. 239 However physical discomfort or pain without apparent cause may be the way our body is telling us of an underlying emotional turmoil and anxiety, triggered by some recent event.
Edit intent: fluency
Original:  is loved only, and the hatred is displaced onto the bad horse ' .Fenichel, p. 198 ' The physiology of nervous headaches still presents many unsolved problems ' , as in general do all such ' physical alterations...rooted in unconscious instinctual conflicts ' .Fenichel, p. 253 and p. 239 However physical discomfort or pain without apparent cause may be the way our body is telling us of an underlying emotional turmoil and anxiety, triggered by some recent event.
Revised:  is loved only, and the hatred is displaced onto the bad horse ' .Fenichel, p. 198 ' The physiology of nervous headaches still presents many unsolved problems " , as in general do all such ' physical alterations...rooted in unconscious instinctual conflicts ' .Fenichel, p. 253 and p. 239 However physical discomfort or pain without apparent cause may be the way our body is telling us of an underlying emotional turmoil and anxiety, triggered by some recent event.
Edit intent: fluency
Original:  is loved only, and the hatred is displaced onto the bad horse ' .Fenichel, p. 198 ' The physiology of nervous headaches still presents many unsolved problems ' , as in general do all such ' physical alterations...rooted in unconscious instinctual conflicts ' .Fenichel, p. 253 and p. 239 However physical discomfort or pain without apparent cause may be the way our body is telling us of an underlying emotional turmoil and anxiety, triggered by some recent event.
Revised:  is loved only, and the hatred is displaced onto the bad horse ' .Fenichel, p. 198 ' The physiology of nervous headaches still presents many unsolved problems ' , as in general do all such " physical alterations...rooted in unconscious instinctual conflicts ' .Fenichel, p. 253 and p. 239 However physical discomfort or pain without apparent cause may be the way our body is telling us of an underlying emotional turmoil and anxiety, triggered by some recent event.
Edit intent: fluency
Original:  is loved only, and the hatred is displaced onto the bad horse ' .Fenichel, p. 198 ' The physiology of nervous headaches still presents many unsolved problems ' , as in general do all such ' physical alterations...rooted in unconscious instinctual conflicts ' .Fenichel, p. 253 and p. 239 However physical discomfort or pain without apparent cause may be the way our body is telling us of an underlying emotional turmoil and anxiety, triggered by some recent event.
Revised:  is loved only, and the hatred is displaced onto the bad horse ' .Fenichel, p. 198 ' The physiology of nervous headaches still presents many unsolved problems ' , as in general do all such ' physical alterations...rooted in unconscious instinctual conflicts " .Fenichel, p. 253 and p. 239 However physical discomfort or pain without apparent cause may be the way our body is telling us of an underlying emotional turmoil and anxiety, triggered by some recent event.
Edit intent: fluency
Original:  Without consciously noticing it, she has heard the foghorn of a distant ship, and this has unconsciously reminded her of an unhappy parting ' .Jung, p. 22 With respect to the post-industrial age, 'LaBierwrites of "modern madness " [  , the hidden link between work and emotional conflict...feelings of self-betrayal, stress and burnout ' .Catherine Casey, Work, Self and Society (1995)
Revised:  Without consciously noticing it, she has heard the foghorn of a distant ship, and this has unconsciously reminded her of an unhappy parting " .Jung, p. 22 With respect to the post-industrial age, 'LaBierwrites of "modern madness " [ , the hidden link between work and emotional conflict...feelings of self-betrayal, stress and burnout ' .Catherine Casey, Work, Self and Society (1995)
Edit intent: fluency
Original:  Without consciously noticing it, she has heard the foghorn of a distant ship, and this has unconsciously reminded her of an unhappy parting ' .Jung, p. 22 With respect to the post-industrial age, 'LaBierwrites of "modern madness " [  , the hidden link between work and emotional conflict...feelings of self-betrayal, stress and burnout ' .Catherine Casey, Work, Self and Society (1995)
Revised:  Without consciously noticing it, she has heard the foghorn of a distant ship, and this has unconsciously reminded her of an unhappy parting ' .Jung, p. 22 With respect to the post-industrial age, " [ , the hidden link between work and emotional conflict...feelings of self-betrayal, stress and burnout ' .Catherine Casey, Work, Self and Society (1995)
Edit intent: coherence
Original:  Without consciously noticing it, she has heard the foghorn of a distant ship, and this has unconsciously reminded her of an unhappy parting ' .Jung, p. 22 With respect to the post-industrial age, 'LaBierwrites of "modern madness " [  , the hidden link between work and emotional conflict...feelings of self-betrayal, stress and burnout ' .Catherine Casey, Work, Self and Society (1995)
Revised:  Without consciously noticing it, she has heard the foghorn of a distant ship, and this has unconsciously reminded her of an unhappy parting ' .Jung, p. 22 With respect to the post-industrial age, 'LaBierwrites of "modern madness " [Douglas LaBier|LaBier , the hidden link between work and emotional conflict...feelings of self-betrayal, stress and burnout ' .Catherine Casey, Work, Self and Society (1995)
Edit intent: meaning-changed
Original:  Without consciously noticing it, she has heard the foghorn of a distant ship, and this has unconsciously reminded her of an unhappy parting ' .Jung, p. 22 With respect to the post-industrial age, 'LaBierwrites of "modern madness " [  , the hidden link between work and emotional conflict...feelings of self-betrayal, stress and burnout ' .Catherine Casey, Work, Self and Society (1995)
Revised:  Without consciously noticing it, she has heard the foghorn of a distant ship, and this has unconsciously reminded her of an unhappy parting ' .Jung, p. 22 With respect to the post-industrial age, 'LaBierwrites of "modern madness " [ writes of 'modern madness' , the hidden link between work and emotional conflict...feelings of self-betrayal, stress and burnout ' .Catherine Casey, Work, Self and Society (1995)
Edit intent: meaning-changed
Original:  Without consciously noticing it, she has heard the foghorn of a distant ship, and this has unconsciously reminded her of an unhappy parting ' .Jung, p. 22 With respect to the post-industrial age, 'LaBierwrites of "modern madness " [  , the hidden link between work and emotional conflict...feelings of self-betrayal, stress and burnout ' .Catherine Casey, Work, Self and Society (1995)
Revised:  Without consciously noticing it, she has heard the foghorn of a distant ship, and this has unconsciously reminded her of an unhappy parting ' .Jung, p. 22 With respect to the post-industrial age, 'LaBierwrites of "modern madness " [ , the hidden link between work and emotional conflict...feelings of self-betrayal, stress and burnout " .Catherine Casey, Work, Self and Society (1995)
Edit intent: fluency
Original:  p. 83 His ' idea, which gains momentum in the post-yuppie late eighties...concludes that real professional success without regret of emotional conflict requires insanity of one kind or another ' .Amalee Newitz, Pretend We're Dead (2002) p. 78 Advice on fiction writing emphasises the ' necessity of creating powerful, emotional conflicts ' in one's characters: ' characters create the emotional conflict and the action emerges from the characters ' .R. Ballon/R.
Revised:  p. 83 His " idea, which gains momentum in the post-yuppie late eighties...concludes that real professional success without regret of emotional conflict requires insanity of one kind or another ' .Amalee Newitz, Pretend We're Dead (2002) p. 78 Advice on fiction writing emphasises the ' necessity of creating powerful, emotional conflicts ' in one's characters: ' characters create the emotional conflict and the action emerges from the characters ' .R. Ballon/R.
Edit intent: fluency
Original:  p. 83 His ' idea, which gains momentum in the post-yuppie late eighties...concludes that real professional success without regret of emotional conflict requires insanity of one kind or another ' .Amalee Newitz, Pretend We're Dead (2002) p. 78 Advice on fiction writing emphasises the ' necessity of creating powerful, emotional conflicts ' in one's characters: ' characters create the emotional conflict and the action emerges from the characters ' .R. Ballon/R.
Revised:  p. 83 His ' idea, which gains momentum in the post-yuppie late eighties...concludes that real professional success without regret of emotional conflict requires insanity of one kind or another " .Amalee Newitz, Pretend We're Dead (2002) p. 78 Advice on fiction writing emphasises the ' necessity of creating powerful, emotional conflicts ' in one's characters: ' characters create the emotional conflict and the action emerges from the characters ' .R. Ballon/R.
Edit intent: fluency
Original:  p. 83 His ' idea, which gains momentum in the post-yuppie late eighties...concludes that real professional success without regret of emotional conflict requires insanity of one kind or another ' .Amalee Newitz, Pretend We're Dead (2002) p. 78 Advice on fiction writing emphasises the ' necessity of creating powerful, emotional conflicts ' in one's characters: ' characters create the emotional conflict and the action emerges from the characters ' .R. Ballon/R.
Revised:  p. 83 His ' idea, which gains momentum in the post-yuppie late eighties...concludes that real professional success without regret of emotional conflict requires insanity of one kind or another ' .Amalee Newitz, Pretend We're Dead (2002) p. 78 Advice on fiction writing emphasises the " necessity of creating powerful, emotional conflicts ' in one's characters: ' characters create the emotional conflict and the action emerges from the characters ' .R. Ballon/R.
Edit intent: fluency
Original:  p. 83 His ' idea, which gains momentum in the post-yuppie late eighties...concludes that real professional success without regret of emotional conflict requires insanity of one kind or another ' .Amalee Newitz, Pretend We're Dead (2002) p. 78 Advice on fiction writing emphasises the ' necessity of creating powerful, emotional conflicts ' in one's characters: ' characters create the emotional conflict and the action emerges from the characters ' .R. Ballon/R.
Revised:  p. 83 His ' idea, which gains momentum in the post-yuppie late eighties...concludes that real professional success without regret of emotional conflict requires insanity of one kind or another ' .Amalee Newitz, Pretend We're Dead (2002) p. 78 Advice on fiction writing emphasises the ' necessity of creating powerful, emotional conflicts " in one's characters: ' characters create the emotional conflict and the action emerges from the characters ' .R. Ballon/R.
Edit intent: fluency
Original:  p. 83 His ' idea, which gains momentum in the post-yuppie late eighties...concludes that real professional success without regret of emotional conflict requires insanity of one kind or another ' .Amalee Newitz, Pretend We're Dead (2002) p. 78 Advice on fiction writing emphasises the ' necessity of creating powerful, emotional conflicts ' in one's characters: ' characters create the emotional conflict and the action emerges from the characters ' .R. Ballon/R.
Revised:  p. 83 His ' idea, which gains momentum in the post-yuppie late eighties...concludes that real professional success without regret of emotional conflict requires insanity of one kind or another ' .Amalee Newitz, Pretend We're Dead (2002) p. 78 Advice on fiction writing emphasises the ' necessity of creating powerful, emotional conflicts ' in one's characters: " characters create the emotional conflict and the action emerges from the characters ' .R. Ballon/R.
Edit intent: fluency
Original:  p. 83 His ' idea, which gains momentum in the post-yuppie late eighties...concludes that real professional success without regret of emotional conflict requires insanity of one kind or another ' .Amalee Newitz, Pretend We're Dead (2002) p. 78 Advice on fiction writing emphasises the ' necessity of creating powerful, emotional conflicts ' in one's characters: ' characters create the emotional conflict and the action emerges from the characters ' .R. Ballon/R.
Revised:  p. 83 His ' idea, which gains momentum in the post-yuppie late eighties...concludes that real professional success without regret of emotional conflict requires insanity of one kind or another ' .Amalee Newitz, Pretend We're Dead (2002) p. 78 Advice on fiction writing emphasises the ' necessity of creating powerful, emotional conflicts ' in one's characters: ' characters create the emotional conflict and the action emerges from the characters " .R. Ballon/R.
Edit intent: fluency
Original:  p. 131 and p. 119 Shakespeare's sonnets have been described as ' implying an awareness of the possible range of human feelings, of the existence of complex and even contradictory attitudes to a single emotion ' Derek Traversi, in Boris Ford ed., The Age of Shakespeare (Penguin 1973)
Revised:  p. 131 and p. 119 Shakespeare's sonnets have been described as " implying an awareness of the possible range of human feelings, of the existence of complex and even contradictory attitudes to a single emotion ' Derek Traversi, in Boris Ford ed., The Age of Shakespeare (Penguin 1973)
Edit intent: fluency
Original:  p. 131 and p. 119 Shakespeare's sonnets have been described as ' implying an awareness of the possible range of human feelings, of the existence of complex and even contradictory attitudes to a single emotion ' Derek Traversi, in Boris Ford ed., The Age of Shakespeare (Penguin 1973)
Revised:  p. 131 and p. 119 Shakespeare's sonnets have been described as ' implying an awareness of the possible range of human feelings, of the existence of complex and even contradictory attitudes to a single emotion " Derek Traversi, in Boris Ford ed., The Age of Shakespeare (Penguin 1973)
Edit intent: fluency
Original:  p. 187 For Picasso ' the presence of death is always coincident with the taste for life...the superb violence of these emotional transports have led some people to call his work expressionist ' .Gaston Diehl, Picasso (Milan nd) p. 76 and p. 81 Further reading '' Modern Madness", Douglas LaBier : The Hidden Link Between Work and Emotional Conflict
Revised:  p. 187 For Picasso " the presence of death is always coincident with the taste for life...the superb violence of these emotional transports have led some people to call his work expressionist ' .Gaston Diehl, Picasso (Milan nd) p. 76 and p. 81 Further reading '' Modern Madness", Douglas LaBier : The Hidden Link Between Work and Emotional Conflict
Edit intent: fluency