wanyu/IteraTeR_full_sent huggingface dataset:
Original:  Race, religion and culture often go together hand in hand, which is why these factors do affect different consumer's buying decisions .) . A lot of consumers from Arab nations are Muslim, therefore an advertising campaign trying to sell a pork based product in one of these nations would be highly unsuccessful.
Revised:  Race, religion and culture often go together hand in hand, which is why these factors do affect different consumer's buying decisions . A lot of consumers from Arab nations are Muslim, therefore an advertising campaign trying to sell a pork based product in one of these nations would be highly unsuccessful.
Edit intent: fluency
Original:  The play was written at a time when the British government was attempting to promote recruitment in Ireland, while many Irish republicans expressed opposition to a war to defend the British Empire .  Plot Dennis O'Flaherty, winner of the Victoria Cross for his outstanding bravery, has returned home to his local village to take part in a recruitment campaign.
Revised:  The play was written at a time when the British government was promoting recruitment in Ireland, while many Irish republicans expressed opposition to a war to defend the British Empire . Plot Dennis O'Flaherty, winner of the Victoria Cross for his outstanding bravery, has returned home to his local village to take part in a recruitment campaign.
Edit intent: clarity
Original:  The play was written at a time when the British government was attempting to promote recruitment in Ireland, while many Irish republicans expressed opposition to a war to defend the British Empire .  Plot Dennis O'Flaherty, winner of the Victoria Cross for his outstanding bravery, has returned home to his local village to take part in a recruitment campaign.
Revised:  The play was written at a time when the British government was attempting to promote recruitment in Ireland, while many Irish republicans expressed opposition to fighting for Britain while being denied Home Rule . Plot Dennis O'Flaherty, winner of the Victoria Cross for his outstanding bravery, has returned home to his local village to take part in a recruitment campaign.
Edit intent: meaning-changed
Original:  The play was written at a time when the British government was attempting to promote recruitment in Ireland, while many Irish republicans expressed opposition to a war to defend the British Empire .  Plot Dennis O'Flaherty, winner of the Victoria Cross for his outstanding bravery, has returned home to his local village to take part in a recruitment campaign.
Revised:  The play was written at a time when the British government was attempting to promote recruitment in Ireland, while many Irish republicans expressed opposition to a war to defend the British Empire . Preface In the preface Shaw argues that most soldiers do not enlist for patriotic reasons, but through a desire for adventure, or to get away from a restricted life. This is especially true of the Irish, since an Irishman's hopes and opportunities depend on "getting out of Ireland". He adds that recruitment was nevertheless at a low ebb in 1915, as it had been "badly bungled... The Irish were for the most part Roman Catholics and loyal Irishmen, which means that from the English point of view they were heretics and rebels." Shaw said that he gave his character a self-serving girlfriend and a harridan of a mother ("a Volumnia of the potato-patch") in order to emphasise the kind of poverty and poor quality of life from which poor youths fled to join up.Shaw, Bernard, Complete Plays: With Prefaces, Volume: 5., "Dodd, Mead", New York, 1963, p. 127. Plot Dennis O'Flaherty, winner of the Victoria Cross for his outstanding bravery, has returned home to his local village to take part in a recruitment campaign.
Edit intent: meaning-changed
Original:  General Madigan sympathises, commenting, "Do you think that we should have got an army without conscription if domestic life had been as happy as people say it is?" Preface In the preface Shaw argues that most soldiers do not enlist for patriotic reasons, but through a desire for adventure, or to get away from a restricted life. This is especially true of the Irish, since an Irishman's hopes and opportunities depend on "getting out of Ireland". He adds that recruitment was nevertheless at a low ebb in 1915, as it had been "badly bungled... The Irish were for the most part Roman Catholics and loyal Irishmen, which means that from the English point of view they were heretics and rebels." Shaw said that he gave his character a self-serving girlfriend and a harridan of a mother ("a Volumnia of the potato-patch") in order to emphasise the kind of petty oppression from which poor youths fled to join up.Shaw, Bernard, Complete Plays: With Prefaces, Volume: 5., "Dodd, Mead", New York, 1963, p. 127.
Revised:  General Madigan sympathises, commenting, "Do you think that we should have got an army without conscription if domestic life had been as happy as people say it is?" 
Edit intent: meaning-changed
Original:   In contrast, linear could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic  rather than impulsive  use of color.
Revised:  The Impressionists, Fauvists and the Abstract Expressionists tended strongly to be painterly. In contrast, linear could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic rather than impulsive use of color.
Edit intent: meaning-changed
Original:   In contrast, linear could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic  rather than impulsive  use of color.
Revised:  In contrast, linear could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic ( rather than impulsive use of color.
Edit intent: fluency
Original:   In contrast, linear could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic  rather than impulsive  use of color.
Revised:  In contrast, linear could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic rather than impulsive ) use of color.
Edit intent: fluency
Original:  Painterly art often makes use of the many visual effects produced by paint on canvas  such as chromatic progression, warm and cool tones, complementary and contrasting colors, broken tones, broad brushstrokes, sketchiness, and impasto.
Revised:  Painterly art often makes use of the many visual effects produced by paint on canvas , such as chromatic progression, warm and cool tones, complementary and contrasting colors, broken tones, broad brushstrokes, sketchiness, and impasto.
Edit intent: fluency
Original:  In contrast, linear  could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic (rather than impulsive) use of color.
Revised:  Painterly art often makes use of the many visual effects produced by paint on canvas, such as chromatic progression, warm and cool tones, complementary and contrasting colors, broken tones, broad brushstrokes, sketchiness, and impasto. could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic (rather than impulsive) use of color.
Edit intent: meaning-changed
Original:  In contrast, linear  could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic (rather than impulsive) use of color.
Revised:  In contrast, linear Linear art The opposite of painterly is linear, plastic or formal linear design.For further clarification of the meaning of malerisch read Francis Bacon: Logic of Sensation by Gilles Deleuze. Linear could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic (rather than impulsive) use of color.
Edit intent: meaning-changed
Original:  Contour and pattern are more the province of linear artists, while dynamism is the most common painterly trait . Painterly art often makes use of the many visual effects produced by paint on canvas, such as chromatic progression, warm and cool tones, complementary and contrasting colors, broken tones, broad brushstrokes, sketchiness, and impasto .
Revised:  Contour and pattern are more the province of linear artists, while dynamism is the most common painterly trait Painterly art often makes use of the many visual effects produced by paint on canvas, such as chromatic progression, warm and cool tones, complementary and contrasting colors, broken tones, broad brushstrokes, sketchiness, and impasto .
Edit intent: fluency
Original:  Contour and pattern are more the province of linear artists, while dynamism is the most common painterly trait . Painterly art often makes use of the many visual effects produced by paint on canvas, such as chromatic progression, warm and cool tones, complementary and contrasting colors, broken tones, broad brushstrokes, sketchiness, and impasto .
Revised:  Contour and pattern are more the province of linear artists, while dynamism is the most common painterly trait . .
Edit intent: coherence
Original:  The  application of the term painterly outside of painting may help the viewer or listener experience more deeply the significance of Auguste Rodin's surfaces or Richard Strauss's flow of chromatic harmonies.
Revised:  The term may even extend to music. The application of the term painterly outside of painting may help the viewer or listener experience more deeply the significance of Auguste Rodin's surfaces or Richard Strauss's flow of chromatic harmonies.
Edit intent: meaning-changed
Original:   " Painterly " is used to describe computer software, especially mobile apps, designed to create special effects on photographs, mimicking recognizably artistic styles such as oils, watercolors, Japanese woodcuts, etc., or based on  styles like van Gogh or Monet, and so on.
Revised:  More recently, " Painterly " is used to describe computer software, especially mobile apps, designed to create special effects on photographs, mimicking recognizably artistic styles such as oils, watercolors, Japanese woodcuts, etc., or based on styles like van Gogh or Monet, and so on.
Edit intent: coherence
Original:   " Painterly " is used to describe computer software, especially mobile apps, designed to create special effects on photographs, mimicking recognizably artistic styles such as oils, watercolors, Japanese woodcuts, etc., or based on  styles like van Gogh or Monet, and so on.
Revised:  " painterly " is used to describe computer software, especially mobile apps, designed to create special effects on photographs, mimicking recognizably artistic styles such as oils, watercolors, Japanese woodcuts, etc., or based on styles like van Gogh or Monet, and so on.
Edit intent: fluency
Original:   " Painterly " is used to describe computer software, especially mobile apps, designed to create special effects on photographs, mimicking recognizably artistic styles such as oils, watercolors, Japanese woodcuts, etc., or based on  styles like van Gogh or Monet, and so on.
Revised:  " Painterly " is used to describe computer software, especially mobile apps, designed to create special effects on photographs, mimicking recognizable artistic media such as oils, watercolors, Japanese woodcuts, etc., or based on styles like van Gogh or Monet, and so on.
Edit intent: clarity
Original:   " Painterly " is used to describe computer software, especially mobile apps, designed to create special effects on photographs, mimicking recognizably artistic styles such as oils, watercolors, Japanese woodcuts, etc., or based on  styles like van Gogh or Monet, and so on.
Revised:  " Painterly " is used to describe computer software, especially mobile apps, designed to create special effects on photographs, mimicking recognizably artistic styles such as oils, watercolors, Japanese woodcuts, etc., or based on individual styles like van Gogh or Monet, and so on.
Edit intent: meaning-changed
Original:   " Painterly " is used to describe computer software, especially mobile apps, designed to create special effects on photographs, mimicking recognizably artistic styles such as oils, watercolors, Japanese woodcuts, etc., or based on  styles like van Gogh or Monet, and so on.
Revised:  " Painterly " is used to describe computer software, especially mobile apps, designed to create special effects on photographs, mimicking recognizably artistic styles such as oils, watercolors, Japanese woodcuts, etc., or based on styles like van Gogh , Monet, and so on.
Edit intent: fluency
Original: successful claim madeBaron of BenuarratGrand Master Ramón Despuig30 April 1878Baron of BudakGrand Master Ramón PerellósBaron of BulebenGrand Master Emmanuel de RohanMarquis Cassar de Sain1749Grand Master Manuel Pinto da Fonseca18 May 1883Count Ciantar-PaleologoGrand Master Marc'Antonio Zondadari30 April 1878Count della Bahria No claim made since the count and his family died in the 1908 Messina earthquakeCount della CatenaGrand Master Manuel Pinto da FonsecaThe 6th Count,
Revised: successful claim made, extinct todayBaron of BenuarratGrand Master Ramón Despuig30 April 1878Baron of BudakGrand Master Ramón PerellósBaron of BulebenGrand Master Emmanuel de RohanMarquis Cassar de Sain1749Grand Master Manuel Pinto da Fonseca18 May 1883Count Ciantar-PaleologoGrand Master Marc'Antonio Zondadari30 April 1878Count della Bahria No claim made since the count and his family died in the 1908 Messina earthquakeCount della CatenaGrand Master Manuel Pinto da FonsecaThe 6th Count,
Edit intent: meaning-changed
Original: successful claim madeBaron of BenuarratGrand Master Ramón Despuig30 April 1878Baron of BudakGrand Master Ramón PerellósBaron of BulebenGrand Master Emmanuel de RohanMarquis Cassar de Sain1749Grand Master Manuel Pinto da Fonseca18 May 1883Count Ciantar-PaleologoGrand Master Marc'Antonio Zondadari30 April 1878Count della Bahria No claim made since the count and his family died in the 1908 Messina earthquakeCount della CatenaGrand Master Manuel Pinto da FonsecaThe 6th Count,
Revised: successful claim madeBaron of BenuarratGrand Master Ramón Despuig30 April 1878Attard Montalto familyBaron of BudakGrand Master Ramón PerellósBaron of BulebenGrand Master Emmanuel de RohanMarquis Cassar de Sain1749Grand Master Manuel Pinto da Fonseca18 May 1883Count Ciantar-PaleologoGrand Master Marc'Antonio Zondadari30 April 1878Count della Bahria No claim made since the count and his family died in the 1908 Messina earthquakeCount della CatenaGrand Master Manuel Pinto da FonsecaThe 6th Count,
Edit intent: clarity
Original: successful claim madeBaron of BenuarratGrand Master Ramón Despuig30 April 1878Baron of BudakGrand Master Ramón PerellósBaron of BulebenGrand Master Emmanuel de RohanMarquis Cassar de Sain1749Grand Master Manuel Pinto da Fonseca18 May 1883Count Ciantar-PaleologoGrand Master Marc'Antonio Zondadari30 April 1878Count della Bahria No claim made since the count and his family died in the 1908 Messina earthquakeCount della CatenaGrand Master Manuel Pinto da FonsecaThe 6th Count,
Revised: successful claim madeBaron of BenuarratGrand Master Ramón Despuig30 April 1878Baron of BudakGrand Master Ramón Perellósde Piro familyBaron of BulebenGrand Master Emmanuel de RohanMarquis Cassar de Sain1749Grand Master Manuel Pinto da Fonseca18 May 1883Count Ciantar-PaleologoGrand Master Marc'Antonio Zondadari30 April 1878Count della Bahria No claim made since the count and his family died in the 1908 Messina earthquakeCount della CatenaGrand Master Manuel Pinto da FonsecaThe 6th Count,
Edit intent: clarity
Original: successful claim madeBaron of BenuarratGrand Master Ramón Despuig30 April 1878Baron of BudakGrand Master Ramón PerellósBaron of BulebenGrand Master Emmanuel de RohanMarquis Cassar de Sain1749Grand Master Manuel Pinto da Fonseca18 May 1883Count Ciantar-PaleologoGrand Master Marc'Antonio Zondadari30 April 1878Count della Bahria No claim made since the count and his family died in the 1908 Messina earthquakeCount della CatenaGrand Master Manuel Pinto da FonsecaThe 6th Count,
Revised: successful claim madeBaron of BenuarratGrand Master Ramón Despuig30 April 1878Baron of BudakGrand Master Ramón PerellósBaron of BulebenGrand Master Emmanuel de RohanManduca Azopardi familyMarquis Cassar de Sain1749Grand Master Manuel Pinto da Fonseca18 May 1883Count Ciantar-PaleologoGrand Master Marc'Antonio Zondadari30 April 1878Count della Bahria No claim made since the count and his family died in the 1908 Messina earthquakeCount della CatenaGrand Master Manuel Pinto da FonsecaThe 6th Count,
Edit intent: meaning-changed
Original: successful claim madeBaron of BenuarratGrand Master Ramón Despuig30 April 1878Baron of BudakGrand Master Ramón PerellósBaron of BulebenGrand Master Emmanuel de RohanMarquis Cassar de Sain1749Grand Master Manuel Pinto da Fonseca18 May 1883Count Ciantar-PaleologoGrand Master Marc'Antonio Zondadari30 April 1878Count della Bahria No claim made since the count and his family died in the 1908 Messina earthquakeCount della CatenaGrand Master Manuel Pinto da FonsecaThe 6th Count,
Revised: successful claim madeBaron of BenuarratGrand Master Ramón Despuig30 April 1878Baron of BudakGrand Master Ramón PerellósBaron of BulebenGrand Master Emmanuel de RohanMarquis Cassar de Sain1749Grand Master Manuel Pinto da Fonseca18 May 1883Cassar Desain familyCount Ciantar-PaleologoGrand Master Marc'Antonio Zondadari30 April 1878Count della Bahria No claim made since the count and his family died in the 1908 Messina earthquakeCount della CatenaGrand Master Manuel Pinto da FonsecaThe 6th Count,
Edit intent: clarity
Original: successful claim madeBaron of BenuarratGrand Master Ramón Despuig30 April 1878Baron of BudakGrand Master Ramón PerellósBaron of BulebenGrand Master Emmanuel de RohanMarquis Cassar de Sain1749Grand Master Manuel Pinto da Fonseca18 May 1883Count Ciantar-PaleologoGrand Master Marc'Antonio Zondadari30 April 1878Count della Bahria No claim made since the count and his family died in the 1908 Messina earthquakeCount della CatenaGrand Master Manuel Pinto da FonsecaThe 6th Count,
Revised: successful claim madeBaron of BenuarratGrand Master Ramón Despuig30 April 1878Baron of BudakGrand Master Ramón PerellósBaron of BulebenGrand Master Emmanuel de RohanMarquis Cassar de Sain1749Grand Master Manuel Pinto da Fonseca18 May 1883Count Ciantar-PaleologoGrand Master Marc'Antonio Zondadari30 April 1878Chapelle Paleologo familyCount della Bahria No claim made since the count and his family died in the 1908 Messina earthquakeCount della CatenaGrand Master Manuel Pinto da FonsecaThe 6th Count,
Edit intent: meaning-changed
Original: successful claim madeBaron of BenuarratGrand Master Ramón Despuig30 April 1878Baron of BudakGrand Master Ramón PerellósBaron of BulebenGrand Master Emmanuel de RohanMarquis Cassar de Sain1749Grand Master Manuel Pinto da Fonseca18 May 1883Count Ciantar-PaleologoGrand Master Marc'Antonio Zondadari30 April 1878Count della Bahria No claim made since the count and his family died in the 1908 Messina earthquakeCount della CatenaGrand Master Manuel Pinto da FonsecaThe 6th Count,
Revised: successful claim madeBaron of BenuarratGrand Master Ramón Despuig30 April 1878Baron of BudakGrand Master Ramón PerellósBaron of BulebenGrand Master Emmanuel de RohanMarquis Cassar de Sain1749Grand Master Manuel Pinto da Fonseca18 May 1883Count Ciantar-PaleologoGrand Master Marc'Antonio Zondadari30 April 1878Count della Bahria No claim made since the count and his family died in the 1908 Messina earthquake held till the 1990's., then sold to a company.Count della CatenaGrand Master Manuel Pinto da FonsecaThe 6th Count,
Edit intent: meaning-changed
Original:  was Prime Minister of Malta from 1927 to 1932Baron della GruaGrand Master Emmanuel de RohanCount della Senia No successful claim madeMarquis della TafliaGrand Master Emmanuel de RohanBaron of Diar-il-BnietKing Louis of SicilyPremier Noble of MaltaBaron of Bukana Held with the barony of Diar-il-Bniet from 1404Baron of Castel Cicciano1560King Philip II of Spain,
Revised:  was Prime Minister of Malta from 1927 to 1932, today held by Hornyold Strickland familyBaron della GruaGrand Master Emmanuel de RohanCount della Senia No successful claim madeMarquis della TafliaGrand Master Emmanuel de RohanBaron of Diar-il-BnietKing Louis of SicilyPremier Noble of MaltaBaron of Bukana Held with the barony of Diar-il-Bniet from 1404Baron of Castel Cicciano1560King Philip II of Spain,
Edit intent: meaning-changed
Original:  was Prime Minister of Malta from 1927 to 1932Baron della GruaGrand Master Emmanuel de RohanCount della Senia No successful claim madeMarquis della TafliaGrand Master Emmanuel de RohanBaron of Diar-il-BnietKing Louis of SicilyPremier Noble of MaltaBaron of Bukana Held with the barony of Diar-il-Bniet from 1404Baron of Castel Cicciano1560King Philip II of Spain,
Revised:  was Prime Minister of Malta from 1927 to 1932Baron della GruaGrand Master Emmanuel de RohanBorg Carbott familyCount della Senia No successful claim madeMarquis della TafliaGrand Master Emmanuel de RohanBaron of Diar-il-BnietKing Louis of SicilyPremier Noble of MaltaBaron of Bukana Held with the barony of Diar-il-Bniet from 1404Baron of Castel Cicciano1560King Philip II of Spain,
Edit intent: meaning-changed
Original:  was Prime Minister of Malta from 1927 to 1932Baron della GruaGrand Master Emmanuel de RohanCount della Senia No successful claim madeMarquis della TafliaGrand Master Emmanuel de RohanBaron of Diar-il-BnietKing Louis of SicilyPremier Noble of MaltaBaron of Bukana Held with the barony of Diar-il-Bniet from 1404Baron of Castel Cicciano1560King Philip II of Spain,
Revised:  was Prime Minister of Malta from 1927 to 1932Baron della GruaGrand Master Emmanuel de RohanCount della Senia No successful claim made till the 1990's now by Donnat Fontani familyMarquis della TafliaGrand Master Emmanuel de RohanBaron of Diar-il-BnietKing Louis of SicilyPremier Noble of MaltaBaron of Bukana Held with the barony of Diar-il-Bniet from 1404Baron of Castel Cicciano1560King Philip II of Spain,
Edit intent: meaning-changed