wanyu/IteraTeR_full_sent huggingface dataset:
Original: Since the big petroglyphed stone encrypted with concentric circles found in Uluibau Moturiki resembled the 200 billion yrs--600 billion years(Eye of Sahara)found in Mauritania N.W Africa.
Revised: Since the big petroglyphed stone encrypted with concentric circles found on Korobaba, Uluibau Moturiki resembled the 200 billion yrs--600 billion years(Eye of Sahara)found in Mauritania N.W Africa.
Edit intent: meaning-changed
Original: Among the works of this period are the series South Africa (1980), Apocalyptic Riders (1980), DreamVision (1980–81), Lebanon (1982–83), Apocalypse (1984), Warring Wings (1984–85), Othello (1985), the Cluster Paintings (1986– 88 ), Leaves from the Theatre of War (1980s), The Dance of Salome (1988), America 500 Years (1989– 91 ), Kuwait 1990–91, Living Memory (1993–94), Bosnia (1995–96), Portraits (1997– 99 ), Iraq (2004– 06 ).
Revised: Among the works of this period are the series South Africa (1980), Apocalyptic Riders (1980), DreamVision (1980–81), Lebanon (1982–83), Apocalypse (1984), Warring Wings (1984–85), Othello (1985), the Cluster Paintings (1986– 1988 ), Leaves from the Theatre of War (1980s), The Dance of Salome (1988), America 500 Years (1989– 91 ), Kuwait 1990–91, Living Memory (1993–94), Bosnia (1995–96), Portraits (1997– 99 ), Iraq (2004– 06 ).
Edit intent: fluency
Original: Among the works of this period are the series South Africa (1980), Apocalyptic Riders (1980), DreamVision (1980–81), Lebanon (1982–83), Apocalypse (1984), Warring Wings (1984–85), Othello (1985), the Cluster Paintings (1986– 88 ), Leaves from the Theatre of War (1980s), The Dance of Salome (1988), America 500 Years (1989– 91 ), Kuwait 1990–91, Living Memory (1993–94), Bosnia (1995–96), Portraits (1997– 99 ), Iraq (2004– 06 ).
Revised: Among the works of this period are the series South Africa (1980), Apocalyptic Riders (1980), DreamVision (1980–81), Lebanon (1982–83), Apocalypse (1984), Warring Wings (1984–85), Othello (1985), the Cluster Paintings (1986– 88 ), Leaves from the Theatre of War (1980s), The Dance of Salome (1988), America 500 Years (1989– 1991 ), Kuwait 1990–91, Living Memory (1993–94), Bosnia (1995–96), Portraits (1997– 99 ), Iraq (2004– 06 ).
Edit intent: fluency
Original: Among the works of this period are the series South Africa (1980), Apocalyptic Riders (1980), DreamVision (1980–81), Lebanon (1982–83), Apocalypse (1984), Warring Wings (1984–85), Othello (1985), the Cluster Paintings (1986– 88 ), Leaves from the Theatre of War (1980s), The Dance of Salome (1988), America 500 Years (1989– 91 ), Kuwait 1990–91, Living Memory (1993–94), Bosnia (1995–96), Portraits (1997– 99 ), Iraq (2004– 06 ).
Revised: Among the works of this period are the series South Africa (1980), Apocalyptic Riders (1980), DreamVision (1980–81), Lebanon (1982–83), Apocalypse (1984), Warring Wings (1984–85), Othello (1985), the Cluster Paintings (1986– 88 ), Leaves from the Theatre of War (1980s), The Dance of Salome (1988), America 500 Years (1989– 91 ), Kuwait 1990–91, Living Memory (1993–94), Bosnia (1995–96), Portraits (1997– 1999 ), Iraq (2004– 06 ).
Edit intent: fluency
Original: Among the works of this period are the series South Africa (1980), Apocalyptic Riders (1980), DreamVision (1980–81), Lebanon (1982–83), Apocalypse (1984), Warring Wings (1984–85), Othello (1985), the Cluster Paintings (1986– 88 ), Leaves from the Theatre of War (1980s), The Dance of Salome (1988), America 500 Years (1989– 91 ), Kuwait 1990–91, Living Memory (1993–94), Bosnia (1995–96), Portraits (1997– 99 ), Iraq (2004– 06 ).
Revised: Among the works of this period are the series South Africa (1980), Apocalyptic Riders (1980), DreamVision (1980–81), Lebanon (1982–83), Apocalypse (1984), Warring Wings (1984–85), Othello (1985), the Cluster Paintings (1986– 88 ), Leaves from the Theatre of War (1980s), The Dance of Salome (1988), America 500 Years (1989– 91 ), Kuwait 1990–91, Living Memory (1993–94), Bosnia (1995–96), Portraits (1997– 99 ), Iraq (2004– 2006 ).
Edit intent: fluency
Original:  ( The other two are Black-a-Tor Copse on the West Okement at SX565892 and Piles Copse on the River Erme at SX644620. ) Geography It lies at an altitude of 380–410 metres in the valley of the West Dart River near Two Bridges, at grid reference SX612774.
Revised:  The other two are Black-a-Tor Copse on the West Okement at SX565892 and Piles Copse on the River Erme at SX644620. ) Geography It lies at an altitude of 380–410 metres in the valley of the West Dart River near Two Bridges, at grid reference SX612774.
Edit intent: fluency
Original:  ( The other two are Black-a-Tor Copse on the West Okement at SX565892 and Piles Copse on the River Erme at SX644620. ) Geography It lies at an altitude of 380–410 metres in the valley of the West Dart River near Two Bridges, at grid reference SX612774.
Revised:  ( The other two are Black-a-Tor Copse on the West Okement at SX565892 and Piles Copse on the River Erme at SX644620. Geography It lies at an altitude of 380–410 metres in the valley of the West Dart River near Two Bridges, at grid reference SX612774.
Edit intent: fluency
Original:  ( The other two are Black-a-Tor Copse on the West Okement at SX565892 and Piles Copse on the River Erme at SX644620. ) Geography It lies at an altitude of 380–410 metres in the valley of the West Dart River near Two Bridges, at grid reference SX612774.
Revised:  ( The other two are Black-a-Tor Copse on the West Okement at SX565892 and Piles Copse on the River Erme at SX644620. ) Geography The wood lies at an altitude of 380–410 metres in the valley of the West Dart River near Two Bridges, at grid reference SX612774.
Edit intent: clarity
Original:  There is no active management, but many people visit the site on foot (mostly accessing the southern end of South Wood), and cattle and sheep have free access where the terrain permits, outside of a small fenced exclosure in South Wood.
Revised:  The wood has no active management, but many people visit the site on foot (mostly accessing the southern end of South Wood), and cattle and sheep have free access where the terrain permits, outside of a small fenced exclosure in South Wood.
Edit intent: clarity
Original:  It is likely to be a left-over from the ancient forest that covered much of Dartmoor c. 7000 BC , before Mesolithic hunter/gatherers cleared it around 5000 BC . Photographic and other records show that Wistman's Wood has changed considerably since the mid-19th century;
Revised:  It is likely to be a left-over from the ancient forest that covered much of Dartmoor c. 7000 BCE , before Mesolithic hunter/gatherers cleared it around 5000 BC . Photographic and other records show that Wistman's Wood has changed considerably since the mid-19th century;
Edit intent: fluency
Original:  It is likely to be a left-over from the ancient forest that covered much of Dartmoor c. 7000 BC , before Mesolithic hunter/gatherers cleared it around 5000 BC . Photographic and other records show that Wistman's Wood has changed considerably since the mid-19th century;
Revised:  It is likely to be a left-over from the ancient forest that covered much of Dartmoor c. 7000 BC , before Mesolithic hunter/gatherers cleared it around 5000 BCE . Photographic and other records show that Wistman's Wood has changed considerably since the mid-19th century;
Edit intent: fluency
Original:  Horses may be described as winning by several lengths, as in the notable example of Secretariat, who won the  Belmont Stakes by 31 lengths (). More often, winning distances are merely a fraction of a length, such as half a length.
Revised:  Horses may be described as winning by several lengths, as in the notable example of Secretariat, who won the 1973 Belmont Stakes by 31 lengths (). More often, winning distances are merely a fraction of a length, such as half a length.
Edit intent: meaning-changed
Original:  Horses may be described as winning by several lengths, as in the notable example of Secretariat, who won the  Belmont Stakes by 31 lengths (). More often, winning distances are merely a fraction of a length, such as half a length.
Revised:  Horses may be described as winning by several lengths, as in the notable example of Secretariat, who won the Belmont Stakes by 31 lengths . In 2013, the New York Racing Association placed a blue-and-white checkered pole at Belmont Park to mark that winning margin; using Equibase's official measurement of a length——the pole was placed from the finish line. More often, winning distances are merely a fraction of a length, such as half a length.
Edit intent: meaning-changed
Original: In biomedical engineering, neuromuscular diagnostics involve the detection of neuromuscular disorders . Electromyography is often employed in neuromuscular diagnostics.  
Revised: In biomedical engineering, neuromuscular diagnostics involve the detection of neuromuscular disorders . Electromyography is often employed in neuromuscular diagnostics. Electromyography Evoked potential Muscle biopsy Nerve biopsy 
Edit intent: meaning-changed
Original:  Early theorists  Edward Burnett Tylor (1832-1917) and Herbert Spencer (1820-1903) emphasised the concept of animism, while archaeologist John Lubbock (1834-1913) used the term "fetishism".
Revised:  Early theorists such as Edward Burnett Tylor (1832-1917) and Herbert Spencer (1820-1903) emphasised the concept of animism, while archaeologist John Lubbock (1834-1913) used the term "fetishism".
Edit intent: clarity
Original:  Meanwhile,  religious scholar Max Müller (1823-1900) theorized that religion began in hedonism and  folklorist Wilhelm Mannhardt (1831-1880) suggested that religion began in "naturalism" – by which he meant mythological explanation of natural events.
Revised:  Meanwhile, the religious scholar Max Müller (1823-1900) theorized that religion began in hedonism and folklorist Wilhelm Mannhardt (1831-1880) suggested that religion began in "naturalism" – by which he meant mythological explanation of natural events.
Edit intent: fluency
Original:  Meanwhile,  religious scholar Max Müller (1823-1900) theorized that religion began in hedonism and  folklorist Wilhelm Mannhardt (1831-1880) suggested that religion began in "naturalism" – by which he meant mythological explanation of natural events.
Revised:  Meanwhile, religious scholar Max Müller (1823-1900) theorized that religion began in hedonism and the folklorist Wilhelm Mannhardt (1831-1880) suggested that religion began in "naturalism" – by which he meant mythological explanation of natural events.
Edit intent: fluency
Original:  Meanwhile,  religious scholar Max Müller (1823-1900) theorized that religion began in hedonism and  folklorist Wilhelm Mannhardt (1831-1880) suggested that religion began in "naturalism" – by which he meant mythological explanation of natural events.
Revised:  Meanwhile, religious scholar Max Müller (1823-1900) theorized that religion began in hedonism and folklorist Wilhelm Mannhardt (1831-1880) suggested that religion began in "naturalism" – by which he meant mythological explanations for natural events.
Edit intent: fluency
Original:  Academic papers in PDF format can be uploaded directly to the SSRN site by authors and may then be available for URL As of 2019, download by users is generally subject to registration or completion of a ReCAPTCHA challenge and therefore SSRN is not considered by some to be a suitable open access location, unlike open archives like most institutional repositories.
Revised:  Academic papers in PDF can be uploaded directly to the SSRN site by authors and may then be available for URL As of 2019, download by users is generally subject to registration or completion of a ReCAPTCHA challenge and therefore SSRN is not considered by some to be a suitable open access location, unlike open archives like most institutional repositories.
Edit intent: clarity
Original: While Bakhtin does make reference to proto-novels in antiquity, he dates the rise of the modern novel with the Renaissance and suggests that it developed then precisely because of a new temporal perspective: man had become conscious of the present not only as a continuation of the past, but also as a ‘heroic and new beginning’.
Revised: While Bakhtin does make reference to proto-novels in antiquity, he places the rise of the modern novel with the Renaissance and suggests that it developed then precisely because of a new temporal perspective: man had become conscious of the present not only as a continuation of the past, but also as a ‘heroic and new beginning’.
Edit intent: clarity
Original: While Bakhtin does make reference to proto-novels in antiquity, he dates the rise of the modern novel with the Renaissance and suggests that it developed then precisely because of a new temporal perspective: man had become conscious of the present not only as a continuation of the past, but also as a ‘heroic and new beginning’.
Revised: While Bakhtin does make reference to proto-novels in antiquity, he dates the rise of the modern novel in the Renaissance and suggests that it developed then precisely because of a new temporal perspective: man had become conscious of the present not only as a continuation of the past, but also as a ‘heroic and new beginning’.
Edit intent: clarity
Original:  The novel , therefore, ‘ the only genre born of this new world and in total affinity with it ’ (Bakhtin 1981:7), i.e. the most apt form for literary expression in the modern world.
Revised:  The novel was " the only genre born of this new world and in total affinity with it ’ (Bakhtin 1981:7), i.e. the most apt form for literary expression in the modern world.
Edit intent: coherence
Original:  The novel , therefore, ‘ the only genre born of this new world and in total affinity with it ’ (Bakhtin 1981:7), i.e. the most apt form for literary expression in the modern world.
Revised:  The novel , therefore, ‘ the only genre born of this new world and in total affinity with it " (Bakhtin 1981:7), i.e. the most apt form for literary expression in the modern world.
Edit intent: fluency
Original:  The novel , therefore, ‘ the only genre born of this new world and in total affinity with it ’ (Bakhtin 1981:7), i.e. the most apt form for literary expression in the modern world.
Revised:  The novel , therefore, ‘ the only genre born of this new world and in total affinity with it ’ (Bakhtin 1981:7), and was therefore the most apt form for literary expression in the modern world.
Edit intent: coherence
Original:  According to the Journal Citation Reports 2019 edition, the journal has a 2019 impact factor of 2.849, ranking 105/265 (Q2) in 'Environmental Sciences' (SCIE) ;
Revised:  According to the Journal Citation Reports 2019 edition, the journal has a 2019 impact factor of 2.849, ranking 105/265 in 'Environmental Sciences' (SCIE) ;
Edit intent: coherence
Original:  According to the Journal Citation Reports 2019 edition, the journal has a 2019 impact factor of 2.849, ranking 105/265 (Q2) in 'Environmental Sciences' (SCIE) ;
Revised:  According to the Journal Citation Reports 2019 edition, the journal has a 2019 impact factor of 2.849, ranking 105/265 (Q2) in 'Environmental Sciences' ;
Edit intent: clarity
Original:  58/193 (Q2) in 'Public, Environmental & Occupational Health' (SCIE) and 32/170 (Q1) in 'Public, Environmental & Occupational Health' (SSCI) .
Revised:  58/193 in 'Public, Environmental & Occupational Health' (SCIE) and 32/170 (Q1) in 'Public, Environmental & Occupational Health' (SSCI) .
Edit intent: clarity
Original:  58/193 (Q2) in 'Public, Environmental & Occupational Health' (SCIE) and 32/170 (Q1) in 'Public, Environmental & Occupational Health' (SSCI) .
Revised:  58/193 (Q2) in 'Public, Environmental & Occupational Health' and 32/170 (Q1) in 'Public, Environmental & Occupational Health' (SSCI) .
Edit intent: clarity
Original:  58/193 (Q2) in 'Public, Environmental & Occupational Health' (SCIE) and 32/170 (Q1) in 'Public, Environmental & Occupational Health' (SSCI) .
Revised:  58/193 (Q2) in 'Public, Environmental & Occupational Health' (SCIE) and 32/170 in 'Public, Environmental & Occupational Health' (SSCI) .
Edit intent: coherence
Original:  58/193 (Q2) in 'Public, Environmental & Occupational Health' (SCIE) and 32/170 (Q1) in 'Public, Environmental & Occupational Health' (SSCI) .
Revised:  58/193 (Q2) in 'Public, Environmental & Occupational Health' (SCIE) and 32/170 (Q1) in 'Public, Environmental & Occupational Health' .
Edit intent: coherence
Original: Cultural materialism is an anthropological research orientation first introduced by  Marvin Harris in his 1968 book The Rise of Anthropological Theory, Paperback as a theoretical paradigm and research strategy.
Revised: Cultural materialism is an anthropological research orientation first introduced by John Mike Coggeshall and Marvin Harris in his 1968 book The Rise of Anthropological Theory, Paperback as a theoretical paradigm and research strategy.
Edit intent: meaning-changed
Original: Cultural materialism is an anthropological research orientation first introduced by John Mike Coggeshall and Marvin Harris in their 1968 book The Rise of Anthropological Theory, Paperback as a theoretical paradigm and research strategy.
Revised: Cultural materialism is an anthropological research orientation first introduced by J.M. Coggeshall and Marvin Harris in their 1968 book The Rise of Anthropological Theory, Paperback as a theoretical paradigm and research strategy.
Edit intent: fluency
Original: Cultural materialism is an anthropological research orientation first introduced by J.M. Coggeshall and Marvin Harris in their 1968 book The Rise of Anthropological Theory, Paperback as a theoretical paradigm and research strategy.
Revised: Cultural materialism is an anthropological research orientation first introduced by Marvin Harris in their 1968 book The Rise of Anthropological Theory, Paperback as a theoretical paradigm and research strategy.
Edit intent: coherence
Original: Cultural materialism is an anthropological research orientation first introduced by J.M. Coggeshall and Marvin Harris in their 1968 book The Rise of Anthropological Theory, Paperback as a theoretical paradigm and research strategy.
Revised: Cultural materialism is an anthropological research orientation first introduced by J.M. Coggeshall and Marvin Harris in his 1968 book The Rise of Anthropological Theory, Paperback as a theoretical paradigm and research strategy.
Edit intent: fluency
Original:  The support of " diffusionist", i.e. non-migrationist, views has thus been associated with anti-nationalism and progressivism since the 1970s.
Revised:  The support of " in the minds of some scholars, immobilism was charged with a left-wing cache; those who showed too much interest in the ethnic or racial origin of the people they studied were, it was hinted, guilty of racist tendencies."Alex Woolf, From Pictland to Alba, 709-1070 (2007: Edinburgh University Press), pp. 291
Edit intent: meaning-changed
Original:  She made her film debut with Basu Chatterjee's Swami in 1977 and went on to act in films like Insaaf Ka Tarazu, Hamari Bahu Alka, "Hum Dono (1985)", Sawan Ko Aane Do, Sun Meri Laila,  Burning Train, Vidhaata and Maya Memsaab (1993).
Revised:  She made her film debut with Basu Chatterjee's Swami in 1977 and went on to act in films like Insaaf Ka Tarazu, Hamari Bahu Alka, "Hum Dono (1985)", Sawan Ko Aane Do, Sun Meri Laila, The Burning Train, Vidhaata and Maya Memsaab (1993).
Edit intent: fluency
Original: Ming dynasty painting by Chen Hongshou showing a scholar-gentleman (literatus) with a guqin  The Acropolis of  Athens, Greece
Revised: Ming dynasty painting by Chen Hongshou showing a scholar-gentleman (literatus) with a guqin The Acropolis of Ath丶ens viewed from the Hill of the Muses ， 「」Acropolis of 一 Athens, Greece
Edit intent: meaning-changed
Original: Llyma Weddi'r Orsedd, a elwir Gweddi'r Gwyddoniaid (O Lyfr Mawr Margam) Dyw dy nerth, ag yn nerth Dioddef;
Revised: Llyma Weddi'r Orsedd, a elwir Gweddi'r Gwyddoniaid (O Lyfr Mawr Margam) Duw dy nerth, ag yn nerth Dioddef;
Edit intent: fluency
Original:  While  the isthmus between Asia and Africa  and that between North and South America are today navigable, via the Suez and Panama canals, respectively, diversions and canals of human origin generally are not accepted on their own accord as continent-defining boundaries ;
Revised:  While today the isthmus between Asia and Africa and that between North and South America are today navigable, via the Suez and Panama canals, respectively, diversions and canals of human origin generally are not accepted on their own accord as continent-defining boundaries ;
Edit intent: fluency
Original:  While  the isthmus between Asia and Africa  and that between North and South America are today navigable, via the Suez and Panama canals, respectively, diversions and canals of human origin generally are not accepted on their own accord as continent-defining boundaries ;
Revised:  While the isthmus between Asia and Africa is navigable via the the Suez canal, and that between North and South America are today navigable, via the Suez and Panama canals, respectively, diversions and canals of human origin generally are not accepted on their own accord as continent-defining boundaries ;
Edit intent: meaning-changed
Original:  While  the isthmus between Asia and Africa  and that between North and South America are today navigable, via the Suez and Panama canals, respectively, diversions and canals of human origin generally are not accepted on their own accord as continent-defining boundaries ;
Revised:  While the isthmus between Asia and Africa and that between North and South America via the Panama canal, these artificial channels are not generally accepted as continent-defining boundaries ;
Edit intent: clarity
Original:  While  the isthmus between Asia and Africa  and that between North and South America are today navigable, via the Suez and Panama canals, respectively, diversions and canals of human origin generally are not accepted on their own accord as continent-defining boundaries ; the Suez Canal happens to traverse the isthmus between the Mediterranean Sea and Red Sea, dividing Asia and Africa  .
Revised:  While the isthmus between Asia and Africa and that between North and South America are today navigable, via the Suez and Panama canals, respectively, diversions and canals of human origin generally are not accepted on their own accord as continent-defining boundaries in themselves. The Suez Canal happens to traverse the isthmus between the Mediterranean Sea and Red Sea, dividing Asia and Africa .
Edit intent: clarity
Original:  In 1910, Mukhamedsha Burangulov recorded an epic from two kuraist  musician) and sesens (poet), Gabit Argynbaev (≈ 1850 - 1921) from the аul (village) of Idris and Khamit Almukhametov (1861 - 1923) from  village of Malyi Itkul (volost Itkulskaya of the Orenburg province).
Revised:  In 1910, Mukhamedsha Burangulov recorded an epic from two kuraist ( musician) and sesens (poet), Gabit Argynbaev (≈ 1850 - 1921) from the аul (village) of Idris and Khamit Almukhametov (1861 - 1923) from village of Malyi Itkul (volost Itkulskaya of the Orenburg province).
Edit intent: fluency
Original:  In 1910, Mukhamedsha Burangulov recorded an epic from two kuraist  musician) and sesens (poet), Gabit Argynbaev (≈ 1850 - 1921) from the аul (village) of Idris and Khamit Almukhametov (1861 - 1923) from  village of Malyi Itkul (volost Itkulskaya of the Orenburg province).
Revised:  In 1910, Mukhamedsha Burangulov recorded an epic from two kuraist musician) and sesens (poet), Gabit Argynbaev (≈ 1850 - 1921) from the аul (village) of Idris and Khamit Almukhametov (1861 - 1923) from the village of Malyi Itkul (volost Itkulskaya of the Orenburg province).
Edit intent: fluency
Original:  Both sesen well knew the area around the Shulgantash cave (Kapova cave) and Lakes Shulgankul, Yylkysykkankul (they are described in the epic).
Revised:  Both sesen knew well the area around the Shulgantash cave (Kapova cave) and Lakes Shulgankul, Yylkysykkankul (they are described in the epic).
Edit intent: fluency