wanyu/IteraTeR_full_sent huggingface dataset:
Original:  Abstract In perceiving objects we may synthesize conjunctions of separable features by directing attention serially to each item in turn (A. Treisman and G. Gelade, Cognitive Psychology, 1980, 12, 97-136). This feature-integration theory predicts that when attention is diverted or overloaded, features may be wrongly recombined, giving rise to "illusory conjunctions." The present paper confirms that illusory conjunctions are frequently experienced among unattended stimuli varying in color and shape, and that they occur also with size and solidity (outlined versus filled-in shapes). They are shown both in verbal recall and in simultaneous and successive matching tasks, making it unlikely that they depend on verbal labeling or on memory failure. They occur as often between stimuli differing on many features as between more similar stimuli, and spatial separation has little effect on their frequency. Each feature seems to be coded as an independent entity and to migrate, when attention is diverted, with few constraints from the other features of its source or destination.
Edit intent: coherence
Original:  Experiments In order to test the notion that attention plays a vital role in visual perception, Treisman and Schmidt (1982) designed an experiment to show that features may exist independently of one another early in processing.
Revised:  Experiments To test the notion that attention plays a vital role in visual perception, Treisman and Schmidt (1982) designed an experiment to show that features may exist independently of one another early in processing.
Edit intent: coherence
Original:  It is used in Wang ocheonchukguk jeon , meaning An account of travel to the five Indian kingdoms, a travelog by the 8th century Buddhist monk Hyecho from the Korean Kingdom of Silla.
Revised:  It is used in Wang ocheonchukguk jeon (An Account of Travel to the Five Indian Kingdoms), a travelogue by the 8th century Buddhist monk Hyecho from the Korean Kingdom of Silla.
Edit intent: coherence
Original: Category:1964 births Category:Leaders who took power by coup Category:Living people Category:People from Bonthe District Category:People from Bo, Sierra Leone Category:Sierra Leonean Roman Catholics Category:Sierra Leone People's Party politicians Category:  Mende people Category:Presidents of Sierra Leone Category:Sierra Leonean military personn
Revised: Category:1964 births Category:Leaders who took power by coup Category:Living people Category:People from Bonthe District Category:People from Bo, Sierra Leone Category:Sierra Leonean Roman Catholics Category:Sierra Leone People's Party politicians Category: Sherbro people Category: Mende people Category:Presidents of Sierra Leone Category:Sierra Leonean military personn
Edit intent: fluency
Original:  He is a retired Brigadier General in the Sierra Leone Army and was the military Head of State of Sierra Leone from January 16, 1996, to March 29, 1996 in a military Junta government  .
Revised:  He is a retired Brigadier General in the Sierra Leone Army and was the military Head of State of Sierra Leone from January 16, 1996, to March 29, 1996 in a military Junta government known as the NPRC .
Edit intent: meaning-changed
Original:  Upon retiring from the military in 1996, Bio moved to the United States where he was granted political asylum, and he did not visit Sierra Leone from the U.S until 2005 when his safety in the country was guaranteed by then Sierra Leone president Ahmad Tejan Kabbah.
Revised:  Upon retiring from the military in 1996, Bio moved to the United States where he was granted political asylum, and he did not visit Sierra Leone from the U.S until 2005.
Edit intent: coherence
Original:  In 1922 , Christmas began to suffer from tuberculosis, and he died in New Orleans in 1924. The New York Times obituary was titled "Gen. Lee Christmas, A Dumas Hero In Real Life" .
Revised:  In 1922 , Christmas began to suffer from tuberculosis, and he died in New Orleans some months later, on January 21, 1924, of acute anemia brought about by the disease .
Edit intent: meaning-changed
Original:  In other contexts, both β-carotene and retinol are simply considered to be different forms (vitamers) of vitamin A. Provitamin D2 is ergosterol, and provitamin D3 is 7-dehydrocholesterol.
Revised:  In other contexts, both β-carotene and retinol are simply considered to be different forms (vitamers) of vitamin A. "Provitamin B5" is a name for panthenol, which may be converted in the body to vitamin B5 (pantothenic acid). Menadione is a synthetic provitamin of vitamin K. Provitamin D2 is ergosterol, and provitamin D3 is 7-dehydrocholesterol.
Edit intent: meaning-changed
Original: in Music Informatics research Interdisciplinary relationships in Music Informatics The digital revolution in music its impact on music information services and music libraries Knowledge of current trends in music technologies including software and hardware Mental models in the cognition of music listening and performing Symbolic music modeling systems and computer-aided composition Social and economic realities of the consumption of music in Western societies Improvisation in music,
Revised: in Music Informatics research interdisciplinary relationships in music informatics the digital revolution in music its impact on music information services and music libraries Knowledge of current trends in music technologies including software and hardware Mental models in the cognition of music listening and performing Symbolic music modeling systems and computer-aided composition Social and economic realities of the consumption of music in Western societies Improvisation in music,
Edit intent: clarity
Original: in Music Informatics research Interdisciplinary relationships in Music Informatics The digital revolution in music its impact on music information services and music libraries Knowledge of current trends in music technologies including software and hardware Mental models in the cognition of music listening and performing Symbolic music modeling systems and computer-aided composition Social and economic realities of the consumption of music in Western societies Improvisation in music,
Revised: in Music Informatics research Interdisciplinary relationships in Music Informatics The digital revolution in music its impact on music information services and music libraries knowledge of current trends in music technologies including software and hardware Mental models in the cognition of music listening and performing Symbolic music modeling systems and computer-aided composition Social and economic realities of the consumption of music in Western societies Improvisation in music,
Edit intent: fluency
Original: in Music Informatics research Interdisciplinary relationships in Music Informatics The digital revolution in music its impact on music information services and music libraries Knowledge of current trends in music technologies including software and hardware Mental models in the cognition of music listening and performing Symbolic music modeling systems and computer-aided composition Social and economic realities of the consumption of music in Western societies Improvisation in music,
Revised: in Music Informatics research Interdisciplinary relationships in Music Informatics The digital revolution in music its impact on music information services and music libraries Knowledge of current trends in music technologies including software and hardware mental models in the cognition of music listening and performing Symbolic music modeling systems and computer-aided composition Social and economic realities of the consumption of music in Western societies Improvisation in music,
Edit intent: fluency
Original: in Music Informatics research Interdisciplinary relationships in Music Informatics The digital revolution in music its impact on music information services and music libraries Knowledge of current trends in music technologies including software and hardware Mental models in the cognition of music listening and performing Symbolic music modeling systems and computer-aided composition Social and economic realities of the consumption of music in Western societies Improvisation in music,
Revised: in Music Informatics research Interdisciplinary relationships in Music Informatics The digital revolution in music its impact on music information services and music libraries Knowledge of current trends in music technologies including software and hardware Mental models in the cognition of music listening and performing symbolic music modeling systems and computer-aided composition Social and economic realities of the consumption of music in Western societies Improvisation in music,
Edit intent: fluency
Original: in Music Informatics research Interdisciplinary relationships in Music Informatics The digital revolution in music its impact on music information services and music libraries Knowledge of current trends in music technologies including software and hardware Mental models in the cognition of music listening and performing Symbolic music modeling systems and computer-aided composition Social and economic realities of the consumption of music in Western societies Improvisation in music,
Revised: in Music Informatics research Interdisciplinary relationships in Music Informatics The digital revolution in music its impact on music information services and music libraries Knowledge of current trends in music technologies including software and hardware Mental models in the cognition of music listening and performing Symbolic music modeling systems and computer-aided composition social and economic realities of the consumption of music in Western societies Improvisation in music,
Edit intent: fluency
Original: in Music Informatics research Interdisciplinary relationships in Music Informatics The digital revolution in music its impact on music information services and music libraries Knowledge of current trends in music technologies including software and hardware Mental models in the cognition of music listening and performing Symbolic music modeling systems and computer-aided composition Social and economic realities of the consumption of music in Western societies Improvisation in music,
Revised: in Music Informatics research Interdisciplinary relationships in Music Informatics The digital revolution in music its impact on music information services and music libraries Knowledge of current trends in music technologies including software and hardware Mental models in the cognition of music listening and performing Symbolic music modeling systems and computer-aided composition Social and economic realities of the consumption of music in Western societies improvisation in music,
Edit intent: fluency
Original:  especially where it is facilitated by music technology Music digital libraries and collections architectures Future of music distribution, the music industry, and music libraries Music information retrieval Music Recommendation systems Studying and Synthesizing Music Expression Audio Signal-to-Score (singing, polyphonic, piano, etc.)
Revised:  especially where it is facilitated by music technology music digital libraries and collections architectures Future of music distribution, the music industry, and music libraries Music information retrieval Music Recommendation systems Studying and Synthesizing Music Expression Audio Signal-to-Score (singing, polyphonic, piano, etc.)
Edit intent: fluency
Original:  especially where it is facilitated by music technology Music digital libraries and collections architectures Future of music distribution, the music industry, and music libraries Music information retrieval Music Recommendation systems Studying and Synthesizing Music Expression Audio Signal-to-Score (singing, polyphonic, piano, etc.)
Revised:  especially where it is facilitated by music technology Music digital libraries and collections architectures future of music distribution, the music industry, and music libraries Music information retrieval Music Recommendation systems Studying and Synthesizing Music Expression Audio Signal-to-Score (singing, polyphonic, piano, etc.)
Edit intent: fluency
Original:  especially where it is facilitated by music technology Music digital libraries and collections architectures Future of music distribution, the music industry, and music libraries Music information retrieval Music Recommendation systems Studying and Synthesizing Music Expression Audio Signal-to-Score (singing, polyphonic, piano, etc.)
Revised:  especially where it is facilitated by music technology Music digital libraries and collections architectures Future of music distribution, the music industry, and music libraries music information retrieval music recommendation systems studying and synthesizing music expression audio signal-to-score (singing, polyphonic, piano, etc.)
Edit intent: fluency
Original:  Musical analysis Musical Accompaniment Systems Score Following Optical Music Recognition (OMR) Music Source Separation Music for Computer Games MIDI to Symbolic Score See also Informatics Generative music Music mining software New Interfaces for Musical Expression
Revised:  musical analysis musical accompaniment systems score following optical music recognition (OMR) Music Source Separation Music for Computer Games MIDI to Symbolic Score See also Informatics Generative music Music mining software New Interfaces for Musical Expression
Edit intent: fluency
Original:  Musical analysis Musical Accompaniment Systems Score Following Optical Music Recognition (OMR) Music Source Separation Music for Computer Games MIDI to Symbolic Score See also Informatics Generative music Music mining software New Interfaces for Musical Expression
Revised:  Musical analysis Musical Accompaniment Systems Score Following Optical Music Recognition (OMR) music Source Separation music for Computer Games MIDI to Symbolic Score See also Informatics Generative music Music mining software New Interfaces for Musical Expression
Edit intent: fluency
Original:  Musical analysis Musical Accompaniment Systems Score Following Optical Music Recognition (OMR) Music Source Separation Music for Computer Games MIDI to Symbolic Score See also Informatics Generative music Music mining software New Interfaces for Musical Expression
Revised:  Musical analysis Musical Accompaniment Systems Score Following Optical Music Recognition (OMR) Music Source Separation Music for Computer Games MIDI to Symbolic Score See also generative music music mining software New Interfaces for Musical Expression
Edit intent: clarity
Original: REDIRECT Post-structural feminism #In France               
Revised: French post-structuralist feminism takes post-structuralism and combines it with feminist views and looks to see if a literary work has successfully used the process of mimesis on the image of the female. If successful, then a new image of a woman has been created by a woman for a woman, therefore it is not a biased opinion created by men. Along with Luce Irigaray and Julia Kristeva, Hélène Cixous is considered one of the mothers of post-structuralist feminist theory. Since the 1990s, these three together with Bracha Ettinger have considerably influenced French feminism and feminist psychoanalysis. 
Edit intent: meaning-changed
Original: REDIRECT Post-structural feminism #In France               
Revised: REDIRECT Post-structural feminism #In France Hélène Cixous first uses this term in her essay, The Laugh of the Medusa in which she asserts: Women must write through their bodies, they must invent the impregnable language that will wreck partitions, classes, and rhetorics, regulations and codes, they must submerge, cut through, get beyond the ultimate reserve-discourse, including the one that laughs at the very idea of pronouncing the word "silence," the one that, aiming for the impossible, stops short before the word "impossible" and writes it as "the end." 
Edit intent: meaning-changed
Original: REDIRECT Post-structural feminism #In France               
Revised: REDIRECT Post-structural feminism #In France The Laugh of the Medusa In Hélène Cixous' essay "The Laugh of the Medusa", she discusses how women have been repressed through their bodies all through history. She suggests that if women are forced to remain in their bodies as a result of male repression then they can do one of two things. The first option is to remain trapped inside their bodies, thereby perpetuating the passivity women have been a party to throughout history. The second option is to use the female body as a medium of communication, a tool through which women can speak. This is ironic given the body, the very thing women have been defined by and trapped within, can now become a vehicle in transcending the boundaries once created by the body. 
Edit intent: meaning-changed
Original: REDIRECT Post-structural feminism #In France               
Revised: REDIRECT Post-structural feminism #In France In the original myth Medusa was a beautiful woman who confronted endless hardships that were brought about by the actions of men. She was raped, killed, and beheaded by various gods. However even in the face of tragedy and disgrace, Medusa was still portrayed as a meaningful figure. Following the moment her head was cut off, a Pegasus flew out of her body, representing the birth of beauty. 
Edit intent: meaning-changed
Original: REDIRECT Post-structural feminism #In France               
Revised: REDIRECT Post-structural feminism #In France In the more popular version known by most today, Medusa is a monster with hair of a thousand snakes whose glance will turn anything she looks at into stone. Cixous claims that this monstrous image of Medusa exists only because it has been directly determined by the male gaze. Even though this version of the myth is misrepresentative of the original version, people continue to believe the modern version without question. 
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Original: REDIRECT Post-structural feminism #In France               
Revised: REDIRECT Post-structural feminism #In France Cixous suggests that it is important for women to expose the flaws in language that currently exist. Through the awareness of such flaws, as well as the invention of new ways of expression, women can overcome the obstacles that are constructed by what she labels a phallocentric discourse. She argues that even through attempts to expose current inadequacies, it will always be impossible to define a feminine practice of writing because this practice can never be theorized, enclosed, coded. "It will always surpass the discourse that regulates the phallocentric system; it does and will take place in areas other than those subordinated to philosophico-theoretical domination. It will be conceived of only by those who are breakers of automatisms." 
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Original: REDIRECT Post-structural feminism #In France               
Revised: REDIRECT Post-structural feminism #In France Luce Irigaray Born in Belgium in 1932 Irigaray is a French feminist, psychoanalytic, and cultural theorist. Best known works: Speculum of the Other Woman (1974) and This Sex Which is Not One (1977). She was inspired by the psychoanalytic theories of Jaques Lacan and the deconstruction of Jaques Derrida. Her work aims to reveal a perceived masculine philosophy underlying language and gestures toward a “new” feminine language that would allow women to express themselves if it could be spoken. 
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Original: REDIRECT Post-structural feminism #In France               
Revised: REDIRECT Post-structural feminism #In France Julia Kristeva Born on June 24, 1941 in Bulgaria Kristeva is a Bulgarian-French philosopher, literary critic, psychoanalyst, feminist, and (most recently) novelist, who has lived in France since the mid-1960s. Julia Kristeva has become influential in today's international critical analysis, cultural theory, and feminism after publishing her first book Semeiotikè in 1969. Although Kristeva does not refer to her own writing as feminist, many feminists turn to her work in order to expand and develop various discussions and debates in feminist theory and criticism. 
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Original: REDIRECT Post-structural feminism #In France               
Revised: REDIRECT Post-structural feminism #In France Three elements of Kristeva's thought have been particularly important for feminist theory in Anglo-American contexts: Her attempt to bring the body back into discourses in the human sciences; Her focus on the significance of the maternal body and pre-oedipal in the constitution of subjectivity; and Her notion of abjection as an explanation for oppression and discrimination. 
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Original: REDIRECT Post-structural feminism #In France               
Revised: REDIRECT Post-structural feminism #In France Critique of classical psychoanalysis Sigmund Freud established the initial theories which would serve as a basis for some of Cixous' arguments in her writings. Freud's analysis of gender roles and sexual identity concluded with separate male (Oedipus) and female (Electra) theories of which Cixous was critical. For Bracha Ettinger both Oedipus and Electra are complexes that belong to the phallic paradigm. She proposes a different paradigm: the feminine-matrixial borderspace. 
Edit intent: meaning-changed
Original:  The Battle of Fatehpur was a key episode in the dissolution of the Samma Dynasty of Sindh and its replacement by the Arghun Dynasty. in 1799.
Revised: See: Battle of Fatehpur (1799) The Battle of Fatehpur was a key episode in the dissolution of the Samma Dynasty of Sindh and its replacement by the Arghun Dynasty. in 1799.
Edit intent: coherence
Original:  However the Judicial Committee of the Privy Council had  ruled in Moore v. Attorney General of Ireland (1935) that following the Statute of Westminster (1931) it had gained the power to do so .
Revised:  However the Judicial Committee of the Privy Council had previously ruled in Moore v. Attorney General of Ireland (1935) that following the Statute of Westminster (1931) it had gained the power to do so .
Edit intent: coherence
Original:  However the Judicial Committee of the Privy Council had  ruled in Moore v. Attorney General of Ireland (1935) that following the Statute of Westminster (1931) it had gained the power to do so .
Revised:  However the Judicial Committee of the Privy Council had ruled in Moore v. Attorney General of Ireland (1935) that following the Statute of Westminster (1931) the Irish Free State legislature had gained the power to do so .
Edit intent: meaning-changed
Original:  However the Judicial Committee of the Privy Council had  ruled in Moore v. Attorney General of Ireland (1935) that following the Statute of Westminster (1931) it had gained the power to do so .
Revised:  However the Judicial Committee of the Privy Council had ruled in Moore v. Attorney General of Ireland (1935) that following the Statute of Westminster (1931) it had gained the unfettered power to pass legislation and thus amend the constitution in a manner repugnant to imperial acts, and it had successfully removed any right to petition the Privy Council .
Edit intent: meaning-changed
Original: 250px|Example of a low-income banlieue Saint-Ouen-sur-Seine 250px|Example of a high-income banlieue Neuilly-sur-Seine In France, a banlieue (;
Revised: 250px|Example of a high-income banlieue Neuilly-sur-Seine 250px|Example of a high-income banlieue Neuilly-sur-Seine In France, a banlieue (;
Edit intent: coherence
Original: 250px|Example of a low-income banlieue Saint-Ouen-sur-Seine 250px|Example of a high-income banlieue Neuilly-sur-Seine In France, a banlieue (;
Revised: 250px|Example of a low-income banlieue Saint-Ouen-sur-Seine 250px|Example of a low-income banlieue Saint-Ouen-sur-Seine In France, a banlieue (;
Edit intent: clarity