wanyu/IteraTeR_full_sent huggingface dataset:
Original:  In addition to the Sheikh of the Zawiya of the region who oversees the activity of the Tweeza through his Barakah, it is also the of each village who coordinates the associative logistics in collaboration with local elected officials and Imams of mosques, and even personalities acquired to the environmental and social cause of the community.
Revised:  In addition to the Sheikh of the Zawiya of the region who oversees the activity of the Tweeza through his Barakah, it is also the of each village who coordinates the associative logistics in collaboration with local elected officials and Imams of mosques, and even personalities acquired for the environmental and social cause of the community.
Edit intent: fluency
Original:  This action maintains the concept of Tweeza and rehabilitates it in the form of a voluntary service which was once practiced everywhere in the rural and village world, and which must be protected and preserved from the tendency to disappear over time due to of modernity and urbanization.
Revised:  This action maintains the concept of Tweeza and rehabilitates it in the form of a voluntary service which was once practiced everywhere in the rural and village world, and which must be protected and preserved from the tendency to disappear over time due to modernity and urbanization.
Edit intent: fluency
Original:  The Tweeza supposes the union or the conjugation of the efforts of the "Thadjmaath" to carry out works of common interest such as the plowing-sowing campaigns, the construction of mosques, zawiyas and medersas.
Revised:  The Tweeza supposes the union or the conjugation of the efforts of the "Thadjmaath" to carry out works of common interest such as the plowing and sowing campaigns, the construction of mosques, zawiyas and medersas.
Edit intent: fluency
Original:  Harvesting olives Harvesting olives During the end of autumn and the beginning of winter, all the women of the villages meet with their children to collect together and in turn all the olives, a kind of Tweeza, all in a good-natured atmosphere by reciting songs in chorus.
Revised:  Harvesting olives Harvesting olives During the end of autumn and the beginning of winter, all the women of the villages meet with their children to collect together in turn all the olives, a kind of Tweeza, all in a good-natured atmosphere by reciting songs in chorus.
Edit intent: fluency
Original:  The Tweeza troop then moves, from olive grove to olive grove during each day, and in the evening, in each dechra, it is the night party with meals and sweets embellished by songs in honor of the tree . of the blessed olive tree.
Revised:  The Tweeza troop then moves, from olive grove to olive grove during each day, and in the evening, in each dechra, it is a night of party with meals and sweets embellished by songs in honor of the tree . of the blessed olive tree.
Edit intent: clarity
Original:  The Tweeza troop then moves, from olive grove to olive grove during each day, and in the evening, in each dechra, it is the night party with meals and sweets embellished by songs in honor of the tree . of the blessed olive tree.
Revised:  The Tweeza troop then moves, from olive grove to olive grove during each day, and in the evening, in each dechra, it is the night party with meals and sweets embellished by songs in honor of the tree of the blessed olive tree.
Edit intent: fluency
Original: Tweeza (), also Touiza or Tiwizi, is the term used in Algeria to designate the cooperation in a sufi and cultural heritage in which a group from the tariqa or zawiya in a community or village gathers and cooperates in order to contribute to the achievement of charitable work, help the needy or the poor, build a house for a person or a mosque, clean a cemetery or village or mosque, or harvest wheat fields and olive trees.
Revised: Tweeza (), also Touiza or Tiwizi, is the term used in Algeria to designate the cooperation in a Sufi and cultural heritage in which a group from the tariqa or zawiya in a community or village gathers and cooperates in order to contribute to the achievement of charitable work, help the needy or the poor, build a house for a person or a mosque, clean a cemetery or village or mosque, or harvest wheat fields and olive trees.
Edit intent: fluency
Original: Tweeza (), also Touiza or Tiwizi, is the term used in Algeria to designate the cooperation in a sufi and cultural heritage in which a group from the tariqa or zawiya in a community or village gathers and cooperates in order to contribute to the achievement of charitable work, help the needy or the poor, build a house for a person or a mosque, clean a cemetery or village or mosque, or harvest wheat fields and olive trees.
Revised: Tweeza (), also Touiza or Tiwizi, is the term used in Algeria to designate the cooperation in a sufi and cultural heritage in which a group from the tariqa or zawiya in a community or village gathers and cooperates in order to contribute to the achievement of charitable work, help the needy or the poor, build a house for a person or a mosque, clean a cemetery , village, or mosque, or harvest wheat fields and olive trees.
Edit intent: fluency
Original:  The dance originated among the descendants of black African slaves and is part of the celebrations for the Islamic Ashura URL Cultural environment The Tuareg people in Algeria and in the Sahel are traditionally divided into two social URL The upper class of the aristocrats is called Imajeghen or Imuhagh in Tamasheq language and corresponds to the warriors (hassan)
Revised:  The dance originated among the descendants of black African slaves and is part of the celebrations for the Islamic Ashura Festival. Cultural environment The Tuareg people in Algeria and in the Sahel are traditionally divided into two social URL The upper class of the aristocrats is called Imajeghen or Imuhagh in Tamasheq language and corresponds to the warriors (hassan)
Edit intent: meaning-changed
Original:  The dance originated among the descendants of black African slaves and is part of the celebrations for the Islamic Ashura URL Cultural environment The Tuareg people in Algeria and in the Sahel are traditionally divided into two social URL The upper class of the aristocrats is called Imajeghen or Imuhagh in Tamasheq language and corresponds to the warriors (hassan)
Revised:  The dance originated among the descendants of black African slaves and is part of the celebrations for the Islamic Ashura URL Cultural environment The Tuareg people in Algeria and in the Sahel are traditionally divided into two social classes. The upper class of the aristocrats is called Imajeghen or Imuhagh in Tamasheq language and corresponds to the warriors (hassan)
Edit intent: fluency
Original:  slaves or Abīd among the Bidhan URL The slaves kidnapped from the Sudan region are free today and form the majority within Tuareg URL The blacksmiths, which made all tools, weapons and jewelry, formed a separate group that was previously outside of society and was URL They are called Inaden, according to the Bidhan, this is why the Sebiba dance and drum music have black African URL Another male dance of the black Tuareg population, Tazanzareet, was accompanied by female singing and whistling;
Revised:  slaves or Abīd among the Bidhan (). The slaves kidnapped from the Sudan region are free today and form the majority within Tuareg URL The blacksmiths, which made all tools, weapons and jewelry, formed a separate group that was previously outside of society and was URL They are called Inaden, according to the Bidhan, this is why the Sebiba dance and drum music have black African URL Another male dance of the black Tuareg population, Tazanzareet, was accompanied by female singing and whistling;
Edit intent: fluency
Original:  slaves or Abīd among the Bidhan URL The slaves kidnapped from the Sudan region are free today and form the majority within Tuareg URL The blacksmiths, which made all tools, weapons and jewelry, formed a separate group that was previously outside of society and was URL They are called Inaden, according to the Bidhan, this is why the Sebiba dance and drum music have black African URL Another male dance of the black Tuareg population, Tazanzareet, was accompanied by female singing and whistling;
Revised:  slaves or Abīd among the Bidhan URL The slaves kidnapped from the Sudan region are free today and form the majority within Tuareg society. The blacksmiths, which made all tools, weapons and jewelry, formed a separate group that was previously outside of society and was URL They are called Inaden, according to the Bidhan, this is why the Sebiba dance and drum music have black African URL Another male dance of the black Tuareg population, Tazanzareet, was accompanied by female singing and whistling;
Edit intent: clarity
Original:  slaves or Abīd among the Bidhan URL The slaves kidnapped from the Sudan region are free today and form the majority within Tuareg URL The blacksmiths, which made all tools, weapons and jewelry, formed a separate group that was previously outside of society and was URL They are called Inaden, according to the Bidhan, this is why the Sebiba dance and drum music have black African URL Another male dance of the black Tuareg population, Tazanzareet, was accompanied by female singing and whistling;
Revised:  slaves or Abīd among the Bidhan URL The slaves kidnapped from the Sudan region are free today and form the majority within Tuareg URL The blacksmiths, which made all tools, weapons and jewelry, formed a separate group that was previously outside of society and was outlawed. They are called Inaden, according to the Bidhan, this is why the Sebiba dance and drum music have black African URL Another male dance of the black Tuareg population, Tazanzareet, was accompanied by female singing and whistling;
Edit intent: clarity
Original:  slaves or Abīd among the Bidhan URL The slaves kidnapped from the Sudan region are free today and form the majority within Tuareg URL The blacksmiths, which made all tools, weapons and jewelry, formed a separate group that was previously outside of society and was URL They are called Inaden, according to the Bidhan, this is why the Sebiba dance and drum music have black African URL Another male dance of the black Tuareg population, Tazanzareet, was accompanied by female singing and whistling;
Revised:  slaves or Abīd among the Bidhan URL The slaves kidnapped from the Sudan region are free today and form the majority within Tuareg URL The blacksmiths, which made all tools, weapons and jewelry, formed a separate group that was previously outside of society and was URL They are called Inaden, according to the Bidhan, this is why the Sebiba dance and drum music have black African roots. Another male dance of the black Tuareg population, Tazanzareet, was accompanied by female singing and whistling;
Edit intent: clarity
Original:  it was hardly ever URL In this noble Tuareg seldom dance, their wives play the single-stringed fiddle Imzad or beat the mortar drum Tendee to accompany the singing URL Characteristics Sebiba murid.
Revised:  it was hardly ever performed. In this noble Tuareg seldom dance, their wives play the single-stringed fiddle Imzad or beat the mortar drum Tendee to accompany the singing URL Characteristics Sebiba murid.
Edit intent: clarity
Original:  it was hardly ever URL In this noble Tuareg seldom dance, their wives play the single-stringed fiddle Imzad or beat the mortar drum Tendee to accompany the singing URL Characteristics Sebiba murid.
Revised:  it was hardly ever URL In this noble Tuareg seldom dance, their wives play the single-stringed fiddle Imzad or beat the mortar drum Tendee to accompany the singing men. Characteristics Sebiba murid.
Edit intent: clarity
Original:  In Djanet, Sebiba is called the dance and the entire city festival at the turn of the URL The cultural background of the Sebiba also includes the mythological idea of the end of the year, a new beginning and an interim period that is in transition and dissolving during the duration of the festival.
Revised:  In Djanet, Sebiba is called the dance and the entire city festival at the turn of the year. The cultural background of the Sebiba also includes the mythological idea of the end of the year, a new beginning and an interim period that is in transition and dissolving during the duration of the festival.
Edit intent: fluency
Original:  This general cosmogonic concept is passed down as Tuareg customs (Tagdudt) and is said to have been known to nomadic Tuaregs in the URL Oral tradition traces the origin of the Sebiba back to the death of Pharaoh, who drowned in the Red Sea while persecuting Moses (Sidi Moussa) and the Jews, in accordance with Sunni Islamic tradition on the origin of Ashura.
Revised:  This general cosmogonic concept is passed down as Tuareg customs (Tagdudt) and is said to have been known to nomadic Tuaregs in the past. Oral tradition traces the origin of the Sebiba back to the death of Pharaoh, who drowned in the Red Sea while persecuting Moses (Sidi Moussa) and the Jews, in accordance with Sunni Islamic tradition on the origin of Ashura.
Edit intent: coherence
Original:  Sahih Muslim Book 6 Hadith 2518, 2519, 2520 At that time, good triumphed over evil, which is expressed in the new beginning of nature during the Ashura URL To thank you for the victory, the Sebiba is said to have been invented.
Revised:  Sahih Muslim Book 6 Hadith 2518, 2519, 2520 At that time, good triumphed over evil, which is expressed in the new beginning of nature during the Ashura days. To thank you for the victory, the Sebiba is said to have been invented.
Edit intent: clarity
Original:  To distinguish it from Sebiba dances, which can also be performed in other villages at weddings and other private celebrations, the festival on Ashura Day is called Sebiba n’Tililin (other spelling Sebeiba ou URL World Heritage Tassili n'Ajjer in Algerian Sahara.
Revised:  To distinguish it from Sebiba dances, which can also be performed in other villages at weddings and other private celebrations, the festival on Ashura Day is called Sebiba n’Tililin (other spelling Sebeiba ou Tillellin). World Heritage Tassili n'Ajjer in Algerian Sahara.
Edit intent: meaning-changed
Original:  where the traditional costume made for the occasion holds a central URL The ritual and ceremonies of Sebiba in the oasis of Djanet were inscribed in the year 2014 among the UNESCO lists of the Intangible Cultural Heritage of URL The dance in this festival is a dance genre being part of the UNESCO lists of intangible cultural heritage,
Revised:  where the traditional costume made for the occasion holds a central place. The ritual and ceremonies of Sebiba in the oasis of Djanet were inscribed in the year 2014 among the UNESCO lists of the Intangible Cultural Heritage of URL The dance in this festival is a dance genre being part of the UNESCO lists of intangible cultural heritage,
Edit intent: clarity
Original:  where the traditional costume made for the occasion holds a central URL The ritual and ceremonies of Sebiba in the oasis of Djanet were inscribed in the year 2014 among the UNESCO lists of the Intangible Cultural Heritage of URL The dance in this festival is a dance genre being part of the UNESCO lists of intangible cultural heritage,
Revised:  where the traditional costume made for the occasion holds a central URL The ritual and ceremonies of Sebiba in the oasis of Djanet were inscribed in the year 2014 among the UNESCO lists of the Intangible Cultural Heritage of Humanity. The dance in this festival is a dance genre being part of the UNESCO lists of intangible cultural heritage,
Edit intent: clarity
Original:  ritual dance, folk songs and drumming, social dances localised and practised mainly in the Algerian URL Sebiba dance is a very complex phenomenon, which involves culture, traditions, the use of human bodies, artefacts (such as costumes and props), as well as a specific use of music, space and sunshine URL As a result, a lot of tangible and intangible elements are combined within Sebiba dance, making it a challenging but extremely interesting type of Algerian and Tuareg heritage to URL
Revised:  ritual dance, folk songs and drumming, social dances localised and practised mainly in the Algerian Sahara. Sebiba dance is a very complex phenomenon, which involves culture, traditions, the use of human bodies, artefacts (such as costumes and props), as well as a specific use of music, space and sunshine URL As a result, a lot of tangible and intangible elements are combined within Sebiba dance, making it a challenging but extremely interesting type of Algerian and Tuareg heritage to URL
Edit intent: clarity
Original:  ritual dance, folk songs and drumming, social dances localised and practised mainly in the Algerian URL Sebiba dance is a very complex phenomenon, which involves culture, traditions, the use of human bodies, artefacts (such as costumes and props), as well as a specific use of music, space and sunshine URL As a result, a lot of tangible and intangible elements are combined within Sebiba dance, making it a challenging but extremely interesting type of Algerian and Tuareg heritage to URL
Revised:  ritual dance, folk songs and drumming, social dances localised and practised mainly in the Algerian URL Sebiba dance is a very complex phenomenon, which involves culture, traditions, the use of human bodies, artefacts (such as costumes and props), as well as a specific use of music, space and sunshine light. As a result, a lot of tangible and intangible elements are combined within Sebiba dance, making it a challenging but extremely interesting type of Algerian and Tuareg heritage to URL
Edit intent: clarity
Original:  ritual dance, folk songs and drumming, social dances localised and practised mainly in the Algerian URL Sebiba dance is a very complex phenomenon, which involves culture, traditions, the use of human bodies, artefacts (such as costumes and props), as well as a specific use of music, space and sunshine URL As a result, a lot of tangible and intangible elements are combined within Sebiba dance, making it a challenging but extremely interesting type of Algerian and Tuareg heritage to URL
Revised:  ritual dance, folk songs and drumming, social dances localised and practised mainly in the Algerian URL Sebiba dance is a very complex phenomenon, which involves culture, traditions, the use of human bodies, artefacts (such as costumes and props), as well as a specific use of music, space and sunshine URL As a result, a lot of tangible and intangible elements are combined within Sebiba dance, making it a challenging but extremely interesting type of Algerian and Tuareg heritage to safeguard.
Edit intent: clarity
Original:  The Algerian dance of the Berber women Abdaoui also has a seasonal URL This classified dance form is officially recognised as an Algerian cultural heritage, and is appreciated and enjoyed all over the world, and have a very international dimension and touristic URL
Revised:  The Algerian dance of the Berber women Abdaoui also has a seasonal reference. This classified dance form is officially recognised as an Algerian cultural heritage, and is appreciated and enjoyed all over the world, and have a very international dimension and touristic URL
Edit intent: clarity
Original:  The Algerian dance of the Berber women Abdaoui also has a seasonal URL This classified dance form is officially recognised as an Algerian cultural heritage, and is appreciated and enjoyed all over the world, and have a very international dimension and touristic URL
Revised:  The Algerian dance of the Berber women Abdaoui also has a seasonal URL This classified dance form is officially recognised as an Algerian cultural heritage, and is appreciated and enjoyed all over the world, and have a very international dimension and touristic attraction.
Edit intent: clarity
Original: Zawiyas in Algeria Senusiyya Cultural heritage UNESCO Intangible Cultural Heritage Lists Mawlid Ashura Mawsim Ahellil Assihar Diwane Sebouaa Imzad Tindi Tahmat Allagh Tazanzareet Tweeza Yennayer Ziyarat Fantasia Marabout Saint Barakah Wezeea
Revised: Zawiyas in Algeria Senusiyya Cultural heritage UNESCO Intangible Cultural Heritage Lists Mawlid Ashura Mawsim Imzad Tweeza Yennayer Ziyarat Fantasia Marabout Saint Barakah Wezeea
Edit intent: clarity
Original:  There  the kingship goes through a regularly recurring phase of ritual anarchy, in which the relations of rule are turned upside down and sham battles are carried out until the ruler has finally been confirmed as having his divine origin.
Revised:  There , the kingship goes through a regularly recurring phase of ritual anarchy, in which the relations of rule are turned upside down and sham battles are carried out until the ruler has finally been confirmed as having his divine origin.
Edit intent: fluency
Original: Category:Sufism Category:Islamic terminology Category:Religious festivals Category:Algerian culture Category:  Berber culture Category:Berber mythology Category:Rituals Category:Ashu
Revised: Category:Sufism Category:Islamic terminology Category:Religious festivals Category:Algerian culture Category: Festivals in Algeria Category: Berber culture Category:Berber mythology Category:Rituals Category:Ashu
Edit intent: meaning-changed
Original:  especially in the Ashura celebration, the season of Ramadan, the anniversary of the Mawlid, and the beginning of the plowing URL The disciples slaughter a number of cows, which the families and philanthropists share in buying them, and they share their meat in the end, so that the meat is accessible to all the families of the URL The poor people who do not share in the price of the cows get their share of the meat as well;
Revised:  especially in the Ashura celebration, the season of Ramadan, the anniversary of the Mawlid, and the beginning of the plowing season. The disciples slaughter a number of cows, which the families and philanthropists share in buying them, and they share their meat in the end, so that the meat is accessible to all the families of the URL The poor people who do not share in the price of the cows get their share of the meat as well;
Edit intent: clarity
Original:  especially in the Ashura celebration, the season of Ramadan, the anniversary of the Mawlid, and the beginning of the plowing URL The disciples slaughter a number of cows, which the families and philanthropists share in buying them, and they share their meat in the end, so that the meat is accessible to all the families of the URL The poor people who do not share in the price of the cows get their share of the meat as well;
Revised:  especially in the Ashura celebration, the season of Ramadan, the anniversary of the Mawlid, and the beginning of the plowing URL The disciples slaughter a number of cows, which the families and philanthropists share in buying them, and they share their meat in the end, so that the meat is accessible to all the families of the village. The poor people who do not share in the price of the cows get their share of the meat as well;
Edit intent: clarity
Original:  are what contributed to preserving this custom in the Algerian rural URL Practices Since the Wezeea is one of the customs and traditions that the inhabitants of the Kabylia region inherited from grandfathers,
Revised:  are what contributed to preserving this custom in the Algerian rural community. Practices Since the Wezeea is one of the customs and traditions that the inhabitants of the Kabylia region inherited from grandfathers,
Edit intent: clarity