wanyu/IteraTeR_full_sent huggingface dataset:
Original:  Assuming a multiplicative model with no interaction (i.e. no departure from multiplicative scale), combined PAR can be manually calculated by this formula:%DIFDELCMD < %DIFDELCMD < %DIFDELCMD < %%% See also Evaluation of binary classifiers Population Impact Measures Attributable risk percent
Revised:  Assuming a multiplicative model with no interaction (i.e. no departure from multiplicative scale), combined PAR can be manually calculated by this formula:%DIFDELCMD < %DIFDELCMD < %DIFDELCMD < %%% See also Evaluation of binary classifiers Population Impact Measures 
Edit intent: clarity
Original:  On-Line Examples of Atsugewi Narratives%DIFDELCMD < %DIFDELCMD < %%% "Achomawi and Atsugewi Tales" by Roland B. Dixon (1908) Sources for Atsugewi Narratives%DIFDELCMD < %DIFDELCMD < %%% Dixon, Roland B. 1908.
Revised:  %DIFDELCMD < %DIFDELCMD < %%% "Achomawi and Atsugewi Tales" by Roland B. Dixon (1908) Sources for Atsugewi Narratives%DIFDELCMD < %DIFDELCMD < %%% Dixon, Roland B. 1908.
Edit intent: coherence
Original:  On-Line Examples of Atsugewi Narratives%DIFDELCMD < %DIFDELCMD < %%% "Achomawi and Atsugewi Tales" by Roland B. Dixon (1908) Sources for Atsugewi Narratives%DIFDELCMD < %DIFDELCMD < %%% Dixon, Roland B. 1908.
Revised:  On-Line Examples of Atsugewi Narratives%DIFDELCMD < %DIFDELCMD < %%% Sources for Atsugewi Narratives%DIFDELCMD < %DIFDELCMD < %%% Dixon, Roland B. 1908.
Edit intent: coherence
Original:  On-Line Examples of Atsugewi Narratives%DIFDELCMD < %DIFDELCMD < %%% "Achomawi and Atsugewi Tales" by Roland B. Dixon (1908) Sources for Atsugewi Narratives%DIFDELCMD < %DIFDELCMD < %%% Dixon, Roland B. 1908.
Revised:  On-Line Examples of Atsugewi Narratives%DIFDELCMD < %DIFDELCMD < %%% "Achomawi and Atsugewi Tales" by Roland B. Dixon (1908) %DIFDELCMD < %DIFDELCMD < %%% Dixon, Roland B. 1908.
Edit intent: clarity
Original:  On-Line Examples of Atsugewi Narratives%DIFDELCMD < %DIFDELCMD < %%% "Achomawi and Atsugewi Tales" by Roland B. Dixon (1908) Sources for Atsugewi Narratives%DIFDELCMD < %DIFDELCMD < %%% Dixon, Roland B. 1908. "Achomawi and Atsugewi Tales". Journal of American Folklore 21:159-177.(Two myths collected in 1900 and 1903.) Luthin, Herbert W. 2002. Surviving through the Days: A California Indian Reader. University of California Press, Berkeley. (Two narratives recorded in 1996 and 1931, pp. 59–61, 139–151.) Swann, Brian. 1994. Coming to Light: Contemporary Translations of the Native Literatures of North America. Random House, New York. ("Silver-Gray Fox Creates Another World," recorded by Susan Brandenstein in the early 1930s, pp. 737–748.) Walters, Diane. 1977. "Coyote and Moon Woman (Apwarukeyi)". In Northern Californian Texts, edited by Victor Golla and Shirley Silver, pp. 147–157. International Journal of American Linguistics Native American Texts Series No. 2(2). University of Chicago Press.
Revised:  On-Line Examples of Atsugewi Narratives%DIFDELCMD < %DIFDELCMD < %%% "Achomawi and Atsugewi Tales" by Roland B. Dixon (1908) Sources for Atsugewi Narratives%DIFDELCMD < %DIFDELCMD < %%% 
Edit intent: meaning-changed
Original: A cultural universal (also called an anthropological universal or human universal) , as discussed by Emile Durkheim, George Murdock, Claude Lévi-Strauss, Donald Brown and others, is an element, pattern, trait, or institution that is common to all  human cultures worldwide.
Revised: A cultural universal (also called an anthropological universal or human universal) is an element, pattern, trait, or institution that is common to all human cultures worldwide.
Edit intent: coherence
Original: A cultural universal (also called an anthropological universal or human universal) , as discussed by Emile Durkheim, George Murdock, Claude Lévi-Strauss, Donald Brown and others, is an element, pattern, trait, or institution that is common to all  human cultures worldwide.
Revised: A cultural universal (also called an anthropological universal or human universal) , as discussed by Emile Durkheim, George Murdock, Claude Lévi-Strauss, Donald Brown and others, is an element, pattern, trait, or institution that is common to all known human cultures worldwide.
Edit intent: clarity
Original:  Worth Publishers. pp. 26–27 Some anthropological and sociological theorists that take a cultural relativist perspective may deny the existence of cultural universals: the extent to which these universals are "cultural" in the narrow sense, or in fact biologically inherited behavior is an issue of "nature versus nurture"  .
Revised:  Worth Publishers. pp. 26–27 Some anthropological and sociological theorists that take a cultural relativist perspective may deny the existence of cultural universals: the extent to which these universals are "cultural" in the narrow sense, or in fact biologically inherited behavior is an issue of "nature versus nurture" . Prominent scholars on the topic include Emile Durkheim, George Murdock, Claude Lévi-Strauss, Donald Brown .
Edit intent: meaning-changed
Original:   The term "COVID-19 denialism" or "new coronavirus denialism" (or viral denialism) refers to the thinking of those who deny the reality of the COVID-19 pandemic or, at the very least, deny that deaths are happening in the manner or proportions scientifically recognized by the World Health Organization.
Revised:  upright=1.35|"COVID is a lie" graffiti in Pontefract, West Yorkshire, England The term "COVID-19 denialism" or "new coronavirus denialism" (or viral denialism) refers to the thinking of those who deny the reality of the COVID-19 pandemic or, at the very least, deny that deaths are happening in the manner or proportions scientifically recognized by the World Health Organization.
Edit intent: meaning-changed
Original: The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism , begun following  Alexander the Great's brief incursion into the area, but fully flowering under the Kushan Empire of the first centuries AD.
Revised: The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism . Alexander the Great's brief incursion into the area, but fully flowering under the Kushan Empire of the first centuries AD.
Edit intent: coherence
Original: The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism , begun following  Alexander the Great's brief incursion into the area, but fully flowering under the Kushan Empire of the first centuries AD.
Revised: The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism , begun following The series of interactions leading to Gandhara art occured over time, begining with Alexander the Great's brief incursion into the area, but fully flowering under the Kushan Empire of the first centuries AD.
Edit intent: meaning-changed
Original: The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism , begun following  Alexander the Great's brief incursion into the area, but fully flowering under the Kushan Empire of the first centuries AD.
Revised: The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism , begun following Alexander the Great's brief incursion into the area, followed by the Mauryan Emperor Ashoka converting the region to Buddhism. Buddhism became the prominent religion in the Indo-Greek Kingdoms. However, Greco-Buddhist art truly flowered and spread under the Kushan Empire of the first centuries AD.
Edit intent: meaning-changed
Original: The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism , begun following  Alexander the Great's brief incursion into the area, but fully flowering under the Kushan Empire of the first centuries AD. It  is characterized by Buddhist subject matter, sometimes adapting Greco-Roman elements, rendered in a style and forms that are heavily influenced by Greco-Roman art.
Revised: The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism , begun following Alexander the Great's brief incursion into the area, but fully flowering under the Kushan Empire , when the first surviving devotional images of the Buddha were created during the 1st-3rd centuries CE. Gandhara art reached its zenith from the 3rd-5th century CE, when most surviving motifs and artworks were produced. is characterized by Buddhist subject matter, sometimes adapting Greco-Roman elements, rendered in a style and forms that are heavily influenced by Greco-Roman art.
Edit intent: meaning-changed
Original:  Over the transatlantic leg of his voyage - a distance of about - he was able to navigate with a cumulative error of about in landfall, or less than one percent of the distance travelled, by computing his position at hourly intervals by dead reckoning with the induction compass .
Revised:  Over the transatlantic leg of his voyage - a distance of about - he was able to navigate with a cumulative error of about in landfall, or about one half of one percent of the distance travelled, by computing his position at hourly intervals by dead reckoning with the induction compass .
Edit intent: clarity
Original:  Over the transatlantic leg of his voyage - a distance of about - he was able to navigate with a cumulative error of about in landfall, or less than one percent of the distance travelled, by computing his position at hourly intervals by dead reckoning with the induction compass .
Revised:  Over the transatlantic leg of his voyage - a distance of about - he was able to navigate with a cumulative error of about in landfall, or less than one percent of the distance travelled, by computing his heading at hourly intervals by dead reckoning with the induction compass .
Edit intent: clarity
Original:  Over the transatlantic leg of his voyage - a distance of about - he was able to navigate with a cumulative error of about in landfall, or less than one percent of the distance travelled, by computing his position at hourly intervals by dead reckoning with the induction compass .
Revised:  Over the transatlantic leg of his voyage - a distance of about - he was able to navigate with a cumulative error of about in landfall, or less than one percent of the distance travelled, by computing his position at hourly intervals for a dead reckoning estimate of position .
Edit intent: clarity
Original:   He was the son of the composer Yakov Andreyevich Eshpai, and the father of the filmmaker Andrei Andreyevich Eshpai.
Revised:  People's Artist of the USSR (1981). He was the son of the composer Yakov Andreyevich Eshpai, and the father of the filmmaker Andrei Andreyevich Eshpai.
Edit intent: meaning-changed
Original:  Russian ballet composers Category:Russian composers Category:Russian male composers Category:Soviet film score composers Category:Male film score composers Category:Soviet military personnel of World War II Category:Moscow Conservatory alumni Category:Recipients of the Order of Friendship Category: 20th-century composers Category:21st-century composers Category:Recipients of the Order of Lenin Category:Recipients of the Medal of Zhukov Category:Lenin Prize winners Category: Recipients of the USSR State Pri
Revised:  Academicians of the Russian Academy of Cinema Arts and Sciences "Nika" Category:Moscow Conservatory alumni Category:Moscow Conservatory faculty Category:People's Artists of the RSFSR Category:People's Artists of the USSR Category:Recipients of the Medal of Zhukov Category:Recipients of the Order "For Merit to the Fatherland", 4th class Category:Recipients of the Order of Friendship Category: 20th-century composers Category:21st-century composers Category:Recipients of the Order of Lenin Category:Recipients of the Medal of Zhukov Category:Lenin Prize winners Category: Recipients of the USSR State Pri
Edit intent: meaning-changed
Original: Russian composers Category:Russian male composers Category:Soviet film score composers Category:Male film score composers Category:Soviet military personnel of World War II Category:Moscow Conservatory alumni Category:Recipients of the Order of Friendship Category: 20th-century composers Category:21st-century composers Category:Recipients of the Order of Lenin Category:Recipients of the Medal of Zhukov Category:Lenin Prize winners Category: Recipients of the USSR State Pri
Revised: Russian composers Category:Russian male composers Category:Soviet film score composers Category:Male film score composers Category:Soviet military personnel of World War II Category:Moscow Conservatory alumni Category:Recipients of the Order of Friendship Category: Recipients of the Order of Lenin Category:Recipients of the Order of the Red Banner of Labour Category:Recipients of the Order of Lenin Category:Recipients of the Medal of Zhukov Category:Lenin Prize winners Category: Recipients of the USSR State Pri
Edit intent: meaning-changed
Original: Russian composers Category:Russian male composers Category:Soviet film score composers Category:Male film score composers Category:Soviet military personnel of World War II Category:Moscow Conservatory alumni Category:Recipients of the Order of Friendship Category: 20th-century composers Category:21st-century composers Category:Recipients of the Order of Lenin Category:Recipients of the Medal of Zhukov Category:Lenin Prize winners Category: Recipients of the USSR State Pri
Revised: Russian composers Category:Russian male composers Category:Soviet film score composers Category:Male film score composers Category:Soviet military personnel of World War II Category:Moscow Conservatory alumni Category:Recipients of the Order of Friendship Category: 20th-century composers Category:21st-century composers Category:Recipients of the Order of the Red Star Category:Recipients of the Medal of Zhukov Category:Lenin Prize winners Category: Recipients of the USSR State Pri
Edit intent: meaning-changed
Original: Russian composers Category:Russian male composers Category:Soviet film score composers Category:Male film score composers Category:Soviet military personnel of World War II Category:Moscow Conservatory alumni Category:Recipients of the Order of Friendship Category: 20th-century composers Category:21st-century composers Category:Recipients of the Order of Lenin Category:Recipients of the Medal of Zhukov Category:Lenin Prize winners Category: Recipients of the USSR State Pri
Revised: Russian composers Category:Russian male composers Category:Soviet film score composers Category:Male film score composers Category:Soviet military personnel of World War II Category:Moscow Conservatory alumni Category:Recipients of the Order of Friendship Category: 20th-century composers Category:21st-century composers Category:Recipients of the Order of Lenin Category:Recipients of the USSR State Prize Category:Lenin Prize winners Category: Recipients of the USSR State Pri
Edit intent: coherence
Original: Russian composers Category:Russian male composers Category:Soviet film score composers Category:Male film score composers Category:Soviet military personnel of World War II Category:Moscow Conservatory alumni Category:Recipients of the Order of Friendship Category: 20th-century composers Category:21st-century composers Category:Recipients of the Order of Lenin Category:Recipients of the Medal of Zhukov Category:Lenin Prize winners Category: Recipients of the USSR State Pri
Revised: Russian composers Category:Russian male composers Category:Soviet film score composers Category:Male film score composers Category:Soviet military personnel of World War II Category:Moscow Conservatory alumni Category:Recipients of the Order of Friendship Category: 20th-century composers Category:21st-century composers Category:Recipients of the Order of Lenin Category:Recipients of the Medal of Zhukov Category:Lenin Prize winners Category: Male film score composers Category:Russian ballet composers Category:Russian classical musicians Category:Russian classical pianists Category:Russian film score composers Category:Russian male composers Category:Russian music educators Category:Russian pianists Category:Soviet classical musicians Category:Soviet classical pianists Category:Soviet film score composers Category:Soviet male composers Category:Soviet military personnel of World War II Category:Soviet music educators Category:Soviet pianists Category:Burials at Novodevichy Cemeter
Edit intent: meaning-changed
Original: Usage It was first employed in the context of Native American Studies by the Anishinaabe cultural theorist Gerald Vizenor, in his  book Manifest Manners: Narratives on Postindian Survivance.
Revised: Usage It was first employed in the context of Native American Studies by the Anishinaabe cultural theorist Gerald Vizenor, in his 1999 book Manifest Manners: Narratives on Postindian Survivance.
Edit intent: meaning-changed
Original:   There he explains that "Survivance is an active sense of presence, the continuance of native stories, not a mere reaction, or a survivable name.
Revised:  Gerald Vizenor, Manifest Manners: Narratives on Postindian Survivance (Lincoln: Nebraska, 1999) There he explains that "Survivance is an active sense of presence, the continuance of native stories, not a mere reaction, or a survivable name.
Edit intent: meaning-changed
Original:  Gerald Vizenor , Manifest Manners: Narratives on Postindian Survivance (Lincoln: Nebraska, 1999), p. vii Vizenor makes the term, which is deliberately imprecise, the cornerstone of his analysis of contemporary Native American literature, culture and politics.
Revised:  Vizenor ( 1999), p. vii Vizenor makes the term, which is deliberately imprecise, the cornerstone of his analysis of contemporary Native American literature, culture and politics.
Edit intent: clarity
Original:  1993. ISBN 0-11-840331-1 Category:  History of Belize  Category:United Kingdom Acts of Parliament 1981 Category:1981 in Belize Category:Belize–United Kingdom relations Category:Monarchy i
Revised:  1993. ISBN 0-11-840331-1 Category: Belize and the Commonwealth of Nations Category: History of Belize Category:United Kingdom Acts of Parliament 1981 Category:1981 in Belize Category:Belize–United Kingdom relations Category:Monarchy i
Edit intent: meaning-changed
Original:  1993. ISBN 0-11-840331-1 Category:  History of Belize  Category:United Kingdom Acts of Parliament 1981 Category:1981 in Belize Category:Belize–United Kingdom relations Category:Monarchy i
Revised:  1993. ISBN 0-11-840331-1 Category: History of Belize Category:Independence acts in the Parliament of the United Kingdom Category:United Kingdom Acts of Parliament 1981 Category:1981 in Belize Category:Belize–United Kingdom relations Category:Monarchy i
Edit intent: meaning-changed
Original: On-Line Examples of Ohlone Narratives "Indian Myths of South Central California" by Alfred L. Kroeber (1907) Sources for Ohlone Narratives Gifford, Edward Winslow, and Gwendoline Harris Block.
Revised: Further reading "Indian Myths of South Central California" by Alfred L. Kroeber (1907) Sources for Ohlone Narratives Gifford, Edward Winslow, and Gwendoline Harris Block.
Edit intent: clarity
Original: On-Line Examples of Ohlone Narratives "Indian Myths of South Central California" by Alfred L. Kroeber (1907) Sources for Ohlone Narratives Gifford, Edward Winslow, and Gwendoline Harris Block.
Revised: On-Line Examples of Ohlone Narratives "Indian Myths of South Central California" by Alfred L. Kroeber (1907) Gifford, Edward Winslow, and Gwendoline Harris Block.
Edit intent: clarity
Original:   One of the best harikatha renderings is on the life of saint Tyagaraja by Sri Mullukutla Sadasiva Sastry from Tenali.
Revised:  Paruthiyur Krishna Sastri started out as a Harikatha exponent and then changed to Pravachan style. One of the best harikatha renderings is on the life of saint Tyagaraja by Sri Mullukutla Sadasiva Sastry from Tenali.
Edit intent: meaning-changed
Original:  Marathi: हरीपाठ : Haripatha ) , literally " Story of Lord Hari", also known as Harikatha Kaalakshepam in Telugu and Tamil ( Spending time to listen to Hari's story (Katha) ), is a form of Hindu traditional discourse in which the storyteller explores a traditional theme, usually the life of a saint or a story from an Indian epic.
Revised:  Marathi: हरीपाठ : Haripatha , ), also known as Harikatha Kaalakshepam in Telugu and Tamil ( Spending time to listen to Hari's story (Katha) ), is a form of Hindu traditional discourse in which the storyteller explores a traditional theme, usually the life of a saint or a story from an Indian epic.
Edit intent: coherence
Original:  Marathi: हरीपाठ : Haripatha ) , literally " Story of Lord Hari", also known as Harikatha Kaalakshepam in Telugu and Tamil ( Spending time to listen to Hari's story (Katha) ), is a form of Hindu traditional discourse in which the storyteller explores a traditional theme, usually the life of a saint or a story from an Indian epic.
Revised:  Marathi: हरीपाठ : Haripatha ) , literally " Story of Lord Hari", also known as Harikatha Kaalakshepam in Telugu and Tamil ( ), is a form of Hindu traditional discourse in which the storyteller explores a traditional theme, usually the life of a saint or a story from an Indian epic.
Edit intent: coherence
Original: Category:1931 establishments in the Soviet Union Category: 1991 disestablishments in the Soviet Union Category:Autonomous republics of the Soviet Union Category:Former socialist republics Category:Politics of Abkhazia Category:History of Abkhazia Category:20th century in Georgia (country) Category:States and territories established in 1931 Category:States and territories disestablished in 199
Revised: Category:1931 establishments in the Soviet Union Category: 1989 disestablishments in the Soviet Union Category:Autonomous republics of the Soviet Union Category:Former socialist republics Category:Politics of Abkhazia Category:History of Abkhazia Category:20th century in Georgia (country) Category:States and territories established in 1931 Category:States and territories disestablished in 199
Edit intent: meaning-changed
Original: Category:1931 establishments in the Soviet Union Category: 1991 disestablishments in the Soviet Union Category:Autonomous republics of the Soviet Union Category:Former socialist republics Category:Politics of Abkhazia Category:History of Abkhazia Category:20th century in Georgia (country) Category:States and territories established in 1931 Category:States and territories disestablished in 199
Revised: Category:1931 establishments in the Soviet Union Category: 1991 disestablishments in the Soviet Union Category:Autonomous republics of the Soviet Union Category:Former socialist republics Category:Politics of Abkhazia Category:History of Abkhazia Category:20th century in Georgia (country) Category:States and territories established in 1931 Category:States and territories disestablished in 198
Edit intent: fluency