wanyu/IteraTeR_full_sent huggingface dataset:
Original:  Johnston then hired Logan to serve as a guide and scout for the American army.
Revised:  Johnston then hired Logan to serve as a guide and scout for a new American army, this time commanded by William Henry Harrison. In September 1812, Logan made another trip to Fort Wayne, passing through enemy lines. He reported back to the Americans that Fort Wayne was under siege, then guided Harrison's army to relieve the fort. Logan refused to participate in Harrison's punitive expeditions against nearby Indian villages after the fort had been secured, though he continued to scout for Harrison's army.
Edit intent: meaning-changed
Original:   On November 22, 1812,  he and two Shawnee companions, Captain Johnny (the younger) and Bright Horn, were captured by a mounted party led by Winamac, a Potawatomi war chief.
Revised:  In November 1812, Logan's party was scattered by a superior force while scouting near the rapids of the Maumee River. He escaped and reached the wing of the American army led by General James Winchester. There, some Americans expressed doubts about whether Logan and his Shawnee scouts could be trusted. On November 22, 1812, he and two Shawnee companions, Captain Johnny (the younger) and Bright Horn, were captured by a mounted party led by Winamac, a Potawatomi war chief.
Edit intent: meaning-changed
Original:   On November 22, 1812,  he and two Shawnee companions, Captain Johnny (the younger) and Bright Horn, were captured by a mounted party led by Winamac, a Potawatomi war chief.
Revised:  On November 22, 1812, Logan sought to prove his reliability by leading another scouting mission back towards the rapids. Scouting on foot, he and two Shawnee companions, Captain Johnny (the younger) and Bright Horn, were captured by a mounted party led by Winamac, a Potawatomi war chief.
Edit intent: meaning-changed
Original:   On November 22, 1812,  he and two Shawnee companions, Captain Johnny (the younger) and Bright Horn, were captured by a mounted party led by Winamac, a Potawatomi war chief.
Revised:  On November 22, 1812, he and two Shawnee companions, Captain JohnnyNot the same Captain Johnny as noted chief Kekewepelethy, but a younger man; Sugden (1997), p. 431 n.19. and Bright Horn, were captured by a mounted party led by Winamac, a Potawatomi war chief.
Edit intent: meaning-changed
Original:  Examples of Rauschenberg's Combine paintings include Bed (1955), Canyon (1959), and the free-standing Monogram (1955–1959).
Revised:  The artwork Buksa mi (My pants) by the Norwegian artist Bjørn Krogstad, from 1968, an example of combine paintingExamples of Rauschenberg's Combine paintings include Bed (1955), Canyon (1959), and the free-standing Monogram (1955–1959).
Edit intent: meaning-changed
Original:  The Great Mosque of Mecca, known as the Masjid al-Haram, is home to the Ka'bah, believed by Muslims to have been built by Abraham and Ishmael , is one of Islam's holiest sites and the direction of prayer for all Muslims (qibla), cementing Mecca's significance in Islam.
Revised:  The Great Mosque of Mecca, known as the Masjid al-Haram, is home to the Ka'bah, believed by Muslims to have been built by Ibrahim and Ismael , is one of Islam's holiest sites and the direction of prayer for all Muslims (qibla), cementing Mecca's significance in Islam.
Edit intent: meaning-changed
Original:  Mecca is now home to two of the most expensive buildings in the world, the Masjid al-Haram , valued at 100 billion US dollars, and the Abraj al-Bait complex, valued at 15 billion US dollars.
Revised:  Mecca is now home to two of the most expensive buildings in the world, the Masjid uul-Haram , valued at 100 billion US dollars, and the Abraj al-Bait complex, valued at 15 billion US dollars.
Edit intent: fluency
Original:  The Great Mosque of Mecca, known as the Masjid al-Haram, is home to the Ka'bah, believed by Muslims to have been built by Ibrahim and Ismael , is one of Islam's holiest sites and the direction of prayer for all Muslims (qibla), cementing Mecca's significance in Islam.
Revised:  The Great Mosque of Mecca, known as the Masjid al-Haram, is home to the Ka'bah, believed by Muslims to have been built by Abraham and Ishmael , is one of Islam's holiest sites and the direction of prayer for all Muslims (qibla), cementing Mecca's significance in Islam.
Edit intent: meaning-changed
Original:  Mecca is now home to two of the most expensive buildings in the world, the Masjid uul-Haram , valued at 100 billion US dollars, and the Abraj al-Bait complex, valued at 15 billion US dollars.
Revised:  Mecca is now home to two of the most expensive buildings in the world, the Masjid al-Haram , valued at 100 billion US dollars, and the Abraj al-Bait complex, valued at 15 billion US dollars.
Edit intent: fluency
Original:  Taoist propriety and ethics may vary depending on the particular school, but in general they tend to emphasize Wu-wei (action through non-action), "naturalness" , simplicity, spontaneity, and the Three Treasures: compassion, moderation, and humility." "Though Tao is ultimately transcendent, it is also immanent.
Revised:  Taoist propriety and ethics may vary depending on the particular school, but in general they tend to emphasize Wu-wei (action through non-action), 'naturalness' , simplicity, spontaneity, and the Three Treasures: compassion, moderation, and humility." "Though Tao is ultimately transcendent, it is also immanent.
Edit intent: fluency
Original:  It allows Christian belief in God to be worked into a worldview where there is no predetermined path for the cosmos, because God so loved the world that the Word was given freely to become nature in all its creativity and freedom     .
Revised:  It allows Christian belief in God to be worked into a worldview where there is no predetermined path for the cosmos, because God so loved the world that the Word was given freely to become nature in all its creativity and freedom . .
Edit intent: fluency
Original:  It allows Christian belief in God to be worked into a worldview where there is no predetermined path for the cosmos, because God so loved the world that the Word was given freely to become nature in all its creativity and freedom     .
Revised:  It allows Christian belief in God to be worked into a worldview where there is no predetermined path for the cosmos, because God so loved the world that the Word was given freely to become nature in all its creativity and freedom Epicureanism Among the Hellenistic philosophies, the Epicurean tradition stands out as a complete, internally coherent naturalist philosophy complete with its physics, ethics, and cosmology. Due to the meticulous adherence to "epilogismos" (empirical or pragmatic thinking) applied by the founder, Epicurus of Samos, this philosophy is particularly compatible with contemporary scientific insights. It has deep roots in Western culture, and inspired the author of the US Declaration of Independence, Thomas Jefferson, as well as Giordano Bruno, Isaac Newton, and many others. .
Edit intent: meaning-changed
Original:  It allows Christian belief in God to be worked into a worldview where there is no predetermined path for the cosmos, because God so loved the world that the Word was given freely to become nature in all its creativity and freedom     .
Revised:  It allows Christian belief in God to be worked into a worldview where there is no predetermined path for the cosmos, because God so loved the world that the Word was given freely to become nature in all its creativity and freedom Epicurean philosophy employs "the Canon" in its epistemology, which is a tool comprised of the five senses, the pleasure and pain faculties, and a faculty tied to language and memory known as "prolepsis". The Epicureans teach that these faculties are our nature-given connection with reality, and insist on clear expression, so as to make sure that language reflects the nature of things. They also incorporate ritual (Eikas is a feast of reason, food, and friendship celebrated the Twentieth of every month and established by Epicurus in his Final Will), community, and other cultural traits traditionally associated with religion. .
Edit intent: meaning-changed
Original:  It allows Christian belief in God to be worked into a worldview where there is no predetermined path for the cosmos, because God so loved the world that the Word was given freely to become nature in all its creativity and freedom     .
Revised:  It allows Christian belief in God to be worked into a worldview where there is no predetermined path for the cosmos, because God so loved the world that the Word was given freely to become nature in all its creativity and freedom The epic poem De rerum natura by Lucretius--an ancient epitome of natural philosophy--is the most complete Epicurean writing, together with three of the founder's Epistles, his Principal Doctrines, and the Vatican Sayings. There are also dozens of scrolls that survived the eruption of Mount Vesuvius in the year 79 from Herculaneum, which were curated by Philodemus of Gadara. Some Unitarian ministers, a denomination of Secular Humanist Jews, and others have incorporated Epicureanism into their liturgies and traditions in various ways. There are also Epicurean organizations in Greece, Italy, Australia, and the US .
Edit intent: meaning-changed
Original:  This is often translated and popularized as " Universal Love " , which is misleading as Mozi believed that the essential problem of human ethics was an excess of partiality in compassion, not a deficit in compassion as such.
Revised:  According to Edward Craig, a more accurate translation for 兼愛 is " Universal Love " , which is misleading as Mozi believed that the essential problem of human ethics was an excess of partiality in compassion, not a deficit in compassion as such.
Edit intent: meaning-changed
Original:  This is often translated and popularized as " Universal Love " , which is misleading as Mozi believed that the essential problem of human ethics was an excess of partiality in compassion, not a deficit in compassion as such.
Revised:  This is often translated and popularized as " impartial care " , which is misleading as Mozi believed that the essential problem of human ethics was an excess of partiality in compassion, not a deficit in compassion as such.
Edit intent: meaning-changed
Original:  This is often translated and popularized as " Universal Love " , which is misleading as Mozi believed that the essential problem of human ethics was an excess of partiality in compassion, not a deficit in compassion as such. His aim was to re-evaluate behaviour, not emotions or attitudes .
Revised:  This is often translated and popularized as " Universal Love " because Mozi was more concerned with ethics than morality .
Edit intent: clarity
Original: __NOTOC__ Music without sound can refer to music that falls outside the range of human hearing (typically 20 Hz–20 kHz) or to compositions, such as visual music, that are analogous to or suggestive of ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, conventional music but in media other than sound, such as color, shape, position, motion and literature (see Discursive music below).
Revised:  Music without sound can refer to music that falls outside the range of human hearing (typically 20 Hz–20 kHz) or to compositions, such as visual music, that are analogous to or suggestive of ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, conventional music but in media other than sound, such as color, shape, position, motion and literature (see Discursive music below).
Edit intent: coherence
Original: __NOTOC__ Music without sound can refer to music that falls outside the range of human hearing (typically 20 Hz–20 kHz) or to compositions, such as visual music, that are analogous to or suggestive of ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, conventional music but in media other than sound, such as color, shape, position, motion and literature (see Discursive music below).
Revised: __NOTOC__ Music without sound can refer to music that falls outside the range of human hearing (typically 20 Hz–20 kHz) or to compositions, such as visual music, that are analogous to or suggestive of conventional music but in media other than sound, such as color, shape, position, motion and literature (see Discursive music below).
Edit intent: fluency
Original:  In his Sofia Gubaidulina biography,Michael Kurtz Sofia Gubaidulina: A Biography, p  184, english translation Indiana University Press, 2007 (written 2001) Michael Kurtz mentions the silent solo performance by the conductor included in ...
Revised:  In his Sofia Gubaidulina biography,Michael Kurtz Sofia Gubaidulina: A Biography, p . 184, english translation Indiana University Press, 2007 (written 2001) Michael Kurtz mentions the silent solo performance by the conductor included in ...
Edit intent: fluency
Original:  The piece includes silent moments when « the players silent motions and gestures created a space of unheard music » [Michael KurtzMichael Kurtz Sofia Gubaidulina: A Biography, p  192, english translation Indiana University Press, 2007 (written 2001)] Algorithmic music Maximilian Stadler (1748-1833) A sequence of finite instructions according to Wikipedia , an algorithm relates to computation, which ultimately relates to music.
Revised:  The piece includes silent moments when " the players silent motions and gestures created a space of unheard music » [Michael KurtzMichael Kurtz Sofia Gubaidulina: A Biography, p 192, english translation Indiana University Press, 2007 (written 2001)] Algorithmic music Maximilian Stadler (1748-1833) A sequence of finite instructions according to Wikipedia , an algorithm relates to computation, which ultimately relates to music.
Edit intent: fluency
Original:  The piece includes silent moments when « the players silent motions and gestures created a space of unheard music » [Michael KurtzMichael Kurtz Sofia Gubaidulina: A Biography, p  192, english translation Indiana University Press, 2007 (written 2001)] Algorithmic music Maximilian Stadler (1748-1833) A sequence of finite instructions according to Wikipedia , an algorithm relates to computation, which ultimately relates to music.
Revised:  The piece includes silent moments when « the players silent motions and gestures created a space of unheard music ". [Michael KurtzMichael Kurtz Sofia Gubaidulina: A Biography, p 192, english translation Indiana University Press, 2007 (written 2001)] Algorithmic music Maximilian Stadler (1748-1833) A sequence of finite instructions according to Wikipedia , an algorithm relates to computation, which ultimately relates to music.
Edit intent: fluency
Original:  The piece includes silent moments when « the players silent motions and gestures created a space of unheard music » [Michael KurtzMichael Kurtz Sofia Gubaidulina: A Biography, p  192, english translation Indiana University Press, 2007 (written 2001)] Algorithmic music Maximilian Stadler (1748-1833) A sequence of finite instructions according to Wikipedia , an algorithm relates to computation, which ultimately relates to music.
Revised:  The piece includes silent moments when « the players silent motions and gestures created a space of unheard music » [Michael KurtzMichael Kurtz Sofia Gubaidulina: A Biography, p . 192, english translation Indiana University Press, 2007 (written 2001)] Algorithmic music Maximilian Stadler (1748-1833) A sequence of finite instructions according to Wikipedia , an algorithm relates to computation, which ultimately relates to music.
Edit intent: fluency
Original:  The piece includes silent moments when « the players silent motions and gestures created a space of unheard music » [Michael KurtzMichael Kurtz Sofia Gubaidulina: A Biography, p  192, english translation Indiana University Press, 2007 (written 2001)] Algorithmic music Maximilian Stadler (1748-1833) A sequence of finite instructions according to Wikipedia , an algorithm relates to computation, which ultimately relates to music.
Revised:  The piece includes silent moments when « the players silent motions and gestures created a space of unheard music » [Michael KurtzMichael Kurtz Sofia Gubaidulina: A Biography, p 192, English translation Indiana University Press, 2007 (written 2001)] Algorithmic music Maximilian Stadler (1748-1833) A sequence of finite instructions according to Wikipedia , an algorithm relates to computation, which ultimately relates to music.
Edit intent: fluency
Original:  The piece includes silent moments when « the players silent motions and gestures created a space of unheard music » [Michael KurtzMichael Kurtz Sofia Gubaidulina: A Biography, p  192, english translation Indiana University Press, 2007 (written 2001)] Algorithmic music Maximilian Stadler (1748-1833) A sequence of finite instructions according to Wikipedia , an algorithm relates to computation, which ultimately relates to music.
Revised:  The piece includes silent moments when « the players silent motions and gestures created a space of unheard music » [Michael KurtzMichael Kurtz Sofia Gubaidulina: A Biography, p 192, english translation Indiana University Press, 2007 (written 2001)] Algorithmic music Maximilian Stadler (1748-1833) A sequence of finite instructions , an algorithm relates to computation, which ultimately relates to music.
Edit intent: meaning-changed
Original:  In 1787, W.A. Mozart (1756–1791) devised an aleatoric system called Musikalisches Würfelspiel (Musical Dice) Musikalisches Würfelspiel (Musical Dice Game), K.516f in the Köchel catalogue of Mozart’s music published 1793 by J.J. Hummel in Berlin-Amsterdam , to compose waltzes with a pair of dice and a set of written bars on paper cards.
Revised:  In 1787, W.A. Mozart (1756–1791) devised an aleatoric system called Musikalisches Würfelspiel (Musical Dice) published 1793 by J.J. Hummel in Berlin-Amsterdam , to compose waltzes with a pair of dice and a set of written bars on paper cards.
Edit intent: coherence
Original:  In 1787, W.A. Mozart (1756–1791) devised an aleatoric system called Musikalisches Würfelspiel (Musical Dice) Musikalisches Würfelspiel (Musical Dice Game), K.516f in the Köchel catalogue of Mozart’s music published 1793 by J.J. Hummel in Berlin-Amsterdam , to compose waltzes with a pair of dice and a set of written bars on paper cards.
Revised:  In 1787, W.A. Mozart (1756–1791) devised an aleatoric system called Musikalisches Würfelspiel (Musical Dice) Musikalisches Würfelspiel (Musical Dice Game), K.516f in the Köchel catalogue of Mozart’s music published 1793 , to compose waltzes with a pair of dice and a set of written bars on paper cards.
Edit intent: coherence
Original:  Weiss translates the beginning of Artaud's text: The ]  piece was never completed and Varèse turned to other projects, including a radiophonic work involving various synchronised choirs located in different places of the world.
Revised:  Weiss translates the beginning of Artaud's text: cquote|Darkness. Explosions in this darkness. Harmonies suddenly broken off. Harsh sounds. Depressurized soundings. The music will give the impression of a distant cataclysm and will fill the room, falling as from vertiginous heights. Chords will originate in the sky and then deteriorate, going from one extreme to the other. Sounds will fall as if from very high, then suddenly stop and spread out in bursts, forming vaults and parasols. Tiers of sounds... ] piece was never completed and Varèse turned to other projects, including a radiophonic work involving various synchronised choirs located in different places of the world.
Edit intent: meaning-changed
Original:  Weiss translates the beginning of Artaud's text: The ]  piece was never completed and Varèse turned to other projects, including a radiophonic work involving various synchronised choirs located in different places of the world.
Revised:  Weiss translates the beginning of Artaud's text: The in Phantasmatic Radio] piece was never completed and Varèse turned to other projects, including a radiophonic work involving various synchronised choirs located in different places of the world.
Edit intent: meaning-changed
Original:  Weiss translates the beginning of Artaud's text: The ]  piece was never completed and Varèse turned to other projects, including a radiophonic work involving various synchronised choirs located in different places of the world.
Revised:  Weiss translates the beginning of Artaud's text: The ]Allen S. Weiss, Phantasmatic Radio, Duke University Press, 1995, page 42 piece was never completed and Varèse turned to other projects, including a radiophonic work involving various synchronised choirs located in different places of the world.
Edit intent: meaning-changed
Original:  Weiss translates the beginning of Artaud's text: The ]  piece was never completed and Varèse turned to other projects, including a radiophonic work involving various synchronised choirs located in different places of the world.
Revised:  Weiss translates the beginning of Artaud's text: The ] The piece was never completed and Varèse turned to other projects, including a radiophonic work involving various synchronised choirs located in different places of the world.
Edit intent: fluency
Original:  Discursive music Marcel Proust The Vinteuil Sonata (French: Sonate de Vinteuil) is an imaginary violin and piano sonata by fictitious composer Vinteuil recurring several times in Marcel Proust's A La Recherche Du Temps Perdu (In Search of Lost Time), particularly in Un Amour De Swann (1913).
Revised:  Discursive music Marcel Proust The Vinteuil Sonata is an imaginary violin and piano sonata by fictitious composer Vinteuil recurring several times in Marcel Proust's A La Recherche Du Temps Perdu (In Search of Lost Time), particularly in Un Amour De Swann (1913).
Edit intent: clarity
Original:  Discursive music Marcel Proust The Vinteuil Sonata (French: Sonate de Vinteuil) is an imaginary violin and piano sonata by fictitious composer Vinteuil recurring several times in Marcel Proust's A La Recherche Du Temps Perdu (In Search of Lost Time), particularly in Un Amour De Swann (1913).
Revised:  Discursive music Marcel Proust The Vinteuil Sonata (French: Sonate de Vinteuil) is an imaginary violin and piano sonata by fictitious composer Vinteuil recurring several times in Marcel Proust's À la recherche du temps perdu (In Search of Lost Time), particularly in Un Amour De Swann (1913).
Edit intent: fluency
Original:  Discursive music Marcel Proust The Vinteuil Sonata (French: Sonate de Vinteuil) is an imaginary violin and piano sonata by fictitious composer Vinteuil recurring several times in Marcel Proust's A La Recherche Du Temps Perdu (In Search of Lost Time), particularly in Un Amour De Swann (1913).
Revised:  Discursive music Marcel Proust The Vinteuil Sonata (French: Sonate de Vinteuil) is an imaginary violin and piano sonata by fictitious composer Vinteuil recurring several times in Marcel Proust's A La Recherche Du Temps Perdu (In Search of Lost Time), particularly in Un amour de Swann (1913).
Edit intent: fluency
Original: See Adrien De Vries' article : Sources de la Sonate de Vinteuil, April 2007 (in french ) For example, Proust immediately praised and enjoyed Debussy's 1902 Pelléas et Mélisande opera.
Revised: See Adrien De Vries' article : Sources de la Sonate de Vinteuil, April 2007 (in French ) For example, Proust immediately praised and enjoyed Debussy's 1902 Pelléas et Mélisande opera.
Edit intent: fluency
Original:  In Les Plaisirs et les Jours (1896), Proust focusses on Hans Sachs's monologue from Wagner's Die Meistersinger von Nürnberg, Act II.
Revised:  In Les plaisirs et les jours (1896), Proust focusses on Hans Sachs's monologue from Wagner's Die Meistersinger von Nürnberg, Act II.
Edit intent: fluency
Original:  In Les Plaisirs et les Jours (1896), Proust focusses on Hans Sachs's monologue from Wagner's Die Meistersinger von Nürnberg, Act II.
Revised:  In Les Plaisirs et les Jours (1896), Proust focusses on Hans Sachs's monologue from Wagner's Die Meistersinger von Nürnberg, act 2.
Edit intent: clarity
Original:  In Jean Santeuil (1952), a Camille Saint-Saëns Sonata for Violin and Piano (op . 75, 1885) plays a key role and is presumably the model for the Sonate de Vinteuil.
Revised:  In Jean Santeuil (1952), a Camille Saint-Saëns sonata for violin and piano (Op . 75, 1885) plays a key role and is presumably the model for the Sonate de Vinteuil.
Edit intent: fluency