wanyu/IteraTeR_full_sent huggingface dataset:
Original:  Scroll 1 and Scroll 2 Laos Persia ]       Thailand  By religion See also Eastern art History of painting Night photography
Revised:  Scroll 1 and Scroll 2 South Asian art India 200px|Artist unknown, Radha at night, circa 1650 (Mughal), Kupferstichkabinett Berlin For traditional art, there is little difference between the way night and day are illustrated and the colors that are used. For instance in early Rajput (also called Rajasthani) paintings, the only way to read that the painting is a night scene is through the presence of torches or candles. Later in the Rajput period, both somewhat influenced by Western art, night scenes were painted dramatically with shadows and Mughal paintings used chiaroscuro for shading.Coomaraswamy, Ananda K. (2003). History of Indian and Indonesian Art. Kessinger Publishing. pp. 128, 131. . Persia ] Thailand By religion See also Eastern art History of painting Night photography
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Original:  Scroll 1 and Scroll 2 Laos Persia ]       Thailand  By religion See also Eastern art History of painting Night photography
Revised:  Scroll 1 and Scroll 2 Laos Although there are a number of schools that taught painting during India's history, there is great similarity among them to evoke charming, romantic scenes. The scenes may include moonlight or lanterns to set an amorous mood.Sharma, Lokesh Chandra. (2008) ] Thailand By religion See also Eastern art History of painting Night photography
Edit intent: meaning-changed
Original:  Scroll 1 and Scroll 2 Laos Persia ]       Thailand  By religion See also Eastern art History of painting Night photography
Revised:  Scroll 1 and Scroll 2 Laos Persia ]. A Brief History of Indian Painting. Krishna Prakashan Media. pp. 71, 74, 75, 80, 122. Such was the case for 19th century artist, Chokha, who enjoyed making night paintings like Escapade at Night: A Nobleman Climbs a Rope to Visit his Lover. In that painting Chokha captures the tension of lover climbing several stories into a house with many people and a sleeping guard. Chokha also liked to capture twilight hunting scenes. He astutely conveyed the effects of lighting variation between twilight and the darkest night.Escapade at Night: A Nobleman Climbs a Rope to Visit his Lover. New York: Metropolitan Museum of Art. Retrieved 29 August 2012. Thailand By religion See also Eastern art History of painting Night photography
Edit intent: meaning-changed
Original:  Scroll 1 and Scroll 2 Laos Persia ]       Thailand  By religion See also Eastern art History of painting Night photography
Revised:  Scroll 1 and Scroll 2 Laos Persia ] Rao Bhoj Singh Stalking a Tiger at Night is a painting attributed to the Hada Master of the Kota school. In this case the dark is used for dramatic impact. It provides a dark backdrop to the bright figures of the treed hunting party, riled tiger and battered cow that was used as a lure.Rao Bhoj Singh Stalking a Tiger at Night. New York: Metropolitan Museum. Retrieved 29 August 2012. Thailand By religion See also Eastern art History of painting Night photography
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Original:  Scroll 1 and Scroll 2 Laos Persia ]       Thailand  By religion See also Eastern art History of painting Night photography
Revised:  Scroll 1 and Scroll 2 Laos Persia ] Baz Bahadur and Rupmati (not showsn) depicts mistress Rupmati and Muslim ruler Baz Bahadur. The scene is illuminated from the moon on the horizon.Baz Bahadur and Rupmati riding in a moonlit landscape near Mandu. India Office Select Materials, British Library. Retrieved 28 August 2012.Baz Bahadur and Rupmati. Images Online. India Office Select Materials, British Library. Retrieved 28 August 2012. Thailand By religion See also Eastern art History of painting Night photography
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Original:  Scroll 1 and Scroll 2 Laos Persia ]       Thailand  By religion See also Eastern art History of painting Night photography
Revised:  Scroll 1 and Scroll 2 Laos Persia ] Cambodian paintings often took the form of murals, and have religious significance. Before 1200, art in the temples mostly portrayed scenes from the Hindu pantheon; after 1200, Buddhist scenes began to appear as standard motifs. Its art was heavily influenced by the artistry of India.Le May, Reginald. (1962). A Concise History of Buddhist Art in Siam. Tuttle Publishing. (2nd edition). p. 1. . Thailand By religion See also Eastern art History of painting Night photography
Edit intent: meaning-changed
Original: Biography Haj Aqa Nourollah as Ayatollah Shekh Mohammad Baqer Najafi’s son –the author of the book titled HEDAYAT AL-MOSTTAHSREDIN . Haj Aqa Nourollah’s grand mother is the late Ayatollah Sheikh Mohammaed Jafar Kashef Al-qeta’s daughter who was one of the descendants of Malek-e Ashtar Nakhai ;
Revised: Biography Haj Aqa Nourollah as Ayatollah Shekh Mohammad Baqer Najafi’s son –the author of the book titled "Hedayat Al-Mosttahsredin" . Haj Aqa Nourollah’s grand mother is the late Ayatollah Sheikh Mohammaed Jafar Kashef Al-qeta’s daughter who was one of the descendants of Malek-e Ashtar Nakhai ;
Edit intent: fluency
Original: Biography Haj Aqa Nourollah as Ayatollah Shekh Mohammad Baqer Najafi’s son –the author of the book titled HEDAYAT AL-MOSTTAHSREDIN . Haj Aqa Nourollah’s grand mother is the late Ayatollah Sheikh Mohammaed Jafar Kashef Al-qeta’s daughter who was one of the descendants of Malek-e Ashtar Nakhai ;
Revised: Biography Haj Aqa Nourollah as Ayatollah Shekh Mohammad Baqer Najafi’s son –the author of the book titled HEDAYAT AL-MOSTTAHSREDIN . Haj Aqa Nourollah’s grandmother is the late Ayatollah Sheikh Mohammaed Jafar Kashef Al-qeta’s daughter who was one of the descendants of Malek-e Ashtar Nakhai ;
Edit intent: clarity
Original: Biography Haj Aqa Nourollah as Ayatollah Shekh Mohammad Baqer Najafi’s son –the author of the book titled HEDAYAT AL-MOSTTAHSREDIN . Haj Aqa Nourollah’s grand mother is the late Ayatollah Sheikh Mohammaed Jafar Kashef Al-qeta’s daughter who was one of the descendants of Malek-e Ashtar Nakhai ; the great commander of Alī ibn Abī Ṭālib.
Revised: Biography Haj Aqa Nourollah as Ayatollah Shekh Mohammad Baqer Najafi’s son –the author of the book titled HEDAYAT AL-MOSTTAHSREDIN . Haj Aqa Nourollah’s grand mother is the late Ayatollah Sheikh Mohammaed Jafar Kashef Al-qeta’s daughter who was one of the descendants of Malek-e Ashtar Nakhai , the commander of Alī ibn Abī Ṭālib.
Edit intent: clarity
Original:  involved in the political affairs and considered this as the clergy's waskhe believed that the main problem of Iran during Qajar period was the Russian and English colonialists’ intervention in Iran affairs as well as the king's and oppressors’ tyranny.
Revised:  involved in the political affairs and considered this as the clergy's wask he believed that the main problem of Iran during Qajar period was the Russian and English colonialists’ intervention in Iran affairs as well as the king's and oppressors’ tyranny.
Edit intent: clarity
Original:  His best book The last chapter of his life The last chapter of this great clergyman's struggle was his struggle against Rezā Shāh pahlavi 's tyranny (a new way in practicing tyranny by which he had expanded his autocratic reign under the title “constitution system”) .
Revised:  Book The last chapter of his life The last chapter of this great clergyman's struggle was his struggle against Rezā Shāh pahlavi 's tyranny (a new way in practicing tyranny by which he had expanded his autocratic reign under the title “constitution system”) .
Edit intent: coherence
Original:  His best book The last chapter of his life The last chapter of this great clergyman's struggle was his struggle against Rezā Shāh pahlavi 's tyranny (a new way in practicing tyranny by which he had expanded his autocratic reign under the title “constitution system”) .
Revised:  His best book Later life The last chapter of this great clergyman's struggle was his struggle against Rezā Shāh pahlavi 's tyranny (a new way in practicing tyranny by which he had expanded his autocratic reign under the title “constitution system”) .
Edit intent: meaning-changed
Original:  His best book The last chapter of his life The last chapter of this great clergyman's struggle was his struggle against Rezā Shāh pahlavi 's tyranny (a new way in practicing tyranny by which he had expanded his autocratic reign under the title “constitution system”) .
Revised:  His best book The last chapter of his life The last chapter of his life was his struggle against Rezā Shāh pahlavi 's tyranny (a new way in practicing tyranny by which he had expanded his autocratic reign under the title “constitution system”) .
Edit intent: clarity
Original:  His best book The last chapter of his life The last chapter of this great clergyman's struggle was his struggle against Rezā Shāh pahlavi 's tyranny (a new way in practicing tyranny by which he had expanded his autocratic reign under the title “constitution system”) .
Revised:  His best book The last chapter of his life The last chapter of this great clergyman's struggle was his struggle against Rezā Shāh Pahlavi 's tyranny (a new way in practicing tyranny by which he had expanded his autocratic reign under the title “constitution system”) .
Edit intent: fluency
Original:  His best book The last chapter of his life The last chapter of this great clergyman's struggle was his struggle against Rezā Shāh pahlavi 's tyranny (a new way in practicing tyranny by which he had expanded his autocratic reign under the title “constitution system”) .
Revised:  His best book The last chapter of his life The last chapter of this great clergyman's struggle was his struggle against Rezā Shāh pahlavi 's tyranny .
Edit intent: coherence
Original:  Ward considers the one night house tradition in the context of squatting and other informal systems of occupying and using land and relates accounts from England, Ireland, Scotland and Wales (he observes that similar traditions exist in Turkey, France,  North and South America ), which demonstrate clear parallels in different folk traditions .
Revised:  Ward considers the one night house tradition in the context of squatting and other informal systems of occupying and using land and relates accounts from England, Ireland, Scotland and Wales , which demonstrate clear parallels in different folk traditions. He observes that similar traditions exist in Turkey, France, North and South America ), which demonstrate clear parallels in different folk traditions .
Edit intent: fluency
Original:  Ward considers the one night house tradition in the context of squatting and other informal systems of occupying and using land and relates accounts from England, Ireland, Scotland and Wales (he observes that similar traditions exist in Turkey, France,  North and South America ), which demonstrate clear parallels in different folk traditions .
Revised:  Ward considers the one night house tradition in the context of squatting and other informal systems of occupying and using land and relates accounts from England, Ireland, Scotland and Wales (he observes that similar traditions exist in Turkey, France, and North and South America ), which demonstrate clear parallels in different folk traditions .
Edit intent: fluency
Original:  Ward considers the one night house tradition in the context of squatting and other informal systems of occupying and using land and relates accounts from England, Ireland, Scotland and Wales (he observes that similar traditions exist in Turkey, France,  North and South America ), which demonstrate clear parallels in different folk traditions .
Revised:  Ward considers the one night house tradition in the context of squatting and other informal systems of occupying and using land and relates accounts from England, Ireland, Scotland and Wales (he observes that similar traditions exist in Turkey, France, North and South America .
Edit intent: coherence
Original: Revival In 2009, the Welsh woodland charity Coed Cymru were invited to show a design in Washington, D.C. . Part of the Smithsonian Folklife Festival, it showcased Walesas the country of 2009.
Revised: As a name for modular housing The Coed Cymru "Tŷ unnos" design looks a lot like this traditional Japanese framing design, but it lacks the internal horizontal members, uses glulam, and is clad with oriented strand board The "ty unnos" concept has been used as an inspiration for low-cost modular housing systems. The Welsh woodland charity Coed Cymru were invited to show a design in Washington, D.C. . Part of the Smithsonian Folklife Festival, it showcased Walesas the country of 2009.
Edit intent: meaning-changed
Original: Revival In 2009, the Welsh woodland charity Coed Cymru were invited to show a design in Washington, D.C. . Part of the Smithsonian Folklife Festival, it showcased Walesas the country of 2009.
Revised: Revival In 2009, the Welsh woodland charity called Coed Cymru used "Ty Unnos" as a name for a house design using local materials. In 2009, they were invited to show a design in Washington, D.C. . Part of the Smithsonian Folklife Festival, it showcased Walesas the country of 2009.
Edit intent: meaning-changed
Original: Revival In 2009, the Welsh woodland charity Coed Cymru were invited to show a design in Washington, D.C. . Part of the Smithsonian Folklife Festival, it showcased Walesas the country of 2009.
Revised: Revival In 2009, the Welsh woodland charity Coed Cymru were invited to show the design in Washington, D.C. . Part of the Smithsonian Folklife Festival, it showcased Walesas the country of 2009.
Edit intent: fluency
Original: Revival In 2009, the Welsh woodland charity Coed Cymru were invited to show a design in Washington, D.C. . Part of the Smithsonian Folklife Festival, it showcased Walesas the country of 2009.
Revised: Revival In 2009, the Welsh woodland charity Coed Cymru were invited to show a design in Washington, D.C. as part of the 2009 Smithsonian Folklife Festival, it showcased Walesas the country of 2009.
Edit intent: clarity
Original: Revival In 2009, the Welsh woodland charity Coed Cymru were invited to show a design in Washington, D.C. . Part of the Smithsonian Folklife Festival, it showcased Walesas the country of 2009.
Revised: Revival In 2009, the Welsh woodland charity Coed Cymru were invited to show a design in Washington, D.C. . Part of the Smithsonian Folklife Festival, 
Edit intent: coherence
Original: As a name for modular housing  The Coed Cymru "Tŷ unnos" design looks a lot like this traditional Japanese framing design, but it lacks the internal horizontal members,  uses glulam, and is clad with oriented strand board The "ty unnos" concept has been used as an inspiration for low-cost modular housing systems.
Revised: As a name for modular housing upright=1.8| The Coed Cymru "Tŷ unnos" design looks a lot like this traditional Japanese framing design, but it lacks the internal horizontal members, uses glulam, and is clad with oriented strand board The "ty unnos" concept has been used as an inspiration for low-cost modular housing systems.
Edit intent: meaning-changed
Original: As a name for modular housing  The Coed Cymru "Tŷ unnos" design looks a lot like this traditional Japanese framing design, but it lacks the internal horizontal members,  uses glulam, and is clad with oriented strand board The "ty unnos" concept has been used as an inspiration for low-cost modular housing systems.
Revised: As a name for modular housing The Coed Cymru "Tŷ unnos" design looks similar to this traditional Japanese framing design, but it lacks the internal horizontal members, uses glulam, and is clad with oriented strand board The "ty unnos" concept has been used as an inspiration for low-cost modular housing systems.
Edit intent: clarity
Original: As a name for modular housing  The Coed Cymru "Tŷ unnos" design looks a lot like this traditional Japanese framing design, but it lacks the internal horizontal members,  uses glulam, and is clad with oriented strand board The "ty unnos" concept has been used as an inspiration for low-cost modular housing systems.
Revised: As a name for modular housing The Coed Cymru "Tŷ unnos" design looks a lot like this traditional Japanese framing design, but it lacks the internal horizontal members, has fewer vertical members (such that the side openings are square), and lacks king posts and queen posts. It uses glulam, and is clad with oriented strand board The "ty unnos" concept has been used as an inspiration for low-cost modular housing systems.
Edit intent: meaning-changed
Original:  sites have to coordinate heterogeneous local initiatives with global networking to implement bioculturally diverse forms of earth stewardship  Ricardo Rozzi, Juan J. Armesto, Julio Gutiérrez, Francisca Massardo, Gene Likens, Christopher Anderson, Alexandria Poole , Kelli Moses, Eugene Hargrove, Andres Mansilla, James H. Kennedy, Mary Willson, Kurt Jax, Clive Jones, J. Baird Callicott , Mary T. Kalin.
Revised:  sites have to coordinate heterogeneous local initiatives with global networking to implement biocultural diverse forms of earth stewardship Ricardo Rozzi, Juan J. Armesto, Julio Gutiérrez, Francisca Massardo, Gene Likens, Christopher Anderson, Alexandria Poole , Kelli Moses, Eugene Hargrove, Andres Mansilla, James H. Kennedy, Mary Willson, Kurt Jax, Clive Jones, J. Baird Callicott , Mary T. Kalin.
Edit intent: fluency
Original:  sites have to coordinate heterogeneous local initiatives with global networking to implement bioculturally diverse forms of earth stewardship  Ricardo Rozzi, Juan J. Armesto, Julio Gutiérrez, Francisca Massardo, Gene Likens, Christopher Anderson, Alexandria Poole , Kelli Moses, Eugene Hargrove, Andres Mansilla, James H. Kennedy, Mary Willson, Kurt Jax, Clive Jones, J. Baird Callicott , Mary T. Kalin.
Revised:  sites have to coordinate heterogeneous local initiatives with global networking to implement bioculturally diverse forms of earth stewardship <ref> Ricardo Rozzi, Juan J. Armesto, Julio Gutiérrez, Francisca Massardo, Gene Likens, Christopher Anderson, Alexandria Poole , Kelli Moses, Eugene Hargrove, Andres Mansilla, James H. Kennedy, Mary Willson, Kurt Jax, Clive Jones, J. Baird Callicott , Mary T. Kalin.
Edit intent: meaning-changed
Original:  sites have to coordinate heterogeneous local initiatives with global networking to implement bioculturally diverse forms of earth stewardship  Ricardo Rozzi, Juan J. Armesto, Julio Gutiérrez, Francisca Massardo, Gene Likens, Christopher Anderson, Alexandria Poole , Kelli Moses, Eugene Hargrove, Andres Mansilla, James H. Kennedy, Mary Willson, Kurt Jax, Clive Jones, J. Baird Callicott , Mary T. Kalin.
Revised:  sites have to coordinate heterogeneous local initiatives with global networking to implement bioculturally diverse forms of earth stewardship Ricardo Rozzi, Juan J. Armesto, Julio Gutiérrez, Francisca Massardo, Gene Likens, Christopher Anderson, Alexandria Poole , Kelli Moses, Eugene Hargrove, Andres Mansilla, James H. Kennedy, Mary Willson, Kurt Jax, Clive Jones, J. Baird Calicut , Mary T. Kalin.
Edit intent: fluency
Original: Northey's patents for diaphones: John Pell Northey, "Sound-producing device suitable for sirens or like instruments," U.S. Patent 736,428 (filed: 22 Nov. 1902;
Revised: Northey's patents for diaphones: John Pell Northey, "Sound-producing device suitable for sirens or like instruments," (filed: 22 Nov. 1902;
Edit intent: coherence
Original:  As this low-frequency sound could carry further, Northey's son Rodney redesigned the "Type F" model to sustain the second low tone,Rodney V. Northey, "Sound-producing device," U.S. patent 1,844,226 (filed: 27 March 1931;
Revised:  As this low-frequency sound could carry further, Northey's son Rodney redesigned the "Type F" model to sustain the second low tone,Rodney V. Northey, "Sound-producing device," (filed: 27 March 1931;
Edit intent: coherence
Original:  For example, a footballer running back must be able to quickly change direction when he sees an opponent preparing to tackle him and must be able to quickly change directions when dribbling the ball, attempting to get back on defense, or when trying to beat an opponent to the ball.
Revised:  For example, an American football running back must be able to quickly change direction when he sees an opponent preparing to tackle him and must be able to quickly change directions when dribbling the ball, attempting to get back on defense, or when trying to beat an opponent to the ball.
Edit intent: clarity
Original:  For example, a footballer running back must be able to quickly change direction when he sees an opponent preparing to tackle him and must be able to quickly change directions when dribbling the ball, attempting to get back on defense, or when trying to beat an opponent to the ball.
Revised:  For example, a footballer running back must be able to quickly change direction when he sees an opponent preparing to tackle him . A basketball player must be able to quickly change directions when dribbling the ball, attempting to get back on defense, or when trying to beat an opponent to the ball.
Edit intent: meaning-changed
Original:   BerEp4 is a histologic stain  used to aid in the diagnosis of basal cell carcinoma , having  a high sensitivity and specificity in detecting only BCC cells.
Revised:  At bottom, columnar epithelium in normal sweat glands stain positive too. BerEp4 is a histologic stain used to aid in the diagnosis of basal cell carcinoma , having a high sensitivity and specificity in detecting only BCC cells.
Edit intent: meaning-changed
Original:   BerEp4 is a histologic stain  used to aid in the diagnosis of basal cell carcinoma , having  a high sensitivity and specificity in detecting only BCC cells.
Revised:  BerEp4 is a histologic stain used to aid in the diagnosis of basal cell carcinoma (BCC). It is an antibody to EpCAM (epithelial cell adhesion molecule). a high sensitivity and specificity in detecting only BCC cells.
Edit intent: meaning-changed
Original:   BerEp4 is a histologic stain  used to aid in the diagnosis of basal cell carcinoma , having  a high sensitivity and specificity in detecting only BCC cells.
Revised:  BerEp4 is a histologic stain used to aid in the diagnosis of basal cell carcinoma , having Clinical use BerEp4 has a high sensitivity and specificity in detecting only BCC cells.
Edit intent: meaning-changed
Original:  BerEp4 is an antibody to EpCAM (epithelial cell adhesion molecule ).
Revised:  BerEp4 is normally negative in squamous epithelium and mesothelium, but otherwise normally positive most epithelial cells of the body. It can also help in distinguishing pulmonary adenocarcinoma (positive BerEp4) from mesothelioma (generally negative BerEp4 ).
Edit intent: meaning-changed
Original: REDIRECT Cast A   ][ ]  ]  ] ]  ] [ [ ]  ][ ]  ][ ]  ][ [ ] [][][][] [] [] [] [] [] [] [] [] [] [][] [] [] [][] [] [] [][] [] [][] [][][] [] 
Revised: Wilson the volleyball ][ ] ] ] ] ] [ [ ] ][ ] ][ ] ][ [ ] [][][][] [] [] [] [] [] [] [] [] [] [][] [] [] [][] [] [] [][] [] [][] [][][] [] 
Edit intent: meaning-changed
Original: REDIRECT Cast A   ][ ]  ]  ] ]  ] [ [ ]  ][ ]  ][ ]  ][ [ ] [][][][] [] [] [] [] [] [] [] [] [] [][] [] [] [][] [] [] [][] [] [][] [][][] [] 
Revised: REDIRECT Cast A Wilson ][ ] ] ] ] ] [ [ ] ][ ] ][ ] ][ [ ] [][][][] [] [] [] [] [] [] [] [] [] [][] [] [] [][] [] [] [][] [] [][] [][][] [] 
Edit intent: fluency
Original: REDIRECT Cast A   ][ ]  ]  ] ]  ] [ [ ]  ][ ]  ][ ]  ][ [ ] [][][][] [] [] [] [] [] [] [] [] [] [][] [] [] [][] [] [] [][] [] [][] [][][] [] 
Revised: REDIRECT Cast A First appearance Cast Away Created by William Broyles Jr. Information Nickname(s) Wilson the Volleyball Species Anthropomorphized volleyball Date of death c. April 2000 Occupation Sidekick Fate Lost at sea In the film, Wilson the volleyball serves as Chuck Noland's anthropomorphized friend and only companion during the four years that Noland spends alone on a deserted island. ][ ] ] ] ] ] [ [ ] ][ ] ][ ] ][ [ ] [][][][] [] [] [] [] [] [] [] [] [] [][] [] [] [][] [] [] [][] [] [][] [][][] [] 
Edit intent: meaning-changed