wanyu/IteraTeR_full_sent huggingface dataset:
Original:  The difference between City Loreand other arts programs is not simply that the arts presented are folk and traditional arts, but that City Lore ’s arts are traditional and modern, and a great deal of the artmaking takes place in the collaborations of different cultural organizations and artists, and in the ties between the traditional and the way that contemporary New Yorkers use and adapt their traditions in their current work, whether they are professionals or schoolchildren.
Revised:  Their collaborators include the Gotham Center for New York City History, the New-York Historical Society, Bank Street College of Education, and smaller groups such as Los Pleneros de la 21. City Lore ’s arts are traditional and modern, and a great deal of the artmaking takes place in the collaborations of different cultural organizations and artists, and in the ties between the traditional and the way that contemporary New Yorkers use and adapt their traditions in their current work, whether they are professionals or schoolchildren.
Edit intent: meaning-changed
Original:  The difference between City Loreand other arts programs is not simply that the arts presented are folk and traditional arts, but that City Lore ’s arts are traditional and modern, and a great deal of the artmaking takes place in the collaborations of different cultural organizations and artists, and in the ties between the traditional and the way that contemporary New Yorkers use and adapt their traditions in their current work, whether they are professionals or schoolchildren. In this way, musical and poetic forms that build on traditional genres – including hip-hop, mambo, and spoken word – are part of a continuum of artistic practice that recognizes and builds upon deep genealogical connections to the past without being bound by them. It is in this way that City Lore’s work gets far beyond nostalgia, because the thrust is always forward-looking, not referring to what once was and could never be again, but building creatively with respect for the cultural foundations that exist.
Revised:  The difference between City Loreand other arts programs is not simply that the arts presented are folk and traditional arts, but that City Lore ’s 
Edit intent: coherence
Original:  3%DIFDELCMD < ] %DIFDELCMD < %DIFDELCMD < %%% Programs and Series City Lore works in four cultural domains: urban folklore and history, preservation, arts in education, and grassroots poetry traditions.
Revised:  %DIFDELCMD < ] %DIFDELCMD < %DIFDELCMD < %%% Programs and Series City Lore works in four cultural domains: urban folklore and history, preservation, arts in education, and grassroots poetry traditions.
Edit intent: fluency
Original:  3%DIFDELCMD < ] %DIFDELCMD < %DIFDELCMD < %%% Programs and Series City Lore works in four cultural domains: urban folklore and history, preservation, arts in education, and grassroots poetry traditions. In addition, City Lore undertakes special projects in keeping with its mission, and serves as a fiscal sponsor for filmmakers and other cultural specialists . Urban folklore  The City Lore archives at 56 E. First Street on the Lower East Side houses 12,685 imagesby photographer Martha Cooper and 5, 634 by Katrina Thomas.
Revised:  3%DIFDELCMD < ] %DIFDELCMD < %DIFDELCMD < %%% staff consists of professional folklorists (Steve Zeitlin, the founder and executive director, Elena Martínez and Amanda Dargan), historians (Marci Reaven), photographers (Martha Cooper), ethnomusicologists (Roberta Singer and Lois Wilcken), and arts and education specialists (Anika Selhorst) . Urban folklore The City Lore archives at 56 E. First Street on the Lower East Side houses 12,685 imagesby photographer Martha Cooper and 5, 634 by Katrina Thomas.
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Original:  In addition, City Lore undertakes special projects in keeping with its mission, and serves as a fiscal sponsor for filmmakers and other cultural specialists . Urban folklore  The City Lore archives at 56 E. First Street on the Lower East Side houses 12,685 imagesby photographer Martha Cooper and 5, 634 by Katrina Thomas.
Revised:  In addition, City Lore undertakes special projects in keeping with its mission, and serves as a fiscal sponsor for filmmakers and other cultural specialists . Projects and programs The City Lore archives at 56 E. First Street on the Lower East Side houses 12,685 imagesby photographer Martha Cooper and 5, 634 by Katrina Thomas.
Edit intent: meaning-changed
Original:  In addition, City Lore undertakes special projects in keeping with its mission, and serves as a fiscal sponsor for filmmakers and other cultural specialists . Urban folklore  The City Lore archives at 56 E. First Street on the Lower East Side houses 12,685 imagesby photographer Martha Cooper and 5, 634 by Katrina Thomas.
Revised:  In addition, City Lore undertakes special projects in keeping with its mission, and serves as a fiscal sponsor for filmmakers and other cultural specialists . Urban folklore Urban folklore The City Lore archives at 56 E. First Street on the Lower East Side houses 12,685 imagesby photographer Martha Cooper and 5, 634 by Katrina Thomas.
Edit intent: fluency
Original:  In addition, City Lore undertakes special projects in keeping with its mission, and serves as a fiscal sponsor for filmmakers and other cultural specialists . Urban folklore  The City Lore archives at 56 E. First Street on the Lower East Side houses 12,685 imagesby photographer Martha Cooper and 5, 634 by Katrina Thomas.
Revised:  In addition, City Lore undertakes special projects in keeping with its mission, and serves as a fiscal sponsor for filmmakers and other cultural specialists . Urban folklore The City Lore office on First Avenue on the Lower East Side houses 12,685 imagesby photographer Martha Cooper and 5, 634 by Katrina Thomas.
Edit intent: clarity
Original:  In addition, City Lore undertakes special projects in keeping with its mission, and serves as a fiscal sponsor for filmmakers and other cultural specialists . Urban folklore  The City Lore archives at 56 E. First Street on the Lower East Side houses 12,685 imagesby photographer Martha Cooper and 5, 634 by Katrina Thomas. The total with other photographers was 19 , 320 images.
Revised:  In addition, City Lore undertakes special projects in keeping with its mission, and serves as a fiscal sponsor for filmmakers and other cultural specialists . Urban folklore The City Lore archives at 56 E. First Street on the Lower East Side houses archives containing over 100,000 images , 320 images.
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Original:  The total with other photographers was 19 , 320 images. The archive also includes 5,210 photographic negatives, 692 cassette tapes, 143 dat tapes, 163 mini DV tapes and 148 VHS tapes including oral histories, and traditional music and poetry performance tapes.
Revised:  The total with other photographers was 19 , hundreds of oral histories, and traditional music and poetry performance tapes.
Edit intent: clarity
Original: %DIFDELCMD < %DIFDELCMD < %%% In 2008, it launched City of Memory (cityofmemory.org), a story map of New York written about in the volume Letting Go: Sharing Authority in a User Generated World.
Revised: %DIFDELCMD < %DIFDELCMD < %%% Mooney, Jake. "Their New York, Lost and Sometimes Found" New York Times, 8 June 2008. The archives are part of the ongoing documentation project featured on City of Memory (cityofmemory.org), a story map of New York written about in the volume Letting Go: Sharing Authority in a User Generated World.
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Original: %DIFDELCMD < %DIFDELCMD < %%% In 2008, it launched City of Memory (cityofmemory.org), a story map of New York written about in the volume Letting Go: Sharing Authority in a User Generated World.
Revised: %DIFDELCMD < %DIFDELCMD < %%% In 2008, it launched City of Memory , a participatory online story map of New York written about in the volume Letting Go: Sharing Authority in a User Generated World.
Edit intent: clarity
Original: %DIFDELCMD < %DIFDELCMD < %%% In 2008, it launched City of Memory (cityofmemory.org), a story map of New York written about in the volume Letting Go: Sharing Authority in a User Generated World. Designed with Flash technology by Local Projects, the map has been replaced with CityLore’s new Youtube based storymap designed by ESRI. Tariq Hamad at his sweet shop City   Lore's People's Hall of Fame, established in 1993, honors grassroots contributions to New York's cultural life and presents winners with a plate-sized bronze version of the New York City subway token , representing a token of esteem .
Revised: %DIFDELCMD < %DIFDELCMD < %%% In 2008, it launched City of Memory (cityofmemory.org), a story map of New York City Lore's People's Hall of Fame, established in 1993, honors grassroots contributions to New York's cultural life and presents winners with a plate-sized bronze version of the New York City subway token , representing a token of esteem .
Edit intent: coherence
Original:  A Guide for Subway Performers pamphlet, now online, offering street performersthe first look at their constitutional right to perform on subway platforms . Place Matters Empire Roller Rink, Birthplace of Roller Disco, archived by Place Matters In 1988, City Lore established the “Endangered Spaces” project to  advocate for local establishments and landmarks that were disappearing from the New York City landscape.
Revised:  , a guide for street performers . Place Matters Empire Roller Rink, Birthplace of Roller Disco, archived by Place Matters In 1988, City Lore established the “Endangered Spaces” project to advocate for local establishments and landmarks that were disappearing from the New York City landscape.
Edit intent: clarity
Original:  A Guide for Subway Performers pamphlet, now online, offering street performersthe first look at their constitutional right to perform on subway platforms . Place Matters Empire Roller Rink, Birthplace of Roller Disco, archived by Place Matters In 1988, City Lore established the “Endangered Spaces” project to  advocate for local establishments and landmarks that were disappearing from the New York City landscape.
Revised:  A Guide for Subway Performers pamphlet, now online, offering street performersthe first look at their constitutional right to perform on subway platforms . Place Matters advocate for local establishments and landmarks that were disappearing from the New York City landscape.
Edit intent: coherence
Original:  A Guide for Subway Performers pamphlet, now online, offering street performersthe first look at their constitutional right to perform on subway platforms . Place Matters Empire Roller Rink, Birthplace of Roller Disco, archived by Place Matters In 1988, City Lore established the “Endangered Spaces” project to  advocate for local establishments and landmarks that were disappearing from the New York City landscape.
Revised:  A Guide for Subway Performers pamphlet, now online, offering street performersthe first look at their constitutional right to perform on subway platforms . Place Matters Empire Roller Rink, Birthplace of Roller Disco, archived by Place Matters In 1988, City Lore established the “Endangered Spaces” project to Since its inception, City Lore has served as an advocate for local establishments and landmarks that were disappearing from the New York City landscape.
Edit intent: meaning-changed
Original:  A Guide for Subway Performers pamphlet, now online, offering street performersthe first look at their constitutional right to perform on subway platforms . Place Matters Empire Roller Rink, Birthplace of Roller Disco, archived by Place Matters In 1988, City Lore established the “Endangered Spaces” project to  advocate for local establishments and landmarks that were disappearing from the New York City landscape. In 1996, City Lore joined a new Task Force on Historical and Cultural Landmarks run by Ned Kaufman at the Municipal Art Society(MAS) and sponsored the conference “History Happened Here” at the Museum of the City of New York in 1998. Two years later, Place Matters was formally established by Ned Kaufman, Steve Zeitlin, and Marci Reaven, with Laura Hansen as the director. Based at City Lore, Place Matters aims to broaden the ways that preservation is understood and practiced by offering alternative ways of identifying, interpreting, celebrating, and ultimately protecting places that matter.
Revised:  A Guide for Subway Performers pamphlet, now online, offering street performersthe first look at their constitutional right to perform on subway platforms . Place Matters Empire Roller Rink, Birthplace of Roller Disco, archived by Place Matters In 1988, City Lore established the “Endangered Spaces” project to advocate for local landmarks through the Place Matters program in collaboration with Municipal Arts Society. There have been over 650 nominations from the public, including parks, historic sites, public art, beer gardens, industrial sites, and stores.
Edit intent: coherence
Original: %DIFDELCMD < %DIFDELCMD < %%% Grassroots Poetry The People’s Poetry Project grew out of the People’s Poetry Gathering, held in 1999, 2001, 2003 with Poets House, and in 2006 with Bowery Arts + Science, to bring together folk, ethnic, inner city, and literary poets.
Revised: %DIFDELCMD < %DIFDELCMD < %%% The People’s Poetry Project grew out of the People’s Poetry Gathering, held in 1999, 2001, 2003 with Poets House, and in 2006 with Bowery Arts + Science, to bring together folk, ethnic, inner city, and literary poets.
Edit intent: coherence
Original: %DIFDELCMD < %DIFDELCMD < %%% Grassroots Poetry The People’s Poetry Project grew out of the People’s Poetry Gathering, held in 1999, 2001, 2003 with Poets House, and in 2006 with Bowery Arts + Science, to bring together folk, ethnic, inner city, and literary poets. During these festivals in 1999, 2001, 2003, and 2006, Lower Manhattan was transformed into a poetry village for three days. The People’s Poetry Gathering was one of the highest profile poetry events in the United States and had an average audience of 10,000.
Revised: %DIFDELCMD < %DIFDELCMD < %%% Grassroots Poetry 
Edit intent: coherence
Original:  A selection of these anonymous poems was published in the book, Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam.  and appeared in Steve Zeitlin's essay, "Oh Did You See the Ashes Come Thickly Falling Down. %DIFDELCMD < %DIFDELCMD < %%% In 2006, the People’s Poetry Gathering featured poetry from the world’s endangered languages.
Revised:  A selection of these anonymous poems was published in the book, Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam. Aptowicz, Cristin O'Keefe. (2008). Words in Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam. New York City: Soft Skull Press, 288. . and appeared in Steve Zeitlin's essay, "Oh Did You See the Ashes Come Thickly Falling Down. %DIFDELCMD < %DIFDELCMD < %%% In 2006, the People’s Poetry Gathering featured poetry from the world’s endangered languages.
Edit intent: meaning-changed
Original:  A selection of these anonymous poems was published in the book, Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam.  and appeared in Steve Zeitlin's essay, "Oh Did You See the Ashes Come Thickly Falling Down. %DIFDELCMD < %DIFDELCMD < %%% In 2006, the People’s Poetry Gathering featured poetry from the world’s endangered languages. This inspired Bob Holman and Steve Zeitlinto begin work on a tribute to the world’s endangered languages, a world “cento” (stitched together) poem in which each line came from a different endangered language. In 2013, the Festival of American Folklife in Washington DC hosted Khonsay: Poem of Many Tongues as an exhibit.The poem and subsequent film with Bob Holman would go on to serve as the subject of a tribute and call to action to preserve the worlds endangered languages, which premiered at the Margaret Meade Film Festival, and can be viewed online with extensive background information and a call for language preservation. The City Lore PoeMobile in action In 2010, City Lore and Bowery Arts + Science received a grant from the Rockefeller Foundation to launch the POEMobile that projects poems onto walls and building in tandem with live readings in New York City Neighborhoods. The POEMobile has traveled to Persian, Greek, Portuguese, Haitian, Dominican, Korean, as well as Yiddish-speaking neighborhoods, and also performed work with youth poets from Urban Word.In 2018, the POEMobile projected poems on to the steam rising up from New YorkCity manholes to express the evanescence of life.
Revised:  A selection of these anonymous poems was published in the book, Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam. and appeared in Steve Zeitlin's essay, "Oh Did You See the Ashes Come Thickly Falling Down. %DIFDELCMD < %DIFDELCMD < %%% 
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Original: %DIFDELCMD < %DIFDELCMD < %%% Urban Music and Dance Children Breakdancing in NYC, photographed by Martha Cooper Prior to its founding in 1986, City Lore’s predecessor, the New York City Chapter of the New York Folklore Society sponsored " Music from the Islands: Puerto Rico, Cuba, and New York " at El Museo de Barrio, initiating a longstanding commitment to Latino music traditions.
Revised: %DIFDELCMD < %DIFDELCMD < %%% Zeitlin, Steve. " Music from the Islands: Puerto Rico, Cuba, and New York " at El Museo de Barrio, initiating a longstanding commitment to Latino music traditions.
Edit intent: meaning-changed
Original: %DIFDELCMD < %DIFDELCMD < %%% Urban Music and Dance Children Breakdancing in NYC, photographed by Martha Cooper Prior to its founding in 1986, City Lore’s predecessor, the New York City Chapter of the New York Folklore Society sponsored " Music from the Islands: Puerto Rico, Cuba, and New York " at El Museo de Barrio, initiating a longstanding commitment to Latino music traditions.
Revised: %DIFDELCMD < %DIFDELCMD < %%% Urban Music and Dance Children Breakdancing in NYC, photographed by Martha Cooper Prior to its founding in 1986, City Lore’s predecessor, the New York City Chapter of the New York Folklore Society sponsored " Oh Did You See the Ashes Come Thickly Falling Down. " at El Museo de Barrio, initiating a longstanding commitment to Latino music traditions.
Edit intent: meaning-changed
Original: %DIFDELCMD < %DIFDELCMD < %%% Urban Music and Dance Children Breakdancing in NYC, photographed by Martha Cooper Prior to its founding in 1986, City Lore’s predecessor, the New York City Chapter of the New York Folklore Society sponsored " Music from the Islands: Puerto Rico, Cuba, and New York " at El Museo de Barrio, initiating a longstanding commitment to Latino music traditions.
Revised: %DIFDELCMD < %DIFDELCMD < %%% Urban Music and Dance Children Breakdancing in NYC, photographed by Martha Cooper Prior to its founding in 1986, City Lore’s predecessor, the New York City Chapter of the New York Folklore Society sponsored " Music from the Islands: Puerto Rico, Cuba, and New York " 
Edit intent: coherence
Original: %DIFDELCMD < %DIFDELCMD < %%% In 2006 , City Lore completed the documentary film From Mambo to Hip Hop, which won an Alma Award for Best Documentary that same year. In 2016, the organization sponsored Mathew Rodriguez Warrens’ doc, We Like It Like That: the Story of Latin Boogaloo. Elena Martinez coproduced both films, and was tapped by WHEDco (Women’s Housing and Urban Development) to spearhead along with Grammy-nominated bandleader Bobby Sanabria, the Bronx Music Heritage Lab and the new cultural center, The Bronx Music Heritage Center, opening in 2021.
Revised: %DIFDELCMD < %DIFDELCMD < %%% In 2006 
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Original:  In 2002, City Lore researched and curated Missing: Streetscape of a City in Mourning about the shrines and memorials that cropped up on New York City Streets after September 11. In 2005, City Lore developed the traveling exhibit and accompanying book, Weavings of War: Fabrics of Memory which featured the work of women textile artists from Central Asia, Southeast Asia, Latin America, and South Africa featured at The Puffin Gallery. The House under the Roller Coaster, made famous by Woody Allen in Annie Hall, demolished in 2000. Photo by Hazel Hankin Nathan's Original Hot Dogs on Coney Island, archived by Place Matters In 1988, City Lore presented oral histories of Coney Island on the boardwalk. In 1991, folklorist Steve Zeitlin suggested to Dick Zigun at Coney Island USA that, rather than trying performance art, they should bring a traditional old time sideshow, which Zeitlin had brought to the Smithsonian’s Folklife Festival a few years earlier, to Coney. The sideshow has run continuously to this day. In 2017, City Lore presented the exhibit Boardwalk Renaissance: How the Arts Saved Coney Island.
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Original: %DIFDELCMD < %DIFDELCMD < %%% In 2016, City Lore received the Isidore Starr Award for excellence in from the National Council for the Social Studies and American Federation of Teachers. In 2009, City Lore’s arts education programs were highlighted in The Qualities of Quality: Understanding Excellence in Arts Education published by Harvard University’s Project Zero.
Revised: %DIFDELCMD < %DIFDELCMD < %%% 
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Original:  References External links City Lore People's Poetry Project Category:American folklore Category:Storytelling organizations Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Revised:  References Category:American folklore Category:Storytelling organizations Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Edit intent: clarity
Original:  References External links City Lore People's Poetry Project Category:American folklore Category:Storytelling organizations Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Revised:  References External links City Lore People's Poetry Project Category:American folklore Category:Storytelling Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Edit intent: clarity
Original: Following the Xinhai Revolution in 1911 and the end of the Qing Dynasty, the May Fourth Movement sought to completely abolish the old imperial institutions and practices of China (such as the old civil service system). There were two major philosophical trends during this period. One was anti-traditional and promoted Western learning and ideas. A key figure of this anti-traditional current was Yan Fu (1853–1921) who translated various Western philosophical works including Smith's The Wealth of Nations and Mill's On Liberty."Modern Chinese Philosophy," by Yih-Hsien Yu, The Internet Encyclopedia of Philosophy, , URL There were also attempts to incorporate Western ideas of democracy, and republicanism into Chinese political philosophy, notably by Sun Yat-Sen (1866–1925) at the beginning of the 20th century. Another influential modern Chinese philosopher was Hu Shih, who was a student of John Dewey at Columbia University and who promoted a form of pragmatism.
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