wanyu/IteraTeR_full_sent huggingface dataset:
Original: Factory " Studio " Glass " At Fenton, Dave Fetty, a factory glass worker for most of his career, was allowed to use specialist skills, learned before joining the factory, in limited editions of "offhand" pieces without the use of moulds.
Revised: Factory " Studio " glass " At Fenton, Dave Fetty, a factory glass worker for most of his career, was allowed to use specialist skills, learned before joining the factory, in limited editions of "offhand" pieces without the use of moulds.
Edit intent: fluency
Original: "Fenton Art Glass Presents The Artistry of Dave Fetty" URL Such pieces are more akin to Studio glass than " Factory Glass ". Standardised Production While, the exceptions would generally account for a very small proportion of overall production, the term applies, strictly speaking, only to the production which was standardised, where many workers would be involved in the making of each item.
Revised: "Fenton Art Glass Presents The Artistry of Dave Fetty" URL Such pieces are more akin to studio glass than " Factory Glass ". Standardised Production While, the exceptions would generally account for a very small proportion of overall production, the term applies, strictly speaking, only to the production which was standardised, where many workers would be involved in the making of each item.
Edit intent: fluency
Original: "Fenton Art Glass Presents The Artistry of Dave Fetty" URL Such pieces are more akin to Studio glass than " Factory Glass ". Standardised Production While, the exceptions would generally account for a very small proportion of overall production, the term applies, strictly speaking, only to the production which was standardised, where many workers would be involved in the making of each item.
Revised: "Fenton Art Glass Presents The Artistry of Dave Fetty" URL Such pieces are more akin to Studio glass than " factory glass ". Standardised Production While, the exceptions would generally account for a very small proportion of overall production, the term applies, strictly speaking, only to the production which was standardised, where many workers would be involved in the making of each item.
Edit intent: fluency
Original: "Fenton Art Glass Presents The Artistry of Dave Fetty" URL Such pieces are more akin to Studio glass than " Factory Glass ". Standardised Production While, the exceptions would generally account for a very small proportion of overall production, the term applies, strictly speaking, only to the production which was standardised, where many workers would be involved in the making of each item.
Revised: "Fenton Art Glass Presents The Artistry of Dave Fetty" URL Such pieces are more akin to Studio glass than " Factory Glass ". Standardised production While, the exceptions would generally account for a very small proportion of overall production, the term applies, strictly speaking, only to the production which was standardised, where many workers would be involved in the making of each item.
Edit intent: fluency
Original: 8 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03."  Leatherhead Meets the Rat King" 04. "  Were-Rats from Channel 6" 05. "Splinter Vanishes" 06. "Donatello's Duplicate" 07. "Night of the Rogues" 08. "Wrath of the Rat King"
Revised: 10 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03." Leatherhead Meets the Rat King" 04. " Were-Rats from Channel 6" 05. "Splinter Vanishes" 06. "Donatello's Duplicate" 07. "Night of the Rogues" 08. "Wrath of the Rat King"
Edit intent: meaning-changed
Original: 8 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03."  Leatherhead Meets the Rat King" 04. "  Were-Rats from Channel 6" 05. "Splinter Vanishes" 06. "Donatello's Duplicate" 07. "Night of the Rogues" 08. "Wrath of the Rat King"
Revised: 8 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03." Pizza by the Shred" 04." Leatherhead Meets the Rat King" 04. " Were-Rats from Channel 6" 05. "Splinter Vanishes" 06. "Donatello's Duplicate" 07. "Night of the Rogues" 08. "Wrath of the Rat King"
Edit intent: meaning-changed
Original: 8 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03."  Leatherhead Meets the Rat King" 04. "  Were-Rats from Channel 6" 05. "Splinter Vanishes" 06. "Donatello's Duplicate" 07. "Night of the Rogues" 08. "Wrath of the Rat King"
Revised: 8 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03." Leatherhead Meets the Rat King" 05. " Were-Rats from Channel 6" 05. "Splinter Vanishes" 06. "Donatello's Duplicate" 07. "Night of the Rogues" 08. "Wrath of the Rat King"
Edit intent: fluency
Original: 8 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03."  Leatherhead Meets the Rat King" 04. "  Were-Rats from Channel 6" 05. "Splinter Vanishes" 06. "Donatello's Duplicate" 07. "Night of the Rogues" 08. "Wrath of the Rat King"
Revised: 8 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03." Leatherhead Meets the Rat King" 04. " The Great Boldini" 06." Were-Rats from Channel 6" 05. "Splinter Vanishes" 06. "Donatello's Duplicate" 07. "Night of the Rogues" 08. "Wrath of the Rat King"
Edit intent: meaning-changed
Original: 8 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03."  Leatherhead Meets the Rat King" 04. "  Were-Rats from Channel 6" 05. "Splinter Vanishes" 06. "Donatello's Duplicate" 07. "Night of the Rogues" 08. "Wrath of the Rat King"
Revised: 8 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03." Leatherhead Meets the Rat King" 04. " Were-Rats from Channel 6" 07. "Splinter Vanishes" 06. "Donatello's Duplicate" 07. "Night of the Rogues" 08. "Wrath of the Rat King"
Edit intent: fluency
Original: 8 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03."  Leatherhead Meets the Rat King" 04. "  Were-Rats from Channel 6" 05. "Splinter Vanishes" 06. "Donatello's Duplicate" 07. "Night of the Rogues" 08. "Wrath of the Rat King"
Revised: 8 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03." Leatherhead Meets the Rat King" 04. " Were-Rats from Channel 6" 05. "Splinter Vanishes" 08. "Donatello's Duplicate" 07. "Night of the Rogues" 08. "Wrath of the Rat King"
Edit intent: fluency
Original: 8 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03."  Leatherhead Meets the Rat King" 04. "  Were-Rats from Channel 6" 05. "Splinter Vanishes" 06. "Donatello's Duplicate" 07. "Night of the Rogues" 08. "Wrath of the Rat King"
Revised: 8 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03." Leatherhead Meets the Rat King" 04. " Were-Rats from Channel 6" 05. "Splinter Vanishes" 06. "Donatello's Duplicate" 09. "Night of the Rogues" 08. "Wrath of the Rat King"
Edit intent: coherence
Original: 8 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03."  Leatherhead Meets the Rat King" 04. "  Were-Rats from Channel 6" 05. "Splinter Vanishes" 06. "Donatello's Duplicate" 07. "Night of the Rogues" 08. "Wrath of the Rat King"
Revised: 8 Episodes: 01."Enter the Rat King" 02."Return of the Fly" 03." Leatherhead Meets the Rat King" 04. " Were-Rats from Channel 6" 05. "Splinter Vanishes" 06. "Donatello's Duplicate" 07. "Night of the Rogues" 10. "Wrath of the Rat King"
Edit intent: meaning-changed
Original:  The name literally means "Four Palaces", which includes the four realms Heaven, Mountains, Water and Earth. thumb | A portrait of the First Mother Goddess of Heaven in Lê dynasty's costumes. This painting is from the project Divine Portraits by Four Palaces - Tứ Phủ. thumb | A portrait of the First Courtier of Heaven. This painting is from the project Divine Portraits by Four Palaces - Tứ Phủ. A portrait of the Second Courtier of Mountains and Forests. This painting is from the project Divine Portraits by Four Palaces - Tứ Phủ. thumb | A portrait of the First Mistress of Heaven. This illustration is from the project Divine Portraits by Four Palaces - Tứ Phủ. Worship of Saint Trần Saint Trần
Revised:  The name literally means "Four Palaces", which includes the four realms Heaven, Mountains, Water and Earth. Saint Trần
Edit intent: meaning-changed
Original: The Pantheon for the Cult of Holy Mothers," Vietnamese Studies 131, no.1 (1999): 20-35"The Mother Goddess Religion: Its History, Pantheon, and Practices," in Possessed by the Spirits: Mediumship in Contemporary Vietnamese Communities, ed. Karen Fjelstad and Nguyen Thi Hien. (Ithaca, N.Y.: Cornell Southeast Asia Program, 2006), 19-30.
Revised: The Pantheon for the Cult of Holy Mothers," Vietnamese Studies 131, no.1 (1999): 20-35"The Mother Goddess Religion: Its History, Pantheon, and Practices," by Ngô Đức Thịnh, in
Edit intent: meaning-changed
Original:  These include the worship of goddesses such as Thiên Y A Na, The Lady of the Realm ( Bà Chúa Xứ), The Lady of the Storehouse (Bà Chúa Kho) and Princess Liễu Hạnh,. legendary figures like Âu Cơ, the Trưng Sisters (Hai Bà Trưng), and Lady Triệu (Bà Triệu), as well as the branch Four Palaces.
Revised:  These include the worship of goddesses such as Thiên Y A Na, Bà Chúa Xứ " Lady of the Realm ( Bà Chúa Xứ), The Lady of the Storehouse (Bà Chúa Kho) and Princess Liễu Hạnh,. legendary figures like Âu Cơ, the Trưng Sisters (Hai Bà Trưng), and Lady Triệu (Bà Triệu), as well as the branch Four Palaces.
Edit intent: fluency
Original:  These include the worship of goddesses such as Thiên Y A Na, The Lady of the Realm ( Bà Chúa Xứ), The Lady of the Storehouse (Bà Chúa Kho) and Princess Liễu Hạnh,. legendary figures like Âu Cơ, the Trưng Sisters (Hai Bà Trưng), and Lady Triệu (Bà Triệu), as well as the branch Four Palaces.
Revised:  These include the worship of goddesses such as Thiên Y A Na, The Lady of the Realm ", Bà Chúa Xứ), The Lady of the Storehouse (Bà Chúa Kho) and Princess Liễu Hạnh,. legendary figures like Âu Cơ, the Trưng Sisters (Hai Bà Trưng), and Lady Triệu (Bà Triệu), as well as the branch Four Palaces.
Edit intent: fluency
Original:  These include the worship of goddesses such as Thiên Y A Na, The Lady of the Realm ( Bà Chúa Xứ), The Lady of the Storehouse (Bà Chúa Kho) and Princess Liễu Hạnh,. legendary figures like Âu Cơ, the Trưng Sisters (Hai Bà Trưng), and Lady Triệu (Bà Triệu), as well as the branch Four Palaces.
Revised:  These include the worship of goddesses such as Thiên Y A Na, The Lady of the Realm ( Bà Chúa Kho " Lady of the Storehouse (Bà Chúa Kho) and Princess Liễu Hạnh,. legendary figures like Âu Cơ, the Trưng Sisters (Hai Bà Trưng), and Lady Triệu (Bà Triệu), as well as the branch Four Palaces.
Edit intent: clarity
Original:  These include the worship of goddesses such as Thiên Y A Na, The Lady of the Realm ( Bà Chúa Xứ), The Lady of the Storehouse (Bà Chúa Kho) and Princess Liễu Hạnh,. legendary figures like Âu Cơ, the Trưng Sisters (Hai Bà Trưng), and Lady Triệu (Bà Triệu), as well as the branch Four Palaces.
Revised:  These include the worship of goddesses such as Thiên Y A Na, The Lady of the Realm ( Bà Chúa Xứ), The Lady of the Storehouse ", and Princess Liễu Hạnh,. legendary figures like Âu Cơ, the Trưng Sisters (Hai Bà Trưng), and Lady Triệu (Bà Triệu), as well as the branch Four Palaces.
Edit intent: clarity
Original:  Many people mistake that Đạo Mẫu is commonly associated with spirit mediumship rituals—known in Vietnam as lên đồng— much as practiced in other parts of Asia, such as Southern China, Myanmar (Mon people ) and some community in India , however, that is not correct.
Revised:  Many people mistake that Đạo Mẫu is commonly associated with mediumship rituals—known in Vietnam as lên đồng— much as practiced in other parts of Asia, such as Southern China, Myanmar (Mon people ) and some community in India , however, that is not correct.
Edit intent: clarity
Original:  Many people mistake that Đạo Mẫu is commonly associated with spirit mediumship rituals—known in Vietnam as lên đồng— much as practiced in other parts of Asia, such as Southern China, Myanmar (Mon people ) and some community in India , however, that is not correct.
Revised:  Many people mistake that Đạo Mẫu is commonly associated with spirit mediumship rituals—known in Vietnam as lên đồng— much as practiced in other parts of Asia, such as South China, among the Mon people of Myanmar, and some community in India , however, that is not correct.
Edit intent: clarity
Original:  Many people mistake that Đạo Mẫu is commonly associated with spirit mediumship rituals—known in Vietnam as lên đồng— much as practiced in other parts of Asia, such as Southern China, Myanmar (Mon people ) and some community in India , however, that is not correct.
Revised:  Many people mistake that Đạo Mẫu is commonly associated with spirit mediumship rituals—known in Vietnam as lên đồng— much as practiced in other parts of Asia, such as Southern China, Myanmar (Mon people ) and some community in India ; however, that is not correct.
Edit intent: fluency
Original:  The most prominent ritual of Đạo Mẫu is the ceremony of " Hầu Bóng " (), in which a priest or priestess would mimic the deities by dressing and acting like them.
Revised:  The most prominent ritual of Đạo Mẫu is the ceremony of Hầu Bóng " (), in which a priest or priestess would mimic the deities by dressing and acting like them.
Edit intent: fluency
Original:  The most prominent ritual of Đạo Mẫu is the ceremony of " Hầu Bóng " (), in which a priest or priestess would mimic the deities by dressing and acting like them.
Revised:  The most prominent ritual of Đạo Mẫu is the ceremony of " Hầu Bóng (), in which a priest or priestess would mimic the deities by dressing and acting like them.
Edit intent: fluency
Original:  As a religious leader authorized to perform the sacred rituals of a religion, especially as a mediatory agent between humans and one or more deities, the " thanh đồng " in Đạo Mẫu is more of the equivalent of a priest rather than a medium or a shaman.
Revised:  As a religious leader authorized to perform the sacred rituals of a religion, especially as a mediatory agent between humans and one or more deities, the thanh đồng " in Đạo Mẫu is more of the equivalent of a priest rather than a medium or a shaman.
Edit intent: fluency
Original:  As a religious leader authorized to perform the sacred rituals of a religion, especially as a mediatory agent between humans and one or more deities, the " thanh đồng " in Đạo Mẫu is more of the equivalent of a priest rather than a medium or a shaman.
Revised:  As a religious leader authorized to perform the sacred rituals of a religion, especially as a mediatory agent between humans and one or more deities, the " thanh đồng in Đạo Mẫu is more of the equivalent of a priest rather than a medium or a shaman.
Edit intent: fluency
Original: Denver Cuello (born December 12 , 1986 in Cabatuan, Iloilo, Philippines ) is a Filipino professional boxer . Born in Cabatuan, Iloilo, he currently resides in Binangonan, Rizal, Philippines.
Revised: Denver Cuello (born 12 , 1986 in Cabatuan, Iloilo, Philippines ) is a Filipino professional boxer . Born in Cabatuan, Iloilo, he currently resides in Binangonan, Rizal, Philippines.
Edit intent: clarity
Original: Denver Cuello (born December 12 , 1986 in Cabatuan, Iloilo, Philippines ) is a Filipino professional boxer . Born in Cabatuan, Iloilo, he currently resides in Binangonan, Rizal, Philippines.
Revised: Denver Cuello (born December 12 December 1986 in Cabatuan, Iloilo, Philippines ) is a Filipino professional boxer . Born in Cabatuan, Iloilo, he currently resides in Binangonan, Rizal, Philippines.
Edit intent: meaning-changed
Original: Denver Cuello (born December 12 , 1986 in Cabatuan, Iloilo, Philippines ) is a Filipino professional boxer . Born in Cabatuan, Iloilo, he currently resides in Binangonan, Rizal, Philippines.
Revised: Denver Cuello (born December 12 , 1986 ) is a Filipino professional boxer . Born in Cabatuan, Iloilo, he currently resides in Binangonan, Rizal, Philippines.
Edit intent: fluency
Original: Denver Cuello (born December 12 , 1986 in Cabatuan, Iloilo, Philippines ) is a Filipino professional boxer . Born in Cabatuan, Iloilo, he currently resides in Binangonan, Rizal, Philippines. Cuello is trained by Frankie and Sol Jaro at the Jaro Boxing Stable in Binangonan.
Revised: Denver Cuello (born December 12 , 1986 in Cabatuan, Iloilo, Philippines ) is a Filipino professional boxer who challenged for the WBC strawweight title in 2013.
Edit intent: meaning-changed
Original:  Based on the idea of progress in which advancements in science, technology, economic development and social organization are vital to the improvement of the human condition, progressivism became highly significant during the Age of Enlightenment in Europe, out of the belief that Europe was demonstrating that societies could progress in civility from uncivilized conditions to civilization through strengthening the basis of empirical knowledge as the foundation of society.
Revised:  Based on the idea of distruction in which science, technology, economic development and social organization are vital to the improvement of the human condition, progressivism became highly significant during the Age of Enlightenment in Europe, out of the belief that Europe was demonstrating that societies could progress in civility from uncivilized conditions to civilization through strengthening the basis of empirical knowledge as the foundation of society.
Edit intent: clarity
Original:  Based on the idea of progress in which advancements in science, technology, economic development and social organization are vital to the improvement of the human condition, progressivism became highly significant during the Age of Enlightenment in Europe, out of the belief that Europe was demonstrating that societies could progress in civility from uncivilized conditions to civilization through strengthening the basis of empirical knowledge as the foundation of society.
Revised:  Based on the idea of progress in which advancements in science, technology, economic development and social organization are gone. Progressivism became highly significant during the Age of Enlightenment in Europe, out of the belief that Europe was demonstrating that societies could progress in civility from uncivilized conditions to civilization through strengthening the basis of empirical knowledge as the foundation of society.
Edit intent: clarity
Original: The 1876–77 Constantinople Conference ( "Shipyard Conference", after the venue Tersane Sarayı "Shipyard Palace") of the Great Powers ( Britain, Russia, France, Germany, Austria-Hungary and Italy ) was held in Constantinople (now Istanbul)Finkel, Caroline, Osman's Dream, (Basic Books, 2005), 57;
Revised: The 1876–77 Constantinople Conference ( "Shipyard Conference", after the venue Tersane Sarayı "Shipyard Palace") of the Great Powers ( Austria-Hungary, Britain, France, Germany, Austria-Hungary and Italy ) was held in Constantinople (now Istanbul)Finkel, Caroline, Osman's Dream, (Basic Books, 2005), 57;
Edit intent: clarity
Original: The 1876–77 Constantinople Conference ( "Shipyard Conference", after the venue Tersane Sarayı "Shipyard Palace") of the Great Powers ( Britain, Russia, France, Germany, Austria-Hungary and Italy ) was held in Constantinople (now Istanbul)Finkel, Caroline, Osman's Dream, (Basic Books, 2005), 57;
Revised: The 1876–77 Constantinople Conference ( "Shipyard Conference", after the venue Tersane Sarayı "Shipyard Palace") of the Great Powers ( Britain, Russia, France, Germany, Italy and Russia ) was held in Constantinople (now Istanbul)Finkel, Caroline, Osman's Dream, (Basic Books, 2005), 57;
Edit intent: clarity
Original:  The first number relates to the quadrant of the mouth in which the tooth lies . Upper Right: 1 Upper Left: 2 Lower Left: 3 Lower Right: 4 If it is a deciduous tooth that is being referred to  then a different number is used as below.
Revised:  The first number relates to the quadrant of the mouth in which the tooth lies : upper right upper left lower left lower right Upper Right: 1 Upper Left: 2 Lower Left: 3 Lower Right: 4 If it is a deciduous tooth that is being referred to then a different number is used as below.
Edit intent: meaning-changed
Original:  The first number relates to the quadrant of the mouth in which the tooth lies . Upper Right: 1 Upper Left: 2 Lower Left: 3 Lower Right: 4 If it is a deciduous tooth that is being referred to  then a different number is used as below.
Revised:  The first number relates to the quadrant of the mouth in which the tooth lies . If it is a deciduous tooth that is being referred to then a different number is used as below.
Edit intent: coherence
Original:  The first number relates to the quadrant of the mouth in which the tooth lies . Upper Right: 1 Upper Left: 2 Lower Left: 3 Lower Right: 4 If it is a deciduous tooth that is being referred to  then a different number is used as below.
Revised:  The first number relates to the quadrant of the mouth in which the tooth lies . Upper Right: 1 Upper Left: 2 Lower Left: 3 Lower Right: 4 If it is a deciduous tooth that is being referred to , then a different number is used as below.
Edit intent: fluency
Original:  The first number relates to the quadrant of the mouth in which the tooth lies . Upper Right: 1 Upper Left: 2 Lower Left: 3 Lower Right: 4 If it is a deciduous tooth that is being referred to  then a different number is used as below.
Revised:  The first number relates to the quadrant of the mouth in which the tooth lies . Upper Right: 1 Upper Left: 2 Lower Left: 3 Lower Right: 4 If it is a deciduous tooth that is being referred to then a different number is used : upper right upper left lower left lower right
Edit intent: coherence
Original:  They appeared from c. 5300–4500 BC and are all located optimally in the landscape for extraction of major ecosystem resources , New Evidence on the Ertebølle Culture on Rugen e.g. the Lillberget Stone Age village site (c. 3900 BC), the Nyelv site (c. 5300 BC), and the Lake Inari site (c. 4500 BC).
Revised:  They appeared from c. 5300–4500 BC and are all located optimally in the landscape for extraction of major ecosystem resources ; New Evidence on the Ertebølle Culture on Rugen e.g. the Lillberget Stone Age village site (c. 3900 BC), the Nyelv site (c. 5300 BC), and the Lake Inari site (c. 4500 BC).
Edit intent: fluency
Original:  They appeared from c. 5300–4500 BC and are all located optimally in the landscape for extraction of major ecosystem resources , New Evidence on the Ertebølle Culture on Rugen e.g. the Lillberget Stone Age village site (c. 3900 BC), the Nyelv site (c. 5300 BC), and the Lake Inari site (c. 4500 BC).
Revised:  They appeared from c. 5300–4500 BC and are all located optimally in the landscape for extraction of major ecosystem resources , New Evidence on the Ertebølle Culture on Rugen for example, the Lillberget Stone Age village site (c. 3900 BC), the Nyelv site (c. 5300 BC), and the Lake Inari site (c. 4500 BC).
Edit intent: coherence
Original:  were exchanged through a network of large pre-agricultural sedentary sites, rather than a wave of advance spread of people with agricultural economy, and where the smaller sites found in between the bigger sedentary ones , did not get any of the new products.
Revised:  were exchanged through a network of large pre-agricultural sedentary sites, rather than a wave of advance spread of people with agricultural economy, and where the smaller sites found in between the bigger sedentary ones did not get any of the new products.
Edit intent: fluency
Original:  As a result of forced sedentarization, many rich herdsmen in Siberia have been eliminated by deliberate overtaxation or imprisonment, year-round mobility have been discouraged, many smaller sites and family herd camps have been shut down, children have been separated from their parents and taken to board schools.
Revised:  As a result of forced sedentarization, many rich herdsmen in Siberia have been eliminated by deliberate overtaxation or imprisonment, year-round mobility has been discouraged, many smaller sites and family herd camps have been shut down, children have been separated from their parents and taken to board schools.
Edit intent: fluency