wanyu/IteraTeR_full_sent huggingface dataset:
Original:  [  City Lore created   Know Your Rights! , a guide for street performers . Place Matters %DIFDELCMD < %DIFDELCMD < %%% Since its inception, City Lore has served as an advocate for local landmarks through the Place Matters program in collaboration with Municipal Arts Society .
Revised:  [ In 2019, the People’s Hall of Fame honored Waterfront Heroes, local artists and activists working to preserve the New York Harbor including Naima Rauam for painting the poetry of the Fulton Fish Market; David Sharps, founder of the Waterfront Museum on a barge he personally dredged from the Hudson; Conrad Milster, a steam whistle collector from Brooklyn who started a 50-year New Year's Eve steam whistle blowing tradition in Brooklyn; and Samir Faraq, founder of Staten Island's Museum of Maritime Navigation Know Your Rights! , a guide for street performers . Place Matters %DIFDELCMD < %DIFDELCMD < %%% Since its inception, City Lore has served as an advocate for local landmarks through the Place Matters program in collaboration with Municipal Arts Society .
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Original:  [  City Lore created   Know Your Rights! , a guide for street performers . Place Matters %DIFDELCMD < %DIFDELCMD < %%% Since its inception, City Lore has served as an advocate for local landmarks through the Place Matters program in collaboration with Municipal Arts Society .
Revised:  [ City Lore created Communication and collector of forgotten maritime paraphernalia. Children playing a traditional game on the streets of NYC, photographed by Martha Cooper City Lore’s first urban folklore initiative was to document New York City street games. The City Play exhibit opened at the Museum of the City of New York in 1988, and the book, City Play was published by Rutgers University Press in 1992. In 2016, City Lore and Public Art Films released Let’s Get the Rhythm: the Life and Times of Miss Mary Mack, directed by Irene Chagall, and coproduced by Steve Zeitlin and Irene Chagall. The New York Times writes “As it swings between games and interviews, “Let’s Get the Rhythm” has a beat; its incandescent musicality brings this hand-clapping universe to life.” Know Your Rights! , a guide for street performers . Place Matters %DIFDELCMD < %DIFDELCMD < %%% Since its inception, City Lore has served as an advocate for local landmarks through the Place Matters program in collaboration with Municipal Arts Society .
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Original:  [  City Lore created   Know Your Rights! , a guide for street performers . Place Matters %DIFDELCMD < %DIFDELCMD < %%% Since its inception, City Lore has served as an advocate for local landmarks through the Place Matters program in collaboration with Municipal Arts Society .
Revised:  [ City Lore created In 1996, City Lore worked with activist Susie Tanenbaum and the Street Performers Advocacy Project to publish Know Your Rights! , a guide for street performers . Place Matters %DIFDELCMD < %DIFDELCMD < %%% Since its inception, City Lore has served as an advocate for local landmarks through the Place Matters program in collaboration with Municipal Arts Society .
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Original:  [  City Lore created   Know Your Rights! , a guide for street performers . Place Matters %DIFDELCMD < %DIFDELCMD < %%% Since its inception, City Lore has served as an advocate for local landmarks through the Place Matters program in collaboration with Municipal Arts Society .
Revised:  [ City Lore created Know Your Rights! A Guide for Subway Performers pamphlet, now online, offering street performers the first look at their constitutional right to perform on subway platforms . Place Matters %DIFDELCMD < %DIFDELCMD < %%% Since its inception, City Lore has served as an advocate for local landmarks through the Place Matters program in collaboration with Municipal Arts Society .
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Original:  [  City Lore created   Know Your Rights! , a guide for street performers . Place Matters %DIFDELCMD < %DIFDELCMD < %%% Since its inception, City Lore has served as an advocate for local landmarks through the Place Matters program in collaboration with Municipal Arts Society .
Revised:  [ City Lore created Know Your Rights! , a guide for street performers . Place Matters %DIFDELCMD < %DIFDELCMD < %%% Empire Roller Rink, Birthplace of Roller Disco, archived by Place Matters In 1988, City Lore established the “Endangered Spaces” project to advocate for local landmarks through the Place Matters program in collaboration with Municipal Arts Society .
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Original:  [  City Lore created   Know Your Rights! , a guide for street performers . Place Matters %DIFDELCMD < %DIFDELCMD < %%% Since its inception, City Lore has served as an advocate for local landmarks through the Place Matters program in collaboration with Municipal Arts Society . There have been over 650 nominations from the public, including parks, historic sites, public art, beer gardens, industrial sites, and stores.
Revised:  [ City Lore created Know Your Rights! , a guide for street performers . Place Matters %DIFDELCMD < %DIFDELCMD < %%% Since its inception, City Lore has served as an advocate for local establishments and landmarks that were disappearing from the New York City landscape. In 1996, City Lore joined a new Task Force on Historical and Cultural Landmarks run by Ned Kaufman at the Municipal Art Society (MAS) and sponsored the conference “History Happened Here” at the Museum of the City of New York in 1998. Two years later, Place Matters was formally established by Ned Kaufman, Steve Zeitlin, and Marci Reaven, with Laura Hansen as the director. Based at City Lore, Place Matters aims to broaden the ways that preservation is understood and practiced by offering alternative ways of identifying, interpreting, celebrating, and ultimately protecting places that matter.
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Original:    Arts in Education City Lore develops and implements arts residencies and offers professional development to New York City public schools.
Revised:  A year later, Place Matters, the Lower East Side Tenement Museum, and the Lower East Side Preservation Project presented the experiences of past and present Lower East Siders in a place-marking project called Your Guide to the Lower East Side. The initiative included twenty-eight signs at six separate sidewalk locations that featured photographs and text in five languages. Arts in Education City Lore develops and implements arts residencies and offers professional development to New York City public schools.
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Original:  People's Poetry Project     In   the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Revised:  Recent initiatives include: In the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Edit intent: clarity
Original:  People's Poetry Project     In   the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Revised:  People's Poetry Project Roots, Routes, In the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
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Original:  People's Poetry Project     In   the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Revised:  People's Poetry Project Rhythms, an initiative that engages students in grades 3 through 8 from five Queens partner schools in exploring the roots of music and dance traditions in their boroughs and neighborhoods. From Homer to Hip Hop: Oral Traditions as a Gateway to Literature and Literacy, a new program which introduces students in grades 3 and 8 in two elementary and two middle schools in Queens to world poetry traditions, including sung poetry. Urban Explorers, a year-round after school program, including Saturdays and summer, that engages 26 youth in grades 6 to 12 in multi-media storytelling about and advocating for New York City’s grassroots cultures, while supporting their in-school education. KickFlip, an interest-driven, connected learning program implemented 2013-2015 designed to engage teen skateboarders and help them develop filmmaking, game design and coding skills to develop projects relating to their sport. City Lore’s education programs also have a national outreach. The organization helped organize a national conference in 1993 at the National Endowment for the Arts, and served as the sponsor and incubator for Local Learning: the National Network for Folk Arts in Education. City Lore cosponsored the newsletter CARTS (Cultural Arts Resources for Teachers and Students) Newsletter. City Lore contributes regularly to Local Learning's publication, Journal of Folk Arts in Education. In the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
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Original:  People's Poetry Project     In   the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Revised:  People's Poetry Project Grassroots Poetry In the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
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Original:  People's Poetry Project     In   the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Revised:  People's Poetry Project The People’s Poetry Project grew out of the People’s Poetry Gathering, held in 1999, 2001, 2003 with Poets House, and in 2006 with Bowery Arts + Science, to bring together folk, ethnic, inner city, and literary poets. During these festivals in 1999, 2001, 2003, and 2006, Lower Manhattan was transformed into a poetry village for three days. The People’s Poetry Gathering was one of the highest profile poetry events in the United States and had an average audience of 10,000. In the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
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Original:  People's Poetry Project     In   the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Revised:  People's Poetry Project In 2003, Poet Laureate, Billy Collins, wrote an insightful essay on the ballad for The New York Times on the festival’s opening day; and City Lore hosted a special conference and concert honoring Alan Lomax for his contribution to folk music and poetry. Beowulf and Sundiata were among the works featured. the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
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Original:  People's Poetry Project     In   the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Revised:  People's Poetry Project In In the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
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Original:  " Spontaneous Shrines and the Public Memorialization of Death.Ed. Jack Santino. New York: Palgrave Macmillan,  2006  Founded by City Lore and Poets House in 1999, The People's Poetry Gathering was created to present the diverse oral poetry traditions of New York City.
Revised:  " at El Museo de Barrio, initiating a longstanding commitment to Latino music traditions. 2006 Founded by City Lore and Poets House in 1999, The People's Poetry Gathering was created to present the diverse oral poetry traditions of New York City.
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Original:  New York: Palgrave Macmillan,  2006  Founded by City Lore and Poets House in 1999, The People's Poetry Gathering was created to present the diverse oral poetry traditions of New York City.
Revised:  New York: Palgrave Macmillan, 2006 , City Lore completed the documentary film From Mambo to Hip Hop, which won an Alma Award for Best Documentary that same year. In 2016, the organization sponsored Mathew Rodriguez Warrens’ doc, We Like It Like That: the Story of Latin Boogaloo. Elena Martinez coproduced both films, and was tapped by WHEDco (Women’s Housing and Urban Development) to spearhead along with Grammy-nominated bandleader Bobby Sanabria, the Bronx Music Heritage Lab and the new cultural center, The Bronx Music Heritage Center, opening in 2021. Founded by City Lore and Poets House in 1999, The People's Poetry Gathering was created to present the diverse oral poetry traditions of New York City.
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Original:    Special projects %DIFDELCMD < %DIFDELCMD < %%% City Lore produces documentary films and collaborates with filmmakers whose work relates to the organization's mission.
Revised:  In 2002, City Lore researched and curated Missing: Streetscape of a City in Mourning about the shrines and memorials that cropped up on New York City Streets after September 11. In 2005, City Lore developed the traveling exhibit and accompanying book, Weavings of War: Fabrics of Memory which featured the work of women textile artists from Central Asia, Southeast Asia, Latin America, and South Africa featured at The Puffin Gallery. The House under the Roller Coaster, made famous by Woody Allen in Annie Hall, demolished in 2000. Photo by Hazel Hankin Nathan's Original Hot Dogs on Coney Island, archived by Place Matters In 1988, City Lore presented oral histories of Coney Island on the boardwalk. In 1991, folklorist Steve Zeitlin suggested to Dick Zigun at Coney Island USA that, rather than trying performance art, they should bring a traditional old time sideshow, which Zeitlin had brought to the Smithsonian’s Folklife Festival a few years earlier, to Coney. The sideshow has run continuously to this day. In 2017, City Lore presented the exhibit Boardwalk Renaissance: How the Arts Saved Coney Island. Special projects %DIFDELCMD < %DIFDELCMD < %%% City Lore produces documentary films and collaborates with filmmakers whose work relates to the organization's mission.
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Original:     References  Category:American folklore Category:Storytelling  Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Revised:  In 2007 City Lore’s Founder Steve Zeitlin was awarded the Benjamin Botkin Award by the American Folklore Society for lifetime achievement in public folklore; in 2019, City Lore’s Director of Arts in Education Amanda Dargan also received the award. References Category:American folklore Category:Storytelling Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
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Original:     References  Category:American folklore Category:Storytelling  Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Revised:  In 2016, City Lore received the Isidore Starr Award for excellence in from the National Council for the Social Studies and American Federation of Teachers. In 2009, City Lore’s arts education programs were highlighted in The Qualities of Quality: Understanding Excellence in Arts Education published by Harvard University’s Project Zero. References Category:American folklore Category:Storytelling Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
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Original:     References  Category:American folklore Category:Storytelling  Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Revised:  In 2021, City Lore's director Dr. Steve Zeitlin received a non-profit leadership award from Crains Business. References Category:American folklore Category:Storytelling Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
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Original:     References  Category:American folklore Category:Storytelling  Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Revised:  References External links City Lore People's Poetry Project Category:American folklore Category:Storytelling Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
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Original:     References  Category:American folklore Category:Storytelling  Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Revised:  References Category:American folklore Category:Storytelling organizations Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
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Original: %DIFDELCMD < %DIFDELCMD < %%% Founding November, 1985, folklorist Steve Zeitlin founded City Lore, and the organization received full non-profit status. Prior to founding City Lore, Steve Zeitlin worked for eight years as a folklorist for the Smithsonian Institution’s Festival of American Folklife. In 1979, the New York City Chapter of the New York Folklore Society, led by Dr. Barbara Kirshenblatt Gimblett, Nancy Groce and others, sponsored the first of three conferences on New York City Folklore. Zeitlin, who participated in the conferences, moved to New York in 1981, and, in 1983, became the President of the New York City Chapter of the New York Folklore Society. City Lore’s first program was a tribute to late anthropologist Barbara Myerhoff in September , 1985. In 1986 moved into offices at 72 E. First Street on the Lower East Side. In 1986, the organization held the first City Lore Festival in Central Park staged in tandem with the first Central Park Summerstage.
Revised: %DIFDELCMD < %DIFDELCMD < %%% 
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Original:  Approach to Folklore City Lore founder Steve Zeitlin City Lore's Founder Dr. Steve Zeitlin has said that City Lore has: an " open mission to document and present New York City and America's living cultural heritage.
Revised:  City Lore works in four cultural domains: urban folklore and history, preservation, arts in education, and grassroots poetry traditions. Described by Sonnet Takahisa of the September 11th Memorial Museum as " open mission to document and present New York City and America's living cultural heritage.
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Original:  Approach to Folklore City Lore founder Steve Zeitlin City Lore's Founder Dr. Steve Zeitlin has said that City Lore has: an " open mission to document and present New York City and America's living cultural heritage. Living cultural heritage used by folklorists to suggest the documentation, interpretation, and presentation of traditions within living memory, as opposed to events that predate living memory, and are, in a sense, purely historical. The original impetus for the discipline of folklore in the 19th century was the notion of collecting myths and legends as " survivals" from an earlier age,but City Lore is very present oriented.
Revised:  Approach to Folklore City Lore founder Steve Zeitlin City Lore's Founder Dr. Steve Zeitlin has said that City Lore has: an " wise renegades, " survivals" from an earlier age,but City Lore is very present oriented.
Edit intent: clarity
Original:  The original impetus for the discipline of folklore in the 19th century was the notion of collecting myths and legends as " survivals" from an earlier age,but City Lore is very present oriented. It's not only about capturing the past, it's about using an arts perspective to look at life itself. And to see the present in a slightly more vivid and interested and compelling way by looking at the artistic impulse in everyday life. Folklorists distinguish themselves from historians and from cultural anthropologists, because of the attention they pay to the aesthetic dimensions of history and culture. " 2 According to Zeitlin, City Lore is “tradition inspired but not tradition bound, and we are all about the redemptive power of grassroots creativity."
Revised:  The original impetus for the discipline of folklore in the 19th century was the notion of collecting myths and legends as " 2 According to Zeitlin, City Lore is “tradition inspired but not tradition bound, and we are all about the redemptive power of grassroots creativity."
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Original:  " 2 According to Zeitlin, City Lore is “tradition inspired but not tradition bound, and we are all about the redemptive power of grassroots creativity."
Revised:  " their programs include People's Poetry Project, Place Matters (in collaboration with the Municipal Arts Society) and City of Memory. According to Zeitlin, City Lore is “tradition inspired but not tradition bound, and we are all about the redemptive power of grassroots creativity."
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Original:  In a formal evaluation by the Artography initiative of Leveraging Investments in Creativity (LINC) funded by the Ford Foundation, Dr. William Westerman writes:%DIFDELCMD < %DIFDELCMD < %%% It’s hard to understand what City Lore does in terms of art-making without first understanding how folklorists think of the concept of art.
Revised:  In a formal evaluation by the Artography initiative of Leveraging Investments in Creativity (LINC) funded by the Ford Foundation, Dr. William Westerman writes:%DIFDELCMD < %DIFDELCMD < %%% City Lore works collaboratively with folk and community artists, embracing different aesthetics for the creation of art.
Edit intent: clarity