wanyu/IteraTeR_full_sent huggingface dataset:
Original:  It is also a " threat to external validity that occurs when individuals participating in a research study (a novel situation) perceive and respond differently that they would in the normal real world ". Gravetter Forzano, 2011 URL  April 14, 2007)
Revised:  It is also a " threat to external validity when individuals participating in a research study (a novel situation) perceive and respond differently that they would in the normal real world ". Gravetter Forzano, 2011 URL April 14, 2007)
Edit intent: coherence
Original:  It is also a " threat to external validity that occurs when individuals participating in a research study (a novel situation) perceive and respond differently that they would in the normal real world ". Gravetter Forzano, 2011 URL  April 14, 2007)
Revised:  It is also a " threat to external validity that occurs when individuals participating in a research study (a novel situation) perceive and respond differently than they would in the normal real world ". Gravetter Forzano, 2011 URL April 14, 2007)
Edit intent: fluency
Original:  It is also a " threat to external validity that occurs when individuals participating in a research study (a novel situation) perceive and respond differently that they would in the normal real world ". Gravetter Forzano, 2011 URL  April 14, 2007)
Revised:  It is also a " threat to external validity that occurs when individuals participating in a research study (a novel situation) perceive and respond differently that they would in the normal real world Forzano, 2011 URL April 14, 2007)
Edit intent: coherence
Original:  It is also a " threat to external validity that occurs when individuals participating in a research study (a novel situation) perceive and respond differently that they would in the normal real world ". Gravetter Forzano, 2011 URL  April 14, 2007)
Revised:  It is also a " threat to external validity that occurs when individuals participating in a research study (a novel situation) perceive and respond differently that they would in the normal real world ". Gravetter . URL April 14, 2007)
Edit intent: coherence
Original:  It is also a " threat to external validity that occurs when individuals participating in a research study (a novel situation) perceive and respond differently that they would in the normal real world ". Gravetter Forzano, 2011 URL  April 14, 2007)
Revised:  It is also a " threat to external validity that occurs when individuals participating in a research study (a novel situation) perceive and respond differently that they would in the normal real world ". Gravetter Forzano, 2011 External links April 14, 2007)
Edit intent: meaning-changed
Original:  It is also a " threat to external validity that occurs when individuals participating in a research study (a novel situation) perceive and respond differently that they would in the normal real world ". Gravetter Forzano, 2011 URL  April 14, 2007)
Revised:  It is also a " threat to external validity that occurs when individuals participating in a research study (a novel situation) perceive and respond differently that they would in the normal real world ". Gravetter Forzano, 2011 URL URL (accessed April 14, 2007)
Edit intent: clarity
Original:  It is still discussed as to whether Zappa had conceived the material as a 4-LP box set from the beginning, or only later when working with Phonogramaround September-October 1977.
Revised:  It is still debated as to whether Zappa had conceived the material as a 4-LP box set from the beginning, or only later when working with Phonogramaround September-October 1977.
Edit intent: clarity
Original:  It is still discussed as to whether Zappa had conceived the material as a 4-LP box set from the beginning, or only later when working with Phonogramaround September-October 1977. Gail Zappa claimed on several occasions that Läther was originally intended as a 4-record box set. However, Zappa himself contradicted the idea that Läther was split up into other albums. He said in a 1978 radio interview that "Läther was made out of four URL
Revised:  It is still discussed as to whether Zappa had conceived the material as a 4-LP box set from the beginning, or only later when approaching Phonogram.
Edit intent: clarity
Original:  In  1980 , Zappa cut his ties with record distributor Phonogram after the label refused to release his song "I Don't Wanna Get Drafted" .
Revised:  In late 1979 Zappa had his long hair cut. "I cut it so people would stop asking me stupid questions about the URL February 1980 , Zappa cut his ties with record distributor Phonogram after the label refused to release his song "I Don't Wanna Get Drafted" .
Edit intent: meaning-changed
Original:  In  1980 , Zappa cut his ties with record distributor Phonogram after the label refused to release his song "I Don't Wanna Get Drafted" . The single was released independently by Zappa in the United States and was picked up by CBS Records internationally.
Revised:  In 1980 , Zappa cut his ties with record distributor Phonogram after the label refused to release his song "I Don't Wanna Get Drafted" at Ocean Way Studios in Los Angeles. The picture sleeve for this record introduced the public to his new coiffure. Zappa cut ties with Phonogram when they refused to distribute the single. It was released independently by Zappa in the United States and was picked up by CBS Records internationally.
Edit intent: meaning-changed
Original:  In late 1979 Zappa had his long hair cut . "I cut it so people would stop asking me stupid questions about the URL February 1980 saw him recording a new single "I Don't Wanna Get Drafted" at Ocean Way Studios in Los Angeles.
Revised:  In 1980 saw him recording a new single "I Don't Wanna Get Drafted" at Ocean Way Studios in Los Angeles.
Edit intent: clarity
Original:  In late 1979 Zappa had his long hair cut . "I cut it so people would stop asking me stupid questions about the URL February 1980 saw him recording a new single "I Don't Wanna Get Drafted" at Ocean Way Studios in Los Angeles.
Revised:  In late 1979 Zappa had his long hair cut . "I cut it so people would stop asking me stupid questions about the URL February 1980 , Zappa cut his ties with record distributor Phonogram after the label refused to release his song "I Don't Wanna Get Drafted" at Ocean Way Studios in Los Angeles.
Edit intent: meaning-changed
Original:  In late 1979 Zappa had his long hair cut . "I cut it so people would stop asking me stupid questions about the URL February 1980 saw him recording a new single "I Don't Wanna Get Drafted" at Ocean Way Studios in Los Angeles. The picture sleeve for this record introduced the public to his new coiffure. Zappa cut ties with Phonogram when they refused to distribute the single . It was released independently by Zappa in the United States and was picked up by CBS Records internationally.
Revised:  In late 1979 Zappa had his long hair cut . "I cut it so people would stop asking me stupid questions about the URL February 1980 saw him recording a new single "I Don't Wanna Get Drafted" . The single was released independently by Zappa in the United States and was picked up by CBS Records internationally.
Edit intent: coherence
Original: 1992 (19th Annual) – “Beethoven’s Ninth Symphony”  1993 (20th Annual) – “The Truth of the Creation”  1994 (21st Annual) – “The Music of France”  1995 (22nd Annual) – “International Symphonic Works”  1996 (23rd Annual) – “Winds of Spain”  1997 (24th Annual) – “Treasures of Russia”  1998 (25th Annual) – “Miss Saigon" (1st Place)  1999 (26th Annual) – “Phantom of the Opera”  2008 (36th Annual) – “Guernica” (1st Place)  2018 (46th Annual) - “Princess Quest” (1st Place)  
Revised: 1992 (19th Annual) – “Beethoven’s Ninth Symphony” , Drum Major Mr. Michihusa Sato 1993 (20th Annual) – “The Truth of the Creation” 1994 (21st Annual) – “The Music of France” 1995 (22nd Annual) – “International Symphonic Works” 1996 (23rd Annual) – “Winds of Spain” 1997 (24th Annual) – “Treasures of Russia” 1998 (25th Annual) – “Miss Saigon" (1st Place) 1999 (26th Annual) – “Phantom of the Opera” 2008 (36th Annual) – “Guernica” (1st Place) 2018 (46th Annual) - “Princess Quest” (1st Place) 
Edit intent: meaning-changed
Original: 1992 (19th Annual) – “Beethoven’s Ninth Symphony”  1993 (20th Annual) – “The Truth of the Creation”  1994 (21st Annual) – “The Music of France”  1995 (22nd Annual) – “International Symphonic Works”  1996 (23rd Annual) – “Winds of Spain”  1997 (24th Annual) – “Treasures of Russia”  1998 (25th Annual) – “Miss Saigon" (1st Place)  1999 (26th Annual) – “Phantom of the Opera”  2008 (36th Annual) – “Guernica” (1st Place)  2018 (46th Annual) - “Princess Quest” (1st Place)  
Revised: 1992 (19th Annual) – “Beethoven’s Ninth Symphony” 1993 (20th Annual) – “The Truth of the Creation” , Drum Major Mr. Michihusa Sato 1994 (21st Annual) – “The Music of France” 1995 (22nd Annual) – “International Symphonic Works” 1996 (23rd Annual) – “Winds of Spain” 1997 (24th Annual) – “Treasures of Russia” 1998 (25th Annual) – “Miss Saigon" (1st Place) 1999 (26th Annual) – “Phantom of the Opera” 2008 (36th Annual) – “Guernica” (1st Place) 2018 (46th Annual) - “Princess Quest” (1st Place) 
Edit intent: meaning-changed
Original: 1992 (19th Annual) – “Beethoven’s Ninth Symphony”  1993 (20th Annual) – “The Truth of the Creation”  1994 (21st Annual) – “The Music of France”  1995 (22nd Annual) – “International Symphonic Works”  1996 (23rd Annual) – “Winds of Spain”  1997 (24th Annual) – “Treasures of Russia”  1998 (25th Annual) – “Miss Saigon" (1st Place)  1999 (26th Annual) – “Phantom of the Opera”  2008 (36th Annual) – “Guernica” (1st Place)  2018 (46th Annual) - “Princess Quest” (1st Place)  
Revised: 1992 (19th Annual) – “Beethoven’s Ninth Symphony” 1993 (20th Annual) – “The Truth of the Creation” 1994 (21st Annual) – “The Music of France” , Drum Major Mr. Michihusa Sato 1995 (22nd Annual) – “International Symphonic Works” 1996 (23rd Annual) – “Winds of Spain” 1997 (24th Annual) – “Treasures of Russia” 1998 (25th Annual) – “Miss Saigon" (1st Place) 1999 (26th Annual) – “Phantom of the Opera” 2008 (36th Annual) – “Guernica” (1st Place) 2018 (46th Annual) - “Princess Quest” (1st Place) 
Edit intent: meaning-changed
Original: 1992 (19th Annual) – “Beethoven’s Ninth Symphony”  1993 (20th Annual) – “The Truth of the Creation”  1994 (21st Annual) – “The Music of France”  1995 (22nd Annual) – “International Symphonic Works”  1996 (23rd Annual) – “Winds of Spain”  1997 (24th Annual) – “Treasures of Russia”  1998 (25th Annual) – “Miss Saigon" (1st Place)  1999 (26th Annual) – “Phantom of the Opera”  2008 (36th Annual) – “Guernica” (1st Place)  2018 (46th Annual) - “Princess Quest” (1st Place)  
Revised: 1992 (19th Annual) – “Beethoven’s Ninth Symphony” 1993 (20th Annual) – “The Truth of the Creation” 1994 (21st Annual) – “The Music of France” 1995 (22nd Annual) – “International Symphonic Works” , Drum Major Mr. Michihusa Sato 1996 (23rd Annual) – “Winds of Spain” 1997 (24th Annual) – “Treasures of Russia” 1998 (25th Annual) – “Miss Saigon" (1st Place) 1999 (26th Annual) – “Phantom of the Opera” 2008 (36th Annual) – “Guernica” (1st Place) 2018 (46th Annual) - “Princess Quest” (1st Place) 
Edit intent: meaning-changed
Original: 1992 (19th Annual) – “Beethoven’s Ninth Symphony”  1993 (20th Annual) – “The Truth of the Creation”  1994 (21st Annual) – “The Music of France”  1995 (22nd Annual) – “International Symphonic Works”  1996 (23rd Annual) – “Winds of Spain”  1997 (24th Annual) – “Treasures of Russia”  1998 (25th Annual) – “Miss Saigon" (1st Place)  1999 (26th Annual) – “Phantom of the Opera”  2008 (36th Annual) – “Guernica” (1st Place)  2018 (46th Annual) - “Princess Quest” (1st Place)  
Revised: 1992 (19th Annual) – “Beethoven’s Ninth Symphony” 1993 (20th Annual) – “The Truth of the Creation” 1994 (21st Annual) – “The Music of France” 1995 (22nd Annual) – “International Symphonic Works” 1996 (23rd Annual) – “Winds of Spain” , Drum Major Mr. Michihusa Sato 1997 (24th Annual) – “Treasures of Russia” 1998 (25th Annual) – “Miss Saigon" (1st Place) 1999 (26th Annual) – “Phantom of the Opera” 2008 (36th Annual) – “Guernica” (1st Place) 2018 (46th Annual) - “Princess Quest” (1st Place) 
Edit intent: meaning-changed
Original: 1992 (19th Annual) – “Beethoven’s Ninth Symphony”  1993 (20th Annual) – “The Truth of the Creation”  1994 (21st Annual) – “The Music of France”  1995 (22nd Annual) – “International Symphonic Works”  1996 (23rd Annual) – “Winds of Spain”  1997 (24th Annual) – “Treasures of Russia”  1998 (25th Annual) – “Miss Saigon" (1st Place)  1999 (26th Annual) – “Phantom of the Opera”  2008 (36th Annual) – “Guernica” (1st Place)  2018 (46th Annual) - “Princess Quest” (1st Place)  
Revised: 1992 (19th Annual) – “Beethoven’s Ninth Symphony” 1993 (20th Annual) – “The Truth of the Creation” 1994 (21st Annual) – “The Music of France” 1995 (22nd Annual) – “International Symphonic Works” 1996 (23rd Annual) – “Winds of Spain” 1997 (24th Annual) – “Treasures of Russia” , Drum Major Mr. Michihusa Sato 1998 (25th Annual) – “Miss Saigon" (1st Place) 1999 (26th Annual) – “Phantom of the Opera” 2008 (36th Annual) – “Guernica” (1st Place) 2018 (46th Annual) - “Princess Quest” (1st Place) 
Edit intent: coherence
Original: 1992 (19th Annual) – “Beethoven’s Ninth Symphony”  1993 (20th Annual) – “The Truth of the Creation”  1994 (21st Annual) – “The Music of France”  1995 (22nd Annual) – “International Symphonic Works”  1996 (23rd Annual) – “Winds of Spain”  1997 (24th Annual) – “Treasures of Russia”  1998 (25th Annual) – “Miss Saigon" (1st Place)  1999 (26th Annual) – “Phantom of the Opera”  2008 (36th Annual) – “Guernica” (1st Place)  2018 (46th Annual) - “Princess Quest” (1st Place)  
Revised: 1992 (19th Annual) – “Beethoven’s Ninth Symphony” 1993 (20th Annual) – “The Truth of the Creation” 1994 (21st Annual) – “The Music of France” 1995 (22nd Annual) – “International Symphonic Works” 1996 (23rd Annual) – “Winds of Spain” 1997 (24th Annual) – “Treasures of Russia” 1998 (25th Annual) – “Miss Saigon" (1st Place) , Drum Major Mr. Michihusa Sato 1999 (26th Annual) – “Phantom of the Opera” 2008 (36th Annual) – “Guernica” (1st Place) 2018 (46th Annual) - “Princess Quest” (1st Place) 
Edit intent: coherence
Original: 1992 (19th Annual) – “Beethoven’s Ninth Symphony”  1993 (20th Annual) – “The Truth of the Creation”  1994 (21st Annual) – “The Music of France”  1995 (22nd Annual) – “International Symphonic Works”  1996 (23rd Annual) – “Winds of Spain”  1997 (24th Annual) – “Treasures of Russia”  1998 (25th Annual) – “Miss Saigon" (1st Place)  1999 (26th Annual) – “Phantom of the Opera”  2008 (36th Annual) – “Guernica” (1st Place)  2018 (46th Annual) - “Princess Quest” (1st Place)  
Revised: 1992 (19th Annual) – “Beethoven’s Ninth Symphony” 1993 (20th Annual) – “The Truth of the Creation” 1994 (21st Annual) – “The Music of France” 1995 (22nd Annual) – “International Symphonic Works” 1996 (23rd Annual) – “Winds of Spain” 1997 (24th Annual) – “Treasures of Russia” 1998 (25th Annual) – “Miss Saigon" (1st Place) 1999 (26th Annual) – “Phantom of the Opera” , Drum Major Mr. Michihusa Sato 2008 (36th Annual) – “Guernica” (1st Place) 2018 (46th Annual) - “Princess Quest” (1st Place) 
Edit intent: coherence
Original: 1992 (19th Annual) – “Beethoven’s Ninth Symphony”  1993 (20th Annual) – “The Truth of the Creation”  1994 (21st Annual) – “The Music of France”  1995 (22nd Annual) – “International Symphonic Works”  1996 (23rd Annual) – “Winds of Spain”  1997 (24th Annual) – “Treasures of Russia”  1998 (25th Annual) – “Miss Saigon" (1st Place)  1999 (26th Annual) – “Phantom of the Opera”  2008 (36th Annual) – “Guernica” (1st Place)  2018 (46th Annual) - “Princess Quest” (1st Place)  
Revised: 1992 (19th Annual) – “Beethoven’s Ninth Symphony” 1993 (20th Annual) – “The Truth of the Creation” 1994 (21st Annual) – “The Music of France” 1995 (22nd Annual) – “International Symphonic Works” 1996 (23rd Annual) – “Winds of Spain” 1997 (24th Annual) – “Treasures of Russia” 1998 (25th Annual) – “Miss Saigon" (1st Place) 1999 (26th Annual) – “Phantom of the Opera” 2008 (36th Annual) – “Guernica” (1st Place) - Drum Major Minalai Apivat 2018 (46th Annual) - “Princess Quest” (1st Place) 
Edit intent: coherence
Original: 1992 (19th Annual) – “Beethoven’s Ninth Symphony”  1993 (20th Annual) – “The Truth of the Creation”  1994 (21st Annual) – “The Music of France”  1995 (22nd Annual) – “International Symphonic Works”  1996 (23rd Annual) – “Winds of Spain”  1997 (24th Annual) – “Treasures of Russia”  1998 (25th Annual) – “Miss Saigon" (1st Place)  1999 (26th Annual) – “Phantom of the Opera”  2008 (36th Annual) – “Guernica” (1st Place)  2018 (46th Annual) - “Princess Quest” (1st Place)  
Revised: 1992 (19th Annual) – “Beethoven’s Ninth Symphony” 1993 (20th Annual) – “The Truth of the Creation” 1994 (21st Annual) – “The Music of France” 1995 (22nd Annual) – “International Symphonic Works” 1996 (23rd Annual) – “Winds of Spain” 1997 (24th Annual) – “Treasures of Russia” 1998 (25th Annual) – “Miss Saigon" (1st Place) 1999 (26th Annual) – “Phantom of the Opera” 2008 (36th Annual) – “Guernica” (1st Place) 2018 (46th Annual) - “Princess Quest” (1st Place) , Drum Major Kimio Imori 
Edit intent: coherence
Original: 1992 (19th Annual) – “Beethoven’s Ninth Symphony”  1993 (20th Annual) – “The Truth of the Creation”  1994 (21st Annual) – “The Music of France”  1995 (22nd Annual) – “International Symphonic Works”  1996 (23rd Annual) – “Winds of Spain”  1997 (24th Annual) – “Treasures of Russia”  1998 (25th Annual) – “Miss Saigon" (1st Place)  1999 (26th Annual) – “Phantom of the Opera”  2008 (36th Annual) – “Guernica” (1st Place)  2018 (46th Annual) - “Princess Quest” (1st Place)  
Revised: 1992 (19th Annual) – “Beethoven’s Ninth Symphony” 1993 (20th Annual) – “The Truth of the Creation” 1994 (21st Annual) – “The Music of France” 1995 (22nd Annual) – “International Symphonic Works” 1996 (23rd Annual) – “Winds of Spain” 1997 (24th Annual) – “Treasures of Russia” 1998 (25th Annual) – “Miss Saigon" (1st Place) 1999 (26th Annual) – “Phantom of the Opera” 2008 (36th Annual) – “Guernica” (1st Place) 2018 (46th Annual) - “Princess Quest” (1st Place) 2019 (47th Annual) - "Demon" (2nd Place), Drum Major Kimio Imori
Edit intent: meaning-changed
Original:  Blocks are typically built around specific genres (i.e. a block focusing specifically on sitcoms), target audiences, or other factors . Blocks also allow these programs to be promoted together under blanket brands (such as ABC's "TGIF" lineup and NBC's "Must See TV").
Revised:  Blocks are typically built around specific genres (i.e. a block focusing specifically on sitcoms), target audiences, or other factors , with their programming often promoted collectively under blanket titles (such as ABC's "TGIF" lineup and NBC's "Must See TV").
Edit intent: clarity
Original:  The series premiere of The Jackie Thomas Show employed a bridge from its lead-in, Roseanne, by ending its episode with a scene of the Connor family watching the start of The Jackie Thomas Show on TV in-universe, and transition to the show itself with no junction in between.
Revised:  A bridge was used by ABC between Roseanne and the December 1992 series premiere of The Jackie Thomas Show employed a bridge from its lead-in, Roseanne, by ending its episode with a scene of the Connor family watching the start of The Jackie Thomas Show on TV in-universe, and transition to the show itself with no junction in between.
Edit intent: meaning-changed
Original:  The series premiere of The Jackie Thomas Show employed a bridge from its lead-in, Roseanne, by ending its episode with a scene of the Connor family watching the start of The Jackie Thomas Show on TV in-universe, and transition to the show itself with no junction in between.
Revised:  The series premiere of The Jackie Thomas Show (which was co-created by Roseanne's Roseanne Arnold and Tom Arnold), where a scene of the Connor family watching the start of The Jackie Thomas Show on TV in-universe, and transition to the show itself with no junction in between.
Edit intent: meaning-changed
Original:  The series premiere of The Jackie Thomas Show employed a bridge from its lead-in, Roseanne, by ending its episode with a scene of the Connor family watching the start of The Jackie Thomas Show on TV in-universe, and transition to the show itself with no junction in between.
Revised:  The series premiere of The Jackie Thomas Show employed a bridge from its lead-in, Roseanne, by ending its episode with a scene of the Connor family watching the opening of the program seamlessly transitioned into the program itself, with no junction in between.
Edit intent: clarity
Original:  After experiencing success with holiday events such as Countdown to Christmas, Hallmark Channel adopted a strategy of dividing its programming into themed seasons year-round  , in an effort to position itself as "a year-round destination for celebrations" (which is synergistic with Hallmark Cards' core greeting card and collectibles businesses).
Revised:  After experiencing success with holiday events such as Countdown to Christmas, Hallmark Channel adopted a strategy of dividing its programming into themed seasons year-round (which are typically accompanied by thematically-appropriate original movies and original series) , in an effort to position itself as "a year-round destination for celebrations" (which is synergistic with Hallmark Cards' core greeting card and collectibles businesses).
Edit intent: meaning-changed
Original:  The majority of studies have identified patient risk factors for AMA discharges that included low socioeconomic status, history of drug or alcohol abuse , and male gender . No studies have yet attempted to identify physician factors that increase the risk of an AMA discharge.
Revised:  The majority of studies have identified patient risk factors for AMA discharges that included low socioeconomic status, history of a substance use disorder , and male gender . No studies have yet attempted to identify physician factors that increase the risk of an AMA discharge.
Edit intent: meaning-changed
Original:  The majority of studies have identified patient risk factors for AMA discharges that included low socioeconomic status, history of drug or alcohol abuse , and male gender . No studies have yet attempted to identify physician factors that increase the risk of an AMA discharge.
Revised:  The majority of studies have identified patient risk factors for AMA discharges that included low socioeconomic status, history of drug or alcohol abuse , and male sex . No studies have yet attempted to identify physician factors that increase the risk of an AMA discharge.
Edit intent: clarity
Original:  It is used in spatial planning to involve citizens in the planning process, in software engineering (Hardenborg) to create a common vision of the future, and in health care to solve complex and multifaceted problems.
Revised:  It is used in spatial planning to involve citizens in the planning process, in software engineeringHardenborg, Niklas. 2007. "Designing Work and IT Systems: A Participatory Process that Supports Usability and Sustainability" (PhD dissertation). Acta Universitatis Upsaliensis, Uppsala. to create a common vision of the future, and in health care to solve complex and multifaceted problems.
Edit intent: meaning-changed
Original: Trick roping is an entertainment or competitive art involving the spinning of a lasso, also known as a lariat or a "rope. " It is particularly associated with Wild West shows or western arts in the United States.
Revised: Trick roping is an entertainment or competitive art involving the spinning of a lasso, also known as a lariat or a rope. It is particularly associated with Wild West shows or western arts in the United States.
Edit intent: fluency