wanyu/IteraTeR_full_sent huggingface dataset:
Original:  Specifically, it may refer to: water consumption energy consumption electric energy consumption world energy consumption natural gas consumption/gas depletion oil consumption/oil depletion logging / deforestation fishing/overfishing land use/land loss or resource depletionand general exploitation and associated environmental degradation
Revised:  Specifically, it may refer to: water consumption energy consumption electric energy consumption world energy consumption natural gas consumption/gas depletion oil consumption/oil depletion logging / Deforestation fishing. resource depletion. exploitation and environmental degradation
Edit intent: clarity
Original:  Specifically, it may refer to: water consumption energy consumption electric energy consumption world energy consumption natural gas consumption/gas depletion oil consumption/oil depletion  / Deforestation fishing. resource depletion . exploitation and environmental degradation
Revised:  Specifically, it may refer to: water consumption energy consumption electric energy consumption world energy consumption natural gas consumption/gas depletion oil consumption/oil depletion logging / Deforestation fishing. resource depletion . exploitation and environmental degradation
Edit intent: fluency
Original:  Specifically, it may refer to: water consumption energy consumption electric energy consumption world energy consumption natural gas consumption/gas depletion oil consumption/oil depletion  / Deforestation fishing. resource depletion . exploitation and environmental degradation
Revised:  Specifically, it may refer to: water consumption energy consumption electric energy consumption world energy consumption natural gas consumption/gas depletion oil consumption/oil depletion / deforestation fishing/overfishing land use/land loss or resource depletion and general exploitation and associated environmental degradation
Edit intent: meaning-changed
Original: Michael Posner and his colleagues argued that in order to shift from one spatial location to another, people must first “disengage” their attention from an initial visual target or location. This process takes time and has other costs associated with it. Posner recognized that attention is a dynamic process and that its focus shifts to different spatial locations or objects according to current behavioral goals and according to the demands of the environment.
Revised: The spotlight and gradient theories In attention research, one prominent theory attempting to explain how visual attention is shifted is the moving-spotlight theory. The primary idea being that attention is a dynamic process and that its focus shifts to different spatial locations or objects according to current behavioral goals and according to the demands of the environment.
Edit intent: meaning-changed
Original:  Posner recognized that attention is a dynamic process and that its focus shifts to different spatial locations or objects according to current behavioral goals and according to the demands of the environment. The metaphor of an “attentional spotlight” was used. A number of distinct stages are required for attention to move from one focus to another according to Posner: first, attention must disengage from its current focus; second, it must move to the new locationand finally, it must then engage at the new location. Neuropsychological and neurophysiological data suggest that these processes may be associated with separate brain areas .
Revised:  Posner recognized that attention is like a movable spotlight that is directed towards intended targets, focusing on each target in a serial manner. When information is illuminated by the spotlight, hence attended, processing proceeds in a more efficient manner, directing attention to a particular point and inhibiting input from any stimuli outside of the spotlight. However, when a shift of spatial attention occurs, the spotlight is, in effect, turned off while attention shifts to the next attended location. Attention, however, has also been proposed to adhere to a gradient theory in which attentional resources are given to a region in space rather than a spotlight, so that attentional resources are most concentrated at the center of attentional focus and then decrease the further a stimuli is from the center. Attention in this theory reflects both current and previous attentional allocation, so that attention can build up and decay across more than one attentional fixation over time. This means that time to detect a target may be dependent upon where attention was directed before the target was presented and attention needed to be shifted .
Edit intent: meaning-changed
Original: The spotlight and gradient theories In attention research, one prominent theory attempting to explain how visual attention is shifted is the moving-spotlight theory. The primary idea being that attention is like a movable spotlight that is directed towards intended targets, focusing on each target in a serial manner. When information is illuminated by the spotlight, hence attended, processing proceeds in a more efficient manner, directing attention to a particular point and inhibiting input from any stimuli outside of the spotlight. However, when a shift of spatial attention occurs, the spotlight is, in effect, turned off while attention shifts to the next attended location. Attention, however, has also been proposed to adhere to a gradient theory in which attentional resources are given to a region in space rather than a spotlight, so that attentional resources are most concentrated at the center of attentional focus and then decrease the further a stimuli is from the center. Attention in this theory reflects both current and previous attentional allocation, so that attention can build up and decay across more than one attentional fixation over time. This means that time to detect a target may be dependent upon where attention was directed before the target was presented and attention needed to be shifted.
Revised: Space- and object-based attention components were examined in neurologically normal and parietal-lesion subjects, who detected a luminance change at 1 of 4 ends of 2 outline rectangles. One rectangle end was precued (75\% valid); on invalid-cue trials, the target appeared at the other end of the cued rectangle or at 1 end of the uncued rectangle. For normals, the cost for invalid cues was greater for targets in the uncued rectangle, indicating an object-based component. Both rightand left-hemisphere patients showed costs that were greater for contralesional targets. For righthemisphere patients, the object cost was equivalent for contralesional and ipsilesional targets,indicating a spatial deficit, whereas the object cost for left-hemisphere patients was larger for contralesional targets, indicating an object deficit
Edit intent: meaning-changed
Original: Humanist photography outside France  The British, exposed to much the same threats and conflict as the rest of Europe during the first half of the century, in their popular magazine Picture Post (1938–1957) did much to promote the humanist imagery of Bert Hardy, Kurt Hutton, Felix H. Man (aka Hans Baumann), Francis Reiss, Thurston Hopkins, John Chillingworth, Grace Robertson, and Leonard McCombe, who eventually joined Life Magazine's staff.
Revised: Humanist photography outside France England The British, exposed to much the same threats and conflict as the rest of Europe during the first half of the century, in their popular magazine Picture Post (1938–1957) did much to promote the humanist imagery of Bert Hardy, Kurt Hutton, Felix H. Man (aka Hans Baumann), Francis Reiss, Thurston Hopkins, John Chillingworth, Grace Robertson, and Leonard McCombe, who eventually joined Life Magazine's staff.
Edit intent: clarity
Original:  Charlie Brown begins to explain how he 's teaching them the proper brushing techniques, but Lucy cuts him off mid-sentence and proceeds, in her usual confident fashion, to demonstrate her own abilities (Snoopy quickly replaces Lucy's toothbrush on the counter before she notices).
Revised:  Charlie Brown begins to explain how he is teaching them the proper brushing techniques, but Lucy cuts him off mid-sentence and proceeds, in her usual confident fashion, to demonstrate her own abilities (Snoopy quickly replaces Lucy's toothbrush on the counter before she notices).
Edit intent: fluency
Original:  while he says this, Snoopy takes out a packet of floss and snaps a short piece, twirls it between his fingers, and uses it , leaving Charlie Brown to say: "Good grief!
Revised:  while he says this, Snoopy takes out a packet of floss and snaps a short piece, twirls it between his fingers, and uses it . Charlie Brown then remarks, "Good grief!
Edit intent: clarity
Original:  In his Elvis Presley obituary, Lester Bangs credited him as "the man who brought overt blatant vulgar sexual frenzy to the popular arts in America," in the 1950s and 1960s, through his overtly suggestive dance moves.
Revised: Elvis Presley was considered a sex symbol in the 1950s and 1960s. A photograph promoting the 1957 film Jailhouse Rock. In his Elvis Presley obituary, Lester Bangs credited him as "the man who brought overt blatant vulgar sexual frenzy to the popular arts in America," in the 1950s and 1960s, through his overtly suggestive dance moves.
Edit intent: meaning-changed
Original:  The "bad boy" image of the 1950s was epitomized by sex symbols such as James Dean and Marlon Brando and women like Marilyn Monroe and Jayne Mansfield were seen as the archetype of the blonde bombshell . Elvis was considered a sex symbol in the 1950s and 1960s.
Revised:  The "bad boy" image of the 1950s was epitomized by sex symbols such as James Dean and Marlon Brando and women like Marilyn Monroe and Jayne Mansfield were seen as the archetype of the blonde bombshell Elvis was considered a sex symbol in the 1950s and 1960s.
Edit intent: fluency
Original:  The "bad boy" image of the 1950s was epitomized by sex symbols such as James Dean and Marlon Brando and women like Marilyn Monroe and Jayne Mansfield were seen as the archetype of the blonde bombshell . Elvis was considered a sex symbol in the 1950s and 1960s. This photograph is one of him promoting the 1957 film Jailhouse Rock .
Revised:  The "bad boy" image of the 1950s was epitomized by sex symbols such as James Dean and Marlon Brando and women like Marilyn Monroe and Jayne Mansfield were seen as the archetype of the blonde bombshell . .
Edit intent: coherence
Original:  Her works frequently confronts issues of postcolonialism, social inequity and Indigenous knowledge expressed through the mediums of ceramics, found objects, archival photography and traditional Indigenous techniques of beadwork, moose hair tufting and quillwork.
Revised:  Her works frequently confronts issues of postcolonialism, Indigenous feminism, socio-economic inequity and Indigenous knowledge expressed through the mediums of ceramics, found objects, archival photography and traditional Indigenous techniques of beadwork, moose hair tufting and quillwork.
Edit intent: meaning-changed
Original:   Her series "If This is What You Call, ‘Being Civilized’, I’d rather go back to Being a ‘Savage’"  currently exists in the private collection of contemporary art collector Bob Rennie and the permanent collection of the Surrey Art Gallery.
Revised:  And early motif utilized in her work was referencing Mimbres bowl forms and surface decoration, which is a design language she has referenced back to frequently in her work from renditions of historical Mimbres pots, to public art installation like the one done for the Olivia Skye Public Housing Building which featured illustrations of women in the style of Mimbres surface decoration. Her series "If This is What You Call, ‘Being Civilized’, I’d rather go back to Being a ‘Savage’" currently exists in the private collection of contemporary art collector Bob Rennie and the permanent collection of the Surrey Art Gallery.
Edit intent: meaning-changed
Original:   Her series "If This is What You Call, ‘Being Civilized’, I’d rather go back to Being a ‘Savage’"  currently exists in the private collection of contemporary art collector Bob Rennie and the permanent collection of the Surrey Art Gallery.
Revised:  Her series "If This is What You Call, ‘Being Civilized’, I’d rather go back to Being a ‘Savage’" is an evolution of the Mimbres pots, keeping the same bowl form but adding more personalized surface decoration from the artist. It currently exists in the private collection of contemporary art collector Bob Rennie and the permanent collection of the Surrey Art Gallery.
Edit intent: meaning-changed
Original:  Exhibitions  &   Métis Soup, Vancouver, BC: Macaulay & Co.
Revised:  Exhibitions the poets have always preceded, North Vancouver, BC: Griffin Art Projects, 2019 Bad Stitch: Audie Murray, Judy Chartrand, and Jeneen Frei Njootli Vancouver, BC: Macaulay& Métis Soup, Vancouver, BC: Macaulay & Co.
Edit intent: meaning-changed
Original:  Fine Art, 2016 <ref></</ref> Judy Chartrand 1999-2013, Saskatoon, SK: AKA Artist Run, 2013  Lost & Found: Haruko Okano, Judy Chartrand, and Wayde Compton Vancouver, BC: Access Gallery, 2006
Revised:  Fine Art, 2016 <ref></</ref> Judy Chartrand 1999-2013, Saskatoon, SK: AKA Artist Run, 2013 Malaysia-Canada Indigenous Communities Applied Arts Exhibition, Vancouver, BC: Pendulum Gallery, 2012 Lost & Found: Haruko Okano, Judy Chartrand, and Wayde Compton Vancouver, BC: Access Gallery, 2006
Edit intent: meaning-changed
Original:  Chinese women physicists Category:University of Science and Technology of China alumni Category:Chinese biophysicists Category:Women biophysicists Category:Members of the Chinese Academy of Sciences Category: TWAS fellows Category:TWAS laureates Category:Chinese women biologists Category: Members of the Jiusan Society Category: Physicists from Jiangsu Category:Educators from Suzhou Category: People's Republic of China politicians from Jiangsu Category:Politicians from Suzhou Category: Biologists from Jiangs
Revised:  Biologists from Jiangsu Category:Chinese biophysicists Category:Chinese women biologists Category:Chinese biophysicists Category:Women biophysicists Category:Members of the Chinese Academy of Sciences Category: TWAS fellows Category:TWAS laureates Category:Chinese women biologists Category: Members of the Jiusan Society Category: Physicists from Jiangsu Category:Educators from Suzhou Category: People's Republic of China politicians from Jiangsu Category:Politicians from Suzhou Category: Biologists from Jiangs
Edit intent: clarity
Original: University of Science and Technology of China alumni Category:Chinese biophysicists Category:Women biophysicists Category:Members of the Chinese Academy of Sciences Category: TWAS fellows Category:TWAS laureates Category:Chinese women biologists Category: Members of the Jiusan Society Category: Physicists from Jiangsu Category:Educators from Suzhou Category: People's Republic of China politicians from Jiangsu Category:Politicians from Suzhou Category: Biologists from Jiangs
Revised: University of Science and Technology of China alumni Category:Chinese women physicists Category:Educators from Suzhou Category:Members of the Chinese Academy of Sciences Category: TWAS fellows Category:TWAS laureates Category:Chinese women biologists Category: Members of the Jiusan Society Category: Physicists from Jiangsu Category:Educators from Suzhou Category: People's Republic of China politicians from Jiangsu Category:Politicians from Suzhou Category: Biologists from Jiangs
Edit intent: clarity
Original: University of Science and Technology of China alumni Category:Chinese biophysicists Category:Women biophysicists Category:Members of the Chinese Academy of Sciences Category: TWAS fellows Category:TWAS laureates Category:Chinese women biologists Category: Members of the Jiusan Society Category: Physicists from Jiangsu Category:Educators from Suzhou Category: People's Republic of China politicians from Jiangsu Category:Politicians from Suzhou Category: Biologists from Jiangs
Revised: University of Science and Technology of China alumni Category:Chinese biophysicists Category:Women biophysicists Category:Members of the Chinese Academy of Sciences Category: Members of the Jiusan Society Category: Physicists from Jiangsu Category:Educators from Suzhou Category: People's Republic of China politicians from Jiangsu Category:Politicians from Suzhou Category: Biologists from Jiangs
Edit intent: coherence
Original: University of Science and Technology of China alumni Category:Chinese biophysicists Category:Women biophysicists Category:Members of the Chinese Academy of Sciences Category: TWAS fellows Category:TWAS laureates Category:Chinese women biologists Category: Members of the Jiusan Society Category: Physicists from Jiangsu Category:Educators from Suzhou Category: People's Republic of China politicians from Jiangsu Category:Politicians from Suzhou Category: Biologists from Jiangs
Revised: University of Science and Technology of China alumni Category:Chinese biophysicists Category:Women biophysicists Category:Members of the Chinese Academy of Sciences Category: TWAS fellows Category:TWAS laureates Category:Chinese women biologists Category: Members of the Jiusan Society Category: People's Republic of China politicians from Jiangsu Category:Politicians from Suzhou Category: Biologists from Jiangs
Edit intent: clarity
Original: University of Science and Technology of China alumni Category:Chinese biophysicists Category:Women biophysicists Category:Members of the Chinese Academy of Sciences Category: TWAS fellows Category:TWAS laureates Category:Chinese women biologists Category: Members of the Jiusan Society Category: Physicists from Jiangsu Category:Educators from Suzhou Category: People's Republic of China politicians from Jiangsu Category:Politicians from Suzhou Category: Biologists from Jiangs
Revised: University of Science and Technology of China alumni Category:Chinese biophysicists Category:Women biophysicists Category:Members of the Chinese Academy of Sciences Category: TWAS fellows Category:TWAS laureates Category:Chinese women biologists Category: Members of the Jiusan Society Category: Physicists from Jiangsu Category:Educators from Suzhou Category: People's Republic of China politicians from Jiangsu Category:Politicians from Suzhou Category: Physicists from Jiangsu Category:University of Science and Technology of China alumni Category:TWAS fellows Category:TWAS laureates Category:Women biophysicist
Edit intent: clarity
Original: Construction When a horse  pond was constructed in well-drained soil, and not supplied by a brook, it was lined with puddling, about 6-7 inches thick, constructed of clay and lime, rammed or trampled home.
Revised: Constitution When a hors It wouldn't be Christmas without you It wouldn't be Christmas without you It wouldn't be Christmas without you It wouldn't be Christmas without you pond was constructed in well-drained soil, and not supplied by a brook, it was lined with puddling, about 6-7 inches thick, constructed of clay and lime, rammed or trampled home.
Edit intent: meaning-changed
Original: Construction When a horse  pond was constructed in well-drained soil, and not supplied by a brook, it was lined with puddling, about 6-7 inches thick, constructed of clay and lime, rammed or trampled home.
Revised: Construction When a horse It wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youIt wouldn't be Christmas without youe pond was constructed in well-drained soil, and not supplied by a brook, it was lined with puddling, about 6-7 inches thick, constructed of clay and lime, rammed or trampled home.
Edit intent: fluency
Original: Jean Rogers, John Wayne, and Bond in Conflict (1936) Bond (r.) with Humphrey Bogart, Mary Astor and Peter Lorre in The Maltese Falcon (1941) John Wayne and Bond in Tall in the Saddle (1944)  Robert Horton and Bond in Wagon Train, c. 1957
Revised: Jean Rogers, John Wayne, and Bond in Conflict (1936) Bond (r.) with Humphrey Bogart, Mary Astor and Peter Lorre in The Maltese Falcon (1941) John Wayne and Bond in Tall in the Saddle (1944) Publicity image of Robert Horton and Bond in Wagon Train, c. 1957
Edit intent: meaning-changed
Original: Jean Rogers, John Wayne, and Bond in Conflict (1936) Bond (r.) with Humphrey Bogart, Mary Astor and Peter Lorre in The Maltese Falcon (1941) John Wayne and Bond in Tall in the Saddle (1944)  Robert Horton and Bond in Wagon Train, c. 1957
Revised: Jean Rogers, John Wayne, and Bond in Conflict (1936) Bond (r.) with Humphrey Bogart, Mary Astor and Peter Lorre in The Maltese Falcon (1941) John Wayne and Bond in Tall in the Saddle (1944) Robert Horton and Bond for Wagon Train, c. 1957
Edit intent: clarity
Original:  Steven Pinker placed Roser's Our World in Data on his list of his personal “cultural highlights” and explained in his article on 'the most interesting recent scientific news' why he considers Our World in Data so very important . Private sector companies, like McKinsey Consulting, rely on Our World in Data publications to understand emerging markets and changes in poverty and prosperity .
Revised:  Steven Pinker placed Roser's Our World in Data on his list of his personal “cultural highlights” and explained in his article on 'the most interesting recent scientific news' why he considers Our World in Data so very important Private sector companies, like McKinsey Consulting, rely on Our World in Data publications to understand emerging markets and changes in poverty and prosperity .
Edit intent: fluency
Original:  Steven Pinker placed Roser's Our World in Data on his list of his personal “cultural highlights” and explained in his article on 'the most interesting recent scientific news' why he considers Our World in Data so very important . Private sector companies, like McKinsey Consulting, rely on Our World in Data publications to understand emerging markets and changes in poverty and prosperity .
Revised:  Steven Pinker placed Roser's Our World in Data on his list of his personal “cultural highlights” and explained in his article on 'the most interesting recent scientific news' why he considers Our World in Data so very important . .
Edit intent: coherence
Original:  Since 1990, the hotel has been the regular performance venue of the mizik rasin band, RAM, famous for their protest music during the Raoul Cédras military dictatorship from 1991 to 1994. The hotel was one of Port-au-Prince's only hotels left standing after the 2010 Haitian earthquake and the worldwide media subsequently decamped to the hotel and its grounds during the disaster.
Edit intent: coherence
Original:   The head of a prestigious and influential family in Port-au-Prince, Tirésias Simon Sam was president of Haiti from 1896 to 1902.
Revised:  Its main structure is a Gothic gingerbread mansion set in a lush tropical garden. The head of a prestigious and influential family in Port-au-Prince, Tirésias Simon Sam was president of Haiti from 1896 to 1902.
Edit intent: meaning-changed