wanyu/IteraTeR_full_sent huggingface dataset:
Original: In cultural anthropology and cultural geography cultural diffusion as conceptualized by Leo Frobenius between individuals whether within a single culture or from one culture to another  It is distinct from the diffusion of innovations within a specific culture  Examples of diffusion include the spread of the war chariot and iron smelting in ancient times  and the use of automobile and Western business suit in the 20th century 
Revised: In cultural anthropology and cultural geography cultural diffusion as conceptualized by Leo Frobenius between individuals whether within a single culture or from one culture to another . It is distinct from the diffusion of innovations within a specific culture Examples of diffusion include the spread of the war chariot and iron smelting in ancient times and the use of automobile and Western business suit in the 20th century 
Edit intent: fluency
Original: In cultural anthropology and cultural geography cultural diffusion as conceptualized by Leo Frobenius between individuals whether within a single culture or from one culture to another  It is distinct from the diffusion of innovations within a specific culture  Examples of diffusion include the spread of the war chariot and iron smelting in ancient times  and the use of automobile and Western business suit in the 20th century 
Revised: In cultural anthropology and cultural geography cultural diffusion as conceptualized by Leo Frobenius between individuals whether within a single culture or from one culture to another It is distinct from the diffusion of innovations within a specific culture . Examples of diffusion include the spread of the war chariot and iron smelting in ancient times and the use of automobile and Western business suit in the 20th century 
Edit intent: fluency
Original: In cultural anthropology and cultural geography cultural diffusion as conceptualized by Leo Frobenius between individuals whether within a single culture or from one culture to another  It is distinct from the diffusion of innovations within a specific culture  Examples of diffusion include the spread of the war chariot and iron smelting in ancient times  and the use of automobile and Western business suit in the 20th century 
Revised: In cultural anthropology and cultural geography cultural diffusion as conceptualized by Leo Frobenius between individuals whether within a single culture or from one culture to another It is distinct from the diffusion of innovations within a specific culture Examples of diffusion include the spread of the war chariot and iron smelting in ancient times , and the use of automobile and Western business suit in the 20th century 
Edit intent: fluency
Original: In cultural anthropology and cultural geography cultural diffusion as conceptualized by Leo Frobenius between individuals whether within a single culture or from one culture to another  It is distinct from the diffusion of innovations within a specific culture  Examples of diffusion include the spread of the war chariot and iron smelting in ancient times  and the use of automobile and Western business suit in the 20th century 
Revised: In cultural anthropology and cultural geography cultural diffusion as conceptualized by Leo Frobenius between individuals whether within a single culture or from one culture to another It is distinct from the diffusion of innovations within a specific culture Examples of diffusion include the spread of the war chariot and iron smelting in ancient times and the use of automobiles and Western business suit in the 20th century 
Edit intent: fluency
Original: In cultural anthropology and cultural geography cultural diffusion as conceptualized by Leo Frobenius between individuals whether within a single culture or from one culture to another  It is distinct from the diffusion of innovations within a specific culture  Examples of diffusion include the spread of the war chariot and iron smelting in ancient times  and the use of automobile and Western business suit in the 20th century 
Revised: In cultural anthropology and cultural geography cultural diffusion as conceptualized by Leo Frobenius between individuals whether within a single culture or from one culture to another It is distinct from the diffusion of innovations within a specific culture Examples of diffusion include the spread of the war chariot and iron smelting in ancient times and the use of automobile and Western business suits in the 20th century 
Edit intent: fluency
Original: In cultural anthropology and cultural geography cultural diffusion as conceptualized by Leo Frobenius between individuals whether within a single culture or from one culture to another  It is distinct from the diffusion of innovations within a specific culture  Examples of diffusion include the spread of the war chariot and iron smelting in ancient times  and the use of automobile and Western business suit in the 20th century 
Revised: In cultural anthropology and cultural geography cultural diffusion as conceptualized by Leo Frobenius between individuals whether within a single culture or from one culture to another It is distinct from the diffusion of innovations within a specific culture Examples of diffusion include the spread of the war chariot and iron smelting in ancient times and the use of automobile and Western business suit in the 20th century .
Edit intent: fluency
Original:  Demic diffusion, as opposed to trans-cultural diffusion, is a demographic term referring to a migratory model, developed by Luigi Luca Cavalli-Sforza, of population diffusion into and across an area that had been previously uninhabited by that group, possibly, but not necessarily, displacing, replacing, or intermixing with a pre-existing population (such as has been suggested for the spread of agriculture across Neolithic Europe and several other Landnahme events).
Revised:  Demic diffusion, as opposed to trans-cultural diffusion, is a demographic term referring to a migratory model, developed by Luigi Luca Cavalli-Sforza, of population diffusion into and across an area that had been previously uninhabited by that group, possibly, but not necessarily, displacing, replacing, or intermixing with an existing population (such as has been suggested for the spread of agriculture across Neolithic Europe and several other Landnahme events).
Edit intent: clarity
Original:   That is referred to as the Neolithic demic diffusion model.
Revised:  Chicki, L; Nichols, RA; Barbujani, G; Beaumont, MA. 2002. Y genetic data support the Neolithic demic diffusion model. Proc. Natl. Acad. Sci. 99(17): 11008-11013. That is referred to as the Neolithic demic diffusion model.
Edit intent: meaning-changed
Original:  A 19-year-old Korean American genius and one of the smartest people on Earth, Cho succeeded Bruce Banner as the Hulk in The Totally Awesome Hulk #1 (2015).
Revised:  A 19-year-old Korean American genius and one of the smartest people on Earth, Cho headlined the limited series Heroic Age: Prince of Power in May 2010 as the Prince of Power, before succeeding Bruce Banner as the Hulk in The Totally Awesome Hulk #1 (2015).
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Original:  Amadeus Cho was created by Greg Pak and Takeshi Miyazawa, and first appeared in 2005 in Amazing Fantasy (volume 2) #15. Pak brought Cho back as a major character in the World War Hulk storyline, and then as one of the primary characters in The Incredible Hercules  .
Revised:  Amadeus Cho was created by Greg Pak and Takeshi Miyazawa, and first appeared in 2005 in Amazing Fantasy (volume 2) #15. Pak brought Cho back as a major character in the World War Hulk storyline, and then as one of the primary characters in The Incredible Hercules and Chaos War .
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Original:  The Totally Awesome Hulk  Eight months after the Secret Wars storyline, Cho becomes the Hulk by removing the Hulk from Bruce Banner and placing it into his body.
Revised:  The Totally Awesome Hulk Amadeus Cho as himself and in his Hulk form on the cover of The Totally Awesome Hulk #1 (December 2015). Art by Frank Cho.|256px Eight months after the Secret Wars storyline, Cho becomes the Hulk by removing the Hulk from Bruce Banner and placing it into his body.
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Original: vagyna    
Revised: vagyna Anansi stories were part of an exclusively oral tradition, and Anansi himself was seen as synonymous with skill and wisdom in speech.See for instance Ashanti linguist staff finial in the Metropolitan Museum of Art, which relates to the saying "No one goes to the house of the spider Ananse to teach him wisdom." Stories of Anansi became such a prominent and familiar part of Ashanti oral culture that they eventually encompassed many kinds of fables, evidenced by the work of R.S. Rattray, who recorded many of these tales in both the English and Twi languages, as well as the work of scholar Peggy Appiah: "So well known is he that he has given his name to the whole rich tradition of tales on which so many Ghanaian children are brought up – anansesem – or spider tales." In similar fashion, oral tradition is what introduced Anansi tales to the rest of the world, especially the Caribbean, via the people that were enslaved during the Atlantic slave trade. As a result, the importance of Anansi socially did not diminish when slaves were brought to the New World. 
Edit intent: coherence
Original: vagyna    
Revised: vagyna Instead, Anansi was often celebrated as a symbol of slave resistance and survival, because Anansi is able to turn the tables on his powerful oppressors by using his cunning and trickery, a model of behaviour used by slaves to gain the upper hand within the confines of the plantation power structure. Anansi is also believed to have played a multifunctional role in the slaves' lives; as well as inspiring strategies of resistance, the tales enabled enslaved Africans to establish a sense of continuity with their African past and offered them the means to transform and assert their identity within the boundaries of captivity. As historian Lawrence W. Levine argues in Black Culture and Consciousness, enslaved Africans in the New World devoted "the structure and message of their tales to the compulsions and needs of their present situation" (1977, 90).Zobel Marshall, Emily (2012) Anansi's Journey: A Story of Jamaican Cultural Resistance. University of the West Indies Press: Kingston, Jamaica. 
Edit intent: meaning-changed
Original: vagyna    
Revised: vagyna The Jamaican versions of these stories are some of the most well preserved, because Jamaica had the largest concentration of enslaved Ashanti in the Americas, and akin to their Ashanti origins, each carry their own proverbs at the end.Traditional Anansi Stories. At the end of the story "Anansi and Brah Dead", there is a proverb that suggests that even in times of slavery, Anansi was referred to by his Akan original name: "Kwaku Anansi" or simply as "Kwaku" interchangeably with Anansi. The proverb is: "If yuh cyaan ketch Kwaku, yuh ketch him shut","Jamaican Proverbs", National Library of Jamaica. which refers to when Brah Dead (brother death or drybones), a personification of Death, was chasing Anansi to kill him; its meaning: The target of revenge and destruction, even killing, will be anyone very close to the intended, such as loved ones and family members. 
Edit intent: meaning-changed
Original: vagyna    
Revised: vagyna However, like Anansi's penchant for ingenuity, Anansi's quintessential presence in the Diaspora saw the trickster figure reinvented through a multi-ethnic exchange that transcended its Akan-Ashanti origins, typified in the diversity of names attributed to these Anansi stories, from the "Anansi-tori"A. P., and T. E. Penard. "Surinam Folk-Tales." The Journal of American Folklore, vol. 30, no. 116, 1917, pp. 239–250. JSTOR, www.jstor.org/stable/534344. to the "Kuenta di Nanzi".Mondada, Joke Maaten, "Narrative Structure and Characters in the Nanzi Stories of Curaçao: a Discourse Analysis." (2000).LSU Historical Dissertations and Theses. 7214. Even the character "Ti Bouki," the buffoon constantly harassed by "Ti Malice" or "Uncle Mischief", a Haitian trickster associated with Anansi, references this exchange: "Bouki" itself is a word descending from the Wolof language that also references a particular folk animal (the hyena) indigenous to them. The same applies to Anansi's role in the lives of Africans beyond the era of slavery; New World Anansi tales entertain just as much as they instruct, highlight his avarice and other flaws alongside his cleverness, and feature the mundane just as much as they do the subversive. Anansi becomes both an ideal to be aspired toward, and a cautionary tale against the selfish desires that can cause our undoing. Anansi has effectively evolved beyond a mere trickster figure; the wealth of narratives and social influences have thus led to him being considered a classical hero.Van Duin, Lieke. “Anansi as Classical Hero." Journal of Caribbean Literatures, vol. 5, no. 1, 2007, pp. 33–42. JSTOR, 40986316
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Original:    Wildlife markets in China have also been implicated in the 2002 SARS outbreak and the COVID-19 pandemic.
Revised:  Outbreaks of zoonotic diseases including COVID-19, H5N1 avian flu, severe acute respiratory syndrome (SARS), and monkeypox have been traced to live wildlife markets where the potential for zoonotic transmission is greatly increased. Wildlife markets in China have also been implicated in the 2002 SARS outbreak and the COVID-19 pandemic.
Edit intent: meaning-changed
Original:  Creation Myth In the beginning of existence, there was nothing but empty darkness. The only thing that existed in the world was a god named M'Bombo, and the world was yet to be created. Then, one day, M'Bombo fell ill, and vomited: out came the sun, the moon, and the stars. Yet he was still in terrible pain, and released nine creatures. Koy Bumba the leapord, Pongo Bumba the crested eagle, the crocodile, Ganda Bumba, and one little fish named Yo, then, old Kono Bumba, the tortoise, and Tsetse, the lightning, swift, deadly, and beautiful like the leopard, then the white heron, Nyanyi Bumba, also one beetle, and the goat named Budi.Oxford URL Then, last of all, humans came from M'Bombo.
Revised:  Then, last of all, humans came from M'Bombo.
Edit intent: meaning-changed
Original: Oxford URL Then, last of all, humans came from M'Bombo. And then his creations took what they had and transformed it into the world today. The heron created the birds of the world, except the kite. The crocodile shaped serpents and the iguana. Then, the goat produced eveyr beast with horns. Yo, the small fish, brought all the fish of the seas and waters. The beetle created insects. Then the serpents in their turn made grasshoppers, and the iguana made the creatures without horns.
Revised: Oxford URL 
Edit intent: coherence
Original: %DIFDELCMD < %DIFDELCMD < %%% But the three sons of M'Bombo said they would finish the world. The first, Nyonye Ngana, made the white ants; but she was not equal to the task, and died of it.The ants, however, thankful for life and being, went searching for black earth in the depths of the world and covered the barren sands to bury and honour their creator. Chonganda, the second son, brought forth a marvellous living plant from which all the trees and grasses and flowers and plants in the world have sprung. The third son, Chedi Bumba, wanted something different, but for all his trying made only the bird called the kite.
Revised: %DIFDELCMD < %DIFDELCMD < %%% 
Edit intent: coherence
Original:  Of all the creatures, Tsetse, lightning, was the only trouble-maker. She stirred up so much trouble that M'Bombo chased her into the sky. Then mankind was without fire until M'Bombo showed the people how to draw fire out of trees, and showed them how to make the firedrill and liberate it. Sometimes today Tsete still leaps down and strikes the earth and causes damage.
Edit intent: coherence
Original: %DIFDELCMD < %DIFDELCMD < %%% When at last the work of creation was finished, M'Bombo walked through the peaceful villages and said to the people, "Behold these wonders, they belong to you"Mircea Eliade, Gods. Goddesses, and Myths of creation (New York, 1974), pp. 91-92 Thus from Bumba, the First Ancestor, came forth all the wonders that we see and hold and use, and all the brotherhood of beasts and man.
Revised: %DIFDELCMD < %DIFDELCMD < %%% 
Edit intent: coherence
Original: Hindu mythology are found in Hindu texts such as the Vedic literature,   epics like Mahabharata and Ramayana, the Puranas, and regional literature like the Tamil Periya Puranam and the Mangal Kavya of Bengal.
Revised: Hindu stories like ramayana, Mahabharata are not a mythology, But well let's see what it is? epics like Mahabharata and Ramayana, the Puranas, and regional literature like the Tamil Periya Puranam and the Mangal Kavya of Bengal.
Edit intent: meaning-changed
Original: Hindu mythology are found in Hindu texts such as the Vedic literature,   epics like Mahabharata and Ramayana, the Puranas, and regional literature like the Tamil Periya Puranam and the Mangal Kavya of Bengal.
Revised: Hindu mythology are found in Hindu texts such as the Vedic literature, Wars like Ramayan and Mahabharata are not fake, Because of some Nonsense Athiests against god call it as a mythology. epics like Mahabharata and Ramayana, the Puranas, and regional literature like the Tamil Periya Puranam and the Mangal Kavya of Bengal.
Edit intent: meaning-changed
Original: Hindu mythology are found in Hindu texts such as the Vedic literature,   epics like Mahabharata and Ramayana, the Puranas, and regional literature like the Tamil Periya Puranam and the Mangal Kavya of Bengal.
Revised: Hindu mythology are found in Hindu texts such as the Vedic literature, The epics(Mythology for Athiests) are found in vedas puranas and Hindu Texts. epics like Mahabharata and Ramayana, the Puranas, and regional literature like the Tamil Periya Puranam and the Mangal Kavya of Bengal.
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Original: WMO Manual on Codes Sources for haze particles include farming (ploughing in dry weather), traffic, industry, and wildfires . Haze in Monterrey, Mexico during grassland fires . Seen from afar (e.g. an approaching airplane) and depending on the direction of view with respect to the Sun, haze may appear brownish or bluish, while mist tends to be bluish grey.
Revised: WMO Manual on Codes Sources for haze particles include farming (ploughing in dry weather), traffic, industry, and wildfires Haze in Monterrey, Mexico during grassland fires . Seen from afar (e.g. an approaching airplane) and depending on the direction of view with respect to the Sun, haze may appear brownish or bluish, while mist tends to be bluish grey.
Edit intent: fluency
Original: WMO Manual on Codes Sources for haze particles include farming (ploughing in dry weather), traffic, industry, and wildfires . Haze in Monterrey, Mexico during grassland fires . Seen from afar (e.g. an approaching airplane) and depending on the direction of view with respect to the Sun, haze may appear brownish or bluish, while mist tends to be bluish grey.
Revised: WMO Manual on Codes Sources for haze particles include farming (ploughing in dry weather), traffic, industry, and wildfires . . Seen from afar (e.g. an approaching airplane) and depending on the direction of view with respect to the Sun, haze may appear brownish or bluish, while mist tends to be bluish grey.
Edit intent: coherence
Original:  The ritual includes the display of smooth stones (one of Shango's worship items) and Iron / Steel items in honor of URL The faith itself is believed to be a Saint Lucian version of Yoruba religion.
Revised:  The ritual includes the display of smooth stones (one of Shango's worship items) and iron / Steel items in honor of URL The faith itself is believed to be a Saint Lucian version of Yoruba religion.
Edit intent: fluency
Original:  The ritual includes the display of smooth stones (one of Shango's worship items) and Iron / Steel items in honor of URL The faith itself is believed to be a Saint Lucian version of Yoruba religion.
Revised:  The ritual includes the display of smooth stones (one of Shango's worship items) and Iron / steel items in honor of URL The faith itself is believed to be a Saint Lucian version of Yoruba religion.
Edit intent: fluency
Original:  See also Veterinary Medicine Pathology  External links American College of Veterinary Pathologists European College of Veterinary Clinical Pathology European College of Veterinary Pathologists French Diploma of Specialized Veterinary Studies in Veterinary Pathology For more Info go to URL References
Revised:  See also Veterinary Medicine External links American College of Veterinary Pathologists European College of Veterinary Clinical Pathology European College of Veterinary Pathologists French Diploma of Specialized Veterinary Studies in Veterinary Pathology For more Info go to URL References
Edit intent: coherence
Original:  See also Veterinary Medicine Pathology  External links American College of Veterinary Pathologists European College of Veterinary Clinical Pathology European College of Veterinary Pathologists French Diploma of Specialized Veterinary Studies in Veterinary Pathology For more Info go to URL References
Revised:  See also Veterinary Medicine Pathology References External links American College of Veterinary Pathologists European College of Veterinary Clinical Pathology European College of Veterinary Pathologists French Diploma of Specialized Veterinary Studies in Veterinary Pathology For more Info go to URL References
Edit intent: fluency
Original:  See also Veterinary Medicine Pathology  External links American College of Veterinary Pathologists European College of Veterinary Clinical Pathology European College of Veterinary Pathologists French Diploma of Specialized Veterinary Studies in Veterinary Pathology For more Info go to URL References
Revised:  See also Veterinary Medicine Pathology External links American College of Veterinary Pathologists European College of Veterinary Clinical Pathology European College of Veterinary Pathologists For more Info go to URL References
Edit intent: coherence
Original:  See also Veterinary Medicine Pathology  External links American College of Veterinary Pathologists European College of Veterinary Clinical Pathology European College of Veterinary Pathologists French Diploma of Specialized Veterinary Studies in Veterinary Pathology For more Info go to URL References
Revised:  See also Veterinary Medicine Pathology External links American College of Veterinary Pathologists European College of Veterinary Clinical Pathology European College of Veterinary Pathologists French Diploma of Specialized Veterinary Studies in Veterinary Pathology References
Edit intent: coherence
Original:  See also Veterinary Medicine Pathology  External links American College of Veterinary Pathologists European College of Veterinary Clinical Pathology European College of Veterinary Pathologists French Diploma of Specialized Veterinary Studies in Veterinary Pathology For more Info go to URL References
Revised:  See also Veterinary Medicine Pathology External links American College of Veterinary Pathologists European College of Veterinary Clinical Pathology European College of Veterinary Pathologists French Diploma of Specialized Veterinary Studies in Veterinary Pathology For more Info go to URL Category:Veterinary medi
Edit intent: meaning-changed