wanyu/IteraTeR_full_sent huggingface dataset:
Original:  The term was coined by Canadian professor and literary critic Malcolm Ross, who applied it to four poets – Charles G.D. Roberts (1860–1943), Bliss Carman (1861–1929), Archibald Lampman (1861–1899), and Duncan Campbell Scott (1862–1947) – in the Introduction to his 1960 anthology, Poets of the Confederation , which began: "It is fair enough, I think, to call Roberts, Carman, Lampman, and Scott our 'Confederation poets.
Revised:  The term was coined by Canadian professor and literary critic Malcolm Ross, who applied it to four poets – Charles G.D. Roberts (1860–1943), Bliss Carman (1861–1929), Archibald Lampman (1861–1899), and Duncan Campbell Scott (1862–1947) – in the Introduction to his 1960 anthology, Poets of the Confederation . He wrote, "It is fair enough, I think, to call Roberts, Carman, Lampman, and Scott our 'Confederation poets.
Edit intent: coherence
Original:  The four major poets in the group were Roberts, Carman, Lampman and Scott, with Lampman "most often regarded as the finest poet" in the group , according to the Twentieth-Century Literary Movements Dictionary.
Revised:  The four major poets in the group were Roberts, Carman, Lampman and Scott, with Lampman "most often regarded as the finest poet" among them , according to the Twentieth-Century Literary Movements Dictionary.
Edit intent: clarity
Original:  In fact, they "were in no way a cohesive group."W.J. Keith, "Poetry in English 1867-1918," Canadian Encyclopedia (Edmonton: Hurtig, 1988), 1696.
Revised:  They "were in no way a cohesive group."W.J. Keith, "Poetry in English 1867-1918," Canadian Encyclopedia (Edmonton: Hurtig, 1988), 1696.
Edit intent: coherence
Original:  As a group, the "Confederation Poets" were formed by a retroactive process of canonization: "Malcolm Ross's retrospective application of the term ‘Confederation poets’ is a good example of canon-making along national lines.
Revised:  The "Confederation Poets" were formed by a retroactive process of canonization: "Malcolm Ross's retrospective application of the term ‘Confederation poets’ is a good example of canon-making along national lines.
Edit intent: clarity
Original:  As a group, the "Confederation Poets" were formed by a retroactive process of canonization: "Malcolm Ross's retrospective application of the term ‘Confederation poets’ is a good example of canon-making along national lines.
Revised:  As a group, the "Confederation Poets" became known as a group by a later, retroactive process of canonization: "Malcolm Ross's retrospective application of the term ‘Confederation poets’ is a good example of canon-making along national lines.
Edit intent: clarity
Original:  As "Confederation Poet" Archibald Lampman said about encountering "Confederation Poet" Charles G.D. Roberts's work: There are biographical and literary connections among the Confederation poets.
Revised:  As "Confederation Poet" Archibald Lampman said about encountering "Confederation Poet" Charles G.D. Roberts's work: The Confederation poets had some biographical and literary connections among the Confederation poets.
Edit intent: clarity
Original:  Campbell expressed some unorthodox opinions in the column, including an outline of the history of the cross as a mythic symbol ; when readers of the Globe demanded an apology, Campbell apologized for overestimating their intelligence, further angering the readership and his fellow columnists.
Revised:  Campbell expressed some unorthodox opinions in the column, including an outline of the history of the cross as a mythic symbol . When some readers of the Globe demanded an apology, Campbell apologized for overestimating their intelligence, further angering the readership and his fellow columnists.
Edit intent: clarity
Original:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's  Grand Pré,  Lampman's  Lake Temiscamingue,  Scott's  Height of Land,  Campbell's  Lake Region.
Revised:  The Confederation poets were the first to publish works in this traditional style while referring to Canadian events and places in their poetry: Roberts's Tantramar, Carman's Grand Pré, Lampman's Lake Temiscamingue, Scott's Height of Land, Campbell's Lake Region.
Edit intent: clarity
Original:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's  Grand Pré,  Lampman's  Lake Temiscamingue,  Scott's  Height of Land,  Campbell's  Lake Region.
Revised:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's "Tantramar," Carman's Grand Pré, Lampman's Lake Temiscamingue, Scott's Height of Land, Campbell's Lake Region.
Edit intent: fluency
Original:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's  Grand Pré,  Lampman's  Lake Temiscamingue,  Scott's  Height of Land,  Campbell's  Lake Region.
Revised:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's " Grand Pré, Lampman's Lake Temiscamingue, Scott's Height of Land, Campbell's Lake Region.
Edit intent: fluency
Original:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's  Grand Pré,  Lampman's  Lake Temiscamingue,  Scott's  Height of Land,  Campbell's  Lake Region.
Revised:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's Grand Pré, " Lampman's Lake Temiscamingue, Scott's Height of Land, Campbell's Lake Region.
Edit intent: fluency
Original:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's  Grand Pré,  Lampman's  Lake Temiscamingue,  Scott's  Height of Land,  Campbell's  Lake Region.
Revised:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's Grand Pré, Lampman's " Lake Temiscamingue, Scott's Height of Land, Campbell's Lake Region.
Edit intent: fluency
Original:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's  Grand Pré,  Lampman's  Lake Temiscamingue,  Scott's  Height of Land,  Campbell's  Lake Region.
Revised:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's Grand Pré, Lampman's Lake Temiscamingue, " Scott's Height of Land, Campbell's Lake Region.
Edit intent: fluency
Original:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's  Grand Pré,  Lampman's  Lake Temiscamingue,  Scott's  Height of Land,  Campbell's  Lake Region.
Revised:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's Grand Pré, Lampman's Lake Temiscamingue, Scott's " Height of Land, Campbell's Lake Region.
Edit intent: fluency
Original:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's  Grand Pré,  Lampman's  Lake Temiscamingue,  Scott's  Height of Land,  Campbell's  Lake Region.
Revised:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's Grand Pré, Lampman's Lake Temiscamingue, Scott's Height of Land, " Campbell's Lake Region.
Edit intent: fluency
Original:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's  Grand Pré,  Lampman's  Lake Temiscamingue,  Scott's  Height of Land,  Campbell's  Lake Region.
Revised:  The Confederation poets were the first to publish works in this traditional style while using Canadian events and places in their poetry: Roberts's Tantramar, Carman's Grand Pré, Lampman's Lake Temiscamingue, Scott's Height of Land, Campbell's " Lake Region.
Edit intent: fluency
Original:   Canadian readers for the first time had the opportunity to read poetry by Canadians , with Canadian content . As Frye put it , Canonization Bliss Carman Like Thomson and the Group of Seven, the Confederation Poets became the new country's canon.
Revised:  Canadian readers for the first time had the opportunity to read poetry by Canadians that had content related to their country. As Northrop Frye said in 1954 , Canonization Bliss Carman Like Thomson and the Group of Seven, the Confederation Poets became the new country's canon.
Edit intent: clarity
Original:  MacDonald, which devoted a lengthy chapter to "Thought and Literature in Canada , ." Collins lost no time in dethroning what had been English Canada's top poets, the 'three Charleses': Charles Heavysege, Charles Sangster, and Charles Mair.
Revised:  MacDonald, which devoted a lengthy chapter to "Thought and Literature in Canada ." Collins lost no time in dethroning what had been English Canada's top poets, the 'three Charleses': Charles Heavysege, Charles Sangster, and Charles Mair.
Edit intent: fluency
Original:  MacDonald, which devoted a lengthy chapter to "Thought and Literature in Canada , ." Collins lost no time in dethroning what had been English Canada's top poets, the 'three Charleses': Charles Heavysege, Charles Sangster, and Charles Mair.
Revised:  MacDonald, which devoted a lengthy chapter to "Thought and Literature in Canada , ." Collins dethroned men who had been ranked as English Canada's top poets, the 'three Charleses': Charles Heavysege, Charles Sangster, and Charles Mair.
Edit intent: clarity
Original:  Lighthall  included poetry by Roberts (who had published two books by then), by Lampman, Campbell, and F.G. Scott ( one book each ), and also by Carman and D.C. Scott,  although neither had  published a book at that time .  "The publication in 1893 of a little anthology called Later Canadian Poems, edited by J.E. Wetherell, was a defining event in bringing attention to the Confederation Poets as a group."
Revised:  Lighthall also included poetry by Roberts (who had published two books by then), by Lampman, Campbell, and F.G. Scott ( one book each ), and also by Carman and D.C. Scott, although neither had published a book at that time . "The publication in 1893 of a little anthology called Later Canadian Poems, edited by J.E. Wetherell, was a defining event in bringing attention to the Confederation Poets as a group."
Edit intent: fluency
Original:  Lighthall  included poetry by Roberts (who had published two books by then), by Lampman, Campbell, and F.G. Scott ( one book each ), and also by Carman and D.C. Scott,  although neither had  published a book at that time .  "The publication in 1893 of a little anthology called Later Canadian Poems, edited by J.E. Wetherell, was a defining event in bringing attention to the Confederation Poets as a group."
Revised:  Lighthall included poetry by Roberts (who had published two books by then), Lampman, Campbell, and F.G. Scott ( one book each ), and also by Carman and D.C. Scott, although neither had published a book at that time . "The publication in 1893 of a little anthology called Later Canadian Poems, edited by J.E. Wetherell, was a defining event in bringing attention to the Confederation Poets as a group."
Edit intent: fluency
Original:  Lighthall  included poetry by Roberts (who had published two books by then), by Lampman, Campbell, and F.G. Scott ( one book each ), and also by Carman and D.C. Scott,  although neither had  published a book at that time .  "The publication in 1893 of a little anthology called Later Canadian Poems, edited by J.E. Wetherell, was a defining event in bringing attention to the Confederation Poets as a group."
Revised:  Lighthall included poetry by Roberts (who had published two books by then), by Lampman, Campbell, and F.G. Scott ( who had each published one book ), and also by Carman and D.C. Scott, although neither had published a book at that time . "The publication in 1893 of a little anthology called Later Canadian Poems, edited by J.E. Wetherell, was a defining event in bringing attention to the Confederation Poets as a group."
Edit intent: fluency
Original:  Lighthall  included poetry by Roberts (who had published two books by then), by Lampman, Campbell, and F.G. Scott ( one book each ), and also by Carman and D.C. Scott,  although neither had  published a book at that time .  "The publication in 1893 of a little anthology called Later Canadian Poems, edited by J.E. Wetherell, was a defining event in bringing attention to the Confederation Poets as a group."
Revised:  Lighthall included poetry by Roberts (who had published two books by then), by Lampman, Campbell, and F.G. Scott ( one book each ), and also by Carman and D.C. Scott, who had published in magazines although neither had published a book at that time . "The publication in 1893 of a little anthology called Later Canadian Poems, edited by J.E. Wetherell, was a defining event in bringing attention to the Confederation Poets as a group."
Edit intent: meaning-changed
Original:  Lighthall  included poetry by Roberts (who had published two books by then), by Lampman, Campbell, and F.G. Scott ( one book each ), and also by Carman and D.C. Scott,  although neither had  published a book at that time .  "The publication in 1893 of a little anthology called Later Canadian Poems, edited by J.E. Wetherell, was a defining event in bringing attention to the Confederation Poets as a group."
Revised:  Lighthall included poetry by Roberts (who had published two books by then), by Lampman, Campbell, and F.G. Scott ( one book each ), and also by Carman and D.C. Scott, although neither had yet published a book at that time . "The publication in 1893 of a little anthology called Later Canadian Poems, edited by J.E. Wetherell, was a defining event in bringing attention to the Confederation Poets as a group."
Edit intent: clarity
Original:  Lighthall  included poetry by Roberts (who had published two books by then), by Lampman, Campbell, and F.G. Scott ( one book each ), and also by Carman and D.C. Scott,  although neither had  published a book at that time .  "The publication in 1893 of a little anthology called Later Canadian Poems, edited by J.E. Wetherell, was a defining event in bringing attention to the Confederation Poets as a group."
Revised:  Lighthall included poetry by Roberts (who had published two books by then), by Lampman, Campbell, and F.G. Scott ( one book each ), and also by Carman and D.C. Scott, although neither had published a book . "The publication in 1893 of a little anthology called Later Canadian Poems, edited by J.E. Wetherell, was a defining event in bringing attention to the Confederation Poets as a group."
Edit intent: clarity
Original:  Lighthall  included poetry by Roberts (who had published two books by then), by Lampman, Campbell, and F.G. Scott ( one book each ), and also by Carman and D.C. Scott,  although neither had  published a book at that time .  "The publication in 1893 of a little anthology called Later Canadian Poems, edited by J.E. Wetherell, was a defining event in bringing attention to the Confederation Poets as a group."
Revised:  Lighthall included poetry by Roberts (who had published two books by then), by Lampman, Campbell, and F.G. Scott ( one book each ), and also by Carman and D.C. Scott, although neither had published a book at that time . Adams suggests, "The publication in 1893 of a little anthology called Later Canadian Poems, edited by J.E. Wetherell, was a defining event in bringing attention to the Confederation Poets as a group."
Edit intent: coherence
Original:  That would be the pattern repeated in subsequent anthologies, with minor variations: like A Treasury of Canadian Verse (1900) , which Campbell boycotted; or The Oxford Book of Canadian Verse (1913), which Campbell edited, and " devoted more pages to his own poetry than that of anyone else."
Revised:  That would be the pattern repeated in subsequent anthologies, with minor variations: like A Treasury of Canadian Verse (1900) . He edited The Oxford Book of Canadian Verse (1913), which Campbell edited, and " devoted more pages to his own poetry than that of anyone else."
Edit intent: clarity
Original:  The same poets were included in the books on Canadian literature that began appearing in the new century: Archibald MacMurchy's Handbook of Canadian Literature (1906), followed by T.G. Marquis's English Canadian Literature (1913).
Revised:  These same poets were included in the books on Canadian literature that began appearing in the new century: Archibald MacMurchy's Handbook of Canadian Literature (1906), followed by T.G. Marquis's English Canadian Literature (1913).
Edit intent: fluency
Original:  The same poets were included in the books on Canadian literature that began appearing in the new century: Archibald MacMurchy's Handbook of Canadian Literature (1906), followed by T.G. Marquis's English Canadian Literature (1913).
Revised:  The same poets were included in the books on Canadian literature that were published in the early 20th century: Archibald MacMurchy's Handbook of Canadian Literature (1906), followed by T.G. Marquis's English Canadian Literature (1913).
Edit intent: clarity
Original:  Certainly that was a complaint of the Montreal Group or McGill Movement , "a group of young intellectuals under the influence of Ezra Pound and T.S. Eliot....
Revised:  Certainly that was a complaint of the Montreal Group or McGill Movement complained of the influence of the older poets. They were "a group of young intellectuals under the influence of Ezra Pound and T.S. Eliot....
Edit intent: meaning-changed
Original:  However , such complaints ignore that modernist poetry was being written in the 1920s: by W.W.E. Ross, Dorothy Livesay, Raymond Knister, and even  a couple of the Confederation Poets themselves .
Revised:  But , such complaints ignore that modernist poetry was being written in the 1920s: by W.W.E. Ross, Dorothy Livesay, Raymond Knister, and even a couple of the Confederation Poets themselves .
Edit intent: fluency
Original:  However , such complaints ignore that modernist poetry was being written in the 1920s: by W.W.E. Ross, Dorothy Livesay, Raymond Knister, and even  a couple of the Confederation Poets themselves .
Revised:  However , such complaints overlook that modernist poetry was being written in the 1920s: by W.W.E. Ross, Dorothy Livesay, Raymond Knister, and even a couple of the Confederation Poets themselves .
Edit intent: fluency
Original:  However , such complaints ignore that modernist poetry was being written in the 1920s: by W.W.E. Ross, Dorothy Livesay, Raymond Knister, and even  a couple of the Confederation Poets themselves .
Revised:  However , such complaints ignore that modernist poetry was being written in the 1920s: by W.W.E. Ross, Dorothy Livesay, Raymond Knister, and even by a couple of the Confederation Poets themselves .
Edit intent: fluency
Original:  However , such complaints ignore that modernist poetry was being written in the 1920s: by W.W.E. Ross, Dorothy Livesay, Raymond Knister, and even  a couple of the Confederation Poets themselves .
Revised:  However , such complaints ignore that modernist poetry was being written in the 1920s: by W.W.E. Ross, Dorothy Livesay, Raymond Knister, and even a couple of the Confederation Poets .
Edit intent: clarity
Original:  (See, for example, "The Iceberg" from 1931.) Scott had been doing the same since the early 1920s. (See, for example, "A Vision" from 1921.) After he had won a reputation as an anthologist of Canadian poetry (The Book of Canadian Poetry 1943, Modern Canadian Verse 1967), Smith changed his opinion of the Confederation Poets' work , blaming his earlier disparagement on youthful ignorance: "Bliss Carman was the only Canadian poet that we had heard of and what we heard, we didn't care for much.
Revised:  (See, for example, "The Iceberg" from 1931.) Scott had been doing the same since the early 1920s. (See, for example, "A Vision" from 1921.) After Smith had gained a reputation as an anthologist of Canadian poetry (The Book of Canadian Poetry 1943, Modern Canadian Verse 1967), Smith changed his opinion of the Confederation Poets' work , blaming his earlier disparagement on youthful ignorance: "Bliss Carman was the only Canadian poet that we had heard of and what we heard, we didn't care for much.
Edit intent: clarity
Original:  (See, for example, "The Iceberg" from 1931.) Scott had been doing the same since the early 1920s. (See, for example, "A Vision" from 1921.) After he had won a reputation as an anthologist of Canadian poetry (The Book of Canadian Poetry 1943, Modern Canadian Verse 1967), Smith changed his opinion of the Confederation Poets' work , blaming his earlier disparagement on youthful ignorance: "Bliss Carman was the only Canadian poet that we had heard of and what we heard, we didn't care for much.
Revised:  (See, for example, "The Iceberg" from 1931.) Scott had been doing the same since the early 1920s. (See, for example, "A Vision" from 1921.) After he had won a reputation as an anthologist of Canadian poetry (The Book of Canadian Poetry 1943, Modern Canadian Verse 1967), he changed his opinion of the Confederation Poets' work , blaming his earlier disparagement on youthful ignorance: "Bliss Carman was the only Canadian poet that we had heard of and what we heard, we didn't care for much.
Edit intent: coherence
Original:  (See, for example, "The Iceberg" from 1931.) Scott had been doing the same since the early 1920s. (See, for example, "A Vision" from 1921.) After he had won a reputation as an anthologist of Canadian poetry (The Book of Canadian Poetry 1943, Modern Canadian Verse 1967), Smith changed his opinion of the Confederation Poets' work , blaming his earlier disparagement on youthful ignorance: "Bliss Carman was the only Canadian poet that we had heard of and what we heard, we didn't care for much.
Revised:  (See, for example, "The Iceberg" from 1931.) Scott had been doing the same since the early 1920s. (See, for example, "A Vision" from 1921.) After he had won a reputation as an anthologist of Canadian poetry (The Book of Canadian Poetry 1943, Modern Canadian Verse 1967), Smith changed his opinion of the Confederation Poets' work . He said that his earlier disparagement on youthful ignorance: "Bliss Carman was the only Canadian poet that we had heard of and what we heard, we didn't care for much.
Edit intent: coherence
Original:  (See, for example, "The Iceberg" from 1931.) Scott had been doing the same since the early 1920s. (See, for example, "A Vision" from 1921.) After he had won a reputation as an anthologist of Canadian poetry (The Book of Canadian Poetry 1943, Modern Canadian Verse 1967), Smith changed his opinion of the Confederation Poets' work , blaming his earlier disparagement on youthful ignorance: "Bliss Carman was the only Canadian poet that we had heard of and what we heard, we didn't care for much.
Revised:  (See, for example, "The Iceberg" from 1931.) Scott had been doing the same since the early 1920s. (See, for example, "A Vision" from 1921.) After he had won a reputation as an anthologist of Canadian poetry (The Book of Canadian Poetry 1943, Modern Canadian Verse 1967), Smith changed his opinion of the Confederation Poets' work , blaming his earlier disparagement of them was due to youthful ignorance: "Bliss Carman was the only Canadian poet that we had heard of and what we heard, we didn't care for much.
Edit intent: clarity