wanyu/IteraTeR_full_sent huggingface dataset:
Original:  vinyl only Streets (Northern Spy, 2012) Look Up ( ESP-Disk , 2012 , rec. 1994 ) Christ Everlasting (For Tune, 2015) Live at Jazzwerkstatt Peitz (Jazzwerkstatt, 2015) Recorded Live May 23, 2014%DIFDELCMD < ] %DIFDELCMD < %%% Live in Belgium (el Negocito, 2017) Live at Recyclart, Brussels en De Werf Bruge, Jan. 2015 Solar System (For Tune, 2017)  The Alto Sessions ( el Negocito, eNR092, 2019) Charles Gayle:
Revised:  vinyl only Streets (Northern Spy, 2012) Look Up ( ESP-Disk , 2012 , rec. 1994 ) Christ Everlasting (For Tune, 2015) Live at Jazzwerkstatt Peitz (Jazzwerkstatt, 2015) Recorded Live May 23, 2014%DIFDELCMD < ] %DIFDELCMD < %%% Live at Recyclart, Brussels en De Werf Bruge, Jan. 2015 Solar System (For Tune, 2017) The Alto Sessions ( el Negocito, eNR092, 2019) Charles Gayle:
Edit intent: coherence
Original:  vinyl only Streets (Northern Spy, 2012) Look Up ( ESP-Disk , 2012 , rec. 1994 ) Christ Everlasting (For Tune, 2015) Live at Jazzwerkstatt Peitz (Jazzwerkstatt, 2015) Recorded Live May 23, 2014%DIFDELCMD < ] %DIFDELCMD < %%% Live in Belgium (el Negocito, 2017) Live at Recyclart, Brussels en De Werf Bruge, Jan. 2015 Solar System (For Tune, 2017)  The Alto Sessions ( el Negocito, eNR092, 2019) Charles Gayle:
Revised:  vinyl only Streets (Northern Spy, 2012) Look Up ( ESP-Disk , 2012 , rec. 1994 ) Christ Everlasting (For Tune, 2015) Live at Jazzwerkstatt Peitz (Jazzwerkstatt, 2015) Recorded Live May 23, 2014%DIFDELCMD < ] %DIFDELCMD < %%% Live in Belgium (el Negocito, 2017) Solar System (For Tune, 2017) The Alto Sessions ( el Negocito, eNR092, 2019) Charles Gayle:
Edit intent: coherence
Original:  vinyl only Streets (Northern Spy, 2012) Look Up ( ESP-Disk , 2012 , rec. 1994 ) Christ Everlasting (For Tune, 2015) Live at Jazzwerkstatt Peitz (Jazzwerkstatt, 2015) Recorded Live May 23, 2014%DIFDELCMD < ] %DIFDELCMD < %%% Live in Belgium (el Negocito, 2017) Live at Recyclart, Brussels en De Werf Bruge, Jan. 2015 Solar System (For Tune, 2017)  The Alto Sessions ( el Negocito, eNR092, 2019) Charles Gayle:
Revised:  vinyl only Streets (Northern Spy, 2012) Look Up ( ESP-Disk , 2012 , rec. 1994 ) Christ Everlasting (For Tune, 2015) Live at Jazzwerkstatt Peitz (Jazzwerkstatt, 2015) Recorded Live May 23, 2014%DIFDELCMD < ] %DIFDELCMD < %%% Live in Belgium (el Negocito, 2017) Live at Recyclart, Brussels en De Werf Bruge, Jan. 2015 Solar System (For Tune, 2017) Seasons Changing (Otoroku 2019) The Alto Sessions ( el Negocito, eNR092, 2019) Charles Gayle:
Edit intent: meaning-changed
Original:  vinyl only Streets (Northern Spy, 2012) Look Up ( ESP-Disk , 2012 , rec. 1994 ) Christ Everlasting (For Tune, 2015) Live at Jazzwerkstatt Peitz (Jazzwerkstatt, 2015) Recorded Live May 23, 2014%DIFDELCMD < ] %DIFDELCMD < %%% Live in Belgium (el Negocito, 2017) Live at Recyclart, Brussels en De Werf Bruge, Jan. 2015 Solar System (For Tune, 2017)  The Alto Sessions ( el Negocito, eNR092, 2019) Charles Gayle:
Revised:  vinyl only Streets (Northern Spy, 2012) Look Up ( ESP-Disk , 2012 , rec. 1994 ) Christ Everlasting (For Tune, 2015) Live at Jazzwerkstatt Peitz (Jazzwerkstatt, 2015) Recorded Live May 23, 2014%DIFDELCMD < ] %DIFDELCMD < %%% Live in Belgium (el Negocito, 2017) Live at Recyclart, Brussels en De Werf Bruge, Jan. 2015 Solar System (For Tune, 2017) The Alto Sessions ( El Negocito, 2019) Charles Gayle:
Edit intent: clarity
Original:  vinyl only Streets (Northern Spy, 2012) Look Up ( ESP-Disk , 2012 , rec. 1994 ) Christ Everlasting (For Tune, 2015) Live at Jazzwerkstatt Peitz (Jazzwerkstatt, 2015) Recorded Live May 23, 2014%DIFDELCMD < ] %DIFDELCMD < %%% Live in Belgium (el Negocito, 2017) Live at Recyclart, Brussels en De Werf Bruge, Jan. 2015 Solar System (For Tune, 2017)  The Alto Sessions ( el Negocito, eNR092, 2019) Charles Gayle:Alto, Giovanni Barcella:Drums, Manolo Cabras:Bass Seasons Changing (Otoroku, ROKU020, 2CD, 2019) Charles Gayle, John Edwards, Mark Sanders As sideman Buell Neidlinger:
Revised:  vinyl only Streets (Northern Spy, 2012) Look Up ( ESP-Disk , 2012 , rec. 1994 ) Christ Everlasting (For Tune, 2015) Live at Jazzwerkstatt Peitz (Jazzwerkstatt, 2015) Recorded Live May 23, 2014%DIFDELCMD < ] %DIFDELCMD < %%% Live in Belgium (el Negocito, 2017) Live at Recyclart, Brussels en De Werf Bruge, Jan. 2015 Solar System (For Tune, 2017) The Alto Sessions ( el Negocito, eNR092, 2019) As sideman Buell Neidlinger:
Edit intent: meaning-changed
Original: Bass Seasons Changing (Otoroku, ROKU020, 2CD, 2019) Charles Gayle, John Edwards, Mark Sanders As sideman Buell Neidlinger: Gayle Force (K2B2 , 2015) First recording by Neidlinger in 1965%DIFDELCMD < ] %DIFDELCMD < %%% Cecil Taylor:
Revised: Bass Seasons Changing (Otoroku, ROKU020, 2CD, 2019) Charles Gayle, John Edwards, Mark Sanders As sideman Sunny Murray , 2015) First recording by Neidlinger in 1965%DIFDELCMD < ] %DIFDELCMD < %%% Cecil Taylor:
Edit intent: meaning-changed
Original:  Gayle Force (K2B2 , 2015) First recording by Neidlinger in 1965%DIFDELCMD < ] %DIFDELCMD < %%% Cecil Taylor:
Revised:  Gayle Force (K2B2 , First recording by Neidlinger in 1965%DIFDELCMD < ] %DIFDELCMD < %%% Cecil Taylor:
Edit intent: coherence
Original:  Gayle Force (K2B2 , 2015) First recording by Neidlinger in 1965%DIFDELCMD < ] %DIFDELCMD < %%% Cecil Taylor: Always a Pleasure (FMP, 1993) The Blue Humans: Live in London 1994 (Blast First, 1996) Charles Gayle plays Drums%DIFDELCMD < ] %DIFDELCMD < %%% Sunny MurrayDuo: Illuminators (Audible Hiss, 1996) Sirone Bang Ensemble: Configuration (Silkheart, 2004) Rollins Band: Weighting (2.13.61, recorded 1994 and released 2004) William ParkerBass Quartet featuring Charles Gayle: Requiem (Splasc(H), 2006) William Parker: For Those Who Are, Still (AUM Fidelity/Centering, 2015) CD 3 Ceremonies for Those Who Are Still William Parker: Centering.
Revised:  Gayle Force (K2B2 , 2015) First recording by Neidlinger in 1965%DIFDELCMD < ] %DIFDELCMD < %%% Charles Gayle plays Drums%DIFDELCMD < ] %DIFDELCMD < %%% Sunny MurrayDuo: Illuminators (Audible Hiss, 1996) Sirone Bang Ensemble: Configuration (Silkheart, 2004) Rollins Band: Weighting (2.13.61, recorded 1994 and released 2004) William ParkerBass Quartet featuring Charles Gayle: Requiem (Splasc(H), 2006) William Parker: For Those Who Are, Still (AUM Fidelity/Centering, 2015) CD 3 Ceremonies for Those Who Are Still William Parker: Centering.
Edit intent: coherence
Original:  Live in London 1994 (Blast First, 1996) Charles Gayle plays Drums%DIFDELCMD < ] %DIFDELCMD < %%% Sunny MurrayDuo: Illuminators (Audible Hiss, 1996) Sirone Bang Ensemble: Configuration (Silkheart, 2004) Rollins Band: Weighting (2.13.61, recorded 1994 and released 2004) William ParkerBass Quartet featuring Charles Gayle: Requiem (Splasc(H), 2006) William Parker: For Those Who Are, Still (AUM Fidelity/Centering, 2015) CD 3 Ceremonies for Those Who Are Still William Parker: Centering.
Revised:  Live in London 1994 (Blast First, 1996) %DIFDELCMD < ] %DIFDELCMD < %%% Sunny MurrayDuo: Illuminators (Audible Hiss, 1996) Sirone Bang Ensemble: Configuration (Silkheart, 2004) Rollins Band: Weighting (2.13.61, recorded 1994 and released 2004) William ParkerBass Quartet featuring Charles Gayle: Requiem (Splasc(H), 2006) William Parker: For Those Who Are, Still (AUM Fidelity/Centering, 2015) CD 3 Ceremonies for Those Who Are Still William Parker: Centering.
Edit intent: clarity
Original:  Live in London 1994 (Blast First, 1996) Charles Gayle plays Drums%DIFDELCMD < ] %DIFDELCMD < %%% Sunny MurrayDuo: Illuminators (Audible Hiss, 1996) Sirone Bang Ensemble: Configuration (Silkheart, 2004) Rollins Band: Weighting (2.13.61, recorded 1994 and released 2004) William ParkerBass Quartet featuring Charles Gayle: Requiem (Splasc(H), 2006) William Parker: For Those Who Are, Still (AUM Fidelity/Centering, 2015) CD 3 Ceremonies for Those Who Are Still William Parker: Centering.
Revised:  Live in London 1994 (Blast First, 1996) Charles Gayle plays Drums%DIFDELCMD < ] %DIFDELCMD < %%% Illuminators (Audible Hiss, 1996) Sirone Bang Ensemble: Configuration (Silkheart, 2004) Rollins Band: Weighting (2.13.61, recorded 1994 and released 2004) William ParkerBass Quartet featuring Charles Gayle: Requiem (Splasc(H), 2006) William Parker: For Those Who Are, Still (AUM Fidelity/Centering, 2015) CD 3 Ceremonies for Those Who Are Still William Parker: Centering.
Edit intent: clarity
Original:  Live in London 1994 (Blast First, 1996) Charles Gayle plays Drums%DIFDELCMD < ] %DIFDELCMD < %%% Sunny MurrayDuo: Illuminators (Audible Hiss, 1996) Sirone Bang Ensemble: Configuration (Silkheart, 2004) Rollins Band: Weighting (2.13.61, recorded 1994 and released 2004) William ParkerBass Quartet featuring Charles Gayle: Requiem (Splasc(H), 2006) William Parker: For Those Who Are, Still (AUM Fidelity/Centering, 2015) CD 3 Ceremonies for Those Who Are Still William Parker: Centering.
Revised:  Live in London 1994 (Blast First, 1996) Charles Gayle plays Drums%DIFDELCMD < ] %DIFDELCMD < %%% Sunny MurrayDuo: Illuminators (Audible Hiss, 1996) William Parker, Requiem (Splasc(H), 2006) William Parker: For Those Who Are, Still (AUM Fidelity/Centering, 2015) CD 3 Ceremonies for Those Who Are Still William Parker: Centering.
Edit intent: clarity
Original:  Live in London 1994 (Blast First, 1996) Charles Gayle plays Drums%DIFDELCMD < ] %DIFDELCMD < %%% Sunny MurrayDuo: Illuminators (Audible Hiss, 1996) Sirone Bang Ensemble: Configuration (Silkheart, 2004) Rollins Band: Weighting (2.13.61, recorded 1994 and released 2004) William ParkerBass Quartet featuring Charles Gayle: Requiem (Splasc(H), 2006) William Parker: For Those Who Are, Still (AUM Fidelity/Centering, 2015) CD 3 Ceremonies for Those Who Are Still William Parker: Centering. Unreleased Early Recordings 1976-1987 (NoBusiness Records 2012) Six CD set. Gayle on five tracks of CD3
Revised:  Live in London 1994 (Blast First, 1996) Charles Gayle plays Drums%DIFDELCMD < ] %DIFDELCMD < %%% Sunny MurrayDuo: Illuminators (Audible Hiss, 1996) Sirone Bang Ensemble: Configuration (Silkheart, 2004) Rollins Band: Weighting (2.13.61, recorded 1994 and released 2004) William ParkerBass Quartet featuring Charles Gayle: Requiem (Splasc(H), 2006) Henry Rollins, Everything (2.13.61, 1996) Henry Rollins, Weighting (2.13.61, 2003) Cecil Taylor, Always a Pleasure (FMP, 1996)
Edit intent: coherence
Original:  Costumes from past productions, fabric, jewelry and accessories are all often stored in the shop as well . Purpose Costume shops are all shapes and sizes, however, what they have in common is what makes them an integral part of a theater space.
Revised:  Costumes from past productions, fabric, jewelry and accessories are often stored in the shop as well . Purpose Costume shops are all shapes and sizes, however, what they have in common is what makes them an integral part of a theater space.
Edit intent: coherence
Original:  Costumes from past productions, fabric, jewelry and accessories are all often stored in the shop as well . Purpose Costume shops are all shapes and sizes, however, what they have in common is what makes them an integral part of a theater space.
Revised:  Costumes from past productions, fabric, jewelry and accessories are all often stored in the shop . Purpose Costume shops are all shapes and sizes, however, what they have in common is what makes them an integral part of a theater space.
Edit intent: coherence
Original:  Costumes from past productions, fabric, jewelry and accessories are all often stored in the shop as well . Purpose Costume shops are all shapes and sizes, however, what they have in common is what makes them an integral part of a theater space. Every costume shop is where the costumes worn on stage for a production are built.
Revised:  Costumes from past productions, fabric, jewelry and accessories are all often stored in the shop as well . Purpose A costume shop is where the costumes worn on stage for a production are built.
Edit intent: coherence
Original:  Educational Theatre Journal, vol. 18, no. 2, 1966, pp. 108–109. . The process of building a costume requires many steps and stations, for which the costume designer first conceptualizes.
Revised:  Educational Theatre Journal, vol. 18, no. 2, 1966, pp. 108–109. . The process of building a costume requires many steps and stations, which the costume designer first conceptualizes.
Edit intent: coherence
Original:  Jobs within Within a costume shop there are a multitude of people working on different parts of the creative or accumulative process , depending on the size of the theatre or company will determine if each job goes to one person, if a group of individuals share more than one job, or if everyone pitches in on everything.
Revised:  Jobs within Within a costume shop , there are people working on different parts of the creative or accumulative process , depending on the size of the theatre or company will determine if each job goes to one person, if a group of individuals share more than one job, or if everyone pitches in on everything.
Edit intent: clarity
Original:  Jobs within Within a costume shop there are a multitude of people working on different parts of the creative or accumulative process , depending on the size of the theatre or company will determine if each job goes to one person, if a group of individuals share more than one job, or if everyone pitches in on everything.
Revised:  Jobs within Within a costume shop there are a multitude of people working on different parts of the creative or accumulative process . The size of the theatre or company will determine if each job goes to one person, if a group of individuals share more than one job, or if everyone pitches in on everything.
Edit intent: coherence
Original:  Jobs within Within a costume shop there are a multitude of people working on different parts of the creative or accumulative process , depending on the size of the theatre or company will determine if each job goes to one person, if a group of individuals share more than one job, or if everyone pitches in on everything.
Revised:  Jobs within Within a costume shop there are a multitude of people working on different parts of the creative or accumulative process , depending on the size of the theatre or company will determine whether each job goes to one person, if a group of individuals share more than one job, or if everyone pitches in on everything.
Edit intent: fluency
Original:  Depending on if the Costume Designer is a permanent position or is a by production hire will determine if they are considered the head of the costume department or shop Assistant designer The assistant designer helps the head designer with the jobs that must be completed.
Revised:  Whether the costume designer is a permanent position or is a by production hire will determine if they are considered the head of the costume department or shop Assistant designer The assistant designer helps the head designer with the jobs that must be completed.
Edit intent: coherence
Original:  Depending on if the Costume Designer is a permanent position or is a by production hire will determine if they are considered the head of the costume department or shop Assistant designer The assistant designer helps the head designer with the jobs that must be completed.
Revised:  Depending on if the Costume Designer is a permanent position or a by-production hire will determine if they are considered the head of the costume department or shop Assistant designer The assistant designer helps the head designer with the jobs that must be completed.
Edit intent: fluency
Original:  Depending on if the Costume Designer is a permanent position or is a by production hire will determine if they are considered the head of the costume department or shop Assistant designer The assistant designer helps the head designer with the jobs that must be completed.
Revised:  Depending on if the Costume Designer is a permanent position or is a by production hire will determine whether they are considered the head of the costume department or shop Assistant designer The assistant designer helps the head designer with the jobs that must be completed.
Edit intent: fluency
Original:  The methods combine known factsabout the future , such as demographics, geography , military, political,  industrial information, and mineral reserves, with key driving forces identified by considering social, technical, economic, environmental, and political ( STEEP ) trends.
Revised:  The method combines known facts , such as demographics, geography , military, political, industrial information, and mineral reserves, with key driving forces identified by considering social, technical, economic, environmental, and political ( STEEP ) trends.
Edit intent: clarity
Original:  The methods combine known factsabout the future , such as demographics, geography , military, political,  industrial information, and mineral reserves, with key driving forces identified by considering social, technical, economic, environmental, and political ( STEEP ) trends.
Revised:  The methods combine known factsabout the future , such as demographics, geography and mineral reserves, with military, political, industrial information, and mineral reserves, with key driving forces identified by considering social, technical, economic, environmental, and political ( STEEP ) trends.
Edit intent: coherence
Original:  The methods combine known factsabout the future , such as demographics, geography , military, political,  industrial information, and mineral reserves, with key driving forces identified by considering social, technical, economic, environmental, and political ( STEEP ) trends.
Revised:  The methods combine known factsabout the future , such as demographics, geography , military, political, and industrial information, and mineral reserves, with key driving forces identified by considering social, technical, economic, environmental, and political ( STEEP ) trends.
Edit intent: fluency
Original:  The methods combine known factsabout the future , such as demographics, geography , military, political,  industrial information, and mineral reserves, with key driving forces identified by considering social, technical, economic, environmental, and political ( STEEP ) trends.
Revised:  The methods combine known factsabout the future , such as demographics, geography , military, political, industrial information, and key driving forces identified by considering social, technical, economic, environmental, and political ( STEEP ) trends.
Edit intent: clarity
Original:  The methods combine known factsabout the future , such as demographics, geography , military, political,  industrial information, and mineral reserves, with key driving forces identified by considering social, technical, economic, environmental, and political ( STEEP ) trends.
Revised:  The methods combine known factsabout the future , such as demographics, geography , military, political, industrial information, and mineral reserves, with key driving forces identified by considering social, technical, economic, environmental, and political ( "STEEP" ) trends.
Edit intent: fluency
Original: Clement, I.,  2015   19th century The first reports of nurses providing direct care to patients with neurological diseases came out of France and England in the late 19th century.
Revised: Clement, I., 2015 ). Textbook on Neurological 19th century The first reports of nurses providing direct care to patients with neurological diseases came out of France and England in the late 19th century.
Edit intent: meaning-changed
Original: Clement, I.,  2015   19th century The first reports of nurses providing direct care to patients with neurological diseases came out of France and England in the late 19th century.
Revised: Clement, I., 2015 Neurosurgical Nursing. London: JP Medical. 19th century The first reports of nurses providing direct care to patients with neurological diseases came out of France and England in the late 19th century.
Edit intent: meaning-changed
Original: Hartshorn  , 1986 To have the skills necessary to care for the complex patient population nurses at the time knew they needed specialized training.
Revised: Hartshorn JC: Aspects of the historical development of neuroscience nursing. J Neurosci Nurs 18:45-48 , 1986 To have the skills necessary to care for the complex patient population nurses at the time knew they needed specialized training.
Edit intent: meaning-changed
Original: Collins  , 1911 20th century In 1910, Amy Hilliard became the first superintendent of the nurses at the New York Neurological Institute.
Revised: Collins J: Nursing in nervous diseases: The teaching in neurological hospital. AJN 11:434 , 1911 20th century In 1910, Amy Hilliard became the first superintendent of the nurses at the New York Neurological Institute.
Edit intent: meaning-changed
Original:  It was not until the 1960s that neuroscience nursing courses were taught by specialty trained nurses  with the University of California School of Nursing in San Francisco and the New York Medical College in New York leading the way in training neuroscience nurses.
Revised:  It was not until the 1960s that neuroscience nursing courses were taught by specialty trained nurses , with the University of California School of Nursing in San Francisco and the New York Medical College in New York leading the way in training neuroscience nurses.
Edit intent: fluency
Original:  The creation of AANN was a collaboration between Barbara Therrien, a nurse instructor at Barnes Hospital in St. Louis Missouri and Dr. Henry Schwartz  the president of the American Association of Neuroscience Surgeons.
Revised:  The creation of AANN was a collaboration between Barbara Therrien, a nurse instructor at Barnes Hospital in St. Louis Missouri and Dr. Henry Schwartz , the president of the American Association of Neuroscience Surgeons.
Edit intent: fluency
Original: Spokes,  2008  In 1970 AANN applied for membership into the World Federation of Neurosurgical Societies and was the first nursing organization accepted.
Revised: Spokes, 2008 ). American Association of Neuroscience Nurses. Retrieved from URL In 1970 AANN applied for membership into the World Federation of Neurosurgical Societies and was the first nursing organization accepted.
Edit intent: meaning-changed
Original: Bader, Littlejohns, Olson, 2016  In 1977 AANN published their first textbook dedicated to educating nurses on the specialty field of neuroscience nursing.
Revised: Bader, Littlejohns, M.K., Littlejohns, L.R, and Olson, D. M., ( 2016 In 1977 AANN published their first textbook dedicated to educating nurses on the specialty field of neuroscience nursing.
Edit intent: meaning-changed
Original: Bader, Littlejohns, Olson, 2016  In 1977 AANN published their first textbook dedicated to educating nurses on the specialty field of neuroscience nursing.
Revised: Bader, Littlejohns, Olson, 2016 ). AANN Core Curriculum for Neuroscience Nursing. Chicago: American Association of Neuroscience Nurses In 1977 AANN published their first textbook dedicated to educating nurses on the specialty field of neuroscience nursing.
Edit intent: meaning-changed
Original: Bader, Littlejohns, Olson, 2016  In 1977 AANN published their first textbook dedicated to educating nurses on the specialty field of neuroscience nursing.
Revised: Bader, Littlejohns, Olson, 2016 In 1977 AANN published its first textbook dedicated to educating nurses on the specialty field of neuroscience nursing.
Edit intent: fluency
Original:  In 2013, ABNN  again in collaboration with AANN, developed and offered a certification as Stroke Certified Registered Nurse (SCRN). "Our History, n.d.  Journals Journal of Neuroscience Nursing (JNN) is the official journal of AANN.
Revised:  In 2013, ABNN , again in collaboration with AANN, developed and offered a certification as Stroke Certified Registered Nurse (SCRN). "Our History, n.d. Journals Journal of Neuroscience Nursing (JNN) is the official journal of AANN.
Edit intent: fluency