wanyu/IteraTeR_full_sent huggingface dataset:
Original:  Recent initiatives include: Roots, Routes, Rhythms, an initiative that engages students in grades 3 through 8 from five Queens partner schools in exploring the roots of music and dance traditions in their boroughs and neighborhoods. From Homer to Hip Hop: Oral Traditions as a Gateway to Literature and Literacy, a new program which introduces students in grades 3 and 8 in two elementary and two middle schools in Queens to world poetry traditions, including sung poetry. Urban Explorers, a year-round after school program, including Saturdays and summer, that engages 26 youth in grades 6 to 12 in multi-media storytelling about and advocating for New York City’s grassroots cultures, while supporting their in-school education. KickFlip, an interest-driven, connected learning program implemented 2013-2015 designed to engage teen skateboarders and help them develop filmmaking, game design and coding skills to develop projects relating to their sport. City Lore’s education programs also have a national outreach. The organization helped organize a national conference in 1993 at the National Endowment for the Arts, and served as the sponsor and incubator for Local Learning: the National Network for Folk Arts in Education. City Lore cosponsored the newsletter CARTS (Cultural Arts Resources for Teachers and Students) Newsletter. City Lore contributes regularly to Local Learning's publication, Journal of Folk Arts in Education.
Revised:  Recent initiatives include: Roots, Routes, 
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Original: %DIFDELCMD < %DIFDELCMD < %%% Grassroots Poetry Poetry plays a key role in New York’s ethnic and cultural communities. For many immigrant communities, poetry is the most accessible and profound way for people to express themselves. Every community in New York City has its poets. City Lore is committed to finding ways to give these poets voice, finding the venues and formats for them to convey their artistry to their own communities and to the city at large, often finding new and innovative ways to communicate across languages.
Revised: %DIFDELCMD < %DIFDELCMD < %%% Grassroots Poetry 
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Original: %DIFDELCMD < %DIFDELCMD < %%% City Lore was inspired to create the People’s Poetry initiative because, while some groups are dedicated to traditional music and many to literary poetry, no other organization was systematically presenting the diverse oral poetry traditions of New York City, the U.S. and beyond. The People’s Poetry Project grew out of the People’s Poetry Gathering, held in 1999, 2001, 2003 with Poets House, and in 2006 with Bowery Arts + Science, to bring together folk, ethnic, inner city, and literary poets. During these festivals in 1999, 2001, 2003, and 2006, Lower Manhattan was transformed into a poetry village for three days. The People’s Poetry Gathering was one of the highest profile poetry events in the United States and had an average audience of 10,000.
Revised: %DIFDELCMD < %DIFDELCMD < %%% 
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Original:  Through these actions, City Lore played a major role in documenting the shrines and memorials that cropped up after 9/11. A selection of these anonymous poems was published in the book, Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam.  and appeared in Steve Zeitlin's essay, "Oh Did You See the Ashes Come Thickly Falling Down. %DIFDELCMD < %DIFDELCMD < %%% In 2006, the People’s Poetry Gathering featured poetry from the world’s endangered languages.
Revised:  A selection of these anonymous poems was published in the book, Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam. and appeared in Steve Zeitlin's essay, "Oh Did You See the Ashes Come Thickly Falling Down. %DIFDELCMD < %DIFDELCMD < %%% In 2006, the People’s Poetry Gathering featured poetry from the world’s endangered languages.
Edit intent: coherence
Original:  Through these actions, City Lore played a major role in documenting the shrines and memorials that cropped up after 9/11. A selection of these anonymous poems was published in the book, Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam.  and appeared in Steve Zeitlin's essay, "Oh Did You See the Ashes Come Thickly Falling Down. %DIFDELCMD < %DIFDELCMD < %%% In 2006, the People’s Poetry Gathering featured poetry from the world’s endangered languages.
Revised:  Through these actions, City Lore played a major role in documenting the shrines and memorials that cropped up after 9/11. A selection of these anonymous poems was published in the book, Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam. Aptowicz, Cristin O'Keefe. (2008). Words in Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam. New York City: Soft Skull Press, 288. . and appeared in Steve Zeitlin's essay, "Oh Did You See the Ashes Come Thickly Falling Down. %DIFDELCMD < %DIFDELCMD < %%% In 2006, the People’s Poetry Gathering featured poetry from the world’s endangered languages.
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Original:  Through these actions, City Lore played a major role in documenting the shrines and memorials that cropped up after 9/11. A selection of these anonymous poems was published in the book, Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam.  and appeared in Steve Zeitlin's essay, "Oh Did You See the Ashes Come Thickly Falling Down. %DIFDELCMD < %DIFDELCMD < %%% In 2006, the People’s Poetry Gathering featured poetry from the world’s endangered languages. This inspired Bob Holman and Steve Zeitlinto begin work on a tribute to the world’s endangered languages, a world “cento” (stitched together) poem in which each line came from a different endangered language. In 2013, the Festival of American Folklife in Washington DC hosted Khonsay: Poem of Many Tongues as an exhibit.The poem and subsequent film with Bob Holman would go on to serve as the subject of a tribute and call to action to preserve the worlds endangered languages, which premiered at the Margaret Meade Film Festival, and can be viewed online with extensive background information and a call for language preservation. The City Lore PoeMobile in action In 2010, City Lore and Bowery Arts + Science received a grant from the Rockefeller Foundation to launch the POEMobile that projects poems onto walls and building in tandem with live readings in New York City Neighborhoods. The POEMobile has traveled to Persian, Greek, Portuguese, Haitian, Dominican, Korean, as well as Yiddish-speaking neighborhoods, and also performed work with youth poets from Urban Word.In 2018, the POEMobile projected poems on to the steam rising up from New YorkCity manholes to express the evanescence of life.
Revised:  Through these actions, City Lore played a major role in documenting the shrines and memorials that cropped up after 9/11. A selection of these anonymous poems was published in the book, Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam. and appeared in Steve Zeitlin's essay, "Oh Did You See the Ashes Come Thickly Falling Down. %DIFDELCMD < %DIFDELCMD < %%% 
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Original:  Urban Music and Dance Children Breakdancing in NYC, photographed by Martha Cooper Prior to its founding in 1986, City Lore’s predecessor, the New York City Chapter of the New York Folklore Society sponsored " Music from the Islands: Puerto Rico, Cuba, and New York " at El Museo de Barrio, initiating a longstanding commitment to Latino music traditions.
Revised:  Zeitlin, Steve. " Music from the Islands: Puerto Rico, Cuba, and New York " at El Museo de Barrio, initiating a longstanding commitment to Latino music traditions.
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Original:  Urban Music and Dance Children Breakdancing in NYC, photographed by Martha Cooper Prior to its founding in 1986, City Lore’s predecessor, the New York City Chapter of the New York Folklore Society sponsored " Music from the Islands: Puerto Rico, Cuba, and New York " at El Museo de Barrio, initiating a longstanding commitment to Latino music traditions.
Revised:  Urban Music and Dance Children Breakdancing in NYC, photographed by Martha Cooper Prior to its founding in 1986, City Lore’s predecessor, the New York City Chapter of the New York Folklore Society sponsored " Oh Did You See the Ashes Come Thickly Falling Down. " at El Museo de Barrio, initiating a longstanding commitment to Latino music traditions.
Edit intent: meaning-changed
Original:  Urban Music and Dance Children Breakdancing in NYC, photographed by Martha Cooper Prior to its founding in 1986, City Lore’s predecessor, the New York City Chapter of the New York Folklore Society sponsored " Music from the Islands: Puerto Rico, Cuba, and New York " at El Museo de Barrio, initiating a longstanding commitment to Latino music traditions. City Lore served as first fiscal sponsor for Puerto Rican Bomba and Plena band, Los Pleneros de la 21, whose director Juan Gutiérrez won a National Heritage Award from the National Endowment for the Arts in 1996.
Revised:  Urban Music and Dance Children Breakdancing in NYC, photographed by Martha Cooper Prior to its founding in 1986, City Lore’s predecessor, the New York City Chapter of the New York Folklore Society sponsored " Music from the Islands: Puerto Rico, Cuba, and New York " 
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Original: %DIFDELCMD < %DIFDELCMD < %%% In 2006 , City Lore completed the documentary film From Mambo to Hip Hop, which won an Alma Award for Best Documentary that same year.
Revised: %DIFDELCMD < %DIFDELCMD < %%% Spontaneous Shrines and the Public Memorialization of Death. Ed. Jack Santino.New York: Palgrave Macmillan, 2006 , City Lore completed the documentary film From Mambo to Hip Hop, which won an Alma Award for Best Documentary that same year.
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Original: %DIFDELCMD < %DIFDELCMD < %%% In 2006 , City Lore completed the documentary film From Mambo to Hip Hop, which won an Alma Award for Best Documentary that same year. In 2016, the organization sponsored Mathew Rodriguez Warrens’ doc, We Like It Like That: the Story of Latin Boogaloo. Elena Martinez coproduced both films, and was tapped by WHEDco (Women’s Housing and Urban Development) to spearhead along with Grammy-nominated bandleader Bobby Sanabria, the Bronx Music Heritage Lab and the new cultural center, The Bronx Music Heritage Center, opening in 2020.
Revised: %DIFDELCMD < %DIFDELCMD < %%% In 2006 
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Original:  In 1995, City Lore, working with folklorist Ray Allen, completed the Grassroots Gospel Initiative, recording acapella gospel quartet music in the borough's and releasing an LP. In 2006, Funds were raised by City Lore to support Peter Siegel's project to restore and issue tapes he made in the 1960s of folk music concerts by Mississippi John Hurt, The Carter Family, Jesse Fuller, Bill Monroe, and others.
Revised:  Founded by City Lore to support Peter Siegel's project to restore and issue tapes he made in the 1960s of folk music concerts by Mississippi John Hurt, The Carter Family, Jesse Fuller, Bill Monroe, and others.
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Original:  In 2006, Funds were raised by City Lore to support Peter Siegel's project to restore and issue tapes he made in the 1960s of folk music concerts by Mississippi John Hurt, The Carter Family, Jesse Fuller, Bill Monroe, and others. The recordings became the box set Friends of Old Time Music released by Smithsonian Folkways.
Revised:  In 2006, Funds were raised by City Lore 
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Original: %DIFDELCMD < [%%% 10%DIFDELCMD < ] %%% The box set was named one of the 10 best box sets of 2006 by The New York Times.
Revised: %DIFDELCMD < [%%% %DIFDELCMD < ] %%% The box set was named one of the 10 best box sets of 2006 by The New York Times.
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Original: %DIFDELCMD < %DIFDELCMD < %%% Urban Culture Exhibitions%DIFDELCMD < %DIFDELCMD < %%% Beginning with the opening of the exhibit CityPlay at the Museum of the City of New York (MCNY) in 1988, City Lore has developed public exhibitions about New York City – and America’s – folk culture.
Revised: %DIFDELCMD < %DIFDELCMD < %%% %DIFDELCMD < %DIFDELCMD < %%% Beginning with the opening of the exhibit CityPlay at the Museum of the City of New York (MCNY) in 1988, City Lore has developed public exhibitions about New York City – and America’s – folk culture.
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Original: %DIFDELCMD < %DIFDELCMD < %%% Urban Culture Exhibitions%DIFDELCMD < %DIFDELCMD < %%% Beginning with the opening of the exhibit CityPlay at the Museum of the City of New York (MCNY) in 1988, City Lore has developed public exhibitions about New York City – and America’s – folk culture. In 1993 , City Lore curated the exhibit Welcome to Your Second Home: New York City’s Ethnic Social Clubs at MCNY.
Revised: %DIFDELCMD < %DIFDELCMD < %%% Urban Culture Exhibitions%DIFDELCMD < %DIFDELCMD < %%% and Poets House in 1999, The People's Poetry Gathering was created to present the diverse oral poetry traditions of New York City. In 2003 , City Lore curated the exhibit Welcome to Your Second Home: New York City’s Ethnic Social Clubs at MCNY.
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Original:  In 2002, City Lore researched and curated Missing: Streetscape of a City in Mourning about the shrines and memorials that cropped up on New York City Streets after September 11. In 2005, City Lore developed the traveling exhibit and accompanying book, Weavings of War: Fabrics of Memory which featured the work of women textile artists from Central Asia, Southeast Asia, Latin America, and South Africa featured at The Puffin Gallery. In 2012, City Lore curated the outdoor exhibit, Your Guide to the Lower East Side. The House under the Roller Coaster, made famous by Woody Allen in Annie Hall, demolished in 2000. Photo by Hazel Hankin Nathan's Original Hot Dogs on Coney Island, archived by Place Matters In 1988, City Lore presented oral histories of Coney Island on the boardwalk. In 1991, folklorist Steve Zeitlin suggested to Dick Zigun at Coney Island USA that, rather than trying performance art, they should bring a traditional old time sideshow, which Zeitlin had brought to the Smithsonian’s Folklife Festival a few years earlier, to Coney. The sideshow has run continuously to this day. In 2017, City Lore presented the exhibit Boardwalk Renaissance: How the Arts Saved Coney Island.
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Original: %DIFDELCMD < %DIFDELCMD < %%% In 2014, City Lore opened its own storefront gallery at 56 E. First Street. Exhibits have included Mother Tongues: Endangered Languages Spoken in New York City and Beyond (2015); What We Bring: New Immigrant Gifts (2018); and Bama and Pistol: Pioneers of Subway Graffiti (2019). In 2017, City Lore and Poets House curated the traveling exhibit Poetic Voices of the Muslim World, that travelled to public libraries in 12 cities Special projects City Lore produces documentary films and collaborates with filmmakers whose work relates to the organization's mission.
Revised: %DIFDELCMD < %DIFDELCMD < %%% Special projects City Lore produces documentary films and collaborates with filmmakers whose work relates to the organization's mission.
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Original:  From Mambo to Hip Hop, %DIFDELCMD < [%%% 11 a documentary which traces the history of music in the South Bronx;
Revised:  From Mambo to Hip Hop, %DIFDELCMD < [%%% Pareles, John. "Mambo and Hip-Hop: Two Bronx Sounds, One Sense of Dignity". New York Times 14 September 2006. a documentary which traces the history of music in the South Bronx;
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Original:  In 2017, City Lore teamed up with the Nurse Practitioner Healthcare Foundation is Seattle to create From Heritage to Health: An Art–Centered Approach to Cultural Competence (H2H), a multi-year project that highlights the ways in which storytelling and the arts can inform the diverse practices of medical professionals. H2H includes a learner needs assessment, public and professional presentations, eLearning courses, and other forms of educational outreach that enhance cultural competency in healthcare .
Revised:  City Lore developed the traveling exhibit Weavings of War, which featured the work of women textile artists from Central Asia, Southeast Asia, Latin America, and South Africa .
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Original: %DIFDELCMD < %DIFDELCMD < %%% Notable works and awards In 2002, City Lore successfully nominated three cultural heritage sites from under-recognized communities to the National Register: Casa Amadeo Record Store, Bohemian Hall, and Cuyler Church used by the Mohawk community in Brooklyn.
Revised: %DIFDELCMD < %DIFDELCMD < %%% 
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Original: %DIFDELCMD < %DIFDELCMD < %%% On 2004, Mayor Michael R. Bloomberg officially proclaimed November 18 to be People's Hall of Fame Day in the City of New York, saying "In a city with 8 million stories to tell, some of the most fascinating tales are lost in the glorious din. Founded in 1986, City Lore is dedicated to amplifying the compelling but often unheard voices that make New York great. Through an engaging series of programs and publications, City Lore reveals the true richness of our cultural heritage. One of the organization’s signature events is the annual People's Hall of Fame Awards, which eschews the glare of popular celebrity in favor of the more luminescent glow of inspiration and integrity .
Revised: %DIFDELCMD < %DIFDELCMD < %%% Funds were raised by City Lore to support Peter Siegel's project to restore and issue tapes he made in the 1960s of folk music concerts by Mississippi John Hurt, The Carter Family, Jesse Fuller, Bill Monroe, and others. The recordings became the box set Friends of Old Time Music released by Smithsonian Folkways in 2006 Ratliff, Ben .
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Original:  " Proclamation, Office of the Mayor, Michael R. Bloomberg, November 18, 2004 On Marcy 29, 2007, Mayor Bloomberg proclaimed another City Lore People's Hall of Fame Day in recognition of the tenth class of honorees.Proclamation, Office of the Mayor, Michael R. Bloomberg, March 29, 2007 In 2007 City Lore’s Founder Steve Zeitlin was awarded the Benjamin Botkin Award by the American Folklore Society for lifetime achievement in public folklore;
Revised:  " Rounding Up the Best of the Boxed; Friends of Old Time Music -- The Folk Arrival, 1961-1965." New York Times 24 November 2006. In 2007 City Lore’s Founder Steve Zeitlin was awarded the Benjamin Botkin Award by the American Folklore Society for lifetime achievement in public folklore;
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Original: Proclamation, Office of the Mayor, Michael R. Bloomberg, March 29, 2007 In 2007 City Lore’s Founder Steve Zeitlin was awarded the Benjamin Botkin Award by the American Folklore Society for lifetime achievement in public folklore; in 2019, City Lore’s Director of Arts in Education Amanda Dargan also received the award.
Revised: Proclamation, Office of the Mayor, Michael R. Bloomberg, March 29, 2007 
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Original: %DIFDELCMD < %DIFDELCMD < %%% In 2016, City Lore received the Isidore Starr Award for excellence in from the National Council for the Social Studies and American Federation of Teachers.In 2009, City Lore’s arts education programs were highlighted in The Qualities of Quality: Understanding Excellence in Arts Education published by Harvard University’s Project Zero.
Revised: %DIFDELCMD < %DIFDELCMD < %%% 
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Original:  References External links City Lore City of Memory People's Poetry Project Category:American folklore Category:Storytelling organizations Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Revised:  References Category:American folklore Category:Storytelling organizations Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
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Original:  References External links City Lore City of Memory People's Poetry Project Category:American folklore Category:Storytelling organizations Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Revised:  References External links City Lore City of Memory People's Poetry Project Category:American folklore Category:Storytelling Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Edit intent: clarity
Original: The name Taqali refers to a group of foot-hills in Central Sudancovering an area of approximately forty square miles. Unlike the surrounding Kordofan, the uplands of the hills are fertile and , thereby suitable for agriculture and higher population density. The  state was centered upon the Taqali Massif, the highest part of the hills in the northeast of the region , but its early history is unclear.
Revised: Taqali (also spelled Tegali) was a state of Nuba peoples which existed in the Nuba Mountains, in modern-day central Sudan. It is believed to have been founded in the eighteenth century, though oral traditions suggest its formation two centuries earlier. Due in part to its geographic position on a plateau surrounded by desert, Taqali was able to maintain independence for some 130 years despite the presence of hostile neighbours. It was conquered by Sudanese Mahdists in 1884 and restored as a British client state in 1889. Its administrative power ended with the 1969 Sudanese coup, though the Makk of Taqali, its traditional leader, retains ceremonial power in the region. state was centered upon the Taqali Massif, the highest part of the hills in the northeast of the region , but its early history is unclear.
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Original:  However, some scholars believe the state did not exist until the late eighteenth century (between 1750 and 1780) and that the early rulers on the king list are semi-mythological.
Revised:  However, some scholars believe the state did not exist until the late eighteenth century (between 1750 and 1780) and that the early rulers (noted on the list of monarchs) are semi-mythological.
Edit intent: clarity
Original:  While the Nuba Mountains were well suited for agriculture , they were surrounded by the arid Kordofan — a region too dry to support permanent settlement .
Revised:  The state was centred on the Taqali Massif and spread to encompass all of the Nuba Mountains. These highlands were well-suited to agriculture while the surrounding Kordofan plain was dry and inhospitable, which made it difficult to support an invading army .
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Original:  The Egyptians then launched three failed invasions against the state of Taqali. Eventually, an agreement was reached with Egypt that Taqali would remain  independent but would pay a nominal tax and be officially incorporated into Egyptian Sudan.
Revised:  The Egyptians then launched three failed invasions against Taqali. An agreement was reached with Egypt that Taqali would remain independent but would pay a nominal tax and be officially incorporated into Egyptian Sudan.
Edit intent: clarity
Original:  In Taqali, the son of a makk was a wad al-makk (pl. awlād al-makk), and the son of a daughter of the Makk was an arbāb (pl. arābīb).
Revised:  In Taqali, the son of a makk was a wad al-makk (pl. awlād al-makk), and the son of a daughter of the makk was an arbāb (pl. arābīb).
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Original:  The arābīb were usually prominent councils of the makk and the arābīb al-thamāniyya (eight arābīb) were a special council that met in the palace.
Revised:  The arābīb were usually prominent councils of the makk , while the arābīb al-thamāniyya (eight arābīb) were a special council that met in the palace.
Edit intent: coherence