wanyu/IteraTeR_full_sent huggingface dataset:
Original:  In 2003[]    , City Lore 's People's Poetry Project launched an initiative to document and disseminate poetry from endangered languages.
Revised:  In 2003[] The box set was named one of the 10 best box sets of 2006 by The New York Times. , City Lore 's People's Poetry Project launched an initiative to document and disseminate poetry from endangered languages.
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Original:  In 2003[]    , City Lore 's People's Poetry Project launched an initiative to document and disseminate poetry from endangered languages.
Revised:  In 2003[] Beginning with the opening of the exhibit City Play at the Museum of the City of New York (MCNY) in 1988, City Lore has developed public exhibitions about New York City – and America’s – folk culture. In 1993 , City Lore 's People's Poetry Project launched an initiative to document and disseminate poetry from endangered languages.
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Original:    Special projects %DIFDELCMD < %DIFDELCMD < %%% City Lore produces documentary films and collaborates with filmmakers whose work relates to the organization's mission.
Revised:  In 2002, City Lore researched and curated Missing: Streetscape of a City in Mourning about the shrines and memorials that cropped up on New York City Streets after September 11. In 2005, City Lore developed the traveling exhibit and accompanying book, Weavings of War: Fabrics of Memory which featured the work of women textile artists from Central Asia, Southeast Asia, Latin America, and South Africa featured at The Puffin Gallery. In 2012, City Lore curated the outdoor exhibit, Your Guide to the Lower East Side. The House under the Roller Coaster, made famous by Woody Allen in Annie Hall, demolished in 2000. Photo by Hazel Hankin Nathan's Original Hot Dogs on Coney Island, archived by Place Matters In 1988, City Lore presented oral histories of Coney Island on the boardwalk. In 1991, folklorist Steve Zeitlin suggested to Dick Zigun at Coney Island USA that, rather than trying performance art, they should bring a traditional old time sideshow, which Zeitlin had brought to the Smithsonian’s Folklife Festival a few years earlier, to Coney. The sideshow has run continuously to this day. In 2017, City Lore presented the exhibit Boardwalk Renaissance: How the Arts Saved Coney Island. Special projects %DIFDELCMD < %DIFDELCMD < %%% City Lore produces documentary films and collaborates with filmmakers whose work relates to the organization's mission.
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Original:    Special projects %DIFDELCMD < %DIFDELCMD < %%% City Lore produces documentary films and collaborates with filmmakers whose work relates to the organization's mission.
Revised:  In 2014, City Lore opened its own storefront gallery at 56 E. First Street. Exhibits have included Mother Tongues: Endangered Languages Spoken in New York City and Beyond (2015); What We Bring: New Immigrant Gifts (2018); and Bama and Pistol: Pioneers of Subway Graffiti (2019). In 2017, City Lore and Poets House curated the traveling exhibit Poetic Voices of the Muslim World, that travelled to public libraries in 12 cities Special projects %DIFDELCMD < %DIFDELCMD < %%% City Lore produces documentary films and collaborates with filmmakers whose work relates to the organization's mission.
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Original:  City Lore developed the traveling exhibit Weavings of War, which featured the work of women textile artists from Central Asia, Southeast Asia, Latin America, and South Africa .
Revised:  In 2017, City Lore teamed up with the Nurse Practitioner Healthcare Foundation is Seattle to create From Heritage to Health: An Art–Centered Approach to Cultural Competence (H2H), a multi-year project that highlights the ways in which storytelling and the arts can inform the diverse practices of medical professionals. H2H includes a learner needs assessment, public and professional presentations, eLearning courses, and other forms of educational outreach that enhance cultural competency in healthcare .
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Original:  Funds were raised by City Lore to support Peter Siegel's project to restore and issue tapes he made in the 1960s of folk music concerts by Mississippi John Hurt, The Carter Family, Jesse Fuller, Bill Monroe, and others. The recordings became the box set Friends of Old Time Music released by Smithsonian Folkways in 2006 Ratliff, Ben   ." Rounding Up the Best of the Boxed;
Revised:  In 2019, City Lore became host to American Lore Theater and premiered the original play Salt Water People about the Bonacker Baymen of Long Island. ." Rounding Up the Best of the Boxed;
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Original:  The recordings became the box set Friends of Old Time Music released by Smithsonian Folkways in 2006 Ratliff, Ben   ." Rounding Up the Best of the Boxed;
Revised:  The recordings became the box set Friends of Old Time Music released by Smithsonian Folkways in 2006 Ratliff, Ben Notable works and awards In 2002, City Lore successfully nominated three cultural heritage sites from under-recognized communities to the National Register: Casa Amadeo Record Store, Bohemian Hall, and Cuyler Church used by the Mohawk community in Brooklyn. ." Rounding Up the Best of the Boxed;
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Original:  The recordings became the box set Friends of Old Time Music released by Smithsonian Folkways in 2006 Ratliff, Ben   ." Rounding Up the Best of the Boxed;
Revised:  The recordings became the box set Friends of Old Time Music released by Smithsonian Folkways in 2006 Ratliff, Ben On 2004, Mayor Michael R. Bloomberg officially proclaimed November 18 to be People's Hall of Fame Day in the City of New York, saying "In a city with 8 million stories to tell, some of the most fascinating tales are lost in the glorious din. Founded in 1986, City Lore is dedicated to amplifying the compelling but often unheard voices that make New York great. Through an engaging series of programs and publications, City Lore reveals the true richness of our cultural heritage. One of the organization’s signature events is the annual People's Hall of Fame Awards, which eschews the glare of popular celebrity in favor of the more luminescent glow of inspiration and integrity ." Rounding Up the Best of the Boxed;
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Original:  The recordings became the box set Friends of Old Time Music released by Smithsonian Folkways in 2006 Ratliff, Ben   ." Rounding Up the Best of the Boxed; Friends of Old Time Music -- The Folk Arrival, 1961-1965. " New York Times 24 November 2006.
Revised:  The recordings became the box set Friends of Old Time Music released by Smithsonian Folkways in 2006 Ratliff, Ben ." Proclamation, Office of the Mayor, Michael R. Bloomberg, November 18, 2004 On Marcy 29, 2007, Mayor Bloomberg proclaimed another City Lore People's Hall of Fame Day in recognition of the tenth class of honorees.Proclamation, Office of the Mayor, Michael R. Bloomberg, March 29, 2007
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Original:    References  Category:American folklore Category:Storytelling  Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Revised:  In 2007 City Lore’s Founder Steve Zeitlin was awarded the Benjamin Botkin Award by the American Folklore Society for lifetime achievement in public folklore; in 2019, City Lore’s Director of Arts in Education Amanda Dargan also received the award. References Category:American folklore Category:Storytelling Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
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Original:    References  Category:American folklore Category:Storytelling  Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Revised:  In 2016, City Lore received the Isidore Starr Award for excellence in from the National Council for the Social Studies and American Federation of Teachers. In 2009, City Lore’s arts education programs were highlighted in The Qualities of Quality: Understanding Excellence in Arts Education published by Harvard University’s Project Zero. References Category:American folklore Category:Storytelling Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
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Original:    References  Category:American folklore Category:Storytelling  Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Revised:  References External links City Lore City of Memory People's Poetry Project Category:American folklore Category:Storytelling Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
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Original:    References  Category:American folklore Category:Storytelling  Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Revised:  References Category:American folklore Category:Storytelling organizations Category:Preservation (library and archival science) Category:Organizations based in New York City Category:Culture of New York City Category:Organizations established in 1986 Category:1986 establishments in New York (state
Edit intent: clarity
Original: City Lore , New York 's center for urban folk culture, founded in 1985, is the first organization in the United States devoted expressly to the "documentation, preservation, and presentation of urban folk culture.
Revised: City Lore : the New York Center for Urban Culture was founded in 1986 and was the first organization in the United States devoted expressly to the "documentation, preservation, and presentation of urban folk culture.
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Original:  Brunvand, Jan Harold, ed. Garland Publishing, NY, 1996. alt=|Children Playing New York Street Games photographed by Martha Cooper alt=|Sahadi's Middle Eastern Grocery, photographed by Martha Cooper With a mission to foster New York City –
Revised:  Brunvand, Jan Harold, ed. Garland Publishing, NY, 1996. Their mission is to produce programs and publications that convey the richness of New York City –
Edit intent: clarity
Original:  Brunvand, Jan Harold, ed. Garland Publishing, NY, 1996. alt=|Children Playing New York Street Games photographed by Martha Cooper alt=|Sahadi's Middle Eastern Grocery, photographed by Martha Cooper With a mission to foster New York City – and America’s– living cultural heritage through education and public programs, City Lore encompasses a Lower East Side gallery space, performances, lectures, the People's Hall of Fame, a POEMobile that projects poems onto walls and buildings, and education programs throughout the five boroughs.
Revised:  Brunvand, Jan Harold, ed. Garland Publishing, NY, 1996. alt=|Children Playing New York Street Games photographed by Martha Cooper alt=|Sahadi's Middle Eastern Grocery, photographed by Martha Cooper With a mission to foster New York City —and America's— living cultural heritage through education and public programs, City Lore encompasses a Lower East Side gallery space, performances, lectures, the People's Hall of Fame, a POEMobile that projects poems onto walls and buildings, and education programs throughout the five boroughs.
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Original:  and America’s– living cultural heritage through education and public programs, City Lore encompasses a Lower East Side gallery space, performances, lectures, the People's Hall of Fame, a POEMobile that projects poems onto walls and buildings, and education programs throughout the five boroughs.
Revised:  and America’s– living cultural heritage . In addition to regular programming that includes the Place Matters Awards and the People's Hall of Fame, a POEMobile that projects poems onto walls and buildings, and education programs throughout the five boroughs.
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Original:  and America’s– living cultural heritage through education and public programs, City Lore encompasses a Lower East Side gallery space, performances, lectures, the People's Hall of Fame, a POEMobile that projects poems onto walls and buildings, and education programs throughout the five boroughs. City Lore documents, presents, and advocates for New York City’s grassroots cultures to ensure their living legacy in stories and histories, places and traditions. The organization also works with a wide range of partners to develop exhibitions, publications, and documentary films, and to advocate for the rights of street performers, ethnic clubs, and other grassroots cultural expressions in New York City.
Revised:  and America’s– living cultural heritage through education and public programs, City Lore encompasses a Lower East Side gallery space, performances, lectures, the People's Hall of Fame, the organization works with a wide range of partners to develop exhibitions, publications, and documentary films, and to advocate for the rights of street performers, ethnic clubs, and other grassroots cultural expressions in New York City.
Edit intent: coherence
Original:  Described as “wise renegades” by Sonnet Takahisa , the group has also been described as a “practical application of a utopian endeavor” by the writer Marc Kaminsky.
Revised:  City Lore works in four cultural domains: urban folklore and history, preservation, arts in education, and grassroots poetry traditions. Described by Sonnet Takahisa , the group has also been described as a “practical application of a utopian endeavor” by the writer Marc Kaminsky.
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Original:  Described as “wise renegades” by Sonnet Takahisa , the group has also been described as a “practical application of a utopian endeavor” by the writer Marc Kaminsky. In a March 21,2020 article in The Wall Street Journal, Steve Zeitlin notes, “We believe in grassroots creativity as a redeeming force in society and a symbol of the irrepressible nature of the human spirit.”
Revised:  Described as “wise renegades” by Sonnet Takahisa 
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Original:  Since 2013, City Lore has been headquartered at 56 East 1st Street on the historic Lower East Side of New York. The building holds offices, a gallery, and a multicultural library for teachers and researchers. In 2019, City Lore became an official Smithsonian Affiliate, one of only 6 affiliates in New York City .
Revised:  of the September 11th Memorial Museum as "wise renegades," their programs include People's Poetry Project, Place Matters (in collaboration with the Municipal Arts Society) and City of Memory .
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Original:  City Lore’s staff has consisted of professional folklorists (  founder and executive director Steve Zeitlin , Elena Martínez and Amanda Dargan), historians (Marci Reaven), photographers (Martha Cooper), ethnomusicologists (Roberta Singer and Lois Wilcken), playwrights (Jake Rosenberg, Raquel Almazan) and arts and education specialists (Anika Selhorst).
Revised:  City Lore’s staff consists of professional folklorists ( founder and executive director Steve Zeitlin , Elena Martínez and Amanda Dargan), historians (Marci Reaven), photographers (Martha Cooper), ethnomusicologists (Roberta Singer and Lois Wilcken), playwrights (Jake Rosenberg, Raquel Almazan) and arts and education specialists (Anika Selhorst).
Edit intent: clarity
Original:  City Lore’s staff has consisted of professional folklorists (  founder and executive director Steve Zeitlin , Elena Martínez and Amanda Dargan), historians (Marci Reaven), photographers (Martha Cooper), ethnomusicologists (Roberta Singer and Lois Wilcken), playwrights (Jake Rosenberg, Raquel Almazan) and arts and education specialists (Anika Selhorst).
Revised:  City Lore’s staff has consisted of professional folklorists ( Steve Zeitlin, the founder and executive director Steve Zeitlin , Elena Martínez and Amanda Dargan), historians (Marci Reaven), photographers (Martha Cooper), ethnomusicologists (Roberta Singer and Lois Wilcken), playwrights (Jake Rosenberg, Raquel Almazan) and arts and education specialists (Anika Selhorst).
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Original:  City Lore’s staff has consisted of professional folklorists (  founder and executive director Steve Zeitlin , Elena Martínez and Amanda Dargan), historians (Marci Reaven), photographers (Martha Cooper), ethnomusicologists (Roberta Singer and Lois Wilcken), playwrights (Jake Rosenberg, Raquel Almazan) and arts and education specialists (Anika Selhorst).
Revised:  City Lore’s staff has consisted of professional folklorists ( founder and executive director , Elena Martínez and Amanda Dargan), historians (Marci Reaven), photographers (Martha Cooper), ethnomusicologists (Roberta Singer and Lois Wilcken), playwrights (Jake Rosenberg, Raquel Almazan) and arts and education specialists (Anika Selhorst).
Edit intent: clarity
Original:  City Lore’s staff has consisted of professional folklorists (  founder and executive director Steve Zeitlin , Elena Martínez and Amanda Dargan), historians (Marci Reaven), photographers (Martha Cooper), ethnomusicologists (Roberta Singer and Lois Wilcken), playwrights (Jake Rosenberg, Raquel Almazan) and arts and education specialists (Anika Selhorst).
Revised:  City Lore’s staff has consisted of professional folklorists ( founder and executive director Steve Zeitlin , Elena Martínez and Amanda Dargan), historians (Marci Reaven), photographers (Martha Cooper), ethnomusicologists (Roberta Singer and Lois Wilcken), and arts and education specialists (Anika Selhorst).
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Original:  Founding November, 1985, folklorist Steve Zeitlin founded City Lore, and the organization received full non-profit status. Prior to founding City Lore, Steve Zeitlin worked for eight years as a folklorist for the Smithsonian Institution’s Festival of American Folklife. In 1979, the New York City Chapter of the New York Folklore Society, led by Dr. Barbara Kirshenblatt Gimblett, Nancy Groce and others, sponsored the first of three conferences on New York City Folklore. Zeitlin, who participated in the conferences, moved to New York in 1981, and, in 1983, became the President of the New York City Chapter of the New York Folklore Society. City Lore’s first program was a tribute to late anthropologist Barbara Myerhoff in September, 1985. In 1986 moved into offices at 72 E. First Street on the Lower East Side. In 1986, the organization held the first City Lore Festival in Central Park staged in tandem with the first Central Park Summerstage.
Revised:  Projects and programs
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Original:  Approach to Folklore City Lore founder Steve Zeitlin City Lore's Founder Dr. Steve Zeitlin has said that City Lore has: an "open mission to document and present New York City and America's living cultural heritage. Living cultural heritage used by folklorists to suggest the documentation, interpretation, and presentation of traditions within living memory, as opposed to events that predate living memory, and are, in a sense, purely historical. The original impetus for the discipline of folklore in the 19th century was the notion of collecting myths and legends as "survivals" from an earlier age, but City Lore is very present oriented. It's not only about capturing the past, it's about using an arts perspective to look at life itself. And to see the present in a slightly more vivid and interested and compelling way by looking at the artistic impulse in everyday life. Folklorists distinguish themselves from historians and from cultural anthropologists, because of the attention they pay to the aesthetic dimensions of history and culture." 2 According to Zeitlin, City Lore is “tradition inspired but not tradition bound, and we are all about the redemptive power of grassroots creativity."
Revised:  2 According to Zeitlin, City Lore is “tradition inspired but not tradition bound, and we are all about the redemptive power of grassroots creativity."
Edit intent: coherence
Original:  Folklorists distinguish themselves from historians and from cultural anthropologists, because of the attention they pay to the aesthetic dimensions of history and culture." 2 According to Zeitlin, City Lore is “tradition inspired but not tradition bound, and we are all about the redemptive power of grassroots creativity."
Revised:  Folklorists distinguish themselves from historians and from cultural anthropologists, because of the attention they pay to the aesthetic dimensions of history and culture." Urban folklore According to Zeitlin, City Lore is “tradition inspired but not tradition bound, and we are all about the redemptive power of grassroots creativity."
Edit intent: clarity
Original:  Folklorists distinguish themselves from historians and from cultural anthropologists, because of the attention they pay to the aesthetic dimensions of history and culture." 2 According to Zeitlin, City Lore is “tradition inspired but not tradition bound, and we are all about the redemptive power of grassroots creativity." Working across so many arenas of life, the organization has been described as a “full court press” on what became the tag line for the organization: the art of everyday life.
Revised:  Folklorists distinguish themselves from historians and from cultural anthropologists, because of the attention they pay to the aesthetic dimensions of history and culture." 2 
Edit intent: coherence
Original:  In a formal evaluation by the Artography initiative of Leveraging Investments in Creativity (LINC) funded by the Ford Foundation, Dr. William Westerman writes:%DIFDELCMD < %DIFDELCMD < %%% It’s hard to understand what City Lore does in terms of art-making without first understanding how folklorists think of the concept of art.
Revised:  %DIFDELCMD < %DIFDELCMD < %%% It’s hard to understand what City Lore does in terms of art-making without first understanding how folklorists think of the concept of art.
Edit intent: coherence
Original:  In a formal evaluation by the Artography initiative of Leveraging Investments in Creativity (LINC) funded by the Ford Foundation, Dr. William Westerman writes:%DIFDELCMD < %DIFDELCMD < %%% It’s hard to understand what City Lore does in terms of art-making without first understanding how folklorists think of the concept of art. It is as if in Western society what is seen as the arts is equivalent to the visible light in the spectrum, whereas folklorists see the art across the whole spectrum, from ultraviolet to infrared. That full range of creative expression is what concerns the mission of City Lore, and it includes history and memory, language and religion, food and gardens, lace and place.
Revised:  In a formal evaluation by the Artography initiative of Leveraging Investments in Creativity (LINC) funded by the Ford Foundation, Dr. William Westerman writes:%DIFDELCMD < %DIFDELCMD < %%% 
Edit intent: coherence