wanyu/IteraTeR_full_sent huggingface dataset:
Original:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long  tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long  Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Revised:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long Verse meters In a poetic composition, a verse is formally a single metrical line. Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Edit intent: coherence
Original:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long  tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long  Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC. Following the rhyme scheme of the Villanelle, but with five extra couplets just after each tercet. Ballade: Three stanzas of " ababbcbC " followed by a refrain of " bcbC ".
Revised:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long Monometer: a line of verse with just 1 metrical foot. Dimeter: a line of verse with 2 metrical feet. Trimeter: a line of verse with 3 metrical feet. Tetrameter: a line of verse with 4 metrical feet. Hexameter: a line of verse with 6 metrical feet. Heptameter: a line of verse with 7 metrical feet. Octameter: a line of verse with 8 metrical feet. Dactylic meter: any meter based on the dactyl as its primary rhythmic unit. Dactylic tetrameter Dactylic pentameter Dactylic hexameter Golden line Iambic meter: any meter based on the iamb as its primary rhythmic unit. Alexandrine (iambic hexameter): a 12-syllable iambic line adapted from French heroic verse. Example: the last line of each stanza in “The Convergence of the Twain” by Thomas Hardy. Czech alexandrine French alexandrine Polish alexandrine Fourteener (iambic heptameter): line consisting of 7 iambic feet (14 syllables) Galliambic verse Iambic pentameter: line consisting of 5 iambic feet (10 syllables) Iambic tetrameter: line consisting of 4 iambic feet (8 syllables) Trochaic meter: any meter based on the trochee as its primary rhythmic unit. Trochaic tetrameter Trochaic octameter Trochaic septenarius Arabic poetic meters: Basīṭ Hazaj Kāmil Mutaqārib Madīd Rajaz Tawīl Wāfir Anapestic tetrameter (aka reverse dactyl): a poetic meter that has 4 anapestic metres per line. Common metre: a quatrain that rhymes " ababbcbC " followed by a refrain of " bcbC ".
Edit intent: meaning-changed
Original:  Ballade: Three stanzas of " ababbcbC " followed by a refrain of " bcbC ".
Revised:  Ballade: Three stanzas of " ababbcbC " and alternates 4-stress and 3-stress iambic lines. This is the meter used in hymns and ballads. Indian poetic meters: Chhand Kannada meter Mandakranta Mātrika Ovi Triveni Sanskrit meter Tamil meter Vedic meter Triṣṭubh: a Vedic meter of 44 syllables, or any hymn composed in this meter Long metre (aka long measure): a poetic metre consisting of quatrains (4-line stanzas) in iambic tetrameter with the rhyme pattern " bcbC ".
Edit intent: meaning-changed
Original:  The last line of each, indicated by the capital letter,     is repeated verbatim.
Revised:  The last line of each, indicated by the capital letter, Accentual verse Accentual-syllabic verse Acatalexis Adonic Aeolic Glyconic: most basic form of aeolic verse. Alcmanian Archilochian Asclepiad is repeated verbatim.
Edit intent: meaning-changed
Original:  The last line of each, indicated by the capital letter,     is repeated verbatim.
Revised:  The last line of each, indicated by the capital letter, Choliamb Dochmiac Doggerel: a bad verse, traditionally characterized by clichés, clumsiness, and irregular meter. Free verse and vers libre: an open form of poetry that does not use consistent of meter patterns, rhyme, or any musical pattern, therefore tending to follow the rhythm of natural speech. Knittelvers Heroic verse Riding rhyme: an early form of heroic verse derived from the rhythm of the poetry in parts of The Canterbury Tales depicting the pilgrims as they rode along. Leonine verse McWhirtle Neo-Miltonic syllabics Political verse (aka decapentasyllabic verse): iambic verse of 15 syllables. Saturnian Anuṣṭubh: a quatrain with each line (called a pāda, or 'foot') having 8 syllables. Shloka Triadic-line is repeated verbatim.
Edit intent: meaning-changed
Original:   Chant royal: Five stanzas of "ababccddedE" followed by either "ddedE" or "ccddedE ".
Revised:  ) Blank verse: non-rhyming iambic pentameter (10-syllable line). It is the predominant rhythm of traditional English dramatic and epic poetry, as it is considered the closest to English speech patterns. Examples: "Paradise Lost" by John Milton and “Sunday Morning” by Wallace Stevens. Chant royal: Five stanzas of "ababccddedE" followed by either "ddedE" or "ccddedE ".
Edit intent: meaning-changed
Original:   Chant royal: Five stanzas of "ababccddedE" followed by either "ddedE" or "ccddedE ".(The capital letters indicate a line repeated verbatim. ) Cinquain: "ababb".
Revised:  Chant royal: Five stanzas of "ababccddedE" followed by either "ddedE" or "ccddedE ." 'a Gra' Reformata': ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC. Following the rhyme scheme of the Villanelle, but with 5 extra couplets just after each tercet. Cinquain: "ababb".
Edit intent: meaning-changed
Original:  Monorhyme: "aaaaa...", an identical rhyme on every line, common in Latin and Arabic Ottava rima: " abababcc". Rhyme royal: " ababbcc".
Revised:  Monorhyme: "aaaaa...", an identical rhyme on every line, common in Latin and Arabic Ottava rima: " aaaaa... " ababbcc".
Edit intent: coherence
Original:  Sapphics Seguidilla (poetry): Spanish with seven syllable-counted lines  &  Petrarchan sonnet: "abba abba cde cde" or "abba abba cdc cdc".
Revised:  Sapphics Seguidilla : Spanish-origin poem with seven syllable-counted lines & Petrarchan sonnet: "abba abba cde cde" or "abba abba cdc cdc".
Edit intent: clarity
Original:  Sapphics Seguidilla (poetry): Spanish with seven syllable-counted lines  &  Petrarchan sonnet: "abba abba cde cde" or "abba abba cdc cdc".
Revised:  Sapphics Seguidilla (poetry): Spanish with seven syllable-counted lines , rhyming the second & Petrarchan sonnet: "abba abba cde cde" or "abba abba cdc cdc".
Edit intent: meaning-changed
Original:  Sapphics Seguidilla (poetry): Spanish with seven syllable-counted lines  &  Petrarchan sonnet: "abba abba cde cde" or "abba abba cdc cdc".
Revised:  Sapphics Seguidilla (poetry): Spanish with seven syllable-counted lines fourth, and the fifth& Petrarchan sonnet: "abba abba cde cde" or "abba abba cdc cdc".
Edit intent: meaning-changed
Original:  Sapphics Seguidilla (poetry): Spanish with seven syllable-counted lines  &  Petrarchan sonnet: "abba abba cde cde" or "abba abba cdc cdc".
Revised:  Sapphics Seguidilla (poetry): Spanish with seven syllable-counted lines & seventh lines ("abcbded") Petrarchan sonnet: "abba abba cde cde" or "abba abba cdc cdc".
Edit intent: meaning-changed
Original:   Shadorma: an allegedly Spanish six-line stanza, syllable-count restricted form, 3/5/3/3/7/5 ) Shakespearean sonnet: "abab cdcd efef gg".
Revised:  Sestina: a complex French verse form, usually unrhymed, consisting of 6 stanzas of 6 lines each and a 3-line envoi. Shadorma: an allegedly Spanish six-line stanza, syllable-count restricted form, 3/5/3/3/7/5 ) Shakespearean sonnet: "abab cdcd efef gg".
Edit intent: meaning-changed
Original:   Shadorma: an allegedly Spanish six-line stanza, syllable-count restricted form, 3/5/3/3/7/5 ) Shakespearean sonnet: "abab cdcd efef gg".
Revised:  Shadorma: an allegedly Spanish six-line stanza, syllable-count restricted form, 3/5/3/3/7/5 Shakespearean sonnet: "abab cdcd efef gg".
Edit intent: fluency
Original:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz  " . Triplet:     "  aaa"  , often repeating like the couplet.
Revised:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes . Sprung rhythm: a poetic rhythm designed to imitate the rhythm of natural speech . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz " . Triplet: " aaa" , often repeating like the couplet.
Edit intent: meaning-changed
Original:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz  " . Triplet:     "  aaa"  , often repeating like the couplet.
Revised:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is "aaaa" Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz " . Triplet: " aaa" , often repeating like the couplet.
Edit intent: fluency
Original:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz  " . Triplet:     "  aaa"  , often repeating like the couplet.
Revised:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz / " . Triplet: " aaa" , often repeating like the couplet.
Edit intent: coherence
Original:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz  " . Triplet:     "  aaa"  , often repeating like the couplet.
Revised:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz " " aaa" , often repeating like the couplet.
Edit intent: coherence
Original:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz  " . Triplet:     "  aaa"  , often repeating like the couplet.
Revised:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz " . Triplet: Types of rhyming A rhyme is the repetition of syllables, typically found at the end of a verse line. " aaa" , often repeating like the couplet.
Edit intent: meaning-changed
Original:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz  " . Triplet:     "  aaa"  , often repeating like the couplet.
Revised:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz " . Triplet: Assonance (aka vowel rhyme): the repetition of vowel sounds without repeating consonants. Broken rhyme: a type of enjambment producing a rhyme by dividing a word at the line break of a poem to make a rhyme with the end word of another line Catalectic Acephalous line Chiasmus: repetition of any group of verse elements (including rhyme and grammatical structure) in reverse order. Consonance: the repetition of identical or similar consonants in neighboring words whose vowel sounds are different Alliteration: the repetition of initial stressed, consonant sounds in a series of words within a phrase or verse line. Cross rhyme Holorime: identical pronunciation of different lines; in other words, when two entire lines have the same sound Imperfect rhyme (aka half or near rhyme) Monorhyme Pararhyme Perfect rhyme (aka full or exact rhyme) Syllabic " aaa" , often repeating like the couplet.
Edit intent: meaning-changed
Original:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz  " . Triplet:     "  aaa"  , often repeating like the couplet.
Revised:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz " . Triplet: Types of stanza A stanza is a group of lines forming the basic recurring metrical unit in a poem. (cf. verse in music.) " aaa" , often repeating like the couplet.
Edit intent: meaning-changed
Original:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz  " . Triplet:     "  aaa"  , often repeating like the couplet.
Revised:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz " . Triplet: Alcaic: a 4-line stanza invented by the Classical Greek poet Alcaeus that uses a specific syllabic count per line and a predominantly dactylic meter. Ballad Biolet Burns Chaubola Cinquain Couplet: two successive rhyming lines ( " aaa" , often repeating like the couplet.
Edit intent: meaning-changed
Original:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz  " . Triplet:     "  aaa"  , often repeating like the couplet.
Revised:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz " . Triplet: " aa"), usually of the same length (usually re-occurring as "aa bb cc dd ..."). Doha Heroic couplet: written in iambic pentameter. Poulter's measure: couplets in which a 12-syllable iambic line rhymes with a 14-syllable iambic line. Envoi (or envoy): the brief stanza that ends French poetic forms such as the ballade or sestina. Ghazal Octave: an 8-line stanza or poem. Ottava rima: an Italian stanza of eight 11-syllable lines, with a rhyme scheme of "abababcc." Quatorzain Quatrain: a 4-line poem or stanza Quintain Rhyme royal: a stanza of seven 10-syllable lines, rhyming "ababbcc." Sapphic Sestain Sestet: a 6-line stanza Onegin stanza Spenserian: consists of 9 lines in total—8 iambic-pentameter lines and a final alexandrine—with a rhyme scheme of "ababbcbcc." Tercet (or triplet): a unit of three lines, rhymed (" aaa" , often repeating like the couplet.
Edit intent: meaning-changed
Original:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz  " . Triplet:     "  aaa"  , often repeating like the couplet.
Revised:  Onegin stanzas: "" with lowercase letters representing assonant rhymes and the uppercase representing end-rhymes Spenserian stanza: "ababbcbcc" . Tanaga: traditional Tagalog tanaga is aaaa Terza rima: "aba bcb cdc ...", ending on "yzy z" or "yzy zz " . Triplet: " aaa" ) or unrhymed , often repeating like the couplet.
Edit intent: clarity
Original:  Verbless poetry See also Main list:               List of basic poetry topics  List of literary terms Literature Poet Poetry Further reading M. H. Abrams.
Revised:  Triolet: an 8-line stanza with only two rhymes, repeating the 1st line as the 4th and 7th lines, and the 2nd line as the 8th ("ABaAabAB"). Terza rima: an Italian stanzaic form consisting of tercets with interwoven rhymes ("aba bcb ded efe..."). See also Main list: List of basic poetry topics List of literary terms Literature Poet Poetry Further reading M. H. Abrams.
Edit intent: meaning-changed
Original:  Verbless poetry See also Main list:               List of basic poetry topics  List of literary terms Literature Poet Poetry Further reading M. H. Abrams.
Revised:  Verbless poetry See also Main list: Abecedarian: a poem in which the first letter of each line or stanza follows sequentially through the alphabet. Acrostic: a poem in which the first letter of each line spells out a word, name, or phrase when read vertically. Example: “A Boat beneath a Sunny Sky” by Lewis Carroll. Concrete (aka pattern): a written poem or verse whose lines are arranged as a shape/visual image, usually of the topic. Slam Sound Spoken-word Verbless poetry: a poem without verbs List of basic poetry topics List of literary terms Literature Poet Poetry Further reading M. H. Abrams.
Edit intent: meaning-changed
Original:  Verbless poetry See also Main list:               List of basic poetry topics  List of literary terms Literature Poet Poetry Further reading M. H. Abrams.
Revised:  Verbless poetry See also Main list: Ars Poetica: a poem that explains the 'art of poetry', or a meditation on poetry using the form and techniques of a poem. Aubade: a love poem welcoming or lamenting the arrival of the dawn. Example: “The Sun Rising” by John Donne. Deep image Didactic Dramatic monologue Epithalamium (aka epithalamion): a nuptial poem in honour of the bride and bridegroom. Ecopoetry Ekphrasis: a poem that vividly describes a scene or work of art. Elliptical Epigram Folk Folk ballad Gnomic: a poems laced with proverbs, aphorisms, or maxims. Hymn: a poem praising God or the divine (often sung). Lament: any poem expressing deep grief, usually at a death or some other loss. Dirge Elegy: a poem of lament, praise, and consolation, usually formal and sustained, over the death of a particular person. Example: "Elegy Written in a Country Churchyard" by Thomas Gray. Light: whimsical poems Limerick Nonsense Double dactyl Lyric Canzone: a lyric poem originating in medieval Italy and France and usually consisting of hendecasyllabic lines with end-rhyme. Epithalamium Madrigal: a song or short lyric poem intended for multiple singers. Ode: a formal lyric poem that addresses, and typically celebrates, a person, place, thing, or idea. Horatian Ode Palinode: an ode that retracts or recants what the poet wrote in a previous poem. Pindaric Ode Sapphic ode Stev: a form of Norwegian folk song consisting of quatrain lyric stanzas. Meditative Narrative Ballad: a popular narrative song passed down orally. In English, it typically follows a form of rhymed ("abcb") quatrains alternating 4-stress and 3-stress lines. Folk ballad: unknown origin, recounting tragic, comic, or heroic stories with emphasis on a central dramatic event. Examples: "Barbara Allen" and "John Henry" Literary ballad: poems adapting the conventions of folk ballads, beginning in the Renaissance. Examples: “La Belle Dame sans Merci” by John Keats and “Annabel Lee” by Edgar Allan Poe. Epic (or epos): an extended narrative poem, typically expressing heroic themes. Mock-epic: a poem that plays with the conventions of the epic to comment on a topic satirically. Epyllion: a brief narrative work written in dactylic hexameter, commonly dealing with mythological themes and characterized by vivid description and allusion. Romance Occasional: a poem written to describe or comment on a particular event. Panegyric: a poem of great praise. Pastoral Eclogue: a pastoral poem usually containing dialogue between shepherds. Georgic Recusatio: a poem (or part thereof) in which the poet claim that they are supposedly unable or disinclined to write the type of poem that they originally intended to, and instead writes in a different style. List of basic poetry topics List of literary terms Literature Poet Poetry Further reading M. H. Abrams.
Edit intent: meaning-changed
Original:  Verbless poetry See also Main list:               List of basic poetry topics  List of literary terms Literature Poet Poetry Further reading M. H. Abrams.
Revised:  Verbless poetry See also Main list: Avant-garde Flarf Futurist Language Beat: A movement that arose from San Francisco’s literary counterculture in the 1950s. Its poetry is primarily free verse, often surrealistic, and influenced by the cadences of jazz music. Black Mountain: A group of progressives in North Carolina associated with the experimental Black Mountain College in the 1940s and 1950s. Its poetic composition promoted a nontraditional style, following a improvisational, open-form approach, driven by the natural patterns of breath and the spoken word. Confessional Dada Dark Room Collective Fireside Fugitives Georgian Harlem Renaissance Imagism Metaphysical Négritude New American New Critic New Formalist New Historicist New York School Objectivist Oulipo Pre-Raphaelite Romantic Symbolist List of basic poetry topics List of literary terms Literature Poet Poetry Further reading M. H. Abrams.
Edit intent: meaning-changed