wanyu/IteraTeR_full_sent huggingface dataset:
Original:  [  City Lore created   Know Your Rights! , a guide for street performers.
Revised:  [ In 2019, the People’s Hall of Fame honored Waterfront Heroes, local artists and activists working to preserve the New York Harbor including Naima Rauam for painting the poetry of the Fulton Fish Market; David Sharps, founder of the Waterfront Museum on a barge he personally dredged from the Hudson; Conrad Milster, a steam whistle collector from Brooklyn who started a 50-year New Year's Eve steam whistle blowing tradition in Brooklyn; and Samir Faraq, founder of Staten Island's Museum of Maritime Navigation Know Your Rights! , a guide for street performers.
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Original:  [  City Lore created   Know Your Rights! , a guide for street performers.
Revised:  [ City Lore created Communication and collector of forgotten maritime paraphernalia. Children playing a traditional game on the streets of NYC, photographed by Martha Cooper City Lore’s first urban folklore initiative was to document New York City street games. The City Play exhibit opened at the Museum of the City of New York in 1988, and the book, City Play was published by Rutgers University Press in 1992. In 2016, City Lore and Public Art Films released Let’s Get the Rhythm: the Life and Times of Miss Mary Mack, directed by Irene Chagall, and coproduced by Steve Zeitlin and Irene Chagall. The New York Times writes “As it swings between games and interviews, “Let’s Get the Rhythm” has a beat; its incandescent musicality brings this hand-clapping universe to life.” Know Your Rights! , a guide for street performers.
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Original:  Place Matters %DIFDELCMD < %DIFDELCMD < %%% Since its inception, City Lore has served as an advocate for local landmarks through the Place Matters program in collaboration with Municipal Arts Society .
Revised:  Place Matters %DIFDELCMD < %DIFDELCMD < %%% Empire Roller Rink, Birthplace of Roller Disco, archived by Place Matters In 1988, City Lore established the “Endangered Spaces” project to advocate for local landmarks through the Place Matters program in collaboration with Municipal Arts Society .
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Original:  Place Matters %DIFDELCMD < %DIFDELCMD < %%% Since its inception, City Lore has served as an advocate for local landmarks through the Place Matters program in collaboration with Municipal Arts Society . There have been over 650 nominations from the public, including parks, historic sites, public art, beer gardens, industrial sites, and stores.
Revised:  Place Matters %DIFDELCMD < %DIFDELCMD < %%% Since its inception, City Lore has served as an advocate for local establishments and landmarks that were disappearing from the New York City landscape. In 1996, City Lore joined a new Task Force on Historical and Cultural Landmarks run by Ned Kaufman at the Municipal Art Society (MAS) and sponsored the conference “History Happened Here” at the Museum of the City of New York in 1998. Two years later, Place Matters was formally established by Ned Kaufman, Steve Zeitlin, and Marci Reaven, with Laura Hansen as the director. Based at City Lore, Place Matters aims to broaden the ways that preservation is understood and practiced by offering alternative ways of identifying, interpreting, celebrating, and ultimately protecting places that matter.
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Original:  In 2001, they successfully nominated Bohemian Hall, still a vibrant community center/beer garden started by Czech immigrants in Astoria, Queens, and the Casa Amadeo Music Store, the oldest, continuously occupied Latin music store in New York City,  as census sites to the National Register of Historic Places.
Revised:  In 2001, City Lore successfully nominated Bohemian Hall, still a vibrant community center/beer garden started by Czech immigrants in Astoria, Queens, and the Casa Amadeo Music Store, the oldest, continuously occupied Latin music store in New York City, as census sites to the National Register of Historic Places.
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Original:  In 2001, they successfully nominated Bohemian Hall, still a vibrant community center/beer garden started by Czech immigrants in Astoria, Queens, and the Casa Amadeo Music Store, the oldest, continuously occupied Latin music store in New York City,  as census sites to the National Register of Historic Places.
Revised:  In 2001, they successfully nominated Bohemian Hall, still a vibrant community center/beer garden started by Czech immigrants in Astoria, Queens, the Casa Amadeo Music Store, the oldest, continuously occupied Latin music store in New York City, as census sites to the National Register of Historic Places.
Edit intent: fluency
Original:  In 2001, they successfully nominated Bohemian Hall, still a vibrant community center/beer garden started by Czech immigrants in Astoria, Queens, and the Casa Amadeo Music Store, the oldest, continuously occupied Latin music store in New York City,  as census sites to the National Register of Historic Places.
Revised:  In 2001, they successfully nominated Bohemian Hall, still a vibrant community center/beer garden started by Czech immigrants in Astoria, Queens, and the Casa Amadeo Music Store, the oldest, continuously occupied Latin music store in New York City, and the former Culyer Presbyterian Church, a center of Mohawk life in North Gowanus (Boerum Hill), as census sites to the National Register of Historic Places.
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Original:  The organization has funding from the Dutch government for an outdoor exhibit in Lower Manhattan commemorating the Quadricentennial of Henry Hudson's voyage with signage marking key sitesin New Amsterdam.
Revised:  Since then, there have been over 800 nominations from the public for City Lore’s Census of Places that Matter, including parks, historic sites, public art, bars, community gardens, industrial sites, and storefronts.
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Original:    Arts in Education City Lore develops and implements arts residencies and offers professional development to New York City public schools.
Revised:  A year later, Place Matters, the Lower East Side Tenement Museum, and the Lower East Side Preservation Project presented the experiences of past and present Lower East Siders in a place-marking project called Your Guide to the Lower East Side. The initiative included twenty-eight signs at six separate sidewalk locations that featured photographs and text in five languages. These “place markers” weave personal stories and cherished memories directly into the landscape, often right where the stories took place. The signs reveal the rich and diverse layers of human experience that make the neighborhood so distinctive. They transform the participants' stories of struggle and achievement into a legacy for all who pass by. Arts in Education City Lore develops and implements arts residencies and offers professional development to New York City public schools.
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Original:    Arts in Education City Lore develops and implements arts residencies and offers professional development to New York City public schools.
Revised:  Molly Garfinkel became the director of Place Matters in 2011, and, since then the program has expanded to include advocacy for community anchor sites across the nation, history-based public art projects in Baldwinsville, NY and greater Syracuse area, and policy-oriented campaigns around culturally-competent historic preservation protocols. Her 2019 essay Place Matters: Rooting Conservation in Community was published in the Journal of American Folklore. Place Matters continues to welcome nominations to the Census of Places that Matter. Arts in Education City Lore develops and implements arts residencies and offers professional development to New York City public schools.
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Original:    Arts in Education City Lore develops and implements arts residencies and offers professional development to New York City public schools. In response to requests of public school teachers with increasing Bengali and Bangladeshi populations , the organization designed artist residencies in Queens, funded by the United States Department of Education to teach traditional Bengali scroll painting.
Revised:  Arts in Education City Lore develops and implements arts residencies and offers professional development to New York City ’s public schools reaching thousands of students each year students each year. Beginning as a partnership with Arts Connection, City Lore’s education program has grown to be a centerpiece of the organization’s work. In 2019-2020 , the organization designed artist residencies in Queens, funded by the United States Department of Education to teach traditional Bengali scroll painting.
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Original:  In response to requests of public school teachers with increasing Bengali and Bangladeshi populations , the organization designed artist residencies in Queens, funded by the United States Department of Education to teach traditional Bengali scroll painting. City Lore has designed similar programs bringing   Mexican, Ecuadorian, Egyptian, Ivorian, Cuban, Haitian, Peruvian, South African, and Brazilian artists into the schools.
Revised:  In response to requests of public school teachers with increasing Bengali and Bangladeshi populations , the organization partnered with 15 schools to provide arts instruction for approximately 7,800 students in grades K-12 in a variety of art forms in the visual, literary, performing, and new media arts. An early inspiration was an essay by Barbara Kirshenblatt-Gimblett, “An Accessible Aesthetic”: Mexican, Ecuadorian, Egyptian, Ivorian, Cuban, Haitian, Peruvian, South African, and Brazilian artists into the schools.
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Original:  City Lore has designed similar programs bringing   Mexican, Ecuadorian, Egyptian, Ivorian, Cuban, Haitian, Peruvian, South African, and Brazilian artists into the schools.
Revised:  City Lore has designed similar programs bringing A major factor in effective education is the integration of what is learned in the school with the experiences children have in their homes and communities. An equal challenge is the integration of the culture of the community into the curriculum. While we want our children to be exposed to a variety of art forms and cultures, we do not want them to be alienated for their birthright, their own heritage. And their own heritage is valuable, not only because it is their own, but also because of the importance of a strong indigenous culture to the coherence of community life. Mexican, Ecuadorian, Egyptian, Ivorian, Cuban, Haitian, Peruvian, South African, and Brazilian artists into the schools.
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Original:  City Lore has designed similar programs bringing   Mexican, Ecuadorian, Egyptian, Ivorian, Cuban, Haitian, Peruvian, South African, and Brazilian artists into the schools.
Revised:  City Lore has designed similar programs bringing City Lore’s teaching artists mirror the diversity of New York City’s public schools, and the organization works with partner schools `to customize arts residencies so that they relate the schools’ populations and integrate with their curricula. City Lore’s arts programs have brought Mexican, Ecuadorian, Egyptian, Ivorian, Cuban, Haitian, Peruvian, South African, and Brazilian artists into the schools.
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Original:  People's Poetry Project      In   the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Revised:  Recent initiatives include: In the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
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Original:  People's Poetry Project      In   the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Revised:  People's Poetry Project Roots, Routes, In the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
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Original:  People's Poetry Project      In   the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Revised:  People's Poetry Project Rhythms, an initiative that engages students in grades 3 through 8 from five Queens partner schools in exploring the roots of music and dance traditions in their boroughs and neighborhoods. From Homer to Hip Hop: Oral Traditions as a Gateway to Literature and Literacy, a new program which introduces students in grades 3 and 8 in two elementary and two middle schools in Queens to world poetry traditions, including sung poetry. Urban Explorers, a year-round after school program, including Saturdays and summer, that engages 26 youth in grades 6 to 12 in multi-media storytelling about and advocating for New York City’s grassroots cultures, while supporting their in-school education. KickFlip, an interest-driven, connected learning program implemented 2013-2015 designed to engage teen skateboarders and help them develop filmmaking, game design and coding skills to develop projects relating to their sport. City Lore’s education programs also have a national outreach. The organization helped organize a national conference in 1993 at the National Endowment for the Arts, and served as the sponsor and incubator for Local Learning: the National Network for Folk Arts in Education. City Lore cosponsored the newsletter CARTS (Cultural Arts Resources for Teachers and Students) Newsletter. City Lore contributes regularly to Local Learning's publication, Journal of Folk Arts in Education. In the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
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Original:  People's Poetry Project      In   the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Revised:  People's Poetry Project Grassroots Poetry In the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
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Original:  People's Poetry Project      In   the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Revised:  People's Poetry Project Poetry plays a key role in New York’s ethnic and cultural communities. For many immigrant communities, poetry is the most accessible and profound way for people to express themselves. Every community in New York City has its poets. City Lore is committed to finding ways to give these poets voice, finding the venues and formats for them to convey their artistry to their own communities and to the city at large, often finding new and innovative ways to communicate across languages. In the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
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Original:  People's Poetry Project      In   the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Revised:  People's Poetry Project City Lore was inspired to create the People’s Poetry initiative because, while some groups are dedicated to traditional music and many to literary poetry, no other organization was systematically presenting the diverse oral poetry traditions of New York City, the U.S. and beyond. The People’s Poetry Project grew out of the People’s Poetry Gathering, held in 1999, 2001, 2003 with Poets House, and in 2006 with Bowery Arts + Science, to bring together folk, ethnic, inner city, and literary poets. During these festivals in 1999, 2001, 2003, and 2006, Lower Manhattan was transformed into a poetry village for three days. The People’s Poetry Gathering was one of the highest profile poetry events in the United States and had an average audience of 10,000. In the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
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Original:  People's Poetry Project      In   the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Revised:  People's Poetry Project In 2003, Poet Laureate, Billy Collins, wrote an insightful essay on the ballad for The New York Times on the festival’s opening day; and City Lore hosted a special conference and concert honoring Alan Lomax for his contribution to folk music and poetry. Beowulf and Sundiata were among the works featured. the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
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Original:  People's Poetry Project      In   the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
Revised:  People's Poetry Project In In the aftermath of September 11, 2001 attacks, City Lore found and collected anonymous poems and other writings that had been left at memorials, hospitals and gathering places throughout the city.
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Original:   A selection of these anonymous poems was published in the book, Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam.
Revised:  Through these actions, City Lore played a major role in documenting the shrines and memorials that cropped up after 9/11. A selection of these anonymous poems was published in the book, Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam.
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Original:  Aptowicz, Cristin O'Keefe. (2008). Words in Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam. New York City: Soft Skull Press, 288. . and appeared in Steve Zeitlin's essay, "Oh Did You See the Ashes Come Thickly Falling Down.
Revised:  and appeared in Steve Zeitlin's essay, "Oh Did You See the Ashes Come Thickly Falling Down.
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Original:    " Oh Did You See the Ashes Come Thickly Falling Down.
Revised:  In 2006, the People’s Poetry Gathering featured poetry from the world’s endangered languages. This inspired Bob Holman and Steve Zeitlin to begin work on a tribute to the world’s endangered languages, a world “cento” (stitched together) poem in which each line came from a different endangered language. In 2013, the Festival of American Folklife in Washington DC hosted Khonsay: Poem of Many Tongues as an exhibit. The poem and subsequent film with Bob Holman would go on to serve as the subject of a tribute and call to action to preserve the worlds endangered languages, which premiered at the Margaret Meade Film Festival, and can be viewed online with extensive background information and a call for language preservation.The City Lore PoeMobile in action In 2010, City Lore and Bowery Arts + Science received a grant from the Rockefeller Foundation to launch the POEMobile that projects poems onto walls and building in tandem with live readings in New York City Neighborhoods. The POEMobile has traveled to Persian, Greek, Portuguese, Haitian, Dominican, Korean, as well as Yiddish-speaking neighborhoods, and also performed work with youth poets from Urban Word. In 2018, the POEMobile projected poems on to the steam rising up from New York City manholes to express the evanescence of life. " Oh Did You See the Ashes Come Thickly Falling Down.
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Original:  " Spontaneous Shrines and the Public Memorialization of Death.Ed. Jack Santino. New York: Palgrave Macmillan,  2006  Founded by City Lore and Poets House in 1999, The People's Poetry Gathering was created to present the diverse oral poetry traditions of New York City.
Revised:  " at El Museo de Barrio, initiating a longstanding commitment to Latino music traditions. City Lore served as first fiscal sponsor for Puerto Rican Bomba and Plena band, Los Pleneros de la 21, whose director Juan Gutiérrez won a National Heritage Award from the National Endowment for the Arts in 1996. 2006 Founded by City Lore and Poets House in 1999, The People's Poetry Gathering was created to present the diverse oral poetry traditions of New York City.
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Original:  New York: Palgrave Macmillan,  2006  Founded by City Lore and Poets House in 1999, The People's Poetry Gathering was created to present the diverse oral poetry traditions of New York City.
Revised:  New York: Palgrave Macmillan, In 2006 Founded by City Lore and Poets House in 1999, The People's Poetry Gathering was created to present the diverse oral poetry traditions of New York City.
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Original:  New York: Palgrave Macmillan,  2006  Founded by City Lore and Poets House in 1999, The People's Poetry Gathering was created to present the diverse oral poetry traditions of New York City.
Revised:  New York: Palgrave Macmillan, 2006 , City Lore completed the documentary film From Mambo to Hip Hop, which won an Alma Award for Best Documentary that same year. In 2016, the organization sponsored Mathew Rodriguez Warrens’ doc, We Like It Like That: the Story of Latin Boogaloo. Elena Martinez coproduced both films, and was tapped by WHEDco (Women’s Housing and Urban Development) to spearhead along with Grammy-nominated bandleader Bobby Sanabria, the Bronx Music Heritage Lab and the new cultural center, The Bronx Music Heritage Center, opening in 2020. Founded by City Lore and Poets House in 1999, The People's Poetry Gathering was created to present the diverse oral poetry traditions of New York City.
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Original:  New York: Palgrave Macmillan,  2006  Founded by City Lore and Poets House in 1999, The People's Poetry Gathering was created to present the diverse oral poetry traditions of New York City.
Revised:  New York: Palgrave Macmillan, 2006 In 1995, City Lore, working with folklorist Ray Allen, completed the Grassroots Gospel Initiative, recording acapella gospel quartet music in the borough's and releasing an LP. In 2006, Funds were raised by City Lore and Poets House in 1999, The People's Poetry Gathering was created to present the diverse oral poetry traditions of New York City.
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Original:  New York: Palgrave Macmillan,  2006  Founded by City Lore and Poets House in 1999, The People's Poetry Gathering was created to present the diverse oral poetry traditions of New York City. In 2003[]    , City Lore 's People's Poetry Project launched an initiative to document and disseminate poetry from endangered languages.
Revised:  New York: Palgrave Macmillan, 2006 Founded by City Lore to support Peter Siegel's project to restore and issue tapes he made in the 1960s of folk music concerts by Mississippi John Hurt, The Carter Family, Jesse Fuller, Bill Monroe, and others. The recordings became the box set Friends of Old Time Music released by Smithsonian Folkways.[] , City Lore 's People's Poetry Project launched an initiative to document and disseminate poetry from endangered languages.
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