wanyu/IteraTeR_full_sent huggingface dataset:
Original:  Mechanisms of action The relationship between breastfeeding and the mother ’ s mental health may be due to direct causes such as the following: Guilt, shame and/or disappointment: Mothers who are experiencing difficulties during breastfeeding or are unable to breastfeed may feel guilt, shame and disappointment as they believe they ’re unable to provide the child with what they require.
Revised:  Mechanisms of action The relationship between breastfeeding and the mother ’ s mental health may be due to direct causes such as the following: Guilt, shame and/or disappointment: Mothers who are experiencing difficulties during breastfeeding or are unable to breastfeed may feel guilt, shame and disappointment as they believe they are unable to provide the child with what they require.
Edit intent: fluency
Original: Kwagh-hir is a higher art form of kwagh-alom , an aged practice of the Tiv people where the family was treated to a storytelling session by creative storytellers, usually in the early hours of the night after the day's farming work by moonlight.
Revised:  is a higher art form of kwagh-alom , an aged practice of the Tiv people where the family was treated to a storytelling session by creative storytellers, usually in the early hours of the night after the day's farming work by moonlight.
Edit intent: clarity
Original: Kwagh-hir is a higher art form of kwagh-alom , an aged practice of the Tiv people where the family was treated to a storytelling session by creative storytellers, usually in the early hours of the night after the day's farming work by moonlight.
Revised: Kwagh-hir is a higher art form of , an aged practice of the Tiv people where the family was treated to a storytelling session by creative storytellers, usually in the early hours of the night after the day's farming work by moonlight.
Edit intent: clarity
Original:  The most familiar variant of the kwagh-hir according to Jonathan Fogel may be the Punch and Judy show, in which recognizable characters lampoons current political figures and events in the news while also referencing an array of cultural mores.
Revised:  The most familiar variant of the according to Jonathan Fogel may be the Punch and Judy show, in which recognizable characters lampoons current political figures and events in the news while also referencing an array of cultural mores.
Edit intent: fluency
Original:  Adikpo Songu, in an interview with Iyorwuese Hagher, a scholar of Kwagh-hir, attempted to corroborate this view held by several kwagh-hir group leaders and notable elders in Tivland.
Revised:  Adikpo Songu, in an interview with Iyorwuese Hagher, a scholar of Kwagh-hir, attempted to corroborate this view held by several group leaders and notable elders in Tivland.
Edit intent: fluency
Original:  So he came to the conclusion that the Adzov must have deliberately selected him for the purpose of entrusting him with the responsibility of bringing kwagh-hir to the Tiv people, and humanity in the form and style he had been privileged to watch.
Revised:  So he came to the conclusion that the must have deliberately selected him for the purpose of entrusting him with the responsibility of bringing kwagh-hir to the Tiv people, and humanity in the form and style he had been privileged to watch.
Edit intent: clarity
Original:  So he came to the conclusion that the Adzov must have deliberately selected him for the purpose of entrusting him with the responsibility of bringing kwagh-hir to the Tiv people, and humanity in the form and style he had been privileged to watch.
Revised:  So he came to the conclusion that the Adzov must have deliberately selected him for the purpose of entrusting him with the responsibility of bringing to the Tiv people, and humanity in the form and style he had been privileged to watch.
Edit intent: fluency
Original:  However, Gowon Ama Doki avers that contemporary kwagh-hir puppet theatre owes its birth to Adikpo Songu from Mbatyav clan in Gboko area of Benue State when he held an audience spellbound with his puppets and masquerades in 1960.
Revised:  However, Gowon Ama Doki avers that contemporary puppet theatre owes its birth to Adikpo Songu from Mbatyav clan in Gboko area of Benue State when he held an audience spellbound with his puppets and masquerades in 1960.
Edit intent: fluency
Original:  The Nyambuan performance came with intense social, political implications and sought to re-establish order through cathartic performances aimed at abolishing the Tiv exchange marriages known as yamen-ishe (roughly translated as trading value) and restoring the cultural disruptions imposed on the Tiv people by the colonial structures.
Revised:  The Nyambuan performance came with intense social, political implications and sought to re-establish order through cathartic performances aimed at abolishing the Tiv exchange marriages known as (roughly translated as trading value) and restoring the cultural disruptions imposed on the Tiv people by the colonial structures.
Edit intent: clarity
Original:  Orkyon ( Chairman of kwagh-hir group management committee) - Usually an affluent member of the community who provides resources for the welfare of the group Ordondon ( Chairman of kwagh-hir group management committee) - Assists Orkyon in the welfare of the group.
Revised:  Orkyon ( chairman of group management committee) - Usually an affluent member of the community who provides resources for the welfare of the group Ordondon ( Chairman of kwagh-hir group management committee) - Assists Orkyon in the welfare of the group.
Edit intent: fluency
Original:  Orkyon ( Chairman of kwagh-hir group management committee) - Usually an affluent member of the community who provides resources for the welfare of the group Ordondon ( Chairman of kwagh-hir group management committee) - Assists Orkyon in the welfare of the group.
Revised:  Orkyon ( Chairman of kwagh-hir group management committee) - Usually an affluent member of the community who provides resources for the welfare of the group Ordondon ( chairman of group management committee) - Assists Orkyon in the welfare of the group.
Edit intent: fluency
Original:  Orkyon ( Chairman of kwagh-hir group management committee) - Usually an affluent member of the community who provides resources for the welfare of the group Ordondon ( Chairman of kwagh-hir group management committee) - Assists Orkyon in the welfare of the group.
Revised:  Orkyon ( Chairman of kwagh-hir group management committee) - Usually an affluent member of the community who provides resources for the welfare of the group Ordondon ( Chairman of kwagh-hir group management committee) - Assists in the welfare of the group.
Edit intent: fluency
Original:  Ortongon korough (Horn blower or timekeeper) - Times the duration of the various performances Musicians The musicians are led by the Tor Gbande (chief drummer) who is assisted by the Mue-Tor Gbande .
Revised:  (horn blower or timekeeper) - Times the duration of the various performances Musicians The musicians are led by the Tor Gbande (chief drummer) who is assisted by the Mue-Tor Gbande .
Edit intent: clarity
Original:  Ortongon korough (Horn blower or timekeeper) - Times the duration of the various performances Musicians The musicians are led by the Tor Gbande (chief drummer) who is assisted by the Mue-Tor Gbande .
Revised:  Ortongon korough (Horn blower or timekeeper) - Times the duration of the various performances Musicians The musicians are led by the (chief drummer) who is assisted by the Mue-Tor Gbande .
Edit intent: fluency
Original:  Ortongon korough (Horn blower or timekeeper) - Times the duration of the various performances Musicians The musicians are led by the Tor Gbande (chief drummer) who is assisted by the Mue-Tor Gbande .
Revised:  Ortongon korough (Horn blower or timekeeper) - Times the duration of the various performances Musicians The musicians are led by the Tor Gbande (chief drummer) who is assisted by the .
Edit intent: clarity
Original:  Kwagh-hir aesthetics and cosmetics kwagh-hir masks on display in Makurdi, Benue State A kwagh-hir animated character performs during the Benue Youth Carnival Kwagh-hir aesthetics are drawn from the patterns of the Tiv culture and depicts the Tiv understanding of their life.
Revised:  Kwagh-hir aesthetics and cosmetics kwagh-hir masks on display in Makurdi, Benue State A kwagh-hir animated character performs during the Benue Youth Carnival aesthetics are drawn from the patterns of the Tiv culture and depicts the Tiv understanding of their life.
Edit intent: fluency
Original: Salatul Tasbih (صلاة تسبيح) is better known as Tasbih's Salat. Here, Tasbih means "Subhanallahi wal Hamdulillahi, wala Ilaha Illallahu, wallahu Akbar". In which salat those tasbihs are read, that kind of salat is known as Salatul Tasbih. It is not like the mandatory five period of salats, but a special kind of salat. Muhammad advised his Ummahs to pray this salat for at least one time in their life.
Edit intent: coherence
Original:  Way to perform Salatut Tasbih%DIFDELCMD < %DIFDELCMD < %%% This special salat consists of four rakats.which are performed the same way as the other usual rakats, but the only difference is that this salat has 300 tasbihs in it.
Revised:  %DIFDELCMD < %DIFDELCMD < %%% This special salat consists of four rakats.which are performed the same way as the other usual rakats, but the only difference is that this salat has 300 tasbihs in it.
Edit intent: clarity
Original:  Way to perform Salatut Tasbih%DIFDELCMD < %DIFDELCMD < %%% This special salat consists of four rakats.which are performed the same way as the other usual rakats, but the only difference is that this salat has 300 tasbihs in it.
Revised:  Way to perform Salatut Tasbih%DIFDELCMD < %DIFDELCMD < %%% 
Edit intent: coherence
Original: %DIFDELCMD < %DIFDELCMD < %%% Actual steps to perform the Salatut Tasbih 1) Once you stand for this special Salah,%DIFDELCMD < %DIFDELCMD < %%% and after reciting the Sana( سُبْـحانَكَ اللّهُـمَّ وَبِحَمْـدِكََ وَتَبارَكَ اسْمُـكَ وَتَعـالى جَـدُّكَ وَلا إِلهَ غَيْرُك)%DIFDELCMD < %DIFDELCMD < %%% recite this tasbih (Subhanallahi wal Hamdulillahii, wala Ilaha Illallahu,%DIFDELCMD < %DIFDELCMD < %%% wallahuu Akbar)
Revised: %DIFDELCMD < %DIFDELCMD < %%% Actual steps to perform the Salatut Tasbih %DIFDELCMD < %DIFDELCMD < %%% and after reciting the Sana( سُبْـحانَكَ اللّهُـمَّ وَبِحَمْـدِكََ وَتَبارَكَ اسْمُـكَ وَتَعـالى جَـدُّكَ وَلا إِلهَ غَيْرُك)%DIFDELCMD < %DIFDELCMD < %%% recite this tasbih (Subhanallahi wal Hamdulillahii, wala Ilaha Illallahu,%DIFDELCMD < %DIFDELCMD < %%% wallahuu Akbar)
Edit intent: coherence
Original:  Once you stand for this special Salah,%DIFDELCMD < %DIFDELCMD < %%% and after reciting the Sana( سُبْـحانَكَ اللّهُـمَّ وَبِحَمْـدِكََ وَتَبارَكَ اسْمُـكَ وَتَعـالى جَـدُّكَ وَلا إِلهَ غَيْرُك)%DIFDELCMD < %DIFDELCMD < %%% recite this tasbih (Subhanallahi wal Hamdulillahii, wala Ilaha Illallahu,%DIFDELCMD < %DIFDELCMD < %%% wallahuu Akbar)
Revised:  Once you stand for this special Salah,%DIFDELCMD < %DIFDELCMD < %%% وَبِحَمْـدِكََ وَتَبارَكَ اسْمُـكَ وَتَعـالى جَـدُّكَ وَلا إِلهَ غَيْرُك)%DIFDELCMD < %DIFDELCMD < %%% recite this tasbih (Subhanallahi wal Hamdulillahii, wala Ilaha Illallahu,%DIFDELCMD < %DIFDELCMD < %%% wallahuu Akbar)
Edit intent: coherence
Original:  Once you stand for this special Salah,%DIFDELCMD < %DIFDELCMD < %%% and after reciting the Sana( سُبْـحانَكَ اللّهُـمَّ وَبِحَمْـدِكََ وَتَبارَكَ اسْمُـكَ وَتَعـالى جَـدُّكَ وَلا إِلهَ غَيْرُك)%DIFDELCMD < %DIFDELCMD < %%% recite this tasbih (Subhanallahi wal Hamdulillahii, wala Ilaha Illallahu,%DIFDELCMD < %DIFDELCMD < %%% wallahuu Akbar)
Revised:  Once you stand for this special Salah,%DIFDELCMD < %DIFDELCMD < %%% and after reciting the Sana( سُبْـحانَكَ اللّهُـمَّ %DIFDELCMD < %DIFDELCMD < %%% recite this tasbih (Subhanallahi wal Hamdulillahii, wala Ilaha Illallahu,%DIFDELCMD < %DIFDELCMD < %%% wallahuu Akbar)
Edit intent: meaning-changed
Original:  Once you stand for this special Salah,%DIFDELCMD < %DIFDELCMD < %%% and after reciting the Sana( سُبْـحانَكَ اللّهُـمَّ وَبِحَمْـدِكََ وَتَبارَكَ اسْمُـكَ وَتَعـالى جَـدُّكَ وَلا إِلهَ غَيْرُك)%DIFDELCMD < %DIFDELCMD < %%% recite this tasbih (Subhanallahi wal Hamdulillahii, wala Ilaha Illallahu,%DIFDELCMD < %DIFDELCMD < %%% wallahuu Akbar)
Revised:  Once you stand for this special Salah,%DIFDELCMD < %DIFDELCMD < %%% and after reciting the Sana( سُبْـحانَكَ اللّهُـمَّ وَبِحَمْـدِكََ وَتَبارَكَ اسْمُـكَ وَتَعـالى جَـدُّكَ وَلا إِلهَ غَيْرُك)%DIFDELCMD < %DIFDELCMD < %%% Hamdulillahii, wala Ilaha Illallahu,%DIFDELCMD < %DIFDELCMD < %%% wallahuu Akbar)
Edit intent: meaning-changed
Original:  Once you stand for this special Salah,%DIFDELCMD < %DIFDELCMD < %%% and after reciting the Sana( سُبْـحانَكَ اللّهُـمَّ وَبِحَمْـدِكََ وَتَبارَكَ اسْمُـكَ وَتَعـالى جَـدُّكَ وَلا إِلهَ غَيْرُك)%DIFDELCMD < %DIFDELCMD < %%% recite this tasbih (Subhanallahi wal Hamdulillahii, wala Ilaha Illallahu,%DIFDELCMD < %DIFDELCMD < %%% wallahuu Akbar)
Revised:  Once you stand for this special Salah,%DIFDELCMD < %DIFDELCMD < %%% and after reciting the Sana( سُبْـحانَكَ اللّهُـمَّ وَبِحَمْـدِكََ وَتَبارَكَ اسْمُـكَ وَتَعـالى جَـدُّكَ وَلا إِلهَ غَيْرُك)%DIFDELCMD < %DIFDELCMD < %%% recite this tasbih (Subhanallahi wal %DIFDELCMD < %DIFDELCMD < %%% wallahuu Akbar)
Edit intent: meaning-changed
Original:  Once you stand for this special Salah,%DIFDELCMD < %DIFDELCMD < %%% and after reciting the Sana( سُبْـحانَكَ اللّهُـمَّ وَبِحَمْـدِكََ وَتَبارَكَ اسْمُـكَ وَتَعـالى جَـدُّكَ وَلا إِلهَ غَيْرُك)%DIFDELCMD < %DIFDELCMD < %%% recite this tasbih (Subhanallahi wal Hamdulillahii, wala Ilaha Illallahu,%DIFDELCMD < %DIFDELCMD < %%% wallahuu Akbar) 15 times 2)
Revised:  Once you stand for this special Salah,%DIFDELCMD < %DIFDELCMD < %%% and after reciting the Sana( سُبْـحانَكَ اللّهُـمَّ وَبِحَمْـدِكََ وَتَبارَكَ اسْمُـكَ وَتَعـالى جَـدُّكَ وَلا إِلهَ غَيْرُك)%DIFDELCMD < %DIFDELCMD < %%% recite this tasbih (Subhanallahi wal Hamdulillahii, wala Ilaha Illallahu,%DIFDELCMD < %DIFDELCMD < %%% 2)
Edit intent: meaning-changed
Original:  15 times 2) After reciting Surah Fatiha and some%DIFDELCMD < %DIFDELCMD < %%% other Surah, recite this tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 3)
Revised:  15 times %DIFDELCMD < %DIFDELCMD < %%% other Surah, recite this tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 3)
Edit intent: coherence
Original:  After reciting Surah Fatiha and some%DIFDELCMD < %DIFDELCMD < %%% other Surah, recite this tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 3)
Revised:  After reciting Surah Fatiha and some%DIFDELCMD < %DIFDELCMD < %%% tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 3)
Edit intent: clarity
Original:  After reciting Surah Fatiha and some%DIFDELCMD < %DIFDELCMD < %%% other Surah, recite this tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 3)
Revised:  After reciting Surah Fatiha and some%DIFDELCMD < %DIFDELCMD < %%% other Surah, recite this %DIFDELCMD < %DIFDELCMD < %%% 3)
Edit intent: meaning-changed
Original:  After reciting Surah Fatiha and some%DIFDELCMD < %DIFDELCMD < %%% other Surah, recite this tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 3) During Rukuh, after saying prescribed glorifications (subhana rabal azeem),%DIFDELCMD < %DIFDELCMD < %%% recite the tasbih 10 times 4)
Revised:  After reciting Surah Fatiha and some%DIFDELCMD < %DIFDELCMD < %%% other Surah, recite this tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% glorifications (subhana rabal azeem),%DIFDELCMD < %DIFDELCMD < %%% recite the tasbih 10 times 4)
Edit intent: clarity
Original:  During Rukuh, after saying prescribed glorifications (subhana rabal azeem),%DIFDELCMD < %DIFDELCMD < %%% recite the tasbih 10 times 4)
Revised:  During Rukuh, after saying prescribed glorifications (subhana rabal azeem),%DIFDELCMD < %DIFDELCMD < %%% 4)
Edit intent: clarity
Original:  During Rukuh, after saying prescribed glorifications (subhana rabal azeem),%DIFDELCMD < %DIFDELCMD < %%% recite the tasbih 10 times 4) After standing up from Rukuh, recite the%DIFDELCMD < %DIFDELCMD < %%% tasbih 10 times 5)
Revised:  During Rukuh, after saying prescribed glorifications (subhana rabal azeem),%DIFDELCMD < %DIFDELCMD < %%% recite the tasbih 10 times %DIFDELCMD < %DIFDELCMD < %%% tasbih 10 times 5)
Edit intent: coherence
Original:  After standing up from Rukuh, recite the%DIFDELCMD < %DIFDELCMD < %%% tasbih 10 times 5) In the first Sajda after glorifications%DIFDELCMD < %DIFDELCMD < %%% (subhana rabal aala), recite the tasbihh 10 times%DIFDELCMD < %DIFDELCMD < %%% 6) In the Jalsa (time between the Sajda) recite the tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 7) Again recite the tasbih 10 times in the second sajdah%DIFDELCMD < %DIFDELCMD < %%% Repeat the same thing in 2nd 3rd and 4th rakat in exactly the same way as in first one.
Revised:  After standing up from Rukuh, recite the%DIFDELCMD < %DIFDELCMD < %%% tasbih 10 times %DIFDELCMD < %DIFDELCMD < %%% (subhana rabal aala), recite the tasbihh 10 times%DIFDELCMD < %DIFDELCMD < %%% 6) In the Jalsa (time between the Sajda) recite the tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 7) Again recite the tasbih 10 times in the second sajdah%DIFDELCMD < %DIFDELCMD < %%% Repeat the same thing in 2nd 3rd and 4th rakat in exactly the same way as in first one.
Edit intent: clarity
Original:  In the first Sajda after glorifications%DIFDELCMD < %DIFDELCMD < %%% (subhana rabal aala), recite the tasbihh 10 times%DIFDELCMD < %DIFDELCMD < %%% 6) In the Jalsa (time between the Sajda) recite the tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 7) Again recite the tasbih 10 times in the second sajdah%DIFDELCMD < %DIFDELCMD < %%% Repeat the same thing in 2nd 3rd and 4th rakat in exactly the same way as in first one.
Revised:  In the first Sajda after glorifications%DIFDELCMD < %DIFDELCMD < %%% tasbihh 10 times%DIFDELCMD < %DIFDELCMD < %%% 6) In the Jalsa (time between the Sajda) recite the tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 7) Again recite the tasbih 10 times in the second sajdah%DIFDELCMD < %DIFDELCMD < %%% Repeat the same thing in 2nd 3rd and 4th rakat in exactly the same way as in first one.
Edit intent: coherence
Original:  In the first Sajda after glorifications%DIFDELCMD < %DIFDELCMD < %%% (subhana rabal aala), recite the tasbihh 10 times%DIFDELCMD < %DIFDELCMD < %%% 6) In the Jalsa (time between the Sajda) recite the tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 7) Again recite the tasbih 10 times in the second sajdah%DIFDELCMD < %DIFDELCMD < %%% Repeat the same thing in 2nd 3rd and 4th rakat in exactly the same way as in first one.
Revised:  In the first Sajda after glorifications%DIFDELCMD < %DIFDELCMD < %%% (subhana rabal aala), recite the %DIFDELCMD < %DIFDELCMD < %%% 6) In the Jalsa (time between the Sajda) recite the tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 7) Again recite the tasbih 10 times in the second sajdah%DIFDELCMD < %DIFDELCMD < %%% Repeat the same thing in 2nd 3rd and 4th rakat in exactly the same way as in first one.
Edit intent: fluency
Original:  In the first Sajda after glorifications%DIFDELCMD < %DIFDELCMD < %%% (subhana rabal aala), recite the tasbihh 10 times%DIFDELCMD < %DIFDELCMD < %%% 6) In the Jalsa (time between the Sajda) recite the tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 7) Again recite the tasbih 10 times in the second sajdah%DIFDELCMD < %DIFDELCMD < %%% Repeat the same thing in 2nd 3rd and 4th rakat in exactly the same way as in first one.
Revised:  In the first Sajda after glorifications%DIFDELCMD < %DIFDELCMD < %%% (subhana rabal aala), recite the tasbihh 10 times%DIFDELCMD < %DIFDELCMD < %%% recite the tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 7) Again recite the tasbih 10 times in the second sajdah%DIFDELCMD < %DIFDELCMD < %%% Repeat the same thing in 2nd 3rd and 4th rakat in exactly the same way as in first one.
Edit intent: coherence
Original:  In the first Sajda after glorifications%DIFDELCMD < %DIFDELCMD < %%% (subhana rabal aala), recite the tasbihh 10 times%DIFDELCMD < %DIFDELCMD < %%% 6) In the Jalsa (time between the Sajda) recite the tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 7) Again recite the tasbih 10 times in the second sajdah%DIFDELCMD < %DIFDELCMD < %%% Repeat the same thing in 2nd 3rd and 4th rakat in exactly the same way as in first one.
Revised:  In the first Sajda after glorifications%DIFDELCMD < %DIFDELCMD < %%% (subhana rabal aala), recite the tasbihh 10 times%DIFDELCMD < %DIFDELCMD < %%% 6) In the Jalsa (time between the Sajda) %DIFDELCMD < %DIFDELCMD < %%% 7) Again recite the tasbih 10 times in the second sajdah%DIFDELCMD < %DIFDELCMD < %%% Repeat the same thing in 2nd 3rd and 4th rakat in exactly the same way as in first one.
Edit intent: fluency
Original:  In the first Sajda after glorifications%DIFDELCMD < %DIFDELCMD < %%% (subhana rabal aala), recite the tasbihh 10 times%DIFDELCMD < %DIFDELCMD < %%% 6) In the Jalsa (time between the Sajda) recite the tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 7) Again recite the tasbih 10 times in the second sajdah%DIFDELCMD < %DIFDELCMD < %%% Repeat the same thing in 2nd 3rd and 4th rakat in exactly the same way as in first one.
Revised:  In the first Sajda after glorifications%DIFDELCMD < %DIFDELCMD < %%% (subhana rabal aala), recite the tasbihh 10 times%DIFDELCMD < %DIFDELCMD < %%% 6) In the Jalsa (time between the Sajda) recite the tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% second sajdah%DIFDELCMD < %DIFDELCMD < %%% Repeat the same thing in 2nd 3rd and 4th rakat in exactly the same way as in first one.
Edit intent: clarity
Original:  In the first Sajda after glorifications%DIFDELCMD < %DIFDELCMD < %%% (subhana rabal aala), recite the tasbihh 10 times%DIFDELCMD < %DIFDELCMD < %%% 6) In the Jalsa (time between the Sajda) recite the tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 7) Again recite the tasbih 10 times in the second sajdah%DIFDELCMD < %DIFDELCMD < %%% Repeat the same thing in 2nd 3rd and 4th rakat in exactly the same way as in first one.
Revised:  In the first Sajda after glorifications%DIFDELCMD < %DIFDELCMD < %%% (subhana rabal aala), recite the tasbihh 10 times%DIFDELCMD < %DIFDELCMD < %%% 6) In the Jalsa (time between the Sajda) recite the tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 7) Again recite the tasbih 10 times in the %DIFDELCMD < %DIFDELCMD < %%% Repeat the same thing in 2nd 3rd and 4th rakat in exactly the same way as in first one.
Edit intent: clarity
Original:  In the first Sajda after glorifications%DIFDELCMD < %DIFDELCMD < %%% (subhana rabal aala), recite the tasbihh 10 times%DIFDELCMD < %DIFDELCMD < %%% 6) In the Jalsa (time between the Sajda) recite the tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 7) Again recite the tasbih 10 times in the second sajdah%DIFDELCMD < %DIFDELCMD < %%% Repeat the same thing in 2nd 3rd and 4th rakat in exactly the same way as in first one.
Revised:  In the first Sajda after glorifications%DIFDELCMD < %DIFDELCMD < %%% (subhana rabal aala), recite the tasbihh 10 times%DIFDELCMD < %DIFDELCMD < %%% 6) In the Jalsa (time between the Sajda) recite the tasbih 10 times%DIFDELCMD < %DIFDELCMD < %%% 7) Again recite the tasbih 10 times in the second sajdah%DIFDELCMD < %DIFDELCMD < %%% 
Edit intent: coherence
Original:  Counting of tasbihs in one ratat = (15+10+10+10+10+10+10)= 75%DIFDELCMD < %DIFDELCMD < %%% In four rakats = 75*4 = 300
Revised:  %DIFDELCMD < %DIFDELCMD < %%% In four rakats = 75*4 = 300
Edit intent: clarity
Original:  Counting of tasbihs in one ratat = (15+10+10+10+10+10+10)= 75%DIFDELCMD < %DIFDELCMD < %%% In four rakats = 75*4 = 300
Revised:  Counting of tasbihs in one ratat = (15+10+10+10+10+10+10)= 75%DIFDELCMD < %DIFDELCMD < %%% This entire Salah is a complete fabrication according to sheik Al bani and weak according to majority of the scholars.
Edit intent: meaning-changed