wanyu/IteraTeR_full_sent huggingface dataset:
Original:  Section 10 The doer-in-the-body. Error in the conception of “I.” The personality and re-existence. The doer portion after death. The portions not in the body. How a doer portion is drawn out for re-existence. Section 11 The thoughts summarized at moment of death. Events determined then, for the next life. The flare-up in classic Greece. Something about the Jews. The stamp of a God at birth. Family. The sex. Cause of changing the sex. Section 12 Also predetermined is the kind of body. Physical heredity and how it is limited. Chief mundane occupations. Diseases. The chief events in life. How destiny can be overcome. Section 13 The time between existences. About the heavenly bodies. Time. Why people fit into the age in which they live. Section 14 Everything after death is destiny. Inventors. Classic Hellas. Re-existence in nation groups. Centers of succeeding civilizations. Greece, Egypt, India. Section 15 Training of the doer portion though memory is not present. The body-mind. Doer-memory. Sense-memory. A good memory. Memory after death. Section 16 Why it is fortunate that the human does not remember previous existences. The training of the doer. A human thinks of himself as a body with a name. To be conscious of and as. The false “I” and its illusions. Section 17 When re-existences of a doer portion stop. A “lost” doer portion. The hells inside the earth crust. The lecherous. The drunkards. Drug fiends. The state of a “lost” doer. Regenerating the physical body. The test in which the doers failed. Section 18 Summary of preceding chapters. Consciousness is the One Reality. Man as the center of the world of time. Circulations of the units. Permanent institutions. Records of thoughts are made in points. The destiny of human beings is written in the starry spaces. Balancing a thought. Cycles of thinking. Glamour in which things are seen. Sensations are elementals. Why nature seeks the doer. Illusions. The essential things in life.
Revised:  Section 10 The 
Edit intent: meaning-changed
Original:  CHAPTER X GODS AND THEIR RELIGIONS.%DIFDELCMD < %DIFDELCMD < %%% Section 1 Religions; on what they are founded. Why belief in a personal God. Problems a religion must meet. Any religion is better than none. Section 2 Classes of Gods . The Gods of religions; how they come into existence. How long they last. Appearance of a God. Changes of a God. Gods have only what human beings have who create and keep them. The name of a God. Christian Gods. Section 3 The human qualities of a God. The knowledge of a God. His objects and interests. Relations of a God. The moral code. Flattery. How Gods lose their power. What a God can do for his worshippers; what he cannot do. After death. Unbelievers. Prayer. Section 4 Benefits of a belief in a God. Seeking God. Prayer. Outside teachings and the inner life. Inner teachings. Twelve types of teachings. Jehovah worship. The Hebrew letters. Christianity. St. Paul. The story of Jesus. Symbolic events. The Kingdom of Heaven, and the Kingdom of God. The Christian Trinity. Section 5 Interpretation of Bible sayings. The story of Adam and Eve. The trial and test of the sexes. “Fall of man.” Immortality. St. Paul. Regeneration of the body. Who and what was Jesus? Mission of Jesus. Jesus, a pattern for man. The order of Melchisedec. Baptism. The sexual act, the original sin. The Trinity. Entering the Great Way . CHAPTER XI THE GREAT WAY.
Revised:  CHAPTER X GODS AND THEIR RELIGIONS.%DIFDELCMD < %DIFDELCMD < %%% CHAPTER XI THE GREAT WAY.
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Original: %DIFDELCMD < %DIFDELCMD < %%% Section 1 The “Descent” of man. There is no evolution without, first, involution. The mystery of germ cell development. The future of the human. The Great Way. Brotherhoods. Ancient Mysteries. Initiations. Alchemists. Rosicrucians. Section 2 The Triune Self complete. The Threefold Way, and the three paths of each Way. The lunar, solar, and light germs. Divine, “immaculate” conception. The form, life, and light paths of The Way in the body. Section 3 The Way of thinking. Honesty and truthfulness as the foundation of progress. Physical, psychic, mental requirements. Changes in the body in the process of regeneration. Section 4 Entering The Way. A new life opens. Advances on the form, life, and light paths. The lunar, solar, and light germs. Bridge between the two nervous systems. Further changes in the body. The perfect, immortal, physical body. The three inner bodies for the doer, the thinker, the knower of the Triune Self, within the perfect physical body. Section 5 The Way in the earth. The ongoer leaves the world. The form path; what he sees there. Shades of the dead. “Lost” portions of doers. The choice. Section 6 The ongoer on the life path; on the light path, in the earth. He knows who he is. Another choice. Section 7 Preparing oneself to enter upon The Way. Honesty and truthfulness. The regenerative breath. The four stages in thinking.
Revised: %DIFDELCMD < %DIFDELCMD < %%% 
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Original:  CHAPTER XII THE POINT OR CIRCLE.%DIFDELCMD < %DIFDELCMD < %%% Section 1 Creation of a thought. Method of thinking by building within a point. Human thinking. Thinking done by Intelligences. Thinking which does not create thoughts, or destiny. Section 2 Method of thinking in fashioning nature. The forms of nature come from human thoughts. Pre-chemistry. Section 3 The constitution of matter. Units. Section 4 Erroneous conceptions. Dimensions. The heavenly bodies. Time. Space.
Revised:  CHAPTER XII THE POINT OR CIRCLE.%DIFDELCMD < %DIFDELCMD < %%% 
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Original: %DIFDELCMD < %DIFDELCMD < %%% Section 1 Geometrical symbols. The Circle with the Twelve Nameless Points. The value of the zodiacal symbol. Section 2 What the zodiac and its twelve points symbolize. Section 3 The zodiac related to the human body; to the Triune Self; to the Intelligence. Section 4 The zodiac reveals the purpose of the Universe. Section 5 The zodiac as a historical and prophetic record; as a clock to measure progress in nature and on the intelligent-side, and in the building out of a thought. Section 6 Groups of zodiacal signs. Application to the human body.
Revised: %DIFDELCMD < %DIFDELCMD < %%% 
Edit intent: coherence
Original:  CHAPTER XIV THINKING: THE WAY TO CONSCIOUS IMMORTALITY.%DIFDELCMD < %DIFDELCMD < %%% Section 1 The system of thinking without creating destiny. With what it is concerned. With what it is not concerned. For whom it is presented. The origin of this system. No teacher is needed. Limitations. Preliminaries to be understood. Section 2 Recapitulation: The make-up of the human being. Units. The senses. The breath. The breath-form. The aia. Human bodies and the outside universe. Section 3 Recapitulation continued. The doer portion in the body. The Triune Self and its three parts. The twelve portions of the doer. How long a human is dissatisfied. Section 4 Recapitulation continued. The doer as feeling and as desire. The twelve portions of the doer. The psychic atmosphere. Section 5 Recapitulation continued. The thinker of the Triune Self. The three minds of the doer. The minds of the thinker and the knower. How desire speaks in place of rightness; the reversed round. The mental atmosphere. Section 6 Recapitulation continued. The knower of the Triune Self, selfness and I-ness. The noetic atmosphere. What a human is conscious as. Isolation of feeling; of desire. Being conscious of Consciousness. Section 7 The System of Thinking. What it is. Stages on: The Way to Conscious Immortality . SYMBOLS, ILLUSTRATIONS AND CHARTS.%DIFDELCMD < %DIFDELCMD < %%% DEFINITIONS AND EXPLANATIONS. INDEX OF FIGURES.
Revised:  CHAPTER XIV THINKING: THE WAY TO CONSCIOUS IMMORTALITY.%DIFDELCMD < %DIFDELCMD < %%% Circle or Zodiac Thinking: the Way to Conscious Immortality . SYMBOLS, ILLUSTRATIONS AND CHARTS.%DIFDELCMD < %DIFDELCMD < %%% DEFINITIONS AND EXPLANATIONS. INDEX OF FIGURES.
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Original:  Stages on: The Way to Conscious Immortality . SYMBOLS, ILLUSTRATIONS AND CHARTS.%DIFDELCMD < %DIFDELCMD < %%% DEFINITIONS AND EXPLANATIONS. INDEX OF FIGURES.
Revised:  Stages on: The Way to Conscious Immortality SYMBOLS, ILLUSTRATIONS AND CHARTS.%DIFDELCMD < %DIFDELCMD < %%% DEFINITIONS AND EXPLANATIONS. INDEX OF FIGURES.
Edit intent: fluency
Original:  Stages on: The Way to Conscious Immortality . SYMBOLS, ILLUSTRATIONS AND CHARTS.%DIFDELCMD < %DIFDELCMD < %%% DEFINITIONS AND EXPLANATIONS. INDEX OF FIGURES.
Revised:  Stages on: The Way to Conscious Immortality . %DIFDELCMD < %DIFDELCMD < %%% DEFINITIONS AND EXPLANATIONS. INDEX OF FIGURES.
Edit intent: coherence
Original:  Stages on: The Way to Conscious Immortality . SYMBOLS, ILLUSTRATIONS AND CHARTS.%DIFDELCMD < %DIFDELCMD < %%% DEFINITIONS AND EXPLANATIONS. INDEX OF FIGURES.
Revised:  Stages on: The Way to Conscious Immortality . SYMBOLS, ILLUSTRATIONS AND CHARTS.%DIFDELCMD < %DIFDELCMD < %%% INDEX OF FIGURES.
Edit intent: coherence
Original:  Stages on: The Way to Conscious Immortality . SYMBOLS, ILLUSTRATIONS AND CHARTS.%DIFDELCMD < %DIFDELCMD < %%% DEFINITIONS AND EXPLANATIONS. INDEX OF FIGURES.
Revised:  Stages on: The Way to Conscious Immortality . SYMBOLS, ILLUSTRATIONS AND CHARTS.%DIFDELCMD < %DIFDELCMD < %%% DEFINITIONS AND EXPLANATIONS. 
Edit intent: coherence
Original: %DIFDELCMD < %DIFDELCMD < %%% List of SYMBOLS, ILLUSTRATIONS and CHARTS%DIFDELCMD < %DIFDELCMD < %%% I-A . . . . . . Circle of the Twelve Nameless Points, and the Four Spheres I-B . . . . . . The Earth Sphere and the Four Worlds I-C . . . . . . The Invisible Physical World or Realm of Permanence;
Revised: %DIFDELCMD < %DIFDELCMD < %%% %DIFDELCMD < %DIFDELCMD < %%% I-A . . . . . . Circle of the Twelve Nameless Points, and the Four Spheres I-B . . . . . . The Earth Sphere and the Four Worlds I-C . . . . . . The Invisible Physical World or Realm of Permanence;
Edit intent: coherence
Original: %DIFDELCMD < %DIFDELCMD < %%% List of SYMBOLS, ILLUSTRATIONS and CHARTS%DIFDELCMD < %DIFDELCMD < %%% I-A . . . . . . Circle of the Twelve Nameless Points, and the Four Spheres I-B . . . . . . The Earth Sphere and the Four Worlds I-C . . . . . . The Invisible Physical World or Realm of Permanence;and the Temporal Human World I-D . . . . . . The Physical Plane, and its Four States of Matter I-E . . . . . . The Solid State of Matter and its Four Substates II-A . . . . . . The Units II-B . . . . . . An Unbalanced Unit on the Nature-Side II-C . . . . . . A Balanced Unit of the Perfect Body II-D; E . . . . The Units on the Nature-Side II-F . . . . . . Pre-Chemistry II-G; H . . . . The Eternal Order of Progression III. . . . . . . The Fourfold Physical Human Body IV-A. . . . . . The Lines of a Thought IV-B . . . . . Sense-Government and Self-Government V-A . . . . . . The Triune Self, its Three Parts and Seven Minds V-B . . . . . . The Triune Self of the Human; its Three Atmospheres, and the Physical Atmosphere V-B, a . . . . The Triune Self Complete, and its Perfect Physical Body V-C . . . . . . The Three Orders of Intelligences, and the Seven Faculties of an Intelligence V-D . . . . . . A Re-existing Doer Portion and its After-Death States. The Breath-form during these States VI-A, a . . . . The Cerebro-Spinal Nervous System. The Human Brain VI-A, b; c; d . The Spinal Cord and Nerves, and Spinal Column VI-B . . . . . Ramifications of the Sympathetic Nervous System VI-C . . . . . The Principal Tracts of the Two Systems, and the Paths of the Lunar and the Solar Germs VI-D . . . . . Diagrammatic Sketch of the Perfect, Sexless, Immortal, Physical Body VI-E . . . . . Skeleton of Human Body, showing Sternum VII-A . . . . . The Zodiac VII-B . . . . . The Zodiac, within the Circle of the Twelve Nameless Points VII-C . . . . . The Broken and Extended Zodiac VII-D . . . . . Horizontals, Perpendiculars and Opposites VII-E to L . . The Monad, the Dyads, Triads, Tetrads, Pentads and Hexads
Revised: %DIFDELCMD < %DIFDELCMD < %%% List of SYMBOLS, ILLUSTRATIONS and CHARTS%DIFDELCMD < %DIFDELCMD < %%% 
Edit intent: meaning-changed
Original:  Iamb       :
Revised:  Iamb Accent Vedic accent Cadence: the patterning of rhythm in poetry, or natural speech, without a distinct meter. Line: a unit into which a poem is divided. Line break: the termination of the line of a poem and the beginning of a new line. Metre (or meter): the basic rhythmic structure of a verse or lines in verse. Metres are influenced by syllables and their 'weight'. Metrical foot (aka poetic foot): the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry. Arsis and thesis Prosody: the principles of metrical structure in poetry. Syllable weight and stress: weight refers to the duration of a syllable, which can be defined by the length of a vowel; whereas stress refers to a syllable uttered in a higher pitch—or with greater emphasis—than others. Stressed or long syllable (Ancient Greek: longum; notation: URL a heavy syllable Unstressed or short syllable (Ancient Greek: brevis; notation: URL a light syllable Stanza: a group of lines forming the basic recurring metrical unit in a poem. (cf. verse in music.) Verse: formally, a single metrical line. (Not to be confused with musical verse.) Gāthā Verse paragraph: a group of verse lines that make up a single rhetorical unit :
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Original:  Iamb       :
Revised:  Iamb Caesura: a stop or pause in a metrical line, typically marked by punctuation. Canto: a long subsection of an long narrative poem such as an epic. End rhyme (aka tail rhyme): a rhyme occurring in the terminating word or syllable of one line in a poem with that of another line, as opposed to internal rhyme. End-stopping line Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation. Epigraph: a quotation from another literary work that is placed under the title at the beginning of a poem or section of a poem. Hemistich: a half of a line of verse. Internal rhyme: a rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. Off-centered rhyme: a rhyme that occurs in an unexpected place in a given line. Refrain: repeated lines in a poem. Strophe: the first section of a choral ode :
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Original:  Tetrasyllables primus paeon:
Revised:  Bacchius: short-long-long Antibacchius: long-long-short Tetrasyllable: metrical foot consisting of 4 syllables. Tetrabrach (aka proceleusmatic): short-short-short-short Dispondee: long-long-long-long Paeon: a metrical foot of 1 long syllable and 3 short syllables in any order. Primus paeon:
Edit intent: meaning-changed
Original:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long  tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long  Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Revised:  long-long-short-long Fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Edit intent: fluency
Original:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long  tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long  Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Revised:  long-long-short-long fourth epitrite: long-long-long-short Ionic: a metrical foot consisting of 2 short and 2 long syllables Minor ionic (aka double iamb) : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Edit intent: meaning-changed
Original:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long  tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long  Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Revised:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long Major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Edit intent: fluency
Original:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long  tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long  Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Revised:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short Diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Edit intent: fluency
Original:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long  tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long  Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Revised:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long (i.e., two iambs) Ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Edit intent: meaning-changed
Original:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long  tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long  Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Revised:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% (i.e., two trochees) Antispast : short-long-long-short choriamb : long-short-short-long tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Edit intent: meaning-changed
Original:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long  tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long  Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Revised:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short Choriamb : long-short-short-long tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Edit intent: fluency
Original:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long  tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long  Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Revised:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long (i.e., a trochee/choree alternating with an iamb) Hexasyllable: metrical foot consisting of 6 syllables. Double dactyl Octosyllable: metrical foot consisting of 8 syllables. Decasyllable: metrical foot consisting of 10 syllables. Hendecasyllable: metrical foot consisting of 11 syllables. Dodecasyllable: metrical foot consisting of 12 syllables. tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Edit intent: meaning-changed
Original:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long  tetrabrach or proceleusmatic: short-short-short-short dispondee: long-long-long-long  Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Revised:  long-long-short-long fourth epitrite: long-long-long-short minor ionic , or double iamb : short-short-long-long major ionic: long-long-short-short diamb : short-long-short-long ditrochee : long-short-long-short %DIFDELCMD < %DIFDELCMD < %%% antispast : short-long-long-short choriamb : long-short-short-long Forms Verse forms 'a Gra' Reformata' Ten stanzas of ABA CD ABA CD ABA CD ABA CD ABA CD ABAC.
Edit intent: clarity