Sequencer, and friendly Direct Access buttons for instantly selecting patches, the RS-70 introduced a new level of performance power for live or song production at an attractive price.2003: Fantom-SThis 61-note workstation keyboard offered seamless integration of audio and MIDI with advanced sampling features such as realtime time-stretching and Skip Back Sampling, plus a Dynamic Pad Bank, mastering effects, and USB file exchange.2003: V-SynthThe V-Synth integrated Variphrase technology, allowing realtime control of waveform pitch, time, and formant for organic and animated sounds. It also offered analog-modeling synthesis, COSM filtering, and the unique TimeTrip Pad.2002: XV-2020The XV-2020 synthesizer module put Rolands acclaimed XV sounds in a half-rack unit with USB and GM2 compatibility. It offered two SRX expansion boards, 16 multitimbral parts, and three effects processors.2001: SH-32After 20 years in retirement, the SH prefix was revived. This ambitious product integrates the traditional panel interface to evoke images of the first SH-series, plus programmable arpeggiator and many other new features.2001: XV-5050This 64-voice, 16-part sound module fits the high sound quality of the XV-5080 into a 1U-rack size. Editing software is also included that allows all parameters to be controlled via computer.2001: FantomA new breed of workstation with a large graphical LCD and centralized control of its numerous functions. This 76-key workstation featured professional XV-5080 quality sounds and a wide range of realtime performance functions.2000: XV-5080The top-of-the-line XV module, it had the highest-performance sound generator of its time, as well as a smorgasbord of attractive features, including Matrix Control and sample playback via SIMM.2000: XV-3080This 2U-rack synthesizer module had the same sound generator as the XV-88. It could hold up to two SRX-series and four SR-JV80-series sound expansion boards.2000: XV-88The XV-88 was the full-sized keyboard model of the XV series. This 128-voice synthesizer was equipped with an 88-key, hammer-action keyboard. It could hold up to four expansion cards (two SRX series and two SR-JV80 series).2000: RS-5While reasonably priced, this synthesizer contained the same high-quality sounds as the JV/XP/XV series. It was also easy to operate, with knob controls for LFO, filter, and other parameters.1999: JV-1010This compact half-rack module inherited the rich preset sounds of the JV-1080 and 2080. Able to hold one SR-JV80-Series expansion board, it could handle up to 1,151 patches.1999: XP-30The last model in the XP-Series. Although the sequencer was removed in order to lower the price, it boasted a full lineup of features, including 1,406 patches and an arpeggio function.1998: JP-8080This rack version of the JP-8000 sound generator upped the power even more. Built-in Unison and Voice Modulator, an increase in polyphony from 8 to 10, and external audio input were some of the features that distinguished this module.1998: JX-305The playability of a keyboard was added to the functionality of the MC-505 Groovebox, which was a hit product at the time. The main appeal of the model was easy operation with inspiring realtime operation.1998: XP-60This model compressed the features of the XP-80 into a compact 61-key body. All operations conformed to the XP-80. New expansion boards went on sale at the same time, increasing the appeal of this instrument even further.1997: JV-2080This sound