Site de Zoltan Paulinyi, violinista, compositor e professor, que responde tecnicamente a perguntas musicais, com exemplos, sempre que possivel, para tornar mais compreensiveis as respostas musicais Entre na lista "Entenda Musica" e acompanhe as RESPOSTAS MUSICAIS Respostas musicaisDestinado ao publico diletante da musica de concerto, o Prof. Paulinyi mantem uma lista periodica com dicas e videos para aprimorar o entendimento musical.Inscreva-se na lista ENTENDA MUSICApara receber periodicamente dicas em melhorar a compreensao da musica de concerto. Orquestra Sinfonica do Teatro Nacional Claudio SantoroAbertura da temporada 2014(Homenagem a Strauss) Contos dos Bosques de VienaMarcha IndigoSangue Vienense Pizzicato PolkaVinho Mulheres e MusicaEljen a MagyarAcceleration WaltzTritsch-Tratsch PolkaValsa do ImperadorDie FledermausVozes da PrimaveraMarcha RadetzkyDanubio Azul Apresentacao de bailarinosOrquestra Sinfonica do Teatro Nacional Claudio SantoroClaudio Cohen Terca-feira, 18 de fevereiro de 2014, 20:00hTeatro Pedro CalmonSetor Militar Urbano, alem do Memorial JK, ao lado do QG do Exercito. Entrada gratuitaNo belo Danubio azul (trecho), Orq. Filarmonica de Berlim, Herbert Von Karajan(Extraido de 2001, uma odisseia no espaco, filme de 1968, dirigido por Stanley Kubrick.) O morcego, abertura, Orq. Filarmonica de Viena, Carlos KleiberDanubio azul, Orq. Filarmonica de Viena, Karl Bohm (1894-1981)Viva a Hungria!, Orq. Filarmonica de Viena, Willi Boskovsky"Eljen" (que se pronuncia "Ey-yen") significa "viva" or "longa vida" (1978)Vozes da primavera, Kathleen Battle, Orq. Filarmonica de Viena, Herbert Von Karajan (1987) (Karajan morreria ano e meio depois dessa data)Marcha Radetzky, Orq. Filarmonica de Viena, Franz Welser-Most, 2011Contos dos bosques de Viena, Orq. Filarmonica de Viena, Daniel Barenboim (2014) Gustav Mahler (1860-1911)Gustav MahlerThe agony and the ecstasyA new biography presents the composer as superheroJul 8th 2010Glorious stuff, written in spare momentsWhy Mahler? How One Man and Ten Symphonies Changed the World. By Norman Lebrecht. Faber; 362 pages; 17.99. MY TIME will come, Gustav Mahler used to say when he felt unappreciated. In his early days the composer often was. He described himself as three times homeless: born to a Jewish family in a German-speaking enclave in Czech-speaking Bohemia, and not feeling properly at home anywhere. Being Jewish, at a time of widespread anti-Semitism, was his chief mistake, as he put it to a friend. But his musical talent was so evident that at 15 he found himself at the Vienna Conservatory of music and afterwards embarked on a career as a conductor. By the time he was 37, he was artistic director of the Vienna Court Operathough not before he had converted to Catholicism. He was also enjoying increasing fame as a composer.Mahler's life and his music were two sides of the same coin. His oeuvre was small: ten symphonies (the last one unfinished), a symphonic work for voices and orchestra (Das Lied von der Erde) and a number of songs. As a successful conductor he had little time to compose, fitting most of it in during long summer breaks spent by an Austrian lake. So one of his symphonies could be years in the making, but each of them packed a tremendous punch. For him, the symphony must be like the world. It must embrace everything. That meant childhood memories and sleighbells, folk songs and frustrated ambition, love