PG-800 sound programmer could be used with it.1985: JUNO-2A step up from the JUNO-1, the JUNO-2 had 61 keys. The JUNO series was always popular for its string and bass sounds, and still is to this day. The PG-300 programmer, common to the JUNO-1 and -2, was also available.1985: JUNO-1Pronounced alpha JUNO-1, this was a low-cost model in the JUNO series. It had 49 keys, and a specially designed sound-generator IC. Although it had 6-voice polyphony and 128 sound memory, it was below 100,000 in Japan (roughly $420) quite an appealing combination.1985: JUNO-106SThis JUNO was equipped with stereo speakers; other than that, the specs were completely identical to the JUNO-106. As a common feature in this time internal sound memory could be backed up to a cassette tape.1985: MKS-7The MKS7 was a single unit that offered four sections with independent outputs: a duophonic lead synth, a monophonic bass synth, and a four-voice polyphonic synth (hence the name... 2+1+4 = MKS7) plus a drum machine with 11 PCM sounds drawn from the TR707.1984: JX-8PAn upgraded version of the JX-3P, the JX-8P analog synthesizer featured 6-voice polyphony and two DCOs per voice. A separately sold PG-800 sound programmer was also available.1984: MKS-802U-rack size, 8-voice polyphonic version of the Jupiter-6. Nicknamed the Super Jupiter, it stood out for its ability to play a wide range of sounds, from musical instruments to special effects. The MPG-80 sound programmer was also available as an option.1984: MKS-30A 2U-rack vesion of the JX-3P. Although the JX-3Ps MIDI receive channel was fixed to ch. 1, the MKS-30 has programmable channels. The PG-200 sound programmer for the JX-3P could also be with this model.1984: JUNO-106This 1DCO per voice, 6-voice polyphonic analog synthesizer was the successor of the Juno-60. Equipped with 128-sound memory and MIDI, it would become a favorite of dance and techno artists.1983: JX-3PThis MIDI-capable, 2DCO per voice, 6-voice polyphonic analog synthesizer was released at the same time as the Jupiter-6. A PG-200 sound programmer (could be placed on the upper right on the panel) was also available.1983: JUPITER-6Scaling down the Jupiter-8 to 6-voice polyphony, coupled with creative tweaking by Rolands engineers, allowed the Jupiter-6 to hit the market at half the price of the Jupiter-8. It also made news with its highly stable oscillator and MIDI terminal.1982: JUNO-60A Juno-6 with newly added memory functions for 56 sounds. Rolands proprietary DCB interface standard was used for exchanging control information with external devices.1982: SH-101A 1VCO analog mono synth available in three color variations; modulation grip was also an option. The synth could run on batteries, allowing it to be slung on a shoulder strap and worn like a guitar.1982: JUNO-6This 6-voice polyphonic analog synthesizer used a DCO per voice to generate sound. Built-in chorus effects increased the range of sounds that could be produced. This synth also had a key transpose feature.1981: JUPITER-8A deluxe 8-voice polyphonic analog synthesizer with 64-sound memory. Its smorgasbord of features, including key split, patch preset, and auto arpeggio, earned this synth global praise and legendary status.1979: PROMARSThis is the monophonic version of the Jupiter-4 with 2