thegoodfellas/blogset-br huggingface dataset:
Pescar e Nadar no rio das Velhas na regiao metropolitana de BH ate 2010. Segundo a Copasa, a ETE-Arrudas atua em nivel secundario, ou seja, consegue retirar quase todo o material organico que chega ate la. Ja a ETE-Onca atua em nivel primario. A justificativa para que esta ultima nao atue em estagio secundario e que nao possui volume de esgoto suficiente para obter um bom custo-beneficio do equipamento. Entretanto se continuar com o volume de esgoto desembocando nos rios mesmo que pequeno, os peixes nao se reproduziram de forma eficiente e as doencas continuaram a se proliferar, ou seja, ira se tornar cada vez mais distante alcancar tal meta. Em algumas situacoes o bem estar da populacao ribeirinha e a saude do rio valem muito mais que qualquer custo-beneficio, e so uma questao de ponto de vista.
O Inhotim e sem duvida alguma, um dos institutos culturais mais interessantes que temos no pais. O fato de nao se tratar apenas de uma enorme galeria e tambem de um rico jardim botanico torna-o ainda mais intrigante. Essa interacao entre as obras de arte e a natureza e muito interessante pois aguca ainda mais os nossos sentidos. O Inhotim e um espaco que nos proporciona diferentes sensacoes, a cada obra e a cada caminhada e algo novo, diferente do que vimos minutos atras.Como exemplo temos a obra Linda do Rosario, de Adriana Varejao, em que muitos sentem um cheiro de carne ao ver uma parede esculpida com formas de orgaos e carnes sangrando.Linda do Rosario, Adriana VarejaoAs obras interativas permitem o tato trazendo uma diferente sensacao ja que em grande parte das galerias do mundo podemos apenas contemplar visualmente as obras de arte. Tocar nos mostra um outro lado da obra, algo diferente que nao seria possivel percebermos apenas com a visao.As obras ligadas a audicao sao muito interessantes. Apesar do Sonic Pavilion, Doug Aitken ser algo extremamente diferente, dentre as obras de carater auditivo, as que mais me chamaram atencao foram: Forty Part Motet, de Janet Cardiff e The Murder of Crows 2008 pois nelas nos dependemos inteiramente de nossos ouvidos para entendermos e apreciarmos a obra de arte. A nossa atencao nao se desvia com o que vemos, ele se prende totalmente aos diferentes sons que sao perfeitamente capazes de nos ambientizar. Sonic Pavilion, Doug AitkenForty Part Motet, Janet CardiffThe Murder of Crows 2008Para mim, o Inhotim e um espaco cultural sensorial, capaz de causar surpresa; estranhamento quando nos deparamos com um enorme emaranhado de vigas no topo de uma montanha ou entao com uma semi-circunferencia gigante toda espelhada escondida numa trilha. Ele esta muito alem de um grande acervo...Beam Drop, Chris Burden De lama lamina, Arto Lindsay Ao ver otima imagem fotografica nao e constantemente e provavel reconhecer o porque de tal decisao. Geralmente, se fala que a imagem bonita somente e bonita quando aquilo que ela retrata bonito. Mas a imagem, no entanto e uma construcao de elementos que tem sua propria linguagem... Pois essa linguagem quando o fotografo a conhece e utilizada ja com essa intencao, maiores serao suas possibilidades de criatividades, e seu discurso perante a imagem ira melhorar, pois fotografar e apenas relatar em imagem o que mundo ja e e apena dar um congelamento no tempo atraves da imagem x camera e escrever apenas o que ja e presente e que fracao de segundo ja virou passado. Bons fotografos tem uma linha de construcao, que faz o leitor ou observador mergulhe na imagem assim como temos bons escritores que elabora seus textos suas poesias maravilhosamente bem, fazendo com que seu publico alvo mergulhe nas suas historia. Ja os fotografos tambem podem tornar claros e objetivos com suas linguagens de imagem, pois uma boa fotografia tem o potencial para transcender a linguagem verbal e escrita. Seja voce amador ou profissional, seu objetivo e passar sensacoes e inspiracao. Pois uma imagem bem fotografada vale mais
do que mil discursos.Autor: Leandro PradoThe image speaks for itself:Seeing great photographic image is not constant and likely to recognize why such a decision. Generally, it is said that the image only beautiful and pretty as what it depicts beautiful. But the image, however, and a construction element which has its own language ... For this language when the photographer knows and has used with this intention, the greater your chances of creativity, and his speech will improve the image, because shooting image and only report on what the world is now and just give a freeze in time through the camera image x and write only what is present and that split second has become the past.Good photographers have a construction line, which makes the reader or viewer soak in the picture as we have good writers who draw their writing his poetry beautifully, making your target audience soak in its history.Since photographers can also make clear and objective language with their image as a good photograph has the potential to transcend language verbal and written. Whether you are amateur or professional, your goal and pass feelings and inspiration. For a well-photographed image is worth more than one thousand speeches.Autor: Leandro Prado
negative. Another possibility is to extend over different parts of the same negative photographic paper,thereby generating a composite image that was reproduced below to generate a negative andsubsequently allowed to obtain the same effect easier. There is a variant of the process of montage that can be performed directly on the camera itself: the double exposure - or even multiple exposure - of the same negative at the time of taking the photograph. Today, with the introduction of computers andscanners, the addition of two or more images to produce a final image has become much easier and more accurate.
A poesia e a imagem, em si e variada quanto a nossa cultura. Perceptiveis poemas sao esotericos e abstratos, Com isso outros poemas sao concretos e claro de se compreender.E os poemas estao em todos os lugares, pois surge de varios elementos que esta ao nosso redor, como livros, letras de musica, dedicatorias de amor, tatuagens ou troco de arvores.Mas porque, entao, a poesia hoje se pode representar com uma imagem fotografica?A logica pode estar em exemplo como um romancista diz em 20.000 mil palavras, o poeta em papel de pao e em migalhas de palavras diz tudo. E, apos ler o poema, nao temos somente mais informacoes, e sim temos mais experiencias. Um poema bom nao se trata de reducionismo. E sobre diminuicao ou enfraquecimento e simplicidade e mais aprofundamento, um poema sempre da mais.Os poemas em geral se da por economicos, em tao pouco espaco, de um modo geral eles necessitam de uma destilacao, que centraliza e reforca seus significados e resultados.Tronando-se aquelas poucas linhas e uma comunicacao eficaz e objetiva com mais calor e emocao, expondo a total sentimento. A sim sao as melhores fotografias quem conhece os espacos corretos e devidos seguem essa mesma trajetoria para bons resultados.Poetry and photography:The poetry and the image itself and varied as our culture. Perceived poems are esoteric and abstract, with other poems that are concrete and clear to understand.And the poems are everywhere, since it arises from various elements that are around us, such as books, music lyrics, dedications of love, tattoos or exchange of trees.But why, then, today's poetry can be represented with a photographic image?The logic may be an example as a novelist says in 20 million words; the poet in the role of bread and crumbs of words says it all. And after reading the poem, not only has more information, but we have more experience. A good poem is not about reductionism. It's about reducing or weakening and more depth and simplicity, a poem always gives more.The poems are of a general economic, in so little space, they generally require a distillation, which centralizes and enhances their meanings and results.Throne is those few lines and effective communication and objective in more heat and emotion, exposing the full feeling. The photographs are the best but who knows the right places and follow the same path due to good results caligrama e um poema, frase ou palavra em que a tipografia, caligrafia, texto manuscrito e organizado ou configurado de tal maneira que cria uma especie de imagem visual (poesia visual). A imagem criadapelas palavras expressar visualmente o que a palavra ou palavras que dizem. Em um poema, estemanfiesta o tema apresentado pelo texto do poema. Nos tempos modernos veio com as vanguardas do inicio do seculo XX, e particularmente com o cubismo eo Criacionismo tarde literaria e Ultraismo.MODELS calligram:calligram is a poem, phrase or word that typography, calligraphy, handwriting is arranged or configured in such a way that creates a kind of visual imagery (visual poetry). The image criadapelas words visually express what the word or words they say.
In a poem, estemanfiesta the theme presented by the text of the poem. In modern times came with the vanguards of the early twentieth century, and particularly with Cubism and the later literary and Creationism Ultraismo.
todas as formas e tamanhos, mas muitas vezes sao as formas mais simples que se encontram numa composicao fotografica e as que tem maior interesse visual.Os circulos produzem harmonia numa imagem, e se incluirmos numa composicao uma forma redonda dominante, podemos verificar que ela nao so atrai de imediato a atencao como tambem a nossa vista dificilmente se abstrai dela.A perfeita simetria de circulos nao pode conflituar com outros angulos do proprio enquadramento, por isso, pode ser incluido praticamente em qualquer enquadramento sem prejudicar a imagem.SombrasAs sombras podem por vezes esconder detalhes importantes, tornando necessario que o fotografo diminua estas areas escuras na fotografia. Existem alturas em que as proprias sombras se podem tornar num motivo, com efeito, estas sao uma parte importante de muitas fotografias. Uma sombra permite-nos ver uma imagem de outra maneira, o tamanho e a visibilidade da sombra do motivo depende do angulo da luz existente.Ao fotografar sombras, o metodo mais frequente, e enquadrar a imagem de modo a que o motivo e a sombra criem uma composicao simetrica, mas, um passo mais usado e enquadrar a imagem para que a propria sombra seja o centro da atencao.ReflexosA maneira como as superficies absorvem e reflectem a luz e o que nos permite ve-las. A luz reflectida e tambem uma parte integrante de qualquer cena em exteriores, iluminando areas que de outra forma estariam na sombra. Porem, na maior parte das vezes, nao vemos estes reflexos directamente.No entanto, algumas superficies sao tao boas reflectoras que criam as suas proprias imagens, espelhando as coisas que estao a sua volta. A agua, o vidro, e os metais polidos oferecem a oportunidade de fotografar coisas de uma maneira indirecta, resultando numa visao mais obliqua do mundo.Photo Essay:A photographic composition is the order of elements in the foreground and secondary reasons, is also theaesthetic quality that includes texture, color balance and shapes among other variables that combine to form an image communicative and enjoyable to watch.The image composition aims to achieve an emotional effect, climate and a pass break up the monotony, because writing is not just pretty pictures to show but to make the viewer fixes its attention on the subjectpoints of interest, such interest may be in the foreground, middle or back.Let down seven rules that can be taken into account to create a good compositionNo rule is absolute and there to be broken. If you like a scene, shoot it, whatever the rules say about it.The image must be simple to keep the viewer's attention on the subject.When photographing people try to avoid to the maximum cut the joints.You should use simple backgrounds that do not steal attention from the main subject.Are the colors that give the right mood. Warm colors convey energy, low tones give a harmonious and stable.The size of objects also has a visual weight. Like the dark tones are heavier than the clear.Avoid putting unnecessary elements. Each element must stand for something and be part of a set.Rule of ThirdsThe rule of thirds is a simple way to achieve a good composition, and all who have
some relationship with photography has heard of this rule. This is on all photo books and even found in the manual of your camera because of its importance.Imaginatively, divide the image seen in your camera's viewfinder into three sections, both horizontal and vertical. The four called the intersection points of interest are the points of greatest visual impact in your picture. When shooting place the main subject and other attractions at the intersection of the lines or according to them.Horizontal lines can be used to place, for example the horizon, this should be down or up depending on the midline is intended to enhance the sky or not. The vertical lines are used for example to place trees and buildings.When the subject moves should do it from right to left, otherwise give the feeling of being about to crash into the vertical side of the photograph, the same way when a person looks to the side should do it in the same direction for not convey the feeling of claustrophobiaOn the other hand, as we read from left to right, look at the photos the same way, following this trend we can put the topic on the left side of the image.Frameworks in frameworksThe frameworks within other frameworks are often explored in a fireworks photography. Not onlyconcentrate the viewer's attention on the subject as often suggests a broader context to the subject. The colors may also provide clues about the intent of the photographer.They also serve other purposes, such as the technique that can be a way to hide details in the foregrounddistracting, it is also a way to help create a sense of depth in the image.symmetrical compositionThe symmetrical composition means strength, stability and strength, is also effective in organizing images with elaborate detail. One of the strategies offered by a balanced presentation is the simplicity of the elements of a theme. radial compositionRadial compositions convey a sense of life, even if the subject is static, that is, are those in which the main elements spread from the middle of the image.overlapOverlapping elements in the motif is intended to show the increasing depth and perspective, but also to invite comment on the subject of contrasts.horizontal compositionThe horizontal composition in a picture frame is a wide and narrow to suit certain motives and leads the eye through the lines towards the subject. Usually the horizontal composition is used to transmit stability and / or rest.If you want to convey calm and tranquility in your pictures do the horizontal compositions and always keepthe subject on the right side of image making eyes run from left to right.vertical compositionUnlike a horizontal composition, vertical composition is a composition that enhances high and narrow avertical panorama, it is also an image that can be captured only raising his head and looking up.diagonal compositionThe diagonal lines lead the eye from one part to another image and transmit a higher energy, dynamismand movement, and create a path that leads our eye from one corner to another image.The first point for framing the question is whether the image should
be vertically or horizontally. Most people have a tendency to always take pictures with the camera in the same position.Just as a still image becomes the center of the photograph ordinary and uninteresting, also an image withlines parallel to the sides of the frame is a picture without life or vulgar, but there are occasions when the composition requires it.Composition in circlesThe reasons may have photographed all shapes and sizes, but are often the simplest ways that are in aphotographic composition and those that are more visual interest.The circles produce harmony in a picture, and we include a composition in a dominant way round, we can see that it not only attracts immediate attention but also our view it is hardly abstract.The perfect symmetry of circles can not conflict with other angles of the framework itself, so it can beincluded in virtually any environment without harming the image.shadowsThe shadows can sometimes hide important details, requiring the photographer to diminish these dark areas in the photograph. There are times when the shadows themselves can become a reason, indeed,these are an important part of many photographs. A shadow allows us to see an image in another way, the size and visibility of the shadow of the reason depends on the angle of the existing light.When photographing shadows, the most common method is to frame the image so that the subject and shadow to create a symmetrical composition, but one more step is used to frame the image so that his shadow is the center of attention.reflectionsThe way the surfaces absorb and reflect light is what allows us to see them. The reflected light is also anintegral part of any outdoor scene, illuminating areas that would otherwise be in shadow. However, in most cases, these reflections do not see directly.However, some are so good reflective surfaces that create their own images, mirroring the things that arearound you. Water, glass and polished metal offer the opportunity to photograph things in an indirect way, resulting in a more oblique view of the world.
in which the images are responsible for forwarding the poetic sense,without relying on the written or spoken about that, as in it's own image is the text. This transmissionthrough the poetic form was the hallmark of the concrete movement, emerged in 1950, whose goal was to bridge the gap between form and content,emphasizing a rational way of doing art, giving more importance to reason and science. However, the hallmark of the movement is the image enhancement in union with the word, forming a very expressively. Thus, based on that inspiration concretely, this research is guided bythe semiotictheories thattalk aboutthe communicative expressiveness of photography and aims to analyzethe presenceof poeticcontent inthe work of photographer Chris Orwing, considering it a form of visual poetry.OBJECTIVES:Analyze the presence ofpoetic content in the photographic image.MATERIALS AND METHODS:This is a bibliographicresearch on poetic content in the photographic image and its first step is toconduct a brief history of the movement concrete and visual poetry. The next step focuses on researching the views ofsemiotic studies over the image in general and particularly in the photographicimage. Next is presented the work of poet andphotographer Chris Orwig and his proposal to construct a poetic through thephotographic image.RESULTSAND DISCUSSION:Poetry has many ways ofmanifesting itself as there are ways to express themselves. She has different ways according to culture and timethat produces and may appear almost anywhere. Chris Orwig, a photographer, has proposed thedevelopment of visual poetry through images, viewing in common between poetryand photography the ability to convey not only information but also experiencein concentrated form. This proposal requires a critical andsensitive to the service of poetry, since there are beautiful images that arenot visual poetry, as one of its features is its ability to just focus onsomething that little space can be translated as an experiment [1] . This view is the picture according toBarthes [2] on the drawing power of the image on the concepts of studium andpunctum, because the image can lead to diverse and contradictory feelings inthe beholder and often can not explain the emotion experiencing.CONCLUSION:The Concertis reordered thewords in the page space, forming images associated with meanings transmitted inpoetic content. Orwig, however, only uses photography toconvey their message poetic, composing his works with images that go beyond thematerial, adding meaning and significance of poetry. Its value as a means of expression is unanimous toincrease the size of words and the photographic image in a new language.REFERENCES:"[1] Orwig, Chris.Visual Poetry: a guide for inspiration and creativity fotografica.Rio January:High Books, 2010.[2] Barthes, Roland. Camera Lucida: note on the photograph. Rio de Janeiro: Nova Fronteira, 1984. "
A Poesia visual e uma forma de expressao diferente, pois pretende utilizar a escrita, na sua diferenciacao, para criar mensagens nao dependendo de simbolos de escrita, embora nao os excluindo.EXEMPLOS:Poesia concreta e um genero de poesia. Neste genero, o visual e espacial tem o mesmo nivel de importancia de rima e ritmo na poesia lirica. O inicio da historia da poesia concreta estao na decada de 1950 quando ele cunhou o termo "concreto" termo como um nome para esta escola. Como plano estetico, o concreto foi um grande impulso ideologico para o desenvolvimento das artes em meados do seculo XX, nao so na poesia. Centra-se em uma logica e natural. Solidao...Solidao nao significa falta de pessoas para dialogar, bater papo, namorar, passear... Isto e carencia!Solidao nao e o sentimento que experimentamos pela ausencia de entes queridos que nao podem mais voltar... Isto e se diz saudade!Solidao se diz a respeito quando nos se retiramos voluntariamente, para fazer uma reflexao ou se impor algo, talvez para colocar ou realinhar os pensamentos em dia. Isto e equilibrio!Solidao nao e o claustro involuntario que o destino nos impoe compulsoriamente... Isto e um principio da natureza!Solidao nao e o vazio de gente ao nosso lado... Isto e circunstancia!Solidao e muito mais do que isto...Solidao e quando nos perdemos de nos mesmos e procuramos em vao pela nossa alma.lonelinessLoneliness does not mean lack of people to talk, chat, dating, walk ...This is grace!Loneliness is the feeling experienced by the absenceof loved ones who can not come back ...This is said to miss!Loneliness is said about it when we retire voluntarily to impose a reflection or something, maybe to putthoughts in or realign the day.This is balance!Loneliness is not the cloister involuntary imposes a compulsory destination in the ...This is a principle of nature!Loneliness is not empty of people on our side ...This is fact!Loneliness is more than that ...Loneliness is when we lose ourselvesand seek in vain for the soul. Agora voce que tem filhos entre 18 e 24 anos pode contrataro Porto Seguro Auto Jovem com o inovador Programa deRelacionamento. Funciona assim: o jovem mostra como dirigee o seguro pode ficar mais barato.Para essa historia comecar bem, o seguro dele ja vem com30% de desconto no primeiro ano para quem participar doPrograma de Relacionamento e fizer os cursos Direcao Seguraem Interlagos e Direcao Emocional.O seguro garante ainda 30% de desconto na franquia1 ja expresso na apolice e pode ser pago em ate 10 vezes sem jurosusando o Cartao de Credito Porto Seguro ou no debito em conta corrente. Alem disso, os pais do participante ganham 7% de desconto2 ao contratar o Porto Seguro Auto. Quer saber mais?fale conosco4445-3773 / 4444-9749CRUZ CONSULTORIA CAIEIRAS A taxa Selic subiu para 10%, sendo assim as taxas de juros praticadas pelos Bancos para emprestimos e financiamentos deve subir ainda mais, O consorcio por nao ter incidencia de juros fica ainda mais atrativo, O consumidor continua em busca de creditos para realizacao de projetos e Sonhos e o consorcio se encaixa perfeitamente em diversas fases da Vida como segue.: Criancas e adolescentes: