thegoodfellas/blogset-br huggingface dataset:
PieChalk Pie Unique material: lots Chalk Pie was the name of a live album planned for release in 1982. The track list was: 1. Drowning Witch 2. Envelopes 3. Teen-Age Prostitute 4. The Dangerous Kitchen 5. Chalk Pie 6. We're Turning Again 7. Alien Orifice 8. The Jazz Discharge Party Hats 9. "The Torture Never Stops" guitar solo (title unknown) 10. What's New in Baltimore? 11. Moggio 12. "The Black Page #2" guitar solo (title unknown) 13. Clownz on Velvet 14. Frogs with Dirty Little Lips JWB provides a track-by-track walkthrough: Tracks 1-3 are identical versions and edits as side two of Ship Arriving Too Late to Save a Drowning Witch, except they are mixed much differently. 1. "Drowning Witch" - Live with studio overdubs. The group vocal section is from Santa Monica Dec-11-1981 (early show), Zappa's vocal secion is from Chicago 27-Nov-1981 (late show), the first guitar solo from the Ritz 17-Nov-1981, and the first third or so of the second solo is from Chicago 27-Nov-1981 (late show) again. The rest of the song is unknown. It all contains studio overdubs, some of which render the basic tracks almost unrecognizable. 2. "Envelopes" - Live with studio overdubs. location unknown. Same version as on Ship Arriving Too Late to Save a Drowning Witch. 3. "Teen-Age Prostitute" - Live at Santa Monica 11-Dec-1981 (early show) with studio overdubs. All vocals appear in this mix; many were mixed out in Ship Arriving Too Late to Save a Drowning Witch, where the lead guitar was also brought forward. Same version as on Ship Arriving Too Late to Save a Drowning Witch. 4. "The Dangerous Kitchen" - Live at Armadillo in Austin, Texas 16-Oct-1980. Same version as on The Man from Utopia original LP but mixed differently. 5. "Chalk Pie" - Live in Salt Lake City 7-Dec-1981. Same as on Guitar, but mixed slightly differently. 6. "We're Turning Again" - live in Santa Monica 11-Dec-1981 (early show) and Salt Lake City7-Dec-1981. Unreleased version. Frank makes hilarious references to Journey, REO Speedwagon, Foreigner, and Styx at the end of the song. 7. "Alien Orifice" - Live in Salt Lake City 7-Dec-1981. Unreleased version. 8. "The Jazz Discharge Party Hats" - Live in Carbondale, Illinois, 15-Nov-1980. Appears to be the same mix on The Man from Utopia original LP. 9. "The Torture Never Stops" guitar solo (title unknown) - Live in 1980. Unreleased. 10. "What's New In Baltimore?" - Seems to be live with studio overdubs, location unknown. Same version as on Frank Zappa Meets the Mothers of Prevention, but the guitar solo is longer (full & unedited) and the mix is much different with less studio overdubs. [The guitar solo certainly is from Maryland November 15 1981 (late show), or must be, since it's the same as the album version, so I guess it's reasonable that the whole performance is from that show - Milhouse Guidry] 11. "Moggio" - Live in Chicago #2 11/27/81 with studio overdubs. Same version as on The Man from Utopia, but mixed differently. [Just a clarification ... it is mixed much more
like the original LP mix than any other mix. So at least we know that the lead-guitar-prominence idea was there early, and only later did he decide to change it. - David Goodwin] 12. "The Black Page #2" guitar solo (title unknown) - Live in San Diego 12-Dec-1981 (early show). Unreleased. Might have been titled "Them Or Us". 13. "Clownz on Velvet" - Live at the Ritz 17-Nov-1981. Al DiMeola guests on lead guitar. Unreleased. 14. "Frogs with Dirty Little Lips" - Live in Santa Monica 11-Dec-1981 (early show) with studio overdubs. Zappa's son Ahmet guests. Unreleased version. Could have been used as the basic tracks for the Them Or Us version, as the studio overdubs appear to correspond with that version. It is a shame that Chalk Pie went unreleased. The continuity is excellent, as well as the track selection. Does anyone know why Frank deleted it? Is it because of Al DiMeloa's dissatisfaction with his "Clownz on Velvet" solo? What a shame. Tracks 13-14 have been bootlegged pretty widely, for example on the bootleg All You Need is Glove. Some people refuse to believe that it's actually Al DiMeola on track 12, but it really is. A bootleg called Chalk Pie only has tracks 5, 6, 12 and 13. The Chalk Pie tapes were leaked to collectors/bootleggers by one of the guys in the band, who shall go nameless, because, you get the idea (yes, I know which guy).
[BABY SNAKES video & Baby Snakes album version] 9. Jones Crusher [BABY SNAKES video & Baby Snakes album version] 10. Camarillo Brillo [BABY SNAKES video version] 11. Black Napkins [BABY SNAKES video version]Some cover track lists are quite wrong; the above should be correct. This is the Baby Snakes concert: tracks 2 & 4 and the entire side 2 appear in the BABY SNAKES video; tracks 8-9 even made it to the Baby Snakes album. "Donna U Wanna" is an approximation of the name of a character in the BABY SNAKES movie.InvocationsJones CrusherThe Invocations CD lists the "Audience Participation" as two tracks: "Dance Contest" and "Invocations". Its cover is a picture of Zappa on a green background, as on page 100 in Dominique Chevalier's book Viva! Zappa. Jones Crusher lists the "Audience Participation" as "Invocations" and "Dance Contest", and does not list/have the "Intro" part.
18187867546U.K.: 017342434Frank Zappa - producerBob Stone - engineerHarry Andronis - engineerDwayne Taylor - road managerBob Rice - synclavierBernie Grundman - masteringUMRK - remote studioLP 20789-8MC 120789-8CD 220789-84002583105819Composed and produced by Frank Zappa, exept "The Texas Motel Medley" words by F.Z., music by Lennon/McCartney.All compositions published worldwide by Munchkin Music ASCAP.(C)+(P) 1990 Barking Pumpkin / PAX Records.All rights reserved.It's a very professional cover, made to look like a legal release. The labels, though, paint a different picture: They're black and blue and say "TODESKUSS", plus:All rights reserved by ULTRASCHALL(P)+(C) by ULTRASCHALL REC. Deutscland6000 Frankfurt/M. - Potchengasse 51 [there is no Potchengasse in Frankfurt]Made in Germany 1988According to a German bootleg dealer, a Volume 2 was made but the entire production run was confiscated by the police. However, RXZ Records later made a 2-CD box of both volumes. The track listfor Volume 2 is as of yet unknown, but if it includes the rest of the Oslo show, it would have:* Stairway to Heaven* Bolero* Rhymin' Man (world premiere - what a stange place to premiere a song about Jesse Jackson)* Sofa* Andy* Inca Roads* Strictly GenteelInformants: Andreas Kerschgens, "U"
Disc 1 | Disc 2Berlin - Deutschlandhalle 15.2.78 Part 1 (CD) 66.0 Mb - 71:56 Min Berlin - Deutschlandhalle 15.2.78 Part 2 (CD) 70.8 Mb - 77:16 Min * Deutschlandhalle, Berlin, 15-Feb-1978 - A/A+ Label: ZAPP 1002-A/B (Germany) Musicians: Frank Zappa, Adrian Belew, Patrick O'Hearn, Tommy Mars, Peter Wolf, Ed Mann and Terry [listed as Terri :)] Bozzio Part 1 1. Intro ["The Purple Lagoon"] (01:21) 2. Dancin' Fool (03:33) 3. Peaches en Regalia (02:27) 4. The Torture Never Stops (13.50) [see below!] 5. Tryin' to Grow a Chin (03:27) 6. City of Tiny Lites (07:13) 7. Baby Snakes (01:49) 8. A Pound for a Brown on the Bus (05:50) 9. Boutique Girl ["Is This Guy Kidding or What?"] (04:46) 10. I Have Been in You (05:08) 11. Flakes (07:23) 12. Broken Hearts Are for Assholes (03:46) 13. Instrumental ["King Kong"] (08:46) Track 1 is a spoken intro over a repeat of the first part of "The Purple Lagoon", which segues into "Dancin' Fool". This "The Torture Never Stops" solo is the original recording that was edited down to "Rat Tomago" on the Sheik Yerbouti album! "King Kong" goes into a very loose improvisation and fades out after 8 or 9 minutes. Track 9 is the intro to "I Have Been in You", along the lines of "Is This Guy Kidding or What?" on Stage #6. On the disc is the "young Frank" picture from the Ruben & the Jets album. The same picture is under the tray. The cover shows an extremely sleazy Zappa with a Barbie doll and a cigarette; the back of the booklet has Zappa in a robe, witch hat and lady's glasses holding a basket of fruit and dentures (the same picture was used on the back cover of The Untouchables). Part 2 The CD has 3 tracks: 1. Wild Love 2. ["Wild Love" solo by Adrian Belew] 3. Yo Mama 4. Titties & Beer 5. The Black Page #2 6. Jones Crusher 7. Little House I Used to Live In [intro] 8. The Sheik Yerbouti Tango [!] 9. Little House I Used to Live In [finale] 10. Dong Work for Yuda 11. Bobby Brown 12. Envelopes 13. Drum Solo 14. Disco Boy 15. Dinah-Moe Humm 16. Camarillo Brillo 17. Muffin Man Cover track list is wrong; the above is more correct. "Track" 7 is the orchestrated intro from "Little House I Used to Live In" followed by a solo section (as on Project-Object) - track 8 is the full-length recording of "The Sheik Yerbouti Tango" on Sheik Yerbouti, which was part of the "Little House I Used to Live In" solos! It occupies 38:07-44:05; the official edit covers 39:47-43:40, so both beginning and end are unreleased. Track 9 is the "Little House I Used to Live In" intro coming back as a closer. The cover depicts Zappa by the Hendrix Strat, as on page 97 of Dominique Chevalier's book Viva! Zappa. This time, there is no picture on the disc, but the "young Frank" picture from Ruben & the Jets is still under the tray. Informations
Some MoreKill Ugly Radio Some MoreUnique material: 8 short interview excerpts. The single versions are not unique, but from the Strictly Commercial compilation. 1. It's OK to be Smart ... 2. Plastic People 3. Don't Eat the Yellow Snow (single version) 4. My Guitar Wants to Kill Your Mama 5. Obscenity Is a Legal Term ... 6. Let's Make the Water Turn Black 7. Trouble Every Day 8. Transylvania Boogie 9. Once Upon a Time ... 10. Be in My Video 11. Fine Girl 12. I Think the First Thing That I Did ... 13. Dancin' Fool 14. Goblin Girl 15. I Go Out There and Give 'Em Everything That I Can ... 16. Echidna's Arf (of You) 17. Royal March from L'Histoire du Soldat 18. The Horrible Part of it Is ... 19. Montana (single version) 20. Drowning Witch 21. You Have Any Last Words ... 22. NYC Halloween Audience 23. Take Your Clothes Off When You DanceThis was a radio station promo to promote the new Strictly Commercial compilation. All tracks are the original (first released) versions, except 3 & 19, from Strictly Commercial, 20 from Stage #3, and 23 from Stage #6; Tracks 1, 5, 9, 12, 15, 18 & 21 (all tracks with titles that end with "...") are short excerpts from an interview conducted by Ben Manilla for WLIR-FM. The exact interview is presently unknown. The cover has the "my pumpkin" picture from Absolutely Free, and the CD and under-the-tray insert have the smoking-and-playing picture from the back of the Guitar CD booklet.Informants: Dr Istvan Fekete, JWB Toxic ShockAssault on New York - The Toxic Shock Trilogy (3-LP box)Drowning Witch (Toxic Shock Part I) (LP)Standing Room Only ... Arf! (Toxic Shock Part II) (LP)Clownz on Velvet (Toxic Shock Part III) (LP) * The Palladium, New York, 31-Oct-1981 (late show) * The Ritz, New York, 17-Nov-1981Issued as a 3-LP box and three separate records (Standing Room Only ... Arf! issued in two variant covers - some subtitled plainly "Standing Room Only"). Drowning Witch re-issued with 'Tis the Season to be Jelly as Thigh. Length: 3x~45 min? Sound quality: FM radio A- Label: Magpie Records MGP 3001-3003Musicians: Frank Zappa, Ray White, Steve Vai, Tommy Mars, Bobby Martin, Ed Mann, Scott Thunes, Chad Wackerman and special guest Al DiMeola 1. Bamboozled by Love 2. Stevie's Spanking [DUB ROOM SPECIAL version] 3. Cocaine Decisions [different edit of the DUB ROOM SPECIAL version] 4. Nig Biz [DUB ROOM SPECIAL version] 5. Drowning Witch [listed as "The Drowning Witch"] 6. What's New in Baltimore? [not listed] 7. Moggio [not listed] 8. Easy Meat 9. The Mudd Club 10. The Meek Shall Inherit Nothing 11. Dumb All Over [part 1, not listed] 12. Dumb All Over [part 2, not listed] 13. Heavenly Bank Account 14. Suicide Chump 15. Jumbo, Go Away 16. "While I Tune My Guitar" 17. Zoot Allures 18. Clownz on Velvet [with Al DiMeola] 19 Strictly Genteel 20. This is My Story [Forrest/Levy] 21. Whipping Post [Allman] [reggae version] 22. Watermelon in Easter HayAccording to the cover, side 1 is from
the Palladium, and sides 2-6 are from the Ritz. (When Guitar Player Magazine conducted a poll in the early 1990s, the Ritz concert was voted "BEST CONCERT BY ANYONE, ANYWHERE, EVER".) A more comprehensive Ritz concert issue was Zappa in New York 81. * Tracks 2-4 have been officially released on the DUB ROOM SPECIAL video, with track 3 slightly edited. Between tracks 1-2 on this album you can hear the beginning and end of the second movement of "Sinister Footwear", which was played but edited out, and after track 4 you can hear the start of "Doreen". * The entire first guitar solo in "Drowning Witch" on Ship Arriving Too Late to Save a Drowning Witch is taken from this recording, but this is a different, edited version. * Tracks 11 and 12 are not listed on the album cover, which instead lists track 10 as being split over the side break, but the listing above is correct. * Track 20 was originally recorded by Gene & Eunice, with Johnny's Combo (Johnny was Johnny Otis, inspiration for Zappa's moustache) on the Alladin label (3282) on 17-Feb-1955, and peaked at #8 on the R&B chart on 21-May-1955. * Tracks 20-21 also appear on Apocrypha. * Track 16 is a short solo by Tommy Mars, while Zappa tunes his guitar. * Special guest Al DiMeola plays a solo on "Clownz on Velvet". (Zappa didn't play with him, because they couldn't hook up enough guitars.) Some people refuse to believe that it's the real Al DiMeola, but it is.Drowning Witch (Toxic Shock Part I) has a yellow xerox paper glued to a white cardboard cover. It is simply a pretty ugly drawing of Zappa, backed by the letters ZAPPA, plus title, track list, venues and dates. The record labels say "Magpie Records & Ozz-Good Productions present: THE RAMBLERS".Many of the boxes included a bonus 7" single containing: Side 1. Envelopes [17-Nov-1981] Side 2. Black Napkins [31-Oct-1981]Also, the 3 LPs have been issued in one single sleeve with a xerox insert. The insert has pictures of the three album covers and an overview of the set (written by a non-bootlegger).
A minha viagem de volta a Sao Paulo foi muito cansativa, pela quantidade de meios que tive que tomar. O aviao da Azul e realmente muito mais confortavel, apesar de menorzinho. Se pudesse dizer o que e melhor, diria que e a simplicidade. Tudo e mais simples, menos gente, menos tumulto, menos comocao. Dormi a viagem quase toda, nao precisei recorrer nem ao livro nem ao ipod, que sequer foi ligado. O problema foi: pegar o onibus para Campinas numa fila gigantesca; o transito para chegar em Sao Paulo; o metro lotadissimo. Apesar disso, cheguei na hora prevista, mas destruida. Nao da pra chegar com bagagem. A bolsa e so, de preferencia muito leve. Ainda nao sei como vou conseguir essa magica. Hoje foi o primeiro dia de aula, apos uma espera de meses. Comecei bem, com a disciplina Aspectos Constitucionais do Direito a Educacao, ministrada em conjunto pelas professoras doutoras Nina Ranieri e Monica Caggiano. Tive o privilegio de ouvir, ainda que muito brevemente, o representante da UNESCO no Brasil, Paolo Fontani, de voz mansa e olhar placido, ressaltando que a separacao entre o acesso ao direito e a forma de realizacao do educar nao e plausivel, exatamente como tentei demonstrar na minha dissertacao. A disciplina tem o programa muito bom e vamos receber a visita de cerca de dez professores, muitos dos quais ja apareceram nos rodapes dos meus trabalhos. Fiquei animadissima, apesar da dor de cabeca e do cansaco fisico. A disciplina tera como tema central o principio da igualdade e o direito a educacao, em virtude dos cinquenta anos da Convencao das Nacoes Unidas contra a Discriminacao no Ensino. Estou me sentindo em casa, verdadeiramente. Ja tive muito contato sobre todos os temas do programa, muitos dos quais ja com trabalhos publicados, inclusive. Estou animada com a possibilidade do intercambio de ideias. Trata-se de uma turma de vinte alunos das mais variadas origens e ocupacoes, de todo o Brasil. Logo apos fui assistir a aula de meu orientador na graduacao, mesmo com os olhos pesados e a cabeca funcionando devagar e muito mal. A aula foi excelente. Ele funciona num ritmo frenetico e desenvolve os argumentos pressupondo que sua plateia ja esta familiarizada com um horizonte de compreensao bastante complexo. Nao imagino que os alunos do segundo semestre do curso tenham entendido muita coisa, especialmente no que se refere as explicacoes sobre o sistema social e a organizacao multicentrica da sociedade atual. Para mim, foi muito proveitoso, muito esclarecedor. De modo geral, estou com muita saudade de casa. Foi muito bom passar esses dias, perceber como sao valorosas as pequenas coisas, a nossa cama, os nosso lencois. Estar perto de quem a gente mais gosta. Nao sei se qualquer plano de sucesso profissional e mais importante que isso. Estou muito animada com a aula, sim. Acho que esses meses serao de crescimento imenso, sim. Apesar disso, penso em voltar todo santo dia. Minha pesquisa e focada na justificacao dos direitos fundamentais, analisando especificamente a adequacao dos modelos de etica procedimental para esse fim. Continuando as leituras durante a
tarde de ontem, comecei o fichamento da obra Etica Minima, da filosofa Adela Cortina, que se declarada filiada a corrente da etica da discussao como concebida por Karl-Otto Apel. A obra se mostra interessante, pela organizacao do temas, dos mais simples, como a explicacao dos termos, aos mais complexos, como o problema da fundamentacao moral no direito e na politica. Ontem eu estava sonolenta e me sentindo um pouco cansada, entao nao notei muita fluencia na leitura. Nao posso dizer se foi por descuido meu ou porque realmente o texto e truncado, mas o que importa e que depois de algumas tentativas eu consegui avancar na compreensao sistematica das ideias. Um aspecto que me pareceu interessantissimo estou aguardando a biblioteca reabrir para buscar direto na fonte e a analise Max Weber sobre a criacao, na Modernidade, de um sistema de complementaridade entre a esfera publica e a esfera privada, dentro de uma logica liberal, a fim de justificar que o campo de normatividade moral e juridica nao e passivel de fundamentacao racional. O argumento e apresentado por Apel como um dos principais problemas ao resgate de uma filosofia pratica capaz de oferecer razoes plausiveis para as normas orientadoras do agir humano como agir verdadeiramente livre. Para Weber, a racionalidade moderna e identificada com o conhecimento cientifico, de modo que toda e qualquer especulacao que nao tenha o objeto diante de si nao pode ser considerada cientifica e, portanto, racional. Isso nos leva a conclusao de que a moralidade, por lidar com um objeto imediatamente abstrato, nao pode ser racional e, portanto, nao e capaz de justificacao. Isso leva a uma retomada do convencionalismo (que nos remete muito muito a Rousseau, como salientado por Habermas) e tambem do decisionismo na esfera publica: as normas sao validas porque nos queremos que sejam validas. Como superar filosoficamente o paradigma positivista e retomar a discussao pelo fundamento? Essa reflexao precisa ser lapidada, claro, com as fontes, mas me parece o ponto de partida para a analise da retomada da hermeneutica e da logica material como orientadores da construcao e aplicacao do direito no pos-guerra, que e a introducao do artigo que estou escrevendo para o CONPEDI. No ritmo que as coisas vao, nao sei se consigo terminar ate 5 de abril, especialmente agora que tenho ficado cada vez mais cricri com as referencias. Vamos acompanhar.
Visao da praca de dentro da catedralBem me quer, mal me quer...Para chegar a faculdade de metro eu faco o seguinte trajeto: embarco na estacao consolacao, linha verde, salto na estacao paraiso para uma baldeacao, embarco novamente em direcao a tucuruvi e, enfim, chego na Se, cuja estacao fica a duas quadras da faculdade. Hoje, apesar de nao ter aula, precisava pegar um material na xerox e nao resisti, dei uma passadinha para conhecer a catedral por dentro.Tenho uma queda por igrejas e templos. Apesar de nao ser religiosa, a paz e o silencio me deixam tao tranquila que cheguei a passar horas explorando mosteiros e igrejas antigas quando fui a Italia, ha alguns anos, numa viagem que aproveitei muito pouco, para ser sincera. Seguem fotos do lugar que, de fato, e magico. Fotos do salao nobre da faculdade, onde ocorrem as grandes cerimonias e celebracoes. C. S. Lewis Ja faz algum tempo que venho pensando em levar a literatura a serio na vida. Isso implica deixar o Direito e essa vida cinzenta e normativa. A ideia central desse projeto maluco de vida e ler por profissao, investir na critica. Pensando nisso, venho mapeando algumas leituras que, penso, podem me ajudar na preparacao para essa mudanca. Dois livros me chamaram atencao neste mes: A Analise Literaria, do Massaud Moises, e Um Experimento de Critica Literaria, do C.S. Lewis.Quero me deter no livro do Lewis. Um dos ensaios do escritor trata da leitura dos literariamente iletrados. E uma analise curiosa sobre a experiencia da leitura. Para Lewis, a formacao intelectual diz muito pouco sobre o ato de ler do sujeito, que pode ser considerado iletrado ainda que tenha o habito constante da leitura.O leitor literariamente letrado e aquele que considera o valor em si mesmo da literatura, para alem de sua importancia instrumental um livro pode ser bom nao porque ensina algo edificante, ou provoca risos e angustia, mas simplesmente porque o modo como foi escrito e especial, o estilo e bem cuidado, a construcao do texto, artistica. Essa analise parece ser util para explicar algumas observacoes sobre determinados tipos de livro, em especial os best sellers. Quando tive a oportunidade de ler O Codigo da Vinci, terminei a leitura em um dia e meio, vidrada na historia policialesca. Sem duvida, se for indagada sobre o livro, diria que o li, que o li ate o final e que o li rapido, em pouco tempo, aproveitando a leitura como um excelente divertimento. Mas se perguntasse se o livro e bom, a resposta e necessariamente negativa. Como literatura, O Codigo da Vinci e um desastre: excesso de adjetivacao, cliches, estrutura narrativa linear, personagens pouco criativos. Enfim, e uma literatura pobre. Acho que caminhariamos bem se pudessemos ter a dignidade de aceitar que determinados escritores sao importantes, nao porque escrevem bem, mas porque cumprem satisfatoriamente um papel social, o do lazer. Afinal, quem nunca se emocionou assistindo a mais acucarada e obvia das novelas? Eis o livrinho que me fara companhia na cansativa viagem de ida (e volta) a Fortaleza, amanha, para ver o meu
amor e minha familia. Recem-lancado, comprei com o meu bonus na livraria da vila. Espero que seja bem aproveitado. Na contracapa, se le:"Os habitantes da aldeia do Pessego, no sope da montanha do Norte, sao proibidos de chorar. Para manter os olhos sempre secos, a orfa Binu aprende a chorar pelos cabelos, e e isso que ela faz quando o jovem marido e levado a montanha da Grande Andorinha para trabalhar na construcao da Muralha da China. A saga de Binu, que percorre centenas de quilometros para entregar um casaco ao amado, e um mito milenar chines, transmitido oralmente de geracao em geracao e recontado aqui por Su Tong. Ao longo da jornada, entre inumeros perigos e maravilhas, Binu se depara com um mercado de gente, e aprisionada por meninos-cervos e acorrentada a um caixao de defunto. Acusada de louca e de feiticeira, ve a morte de perto mais de uma vez. Por tras da fantasia da fabula, Su Tong desvela a maneira como a cultura e a sociedade chinesa tem sido percebidas ao longo dos seculos. Fala tambem de sentimentos universais, como o amor e a persistencia contra as injusticas e adversidades. "