Hiroshima, meu amorUm deslocamento radical na percepcao da existencia por forca de um amor; outro foco, outro movel move entao o desejo; lances de tempos por vir e ja passados brotam do toque suspenso das peles que ardem e derretem, e por entre os corpos que duram e se dilatam, vozes inauditas emergem, sentidos interrompidos reverberam, intensidades esmagadas ressurgem dos labirintos de tempos soterrados, subterraneos da infamia misturados ao extraordinario da vida, entalados, engolfados, sufocados; sussurros de tempos vividos, gemidos dobrados; murmurios dos movimentos raros e do insuportavel esquecidos; memorias inconsolaveis, acontecimentos indigeriveis, fazendo retornar sempre esse algo de indestrutivel... insalubres retornos, morredouros da confianca ou movedouros das causas profundas da corrosao da confianca e da forca dos afetos mais nobres...? Hiroshima, meu Amor (Hiroshima, mon Amour) 1959, Franca/Japao, 90min Direcao: Alain Resnais Data: 21 de outubro de 2011 as 20h00 Local: Oficina Cultural Oswald de Andrade Rua Tres Rios, 363 - Bom Retiro - Sao Paulo - SP (11) 3221-5558 / 3222-2662 Entrada Franca Ponto de Cultura Movimentos Nomades de Cultura escolanomade.org Oficina Cultural Oswald de Andrade U.S. and Europe, mid-1960s Process art emphasizes the process of making art (rather than any predetermined composition or plan) and the concepts of change and transience, as elaborated in the work of such artists as Lynda Benglis, Eva Hesse, Robert Morris, Bruce Nauman, Alan Saret, Richard Serra, Robert Smithson, and Keith Sonnier. Their interest in process and the properties of materials as determining factors has precedents in the Abstract Expressionists use of unconventional methods such as dripping and staining. In a ground-breaking essay and exhibition in 1968, Morris posited the notion of anti-form as a basis for making art works in terms of process and time rather than as static and enduring icons, which he associated with object-type art. Morris stressed this new arts de-emphasis of order through nonrigid materials, pioneered by Claes Oldenburg, and the manipulation of those materials through the processes of gravity, stacking, piling, and hanging. Process artists were involved in issues attendant to the body, random occurrences, improvisation, and the liberating qualities of nontraditional materials such as wax, felt, and latex. Using these, they created eccentric forms in erratic or irregular arrangements produced by actions such as cutting, hanging, and dropping, or organic processes such as growth, condensation, freezing, or decomposition.Fonte:http://www.guggenheim.org/new-york/ kkkkk ..NOTICIA DO DIA 10-07-12BLOG OFICIAL DO YPIRANGA-WWW.YPIRANGA-PE.COM Novo contratado Fabinho (atacante).:Publicado por blog oficial -www.ypiranga-pe.com no dia 19/06/2012Nome: Fabio Gilvam do Nascimento Silva -Apelidio: Fabinho -Posicao :atacanteUltimo clube ; Porto de Cauraru-Pe ( 2012). Clube onde ja jogou ; Sport -Pe ( 2004 /2005). Botafogo-PB (2005/2006). Mogimirin-SP (2006/2007).Varteks-Croacia(2007).Vardar-Macedonia (2007/2008).Rabotnicki-Macedonia (2009/2011). Porto-Pe (2012). NOVO CONTRATADO: A peca que faltava um meia esquerda: e mas um zagueiro: Ypiranga-PE 1x3 Horizonte-CE 24/06/2012: Final do jogoCampeonato Brasileiro Serie D 2012 - 1a rodada Dom. 24/06 as 16h00 - Otavio LimeiraVALOR DO INGRESSO SERA DE SOCIO $ 10,00 E NA ARQUIBANCADA GERAL $20,001X3 (1 Andre P-2 Celson-3 Teles- 4 Marcio-5 Jair- 6 Hugo-7 Anderson-8 Otacilio-9 Neto -10 Ila-11 Thomas).Gol de Neto Alagoano aos 30 minutos do 2a.Entrou Helder - Saiu Otacilio ( no