thegoodfellas/blogset-br huggingface dataset:
tweens with 'Hannah Montana' clothes. Washington Post. Pagina visitada em 30 de abril de 2008. Forbes Magazine Top 20 Under 25. Pagina visitada em 8 de dezembro de 2007. Wax Miley Cyrus Hits Madame Tussaud's. People Magazine (20 de marco de 2008). Pagina visitada em 2 de marco de 2008. Italie, Hillel. "Miley Cyrus becomes author with upcoming memoir", Seattle Times/Associated Press, 3 de fevereiro de 2009. Pagina visitada em 24 de marco de 2009. Cyrus, Miley. Miles to Go. [S.l.]: Disney/Hyperion Books, 2009marco. ISBN 978-1-42-311992-0 Business Wire (23 de marco de 2009). Miles to Go- First Ever Book from Superstar Miley Cyrus is a #1 Best Seller. Press release. Pagina visitada em 23 de marco de 2009. Motoko Rich. "A Bookish Miley Cyrus", The New York Times, 22 de abril de 2008. Pagina visitada em 22 de abril de 2008. a b c Miley & Max for Wal-Mart is Just So-So (Kelly O'Reilly 2009-08-05) [3] Miley Cyrus & Max Azria For Walmart Is A Lotta Meh The Frisky Fleming, Michael. "Robinson to direct Cyrus' 'Song'", Variety, 30 de marco de 2009. Pagina visitada em 31 de marco de 2009. O filme comecara em junho Breakout certified Platinum. RIAA (17 de outubro de 2008). Pagina visitada em 22 de junho de 2009. Caulfield, Keith. "'Now 30,' 'Hannah Montana' Lead Busy Week On Billboard 200", Billboard, Nielsen Business Media, Inc, 1 de Abril, 2009. Pagina visitada em 9 de Outubro, 2009. (em ingles) Vena, Jocelyn (26 de abril de 2010). Miley Cyrus' Can't Be Tamed Due June 22 (em ingles). MTV News. Pagina visitada em 26 de abril de 2010.
Confissoes de Adolescente volta aos palcosSucesso na decada de 1990, espetaculo Confissoes de Adolescente volta aos palcos em versao atualizada e faz uma minitemporada no Teatro Regina VogueGazeta do povo Jared Drake Bell Dodson (27 de Junho de 1986 [1] em Santa Ana, Orange County) e um ator e cantor norte-americano, mundialmente conhecido por interpretar Drake Parker em Drake & Josh.Depois de comecar sua carreira como um ator infantil em 1993, atuando em comerciais e fazendo participacoes em series de TV, ele estrelou mais de nove filmes, e finalmente fez a sua estreia no programa The Amanda Show, exibido pelo canal Nickelodeon no qual Drake fazia varios personagens ao lado da atriz Amanda Bynes. Em 2004, dois anos depois do Show da Amanda ser encerrado, ele voltou como Drake Parker no programa Drake & Josh que foi encerrado apos quatro temporadas bem sucedidas, ganhando um ultimo episodio especial de natal, Merry Christmas, Drake & JoshEm adicao a sua carreira de ator, Bell esta crescendo tambem no meio musical onde ja teve dois albuns lancados, Telegraph, um disco independente lancado no ano de 2005 e It's Only Time, lancado em 2006 depois de um contrato assinado com a Motown Records. Em 2011 lancou seu EP nomeado A Reminder e pretende lancar ainda no mesmo ano o seu Terceiro Disco Firecracker Indice[esconder]1 Carreira de ator2 Carreira de cantor3 Premios e nomeacoes4 Filmografia 4.1 Filmes5 Discografia 5.1 Albuns5.2 Singles6 Notas e referencias7 Ligacoes externas [editar] Carreira de atorAos oito anos, Drake fez sua primeira aparicao na TV em Home Improvement, como Pequeno Pete e um ano depois aos nove atuou no filme Jerry Maguire ao lado de Tom Cruise. Ate os anos 2000, quando foi nomeado ao Young Artist Award (Premiacao para Jovens Talentos) como "Melhor Performance na TV" pelo filme The Jack Bull, Drake trabalhou em mais de quinze projetos. Pelos anos 2000, Bell participou de O Show da Amanda e se tornou o famoso Drake Parker em Drake & Josh.Drake recebeu por anos seguidos o premio de Melhor Serie de TV por Drake & Josh no Nickelodeon Kids' Choice Awards onde faturou tambem premios de Melhor Ator e Cantor. Drake inclusive encerrou o trabalho em seus dois ultimos filmes College dirigido por Deb Hagan e Superhero movie, uma comedia bastante divertida, que e centrada em uma satira aos filmes de Super-Herois. Drake interpretou o "Libelula", personagem principal no estilo Peter Parker do Homem Aranha. Esse filme foi lancado em Abril de 2008 e College sera lancado em Agosto.Seus projetos sao The Miracle of Santa Rosa (que conta a historia de um americano que retorna a sua casa na Italia para vingar seu pai) e a mini-serie para TV Flying Tigers ambas produzidas pela Virtus Entertainment. The Flying Tigers conta sobre um Esquadrao Americano de pilotos que fogem com os Japoneses da Asia imediatamente apos o ataque a Pearl Harbor.Em Dezembro de 2009 foi lancado na TV um novo filme com a dupla Drake & Josh. O filme se chama Feliz Natal, Drake & Josh e conta a sobre quando os irmaos decidem ajudar
uma menina e seus pais a terem o melhor Natal de todos.[editar] Carreira de cantorEm seu primeiro album, Telegraph, lancado em 27 de Setembro de 2005, Drake mostrou seu lado mais Pop/Rock, onde musicas ja conhecidas como "I Found a Way", tema da serie Drake & Josh foram adicionadas. Em 2005, Bell colaborou com Hawk Nelson numa musica chamada Bring Em' Out para o filme "Os Seus, Os Meus, e Os Nossos" onde ele mesmo atuou. Atualmente Bell assinou contrato com a Motown Records, e teve seu segundo disco It's Only Time em 2006. Seu primeiro single "I Know" foi lancado em 17 de Outubro. Tempo depois no verao de 2007, Bell saiu em turne com Ali & Ala e Corbin Bleu. Ele tambem foi um dos compositores do tema do programa iCarly "Leave It All To Me" com Miranda Cosgrove, alem de tambem estar no videoclipe lancado em 24 de Maio, 2008. Miranda Cosgrove hoje e a grande estrela de iCarly. Bell tambem gravou uma musica com Sara Paxton para o filme Superhero Movie.[2][3][editar] Premios e nomeacoesVenceu2011 - Kids Choice Awards brasil 2011 - Ator Favorito (Drake bell)2008 - ASCAP Award - Melhor Compositor2008 - Kids Choice Awards - Programa de TV Favorito (Drake & Josh)2008 - Kids Choice Awards - Ator de TV Favorito2007 - Kids Choice Awards - Ator de TV Favorito2006 - Kids Choice Awards - Ator de TV Favorito2006 - Kids Choice Awards - Programa de TV Favorito (Drake & Josh)Nomeacoes2008 - Meus Premios Nick - Ator Internacional Favorito2008 - Teen Choice Awards - Breakout Male2008 - Kids Choice Awards - Programa de TV Favorito ([[D - Programa de TV Favorito (Drake & Josh)2005 Kids Choice Awards - Programa de TV Favorito (Drake & Josh)2000 Young Artist Award - Melhor Performance na TV (The Jack Bull) he is so ugly[editar] Filmografia Ano Serie Personagem Nota 1995 Minor Adjustments Jordan Episodio: The Ex Files 1999 ABC Afterschool Special Scott Episodio: Me and My Hormones 1997 Gun Brendan Episodio: The Hole 1998 Seinfeld Kenny Episodio: The Frogger 1999-2002 The Amanda Show Regular Performer 2002 The Nightmare Room Alex Sanders Episodio: Dear Diary, I'm Dead 2004-2008 Drake & Josh Drake Parker Protagonista 2005 Zoey 101 Himself Episodio: Spring Fling 2010 I <3 Vampires Ian Episodio: I Love LuciEpisode: Four's A Crowd 48 Hours of Drake & Josh Himself/Host Nickelodeon Latin America Special iCarly Himself Episidio: iBloop 2012 Ultimate Spider-Man Peter Parker/Spider-Man Lead Role [editar] Filmes Ano Filme Personagem 1995 Drifting School Kenny Smith 1995 The Neon Bible David,aged 10 1996 Jerry Maguire Jesse Remo 1999 Dill Scallion Eugene Bob 1999 The Jack Bull Cage Redding 1999 Dragonworld: The Legend Continues Johnny 2000 High Fidelity Rob Jr. High 2000 Perfect Game Bobby Jr. 2001 Chasing Destiny Walter 2005 Yours, Mine and Ours Dylan North 2006 Drake & Josh Go Hollywood Drake Parker 2008 Superhero Movie Rick Riker/Libelula 2008 College Kevin Brewer 2008 The Nutty Professor Harold/Jack 2008 Unstable Fables: Tortoise vs Hare (voz) - Butch Hare 2008 Merry Christmas, Drake & Josh Drake Parker 2009 The Fish Tank Fish 2010 Sleepway
Camp Reunion Rumored 2011 A Fairly Odd Movie: Grow Up, Timmy Turner! Timmy Turner 2012 Rags Shawn [editar] Discografia Ver artigo principal: Discografia de Drake Bell[editar] AlbunsIt's Only TimeRealizado: 5 de Dezembro de 2006 (U.S.)Gravadora: Universal RecordsPosicoes: #81 (US)RIAA Certificacoes: GoldVendas E.U.A: 216,400 [1]Venda Mundial: + 1 milhao [carece de fontes]Singles: I Know e Makes Me HappyTelegraphRealizado: 27 de Setembro de 2005 (U.S.)Gravadora: Nine Yards RecordsInfo: Album de EstreiaStatus: CD IndependenteVendas Mundiais: + 1 milhao [carece de fontes]Singles: Found a Way[editar] Singles Ano Musica Posicoes Album U.S. Hot 100 U.S. Pop 100 Hot Digital Tracks 2006 "I Know" - - - It's Only Time 2007 "Makes Me Happy" 103 67 45 2004/2005 "Found a Way" - - - Telegraph 2008 "Superhero! Song" - - - The Nashville Sessions 2008 "Everything is Gonna Be Ok" - - - The Nashville Sessions 2007 "Leave It All To Me" 100 83 - iCarly: Music From and Inspired by the Hit TV Show 2010 "Our Love" - - - Firecracker 2011 "Terrific" - - - A Reminder EP 2011 "You're Not Thinking" - - - A Reminder EP Wikipedia
campo das Artes Visuais, atraves da criacao de performances sonicas. Atualmente, desenvolvo parte do doutorado, com bolsa CAPES Ministerio da Educacao do Brasil, no Departamento de Escultura e Laboratorio de Criacoes Intermidia da Faculdade de Belas Artes da Universidade Politecnica de Valencia, em Valencia Espanha, sob a orientacao do Prof. Miguel Molina Alarcon. Por conta do doutorado, alguns trabalhos tiveram seu processo de criacao detalhado em artigos e apresentados em conferencias no Brasil e no exterior, como:Selva de Metal foi apresentado na Universidade de Lisboa (2013), com apoio financeiro do MINC-SefiC Brasil e PPGAV IA-UFRGS; no Encontro de Musica e Arte Sonora na Faculdade de Artes e Design da UFJF - Universidade de Juiz de Fora/MG (2013) e em artigo vinculado ao Colloque Bruits/Coloquio Ruidos (Paris, 2014), que encontra-se em processo de publicacao na L AUTRE MUSIC, revista editada por Celio Paillard, professor do Programa de Arte Sonora do Institut Acte-Sorbonne/Paris1 (2015). Shape is Clear :Criacao dos Ventos foi apresentado em mostra audiovisual, junto a programacao da 19o Congresso de Leitura do Brasil (COLE), na Universidade Estadual de Campinas (Unicamp), em Campinas/SP Brasil (2014). Em voz Alta na Travessa do Fala-So foi apresentado em Congresso na ITU Universidade Tecnica de Istanbul Faculdade de Arquitetura (2014) e integrou o Seminario Iberoamericano sobre o Processo de Criacao nas Artes, do Programa de Pos-graduacao em Artes da UFES, em parceria com a Universidade de Buenos Aires, Universidad de Granada e Universidade de Lisboa (2014).
have been already given: Cross the place talking to oneself. Some provocation would be possible in the experiment: go from one point to another out loud, and building, in a different manner, the situation that had taken place in another time. While researching on the resident the Travessa was named after, I found a Portuguese video feature investigating the origins of some unusual street names in Lisbon. Travessa do Fala-So was one of these, but in the statements collected, the identity of the "old man" who talked to himself, as well as the contents of such talk, were left untouched, tangled in the memory of the city (2). Speculations on the Voice Paul Zumthor (2007:83) states that the voice is a symbolic place par excellence; but a place that can only defined "in terms of relationships, separations or articulations between subject and object, between One and the Other. Voice also creates a sense of "at home" an issue brought up by Deleuze & Guattari in the concept of Ritornelo, which Zumthor (2007:85) explains as a "feeling of sociability. By hearing a voice of emitting ours, we feel, we declare to no longer be alone in the world". Precisely, because voice, using the language to say something, speaks itself, it positions itself as a presence" and, also, because "what matters most deeply to voice is that the word to which it is the media is enunciated as a remembrance". (Zumthor, 2007:63-64).However, the symbolic and communicative power of voice -- presence, articulation, disposition to connect with remembrance, is not free from normalizations, and is model by a series of conventions, just like other instances of social behavior.Over time, different cultures have agreed upon the act of talking to oneself out lout in the street, in public spaces and transportation, being associated to lack of manners, mental pathology and other deviations, and so this act is practiced, for a variety of reasons, by those who do not comply with the norms. Over the last few decades, an interesting situation can be observed in the streets of big cities: people alone sitting in public spaces, walking, and driving cars while talking and singing out loud. The new communication and entertainment technologies that favor mobility and multitasking authorize people, through compact electronic devices, often worn on the body, with a wireless system, to talk and hum over a music file or radio sound. At times, the sound leaks from the headphones and compact earpieces, exposing a reason or revealing, live, the other party of the conversation.Even if we do not find it strange to see someone talking to themselves, high volumes in specific places can be bothersome. Because of that, the act of talking out loud in the street, whether or not it is mediated by technology, can still be looked down upon and considered impolite.Perhaps the most enchanting and surprising aspect of this is still the occupation of the public space by the collective voice, by its "nomadic potential", because it restores, as Deleuze (2012:64) puts it, "a smooth space or a way to be in
the space as if it were smooth" and by its "swirling or spinning movement", which refers to the war machine. (Examples: football fans, riots, political protests, drunk youth leaving parties, etc.).Zumthor (2005) also underscores the importance and the intensity of the collective voice, when he states that (...) in the large gatherings of crowds, the meeting itself is a moment, a space-time entity of a passionate nature; an intense, psychic space-time, in which oral poetry plays, simultaneously, a declarative role and a concentration role, an explosion of energies." (ZUMTHOR, 2005:90)Going back to the lonely talk, the issues aforementioned reveal a few problems about this lonely talk the Travessa is named after. I understand the lonely talk of the "old man" on Travessa do Fala So, as a maladjustment in the established model for the use of voice, i.e., this is a ligne de fuite from everyday life, but one that, by repetition, has become a habit. The "old man" might be talking to himself out loud, but this situation reveals that the people who lived in his surroundings was listening, they were the ones who helped popularize and name the situation, culminating in its territorialization as a street name.Spiral time, smooth space and voice as war machineDeleuze (....:....),defines time as a tangled labyrinth, a mass and a spiral swirl, with its leaps, accelerations, ruptures and, speed decreases and infinite variation. This changes what is understood as memory, which no longer reconstructs things, but rather unfolds and interconnects with different times. With that, memory takes on a multiple character, one that creates and produces present and future.Taking on space, Deleuze and Guattari (2006) present the war machine as "a linear assemblage which is constructed on ligne de fuite. In this sense, the war machine does not at all have war as its object; it has as its object a very special space, smooth space, which it composes, occupies and propagates. Nomadism is precisely this combination "war machine-smooth space." [...] A war machine tends to be revolutionary, or artistic, much more so than military. (DELEUZE, 2006:48)Smooth space [nomad] is precisely the space of the smallest deviation [...] (D&G, 2012:40). If air is considered to be smooth space and is occupied by the intensities, winds and noises [...], the sound and tactile qualities forces (Deleuze & Guattari, 2012:198), I risk saying that voice, which blows syllables, words and sounds, which projects and propagates, depending on its use, can be regarded as a weapon, since "everything that launches or that is launched is, in principle, a weapon (D&G, 2012:77) and as a poetic, artistic war machine.The performative action Aloud on Lonely Talker Lane set out to build, in a different way, a situation that happened in another time; to be in the space and cross it talking out loud to oneself, thus activating the multiple, creator character of memory. About Aloud on Lonely Talker LaneIn Lisbon, I walked around Travessa do Fala-So -- in the tourist district of Baixa Pombalina -- Praca dos Restauradores, Calcada da Gloria, Bairro Alto, and worked on what would be said
and blended with the location's soundscape, leaving the exploration of Travessa do Fala-So to be done on the day the piece was set to be performed. The text was created one day before the piece was performed, late one afternoon, by the Tejo River, and it contains references to what I was seeing and hearing at that place, as well as to situations witnessed in other places of Lisbon. With that, I understand that, during the performance, this space-time of the city was transported into Travessa do Fala-So. So, in the afternoon of July 22, 2013, I drew a path across the longest, narrowest stretch of Travessa do Fala-So which has four entrances and exits, and walked that path aline, reading the prepared text aloud. During the time of the performative action, I operated the equipment and said the following words (3): If you can't take photos..., vision, hearing, smell, tact are not over. And I say:A bird feather tries to take flight from the rock. The moss hold it down. A thick chain lies ahead.The wind helps it change places. Birds leap from the sloped rock. The banks of the Tejo look brown today.The sun goes down on the city's back. The feather changes place, once more. Direction, too. [It's summertime. I'm going back to winter tomorrow]The waves break (in parts, in stereo?) on the constructed shore. [Behind me > the voices of two African men (one wearing white headphones). To the left, on the speakers of the riverside bar > a flamenco guitar is playing Noise from the wheels of a baby stroller, bikes, shoes against the stone of the sidewalkThe green moss is alive It is brown. It is carpet. Now, a piece of plastic hops on top of it - quicker than the feather, it does not let itself get caught."From Tejo one sets out to the world" The world comes in through Tejo and through air. The waters are folded as they arrive, foaming on the edges. Infinitely, they respond, wave after wave. [Now it's the sandals (behind me), the Africans... The reggae from the bar speakers]Heat! I wait for the moon to appear.A soft breeze! Dizzy from the mix of wine alem Tejo, ginginha and panache.[A male voice (American, metallic) echoes down the river: - Yeah, yeah... oh! Yeah]The girl before him, dressed in black, poses like the little mermaid of Copenhagen. The buildings from Bairro Alto darken the sun. Everything moves -- comes and goes. The full moon has risen over the rosy layer of pollution. There is something here, at the end of the day...: the reflections of the sun that appear on the buildings, in unlikely spots, Overlapping, on the streets. Reflections from the glass? From the glazed tiles? What about the shadows?A young man walks by and his T-shirt reads > SAILING CLOSE THE WIND. sailing close the Wind. All good, all right..., all good all right..., allgoodallright replies the trolley. (VELASCO, 2013) After the last verse of the text was spoken, two men and a woman came into the street, talking.
I kept the record of their voices and adopted the situation as a closing to the action. Aloud on Lonely Talker Lane is the event itself and the documents generated by it: a poetic text; a sound piece containing the spoken text(4) which has the full time of the action, with no cuts and with the changes that naturally took place in the speech, along the path. In order to intensify the singularities of these sound points (words overlapping, tone changes, interruptions for breathing, repetition, etc.), various sound effects (plug-ins) from audio editing software Nuendo 5 were applied, such as: Reverber, Restoration, Modulation Chorus, Delay, Envelope. Additionally, self-portraits, photographs, video and QR code were generated, the latter consisting of a link to the image of the path, on a Google map. The documents generated during the performative action are what make that space-time available to the audience, with the voices, wind, noises and images. However, it should be noted that, according to Paul Zumthor (2007), there is a prior communication that takes place between voice and ear. Therefore, my first time listening to the performance, was, as the medieval theorist puts it,Voice implies ear. But there are two simultaneous ears, once the two pairs of ears are in the presence of one another, the speaker's and the listener's. (...) The ear, in effect, directly captures the space around it, both what comes from behind and what is ahead. Vision also captures a space, certainly; but an oriented space, whose orientation requires particular body movements. This is why the body, through hearing, is present in itself, a presence that is not only special, but intimate. By listening to myself, I self-communicate. My voice, heard, reveals me to myself, no less -- although in a different way -- than to the Other. (ZUMTHOR, 2007:86-87)Aloud on Lonely Talker Lane, in the format: photos, sound piece, and text, has integrated the exhibition ALTERACAO (Alteration), curated by Clovis Martins Costa, which was open to visitation at Espaco Cultural FEEVALE - Novo Hamburgo/RS, in southern Brazil, from October 8, 2013 e to December 20, 2013 and is part of my PhD research in Visual Poetics, at the Visual Arts Graduate Program Institute of Arts of Universidade Federal do Rio Grande do Sul, in Porto Alegre, state of Rio Grande do Sul, Brazil. Final remarksThose who talk alone are primarily talking to themselves, because "the voice, regardless of what it says, offers delight" (Zumthor, 2007:63). The voice moves in the smooth space of air and becomes a disturbance when it is found outside of what has been delimited as its social use, thus turning into a weapon and a nomad war machine. In the case of the "old man" at Travessa do Fala-So, the event was fixed on the location and repetition, causing the people who lived there to hear him, name him (however vaguely) and territorialize the situation as a street name.The performative action Aloud on Lonely Talker Lane creates a ligne de fuite on Travessa do Fala-So, by crossing into different times. By walking along the lane
talking aloud, the multiple character of memory, creator and producer of present and future, is activated.I believe the negotiations of "here-and-now" in the polyphonic urban space altered, for some time, the everyday life at Travessa do Fala-So. The voice speaking aloud acquired its power as an artistic war machine, causing the artist and the location to grow, "in the sense that the nomad makes the desert no less than he is made by it", as stated by Deleuze & Guattari in A Thousand Plateaus - Volume 5. (1) I traveled to Lisbon with the financial support of PPGAVIA-UFRGS and MINC/SEFIC/Brazil, to present the paper Small Ritornellos in sound piece Jungle Metal , which was part of the Sonic Assemblages table of the Conference, at Universidade de Lisboa, from July 8 to 10, 2013. (2)Travessa do Fala-So: http(Access on: February 25, 2014)(3)The voice was captured using a ZOOM-H4 audio recording device. Due to problems with the operation of various equipment, in the same day a second run of the path took place, to capture moving image and photographs using the camera on the Samsung GALAXY - S4 device. (4)Aloud on Lonely Talker Lane sound piece.