Wendy Rule - ZeroWendy Rules debut album Zero is a visionary journey into the world of light and shadow. Dreamy, percussive and lush, the listener is transported through a cinematic landscape of Myth and Magic. Each song is an exploration of Wendys personal journey as a practicing Pagan Witch, offering a level of depth and wisdom rarely experienced in modern music. Featuring Rachel Samuel on cello, with songs that range from the joyous heights of the title track to the soft sadness of Sirens and Frost at Midnight, Zero is a brave and beautiful offering.Tracks:1. Continental Isolation (8.10) 2. Sirens (4.43)3. Chariot (3.39)4. Demigod (3.40) 5. Child The First (3.11)6. Prometheus (6.15)7. Beltane (3.49)8. Odyssey (5.29)9. Seline Of The Infinite Solution (3.14)10. Psyche's Sisters (6.56) 11. Falling Behind Me (2.02) 12. Zero (6.00) 13. Frost At Midnight (6.08) Credits:Released in 1996Produced by Adam Calaitzis at Toyland, Melbourne Featuring Rachel Samuel (cello)And Craig Patterson (Piano)Tamanho: 75 MbDownload: http://www.4shared.com/file/aWkwtMGF/Wendy_Rule_-_Zero_1996_by_3vez.html Voce ainda quer carregar esta cruz? O MITO DA CRIACAO:O CONCEITO DE COSMOGONIANAS METAMORFOSES DE OVIDIOElaine C. Prado dos SantosProfessora Doutora em Letras Classicas pela Universidade de Sao Paulo. Docente da Universidade Presbiteriana Mackenzie, desde 1988. Vinculada ao CCL, Centro de Comunicacao e Letras. Universidade Presbiteriana Mackenzie- UPM) Resumo: A partir da metamorfose pela qual o poeta latino, Ovidio (Ia. C.), constroi os episodios da obra as Metamorfoses, verifica-se, em sua estrutura, uma estrategia narrativa que se desdobra ao longo do poema, desenhando uma imagem global de um canto ininterrupto das origens do mundo ate o tempo do poeta, ou seja, ate o seculo de Augusto. Por meio desse universo de metamorfoses e a partir da cosmogonia construida no mito da criacao, que supoe a relacao entre o caos e a ordem, pretende-se, neste trabalho, observar como e por que o poeta retoma o mito da criacao, relacionado aos ecos provenientes da literatura grega e romana, para na construcao intertextual, desconstrui-lo, ao polemizar um mito. The myth of creation: the cosmogonic concept in Ovids MetamorphosisFrom the metamorphosis through which the Latin poet, Ovid (I b. C.), builds the episodes in the classic work Metamorphosis, it is possible to verify, in its structure, a strategic narrative that is unfolded throughout the poem, indicating a global image of a nonstop chant from the origins of the world until the poets times, that is, until the August century. By means of this universe of metamorphosis, the poet communicates an extremely complex world representation. Based on that, from the cosmogony created in the myth of creation, which supposes the relationship between chaos and order, the present paper intends to observe how and why, in Ovids work, there is a return to the myth of creation, related to the echos coming from Greek and Roman Literatures, to deconstruct it, in the intertextual construction, by polemizing the myth.Observa-se, nas Metamorfoses, uma rede de correspondencias com outras obras anteriores a Ovidio, segundo um principio de imitatio1. O poema ovidiano estabelece um fator de unidade na longa exposicao de lendas, ao desenhar uma construcao atraves de emprestimos tanto de aspectos narrativos quanto de