CalendarioNoturno06/04 Cubismo13/05 Futurismo + Semana de 22 Leitura dos Textos: Manifesto antropofagicoe Manifesto da pintura Futurista20/05 Abstracao27/05 Fotografia nas Vanguardas + Montagem/ Colagem/ Alegoria producao poetica o2: Colagem Leitura do Texto: A Obra de Arte Na Era de Sua Reprodutibilidade Tecnica10/06 Montagem/ Colagem/ Alegoria + Cinema Leitura do Texto: Palavra e Imagem17/06 Expressao e negacao da razao + Duchamp/ ready-made Leitura do Texto: O Ato Criador Entrega da colagem24/06 Performance/ happening/ acontecimento + Escultura01/07 finalizacoes das atividades negociacao das notas + RevisaoMatutino1. 03/04 Cubismo2. 10/05 Futurismo + Semana de 22 Leitura dos Textos: Manifesto antropofagicoe Manifesto da pintura Futurista3. 17/05 Abstracao4. 24/05 Fotografia nas Vanguardas + Montagem/ Colagem/ Alegoria Leitura do Texto: A Obra de Arte Na Era de Sua Reprodutibilidade Tecnica5. 31/05 Montagem/ Colagem/ Alegoria + Cinema6. 07/06 - Expressao e negacao da razao + Duchamp/ ready-made Leitura do Texto: O Ato Criador Entrega da colagem7. 14/06 Escultura8. 21/06 Performance/ happening/ acontecimento + Revisao9. 28/06 finalizacoes da atividades negociacao das notas Alexander RODCHENKO, 1923, colagem, fotografia e guache, ilustracao para ISTO.George Grosz, Remenber Uncle August, 1919.John Heartfield. Millions Stand Behind Me. 1932.Kurt Schwitters. NB. 1947.Hannah Hoch. Cut With The Kitchen Knife. 1919.Tatlin at Home. Raoul Hausmann. 1920.Rodchenko, Alexander. Girl with a Leica 1934.Ray, Man. Rayograph, 1921 print ca. 1963.Gelatin silver print. 28.9 x 21.8 cm.Eastman House Museum of Photography & Film, Rochester, New York Henri Cartier-Bresson (1908-2004). Arp, Hans (Jean). Constellation According to the Laws of Chance.cerca de 1930. Painted wood. Tate Colletion.Michael Larionov. Nocturne circa 1913-14.Mondrian, Piet. Trees, c. 1912Oil on canvas. 37 X 27 7/8 in. (94 X 70.8 cm).Carnegie Museum of Art, Pittsburgh, PennsylvaniaKandinsky, Wassily. mprovisation 28 (second version), 1912.Oil on canvas. 43 7/8 x 63 7/8 inches.Guggenheim Museum, New York City.Malevich, Ciculo Preto. 1913. Leger.Robert Delaunay, Simultaneous Disk (1912-13).Circulo Branco, Alexander Rodchenko. (1924) Counter-Composition V, pintura de Theo van Doesburg. Grosz, George. To Oskar Panizza - 1917/18.Oil on canvas. 140 x 110 cm.Staatsgalerie Stuttgart, Stuttgart, Germany.Chagall, Marc. The Promenade, 1917.Oil on canvas. State Russian Museum,St. Petersburgo, RussiaDali, Salvador. The Persistence of Memory, 1931.Oil on canvas. 9 1/2 x 13" (24.1 x 33 cm)Museum of Modern Art, New York City.Miro, Joan. Constellation: Awakening in the Early Morning 1941.Gouache and oil wash on paper. 18-1/8 x 15 in. (46.0 x 38.0 cm).Kimbell Art Foundation, Fort Worth.Ernst, Max. La Chute d'un ange 1920.Collage and oil on paper. 44 x 34 cm. Private collectionDe Chirico, Giorgio. The Song of Love - June-July 1914.Oil on canvas. 28 3/4 x 23 3/8" (73 x 59.1 cm).Museum of Modern Art, New York City Magritte, Rene. La condition humaine, 1933.Oil on canvas. 100 x 81 x 1.6 cm (39 3/8 x 31 7/8 x 5/8 in.)National Gallery of Art, Washington D.C.Klee, Paul. Runner at the Goal, 1921.Watercolor and pencil on paper, bordered with gouache on the cardboard mount, Cardboard: 15 1/2 x 11 7/8 inches.Paper and Border: 12 7/8 x 9 3/8 inches.Paper: 12 1/16 x 8 15/16 inches.Guggenheim Museum, New York City. Picabia, Francis. Balance. c. 1919. Oil on cardboard. 60 x 44 cm. Private collection.Marcel Duchamp. The Bride Stripped Bare By Her Bachelors,