will be able to overcome its problems and continue to evolve (and the bone will continue flying in space). The other wants to destroy you: do not believe in overcoming the problems (and the bone will fall and destroy us). The Ovono computer supports the first hypothesis, but unlike Kubrick movie HAL, he acquired faith in the bone. After all, it would be his "father", the only reason for its existence. And, against all scientific evidence, "believes" that it will not destroy the planet.Ricardo Karman "the challenge in Ovono is to keep the 'simplicity' theater without showing the inherent technical rigor and electronic sophistication that history has a natural and engaging course, before a drama that takes digital media as a bridge to contemporary aesthetics. " It also explains the meaning of the title: "ovon it" refers to new, the spelling is the opposite of "the-new."Ricardo Karman & Kompanhia Earth CentreWith nine awards nine assemblies held 27 years ago in Sao Paulo art scene, the Earth Centre Kompanhia stands out for intensive research to integrate different scenic languages, performances and art-technology in large interactive installations and innovative theatrical productions. Since 1989, it has been carrying out projects, performances and installations, solidifying his experimental research in the field of technology and interactivity, dialogue with non-conventional spaces and consolidated as innovative theater group.In addition to playwright and theater director, Ricardo Karman graduated in Architecture (FAU-USP). He studied Biology (USP), Theatre Direction (ECA-USP) and Music (piano, clarinet and composition). In London, he studied theater direction at the British Theatre Association, where he apprenticed with director Peter Gill at the National Theatre of Great Britain. Karman is founder and director of Kompanhia Earth Center (1989) and Earth Center Theatre (2001). Professional various areas, joined the Brazilian Rugby Team (1979) and is a helicopter pilot.In the theater, he won in Rio de Janeiro, the Special Production Shell Award with the show Journey to the Center of the Earth II. The same spectacle in the original assembly in Sao Paulo, was featured in Time Magazine (USA), Corriere della Sera (Italy) and in various newspapers in the world, in addition to getting great repercussion in the national media. This was her I Expedition Experimental Media (1 km inside an abandoned tunnel under the Pinheiros River in Sao Paulo, in partnership with Octavian Donasci).The Experimental Expedition II Multimedia Karman, The Great Merlin Travel, happened in 1995 (with 5 hours duration and 130 km long, between Sao Paulo and Jundiai, also with Otavio Donasci). The show also appeared in Time Magazine pages and in The New York Times (USA), Reuters (UK) and newspapers around the world, including including Japan. In 2003, he directed and produced a multimedia version of the play The Saint and The Sow of Ariano Suassuna, who won the APCA Award for Best Play Young. Another embodiment of the director is the children's assembly The Treasure Island (2005), which remains on display (an expedition in a route-installation of 500m, made of sensory environments where children contracenam with adults). For him, he received the APCA Award for Best Children's