O grande problema das reticulas com densidade abaixo de 50% ja foram a dor de cabeca de muitos confeccionistas; estas reticulas, qdo ficam muito claras, ficam c pontos muito distantes uns dos outros.Resolvi isto aqui em Blumenau dividindo as imagens em varios tons; assim, p fazer o tom claro da imagem, ao inves de usar reticula, uso uma cor q ja e clara. As imagens do lado, ao serem ampliadas, demonstram o resultado desta tecnica.Qto mais cores, menos reticulas, mais qualidade, mas tbm mais custo. Creio q este custo sera suprimido c o avanco da tecnologia, pois estou vendo todas as tecnologias baratearem ao longo deste quase 20 anos de desenho.Ao se desenhar as imagens deve-se dividir-las no maximo de cores possivel. Qdo a imagem ja esta pronta ou e uma foto, dai o problema ja e de outro nivel. leia + em conteudo avancadoou contrate bate-papo informal sobre o assuntoThe great problem of reticles with density of 50% or less, it have been the problem of many clothing manufacturers; these reticles, when they are very clear, like with points are very distant from each other.I set this, here in Blumenau, dividing the images in various shades. Thus, to make the light tone image, instead of using reticle, using a color that is already light. The images side by being zoom, show the results of this technique.To more colors, less reticles, more quality, but, cost more. I believe that this cost will be suppressed with the development of technology, because I'm seeing all technologies cust off throughout this nearly 20 years of drawing.By designing the images must divide in maximum variety color that can be. When the image is ready or is a photo, hence the problem is already another level.+ read on advanced contentor contact to a informal chat about it Adobe Photoshop, Plastic Arts and Textile Industry:Lecture ScheduledSince the invention of Niepce, the plastic art is mixed to artistic photography, old records coloring black and white, that we did using brushes, what, today, we can do using the Photoshop.Linked both by structure (color, light, shape) as at nature (to be seen), is always controversial the presence, of art of photography, among other arts. Also so, nothing prevents the situation opposite: industrial areas, traditionally thought to photography.and Photoshop, with Plastic Arts too.Address this issue is to anticipate the future, including a lucid and critical discernment in relation to areas in the near future, will be fully integrated by necessity or by accident.+ Lecture Topics* Creative processes with mr. Florencio, Telomar> The creative process before the digital age> Simulation of old techniques within Photoshop> The feeling of the plastic arts, and its influence on the pace in image.> Differences between design, illustration and art-plastic> The strengths and weaknesses of the digital age* Textile Technology with mr. Berberian, Farneis> Experiences of product development on international scale> Smart Objects in PS, and developing new concepts to datasheets> Main observation focus, on international business travel> Flowcharts systematic versus Flowcharts creative > Differences in Asian logistics structures * The Digital Photography with mr. Peruzzo, Claudio> The