thegoodfellas/blogset-br huggingface dataset:
Le Te desejo uma fe enorme.Em qualquer coisa, nao importa o que.Desejo esperancas novinhas em folha, todos os dias.Tomara que a gente nao desista de ser quem e por nada nem ninguem deste mundo.Que a gente reconheca o poder do outro sem esquecer do nosso.Que as mentiras alheias nao confundam as nossas verdades, mesmo que as mentiras e as verdades sejam impermanentes.Que friagem nenhuma seja capaz de encabular o nosso calor mais bonito.Que, mesmo quando estivermos doendo, nao percamos de vista nem de sonho a ideia da alegria.Tomara que apesar dos apesares todos, a gente continue tendo valentia suficiente para nao abrir mao de se sentir feliz.As coisas vao dar certo.Vai ter amor, vai ter fe, vai ter paz se nao tiver, a gente inventa.Te quero ver feliz, te quero ver sem melancolia nenhuma.Certo, muitas ilusoes dancaram.Mas eu me recuso a descrer absolutamente de tudo, eu faco forca para manter algumas esperancas acesas, como velas.Que a vida seja doce e assim por diante.Que seja bom o que vier, pra voce.Caio Fernando Abreu(mudei uma parte pequenina, que Caio Fernando Abreu me perdoe) Le Recebi da minha amada Cris, amei meu amor!!! Le Hoje sai para comprar um varao para concretizar meu sonho de ter um dossel para minha cama. Sim!!!! Sou dessas!!! Gosto e tudo que gosto coloco em meu palacio. Afinal, sou uma princesa, filha do Rei dos Reis e amo essas frescurinhas.... Quando ficar pronto, posto aqui por enquanto, apenas uma ideia do que quero:E, como gosto de dizer, bons sonhos!!!! Bjssss Le OTIMA BANDA AMERICANA QUE FAZIA UMA PSICODELIA PROGRESSIVA COM ALGUMAS PITADAS DE BLUES E SOUL EM ALGUNS MOMENTOS!! GUITARRAS DISTORCIDAS E ORGAN PESADO DAO O TOM DO DISCO!! O DESTAQUE FICA POR CONTA DE "RICK IANNACONNE" QUE DEPOIS VIRIA A FAZER GRANDE NOME NO MUNDO DO JAZZ, TOCANDO COM GRANDES NOMES COMO JOHN COLTRANE E MILES DAVIS!! EXCELENTE, RARO E RECOMENDADO VENENO!!"The great New Jersey band who recorded their self-titled album in 1969. At Mod Sound Studios. Great late '60s psychedelic music with distorted guitars and heavy organ.""Originally released as a 50 copy test press way back in 1969, the band was from Philadelphia. This is a 600 press with glossy color psychedelic cover and photos of the band on the back. The album contains all original songs and is mostly psychedelic with a couple progressive instrumental cuts, 11 songs in all. The band features a great singer and future guitar legend Rick Iannaconne, who later made a big name for himself in the world of jazz, playing with Coltrane, Miles Davis etc. The recording came from the bands' original tapes and sounds very good. Songs include 'High on a Happy', 'Walk on Mister', and the classic 'Dit Dewey Man', which is psychy, funky and flat out cool. The original test presses have been a coveted collectors item for a long time fetching hundreds of dollars making this reissue an instant classic. The album also features an insert and the 45 release of 'Dit Dewey Man' as a bonus cut."Raymond Bozarth (vocals)Rick Iannaconne (Guitar)Edward Monroe (guitar)Joseph Mingori (keyboards)William
E LETAL!! ATE O PORQUINHO DA CAPA SE ENVENENOU E ENLOUQUECEU!!Album ReviewNone of Jethro Tull's progressive rock tendencies or classical influences followed Mick Abrahams into his creation of Blodwyn Pig, even with the inclusion Jack Lancaster's sax- and flute-playing prowess. Instead, Abrahams built up a sturdy British blues-rock sound and used Lancaster's horn work to add some fire to the band's jazzy repertoire. Ahead Rings Out is a stellar concoction of gritty yet flamboyant blues-rock tunes and open-ended jazz centered around Mick Abrahams' cool-handed guitar playing, but it's the nonstop infusion of the other styles that makes the album such a solid listen. After only one album with Jethro Tull, Abrahams left to form this band, and it's evident that he had a lot of pent-up energy inside him when he recorded each of the album's tracks. With a barrage of electrifying rhythms and fleeting saxophone and woodwind excursions, cuts like "Sing Me a Song That I Know," "Up and Coming," and "Backwash" whip up highly energetic sprees of rock and blues. Most of the tracks have a hearty shot of rock up the middle, but in cuts like "The Change Song" and "Backwash," the explosive riffs are accompanied by a big band style of enthusiasm, adding even more depth to the material. Andy Pyle's bass playing is definitely distinct throughout each track and is used for anything but a steady background, while labeling Ron Berg's drumming as freewheeling and intemperate would be an understatement. It's apparent that Blodwyn Pig's style is indeed distinct, releasing a liberated and devil-may-care intensity while still managing to stay on track, but the fact that each cut convokes a different type of instrumental spiritedness is where the album really gains its reputation. Wonderfully busy and even a tad motley in some places, Ahead Rings Out shows off the power and vitality that can be channeled by combining a number of classic styles without sounding pretentious or overly inflated. A year later, Blodwyn Pig recorded Getting to This before Abrahams left the band, and although it's a solid effort, it falls just a smidgen short of Ahead Rings Out's bluesy dynamism. [The 2006 edition features seven bonus tracks.]Mick Abrahams: guitar, vocals, seven-string slide guitarJack Lancaster: flute, violin, tenor sax, baritone sax, soprano saxAndy Pyle: Electric bass, six-string bassRon Berg: drums01.It's Only Love 3:2302.Dear Jill 5:1903.Sing Me a Song That I Know 3:0804.The Modern Alchemist 5:3805.Up and Coming 5:3106.Leave It With Me 3:5207.The Change Song 3:4508.Backwash 0:5309.Ain't Ya Coming' Home, Babe? 6:04Bonus:10.Sweet Caroline 2:5111.Walk on the Water 3:4212.Summer Day 3:4413.Same Old Story 2:3614.Slow Down 4:2015.Meanie Mornay 4:4516.Backwash DOWNLOAD
ALBUM EXTREMAMENTE RARO DESSE POWER TRIO ALEMAO FUNDADO EM 1971 POR "OLIVER PETRY" (ORGAN AND VOCALS), "DIRK FLECK" (BASS) E "BRAUNE RUDIGER" (DRUMS), TODOS EX-INTEGRANTES DA BANDA DE COVERS CHAMADA "THE FUTURES"!! EM POUCO TEMPO O POTENCIAL MUSICAL DA CANNABIS INDIA GANHAVA REPERCUSSAO NA ALEMANHA, ONDE FIZERAM MUITOS SHOWS EM CLUBES, BARES E FESTIVAIS DE MUSICAS. TOCANDO AO LADO DE BANDAS COMO KIN PIN MEH, BEGGARS OPERA E EILIFF!! O DISCO FOI GRAVADO NOS ESTUDIOS DA RADIO SWF ALEMA, PRESERVADO POR MUITO TEMPO NOS POROES DO ESTUDIO E FINALMENTE LANCADO EM CD EM 2009!! OLIVER PETRY ERA UM PRODIGIO DO PIANO E UM DEVOTO DE KEITH EMERSON!! A BANDA TEVE VIDA CURTA, MAS NOS DEIXOU ESSA JAM SESSION ONDE FAZIAM UM CLASSICO-PROGRESSIVO INSTRUMENTAL COM GRANDES SUITES, INCLUINDO UMA VERSAO DA 9o SINFONIA DE BEETHOVEN!!"Outra perola esquecida dos cofres da emissora SWF, na Alemanha. Cannabis India foi fundada em 1971 na regiao de Dusseldorf e mostrava o seu talento tocando suas proprias composicoes, influenciado por grupos como The Nice ou Emerson, Lake & Palmer. O lidera da banda, o pianista Oliver Petry estudou piano desde os sete anos de idade. Quando ele ouviu Keith Emerson, pela primeira vez ele mudou de instrumento e comecou a tocar organ com grande entusiasmo. Juntamente com o baterista Rudiger Braune e o furioso baixista Dirk Fleck, Cannabis India executava suas pecas com uma velocidade infernal, mas tambem com um bom senso de drama. Cerca de 12 minutos da epico faixa "Lapis" e 11 minutos da 9a de Beethoven mostram a forca musicas da banda. O CD vem com 2 faixas bonus da banda Universo, pos-Cannabis India. O Album foi remasterizado digitalmente a partir da Master Tapes originais."Cannabis India was founded in 1971 by Oliver Petry (organ, vocals), Dirk Fleck (bass) and Rudiger Braune (drums), all of them former members of the cover band The Futures. Burckhard Eick, former keyboarder with The Futures, became their manager. In next to no time they managed to come up with a repertoire suitable for gigs, consisting of exclusively own compositions in the style of classical-rock. Playing like a lost basement recording of ELP circa 1971, this high-energy power trio pumped out shameless ersatz classical rock and recorded one brief set in 1973 at Germany's Sudwestfunk radio facilities, preserved and finally released in 2009 on Long Hair. Cannabis India was loosely part of Dusseldorf's Wuppertal scene and was led by child piano prodigy (and Keith Emerson devotee) Oliver Petry, backed by the fierce performance of drummer Rudiger Braune and noted bassist Dirk Fleck.The band had a brief career but developed a reputation locally as a strong live act, and that immediacy comes pouring through on SWF Session 1973, an all-instrumental sample of four cuts including a version of Beethoven's 9th. We're battered open by Petry's machine gun riffing for 'Hand of the King': mean, dynamic, and very cool, Rudiger Braune Keith Mooning his way through it all and the masterful intonation of Dirk Fleck's Fender bass. Many good changes in this 7+ minute chunk of fugue flash, followed by doubly-long 'Lapis' where
the Tarkus quotes are most present. Though frankly, CI was probably doing the sort of pure instrumental organ rock that many ELP fans quietly wished their favorite band would indulge more in. No deep lyrics, gonzo improvisations or lovelorn ballads here, just three hungry players with a taste for this new sound in popular music. 'Revolver' is a Gothic dungeon in the great North German school tradition, and the massive 'Beethoven's 9th' is a very fine interpretation.- Oliver Petry / organ- Rudiger Braune / drums- Dirk Fleck / bass1. Hand of the King (7:26)2. Lapis (11:54)3. Revolver (4:18)4. Beethoven's 9th (10:52)5. Mirror (3:37)6. The Hunt (5:18) DOWNLOAD
he issued an obscure single (Running By The River b/w the outstandingRainy Day) in 1968, which is strongly rumored to feature some Yardbirds members, including Jimmy Page (guitar) and Chris Dreja (bass), but none were officially credited to the record. In 1970, Lincoln released a U.S. only full length album (The North Wind Blew South) along with a supporting 45 on CBS All songs on the LP were penned by Lincoln, with highlights that include The Plains Of Delight, Rainy Day and of course the spacey title track. Another cut on the album, the simple but quite pleasant Temma Harbour, had also become a huge hit for Mary Hopkins in late 1969/early 70, prior to the release of Lincolns version. The LP has also been rumored to include Page and Dreja as supporting musicians, but it has only been confirmed that Dreja, a then aspiring photographer, took the front and back photos for the album cover. Lincoln later moved out of the spotlight to become a successful record producer. - "Tapestry of Delights" by Vernon Joynson -- Philamore Lincoln - vocals, flute and guitars- Clem Cattini - drums- Les Hurdle - bass- Jimmy Page - play guitar on "You're The One"01 - The North Wind Blew South (3:15)02 - You're The One (3:03)03 - Lazy Good For Nothin' (2:30)04 - Early Sherwood (3:18)05 - Rainy Day (2:27)06 - Temma Harbour (3:00)07 - The Plains Of Delight (3:16)08 - County Jail Band (2:36)09 - The When You Were Looking My Way (3:17)10 - Blew Through (5:20)DOWNLOAD
UM TRIO INGLES ACID PSYCH, PROGRESSIVO, COM INFLUENCIAS DO BLUES E DO FOLK!! UM ALBUM EXCENTRICO, BARROCO, ORIGINAL, COM UM MONTE DE VIOLOES E MISTURA DE TECLADOS!! RECOMENDADO PRA QUEM GOSTA DO ESTILO!!This amazing thing about the Archives is that you get a fair amount of albums in all sub- genres that rank from the strange , obscure all the way to the frankly bizarre. And all genre considered , one of the more bizarre is the aptly titled debut from this trio. This record dates from 69 ( on the great progressive label Harvest) and is a perfect example (almost a textbook case) of acid-folk but with such a twist of bizarre that it must rank into the folk-prog sub-genre , which has its own share of bizarrerie. Wrapped in a superb psych drawing ( a bit in the style of Beatles 's Yellow Submarine) gatefold sleeve with a no-less superb inside artwork , this uncanny and baroque oeuvre is really a lost gem, one of those rare 24 carrat stuff that only comes so often.The opening track is a hard to classify track meandering between a few styles (even developping for a few second into the Greensleeves theme) , but staus unfocused enough to destabilize the unwarned listener , but if experienced enough to get him ready for what comes up next. The second track delves into the frozen depths of demon worlds and chilly tales , freezing you to death, only to bring you back to reality with a barroom sing-along tune. Sometimes takes a plunge back into the bizarre and oblique world just left before , reminding the proghead of the insane world of Comus , and warning you of dangers soon to come in your affective life.Maybe my mind is another sombre affair with a voice that sometimes rings like Family's Roger Chapman and might just be the highlight of the first side. This first side ends into a blues , probably the low point on the album , but this might be up for debate because they are equally at ease into this style as well!The second side is clearly the better one , and it is the succession of a few masterful "songs" like those that make an album a real classic. Terror In My Soul is just as scarry and terrorizing as Comus's Drip Drip , with its sinister flute underlining a superbly tense acoustic guitar strumming. Comes next is a superb adaptation of Fred Neil's Travelling Shoes , and if it was not for the vocals , you'd swear you'be on the Traffic debut album with its delightful pastoral/hippy imagery. Outstanding and astounding! The next track , aptly titled Winter returns to the chilly athmospheres with a haunting cello in the background and bizarre noises evoking stressed and chilled birds calls . The closing track starts out on a harpsichord and flute intro to diverge back into the madness we have now grown accustomed to (we had no choice unless getting locked in forever into the Musically Insane Asylum), but soon we waltz
into a great swingy jazz tune to plunge into deep madness (almost free jazz) forever as they apologize for their mischief just accomplished.Guess what , even if you are not insane , you might want to get a room into this asylum/hotel , where you might just never leave but not really want to check out either, to mis-quote our dear Maani!! Another one of those pearls that I will fight for all progheads to investigate just like I did for Comus , Spirogyra and recently Jan Dukes De Grey. Flabbergasting masterpiece even if I do not give the fifth star. - Review by Sean Trane -- Dave Clempson ('Clem') / guitar- Jeff Daw / flute, guitar, vocals- Gus Dudgeon / drums- James Langston / guitar, vocals, woodwinds- Nigel Phillips / keyboards, vocals, percussion- Bob Lamb / drums DOWNLOAD
David Lee Roth, tambem conhecido como Diamond Dave (Bloomington, 10 de outubro de 1954), e um vocalista de rock que se tornou conhecido por seu trabalho no Van Halen. Filho de Nathan Roth, um proeminente oftalmologista judeu, David foi morar em Pasadena (California, Estados Unidos) na adolescencia apos morar em Swampscott (Massachusetts, Estados Unidos). Manny Roth, tio de David, e proprietario de um influente clube noturno em Nova York. Os avos de David sao imigrantes de Portugal e da Ucrania que vieram morar no estado de Indiana.As caracteristicas mais marcantes de David sao suas performances acrobaticas, com golpes de artes marciais, sua voz e seu senso de humor.Apos o Van HalenEm abril de 1985 David saiu do Van Halen, embora algumas fontes digam que na verdade ele foi mandado embora da banda. Segundo foi dito, as maiores discordancias vinham de David com Eddie Van Halen, ja que Eddie queria incorporar ao som da banda teclados, sintetizadores e baladas. Em sua autobiografia lancada em 1988, Crazy From the Heat, David caracterizou a musica do Van Halen logo antes da sua partida como "tediosa". Dizem que David queria gravar um album rapidamente e logo depois sair em turne, e entao lancar um filme, Crazy From the Heat, mas seus companheiros de banda estavam apaticos, letargicos e afundados em drogas. David tambem nao gostou da participacao de Eddie na musica Beat It, gravada por Michael Jackson em 1983. Eddie nunca contou a David que iria participar da gravacao, por medo de que David tentasse impedi-lo. As razoes exatas pelas quais David deixou a banda continuam nao-totalmente esclarecidas. Desde 1985, David e seus antigos companheiros de banda isolaram-se.A maior formacaoNo final de 1985 David montou uma banda considerada por muitos uma das maiores formacoes de todos os tempos, composta pelo guitarrista Steve Vai, o baixista Billy Sheehan e o baterista Gregg Bissonette. David ainda chamou Ted Templeman, produtor do Van Halen, para produzir o album de estreia da banda. Eat 'Em and Smile foi o retorno de David ao hard rock, e com um consideravel sucesso comercial. A turne desse album foi uma das mais bem-sucedidas de 1986.No inicio de 1988 David lancou Skyscraper, um album mais experimental e com um som mais pop, contando ainda com a mesma line-up do album anterior: Vai, Sheehan e Bissonette, mas desta vez produzido por Roth e Vai ao inves de Templeman. Embora esse album contenha a musica solo mais famosa de David, Just Like Paradise, ele nao teve uma resposta tao boa quando Eat 'Em and Smile.Em 1991, David lancou A Little Ain't Enough, um album basico de hard rock, produzido por Bob Rock, que ganhou o status dourado da RIAA. O guitarrista-prodigio Jason Becker, entao com 20 anos de idade, participou das gravacoes do album, mas foi diagnosticado com a Doenca de Lou Gehrig pouco tempo depois do inicio da turne, e foi substituido por Joe Holmes. O palco da turne de A Little Ain't Enough tinha um par de pernas inflaveis gigantes, posicionadas em um "angulo aberto", vestindo meias rasgadas. Os gostos musicais mudaram bastante em
meados de 1991 com a chegada da musica grunge, fazendo com que a turne de David nao tivesse tanto sucesso como no passado,Em 2007, David volta a Van Halen para realizar turne apos 20 anos de separacao.CuriosidadesO nome do disco lancado pelo Van Halen em 1988, OU812, e uma resposta ao primeiro disco de Roth (OU812 e lido como "oh, you ate one too?").A musica de David Yankee Rose aparece no jogo de eletronico GTA Vice City em uma das radios que sao executadas nos veiculos da cidade. E possivel escuta-la na radio VRock.A musica de David Lee Roth e Stevie Vai Yankee Rose aparece tambem no jogo de videogame Rumble Roses regravada por uma banda de mulheres.Com o Van HalenAlbumAnoVan Halen1978Van Halen II1979Women and Children First1980Fair Warning1981Diver Down198219841984 SoloAlbumAnoCrazy from the Heat (EP)1985Eat 'Em and Smile1986Skyscraper1988A Little Ain't Enough1991Your Filthy Little Mouth1994The Best1997DLR Band1998Diamond Dave2003Strummin' With The Devil]2006 DOWNLOAD
BANDA SUECA... RARISSIMO!! BOA BANDA DE BLUES QUE TINHA RENOMADOS NOMES DO BLUES SUECO DA DECADA DE 70!! A BANDA FOI FORMADA EM 1972 E COMECOU A TOCAR NAS CERCANIAS DE ESTOCOLMO COM UM REPERTORIO DE MUSICAS OBSCURAS DO BLUES DOS ANOS 50 E 60 COM ARRANJOS PROPRIOS!! PARA GRAVAR SEU DISCO TEVE MUITAS DIFICULDADES COM PATROCINADORES, MAS FOI A PHILIPS QUE GRAVOU SEU LP QUE TEM PARTES AO VIVO E PARTES EM ESTUDIO!! BLUES SUECO RARISSIMO E RECOMENDO!!HIGH RARITY!! Blue Group Telge Blues contains, among other renowned blues artist Sven Zetterberg and was among the most successful blues bands in the 70s in Sweden by Peps Persson and Per "Slim" Notini. The group shaped up in 1972 and began actively playing in clubs around Stockholm, where most of Sweden's blues band torn. The name Telge comes from an old spelling of their home town of Sodertalje. Their idea was to take up quite obscure and rare blues songs and put their personal character on them. Mostly, it was Chicago blues from the 50's and 60's that they chose to embellish. 1973 Did they own radio program and after they received the Compass many famous blues artists when they made visits to Sweden. When the group seriously wanted to release an LP so turned first to the non-commercial companies MNW and Silence but got turned down there so they had to be turned to Philips for giving out their LP. Their LP is one side recorded live and the other in the studio. Sven Zetterberg has since made a name in groups as the Blue Fire and Chicago Express.Anders Gutke Gitarr, sangGunnar Rosengren BasHans Jansson GitarrStefan Sundlof TrummorSven Zetterberg Munspel, sang01. I want somebody (2:35)02. No title (3:52)03. Wish me well (2:38)04. My time to go (3:15)05. Chittlin con carne (2:55)06. Take a little walk with me (2:40)07. Act like you love me (3:12)08. Mean disposition (4:21)09. Hard road (4:19)10. I wish you would (3:20)11. Checkin up (3:24) DOWNLOAD BANDA AMERICANA HIPPIE COM GRANDE DESTAQUE PARA VOZ, VIOLAO A CARGO DO EX-BEAU BRUMMELS "SAL VALENTINO"!! A BANDA NO INICIO ERA UM POWER TRIO MAS DEPOIS JUNTOU-SE OUTROS COMPONENTES PARA GRAVAR ESSE DISCO DE ESTREIA, QUANDO TEVE QUATRO CANTORAS E NAO MENOS DO QUE SEIS VOCALISTAS DIFERENTES NAS DEZ FAIXAS DO ALBUM!! AS CANCOES SE REVEZAM NUMA SONORIDADE BLUES ROCK, RYTHM BLUES, BALADAS PODEROSAS E UMA TENDENCIA WEST COAST HIPPIE COM GUIATARRAS FUZZ BEM TIPICO DAS BANDAS CALIFORNIANAS DOS ANOS 70!! BOM E RECOMENDADO !!The self-titled debut from the East Bay groovers Stoneground is a solid effort blending accomplished straight-ahead rock & roll with a distinct bluesy vibe similar to many of the group's San Fran contemporaries. The band's revolving-door personnel centered on a Concord, CA, trio featuring Luther Bildt (guitar), Tim Barnes (guitar), and Mike Mau (drums). Through Bay Area music mogul Tom Donohue, the trio hooked up with former Beau Brummels leader Sal Valentino (vocals). In turn, John Blakely (guitar/bass) arrived via Donohue, and by the time that both Valentino and Blakely had settled in, Stoneground was also sporting a quartet
of female vocalists. While Annie Sampson, Lydia Phillips, and Deirdre LaPorte were virtually unknown, Lynne Hughes had been in a seminal version of Dan Hicks' Hot Licks as well as in the short-lived Tongue and Groove. The band continued to expand when it toured England in the Medicine Ball Caravan (1970) tour, picking up future Jefferson Starship and Hot Tuna member Pete Sears (keyboards) in the process. With occasional help from former Mystery Trend member Ron Nagle (keyboards/percussion/inspiration), the sprawling combo that would contribute to Stoneground (1971) was intact. Part of the band's quaintly indefinable sound can be attributed to the inclusion of more than half a dozen different lead vocalists on the album's ten tracks. While Valentino supplied a majority of the originals, the disc is highlighted by some truly exemplary cover tunes as well. These include a gospel-rock reading of Rev. Gary Davis' "Great Change Since I Have Been Born" and the refined East Bay funk rendition of the Kinks' "Rainy Day in June," as well as the slide guitar blues of John D. Loudermilk's "Bad News." Arguably, best of all is the rousing "Don't Waste My Time," which shows off the full force of Stoneground's cohesiveness. The power ballad "Brand New Start" is masterfully driven by the gospel inflections of Sampson. The Valentino compositions -- "Looking for You," the quirky "Added Attraction (Come and See Me)," and "Stroke Stand" (which is notable for an ensemble vocal) -- bear repeated listens and hint at this group's truly great potential. ~ Lindsay Planer, All Music Guide01. Looking For You 4:3302. Great Change Since I've Been Born 3:0503. Rainy Day In June 2:3904. Added Attraction (Come And See Me) 3:0405. Dreaming Man 4:4606. Stroke Stand 4:0207. Bad News 3:1708. Dont Wast Ny Time 3:3909. Colonel Chicken Fry 4:2010. Brand New Start 3:57 DOWNLOAD