No site oficial para informacoes sobre os trabalhos de Pina Bausch, que se encontra relacionado do lado direito deste blog (->) pode-se encontrar uma relacao com todas as obras de 1973 a 2009, ano de sua morte, muitos com fotos e creditos, alem de informacoes sobre as turnes.E no YouTube podemos encontrar varios videos com trechos - ou ate espetaculos inteiros. Como os que seguem:Cafe Muller, 1978A Sagracao da Primavera, 1975Barba Azul (trecho 6, de 12), 1977Nelken, 1982Nur Du (Only You), 1996Sweet Mambo, 2008Bamboo Blues, 2007A Queixa do Imperador (Die Klage der Kaiserin) - 1a parte do filme de Pina Bausch que esta inteiro disponivel, porem em alemao, sem legendas.Vollmond (Lua Cheia), 2006 Playful, lyrical imagery: 'Agua' (Photo by ULLI WEISS)By Zoe AndersonFriday, 3 September 2010The choreographer Pina Bausch made her name with darker works, taking a confessional look at frantic needs. Later in life, she lightened up. In Agua, her 2001 celebration of Brazil, Bausch luxuriates in images of palm trees, twinkling fairy lights, days and nights at the beach. Her characters still have issues, but they're having a much better time.Her company dance to Brazilian music, with pop songs and crooning. The women wear flowing evening dress, with flowered gauzy fabrics or billowing satin. Behind them, Peter Pabst's huge white screen shows footage of trees in the wind, of a rainforest, of celebrations and swimming. When the screen lifts, it reveals a lurking stage jungle, a wild tangle of artificial leaves.The women dominate Agua. Charismatic, bossy and sometimes neurotic, they're as bright as their extravagant dresses. The neutrally dressed men are much more anonymous.There's some padding, particularly in the mooching solo dances, but Agua lifts whenever the characters start interacting with each other, or chatting to the audience.Bausch, the biggest dance name at this year's Edinburgh International Festival, died last year. Her company's performances are vividly true to the style she created. They're driven, sometimes needy, unnervingly frank. Bausch sends them through playful, lyrical imagery.In the last scene, the dancers splash each other with water bottles, getting wetter and wetter as they rig up hosepipes. An adult figure sternly tells them off, ordering them offstage in angry gestures. The minute he turns away, they scamper back to do it again, gleeful and giggly. Hypnotically, the screen behind them shows the torrent of a huge waterfall. As the dancers splash, a golden pattern starts to shimmer on screen. It's reflected light from the onstage water, dappled by the shadows of dancing feet.FONTE: http://www.independent.co.uk/arts-entertainment/theatre-dance/reviews/pina-bauschs-tanztheater-wuppertal-playhouse-edinburgh-2069080.html?action=Popup A coreografa alema reune convidados de todos os cantos para comemorar 25 anos a frente do Tanztheater Wuppertal e diz a BRAVO! que e preciso contrabalancar a tristeza do mundo (Por Fabio Cypriano, em Estocolmo)"Eu nao me interesso em como fazer um movimento, mas em por que." A frase da coreografa Pina Bausch e a sintese perfeita de sua obra, consolidada em 25 anos a frente do Tanztheater Wuppertal, na Alemanha. A data e comemorada neste mes com uma grande festa, que durante 20 dias vai reunir varias companhias, entre as quais a belga Rosas, o bailarino Mikhail