material was not original, it remains scarcely credible that these two works can have come from the same pen in the same year.1915Three Easy Pieces for Piano Four HandsTranscriptions:Nr. 3 Polka for Cimbalom, 1915, not published;Nr. 1 March for 12 Instruments, 1915, not published;Nr. 2 Waltz for 7 Instruments, 1914, not published;(1-3 als Orchestra Suite Nr.2, 1921)Souvenir d'une Marche Bochefor 2 Pianos1916Berceuses du Chat (Cat's Cradle Songs) (mp3 - score - voice/piano)for Alto and 3 ClarinetsRenardBurleske for 4 Pantomimes and Chamber Orchestra1917Chant du Rossignol (Song of the Nightingale) (mp3 - red.score)Symphonic PoemAfter Acts II and III of the Opera Le Rossignol, 1914Five Easy Pieces for Piano Four Hands(Nr.1-4 as Orchestra Suite Nr.1, 1925)Trois histoires pour enfantsfor Voice and PianoTranscriptions:Nr.1 Tilimbom for Voice and Orchestra, 1925;Nr.1 and 2, for Voice and Flute, Harp, Guitar, 1954Valse pour les Enfantsfor PianoSaucers (Four Russian Peasant Songs) (mp3)for Soli and 2-4 Voice Women's ChoirRevised version, 1954, with Horn QuartetCanonsfor 2 HornsNot published; lostStudyfor Pianola (Player Piano)Arrangement:as the last of the Four Etudes for Orchestra, 1928Berceusefor Voice and Piano1918Duetfor 2 BassoonsNot publishedHistoire du Soldat (A Soldier's Tale) (mp3 - score)for 3 Actors, a Dancer, and 7 InstrumentalistsArrangements:Concert Suite in 8 Movements;Suite in 5 Movements for Violin, Clarinet, Piano (mp3 - score)Ragtime (mp3 - score)for 11 Players1919Four Russian Songs (score)for Voice and PianoTranscriptions:Nr.1 and 4 for Voice, Flute, Harp, Guitar, 1953-54 (mp3)Piano Rag Music (mp3 - score) [stravinsky performance]Three Pieces (mp3 - score)for Clarinet5. France: the beginnings of neo-classicism, 192025.In June 1920 the Stravinskys finally moved from Switzerland to France. They spent the summer at the Breton fishing village of Carantec, where the Symphonies d'instruments a vent and the Concertino were largely composed, then moved in the autumn into the house of the couturier, Gabrielle (Coco) Chanel (a close friend of Diaghilev's patroness, Misia Sert), in the outer Paris suburb of Garches. Here Stravinsky probably worked on a revision of The Rite of Spring, which Diaghilev was reviving in December in a new choreography by Massine, then composed the tiny piano pieces of Les cinq doigts. In February 1921 the Pleyel piano company gave him a studio in their Paris factory in the rue Rochechouart, and here he worked on the pianola part of The Wedding, for a time even envisaging rewriting the entire score for four pianolas. The Pleyel arrangement would later lead to contracts for the transcription of large numbers of his other works for this short-lived instrument, and the studio would survive as his Paris address until 1933, long after the commercial defeat of the mechanical piano by electrical gramophone recording. Meanwhile he and his family moved in May 1921 to Biarritz, where there was an established colony of white Russian emigres. This was partly, as usual, for Katya's health, but may also have been for Igor's emotional convenience, since Paris at once meant love affairs: first, probably, with Coco Chanel herself, then with the Russian cabaret dancer Zhenya Nikitina, and finally with Vera Sudeykina, the wife of Diaghilev's former stage designer Sergey Sudeykin, who had recently arrived in Paris via Tiflis, and whom Stravinsky had