Ideias profanas refletem minha mente escurecida, uma alma turva como a treva navega por um mar negro e turbulento em direcao a um horizonte vermelho como mar de sangue que joga em meu olhar.Sombrio e ocultado pelas sombras nasce o luar, em mais um entardecer que agoniza em direcao as trevas da noite que esta para chegar.Solucos, gritos e murmurios de prazeres carnais, me tocam os sentidos e me levam ao meu verdadeiro ser. Cruel, insano e aprisionado.A luz do dia dilacera fortemente os prazeres e volta a me atacar.Ao disfarcar minha negritude palida, escondendo-me de meu ser e vivendo alienado as regras da hipocrisia. Sorrateiramente me arrasto pelo chao quente de um dia iluminado, em segredo planejo ressurgir das cinzas de meus medos e me entregar as trevas mais uma vez. O desejo e incontrolavel e a pela seca pelos olhares atentos da noite que insiste em me seduzir, suja e leviana.Thiago F. da Silva30/07/08 Bob Dylan bootleg recordings are unreleased performances by American singer-songwriter Bob Dylan, that have been circulated throughout the public without undergoing an official, sanctioned release. It is commonly misconceived that bootlegs are only restricted to audio, but bootleg video performances, such as the Dylan's 1966 film Eat the Document, which remains officially unreleased, are considered to be bootlegs. Dylan is generally considered to be the most bootlegged artist in rock history,[1] rivaled only by theGrateful Dead.Due to his constant touring between 1988present, and the fact that almost every show has been recorded, many of Dylan's illicit recordings come from the Never Ending Tour.[1]However, early taped performances by friends dating from the late 1950s, concerts, Newport Folk Festival shows, demo tapes, and studio outtakes provide a wide range of unreleased material to be bootlegged.Early bootlegs[edit]The first ever Bob Dylan bootleg album, Great White Wonder.The first ever popular rock bootleg to appear on the black market was Dylan's Great White Wonder, a double album first coming to underground record stores in mid-1969, through a young bootleg label, "Trademark of Quality" (TMQ).[1] It contained a variety of material: several tracks coming from a hotel rehearsal in December 1961 (recorded by then-girlfriend Bonnie Beecher), Witmark publishing demos, an interview with Pete Seeger, studio outtakes from the Highway 61 Revisited sessions, songs recorded with The Band in the summer of 1967 in Woodstock, New York (which would become known as The Basement Tapes), and one live performance from a 1969 broadcast of The Johnny Cash Show.[2] As people began to buy the record, duplicates began to appear that were released by other young bootleg labels. These re-releases usually switched track listings, or just took a single record of the two, and released it under a different name. Generally, the quality of the recordings degenerated between different releases, because the songs were being copied from the same source many times over.The release of the Great White Wonder gave birth to a fake bootleg that began as a gag concocted by editors at Rolling Stone magazine. The album, The Masked Marauders, was supposedly recorded during a jam session between Dylan, Mick Jagger, John