I said to you that quality is much better than quantity, and that I'm totally absorv with my Traditional Brazilian music band, but I'll sugest for you an amazing blog from adorable Mara with an exceptional Jazz section. Enjoy: http://pintandomusica4.blogspot.com.br/Best wishes,Augusto Senna. One of the greatest jazz trumpeters of all time, Fats Navarro had a tragically brief career yet his influence is still being felt. His fat sound combined aspects of Howard McGhee, Roy Eldridge, and Dizzy Gillespie, became the main inspiration for Clifford Brown, and through Brownie greatly affected the tones and styles of Lee Morgan, Freddie Hubbard, and Woody Shaw.Many valuable performances from the height of the bop era are included on this double CD. Subtitled "The Complete Blue Note and Capitol Recordings" and comprised of 23 songs and 13 alternate takes, the reissue features the great trumpeter Fats Navarro in peak form with three groups headed by pianist/arranger Tadd Dameron, in trumpet battles with one of his major influences, Howard McGhee, and on a remarkable all-star quintet with pianist Bud Powell and the young tenor Sonny Rollins; among the other sidemen are altoist Ernie Henry; tenors Charlie Rouse, Allen Eager, Wardell Gray, and Dexter Gordon; and vibraphonist Milt Jackson. In addition to such gems as "Our Delight," "Lady Bird," "Double Talk," "Bouncing With Bud," "Dance of the Infidels," and "52nd Street Theme," Fats is heard with the 1948 Benny Goodman septet ("Stealin' Apples") and Dameron leads a group with the 22-year-old Miles Davis. On a whole, this double CD has more than its share of essential music that belongs in all historical jazz collections. (allmusic.com)part onepart two Jacob do Bandolim & Epoca de Ouro - Vibracoes, e uma obra-prima do choro realizada em 1967, considerado o melhor trabalho de Jacob Bandolim, e um dos melhores discos de choro ja feitos. Musicas: 01- Vibracoes (Jacob Bittencourt)02- Receita de samba (Jacob Bittencourt)03- Ingenuo (Benedito Lacerda - Pixinguinha)04- Perolas (Jacob Bittencourt)05- Assim mesmo (Luis Americano)06- Fidalga (Ernesto Nazareth)07- Lamento (Pixinguinha)08- Murmurando (Fon)09- Cadencia (Joventino Maciel)10- Floraux (Ernesto Nazareth)11- Brejeiro (Ernesto Nazareth)12- Vesper (Ernesto Nazareth)http://www.mediafire.com/?0uvwr1eodzz I dont consider myself a musician who has achieved perfection and cant develop any further. But I compose my pieces with a formula that I created myself. Take a musician like John Coltrane. He is a perfect musician, who can give expression to all the possibilities of his instrument. But he seems to have difficulty expressing original ideas on it. That is why he keeps looking for ideas in exotic places. At least I dont have that problem, because, like I say, I find my inspiration in myself. - Thelonious Monk"At this time the fashion is to bring something to jazz that I reject. They speak of freedom. But one has no right, under pretext of freeing yourself, to be illogical and incoherent by getting rid of structure and simply piling a lot of notes one on top of the other. Theres no beat anymore. You cant keep time with your foot. I believe that what is happening to jazz with people like Ornette Coleman, for instance, is