nocao classica de representacao e ateoria do espetaculo, de Griffith a Hitchcock. In: XAVIER, Ismail. OOlhar e a Cena. Sao Paulo: Cosac & Naify, 2003, pp. 59-84.6.cinema e teatroMacbeth(Orson Welles, 1948)apresentacaodos textos de Aumont e Xavier.Debate.7.Prova.8.Fechamento de projetos (trabalho final pratico).9.Elaboracao dos projetos.10.Apresentacao dos trabalhos finais.BibliografiabasicaAUMONT,Jacques. O cinema e a encenacao. Lisboa, Editora Texto &Grafica, 2008.BAZIN,Andre. Ontologia da imagem fotografica. In: XAVIER, Ismail (org.) AExperiencia do Cinema. Rio de Janeiro: Graal/Embrafilme, 1983, pp.121-128.-----------------.Morte todas as tardes. In: XAVIER, Ismail (org.) A Experiencia doCinema. Rio de Janeiro: Graal/Embrafilme, 1983, pp. 129-134.BENJAMIN,Walter. A obra de arte na era de sua reprodutibilidade tecnica.In: LIMA, Luiz Costa (org.). Teoria da Cultura de Massa. Rio deJaneiro: Paz e Terra, 1990. Disponivel tambem em outras versoes emhttp://www.barrosmelo.edu.br/blogs/fonograma/wp-content/uploads/2008/03/texto_wbenjamim.pdfouhttp://www.4shared.com/document/X_TLblPV/Walter_Benjamin_-_A_Obra_de_Ar.html.CHIARATTI,Matheus. LaJetee:a memoria interior no tempo. Rua.Sao Carlos: UFSCar, 2009, disponivel emhttp://www.ufscar.br/rua/site/?p=1559ELIAS,Erico. Dafotografia ao cinema: os fotofilmes de Marcello Tassara. Studium29.Campinas: Unicamp, disponivel emhttp://www.studium.iar.unicamp.br/29/6.html?http%3A//www.studium.iar.unicamp.br/29/6/ FLUSSER,Vilem. Ensaio sobre a Fotografia. Lisboa: Relogio DAgua, 1999.MANOVICH,Lev. WHAT IS DIGITAL CINEMA?, disponivel emhttp://www.manovich.net/TEXT/digital-cinema.html MORETTI,Franco. O Romance: A cultura do romance. Snao Paulo: Cosac &Naify, 2009.NEUMANN,Dietrich. Film Architecture: Set Designs from Metropolis to BladeRunner. : Prestel, 1999.STAM,Robert. Introducao a teoria do cinema. Campinas, Papirus, 2003.----------------------.A Literatura Atraves do Cinema: Realismo, magia e a arte daadaptacao. Belo Horizonte: UFMG, 2008.VALENTIM,Andreas. Lajetee e Memento:lembrar para esquecer. Studium29.Campinas: Unicamp, disponivel emhttp://www.studium.iar.unicamp.br/29/3.html.XAVIER,Ismail. (org.). A experiencia do cinema. RJ, Paz e Terra, 2003.--------------------(org.). O Cinema no Seculo. Rio de Janeiro: Imago, 1996.-------------------.O lugar do crime: a nocao classica de representacao e a teoriado espetaculo, de Griffith a Hitchcock. In: XAVIER, Ismail. O Olhare a Cena. Sao Paulo: Cosac & Naify, 2003, pp. 59-84.FredricBrowns short storiesTheEnd (1961)ProfessorJones had been working on time theory for many years. "AndI have found the key equation," he told his daughter one day."Time is a field. This machine I have made can manipulate, evenreverse, that field."Pushinga button as he spoke, he said, "This should make time runbackward backward run time make should this," said he, spoke heas button a pushing."Fieldthat, reverse even, manipulate can amde have I machine this. Field isa time." Day one daughter his told he, "Equation key thefound have I and.""Yearsmany for theory time on working been had Jones Professor."Experiment"Thefirst time machine, gentlemen," Professor Johnson proudlyinformed his two colleagues. "True, it is a small-scaleexperimental model. It will operate only on objects weighing lessthan three pounds, five ounces and for distances into the past andfuture of twelve minutes or less. But it works."Thesmall-scale model looked like a small scalea postage scaleexceptfor two dials in the part under the platform.ProfessorJohnson held up a small metal cube. "Our experimental object,"he said, "is a brass cube weighing one pound, two point threeounces. First, I shall send it five minutes into the future."Heleaned forward and set one of the dials on the time machine. "Lookat your watches," he said.Theylooked at their watches. Professor Johnson placed the cube gently onthe machine's platform. It vanished.Fiveminutes later, to the second, it reappeared.ProfessorJohnson picked it up. "Now five minutes into the past." Heset the other dial. Holding the cube in his hand he looked at hiswatch. "It is six minutes before three o'clock. I