thegoodfellas/blogset-br huggingface dataset:
Gabriel (na foto), um anjo marinho, da a costa depois do seu navio, o ECLIPSE DA TERRA, se ter desfeito no ar. O anjo tenta engajar tripulantes para voltar a vogar, aliciando-os com as delicias da vida a bordo e a promessa de cumprirem os seus maiores sonhos. Conta as aventuras que viveu com a ultima tripulacao, composta por migrantes vindos dos quatro cantos do mundo: Candida, a que dava a luz com a lua; Ipsis, a vidente do que sera; Esau, o da filha que ressuscitara; Jaco, dos muros pintados; Maria dos Prazeres, a afro-descendente que nasceu caucasoide; Violka, a cigana mais velha do mundo, e Baleia, o homem-bomba. Eis um bando de exodotas, recrutados primeiro pela extrema habilidade em sonhar, e depois pela sede de vingar-se tanto do pais de origem quanto do pais de destino. Havera alguem na cidade que queira subir a bordo?Uma das versoes da historia que se conta neste espetaculo diz que tudo comeca no funeral de Gabriel: do alto do caixao levado em ombros ele apresenta ao publico os seus amigos (entre os quais Ipsis, na foto). Conta como vislumbrou o futuro deles, e tentou intervir, entrando nos sonhos dos amigos, o que nao foi facil, pois os amigos estao sonhando coisas onde nao entram anjos, estao pegando sonhos emprestados, ou simplesmente empurrando com a barriga. Primeiro o estomago, depois a moral. Mas se o estomago roncar suficientemente alto, talvez haja um milagre da revelacao do isolamento total do individuo, e da necessidade de agir mais estrategicamente. Ai, na desimportancia, na miseria, no infortunio, os anjos poderao entrar, talvez nao na forma de seres alados, mas de vagabundos, emigrantes, loucos, estrangeiros, fotografos, escritores, ciganos, videntes de quinta categoria, bebados, cantores de bar, professores esgotados, putas, e coisas: amuletos, rezas, cancoes, fotos, gaiolas. Isolados, espancados e esfomeados, os individuos recuperam a moral mais ancestral que tem: olho por olho, dente por dente. No final, foi o que aconteceu ao Baleia (na foto), que Gabriel ajudou a romper o horizonte. Mas isso nao acontece na vida real, onde seria impossivel. O que vemos e so o caminho de Gabriel do velorio ate a cova. Eles, os amigos, tambem estao todos mortos, e o que acabamos de ver sao apenas as suas memorias, presas na eternidade repetindo-se perpetuamente, ate que consigam se libertar, modificando essa memoria, transformando-se em anjos. Querem ser anjos? Anjos sao criancas mortas, vendidas, raptadas, perdidas, fodidas. Somos nos.Num lugar de Sao Paulo que nem e bom lembrar, um galpao abandonado por um culto pentecostal, instalou-se faz dez anos o Folias, colectivo de teatro. Hoje, o Galpao do Folias e um estudio de paredes negras que resplandece nas noites de espectaculo. A bordo deste Galpao, um punhado de aventureiros impoe a arte teatral como experiencia do real no mesmo mundo em que, no estertor das ideologias, predominam agora as narrativas reais e ficticias dos media industriais lutando pela democratizacao cultural na maior cidade de lingua portuguesa. (Na foto, Maria dos Prazeres.) No ultimo sabado, dia 02, as Escolas Oficiais de Ribeirao Preto e a Unidade
de Jardinopolis realizaram jogos amistosos em Ribeirao na unidade Itatiaia. Os jogos foram realizados em formato de Torneio nas categorias Sub 11, 12 e 13 (nascidos em 2000/1999/1998). As equipes formadas pelos professores das Unidades participaram de varios jogos durante toda a manha deste sabado. Para o coordenador Unidade de Jardinopolis, o Sr. Julio, esses jogos amistosos sao muito importantes para os garotos que sentem-se motivados e muitos satisfeitos com esse tipo de atividade. Os garotos ficam ansiosos com a chegada do dia desses eventos. Atualmente estao em funcionamento seis Unidades Licenciadas: Ribeirao Preto; Sertaozinho (Unidade Piloto); Jaboticabal; Jardinopolis; Botucatu e Porto Ferreira. Neste ano de 2011 nossa expectativa e a de aumentar em mais 10 (dez) Escolas Licenciadas na regiao metropolitana de Ribeirao Preto e outras localidades. Estamos testando uma nova estrutura de trabalho para atender todas as necessidades de nossos Franqueados e uma maior interacao com o Departamento de Futebol do Clube. Em breve nossos Franqueados terao o papel nao so de fortalecer a nossa marca, mas participar efetivamente no nosso trabalho de formacao e negociacao de atletas.
RIFA DO DIA DAS MAESPROCURE UM DE NOSSOS ALUNOS E AJUDE COMPRANDO UMA RIFAO GANHADOR LEVARA R$200,00 EM ROUPAS DA LOJA NEW MODASE UM KIT CORTE + ESCOVA + HIDRATACAO NA DALILA CABELEREIRALEMBRANDO QUE O ALUNO VENDEDOR DO BILHETE PREMIADO GANHARA UMA CHUTEIRA SOCIETY NIKE MERCURIAL NOVINHA! Parabens aos alunos e ao professor Vinicius de Morais da franquia Ole Brasil de Jardinopolis que participaram do amistoso entre franquias nas instalacoes da Ole Brasil f.c de Ribeirao Preto! Com muita garra e confianca eles participaram e trouxeram o trofeu de Campeao e 3 o colocado. NO DIA 30 DE JULHO FOI REALIZADO NO CANINDE GENTIL ESCOLA OFICIAL OLE BRASIL F.C DE JARDINOPOLIS, UM CAMPEONATO CATEGORIA SUB -11( 2000-2001) ENTRE ESCOLINHAS DA CIDADE ONDE ALEM DA OLE BRASIL PARTICIPARAM A ESCOLINHA FROJONI E DO CHUPETA. AO FINAL DO CAMPEONATO FORAM DISTRIBUIDAS MEDALHAS E O TROFEU AO PRIMEIRO COLOCADO. 1o COLOCADO ESCOLINHA DO CHUPETA, 2o COLOCADO OLE BRASIL, 3o COLOCADO FROJONI.OS CAMPEONATOS SERAO FREQUENTES NAO SO COM ESCOLINHAS DA CIDADE MAS TAMBEM DE FORA, QUEREMOS QUE AS CRIANCAS TENHAM SIM O ESPIRITO COMPETITIVO MAS SEMPRE INCENTIVANDO A HUMILDADE, POIS SAO NAS ESCOLAS E CURSOS EXTRACURRICULARES QUE ELAS TEM EXTENSAO DA BASE DE CIDADANIA QUE TEM COMECO EM CASA COM OS PAIS.OBRIGADA AOS PARTICIANTES PELA PRESENCA. RESULTADOS DOS JOGOSOLE BRASIL 4 X 3 CHUPETAOLE BRASIL 10 X 2 FROJONI CHUPETA 8 X 1 FROJONICHUPETA 5 X 1 OLE BRASILTIME SUB- 11 - OLEBRASIL JARDINOPOLISO JUIZ MARCO AURELIO E OS PROFESSORES VINICIUS E ANDRE OLE BRASIL RECEBENDO MEDALHA DE PRATA TIME CAMPEAO- CHUPETA MATRICULAS ABERTAS HORARIOS:TURMA MAIORES 9 ANOSSEGUNDA, QUARTA E SEXTA: 16:00 AS 18:00( TURMA DA TARDE)SEGUNDA, QUINTA E SABADO (TURMA NOITE)SEGUNDA E QUINTA: 18:30 AS 20:30SABADO: 08:00 AS 10:00TURMA DE 05 A 08 ANOSTERCA E QUARTA : 18:00 AS 20:00MAIORES INFORMACOES 36632895/92198822/82135015 Foi realizado nesta ultima quinta-feira 06 de outubro em campo oficial no Complexo Esportivo Ole Brasil F.C na cidade de Ribeirao Preto, um campeonato amistoso entre as escolinhas oficiais Ribeirao Preto e Jardinopolis. A categoria escolhida foi a Sub-12 nascidos em 1999 e 2000.Os alunos comandados pelo professor Mateus Perez trouxeram o resultado positivo para Jardinopolis. O resultado foi Ole Brasil Jardinopolis 5 x 1 Ole Brasil Ribeirao preto.Os gols foram de Rafinha, Joao Carlos, Juninho e TatimDurante a visita os alunos conferiram toda a estrutura que os atletas do Ole Brasil F.C. podem contar para o seu desenvolvimento rumo ao profissional tao esperado. Em pe Luiz Paulo, Leo, Farofa, Mateusinho, Guilherme, Lucas, Caio e prof. Mateus abaixados Tatao, gabriel, Rafinha, Joao Carlos, Juninho e Tatim Durante o jogo Na chegada 01. TELL US ABOUT THE BEGINNING OF HIVERNA?All began in high school when I got my first guitar (not very epic, but thats it). At the time I was more into Death Metal but started to write folk and dark metal songs... I think because thats what I wanted to hear. So, time passed, and a friend of mine, Helorth, joined me with his guitar in what was to become Hiverna. Along the way, some other musicians joined: Froidure (bass), Marco (guitars),
Yann (keys), Mireille (flute). Since then, the line-up changed a bit. After we released our EP in 2011, Hiverna returned to studio mode only with Bardunor on guitars, vocals and drums, Froidure on bass and Doom on flute.02. WHAT WERE THE MOST IMPORTANT BANDS THAT DEFINIED THE SOUL AND STRONGES TENDENCIES OF HIVERNA?Here are some of the bands/projects/composers that I find powerful and important: Ulver, Summoning, Darkspace, Drudkh, Howard Shore, Temnozor, Paysage dHiver, Eros Necropsique, Negura Bunget, Enya, Storm, Tulus, etc.03. WHAT IS THE FEELING FOR THE CHOICE OF NAME HIVERNA?Our homeland is blessed with long and heavy winters. Hiver is the French word for winter. The N is for nostalgia, a recurrent feeling in Hivernas lyrics and atmosphere. The A is for amertume (bitterness). And there you got the name of our 2011 EP.04. HOW YOU DEFINE YOUR MUSIC?Id say its a blend between Quebecs folklore and the musical influences from the north, and, I cannot deny, Scandinavia. Even if Hiverna presents a kind of music very different from the other projects in Quebec, Id say that it all came very naturally. Blood speaks.05. HOW IS THE ACTUAL LINE UP?We are now three in the project, like mentioned sooner. The two other members are long-time mates of mine, so everything is perfect. We are maybe thinking of building a new live line-up for 2015. With the beautiful response to the new album, II.Macabre, Hiverna may perform again on stage in the future.06. TELL US ABOUT THE UNDERGROUND SCENE IN QUEBEC?Lets say we are a little family, with our projects and collaborations. The underground scene here has difficulties to live because metal music isnt really carved in the Canadian culture. So our scene is more alive on other continents via medias, etc. We went to play in Europe with Monarque (2011) and Forteresse (2012): the first time Metal Noir Quebecois happened outside its homeland. It was a big step for our scene and well surely do it again one day.07. WHAT MERCHANDISE DO YOU STILL HAVE AVAILABLE?The three Hiverna releases are still available with some shirt models. All the music I produce independently is now gathered under the name of OAKEN FORGE. You can find it there : http://oakenforge.bigcartel.com08. TELL US MORE ABOUT II MACABRE FULL-LENGTH?Being the completion of the first full-length, II.Macabre contains the oldest Hiverna songs Ive wrote in the past (between 2003 and 2006). For the curious ones, Le Grand Bucher is the first song we played as a line-up. This album is big to me because its the first of our releases which I find satisfying in terms of sound, texture, and reflecting Hiverna as it should be. The integration of violin in some parts of the album gave me the will to involve more real folk instruments in future releases.09. DID YOU HAVE PLAYED MANY GIGS?We played many gigs in the days, before I dissolved the live line-up in 2012. Maybe well come back on stage some day.10. WHAT`RE YOU FUTURE PLANS?For now, I concentrate on other projects I have like Crepuscule, Demain Wendigo, Ours, etc. But
with the release of II.Macabre, we think of maybe reforming a line-up for some tours.11. THANK YOU VERY MUCH FOR THE SUPPORT. ANY LAST COMMENTS?Thanks to you, brother. Thanks to all the people that support our scene! Have yourself a good life and a good death.Bardunor
REVIEWS:BAND: NIHILISTINEN BARBAARISUUSGENRE: AMBIENT BLACK METALALBUM: THE CHILD MUST DIECOUNTRY: USCITY: PHILADELPHIA, PENNSYLVANIAThe CD starts with the wondrous Sampo music. Get overwhelming. Battery very fast and well directed with very strident rhythm guitar and more drawn cadences. Dark and aggressiveness transport us to the dark times. The sounds of the keyboards are very well embedded in the right time and mood of the songs. The vocal is excellent and well Original. One of the best I've heard in recent years.In The Child Must Die is one of my favorites. It begins with well sinister and psychotic fingerings. Aimed at Metal-year 80e suddenly the purest and overwhelming black metal. Very fast battery with enough aggression and savagery. A lot of creativity in the rhythms and intervals with fingerings. Merging Metal 80s and 90s Quite originality.LET THEM PERISH: One of my favorites. Drawn parts in the beginning. Flights pretty grim and macabre. Excellent riffs. Use of well-designed keyboards.FEAST OF THE NORTH FARM: fast and aggressive Black Metal. Rhythmic drums, but with great technique. Somewhat resembles Black Metal 80s Excellent.Amidst the WAVES: Brutal Black Metal 90s A lot of aggressiveness. Excellent battery work.Vainamoinen: I just love this song. Stormy weather, dark and mystical. Excellent.THE NIGHT SHE DIED: Dude !!! No words to describe this instrumental. Fingerings and goals. Gloomy weather. I found very interesting. 01. TELL US HOW YOU STARTED THE ONE MAN BAND PROJET?I spent ten years of my life playing electric guitar in a garage metal bands. Mainly trash metal, stoner rock etc. Probably I always hook up with the wrong people or something but things didn't go anywhere. Usually some of the band members started to skip rehearsals and rest started to show up drunk. I put a lot of effort, time and money to raise up a functional band. I always considered myself as a person who showed up only for the music and the band projects were very important to me. When I had beat my head against a stone wall for ten years I decided to try making everything by myself as I was the song writer or one of the song writers in a bands I was in. I had dozens of draft songs and I had no more trust on co-operation with the other musicians. For me being one man band, at the end, was the only option. 02. ONE MAN BAND WHAT IS YOU RECIPE TO START THE PROJECT. CREATIVITY AND TECNOLOGY OR SOMETHING ELSE?When I started I had some minor understanding about recording because I ve recorded some demos with the bands. I had one sennheiser microphone, three electric guitars and a laptop. So I just started to record some draft songs and also at first time in my life I started to study issues concentrating on mixing and mastering etc. I found out that The studio knowledge, the science behind the sound is as big as the knowledge of playing the instruments. Programmed classical music and dark ambient are perfect for a one man band which I compose occasionally. Music which is made by
synths is way more easy to record. I m still in progress and I have still ,in studio-wise, lots to learn. For Creativity I have no problems I have tons of unrecorded material. All I am lacking is the time. It takes more time to do everything alone.WHAT ARE YOUR INFLUENCES?Musically my influences are coming mainly from old traditional doom metal, dark ambient and all kinds of dark atmospheric music. As being one man band I ve also started to respect other one man bands like Burzum which I didnt listen before. Other influence is the nature. Forests and forgotten places with no human beings. I live almost like a hermit in a house next to forest with 25km distance to closest town.04. WHY THE NAME MENTAL FLAMETHROWER?I m introvert and passively aggressive. A Quiet guy with mean thoughts. Heh I m bursting flames, no one just cant see them.05. WHAT S THE MESSAGE BEHIND YOUR LYRICS?All my music is instrumental so far.06. WHAT DO YOU THINK OF RELIGIONS?All religions are just tools of power. A tool which was made by small elite to control you and blind you. Individual personal faith does not need churches or mosques.07. HOW S THE FINNISH UNDERGROUND SCENE?I think the best era was before the mainstream success of bands like Children of Bodom and Nightwish etc. the Best time for Finnish underground was the beherit days like -90... . At some point lot of Finnish bands got world famous and it affected negatively to underground scene. The Major mainstream success of Finnish metal in a country small like this resulted lot of ego problems among musicians as some were confident that they were the next big thing. Bands started to copy each other instead of making their own music. The best Finnish underground music is still coming from the old bands which were formed in -90. 08. WHAT S THE BLACK METAL IN YOUR LIFE?For me black metal stands for freedom and eternal fight against totalitarianism, especially resistance against Islam and communism.09. WHAT S THE SATANISM FOR YOU?Satanism for me is the respect of nature. I don't harm animals just for fun. I listen to myself before I listen to what human-made institutions are forcing me to do. That is what nature and animals will do.I m studying ancient ways of life. About How the society worked before religion from the middle east came and destroyed the ancient kingdoms. My ancestors were not born Christians. I consider that interest as part of satanism. Satanism is a mindset. There s no walking Satan. There s no hell or afterlife whatsoever.10. TELL US NOW YOUR FAVE BANDS AND ALBUNS?This one is a hard question because my favorite bands and albums varies all the time. Bands which I listened few years ago are not my favorites anymore. At the moment I m listening Beherit Electric doom synthesis. I ve also found plenty of good music from soundcloud for example Agurzil from Morocco.When I was a kid my favorite bands were wasp and Iron Maiden. There was no black or
death metal at that time.11. WHAT MERCHANDISE DO YOU STILL HAVE AVAILABLE?None12. WHAT S YOU MESSAGE TO THEM WHO BECOME ONE MAN BAND TOO, AND ALL OF BLACK METAL LOVER?If you re thinking of founding a one man band, dont hesitate, just do it. Just throw yourself in. All traditional bands are usually, after all, just a formations of a one man band. In a band there s always a carrying force which is usually one person. Dont waste your time on projects which are doomed to fail.To all black metal lovers, black metal guys are usually trustable , keep on going, shoot straight and speak the truth.13.THANK YOU VERY MUCH FOR THE SUPPORT. ANY LAST COMMENTS?Thank you, It is honor to give this interview.
01. HOW ALL STARTED? MIKA: NB started a few years back when co-founder Manuel Rodriguez approached me with some ambient black riffs, I added upon what he had and came up with a few original tracks (all the acoustics and 'Anhedonia' for instance). I recorded a quick demo of just guitars and M.w.s (Serpent ov Old, Shadows in the Crypt, Evil Divine, ex-Wykked Witch) quickly signed on and we produced the album 'Synkka Tuuli' in about a week at his personal Thee Illuminated studio. M.w.s. knew Mike Juliano from Horror Pain Gore Death Productions from when Shadows in the Crypt got signed and contacted him about releasing the NB stuff. The rest is history..02. WHY THE NAME NIHILISTINEN BARBAARISUUS? MIKA: Nihilistinen Barbaarisuus is Finnish for Nihilistic Barbarism, a philosophical concept derived by French philosopher Andre Comte-Sponville. In his 'The Little Book of Atheist Spirituality' he explains:"Nihilistic Barbarism has no program, no ideal, no ideology. It has no need of these things. Its advocates believe in nothing; they know only violence and egotism, contempt and hatred. They are prisoners of their own instincts, their own stupidity and lack of culture, and slaves to what they think of as their freedom. They are barbaric because they lack faith and/or fidelity; they are the mercenaries of the void."03. WHAT S YOUR INFLUENCES? MIKA: My black metal influences were on the progressive side with early Bal-Sagoth, Naglfar, Old Man's Child, etc., outside of black metal I listen to a lot of power metal and melodic metal in general and I think it will show on the upcoming album. As for 'Synkka Tuuli', Manuel had written riffs based upon his own influences like Graveland, Horna, and Hate Forest and I had to compliment those with my own riffs, so those are the bands people seem to identify with that album most.04. HOW`S THA ACTUAL LINE-UP? MIKA: I've brought in Joel Robert Thompson to do studio vocals on the newest album. We met in college while at the University of North Carolina at Chapel Hill because he had a Dimmu shirt on or something, he sang for the melodic death metal band Omelas from Raleigh, North Carolina but I had no idea how insane his voice was until I brought him down to try out for NB. I had spoken to a few other vocalists like Necrodemius Hammerhorde of Decieverion and James Dorton of Black Crown Initiate and Nightfire (who also sang on the 'Vainamoinen' EP), but there were logistical issues with their own projects and finding the time to get the studio work done. Joel came in and absolutely killed it, and I knew immediately he was perfect. I recorded all the guitar work for the new album, Jeff Willet (ex-Black Crown Initiate, ex-Single Bullet Theory) contributed drums and Lawrence Wallace (Lawrence's Creation, Shadows in the Crypt) returned to do synth again.05. WHO WRITES THE MUSIC? LYRICS? AND WHERE DO THE LYRIC IDEAS COME FROM? MIKA: I compose every aspect of the music, from drum hits to lyrical arrangements, I just bring in people to perform in
studio when it comes time to record who can do things I can't do (sing, actually play drums...). The next album is based on the Finnish National Epic called "The Kalevala". A linguist by the name of Elias Lonnrot went out in the late 19th century to collect the folklore and myths of Finland and "The Kalevala" was the final product.06. WHAT S YOUR VIEW IN SATANISM AND OCCULTISM? MIKA: Most people haven't read LaVey's "The Satanic Bible" and thus fail to understand Satanists don't actually worship Satan, LaVey even writes the "black mass" is only done as a satire on Catholic mass, thus you can think of black metal bands shouting "Hail Satan" as being in that same theatrical tradition. Having said this, I'm not a Satanist (just an atheist), and while Satanism and the occult are interesting intellectual concepts I think they've been done to death in black metal, so to stay original I don't utilize them.07. HOW MANY CD`S HAVE YOU RELEASED? Mika: With Horror Pain Gore Death Productions in the U.S. NB put out a promo as well as a full-length LP. With Infernal Kommando Records in France I put out the same LP and the follow-up EP as cassette for people in the underground scene who dig that kind of thing. The next album is just about complete and I look forward to people getting a chance to hear it.08. TELL US MORE ABOUT EP: VAINAMOINEN? MIKA: After 'Synkka Tuuli' Manuel left to pursue his career as a video game programmer (he works for a large company in Denver now), thus the 'Vainamoinen' EP was the first release completely written by me from the ground up, and I think you can already taste the more progressive direction with it. Vainamoinen is the hero protagonist of "The Kalevala" and we have a few songs on the new album which prominently feature him. 09. TELL ME ABOUT SOME THE SONGS ON THE LASTEST EP? MIKA: "Vainamoinen" has lyrics adapted from The Kalevala, it's his parting song upon being chastised by the virgin-born child. The other song "Yo, Jolloin Han Kuoli" is a somber acoustic number reflecting the several female suicides in "The Kalevala"; on the new album it will be called "The Night She Died".10. HOW HAS THE FAN RESPONSE BEEN? MIKA: I've been happy with it, the zines in particularly seem to appreciate the music and from what I gather the cassettes have distributed well. I'm hoping to keep the momentum going for the next album.11. WHERE WILL YOU SPEND ETERNITY? MIKA: Wherever the worms who eat me go.12. WHAT DO YOU DO IN THE FREE TIME? MIKA: In my free time I do this, make music. This isn't a job for me, it's a hobby and a pure passion project. Until recently I worked as a Medical Assistant for a physician in Hockessin, Delaware, before that I got a master's degree from the Johns Hopkins Bloomberg School of Public Health, and in a few weeks I begin at the Kentucky College of Osteopathic Medicine to be a