thegoodfellas/blogset-br huggingface dataset:
que elas existam. Para que elas possam existir... Isto tem a ver com o poeta, sobretudo, que e um demiurgo. Ou tem esse lado. Numa forma simples, essa maneira de redimensionar o mundo passa por um aspecto muito profundo, que nao tem nada a ver com aquilo que existe a flor da pele. Tem a ver com uma experiencia radical do mundo. Por exemplo, com aquela que eu faco de vez em quando, que e passar tres dias como se fosse cego. Por mais atento que se seja, ha sempre coisas que nos escapam e que so podemos conhecer de outra maneira, atraves dos outros sentidos, que estao menos treinados... Reconhecer a casa atraves de outros sentidos, como o tacto, por exemplo. Isso e outra dimensao, da outra profundidade. E a casa e sempre o centro e o sentido do mundo. A partir dai, da casa, percebe-se tudo. Tudo. O mundo todo. Al Berto, in "Entrevista a revista Ler (1989)"
perguntava-me. E quem respondia era uma estranha que me dizia fria e categoricamente: tu es tu mesma. Aos poucos, a medida que deixei de me procurar fiquei distraida e sem intencao alguma. Eu sou habil em formar teoria. Eu, que empiricamente vivo. Eu dialogo comigo mesma: exponho e me pergunto sobre o que foi exposto, eu exponho e contesto, faco perguntas a uma audiencia invisivel e esta me anima com as respostas a prosseguir. Quando eu me olho de fora para dentro eu sou uma casca de arvore e nao a arvore. Eu nao sentia prazer. Depois que eu recuperei meu contato comigo e que me fecundei e o resultado foi o nascimento alvorocado de um prazer todo diferente do que chamam prazer. Clarice Lispector, in 'Um Sopro de Vida'
Conheceis as seis virtudes e os seis defeitos nos quais pode cair aquele que quer praticar as seis virtudes sem conhece-las bem? O defeito daquele que quer ser benfeitor e nao quis aprender a se-lo, e a falta de discernimento; o defeito daquele que ama a ciencia e nao ama o estudo, e o de cair em erro; o defeito daquele que gosta de cumprir promessas e nao aprendeu a faze-las, e prejudicar os outros, prometendo-lhes e dando-lhes coisas nocivas; o defeito daquele que ama a franqueza e nao aprendeu a pratica-la e o de aconselhar a repreender muito livremente sem nenhuma consideracao para com as pessoas; o defeito daquele que gosta de mostrar coragem e nao aprendeu a saber dosea-la e perturbar a ordem; o defeito daquele que ama a firmeza de alma e nao aprendeu a limita-la e a temeridade. Confucio, in 'Os Anacletos' Clique em READ MORE para download do Livro Download do Livro - CLIQUE EM READ MORE Dani Klein Dirk Schoufs Willy Lambregt Banda belga formada em 1986 por Dani Klein, Dirk Schoufs e Willy Lambregt, na cidade de Bruxelas, justamente porque tinham interesses em comum na musica cigana, jazz e generos de opera que nao eram tao apreciados em Bruxelas. Seu primeiro single, "Just a Friend of Mine", teve boa repercussao em paises latinos e se tornou o Hit No 1 na Franca, vendendo mais de 300.000 copias. Willy Lambregt deixou o grupo e foi substituido por Jean-Michel Gielen. Apesar de Vaya Con Dios ser bem sucedida em paises latinos, a banda permaneceu desconhecida na Holanda, em parte devido a ser uma banda belga, mas tambem por causa de seu estilo cigano. No verao de 1990 eles finalmente tiveram sua descoberta na Holanda, com a musica "What's a Woman?" atingindo o numero 1 por tres semanas, fazendo o Vaya Con Dios o segundo artista belga a ter um hit No 1 na Holanda (O primeiro foi Ivan Heylen em 1974). Pois e rapaziada um pouco de Historia sobre essa banda, que atualmente tem tocado bastante nas festas ditas de Nostalgia Moderna, sendo um dos Hits favoritos dos habitauis. E e nesse clima de Nostalgia Moderna que trazemos ate voces este Single rarissimo de se encontrar e que contem a Versao Estendida da musica. Exclusividade do Arquivo do Samba-Rock. A1 Dont Cry For Louie 2:57 A2 The Moon Shiner 2:43 B1 Lord Help Me Please 3:17 B2 Dont Cry For Louie (Maxi Version) 5:24 Link do Arquivo Para presevar a qualidade dos arquivos o disco foi ripado em .Flac, normalmente o programa Windows Media Player, nao reconhece este tipo de arquivo, entao voce tera que baixar um pacote de codecs para poder escutar este tipo de arquivos. Uma boa opcao e o windows 7 Codec Pack, encontrado neste Link: http://www.windows7codecs.com/ Apesar de estar escrito Widows 7 codec pack este pacote e 100% compativel com outras versoes do Windows. E isso ai rapazaida, boas trancadas. After the success of Swiss Movement, McCann primarily a piano player began to emphasize his rough-hewn vocals more. He became an innovator in
the soul jazz style, merging jazz with funk, soul and world rhythms; much of his early 1970s music prefigures the great Stevie Wonder albums of the decade. He was among the first jazz musicians to include electric piano, clavinet, and synthesizer in his music. In 1971, he and Harris were part of a group of soul, R&B, and rock performers including Wilson Pickett, The Staple Singers, Santana, and Ike & Tina Turner who flew to Accra, Ghana for a historic 14-hour concert before more than 100,000 Ghanaians. The March 6 concert was recorded for the documentary film Soul To Soul. In 2004 the movie was released on DVD with an accompanying soundtrack album. Les discovered Roberta Flack and obtained an audition which resulted in a recording contract with Atlantic Records. Les McCann - Much Les Label: Atlantic Catalog#: SD 1516 Format: Vinyl, LP, Album Country: US Released: 1969 Genre: Jazz Style: Jazz-Funk Tracklist A1 Doin' That Thing 8:31 Written-By - Leroy Vinnegar A2 With These Hands 5:35 Written-By - Abner Silverand* , Benny Davis A3 Burnin' Coal 6:40 Written-By - Les McCann B1 Benjamin 5:47 Written-By - Les McCann B2 Love For Sale 6:39 Written-By - Cole Porter B3 Roberta 8:57 Written-By - Les McCann Credits Bass - Leroy Vinnegar Conductor, Arranged By [Strings] - William Fischer* (tracks: A1, A2, B1, B3) Congas - Victor Pantoja (tracks: A1, A3, B2) Drums - Donald Dean Engineer [Recording] - Adrian Barber Piano - Les McCann Producer - Joel Dorn Strings - Emanuel Green (tracks: A1, A2, B1, B3) , Harvey Shapiro (tracks: A1, A2, B1, B3) , Kermit Moore (tracks: A1, A2, B1, B3) , Noel DaCosta (tracks: A1, A2, B1, B3) , Richard Elias (tracks: A1, A2, B1, B3) , Ron Carter (tracks: A1, A2, B1, B3) , Selwart Clarke (tracks: A1, A2, B1, B3) , Theodore Israel (tracks: A1, A2, B1, B3) , Warren Laffredo (tracks: A1, A2, B1, B3) , Winston Collymore (tracks: A1, A2, B1, B3) Timbales - Willie Bobo (tracks: A1, A3, B2) Notes Recorded at Atlantic Studios, New York. Link do Arquivo Link Alternativo
Mautner Nelson Jacobina Lado B Preciso Aprender A So Ser (1974) Compositor(es): Gilberto GilLink do ArquivoLink do Arquivo AlternativoDiscografia The Blackbyrds Parte 3 de 4Parte 3Unfinished Business 1976Label:FantasyCatalog#:F-9518Format:Vinyl, LP, Album, Gatefold SleeveCountry:USReleased:1976Genre:JazzStyle:Jazz-FunkTracklistA1 Time Is Movin 4:42 Written-By K. Killgo*A2 In Life 5:12 Written-By J. Hall* , K. Killgo* , K. Toney* , O. Saunders*A3 Enter In 4:38 Written-By J. Hall*A4 Youve Got That Something 4:18 Written-By D. Byrd* , K. Toney*B1 Party Land 5:16 Written-By D. Byrd* , O. Saunders*B2 Lady 6:30 Written-By J. Hall*B3 Unfinished Business 5:54 Written-By K. Toney*CreditsArranged By, Conductor Wade MarcusArtwork By [Art Direction] Phil CarrollArtwork By [Cover] Phil Bray , Phil CarrollArtwork By [Lettering] Lance AndersonBass Joe HallContractor George BohanonDrums Keith KillgoEngineer [Recording] Jim Nipar , Serge ReyesFlute [Solo] Ernie WattsFrench Horn Alan Robinson , Marilyn Robinson , Vince DeRosa*Guitar Orville SaundersGuitar [Solo] Ray Parker*Harmonica [Solo] Tommy MorganKeyboards Kevin ToneyMastered By Mike ReesePhotography [Liner Photos] Phil BrayProducer Donald ByrdRemix Jim NiparRemix [Assistant] Serge ReyesSaxophone [Tenor, Baritone], Flute Jackie Kelso , William GreenSaxophone, Flute Wesley JacksonTrombone Charles Loper , George BohanonTrombone [Bass] Lew McCrearyTrumpet, Flugelhorn Chuck Findley , Gary Grant , Nolan Smith , Steve MadaioVocals Alex Brown , Bill Medford , Blackbyrds, The , Charles Barnett* , Jerry Spikes , Jim Gilstrap , John Lehman , Kenny Moore , Marti McCall , Myrna MatthewsVocals [Soloist] Mildred LaneProduced for Blackbyrd Productions, Inc.Engineered & remixed at The Sound Factory, Hollywood.Mastered at the Mastering Lab, Hollywood.All selections published by Blackbyrd Music (BMI), except You Got That Something and Party Landpublished by DeByrd Music/Blackbyrd Music (BMI).Brown labels / heavy cardboard sleeve / b/w dust sleeve with a photo and lyrics.Link OriginalAction 1977Label:FantasyCatalog#:F-9535Format:Vinyl, LPCountry:USReleased:1977Genre:Funk / SoulStyle:Soul, Funk, DiscoTracklistA1 Supernatural Feeling 3:47 Written-By Toney* , Saunders*A2 Lookin Ahead 5:30 Written-By Kevin ToneyA3 Mysterious Vibes 4:46 Written-By Keith KillgoA4 Something Special 4:43 Written-By Keith KillgoB1 Street Games 4:45 Written-By Kevin ToneyB2 Soft And Easy 4:25 Written-By Orville SaundersB3 Dreaming About You 5:49 Written-By Kevin ToneyCreditsArranged By, Conductor Wade MarcusBass David ShieldsConcertmaster, Strings Charles Veal, Jr.*Congas Eddie Bongo Brown*Drums, Percussion Ollie BrownEngineer Mike ReeseEngineer [Assistant] Serge ReyesGuitar Ray Parker Jr.Producer, Trumpet Donald ByrdRecorded By, Engineer [Remix] Jim NiparSaxophone [Tenor, Soprano] Ernie WattsRecorded at the Sound Factory, HollywoodMastered at the Mastering Lab, HollywoodLink Original
Dear fellow funk enthusiasts and soul searchers everywhere,DAPTONE RECORDSthat little indie label that could, would and certainly shouldcontinues to bring you the tastiest, most delectable nuggets of Soul, Funk, Gospel and Afrobeat to be found on a vinyl platter. Armed with recipes culled from a former life as Desco Records, we at Daptone earnestly strive to serve only the finest music analog tape can offer.Musician-owned and run, our Brooklyn-based family of soul-drenched talent channels the spirits of bygone powerhouses like Stax and Motown into gilded moments of movement and joy, be they delivered by the likes of Sharon Jones and the Dap-Kings, Lee Fields, Charles Bradley, Binky Griptite, the Budos Band, Naomi Davis or the Sugarman 3. Whether your preference is for discs 7-inches or 12, LPs or CDs, this is music to be savored and felt, again and again.Hand-made and heart-stirred, our records are manufactured from the highest quality vinyl available. Our limited pressings can be purchased directly from us or from your local distributor at reasonable prices. Each record is carefully recorded and mixed by the illustrious Bosco Mann to ensure only the hardest, truest sound found this side of the Atlantic. Daptone Records continues to take pride in what we do, and we thank you for your support.Sincerely,Gabriel Roth & Neal Sugarman.Daptone GoldLabel:Daptone RecordsCatalog#:DAP-018Format:CD, CompilationCountry:USReleased:2009Genre:Funk / Soul, LatinStyle:Gospel, Rhythm & Blues, Soul, FunkTracklist1 Binky Griptite - Introduction 0:51 2 Sharon Jones & The Dap-Kings - Im Not Gonna Cry 3:22 3 Budos Band, The - Up From The South 3:28 4 Naomi Shelton & Gospel Queens, The - What Have You Done 3:29 5 Sharon Jones & The Dap-Kings - How Long Do I Have To Wait? 4:05 6 Lee Fields - Could Have Been 3:31 7 Antibalas featuring Mayra Vega - Che Che Cole Makossa 4:09 8 Budos Band, The - Budos Rising 4:49 9 Sharon Jones & The Dap-Kings - Got A Thing On My Mind 2:53 10 Charles Bradley & Menahan Street Band - The World (Is Going Up In Flames) 3:22 11 Sharon Jones & The Dap-Kings - Make It Good To Me 4:39 12 Lee Fields And Sugarman & Co.* - Stand Up 3:54 13 Naomi Shelton & Gospel Queens, The - What Is This 3:13 14 Binky Griptite With Sugarman Three, The* - A Lover Like Me 2:38 15 Menahan Street Band - Make The Road By Walking 3:03 16 Sharon Jones & The Dap-Kings - Tell Me 2:46 17 Sugarman & Co.* - Down To It 4:13 18 Dap-Kings, The - Nervous Like Me 3:07 19 Sharon Jones & The Dap-Kings - Giving Up 3:09 20 Budos Band, The - Ghostwalk 2:11 21 Cynthia Langston & Gospel Queens, The - I Need You To Hold My Hand 3:21 22 Binky Griptite & Mellomatics, The - The Stroll Part 2 2:11 23 Sharon Jones & Lee Fields - Stranded In Your Love 5:48 Notes1 Can only be found on this compilation2 Is from seven inch single DAP-10313 Is from seven inch single DAP-10234 Is from seven inch single DAP-10365 Is from seven inch
single DAP-10206 Is from seven inch single DAP-10177 Is from 12 inch single DAP-120018 Is from The Budos Band album The Budos Band II, DAP-0119 Is from seven inch single DAP-100110 Is from seven inch single DAP-1034, DNM-102 (Daptone / Dunham11 Is from seven inch single DAP-100412 Is from seven inch single DAP-102513 Is from the Naomi Shelton And The Gospel Queens album What Have You Done, My Brother?, DAP-01614 Was previously unreleased in this version and only existed in a version by Lee Fields And Sugarman & Co. called You Dont Know What You Mean (To A Lover Like Me)15 Is from seven inch single DNM-101, DAP-1029 (Daptone / Dunham)16 Is from seven inch Promo single DAP-1038-P and the album 100 Days, 100 Nights (DAP-012-LP)17 Is from the album Sugarman 3 & Co Pure Cane Sugar, Dap-00218 Is from seven inch single KD003 (Kay-Dee Records)19 Was previously unreleased20 Is from seven inch single DAP-1027 (released 2006) and the eponymous 2005 album (DAP-005)21 Is from the Naomi Shelton And The Gospel Queens album What Have You Done, My Brother?, DAP-01622 Is from seven inch single DAP-104323 Is from the album Sharon Jones And The Dap-Kings Naturally, DAP-004Barcode and Other IdentifiersBarcode: 82314001824Matrix Number: R02093273 G2 28 Oct 2009 DAPT018 AMILink OriginalLink Alternativo
Funk music is forever branded as kitsch and retro in our pop culture, and thats a damn shame.Given that such music is the foundation for so much contemporary and so-called futuristic dance music, funk has an intrinsic timelessness. Ditch the wonka, wonka guitar licks, the stereotypical Blaksploitation and 70s porn stereotypes, and all of the Me Decades schlock, and the music has tremendous power. Heavy-funk, which strips the music down to pure minimalist groove as heard from The Meters, James Brown, and Sly Stone, to name too few is arguably the best incarnation of how the music shoots directly into the body and soul with fewer chords than punk and enough breakbeats to supply hip-hop, jungle, and house DJs for decades. In short, heavy-funk can be pure hypnosis. Listening to the first few meters and the opening snare snap of the Meters The Handclapping Song is enough to do the job for me. The work of recent heavy-funk revivalists such as Sugarman Three, Breakestra, the Poets of Rhythm, and Sharon Jones and the Dap-kings faithfully swing that therapists watch and retain the soul without succumbing to telling the music as a punchline that befell to the music in Hollywood and Baby Boomer what were we thinking back then? kitsch.Here comes The Budos Band, walking off a Staten Island ferry and armed with chops they sharpened after school at a community center. There is no amateurishness here; their instrumentals couldve been performed in 1970 as much as 2005. The 11-piece ensembles eponymous debut album, recorded in just three nights, is one of this years best dance records, embodying funks best elements and keeping the mind locked in their hands throughout most of its too-brief 37 minutes. Although their take on heavy-funk is certainly up there with their label mates on Brooklyns Daptone, namely the Sugarman Three and Sharon Jones, they also enrich their attack with deft afro-beat dynamics and hornwork. The sound is equal parts Meters and Fela Kuti as the band follows a simple, cowbell-driven cadence and let the brass sing. The psych tip that graces their guitar melodies, their flutes trails of echo and tribal rhythms that can lead any Pied Piper march from the club and onto the streets, only augment these touchstones.Opener, Up From the South begins with a she loves me/she loves me not bassline. The Afro-funk percussion then struts in, while the brass section and organ riffs all announce the bands name loud enough to be heard across three states. The following T.I.B.W.F. has a stronger groove with a grouchy baritone sax stamping its feet after what seems to be a pitiful breakup as the brasses follow it and repeatedly shout get over it, dammit! But even with the raucousness of it all, the trumpet solo is calm, placing an arm on the Romeos shoulder. Elsewhere, the band revives Felas ghost in the brilliant space out trance of Eastbound, and steadily glides through the Latin funk of Monkey See, Monkey Do. They later begin King Charles with them laughing at a members shoddy impression of a monarch
before they pepper out a groove akin to an after-hours nap on the last subway train of the night, watching the streetlights dance across the window.Unfortunately, a few of the slow groove pieces tend to walk in circles. The Budos are at their best when chasing a beat like frenetic but calming Budos Theme, and are able fuel themselves enough to launch far into the sky with just three notes in The Volcano Song. They amazingly improve on a funk classic in their cover of Sly and the Family Stones everyman hedonism of Sing a Simple Song. Their full 11-piece orchestration and three-dimensional production all sound like the song is being heard through the walls of a Garden of Eden that grows in Staten Island.Link This ReleaseSite Oficial: http://www.thebudos.com/Budos Band, The The Budos BandLabel:Daptone RecordsCatalog#:DAP-005Format:Vinyl, LP, AlbumCountry:USReleased:2005Genre:Funk / SoulStyle:FunkTracklistA1 Up From The South 3:26 A2 T.I.B.W.F. 2:40 A3 Budos Theme 3:09 A4 Ghost Walk 2:13 A5 Monkey See, Monkey Do 6:01 B1 Sing A Simple Song 3:18 Written-By S. Stewart* B2 Eastbound 3:43 Written-By B. Profilio* B3 Aynotchesh Yererfu 3:13 Written-By S. Belay* B4 King Charles 3:09 Written-By M. Irwin* , N. Sugarman* B5 The Volcano Song 2:50 Written-By A. Green* , M. Deller* B6 Across The Atlantic 3:28 CreditsArt Direction Samuel TresserBass Guitar Daniel FoderCabasa Johnny GriggsCongas Duke AmayoCongas, Bongos Rob LombardoCowbell, Claves, Tambourine Dame RodriguezDesign [Sleeve Design] Ann CoombsDrums Brian ProfilioDrums, Congas John Carbonella Jr.Electric Guitar Thomas BrenneckExecutive Producer Roth , SugarmanFlute Daisy SugarmanMastered By Don GrossingerMixed By Gabriel Roth , Tomas BioshOrgan Mike DellerPhotography [Cover Photo] Jim SugarProducer Bosco Mann , TNT*Recorded By Gabriel RothRhythm Guitar, Cowbell, Congas Bosco MannSaxophone [Baritone] Jared TankelSaxophone [Tenor], Tambourine Neal SugarmanShekere Vincent BalestrinoTrumpet [1st] Andrew GreeneTrumpet [2nd] Michael IrwinWritten-By B. Mann* (tracks: A4, B6) , D. Foder* (tracks: A1 to A3, B4, B5) , J. Tankel* (tracks: A2, A3, B2) , T. Brenneck* (tracks: A1 to A5, B2, B4, B6)NotesRecorded and Mixed at DAPTONE STUDIOS, Bushwich, Brooklyn.Link Original
Album ao vivo, gravado em Osaka, Japao. Com o Grande Kenny Burrell na Guitarra e o nao menos fenomenal Jimmie Smith na batera, e e claro o Mestre do Hammond B-3 Jimmy Smith. Destacando seus sucessos em vermelho, curioso ter sido lancado pelo selo Blue Note e nao por seu selo habitual, o Verve. Jimmy Smith Trio - The MasterLabel:Blue NoteCatalog#: 7243 8 30451 2 9Format: CD, AlbumCountry: USReleased: 1994Genre: JazzTracklist1 Chittlins Con Carne 5:43 Written-By - Kenny Burrell2 It's Alright With Me 4:57 Written-By - Cole Porter3 The Organ Grinder's Swing 3:44 Written-By - Irving Mills , Mitchell Parish , Will Hudson4 The Preacher 5:50 Written-By - Horace Silver5 All Day Long 7:01 Written-By - Kenny Burrell6 I Got My Mojo Workin' 4:58 Written-By - McKinley Morganfield7 When Johnny Comes Marching Home 5:54 (Traditional)8 Back At The Chicken Shack 7:25 Written-By - Jimmy Smith9 The Cat 3:40 Written-By - Lalo SchifrinCreditsDrums - Jimmie SmithGuitar - Kenny BurrellOrgan - Jimmy SmithProducer - Hitoshi Namekata , Yoshiko TsugeNotesRecorded live at KIRIN PLAZA OSAKA on December 24 & 25, 1993Concert produced by NAOKI TACHIKAWA HIRO KAJIWARA & KIRIN PLAZA OSAKAAlbum produced by HITOSHI NAMEKATA & YOSHIKO TSUGE.Link do Arquivo The LP Roots Revisited is still considered a secret under wraps, but after the German tour, its insider status ought to be a thing of the past. That was how the normally restrained Spiegel voiced it enthusiastic verdict of Maceo Parkers newly-released jazz record, one of the top ten American jazz albums in the first four weeks of its release. After the great success of the first series of concerts, Maceo Parker and his band, including top players Alfred Pee-Wee Ellis (tenor saxophone), Fred Wesley (trombone), Ronald Muldrow (guitar), Larry Goldings (organ) and Jimmy Madison (drums), returned to the Stuttgart Theaterhaus in the late spring, where these excerpts were recorded on July 7, 1991an extraordinary musical event and a milestone in the history of jazz.Tracks:1. Up N Down East Street2. Southwick3. In Articulate Speech of the Heart4. Peace Fuque5. Cold Sweat6. Childrens World7. Everywhere is Out of Town8. Doin It to DeathLinks do Video: Parte 1 , Parte 2 , Parte 3Link do Audio Jazz Icons e uma colecao de DVD's que trazem os grandes do Jazz em apresentacoes unicas e raras. Hammond Organ- Jimmy SmithGuitar- Eddie McFaddenDrums- Charles CrosbyForeword: In this 1969 concert, Jimmy Smith was still at the top of his game. Trim and dapper, his enthusiasm in his playing is obvious from the start. The camera angles give us special insight into how Jimmy Smith did the remarkable things he did. Watching his performance of The Sermon is indeed special. We are permitted to see the entire instrument. Watching his left hand walk the bass on the lower manual is to witness a technique he invented. When he begins the drone with his right thumb and begins to improvise with the remaining fingers, he gets fired up and deeply into the feeling. This is one great piece of jazz video. He was a virtuoso soloist, an innovative combo leader, a best-selling recording