module became so popular, it was considered a world standard. With features such as 640 patches and 16 multitimbral parts, it represented the pinnacle in sample-playback synthesis at the time.1996: JP-8000This 8-voice synthesizer offered an impressive array of knobs and sliders to manipulate its analog modeling synthesis engine. It had a built-in Motion Control function that allowed operations on the panel to be recorded and played back.1996: XP-80The top model in the XP series, this synthesizer was based on the XP-50 with many refinements added on, plus 76 keys with weighted action. The sequencer memory could hold about 60,000 notes, three times that of the XP-50.1995: XP-10This XP-series model was aimed at the more affordable price range. Equipped with 16-part multitimbral GM/GS sound generator, it also incorporated a newly developed arpeggiator with 30 different styles, a Combination Palette, and more.1995: XP-50This workstation featured the sound generator of the JV-1080, and a sequencer with loop recording and quick play. It also featured Realtime Phrase Sequence (RPS).1994: JV-1080This synthesizer module featured 64 voices and 16-part multitimbral specs. Nicknamed the Super JV, the module could carry four wave expansion boards simultaneously, enabling up to 1,741 patches that spanned a wide range of music genres.1993: JD-990This sound-generator module achieved the operability of the JD-800 via a large-screen display. In addition to enabling ring modulation and oscillator sync, it was equipped with an FXM function and eight multi-effects processors.1993: W-50Intended for Professional Use / Church Environment (Complete library of rich Organ sounds,etc). This keyboard was a collaboration with Rodgers Organ (a Roland subsidiary).1993: JV-50This model featured the same functions as the JV-35, with a built-in SMF player. As with the JV-35/90, it was based on the JV-series concept of expandability, capable of up to 56 voices.1993: JV-90The JV-1000 synthesizer with the sequencer removed, the JV-90 was based on the concept of expandability. Expansion boards could be used to expand the number of voices and sounds as needed.1993: JV-35This model offered superb cost performance. While low priced, it allowed expansion boards to be installed, adding extra sounds and voices The separately sold VE-JV-1 provided the synth-engine equivalent of the JV-1000.1993: JV-1000This workstation featured a refined version of the JV-80 sound generator, with a built-in MC-50MKII sequencer engine. Expansion boards made this workstation expandable up to 993 patches, and 56 voices.1992: JW-50This workstation had an onboard GS sound generator with a built-in 16-track sequencer. In addition to a backing function as a composition-support tool, the JW-50s ease of editing tones made for an appealing instrument.1992: JV-880This PCM sound module, with the high-quality sound and functionality of the JV-80, was made to fit into a compact 1U rack-size. In addition to four main and sub outputs, the module has a Preview function that allowed users to check tones without using any other equipment.1992: JV-30The lower model of the JV-80, this 16-part multitimbral synthesizer captivated users with its 189 high-quality, built-in PCM tones and ease of operation. Editing filter, envelope generator, and vibrato was possible.1992: JV-80With eight paramaters sliders, this PCM synthesizer could be operated with an analog feel. This was