cuando dice Que esa esencia brasilena meexplote como un rio (..) La cultura es un caldo de ebullicion, suma deespecias. Como cierre, ese Tengo Suerte, todo un guino, entre el charleston,un recuerdo al Carmen de Bizet y esa frase Tengo suerte. Yovivo mi vida cantando.Un disco pues, lleno de personalidad,un gran homenaje a las raices de la musica brasilena, a los clasicos de aquelpais, tamizados por la paleta de Flavia Muniz, con algarabia, dejandose empaparde otras influencias muy diversas, pero sobre todo, con esa voz cantarina,escurridiza y juguetona, tan suya, tan deliciosa. Y su primer y maravillosodisco ve la luz en Elefant Records, pero como no podia ser de otra manera, conel corazon mirando al pais carioca.""Once again showingour passion for all the imaginable ways of understanding pop and also forBrazilian music, Elefant Records is releasing the debut album of one ofBrazils most promising artists, Flavia Muniz. She is one of thosecharacters who breathes life into everything around her; when you know abouther life and you know her, it confirms the beauty that her songs transmit evenmore, if thats even possible. Her first album, Descalcos Sobre A Terra, is amarvelous and clear example of Musica Popular Brasilena, rich in rhythms,harmonies, and arrangements, which pays its debt to the great classics of Rio.Born in 1976,she got her degree in Unirio in Musica Popular Brasilena, where she developedher music under teachers like Luis Otavio Braga, RobertoGnattali, Rick Ventura, Avelino Romero, MariaHaro and Mirna Rubin. In 2007, she was in a coma fromwhich she emerged unharmed, but which forced her to relearn how to breathe, tospeak, to walk, to eat, and to sing, as she herself says. A nature lover andalways inspired by nature, she got her strength back by writing books (Querover verdejar, Vilarejo, Barbara e a baleia, A historia da menina quechorava letras, Joana e Altamira, Menino, grande menino and VerdeMaduro) which garner a certain amount of acclaim and are even held as examplesfor childrens activities. The other thing that helped her recover wascontinuing to work with her Brazilian indie-pop band, LUISA MANDOU UM BEIJO.She recorded three albums with them as the lead singer, even writing many ofthe songs, but she slowly began to surround herself with other musicians whoconnected to her life philosophy. This gave way to the band with which shereleased her first album. O OLHO MAGICO - Bruno Reis (Brazilianguitar), Felipe Rodrigues (guitar), Rodrigo Sebastian (doublebass), Romulo Frazao (flute) y Thiago Kobe (drums) have been key figures in the recording process of Descalcos Sobre A Terra,which was done in an absolutely acoustic format that connects Braziliantradition and roots to samba and bossa, and even to pop music.The album islight and colorful as few that have come out in recent years, and its easy tosee Flavias exquisite musical training, mixed with classicalstyles, the strength of Elis Regina, the elegance of GalCosta, the amazing imagination of tropicalism and theunbridled creativity of Caetano Veloso, the cheerfulness of Evinha,and the universal qualities of Vinicius de Moraes. BrasilOnde A Gente Mora is a trip with the QUARTETO EM CY to Velosos Estrangeiro,with a chorus that