Atencao, antes de iniciarmos um aviso importante, o TBTCI adverte, a audicao dos ingleses do Dream Demolition Factory causa alucinacoes e os efeitos colaterais nao estao ate o momento catalogados, ou seja, nao garanto lucidez apos ser submetido a estas experiencias.Tendo isto posto, podemos iniciar.... Esqueca rotulos, esqueca limites sonoros, no mundo particular do Dream Demolition Factory tudo e possivel, desde de fragmentos de prog, viagens trance, psicodelia sessentista, kraut classico, no wave insana, nao existe ponderacao, nao existe bloqueios, existe apenas uma unica certeza, a subversao sonoro dos caras te induz a transcender.Esqueca os padroes e experimente o Dream Demolition Factory, e boa viagem.***** Interview with Dream Demolition Factory *****Q. When did Dream Demolition Factory start? Tell us about the history... A. We formed in 2012. It began with Jeannie and Paul (vocals, bass & guitar) who started out writing songs together. We advertised for other musicians and met David (keys,synths). We went through more drummers than Spinal Tap to meet Ken, but he was worth the wait. We found a natural musical telepathy with Ken and sonically started to refine our sound. We released our first songs via Soundcloud and a self released an EP in local record shops. Q: Who are your influences? A. Psychedelia, (60's to present day) 60's Girl Bands, Post Punk, some Dream Pop and Electronica, Hauntology. The Beatles, Velvet Underground, The Doors, Love, Pink Floyd (Piper- Animals) David Bowie, Joy Division, Blondie, Broadcast and Stereolab, Kosmische and Motorik music like Tangerine Dream Can and Neu! Also Classic 70'rock like Sabbath or Led Zep, some Prog like King Crimson or Aphrodite's Child. Film soundtracks, (Morricone to John Carpenter).Q. Make a list of 5 albums of all time... A. Revolver, Velvet Underground and Nico, Low, Unknown Pleasures, LovelessQ. How do you feel playing live? A. There is a different experience playing live because you are interacting with the energy of the audience which can bring out the best in us. On a really good night, we hope to create this swirling maelstrom of mad noise (What's guitar? What's synth? Does it matter?) which helps our audience lose themselves in sound completely and transcend themselves for a few minutes. We are completely in the moment playing live. It can be cathartic and sonically we can even surprise ourselves. We want our live sound to be almost narcotic, shamanic! At our best live, we can be transcendent and other worldly. Q. How do you describe Dream Demolition Factory sounds? A. Ethereal, spacey, intense, dreamy, pulsing, hypnotic, evolving, cinematic, driving, spooky, eerie, dynamic, adventurous, improvisational. There are certain sounds we love more than others; there's loads of lovely delay/looping pedals now which emulate old tape delays or the Binson Echorec, and those are really helping us make psychedelic noises. We love the warm earthy tones of analogue synths and their filters - the Moog LP and the Korg MS20, for example. And we love the scratchy, eerie mellotron too - especially the flutes and strings. We like to use reverb to create textures and ambience within the context of songs.https://www.youtube.com/watch?v=I1GPgdrKdpsQ: