Ninguem acredita, em tao pouco tempo essas meninas ja estao modelando e costurando suas roupitas.Proximo desafio, fazer as roupas para Natal e Ano Novo. Essa eu quero ver !!!!! Hoje o sabado, 17 de setembro esta muito produtivo e agradavel, no Balaio de Panos, com a aula de maleta com as queridas professora Nelya Cochrane e Clarice Sa, e as alunas Maria Gleuza Este, Ana Catarina Godoy, Maria Christina da Silva Ferreira , Sirleia Almeida Silva, Maria Jose Rodrigues Grangense Pereira Nunes,Adalice Reis, Rosmaide Gertz, Milena Medrado Santos . E as novas alunas estao animadas .... Essas meninas estao incriveis, com seus modelitos, Arrasaram !!!!!!!! Venha aprender a modelar e costurar suas proprias roupas. Curso regular sempre as 5as feriasHorario: 9:00 as 12:00 e 13 as 16:00 hs.Investimento: R$ 220,00 / mesEntre em contato tel (21) 3197-4136, email: balaiodepanos@gmail.com Dear students,tomorrow we begin our readings of Geoffrey Chaucer's The Canterbury Tales (c. 1483).Please take note of these useful sites, which may help you with class/home activities:eChaucer site at: http://www.umm.maine.edu/faculty/necastro/chaucer/index.htmlThe Canterbury Tales at: http://academic.brooklyn.cuny.edu/webcore/murphy/canterbury/Enjoy your readings! ;) William Blake, The Angel of the Revelation. Watercolor, pen and black ink, over traces of graphite. 1803-1804 Source: William Blake: Angel of the Revelation (14.81.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtMock on, mock on, Voltaire, Rousseau;Mock on, mock on; 'tis all in vain!You throw the sand against the wind,And the wind blows it back again.And every sand becomes a gemReflected in the beams divine;Blown back they blind the mocking eye,But still in Israel's paths they shine.The Atoms of DemocritusAnd Newton's Particles of LightAre sands upon the Red Sea shore,Where Israel's tents do shine so bright. Know then thyself, presume not God to scanThe proper study of Mankind is Man.(Pope, Essay on Man, 1734) Edgar Allan Poe (1809-1849) CHARLES DICKENS, in a note now lying before me, alluding to an examination I once made of the mechanism of "Barnaby Rudge," says- "By the way, are you aware that Godwin wrote his 'Caleb Williams' backwards? He first involved his hero in a web of difficulties, forming the second volume, and then, for the first, cast about him for some mode of accounting for what had been done." I cannot think this the precise mode of procedure on the part of Godwin- and indeed what he himself acknowledges, is not altogether in accordance with Mr. Dickens' idea- but the author of "Caleb Williams" was too good an artist not to perceive the advantage derivable from at least a somewhat similar process. Nothing is more clear than that every plot, worth the name, must be elaborated to its denouement before anything be attempted with the pen. It is only with the denouement constantly in view that we can give a plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points, tend to the development of the intention. There is a radical error, I think, in the usual mode of constructing a story. Either history affords a thesis- or one is suggested by an incident of