Query: Temple Grandin is a biographical film from 2010.

Relevant passages:
Temple Grandin (film) <=SEP=> Temple Grandin is a 2010 biopic directed by Mick Jackson and starring Claire Danes as Temple Grandin , an autistic woman who revolutionized practices for the humane handling of livestock on cattle ranches and slaughterhouses .

Biographical film <=SEP=> A biographical film , or biopic ( -LSB- ˈbaɪəʊpɪk -RSB- abbreviation for biographical motion picture ) , is a film that dramatizes the life of a non-fictional or historically-based person or people . Such films show the life of a historical person and the central character 's real name is used . They differ from films `` based on a true story '' or `` historical drama films '' in that they attempt to comprehensively tell a single person 's life story or at least the most historically important years of their lives .   Because the figures portrayed are actual people , whose actions and characteristics are known to the public ( or at least historically documented ) , biopic roles are considered some of the most demanding of actors and actresses . Ben Kingsley , Johnny Depp , Jim Carrey , and Jamie Foxx all gained new-found respect as dramatic actors after starring in biopics : Ben Kingsley as Mahatma Gandhi in Gandhi ( 1982 ) , Depp as Ed Wood in Ed Wood ( 1994 ) , Carrey as Andy Kaufman in Man on the Moon ( 1999 ) , and Foxx as Ray Charles in Ray ( 2004 ) .   In rare cases , sometimes called auto biopics , the subject of the film plays himself or herself : Jackie Robinson in The Jackie Robinson Story ; Muhammad Ali in The Greatest ; Audie Murphy in To Hell and Back ; Patty Duke in Call Me Anna ; Bob Mathias in The Bob Mathias Story , Arlo Guthrie in Alice 's Restaurant ; and Howard Stern in Private Parts .   Biopic scholars include George F. Custen of the College of Staten Island and Dennis P. Bingham of Indiana University -- Purdue University Indianapolis . Custen , in Bio/Pics : How Hollywood Constructed Public History ( 1992 ) , regards the genre as having died with the Hollywood studio era , and in particular , Darryl F. Zanuck . On the other hand , Bingham 's 2010 study Whose Lives Are They Anyway ? The Biopic as Contemporary Film Genre shows how it perpetuates as a codified genre using many of the same tropes used in the studio era that has followed a similar trajectory as that shown by Rick Altman in his study , Film/Genre . Bingham also addresses the male biopic and the female biopic as distinct genres from each other , the former generally dealing with great accomplishments , the latter generally dealing with female victimization . Ellen Cheshire 's Bio-Pics : a life in pictures ( 2014 ) examines UK/US films from the 1990s and 2000s . Each chapter reviews key films linked by profession and concludes with further viewing list . Christopher Robé has also written on the gender norms that underlie the biopic in his article , `` Taking Hollywood Back '' in the 2009 issue of Cinema Journal . Roger Ebert defended The Hurricane and distortions in biographical films in general , stating `` those who seek the truth about a man from the film of his life might as well seek it from his loving grandmother . ... The Hurricane is not a documentary but a parable . ''   Some biopics purposely stretch the truth . Confessions of a Dangerous Mind was based on game show host Chuck Barris ' widely debunked yet popular memoir of the same name , in which he claimed to be a CIA agent . Kafka incorporated both the life of author Franz Kafka and the surreal aspects of his fiction . The Errol Flynn film They Died with Their Boots On tells the story of Custer but is highly romanticized . The Oliver Stone film The Doors , mainly about Jim Morrison , was highly praised for the similarities between Jim Morrison and actor Val Kilmer , look-wise and singing-wise , but fans and band members did not like the way Oliver Stone portrayed Jim Morrison , and a few of the scenes were even completely made up .   Casting can be controversial for biographical films . Casting is often a balance between similarity in looks and ability to portray the characteristics of the person . Anthony Hopkins felt that he should not have played Richard Nixon in Nixon because of a lack of resemblance between the two . The casting of John Wayne as Genghis Khan in The Conqueror was objected to because of the American Wayne being cast as the Mongol warlord . Egyptian critics criticized the casting of Louis Gossett , Jr. , an African American actor , as Egyptian president Anwar Sadat in the 1982 TV miniseries Sadat . Also , some objected to the casting of Jennifer Lopez in Selena because she is a New York City native of Puerto Rican descent while Selena was Mexican-American .