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( allen ) manages to breathe life into this somewhat tired premise . | 1positive
| 1,300 |
the writing and direction to the soggy performances | 0negative
| 1,301 |
went back | 1positive
| 1,302 |
unfunny | 0negative
| 1,303 |
good film | 1positive
| 1,304 |
a simplistic narrative and | 1positive
| 1,305 |
plodding , peevish and gimmicky . | 0negative
| 1,306 |
finely written | 1positive
| 1,307 |
attentive | 1positive
| 1,308 |
a canny crowd pleaser , | 1positive
| 1,309 |
real and amusing | 1positive
| 1,310 |
a dependable concept | 1positive
| 1,311 |
straight from the saturday morning cartoons | 0negative
| 1,312 |
least | 0negative
| 1,313 |
very light | 1positive
| 1,314 |
thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except | 0negative
| 1,315 |
dying a slow death | 0negative
| 1,316 |
some good material in their story about a retail clerk wanting more out of life | 1positive
| 1,317 |
lack contrast , are murky and are frequently too dark to be decipherable . | 0negative
| 1,318 |
under the skin of a man we only know as an evil , monstrous lunatic | 0negative
| 1,319 |
transporting is that it 's also one of the smartest | 1positive
| 1,320 |
reminiscent of gong li and a vivid personality | 1positive
| 1,321 |
to convince almost everyone that it was put on the screen , just for them | 1positive
| 1,322 |
downright intoxicating | 1positive
| 1,323 |
with ` bowling for columbine , ' michael moore gives us the perfect starting point for a national conversation about guns , violence , and fear . | 1positive
| 1,324 |
especially the pseudo-educational stuff we all ca n't stand | 0negative
| 1,325 |
vaporize from your memory minutes | 0negative
| 1,326 |
energetic | 1positive
| 1,327 |
's the inimitable diaz , holding it all together . | 1positive
| 1,328 |
decrepit | 0negative
| 1,329 |
two guys yelling in your face for two hours | 0negative
| 1,330 |
bloody beauty as vivid | 1positive
| 1,331 |
cold , sterile and lacking any color or warmth | 0negative
| 1,332 |
is not handled well | 0negative
| 1,333 |
long and eventful | 1positive
| 1,334 |
, after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers | 1positive
| 1,335 |
suffocating | 0negative
| 1,336 |
has considerable charm | 1positive
| 1,337 |
for its extraordinary intelligence and originality | 1positive
| 1,338 |
stink | 0negative
| 1,339 |
good-bad that makes eight legged freaks a perfectly entertaining summer diversion | 1positive
| 1,340 |
the milieu is wholly unconvincing ... and the histrionics reach a truly annoying pitch | 0negative
| 1,341 |
kids will love its fantasy and adventure | 1positive
| 1,342 |
( or role , or edit , or score , or anything , really | 0negative
| 1,343 |
, to my great pleasure , | 1positive
| 1,344 |
one of the most entertaining bonds in years | 1positive
| 1,345 |
in a standard plot | 0negative
| 1,346 |
the moral shrapnel and mental shellshock will linger long after this film has ended . | 1positive
| 1,347 |
been written so well , that even a simple `` goddammit | 1positive
| 1,348 |
b movies | 0negative
| 1,349 |
to address his own world war ii experience in his signature style | 1positive
| 1,350 |
from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches | 1positive
| 1,351 |
draws on an elegant visual sense and a talent | 1positive
| 1,352 |
be one of those movies barely registering a blip on the radar screen of 2002 | 0negative
| 1,353 |
for pretentious arts majors | 0negative
| 1,354 |
see a movie with its heart | 1positive
| 1,355 |
reek of a script | 0negative
| 1,356 |
bottom tier | 0negative
| 1,357 |
delivers a powerful commentary on how governments lie , no matter who runs them | 1positive
| 1,358 |
an admirable reconstruction of terrible events | 1positive
| 1,359 |
's a tribute to the actress , and to her inventive director | 1positive
| 1,360 |
as john ritter 's glory days | 1positive
| 1,361 |
fights a good fight | 1positive
| 1,362 |
is god | 1positive
| 1,363 |
floating narrative | 1positive
| 1,364 |
stand in future years as an eloquent memorial to the world trade center tragedy | 1positive
| 1,365 |
a screenplay that forces them into bizarre , implausible behavior | 0negative
| 1,366 |
of this dog of a movie | 0negative
| 1,367 |
too bad kramer could n't make a guest appearance to liven things up . | 0negative
| 1,368 |
plays like a bad blend of an overripe episode of tv 's dawson 's creek and a recycled and dumbed-down version of love story . | 0negative
| 1,369 |
yet depressing film | 0negative
| 1,370 |
does pack some serious suspense . | 1positive
| 1,371 |
descends into such message-mongering moralism | 0negative
| 1,372 |
gripping humanity | 1positive
| 1,373 |
fall fast asleep | 0negative
| 1,374 |
virtually no aftertaste | 0negative
| 1,375 |
inane and unimaginative | 0negative
| 1,376 |
's no surprise that as a director washington demands and receives excellent performances , | 1positive
| 1,377 |
bound | 1positive
| 1,378 |
self-absorbed | 0negative
| 1,379 |
see the forest for the trees | 1positive
| 1,380 |
's a feel-good movie about which you can actually feel good | 1positive
| 1,381 |
intolerable company | 0negative
| 1,382 |
talky , artificial and opaque | 0negative
| 1,383 |
for one splendidly cast pair | 1positive
| 1,384 |
underneath such a mountain of clichés and borrowed images | 0negative
| 1,385 |
falsehoods pile up , undermining the movie 's reality and stifling its creator 's comic voice . | 0negative
| 1,386 |
convincing as this bland blank of a man with unimaginable demons | 0negative
| 1,387 |
are ... impeccable throughout . | 1positive
| 1,388 |
driven by a fantastic dual performance from ian holm ... the film is funny , insightfully human and a delightful lark for history buffs | 1positive
| 1,389 |
horror/action hybrid | 1positive
| 1,390 |
of the finest films of the year | 1positive
| 1,391 |
lives up to the stories and faces and music of the men who are its subject . | 1positive
| 1,392 |
that at the very least has a spark of life to it -- more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch | 1positive
| 1,393 |
director paul cox 's unorthodox , abstract approach to visualizing nijinsky 's diaries is both stimulating and demanding . | 1positive
| 1,394 |
is too long with too little going on | 0negative
| 1,395 |
much needed | 1positive
| 1,396 |
jones and snipes are enthralling | 1positive
| 1,397 |
that this is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out | 1positive
| 1,398 |
participation | 1positive
| 1,399 |