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is n't heated properly , so that it ends up | 0negative
| 1,100 |
takes off in totally unexpected directions and | 1positive
| 1,101 |
tried as a war criminal | 0negative
| 1,102 |
is a genre-curling crime story that revives the free-wheeling noir spirit of old french cinema . | 1positive
| 1,103 |
can only point the way -- but thank goodness for this signpost | 1positive
| 1,104 |
to make such a worthless film | 0negative
| 1,105 |
a celebrated wonder in the spotlight | 1positive
| 1,106 |
devoid of any of the qualities that made the first film so special . | 0negative
| 1,107 |
a technically superb film , | 1positive
| 1,108 |
a waterlogged version of ` fatal attraction ' for the teeny-bopper set ... | 0negative
| 1,109 |
to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in | 1positive
| 1,110 |
what a reckless squandering | 0negative
| 1,111 |
assured , glossy and shot through with brittle desperation | 1positive
| 1,112 |
off-beat and fanciful | 1positive
| 1,113 |
its exquisite acting , inventive screenplay , mesmerizing music , and | 1positive
| 1,114 |
like one long , meandering sketch inspired by the works of john waters and todd solondz , rather than a fully developed story | 0negative
| 1,115 |
by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen | 0negative
| 1,116 |
time-consuming | 0negative
| 1,117 |
charlotte sometimes is a gem . | 1positive
| 1,118 |
is n't nearly surprising or clever enough to sustain a reasonable degree of suspense on its own | 0negative
| 1,119 |
so skeeved out that they 'd need a shower | 1positive
| 1,120 |
can outgag any of those young whippersnappers making moving pictures today | 1positive
| 1,121 |
a little too ponderous to work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon wedding serves mostly to whet one 's appetite for the bollywood films . | 0negative
| 1,122 |
epic treatment of a nationwide blight | 1positive
| 1,123 |
fresh-faced | 1positive
| 1,124 |
the profoundly devastating events of one year ago and the slow , painful healing process that has followed in their wake | 0negative
| 1,125 |
mr. nelson has made a film that is an undeniably worthy and devastating experience . | 1positive
| 1,126 |
the film 's desire to be liked sometimes undermines the possibility for an exploration of the thornier aspects of the nature/nurture argument in regards to homosexuality . | 0negative
| 1,127 |
worth a recommendation | 1positive
| 1,128 |
bigger | 1positive
| 1,129 |
our best achievements and other times | 1positive
| 1,130 |
sandra bullock and hugh grant make a great team , | 1positive
| 1,131 |
everything 's serious , poetic , earnest and -- sadly -- dull . | 0negative
| 1,132 |
in private | 1positive
| 1,133 |
has a caffeinated , sloppy brilliance , sparkling with ideas you wish had been developed with more care , but | 1positive
| 1,134 |
of anti-semitism ever seen on screen | 0negative
| 1,135 |
ends with a story that is so far-fetched it would be impossible to believe if it were n't true | 0negative
| 1,136 |
makes the banger sisters a fascinating character study with laughs to spare | 1positive
| 1,137 |
invigorating about | 1positive
| 1,138 |
's mildly entertaining , | 1positive
| 1,139 |
it 's about family | 1positive
| 1,140 |
life and love | 1positive
| 1,141 |
questionable | 0negative
| 1,142 |
a twist | 1positive
| 1,143 |
with leonine power | 1positive
| 1,144 |
quiet , patient and tenacious as mr. lopez himself | 1positive
| 1,145 |
gaps in their relationships | 0negative
| 1,146 |
we 've seen the hippie-turned-yuppie plot before , but | 0negative
| 1,147 |
it 's supposed to be a romantic comedy - it suffers from too much norma rae and not enough pretty woman . | 0negative
| 1,148 |
badly edited | 0negative
| 1,149 |
run out of clever ideas and visual gags about halfway through | 0negative
| 1,150 |
i am baffled by jason x. | 0negative
| 1,151 |
to set and shoot a movie at the cannes film festival | 1positive
| 1,152 |
a smoother , more focused | 1positive
| 1,153 |
is not first-rate | 0negative
| 1,154 |
are relegated to the background -- a welcome step forward from the sally jesse raphael atmosphere of films like philadelphia and american beauty . | 1positive
| 1,155 |
zealand coming-of-age movie | 1positive
| 1,156 |
dramatize life 's messiness from inside out , in all its strange quirks | 1positive
| 1,157 |
p.t. anderson understands the grandness of romance and how love is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew were possible | 1positive
| 1,158 |
rises above superficiality . | 1positive
| 1,159 |
a sort of geriatric dirty harry , which will please eastwood 's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man | 1positive
| 1,160 |
comes across as a fairly weak retooling . | 0negative
| 1,161 |
masterful british actor ian holm | 1positive
| 1,162 |
the hearts and minds | 1positive
| 1,163 |
conventional -- lots of boring talking heads , etc. -- to do the subject matter justice | 0negative
| 1,164 |
deemed important enough to make a film in which someone has to be hired to portray richard dawson | 1positive
| 1,165 |
blab | 0negative
| 1,166 |
is standard crime drama fare ... instantly forgettable and thoroughly dull . | 0negative
| 1,167 |
-- that you should never forget | 1positive
| 1,168 |
has little to do with the story , which becomes something about how lame it is to try and evade your responsibilities and that you should never , ever , leave a large dog alone with a toddler | 0negative
| 1,169 |
more than ably | 1positive
| 1,170 |
and a terrible story | 0negative
| 1,171 |
's that painful | 0negative
| 1,172 |
is a monumental achievement | 1positive
| 1,173 |
a zippy 96 minutes of mediocre special effects , hoary dialogue , fluxing accents , and -- worst of all -- silly-looking morlocks . | 0negative
| 1,174 |
comedic writing | 1positive
| 1,175 |
humorous and touching . | 1positive
| 1,176 |
of logic and misuse of two fine actors , morgan freeman and ashley judd | 0negative
| 1,177 |
it 's easy to love robin tunney | 1positive
| 1,178 |
i like that smith , he 's not making fun of these people , he 's not laughing at them . | 1positive
| 1,179 |
a guilty-pleasure , daytime-drama sort | 1positive
| 1,180 |
, the grey zone attempts to be grandiloquent , but ends up merely pretentious -- in a grisly sort of way . | 0negative
| 1,181 |
what little atmosphere is generated by the shadowy lighting , macabre sets , and endless rain is offset by the sheer ugliness of everything else . | 0negative
| 1,182 |
more graceful way | 1positive
| 1,183 |
an uninspired preachy and clichéd war film . | 0negative
| 1,184 |
will turn out | 1positive
| 1,185 |
it 's the worst movie i 've seen this summer | 0negative
| 1,186 |
perfect material | 1positive
| 1,187 |
one of the most frantic , virulent and foul-natured christmas season pics ever delivered by a hollywood studio | 0negative
| 1,188 |
( seagal 's ) strenuous attempt at a change in expression | 0negative
| 1,189 |
gooding is the energetic frontman , and it 's hard to resist his enthusiasm , even if the filmmakers come up with nothing original in the way of slapstick sequences . | 1positive
| 1,190 |
promisingly but disintegrates into a dreary , humorless soap opera . | 0negative
| 1,191 |
offbeat humor , amusing characters , and a happy ending | 1positive
| 1,192 |
in a grisly sort of way | 0negative
| 1,193 |
nothing going for it other than its exploitive array of obligatory cheap | 0negative
| 1,194 |
more frustrating | 0negative
| 1,195 |
lacks both a purpose and a strong pulse | 0negative
| 1,196 |
there are laughs aplenty , and | 1positive
| 1,197 |
lifted from terry gilliam 's subconscious , pressed through kafka 's meat grinder and into buñuel 's casings | 1positive
| 1,198 |
of sleaziness | 0negative
| 1,199 |