Talk:Ryoji Ikeda

message: While I admit I have not done a comprehensive search I have found practically no biographical info on this man.  Where did he study and with whom?  Is he self taught?  Who are his role models?  Etc.  I will keep looking but I wonder if anyone is having any success.Canticle (talk) 08:28, 5 September 2011 (UTC)
thread_title:  Missing Biographical Data 

message: Hello fellow Wikipedians,
I have just added archive links to  on Ryoji Ikeda. Please take a moment to review my edit. If necessary, add  after the link to keep me from modifying it. Alternatively, you can add  to keep me off the page altogether. I made the following changes:
*Added archive https://web.archive.org/20061209171644/http://prixars.aec.at:80/2001/winner.html to http://prixars.aec.at/2001/winner.html
When you have finished reviewing my changes, please set the checked parameter below to true to let others know.
Cheers.—cyberbot IITalk to my owner:Online 11:54, 10 January 2016 (UTC)
thread_title:  External links modified 

message: DISCOGRAPHY
Recordings 
* 1000 fragments (cci recordings, 1995 & Raster-Noton, 2008)
* +/- (Touch, 1996)
* time and space (Staalplaat, 1998)
* 0°C (Touch, 1998)
* Mort Aux Vaches (Mort Aux Vaches,1999 & 2002)
* 99: Variations For Modulated 440Hz Sinewaves (Raster-Noton, 1999)	
* matrix (Touch, 2000)
* . (with Carsten Nicolai as Cyclo.; Raster-Noton, 2001)
* op. (Touch, 2002)
* dataplex (Raster-Noton, 2005)
* test pattern (Raster-Noton, 2008)
* dataphonics (Dis Voir, 2010)
* id (with Carsten Nicolai as Cyclo.; Raster-Noton, 2011)
* supercodex (Raster-Noton, 2013)
* Live at White Cube (with Christian Marclay; The Vinyl Factory, White Cube, 2015)
* The Solar System (The Vinyl Factory, 2015)
* code name: A to Z (The Vinyl Factory, 2017)
As Part of Dumb Type 
* S/N (Newsic 1995)
* Teji Furuhashi / Dumb Type - 1985-1994 (Foil Records, 1996)
* OR (Foil Records, 1998)
* Memorandum (CCI Recordings, 2000)
Compilations
* Preamble, Silence (Spiral, 1993)
* Radio-Range, Zone 3, Zone 4, Zone 1 & Preamble (For Silence), Document 02 - Sine (Dorobo, 1995)
* Untitled, Statics (cci recordings, 1995)
* Headphonics 1/1, Mesmer Variations (Ash International, 1995)
* Untitled 071295, A Fault in the Nothing (Ash International, 1996)
* What’s Wrong, Test No. 1 & Abstructures, Atomic Weight (Iridium, 1996)
* One Minute, Tulpas (Selektion, 1997)
* Headphonics 0/0, Touch Sampler 2 (Touch, 1997)
* Untitled, RRR 5000 (RRRecords, 1998)
* Interference, Meme (Meme, 1998)
* Interference 001, Chill Out (Sabotage Recordings, 1998)
* [0(zero)degrees] Installation, Just About Now (V227, 1998)
* Interference 003, Modulation & Transformation 4 (Mille Plateaux, 1999)
* C ::Coda (For T.F.), ONE :SOUND 001: 00:00-50:00 (One Percent, 1999)
* The Great American Broadcast, End ID (Digital Narcis Corporation,. Ltd, 1999)
* Zero Degrees [3], Sonar 99 (So Dens, 1999)
* Zero Degrees [3], Microscopic Sound (Caipirinha Productions, 1999)
* Zero Degrees, Prix Ars Electronica CyberArts 2000 (Ars Electronica Center, 2000)
* Matrix (For An Anechoic Room), Touch 00 (Touch, 2000)
* 0* :: Zero Degrees (1), Sonic Boom: The Art of Sound (Hayward Gallery, 2000)
* Cyclo cycle (as Ikeda), New Forms - Compilation (Raster-Noton, 2000)
* Untitled (For Disney), Disney Age @ D_100 Cafe (Walt Disney Records, 2001)
* ringtone_1 / ringtone_2 & unobtainable, Ringtones (Touch, 2001)
* One Minute, An Anthology Of Noise & Electronic Music / First A-Chronology (Sub Rosa, 2002)
* Spectra II, Frequenzen [Hz] / Frequencies [Hz] (Hatje Cantz, 2002)
* Untitled 020402, KREV X - The Kingdoms of Elgaland-Vargaland, 1992-2002 (Ash International, 2002)
* Abstructures, Ju-Jikan: 10 Hours of Sound From Japan (23five, San Francisco Museum of Modern Art, 2002)
* 0’12’’32 & 0’12’’34, Raster-Noton. Archiv 1 (Wire Magazine, Raster-Noton, 2003)
* Spectra II Edit, Frequencies [Hz] (Raster-Noton, 2003)
* 3’33, Festival Voor Nieuwe Muziek > Happy New Ears 2004 (Happy New Ears, 2004)
* Untitled #25, Touch 25 (Touch, 2006)
* data.vortex, Mind The Gap Volume 62 (Gonzo Circus, 2006)
* 0’12’’32 & 0’12’’34, Notations Archiv 1 (Raster-Noton, 2006)
* Data.Syntax (Uit Dataplex), Festival Voor Nieuwe Muziek > Hapy New Ears 2007 (Gonzo Circus, 2007)
* Headphonics 0/1 (Original Mix), Dissonance Promo (Beatport Promotion, 2008)
* Back In Black, Recovery (Fractured Recordings, 2008)
* Test Pattern 0101, 14 Tracks: Between The Wires (Boomkat, 2010)
* Dataphonics 10 Structure, Qwartz 7 (TRAD>D, 2011)
* Supercodex 20, 14 Tracks: Digital Diaspora (Boomkat, 2014)
PUBLICATIONS
* formula [book + dvd] (NTT Publishing, 2002 & Forma, 2005)
* V≠L (Éditions Xavier Barral, 2008)
* +/- [the infinite between 0 and 1] (Esquire Magazine Japan Co. Ltd, 2009)
* dataphonics book+cd (Éditions DIS VOIR, 2010)
* id (with Carsten Nicolai as Cyclo.; gestalten, 2011)
* datamatics book (Charta, 2012)
* Ryoji Ikeda: micro | macro, 2015. Exhibition Catalogue. (ZKM Karlsruhe, NINO Druck, Neustadt/Weinstraße, 2015)
OTHER REFERENCES
* Jennings, Gabrielle. Abstract Video, The Moving Image In Contemporary Art 2015. University of California Press.
* Fairley, Gina. “Superposition: Ryoji Ikeda” Visual Arts Hub. Retrieved 02 February 2017. http://visual.artshub.com.au/news-article/reviews/visual-arts/gina-fairley/superposition- ryoji-ikeda-249435 
* O’Hagan, Sean. “Spectra: The Dazzling Column of Light Over London” The Guardian. 05 August 2014. http://www.theguardian.com/artanddesign/2014/aug/05/ryoji-ikeda-spectra-first-world- war-artangel 
* Harris, Mark. “London, Ryoji Ikeda” Art Forum. Retrieved 02 February 2017. http://artforum.com/picks/id=52366 
* Holmes, Natalie. “Bending Waves of Sound and Light” New Scientist. 16 February 2012. https://www.newscientist.com/blogs/culturelab/2012/02/bending-waves-of-sound-and-light.html
* Zeppetelli, John. “Ryoji Ikeda: a survey” Domus. 26 October 2012. http://www.domusweb.it/en/art/2012/10/26/ryoji-ikeda-a-survey.html 
* Budick, Ariella. “Intimacy on a grand scale” Financial Times. 27 May 2011. 
* Mignon, Oliver. “Ryoji Ikeda Gallery Koyanagi” Art Forum. March 2011. 
* Smith, Steve. “The Noises of Modern Life, Ending in a Bombardment” The New York Times. 12 September 2010 http://www.nytimes.com/2010/09/13/arts/music/13fiaf.html?_r=0 
* Tcherepnin, Sergei. “Materialisations of the Immaterial” The Brooklyn Rail. 09 July 2009. www.brooklynrail.org/2009/07/music/materializations-of-the-immaterial
EXTERNAL LINKS
* Official Website www.ryojiikeda.com
* http://www.alminerech.com/artists/3863-ryoji-ikeda
* http://www.gallerykoyanagi.com/artist.html
Micromacro16 (talk) 09:00, 2 March 2017 (UTC)
replies: text: Edit request has been reclined as the prose is copied from http://www.ryojiikeda.com/biography and thus is a copyright violation. — Diannaa 🍁 (talk) 09:47, 28 April 2017 (UTC)
thread_title: Edit request

message: Hello fellow Wikipedians,
I have just modified 2 external links on Ryoji Ikeda. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
*Added archive https://archive.is/20121205060637/http://observatory.designobserver.com/entry.html?entry=2897 to http://observatory.designobserver.com/entry.html?entry=2897
*Added archive https://archive.is/20121205060637/http://observatory.designobserver.com/entry.html?entry=2897 to http://observatory.designobserver.com/entry.html?entry=2897
When you have finished reviewing my changes, you may follow the instructions on the template below to fix any issues with the URLs.
Cheers.—InternetArchiveBot (Report bug) 08:00, 27 December 2017 (UTC)
thread_title:  External links modified