lflage/wiki-talks huggingface dataset:
Talk:Isleworth Studios

message: I've proposed merging Worton Hall Studios into this article because it appears simply to be an alternate name for the same movie studio. The text from the Worton Hall Studios article is duplicated in a section of the Isleworth Studios article. --JamesAM (talk) 19:07, 3 January 2010 (UTC)
replies: text: I agree with merging.  Here is one link to use.  This also seems to be a book worth checking out. Happy editing! Erik (talk | contribs) 11:38, 15 April 2010 (UTC)
thread_title:  Merger proposal
Talk:Rose Coghlan

message: Mora - Rose Coghlan (1853-1932) - 707 Broadway
Rose Coghlan, an Irish actress, eventually managed her own theater company. She arrived in the U.S. in 1871 and performed with the Wallack Company until it disbanded in 1888. Coghlan later appeared in three silent films. The actress poses for Mora Studio's.Coghlan was well known as Countess Zicka in "Diplomacy" and Stephanie in "Forget-me-not." She performed with the Wallack Company until it disbanded in 1888. Coghlan later appeared in three silent films: "Hot Saturday" (1932), "Jennie Gerhardt" (1933), and "Finishing School" (1934).
Rose Coghlan
( b. Mar 18, 1851 ENGLAND - d. Apr 2, 1932 Harrison, NY, USA ) Female
Performer, Producer
Relations:
* Aunt of Charles F Coghlan (actor)
*Sister of Charles Francis Coghlan
Productions Dates of Production
*Deburau  [Original, Play, Comedy, Tragedy]. Performer: Rose Coghlan [Madame Rabouin] Dec 23, 1920 - Jun 1921
*The Whirlwind  [Revival, Play, Melodrama]. Performer: Rose Coghlan [Mrs. Forest] Dec 23, 1919 - Feb 1920
*Pretty Soft  [Original, Play].  Performer: Rose Coghlan May 5, 1919 - May 1919
*The Lady of the Camellias  [Original, Play]. Performer: Rose Coghlan Dec 24, 1917 - Feb 1918
*Our Betters  [Original, Play]. Performer: Rose Coghlan Mar 12, 1917 - Jun 1917
*Trilby  [Revival, Play]. Performer: Rose Coghlan Apr 3, 1915 - Jun 1915
*Fine Feathers  [Original, Play]. Performer: Rose Coghlan Jan 7, 1913 - Mar 1913
*Vanity Fair  [Original, Play]. Performer: Rose Coghlan Jan 7, 1911 - [unknown]
*The Winter's Tale  [Revival, Play, Comedy].  Performer: Rose Coghlan Mar 28, 1910 - [unknown]
*The School for Scandal  [Revival, Play, Comedy].  Performer: Rose Coghlan Dec 27, 1909 - [unknown]
*The Noble Spaniard  [Original, Play]. Performer: Rose Coghlan Sep 20, 1909 - Oct 1909
*Jack Straw  [Original, Play, Comedy].  Performer: Rose Coghlan [Mrs. Parker Jennings] Sep 14, 1908 - Dec 1908
*Ulysses  [Original, Play]. Starring: Rose Coghlan [Penelope] Sep 14, 1903 - Nov 1903
*Mlle. Fifi  [Original, Play, Farce].  Performer: Rose Coghlan Feb 1, 1899 - [unknown]
*Madame  [Original, Play, Melodrama]. Starring: Rose Coghlan [Madame Morensky] Mar 23, 1896 - [unknown]
*For the Crown  [Original, Play, Tragedy]. Performer: Rose Coghlan Feb 11, 1896 - [unknown]
*To Nemesis  [Original, Play, Drama].  Starring: Rose Coghlan [Mlle. Walanoff] Dec 2, 1894 - Dec 1894
*The Check Book  [Original, Play].  Starring: Rose Coghlan May 9, 1894 - May 16, 1894
*A Woman of No Importance  [Original, Play, Comedy].  Produced by Rose Coghlan; Starring: Rose Coghlan [Mrs. Arbuthnot] Dec 11, 1893 - [unknown]
*Diplomacy  [Original, Play]. Performer: Rose Coghlan [Countess Zicka] Apr 1, 1878 - [unknown]
*Ixion  [Revival, Musical, Burlesque, Extravaganza]. Starring: Rose Coghlan
- Kittybrewster  (talk) 11:27, 27 August 2007 (UTC)
thread_title: Untitled

message: Other listings (including sv.wp and no.wp) seem to indicate the birth year 1851 (rather than 1853). What sources exist? --LA2 (talk) 21:49, 19 August 2008 (UTC)
thread_title:  Birth year
Talk:Leichte Kavallerie

message: It seems the link to the MP3 is broken ...
:I think this means that the OGG file doesn't play.  It did not play when I tried it just now.  -- Ssilvers (talk) 00:55, 16 October 2012 (UTC)
thread_title: 2008 comment

message: An English-language adaptation is planned for 2013.  See this. -- Ssilvers (talk) 00:55, 16 October 2012 (UTC)
thread_title: 2013 planned production

message: The "ballet company" story is from the 1934 Hans Bodenstedt libretto (Boosey & Hawkes), not the original 1866 Carl Costa libretto.
104.8.227.65 (talk) 05:26, 13 June 2015 (UTC)
thread_title:  Wrong libretto
Talk:Roughcast

message: The inline link to the .com site , on a dictdef, is moved here. If someone wants to paraphrase what of substance it says about pebbledash, and create a footnote ref to the site, do that. If it's just a matter of verifying the dictdef, find a more reliable and less spam-suspect source. --Jerzy•t 17:02, 2 July 2008 (UTC)
thread_title:  Removed lk 

message: For example, pebble dash is very common in western Canada (BC, Alta, Sask). Its peak popularity to clad houses and garages was in the 1950s and 1960s. Such houses are not hard to find as pebble dash is durable, lasts forever, and was typically paired with sound structural work. Great Britain is not the only place with a history of pebble dash stucco. 173.252.26.232 (talk) 23:43, 26 May 2023 (UTC)
thread_title:  Article does not provide provide a worldwide perspective
Talk:Rovigo

message: A map showing where this is in Italy would be useful. Gronky 09:11, 11 July 2007 (UTC)
thread_title:  Any map? 
Talk:Louis Riel (opera)

message: I went to see it, wow, what horrendous opera. I'm no maestro, but this was awful. The performers were great but the tunes themselves, I have to say, were mostly dogsh*t. I can see why nobody bothered to bring this forsaken show back except twice in the last nearly 50 years. Children of the dragon (talk) 07:03, 10 June 2010 (UTC)
replies: text: Just want to rant a bit more about this: most of the singing in the opera itself reminded me of a deluded crazy on crack, who's about to vomit and smash his head against the wall...the music was just that bad....Children of the dragon (talk) 07:04, 10 June 2010 (UTC)
thread_title:  This was also on show @ UBC in early 2010
Talk:Royal Humane Society

message: I am the press officer for the Royal Humane Society and, together with our archivist, have spotted a number of factual inaccuracies in your article. It may have been correct in 1911 but not today! The Society is no longer actively involved in lifesaving but gives awards for bravery to people nominated for lifesaving. The date of the founding of the Receiving House in Hyde Park is also wrong - and the building no longer exists.
I propose correcting your article, using the society's own records as my source.
Janetalisonsmith 15:00, 9 October 2007 (UTC)
thread_title: Accuracy

message: I will redirect Stanhope Medal here as there is no article on it. This page should probably make some mention of the medal and its history. Drutt (talk) 20:01, 6 December 2010 (UTC)
thread_title: Medals

message: The list as headed is too vague as it does not link the particular people to the award they received out of the range of awards the society conferred, and most are uncited. I am intrigued Russian Tsar Alexander I is listed, his wikipedia biography does not list his RHS award among his list of honours, same applies to David Hempleman-Adams, Bram Stoker, Grace Darling (who did receive a medal from the RNLI). I have added citations and citation need tags where applicable.Cloptonson (talk) 06:03, 11 June 2021 (UTC)
thread_title: Notable Recipients list

message: Hello 
I found a certificate from my grandfather's house which was issued from the society in 1891.
Please contact me if possible to put that certificate on society's website. 
Thanks
Imran Iqbal Khan
  Mobile ni:+922350017707 182.183.60.237 (talk) 12:56, 13 April 2024 (UTC)
thread_title:  Certificate of my grand grand father.
Talk:M. Choufleuri restera chez lui le . . .

message: I noticed that Jean-Claude Yon gives the title will a full 'Monsieur' rather than an abbreviation. Likewise the Keck edition . Cg2p0B0u8m (talk) 20:18, 2 January 2022 (UTC)
thread_title:  Title
Talk:Royal sign-manual

message: I would be very interested to see this page express information about signs-manual in general, not simply those limited to monarchs or similar heads of state. The letters patent employed in signatures, I know, are not restricted thereto, but might also be used by a duke (D., e,g,) or other title of nobility. This varies by region and by year.
Unfortunately I am not yet finding any specific sources on this subject. I shall continue to look.
74.75.226.226 (talk) 14:48, 19 August 2008 (UTC)
Talk:Margaret Garner (opera)

message: Eric Greene was attached to this in 2004 and 2007 but apparently Gregg Baker actually sang the premiere in 2005.  Rmhermen (talk) 19:18, 29 October 2014 (UTC)
thread_title: Untitled
Talk:Rudolf Carl von Slatin

message: "His book became an important inspiration for the German author Karl May and his trilogy "Im Lande des Mahdi".[17)" - How can this be? May's novels were published 1891-1893, while Slatin's biography was published in 1896.Raglad (talk) 07:48, 13 October 2012 (UTC)
thread_title:  Karl May Connection 

message: Since most of the links in the footnotes are dead or were moved, this article should be totally overhauled.--15:58, 22 October 2016 (UTC)
thread_title:  Overhaul overdue 
Talk:Watermans Arts Centre

message: I have added a sentence to the introduction describing the planned 11 April 2024 closure of the centre.  I don't know if that would be better in the history section. One-hundred-suns (talk) 13:07, 26 March 2024 (UTC)
thread_title:  Reference to the centre closing
Talk:Mavra

message: Is the list of recordings supposed to be more or less a complete list of commercial recordings (and since there aren't many right now at all, I suppose that's feasible?) If so, it's missing Botstein's with the American Symphony- possibly only available as a download, but an official download as far as I know, not some form of pirate thing. Unfortunately I think only the roles of Paracha (Anne-Carolyn Bird) and the Hussar (Nicholas Phan) seem to be credited (if someone has information on the performers of the other two vocal parts - August 11 2013 performance/recording - then since I bought the download myself I'd also selfishly appreciate it, but anyway that would fill out the information as we seem to have it formatted for the list on the page...) Schissel | Sound the Note! 04:38, 14 February 2016 (UTC)
thread_title:  Recordings 

message: This information (these two data) are confirmed in Stravinsky's own "An Autobiography". Schissel | Sound the Note! 16:08, 30 June 2016 (UTC)
thread_title:  Premiere and dedication
Talk:Miss Julie (Rorem opera)

message: I'd prefer to create Miss Julie (Rorem) and leave this as a disambig. page...Sparafucil 23:56, 7 August 2007 (UTC)
replies: text: But that would go against the whole point of having a disambig page - which must be either Miss Julie or Julie - quite apart from going against the Opera Project guideline. We probably need a disambig page - but in the right place. -- Kleinzach 08:40, 8 August 2007 (UTC)
thread_title: Disamb
Talk:Mlle. Modiste

message: "Viennese soprano Fritzi Scheff had already built a following at the Metropolitan Opera when Victor Herbert engaged her to appear in his operettas for an astonishing $1,000 a week. She starred in four of her operettas, beginning with Babette (1903)."  Shouldn't this say that she starred in four of HIS (Victor Herbert) operettas?Jtyroler (talk) 13:16, 24 November 2012 (UTC)
replies: text: Quite right, I think.  Done.  Thanks!  -- Ssilvers (talk) 21:56, 24 November 2012 (UTC)
thread_title:  Pronoun gender
Talk:Mosè in Egitto

message: It is not acceptable to redirect Moïse et Pharaon to Mosè in Egitto, and it is bad policy to stubbornly redirect articles on later "versions" of works to articles on the original version. Instead these matters must be judged on a case-by-case basis. Moïse et Pharaon is emphatically not a version of Mosè in Egitto. Similarly Prokofiev's Fourth Symphony of 1947 is not a version of his Fourth Symphony of 1929. Admittedly it makes sense to relate versions of works to each other and, in most cases, to use the original as the anchor. But not in the two cases cited, and there are other examples. The result of current treatment and policy grants Moïse et Pharaon, a large and seminal work, no proper coverage anywhere in Wikipedia. So, let the committee reviewing these matters dispatch members to pay attention to, i.e., listen to, the works themselves and set up the pages, and the redirects, according to the findings.  —Preceding unsigned comment added by 79.229.188.161 (talk) 09:06, 7 December 2010 (UTC)
thread_title: ''Moïse et Pharaon'' redirect ''to Mosè in Egitto''
Talk:Naughty Marietta (operetta)

message: It should say Casquette girl.  See the term used here: http://www.guidetomusicaltheatre.com/shows_n/naughty_marietta.htm  and the synopsis here: http://www.tcm.com/tcmdb/title/341/Naughty-Marietta/ (you have to click on synopsis).  And here: http://new.music.yahoo.com/victor-herbert/tracks/naughty-marietta-act-one-finale-tis-she-the-casquette-girl--184002325  I think we need to fix this everywhere.  -- Ssilvers (talk) 02:01, 21 May 2011 (UTC)
replies: text: It still did say casquette girl, all I did was disambiguate the link to the actual article, but if you'd rather it link to a redirect page that's fine by me.  Although it certainly does appear that casquette is completely appropriate here, the term has historically been casket, cassette, or, less often, casquette.  Casket is the blunt English term, whereas cassette roughly means "small box" and casquette can mean a cap (as the diminutive form of casque = helmet).  Since the name was derived from the small trunks that these women carried to the New World with them, cassette girl is the most common historical name. Altairisfar 17:43, 21 May 2011 (UTC)
thread_title: Cassette vs. Casquette
Talk:Oberto (opera)

message: §  Music includes this paragraph: 
: Agreeing with Parker that the support given to "la Marini" helped with stagings of further performances from 1840 to 1843 (and, therefore, allowed the composer the opportunity to make additions and changes as these performances were played in different cities and with different singers). 
"Agreeing with Parker", who did what?
--Thnidu (talk) 20:40, 5 October 2019 (UTC)
thread_title:  This sentence no subject, no verb, no main clause
Talk:Orlando furioso (Vivaldi, 1727)

message: There is a discrepancy with the page Orlando Furioso (on the Ariost poem). There it is said that the Vivaldi opera written in 1727 has the title Orlando, not Orlando furioso. Someone with sound Vivaldi knowledge should please clean this up correctly. User:83.77.189.232 19:12, 8 June 2008‎ (UTC)
:: --Jeanambr (talk) 09:12, 6 May 2013 (UTC)
thread_title:  Opera title inconsistency 

message: The table title says: "Premiere cast, November 1727, (Conductor: – )". Can we clarify this somehow? No conductor, conductor unknown, conducted from the keyboard, ...? --Mirokado (talk) 19:18, 14 March 2015 (UTC)
thread_title:  Conductor at the première?
Talk:Ortrud

message: I'm not sure this is an appropriate category.  Ortrud was not an opera, merely a character in one.  Do we have any categories for literary, dramatic or operatic characters?  --  Jack of Oz  ... speak! ...  08:26, 2 March 2010 (UTC)
thread_title: Category:Operas

message: The order of singers is not apparent. If by time - seems likely - a date of first performing or of birth should be given. If random, it should be by alphabet. I would also be interested in where performed. --Gerda Arendt (talk) 22:18, 27 September 2012 (UTC)
thread_title:  Order of singers
Talk:Ottone in villa

message: Just listened to a recording of Ottone (presumably the one with Aris Christofellis since there's a male soprano in the cast but it's a bunch of YouTube videos and the uploader didn't give any information about the recording, but that has no relevance to my question). My question: I can hear some spoken dialogue in this recording. Not a lot. There's mostly sung recitatives and a little bit of spoken dialogue. Does the score of Ottone really have spoken dialogue? What's going on? Not very usual for an Italian opera do have any spoken dialogue, is it? Contact Basemetal here 17:47, 14 February 2014 (UTC)
thread_title:  Spoken dialogues in Ottone?
Talk:Rusellae

message: I toyed with the idea of renaming this Roselle, Italy as per the convention for Italian geographical articles, to use the modern name of the administrative area, although in this case I think WP:COMMONNAME and the opportunity to avoid a disambiguating name requires that the convention be broken, so Roselle, Italy is just a redirect. It's a bit awkward though, as for instance the redirect has to be tagged with Category:Località of Italy FlagSteward (talk) 11:57, 30 March 2008 (UTC)
thread_title: Roselle

message: I followed the 10-year-old suggestion from above and created a page for the modern town, removing the material here that only pertained to it. It was at best confusing. - Eponymous-Archon (talk) 19:03, 5 May 2021 (UTC)
replies: text: - I put in a minimal explanation for removing the infobox. Sorry, I should have said more. But basically it pertains to the modern town, which now has its own article, so I put it there. I'll put the proper infobox in. - Eponymous-Archon (talk) 19:09, 5 May 2021 (UTC)
thread_title: Removing redirect from modern town
Talk:Palestrina (opera)

message: The date of composition should be added to the lead. Badagnani (talk) 03:40, 10 April 2008 (UTC)
thread_title: Date of composition

message: "Palestrina is also the title of an opera by Sachs (1886)"
Can anyone verify this and identify this composer? It seems like this might shed light on footnote 7:
"A photograph in Volume I of The Record of Singing shows the East Prussian tenor Felix Senius (1868-1913) in the title-role Palestrina. The first public performance was indeed in 1917, yet Senius died in 1913, so Erb was the first to perform the part. M. Scott, The Record of Singing, I (Duckworth, London 1977), pp. 204-205, Fig 179." Sparafucil (talk) 04:08, 12 November 2008 (UTC)
replies: text: I have just found some record of this.  I created a very stubbish article on Johann Sachs which has a link to some pages mentioning it.—Kan8eDie (talk) 11:59, 12 November 2008 (UTC)
replies: text: Kan8eDie: Please make Johann Sachs into a proper article, OK? One sentence pages are not very useful for our readers. --Kleinzach 00:23, 13 November 2008 (UTC)
thread_title:  Sachs
Talk:Paul Bunyan (operetta)

message: From the Libretto  "   when you looked at her bosom ...     you couldn't fail  ...   to see it was built on a generous scale   "  mikeL 30 07 10  —Preceding unsigned comment added by 92.238.234.205 (talk) 21:32, 30 July 2010 (UTC)
replies: text: So what is the point of the above? Viva-Verdi (talk) 17:13, 2 August 2010 (UTC)
thread_title: Libretto

message: Prior content in this article duplicated one or more previously published sources. The material was copied from: http://www.21st-centurymusic.com/ML210508.pdf. Infringing material has been rewritten or removed and must not be restored, unless it is duly released under a compatible license. (For more information, please see "using copyrighted works from others" if you are not the copyright holder of this material, or "donating copyrighted materials" if you are.) For legal reasons, we cannot accept copyrighted text or images borrowed from other web sites or published material; such additions will be deleted. Contributors may use copyrighted publications as a source of information, but not as a source of sentences or phrases. Accordingly, the material may be rewritten, but only if it does not infringe on the copyright of the original or plagiarize from that source. Please see our guideline on non-free text for how to properly implement limited quotations of copyrighted text. Wikipedia takes copyright violations very seriously, and persistent violators will be blocked from editing. While we appreciate contributions, we must require all contributors to understand and comply with these policies. Thank you.  Voceditenore (talk) 14:02, 20 April 2011 (UTC)
thread_title:  Copyright problem removed 
Talk:Regina (Blitzstein)

message: * As of editing completed July 10, 2008, this article no longer qualifies as Start Class.  This banner should be removed.Voiceperson (talk) 19:25, 10 July 2008 (UTC)
thread_title: 2008 comment

message: I made this as a stub. The info in the article -- and the critical evaluations -- are in the links listed in the "References" section. Dybryd (talk) 08:44, 25 June 2008 (UTC)
replies: text: At the bottom of this page is one of my sources, together with three other articles about aspects of the opera - probably lots of good material there. Dybryd (talk) 21:39, 26 June 2008 (UTC)

text: The links are fixed - the problem was just that they had a vertical line separating the url from the link text, which I guess is no longer correct wiki formatting. Dybryd (talk) 21:42, 26 June 2008 (UTC)
thread_title: sources

message: Info on the 2003 revision of Regina can be found in the NYTimes review of the production. A search on Regina and Blitzstein in their archive turns up reviews of a number of different productions (including the 1953 one) with details about different revisions.
This 1992 review attributes the judgment to Lillian Hellman that "Blitzstein, as Hellman noted, also sentimentalized the black characters even more than she already had in the play" but doesn't give a direct quote or a context for the remark.
Dybryd (talk) 02:02, 3 July 2008 (UTC)
thread_title: NYTimes archive

message: Does anyone who understands about Link Rot wish to review the links and improve them?  I'm afraid I'm not that person.Voiceperson (talk) 16:27, 9 July 2008 (UTC)
thread_title:  Link Rot Banner 

message: Citations-needed banner for article should now be removed.Voiceperson (talk) 19:25, 10 July 2008 (UTC)
thread_title:  Citation Banner 

message: Anyone know?
Dybryd (talk) 21:37, 6 November 2009 (UTC)
thread_title: Was this William Warfield's Broadway debut?
Talk:Rogneda (opera)

message: Even if the letter Ь does appear in Russian names like Rual'd, Skul'da, Mal'frida, regular English-speaking people do not care. They have no idea what that means. It is simply confusing and pedantic, when Ruald, Skulda, Malfrida would be a lot better. Varlaam (talk) 18:17, 3 August 2011 (UTC)
thread_title:  Soft signs
Talk:Sea of Blood

message: Sea of Blood was first a play, then an opera, a film, and finally a novel adaption. The opera is probably the most famous of these, but this article could be organized as a broad topic or set index that devotes a section or so to each. I find defining the topic as the opera and then going back and forth a bit awkward. Thoughts? – Finnusertop (talk ⋅ contribs) 11:25, 13 October 2019 (UTC)
thread_title:  Scope 

message: It's mind-boggling that this hasn't been flagged before (sorry, I'm a fairly amateur WPeditor so please forgive me if I'm not doing this right), BUT: OMG, the article reads like it was written by North Korean state media. Many of the "citations" are something called the Naver Encyclopedia - which it turns out is (loosely!) a Korean WP - so, not allowable source material (to say the least). And if half the text wasn't written by DPRK shills -- "The opera is considered as a masterpiece in North Korea since it expresses the unique aspects of the Juche regime's revolutionary ideology. It is also regarded as an exemplary revolutionary piece because of its unique use of visual and auditory effect and unprecedented theme, which was unlike other existing operas." .... ummm, yeah, right. Trying to figure out why this, and a bunch of other NKor articles, are still so full of obvious planted propaganda yet have virtually zero edit/Talk wars (vs. something like Israel/Palestine, or Mongolia, human rights in China - like that). Again, sorry if I don't get why this, and other NKor articles, are so slanted yet edit/Talk-free... A Doon (talk) 18:08, 13 September 2022 (UTC)
thread_title:  Blatantly NPOV/Propaganda