Talk:Lucrecia Martel

message: :Image:Martelphoto117.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.
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—BetacommandBot 08:54, 7 November 2007 (UTC)
thread_title: Fair use rationale for Image:Martelphoto117.jpg

message: Hey everyone, my name is Steven and I'm taking a class called "Women Filmmakers" this semester at Emory University. I've chosen Lucrecia Martel as my filmmaker for the Wikipedia class project that we're doing, so I'll be contributing all my good relevant research here. The legendary film scholar Michele Schreiber (my teacher) will be overseeing my work periodically. Please email me at steven.kotenai@emory.edu if you have any urgent concerns! I'll be as clear and detailed as possible in my edit summaries, etc. Thanks! 
===Bibliography===
*Bahiana, Ana Maria. "Female Filmmakers in Latin America: Unsung Pioneers, Fierce Explorers." Celluloid Ceiling: Women Directors Breaking Through. Ed. Gabrielle Kelly and Cheryl Robson. London: Supernova, 2014. 77-91. Print.
*Gutiérrez-Albilla, Julián Daniel. "Filming in the Feminine: Subjective Realism, Social Disintegration and Bodily Affection in Lucrecia Martel's La Ciénaga (2001)." Hispanic and Lusophone Women Filmmakers: Theory, Practice and Difference. Ed. Parvati Nair and Julián Daniel Gutiérrez-Albilla. Manchester: Manchester U, 2015. 215-28. Print.
*Martin, Deborah, and Deborah Shaw. "Introduction." Introduction. Latin American Women Filmmakers: Production, Politics, Poetics. Ed. Deborah Martin and Deborah Shaw. London ; New York: I.B. Tauris, 2017. 11-23. Print.
*Martin, Deborah. "La Ciénaga: Distanciation and Embodiment." The Cinema of Lucrecia Martel. By Deborah Martin. Manchester: Manchester UP, 2016. 30-53. Print.
*Martin, Deborah. "Planeta Ciénaga: Lucrecia Martel and Contemporary Argentine Women's Filmmaking." Latin American Women Filmmakers: Production, Politics, Poetics. Ed. Deborah Martin and Deborah Shaw. London ; New York: I.B. Tauris, 2017. 241-62. Print.
*Monteagudo, Luciano. "Lucrecia Martel: Whispers at Siesta Time." New Argentine Cinema: Themes, Auteurs and Trends of Innovation. Ed. Horacio Bernades, Diego Lerer, and Sergio Wolf. Buenos Aires: Ediciones Tatanka, 2002. 69-78. Print.
*Schroeder, Paul A. "The Rise of the Woman Director: Lucrecia Martel's Salta Trilogy (2001-8)." Latin American Cinema: A Comparative History. Oakland, CA: U of California, 2016. 266-81. Print.
*Shaw, Deborah. "Intimacy and Distance - Domestic Servants in Latin American Women's Cinema: La mujer sin cabeza and El niño pez/The Fish Child." Latin American Women Filmmakers: Production, Politics, Poetics. Ed. Deborah *Martin and Deborah Shaw. London ; New York: I.B. Tauris, 2017. 123-48. Print.
*Smith, Paul Julian. "Transnational Co-productions and Female Filmmakers: The Cases of Lucrecia Martel and Isabel Coixet." Hispanic and Lusophone Women Filmmakers: Theory, Practice and Difference. Ed. Parvati Nair and Julián Daniel Gutiérrez-Albilla. Manchester: Manchester U, 2015. 12-24. Print.
—EmoryStudentSuperstar (talk) 11:12, 5 May 2018 (UTC)
thread_title: Wiki Education Foundation-supported course assignment

message: *Bahiana, Ana Maria. "Female Filmmakers in Latin America: Unsung Pioneers, Fierce Explorers." Celluloid Ceiling: Women Directors Breaking Through. Ed. Gabrielle Kelly and Cheryl Robson. London: Supernova, 2014. 77-91. Print.
*Gutiérrez-Albilla, Julián Daniel. "Filming in the Feminine: Subjective Realism, Social Disintegration and Bodily Affection in Lucrecia Martel's La Ciénaga (2001)." Hispanic and Lusophone Women Filmmakers: Theory, Practice and Difference. Ed. Parvati Nair and Julián Daniel Gutiérrez-Albilla. Manchester: Manchester U, 2015. 215-28. Print.
*Martin, Deborah, and Deborah Shaw. "Introduction." Introduction. Latin American Women Filmmakers: Production, Politics, Poetics. Ed. Deborah Martin and Deborah Shaw. London ; New York: I.B. Tauris, 2017. 11-23. Print.
*Martin, Deborah. "La Ciénaga: Distanciation and Embodiment." The Cinema of Lucrecia Martel. By Deborah Martin. Manchester: Manchester UP, 2016. 30-53. Print.
*Martin, Deborah. "Planeta Ciénaga: Lucrecia Martel and Contemporary Argentine Women's Filmmaking." Latin American Women Filmmakers: Production, Politics, Poetics. Ed. Deborah Martin and Deborah Shaw. London ; New York: I.B. Tauris, 2017. 241-62. Print.
*Monteagudo, Luciano. "Lucrecia Martel: Whispers at Siesta Time." New Argentine Cinema: Themes, Auteurs and Trends of Innovation. Ed. Horacio Bernades, Diego Lerer, and Sergio Wolf. Buenos Aires: Ediciones Tatanka, 2002. 69-78. Print.
*Schroeder, Paul A. "The Rise of the Woman Director: Lucrecia Martel's Salta Trilogy (2001-8)." Latin American Cinema: A Comparative History. Oakland, CA: U of California, 2016. 266-81. Print.
*Shaw, Deborah. "Intimacy and Distance - Domestic Servants in Latin American Women's Cinema: La mujer sin cabeza and El niño pez/The Fish Child." Latin American Women Filmmakers: Production, Politics, Poetics. Ed. Deborah *Martin and Deborah Shaw. London ; New York: I.B. Tauris, 2017. 123-48. Print.
*Smith, Paul Julian. "Transnational Co-productions and Female Filmmakers: The Cases of Lucrecia Martel and Isabel Coixet." Hispanic and Lusophone Women Filmmakers: Theory, Practice and Difference. Ed. Parvati Nair and Julián Daniel Gutiérrez-Albilla. Manchester: Manchester U, 2015. 12-24. Print.
—EmoryStudentSuperstar (talk) 11:12, 5 May 2018 (UTC)
thread_title: Bibliography