Talk:The Lady and the Unicorn

message: Eleanor of Aquitaine and Henry of Anjou (later Henry II of England, Duke of Normandy, etc) were married in 1154, over 300 years before the creation of this tapestry series. Aside from scientific testing, the tapestries can be dated to the late 15th century, based on the millefleurs designs and the style of the dress.
The three crescents argent on a bar sinistre azure, are the heraldic arms of the Le Viste family, of which the patron, Jean Le Viste, was a member.
1.144.111.63 (talk) 04:57, 6 February 2018 (UTC)
thread_title: Please Properly Research Before Posting Unfounded Theories

message: I would very much doubt about all those esoteric/hidden meanings mentioned below. And the link does not work btw. (Now e-mended - Ian Ison)
I would propose for the last picture (A Mon Seul Désir) the parallel from the Aberdeen Bestiary  -> The head, caput, is the principal part of the body and gets its name because all the senses and nerves take, capere, their beginning from there, and the entire source of energy springs from it. It is the seat of all the senses. In a certain way it takes the role of the soul itself [my bold], which takes thought for the body. 
(Aethralis 09:56, 27 September 2005 (UTC)
thread_title:  Hidden history and esoteric meanings 

message: You will see, with The Lady and the Unicorn, we are far from the simple interpretation usually known of the Five Senses ! 
The tapestries of The Lady and the Unicorn were woven for Antoine Le Viste, perhaps in Brussels, Tournai or Bruges. 
They can be the work of the painter Jean Perréal, known as Jehan of Paris. 
The mysterious Lady is Mary Tudor, third wife of Louis XII and sister of Henry VIII, who was the queen of France from August to December 1514. 
The second woman is Claude of France, wife of François 1st. 
The six tapestries, currently visible in the Museum of the Middle Ages and the Thermal Baths of Cluny in Paris, part of a series of eight tapestries, tell various episodes of Mary's life in France.
My interpretation is the result of a deep, meaningful and serious examination of all the details which, for some people, had gone unnoticed or were never considered with enough rigour.
I would be very happy to read your remarks and your suggestions about my interpretation : please, write me on : jacky.lorette@laposte.net
1- The Taste : Mary, queen of France, sends jewels to her brother. The supposed candies and fruits are pearls. 
2- The Hearing : Louis XII died in the night of December 31, 1514 to January 1, 1515. Mary (called White Queen) has been locked up for 40 days in the Hotel of Cluny, the current museum where the tapestries are exhibited, a time to know if she is pregnant of the late king. Let us notice that Mary and the unicorn are pregnant. To save time until the arrival of Charles Brandon or to get revenge for the attitude of Louise of Savoy, Mary simulated a pregnancy by dissimulating on her belly fabrics of linen. 
3- The Sight : Mary fears her return to England. To persuade her brother Henry VIII, she sends him the "Mirror of Napoli" brought back with so many other treasures of Naples by Charles VIII, a diamond of very great value. She marries secretly, again at the Hotel of Cluny, Charles Brandon (that the unicorn represents), the duke of Suffolk. 
4- The Smell : Mary is not queen any more, she loses her French crown. She removes one by one the French eyelets from her crown which she will replace by English roses.
5- The Touch n° 1 (the Tent - My only desire) : Mary waits in Calais for the boat to Dover. It is the moment for each one to formulate his desire, that of Mary, that of Antoine Viste, and why not that of the painter. Two remarks which indicate the achievement of a cycle : Mary wears a red dress like the one she wore on her arrival in Abbeville, the same dress as in the Taste and she puts in the jewel case the necklace that she wears in the Taste, at the very beginning of the series. The painter insists on showing that the French cycle of Mary is completed and that she finds her original purity back, without fault and sin.
6- Pavie - The Touch n°2 : Mary is not present on this tapestry weaved to evoke the anger of the financier and the painter against François the 1st after the defeat of the French army to Pavie in 1525. François the 1st, loser and prisoner in Madrid, is depicted under the lines of animals carrying a necklace or an obstacle. The coalition so appears : Henry VIII is the unicorn, Charles the Fifth is the lion, The "Connétable" of Bourbon is the Lady under the lines of his aunt in Athéna, Anne de Beaujeu, who was the one that Louis XII called with Mary when she came in France in 1515.
About ‘The Hunt of the Unicorn’ and ‘The lady of the Unicorn’ : 
http://pagesperso-orange.fr/jacky.lorette  —Preceding unsigned comment added by 90.24.8.204 (talk) 10:15, 6 November 2009 (UTC)
thread_title:  Mary Tudor - Suffolk, the mysterious Lady of The The Lady and the Unicorn ?