Talk:Gated reverb

message: Removed "by Peter Gabriel, Hugh Padgham and Phil Collins".  This needs to be sourced.    If someone can add a WP:V source for this it can certainly be added back into the article.--Isotope23 14:15, 13 June 2006 (UTC)
thread_title: Removed

message: "it's hard to reproduce such effect when playing live"  Don't you mean "impossible" the whole point is to artificially cut off the reverb.  If you're playing drums in a live area the reflections will be audiable to the audiance.  You'd have to have the processed drum sound going through a very loud PA to drown out the raw drum sound -  which would then feed back through the highly compressed ambience mikes... Not an expert, just into home recording back in the 1980s but I thought it would be worth raising the question so it's thought about Megamanic 02:36, 20 June 2006 (UTC)
replies: text: Well, yes, you're right. However, it's kind of possible to play "live", while isolating drummer in a separate room and just playing back the processed sound to audience through PA. Whether it should be considered "playing live" or not is debatable, though, so I'd stick to existing phrasing. --GreyCat 09:02, 20 June 2006 (UTC)
replies: text: Maybe that's the reason I've seen drummers on stage in plexiglass boxes.  I thought it was purely for sound isolation 'cause you'd not get great reverb inside a small plexiglass box ;) - You'd reckon it would be more practical to close mike the drums & run them through a gated reverb patch at the mixing desk if you absolutely, positively HAVE to sound like Phil Collins Megamanic 02:10, 21 June 2006 (UTC)
thread_title: Live

message: I don't dispute the drum sound, but is this really its progenitor, or does it have antecedants? I remember a critic quizzing David Bowie in 1977 about the Bowie/Eno snare sound produced on 'Low'. It featured a similar compression and lack of reverb and cymbals.
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thread_title:  When? 

message: Can it be confirmed that the Mondo Bondage snare sound really involves gated reverb? To me it sounds more like reverb through a compressor with an external key, or reverb with a pre-delay. In gated reverb, the “tail” of a sound cuts off abruptly; here it appears to decay evenly. Lemko. 01:07, 7 June 2011 (UTC)
replies: text: 3/4 people on the talk page of which article? Only one person discussed it on this article's talk page before you. Hyacinth (talk) 06:36, 30 November 2012 (UTC)
thread_title: The Tubes

message: The article explains that gated reverb was used on parts of Low and then far more thoroughly on Peter Gabriel III... is there any evidence that Robert Fripp may have introduced the technique to Gabriel? He worked extensively with Bowie around the time of Bowie's Berlin trio of albums (most famously on "Heroes"), and also produced Gabriel's second solo album... Grutness...wha? 10:35, 13 February 2012 (UTC)
replies: text: The drum sound on Low may have inspired Padgham/Gabriel/Collins in sonic terms, but it's not really done the same way; Low doesn't exhibit real gated reverb drumming. Different method. - Also, Fripp didn't appear at all on Low and was only in Berlin for a single day to add guitar solos and overdubs on the Heroes album. We can safely rule out that he would have known anything about how the cavernous treated drum sound had been achieved. 83.254.154.164 (talk) 01:45, 29 August 2014 (UTC)
thread_title:  From "Low" to "Peter Gabriel III" 

message: The "methods of creation" section was tagged in June 2009. I removed the tag, because I think this factual account of the typical process of creation of a gated snare is an effective way to provide a detailed description of the effect. I doubt that the article would be improved if this was expressed by lengthy paragraphs instead. --Avowpost (talk) 02:39, 18 March 2013 (UTC)
thread_title:  <nowiki>{{howto}}</nowiki> complaint 

message: Yellow Magic Orchestra's 1979 track Behind The Mask uses gated reverb on the snare. This seems to beat Peter Gabriel to the punch, doesn't it? Mnealon (talk) 11:49, 26 April 2020 (UTC)
thread_title:  What about Yellow Magic Orchestra? 

message: There are two general ways of using a DSP to generate a “gate reverb” effect:
* Have a noise gate placed after the reverb output (which is described in the article)
* Use an type of reverb algorithm known as “non-linear”.  A non-linear reverb algorithm doesn’t use a noise gate; instead, it puts the sound through a series of delay lines and all pass filters such that the reverb output has a reasonably constant output level then is abruptly cut off.  The amount of time the reverb wash lasts is constant, regardless of the input level of the signal given to the reverb.  Non-linear can also have some decay before the cut off or have the reverb signal level increase in volume before the cut off (“reverse gate” reverb).
There’s some discussion about this over at https://ledgernote.com/columns/studio-recording/types-of-reverb/ in the “Non-Linear” section near the bottom of the article, and we should touch on them here. Samboy (talk) 06:19, 5 April 2021 (UTC)
thread_title:  We should describe the non-linear reverb effect