Talk:Attack of the Cybermen

message: Since this is bound to spark a series of edits and at least one editor of a behind the scenes magazine once expressed his joy at ensuring that the relevant issue would be accurate and libel free, here's a quick rundown on the state of play as far as I am aware:
*Different members of the production team have given different accounts of who wrote which bit.
*It has been alleged that Woolsey always used the name Moore in her correspondence with the production office throughout.
*Producer John Nathan-Turner always denied any official knowledge of the story being written by anyone other than Moore.
*Eric Saward appears to have given contradictory answers in different interviews. The team behind The Sixth Doctor Hanbook/The Television Companion have stated that when they interviewed him for the book he stated:
**Woolsey had submitted the original storyline.
**Levine had proposed some elements, which Woolsey was asked to work into her storyline.
**Saward did a substantial rewrite as script-editor.
*However others who have spoken to Saward on different occasions claim that he said that Woolsey was no more than a front person and that it was he who had written the story.
*The same sources claim that Levine also continues to assert he was a co-author.
*Saward's recent interview with Doctor Who Magazine implies that all three contributed to the story, though Woolsey's input was minimal.
*The Handbook/Television Companion team also spoke with Woolsey in the early 1990s, who also asserted authorship.
*As a result of this the Handbook/Television Companion assigned authorship in their notes accordingly.
*Other series guides have offered other notes.
Feel free to chip in with what else is in circulation. Timrollpickering 00:24, 5 Apr 2005 (UTC)
replies: text: Yes, she was his girlfriend at the time. --khaosworks 12:58, 28 Apr 2005 (UTC)
replies: text: I don't have my references to hand but as I understand it, the script editor was supposed to commission and re-work scripts but not actually provide the whole thing. Permission for them to supply a script had to be got from higher levels of management and would not necessarily be forthcoming. GraemeLeggett (talk) 21:46, 1 January 2014 (UTC)
replies: text: There's another factor: the Script Editor was on a BBC salary, paid by the month; the scriptwriters were essentially freelancers, paid per episode. For a scriptwriter to commission from themselves could mean that they were paid twice: the BBC might have insisted that as salaried staff, they should waive the episode fee. This might be why pseudonyms were used by Barry Letts and Douglas Adams. --Redrose64 (talk) 18:10, 2 January 2014 (UTC)
replies: text: But, again, plenty of script editors were credited with scripts during their tenure. Holmes was credited with Ark in Space (perhaps commissioned by Dicks), The Deadly Assassin, and The Talons of Weng-Chiang. My understanding is that Adams would have been credited with Shada, although I'm not certain of that. Bidmead was credited with Logopolis. Saward himself was credited with Resurrection of the Daleks and Revelation of the Daleks, the latter during the same season as Attack of the Cybermen (Root was the actual or nominal script editor for Saward's first two stories). Again: why could Saward be credited with the two Dalek stories, but not this one? john k (talk) 20:34, 14 January 2014 (UTC)
thread_title: Story Authorship

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