Talk:Carry Me Back to Old Virginny

message: The claim is often made that Alma Gluck's record of this song was the first by a classical artist to sell a million copies, but the article about Gluck has this to say: "Although various sources claim that her recording of Carry Me Back to Old Virginny' for the Victor Talking Machine Co. was the first celebrity recording by a classical musician to sell one million copies, Victor ledgers do not support the claim—nor did Gluck ever make such a claim herself." Accordingly, I have adjusted the wording here to soften the claim. Drhoehl (talk) 16:56, 28 August 2020 (UTC)
thread_title: That Million Seller claim for Alma Gluck's Victor record

message: Herman Melville wrote in a work published in 1855 ("The Paradise of Bachelors and the Tartarus of Maids"), "I softly sing, 'Carry me back to old Virginny!'." Is he referring to a precursor of the 1880 tune by James Bland? See also "Ole Virginny" .
:Bland adapted and copywrote the an existing traditonal song. It was a popular song during the civil war.
:http://utc.iath.virginia.edu/minstrel/oldvirginny.html 
:Bland's version was from the perspective of former slaves seeking work in the post war North71.252.87.118 (talk) 12:48, 8 March 2012 (UTC)
thread_title: Untitled

message: Anyone who writes that "there was a deep affection between many former slaves and their owners" should come up with some concrete examples and unimpeachable citations.  Otherwise, this comment strikes me as extremely biased and offensive.  How many is "many former slaves"?  Do we have proof of this?  The line including the remark that slaves should had a connection "perhaps akin to the devotion a dog might feel for its master" is also very troublesome; I get the point that it's what the slaveowners supposedly wanted - but again, I think this is an assumption without any proof. Paepstein 13:50, 12 September 2006 (UTC)
thread_title:  neutrality 

message: I agree with Vaoverland above that the article is basically well-balanced, but think it has got into a twist trying to describe slave-master relationships as "like a dog to its master" or like "Stockholm Syndrome", both of which are potentially rather offensive and in any case definitely qualify as POV. Speculative amateur psychology is definitely not the point of Wikipedia. I know what people are trying to say, but it isn't working: please let's stick to the facts. 
I have slightly recast the Historical Context section as Controversy, illustrating both the "straightforward" interpretation of the song and the "alternative" interpretation, I hope without giving more weight to one or the other. There is really no need to emphasise things like "the fundamental wrongness of slavery", a phrase which I have removed. Wikipedia is an encyclopedia, and doesn't deal in right and wrong: the point of an encyclopedia is not to patronise readers with moral judgements, but to let them view the facts and make up their own minds. (For what it's worth, I think most readers will be perfectly capable of working out that slavery is bad, especially if they follow the links.) 
The article could greatly benefit from a reference to some authoritative source (eg a politician or an academic, not some random blog) making the argument that the song may be understood as a satire; also on the point that black communities in the North enjoyed the song. -- TinaSparkle 17:37, 16 November 2006 (UTC)
replies: text: The song versions doen't use satire, but all do evoke irony. The original 1840s song was from the perspective of a race neutral Virginian away from Virginia and on hard times. It then became an anthem of Virginian confederate troops in the Civil War, sung while they were outside Virginia, fighting in Maryland and Pennsylvania. Bland's version is adapts it to the point of view of a former slave who is outside of Virginia, reflecting the many who moved north and did not find work. Nostalgia in the 19th century was a very poplar theme is not just about the modern usage evoking the past, but the older usage of  "nostalgia " which evoked homesickness.71.252.87.118 (talk) 14:52, 8 March 2012 (UTC)
thread_title: NPOV edit, and call for references

message: Is there some significance to the songwriter being referred to as a "Negro," or would "African American" suffice? My concern is that "Negro" is mildly offensive, and if its entry is to be believed, even worse to some. I don't know how things work around here, so I'm just going to change it for the sake of good taste. —The preceding unsigned comment was added by 69.86.63.34 (talk) 21:50, 7 May 2007 (UTC)
thread_title:  "Negro" minstrel 

message: I write for the establishment of the return of people to the pre dated position of the Sub prime melt down of mortgages.
U belioeve that people need to be return to they homes on a lend lease type operation to establish the return to job creation via the paying of their utilities electricity water rates and other job creation projects if this is what you mean by carry me back to old virgiiny then I am all for it brother aaaaaaaaaaaaaaaamen  —Preceding unsigned comment added by 58.178.40.102 (talk) 00:52, 10 April 2009 (UTC)
thread_title:  Watching  

message: Hello fellow Wikipedians,
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thread_title:  External links modified 

message: I rarely edit anything, but sometimes I run across an article like this that really just makes me cringe. The intro is written more like an apologetic for the song than an actual intro. Following my recent edit, everything now contained in it is factual and fairly relevant, but there's still something about the way that it's presented that really gives the impression of an agenda. I've removed some un-encyclopedic phrasing, but the intro is still devoid of citations. Apart from the intro, the rest of the article is fine, except that the Christy lyrics need a citation. Nicknimh (talk) 06:41, 11 May 2017 (UTC)
thread_title:  Neutrality, once again 

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thread_title:  External links modified