Talk:Worker and Kolkhoz Woman

message: Should this not be titled "A Worker and a Kolkhoz Woman"?—Ëzhiki (Igels Hérissonovich Ïzhakoff-Amursky) • (yo?); 16:36, 8 August 2006 (UTC)
replies: text: This is of course a difficult question as the Russian language does not have definite and indefinite articles. Translation of names like these is therefore difficult, and the use of a definite article or an indefinite article conveys a somewhat different connotation to the title. My gut feeling says that the use of the indefinite article would be more appropriate. Errabee 16:51, 8 August 2006 (UTC)

text: Some second thoughts: it is also The Thinker, so use of the definite article is not without precedent. Errabee 16:53, 8 August 2006 (UTC)
replies: text: I am not so much concerned with the issue of the definite vs. the indefinite article (which, as you rightfully noted, is difficult to figure out), as I am with the fact that the title mixes the Worker and null article Kolkhoz Woman—this definitely looks and sounds wrong.  Are there any English language books about this sculpture that would help us decide which title should be used?—Ëzhiki (Igels Hérissonovich Ïzhakoff-Amursky) • (yo?); 16:57, 8 August 2006 (UTC)
replies: text: The German entry uses the name without articles: Worker and Kolkhoz Woman. Errabee 17:00, 8 August 2006 (UTC)
replies: text: Perhaps we'd better ask a native speaker what works best.  I doubt we can just borrow the rules of the German language :)  I'll see if I can find someone.—Ëzhiki (Igels Hérissonovich Ïzhakoff-Amursky) • (yo?); 14:35, 9 August 2006 (UTC)
replies: text: Having been asked by Ezhiki to put my oar in, I did a quick Google with no definitive results. Neither version gets enough hits outside Wikipedia to be definitive. I'd say either no articles at all, Worker and Kolkhoz Woman, because artworks are often named with no article ("Nude descending a staircase"), or with two articles, The Worker and the Kolkhoz Woman. The current version, The Worker and Kolkhoz Woman sounds likes it's referring to one person who's both a worker and Kolkhoz woman. I think I prefer the version with no articles; the version with two thes sounds more like a story than a statue. User:Angr 14:45, 9 August 2006 (UTC)
replies: text: The current version... sounds likes it's referring to one person who's both a worker and Kolkhoz woman—I got a good laugh out of that one :)  Thanks, Angr.  If the version with no articles is fine, I'm leaning towards using it.  Errabee, what would you say?—Ëzhiki (Igels Hérissonovich Ïzhakoff-Amursky) • (yo?); 15:31, 9 August 2006 (UTC)
replies: text: I agree, and I'll move it. Errabee 16:35, 9 August 2006 (UTC)

text: Aarrghh, what a dreadful name! You could easily mistake that for a collective "farm girl", whatever that may be :) Errabee 02:09, 3 October 2006 (UTC)
replies: text: Agreed :). Recury 13:56, 3 October 2006 (UTC)
thread_title: Untitled

message: Reading this article, I was surprised to read this sentence:  "The symbolism of the two figures striding from East to West, as determined by the layout of the pavilion, was also not lost by spectators."
I was surprised by this because from the Wikipedia photo of this exposition's juxtaposition of these pavilions there's no such East/West orientation.  If anything, the figures atop the Soviet pavilion are striding from Southwest to Northeast.  Even if the photo were reversed there would still not be a clear political inference.  As one looks at the Seine from the Palais de Chaillot today, the positions of the German and USSR pavilions correspond to the lines of the present Avenue de New York, which runs at roughly a 50° angle from East/West.
The reference cited for that comment is "Totalitarian Art, Golomstock, 1990 ."  If anyone can clarify this or establish accuracy in what was meant, that would help this article.
(My apologies, if I'm not raising this point right -- I've never posted to Wikipedia before and am definitely unsure of protocol and access.  =mw=  mwalker@jonesandjones.com)
:According to Golomstock (p133) in my edition (1990): the Soviet pavilion was "crowned on its main western façade by a tower" which served as a pedestal for "two huge figures, seeming to move from east to west and carrying in their upraised hands a hammer and sickle, the symbol of the Soviet State." If Golomstock is wrong, and the sculpture was on the eastern façade and the striding was therefore to the east, then the source is not reliable and we'd need a better source. Man vyi (talk) 11:55, 23 December 2007 (UTC)
thread_title:  Orientation of German/USSR Pavilions at Paris 1937 Exposition 

message: I just stumbled upon a very lengthy article about this sculpture in Russian,  that would make a fine source to add.  dvdrw 03:04, 13 March 2008 (UTC)
thread_title:  article 

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thread_title: Image copyright problem with Image:Mosfilm logo old.jpg

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