Talk:Edge of Darkness

message: Various sources, including the British Film Institute,  state that the series was repeated on BBC1 in three parts, rather than two 150-minute parts as stated in the article. The only good source of airdates   further suggests that the show was originally show with six episodes, repeated with three, and released on video with two. What's the gen? -Ashley Pomeroy 18:45, 7 September 2005 (UTC)
replies: text: I originally wrote that under the impression that the version released on video was the same as the BBC One omnibus - I could well have been mistaken, however, as I can't seem to find a source for that now. (This is, as you can probably well, an article I wrote when I was newer to Wikipedia and wasn't much of a one for such things as 'proof' and 'references'...). Therefore I'd say that the three episodes for the BBC One showing is probably correct. Angmering 21:12, 7 September 2005 (UTC)
replies: text: As far as I can remember, the original BBC Video release was on two tapes - subtitled Into the Shadows and Northmoor - with a single 150-minute "episode" per tape, but I also have a vague memory of the three-episode edit being used for the repeats. Common practice up until a few years ago was for drama series to be edited into single programmes for video release - it's only recently that this practice has been replaced with keeping episodes separate. --Mpk 18:08, 18 September 2005 (UTC)
replies: text: Yes, I remember – I used to have the dreadful Revelation Films DVD release of Edge of Darkness, which was in two parts, but across three discs. Awful. Thank goodness the Beeb re-released it in a proper edition! Angmering 18:58, 18 September 2005 (UTC)

text: You're quite right – I've fixed that part of the synopsis accordingly. Angmering 11:27, 27 September 2005 (UTC)
replies: text: Isn't it more likely that Meacher would have been talking to what would then have still been a fairly standard university Labour meeting, or a similiar socialist group? Brothers, Sisters.. due to the latest crisis in Western capitalism, the Corporation is running a reduced bus service.. seems to suggest this. --Mpk 18:22, 30 September 2005 (UTC)

text: In the UK, surely 05/08 would mean 5 August. -- Beardo (talk) 06:26, 4 October 2008 (UTC)
thread_title: Broadcast

message: I'm trying to compile an 'Edge of Darkness' timeline, and have noticed that in 'Breakthrough' the MI5 computer is itself contradictory. It first lists the breakthrough as being on 5 May, then later the date 05/08/85 is mentioned. I suspect this is just a typo and that the break-in was on the fifth, but has anyone else come up with any other dates?
I also noticed that given the setting of the series in late 1985, the taxi which drops Bennett at the Commons is lucky not to have got a ticket for the 11/84 expiry of its road tax! --Mpk 17:56, 30 September 2005 (UTC)
replies: text: In the UK, surely 05/08 would mean 5 August. -- Beardo (talk) 06:26, 4 October 2008 (UTC)
thread_title: Date of Northmoor break-in

message: Where does the Tom Waits track "13 Shells From A 30.06" appear? Halmyre 16:16, 22 November 2006 (UTC)
replies: text: This is near the start of episode two, when a policeman is watching Craven from inside a car. When Ronald walks off he follows him and apparently ejects the tape from his car radio, implying that he was listening to the music rather than it being simply score. MartinSFSA (talk) 16:56, 23 December 2010 (UTC)
thread_title: Music

message: I was a keen viewer of this series when it was first broadcast in the mid 1980s and have watched repeats of it more recently. It was an excellent series. Viewed in the late 2000s it is very evocative of life in the mid 1980s during the Thatcher government and towards the end of the Cold War. 
I believe that the series has been released for broadcast and on video/DVD in a number of slightly different versions. The Plot section appears to adhere to the original TV version. 
1. It is well written. In this respect:
(a) the prose is clear and the grammar is correct; and 
Good pass – the prose and English are excellent
(b) it complies with the manual of style guidelines for lead sections, layout, jargon, words to avoid, fiction, and list incorporation.
Reasonable pass – sections of dense text might be improved
  
2. It is factually accurate and verifiable. In this respect, it:
(a) provides references to sources used;
Good pass – the article is well referenced 
(b) cites reliable sources for quotations and for material that is challenged or likely to be challenged, preferably using inline citations for longer articles; and
Good pass – detailed accuracy has been challenged on the article Discussion page and the challenges have been addressed 
(c) contains no original research
Reasonable pass – the article includes some personal observations and commentary 
3. It is broad in its coverage. In this respect, it:
(a) addresses the major aspects of the topic; and
Good pass 
(b) stays focused on the topic without going into unnecessary details (see summary style).
Narrow pass – tends to drift into sections of dense text discussing the significance of the series, some which is just a little off topic 
4. It is neutral; that is, it represents viewpoints fairly and without bias.
Reasonable pass – the article is obviously written by fans of the series; it might be improved by a slightly more critical approach to the theme and content of the series
5. It is stable; that is, it does not change significantly from day to day and is not the subject of an ongoing edit war. Vandalism reversions, proposals to split or merge content, and improvements based on reviewers' suggestions do not apply.
Good pass – there is no evidence in either the History or Discussion of edit wars, disputes or vandalism
 
6. Any images it contains are appropriate to the subject, with succinct captions and acceptable copyright status. Non-free images must meet the criteria for fair use images and be labeled accordingly.
Narrow pass – the article has only one proper image and could be improved by the addition of several others
Overall – a clear Good Article. I have no hesitation in awarding it a Pass. Bob BScar23625 08:07, 8 June 2007 (UTC)
thread_title: Good Article – Pass

message: I've removed the three links to YouTube added by User:BScar23625. From WP:COPYRIGHT: "If you know that an external Web site is carrying a work in violation of the creator's copyright, do not link to that copy of the work. Knowingly and intentionally directing others to a site that violates copyright has been considered a form of contributory infringement in the United States (Intellectual Reserve v. Utah Lighthouse Ministry). Linking to a page that illegally distributes someone else's work sheds a bad light on Wikipedia and its editors." - Joe King 21:54, 3 July 2007 (UTC)
replies: text: Bob, yes I believe this is a copyvio because the links in question are not in the BBC sanctioned section of YouTube and were not added by BBC affiliated users (BBC or BBC Worldwide). It would be unwise to assume that YouTube "know what they are doing" since they are currently having the arse sued off them for copyvio. With YouTube it's safer to assume that *all* content is a copyvio unless there is clear evidence to the contrary. Joe King 22:29, 3 July 2007 (UTC)
thread_title: Removal of YouTube links

message: The anonymous user at IP address 87.189.108.84 has removed the reference in the lead to EoD being science fiction with the edit summary “What SF? There is not the slightest bit of SF, please provide sources to tell us otherwise”. In response, I would point out that:
# Edge of Darkness merits an entry in Roger Fulton's Encyclopaedia of Television Science Fiction
# Is listed 43rd in science fiction magazine SFX's list of The Top 50 SF TV Shows of All Time  by a panel that included Stephen Baxter, Terry Pratchett and Michael Moorcock (Issue 50).
# Is again listed by SFX magazine – this time in a vote by readers – as the 12th best UK SF programme (SFX Special Edition #22, Best of British)
# Is acknowledged as encompassing science fiction by Lez Cooke in the BFI's British Television Drama: A History (page 148).
I am therefore reverting the edit. - Joe King 20:11, 3 September 2007 (UTC)
replies: text: Aren't the little black flowers a science fiction element ? -- Beardo (talk) 06:37, 4 October 2008 (UTC)
replies: text: Not really.  More of a fantasy element if anything.  Emma brings them up as a possibility after a nuclear winter, which has not come about at the end of the series.  I think if this is Science Fiction then so are a lot of other spy and techno thrillers (and they may well be, in the broadest sense.  I just think it's distracting).MuJoCh (talk) 10:47, 15 October 2009 (UTC)

text: Returning to this article after nearly four years... I remember when the series was first broadcast, there was a bit of a media fuss made of the fact that the UK's Government Energy spokesman (or some such) made a statement in the House of Commons telling the world that the series was a misrepresentation of the true condition of our nuclear industry - despite the fact that nobody had suggested it was a documentary!!  The obvious inference, drawn by many commentators, was that it was, in fact, uncomfortably close to the bone. I never put this in the article, since back in 2005 I had a (rather cursory) look at Hansard and couldn't find a reference to such a statement. That original broadcast was a long time ago, but I don't think I am making this up... does anyone else remember this? --Ndaisley (talk) 16:06, 24 June 2009 (UTC)

text: In a very literal sense, it is a work of 'fiction' which deals with a 'scientific' (technological) matter (the nuclear industry). It is just not set in the "future".--feline1 (talk) 16:17, 24 October 2009 (UTC)
replies: text: Every piece of drama is fiction. The technical and economic issues of EoD don't make SF out of it, because (with the exception of the black flowers at the end of the last episode) the plot is about developments of the past and the present like Nuclear reprocessing. Overall I think the social and political aspects of the series are at least as important as the technological ones.--Peter Eisenburger (talk) 17:18, 24 October 2009 (UTC)
replies: text: I don't really disagree. You may also note that Ronnie sees his daughter as a ghost at several points, and talks to her. I don't know if this makes it a "ghost story" or whatever...... to be honest, the show is just so damn *good* that it transcends genre.--feline1 (talk) 11:46, 26 October 2009 (UTC)
replies: text: My view is any amount to relevant material makes the work part of the relevant genre. It's an additive rather than subtractive process, as many foolish creators seem to feel having genre tags cheapen their work. In that regard, the ghost of Miss Craven appears to be a real thing as she knows things Craven doesn't, unless you want to argue it's unreliable narrative. Ditto the black flowers which are only part of the Gaia plot, and nuclear winter, now seen as discredited. So supernatural, fantasy. Gaia and nuclear winter, science fiction. MartinSFSA (talk) 12:26, 26 October 2009 (UTC)
thread_title:  Is Edge of Darkness science fiction? 

message: This article has been reviewed as part of Wikipedia:WikiProject Good articles/Project quality task force. I believe the article currently meets the criteria and should remain listed as a Good article. The article history has been updated to reflect this review. Regards, EyeSereneTALK 12:54, 4 March 2008 (UTC)
thread_title: GA Sweeps

message: Should this page be moved to reflect that it is a TV series?  We now have 2 films and this TV series.  I would think 'Edge of Darkness' should re-direct to a disambig page. BLGM5 (talk) 14:36, 25 January 2010 (UTC)
thread_title:  Page Move 

message: The series has been retransmitted (end) June-(beginning) August 2014.
In episode 5 Jedburgh says what sounds like a biblical quote referring to a daughter - where is it from?
'Craven alls out Emma's name' sounds more neutral than/better than wails her name. 80.254.147.68 (talk) 13:08, 31 July 2014 (UTC)
thread_title: Retransmission

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thread_title:  External links modified 

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