Talk:Sharp (music)

message: I found, after some searching, a quote about why double sharps are used.  When I came to this page, I was wondering why double sharps are used - I knew what they were, I just didn't know why they were used.  Here's the quote and the citation:
:"Using double or triple sharps or flats may seem to be making things more difficult than they need to be. Why not call the note "A natural" instead of "G double sharp"? The answer is that, although A natural and G double sharp are the same pitch, they don't have the same function within a particular chord or a particular key. For musicians who understand some music theory (and that includes most performers, not just composers and music teachers), calling a note "G double sharp" gives important and useful information about how that note functions in the chord and in the progression of the harmony." - link
My question is how do I determine whether this quote is copyrighted and if so, do I just rephrase it in my own words and cite the original?  If it's not copyrighted, do I just copy and paste it or is that bad form?  Thanks in advance. Rcronk (talk) 19:38, 20 May 2008 (UTC)
replies: text: Since the quote is wordy, not very accurate, and not very informative, I don't think you should bother. If it were worthy of inclusion in this article, though, the main things you would need to know are who you would be quoting and whether this person is "notable". TheScotch (talk) 09:11, 9 August 2008 (UTC)
replies: text: I had exactly the same question. To me, the above seems better than nothing, but if you know that this explanation is "not very accurate" then I guess you would know the accurate version. How about adding it to the article? 86.136.199.175 (talk) 03:59, 4 April 2009 (UTC)

text: I would like to second the motion to bring the quote into the article. As a mere dabbler at note reading I was asking myself the question as to why bother having a special note for a natural note one tone higher. The quote answered my question.  —Preceding unsigned comment added by 77.215.247.163 (talk) 19:36, 9 May 2009 (UTC)
thread_title:  Double Sharps 

message: See the discussion at Talk:Accidental (music)#Inflections vs accidentals concerning the definition of "accidental" and its relation to sharp and flat signs and key signatures. Hyacinth (talk) 21:18, 1 August 2008 (UTC)
thread_title: [[Accidental (music)]]

message: "Birds Eat Angleworms Do Gophers Catch Fish"? Are you kidding me? The Wiki page on flats has these:
# Big Enchiladas Always Drip Gooey Cheese First
# Better Educated Animals Don't Go Catching Frisbees
# Blanket Exploded And Dad Got Cold Feet
# Before Eating A Donut Get Coffee First --121.45.42.57 (talk) 08:24, 22 March 2010 (UTC)
replies: text: What do you mean? Hyacinth (talk) 03:20, 23 May 2010 (UTC)

text: I have chopped out that long list of mnemonics almost entirely, as the article was turning into a dumping ground for more and more of these. I left just one in as a concession. Please, pretty please, can people refrain from adding more and more back in again. Scil100 (talk) 07:59, 25 January 2011 (UTC)
thread_title: Acronym Fail

message: Why, what, where, and how does this article need additional citations for verification? Hyacinth (talk) 03:20, 23 May 2010 (UTC)
replies: text: I have noticed that the link to citation 3 brings you to a page from Indiana State University that says the article is unavailable. Is there a replacement for this?TwoThirdsBird (talk) 22:06, 8 April 2020 (UTC)
thread_title: Additional citations

message: I've removed the "information" below from the main article because it made no sense to me. The paragraph was marked as unreferenced. I think this information has a high "Who Cares" calibre and does not belong in the article. I've preserved the text here in case someone can make it more noteworthy. 
: The sharp sign () is often confused with the number (hash or pound) sign (#). The key difference is that the number sign has compulsory true horizontal strokes while the sharp sign does not have them. Instead, the sharp sign has two slanted parallel lines which rise from left-to-right. Both signs may have true-vertical lines; however, these are compulsory in the sharp, but optional in the number sign (#) depending on typeface or handwriting style.
ʍαμ$ʏ5043 (talk) 09:43, 12 December 2010 (UTC)
replies: text: I believe it is interesting to know exactly how to write the sign. People may not notice the difference, and write it as a number sign. Of course, the context is enough to easily discriminate, so the error would have no consequence in the transmission of information. For instance, everybody would understand the term "informetion" notwithstanding the typo, but we typically wish to avoid typos even when they do not affect text decodification. Paolo.dL (talk) 11:39, 12 December 2010 (UTC)
replies: text: I'm going to restore some version of the above. I don't think the question of "how to properly draw the sign" really comes under the proper heading of trivia or "who cares." SBHarris 22:20, 1 May 2011 (UTC)
thread_title: Sharp versus number sign

message: The double sharp is sometimes printed as a plain letter x.  There are many double sharps in "Le Festin d'Ésope" (No. 12), and they are all printed as x's. Double sharp (talk) 04:30, 24 November 2011 (UTC)
replies: text: I’m not too experienced in this topic, however the most probable reason is that x is the most similar character to the double sharp Ilovejames5🚂:) 07:05, 19 January 2023 (UTC)
thread_title:  Double sharp versus letter x 

message: I have initiated a formal RM action to move Musical scale to Scale (music). Contributions and comments would be very welcome; decisions of this kind could affect the choice of title for many music theory articles.
NoeticaTea? 00:12, 21 June 2012 (UTC)
thread_title:  Requested move: "Musical scale" → "Scale (music)" 

message: Triple sharps occur in Charles-Valentin Alkan's concerto for solo piano, third movement. It occurs near the end of the third movement, when there is an F-sharp major key signature, in the context of A-sharp minor, where F is used as an appoggiatura to G. Another one occurs near the end of the last movement of Max Reger's Clarinet Sonata (). Double sharp (talk) 14:54, 25 August 2012 (UTC)
replies: text: P.S. In the slow movement of Chopin's Op. 58 sonata is also a G that is clearly a mistake: G is meant as the lower neighbour to a trill on A. See the first bar on p. 18 of the autograph. ^_^ Double sharp (talk) 06:03, 30 January 2021 (UTC)
thread_title:  Dubious 

message: From the article: "In other tuning systems [than equal temperament], such enharmonic equivalences in general do not exist."
Isn't that more to do with the design of the instrument than the tuning used? A piano tuned to just intonation plays an F flat and an E natural identically, doesn't it?  — Preceding unsigned comment added by 2.101.98.187 (talk) 23:02, 26 September 2013 (UTC)
replies: text: It does, but E and F are still different notes. The piano may play E instead of F, but that doesn't mean E = F. So a D minor triad would really be spelt incorrectly by such a piano, having E instead of F. Such enharmonic non-equivalence is how you get wolf intervals. Double sharp (talk) 03:48, 28 September 2013 (UTC)
replies: text: Specifically, the 2 notes are written differently on the staff. Georgia guy (talk) 13:37, 28 September 2013 (UTC)
replies: text: (If it wasn't clear, a piano tuned to just intonation would play E and F the same, because it is wrongly playing F as E. If you have E, you don't have the slightly different F, unless you have split white keys – and I don't think any just-intonation keyboards ever did.) Double sharp (talk) 13:39, 28 September 2013 (UTC)
thread_title:  No enharmonic equivalents? 

message: Regarding "If two simultaneous notes are slightly out of tune, the higher-pitched one (assuming the lower one is properly pitched) is said to be sharp with respect to the other."
Surely, regardless of which one is "properly pitched", the higher one is still "sharp with respect to the other." Can anyone deny this statement? So it's not necessary to have that proviso in parentheses, and the following is true and clear: "If two simultaneous notes are slightly out of tune, the higher-pitched note may be said to be sharp with respect to the other."
It follows that "If two simultaneous notes are slightly out of tune, the lower-pitched note may be said to be flat with respect to the other." But this is for the page "Flat (music)."
P0mbal (talk) 14:03, 4 November 2016 (UTC)
thread_title:  Out-of-tune 

message: Is there any particular reason that most articles on WP use an image link to https://en.wikipedia.org/wiki/File:DoubleSharp.svg for the double-sharp instead of just the Unicode character 𝄪? I understand that some fonts might not contain this character, but that's true for a lot a symbols...  — Preceding unsigned comment added by 129.16.31.195 (talk) 12:00, 21 February 2018 (UTC)
thread_title:  Image? 

message: I think the article needs to explain why ## is used.  I think the reason has to do with, say, writing a G-natural and a G# played together, but an explanation would help the article. Bubba73 You talkin' to me? 06:08, 15 July 2022 (UTC)
thread_title:  Double sharps (and double flats)