Talk:Leopold Mozart

message: Isn't it questionable to include a reference to some ostensible truth revealed by "modern psychoanalysis" since it is a field that is quite controversial and pseudoscientific? —Preceding unsigned comment added by 65.185.213.33 (talk) 10:15, 17 May 2006
:Hello Anon, could you please be more specific?  I looked in the article and couldn't find any mention of psychoanalysis.  Opus33 (talk) 18:48, 6 November 2010 (UTC)
thread_title: Comment

message: Does anyone know why Leopold was expelled from university? 83.5.249.115 08:13, 11 June 2006 (UTC)
thread_title:  Expulsion from university 

message: Hello, I've just moved this from the article to this page:
:Most critics would agree that he reached a high point of his creativity around 1760. After that, the amount of time he put into composing as well as teaching violin gradually decreased until 1771, when he wrote his last composition. He did, however still concentrate on his job as Kappellmeister as well as many of his and his son's concerts all around the world. He did however mention that he hated those in a letter to his daughter. He wrote, "Every day there are concerts; and the whole time is given up to teaching, music, composing and so forth. I feel rather out of it all. If only the concerts were over! It is impossible for me to describe the rush and bustle."Boerner, Steve. "The Mozart Project: Leopold Mozart." 10 May 2006. The Mozart Project. 10 May 2006 ."The Mozart Experience: Biography: Leopold Mozart." 10 May 2006 .
The first two sentences repeat material given earlier.  Leopold wasn't a Kapellmeister.  His son didn't perform all over the world, just parts of Western Europe.  
The letter is quoted out of context:  it comes from the time (1785) of Leopold's visit to Wolfgang and Constanze in Vienna. Most of the letters from this visit indicate that Leopold was very happy to observe his son's success at first hand; for discussion, see Solomon 1995, 346.  The letter quoted here was an exception; it expressed the old man's fatigue at following around after Wolfgang on a daily basis, during a very hectic phase of the latter's career.  Opus33 16:07, 14 October 2007 (UTC)
thread_title: Moving a passage to this talk page

message: An article was just added on Leopold's father. Is anything of substance actually known about him? If so, please add it to keep the article from otherwise very likely deletion. If not, please change to a redirect.  DGG (talk) 17:07, 22 February 2008 (UTC)
thread_title: [[Johann Georg Mozart]]

message: I've reviewed this article as part of the Composers project review of its B-class articles.  This article is clearly B-class; but is arguably defective in its treatment of him as a composers.  My full review is on the comments page; questions or comments should be left here or on my talk page. Magic♪piano 14:17, 18 December 2008 (UTC)
thread_title: Composer project review

message: Isn't his portrayal by Roy Dotrice in "Amadeus" worthy of inclusion in this article?
Hello, and please don't yell.  Typically, when classical music figures are referenced by popular culture items, we report this in the articles about the popular culture item, not the classical music figure.  This normally will best serve the reader seeking information.  Opus33 (talk) 18:43, 14 December 2009 (UTC)
thread_title: Amadeus

message: Leopold Mozart was not buried in the grave in the St. Sebastian cemetery, but in the communal crypt. See Walther Brauneis: "Am Grabe Leopold Mozarts. Tod und Begräbnis von Mozarts Vater im Spiegel der Berchtold zu Sonnenburgschen Familienchronik." In: Andrea Lindmayr-Brandl, Thomas Hochradner (Hrsg.): Auf eigenem Terrain. Beiträge zur Salzburger Musikgeschichte. Festschrift Gerhard Walterskirchen zum 65. Geburtstag. Selke Verlag, Salzburg 2004, , S. 401–416.--80.121.81.187 (talk) 21:08, 21 June 2014 (UTC)
replies: text: Thank you. This article is extremely weak, because as usual it is based on the weakest available literature (Solomon, Halliwell), without taking into account the most important German standard works (Mančal, Valentin, etc.).--Suessmayr (talk) 21:31, 21 June 2014 (UTC)
thread_title:  Grave 

message: The section on the teaching of Amadeus seems to imply that Amadeus had some kind of natural born gift for music and that his talent was 'discovered' rather than learnt. Nowadays there's much research that shows that there is no such thing natural born talent. His talent was a result of his early contact with music and his father's teaching methods. There is a section in the book 'Bounce' by Matthew Syed regarding Mozart's abilities and the myth of child prodigy. Perhaps this section could be re-worded.  — Preceding unsigned comment added by 81.178.22.82 (talk) 15:04, 12 January 2015 (UTC)
replies: text: If "there is no such thing natural born talent", then there's no such thing as talent because that's what the word "talent" means. Talent by definition is not "lernt". Technique is learned or otherwise aquired. In any case, the synthesis you seeme to be proposing would constitute "original research". TheScotch (talk) 15:22, 13 April 2024 (UTC)
thread_title:  Discovered Talent 

message: Substituted at 21:54, 29 April 2016 (UTC)
thread_title: Assessment comment

message: A bit of bookshelf-checking:
*Maynard Solomon:  "Benedictine University"
*Hermann Abert (2008):  "University of Salzburg"
*Cliff Eisen (Cambridge Mozart Encyclopedia):  "Salzburg Benedictine University"
I put in "Benedictine University" (now University of Salzburg), which hopefully will do no harm to accuracy.  Opus33 (talk) 22:21, 24 September 2016 (UTC)
thread_title: What to call the university he attended in Salzburg?

message: The article refers to Nannerl, but does not explain who she is. It implies it might be Wolfang's sister, but should explicitly state that it is a nickname for Maria.  — Preceding unsigned comment added by TwoPairsOfBoots (talk • contribs) 14:19, 5 November 2018 (UTC)
thread_title:  Who is "Nannerl"?