Talk:Juan Atkins

message: "Atkins' earlier works are generally considered electro. Over the years, his sound matured and grew in complexity, and many of his more recent works are heavily layered rhythmic soundscapes. Today, this techno is considered its own genre."
As a techno-bass/detroit electro fan I basically dispute the assertion here that his electro is less complex or "mature" than his techno.. What is the measure of "maturity"?  Aesthetically refined?  But so were his electro works; profoundly so.. or does this just mean more advanced towards conformity with some dated 90s IDM/minimal fashion where subtle timralities and ambiences are favoured above funk melody and syncopated rhythm - well that's POV...
If anything his techno is more minimal (ie. uncomplex) than his electro and electro-techno.. as he once said himself, he started infiniti to pursue a more minimalistic version of model 500.  I will come back and try to rewrite this into a bit less of a POV form at some point..  —Preceding unsigned comment added by 78.148.187.192 (talk) 00:59, 10 September 2008 (UTC)
thread_title:  Musical style 

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thread_title:  External links modified 

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message: I was looking at copyright registrations to get the dates of some of his stuff, and I noticed in 1985 and 1986 he was registering his music under the name of Juan Harvell, and listing Juan Atkins as a pseudonym. I also noticed that in January 1985 he registered a sound cassette titled "Techno Structure", "all tunes written by Juan Harvell and Richard Davis. words & music: Juan Harvell, whose pseud. is One or Juan Atkins & Richard Davis, whose pseud. is 3070" PatConolly (talk) 05:46, 15 March 2022 (UTC)
thread_title:  Birth name ?