Talk:Kruithof curve

message: A recent edit removed all mention of the Purkinje effect, leaving only a link in the See also section to the article.  I think it is relevant and useful to mention the Purkinje effect briefly in this article, rather than giving only a link to the article about it. If there are no objections, I propose to restore the content with an added citation to satisfy the fact tag that was placed on the removed content. - Neparis (talk) 01:28, 6 May 2008 (UTC)
replies: text: Mention it, by all means, but back it with a WP:RS. Don't just leave it for some joe to fill it in two years from now. --Adoniscik(t, c) 01:33, 6 May 2008 (UTC)
thread_title:  [[Purkinje effect]] 

message: The tungsten MR-16 is shown at wrong color temperature. MR16 filaments are 2700K. At 3700K, tungsten is a liquid. Sadg4000 (talk) 22:02, 6 June 2009 (UTC)
thread_title:  Kruithof curve chart 

message: Kruithof was labeled an "engineer", but he actually was a physicist. After his time at Philips, where he developed fluorescent lighting etc., he was appointed professor of applied physics at Eindhoven University of Technology, researching atomic physics, particularly gas discharges.
--HHahn (Talk) 13:31, 25 January 2010 (UTC)
thread_title:  Kruithof physicist 

message: What does "pleasing" mean in this context? Which body and light colours are preferred should be subject to personal taste rather than to measurable quantities. Unfortunately, there seems to be no original publication available to ordinary users, so it is not possible to check what Kruithof really meant with this. Could someone with access to Kruithof's PhD thesis or subsequent publication and sufficient Dutch language skills retrieve more information about this?
One could try to understand it in the context of the Purkinje effect, i.e. the shift of the white point for different illuminance levels. However, if whiteness would be the key criterion, 3500-4000 K would be ideal for low light levels since light from type 840 fluorescent lamps appears white, even at levels below 100 lux. Similarly, the Moon has a correlated color temperature of about 4000 K (due to the slightly brownish tone of its surface; otherwise it would have the same CCT as the Sun), and it's light appears dim white, not bluish (however, maybe below the response level of the cones). Incandescent lamps and "warm white" CFLs, however, always have a bias towards a yellowish tone if the the light is cast on a white surface. The Kruithof region of "pleasing" light, however, ranges from about 2500 to 3000 (estimated from the SVG figure), which is well in the yellowish region. At high light levels, however, Kruithof roughly fits, but covers a range from slightly yellowish light to blue skylight. Thus, the Purkinje effect alone cannot explain the Kruithof relation.--SiriusB (talk) 14:22, 9 February 2012 (UTC)
replies: text: Good points. I edited the article a while ago to make it internally more consistent, but I don't have access to the original sources either. I do speak Dutch, though, so if you have a link to a document, I can read it. I'm not sure that I agree with your "4000 K at 100 lux appears white" statement. A "cool white" fluorescent light appears rather blueish to me in the living room. But that could be because it is surrounded by 2900 K light sources. My wife definitely thinks that "cool white" looks horrible. Han-Kwang (t) 23:56, 10 February 2012 (UTC)
replies: text: Sorry, I don't have any link (otherwise I would either have tried the Google translator or asked a Dutch colleague). I guess that the bluish appearance of your 4000 K lamp might either be due to the contrast to the 2900 K ones or due to a product-specific color characteristic. The link given in the article about museum lighting states that the whit point at 200 lux (20 foot candles) is about 3700 K at average, and my personal feeling is that below a few 100 lux there isn't much more color drift (so the according Purkinje white-point curve in the Kelvin-log(Lux), with log Lux on the x axis, graph between 0 and 100000 lx would look a bit like negative cosine curve between 0 and +π, i.e. flat at the extrema and monotonic rising at intermediate lux levels. BTW to me and some of my colleagues, "warm white" (even from an incandescent lamp) looks horrible and uncomfortable (mainly due to the unpleasant yellowish tint that makes everything look dim and melancholic), but not remotely warm, unless it is powerful enough to feel its heat from a distance. The yellow-reddish color of low-temp lamps reminds of a faint mid-winter Sun near the horizon, struggling hard to penetrate the haze. In contrast, a light bluish tint does not look unpleasant to me, therefore I sometimes even prefer light at 6000 K. According to different sources (including Wikipedia) people in southern Europe or in Asia prefer white to daylight-colored light, while "warm" white is only preferred in the north-western hemisphere. However, there is no consistent explanation to this phenomenon. So, the Kruithof relation, if only based on whether light appeas "pleasing", is obviously far from being a strong and reliable relation like the Purkinje shift, but rather highly dependent on culture and personal preferences. It would be interesting if any critical reviews of Kruithof's work could be retrieved.--SiriusB (talk) 08:33, 13 February 2012 (UTC)
replies: text:  I could certainly believe that preferences in lighting colors are based on experience. That’s certainly true for many other preferences. I would also expect preferences to vary somewhat depending on activity: reading a book, looking at paintings on a wall, eating dinner, browsing the internet on a computer, or playing a ping pong game all involve different amounts of engagement with foreground and background, and different kinds of visual processing. Much of the literature I can see on Google Scholar relates to museum lighting, which is a rather particular example, and probably depends on the details of art materials. Here are some various links:    . –jacobolus (t) 01:48, 14 February 2012 (UTC)
replies: text:  Many thanks for these links. So, did Kruithof his research in a similarly specific context? The existing weblinks in the article seem to point to museum lighting as well.--SiriusB (talk) 11:22, 14 February 2012 (UTC)
thread_title:  "Pleasing" 

message: From the Criticism section, it appears that Kruithof's curve has been criticised for its unknown methodology, along with other things that seemingly results in questionable reliability on the subject of human preference in relation to CCT and illuminance. These problems seem significant enough to be addressed in the lead section. --Artoria2e5 contrib 16:22, 12 March 2017 (UTC)
thread_title:  Due weight in lead section to sources cited in ''Criticism'' 

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