Talk:Pulgasari

message: :Image:Pulgasari-poster.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.
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BetacommandBot (talk) 05:33, 18 February 2008 (UTC)
thread_title: Fair use rationale for Image:Pulgasari-poster.jpg

message: "Legacy
... the latter one excluding this film - of a total of seven films, for which the couple was simultaneously commissioned...."
The language here makes it sound like there are seven or eight Pulgasari movies, instead of seven or eight Shin Sang-ok north korean films. Is there a simple and concise way we could reword this making it more clear that these seven films are not part of a series of Pulgasari Movies?  — Preceding unsigned comment added by 67.171.34.214 (talk) 21:31, 25 April 2013 (UTC)
thread_title:  Unintentionally Misleading Language 

message: THE LOVERS AND THE DESPOT tells the story of young, ambitious South Korean filmmaker Shin Sang-ok and actress Choi Eun-hee, who met and fell in love in 1950s post-war Korea. In the 70s, after reaching the top of Korean society following a string of successful films, Choi was kidnapped in Hong Kong by North Korean agents and taken to meet Kim Jong-il. While searching for Choi, Shin also was kidnapped, and following five years of imprisonment, the couple was reunited by the movie-obsessed Kim, who declared them his personal filmmakers. Choi and Shin planned their escape, but not before producing 17 feature films for the dictator and gaining his trust in the process.
Trailer: https://www.youtube.com/watch?v=NNRhk2Q5s4Q
46.142.81.29 (talk) 19:55, 21 June 2016 (UTC)
thread_title:  documentary 

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thread_title:  External links modified