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durom.2014.342.81 | durom.2014.342.81-ff.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 81. Uzumchin man's winter cap "Boolt". Plain white background with central image of a winter cap. The cap with light brown upturned brim (probably sheepskin), earflaps and back flap in the shape of a triangle; a light orange pointed crown with vertical seams surmounted by an orange knot on a yellow ornament with dark trim; a grey ribbon attached to each earflap. The front of the cap facing left. | 443prints
| null | paper | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.342.81 | durom.2014.342.81-ff.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 81. Uzumchin man's winter cap "Boolt". Plain white background with central image of a winter cap. The cap with light brown upturned brim (probably sheepskin), earflaps and back flap in the shape of a triangle; a light orange pointed crown with vertical seams surmounted by an orange knot on a yellow ornament with dark trim; a grey ribbon attached to each earflap. The front of the cap facing left. | 443prints
| null | paper | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.342.81 | durom.2014.342.81-ff.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 81. Uzumchin man's winter cap "Boolt". Plain white background with central image of a winter cap. The cap with light brown upturned brim (probably sheepskin), earflaps and back flap in the shape of a triangle; a light orange pointed crown with vertical seams surmounted by an orange knot on a yellow ornament with dark trim; a grey ribbon attached to each earflap. The front of the cap facing left. | 443prints
| null | paper | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.342.81 | durom.2014.342.81-ff.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 81. Uzumchin man's winter cap "Boolt". Plain white background with central image of a winter cap. The cap with light brown upturned brim (probably sheepskin), earflaps and back flap in the shape of a triangle; a light orange pointed crown with vertical seams surmounted by an orange knot on a yellow ornament with dark trim; a grey ribbon attached to each earflap. The front of the cap facing left. | 443prints
| null | paper | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.342.81 | durom.2014.342.81-ff.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 81. Uzumchin man's winter cap "Boolt". Plain white background with central image of a winter cap. The cap with light brown upturned brim (probably sheepskin), earflaps and back flap in the shape of a triangle; a light orange pointed crown with vertical seams surmounted by an orange knot on a yellow ornament with dark trim; a grey ribbon attached to each earflap. The front of the cap facing left. | 443prints
| null | paper | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.1969.30 | durom.1969.30-h3.jpg | data/raw/images/oriental/1969 | moulded buff-white earthenware solid figure of a groom or camel-boy, probably a Turk, standing on a rectangular, flat self-base. Covered with a finely crazed clear glaze on the belted coat. Traces of unfired figments show a delicate brush work in black on the eyebrows, moustache, beard, belt and boots, while traces of red pigments can be seen on the border and lining of the green coat. Hole in the belt at the back indicates missing attachment, while similar hole in the clasped hands in the front suggests that the figure was originally holding something in his hands. | 310figures
| 侍人佣 | earthenware | Tang | South China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.30 | durom.1969.30-h3.jpg | data/raw/images/oriental/1969 | moulded buff-white earthenware solid figure of a groom or camel-boy, probably a Turk, standing on a rectangular, flat self-base. Covered with a finely crazed clear glaze on the belted coat. Traces of unfired figments show a delicate brush work in black on the eyebrows, moustache, beard, belt and boots, while traces of red pigments can be seen on the border and lining of the green coat. Hole in the belt at the back indicates missing attachment, while similar hole in the clasped hands in the front suggests that the figure was originally holding something in his hands. | 310figures
| 侍人佣 | earthenware | Tang | South China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.30 | durom.1969.30-h3.jpg | data/raw/images/oriental/1969 | moulded buff-white earthenware solid figure of a groom or camel-boy, probably a Turk, standing on a rectangular, flat self-base. Covered with a finely crazed clear glaze on the belted coat. Traces of unfired figments show a delicate brush work in black on the eyebrows, moustache, beard, belt and boots, while traces of red pigments can be seen on the border and lining of the green coat. Hole in the belt at the back indicates missing attachment, while similar hole in the clasped hands in the front suggests that the figure was originally holding something in his hands. | 310figures
| 侍人佣 | earthenware | Tang | South China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.30 | durom.1969.30-h3.jpg | data/raw/images/oriental/1969 | moulded buff-white earthenware solid figure of a groom or camel-boy, probably a Turk, standing on a rectangular, flat self-base. Covered with a finely crazed clear glaze on the belted coat. Traces of unfired figments show a delicate brush work in black on the eyebrows, moustache, beard, belt and boots, while traces of red pigments can be seen on the border and lining of the green coat. Hole in the belt at the back indicates missing attachment, while similar hole in the clasped hands in the front suggests that the figure was originally holding something in his hands. | 310figures
| 侍人佣 | earthenware | Tang | South China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.30 | durom.1969.30-h3.jpg | data/raw/images/oriental/1969 | moulded buff-white earthenware solid figure of a groom or camel-boy, probably a Turk, standing on a rectangular, flat self-base. Covered with a finely crazed clear glaze on the belted coat. Traces of unfired figments show a delicate brush work in black on the eyebrows, moustache, beard, belt and boots, while traces of red pigments can be seen on the border and lining of the green coat. Hole in the belt at the back indicates missing attachment, while similar hole in the clasped hands in the front suggests that the figure was originally holding something in his hands. | 310figures
| 侍人佣 | earthenware | Tang | South China | data/processed/OM_images_white/oriental/1969 |
|
durom.1960.4021 | 1960.4021-tt.jpg | data/raw/images/oriental/1960 | bi carved on one side in high relief with 2 dragons, silkworms in low relief on reverse. | 52Disc
| bi | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4021 | 1960.4021-tt.jpg | data/raw/images/oriental/1960 | bi carved on one side in high relief with 2 dragons, silkworms in low relief on reverse. | 52Disc
| bi | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4021 | 1960.4021-tt.jpg | data/raw/images/oriental/1960 | bi carved on one side in high relief with 2 dragons, silkworms in low relief on reverse. | 52Disc
| bi | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4021 | 1960.4021-tt.jpg | data/raw/images/oriental/1960 | bi carved on one side in high relief with 2 dragons, silkworms in low relief on reverse. | 52Disc
| bi | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4021 | 1960.4021-tt.jpg | data/raw/images/oriental/1960 | bi carved on one side in high relief with 2 dragons, silkworms in low relief on reverse. | 52Disc
| bi | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1975.8 | 1975.8.u.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | 520talismans
| null | paper | null | Korean peninsula | data/processed/OM_images_white/oriental/1975 |
|
durom.1975.8 | 1975.8.u.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | 520talismans
| null | paper | null | Korean peninsula | data/processed/OM_images_white/oriental/1975 |
|
durom.1975.8 | 1975.8.u.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | 520talismans
| null | paper | null | Korean peninsula | data/processed/OM_images_white/oriental/1975 |
|
durom.1975.8 | 1975.8.u.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | 520talismans
| null | paper | null | Korean peninsula | data/processed/OM_images_white/oriental/1975 |
|
durom.1975.8 | 1975.8.u.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | 520talismans
| null | paper | null | Korean peninsula | data/processed/OM_images_white/oriental/1975 |
|
eg5573 | eg5573-u10218-bb.jpg | data/raw/images/egyptian/eg | dark brown stone heart scarab. Head, clypeus, prothorax, divided elytra, feathered legs. Base incised with 7 lines of text. Side chipped. | 81Heart Scarab
| heart scarab | stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5573 | eg5573-u10218-bb.jpg | data/raw/images/egyptian/eg | dark brown stone heart scarab. Head, clypeus, prothorax, divided elytra, feathered legs. Base incised with 7 lines of text. Side chipped. | 81Heart Scarab
| heart scarab | stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5573 | eg5573-u10218-bb.jpg | data/raw/images/egyptian/eg | dark brown stone heart scarab. Head, clypeus, prothorax, divided elytra, feathered legs. Base incised with 7 lines of text. Side chipped. | 81Heart Scarab
| heart scarab | stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5573 | eg5573-u10218-bb.jpg | data/raw/images/egyptian/eg | dark brown stone heart scarab. Head, clypeus, prothorax, divided elytra, feathered legs. Base incised with 7 lines of text. Side chipped. | 81Heart Scarab
| heart scarab | stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5573 | eg5573-u10218-bb.jpg | data/raw/images/egyptian/eg | dark brown stone heart scarab. Head, clypeus, prothorax, divided elytra, feathered legs. Base incised with 7 lines of text. Side chipped. | 81Heart Scarab
| heart scarab | stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2002.10 | durom.2002.10-uu.jpg | data/raw/images/oriental/2002 | Open petal form bowl in the Mughal style with floral ring handles and floral motifs front and back | 225bowls
| null | jade | Qing | China | data/processed/OM_images_white/oriental/2002 |
|
durom.2002.10 | durom.2002.10-uu.jpg | data/raw/images/oriental/2002 | Open petal form bowl in the Mughal style with floral ring handles and floral motifs front and back | 225bowls
| null | jade | Qing | China | data/processed/OM_images_white/oriental/2002 |
|
durom.2002.10 | durom.2002.10-uu.jpg | data/raw/images/oriental/2002 | Open petal form bowl in the Mughal style with floral ring handles and floral motifs front and back | 225bowls
| null | jade | Qing | China | data/processed/OM_images_white/oriental/2002 |
|
durom.2002.10 | durom.2002.10-uu.jpg | data/raw/images/oriental/2002 | Open petal form bowl in the Mughal style with floral ring handles and floral motifs front and back | 225bowls
| null | jade | Qing | China | data/processed/OM_images_white/oriental/2002 |
|
durom.2002.10 | durom.2002.10-uu.jpg | data/raw/images/oriental/2002 | Open petal form bowl in the Mughal style with floral ring handles and floral motifs front and back | 225bowls
| null | jade | Qing | China | data/processed/OM_images_white/oriental/2002 |
|
durom.2006.53.102.1 | 2006.53.102.1.jpg | data/raw/images/oriental/2006 | A wooden plate from a model Japanese doll's house. | 119Part
| null | wood | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.53.102.1 | 2006.53.102.1.jpg | data/raw/images/oriental/2006 | A wooden plate from a model Japanese doll's house. | 119Part
| null | wood | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.53.102.1 | 2006.53.102.1.jpg | data/raw/images/oriental/2006 | A wooden plate from a model Japanese doll's house. | 119Part
| null | wood | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.53.102.1 | 2006.53.102.1.jpg | data/raw/images/oriental/2006 | A wooden plate from a model Japanese doll's house. | 119Part
| null | wood | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.53.102.1 | 2006.53.102.1.jpg | data/raw/images/oriental/2006 | A wooden plate from a model Japanese doll's house. | 119Part
| null | wood | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.1960.4169 | 1960.4169-ff.jpg | data/raw/images/oriental/1960 | carving of a pony | 310figures
| null | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4169 | 1960.4169-ff.jpg | data/raw/images/oriental/1960 | carving of a pony | 310figures
| null | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4169 | 1960.4169-ff.jpg | data/raw/images/oriental/1960 | carving of a pony | 310figures
| null | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4169 | 1960.4169-ff.jpg | data/raw/images/oriental/1960 | carving of a pony | 310figures
| null | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4169 | 1960.4169-ff.jpg | data/raw/images/oriental/1960 | carving of a pony | 310figures
| null | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1969.616 | 1969.616-d3.jpg | data/raw/images/oriental/1969 | Porcelain cup with lobed body and lip, decorated with overglaze green, blue, red, yellow and arburgine enamels in Five-colours style of the Flowers of Four Seasons motif, partly gilt. Inside, under the rim, three sprays of camellia; centre of well, a butterfly. Exterior, various flowers including lotus, chrysanthemum, plum blossom and peony, forming the Flowers of Four Seasons motif. Under the base, an abstract potter's mark in underglaze blue enamel. | 280cups
| 五彩加金彩四季花卉图花瓣式杯 | porcelain | Qing | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.616 | 1969.616-d3.jpg | data/raw/images/oriental/1969 | Porcelain cup with lobed body and lip, decorated with overglaze green, blue, red, yellow and arburgine enamels in Five-colours style of the Flowers of Four Seasons motif, partly gilt. Inside, under the rim, three sprays of camellia; centre of well, a butterfly. Exterior, various flowers including lotus, chrysanthemum, plum blossom and peony, forming the Flowers of Four Seasons motif. Under the base, an abstract potter's mark in underglaze blue enamel. | 280cups
| 五彩加金彩四季花卉图花瓣式杯 | porcelain | Qing | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.616 | 1969.616-d3.jpg | data/raw/images/oriental/1969 | Porcelain cup with lobed body and lip, decorated with overglaze green, blue, red, yellow and arburgine enamels in Five-colours style of the Flowers of Four Seasons motif, partly gilt. Inside, under the rim, three sprays of camellia; centre of well, a butterfly. Exterior, various flowers including lotus, chrysanthemum, plum blossom and peony, forming the Flowers of Four Seasons motif. Under the base, an abstract potter's mark in underglaze blue enamel. | 280cups
| 五彩加金彩四季花卉图花瓣式杯 | porcelain | Qing | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.616 | 1969.616-d3.jpg | data/raw/images/oriental/1969 | Porcelain cup with lobed body and lip, decorated with overglaze green, blue, red, yellow and arburgine enamels in Five-colours style of the Flowers of Four Seasons motif, partly gilt. Inside, under the rim, three sprays of camellia; centre of well, a butterfly. Exterior, various flowers including lotus, chrysanthemum, plum blossom and peony, forming the Flowers of Four Seasons motif. Under the base, an abstract potter's mark in underglaze blue enamel. | 280cups
| 五彩加金彩四季花卉图花瓣式杯 | porcelain | Qing | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.616 | 1969.616-d3.jpg | data/raw/images/oriental/1969 | Porcelain cup with lobed body and lip, decorated with overglaze green, blue, red, yellow and arburgine enamels in Five-colours style of the Flowers of Four Seasons motif, partly gilt. Inside, under the rim, three sprays of camellia; centre of well, a butterfly. Exterior, various flowers including lotus, chrysanthemum, plum blossom and peony, forming the Flowers of Four Seasons motif. Under the base, an abstract potter's mark in underglaze blue enamel. | 280cups
| 五彩加金彩四季花卉图花瓣式杯 | porcelain | Qing | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1964.5.5 | durom.1964.5.5-ff.jpg | data/raw/images/oriental/1964 | Amuletic plaque, one of 18 small unfired clay stamped designs representing Tibetan deities. Depicts 3 deities, which are Amitayus at the top, the White Tara at the bottom left and Usnisavijaya in the bottom right. All sat in the lotus position. This particular triad of deities is known as the 'Three deities of long life'. | 188amulets
| Tsha tsha | clay | Qing | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.5.5 | durom.1964.5.5-ff.jpg | data/raw/images/oriental/1964 | Amuletic plaque, one of 18 small unfired clay stamped designs representing Tibetan deities. Depicts 3 deities, which are Amitayus at the top, the White Tara at the bottom left and Usnisavijaya in the bottom right. All sat in the lotus position. This particular triad of deities is known as the 'Three deities of long life'. | 188amulets
| Tsha tsha | clay | Qing | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.5.5 | durom.1964.5.5-ff.jpg | data/raw/images/oriental/1964 | Amuletic plaque, one of 18 small unfired clay stamped designs representing Tibetan deities. Depicts 3 deities, which are Amitayus at the top, the White Tara at the bottom left and Usnisavijaya in the bottom right. All sat in the lotus position. This particular triad of deities is known as the 'Three deities of long life'. | 188amulets
| Tsha tsha | clay | Qing | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.5.5 | durom.1964.5.5-ff.jpg | data/raw/images/oriental/1964 | Amuletic plaque, one of 18 small unfired clay stamped designs representing Tibetan deities. Depicts 3 deities, which are Amitayus at the top, the White Tara at the bottom left and Usnisavijaya in the bottom right. All sat in the lotus position. This particular triad of deities is known as the 'Three deities of long life'. | 188amulets
| Tsha tsha | clay | Qing | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.5.5 | durom.1964.5.5-ff.jpg | data/raw/images/oriental/1964 | Amuletic plaque, one of 18 small unfired clay stamped designs representing Tibetan deities. Depicts 3 deities, which are Amitayus at the top, the White Tara at the bottom left and Usnisavijaya in the bottom right. All sat in the lotus position. This particular triad of deities is known as the 'Three deities of long life'. | 188amulets
| Tsha tsha | clay | Qing | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1964 |
|
durom.1979.12.14 | durom.1979.12.14.4-ff.jpg | data/raw/images/oriental/1979 | Three page letter from Mary Gell, whose address at the time was 13 Kan Mien Hutung, East City, Peking, North China to her aunt Ann. Letter date March 28th 1925. She writes about being surprised that all the letters are getting through, and about the Bishop planning to go home and then come back. She had been trying to deal with all her unanswered letters. Also she writes about someone possibly coming to stay. She mentions Kathleen going to a P.U.M.C auditorium which was a service for students, although she wrote that they all spoke different languages as they came from all over China. Dr Mary Gell writes about being inspired by a Dr Harry Ward, the principal of a theologian college in America. Through P.U.M.C they also had a discussion on some of the problems with Mission Hospitals. Mary Gell also attended the annual meeting of the whole mission, to which everyone turned up. | 93Letter
| null | paper | null | Beijing | data/processed/OM_images_white/oriental/1979 |
|
durom.1979.12.14 | durom.1979.12.14.4-ff.jpg | data/raw/images/oriental/1979 | Three page letter from Mary Gell, whose address at the time was 13 Kan Mien Hutung, East City, Peking, North China to her aunt Ann. Letter date March 28th 1925. She writes about being surprised that all the letters are getting through, and about the Bishop planning to go home and then come back. She had been trying to deal with all her unanswered letters. Also she writes about someone possibly coming to stay. She mentions Kathleen going to a P.U.M.C auditorium which was a service for students, although she wrote that they all spoke different languages as they came from all over China. Dr Mary Gell writes about being inspired by a Dr Harry Ward, the principal of a theologian college in America. Through P.U.M.C they also had a discussion on some of the problems with Mission Hospitals. Mary Gell also attended the annual meeting of the whole mission, to which everyone turned up. | 93Letter
| null | paper | null | Beijing | data/processed/OM_images_white/oriental/1979 |
|
durom.1979.12.14 | durom.1979.12.14.4-ff.jpg | data/raw/images/oriental/1979 | Three page letter from Mary Gell, whose address at the time was 13 Kan Mien Hutung, East City, Peking, North China to her aunt Ann. Letter date March 28th 1925. She writes about being surprised that all the letters are getting through, and about the Bishop planning to go home and then come back. She had been trying to deal with all her unanswered letters. Also she writes about someone possibly coming to stay. She mentions Kathleen going to a P.U.M.C auditorium which was a service for students, although she wrote that they all spoke different languages as they came from all over China. Dr Mary Gell writes about being inspired by a Dr Harry Ward, the principal of a theologian college in America. Through P.U.M.C they also had a discussion on some of the problems with Mission Hospitals. Mary Gell also attended the annual meeting of the whole mission, to which everyone turned up. | 93Letter
| null | paper | null | Beijing | data/processed/OM_images_white/oriental/1979 |
|
durom.1979.12.14 | durom.1979.12.14.4-ff.jpg | data/raw/images/oriental/1979 | Three page letter from Mary Gell, whose address at the time was 13 Kan Mien Hutung, East City, Peking, North China to her aunt Ann. Letter date March 28th 1925. She writes about being surprised that all the letters are getting through, and about the Bishop planning to go home and then come back. She had been trying to deal with all her unanswered letters. Also she writes about someone possibly coming to stay. She mentions Kathleen going to a P.U.M.C auditorium which was a service for students, although she wrote that they all spoke different languages as they came from all over China. Dr Mary Gell writes about being inspired by a Dr Harry Ward, the principal of a theologian college in America. Through P.U.M.C they also had a discussion on some of the problems with Mission Hospitals. Mary Gell also attended the annual meeting of the whole mission, to which everyone turned up. | 93Letter
| null | paper | null | Beijing | data/processed/OM_images_white/oriental/1979 |
|
durom.1979.12.14 | durom.1979.12.14.4-ff.jpg | data/raw/images/oriental/1979 | Three page letter from Mary Gell, whose address at the time was 13 Kan Mien Hutung, East City, Peking, North China to her aunt Ann. Letter date March 28th 1925. She writes about being surprised that all the letters are getting through, and about the Bishop planning to go home and then come back. She had been trying to deal with all her unanswered letters. Also she writes about someone possibly coming to stay. She mentions Kathleen going to a P.U.M.C auditorium which was a service for students, although she wrote that they all spoke different languages as they came from all over China. Dr Mary Gell writes about being inspired by a Dr Harry Ward, the principal of a theologian college in America. Through P.U.M.C they also had a discussion on some of the problems with Mission Hospitals. Mary Gell also attended the annual meeting of the whole mission, to which everyone turned up. | 93Letter
| null | paper | null | Beijing | data/processed/OM_images_white/oriental/1979 |
|
durom.1978.144.8 | 1978.144.8.1.jpg | data/raw/images/oriental/1978 | A small cream card with the name Dr. Mary P. Gell printed on it in the centre. It resembles a buisness card. It has Cheeloo University Hospital, Tsinan printed in the bottom left corner and this is where Dr. Gell worked. On the back of the card there are a series of Chinese(?) characters. | 246cards
| null | paper | null | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.144.8 | 1978.144.8.1.jpg | data/raw/images/oriental/1978 | A small cream card with the name Dr. Mary P. Gell printed on it in the centre. It resembles a buisness card. It has Cheeloo University Hospital, Tsinan printed in the bottom left corner and this is where Dr. Gell worked. On the back of the card there are a series of Chinese(?) characters. | 246cards
| null | paper | null | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.144.8 | 1978.144.8.1.jpg | data/raw/images/oriental/1978 | A small cream card with the name Dr. Mary P. Gell printed on it in the centre. It resembles a buisness card. It has Cheeloo University Hospital, Tsinan printed in the bottom left corner and this is where Dr. Gell worked. On the back of the card there are a series of Chinese(?) characters. | 246cards
| null | paper | null | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.144.8 | 1978.144.8.1.jpg | data/raw/images/oriental/1978 | A small cream card with the name Dr. Mary P. Gell printed on it in the centre. It resembles a buisness card. It has Cheeloo University Hospital, Tsinan printed in the bottom left corner and this is where Dr. Gell worked. On the back of the card there are a series of Chinese(?) characters. | 246cards
| null | paper | null | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.144.8 | 1978.144.8.1.jpg | data/raw/images/oriental/1978 | A small cream card with the name Dr. Mary P. Gell printed on it in the centre. It resembles a buisness card. It has Cheeloo University Hospital, Tsinan printed in the bottom left corner and this is where Dr. Gell worked. On the back of the card there are a series of Chinese(?) characters. | 246cards
| null | paper | null | China | data/processed/OM_images_white/oriental/1978 |
|
durom.2014.1.4 | 2014.1.4 d3.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Brown flint reworked around the edges. Worked on both faces. Distinct 'knife' shape, with base for hafting into blade handle. Apex of blade may have chipped away. | 370knives
| null | Flint/Chert | Neolithic Period | Egypt | data/processed/OM_images_white/fulling_mill/2014 |
|
durom.2014.1.4 | 2014.1.4 d3.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Brown flint reworked around the edges. Worked on both faces. Distinct 'knife' shape, with base for hafting into blade handle. Apex of blade may have chipped away. | 370knives
| null | Flint/Chert | Neolithic Period | Egypt | data/processed/OM_images_white/fulling_mill/2014 |
|
durom.2014.1.4 | 2014.1.4 d3.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Brown flint reworked around the edges. Worked on both faces. Distinct 'knife' shape, with base for hafting into blade handle. Apex of blade may have chipped away. | 370knives
| null | Flint/Chert | Neolithic Period | Egypt | data/processed/OM_images_white/fulling_mill/2014 |
|
durom.2014.1.4 | 2014.1.4 d3.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Brown flint reworked around the edges. Worked on both faces. Distinct 'knife' shape, with base for hafting into blade handle. Apex of blade may have chipped away. | 370knives
| null | Flint/Chert | Neolithic Period | Egypt | data/processed/OM_images_white/fulling_mill/2014 |
|
durom.2014.1.4 | 2014.1.4 d3.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Brown flint reworked around the edges. Worked on both faces. Distinct 'knife' shape, with base for hafting into blade handle. Apex of blade may have chipped away. | 370knives
| null | Flint/Chert | Neolithic Period | Egypt | data/processed/OM_images_white/fulling_mill/2014 |
|
durom.2001.29.9 | 2001.29.9 rr.jpg | data/raw/images/oriental/2001 | red carved ivory chess piece. Part of Cantonese ivory chess set with the pieces mounted on ball-with-ball stems. | 257chessmen
| null | ivory | Qing | Guangzhou | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.29.9 | 2001.29.9 rr.jpg | data/raw/images/oriental/2001 | red carved ivory chess piece. Part of Cantonese ivory chess set with the pieces mounted on ball-with-ball stems. | 257chessmen
| null | ivory | Qing | Guangzhou | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.29.9 | 2001.29.9 rr.jpg | data/raw/images/oriental/2001 | red carved ivory chess piece. Part of Cantonese ivory chess set with the pieces mounted on ball-with-ball stems. | 257chessmen
| null | ivory | Qing | Guangzhou | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.29.9 | 2001.29.9 rr.jpg | data/raw/images/oriental/2001 | red carved ivory chess piece. Part of Cantonese ivory chess set with the pieces mounted on ball-with-ball stems. | 257chessmen
| null | ivory | Qing | Guangzhou | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.29.9 | 2001.29.9 rr.jpg | data/raw/images/oriental/2001 | red carved ivory chess piece. Part of Cantonese ivory chess set with the pieces mounted on ball-with-ball stems. | 257chessmen
| null | ivory | Qing | Guangzhou | data/processed/OM_images_white/oriental/2001 |
|
durom.1992.92 | 1992.92-bb.jpg | data/raw/images/oriental/1992 | Hollow, moulded tomb figure of lady. Head detached. Red pottery with green glazed skirt and traces of white pigment on upper body. | 310figures
| 仕女俑 | earthenware | Tang | China | data/processed/OM_images_white/oriental/1992 |
|
durom.1992.92 | 1992.92-bb.jpg | data/raw/images/oriental/1992 | Hollow, moulded tomb figure of lady. Head detached. Red pottery with green glazed skirt and traces of white pigment on upper body. | 310figures
| 仕女俑 | earthenware | Tang | China | data/processed/OM_images_white/oriental/1992 |
|
durom.1992.92 | 1992.92-bb.jpg | data/raw/images/oriental/1992 | Hollow, moulded tomb figure of lady. Head detached. Red pottery with green glazed skirt and traces of white pigment on upper body. | 310figures
| 仕女俑 | earthenware | Tang | China | data/processed/OM_images_white/oriental/1992 |
|
durom.1992.92 | 1992.92-bb.jpg | data/raw/images/oriental/1992 | Hollow, moulded tomb figure of lady. Head detached. Red pottery with green glazed skirt and traces of white pigment on upper body. | 310figures
| 仕女俑 | earthenware | Tang | China | data/processed/OM_images_white/oriental/1992 |
|
durom.1992.92 | 1992.92-bb.jpg | data/raw/images/oriental/1992 | Hollow, moulded tomb figure of lady. Head detached. Red pottery with green glazed skirt and traces of white pigment on upper body. | 310figures
| 仕女俑 | earthenware | Tang | China | data/processed/OM_images_white/oriental/1992 |
|
durom.1975.57 | 1975.57-bb.jpg | data/raw/images/oriental/1975 | Metal container. Cloisonné enamel ovoid jar with design of dragons, with lid. Container sits on three feet. | 362jars
| null | enamel | null | Japan (country) | data/processed/OM_images_white/oriental/1975 |
|
durom.1975.57 | 1975.57-bb.jpg | data/raw/images/oriental/1975 | Metal container. Cloisonné enamel ovoid jar with design of dragons, with lid. Container sits on three feet. | 362jars
| null | enamel | null | Japan (country) | data/processed/OM_images_white/oriental/1975 |
|
durom.1975.57 | 1975.57-bb.jpg | data/raw/images/oriental/1975 | Metal container. Cloisonné enamel ovoid jar with design of dragons, with lid. Container sits on three feet. | 362jars
| null | enamel | null | Japan (country) | data/processed/OM_images_white/oriental/1975 |
|
durom.1975.57 | 1975.57-bb.jpg | data/raw/images/oriental/1975 | Metal container. Cloisonné enamel ovoid jar with design of dragons, with lid. Container sits on three feet. | 362jars
| null | enamel | null | Japan (country) | data/processed/OM_images_white/oriental/1975 |
|
durom.1975.57 | 1975.57-bb.jpg | data/raw/images/oriental/1975 | Metal container. Cloisonné enamel ovoid jar with design of dragons, with lid. Container sits on three feet. | 362jars
| null | enamel | null | Japan (country) | data/processed/OM_images_white/oriental/1975 |
|
durom.1973.52 | 1973.52-pc-rr.jpg | data/raw/images/oriental/1973 | Japanese gold lacquered Buddha, with stand. Separate lotus flower section. | 310figures
| null | wood | Momoyama Period | Japan (country) | data/processed/OM_images_white/oriental/1973 |
|
durom.1973.52 | 1973.52-pc-rr.jpg | data/raw/images/oriental/1973 | Japanese gold lacquered Buddha, with stand. Separate lotus flower section. | 310figures
| null | wood | Momoyama Period | Japan (country) | data/processed/OM_images_white/oriental/1973 |
|
durom.1973.52 | 1973.52-pc-rr.jpg | data/raw/images/oriental/1973 | Japanese gold lacquered Buddha, with stand. Separate lotus flower section. | 310figures
| null | wood | Momoyama Period | Japan (country) | data/processed/OM_images_white/oriental/1973 |
|
durom.1973.52 | 1973.52-pc-rr.jpg | data/raw/images/oriental/1973 | Japanese gold lacquered Buddha, with stand. Separate lotus flower section. | 310figures
| null | wood | Momoyama Period | Japan (country) | data/processed/OM_images_white/oriental/1973 |
|
durom.1973.52 | 1973.52-pc-rr.jpg | data/raw/images/oriental/1973 | Japanese gold lacquered Buddha, with stand. Separate lotus flower section. | 310figures
| null | wood | Momoyama Period | Japan (country) | data/processed/OM_images_white/oriental/1973 |
|
durma.2020.3.20 | durma.2020.3.20.ff.jpg | data/raw/images/fulling_mill/2020 | A cast copper-alloy phallic harness pendant dating to the Roman period, part of the Piercebridge River Assemblage. The pendant comprises a circular, D-sectioned suspension loop turned through 90 degrees to the pendant body. The pendant body is triangular in plan with lozengiform, moulded decoration on its upper surface, presumably intended to represent stylised pubic hair. At the apex of the triangle, there extends a further cast D-sectioned plate which is plain and represents the testes, with a circular-section extension representing the flaccid phallus. The underside of the plate is plain and hollow. The pendant measures 45mm in length, 35mm in width and 5mm in thickness. The attachment loop measures 4mm in width and 15mm in diameter._x000D__x000D_
_x000D__x000D_
Pendants depicting flaccid phalli are rare in Roman Britain, with only five other examples known. Three are recorded by the PAS as KENT-E3D152, GLO-221C74 and DENO-C0709A, whilst a fourth was found during excavation at Healam Bridge, North Yorkshire (Bishop 2017, 154, Fig. 224 and 155, no. 22). A similar phallic pendant was found in Corbridge and is held in the Corstopitum Museum collection (Acc. no. 75.515) See Green, M. (1978) A corpus of Small Cult-Objects from the Military Areas of Roman Britain, BAR British Series 52, p. 58, no. 31 and Plate 142. A pendant in a similar style but with an erect rather than flaccid penis was found in the western part of the vicus in Aquincum (Fig. 6, 80; Fig. 9, 82 and Table 2, p. 84) and is dated to the first to third century AD (Lorant, V. 2016 Is that not charming? Fascinum in Aquincum. Protection against evil eye. Phallic amulets in a Roman city. In. Budapest Regisegei XLIX, 63-87) | 414pendants
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.20 | durma.2020.3.20.ff.jpg | data/raw/images/fulling_mill/2020 | A cast copper-alloy phallic harness pendant dating to the Roman period, part of the Piercebridge River Assemblage. The pendant comprises a circular, D-sectioned suspension loop turned through 90 degrees to the pendant body. The pendant body is triangular in plan with lozengiform, moulded decoration on its upper surface, presumably intended to represent stylised pubic hair. At the apex of the triangle, there extends a further cast D-sectioned plate which is plain and represents the testes, with a circular-section extension representing the flaccid phallus. The underside of the plate is plain and hollow. The pendant measures 45mm in length, 35mm in width and 5mm in thickness. The attachment loop measures 4mm in width and 15mm in diameter._x000D__x000D_
_x000D__x000D_
Pendants depicting flaccid phalli are rare in Roman Britain, with only five other examples known. Three are recorded by the PAS as KENT-E3D152, GLO-221C74 and DENO-C0709A, whilst a fourth was found during excavation at Healam Bridge, North Yorkshire (Bishop 2017, 154, Fig. 224 and 155, no. 22). A similar phallic pendant was found in Corbridge and is held in the Corstopitum Museum collection (Acc. no. 75.515) See Green, M. (1978) A corpus of Small Cult-Objects from the Military Areas of Roman Britain, BAR British Series 52, p. 58, no. 31 and Plate 142. A pendant in a similar style but with an erect rather than flaccid penis was found in the western part of the vicus in Aquincum (Fig. 6, 80; Fig. 9, 82 and Table 2, p. 84) and is dated to the first to third century AD (Lorant, V. 2016 Is that not charming? Fascinum in Aquincum. Protection against evil eye. Phallic amulets in a Roman city. In. Budapest Regisegei XLIX, 63-87) | 414pendants
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.20 | durma.2020.3.20.ff.jpg | data/raw/images/fulling_mill/2020 | A cast copper-alloy phallic harness pendant dating to the Roman period, part of the Piercebridge River Assemblage. The pendant comprises a circular, D-sectioned suspension loop turned through 90 degrees to the pendant body. The pendant body is triangular in plan with lozengiform, moulded decoration on its upper surface, presumably intended to represent stylised pubic hair. At the apex of the triangle, there extends a further cast D-sectioned plate which is plain and represents the testes, with a circular-section extension representing the flaccid phallus. The underside of the plate is plain and hollow. The pendant measures 45mm in length, 35mm in width and 5mm in thickness. The attachment loop measures 4mm in width and 15mm in diameter._x000D__x000D_
_x000D__x000D_
Pendants depicting flaccid phalli are rare in Roman Britain, with only five other examples known. Three are recorded by the PAS as KENT-E3D152, GLO-221C74 and DENO-C0709A, whilst a fourth was found during excavation at Healam Bridge, North Yorkshire (Bishop 2017, 154, Fig. 224 and 155, no. 22). A similar phallic pendant was found in Corbridge and is held in the Corstopitum Museum collection (Acc. no. 75.515) See Green, M. (1978) A corpus of Small Cult-Objects from the Military Areas of Roman Britain, BAR British Series 52, p. 58, no. 31 and Plate 142. A pendant in a similar style but with an erect rather than flaccid penis was found in the western part of the vicus in Aquincum (Fig. 6, 80; Fig. 9, 82 and Table 2, p. 84) and is dated to the first to third century AD (Lorant, V. 2016 Is that not charming? Fascinum in Aquincum. Protection against evil eye. Phallic amulets in a Roman city. In. Budapest Regisegei XLIX, 63-87) | 414pendants
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.20 | durma.2020.3.20.ff.jpg | data/raw/images/fulling_mill/2020 | A cast copper-alloy phallic harness pendant dating to the Roman period, part of the Piercebridge River Assemblage. The pendant comprises a circular, D-sectioned suspension loop turned through 90 degrees to the pendant body. The pendant body is triangular in plan with lozengiform, moulded decoration on its upper surface, presumably intended to represent stylised pubic hair. At the apex of the triangle, there extends a further cast D-sectioned plate which is plain and represents the testes, with a circular-section extension representing the flaccid phallus. The underside of the plate is plain and hollow. The pendant measures 45mm in length, 35mm in width and 5mm in thickness. The attachment loop measures 4mm in width and 15mm in diameter._x000D__x000D_
_x000D__x000D_
Pendants depicting flaccid phalli are rare in Roman Britain, with only five other examples known. Three are recorded by the PAS as KENT-E3D152, GLO-221C74 and DENO-C0709A, whilst a fourth was found during excavation at Healam Bridge, North Yorkshire (Bishop 2017, 154, Fig. 224 and 155, no. 22). A similar phallic pendant was found in Corbridge and is held in the Corstopitum Museum collection (Acc. no. 75.515) See Green, M. (1978) A corpus of Small Cult-Objects from the Military Areas of Roman Britain, BAR British Series 52, p. 58, no. 31 and Plate 142. A pendant in a similar style but with an erect rather than flaccid penis was found in the western part of the vicus in Aquincum (Fig. 6, 80; Fig. 9, 82 and Table 2, p. 84) and is dated to the first to third century AD (Lorant, V. 2016 Is that not charming? Fascinum in Aquincum. Protection against evil eye. Phallic amulets in a Roman city. In. Budapest Regisegei XLIX, 63-87) | 414pendants
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.20 | durma.2020.3.20.ff.jpg | data/raw/images/fulling_mill/2020 | A cast copper-alloy phallic harness pendant dating to the Roman period, part of the Piercebridge River Assemblage. The pendant comprises a circular, D-sectioned suspension loop turned through 90 degrees to the pendant body. The pendant body is triangular in plan with lozengiform, moulded decoration on its upper surface, presumably intended to represent stylised pubic hair. At the apex of the triangle, there extends a further cast D-sectioned plate which is plain and represents the testes, with a circular-section extension representing the flaccid phallus. The underside of the plate is plain and hollow. The pendant measures 45mm in length, 35mm in width and 5mm in thickness. The attachment loop measures 4mm in width and 15mm in diameter._x000D__x000D_
_x000D__x000D_
Pendants depicting flaccid phalli are rare in Roman Britain, with only five other examples known. Three are recorded by the PAS as KENT-E3D152, GLO-221C74 and DENO-C0709A, whilst a fourth was found during excavation at Healam Bridge, North Yorkshire (Bishop 2017, 154, Fig. 224 and 155, no. 22). A similar phallic pendant was found in Corbridge and is held in the Corstopitum Museum collection (Acc. no. 75.515) See Green, M. (1978) A corpus of Small Cult-Objects from the Military Areas of Roman Britain, BAR British Series 52, p. 58, no. 31 and Plate 142. A pendant in a similar style but with an erect rather than flaccid penis was found in the western part of the vicus in Aquincum (Fig. 6, 80; Fig. 9, 82 and Table 2, p. 84) and is dated to the first to third century AD (Lorant, V. 2016 Is that not charming? Fascinum in Aquincum. Protection against evil eye. Phallic amulets in a Roman city. In. Budapest Regisegei XLIX, 63-87) | 414pendants
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.1981.50 | 1981.50.jpg | data/raw/images/oriental/1981 | Lantern slide of Prince Hotta's Garden, Tokyo. | 153Slide
| null | glass | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1981 |
|
durom.1981.50 | 1981.50.jpg | data/raw/images/oriental/1981 | Lantern slide of Prince Hotta's Garden, Tokyo. | 153Slide
| null | glass | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1981 |
|
durom.1981.50 | 1981.50.jpg | data/raw/images/oriental/1981 | Lantern slide of Prince Hotta's Garden, Tokyo. | 153Slide
| null | glass | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1981 |
|
durom.1981.50 | 1981.50.jpg | data/raw/images/oriental/1981 | Lantern slide of Prince Hotta's Garden, Tokyo. | 153Slide
| null | glass | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1981 |
|
durom.1981.50 | 1981.50.jpg | data/raw/images/oriental/1981 | Lantern slide of Prince Hotta's Garden, Tokyo. | 153Slide
| null | glass | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1981 |
|
durom.2000.27.27 | 2000.27.27.jpg | data/raw/images/oriental/2000 | hanging instrument, decorative, of lotus flower shape | 405ornaments
| null | null | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2000 |
|
durom.2000.27.27 | 2000.27.27.jpg | data/raw/images/oriental/2000 | hanging instrument, decorative, of lotus flower shape | 405ornaments
| null | null | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2000 |
|
durom.2000.27.27 | 2000.27.27.jpg | data/raw/images/oriental/2000 | hanging instrument, decorative, of lotus flower shape | 405ornaments
| null | null | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2000 |
|
durom.2000.27.27 | 2000.27.27.jpg | data/raw/images/oriental/2000 | hanging instrument, decorative, of lotus flower shape | 405ornaments
| null | null | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2000 |
|
durom.2000.27.27 | 2000.27.27.jpg | data/raw/images/oriental/2000 | hanging instrument, decorative, of lotus flower shape | 405ornaments
| null | null | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2000 |