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durom.1978.87 | 1978.87-q1.jpg | data/raw/images/oriental/1978 | Buff earthenware figure of a foreigner, wearing a long robe that falls to his feet and a hat; the fists placed in front of the chest, looking like holding something in the fists; used as a tomb model; unglazed, and has traces of red pigment around the wrist. The facial features of the figure are vague. | 389models
| 素胎胡人俑 | pottery | early Tang dynasty | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.87 | 1978.87-q1.jpg | data/raw/images/oriental/1978 | Buff earthenware figure of a foreigner, wearing a long robe that falls to his feet and a hat; the fists placed in front of the chest, looking like holding something in the fists; used as a tomb model; unglazed, and has traces of red pigment around the wrist. The facial features of the figure are vague. | 389models
| 素胎胡人俑 | pottery | early Tang dynasty | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.87 | 1978.87-q1.jpg | data/raw/images/oriental/1978 | Buff earthenware figure of a foreigner, wearing a long robe that falls to his feet and a hat; the fists placed in front of the chest, looking like holding something in the fists; used as a tomb model; unglazed, and has traces of red pigment around the wrist. The facial features of the figure are vague. | 389models
| 素胎胡人俑 | pottery | early Tang dynasty | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.87 | 1978.87-q1.jpg | data/raw/images/oriental/1978 | Buff earthenware figure of a foreigner, wearing a long robe that falls to his feet and a hat; the fists placed in front of the chest, looking like holding something in the fists; used as a tomb model; unglazed, and has traces of red pigment around the wrist. The facial features of the figure are vague. | 389models
| 素胎胡人俑 | pottery | early Tang dynasty | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.87 | 1978.87-q1.jpg | data/raw/images/oriental/1978 | Buff earthenware figure of a foreigner, wearing a long robe that falls to his feet and a hat; the fists placed in front of the chest, looking like holding something in the fists; used as a tomb model; unglazed, and has traces of red pigment around the wrist. The facial features of the figure are vague. | 389models
| 素胎胡人俑 | pottery | early Tang dynasty | China | data/processed/OM_images_white/oriental/1978 |
|
durma.2020.3.889 | durma.2020.3.889-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy Roman figurine dating to the first to third centuries AD. The figurine is that of a naked Cupid in a flying pose. His features are well-rendered with eyes, nose, mouth and fingers clearly visible. Cupid's hair is shoulder length with curls framing his face. Ribbed and grooved decoration indicates the direction of individual strands of hair. A distinctive topknot of hair, comprising four small, spherical mouldings arranged in a square, decorates his forehead. His right arm is held upwards above his head. The hand of the right arm holds a jug. The left arm is close to the body and bent at the elbow. He holds an unidentified disc-shaped object in his hand, possibly a plate or patera. The figurine has small wings. Decoration is visible on the right wing, comprising three incised diagonal lines, representing feathers. The left leg is forward of the right leg suggesting movement. The left foot is missing as is a portion of the right calf and the whole foot on the right leg, the latter of which is hollow. The figurine measures 55mm in length and from arm to arm measures approximately 24mm in width. The body has a maximum thickness of 13mm (including wings). The figurine weighs 29.2 grams.The Cupid is similar to examples from Kirby Thore (Green 1978, 62), Corbridge (Green 1978, 58) and Moresby (Green 1978, 65) as well as another example from the same deposit at Piercebridge (NCL-2C40A4). It suggests that this type of Cupid figurine was particularly popular on the northern frontier. Emma Durham notes in her survey of figurines from Roman Britain (Durham 2012, 4.4.1) that these examples form a group which 'differ somewhat from the slightly chubby, shorter and more common version of Cupid seen elsewhere and suggest the presence of a workshop located somewhere in the north. This might account for the higher numbers on military sites, although whether they were being produced to satisfy a demand or appear more often due to increased availability one cannot tell.' | 311figurines
| null | null | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.889 | durma.2020.3.889-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy Roman figurine dating to the first to third centuries AD. The figurine is that of a naked Cupid in a flying pose. His features are well-rendered with eyes, nose, mouth and fingers clearly visible. Cupid's hair is shoulder length with curls framing his face. Ribbed and grooved decoration indicates the direction of individual strands of hair. A distinctive topknot of hair, comprising four small, spherical mouldings arranged in a square, decorates his forehead. His right arm is held upwards above his head. The hand of the right arm holds a jug. The left arm is close to the body and bent at the elbow. He holds an unidentified disc-shaped object in his hand, possibly a plate or patera. The figurine has small wings. Decoration is visible on the right wing, comprising three incised diagonal lines, representing feathers. The left leg is forward of the right leg suggesting movement. The left foot is missing as is a portion of the right calf and the whole foot on the right leg, the latter of which is hollow. The figurine measures 55mm in length and from arm to arm measures approximately 24mm in width. The body has a maximum thickness of 13mm (including wings). The figurine weighs 29.2 grams.The Cupid is similar to examples from Kirby Thore (Green 1978, 62), Corbridge (Green 1978, 58) and Moresby (Green 1978, 65) as well as another example from the same deposit at Piercebridge (NCL-2C40A4). It suggests that this type of Cupid figurine was particularly popular on the northern frontier. Emma Durham notes in her survey of figurines from Roman Britain (Durham 2012, 4.4.1) that these examples form a group which 'differ somewhat from the slightly chubby, shorter and more common version of Cupid seen elsewhere and suggest the presence of a workshop located somewhere in the north. This might account for the higher numbers on military sites, although whether they were being produced to satisfy a demand or appear more often due to increased availability one cannot tell.' | 311figurines
| null | null | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.889 | durma.2020.3.889-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy Roman figurine dating to the first to third centuries AD. The figurine is that of a naked Cupid in a flying pose. His features are well-rendered with eyes, nose, mouth and fingers clearly visible. Cupid's hair is shoulder length with curls framing his face. Ribbed and grooved decoration indicates the direction of individual strands of hair. A distinctive topknot of hair, comprising four small, spherical mouldings arranged in a square, decorates his forehead. His right arm is held upwards above his head. The hand of the right arm holds a jug. The left arm is close to the body and bent at the elbow. He holds an unidentified disc-shaped object in his hand, possibly a plate or patera. The figurine has small wings. Decoration is visible on the right wing, comprising three incised diagonal lines, representing feathers. The left leg is forward of the right leg suggesting movement. The left foot is missing as is a portion of the right calf and the whole foot on the right leg, the latter of which is hollow. The figurine measures 55mm in length and from arm to arm measures approximately 24mm in width. The body has a maximum thickness of 13mm (including wings). The figurine weighs 29.2 grams.The Cupid is similar to examples from Kirby Thore (Green 1978, 62), Corbridge (Green 1978, 58) and Moresby (Green 1978, 65) as well as another example from the same deposit at Piercebridge (NCL-2C40A4). It suggests that this type of Cupid figurine was particularly popular on the northern frontier. Emma Durham notes in her survey of figurines from Roman Britain (Durham 2012, 4.4.1) that these examples form a group which 'differ somewhat from the slightly chubby, shorter and more common version of Cupid seen elsewhere and suggest the presence of a workshop located somewhere in the north. This might account for the higher numbers on military sites, although whether they were being produced to satisfy a demand or appear more often due to increased availability one cannot tell.' | 311figurines
| null | null | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.889 | durma.2020.3.889-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy Roman figurine dating to the first to third centuries AD. The figurine is that of a naked Cupid in a flying pose. His features are well-rendered with eyes, nose, mouth and fingers clearly visible. Cupid's hair is shoulder length with curls framing his face. Ribbed and grooved decoration indicates the direction of individual strands of hair. A distinctive topknot of hair, comprising four small, spherical mouldings arranged in a square, decorates his forehead. His right arm is held upwards above his head. The hand of the right arm holds a jug. The left arm is close to the body and bent at the elbow. He holds an unidentified disc-shaped object in his hand, possibly a plate or patera. The figurine has small wings. Decoration is visible on the right wing, comprising three incised diagonal lines, representing feathers. The left leg is forward of the right leg suggesting movement. The left foot is missing as is a portion of the right calf and the whole foot on the right leg, the latter of which is hollow. The figurine measures 55mm in length and from arm to arm measures approximately 24mm in width. The body has a maximum thickness of 13mm (including wings). The figurine weighs 29.2 grams.The Cupid is similar to examples from Kirby Thore (Green 1978, 62), Corbridge (Green 1978, 58) and Moresby (Green 1978, 65) as well as another example from the same deposit at Piercebridge (NCL-2C40A4). It suggests that this type of Cupid figurine was particularly popular on the northern frontier. Emma Durham notes in her survey of figurines from Roman Britain (Durham 2012, 4.4.1) that these examples form a group which 'differ somewhat from the slightly chubby, shorter and more common version of Cupid seen elsewhere and suggest the presence of a workshop located somewhere in the north. This might account for the higher numbers on military sites, although whether they were being produced to satisfy a demand or appear more often due to increased availability one cannot tell.' | 311figurines
| null | null | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.889 | durma.2020.3.889-ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy Roman figurine dating to the first to third centuries AD. The figurine is that of a naked Cupid in a flying pose. His features are well-rendered with eyes, nose, mouth and fingers clearly visible. Cupid's hair is shoulder length with curls framing his face. Ribbed and grooved decoration indicates the direction of individual strands of hair. A distinctive topknot of hair, comprising four small, spherical mouldings arranged in a square, decorates his forehead. His right arm is held upwards above his head. The hand of the right arm holds a jug. The left arm is close to the body and bent at the elbow. He holds an unidentified disc-shaped object in his hand, possibly a plate or patera. The figurine has small wings. Decoration is visible on the right wing, comprising three incised diagonal lines, representing feathers. The left leg is forward of the right leg suggesting movement. The left foot is missing as is a portion of the right calf and the whole foot on the right leg, the latter of which is hollow. The figurine measures 55mm in length and from arm to arm measures approximately 24mm in width. The body has a maximum thickness of 13mm (including wings). The figurine weighs 29.2 grams.The Cupid is similar to examples from Kirby Thore (Green 1978, 62), Corbridge (Green 1978, 58) and Moresby (Green 1978, 65) as well as another example from the same deposit at Piercebridge (NCL-2C40A4). It suggests that this type of Cupid figurine was particularly popular on the northern frontier. Emma Durham notes in her survey of figurines from Roman Britain (Durham 2012, 4.4.1) that these examples form a group which 'differ somewhat from the slightly chubby, shorter and more common version of Cupid seen elsewhere and suggest the presence of a workshop located somewhere in the north. This might account for the higher numbers on military sites, although whether they were being produced to satisfy a demand or appear more often due to increased availability one cannot tell.' | 311figurines
| null | null | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.2015.340.40 | durom.2015.340.40.1-ff.jpg | data/raw/images/oriental/2015 | Horizontal Chinese black and white glossy postcard with an image entitled 'Soo-Chow Creek in Shanghai', which is then repeated in French, Russian and Italian. Depicted is a port scene with many boats moored up to the back on the right of the photograph. The road is visible on the right side of the image and curves around to the left of the photo and is lined with many houses and trees. There are various people walking along the waterside all in turn of the century dress. There is a single line of Chinese text in the top left corner consisting of six characters. The title of the image is printed in black text underneath the image and the publisher information is also printed in black near to the bottom lower edge of the post card. _x000D__x000D_
_x000D__x000D_
The reverse is plain with a paragraph written in multiple languages printed in black text along the top edge of the postcard. There are several blank lines for writing a message here too. The text reads 'Post Card - Postkarte. Carte Postale. Catolina Postale. Oткрьitoe IIйсьmo. Union Postale Universelle'. | 435postcards
| null | cards | null | Shanghai | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.340.40 | durom.2015.340.40.1-ff.jpg | data/raw/images/oriental/2015 | Horizontal Chinese black and white glossy postcard with an image entitled 'Soo-Chow Creek in Shanghai', which is then repeated in French, Russian and Italian. Depicted is a port scene with many boats moored up to the back on the right of the photograph. The road is visible on the right side of the image and curves around to the left of the photo and is lined with many houses and trees. There are various people walking along the waterside all in turn of the century dress. There is a single line of Chinese text in the top left corner consisting of six characters. The title of the image is printed in black text underneath the image and the publisher information is also printed in black near to the bottom lower edge of the post card. _x000D__x000D_
_x000D__x000D_
The reverse is plain with a paragraph written in multiple languages printed in black text along the top edge of the postcard. There are several blank lines for writing a message here too. The text reads 'Post Card - Postkarte. Carte Postale. Catolina Postale. Oткрьitoe IIйсьmo. Union Postale Universelle'. | 435postcards
| null | cards | null | Shanghai | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.340.40 | durom.2015.340.40.1-ff.jpg | data/raw/images/oriental/2015 | Horizontal Chinese black and white glossy postcard with an image entitled 'Soo-Chow Creek in Shanghai', which is then repeated in French, Russian and Italian. Depicted is a port scene with many boats moored up to the back on the right of the photograph. The road is visible on the right side of the image and curves around to the left of the photo and is lined with many houses and trees. There are various people walking along the waterside all in turn of the century dress. There is a single line of Chinese text in the top left corner consisting of six characters. The title of the image is printed in black text underneath the image and the publisher information is also printed in black near to the bottom lower edge of the post card. _x000D__x000D_
_x000D__x000D_
The reverse is plain with a paragraph written in multiple languages printed in black text along the top edge of the postcard. There are several blank lines for writing a message here too. The text reads 'Post Card - Postkarte. Carte Postale. Catolina Postale. Oткрьitoe IIйсьmo. Union Postale Universelle'. | 435postcards
| null | cards | null | Shanghai | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.340.40 | durom.2015.340.40.1-ff.jpg | data/raw/images/oriental/2015 | Horizontal Chinese black and white glossy postcard with an image entitled 'Soo-Chow Creek in Shanghai', which is then repeated in French, Russian and Italian. Depicted is a port scene with many boats moored up to the back on the right of the photograph. The road is visible on the right side of the image and curves around to the left of the photo and is lined with many houses and trees. There are various people walking along the waterside all in turn of the century dress. There is a single line of Chinese text in the top left corner consisting of six characters. The title of the image is printed in black text underneath the image and the publisher information is also printed in black near to the bottom lower edge of the post card. _x000D__x000D_
_x000D__x000D_
The reverse is plain with a paragraph written in multiple languages printed in black text along the top edge of the postcard. There are several blank lines for writing a message here too. The text reads 'Post Card - Postkarte. Carte Postale. Catolina Postale. Oткрьitoe IIйсьmo. Union Postale Universelle'. | 435postcards
| null | cards | null | Shanghai | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.340.40 | durom.2015.340.40.1-ff.jpg | data/raw/images/oriental/2015 | Horizontal Chinese black and white glossy postcard with an image entitled 'Soo-Chow Creek in Shanghai', which is then repeated in French, Russian and Italian. Depicted is a port scene with many boats moored up to the back on the right of the photograph. The road is visible on the right side of the image and curves around to the left of the photo and is lined with many houses and trees. There are various people walking along the waterside all in turn of the century dress. There is a single line of Chinese text in the top left corner consisting of six characters. The title of the image is printed in black text underneath the image and the publisher information is also printed in black near to the bottom lower edge of the post card. _x000D__x000D_
_x000D__x000D_
The reverse is plain with a paragraph written in multiple languages printed in black text along the top edge of the postcard. There are several blank lines for writing a message here too. The text reads 'Post Card - Postkarte. Carte Postale. Catolina Postale. Oткрьitoe IIйсьmo. Union Postale Universelle'. | 435postcards
| null | cards | null | Shanghai | data/processed/OM_images_white/oriental/2015 |
|
durom.1969.610 | 1969.610-d3.jpg | data/raw/images/oriental/1969 | Small sake cup decorated with landscape of Yoshino in cherry blossoms. | 280cups
| null | porcelain | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.610 | 1969.610-d3.jpg | data/raw/images/oriental/1969 | Small sake cup decorated with landscape of Yoshino in cherry blossoms. | 280cups
| null | porcelain | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.610 | 1969.610-d3.jpg | data/raw/images/oriental/1969 | Small sake cup decorated with landscape of Yoshino in cherry blossoms. | 280cups
| null | porcelain | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.610 | 1969.610-d3.jpg | data/raw/images/oriental/1969 | Small sake cup decorated with landscape of Yoshino in cherry blossoms. | 280cups
| null | porcelain | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.610 | 1969.610-d3.jpg | data/raw/images/oriental/1969 | Small sake cup decorated with landscape of Yoshino in cherry blossoms. | 280cups
| null | porcelain | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1969 |
|
durom.1960.2824 | 1960.2824 uu.jpg | data/raw/images/oriental/1960 | Hardstone carving of a pair of badgers, brown with deep brown shadows. Naturalistic style yet the faces of the badgers still show influence of early representation of monster and mythical animals. | 310figures
| 石獾 | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2824 | 1960.2824 uu.jpg | data/raw/images/oriental/1960 | Hardstone carving of a pair of badgers, brown with deep brown shadows. Naturalistic style yet the faces of the badgers still show influence of early representation of monster and mythical animals. | 310figures
| 石獾 | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2824 | 1960.2824 uu.jpg | data/raw/images/oriental/1960 | Hardstone carving of a pair of badgers, brown with deep brown shadows. Naturalistic style yet the faces of the badgers still show influence of early representation of monster and mythical animals. | 310figures
| 石獾 | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2824 | 1960.2824 uu.jpg | data/raw/images/oriental/1960 | Hardstone carving of a pair of badgers, brown with deep brown shadows. Naturalistic style yet the faces of the badgers still show influence of early representation of monster and mythical animals. | 310figures
| 石獾 | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2824 | 1960.2824 uu.jpg | data/raw/images/oriental/1960 | Hardstone carving of a pair of badgers, brown with deep brown shadows. Naturalistic style yet the faces of the badgers still show influence of early representation of monster and mythical animals. | 310figures
| 石獾 | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1940 | 1960.1940-ll.jpg | data/raw/images/oriental/1960 | famille rose porcelain snuff bottle decorated with a grey squirrel holding fruit and vine leaves. With metal stopper, bone and cork snuff sppon and carved wooden stand. | 493snuff bottles
| null | porcelain | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1940 | 1960.1940-ll.jpg | data/raw/images/oriental/1960 | famille rose porcelain snuff bottle decorated with a grey squirrel holding fruit and vine leaves. With metal stopper, bone and cork snuff sppon and carved wooden stand. | 493snuff bottles
| null | porcelain | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1940 | 1960.1940-ll.jpg | data/raw/images/oriental/1960 | famille rose porcelain snuff bottle decorated with a grey squirrel holding fruit and vine leaves. With metal stopper, bone and cork snuff sppon and carved wooden stand. | 493snuff bottles
| null | porcelain | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1940 | 1960.1940-ll.jpg | data/raw/images/oriental/1960 | famille rose porcelain snuff bottle decorated with a grey squirrel holding fruit and vine leaves. With metal stopper, bone and cork snuff sppon and carved wooden stand. | 493snuff bottles
| null | porcelain | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1940 | 1960.1940-ll.jpg | data/raw/images/oriental/1960 | famille rose porcelain snuff bottle decorated with a grey squirrel holding fruit and vine leaves. With metal stopper, bone and cork snuff sppon and carved wooden stand. | 493snuff bottles
| null | porcelain | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1961.43 | 1961.43 ll.jpg | data/raw/images/oriental/1961 | Cast bronze figure of a goose. Japanese characters are inscribed on the bottom of the goose. | 310figures
| null | bronze | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1961 |
|
durom.1961.43 | 1961.43 ll.jpg | data/raw/images/oriental/1961 | Cast bronze figure of a goose. Japanese characters are inscribed on the bottom of the goose. | 310figures
| null | bronze | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1961 |
|
durom.1961.43 | 1961.43 ll.jpg | data/raw/images/oriental/1961 | Cast bronze figure of a goose. Japanese characters are inscribed on the bottom of the goose. | 310figures
| null | bronze | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1961 |
|
durom.1961.43 | 1961.43 ll.jpg | data/raw/images/oriental/1961 | Cast bronze figure of a goose. Japanese characters are inscribed on the bottom of the goose. | 310figures
| null | bronze | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1961 |
|
durom.1961.43 | 1961.43 ll.jpg | data/raw/images/oriental/1961 | Cast bronze figure of a goose. Japanese characters are inscribed on the bottom of the goose. | 310figures
| null | bronze | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1961 |
|
durom.1969.534 | 1969.534.15.jpg | data/raw/images/oriental/1969 | An illuminated Divan, illustrated anthology of poems of Hafiz, copied by Muhammad Shah for Abd al Razzaq of Kashmir. The painted lacquer covers are contemporary. The end of the folio has inscriptions. At the top is '1270 AH/1854 AD' and a dedication to Abd al Razzaq. Below is '1271 AH/1855'. The painted lacquer covers are contemporary and are typical of Kashmiri work. | 223books
| null | Ink and Opaque Watercolour on Paper | Mughal dynasty | null | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.534 | 1969.534.15.jpg | data/raw/images/oriental/1969 | An illuminated Divan, illustrated anthology of poems of Hafiz, copied by Muhammad Shah for Abd al Razzaq of Kashmir. The painted lacquer covers are contemporary. The end of the folio has inscriptions. At the top is '1270 AH/1854 AD' and a dedication to Abd al Razzaq. Below is '1271 AH/1855'. The painted lacquer covers are contemporary and are typical of Kashmiri work. | 223books
| null | Ink and Opaque Watercolour on Paper | Mughal dynasty | null | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.534 | 1969.534.15.jpg | data/raw/images/oriental/1969 | An illuminated Divan, illustrated anthology of poems of Hafiz, copied by Muhammad Shah for Abd al Razzaq of Kashmir. The painted lacquer covers are contemporary. The end of the folio has inscriptions. At the top is '1270 AH/1854 AD' and a dedication to Abd al Razzaq. Below is '1271 AH/1855'. The painted lacquer covers are contemporary and are typical of Kashmiri work. | 223books
| null | Ink and Opaque Watercolour on Paper | Mughal dynasty | null | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.534 | 1969.534.15.jpg | data/raw/images/oriental/1969 | An illuminated Divan, illustrated anthology of poems of Hafiz, copied by Muhammad Shah for Abd al Razzaq of Kashmir. The painted lacquer covers are contemporary. The end of the folio has inscriptions. At the top is '1270 AH/1854 AD' and a dedication to Abd al Razzaq. Below is '1271 AH/1855'. The painted lacquer covers are contemporary and are typical of Kashmiri work. | 223books
| null | Ink and Opaque Watercolour on Paper | Mughal dynasty | null | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.534 | 1969.534.15.jpg | data/raw/images/oriental/1969 | An illuminated Divan, illustrated anthology of poems of Hafiz, copied by Muhammad Shah for Abd al Razzaq of Kashmir. The painted lacquer covers are contemporary. The end of the folio has inscriptions. At the top is '1270 AH/1854 AD' and a dedication to Abd al Razzaq. Below is '1271 AH/1855'. The painted lacquer covers are contemporary and are typical of Kashmiri work. | 223books
| null | Ink and Opaque Watercolour on Paper | Mughal dynasty | null | data/processed/OM_images_white/oriental/1969 |
|
durma.2020.1.21 | durma.2020.1.21.bb.jpg | data/raw/images/fulling_mill/2020 | A transparent mould made Pepsi Cola Bottle, thought to be from the late 1940s/early 1950s. The bottle is complete, with a crown top metal cap still intact, though heavily corroded. The print on the front and back is faded, though still legible, reading: 'Pepsi-Cola, Quality Quantity' on the front of the bottle and on the back: 'Pepsi-Cola Bottled by NOVO BOTTLERS. LTD NEWCASTLE, Under Appointment and from Concentrate supplied by Pepsi-Cola Ltd. Brentford Middx'. The bottle has decoration below the neck of the bottle with 'Pepsi Cola' in relief with an abstract pattern, repeating around the body of the bottle. | 325glassware
| null | glass | 20th century | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.1.21 | durma.2020.1.21.bb.jpg | data/raw/images/fulling_mill/2020 | A transparent mould made Pepsi Cola Bottle, thought to be from the late 1940s/early 1950s. The bottle is complete, with a crown top metal cap still intact, though heavily corroded. The print on the front and back is faded, though still legible, reading: 'Pepsi-Cola, Quality Quantity' on the front of the bottle and on the back: 'Pepsi-Cola Bottled by NOVO BOTTLERS. LTD NEWCASTLE, Under Appointment and from Concentrate supplied by Pepsi-Cola Ltd. Brentford Middx'. The bottle has decoration below the neck of the bottle with 'Pepsi Cola' in relief with an abstract pattern, repeating around the body of the bottle. | 325glassware
| null | glass | 20th century | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.1.21 | durma.2020.1.21.bb.jpg | data/raw/images/fulling_mill/2020 | A transparent mould made Pepsi Cola Bottle, thought to be from the late 1940s/early 1950s. The bottle is complete, with a crown top metal cap still intact, though heavily corroded. The print on the front and back is faded, though still legible, reading: 'Pepsi-Cola, Quality Quantity' on the front of the bottle and on the back: 'Pepsi-Cola Bottled by NOVO BOTTLERS. LTD NEWCASTLE, Under Appointment and from Concentrate supplied by Pepsi-Cola Ltd. Brentford Middx'. The bottle has decoration below the neck of the bottle with 'Pepsi Cola' in relief with an abstract pattern, repeating around the body of the bottle. | 325glassware
| null | glass | 20th century | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.1.21 | durma.2020.1.21.bb.jpg | data/raw/images/fulling_mill/2020 | A transparent mould made Pepsi Cola Bottle, thought to be from the late 1940s/early 1950s. The bottle is complete, with a crown top metal cap still intact, though heavily corroded. The print on the front and back is faded, though still legible, reading: 'Pepsi-Cola, Quality Quantity' on the front of the bottle and on the back: 'Pepsi-Cola Bottled by NOVO BOTTLERS. LTD NEWCASTLE, Under Appointment and from Concentrate supplied by Pepsi-Cola Ltd. Brentford Middx'. The bottle has decoration below the neck of the bottle with 'Pepsi Cola' in relief with an abstract pattern, repeating around the body of the bottle. | 325glassware
| null | glass | 20th century | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.1.21 | durma.2020.1.21.bb.jpg | data/raw/images/fulling_mill/2020 | A transparent mould made Pepsi Cola Bottle, thought to be from the late 1940s/early 1950s. The bottle is complete, with a crown top metal cap still intact, though heavily corroded. The print on the front and back is faded, though still legible, reading: 'Pepsi-Cola, Quality Quantity' on the front of the bottle and on the back: 'Pepsi-Cola Bottled by NOVO BOTTLERS. LTD NEWCASTLE, Under Appointment and from Concentrate supplied by Pepsi-Cola Ltd. Brentford Middx'. The bottle has decoration below the neck of the bottle with 'Pepsi Cola' in relief with an abstract pattern, repeating around the body of the bottle. | 325glassware
| null | glass | 20th century | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.1978.89 | 1978.89.jpg | data/raw/images/oriental/1978 | Body decorated with lead glaze in three-colours style. | 310figures
| 三彩仕女佣 | pottery | Tang | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.89 | 1978.89.jpg | data/raw/images/oriental/1978 | Body decorated with lead glaze in three-colours style. | 310figures
| 三彩仕女佣 | pottery | Tang | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.89 | 1978.89.jpg | data/raw/images/oriental/1978 | Body decorated with lead glaze in three-colours style. | 310figures
| 三彩仕女佣 | pottery | Tang | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.89 | 1978.89.jpg | data/raw/images/oriental/1978 | Body decorated with lead glaze in three-colours style. | 310figures
| 三彩仕女佣 | pottery | Tang | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.89 | 1978.89.jpg | data/raw/images/oriental/1978 | Body decorated with lead glaze in three-colours style. | 310figures
| 三彩仕女佣 | pottery | Tang | China | data/processed/OM_images_white/oriental/1978 |
|
durma.2020.3.2327 | durma.2020.3.2327-ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of a Early Medieval copper-alloy florid cruciform brooch dating to the sixth century AD, part of the Piercebridge River Assemblage. The fragment comprises the head, the bow and a portion of the foot. The brooch measures 81mm in length. The head is 39mm in length, 52mm in width and 7mm thick. The bow is 20mm at its widest and 4mm thick. The foot is a maximum of 27mm long, 31mm wide and 6mm thick._x000D__x000D_
_x000D__x000D_
Helen Geake comments: 'Despite the head being rectilinear and not at all 'cruciform', the decoration shows that it's developed out of 3 knobs all with two little circles - possibly intended as a human mask. There's a similar example from Driffield in Martin 2015, pl. 29.1. The fragment belongs to Type 4.3.2 which appears to be a north eastern type.'_x000D__x000D_
_x000D__x000D_
Portable Antiquities Database - https://finds.org.uk/database/artefacts/record/id/657340 | 230brooches
| cruciform brooch | copper alloy | Saxon | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.2327 | durma.2020.3.2327-ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of a Early Medieval copper-alloy florid cruciform brooch dating to the sixth century AD, part of the Piercebridge River Assemblage. The fragment comprises the head, the bow and a portion of the foot. The brooch measures 81mm in length. The head is 39mm in length, 52mm in width and 7mm thick. The bow is 20mm at its widest and 4mm thick. The foot is a maximum of 27mm long, 31mm wide and 6mm thick._x000D__x000D_
_x000D__x000D_
Helen Geake comments: 'Despite the head being rectilinear and not at all 'cruciform', the decoration shows that it's developed out of 3 knobs all with two little circles - possibly intended as a human mask. There's a similar example from Driffield in Martin 2015, pl. 29.1. The fragment belongs to Type 4.3.2 which appears to be a north eastern type.'_x000D__x000D_
_x000D__x000D_
Portable Antiquities Database - https://finds.org.uk/database/artefacts/record/id/657340 | 230brooches
| cruciform brooch | copper alloy | Saxon | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.2327 | durma.2020.3.2327-ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of a Early Medieval copper-alloy florid cruciform brooch dating to the sixth century AD, part of the Piercebridge River Assemblage. The fragment comprises the head, the bow and a portion of the foot. The brooch measures 81mm in length. The head is 39mm in length, 52mm in width and 7mm thick. The bow is 20mm at its widest and 4mm thick. The foot is a maximum of 27mm long, 31mm wide and 6mm thick._x000D__x000D_
_x000D__x000D_
Helen Geake comments: 'Despite the head being rectilinear and not at all 'cruciform', the decoration shows that it's developed out of 3 knobs all with two little circles - possibly intended as a human mask. There's a similar example from Driffield in Martin 2015, pl. 29.1. The fragment belongs to Type 4.3.2 which appears to be a north eastern type.'_x000D__x000D_
_x000D__x000D_
Portable Antiquities Database - https://finds.org.uk/database/artefacts/record/id/657340 | 230brooches
| cruciform brooch | copper alloy | Saxon | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.2327 | durma.2020.3.2327-ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of a Early Medieval copper-alloy florid cruciform brooch dating to the sixth century AD, part of the Piercebridge River Assemblage. The fragment comprises the head, the bow and a portion of the foot. The brooch measures 81mm in length. The head is 39mm in length, 52mm in width and 7mm thick. The bow is 20mm at its widest and 4mm thick. The foot is a maximum of 27mm long, 31mm wide and 6mm thick._x000D__x000D_
_x000D__x000D_
Helen Geake comments: 'Despite the head being rectilinear and not at all 'cruciform', the decoration shows that it's developed out of 3 knobs all with two little circles - possibly intended as a human mask. There's a similar example from Driffield in Martin 2015, pl. 29.1. The fragment belongs to Type 4.3.2 which appears to be a north eastern type.'_x000D__x000D_
_x000D__x000D_
Portable Antiquities Database - https://finds.org.uk/database/artefacts/record/id/657340 | 230brooches
| cruciform brooch | copper alloy | Saxon | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.2327 | durma.2020.3.2327-ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of a Early Medieval copper-alloy florid cruciform brooch dating to the sixth century AD, part of the Piercebridge River Assemblage. The fragment comprises the head, the bow and a portion of the foot. The brooch measures 81mm in length. The head is 39mm in length, 52mm in width and 7mm thick. The bow is 20mm at its widest and 4mm thick. The foot is a maximum of 27mm long, 31mm wide and 6mm thick._x000D__x000D_
_x000D__x000D_
Helen Geake comments: 'Despite the head being rectilinear and not at all 'cruciform', the decoration shows that it's developed out of 3 knobs all with two little circles - possibly intended as a human mask. There's a similar example from Driffield in Martin 2015, pl. 29.1. The fragment belongs to Type 4.3.2 which appears to be a north eastern type.'_x000D__x000D_
_x000D__x000D_
Portable Antiquities Database - https://finds.org.uk/database/artefacts/record/id/657340 | 230brooches
| cruciform brooch | copper alloy | Saxon | null | data/processed/OM_images_white/fulling_mill/2020 |
|
eg1056 | eg1056-bb.jpg | data/raw/images/egyptian/eg | offcut of wood used as a potential mummy label or ostraca and written in demotic script using a reed pen (in the usual way) | 108Mummy Label
| mummy label | wood | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1056 | eg1056-bb.jpg | data/raw/images/egyptian/eg | offcut of wood used as a potential mummy label or ostraca and written in demotic script using a reed pen (in the usual way) | 108Mummy Label
| mummy label | wood | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1056 | eg1056-bb.jpg | data/raw/images/egyptian/eg | offcut of wood used as a potential mummy label or ostraca and written in demotic script using a reed pen (in the usual way) | 108Mummy Label
| mummy label | wood | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1056 | eg1056-bb.jpg | data/raw/images/egyptian/eg | offcut of wood used as a potential mummy label or ostraca and written in demotic script using a reed pen (in the usual way) | 108Mummy Label
| mummy label | wood | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1056 | eg1056-bb.jpg | data/raw/images/egyptian/eg | offcut of wood used as a potential mummy label or ostraca and written in demotic script using a reed pen (in the usual way) | 108Mummy Label
| mummy label | wood | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1986.d96 | 1986.d96-d1.jpg | data/raw/images/oriental/1986 | Plain steel quoit, very worn. Sikh style. Faint indication of decoration incised on both sides, of animals and inner band of floral decoration. Sharper outer edge. | 136Quoit
| Chakram | steel | null | India | data/processed/OM_images_white/oriental/1986 |
|
durom.1986.d96 | 1986.d96-d1.jpg | data/raw/images/oriental/1986 | Plain steel quoit, very worn. Sikh style. Faint indication of decoration incised on both sides, of animals and inner band of floral decoration. Sharper outer edge. | 136Quoit
| Chakram | steel | null | India | data/processed/OM_images_white/oriental/1986 |
|
durom.1986.d96 | 1986.d96-d1.jpg | data/raw/images/oriental/1986 | Plain steel quoit, very worn. Sikh style. Faint indication of decoration incised on both sides, of animals and inner band of floral decoration. Sharper outer edge. | 136Quoit
| Chakram | steel | null | India | data/processed/OM_images_white/oriental/1986 |
|
durom.1986.d96 | 1986.d96-d1.jpg | data/raw/images/oriental/1986 | Plain steel quoit, very worn. Sikh style. Faint indication of decoration incised on both sides, of animals and inner band of floral decoration. Sharper outer edge. | 136Quoit
| Chakram | steel | null | India | data/processed/OM_images_white/oriental/1986 |
|
durom.1986.d96 | 1986.d96-d1.jpg | data/raw/images/oriental/1986 | Plain steel quoit, very worn. Sikh style. Faint indication of decoration incised on both sides, of animals and inner band of floral decoration. Sharper outer edge. | 136Quoit
| Chakram | steel | null | India | data/processed/OM_images_white/oriental/1986 |
|
eg5321 | eg5321-n2180-bb.jpg | data/raw/images/egyptian/eg | Accession Register: Head of Horus | 285deity figurine
| isis figurine | stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5321 | eg5321-n2180-bb.jpg | data/raw/images/egyptian/eg | Accession Register: Head of Horus | 285deity figurine
| isis figurine | stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5321 | eg5321-n2180-bb.jpg | data/raw/images/egyptian/eg | Accession Register: Head of Horus | 285deity figurine
| isis figurine | stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5321 | eg5321-n2180-bb.jpg | data/raw/images/egyptian/eg | Accession Register: Head of Horus | 285deity figurine
| isis figurine | stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5321 | eg5321-n2180-bb.jpg | data/raw/images/egyptian/eg | Accession Register: Head of Horus | 285deity figurine
| isis figurine | stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1969.573 | 1969.573.1.jpg | data/raw/images/oriental/1969 | The scroll can also be a reference to Daode jing (道德经, or Tao Te Ching by Wade Giles system) which is a Chinese Classic text said to be written by Laozi on his way to the west, see [Iconography]. The figure is hollow and the Laozi figure can be detached from the buffalo. | 310figures
| 青铜老子骑牛像 | bronze | Kangxi | China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.573 | 1969.573.1.jpg | data/raw/images/oriental/1969 | The scroll can also be a reference to Daode jing (道德经, or Tao Te Ching by Wade Giles system) which is a Chinese Classic text said to be written by Laozi on his way to the west, see [Iconography]. The figure is hollow and the Laozi figure can be detached from the buffalo. | 310figures
| 青铜老子骑牛像 | bronze | Kangxi | China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.573 | 1969.573.1.jpg | data/raw/images/oriental/1969 | The scroll can also be a reference to Daode jing (道德经, or Tao Te Ching by Wade Giles system) which is a Chinese Classic text said to be written by Laozi on his way to the west, see [Iconography]. The figure is hollow and the Laozi figure can be detached from the buffalo. | 310figures
| 青铜老子骑牛像 | bronze | Kangxi | China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.573 | 1969.573.1.jpg | data/raw/images/oriental/1969 | The scroll can also be a reference to Daode jing (道德经, or Tao Te Ching by Wade Giles system) which is a Chinese Classic text said to be written by Laozi on his way to the west, see [Iconography]. The figure is hollow and the Laozi figure can be detached from the buffalo. | 310figures
| 青铜老子骑牛像 | bronze | Kangxi | China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.573 | 1969.573.1.jpg | data/raw/images/oriental/1969 | The scroll can also be a reference to Daode jing (道德经, or Tao Te Ching by Wade Giles system) which is a Chinese Classic text said to be written by Laozi on his way to the west, see [Iconography]. The figure is hollow and the Laozi figure can be detached from the buffalo. | 310figures
| 青铜老子骑牛像 | bronze | Kangxi | China | data/processed/OM_images_white/oriental/1969 |
|
durom.1974.11 | 1974.11.ff.jpg | data/raw/images/oriental/1974 | Round mirror set in a solid metal frame with a hinged, perforated front. The frame swivels on a metal stand with a hollow rounded base. The frame is covered with decoration. The base has scenes of people, the frame has stylised calligraphy and geometric designs on the front and people and animals on the back. | 387mirrors
| null | metal | null | India | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.11 | 1974.11.ff.jpg | data/raw/images/oriental/1974 | Round mirror set in a solid metal frame with a hinged, perforated front. The frame swivels on a metal stand with a hollow rounded base. The frame is covered with decoration. The base has scenes of people, the frame has stylised calligraphy and geometric designs on the front and people and animals on the back. | 387mirrors
| null | metal | null | India | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.11 | 1974.11.ff.jpg | data/raw/images/oriental/1974 | Round mirror set in a solid metal frame with a hinged, perforated front. The frame swivels on a metal stand with a hollow rounded base. The frame is covered with decoration. The base has scenes of people, the frame has stylised calligraphy and geometric designs on the front and people and animals on the back. | 387mirrors
| null | metal | null | India | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.11 | 1974.11.ff.jpg | data/raw/images/oriental/1974 | Round mirror set in a solid metal frame with a hinged, perforated front. The frame swivels on a metal stand with a hollow rounded base. The frame is covered with decoration. The base has scenes of people, the frame has stylised calligraphy and geometric designs on the front and people and animals on the back. | 387mirrors
| null | metal | null | India | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.11 | 1974.11.ff.jpg | data/raw/images/oriental/1974 | Round mirror set in a solid metal frame with a hinged, perforated front. The frame swivels on a metal stand with a hollow rounded base. The frame is covered with decoration. The base has scenes of people, the frame has stylised calligraphy and geometric designs on the front and people and animals on the back. | 387mirrors
| null | metal | null | India | data/processed/OM_images_white/oriental/1974 |
|
durom.1964.351 | 1964.351 d4.jpg | data/raw/images/oriental/1964 | Lamp, reddish buff fabric, slight grit, with the four sides folded in to create 4 spouts, flat base. | 373lamps
| null | pottery | Early/Middle Bronze Age | Jericho | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.351 | 1964.351 d4.jpg | data/raw/images/oriental/1964 | Lamp, reddish buff fabric, slight grit, with the four sides folded in to create 4 spouts, flat base. | 373lamps
| null | pottery | Early/Middle Bronze Age | Jericho | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.351 | 1964.351 d4.jpg | data/raw/images/oriental/1964 | Lamp, reddish buff fabric, slight grit, with the four sides folded in to create 4 spouts, flat base. | 373lamps
| null | pottery | Early/Middle Bronze Age | Jericho | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.351 | 1964.351 d4.jpg | data/raw/images/oriental/1964 | Lamp, reddish buff fabric, slight grit, with the four sides folded in to create 4 spouts, flat base. | 373lamps
| null | pottery | Early/Middle Bronze Age | Jericho | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.351 | 1964.351 d4.jpg | data/raw/images/oriental/1964 | Lamp, reddish buff fabric, slight grit, with the four sides folded in to create 4 spouts, flat base. | 373lamps
| null | pottery | Early/Middle Bronze Age | Jericho | data/processed/OM_images_white/oriental/1964 |
|
durom.1996.71 | 1996.71-bb.jpg | data/raw/images/oriental/1996 | Light reddish buff cylindrical pottery fragment, probably a handle sherd. | 318fragments
| null | pottery | null | Saudi Arabia | data/processed/OM_images_white/oriental/1996 |
|
durom.1996.71 | 1996.71-bb.jpg | data/raw/images/oriental/1996 | Light reddish buff cylindrical pottery fragment, probably a handle sherd. | 318fragments
| null | pottery | null | Saudi Arabia | data/processed/OM_images_white/oriental/1996 |
|
durom.1996.71 | 1996.71-bb.jpg | data/raw/images/oriental/1996 | Light reddish buff cylindrical pottery fragment, probably a handle sherd. | 318fragments
| null | pottery | null | Saudi Arabia | data/processed/OM_images_white/oriental/1996 |
|
durom.1996.71 | 1996.71-bb.jpg | data/raw/images/oriental/1996 | Light reddish buff cylindrical pottery fragment, probably a handle sherd. | 318fragments
| null | pottery | null | Saudi Arabia | data/processed/OM_images_white/oriental/1996 |
|
durom.1996.71 | 1996.71-bb.jpg | data/raw/images/oriental/1996 | Light reddish buff cylindrical pottery fragment, probably a handle sherd. | 318fragments
| null | pottery | null | Saudi Arabia | data/processed/OM_images_white/oriental/1996 |
|
durom.1974.37 | 1974.37-d10.jpg | data/raw/images/oriental/1974 | Panel of Chinese silk embroidery of floral decoration and large human figures in gold on a blue background. Half of a larger panel. Deep blue background of heavy silk with a satinised finish, finely embroidered around a deep border on three sides in vibrant colours. The centre is plain. The border is delicately embroidered with great detail in coloured silk depicting motifs including male and female figures, trees, peonies, two chinese characters, a gourd, sceptre and an inner narrow border of bats. There is evidence of a centre seam where another possibly matching panel was attached down the length. There are two old repairs, one small patch in the plain centre, and another to the plain edge. | 118Panel
| null | silk | null | China | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.37 | 1974.37-d10.jpg | data/raw/images/oriental/1974 | Panel of Chinese silk embroidery of floral decoration and large human figures in gold on a blue background. Half of a larger panel. Deep blue background of heavy silk with a satinised finish, finely embroidered around a deep border on three sides in vibrant colours. The centre is plain. The border is delicately embroidered with great detail in coloured silk depicting motifs including male and female figures, trees, peonies, two chinese characters, a gourd, sceptre and an inner narrow border of bats. There is evidence of a centre seam where another possibly matching panel was attached down the length. There are two old repairs, one small patch in the plain centre, and another to the plain edge. | 118Panel
| null | silk | null | China | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.37 | 1974.37-d10.jpg | data/raw/images/oriental/1974 | Panel of Chinese silk embroidery of floral decoration and large human figures in gold on a blue background. Half of a larger panel. Deep blue background of heavy silk with a satinised finish, finely embroidered around a deep border on three sides in vibrant colours. The centre is plain. The border is delicately embroidered with great detail in coloured silk depicting motifs including male and female figures, trees, peonies, two chinese characters, a gourd, sceptre and an inner narrow border of bats. There is evidence of a centre seam where another possibly matching panel was attached down the length. There are two old repairs, one small patch in the plain centre, and another to the plain edge. | 118Panel
| null | silk | null | China | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.37 | 1974.37-d10.jpg | data/raw/images/oriental/1974 | Panel of Chinese silk embroidery of floral decoration and large human figures in gold on a blue background. Half of a larger panel. Deep blue background of heavy silk with a satinised finish, finely embroidered around a deep border on three sides in vibrant colours. The centre is plain. The border is delicately embroidered with great detail in coloured silk depicting motifs including male and female figures, trees, peonies, two chinese characters, a gourd, sceptre and an inner narrow border of bats. There is evidence of a centre seam where another possibly matching panel was attached down the length. There are two old repairs, one small patch in the plain centre, and another to the plain edge. | 118Panel
| null | silk | null | China | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.37 | 1974.37-d10.jpg | data/raw/images/oriental/1974 | Panel of Chinese silk embroidery of floral decoration and large human figures in gold on a blue background. Half of a larger panel. Deep blue background of heavy silk with a satinised finish, finely embroidered around a deep border on three sides in vibrant colours. The centre is plain. The border is delicately embroidered with great detail in coloured silk depicting motifs including male and female figures, trees, peonies, two chinese characters, a gourd, sceptre and an inner narrow border of bats. There is evidence of a centre seam where another possibly matching panel was attached down the length. There are two old repairs, one small patch in the plain centre, and another to the plain edge. | 118Panel
| null | silk | null | China | data/processed/OM_images_white/oriental/1974 |
|
durom.1969.78 | 1969.78 tt.jpg | data/raw/images/oriental/1969 | Jian ware. There is a 2-character potter's mark at the bottom of the exterior. Under the base there are vague incisions, probably another mark. | 524tea bowls
| 建窑黑釉兔毫撇口碗 | stoneware | Song | Jianning | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.78 | 1969.78 tt.jpg | data/raw/images/oriental/1969 | Jian ware. There is a 2-character potter's mark at the bottom of the exterior. Under the base there are vague incisions, probably another mark. | 524tea bowls
| 建窑黑釉兔毫撇口碗 | stoneware | Song | Jianning | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.78 | 1969.78 tt.jpg | data/raw/images/oriental/1969 | Jian ware. There is a 2-character potter's mark at the bottom of the exterior. Under the base there are vague incisions, probably another mark. | 524tea bowls
| 建窑黑釉兔毫撇口碗 | stoneware | Song | Jianning | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.78 | 1969.78 tt.jpg | data/raw/images/oriental/1969 | Jian ware. There is a 2-character potter's mark at the bottom of the exterior. Under the base there are vague incisions, probably another mark. | 524tea bowls
| 建窑黑釉兔毫撇口碗 | stoneware | Song | Jianning | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.78 | 1969.78 tt.jpg | data/raw/images/oriental/1969 | Jian ware. There is a 2-character potter's mark at the bottom of the exterior. Under the base there are vague incisions, probably another mark. | 524tea bowls
| 建窑黑釉兔毫撇口碗 | stoneware | Song | Jianning | data/processed/OM_images_white/oriental/1969 |