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durom.1977.10 | 1977.10.jpg | data/raw/images/oriental/1977 | Porcelain vase in the form of an archaic bronze vessel Gu, covered with cream-white glaze on applied-relief of the Eight Immortals motif, Dehua ware. The body of the vase is divided into three sections. The upper part, Eight Immortals; middle section, the Eight Trigrams; below, branch of prunus blossom. The base is glazed and the ring foot is unglazed. | 551vases
| ๅพทๅๅฅถ็ฝ้่ดด่ฑๅ
ซไป็บน่ง | porcelain | Qing | Dehua Xian | data/processed/OM_images_white/oriental/1977 |
|
durom.1977.10 | 1977.10.jpg | data/raw/images/oriental/1977 | Porcelain vase in the form of an archaic bronze vessel Gu, covered with cream-white glaze on applied-relief of the Eight Immortals motif, Dehua ware. The body of the vase is divided into three sections. The upper part, Eight Immortals; middle section, the Eight Trigrams; below, branch of prunus blossom. The base is glazed and the ring foot is unglazed. | 551vases
| ๅพทๅๅฅถ็ฝ้่ดด่ฑๅ
ซไป็บน่ง | porcelain | Qing | Dehua Xian | data/processed/OM_images_white/oriental/1977 |
|
durom.1977.10 | 1977.10.jpg | data/raw/images/oriental/1977 | Porcelain vase in the form of an archaic bronze vessel Gu, covered with cream-white glaze on applied-relief of the Eight Immortals motif, Dehua ware. The body of the vase is divided into three sections. The upper part, Eight Immortals; middle section, the Eight Trigrams; below, branch of prunus blossom. The base is glazed and the ring foot is unglazed. | 551vases
| ๅพทๅๅฅถ็ฝ้่ดด่ฑๅ
ซไป็บน่ง | porcelain | Qing | Dehua Xian | data/processed/OM_images_white/oriental/1977 |
|
durom.1977.10 | 1977.10.jpg | data/raw/images/oriental/1977 | Porcelain vase in the form of an archaic bronze vessel Gu, covered with cream-white glaze on applied-relief of the Eight Immortals motif, Dehua ware. The body of the vase is divided into three sections. The upper part, Eight Immortals; middle section, the Eight Trigrams; below, branch of prunus blossom. The base is glazed and the ring foot is unglazed. | 551vases
| ๅพทๅๅฅถ็ฝ้่ดด่ฑๅ
ซไป็บน่ง | porcelain | Qing | Dehua Xian | data/processed/OM_images_white/oriental/1977 |
|
durom.1977.10 | 1977.10.jpg | data/raw/images/oriental/1977 | Porcelain vase in the form of an archaic bronze vessel Gu, covered with cream-white glaze on applied-relief of the Eight Immortals motif, Dehua ware. The body of the vase is divided into three sections. The upper part, Eight Immortals; middle section, the Eight Trigrams; below, branch of prunus blossom. The base is glazed and the ring foot is unglazed. | 551vases
| ๅพทๅๅฅถ็ฝ้่ดด่ฑๅ
ซไป็บน่ง | porcelain | Qing | Dehua Xian | data/processed/OM_images_white/oriental/1977 |
|
durom.1969.357 | durom.1969.357-h1.jpg | data/raw/images/oriental/1969 | Wrist rest modelled as a scroll and decorated on the top in famille rose enamels with two people in a garden under a pine tree within underglaze blue borders. Red and underglazde blue floral decoration on the sides, plain turquoise underneath with a four character Qian Long mark in red. A pair of spurs support each end. | 195armrests
| ไนพ้ๆฌพ้่ฑๅ ็ฒๅฝฉไบบ็ฉๅบญ้ขๅพ่ๆ | porcelain | Qianlong | South China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.357 | durom.1969.357-h1.jpg | data/raw/images/oriental/1969 | Wrist rest modelled as a scroll and decorated on the top in famille rose enamels with two people in a garden under a pine tree within underglaze blue borders. Red and underglazde blue floral decoration on the sides, plain turquoise underneath with a four character Qian Long mark in red. A pair of spurs support each end. | 195armrests
| ไนพ้ๆฌพ้่ฑๅ ็ฒๅฝฉไบบ็ฉๅบญ้ขๅพ่ๆ | porcelain | Qianlong | South China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.357 | durom.1969.357-h1.jpg | data/raw/images/oriental/1969 | Wrist rest modelled as a scroll and decorated on the top in famille rose enamels with two people in a garden under a pine tree within underglaze blue borders. Red and underglazde blue floral decoration on the sides, plain turquoise underneath with a four character Qian Long mark in red. A pair of spurs support each end. | 195armrests
| ไนพ้ๆฌพ้่ฑๅ ็ฒๅฝฉไบบ็ฉๅบญ้ขๅพ่ๆ | porcelain | Qianlong | South China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.357 | durom.1969.357-h1.jpg | data/raw/images/oriental/1969 | Wrist rest modelled as a scroll and decorated on the top in famille rose enamels with two people in a garden under a pine tree within underglaze blue borders. Red and underglazde blue floral decoration on the sides, plain turquoise underneath with a four character Qian Long mark in red. A pair of spurs support each end. | 195armrests
| ไนพ้ๆฌพ้่ฑๅ ็ฒๅฝฉไบบ็ฉๅบญ้ขๅพ่ๆ | porcelain | Qianlong | South China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.357 | durom.1969.357-h1.jpg | data/raw/images/oriental/1969 | Wrist rest modelled as a scroll and decorated on the top in famille rose enamels with two people in a garden under a pine tree within underglaze blue borders. Red and underglazde blue floral decoration on the sides, plain turquoise underneath with a four character Qian Long mark in red. A pair of spurs support each end. | 195armrests
| ไนพ้ๆฌพ้่ฑๅ ็ฒๅฝฉไบบ็ฉๅบญ้ขๅพ่ๆ | porcelain | Qianlong | South China | data/processed/OM_images_white/oriental/1969 |
|
durom.2009.1 | 2009.1.5-tt.jpg | data/raw/images/oriental/2009 | Chinese typewriter. Double pigeon (shuang ge) brand. Comprises one large wooden box with a keyhole at the front and two metal hinges at the back (DUROM.2009.1.1). Inside sits the typewriter (DUROM.2009.1.2). It has four adjustable feet, a swivelling blue painted metal tray beneath a metal body painted blue, with the double pigeon logo on the front, a large metal frame filled with individual pieces of metal type, the operating mechanisim in metal and brown plastic, and a large rubber covered drum for the paper. There is a loose strip of metal which appears to be a detached part of the mechanism (DUROM.2009.1.13). There is a plastic dust cover in a faded red brown with bright red piping and the double pigeon logo printed on the front in white, along with two lines of chinese characters (DUROM.2009.1.3). There are two wooden boxes containing metal frames filled with metal type arranged by radical (bu shou), each with an accompanying card with paper sellotaped onto one side showing the layout of the type (DUROM.2009.1.4 - DUROM.2009.1.7). There is a cardboard box of loose type (DUROM.2009.1.8) also containing a small metal frame (DUROM.2009.1.12). There is a piece of card with a large set of characters printed onto it - this is presumably the layout of the type in the typewriter (DUROM.2009.1.9). There are also two pieces of paper covered on one side with printed characters, which may be samples of the typewriter's output or instructions on its use (DUROM.2009.1.10 - DUROM.2009.1.11). Double pigeon brand typewriters were still being produced by the Shanghai Typewriter company until the mid 1980s. This model probably dates from the 1970s. | 544typewriters
| ๅ้ธฝ็ๆๅญๆบ | metal | null | Shanghai | data/processed/OM_images_white/oriental/2009 |
|
durom.2009.1 | 2009.1.5-tt.jpg | data/raw/images/oriental/2009 | Chinese typewriter. Double pigeon (shuang ge) brand. Comprises one large wooden box with a keyhole at the front and two metal hinges at the back (DUROM.2009.1.1). Inside sits the typewriter (DUROM.2009.1.2). It has four adjustable feet, a swivelling blue painted metal tray beneath a metal body painted blue, with the double pigeon logo on the front, a large metal frame filled with individual pieces of metal type, the operating mechanisim in metal and brown plastic, and a large rubber covered drum for the paper. There is a loose strip of metal which appears to be a detached part of the mechanism (DUROM.2009.1.13). There is a plastic dust cover in a faded red brown with bright red piping and the double pigeon logo printed on the front in white, along with two lines of chinese characters (DUROM.2009.1.3). There are two wooden boxes containing metal frames filled with metal type arranged by radical (bu shou), each with an accompanying card with paper sellotaped onto one side showing the layout of the type (DUROM.2009.1.4 - DUROM.2009.1.7). There is a cardboard box of loose type (DUROM.2009.1.8) also containing a small metal frame (DUROM.2009.1.12). There is a piece of card with a large set of characters printed onto it - this is presumably the layout of the type in the typewriter (DUROM.2009.1.9). There are also two pieces of paper covered on one side with printed characters, which may be samples of the typewriter's output or instructions on its use (DUROM.2009.1.10 - DUROM.2009.1.11). Double pigeon brand typewriters were still being produced by the Shanghai Typewriter company until the mid 1980s. This model probably dates from the 1970s. | 544typewriters
| ๅ้ธฝ็ๆๅญๆบ | metal | null | Shanghai | data/processed/OM_images_white/oriental/2009 |
|
durom.2009.1 | 2009.1.5-tt.jpg | data/raw/images/oriental/2009 | Chinese typewriter. Double pigeon (shuang ge) brand. Comprises one large wooden box with a keyhole at the front and two metal hinges at the back (DUROM.2009.1.1). Inside sits the typewriter (DUROM.2009.1.2). It has four adjustable feet, a swivelling blue painted metal tray beneath a metal body painted blue, with the double pigeon logo on the front, a large metal frame filled with individual pieces of metal type, the operating mechanisim in metal and brown plastic, and a large rubber covered drum for the paper. There is a loose strip of metal which appears to be a detached part of the mechanism (DUROM.2009.1.13). There is a plastic dust cover in a faded red brown with bright red piping and the double pigeon logo printed on the front in white, along with two lines of chinese characters (DUROM.2009.1.3). There are two wooden boxes containing metal frames filled with metal type arranged by radical (bu shou), each with an accompanying card with paper sellotaped onto one side showing the layout of the type (DUROM.2009.1.4 - DUROM.2009.1.7). There is a cardboard box of loose type (DUROM.2009.1.8) also containing a small metal frame (DUROM.2009.1.12). There is a piece of card with a large set of characters printed onto it - this is presumably the layout of the type in the typewriter (DUROM.2009.1.9). There are also two pieces of paper covered on one side with printed characters, which may be samples of the typewriter's output or instructions on its use (DUROM.2009.1.10 - DUROM.2009.1.11). Double pigeon brand typewriters were still being produced by the Shanghai Typewriter company until the mid 1980s. This model probably dates from the 1970s. | 544typewriters
| ๅ้ธฝ็ๆๅญๆบ | metal | null | Shanghai | data/processed/OM_images_white/oriental/2009 |
|
durom.2009.1 | 2009.1.5-tt.jpg | data/raw/images/oriental/2009 | Chinese typewriter. Double pigeon (shuang ge) brand. Comprises one large wooden box with a keyhole at the front and two metal hinges at the back (DUROM.2009.1.1). Inside sits the typewriter (DUROM.2009.1.2). It has four adjustable feet, a swivelling blue painted metal tray beneath a metal body painted blue, with the double pigeon logo on the front, a large metal frame filled with individual pieces of metal type, the operating mechanisim in metal and brown plastic, and a large rubber covered drum for the paper. There is a loose strip of metal which appears to be a detached part of the mechanism (DUROM.2009.1.13). There is a plastic dust cover in a faded red brown with bright red piping and the double pigeon logo printed on the front in white, along with two lines of chinese characters (DUROM.2009.1.3). There are two wooden boxes containing metal frames filled with metal type arranged by radical (bu shou), each with an accompanying card with paper sellotaped onto one side showing the layout of the type (DUROM.2009.1.4 - DUROM.2009.1.7). There is a cardboard box of loose type (DUROM.2009.1.8) also containing a small metal frame (DUROM.2009.1.12). There is a piece of card with a large set of characters printed onto it - this is presumably the layout of the type in the typewriter (DUROM.2009.1.9). There are also two pieces of paper covered on one side with printed characters, which may be samples of the typewriter's output or instructions on its use (DUROM.2009.1.10 - DUROM.2009.1.11). Double pigeon brand typewriters were still being produced by the Shanghai Typewriter company until the mid 1980s. This model probably dates from the 1970s. | 544typewriters
| ๅ้ธฝ็ๆๅญๆบ | metal | null | Shanghai | data/processed/OM_images_white/oriental/2009 |
|
durom.2009.1 | 2009.1.5-tt.jpg | data/raw/images/oriental/2009 | Chinese typewriter. Double pigeon (shuang ge) brand. Comprises one large wooden box with a keyhole at the front and two metal hinges at the back (DUROM.2009.1.1). Inside sits the typewriter (DUROM.2009.1.2). It has four adjustable feet, a swivelling blue painted metal tray beneath a metal body painted blue, with the double pigeon logo on the front, a large metal frame filled with individual pieces of metal type, the operating mechanisim in metal and brown plastic, and a large rubber covered drum for the paper. There is a loose strip of metal which appears to be a detached part of the mechanism (DUROM.2009.1.13). There is a plastic dust cover in a faded red brown with bright red piping and the double pigeon logo printed on the front in white, along with two lines of chinese characters (DUROM.2009.1.3). There are two wooden boxes containing metal frames filled with metal type arranged by radical (bu shou), each with an accompanying card with paper sellotaped onto one side showing the layout of the type (DUROM.2009.1.4 - DUROM.2009.1.7). There is a cardboard box of loose type (DUROM.2009.1.8) also containing a small metal frame (DUROM.2009.1.12). There is a piece of card with a large set of characters printed onto it - this is presumably the layout of the type in the typewriter (DUROM.2009.1.9). There are also two pieces of paper covered on one side with printed characters, which may be samples of the typewriter's output or instructions on its use (DUROM.2009.1.10 - DUROM.2009.1.11). Double pigeon brand typewriters were still being produced by the Shanghai Typewriter company until the mid 1980s. This model probably dates from the 1970s. | 544typewriters
| ๅ้ธฝ็ๆๅญๆบ | metal | null | Shanghai | data/processed/OM_images_white/oriental/2009 |
|
durom.1998.21.2 | 1998.21.2-ff.jpg | data/raw/images/oriental/1998 | The figure is one of the four Buddhist guardians (also called the Four Heavenly Kings, in Sanskrit: Caturmaharajakayikas). The red face shows his is the Virapaksa (Guangmu Tianwang/ๅนฟ็ฎๅคฉ็). There are two holes in the figure's hands, suggesting that the figure originally holds something in his hands. Possibly not Chinese. | 310figures
| ๆจ้ๅฝฉ็ป่ฅฟๆนๅนฟ็ฎๅคฉ็้ ๅ | wood | null | China | data/processed/OM_images_white/oriental/1998 |
|
durom.1998.21.2 | 1998.21.2-ff.jpg | data/raw/images/oriental/1998 | The figure is one of the four Buddhist guardians (also called the Four Heavenly Kings, in Sanskrit: Caturmaharajakayikas). The red face shows his is the Virapaksa (Guangmu Tianwang/ๅนฟ็ฎๅคฉ็). There are two holes in the figure's hands, suggesting that the figure originally holds something in his hands. Possibly not Chinese. | 310figures
| ๆจ้ๅฝฉ็ป่ฅฟๆนๅนฟ็ฎๅคฉ็้ ๅ | wood | null | China | data/processed/OM_images_white/oriental/1998 |
|
durom.1998.21.2 | 1998.21.2-ff.jpg | data/raw/images/oriental/1998 | The figure is one of the four Buddhist guardians (also called the Four Heavenly Kings, in Sanskrit: Caturmaharajakayikas). The red face shows his is the Virapaksa (Guangmu Tianwang/ๅนฟ็ฎๅคฉ็). There are two holes in the figure's hands, suggesting that the figure originally holds something in his hands. Possibly not Chinese. | 310figures
| ๆจ้ๅฝฉ็ป่ฅฟๆนๅนฟ็ฎๅคฉ็้ ๅ | wood | null | China | data/processed/OM_images_white/oriental/1998 |
|
durom.1998.21.2 | 1998.21.2-ff.jpg | data/raw/images/oriental/1998 | The figure is one of the four Buddhist guardians (also called the Four Heavenly Kings, in Sanskrit: Caturmaharajakayikas). The red face shows his is the Virapaksa (Guangmu Tianwang/ๅนฟ็ฎๅคฉ็). There are two holes in the figure's hands, suggesting that the figure originally holds something in his hands. Possibly not Chinese. | 310figures
| ๆจ้ๅฝฉ็ป่ฅฟๆนๅนฟ็ฎๅคฉ็้ ๅ | wood | null | China | data/processed/OM_images_white/oriental/1998 |
|
durom.1998.21.2 | 1998.21.2-ff.jpg | data/raw/images/oriental/1998 | The figure is one of the four Buddhist guardians (also called the Four Heavenly Kings, in Sanskrit: Caturmaharajakayikas). The red face shows his is the Virapaksa (Guangmu Tianwang/ๅนฟ็ฎๅคฉ็). There are two holes in the figure's hands, suggesting that the figure originally holds something in his hands. Possibly not Chinese. | 310figures
| ๆจ้ๅฝฉ็ป่ฅฟๆนๅนฟ็ฎๅคฉ็้ ๅ | wood | null | China | data/processed/OM_images_white/oriental/1998 |
|
durom.2013.328.5 | 2013.328.5 bb.jpg | data/raw/images/oriental/2013 | Volume 5 from of a box set of twelve volumes of Death Note manga. 208 page book containing black and white comic art and story. The text is in English with some special effects, sound effects and some written texts left in Japanese. The book reads from the back to front in the Japanese style. The cover is lime green card printed vertically with grey gothic text in English of the instructions for using the death note. Chains criss-cross the background. On the front is a large grey cross with the title "Death Note" in English and Japanese across the arms. The background of the cross has grey images of characters from the investigation team in the arms and of Misa Amane in the bottom. In front of this are full colour images of the characters Light Yagami and L. Light Yagami wears light brown trousers and a white shirt. L is crouching on the ground and wears bare feet, blue jeans and a shite long sleeved t-shirt. The two characters are connected by a pair of handcuffs with a long chain between them. The spine has the title and the author's names in black and white, the volume number in dark green and an image of the shinigami Rem's face in black and white. The back cover has a large logo for the publisher Shลnen Jump at the top, the title and volume number below and then a large white square with a synopsis of the plot in black on the left and a colour image on the right of the characters Misa Amane and Rem. | 223books
| Tankลbon | paper | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.328.5 | 2013.328.5 bb.jpg | data/raw/images/oriental/2013 | Volume 5 from of a box set of twelve volumes of Death Note manga. 208 page book containing black and white comic art and story. The text is in English with some special effects, sound effects and some written texts left in Japanese. The book reads from the back to front in the Japanese style. The cover is lime green card printed vertically with grey gothic text in English of the instructions for using the death note. Chains criss-cross the background. On the front is a large grey cross with the title "Death Note" in English and Japanese across the arms. The background of the cross has grey images of characters from the investigation team in the arms and of Misa Amane in the bottom. In front of this are full colour images of the characters Light Yagami and L. Light Yagami wears light brown trousers and a white shirt. L is crouching on the ground and wears bare feet, blue jeans and a shite long sleeved t-shirt. The two characters are connected by a pair of handcuffs with a long chain between them. The spine has the title and the author's names in black and white, the volume number in dark green and an image of the shinigami Rem's face in black and white. The back cover has a large logo for the publisher Shลnen Jump at the top, the title and volume number below and then a large white square with a synopsis of the plot in black on the left and a colour image on the right of the characters Misa Amane and Rem. | 223books
| Tankลbon | paper | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.328.5 | 2013.328.5 bb.jpg | data/raw/images/oriental/2013 | Volume 5 from of a box set of twelve volumes of Death Note manga. 208 page book containing black and white comic art and story. The text is in English with some special effects, sound effects and some written texts left in Japanese. The book reads from the back to front in the Japanese style. The cover is lime green card printed vertically with grey gothic text in English of the instructions for using the death note. Chains criss-cross the background. On the front is a large grey cross with the title "Death Note" in English and Japanese across the arms. The background of the cross has grey images of characters from the investigation team in the arms and of Misa Amane in the bottom. In front of this are full colour images of the characters Light Yagami and L. Light Yagami wears light brown trousers and a white shirt. L is crouching on the ground and wears bare feet, blue jeans and a shite long sleeved t-shirt. The two characters are connected by a pair of handcuffs with a long chain between them. The spine has the title and the author's names in black and white, the volume number in dark green and an image of the shinigami Rem's face in black and white. The back cover has a large logo for the publisher Shลnen Jump at the top, the title and volume number below and then a large white square with a synopsis of the plot in black on the left and a colour image on the right of the characters Misa Amane and Rem. | 223books
| Tankลbon | paper | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.328.5 | 2013.328.5 bb.jpg | data/raw/images/oriental/2013 | Volume 5 from of a box set of twelve volumes of Death Note manga. 208 page book containing black and white comic art and story. The text is in English with some special effects, sound effects and some written texts left in Japanese. The book reads from the back to front in the Japanese style. The cover is lime green card printed vertically with grey gothic text in English of the instructions for using the death note. Chains criss-cross the background. On the front is a large grey cross with the title "Death Note" in English and Japanese across the arms. The background of the cross has grey images of characters from the investigation team in the arms and of Misa Amane in the bottom. In front of this are full colour images of the characters Light Yagami and L. Light Yagami wears light brown trousers and a white shirt. L is crouching on the ground and wears bare feet, blue jeans and a shite long sleeved t-shirt. The two characters are connected by a pair of handcuffs with a long chain between them. The spine has the title and the author's names in black and white, the volume number in dark green and an image of the shinigami Rem's face in black and white. The back cover has a large logo for the publisher Shลnen Jump at the top, the title and volume number below and then a large white square with a synopsis of the plot in black on the left and a colour image on the right of the characters Misa Amane and Rem. | 223books
| Tankลbon | paper | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.328.5 | 2013.328.5 bb.jpg | data/raw/images/oriental/2013 | Volume 5 from of a box set of twelve volumes of Death Note manga. 208 page book containing black and white comic art and story. The text is in English with some special effects, sound effects and some written texts left in Japanese. The book reads from the back to front in the Japanese style. The cover is lime green card printed vertically with grey gothic text in English of the instructions for using the death note. Chains criss-cross the background. On the front is a large grey cross with the title "Death Note" in English and Japanese across the arms. The background of the cross has grey images of characters from the investigation team in the arms and of Misa Amane in the bottom. In front of this are full colour images of the characters Light Yagami and L. Light Yagami wears light brown trousers and a white shirt. L is crouching on the ground and wears bare feet, blue jeans and a shite long sleeved t-shirt. The two characters are connected by a pair of handcuffs with a long chain between them. The spine has the title and the author's names in black and white, the volume number in dark green and an image of the shinigami Rem's face in black and white. The back cover has a large logo for the publisher Shลnen Jump at the top, the title and volume number below and then a large white square with a synopsis of the plot in black on the left and a colour image on the right of the characters Misa Amane and Rem. | 223books
| Tankลbon | paper | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.1986.6 | 1986.6.20e.jpg | data/raw/images/fulling_mill/1986 | Anklet or necklace, cotton band, with red and orange printed pattern, decorated with silver coloured beads fastened with a red cotton thread cord tie. | 192anklets
| null | cotton | null | Gujarat State | data/processed/OM_images_white/fulling_mill/1986 |
|
durom.1986.6 | 1986.6.20e.jpg | data/raw/images/fulling_mill/1986 | Anklet or necklace, cotton band, with red and orange printed pattern, decorated with silver coloured beads fastened with a red cotton thread cord tie. | 192anklets
| null | cotton | null | Gujarat State | data/processed/OM_images_white/fulling_mill/1986 |
|
durom.1986.6 | 1986.6.20e.jpg | data/raw/images/fulling_mill/1986 | Anklet or necklace, cotton band, with red and orange printed pattern, decorated with silver coloured beads fastened with a red cotton thread cord tie. | 192anklets
| null | cotton | null | Gujarat State | data/processed/OM_images_white/fulling_mill/1986 |
|
durom.1986.6 | 1986.6.20e.jpg | data/raw/images/fulling_mill/1986 | Anklet or necklace, cotton band, with red and orange printed pattern, decorated with silver coloured beads fastened with a red cotton thread cord tie. | 192anklets
| null | cotton | null | Gujarat State | data/processed/OM_images_white/fulling_mill/1986 |
|
durom.1986.6 | 1986.6.20e.jpg | data/raw/images/fulling_mill/1986 | Anklet or necklace, cotton band, with red and orange printed pattern, decorated with silver coloured beads fastened with a red cotton thread cord tie. | 192anklets
| null | cotton | null | Gujarat State | data/processed/OM_images_white/fulling_mill/1986 |
|
eg175 | eg175-ff.jpg | data/raw/images/egyptian/eg | green, mummiform shabti with tripartite wig and beard, shown holding hoes and with a basket over one shoulder | 549ushabti
| shabti | faience | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg175 | eg175-ff.jpg | data/raw/images/egyptian/eg | green, mummiform shabti with tripartite wig and beard, shown holding hoes and with a basket over one shoulder | 549ushabti
| shabti | faience | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg175 | eg175-ff.jpg | data/raw/images/egyptian/eg | green, mummiform shabti with tripartite wig and beard, shown holding hoes and with a basket over one shoulder | 549ushabti
| shabti | faience | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg175 | eg175-ff.jpg | data/raw/images/egyptian/eg | green, mummiform shabti with tripartite wig and beard, shown holding hoes and with a basket over one shoulder | 549ushabti
| shabti | faience | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg175 | eg175-ff.jpg | data/raw/images/egyptian/eg | green, mummiform shabti with tripartite wig and beard, shown holding hoes and with a basket over one shoulder | 549ushabti
| shabti | faience | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1960.1309 | durom.1960.1309-bb.jpg | data/raw/images/oriental/1960 | brown soapstone figure of Magu seated on a deer, with a ruyi sceptre in hand and a straw hat at her back. Magu is a Taoist female deity. Some conventions for representing Magu appear similar to those of the Buddhist Guan Yin. | 310figures
| null | soapstone | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1309 | durom.1960.1309-bb.jpg | data/raw/images/oriental/1960 | brown soapstone figure of Magu seated on a deer, with a ruyi sceptre in hand and a straw hat at her back. Magu is a Taoist female deity. Some conventions for representing Magu appear similar to those of the Buddhist Guan Yin. | 310figures
| null | soapstone | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1309 | durom.1960.1309-bb.jpg | data/raw/images/oriental/1960 | brown soapstone figure of Magu seated on a deer, with a ruyi sceptre in hand and a straw hat at her back. Magu is a Taoist female deity. Some conventions for representing Magu appear similar to those of the Buddhist Guan Yin. | 310figures
| null | soapstone | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1309 | durom.1960.1309-bb.jpg | data/raw/images/oriental/1960 | brown soapstone figure of Magu seated on a deer, with a ruyi sceptre in hand and a straw hat at her back. Magu is a Taoist female deity. Some conventions for representing Magu appear similar to those of the Buddhist Guan Yin. | 310figures
| null | soapstone | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1309 | durom.1960.1309-bb.jpg | data/raw/images/oriental/1960 | brown soapstone figure of Magu seated on a deer, with a ruyi sceptre in hand and a straw hat at her back. Magu is a Taoist female deity. Some conventions for representing Magu appear similar to those of the Buddhist Guan Yin. | 310figures
| null | soapstone | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
eg2316 | eg2316 n2185 bb.jpg | data/raw/images/egyptian/eg | Accession Record: Piece of coarse red ware pot, grey fracture, with forged hieroglyphics incised on it. | 484sherds
| pottery sherd | pottery | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2316 | eg2316 n2185 bb.jpg | data/raw/images/egyptian/eg | Accession Record: Piece of coarse red ware pot, grey fracture, with forged hieroglyphics incised on it. | 484sherds
| pottery sherd | pottery | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2316 | eg2316 n2185 bb.jpg | data/raw/images/egyptian/eg | Accession Record: Piece of coarse red ware pot, grey fracture, with forged hieroglyphics incised on it. | 484sherds
| pottery sherd | pottery | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2316 | eg2316 n2185 bb.jpg | data/raw/images/egyptian/eg | Accession Record: Piece of coarse red ware pot, grey fracture, with forged hieroglyphics incised on it. | 484sherds
| pottery sherd | pottery | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2316 | eg2316 n2185 bb.jpg | data/raw/images/egyptian/eg | Accession Record: Piece of coarse red ware pot, grey fracture, with forged hieroglyphics incised on it. | 484sherds
| pottery sherd | pottery | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1969.266 | durom.1969.266-h1.jpg | data/raw/images/oriental/1969 | Porcelain bowl in rectangular shape with straight flared walls, covered with translucent white glaze, and decorated with overglaze polychrome colours in Five-colours style with green as the dominant colour (or Famille verte by its French name). Each side is painted with a scene in the popular drama 'Romance of the West Chamber (Xixiang ji/่ฅฟๅข่ฎฐ)', see [Notes]. The first plot, a young scholar greeting 3 ladies with 2 attendants by his side; the second plot (to the left of the first plot), 2 military figures fighting on horses, another figure of a monk at the right corner; the third plot (to the left of the second plot), the young scholar departs on a horse with his attendant carrying his belongings, and the lady departs to the opposite direction a manual cart followed by her attendant; the fourth plot (to the left of the third plot), the young scholar napping by the window, dreaming (illustrated in the form of a picture in some smoke) about him meeting the lady. | 225bowls
| ไบๅฝฉ่ฅฟๅข่ฎฐไบบ็ฉๆ
ไบๅพๆนๆๆฏ | porcelain | Kangxi | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.266 | durom.1969.266-h1.jpg | data/raw/images/oriental/1969 | Porcelain bowl in rectangular shape with straight flared walls, covered with translucent white glaze, and decorated with overglaze polychrome colours in Five-colours style with green as the dominant colour (or Famille verte by its French name). Each side is painted with a scene in the popular drama 'Romance of the West Chamber (Xixiang ji/่ฅฟๅข่ฎฐ)', see [Notes]. The first plot, a young scholar greeting 3 ladies with 2 attendants by his side; the second plot (to the left of the first plot), 2 military figures fighting on horses, another figure of a monk at the right corner; the third plot (to the left of the second plot), the young scholar departs on a horse with his attendant carrying his belongings, and the lady departs to the opposite direction a manual cart followed by her attendant; the fourth plot (to the left of the third plot), the young scholar napping by the window, dreaming (illustrated in the form of a picture in some smoke) about him meeting the lady. | 225bowls
| ไบๅฝฉ่ฅฟๅข่ฎฐไบบ็ฉๆ
ไบๅพๆนๆๆฏ | porcelain | Kangxi | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.266 | durom.1969.266-h1.jpg | data/raw/images/oriental/1969 | Porcelain bowl in rectangular shape with straight flared walls, covered with translucent white glaze, and decorated with overglaze polychrome colours in Five-colours style with green as the dominant colour (or Famille verte by its French name). Each side is painted with a scene in the popular drama 'Romance of the West Chamber (Xixiang ji/่ฅฟๅข่ฎฐ)', see [Notes]. The first plot, a young scholar greeting 3 ladies with 2 attendants by his side; the second plot (to the left of the first plot), 2 military figures fighting on horses, another figure of a monk at the right corner; the third plot (to the left of the second plot), the young scholar departs on a horse with his attendant carrying his belongings, and the lady departs to the opposite direction a manual cart followed by her attendant; the fourth plot (to the left of the third plot), the young scholar napping by the window, dreaming (illustrated in the form of a picture in some smoke) about him meeting the lady. | 225bowls
| ไบๅฝฉ่ฅฟๅข่ฎฐไบบ็ฉๆ
ไบๅพๆนๆๆฏ | porcelain | Kangxi | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.266 | durom.1969.266-h1.jpg | data/raw/images/oriental/1969 | Porcelain bowl in rectangular shape with straight flared walls, covered with translucent white glaze, and decorated with overglaze polychrome colours in Five-colours style with green as the dominant colour (or Famille verte by its French name). Each side is painted with a scene in the popular drama 'Romance of the West Chamber (Xixiang ji/่ฅฟๅข่ฎฐ)', see [Notes]. The first plot, a young scholar greeting 3 ladies with 2 attendants by his side; the second plot (to the left of the first plot), 2 military figures fighting on horses, another figure of a monk at the right corner; the third plot (to the left of the second plot), the young scholar departs on a horse with his attendant carrying his belongings, and the lady departs to the opposite direction a manual cart followed by her attendant; the fourth plot (to the left of the third plot), the young scholar napping by the window, dreaming (illustrated in the form of a picture in some smoke) about him meeting the lady. | 225bowls
| ไบๅฝฉ่ฅฟๅข่ฎฐไบบ็ฉๆ
ไบๅพๆนๆๆฏ | porcelain | Kangxi | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.266 | durom.1969.266-h1.jpg | data/raw/images/oriental/1969 | Porcelain bowl in rectangular shape with straight flared walls, covered with translucent white glaze, and decorated with overglaze polychrome colours in Five-colours style with green as the dominant colour (or Famille verte by its French name). Each side is painted with a scene in the popular drama 'Romance of the West Chamber (Xixiang ji/่ฅฟๅข่ฎฐ)', see [Notes]. The first plot, a young scholar greeting 3 ladies with 2 attendants by his side; the second plot (to the left of the first plot), 2 military figures fighting on horses, another figure of a monk at the right corner; the third plot (to the left of the second plot), the young scholar departs on a horse with his attendant carrying his belongings, and the lady departs to the opposite direction a manual cart followed by her attendant; the fourth plot (to the left of the third plot), the young scholar napping by the window, dreaming (illustrated in the form of a picture in some smoke) about him meeting the lady. | 225bowls
| ไบๅฝฉ่ฅฟๅข่ฎฐไบบ็ฉๆ
ไบๅพๆนๆๆฏ | porcelain | Kangxi | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1973.52 | 1973.52.3-pc-d3.jpg | data/raw/images/oriental/1973 | Japanese gold lacquered Buddha, with stand. Separate lotus flower section. | 310figures
| null | wood | Momoyama Period | Japan (country) | data/processed/OM_images_white/oriental/1973 |
|
durom.1973.52 | 1973.52.3-pc-d3.jpg | data/raw/images/oriental/1973 | Japanese gold lacquered Buddha, with stand. Separate lotus flower section. | 310figures
| null | wood | Momoyama Period | Japan (country) | data/processed/OM_images_white/oriental/1973 |
|
durom.1973.52 | 1973.52.3-pc-d3.jpg | data/raw/images/oriental/1973 | Japanese gold lacquered Buddha, with stand. Separate lotus flower section. | 310figures
| null | wood | Momoyama Period | Japan (country) | data/processed/OM_images_white/oriental/1973 |
|
durom.1973.52 | 1973.52.3-pc-d3.jpg | data/raw/images/oriental/1973 | Japanese gold lacquered Buddha, with stand. Separate lotus flower section. | 310figures
| null | wood | Momoyama Period | Japan (country) | data/processed/OM_images_white/oriental/1973 |
|
durom.1973.52 | 1973.52.3-pc-d3.jpg | data/raw/images/oriental/1973 | Japanese gold lacquered Buddha, with stand. Separate lotus flower section. | 310figures
| null | wood | Momoyama Period | Japan (country) | data/processed/OM_images_white/oriental/1973 |
|
durma.2020.3.1943 | durma.2020.3.1943.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy barbarous radiate dating to the period AD 275 to 285 (Reece period 14), part of the Piercebridge River Assemblage. Unclear reverse type. Obverse radiate bust facing right, legend illegible. Reverse two figures?, legend illegible. There is semi-circular cut-out at 3 o'clock on the obverse._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/104231_x000D__x000D_
| 271coins
| null | metal | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.1943 | durma.2020.3.1943.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy barbarous radiate dating to the period AD 275 to 285 (Reece period 14), part of the Piercebridge River Assemblage. Unclear reverse type. Obverse radiate bust facing right, legend illegible. Reverse two figures?, legend illegible. There is semi-circular cut-out at 3 o'clock on the obverse._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/104231_x000D__x000D_
| 271coins
| null | metal | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.1943 | durma.2020.3.1943.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy barbarous radiate dating to the period AD 275 to 285 (Reece period 14), part of the Piercebridge River Assemblage. Unclear reverse type. Obverse radiate bust facing right, legend illegible. Reverse two figures?, legend illegible. There is semi-circular cut-out at 3 o'clock on the obverse._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/104231_x000D__x000D_
| 271coins
| null | metal | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.1943 | durma.2020.3.1943.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy barbarous radiate dating to the period AD 275 to 285 (Reece period 14), part of the Piercebridge River Assemblage. Unclear reverse type. Obverse radiate bust facing right, legend illegible. Reverse two figures?, legend illegible. There is semi-circular cut-out at 3 o'clock on the obverse._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/104231_x000D__x000D_
| 271coins
| null | metal | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.1943 | durma.2020.3.1943.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy barbarous radiate dating to the period AD 275 to 285 (Reece period 14), part of the Piercebridge River Assemblage. Unclear reverse type. Obverse radiate bust facing right, legend illegible. Reverse two figures?, legend illegible. There is semi-circular cut-out at 3 o'clock on the obverse._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/104231_x000D__x000D_
| 271coins
| null | metal | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.2014.95 | durom.2014.95-tt.jpg | data/raw/images/oriental/2014 | Yellow ceramic incense holder in the form of a Japanese origami crane. The body of the bird is yellow with red flowers decorating the sides along with stylised white and green flowers on the wings. The bird has a hole in the centre of the body to allow an incense stick to be placed here. There is an unglazed square on the base. | 83Incense Holder
| null | porcelain | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.95 | durom.2014.95-tt.jpg | data/raw/images/oriental/2014 | Yellow ceramic incense holder in the form of a Japanese origami crane. The body of the bird is yellow with red flowers decorating the sides along with stylised white and green flowers on the wings. The bird has a hole in the centre of the body to allow an incense stick to be placed here. There is an unglazed square on the base. | 83Incense Holder
| null | porcelain | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.95 | durom.2014.95-tt.jpg | data/raw/images/oriental/2014 | Yellow ceramic incense holder in the form of a Japanese origami crane. The body of the bird is yellow with red flowers decorating the sides along with stylised white and green flowers on the wings. The bird has a hole in the centre of the body to allow an incense stick to be placed here. There is an unglazed square on the base. | 83Incense Holder
| null | porcelain | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.95 | durom.2014.95-tt.jpg | data/raw/images/oriental/2014 | Yellow ceramic incense holder in the form of a Japanese origami crane. The body of the bird is yellow with red flowers decorating the sides along with stylised white and green flowers on the wings. The bird has a hole in the centre of the body to allow an incense stick to be placed here. There is an unglazed square on the base. | 83Incense Holder
| null | porcelain | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.95 | durom.2014.95-tt.jpg | data/raw/images/oriental/2014 | Yellow ceramic incense holder in the form of a Japanese origami crane. The body of the bird is yellow with red flowers decorating the sides along with stylised white and green flowers on the wings. The bird has a hole in the centre of the body to allow an incense stick to be placed here. There is an unglazed square on the base. | 83Incense Holder
| null | porcelain | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2014 |
|
durom.1960.3678 | 1960.3678-ff.jpg | data/raw/images/oriental/1960 | carved with a man with attendant inside a rocky grotto, poem engraved on rock | 146Seal
| null | soapstone | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.3678 | 1960.3678-ff.jpg | data/raw/images/oriental/1960 | carved with a man with attendant inside a rocky grotto, poem engraved on rock | 146Seal
| null | soapstone | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.3678 | 1960.3678-ff.jpg | data/raw/images/oriental/1960 | carved with a man with attendant inside a rocky grotto, poem engraved on rock | 146Seal
| null | soapstone | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.3678 | 1960.3678-ff.jpg | data/raw/images/oriental/1960 | carved with a man with attendant inside a rocky grotto, poem engraved on rock | 146Seal
| null | soapstone | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.3678 | 1960.3678-ff.jpg | data/raw/images/oriental/1960 | carved with a man with attendant inside a rocky grotto, poem engraved on rock | 146Seal
| null | soapstone | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2332 | durom.1960.2332.14-uu.jpg | data/raw/images/oriental/1960 | A set of 14 miniature ivory seals. 5 pairs, 4 singles. - pairs of monks, seated cross-legged on a stone. Small. Square. 2-characters on the base of one, 1 character inside decoration on the other. Ink traces. - pairs of flowers, petals open, leaves up to catch the sun. rectangulr 'pedestal'. Bse on one, 2-characters, ink traces, within an oval border. The other has 2 characters, ink traces, in a rectangular border. - pair of horses (or mouantian goats). Standing heads looking to one side on a piece of 'rough ground' on top of oblong base. 2 charcters on the base of ech, ink traces, chunky earring. - another pair of cross-legged monks - one pulling his head. Square, and slightly larger than the first pari. On the base of one: 4 characters, ink traces. On the other, 1 character, decorating carved. - the last pair. 1 character, ink stained, on the base of each - stylished standing figure look almost like the long thin african wood figures.? - single dragon seated on top of rectangular pose. 4 characters, ink stained. - larger flower carved on the top of thin rectangular base. The bottom is divided into 2 squares. 1 charater on each, ink stained. - another singe horse. 3 characters, ink stianed. Chunky carving. Horse standing on 'rough ground', had looking over one shoulder to the side. - dog, sitting, begging on top of a square base. 4 characters, with stained chuncky carving. | 146Seal
| null | ivory | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2332 | durom.1960.2332.14-uu.jpg | data/raw/images/oriental/1960 | A set of 14 miniature ivory seals. 5 pairs, 4 singles. - pairs of monks, seated cross-legged on a stone. Small. Square. 2-characters on the base of one, 1 character inside decoration on the other. Ink traces. - pairs of flowers, petals open, leaves up to catch the sun. rectangulr 'pedestal'. Bse on one, 2-characters, ink traces, within an oval border. The other has 2 characters, ink traces, in a rectangular border. - pair of horses (or mouantian goats). Standing heads looking to one side on a piece of 'rough ground' on top of oblong base. 2 charcters on the base of ech, ink traces, chunky earring. - another pair of cross-legged monks - one pulling his head. Square, and slightly larger than the first pari. On the base of one: 4 characters, ink traces. On the other, 1 character, decorating carved. - the last pair. 1 character, ink stained, on the base of each - stylished standing figure look almost like the long thin african wood figures.? - single dragon seated on top of rectangular pose. 4 characters, ink stained. - larger flower carved on the top of thin rectangular base. The bottom is divided into 2 squares. 1 charater on each, ink stained. - another singe horse. 3 characters, ink stianed. Chunky carving. Horse standing on 'rough ground', had looking over one shoulder to the side. - dog, sitting, begging on top of a square base. 4 characters, with stained chuncky carving. | 146Seal
| null | ivory | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2332 | durom.1960.2332.14-uu.jpg | data/raw/images/oriental/1960 | A set of 14 miniature ivory seals. 5 pairs, 4 singles. - pairs of monks, seated cross-legged on a stone. Small. Square. 2-characters on the base of one, 1 character inside decoration on the other. Ink traces. - pairs of flowers, petals open, leaves up to catch the sun. rectangulr 'pedestal'. Bse on one, 2-characters, ink traces, within an oval border. The other has 2 characters, ink traces, in a rectangular border. - pair of horses (or mouantian goats). Standing heads looking to one side on a piece of 'rough ground' on top of oblong base. 2 charcters on the base of ech, ink traces, chunky earring. - another pair of cross-legged monks - one pulling his head. Square, and slightly larger than the first pari. On the base of one: 4 characters, ink traces. On the other, 1 character, decorating carved. - the last pair. 1 character, ink stained, on the base of each - stylished standing figure look almost like the long thin african wood figures.? - single dragon seated on top of rectangular pose. 4 characters, ink stained. - larger flower carved on the top of thin rectangular base. The bottom is divided into 2 squares. 1 charater on each, ink stained. - another singe horse. 3 characters, ink stianed. Chunky carving. Horse standing on 'rough ground', had looking over one shoulder to the side. - dog, sitting, begging on top of a square base. 4 characters, with stained chuncky carving. | 146Seal
| null | ivory | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2332 | durom.1960.2332.14-uu.jpg | data/raw/images/oriental/1960 | A set of 14 miniature ivory seals. 5 pairs, 4 singles. - pairs of monks, seated cross-legged on a stone. Small. Square. 2-characters on the base of one, 1 character inside decoration on the other. Ink traces. - pairs of flowers, petals open, leaves up to catch the sun. rectangulr 'pedestal'. Bse on one, 2-characters, ink traces, within an oval border. The other has 2 characters, ink traces, in a rectangular border. - pair of horses (or mouantian goats). Standing heads looking to one side on a piece of 'rough ground' on top of oblong base. 2 charcters on the base of ech, ink traces, chunky earring. - another pair of cross-legged monks - one pulling his head. Square, and slightly larger than the first pari. On the base of one: 4 characters, ink traces. On the other, 1 character, decorating carved. - the last pair. 1 character, ink stained, on the base of each - stylished standing figure look almost like the long thin african wood figures.? - single dragon seated on top of rectangular pose. 4 characters, ink stained. - larger flower carved on the top of thin rectangular base. The bottom is divided into 2 squares. 1 charater on each, ink stained. - another singe horse. 3 characters, ink stianed. Chunky carving. Horse standing on 'rough ground', had looking over one shoulder to the side. - dog, sitting, begging on top of a square base. 4 characters, with stained chuncky carving. | 146Seal
| null | ivory | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2332 | durom.1960.2332.14-uu.jpg | data/raw/images/oriental/1960 | A set of 14 miniature ivory seals. 5 pairs, 4 singles. - pairs of monks, seated cross-legged on a stone. Small. Square. 2-characters on the base of one, 1 character inside decoration on the other. Ink traces. - pairs of flowers, petals open, leaves up to catch the sun. rectangulr 'pedestal'. Bse on one, 2-characters, ink traces, within an oval border. The other has 2 characters, ink traces, in a rectangular border. - pair of horses (or mouantian goats). Standing heads looking to one side on a piece of 'rough ground' on top of oblong base. 2 charcters on the base of ech, ink traces, chunky earring. - another pair of cross-legged monks - one pulling his head. Square, and slightly larger than the first pari. On the base of one: 4 characters, ink traces. On the other, 1 character, decorating carved. - the last pair. 1 character, ink stained, on the base of each - stylished standing figure look almost like the long thin african wood figures.? - single dragon seated on top of rectangular pose. 4 characters, ink stained. - larger flower carved on the top of thin rectangular base. The bottom is divided into 2 squares. 1 charater on each, ink stained. - another singe horse. 3 characters, ink stianed. Chunky carving. Horse standing on 'rough ground', had looking over one shoulder to the side. - dog, sitting, begging on top of a square base. 4 characters, with stained chuncky carving. | 146Seal
| null | ivory | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.2013.202 | 2013.202 bb.jpg | data/raw/images/oriental/2013 | Two plastic food cutters in the shape of a brown bear (called Rilakkuma) and a yellow chick (called Kiiroitori). Lids are removable to allow ease of use when taking the food out from the item. Kawaii fashion | 550utensils
| null | plastic | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.202 | 2013.202 bb.jpg | data/raw/images/oriental/2013 | Two plastic food cutters in the shape of a brown bear (called Rilakkuma) and a yellow chick (called Kiiroitori). Lids are removable to allow ease of use when taking the food out from the item. Kawaii fashion | 550utensils
| null | plastic | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.202 | 2013.202 bb.jpg | data/raw/images/oriental/2013 | Two plastic food cutters in the shape of a brown bear (called Rilakkuma) and a yellow chick (called Kiiroitori). Lids are removable to allow ease of use when taking the food out from the item. Kawaii fashion | 550utensils
| null | plastic | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.202 | 2013.202 bb.jpg | data/raw/images/oriental/2013 | Two plastic food cutters in the shape of a brown bear (called Rilakkuma) and a yellow chick (called Kiiroitori). Lids are removable to allow ease of use when taking the food out from the item. Kawaii fashion | 550utensils
| null | plastic | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.202 | 2013.202 bb.jpg | data/raw/images/oriental/2013 | Two plastic food cutters in the shape of a brown bear (called Rilakkuma) and a yellow chick (called Kiiroitori). Lids are removable to allow ease of use when taking the food out from the item. Kawaii fashion | 550utensils
| null | plastic | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.1960.1018 | 1960.1018 bb.jpg | data/raw/images/oriental/1960 | The lion has a horn and turns its head backwards. | 310figures
| ็็ป็ | Smaragdite | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1018 | 1960.1018 bb.jpg | data/raw/images/oriental/1960 | The lion has a horn and turns its head backwards. | 310figures
| ็็ป็ | Smaragdite | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1018 | 1960.1018 bb.jpg | data/raw/images/oriental/1960 | The lion has a horn and turns its head backwards. | 310figures
| ็็ป็ | Smaragdite | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1018 | 1960.1018 bb.jpg | data/raw/images/oriental/1960 | The lion has a horn and turns its head backwards. | 310figures
| ็็ป็ | Smaragdite | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1018 | 1960.1018 bb.jpg | data/raw/images/oriental/1960 | The lion has a horn and turns its head backwards. | 310figures
| ็็ป็ | Smaragdite | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1962.78 | 1962.78 d15.jpg | data/raw/images/oriental/1962 | English watch with Turkish face, in silver outer case and studded tortoise shell inner case | 557watches
| null | metal | 18th century | United Kingdom | data/processed/OM_images_white/oriental/1962 |
|
durom.1962.78 | 1962.78 d15.jpg | data/raw/images/oriental/1962 | English watch with Turkish face, in silver outer case and studded tortoise shell inner case | 557watches
| null | metal | 18th century | United Kingdom | data/processed/OM_images_white/oriental/1962 |
|
durom.1962.78 | 1962.78 d15.jpg | data/raw/images/oriental/1962 | English watch with Turkish face, in silver outer case and studded tortoise shell inner case | 557watches
| null | metal | 18th century | United Kingdom | data/processed/OM_images_white/oriental/1962 |
|
durom.1962.78 | 1962.78 d15.jpg | data/raw/images/oriental/1962 | English watch with Turkish face, in silver outer case and studded tortoise shell inner case | 557watches
| null | metal | 18th century | United Kingdom | data/processed/OM_images_white/oriental/1962 |
|
durom.1962.78 | 1962.78 d15.jpg | data/raw/images/oriental/1962 | English watch with Turkish face, in silver outer case and studded tortoise shell inner case | 557watches
| null | metal | 18th century | United Kingdom | data/processed/OM_images_white/oriental/1962 |
|
durom.2014.342.76 | durom.2014.342.76-ff.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 76. Uzumchin woman's costume with silver and coral ornaments. Plain white background with central image of a standing woman wearing a loose long blue robe, with long sleeves and cuffs, the cuffs with light blue upturned brim covering hands; on top of the robe a long black sleeveless garment with gold medallion pattern and an opening in the middle of the front showing light pink lining and fastening with gold buttons, gold green trim with ornaments around all the edges; black boots with light green trim on the seams; orange cap decorated with rows of red round coral beads and metal ornaments, engraved metal chains with various ornaments such as the endless knot, a face of the dragon etc. decorated with red coral beads attached to the orange cap framing the face; under the left hand an ornament with orange and pink ribbons is visible. The woman facing left. | 443prints
| null | paper | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.342.76 | durom.2014.342.76-ff.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 76. Uzumchin woman's costume with silver and coral ornaments. Plain white background with central image of a standing woman wearing a loose long blue robe, with long sleeves and cuffs, the cuffs with light blue upturned brim covering hands; on top of the robe a long black sleeveless garment with gold medallion pattern and an opening in the middle of the front showing light pink lining and fastening with gold buttons, gold green trim with ornaments around all the edges; black boots with light green trim on the seams; orange cap decorated with rows of red round coral beads and metal ornaments, engraved metal chains with various ornaments such as the endless knot, a face of the dragon etc. decorated with red coral beads attached to the orange cap framing the face; under the left hand an ornament with orange and pink ribbons is visible. The woman facing left. | 443prints
| null | paper | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.342.76 | durom.2014.342.76-ff.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 76. Uzumchin woman's costume with silver and coral ornaments. Plain white background with central image of a standing woman wearing a loose long blue robe, with long sleeves and cuffs, the cuffs with light blue upturned brim covering hands; on top of the robe a long black sleeveless garment with gold medallion pattern and an opening in the middle of the front showing light pink lining and fastening with gold buttons, gold green trim with ornaments around all the edges; black boots with light green trim on the seams; orange cap decorated with rows of red round coral beads and metal ornaments, engraved metal chains with various ornaments such as the endless knot, a face of the dragon etc. decorated with red coral beads attached to the orange cap framing the face; under the left hand an ornament with orange and pink ribbons is visible. The woman facing left. | 443prints
| null | paper | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.342.76 | durom.2014.342.76-ff.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 76. Uzumchin woman's costume with silver and coral ornaments. Plain white background with central image of a standing woman wearing a loose long blue robe, with long sleeves and cuffs, the cuffs with light blue upturned brim covering hands; on top of the robe a long black sleeveless garment with gold medallion pattern and an opening in the middle of the front showing light pink lining and fastening with gold buttons, gold green trim with ornaments around all the edges; black boots with light green trim on the seams; orange cap decorated with rows of red round coral beads and metal ornaments, engraved metal chains with various ornaments such as the endless knot, a face of the dragon etc. decorated with red coral beads attached to the orange cap framing the face; under the left hand an ornament with orange and pink ribbons is visible. The woman facing left. | 443prints
| null | paper | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.342.76 | durom.2014.342.76-ff.jpg | data/raw/images/oriental/2014 | One of a set of prints of Mongolian dress. One of 100 coloured loose plates. Each of the coloured plates is separately numbered in black on the bottom of the print in the middle. The reverse is blank. They depict costumes of people from Mongolia, which include summer and winter, caps, ornaments and accessories. _x000D__x000D_
_x000D__x000D_
Plate 76. Uzumchin woman's costume with silver and coral ornaments. Plain white background with central image of a standing woman wearing a loose long blue robe, with long sleeves and cuffs, the cuffs with light blue upturned brim covering hands; on top of the robe a long black sleeveless garment with gold medallion pattern and an opening in the middle of the front showing light pink lining and fastening with gold buttons, gold green trim with ornaments around all the edges; black boots with light green trim on the seams; orange cap decorated with rows of red round coral beads and metal ornaments, engraved metal chains with various ornaments such as the endless knot, a face of the dragon etc. decorated with red coral beads attached to the orange cap framing the face; under the left hand an ornament with orange and pink ribbons is visible. The woman facing left. | 443prints
| null | paper | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2014 |
|
durom.1999.108 | durom.1999.108-d3.jpg | data/raw/images/oriental/1999 | Large wooden carving of four fish. One large fish acts as the centre piece and three smaller fish surround it. The artefact is carved from one piece of wood. | 310figures
| null | hardwood | null | Bali (island) | data/processed/OM_images_white/oriental/1999 |
|
durom.1999.108 | durom.1999.108-d3.jpg | data/raw/images/oriental/1999 | Large wooden carving of four fish. One large fish acts as the centre piece and three smaller fish surround it. The artefact is carved from one piece of wood. | 310figures
| null | hardwood | null | Bali (island) | data/processed/OM_images_white/oriental/1999 |
|
durom.1999.108 | durom.1999.108-d3.jpg | data/raw/images/oriental/1999 | Large wooden carving of four fish. One large fish acts as the centre piece and three smaller fish surround it. The artefact is carved from one piece of wood. | 310figures
| null | hardwood | null | Bali (island) | data/processed/OM_images_white/oriental/1999 |
|
durom.1999.108 | durom.1999.108-d3.jpg | data/raw/images/oriental/1999 | Large wooden carving of four fish. One large fish acts as the centre piece and three smaller fish surround it. The artefact is carved from one piece of wood. | 310figures
| null | hardwood | null | Bali (island) | data/processed/OM_images_white/oriental/1999 |
|
durom.1999.108 | durom.1999.108-d3.jpg | data/raw/images/oriental/1999 | Large wooden carving of four fish. One large fish acts as the centre piece and three smaller fish surround it. The artefact is carved from one piece of wood. | 310figures
| null | hardwood | null | Bali (island) | data/processed/OM_images_white/oriental/1999 |