Sharon Church (born 1948; died 2022) was an American studio jeweler, metalsmith, and educator.  She is a professor emerita of the University of the Arts (Philadelphia) in Philadelphia, Pennsylvania.  In 2012, Church was elected a Fellow of the American Craft Council (ACC). In 2018, she received a Lifetime Achievement Award from the Society of North American Goldsmiths.
 Sharon Church was born in 1948 in Richland, Washington to Gilbert Patterson Church  and Winona Skinner. Church grew up in Wilmington, Delaware, graduating from the Tower Hill School, Class of 1966. Her father was a construction engineer for DuPont Co, and she recalls growing up watching her mother doing craft work and wearing jewelry.
 In 1970, Church earned a B.S. from Skidmore College, where she was a student of Earl Pardon.
She began working with wood while at Skidmore College. She was encouraged to be a carver and work substractively as a student of Albert Paley during her first year at graduate school. Church earned an M.F.A. from The School for American Craftsmen at the Rochester Institute of Technology in 1973.
 In 1979 Church moved from Wilmington, Delaware, to Philadelphia, Pennsylvania to begin teaching at the Philadelphia College of Art (later Craft + Material Studies program at University of the Arts (Philadelphia)) After 35 years, she retired in 2014, becoming professor emerita.
 “I really believe craft has within it the key to valuing a human life,” she says. “To make something with your hands, to know that you exist, to see that that existence has value – even for someone who just likes doing it, it has enormous value.” Sharon Church Sharon Church is known for carving materials like wood, horn, and bone and sometimes incorporating them into works with precious metals and stones. She often uses Castello boxwood or ebony. Church often begins with a drawing, but does not plan out the entire piece. She slowly develops her pieces through trial and error, experimenting with processes, techniques and materials until she feels a piece is complete. If she cannot resolve a piece, she may put it away, discard it or reclaim the materials.
 She draws heavily on nature both as a model and for materials. Following the death of her first husband in 1993, Church began to make carved wood a key element of her jewelry and sculptures. Her first piece in this style, It was the Most Beautiful Day of the Summer (1995), resembles both a fox's head and a cloven heart, in gold and ebony.
 Church has served on the board of directors of the Society of North American Goldsmiths (1983-1987). She has been the production coordinator for Metalsmith magazine (1986-1987) and served on its editorial advisory committee. She has written for Metalsmith and other magazines. She is a member of the American Craft Council and of Art Jewelry Forum.
 Church's work is included in the permanent collections of the
Yale University Art Gallery;
Metropolitan Museum of Art;
Museum of Arts and Design, New York City;
Museum of Fine Arts, Boston;
Pinakothek der Moderne, Munich, Germany;
National Gallery of Australia;
Museum of Fine Arts Houston;
State Hermitage Museum St. Petersburg, Russia; Los Angeles County Museum of Art; Philadelphia Museum of Art;
 and the Delaware Art Museum. Her work, Oh No!, was acquired by the Smithsonian American Art Museum as part of the Renwick Gallery's 50th Anniversary Campaign.