The Window on the World idents were a set of idents used by BBC Two from 18 February 2007 until 13 November 2014. They were created by AMV BBDO and produced by Red Bee Media. The idents featured a number 2 cut out of, or made out of parts of the everyday environment.
 By 2007 BBC Two needed a thorough rebrand as the previous idents were starting to lose their purpose. A new set of idents was therefore commissioned by advertising agency AMV BBDO, and was produced by Red Bee Media, who made the then current idents for BBC One. The new design needed to work, both on television, but also online, as a website and as live streaming feed. The two companies collaborated in all aspects of the process and both contributed people to the process. Paul Brazier, Creative director at AMV and Andy Bryant, Director of Creative at Red Bee Media both were involved in the project, as were Rob Oliver (Art Director, AMV), Chris Bardsley (Writer, AMV), John Golley (Producer, RBM), Joanna Bailey, Michael Geoghegan, Marky, Ian Cross and Stuart Hilton (directors FAQ at Picasso Pictures). On screen presentation was by Paul Mitchell (Chief Designer, RBM) and produced by Lisa Rathband (RBM) with music by Vince Pope from Beetroot and animation was by Picasso Pictures.
 Our famous 2 is one of the most recognisable and durable brand images in British media, and this latest evolution takes it into fresh and exciting territory. These new idents embody all of BBC Two's distinctive humour, creativity, playfulness and surprise – and they're also beautifully-executed pieces of film-making in their own right. The 2007 design had to compare well with its predecessors, and still had to represent BBC Two's programming character and to be an effective promotion of the channel.
 AMV has delivered a really clear, simple creative idea with endless possibilities. It expertly captures both the channel's brand values and its personality in a wide range of scenarios that reveal gripping, exciting and exhilarating situations. We were keen to keep the clever, witty and mischievous personality of the 2 but move it into a whole new space. The new channel identity reflects the way that the brand has evolved over the last five years. It has been skilfully brought to life by Red Bee, which has produced the idents and the complementary on-screen presentation system. The new idents featured a numeral '2' that was slightly different from that used by the channel since 2001, despite assurances by James Pestell that the distinctive '2' would stay. The difference is seen as negligible by some, and absolute sacrilege by others.
 The idents all featured a numeral 2, with a view or scape behind it, as viewers looked through the 2. The new look also featured a new design of BBC Two logo. The previously purple box has now been turned a deep shade of aqua, very similar to the viridian used by the 1991 idents. The text has also been changed, with the "TWO" font being changed to Avenir, from Gill Sans previously. This box was placed to the left of the 2 numeral, opposite to where it was in the previous look, and faded in at the end of the ident. Once again, no clock accompanied the look, and appears to have been abandoned by the BBC. Promotions began with clips of the programme, before the clips were encompassed inside a 2, as it moved back to the endslide, featuring programme name and BBC Two box logo on the left with a full size 2 on the right through which the clips can still be seen. This theme also existed with the breakdown slide, with clips being used from the Seascape ident. Programme stills also still existed, despite being restricted to the schools programming on early mornings, and featured an enlarged middle section of '2' with the top and bottom not visible, off screen, with the programme picture in this large 2 shape.
 The Window on the World idents have had three branding refreshes: October 2008, June 2009 and March 2013.
 The October 2008 refresh was not openly marketed and was unnoticed, except for those eagle eyed few. The refresh would have seen a number of the idents dropped, and the BBC Two logo dropped in favour of the BBC logo in the bottom right corner of the 2. The look was launched on 1 October 2008, and was only seen twice: Sunroof at 6 am that day, and Seascape later that evening prior to night time programming at 12.50 on 2 October 2008. This new refresh was stopped for internal reasons, and the BBC has never explained this.
 The June refresh was by far more successful than the last. This refresh resulted in a number of the idents being dropped and a new style for continuity adopted. The new promotion style involved the endboard design being changed to a large 2, tilted at an angle and filling the left half of the screen with programme information and BBC Two logo on the right of the screen. The most striking thing about these endboards was the bright colour palette used. The end boards could be any colour of the spectrum, however are generally bright fluorescent colours with some programming featuring dark grey endboards. Now and next boards also featured the new style, but using mainly, the same blue as the box logo, and featuring videos from the idents in the slanted 2. This colour was also the main colour used by nations and regions. The breakdown slide was also modified (albeit with apparent haste) to the new style and programme slides were also transferred with both featuring the deep blue of the logo as the only variant.
 The idents themselves were also changed, with some dropped (namely ones where the '2' did not stay intact and full on screen), and the remaining idents altered so that the BBC Two logo was transferred to the right of the 2, and was present at the beginning of the ident, but faded out before the end.
 A second refresh took place to coincide with the launch of BBC Two HD, replacing the BBC HD channel. All idents were updated with new soundtracks, with some even having two or three different versions. Three of the idents (Mirror, Seascape and Tent) feature songs from alt-J. Many also lost the sound effects which went along with them. The "Window on the World" idents were phased out on 13 November 2014 following the return of the 1990s idents in July that year.
 There were two variants to this ident. The formup is the same, but in one the 2 is disturbed by the drinker dropping in two sugar cubes, and the other by the drinker scooping the froth off of the top.
 The soundtrack in all is the same beat on drums, similar to bongo drums.
 During the June 2009 refresh, this ident is the only one, where the logo fades in at the end.
 
 As well as this set of idents, some special ones were made for Christmas and for other programmes. The Christmas idents are below:
 Some specific programme idents are shown below, some of which didn't have the logo in them:
 There have been a few criticisms of the look. The tagging idents have been some of the most controversial in the channel's history. The juddery camera work and shoddy appearance made it appear as though it was shot on a camcorder and done by an amateur. These idents were all dropped, except Football that remained in use until the 2013 refresh.
 Another controversial issue is that of the 2009 redesigned endboards. Their basic design itself is would've been criticised at the time, but the main cause of concern is the highly colourful appearance. The colours are highly fluorescent with few programmes using darker colours. The light colours are widely used, regardless of programme, which means promotions for Newsnight may be in bright yellow. This lack of concern for colour has caused outrage at the inappropriate nature of some of the colours.