Sopronbánfalva (German: Wandorf), also known as Bánfalva, is a former village part of the city of Sopron, Hungary, since 1950. It is also called Kertváros (Garden-City in Hungarian) or Sopron-Kertváros. It is located west of the city center, at the northeastern foot of the Sopron Mountains, next to the road connecting Sopron with Brennbergbánya.
 According to the Treaty of Trianon in 1920, in the western part of the Kingdom of Hungary, the city of Sopron and its surroundings were assigned to Austria. After an uprising in 1921 in this region, a referendum was held and 65.08% of the votes were in favor of belonging to Hungary. This referendum was accepted by the Entente Powers and Sopron and its surrounding 8 villages (including Sopronbánfalva) remained in Hungary.
 The city of Sopron and Sopronbánfalva began to stretch towards each other at the beginning of the 20th century, and since the annexation of the village into the city in 1950, the areas have merged.
 Before 1945, the village had 3,304 inhabitants, with the majority being ethnic Germans. However after the World War II, many ethnic Germans were deported, leaving only around 700 residents. This happened due to the desire to, among other things, secure the border with Austria.
 The monastery in Sopronbánfalva is today a hotel, resting on medieval foundations, located in the southwestern part of Sopron, in Sopronbánfalva. The forest-covered Sopron Mountains and the Heroes' Cemetery of Sopronbánfalva lie in the immediate vicinity of the monastery.
 The Carmelite nuns moved to the monastery in 1892 and were there until 1950. They made a numerous reconstructions and modernizations, part of the work was to supply the church with new paintings, which fell to painter Zoltán Básti. He painted various biblical scenes and figures, which included Saint Peter's Basilica, the Esztergom Basilica, and Bishop Vilmos Apor who died in 1945 during the Siege of Győr. Bishop Vilmos Apor refused to release the women who fled to his residence, a Soviet soldier fatally wounded him during a scuffle. The 17-year-old bishop's nephew jumped in front of his uncle and received three bullets, the bishop was also hit by three bullets. Painting Apor was in itself a testament to considerable courage in the beginning of the Stalinist Rákosi era, which built up total terror. However, the painter was not satisfied with that: above the gallery, the triumph of Saint Michael the Archangel over Satan is depicted, but his defeated face was inspired by the Soviet dictator Joseph Stalin.
 Attila Németh, the parish priest of the church said to the MTI: "He was a brave man, that much is certain. At that time, such an act would have been punished. Just think of the poets of the Soviet Union who wrote satirical poems about Stalin. Most of them were either executed or exiled to Siberia. Only very few could know the "secret" of the painter from Upper Hungary. Of course, the parish priest at the time, István Nagy, who ordered the works, could have been among them. In addition, the artist cunningly disguised his figures: in several other allegorical scenes also visible on the walls, he immortalized the faces of his compatriots in the village."
 
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