"Slip Away" is a song written by William Armstrong, Marcus Daniel, and Wilbur Terrell and performed by Clarence Carter, featured on the 1968 album This Is Clarence Carter.
 In its musical structure and theme (of infidelity), "Slip Away" would seem based on the template of "Steal Away", the 1964 self-penned Jimmy Hughes hit which had been the first single recorded at FAME Studios. The official songwriting credit for "Slip Away" lists three musicians from Clarence Carter's touring band: keyboardist William Armstrong, bassist Marcus Daniel, and drummer Wilbur Terrell.
 Marcus Daniel, Carter's sideman since 1962, had previously co-written - with Carter and Wilbur Terrell - "Tell Daddy" which, after becoming Carter's inaugural R&B hit at the start of 1967, would - as "Tell Mama" - be recorded by Etta James that summer to become an R&B Top Ten R&B hit and Top 40 crossover. Daniel would nevertheless recall that in 1967 he had been feeling uneasy about his musical career:(Marcus Miller 2008 quote:)"I got down on my knees and asked God to allow me to do better" - as a songwriter and musician - "and stay with the band, and within twenty minutes I sat up in bed with both the melody and the lyrics of 'Slip Away' in my mind." Commenting on the arguable incongruity of a divinely inspired song being focused on infidelity, Marcus Daniel would state: "I wrote about what I knew":"back then...I was a bad womanizer, which...shames to this day": in 1988 Daniel would leave his musical career behind, serving as pastor of the Piney Groves Missionary Baptist Church in Mathews, Alabama until his 10 May 2021 passing.
 Clarence Carter would in 2009 have a somewhat contrasting recollection of the song's genesis: "My bass player had written some lyrics...and he and I sat down and really put 'Slip Away' together."
 "Slip Away", arranged and produced by Rick Hall, was recorded at FAME Studios in a mid-1967 recording session whose players, besides vocalist Clarence Carter himself on guitar, included visiting American Sound Studio (Memphis) session regulars Spooner Oldham on keyboards and Tommy Cogbill whose bass riffs on the track would become iconic in the canon of Southern soul: other session players included drummer Roger Hawkins and - in one of his first session jobs - Duane Allman on guitar. Despite the track's credentials, Rick Hall decided against releasing "Slip Away": that the track would eventually serve as the B-side of the April 1968 single release "Funky Fever" was according to Carter his own suggestion, made in the hopes that "Slip Away" would prove to be a "flip hit".
 As Clarence Carter had hoped, it would indeed transpire that as "Funky Fever" ended its comparatively unimpressive chart run - reaching #49 on the U.S. R&B chart and #88 on the U.S. pop chart- in June 1968, "Slip Away" would "breakout" as a "flip hit" in Cincinnati, becoming Carter's first Top 40 hit on the Billboard Hot 100 for the week ending 17 August 1968 on its way to a #6 peak in October, which is the month it reached its R&B chart peak of #2 (behind James Brown's "Say It Loud – I'm Black and I'm Proud", "Slip Away" already having been certified gold for sales of one million units in September.Billboard's year-end charts would rank "Slip Away" as the #44 biggest Pop hit of 1968, and as the #2 R&B hit of 1968 (again, behind James Brown's "Say It Loud – I'm Black and I'm Proud".
 RPM, the music industry journal for Canada, would rank "Slip Away" as high as #12 on its national 100 single survey/
 
 This 1960s song-related article is a stub. You can help Wikipedia by expanding it.