The Bill is a British police procedural television series, first broadcast on ITV from 16 August 1983 until 31 August 2010. The programme originated from a one-off drama, Woodentop, broadcast in August 1983.
 The programme focused on the lives and work of one shift of police officers of all ranks, and the storylines dealt with situations faced by uniformed officers working on the beat, as well as plainclothes detectives.  The Bill was the longest-running police procedural television series in the United Kingdom, and among the longest running of any British television series at the time of its cancellation. The title originates from "Old Bill", a slang term for the police. Throughout its 27-year run, the programme was always broadcast on the main ITV network. In later years, episodes of the show were repeated on ITV3 on their week of broadcast. The series has also been repeated on other digital stations, including Gold, Alibi, W, Dave, and Drama.
 The series attracted controversy on several occasions. An episode broadcast in 2008 was criticised for featuring fictional treatment for multiple sclerosis. The series has also faced more general criticism concerning its levels of violence, particularly prior to 2009, when it occupied a pre-watershed slot. The Bill won several awards, including BAFTAs, a Writers' Guild of Great Britain award, and Best Drama at the Inside Soap Awards in four consecutive years (2006–09).
 In March 2010, following a spell of declining audiences and negative public and media reception, executives at ITV announced that the network did not intend to recommission The Bill and that filming would cease on 14 June 2010. The final episode aired on 31 August 2010.
 The Bill was originally conceived by Geoff McQueen in 1983, then a new television writer, as a one-off drama. McQueen had originally titled the production Old Bill. It was picked up by Michael Chapman for ITV franchise holder Thames Television, who retitled it Woodentop as part of Thames's "Storyboard" series of one-off dramas and broadcast on ITV under the title Woodentop on 16 August 1983. Woodentop starred Mark Wingett as PC Jim Carver and Trudie Goodwin as WPC June Ackland of London's Metropolitan Police, both attached to the fictional Sun Hill police station.
 Although originally only intended as a one-off, Woodentop so impressed ITV that a full series was commissioned, first broadcast on 16 October 1984 with one post-watershed episode per week, featuring an hourlong, separate storyline for each episode of the first three series. The first episode of the full series was "Funny Ol' Business – Cops & Robbers". With serialisation, the name of the show changed from Woodentop to The Bill. Series one had 11 episodes and was broadcast in 1984, series two and three had 12 episodes each and were broadcast in 1985–1986 and 1987 respectively. With a full ensemble cast to explore new characters not featured or just mentioned in Woodentop, the focus of the storylines soon shifted away from new recruit Carver and towards Detective Inspector Roy Galloway and Sergeant Bob Cryer.
 The series then changed to two 30-minute episodes per week, on Tuesdays and Thursdays in 1988 (from July 1988 onwards, and began being broadcast all year round without a summer break), increasing to three a week beginning in 1993, with the third episode being broadcast on Fridays. In 1998, The Bill returned to hour-long episodes, which later became twice-weekly, with the Friday episode being dropped, at which point the series adopted a much more serialised approach. When Paul Marquess took over as executive producer in 2002, as part of a drive for ratings, the series was revamped, bringing more of a soap-opera feel to many of its stories. Many veteran characters were written out, leading to the Sun Hill fire during 2002. Marquess stated that the clearout was necessary to introduce "plausible, powerful new characters". As part of the new serial format, much more of the characters' personal lives were explored but, as Marquess put it, the viewers still "don't go home with them". The change also allowed The Bill to become more reflective of modern policing, with the introduction of officers from ethnic minorities, most notably the new superintendent, Adam Okaro. It also allowed coverage of the relationship of homosexual Sergeant Craig Gilmore and PC Luke Ashton, a storyline which Marquess was determined to explore before rival Merseybeat.
 In 2005, Johnathan Young took over as executive producer. The serial format was dropped and The Bill returned to stand-alone episodes with more focus on crime and policing than on the officers' personal lives. The year 2007 saw the reintroduction of episode titles, which had been dropped in 2002. In 2009, The Bill moved back to the 9 pm slot it previously held, and the theme tune, "Overkill", was replaced as part of a major overhaul of the series.
 On 26 March 2010, ITV announced that it would be cancelling the series later that year after 26 years on air. ITV said that this decision reflected the "changing tastes" of viewers. The last episode of The Bill was filmed in June 2010 and broadcast on 31 August 2010 followed by a documentary titled Farewell The Bill. Fans of the show started a 'Save the Bill' campaign on social networking website Facebook to persuade ITV to reconsider the cancellation, and BBC Radio 1's Chris Moyles promoted the campaign on air.
 At the time the series ended in August 2010, The Bill was the United Kingdom's longest-running police drama and was among the longest-running of any British television series. The series finale, entitled "Respect", was aired in two parts and was dedicated to "the men and women of the Metropolitan Police Service past and present". The finale storyline concerned gang member Jasmine Harris being involved in the murder of fellow member Liam Martin who died in the arms of Inspector Smith after being stabbed. Jasmine is then gang raped because she talked to the police, and when Callum Stone found the person responsible he was held at gunpoint. Of the finale's title, executive producer Jonathan Young said "It's called "Respect" and we hope it will respect the heritage of the show".  The finale episodes featured all the cast and the final scene was specially written so all cast members would be featured. Following the final episode, ITV aired a documentary entitled Farewell The Bill which featured interviews from past and present cast and crew members. The finale was watched by 4.4 million viewers, with Farewell The Bill averaging 1.661 million viewers.
 On 17 April 2021, various media outlets began reporting that the series may be set for a reboot. Writer Simon Sansome was understood to have bought the rights to the original series, and was planning a revival, dubbed Sun Hill (as licensing meant the series could not be named The Bill once more), alongside Holby City creator and former EastEnders writer Tony McHale, who had previously written episodes of The Bill and one of its spin-offs, Beech is Back. Sansome had been in talks with various cast members during a 2020 reunion and discussed possible appearances for show legends Mark Wingett (Jim Carver), Trudie Goodwin (June Ackland) and Graham Cole (Tony Stamp). However, no official date had been set for a return, nor had the mooted Sun Hill project been picked up by any TV network. On 18 April, Mark Wingett confirmed this on his Twitter account, stating they had been "approached" by production companies but the Sun Hill project had not been given the green light.
 Throughout the series, there have been three filming locations for Sun Hill police station. From the first series, the police station consisted of a set of buildings in Artichoke Hill, Wapping, East London. However, these buildings were next to the News International plant and during the winter of 1985–86 there was much industrial action which resulted in some altercations between the strikers and what they thought were the real police but were actually actors working on The Bill. Working conditions got so dire, that the production team realised they needed to find another base to set Sun Hill police station.
 The second location was an old record distribution depot in Barlby Road, North Kensington in North West London. Filming began here in March 1987. In 1989, the owners of the Barlby Road site ordered The Bill out, due to their redevelopment plans for the area. After an extensive search, two sites were selected, the favourite being a disused hospital in Clapham. However, this fell through and the second option was chosen—an old wine distribution warehouse in Merton, South West London. The move was made in March 1990 and was disguised on screen by the 'ongoing' refurbishment of Sun Hill police station and then finally the explosion of a terrorist car-bomb in the station car-park, which ended up killing PC Ken Melvin.
 Filming for the series took place all over London, mainly in South London and particularly the London Borough of Merton, where the Sun Hill set was located. Locations used when the show was filmed on a housing estate included:
 Scenes were often filmed in east London, most notably the London Docklands, with other scenes filmed in Tooting, Greenwich and Croydon among other locations around London.
 The Bill's set of "Sun Hill" police station remained until mid 2013 when it was finally dismantled.
 The Bill is set in and around Sun Hill police station, in the fictional "Canley Borough Operational Command Unit" in East London. Geoff McQueen, creator of The Bill, claimed that he named Sun Hill after a street name in his home town of Royston, Hertfordshire.
 The fictional Sun Hill suburb is located in the fictional London borough of Canley in the East End, north of the River Thames (Canley is a real suburb in Coventry). The Borough of Canley is approximately contiguous to the real-life London Borough of Tower Hamlets, and in the first few years of The Bill, Sun Hill police station was actually stated as being located in Wapping in Tower Hamlets. Sun Hill has a London E1 postcode (the 'address' of Sun Hill police station is given as '2 Sun Hill Road, Sun Hill, Canley E1 4 km'), which corresponds to the real-life areas of Whitechapel and Stepney.
 When filming The Bill, some outdoor scenes were re-enacted indoors with microphones surrounding the actors and the extra sounds being "dubbed" on later.  Some of the more aggressive scenes were also filmed indoors either for dubbing or safety reasons. The sirens used in the series were added later in the dubbing suite as The Bill did not have permission to use them while on location. However, the police uniforms used in the series were genuine, again making The Bill unique amongst police dramas. When the series ended, London's Metropolitan Police Service, after talks with the production company, bought 400 kilograms of police-related paraphernalia, including uniforms and body armour, to prevent them falling into the hands of criminals after the programme's production ceased.
 The Bill is unique amongst police dramas in that it takes a serial format, focusing on the work and lives of a single shift of police officers, rather than on one particular area of police work. Also unique is that The Bill adapted to this format after several series, whereas comparable series started with the serial format.
 During its initial broadcast, The Bill was always shown on ITV. In 2009, STV, ITV's regional franchise in Central and Northern Scotland, opted out of broadcasting the series along with a number of other dramas, a decision that later became the subject of legal proceedings between STV and the main ITV network. The legal dispute was settled on 27 April 2011, with ITV receiving £18 million from STV.
 Aside from repeats of episodes on ITV3, which occurred on the original week of their broadcast, the show has regularly been repeated on other digital stations. Re-runs of the series began on 1 November 1992, when new digital channel UKTV Gold began broadcasting. The channel broadcast repeats of the series for nearly 16 years, until 6 October 2008, when the channel was given a revamp by the owners of the network. During the 16-year period, re-runs of the series covered every episode broadcast between 16 October 1984, and 8 March 2007. On 7 October 2008, UKTV launched a new British drama channel, Alibi, and from this point on, episodes of the series were broadcast at 8 am. Alibi broadcast episodes until 23 December 2009, when the show was taken from the channel's schedule due to poor viewer feedback. During the 14 months that the show broadcast on Alibi, the channel covered all of the episodes broadcast between 25 August 1998 and 27 February 2002. On 27 January 2010, UKTV relocated The Bill to one of its more recent entertainment channels, Watch, which began by airing the episode "Sweet Revenge", broadcast on 21 March 2007, continuing in broadcast order, carrying on from where UKTV Gold, had finished. Through the course of the year, the channel continued to broadcast episodes from the latter years of the show, concluding in November 2010 with the episode "Conviction: Judgement Day", broadcast on 16 July 2009. Following a short break from the network, the series returned in December 2010, beginning with Episode #001, broadcast on 28 February 2002. This continued on from the broadcast order of episodes repeated on Alibi, carrying on from where the network had finished. As of April 2012, Watch had repeated every single episode from 28 February 2002 to 24 February 2005, and was to begin airing episodes from March 2005. In July 2013 the show started to be broadcast by UKTV channel Drama, starting with episodes from 1998. On 14 August 2017, Drama started showing The Bill from the beginning. As of 6 November, Drama jumped approximately a decade.
 The Bill has been broadcast in over 55 countries.
 When The Bill was first commissioned as a series by ITV, it started with 12 episodes per year, each an hour long with a separate storyline. In 1988, the format changed to a year-round broadcast with two 30-minute episodes per week. In 1993, this expanded to three 30-minute episodes per week. In 1998, the broadcast format changed to two one-hour episodes each week, also recording in 16:9 widescreen Digibeta. In 2009, The Bill began broadcasting in HD and as part of a major revamp, was reduced to broadcasting once a week. The Bill finished on 31 August 2010 after 2,425 episodes.
 The Bill broadcast two live episodes. The first was in 2003 to celebrate the 20th anniversary of the pilot, Woodentop. The second was in 2005 to celebrate the 50th birthday of ITV.
 The live episode in 2003 was episode No. 162, originally broadcast on 30 October 2003 at 8 pm, and produced with a crew of 200 staff including seven camera crews. It was reported to be the first live television broadcast of a programme where filming was not largely confined to a studio. Detective Constable Juliet Becker and Constable Cathy Bradford are being held hostage by a man called Mark in a van in the station yard. Bradford raises the custody suite alarm. When the rest of the station arrive outside, Mark makes it known that he intends to kill Becker. The police get permission to break into the carrier, only to find that Juliet has been stabbed. She is rushed to hospital, but attempts to resuscitate her fail. The episode was watched by around 10 million viewers. This special was later released onto DVD in United Kingdom 31 October 2011, as part of Network DVD's "Soap Box: Volume 1".
 The live episode in 2005 was episode No. 349, broadcast on 22 September 2005 at 8 pm. In this episode, it was revealed that PC Gabriel Kent had assumed a false identity. It is revealed that he has been operating under his brother's name and is, in fact, David Kent. In this episode the "real" Gabriel Kent arrived in Sun Hill to meet his mother, Sergeant June Ackland. In this episode, Sun Hill police station is hosting a reception party and, as the police arrive, they are taken hostage by a distraught father whose son was killed by a stolen car. A struggle ensues in which a shot is fired, alerting others in the building the incident. After an evacuation of the station, Superintendent Amanda Prosser encourages PC Dan Casper to attempt to overpower the man. As he does so, both Casper and the real Gabriel Kent are shot. The real Gabriel Kent is rushed to hospital where the false Gabriel Kent threatens him to keep the identity switch a secret.
 A series of special episodes titled The Bill Uncovered were produced to reflect the stories of select characters and events. The first was The Bill Uncovered : Des and Reg (2004) – The story of the unusual friendship between PC Des Taviner and PC Reg Hollis, traversing their history from Des's first day at Sun Hill to his death in a Sun Hill cell.
The second was The Bill Uncovered : Kerry's Story (2004), the story of PC Kerry Young, who met her death outside Sun Hill. The third special was The Bill Uncovered : Jim's Story (2005), the story of DC Jim Carver – from his first day at Sun Hill (in the pilot "Woodentop"). The last was The Bill Uncovered: On The Front Line (2006), in which Superintendent Adam Okaro recounts the extraordinary events that have surrounded Sun Hill over his time in charge. A review of the second of these specials criticised the "increasingly degenerative plotlines" of the series, and characterised the special as a "cheerless outing" covering The Bill's "travesties of plot". All four editions of The Bill Uncovered were released on DVD in Australia as part of The Bill Series 26 DVD boxset, 30 April 2014.
 In 2008 a special programme called "The Bill Made Me Famous" in light of the show's 25th anniversary was broadcast, which saw former actors and special guest stars telling their accounts of working on the show and how it changed their lives. It included old favourites such as Billy Murray (DS Don Beech), Chris Ellison (DI Frank Burnside) and popular TV personalities such as Paul O'Grady and Les Dennis.
 A two-part crossover episode with the German series Leipzig Homicide, entitled "Proof of Life", was broadcast in November 2008. This included scenes filmed in Germany; other countries in which episodes were filmed included France (Foreign Body, 1999) and Australia (Beech on the Run, 2001).
 Following The Bill's final episode, on 31 August 2010, a one-hour special titled Farewell The Bill was broadcast. The special explored the history of the series and gave viewers a behind the scenes look at the filming of the last episode. This special was later released on DVD in Australia on 5 October 2011, along with the last two-part episode "Respect".
 The Bill had a large regular cast to support the number of episodes that were produced each year. Working on The Bill had become something of a comical joke in British acting, with 174 actors having formed part of the series' main cast since the series began.
 The following list contains characters whose roles transformed the series, and in some cases led to spin-offs, as well as characters who hold individual accolades for their time on the series. An expanded version is available at List of characters of The Bill.
 The constant need for minor characters, normally appearing in only a single episode, inevitably led to numerous guest roles in The Bill being played by actors and actresses who later achieved a high profile, some of whom appeared as child actors. The following actors appeared in the show at least once.
 Some guest parts were also played by guest actors who were already well known when they appeared, including:
 The Bill was a popular drama in the United Kingdom and in many other countries, most notably in Australia.
 The series attracted audiences of up to six million viewers in 2008 and 2009. Ratings during 2002 peaked after the overhaul of the show which brought about the 2002 fire episode, in which six officers were killed, and the 2003 live episode attracted 10 million viewers – 40% of the UK audience share. Immediately following The Bill's revamping and time slot change, it was reported that the programme had attracted 4.5 million viewers, 19% of the audience share, but it lost out in the ratings to the BBC's New Tricks, with the Daily Mirror later reporting that ITV's schedule change was behind a two million viewer drop in ratings.
 In 2001, prior to Paul Marquess's appointment as executive producer, ratings had dropped to approximately six million viewers, and advertising revenues had fallen, in part due to the ageing demographic of its viewers, leading ITV to order a "rejuvenation", which saw the series adopt a serial format.
 In 2002, The Independent reported that The Bill's Thursday episode was viewed by approximately 7 million people, a fall of approximately 3 million viewers in the space of six months. After the cast clearout resulting from the Sun Hill fire in April 2002, BBC News reported that the show attracted 8.6 million viewers, the highest figure for the year to that point, and by October 2003, the program had around 8 million viewers each week.
 In 2005, The Bill was averaging around 11 million viewers, in comparison to Coronation Street, which was attracting around 10 million viewers.
 In 2009, The Daily Mirror reported that The Bill was to be moved to a post-watershed slot to allow it to cover grittier storylines. It was reported that it was the first time in British Television that ITV had broadcast a drama all year in the 9 pm slot. The changeover happened at the end of July 2009.  Before the move, the program was averaging 5 million viewers between the two episodes each week. BARB reported that the week of 12–18 October 2009 saw 3.78 million viewers watch the show.
 The Bill has achieved a number of awards throughout its time on air, ranging from a BAFTA to the Royal Television Society Awards. and the Inside Soap Awards, particularly the Best Recurring Drama category.
 In 2010, The Bill was nominated for a Royal Television Society award for Best Soap/Continuing Drama, beating both Coronation Street and Emmerdale onto the nominations list. The only soap to be nominated was EastEnders and the results were announced on 16 March 2010. In 2009 an episode of The Bill won the Knights of Illumination Award for Lighting Design- Drama.
 It has been compared to Hill Street Blues due to the similar, serial, format that both series take. However, The Bill saw little direct competition on British television in the police procedural genre over its 25-year history, though the BBC launched several rival series, with varying degrees of  success: The first was in 1990-91 when two series of Waterfront Beat were produced for the BBC by Phil Redmond. In 1995-6, two series of Out of the Blue were produced, but failed to gain significant ratings. In 1998 came City Central, which lasted for three series, until being cancelled in 2000. Next was  Merseybeat, which ran from 2001, but was cancelled in 2004 due to poor ratings and problems with the cast.  HolbyBlue, launched in 2007, was a spin-off of successful medical drama Holby City (itself a spin-off of the long-running Casualty). It was scheduled to go "head to head" with The Bill, prompting a brief "ratings war" but, in 2008, HolbyBlue was also cancelled by the BBC, again, largely due to poor ratings.
 When The Bill started, the majority of the Police Federation were opposed to the programme, claiming that it portrayed the police as a racist organisation, but feelings towards the programme later mellowed, to the extent that, in 2006, executive producer, Johnathan Young, met Sir Ian Blair, then Commissioner of the Met, and it was decided that the editorial relationship between the police and the programme was sufficient. However, Young stressed that The Bill is not "editorially bound" to the police.
 Despite better relations with the police, The Bill was still not without controversy.  It was sometimes criticised for the high levels of violence, especially prior to 2009, when it occupied a pre-watershed timeslot. Specific story lines also came under fire in the media, such as that involving a gay kiss in 2002, as well as an episode broadcast in March 2008 which featured a fictional treatment for multiple sclerosis, leading the MS Society to brand the plot "grossly irresponsible".
 The Bill spawned several spin-off productions, as well as related series in German and Dutch.