Yemima Ergas Vroman (born April 3, 1942) is an Israeli painter who engages in drawing, sculpting, installation and three-dimensional objects in various media. The main theme that distinguishes her works is the "old" versus the "new" in the urban space. in its variety of aspects.
 Yemima Ergas was born in Jerusalem to Dutch-born parents. Her father, Akiva Jaap Vroman, was a professor of geology - one of the pioneers of geological research in Israel and Israel Prize laureate. Her mother, Gonny Vroman, was a pianist and a piano teacher. In 1950, she moved to Haifa, where she was educated until 1960, then enlisted in the IDF and served in the Nahal Brigade. In 1964, after her release from the military service and a two-year stay at Kibbutz Netiv HaLamed-Heh, she moved to live with her family in Jerusalem.
 Concurrently with her high school studies, she started her painting studies with painter Sima Slonim and later with painter Rafael Mohar. 
From 1965 to 1968, she studied at the Bezalel Academy of Art and Design in the Department of Ceramic Design, and until 1977 she engaged in ceramics and sculpture in the private studio she established. Her works have been exhibited in galleries in Israel, Europe and Canada.
 Between the years 1977 and 1979, during her family's stay in New York, she was admitted into a continuing program at the Pratt Institute, where she studied three-dimensional design under the tuition of American designer Rowena Reed Kostellow, and color theory in painter Joseph Phillips' class. Upon her return to Israel in 1979, Yemima Ergas resumed painting which became her main occupation.
 From 1999 to 2009, she served as a board member of the Jerusalem Artists Association and chaired the Artists' House Exhibition Committee; she also participated in judging committees within various frameworks.
 From 2010 to 2015, she was appointed as a member of the Culture and Sports Ministerial Trustees Committee of Visual Arts.
Ergas is one of the founding members of the Agripas 12 Cooperative Gallery, founded in 2004 by a group of 15 artists in the city center of Jerusalem. She was active in the gallery until 2012.
 She has been teaching painting since the 1980s, and from the 1990s she curated about 20 exhibitions. Her own works have been published in a selection of books and on book covers.
 In many of her works, Ergas expresses the processes of degradation and construction, the transformations taking place in the urban, industrial and technological landscape, and the juxtaposition between old and new in material culture. From 1984 to 1987, she focused on paraphrasing the natural local landscape on paper, in her studio, in a free, semi-abstract and abstract language, using various mediums; among others in the series "Man and Place", "Hard Places" and "Uncharted Land". 
In 1988, after returning from a visit to China, Ergas created a series of paintings of the Forbidden City in Beijing [oil on paper] and has since turned her eyes to the Israeli-built landscape, which yielded various series of works, using a variety of techniques. In 1989, she created a series of charcoal drawings on paper of the old deserted Reading power station in Tel Aviv.
From 1995 to 1996, Ergas devoted her entire time to creating the triptych " View of Jerusalem from the Supreme Court" - a cityscape in oil on canvas, measuring 405 X 96 cm. Her work was based on observing the view from the large entrance hall window of the Supreme Court building. The triptych was exhibited in the Israel Museum in 1996, and has since been exhibited in galleries and museums in Israel, the United States, Denmark, Norway, France and the Knesset (Israeli Parliament house) in Jerusalem.
 Between the years 1997–2005, Ergas made the large panoramic painting "Altneuland" (a view of Tel Aviv); the "Concrete Land” series, which focused on construction sites and the "Nesher" cement plant; as well as a variety of paintings of Tel Aviv, most of them from a birdlike view. From 2004-2005, she created a group of works of the old city center of western Jerusalem. In 2005–2006, she drew the series of charcoal drawings "Hidden Cities", depicting computer motherboards. In 2007 she produced a series of motherboard sand-castings, entitled "Cities and Memory". From 2009 to 2013 she created a wall installation of a large group of small objects portraying drilling rigs at sea, called "New Territories".
Another element that stands out in the works of Yemima  Ergas is the "Ars Poetica" characteristic - the constant depiction of her working tools, paintings of the studio's interior and the subject of "color" itself, as themes for paintings and installations.
From 2012, Ergas has been engaged in making single-copy artist-books, in various forms of recycling - from paper recycling to producing new handmade paper (for book creation and binding), and to creating her own contents in books that were intended for shredding.
 Ergas's works are found in various collections, among others in collections of the Israel Museum, the Ministry of Foreign Affairs (Israeli Embassy in Paris), the Knesset, The Jerusalem Print Workshop, the Nesher cement plant in Ramla, as well as numerous private collections in Israel and around the world.
Some of her works present ecological aspects, sometimes suggesting social criticism.
 Yemima is married to Isaac Ergas and they have three children.[citation needed]