The Petite Écurie is a monument located in Versailles, on the Place d'Armes, opposite the Palace of Versailles, between the Avenue de Paris and the Avenue de Sceaux. Together with the Grande Écurie, it formed the Écuries royales (an institution employing some 1,000 people under Louis XIV), and was built under the direction of architect Jules Hardouin-Mansart and completed in 1681.
 Today, it houses the École Nationale Supérieure d'Architecture de Versailles and the workshops of the Centre for Research and Restoration of Museums of France.
 The École de Versailles consisted of the Petite Écurie and the Grande Écurie.
 Identical to the Grande Écurie, from which it is separated by the Avenue de Paris, under the Ancien Régime, the Petite Écurie was under the orders of the Premier Écuyer. It was in charge of horses and carriages, as well as fancy vehicles such as gondola sleighs.
 From 1683 to 1685, The Maréchalerie was built behind the Petite Écurie. This establishment completed the activities of two stables. It replaced the modest King's stable, which then became the Queen's stable.
 By decree of September 16, 1929, the entire Petite Écurie was classified as a historic monument.
 From 1935 to 1939, it was the barracks of the École de l'Air, along with the 134 Versailles air base.
 Since 1969, it has housed the École nationale supérieure d'architecture de Versailles.
 Between 1970 and 1973, a gypsothèque (a plaster cast collection), the Musée du Louvre's collection of antique casts, began to move in.
 In 1988, La Maréchalerie was listed as a historic monument.
 Since 1999, it has also housed the restoration workshops of the Centre for Research and Restoration of Museums of France.
 In 2004, La Maréchalerie became a contemporary art center for the École nationale supérieure d'architecture de Versailles. It organizes several exhibitions a year.
 Since 2012, the Petite Écurie has housed a gypsothèque, a collection of around 5,000 sculptures and casts based on ancient art (mainly Roman, since it wasn't until the eighteenth century that archaeologists began to take an active interest in Greece). These are the molding collections of the Louvre, the École des Beaux-Arts and the Institut d'art et d'archéologie de la Sorbonne. Under the direction of Louis XIV, Jean-Baptiste Colbert had required the boarders at the French Acedemy in Rome to copy ancient pieces, so that they could serve as inspiration for the sculptors at Versailles. In the 1930s, these casts were exhibited in the Louvre, on the landing of the Winged Victory of Samothrace staircase; today, it is inconceivable that a museum should present originals and casts on an equal footing. The plaster casts from the Beaux-arts, partly ransacked in May 68, have kept their original graffiti, as the authorities considered them part of the history of the works. The gypsothèque de la Petite Écurie was set up in the 1970s, but was previously closed to the public.
 Since 2008, as part of the campaign to save the Palace's sculptures, several statues have been housed in the Galerie des Sculptures and replaced by copies:
 
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